2021 Section 482 List

The list of properties for 2021 has finally been published! Here it is – not too different from last year, though there are a few new places, and a few have been removed since last year.

List of approved buildings/gardens open to the public in 2021 

Section 482 Taxes Consolidation Act 1997 

Due to COVID restrictions properties may not be open as advertised, please check with the property owner before arranging a visit to any of the properties listed. 

Carlow 

Borris House

Borris, Co. Carlow
Morgan Kavanagh
Tel: 087-2454791
www.borrishouse.com
Open: Feb 2-7, 9-14, 16-21, 27-28, June 1-3, 8-10, 15-16, 22-24, 29-30, July 1, 6-8, 13-15, 20-21, 27-29, Aug 3-5, 10-12, 14-22, 24-26, 31, Sept 1-2, 12 noon -5pm Fee: adult €10, child €5, OAP/student €8, 

Borris House, County Carlow
Borris House, County Carlow. Photograph from Country Life.

Huntington Castle 

Clonegal, Co. Carlow
Postal address: Huntington Castle, Enniscorthy, Co. Wexford
Alexander Durdin Robertson
Tel: 053-9377160
www.huntingtoncastle.com

Open: Feb 6-7, 13-14, 20-21, 27-28, Mar 6-7, 13-14, 20-21, 27-28, Apr 3-4, 10-11, 17-18, 24-25, May 1-31, June 1-30, July 1-31, Aug 1-31, Sept 1-30, Oct 2-3, 9-10, 16- 17, 23-24, Nov 6-7, 13-14, 20-21, 27-28, Dec 4-5, 11-12, 18-19, 11am-5pm
Fee: house/garden, adult/student €9, garden only €6, OAP house/garden €8, garden only €5, child house /garden €6, garden only €3, group and family discounts available 

Huntington Castle, County Carlow.

The Old Rectory 

Killedmond, Borris, Co. Carlow.
Mary White
Tel: 087-2707189 

https://www.blackstairsecotrails.ie/ 

Open: July 1-31, Aug 1-31, 9am-1pm Fee: adult €10, OAP/student €6, child free 

Old Rectory, Killedmond, County Carlow.

The Old Rectory Lorum

Kilgreaney, Bagenalstown, Co. Carlow

Bobbie Smith
Tel: 059-9775282
www.lorum.com 

(Tourist Accommodation Facility) 

Open: Feb 14-November 30 

Old Rectory Lorum, County Carlow. Photograph from National Inventory of Architectural Heritage.

Cavan 

Cabra Castle (Hotel) 

Kingscourt, Co. Cavan
Howard Corscadden.
Tel: 042-9667030
www.cabracastle.com
Open: all year, except Dec 24, 25, 26, 11am-12 midnight Fee: Free 

Corravahan House & Gardens 

Corravahan, Drung, Ballyhaise, Co. Cavan Ian Elliott
Tel: 087-9772224
www.corravahan.com 

Open: Jan 4-5, 11-12, 18-19, 25-26, Feb 1-2, 8-9, 15-16, 22-23, Mar 1-2, 8-9, May 4- 5, 9-12, 16-19, 23-26, 30-31, June 1-4, Aug 14-31, Sept 1-2, 9am-1pm, Sundays 2pm- 6pm
Fee: adult €10, OAP/student/child €5 

Corravahan, County Cavan.

Clare 

Barntick House 

Clarecastle Co. Clare
Ciaran Murphy
Tel: 086-1701060
Open: May 1-31, Aug 1-31, 5pm-9pm
Fee: adult/student €5, child/OAP free, group discount available 

Loughnane’s 

Main Street, Feakle, Co. Clare
Billy Loughnane
Tel: 086-2565012
www.eastclarehostels.com
Open: June 2-July 31, Wed-Sun, Aug 1, 4-8, 11-22, 25-29, 2pm-6pm Fee: Free 

Newtown Castle

Newtown, Ballyvaughan, Co. Clare Mary Hawkes- Greene
Tel: 065-7077200 

www.newtowncastle.com 

Open: Jan 4-May 31, Mon-Fri, June 1-30 Mon-Sat, July 1-Aug 31 daily, Sept 1-Dec 17 Mon-Fri, 10am-5pm
Fee: Free 

Newtown Castle, County Clare. Photograph from National Library of Ireland.
Newtown Castle, County Clare. Photograph from National Inventory of Architectural Heritage.

Cork 

Ashton Grove

Ballingohig, Knockraha, Co. Cork
Gerald McGreal
Tel: 087-2400831
Open: Mar 1-12, May 4-31, June 1-3, 14-25, July 17-18, 31, Aug 14-22, Wednesdays 2pm-6pm, Tues, weekends & National Heritage Week, 8am-12 noon 

Fee: adult €6, OAP/student/child €3 

Bantry House & Garden

Bantry, Co. Cork
Julie Shelswell-White
Tel: 027-50047
www.bantryhouse.com
Open: Apr 1-Oct 31, 10am-5pm
Fee: adult €11, OAP/student €8.50, child €6, groups over 8-20, €8 per person, groups 21+ €7 per person 

Bantry House,County Cork. photograph from Tourism Ireland.

Blarney Castle & Rock Close

Blarney, Co. Cork
C. Colthurst
Tel: 021- 4385252
www.blarneycastle.ie
Open: all year except Christmas Eve & Christmas Day, Jan-Mar, Mon-Sat, 9am- sundown, Sun, 9am-6pm, Apr-May, 9am-6pm, June-Aug, Mon-Sat, 9am-7pm, Sun, 9am-6pm, Sept, Mon-Sat, 9am-6.30pm, Sun, 9am-6pm,
Oct, Nov, Dec daily 9am-6pm,
Fee: adult €18, OAP/student €15, child €10, family and season passes 

Blarney Castle, County Cork. photograph from Tourism Ireland.

Blarney House & Gardens

Blarney, Co. Cork
C. Colthurst
Tel 021- 4385252
www.blarneycastle.ie
Open: June 1- Aug 31, Mon-Sat, National Heritage Week, Aug 14-22, 10am-3pm Fee: adult €10, OAP/student €7, concession joint with castle

Blarney House, County Cork. Photograph from National Library of Ireland.

 Burton Park 

Churchtown, Mallow, Co. Cork Paul Doherty
Tel: 022-59955
www.slieile.ie 

Open: May 8-July 7, Mon-Sat closed Bank Holidays, Aug 14-22, 11am-3pm Fee: adult/child/OAP/student €9 

Burton Park, County Cork. Photograph from National Inventory of Architectural Heritage.

Brideweir House 

Conna, Co. Cork
Ronan Fox
Tel: 025-36386
Open: Jan 1-Dec 24, 11am-4pm
Fee: adult €10, child/student €5, OAP free 

Brideweir, County Cork. Photograph from National Inventory of Architectural Heritage.

Creagh House

Main Street, Doneraile, Co. Cork Michael O’Sullivan
Tel: 022-24433 

(Tourist Accommodation Facility) 

Open: April-Sept
Public tours of house all year 

Drishane Castle & Gardens 

Drishanemore, Millstreet Town, Co. Cork Thomas Duggan
Tel: 087-2464878, 029-71008 

www.millstreet.ie 

Open: June 1-Sept 30, Mon-Sat, (Jan-May, Oct-Dec Mon-Fri, 9am-5pm by appointment only) National Heritage Week, Aug 14-22, 9am-5pm
Fee: adult €5, OAP/student free, child free when accompanied by adult 

Drishane Castle. Photograph from the National Library of Ireland.
Drishane Castle, County Cork. Photograph from the National Inventory of Architectural Heritage.

Drishane House 

Castleownshend, Co. Cork

Thomas Somerville
Tel: 028-36126, 083-574589

 www.drishane.com 

Open: May 1-20, Aug 14-22, Sept 13-23, Oct 1-20, 11am-3pm Fee: adult €10, OAP €8, student/child €6 

Drishane House, County Cork

Dún Na Séad Castle 

Baltimore, Co. Cork
Donna O’Driscoll
Tel: 087-7374592
www.baltimorecastle.ie
Open: March 1-Oct 31, 11am-6pm
Fee: adult/OAP/student €5, child under 12 free 

Baltimore Castle, County Cork.

Garrettstown House 

Garrettstown, Kinsale, Co. Cork
Denis Mawe
Tel: 021-4778156 

www.garrettstownhouse.com
Open: May 15-Sept 10, 12 noon-5pm
Fee: adult/OAP/student/other concessions €5, child €3 

Garrettstown House, County Cork. Photograph from National Inventory of Architectural Heritage.

Kilcascan Castle 

Ballineen, Co. Cork
Alison Bailey
Tel: 023-8847200 

Open: Aug 1-31, Sept 1-30, 9.30am-1.30pm Fee: Free 

Kilcascan Castle, County Cork. Photograph from National Inventory of Architectural Heritage.

Kilshannig House 

Rathcormac, Co. Cork
Hugo Merry
Tel: 025-36124
Open: May 1-31, June 1-30, July 1-31, National Heritage Week, Aug 14-22, 8.30am- 2.30pm, 

Fee: adult €10, child/student €8.50, group discount by arrangements 

Kilshannig, County Cork.
Kilshanning House, County Cork.

4 Mulgrave Place, 

No 4 Mulgrave Road, Cork City
Trevor Leacy
Tel: 087-2808302
Open: May 1-Sept 30, closed Sundays, National Heritage Week, August 14-22, weekdays and National Heritage Week, 11am-4pm, Saturdays 11am-3pm 

Fee: adult €4, OAP/student/child €2, family €7 (2+2) 

Riverstown House

Riverstown, Glanmire, Co. Cork
Denis/Rita Dooley
Tel: 021- 4821205
Open: May 5-8, 13-15, 20-22, 27-29, June 3-5, 10-12, 17-19, 24-26, July 1-3, 8-10, 15-17, 22-24, 29-31, Aug 5-7, 12-22, 26-28, Sept 2-4, 2pm-6pm 

Fee: adult €8, OAP/student €5 

Riverstown House, County Cork. Photograph from National Inventory of Architectural Heritage.

Woodford Bourne Warehouse 

Sheares Street, Cork
Edward Nicholson
Tel: 021-4273000
www.woodfordbournewarehouse.com
Open: all year except Christmas Eve, Christmas Day, 1pm-11pm Fee: Free 

Donegal 

Cavanacor House 

Ballindrait, Lifford, Co. Donegal Joanna O’Kane
Tel: 074-9141143, 085-8165428 

www.cavanacorgallery.ie 

Open: Feb 1-20, May 1-31, Aug 14-22, 1pm-5pm Fee: adult €8, OAP/student/child €6 

Cavanacor, County Donegal. Picture from National Inventory of Architectural Heritage.

Oakfield Park

Oakfield Demesne, Raphoe, Co. Donegal

David Fisher- Estate Manager
Tel: 074-91773068 

www.oakfieldpark.com 

Open: Apr 1-4, 7-11, 14-18, 21-25, 28-30, May 1-2, 5-9, 12-16, 19-23, 26-30, 12 noon-6pm, June 1-30, July 1-31, Aug 1-31, 11am-6pm, Sept 1-5, 8-12, 15-19, 22-26, 29-30, 12 noon-6pm, Dec 1-5, 8-12, 15-23, Dec 1-17, weekdays, 4pm-10pm, weekends, 12noon-10pm, Dec 18-23, 12 noon-10pm 

Fee: adult €9, child €6, family and annual passes available 

Oakfield Park, County Donegal. Photograph from Country Life magazine.

Portnason House 

Portnason, Ballyshannon, Co. Donegal
Madge Sharkey
Tel: 086-3846843
Open: Jan 18-22, 25-29, Feb 1-5, 8-12, Aug 14-30, Sept 1-17, 20-23, 27-28, Nov 15- 19, 22-26, Dec 1-3 6-10, 13-14, 9am-1pm 

Fee: adult €8, OAP/student/child €5 

Portnason House, County Donegal. Photograph from National Inventory of Architectural Heritage.

Salthill Garden

Salthill House, Mountcharles, Co. Donegal

Elizabeth Temple
Tel: 087-7088078, 074-9735014 

www.donegalgardens.com 

Open: May 1, 6-8, 13-15, 20-22, 27-29, June 3-5, 10-12, 17-19, 24-26, July 1-3, 5-9, 12-24, 26-31, Aug 2-7, 9-22, 26-28, 30-31, Sept 1-3, 6-10, 13-17, 20-24, 27-30, 2pm- 6pm
Fee: adult/OAP/student €5, child under 10 years €2, over 10 years €3 

Salthill House Gardens, County Donegal. Photograph from National Inventory of Architectural Heritage.

Dublin City 

Bewley’s 

78-79 Grafton Street/234 Johnson’s Court, Dublin 2 Peter O’ Callaghan
Tel 087-7179367
www.bewleys.com 

Open: all year except Christmas Day, 11am-7pm Fee: Free 

Bewleys Cafe, Dublin. Photograph from Tourism Ireland.

Hibernian/National Irish Bank 

23-27 College Green, Dublin 2
Dan O’Sullivan
Tel: 01-6755100
www.clarendonproperties.ie
Open: all year, except Dec 25, Wed-Fri 9.30am-8pm, Sun 11am-7pm, Sat, Mon, Tue, 9.30-7pm 

Fee: Free 

11 North Great George’s Street 

Dublin 1
John Aboud
Tel: 087-7983099
www.number11dublin.ie
Open: March 8-13, May 10-15, June 7-12, July 5-10, Aug 2-7, 14-22, Sept 6-12, Oct 4-9, Nov 8-11,15-18, 1pm-5 pm
Fee: adult €7, students/OAP €3, child free under 12years 

Number 11 North Great Georges Street, Dublin.

81 North King Street 

Smithfield, Dublin 7
James Kelly
Tel: 086-8597275
Open: Apr 1-3, 5-10, 12-17, 19-24, 26-30, May 1, June 1-5, 7-12, 14-19, 21-26, 28- 30, July 1-3, 5-10, 12-17, 19-24, 26-31, Aug 2-7, 9-28, 30-31, Mon-Fri, 9am- 4.30pm, Sat, 12.30pm-4.30pm 

Fee: Free 

The Odeon (formerly the Old Harcourt Street Railway Station) 

57 Harcourt Street, Dublin 2

Mary Lacey
Tel: 01-6727690 

www.odeon.ie 

Open: May- Dec, 12 noon to midnight, closed Sundays Fee: Free 

Harcourt Street Station, now The Odeon, Dublin. Photograph from National Library of Ireland.

Powerscourt Townhouse Centre 

59 South William Street, Dublin 2
Mary Larkin
Tel: 01-6717000
www.powerscourtcentre.ie
Open: all year except New Year’s Day, Easter Sunday, Easter Monday, Christmas Day, St. Stephen’s Day, & Bank Holidays, Mon-Sat, 10am-6pm, Thurs, 10am-8pm, Sundays, 12 noon-6pm 

Fee: Free 

Powerscourt Townhouse, Dublin.

