Howth Castle, Dublin

Howth Castle, Dublin

Howth Castle, Dublin, August 2025, overlooking Dublin bay. The medieval tower is the one to the right of the two storey part of the castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle, photograph courtesy Howth Castle website.

My friend Gary and I went on a tour of Howth Castle in Dublin during Heritage Week in 2025. You can arrange a tour if you contact the castle in advance, see the website https://howthcastle.ie

Entrance to Howth Castle, Dublin, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I envy historian Daniel, our tour guide, as he lives in the castle! Mark Bence-Jones describes the castle as a massive medieval keep, with corner towers crenellated in the Irish crow-step fashion, to which additions have been made through the centuries. [1]

Howth Castle, courtesy of Howth Castle instagram. In the middle of the photograph is the old tower house.
Howth Castle, County Dublin, after Francis Wheatley, English, 1747-1801.

Timothy William Ferres tells us that the current building is not the original Howth Castle, which was on the high slopes by the village and the sea. [2]

Howth Castle, Dublin. The old tower house in the centre, with a 1900s tower to the left. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Until recently, the castle was owned by the Gaisford-St. Lawrence family. Irish investment group Tetrarch who purchased the property in 2019 plan to build a hotel on the grounds. It had been owned by the same family, originally the St. Lawrences, ever since it was built over eight hundred years ago. Over the years, wings, turrets and towers were added, involving architects such as Francis Bindon (the Knight of Glin suggests he may have been responsible for some work around 1738), Richard Morrison (the Gothic gateway, and stables, around 1810), Francis Johnson (proposed works for the 3rd Earl of Howth), and Edward Lutyens (for Julian Gaisford-St. Lawrence).

The Gothic gateway to Howth Castle, by Richard Morrison c. 1810. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Timothy William Ferres tells us that the St. Lawrence family was originally the Tristram family. Sir Almeric Tristram took the name St. Lawrence after praying to the saint before a battle which took place on St. Lawrence’s Day near Clontarf in Dublin. Sir Almeric landed in Howth in 1177. After the battle he was rewarded for his valour in the conflict with the lands and barony of Howth. [see 2]

In an article in the Irish Times on Saturday August 14th 2021, Elizabeth Birthistle tells us that a sword that is said to have featured in the St. Lawrence’s Day battle is to be auctioned. A “more sober assessment” of the Great Sword of Howth, she tells us, dates it to the late 15th century. Perhaps, she suggests, Nicholas St. Lawrence 3rd Baron of Howth used it in 1504 at the Battle of Knockdoe. The sword is so heavy that it must be held with two hands. It is first recorded in an inventory of 1748, and is described and illustrated in Joseph C Walker’s An Historical Essay on the Dress of the Ancient and Modern Irish. [3]

Almeric went on to fight in Ulster and then Connaught. In Connaught, he was killed by the O’Conor head of the province, along with his thirty knights and two hundred infantry. He left three sons by his wife, a sister of John de Courcy, Earl of Ulster. The eldest son, Nicholas Fitz Almeric, relinquished his father’s Ulster conquests to religious houses, and settled in Howth. [see 2]

The first construction on the site would have been of wood.

The family coat of arms depicts a mermaid and a sea lion. The mermaid is often pictured holding a mirror. There is a coat of arms on the wall of the front of the castle which was probably moved from an older part of a castle. The Howth Castle website tells us:

Plaque on the front of Howth Castle, with the family coat of arms depicting a mermaid holding a mirror. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

A mermaid is one of the supporters of the St. Lawrence family coat of arms, alongside a sea lion. The mermaid is often portrayed holding a small glass mirror. According to legend, the mermaid was once Dame Geraldine O’Byrne, daughter of The O’Byrne of Wicklow. She fell victim to dark magic at Howth Castle and was transformed into a mermaid. One item she left behind in her bedroom was a small glass mirror. The tower she slept in was from then always known as the ‘Mermaid’s Tower’. “

The Mermaid’s Tower at Howth Castle, built at the beginning of the nineteenth century. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Mermaid’s Tower, built at the beginning of the nineteenth century, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

An article in the Irish Times tells us that there was a tryst between Dame Geraldine O’Byrne and Tristram St. Lawrence which left the Wicklow woman heartbroken and shamed, so she transformed into a mermaid. It is said her wails of melancholy are still carried through the winds at night near the Mermaid’s Tower on the estate. [3]

The Howth Castle website tells us that:

One Christmas, Thomas St. Lawrence, Bishop of Cork and Ross [(1755–1831), son of the 1st Earl, 15th Baron of Howth] returned to Howth Castle to find that the family had gone to stay with Lord Sligo for the holiday season. Bishop St. Lawrence was left alone in the cold and dark castle with just a housekeeper for company and his ancestors glaring at him from the portraits in the dark hallways. The housekeeper put him to bed in the ‘Mermaid’s Tower’. His room was described as if ‘designed as the locus in quo for a ghost scene. Its moth-eaten finery, antiquated and shabby – -its yellow curtains, fluttering in the air…the appearance of the room was enough to make a nervous spirit shudder.’

He was suddenly and violently awoken in the night by the feeling of a cold, wet hand clasping his wrist and a cold hand covering his mouth. He made one large leap from his bed, lit his candle and there he found not a sinner in the room with him but one bloody yellow glove lying on his bed. Was he visited in the night by the mermaid?”

Howth Castle on the day we visited for the sale of its library, September 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I’m confused about Barons of Howth as different sources number the Barons differently. I will follow the numbering used on The Peerage website, which refers to  L. G. Pine, The New Extinct Peerage 1884-1971: Containing Extinct, Abeyant, Dormant and Suspended Peerages With Genealogies and Arms (London, U.K.: Heraldry Today, 1972), page 150. According to this, Christopher St. Lawrence (died around 1462) was 1st Baron Howth. He held the office of Constable of Dublin Castle from 1461.

The oldest surviving part of the castle is the gate tower in front of the main house. It dates to around 1450, the time of the 1st Baron Howth.

The front of Howth Castle with the Gate Tower, which dates to around 1450, the time of the 1st Baron Howth. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The National Inventory tells us about the Gate Tower: “Attached single-bay three-storey rubble stone gate tower, c.1450, with round-headed integral carriageway to ground floor. Renovated 1738.” Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Detail of painting of Howth Castle attributed to William Van der Hagen (fl. 1720-1745) or Joseph Tudor (d. 1759), courtesy of Howth Castle website.

The Howth Castle website tells us that the Keep, the tower incorporated into the castle, also dates from the mid fifteenth century. Unfortunately I have misplaced the notes I took on my visit to the castle. Daniel pointed out the various parts of the castle as we stood on the balustrade looking out into the courtyard, telling us when each part was built. From the photograph of the painting above, the Keep is the large tower on the left of the front door, and the Gate House is slightly to the front of the building to the right. Traces remain in the gardens of the wall and turrets, which would have enclosed the area. You can’t fully see the keep from the front of the house.

The Gate Tower, which dates to around 1450, the time of the 1st Baron Howth. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Gate Tower, Howth Castle, Dublin, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Christopher’s son Robert St. Lawrence (d. 1486) 2nd Baron Howth served as Lord Chancellor of Ireland, after first serving as “Chancellor of the Green Wax,” which was the title of the Chancellor of the Exchequer of Ireland. He married Joan, second daughter of Edmund Beaufort, 2nd Duke of Somerset, so by marriage, Timothy William Ferres tells us, Lord Howth’s descendants derived descent from King Edward III, and became inheritors of the blood royal. [see 2]

Nicholas St. Lawrence (d. 1526) was 3rd Baron Howth according to the Dictionary of Irish Biography. He also served as Lord Chancellor of Ireland. He married three times. The first bride was Janet, daughter of Christopher Plunkett 2nd Baron Killeen. We came across the Plunketts of Killeen and Dunsany when we visited Dunsany Castle in County Meath.

Howth Castle on the day we visited for the sale of its library, September 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Dictionary of Irish Biography tells us that when Lambert Simnel came to Ireland in 1487 and was crowned as King Edward VI in Christchurch catheral in Dublin, Nicholas the 3rd Baron remained loyal to King Henry VII. [4] In 1504, as mentioned earlier, the 3rd Baron Howth played a significant role at the battle of Knockdoe in County Galway, where the lord deputy, 8th Earl of Kildare, defeated the MacWilliam Burkes of Clanricard and the O’Briens of Thomond. [see 4]

The family were well-connected. The third baron’s daughter Elizabeth married widower Richard Nugent, 3rd Baron Delvin, whose first wife had been the daughter of Gerald Fitzgerald 8th Earl of Kildare.

The son and heir of the 3rd Baron, Christopher (d. 1542), served as Sheriff for County Dublin. Christopher the 4th Baron was father to the 5th, Edward (d. 1549), 6th (Richard, d. 1558 and married Catherine, daughter of the 9th Earl of Kildare, but they had no children) and 7th Barons of Howth.

The Hall, which is the middle of the front facade, was added to the side of the Keep in 1558 by Christopher, who is the 20th Lord of Howth according to the Howth Castle website, or the 7th Baron. He was also called “the Blind Lord,” presumably due to weak eyesight. The 1558 hall is now entered by the main door of the Castle.

The old tower is on the left, behind the extending wing, and the hall is in the middle with the front door. Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Christopher St. Lawrence (d. 1589) 7th Baron Howth was educated at Lincoln’s Inn, along with his two elder brothers, the 5th and 6th barons. Christopher entered Lincoln’s Inn in 1544 and was still resident ten years later in 1554. That year he was threatened with expulsion from Lincoln’s Inn for wearing a beard, which indicates, Terry Clavin suggests in the Dictionary of Irish Biography, a rakish side to his personality. He inherited his family estate of Howth and the title on the death of his brother Richard in autumn 1558 and was sworn a member of the Irish privy council soon afterward. [5]

The Dictionary of Irish Biography tells us that between December 1562 and February 1563 the 7th Baron represented Thomas Radcliffe 3rd Earl of Sussex’s views on the government of Ireland to Queen Elizabeth. [5]

A portrait of Queen Elizabeth I in the Provost’s House, Trinity College Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com.

The Dictionary tells us that from 1570 onward the 7th Baron Howth ceased to play an active role in the privy council and became increasingly estranged from the government. By 1575, concerned about his loyalty, the government briefly imprisoned him, following the arrest of his close associate Gerald Fitzgerald, 11th Earl of Kildare, upon charges of treason.

Christopher St. Lawrence (d. 1589) 7th Baron Howth compiled a book, The Book of Howth, in which he rebutted Henry Sidney’s views of Ireland.

Sir Henry Sidney (1529-1586), Lord Deputy of Ireland, after painter Arnold Van Brounkhorst, courtesy of National Gallery of Ireland.

Sidney believed that the medieval conquest of Ireland failed due to the manner in which the descendants of the Norman colonists, the so-called ‘Old English,’ embraced Gaelic customs. He regarded as especially pernicious the system of ‘coign and livery.’ Under ‘coign and livery,’ landowners maintained private armies. Sidney believed this impoverished the country and institutionalised violence. Clavin writes that Lord Howth produced the ‘Book of Howth’ to rebut this interpretation of Irish history and to provide a thinly-veiled critique of Sidney’s reliance on and promotion of English-born officials and military adventurers at the expense of the Old English community. Howth held that the abolition of ‘coign and livery’ would leave the Old English exposed to the depredations of the Gaelic Irish. [5]

Instead of “coign and livery,” the English maintained a royal army, with landowners providing for the soldiers with the “cess.” Christopher St. Lawrence 7th Baron opposed the “cess.” Sidney suggested that a tax be imposed instead of the cess. Lord Howth objected and was imprisoned for six months. He and others similarly imprisoned were released when they acknowledged that the queen was entitled to tax her subjects during times of necessity. [5]

In 1579, Christopher was convicted cruelty towards his wife and children. His wife Elizabeth Plunket was from Beaulieu in County Louth (see my entry https://irishhistorichouses.com/2021/03/17/beaulieu-county-louth/). After he whipped his thirteen year old daughter Jane to punish her, she died. He beat his wife so badly that she had to remain in bed for two weeks, and then fled to her brother. Howth was tried before the court of castle chamber on charges of manslaughter and domestic abuse. Clavin writes that: “In an unprecedented step, given Howth’s social status, the court accepted testimony providing lurid details of his dissolute private life. This may reflect either the crown’s desire to discredit a prominent opposition figure or simply the savagery of his crimes.” [5] He was imprisoned and fined, and made to pay support for his wife and children, from whom he separated, and he fell out of public life.

Amazingly, he later married for a second time, this time to Cecilia Cusack (d. 1638), daughter of an Alderman of Dublin, Henry Cusack. After Christopher died in 1589, she married John Barnewall of Monktown, Co. Meath, and after his death, John Finglas, of Westpalstown, Co. Dublin.

Another legend of the castle stems from around the time of Christopher 7th Baron. When we visited the castle, the dining room was set with a place for a guest. The tradition is to keep a place for any passing guest. This stems from a legend about Grace O’Malley (c.1530-1603), “the pirate queen.”

A spare place setting at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A spare place setting in the dining room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Grace O’Malley was nicknamed ‘Grainne Mhaol’ (Grace the Bald) because when she was a child she cut her hair when her father Eoghan refused to take her on a voyage to Spain because he believed that a ship was no place for a girl. She cropped her hair to look like a boy. [6]

Grace O’Malley, 18th century Irish school, courtesy of Fonsie Mealy auction for Howth Castle, 2021.

The story is told that in around 1575, Grace O’Malley landed in Howth on her return from a visit to Queen Elizabeth. However, the Howth website tells us that Grace O’Malley did not visit Queen Elizabeth until 1593. She was in Dublin, however, in 1576, visiting the Lord Deputy. The story tells us that Grace O’Malley proceeded to Howth Castle, expecting to be invited for dinner, and to obtain supplies for her voyage home to Mayo. However, the gates were closed against her. This breached ancient Irish hospitality.

Later, when Lord Howth’s heir was taken to see her ship, she abducted him and brought him back to Mayo. She returned him after extracting a promise from Lord Howth that his gates would never be closed at the dinner hour, and that a place would always be laid for an unexpected guest.

Nicholas the 8th Baron fought with the British against the rebels in the Nine Years War (1594–1603). He fought alongside Henry Bagenal (d. 1598) against Hugh O’Neill (c.1540–1616) 2nd Earl of Tyrone, and accompanied Lord Deputy William Russell, later 1st Baron Russell of Thornhaugh, on his campaign against the O’Byrnes in County Wicklow. In 1601 he went to London to discuss Irish affairs, and the Queen formed a high opinion of him. She was also impressed by Howth’s eldest son Christopher, later 9th Baron Howth. [7]

William Russell (d. 1613) 1st Baron of Thornhaugh, painting attributed to Marcus Gheeraerts the Younger. Nicholas the 8th Baron accompanied Lord Deputy William Russell 1st Baron Russell of Thornhaugh on his campaign against the O’Byrnes in County Wicklow.

Nicholas married Margaret, daughter of Christopher Barnewall of Turvey in Dublin. She gave birth to the heir, and her daughter Margaret married Jenico Preston, 5th Viscount Gormanston. When widowed, daughter Margaret married Luke Plunkett, 1st Earl of Fingall.

After his wife Margaret née Barnewall’s death, Nicholas married secondly Mary, daughter of Sir Nicholas White of Leixlip, Master of the Rolls in Ireland, who lived in Leixlip Castle. See my entry https://irishhistorichouses.com/2020/09/04/leixlip-castle-county-kildare-desmond-guinnesss-jewelbox-of-treasures/

Nicholas and Margaret’s son Christopher (d. 1619) succeeded as 9th Baron Howth. Christopher 9th Baron also fought against the rebels in the Nine Years War. At some point Christopher converted to Protestantism. He conducted a successful siege at Cahir Castle in County Tipperary against Catholic Butlers. See my entry https://irishhistorichouses.com/2024/03/29/cahir-castle-county-tipperary-an-office-of-public-works-property/

In 1599, Christopher St. Lawrence 9th Baron was one of six who accompanied Robert Devereux 2nd Earl of Essex on his unauthorised return to England, riding with the earl to the royal palace at Nonesuch, where Essex burst in to Queen Elizabeth’s bedchamber. 

Robert Devereux, 2nd Earl of Essex (1566-1601) by Marcus Geeraerts the younger (Bruges 1561/2 – London 1635/6) and Studio, dated, top left: 1599. From a full-length portrait at Woburn Abbey (Duke of Bedford), courtesy of National Trust.

Rumour circulated that Christopher St. Lawrence pledged to kill Essex’s arch-rival Sir Robert Cecil. The Dictionary of Irish Biography tells us:

In late October he was summoned before the English privy council, where he denied having threatened Cecil’s life. One of the counsellors then referred to his Irishness, the clear implication being that as such he could not be trusted, at which he declared: ‘I am sorry that when I am in England, I should be esteemed an Irish Man, and in Ireland, an English Man; I have spent my blood, engaged and endangered my Liffe, often to doe Her Majestie Service, and doe beseech to have yt soe regarded’ (Collins, Letters and memorials of state, i, 138). His dignified and uncharacteristically tactful response eloquently summed up the quandary of the partially gaelicised descendants of the medieval invaders of Ireland (the Old English), who were regarded with suspicion by the Gaelic Irish and English alike. It also mollified his accusers, who, in any case, recognised that his martial prowess was urgently required in Ireland. Prior to his return to Dublin on 19 January, the queen reversed an earlier decision to cut off his salary, and commended him to the authorities in Dublin.” [8]

Christopher married Elizabeth Wentworth, daughter of Sir John Wentworth of Little Horkesley and Gosfield Hall, Essex, but by 1605 they separated, and the Privy Council ruled that he must pay for her maintenance. The St. Lawrence family inherited estates near Colchester from her family.

By 1601, while fighting in Ulster alongside the Lord Deputy Charles Blount, 8th Baron Mountjoy, many of the men Christopher commanded were Gaelic Irish. Increasingly dissatisfied, Christopher St. Lawrence began to alienate leading members of the political establishment.

