Office of Public Works properties Munster:

Munster’s counties are Clare, Cork, Kerry, Limerick, Tipperary and Waterford.

Clare:

1. Ennis Friary, County Clare

2. Scattery Island, County Clare

Cork:

3. Annes Grove, County Cork

4. Barryscourt Castle, County Cork

5. Charles Fort, County Cork

6. Desmond Castle, Kinsale, County Cork

7. Doneraile Court, County Cork

8. Fota House, Arboretum and Gardens, County Cork

9. Ilnacullin, Garanish Island, County Cork

Kerry:

10. Ardfert Cathedral, County Kerry

11. The Blasket Centre, County Kerry

12. Derrynane House, County Kerry

13. Listowel Castle, County Kerry

14. Ross’s Castle, Killarney, County Kerry

15. Skellig Michael, County Kerry

Limerick:

16. Askeaton Castle, County Limerick

17. Desmond Castle, Adare, County Limerick

18. Desmond Castle, Newcastlewest, County Limerick

19. Lough Gur, County Limerick

Tipperary:

20. Cahir Castle, County Tipperary

21. Famine Warhouse 1848, County Tipperary

22. Holycross Abbey, County Tipperary

23. The Main Guard, County Tipperary

24. Ormond Castle, Carrick-on-Suir, County Tipperary

25. Rock of Cashel, County Tipperary

26. Roscrea Castle and Damer House, County Tipperary

27. Swiss Cottage, County Tipperary

Waterford:

28. Dungarvan Castle, County Waterford

29. Reginald’s Tower, County Waterford

Clare:

1. Ennis Friary, County Clare:

Ennis Friary, photograph from Ireland’s Content Pool, Photograph by Eamon Ward 2020 for Failte Ireland. [1]

From the OPW website:

The O’Briens of Thomond, who once ruled much of north Munster, founded this medieval Franciscan friary. It grew quickly into a huge foundation, with 350 friars and a famed school of 600 pupils by 1375. It was the very last school of Catholic theology to survive the Reformation.

The building contains an exceptional wealth of fifteenth- and sixteenth-century sculptures carved in the local hard limestone, including one of St Francis himself displaying the stigmata. An arch between the nave and transept bears a remarkable image of Christ with his hands bound.

Don’t forget to visit the sacristy, an impressive structure with a ribbed, barrel-vaulted ceiling. Take especial note of the beautiful east window, with its five lancets, as it lights up the chancel.” [2]

Ennis Friary, photograph from Ireland’s Content Pool, Photograph by Eamon Ward 2020 for Failte Ireland.

2. Scattery Island, County Clare:

Scattery Island, lies just off Kilrush, on the Shannon Estuary, in County Clare. It is the site of an early Christian settlement founded by St Senan, who built his monastery in the early sixth century. A short boat trip from Kilrush will take you to the island, where you can explore its multi-layered, 1,500-year history including its round tower and six ruined churches. Photograph from Ireland’s Content Pool, by Airswing Media for Failte Ireland.

From the OPW website:

Off the northern bank of the Shannon Estuary lies Scattery Island, the site of an early Christian settlement founded by an extraordinary man.

St Senan, who was born in the area, built his monastery in the early sixth century. It included a mighty round tower, which at 36 metres is one of the tallest in Ireland.

There are six ruined churches on the site too. The Church of the Hill stands on a high spot, the very place where, legend has it, an angel placed Senan so that he could find – and then banish – the terrible sea-monster called the Cathach. It is believed that Senan is buried beside another of the medieval churches.

Scattery was invaded many times over the centuries. The Vikings in particular believed that the monastery held many riches and returned several times to ravage it.

A short boat trip will take you to the island, where you can explore its multi-layered, 1,500-year history.

Cork:

3. Annes Grove, Castletownroche, County Cork:

Tel: (087) 251 5965

This is due to be open soon by the OPW. It does not have a website yet. In December 2015 Annes Grove House and Garden were donated to the state by the Annesley family.

Nestled into an eighteenth century ornamental glen, adjacent to the River Awbeg, the demesne of Annes Grove in north County Cork is the setting for the most exquisite Robinsonian-style gardens in Ireland….

The Gardens at Annes Grove were largely the creation of Richard Grove Annesley in the first half of the twentieth century.” [3]

The estate was previously known as Ballyhimmock, and it was acquired by William Grove around 1626.

In 1792 it was inherited by Arthur Grove Annesley (1774-1849) from an aunt by marriage, heiress to the Grove family, after which it was renamed by merging the two family names. [4] Arthur Grove Annesley’s uncle Francis Charles Annesley, 1st Earl Annesley of Castlewellan, County Down, married Mary Grove who inherited the estate from her father.

At the centre of the garden is a restored Gothic style summerhouse. The main house is of Queen Anne design, from the 18th century. Pergolas, a lily pond, Victorian stone fernery, a woodland walk and river garden, a rockery and wild water garden create an atmospheric setting.

4. Barryscourt Castle, County Cork:

From the OPW website:

Barryscourt Castle was the seat of the great Anglo-Norman Barry family and is one of the finest examples of a restored Irish Tower House. Dating from between 1392 and 1420, the Castle has an outer bawn wall and largely intact corner towers. The ground floor of the Tower House contains a dungeon into which prisoners were dropped via the ‘drop-hole’ located on the second floor.

The Barrys supported the Fitzgeralds of Desmond during the Irish rebellions of the late sixteenth century. To prevent it being captured by Sir Walter Raleigh and his army, the Barrys [David Barry, 5th Viscount Barry (1550-1617)] partially destroyed the Castle.

During the Irish Confederate War of the seventeenth century Barryscourt Castle was once again successfully attacked.  Cannon balls lodged in the wall above the Castle entrance bear witness to this conflict. The last head of the Barry family was Lord David Barry.

Barryscourt Castle has been extensively restored. The Main Hall and Great Hall have been completed and fittings and furnishings reinstated. Within the Castle grounds, the herb and knot garden and the charming orchard have been restored to their original sixteenth century design.

After David Barry’s death in 1617 the family made Castlelyons their principal seat (now a ruin). The castle was restored by the OPW and the Barryscourt Trust between 1987-1993, with reproduction furniture made by Victor Chinnery. [5]

An article in the Irish Examiner by Padraig Hoare published 22nd May 2021 tells us that the site is closed and will be for some time:

A reopening date must be established for one of East Cork’s most historic landmarks after languishing in the midst of safety works for five years.

That is according to Cork East TD Séan Sherlock, who said Barryscourt Castle in Carrigtwohill has to be a priority for the Government body in charge of the facility, the Office of Public Works (OPW).

History enthusiasts and families alike were disappointed in the summer of 2020, when it emerged that Barryscourt Castle would remain closed for another 18 months.

The latest update from the OPW given in response to a parliamentary question from Mr Sherlock suggests it may be even longer than the date anticipated a year ago.

The Department of Public Expenditure said restrictions associated with the Covid-19 pandemic “has disrupted the good progress” of works being done to make the facility safe.

It is not possible at this time to give a precise date for reopening to the public,” the department said.

5. Charles Fort, County Cork:

The Soldiers Quarters, the Hospital ward, the Lighthouse (by Robert Reading) and Magazine of the 17th Century Charles Fort, Kinsale, Co. Cork, Munster, Ireland. Photograph from Ireland’s Content Pool, photograph by Cahir Davitt, 2016, for Failte Ireland.

From the OPW website:

As one of the country’s largest military installations, Charles Fort has been part of some of the most momentous events of Irish history. During the Williamite Wars, for example, it withstood a 13-day siege before it fell. Later, in the Civil War of the early 1920s, anti-Treaty forces on the retreat burned it out.

Charles Fort is a massive star-shaped structure of the late seventeenth century, well preserved despite its history. William Robinson, architect of the Royal Hospital in Kilmainham, Dublin, is credited with designing it. Its dimensions are awe-inspiring – some of the outer defences are 16 metres high.

The view from the ramparts looking out over Kinsale Harbour is spectacular.

The Soldiers Quarters, and Magazine of the 17th Century Charles Fort, Kinsale, Co. Cork, Munster, Ireland. Photograph from Ireland’s Content Pool, photograph by Cahir Davitt, 2016, for Failte Ireland.
The seaward Devils Bastion and lighthouse of the 17th Century Charles Fort, with Kinsale boatyard in the background, Kinsale, Co. Cork, Munster, Ireland; Photograph from Ireland’s Content Pool, photograph by Cahir Davitt, 2016, for Failte Ireland.

6. Desmond Castle, Kinsale, County Cork:

Desmond Castle Kinsale, photograph from National Inventory .

From the OPW website:

Desmond Castle in Kinsale dates from around 1500. It is a classic urban tower house, consisting of a three-storey keep with storehouses to the rear.

Maurice Bacach Fitzgerald, the earl of Desmond, originally built the castle as the customs house for the town. [I think this must be the 9th Earl of Desmond – JWB] It served as a prison in the seventeenth and eighteenth centuries. Because it usually held French inmates, as well as Spaniards, Portuguese, Dutch and Americans, it became known locally as the French Prison and carries that name to this day. The building was co-opted as an ordnance store during the momentous Battle of Kinsale (1601) and served as a workhouse during the Great Famine.

Desmond Castle certainly had a colourful history and this continued into the twentieth century. In the early 1900s it was used as a venue to host local Gaelic League meetings. Finally, in the 1930s, a thriving undertaking business operated from within the National Monument.

The National Inventory of Architectural Heritage tells us:

Freestanding three-bay three-storey tower house, commenced c.1500, abutting earthen terrace to rear. Attached cell blocks and exercise yards to rear (north-west) and platform to side (north-east). Historically used as magazine (1600-1601), as prison for foreign prisoners (1601-1790) and as borough jail (1791-1846). Restored in 1938 currently in use as museum.

