We visited Leinster House, the seat of Irish Government, during Open House Dublin 2025. We were lucky to get tickets! Open House Dublin events book out almost immediately.
Leinster House was built from 1745-1752 for James Fitzgerald (1722-1773) 20th Earl of Kildare and first Duke of Leinster.
James Fitzgerald (1722-1773) 20th Earl of Kildare later 1st Duke of Leinster, by Robert Hunter c. 1803, courtesy of National Gallery of Ireland.
James’s father, Robert FitzGerald (1675-1744) 19th Earl of Kildare, made Carton in County Kildare his principal seat and employed Richard Castle (1690-1751) from 1739 to enlarge and improve the house (see my entry https://irishhistorichouses.com/2024/06/04/carton-house-county-kildare-a-hotel/ ). Before that, the Earl of Kildare had lived in Kilkea Castle in County Kildare.
After the destruction of Maynooth Castle, occupied by Earls of Kildare, in 1641, George, 14th Earl of Kildare, resided at Kilkea Castle from 1647-1660, and it continued as the family’s principal seat until Robert, the 19th Earl, built Carton House. [1]
Robert, 19th Earl of Kildare (1675-1744) after Frederick Graves, courtesy of Adam’s auction 15th Oct 2019. Robert FitzGerald, (1675 – 1744) was married to Mary O Brien, daughter of William O’Brien 3rd Earl of Inchiquin. They had 12 children but only 2 survived to majority. They had lived quietly at Kilkea Castle, near Athy, but in 1739 Robert bought back the lease of Carton, in Maynooth, for £8,000. He commissioned Richard Castle, the eminent architect, to reconstruct the existing house. In the pediment over the South front, previously the main entrance, is the coat of arms of Robert FitzGerald and his wife Mary O’Brien. Robert also employed the La Franchini brothers to construct the wonderful ceiling in the Gold Salon. The additions to Carton were not finished when Robert died in 1744 but he left instructions in his will to finish the restoration according to his plans. A monument dedicated to Robert FitzGerald is situated in Christ Church Cathedral, Dublin. (This portrait hung in Carton until 1949 when the Fitzgerald family sold the estate. It hung in Kilkea Castle until 1960. It was in the FitzGerald family collection in Oxfordshire until 2013.)
The 20th Earl, James, employed Richard Castle from 1745 to build him a new house in the city, which is now called Leinster House, and began to be so called around 1766 when James Fitzgerald was created Duke of Leinster. He was told that this was not a fashionable area to build, as at that time most of the upper classes lived on the north side of the Liffey around Mountjoy Square and Henrietta Street. He was confident that where he led, fashion would follow, and indeed he was correct.
The building as it was originally constructed is a double cube of granite on the east and north fronts and Ardbraccan limestone on the west entrance front. It has a forecourt on the Kildare Street side, which Christine Casey tells us in her Dublin volume of the Pevsner series The Buildings of Ireland is in the French seventeenth century manner, which probably derived via Burlington House in London, a house which would have influenced Richard Castle. The form is Palladian, an eleven bay block of three storeys over basement with a “tetrastyle” (i.e. supported by four columns) Corinthian portico over advanced and rusticated central bays. “Rustication” in masonry is a decorative feature achieved by cutting back the edges of stones to a plane surface while leaving the central portion of the face either rough or projecting markedly, emphasising the blocks. [2]
Casey points to the unusual arrangement of pediments on the windows of the first floor, as an alternating pattern would be the norm, rather than the pairs of segmental (i.e. rounded) pediments flanked by single triangular pediments in the bays to either side of the central three windows. [see 2]
The centre block has a balustraded balcony, and the attic and ground floor windows have lugged architraves: the architrave is the classical moulding around the window and “lug” means ear, so the windows have “ears,” otherwise called shoulders. The term “Lugs” was made famous as a nickname for a policeman in the Dublin Liberties, “Lugs” Branigan, a man known for his sticking-out ears. A heavyweight boxing champion, he had a reputation as the country’s toughest and bravest garda. The ground floor windows have are topped with a further cornice – a horizontal decorative moulding.
Originally, Casey writes, the house was linked to the side walls of the forecourt by low five-bay screen walls with Doric colonneads and central doorcases flanked by paired niches. The colonnade was given a pilastered upper storey in the nineteenth century, and was rebuilt in the 1950s when the colonnade was filled in, Casey explains. The lower storey on the left side when facing the building (north side) still has the colonnade: you can compare the stages of building the colonnades in the pictures below. In fact this colonnade was reinstated after being filled in. It was recently (when written before 2005) reinstated, Casey tells us, by Paul Arnold Architects, and topped with the nineteenthy century screen wall above which we see today.
In the Malton drawing of Leinster house we can see that the side walls of the forecourt had pedimented arches. The present piers, wrought iron gates and railings were added in the 1880s, built by T.N. & T.M. Deane.
To the south of the forecourt lay a stable court, with a stable and coach house block and a kitchen block which was linked to the house by a small yard, which must have been very inconvenient when dinner was served!
The garden front is fully rusticated on the ground floor, with advanced two-bay ends.
The central first floor window has a triangular pediment. The door porch was added in the nineteenth century. The lawn lay on property leased from Viscount Fitzwilliam.
Irish Architectural Archive exhibition about Leinster House.It was designed by Richard Castle (1690-1751) with later input from Isaac Ware (1704-1786) and Thomas Owen (d. 1788). Here we see the location of the Main Hall, Supper Room and Parlour and Drawing room on first floor, Picture Gallery and principal bedrooms on second floor and Nursery and children’s and staff rooms on third floor. There is a separate kitchen and stores block and stable block.
James’s father died in 1744 before his house at Carton was complete, so it was finished for James the 20th Earl. James was the second son of his parents the 19th Earl and his wife Mary (d. 1780), eldest daughter of William O’Brien, 3rd Earl of Inchiquin. His elder brother died in 1740.
The Dictionary of Irish Biography tells us that James’s political career began on 17 October 1741, when (then known as Lord Offaly) he entered the Irish house of commons as member for Athy. In 1744 he moved to the House of Lords after he inherited the earldom. [3] It was then that he embarked on his town house in Dublin. Now the houses of parliament are located next to Leinster house, but at the time, they were located in what is now the Bank of Ireland on College Green in Dublin.
Parliament House, Dublin, with the House of Commons dome on fire, 27th February 1792.Parliament Buildings Bank of Ireland, College Green, Dublin, between ca. 1865-1914, photograph by Robert French, Lawrence Photograph Collection, National Library of Ireland.House of Lords, Parliament Building, Bank of Ireland, Dublin, between ca. 1865-1914, photograph by Robert French, Lawrence Photograph Collection, National Library of Ireland.
The Dictionary of Irish Biography continues:
“His seniority in the peerage, popularity, and electoral interests ensured his appointment to the privy council (12 May 1746). He was made an English peer, Viscount Leinster of Taplow, Bucks. (1 February 1747), and appointed lord justice (11 May 1756). Master general of the ordnance (1758–66), he became major-general (11 November 1761) and lieutenant-general (30 March 1770). He was also promoted through the Irish peerage, becoming marquis of Kildare (19 March 1761) and duke of Leinster (26 November 1766).” [see 3]
James married Emilia Mary Lennox (1731-1814) in 1747, two years after Richard Castle began work on James’s townhouse. She was the daughter of General Charles Lennox, 2nd Duke of Richmond. Her grandfather the 1st Duke of Richmond was an illegitimate son of King Charles II of England. Emilia’s sister Louisa (1743-1821) married Thomas Conolly (d. 1803) and lived next to her sister in Carton, at Castletown in County Kildare (see my entry https://irishhistorichouses.com/2024/03/15/castletown-house-and-parklands-celbridge-county-kildare-an-office-of-public-works-property/
Emily Fitzgerald née Lennox (1731-1814) Duchess of Leinster 1770s by Joshua Reynolds.This terrific portrait of William Conolly (1662-1729) of Castletown, County Kildare is in the dining room.
Richard Castle died in 1751 before the town house was complete. He died at Carton, the Earl of Kildare’s country seat, while writing a letter with instructions to a carpenter at Leinster house. Isaac Ware stepped in to finish the house. An exhibition about Leinster House in the Irish Archictural Archive explains that following the death of Richard Castle in 1751, little further about the building is recorded until 1759. By this time, English architect Isaac Ware, famous for his A Complete Body of Architecture published in 1756, had become involved with the project. The Fitzgeralds began to use the house in 1753 while work on the interior continued.
Inside, the house has a double height entrance hall with an arcaded screen of Doric pillars toward the back which opens onto a transverse corridor that divides the front and rear ranges. I found the hall hard to capture in a photograph, especially as we were part of a tour group. The hall reminded me of the double height entrance hall of Castletown, and indeed Christine Casey notes in her Buildings of Ireland: Dublin that the plan and dimensions of Leinster House relate directly to those of Castletown house in County Kildare, which was built in 1720s for William Conolly, and which was probably, she writes, built under the direction of Edward Lovett Pearce, possibly with the assistance of Richard Castle. [2]
It is the double height that reminds me of the great hall in Castletown, although Castletown has a gallery and Leinster house does not. The niches remind me of the similar front hall in Gloster house in County Offaly, which although a private family home, in 2025 is a Section 482 property which you can visit on particular days.
The black and white flooring is original to the house. [see 2] The red marble doorframe was added later.
The coffered ceiling in the Hall in Leinster house is different from the ceilings in the front hall in Castletown or Gloster. The deep coffered cove rises to a plain framed flat panel with central foliated boss. There is an entablature above the Doric columns around the four sides of the hall. The square ovolo framed niches above have statues and above the main door the niches have windows.
The chimneypiece in the front hall, Casey tells us, was originally faced with a pedimented niche on the north wall opposite, flanked by the doorcases. The chimneypiece is of Portland stone, she describes, with ornamental consoles and above the lintel, enormous scrolls flanking a bust pedestal.
The principal stair hall is a two bay compartment north of the front hall. Casey tells us that Isaac Ware inserted an imperial staircase – one in which a central staircase rises to a landing then splits into two symmetrical flights up to the next floor – into a hall compartment which was meant for a three flight open well staircase. The staircase is further marred, Casey tells us, by a later utilitarian metal balustrade. Casey does not mention the plasterwork here, which is very pretty. The wooden staircase is a later addition.
Beyond the stair hall is the former Supper Room, which is now the Library of the Oireachtais, which fills the entire depth of the house. I found the lights rather offputting and think they ruin the intended effect of the room and the ceiling, which Casey tells us derives from Sebastiano Serlio (1475-1554), an Italian architect who was part of an Italian team who built the Palace of Fontainbleau, and Tutte l’opere d’architettura et prospetiva (All the Works of Architecture and Perspective) is Serlio’s practical treatise on architecture.
The room has three screens of fluted Ionic columns – one at either end and one in front of the bow at one side of the room. Originally, Casey informs us, there were six fluted columns to each screen, paired at the ends of the room and in the centre of the north bow, but in the 19th century one column was removed from each pair. On the walls the corresponding pilasters would have matched the six columns.
The bow is considered to be the first bow in Dublin, and the design of the house is said to have inspired the design of the White House in Washington DC, designed by a man from Kilkenny, James Hoban.
A pedimented doorcase is flanked by ornate chimneypieces based on a design by William Kent. These are surmounted by Corinthian overmantels after a design by Inigo Jones, possibly made to frame portraits, Casey suggests, of the Earl and Countess of Kildare painted by Reynolds in 1753-54. [see 2]
Next to the Supper Room on the garden front is the large dining room, also designed by Isaac Ware. It is of three bays, and has decorative doorcases and a beautiful ceiling attributed to Filippo Lafranchini.
Christine Casey next describes the Garden Hall, with a more modest shell and acanthus ceiling and a chimneypiece with claw feet. Next is the former Private Dining Room, she tells us, a room from 1760, which has a ceiling with acanthus, rocaille shells and floral festoon forming a deep border to a plain chamfered central panel.
Casey tells us that the Earl of Kildare’s Library is at the southeast corner of the house, and that it has pedimented bookcases. It too was designed by Isaac Ware.
Designs for the ceiling of the Earl of Kildare’s dressing room by Richard Castle, 1745, IIA 96/68.1/1/17, 18, 19. Irish Architectural Archive exhibition about Leinster House.As with the several surviving designs for the front elevation of Leinster House, these three beautifully executed drawings for proposed ceilings in the Earl of Kildare’s dressing room are indicative of the attention to design detail which Richard Castle brought to the project in an effort to satisfy his demanding clients. The third variant shows the ceiling almost as executed.
Before we go into the separate building that holds the current Dáil chamber, let us go up to the first floor. The former gallery now holds the Senate Chamber, and it fills the north end of the eighteenth century house. Both Richard Castle and Isaac Ware prepared plans for this room, but the room was unfinished when the Duke of Leinster died in 1773.
James died on 19 November 1773 at Leinster House and was buried in Christ Church cathedral four days later. His eldest son George predeceased him, so the Dukedom passed to his second son, William Robert Fitzgerald (1748/49-1804). The 2nd Duke completed the picture gallery in 1775 to designs by James Wyatt (1746-1813).
The ceiling as designed by James Wyatt is tripartite. I defer to Christine Casey for a description:
“at its centre a chamfered octagon within a square and at each end a diaper within a square, each flanked by broad figurative lunette panels at the base of the coving and bracketed by attenuated tripods, urns and arabesque finials… It remains among the finest examples of Neoclassical stuccowork in Dublin.“
Irish Architectural Archive exhibition about Leinster House: Sketch showing the interior of the Senate Chamber of Leinster House by Con O’Sullivan, 1930s (IAA 96/145.1). Founded in 1747, Henry Sibthorpe & Co were one of the leading painting and decorating firms in Dublin from the first half of the 19th century to the mid 20th, and they closed in 1970s. Some of its records survive in the National Archives and in the IAA. Drawings showed perspective views of proposed decorative schemes to prospective clients. This dawing by Sibthorpe employee Con O’Sullivan shows a proposed repainting of the Senate Chamber.
Wyatt created an elliptical vault over the principal volume of the room and a half-dome above the bow.
On the inner wall of the room Wyatt places three ornate double-leaf doorcases and between them two large white marble chimneypieces. The chimneypieces have high-relief female figures to the uprights and on the lintel, putti sit “between headed spandrels enclosing urns and confronted griffins.”
Unfortunately with the tour group I was unable to get good photographs of the room, the chimneypieces or the carved doorframes.
At the south end of the ground floor corridor is a top-lit stair hall which leads to the Dáil chamber. This separate building originally housed a lecture theatre, built in 1893 by Thomas Newenham and Thomas Manly Deane. Before this was built, let us look at the rest of the history briefly of the Dukes of Leinster who continued to use the house as their Dublin residence.
The first duke’s wife Emilia went on to marry her children’s tutor, William Ogilvie. This would have caused quite a scandal, and she and her husband lived quietly in Blackrock in Dublin at their house called Frascati (or Frescati), which no longer exists. She and the Duke of Leinster had had nineteen children! She had happy times when the children were young and their tutor would take them bathing in the sea near Frescati house. She and her second husband went on to have two daughters.
Frescati House, County Dublin, photograph by Robert French (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
A younger son of Emilia and the Duke of Leinster, Edward (1763-1798) became involved in an uprising in Dublin, inspired by the French Revolution, and he was put in prison as a traitor and where he died of wounds he’d received while resisting arrest.
Edward Fitzgerald (1763-1798)
Another son, Charles James (1756-1810) served in the Royal Navy. He also acted as M.P. for County Kildare between 1776 and 1790, Commissioner of Customs between 1789 and 1792 and M.P. for County Cavan between 1790 and 1797. He held the office of Muster Master-General of Ireland between 1792 and 1806 and Sheriff of County Down in 1798. He was M.P. for Ardfert between 1798 and 1800 and was created 1st Baron Lecale of Ardglass, Co. Down [Ireland] in 1800. He held the office of Member of Parliament (M.P.) for Arundel in England between January 1807 and April 1807.
A sister of Edward Fitzgerald (1763-1798), Emily Maria Margaret (1751-1818) married Charles Coote 1st Earl of Bellomont, County Cavan.
William Robert Fitzgerald, 2nd Duke of Leinster, K.P. (1749-1804), circle of Joshua Reynolds courtesy of Christie’s Irish Sale 2002.
The Dictionary of Irish Biography tells us about the second duke:
“He was returned as MP for Dublin city in 1767, though he was too young to take his seat, and it was only in October 1769 that he returned to Ireland to sit in parliament. He represented the constituency until 1773, supporting the government for most of this period. On learning that he was a freemason, the grand lodge of Irish freemasons rushed to make him their grand master and he served two terms (1770–72 and 1777–8). On 19 November 1773 he succeeded his father as 2nd duke of Leinster. The family home of Carton in Co. Kildare had been left to his mother but he, somewhat vainly, was determined to own it and purchased her life interest, a transaction that was the major source of his future indebtedness. His aunt, Lady Louisa Conolly, believed that he was ‘mighty queer about money’ and that his ‘distress’ about it was ‘the foundation of all that he does’ (HIP, iv, 160). In November 1775 he married Emilia Olivia Usher, only daughter and heir of St George Usher, Lord St George, a union that helped to ease some of his financial problems.“
HUGH DOUGLAS HAMILTON portrait of Emilia Olivia née St. George, 2nd Duchess of Leinster courtesy of Bonhams Old Master Paintings 2018.