Charles Blount (1563-1606), 8th Baron Mountjoy, Lord Deputy of Ireland, 1775, engraver Valentine Green after Paulus Van Somer; photograph courtesy of National Gallery of Ireland.

In 1605 the government began prosecuting prominent Catholics for failing to attend Church of Ireland services. Although Protestant, St. Lawrence’s family connections led him to identify with the Catholic opposition. The Dictionary of Irish Biography tells us that he became involved in the planning of an uprising in late 1605, along with Hugh O’Neill, despite his father having previously battled against O’Neill. [8]

Hugh O’Neill (c. 1540-1616) 2nd Earl of Tyrone, courtesy of National Museums Northern Ireland. In Irish Portraits 1660-1860 by Anne Crookshank and the Knight of Glin, we are told that this was painted during his exile in Rome.

Low on funds, and not having yet inherited Howth, he sought to join the Spanish army in Flanders, where an Irish regiment had been established in 1605. He wanted support for a rebellion against the British crown. However, perhaps realising that an uprising would fail, he turned into an informant for the government. The Dictionary of Irish Biography tells us that he sought to consolidate ties to the establishment by arranging the marriage of his son and heir Nicholas to a daughter of the Church of Ireland bishop of Meath, George Montgomery, in 1615.

George Montgomery, Bishop of Meath (c. 1566-1621), courtesy of Fonsie Mealy auction 2021.
Inside Howth Castle before the interiors auction, photograph courtesy of Irish Times, Saturday August 14th 2021. Pictured here is George Montgomery, Bishop of Meath (c. 1566-1621). On the left is a painting of George Montgomery’s wife Susan Steyning (1573-1614). In the middle is William St. Lawrence, son of William, 14th Baron Howth c 1740, Attributed to John Lewis (fl 1745-60). The auction catalogue tells us: “Born sometime around 1732, William was given the same name as his father, William St. Lawrence, 14th Baron Howth. Although William’s mother, Lucy Gorges, was twenty years younger than her husband, they were happily married and had three children; a daughter named Mary, and two sons, Thomas (who became 1st Earl of Howth), and William, the sitter in this portrait. The St. Lawrences were friends of Jonathan Swift, who was a frequent visitor to Howth Castle and also to Kilfane, their country house in Co. Kilkenny, where William Snr indulged his passion for horses and hunting…The attribution of this painting to the Dublin artist John Lewis, in Toby Bernard’s “Making the Grand Figure: Lives and Possessions in Ireland 1641-1770”, is convincing. Although not well-known as a portrait painter, Lewis was at the centre of Dublin’s theatre and cultural life in the mid eighteenth century, when he worked as a scene painter at the Smock Alley Theatre. He painted portraits of actor Peg Woffington, and dramatist Henry Brooke. While on a visit to Quilca House in Co. Cavan with Thomas Sheridan, he painted mural decorations, with images of Milton, Shakespeare and Jonathan Swift. He may have painted the portrait of William St. Lawrence after the boy’s untimely death. Although destined for a life as a professional soldier, and appointed an ensign in the army while still just fourteen years old, William’s military career was shortlived. While still a teenager, in April 1749, he died of smallpox. Dr. Peter Murray 2021.”

Christopher acted as a secret agent for the Crown, while pretending to be part of the rebellion against the Crown. He was afraid of being discovered as a traitor. The Dictionary of Biography has a long entry about his and his double dealings. He died in 1619 at Howth and was buried at Howth abbey on 30 January 1620. He and his wife had two sons and a daughter; he was succeeded by his eldest son, Nicholas. [8]

Nicholas St. Lawrence (d. 1643/44) 10th Baron Howth added the top floor above the hall of Howth Castle sometime prior to 1641. He and his wife Jane née Montgomery had two daughters: Alison, who married Thomas Luttrell of Luttrellstown Castle (now a wedding venue), and Elizabeth.

Luttrellstown Castle, courtesy of Luttrellstown Castle Resort for Failte Ireland 2019, Ireland’s Content Pool. [9]

Nicholas’s brother Thomas (d. 1649) succeeded as 11th Baron. Thomas’s son, William St. Lawrence (1628-1671), succeeded as 12th Baron Howth. The 12th Baron was appointed Custos Rotulorum for Dublin in 1661, and sat in the Irish House of Lords.

Nicholas the 10th Baron’s daughter Elizabeth married, as her second husband, her cousin William St. Lawrence 12th Baron Howth. She gave birth to the 13th Baron Howth.

Thomas St. Lawrence (1659-1727) 13th Baron Howth inherited the title when he was only twelve years old. Thomas Butler, 6th Earl of Ossory was appointed by his father as his legal guardian.

Thomas Butler (1634-1680) 6th Earl of Ossory, studio of Sir Peter Lely, circa 1678, courtesy of National Portrait Gallery NPG 371. Second son of the Duke and Duchess of Ormond and father of 2nd Duke of Ormonde. He was appointed as Thomas St. Lawrence (1659-1727) 13th Baron Howth’s legal guardian.

Thomas St. Lawrence married Mary, daughter of Henry Barnewall, 2nd Viscount Barnewall of Kingsland, County Dublin. After first backing King James II, in 1697 he signed the declaration in favour of King William III.

His son William (1688-1748) succeeded as 14th Baron, and carried out extensive work on Howth Castle, completing the project in 1738. A painting dating from this period commemorates the work.

Dating from around 1740, this bird’s eye view of Howth Demesne commemorates the extensive rebuilding of Howth Castle, a project completed in 1738 under the direction of William St. Lawrence, 14th Baron of Howth. Attributed to William Van der Hagen (fl. 1720-1745) or Joseph Tudor (d. 1759). Photograph courtesy of Sales Catalogue, Fonsie Mealy auction of Howth Castle contents, 2021.

Mark Bence-Jones writes that the castle is “Basically a massive medieval keep, with corner towers crenellated in the Irish crow-step fashion, to which additions have been made through the centuries. The keep is joined by a hall range to a tower with similar turrets which probably dates from early C16; in front of this tower stands a C15 gatehouse tower, joined to it by a battlemented wall which forms one side of the entrance court.” [see 1]

Howth Castle on the day we visited for the sale of its library. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle, Dublin, painting by Peter Pearson.

Mark Bence-Jones describes the central part of the front of the house:

The hall range, in the centre, now has Georgian sash windows and in front of it runs a handsome balustraded terrace with a broad flight of steps leading up to the entrance door, which has a pedimented and rusticated Doric doorcase. These Classical features date from 1738, when the castle was enlarged and modernized by William St. Lawrence, 14th Lord Howth, who frequently entertained his friend Dean Swift here.” [see 1]

The hall range of Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Our tour guide Daniel at Howth Castle, looking out from the balustraded terrace at the entrance. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle, Dublin City Library and Archives [10]. I think the photograph is reversed, as the Gate Tower should be on the left, when looking out from the balustraded terrace.
Looking out from the balustraded terrace at the entrance to Howth Castle, toward the Gate Tower. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle: the range on the right side when looking out from the front of the castle. This is the East wing, or Tower House – you can see the tower better from the other side, see the photograph below, which was added by William St. Lawrence (1628-1671), 12th Baron Howth or 25th Lord of Howth as the website refers to him, sometime between the Restoration in 1660 and his death in 1671. The tower at the end, called the Kenelm Tower, was not added until the Victorian period, by the 3rd Earl of Howth. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The other side of the East wing with its Tower House, added by William St. Lawrence (1628-1671), 12th Baron Howth sometime between the Restoration in 1660 and his death in 1671. Howth Castle, Dublin City Library and Archives. (see [10])
Howth Castle: this is the medieval tower house with the East wing and Tower House. The narrow tower at the end, called the Kenelm Tower, was not added until the Victorian period, by the 3rd Earl of Howth. Photograph courtesy of Howth Castle instagram.
Howth Castle: the Kenelm Tower. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Front entrance to Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Front hall, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Mark Bence-Jones describes: “The hall has eighteenth century doorcases with shouldered architraves, an early nineteenth century Gothic frieze and a medieval stone fireplace with a surround by Lutyens.” [see 1] The hall was added to the medieval tower in 1558 by Christopher, who is the 20th Lord of Howth according to the Howth Castle website, or the 7th Baron. It was later adapted by Edwin Lutyens in around 1911.

Ceiling of Front hall, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Front hall, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In Irish Houses and Gardens. From the Archives of Country Life, Sean O’Reilly writes about the article written about Howth Castle by Weaver for Country Life:

It is Lutyens’s selective retention and sensitive recovery of surviving original fabric from a variety of eras that distinguishes his work at Howth. The entrance hall, at the head of a wide flight of stairs, displays best his ability to empathise. While the photographs, by an unknown photographer and by Henson, convey his success, Weaver’s summary clarifies the architect’s methodology: ‘The general work of reparation in the interior revealed in the hall fireplace an old elliptical arch which enabled the original open hearth to be used once more. Above it Mr Macdonald Gill had painted, under Mr Lutyens’ direction, a charming conventional map of Howth and the neighbouring sea and a dial which records the movement of a wind gauge.’ ” [11]

The chimneypiece in the entrance hall was developed from existing Georgian and Victorian features, Seán O’Reilly tells us, with medieval fabric recovered during renovation, providing a mix of styles typical of Lutyens’ restorations. I wish I could find my notes to tell you more about the map painted by MacDonald Gill! I will just have to return so historian Daniel can tell me again.

Mr Macdonald Gill painted, under Mr Lutyens’ direction, a charming conventional map of Howth and the neighbouring sea and a dial which records the movement of a wind gauge.’ Front hall, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Front hall, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Front hall, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Front hall, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Front hall, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Front hall, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Front hall, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Front hall, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We were lucky enough to visit the castle when it hosted an exhibition of paintings by Peter Pearson, which feature in a book: Of Sea and Stone: Paintings 1974-2014.

Peter Pearson, Of Sea and Stone: Paintings 1974-2014.
Front hall, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

William the 14th Baron (1688-1748) married Lucy, younger daughter of Lieutenant-General Richard Gorges of Kilbrew, County Meath. Her mother was Nicola Sophia Hamilton, who before marrying Richard Gorges, had been married to Tristram Beresford, 3rd Baronet of Coleraine.

The Howth Castle website reminds us of a story that our guide on our visit to Curraghmore in County Waterford told us:

For many years in the Drawing Room of the castle hung the portrait of a handsome woman. To the back of the portrait was attached an unsigned and undated note stating that the painting once had a black ribbon round the wrist but that this had been removed during cleaning. The woman is Nicola Hamilton born 1667 who married firstly Sir Tristram Beresford and subsequently General Richard Gorges. The younger daughter of this marriage was Lucy Gorges, wife of the 27th Lord Howth, Swift’s ‘blue-eyed nymph’.”

Nicola Hamilton (1666-1713) by 17th century Irish portraitist, Garrett Morphy, courtesy of Howth Castle instagram.

The legend is that when she was quite young, she made an agreement with John Le Poer, Earl of Tyrone that whoever died first would come back and appear to the other. On dying Lord Tyrone came to her in the night, assured her of the truth of the Christian Revelation and made various predictions, that her first husband would soon die, that her son would marry the Tyrone heiress, and that she herself would die in her forty-seventh year, all of which came true. To convince her of the reality of his presence, he grasped her wrist causing her an injury and permanent scar which she concealed beneath a black ribbon.

The ease with which the ribbon was removed from the portrait does little to enhance the veracity of the story.

Nicola’s son was Marcus Beresford (1694-1763) 4th Baronet of Coleraine and as the ghost predicted, he married Catherine Le Poer of Curraghmore, daughter and heiress of James, 3rd Earl of Tyrone.

William St. Lawrence 14th Baron of Howth spent much time at another house he owned in Ireland, Kilfane in County Kilkenny. [12] He sat in the Irish House of Commons as MP for Ratoath between 1716 and 1727, and became a member of the Privy Council of Ireland in 1739.

William 14th Baron came to know Jonathan Swift through his wife. Swift became a regular visitor to Howth Castle and they exchanged numerous letters. At Howth’s request, Swift had his portrait painted by Francis Bindon.

Jonathan Swift by Francis Bindon, courtesy of Howth auction by Fonsie Mealy, 2021.

The painting of Jonathan Swift by Francis Bindon was offered at auction in 2021. A very similar painting by Bindon is owned by the Deanery of St. Patrick’s Cathedral. An obituary notice about Bindon in Faulkner’s Journal from 1765 describes Bindon as “one of the best painters and architects this nation has ever produced” and a copy of the Swift picture, painted by Robert Home, hangs in the Examination Hall at Trinity College, Dublin.

Portrait of Jonathan Swift (1667-1745) by Francis Bindon owned by St. Patrick’s Cathedral Deanery.

In 1736, Lady Lucy Howth’s brother Hamilton Gorges killed Lord Howth’s brother Henry St. Lawrence in a duel. Gorges was tried for murder but acquitted.

After her husband died, Lucy married Nicholas Weldon of Gravelmount House in County Meath, a Section 482 property which we visited. (see my entry https://irishhistorichouses.com/2024/06/13/gravelmount-house-castletown-kilpatrick-navan-co-meath/ )

William 14th Baron and Lucy’s son Thomas (1730-1801) succeeded as 15th Baron. He was educated in Trinity College Dublin, and succeeded to the title when he was eighteen years old, after his father’s death. He became a barrister, and was elected as a “Bencher,” or Master of the Bench of King’s Inn in Dublin in 1767.

In 1750 he married Isabella, daughter of Henry King, 3rd Baronet of Boyle Abbey in County Roscommon.

Isabella King, daughter of Henry King 3rd Baronet of Boyle Abbey in County Roscommon and wife of Thomas, 1st Earl of Howth courtesy Adam’s 6 Oct 2009 Robert Hunter (c.1715/20-c.1803).

In 1767 Thomas was created Viscount St. Lawrence and then Earl of Howth. He was appointed to Ireland’s Privy Council in 1768. Timothy William Ferres tells us that in consideration of his own and his ancestors’ services, he obtained, in 1776, a pension of £500 a year. 

His daughter Elizabeth married Dudley Alexander Sydney Cosby, 1st and last Baron Sydney and Stradbally, whom we came across when we visited Stradbally Hall in County Laois (see my entry https://irishhistorichouses.com/2021/10/14/stradbally-hall-stradbally-co-laois/ ). A younger son, Thomas St. Lawrence (1755-1831), became Lord Bishop of Cork and Ross. He’s the one who supposedly heard the mermaid in the tower!

Thomas’s son William (1752-1822) succeeded as 2nd Earl. William married firstly, in 1777, Mary Bermingham, 2nd daughter and co-heiress of Thomas, 1st Earl of Louth. Mary gave birth to several daughters.

Harriet St. Lawrence (d. 1830), daughter of William 2nd Earl of Howth. She married Arthur French St. George (1780-1844).

A daughter of the 2nd Earl of Howth, Isabella (d. 1837), married William Richard Annesley, 3rd Earl Annesley of Castlewellan, County Down.

Castlewellan Castle, County Down, 2014 © George Munday/Tourism Ireland.

Mary née Bermingham died in 1773 and William 2nd Earl of Howth then married Margaret Burke, daughter of William Burke of Glinsk, County Galway.

Howth Harbour was constructed from 1807, and in 1821, King George IV visited Ireland, landing at Howth pier.

Margaret the second wife, Countess of Howth, gave birth to a daughter Catherine, who married Charles Boyle, Viscount Dungarvan, son of the 8th Earl of Cork. She also gave birth to the heir, Thomas (1803-1874), who succeeded as 3rd Earl of Howth in 1822.

Thomas the 3rd Earl served as Vice-Admiral of the Province of Leinster, and Lord-Lieutenant of County Dublin. He married Emily, daughter of John Thomas de Burgh, the 1st Marquess of Clanricarde.

Emily, Countess of Howth, courtesy Fonsie Mealy Howth Castle sale.

Around 1840, Richard Morrison drew up plans for alterations in the castle, which were only partially executed, including Gothicizing the stables. [see 2]

Emily gave birth to several children, including the heir, but died of measles at the age of thirty-five, in 1842.

Emily and Thomas had a daughter, Emily (d. 1868), who married Thomas Gaisford (d. 1898). Another daughter, Margaret Frances, married Charles Compton William Domvile, 2nd Baronet of Templeogue and Santry.

The 3rd Earl married for a second time in 1851, to Henriette Elizabeth Digby Barfoot. She had a daughter, Henrietta Eliza, who married Benjamin Lee Guinness (1842-1900), and two other children.

In 1855 the 3rd Earl had the Kenelm Lee Guinness Tower built at the end of the east range at the front of the castle. Kenelm was the son of Henrietta née St. Lawrence and Benjamin Lee Guinness. The tower must have been named later, as Kenelm was born in 1887.

Henrietta Guinness née St. Lawrence (1851-1935), she married Benjamin Lee Guinness. By Unknown – https://www.findagrave.com/memorial/287500312/henrietta_eliza-guinness#view-photo=331837388, Public Domain, https://commons.wikimedia.org/w/index.php?curid=179111290
In 1855 the 3rd Earl had the Kenelm Lee Guinness Tower built at the end of the east range at the front of the castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Kenelm Lee Guinness Tower at Howth Castle, Dublin, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Thomas and Emily’s son William Ulick Tristram (1827-1909) succeeded as 4th Earl in 1874. He served as Captain in the 7th Hussars 1847-50. He was High Sheriff of County Dublin in 1854 and State Steward to the Lord Lieutenant of Ireland from 1855 until 1866. In the English House of Commons he served as Liberal MP for Galway Borough from 1868 until 1874.

He had no children and the titles died with him.

The property passed to his sister Emily’s family, and her son added St. Lawrence to his surname to become Julian Charles Gaisford-St. Lawrence (d. 1932). In 1911 he hired Edwin Lutyens to renovate and enlarge the castle.

