Places to visit and stay in County Wexford, Leinster

On the map above:

blue: places to visit that are not section 482

purple: section 482 properties

red: accommodation

yellow: less expensive accommodation for two

orange: “whole house rental” i.e. those properties that are only for large group accommodations or weddings, e.g. 10 or more people.

green: gardens to visit

grey: ruins

As well as places to visit, I have listed separately places to stay, because some of them are worth visiting – you may be able to visit for afternoon tea or a meal.

For places to stay, I have made a rough estimate of prices at time of publication:

€ = up to approximately €150 per night for two people sharing (in yellow on map);

€€ – up to approx €250 per night for two;

€€€ – over €250 per night for two.

For a full listing of accommodation in big houses in Ireland, see my accommodation page: https://irishhistorichouses.com/accommodation/

Wexford:

1. Ballyhack Castle, Co. Wexford – open to public OPW

2. Ballymore, Camolin, Co Wexford – museum 

3. Berkeley Forest House, County Wexford

4. Clougheast Cottage, Carne, Co. Wexford – section 482

5. Enniscorthy Castle, County Wexford

6. Ferns Castle, Wexford – open to public, OPW

7. Johnstown Castle, County Wexford maintained by the Irish Heritage Trust

8. Kilcarbry Mill Engine House, Sweetfarm, Enniscorthy, Co Wexford – section 482

9. Kilmokea Country Manor & Gardens, Great Island, Campile, New Ross, Co. Wexford – section 482

10. Newtownbarry House, Wexford

11. Sigginstown Castle, Sigginstown, Tacumshane, Co. Wexford – section 482

12. Tintern Abbey, Ballycullane, County Wexford – concessionary entrance to IGS members, OPW

13. Wells House, County Wexford

14. Woodville House, New Ross, Co. Wexford – section 482

Places to Stay, County Wexford

1. Artramont House, Castlebridge, Co Wexford – B&B 

2. Ballytrent House, Broadway, Co Wexford

3. Bellfry at Old Boley, County Wexford

4. Berkeley Forest, New Ross, Co Wexford – B&B? 

5. Butlerstown Castle, Tomhaggard, Co Wexford – A ruin, coach house accommodation  

6. Clonganny House, Wexford – accommodation 

7. Dunbrody Park, Arthurstown, County Wexford – accommodation

8. Fruit Hill Cottages, Fruit Hill House, Campile, New Ross, County Wexford  

9. Hyde Park House (or Tara House),Gorey, co wexford- accommodation 

10. Kilmokea Country Manor & Gardens, Kilmokea, Great Island, Campile, New Ross, Co. Wexford  – accommodation 

11. Killiane Castle, County Wexford

12. Marlfield, Gorey, Co Wexford – accommodation 

13. Monart, Enniscorthy, Co Wexford – 5* hotel 

14. Rathaspeck Manor “doll’s house” gate lodge, County Wexford and the Manor B&B

15. Riverbank House Hotel, The Bridge, Wexford, Ireland Y35 AH33

16. Rosegarland House, Wellingtonbridge, County Wexford – accommodation 

17. Wells House, County Wexford – self catering cottages

18. Wilton castle, Enniscorthy, Co Wexford

19. Woodbrook, Killane, Co Wexford – accommodation and 482 

20. Woodlands Country House, Killinierin, County Wexford B&B

21. Woodville House, New Ross, Co Wexford – 482 

Whole House rental County Wexford:

1. Ballinkeele, County Wexford – whole house rental (sleeps up to 19 people)

2. Horetown House, County Wexford – whole house rental (wedding venue, up to 24 people in house, plus shepherd’s huts)

Places to visit in County Wexford:

1. Ballyhack Castle, Co. Wexford – open to public OPW

see my OPW write-up https://irishhistorichouses.com/2022/02/07/office-of-public-works-properties-leinster-laois-longford-louth-meath-offaly-westmeath-wexford-wicklow/

2. Ballymore, Camolin, Co Wexford – museum 

http://www.ballymorehistoricfeatures.com

The website tells us:

Ballymore is an old family property located away from main routes in a particularly scenic part of North Wexford. It retains many features which have survived from past periods of occupation in an attractive setting of mature trees, ordered landscape and views of the surrounding countryside.

A large scale map indicates theroute visitors are requested to follow. This route allows a leisurely ramble around several interesting features including the tea room, the museum, art gallery and display of old farming equipment in part of the farmyard. The residence itself is private and not open to the public.

In the surrounding grounds you will find the church and ancient graveyard, holy well, former site of a 1798 rebel camp and the 14th century Norman castle ruins, which now is a simple labyrinth.

The present church was built in 1869 on the site of a medieval building, of which nothing now survives except a carved wooden door lintel which can be seen at the museum.

The holy well is covered completely by a large boulder. This was done some centuries ago to discourage its continued use for prayer and devotion.

The castle mound is all that remains of the 14th century motte built by Norman settlers. The ruins of the stone-built tower were pulled down in the 19th century.

The large reconstructed greenhouse is the setting for the tea room. 

Its design copies the original greenhouse built around 1820, along with the walled garden behind it.

The museum and display area open out from the small courtyard. The museum itself is in a large converted hayloft in a period farmyard building. The contents of the museum are from the family home and farmyard. They illustrate many different aspects of earlier occupation and activity. Another feature is the old water wheel now on display in the same farm building.

The old dairy room will take you back in time. It adjoins the 1798 Room, containing a display of items from this period and from the house and family records. The further display area includes pieces of older farm equipment and hand tools used when the horse was the only source of motive power.

The art gallery is located below the museum in what was the farm stables. It displays a selection of paintings and drawings of local scenes and activities by the much admired artist Phoebe Donovan.

Take one of our exclusive tours, which encompasses many features including the museum of local and family history spanning over 300 years, dairy and farming display, 1798 memorabilia room and the Phoebe Donovan art gallery.

Venture out into the surrounding grounds and you will find the ruins of a Norman castle dating back to the 14th century, Ballymore Church and graveyard (1869), and a former 1798 rebel camp site. You may even spot a buzzard or some of the other varied wildlife in the area.

Finally, relax and enjoy a beverage in our greenhouse tea room.

Ballymore Historic Features is also part of the Wexford Heritage Trail.”

3. Berkeley Forest House, County Wexford

http://berkeleyforesthouse.com

Berkeley Forest House, photograph courtesy of the house’s website.

This website tells us:

Berkeley Forest is unusual as a period house as it has a bright and uncluttered look with a strong Scandinavian flavour -painted floors, hand stencilled wallpaper and bedcoverings designed by artist Ann Griffin-Bernstorff who lives and works here during part of the year.

The house offers a beguiling experience. With a beautiful faded brick walled garden with a terrace, summer house and an outdoor fireplace, it is a delight throughout the day.

In easy reach of the Wexford beaches to the South and East and the picturesque villages of Inistioge, Thomastown and Graiguenamanagh, the cities of Kilkenny (Medieval) and Waterford (Viking) are also nearby. Just off the N30, less than 2 hours from Dublin Airport, 45 mins from Kilkenny, 20 mins from Wexford or Waterford, the house is perfectly situated to visit a host of interesting historical, cultural or sporting amenities, or to hide away in complete peace and quiet.

The house was once the home of the family of 18th century philosopher George Berkeley.
It also houses a 19th Costume museum which was created by Ann Griffin-Bernstorff and is available to costume and fashion students on request (her original 18th century Costume Collection is now to be seen at Rathfarnham Castle in Dublin) She is also the designer of the internationally acclaimed Ros Tapestry.

Berkeley Forest House, photograph courtesy of the house’s website.
Berkeley Forest House, photograph courtesy of the house’s website.

The property consists of the main house, lawns and gardens; beyond that are pasture and woodland, some mature, some more recently planted; as well as original farm buildings. All of which ideal for exploring and wandering. There is a beautifully proportioned upper drawing room (28ftx18ft) which is suitable for music rehearsal, fine dining and specialist conferences.”

Berkeley Forest House, photograph courtesy of the house’s website.

4. Clougheast Cottage, Carne, Co. Wexford – section 482

contact: Jacinta Denieffe
Tel: 086-1234322
Open dates in 2023: Jan 11-31, May 1-31, August 12-20, 9am-1pm
Fee: €5

5. Enniscorthy Castle, County Wexford

http://enniscorthycastle.ie

Enniscorthy castle, Co Wexford_Courtesy Patrick Brown 2014, for Tourism Ireland, Ireland’s Content Pool. [1]

The website tells us:

Enniscorthy Castle, in the heart of Enniscorthy town, was originally built in the 13th century, and has been ‘home’ to Norman knights, English armies, Irish rebels and prisoners, and local  merchant families.  Why not visit our dungeon to see the rare medieval wall art –The Swordsman, or our battlements at the top of the castle to marvel at the amazing views of Vinegar Hill Battlefield, Enniscorthy town, and the sights, flora and  fauna of the  surrounding countryside. Enniscorthy Castle explores the development of the Castle and town from its earliest Anglo-Norman origins, with a special focus on the Castle as a family home. Visitors can also view the ‘Enniscorthy Industries ‘exhibition on the ground floor from the early 1600’s onwards when Enniscorthy began to grow and prosper as a market town. Visitors can explore the work of the renowned Irish furniture designer and architect Eileen Gray (born in 1878 just outside the town). The roof of the castle is also accessible, with spectacular views of the surrounding buildings, Vinegar Hill, and countryside. Note that access to the roof is only possible when accompanied by a staff member. Tours of the Castle are self guided. Last admission is 30 minutes before closing. Our facilities include: craft and gift shop, toilets and baby changing area, wheelchair access to all floors (including roof) , and visitor information point (tourist office for town). We look forward to welcoming you to our town’s most public ‘home’.

Enniscorthy castle, Co Wexford_Courtesy Patrick Brown 2014, for Tourism Ireland, Ireland’s Content Pool. [1]

Mark Bence-Jones writes in his A Guide to Irish Country Houses (1988):

p. 121. “(Wallop, Portsmouth, E/IFR) A C13 four-towered keep, like the ruined castles at Carlow and Ferns, restored at various dates and rising above the surrounding rooftops of the town of Enniscorthy like a French chateau-fort, with its near row of tourelles. Once the home of Edmund Spenser, the poet. Now a museum.” [2]

The National Inventory of Architectural Heritage tells us that it is a two-bay three-stage over basement castle, built 1588, on a rectangular plan with single-bay full-height engaged drum towers to corners on circular plans. [3]

Enniscorthy, Co Wexford_Courtesy Celtic Routes 2019, for Tourism Ireland, Ireland’s Content Pool. (see [1])
Enniscorthy, Co Wexford_Courtesy Celtic Routes 2019, for Tourism Ireland, Ireland’s Content Pool. (see [1])
Enniscorthy, Co Wexford_Courtesy Celtic Routes 2020, for Tourism Ireland, Ireland’s Content Pool. (see [1])

The website tells us more about the history of the castle:

Maud de Quency (granddaughter of the famous Strongbow) marries Philip de Prendergast (son of Anglo-Norman Knight Maurice de Prendergast) and they reside at Enniscorthy Castle from 1190 to his death in 1229. From then until the 1370’s, their descendants, and other Anglo-Norman families rule the Duffry and reside in Enniscorthy Castle.

In 1375: The fief (a defined area of land or territory) of the Duffry  and Enniscorthy Castle are forcefully retaken by Art MacMurrough Kavanagh who regains his ancestral lands. This marks a time of Gaelic Irish revival. The MacMurrough Kavanagh dynasty rule until they eventually surrender the Castle and lands to Lord Leonard Grey in 1536. At this time Enniscorthy Castle is reported be in a ruined condition.

Enniscorthy, Co Wexford_Courtesy Celtic Routes 2020, for Tourism Ireland, Ireland’s Content Pool. (see [1])

In 1569, The Butlers of Kilkenny and the Earl of Kildare lead a raid on Enniscorthy town on a fair day, killing numerous civilians and burning the castle. In 1581, The poet Edmund Spenser leases the Castle but never lives in it. Historians speculate that this was because Spenser feared the MacMurrough Kavanaghs.

In 1585, Henry Wallop receives ownership of the Duffry by Royal Appointment. He exploits the dense forests (the Duffry, An Dubh Tír in Irish, meaning “The Black Country”) surrounding Enniscorthy which brings considerable wealth to the town, and funds the rebuilding of Enniscorthy Castle which we see standing today. Enniscorthy begins to rapidly develop as a plantation town.

1649: Oliver Cromwell arrives in Co. Wexford. Enniscorthy Castle is beseiged by his forces; its defenders surrender, leaving it intact. In December of the same year the Castle once again fell to the Irish (under Captain Daniel Farrell), but two months later Colonel Cooke, the Governor of Wexford, reoccupied the castle.

1898: The Castle is leased by Patrick J. Roche from the Earl of Portsmouth. P.J. Roche restores and extends the Castle making it into a residence for his son Henry J. Roche.

1951: Roche family leaves.

1962: Castle opens as Wexford County Museum.

Enniscorthy, Co Wexford_Courtesy Celtic Routes 2020, for Tourism Ireland, Ireland’s Content Pool. (see [1])

6. Ferns Castle, Wexford – open to public, OPW

see my OPW entry: https://irishhistorichouses.com/2022/02/07/office-of-public-works-properties-leinster-laois-longford-louth-meath-offaly-westmeath-wexford-wicklow/ 

7. Johnstown Castle, County Wexford maintained by the Irish Heritage Trust

Johnstown Castle, County Wexford. The house was designed by Daniel Robertson (d. 1849). It envelops a seventeenth-century house (perhaps by Thomas Hopper) [4] remodelled (1810-4) by James Pain (1779-1877) of Limerick.
Garden front, Johnstown Castle, County Wexford: The garden front has two round turrets, a three-sided central bow with tracery windows.
Front of Johnstown Castle, with porte-cochere projection at the end of an entrance corridor.
The entrance front is dominated by a single frowning tower with a porte-cochere projecting at the end of an entrance corridor and a Gothic conservatory at one end.

https://johnstowncastle.ie/

An information board in the museum tells us that Geoffrey and Maurice Esmonde were the estate’s first owners, who arrived as part of the Anglo-Norman invasion in 1169. Geoffrey Esmonde built the original Johnstown Castle, which was a plain and modest tower house. His son Maurice built a second tower house at Rathlannon Castle, the remains of which are on the grounds to this day.

The Esmondes lost their lands during the invasion of Oliver Cromwell, as they were Catholics. Lieutenant Colonel John Overstreet was granted Johnstown Castle estate. The land passed through several hands until acquired by John Grogan in 1692. The Grogan family and their descendants lived at Johnstown Castle until 1945 when it was handed over to the state.

Mark Bence-Jones tells us about Johnstown Castle (1988):

p. 161. “(Esmonde, bt/PB; Grogan-Morgan; LG1863; Forbes, Grandard, E/PB; FitzGerald, sub Leinster, D/PB) An old tower house of the Esmondes, engulfed in an impressively turreted, battlmented and machicolated castle of gleaming silver-grey ashlar built ca 1840 for Hamilton Knox Grogan Morgan [1808-54], MP, to the design of Daniel Robertson [d. 1849], of Kilkenny. The entrance front is dominated by a single frowning tower with a porte-cochere projecting at the end of an entrance corridor and a Gothic conservatory at one end. The garden front has two round turrets, a three-sided central bow with tracery windows. Lower wing with polygonal tower. The castle stands in a lush setting of lawns and exotic trees and shrubs, overlooking a lake with has a Gothic tower rising from its waters and a terrace lined with statues on its far side. Impressive castellated entrance archways facing each other on either side of the road. After the death of H.K. Grogan-Morgan, Johnstown passed to his widow, who married as her second husband, Rt Hon Sir Thomas Esmonde, 9th Bt, a descendent of the original owners of the old tower house. The estate afterwards went to H.K. Grogan-Morgan’s daughter, Jane, Countess of Granard [she married George Arthur Forbes (1833-1889) 7th Earl of Granard], and eventually to Lady Granard’s daughter, Lady Maurice Fitzgerald [born Adelaide Jane Frances Forbes, she married Maurice Fitzgerald son of the 4th Duke of Leinster]. It is now an agricultural institute, and the grounds are maintained as a show place. The old tower house was the home of Cornelius Grogan [1738-1798], who was unjustly executed for treason after 1798 Rebellion.” 

The entrance front is dominated by a single frowning tower with a porte-cochere projecting at the end of an entrance corridor and a Gothic conservatory at one end.
Inside the front arch of Johnstown Castle.
The Gothic conservatory in the middle.
Johnstown Castle stands in a lush setting of lawns and exotic trees and shrubs, overlooking a lake with has a Gothic tower rising from its waters and a terrace lined with statues on its far side.
Johnstown Castle, photograph from National Inventory of Architectural Heritage: Hamilton Knox Grogan-Morgan (1807-1854) and his family. [5]

The National Inventory describes it:

Detached three-bay three-storey over basement country house, built 1836-72, on an asymmetrical plan centred on single-bay full-height breakfront with single-bay (four-bay deep) single-storey projecting porch-cum-“porte cochère” to ground floor; five-bay three-storey Garden Front (south) with single-bay four-stage turrets on circular plans centred on single-bay full-height bow on an engaged half-octagonal plan…A country house … enveloping a seventeenth-century house remodelled (1810-4) by James Pain (1779-1877) of Limerick (DIA), confirmed by such attributes as the asymmetrical plan form centred on ‘a splendid porch…formed by beautiful Gothic arches with neat light groinings’ (Lacy 1852, 259); the construction in a blue-green rubble stone offset by glimmering Mount Leinster granite dressings not only demonstrating good quality workmanship, but also producing a sober two-tone palette; the diminishing in scale of the multipartite openings on each floor producing a graduated visual impression with the principal “apartments” defined by a polygonal bow; and the battlemented turrets producing an eye-catching silhouette: meanwhile, aspects of the composition clearly illustrate the continued development or “improvement” of the country house ‘under the munificent and highly-gifted Lady Esmonde who never tires of affording employment to the skilful artisans whom she herself has trained’.”

You can see the basement on the garden front.
The clock tower side of Johnstown Castle.
Spectacular doorway arch to one side of Johnstown Castle.
The doorway arch at Johnstown Castle features a border of carved stone heads.
Carved stone heads at Johnstown Castle.
Window surround detail and tracery at Johnstown Castle.
A workman at Johnstown Castle.

We did not get to see the inside of Johnstown Castle when we visited as it was closed that day, but the National Inventory gives us pictures – and I can’t wait to visit again!

I think this is the portico corridor, Johnstown Castle, photograph from National Inventory of Architectural Heritage: “corridor on a rectangular plan retaining encaustic tiled floor, Gothic-style timber panelled wainscoting supporting carved timber dado rail, clustered colonette-detailed carved timber surrounds to window openings framing Gothic-style timber panelled shutters on Gothic-style timber panelled risers, and groin vaulted ceiling with carved timber ribs on portrait-detailed oak leaf corbels.” [5]
Tile floor of the corridor, Johnstown Castle, photograph from National Inventory of Architectural Heritage. [5]

The National Inventory continues:

A prolonged period of unoccupancy notwithstanding, the elementary form and massing survive intact together with substantial quantities of the original fabric, both to the exterior and to the interior where encaustic tile work; the so-called “Apostles Hall” with ‘oak panelling and carving of the most costly description’ (Lacy 1852, 268); contemporary joinery ‘by poor Mooney who may be said to have lived and died in the employment of the munificent proprietor [and who was] succeeded by another native genius [named] Sinnott’ (ibid., 269); restrained chimneypieces in contrasting neo-Classical or Egyptian Revival styles; and geometric ceilings recalling the Robertson-designed Wells House (1836-45), all highlight the considerable artistic significance of the composition.

Johnstown Castle, photograph from National Inventory of Architectural Heritage. [5]
Johnstown Castle, photograph from National Inventory of Architectural Heritage. [5]
Johnstown Castle, photograph from National Inventory of Architectural Heritage. [5]
Johnstown Castle, photograph from National Inventory of Architectural Heritage. [5]
Johnstown Castle, photograph from National Inventory of Architectural Heritage. [5]
Johnstown Castle, photograph from National Inventory of Architectural Heritage: “top-lit triple-height “Grand Hall” on a square plan retaining tessellated “Asphaltum” tiled floor, clustered colonette-detailed carved timber surrounds to door openings framing Gothic-style timber panelled doors, arcaded galleries (upper floors) with carved timber hand rails, and fan vaulted plasterwork ceiling centred on replacement glass block-filled mass concrete dome.” [5]
Johnstown Castle, photograph from National Inventory of Architectural Heritage. [5]
Johnstown Castle, photograph from National Inventory of Architectural Heritage: “bow-ended dining room (south) retaining clustered colonette-detailed carved timber surround to door opening framing timber panelled door with clustered colonette-detailed carved timber surrounds to opposing window openings framing Gothic-style timber panelled shutters on Gothic-style timber panelled risers, coat-of-arms-detailed cut-veined green marble Gothic-style chimneypiece in Gothic-style timber surround, and picture railing below grape-and-vine-detailed cornice to quatrefoil-detailed compartmentalised ceiling in carved timber frame.” [5]
Johnstown Castle, photograph from National Inventory of Architectural Heritage: “library (south-east) retaining clustered colonette-detailed carved timber surround to door opening framing Gothic-style timber panelled door with clustered colonette-detailed carved timber surround to opposing window opening framing Gothic-style timber panelled shutters on Gothic-style timber panelled risers, Gothic-style timber bookcases centred on cut-black marble Egyptian-style chimneypiece, and picture railing below compartmentalised ceiling in carved timber frame.”[5]
Johnstown Castle, photograph from National Inventory of Architectural Heritage. [5]
Johnstown Castle, photograph from National Inventory of Architectural Heritage. [5]
Johnstown Castle, photograph from National Inventory of Architectural Heritage. [5]
Johnstown Castle, photograph from National Inventory of Architectural Heritage. [5]
Johnstown Castle, photograph from National Inventory of Architectural Heritage. [5]
Johnstown Castle, photograph from National Inventory of Architectural Heritage. [5]
Johnstown Castle, photograph from National Inventory of Architectural Heritage. [5]
Johnstown Castle, photograph from National Inventory of Architectural Heritage. [5]

The National Inventory continues: “Furthermore, a “Terrace Garden”; a stable complex; folly-like towers and turrets overlooking an artificial lake ; a walled garden; and nearby gate lodges, all continue to contribute positively to the group and setting values of a largely intact estate having subsequent connections with the Right Honourable Sir Thomas Esmonde (1786-1868) [9th Baronet] and Dame Sophia Maria Esmonde (née Rowe) (1805-67) [she was first the wife of Hamilton Knox Grogan-Morgan]; and Lord Maurice FitzGerald (1852-1901) and Lady Adelaide Jane Frances FitzGerald (née Forbes) (1860-1942). NOTE: Armorial panels over the glazed-in carriageway and on the dining room chimneypiece show a coat of arms combining three bears heads couped and muzzled [Forbes] centred on a griffin sergeant [Morgan] representing the marriage of George Arthur Hastings Forbes (1833-89), seventh Earl of Granard, and Jane Colclough Morgan (1840-72) with Order of Saint Patrick motto (“QUIS SEPARABIT MDCCLXXXIII [Who Will Separate Us 1783]”) recognising the earl’s investment as a Knight of the Order of Saint Patrick (K.P.) in 1857.

A daughter of Maurice Fitzgerald and Adelaide Jane, Kathleen, married Michael Lawrence Lakin and they had two sons: Gerald Michael Lakin and Maurice Victor Lakin, the latter pictured below, the last man to privately own the castle and estate before handing it over to the state.

A daughter of Maurice Fitzgerald and Adelaide Jane, Geraldine, married Gerald More O’Ferrall.
Walled garden, Johnstown Castle, County Wexford, November 2021.
Entrance to Johnstown Castle estate, County Wexford.
The National Inventory describes this: “A tower-like gate lodge contributing positively to the group and setting values of the Johnstown Castle estate with the architectural value of the composition, one erected to a design signed (1846) by Martin Day (d. 1861) of Gallagh (DIA), confirmed by such attributes as the compact square plan form; the construction in ‘[a] fine bluish stone raised from the quarries on the demesne’ (Lacy 1852, 265-6) offset by silver-grey granite dressings demonstrating good quality workmanship; the definition of the principal “apartment” by a jettied oriel window recalling the Daniel Robertson (d.1849)-designed gate lodge at Shankill Castle, County Kilkenny; and the corbelled battlements embellishing the roofline.”
I think this is Rathlannon Castle, built by Maurice Esmonde in the 1200s.
Stable Complex, Johnstown Castle, County Wexford, November 2021.

8. Kilcarbry Mill Engine House, Sweetfarm, Enniscorthy, Co Wexford – section 482

Contact: Stephen Hegarty
Tel: 087-2854143
Open dates in 2023: Jan 1-2, Feb 10, 12-13, Mar 13-17, Apr 20-21, May 10-13, June 16-18, July 14-16, Aug 1-30, Oct 26-28, Nov 30, Dec 1, 20-23, 12 noon-4pm
Fee: adult €10, student/OAP €5

9. Kilmokea Country Manor & Gardens, Great Island, Campile, New Ross, Co. Wexford Y34 TH58 – section 482

The main lawn at the rear of the house at Kilmokea – surrounded by perenniel borders – and some fine topiary, photograph 2014 by George Munday/Tourism Ireland. (see [1])

contact: Mark Hewlett
Tel: 086-0227799
www.kilmokea.com
(Tourist Accommodation Facility)
Open for accommodation, and gardens: April 1-Nov 7
Fee: Adult €7, OAP €6, student €5, child €4, family€20, groups > 10 €5pp

The website tells us:

Kilmokea, on Great Island in south County Wexford, was built in 1794, on the site of an ancient monastery as the glebe house for a Church of Ireland rector. The house is a simple, neo-classical late Georgian building of two stories, roughly square in plan with a three-bay facade protected by a later porch. The garden front is of four bays and the rooms at the rear are set high above the lawn and treated as a piano nobile. While there is no cornice, the roof is hipped and elegantly sprocketed, and the flues are all diverted into a single elongated central chimney stack.   

Great Island is not actually an island, although it is largely surrounded by water. The River Barrow, which converged with the River Nore just upstream from New Ross, forms its western boundary and joins the River Suir at the inner reaches of Waterford Harbour, which borders Great Island to the South. The Campile River, to the east, also flows into Waterford Harbour, while the connecting isthmus to the ‘mainland’ of County Wexford is largely low-lying and prone to floods, hence the name Great Island.  

Kilmokea stands on the highest point of the isthmus, north-west of the small town of Campile. Just a few miles beyond, the Hook peninsula stretches southwards like a rocky finger pointing out into the Celtic Sea. In the twelfth century the first Normans settlers landed near Hook Head and put their stamp upon the entire region. The great ruined Cistercian abbey of Dunbrody, standing in splendid isolation on the banks of the Campile River, is perhaps their finest legacy. 

In the 1950s Kilmokea was in a dilapidated state when purchased by David and Joan Price, prime movers behind the Wexford Opera Festival. They restored and extended the house in the fashion of the times, removing the external rendering and stripping and waxing the internal joinery by hand. But their principal focus was the garden, where the subtropical microclimate allows many rare and tender plants to flourish. They surrounded the house with a series of interconnecting garden ‘rooms’ of varying size, while a reconstructed millpond, on the opposite side of an adjoining by-road, feeds a small stream that winds its way through a magical woodland garden to the River Barrow. 

In the 1990s Kilmokea was purchased by Mark and Emma Hewlett as their family home. Together they have extended and enhanced both house and garden, which they maintain to an exemplary standard, and have built a magnificent new conservatory.”

The main lawn at the rear of Kilmokea – surrounded by perenniel borders, photograph 2014 by George Munday/Tourism Ireland (see [1]).
Kilmokea House, conservatory on right, photograph by Chris Hill 2014 for Tourism Ireland. (see [1])

10. Newtownbarry House, Wexford – gardens open to the public

https://www.gardensofireland.org/directory/52/

Newtownbarry House, County Wexford, photograph from National Inventory of Architectural Heritage.
Newtownbarry House, County Wexford, photograph from National Inventory of Architectural Heritage.
Newtownbarry House, County Wexford, photograph from National Inventory of Architectural Heritage.

Contact: Clody and Alice Norton 

Tel: +353 (0) 53 937 6383 

Email: clodynorton@gmail.com 

Mark Bence-Jones writes (1988): p. 225. “(Barry/IFR; Maxwell, Farnham, B/PB; Hall-Dare;IFR) The estate of Newtownbarry originally belonged to a branch of the Barrys; passed to the Farnhams with the marriage of Judith Barry to John Maxwell, afterwards 1st Lord Farnham, 1719. Subsequently acquired by the Hall-Dare family, who built the present house 1860s, to the design of Sir Charles Lanyon. It is in a rather restrained Classical style, of rough ashlar; the windows have surrounds of smooth ashlar, with blocking. Two storey; asymmetrical entrance front, with two bays projecting at one end; against this projection is set a balustraded open porch. Lower two storey service wing. Eaved roof on plain cornice. Impressive staircase.”

Newtownbarry House, County Wexford, photograph from National Inventory of Architectural Heritage.

The National Inventory tells us that it is a five-bay (five-bay deep) two-storey country house, built 1863-9, on an L-shaped plan off-centred on single-bay single-storey flat-roofed projecting porch to ground floor abutting two-bay two-storey projecting end bay; eight-bay two-storey rear (south) elevation. It continues:

Newtownbarry House, County Wexford, photograph from National Inventory of Architectural Heritage.
Newtownbarry House, County Wexford, photograph from National Inventory of Architectural Heritage.

A country house erected for Robert Westley Hall-Dare JP DL (1840-76) to a design by Lanyon, Lynn and Lanyon (formed 1860) of Belfast and Dublin (Dublin Builder 1864, 66) representing an important component of the mid nineteenth-century domestic built heritage of County Wexford with the architectural value of the composition, one succeeding the eighteenth-century ‘Woodfield…[a] mansion of long standing and of cottage-like character in the Grecian style of architecture’ (Lacy 1863, 485), confirmed by such attributes as the deliberate alignment maximising on panoramic vistas overlooking the meandering River Slaney with its mountainous backdrop in the near distance; the asymmetrical footprint off-centred on an Italianate porch; the construction in a rough cut granite offset by silver-grey dressings not only demonstrating good quality workmanship, but also providing an interplay of light and shade in an otherwise monochrome palette; and the slight diminishing in scale of the openings on each floor producing a feint graduated visual impression. Having been well maintained, the elementary form and massing survive intact together with substantial quantities of the original fabric, both to the exterior and to the interior arranged around a top-lit staircase hall recalling the Lanyon, Lynn and Lanyon-designed Stradbally Hall (1866-7), County Laois, where contemporary joinery; Classical-style chimneypieces; and plasterwork enrichments, all highlight the considerable artistic potential of the composition. Furthermore, adjacent outbuildings; walled gardens; all continue to contribute positively to the group and setting values of an estate having historic connections with the Hall-Dare family including Captain Robert Westley Hall-Dare JP DL (1866-1939), one-time High Sheriff of County Wexford (fl. 1891); and Robert Westley Hall-Dare (1899-1972).”

11. Sigginstown Castle, Sigginstown, Tacumshane, Co. Wexford, Y35 XK7D – section 482

www.sigginstowncastle.com
Open dates in 2023: Mar 25-26, April 1-2, 8-10, April 1-2, 8-10, 29-30, May 1, 5-7, 12-14, 19-21, 26-28, June 9-11, 23-25, 30, July 1-2, 7-9, 14-16, 21-23, 28-30, Aug 4-7, 11-20, 25-27, Sept 1-3, 22-24, 29-30, 1pm-5pm, guided tours 1.30, 3.30
Fee: castle, adult €8, child/OAP/student/ groups 6 or more €6

12. Tintern Abbey, Ballycullane, County Wexford – concessionary entrance to IGS members, OPW

see my OPW write-up https://irishhistorichouses.com/2022/02/07/office-of-public-works-properties-leinster-laois-longford-louth-meath-offaly-westmeath-wexford-wicklow/

13. Wells House, County Wexford – open for tours

Wells House, County Wexford, from myhome.ie

Mark Bence-Jones writes (1988):

p. 283. “(Doyne/IFR) A Tudor-Gothic house of ca 1840 by Daniel Robertson of Kilkenny; built for Robert Doyne [1816-1870], replacing an earlier house which, for nearly three years after the Rebellion of 1798, was used as a military barracks. Gabled front, symmetrical except that there is a three sided oriel at one end of the façade and not at the other, facing along straight avenue of trees to entrance gate. Sold ca 1964.” 

Wells House and Gardens, Ballyedmond, Gorey, Co Wexford_Courtesy Sonder Visuals 2017 for Tourism Ireland, Ireland’s Content Pool.
Wells House, County Wexford, from myhome.ie

Contact: Sabine Rosler 

Tel: +353 (0) 53 918 6737 

Mobile: +353 (0) 87 997 4323 

Email: info@wellshouse.ie 

Web: www.wellshouse.ie 

Wells House has a stunning Victorian Terrace garden, parterre garden and arboretum designed by the renowned architect and landscape designer, Daniel Robertson. 

The terraced gardens which have been restored to their former glory sit beautifully into the large setting of his vast parkland design which spans for acres in the stunning Co. Wexford landscape. 