The 2nd Duke was active in politics. He died in 1804 and is buried in Kildare Abbey.
William Robert Fitzgerald (1749-1804) 2nd Duke of Leinster wearing Order of St. Patrick, by Gilbert Stuart, courtesy Christies.
One of William Robert Fitzgerald’s daughters, Emily Elizabeth (1778-1856) married John Joseph Henry of Straffan house in County Kildare, now the K Club. A son, Augustus Frederick (1791-1874) became the 3rd Duke of Leinster. He sold the town house in 1814. Since the Union in 1801 when there was no longer an Irish Parliament, a townhouse in Dublin was no longer essential. It was purchased by the Dublin Society, a group founded for “improving Husbandry, Manufactures and other useful arts and sciences.”
Augustus Frederick Fitzgerald (1791-1874), 3rd Duke of Leinster, engraver George Saunders after Stephen Catterson Smith, courtesy of National Gallery of Ireland.
From 1815-1922 Leinster House was the Headquarters of the Royal Dublin Society – the “Royal” was added to the Society’s name in 1820. Rooms in the house were used to accommodate the Society’s library and museum as well as offices and meeting spaces. The original kitchen wing of the house was converted to laboratories and a lecture theatre. Gradually more buildings were added around the house, including sheds and halls for the Society’s events, namely the Spring Show and the Horse Show.
Note at Irish Architectural Archive exhibition about the RDS at Leinster House.Irish Architectural Archive exhibition about Leinster House.Configuration of Leinster house as RDS and centre of culture, learning and innovation the site of The Dublin Society (1815-1820) and the RDS (1820-1922). The School of Drawing (1845) was to the left, and later became the Metropolitan School of Art and the National College of Art and Design which continued as the National College of Art on this site until 1980, when it moved to Thomas Street and its facilities were incorporated into the adjacent National Library. The former kitchen and stable block were amended and expanded to host sculpture galleries, a stone yard, laboratories and lecture facilities. It had a 700 seat lecture theatre. To the right, Shelbourne Hall and the Agricultural Hall in the mid 19th century had facilities to display agricultural and industrial products, and it was later the site of the Museum of Archaeology. The Museum of Natural History (1857) and the National Gallery of Art (1860) were first developed for RDS collections, an dwere later expanded in conjunction with the Department of Science and Art/South Kensington and the Department of Agriculture and Technical Instruction.
Leinster Lawn was the site of industrial and agricultural exhibitions. In 1853, the Great Industrial Exhibition ran on the RDS grounds at Leinster House, just two years after Prince Albert’s Exhibition in the Crystal Palace in London. Constructed of iron, wood and glass, the Irish Industrial Exhibition building was paid for by William Dargan and installed by Richard Turner on Leinster Lawn in a matter of months. Its architect was John Benson, who was knighted for his efforts.
Spring Shows and Industries Fairs (1831-1880) and early Horse Shows (1864-1881) were also held on Leinster Lawn.
Irish Architectural Archive exhibition about Leinster House.Opening of the Dublin Great Exhibition, Illustrated London News 4th June 1853, IIA 80/010.20/1. A successor to the Great Exhibition held in the Crystal Palace, London in 1851, the Great Industrial Exhibition ran on the RDS grounds at Leinster House from 12 May to 31st October 1853. As much a marvel as any of the objects on display was the edifice in which the exhibition was housed. Constructed of iron, wood and glass, the Irish Industrial Exhibition building was paid for by William Dargan and installed by Richard Turner on Leinster Lawn in a matter of months. Its architect was John Benson, who was knighted for his efforts.
The National Museum and National Library were built in 1890, and were designed by Thomas Newenham Deane and his son Thomas Manly Deane.
The museum and library were designed as a pair of Early Renaissance rotundas facing each other. The rotundas have a single storey yellow sandstone Roman Doric colonnade surrounding them. Above is a row of circular niches. Above that are columns framing round headed windows and panels of red and white marble. The pavillions next to the rotundas have a rusticated ground floor, with Venetian windows on first floor level and Corinthian pilasters.
The Lecture Theatre was built in 1893, and was also designed by Thomas Newenham Deane. The lecture theatre is a horseshoe shaped top-lit galleried auditorium with a flat west end that originally accommodated a stage and lecture preparation rooms.
Irish Architectural Archive exhibition about Leinster House: The RDS lecture theatre.
Single and paired cast iron Corinthian columns support the gallery in the former theatre. The building was appropriated as a temporary Dáil chamber in 1922 on Michael Collins’s recommendation, and in 1924 the government acquired Leinster House to be the seat of the Oireachtais. The theatre was remodelled: a new floor was inserted over the central block of seats to make a platform for the Ceann Comhairle, the clerk of the Dail, and the official reporters. The lower tier of seating was replaced with rows of mahogany and leather covered seats designed either by Hugh O’Flynn of the OPW, as the exhibition in the Irish Architectural Archive tells us, or by James Hicks & Sons according to Christine Casey, and the upper tiers became the press and public galleries. The stage was closed in and replaced by a press gallery and adjoining press rooms. The gallery was remodelled around 1930.
To enter Leinster house, you go through a security hut upon which a controversial sum was spent by the Office of Public Works. I love the way the hut goes around a large tree. I assume a large part of the cost of the hut was the beautiful marble countertops!
[1] MacDonnell, Randal. The Lost Houses of Ireland. A chronicle of great houses and the families who lived in them. Weidenfeld and Nicolson. London, 2002.
[2] Casey, Christine. The Buildings of Ireland: Dublin. The City within the Grand and Royal Canals and the Circular Road with the Phoenix Park. Yale University Press, New Haven and London, 2005.
Killoskehan, County Tipperary, photograph from sale advertisement, Premier Property Ireland.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 171. “(Willington/LGI1958) An old castle with a two storey early C18 wing; the latter has a projection with a very handsome pedimented and rusticated doorcase. In the C19 the whole building was reroofed; the old castle battlemented and C18 wing given roof-dormers. A gable was added to the projection with the doorcase, and mullions were put into all the windows. The other front was made more consciously Tudor, with a porch oriel and tall chimneystack.”
Killoskehan, County Tipperary, photograph from sale advertisement, Premier Property Ireland.Killoskehan, County Tipperary, photograph from sale advertisement, Premier Property Ireland.Killoskehan Castle, County Tipperary, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.Killoskehan Castle, County Tipperary, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
and supplement: “Remodelled 1867 to the design of Sir Thomas Newenham Deane.”
Killoskehan, County Tipperary, photograph from sale advertisement, Premier Property Ireland.Killoskehan, County Tipperary, photograph from sale advertisement, Premier Property Ireland.
Detached rectangular-plan multi-period country house. Comprises early seventeenth-century towerhouse to south corner with single-bay gable and two-bay side elevation and larte seventeenth/early eighteenth-century L-plan six-bay two-storey with dormer attic block with central full-height projecting entrance bay with date plaque, built onto north-east wall of towerhouse. Whole remodelled and Tudor Revival block added to north corner in 1865, with full-height projecting entrance bay and with courtyard filling south-west corner of plan. Pitched slate roofs with cast-iron rainwater goods, rendered chimneystacks, some multiple-offset to second phase. Gabled dormer windows and moulded limestone course to façade of second phase. Carved finials, eaves course and details to 1865 block. Ruled-and-lined rendered walls to towerhouse and second phase, exposed rubble limestone to latter’s return gable, and rusticated limestone to 1865 block, courtyard and machicolation and battlements of towerhouse. Carved limestone date plaque to second phase façade. Square-headed window openings, mullioned to outer elevations, with hood mouldings to towerhouse. Rendered block-and-start surrounds to early blocks and chamfered surrounds to 1865 block, with various early openings to gables of second phase and with carved balconies to end gables of towerhouse and second phase. Carved limestone Gibbsian door surround with pediment to second phase with replacement timber door. Four-centred carved limestone doorcase to 1865 block, with replacement timber door and stained glass overlight. Courtyard to north of house with multiple-bay single- and two-storey outbuildings, with snecked limestone walls and accessed through gatehouse comprising segmental-arched carriageway with possible former chapel to first floor. Cast-iron vehicular and pedestrian entrance gates with carved limestone piers to road entrance.
Appraisal
This house incorporating fabric from three periods, is a fine example of historical continuity. The 1865 block is an interesting example of Tudor-style architecture that was revived in Ireland in the nineteenth century. The architectural form of the complex is enhanced by many notable features and materials, such as the moulded window surrounds and ornate carved limestone entrances. The house forms an interesting group with the surviving related outbuildings, gate lodge and entrance gates.
This house was the seat of the Willington family. In 1837 Lewis wrote that Killoskehane Castle “includes part of the ancient castle in the modern mansion”. The property was held by John Willington in fee at the time of Griffith’s Valuation when the buildings were valued at £29+. Edward D. Martin was the occupier of Killoskehane in 1906 and William Costigan in the 1940s. The building is still extant and occupied.
For sale by Helen Cassidy, Premier Properties Ireland:
Charming Historic Irish Castle/ Mansion dating from the 1600′s available for purchase. Price includes the bulk of the furniture.
Renovated to a beautiful standard during the 1800′s.
Killoskehane Castle is located in a most beautiful, tranquil private situation just a short drive from the town of Templemore, County Tipperary,
with superb views of the Devil’s Bit mountain and the Slieve Felim Mountains.
This house was the seat of the Willington Family. The property consists of approx. 15 acres of paddocks and gardens, with outhouses and Gatelodge.
Killoskehan, County Tipperary, photograph from sale advertisement, Premier Property Ireland.Killoskehan, County Tipperary, photograph from sale advertisement, Premier Property Ireland.
Located at the foot of The Devil’s Bit Mountain.
4 km to Borrisoleigh,
1hr 45 mins to Dublin, 1 hour to Shannon/ Limerick, 1hr 45 mins to Galway. 7km to Templemore, 18 miles to Thurles, 20 Mins to Nenagh.
The accommodation comprises:
Ground Floor:
Large Hallway with elaborate wood panelling and floors, leading to
Drawing Room with fine wood panelling, historic fireplace, French windows to Gardens
Extensive Dining Room with fine wood panelling, historic fireplace and French windows to Gardens,
Fully fitted Kitchen, Games Room with feature fireplace, assorted service rooms.
Killoskehan, County Tipperary, photograph from sale advertisement, Premier Property Ireland.Killoskehan, County Tipperary, photograph from sale advertisement, Premier Property Ireland.Killoskehan, County Tipperary, photograph from sale advertisement, Premier Property Ireland.Killoskehan, County Tipperary, photograph from sale advertisement, Premier Property Ireland.Killoskehan, County Tipperary, photograph from sale advertisement, Premier Property Ireland.Killoskehan, County Tipperary, photograph from sale advertisement, Premier Property Ireland.Killoskehan, County Tipperary, photograph from sale advertisement, Premier Property Ireland.Killoskehan, County Tipperary, photograph from sale advertisement, Premier Property Ireland.Killoskehan, County Tipperary, photograph from sale advertisement, Premier Property Ireland.
First Floor: Gallery/Studio,Lounge, Four Formal Bedrooms, Three Bathrooms.
Second Floor: Five Bedrooms, Two Bathrooms.
Killoskehan, County Tipperary, photograph from sale advertisement, Premier Property Ireland.Killoskehan, County Tipperary, photograph from sale advertisement, Premier Property Ireland.Killoskehan, County Tipperary, photograph from sale advertisement, Premier Property Ireland.Killoskehan, County Tipperary, photograph from sale advertisement, Premier Property Ireland.
Externally the property offers charming gardens to the rear and fore, barbeque area, outbuildings, paddocks.
Killoskehane Castle is set in 20 acres with beautiful views of the Devils’ Bit and Slieve Mountains. The house sleeps up to 11 persons. All rooms are of generous size and beautifully proportioned. Everything is functional and nicely decorated. However, the modern luxury standard is not to be expected with these places.
A great place to withdraw from the hectic world and to take a real break!
The space
Killoskehane Castle is a masterclass for Georgian buildings. It has 4 double bedrooms, 1 twin double bedroom and 4 bathrooms in use currently. All rooms are bright with big windows overlooking the beautiful premies of the estate.
Killoskehane Castle has a beautiful bright sitting room, a stunning dining room, a cosy kitchen, a warm and peaceful lounge and a great games room. The house welcomes you with several cosy fireplaces which are all in use at the ground floor. Entering the impressive hall you feel having arrived in a different world.
Other things to note
Killoskehane Castle is an ancient building with lots of history. Guests will feel being transported back in time a few hundred years. The hiuse has been renovated regularly and is functional. However, modern luxury standard is hard to meet with these kinds of buildings.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
[Butler, Ormonde)
p. 23. “A shooting lodge of the Marquesses of Ormonde at the foot of Slievenaman on the lands of Kilcash Castle; built 1867 to the design of Sir Thomas Newenham Deane. Of stone, wiht gables, overhanging roofs and bargeboards. Now a residence of Mr and Mrs Kenneth O’Reilly-Hyland.”
Detached L-plan three-bay two-storey country house, built c. 1810, with remains of gabled porch to front, full-height lean-to extension to rear and pitched sheet metal roofed single-storey extension to north-east. Hipped and pitched slate roofs with ridge tiles, overhanging rendered eaves, rendered chimneystacks with decorative clay pots, and cast-iron rainwater goods. Pebbledashed walls with smooth render plinth and eaves course. Square-headed window openings with timber sliding sash windows. Façade and east gable have three-over-six pane to first floor and six-over-six pane to ground floor and other elevations have two-over-two pane and three-over-six pane to first floor and six-over-six pane to ground floor, all with tooled cut limestone sills. Square headed door opening with timber panelled door and overlight with glazing bars, having timber panelling to surround, latter formerly interior wall of once extant pitched roof porch. Raised area incorporating uppermost cut limestone step and having enclosing wall to entrance. Yard of outbuildings to north having pitched slate roofs with clay ridge tiles, rendered chimneystacks and roughcast rendered walls. Multiple-bay two-storey buildings to east and west, south gable of former having round-headed window and ashlar limestone bellcote with string course and round-arched opening with projecting keystone. Building to west has square-headed timber sliding sash three-over-six pane and three-over-three pane windows. Building to north is single-storey with square-headed and segmental-headed carriage entrances. Walls of former walled garden to north-east of site. Cut limestone piers with cast-iron gates to newly-formed entrance.
Appraisal
This elegant, classically-proportioned house is attractively situated in landscaped surrounds. It retains its timber sliding sash windows and its external form and character have changed little since the early nineteenth century. The associated outbuildings add to the context of the house and the ashlar limestone bellcote is evidence of good quality stonecraft.
Marked on the first Ordnance Survey map as Ballyknockane Cottage, valued at £21 and occupied by Walter Asper at the time of Griffith’s Valuation. He held the property from the Marquess of Ormonde. In 1894 Slater noted it as part of the latter estate. This building no longer exists.
Bellegrove (also Rathdaire), Ballybrittas, Co Laois – (demolished)
Bellegrove (or Rathdaire), County Laois, photograph courtesy Daniel Finnerty instagram @greatirishhouses ‘.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
“(Adair/LG1863) A large Regency house built around three sides of an entrance court, which was later filled in as a winter garden by Cornelia, nee Wadworth, the rich American wife of J.G. Adair, whose wealth also helped to create Glenveigh Castle. Mrs Adair also added an immense conservatory to Bellegrove, designed by Sir Thomas Newenham Deane, with Romanesque arcades supported by pairs of ornate terracotta columns, reproductions of those surviving from the original Basilica of St John Lateran in Rome. Having been burnt, the house stood as a ruin until 1970, when it was demolished.”
Bellegrove (or Rathdaire), County Laois, photograph courtesy Daniel Finnerty instagram @greatirishhouses ‘.Bellegrove (or Rathdaire), County Laois, photograph courtesy Daniel Finnerty instagram @greatirishhouses ‘.Bellegrove (or Rathdaire), County Laois, photograph courtesy Daniel Finnerty instagram @greatirishhouses ‘.Bellegrove (or Rathdaire), County Laois, photograph courtesy Daniel Finnerty instagram @greatirishhouses ‘.Bellegrove (or Rathdaire), County Laois, photograph courtesy Daniel Finnerty instagram @greatirishhouses ‘.
Bellegrove, County Laois, courtesy National Inventory.
Remains of detached two-storey over basement Italianate house, built c.1835, with entrance bay to centre having full-height flanking bows. Burnt down c.1887. Now in ruins with basement filled-in. Site of former winter garden to site. Now dismantled. No roof. Nap rendered rubble limestone and brick walls with ruled and lined detail, rendered quoins, limestone stringcourse and rendered cornice to first floor. Brackets to eaves and limestone blocking course. Square-headed window openings with limestone sills, rendered lugged architraves with pediments (triangular and segmental) to ground floor. Limestone Doric doorcase; fittings now gone. Interior now in ruins. Set back from road in own grounds; grounds now in use as tillage field. Stable complex, pair of detached gate lodges, gateway and site of former winter garden to site.
THE ADAIRS WERE MAJOR LANDOWNERS IN THE QUEEN’S COUNTY, WITH 9,655 ACRESThe family of ADAIR were originally from Scotland and settled in Ireland about 1690, at the time of the battle of the Boyne.
THOMAS ADAIRE, son of Archibald Adaire, wedded Mary Hamilton, and settled in the Queen’s County (Laois).