7. Doneraile Court, County Cork:

Doneraile Court, County Cork, August 2020.
Doneraile Court, County Cork, August 2020. Tooled limestone porch with deep entablature, Ionic pilasters and columns, a heavy balustraded parpapet and swan neck doorcase. Oval heraldic motif to centre of parapet has curvilinear, foliate and wreath-swag decorative surround. Frank Keohane tells us that the porch is probably designed by G. R. Pain, added in the 1820s.

General enquiries: (087) 251 5965.

From the website:

Doneraile Court towers majestically over the glorious Doneraile Park, a 160-hectare landscaped parkland and wildlife estate.

The house was built by the St Leger family around 1645 on the site of a ruined castle. By the time it was refurbished in the mid-eighteenth century it had become an outstanding example of Georgian architecture. Its associations range from links to the famous St Leger Stakes in horse racing and literature, with famous Irish writers such as Elizabeth Bowen. [A horse race took place in 1742 in which Edmund Burke and Cornelius O’Callaghan met a bet as to whose horse could cover the distance fastest between the church steeples of Buttevant and Doneraile. This gave rise to the term “steeplechasing.”]

Thirteen generations of the St Leger family lived at Doneraile over three centuries. The family had some extraordinary members. For example, Elizabeth St Leger made history when she became the first woman Freemason in the world in 1712.” Elizabeth (1695-1772) was the daughter of Arthur, 1st Viscount Doneraile. He was an active Freemason and sometimes hosted lodge meetings at his home. The story has it that Elizabeth fell asleep in the library, and woke to hear a secret Masonic ceremony taking place. When the Freemasons discovered that she had heard their secret, she had to be sworn in as a member in order to protect their privacy! She remained a member, as can be seen wearing Masonic symbols in portraits. She married Colonel Richard Aldworth, High Sheriff of County Cork.

The fine parklands are designed in the naturalistic style of the famous Capability Brown. They include many beautiful water features, plus a parterre walled garden and gardeners’ cottages. There are numerous pathways and graded walks. Lucky visitors might just spot some of the red deer, fallow deer, sika deer and Kerry cattle that live on the estate.” [6]

The house remained in the hands of the St Leger family until 1969. Following decades of care by the Irish Georgian Society, it passed to the OPW in 1994.

Doneraile Court, County Cork, August 2020.
Doneraile Court, County Cork, August 2020.
Doneraile Court, County Cork, August 2020.
Doneraile Court, County Cork, August 2020.

From the National Inventory of Architectural Heritage:

“Detached three-storey over half basement country house, built c. 1730, containing fabric of earlier house, built c. 1645. Possibly also incorporating fabric of medieval castle. Extended 1805, conservatory added 1825, extended 1869, and also incorporating other nineteenth-century additions.” The 1730s work on the house was carried out for Arthur St Leger, 2nd Viscount Doneraile (1694-1734). Mark Bence-Jones suggests that it was the work of architect Isaac Rothery, but Frank Keohane suggests it could have been Benjamin Crawley. [7] The bow-ended block on the left of the garden front was added 1756-58, payment was made for this to architect Thomas Roberts.

National Inventory Appraisal: “The artist who created the ornate plaster work to the interior is unknown, but was clearly highly skilled. Doneraile Park is associated with Edmund Spenser the poet, who refers to the River Awbeg which flows through the park as the ‘gentle mulla’. The lands were bought by William St Ledger from the Spensers [William St Leger (1586-1642), Privy Counsellor, Lord President of Munster, 1627, MP for Cork County, 1634, who was appointed, in that year, Sergeant-Major-General in the Army, employed to fight against the rebels in Ireland – JWB]. The timber panelled room to the interior is original to the earliest incarnation of the house. It is thought that it was here that Elizabeth St Ledger was initiated as one of only three female members of freemasons in history after eavesdropping on a meeting. Added to this association with important historical characters, Doneraile Court represents more than three hundred years of construction and alteration, with different architectural features representing each phase.”

The bow ends on the front facade were built when improvements were made by the Hayes St Leger 2nd Viscount of the second creation, between 1804-1808. At this time a new kitchen was added to the back of the house along with a now-lost Gothic conservatory.

The Hall was remodelled in the 1820s, when it was extended into the new porch. It has a screen of paired Ionic pillars, a frieze decorated with rosettes and an acanthus ceiling rose.

Mark Bence-Jones. A Guide to Irish Country Houses.(originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

p. 105. “…On the other side of the house, a wing containing a new dining room was added 1869 by 4th Viscount Doneraile of the later creation. At the back of the hall is an oval late-Georgian staircase hall in which a staircase with slender wooden balusters rises gracefully to the top of the house beneath of ceiling of Adamesque plasterwork. To  the right of the staircase hall is one of the rooms of the original house, with a corner fireplace and fielded panelling; it was possibly in here that, ca 1713, Elizabeth St Leger was initiated as one of the only three women Freemasons in history, after she had been caught spying on a Lodge meeting held by her father. Behind this room was the vast and splendid dining room of 1869 which formerly had an immense mahogany sideboard in a mirrored alcove confronting a full-length portrait of the 4th Viscount with his favourite hunter. He was one of the greatest Victorian hunting men; ironically, he died of rabies through being bitten by a pet fox.  The three drawing rooms on the other side of the house are early C19 in character and probably date from the reconstruction after the fire; they have simple but elegant friezes, overdoors with volutes and windows going right down to the floor.  The long connection of the St Legers with Doneraile ended when Mary, Viscountess Doneraile died 1975. The garden, which boasts of a Lime Walk and a long “fishpond” or canal surviving from the original C18 layout, is now maintained by the Dept of Lands; as is the park, in which there is still a herd of red deer. The house, after standing empty for several years and becoming almost derelict, is in the process of being restored by the Irish Georgian Society, with a view to finding someone who would be willing to take it on. The 1869 dining room wing has been demolished.” 

From the National Inventory of Architectural Heritage: “Floating elliptical winder staircase with curved newel post and turned timber banisters. Timber treads with carved timber panels to side. Decorative render roses under stair. Ornate Adam-style ceiling with central ceiling rose and decorative fluted surround to stair ceiling.”

The staircase hall is lit by a tall round-arched window above an elliptical window.
The ceiling of Adamesque plasterwork, over the elliptical floating staircase (ie. Neoclassical interior design like the work of Scottish architect William Adams and his sons, most famous of whom are Robert and James).
The landscape of Doneraile is laid out in “Capability” Brown style, which is characterized by a natural flowing appearance rather than more formally patterned gardens.

8. Fota Arboretum and Gardens, County Cork

General enquiries: (021) 481 2728

fota.arboretum@opw.ie

From the OPW website:

Fota House was designed by 19th century architects Richard and William Morrison. From the beautifully proportioned rooms with exquisite plasterwork, to the preserved service wing and kitchens, Fota House offers visitors an intimate look at how life was lived in the past, for the cooks, butlers, footmen and maids who supported the lavish lifestyle of the gentry. Our painting collection is considered to be one of the finest collections of landscape painting outside the National Gallery of Ireland and includes works by William Ashford PRHA, Robert Carver, Jonathan Fisher and Thomas Roberts.” [8]

Front porch of Fota House. Fluted baseless Green Doric columns support a weighty entablature in which wreaths alternate wiht the Barry crest in the metopes.

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

p. 127. “(Smith-Barry (now Villiers)/IFR) After Barry’s Court had been abandoned by the Barrymores, a hunting box was built on the nearby Fota Island, in Cork Harbour, by Hon John Smith-Barry [1725-1784], a younger son of 4th Earl of Barrymore, to whom Fota and some of the other Barrymore estates were given 1714. This house, of three storeys and seven bays, was greatly enlarged ca 1820 by John Smith-Barry [d.1837, grandson of his earlier namesake] to the design of Sir Richard Morrison, so that it became a wide-spreading Regency mansion of stucco with stone dressings. The original house, given a single-storey Doric portico with fluted columns and acroteria beneath a pedimented Wyatt window, remained the centre of the composition; flanked by two storey projecting wings with pedimented ends on the entrance front and curved bows on the garden front. A long two storey service range was added at one side. In 1856, a billiard room wing, in the same style as the Morrison wings but of one storey only, was added on the entrance front, projecting from the end of the service range. The space between this and the main building was filled in ca 1900 by Arthur Smith-Barry, 1st (and last) Lord Barrymore of a new creation [(1843-1925), grandson of John Smith-Barry], with a single-storey range containing a long gallery.

Frank Keohane tells us that the later John Smith-Barry settled here after his marriage to Eliza Courtenay of Ballyedmond, Midleton, County Cork. He was illegitimate, so perhaps he built the home to establish his reputation. [9] Smith-Barry hired John and William Vitruvius Morrison to enlarge the hunting lodge which had been built by his grandfather. He also built sea walls around the island and re-routed the public road to form a deer park and carriage drives around the shore.

Fota House facing onto the Pleasure Garden, photo by George Munday, 2014, Ireland’s Content Pool. [10]

Bence-Jones continues:“The exterior simplicity of Fota is a foil to the splendours within; for the interior has that richness which Sir Richard Morrison and his son, William Vitruvius, were so well able to create. The hall, which runs the entire length of the front of the original house, is divided by screens of paired Ionic columns with yellow scagliola.” The long gallery was designed by William H. Hill.

Fota House, County Cork, August 2020. The hall, which runs the entire length of the front of the original house, is divided by screens of paired Ionic columns with yellow scagliola. The floor is paved with Portland stone with inset iron grilles that served the old central-heating system. The entablatures of plasterwork have the repeating pattern of wreaths and Smith-Barry crests the same as on the porch.
The central compartment of ceiling plasterwork has heavy swagged laurel garlands and lyres.
The ceiling rose in the long hall, with oak leaf wreath entwined with snakes.

To the right of the long hall are the Drawing Room and Library. The Drawing Room is entered via a small ante-room.

The ante-room at Fota.
The ante-room at Fota, with stencilwork by Sibthorpe & Son of Dublin.