With two woodland walks, a craft courtyard, adventure playground, restaurant and a busy calendar of events this is a perfect day out for all the family. 

and “Discover the 400-year-old history of Wells House & Gardens by taking a guided exploration of the house. Our living house tour and expert guide in Victorian dress will bring you back to a time. To a time when the magnificent ground floor and bedrooms witnessed the stories of Cromwell, Rebellions and the Famine. Uncover the everyday lives of the wealthy, powerful families who lived in the estate and their famed architect Daniel Robertson. All giving you a unique insight into the life of previous generations all the way up until the current owners of Wells House.

It was for sale in 2019.

Wells House, County Wexford, from myhome.ie
Wells House, County Wexford, from myhome.ie
Wells House, County Wexford, from myhome.ie
Wells House, County Wexford, from myhome.ie
Wells House, County Wexford, from myhome.ie
Wells House, County Wexford, from myhome.ie
Wells House, County Wexford, from myhome.ie
Wells House, County Wexford, from myhome.ie
Wells House, County Wexford, from myhome.ie
Wells House, County Wexford, from myhome.ie

13. Woodville House, New Ross, Co. Wexford Y34 WP93 – section 482

contact: Gerald Roche
Tel: 087-9709828

Email: woodville05@eircom.net

www.woodvillegardens.ie
Open dates in 2023: May 1-31, June 1-30, Aug 12-20, 10am-5pm
Fee: adult/OAP €8, student/child free

The National Inventory of Architectural Heritage tells us that it was allegedly erected for Edward William Tottenham (d. 1860) on the occasion of his marriage (1807) to Henrietta Alcock (d. 1861).

Woodville House, photograph courtesy of Woodville house website.

The website tells us:

Woodville House and Gardens are situated on a working farm just two miles from New Ross, County Wexford. The Georgian house belongs to the Roche Family who have lived here since 1876.  The current owner Gerald Roche and his mother maintain the enchanting gardens, mature grounds and water garden which make this a truly delightful place to visit. 

Woodville House is a fine five bay, two storey over basement Georgian house dating from about 1800 situated above the river Barrow. The property was acquired by P J Roche, great grandfather of the present owner in 1876 and is now occupied by the 5th generation of Roches to live there. It is thought to have been built by the Tottenhams, the first mention of it being the home of Edward Tottenham and subsequently was lived in by a Reverend Minchen. The house has two gate lodges, one a gothic lodge opposite the river Barrow and the other a 19th century Italianate gate lodge with gates at the southern end of the property. This entrance way and avenue were built after the construction of the now disused railway.

The house, recently renovated, maintains its period charm with period interior decoration and antique furniture. Visitors to the house can view the reception rooms, the former billiard room with faithfully copied and reprinted original wallpaper and Victorian conservatory by the Messenger Company.

Woodville House, photograph courtesy of Woodville house website.
Woodville House, photograph courtesy of Woodville house website.
Woodville House, photograph courtesy of Woodville house website.
Woodville House, photograph courtesy of Woodville house website.
Woodville House, photograph courtesy of Woodville house website.
Woodville House, photograph courtesy of Woodville house website.

Woodville Garden and Parkland

The house is set in the centre of a working farm and is approached by long avenues through parkland planted with specimen trees including Sequoia, cedar, pines, cypress and a recent addition the Wollemi pine. The resident flock of sheep grazes the pasture land, a scene unchanged for two hundred years.

A laurel shrubbery to the front of the house is also planted with colourful flowering cherry, Paulownia, Crinodendron, and Catalpa, and leads down to the double tennis courts which in turn leads to the water garden. Started in 1963 by Peter and Irene Roche and planted under the embankment of the old New Ross to Macmine Junction Railway, the water garden is a tranquil haven of shade and water-loving plants: ferns, hostas, Arisarum proboscideum (the fetching mouse plant), Clematis, Astilbe and trilliums, as well as Cornus controversa and others. A series of dropping pools are shaded by majestic oaks and a Metasequoia glyptostroboides (the dawn redwood). 

The Victorian walled garden at the rear of the house is 0.5 hectares in size with conservatories, vegetable garden, fruit trees, herbaceous borders and lawn. A striking feature of the garden is the original box hedging proudly maintained by the present owner and enclosing different plantings. First to feature in spring is a Magnolia soulangeana followed by a spring border of snowdrops, crocus & narcissi. 

In May the iris border comes into full bloom, a nearby bed is devoted to blue flowering plants including Chatham Island forget-me-not (Myositidium hortensia). Later the roses present a striking and colourful display contrasting with the box hedging while the reds, yellows and oranges of later summer put in an appearance. Rosa banksiae ‘Lutea’ flowers in the contemplative garden, a sunny corner and vantage point. 

This is a plantsman’s garden and also a most productive vegetable patch providing an abundant supply of fresh fruit and vegetables for the household. The greenhouses designed by Messenger and built by P J Roche in the 1880’s house grapevines, peaches and nectarines as well as exotic and tender flowers plumbago, red and white nerines, vines and an old asparagus fern. A large bed of Crambe maritima (seakale) beloved of the Victorians is maintained as are beds of globe artichoke and asparagus. 

The garden was extensively planted with several varieties of apple, pear and cherry, which carefully pruned and espaliered on frames and against the walls of this sunny garden, provide visual structure and a rich harvest.

The dairy walk, so called because in the past it was the route taken from farmyard to the dairy in the basement of the house, features a blaze of Embothrium coccineum flowering vigorously in May following on witch hazel (Hamamalis mollis), rhododendrons, camellias and azaelias producing spectactular and colourful effects in early summer.

Places to Stay, County Wexford

1. Artramont House, Castlebridge, Co Wexford – B&B 

Artramon House, County Wexford, photograph from National Inventory of Architectural Heritage.
Artramon House, County Wexford, photograph from Artramon website.

https://www.artramon-farm.com/english/welcome

Mark Bence-Jones writes: p. 12. “(Le Hunte/LGI 1912; Neave, Bt/Pb) A late C18 house, remodelled after being burnt 1923. 2 storey; entrance front with pediment of which the peak is level with the coping of the parapet, and the base is well below the level of the main cornice. In the breakfront central feature below the pediment are two windows and a tripartite Venetian doorway; two bays on either side of the central feature.” 

Artramon – bei Ulrike von Walderdorff in Wexford / Irland

The National Inventory tells us it is a five-bay two-storey country house, rebuilt 1928-32, on an L-shaped plan centred on single-bay two-storey pedimented breakfront; seven-bay two-storey side (west) elevation… “A country house erected for Richard “Dick” Richards (Wexford County Council 17th June 1927) to a design by Patrick Joseph Brady (d. 1936) of Ballyhaise, County Cavan (Irish Builder 1928, 602), representing an important component of the domestic built heritage of County Wexford with the architectural value of the composition, one retaining at least the footings of an eighteenth-century house destroyed (1923) during “The Troubles” (1919-23), confirmed by such attributes as the deliberate alignment maximising on scenic vistas overlooking gently rolling grounds with ‘fine views of the estuary, harbour and town of Wexford’ as a backdrop (Fraser 1844, 118); the symmetrical frontage centred on a curiously compressed breakfront; the diminishing in scale of the openings on each floor producing a graduated visual impression; and the monolithic parapeted roofline. Having been well maintained, the elementary form and massing survive intact together with substantial quantities of the original fabric, both to the exterior and to the interior where contemporary joinery; reclaimed Classical-style chimneypieces; and sleek plasterwork refinements, all highlight the artistic potential of the composition. Furthermore, adjacent outbuildings (extant 1840); and a substantial walled garden (extant 1840), all continue to contribute positively to the group and setting values of an estate having historic connections with the Le Hunte family including Captain George Le Hunte (d. 1799); William Augustus Le Hunte (1774-1820), one-time High Sheriff of County Wexford (fl. 1817); George Le Hunte (1814-91), ‘late of Artramont [sic] County Waterford [sic]’ (Calendars of Wills and Administrations (1892, 481); and the largely absentee Sir George Ruthven Le Hunte KCMG (1852-1925), one-time Governor and Commander-in-Chief of Trinidad and Tobago (fl. 1908-15); and Major Sir Arundell Thomas Clifton Neave (1916-92), sixth Baronet.

2. Ballytrent House, Broadway, Co Wexford – one wing rental.

http://ballytrenthouse.com 

Ballytrent House, courtesy of their website.

Mark Bence-Jones writes of Ballytrent (1988):

p. 28. “Redmond/Hughes. A two storey Georgian house, 5 bays, projecting ends, each with a Wyatt window in both storeys. Adamesque plasterwork. Home of John Redmond MP, leader of Irish Parliamentary Party.” 

The website tells us:

Welcome to the Ballytrent website. Visitors to Wexford seeking a quiet, secluded location,could not choose a better location than Ballytrent. Ballytrent is a magnificent 18th century heritage house set in extensive grounds overlooking the sea towards Tuskar Rock Lighthouse. 

In the grounds of the house is located a Ráth or earthen mound dating back to prechristian times and, measuring 650 yards in circumference, is reputed to be the largest in Europe. The grounds also contain a large flag pole that was once the tallest mast in the British Isles. The Rath garden is a haven for songbirds & a visit, either early morning or late evening, is pure magic! 

Ballytrent is tranquil and secluded. The garden & lawns cover three acres and include some rare plants. Our farm is a mix of cattle, cereals and root crops. We extend a warm welcome to those interested in visiting the farm. We are fortunate in having the best weather in Ireland – the annual rainfall is approximately 35 inches and each year the Weather Station at Rosslare records the highest mean sunshine hours. We are indeed the Sunny South East ! 

Ballytrent House, 
Ballytrent, 
Rosslare Harbour, 
Co. Wexford, 
Ireland. 

Telephone/Fax: 053 91 31147 
Email: jepryan@eircom.net 

Situated in St Helen’s E.D., Ballytrent, with its double ringed ráth, is an 18th century  home set in extensive ground. The history of Ballytrent is a collection of works and illustrations put together after several years  of research by Mary Stratton Ryan, wife of the present owner, James Power Ryan. 

A brief look at this work could keep the most avid historian content for quite a while. It is from this book that the following list of names and facts are taken,  all having connections to Ballytrent. 

  • Aymer De Valance; Earl of Pembroke, buried in Westminster Abbey, London. 
  • Robert Fitzstephens; Ballytrent bestowed on him by Strongbow. 
  • John le Boteller (Butler); Constable of the Kings Castle at Ballytrent. 
  • John Sinnot; Listed as a Juror of the Inquisition at Wexford (c1420). 
  • Patrick Synnot; In a 1656 Curl Survey of Ireland shown as owner of 96 acres 24 perches at Ballytrent. 
  • Abraham Deane; Given Ballytrent by Cromwell. 
  • Sarah Hughes; Daughter of Abraham Deane. 
  • Walter Redmond; Purchased Ballytrent from Henry Hughes. 
  • William Archer Redmond MP; Father of John and William – both also MP’s. 
  • John Edward Redmond MP; Represented North Wexford, succeeded Parnell as leader of the Nationalist Party. 
  • William Hoey Kearney Redmond MP; MP for Wexford and Fermanagh. 
  • John H. Talbot (the younger);  Inherited Ballytrent from his sister Matilda Seagrave. 
  • William Ryan; Grandson of Sir James Power. Purchased Ballytrent from Emily Talbot (nee Considine). 
  • James Edward Power Ryan; Present owner and grandson of William Ryan. 

This clearly illustrates the influence and power that is part of the documented history of Ballytrent, without even considering the possibilities of the time when the ráth was in its prime.”

3. Bellfry at Old Boley, County Wexford

http://oldboleywexford.com

4. Berkeley Forest, New Ross, Co Wexford – B&B

http://berkeleyforesthouse.com 

5. Butlerstown Castle, Tomhaggard, Co Wexford – A ruin, coach house accommodation  

http://www.butlerstowncastle.com/  

6. Clonganny House, Wexford – accommodation 

https://clonganny.com/

The website tells us: “Clonganny House is a fine country Georgian residence originally erected for Hawtry White (1758-1837) and sympathetically restored in the late twentieth century. Retaining many original features, Clonganny is a fine example of late Georgian architecture. Set in eight acres embracing gently rolling lawns, serene woodland, and a stunning walled garden, Clonganny House is only a short drive to a beautiful, award winning coastline and miles of golden sandy beaches.

7. Dunbrody Park, Arthurstown, County Wexford – accommodation €€

WWW.DUNBRODYHOUSE.COM 

Dunbrody House, courtesy of their website.

Mark Bence-Jones writes (1988): p. 114. “(Chichester, Templemore, B/PB; and Donegall, M/PB) A pleasant, comfortable unassuming house of ca 1860 which from its appearance might be a C20 house of vaguely Queen Anne flavour. Two storey, five bay centre, with middle bay breaking forward and three-sided single-storey central bow; two bay projecting ends. Moderately high roof on bracket cornice; windows with cambered heads and astragals. Wyatt windows in side elevation.” 

Dunbrody House, courtesy of their website.
Dunbrody House, courtesy of their website.

The National Inventory tells us:

nine-bay two-storey country house with dormer attic, extant 1819, on an E-shaped plan with two-bay two-storey advanced end bays centred on single-bay two-storey breakfront originally single-bay three-storey on a rectangular plan. “Improved”, 1909-10, producing present composition…A country house erected by Lord Spencer Stanley Chichester (1775-1819) representing an integral component of the domestic built heritage of south County Wexford with the architectural value of the composition, one sometimes known as “Dunbrody Park” (Lacy 1863, 516) or “Harriet’s Lodge” after Lady Anne Harriet Chichester (née Stewart) (c.1770-1850), suggested by such attributes as the deliberate alignment maximising on scenic vistas overlooking gently rolling grounds with Waterford Harbour as a backdrop; the near-symmetrical frontage centred on a truncated breakfront; the diminishing in scale of the openings on each floor producing a graduated visual impression; and the decorative timber work embellishing the roofline: meanwhile, a photograph (30th August 1910) by A.H. Poole of Waterford captures recent “improvements” to the country house with those works ‘[presenting the] appearance [of] a twentieth-century house of vaguely “Queen Anne” flavour’ (Bence-Jones 1978, 114). Having been well maintained, the elementary form and massing survive intact together with substantial quantities of the original or sympathetically replicated fabric, both to the exterior and to the interior where contemporary joinery; Classical-style chimneypieces; and sleek plasterwork refinements, all highlight the artistic potential of the composition. Furthermore, adjacent outbuildings (extant 1840); a private burial ground; and distant gate lodges, all continue to contribute positively to the group and setting values of an estate having historic connections with the Barons Templemore including Henry “Harry” Spencer Chichester (1821-1906), second Baron Templemore ‘late of Great Cumberland-place Middlesex’ (Calendars of Wills and Administrations 1907, 508); Arthur Henry Chichester (1854-1924), third Baron Templemore; Arthur Claud Spencer Chichester (1880-1953), fourth Baron Templemore; and Dermot Richard Claud Chichester (1916-2007), fifth Baron Templemore.

8. Fruit Hill Cottages, Fruit Hill House, Campile, New Ross, County Wexford €

https://www.fruithillcottages.com/

Set in the landscaped grounds of 18th Century Fruit Hill House, these traditional self-catering farm cottages make an ideal base for touring South-East Ireland.

9. Hyde Park House (or Tara House),Gorey, Co Wexford- accommodation 

Hyde Park House, County Wexford, from myhome.ie
Hyde Park House, County Wexford, from myhome.ie
Hyde Park House, County Wexford, from myhome.ie

The Hidden Ireland description tells us:

Designed by Sir Richard Morrison and built in 1807, the house is a listed building, featuring fine plasterwork and a magnificent cantilevered stairs. Having been lovingly restored over five years the house now boasts beautiful large comfortable bedrooms with well appointed en-suite bathrooms and immaculate bed linen and towels. Guests can relax in the drawing room and sit under the great Holm oaks.”

Mark Bence-Jones writes (1988):

p. 271. “(Beauman/LG1886; Kelly/LGI1958) A compact two storey villa by Richard Morrison, built ca 1807 for J.C. Beauman. Three bay front, with slightly recessed centre; single storey Doric portico, Wyatt window under relieving arch on either side. Wide-eaved roof. Very good interior plasterwork by James Talbot. Impressive domed staircase hall with oval oculus; the dome beign without pendentives, but restign directly on the cornice. Keyhole pattern in plasterwork on soffit of stairs. For some years the home of Sir David Kelly, former British Ambassador to Russia, and his wife, the writer on travel, architecture and gardens, Marie-Noele Kelly.” 

The National Inventory of Architectural Heritage tells us:

Detached three-bay (three-bay deep) two-storey over basement country house, designed 1803; built 1807, on a square plan centred on (single-storey) prostyle tetrastyle Doric portico to ground floor; six-bay full-height rear (north) elevation….A country house erected to a design (1803) by Sir Richard Morrison (1767-1844) of Clonmel and Dublin representing an important component of the early nineteenth-century domestic built heritage of north County Wexford with the architectural value of the composition, one recalling the Morrison-designed Bearforest (1807-8) in County Cork; and Kilpeacon House (1810) in County Limerick, confirmed by such attributes as the deliberate alignment maximising on scenic vistas ‘commanding a fine view of the sea [and] of the escarpment of Tara Hill’ (Lewis 1837 II, 99); the compact near-square plan form centred on a pillared portico demonstrating good quality workmanship in a silver-grey granite; the dramatic diminishing in scale of the openings on each floor producing a graduated tiered visual effect with the principal “apartments” defined by Wyatt-style tripartite glazing patterns; and the timber work embellishing a slightly oversailing roofline. Having been well maintained, the elementary form and massing survive intact together with substantial quantities of the original fabric, both to the exterior and to the interior, including crown or cylinder glazing panels in hornless sash frames: meanwhile, contemporary joinery; Classical-style chimneypieces; and plasterwork attributed to James Talbot (fl. 1801-18) of Dublin (DIA), all highlight the considerable artistic potential of the composition. Furthermore, an adjacent farmyard complex; and a walled garden, all continue to contribute positively to the group and setting values of an estate having historic connections with the Beauman family including John Christopher Beauman Senior (1764-1836), one-time High Sheriff of County Wexford (fl. 1821); John Christopher Beauman Junior (1800-72); Matthew Forde Beauman (1805-72) ‘late of Hyde Park [sic] near Gorey County Wexford’ (Calendars of Wills and Administration 1873, 32); and Jane Emily Beauman (1844-1920), ‘Landowner’ (NA 1901; NA 1911; Calendars of Wills and Administrations 1920, n.p.); and Sir David Victor Kelly GCMG MC (1891-1959), one-time British Ambassador to Argentina (fl. 1942-6) and the Soviet Union (fl. 1949-51).”

Hyde Park House, County Wexford, from myhome.ie: central hall on a square plan retaining tessellated flagged floor, and dentilated plasterwork cornice to coved ceiling.
Hyde Park House, County Wexford, from myhome.ie. Top-lit double-height staircase hall (north) on a rectangular plan retaining carved timber surrounds to door openings framing timber panelled doors, “Greek Key”-detailed cantilevered staircase on a dog leg plan with fluted balusters supporting carved timber banister terminating in volute.
Hyde Park House, County Wexford, from myhome.ie
Hyde Park House, County Wexford, from myhome.ie
Hyde Park House, County Wexford, from myhome.ie
Hyde Park House, County Wexford, from myhome.ie
Hyde Park House, County Wexford, from myhome.ie
Hyde Park House, County Wexford, from myhome.ie
Hyde Park House, County Wexford, from myhome.ie
Hyde Park House, County Wexford, from myhome.ie
Hyde Park House, County Wexford, from myhome.ie
Hyde Park House, County Wexford, from myhome.ie

10. Kilmokea Country Manor & Gardens, Kilmokea, Great Island, Campile, New Ross, Co. Wexford  – accommodation, see above

11. Killiane Castle, County Wexford

Killiane Castle, courtesy of their website.

https://killianecastle.com/

The website tells us: “The castle history is a remarkable tale of survival. Killiane Castle, a landmark in this cornerstone of Ireland’s Ancient East, has been in the Mernagh family for over one hundred years. However, its origins date back to medieval times to the Norman conquests and possibly even further to the early Irish settlers 500 years ago. 

The name ‘Killiane’ derives from ‘Cill Liadhaine’ in Gaelic, meaning the church of St Leonard which lies within the grounds of the Castle. 

Killiane Castle, courtesy of their website.

Medieval Times 

Pre-dating the castle history, it is likely that there was some form of native Irish settlement here before the Normans. However, the first recorded owner of the lands was Richard de Hay in the 13th century. Richard de Hay came over with Fitzstephen in the first Norman invasion. 

The Norman tower house is approximately 50ft high and measures 39ft x 27ft externally. The walls are between 4ft and 9ft in thick.  The Normans built the tower around 1470. It is most likely one of the “£10 castles”.  King Henry VIII awarded a grant of £10 for the building of fortresses in his kingdom that became known as the “£10 castles”.  In recent years, an Australian visitor brought us a photo of the original deeds for Killiane Castle signed by King Henry VIII no less! 

Thomas Hay, a descendant of Richard, probably built the tower in the late 15th century c.1470. The present castle and surrounding walls bear testimony to the building genius of the Normans, over 500 years old and quite sound!  Built in a prominent position, the tower most likely overlooked a harbour. However, in the intervening years, reclaimed land replaced the harbour.  The surrounding lands feature a canal, slob lands and slightly further down the coast, Rosslare strand. 

Local Legend… 

Legend has it that below the ground floor underneath the stair way is a dungeon leading to a passageway to a doorway that no longer exists. 

In the early 16th century c.1520, Killiane passed to the Cheevers family by marriage. They continued to fortify the site. By 1543 one Howard Cheevers held Killiane, 2000 acres of land and the office of Mayor of Wexford. The ‘Laughing Cheevers’, as they were then known, held prominence in Wexford for another 100 years until the great rebellion. They built the house sometime in the early 17th century. 

The 17th century was a tumultuous part of the castle history. George Cheevers took part in the Irish Rebellion of 1641. He played a role in both the Siege of Duncannon, and the Confederation of Kilkenny. Following the Sacking of Wexford, Cromwell dispossessed him for his part in these rebellions. Georges son, Didicus, was a blind Franciscan monk. Infamously, several clergy were murdered in Wexford town’s Bullring at this time. Didicus was one of them. Sent to Connaught by Cromwell, the Cheevers family left Killiane. Just a few remained as tenants. The last of the them, an old man, who died in 1849. 

Nearby stands the ruins of the small medieval church of Saint Helen which was in ruins by 1835. Enclosed by a wall is the adjoining cemetery. It is reputed to be the burial place of the Cheevers family. 

Killiane Castle, courtesy of their website.
Killiane Castle, courtesy of their website.

Cromwell’s Rule 

In 1656 the property, along with 1500 acres, was granted to one of Cromwell’s soldiers, a Colonel Bunbury.  He sold it on to his friends, the Harveys of Lyme Regis. The first of these, Francis Harvey, became MP for Clonmines and Mayor of Wexford, positions his son John also held.  A famous beauty known as the Rose of Killiane, a daughter of the Harveys, married the Dean of Dublin in 1809. 

Victorian Times 

As time went by, the Harveys increasingly became absentee landlords. They leased the land to their tenants. Both the condition of the castle and the size of the estate materially diminished during this dark time in the castle hsitory. 

Throughout the 19th century there are references to tenants ‘Aylward’, ‘Elard’ and ‘Ellard’, possibly all the one family. By this time, the Harveys overwintered in their townhouse in Wexford at 38 Selskar Street. The family considered Killiane Castle too damp to stay at in winter. 

In 1908 Crown Solicitor, Kennan Cooper, bought the property for £1515. Cooper, a renowned character, kept racehorses and the 1911 census shows Killiane occupied by his tenant, George Grant and family. The census records Grant’s occupation as a ‘Horse trainer/jockey’. 

In 1920 John Mernagh, father of Jack the present owner, bought Killiane with 230 acres for £2000. At that time there was no roof on the tower-house. Ivy covered it. John re-roofed it and used it to store grain and potatoes.  Today the castle is home to Jack & Kathleen Mernagh who run the property along with their son Paul & his wife Patrycja and their family. 

The Structure of the Building  

Original Norman Features  

The castle still contains one original window that dates from the 15th century.  The original window is an ogee style window featuring two lights. Over the years, incumbents replaced the other windows. The main entrance to the castle was originally on the east side. It provided an adjoining door to the house at one time. The original door is bricked-up. On the south side of the tower a new door has been opened. 

Murder Holes! 

Looking at the front of the castle. There are murder holes over each of the doors on the ground floor. Perfectly located to pour hot tar over any unwelcome visitors!  This practice, we assure you, is not in place today! 

The third floor contains a fine granite fireplace. Small smooth stones from the beach line the chimney rising on the outer wall. Also in evidence on this floor, is a cupboard recess. 

Corrugated iron replaced the original slate roof. The parapet consists of large sloping slabs. The battlements are of the steeply stepped type. There is a square turret on each corner. On the outside of the southern turret is a carved head. 

The large bawn has a round tower on the south east corner and a square tower on the south west corner, castle occupying the north west corner. The north east tower has been removed. In order to accommodate the facade of the house, the northern apron wall was taken down. 

Original 17th Century House 

The original 17th century house consisted of two storeys with a garret on top. The incumbents raised the roof at a date unknown to us.  This action incorporated the original dormer windows of the garrets,

converting it into a third storey. Furthermore, they also reduced the great slant on the original 17th-century roof. 

The staircase of the house is of a simple very wide design, typical of the 17th century. 

12. Marlfield, Gorey, Co Wexford – accommodation 

WWW.MARLFIELDHOUSE.COM 

Marlfield House, photograph courtesy of the website.

The website tells us:

Marlfield House is renowned for its hospitality and service, welcoming guests for over 40 years, and is recognised as one of the most luxurious boutique hotels in Wexford, Ireland with the focus on environmentally sustainable practices. All rooms and suites at Marlfield House luxury hotel in County Wexford, Ireland are styled to provide you with elegant, comfortable interiors, furnished with antiques and paintings. Set in 36 acres of woodland, ornamental lake, rose, vegetable and herb gardens, it is a haven of tranquillity, with peacocks, hens, dogs and ponies waiting to greet you on your garden walk.

Marlfield House, photograph courtesy of the website.
Marlfield House, photograph courtesy of the website.
Marlfield House, photograph courtesy of the website.

The house is set in 40 acres of manicured gardens, encompassing a large kitchen garden, woodland walks, lake and fowl reserve, lawns and herbaceous borders. The interior bears all the signs of a much loved house filled with fresh flowers, gleaming antiques and mirrors, blazing fires and period paintings.

Marlfield House, photograph courtesy of the website.

Mark Bence-Jones writes of Marlfield (1988):

Supplement 

P. 299. (Stopford, Courtown, E/PB) “A three storey Regency house of random stone with brick facings; four bay front with two bay breakfront centre, eaved roof on bracket cornice, massive chimneystacks. Originally the dower house of the [Stopford] Earls of Courtown, it eventually replaced Courtown House as their Irish seat. Sold in 1979 to Mary Bowe, who has opened it as an hotel. As an extension to the dining room, a veranda and an elegant curvilinear conservatory were added to the front of the house 1983; the architects of this addition being Messrs Cochrane, Flynn-Rogers and Williams.” 

Marlfield House, photograph courtesy of the website.
Marlfield House, photograph courtesy of the website.

The National Inventory tells us it is a four-bay (two-bay deep) three-storey land agent’s house, built 1852, on a T-shaped plan; four-bay three-storey rear (south) elevation centred on two-bay full-height breakfront. Occupied, 1901; 1911. In occasional use, 1916-75. Vacated, 1975. Sold, 1977. Modified, 1989, producing present composition to accommodate continued alternative use… “A land agent’s house erected by James Thomas Stopford (1794-1858), fourth Earl of Courtown (Walsh 1996, 68), representing an important component of the mid nineteenth-century domestic built heritage of the outskirts of Gorey with the architectural value of the composition, one succeeding an adjacent house occupied by Reverend James Bentley Gordon (1750-1819), author of “History of the Rebellion in Ireland in the Year 1798” (1803), confirmed by such attributes as the compact plan form centred on a much-modified doorcase; the construction in an ochre-coloured fieldstone offset by vibrant red brick dressings producing a mild polychromatic palette; the diminishing in scale of the openings on each floor producing a graduated visual impression; and the monolithic timber work embellishing the roofline. Having been well maintained, the elementary form and massing survive intact together with substantial quantities of the original fabric, both to the exterior and to the interior, including some crown or cylinder glazing panels in hornless sash frames: meanwhile, contemporary joinery; Classical-style chimneypieces; and the decorative plasterwork enrichments, all highlight the artistic potential of the composition. Furthermore, adjacent outbuildings (extant 1904); a walled garden (extant 1904); and a nearby gate lodge (see 15700718), all continue to contribute positively to the group and setting values of a self-contained estate having historic connections with Colonel Robert Owen (1784-1867) and Charlotte Owen (1796-1853) ‘late of Marlfield County Wexford’ (Calendars of Wills and Administrations 1870, 447); and the Stopford family following the sale (1947) and demolition (1948-9) of Courtown House (see 15701216) including James Walter Milles Stopford (1853-1933), sixth Earl of Courtown; Major James Richard Neville Stopford DL OBE (1877-1957), seventh Earl of Courtown; and Brevet Colonel James Montagu Burgoyne Stopford OBE (1908-75), eighth Earl of Courtown.

Marlfield House, photograph courtesy of the website.
Marlfield House, photograph courtesy of the website.
Marlfield House, photograph courtesy of the website.
Marlfield House, photograph courtesy of the website.
Marlfield House, photograph courtesy of the website.

13. Monart, Enniscorthy, Co Wexford – 5* hotel 

https://www.monart.ie/

Monart Spa Wexford Annica Jansson 2016, for Tourism Ireland, Ireland’s Content Pool.

Nestled in over 100 acres of lush countryside in County Wexford, Monart offers two types of accommodation, 68 deluxe bedrooms with lake or woodland views and two luxurious suites located in the 18th century Monart House.

Mark Bence-Jones writes (1988): p. 208. “Cookman/IFR) A three storey mid-C18 house of sandstone and limestone dressings Five bay front with breakfront centre; Venetian windows in centre of middle storey, with Diocletian windows over it; modified Gibbsian doorcase. Later additions.”

The National Inventory tells us:

A country house erected by Edward Cookman JP (d. 1774), one-time High Sheriff of County Wexford (fl. 1763), representing an important component of the eighteenth-century domestic built heritage of County Wexford with the architectural value of the composition, ‘a handsome mansion pleasantly situated on a gentle eminence above the Urrin [River] in a highly improved and richly wooded demesne’ (Lewis 1837 II, 385), confirmed by such attributes as the neo-Palladian plan form centred on a Classically-detailed breakfront; the construction in an ochre-coloured fieldstone offset by silver-grey granite dressings not only demonstrating good quality workmanship, but also producing a mild polychromatic palette; the diminishing in scale of the openings on each floor producing a graduated visual impression; and the parapeted roofline. Having been sympathetically restored following a prolonged period of unoccupancy in the later twentieth century, the elementary form and massing survive intact together with substantial quantities of the original fabric, both to the exterior and to the interior, including crown or cylinder glazing panels in hornless sash frames: meanwhile, contemporary joinery; Classical-style chimneypieces; and “bas-relief” plasterwork enrichments, all highlight the artistic potential of a country house having historic connections with the Cookman family including Nathaniel Cookman (—-); Edward Rogers Cookman JP (1788-1865) ‘late of Monart House in the County of Wexford’ (Calendars of Wills and Administrations 1865, 70); Nathaniel Narcissus Cookman JP DL (1827-1908), ‘Country Gentleman late of Monart House Enniscorthy County Wexford’ (Calendars of Wills and Administrations 1908, 96; cf. 15701922); and Captain Nathaniel Edward Rogers Cookman JP DL (1894-1983); and a succession of tenants including Lowry Cliffe Tottenham (1858-1937), ‘Gentleman [and] District Inspector of Royal Irish Constabulary’ (NA 1911).” 

14. Rathaspeck Manor “doll’s house” gate lodge, County Wexford and the Manor B&B

https://www.airbnb.ie/rooms/18288598?source_impression_id=p3_1646906004_9dSSY0tDTw%2FmQ8TE

The delightful Rathaspeck gate lodge, County Wexford, available for accommodatino on airbnb.

and Manor https://www.rathaspeckmanor.ie

The website tells us:

Rathaspeck Manor Georgian House Wexford was built between 1680-1720 by the Codd Family who came to Ireland circa 1169. William Codd’s son Sir Osborne Codd settled at Rathaspeck and erected a castle there in 1351. 

A descendant Loftus Codd was succeeded by daughters, one of whom, Jane Codd, married Thomas Richards. The Richards Family came to Ireland in 1570 approx. It was this marriage which placed Rathaspeck in the Richards Family. 

Jane and Thomas had 6 sons and 2 daughters. The eldest son Thomas, born 1722 had a Family of two daughters, the oldest Martha married Count Willimsdorf from the Kingdom of Hannover in 1802. This couple had one son , Thomas William Fredrick Von Preberton Willimsdorf who died in 1834 unmarried. There were also three daughters, one of whom Elizabeth , born in 1778 , died in 1863 in Holland. 

Elizabeth married Count Von Leinburg Slirrin on April 15th 1802 and they proceeded to have a Family of ten children born between 1803 and 1820 . It is believed that sometime after this the family moved to Holland. Rathaspeck was in the hands of an English Family called Moody after this until the early 1900’s. The Moody built the present gate lodge – or “Doll’s House” in 1900. 