The most substantial addition was the three bay two storey Gaisford Tower, with basement and dormer attic, at the end of the west wing, which he built to house his library. This tower picked up many of the motifs distinguishing the earlier fabric, from its irregular massing to the use of stepped battlements with pyramidal pinnacles, all moulding it into the meandering fabric of the earlier buildings. [see 11] Other work included the steps to the east of the new tower, a loggia with bathrooms above between the old hall and the west wing and a sunken garden. He also added square plan corner turrets to the south-west and north-east facades, incorporating fabric of earlier structures, 1738 and ca 1840. [see 2]

New facade on the west wing introduced by Lutyens, with library tower on the left, photograph courtesy of Howth Castle instagram.
Plan of Howth Castle, courtesy Archiseek.
Drawings by Lutyens for Howth Castle.

Mark Bence-Jones writes:

On the other side of the hall range, a long two storey wing containing the drawing room extends at right angles to it, ending in another tower similar to the keep, with Irish battlemented corner turrets. This last tower was added 1910 for Cmdr Julian Gaisford-St. Lawrence, who inherited Howth from his maternal uncle, 4th and last Earl of Howth, and assumed the additional surname of St Lawrence; it was designed by Sir Edward Lutyens, who also added a corridor with corbelled oriels at the back of the drawing room wing and a loggia at the junction of the wing with the hall range; as well as carrying out some alterations to the interior.”

This architectural sketch by Lutyens shows in the middle drawing, the balustraded terrace to the front door, the hall, with “smoking room” on the right and dining room on the left.
The Gaisford Tower, I think, containing the library, by Lutyens. Photograph courtesy of Archiseek. [13]
Drawings by Lutyens for Howth Castle.

From the front hall, to the right, when facing the fireplace, is the dining room. It has surviving eighteeth century panelling.

The dining room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The dining room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Bence-Jones writes that Lutyens restored the dining room to its original size after it had been partitioned off into several smaller rooms. It has a modillion cornice and eighteenth century style panelling with fluted Corinthian pilasters.

The dining room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The dining room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The view from the dining room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The drawing room was left largely untouched by Lutyens.

Enfilade toward the Library, through the Drawing room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Drawing room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Mark Bence-Jones writes: “The drawing room has a heavily moulded mid-C18 ceiling, probably copied from William Kent’s Works of Inigo Jones; the walls are divided into panels with arched mouldings, a treatment which is repeated in one of the bedrooms.”

The Drawing room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Drawing room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Drawing room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Drawing room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Drawing room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Drawing room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Drawing room at Howth Castle before auction, photograph courtesy of Irish Times Saturday August 14th 2021.
The Drawing room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Drawing room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Window in the Drawing room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Here you can see the drawing room windows from the outside. The drawing room is perpendicular to the Hall, and the old tower is to the right in the photograph. Howth Castle, courtesy of Howth Castle instagram.
The view from The Drawing room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Drawing by Lutyens of the wing including the library.

Before entering the library we entered another room, the Boudoir, which contains an old map of the estate. At its height, the Howth Estate covered about 15,000 acres. This estate stretched from Howth to Killester and partially through North County Dublin and Meath. 

Daniel tells us about the estate map at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The estate map at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

This room also has a beautiful decorative ceiling.

Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The library, by Lutyens, in his tower, has bookcases and panelling of oak and a ceiling of elm boarding.

The Library, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Library, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A photograph in the library which Daniel showed us.
Howth Castle library, National Library of Ireland, from constant commons on flickr.
The elaborate chimmeypiece in the library in Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com. Much of the interiors and even some of the windows of Killester House, a former dower house of the Howth estate, were moved to Howth Castle following its dereliction and eventual demolition, including a marble fireplace which stands in the Lutyens library.
Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The 2021 Fonsie Mealy auction included A Series of 10 Prototype Architect Drawings and Sketches by Edwin Lutyens, Alterations and Additions for J.C. Gaisford St. Lawrence, Esq at Howth Castle, all with original hand-coloured decoration. The drawings include: West Wing of Tower; Entrance Loggia; Ground Floor Plans; Principle Floor; Second Floor; Attic & Roof Plans; South Elevation; North Elevation; Back & Front Elevations; Elevation to Coach House; Kitchen Block; Longitudinal Sections etc.

Lutyens added a long corridor to one side of the drawing room and boudoir.

The corridor, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We also passed the staircase, but the tour did not include upstairs.

Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Mark Bence-Jones tells us: “Lutyens also made a simple and dignified Catholic chapel in early C19 range on one side of the entrance court; it has a barrel-vaulted ceiling and an apse behind the altar.”

The addition to the east wing by Lutyens in around 1911 contains the chapel. Unfortunately we did not get to see inside this wing.

Drawings by Lutyens for Howth Castle, the east wing.
The Chapel, Howth Castle, photograph courtesy of Archiseek. [13]

Bence-Jones also tells us that the castle has famous gardens, with a formal garden laid out around 1720, gigantic beech hedges, an early eighteenth century canal, and plantings of rhododendrons. I will have to return to see the gardens!

Howth Castle, courtesy of Howth Castle instagram. This has the windows of the boudoir, with steps leading to it, and of the drawing room overlooking the lawn, The medieval tower house is on the right.
An addition by Lutyens, I believe: the Loggia. Photograph courtesy of Archiseek.
Howth Castle 1966, Dublin City Library and Archives. This is the medieval tower house, with the chapel wing to the right, and the Kenelm Tower on the far right. (see [10]).
The Lutyens Gaisford tower is on the left here. Howth Castle, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We walked around the side, around what I think is the stable block, past the Mermaid Tower.

The Mermaid Tower, Howth Castle, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle on the day we visited for the sale of its library, 2021. The stable block. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I think this is the stable block. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Marriage plate Howth Castle, Dublin City Library and Archives. (see [10])
Howth Castle on the day we visited for the sale of its library, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle on the day we visited for the sale of its library, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle on the day we visited for the sale of its library, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle on the day we visited for the sale of its library, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle on the day we visited for the sale of its library, 2021. The Lutyens Gaisford library tower is on the right. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle on the day we visited for the sale of its library, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle on the day we visited for the sale of its library, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle on the day we visited for the sale of its library. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Castle from the back view: At the background end of this photograph is what the National Inventory describes: “Attached four-bay three-storey medieval tower house with dormer attic, c.1525, with turret attached to north-east. Renovated c.1650. Renovated and openings remodelled, 1738. Renovated with dormer attic added, 1910.” The Lutyens tower is on the right in the foreground. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle 1940, Dublin City Library and Archives (see [10]). The English architect Sir Edwin Lutyens restyled a 14th century castle overlooking Dublin Bay.

2026 Diary of Irish Historic Houses (section 482 properties)

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[1] p. 155. Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[2] http://lordbelmontinnorthernireland.blogspot.com/2013/07/howth-castle.html

[3] https://www.irishtimes.com/life-and-style/homes-and-property/fine-art-antiques/swift-portrait-included-in-howth-castle-contents-sale-could-fetch-up-to-400-000-1.4644698

[4] https://www.dib.ie/index.php/biography/st-lawrence-sir-nicholas-a8221

[5] https://www.dib.ie/index.php/biography/st-lawrence-christopher-a8219

[6] https://www.dib.ie/biography/omalley-grainne-grace-granuaile-a6886

[7] Ball, F. Elrington History of Dublin 6 Volumes Alexander Thoms and Co. Dublin 1902–1920.

[8] https://www.dib.ie/index.php/biography/st-lawrence-sir-christopher-a8220

[9] https://www.irelandscontentpool.com/en/media-assets/medp://tia/100792

[10] Dublin City Library and Archives. https://repository.dri.ie

[11] p. 38. Irish Houses and Gardens. From the Archives of Country Life. Sean O’Reilly. Aurum Press Ltd, London, 1998. 

[12] Ball, F. Elrington History of Dublin Vol. 5 “Howth and its Owners” University Press Dublin 1917 pp. 135-40

[13] www.archiseek.com

Belmore House, Thomastown, Kilkenny

Belmore House, Thomastown, Kilkenny for sale courtesy P.N. O’Gorman, April 2025

Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025

€2,350,000 R95KC2F 5 beds5 baths405 m2

An Enchanting Country Residence on 115 acres (46.54ha) with Extensive River Frontage History Belmore House is a most charming Georgian residence set on 115 acres (46.54ha) with frontage onto the River Nore and adjoining Mount Juliet Estate.

Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025
Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025
Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025
Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025
Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025
Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025
Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025

Built in c. 1790 as a hunting lodge by the Earl of Belmore to the designs of the highly regarded architect Sir Richard Morrison on lands leased from the Hunt family. It was reported by the Earl’s agent to have cost the sum of £5,000 to build and is thought to occupy the site of an earlier manorial house. The family maintained close connections with the area, with the marriage of the second Earl to the daughter of the Earl of Carrick from the neighbouring Mount Juliet estate. When the house and lands returned to the Hunt Family who in the mid nineteenth century started investigations into the ruins of Newtown the scale and significant of Newtown Jerpoint a twelfth century settlement founded by either Earl Marshall or Griffin Marshall was uncovered. The Anglo-Norman site comprised of some 27-dwelling house, a Courthouse, Woollen Mill, Brewery and Church. Today the most dominant remains of the settlement are of the Medieval Church of St. Nicholas and well-preserved outlines of the burgage plots. The churchyard contains a fine early fourteenth century medieval slab effigy of an ecclesiastic, presumably a local priest. It is popularly associated with St. Nicholas, Bishop of Myra (Southern Turkey) where he was buried before his bones were removed to their present location at Bari (Apulia) in 1087.

Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025
Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025

The House Belmore House is set well back from the road approached via a sweeping Lime tree avenue which leads to both the yard and main house. The interior of the house is gracious, and light filled, extending to c. 405sq m (4,363sq ft) with the main hall at the heart of the home, the principal reception rooms include a drawing room with a magnificent bay window which overlooks the surrounding countryside, a dining room, the study has its original barrel vaulted ceilings, a warm living room has its original flagged floor and barrel vaulted ceiling, a beautiful country style kitchen with four oven Aga and seating area to the side, pantry and boot room. On the first floor there are five bedrooms with three en-suites and main bathroom.

Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025

Accommodation 

Entrance porch 3.3m x 2.4m with stone flag floor, double doors to Reception hall 5.79m x 5.5m Drawing room 5.6m x 5.5m with bay window and period marble fireplace Diningroom 5.6m 3.86m with wooden floor and period fireplace Study 5.67m x 3.74m stone flag floor, granite fireplace and barrel-vaulted ceiling Livingroom 6.46m x 5.3m stone flag floor, barrel vaulted ceiling and stove Guest W.C. Kitchen 8.6m x 6.14m with range of fitted units, four oven Aga (Pantry off) Utility/ Boot room 5.6m x 2.6m tiled floor, fitted units, door to rear yard and courtyard First floor Bedroom 1. 5.6m x 3.79m Bedroom 2. 5.7m x 3.86m Bedroom 3. 4.1m x 3.9m with en-suite shower room Bedroom 4. 5.3m x 3.9m with en-suite shower room Bedroom 5. 5.6m x 3.9m with en-suite shower room Services Oil fired central heating Own water, septic tank and alarm

Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025
Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025
Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025
Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025
Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025
Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025
Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025
Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025
Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025
Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025
Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025
Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025
Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025
Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025
Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025
Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025

Stable Yard To the rear of the house there is an enclosed courtyard connecting with an attractive stable yard with a range of lofted buildings including a number of loose boxes, coach house, tack room and feed house. There is also living accommodation above the central block these have excellent development potential subject to the necessary permission.

Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025
Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025

Gardens & Land The gardens and mature trees which surround Belmore House and Jerpoint Park give a great sense of privacy and shelter. There is a wonderful 1 acre (0.40ha) walled garden which underwent restoration in recent years. The lands which extend to 115 acres (c. 46.54ha) currently comprise of approximately 30 acres of tillage and the remainder in permanent pasture and parklands adjoining the ruins of the Church of St. Nicholas. The property also benefits from c. 520 metres (568 yards) of single bank fishing rights on the River Nore with the Litte Arrigle River running along its Eastern boundary. Setting and Location Belmore House is well-positioned less than 3.2km from Thomastown and train station (frequent Dublin service). Outdoor pursuits from championship golf at the neighbouring Mount Juliet Estate, excellent salmon and trout fishing on the River Nore. The house is also within easy driving distance of the medieval city of Kilkenny and M9 motorway, where journey time to Dublin airport is less than an hour and half. Special Note Belmore House and farmyard is a Protected Structure of Regional Importance under the Planning & Development Act.

Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025

Features 

An Enchanting Georgian Country Residence of c. 405sq m (4,363sq ft) Beautiful enclosed courtyard and 1 Acre (0.4ha) Walled Garden Idyllic Countryside Setting Standing on 115 Acres(46.54ha) 520m (568 yard) of Frontage onto the River Nore Includes Medieval Settlement Known at Newtown, Jerpoint

Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025
Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025
Belmore House, Thomastown, County Kilkenny for sale photograph courtesy P.N. O’Gorman, April 2025

Mount Henry, Portarlington, Co Laois  – now a convent 

Mount Henry, Portarlington, Co Laois  – now a convent 

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London. 

p. 214. “(Smyth/LGI1912) A late-Georgian house by Sir Richard Morrison, rather like a smaller version of Lyons, Co Kildare. Two storey; entrance front with pedimented single-storey Ionic portico between two shallow curved bows, which have only a single window in each storey. Four bay side elevations. Pedimentes and entablatures over windows. Hall lined wiht Ionic columns of scagliola; upper landing with circular well gallery and pairs of Doric columns under relieving arches. Now a Presentation convent.” 

https://www.buildingsofireland.ie/buildings-search/building/12800920/mount-saint-anne-mount-henry-crossroads-ballycarroll-po-by-killenard-co-laois

Mount Saint Anne, Mount Henry Crossroads, Killenard, County Laois, courtesy National Inventory.

Detached three-bay two-storey over basement neo-Classical country house, c.1820, with pedimented Ionic portico and bowed end bays. Design attributed to Richard Morrison (1767-1849).

Moydrum Castle, Co Westmeath – ruin

Moydrum Castle, Co Westmeath

Moydrum Castle, County Westmeath entrance front c. 1860, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London. 

p. 219. “(Handcock, Castlemaine/B/PB) An early C19 castle by Richard Morrison, built 1812 for 1stLord Castlemaine; incorporating an earlier house described at the time as “nothing more than an ordinary farmhouse, contracted in its dimensions, mean in its external form, and inconvenient in its interior arrangements” in contrast to “most finished and complete residence” which it became. As completed the castle had battlemented and machicolated entrance tower with two slender polygonal turrets and a perpendicular window above the front door; at one side was a single bay with another polygonal turret, at the other a lower and longer battlemented range. Burnt 1921.

Moydrum Castle, County Westmeath, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.

Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988. 

p. 144. …the interiors were a mixture of Gothic and classical as at Thomastown, County Tipperary and Borris County Carlow. …Now a ruin.

Moydrum Castle, County Westmeath, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.

http://lordbelmontinnorthernireland.blogspot.com/2016/06/moydrum-castle.html

THE VISCOUNTS CASTLEMAINE WERE MAJOR LANDOWNERS IN COUNTY WESTMEATH, WITH 11,444 ACRES
WILLIAM HANDCOCK (c1631-1707), of Twyford, County Westmeath, descended from a family of considerable antiquity in Lancashire, MP for that county in the first parliament after the restoration of CHARLES II, was nominated one of the Council of Connaught, and obtained a patent, 1680, to erect his estates into a manor, under the designation of the Manor of Twyford, with ample privileges.

Mr Handcock married, in 1652, Abigail, sister of Sir Thomas Stanley, by whom he had, with other issue,

THOMAS, his heir;
William (Sir), Recorder of Dublin;
Stephen (Very Rev), Dean of Clonmacnoise;
Matthew (Ven), Archdeacon of Kilmore;
Stanley, drowned;
Hannah; Sarah; Elizabeth.

The eldest son,

THOMAS HANDCOCK (1654-1726), of Twyford, MP for Lanesborough, 1692-5, espoused, in 1677, Dorothy Green, and had issue,

WILLIAM, his heir;
Eliah;
Thomas;
Samuel;
Sarah; Abigail; Mary; Dorothy.

Mr Handcock was succeeded by his eldest son,

WILLIAM HANDCOCK (1676-1723), MP for Athlone, 1703-14, County Westmeath, 1721-23, who wedded Sarah, daughter of Richard Warburton, and had issue,

WILLIAM, his heir;
George;
Thomas;
RICHARD, of whom hereafter;
Robert;
John Gustavus;
Abigail; Susan; Dorothy; Susanna.

Mr Handcock was succeeded by his eldest son,

WILLIAM HANDCOCK (1704-41), MP for Fore, 1727-41, who espoused Elizabeth, second daughter of the Rt Rev Sir Thomas Vesey Bt, Lord Bishop of Ossory, though the marriage was without issue, and he was succeeded by his brother, 

THE VERY REV RICHARD HANDCOCK (c1716-91), of Twyford, Dean of Achonry, who married Sarah, only daughter and heiress of Richard Toler, of Ballintore, County Kildare, and had issue,

WILLIAM, his heir;
Richard;
Sarah; Susanna; Dorothy; Mary; Elizabeth; Anne.

The Dean was succeeded by his eldest son,

THE RT HON WILLIAM HANDCOCK MP (1761-1839), MP for Athlone, 1783-1800, who was elevated to the peerage, in 1812, in the dignity of Baron Castlemaine.

His lordship was advanced to a viscountcy, in 1822, as VISCOUNT CASTLEMAINE.

On his lordship’s death the viscountcy expired, though the barony passed to his brother.

The heir apparent is the present holder’s only son, the Hon Ronan Michael Handcock. 

The 5th Baron was the last Lord-Lieutenant of County Westmeath, from 1899 until 1922.

Roland Thomas John [Handcock], 8th and present Lord Castlemaine, MBE, lives at Salisbury, Wiltshire.

The heir is the present holder’s son, the Hon Ronan Michael Handcock (b 1989).

MOYDRUM CASTLE, near Athlone, County Westmeath, was a seven-bay, two-storey over basement castellated country house, rebuilt ca 1812 (incorporating the fabric of an earlier house built c1750), having an advanced three-storey breakfront/gate tower (offset) to the west side of centre.