The Drawing Room Ceiling has deep borders with floral wreaths containing doves, alternating with lozenges of bay leaf containing Apollonian trophies of musical and hunting instruments. The drawing room and ante-room ceilings were added to in the 1890s with stencilwork and gilding by Sibthorpe & Son of Dublin.

The Drawing Room, Fota.
The Drawing Room, Fota. The fireplaces throughout Fota are of Neoclassical statuary marble, with Ionic columns and friezes enriched with wreaths and garlands.
The Drawing Room, Fota. The ceiling of the drawing room, which entends into one of the bows on the garden front, has a surrounding of foliage, birds and trophies in high relief, similar to that in the library, and late C19 stencilled decoration and panels of pictorial paper in the centre.
The Drawing Room, Fota.
The ceiling of the drawing room, which entends into one of the bows on the garden front, has a surrounding of foliage, birds and trophies in high relief, similar to that in the library, and late C19 stencilled decoration and panels of pictorial paper in the centre.
The Drawing Room, Fota.
The library, Fota.

To the left of the hall is the Dining Room. It has a screen of grey scagliola Corinthian columns at the sideboard end, and rich plasterwork with a ceiling border of vines on a trellis ground and a frieze of bucrania draped with garlands.

There are elaborate plasterwork ceilings in the library and dining room, which are in the Morrison wings, at either end of the hall; the dining room has a screen of grey marble Corinthian columns.
The chimneypiece in the dining room is garlanded with vines and flowers.

Also on display in the main reception rooms is a fine collection of art work described as the most significant of its type outside the National Gallery of Ireland.  Masterpieces of the eighteenth-century Irish Landscape School include works by William Ashford (1746-1824); George Barret (1730-84); Robert Carver (c.1730-91); and Thomas Roberts (1748-78).  Nineteenth-century art is represented by Daniel Maclise (1806-70); Erskine Nicol (1825-1904); and James Arthur O’Connor (1792-1841).  An entire room is dedicated to Irish watercolours and features the work of Mildred Anne Butler (1858-1941); Hugh Douglas Hamilton (c.1740-1808); and George Petrie (1790-1866).” [11]

At the back of the house is the study, which extends into one of the bows. It has a simple frieze of wreaths.

The Study, Fota.

Bence-Jones continues: “A doorway opposite the entrance door leads into the staircase hall, which is of modest size, being the staircase hall of the original house; but it has been greatly enriched with plasterwork. The ceiling is domed, with wreaths on the pendentives and eagles in the lunettes; there is a frieze of wreaths and at the head of the stairs two fluted Tower of Winds columns frame an enchanting vista to a second and smaller staircase, leading up to the top storey.” The stairs are of cantilevered Portland stone, with brass balusters and a mahogany handrail.

The staircase hall, which is of modest size, being the staircase hall of the original house; but it has been greatly enriched with plasterwork. The ceiling is domed, with wreaths on the pendentives and eagles in the lunettes; there is a frieze of wreaths and at the head of the stairs two fluted Tower of Winds columns frame an enchanting vista to a second and smaller staircase, leading up to the top storey. 

At the top of the stairs is a small recess, leading up to the secondary stair, with a pair of shell-headed niches, a Greek-key border and a pair of Tower of the Winds columns. A cross-corridor gives access to the bedrooms, the differing levels resulting in various little lobbies and landings.

The principal bedroom suite is placed over the Dining Room and communicates directly with nurseries in the service wing. The suite contains a boudoir with barrel-vaulted ceiling and a half-dome decorated with doves trailing garlands. Plaster drapery fills the lunette to the vault with a little top-lit skylight at the apex of the dome with amber and blue coloured glazing.

The Boudoir.
The Boudoir.
The Boudoir.

Fota passed to John Smith-Barry’s great-granddaughter Mrs Dorothy Bell (1894-1975), the last of the clan to live on the Barry estates. It was sold to University College Cork and in 1983, Richard Wood took a lease of the house and restored it with John O’Connell as architect, to display his collection of Irish art to the public. It was then sold and the pictures removed, and in 1991 the house and arboretum passed to the Fota Trust and in 1999 extensive conservation work was carried out under the direction of John Cahill of the Office of Public Works. [12]

The Nursery.
The servant’s bedroom.
The game store larder.
The Kitchen.
The back stairs in Fota.

Bence-Jones writes: In mid-C19, James Hugh Smith-Barry laid out formal gardens behind the house, with lawns and hedges, wrought-iron gates and rusticated piers, a temple and an orangery. He also began to plant the arboretum, which has since become world-famous. The planting was continued for more than a century after his death by his son, [Arthur Hugh Smith-Barry (1843-1925)] Lord Barrymore [1st Baron Barrymore], and by Lord Barrymore’s son-in-law and daughter, Major [William Bertram] and Hon Mrs [Dorothy] Bell; in the mild climate of Fota many rare and tender species flourish. The demesne of Fota extends over the entire island, which is skirted by the road and railway from Cork to Cobh; there are impressive Classical entrance gates by Morrison similar to those at Ballyfin, Co Laois and Killruddery, Co Wicklow. On the point of the island is an early C19 castellated turret, by John Hargrave of Cork. Fota was sold 1975 to University College Cork.” 

Arthur Hugh Smith-Barry (1843-1925), 1st Baron Barrymore.

The OPW website tells us:

The arboretum and gardens on Fota Island, just 16 kilometres from Cork city centre, are an essential destination for any one of a horticultural bent.

The arboretum extends over 11 hectares and contains one of the finest collections of rare, tender trees and shrubs grown outdoors in Europe. The unique conditions at Fota – its warm soil and sheltered location – enable many excellent examples of exotics from the southern hemisphere to flourish.

The gardens include such stunning features as the ornamental pond, formal pleasure gardens, orangery and sun temple. James Hugh Smith-Barry laid them out in the first half of the nineteenth century. Fota House, the Smith-Barrys’ ancestral home, still stands. The house, arboretum and gardens share the island with a hotel and golf resort and a wildlife park. [13]

9. Ilnacullin, Garanish Island, Glengarriff, Beara Peninsula, County Cork:

Italian garden, Garnish Island, Glengarriff, Beara, Co. Cork, Photograph by Chris Hill 2014, Ireland’s Content Pool.

general enquiries: (027) 63040

garanishisland@opw.ie

Ilnacullin is an island in the coastal harbour at Glengariff in Bantry Bay. It has an almost sub-tropical climate with mild winters and high levels of rainfall and humidity. These conditions favour the growth of exotic plants. The gardens were set out in the Arts and Crafts style and contain Italianate pavilions and follies, framed against a backdrop of beautiful views.

From the OPW website:

Ilnacullin is an island garden of diminutive size and rare beauty. Nestled in the sheltered coastal harbour at Glengarriff in Bantry Bay, the gardens display a wealth of unique horticultural and architectural gems. Bryce House is a fitting memorial to the visionary creators of this unique place. 

The gardens of Ilnacullin owe their existence to the early twentieth-century creative partnership of John Annan and Violet Bryce, the island’s owners, and Harold Peto, an architect and garden designer. The area enjoys a mild and humid micro-climate that makes for spectacular and flourishing plant life all year round.

Small ferry boats and 60-seater waterbuses take visitors to Ilnacullin regularly. The short crossing usually includes an extra treat – a visit to the nearby seal colony and an opportunity to glimpse majestic sea eagles.

The Island was bequeathed to the Irish people by the Bryce’s son, Roland, in 1953 and is cared for by the OPW. Bryce House contains material from the Bryces’s lives, including John Annan Bryce’s collection of Burmese statues, Chinese ceramics, Japanese woodblock prints, metal works and rare exotic objects. There are also Old Master drawings by Salvator Rosa, Mauro Antonio Tesi and Giambattista Tiepolo. Over the years the Bryces hosted prominent cultural figures such as George (AE) Russell, George Bernard Shaw and Agatha Christie. [14] You can see a tour of the house and gardens on the website.

Kerry:

10. Ardfert Cathedral, County Kerry

From the OPW website:

No less a figure than St Brendan the Navigator was born in the Ardfert area in the sixth century. He founded a monastery there not long before embarking on his legendary voyage for the Island of Paradise. It was Brendan’s cult that inspired the three medieval churches that stand on the same site today.

The earliest building is the cathedral, which was begun in the twelfth century. It boasts a magnificent thirteenth-century window and a spectacular row of nine lancets in the south wall.

One of the two smaller churches is an excellent example of late Romanesque architecture. The other, Temple na Griffin, is named for a fascinating carving inside it – which depicts a griffin and a dragon conjoined.

11. The Blasket Centre, County Kerry:

Blasket Island Centre, Dingle, Co. Kerry. Photograph from Ireland’s Content Pool, photograph by Chris Hill, 2014, for Failte Ireland.

From the OPW website:

In Dún Chaoin, at the very tip of the Dingle Peninsula, is an utterly unique heritage centre and museum. A stunning piece of architecture in itself, the Blasket Centre tells the story of the Blasket Islands and the tiny but tenacious Irish speaking community who lived there until the mid-20th century. 

Life on the Blaskets was tough. People survived by fishing and farming and every day involved a struggle against the elements. Emigration and decline led to the final evacuation of this extraordinary island in 1953.

The island population has left a massive cultural footprint. They documented the life of their community in a series of books which are invaluable social records and classics of Irish literature. They are both a window into the past and a fascinating resource for today.

Visit Ionad an Bhlascaoid  –  the Blasket Centre – to experience the extraordinary legacy of the Blasket Islanders and delve into the heart of Irish culture, language and history. [15] The website has lots more information for you to learn about life on the Islands.

12. Derrynane House, County Kerry:

Derrynane House, County Kerry, photograph from Ireland’s Content Pool, photo by George Munday, 2014.