10 South Frederick Street 

Dublin 2
Joe Hogan
Tel: 087-2430334
Open: Jan 1-24, May 1, 3-8, 10-15, 17-22, 24-27, Aug 14-22, 2pm-6pm Fee: Free 

The Church 

Junction of Mary’s Street/Jervis Street, Dublin 1 Ann French
Tel: 087-2245726
www.thechurch.ie 

Open: Feb 1- Dec 24, 27-31, 11am-11 pm Fee: Free 

County Dublin 

Clonskeagh Castle 

80 Whitebean Road, Clonskeagh, Dublin 14

Fergus Armstrong
Tel: 089-4091645, 086-2428540 

www.clonskeaghcastle.com

Open: Feb 6-9, Mar 6-9, Apr 6-9, May 1-8, June 1-8, July 1-8, August 14-22, Sept 1- 8, Nov 6-9, Dec 6-9, 2pm-6pm
Fee: adult €6, child/OAP/student €3 

Colganstown House 

Hazelhatch Road, Newcastle, Co. Dublin
Lynne Savage Jones
Tel: 087-2206222
Open: Apr 12-18, May 6-28, June 10-12, Aug 14-27, Nov 1-13, weekdays 2pm-6pm, weekends 9am-1pm 

Fee: adult/OAP €10, student/child free 

Colganstown, County Dublin.

Fahanmura

2 Knocksina, Foxrock, Dublin 18
Philip Harvey
Tel: Philip, 087-2463865, Paul, 086-3694379
www.fahanmura.ie
Open: March 15-28, Apr 5-10, May 6-14, June 14-20, July 5-10, Aug 14-22, Sept 11- 19, 9am-1pm
Fee: adult €5, student €2, OAP/child free 

Fahanmura, Dublin. Photograph from National Inventory of Architectural Heritage.

Farm Complex

Toberburr Road, Killeek, St Margaret’s, Co. Dublin
David Doran
Tel: 086-3821304
OpenFeb 13-22, March 20-29, May 1-3, 10-16, June 18-27, Aug 14-23, Sept 18-27, 2pm-6pm 

Fee: adult €6, student/OAP/child €5 

“Geragh” 

Sandycove Point, Sandycove, Co. Dublin
Gráinne Casey
Tel: 01-2804884
Open: Jan 28-29, Feb 1-5, 8-12, 15-22, May 4-31, Aug 14-22, Sept 1-3, 2pm-6pm

Fee: adult €7, OAP €4, student €2, child free 

Geragh Haus, Dublin. Photograph by William Murphy, flickr creative commons.

Knocknagin House 

Delvin Bridge, Balbriggan, Co. Dublin Richard Berney
Tel: 087-2847797
Open: July 1-31, Aug 1-29, 9am-1pm

Fee: adult/OAP/child/student €5 

Knocknagin House, County Dublin. Photograph from National Inventory of Architectural Heritage.

The Old Glebe 

Upper Main Street, Newcastle, Co. Dublin
Hugh F. Kerins, Martin Connelly
Tel: Frank 087-2588356, Martin 087-6686996
Open: May 1-31, June 1-30, Mon- Sat, Aug 14-22, 10am-2pm, 4 tours daily during National Heritage Week, 10am, 11am, 12 noon, 1pm, tour approx. 45 minutes 

Fee: Free, voluntary contributions only in 2021 due to Covid-19. Proceeds to charity 

The Old Glebe, County Dublin.

Martello Tower

Portrane, Co. Dublin
Terry Prone
Tel: 01-6449700
Open: March 6-Sept 26, Sat & Sun, National Heritage Week, Aug 14-22, 9am-1pm

Fee: adult €5, student €4, OAP €1 

Martello Tower, Portrane, County Dublin. Photograph from National Inventory of Architectural Heritage.

Meander 

Westminister Road, Foxrock, Dublin 18,
Ruth O’Herlihy,
Tel: 087-2163623
Open: Jan 4-8, 11-15, 18-22, 25-29, May 1, 4-8, 10-11, 17-22, June 8-12, 14-19, 21- 26, Aug 14-22, 9am-1pm 

Fee: adult €5, OAP/child/student €2 

Meander, County Dublin. Photograph from National Inventory of Architectural Heritage.

Primrose Hill 

Very Top of Primrose Lane, Lucan, Co. Dublin
Robin Hall
Tel: 01-6280373
Open: Feb 1-28, June 1-30, July 1-23, Aug 14-22, 2pm-6pm

Fee: adult/OAP €6, child free 

Primrose Hill, Lucan, County Dublin.

St. George’s

St. George’s Avenue, Killiney, Co. Dublin

Robert McQuillan
Tel: 087-2567718
Open: July 1-31, Aug 1-31, 9am-1pm 

Fee: adult €5 OAP/student/child €3.50 

Tibradden House 

Mutton Lane, Rathfarnham, Dublin 16

Selina Guinness
Tel: 01-4957483 

www.selinaguinness.com 

Open: Jan 14-17, 23-24, 28-29, Feb 4-7, 11-12, 19-21, 26-28, May 3-13,16, 18-20, 23-27, June 2-4, 8-10, 14-16, 19-20, Aug 14-22, weekdays 2.30pm-6.30pm, weekends 10.30am-2.30pm
Fee: adult/OAP €8 student €5, child free, Members of An Taisce the The Irish Georgian Society (with membership card) €5 

Tibradden House, County Dublin. Photograph from National Inventory of Architectural Heritage.

Galway 

Castle Ellen House

http://www.castleellen.ie/

Open: April 4-7,11-15,18-22, 25-29, May 2-6, 9-13, 16-20, 23-27, 30-31, June 1-3, 6- 10, 13-17, 20-24, 27-30, July 1, 4-8, 11-16, 18-22, 25-29, Aug 1-5, 8-12, 14-26, 29- 31, National Heritage Week, Aug 14-22, 12 noon-4pm
Fee: Free 

Castle Ellen House, County Galway. Photograph from National Inventory of Architectural Heritage.

Claregalway Castle

Claregalway, Co. Galway
Eamonn O’ Donoghue
Tel: 091-799666

www.claregalwaycastle.com

Open: June-Sept, Thursday-Sunday, National Heritage Week, Aug 14-22, 12 noon- 4pm 

Fee: adult €6, student/OAP/child €4 

Lisdonagh House

Caherlistrane, Co. Galway
John & Finola Cooke
Tel: 093-31163 

www.lisdonagh.com

(Tourist Accommodation Facility) Open: May 1-Oct 31 

Fee: Free 

Lisdonagh House, County Galway. Photograph from National Inventory of Architectural Heritage.

The Grammer School 

College Road, Galway
Terry Fahy
www.yeatscollege.ie
Tel: 091-533500
Open: May 1-2, 8-9, 15-16, 22-23, June 12-13, July 1-31, Aug 1-23, 9am-5pm

Fee: adult/OAP/student €5, child under 12 free 

Oranmore Castle 

Oranmore, Co. Galway

Leonie Phinn 

www.oranmorecastle.com 

Tel: 086-6003160 

Open: April 1-20, May 13-22, June 8-18, Aug 14-23, Sept 8-17, 12 noon-4pm

Fee: adult €10, child €5 

Oranmore Castle, County Galway. Photograph by Johanna, flickr creative commons.

Signal Tower & Lighthouse 

Eochaill, Inis Mór, Aran Islands, Co. Galway Michael Mullen
Tel: 087-2470900

www.aranislands.ie 

Open: April 1- October 31, 9am-5pm.
Fee: adult €2.50, child €1.50, family €5, group rates depending on numbers 

Woodville House Dovecote & Walls of Walled Garden 

Craughwell, Co. Galway
Margarita and Michael Donoghue
Tel: 087-9069191

www.woodvillewalledgarden.com

Open: Jan 29-31, Feb 1-28, Apr 1-13, 11am- 4.30pm, June 1, 6-8, 13-15, 21-22, 27- 29, July 10-11, 17-18, 24-25, 31, Aug 1-2, 6-8, 13-22, 27-29, Sept 4-5, 11am-5pm Fee: adult/OAP €6, child €3, student, €5, family €20, guided tours €10 

Woodville Dovecote, County Galway. Photograph from National Inventory of Architectural Heritage.

Kerry 

Ballyseede Castle

Ballyseede, Tralee, Co. Kerry

Marnie Corscadden
Tel: 066-7125799 

www.ballyseedecastle.com 

Open: Mar 1-Dec 21, 28-31 Fee: Free 

Ballyseede Castle, County Kerry. Photograph from flickr creative commons, by Keith Robinson, 2015.

Derreen Gardens

Lauragh, Tuosist, Kenmare, Co. Kerry

John Daly
Tel: 087-1325665 

www.derreengarden.com 

Open: all year, 10am-6pm
Fee: adult/OAP/student €8, child €3, family ticket €20 (adults and all children & 2 maps) 

Kells Bay House & Garden 

Kells, Caherciveen, Co Kerry

Billy Alexander
Tel: 066-9477975 

www.kellsbay.ie 

William Alexander
Open: Feb-Dec 9.30am-dusk
Fee: adult €8.50, child €6, family €26 (2 adults + 3 children under 17 years) 

Tarbert House

Tarbert, Co. Kerry
Ursula Leslie
Tel: 068-36198, 087-2917301
Open: May, June, July, Aug, 2pm-4pm Fee: adult/OAP €5, student €2, child free 

Tarbert House, County Kerry. Photograph from National Inventory of Architectural Heritage.

Kildare 

Blackhall Castle 

Calverstown, Kilcullen, Co. Kildare
Jeffrey & Naomi White
Tel: 045-485244, 087-6532297
Open: May 1-31, Aug 14-22, Sept 1-15, Dec 1-20, 2pm-6pm Fee: Free 

Blackhall Castle, County Kildare.

Burtown House and Garden

Athy, Co. Kildare
James Fennell
Tel: 086-2631485
www.burtownhouse.ie
Open: May 5-8, 12-15, 19-22, 26-29, June 2-5, 9-12, 16-19, 23-26, 30, July 1-3, 7-10, 14-17, 21-24, 28-31, August 4-7, 11-31, Sept 1-2, 9am-12 noon 

Fee: adult €10, OAP/child€6, student €5 

Burtown House, County Kildare.

Coolcarrigan House & Gardens 

Coolcarrigan, Coill Dubh, Naas, Co. Kildare

Robert Wilson-Wright
Tel: 086-2580439
www.coolcarrigan.ie 

Open: Feb 1-5, 8-12, Mar 8-12, April 19-23, May 10-14, 17-21, Aug 4-10, 14-29, Sept 4-10, 9am-1pm
Fee: adult €8, OAP/student €5, child free 

Coolcarrigan, County Kildare.

Farmersvale House 

Badgerhill, Kill, Co. Kildare
Patricia Orr
Tel: 086-2552661
Open: Jan 18-31, Feb 1-6, July 23-31, Aug 1-31, 9.30am-1.30pm
Fee: adult €5, student/child/OAP €3, (Irish Georgian Society members free) 

Farmersvale House, County Kildare. Photograph from National Inventory of Architectural Heritage.

Griesemount House

Ballitore
Co Kildare
Katharine Bulbulia
Tel: 087-2414556
www.griesemounthouse.ie
Open: April 19-23, 26-30, May 10-21, 17-21, 24-28, June 16-20, 23-30, July 5-9, 12- 16, 19-23, Aug 14-22, 10am-2pm
Fee: adult €6, OAP/student €5, child €3 

Harristown House 

Brannockstown, Co. Kildare
Hubert Beaumont
Tel: 087-2588775
www.harristownhouse.ie
Open: Jan 11-15, 18-22, Feb 8-12, 15-19, May 4-28, June 7-11, Aug 14-22, Sept 6-10, 9am-1pm 

Fee: adult/OAP/student €10, child €5 

Harristown House, County Kildare

Kildrought House 

Celbridge Village, Co. Kildare
June Stuart
Tel: 01-6271206, 087-6168651
Open: Jan 1-20, May 18-26, Aug 11-31,10am-2pm
Fee: adult €6, OAP/student/child €3, child under 5 years free, school groups €2 per head 

Kildrought House. Photograph from National Inventory of Architectural Heritage.

Larch Hill

Kilcock, Co. Kildare

Michael De Las Casas Tel: 087-2213038 

www.larchill.ie

Open: May 1-14, 17-21, 24-31, June 1-11, 15-18, 22-25, 29-30, Aug 14-29, 10am- 2pm
Fee: adult/ OAP/student €8, child €5, under 4 years free 

Larchill, County Kildare. Photograph from Country Life.
Larchill, County Kildare. Photograph from Country Life.

Leixlip Castle 

Leixlip, Co. Kildare
Penelope Guinness
Tel: 01-6244430
Open: Feb 1-5, 8-12, Mar 1-5, 8-12, May 11-14, 17-23, June 14-18, 21-27, Aug 14- 22, Sept 6-12, 9am-1pm 

Fee: adult €8, OAP/student/child €4, concessions no charge for school groups 

Leixlip Castle, County Kildare.
Leixlip Castle, County Kildare.

Moone Abbey House & Tower 

Moone Abbey, Moone, Co. Kildare
Jennifer Matuschka
Tel: 087-6900138
Open: May 1-30, Aug 14-22, Sept 1-30, 12 noon- 4pm

Fee: adult €8, OAP/student/child €4 

Moone Abbey, County Kildare.
Moone Abbey, County Kildare.

Moyglare Glebe 

Moyglare, Maynooth, Co. Kildare
Joan Hayden
Tel: 01-8722238
Open: Jan 4-8, 11-15, 18-22, 25-29, May 1-31, Aug 14-22, Sept 4-7, 8.30am-12.30pm

Fee: adult €6, OAP/student/child €3 

Steam Museum Lodge Park Heritage Centre July 10

Lodge Park, Straffan, Co. Kildare Robert C Guinness
Tel: 01-6288412 

www.steam-museum.com 

Open: May 1-3, 8-9, 15-16, 22-23, 29-30, June 4-7, 11-13, 18-20, 25-27, July 2-4, 9- 11,16-18, 23-25, 30-31, Aug 1-2, 6-8, 13-22, 27-29, Sept 4-5, 11-12, 18-19, 25-26, 2pm-6pm,
Fee: adult €7.50, OAP/child €5, student engineering free with card, 

family €20, (2 adults + 2 children) 

Kilkenny 

Aylwardstown House 

Glenmore, Co. Kilkenny
Nicholas Kelly
Tel: 051-880464, 087-2567866
Open: Aug 1-31, Sept 1-30, 9am-5pm

Fee: adult €5, OAP/student €3, child free 

Aylwardstown House, County Kilkenny. Photograph from National Inventory of Architectural Heritage.

Ballybur Castle 

Ballybur Upper, Cuffesgrange, Co. Kilkenny

Mhairi Gray
Tel: 086-1919099
www.ballyburcastle.com 

Open: May 1-10, June 10-30, Aug 14-24, Sept 1-20, 2pm-6pm Fee: Free 

Ballybur Castle, County Kilkenny. flickr creative commons by Andrew Holmes
Inside Ballybur Castle, County Kilkenny. flickr creative commons by Andrew Holmes

Ballysallagh House

Johnswell, Co. Kilkenny
Geralyn & Kieran White
Tel: 087-2906621, 086-2322105
www.ihh.ie
Open: Feb 1-20, May 1-31, Aug 14-22, 9am-1pm Fee: adult €5, OAP/student/child €2.50 

Ballysallagh House, County Kilkenny. Photograph from National Inventory of Architectural Heritage.

Creamery House 

Castlecomer Co. Kilkenny
John Comerford
Tel: 087-918444
Open: May 21- Sept 26 Friday, Saturday, and Sundays, National Heritage Week, Aug 14-22, 12 noon-5pm 

Fee: adult/OAP €5, child/student €3 

Creamery House, County Kilkenny. Photograph from National Inventory of Architectural Heritage.