His son,
ARCHIBALD ADAIRE, married and was father of
JOHN ADAIR, of Rath, Queen’s County, High Sheriff of Queen’s County, 1782, who died in 1809, and was father of
GEORGE ADAIR JP DL (1784-1873), of Rath, High Sheriff of Queen’s County, 1822, who married Elizabeth, second daughter of the Very Rev Thomas Trench, Dean of Kildare (brother of the 1st Lord Ashtown), and had an only son, JOHN GEORGE ADAIR JP DL(1823-85), of Rathdaire, Queen’s County, and GLENVEAGH CASTLE, County Donegal, High Sheriff of Queen’s County, 1867, County Donegal, 1874.
George and his son John George, better known as Jack, built a “state of the art” farmyard at Belgrove in 1851. To justify their investment they ejected their tenants from the best land in Ballyaddan, Rathroinsin, Belgrove, etc., expecting to run the land more efficiently in a larger unit, rather than depending on what they could extract from their tenants.
Jack himself acquired more land in Tipperary, Kildare, and Donegal, and also a large ranch in Texas called the JA Ranch. He died in 1885 on his way home from the States, aged 62 years. Thanks to Dr. Bob Spiegelman of New York we have learned a great deal more about the JA Ranch and Jack’s connections with it, as well as Glenveagh in Donegal. When the Irish Land Commission acquired the Estate in 1935 they divided it among some of the Estate employees and enlarged many of the small farms in the area.
The farmyard was divided between four families, and four of the farm buildings were converted into dwellings. Later on three of the families moved elsewhere or changed from farming. As the other families left the Murphy family bought out the rest of the yard. Michael Murphy Sr. was yard-man on the estate when he was a youth and he got a quarter of the farmyard in the 1935 division; he survived to see his family own the whole farmyard eventually.
Mr Adair married Cornelia, daughter of General J S Wadsworth, US Army, in 1867, and died without issue.
Former seats – Rathdaire, Monasterevin, County Laois; Glenveagh Castle, County Donegal.
RATHDAIRE HOUSE, or Bellegrove, was a two-storey over basement Italianate house of ca 1835, with the entrance bay to the centre having full-height flanking bows.
It was burnt in 1887 and is now in ruins with the basement filled-in.
The fittings are now gone; the interior ruinous.
The house is set back from road in its own grounds, now in use as a tillage field.
Stable complex, pair of detached gate lodges, gateway and site of former winter garden to site.
The striking remains of Bellegrove, County Laois, which has remained a ruin ever since being accidentally gutted by fire in 1887. The core of the house dates from the early 19th century: in 1814, when owned by Thomas Trench, Dean of Kildare, it was described as ‘newly built in a superior style.’ However, the Italianate villa seen today was created much later, in the early 1870s, its architect thought to be William Caldbeck, although other names (among them James Franklin Fuller and Sir Thomas Newenham Deane) have also been suggested. By this time Bellegrove was occupied by John George Adair, his mother having been one of the dean’s daughters. Much given to buying up estates and then either raising the rents or ejecting the tenants, Adair was one of the most reviled landlords of the period; when collecting rents in Laois, he had to be given a police escort. Eleswhere in the country, in County Donegal he acquired 28,000 acres and there in the late 1860s built the Scottish Baronial-style Glenveagh Castle on land that had been cleared. By this time, Adair had married a rich American widow, Cornelia Wadsworth Ritchie, and together they profitably invested in a large Texan ranch (the JA Ranch, its initial’s being those of Adair) which grew to over 700,000 acres, thereby further increasing his wealth. Two years after his (unlamented) death in 1885 Bellegrove was, as mentioned, destroyed by fire but not restored by his widow. What remains today is only part of a formerly larger building, since a substantial winter garden (to the right of the house in the photograph below) designed by Sir Thomas Deane & Son in 1865 has since been taken down; some of the columns in its grand arcade – inspired by the cloister of San Giovanni in Laterano in Rome – were rescued and can be seen elsewhere in the county.
The Adairs of Rath claimed descent from Col. Sir Robert Adair (1659-1745), knighted by King William III at the Battle of the Boyne in 1690, whose ancestors were the Adairs of Kinhilt (q.v.) in Wigtownshire. Thomas Adair of Clonterry (Leix) died in 1758, and his grandson John (c1731-1809) was apparently the first to settle at Rath (also known as Rathdaire), near Ballybrittas (Leix). His son George (b. 1784) built a new house on the estate about 1835, which became known as Bellegrove (occasionally Belgrove).
George’s only son, John George Adair (1823-85), originally intended for the Foreign Office, proved to have too fiery a temperament and to restless a spirit for the diplomatic service, and went to America where he made money in brokerage and land speculation. In 1857-59 he bought up land in Co. Donegal to form the Glenveagh estate, from which over 200 tenants were ruthlessly cleared in 1861. Here, between 1867 and 1873 he built Glenveagh Castle in a Scots Baronial style to the design of his cousin, J.T. Trench. He also added a large winter garden to Bellegrove in 1869, to the design of Sir T.N. Deane. In 1869 he married a wealthy widow, Cornelia Wadsworth Ritchie (1838-1921), and they divided their time between Ireland and America, where they lived first in New York and later in Denver.
In 1874, during a hunting trip, they met a Texas cattleman, Charles Goodnight (1836-1929), who persuaded them to purchase land for cattle ranching on the open range in the beautiful Palo Duro country southeast of Amarillo, Texas, where the cattle had sufficient water, excellent grass in summer and could winter comfortably in the protection afforded by the canyon walls. Adair and Goodnight entered into a partnership, by which Adair put up the money for building a massive ranch in the canyon, and Goodnight would became the manager of the ranch and supplied the initial herd of cattle. Adair financed two thirds of the cost, and Goodnight borrowed his one-third share at 10 percent interest from Adair. Goodnight would also draw a $2,500 annual salary. It was Goodnight’s suggestion that the ranch be named the “JA Ranch” from the initials of his partner. Goodnight had a free hand in managing the ranch and rapidly increased the acreage through shrewd land purchases. As a result the undertaking had made a profit of $510,000 by the end of the first five-year contract. Goodnight continued as manager until 1888, by which time Adair had died and been succeeded by his widow. She was sole owner of the ranch until her death, and it remained in her family, passing to the descendants of her first marriage. Her grandson, Montgomery Harrison Wadsworth “Montie” Ritchie (1910–1999), worked at the ranch and was the manager from 1935 until his retirement in 1993. For the history of the ranch, see here.
Although Cornelia Adair became a British citizen and continued to divide her time between England, Ireland and the USA in her widowhood, her children and grandchildren were and remained American at heart and the Irish estates did not remain in the family long after she died in 1921. Bellegrove had anyway been burnt out in 1887 and was not rebuilt; it remains a ruin. Glenveagh was sold in 1929 to another American, Professor Arthur Kingsley Porter. After he disappeared in mysterious circumstances from Inishbofin in 1933 (an episode which is now the subject of a book, soon to be made into a film), the castle was sold in 1937 to an Irish-American art collector and connoisseur, Henry Plumer McIlhenny (1910-86). He sold the estate to the Office of Public Works as a National Park in 1975, and gave the castle and grounds to the Irish government in 1981.
A large Regency house of c.1835, built for George Adair round three sides of an entrance court, which was later filled in as a winter garden by J.G. and Cornelia Adair. This immense conservatory, designed by Sir Thomas Newenham Deane, had Romanesque arcades supported by pairs of ornate terracotta columns, copied from those in St John Lateran in Rome. Having been burned in 1887 the house was not restored as the Adairs had moved their principal home to Glenveagh Castle in Donegal. The winter garden was demolished in 1970, but the ruins of the original building were still standing and free of ivy in 2011. A gate lodge is known to have been designed by William Farrell, who may have been the architect of the house as well.
Descent: John Adair (c.1731-1809); to son, George Adair (1784-c.1850); to son, John George Adair (1823-85), to widow, Cornelia Wadsworth Adair (formerly Ritchie) (1837-1921); sold by her or her executors… in 1935 the estate was acquired and divided among the tenants by the Irish Land Commission. The Adair family of Bellegrove and Glenveagh Castle
John Adair (c.1731-1809) of Rath. Elder son of Archibald Adair and his wife Jane, daughter of Mark Anthony Chateneuf; born c.1731. He married 26 February 1776, Rebecca, eldest child of George Maquay of Dublin, esquire and had issue:
(1) George Adair (1784-after 1850) (q.v.);
(2) John Adair (1792-1839), dsp;
(3) Elizabeth Adair;
(4) Jane Adair, m. F.W. Fortescue of Miltown Grange (Louth) esq.;
(5) Mary Adair;
(6) Sarah Adair;
(7) Charlotte Adair.
He purchased an estate at Rath (Leix) on which Bellegrove was built by his son.
He died 14 July 1809.
George Adair (1784-1873), of Bellegrove. Elder son of John Adair (c.1731-1809) and his wife Rebecca, daughter of George Maquay of Dublin; born 13 September 1784. JP and DL for Co. Leix; High Sheriff of Leix in 1822. In 1850 he created a model farm on the estate which won him prizes for modern agricultural methods but led to the eviction of some tenants. He married 16 May 1822 Elizabeth (1794-1823), second daughter of the Very Rev. Thomas Trench, Dean of Kildare, and had issue:
(1) John George Adair (1823-85) (q.v.).
He inherited the estate at Rath from his father in 1809 and built Bellegrove House there in 1835. He probably made over the estate to his son before his death.
He died on 2 August 1873 and was buried on 6 August at Coolbanagher church (Leix). His wife died 21 March 1823, two weeks after the birth of their son, and is commemorated by a monument at Coolbanagher.
John George (known as Jack) Adair (1823-85), of Bellegrove and later of Glenveagh Castle. Only child of George Adair (1784-1873) and his wife Elizabeth, daughter of Very Rev. Thomas Trench; born 3 March 1823. Educated at Trinity College, Dublin. High Sheriff of Co. Leix, 1867 and Co. Donegal, 1874. He set up a brokerage business in the United States in the 1860s and later became a ranch owner and property speculator. Although he did not inherited Bellegrove until 1873, he was probably in control of the estate for some years before his father’s death. He married, 30 May 1867 at the English episcopal church, Paris (France), Cornelia (1837-1921), daughter of Gen. James Samuel Wadsworth of New York and widow of Col. Montgomery Ritchie, but died without issue.
Bellegrove was apparently made over to him during his father’s lifetime and he was listed as owning 9,655 acres in Co. Leix in 1872. He was probably responsible for adding a winter garden designed by Sir T.N. Deane 1869. In 1857-59 he purchased land in Co. Donegal to form a new estate at Glenveagh, where he built Glenveagh Castle to the designs of his cousin, J.T. Trench. At his death his estates passed to his widow and the Irish properties were sold after her death.
He died 4 May 1885 in St. Louis (USA), and is buried in The Lea Church, Killenard, Leix; his will was proved in Dublin, 2 July 1885 (estate in England, £14). His widow died 22 September 1921.
Sources
Burke’s Landed Gentry, 1863; M. Bence-Jones, A guide to Irish country houses, 2nd edn, 1988, pp. 139, 291; E. Malins & P. Bowe, Irish Gardens and Demesnes from 1830, 1980, pp. 56-57
Brownsbarn, County Kilkenny, courtesy National Inventory.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
P. 49. [Marsh; Shore, Teignmouth]
A High Victorian Ruskinian-Gothic house by Sir Thomas Newenham Deane, of grey stone with bands of red sandstone giving a polychromic effect. On a high basement, which was the basement of an earlier house; so that as Victorian houses go, it has an unusually compact and straightforward plan, and its rooms have comfortable Regency proportions. Large square hall, with staircase at one side; large and small drawing room en suite. Doors and staircase of pitch pine, stained pleasantly dark; elaborately moulded marble chimneypieces, with flanking columns of different coloured marbles; reminiscent of the altars of Irish Catholic churches of later C19. Inherited by Caroline (nee Marsh) wife of 6th Lord Teignmouth; recently owned by the Lanigan O’Keeffe family (1958).
Brownsbarn, County Kilkenny, courtesy National Inventory.
Detached three-bay (two- or three-bay deep) single-storey over part raised basement double gable-fronted country house with half-dormer attic, designed 1856; built 1857-64, on a square plan centred on single-bay single-storey gabled projecting open porch. Occupied, 1901; 1911. Sold, 1989. Pitched double gable-fronted (M-profile) slate roof including gablets to window openings to half-dormer attic; pitched (gabled) slate roof (porch), roll moulded clay ridge tiles, chamfered chimney stacks having cut-limestone chamfered capping, lichen-spotted “slated” coping to gables on cut-sandstone kneelers with wrought iron finials to apexes, and cast-iron rainwater goods on cut-limestone “Cavetto” consoles retaining cast-iron octagonal or ogee hoppers and downpipes. Cut-sandstone banded tuck pointed snecked limestone walls on cut-sandstone chamfered cushion course on tuck pointed snecked limestone base. Pointed-arch central door opening approached by three lichen-spotted steps with voussoirs having chamfered reveals framing glazed timber panelled double doors having overlight. Cusped lancet flanking window openings with cut-sandstone chamfered sill course, and chamfered reveals framing fixed-pane timber fittings. Pair or cusped lancet window openings in bipartite arrangement (half-dormer attic) with cut-sandstone chamfered sill, and voussoirs having moulded reveals framing two-over-two timber sash windows (north) or timber casement windows (south). Cusped lancet window opening in bipartite arrangement (north) with cut-sandstone chamfered sill course, and voussoirs having moulded reveals framing timber casement windows. Lancet window opening (half-dormer attic) with cut-sandstone chamfered sill, and voussoirs having chamfered reveals framing timber casement window having overlight. Pointed-arch window opening (south) with quatrefoil-perforated balconette, and voussoirs with hood moulding framing timber casement window having overlight. Set in landscaped grounds with “Opus Incertum” piers to perimeter having shallow pyramidal capping supporting wrought iron double gates.
Appraisal
A country house erected for William McDoughall (c.1810-75) to a design by Deane, Son and Woodward (formed 1851) of Upper Merrion Street, Dublin (Building News 1858, 948), representing an important component of the mid nineteenth-century domestic built heritage of County Kilkenny with the architectural value of the composition, one retaining the footings of ‘an early house so that as Victorian houses go it has an unusually straightforward plan [with] rooms of comfortable Regency proportions’ (Bence-Jones 1978, 49), confirmed by such attributes as the deliberate alignment maximising on panoramic vistas overlooking the wooded River Nore; the compact plan form centred on a pillared porch; the construction in a silver-grey limestone with bands of ruby-coloured sandstone producing a polychromatic visual effect; the diminishing in scale of the coupled openings on each floor producing a graduated visual impression with the principal “apartments” or reception rooms defined by polygonal bay windows; and the high pitched multi-gabled roofline. Having been well maintained, the elementary form and massing survive intact together with substantial quantities of the original fabric, both to the exterior and to the interior where ‘pitch pine stained pleasantly dark…elaborately moulded chimneypieces reminiscent of altars in Irish Catholic churches…[and] fretted cornices’ (ibid., 49) all highlight the artistic potential of the composition. Furthermore, an adjacent stable outbuilding (extant 1839); and a walled garden (extant 1901), all continue to contribute positively to the group and setting values of a self-contained estate having subsequent connections with Captain John Henry Blackburne (d. 1891) of Somerset (The Royal Historical and Archaeological Association of Ireland 1874, 5); Colonel Willoughby Digby Marsh (1831-1924) of the Royal Engineers (NA 1901); and a succession of tenants including Thomas Collier (NA 1911).
Brownsbarn, County Kilkenny, courtesy National Inventory.Brownsbarn, County Kilkenny, courtesy National Inventory.Brownsbarn, County Kilkenny, courtesy National Inventory.Brownsbarn, County Kilkenny, courtesy National Inventory.Brownsbarn, County Kilkenny, courtesy National Inventory.Brownsbarn, County Kilkenny, courtesy National Inventory.Brownsbarn, County Kilkenny, courtesy National Inventory.Brownsbarn, County Kilkenny, courtesy National Inventory.Brownsbarn, County Kilkenny, courtesy National Inventory.
Bessborough, Piltown, Co Kilkenny (Kidalton College)
Bessborough, County Kilkenny, now Kidalton College, courtesy National Inventory.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
“(Ponsonby, Bessborough, E/PB) A large house by Francis Bindon, consisting of a centre block of two storeys over basement joined to two storey wings by curved sweeps. Built 1744 for Brabazon Ponsonby, 1st Earl of Bessborough, replacing an earlier house; the “Bess” in whose honour the estate received its name – which was singled out by Swift in his scornful attack on the custom of naming houses and estates after peoples’ wives – having been the wife of a seventeenth century Ponsonby. Entrance front of nine bays; three bay pedimented breakfont with niche above pedimented Doric doorway; balustraded roof parapet with urns; rusticated basement; perron and double stairway with ironwork railings in front of entrance door. Ingeniously contrived Gibbsian doorways in the curved sweeps, their pediments being above the cornice; niches on either side of them. Six bay garden front with four bay breakfront; Venetian windows in upper storey above round-headed windows. Later wing at side. Hall with screen of Ionic columns of Kilkenny marble, their shafts being monolithic. Saloon with ceiling of rococo plasterwork and chimneypieces with female herms copied from William Kent. The entrance front, never a very inspired composition, was not improved by the removal of the perron and substitution of a porch at basement level early in the present century, so as to enable the hall to be used as a sitting room; the architect of this work being Sir Thomas M. Deane. The house was burnt 1923. It was afterwards rebuilt to the design of H.S. Goodhart-Rendel; but in the end the family never went back to live in it, and it stood empty until it was sold in 1944. It now belongs to a religious order, and has been added to and altered; the urns have been removed from the parapet and are now at Belline.”