From the OPW website:

At the southern tip of the Iveragh Peninsula is Derrynane House, the ancestral home of one of the greatest figures of Irish history. Daniel O’Connell, known as ‘The Liberator’, was a lawyer, politician and statesman. The demesne landscape is now included in Derrynane National Historic Park – over 120 hectares of lands rich in natural and cultural heritage with a plethora of archaeological, horticultural, botanical and ecological treasures.

Derrynane was the home of the O’Connell family for generations. The young Daniel was raised there and returned almost every summer for the rest of his life.

The house now displays many unique relics of O’Connell’s life, including a triumphal chariot presented to him by the citizens of Dublin in 1844 and the very bed in which he passed away three years later.” [16]

Derrynane House, County Kerry, photograph from Ireland’s Content Pool, photo by George Munday, 2014.

Mark Bence-Jones writes about the house:

The house, which is believed to have been first late-roofed house in this remote and mountainous part of the country, originally consisted of two unpretentious ranges at right angles to each other, probably built at various times between ca 1700 and 1745 and somewhat altered in later years; one range being of two storeys and the other mainly of two storeys and a dormered attic, which in second half of C18, became a third storey. Between 1745 and 1825 a wing was built at what was then the back of the house, this side towards Derrynane Bay; and in 1825 the great Daniel O’Connell extended this wing in the same unpretentious style with rather narrow sash windows; so that what had previously been the back of the house became the front, with reception rooms facing the sea. O’Connell also built a square two storey block with Irish battlements at right angles to his main addition, forming at attractive three sided entrance court, the other two sides being 1745-1825 wing and one of the original ranges. The battlemented block is weather-slated, as indeed all O’Connell’s additions were originally; he also weather slated some of the older parts of the house. Finally, in 1844, O’Connell built a new chapel in thanksgiving for his release from prison. It flanks the entrance court on the side furthest from the sea and is Gothic; based on the chapel in the ruined medieval monastery on Abbey Island nearby; it was designed by O’Connell’s third son, John O’Connell, MP. The interior of the house is simple, and the ceilings are fairly low. The two principal reception rooms are the drawing-room and dining-room which are one above the other in 1825 wing; they have plain cornices; the dining room has a Victorian oak chimneypiece, the drawing room an early C19 Doric chimneypiece of white marble. The benches and communion rail of the chapel are of charmingly rustic Gothic openwork. The house is now owned by the Commissioners of Public Works, who demolished one of the original ranges 1965. The rest of the structure has been restored and is open to the public, the principal rooms containing O’Connell family portraits and objects related to Daniel O’Connell’s life and career.” [17]

The O’Connell family gave the house to the Derrynane Trust in 1946. Despite earlier warnings that it would not be responsible for O’Connell’s ancestral home, in late 1964 the government agreed to acquire Derrynane House from the Derrynane Trust.  David Hicks writes a good summary about Daniel O’Connell:

In the 18th and 19th centuries there was a series of restrictions placed on Catholics in Ireland – the Penal Laws – which curtailed them in many avenues of life. These restrictions extended to property ownership and education, and Catholics were also barred from holding political office. As a man of the law, O’Connell became an advocate for the abolition of the last vestiges of the Penal Laws and in 1823 brought the Catholic Church into Irish politics. He used his network of acquaintances to mobilise the people to campaign for Catholic emancipation from discrimination and to gain political rights for Catholics. Collections were taken and no matter how small the donation it was for a great cause. This led to the unification of Catholics in Ireland. In 1828, O’Connell stood for the British Parliament, the first Catholic to do so in over 100 years, and won his seat easily. While he had his supporters in the British cabinet, others such as the Duke of Wellington and Sir Robert Peel opposed Catholic emancipation. They were aware, however, [p. 112] that not allowing O’Connell to take his parliamentary seat would result in possible rebellion in Ireland. Another probelm arose: in order for O’Connell to take his seat in Parliament, he would have to take an Oath of Supremacy which recognised the British monarch as head of the Church and state. As the Pope in Rome is head of the Catholic church, O’Connell could not and would not swear allegiance to a British monarch as head of the Church of England. Wellington and Peel convinced the King to allow the emancipation of Catholics to prevent a possible uprising of the large Catholic population in Ireland. As a result Catholics gained political rights under the Emancipation Act of 1829 and could enter Parliament without taking the oath. O’Connell had to be re-elected before he could take his seat as the Act could not be implemented retrospectively. He was finally elected in 1829 to the British Parliament and became known as the Liberator, a moniker which is still associated with his legend.

By 1837 O’Connell had grown frustrated at how little he could achieve in Ireland in a British Parliament. He now launched a new campaign: to repeal the Act of Union between Ireland and Britain. While he did not want Ireland to leave the Empire, he did want her to have her own parliament where Catholics could exercise their own political power and ambitions. Initially, this campaign garnered a lot of support. In the 1840s, O’Connell held large meetings to campaign for the repeal of the Act of Union. These meetings were usually held in a large field, racecourse or fairground and opened with a huge procession of bands in uniform, floats, carriages and carts, with thousands of local residents on foot or horseback. Crowds gathered around a makeshift platform, on which O’Connell stood to address them. One of his largest political rallies was held at the provocative spot of the Hill of Tara, site of the residence of the former high kings of Ireland, intended to inspire the attending crowd of half a million people.  

The size of this rally was relayed to the British Parliament and within three months O’Connell was charged with conspiracy, creating discontent and disaffection, for which he was arrested and jailed. When he was released from prison he made his way through the crowded streets of Dublin on a specially made chariot which still survives at Derrynane.” [18]

Daniel O’Connell’s chariot, built to welcome him and parade him through streets when he is released from prison. Photograph taken October 2012.

13. Listowel Castle, County Kerry:

From the OPW website:

Listowel Castle stands on an elevation overlooking the River Feale, above the location of a strategic ford. Although only half of the building survives, it is still one of Kerry’s best examples of Anglo-Norman architecture.

Only two of the original four square towers, standing over 15 metres high, remain. The towers are united by a curtain wall of the same height and linked together – unusually – by an arch on one side.

Listowel was the last bastion against the forces of Queen Elizabeth in the First Desmond Rebellion in 1569. The castle’s garrison held out for 28 days of siege before finally being overpowered by Sir Charles Wilmot. In the days following the castle’s fall, Wilmot executed all of the soldiers left inside.

14. Ross’s Castle, Killarney, County Kerry:

Ross Castle, Killarney, August 2007.

OPW property visited in 2009

From the OPW website:

Ross Castle perches in an inlet of Lough Leane. It is likely that the Irish chieftain O’Donoghue Mór built it in the fifteenth century. 

Legend has it that O’Donoghue still slumbers under the waters of the lake. Every seven years, on the first morning of May, he rises on his magnificent white horse. If you manage to catch a glimpse of him you will enjoy good fortune for the rest of your life.

Ross Castle was the last place in Munster to hold out against Cromwell. Its defenders, then led by Lord Muskerry, took confidence from a prophecy holding that the castle could only be taken by a ship. Knowing of the prophecy, the Cromwellian commander, General Ludlow, launched a large boat on the lake. When the defenders saw it, this hastened the surrender – and the prophecy was fulfilled [in 1652].

Ross Castle, County Kerry, photograph from the National Library of Ireland.
Ross Castle, Killarney, August 2007.

The Castle came into the hands of the Brownes who became the Earls of Kenmare and owned an extensive portion of the lands that are now part of Killarney National Park. It was leased to Valentine Browne (d. 1589), ancestor of the Earls of Kenmare, who was involved with the Plantation of Munster, surveying the land. He served as MP for County Sligo in the Irish Parliament in 1585/6. The Brownes obtained ownership of the castle and lands when it could be proven that they did not play a part in the Confederate Rebellions between 1641-1653. However, Valentine Browne (1639-1994) 1st Earl of Kenmare (and 3rd Baronet Browne of Mohaliffe, County Kerry) was loyal to James II had to forfeit his estate. The title Earl of Kenmare comes originally from Kenmare Castle in County Limerick. His grandson, 3rd Viscount, recovered the estates, but could not get possession of Ross Castle, which had been taken over as a military barracks, so around 1726 he built a new house a little way to the north of the castle, closer to the town of Killarney, Kenmare House, which has been demolished when a later house was built.

Ross Castle, Killarney, August 2007.

15. Skellig Michael, County Kerry:

Skellig islands, photograph from Ireland’s Content pool, created for Failte Ireland, 2014.

From the OPW website:

The magnificent Skellig Michael is one of only two UNESCO World Heritage Sites in the Republic of Ireland.

On the summit of this awe-inspiring rock off the Kerry coast is St Fionan’s monastery, one of the earliest foundations in the country. The monks who lived there prayed and slept in beehive-shaped huts made of stone, many of which remain to this day.

The monks left the island in the thirteenth century. It became a place of pilgrimage and, during the time of the Penal Laws, a haven for Catholics.

Following in the monks’ footsteps involves climbing 618 steep, uneven steps. Getting to the top is quite a challenge, but well worth the effort.

As well as the wealth of history, there is a fantastic profusion of bird life on and around the island. Little Skellig is the second-largest gannet colony in the world.

Limerick:

16. Askeaton Castle, County Limerick:

From the OPW website:

“In the very heart of this County Limerick town stand the impressive remains of a medieval fortress. Askeaton Castle dates from 1199, when William de Burgo built it on a rock in the River Deel.

Over the centuries, the castle proved itself key to the history of Munster. It was the power base of the earls of Desmond after 1348. In 1579 it held out against the English general Sir Nicholas Malby, an incident that helped spark the second Desmond Rebellion.

The banqueting hall is one of the finest medieval secular buildings in Ireland. The tower is partly ruined, but some fine windows and an exquisite medieval fireplace have remained.

The early eighteenth-century building nearby was used as a Hellfire Club. These clubs were rumoured to be dens of excess in which wealthy gentlemen indulged in drink, mock ritual and other nefarious activities.