Kilfane Glen & Waterfall

Kilfane, Thomastown, Co. Kilkenny

Susan Mosse
Tel: 056-7727105
www.kilfane.com 

Open: July 1-31, Aug 1-31, 11am -6pm
Fee: adult €7, OAP/student €6.50, child €6, family €20 

Kilfane Waterfall, County Kilkenny, photo by irishfireside on flickr creative commons

Kilkenny Design Centre 

Castle Yard, Kilkenny

Joseph O’ Keeffe
Tel: 064-6623331 

www.kilkennydesign.com 

Open: all year,10am-7pm Fee: Free 

Kilkenny Castle stables, Kilkenny Design, County Kilkenny.

Shankill Castle 

Paulstown, Co. Kilkenny
Geoffrey Cope,
Tel: 087-2437125
www.shankillcastle.com
Open: Apr 2-Oct 31, Thurs-Sunday, National Heritage Week, Aug 14-22

Fee: house & gardens, adult €10, OAP/student/child 

gardens, adult €5 OAP/student /child €4 

Shankill Castle gateway, County Kilkenny. photograph from National Inventory of Architectural Heritage.

Tybroughney Castle

Piltown, Co. Kilkenny
Louis Dowley
Tel: 087-2313106
Open: June 1-30, July 1-31, Mon- Fri, Aug 1-31, 9am-5pm

Fee: adult €2, student/ OAP/child free 

Tybroughney Castle, County Kilkenny. Photograph from National Inventory of Architectural Heritage.

Laois 

Ballaghmore Castle

Borris in Ossory, Co. Laois
Grace Pym
Tel: 0505-21453
www.castleballaghmore.com
Open: all year, 9.30am-6pm
Fee: adult €5, child/OAP €3, student free, family of 4, €10

 

Ballaghmore Castle, County Laois. Photograph from National Inventory of Architectural Heritage.

Stradbally Hall 

Stradbally, Co. Laois
Thomas Cosby
Tel: 086-8519272
www.stradballyhall.ie
Open: May 1-31, June 1-9, Aug 14-22, Oct 1-14, 9am-1pm

Fee: adult €10, OAP/ student €5, child free 

Stradbally Hall, County Laois. photograph from National Inventory of Architectural Heritage.

Leitrim 

Manorhamilton Castle (Ruin) 

Castle St, Manorhamilton, Co. Leitrim

Anthony Daly
Tel: 086-2502593 

Open: Jan 7-Dec 21, National Heritage Week, Aug 14-22, closed Sat & Sun, 10am- 5pm
Fee: adult €5, child free 

Manorhamilton Castle, County Leitrim. Photograph by Keith Ewing, flickr creative commons.

The Station House 

Brocagh Lower, Glenfarne, Co. Leitrim
Ann White
Tel: 087-1016063
Open: Aug 1-31, Sept 1-30, Mon- Fri, 6pm-10pm, Sat & Sun, and Bank Holidays 9am-1pm 

Fee: Free 

Limerick 

Ash Hill

Kilmallock, Co. Limerick
Simon and Nicole Johnson
Tel: 063-98035
www.ashhill.com
(Tourist Accommodation Facility)
Open: Jan 15-Oct 31, Nov 1-29, Dec 1-15, 9am-4pm

Fee: adult/student €5, child/OAP free 

Ash Hill, County Limerick. photograph from National Inventory of Architectural Heritage.

Glebe House 

Holycross, Bruff, Co. Limerick
Kate Hayes and Colum McCarthy
Tel: 087-6487556
Open: Jan 4-29, May 10-28, Aug 13-22, Sept 13-24, Mon-Fri, 5.30pm-9.30pm, Sat- Sun, 8am-12 noon 

Fee: Free 

Bruff Glebe House, County Limerick. Picture from National Inventory of Architectural Heritage.

Glenville House

Glenville, Ardagh, Co. Limerick
Owen O’Neill
Tel: 086-2541435
Open: Apr 3, 6-10, 13-17, 20-24, 27-30, May 1, 4-8, 11-15, 18-22, 25-26, Aug 14-22, Sept 1-4, 7-11, 14-17, 9.30am-1.30pm 

Fee: adult €5, OAP/student €3, child free 

Glenville House, County Limerick. Picture from National Inventory of Architectural Heritage.

Kilpeacon House 

Crecora, Co. Limerick
Donie & Mary Costello
Tel: 087-9852462
Open: May 1-2, 8-9, 15-16, 22-23, 29-30, June 5-6, 12-13, 19-20, 26-27, July 3-4, 10- 11, 17-18, 24-25, Aug 1, 7-8, 14-22, 28-29, Sept 1-20, 10am-2pm 

Fee: €8 

Kilpeacon House, County Limerick. Picture from National Inventory of Architectural Heritage.

Odellville House 

Ballingarry, Co. Limerick
Aisling Frawley
Tel: 085-8895125
www.odellville.simplesite.com
Open: May 1-31, June 1-30, July 1-30, Aug 1-31, 10am-2pm

Fee: adult €8, student/OAP/child €4 

Odellville House, County Limerick. Picture from National Inventory of Architectural Heritage.

Mount Trenchard House and Garden 

Foynes, Co. Limerick
Frieda Keane Carmody
Tel: 087-2220692
Open: May, June, July, Sept, weekdays, Aug 1-31, daily, 10am-5pm
Fee: adult €8, OAP €6, child/student €4, groups between 10-20, €6 per person 

The Turret 

Ryanes, Ballyingarry, Co. Limerick
Donal Mc Goey
Tel: 086-2432174
Open: May, June, National Heritage Week, Aug 14-22, 12 noon-5pm

Fee: adult €5, OAP/child/student/ concession €2 

The Turret, County Limerick. Picture from National Inventory of Architectural Heritage.

The Old Rectory

Rathkeale, Co. Limerick
John Roche
Tel: 087-8269123
Open: May 1-Nov 28, Saturday and Sundays, National Heritage Week, Aug 14-22, 10am-2pm 

Fee: adult €8, child/OAP/student €3 

Longford 

Moorhill House 

Castlenugent, Lisryan, Co. Longford

Michael O’Donnell
Tel: 047-81952
Open: Aug 1-31, Sept 1-29, 9.30am-1.30pm

Fee: adult/OAP/student/child €8 

Moorhill House, County Longford. Picture from National Inventory of Architectural Heritage.

Louth 

Barmeath Castle 

Dunleer, Drogheda, Co. Louth
Bryan Bellew
Tel: 041-6851205
Open: May 1-31, June 1-9, Aug 14-22, Oct 1-20, 9am-1pm Fee: adult /OAP/student €5, child free 

Barmeath Castle, County Louth

Killineer House & Garden

Drogheda, Co. Louth
Charles & Eithne Carroll
Tel: 086-2323783, 041-9838563,
www.killineerhouse.ie
Open: Feb 1-20, May 1-15, June 1-10, Aug 14-28, 9am-1pm

Fee: adult/OAP/child/student, house: €4, garden €6 

Killineer House, County Louth. photograph from National Inventory of Architectural Heritage.

Rokeby Hall 

Grangebellew, Co. Louth

Jean Young
Tel: 086-8644228 

www.rokeby.ie 

Open: May 1-31, Mon-Sat, Aug 14-22, Sept 1-30, Mon-Sat, 10am-2pm Fee: adult/OAP €7, child/student €5 

Rokeby, County Louth.

Mayo 

Brookhill House

Brookhill, Claremorris, Co. Mayo
Patricia and John Noone
Tel: 094-9371348, 087-3690499, 086-2459832
Open: Jan 13-20, Apr 13-20, May 18-24, June 8-14, July 13-19, Aug 1-23, 2pm-6pm

Fee: adult €6, student €3, OAP/child/ wheelchair free 

Brookhill House, County Mayo. Picture from National Inventory of Architectural Heritage.

Enniscoe House & Gardens

Castlehill, Ballina, Co. Mayo

Susan Kellett
Tel: 096-31112 

www.enniscoe.com

(Tourist Accommodation Facility)
Open: April 1-Oct 31
Open: garden, April 1-Oct 31, 10am-5pm,
Fee: garden & heritage centre adult €8, OAP €6, child/student €3, family 2 adults and 2 children €15, tour of house €5 per adult, free two days National Heritage Week 

Enniscoe House, County Mayo. Photograph from Tourism Ireland.

 Old Coastguard Station 

Rosmoney, Westport, Co. Mayo
James Cahill
Tel: 094-9025500
www.jamescahill.com/coastguardstation.html
Open: July 1-Sept 9 closed Sundays, National Heritage Week, Aug 14-22, 11am-4pm Fee: €1 

Old Coastguard Station, County Mayo. Photograph from National Inventory of Architectural Heritage.

Prizon House

Prizon North, Balla, Co. Mayo.
Tom O’Connor
Tel: 087-9032133
Open: May 1-31, Aug 1-31, 2pm-6pm

Fee: adult €10, student/OAP/child free 

Prizon House, County Mayo. Photograph from National Inventory of Architectural Heritage.

Meath 

Beau Parc House

Beau Parc, Navan, Co. Meath
Emer Mooney
Tel: 041-9824163
Open: Mar 1-20, May 1-31, Aug 14-22, 10am-2 pm

Fee: adult €10, OAP/student/child €8 

Cillghrian Glebe now known as Boyne House Slane 

Chapel Street, Slane, Co. Meath
Alan Haugh
Tel: 041-9884444
www.boynehouseslane.ie
Open: all year, National Heritage Week, Aug 14-22, 9am-1pm Fee: Free 

Dardistown Castle 

Dardistown, Julianstown, Co. Meath

Lizanne Allen
Tel: 086 -2774271 

www.dardistowncastle.ie 

Open: Jan 9-31, Feb 11-21, May 15-21, Aug 14-31, Sept 1-30, 10am-2pm

Fee: adult €6, student/OAP €5, child free 

Dardistown Castle, County Meath.

Dunsany Castle

Dunsany, Co. Meath
Randall Plunkett
Tel: 046-9025169
www.dunsany.com
Open: July 3-31, Aug 1-31, Sept 1-4,10am-4pm
Fee: adult 18years + €15, weekends €20, OAP/student €5, child free 

Dunsany Castle, County Meath.

Gravelmount House 

Castletown, Kilpatrick, Navan, Co. Meath
Brian McKenna
Tel: 087-2520523
Open: Jan 1-13, May 10-30, June 1-20, Aug 14-22, 9am-1pm

Fee: adult €6, OAP/student/child €3 

Hamwood House

Dunboyne, Co. Meath
Charles Hamilton
Tel: 086-3722701
www.hamwood.ie
Open: Apr 2-Sept 26, Fri-Sun, National Heritage Week, Aug 14-22, 10am-7pm

Fee: adult/OAP/student €10, including 2km trail and café, child under 12 free 

Hamwood House, County Meath. Photograph from Country Life.

Killeen Mill

Clavinstown, Drumree, Co. Meath Dermot Kealy
Tel: 086-2619979
(Tourists Accommodation Facility) 

Open: April- Sept 

Killeen Mill, County Meath. Photograph from National Inventory of Architectural Heritage.

Loughcrew House 

Loughcrew, Old Castle, Co. Meath

Emily Naper
Tel: 049-8541356
(Tourist Accommodation Facility

Open: April- Sept 

www.loughcrew.com 

Garden: Mar 18-Sept 30 daily, 10am-5pm, Aug & Sept, 11am-4pm Fee: adult €7, OAP/student €5, child €3.50, group concessions 

Loughcrew 22nd May 2010
Loughcrew, County Meath, 22nd May 2010.

Moyglare House 

Moyglare, Co. Meath
Postal address Maynooth Co. Kildare
Angela Alexander
Tel: 086-0537291
www.moyglaremanor.ie
Open: Jan 1, 4-8, 11-15, 18-22, 25-29, May 1-21, 24-28, 31, June 1-3, Aug 14-22, 9am-1pm
Fee: adult €7.50, OAP/student/child €5 

Moyglare House, County Meath.

Slane Castle

Slane, Co. Meath
Alex Conyngham
Tel: 041-9884477
www.slanecastle.ie
Open: April 19-29, May 2-20, 23-27, 31, June 1-3, 7-10, Aug 14-22, Sept 29-30, Oct 1-2, 4-7, Sundays 12 noon-5pm, Monday – Saturday 11am-3pm 

Fee: adult €14, OAP/student €12.50, child €8.40 

Slane Castle, County Meath.

St. Mary’s Abbey 

High Street, Trim, Co. Meath
Peter Higgins
Tel: 087-2057176
Open: Jan 25-29, Feb 22-26, Mar 8-12, Apr 12-16, May 24-30, June 21-27, July 19- 25, Aug 14-22, Sept 13-17, 20-24, 2pm-6pm 

Fee: adult €5, OAP/student/child €2 

St. Mary’s Abbey, County Meath. Photograph from National Inventory of Architectural Heritage.

The Former Parochial House

Slane, Co. Meath
Alan Haugh
Tel: 087-2566998
Open: May 1-Dec 22, Mon-Sat, National Heritage Week, Aug 14-22, 9am-1pm

Fee: adult 5, child/ OAP/student €3 

Swainstown House 

Kilmessan, Co. Meath
Caroline Preston
Tel: 086-2577939
Open: Mar 1-2, 4-5, April 5-6, 8-9, May 3-9, June 7-13, July 5-11, Aug 14-22, Sept 13-17, 20-24, Oct 4-5, 7-8, Nov 1-2, 4-5, Dec 6-7, 9-10, 11am-3pm 

Fee: adult €8, child €1, OAP/student €3 

Swainstown, County Meath.

Tankardstown House 

Rathkenny, Slane, Co. Meath

Brian Conroy
Tel: 087-2888925 

www.tankardstown.ie 

Open: all year including National Heritage Week, Aug 14-22, 9am-1pm Fee: Free 

Tankardstown, County Meath.

Monaghan 

Castle Leslie 

Glaslough, Co. Monaghan
Samantha Leslie
Tel: 047-88091
www.castleleslie.com
(Tourist Accommodation Facility)
Open: all year, National Heritage Week, events August 14-22 Fee: Free

Castle Leslie, County Monaghan.
Castle Leslie, County Monaghan.

 Hilton Park House

Clones, Co. Monaghan
Fred Madden
Tel 047-56007
www.hiltonpark.ie
(Tourist Accommodation Facility) Open: April- Sept 

House and garden tours available for groups, May, July, Aug, Sept, Monday-Friday, National Heritage Week, Aug 14-22, June 1-4, 10-14, 17-21, 24-29, 12 noon-4pm Fee: adult €10, OAP/student €6, child free 

Hilton Park, County Monaghan. Photograph from Tourism Ireland.

Mullan Village and Mill 

Mullan, Emyvale, Co. Monaghan

Michael Treanor
Tel: 047-81135 

www.mullanvillage.com 

Open: Aug 1-31, Sept 1-30, 2pm-6.30pm Fee: €6 

Offaly 

Birr Castle 

Birr, Co. Offaly

Alicia Clements Tel: 057-9120056 

www.birrcastle.com

Open: May 1-Aug 31, Mon-Sat, National Heritage Week, Aug 14-22, closed Aug 1, 8, 29,10am-2pm
Fee: adult €20, castle €10, garden €10, groups €15 per head, garden €7.50, castle €7.50 

Birr Castle, County Offaly.