The Meyler Family came to Rathaspeck in 1911 when it was offered for sale and it was from the Meyler Family that the Manor passed to the Cuddihy Family. 

The site of the original Castle is unknown, but it is considered that the present Rathaspeck Manor Georgian Country Home, Ireland is built on the site. 

“Rath” means Fort , so the name of Rathaspeck stems from the Gaelic Ratheasbuig , meaning “Fort of the Bishop”. 

15. Riverbank House Hotel, The Bridge, Wexford, Ireland Y35 AH33

https://www.riverbankhousehotel.com

16. Rosegarland House, Wellingtonbridge, County Wexford – courtyard accommodation

https://rosegarlandestate.ie/

Rosegarland Estate offers visitors a unique opportunity to stay on an extremely old and unspoilt country estate. It allows you to step back in time when you walk along the avenues, woodland paths and old bridle paths which pass through the ancient woodlands and beside the River Corach.

Relax and unwind in one of our luxury self-catering cottages in Rosegarland Estate. Our four cottages are registered with Failte Ireland (the Irish Tourist Board) and have been awarded a 4 star rating.  Old world charm has been combined with modern day luxury in the cottages which are set in a picturesque courtyard. A welcome basket of home baked goodies will greet you when you arrive.

All the cottages have complimentary WiFi and satellite television channels which can be enjoyed in front of a Waterford Stanley wood burning stove.

Photograph from Mark Bence-Jones (1988).
Rosegarland Estate, courtesy of website.

Mark Bence-Jones writes (1988):

p. 245. “(Synnott/IFR; Leigh/IFR) An early C18 house of two storeys over a high basement was built by Leigh family, close to an old tower house of the Synnotts, the original owners of the estate. Later in C18, a larger two storey gable-ended range was added at right angles to the earlier building, giving the house a new seven bay front, with a very elegant columned and fanlighted doorway, in which the delicately leaded fanlight extends over the door and the sidelights. There is resemblance between this doorway and that of William Morris’s town house in Waterford (now the Chamber of Commerce) which is attributed to the Waterford architect, John  Roberts; the fact is that it is also possible to see a resemblance between the gracefully curving and cantilevered top-lit staircase at Rosegarland – which is separated from the entrance hall by a doorway with an internal fanlight – and the staircase of the Morris house, would suggest that the newer range at Rosegarland and the Morris house are by the same architect. At the back of the house, the two ranges form a corner of a large and impressive office courtyard, one side of which has a pediment and a Venetian window. In another corner of the courtyard stands the old Synnott tower house, which, in C19, was decorated with little battlemented turrets and a tall and slender turret like a folly tower, with battlements and rectangular and pointed openings; this fantasy rises above the front of the house. The early C18 range contains a contemporary stair of good joinery, with panelling curved to reflect the curve of the handrail. The drawing room, in the later range, has a cornice of early C19 plasterowrk and an elaborately carved chimneypiece of white marble. The dining room, also in this range, was redecorated ca 1874, and given a timber ceiling and a carved oak chimneypiece.” 

Rosegarland House, courtesy of National Inventory of Architectural Heritage.

The National Inventory tells us:

A country house erected by Robert Leigh MP (1729-1803) representing an important component of the eighteenth-century domestic built heritage of south County Wexford with the architectural value of the composition, one attributable with near certainty to John Roberts (1712-96) of Waterford, confirmed by such attributes as the deliberate alignment maximising on scenic vistas overlooking gently rolling grounds and the meandering Corock River; the symmetrical footprint centred on a Classically-detailed doorcase not only demonstrating good quality workmanship, but also showing a pretty fanlight; and the diminishing in scale of the openings on each floor producing a graduated visual impression. A prolonged period of unoccupancy notwithstanding, the elementary form and massing survive intact together with substantial quantities of the original fabric, both to the exterior and to the interior including not only crown or cylinder glazing panels in hornless sash frames, but also a partial slate hung surface finish widely regarded as an increasingly endangered hallmark of the architectural heritage of County Wexford: meanwhile, contemporary joinery; ‘elaborately carved chimneypieces of white marble’ (Bence-Jones 1978, 246); plasterwork enrichments; and a top-lit staircase recalling the Roberts-designed Morris House [Chamber of Commerce] in neighbouring Waterford (Craig and Garner 1975, 68), all highlight the considerable artistic potential of the composition. Furthermore, an adjacent stable complex (see 15704041); a walled garden (see 15704042); a nearby farmyard complex (extant 1902; coordinates 685132,615236); and a distant gate lodge (extant 1840; coordinates 685381,616928), all continue to contribute positively to the group and setting values of an estate having long-standing connections with the Leigh family including Francis Robert Leigh MP (1758-1839); Francis Augustine Leigh (1822-1900), ‘late of Rosegarland County Wexford’ (Calendars of Wills and Administrations 1900, 277); Francis Robert Leigh DL (1853-1916), ‘late of Rosegarland Wellington Bridge County Wexford’ (Calendars of Wills and Administrations 1916, 371); Francis Edward Leigh (1907-2003); and Robert Edward Francis Leigh (1937-2005).

17. Wells House, County Wexfordself-catering cottage accommodation, see above

https://wellshouse.ie/self-catering-accommodation-wexford 

18. Wilton Castle, Bree, Enniscorthy, Co. Wexford Y21 V9P9 – section 482

contact: Sean Windsor
(Tourist Accommodation Facility)
Tel: 053-9247738
www.wiltoncastleireland.com
Open for accommodation: all year

See my write-up: www.irishhistorichouses.com/2022/02/04/wilton-castle-bree-enniscorthy-co-wexford-and-a-trip-to-johnstown-castle/

19. Woodbrook House, Killanne, Enniscorthy, Co. Wexford – section 482

contact: Giles Fitzherbert
(Tourist Accommodation Facility)
053-9255114
www.woodbrookhouse.ie
Open May 1-October 31

Woodbrook House, photograph courtesy of Historic Houses of Ireland website.

The Historic Houses of Ireland website tells us:

Nestling beneath the Backstairs Mountains near Enniscorthy in County Wexford, Woodbrook, which was first built in the 1770s, was occupied by a group of local rebels during the 1798 rebellion. Allegedly the leader was John Kelly, the ‘giant with the gold curling hair’ in the well known song ‘The Boy from Killanne’. It is said that Kelly made a will leaving Woodbrook to his sons but he was hanged on Wexford bridge, along with many others after the rebels defeat at Vinegar Hill. He was later given an imposing monument in nearby Killanne cemetery. 

Arthur Jacob, who originally came from Enniscorthy and became Archdeacon of Armagh, built Woodbrook for his daughter Susan, who had married Captain William Blacker, a younger son of the family at Carrigblacker near Portadown. The house was badly knocked about by the rebels and substantially rebuilt in about 1820 as a regular three storey Regency pile with overhanging eaves, a correct Ionic porch surmounted by a balcony and three bays of unusually large Wyatt windows on each floor of the facade.

Woodbrook House, photograph courtesy of Woodbrook website.

The drawing room is exceptionally large, with a fine chimneypiece thought to have come from the original house, while the amazing ‘flying’ staircase stands in the centre of a square double-height hall without touching the walls at any point. Each timber tread must have been individually fashioned by an especially skilled craftsman, and the staircase is knitted together by iron balusters which connect the treads. A remarkable tour de force of the joiner’s art, its closest parallel is the staircase at Chevening in Kent. 

The Woodbrook branch of the family inherited Carrickblacker, an important late-seventeenth century house outside Portadown, when the senior line died out in the 1850s and produced a stolid series of soldiers, sailors and clerics. A racier era began in Edwardian times when Woodbrook was home to a younger son, Edward Carew Blacker, a sporting bachelor whose weekly visits to London were necessitated by his close involvement in running the book at his club, Whites.

Edward usually found time to visit his mistress in Brighton before heading home to County Wexford but her presence was quite unsuspected until shortly after his death when his nephew’s family received a heavy parcel in the morning post. The package proved to contain the family jewels, presented piece by piece to his lady friend throughout their long association. She had always realised that they were not his to give away but felt unable to return them during his lifetime for fear of appearing ungrateful and causing him hurt. 

Woodbrook House, photograph courtesy of Woodbrook website.

Woodbrook lay empty for some years after E. C. Blacker’s death in 1932. The house was occupied by the Irish army during the Second World War and was then extensively modernised when his nephew Robert moved back to County Wexford with his wife and family after the sale of Carrickblacker in the 1950s. Eventually sold in the mid 1990s, Woodbrook and the remains of a once substantial estate was bought by Giles and Alexandra FitzHerbert in 1998. They continue to live in the house with their family today.https://www.ihh.ie/index.cfm/houses/house/name/Woodbrook

20. Woodlands Country House, Killinierin, County Wexford B&B

https://www.woodlandscountryhouse.com

Relax in comfortable old world charm in the heart of the Wexford Countryside at Woodlands Country House, a magnificently well preserved Georgian House with beautiful antiques. It is a charming and intimate place to relax, where fine food and furnishings are matched by warm and impeccable service that says you are special.

Woodlands Country House Bed & Breakfast is ideally situated near the market town of Gorey and the picturesque seaside resort of Courtown Harbour on the Wexford/Wicklow border in South East Ireland. The Country House B&B is only 1 hour from Dublin off the M11 making it an ideal location for touring the South East of Ireland.

21. Woodville House, New Ross, Co Wexford – 482, see above

Whole House rental County Wexford:

1. Ballinkeele, whole house rental (sleeps up to 19 people)

www.ballinkeele.ie

Ballinkeele House, photograph courtesy of website.
Ballinkeele House, photograph courtesy of website.

The website says:

Make yourselves comfortable in your grand home from home. This Irish country house was built to entertain and is perfect for gathering family & friends together for a holiday, a special birthday or anniversary. With 7 bedrooms and dining table for 19 guests – there’s space for everyone. You’ll be the hero for booking Ballinkeele!


Built in the 1840s by your host’s family, it’s a the perfect blend of modern and antique with a bespoke modern kitchen, WiFi and (Joy of Joys!) a modern heating system!”

Ballinkeele House, photograph courtesy of website.

The Historic Houses of Ireland website tells us:

In the first quarter of the 19th century the Maher family, who were famous for their hunting and racing exploits in County Tipperary, moved to County Wexford. They purchased Ballinkeele, near Enniscorthy, from the Hay family, one of whose members had been hanged for rebellion on Wexford bridge in 1798. John Maher, MP for County Wexford, began work on a new house in 1840 and Ballinkeele is one of Daniel Robertson’s few houses in the classical taste. The other was Lord Carew’s magnificent Castleboro, on the opposite side of the River Slaney, sadly burnt by the IRA in 1922 and now a spectacular ruin.   

The house is comprised of a ground floor and a single upper storey, with a long, slightly lower, service wing to one side in lieu of a basement. The facades are rendered with cut-granite decoration, including a grandiose central porch, supported by six Tuscan columns and surmounted by an elaborate balustrade, which projects to form a porte cochère.

Ballinkeele House, photograph courtesy of website.

The garden front has a central breakfront with a shallow bow, flanked by wide piers of rusticated granite. These are repeated at each corner as coigns.

The interior is classical, with baroque overtones, and is largely unaltered with most of its original contents. The hall runs from left to right and is consequently lit from one side, with a screen of scagliola Corinthian columns at one end and an elaborate cast-iron stove at the other.

The library and drawing room both have splendid chimneypieces of inlaid marble in the manner of Pietro Bossi, while the fine suite of interconnecting rooms on the garden front open onto a raised terrace.  

Ballinkeele House, photograph courtesy of website.

The staircase hall has a spectacularly cantilevered stone staircase, with decorative metal balusters. As it approaches the ground floor the swooping mahogany handrail wraps itself around a Tuscan column supporting a bronze statue of Mercury, in a style that anticipates Art Nouveau by more than forty years.

Outside, two avenues approach the house, one which provides a glimpse of a ruined keep reflected in an artificial lake, while both entrances were built to Robertson’s designs.

The present owners are Valentine and Laura Maher who live at Ballinkeele with their children.” [ https://www.ihh.ie/index.cfm/houses/house/name/Ballinkeele ]

Ballinkeele House, photograph courtesy of website.
Ballinkeele House, photograph courtesy of website.
Ballinkeele House, photograph courtesy of website.

2. Horetown House, County Wexford (wedding venue, up to 24 people in house, plus shepherd’s huts)

https://www.horetownhouse.ie/

The website tells us:

Horetown House, photograph courtesy of website.

Horetown House is a private country house wedding venue in County Wexford in the South-East corner of Ireland. Situated among rolling hills in the heart of rural Wexford, Horetown House is the perfect venue for a stylish, laid back wedding. Our charming country house is yours exclusively for the duration of your stay with us.

Family owned and run, we can take care of everything from delicious food, bedrooms and Shepherds huts, to a fully licensed pub in the cellar. Horetown House is perfect for couples looking for something a little bit different, your very own country house to create your dream wedding.

Mark Bence-Jones writes (1988): p. 155. “(Davis-Goff, Bt/PB) A three storey Georgian house. Front with two bays on either side of a recessed centre. Triple windows in centre and pillared portico joining the two projections.” 

The National Inventory tells us it is:

A country house erected to designs signed (1843) by Martin Day (d. 1861) of Gallagh (DIA; NLI) representing an important component of the mid nineteenth-century domestic built heritage of County Wexford with the architectural value of the composition, one succeeding a seventeenth-century house (1693) annotated as “Hoarstown [of] Goff Esquire” by Taylor and Skinner (1778 pl. 149), confirmed by such attributes as the deliberate alignment maximising on panoramic vistas overlooking gently rolling grounds; the symmetrical frontage centred on a pillared portico demonstrating good quality workmanship in a silver-grey granite; the diminishing in scale of the openings on each floor producing a graduated visual impression; and the parapeted roofline. Having been well maintained, the elementary form and massing survive intact together with substantial quantities of the original fabric, both to the exterior and to the interior where contemporary joinery; restrained chimneypieces; and decorative plasterwork enrichments, all highlight the artistic potential of the composition. Furthermore, a nearby quadrangle erected (1846) by ‘S.D. Goff Esq Architect [and] Johnson Builder’ continues to contribute positively to the group and setting values of an estate having historic connections with the Goff family including Strangman Davis Goff (né Davis) (1810-83) ‘late of Horetown House County Wexford’ (Calendars of Wills and Administration 1883, 318); and Sir William Goff Davis Goff (1838-1918) of Glenville, County Waterford; a succession of tenants including Joseph Russell Morris (NA 1901) and Edward Naim Townsend (NA 1911); and Major Michael Lawrence Lakin DSO (1881-1960) and Kathleen Lakin (née FitzGerald) (1892-30) of Johnstown Castle.”

[1] https://www.irelandscontentpool.com/en

[2] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[3] https://www.buildingsofireland.ie/buildings-search/building/15603115/enniscorthy-castle-castle-hill-enniscorthy-enniscorthy-wexford

[4] https://www.archiseek.com/2014/johnstown-castle-county-wexford/

[5] https://www.buildingsofireland.ie/buildings-search/building/15704226/johnstown-castle-johnstown-fo-by-wexford

Places to visit and stay in Ulster: Counties Armagh, Derry, and Down

On the map above:

blue: places to visit that are not section 482

purple: section 482 properties

red: accommodation

yellow: less expensive accommodation for two

orange: “whole house rental” i.e. those properties that are only for large group accommodations or weddings, e.g. 10 or more people.

green: gardens to visit

grey: ruins

The province of Ulster contains counties Antrim, Armagh, Cavan, Derry, Donegal, Down, Fermanagh, Monaghan and Tyrone.

For places to stay, I have made a rough estimate of prices at time of publication:

€ = up to approximately €150 per night for two people sharing (in yellow on map);

€€ – up to approx €250 per night for two;

€€€ – over €250 per night for two.

For a full listing of accommodation in big houses in Ireland, see my accommodation page: https://irishhistorichouses.com/accommodation/

Armagh:

1. Ardress House, County Armagh

2. The Argory, County Armagh 

3. Brownlow House, County Armagh

4. Derrymore House, Bessbrook, County Armagh – National Trust

5. Milford House, Armagh 

Places to Stay, County Armagh

1. Crannagael House, 43 Ardress Road, Portadown Craigavon Armagh BT62 1SE €€

2. Killeavy Castle, County Armagh

3. Newforge House, Magheralin, Craigavon, Co. Armagh, BT67 0QL €€

Whole house rental, County Armagh:

1. Elmfield Estate, Craigavon, County Armagh.

Derry:

1. Bellaghy Bawn, County Derry 

2. Hezlett House, 107 Sea Road, Castlerock, County Derry, BT51 4TW on Downhill Demesne.

3. Mussenden Temple, Downhill Demesne

4. Springhill House, County Derry

Places to stay, County Derry

1. Ardtara Country House and restaurant, County Derry €€ 

2. Brown Trout Inn, Aghadowey, Nr Coleraine Co. Derry, BT51 4AD

3. Roselick Lodge, County Derry – whole house rental for 8 guests, three nights minuminimum

Whole House Rental, County Derry

1. Beechill House, 32 Ardmore Road, Derry-Londonderry, Northern Ireland BT47 3QP – weddings

2. Drenagh House, County Derrywhole house rental, 22 guests

Down:

1. Audley’s Castle, County Down

2. Bangor Castle Park, County Down

3. Castle Ward, County Down 

4. Dundrum Castle, County Down

5. Hillsborough Castle, County Down 

6. Montalto Estate, County Down

7. Mount Stewart, County Down

8. Newry and Mourne Museum, Bagenal’s Castle, County Down

9. Portaferry Castle, County Down

Places to stay, County Down

1. Barr Hall Barns, Portaferry, County Down

2. Castle Ward, Potter’s Cottage in farmyard and Castle Ward bunkhouse

3. Culloden, County Down – hotel €€€

4. Florida Manor, 22 Florida Road, Killinchy, Newtownards, Co Down, BT23 6RT Northern Ireland

5. Helen’s Tower, Bangor, County Down: Irish Landmark property €€

6. Kiltariff Hall, County Down

7. Narrow Water Castle, apartment, Newry Road, Warrenpoint, Down, Northern Ireland, BT34 3LE

8. The Old Inn, Bangor, County Down

9. Slieve Donard hotel and spa, County Down €€

10. St John’s Point Lighthouse Sloop, Killough, County Down: Irish Landmark property € for 3-4

11. Tullymurry House, Tullymurry road, Donaghmore, Newry, County Down sleeps 8, € for 8

12. Tyrella, Downpatrick, County Down, BT30 8SUaccommodation €

Whole house County Down

1. Ballydugan House, County Down (weddings)

2. Drenagh Estate and Gardens, County Down (weddings)

Places to Visit in County Armagh

1. Ardress House, County Armagh

https://discovernorthernireland.com/things-to-do/ardress-house-p675191

and https://www.nationaltrust.org.uk/ardress-house

Kevin V. Mulligan writes in The Buildings of Ireland: South Ulster (p. 83) [1] that Ardress is the best preserved example of a gentleman’s farmhouse in South Ulster, due to its ownership by the National Trust. The discovernorthernireland website tells us:

Ardress is nestled in the apple orchards of County Armagh and offers afternoons of fun and relaxation for everyone. Built in the 17th century as a farmhouse, Ardress was remodelled in Georgian times and has a character and charm all of its own.

Elegant Neo-classical drawing-room with plasterwork by the Dublin plasterer Michael Stapleton 
• Attractive garden with scenic woodland and riverside walks 
• Home to an important collection of farm machinery and tools 
• Rich apple orchards
• On display is the 1799 table made for the speaker of the Irish Parliament upon which King George V signed the Constitution of Northern Ireland on 22nd June 1921

Visitor Facilities:
Historic house, Farm yard, Garden, Shop, Guided tours, Suitable for picnics, Programme of event
s.”

Mulligan writes that it is a mid-Georgian house with a two storey facade of seven bays, with a small Tuscan portico in the centre, and it was later enlarged to nine bays by the addition of a slightly lower quoined wings. It began as a smaller five bay house with basement, and Mulligan tells us that it was probably built for Thomas Clarke.

The National Trust website tells us: “Clarke and Ensor families who lived at Ardress from the late 1600s to the mid 20th-century. See how the originally modest farmhouse was enlarged and re-modelled over the years. Some of the furnishings are original while others have made their way back here. Highlights include the drawing room, dining room and a fine collection of paintings on loan from Stuart Hall in County Tyrone.

Past our brand new visitor reception area you’ll find the traditional, cobbled farmyard. Pop into the different outbuildings such as the smithy, byre and threshing barn to get a flavour of old-time rural life. The whole family will love meeting the friendly chickens, goats and donkey, and there’s also a children’s play area.

Bring your walking boots and set off on the Lady’s Mile (really three-quarters-of-a-mile, if you’re counting). This circular, woodland path is a real highlight of any visit, especially in spring when it’s full of wildflowers. There are some great views back to the house and look out for Frizzel’s Cottage, an 18th-century mud-walled house which is now fully refurbished.

Ardress sits in the heart of Armagh’s rich apple-growing country. Visit in May to see the orchards burst into vibrant whites and pinks, truly a memorable sight. During Apple Blossom Sundays (12 and 19 May), there will be orchard tours, local cider, local honey, music, country crafts and family fun. Be sure to come back in October for the Apple Press Days, when you can pick your own apples. Kids can also press their own apple juice.”

Mark Bence-Jones writes in his A Guide to Irish Country Houses (1988):

p. 11. “(Ensor/LG1894) A two storey five bay gable-ended house of ca. 1664 with two slight projections at the back; enlarged and modernized ca. 1770 by the Dublin architect, George Ensor – brother of better-known architect, John Ensor – for his own use. Ensor added a wing at one end of the front, and to balance it he built a screen wall with dummy windows at the other end. These additions were designed to give the effect of a centre block two bays longer than what the front was originally, with two storey one bay wings having Wyatt windows in both storeys. To complete the effect, he raised the façade to conceal the old high-pitched roof; decorating the parapet with curved upstands and a central urn; the parapet of the wings curving downwards on either side to frame other urns. Ensor also added a pedimented Tuscan porch and he altered the garden front, flanking it with curved sweeps. Much of the interior of the hosue was allowed to keep its simple, intimate scale; the oak staircase dates from before Ensor’s time. But he enlarged the drawing room, and decorated the walls and ceiling with Adamesque plasterwork and plaques of such elegance and quality that the work is generally assumed to have been carried out by the leading Irish artist in this style of work, Michael Stapleton. Ardress now belongs to the Northern Ireland National Trust and is open to the public.” [2]

2. The Argory, County Armagh

The Argory was built in the 1820s on a hill and has wonderful views over the gardens and 320 acre wooded riverside estate. This former home of the MacGeough – Bond family has a splendid stable yard with horse carriages, harness room, acetylene gas plant and laundry. Take a stroll around the delightful gardens or for the more energetic along the woodland and riverside way-marked trails. Photo by Brian Morrison 2009 for Tourism Ireland. [3]

https://discovernorthernireland.com/things-to-do/the-argory-p675201

The discovernorthernireland website tells us:

The Argory was built in the 1820s and its hillside location has wonderful views over the gardens and 320 acre wooded estate bordering the River Blackwater. This former home of the MacGeough–Bond family has a splendid stable yard with horse carriages, harness room, acetylene gas plant and laundry. Take a stroll around the delightful gardens or for the more energetic along the woodland and riverside way-marked trails. 

Fascinating courtyard displays
Garden, woodland and riverside walks with wonderful sweeping views 
Snowdrop walks and superb spring bulbs
Adventure playground and environmental sculpture trail 
Enjoy afternoon tea and award winning scones in Lady Ada’s tea room

Visitor facilities –
Historic house: Garden: Countryside: Shop: Refreshments: Guided tours: Suitable for picnics
.”

The National Trust website tells us: “The Argory is the home of Mr Bond, the last of four generations of the MacGeough Bond family. Designed by brothers Arthur and John Williamson of Dublin (who also did work for Emo Court in County Laois), the house was built by Mr Bond’s great-grandfather, Walter. The Argory was gifted to the National Trust in 1979. Designed in approximately 1819, started in 1820 and finished about 1824, The Argory came into existence due to a quirky stipulation in a will. Created with Caledon stone in coursed ashlar blocks with Navan limestone window sills, quoins and foundations, the interior of this understated and intimate house remains unchanged since 1900.

The house was largely closed up at the end of the Second World War, with Mr Bond, the last owner, moving into the North Wing. What you see today is a result of four generations of collecting, treasured by Mr Bond, displayed as he remembers it from his childhood.”

Of The Argory, Mark Bence-Jones writes (1988):

p. 12. “(MacGeough Bond/IFR) Built ca. 1820 by Walter MacGeough (who subsequently assumed the surname of Bond), to the design of two architects, named A. and J. Williamson, one or both of whom worked in the office of Francis Johnston. A house with imposing and restrained Classical elevations, very much in the Johnston manner, of two storeys, and faced with ashlar. Main block has seven bay front, the centre bay breaking forward under a shallow pediment with acroteria; Wyatt window in centre above porch with Doric columns at corners. Unusual fenestration: the middle window in both storeys either side of the centre being taller than those to the left and right of it. Front prolonged by wing of same height as main block, but set back from it; of three bays, ending with a wide three-sided bow which has a chimneystack in its centre. Three bay end to main block; other front of main block also of seven bays, with a porch; prolonged by service wing flush with main block. Dining room has plain cornice with mutules; unusual elliptical overdoors with shells and fruit in plasterwork. Very extensive office ranges and courtyards at one corner of house; building with a pediment on each side and a clock tower with cupola; range with polygonal end pavilions; imposing archway. The interior is noted for a remarkable organ and for the modern art collection of the late owner. Now maintained by the National Trust.” [4]

3. Brownlow House, County Armagh

Brownlow House, Lurgan Castle, Lurgan, Photographer/ Christopher Heaney, 2022 for Tourism Ireland.

http://www.brownlowhouse.com

Brownlow House or Lurgan Castle, so named presumably after the Rt. Hon. Charles Brownlow, who built it in 1833, was created Baron Lurgan in 1839, was owned by the Brownlow family until the turn of the century. Changing fortunes resulted in property being sold to the Lurgan Real Property Company Ltd. and subsequently the House and surrounding grounds were purchased on behalf of Lurgan Loyal Orange District Lodge. The legal document of conveyance is dated 11 July 1904. In appreciation of the effort of the late Sir William Allen, KBE, DSO, DL, MP in obtaining the House, an illuminated address was presented to him by District Lodge and now hangs in the Dining Room beside the portrait of Sir William painted by Frank McKelvey. He together with Messrs. Hugh Hayes, John Mehaffey, George Lunn Jun. and James Malcolm Jun. were the first Trustees.

Browlow House, built in an age of grandeur and cultured tastes, is an imposing building. It has retained much of the atmosphere of bygone days and one can readily pause and still imagine what life was like when it was occupied as a dwelling.”

Mark Bence-Jones writes of Brownlow House (1988):

p. 49. (Brownlow, Lurgan, B/PB) A large Elizabethan-revival house by William Playfair, of Edinburgh, built from 1836 onwards for Charles Brownlow, 1st Lord Lurgan, whose son, 2nd Baron, owned the famous greyhound Master McGrath, and whose brother-in-law, Maxwell Close, built Drumbanagher, also to the design of Playfair. Of honey coloured stone, with a romantic silhouette; many gables with tall finials; many tall chimneypots; oriels crowned with strapwork and a tower with a lantern and dome. The walls of three principal reception rooms are decorated with panels painted to resemble verd-antique; while the ceilings are grained to represent various woods. The grand staircase has brushwork decoration in the ceiling panesl, and the windows are filled with heraldic stained glass. Sold 1903 to the Orange Order, its present owners, by whom it is used for seasonal functions. Its grounds have become a public park.”

4. Derrymore House, Bessbrook, County Armagh – National Trust, open to public. 

https://www.nationaltrust.org.uk/derrymore-house

The National Trust website tells us that Derrymore House is a late 18th-century thatched house in gentrified vernacular style.

The name Derrymore is derived from ‘doire’, the Irish for an oak grove and ‘mór’, meaning large.  Derrymore was the home of Isaac Corry (1753-1813), MP for Newry from 1776.  He commissioned John Sutherland (1745-1826), the leading landscape gardener of the day, to carry out improvements to the land. Sutherland enhanced the existing woodland by planting thousands more trees. Oak, chestnut, pine and beech trees now dominate the woodlands, which contain some very fine mature specimens. The picturesque thatched house was built for Corry, in the style of a ‘cottage orné’, which gives it a rather romantic feel. It is surprisingly large inside with reception and bedrooms on the ground floor, and service rooms in the basement. 

Isaac Corry was Chancellor of the Irish Exchequer in 1800, when the Act of Union with Britain was passed. It followed a time of extreme political unrest. The Act removed parliamentary control from Dublin to London, a highly contentious move. Many who supported the union were seen as betraying Ireland in the interests of economics and trade, while others saw it as an economic and political necessity. As MP for Newry and supporter of the linen industry, Corry was keen to ensure solid trade links. The Act was also meant to deliver Catholic Emancipation, but to the dismay of many, including Corry, this part of the Act was not ratified. 

Corry sold Derrymore in 1810 and retired to his Dublin house, where he died in 1813. After passing through several hands, Derrymore was bought by John Grubb Richardson (1815-1890), owner of the Bessbrook linen works and village and a member of the Society of Friends.  

By the mid-19th century the linen industry had become a major part of the Ulster economy.  Industrialisation brought in ever more sophisticated engineering. The Craigmore Viaduct, visible from Derrymore demesne, opened in 1852, creating a major transport link between Dublin and Belfast. The linen business at Bessbrook grew from a small mill, with weaving carried out on looms in people’s own cottages (piece work), into an impressive series of flax, spinning and weaving mills, spear-heading new developments in damask weaving, and established a world-wide reputation for Richardson Linens.

John G. Richardson invested heavily in Bessbrook, creating a model village around the large mill, run on Quaker principles of mutual respect between managers and workers. Good housing, religious tolerance, playing fields and schools helped create a thriving and settled community. No public house ensured that there was no need for a police station, nor for a pawnshop. 

John G. Richardson let Derrymore house to tenants and built The Woodhouse for his own family in the northern part of the demesne. He created informal gardens through the rocky woodland, making use of the granite rock from local quarries, enhanced the walled garden and built entrance lodges.

In 1940, soldiers of the Fife and Forfar Yeomanry arrived in Bessbrook as a defence against German invasion of Northern Ireland from across the Irish border. In 1943, the troops were replaced by the US Army Quartermaster Depot Q111-D until August 1944. 

After the war, John S.W. Richardson, a descendant of John G Richardson, offered Derrymore House to the National Trust. In the 1970s the “Troubles” impacted Bessbrook and Derrymore. The mill was turned into a major base for the British Army and was known as the busiest military heliport in Europe. Corry’s association with the Act of Union led to bombs being planted at Derrymore house on several occasions between 1972 and 1979; one firebomb damaged the house. The caretaker, Mr Edmund Baillie and his two sisters lived in the house and luckily were unhurt, but their safety and the survival of the house were largely due to Mr Baillie’s personal courage in moving some of the bombs away from the building. The Trust was forced to close the house and remove the contents for safe keeping; it opened again in the late 1980s. In 1985 John Richardson generously bequeathed the rest of Derrymore demesne to the National Trust, including The Woodhouse, walled garden and various lodges.

The National Trust has worked with a number of partners to enhance access to Derrymore Demesne with a focus on local visitors, providing better footpaths, parking, toilet facilities and a children’s play area to ensure that everyone can enjoy the beauty of Derrymore in harmony with nature and wildlife and its historic past.

Mark Bence-Jones writes:

p. 102. “(Corry/LG1886) A single-storey thatched cottage ornee of Palladian form, consisting of a bow-fronted centre block and two flanking wings, joined to the main block by diminutive canted links. The central blow of the main block is three sided, and glazed down to the ground, with mullions and astragals; it is flanked by two quatrefoil windows, under hood mouldings. There is also a mullioned window in each wing. Built ante 1787 by Isaac Corry, MP for Newry and last Chancellor of the Irish Exchequer. The Act of Union is said to have been drafted in the fine drawing room here. Now owned by the Northern Ireland National Trust and open to the public.

5. Milford House, Armagh

https://discovernorthernireland.com/things-to-do/milford-house-p700871

Milford House was the one of its age. The most technologically advanced house in 19th century Ireland – the first in Ireland to be lit with hydro electricity. The creation of Robert Garmany McCrum, self made industrialist, benefactor and inventor who revolutionized the linen industry. His son William invented the penalty kick rule in football (which makes Milford world famous!) and his daughter Harriette was a founding member of the women’s suffragette movement in Ireland. By 1880 Milford House had six bathrooms each with a Jacuzzi and Turkish bath and a waterfall in the dining room. From 1936 to 1965 it was home to the Manor House School.

Today Milford House is one of the top ten listed buildings at most serious risk in Northern Ireland.

http://www.milfordhouse.org.uk

Mark Bence-Jones writes:

p. 206. “A two storey vaguely Italianate C19 house. Camber-headed windows; three sided bow; pedimented three bay projection. Elaborate range of glasshouses running out at right angles from the middle of the front. The seat of the McCrums, of the firm of McCrum, Watson & Mercer, damask manufacturers, of Belfast.”

Places to Stay, County Armagh

1. Crannagael House, 43 Ardress Road, Portadown Craigavon Armagh BT62 1SE €€

Mob: +44 (0) 75 9004 7717
Mob: +44 (0) 78 3153 0155
Email: crannagaelhouse@gmail.com

https://www.crannagaelhouse.com

Crannagael House, photograph by Brian Morrison, 2018, for Tourism Ireland, Ireland’s Content Pool (see [4]).