John Ponsonby (1713 – 1787) by Hugh Douglas Hamilton, courtesy of The Library Collection auction 26 April 2023 at Adams. He was Speaker of the Irish House of Commons. He was the son of Brabazon Ponsonby (1679-1758) 1st Earl of Bessborough, 2nd Viscount Duncannon, of the fort of Duncannon, Co. Wexford. He married Elizabeth, daughter of William Cavendish 3rd Duke of Devonshire.
For more on John Ponsonby (1713-1787), Speaker of the House, of Bessborough, see Melanie Hayes, The Best Address in Town: Henrietta Street, Dublin and its First Residents, 1720-80.
Oil painting on canvas, William Ponsonby, 2nd Earl of Bessborough (1704-1793), attributed to Jeremiah Davison (Scotland c.1695 ? London after 1750) or George Knapton (London 1698 ? Kensington 1778), circa 1743/50. Oval, half-length portrait, turned slightly to the left, gazing at spectator, wearing oriental costume, composed of a red tunic, blue cloak edged with white fur and a red and white turban. Courtesy of National Trust Hardwick House. He married Caroline Cavendish, daughter of 3rd Duke of Devonshire.William Ponsonby, 2nd Earl of Bessborough, (1705-1793), observing a copy of the Borghese Vase Date 1794 by Engraver Robert Dunkarton, English, 1744-1811 After John Singleton Copley, American, 1738-1815.Frederick Ponsonby, Viscount Duncannon, (1758-1844), later 3rd Earl of Bessborough Date 1786, Engraver Joseph Grozer, British, fl.1784-1797 After Joshua Reynolds, English, 1723-1792.The Hon. Richard Ponsonby (1772-1853), Bishop of Derry and Raphoe, British (English) School, circa 1830. A half-length portrait of a man, known as “handsome Dick Ponsonby”, turned go the right, gazing at the spectator, wearing surplice and white bands. He was a son of William Brabazon Ponsonby, 1st Baron Ponsonby of Imokilly (1744-1806) who was a son of John Ponsonby (1713 – 1787). Courtesy of National Trust imagesLady Caroline Lamb née Ponsonby (1785-1828) by Eliza H. Trotter, NPG 3312.She was a daughter of the 3rd Earl, and she married William Lamb, 2nd Viscount Melbourne.John William Brabazon Ponsonby (1781-1847) 4th Earl of Bessborough, County Kilkenny.Bessborough, County Kilkenny, now Kidalton College, courtesy National Inventory.
Bessborough, County Kilkenny, now Kidalton College, courtesy National Inventory.
Attached nine-bay two-storey over raised basement Classical-style country house with dormer attic, built 1744-55, originally detached on a symmetrical plan with three-bay full-height pedimented breakfront, four-bay three-storey side elevations having two-bay full-height breakfronts, and six-bay three-storey Garden (south) Front having four-bay three-storey breakfront. Renovated, pre-1899, with three-bay single-storey flat-roofed projecting porch added to centre ground floor. Burnt, 1923. Reconstructed, 1929, to accommodate use as convent. Converted to use as agricultural college, post-1944. Hipped slate roofs on a quadrangular plan behind parapet with clay and rolled lead ridge tiles, cut-limestone chimney stacks (some on axis with ridge), lead-lined shallow barrel roofs to dormer attic windows, and cast-iron rainwater goods. Flat roof to porch not visible behind parapet. Limestone ashlar walls with rustication to ground floor (including to porch having piers supporting frieze, cornice, and balustraded parapet with urns on pedestals), stringcourse over, stringcourse to second floor, round-headed recessed niche to centre top floor breakfront with cut-limestone surround framing statuary, carved (moulded) surround to pediment, and carved (moulded) cornice supporting balustraded parapet. Square-headed window openings with cut-limestone sills, rusticated voussoirs to ground floor, carved surrounds to upper floors, and six-over-six timber sash windows. Square-headed opening (original door opening) to centre first floor breakfront with limestone ashlar pedimented Doric surround, and glazed timber double doors. Bulls-eye window opening to pediment with carved surround, and fixed-pane timber fitting. Some round-headed window openings to breakfront to Garden (south) Front (forming Venetian openings to top floor) with cut-limestone sills, channelled voussoirs to ground floor, carved surrounds to Venetian openings, six-over-six and three-over-six (top floor) timber sash windows having one-over-two sidelights to Venetian openings. Camber-headed window openings to dormer attic with timber casement windows. Round-headed openings to porch (in round-headed recesses to outer bays) with cut-limestone voussoirs having double keystones, timber panelled double doors having overlight, and six-over-nine timber sash sidelights. Interior with timber panelled shutters to window openings. Set back from road in own grounds with tarmacadam forecourt, and landscaped grounds to Garden (south) Front incorporating terraces having flights of cut-stone steps with balustraded parapets supporting urns. (ii) Pair of attached single-bay (seven-bay deep) two-storey Classical-style blocks, pre-1944, perpendicular to east and to west with single-bay full-height pedimented breakfronts, and three-bay two-storey lower linking wings on L-shaped plans. Hipped slate roofs behind parapets with clay ridge tiles, rendered squat chimney stacks, copper-clad vents to ridge, and concealed cast-iron rainwater goods. Roofs to linking wings not visible behind parapets. Rock-faced limestone ashlar walls with cut-limestone stringcourse to first floor supporting limestone ashlar Doric frontispiece (incorporating breakfront) having engaged columns, flanking outer pilasters, frieze, moulded cornice, moulded surround to pediment, and balustraded parapet. Square-headed window openings to ground floor with round-headed window openings to first floor having cut-limestone sills, limestone ashlar block-and-start surrounds to first floor, and six-over-six timber sash windows having fanlights to first floor (fixed-pane fittings to Doric frontispiece on panel having foliate swag motif). Square-headed window openings to linking wings (some round-headed window openings) with cut-limestone sills, limestone ashlar block-and-start surrounds, and six-over-six timber sash windows having fanlights to round-headed openings.
Appraisal
A very fine substantial house built to designs prepared by Francis Bindon (c.1698-1765) for Brabazon Ponsonby (1679-1768), first Earl of Bessborough, and subsequently reconstructed in the early twentieth century to designs prepared by Harold (Harry) Stuart Goodhart-Rendel (1887-1959) following an extensive fire retaining a porch added in the late nineteenth century by Sir Thomas Newenham Deane (1827-99). Various cut-limestone details displaying expert stone masonry contribute significantly to the Classical elegance of the composition. Of particular importance for the relationship with Ponsonby family the house is of additional significance for the associations with ‘The Troubles’ (1922-3). Subsequently adapted to an alternative use a small number of additional ranges have been planned in a manner complementing the appearance of the original portion: however, further extensive development over the course of the mid to late twentieth century has included a number of accretions that have compromised some of the setting quality of the site. Nevertheless, the house remains an impressive feature in the landscape forming an important element of the architectural heritage of Piltown and the environs.
Bessborough, County Kilkenny, now Kidalton College, courtesy National Inventory.Bessborough, County Kilkenny, now Kidalton College, courtesy National Inventory.Bessborough, County Kilkenny, now Kidalton College, courtesy National Inventory.Bessborough, County Kilkenny, now Kidalton College, courtesy National Inventory.Bessborough, County Kilkenny, now Kidalton College, courtesy National Inventory.Bessborough, County Kilkenny, now Kidalton College, courtesy National Inventory.
Gateway, c.1750, comprising pair of sandstone ashlar piers on cruciform plans with raised bands having stringcourses supporting friezes, carved cut-sandstone cornice capping supporting acorn finials, wrought iron open work panels supporting decorative wrought iron double gates, wrought iron open work panels framing decorative wrought iron flanking pedestrian gates, limestone ashlar outer piers with cut-limestone capping supporting urn finials, limestone ashlar screen wall with cut-limestone coping, limestone ashlar piers with cut-limestone capping supporting urn finials, sections of wrought iron railings, and limestone ashlar terminating piers with cut-limestone capping supporting ball finials. Road fronted at entrance to grounds of Bessborough House (Kildalton College).
Appraisal
Constructed in locally-sourced Country Kilkenny limestone and sandstone an elegantly-composed formal gateway known as “The Grand Gates” exhibits particularly fine craftsmanship with robust Classically-derived dressings identifying the architectural design value of the composition. Decorative iron work fashioned at the R. and B. Graham Foundry further enlivens the aesthetic appeal of a commanding gateway forming an imposing landmark at the entrance to the grounds of the Bessborough House (Kildalton College) (12325001/KK-39-25-01) estate.
Bessborough, County Kilkenny, now Kidalton College, courtesy National Inventory.
Gateway, c.1750, comprising pair of rusticated limestone ashlar piers with cut-limestone capping supporting blocking course having ball finials over, decorative iron double gates, and random rubble stone flanking boundary wall to perimeter of site. Road fronted at entrance to grounds of Bessborough House (Kildalton College).
Appraisal
An appealing gateway forming a secondary entrance on to the grounds of the Bessborough House (Kildalton College) estate allowing a direct route to the centre of Piltown. The construction of the piers including heavy rustication in the Classical manner exhibits high quality stone masonry while decorative wrought iron gates further enhance the artistic design value of the composition.
The Landed Gentry & Aristocracy: Kilkenny. Volume 1. Art Kavanagh, 2004.
Bessborough, County Kilkenny, now Kidalton College, courtesy Archiseek.Bessborough, County Kilkenny, now Kidalton College, courtesy Archiseek.
Large Palladian house with wings, designed by Francis Bindon around 1744 on the site of an earlier house. Later addition of a porch by Sir Thomas Manly Deane, who also moved the principal entrance to the ground floor, and converted the original hall into a sitting room. The cigarette card illustration shows the entrance front prior to this. In 1923 the house was burnt and severely damaged. A thorough and complete reconstruction followed and was completed by 1929. Now known as Kildalton College, an agricultural college run by Teagesc.
featured in Georgian Mansions in Ireland with some account of the evolution of Georgian Architecture and Decoration by Thomas U. Sadleir and Page L. Dickinson. Dublin University Press, 1915.
Bessborough, County Kilkenny, in Georgian Mansions in Ireland with some account of the evolution of Georgian Architecture and Decoration by Thomas U. Sadleir and Page L. Dickinson.
“This large mansion, the seat of the Earl of Bessborough, is situated in the south of County Kilkenny, not far from the village of Pilltown, and lies in a well-planted desmesne of over 500 acres. It is built of hewn blue limestone, and rectangular in shape, as may be seen in Plate IX, being 100 feet in length, and in depth 80 feet.
But this picture, we hasten to point out, does not represent the front exactly as it is now, for some years since the flight of stone steps which appears therein was removed, the principal entrance being changed to the ground-floor, and the original hall turned into a sitting-room. These alterations were carried out by Sir Thomas M. Deane, who also added a porch of the same stone that the house is built with. Thus the convenience of the house has been increased to the detriment of its Georgian appearance.
Bessborough, County Kilkenny, in Georgian Mansions in Ireland with some account of the evolution of Georgian Architecture and Decoration by Thomas U. Sadleir and Page L. Dickinson.
This sitting-room, a large apartment hung with pictures, was originally decorated with plaster panels, but these, from being painted over, have lost their character as ornament. Two Ionic columns, monoliths, 10 feet 6 inches high, of black Kilkenny marble, polished, support an entablature. The drawing-room, opening off the original hall, but with a south aspect, is a handsome apartment, remarkable for its elaborate white marble mantel, which we illustrate at plate X. Its peculiarity, which was referred to in Vol. V of the Georgian Society at p. 60, is that the figures at either side are portraits. They represent two members of the Ponsonby family: Lady Catherine, wife of the fifth Duke of St. Albans, and Lady Charlotte, wife of the fourth Earl Fitzwilliam, both daughters of the second Earl. The rococo ceiling is worthy of note, and there is a deep frieze with medallions. This room contains a number of interesting pictures… It only remains to mention the well-proportioned dining-room, also on the first floor, and a small sitting-room, with a corner fireplace and handsome mantel. …[p. 22] Unlike most Georgian mansions, the stairs are not an important feature, and serve no purpose save of utility. One of teh bedrooms contains a fine oak Jacobean bedstead.
p. 22. The history of this estate can be traced from an early period. It was called Kilmodalla, that is the Church of Saint Modailbh, and in the thirteenth century became the property of the Anglo-Norman family of D’Aton, of Dauton, from whom it received the name of Kildaton, sometimes incorrectly written Kildalton.
Edmund Daton, of Kildaton, was attainted for participation in the rebellion of 1641, and in the time of the Commonwealth his estate was granted to Col. John Ponsonby, whose title to this and other lands, in all 19,979 statute acres, situated in the Counties of Carlow, Kerry, Donegal, Limerick, Waterford and Kilkenny, was confirmed by the Act of Settlement. Ponsonby was a Cumberland gentleman, who had raised a regiment of horse for service in Ireland, and had acted as Governor of Dundalk. [Kavanagh, the Aristocracy of Kilkenny, p. 169, tells us John Ponsonby was from Hale Hall in Cumberland.] On the fall of Richard Cromwell he declared in favour of a monarchy, and was in consequence high in favour at the Restoration, being included in the Act of Indemnity, and on 19th February 1660-1661, dubbed a knight by the Lords Justices. It is singular that Sir John, who was a man of property in England, and in fact the head of his house, should have elected to settle in Ireland. He was at the time a widower with a family, one of whom inherited Hale Hall, his estate in Cumberland, and is said to have come over at the solicitation of his brother Henry, who had obtained a grant of Crotto and other lands in Kerry.
[Kavanagh writes that when the war of Cromwell was concluded, he was appointed a Commissioner for the taking of depositions concerning atrocities committed against Protestants during the 1641-9 rebellion, and was made Sheriff of Wicklow and Kildare. Her was knighted by Cromwell and granted teh forfeited estate of Edmond Dalton of Kidalton and lands that formerly belonged to the Walshes particularly in the Fiddown area. …The Datons or Daltons as they were later called came to Ireland with the first Normans in 1171. They settled in Westmeath but later purchased a large estate in South Kilkenny, where they were living when the Cromwellians arrived. After their lands were confiscated some of the daltons may have moved to Connaught, but a number remained behind as tenants to the new landowners. Tjere was a number of Daltons in the Inistioge area in the 18th century farming large holdings.]
It was he who gave the name Bessborough, or Bessie’s Borough, in honour of his second wife, Elizabeth, widow, first, of Sir Richard Wingfield of Powerscourt, Co Wicklow, secondly, of Edward Trevor, and daughter of Henry, first Lord Folliott, probably on building a house to replace the castle of the Datons. In after years this circumstance came to the knowledge of Dean Swift, who makes use of it in his essay “On Barbarous Denominations in Ireland,” in which he vents his raillery on the landed proprietors. “The utmost extent,” he says, “of their genious lies in naming their country habitation by a hill, a mount, a brook, a burrow, a castle, a bawn, a ford, and the like ingenious conceits. Yet those are exceeded by others, whereof some have contrived anagrammatical appellations, from half their own and their wives’ names joined together: other, only from the lady; as, for instance, a person whose wife’s name was Elizabeth, calls his seat by the name Bess-borough.” Sir John was in residence in 1664, when he paid tax for five hearths. He acted in a most considerate and praiseworthy manner by the dispossessed owner, Edmund Daton, for he not only gave him shelter in his house, but maintained him there as his guest till his death.
By purchasing land, and investing largely in soldiers’ debentures, Ponsonby acquired a considerable fortune. He died in 1668, and was succeeded at Bessborough by his son Henry [the eldest son of his second marriage], who, on Nov 5th 1679, received the honour of knighthood. He doubtless fled to England to escape persecution during the vice-royalty of Tyrconnell, for he was resident there in 1689 when attainted by the Irish Parliament of King James II. On Sir Henry’s death, without issue, a few years later, the estates devolved on his next brother, Col. William Ponsonby, who accordingly made this his residence. He had been a Cornet of Horse in the Royal Army, from which he was removed for being a Protestant in 1686; and subsequently distinguished himself in command of Independent Companies in the memorable defence of Derry. He was prominent in affairs, represented County Kilkenny in five successive parliaments (1692-1721), and in 1715 as sworn of the Privy Council. In 1721 he was raised to the peerage as Baron Bessborough, of Bessborough, and in the following year advanced to the dignity of Viscount Duncannon, of Duncannot Fort, in the County of Wexford. He married Mary, daughter of the Hon. Randal Moore, fourth son of Charles, second Viscount Drogheda (by Lady Jane Brabazon, daughter of Edward, second Earl of Meath), and had issue three sons and six daughters.
[Kavanagh, p. 171. A son, Henry, married Frances, daughter of Chambre Brabazon 5th Earl of Meath, “by whom he had a son, Chambre Brabazon. Chambre was married three times and by his second wife he had Sarah Ponsonby, one of the Ladies of Llangollen. Fn. Sarah ran away with her friend Eleanor Butler the daughter of the Ormonde heir. Sarah was the object of unwanted affection from her godmother’s husband, Sir William Fownes. Eleanor, a Protestant, was being persecuted by her Catholic stepmother. Sir William Barker of Kilcooley gave Sarah £580 which helped to keep them for a number of years. When Eleanor’s father succeeded as teh Earl of Ormonde he was persuaded by William Barker to make provision for Eleanor which he did. The two girls never married and stayed together at Llangollen in Wales until their deaths. They became a very celebrated couple and received visites from very distinguished peopel including Lord Byron, the Duke of Wellington, Sir Walter Scott, De Quincy, Wordsworth, Southey and many others.”]