There were turrets on an octagonal plan to the corners of an advanced tower and to the west end of the front façade (north); a turret on square plan to the east end.

The house is now out of use, derelict and partially collapsed to the west side.

There were rough-cast, cement-rendered walls, now failing and exposing limestone rubble construction below, with cut stone plinth to base.

Clasping buttresses between bays to the east side of tower; extensive decoration to walls with incised cross loop motifs, cut stone quatrefoils and cut stone hood mouldings over window openings.

The walls are now largely overgrown with ivy.

Square-headed openings to main body of structure, originally having cut stone surrounds and cut-stone tracery.

Tudor Gothic-arched doorcase to front face of tower, inset within a Tudor-Gothic arched recess and originally with cut stone surrounds (now gone).

Pointed-arched window over doorcase to first storey, originally with Geometric tracery.

Set back from road in extensive mature grounds with remains of a walled garden and ancillary structures to the rear.

These remain impressive and picturesque ruins of a large-scale, Gothic-Revival, castellated country house.

The scale and the attention to detail are still apparent, despite its ruinous condition; and fragments of the early cut stone detailing are still evident to a number of openings from behind the extensive ivy growth.

This important Gothic-Revival essay was built to designs by Sir Richard Morrison (1767-1849), who was commissioned by William Handcock to rebuild an existing house befitting of his new status as Lord Castlemaine, ca 1812.

The house was burnt by the IRA in 1921 and has remained a ruin ever since.

Moydrum Castle, given its status as the seat of HM Lord-Lieutenant of County Westmeath and a member of the House of Lords, was chosen as a suitably symbolic target for Irish republican reprisals: On the night of July 3rd, 1921, an assembly of IRA members marched on the castle.

The 5th Baron was out of Ireland at the time, but Lady Castlemaine and their daughter, together with several servants, were in residence and were woken from their sleep by knocking at the door.

They were given time to gather together a few valuable belongings before the building was set alight. The blaze completely destroyed the castle.

Following the establishment of the Irish Free State, much of the land belonging to Lord Castlemaine was acquired by the Irish Land Commission.

The Castlemaines were never to return to Moydrum.

These impressive and romantic ruins have been much photographed since and a picture of the remains featured on the cover of the U2 album ‘The Unforgettable Fire‘.

These ruins have now become almost a place of pilgrimage for U2 fans and the interior walls are now covered with graffiti relating to the band, giving this site a new cultural significance.

Former residence ~ Rathmore House, Fiddown, County Kilkenny.

Castlemaine arms courtesy of European Heraldry.  First published in May, 2012.

https://archiseek.com/2013/moydrum-castle-co-westmeath

1814 – Moydrum Castle, Co. Westmeath 

Architect: Richard Morrison 

Described in 1837 by Lewis, “About a mile and a half from Athlone on the Leinster side of the Shannon is Moydrum Castle the handsome residence of Viscount Castlemaine a solid castellated mansion with square turrets at each angle beautifully situated on the edge of a small lake and surrounded by an extensive and richly wooded demesne.” In July of 1921 the British Army, searching for arms, burnt down 3 neighboring farms, the local Republican army retaliated by burning down Moydrum. 

https://theirishaesthete.com/2018/08/15/moydrum-1/

An Unforgettable Fire

by theirishaesthete


The ruins of Moydrum Castle, County Westmeath. The former seat of the Handcock family, an earlier house here was described in Neale’s Views of Seats (1823) as being ‘nothing more than an ordinary farmhouse, contracted in its dimensions, mean in its external form and inconvenient in its interior arrangements.’ By that date work was already underway to transform and enlarge the building into a neo-Jacobean castle designed by Richard Morrison suitable as a residence for William Handcock, raised to the peerage first as Baron and then Viscount Castlemaine. The completed work was described by Samuel Lewis in 1837 as ‘a solid castellated mansion with square turrets at each angle beautifully situated on the edge of a small lake and surrounded by an extensive and richly wooded demesne.’ This is what remains of the east-facing façade, the entrance resembling an immense gate-tower. Moydrum was burnt by members of the IRA in July 1921 and has remained derelict ever since: in 1984 a photograph of Moydrum by Anton Corbijn was used on the cover of U2’s album The Unforgettable Fire showing members of the band standing in front of the ruins.

http://greatirishhouses.blogspot.com/2013/08/moydrum-castle-athlone-co-westmeath.html 

http://davidhicksbook.blogspot.com/search?updated-max=2014-04-21T13:13:00-07:00&max-results=7&start=45&by-date=false 

SATURDAY, 29 JUNE 2013 

Moydrum Castle 

Co. West Meath 

The Unforgettable Fire  

A picture containing grass, photo, building, sign

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The 1984, U2 album cover of the “Unforgettable Fire” which featured the iconic image of the castle. Accreditation-  Copyright Universal Island Records Limited  Moydrum Castle stands near the small village of Ballylin outside Athlone in County Westmeath. This dramatic ruin has become a site of pilgrimage for fans of the band U2, since this building was featured on their ‘Unforgettable Fire’ album cover in 1984. The title of this album aptly describes how this now ivy covered hulk met its end in a conflagration of epic proportions in 1921. Today a lot of Moydrum Castle’s architectural detail is obscured by ivy which is also threatening the structural integrity of this building.   Modern houses have grown up around the demesne and a public road passes very close to what remains of the castle. The walled gardens and other outbuildings to the rear of the main structure are being reused and adapted to suit alternative modern uses. The derelict remains of Moydrum Castle are a sad reminder of the passive nature that is adopted in regard to the preservation of historical and culturally significant buildings such as this. The area immediately around the castle is out of bounds to the general public and over zealous U2 fans. Their scrawled tributes on the gate entering the castle’s curtilage are a sad reminder of what an untapped resource this building is for the local community. 

The story of this building begins with William Handcock who was an M.P. for Athlone, who was created Baron Castlemaine in 1812 for his support for the Act of Union. In that same year in recognition of his new position in society he employed the leading architect, Richard Morrison, to design a castle in the Gothic Revival style. The building was essentially a two-storey, over basement castellated country house which was completed in 1814. It incorporated an earlier house that existed on the site from 1750 which had been described as an ordinary farmhouse with inconvenient interior arrangements. The completed castle had a battlemented entrance tower with two slender polygonal turrets on either side of the large entrance door. The entrance front was asymmetrical with a polygonal tower at one end and a square tower at the opposite corner. The windows of the front elevation had Gothic tracery while those on the side of the castle that over looked the garden had regular square headed sash windows. Over the front door there was balcony which could be accessed by a French door in an elaborate church-like window.  While the exterior of the castle was Gothic in style, the interior was classical and was described as being similar to Borris House in County Carlow. There were a substantial quantity of farm buildings and gardens to the rear of the castle which were necessary to service a building of this size. The castle had an extensive complex of twenty seven outbuildings and many local people from the surrounding townlands were employed in various parts of the estate. Morrison was also engaged to design a hunting lodge on Hare Island which was a retreat for Baron Castlemaine and allowed him the opportunity to engage in fishing, shooting and boating on Lough Ree. A set of imposing gates and an adjoining lodge provided access to the demesne and the road that winds through the estate is still used today. After travelling through the entrance gates, the road divided in two, one road led to the front of the house while the other diverged and led to the servant’s entrance at the rear. Those lucky enough to be guests of the Castlemaine’s travelled through the landscaped parkland and over a little bridge that spanned a lake to the right of the castles entrance front. 

The first Baron Castlemaine met an untimely end in 1839 when he fell out of his first floor bedroom window of the castle during a storm. As he had no children, the title and estate passed to his brother Richard. The second Baron Castlemaine did not enjoy the fruits of his new title for long, as one year later in 1840 he died in Dublin. He was then succeeded by his son, also named Richard, who was now styled the third Baron Castlemaine. Further problems were experienced by the family in 1840 when Moydrum Castle caught fire. An unattended candle in Lady Castlemaine’s bedroom caused the blaze after it fell into a turf bucket. This was one of three fires that were to occur during the lifetime of the castle which seemed destined to burn down. In order to reduce the pain and suffering of the tenants on the estate during the famine in the 1840s, a number of building projects were undertaken as a form of famine relief.  These projects included the construction of a private family church, new entrance gates, farm buildings and an eight foot wall that enclosed the demesne. In 1859, the third Baron Castlemaine received six proposals from the architect William George Murray for a Tudor Gothic entrance gate and lodge but these were never executed. In 1869 the third Baron Castlemaine died and his son became the fourth Baron Castlemaine. Both of theseBarons did not treat their tenants well and were considered tyrants and a lot of public resentment existed locally against them. Possibly to appease local sentiment, the fourth Baron instigated a number of works centred on Moydrum church. A plaque on the gable of this building records that the entrance porch was erected by the fourth Baron in 1876. From 1886 onwards the fourth Baron began to sell off the lands of the estate under the Land Purchase Acts. In just over twenty years, the Handcocks had reduced their land holding from 12,041 acres to just 550 acres.  

Both the fourth Baron Castlemaine and his wife died in 1892 and the Moydrum estate passed to their son Albert Edward Handcock now the fifth Baron Castlemaine. As Albert had received a substantial inheritance from his father together with Moydrum, he led a life of leisure as a country gentleman. He married Annie Evelyn Barrington from Kent in 1895 and after their marriage they returned to set up home in Moydrum. Two years later they were blessed with their one and only child, a daughter who they named Evelyn Constance. In the 1901 census the castle is described as having thirty-four rooms and nineteen windows across its entrance front. In residence at this time are the 38 year old, Baron Castlemaine, his wife aged 27, his daughter aged 3 and their ten servants. By 1911 the Castlemaine’s are still living in Moydrum and their retinue of servants now includes a German butler. 

 Lord and Lady Castlemaine were very active in social circles and were often mentioned attending numerous balls and events. Many of these events included mixing in royal circles which would explain the visit of the Duke of Connaught to Moydrum in August 1905. His Royal Highness arrived in Athlone on the 7.15 train from Dublin and was met at the station by Lord Castlemaine. The entourage then proceeded to Moydrum Castle in a procession of motor cars. After a brief sojourn they drove all round Lough Ree showing Queen Victoria’s son the local sights. In the evening the Duke of Connaught returned to Moydrum Castle where he dined with Lord and Lady Castlemaine. He eventually left by motor car for Shannonbridge to witness the successful crossing of the river by the advanced party of the Red Army. In April 1909, Lord and Lady Castlemaine who had been spending the winter at Marlay Grange in Dublin returned to Westmeath. An enthusiastic welcome was given to the Castlemaine’s arrival at their family’s ancestral seat after a protracted absence. His lordship, accompanied by Lady Castlemaine and their daughter, the Hon. Evelyn Handcock arrived from Dublin by the afternoon train and drove immediately to their home. As they reached the Moydrum gates, lusty cheers were raised by their tenants while a local band played stirring music and bonfires were lit. It appeared that the animosity of earlier years had dissipated and that the Castlemaine’s were now much loved by their tenants. 
 

A ruinous fire eventually sealed the fate of Moydrum but the castle had avoided disaster by the same incident previously in 1840 & 1912. An account of the 1912 fire was featured in the national press which explained that paintings and antiques to the value of £1,000 were destroyed in the blaze that nearly claimed the life of Lady Castlemaine. Lord and Lady Castlemaine were in residence in the castle, when a fire began to fill the interior with smoke which awoke the household. Lady Castlemaine and the servants made their escape from the burning building by placing wet towels over their heads. The fire was quickly brought under control by the servants who saved the entire building from being gutted. The Castlemaine’s leased a house in Foxrock in Dublin while repairs and renovations were being carried out the castle in the aftermath of the blaze. Another strange incident to take place in Moydrum that was also featured in the national press highlighted the hatred that was beginning to boil over against the local landlord. On November 15, 1913 at 7.30pm a gun was discharged through the window of the drawing room of the castle. The window shattered and shot grains were found embedded in furniture at the far end of the room which smashed some of the china on the sideboard. Lady Castlemaine was in the castle at the time and both she and the servants were shocked by the incident. For the next number of yearsthe Castlemaine’s appeared to spend the winter months in Foxrock in Dublin and the remainder of the year was divided between Moydrum, London and Europe. By 1919, a worrying trend was developing in Ireland; the grand homes of the local gentry were being burnt down in order that the lands of the estate would be broken up. The Castlemaine’s were not initially concerned but as more and more houses were burnt; they thought it prudent to return to Westmeath. The fifth Baron was under the mistaken belief, that if he and his family were in residence it would ward off any attackers looking to take advantage of an empty house. In March 1921, Lord and Lady Castlemaine left Cannes in France where they had spent the winter. Lord Castlemaine returned firstly to Moydrum Castle and was joined shortly after by his wife who had spent some time in London.  Around this time, the house burnings in Ireland had become more sporadic and it was thought that the threat to Moydrum had lessened considerable. Now that Lord Castlemaine suspected that Moydrum was no longer a target for attackers he left for London and Scotland in mid June 1921. A further indication that he was not concerned with any threat to Moydrum was illustrated by the fact that he left his wife and daughter behind, convinced of their safety. However Lord Castlemaine’s home had become a target, as he was seen as a member of the British establishment, he was a member of the House of Lords, British officers had often stayed in Moydrum Castle and Lord Castlemaine had previously dismissed men from his employment that would not join the British army.

On July 3, 1921, armed men gathered in the castle grounds at 3.30 am on the Sunday morning and surrounded the building. Present in the castle was Lady Castlemaine, her daughter and eight servants. After a loud knocking at the door, her ladyship looked out her bedroom window where she seen about sixty men outside with revolvers. As their knocks went unanswered, they smashed through the ground floor windows and made their way up the stairs. Before they reached her bed chamber they encountered a frightened Lady Castlemaine on the landing. She was given five minutes to leave the castle as the intruders intended to burn it to the ground.  They said that they were burning her home as a reprisal for the recent burnings at Coosan and Mount Temple by the Black and Tans. They had procuredparaffin from the Castlemaine’s chauffeur and proceeded to move through the building, moving furniture in to piles in the center of the rooms and dousing it with the paraffin. Every method was used to accelerate the forthcoming flames, all the windows were opened and holes were punched in the ceiling and roof to create a draught. As the raiders were doing their destructive work, Lady Castlemaine and the servants set about removing personal belongings and the family silver, trying to save what they could. The servants were rounded up by the raiders and two armchairs were placed on the lawn in front of the castle for Lady Castlemaine and her daughter to view the destruction of their home. In anticipation of the fire, the leader of the raiders addressed Lady Castlemaine as to why her home was being burnt. Once the fire had taken hold and the castle could not be saved, the raiders dispersed. By the time authorities arrived, the castle was a blaze and nothing remained but the walls by the following morning. The damage was estimated at £120,000 and the majority of paintings, antiques, silver and jewelry had been lost. Lord Castlemaine quickly returned from London to view the blackened ruins of his castle. Upon his return he organized a cleanup operation, while he pondered what to do with the ruins of the castle and the remaining lands of the estate. One week later, he sent Lady Castlemaine and their daughter to London to recover from their terrible ordeal. In the month after the fire, a story appeared in The Irish Times that inferred that some of the servants had used the fire to steal items from the castle. Michael Grady and Patrick Delany pleaded guilty to a charge of having stolen an eclectic number of items from Moydrum on the night of the fire. These items included a fur coat, two dress shirts, a smoking jacket, a suit case, a bicycle and other articles that were the property of Lord Castlemaine. Grady was a Butler and Delany was a footman and both had worked in the castle. When the fire broke out, Delany reported the matter to the military and both he and Grady saved a considerable amount of valuable property and gave assistance to fight the fire. After the military had left, the men took away some of the aforementioned articles. After the fire they were unemployed and traveled to Dublin in search of work. While in the city they were badly in need of money, pawned the coat and this is how they came to be arrested. Grady was sentenced to six months imprisonment with hard labour and Delany who was under 21 years of age received four months imprisonment with hard labour.  

In October 1921, £101,359 was awarded by Judge Fleming in Athlone to Lord Castlemaine for the destruction of his castle, furniture and personal belongings. In March 1922, a dispersal sale of the Moydrum farmyard equipment was advertised and in 1924, the remaining land of the estate was sold to the Land Commission. After the fire, Baron Castlemaine and his wife went to live at Langham House in Surrey, paying only occasional visits to Athlone where Lord Castlemaine’s brother still acted as his agent. On his death in the 1930s, the title and estates passed to his brother Robert Handcock. The castle languished in obscurity for decades until it played host to U2 in 1984.  A number of photographs that were taken at the time and the iconic image of the front of the castle appeared on the album sleeve of the ‘Unforgettable Fire’. Over the years, many fans from all over the world have scoured the Westmeath county side to find this enigmatic building that now sits silent and bears little testament to the tumultuous events that occurred here. 

Thomastown Castle, Golden, Co Tipperary – ruin

Thomastown Castle, Golden, Co Tipperary

Thomastown Castle, County Tipperary, entrance front 1917, photograph: Miss Moira Lysaght, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
Thomastown, County Tipperary, entrance front c. 1969, photograph: Christopher Tynne, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

p. 272. “(Mathew/IFR; Daly/IFR) Originally a long two storey house of pink brick built from 1670 onwards by George Mathew, half-brother of the great Great Duke of Ormonde; with a centre one room deep consisting of a great chamber or gallery above a rusticated arcade, and projecting wings; a massive oak staircase led up from the arcade to the first floor. It was probably by the same builders who worked for the Duchess of Ormonde at Dunmore House, near Kilkenny; while Dr Loeber suggests that the arcade may have been a design by Sir William Robinson. The Mathews grew richer through heiress marriages, and the grandson of the builder of the house, another George, who inherited 1711, carried out various additions and improvements…This George Mathew was known as “Grand George” and renowned for his hospitality; people could come uninvited to Thomastown and use it as though it were an inn; many legends have grown up about him, though he has become somewhat confused, in local legend, with “Big George,” Earl of Kingston (see Mitchellstown Castle).  In 1812, Francis Mathew, 2nd Earl of Llandaff, called in Richard Morrison to enlarge the house and transform it into a castle. Morrison’s transformation was literally skin-deep; he refaced the house in cement, which was originally painted the rather surprising shade of pale blue’ a mask of Gothic openings was applied to the front of C17 arcade which was glazecd and turned into a “Gothic Hall” with a Gothic chimneypiece of plaster and other Gothic plasterwork. Slender turrets, square and polygonal, were added to the entrance and garden fronts, which remained symmetrical; the two on either side of the entrance have pinnacles like rockets or darts growing out of them; from a distance they look like rabbit ears. Thr office wing to the right of the entrance front was enlarged into a vast Gothic kitchen court and stables; a detached entrance tower was also built. The great upstairs room became a Gothic library; the drawing room remained Classical and was adorned with scagliola columns. Fr Theobald Mathew, the “Apostle of Temperance,” grew up here, his father having been a cousin of 1st Earl of Landaff who more or less adopted him and made him his agent. Lady Elizabeth Mathew, sister of 2nd Earl, left Thomastown to her cousin on her mother’s side, the Visomte de Rohan Chabot, son of the Comte de Jarnac. It eventually passed to the Daly family, but from ca 1872 onwards it was allowed to fall into disrepair; it is now one of the most spectacular ruined Gothic castles in Ireland, much of it submerged beneath the ivy which grows here with an unbelievable luxuriance. In 1938 the ruin was bought by Archbishop David Mathew, the historian, in order to keep it in the family and to save it from destruction.”

Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988. 

p. 136. A large Tudor Revival house designed by Richard Morrison in 1812 for Thomas Mathew 2nd Earl of Llandaff incorporating a late 17C house which may have been designed by Sir William Robinson. Very fine interiors some of which were classical. Now a ruin.

https://www.buildingsofireland.ie/buildings-search/building/22206025/thomastown-castle-thomastown-demesne-tipperary-south

Detached multiple-bay two-storey country house, incorporating seventeenth-century house, enlarged 1812, now in ruins. Comprising central block with office wing to west having square and polygonal towers to front elevation and incorporating an earlier seventeenth-century house. Courtyard with outbuildings to north. Crenellations with machicolations to roofline. Lined-and-ruled render over brick walls with rendered string course to office wing. Ashlar limestone masonry plinths to towers. Projecting entrance bay, in ruins. Square-headed window openings with carved limestone label mouldings having ornate label stops to front. Pointed arch window openings to office wing. Two-storey gate lodge to east having crenellations with machicolations. Rendered brick walls with blank cross-loops to first floor and buttresses to ground floor. Square-headed opening with render hood moulding over pointed arch entrance. Three-stage polygonal tower to east elevation with crenellations and arrow slit windows with hood-mouldings. Coursed rubble limestone walled gardens to north. 

Appraisal 

This former country house was built by the Matthew family, the earliest house on this site, built by George Matthew dating to c. 1670. The house in its present form was enlarged in the Gothic style by Francis Matthew, II Earl of Llandaff in 1812. Richard Morrison designed the house incorporating a veneer of Gothic openings including the ornate polygonal and square towers to front elevation. The office wing to the right was also enlarged in the Gothic style. From 1870 the house fell into disrepair to become the impressive and spectacular ruin it is today. Much of the original seventeenth-century house survives in the interior of the building. The arched gate lodge to the east mirrors the architecture of the main house and retains many fine details such as the cross loops and hood mouldings. The walled gardens provide an example of the many demesne related activities thereby contributing context to the site. 

https://archiseek.com/2012/1812-thomastown-castle-co-tipperary

1812 – Thomastown Castle, Co. Tipperary 

Architect: Richard Morrison 

Built in 1812 for the 2nd Earl of Landaff, the large Tudor Revival castle incorporated a previous 17th century house, thought to have been designed by Sir William Robinson. Now a ruin, the castle was the victim of the decline of the family’s fortunes and was largely closed up in the early part of the 20th century. Now a spectacular ruin. 

 
http://landedestates.nuigalway.ie/LandedEstates/jsp/property-list.jsp?letter=T 

The original building was a two storey house of pink brick built in the 1670s by George Mathew with early 18th additions. Wilson decribed it in 1786 as “an ancient but handsome edifice”. In the second decade of the 19th century it was enlarged and transformed into a Gothic castle, designed by Richard Morrison for the 2nd Earl of Llandaff. Viscount Chabot is recorded as the occupier in the mid 19th century. He held the property in fee and the buildings were valued at £100. Bence Jones writes that it later was in the possession of the Daly family but from the mid 1870s it began to decay. William Daly was the occupier in 1906 when the buildings were valued at £61. 

https://lordbelmontinnorthernireland.blogspot.com/2018/09/1st-earl-landaff.html

The family of MATHEW originated from Wales, where at Radyr, Glamorganshire, they long resided; and possessed the town of Llandaff in that county. 
 
SIR DAVID MATHEW (1400-84), Knight, was Standard-Bearer of EDWARD IV, whose monument is still to be seen in Llandaff Cathedral, Glamorganshire. 
 
EDWARD MATHEW, of Radyr, was possessed, in 1600, of the town of Llandaff, and other estates, which his ancestors enjoyed for time immemorial. 
 
At his decease he left an only son, 
 
GEORGE MATHEW, the first of the family in Ireland, who became seated at Thurles, County Tipperary, and married Elizabeth, daughter of Sir John Poyntz MP, of Iron Acton, Gloucestershire, and widow of Thomas Butler, Viscount Thurles (who died before his father Walter, 11th Earl of Ormond). 
 
Mr Mathew died in 1636, leaving two sons and a daughter, and was succeeded by the elder son, 
 
THEOBOLD MATHEW, of Thurles, who married Margaret, eldest daughter of Sir Valentine Browne Bt, and was succeeded by his elder son, 
 
GEORGE MATHEW, of Thurles, who wedded Eleanor, second daughter of Edmond, 3rd/13th Baron Dunboyne, and was succeeded by his son, 
 
GEORGE MATHEW, who erected a splendid mansion upon his estate at Thurles, containing forty bedrooms, and ample corresponding accommodation for as many guests. 

This gentleman distinguished himself by hospitality upon an unprecedented and almost boundless scale.  

He fitted up his sumptuous residence as a guest house of the first magnitude, and his guests were informed upon their arrival, that as such they were to regard it, and to consider themselves, in every sense of the word, quite at home.  

They might either live in their own suite of rooms, or at the table d’hôte, as they pleased.  

There was a coffee-room, tavern, billiards-room, etc, and Mr Mathew himself appeared only as one of the guests. 

This highly accomplished and celebrated person had the degree of LL.D conferred upon him, 1677, by his half-brother James, 1st Duke of Ormond, Chancellor of the University of Oxford. 
 
Mr Mathew wedded firstly, Catherine, third daughter of Sir John Shelley, 3rd Baronet, by Mary, eldest daughter and co-heiress of Sir John Gage Bt, of Firle, East Sussex, and had issue, an only child, 

GEORGE, his heir

He espoused secondly, in 1716, Ann, widow of James, 3rd Earl of Tyrone, by whom he no issue, and at his decease, the estates devolved upon his brother-in-law, 
 
GEORGE MATHEW, married his cousin, Mary Anne Mathew, and had issue, 

George (1733-8); 
Elizabeth. 

On the failure of male issue in this branch, the estates devolved to 
 
GEORGE MATHEW, of Thomastown, who wedded firstly, Margaret, fourth daughter of Thomas Butler (grandson of the Lord Richard Butler, younger son of James, 1st Duke of Ormond, by the Lady Margaret Burke, eldest daughter of William, 7th Earl of Clanricarde, and widow of Bryan Magennis, Viscount Iveagh, and had issue, a daughter. 
 
Mr Mathew espoused secondly, Isabella, fourth daughter of William Brownlow, of Lurgan, County Armagh (by the Lady Elizabeth Hamilton, eldest daughter of James, 6th Earl of Abercorn), and had issue, a son, who died in infancy, when the estate devolved upon a junior branch of the family, 
 
THOMAS MATHEW, of Thurles, and subsequently of Thomastown, who married, in 1736, Miss Mary Mathews, of Dublin, and had issue, 

FRANCIS, his heir; 
Catherine Ann Maria. 

The only son and heir, 
 
FRANCIS MATHEW (1738-1806), wedded firstly, in 1764, Ellis, second daughter of James Smyth (son of the Rt Rev Edward Smyth, Lord Bishop of Down and Connor), and had issue, 

FRANCIS JAMES, his heir
Montague James, Lieutenant-General in the Army; 
George Toby Skeffington; 
Elizabeth. 

He espoused secondly, in 1784, the Lady Catherine Skeffington; and thirdly, in 1799, ______ Coghlan, second daughter of Jeremiah Coghlan. 
 
Mr Mathew, MP for Tipperary, 1768-83, High Sheriff of County Tipperary, 1769, was elevated to the peerage, in 1783, as Baron Landaff, of Thomastown, County Tipperary; and was advanced to a viscountcy, in 1793, as Viscount Landaff, of Thomastown, County Tipperary. 
 
His lordship was further advanced to the dignity of an earldom, in 1797, as EARL LANDAFF. 
 
He was succeeded by his eldest son, 
 
FRANCIS JAMES, 2nd Earl (1768-1833), MP for County Tipperary, 1801-6, Knight of St Patrick, 1831, who married, in 1797, Gertrude Cecilia, daughter of John La Touche, of Harristown, County Kildare, though the marriage was without issue. 
 
His lordship died of syncope in Dublin, on 12 March 1833, aged 65, when the titles expired. 
 
Dying intestate, his estates went to his sister, the Lady Elizabeth Mathew, who died in 1842, leaving the estates to a cousin, the Vicomte de Chabot, the son of her mother’s sister, Elizabeth Smyth. 

THOMASTOWN CASTLE, Golden, County Tipperary, was built by George Matthew and dated from ca 1670. 

It comprised a long, two-storey house of pink brick. 

The house in its present form was enlarged in the Gothic style by Francis, 2nd Earl Landaff, in 1812. 

(Sir) Richard Morrison designed the house incorporating a veneer of Gothic openings, including the ornate polygonal and square towers to the front elevation. 

The office wing to the right was also enlarged in the Gothic style. 

From ca 1872 the great mansion fell into disrepair to become the impressive and spectacular ruin it is today. 

Father Theobald Mathew, the famous temperance reformer whose father was a cousin of the 1st Earl, grew up at the Castle. 

The 2nd Earl’s sister, Lady Elizabeth Mathew, bequeathed Thomastown to her maternal cousin, the Vicomte de Rohan-Chabot, son of the Comte de Jarnac. 

The estate later passed to the Daly family. 

The ruinous building was purchased in 1938 by the Rt Rev David Mathew, the historian, who wished it to be kept in the family and saved from destruction. 

This expectation proved to have been in vain. 

The arched gate lodge to the east reflects the architecture of the main house and retains many fine details, such as the cross loops and hood mouldings. 

The walled gardens provide an example of the many demesne-related activities thereby contributing context to the site. 

The Tipperary Gentry. Volume 1. By William Hayes and Art Kavanagh. Published by Irish Family Names, c/o Eneclann, Unit 1, The Trinity Enterprise Centre, Pearse St, Dublin 2, 11 Emerald Cottages, Grand Canal St, Dublin 4 and Market Square, Bunclody, Co Wexford, Ireland. 2003. 

Matthew of Thomastown, Annfield and Thurles 

p. 135. Viscount Thurles was Thomas Butler the eldest son of Walter the 11th Earl of Ormonde. Thomas’s wife was Elizabeth the daughter of Sir John Poynz of Acton, Gloucester, and she was a Catholic. Thomas died tragically in a drowing accident when he was travelling to Ireland from England in 1619. His widow, Elizabeth, had three sons and four daughters. Elizabeth’s eldest son became the 12th Earl of 1st Duke of Ormonde. She did not remain a widow for long. She married George Mathew of Llandaff, Glamorgan, in 1620. [This enterprising lady managed to save Thurles during the Cromwellian wards by telling Cromwell taht she had refused to allow a Royalist company under Colonel Brian O’Neill to occupy the town and sought Cromwell’s help. This action saved the town of Thurles from being despoiled and saved the Mathew family from being dispossessed.] 

George and his widow, Elizabeth, had two sons, Theobald, who founded the Thurles adn Annfield dynasties of Mathew, and George Reihill, later of Thomastown, who managed the estates of the Ormondes in Tipperary [The Peerage has him as the son of Theobald]. In the process George succeeded in acquiring substantial properties himself. The fact that George Reihill married Eleanor Butler, the [p. 136] daughter of Lord Dunboyne and widow of Lord Cahir (another Butler) helped considerably. George raised her young son the 4th Lord Cahir and when he was of age married him off to his niece, Elizabeth. George Reihill was the ancestor of the Thomastown Mathews. [George surrendered Cahir Castle to Cromwell in 1649. Apparently he was warned by his mother, Elizabeth, to follow that course of action as she had done in Thurles]. [ note: the Mathew family of Llandaff adopted “Mathews” with an ‘s’ in the mid 17th century] 

When the Duke and Duchess of Ormonde were away in England or in Dublin the maintenance of Kilkenny Castle was the provenance of Captain George Reihill Mathew, their relation. The Duchess bombarded him with orders, “my Lord and I doe so much apprehend the danger to the roof of the old hall of the castle of Kilkenny and he desires it may be secured, repaired and mended with as much speed as may be.”  “I desire you will furnish the castle of Kilkenny to be in readiness to receive me, my son and his family in the middle of next month.”  

p. 137. When the Lady Cahir died George married another widow, who brought with her a dowry of £10,000. She was the widow of the last Earl of Tyrone [ on my family tree I have her as Anne Rickard (1665-1729) but she is married to his son, George Mathew *. She was married to James de la Poer, 3rd Earl of Tyrone (1666-1704), and they had a child, Catherine de la Poer, Baroness de la Poer (1701-1769)]. 

She had no children [Anne Rickard, according to this book] and when George died in 1689 she became somewhat isolated in Thomastown. [Thomastown was built around 1670 by George Reihill. Prior to that he had lived in Cahir Castle]. She fled to London in 1690 whre she petitioned the government for help, stating that she, a Protestant, had been driven out of Ireladn by her in-laws who were Catholic. [see Marnane, Land and Violence in West Tipperary]. 

George Reihill was succeeded by his second son, Theobald, who was also twice married. [the eldest son, George, was educated in England and died on the way home from England in 1666]. He died in 1711. Theobald’s son, George, known as “Grand” George, inherited the estate of Thomastown. In his will, Thomas left several bequests including monies to be put in trust and managed for his three daughters until they got married or reached the age of 21. [The ladies in question were Elizabeth, who married Christopher O’Brien of County Clare, Frances, who married John Butler of Co Tipperary, and Elinor who married Kean O’Hara of County Sligo]. He expected a return of 8% on his money. He left money to the youngest son, Bartholomew, and to his “dear cousin” Major George Mathew of Thurles… 

The problem of succession in the Catholic Mathew families contrasts with the almost smooth successions achieved by the families of the Butlers of Cahir and the Ryans of Inch. 

p. 138. The Thurles Mathews were fortunate that there were three single male heirs following the death of Theobald Mathew in 1699. This meant that no stratagem had to be used to avoid carving up the estate. However, a failsafe plan was put in place in the event that the male heirs were not forthcoming. In 1713 a settlement was put in place, which ensured that in default of male heirs the estate would go to the Annfield and Thomastown branches successively. Similar plans must have been put in place in the other Mathew properties because in 1738 the Thurles and Thomastown estates were joined because of the failure of direct heirs in Thomastown. It should be noted that “Grand” George Mathew who died in 1738 had converted in the early years of the 18th century. This inheritance did put a strain on the Thurles owner, George Mathew, who felt it incumbent to change his religion in 1740. 

p. 138. Theobald of Thurles (who died in 1699) did in fact have several sons and daughters himself. He was married three times. By his first wife, Margaret the daughter of Sir valentine Browne he had three sons, George, known as Major George who inherited in 1699, Edmund who died young and James who married Elizabeth Bourke, daughter of the 3rd Baron Brittas. [he is acknowledged to be the father of James Mathew of Thomastown and later of Rathclogheen, who was adopted by his cousin and guardian the 1st Earl of Llandaff. James of Rathclogheen is the ancestor of the modern day Mathews] James had no family. He also had two daughters – Elizabeth who married the 4th Lord Cahir, and Anne who married Viscount Galmoy [ 3rd] 

By his second marriage to the heiress, Anne Salle of Killough Castle, County tipperary, he had one son….[see tree] 

The Annfield branch of the family found life a little more complicated in that Theobald of Annfield, who inherited in 1714 had two brothers. However there is no record on any legal pressure being applied to compel the family to comply with the penal laws of inheritance. 

p. 139. When Theobald died in 1745 the estate went to his son Thomas Mathew. [Thomas had three sons and two daughters, one of whom, Mary, married John Ryan of Inch. The sons were Theobald, who inherited in 1714, Edmund who died in 1772 and James of Borris who married the heiress Anne Morres. They had one daughter who married her cousin Charles Mathew.]  

Again there does not seem to have been any pressure put on Thomas to divide the estate. Howver, in 1755 just prior to Parliament considering framing anti-Catholic laws Thomas decided to convert. The fact that his relation, George Mathew of Thurles, who had inherited Thomastown, was now elderly and had no male heir may have been a contributory factor also. George died in 1760 and Thomas Mathew of Annfield now became the sole owner of all the Mathew properties. 

p. 141. Thomastown had been repaired and reconstruction began in 1711. [ W. Nolan in Tipperary History and Society] It was reported that “Grand” George Mathew and his family lived ‘frugally’ on the continent for seven years on £600 a year in order to devote his £8,000 rental to the laying out of his 1500 acre demesne and the fitting out of the house with forty bedrooms. [T. Power in Land, Politics and Society in 18th Century Tipperary]… 

“Grand” George of Thomastown turned Protestant in the early decades of the 18th century and was elected an MP for County Tipperary. George sat as a Tory and a supporter of the 2nd Duke of Ormonde. He was also elected MP for the period 1727-1736. He died two years later. This was the same George Mathew who was visited by Dean Swift in 1719. In 1704 he was one of nine Catholics in the country who were given licenses to carry arms. However this situation changed after 1715 when the government ordered the seizure  of Catholics horses and arms. At some stage in th following years George adn his son were apprehended and searched for arms. 