Ballybrittan Castle 

Ballybrittan, Edenderry, Co. Offaly
Rosemarie
Tel: 087-2469802
Open: Jan 3-4, 10-11, 17-18, 23-24, 30-31, Feb 6-7, 13-14, 20-21, 27-28, Mar 6-7,13- 14, 20-21, 27-28, May 1-2, 8-9, 15-16, 22-23, June 12-13,19-20, 26-27, July 3-4,10- 11,17-18, 24-25, 31, Aug 14-22, Sept 4-14, 2pm-6pm. 

Fee: free – except in case of large groups a fee of €5 p.p.

 Ballindoolin House 

Edenderry, Co. Offaly
Rudolf Prosoroff
Tel: 00436765570097
Open: April 6-8, 12-15, 19-22, 26-29, May 1-6, 8-13, 15-20, 24-27, 31, June 1-3, 7- 10, 14-17, 21-24, 28-30, Aug 14-22, 10am-2pm 

Fee: adult €10, student /OAP/child €5 

Boland’s Lock 

Cappincur, Tullamore, Co. Offaly
Martin O’Rourke
Tel: 086-2594914
Open: July 1-31, Aug 1-31, 12 noon-4pm

Fee: adult €2, OAP/student /family €5 

Boland’s Lock, County Offaly. Photograph from National Inventory of Architectural Heritage.

Corolanty House

Shinrone, Birr, Co. Offaly
Siobhan Webb
Tel: 086-1209984
Open: Jan, Feb, July, Aug, Sept, daily 2pm-6pm Fee: Free 

Corolanty House, County Offaly. Photograph from National Inventory of Architectural Heritage.

Crotty Church 

Castle Street, Birr, Co. Offaly Brendan Garry
Tel: 086-8236452 

Open: all year, 9am-5pm 

Fee: Free 

Gloster House

Brosna, Birr, Co. Offaly
Tom & Mary Alexander
Tel: 087-2342135
Open: Feb 1-26, Mon-Fri, May 1-31, Aug 14-22, 9am-1.30pm

Fee: adult/student/child/OAP €7 

Gloster House, County Offaly. Photograph from National Inventory of Architectural Heritage.

High Street House 

High Street, Tullamore, Co. Offaly

George Ross
Tel: 086-3831992 

www.no6highstreet.com 

Open: Jan 4-8, 11-15, 18-22, 25-29, May 1-18, Aug 14-22, Sept 1-24, 9.30am-1.30pm

Fee: adult/student €5, OAP €4, child under 12 free 

Loughton 

Moneygall, Birr, Co. Offaly
Michael Lyons
Tel: 089-4319150
www.loughtonhouse.com
Open: May 11-16, 18-23, 25-30, June 1-6, 8-13, 15-20, 22-27, 29-30, Aug 1, 3-8, 10- 22, 11am-3.30pm 

Fee: adult €5, OAP/student €4, child €3 (under 12 free), family (2 adults & 2 children over 12) € 15 

Loughton House, County Offaly.

Springfield House 

Mount Lucas, Daingean, Tullamore, Co. Offaly Muireann Noonan
Tel: 087-2204569
www.springfieldhouse.ie 

Open: Jan 1-14, 1pm-5pm, May 14-16, 24-28, July 2-4, 9-11, 16-18, Aug 7-29, 2pm- 6pm, Dec 26-31, 1pm-5pm
Fee: Free 

The Maltings

Castle Street, Birr, Co. Offaly

Eoin Garry
Tel: 086-3286277 

www.canbe.ie 

(Tourist Accommodation Facility

Open: April 1-Dec 31 

The Maltings, County Offaly. Photograph from National Inventory of Architectural Heritage.

Roscommon 

Castlecoote House

Castlecoote, Co. Roscommon

Kevin Finnerty

Tel: 087-2587537

 www.castlecootehouse.com 

(Tourist Accommodation Facility)

Open: May-Oct 

Garden-guided tours, 2pm-6pm Fee: €5, €2 per car 

Castlecoote House, County Roscommon. Photograph from National Inventory of Architectural Heritage.

Clonalis House 

Castlerea, Co. Roscommon
Pyers O’Conor Nash
Tel: 094-9620014, 087-3371667
(Tourist Accommodation Facility)
April 1-October 1
www.clonalis.com
Open: Jun 1-Aug 31, National Heritage Week, Aug 14-22, 11am-5pm, last tour 3.45pm, tours by appointment
Fee: adult €10, OAP/student €8, child €5, under 7 years free, group rates can be arranged 

Clonalis, County Roscommon.

King House

Main Street, Boyle, Co. Roscommon Eimear Dowd
Tel: 090-6637369 

www.visitkinghouse.ie

Open: April 16-Sept 24, Tue-Sun, National Heritage Week, Aug 14-22, 11am-5pm

Fee: adult €7, OAP/student /child €5, 10% group discounts 

King House, County Roscommon. Photograph from National Inventory of Architectural Heritage.

Shannonbridge Fortifications 

Shannonbridge, Athlone, Co. Roscommon

Fergal Moran
Tel: 085-1345582 

www.shannonbridgefortifications.ie 

Open: May 1-Sept 30, 11am-5pm 

Fee: Free 

Shannonbridge Fortifications, County Roscommon. Photograph from National Inventory of Architectural Heritage.

Strokestown Park House

Strokestown Park House, Strokestown, Co. Roscommon

Ciarán
Tel: 01-8748030
www.strokestownpark.ie 

Open: Jan 2-Dec 20, Jan, Feb, Mar 1-16, Nov, Dec,10.30am-4pm, March 17-Oct 31, 10.30am-5.30pm,
Fee: adult €14, €12.50, €9.25, OAP/student €12.50, child €6, family €29, groups €11.50 

Strokestown Park, County Roscommon. Photograph from Tourism Ireland.

Sligo 

Coopershill House

Riverstown, Co. Sligo
Simon O’Hara
Tel: 071-9165108 

www.coopershill.com
(Tourist Accommodation Facility) 

Open: April-Sept 

Tues- Sat, 11am-5pm
Fee: adult/child/OAP/student €5 

Coopershill House, Sligo. Photograph from National Inventory of Architectural Heritage.

Lissadell House & Gardens

Lissadell, Ballinfull, Co. Sligo

Edward Walsh
Tel: 087-2550969 

www.lissadell.com 

Open: June-Sept 10.30am-6pm
Fee: adult €14, child €7, OAP €12, concessions family 

Lissadell House and Gardens County Sligo Ireland. Photograph from Tourism Ireland.

Markree Castle

Collooney
Co Sligo
Nicholas Ryan
Tel: 071-9167800 

www.markreecastle.ie
Open: June, July, Aug, 12 noon-4pm Fee: Free 

Markree Castle, County Sligo. photograph by Tom Keenan, creative commons flickr.

Newpark House and Demesne

Newpark, Ballymote, Co. Sligo
Christopher & Dorothy-Ellen Kitchin
Tel: 087-3706869, 087-2894550
Open: March 1-5, 8-12, 15-19, 22-26, May 10-16, 24-27, 31, June 1-17, Aug 14-22, Sept 7-8, 9am-1pm
Fee: adult €7, OAP/student/group €5 

Newpark House, County Sligo. Photograph from National Inventory of Architectural Heritage.

Rathcarrick House

Rathcarrick, Strandhill Road, Co. Sligo
Michael Sweeney
Tel: 071-9128417
Open: June, July, Aug, Tue-Sat, National Heritage Week Aug 14-22, 2pm-6pm

Fee: adult €5, OAP/student/child free

Rathcarrick House, County Sligo. Photograph from National Inventory of Architectural Heritage.

Temple House

Ballymote, Co. Sligo
Roderick and Helena Perceval

Tel:071-9183329, 087-9976045 

www.templehouse.ie
(Tourist Accommodation Facility) 

Open: April 1-October 31 

Temple House, County Sligo. Photograph from National Inventory of Architectural Heritage.

Tipperary 

Beechwood House

Ballbrunoge, Cullen, Co. Tipperary
Maura & Patrick McCormack
Tel: 083-1486736
Open: Jan 4-8, 18-22, Feb 1-5, 8-12, May 1-3, 14-17, 21-24, June 11-14, 18-21, Aug 14-22, Sept 3-6, 10-13, 17-20, 24-27, 10.15am-2.15pm 

Fee: adult €5, OAP/student €2, child free, fees donated to charity 

Beechwood House, County Tipperary. Photograph from National Inventory of Architectural Heritage.

Clashleigh House 

Clogheen, Co. Tipperary
Elizabeth O’Callaghan
Tel: 086-8185334
Open: April 1-May 27, Tues & Thurs, June 1-29, Tue, Thurs, Sat & Sun, Aug 14-22, Sept 2-Oct 28, Tues & Thurs, 9am-1pm 

Fee: adult €8, OAP/student/child €4 

Clashleigh House, County Tipperary. Photograph from National Inventory of Architectural Heritage.

Cloughjordan House

Cloughjordan, Co. Tipperary
Sarah Baker
Tel: 085-2503344
www.cloughjordanhouse.com
Open: May 4-29, Sept 6-30, Oct 4-30 excluding Sundays, National Heritage Week, Aug 14-22, 9.30am-1.30pm 

Fee: adult €6, OAP/student/child €5 

Cloughjordan House, County Tipperary. Photograph from National Inventory of Architectural Heritage.

Fancroft Mill 

Fancroft, Roscrea, Co. Tipperary

Marcus & Irene Sweeney
Tel: 0505-31484, 087-9263300 

www.fancroft.ie

Open: May 6-27, June 9-30, Aug 14-22, Sept 15-22, 10am-2pm
Fee: adult €8, OAP/student €6, child free under 5 years, adult supervision essential, group rates available 

Fancroft Mill, County Tipperary. Photograph from National Inventory of Architectural Heritage.

Grenane House 

Tipperary, Co. Tipperary
Philippa Mansergh-Wallace
Tel: 062-52484
Open: May & Sept, Mon-Sat, Aug 14-22, 2pm-6pm, closed Saturday, Sept 18

Fee: adult €8, student/OAP €6, group rates available 

Greenane House, County Tipperary. Photograph from National Inventory of Architectural Heritage. I assume this is the house that is 482, despite the difference in spelling!

Killenure Castle 

Dundrum
Co Tipperary
Eavaun Carmody
Tel: 087-6402664
www.killenure.com
Open: May 11-31, June 1-30, Aug 14-22, 10.30am-2.30pm

Fee: adult €8, child /OAP/student €6, group concessions 

Killenure Castle, County Tipperary. Photograph from National Inventory of Architectural Heritage.

Lismacue House

Bansha, Co. Tipperary
Katherine Nicholson
Tel: 062-54106
www.lismacue.com
(Tourist Accommodation Facility) 

Open: Mar 17-Oct 31 

Lismacue House, County Tipperary. Photograph from National Inventory of Architectural Heritage.

Redwood Castle 

Redwood, Lorrha, Nenagh, North Tipperary

Redwood is off the Birr/Portumna Rd

Coleesa Egan
Tel: 087-7479566 

www.redwoodcastleireland.com

Open: June 8-23, 29-30, July 1-16, 19-29, Aug 1-27, 29-31, Sept 1-2, 2pm-6pm

Fee: adult €10, OAP/student/child €5 

Redwood Castle, County Tipperary, photograph by discover lough derg on flickr creative commons.

The Rectory

Cashel Road, Cahir, Co. Tipperary

Richard & Josephine Fahey 

Tel: 087-2601994

(Tourist Accommodation Facility

Open: May 1-Oct 31 

The Rectory, Cahir. Photograph from National Inventory of Architectural Heritage.

Silversprings House 

Clonmel, Co. Tipperary
Jim Gilligan
Tel: 086-2539187
Open: May 1-31, June 1-30, Aug 14-22, 12 noon-4pm

Fee: adult €5, OAP/student €3, child free 

Silversprings House, County Tipperary. Photograph from National Inventory of Architectural Heritage.

Waterford 

Ballynatray Estate 

Co. Waterford
Postal address: Glendine, Youghal, Co. Cork

Katherine Gordon
Tel: 086-1701832
www.ballynatray.com
Open: April 1-Sept 30, 12 noon- 4pm
Fee: adult €6, child OAP/student €3 

Ballynatray House, County Waterford. Photograph from National Inventory of Architectural Heritage.

Cappagh House (Old and New)

Cappagh
Dungarvan
Co Waterford
Charles and Claire Chavasse
Tel: 087-8290860, 086-8387420
www.cappaghhouse.ie
Open: April, June, & August, Wednesday & Thursday, May & September Wednesday Thursday & Saturday, National Heritage Week, August 14-22, 9.30am-1.30pm
Fee: adult/OAP/student/€5, child under 12 free 

Cappagh House, County Waterford. Photograph from National Inventory of Architectural Heritage.

Cappoquin House & Gardens 

Cappoquin, Co. Waterford
Sir Charles Keane
Tel: 058-54290, July 087-6704180
www.cappoquinhouseandgardens.com
Open: July 20-24, 26-31, Aug 2-7, 9-28, 30, Sept 1-4, 6-11, 13-18, 20-25, 27-30, 9am-1pm
Gardens open all year, 9am-6pm, closed Sundays
Fee: house/garden €15, garden only €6 

Cappoquin House, County Waterford.

Curraghmore House 

Portlaw, Co. Waterford
Vanessa Behal
Tel: 051-387101
www.curraghmorehouse.ie
Open: May, June, July, Aug, Sept, Thurs-Sun and Bank Holidays, National Heritage Week, Aug 14-22,10am-4pm 

Fee: adult/OAP/student, house/garden/shell house tour €20, house €15, garden & shell house €12, garden €7, child under12 years free 

Curraghmore, County Waterford.

Dromana House 

Cappoquin, Co. Waterford
Barbara Grubb
Tel: 086-8186305
www.dromanahouse.com
Open: May 1-8, 22-31, June 1-30, July 1-10, Aug 14-22, 2pm-6pm
Fee: adult/OAP/student, house €10, garden: adult/OAP/student €6, child under 12 free, groups of 10 or more house/garden €12, garden €5, house €9, 

Dromana, County Waterford.

Salterbridge House & Garden 

Salterbridge, Cappoquin, Co. Waterford
Philip Wingfield
Tel: 086-8223005
www.salterbridgehouseandgarden.com
Open: Mar 22-26, Apr 6-9, 12-16, 19-23, 26-30, May 3-7, 10-31, Aug 14-22, 9am- 1pm 

Fee: adult house/garden €10, house or garden only €5, child/student half price, OAP free 

Salterbridge, County Waterford.

The Presentation Convent 

Waterford Healthpark, Slievekeel Road,Waterford

Michelle O’ Brien
www.rowecreavin.ie
Tel: 051-370057 

Open: Jan 1-Dec 31, excluding Bank Holidays and Sundays, Mon-Fri, 8am-6pm, Sat, 10am-2pm, National Heritage Week, Aug 14-22
Fee: Free 

Presentation Convent, County Waterford. photograph from National Inventory of Architectural Heritage.

Tourin House & Gardens 

Tourin, Cappoquin, Co. Waterford

Kristin Jameson
Tel: 086-8113841
www.tourin.ie 

Open: April 1-Sept 30, Tue-Sat, National Heritage Week, Aug 14-22, 1pm-5pm

Fee: adult €6, OAP/student €3, child free. 

Tourin, County Waterford.