Lord Duncannon died at Bessborough on 17 Nov 1724, and was buried three days later, “with Escocheons,” [Funeral entry in Office of Arms, Dublin Castle], in the family burying-place in Fiddown Church.
Brabazon, second Viscount Duncannon, who succeeded to the title and estate on his father’s death, had been an officer in the 27th, or Inniskilling Regiment, in which he was Captain of the Granadier Company. By his marriage with Sarah, daughter of John Margetson of Bishopscourt, County Kildare, and widow of Hugh Colville, of Newtown, County Down, he acquired a considerable fortune, including landed property in County Kildare and in Leicestershire, as well as the pocket borough of Newtown Ards, for which he sat in the Irish Parliament from 1704-1714.
[Kavanagh book, p. 171: “The following story is told of the marriage of Sir William’s eldest son, Brabazon Ponsonby, future MP and Earl of Bessborough, which took place around 1703. Brabazon soon found himself in pecuniary difficulties from which he attempted to extricate himself by proposing to marry a rich widow then living in Dubln, a Mrs Colville, granddaughter of Archbishop Margetson. Mrs Colvill woudl have none of him and refused to listen to his importunities. Brabazon, however, resolved on a plan for making her his wife. She was awakened one morning by a bank playing epithalamic airs outside her lodgings (the custom being to serenade newly married couples), and flying to the window, opened it, and beheld a great crowd cheering; at the same moment, the next window was thrown open [p.172], and Captain Brabazon Ponsonby appeared in a night dress, smiling and thanking the people for their congratulations. He had hired a neighbouring apartment and the band, and by this ruse proclaimed that he was married to Mrs Colvill. In vain she denied the assertion; public opinion, resting on such convincing proofs, was too strong for her, and she finally gave way and bestowed her hand and her fortune on th gallant officer, who left the Army.” His second wife Elizabeth Sankey was twice widowed and also an heiress]
From 1715 until he succeeded to the peerage he was one of the members for the County of Kildare. In 1726 he was called to the Privy Council, being subsequently appointed a Commissioner of Revenue. In Nov 1733, six months after his first wife’s death, he married Elizabeth, eldest daughter of John Sankey, and widow, first of Sir John King, and secondly of John, Lord Tullamore. During the Lord Lieutenancy of the third Duke of Devonshire, and a few months after his eldest son had married the Duke’s eldest daughter, he was, by patent dated 6th October 1739, created Earl of Bessborough in the peerage of Ireland. Ten years later he received an English peerage as Baron Ponsonby, of Sysonby, in County of Leicester, taking his title from the estate in England which his first wife had inherited from her father.
p. 25. Til 1743 he sees to have lived principally at Bishopscourt, where in the autumn of that year he had the honour of entertaining the Lord Lieutenant, who had lately become connected with the family by another tie, his daughter, Lady Elizabeth Cavendish, having married John Ponsonby, the Earl’s second son [afterwards the Right Hon. John Ponsonby, Speaker of the Irish House of Commons, and long leader of the patriotic party, who died in 1787. He was father of the first Lord Ponsonby, and of the Rt. Hon. George Ponsonby, Lord Chancellor of Ireland]. In 1744 he pulled down the “large old house” at Bessborough, and erected the present mansion from designs by Francis Bindon. As soon as it was completed, he took up his residence, making over Bishopscourt to his younger son John, who eventually inherited that estate. [This property remained in the possession of the family till sold to the 3rd Earl of Clonmel in 1838.] We have unfortunately no detailed account of the house during the lifetime of the 1st Earl. The Primate, who stayed there in January 1753, contents himself with telling Lord George Sackville that “everything was perfectly right and extremely agreeable.”
[Kavanagh, p. 173: Brabazon’s second son, John Ponsonby, was perhaps the most talented and outstanding man of hte family. Born in 1713 he entered Parliament in 1739. Five years later he replaced his father as Commissioner for the Revenue. In the year just prior to that prestigious appointment he married Lady Elizabeth Cavendish, daughter of 3rd Duke of Devonshire [who was Lord Lieutenant]. In order to reinforce his position as a most reliable government supporter, John raised four companies of horse for service against the the Scots rebels in 1745. In 1746 he was appointed a Privy Counsellor which carried with it the title of Rt. Honourable. Ten years later he reached the pinnacle of his power when he was appointed as Speaker of the House of Commons (in Ireland). IN addition to this he became an “undertaker” for the government. This meant that he undertook to manage the business of the government in the Irish Parliament in the absence of the Lord Lieutenant. In return he was given power to appoint people to high offices, acted as Lord Justice, was consulted about policies and given the necessary means to enable him to bring in a majority for hte government when bills needed to be passed. He retained this positino until 1770. After this time the practice was discontinued as Lords Lieutenants were obliged to remain in Ireland as residents.”
p. 174. “John and his wife Lady Elizabeth had five sons and four daughters…His sons were William, John, George, Richard and Frederick. William and George were MPs and were very prominent in their support of the Catholic emancipatino movement, supporting the Catholic Relief Acts according as they were presented in Parliament. George was the more prominent of the two and led the Whig party in the English Parliament after th Union. William tried for the position of Speaker in 1790 but was defeated by John Foster. George was Chancellor of Ireland in 1806. …George had an illegitimate son, George Conolly Ponsonby, who distinguished himself in the Army. He fought in India and Afghanistan. He attained the rank of Major General. He settled his family in Germany and died there in 1866.]
Lord Bessborough, who held the offices of Mariscal of the Admiralty in Ireland, and Vice-Admiral of Munster, was twice one of the Lords Justices. He died here at 3pm on Tuesday, the 4th July, 1758, after a brief illness, caused by swallowing cherry-stones, aged 79.
William, second Earl of Bessborough, who now succeeded his father, lived almost entirely in England. [In October 1773, he associated himself with the Duke of Devonshire, the Marquess of Rockingham, the Earl of Upper Ossory, and Lord Milton, in protesting against the Irish Absentee Tax. Their objection was based on the possession of estates in both countries, and that they should not be penalized for spending the greater part of their time residing in the capital of the UK for the purpose of attending to their duties as peers.] A highly cultivated man, an enthusiastic collector, and a patron of the fine arts, he was long prominent both in society and in politics. He had travelled extensively, and had not only made the usual European tour then essential to the man of fashion, but had even penetrated to Greece, which he visited in 1738, taking with him J.E.Liotard, the eminent French painter. [p. 26] In the following year, soon after his return home, he married, during the vice-royalty of her father, Lady Caroline Cavendish, daughter of William, third Duke of Devonshire. On 8th June 1741, he writes from Chatsworth to inform the Lords Justices of his appointment as Principal Secretary to the Lord Lieutenant; in the following November he was sworn as Privy Councillor in Ireland. Prior to his father’s death, Lord Duncannon, as he was then, sat in the Irish House, representing Newtown Ards from 1725-1727, and County Kilkenny 1727-1758. He also sat in the English Parliament, representing Derby, a pocket borough of the Cavendish family, 1741-54; Saltash, 1754-56, and Harwich, 1756-58. In politics a Whig, he more than once held office, first for ten years, as a Lord of the Admiralty; then a Lord of the Treasury, 1756-59; and twice Joint Postmaster-General.
[Kavanagh p. 176: “The 3rd Earl probably lived most of his life abroad or in Dublinbut he maintained the house at Bessborough. He bought a fine mansion, called Belline that he been built by Peter Walsh in Pilltown in the late 18C, for his agent. Prior to the agent taking up residence it was made available by the Earl of William Lamb, the son of Lord Melbourne, the husband of the Earl’s only daughter, Caroline. He brought her there at the urgings of her frantic family.
Caroline, who was born in 1788 and married to a besotted William Lamb in 1806. Caroline and William had only one son who survived childhood and he was not mentally capable. The marriage became unstable and 9p. 177) Caroline embarked on a very public affair with Lord Byron, much to the embarressment of her family and the annoyance of her husband. Affairs were very much in vogue but had to be discreet. Byron was just 24 at the time, three years her junior and on the verge of becoming the darling of society having just published Childe Harolde’s Pilgrimage. He was feted everywhere. They began a much recognised and indiscreet affair that lasted a tempestuous four months. Byron ended the affair much to Caroline’s displeasure.
She then spent the next four years pursuing him. Byron avoided her, seeking refuge ifor some time with his new mistress, Lady Oxford, and eventually marrying a cousin of Caroline’s husband, Annabella Milbanke. As the enforced exile in Belline had no positive effect on Caroline her family frankly told Lamb to divorce her, but this he refused to do. The marriage continued until 1825. During the intervening period Caroline turned to novel writing and the characters of her first novel called Glenarvon were easily recognisable as leading society figures of the period, including Byron. She wrote two further novels, Graham Hamilton, publ, 1822, and Ada Reiss, pub. 1823. She died in 1828.]
Lady Bessborough, who was a god-daughter of George II, died in 1760 of the same disorder , as Horace Walpole tells us, which had some years previously carried off four of her children. The Earl was a great favourite at Court, particularly with Princess Amedlia, the most attractive of the daughters of George II, and many of his letters relating to her will are preserved in the British Museum. He was so pleased at her condescension in coming to dine with him one night that he greeted her warmly with both hands, on which she exclaimed, “My Lord, you are very good, but I wish you would not paw me so!” When he was finally left alone, on the marriage of his younger daughter, the Princess was anxious that he should not remain a widower, and suggested that Lady Anne Howard would make a suitable bridge. But the Earl, so far from countenancing the idea, took upon himself to propose to the Princess, at which she “laughed to such a degree than she could hardly stand.” [from the Journal of Mary Coke. This does not appear to have caused a quarrel between them, for she appointed him one of her executors, and left him a legacy of £1000 stock].
He also admired Lady Mary Coke, the diariest, who describes him as “very entertaining.” …
p. 27. As one of the first collectors in this country of gems, marbles, and works of art, he ws well qualified to become an original member of the Dilettanti, he was also member of the Accademia di Disegno at Florence, and in 1768 was elected a Trustee of the British Museum. …
Although an absentee, Lord Bessborough did not neglect his Irish seat, and his artistic taste doubtless suggested the beautiful carved mantel in the drawing-room, with its representations of his two daughters…A visitor said “it felt as warm and comfortable as if the family had left it the day before, and it has not been inhabited these forty years.”
…He died on May 1793, at the age of 88, being then “Father of the Dilettanti.” [A portrait of the Earl, in Turkish dress, by Knapton, is in the possession of the Society of the Dilettanti.] p. 28. A monument to him and his wife, with busts by Nollenkens, is in All Saints’ Church, Derby, where they were buried in the mausoleum of the Cavendish family.
p. 28. Frederick, third Earl of Bessborough, his father’s only surviving son, also usually resided in England. He was educated in Christ Church College, Oxford, and entered Parliament in 1780 as M.P. for Knaresborough, which he represented until he succeeded to the peerage, beign twice appointed a Lord of the Admiralty. He tok a decided part in opposing the Union. He was a man of the most amiable and mild manners, who, without affecting the character of an orator, was an able and much-appreciated speaker. As a landlord, he showed the utmost consideration to his tenants and, inheriting the cultured tastes of his father, he was an amateur artist. Lord Bessborough married on 27 Nov 1780, Henrietta Frances, second daughter of John, first Earl Spencer, by whom he had issue, with a daughter and three sons [the daughter was the well-known Lady Caroline Lamb, wife of William, second Viscount Melbourne, and a remarkable woman. She was a devoted admirer of Byron, who is said to be the hero in her novel, Genarvon.] During his declining year he lived chiefly with his youngest son at Canford House, Dorset [the Hon. William Francis Spencer Ponsonby, who was raised to the peerage in 1838 as Baron de Mauley]. He died there on 3rd Feb 1844 aged 86.
His eldest son and successor, John William, fourth Earl of Bessborough, was the distinguished Whig statesman who died at Dublin Castle, while Lord Lieutenant of Ireland, on 22 May 1847.
[Kavanagh, p. 178. 4th Earl was reputed to have been an excellent (and resident) landlord. Liek his illustrious forebears he was closely allied to the Whig party and was liberal minded. It was he who first introduced Daniel O’Connell to the House of Commons in 1829 after he had been elected, as the first Catholic, thus gaining Emancipation.
His was a poisoned chalice. He occupied the post of Lord Lieutenant during the Famine. This dreadful disaster was compounded by political unrest which manifested itself in the Young Ireland movement. Ever since 1829, O’Connell had been seeking Repeal of the Union, using all the peaceful means at his disposal, especially mass meetings. But younger more radical men became more violent in their language and some of their number advocated a peasant led social revolution. These wre the Young Irelanders. [fn. Some of the persons involved were Smith O’Brien, a member of the gentry from County Limerick and an MP for Ennis, Charles Gavan Duffy, a Monaghan born Catholic journalist and publisher of The Nation, Thomas Davis, the Cork born son of an English Army surgeon, and John Blake Dillon a Mayo born Catholic barrister.
The Lord Leiut. Threw himself wholeheartedly and vigorously into the efforts devised by the government to combat the effects of the famine. ]
His fifth son, the Rev. Walter William Ponsonby, who succeeded when the peerage had been held successively by his two elder brothers, was father of Edward, 8th Earl of Bessborough, the present proprietor of the estates.”
The above engraving of Bessborough, County Kilkenny is taken from John Preston Neale’s Views of the Seats of Noblemen and Gentlemen in England, Wales, Scotland, and Irelandpublished in six volumes between 1818-1824. It shows the house as originally designed by Francis Bindon around 1744 and without any of its later alterations and additions. As was mentioned last week, the Ponsonby family spent relatively little time on their Irish estate. When William Tighe published his Statistical survey of the County of Kilkenny in 1802 he observed ‘The principal absentee proprietor is the Earl of Bessborough, who possesses 17,000 acres in the county, about 2,000 of which are let forever…Though not inhabited for forty years, the house is kept in excellent order.’ It would appear that the second Earl of Bessborough, who while on his Grand Tour had travelled as far as Greece and Turkey in the company of the Swiss artist Jean-Etienne Liotard (who painted him in Turkish costume) preferred to live in England where he enjoyed a successful political career. At Roehampton outside London he commissioned a new house from Sir William Chambers which was then filled with an exceptional collection of classical statuary. Only after his father’s death in 1893 did the third earl visit Bessborough for the first time but he too was an infrequent visitor. When staying in the house with the latter’s heir in 1828 Thomas Creevey wrote that following the first earl’s death two years after building’s completion in 1755, ‘His son left Ireland when 18 years old and having never seen it more, died in 1792. Upon that event his Son, the present Lord Bessborough, made his first visit to the place, and he is not certain whether it was two or three days he staid here, but it was one or the other. In 1808, he and Lady Bessborough came on a tour to the Lakes of Killarney and having taken their own house in their way either going or coming, they were so pleased with it as to stay here a week, and once more in 1812, having come over to see the young Duke of Devonshire at Lismore, when his Father died, they were here a month. So that from 1757 to 1825, 68 years, the family was (here) 5 weeks and two days.’
In 1826 the fourth earl, when still going by the courtesy title of Lord Duncannon, came over to Ireland with his wife and eleven children and, astonishingly, remained here until his death twenty-one years later: during the year before this occurred he served as Lord Lieutenant, the first resident Irish landlord to hold that office for a generation. Creevey’s letters to his step-daughter Elizabeth Ord tell us a great deal about life in Bessborough at the time. Of Lady Duncannon he wrote, ‘Her life here is devoted to looking after everybody, and in making them clean and comfortable in their persons, cloaths, cottages and everything…I wish you could have seen us walking up Piltown [the local village] last Saturday. Good old Irish usage…is to place the dirt and filth of the house at the entrance instead of behind it, and this was reformed at every house but one as we walked thro’ and Duncannon having called the old woman out told her he would not have the filth remain in that place…to which she was pleased to reply, “Well, my dear, if you do but walk by next Tuesday not a bit of the dirt shall you see remaining”.’ One suspects that the Duncannons were what might be described as benign despots, ruling over their tenants with an iron fist in a velvet glove. Creevey reported ‘My Lady’s mode of travelling is on a little pony, she sitting sideways in a chair saddle; one of the little girls was on another pony. My Lord and I sauntered on foot by her side. She got off and went into different cottages as we went. She gives prizes for the cleanest cottages…She put her Cottagers in mind of it, but there is a simplicity and interest and kindness in every communication of hers with the people here, on their part a natural unreserved confidential kind of return…’ No doubt worn out by her efforts to improve the lives of those around her, Lady Duncannon died in 1834 at the age of 46. Three of her seven sons became successively Earls of Bessborough, the sixth earl chairing the 1880 commission which investigated the problems of landlord and tenant in Ireland. His younger brother, the seventh earl, had previously been a Church of England clergyman.