The other two branches of the family remained Catholic. When Lady Thurles died she left her second son Theobald the town and manor of Thurles and an estate of four thousand acres. He was married three times and his second wife was Anne Sall, an heiress. Theobald gave her esate to his second son Thomas and so began the Annfield family. The changes in land ownership, which was effected by the necessity of the Ormonde Duke to reduce his overwhelming debts, benefited many landowners in Tipperary, including the Mathew famiy. They used the opportunity to consolidate and expand their holdings. [other families to benefit were Sadleir, Coote, Langley, Baker, Cleere, Dawson, Dancer and Harrison – T. Power in Land, Politics and Society in 18th C Tipperary

p. 142. The Mathew family owned Thurles town and because of their patronage the Catholic Butler bishop was allowed to live there. [Whelan in Tipperary society and history]. In addition the Mathew family of Annfield built Inch and Thurles chapels. A plaque on the wall of the chapel, which was built in 1730 in Thurles, stated that it was built by “Big” George Mathew. He was the George Mathew of thurles who married his stepsister Martha Eaton. He was also the son of the Major mentioned above.  

The Thomastown dynasty came to an abrupt end with the death of “Grand” George and his grandson who both died in 1738. “Grand” George’s son, Theobald, had died two years earlier in 1736. He was married to a cousin from Thurles, Mary Ann Mathew. Her brother, George of Thurles  inherited Thomastown at this time. As George of Thurles had no sons the Thomastown and Thurles estates passed into the ownershop of Thomas of Annfield in 1760. The will, transferring the ownership, was contested unsuccessfully by Margaret the daughter of George of Thurles. 

Thomas had converted to the Church of Ireland in 1755 and he was returned an MP for Tipperary in 1761. In the turbulent political climate of the times, his election was seen as a triumph for the pro Catholic interest in the county. Thomas was perceived as being of dubious conformity himself. He conformed again in 1762. He was elected MP again [p. 143] in 1768 but by a very small margin of 25 votes. On petition the result was overturned. Unlike the Pritties who were very widely connected with teh Protestant landowning classes, Thomas Mathew had to rely on his own voters and whatver support he could must from among the more liberal gentry. 

…Thomas Mathew’s son Francis was perceived as being a closet Catholic. However, he was fortunate in that he had John Scott (later Lord Clonmell) as his brother-in-law. Scott became solicitor-general and was very influential in government circles. Through his influence, Francis, formerly an opposition MP, became a government supporter and this led to his elevation to the peerage as Lord Llandaff in 1784. Though he had, to some extent, changed his allegiance, he still championed the Catholic cause right up to the end of the century and beyond. 

The Act of 1778, which gave an enormous measure of relief to the Catholics, was widely welcomed by the Catholics in Tipperary. The men most associated with the carriage of the Act were Francis Mathew of Thomastown, Lord Clonmel (John Scott, brother in law of Francis, Sir William Osborne and John Hely-Hutchinson. [This close association between Lord Clonell and Francis Mathew wasn’t always harmonious. According to Barrington, in his Reminiscences, Lord Clonmell fought duels with Lord Llandaff, Lord Tryawley and others.] p. 144. The main features of the Act were (1) the removal of the requirement that Catholic property had to be divided among the surviving sons (2) leases could now be given for more than 31 yers (3) the removal of the decree that a son who converted would get immediate possession making his parent a tenant for life only. The Act would only apply to people who took the Oath of Allegiance. … 

That is not to say that Francis favoured any change in the status quo with regard to property rights. During the heyday of Whiteboyism he stood four square with the landlords. After the murder of Ambrose Power, a landlord, in 1775, over sixty of the leading figures in Tipperary including Francis Mathew nd Thomas Maude, pledged their lives and fortunes to suppress Whiteboyism. 

With the re-emergence of considerable agrarian unrest, the American war of Independence and threatened French invasions, Volunteer Corps were founded all over Ireland. ..Each corps ws comprised of about forty rank and file members drawn from the head tenantry or from friends or associates of the Colonel. Francis Mathew had three corps, one in each of his main holdings at thomastown, Annfield and Thurles. 

…p. 145. Francis was made Baron Llandaff of Thomastown in 1783 and he was later made Earl of Llandaff in 1797. The Earl lived the life of a Lord and entertained and was entertained royally. .. 

In 1812 Francis the 2nd Earl employed the architect Richard Morrison to “throw a Gothic cloak over the earlier house” (at Thomastown)… 

Fortuitous marriages brought additional wealth to the Mathew family starting with George the first Mathew to arrive in Tipperary, who married the widow of Viscount Thurles. His soon George Reihill married the widow of Lord Cahir who was also the daughter of Lord Dunboyne. “Grand” George Mathew, a grandson of George Reihill, married as his second wife Lady Ann Hume who brought him an estate worth £10,000 in the 1680s. He converted the title to his own use and that of his heirs and used the money to make further land purchases. Francis Mathew the 1st Earl received £10,000 with Ellis Smyth of Wicklow when they married in 1764. 

…Francis was in serious debt when he inherited in 1777 due largely to marriage payments and unpaid debts from previous generations. Trustees were appointed by Parliament to unravel his affairs and lands had to be disposed of.  

When he died in 1806 the estate was still very much in debt for a variety of reaons one of which was his sponsoring a bill to bring a water supply to Thomastown Castle. 

p. 147. Francis teh 2nd Earl died in 1833. He had been predeceased by his brother Montague in 1819. His second brother George was insane and had died in 1832, so teh estates passed to Elizabeth his sister. She too died unmarried in 1841. 

While the main branch of the family disappeared the Mathew name was kept aloive…For example, Francis Mathew of Rockview House who was mentioned in the will of Elizabeth was married twice and had four sons and two daughters. .. 

https://theirishaesthete.com/2021/08/30/thomastown/

Recalling a Lavish Host

by theirishaesthete

Thomastown Castle, County Tipperary, photograph by Robert O’Byrne.


Many people in Ireland will be familiar with the name of Theobald Mathew, a 19th century Roman Catholic priest who became known as the Apostle of Temperance. A member of the Capuchin order, in 1838 Fr Mathew, witnessing the problems arising from excessive consumption of alcohol, founded the Total Abstinence Society in Cork city, where he was then living. Within nine months some 150,000 persons had enrolled in this organisation and at its height during the late 1840s it is estimated that half the population of Ireland were members. What may be less well known is that Theobald Mathew was related to a wealthy, and Protestand, landed family and grew up at Thomastown Castle, County Tipperary where his father acted as agent to a cousin, the first Earl of Landaff. Now a striking ruin, Thomastown was for several centuries the seat of the Mathew family. Of Welsh origin (hence the choice of name for their title), they were connected through marriage to the Butlers, and thus acquired land in this part of the country. As was so often the case, a series of judicious marital alliances made them exceedingly rich, allowing the construction of a large residence in the late 17th/early 18th centuries. In Town and Country in Ireland under the Georges (1940) Constantia Maxwell provides an excellent account of life there in the years after the house had been built by Thomas Mathew. The building was ‘surrounded by gardens adorned with terraces, statuary, and fish ponds, and by a park of some two thousand acres stocked with deer. Mr Mathew, besides being very rich, was held to be one of the finest gentlemen of the age, and, having travelled much on the Continent and lived in London and Dublin, had a large circle of friends. Nothing gave him so much pleasure as to invite these to Thomastown, where he had no less than forty guest-rooms, besides handsome accommodation for servants. The guests in his house were invited to order anything they might wish for, as at an inn; they might seat themselves at the dining-room table without paying irksome respect to rank, or, if they preferred it, dine with chosen companions in their own rooms. A large room was fitted up as a city coffee-house with newspapers and chessboards, where servants had been ordered to bring refreshments at any time of the day. For those who liked sport fishing tackle was provided, as well as guns and ammunition, while hounds and hunters were available in the stables. But, although everything at Thomastown was on such a lavish scale, there was no disorder or waste, for Mr Mathew rose early every morning to look over the accounts, and his servants were well paid, and forbidden to take tips.’ A description of life at Thomastown was provided by Thomas Sheridan in his biography of Jonathan Swift described how the later was so delighted with Thomas Mathew’s hospitality that instead of staying for a fortnight, as originally intended, he remained there for four months. 

Thomastown Castle, County Tipperary, photograph by Robert O’Byrne.
Thomastown Castle, County Tipperary, photograph by Robert O’Byrne.
Thomastown Castle, County Tipperary, photograph by Robert O’Byrne.
Thomastown Castle, County Tipperary, photograph by Robert O’Byrne.





As mentioned, the house at Thomastown was once surrounded by splendid gardens. Writing in 1778, Thomas Campbell noted that not only was the setting perfect, with the Galtee Mountains ‘set at such a due distance that they are the finest termination for a prospect a painter could desire’ but ‘behind the house is a square parterre, with flowers, with terraces thickly studded with busts and statues; before it, a long and blind avenue, planted with treble rows of well-grown trees, extends its awkward length. In the centre of this, and on the acclivity of the hill, are little fish ponds, pond above pond. The whole park is thrown into squares and parallelograms, with numerous avenues fenced and planted.’ By the time Campbell visited, this style of garden had fallen out of fashion, so he tut-tutted that ‘if a hillock dared to interpose its little head, it was cut off as an excrescence, or at least cut through; that the roads might be everywhere as level as they are straight. Thus was this delightful spot treated by some Procrustes of the last age.’ A few years later, Joseph Cooper Walker was just as critical of Thomastown’s gardens. ‘They lie principally on the gentle declivity of an hill,’ he explained, ‘resting on terraces, and filled with “statues thick as trees”. A long fish pond, sleeping under “a green mantle” between two rectilineous banks, appears in the midst. And in one corner stands a verdant theatre (once the scene of several dramatic exhibitions) displaying all the absurdity of the architecture of gardening. Thus did our ancestors, governed by the false taste which they imbibed from the English, disfigure, with unsuitable ornaments, the simple garb of nature.’  Not much later, perhaps when the second Earl of Landaff, who inherited title and estate on his father’s death in 1806, transformed the house, these by-now old-fashioned gardens were largely swept away in favour of open parkland. 

Thomastown Castle, County Tipperary, photograph by Robert O’Byrne.
Thomastown Castle, County Tipperary, photograph by Robert O’Byrne.

Thomastown, as previously mentioned, was originally a late 17th/early 18th century house of two storeys, the centre just one room deep with projecting wings forming a short entrance courtyard. However, it appears that the generous Thomas Mathew enlarged the house by filling in the space between the wings to create a dining room, some 50 feet long and 20 feet deep, no doubt to feed all the guests he entertained. Several generations later, the second Earl of Landaff decided to alter the building’s appearance by giving it a Gothick makeover. In 1812 the architect Richard Morrison was commissioned to come up with a design for the place. The original entrance arcade was now glazed to create a Great Hall, while the first-floor gallery became a gothic-style library. However, the drawing room retained its classical decoration, with screens of scagliola columns at either end, a typical Morrison flourish which can still be seen in the library at Ballyfin, County Laois. Meanwhile, the exterior was ornamented with a crenellated parapet and a series of octagonal turrets topped with dart-like finials. As Mark Bence-Jones noted, from a distance these look like rabbits’ ears. A kitchen and service wing at right-angles to the house was also thoroughly dressed in Tudor-Gothic decoration, although a stone tower at the corner of the range is in Norman style. The entire building was covered in stucco, which was then rather oddly painted pale blue. An engraving of the completed work made by John PrestonNeale in 1819 although this included an unexecuted family wing and a more simple service range than that actually constructed. The second earl had no children and following his death, Thomastown passed to a sister Lady Elizabeth Mathew who in turn left the estate to a cousin of her mother, the Vicomte de Chabot. Before the end of the 19th century, it had come into the possession of the Dalys of Dunsandle, County Galway but seemingly by then the house was already falling into ruin. And so it has remained, with much of the central block, where those hospitable dinners were once given, long since collapsed. Today the only diners seen here are cattle.

Thomastown Castle, County Tipperary, photograph by Robert O’Byrne.

https://theirishaesthete.com/2021/09/01/thomastown-2/

Copycats

by theirishaesthete

Thomastown Castle gate tower, County Tipperary, photograph by Robert O’Byrne.
Thomastown Castle gate tower, County Tipperary, photograph by Robert O’Byrne.



After Monday’s post explaining the history of Thomastown Castle, County Tipperary, these pictures might be of interest since they show the gate tower that formerly gave access to the main house. It dates from around 1812 and was likewise designed by Richard Morrison: note the Mathew family coat of arms prominently displayed over the gateway. Aside from this detail, the building is almost identical to a similar gate tower at the entrance to the demesne of Borris House, County Carlow. This was also designed by Morrison and at the same date: one wonders if the estates’ respective owners ever noticed or remarked on the duplication?

Thomastown Castle gate tower, County Tipperary, photograph by Robert O’Byrne.
Thomastown Castle gate tower, County Tipperary, photograph by Robert O’Byrne.

http://www.patrickcomerford.com/search/label/castles?updated-max=2019-10-29T19:30:00Z&max-results=20&start=8&by-date=false

In recent days, I have been writing about tangled family trees and difficult marriages that led to questions about the inheritance of titles and estates in the Townshend familyand the Leeson family
 
In the Townshend family, scandals and a bigamous marriage threatened the succession to both the title of Marquess Townshend and the ownership of Tamworth Castle. In the Leeson family, a tangled family tree led to the loss of Russborough House in Co Wicklow and the disappearance of the title of Earl of Milltown. 
 
Similar stories are told about the Mathew family of Thomastown, Co Tipperary, and the claims to the title of Earl Landaff. 
 
The Mathew family claimed descent from a branch of the Matthew family of Radyr in Glamorgan, in south Wales. There are three 15th and 16th century Mathew family effigies In Llandaff Cathedral. 

George Mathew sold his estate at Radyr in the mid-17th and moved to Co Tipperary. He became the owner of Thomastown Castle, near Thurles, when he married Elizabeth Poyntz (1587-1673), Lady Thurles, widow of Thomas Butler, Viscount Thurles. 
 
It was a marriage that brought George Mathew into a powerful and influential family circle, and he was the stepfather of James Butler (1610-1688), 1st Duke of Ormond. 
 
George Mathew died in 1638, but the Mathew family maintained close connections with the Ormond Butlers in the generations that followed. In 1666, George Mathew was granted a large estate in Co Tipperary, including part of Thomastown. The original Thomastown Castle was a two-storey house of pink brick built in the 1670s by George Mathew with early 18th additions. 
 
Thomastown Castle was the birthplace and early home of Father Mathew, the ‘Apostle of Temperance,’ and his father was a cousin of Thomas Mathew and worked for him as his agent. 
 
Thomas Mathew of Annefield succeeded to the Mathew estates of Thomastown and Thurles in 1760. Wilson described Thomastown Castle in 1786 as ‘an ancient but handsome edifice.’ Thomas was succeeded by his son Francis Mathew in 1777 who was given the title of Earl Landaff in 1797. 
 
Francis Mathew (1738-1806), 1st Earl Landaff, had been MP for Tipperary in the Irish House of Commons in 1768-1783, and was High Sheriff of Tipperary. He was made a member of the Irish House of Lords in 1783 with the title of Baron Landaff, of Thomastown, in Co Tipperary. In 1793, he received the higher title of Viscount Landaff, and in 1797 he was made Earl Landaff. 
 
The Earls Landaff used the invented courtesy title Viscount Mathew for the heir apparent. Despite their territorial designations, the misspelling of Llandaff as Landaff, and the fact that the titles were in the Irish Peerage, the titles all referred to the place in Glamorgan now spelt Llandaff. After the Act of Union, Lord Landaff was elected as one of the 28 Irish peers to the British House of Lords. 
 
This Lord Landaff was married three times. On 6 September 1764, he married Elisha Smyth (1743-1781) in Bellinter, Co Meath. She was a sister of Sir Skeffington Smyth of Tinney Park, Co Wicklow. They had four children, three sons and two daughters: Francis James Mathew, later 2nd Earl of Landaff; General Montague Mathew (1773-1819); the Hon George Toby Skeffington Mathew (died 1832); and Lady Elizabeth Mathew (died 1842). 
 
In 1784, he married his second wife, Lady Catherine Skeffington (1752-1796), a daughter of Clotworthy Skeffington, 1st Earl of Massereene. They had no children, and in 1799 he married his third wife, a woman named Coghlan from Ardo, Co Waterford. 
 
When he died in 1806, he was succeeded in his titles by his eldest son from his first marriage, Francis James Mathew (1768-1833), 2nd Earl Landaff, who had been known by the courtesy title of Viscount Mathew. He was MP for Tipperary in the Irish House of Commons (1790-1792), Callan (1796) and again for Tipperary (1796-1801). As Earl Landaff, he also took his father’s place as an Irish representative peer in the House of Lords. 
 
He opposed the Act of Union, supported Catholic Emancipation, and was seen as ‘a personal enemy of George IV’ when he gave evidence in favour of Queen Charlotte regarding her conduct at the Court of Naples during her famous trial. 
 
Thomastown Castle was enlarged in the early 19th century, and transformed into a Gothic castle, designed by Richard Morrison for Francis James Mathew, the 2nd Earl Landaff. 
 
Lord Landaff married Gertrude Cecilia La Touche, a daughter of John La Touche, of Harristown, Co Kildare. They had no children, and he died in Dublin on 12 March 1833, aged 65. 

Lord Landaff’s next brother, Lieut-Gen Montague James Mathew (1773-1819), had died 14 years earlier, on 19 March 1819, and so the family titles became extinct. General Mathew was MP for for Ballynakill in the Irish Parliament until 1800, and MP for Co Tipperary in Westminster in 1806-1819. He was a Whig and a supporter of Catholic Emancipation. 
 