The website tells us:

Crannagael House, owned and occupied by Jane and John Nicholson, is nestled in the heart of the County Armagh countryside and is approximately 3 miles from M1 junction 13 and 5 miles from Portadown on the B28, Moy – Portadown Road.

It is a grade 2 listed Georgian house and is still owned by the same family that built it in the mid 18th century. It is surrounded by gardens, parkland and mature woodland, and the accommodation overlooks an apple orchard – a delight when the blossom is out in May!

Nicholsons have lived at Crannagael House since 1760.  Subsequent generations were involved in the linen industry and then in 1884 one Henry Joseph Nicholson, the current owner’s great grandfather, imported the first 60 Bramley Seedling trees to Armagh from Southwell in Nottinghamshire, and the rest as they say is history!

The self contained apartment on the East wing comprises several bedrooms, bathroom and downstairs shower with wc (both with wonderful views of the orchard!)and a fully fitted kitchen, dining area and lounge.”

2. Killeavy Castle, County Armagh

St. Patrick’s day Greening, Killeavy Castle Estate, Co Armagh, 2022 ©Killeavy Castle Estate, for Failte Ireland.

https://www.killeavycastle.com

The website tells us:

Killeavy Castle Estate is the perfect antidote to the modern fast paced world. As the centrepiece of 350 acres of mixed farm and woodland in County Armagh’s stunning Slieve Gullion, it’s the ideal place to escape, retreat, relax and unwind. Easily accessible only 10 minutes outside Newry City and one hour from both Belfast and Dublin Airports makes it Northern Irelands premier Hotel and Spa destination. 

At Killeavy Castle Estate we are all about living life more slowly and in the present; cherishing those ahhh moments for when the distractions of the modern world finally ebb away and you get closer to the things that matter most. Whether that’s nature, history, loved ones or even yourself, this secluded country Estate will provide everything you need to emerge fully rejuvenated.

Perfect for a unique getaway, wedding or special celebration, take a closer look at everything the Estate has to offer from a beautifully restored Castle, boutique Hotel accommodation, superb cuisine with ingredients sourced from our local farm, Spa and endless opportunities for walking in a stunning location.”

Killeavy Castle is a Grade A listed historical building originally designed in 1836 by architect George Papworth of Dublin. Formally known as Killeavy Lodge, the Foxall family had their home rebuilt in the style of the pre-Victorian Gosford Castle with towers, Tudor windows and a medieval-style door transforming the modest farmhouse into a home fit for a king.

Situated on the eastern base of Slieve Gullion, the original castle and surrounding grounds brought a new element to the beautiful landscape. The building contained a basement level with a kitchen, store rooms, servant’s quarters and an underground tunnel to allow servants to enter and exit the building unseen. Above was a parlour and wine cellar, with an adjoining drawing room, library and conservatory. On the top level were six bedrooms, four dressing rooms and bathrooms. There was a beautiful walled garden and an ornamental water wheel.

The Bell family took ownership of the property in 1881, but in recent years the building fell into disrepair. Fortunately, the facade remained intact and, surrounded by fir plantations and lush farmland, it has been returned to its former glory.


The Architect

George Papworth (1781-1855) was the younger brother of English architect John Buonarotti Papworth. He established himself in Ireland and designed many notable buildings including Sir Patrick Dun’s Hospital and the King’s Bridge in Dublin. His drawings of Killeavy were exhibited in the Royal Hibernian Academy in 1836.


Killeavy’s Journey From Family Home to Historic Hotel

We are proud to have brought a stunning piece of architectural heritage and Northern Ireland history back from the brink of ruin. When we took ownership of Killeavy Castle Estate, we saw its incredible potential and decided to restore it to its former glory.

Our mission was to fully restore Killeavy Castle Estate so that locals and visitors alike could enjoy it for generations to come. In 2019, we opened the Killeavy Castle to the public as a historic hotel, wedding venue, spa and visitor attraction.

Since then, we have welcomed countless visitors from around the world. Guests flock to our Estate to appreciate our meticulously restored 19th century Castle, manicured gardens, unspoiled woodlands, and authentic working farm.


Killeavy Castle Estate Today

Today, the Killeavy Castle Estate comprises our 19th-century Castle, a four-star boutique-style Hotel with 45 guestrooms in our restored Mill and Coach House, and a three-guestroom luxury self catering Gatelodge. 

Our guests can also enjoy our fine dining restaurant, casual bistro bar and luxury spa facilities. Comfort and class are our guiding principles, bringing the opulence of days gone by to everyone who visits our Estate.

3. Newforge House, Magheralin, Craigavon, Co. Armagh, BT67 0QL €€

https://www.newforgehouse.com

From the website: “Welcome to Newforge House, a historic family-run country house offering warm hospitality, luxurious rooms and delicious local seasonal food in tranquil surroundings. Set on the edge of the small village of Magheralin, Newforge is an oasis of calm and the perfect location for your romantic break or a special occasion with friends and family. Our central location, only 30-minute drive from Belfast, makes Newforge an ideal base for touring Northern Ireland.”

Newforge House, County Armagh, photograph by Brian Morrison 2016, for Northern Ireland Tourism, Ireland’s Content Pool (see [4]).

Whole house rental, County Armagh:

1. Elmfield Estate, Craigavon, County Armagh

https://elmfieldestate.com/about/

The website tells us:

Elmfield Estate has been a family home for generations and of the Shaw family for the last 60 years. It has evolved through the years, from a modest dwelling house and stable yard in the 18c to an impressive Victorian Scottish baronial style house with turrets and ziggurat balustrades, built by the wealthy linen barons in the mid-1800s. The estate ran into disrepair after the second world war but was saved by the Shaws who have lovingly restored the house, farm, and gardens room by room lawn by lawn. Elmfield has certainly been a place of transformation and vision over the last 60 years. When Derek and Ann’s three children were little, they enjoyed the freedom and wildness that only a semi-derelict estate can offer. To turn that into what you see today is down to Derek’s vision.

There are more than 300 years of fascinating history to be discovered here, from the history of the founding, design and redesign of the house to the plans for the grounds and courtyards. Over the years more than one family dynasty of linen merchants has called Elmfield their home, and the layers of heritage here offer deep insights into Northern Ireland’s once-dominant linen industry.

During World War II Elmfield was home to a very different cohort of people, housing German and Italian prisoners of war within its grounds. Some years after the war a comprehensive restoration of the Elmfield Estate was completed by the Shaw family and forms the basis of what you can see today, enabling the estate to host rewarding holistic experiences that include mindfulness and meditation walks, self-discovery retreats, corporate wellness and leadership programmes, and transformative deep yoga residencies.”

Derry:

1. Bellaghy Bawn, County Derry

https://discovernorthernireland.com/things-to-do/bellaghy-bawn-p675661

Built around 1619 by Sir Baptist Jones, Bellaghy Bawn is a fortified house and bawn (the defensive wall surrounding an Irish tower house). What exists today is a mix of various building styles from different periods with the main house lived in until 1987.” Open on Sundays.

2. Hezlett House, 107 Sea Road, Castlerock, County Derry, BT51 4TW on Downhill Demesne. https://discovernorthernireland.com/things-to-do/hezlett-house-p687301

Hezlett’s picturesque thatched cottage exterior hides a fascinating early timber frame dating from 1690, making it one of the oldest vernacular domestic buildings in Northern Ireland. The story of the house is told through the experiences of the people who lived there.

The house at Liffock became home to the Hezletts in 1766 and stayed within the family for the next 200 years until the National Trust acquired it in 1976. The National Trust website tells us:

Isaac Hezlett (1720-1790) was the first Hezlett to live in the cottage at Liffock. He acquired the dwelling and some land in 1766. At this point in his life he was married to his second wife Esther and had two sons; Samuel from his first marriage with Margaret Kerr and Jack, half-brother to Samuel. When Samuel’s father died, he inherited the farm at the age of 37 and about five years later he married Esther Steel. She was 22 years his junior and they had eight children. Samuel was intimidated by local insurgents to join the United Irishmen; his half-brother Jack was an ardent supporter. He was threatened to be hanged from the Spanish chestnut tree in his own garden. By 1798 the rebellion was at its height and the two brothers were on opposite sides of the war. 30,000 lives were lost when the rebels were finally defeated. Jack escaped to the recently created United States of America while Samuel remained with his family in their home at Liffock until he died in 1821.

Samuel’s eldest son Isaac (1796-1883) married Jane Swan (1805-1896) in 1823. He built a two-storey extension to form a new self-contained unit for his mother and sisters. This extension could be regarded as forerunner of what we call today a ‘granny-flat’. Isaac also increased the acreage farmed at Liffock. Hugh (1825-1906), Samuel and Jane’s eldest son, increased the acreage of the farm once more. By putting his education to good use he made the farm more productive; more cash crops were grown and the herds of dairy cattle and sheep were increased. The outputs from the farm which generated income included the cash crops of flax, barley, potatoes, oats and turnips, in addition to wool, milk, calves, pigs and eggs. Hugh also oversaw an extensive re-modelling of the farmyard and outbuildings. In 1881 the Gladstone Land Act paved the way for further Acts which enabled tenant farmers to buy the land they had hitherto rented. So by the early 20th century the Hezletts were not tenant farmers but owner-occupiers.

In 1976, with funds provided by Ulster Land fund and the Ulster Architectural Heritage Society the National Trust acquired the house from the third Hugh Hezlett (1911-1988).”

3. Mussenden Temple, Downhill Demesne

Mussenden Temple by Matthew Woodhouse 2015 for Tourism Ireland. (see [4])

https://www.nationaltrust.org.uk/mussenden-temple-and-downhill-demesne

Downhill Demesne delves into a life and landscape steeped in history and nature. There’s much to explore as you enter this enchanting estate. Wander around the 18th-century demesne and discover dovecotes and gardens as you stumble upon a spectacular temple.”

The house of Downhill is now a ruin.

The National Trust website tells us:

2018 marked the 250th anniversary of the arrival of Frederick Augustus Hervey in the Diocese of Derry. He was consecrated as Bishop in St Columb’s Cathedral in March 1768. Frederick was a man of many parts as well as being a cleric he was a scientist with a deep interest in volcanology; he was a collector of art; he travelled extensively and spoke German, French and Italian fluently; he took a keen interest in Irish politics and music; he was a powerful proponent of religious equality; and he was a builder of churches, bridges and roads.

He is remembered by us for his association with the Giant’s Causeway and the creation of the Downhill Demesne. A keen volcanologist, Frederick ‘discovered’ the Giant’s Causeway in the sense that he publicised what was then an isolated, seldom-visited spot and was the first to study it in a wider scientific context and pass on his findings to his learned friends throughout Europe. He also created Downhill House and the Mussenden Temple, Northern Ireland’s most iconic building, as his country retreat.

The Earl Bishop is largely regarded as being his own architect at Downhill but it was the Cork born Michael Shanahan who drew up most of the building plans and was, for most of the time, his buildings works superintendent. The mason James McBlain executed all the decorative carving and much of the subsequent building for the Earl. Italian stuccadores were also employed, chief among whom was Placido Columbani.

Downhill is characterised by a three storey front, facing south and with two long wings at the back of this. Originally these wings terminated in domes topped with ornamental chimney-pots. The wings were continued in ranges of outbuildings, forming inner and outer yards, and ending towards the sea in two immense curving bastions of basalt.

The main house block was faced with freestone from Dungiven quarries, about 30 miles away. The basement is rusticated and the storeys above decorated with pairs of Corinthian pilasters, topped by Vitruvian scroll course, a cornice and parapet.

Sadly the interior of the house shows little of its original character. The house was almost entirely gutted by a fire which broke out on a Sunday in May 1851. The library was completely destroyed and more than 20 pieces of sculpture had been ruined. Most of the paintings were rescued, but a Raphael, The Boar Hunt, was reported destroyed.

In his later years, the Earl Bishop spent very little time in Ireland. His Irish estates were administered by a distant cousin, Henry Hervey Aston Bruce, who succeeded him following his death in 1803.

In 1804 Henry Hervey Aston Bruce was created a baronet and Downhill remained with the Bruce family until at least 1948, though the family rarely lived there after around 1920.

The only other occupation of the house came about during WWII when the site was requisitioned by the RAF. The house was subsequently dismantled after the war and its roof removed in 1950.”

Frederick Augustus Hervey also built Ballyscullion in Derry and Ickworth in Suffolk, England. He built them not only to indulge his love of architecture, but to house his large collection of paintings, furniture and statues. He first encountered his architect, Michael Shanahan, when he was Bishop of Cloyne in Cork. David Hicks tells us in his Irish Country Houses, a Chronicle of Change that Hervey took Shanahan on a trip to Italy between 1770-1772 in order to make sketches of various items of interest that could be incorporated into his home. Shanahan took up residence in the Hervey estate in Derry and acted as the Earl Bishop’s architect in residence.

The Bishop created Mussenden Temple in memory of Mrs Frideswide Mussenden, a cousin who died in 1785. Shanahan was the architect. It is believed that the Bishop used it as a private library, and permitted local Catholics to use the ground floor for mass. He left Downhill and Ballyscullion to Mrs Mussenden’s brother, Reverend Henry Aston Bruce. In doing so, he disinherited his wife and son, with whom he had quarrelled.

Frideswide Mussenden was born Frideswide Bruce. Her parents were Henrietta Aston and James Bruce. Henrietta Aston was daughter of Rev. Hon. Henry Hervey-Aston, son of John Hervey, 1st Earl of Bristol, who was the brother of Bishop Frederick Augustus’s father. The Bishop’s heir was therefore only distantly related, quite a blow to the disinherited wife and son.

Reverend Bruce who inherited Downhill and Ballyscullion dismantled the latter in 1813, perhaps due to window taxes, and transferred its furniture and art to Downhill. A fire in 1851 destroyed Downhill and much of its contents. The house was rebuilt to some degree to the design of John Lanyon between 1870-74.

Reverend Bruce was created a British Baronet in 1804. His son became 2nd Baronet and grandson, 3rd Baronet of Downhill. It was passed to the 4th, 5th and 6th Baronets. By the 1950s most of the contents of the house has been sold and the house dismantled and surrounding land sold. The estate is now in the care of the National Trust.

4. Springhill House, County Derry

Springhill House and Gardens Courtesy of Tourism Northern Ireland 2007 (see [3])

https://discovernorthernireland.com/things-to-do/springhill-p675711

Springhill has a beguiling spirit that captures the heart of every visitor.  Described as ‘one of the prettiest houses in Ulster’, its welcoming charm reveals a family home with portraits, furniture and decorative arts that bring to life the many generations of Lenox-Conynghams who lived here from 1680. The old laundry houses one of Springhill’s most popular attractions, the Costume Collection with some exceptionally fine 18th to 20th century pieces.

New Visitor Reception offering a retail and grab and go catering offer. Celebrated collection of costumes, from the 18th century to 1970s. Visit our second-hand bookshop and pick up a bargain. 

Walks:
Beautiful walled gardens and way marked paths through the parkland. Children’s adventure trail play park and natural play area. A variety of events throughout the year.  There are three walks available: Beech Walk, Snowdrop Walk, Sawpit Hill Walk.

Visitor Facilities:
Historic house, garden, shop, refreshments, guided tours.
Suitable for picnics and country walks. Programme of events available.
House: admission by guided tour (last admission 1 hour before closing).
Open Bank Holiday Mondays and all other public holidays in Northern Ireland.
Closed 25 and 26 December.
Visitor Centre has café and shop.
See Information tab for full Opening Times and Prices.
Access for visitors with disability and facilities for families.
Dogs welcome on leads in grounds/garden only.
Available for functions.

Caravan Site 

and https://www.nationaltrust.org.uk/springhill

Mark Bence-Jones writes about Springhill House in A Guide to Irish Country Houses (1988):

p. 263. “(Lenox-Conyngham/IFR) A low, white-washed, high roofed house with a sense of great age and peace; its nucleus late C17, built ca 1680 by “Good Will” Conyngham, who afterwards played a leading part in the defence of Derry during the Siege. Altered and enlarged at various times; the defensive enclosure or bawn with which it was originally surrounded was taken down, and two single storey free-standing office wings of stone with curvilinear end-gables were built early C18 flaking the entrance front, forming a deep forecourt. Col William Conyngham, MP, added two single-storey wings to the house ca 1765, which was when the entrance front assumed its present appearance: of seven bays, the windows on either side of the centre being narrower than the rest, and with a three sided bow in each of the wings. In the high roof, a single central dormer lighting the attic. The hall has C18 panelling; behind the hall is an early C18 staircase of oak and yew with alternate straight and spiral twisted balusters. The Gun Room has bolection moulded oak panelling which could be late C17 or early C18, though it cannot have been put into this room until much later, for there are remains of C18 wallpaper behind it. The large and lofty drawing room in the right-hand wing is a great contrast after the small, low-ceilinged rooms in the centre of the house; it has a modillion cornice and a handsome black marble chimneypiece. Though essentially a Georgian room, it has been given a Victorian character with a grey and green wallpaper of Victorian pattern. Next to the drawing room, in the garden front, is the dining room, added ca 1850 by William Lenox-Conygham; a large simple room of Georgian character, with a red flock paper and a chimneypiece of yellow marble brought from Herculaneum by the Earl of Bristol Bishop of Derry and presented by him to the family. The garden front, which is irregular, going in and out, facing along an old beech venue to a ruined tower which may originally have been a windmill. Transferred to the Northern Ireland Trust by W.L Lenox-Conygham, HML, shortly before his death in 1957. Springhill is featured in his mother, Mina’s book An Old Ulster Home and is open to the public.” 

William Conyngham married Ann Upton, daughter of Arthur Upton of Castle Upton, County Antrim (this still exists and is privately owned), MP for County Antrim. Springhill passed to their daughter Anne who married David Butle, a merchant. Their son George took the name Conyngham and inherited Springhill. Although he had sons, Springhill passed through the line of his daughter, Ann (1724-1777) who married Clotworthy Lenox (1707-1785). Their son took the name George Lenox-Conyngham (1752-1816) when he inherited. George married twice: first to Jane Hamilton, and their son William Lenox-Conyngham (1792-1858) added the dining room to Springhill. George married secondly Olivia Irvine of Castle Irvine (also called Necarne; the park around Necarne Castle can freely be visited during daytime. The ruin of the castle itself is boarded up, so its interior can not be visited), County Fermanagh. One of their descendants was Jack Nicholson who inherited Enniscoe in County Mayo.

Springhill passed then from William Lenox-Conyngham (1792-1858) and his wife Charlotte Mesolina Staples of Lissan, County Tyrone, to their son William Fitzwilliam Lenox-Conyngham, and it was his grandson William Lowry Lenox-Conyngham who left it to the Northern Ireland Trust.

Places to stay, County Derry

1. Ardtara Country House and restaurant, County Derry €€

 WWW.ARDTARA.COM

2. Brown Trout Inn, Aghadowey, Nr Coleraine Co. Derry, BT51 4AD

https://www.browntroutinn.com/

The website tells us:

Whether it’s for a drink, dinner, a weekend break or a round of golf we want you to enjoy the Brown Trout experience.

At the Brown Trout Inn we know that relaxing means different things to different people. For some, food and drink is all-important. Our menu offers fresh locally sourced produce ranging from ‘taste of Ulster’ favourites like honey-grilled gammon and buttery champ to slow-roasted lamb shanks and not forgetting fresh fish, including grilled trout of course.

For others, putting their feet up is the closest thing to heaven. Our Courtyard accommodation offers space, comfort and quality – the cottages hold NITB four-star status. All our accommodation is easily accessible for wheelchair users and guests with disabilities and all rooms are dog-friendly. Wifi access is free throughtout the hotel.

3. Roselick Lodge, County Derry – whole house rental for 8 guests, three night minimum

https://www.roselicklodge.co.uk

Dating back to 1830, this sympathetically restored Georgian property offers a tranquil rural setting midway between Portstewart and Portrush. Whilst retaining many of the original features and charm, the open plan extension has been adapted to suit modern living. The accommodation comprises three main reception areas, a Magnificent Family Kitchen /Living and Dining area, a cosy and tastefully decorated Snug with open fire, access to south facing Orangery and large secluded cottage gardens. Upstairs are four well proportioned bedrooms sleeping up to eight guests and a spacious first floor balcony with sea views. Minimum 3 night stay.

Whole House Rental, County Derry

1. Beechill House, 32 Ardmore Road, Derry-Londonderry, Northern Ireland BT47 3QPweddings

https://www.beech-hill.com/

Beechill Country House Hotel, Courtesy of Tyrone and Sperrins destination, for Tourism Ireland.

2. Drenagh House, County Derry – whole house rental, 22 guests

https://www.drenagh.com

Nestled in beautiful parkland where you will find our grand Georgian Mansion House which is perfect for weddings, family get togethers, corporate events and much more.

Mark Bence-Jones writes about Drenagh House (formerly Fruit Hill) in A Guide to Irish Country Houses (1988):

p. 107. “(McCausland/IFR) The earliest major country house by Charles Lanyon, built ca 1837 for Marcus McCausland, replacing an early C18 house on a different site. Of significance in the history of C19 Irish domestic architecture in that it is a competent late-Georgian design by an architect whose buildings in the following decade are definitely Victorian. Two storey; o an attractive pinkish sandstone ashlar. Five bay entrance front with the centre bay recessed and a single-storey Ionic portico in which the outer columns aer coupled. Adjoining front of six bays with two bay pedimented breakfront; the duality of the elevation being emphasised rather than resolved by the presence of three giant pilasters, supporting the pediment. Rear elevation of one bay between two three sided bows, with fanlighted tripartite garden door. Lower service wing at side. Balustraded parapet round roof and on portico. Single-storey top-lit central hall with screen of fluted Corinthian columns; graceful double staircase with elegant cast iron balusters rising from behind one of these screens. Rich plasterwork ceilings in hall, over staircase and in drawing room; simpler ceilings in morning room and dining room. At the head of the stairs, a bedroom corridor with a ceiling of plaster vaulting and shallow domes goes round the central court or well, the lower part of which is roofed over to form the hall. Very large and extensive outbuildings. Vista through gap in trees opposite entrance front of house to idyllic landscape far below, the ground falling steeply on this side; straight flight of steps on the axis of this vista leading down to bastion terrace with urns. Chinese garden with circular “moon gate,” laid out by Lady Margaret McCausland 1960s. Gate lodge by Lanyon with pedimented Ionic portico.” 

Down:

1. Audley’s Castle, Castle Ward, County Down

Audley’s Castle, Castle Ward by Bernie Brown for Tourism Ireland 2014 (see [3])

https://discovernorthernireland.com/things-to-do/audleys-castle-p707501

The castle is named after its late 16th-century owners, the Audleys, an Anglo-Norman family who held land in the area in the 13th century, It was sold, with the surrounding estate, to the Ward family in 1646 and used in 1738 as an eye-catching focus of the long vista along Castle Ward’s artificial lake, Temple Water.

The site comprises of a number of paths to allow you to get to the Castle.

2. Bangor Castle Park, County Down

https://discovernorthernireland.com/things-to-do/bangor-castle-town-hall-p676451

This impressive building was built for the Hon Robert Edward Ward and his family in 1852. It is presently the headquarters of Ards and North Down Borough Council who use the mansions spectacular grand salon as the council chamber. The building is situated in the grounds of Castle Park alongside North Down Museum and is just a short walk from Bangor Castle Walled Garden.

CS Lewis visited North Down on many occasions throughout his life and regularly returned to the area. He enjoyed the beautiful view over Belfast Lough from the grounds of Bangor Castle. As Lewis himself once said “Heaven is Oxford lifted and placed in the middle of County Down”.

Mark Bence-Jones writes in his A Guide to Irish Country Houses (1988):

p. 30. “(Ward, sub Bangor, V/PB; Bingham, Clanmorris, B/PB) An Elizabethan-Revival and Baronial mansion by William Burn, built 1847 for Robert Ward, a descendant of 1st Viscount Bangor. Mullioned windows; oriels created with strapwork; rather steep gables with finials. At one end, a battlemented tower with a pyramidal-roofed clock turret. Partly curved quoins, very characteristic of Burn. Inherited by Robert Ward’s daughter and heiress, Matilda Catherine, wife of 5th Lord Clanmorris. Featured in Peers and Plebs by Madeleine Bingham. Now owned by the town of Bangor.” 

3. Castle Ward, County Down

Castle Ward, County Down, 13 August 2006 Picture by David Cordner http://www.davidcordner.com :Tourism Northern Ireland (see [3])

https://discovernorthernireland.com/things-to-do/castle-ward-p675331 and https://www.nationaltrust.org.uk/castle-ward

The National Trust website tells us:

The current Castle Ward is a particularly unusual building, famed for having been built with two completely different architectural styles, both inside and out.

One half is built in the classical Palladian style, with the other half which faces out across Strangford lough built in the more elaborate Gothick* style.

The story told for the reason behind this unusual decorative scheme is that the original builder of the house, Bernard Ward, 1st Viscount Bangor, did not agree with his wife Lady Anne on the décor. Bernard was more classical in taste with Lady Anne prefering the fashionable Gothick style, leading them to split the house down the middle. This story is compounded by the fact that they separated not long after the house was finished with Anne leaving Castle Ward for good. This hint of scandal has carried this story through the years, but let us consider instead that Anne and Bernard set out to build the house exactly as it is – not a marriage of compromise, but a triumph of collaboration.

When Bernard and Lady Anne inherited the estate in 1759 they set about building themselves a fine new house, one which would be symbolic of their union and exist as a statement of the Ward family’s bold and forward-thinking place in the world. Castle Ward was completed in 1766 and by 1781 they had been created Viscount and Viscountess Bangor in the Peerage of Ireland.

Lady Anne’s grandfather was the nephew of the Duchess of York – wife of King James II, and a first cousin of Queen Anne. This royal ancestry shows itself in the choice of the Gothick style. The ceiling in the Morning Room is copied from the Henry VII Chapel in Westminster Abbey where Anne’s maternal family were permitted to be buried due to their royal blood. Rather than the house becoming known as an architectural monstrosity, the couple aimed for it to be a masterpiece, striving against convention and rooting the Ward family as bold, modern thinkers with an impressive past.

The unusal combination of styles has long been a point of joy or novelty for guests, having a ‘marmite’ appeal. On a visit to Castle Ward, writer and poet John Betjeman referred to the ceiling in the Boudoir as “like sitting under a cow’s udder”, and the comment has stuck. Others comment on the otherworldly feeling created in the exotic grandeur of the Gothick side.

Please check the homepage for opening times of the mansion house before planning your visit, as they may change seasonally. There is no need to book your visit in advance.

The website also tells us more about owner Anne Ward:

Castle Ward – the story of a warring couple, divided in opinion and styles leading to a house with two sides. Perhaps the story is a little more complicated – here we delve deeper into the background of Lady Anne Bligh, co-architect of Castle Ward.

Given that Lady Anne Ward was co-creator of the dichotomous style of Castle Ward, it is surprising how few of her possessions or papers are left in the collection. Hers’ remains a hidden history. Having left Castle Ward and her husband Bernard in 1770 shortly after the completion of the house, she has become a symbol of mystery and speculation, made notorious and unusual because of her independence of mind and spirit.

The public expression of her personal tastes in the Gothick style at Castle Ward, clashed dramatically with her husband’s preferred classical style, and this has resulted in the condemnation of Lady Ann as unusual. History has found it difficult to understand the architectural choice that was reached by Lady Anne and Bernard, seeming as a legacy to their failed marriage. Whilst Bernard is remembered as the maker of the classical side of the house, symbolically representing reason, balance and order, Lady Anne in contrast represents an ‘otherness’ which she expressed in Gothick architecture – seemingly conveying her fantastical, whimsical and unconventional personality.

The Royal blood from her maternal grandparents gave Lady Anne the hauteur and confidence to do as she pleased. Her grandfather, the Earl of Clarendon was the nephew of the Duchess of York, wife of James II, and a first cousin of Queen Anne. Queen Anne was her mother Theodosia’s Godmother, and as such Theodosia was allowed to marry in Westminster Abbey. This was something Lady Ann was keen to highlight in her choice of architecture at Castle Ward, even copying the plasterwork from the Henry VII Chapel and recreating it in the Morning Room as a reminder of her royal connections.

The Earl of Clarendon also prompted perception of the family as “eccentric” by accounts of them acting out their role as Colonial Governor of New York dressed in articles of women’s clothing which challenged social boundaries of the period. Historians have been unable to confirm the accuracy of these accounts nor the motivations behind the Earl’s alleged presentation of gender non-conformity. Whatever the accuracy or reason, contemporaries condemned the Earl and considered it to be a sign of ‘great insanity’, however the Earl remained protected and often handsomely rewarded by their cousin Queen Anne. This connection provided crucial protection from critics.

Elizabeth Hastings, Countess of Moira who knew the family decribed them as having ‘an hereditary malady’. Members were noted as experiencing varied mental health issues. Lady Anne was accused of having ‘a shade of derangement in her intellects’. Her brother, Lord Darnley, was convinced he was a teapot and was reluctant to engage in sexual activity lest ‘his spout would come off in the night’; Lady Anne’s son Nicholas was declared ‘a lunatic’ in 1785 but details about this are scant.

Lady Anne’s relationship with a woman, prior to her two marriages, has also been the source of popular speculation and of academic debate. At 21, Lady Anne embarked on a six year relationship with Letitia Bushe, a woman considered much inferior in status and wealth, but much more experienced in the world with a great intellect and close friend of Mrs Delany. From the surviving correspondence of Letitia Bushe, it is clear that she was besotted with Lady Anne who was some fifteen years her junior, writing in 1740:

‘This Day twelvemonth was the Day I first stay’d with you, the night of which you may remember pass’d very oddly. I cannot forget how I pity’d you and how by that soft road you led me on to love you… that first Sunday at Bray, when you were dressing and I lay down on your Bed – ‘twas then I took first a notion to you’.

Academic research has suggested that this instance of same-sex love and desire provided Lady Anne with ‘an alternative outlet for emotional needs and energies, free of the complex web of economic and social considerations that surrounded relations between men and women of the propertied classes’ at this time.

Sadly none of Lady Anne’s correspondence to Letitia Bushe survives – in true Lady Anne style she remains an enigma, true to herself regardless of tastes or conventions, and a symbol of ‘the three-dimensional complexity of human life’.

Mark Bence-Jones writes in his A Guide to Irish Country Houses (1988):

p.78. Castleward: “Ward, Bangor, V/PB) A grand mid-C18 house of three storeys over basement and seven bays; built 1760/73 by Bernard Ward (afterwards 1st Viscount Bangor), and his wife, Lady Anne, daughter of 1st Earl of Darnley, to replace an earlier house. Probably by an English architect; and faced in Bath stone, brought over from Bristol in Mr Ward’s own ships. It seems that the Wards could not agree on the style of their new house; he wanted it to be Classical; but she was of what Mrs Delany called “whimsical” taste and favoured the fashionable new Strawberry Hill Gothic. The result was a compromise. The entrance front was made Classical, with central feature of a pediment and four engaged Ionic columns rising through the two upper storeys, the bottom storey being rusticated and treated as a basement. The garden front, facing over Strangford Lough, was made Gothic, with a battlemented parapet, pinnacles in the centre, and pointed windows in all its three storeys and seven bays – lancet in the central breakfront, ogee on the other side. All the windows have delightful Strawberry Hill Gothic astragals. This front of Castleward, and Moore Abbey, Co Kildare, are the only two surviving examples of mid-C18 Gothic in major Irish country houses which are not old castles remodelled. The interior of Castleward is remarkable in that the rooms on the Classical side of the house are Classical and those on the Gothic side Gothic; thus the hall – now the music room – has a Doric frieze and a screen of Doric columns; whereas the saloon has a ceiling of fretting and quatrefoils, pointed doors and a Gothic chimneypiece. The dining room, with its grained plaster panelling, is Classical and the sitting room is Gothic with spectacular plaster fan vaulting. Mr Ward, however, managed to be one up on his wife in that the staircase, which is in the middle of the house, is Classical; lit by a Vvenetian window in one of the end bows. If we believe Lady Anne, this was not the only time when he got his own way at her expense, for, having left him, as it turned out, for good, she wrote accusing him of bullying her. In C19, a porch was added to one of the end bows of the house, making a new entrance under the staircase; so that the hall became the music room. In the grounds there is a four storey tower-house, built at the end of C16 by Nicholas Ward; also a temple modelled on Palladio’s Redentore, dating from ante 1755; it stands on a hill, overlooking an early C18 artificial lake, or canal. On the death of 6th Viscount, 1950, Castleward was handed over in part payment of death duties to the Northern Ireland Government, who gave it, with an endowment, to the National Trust. The house and garden are now open to the public, and the Trust has set up various projects in different parts of the estate.” 

4. Dundrum Castle, County Downruins

https://discovernorthernireland.com/things-to-do

5. Hillsborough Castle, County Down

Hillsborough Castle & Gardens, Tourism Northern Ireland 2017 (see [3])

https://www.hrp.org.uk/hillsborough-castle

Hillsborough Castle has been a grand family home and is now the official home of the Secretary of State for Northern Ireland, and a royal residence. Members of the Royal Family stay at Hillsborough when visiting Northern Ireland.

Viewed by some as a politically neutral venue, Hillsborough has played an important role in the Peace Process in Northern Ireland since the 1980s.