Although Bessborough was occupied more than had previously been the case, it was never a permanent home for the Ponsonbys who continued to spend much of their time in England. In Twilight of the Ascendancy (1993) Mark Bence-Jones reports that the family was in residence for eight weeks each summer and another four at Christmas, but while there they entertained extensively and on one occasion had Queen Victoria’s son the Duke of Connaught and his wife to stay. Bence-Jones notes that the royal party was treated to a concert during which another of the houseguests sang Percy French’s ballad ‘The Mountains of Mourne’; she was supposed to do so in her bare feet but instead wore bedroom slippers. During this period Bessborough was also notable for its amateur dramatic performances, a popular pastime in the Edwardian era; the future ninth Earl of Bessborough was a keen actor and even brought over a professional director from London. Nevertheless, like his forbears he was inclined to spend the greater part of his time on the other side of the Irish Sea. Prior to his father’s death in 1920 he had qualified as a barrister and served as an MP as well as becoming a successful businessman (and in the early 1930s he would be appointed Governor General of Canada). When the War of Independence broke out in this country he organised to have much of the contents of Bessborough removed from the house and brought to England. It was a wise decision since in February 1923 during the Civil War Bessborough was gutted by fire, along with another house in the same county, Desart Court. The damage to Bessborough was estimated at £30,000.
The year after Bessborough was burnt, the ninth earl bought Stansted Park in West Sussex and commissioned Harry Stuart Goodhart-Rendel, an old friend from their days together at Cambridge, to carry out alterations to the house. Goodhart-Rendel was a gentleman architect who had inherited Hatchlands in Surrey, which he gave to the National Trust in 1945. Writing of him in October 1942, James Lees-Milne noted, ‘He told me the order of his chief interests in life is 1. the Roman Catholic Church, 2. the Brigade of Guards and 2. Architecture.’ It was thanks to Lees-Milne that Hatchlands came to be given to the NT and today the house is occupied by that wondrous Irish polymath Alec Cobbe in whose own family property Newbridge, County Dublin (now under the authority of the local council) hangs a portrait of his own ancestor Archbishop Charles Cobbe; this was painted by another gentleman-architect Francis Bindon, in turn responsible for the original design of Bessborough. Completing this circle, after he had carried out the job at Stansted Park, Goodhart-Rendel was invited by the ninth earl to oversee the rebuilding of Bessborough, which he duly did from 1925 onwards. In an article on Stansted Park written for Country Life in February 1982, Clive Aslet quotes Goodhart-Rendel’s comment that Lord Bessborough, when it came to reconstructing his family house, ‘relied on my memory for the character of what new internal detail we were able to put in.’ In fact, it does not appear that the house benefitted from much internal detail since the rooms are noticeably plain, the only striking space being the double-height entrance hall with a large staircase that runs up to a screened corridor and has a first-floor gallery on the opposite wall (see the three photographs immediately above). One also has the impression that the central block alone was rebuilt and not the quadrants or wings. The reason for this want of detail is most likely that the Ponsonbys never again lived at Bessborough and by the end of the 1930s they had entirely disposed of their County Kilkenny estate. Soon afterwards it was bought by a religious order, the Oblate Fathers who established a seminary there, adding large and aggressively workaday wings to either side of the house; understandably the architect of these extensions is unknown. In 1971 the estate was bought by the Irish Department of Agriculture and today Bessborough, now called Kildalton, serves as an agricultural college at the centre of a large working farm. Other than some fine planting in the immediate parkland, there is little to recall the house’s former existence, so let us end today as we did last week with a page from a visiting book. This one was kept by Lady Olwen Ponsonby who in 1901 married the third Lord Oranmore and Browne. The page below features signatures of guests at a house party at Bessborough in September 1909 and includes that of Harry Stuart Goodhart-Rendel immediately below a charming drawing he made of the front of the old house. Consider it serving as a memento mori not just for the old Bessborough but for many other such places in Ireland.
Believed to date from September 1908 this photograph, which has appeared on several sites of late, shows the indoor servants at Bessborough, County Kilkenny. The house lay at the centre of an estate owned by the Ponsonby family. The first of their number to settle in Ireland was yet another of those English soldier adventurers who came to this country in such abundance during the late 16th and 17th centuries. Originally from Cumberland, Colonel Sir John Ponsonby was a member of Oliver Cromwell’s army who found himself rewarded for military service here with a parcel of land. He subsequently acquired several more, the largest being an estate by the river Suir in the south of the county hitherto owned by the Anglo-Norman D’Altons after whom it was called Kildalton. Here he settled and having built himself a residence, he re-named the place Bessie-Borough, later Bessborough after his second wife Elizabeth Folliott. Subsequent generations increased their landholdings in both Kilkenny and the neighbouring counties of Carlow and Kildare and by the mid-18th century were in possession of almost 30,000 acres. Furthermore, following the example of Sir John who had served as a local MP in the Irish Parliament and especially in the aftermath of the Williamite Wars (in which the Ponsonbys had been decisively opposed to the Roman Catholic James II) they became more engaged in politics. William Ponsonby, third son of Sir John, was created Baron Bessborough in 1721 and Viscount Duncannon two years later; in turn his son Brabazon Ponsonby became first Earl of Bessborough in 1739.
The main block of Bessborough as we see it today dates from c.1744 and was commissioned by the first Earl to mark his new status. Although it is known that Sir Edward Lovett Pearce wrote a memorial about the building’s setting some time before his death in 1733, the design is attributed to Francis Bindon, a gentleman architect from County Clare, also notable as a portraitist (he painted no less than four likenesses of his friend Dean Swift). Bindon was related by marriage to Pearce and collaborated with Richard Castle on several projects, so his credentials are admirable. Nevertheless, one must be honest and admit that Bessborough was never one of his best works, the handling of the central structure being somewhat heavy. Writing in The Beauties of Ireland (1825) John Norris Brewer pertinently observed ‘The mansion of Bessborough is a spacious structure of square proportions, composed of hewn stone, but the efforts of the architect were directed to amplitude, and convenience of internal arrangement, rather than to beauty of exterior aspect. The house extends in front 100 feet, and in depth about 80. Viewed as an architectural object, its prevailing characteristic is that of massy respectability.’ Likewise in an essay on Bindon published in the Irish Georgian Society Bulletin for spring 1967, the Knight of Glin, evidently struggling to find something good to say about Bessborough (he described the garden front as being ‘an uninspiring six-bay breakfront composition with a pair of Venetian windows clumsily adrift on the first floor’) commented ‘The redeeming architectural feature of the house is to be found in the fine handling of the shallow quadrants leading to the flanking pavilions…The facing sides of the pavilions have niches and surmounting lunettes.’ The photographs above show the front of the house before and after it was altered at the end of the 19th century when the double-staircase leading to the raised entrance was removed and the ground was lowered to permit access via a porte-cochere; this work was undertaken by architect Sir Thomas Manly Deane.
Others found Bessborough more appealing, certainly members of the Ponsonby family even though during the second half of the 18th century they were hardly ever there. The first time the third Earl of Bessborough, who had been raised in England, saw his inheritance was in the aftermath of his father’s death in March 1793. Four months later he wrote to his wife ‘I came here yesterday and am indeed very much pleased with the place…The mountains are beautiful over fine wood, and the verdure is the finest that can be seen…The house is large and very comfortable, but as you may suppose very old-fashioned. There are about 10 or 11 good bedchambers. You would make it very cheerful with cutting down the windows & I believe I should agree.’ His proposals were never carried out, not least because another fifteen years were to pass before Henrietta, Lady Bessborough – the beautiful sister of Georgiana, Duchess of Devonshire – came to see her husband’s Irish home, although she was equally delighted with it then, writing ‘I like this place extremely; with a very little expense it might be made magnificent, and it is beautiful…’ Likewise when staying in the house in September 1828 with the next generation of Ponsonbys, that indefatigable diarist and letter-writer Thomas Creevey advised his step-daughter Elizabeth Ord, ‘This is a charming place. I ought to say, as to its position and surrounding scenery – magnificent.’ Above are two photographs of the garden front of the rear. Note the two-storey extension to the left of the main block, which may date from the same time as the alterations to the front. However, as the second picture shows, at the very start of the last century, this development was improved by the addition of a balustrade stone terrace with double steps leading down to the garden.
We have relatively little information about the interiors of Bessborough, although they were, as both the largely absentee third countess and Thomas Creevey duly noted, certainly magnificent. The entrance hall – which became a sitting room after Deane’s alterations – featured a screen of four Ionic columns of solid Kilkenny marble each ten and a half feet tall. Sadleir and Dickinson’s 1915 Georgian Mansions in Ireland includes a couple of photographs of the saloon or drawing room, both shown above. One features a detail of the splendid rococo plasterwork with which the ceiling was decorated. The other shows the chimney piece, a design supposedly taken from William Kent although Sadleir and Dickinson propose the female herms in profile are portraits of the second earl’s two daughters, the Ladies Catherine and Charlotte Ponsonby who married the fifth Duke of St Albans and the fourth Earl Fitzwilliam respectively. Even though the house was not much occupied during this period, it was well-maintained. When staying at Curraghmore, County Waterford in 1785 Lady Portarlington wrote, ‘Another day we went to Bessborough, which is a charming place, with very fine old timber and a very good house with some charming pictures, and it felt as warm and comfortable as if the family had left it the day before, and it has not been inhabited these forty years.’ There remains a great deal more to tell about Bessborough, its destruction, reconstruction and subsequent history, so rather in the manner of Country Life, today’s piece finishes with the words: To be concluded next week. Meanwhile, below is a photograph of Bessborough with surrounding signatures of members of a house party there, taken from a visiting book kept by one of the Mulholland family (of Ballywalter, County Down) at the start of the last century.
The Ponsonbys of Bishopscourt, Co Kildare, and Bessborough, Co Kilkenny, were a family of staunch protestant Whigs descended from Sir John Ponsonby, a cavalry officer from Cumberland who was appointed by Cromwell to make a record of all atrocities committed on Protestants during the 1641-49 Rebellion. He was awarded an estate in Kilkenny at Kildalton which he renamed Bessborough after his wife Elizabeth ‘Bess’ Folliott.
WILLIAM PONSONBY, VISCOUNT DUNCANNON
Sir John Ponsonby’s second son William served with the Williamite army at the Siege of Derry. Elected MP for Kilkenny City in 1692, Sir William retained the seat for nearly thirty years when, in 1721, he was elevated to the House of Lords as Baron Bessborough. Two years later, he became Viscount Duncanon.[i]
THE 1st EARL OF BESSBOROUGH (1679-1758)
Upon his death in 1724, Sir William was succeeded as 2nd Viscount by his eldest son, Brabazon Ponsonby (1679-1758) who had secured a wealthy heiress as his bride in 1703. The 2nd Viscount played an ingenious hand when he threw his lot in with the 3rd Duke of Devonshire, the rising star of British Whig politics. When the Duke began his seven year tenure as Lord Lieutenant of Ireland in 1737, the 2nd Viscount convinced him to take his son William Ponsonby on as Private Secretary. In 1739, William married the Duke’s 20-year-old daughter, Lady Caroline Cavendish. That same year, the 2nd Viscount superseded Lord Shannon to become Commissioner of the Revenue and was further elevated to the Earldom of Bessborough. In 1743, the Earl’s ambitious younger son John ‘Speaker’ Ponsonby married another of the Devonshire daughters, Lady Elizabeth Cavendish.
THE DEVONSHIRE – BURLINGTON MARRIAGE OF 1748
By 1745, the Earl of Bessborough was a happy man. He had a secure seat in the Irish House of Lords and his family would retain control of the Revenue Board until Lord Townsend’s dismissal of Speaker Ponsonby as First Commissioner of the Revenue in 1770.[ii] His second son John (later the Speaker) further earned the trust of the government when he raised four companies of horse for service against the Jacobite rebels in Scotland in 1745. John was appointed to the Privy Council of Ireland the following year and quickly began to consolidate the foundations laid by his father to make the Ponsonbys one of the principal parliamentary families in 18th century Ireland.
But, if Speaker Boyle was already wary of the Ponsonbys, his heckles were considerably raised when, in 1748, the Duke of Devonshire ‘s heir (the Marquess of Hartington) married the ailing Earl of Burlington’s heiress. On one hand, this bode well as the Duchess-in-waiting was the Speaker’s niece. On the other hand, the Duke-in-waiting was a brother-in-law of not one but two of the dastardly Ponsonby boys. Moreover, it meant that Lord Burlington’s sister (aka Speaker Boyle’s wife) would no longer succeed to any of the fortune. Sure enough, when Lord Burlington died in 1753, Lady Hartington (the future Duchess) secured the whole shebang, including Lismore Castle in Waterford and Chatsworth House in Derbyshire.[iii]
THE PONSONBYS IN ATTACK
The Ponsonbys were dog-like in their bid to bring down the Boyles, pushing for control of Cork City itself and angling for control of all the old Burlington boroughs. [iv] But they had no real power at constituency level, owning just one seat in their native Kilkenny plus control of the borough of Newtonards, Co Down, which they acquired amid much notoriety in 1744. Their political influence rested almost entirely on connections and borrowed strength – and it was always to do so. The pendulum swung Boyle’s way in 1751 when the Ponsonbys unsuccessfully challenged Speaker Boyle at a bye-election in Cork City.[v] But by April 1755 it was back with the Ponsonbys when their brother-in-law, Lord Hartington, became Lord Lieutenant of Ireland. Hartington succeeded his father as Duke of Devonshire in December 1755 and, the following year, replaced the Duke of Newcastle to become Prime Minister of Great Britain and Ireland.
THE TRUCE & THE EARLDON OF SHANNON
The Duke of Devonshire had no time for the Ponsonby-Boyle vendetta. The achievement of peace in 1756 involved protracted negotiations after which Boyle stepped down as Speaker on condition that he be elevated through three ranks of the Peerage to the Earldom of Shannon. He was further granted an annual pension of £2,000 for 31 years, payable by the Crown. His son was appointed Master-General of the Ordnance, for which one disgruntled contemporary felt he was ‘as fit …as the Primate or one of his own daughters’.
JOHN ‘SPEAKER’ PONSONBY (1713-1787)
Lord Bessborough’s second son, John Ponsonby, was duly appointed Speaker with a hefty annual salary of £4,000. He simultaneously became an ‘undertaker’ for the government by which he controversially undertook to manage the business of government in the Irish Parliament in the absence of the Lord Lieutenant. This gave him power to appoint people to high offices, as well as act as Lord Justice, and do anything he deemed necessary to bring about a government majority when bills needed to be passed.
THE EARLS OF BESSBOROUGH
Upon the death of the 1st Earl of Bessborough in 1758, the Speaker’s elder brother William Ponsonby (1704-93) succeeded as 2nd Earl. He had been MP for Kilkenny since 1727 and served variously as Lord of the Treasury, Lord of the Admiralty and as Joint Postmaster General. But his principle interests were collecting art and seducing women (including George II’s daughter, Princess Amelia). He and his son were largely absentee landlords but they would continue to exert considerable political influence throughout the 19th and 20th centuries. The 3rd Earl’s daughter Caroline married future Prime Minister Lord Melbourne and enjoyed a very public affair with Lord Byron.[vi] The 4th Earl served as First Commissioner of Woods and Forests, as Home Secretary, as Lord Privy Seal and as First Lord of the Admiralty. He was Lord Lieutenant of Ireland when the Famine broke but died, a day after his friend Daniel O’Connell in May 1847. The 9th Earl of Bessborough was Governor General of Canada from 1931-35. The 10th Earl was a Minister of State in Ted Heath’s cabinet. The 12th and present Earl lives in Hampshire. The family seat of Bessborough in Co Kilkenny was burned in 1922.
THE PONSONBY-SHANNON MARRIAGE OF 1763
The Ponsonby, Boyle and Devonshire dynasties were further united by a political marriage of 1763 when Richard Boyle (Lord Shannon’s son and heir) married Speaker Ponsonby’s daughter Catherine. The following year, Richard succeeded as 2nd Earl of Shannon. An uneasy alliance between the two families duly ensued although Lord Shannon and his father-in-law continued to disagree and bicker in private. The castle noted that, though their families were married, the two men ‘do not consult or act together politically’.
THE DOWNFALL OF THE PONSONBYS
In a letter to Anthony Foster from 15 August 1765, Speaker Ponsonby expressed himself with characteristic indiscretion: ‘What matters it to us who are Ministers in England? Let us stick to our own circle and manage our own little game as well as we can’. But the Speaker underestimated the charismatic Lord Townshend who became Lord Lieutenant of Ireland in 1767. In 1770, both the Ponsonby and Boyle dynasties took a serious blow when Lord Townshend dismissed Speaker Ponsonby from his lucrative position as Commissioner of the Revenue, and dismissed Lord Shannon from his post as Master-General of the Ordnance. In a state of panic, Ponsonby resigned as Speaker and so lost any remaining influence he might have had. He spent the remainder of his life trying, in vain, to be reelected. His honest but indolent son Billy (aka Lord Shannon’s brother-in-law William Brabazon Ponsonby) tried to follow in his father’s footsteps but lost his way entirely, being defeated in 1790 when he attempted to wrestle the Speakership from John Foster.[vii] The Speaker’s second son George became a prominent advocate of Catholic Relief and led the British Whig party in opposition from 1808-1817.
FOOTNOTES
[i] William Ponsonby was created Viscount Duncannon (of the fort of Duncannon in the County of Wexford), and Baron Bessborough (of Bessborough in the County of Kilkenny) in the Peerage of Ireland in 1723 and 1721 respectively.
[ii] In 1749 Lord Bessborough was given the additional title of Baron Ponsonby of Sysonby, in the County of Leicester, which entitled him to a seat in the British House of Lords.