The Fitzgeralds, Earls of Desmond, held the castle for over 200 years and ruled Munster from it.

17. Desmond Castle, Adare, County Limerick:

From the OPW website:

Desmond Castle Adare epitomises the medieval fortified castle in Ireland. It is strategically situated on the banks of the River Maigue, from where its lords could control any traffic heading to or from the Shannon Estuary.

The castle was built for strength and security. A formidable square keep forms its core; the keep stands within a walled ward surrounded by a moat.

Desmond Castle Adare changed hands several times before becoming a key bastion of the earls of Desmond in the sixteenth century. During the Second Desmond Rebellion, however, it fell to the English after a bloody siege. Cromwellian forces laid waste to the building in 1657, although restorers have since helped to recall its former glory.

Guided tours are now available for anyone who wants to walk in the footsteps of the FitzGeralds and experience their courageous spirit.

This castle belonged to the Earls of Kildare for nearly 300 years until the rebellion in 1536, when it was forfeited and granted to the Earls of Desmond who gave the castle its present name.

18. Desmond Castle, Newcastlewest, County Limerick:

From the OPW website:

Many of Ireland’s surviving medieval halls are in west Limerick. The Desmond Banqueting Hall in Newcastle West is one of the most impressive among them.

It was begun in the thirteenth century by Thomas ‘the Ape’ FitzGerald, so named because of the story that an ape took him from his cradle to the top of Tralee Castle – and delivered him safely back again.

However, most of the spacious, imposing structure was created in the fifteenth century, at the height of the Desmond earls’ power, and used as a venue for frequent and lavish banquets.

The oak gallery, from which musicians would provide a raucous soundtrack for the revelry below, has been fully restored.

A castle was built here in the 13th century by the Fitzgeralds, Earls of Desmond. The present structure dates to the 15th century.

19. Lough Gur, County Limerick:

Lough Gur, photograph from Ireland’s Content pool, by Ken Williams 2021 for Failte Ireland.

From the OPW website:

Lough Gur is a site of international significance due to the area’s rich archaeology and environment. It is home to Ireland’s oldest and largest stone circle and the only natural lake of significance in South East Limerick. Lough Gur also has an abundance of ancient monuments in State care with a reported 2,000 archaeological monuments in a 5km radius. Visitors to Lough Gur Lakeshore Park will find a hillside visitor centre where you can take part in a guided or self guided tour of the exhibition. There is also an option to take a full outdoor guided tour of the archaeological monuments. Tours are tailor made and can range from 30 minutes to 3 hours. The Lakeshore Park and tours are run by Lough Gur Development Group.

Lough Gur Visitor Centre, photograph from Ireland’s Content pool, by Keith Wiseman 2013 for Failte Ireland.
Lough Gur Visitor Centre, photograph from Ireland’s Content pool, by Keith Wiseman 2013 for Failte Ireland.

Tipperary:

20. Cahir Castle, County Tipperary:

Cahir Castle, photograph from Ireland’s Content pool, by Brian Morrison 2014 for Failte Ireland.

From the OPW website:

Cahir Castle is one of Ireland’s largest and best-preserved castles. It stands proudly on a rocky island on the River Suir.

The castle was was built in the thirteenth century and served as the stronghold of the powerful Butler family. [The Archiseek website tells us it was built in 1142 by Conor O’Brien, Prince of Thomond, on an island in the river Suir, and is now situated inside the town centre of Cahir] So effective was its design that it was believed to be impregnable, but it finally fell to the earl of Essex in 1599 when heavy artillery was used against it for the first time. During the Irish Confederate Wars it was besieged twice more.

At the time of building, Cahir Castle was at the cutting edge of defensive castle design and much of the original structure remains.

An excellent audiovisual show now provides sightseers with a detailed appreciation of the castle’s long history. Visitors also flock to the castle because of its role as a film and TV location – it has featured in productions like Excalibur and The Tudors.

Cahir Castle, photograph from Ireland’s Content pool, by Brian Morrison 2014 for Failte Ireland.

The name derives from the Irish ‘an Chathair’ meaning stone ringfort.

Edward III granted the castle to the James Butler (3rd Earl of Ormond) in 1357 and also awarded him the title of Baron of Cahir in recognition of his loyalty.  Thomas Butler (d. 1558) was created the 1st Baron Caher (of the second creation), County Tipperary, in 1543.

During the Irish Confederate Wars it was surrounded by hostile forces twice more and taken by Lord Inchiquin in 1647 and then Oliver Cromwell in the conquest of Ireland. The castle layout was changed considerably and enlarged during work to repair some of the damage caused by the battles, but was then left abandoned until 1840 when the partial rebuilding of the Great Hall took place. 

The castle became the property of the state after the death of Lord Cahir in 1961; it was classified as a national monument and taken into the care of the Office of Public Works. [19]

There’s an excellent history of Cahir on the Cahir Social and Historical Website:

Throughout the reigns of Elizabeth I and Charles I, Cahir Castle appears as a frequent and important scene in the melancholy drama of which Ireland was a stage. The Castle was taken and re-taken, but rarely damaged and through it all remained in the hands of the Roman Catholic Butlers of Cahir. By this time Cahir had become a great centre of learning for poets and musicians. Theobald, Lord Cahir was said by the Four Masters “to be a man of great benevolence and bounty, with the greatest collection of poems of any of the Normans in Ireland”.

A study of the Butler Family in Cahir in the sixteenth and seventeenth centuries reveals the rise and fall of one of the minor branches of the House of Ormond. At the end of the fifteenth century, they possessed extensive powers, good territorial possessions and a tenuous link with the main branch of the Butler family. During the sixteenth century, their possession was strengthened by the grant of the title of Baron of Cahir with subsequent further acquisition of land, but they came under closer central government control. A complete reversal in their relations with the Earls of Ormond occurred, strengthened by various marriage alliances. They also participated in political action, both in the Liberty of Tipperary and at National Level. In the late sixteenth and early seventeenth centuries their position was affected by their adherence to Roman Catholicism, which resulted in their revolt during the Nine Years War, and subsequent exclusion from power by the Central Administration. They formed part of the Old English Group and as such, suffered from the discriminatory politics practiced by the Government. From 1641 they became minor landowners keeping their lands by virtue of the favour of their relative, the Duke of Ormond. In 1647 the Castle was surrendered to Lord Inchiquin for Parliament but re-taken in 1650 by Cromwell himself, whose letter describing acceptable terms of surrender still survives. At the restoration of Charles II, in 1660, George Matthews, (as Warden of Cahir Castle and half-brother to the Duke of Ormond), retained the Cahir lands for the Lord Cahir, then a minor.

Cahir Castle, photograph from Ireland’s Content pool, by George Munday 2014 for Failte Ireland.

Despite embracing the Jacobite Cause in the Williamite Wars, the Cahir estate remained relatively intact. However, the Butlers never again lived at Cahir Castle but rather at their country manor, Rehill House, where they lived in peace and seclusion from the mid-seventeenth century, when not living abroad in England and France.

By 1700 a sizeable town had grown around the Castle, although hardly any other buildings survive from this period. Agriculture, milling and a wide range of trades would have brought quite a bustle to the muddy precursors of our present streets. At this time, the Castle was quite dilapidated and was let to the Quaker William Fennell, who resided and kept a number of wool combers at work there. On the completion of Cahir House in the later l770’s, Fennell rented Rehill House from Lord Cahir and lived there over half a century. A strong Roman Catholic middle class emerged. James, 9th Lord Cahir, practiced his religion openly. He maintained strong links with Jacobite France, and paid regular visits to England. While not a permanent resident, he kept his Cahir Estates in impeccable order and was largely responsible for the general layout of the Town of Cahir.

The main line of the Cahir Butlers died out in 1788 with the death of Pierce, 10th Baron, but a distant cousin was discovered to accept the Title… The young Lord Cahir (Richard, 12th Baron) married Miss Emily Jeffereys of Blarney Castle and together they led Cahir through the most colourful period of its development…Richard, Lord Cahir, sat in The House of Lords as one of the Irish Representative Peers, and in 1816 was created Earl of Glengall, a title he enjoyed for just 3 years. He died at Cahir House of typhus in January 1819, at the age of 43 years. Richard, Viscount Caher, (now 2nd Earl of Glengall), had already taken his place in political circles while his mother, Emily, ran the Estate with an iron fist.

Cahir Castle, photograph from Ireland’s Content pool, by Liam Murphy 2016 for Failte Ireland.

During the Great Famine (1846-51), Lord and Lady Glengall did much for the relief of the poor and the starving. Lord Glengall`s town improvement plan was shelved in 1847 due to a resulting lack of funds and his wife’s fortune being tied up in a Trust Fund. The Cahir Estates were sold in 1853, the largest portion being purchased by the Trustees of Lady Glengall. This sale came about due to Lord Glengall being declared bankrupt. The Grubbs had by now become the most important Quaker family in the district and bought parts of the Cahir Estate during the 1853 sale. Despite furious competition between Lady Glengall`s trustees and Sadleirs` Dublin solicitor at the offices of the Encumbered Estates Court, the demesne of Kilcommon and Cahir Town were lost to the Glengall Butlers.

Cahir Town and Demesne came up for auction again in 1857, on the suicide of Sadleir, but Lady Glengall`s Trustees were unable to purchase, due to their having already expended circa £200,000 on repurchasing the greater part of the Estate. The purchaser was Robert Malcomson, a prominent Quaker from Portlaw, Co, Waterford, whose mother was a Cahir Abbey Grubb. Malcomson`s Cotton Empire collapsed, and in 1876, Kilcommon Demesne was again auctioned. In the interim, Lady Margaret Butler (elder daughter and heir of Lord Glengall) had married Lieut. Col. Hon. Richard Charteris, 2nd son of the 9th Earl of Wemyss & March. Using a combination of her mother’s Trust and Charteris funds, Cahir Town and Kilcommon Demesne were repurchased.  