In 2014, Historic Royal Palaces took over the running of Hillsborough Castle and Gardens and began an ambitious project to restore the house and gardens to its former glory.

Hillsborough, originally the settlement of Cromlyn (meaning Crooked Glen) in mid-Down, became part of the Hill family estates in the early 1600s. Moyses Hill, the landless second son of an English West Country family, joined the army to seek his fortune in Ireland, where he supported the Earl of Essex, a military leader sent by Elizabeth I. 

At this time, the land was still in the hands of Irish chiefs of the Magennis family. But the defeat of Irish chieftain Hugh O’Neill in 1603 opened the way for men such as Moyses Hill to establish themselves as landowners in Ireland. The Hills bought some 5,000 acres of land, then gradually added to this over the next 20 years until the whole area around the present Hillsborough had passed from the Magennises to the Hills.

Successive generations of this ambitious family began to rise, politically and socially, in Ireland. Within 50 years they were one of the most prominent landowning families in the area; their estates stretched for over 130 miles from Larne, north of Belfast to Dun Laoghaire, south of Dublin, around 115, 000 acres in total.

Wills Hill was the first Marquess of Downshire and his diplomatic skills as a courtier cemented the family’s position in society.

Wills Hill, 1st Earl of Hillsborough, (1718-1793), later 1st Marquess of Downshire, After Hugh Douglas Hamilton, Irish, 1740-1808. Photograph courtesy of National Gallery of Ireland.

From 1768-72 he held the post of Secretary of State for the Colonies. He had grown very powerful in government and served the royal family, for which he was awarded his title in 1789. 

Wills Hill famously hosted American founding father Benjamin Franklin, but contrary to popular myth, when they met at Hillsborough in 1771, the two men got along well together. 

Wills Hill built not only this house but also the Courthouse in The Square. He also built the terraces around The Square and other buildings in the town. 

Hillsborough is unusual for an Irish Big House as it is not a country house around which a town grew; rather it was built as a townhouse, forming one side of a neat Georgian square. 

The road to Moira once passed directly below the windows, and opposite the house were a variety of shops, houses and the Quaker Meeting House.

The 3rd and 4th Marquesses, also commissioned a lot of work on the house, giving it the outward appearance it has today.

When the house was being altered in the 1840s, the family decided to expand the gardens and so rebuilt the road, houses and Quaker Meeting House all further away. The old road was absorbed into the landscaping of the gardens, and the south side of the house was opened out to allow views of the ‘picturesque’ gardens.

Successive generations of the Hill family enjoyed the house as a family home, renovating and redecorating in the latest styles and improving the gardens. 

However, by the end of the 19th century they were spending more time on their estate in England, at Easthampstead Park in Berkshire or their seaside home at Murlough House in County Down. The sixth Marquess’ uncle and guardian, Lord Arthur Hill remained at Hillsborough Castle to look after his nephew’s estate. The family first rented out Hillsborough in 1909, then sold it completely in 1925.

It was bought by the British government, for around £24,000 (equivalent to £1.3m today) to be the residence of the Governor of Northern Ireland. 

Following Partition in 1921, Governors were appointed to represent the monarch in Northern Ireland, replacing the Lord-Lieutenant of Ireland who had previously lived at Dublin Castle. The house became known as Government House, remaining the official residence of the Governors for over 50 years.”

Mark Bence-Jones writes in his A Guide to Irish Country Houses (1988):

p. 152. “(Hill, Downshire, M/PB; Dixon, Glentoran, B/PB) A large, rambling, two storey late-Georgian mansion of a warm, golden-orange ashlar; its elevations rather long for their height. It appears to incorporate a much smaller house of ca 1760, but was mostly built later in C18, to the design of R.F. Brettingham, by Wills Hill, 1st Marquess of Downshire, a prominent member of Lord North’s Cabinet at the time of the American War. The work was not completed until 1797, four years after 1st Marquess’s death. In 1830s and 1840s, the house was enlarged and remodelled, to the design of Thomas Duff, of Newry, and William Sands. The pedimented portico of four giant Ionic columns in the middle of the long seventeen bay garden front – originally the entrance front – which is the principal exterior feature, dates from this period; as does the present appearance of the pedimented front adjoining to the left, with its asymmetrical projecting ends; as well as the treatment of the elevations of the two ranges at right angles to each other which form two sides of the entrance forecourt; one of them having a rather shallow single-storey portico of four pairs of coupled Ionic columns. The forecourt, with its magnificent mid-C18 wrought iron gates and railings, brought here 1936 from Rich Hill, Co Armagh, is on one side of the main square of the charming little town of Hillsborough, which is reminiscent of the Schlossplatz in a small German capital. Although the house backs onto a sizeable demesne, with a lake, the park is on the opposite side of the town. Its chief feature is Hillsborough Fort, a star-shaped fort built by Col Arthur Hill ca 1650. The gatehouse of the fort was rebuilt most delightfully in the Gothic taste ca 1758, perhaps to the design of Sanderson Miller himself. Hillsborough Castle became the official residence of the Governor of Northern Ireland 1925, and consequently became known as Government House; from then, until 1973, when the post of Governor was abolished, it was occupied by successive Governors (all PB); namely, 3rd Duke of Abercorn, 4th Earl Granville, 2nd Lord Wakehurst, Lord Erskine of Rerrick, and Lord Grey of Naunton; during this period, the house was frequently visited by members of the British Royal Family. In 1934 the house was seriously damaged by fire, and in the subsequent rebuilding the principal rooms were done up in a more palatial style, with elaborate plasterwork. The future of the house is now uncertain.” 

Hillsborough Castle & Gardens, Tourism Northern Ireland 2017 (see [3])

6. Montalto Estate, County Down

Montalto House, County Down, © Tourism Ireland created by Lewis McClay 2019 (see [3])

https://discovernorthernireland.com/things-to-do/montalto-estate-p728301

For the first time in its history, this mystical and enchanting estate, set in magnificent natural surroundings, is open to visit.

Nestled in the picturesque County Down countryside, Montalto is a privately-owned demesne steeped in history dating back to the 1600s. It is famously the site of ‘The Battle of Ballynahinch’ which took place during the Irish rebellion in 1798. It is also home to an exotic plant collection initially created by ‘The Father of Irish Gardening’, Sir Arthur Rawdon.

Montalto Estate aims to reconnect visitors with nature through access to a range of captivating gardens and beautiful walks and trails. The visitor experience includes: public access to the estate’s beautiful gardens along with unique and surprising garden features; historic walks and trails; and an exciting play area where children can explore, learn and wonder at their natural surroundings. A purpose built centre, designed in keeping with the look and feel of the estate, includes a welcome area featuring interpretation of the estate’s history; a stylish café offering flavoursome and beautifully presented food; and a shop that offers a mix of estate produce, local craft products and many other unique and exceptionally designed items.

The beautiful gardens include an Alpine Garden, a Winter Garden, a Cutting Garden, a Walled Garden, a Formal Garden and the Orchard situated within a wildflower meadow. Both the Winter Garden and Alpine Garden will always be accessible whilst the other gardens will be accessible whenever possible as they are working gardens. Four champion trees are located around the lake and the pinetum and over the past three years over 30,000 trees have been planted here.

Active families will enjoy the Woodland Trail and low wood. The impressive purpose built tree house, which was handcrafted onsite, features rope bridges, monkey bars and treetop views kids of all ages will enjoy. Mini explorers can enjoy the smaller tree house and natural play area. Everything within this area has been designed to fuel the imagination through exploration and discovery.

For tranquil and picturesque walks you can enjoy the stunning views of The Lake Walk and The Garden Walk. Catch a glimpse of some of the wonderful wildlife that calls Montalto Estate their home or simply take in the beautiful seasonal displays and reconnect with nature.

https://montaltoestate.com

The website tells us:

Montalto, nestled beautifully in the heart of the picturesque Co. Down countryside, is a privately-owned demesne which dates back to the early 1600s.

In pre-plantation times the estate was originally owned by Patrick McCartan. However, due to his involvement in the 1641 Rebellion, his Ballynahinch lands were confiscated, and in 1657 the townland was purchased by Sir George Rawdon [and Patrick McCartan was executed]. Circa 1765, his descendant Sir John Rawdon – First Earl of Moira – built a mansion property on the estate: this is the house that we now know as Montalto House.

Sir John’s ancestor, Sir Arthur Rawdon – The Father of Irish Gardening – had earlier amassed a large collection of exotic foreign plants at Moira Castle. Many of Sir Arthur’s plants were transferred to Montalto when his grandson Sir John moved onto the estate.

During the Battle of Ballynahinch (part of the 1798 Rebellion), rebels occupying Montalto House are attacked by the militia. The mansion sustains some fire and artillery damage. Francis Rawdon-Hastings – 2nd Earl of Moira and Montalto resident – is a respected British military officer during the American War of Independence. He is a close friend of the Prince Regent, later King George IV. For ten years he is Governor General of India, carrying huge military and political responsibilities. He sells the Montalto Estate soon after the 1798 Rebellion and later becomes 1st Marquess of Hastings in 1816.

In 1803 David Ker of Portavo purchased the estate. In 1910 Richard – the last of the Kers to reside at Montalto – is finally forced to sell the estate. In 1912 Arthur, 5th Earl of Clanwilliam, purchases Montalto for £20,000.

The Earl fights in the Boer War (where he is badly wounded), and with the Guards in France in WW1. His wife Lady Muriel cares for wounded Allied officers during their convalescence at Montalto.

In 1979 the house is purchased by the Hogg Corry Partnership. In 1988 Corry withdraws. In 1995 it is purchased by the Wilson family. Working with local architects Hobart and Heron, as well as John O’Connell – a leading conservation architect from Dublin, specialising in Georgian architecture – they set about a programme of works to restore the house, grounds, and outbuildings to their former glory.

The estate has been almost exclusively, a family home since Lord Moira built the first house here. Nowadays Montalto offers visitors the use of 400 acres of rolling Irish countryside, which includes wonderful trails and gardens and a chance to explore this historic demesne and reconnect with nature.

Mark Bence-Jones writes in his A Guide to Irish Country Houses (1988):

p. 209. “(Rawdon, Moira, E/DEP; Ker/IFR; Meade, Clanwilliam, E/PB) A large and dignified three storey house of late-Georgian aspet; which, in fact, was built mid-C18 as a two storey house by Sir John Rawdon, 1st Earl of Moira, who probably brought the stuccodore who was working for him at Moira House in Dublin to execute the plasterwork here; for the ceiling which survives in the room known as the Lady’s Sitting Room is pre-1765 and of the very highest quality, closely resembling the work of Robert West; with birds, grapes, roses and arabesques in high relief. There is also a triple niche of plasterwork at one end of the room; though the central relief of a fox riding in a curricle drawn by a cock is much less sophisticated than the rest of the plasterwork and was probably  done by a local man. 2nd Earl, afterwards 1st Marquess of Hastings, who distinguished himself as a soldier in the American War of Independence, and was subsequently Governor-General of India, sold Montalto 1802 to David Ker, who enlarged the windows of the house, in accordance with the prevailing fashion. In 1837, D.G. Ker enlarged the house by carrying out what one would imagine to be a most difficult, not to say hazardous operation; he excavated the rock under the house and round the foundations, thus forming a new lower ground floor; the structure being supported by numerous arches and pillars. It was more than just digging out a basement, as has been done at one or two other houses in Ulster; for the new ground floor is much higher than any basement would be; the operation made the house fully three storeyed. Entrance front of two bays on either side of a central three sided bow; the front also having end bows. Shallow Doric porch at foot of centre bow. Ground floor windows round-headed; those above rectangular, with plain entablatures over the windows of the original ground floor, now the piano nobile. Parapeted roof. The right hand side of the house is of ten bays, plus the end bow of the front; with a pilastered triple window immediately to the right of the bow in the piano nobile, balanced by another at the far end of the elevation. The left-hand side of the house is only of three bays and the bow, with a single triple window’ the elevation being prolonged by a two storey wing with round-headed windows. Various additions were built at the back of the house and at the sides during the course of C19; a ballroom being added by D.S. Ker, grandson of the David Ker who bought the estate. In 1837 ground floor there is an imposing entrance hall, with eight paired Doric columns, flanked by a library and a dining room. A double staircase leads up to the piano nobile, where there is a long gallery running the full width of the house, which may have been the original entrance hall. Also on the piano nobile is the sitting room with the splendid C18 plasterwork. Montalto was bought ca 1910 by 5th Earl of Clanwilliam, whose bridge refused to live at Gill Hall, the family seat a few miles to the west, because of the ghosts there. In 1952, the ballroom and a service wing at the back were demolished.” 

7. Mount Stewart, County Down

Mount Stewart, County Down, by Art Ward for Tourism Northern Ireland, 2016. (see [3])

https://discovernorthernireland.com/things-to-do/mount-stewart-p675341 and https://www.nationaltrust.org.uk/mount-stewart

The National Trust website tells us:

The Stewarts came from Scotland to Donegal as part of the Jacobean Plantation of Ulster. Alexander Stewart and his wife, Mary Cowan, bought a large area of land in County Down in 1744, part of which became Mount Stewart demesne. Mary had inherited a fortune from her brother, Robert Cowan, who was in the East India Company, and was Governor of Bombay. 

A modest house on the shore of Strangford Lough was extended in the 1780s into a long low 2-storey house by Alexander’s son, Robert. Robert also built a walled garden and farm buildings further inland, and commissioned James ‘Athenian’ Stuart to design the Temple of the Winds, one of the finest small neo-classical buildings in Ireland. Through his political connections and marriage, Robert rose through the political ranks, becoming earl and subsequently marquess of Londonderry.

It was Robert’s son, best known as Viscount Castlereagh, who chose the architect George Dance to design a new wing for Mount Stewart which included a series of fine reception rooms. The west wing was built around 1804–6. 

Castlereagh is best known in Ireland for his involvement in the repression of the 1798 Rebellion and as one of the architects of the Anglo-Irish Union of 1800, for which he was vilified by many. He was however regarded as a consummate statesman and astute negotiator. 

From 1802 to 1822 he was based in London as Secretary of State for War and Foreign Secretary during the wars with America and France under Napoleon. He was one of the chief negotiators at the Congress of Vienna (1814-15) and his greatest legacy was steering the Congress towards a more equitable balance of power. The Congress was the first multinational European congress; many issues were discussed including the abolition of slavery. Castlereagh became a staunch supporter of abolition, as the trade was ‘repugnant to the principles of humanity and universal morality’.

The Peterloo Massacre of 1819 earned him more criticism, for although he was not personally responsible and was appalled by the outcome, as Home Secretary he had to justify the yeomanry’s actions. In 1822 he suffered a breakdown and took his own life, just a year after becoming the 2nd marquess of Londonderry. 

Castlereagh’s half-brother, Charles Stewart fought in the Peninsula War under Wellington and became British ambassador at Berlin and then Vienna during the Congress. In 1819 he married the wealthy Frances Anne Vane Tempest who had inherited coal mines and a grand estate in County Durham. They travelled widely and rebuilt Wynyard, County Durham and Londonderry House in London. Charles also extended Mount Stewart in the 1840s. His grandson, the 6th Marquess, was Lord Lieutenant of Ireland in the 1880s. The 6th Marquess was strongly opposed to Home Rule for Ireland; he and his wife were instigators and signatories of the Ulster Covenant in 1912.

Charles’s great-grandson, Charles 7th Marquess, served in the First World War, during which his wife Edith founded the Women’s Legion. At the end of the war, Edith began to create the gardens at Mount Stewart and redecorated and furnished the house, processes she thoroughly enjoyed and continued until her death in 1959. Charles served in the new Northern Irish government following the partition of Ireland in 1921. He later became Secretary of State for Air during the early 1930s. The horrors of the First World War and the rise of Communism meant many were anxious to avoid another European war. For Charles, this meant holding a series of meetings with the Nazi leadership, but his actions and intentions were misunderstood and his career and reputation were fatally damaged. 

These historic, sometimes seismic, events are woven into Mount Stewart and there are many objects, books and paintings in the house that connect us to the people who experienced, influenced and formed them.

From “In Harmony with Nature, The Irish Country House Garden 1600-1900” in the Irish Georgian Society, July 2022, curated by Robert O’Byrne.

You can see pictures and read more about the treasures in the house on the website.

Mark Bence-Jones writes in his A Guide to Irish Country Houses (1988):

p. 216. “Vane-Tempest-Stewart, Londonderry, M/PB) A long two storey Classical house of 1820s, one end of which is, in fact, a house built 1803-06 by 1st Marquess of Londonderry (father of the stateman, Castlereagh) to the design of George Dance. The seven bay front of 1803-06 house survives as the end elevation of the present house; unchanged, except that its centre bay now breaks forward under a shallow pediment, similar to those on either side of the present entrance front, which are very much of 1820s. The three rooms at this end of the house keep their original ceilings of delicate plasterwork; the centre one, which was formerly the entrance hall, has a ceiling with pendentives, making it an octagon. Behind this former entrance hall is an imperial staircase with a balustrade of elegant ironwork, lit by a dome; this too, is part of the earlier house. 3rd Marquess, Castlereagh’s younger half-brother, who was far richer than either his father or his brother had ever been, having married the wealthy Durham heiress, Frances Anne Vane Tempest, enlarged the house to its present form ca 1825-28, his architect being William Vitruvius Morrison. A new block was built onto what had been the back of the original house, as wide as the original house was long and long enough to make, with the end of the original house, a new entrance front of 11 bays, with a pedimented porte-cochere of four giant Ionic columns as its main central feature; the three outer bays on either side being treated as pavilions, each with a one bay pedimented breakfront similar to that which was put onto the front of the original house. The outer bays have a balustraded roof parapet, which is carried round the end of the house and along the new garden front. The latter is as long as the entrance front, and has a boldly projecting centre with a pediment and a single-storey portico of coupled Ionic columns; and a curved bow at either end. The principal interior feature of the newer building is a vast central hall, consisting of an octagon, top-lit through a balustraded gallery from a dome filled with stained glass, with rectangular extensions so as to form a room much longer than it is wide; with screens of couple painted marble Ionci columns between the octagon and the extensions. Morrison’s reception rooms are spacious and simple; the drawing room has a screen of Ionic colmns at either end. The interior of the house was done up post WWI by 7th Marquess, Secretary of State for Air in 1930s; the central room in the garden front being panelled as a smoking and living room. The 7th Marquess and his wife (the well-known political hostess and friend of Ramsay MacDonald) also laid out an elaborate garden, going down the hillside from the garden front of the house towards Strangford Lough. As well as this noteaable C20 garden. Mount Stewart boasts of one of the finest C18 garden buildings in Irelnad, the Temple of the Winds, an octagonal banqueting house built 1780 to the design of “Athenian” Stuart, who based it on the Tower of the Winds in Athens. It has a porch on two of its faces, each with two columns of the same modified Corinthian order as that of the columns of the Tower of the Winds. Mount Stewart was given to the Norhtern Ireland National Trust by Lady Mairi Bury, daughter of 7th Marquess, ca 1977, and is now open to the public. The Temple of the Winds was given 1962 to the Trust, which has since restored it; the garden was given to the Trust in 1955.” 

Mount Stewart, County Down, by Art Ward for Tourism Northern Ireland, 2016 (see [3])
Mount Stewart, County Down, by Art Ward for Tourism Northern Ireland, 2016 (see [3])

8. Newry and Mourne Museum, Bagenal’s Castle, County Down

https://discovernorthernireland.com/things-to-do/newry-and-mourne-museum-bagenals-castle-p690251

Bagenal’s Castle, County Down, Courtesy of Tourism Northern Ireland, 2010. (see [3])

The Discover Northern Ireland website tells us:

Bagenal’s Castle is a sixteenth century fortified house and adjoining nineteenth century warehouse. It houses Newry and Mourne Museum and Newry Visitor Information Centre.

During restoration work on the Castle many original features were uncovered including fireplaces, windows, doorways, gun loops and a bread oven. These have been interpreted for the visitor and drawings were commissioned to illustrate how the various living quarters of the castle would have functioned in the sixteenth century. Highlights include a restored Banqueting Room which is used throughout the year for seasonal and family events.

The Museum’s diverse collections include material relating to prehistory, Newry’s Cistercian foundations, Ulster’s Gaelic order and the relationship with the English Crown; the building of a merchant town and the first summit level canal in the British Isles. You can also discover the history of the ‘Gap of the North’, the historic mountain pass between Ulster and Leinster located to the south of Newry. One of the key main exhibitions, ‘A Border Town’s Experience of the 20th Century’, examines local attitudes to major political and economic events of the 20th century. There are also permanent exhibitions on farming, fishing and folklore in the Mournes and South Armagh.”

9. Portaferry Castle, County Down

https://discovernorthernireland.com/things-to-do/portaferry-castle-p676311

The website tells us:

Portaferry Castle is a 16th-century tower-house, built by the Savage family and prominently located on the slope overlooking Portaferry harbour within sight of Strangford and Audley’s Castles across the water. Simpler than the earlier ‘gatehouse’ tower house, it is square in plan with one projecting tower to the south where a turret rises an extra storey and contains the entrance and stair from ground floor to first floor. 

There are three storeys and an attic, and like early tower-houses it has spiral stairs. However, like some later tower houses it lacks a stone vault as all floors were originally made of wood. 

***THE CASTLE IS CURRENTLY CLOSED FOR REPAIRS AND WILL NOT OPEN THIS YEAR”

Mark Bence-Jones writes in his A Guide to Irish Country Houses (1988):

p. 232. “(Nugent, sub Douglas-Nugent/IFR) A dignified house of 1821, by William Farrell, who apparently worked on a plan produced by Charles Lilley 1790, the three storey centre of the house being very possibly a three storey block of 1770s. The centre of the entrance front is of five bays, with a central Wyatt window in each of two upper storeys; and a porch with paired Ionic columns and Ionic end piers. On either side of the centre there is a wide, three-sided bow, ofonly two storeys but as high as the rest of the front. Ionic columns in hall and some good plasterwork. The house stands in beautiful parkland overlooking the entrance to Strangford Lough.” 

from Mark Bence-Jones.

Places to stay, County Down

1. Barr Hall Barns, Portaferry, County Down – self catering €

https://www.barrhallbarns.co.uk/

The website tells us:

Barr Hall Barns are 18th Century period cottages in an outstanding tranquil location with panoramic views across Strangford Lough to the Mourne Mountains.

We are based just outside the seaside village of Portaferry, at the very southern tip of the Ards Peninsula, overlooking Barr Hall Bay which is protected by the National Trust.

With idyllic walking routes right at our doorstep, come escape to an area of natural outstanding beauty and enter the truly magical setting of Barr Hall Barns.

2. Castle Ward, Potter’s Cottage in farmyard:

https://www.nationaltrust.org.uk/holidays/the-potters-cottage-northern-ireland

and Castle Ward bunkhouse: https://www.nationaltrust.org.uk/holidays/castle-ward-bunkhouse-northern-ireland

Sleeps 14 people.

3. Culloden, County Down – hotel €€€

Culloden Estate and Spa, photograph courtesy of Hastings Hotel 2017, Ireland’s Content Pool (see [3])

4. Florida Manor, 22 Florida Road, Killinchy, Newtownards, Co Down, BT23 6RT Northern Irelandself-catering, €€

http://www.floridamanorni.com/cgi-bin/greeting?instanceID=1

and Florida Manor Gambles Patch, Hollow View and Meadow Green.

The website tells us: “Dating back to 1676, Florida Manor, an original Irish Georgian Estate has undergone sympathetic refurbishment. Within the estates original stone perimeter wall lies 200 acres of extensive landscaped grasslands, private lakes, walkways and bridal paths.

Mark Bence-Jones writes in his A Guide to Irish Country Houses (1988):

p. 297. “(Gordon/IFR) A C18 house consisting of a three storey principal block with a recessed centre, linked to lower wings by curved sweeps with balustrades and pilasters. Projecting enclosed porch, also balustraded and with Ionic columns. quoins. Originally the seat of the Crawfords; passed by marriage to the Gordons C18. The house became ruinous in the present century but has been restored as two dwellings.” 

5. Helen’s Tower, Bangor, County Down €€

https://www.irishlandmark.com/property/helens-tower/

A tower with pepper-pot bartizans rising from a hill at the southern end of the demesne, completed 1862 to a design by William Burn. It was built in honour of his mother, Helen, Lady Dufferin, one of three beautiful and lively sisters who were the granddaughters of Richard Brinsley Sheridan; in a room near the top of the tower, lined with delicate Gothic woodwork, the walls are adorned with poems on bronze tablets expressing the love between mother and son; including a poem written specially for Lord Dufferin by Tennyson: 

Helen’s Tower here I stand 

Dominant over sea and land 

Son’s love built me, and I hold 

Mother’s love in lettered gold.” 

And see Robert O’Byrne’s entry about it at https://theirishaesthete.com/2022/09/05/helens-tower/

6. Kiltariff Hall, County Down

https://www.kiltariffhall.co.uk 

The website tells us: “Kiltariff Hall is a Victorian Country House on the outskirts of the small market town of Rathfriland. Built by our great-grandfather William Fegan in 1888, the house is set at the end of a short drive and is surrounded by mature oak, sycamore and pine trees. It is run myself, Catherine and my sister Shelagh who grew up in Kiltariff when it was a working farm. We are both passionate and knowledgeable about the Mourne area and believe that providing good locally produced food is key to ensuring guests enjoy their stay.

7. Narrow Water Castle, apartment, Newry Road, Warrenpoint, Down, Northern Ireland, BT34 3LEself catering

http://narrowwatercastle.co.uk

Narrow Water, photograph by Chris Hill 2005 for Tourism Ireland, Ireland’s Content Pool (see[3]).

The website tells us:

Narrow Water Castle is the private home of the Hall family who have lived at Narrow Water since 1670, originally in the Old Narrow Water Keep situated on the shoreline of Carlingford Lough which is now a national monument.

As a private home the castle is not open for public admission. It does however occasionally open its doors for weddings and exclusive events.

In 1816 construction began on the new Castle by Thomas Duff, a well-known Newry architect who also designed the Cathedrals in Newry, Armagh and Dundalk. The Elizabethan revival style castle is made from local granite and built next to the existing house, Mount Hall (1680). It was completed in 1836.

The self catering apartments are located in the original hub of the castle (Mount Hall), dating back to 1680. Mount Hall joins the Elizabethan revival part of the castle to the courtyard.

Number 2: The apartment opens into an elegant open plan, living room and dining room with open fire. We have used several antique pieces of furniture to hint of times gone by. We are happy to provide logs if our guests wish to use the fire.

There are two spacious, beautifully furnished bedrooms, one of which is en-suite.

Number 6: This 2 bedroom luxury apartment is the perfect place to escape and unwind. Both bedrooms are en-suite. There is a grand open plan living /dining area with a unique feature skylight and exposed beams. The living area is adorned with antique furniture has a wood burning stove for cosy nights by the fire. The modern kitchen is fully equipped and the dining area seats six comfortably. A quality sofa bed allows this apartment to accommodate up to six guests. This apartment is on the first floor with access via the original stone staircase dating to the 1680s

8. The Old Inn, Bangor, County Down €€

https://www.theoldinn.com

Established in 1614!

The Old Inn, Crawfordsburn, Bangor, photograph Courtesy of Alexandra Barfoot 2022 for Tourism Northern Ireland.

9. Slieve Donard hotel and spa, County Down €€

https://www.slievedonardhotel.com

The website tells us: “Slieve Donard was originally built by the Belfast and County Down Railway as an ‘end of the line’ luxury holiday destination. Construction started in 1896 and was completed and officially opened on 24th June 1898 at the cost of £44,000. It was one of the most majestic hotels of its time and was almost self-sufficient with its own bakery, vegetable gardens, pigs, laundry and innovatively a power plant, which also provided electricity for the railway station.

Slieve Donard typified the idea of Victorian grandeur and luxury with its Drawing Room, Grand Coffee Room, Reading and Writing Room, Smoking Room, Billiard Room and Hairdressing Rooms—you can’t help but conjure up scenes of great style and decadence. ‘One could even partake of seawater baths, douche, spray, needle and Turkish baths all provided by an electric pump straight from the sea.

In 2021, Adventurous Journeys (AJ) Capital Partners acquired Slieve Donard Resort and Spa, which will become the first Marine & Lawn Hotels & Resorts property in Northern Ireland and the fourth hotel in the collection.

Slieve Donard hotel and spa, courtesy of Hastings Hotel, 2017, Ireland’s Content Pool. (see[3])

9. St John’s Point Lighthouse Sloop, Killough, County Down € for 3-4

St John’s Lighthouse Killough by Bernie Brown 2014 for Tourism Ireland. (see [3])

www.irishlandmark.com

JP Ketch and JP Sloop. Each sleeps four people, From £328 for 2 nights.

10. Tullymurry House, Tullymurry road, Donaghmore, Newry, County Down – sleeps 8, € for 8

https://www.irishlandmark.com/propertytag/cottages-and-houses/?gclid=Cj0KCQiA64GRBhCZARIsAHOLriLIJz7CUUx5wWUI2qTIAf7BmdPnvsPy0gkZeJ3VthNkuoG8mj6PetUaAhcXEALw_wcB

This fabulous period home is a historic Irish country farm house. Set on wonderful gardens including an orchard, Tullymurry House is an ideal base for golf, fishing, hiking, walking, beach, and other outdoor pursuits.

11. Tyrella, Downpatrick, County Down, BT30 8SU – accommodation €

https://www.tyrellahouse.com/the-rooms

The website tells us:

Tyrella House is a luxury B&B and wedding venue located in the heart of picturesque County Down, with its necklace of pretty fishing villages. A fine 18th century house surrounded by glorious wooded parkland with its own private beach just a short walk from the house, Tyrella offers a tranquil and relaxing getaway.

Tyrella House has been owned by the Corbett family for over 60 years, and was bought by John Corbett after the Second World War to train race horses. 

His son, David Corbett began running B&B in the 1990s, which continues to this day. In 2020, the day to day running of the B&B was taken over by his son, John and his wife Hannah.

Whole house County Down

1. Ballydugan House, County Down (weddings)

http://ballyduganhouse.com/

At Ballydugan we can provide accommodation and an oasis of relative calm for the Bride’s immediate family.  Also if absolute adherence to tradition is important then we have Ballymote Country House nearby, where we can ensure that the paths of the Bride and Groom will not cross prior to the wedding.

2. Drenagh Estate and Gardens, County Down (wedding venue)

https://drenagh.com/

It tells us “Nestled in beautiful parkland and surrounded by our gardens, you will find our grand Georgian Mansion House which is perfect for weddings, family get togethers, corporate events and much more.

The website tells us the history of the McCausland family who own the property:

The family name McCausland goes back more than 900 years to an O’Cahan named Anselan, son of Kyan, King of Ulster. Anselan was forced to leave Ireland in about 1016 on account of his share in a ‘memorable stratagem where he and other young Irishmen dressed in women’s attire surprised and slaughtered their Danish oppressors’ (The Vikings). When Malcolm II of Scotland heard of Anselans feats he invited him to become his Master of Arms and ‘bestowed ample lands upon him in The Lennox’. 

Twelve generations later, in the 1540s, his descendant Baron Alexander McAuslane returned to Ulster with his brother Andrew and settled in the Strabane area. The first McCausland to live at Drenagh (then called Fruithill) was Robert McCausland, Alexander’s grandson.  Robert was bequeathed the Estates when he married the daughter of William Conolly, a wealthy self-made man and speaker of the Irish Parliament.

Robert named his first son Conolly in reverence to his father-in-law; the name is still used in alternate generations to this day. A large painting of Robert and his family now hangs in the dining room at Drenagh. The first Conolly married the heiress Elizabeth Gage from Bellarena (five miles up the coast) and had a son, Conolly, who also formed another lucrative union with Theodosia Mahon from Strokestown House, Co. Roscommon.

It was their son Marcus McCausland (1787-1862) who was responsible for commissioning Sir Charles Lanyon to build the present house. The former house (Fruithill) can be seen through a window painted in the portrait of Robert McCausland and his family. Marcus and his wife, Marianne, nee Tyndall from The Fort at Bristol, produced an heir Conolly Thomas(1828-1902). A delightful portrait of him dressed in his Eton cricketing clothes also hangs in the dining room at Drenagh.

Conolly Thomas’s son Maurice Marcus lived through both the best and worst of times at Drenagh as in 1902, through the Irish Land Acts; the Government compulsorily purchased 75% of the Estate.  Drenagh was lucky; many Irish Estates were taken off their owners in their entirety.  Some say this was no bad thing, as landlords the Irish landed gentry could be brutal in their treatment of their tenantry, indeed some were burnt out before they could be bought out.

Conolly Robert, Maurice’s son, fought in the 2nd World War and was so profoundly affected by what he experienced that he changed his Faith to Catholicism.  This he did despite knowing he had signed a codicil to his fathers will barring him from inheriting should he become a Catholic.  The will was contested but it was found that although the codicil applied to Conolly Robert, it did not do so to any of his direct descendants.  So, on his death in 1968, his son Marcus inherited Drenagh.

Sadly four years later in 1972 Marcus was shot dead by the IRA.

Currently Marcus’s son Conolly Patrick lives at Drenagh.

[1] Mulligan, Kevin V. The Buildings of Ireland: South Ulster, Armagh, Cavan and Monaghan. Yale University Press, New Haven and London, 2013.