Westmeath 

Lough Park House 

Castlepollard, Co. Westmeath
Liam O’Flanagan
Tel: 044-9661226
Open: Mar 16-22, Apr 1-7, May 1-7, June 1-7, July 16-26, Aug 1-6, 14-22, Sept 1-6, 2pm-6pm 

Fee: adult €6, child free 

Lough Park House, County Westmeath. photograph from National Inventory of Architectural Heritage.

St. John’s Church 

Loughstown, Drumcree, Collinstown, Co. Westmeath

Billy Standish
Tel: 044-9666570
Open: Aug 1-31, Sept 1-30, 2pm-6pm 

Fee: adult €4, child/OAP/student €2 

St. John’s Church, County Westmeath. photograph from National Inventory of Architectural Heritage.

Rockfield Ecological Estate

Rathaspic, Rathowen, Mullingar, Co. Westmeath
Sean Daly
Tel: 086-2487447
Open: May 25-30, June 15-25, July 15-30, Aug 14-29, Sept 10-20, 2pm-6pm

Fee: Free 

Tullynally Castle & Gardens

Castlepollard, Co. Westmeath

Octavia Tullock
Tel: 044-9661856 

www.tullynallycastle.com

Open: Castle, Apr 8-10, 15-17, 22-24, 29-30, May 6-8, 13-15, 20-22, 27-29, June 3-5, 11-12, 17-19, 24-26, July 1-3, 8-10, 15-17 Aug 14-22, Sept 2-4, 9-11, 10.30am- 2.30pm
Garden: Apr 1-4, 8-11, 15-18, 22-25, 29-30, May 1-2, 6-9, 13-16, 20-23, 27-30, June 3-6, 10-13, 17-20, 24-27, July 1-4, 8-11,15-18, 22-25, 29-31, Aug 1, 5-8, 12-22, 26- 29, Sept 2-5, 9-12, 16-19, 23-26 10.30am-2.30pm 

Fee: adult, castle & access to garden €16, garden only €8, child, castle & access to garden €8, garden only €4, families, castle & access to garden €40, garden only €20 

Tullynally, County Westmeath.

Turbotstown

Coole, Co. Westmeath
Peter Bland
Tel: 086-2475044
Open: July 22-30, Aug 1-31, Dec 1-20, 9am-1pm

Fee: adult/student €8, child/OAP €4 

Wexford 

Clougheast Cottage 

Carne, Co. Wexford
Jacinta Denieffe
Tel: 086-1234322
Open: Jan 11-31, May 1-31, August 14-22, 9am-1pm Fee: €5 

Clougheast Cottage, County Wexford. Photograph from National Inventory of Architectural Heritage.

Kilmokea Country Manor & Gardens

Kilmokea, Great Island, Campile, New Ross, Co. Wexford Mark Hewlett
Tel: 086-0227799
www.kilmokea.com 

(Tourist Accommodation Facility) 

Open: Mar- Nov 

Gardens: 

Open Mar17-Nov 5, 10am-5pm
Fee: adult €7, OAP €6, student €5, child €4, free under 3 years, family group of 4, €20 

Kilmokea, County Wexford. Photograph from Tourism Ireland.

Wilton Castle

Bree, Enniscorthy, Co. Wexford

Sean Windsor
(Tourist Accommodation Facility) 

Tel: 053-9247738 

www.wiltoncastleireland.com 

Open: all year 

Wilton Castle, County Wexford. Photograph from National Inventory of Architectural Heritage.

Woodbrook House

Killanne, Enniscorthy, Co. Wexford

Giles Fitzherbert
(Tourist Accommodation Facility

053-9255114 

www.woodbrookhouse.ie 

Open April 1-October 31

Woodville House

New Ross, Co. Wexford
Gerald Roche
Tel: 087-9709828
Open: May 1-31, June 1-30, July 1-31, Aug 1-31, 10am-2pm

Fee: adult/OAP/ €5, child/student free 

Woodville House, Wexford. Photograph from National Inventory of Architectural Heritage.

Wicklow 

Altidore Castle 

Kilpeddar, Greystones, Co. Wicklow
Philip Emmet
Tel: 087-7601369
Open: Mar 10-30, May 1-31 June 1-3, 1pm-5pm, Aug 14-22, 2pm-6pm

Fee: adult /OAP/ student €5, child over 10 years €5 

Altidore Castle, County Wicklow.

Ballymurrin House 

Kilbride, Wicklow, Co. Wicklow
Philip Geoghegan
Tel: 086-1734560
www.ballymurrinquakerfarmstead.eu
Open: Mar 1-6, 8-13, 15-20, 22-23, May 1, 3-8, 10-15, 17-22, 24-29, 31, Aug 9-22, 2pm-6pm, 2 tours provided daily at 2pm and 4 pm 

Fee: adult/OAP €8, student €4, child free under 12 supervision required 

Ballymurrin, County Wicklow.

Castle Howard 

Avoca, Co. Wicklow
Mark Sinnott
Tel: 087-2987601
Open: Jan 11-13, Feb 1-5, Mar 1-3, 22-24, June 10-12, 14-15, 19, 21-26, 28, July 5-9, 19-22, Aug 13-22, Sept 6-11, 18, 25, Oct 4-6, 11-13, 9am-1pm 

Fee: adult €8.50, OAP/student €6.50, child €5

 

Castle Howard, County Wicklow.

Charleville 

Enniskerry, Co. Wicklow
Tatiane Baquiega
Tel: 01-6624455
Open: Feb 1-5, 8-12, 15-19, 22-26, May 4-28, 31 June 1-4, 8, Aug 14-22, Mon-Fri, 1pm-5pm, Sat & Sun, 9am-1pm 

Fee: house/garden €6 

Charleville House, County Wicklow.
Charleville House, County Wicklow.

Killruddery House & Gardens 

Southern Cross Road, Bray, Co. Wicklow Anthony Meath
Tel: 087-7729882

www.killruddery.com 

Open: Apr 1-Oct 31, 9am-6pm,
Fee: adult €8.50, garden and house tour €15.50, OAP/student €7.50, garden and house tour €13, OAP/student €7.50, garden and house tour €13, child €3 under 4 years free, garden and house tour €5.50 

Kilruddery House, May 2013

Kiltimon House 

Newcastle, Co. Wicklow
Michelle O’Connor
Tel: 087-2505205
Open: May 1-31, Aug 14-22, Sept 1-20, 9am-1pm

Fee: adult €10, OAP/student/child €5 

Kiltimon House, County Wicklow. Photograph from National Inventory of Architectural Heritage.

Kingston House

Kingston, Rathdrum, Co. Wicklow Liam Lynam
Tel: 087-2415795
Open: Aug 1-31, Sept 1-30, 10am-2pm

Fee: adult €3, OAP/student/child €2 

Knockanree Garden 

Avoca, Co Wicklow
Perter Campion
Tel: 085-8782455
Open: May 20-July 3, Mon- Sat, August 14-22, Oct 1-14, Mon-Sat, 9.30am-1.30pm

Fee: adult €3, OAP/student €2 

Knockanree Gardens, County Wicklow.

1 Martello Terrace 

Strand Road, Bray, Co. Wicklow
Liz McManus
Tel: 087-2357369
Open: May, June, Sept, Oct, Mon & Thurs, July & Aug, Mon, Thurs, & Sat, National Heritage Week, Aug 14-22, 1pm-5pm, Sat 9am-1pm, closed Oct 25 

Fee: Free

1 Martello Terrace, Bray, County Wicklow. Photograph from National Inventory of Architectural Heritage.

 Mount Usher Gardens

Ashford, Co. Wicklow
Caitriona Mc Weeney
Tel: 0404-49672
www.mountushergardens.ie
Open: all year 10am-6pm, closed Dec 25-26
Fee: adult €8, student/OAP €7, child €4, no charge for wheelchair users 

Mount Usher gardens, County Wicklow. Photograph from Tourism Ireland.

Powerscourt House & Gardens 

Powerscourt Estate, Enniskerry, Co. Wicklow

Sarah Slazenger
Tel: 01-2046000
www.powerscourt.ie 

Open: All year, closed Christmas day and St Stephens day, 9.30am-5.30pm, ballroom and garden rooms Sun, 9.30am-1.30pm
Fee: Mar-Oct, adult €11.50, OAP €9, student €8.50, child €5, family ticket €26, Nov- Dec, adult €8.50, OAP €7.50, student €7, child €4, family ticket 2 adults + 3 children €18, children under 5 free 

Powerscourt, County Wicklow

Russborough 

The Albert Beit Foundation, Blessington, Co. Wicklow

Eric Blachford
Tel: 086-2522414
enc@russborough.ie 

Open: Mar 1- Dec 25, 10am-5pm,
Fee: adult €12, OAP/student €9, child €6 

Russborough House, County Wicklow. Photograph from Tourism Ireland.

Leixlip Castle, County Kildare: Desmond Guinness’s jewelbox of treasures

contact: Penelope Guinness Tel: 01-6244430

Open dates in 2021 (but check due to Covid-19 restrictions): Feb 1-5, 8-12, Mar 1-5, 8-12, May 11-14, 17-23, June 14-18, 21-27, Aug 14- 22, Sept 6-12, 9am-1pm.

Fee: adult €8, OAP/student/child €4, concessions no charge for school groups.

I am publishing my Leixlip Castle blog this week to honour Desmond Guinness who died last month. The Irish Aesthete Robert O’Byrne published a thoughtful tribute on his website. [1]

It was a beautiful sunny day on Saturday June 15th 2019 when we headed to Leixlip Castle. It is just outside of Leixlip, not far from Dublin on the N4, though confusing to find when one drives into Leixlip – don’t get it confused with the Manor! Keep going through the town and you’ll see it on your left as you are heading to veer right – so don’t veer right but turn left instead. You cannot see it in advance so I’m sure one could cause an accident if a car follows close behind!

A note on the gate listed tour times – I think they were every hour at quarter past the hour, on open days. We made it in time for the 11:15 tour. We were early, so had time to walk around the grounds. This is the place so far where I most want to live! It is so beautiful, especially the garden.

We passed a gate lodge on the way in – impressive itself!

the gate lodge
view of an interesting looking building toward the back of the gate lodge

Not sure where to park, I parked outside the gate lodge. We then walked up toward the house, along a cobbled driveway with wildflower meadow alongside and gorgeous sylvan landscape.

We approached the castle: impressive with a rounded tower immediately in view and castellated wall, with gothic mullioned windows, approached by a sweeping lawn:

The oldest part of the castle, the round tower, was built in 1172 – there is a stone noting that date [2] – by Adam de Hereford, an Anglo-Norman knight. A lovely coincidence is that when I looked up Adam de Hereford on Wikipedia, I have discovered that amongst the land bestowed by Strongbow on de Hereford, was “half the vill of Aghaboe.” My Grandfather purchased the house and farm at Aghaboe, which contains the Abbey of Aghaboe in County Laois! Unfortunately the Land Commission placed a compulLsory purchase order on the land when my Grandfather, John Baggot, died in 1977. Our family was left the house and about ten acres. The family sold the remaining land and house in 1985, much to my disappointment.

Aghaboe Abbey, County Laois, 2018, founded by St. Canice in the 6th century.
the house at Aghaboe, also from our 2018 trip. It has been restored by its current owner.
the house at Aghaboe, 1981.

John Colgan has complied a chronology of Leixlip, 1200-1499. [3] According to this, the grant from King John to Adam de Hereford is given in 1202. A website called “Curious Ireland” claims that soon after the castle was built, it was used as a hunting base by King John when he was Lord of Ireland in 1185. [4]

this is the side which Mark Bence-Jones refers to as facing the river, with pointed windows that have Gothic astragals (a term used loosely to denote the glazing bars in the window)

According to Mark Bence-Jones in his A Guide to Irish Country Houses, it later belonged to the Crown [more on this later], and was then granted in 1569 to Sir Nicholas Whyte, Master of the Rolls [again, we shall learn more about these details later]. In 1731, it was sold by John Whyte to Rt Hon William Conolly, nephew and heir of Speaker Conolly, the builder of nearby Castletown. William Conolly left Leixlip for Castletown after his aunt’s death in 1752, but it remained in the Conolly family until 1914, being let to a succession of tenants. Bence-Jones writes that remodelling of the castle appears to date from when William Conolly lived in it, and also perhaps slightly later, during the tenancy of Primate Stone, which was from 1752 onwards. The wing which forms a projection on the entrance front, balancing the old round tower, was more or less rebuilt at this period, and has a regular three storey four bay front towards the river. The windows on this projection are pointed and have Gothic astragals (a term used loosely to denote the glazing bars in the window). Similar windows, Bence-Jones adds, “were pierced in the thick old wall of the entrance front, and were glazed with diamond panes, in a delightful Batty Langley manner.” [5]

Beyond the round tower in the other direction there are steps leading up to a small terrace:

Walking around a little further, we see more of the house, with multiple roof levels, and a squat round ivy-covered one storey crenellated wall:

We can see more little windows, set into the round tower, another gothic arched window, and a round window also.

Walking further around, the back part of the jumble of a building leads to an archway built into the building:

The other side of the cobbled driveway leads to outbuildings with a path down to farmbuildings. Ahead of us, was a doorway in the wall, leading to the gardens.

According to the National Inventory of Architectural Heritage Buildings of Ireland website, the castle was completed in 1837. I find it hard to correlate the descriptions of the castle with the castle itself: the inventory describes:

Detached four-bay two-storey over part-raised basement rubble stone house, completed 1837, incorporating fabric of earlier castle, dated 1172, and subsequent reconstructions with two-bay two-storey advanced end bay to left (north-east), four-bay three-storey side elevation to north-east and single-bay three-storey corner tower to west on a circular plan having battlemented parapet.Set back from road in own extensive landscaped grounds. [6]

The Castle overlooks the River Liffey:

Leixlip Castle has been owned by Desmond Guinness, the founder of the Irish Georgian Society in 1958. The Georgian Society is dedicated to the conservation and research into eighteenth century Irish art and architecture. His wife Penny joined us in the front hall, before Jenny took us on a tour of the house. The tour guide, Jenny, a young Philipino woman who was hired to take care of Desmond’s parents, and has been with the family for seventeen years and at the time we visited, took care of Desmond. Before entering the house, however, we had to find where to enter!

There’s a front door to the front of the castle but moss growing on the steps indicated to me that that door is not used. We went around to the side, to the terrace. The door is small – the handle very low, so I imagined Sleepy, Doc or Grumpy opening the door! Jenny explained that the floor had to be raised and that they just cut the door to make it fit.

Jenny had us sign the book and started to tell us about the castle, when another couple arrived and joined us for the tour. There is an accompanying brochure written by Desmond Guinness about the house and its contents. Jenny told us we are allowed to take photos! I began eagerly to snap away, as well as to take notes.

History of Leixlip Castle

The pamphlet explains that the Irish name for Leixlip, Leim an Bhradain, means “leap of the salmon,” and that the name derives from the Danish Lax-Hlaup, as the village was first established by the Vikings.

The pamphlet says that the castle was built just after 1192, so this must be the part built on to the earlier 1172 tower. It was built where the Rye Water and the River Liffey meet.

From 1300, a family called Pypard lived in Leixlip. Sources online state that in 1302 Ralph Pypard “surrendered all his castles etc to the Crown, and in consequence Richard de Kakeputz, who was constable of Leixlip, was ordered to deliver it up to the king. [7] “Curious Ireland” adds that in 1316 the castle withstood a four day siege by Edward Bruce’s army. 