Lady Margaret, although an absentee landlord, resident in London, kept a close watch on her Cahir Estates through two excellent managers, Major Hutchinson and his successor William Rochfort… Her son, Richard Butler Charteris took over her role in 1915 and remained resident in Cahir from 1916 until his death in 1961. In 1962, the House, and circa 750 acre estate core (within the walls of Cahir Park and Kilcommon Demesne) were auctioned…And so ended the direct line of Butler ownership in Cahir, almost 600 years. [20]

21. Famine Warhouse 1848, County Tipperary:

From the OPW website:

How did an ordinary farmhouse near Ballingarry, County Tipperary, become the site of a bloody siege and a monument of the Young Irelander Rebellion of 1848?

It was here that rebels, under the leadership of Protestant aristocrat William Smith O’Brien, besieged 47 police officers who had barricaded themselves into the McCormack homestead, taking 5 children hostage. After two of their number were killed, the rebels finally gave in. They were later transported to penal colonies abroad.

The Warhouse, as it became known, is now a museum. Its contents illuminate the history of the Young Irelander Rebellion, the trials of its leaders, their exile in Australia and escape to the USA. The exhibition places the rebellion in the context of the Great Famine and the upheaval that rocked Europe during that turbulent year.

Traditionally it was known as Ballingarry Warhouse or The Widow McCormack’s House.

22. Holycross Abbey, County Tipperary:

Holycross Abbey, photograph from Ireland’s Content pool, by Liam Murphy 2016 for Failte Ireland.

From the OPW website:

As destination for pilgrims, Holy Cross Abbey, near Thurles, County Tipperary, has a rich history. Pilgrims travelled here for eight centuries to venerate the relic after which the abbey and surrounding villages are named – a piece of the True Cross of Christ’s crucifixion.

Today this working parish church is a peaceful landmark and a place for quiet contemplation and historical discovery. As well as inspecting the relic of the cross, you can marvel at the building’s ornate stonework. The chancel is possibly the finest piece of fifteenth-century architecture in the country. The abbey also houses one of the only surviving medieval wall paintings in Ireland.

23. The Main Guard, County Tipperary:

The Main Guard, or Clonmel Courthouse, County Tipperary. Photograph from National Inventory of Architectural Heritage: five-bay two-storey courthouse and market house, built 1673, with arcaded ground floor to front and north gable, and pediment and cupola to roof. Until restored c.2000, building had been five-bay three-storey with triple public house front to ground floor, and timber sliding sash windows. Now in use as museum. The columns of the arcaded facades were recycled from the ruins of the Cistercian abbey of Inislounaght, to the west of the town and retain some decorative elements that testify to this fact. 

From the OPW website:

In the seventeenth century County Tipperary was a palatinate, ruled by James Butler, duke of Ormond. When the duke decided he needed a new courthouse, he built one in the heart of Clonmel [built in 1673]. Later, when it was used as a barracks, it became known as the Main Guard.

A fine two-storey symmetrical building, some elements of its design were based on works by the famous Sir Christopher Wren.

In the eighteenth century it was the venue for the Clonmel Assizes. The most notable trial it witnessed was that of Father Nicholas Sheehy, the anti-Penal Laws agitator. Sheehy was hanged, drawn and quartered.

In about 1810, the ground floor was converted into shops, but the building has recently undergone an award-winning restoration. The open arcade of sandstone columns is once again an attractive feature of the streetscape, while inside you will find a fantastic exhibition and event space.

24. Ormond Castle, Carrick-on-Suir, County Tipperary:

Ormond Castle, Carrick-on-Suir, County Tipperary, May 2018.

From the OPW website:

Joined on to an earlier medieval riverside castle, Ormond Castle Carrick-on-Suir is the finest example of an Elizabethan manor house in Ireland. Thomas, 10th Earl of Ormond [“Black Tom” (1531-1614)], built it in 1565 in honour of his distant cousin Queen Elizabeth. 

The magnificent great hall, which stretches almost the whole length of the building is decorated with some of the finest stucco plasterwork in the country. The plasterwork features portraits of Queen Elizabeth and her brother Edward VI and many motifs and emblems associated with the Tudor monarchy.

Detail from National Library of Ireland, Ormond Castle.
Ormond Castle, Carrick-on-Suir, County Tipperary, National Library of Ireland Mason Catalogue.

Mark Bence-Jones writes:

The house, which is horseshoe shaped, forming three sides of a small inner court, and the castle the fourth. The house is of 2 storeys with a gabled attic; the towers of the castle rise behind it. The gables are steep, and have finials; there are more finials on little piers of the corners of the building. There are full-sized mullioned windows on the ground floor as well as on the floor above, the lights having the slightly curved heads which were fashionable in late C16. There is a rectangular porch-oriel in the centre of the front, and an oriel of similar form at one end of the left-hand side elevation. The finest room in the house is a long gallery on the first floor, which had two elaborately carved stone chimneypieces – one of which was removed to Kilkenny Castle 1909, but has since been returned – and a ceiling and frieze of Elizabethan plasterwork. The decoration includes busts of Elizabeth I, who was a cousin of “Black Thomas,” Ormonde through her mother, Anne Boleyn, and used to call him her “Black Husband”: she is said to have promised to honour Carrick with a visit. The old castle served as part of the house and not merely as a defensive adjunct to it: containing, among other rooms, a chapel with carved stone angels.” [21]

Ormond Castle, Carrick-on-Suir, County Tipperary, May 2018.
Ormond Castle, Carrick-on-Suir, County Tipperary, May 2018.
Ormond Castle, Carrick-on-Suir, County Tipperary, May 2018.

Thomas Butler the 10th Earl is a fascinating character. He was raised in the English Royal Court, where he adopted the Protestant religion. He fought against the Fitzgerald Earls of Desmond in the Desmond Rebellions, as he was loyal to the British monarchy. He was made Lord Treasurer of Ireland and a Knight of the Garter.

James Butler the Duke of Ormond (1610-1688) spent much of his time here and was the last of the family to reside at the castle. On his death in 1688 the family abandoned the property and it was only handed over to the government in 1947, who then became responsible for its restoration. 

Ormond Castle, Carrick-on-Suir, County Tipperary, May 2018.
Ormond Castle, Carrick-on-Suir, County Tipperary, May 2018.
Ormond Castle, Carrick-on-Suir, County Tipperary, May 2018.

25. Rock of Cashel, County Tipperary:

Rock of Cashel, Co Tipperary photograph from Ireland’s Content pool, by Brian Morrison 2018 for Failte Ireland.

From the OPW website:

Set on a dramatic outcrop of limestone in the Golden Vale, the Rock of Cashel, iconic in its historic significance, possesses the most impressive cluster of medieval buildings in Ireland. Among the monuments to be found there is a round tower, a high cross, a Romanesque chapel, a Gothic cathedral, an abbey, the Hall of the Vicars Choral and a fifteenth-century Tower House.

Originally the seat of the kings of Munster, according to legend St. Patrick himself came here to convert King Aenghus to Christianity. Brian Boru was crowned High King at Cashel in 978 and made it his capital.

In 1101 the site was granted to the church and Cashel swiftly rose to prominence as one of the most significant centres of ecclesiastical power in the country.

The surviving buildings are remarkable. Cormac’s Chapel, for example, contains the only surviving Romanesque frescoes in Ireland.

26. Roscrea Castle and Damer House, County Tipperary:

Roscrea Castle, photograph from Ireland’s Content pool, by Chris Hill 2014 for Failte Ireland.

From the OPW website:

In the heart of Roscrea in County Tipperary, one of the oldest towns in Ireland, you will find a magnificent stone motte castle dating from the 1280s. It was used as a barracks from 1798, housing 350 soldiers, and later served as a school, a library and even a sanatorium. 

Sharing the castle grounds is Damer House, named for local merchant John Damer, who came into possession of the castle in the eighteenth century. The house is a handsome example of pre-Palladian architecture. It has nine beautiful bay windows. One of the rooms has been furnished in period style.

The grounds also include an impressive garden with a fountain, which makes Roscrea Castle a very pleasant destination for a day out. There is also a restored mill displaying St Crónán’s high cross and pillar stone.

This was originally the site of a motte and bailey fortification known as King John’s Castle. The original wooden castle was destroyed in the late 13th century and was replaced with a stone structure built in 1274-1295 by John de Lydyard. The castle was originally surrounded by a river to the east and a moat on the other sides. [22] It was granted to the Butlers of Ormond in 1315 who held it until the early 18th Century. The castle as we see it today was built from 1332.

Eoin Roe O’Neill, at the head of 1,200 men, stormed Roscrea in 1646 and reportedly killed every man, woman and child. The only survivor was the governor’s wife, Lady Mary Hamilton (1605-1680), who was a sister to the Earl of Ormond [married to George Hamilton, 1st Baronet of Donalong County Tyrone and of Nenagh, County Tipperary]. She was again forced to play host in the castle to O’Neill three years later which again ended by the guests looting everything in sight. [23]

Damer House, County Tipperary, photograph from National Inventory of Architectural heritage.

Damer House is of three storeys and nine bays and has a scroll pediment doorway and inside, a magnificent carved staircase. The Irish Georgian Society was involved in saving it from demolition in the 1960s. Robert O’Byrne tells us that John Damer’s nephew, another Joseph, inherited the house and castle was later created the Earl of Dorchester and that in the following century Damer House passed into the hands of another branch of the family, the Dawson-Damers who were Earls of Portarlington and whose main seat was Emo Court, County Laois. [24] Joseph the Earl of Dorchester’s sister Mary married William Henry Dawson, 1st Viscount Carlow, who lived at Emo in Laois.

Roscrea Castle was sold to the Royal Hospital, Kilmainham, by the James Butler, 2nd Duke of Ormond in 1703. It was bought by Joseph and his nephew John Damer (1674-1768) in 1722 and was later inherited by the Dawson and Dawson-Damer family who held the title of Earl of Portarlington. The Damer family who built an elegant three-storey pre Palladian house in the courtyard. 
 