Their youngest brother, the Hon George Toby Skeffington Mathew, also died in 1832. So, when the second earl died, the family titles became extinct, and the estates passed to his sister, Lady Elizabeth Mathew. The Ordnance Survey Name Books record Lady Elizabeth Mathew owned townlands in the parish of Kilfeacle, barony of Clanwilliam, in 1840. 
 
When she died in 1842, she left the family estates and fortune to a cousin, the Vicomte de Chabot, the son of her mother’s sister Elizabeth Smyth. Viscount Chabot was living at Thomastown Castle in the mid-19th century. Later it was owned by the Daly family, but from the mid-1870s it began to decay from the mid-1870s. William Daly was living there in 1906. 
 
As Thomastown Castle crumbled and decayed, a number of pretenders came forward, claiming they were the rightful holders of the title Earl Landaff and heirs to the castle. The most outrageous of these pretenders was Arnold Harris Mathew (1852-1919), self-styled de jure 4th Earl Landaff, also self-styled Count Povoleri di Vicenza. 
 
Mathew was also the founder and first bishop of the self-styled Old Roman Catholic Western Orthodox Church in Great Britain, an Old Catholic Church. His episcopal consecration was declared null and void by the Union of Utrecht’s International Old Catholic Bishops’ Conference. In addition, he was excommunicated by Pope Pius X for illicitly consecrating two priests as bishops which led a London jury to find that ‘the words were true in substance and in fact’ that he was a ‘pseudo-bishop.’ 
 
He claimed his father, Major Arnold Henry Ochterlony Mathew, who died in 1894, was the third Earl Landaff, and the son of Major Arnold Nesbit Mathew, of the Indian Army. According to these claims, this Major Arnold Mathew was, in turn, the eldest son of the 1st Earl Landaff, born in Paris five months after his parents married. 
 
This claim was later shown to be based on invented and fictitious information. Arnold Nesbit Mathew originally used the name Matthews, as did his son. He was, in fact, the son of William Richard Matthews and his wife Anne, of Down Ampney in Gloucestershire. Incidentally, Down Ampney was also the home village of the composer Ralph Vaughan Williams (1872-1958(, who composed the tune ‘Down Ampney’ for the hymn ‘Come down, O love divine’ 
 
Arnold Harris Mathew put forward his claim to the Garter Principal King of Arms for the title of 4th Earl Landaff of Thomastown, Co Tipperary, in 1890, and placed his creative pedigree on the official record at the College of Arms. 
 
John H Matthews, Cardiff archivist, said in 1898 that the number of claimants to the dormant or extinct earldom was ‘legion.’ In his opinion, Arnold Henry Mathew’s pedigree was ‘too extra-ordinary to commend itself to an impartial mind.’ 
 
Nevertheless, Arnold Henry Mathew presented his petition to the House of Lords in 1899, claiming a right to vote with the Irish peers for representative peers in the House of Lords. In his petition, he did not repeat other exuberant claims, including one that his grandmother was Eliza Francesca Povoleri, was an Italian countess and the daughter of a Papal marchese. 
 
His petition was read and referred to the Lord Chancellor, Lord Halsbury, who reported in 1902 that Mathew’s claim ‘is of such a nature that it ought to be referred to the Committee for Privileges; read, and ordered to lie on the Table.’ 
 
Mark Bence Jones in a feature in Country Life says Archbishop Mathew also bought the ruins of Thomastown Castle and 20 acres surrounding it to save it from destruction. 
 
Mathew’s aristocratic pretensions, like his life as a ‘wandering bishop,’ were fantasies that continue to resurface in the claims of fantasists and pretenders in many walks of life. 
 
When he died on 19 December 1919, the claims to the Mathew title did not come to an end. 
 
As recently as 1987, a mural memorial was erected in Llandaff Cathedral, claiming it was: ‘In memory of Thomas James Mathew son and heir of Francis James Mathew second Earl of Landaff born in London 1798 died in Cape Town 1862.’ The memorial includes a full display of the coat of arms of the Mathew family of Co Tipperary as Earls Landaff, and the misspelling of Llandaff as Landaff. 
 

Mote Park, Ballymurray, Co Roscommon – demolished

Mote Park, Ballymurray, Co Roscommon

Mote Park, County Roscommon entrance front c. 1860 before fire, photograph: Augusta Crofton, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

p. 211. “(Crofton, B/PB) A three storey house by Sir Richard Morrison incorporating an earlier C18 house. Nine bay entrance front… Sold by 5th Lord Crofton 1950s, demolished 1958.”

Mote Park, County Roscommon, photographs courtesy of Mark Bence-Jones.

Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988. 

https://theirishaesthete.com/2018/12/12/the-lion-in-winter/

The Lion in Winter

by theirishaesthete

Mote Park, County Roscommon, photograph by Irish Aesthete.


The Lion Gate at Mote Park, County Roscommon. This was once one of the entrances to an estate owned by the Crofton family who settled here in the second half of the 16th century; in 1798 they became Barons Crofton of Mot . In the 1620s their forebear George Crofton built Mote Castle, but it was replaced by a new house at some date between 1777-87. This property was in turn rebuilt after being gutted by fire in 1865 but only survived another century: the last of the Croftons left Mote in the 1940s after which the contents were auctioned: the house itself was demolished in the 1960s. In February 2015 its former portico, rescued at the time of the demolition, was sold at auction for €12,000.

Mote Park, County Roscommon, photograph by Irish Aesthete.
Mote Park, County Roscommon, photograph by Irish Aesthete.



According to a history of Mote Park compiled in 1897 by Captain the Hon Francis Crofton, the Lion Gate was erected in 1787 and its design has sometimes been attributed to James Gandon, although this is disputed. Whatever the case, it takes the form of a Doric triumphal arch with screen walls linking it to what were once a pair of identical lodges (but are now used for housing livestock). A plinth on top of the arch features a Coade Stone lion, one foot resting on a ball. Over time this had become much weathered (not helped by bees nesting inside the animal) and when taken down a few years ago three of its feet fell off. Following restoration work at the Coade workshop in Wiltshire, the lion was reinstated in September 2016 and now once more surveys what is left of the Mote parkland: this restoration was funded by a number of sources, predominantly American supporters of the Irish Georgian Society.

Mote Park, County Roscommon, photograph by Irish Aesthete.

http://lordbelmontinnorthernireland.blogspot.com/2014/07/mote-park.html

THE BARONS CROFTON WERE MAJOR LANDOWNERS IN COUNTY ROSCOMMON, WITH 11,053 ACRES 

 
 
The family of CROFTON is descended maternally from the Croftons of Crofton Hall, Cumberland, but paternally descend from a common ancestor of the Lowthers, Earls of Lonsdale. 
 
 The founder of the family in Ireland was 
 
JOHN CROFTON (1540-1610), of Mote, County Roscommon, Auditor-General in the reign of ELIZABETH I, who accompanied the Earl of Essex into Ireland and obtained large grants of land in the counties of Roscommon and Leitrim. 
 
Mr Crofton wedded Jane, sister of Sir Henry Duke, of Castle Jordan, County Meath, and had issue, 
 

EDWARD, his heir
John; 
William; 
HENRY, ancestor of Sir M G Crofton Bt, of Mohill House; 
Sarah; Joan; Anne. 

The eldest son, 
 
EDWARD CROFTON, of Mote, County Roscommon, wedded Elizabeth, daughter of Captain Robert Mostyn, and had issue, 
 

GEORGE, his heir
Thomas, ancestor of Crofton of Longford House, County Sligo; 
John; 
William. 

The eldest son, 
 
GEORGE CROFTON, MP for Askeaton, 1639, married Elizabeth, second daughter of Sir Francis Berkeley, MP for County Limerick, and had issue, 
 

John; 
Thomas; 
EDWARD, of whom we treat
Mary; Sarah. 

Mr Crofton, who erected the castle of Mote, 1639, was succeeded by his youngest son, 
 
EDWARD CROFTON (1624-75), of Mote, who espoused firstly, in 1647, Mary, daughter of Sir James Ware; and secondly, Susanna Clifford, by whom he had issue, an only child, EDWARD. 
 
Mr Crofton was created a baronet in 1661, denominated of The Mote, County Roscommon. 
 
He was succeeded by his only son and heir, 
 
THE RT HON SIR EDWARD CROFTON, 2nd Baronet (c1662-1729), MP for Boyle, 1695-9, County Roscommon, 1703-27, who married, in 1684, Katherine, daughter of Sir Oliver St George Bt, and had issue, 
 

Oliver, father of the 5th Baronet
EDWARD, of whom hereafter 

Sir Edward’s younger son, 
 
SIR EDWARD CROFTON, 3rd Baronet (1687-1739), MP for Roscommon Borough, 1713-39, wedded, in 1711, Mary, daughter of Anthony Nixon, and had issue, 
 

EDWARD, his successor
CATHERINE, m Marcus Lowther. 

Sir Edward was succeeded by his son and successor, 
 
SIR EDWARD CROFTON, 4th Baronet (1713-45), MP for County Roscommon, 1713-45, who espoused, in 1741, Martha, daughter of Joseph Damer; he was, however, killed in actionat Tournai, France, when the title reverted to his cousin, 
 
SIR OLIVER CROFTON, 5th Baronet (1710-80), who married, in 1737, Abigail Jackson Buckley, though the marriage was without issue. 
 
The baronetcy therefore expired, when his sister and heiress, 
 
CATHERINE CROFTON, became representative of the family. 
 
Miss Crofton married, in 1743, Marcus Lowther (second son of George Lowther MP, descended from a common ancestor with the Earls of Lonsdale), who assumed the name of CROFTON, and being created a baronet in 1758, denominated of The Mote, County Roscommon, became  
 
SIR MARCUS LOWTHER-CROFTON, 1st Baronet, MP for Roscommon Borough, 1761-8, Ratoath, 1769-76, who had issue, 
 

EDWARD, his successor
John Frederick Lowther; 
William Henry; 
Catherine; Sophia Jane. 

Sir Marcus died in 1784, and was succeeded by his eldest son,  
 
SIR EDWARD CROFTON, 2nd Baronet (1748-97), MP for Roscommon, 1775-97, Colonel, Roscommon Militia, who married, in 1767, Anne, only daughter and heiress of Thomas Croker, and had issue, 
 

EDWARD, his successor
Henry Thomas Marcus (Rev); 
George Alfred, Captain RN; 
William Gorges, Captain, Coldstream Guards; k/a 1814; 
Caroline; Louisa; Frances; Harriet; Augusta. 

Sir Edward died in 1797 and his widow,  
 
ANNE, LADY CROFTON (1751-1817), was elevated to the peerage (an honour for Sir Edward, had he lived), in 1797, in the dignity of BARONESS CROFTON, of Mote, County Roscommon. 
 
Her ladyship was succeeded by her grandson, 
 
EDWARD, 2nd Baron (1806-69), who espoused, in 1833, the Lady Georgina Paget, daughter of Henry, 1st Marquess of Anglesey, and had issue, 
 

EDWARD HENRY CHURCHILL, his successor
Charles St George, father of 4th Baron
Alfred Henry; 
Francis George; 
Augusta Caroline. 

His lordship was succeeded by his eldest son, 
 
EDWARD HENRY CHURCHILL, 3rd Baron (1834-1912), Gentleman of the Bedchamber to the Lord Lieutenant of Ireland 1867-68, State Steward to the Lord Lieutenant, 1880; Gentleman in Waiting to the Lord Lieutenant, 1886-92, who died unmarried, when the honours reverted to his nephew, 
 
ARTHUR EDWARD LOWTHER, 4th Baron (1866-1942), who married, in 1893, Jessie Castle, daughter of James Hewitson, and had issue, 
 

Edward Charles (1896-1936), father of 5th Baron
Marcus Lowther; 
Eileen Mabel Lowther. 

His lordship was succeeded by his grandson, 
 
EDWARD BLAISE, 5th Baron (1926-74). 
 
GUY PATRICK GILBERT, 7th Baron (1951-2007), Lieutenant-Colonel, was Defence Attaché to the British Embassy in Angola. 
 

MOTE PARK HOUSE, Ballymurray, County Roscommon, was built by the Crofton family in the later half of the 18th century, preceding the Castle of Mote erected by the family in 1620. 
 
It was clearly an imposing house and reflected the influence of neo-classicism prevalent at the time. 
 
This style emphasized for the first time a sense of permanence and security among the gentry and nobility in Ireland. 
 
The house was the most impressive of its type built in County Roscommon, the others of this period being located at Runnamoat near Ballymoe, and Sandford House in Castlerea. 
 
The house was originally an irregular two-storey-over-basement house, which the architect Richard Morrison more than doubled in size by adding six bays and an extra storey. 
 
It had a deep hall with a screen of columns, beyond which a door flanked by niches led into an oval library in the bow on the garden front. These gardens contained many fine architectural features, some of which are still intact. 
 
Perhaps the most splendid surviving feature is the original entrance gate consisting of a Doric triumphal arch surmounted by a lion with screen walls linking it to a pair of identical lodges. It has been suggested that this was designed by James Gandon, although others have pointed out that while this certainly is feasible, certain elements, most notably the head and keystone of the arch, appear to be of a later date and have a provincial character. 
 
It is worth mentioning at this stage the work of Augusta Crofton: She was a renowned amateur photographer and appointed OBE in 1920. 
 
From the mid-19th century, as with so many other estates, things started to go downhill for the fortunes of the Croftons and their home. 
 
It should be noted at the outset that the Croftons, while not among the best examples of improving landlords, did keep their rents low and endeavoured to help their tenants as much as possible. 
 
The fact that the estate was well managed is evident from many volumes of rentals of the estate dating from 1834-1893, along with family records held at Roscommon Library. 
 
Rents received, expenditure on wages, bills, details of land improvements and summaries of yearly rental statistics for each denomination are clearly recorded. 
 
The problem of absenteeism was largely irrelevant to the Crofton estate during this period as it was administered by competent land agents. 
 
Despite the Land Acts, tenants made no effort to purchase their land. 
 
Arrears of rent increased with arrears accounting for over 30% of total rent received by the 1890s. 
 
Clearly the house itself was also falling into disrepair. 
 
The 3rd Baron died in 1912 and was interred in the family vault at Killmaine. 
 
In many respects he had become disillusioned with life on the estate long before his death, showing little interest in his Irish properties. 
 
Instead he preferred, among other roles, that of representative peer at Westminister. 
 
As he was a bachelor, his titles passed to his nephew Arthur Edward, 4th Baron. 
 
Although the 4th Baron took a practical interest in his inheritance, the last of the Land Acts meant most of the estate was sold piecemeal in the early 20th century. 
 
Ownership of what was left passed to his children and then to his grandson Edward Blaise, 5th Baron, to whom the title eventually passed. 
 
The 5th Baron was the last of the Croftons to reside at Mote, but moved to England in the 1940s. 
 
A sign that the final demise of the big house was forthcoming is evidenced by the public auction of October, 1947. 
 
It occasioned quite a large public interest as evidenced by a photograph taken of the house on the morning of the auction. 
 
The 1950s and early 1960s saw the final nail driven in the big house’s coffin with the Irish Land Commission demolishing the house completely. 
 
Much of the beautiful woods surrounding the house were also felled, and replaced with newer mixed conifer species. 
 
The remaining land was divided into several properties for families transferred from the nearby congested districts. 
 
Now, instead of the big house, many smaller farm houses lay scattered over what was once the Crofton estate. 
 
Mote Park still attracts many visitors however, marketed now as a heritage walkway, almost ten miles in length and taking in whatever original features still remaining intact. 
 
The house was demolished in the 1960s. 
 
Roscommon Golf Club occupies part of the original Mote Park demesne. 
 
First published in July, 2012.   Crofton arms courtesy of European Heraldry. 
 