According to the leaflet written by Desmond Guinness, the Pypards occupied Leixlip until King Henry VII granted Leixlip to Gerald Fitzgerald 8th Earl of Kildare, upon his marriage to Dame Elizabeth Saint John, between 1485-1509. Known as “Garret the Great” (Gearóid Mór) or “The Great Earl”, he was Ireland’s premier peer. He served as Lord Deputy of Ireland from 1477 to 1494, and from 1496 onwards. His power was so great that he was called “the uncrowned King of Ireland”. A legend, retold by Nuala O’Faoláin, says that Fitzgerald was skilled in the black arts, and could shapeshift. However, he would never let his wife see him take on other forms, much to her chagrin. After much pleading, he yielded to her, and turned himself into a goldfinchbefore her very eyes. A sparrowhawk flew into the room, seized the “goldfinch”, and he was never seen again. [8]

Due to the rebellion of Silken Thomas Fitzgerald, 10th Earl of Kildare, in 1534, Leixlip Castle was taken back by the Crown. In 1569 the Manor and Castle were granted to Sir Nicholas Whyte, Master of the Rolls, and the house remained in the family for nearly 200 years.

An article in The Journal of County Kildare, based on notes on Leixlip principally taken from a pamphlet called “Leixlip Castle,” written by the late Very Rev. James Canon O’Rourke, in 1885 (when Parish Priest of Maynooth), states: 

In 1538 the Manor and Castle of Leixlip were surrendered by Matthew King, of Dublin, on which John Alen, the Chancellor, obtained a lease of them for twenty-one years; in 1561 they passed to William Vernon, gent., for a like period; and in 1569 they were granted to Sir Nicholas Whyte, Master of the  Rolls, in whose family they remained till about the beginning  of the eighteenth century.” [9]


Reverend O’Rourke continues: “Sir Nicholas Whyte’s successor at Leixlip was his fourth son, Charles, who had served in Spain, and in 1689 was Governor of the County Kildare; he died about the year 1697, was buried at Leixlip, and was succeeded by his son John, from whom, I believe, the Conollys of Castletown purchased Leixlip, which remains at present in the possession of that family.”

William James Conolly (died 1754), nephew, heir and namesake of Speaker (of the Irish House of Commons) William Conolly (1662-1729) of Castletown, County Kildare, purchased Leixlip Castle in 1731 and it remained the property of the family until 1914. It was frequently let during this period. Desmond Guinness purchased Castletown House in 1967 to preserve it from destruction, nearly ten years after purchasing Leixlip Castle!

The oval portrait is of Lady Anne Conolly (born Wentworth, daugher of Thomas Wentworth 1st Earl of Strafford), who lived in Leixlip Castle until the death of her husband’s aunt, the widow (Katherine Conyngham, daughter of General Sir Albert Conyngham of Mountcharles, County Donegal – ancestors of the Conynghams of Slane Castle) of parliament speaker William Conolly of Castletown House. Lady Anne’s husband, another William Conolly, inherited Castletown in 1752.
Jenny told us that this portrait is of Thomas Conolly. He was the son and heir of William James Conolly (d.1754) of Castletown House, by his wife Lady Anne Wentworth.. Thomas Conolly married Lady Louisa Lennox, a daughter of Charles Lennox, the 2nd Duke of Richmond. Thomas Connolly was an member of Parliament of Ireland.

Mark Bence-Jones mentions two of the tenants of Leixlip Castle during this period: in the eighteenth century, Primate George Stone, Archbishop of Armagh, “the most powerful man in Ireland in his day,” and 4th Viscount (afterwards 1st Marquess) George Townshend (1724-1807), when he was Viceroy.

O’Rourke tells us:

“Lewis, in his “ Topographical Dictionary of Ireland,” speaking of Leixlip Castle, says: — “ This venerable mansion was the favourite retreat of several of the viceroys, of whom Lord Townsend usually spent the summer here; it is at present (1837) the residence of the Hon. George Cavendish, by whom it has been modernized and greatly improved.”… 

George Cavendish (1766-1849), of Waterpark, County Cork, added “unobtrusive” battlements, according to Mark Bence-Jones. O’Rourke continues:

“In the autumn of 1856, John Michael Henry, Baron de Robeck, then a tenant of the Castle, was drowned in the Liffey during a great flood. He was High Sheriff for the County Kildare in 1834, for the County Dublin in 1838, and for the County Wicklow in 1839. His remains were deposited in the vault in the Maynooth Church tower.”… “In 1878 Captain the Honourable Cornwallis Maude, son and heir to the Earl of Montalt, took up his residence in the Castle after his marriage in this year. When the Boer war broke out, he volunteered for service, and was numbered with the dead after the disastrous Majuba Hill affair on the 27th February, 1881. The present resident in the Castle is William Mooney, Esq., j.p., who so kindly admitted the members of the County Kildare Archaeological Society into his demesne to visit the Salmon Leap, and showed them over the old Castle in 1896.”

In 1914, John de La Poer Beresford, 5th Baron Decies, Chief Press Censor, purchased the property and added the kitchen wing. Bence-Jones tells us that he replaced some of the Georgian-Gothic windows with Tudor-style mullions, and panelled one or two rooms in oak. Unable to sell it in 1923, the castle was let to more tenants, and for a while served as residence for the French ambassador. In 1945 the castle was sold to William Kavanagh (see [4], and when I googled him, I found, interestingly, a painting for auction by Whytes in 2004 of the Salmon Weir, Leixlip, and it was owned by William Kavanagh, “Rathgar, a well known specialist in the work of O’Connor in the 1920s to 1940s” ). Finally, Desmond Guinness purchased the castle in 1958. His ancestor Richard Guinness had a brewery in Leixlip in the mid eighteenth century, before Richard’s son, Arthur, founded the Guinness brewery in Dublin!

The pamphlet we obtained in the hallway states that an electric dam was built in1947, completely submerging the salmon leap.

Jenny had us sign the Guest Book and then began to tell us of the contents of the grand hallway in which we stood.

The Castle Interior

Desmond Guinness’s pamphlet describes the contents also. The black Kilkenny marble mantel was originally made for Ardgillan Castle, Balbriggan, County Dublin, in 1744. The coat of arms featured over the fireplace belongs to the Gorges family of Ratoath, County Meath. The tapestry to the right of the fireplace was made in Florence in around 1730 and a manufactory by the name of Bennini, and it has the Medici arms, with the balls. When Stephen and I travelled to Florence for a holiday, we saw these balls on many buildings.

Medici coat of arms, from the Museo Bardini in Florence, my favourite, or second to the Victoria and Albert, museum in the world!

To the right of the side door hangs a mirror from Clonfert Palace, County Galway (palace of the Church of Ireland bishops of Clonfert, unfortunately a ruin since 1950).

The dolls house is believed to have originated in County Cork:

The wooden-headed antlers are probably of German origin and come from Powerscourt, County Wicklow. The tapestry is seventeenth century and depicts Theodotus offering the head of Pompey to Caesar. [10]

The dining room, with Bavarian tapestry.

Desmond Guinness states that the dining room chairs are eighteenth century “Irish Chippendale,” and were purchased at the Malahide Castle sale in 1976, as were the two black side tables.

The tapestries, in the “Chinese taste,” were woven in Bavaria in around 1750. The picture over the fireplace is an early view of Leixlip Castle of unknown origin. The ornate frame came originally from the eighteenth century house that was replaced by the present Dromoland Castle in County Clare. There is also a picture of the Holy Family by Cambiasi, the leaflet tells us.

The picture over the fireplace is an early view of Leixlip Castle of unknown origin. The ornate frame came originally from the eighteenth century house that was replaced by the present Dromoland Castle in County Clare.

As we read the pamphlet we can see Desmond Guinness’s love of antiques and history, which brought us the great treasure that is the Georgian Society. His generosity spills from the house, in the way he let us photograph, and he teaches us patiently through his leaflet.

Our tour guide, Jenny. She has been with the Guinness’s for 17 years. The cook has been with them for 30! They must be good employers. One can see the thickness of the walls by looking at the windows. The model of the obelisk at Stillorgan, County Dublin, on the table behind – a typically Irish hunt table, according to Desmond Guinness. The obelisk is a memorial designed in 1727 by Edward Lovett Pearce for his kinswoman Lady Allen, commissioned by Lord Joshua Allen, 2nd Viscount of Stillorgan (for more on Lovett Pearce, see my entry for Altidore Castle).

We next entered the Library.

The pamphlet states that the plasterwork in the Library dates from the mid 18th Century. An Irish library cabinet stands between the windows. These windows, and the bookcases, are modern and were installed by the present owner, who also devised the print room decoration on the walls. The prints are laid out in a way similar to those of the Print Room in Castletown House, which were done by the Lennox sisters.

Print Room in Castletown House County Kildare. Desmond and his first wife, Mariga, purchased Castletown House in 1967 to preserve it from destruction. On his website in his recent entry about Desmond Guinness, Robert O’Byrne the Irish Aesthete tells us: “Today Castletown is owned by the Irish State and is rightly lauded as a splendid example of Irish design and craftsmanship. But if it had not been for Desmond’s brave initiative, and then the restoration work that he and Mariga oversaw on the house – helped by the many volunteers they inspired – Castletown would now be nothing more than a handful of old black and white photographs.”

The prints in Leixlip Castle were put up by Nicola Windgate-Saul in 1976. The engravings, according to the pamphlet, relate to the decoration in the Galerie des Glaces in Versailles, executed in 1755 by Jean Baptiste Masse, based on the seventeeth century paintings of Charles le Brun (gardener to Louis XIV I believe – see my entry on Curraghmore).

The gilt mirror over the mantel was originally in a bedroom (Lady Kildare’s, Jenny told us) at Castletown, as well as the golden plasterwork, and was made in Dublin by the firm of Francis and John Booker in the mid-18th century.

We could not identify the origin of the death mask:

A card next to the death mask, however, identified the stuffed animal below the table, a mongoose:

There are a lot of mongooses (mongeese?) in Grenada in the West Indies, I remember. They supposedly harbour rabies. One rarely sees one, however. We did have an injured one come into our garden in Grenada, which we discovered due to our dog Minky barking madly from the safety of the patio. The poor mongoose, like the one above, died. Mongoose can kill snakes and snails. I need one for my allotment!

the chandelier is nineteenth century Venetian. It reminds me of the chandeliers in Castletown:

18th-century Murano Venetian coloured and plain glass 24-light chandeliers, decorated with flower heads and moulded finials, one of three in the Long Gallery of Castletown. It is believed that Lady Louisa ordered them from Venice between 1775 and 1778.

A delightful detail in the library are the model cast iron stoves:

model cast iron stoves.

We moved from the library into the Drawing Room.

The painting over the mantelpiece is Carton, County Kildare, by Thomas Roberts. Stephen liked the globes on the mantelpiece.
Carton, County Kildare by Thomas Roberts

The pamphlet tells of the treat in the Drawing Room: the large 18th century Dolls House that originally came from Newbridge House. It was given to Desmond’s daughter Marina when she was ten years old (his children’s mother is his first wife, Mariga).

a room inside the dolls house
another dolls house room
another room in the dolls’ house

The little plates in the dolls’ house are decorated with the initials “JG” for Desmond’s granddaughter Jasmine Guinness, now a model in London. The building blocks beside the dolls’ house were for the boys.

There are also drawings of the six Mitford sisters by William Acton. These sisters are the mother and aunts of Desmond Guinness.

The one on the top left is Nancy Mitford the writer. Diana Mitford, below her, is Desmond Guinness’s mother: she left his father, Bryan Walter Guinness, in order to be with Robert Mosley, the Nazi, and Hitler was the best man at their wedding, five years after she had married Bryan Guinness. Next to Nancy on top is Unity Mitford, a friend of Hitler, and below her, Deborah, who married Andrew Cavendish, 11th Duke of Devonshire, who inherited Lismore Castle in Waterford, a real fairytale-looking castle with gardens which are open to the public.

Another picture by William Acton is of Desmond’s mother in law, Teresa Jungman, Penny’s mother – it seems an amazing coincidence that he drew both of their parents!. Desmond married Penny Cuthbertson in 1984 (thirty years after he had married his first wife, Princess Henriette Marie-Gabrielle von Urach – a member of the royal house of Wurtemburg, Germany – known as Mariga). When Jenny came to the house seventeen years ago, Teresa and her sister lived with the Guinness’s, and the sister was 99 years old!
Beneath the portrait above, under the cabinet with the deer, is a cabinet made in Killarney around 1880, which is inlaid with Irish views of ruined abbeys and round towers, and Irish wolfhounds, harps and shamrocks. Stephen gave me a box very similar for our “wooden” wedding anniversary! These Killarney items were popularised by Queen Victoria when she visited Killarney.

We were lucky to be shown the “secret door”:

Jenny opens the secret door

It led to a surprising outdoor area, which features mosaics on the walls!

and a blocked up arched doorway:

On the way to the grand staircase we passed another painting of Desmond’s mother – one she was not so fond of, as you can imagine, as it’s a bit risque. It highlights the blue of her eyes, however, which are inherited by her son.

a photograph of Desmond Guinness and his children Marina and Patrick

The woodwork of the staircase dates from the early 18th century or late 17th. The window is twentieth century and probably replaces a Venetian window, Guinness tells us in the pamphlet, in an attempt to make the interior look earlier than it is.

Mark Bence-Jones tells us that the staircase, of wood with pear-shaped balusters, appears to date from the early eighteenth century, and rises “impressively” in a separate hall behind the entrance hall.

This (below) is just something that Desmond saw at a party that tickled his fancy, I believe:

Under the turn of the stairs: the portrait is, I believe, of Desmond’s great great grandfather, the 12th Earl of Buchan, Henry David Erskine (1783-1857).

The carved wooden heads “supporting” the upstairs landing came from a shop front in Dawson Street, Dublin, where they were unrecognisable due to many layers of paint. They may be the work, Guinness tells us, of Edward Smyth who carved the Riverine heads on the facade of the Custom House in Dublin, besides much of the sculptural ornament on public buildings in Dublin.

The tapestry was woven in Brussels in the seventeenth century and depicts Caesar in a green toga, making the crossing to Brindisium, protected on the way by the goddess Fortuna, who hovers aloft. It was a present to Desmond from his mother, who brought it from France (somehow!).

a print of the 17th century tapestry
The painting is a portrait by William Hogarth of the 1st Earl of Charlemont, James Caulfeild (1728-1799) aged 13, with his mother, Elizabeth Bernard (portrait painted in 1741).
This wonderful chair is not mentioned in Desmond’s notes but Jenny told us is a copy of a Venetian chair. It sits under a French tapestry representing Plenty, Autumnm, Earth or Harvest.

Next we went upstairs. There are 14 bedrooms, all still used when there are enough guests.

This was unusually situated at the top of the stairs. It had been stolen from the lower yard, then repurchased at an auction, and so was brought indoors!
The upstairs hallway.

The first room we entered is the “Yellow room” or the “plate room.” Notice that the plates are complemented with matching candles!

The next room, the Blue Room, is one of the largest:

some sort of odd communication device on the wall
An old picture, above, of Leixlip Castle with the boat house and church – with a bit of artistic license
Jenny’s reaction to this painting was priceless. I asked her if she knows who it is or who it is by (I was thinking of that film, “Big Eyes” about painter Margaret Keane). Jenny exclaimed “What’s that doing there! How did that get there! Someone must have moved it!” She explained that it is normally on the wall in the bed alcove. Stephen suggested that someone must have found it too creepy to sleep beside! Jenny tried to remember who had stayed in the room most recently!