The castle was used as a barracks from 1798, housing 350 soldiers. It was used later as a school, a library, and a tuberculosis sanatorium. Roscrea Castle fell into disrepair in the 19th century, and when the roof collapsed extensive repairs were needed in the 1850s. It was named a national monument in 1892, and is now under the care of the OPW. The Irish Georgian Society was also involved

27. Swiss Cottage, County Tipperary:

Swiss Cottage, Cahir, photograph from Ireland’s Content pool, by Chris Hill 2015 for Failte Ireland.

From the OPW website:

The Swiss Cottage, just outside the heritage town of Cahir, is a cottage orné – a fanciful realisation of an idealised countryside cottage used for picnics, small soirees and fishing and hunting parties and was also a peaceful retreat for those who lived in the nearby big house.

Built in the early 1800s by Richard Butler, 1st Earl of Glengall, who, we believe, managed to persuade world-famous Regency architect John Nash to design it. Originally, simply known as “The Cottage” it appears to have acquired its present name because it was thought to resemble an Alpine cottage.

Inside, there is a graceful spiral staircase and some exquisitely decorated rooms. The wallpaper is partly original and partly the fruit of a 1980s restoration project, in which the renowned fashion designer Sybil Connolly was responsible for the interiors.

Swiss Cottage, photograph from the National Library of Ireland.

Waterford:

28. Dungarvan Castle, County Waterford:

Dungarvan Castle, Waterford, photograph from Ireland’s Content pool, by Chris Hill 2006 for Failte Ireland.

From the OPW website:

This castle dates from the early days of the Anglo-Norman settlement in Ireland. It was built c.1209 to safeguard the entrance to Dungarvan Harbour. The polygonal shell keep – a rare building type in Ireland – is the earliest structure on the site.

The castle has an enclosing curtain wall, a corner tower and a gate tower. Within the wall is a two-storey military barracks, which dates from the first half of the eighteenth century. It was used by the British Army and the Royal Irish Constabulary until 1922. During the Irish Civil War Dungarvan Castle was destroyed by the Anti-Treaty IRA.  It was subsequently refurbished and served as the Headquarters of the local Garda Síochana.

Today the Barracks and Castle grounds are open to visitors. Inside you will find a revealing exhibition on the Castle’s long and intriguing history.

29. Reginald’s Tower, County Waterford:

Reginald’s Tower, photograph from Ireland’s Content pool, by Mark Wesley 2016 for Failte Ireland.

From the OPW website:

Once described as ‘a massive hinge of stone connecting the two outstretched wings of the city’ this tower has never fallen into ruin and has been in continuous use for over 800 years. 

Originally the site of a wooden Viking fort, the stone tower we see today actually owes its existence to the Anglo-Normans who made it the strongest point of the medieval defensive walls. Later it was utilised as a mint under King John, before serving various functions under many English monarchs. Weapons, gunpowder and cannons have all been stored here reflecting various periods of Waterford’s turbulent history. 

Take the spiral stairs up and en route see the remains of a 19th century prison cell, artefacts from Waterford’s Viking history, and the sword of the Chief Constable whose family were the last residents of the tower.

On two floors are housed one branch of the Waterford Museum of Treasures, concentrating on the town’s thrilling Viking heritage.

[1] https://www.irelandscontentpool.com/en

[2] https://heritageireland.ie/visit/places-to-visit/

[3] p. 12, Living Legacies: Ireland’s National Historic Properties in the care of the OPW, Government Publications, Dublin, 2018.

[4] p. 310, Keohane, Frank. The Buildings of Ireland. Cork City and County. Yale University Press: New Haven and London. 2020.

[5] p. 261, Keohane, Frank. Buildings of Ireland: Cork City and County, Yale University Press, New Haven and London, 2020.

[6] See also https://doneraileestate.ie

[7] p. 377. Keohane, Frank. Buildings of Ireland: Cork City and County, Yale University Press, New Haven and London, 2020.

Another work Keohane identifies as being by Benjamin Crawley is Castle Bernard, now a ruin in County Cork:

Castle Bernard, County Cork, photograph from National Inventory of Architectural Heritage.

[8] fotahouse.com

[9] p. 412. Keohane, Frank. Buildings of Ireland: Cork City and County, Yale University Press, New Haven and London, 2020.

[10] https://www.irelandscontentpool.com/en/media-assets/media/44873

[11] http://www.buildingsofireland.ie/PlacesToSee/Cork/

[12] p. 412. Keohane, Frank. Buildings of Ireland: Cork City and County, Yale University Press, New Haven and London, 2020.

[13] https://heritageireland.ie/visit/places-to-visit/fota-arboretum-and-gardens/

[14]https://garinishisland.ie/the-house-and-gardens/

[15] see the website https://blasket.ie/

[16] https://derrynanehouse.ie/the-house/

[17] p. 102. Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[18] p. 107-119, Hicks, David. Irish Country Houses, Portraits and Painters. The Collins Press, Cork, 2014. 

[19] http://www.britainirelandcastles.com/Ireland/County-Tipperary/Cahir-Castle.html

[20] http://www.cahirhistoricalsociety.com/articles/cahirhistory.html

[21] Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[22] See the blog of Patrick Comerford, http://www.patrickcomerford.com/search/label/castles?updated-max=2019-03-03T14:30:00Z&max-results=20&start=27&by-date=false

[23]https://curiousireland.ie/roscrea-castle-1281-damer-house-1730-rosscrea-co-tipperary/

[24]https://theirishaesthete.com/2013/09/23/bon-anniversaire/

Barmeath Castle, Dunleer, Drogheda, County Louth

contact: Bryan Bellew. Tel: 041-6851205

Opening dates in 2021 (but check due to Covid 19 restrictions): May 1-31, June 1-9, Aug 14-22, Oct 1-20, 9am-1pm  

Fee: adult /OAP/student €5, child free

photograph taken from National Inventory of Architectural Heritage [1]
photograph taken from National Inventory of Architectural Heritage [1] I myself didn’t manage to take a photograph of the entire building.
photograph taken from National Inventory of Architectural Heritage [1]. Square tower which was added in 1839, with its Romanesque arch and portcullis.
photograph taken from National Inventory of Architectural Heritage [1]

I was excited to see Barmeath Castle as it looks so impressive in photographs. We headed out on another Saturday morning – I contacted Bryan Bellew in advance and he was welcoming. We were lucky to have another beautifully sunny day in October.

We drove up the long driveway.

The Bellew family have lived in the area since the 12th century, according to Timothy William Ferres. [2] The Bellews were an Anglo-Norman family who came to Ireland with King Henry II. The Castle was built in the 15th century by previous owners, the Moores, as a tower house. The Moores were later Earls of Drogheda, and owned Mellifont Abbey after the Dissolution of the Monasteries, which became the Moore family home until 1725. [3]

We were greeted outside the castle by Lord and Lady Bellew – the present owner is the 8th Lord Bellew of Barmeath. I didn’t get to take a photograph of the house from the front as we immediately introduced ourselves and Lord Bellew told us the story of the acquisition of the land by his ancestor, John Bellew.

The name “Barmeath” comes from the Irish language, said to derive from the Gaelic Bearna Mheabh or Maeve’s Pass. Reputedly Queen Maeve established a camp at Barmeath before her legendary cattle raid, which culminated in the capture the Brown Bull of Cooley, as recounted in the famous epic poem, The Tain.

The Historic Houses of Ireland website tells us:

“Barmeath Castle stands proudly on the sheltered slopes of a wooded hillside in County Louth, looking out over the park to the mountains of the Cooley Peninsula and a wide panorama of the Irish sea. The Bellew family was banished to Connacht by Cromwell but acquired the Barmeath estate in settlement of an unpaid bill.” [4]

John Bellew fought against Cromwell and lost his estate in Lisryan, County Longford, and was banished to Connacht.

Theobald Taaffe, Lord Carlingford, also lost lands due to his opposition to Cromwell and the Parliamentarians and loyalty to King Charles I. The Taaffes had also lived in Ireland since the twelfth or thirteenth century, and owned large tracts of land in Louth and Sligo. Theobald Taaffe, 2nd Viscount, was advanced in 1662 to be Earl of Carlingford. He engaged John Bellew as his lawyer to represent him at the Court of Claims after the Restoration of King Charles II (1660). Theobald’s mother was Anne Dillon, daughter of the 1st Viscount Theobald Dillon. John Bellew, while banished to Connacht, married a daughter of Robert Dillon of Clonbrock, County Galway. The Clonbrock Dillons were related to the Viscounts Dillon, so perhaps it was this relationship which led Lord Carlingford to engage John Bellew as his lawyer. Bellew won the case and as payment, he was given 2000 of the 10,000 acres which Lord Carlingford won in his case, recovered from Cromwellian soldiers and “adventurers” who had taken advantage of land transfers at the time of the upheaval of Civil War. Lord Carlingford may have taken up residence in Smarmore Castle in County Louth, which was occupied by generations of Taaffes until the mid 1980s and is now a private clinic. A more ancient building which would have been occupied by the Taaffe family is Taaffe’s Castle in the town of Carlingford.

The Baronetcy of Barmeath was created in 1688 for Patrick Bellew, the lawyer John’s son, for his loyalty to James II. [see 2] Patrick, who was High Sheriff of County Louth, married Miss Elizabeth Barnewall, sister of Sir Patrick Barnewall Baronet of Crickstown Castle, County Meath (a little bit of a ruin survives of this castle). His son John inherited Barmeath and the title, 2nd Baronet Barmeath.

John’s second son, Christopher, remained in Galway and established the market town, Mount Bellew.

A three storey seven bay house. Two round corner turrets were added on the former entrance front, which is now the garden-facing side.