[2] p. 11. Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[3] Ireland’s Content Pool, https://www.irelandscontentpool.com/en

[4] p. 12, Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[5] https://www.discoverireland.ie/Activities-Adventure/clough-oughter-castle/48729 

[6] http://www.discoverbelturbet.ie/unesco-geopark/clough-oughter/

[7] https://theirishaesthete.com/2015/09/09/a-mere-shell/

[8]  see Timothy William Ferres: http://lordbelmontinnorthernireland.blogspot.com/search/label/County%20Cavan%20Landowners?updated-max=2018-07-03T12:32:00%2B01:00&max-results=20&start=10&by-date=false

Places to Visit and Stay in Ulster: County Antrim

On the map above:

blue: places to visit that are not section 482

purple: section 482 properties

red: accommodation

yellow: less expensive accommodation for two

orange: “whole house rental” i.e. those properties that are only for large group accommodations or weddings, e.g. 10 or more people.

green: gardens to visit

grey: ruins

Today we start with places to see in Ulster. I am publishing this list first because in my researches, I have so often met with families and properties in Northern Ireland which I had not been including in my listings. I can’t wait to start exploring Northern Ireland as well as continuing my visits to Section 482 properties.

The province of Ulster contains counties Antrim, Armagh, Cavan, Derry, Donegal, Down, Fermanagh, Monaghan and Tyrone.

For places to stay, I have made a rough estimate of prices at time of publication:

€ = up to approximately €150 per night for two people sharing (in yellow on map);

€€ – up to approx €250 per night for two;

€€€ – over €250 per night for two.

For a full listing of accommodation in big houses in Ireland, see my accommodation page: https://irishhistorichouses.com/accommodation/

Antrim – listings, and see descriptions below:

1. Antrim Castle and Clotworthy House, County Antrim

2. Belfast Castle estate , County Antrim

3. Carrickfergus Castle, County Antrim

4. Dunluce Castle (ruin), County Antrim

5. Galgorm Castle, County Antrim – now part of a golf club.

6. Glenarm Castle, County Antrimprivate, can book a tour

7. Lissanoure Castle, County Antrimprivate, wedding venue

8. Malone House, Belfast, County Antrimwedding and conference venue

9. Wilmont House (park only), Sir Thomas and Lady Dixon Rose Gardens.

Places to stay. Count Antrim: 

1. Ballyealy Cottage, Castle Shane Estate, County Antrim €€ for two, € for 3-5

2. Ballygally Castle, Larne, County Antrim €

3. Ballylough House, County Antrim €€

4. Drum Gate Lodge, Ballylough House, Bushmills, County Antrim €€

5. Blackhead Cutter Lighthouse keeper’s house, Whitehead, County Antrim €€ for two, € for 4/5

6. Culloden Estate and Spa, Bangor Road, Holywood, Belfast, BT18 0EX €€€

7. Dunadry Hotel, County Antrim €€

8. Barbican, Glenarm Castle, County Antrim €€

9. Kilmore House, County Antrim

10. Kiln Wing, Old Corn Mill, Bushmills, County Antrim €€

11. Larchfield Estate, Lisburn, Co Antrim, BT27 6XJ, Northern Ireland

12. Lissanoure Estate cottages: all currently let

13. Magherintemple Gate Lodge, Ballycastle, County Antrim €€ for 2; € for 3/4

14. Merchant Hotel, Belfast €€€

15. Old Bushmills Barn, 15 Priestlands Road, Antrim €€€ for two; € for four

16. Portbradden Cottage, Bushmills, County Antrim

17. Strand House, Ballymena, County Antrim

18. Tullymurry House, Banbridge, County Antrim, whole house rental: €€€ for two; € for 3-8

19. Whitepark House, 150 Whitepark Road, Ballintoy, County Antrim, BT54 6NH €€

Weddings/whole house rental:

1. Magheramorne, County Antrim.

1. Antrim Castle gardens and Clotworthy House, County Antrim – estate and gardens open to the public, the Castle was destroyed by fire. The stable block, built in the 1840s and now known as Clotworthy House, is used as an arts centre.

https://discovernorthernireland.com/things-to-do/antrim-castle-gardens-and-clotworthy-house-p704051

1 Jan 2022 – 31 Dec 2022
Monday09:30 – 17:00
Tuesday09:30 – 21:30
Wednesday09:30 – 17:00
Thursday09:30 – 21:30
Friday09:30 – 17:00
Saturday – Sunday10:00 – 17:00

* Closed 1 January, 12 July, 25 & 26 December.

This website tells us:

Antrim Castle Gardens are an absolute historical gem. You will find nothing like these 400 year old gardens anywhere else in Northern Ireland. A £6m restoration project, which received generous support from Heritage Lottery Fund, has now preserved this historic site for generations to come.

Walk into the past as you stroll around this magnificent setting, visiting beautiful features such as the Large Parterre, Her Ladyship’s Pleasure Garden and Yew Tree Pond.

Within the heart of the Gardens is a unique visitor experience, the refurbished Clotworthy House. Visit the Garden Heritage Exhibition where you can read about the history of the Gardens and the story of the Massereene family. It provides a fantastic opportunity to come and learn about garden history how the lives of the key family members intertwine with the development of Antrim town and the surrounding areas.

The light filled Oriel Gallery plays host to a range of stunning exhibitions throughout the year.

Be sure to visit and sample the many culinary delights in the Garden Coffee Shop with its delicious treat menu which has something to suit everyone. Your visit won’t be complete without a visit to the Visitor Shop where there is a unique range of goods with a distinct garden focus. With Christmas just around the corner, the shop offers some interesting and quaint gift ideas so why not drop in and pick something up for a friend, a loved one or even to spoil yourself.

With a year round programme of events and activities including talks, walks, interactive workshops, performances and exhibitions, the Gardens are just waiting to be explored.

See also https://visitantrimandnewtownabbey.com/things-to-do/gardens-and-parks/antrim-castle-gardens-clotworthy-house/ which tells us that:

Antrim Castle Gardens is a 17th century Anglo Dutch water garden, one of only three in the British Isles.
In a beautiful riverside location close to Antrim town centre they are perfect for a stroll, a coffee or the opportunity to experience a variety of exhibitions, courses and classes.

Developed around Antrim Castle, built by Sir Hugh Clotworthy and his son, Sir John Clotworthy, between 1610 and 1662, they are a complex living museum containing over four centuries of culture and heritage that tell the stories of the people who created, lived and worked here.

Mark Bence-Jones writes of Antrim Castle in his  A Guide to Irish Country Houses

(Skeffington, Massereene and Ferrard, V/PB) A castle by the side of the Sixmilewater, just above where it flows into Lough Neagh, built originally 1613 by the important English settler, Sir Hugh Clotworthy, and enlarged 1662 by his son, 1st Viscount Massereene [John Clotworthy (1614-1665)]. The castle was rebuilt 1813 as a solid three storey Georgian-Gothic castellated mansion, designed by John Bowden, of Dublin, faced in Roman cement of a pleasant orange colour; the original Carolean doorway of the castle, a tremendous affair of Ionic pilasters, heraldry, festoons and a head of Charles I, being re-erected as the central feature of the entrance front, below a battlemented pediment. Apart from this, and tower-like projections at the corners, with slender round angle turrets and shallow pyramidal roofs, the elevations were plain; the entrance front being of four bays between the projections, and the long adjoining front of 11 bays. Mullioned oriels and a tall octagonal turret of ashlar were added to the long front in 1887, when the castle was further enlarged. Remarkable C17 formal garden, unique in Ulster, its only surviving counterpart being at Killruddery, Co Wicklow. Long canal, bordered with tall hedges, and other canal at right angles to it, making a “T” shape; old trees, dark masses of yew and walls of rose-coloured brick. Mount, with spiral path, originally the motte of a Norman castle. Imposing Jacobean revival outbuildings of course rubble basalt with sandstone dressings; built ca. 1840. Entrance gateway to the demesne with octagonal turrets. Antrim Castle was burnt 1922.” [1]

The 1st Viscount Massereene married Margaret Jones, daughter of Roger Jones, 1st Viscount Ranelagh. Their daughter Margaret married and her husband gained the title through her, to become John Skeffington, 2nd Viscount Massereene. The 4th Viscount, whose first name was Clotworthy, which became a family name, married Lady Catherine Chichester, eldest daughter of Arthur, 4th Earl of Donegall. Their son Clotworthy became 1st Earl of Massereene.

The 4th Earl died in 1816, and the earldom expired; but the viscountcy of Massereene and barony of Loughneagh devolved upon his only daughter and sole heiress, Harriet Skeffington, 9th Viscountess of Massereene (1789-1843) [2]. She married, in 1810, Thomas Henry Foster, 2nd Viscount Ferrard. It was for Harriet and Thomas that the castle was rebuilt in 1813. Algernon William John Clotworthy Whyte-Melville Skeffington, 12th Viscount Massereene and Ferrard, DSO, was the last of the Skeffingtons to live at Antrim Castle. Lord and Lady Massereene and their family were hosting a grand ball in Antrim Castle when it was burnt by an IRA gang on the 28th October, 1922. Following the fire, Lord Massereene went to live in the nearby dower house, Skeffington Lodge (which subsequently became the Deer Park Hotel, but is no longer a hotel). Further losses of family treasures – this time by sale, not by fire – now followed. 

After the Second World War, Skeffington Lodge was abandoned; the Antrim Castle stable block was converted for use as a family residence, and was re-named Clotworthy House. Clotworthy was acquired by Antrim Borough Council, and was converted for use as an Arts Centre in 1992. 

Timothy William Ferrers tells us that a fine stone bridge, the Deer Park Bridge, spans the river at a shallow point and formed a link between the demesne and the rest of the estate. He continues:
 
The Anglo-Norman motte adjacent to the house was made into a garden feature, with a yew-lined spiral walk leading to the top, from which views of the grounds, the town of Antrim and the river could (and can still) be enjoyed. 
 
The castle and the motte were enclosed within a bawn and protected by artillery bastions, which were utilized for gardens from the 18th century. 
 
The formal canals, linked by a small cascade and lined with clipped lime and hornbeam hedges, are the main attraction. The main gate lodge from the town, the Barbican Gate, was possibly built in 1818 to the designs of John Bowden and has been separated from the site by the intrusion of the road. An underpass now connects the lodge entrance to the grounds.” (see [2])

Also Featured in Irish Country Houses, Portraits and Painters. David Hicks. The Collins Press, Cork, 2014.  

2. Belfast Castle estate , County Antrim

https://discovernorthernireland.com/things-to-do/belfast-castle-estate-p676051

The website tells us:

Belfast Castle estate is situated on the lower slopes of Cave Hill Country Park in north Belfast. It contains both parkland and mature mixed woodland and offers superb views of the city from a variety of vantage points. The estate is home to many different species of wildlife, including long-eared owls, sparrowhawks and Belfast’s rarest plant, the town hall clock.

More information about the estate is available from Cave Hill Visitor Centre, located in Belfast Castle.
You can call the centre directly on 028 9077 6925.
Park features include Cave Hill Adventurous Playground, Cave Hill Visitor Centre, landscaped gardens, a Millennium herb garden, ecotrails and orienteering routes.
We also offer refreshments (in Belfast Castle), scenic views, full car parking facilities and a wide variety of wildlife.

Belfast Castle ca. 1900-1939, Eason photographic collection National Library of Ireland, flickr constant commons.
Belfast Castle and Gardens, photograph by Aidan Monaghan 2015 for Tourism Ireland [3]

Mark Bence-Jones writes in his A Guide to Irish Country Houses:

“(Chichester, Donegall, M/PB; Ashley-Cooper, Shaftsbury, E/PB) The original Belfast Castle was a tall, square semi-fortified house with many gables, built at the beginning of C17 by the Lord Deputy Sir Arthur Chichester, uncle of the 1st Earl of Donegall. It stood surrounded by formal gardens and orchards going down to a branch of the River Lagan, and was the seat of the Donegalls until 1708 when it was destroyed by a fire “caused through the carelessness of a female servant,” three of six daughters of 3rd Earl perishing in the blaze. The castle was not rebuilt and the ruin was subsequently demolished; its site and that of its gardens is now occupied by Castle Place and the adjoining streets, in what is now the centre of the city. For much of C18, the Donegalls lived in England; later, they lived at Ormeau, just outside Belfast to the south-east. 3rd Marquess of Donegall [George Hamilton Chichester (1797-1883)] found Ormeau inconvenient; and so, towards the end of 1860s, he and his son-in-law and daughter, afterwards 8th Earl and Countess of Shaftesbury, built a large Scottish-Baronial castle at the opposite side of the city, in a fine position on the lower slopes of Cave Hill, overlooking the Lough; it was named Belfast Castle, after Sir Arthur Chichester’s vanished house. The architects of the new Belfast Castle were Sir Charles Lanyon and William Henry Lynn; stylistically, it would seem to be very much Lynn’s work; but it may also perhaps have been influenced by a design by William Burn, having a plan almost exactly similar to those of several of Burns’s Scottish-Baronial castles. Tall square tower, of six storeys, in the manner of Balmoral. Projecting pillared porch in “Jacobethan” style, with strapwork on columns. On the garden front, a fantastic snaking Elizabethan staircase of stone leading down to the terrace from the piano nobile was added 1894. Entrance hall in base of tower; larger hall opening at one end into staircase well with massive oak stair; arcaded first floor gallery. Now well maintained by the City of Belfast as a setting for functions.” [4]

The Castle passed from the 3rd Marquess of Donegall to his daughter Harriet Chichester and her husband Anthony Ashley-Cooper (1831-1886), who became the 8th Earl of Shaftsbury. Their son the 9th Earl of Shaftsbury served as Lord Mayor in 1907 and Chancellor of Queen’s University the following year. The family presented the castle and estate to the City of Belfast in 1934. 

Timothy William Ferres tells us that from the end of the 2nd World War until the 1970s the castle became a popular venue for wedding receptions, dances and afternoon teas. In 1978, Belfast City Council instituted a major refurbishment programme that was to continue over a period of ten years at a cost of over two million pounds.  

The architect this time was the Hewitt and Haslam Partnership. The building was officially re-opened to the public on 11 November 1988. [see 2]

3. Carrickfergus Castle, County Antrim

https://discovernorthernireland.com/things-to-do/carrickfergus-castle-p674971

Carrickfergus Castle, County Antrim, 2014 photography by Arthur Ward for Tourism Ireland, Ireland’s Content Pool. [3]

The website tells us

Carrickfergus Castle is a Norman castle in Northern Ireland, situated in the town of Carrickfergus in County Antrim, on the northern shore of Belfast Lough.

Besieged in turn by the Scots, Irish, English and French, the castle played an important military role until 1928 and remains one of the best preserved medieval structures in Ireland.

For more than 800 years, Carrickfergus Castle has been an imposing monument on the Northern Ireland landscape whether approached by land, sea or air. The castle now houses historical displays as well as cannons from the 17th to the 19th centuries.

A visit will give you the opportunity to see how the Great Hall at the top of the Great Tower has been transformed by the new roof which has greatly improved the visitor’s experience.

Carrickfergus Castle, County Antrim, 2014 photography by Arthur Ward for Tourism Ireland, Ireland’s Content Pool. [3]

https://www.communities-ni.gov.uk/heritage-sites/carrickfergus-castle

The Department for Communities website has more information about Carrickfergus Castle. It tells us:

Begun by John de Courcy soon after his 1177 invasion of Ulster. Besieged in turn by the Scots, Irish, English and French, the castle played an important military role until 1928 and remains one of the best preserved medieval structures in Ireland.

Its long history includes sieges by King John in 1210 and Edward Bruce in 1315, its capture by Schomberg for William III in 1689, and capture by the French under Thurot in 1760. The castle was used by the army until 1928, and in the 1939 to 1945 war it housed air-raid shelters.

John de Courcy (1177-1204) came to Ireland in the time of King Henry II, and Henry gave him land in Ulster. De Courcy fought the inhabitants of Downpatrick for his land and set up a castle there for himself. King Henry II was so pleased with him he created him Earl of Ulster and Lord of Connacht and in 1185 appointed him Lord Lieutenant of Ireland. [see Patrick Weston Joyce, The Wonders of Ireland, 1911, on https://www.libraryireland.com/Wonders/Sir-John-De-Courcy-1.php ]

4. Dunluce Castle (ruin), County Antrim

https://discovernorthernireland.com/things-to-do/dunluce-castle-medieval-irish-castle-on-the-antrim-coast-p675011

Dunluce Castle Co Antrim by Robert French, Lawrence Collection National Library of Ireland, flickr constant commons.
Dunluce Castle by Matthew Woodhouse 2015 for Tourism Ireland [see 3]

The website tells us:

With evidence of settlement from the first millennium, the present castle ruins date mainly from the 16th and 17th centuries. It was inhabited by both the feuding McQuillan and MacDonnell clans. Historical and archaeological exhibits are on display for public viewing.

Opening Hours: Please check before visiting as public access may be restricted.

Mark Bence-Jones writes in his A Guide to Irish Country Houses:

(McDonnell, Antrim, E/PB) The ancestral stronghold of the McDonnells, Earls of Antrim, dramatically situated at the end of a rocky promontory jutting out into the sea off the north Antrim coat. The castle, which was built at various periods from C14 to C17, eventually consisted of several round towers and a gatehouse with rather Scottish bartizans, joined by a curtain wall, with domestic buildings inside this enclosure. The latter included a mid-C16 loggia with sandstone columns, and a two storey Elizabethan or Jacobean house, with three large oriels. These two buildings were first of two courtyards into which the castle enclosure was divided; the other and lower yard containing offices and servants’ quarters. There were also buildings on the mainland, erected early C17. In 1639, part of the curtain wall of the castle collapsed into the sea, together with some of the servants’ quarters and a number of servants. After the Civil Wars, the castle was abandoned by the family in favour of Glenarm Castle, it is now a romantic ruin.” [5]

5. Galgorm Castle – now part of a golf club, County Antrim

https://www.galgormcastle.com/galgorm-estate.html

The website tells us: “Galgorm Castle is an historic estate dating back to Jacobean times but has evolved into one of Northern Ireland’s most vibrant destinations with diverse business, golf and recreational activities housed there. The focal point is the 17th century Jacobean castle dating back to 1607, which has been restored and along with the immaculate walled gardens is part of the Ivory Pavilion wedding and events company. The castle is also a historical reminder of the important role the Galgorm Estate played as part of Northern Ireland’s history. Away from the championship golf course there is plenty of opportunity to try the game for the first time at the Fun Golf Area with a six-hole short course and Himalayas Putting Green. The Galgorm Fairy Trail is another family option which runs out of Arthur’s Cottage at the Fun Golf Area.And if looking for great food and drink, a meal at the Castle Kitchen + Bar at the Galgorm Castle clubhouse is a must. Members and non-members are welcome.”

The website contains a history of the Castle:

Galgorm Castle is one of the finest examples of Jacobean architecture in Ireland. In May 1607, King James I granted the Ballymena Estate to Rory Og MacQuillan, a mighty warrior, famous for stating “No Captain of this race ever died in his bed,” (which thankfully means Galgorm Castle has one less ghost.). His Castle overlooks and dominates the 10th green and a network of souterrains at the fifth and eighth greens.

Sir Faithful Fortescue (b. 1585) was the nephew Arthur Chichester. This name may have come from his habit of being particularly sharp in his dealings as he tricked Rory Og McQuillan out of estates and started to build Galgorm Castle in 1618. He might better have been known as Sir Faithless Fortescue as during the Civil War, in the heat of the battle of Edghhill, he changed sides from the Parliamentarians to the Cavaliers, but forgot to instruct his men to remove the orange sashes of the Parliamentarians so seventeen of them were slain by the Cavaliers as the enemy.

Always known for turning a quick buck Sir Faithless sold the estate to the infamous Dr Alexander Colville [(c.1597-c.1679. He was a clergyman who became a wealthy landlord so it may have been malicious gossip that led to rumours)] who, as legend has it was an alchemist, reputed to have sold his soul to the devil for gold and knowledge. The stories of the good doctor are well documented and his portrait is not allowed to ever leave the castle or disaster will fall. His footsteps beat out a steady tattoo through the night as he does his rounds. Other nights, a ghostly light flickers around the park as he searches for his treasure, lost for over 300 years.

The Youngs – rich linen merchants, bought the Estate in 1850 and their cousin Sir Roger Casement lived here for six years while he was at Ballymena Academy.

The Duke of Wurtenburg made his headquarters at Galgorm following the Battle of the Boyne. The renowned Irish scholar Rose Young was born at Galgorm in 1865.

During the 1980’s, Christopher Brooke and his family inherited Galgorm Castle Estate and began developing his vision to turn Galgorm Castle into the one of Northern Ireland’s premier destinations, securing the Estate’s long-term future.”

6. Glenarm Castle, County Antrim – private, can book a tour

https://glenarmcastle.com

Glenarm Castle & Garden, photo by Donal Maloney 2021 for Tourism Ireland [see 3]

The website tells us that Glenarm Castle is one of few country estates that remains privately owned but open to the public. It is steeped in a wealth of history, culture and heritage and attracts over 100,000 visitors annually from all over the world. 

Visitors can enjoy enchanted walks through the Walled Garden and Castle Trail, indulge in an amazing lunch in the Tea Room, purchase some local produce or official merchandise, or browse through a wide range of ladies & gents fashions and accessories and a selection of beautiful gifts, souvenirs and crafts in the Byre Shop and Shambles Workshop – with many ranges exclusive to Glenarm Castle.

Glenarm Castle is the ancestral home of the McDonnell family, Earls of Antrim. The castle is first and foremost the private family home of Viscount and Viscountess Dunluce and their family but they are delighted to welcome visitors to Glenarm Castle for guided tours on selected dates throughout the year.

Delve deep into the history of Glenarm Castle brought to life by the family butler and house staff within the walls of the drawing room, the dining room, the ‘Blue Room’ and the Castle’s striking hall. 

Finish the day with the glorious sight of the historic Walled Garden, which dates back to the 17th century.

Dates are limited and booking in advance is required.  

Glenarm Castle, by Donal Maloney 2021, for Tourism Ireland. [see 3]

Mark Bence-Jones writes in his  A Guide to Irish Country Houses (1988):

p. 135. “(McDonnell, Antrim, E/PB) Originally a castle built 1603 by Sir Randal MacDonnell [1610-1682], afterwards 1st Earl of Antrim, as a hunting lodge or secondary residence; became the principal seat of the family after Dunluce Castle was abandoned.

The mansion house was rebuilt ca 1750 as a 3-storey double gable-ended block, joined by curving colonnades to two storey  pavilions with high roofs and cupolas. [This would have been during the life of the 5th Earl of Antrim, Alexander MacDonnell (1713-1775)].

The main block had a pedimented breakfront with three windows in the top storey, a Venetian window below and a tripartite doorway below again, flanked on either side by a Venetian window in each of the two lower storeys and a triple window above. The pavilions were of three bays. Ca. 1825, the heiress of the McDonnells, Anne, Countess of Antrim in her own right, and her second husband [Edmund Phelps], who had assumed the surname of McDonnell, commissioned William Vitruvius Morrison to throw a Tudor cloak over Glenarm. He did very much the same as he had done at Borris, Co Carlow and Kilcoleman Abbey, Co Kerry; adding four slender corner turrets to C18 block, crowned with cupolas and gilded vanes; he also gave the house a Tudor-Revival façade with stepped gables, finials, pointed and mullioned windows and heraldic achievements, as well as a suitably Tudor porch. The other fronts were also given pointed windows and the colonnades and pavilions were swept away, a two storey Tudor-Revival service wing being added in their stead.

The interior remained Classical; the hall being divided by an arcade with fluted Corinthian columns; the dining room having a cornice of plasterwork in the keyhole pattern. In 1929, the Castle was more or less gutted by fire; in the subsequent rebuilding, to the designs of Imrie & Angell, of London, the pointed and mullioned windows were replaced with rectangular Georgian sashes. Apart from the octagon bedroom, which keeps its original plasterwork ceiling with doves, the interior now dates from the post-fire rebuilding; some of the rooms have ceilings painted by the present Countess of Antrim [Elizabeth Hannah Sacher]. The service wing was reconstructed after another fire 1967, the architect being Mr Donal Insall. In 1825, at the same time as the castle was made Tudor, the entrance to the demesne from the town of Glenarm was transformed into one of the most romantic pieces of C19 medievalism in Ireland, probably also by Morrison. A tall, embattled gate tower, known as the Barbican, stands at the far end of the bridge across the river, flanked by battlemented walls rising from the river bed.

Glenarm Castle, photograph by Donal Malony 2021 for Tourism Ireland, Ireland’s Content Pool (see [3]).

Randall William MacDonnell, 6th Earl of Antrim and later 1st (and last) Marquess of Antrim (1749-1792), married Letitia Morres, daughter of Hervey Morres 1st Viscount Mountmorres of Kilkenny. They had no sons. His eldest daughter Anne Catherine became Countess of Antrim in her own right. When she died her sister Charlotte became Countess of Antrim. Her sons became the 4th and 5th Earls of Antrim. The descendants still live in the castle.

See also the blog of Timothy William Ferres. [see 2]

7. Lissanoure Castle, County Antrim – private, wedding venue

https://lissanourecastle.com

George MacCartney, 1st and last Earl Macartney, lived at Lissanoure Castle, and is an ancestor of my husband, Stephen! His mother was a Winder.

The website tells us: “Lissanoure Castle is an award-winning venue situated on a privately owned estate. The beautiful natural landscape provides the perfect backdrop for those all important photos and memories that last a lifetime. The 18th century Coach House and the Castle Barn have been converted into spectacular venues, with a fully licensed bar.

Lissanoure Castle is on an island site in the heart of a privately owned estate of Peter and Emily Mackie. It was the original seat of Lord Macartney, the first British Ambassador to China.” Earl Macartney brought his cousin (1st cousin, once removed) Edward Winder with him to China, and Edward kept a diary, which is in the National Library of Ireland’s manuscript room.

Edward Winder (1775-1829) who went with his cousin George Macartney to China and wrote diaries on the trip, which are in the National Library of Ireland.

The website for Lissanoure tells us: “There has been a settlement at Lissanoure since Celtic times because of its naturally defensive position. In the middle of the lake there is a crannóg (an artificial island normally dating from the Iron Age and used for defence).

The earliest record of a castle situated at Lissanoure dates from 1300. There is some confusion about who built it, some records naming Sir Philip Savage and other records showing Richard Óg de Burgh, second Earl of Ulster (also known as The Red Earl).

The estate passed to the O’Hara family of Crebilly in the early part of the fourteenth century. There are maps dated 1610 and published by John Speede, showing the castle (called Castle Balan) sited on the north shore of the lake.

The estate was sold in 1733 to George Macartney, a member of the Irish Parliament, for over fifty-four years. 

It passed in due course to his only grandson, George (born 1737) later Envoy Extraordinary to Catherine the Great, Chief Secretary for Ireland, President of Fort St. George, Madras, Ambassador to China, Govenor of the Cape of Good Hope, Earl in the Irish Peerage and Baron in the British Peerage.

The estate remained with the Macartney family until the beginning of the last century when it was acquired by the Mackie family.

Today, it is still a traditional family estate with farming and forestry and it is owned and managed by Peter and Emily Mackie. They have continued the restoration work, started by his parents, of the castle and the gardens.

Earl Macartney did not have children. The website tells us that The Lissanoure and Dervock estates were left to Macartney’s wife who had a life-interest. The heir was his sister’s daughter, Elizabeth Belaguier, who married the Rev. Dr Travers Hume, a Church of Ireland clergyman. However she never inherited the estates as she died before the Countess of Macartney, so Elizabeth’s eldest son, George Hume, inherited the Lissanoure and Dervock estates, with one of the conditions being that he assumed the surname Macartney.

George Hume Macartney had expressed dissatisfaction with the existing castle as it was often in need of repair, for it suffered from damp, and the family had to move out for periods. He decided to rebuild much of it whilst, at the same time rebuilding an “elegant cottage in the later English style” near the edge of the lake. He changed the Gothic mansion to a Georgian styled mansion extending the living quarters for the house into where the stables and coach houses were in the court yard. He then built on a semi-circular yard of grand dimensions for the stables and coach houses with an impressive Tudor revival archway and clock tower entrance.

Mark Bence-Jones writes in his A Guide to Irish Country Houses (1988):

Following Lord Macartney’s death in 1806, Lissanoure was inherited by his great-nephew, George Hume, who assumed the surname of Macartney; and who began rebuilding the house from 1829 onwards, pulling down the old castle, which stood at one corner of it; putting up  a Tudor archway leading into the courtyard, surmounted by an octagonal battlemented belfry and spire, very much in the manner of William Vitruvius Morrison. 
 
Not until 1847 did he tackle the front of the house, having in the meantime built himself ”an elegant cottage in the later English style, richly embellished” by the side of the lake. In that same year, after the front wall has been taken down, with a view to rebuilding it, there was an explosion which killed Mrs Macartney and presumably also damaged the structure of the house; for all work on it ceased and it was allowed to fall into ruin. The “elegant cottage” continued to serve as the family residence and it was later rebuilt in a more rustic style, with dormer gables and elaborate bargeboards; and an office wing a the back almost twice as large as the house itself.” [6]

The website tells us that George Hume Macartney died and the Lissanoure and Dervock estates were inherited in 1869 by his eldest son, George Travers Macartney, a former Captain in the 15th King’s Hussars. “He was well regarded by all his tenants and workers, so it came as a tremendous shock when he died of a sudden heart attack on the 29th August 1874 attack aged 44 leaving a wife and four small children. The people of Dervock erected a fountain to him beside the bridge in the centre of the village in his memory and many tributes were paid to him.

Carthanach George Macartney, aged 5 years, inherited the estates. He was officially landlord of Lissanoure and Dervock for a total of 62 years, a record among Irish gentry.

His mother and cousins took charge in the early years but when Carthanach came to power he proved himself kind and generous.

He saw the break-up of the estate under the Land Acts,which started in 1881, under which his tenantry eventually became owner-occupiers and he was left only with the lands immediately around his home, which he farmed. In 1936 his son George Travers Lucy Macartney aged 40 years became his successor... In 1943 The Mackie family of James Mackie & Sons of Belfast, once the world’s largest producers of textile machinery and major contributors to the war effort with the production of Bofors gun shells and the fuselage for Stirling bombers, buy the estate from the Macartney family.”

8. Malone House, Belfast, County Antrim – wedding and conference venue

https://discovernorthernireland.com/things-to-do/malone-house-p674831

The discover Northern Ireland website tells us:

Malone House, located in Barnett Demesne in south Belfast, is an late Georgian mansion which dates from the 1820s.

Today, it is a popular venue for conferences, functions and weddings and is licensed to hold marriage and civil partnership ceremonies, subject to the availability of a Registrar.

It offers a wide range of facilities, including:
• Function rooms
• Conference rooms
• Malone Room for coffee, lunches and afternoon teas
• Higgin Gallery

https://www.malonehouse.co.uk

Malone House 2014, unknown photographer for Tourism Ireland [see 3]

The website tells us:

Located on the site of a 17th century fort, Malone House was built in the 1820s for William Wallace Legge, a rich Belfast merchant who had inherited the surrounding land. A keen landscaper, he designed and planted most of the estate’s grounds, which remain relatively unchanged today. 

When Legge died, ownership of Malone House passed to the Harberton family, who lived on the premises from 1868 to 1920. The building’s last owner was William Barnett, who presented Malone House to the city of Belfast in 1946.

Following its presentation to the city, Malone House was leased to the National Trust in the early 1970s. After it was nearly destroyed by a fire in 1976, the building was repaired by the council and reopened in June 1983. 

Since then, it has become a major venue for weddings, conferences, social functions and other events, while the surrounding grounds are popular with walkers and cyclists.”

9. Wilmont House (park only), Sir Thomas and Lady Dixon Rose Gardens.

Wilmont House, Sir Thomas and Lady Dixon Park, 2015, by Brian Morrison for Tourism Ireland, see [3]

https://discovernorthernireland.com/things-to-do/sir-thomas-and-lady-dixon-park-p674891

The website for the park tells us

The beautiful Sir Thomas and Lady Dixon Park comprises rolling meadows, woodland, riverside fields and formal gardens. The City of Belfast International Rose Garden has made the park world famous, and contains over 20,000 blooms in the summer, divided into trial and display beds, an historical section, and a heritage garden that displays the best of the roses from local breeders. Each season thousands of visitors enjoy the rose gardens and associated events during Rose Week. 

Sir Thomas and Lady Dixon Park also contains International Camellia Trials, a walled garden, a Japanese-style garden with water features for quiet contemplation, a very popular childrens’ playground, an orienteering course and many walks.”

Mark Bence-Jones describes Wilmont House: p. 285. “(Reade/LGI1958) A plain two storey Victorian house, built 1859. Three bay front, with balustraded porch; lower wing, ending with wing as high as main block. Adjoining front with central curved bown and one bay on either side. Camber-headed windows in upper storey of main block. Eaved roof on bracket cornice.” 

Timothy William Ferres tells us:

The original house, which stood on the site of the present-day barbecue area, dated back to 1740 and was replaced by the present red-bricked house in 1859. 

This house was designed by Thomas Jackson (1807-90), one of Belfast`s most notable Victorian architects.

Sir Thomas and Lady Dixon purchased Wilmont demesne in 1919. 