The next room is NOT called the “pink room,” Jenny told us. I think it’s the Chinese or Oriental room.

I believe Marina cut and pasted the prints in this hallway:

The next room is called the Chapel, so named, I believe, for the IHS above the doorway.

Jenny points out a model of the Casino in Marino
I love these curtains

The next bedroom was the grandest, and is called King John’s bedroom as the story is that he slept there. There is a painted Venus on the ceiling.

I love the enormous wardrobe with funny leonine feet with too many toes, and the still used copper bath.

Jenny told us of the time Mick Jagger and his then-wife Jerry Hall stayed in this room, and she had her photograph taken in the bath. The picture somehow got out to magazines, and a copy of the picture was kept behind the shutters, but has disappeared!

Our last room, the Tower Room, is not usually one shown to guests, I think, because it’s not always kept tidy, but Jenny found us such enthusiastic guests, along with the other couple, that we were privileged with a view of the room and even the toilet off it.

I loved these pictures, in the hall on the way to the stairs up to the attic
a framed map on the wall, featuring some structures with which Desmond Guinness was associated, including the Obelisk, also called the Conolly Folly, one of the structures which the Irish Georgian Society campaigned to have protected and restored – as well as the Hindu-Gothic gate at Dromana (see my Dromana entry), and Carton House, which Desmond and his wife Mariga rented when they returned to live in Ireland in 1955.
the Tower Room. Mark Bence-Jones tells us that the walls have been decorated with panels of an early nineteenth century paper by Dufour, Vues d’Italie.
an odd figure in the carpet
Stephen in the Tower Room, outside the bathroom, admiring the painting.
the bathroom off the Tower Room. The bath is even smaller than ours, I think!
I loved the decoration on the bathroom walls. I think it was done by Desmond Guinness’s father, if I heard correctly.
I love the way the pipe is incorporated to be a palm tree!
the stairs down from the tower room
Arthur Wellesley, the Duke of Wellington.

We explored outside before we had our indoor tour.

Across the cobbled driveway from the castle, outbuildings with a path down to farmbuildings. 
the gate to the garden. For more on this gate, see the Irish Aesthete’s blog [11]. He tells us that Desmond Guinness says these were originally part of the Dublin city reservoir or basin developed in 1721-22 adjacent to where his family later developed the well-known brewery. When the basin was filled in during the 1970s, Desmond acquired the gates.

This is the vision that met our eyes when we went through the gateway, a living arcadia:

the swimming pool is within the castellated walls in the garden
the swimming pool, covered
I asked Penny about this portico and statue. She said the portico stone was found, and they thought it looked like it came from a temple. I believe it was found in Summerhill, County Wicklow. The statue is a copy of a work by Canova. [12]

By the side of the conservatory, there is another gate, down to the farm buildings and stable, by a cottage, where Jenny and her family live.

According to the National Inventory of Architectural Heritage, this is “rubble stone outbuilding with half-dormer attic, c.1830.” [13]
According to the National Inventory of Historic Architecture, this is: “Detached single-bay single-storey over raised base gable-fronted rubble stone dovecote, c.1780. [14]
The National Inventory tells us that this is: Attached eight-bay single-storey lean-to rubble stone outbuilding, c.1800, with four-bay single-storey lean-to lower advanced bay to right (south-west) and series of segmental-headed integral carriageways to left. Renovated, c.1950, with some integral carriageways remodelled. [15].
to the side of the castle, beyond the seat, you can see the archway, which we saw from the other side in a photograph in the beginning of this entry.

What an amazing home!

[1] https://theirishaesthete.com/2020/08/24/a-pioneer/

[2] https://www.buildingsofireland.ie/buildings-search/building/11804045/leixlip-castle-leixlip-demesne-leixlip-co-kildare

[3] http://www.kildare.ie/ehistory/index.php/leixlip-chronology-1200-1499-ad/

[4] http://curiousireland.ie/leixlip-castle-leixlip-co-kildare-1172/

[5] p. 183. Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[6] https://www.buildingsofireland.ie/buildings-search/building/11804045/leixlip-castle-leixlip-demesne-leixlip-co-kildare

[7] A “Pipard” also built the castle near Aghaboe, according to Wickipedia, but that castle is now gone. I wonder is this the same family as “Pypard”?

[8] https://en.wikipedia.org/wiki/Gerald_FitzGerald,_8th_Earl_of_Kildare

[9] This source continues:

“Sir Nicholas Whyte, Knt., was the son of James Whyte, of King’s Meadows, in the County Waterford. He was in 1564 Recorder of Waterford; in 1569 he was appointed Seneschal of the County of Wexford and Constable of the Castle of Wexford; and in 1572 he was made Master of the Rolls — an office which he held till his death on the 20th March, 1593. In 1569 he was granted the lands of St. Catherine’s, on the opposite bank of the Liffey, in the County Dublin, and in the following year he obtained a grant of the Manor of Leixlip, two castles, a water-mill, a salmon-weir, two fishing-places, called the Salmon Leap, on the river Analiffey, Priortown Meade, and other demesne lands of the manor, 6d. rent for licence to have a right  of way from Confey to Leixlip, the right of pasture on the great  common of Moncronock, and rents out of several townlands, to hold for ever in capite by the service of a fortieth part of a  knight’s fee, at a rent of £36 13s. 4d.Irish (or 1227 10s.sterling)….”


[10] https://www.discoverireland.ie/kildare/leixlip-castle

[11] https://theirishaesthete.com/2012/10/24/heavens-gate/

[12] https://www.buildingsofireland.ie/buildings-search/building/11804055/leixlip-castle-leixlip-demesne-leixlip-co-kildare

[13] https://www.buildingsofireland.ie/buildings-search/building/11804048/leixlip-castle-leixlip-demesne-leixlip-co-kildare

[14] https://www.buildingsofireland.ie/buildings-search/building/11804058/leixlip-castle-leixlip-demesne-leixlip-co-kildare

[15] https://www.buildingsofireland.ie/buildings-search/building/11804060/leixlip-castle-leixlip-demesne-leixlip-co-kildare

[16] And to finish off, if you have had the mammoth attention-span to get through this all in one go (and even if you have not!), we’ll end with a Ghost Story by Charles Robert Maturin (a favourite writer of Oscar Wilde’s):

http://www.ricorso.net/rx/library/authors/classic/Maturin_CR/Leixlip.htm

Bibliographical note: First published in The Literary Souvenir; or, Cabinet of Poetry and Romance (London: Hurst & Robinson 1825); rep. in The Grimoire and Other Supernatural Stories, collected by Montague Summers (Fortune Press 1936), pp.23-27.
Source: The Literary Souvenir, or Cabinet of Poetry and Romance (1825), at “The Literary Gothic Website” [online] – supplied by Dr. Dick Collins (Inchigeela, Co. Cork, Ireland) [accessed 30.11.2007.]

THE INCIDENTS of the following tale are not merely founded on fact, they are facts themselves, which occurred at no very distant period in my own family. The marriage of the parties, their sudden and mysterious separation, and their total alienation from each other until the last period of their mortal existence, are all facts. I cannot vouch for the truth of the supernatural solution given to all these mysteries; but I must still consider the story as a fine specimen of Gothic horrors, and can never forget the impression it made on me when I heard it related for the first time among many other thrilling traditions of the same description.

C.R.M.

The tranquillity of the Catholics of Ireland during the disturbed periods of 1715 and 1745, was most commendable, and somewhat extraordinary; to enter into an analysis of their probable motives, is not at all the object of the writer of this tale, as it is pleasanter to state the fact of their honour, than at this distance of time to assign dubious and unsatisfactory reasons for it. Many of them, however, showed a kind of secret disgust at the existing state of affairs, by quitting their family residences and wandering about like persons who were uncertain of their homes, or possibly expecting better from some near and fortunate contingency.


Among the rest was a Jacobite Baronet, who, sick of his uncongenial situation in a Whig neighbourhood, in the north – where he heard of nothing but the heroic defence of Londonderry; the barbarities of the French generals; and the resistless exhortations of the godly Mr Walker, a Presbyterian clergyman, to whom the citizens gave the title of ‘Evangelist’; – quitted his paternal residence, and about the year 1720 hired the Castle of Leixlip for three years (it was then the property of the Connollys, who let it to triennial tenants); and removed thither with his family, which consisted of three daughters – their mother having long been dead.


The Castle of Leixlip, at that period, possessed a character of romantic beauty and feudal grandeur, such as few buildings in Ireland can claim, and which is now, alas, totally effaced by the destruction of its noble woods; on the destroyers of which the writer would wish ‘a minstrel’s malison were said’. – Leixlip, though about seven miles from Dublin, has all the sequestered and picturesque character that imagination could ascribe to a landscape a hundred miles from, not only the metropolis but an inhabited town. After driving a dull mile (an Irish mile) [1] in passing from Lucan to Leixlip, the road – hedged up on one side of the high wall that bounds the demesne of the Veseys, and on the other by low enclosures, over whose rugged tops you have no view at all – at once opens on Leixlip Bridge, at almost a right angle, and displays a luxury of landscape on which the eye that has seen it even in childhood dwells with delighted recollection. – Leixlip Bridge, a rude but solid structure, projects from a high bank of the Liffey, and slopes rapidly to the opposite side, which there lies remarkably low. To the right the plantations of the Vesey’s demesne – no longer obscured by walls – almost mingle their dark woods in its stream, with the opposite ones of Marshfield and St Catherine’s. The river is scarcely visible, overshadowed as it is by the deep, rich and bending foliage of the trees. To the left it bursts out in all the brilliancy of light, washes the garden steps of the houses of Leixlip, wanders round the low walls of its churchyard, plays, with the pleasure-boat moored under the arches on which the summer-house of the Castle is raised, and then loses itself among the rich woods that once skirted those grounds to its very brink. The contrast on the other side, with the luxuriant walks, scattered shrubberies, temples seated on pinnacles, and thickets that conceal from you the sight of the river until you are on its banks, that mark the character of the grounds which are now the property of Colonel Marly, is peculiarly striking.


Visible above the highest roofs of the town, though a quarter of a mile distant from them, are the ruins of Confy Castle, a right good old predatory tower of the stirring times when blood was shed like water; and as you pass the bridge you catch a glimpse of the waterfall (or salmon-leap, as it is called) on whose noon-day lustre, or moon-light beauty, probably the rough livers of that age when Confy Castle was ‘a tower of strength’, never glanced an eye or cast a thought, as they clattered in their harness over Leixlip Bridge, or waded through the stream before that convenience was in existence.


Whether the solitude in which he lived contributed to tranquillize Sir Redmond Blaney’s feelings, or whether they had begun to rust from want of collision with those of others, it is impossible to say, but certain it is, that the good Baronet began gradually to lose his tenacity in political matters; and except when a Jacobite friend came to dine with him, and drink with many a significant ‘nod and beck and smile’, the King over the water – or the parish-priest (good man) spoke of the hopes of better times, and the final success of the right cause, and the old religion – or a Jacobite servant was heard in the solitude of the large mansion whistling ‘Charlie is my darling’, to which Sir Redmond involuntarily responded in a deep bass voice, somewhat the worse for wear, and marked with more emphasis than good discretion – except, as I have said, on such occasions, the Baronet’s politics, like his life, seemed passing away without notice or effort. Domestic calamities, too, pressed sorely on the old gentleman: of his three daughters the youngest, Jane, had disappeared in so extraordinary a manner in her childhood, that though it is but a wild, remote family tradition, I cannot help relating it:-


The girl was of uncommon beauty and intelligence, and was suffered to wander about the neighbourhood of the castle with the daughter of a servant, who was also called Jane, as a nom de caresse. One evening Jane Blaney and her young companion went far and deep into the woods; their absence created no uneasiness at the time, as these excursions were by no means unusual, till her playfellow returned home alone and weeping, at a very late hour. Her account was, that, in passing through a lane at some distance from the castle, an old woman, in the Fingallian dress (a red petticoat and a long green jacket), suddenly started out of a thicket, and took Jane Blaney by the arm: she had in her hand two rushes, one of which she threw over her shoulder, and giving the other to the child, motioned to her to do the same. Her young companion, terrified at what she saw, was running away, when Jane Blaney called after her – ‘Good-bye, good-bye, it is a long time before you will see me again.’ The girl said they then disappeared, and she found her way home as she could. An indefatigable search was immediately commenced – woods were traversed, thickets were explored, ponds were drained – all in vain. The pursuit and the hope were at length given up. Ten years afterwards, the housekeeper of Sir Redmond, having remembered that she left the key of a closet where sweetmeats were kept, on the kitchen table, returned to fetch it. As she approached the door, she heard a childish voice murmuring – ‘Cold – cold – cold how long it is since I have felt a fire!’ – She advanced, and saw, to her amazement, Jane Blaney, shrunk to half her usual size, and covered with rags, crouching over the embers of the fire. The housekeeper flew in terror from the spot, and roused the servants, but the vision had fled. The child was reported to have been seen several times afterwards, as diminutive in form, as though she had not grown an inch since she was ten years of age, and always crouching over a fire, whether in the turret-room or kitchen, complaining of cold and hunger, and apparently covered with rags. Her existence is still said to be protracted under these dismal circumstances, so unlike those of Lucy Gray in Wordsworth’s beautiful ballad:

Yet some will say, that to this day
She is a living child –
That they have met sweet Lucy Gray
Upon the lonely wild;
O’er rough and smooth she trips along,
And never looks behind;
And hums a solitary song
That whistles in the wind.

The fate of the eldest daughter was more melancholy, though less extraordinary; she was addressed by a gentleman of competent fortune and unexceptionable character: he was a Catholic, moreover; and Sir Redmond Blaney signed the marriage articles, in full satisfaction of the security of his daughter’s soul, as well as of her jointure. The marriage was celebrated at the Castle of Leixlip; and, after the bride and bridegroom had retired, the guests still remained drinking to their future happiness, when suddenly, to the great alarm of Sir Redmond and his friends, loud and piercing cries were heard to issue from the part of the castle in which the bridal chamber was situated.


Some of the more courageous hurried up stairs; it was too late – the wretched bridegroom had burst, on that fatal night, into a sudden and most horrible paroxysm of insanity. The mangled form of the unfortunate and expiring lady bore attestation to the mortal virulence with which the disease had operated on the wretched husband, who died a victim to it himself after the involuntary murder of his bride. The bodies were interred, as soon as decency would permit, and the story hushed up.


Sir Redmond’s hopes of Jane’s recovery were diminishing every day, though he still continued to listen to every wild tale told by the domestics; and all his care was supposed to be now directed towards his only surviving daughter. Anne, living in solitude, and partaking only of the very limited education of Irish females of that period, was left very much to the servants, among whom she increased her taste for superstitious and supernatural horrors, to a degree that had a most disastrous effect on her future life.