[iii] The 4th Duke duly recruited Capability Brown to landscape the gardens. Their son and heir, the 5th Duke, was played by Ralph Fiennes in the recent movie ‘The Duchess’.
[iv] The Ponsonby’s first broadside had been fired in 1737 when they purchased the seignory of Inchiquin, right in the heart of Lord Shannon’s East Cork empire.
[v] Their candidate was Sir Henry Cavendish, a kinsman of the Duke of Devonshire who had been collector of the Revenue in Cork from 1743-47
[vi] The 3rd Earl’s son Major General Sir Frederick Cavendish Ponsonby, a great Waterloo hero, was father to Sir Henry Ponsonby, private Secretary to Queen Victoria.
[vii] His son William was the General Sir William Ponsonby who so memorably killed leading the cavalry charge at Waterloo. During the 1790s, the General’s older brother John, 2nd Baron Ponsonby, enjoyed an affair with society beauty Lady Elizabeth Conyngham, wife of the Marquess of Conyngham and later mistress to George IV.
THE EARLS OF BESSBOROUGH WERE THE SECOND LARGEST LANDOWNERS IN COUNTY KILKENNY, WITH 23,967 ACRES
This ancient and noble family derives its origin from Picardy, in France. Their ancestor accompanied William, Duke of Normandy, in his expedition to England, and his descendants established their residence at Haile, near Whitehaven, in Cumberland.
They assumed their surname from the lordship of Ponsonby, in Cumberland. The office of Barber to the King was reputedly conferred upon them in 1177 by HENRY II, about the same time as the Earl of Arran’s ancestor was appointed Butler. Their coat-of-arms includes three combs.
JOHN PONSONBY, of Haugh Heale, Cumberland, and had a son,
SIMON PONSONBY, of Haile, who married Anna Englesfield, of Alenburgh Hall, Cumberland, and had a son,
HENRY PONSONBY, of Haile, who wedded, in 1605, Dorothy, daughter of Henry Sands, of Rottington, Cumberland, and had two sons, of whom the elder,
SIR JOHN PONSONBY (1608-78), Knight, of Haile, and of Bessborough (formerly Kidalton), County Kilkenny, Colonel of a regiment of horse in the service of CROMWELL, who wedded Dorothy, daughter of John Briscoe, of Crofton, Cumberland, and had by her a son, JOHN, ancestor of MILES PONSONBY, of Haile.
Sir John married secondly, Elizabeth, daughter of Henry, 1st Baron Folliott, and widow of Richard, son and heir of Sir Edward Wingfield, and by her had issue, from which derives the family of which we are about to treat.
Colonel Ponsonby, removing himself into Ireland, was appointed one of the commissioners for taking the depositions of the Protestants, concerning murders said to have been committed during the war, and was Sheriff of counties Wicklow and Kilkenny in 1654.
He represented the latter county in the first parliament called after the Restoration; had two grants of lands under the acts of settlement, and, by accumulating debentures, left a very considerable fortune.
Sir John was succeeded by his eldest son,
SIR HENRY PONSONBY, Knight, of Bessborough, at whose decease, in the reign of WILLIAM III, without issue, the estates devolved upon his brother,
THE RT HON WILLIAM PONSONBY (1659-1724), of Bessborough, MP for County Kilkenny in the reigns of ANNE and GEORGE I,who was sworn of the Privy Council in 1715, and elevated to the peerage, in 1721, in the dignity of Baron Bessborough. of Bessborough, County Kilkenny.
His lordship was advanced to a viscountcy, in 1723, as Viscount Duncannon, of Duncannon, County Wexford.
He married Mary, sister of Brabazon Moore, of Ardee, County Louth, and had, with six daughters, three sons,
BRABAZON, his heir; Henry, major-general; Folliott.
His lordship was succeeded by his eldest son,
BRABAZON, 2nd Viscount (1679-1758), who was advanced to an earldom, in 1739, as EARL OF BESSBOROUGH; and created a peer of Great Britain, 1749, as Baron Ponsonby of Sysonsby, Leicestershire.
His lordship wedded firstly, Sarah, widow of Hugh Colville, and daughter of James Margetson (son and heir of the Most Rev James Margetson, Lord Archbishop of Armagh), and had issue,
WILLIAM, his successor; John, Speaker of the Irish House of Commons; Richard; Sarah, m to Edward, 5th Earl of Drogheda; Anne, m to Benjamin Burton; Elizabeth, m to Rt Hon Sir W Fownes Bt; Letitia, m to Hervey, Viscount Mountmorres.
The 1st Earl espoused secondly, in 1733, Elizabeth, eldest daughter and co-heir of John Sankey, of Tenelick, County Longford (and widow of Sir John King, and of John Moore, Lord Tullamore), but by that lady had no issue.
He was succeeded by his elder son,
WILLIAM, 2nd Earl (1704-93), who married, in 1739, Lady Caroline Cavendish, eldest daughter of William, Duke of Devonshire, and had surviving issue,
FREDERICK, his successor; Catherine, m to Aubrey, 5th Duke of St Albans; Charlotte, m to William, 4th Earl Fitzwilliam.
His lordship was succeeded by his only son,
FREDERICK, 3rd Earl (1758-1844), who wedded, in 1780, Henrietta Frances, second daughter of John, 1st Earl Spencer, and had issue,
JOHN WILLIAM, 4th Earl (1781-1847), LORD LIEUTENANT OF IRELAND, 1846-7, who espoused, in 1805, the Lady Maria Fane, daughter of John, 10th Earl of Westmorland, and had issue,
JOHN GEORGE BRABAZON, his successor; William Wentworth Brabazon; FREDERICK GEORGE BRABAZON, 6th Earl; George Arthur Brabazon; WALTER WILLIAM BRABAZON, 7th Earl; Spender Cecil (Rt Hon Sir); Gerald Henry Brabazon; Maria Jane Elizabeth; Kathleen Louisa Georgina; Georgiana Sarah; Augusta Lavinia Priscilla.
His lordship was succeeded by his eldest son,
JOHN GEORGE BRABAZON (1809-80), 5th Earl, who wedded twice, though the marriages were without issue, and the family honours devolved upon his brother,
FREDERICK GEORGE BRABAZON (1815-95), 6th Earl, DL, who died unmarried, when the titles devolved upon his brother,
THE REV WALTER WILLIAM BRABAZON (1821-1906), 7th Earl, who married, in 1850, the Lady Louisa Susan Cornwallis Eliot, daughter of Edward, 3rd Earl of St Germans, and had issue,
EDWARD, his successor; Cyril Walter; Granville; Arthur Cornwallis; Walter Gerald; Ethel Jemima; Sara Kathleen; Maria.
His lordship was succeeded by his eldest son,
EDWARD, 8th Earl (1851-1920), KP CB CVO JP DL, who wedded, in 1875, Blanche Vere, daughter of Sir Josiah John Guest, 1st Baronet, and had issue,
VERE BRABAZON, his successor; Cyril Myles Brabazon; Bertie Brabazon; Olwen Verena; Helena Blanche Irene; Gweneth Frida.
The heir apparent is the present holder’s son, Frederick Arthur William Ponsonby, styled Viscount Duncannon.
BESSBOROUGH HOUSE is located in Kildalton near Piltown in County Kilkenny.
It was first built in 1745 by Francis Bindon for the 1st Earl of Bessborough.
Bessborough House, as stated by Mark Bence-Jones, consists of a centre block of two storeys over a basement joined to two-storey wings by curved sweeps.
The entrance front has nine bays; a three-bay pedimented breakfront with a niche above the pedimented Doric doorway.
The roof parapet has urns, while the basement is rusticated; perron and double stairway with ironwork railings in front of the entrance door.
The Hall has a screen of Ionic columns made of Kilkenny marble.
The Saloon has a ceiling of Rococo plasterwork; and a notable chimney-piece.
Bessborough House had to be rebuilt in 1929 following a catastrophic fire in 1923, and the Bessboroughs never returned to it as a consequence.
In 1940, the Oblate Fathers established a seminary at Bessborough House.
The Oblates worked their own bakery, and farmed dairy cows, poultry, cattle, pigs, sheep. They grew potatoes, grain and other crops.
They also had a very good orchard.
Alas, the great mansion has been altered and added-to since the Ponsonbys left: The urns have been removed from the parapet and are now at Belline.
From 1941 to 1971, 360 priests were ordained in Bessborough House, Kildalton.
By 1970, numbers joining the order had fallen and the Oblates decided to sell the property.
It was bought for £250,000 by the Irish Department of Agriculture in 1971.
It was then opened as an agricultural and horticultural college and renamed Kildalton College.
Other seats ~ Parkstead House, Surrey; Sysonby, Leicestershire; Stansted Park, West Sussex.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 55. “(Annesley, Valentia, V/PB; Caulfield, sub Charlemount V/PB) A square block of superior quality, dating from first half of C18. Good doorcase with segmental pediment. The seat of the Annesleys, Earls of Mountnorris and Viscounts Valentia, sold by them 1858. A ruin for many years, demolished ca 1974.”
No longer exists.
Featured in The Wexford Gentry by Art Kavanagh and Rory Murphy. Published by Irish Family Names, Bunclody, Co Wexford, Ireland, 1994.
p. 11. Probably the most astounding and shameful crime ever committed against a juvenile heir, was perpetrated against the young James Annesley by his greedy and covetous uncle Richard Annesley, the 5th Lord Altham, 7th Lord Valentia and 6th Earl of Anglesey, who had him sold as a slave in America.
The Wexford/Annesley connection began with the Plantation of Wexford in the early part of the 17C when Sir Francis Annesley, the Clerk of the Pells of the Exchequer received his first grant of 1000 acres (1612). According to Loeber, writing on the Plantations in Wexford History & Society, Annesley was a shrewd and somewhat sinister figure. Loeber says “he was a peculiar man who had gained much power in Dublin, and had skilfully used his influence to amass a large estate in the Ulster plantation, as well as holdings in other parts of Ireland. Very little is known about how he financed these acquisitions. One thing is clear though; he surpassed all Wexford planters in carving out a large personal territory by acquiring four plantation estates in County Wexford, which in 1641 amounted to over 11,000 profitable acres, not to mention the unprofitable land. His fortune did not wane until the rebellion of 1641, when he and his son claimed a loss of £4,000 in yearly income and £10,000 [p. 12] in personal estate. To put these sums into perspective, 10,000 acres of land were bought for £2,000 in the 1650s in Wexford.
p. 12. Their North Wexford properties stretched from the coast near Morriscastle, where Francis built Castle Annesley, right across the county as far as Carnew and Clonegal. Camolin was another favourite seat of the family. Sir Francis was created a baronet of Ireland by patent in 1620, and Viscount Valentia in 1621. He was created Baron Mountnorris in 1628 and sat in the House of Lords. He died in 1650.
…He had seven sons and two daughters by his second wife (Jane Stanhope). At that time they lived at Mountnorris Castle at Monasoothagh, near Camolin. John, his thrid son by his first marriage was the ancestor of the Annesleys of Ballysonan, Co Kildare, one of whom married Robert Doyne of Wells, in the early 1700s. The children of the second marriage lived mainly in England and were associated with the church.
Not everything in the Annesley agenda went according to plan, however, Mountnorris incurred the displeasure of Thomas Wentworth, Earl of Strafford, in the mid 1630s and was imprisoned. He was ordered to leave all his possessions and to be shot or lose his head, at the Deputy’s pleasure. Charles I, however, intervened and ordered a reexamination fo the case in the presence of four Privy Counsellors. Lord Mountnorris was eventually released.
The Annesley connection with the Bunclody area began when the vast Kavanagh estates comprising over 10,000 acres in the Bunclody area sprawled across the Blackstairs in the two counties of Carlow and Wexford were granted to Lord Mountnorris’s son and heir, Sir Arthur Annesley, the Earl of Anglesey (along with other vast estates in Wexford and elsewhere) after the Cromwellian Confiscations in the 1650s. He was treasurer of the Navy in 1667 and lord privy seal in 1673.
p. 13. The Annesleys were unable to take actual possession of the Kavanagh estates until after the defeat of King James in 1690, when Cahir Kavanagh the last Gaelic occupant of Carrigduff Castle fled to France (Carrigduff was called after the founder of the castle, Carragh Duff Kavanagh, who built the castle in the mid 16C).
The Earl died in 1686 and the estates passed to his sons. The bulk of his wealth passed to James Annesley who died in 1690 and the Bunclody lands were granted to another son the 1st Lord Altham. This man’s name was Altham Annesley and he inherited his title from his maternal grandmother Elizabeth, daughter and co heir of Sir James Altham. When Sir James Altham died, the title passed to the Annesleys.
p. 14. When the first Lord Altham died in 1699 his title passed to his son James who became teh 2ndLord Altham, but as he died in infancy, he was succeeded by his uncle Rev Richard Annesley who became the third Lord Altham. Rev Richard died in 1701 and was succeeded by his son, Arthur the 4thLord Altham.
Arthur was the father of the young heir James Annesley who was kidnapped and sold into slavery. Arthur was married to Mary the daughter of the Duke of Buckinghamshire, but after her death he dissipated his wealth by drinking to excess and consorting with immoral women.
The 4th Lord Altham resided at Carrigduff Castle with his son James during the years 1721-2. In the course of the famous trial which ensued it was established that James had a tutor called James Dempsey whom Lord Altham had hired for £8 per annum.
It would appear that Lord Altham moved to Dublin, where he wasted his fortune. Young James was neglected and left to fend for himself on the streets of Dublin. His father, Lord Altham, an alcoholic, died a pauper in Inchicore in 1727, and was buried in Christ Church at public expense. Young James was about fourteen years old at the time, and a street urchin. Shortly afterwards he was shanghaied in Dublin and shipped to America, at the instigation of his uncle Richard. [Richard claimed that James was illegitimate, the son of Joan Landy]
James Annesley, (1715-1760), Claimant to the Annesley Peerage Date. after 1744 by Engraver John Brooks, after artist Justin Pope-Stevens, courtesy of National Gallery of Ireland.
Richard was a conniving schemer who wanted to get his hands on the Annesley estates.
After spending 13 years in captivity, James eventually escaped to Jamaica and from there made his way back to England, where he initiated court proceedings for the return of his lands and title. However, the court proceedings dragged on for years and James died or was poisoned before any definite ruling was made by the judges, and his uncle Richard, now the 5th Earl of Anglesey, retained his titles and estates. [The Peerage: In 1728 he opposed his father’s raising money to fund a spendthrift way of life, hence apparently he was removed to an obscure school, and then his death announced. He was sold to an American planter as a slave by his uncle, Richard (who went on to assume his title of Baron Altham). He subsequently escaped to Jamaica. In 1737 he was de jure 5th Baron Altham, 7th Viscount of Valentia and 6th Earl of Anglesey (as which would normally have succeeded his father’s 1st cousin on latter’s death.) In September 1740 he made his way back to England under the care of Admiral Vernon. On 11 November 1743 he took action against his uncle, Richard, to eject him as Baron Altham. His uncle’s defence was that James was not the legitimate son of Mary, but actually the illegitimate son of Joan Landy. The verdict was in James’ favour, and his estates were returned to him, although he never took up his titles. On 26 November 1743 the jury disagreed and found for the plaintiff, who got back the family estates. On 3 August 1744 his uncle was in addition found guilty of assault on his nephew (i.e., presumably the selling into slavery.) He has an extensive biographical entry in the Dictionary of National Biography.]
p. 15. Of course the plot sketched above, was much thicker than stated. During the litigation about the estates James accidentally shot a man standing near him with a faulty fowling gun. At the urging of his uncle he was tried for murder and Uncle Richard actually sat on the bench with the magistrates and browbeat the witnesses who appeared for the defence. However, James was acquitted and Richard had to resort to other means. He had him attacked at a race meeting by a gang of hired thugs, but James managed to escape while several of his companions were seriously injured. In another incident a clerk carrying important legal papers which would prove James to be the heir, was murdered and he and the papers disappeared. Witnesses in the case were bribed and perjured themselves but all to no avail. The court found in favour of James. The wily uncle now got a ‘writ of error’ which had the effect of setting aside the verdict and before a new trial could be brought, James died.
p. 15. Arthur [the 1st Earl of Anglesey, created in 1661] was an energetic and able man, who increased the family holdings by his astute dealings. He went to England and joined the Parliamentarians in opposition to Charles I. He returned to Ireland in the service of the Parliamentarians. After the Confiscations he acquired much of the Kavanagh forfeited lands in North Wexford and a considerable amount of the Masterson lands also, in addition to the O’Morchoe lands in Kilmuckridge and the Waddock or Maddock lands north of Gorey. In 1667 he tried to have the Kavanagh lands of Ferns granted to himself and as an inducement he mentioned in his letter to the Lord Deputy that he would be able to invite his Lordship to some of the best hunting grounds in the kingdom if he were given the lands about Ferns. He seems to have [p. 16] maintained a private army and in 1662 twentyfive of its cavalry were stationed at Enniscorthy, twenty in Gorey and six at Camolin. He owned more than 30,000 acres in Co Wexford. Sir Arthur died in 1686.
Arthur Annesley (1614-1686) 1st Earl of Anglesey, after John Michael Wright based on a work of 1676, NPG 3805.
p. 16. Sir James, the eldest son and heir, the 3rd Viscount Valentia and the 2nd Earl of Anglesey married Elizabeth the daughter of the Earl of Rutland.