The castle we see today was built onto the 15th century tower house, in 1770, for Patrick Bellew, 5th Baronet, and enlarged and castellated in 1839 by Sir Patrick Bellew, 7th Bt, afterwards 1st Baron Bellew. The title Baron Bellew of Barmeath was created in 1848 for Sir Patrick, who had previously represented Louth in the House of Commons as a Whig, and also served as Lord Lieutenant of County Louth. Part of a genuine tower house is still part of the castle, detectable by the unusual thickness of the window openings at the northeastern corner of the building. [5] Before the 1839 enlargement, it was a plain rectangular block, two rooms deep and three storeys high, with seven windows across the front, and a central main door.

Mark Bence-Jones suggests in his A Guide to Irish Country Houses that the design for the enlargement may have been by John Benjamin Keane. [6]. Lord Bellew recalled Mr. Bence-Jones’s visit to the house! However, the Irish Historic Houses website names the Hertfordshire architect, Thomas Smith, as the designer of the Neo-Norman castle.

John Benjamin Keane worked first as an assistant to Richard Morrison, and went into independent practice by 1823. According to the Dictionary of Irish Architects, during the next two decades he received several important commissions including the new Queen’s College, Galway, and a number of major Catholic churches in Dublin and elsewhere, and in 1846-48 he was engineer to the River Suir Navigation Co. [7] He also designed several houses, such as Stradone House in County Cavan for Major Burrowes (1828), Cloncorick Castle County Leitrim for Edward Simpson (1828), Ballybay House in County Monaghan for Lt. Col. Leslie (1829), Laurah in County Laois for Sir Walter Burrowes (1829), Belleek Manor in County Mayo (around 1830), Gothicization of Castle Irvine County Fermanagh in 1831-1835, Glencorig Castle County Leitrim, probably Pilltown House County Meath (1838), Edermine County Wexford in 1840, Magheramenagh Castle, County Fermanagh for James Johnston (1840, now a ruin), Oak Park mausoleum in County Carlow, and Glencara House County Westmeath. It makes sense that he could have Gothicized Barmeath since he worked on Castle Irvine in that period.

However, the Dictionary of Irish Architects attributes Barmeath to Thomas Smith (1798-1875). He also worked on Castle Bellingham in County Louth (another magnificent castle which is available for weddings) [8], and Braganstown House in County Louth (privately owned).

The faces in the carving around the windows reminded me of Borris House.

At this time, Bence-Jones tells us, two round corner turrets were added on the former entrance front, which became the garden front. A new entrance was made under a Romanesque arch guarded by a portcullis on a square tower which was built at one end of the side elevation. On the other side of the castle, a long turreted wing was added, enclosing a courtyard. The castle kept its Georgian sash-windows, though some of them lost their astragals later in the nineteenth century. The entire building was cased in cement, lined to look like blocks of stone, and hoodmouldings were added above the windows.

The Bellews brought us inside, and Lady Bellew had us sign the visitors’ book. I told them I am writing a blog, and mentioned that we visited Rokeby Hall and met Jean Young, who had told us that she is reading the archives of Barmeath. Lord Bellew proceeded with the tour. 

On the staircase, we chatted about history and enjoyed swapping stories. Lord Bellew pointed out the unusually large spiral end of the mahogany staircase handrail, perpendicular to the floor – it must be at least half a metre in diameter. The joinery of the staircase is eighteenth century, with Corinthian balusters.

Mark Bence-Jones describes it:

“Staircase of magnificent C18 joinery, with Corinthian balusters and a handrail curling in a generous spiral at the foot of the stairs, opening with arches into the original entrance hall; pedimented doorcases on 1st floor landing, one of them with a scroll pediment and engaged Corinthian columns.”

Bence-Jones continues his description:

“Long upstairs drawing room with Gothic fretted ceiling. Very handsome C18 library, also on 1st floor; bookcases with Ionic pilasters, broken pediments and curved astragals; ceiling of rococo plasterwork incorporating Masonic emblems. The member of the family who made this room used it for Lodge meetings. When Catholics were no longer allowed to be Freemasons, [in accordance with a Papal dictat, in 1738], he told his former brethren that they could continue holding their meetings here during his lifetime, though he himself would henceforth be unable to attend them.” Bence-Jones writes in his Life in an Irish Country House that it was Patrick Bellew, the 5th Baronet, who remodelled the house and had the ceiling made. [9]

When in the library, I told Lord Bellew that I’d read about his generous ancestor who continued to allow the Freemasons to meet in his home despite his leaving the organisation. Lord Bellew pointed out the desk where Jean works when she visits the archives. What a wonderful room in which to spend one’s days!

The rococo details pre-date the exterior Gothicization. The egg-and-dart mouldings around the first floor doors, Corinthian columns and staircase all seem to date, according to Casey and Rowan, to approximately 1750, which would have been the time of the 4th and 5th Baronets; John the 4th Baronet (1728-50) died of smallpox, unmarried, and the title devolved upon his brother, Patrick (c. 1735-95), 5th Baronet. The library might be from a little later. Casey and Rowan describe it:

“The finest room, the library, set on the NE side of the house above the entrance lobby, is possibly a little later. Lined on its N and S walls with tall mahogany break-front bookcases, each framed by Ionic pilasters and surmounted by a broken pediment, it offers a remarkable example of Irish rococo taste. The fretwork borders and angular lattice carving of the bookcases are oriental in inspiration and must reflect the mid-C18 taste for chinoiserie, made popular by pattern books such as Thomas Chippendale’s Gentleman and Cabinet Maker’s Director (1754). The ceiling has a deep plasterwork cove filled with interlaced garland ropes, a free acanthus border, oval motifs and shells set diagonally in the corners. Free scrolls, flowers and birds occupy the flat area with, in the centre, a rather artless arrangement of Masonic symbols, including three set-squares, three pairs of dividers, clouds and the eye of God.”

an example of Masonic symbols from the wonderful Freemasons Hall interior in Molesworth Street in Dublin, open during Open House Dublin each year.
Freemasons Hall interior in Molesworth Street in Dublin, Open House Dublin 2010.

We saw some of the bedrooms next, which provide accommodation when the house is used as a wedding venue. [10] A wing of the house is also advertised for accommodation on Airbnb. [11]

Next we headed outside, and Lord Bellew took us on a tour of the garden. According to the Britain and Ireland Castles website, Barmeath Castle is set on 300 acres of parkland with 10 acres of gardens, including a lake with island. I found a short video of Lord Bellew discussing the castle on youtube, and he tells how his son made the “temple” on the island, in return for the gift of a car! The temple is very romantic in the distance, and extremely well-made, looking truly ancient.

The Irish Historic Houses website tells us about the gardens:

“The lake and pleasure grounds were designed by the garden designer and polymath, Thomas Wright of Durham (1711-1785), who visited Ireland in 1746 at the invitation of Lord Limerick and designed a series of garden buildings on his estate at Tollymore in County Down. Wright explored ‘the wee county’ extensively and his book “Louthiana“, which describes and illustrates many of its archaeological sites, is among the earliest surveys of its type. His preoccupation with Masonic ‘craft’ indicates that Wright is likely to have been a Freemason, which probably helped to cement his friendship with the Bellew of the day [this would have been John the 4th Baronet]. He may well have influenced the design for the Barmeath library and indeed the mid-eighteenth century house.

Wright’s highly original layout, which is contemporary with the house, is remarkably complete and important, and deserves to be more widely known. It includes a small lake, an archery ground, a maze, a hermitage, a shell house and a rustic bridge, while the four-acre walled garden has recently been restored.”

Thomas Wright also designed the perhaps more famous “Jealous Wall” and other follies at Belvedere, County Westmeath. He may have designed them especially for Robert Rochfort, Lord Belvedere, or else Lord Belvedere used Wright’s Six Original Designs of Grottos (1758) for his follies. The Jealous Wall was purportedly built to shield Rochfort’s view of his brother George’s house, Rochfort House (later called Tudenham Park).

The lake was created to look like a river, and indeed it would have fooled me!

The topiary is unique:

We walked along the lake to the specially created bridge by Thomas Wright. We walked over it, and I marvelled at how it stands still so solid, after two hundred and fifty years!

The view through to the archery ground:

 The current owners have been working to restore the four acre walled garden. Lord Bellew and I discussed gardening as he showed us around.

A cottage in the garden contains beautiful painted walls:

The walls depict scenes of Venice.

The gardens are open to the public as part of the Boyne Valley Gardeners Trail. [12]. More visitors were scheduled to arrive so Lord Bellew saw us to our car and we headed off.

Later, on a visit to the Battle of the Boyne museum, we saw the Bellew regalia pictured on a soldier. I also took a photo of this information panel:

[1] https://www.buildingsofireland.ie/buildings-search/building/13901817/barmeath-castle-barmeath-co-louth

[2] http://lordbelmontinnorthernireland.blogspot.com/search/label/County%20Louth%20Landowners

[3] http://www.turtlebunbury.com/history/history_family/hist_family_mooredrogheda.html

[4] http://www.ihh.ie/index.cfm/houses/house/name/Barmeath%20Castle

[5] p. 152-154. Casey, Christine and Alistair Rowan. The Buildings of Ireland: North Leinster. Penguin Books, London, 1993.

[6] Mark Bence-Jones. A Guide to Irish Country Houses.(originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[7] https://www.dia.ie/architects/view/2896/KEANE%2C+JOHN+BENJAMIN#tab_biography

[8] https://www.bellinghamcastle.ie

[9] p. 38. Bence-Jones, Mark. Life in an Irish Country House. Constable and Company Ltd, London, 1996.

[10] https://www.britainirelandcastles.com/Ireland/County-Louth/Barmeath-Castle.html

[11] https://www.airbnb.ie/rooms/14447440?source_impression_id=p3_1571074477_5G4k1LLpF4gKSz4n

[12] https://www.garden.ie/gardenstosee/barmeath-castle/