Among the numerous menials of the Castle, there was one withered crone, who had been nurse to the late Lady Blaney’s mother, and whose memory was a complete Thesaurus terrorum. The mysterious fate of Jane first encouraged her sister to listen to the wild tales of this hag, who avouched, that at one time she saw the fugitive standing before the portrait of her late mother in one of the apartments of the Castle, and muttering to herself – ‘Woe’s me, woe’s me! how little my mother thought her wee Jane would ever come to be what she is!’ But as Anne grew older she began more ‘seriously to incline’ to the hag’s promises that she could show her her future bridegroom, on the performance of certain ceremonies, which she at first revolted from as horrible and impious; but, finally, at the repeated instigation of the old woman, consented to act a part in. The period fixed upon for the performance of these unhallowed rites, was now approaching – it was near the 31st of October – the eventful night, when such ceremonies were, and still are supposed, in the North of Ireland, to be most potent in their effects. All day long the Crone took care to lower the mind of the young lady to the proper key of submissive and trembling credulity, by every horrible story she could relate; and she told them with frightful and supernatural energy. This woman was called Collogue by the family, a name equivalent to Gossip in England, or Cummer in Scotland (though her real name was Bridget Dease); and she verified the name, by the exercise of an unwearied loquacity, an indefatigable memory, and a rage for communicating, and inflicting terror, that spared no victim in the household, from the groom, whom she sent shivering to his rug, [2] to the Lady of the Castle, over whom she felt she held unbounded sway.
The 31st of October arrived – the Castle was perfectly quiet before eleven o’clock; half an hour afterwards, the Collogue and Anne Blaney were seen gliding along a passage that led to what is called King John’s Tower, where it is said that monarch received the homage of the Irish princes as Lord of Ireland and which was, at all events, the most ancient part of the structure. [3]


The Collogue opened a small door with a key which she had secreted, about her, and urged the young lady to hurry on. Anne advanced to the postern, and stood there irresolute and trembling like a timid swimmer on the bank of an unknown stream. It was a dark autumnal evening; a heavy wind sighed among the woods of the Castle, and bowed the branches of the lower trees almost to the waves of the Liffey, which, swelled by recent rains, struggled and roared amid the stones that obstructed its channel. The steep descent from the Castle lay before her, with its dark avenue of elms; a few lights still burned in the little village of Leixlip – but from the lateness of the hour it was probable they would soon be extinguished.
The lady lingered – ‘And must I go alone?’ said she, foreseeing that the terrors of her fearful journey could be aggravated by her more fearful purpose.
‘Ye must, or al

l will be spoiled,’ said the hag, shading the miserable light, that did not extend its influence above six inches on the path of the victim. ‘Ye must go alone – and I will watch for you here, dear, till you come back, and then see what will come to you at twelve o’clock.
The unfortunate girl paused. ‘Oh! Collogue, Collogue, if you would but come with me. Oh! Collogue, come with me, if it be but to the bottom of the castlehill.’


‘If I went with you, dear, we should never reach the top of it alive again, for there are them near that would tear us both in pieces.’


‘Oh! Collogue, Collogue – let me turn back then, and go to my own room – I have advanced too far, and I have done too much.’


‘And that’s what you have, dear, and so you must go further, and do more still, unless, when you return to your own room, you would see the likeness of some one instead of a handsome young bridegroom.’


The young lady looked about her for a moment, terror and wild hope trembling at her heart – then, with a sudden impulse of supernatural courage, she darted like a bird from the terrace of the Castle, the fluttering of her white garments was seen for a few moments, and then the hag who had been shading the flickering light with her hand, bolted the postern, and, placing the candle before a glazed loophole, sat down on a stone seat in the recess of the tower, to watch the event of the spell. It was an hour before the young lady returned; when her face was as pale, and her eyes as fixed, as those of a dead body, but she held in her grasp a dripping garment, a proof that her errand had been performed. She flung it into her companion’s hands, and then stood, panting and gazing wildly about her as if she knew not where she was. The hag herself grew terrified at the insane and breathless state of her victim, and hurried her to her chamber; but here the preparations for the terrible ceremonies of the night were the first objects that struck her, and, shivering at the sight, she covered her eyes with her hands, and stood immovably fixed in the middle of the room.
It needed all the hag’s persuasions (aided even by mysterious menaces), combined with the returning faculties and reviving curiosity of the poor girl, to prevail on her to go through the remaining business of the night. At length she said, as if in desperation, ‘I will go through with it: but be in the next room; and if what I dread should happen, I will ring my father’s little silver bell which I have secured for the night – and as you have a soul to be saved, Collogue, come to me at its first sound.’


The hag promised, gave her last instructions with eager and jealous minuteness, and then retired to her own room, which was adjacent to that of the young lady. Her candle had burned out, but she stirred up the embers of her turf fire, and sat, nodding over them, and smoothing the pallet from time to time, but resolved not to lie down while there was a chance of a sound from the lady’s room, for which she herself, withered as her feelings were, waited with a mingled feeling of anxiety and terror.


It was now long past midnight, and all was silent as the grave throughout the Castle. The hag dozed over the embers till her head touched her knees, then started up as the sound of the bell seemed to tinkle in her ears, then dozed again, and again started as the bell appeared to tinkle more distinctly – suddenly she was roused, not by the bell, but by the most piercing and horrible cries from the neighbouring chamber. The Cologue, aghast for the first time, at the possible consequences of the mischief she might have occasioned, hastened to the room. Anne was in convulsions, and the hag was compelled reluctantly to call up the housekeeper (removing meanwhile the implements of the ceremony), and assist in applying all the specifics known at that day, burnt feathers, etc., to restore her. When they had at length succeeded, the housekeeper was dismissed, the door was bolted, and the Collogue was left alone with Anne; the subject of their conference might have been guessed at, but was not known until many years afterwards; but Anne that night held in her hand, in the shape of a weapon with the use of which neither of them was acquainted, an evidence that her chamber had been visited by a being of no earthly form.


This evidence the hag importuned her to destroy, or to remove: but she persisted with fatal tenacity in keeping it. She locked it up, however, immediately, and seemed to think she had acquired a right, since she had grappled so fearfully with the mysteries of futurity, to know all the secrets of which that weapon might yet lead to the disclosure. But from that night it was observed that her character, her manner, and even her countenance, became altered. She grew stern and solitary, shrunk at the sight of her former associates, and imperatively forbade the slightest allusion to the circumstances which had occasioned this mysterious change.


It was a few days subsequent to this event that Anne, who after dinner had left the Chaplain reading the life of St Francis Xavier to Sir Redmond, and retired to her own room to work, and, perhaps, to muse, was surprised to hear the bell at the outer gate ring loudy and repeatedly – a sound she had never heard since her first residence in the Castle; for the few guests who resorted there came, and departed as noiselessly as humble visitors at the house of a great man generally do. Straightway there rode up the avenue of elms, which we have already mentioned, a stately gentleman, followed by four servants, all mounted, the two former having pistols in their holsters, and the two latter carrying saddle-bags before them: though it was the first week in November, the dinner hour being one o’clock, Anne had light enough to notice all these circumstances. The arrival of the stranger seemed to cause much, though not unwelcome tumult in the Castle; orders were loudly and hastily given for the accommodation of the servants and horses – steps were heard traversing the numerous passages for a full hour – then all was still; and it was said that Sir Redmond had locked with his own hand the door of the room where he and the stranger sat, and desired that no one should dare to approach it. About two hours afterwards, a female servant came with orders from her master, to have a plentiful supper ready by eight o’clock, at which he desired the presence of his daughter. The family establishment was on a handsome scale for an Irish house, and Anne had only to descend to the kitchen to order the roasted chickens to be well strewed with brown sugar according to the unrefined fashion of the day, to inspect the mixing of the bowl of sago with its allowance of a bottle of port wine and a large handful of the richest spices, and to order particularly that the pease pudding should have a huge lump of cold salt butter stuck in its centre; and then, her household cares being over, to retire to her room and array herself in a robe of white damask for the occasion.


At eight o’clock she was summoned to the supper-room. She came in, according to the fashion of the times, with the first dish; but as she passed through the ante-room, where the servants were holding lights and bearing the dishes, her sleeve was twitched, and the ghastly face of the Collogue pushed close to hers; while she muttered ‘Did not I say he would come for you, dear?’ Anne’s blood ran cold, but she advanced, saluted her father and the stranger with two low and distinct reverences, and then took her place at the table. Her feelings of awe and perhaps terror at the whisper of her associate, were not diminished by the appearance of the stranger; there was a singular and mute solemnity in his manner during the meal. He ate nothing. Sir Redmond appeared constrained, gloomy and thoughtful. At length, starting, he said (without naming the stranger’s name), ‘You will drink my daughter’s health?’ The stranger intimated his willingness to have that honour, but absently filled his glass with water; Anne put a few drops of wine into hers, and bowed towards him. At that moment, for the first time since they had met, she beheld his face – it was pale as that of a corpse. The deadly whiteness of his cheeks and lips, the hollow and distant sound of his voice, and the strange lustre of his large dark moveless eyes, strongly fixed on her, made her pause and even tremble as she raised the glass to her lips; she set it down, and then with another silent reverence retired to her chamber.


There she found Bridget Dease, busy in collecting the turf that burned on the hearth, for there was no grate in the apartment. ‘Why are you here?’ she said, impatiently.


The hag turned on her, with a ghastly grin of congratulation, ‘Did not I tell you that he would come for you?’


‘I believe he has,’ said the unfortunate girl, sinking into the huge wicker chair by her bedside; ‘for never did I see mortal with such a look.’
‘But is not he a fine stately gentleman?’ pursued the hag.


‘He looks as if he were not of this world,’ said Anne.


‘Of this world, or of the next,’ said the hag, raising her bony fore-finger, ‘mark my words – so sure as the – (here she repeated some of the horrible formularies of the 31st of October) – so sure he will be your bridegroom.’
‘Then I shall be the bride of a corpse,’ said Anne; ‘for he I saw tonight is no living man.’


A fortnight elapsed, and whether Anne became reconciled to the features she had thought so ghastly, by the discovery that they were the handsomest she had ever beheld – and that the voice, whose sound at first was so strange and unearthly, was subdued into a tone of plaintive softness when addressing her or whether it is impossible for two young persons with unoccupied hearts to meet in the country, and meet often, to gaze silently on the same stream, wander under the same trees, and listen together to the wind that waves the branches, without experiencing an assimilation of feeling rapidly succeeding an assimilation of taste; – or whether it was from all these causes combined, but in less than a month Anne heard the declaration of the stranger’s passion with many a blush, though without a sigh. He now avowed his name and rank. He stated himself to be a Scottish Baronet, of the name of Sir Richard Maxwell; family misfortunes had driven him from his country, and forever precluded the possibility of his return: he had transferred his property to Ireland, and purposed to fix his residence there for life. Such was his statement. The courtship of those days was brief and simple. Anne became the wife of Sir Richard, and, I believe, they resided with her father till his death, when they removed to their estate in the North. There they remained for several years, in tranquility and happiness, and had a numerous family. Sir Richard’s conduct was marked by but two peculiarities: he not only shunned the intercourse, but the sight of any of his countrymen, and, if he happened to hear that a Scotsman had arrived in the neighbouring town, he shut himself up till assured of the stranger’s departure. The other was his custom of retiring to his own chamber, and remaining invisible to his family on the anniversary of the 31st of October. The lady, who had her own associations connected with that period, only questioned him once on the subject of this seclusion, and was then solemnly and even sternly enjoined never to repeat her inquiry. Matters stood thus, somewhat mysteriously, but not unhappily, when on a sudden, without any cause assigned or assignable, Sir Richard and Lady Maxwell parted, and never more met in this world, nor was she ever permitted to see one of her children to her dying hour. He continued to live at the family mansion and she fixed her residence with a distant relative in a remote part of the country. So total was the disunion, that the name of either was never heard to pass the other’s lips, from the moment of separation until that of dissolution.


Lady Maxwell survived Sir Richard forty years, living to the great age of ninety-six; and, according to a promise, previously given, disclosed to a descendent with whom she had lived, the following extraordinary circumstances.


She said that on the night of the 31st of October, about seventy-five years before, at the instigation of her ill-advising attendant, she had washed one of her garments in a place where four streams met, and peformed other unhallowed ceremonies under the direction of the Collogue, in the expectation that her future husband would appear to her in her chamber at twelve o’clock that night. The critical moment arrived, but with it no lover-like form. A vision of indescribable horror approached her bed, and flinging at her an iron weapon of a shape and construction unknown to her, bade her ‘recognize her future husband by that.’ The terrors of this visit soon deprived her of her senses; but on her recovery, she persisted, as has been said, in keeping the fearful pledge of the reality of the vision, which, on examination, appeared to be incrusted with blood. It remained concealed in the inmost drawer of her cabinet till the morning of the separation. On that morning, Sir Richard Maxwell rose before daylight to join a hunting party – he wanted a knife for some accidental purpose, and, missing his own, called to Lady Maxwell, who was still in bed, to lend him one. The lady, who was half asleep, answered, that in such a drawer of her cabinet he would find one. He went, however, to another, and the next moment she was fully awakened by seeing her husband present the terrible weapon to her throat, and threaten her with instant death unless she disclosed how she came by it. She supplicated for life, and then, in an agony of horror and contrition, told the tale of that eventful night. He gazed at her for a moment with a countenance which rage, hatred, and despair converted, as she avowed, into a living likeness of the demon-visage she had once beheld (so singularly was the fated resemblance fulfilled), and then exclaiming, ‘You won me by the devil’s aid, but you shall not keep me long,’ left her – to meet no more in this world. Her husband’s secret was not unknown to the lady, though the means by which she became possessed of it were wholly unwarrantable. Her curiosity had been strongly excited by her husband’s aversion to his countrymen, and it was so – stimulated by the arrival of a Scottish gentleman in the neighbourhood some time before, who professed himself formerly acquainted with Sir Richard, and spoke mysteriously of the causes that drove him from his country – that she contrived to procure an interview with him under a feigned name, and obtained from him the knowledge of circumstances which embittered her after-life to its latest hour. His story was this:


Sir Richard Maxwell was at deadly feud with a younger brother; a family feast was proposed to reconcile them, and as the use of knives and forks was then unknown in the Highlands, the company met armed with their dirks for the purpose of carving. They drank deeply; the feast, instead of harmonizing, began to inflame their spirits; the topics of old strife were renewed; hands, that at first touched their weapons in defiance, drew them at last in fury, and in the fray, Sir Richard mortally wounded his brother. His life was with difficulty saved from the vengeance of the clan, and he was hurried towards the seacoast, near which the house stood, and concealed there till a vessel could be procured to convey him to Ireland. He embarked on the night of the 31st of October, and while he was traversing the deck in unutterable agony of spirit, his hand accidentally touched the dirk which he had unconsciously worn ever since the fatal night. He drew it, and, praying ‘that the guilt of his brother’s blood might be as far from his soul, as he could fling that weapon from his body,’ sent it with all his strength into the air. This instrument he found secreted in the lady’s cabinet, and whether he really believed her to have become possessed of it by supernatural means, or whether he feared his wife was a secret witness of his crime, has not been ascertained, but the result was what I have stated.


The separation took place on the discovery: – for the rest,

I know not how the truth may be,
I tell the Tale as ’twas told to me.

1. An Irish mile – a distance of undetermined length. In the West of Ireland, any distance up to about sixty kilometres may be expressed as ‘about a mile or so.’
2. His rug – the horse-rug under which he sleeps.
3. King John – king of England 1199-1216. Was Lord of Ireland for a brief period; having mortally insulted the Irish chieftains, he was hastily withdrawn by his father, the great Henry II (1154-1189). This is why he was called ‘John Lackland.’