P. 17. Sir Richard (6th Earl)’s extravagant lifestyle and probably his alcoholism forced him to sell off large tracts of his lands including the Kilmuckridge lands, the first estate to be acquired by his great grandfather. He was an MP for New Ross in 1718 and it would appear he lived at Dunmain, which was rented from the Colcloughs, for a number of years. He died in 1761.
p. 18. [1st Baron MOuntnorris]’s daugther Hester married Major Gen. Norman Macleod and it was her son Arthur Lyttleton who inherited the Annesley estates and titles and changed his name to Annesley.
P. 18. The Earl of Mountnorris was the man who devised and encouraged the surrendering of arms by the Catholics in 1798, in return for letters of protection. This was done in an attempt to calm the countryside on the eve of the rebellion. He was also the commander of the Camolin Cavalry, which sparked the rebellion, by the rash actions of the members in Boolavogue. However Mountnorris himself was absent in Dublin at the time, and could not be blamed for the incident. His house in Camolin was one of the first to be attacked, because of the large store of weapons, which, when collected, were deposited there for safe keeping. Ironincally, he was one of the “Virtuous and Independent Forty Five” who voted against the establishment in 1793. He favoured granting emancipation to the Catholics.
Only one of his sons produced an heir, George Annesley his second son who married Anne the 6th daughter of Lord Courteney and had a son George Arthur, Lord Valentia.
p. 19. The family seat, Camolin Park, with its 700 acres in demesne, was sold off in 1852 and twenty years later the rest of hte family’s Wexford lands were disposed of, in the Landed Estates Court.
Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
Gateway, extant 1903, on a symmetrical plan comprising pair of cut-granite monolithic piers on stepped plinths having shallow pyramidal capping supporting finial-topped wrought iron double gates with benchmark-inscribed cut-granite monolithic outer piers having rounded capping supporting wrought iron railings. Street fronted at entrance to grounds of Camolin House.
A gateway forming part of a neat self-contained group alongside an adjacent gate lodge (see 15609012) with the resulting ensemble not only making a pleasing visual statement in a rural village street scene, but also surviving as an interesting relic of the Camolin House estate following the demolition (1967) of the eponymous country house rebuilt (1864-5) for Arthur William Grattan Guinness (1827-69) to a design by Sir Thomas Newenham Deane (1827-99) of Upper Merrion Street, Dublin (O’Dwyer 1997, 389).
A seven bay two-storey early 18th century house with a steep central pediment over the central three bays, and a good central doorcase with a segmental pediment. It was presumably built for Arthur Annesley, 5th Earl of Anglesey, who is known to have spent much of his time in Ireland at this property. Sir John Soane made proposals for the addition of wings and a large portico in 1814-15, but they do not appear to have been executed, perhaps because of the death of the 1st Earl of Mountnorris the following year. The house was burnt in 1913 and thereafter fell into ruins and was demolished altogether in about 1974.
The only substantial survival is the large U-shaped stable block of the 1770s, which was remodelled in 1904 and restored in 2003, although proposals for residential conversion since 2009 would, if executed, compromise its historic value.
Descent: sold 1662 to Arthur Annesley (1614-86), 1st Earl of Anglesey; to son, James Annesley (c.1645-90), 2nd Earl of Anglesey; to son, James Annesley (1674-1702), 3rd Earl of Anglesey; to brother, John Annesley (1676-1710), 4th Earl of Anglesey; to brother, Arthur Annesley (1677-1737), 5th Earl of Anglesey; to cousin, Richard Annesley (1693-1761), 6th Earl of Anglesey; to son, Arthur Annesley (1744-1816), 8th Viscount Valentia and 1st Earl of Mountnorris; to son, George Annesley (1770-1844), 2nd Earl of Mountnorris; to nephew, Capt. Arthur Lyttelton Macleod (later Annesley) (1802-82), who sold 1852 to James Foster (d. 1853); to nephew, William Orme Foster (1814-99); to son, William Henry Foster (b. 1846), who let the house as a College of Forestry and sold it in the early 20th century; burnt 1913 and demolished 1974.
Derrylahan Park, Riverstown, Co Tipperary – burnt 1921
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 102. “(Head/LGI1958) A High Victorian house with steep gables and roofs, plate glass windows and decorative iron cresting on the ridges. Built 1862 at a cost of £15,000, to the design of Sir Thomas Newenham Deane. Burnt 1921.
The main house, built in 1862, burnt in 1921 and no longer standing, was designed by Sir T. N. Deane, who is likely to have also been responsible for the associated buildings.
Only gate lodge remains:
Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
p. 134. A high Victorian house designed by Sir Thomas Newenham Deane in 1862 for William H. Head. Burnt in 1921.
Detached two-bay single-storey gate lodge with attic, built c. 1860, with rectangular bay window to north gable and recent single-storey lean-to extension to rear. Pitched slate roof with cast-iron crestings, eaves brackets and gabled dormer to front. Cut stone coping stones to gables and cut stone chimneystack. Ashlar limestone walls with string course to bay window. Replacement timber windows and doors having chamfered cut stone surrounds and sills. Limestone gateway consists of carved stone gate piers having bowtell mouldings to corners and stepped caps, flanked by carved pedestrian entrances with chamfered surrounds and shouldered lintels with cut stone copings. Snecked limestone boundary walls with cut stone coping.
Appraisal
The gate lodge and main gateway to Derrylahan Park. The main house, built in 1862, burnt in 1921 and no longer standing, was designed by Sir T. N. Deane, who is likely to have also been responsible for the associated buildings. Built of very high quality materials and craftsmanship, the lodge and gateway have survived intact and give an indication of the quality of the house to which they belonged. The farmyard buildings of the demesne are located to the south of this entrance.
Castle Oliver (also known as Clonodfoy), Kilfinane, Co Limerick – ‘lost’
Castle Oliver, County Limerick, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 73. “(Oliver/IFR; Trench, sub Ashtown, B/PB) A large C19 castle of red sandstone in an Irish version of Scotch Baronial; built ca 1850 by the Misses Mary and Elizabeth Oliver-Gascoigne (afterwards Mrs. F.C. Trench and Lady Ashtown), in order to give employment after the famine; replacing an earlier house which was the birthplace of Marie Gilbert (better known as the adventuress, Lola Montez, the love to Ludwig I of Bavaria). The Misses Oliver-Gascoigne had an estate in Yorks as well as their county Limerick estate; and they employed a York architect, G. Fowler Jones, to design Castle Oliver. It has a massive tower like a keep, and many stepped gables and corbelled oriels; also a tall battlemented turret that formerly had a pointed roof. On the entrance front is a gabled porch-tower, carried on battered piers and segmental-pointed arches to form a porte-cochere. A terrace with a pierced “Jacobethan” parapet adorned with heraldic beasts runs along the two principal fronts. At the back of the castle is a long service range, enclosing a court. Large oak staircase. The framework of the high-pitched roof is of iron, which would have made the castle very much in advance of its time. On the hill above the castle is a Gothic “eyecatcher” dating from the days of the earlier house and known as “Oliver’s Folly.” Castle Oliver passed to Hon William Trench, step-grandson of Elizabeth (nee Oliver-Gascoigne), Lady Ashtown, one of the sisters who built the present castle.”
Richard Philip Oliver-Gascoigne, father of Misses Mary and Elizabeth Oliver-Gascoigne, courtesyThepeerage.comElizabeth Oliver-Gascoigne (1812-1893), she married Frederick Mason Trench, 2nd Baron Ashtown. Photograph courtesyThepeerage.com
Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
1848 – Castle Oliver / Clonodfoy Castle, Co. Limerick
Architect: G.F. Jones
Illustration from The Builder, November 23, 1850. Photograph from the Irish Tourist Association Survey 1943-44.
Also known as Castle Oliver, and constructed by English architect George Fowler Jones between 1845-48 for sisters Elizabeth and Mary Isabella Oliver-Gascoigne. Constructed in the Scottish Baronial style of a local pink sandstone, quarried on the estate. Fowler Jones designed several substantial commissions for the sisters, including almshouses and churches in England and Ireland, and named his first child ‘Gascoigne’ after the Oliver-Gascoigne sisters. The last descendant of the family moved out in 1978. Suffering vandalism and theft the castle fell into a period of decline until in 1998, it was taken over by Nick Browne. He put a halt to further deterioration, and subsequently it has been restored by new owners and is available to hire.
Photograph from the Irish Tourist Association Survey 1943-44.
Extravagent gateway and lodge by George Fowler Jones to accompany the grand baronial castle he designed for the Oliver-Gascoigne sisters. Quite a severe design, and quite brooding in comparison to the pink castle.
Castle Oliver, County Limerick, courtesy National Inventory.
Detached irregular-plan multiple-bay multiple-storey over basement country house, built between 1845-1848, in a Scottish Baronial style. Side entrance with double-storey porte-cochère carried on battered piers, projecting from a battlemented keep located at the south-west corner adjoining southern facing five-bay garden front with two-bay gable-fronted projection to south-east corner. Adjoining multiple-bay two-storey over basement with attic service block to north, having circular turret tower and squared keep, adjoining two-storey stable block terminating in octagonal tower. Pitched slate roofs having crenellations and corner towers, ashlar sandstone chimneystacks with cut stringcourses, cast-iron rainwater goods, wind vane to turret tower and dormer windows. Tooled ashlar sandstone walls with cut stringcourses. Mixed headed openings comprising openings with single, bipartite and tripartite openings with stone mullions and transoms, single-height canted-bay windows, oriel windows and timber sliding sash windows, pointed arch opening with stained glass window to north elevation. Pointed arch door openings with timber battened doors to east and south elevations. Stable blocks to rear (north) of house arranged around a courtyard with segmental-arched carriage arches and square-headed window and door openings. Raised terrace to front and side of house with balustrade punctuated by gryphons. Replacement gate piers to front of house supporting gryphons with replacement gates. Icehouse, underground tunnel and bridge contained within original grounds (now located in adjoining farm).
Appraisal
This fine country house was built by the sisters, Misses Mary and Elizabeth Oliver-Gascoigne. It replaced an earlier house where their cousin, Maria Gilbert (better known as Lola Montez), the mistress of Ludwig I of Bavaria, was born. Constructed as an Irish interpretation of the Scottish Baronial castle, it is believed that the house provided employment during and after the famine. The house has been constructed to the design of George Fowler Jones, a Yorkshire architect and assisted by Sir Thomas Deane, and contains impressive architectural features such as battlemented corner keep tower, circular turret tower and finely executed oriel and canted-bay windows. The various window openings add interest to the building while the impressive entrance rising on battered piers displays references to medieval architecture. The castle forms a focal point of a larger group of associated demesne buildings. The contractor for the stonework was Thomas Carroll, Dublin.
Castle Oliver, County Limerick, courtesy National Inventory.Castle Oliver, County Limerick, courtesy National Inventory.Castle Oliver, County Limerick, courtesy National Inventory.Castle Oliver, County Limerick, courtesy National Inventory.Castle Oliver, County Limerick, courtesy National Inventory.Castle Oliver, County Limerick, courtesy National Inventory.Castle Oliver, County Limerick, courtesy National Inventory.Castle Oliver, County Limerick, courtesy National Inventory.Castle Oliver, County Limerick, courtesy National Inventory.Castle Oliver, County Limerick, courtesy National Inventory.Castle Oliver, County Limerick, courtesy National Inventory.Castle Oliver, County Limerick, courtesy National Inventory.Castle Oliver, County Limerick, courtesy National Inventory.Castle Oliver, County Limerick, courtesy National Inventory.Castle Oliver, County Limerick, courtesy National Inventory.
The original Castle Oliver or Clonodfoy was the home of the Oliver family in the 18th and early 19th centuries. It was replaced by the present building in the mid 19th century. In 1814 Castle Oliver was occupied by George Fosbery who may have been employed by the Olivers. In 1837 Lewis described the castle as being in a very dilapidated state. It then belonged to R. O. Gascoigne of the county of York whose bailiff resided in it. The new building was designed by George Fowler Jones and built in the Scottish baronial style for the Oliver Gascoignes. At the time of Griffith’s Valuation the castle was valued at £75 and the house at £48 and both were in the possession of Elizabeth O. Gascoigne and her brother-in-law, Frederick Charles Trench. The house was eventually inherited by Elizabeth’s step-grandson, William Cosby Trench. He was the occupier in 1906 when it was valued at £125. Restored in the early 21st century it now provides self catering accommodation and is a venue for functions such as weddings.
Castle Oliver rental prices range from €10000 – 15000 per week. Rentals are Saturday to Saturday only. Please inquire about your particular dates to see if it is available and for an accurate, up-to-date price.
Payments are made by check, in USD and wired to Ireland on your behalf. Security deposit is usually paid in cash, direct to the owner or caretaker and given back upon departure.
After its extensive restoration historic Castle Oliver is still used as a private home but is available on a self catering basis when not occupied by the current owner. Castle Oliver is a sprawling baronial mansion which has well over one hundred rooms, there are twelve staircases, and five of them stone spirals.
The castle has the largest wine cellar in Ireland with a capacity for 55,000 bottles. You can explore this while choosing a bottle or two for your dinner party.
Set in 15 acres of beautiful private parkland, surrounded by thousands of acres of unspoiled Irish countryside. Located in the beautiful Ballyhoura Mountains, the castle is halfway between Limerick and Cork city. Both Shannon and Cork airports are less than an hours drive away.
The cost for renting this fine castle includes professional butler service, breakfast, heating and electricity.
The castle has five superior bedrooms and three deluxe, the superior rooms boasts unique hand carved 4 poster beds, which were commissioned for the castle during its recent restoration all beds are dressed in Egyptian cotton sheets with exclusively made throws. All the ensuite bathrooms are extremely spacious, they host unique large bath tubs; power showers and have luxurious toiletries, robes and towels to make your trip truly memorable.
The Castle can sleep up to 16 people in eight ensuite rooms. On arrival to Castle Oliver be welcomed by the butler in the Clondfoy Hall with its large open fire and stain glass windows depicting St Patrick’s life. Awaiting you under the large crystal chandeliers in the Ballroom and joining Drawing room a champagne reception. Partake of your meals in the candlelit Dining room with its antique oak dining table that seats twenty two, or tickle the ivories of the baby grand. Relax by the fire in the Library reading a book from the extensive selection or withdraw to the Billiards room. Why not de-stress with a soak in a luxurious scented bath tub, and relax in one of our unique 6ft four poster beds.
The east or Raheenroe gate lodge that formerly provided entrance to Castle Oliver, County Limerick. Both this and the west (Ballyorgan) lodges and gates were designed in the mid-1840s for the Misses Oliver Gascoigne by Yorkshire-based architect George Fowler Jones: his clients’ intention was to provide work to local tenants during the Great Famine. As with the main house, Jones chose a high Gothic style but while the east lodge looks like a miniature medieval French castle (the corner turret once had a tall conical roof), that at the west gate was meant to evoke the Scottish manorial style, the architect having been born in Inverness. Both alas are now derelict but being sturdily constructed could easily be restored and made habitable again.
While the two lodges designed by George Fowler Jones for Castle Oliver, County Limerick are today derelict, the main house itself is in fine condition, having been extensively restored in recent years. Jones was not yet aged 30 when he received this commission, the reason being that his clients – the Misses Mary Isabella and Elizabeth Oliver Gascoigne – had already employed him to design some almshouses near their Yorkshire estate, Parlington Hall. When therefore in the mid-1840s the sisters decided to build a new house at Castle Oliver, the old one having fallen into disrepair, Jones was the obvious candidate for the job. Constructed of local pink sandstone, the house’s Scottish baronial character may be due to Jones having been born in Inverness. The resolutely asymmetrical exterior is notable for its many stepped gables and corbelled oriels.
Barnane Castle, Templemore, County Tipperary, photograph by Robert French, Lawrence Photograph Collection, National Library of Ireland.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 32. “(Carden/IFR) Purchased by Jonathan Carden 1701, and from then onwards the seat of the senior branch of the Cardens. A long irregular range of buildings, mostly two storeyed, dating from various periods in C18 and C19…The home pf John Carden (known as “Woodcock” as he was so often shot at by his tenants) who attempted to abduct Miss Eleanor Arbuthnot 1854 and was consequently imprisoned. Sold by A.M. Carden ca. 1920, subsequently fell into ruin….[supplement] Work was carried out here 1863 to the design of Thomas Newenham Deane.”
The Tipperary Gentry. Volume 1. By William Hayes and Art Kavanagh. Published by Irish Family Names, c/o Eneclann, Unit 1, The Trinity Enterprise Centre, Pearse St, Dublin 2, 11 Emerald Cottages, Grand Canal St, Dublin 4 and Market Square, Bunclody, Co Wexford, Ireland. 2003.
Carden of Barnane.
p. 71 John Carden [1623-1728] moved to Tipperary from Cheshire about 1665, and settled in Templemore.
p. 72. Jonathan, as the eldest son, should have inherited Templemore, and it is though he was disinherited because of his marriage to a Catholic named Bridget Bagot. It was his younger brother, John, who inherited Templemore and founded the main branch of the Tipperary Cardens. Soon after coming of age, Jonathan leased the “castle, town and lands of Barnane.” Jonathan died in 1703 aged only 28 and he bequeathed his estate to his wife and son, John III, who was then only three years of age.
Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
p. 133. A large two storey early to mid 19C Tudor Revival house. Now a ruin.