Sir Thomas died at Harrowgate in 1950. Lady Dixon, who was appointed DBE after the 1st World War in recognition of her service to HM Forces, died in 1964. A year before her death, in 1963, Wilmont demesne was officially handed over to Belfast Corporation. The house, according to her wishes, was shortly afterwards opened as a home for the elderly; while the grounds, at her behest, were opened to the public. 
 
The present park, named after its benefactors, consists of 134 acres and has been the venue for the City of Belfast International Rose Trials since 1964.” (see [2])

Places to stay. Count Antrim: 

1. Ballyealy Cottage, Castle Shane Estate, County Antrim €€ for two, € for 3-5

https://www.irishlandmark.com/propertytag/cottages-and-houses/?gclid=Cj0KCQiApL2QBhC8ARIsAGMm-KFInICcRSxwLSiDxfFNk5WFytNcVrLvOQYhzJbIBes4V-M65iXz0gYaAln_EALw_wcB

The website tells us: “Located close to the shores of Lough Neagh, Ballealy Cottage is a nature lover’s paradise. With a wonderful wildlife garden and surroundings to explore this property is ideal for people who want to escape from the hustle and bustle life. With zero light pollution Ballealy Cottage is perfect for star gazing and watching the resident bat colony returning to roost in the evenings.”

2. Ballygally Castle, Larne, County Antrim €

https://www.hastingshotels.com/ballygally-castle/?gclid=CjwKCAjwybyJBhBwEiwAvz4G7w8_p7MWKXCL6Vrjer6k5D4AaaJg8CVSfc31wnqzX2CTqPmXQcBoLBoCez8QAvD_BwE

Ballygally Castle, County Antrim, photograph by Brian Morrison 2017 for Tourism Ireland [see 3]

The website tells us:

Ballygally Castle, affectionately dubbed “the jewel in the Hastings Crown”, was purchased by the Hastings Hotels Group in 1966 and over the years various extensions and renovations have transformed it to the charming hotel it is today. It received official four star status from the Northern Ireland Tourist Board in 2007 and in 2014 the hotel underwent a further major refurbishment and extension project, with the addition of ten new Coastal Deluxe bedrooms, a new larger Reception area and the stunning new Kintyre Ballroom. All developments at the Castle have been very carefully undertaken so as not to distract from the history of the original building, as the hotel’s distinctive character comes from the fact that it dates back to 1625. The Ballygally Castle is unique in that it is the only 17th Century building in Northern Ireland still being used as a residence today!

Built in 1625 by James Shaw and his wife Isabella Brisbane. Shaw, a native of Greenock, Scotland, came to Ireland in 1606 to seek his fortune. In 1613, he received a sub-grant of land from the Earl of Antrim. It was on this land that the castle was built. [James Shaw, a Scot, built the castle in Scottish style with a steep roof, high walls, corner turrets and dormer windows. Its walls are five feet thick and studded with ‘loopholes’, narrow vertical slits through which muskets could be fired.]

The castle came under attack during the 1641 rising, when the Gaelic Irish rose against the English and Scots settlers. Although a nearby Irish garrison controlled the countryside around and tried to force their way in, the inhabitants held out.

They did not all survive. John Jamieson sent his two sons and daughter out to fetch corn. One son was hung by rebels and his daughter taken prisoner.

In 1680 the castle was actually captured by the ‘Tories’ of Londonderry – dispossessed Irish chieftains who had lost everything following the 1641 rising. However, with a bounty on their heads, they did not stay long and soon returned to the then plentiful woods.

The original castle served as a place of refuge for the Protestants during the Civil Wars. During that time, it was handed down from fathers to sons and in 1799 it was passed to William Shaw, the last squire of Ballygally. In the early 1800s the Shaw family lost their wealth and the estate was sold to the Agnew family for £15,400.

For several years it was used as a coastguard station, before the Reverend Classon Porter and his family took residence. It was then taken over by the Moore family. They then sold it to textile millionaire Mr. Cyril Lord in the early 1950s, who refurbished it as a hotel.

After centuries of private ownership, Ballygally Castle was turned into the elegant Candlelight Inn in the 1950s by ‘Carpet King’ Cyril Lord, who became famous from the TV ads for his carpet company. Its candelabra brand was designed around distinctive light fittings, some of which can still be seen in the 1625 Room.

Sir Billy Hastings bought Ballygally Castle in 1966. Beautifully refurbished, the hotel has preserved the castle’s unique character and many of its features.

Mark Bence-Jones writes in his A Guide to Irish Country Houses (1988):

p. 22. “A unique example of a C17 Plantation Castle surviving intact, inhabited and unchanged, except from the insertion of sash windows. Built 1625 by James Shaw. With its high roof, its two pepperpot bartizans, and its two curvilinear dormer-gables, which do not quite match, it looks for all the world like a little C16 or early C17 tower-house in Scotland. In 1814, the residence of Rev. Thomas Alexander. Now an hotel.”

See also the blog of Timothy William Ferres. [see 2]

3. Ballylough House, County Antrim 

https://ballyloughbnb.co.uk

Mark Bence-Jones writes in A Guide to Irish Country Houses (1988):

p. 24. “(Traill/IFR) A C18 house originally belonging to Archibald Stewart of Ballintoy; bought by the Traill family 1789, two storey over basement; three bay front. The front was subsequently given Wyatt windows; battlemented segmental flanking walls with niches were built 1815; and a wing was added, also in early C19. At some other date, the Tuscan doorcase was moved from the centre to the front to the righ-hand bay, thereby spoiling the symmetry. Plasterwork in hall which may be contemporary with the original building of the house; plasterwork festoons, flowers and foliage elsewhere, probably later.”

See also the blog of Timothy William Ferres. [see 2]

4. Drum Gate Lodge, Ballylough House, Bushmills, County Antrim €€

https://www.irishlandmark.com/propertytag/cottages-and-houses/?gclid=Cj0KCQiApL2QBhC8ARIsAGMm-KFInICcRSxwLSiDxfFNk5WFytNcVrLvOQYhzJbIBes4V-M65iXz0gYaAln_EALw_wcB

The blog of Timothy William Ferres tells us that there are two gate lodges to Ballylough House: the unusual circular West Lodge of ca 1800, now known as The Drum; and the East Lodge of ca 1840, which is still occupied and has its own charming cottage garden. The West Lodge, now known as The Drum, was built at the end of a long avenue of beech trees at the western edge of the Ballylough Estate in 1800 by Archdeacon Traill, two years after he bought the estate. [see 2]

5. Blackhead Cutter Lighthouse keeper’s house, Whitehead, County Antrim €€ for two, € for 4/5

https://www.irishlandmark.com/property/blackhead-cutter/

3 houses: https://www.irishlandmark.com/properties/

6. Culloden Estate and Spa, Bangor Road, Holywood, Belfast, BT18 0EX €€€ https://www.cullodenestateandspa.com

Culloden Estate and Spa, courtesy of Hastings Hotels, 2017, Ireland’s Content Pool (see [3]).

The website tells us Colloden was originally built as an official palace for the Bishops of Down. The Culloden Estate and Spa stands in twelve acres of secluded gardens and woodland.

7. Dunadry Hotel, County Antrim €€

https://www.dunadry.com

Located at the heart of County Antrim, our location is easily accessed from anywhere in Northern Ireland, and further afield with Belfast International Airport only a short 10-minute drive away.

If the walls within our iconic venue could speak, they will tell many stories of times gone by, dating back to the 1600’s when it housed the High Kings of Ireland, to its days as a Paper Mill and a Linen Mill before it took form as a hotel.

It’s time for you to experience the history that flows through this iconic venue, rich with traditional features still on show, complimented now by its modern and contemporary décor.

8. Barbican, Glenarm Castle, County Antrim – €€ see also Glenarm Castle, above

https://www.irishlandmark.com/property/the-barbican/

Timothy William Ferres tells us: “The Barbican gate lodge is built into the estate wall at the end of an old stone bridge spanning the river Glenarm. It was commissioned in 1823 by Edmund Phelps, the second husband of Anne Catherine, Countess of Antrim suo jure, who inherited the estate when her father, the 6th Earl, died without male issue. 
 
The architect William Vitruvius Morrison built it using local, coursed, rubble basalt and red ashlar sandstone dressings. This gate lodge has a narrow turret staircase which leads onto a roof terrace overlooking the surrounding countryside
.” [see 2]

9. Kilmore House, County Antrim

https://kilmorecountryhouse.com

Timothy William Ferres tells us:

KILMORE HOUSE, Glenariff, County Antrim, comprises a large two-and-a-half-storey Edwardian block with earlier Georgian wings to its southern elevation. The house was constructed in stages, and parts of the building may date from as early as the 18th century. The current façade of the house, however, was built in 1907-8. 
 
The first recorded occupant of the site was Coll McDonnell, a gentleman who leased 10 acres of land in Kilmore from his kinsman, Lord Antrim, and established a dwelling there in 1706. The site passed to Coll’s son Alexander in 1742; and then to his grandson, John, in 1803 before being occupied by his great-grandson Randal in 1815. 
 

The McDonnells initially resided in an early-Georgian house which had been constructed in the townland ca 1706. 
 
The two-storey, four-bay farmhouse (at the south side of the two-and-a-half-storey Edwardian block) had been constructed by 1832. 
 
A thatched building (which predated the rest of the farmhouse) was presumably the McDonnell family’s previous dwelling on the site, however it cannot be confirmed with certainty whether any trace of this structure survives at the site. 
 
The farmhouse at Kilmore was originally known as Ballinlig. 
 
By the mid-19th century Ballinlig had passed to Randal McDonnell’s eldest son Alexander; following whose decease, in 1862, Ballinlig was occupied by his younger brother, Colonel John McDonnell, who remained at the site until his own death in 1905. 
 
McDonnell’s residence became known as “Kilmore House” by at least the turn of the 20th century. Following the death of Colonel McDonnell in 1905, Kilmore House passed to his nephew, Captain William Alexander Silvertop. 
 
The Silvertop family extended the house in 1907-8. The Edwardian extension was designed by Nicholas Fitzsimmons (1869-c1940), a Belfast-based architect who entered into partnership with Robert Graeme Watt and Frederick Tulloch in 1909. Fitzsimons’s original plans show that the extension consisted of the two-and-a-half-storey Edwardian block to the north side of the Georgian farmhouse. 
 
The plans of Kilmore House record that the interior floor-plan of the original farmhouse was altered to incorporate the kitchen, dining-room, a study and private chapel; whilst the new block consisted of a drawing-room and billiards-room (at ground floor), bedrooms and bathrooms (at first floor) and servants quarters (in the attic storey). 
 
Captain Silvertop served in France during the 1st World War, but following his death, in 1917, the house was sold and passed out of the McDonnell family. Kilmore House had lain vacant from 1910 until 1919, when it was purchased by Joseph Maguire, a senator in the Northern Ireland Parliament at Stormont. 
 

The De La Salle Order purchased Kilmore in 1958, when it was occupied by the Most Rev Dr  D Mageean, RC Bishop of Down and Connor (1882-1962).The Bishop resided at Kilmore House until ca 1960, when the building was converted into a holiday home for visitors to the North Coast, administered by the Trustees of Kilmore Holiday House. 

Kilmore House was listed in 1980 and is now a country house hotel. Today the house is set in thirteen acres. It has fourteen bedrooms. A stained-glass window at the landing still has the McDonnell and Silvertop armorial bearings.” (see [2])

10. Kiln Wing, Old Corn Mill, Bushmills, County Antrim €€

https://www.irishlandmark.com/property/kiln-wing-old-corn-mill/

11. Larchfield Estate, Lisburn, Co Antrim, BT27 6XJ, Northern Ireland https://www.larchfieldestate.co.uk/staying-over

House Tour with a guided Nature walk. Fly Fishing course also available. Accomodation and Clamping also on site. Larchfield Estate walk, Lisburn, @ChristopherHeaney Courtesy of Tourism Northern Ireland 2022

The website tells us that Larchfield extends to 600 acres and includes peaceful forest and woodland alongside picturesque river banks. Steeped in history, Larchfield’s heritage dates back to the 1600’s with many remarkable ups and downs throughout its 350-year history.

Larchfield’s story starts back in 1660 when the land (at that time, about 1500 acres) was bought from the O’Neills. It wasn’t until 1750 that the original part of the current house was built on the site of an old farm house. It was built by the Mussendens, who were merchants bankers in Belfast. We have an interesting connection with Mussenden Temple in County Londonderry which was built by the Earl Bishop (a cousin) in memory of Mrs. Mussenden from Larchfield who died at the age of 22, sadly before Mussenden Temple was finished.

In 1845, the house was redesigned by Charles Lanyon, one of Belfast’s most prominent and influential architects of the Victoria Era and famous for designing Queens University and the Custom House in Belfast among many others. We know that Lanyon changed the front of the house to face south, with new driveways.

Then in 1868/9, William Mussenden sold the house to Ogilvie B Graham, 1st of a family of hereditary directors of the York Street Flax Spinning Company. The valuation of the house was about £100 at the time and as well as adding an extra storey to the main house, Graham added the gate lodge.

In 1873 the Victorian wing of the house was added, followed by the Fish Pond Lake in 1896. Our Fish Pond Lake, accessed exclusively by only the bride and groom when we host a wedding, is referenced both in maps from 1896 and also in Gerard Brennan’s book, A Life of One’s Own. In this book he also refers to Larchfield as the pink house. Gerard Brennan was the grandson of the Ogilvie Grahams.

Moving to more recent times, in 1968, Mr. Leslie Mackie, father of current owner Gavin Mackie, bought the estate at auction from Col Ogilvy Graham (approx. 300 acres). Some of the best parkland trees had to be bought back from a timber merchant as they had been sold prior to auction!

The current owners (Gavin and Sarah Mackie) were married themselves at Larchfield in 2007, and moved back to take on the estate from Gavin’s parents. The estate was opened up for weddings and events around this time and in 2010, as part of its renovation, the Stables was re-built and re-roofed for hire for ceremonies and smaller functions downstairs.

In 2012, Rose Cottage was the first of the onsite accommodation to be restored, leading to the development of accommodation for up to 37 guests. Late 2019 saw the completion of the redevelopment of an 1800s railway style building facing the Larchfield Estate cottages. Harkening back to its history as a piggery, The Old Piggery was officially launched in 2020 as a new offering for experiences, dining, special celebrations and corporate retreats. This project was kindly supported by the Rural Development Programme.

12. Lissanoure Estate cottages: see above, and

https://lissanourecastle.com/the-estate/

All currently let.

13. Magherintemple Gate Lodge, Ballycastle, County Antrim €€ for 2; € for 3/4

https://www.irishlandmark.com/propertytag/cottages-and-houses/?gclid=Cj0KCQiApL2QBhC8ARIsAGMm-KFInICcRSxwLSiDxfFNk5WFytNcVrLvOQYhzJbIBes4V-M65iXz0gYaAln_EALw_wcB

Mark Bence-Jones writes in his A Guide to Irish Country Houses:

(Casement/IFR) A house of ca. 1875, in Scottish baronial style. The seat of the Casement family, of which Sir Roger Casement was a cadet.” [7]

Timothy William Ferres adds that an earlier quite modest house called Churchfield was described in 1835 as being a plain two storey dwelling, the property of the Casement family from 1790. 
 
It was considerably enlarged in 1874-75 for John Casement, adding an austere Scottish-baronial block in Ballyvoy stone with gate lodge in matching style. 

14. Merchant Hotel, Belfast €€€

https://www.themerchanthotel.com/our-history

The Merchant Hotel – Front Entrance, Courtesy of Merchant Hotel, Belfast 2017, Ireland’s Content Pool (see [3]).

The website tells us:

The Merchant Hotel has long been admired for its distinctive architectural style, both in its former life as the headquarters of the Ulster Bank and now, in its current incarnation as a five-star luxury hotel.

This formidable sandstone structure was purpose built as the headquarters of the Ulster Bank. The site was originally acquired in 1836. However, the decision to build was not taken until 1857. Bank Directors Robert Grimshaw and James Heron visited Glasgow and Edinburgh to glean as much information as possible on the best banking buildings. It was their wish that the building should appear elegant, substantial and prosperous.

The location was deemed suitable as it was in the heart of Belfast’s mercantile and commercial centre. In fact, Waring Street derives its name from a successful local merchant William Waring.

For the creation of the Ulster Bank headquarters, the directors felt the work should be undertaken by an innovative architect. Over sixty proposals were submitted to the bank’s committee and £100 was offered for the best design. In the end the design of a talented Glaswegian by the name of James Hamilton was selected. The building work was undertaken by Messer’s D and J Fulton, while the spectacularly ornate plasterwork in the main banking hall was carried out by Belfast man George Crowe.

The exterior of the building is Italianate in style. Sculptures depicting Commerce, Justice and Britannia, look down benignly from the apex of the magnificent façade. Under the grand central dome of the main banking hall (now The Great Room Restaurant), fruit and foliage designs surround the walls in a magnificent frieze. Four Corinthian columns frame the room and feature plump putti (cherub-like figures) depicting science, painting, scripture and music.

Generosity of proportions and an ornate but not ostentatious style throughout the building has ensured that it is one of the most renowned and best loved buildings in Belfast. When the designs were first shown at the 1858 London Architectural Exhibition, the literary magazine Athenaeum described them as “very commendable, earnest, massive, rich and suitable”. Writing more than a century later, founding member of the Ulster Architectural Heritage Society C.E.B. Brett said the building offered “every inducement to linger and ponder on wealth and its advantages”.

The Ulster Bank headquarters were transformed into the five-star Merchant Hotel in 2006. The original Grade A listed building was then greatly enhanced in the summer of 2010 by the addition of a £16.5 million extension featuring a wealth of new facilities for guests. 

Thanks to local historian Raymond O’Regan for some of the historical information referenced in this section.

Merchant Hotel, 2014, photograph by James Fennell, for Tourism Northern Ireland, Ireland’s Content Pool (see [3])
Inside the Merchant Hotel, 2014, photograph by James Fennell, for Tourism Northern Ireland, Ireland’s Content Pool (see [3])
Inside the Merchant Hotel, photograph by James Fennell, 2014, for Tourism Northern Ireland, Ireland’s Content Pool (see [3])
Inside the Merchant Hotel, photograph by James Fennell, 2014, for Tourism Northern Ireland, Ireland’s Content Pool (see [3])

15. Old Bushmills Barn, 15 Priestlands Road, Antrim €€€ for two; € for four

https://www.theoldbushmillsbarn.com

The website tells us:

“1608

The history of the barn fascinates everyone. Tradition and innovation melts into these stunning grounds. Bushmills is a town with a rich history boasting the oldest distillery in the world, originating in 1608.

1700’s

Bushmills grows and The Old Rectory & its Barns are built.

The 1821 listing’s text changed to: In 1821 for a cost of £1200 (£960,000 in today’s money) the still existing church, Dunluce Parish was built. Four years later in 1825 the Rectory and the Barns were extended, a big step in the history of Bushmills, serving as a home to the church’s ministers for the next 150 years.

1821

In 1821 for a cost of £1200 (£960,000 in today’s money) the still existing church, Dunluce Parish was built. Four years later in 1825 the Rectory and the Barns was erected, starting its journey in the history of Bushmills, serving as a home to the church’s ministers for the next 150 years.

The Reverent James Morewood was the first occupant.

During these periods of ownership, the Barns are used for servants quarters and stables for horses.

1960

In 1960 flooding happened and the house and barns were abandoned and a new modern house was built for the minister at that time and future ministers to come.

1990

Young business owners Robert Mckeag and Louise Mckeag purchase the house from the church and the original restoration of this Georgian Manor begins.

1993

The original restoration of the now Old Rectory is completed. With the Barns now having a tin roof.

2018

The Old Rectory hosts the VIP guests and commentators of the American news channel NBC news for the 148th British Open, Royal Portrush.

2019

After studying International Hospitality and Tourism Management and working at The Gleneagles Hotel, Robert and Louise’s son Jasper dreams up the perfect accommodation for exploring the booming tourism spot – The North Coast of Northern Ireland.”

16. Portbradden Cottage, Bushmills, County Antrim

https://www.nationaltrust.org.uk/holidays/portbraddan-cottage-northern-ireland

Three bedrooms, minimum three night stay.

17. Strand House, Ballymena, County Antrim

https://www.nationaltrust.org.uk/holidays/strand-house-northern-ireland

The website describes it:

Step through the bold red stable door of this cottage to discover the quirky internal layout. Take in the sea views from the bedroom or head outside to feel the sand between your toes on the wide sandy beach. Families, history enthusiasts and walkers will love the secluded location.

Sitting in the heart of the Antrim coast and Glens Area of Outstanding Natural Beauty, you may recognise the dramatic landscape surrounding the cottage from the Game of Thrones series. Inside, the layout downstairs is definitely unusual, but you’ll find a living room with woodburner, separate dining room, bathroom and hallway (not necessarily in that order, but that’s part of the fun). Upstairs there’s three bedrooms; a double, a twin and a single. Make the most of sunny seaside days and nights in the enclosed grassy gardens front and back, where the picnic table provides a great spot for an al-fresco family meal.

With its secluded setting just north of the village of Cushendun, Strand House is ideal for escaping the hustle and bustle of everyday life. The village (which is now cared for by the National Trust) was built in the Cornish style in 1912 by Baron Cushendun in attempt to please his Cornish-born wife. The sheltered bay is also where you’ll find amenities like the pub, tearoom and shops. Or stay closer to home and relax on the beautiful sandy beach that curves right past the cottage. If you’re a nature lover, there are red squirrels to seek out in the forest at nearby Glenmona House.

18. Tullymurry House, Banbridge, County Antrim, whole house rental: €€€ for two; € for 3-8

https://www.irishlandmark.com/propertytag/cottages-and-houses/?gclid=Cj0KCQiApL2QBhC8ARIsAGMm-KFInICcRSxwLSiDxfFNk5WFytNcVrLvOQYhzJbIBes4V-M65iXz0gYaAln_EALw_wcB

The website tells us: “This fabulous period home is a historic Irish country farm house. Set on wonderful gardens including an orchard, Tullymurry House is an ideal base for golf, fishing, hiking, walking, beach, and other outdoor pursuits.

19. Whitepark House, 150 Whitepark Road, Ballintoy, County Antrim, BT54 6NH €€

http://www.whiteparkhouse.com/about.html

From the website:

Whitepark House is situated on the North Antrim coast road above the prettiest beach in Northern Ireland, Whitepark Bay.

The Giants Causeway is 4 miles west of us and Ballintoy harbour and Carrick-a-Rede rope bridge is 2 miles east.

We like to think that Whitepark House is one of the most interesting and atmospheric houses on the North coast , it was here in 1730 and has been added to over the centuries.

In the winter of 2006 we decided we felt confident enough to re-invest in the house and did a major renovation………re-wiring the house, new plumbing, heating, bathrooms and even a new roof…… we added a big conservatory for guests breakfast in the summer and some extra space for ourselves.

Hopefully we’ll never have to see another builder in our lifetime.

We now have 3 double bedrooms, some overlook the garden, some look towards the sea, all have large bathrooms containing power showers and separate baths. The rooms are individual in style thanks to Siobhan’s curtain making skills, one has a brass four poster bed, the others are brass or leather.”

Weddings/whole house rental:

1. Magheramorne, County Antrim

https://magheramorneestate.com/

The website tells us:

The stunning Magheramorne Estate, conveniently located just 23 miles from Belfast, is one of the most exclusive venues available for private hire in Northern Ireland. From weddings, family parties, corporate meetings and events to occasion meals, this coastal estate offers a variety of unique indoor and outdoor spaces to fulfil your dreams.

Built as a grand family home around 1880, the house has recently enjoyed sympathetic and elegant restoration in keeping with its Grade B1 listed status.

The Allen family have made significant investments to ensure the house meets modern expectations while carefully retaining the welcoming warmth of genuine domestic comfort.

Designed circa 1878 by Samuel P Close, it was built by James Henry for Sir James Hogg to mark his rise to the peerage of Baron Magheramorne in 1880. It replaced Ballylig House, an earlier and more modest residence originally constructed in 1817.

Magheramorne House was then occupied by the Baron’s family until 1904 when Colonel James McCalmont took up residence.

The estate changed hands again in 1932 as Major Harold Robinson, (of Robinson and Cleaver’s department store fame), transformed the house and grounds.

He further extended and developed the impressive gardens by planting many of the 150 different species of woodland trees present at the estate to this day.

These grounds are today maintained in their impressively manicured state by a skilled full-time gardener.

Magheramorne House’s architectural and historical significance is reflected in its Grade B1 listed status. While the accommodation has been modernised since its original construction, many notable period features, both internally and externally, have been retained.

The magnificent gardens extend over 40 acres and are a particular feature of the estate.

They include formal landscaped gardens and an exceptional array of specimen trees that impressively enhance the naturalistic planting.

Also tucked away in the private estate are two dramatic glens, a waterfall, ornamental walks, streams, ponds, feature bridges and a wide array of flora, fauna and indigenous wildlife to discover.

A new chapter in the history of Magheramorne Estate was opened in 2020 following its purchase by the Allen family who are very well respected in the food and hospitality sector.

They are currently investing all their time and energy into giving Magheramorne Estate a whole new lease of life with a sympathetic restoration and innovative plans for staging future events.

[1] p. 6. Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[2] http://lordbelmontinnorthernireland.blogspot.com/search/label/County%20Antrim%20Landowners?updated-max=2020-02-05T07:48:00Z&max-results=20&start=49&by-date=false

[3] https://www.irelandscontentpool.com/en

[4] p. 36, Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988, Constable and Company Ltd, London.

[5] p. 116. Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[6] p. 188, Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[7] p. 198. Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

Stradbally Hall, Stradbally, Co. Laois

contact: Thomas Cosby
Tel: 086-8519272
www.stradballyhall.ie
Open in 2023: May 1-31, June 1-9, Aug 12-20, Oct 1-14, 9am-1pm

Fee: adult €10, OAP/student €5, child free

Thomas Cosby kindly agreed to show us his home, Stradbally Hall, in June, despite ongoing Covid restrictions. This year (2021) Section 482 houses are not required to be open to the public due to the dangers of the Covid virus.

Many people have heard of Stradbally nowadays as it is the venue for Electric Picnic. Being the venue for a festival brings in much-needed finances for some of the big houses in Ireland. Stradbally is owned by the same family for whom it was built, and it is magnificent. I can only imagine how hard it is to maintain. Like many of the owners who inherit their big houses, Thomas farms his land.

Mark Bence-Jones tells us in his  A Guide to Irish Country Houses that a house was built at Stradbally in 1699 for Lt-Col Dudley Cosby (1662-1729). [1] This house, however, was demolished by the grandson of Lt-Col. Dudley, another Dudley (Alexander Sydney) Cosby, 1stand last Lord Sydney of Leix and Baron of Stradbally, in 1768, and a new house was built in 1772, on what was regarded to be a healthier site. It is a nine bay, two storey over basement house. The stone walls of the original house gardens are now the walled garden.

The 1740s painting of Stradbally with the previous (1699) house in the centre. This hangs in the Billiard Room where Thomas brought us first, and used the painting to illustrate the history of his family.
The Archers John Dyke Acland and Dudley Alexander Sydney Cosby Baron Sydney, by James Scott, after Sir Joshua Reynolds, mezzotint, late 19th century (1769). Photograph from the National Portrait Gallery, London.

The second (1772) house was enlarged in 1866-69, designed by Sir Charles Lanyon, of Lanyon, Lynn & Lanyon, to form the house which we see today. Lanyon, Lynn & Lanyon also designed Castle Leslie, which we visited – another Section 482 property which is now a hotel. [2]

The entrance gates to Stradbally Hall.

Lt-Col. Dudley Cosby was not the first Cosby to live in Ireland. The Cosby, or Cosbie, family, came to Ireland around 1538, during the reign of Queen Mary (i.e. “Bloody Mary,” the eldest daughter of King Henry VIII, called “Bloody” as she used bloody means to defend the Catholic faith). General Francis Cosby (1510-1580) was an active defender of the Pale in Ireland, the area around Dublin controlled by the British crown,  and in 1562 he was granted the site of the Abbey of Stradbally. [3] Francis Cosby married the daughter of the Lord Protector of England, Edward Seymour, the 1st Duke of Somerset. Lord Seymour was the brother of Jane Seymour, wife of Henry VIII. Due to the struggles for power within the court of Henry VIII, Lord Seymour was executed. Francis Cosby came to Ireland at this time. The Abbey, which had been disestablished in Henry VIII’s time (i.e. was taken from the Catholic church and no longer served as an Abbey) became Francis Cosby’s residence, and part of it still exist in the town of Stradbally in a building still called “the Abbey.”

General Francis Cosby died in battle, at the age of seventy, in the battle of Glenmalure in Wicklow, in 1580. He was succeeded by his son, Alexander. Alexander and his son, Francis, continued to fight, engaged in perpetual battle, Major E.A.S. Cosby tells us, with the O’Moores, who had originally controlled the land in the area. In 1596 Anthony O’Moore sent to demand a passage over Stradbally Bridge. Alexander understood this to be a challenge, so he refused passage, and prepared to fight once again, along with his son Francis. That day both Alexander and Francis Cosby were killed, leaving Francis’s nine week old son, William, to inherit. Parts of Stradbally Bridge still exist.

Along the drive to the house.

William died at a young age and so his uncle, Richard, inherited the Stradbally estate. Richard challenged the O’Moores to a further fight to avenge his father, and this time he won. Having won one battle each, the fighting seems to have subsided. Richard married Elizabeth Pigott, daughter of the neighbour Robert Pigott of Dysart.

It was Richard’s great-grandson, Lt-Col. Dudley Cosby (1662-1729) who built the house at Stradbally pictured in the 1740 painting. His grandson of the same name, Dudley Alexander Sydney Cosby (1732-1774), served as Ambassador to the Court of Denmark, and for his services, was created Lord Sydney of Leix and Baron of Stradbally, in 1768. When serving as Ambassador to Denmark he helped to arrange the marriage of King George III’s sister to the son of the King of Denmark. It was an unsuccessful marriage and she left her husband for the Prime Minister of Denmark! Despite the lack of success of the marriage he helped to arrange, Dudley Cosby was elevated to the peerage. He married Lady Isabella St Lawrence, daughter of Thomas St Lawrence, 1st Earl of Howth (who lived in Howth Castle – the castle only recently passed out of ownership of the St. Lawrence family). 

I was lucky to be able to see Howth Castle (pictured here) this year when I went to the preview for the sale of the books in its library.

The overseer  for the building of the new house built in 1772 for Dudley Cosby, Lord Sydney was Arthur Roberts (stated on a plaque which reads: “Built by Dudley, Lord Sydney, 1772, Arthur Roberts, overseer.”)  The Historic Houses of Ireland website tells us that Dudley died before the house was finished, and his successor Admiral Phillips had to sell 5000 acres to finance the completion. [4]

Dudley Lord Sydney died soon after his marriage, and did not have any children. The estate passed to his nephew, son of his brother Alexander, Admiral Phillips Cosby. Phillips’s father, Alexander, was Lieutenant Governor of Annapolis Royal in the United States, and Alexander’s brother William was Governor of New York. William’s daughter Elizabeth Cosby married Lord Augustus Fitzroy and her son, Augustus Henry Fitzroy (the 3rd Duke of Grafton), became Prime Minister of England in 1767.

General William Cosby (c.1690-1736), Date 1710 by Charles Jervas, Irish, c.1675-1739, photograph courtesy of National Gallery of Ireland. William Cosby became Governor of New York.

Phillips was born in the United States and was active in the Navy, in which he continued to serve after inheriting Stradbally Hall. He served on the British side in the American War of Independence. He collected many paintings, as discussed in Stradbally’s webpage. 

View from the front of the house.

Admiral Phillips had no children, so the estate passed to Thomas Cosby (d. 1798), to his son Thomas (d. 1832), to his son Thomas Phillips, and on down to his nephew Colonel Robert Cosby (1837-1920), son of Sydney Cosby who had married the daughter and co-heir of Robert Ashworth of Shirley House, Twickenham (his brother Wellesley Pole Cosby had married the other daughter and co-heir). 

Emily Ashworth, Mrs. Sydney Cosby, by Camille Silvy, albumen print, 21 April 1861, photograph from the National Portrait Gallery, London.

Colonel Robert Cosby then employed Charles Lanyon (in 1866) to enlarge the house, remodelling it in an Italianate style. He inherited a fortune, and built houses in the nearby village of Stradbally, following in the footsteps of his forebears who had also sought to develop the village.

Stradbally passed to his son, also in the military, Captain Dudley Cosby (1862-1923), and to his son, Major Ashworth Cosby (1898-1984). Major Ashworth married Enid Elizabeth Hamilton from nearby Roundwood, County Laois. 

Roundwood House, County Laois, photograph from the National Inventory of Architectural Heritage.

It was Major Ashworth’s grandson, Thomas, who showed us around the house. Thomas’s young son joined us in the Billiard room to look at the old painting of Stradbally, and asked a few intelligent questions, so he is learning the history of his home also!

Mark Bence-Jones tells us that Lanyon added a new entrance front, which was advanced from the old front wall so that the house became three rooms deep instead of two. This front has an impressive single-storey balustraded Doric portico leading up a flight of stone steps to the front door. On either side of the portico are a group of three round-headed windows, and beyond those on either side, a two-bay block projecting forward. 

The upper storey windows are what Bence-Jones describes as “camber-headed” (he defines camber-headed windows as a window of which the head is in the form of a shallow convex curve). [5]

The house was given a high-pitched eaved roof on a bracket cornice. 

After our tour of the house, we walked around to the back of the house as I wanted to see what Bence-Jones had described: “On the garden front, Lanyon left the two three sided bows, but filled in the recessed centre with a giant pedimented three arch loggia.” It is impressive! According to the National Inventory of Architectural Heritage, this was originally the front of the house, but when the three arches were added, so was the Doric portico on what is now the entrance front, so this impressive two storey over basement treble arch was never intended, it seems, as an entry to a front door! [6]

The impressive garden front of the house with its “giant pedimented three arch loggia.”

The arches extend into shallow barrel-vaults with well-executed coffering. The door into the garden has an arched pediment over it on brackets. [7]

The side of the house has a bow in the centre, and rectangular windows with entablatures on console-brackets over them. 

The other end of the house is a slightly lower two storey over basement “bachelor’s wing” (this may have been used for visiting single gentlemen.)

The “bachelor’s wing” viewed from the garden front.

Pole Cosby (b. 1703), son of the first Lt-Col Dudley Cosby, wrote an autobiography. [8] His return from a Grand Tour of Europe is pictured in the 1740 painting in the Billiard Room. He says that his father married and set up house at Stradbally. He built the first big house on the estate, with some help from his wife’s dowry. He created gardens and kept racehorses, which, however, his father-in-law did not like and in fact paid him £100 not to keep them, which Lt-Col Dudley did not strictly observe! His wife, Sarah Pole, Pole Cosby’s mother, was from nearby Ballyfin, now a luxury hotel.

Ballyfin hotel, Photo by Tony Pleavin, 2018. [9]

Dudley Cosby overstretched his finances, however, and he had to go into the Army, purchasing a Captain’s Commission in a Regiment. He leased out Stradbally, and his wife returned to Ballyfin while he was fighting abroad. Her father died but she continued to live with her brother in Ballyfin in the winter and in his house in Queens Street, Dublin, in the summer, for five years. The children were sent to board with a family for schooling and to learn French. 

After five years, Dudley and his wife Sarah moved to London “for cheapness” and then to York. They returned to Stradbally in 1714 in better financial circumstances and he continued to do up the house and garden. Pole Cosby’s autobiography is very detailed and he writes of the places in which he lived and of his father’s battles in the military, then of his own schooling, listing all of his schoolmates. He also discusses family finances in detail. He writes that his father financed himself at first by marrying Miss Ann Owens daughter of Sir Andrew Owens of the City of Dublin and “with her he got £1500,” then in 1699 he married Sarah Pole and “got with her £2000.” He paid £300 for his Captain Commission and had to pay £100 to for his brother Alexander for not finishing his apprenticeship (this was the Alexander who moved to the U.S. along with his brother William). 

Pole Cosby went to university in Leyden in Holland, as did several of his Irish cousins. There he was studious and abstemious, he tells us. He travelled while in Europe and was introduced by Lord Townsend to King George I and his son Frederick Prince of Wales. He visited a monastery of Irish priests in Prague and argued with them about religion – they told him he was a heretic and would be damned, but when not talking of religion he says they got along very well!

Pole’s son was the second Dudley, who built the new (current) house, whose successor was Phillips Cosby his uncle. 

But let us go around to the front again. The sides of the Doric portico hold niches.

I love the little doors at either side of the Doric portico.

Two small doors either side of the portico, with segmental pediments surmounted by urns.

In the Doric portico is a round-headed door opening and timber panelled double door with overpanel.

The door leads into an entrance hall with a vaulted ceiling and a flight of steps up to the level of the principal storey. 

This figure is in the front hall, and looks like something from the prow of a ship. Perhaps she is from one of Admiral Phillips Cosby’s ships.

We went first to the billiard room on our right (the newer, Lanyon designed part of the house) to see the large painting of old Stradbally. From the billiard room you have a good view of the beautiful cut-stone farm buildings.

 The dining room. 

The three reception rooms on the garden front: the dining room, saloon  and drawing room remain much as they were before the Lanyon renovation, with late-Georgian plasterwork. 

I admired the beautiful lamp shade over the dining table, and the plasterwork ceiling, which the National Inventory describes as “Adamesque” (ie. like the work of William Adams and his sons, most famous of whom are Robert and James). Andrew Tierney in his Buildings of Ireland describes the frieze of swags “framing calyxes and paterae”, and a “guttae cornice.” Patera is a round or oval ornament in shallow relief, and calyxes are the whorls of a plant that encloses the petals and forms a protective layer around a bud. A guttae is one part of a post-and-lintel structure.

The ceiling centrepiece is of acanthus, anthemion and circles of laurel interweaving around a ribbon-and-reed moulding.

In the dining room are portraits of the Third Earl of Mornington, who was the elder brother of the Duke of Wellington (their grandfather, the 1st Baron of Mornington, was born Richard Colley, and he inherited from his cousin and took the name Wesley, which was later changed to Wellesley. His sister Anne Colley married William Pole, of the Poles of Ballyfin); Captain Thomas Cosby of the Royal Horse Guards; and of Emily and Marie Ashworth by Sir Thomas Laurence (Sydney Cosby, son of Thomas who inherited Stradbally from Phillips Cosby, married Emily Ashworth from Twickenham). Elsewhere in the house, are portraits of Dudley Cosby Lord Sydney; the Prime Minister Augustus Henry Fitzroy, 3rd Duke of Grafton; and George Earl of Halifax (William Cosby who was the Governor of New York married Grace Montagu, sister of the 1st Earl of Halifax).

The ceiling centrepiece is of acanthus, anthemion (i.e. honeysuckle flower) and circles of laurel interweaving around a ribbon-and-reed moulding. [10]

From the Dining Room we went into the Saloon. 

The stuccowork is carefully coloured with pale blue and salmon red, and there is paintwork on the ceiling:

The next room had a ceiling that took my breath away. It has a delicate band of acanthus fronds and an outer band of husks. Andrew Tierney describes also the gilded rinceau freize, in his Buildings of Ireland: Central Leinster. This is a frieze of leafy scrolls branching alternately to left and right. The walls have a Victorian paper in a gilt diamond pattern.

The late eighteenth century doorways of the original 1770s house remain.

The ballroom, as Bence-Jones calls it, now the library, one of the additional rooms formed 1866-69, extends into the bow at the end of the house. It has a ceiling decorated with panels of early C19 pictorial paper in grissaille, i.e. painting using a palette of greys, or “gris” in French. There is a pink egg and dart and dentil cornice around the ceiling, and patterning similarly painted in the ceiling rose.

Above and below, grissaille painting on the library ceiling. The paintings are of French origin and depict the story of Cupid and Psyche. [11]
The library extends into the bow.

Back to the front of the house, is the study, on the other side of the front hall from the billiards room.

In his book The Lost Houses of Ireland, Randal MacDonnell identifies the portrait over the fireplace as that of Colonel Cosby.

Amazing as the house is so far, the best is yet to come: the front hall leads to the stairwell. The former entrance hall, which keeps its eighteenth century chimneypiece, was made by Lanyon into a central top-lit staircase hall. The staircase is of Victorian oak joinery and leads up to a long picture gallery. This occupies the centre of the house, and is sixty feet in length and twenty in breadth, and is surmounted by an elaborate coffered and ornamented barrel-vaulted ceiling with glass roof  of panels set in steel frame. 

The gallery is flanked by narrow passages from which open the bedrooms. At the western end is a small lobby separated from the main portion by two pink marble Corinthian pillars, above which is an architrave decorated with a bold design in stucco.

After seeing the house, we went outside to wander around the gardens. The garden front looks on to Italianate gardens, laid out in 1867 by Maurice Armour.

There are also lovely walks around, of which we didn’t properly avail – we must have been tired!

There’s a lake on the property, and tennis court. 

The stable complex matches the house, and was also designed by Lanyon, Lynn & Lanyon. 

Inside the stable courtyard is a pretty little building, a well house with blind recessed arches and raised ornamental panels:

View of the bachelor’s wing from the stable courtyard, and below, the farmyard bell.

[1] p. 265. Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[2] https://irishhistorichouses.com/2020/08/07/castle-leslie-glaslough-county-monaghan/

[3] see the Stradbally Hall website, and the history of the house, written by Major E.A.S. Cosby in 1951. https://www.stradballyhall.ie/history/

[4] https://www.ihh.ie/index.cfm/houses/house/name/Stradbally%20Hall

[5] https://irishhistorichouses.com/2020/04/18/architectural-definitions/

[6] https://www.buildingsofireland.ie/buildings-search/building/12900432/stradbally-hall-stradbally-demesne-stradbally-stradbally-co-laois

[7] p. 598. Tierney, Andrew. The Buildings of Ireland: Central Leinster. Kildare, Laois and Offaly. Yale University Press, New Haven and London, 2019.

[8] Autobiography of Pole-Cosby of Stradbally, Queen’s County  (1703-1766) originally published in the Journal of the Co Kildare Archæological Society and Surrounding Districts, Vol V, 1906-1908. 
https://www.ornaverum.org/reference/pdf/183.pdf

[9] https://www.irelandscontentpool.com/en/media-assets/media/52026  

[10] p. 600. Tierney, Andrew. The Buildings of Ireland: Central Leinster. Kildare, Laois and Offaly. Yale University Press, New Haven and London, 2019.

[11] see https://theirishaesthete.com/2020/02/22/dancing-on-the-ceiling/

for more information about these pictures.

Castle Leslie, Glaslough, County Monaghan

contact: Samantha Leslie
Tel: 047-88091
www.castleleslie.com
(Tourist Accommodation Facility)
Open: all year, National Heritage Week events 2023: August 12-20, 9am-1pm.
Fee: Free

photo by Chris Hill of Tourism Ireland, Ireland’s Content Pool.
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“A brooding pile of rock faced limestone and russet sandstone, the exterior blends the irregular massing and elongated proportions typical of the High Victorian era with details inspired by the Renaissance and Tudor periods.” [1]

As a treat for Stephen’s birthday we booked ourselves in to Castle Leslie for two nights at the end of November. What luxury! I assumed we could not afford it as I only heard of it when Paul McCartney married there in 2002. But it is amazingly reasonable! In Christmas regalia, its beauty and opulence took my breath away, as did the generosity of the owners, allowing us to wander every nook and cranny and to sleep in a bed that was made in the year 1617!

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The Drawing Room: “Among the suite of lavish reception rooms, each one a showcase for the skill of the carpenter and stuccadore, is the Italian Renaissance-style drawing room where polygonal bay windows give unsurpassed views overlooking manicured terraces and the wooded Glaslough Lake.” (see [1])

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Above, our bed from 1617.

DAY 1: Our Castle Tour and the history of the Leslies

We had to make sure we left Dublin in time for the tour at 1pm, which does not run every day but several days a week. Our tour guide, Enda, shared only the tip of the iceberg of his knowledge of the castle and family in a tour that lasted an hour. We were able to mine him for even more tidbits later and still I felt we only scratched the surface!

The castle is a relative youngster at just 130 years old, a “grey stone Victorian pile” as Mark Bence-Jones calls it [2], or in Scottish Baronial style, according to Maurice Curtis and Desmond Fitzgerald [3]. It was designed by Sir Charles Lanyon and William Henry Lynn, built ca. 1870 for John Leslie, MP, incorporating part of an earlier house. William Henry Lynn (1821-71) was a Belfast based architect and the Castle is considered to be his masterpiece. It is set in a 1000 acre estate (much reduced from its original size) overlooking a lake, and the castle is near another residence, the Lodge (formerly the Hunting Lodge), which houses the bar and restaurant. The Lodge was designed by one of the Leslies, Charles Powell Leslie II and was built before the present castle. The hotel includes an excellent Equestrian centre on its grounds – a perfect way to explore the huge estate of lakes, forest, parkland and streams. The Estate has three lakes, Glaslough (Green Lake), Kilvey Lake and Dream Lake. [4] There is more accommodation in the restored Old Stable Mews, or in holiday cottages in the village.

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The Lodge

We drove through the picturesque village of Glaslough to reach the “crow stepped gabled gate lodges” marking the entrance to the Castle Leslie estate. (see [1])

Our tour began in the front hall of the Castle, soon after we arrived, so we left our suitcases at the front desk, to check into our room afterwards. The front hall contained arms from the Leslie family.

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The bust is of Charles Powell Leslie III. The animal heads, which you can barely see at the top of the photograph, were shot by Norman Leslie, whose bedroom we slept in!

Originally Hungarian, the first of the family moved to Ireland in 1633. They have lived at Castle Leslie since 1665. Our guide traced the family back to 1040. Their genealogy reaches even further back to Attila the Hun (he died in the year 453).

According to the Castle Leslie website, Bartholomew Leslie, a Hungarian nobleman, was the chamberlain and protector of Margaret Queen of Scotland, who was wife of King Malcolm III (he lived 1031-1093). One day, fleeing from enemies, Queen Margaret rode behind Bartholomew on his horse. When fording a river, the queen fell off and Bartholomew threw her the end of his belt and told her to “grip fast” the buckle. He saved the Queen’s life and from that day onwards she bestowed the motto “Grip Fast” on the Leslies. [5]

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Our guide told us that King Malcolm’s sister Beatrice married Bartholomew Leslie. They moved to Aberdeenshire in Scotland.

Five hundred or so years later a descendent John Leslie was born in 1571 in Aberdeenshire. He received his Doctorate of Divinity from Cambridge and was Privy Councillor to Kings James I and Charles I. He was promoted to become Bishop of the Scottish Isles, and in 1633 transferred to Donegal to the Bishopric of Raphoe.

When Oliver Cromwell came to Ireland, John Leslie, friend of the monarchy, raised a private army to battle against Cromwell, as so he earned the moniker “The Fighting Bishop.” His troops beat Cromwell in the Battle of Raphoe. When King Charles II was restored to the throne in 1660, he rewarded the Bishop with £2000 – note that the Bishop was ninety years old by this time! Despite his age, he became Bishop of the Diocese of Clogher in 1661.

With the £2000, in 1665 Bishop Leslie bought the estate at Glaslough with an existing castle which had been built in 1608 by Sir Thomas Ridgeway. Bishop Leslie died at the age of one hundred, and left the estate to his wife, Catherine Cunningham (or Conyngham) of Mount Charles in Donegal (an ancestor of the present Lord Henry Mount Charles of Slane Castle), and children. He had married at the age of 67 the 18 year old Catherine and sired five (according to our guide) or 10 (according to Wikipedia, [6]) children! Only two of his children survived to adulthood and only one has descendants.

Due to the limitation of the tour’s length our guide jumped forward to the 1880s. I am guessing that it was he who wrote the history of the Leslies on the Castle’s website, so I will defer to that to fill in the gaps. We moved from the front hall into the hallway of the grand staircase, where our guide told us about the people in the various portraits. We then moved through a room with a large table, to the drawing room and the dining room, where the guide spoke about more of the family and their portraits.

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The Drawing Room

Below is the throne of Bishop John Leslie, the “fighting Bishop.” He also built the church on the estate, in 1670.

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The Drawing Room, with the throne of Bishop John Leslie, the “fighting Bishop.”
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The Dining Room

The Bishop’s son John, another cleric, the Dean of Dromore, inherited the estate. He never married so when he died, the estate passed to his brother, Charles, at 71 years of age. Charles was a theologian and defended the Catholics, opposing the penal laws which prevented Catholics from participating in political life. King William III had him arrested for high treason, but he escaped to France. The next king, George I, pardoned him, saying “Let the old man go home to Glaslough to die.” (see [5], which provides most of my narrative)

Rev. Charles Leslie (1650-1722), Jacobite Religious Controversialist and Pamphleteer. Portrait After [i.e. print created from a portrait by] Alexis-Simon Belle, French, 1674-1734. Photograph courtesy of the National Gallery of Ireland.

Charles married Jane Griffith, daughter of the Very Reverend Richard Griffith, Dean of Ross [7] had three children: Robert, Henry, and the unusually named “Vinegar” Jane. Robert and Henry were friends with Jonathan Swift, who wrote the following about the family:

“Here I am in Castle Leslie

With rows and rows of books upon the shelves

Written by The Leslies

All about themselves.”

I’m not sure what was written at that stage, but certainly when we stayed, there were plenty of books by the Leslies! I had a good browse through them – more on them later.

Robert wedded, in 1730, Frances, daughter of Stephen Ludlow. Their son Charles Powell Leslie (c. 1738-1800), took over the Estate in 1743. He devoted himself to the improvement of farming methods in the district. He was elected MP for Hillsborough in 1771 and MP for Monaghan in 1776. Like his grandfather, he supported the Catholics. At the time, due to Poynings Law, all Irish legislation had to be approved by the British Privy Council. Henry Grattan and others, including Charles Powell Leslie, sought legislative independence. Once this was achieved, Grattan fought in parliament for Catholic Emancipation from the Penal Laws, so that Catholics could be treated as equal citizens of Ireland. In his election speech of 1783, Charles Powell Leslie stated ”I desire a more equal representation of the people and a tax upon our Absentee Landlords”.

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Portrait of Charles Powell Leslie I

In 1765 Charles Powell married Prudence Penelope Hill-Trevor, daughter of Arthur Hill-Trevor, 1st Viscount Dungannon. They had two sons, Charles Powell II and John. After his first wife died, Charles Powell Leslie I married, in 1785, Mary Anne Tench, and had a third son. The heir, Charles Powell II, also represented Monaghan in parliament.

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Charles Powell Leslie II

Arthur Hill-Trevor’s elder daughter, Anne, married Garret Wesley, the 1st Earl of Mornington, of Dangan Castle County Meath, and their son grew up to be the Duke of Wellington who defeated Napolean at Waterloo. According to the website, Charles Powell Leslie gave his impoverished brother-in-law, Lord Mornington, the money to educate his son Arthur, in Eton and then military school in France (Stephen and I found it ironic that the Duke of Wellington, who beat Napoleon, hence France, received his military training in France!). Arthur, the Duke of Wellington, married Kitty Pakenham of Tullynally, County Westmeath.

Charles Powell Leslie II, an amateur architect, designed the present farm buildings and the gate lodge. (see [8] for more about Charles Powell Leslie II). He died in 1831 and his wife Christiana took over the running of the estate. She managed to feed the needy during the great famine of 1845, setting up soup kitchens, and gave employment by having a wall built around the estate. The population of County Monaghan was 208,000 before the Famine. It went down to 51,000 during and after the Famine and is now only 61,000 – still far less than its pre-Famine population. It is said that nobody perished on the Leslie estate. As well as the soup kitchen, Christiana suspended rents.

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Farm buildings: perhaps these are ones designed by Charles Powell Leslie II.

Her son Charles Powell III (1821-71) also enjoyed architecture, and had flamboyant taste. He designed the entrance lodges at the main gates of the estate. He had many other grand building plans but died, choking on a fishbone, and it was his brother John (1822-1916) who built the new castle – to a much more modest design than Charles’s. Charles never married so John succeeded to the estate, in 1871.

John Leslie married Constance Dawson Damer, the daughter of Mary Seymour who was allegedly George IV’s daughter by Mrs. Fitzherbert.

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A portrait of Mrs. Maria Fitzherbert, which Stephen and I discovered upstairs on our way to the cinema room in the castle!
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Maria, born Smythe, was a Catholic. She married a wealthy Catholic landowner when she was just 18 years old. He died tragically, and she married a second time, but her second husband died when she was just 24! Her uncle decided to bring her out into society, and brought her to the opera. There, she met King George IV. He pursued her, and a marriage between them is recognised by the Catholic church, but not by the Monarchy. He moved her to Brighton and the Royal family took care of her, although George was married off to European Royalty, Princess Caroline.

Maria had two children, reputedly, with George IV. The daughter was adopted by a friend of George IV, Hugh Seymour. It was this Mary Seymour who married George Dawson Damer, and her daughter Constance married John Leslie. Constance burned all the evidence of her background, as it was not approved by the Royal Family. It is therefore not a definitive history, just, shall we say, rumour. Her descendant Shane Leslie wrote a biography of Mrs. Fitzherbert.

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A portrait of Lady Constance in later life.

It was the portrait above, of Lady Constance, which a nurse, who had been attending the dying Leonie (wife of Constance and John’s heir, John), recognised as the lady who had visited Leonie’s deathbed – despite Constance having been dead for nearly twenty years!

Before his brother died, John brought Constance to live in the old castle. Constance must have wanted a place of her own so in 1860, they moved into the Hunting Lodge in order to live separately from Charles Powell III and his mother.

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A room inside the Lodge
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Front hall and welcoming room of the Lodge
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A small private dining room in the Lodge

However, once they inherited the old castle, not content with her Lodge or the old castle, it was Constance who insisted that John build the new castle. While it was being built she and her husband went on a Grand Tour and collected much of the present furniture in the house including the blue and white Della Robbia chimneypiece in the drawing room, and a mosaic floor in the hall which is a replica of a two thousand year old Roman villa floor. Constance was a connoisseur of fine art and antiques.

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Della Robbia chimneypiece in Drawing Room, purchased by Constance and John Leslie

Their travels influenced the style of the Castle, built by Sir Charles Lanyon and William Henry Lynn. An Italian Renaissance cloister (said to have been copied from Michaelangelo’s cloister at Santa Maria degli Angeli in Rome, according to Mark Bence Jones (see [2]) joins the main block of the castle to a single-storey wing containing the library and former billiard-room.

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The Italian Renaissance style Cloister
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Behind the cloister runs a long top-lit gallery divided by many arches, with pre-Raphaelite style frescoes of angels and other figures, including portraits of members of the family, painted by John Leslie, a talented artist. One of his paintings was hung in the Royal Academy in the same year. He later become 1st Baronet of Glaslough.

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Frescoes painted by Sir John Leslie.
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I think it was this painting that hung in the Royal Academy

The next to inherit the estate was the 2nd Baronet, Sir John Leslie (1857–1944). He married Leonie Jerome, one of the three beautiful daughters of Leonard Jerome of New York. Her sister Jenny married Lord Randolph Churchill and was the mother of Prime Minister Winston Churchill. Winston did not get on well with his mother but was very close to his aunt Leonie. The young Winston Churchill paid visits here to his uncle and aunt, except when he was temporarily banished by his uncle on account of his espousal of Home Rule! Leonie’s correspondence with Winston is in Blenheim Castle in England, the estate of the Churchills. When his beloved aunt died in August 1943, Winston couldn’t attend the funeral due to the war, but he telephoned Eamon de Valera to request permission for the flyover of an Royal Air Force Spitfire plane. It was her son, Desmond Leslie, who was in the RAF, who flew the Spitfire and dropped a huge wreath from Winston Churchill to the funeral.

I was touched by the presence of Winston Churchill’s christening robe in the drawing room:

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Sir John Leslie died in 1944 and was succeeded by his son Sir Shane Leslie (1885–1971). Shane was one of four brothers: he was christened John, and changed his name to Shane in 1921 when he embraced Irish nationalism; the other brothers were Lionel, Norman and Seymour. Shane grew up to be an ardent nationalist (he joined the Irish Volunteers, a group founded in response to the Ulster Volunteers in Northern Ireland who opposed Home Rule – he thus rejected the support his father gave to the Ulster Volunteers!) and Irish speaker, and converted to Catholicism, under the influence of Cardinal Henry Newman, when he was in Cambridge. He hoped to retreat to a Monastery but instead married another American beauty, Majorie Ide of Vermont. According to the history of the Leslie family recounted on the website, Majorie’s father, Henry Clay Ide, was Chief Justice of Samoa, a tropical paradise where he and his daughters became great friends of fellow islander Robert Louis Stevenson. He was also Governor General of the Philippines. Later in our stay, our guide told us that before she married, Majorie and her sister accompanied U.S. President Teddy Roosevelt’s daughter on a trade mission to China. The President considered the women to be suitable ambassadors because the current monarch of China was an Empress (the last Empress of China). There are many Chinese objects in Castle Leslie which Majorie brought with her.

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Sir Shane, as a poet and Nationalist, was not fond of running the estate so transferred it to his son John Norman Leslie (1916-2016), who became 4th Baronet. Shane Leslie travelled to London when Michael Collins was negotiating the Treaty granting Ireland its independence from the United Kingdom. Shane’s brother Norman on the other hand fought in the British army, and was killed by a sniper. The bedrooms in the Castle are now named after the family, and Stephen and I stayed in “Norman’s Room”!

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Shane had three children: Anita, John (Jack) and Desmond. Jack transferred the estate over to his sister Anita, owing to ill health after five years in a prisoner of war camp. He had been Captain in the Irish Life Guards in WWII. He moved to Rome where he lived for forty years, finally returning to Castle Leslie in 1994. He died only a few years ago, at 99 years old, inheriting the hardy genes of the Fighting Bishop, and is obviously much missed in the castle which houses many of his mementos and memorabilia.

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“Jack’s bed,” in which he used to sleep, now in pride of place on the upper landing, although the bed would have been a squeeze for his over six foot frame!
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Portraits of the family including several of Jack. Jack wrote of his life in Never a Dull Moment.

Later in our stay, Enda the guide told us more about Anita, as we were admiring the paintings of Anita, Jack and Desmond at the bottom of the grand staircase (see the staircase in the photograph below).

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Anita married Pavel Rodzianko, a dashing soldier from Russia, Equerry to Tsar Nicholas and Alexandra. Anita was just 23 years old but bowled over by the 47 year old Pavel. The marriage lasted only three years. This marriage explains the presence of the paintings of Nicholas and Alexandra which Stephen and I had noticed in the bar area.

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Tsar Nicholas and Alexandra
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A poignant picture of Alexandra and her children, all of whom were assassinated only two days before Pavel Rodzianko was able to rescue them.

Pavel tried to rescue the Tsar and his family. He followed with other soldiers loyal to the Tsar, as the Royal family was moved from place to place by those who had overthrown the Tsar. When they caught up with the family Pavel and his companions were too late: the family had been shot in the basement and their bodies burned. Pavel found little Alexi’s dog Joy still alive. Pavel saved the dog and brought her to his home next to Windsor Castle in England, where Pavel lived after leaving Castle Leslie, where Joy lived the rest of her life. Pavel went on to train the Irish show-jumping team, who won the Agha Khan trophy in the Royal Dublin Society (RDS) Horse Show.

During World War II Anita joined the French army as an ambulance driver and married Bill King, a submarine commander. In the 1960s she moved to Oranmore in Galway (Oranmore Castle is a Section 482 property so I hope to visit it!) and transferred Glaslough to her younger brother Desmond (the Spitfire pilot). In 1991 he handed the Estate over to his five children and Castle Leslie Estate is now run by his daughter Samantha Leslie.

I mentioned earlier that many Leslies have written books. I browsed through books by Shane Leslie and Jack. Anita Leslie wrote about her time in the army in The Train to Nowhere. Desmond’s wife Agnes Bernaur is also a published writer. I copied the family tree from Shane Leslie’s book, and notice that the sister of John Leslie 2nd Baronet, Theodisia, married a Bagot! She married Josceline Fitzroy Bagot, of Levens Hall. I may be distantly related to this Bagot, as we are rumoured to be descended from the Bagots of Staffordshire! I confess I have not found the link.

After our tour, we were shown to our room. We were thrilled with it, and especially with our 1617 four poster oak bed. The bed was so high that it required steps to get up to it:

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We had a table and chair, and a lovely wardrobe and chaise longue! I started writing this entry on the chaise longue.

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According to the website, Sammy started her ambition of bringing the Estate back to life by establishing tea rooms in the old conservatory. This had been a painting studio for John Leslie, as it was created to have lots of light.

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The website continues:

Between 1995 and 1997, Sammy refurbished fourteen of the Castle bedrooms and bathrooms, each in its own unique style, in an effort to maintain the individuality and uniqueness of the property. Dinners were served by candlelight in the original dining room, just as it had been in the old days, with pre-dinner drinks served in the Drawing Room or Fountain Garden. The Castle at Castle Leslie Estate was soon rewarded with The Good Hotel Guide Caesar Award for being ‘utterly enjoyable and mildly eccentric’.” [9]

Perhaps one of the mildly eccentric details referred to are the beautiful old fashioned porcelain toilets such as the one in our en suite:

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After the tour, we still had so much of the castle to explore! The tour had only taken in a few of the rooms! We were tired after the tour and lay on our wonderful bed for a nap before dinner. While we were reading, we heard a knock on our door. The staff had brought us a much appreciated, delicious strong cup of coffee! Perfect!

We emerged for dinner. We chose to eat in the bistro rather than the fancier restaurant. The reception staff offered us a lift over to the Lodge, but we chose to walk the short distance up the drive, as it was a beautiful crisp night.

We did a little exploring back at the castle after dinner. We discovered more beautiful rooms to sit in, and a lovely library, and it was only now that we found the bar and the long painted gallery!

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Many new features have been added to the estate, including a spa, a bar and restaurant, and a cookery school.

A new pavilion, adjacent to the long gallery of the main house, facilitates conferences, weddings and other large events – see the pathway leading to the pavilion in the photograph below.

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The website tells us that five new sub-ground floor bedrooms were added to the castle in 2005: the Desmond Leslie room, the Agnes Bernelle Room, the Helen Strong Room, Sir Jack’s Room and the only room in the castle not named after a family member, The Calm Room.

DAY 2: Horse riding! And exploring the Lodge

Stephen and I only saw the castle in daylight the next day, as we had been too tired to explore outside after the tour. It was only then that we saw the cloisters, and the lake! We wandered outside in the evening. Earlier in the day, we decided to avail of the Equestrian Centre, since Stephen confided that he had never sat on a horse!

We booked a one hour walking session, a gentle wander through woods on the estate, hand-led by a guide. I felt safe enough walking without a guide at the reins, as I endured two years of weekly riding lessons when I was young! I say “endured” as I was scared of the horses and fell often! The horses we rode during my lessons in Australia were a more cantankerous brood than those that bless Castle Leslie!

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Below shows me in Australia at my horse riding lessons with my sister when I was young!

Caballo Stables, Jen and Siobhan riding
Jen and Siobhan ready for riding lesson
me and my sister Siobhan in Perth, Western Australia, ready for our riding lesson

And now:

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Our guide, Chris, told us a bit more about the estate as we relaxed onto the hip swinging gait of our horses, and we passed one of the lodges. I knew Stephen would be imagining himself back in the 1700s, familiarising himself with the atmosphere of the former mode of transportation. We both lost our balance as we slid off our horses, Stephen doing the full topple onto the sand, but we were elated! You can see a map of the estate on the castle website. [10]

After lunch in the Lodge, we explored. I took some photographs inside the lodge.

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Dusk fell by the time I took photographs outside behind the castle.

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Sammy’s most recent project (begun in 2015) is renovating the walled garden. I’m sorry I reached it so late in the day, compromising my photographs. These were built in 1860 by Charles Powell Leslie III.

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According to information posted in the walled garden, they cover about four acres, and contain two forty metre greenhouses heated by individual underground boilers fed by rainwater collected from the glass roofs. The flues were built originally under the paths to chimneys hidden in the surrounding garden wall! Ingenious ancestors! Charles Leslie consulted with Joseph Paxton, the Duke of Devonshire’s head gardener, who created the “Crystal Palace” of the 1851 Great Exhibition in Hyde Park in London for Queen Victoria’s consort Prince Alfred.

Outside the Walled Garden was a third large greenhouse, a Tropical House. Charles Powell Leslie III, according to the information boards in the garden, wooed an opera singer with weekly hampers of bananas, melons and mangoes sent from Castle Leslie to her dressing room in Covent Gardens in London!

The Pump House, built from approximately 1848, was one of the first water systems to be constructed for a village and estate. One can still see the ornate cast iron fountains in the village, along with the statue of Charles Powell Leslie III.

Day Three: A walk to the stables and goodbye to Castle Leslie!

The next day dawned bright, a crisp November day. We followed our map of the estate to see the Stable Mews, for a bit of exercise before we had to depart.

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[1] https://www.buildingsofireland.ie/places-to-visit/monaghan/glaslough-castle-leslie/

[2] Mark Bence-Jones. A Guide to Irish Country Houses.[originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978; Revised edition 1988 Constable and Company Ltd, London.]

[3] Curtis, Maurice and Knight of Glin, Ireland Observed. Mercier Press, Dublin and Cork 1970.

[4] http://www.britainirelandcastles.com/Ireland/County-Monaghan/Castle-Leslie.html

[5] https://www.castleleslie.com/life-the-way-its-supposed-to-be-2/historical-castle-ireland/

[6] https://en.wikipedia.org/wiki/John_Leslie_(bishop_of_Clogher)

[7] http://lordbelmontinnorthernireland.blogspot.com/search/label/County%20Monaghan%20Landowners

Note that this website states that Charles and his wife had only one child whereas the Castle Leslie website claims that they had three children.

[8] see [7]. CHARLES POWELL LESLIE II, JP (c1767-1831), Colonel, County Monaghan Militia, High Sheriff of County Monaghan, 1788, MP for County Monaghan, 1801-26, New Ross, 1830-1, who espoused firstly, Anne, daughter of the Rev Dudley Charles Ryder, and had issue, three daughters.

He married secondly, in 1819, Christiana, daughter of George Fosbery, and had further issue,

Charles Powell (1821-71);
 JOHN, his heir;
 Thomas Slingsby;
 Prudentia Penelope; Christiana; Julia; Emily.

[9] https://zs35w2fzekug05wf2mckg53k-wpengine.netdna-ssl.com/wp-content/uploads/2019/02/Regeneration-History.pdf

[10] https://zs35w2fzekug05wf2mckg53k-wpengine.netdna-ssl.com/wp-content/uploads/2018/04/E-Map-Only-2017.pdf