The Irish state and the Big House in independent Ireland, 1922–73  
Emer Crooke, B.A., M.A.  
Thesis submitted for the degree of Ph.D Jan 2014, Maynooth. 
p. 116- 119. In another case, on 16 March 1954 the Land Commission wrote to the O.P.W. to say that they had for sale, on a Land Commission owned estate in Roscommon, Mote Park House with ‘a suitable area of accommodation land if required’.31 They described the mansion as ‘an imposing structure, in an excellent state of repair and would appear to be suitable for use as a hospital, sanatorium, school, etc.’32 The commission enquired if the O.P.W. would be interested in the purchase of the property and declared that if they did not receive a reply in twenty-one days they would assume they did not require the property and ‘other arrangements for its disposal will be made’.33 Ten days later the O.P.W. replied briefly to say that the premises were not required by them, suggesting both in the actual reply and its brevity that no interest was shown by the O.P.W. in the property, despite the willingness of the Land Commission to let them know of it for their further information and the commission’s positive comments about its repair and possible use.34 Three years later the Land Commission contacted the O.P.W. again to inform them that efforts which had been made by the commission ‘to sell the building with certain accommodation lands as a residential holding’, their first preference, had failed and they then proposed to sell the building for demolition. This was only considered when they could not sell the house as a residence and the O.P.W. was not interested in maintaining it. Furthermore, it was not in the Land Commission’s remit or budget to have been able to decide to keep and preserve this house; the O.P.W. was the only department which could do so and, if it refused, the commission was in no position but to sell or, if that proved impossible, demolish. However, even after the O.P.W’.s previous brief response the Land Commission did not demolish without thought and its officer wrote again to the O.P.W. stating:  
before any decision is taken in the matter the Land Commission will be glad to know whether the building is of any historical or architectural importance and if so whether you are interested in preserving the building, either as a complete structure or as a roofless shell and whether you would be prepared to take over the building and its site at a nominal sum.35  
On 5 November a member of the O.P.W. requested a report from the Inspector of National Monuments on the matter.36 Having received no reply at all from a seemingly unconcerned O.P.W., on 30 November the Land Commission wrote again to them requesting an early reply and reminding them of their previous letters; they did so again in December.37 As a result the O.P.W. sent a reminder to the inspector on 5 December, 2 January and 28 January 1958 asking for his report.38 Nonetheless, the Land Commission was obliged to send a further letter to the O.P.W. on 27 January asking that they deal with the matter urgently.39 The O.P.W. finally replied on 10 February that their Inspector of National Monuments had not yet found it possible to inspect the property to assess if it would be eligible for preservation as a national monument under the 1930 act, but they hoped this would be arranged shortly and would write when it had been.40 Their inspector, Leask, was again behind the refusal to recognise Mote Park House as a national monument as when he finally carried out his report he described the house as a ‘large, but not very attractive stone mansion of mid nineteenth-century appearance’.41 It did not merit the effort of an interior inspection for him and he concluded: ‘there does not appear to be anything worthy of consideration for state care’.42 Subsequently the O.P.W. informed the Land Commission: ‘we do not consider that the house … is of sufficient interest to merit preservation by the state as a national monument’.43 Following this the Land Commission went ahead with arranging for the disposal of the property and on 6 September 1958 the Irish Independent ran an advertisement by the Land Commission announcing the sale by tender of Mote Park.44 Two options were listed: the first was ‘Mote Park house, steward’s house, out-offices and 112 acres of accommodation lands; the second was ‘alternatively, Mote Park House and some of the buildings for demolition (in lots)’.45 Mote Park House was sold under this second option and demolished in 1958, although it is clear from the evidence here that this was not the preference of the Land Commission who first enquired if the house could be saved. 
27 H. G. L. and J. R. joint honorary secretaries of the N.M.A.C. to the secretary of the Department of Lands (forestry division), 15 June 1945 (N.A.I., O.P.W. files, F94/574/1).  
28 J. Darby, Department of Lands, to the secretary of the N.M.A.C., 10 May 1945 (N.A.I., O.P.W. files, F94/574/1).  
29 H. G. Leask handwritten note to division C, O.P.W., 17 May 1945 on letter from J. Darby, Department of Lands to the N.M.A.C., 10 May 1945 (N.A.I., O.P.W. files, F94/574/1).  
30 Ibid.  
31 The Land Commission to the O.P.W., 16 Mar. 1954 (N.A.I., O.P.W. files, F94/1084/1/57).  
32 Ibid.   
33 Ibid.  
34 O.P.W. to the Land Commission, 26 Mar. 1954 (N.A.I., O.P.W. files, F94/1084/1/57).  
35 The Land Commission to the O.P.W., 26 Oct. 1957 (N.A.I., O.P.W. files, F94/1084/1/57).  
36 Handwritten note addressed to the Inspector of National Monuments, 5 Nov. 1957 (N.A.I., O.P.W. files, F94/1084/1/57).   
37 The Land Commission to the O.P.W., 30 Nov. 1957; 31 Dec. 1957 (N.A.I., O.P.W. files, F94/1084/1/57).  
38 Handwritten note addressed to the Inspector of National Monuments, 5 Dec. 1957; 2 Jan. 1958; 28 Jan. 1958 (N.A.I., O.P.W. files, F94/1084/1/57).  
39 The Land Commission to the O.P.W., 27 Jan. 1958 (N.A.I., O.P.W. files, F94/1084/1/57).  
40 O.P.W. to the Land Commission, 10 Feb. 1958 (N.A.I., O.P.W. files, F94/1084/1/57).  
41 Handwritten note in O.P.W. files signed H. G., entitled: ‘Mote Park, county Roscommon’, 27 Feb. 1958 (N.A.I., O.P.W. files, F94/1084/1/57).  
42 Ibid.  
43 O.P.W. to the Land Commission, 8 Mar. 1958 (N.A.I., O.P.W. files, F94/1084/1/57).  
44 Irish Independent, 6 Sept. 1958.  
45 Ibid.   

Ballylin House, Ferbane, Co Offaly – demolished

Ballylin House, Ferbane, Co Offaly – demolished 

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

p. 23. “[King/LGI 1958] An early C19 villa by Richard Morrison…Now demolished.”

Thought to be John King (d.1778) by Robert Home (1752-1834), Label on reverse reads He married Alice, daughter of Ross Mahon and of Jane,daughter of John Ussher courtesy of Whyte’s Sep 2013

Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988. 

https://lordbelmontinnorthernireland.blogspot.com/2014/07/ballylin-house.html

THE KINGS WERE MAJOR LANDOWNERS IN THE KING’S COUNTY, WITH 10,242 ACRESThis family, and that of Sir Gilbert King, 1st Baronet, of Charlestown, County Roscommon, is one and the same, descended from

THE RT REV EDWARD KING (1577-1639), born at Stukeley, Huntingdonshire, was elected Fellow of Trinity College Dublin, 1593, two years after its foundation, and consecrated Lord Bishop of Elphin, 1611.

Bishop King was buried at Elphin, where he built a castle and acquired landed property in the neighbourhood. 

His lordship married twice, and left sons and daughters, among them JOHN KING, of Boyle, County Roscommon, whose daughter, Anne, wedded Dominick French, of Dungar, or French Park, County Roscommon, and

JAMES KING (1610-87), of Charlestown, County Roscommon, High Sheriff of County Roscommon, 1657, MP for County Roscommon, 1657, who espoused Judith, daughter of Gilbert Rawson, and had issue,

Edward;
GILBERT;
Elizabeth; Martha; Susanna.

Mr King was succeeded by his younger son,

GILBERT KING JP MP (1658-1721), of Charlestown, High Sheriff of County Leitrim, 1717, who married Mary, daughter of Dominick French, of French Park, and granddaughter of John King, of Boyle, and had issue,

JOHN, his heir;
Gilbert;
Oliver (Rev).

Mr King was succeeded by his eldest son,

JOHN KING, of Charlestown, High Sheriff of County Sligo, 1711, County Leitrim, 1728, MP for Jamestown, 1721, who wedded firstly, in 1706, Elizabeth, daughter of Robert Shaw, of Newford, County Galway, and had issue,

Gilbert;
Judith.

He married secondly, in 1721, Rebecca, daughter of John Digby, and grandson of Essex Digby, Lord Bishop of Dromore, who was son of Sir Robert Digby and Lettice, 1st Baroness Offaly, and had further issue,

JOHN;
Digby;
Jane.

Mr King died ca 1737, and was succeeded by his son,

JOHN KING, of Fermoyle, County Longford, High Sheriff of King’s County, 1782, the first of the family to live at Ballylin, who espoused firstly, in 1748, Alice, daughter of Ross Mahon, of Castlegar, County Galway; secondly, Frances Digby, and had issue,

John, of Ballylin, MP for Jamestown, b 1760;
Gilbert, m Elizabeth, daughter of Joseph Henry, of Straffan, County Kildare;
Jane, m Abraham Creighton, 1st Baron Erne;
Rebecca.

Mr King’s younger daughter,

REBECCA KING, espoused her cousin, GILBERT KING, Major, 5th Dragoon Guards, son of Gilbert King, by Sarah, daughter of John French, of French Park, County Roscommon, who fought at the Battle of Quebec, 1759, and by him left (with a daughter, Harriet) a son and heir,

THE REV HENRY KING (1799-1857), of Ballylin, Ferbane, King’s County, who succeeded to Ballylin at the decease of his maternal uncle; married, in 1821, Harriett, youngest daughter of John Lloyd, of Gloster, King’s County, for many years MP for that county, and sister of the Countess of Rosse, and had issue,

JOHN GILBERT, his heir;
Harriett, mother of HENRY LOUIS MAHON;
Jane;
Mary5th Viscount Bangor; accidentally killed.

The Rev Henry King was succeeded by his son,

JOHN GILBERT KING JP DL (1822-1901), of Ballylin, High Sheriff of King’s County, 1852, MP for King’s County, 1865-8, who died unmarried and was succeeded by his nephew,

HENRY LOUIS MAHON JP DL (1860-1922), of Ballylin, High Sheriff of King’s County, 1903, eldest son of Ross Mahon, of Ladywell, by Harriett his wife, daughter of the Rev Henry King, of Ballylin.

He assumed, by royal licence, the name and arms of KING in lieu of his patronymic, MAHON.

Mr King wedded, in 1904, Winifred Harriette, only surviving daughter of William Somerset Ward, of Dublin, and had issue,

GILBERT MAHON, 1905;
Harriet Mary, 1906;
Winifred Alice, 1909.

He was succeeded by his son,

MAJOR GILBERT MAHON KING, born in 1905, whose last known address was at Mullingar, County Westmeath.

BALLYLIN HOUSE, Ferbane, County Offaly, was a two-storey, early 19th century villa designed by Richard Morrison.

It had a three-bay entrance front, with a side elevation with one bay on either side of a central curved bow.

An advertisement in Faulkner’s Dublin Journal on April 2nd, 1757, offered part of Ballylin’s demesne lands, then in the possession of Lucy Armstrong, and consisting of 160 acres, to be let, along with the dwelling house, stabling for 16 horses, a large orchard and a walled garden.

It was purchased by John King about 1761, and so began a long association with the King family, which lasted until 1936, when the demesne was sold and it became an intensive farming operation.

The house was abandoned “and eventually unroofed to avoid rates”.

By 1947, the house was demolished and the stones were “dumped in amongst the foundations of the local power station”.

Before this sad end, however, the house had been painted by Mary Ward, the gifted youngest child of the Rev Henry King who had inherited the property in 1821.

His wife was Harriette Lloyd, sister of Alice Lloyd, mother of the astronomer 3rd Earl of Rosse.

Young Mary Ward was also interested in science and “shared the experience of building the Leviathan, the great telescope at Birr, between 1842 and 45”.

Mary Ward died abruptly in 1869, when she fell from Lord Rosse’s steam engine and was crushed.

First published in July, 2014.

Bellevue, Delgany, Co Wicklow

Bellevue, Delgany, Co Wicklow

Bellevue, County Wicklow, photograph by Robert French, Lawrence Photographic Collection, National Library of Ireland.

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

p. 38. “(La Touche/IFR: A house built 1754 by the wealthy Dublin banker David LaTouche…a chapel was built near the house, to the design of Richard Morrison… As well as building the house, David laid out a landscape garden, which he and his son Peter adorned with numerous ornaments and follies… by the elder and younger Francis Sandys or Sands.  Peter La Touche also constructed the remarkable glass conservatory or “glazed passage” which snaked across the lawn for more than 500 feet…Some years after the death of a subsequent Peter La Touche, in 1904, Bellevue was sold by his sisters and heiresses. The house was afterwards allowed to fall into disrepair. Parts of it were still standing in 1945,, but it was finally demolished in 1950s.”

Bellevue, County Wicklow, photograph by Robert French, Lawrence Photographic Collection, National Library of Ireland.
Bellevue, County Wicklow, photograph by Robert French, Lawrence Photographic Collection, National Library of Ireland.
Bellevue, County Wicklow, photograph by Robert French, Lawrence Photographic Collection, National Library of Ireland.

Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988. 

p. 155. “A two storey house built c. 1754 for David La Touche. Altered and enlarged c. 1790 to the design of Whitmore Davis and again in the early 19C when Richard Morrison added a chapel. Demolished in the 1950s.”

David Digges La Touche (1703-1785), of Bellevue, County Wicklow, courtesy of National Gallery of Ireland.
Peter La Touche of Bellevue (1733-1828) Date 1775 by Robert Hunter, Irish, 1715/1720-c.1803, photograph courtesy of National Gallery of Ireland.
Mrs La Touche of Bellevue by Stephen Catterson Smith 1806-1872, courtesy of National Gallery of Ireland NGI 628.

https://archiseek.com/2015/1754-bellevue-house-delgany-co-wicklow

1754 – Bellevue House, Delgany, Co. Wicklow 

The Ballydonagh demesne was bought in 1753 by David La Touche, a rich banker from Dublin of Huguenot extraction. He built a house between 1754 and 1756 at a cost of £30,000 and named it Bellevue. In 1785 it was inherited by his son Peter. 

Described in ‘A view of antient and modern Dublin, with its latest improvements’ published in 1807: “He built the mansion house in 1754, and his son added the two wings. The whole is well planned; the offices also are commodious and numerous. The entire cost 30,000” and “The house is roomy and convenient furnished in good stile and contains some excellent stained glass particularly a chemist at work and fishermen bringing in their cargo by moonlight.” 

The house had massive glasshouses attached which snaked around the building ” … a 650-feet conservatory, which would house many exotic plants as well as an orangery, a cherry house, a peach house and a vinery. Completed in 1793, this magnificent creation was then the largest conservatory in Europe. …”  

The family finally left Bellevue in 1913 after which the house fell into decay and was pulled down in the early 1950s. 

Bishopscourt, Straffan, Co Kildare

Bishopscourt, Straffan, Co Kildare

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.   

p. 42. “(Ponsonby, sub Bessborough, E/PB; Ponsoby, V/DEP; Scott, Clonmell, E/PB1935; Kennedy, Bt/PB1970, McGillycuddy of the Reeks/IFR) A large Classical house built ca 1780-90 for Rt. Hon, John Ponsonby, Speaker of the Irish House of Commons, in the manner of James Gandon and most probably an early work by Richard Morrison; completed by Speaker Ponsonby’s son, 1st Lord Ponsonby of Imokilly. Four bay entrance front with pedimented portico of four giant Ionic columns; the outer bays have pedimented ground floor windos and circular plaques instead of windows in the upper storey. Roof parapet on dentil cornice. Side elevation with recessed centre and three bay projection at either side, joined by veranda of slender columns with ironwork balcony. Curved bow on other side of house. Imperial staircase. Sold 1838 to 3rd Earl of Clonmell. Re-sold in the present century to E.R. Kennedy, who bred the famous racehorse The Tetrarch. Inherited by Mr Kennedy’s daughter Mrs Dermot McGillycuddy.” 

Not in national inventory 

Kilcoleman Abbey, Milltown, Co Kerry – demolished

Kilcoleman Abbey, Milltown, Co Kerry

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.   

p. 165. “Godfrey, Bt/PB) A house built or remodelled in late C18 by Sir William Godfrey, 1st Bt, MP; altered 1830s by Sir John Godfrey, 2nd Bt, to the design of William Vitruvius Morrison, who threw one of his thinner Tudor-Revival cloaks over the house and gave it four slender corner-turrets with cupolas, similar to those at Glenarm Castle, Co Antrim and Borris, Co Carlow. A two storey service wing with curvilinear gables was also added. Inside the house, Morrison formed a two storey galleried hall, opening with arches onto the staircase. The house was lived in by the Godfreys until ca 1960; after which it was abandoned and has now fallen completely into ruin, most of it having been demolished.” 

Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

p. 82. Kilcoleman Abbey, Milltown (formerly Milltown House) “A plain three storey house built c. 1800, altered in the Tudor Revival style by Richard and William Vitruvius Morrison in 1819 for Sir John Godfrey. Abandoned 1960, some ruins remain.

https://archiseek.com/2011/1818-kilcoleman-abbey-milltown-co-kerry

1818 – Kilcoleman Abbey, Milltown, Co. Kerry 

Architect: William Vitruvius Morrison 

Also known as Milltown House. More or less abandoned from 1800 to 1818, the house was renovated under the second Baronet, Sir John Godfrey, according to ambitious plans drawn up by architect William Vitruvius Morrison. However the general economic decline of the 1820’s and family misfortunes meant that only the stables and service wing, with its flemish gables, were completed as planned. Later, in the early 1840’s, the third Baronet Sir William Duncan Godfrey further modified the main block of the house, adding an attic storey, a turret, and assorted gables, pinnacles and buttresses. The family abandoned the house in 1958 due to severe dry rot and it was demolished in 1977. 

In O’Hea O’Keeffe, Jane. Voices from the Great Houses: Cork and Kerry. Mercier Press, Cork, 2013. 

p. 215. Under the Cromwellian settlement of Ireland, the Godfrey family from Romney in Kent were granted a 7,000 acre estate in mid Kerry, a grant reaffirmed under the Restoration by Letters Patent dated 13 June 1667. The estate had its origins in the Augustinian priory of Killagha, which was suppressed in 15676 and the lands granted to Captain Thomas Spring of Suffolk. It was later forfeited to Major John Godfrey (1616-75) of Ludlow’s Regiment of Horse. 

The Godfrey family initially lived in Tipperary for fifty years following their arrival in Ireland, before moving to Kerry in teh early part of the eighteenth century. Major John Godfrey’s grandson, John Godfrey (1686-1711), then occupied the old Spring demesne of Bushfield as his principal residence. He was succeeded by his son William Godfrey (1707-47). 

On Wm’s death the estate passed to his brother, Captain John Godfrey (1709-82) who married Barbara Hathaway, granddaughter of Thomas, Earl Coningsby. Captain Godfrey worked hard to improve the lot of his tenants and built the village of Milltown to encourage local enterprise. His son William (1738-1817) succeeded him and he built a new house within the demesne in the 1770s. In 1783 he became MP for Tralee and two years later was elevated to the rank of Baronet. Expensive tastes forced Sir William to assign his life interest in the estate to his eldest son John (1763-1841). John made a well-connected marriage to Eleanor Cromie from County Antrim in 1796, but did not come to live at Bushfield until after his father’s death in 1817. 

p. 216. Sir John was sympathetic towards Catholic emancipatino and provided land for the building of a new Catholic chapel. He employed architects Richard and William Vitruvius Morrison to remodel the old house at Bushfield, which was subsequently renamed Kilcoleman Abbey. 

In 1824 Sir John’s son and heir, William Duncan Godfrey (1797-1873) married a Catholic, Mary Teresa Coltsmann, daughter of John Coltsmann of Flesk Castle in Killarney, much to the surprise of the family. Sir William inherited the estate in 1841, and during the Famine it became heavily burdened by debt, but was saved by the marriage of the heir John Fermor Godfrey (1828-1900) to an English heiress, Mary Cordelia Scutt. Sir John had a keen interest in hunting and kept a famous pack of houses the Kilcoleman Hunt, but was forced to disband it in 1881 due to the constant danger of attack by the Land League. By his death in 1900 most of his powers as landlord and magistrate had been removed under the Local Government Act of 1898. 

He was succeeded by his son, Sir William Cecil Godfrey (1857-1926), who married Maud Hamilton, the only child of Frederick Hamilton of Carbery, County Kildare, in 1885. Following teh birth of their daughter Phyllis, Maud died from medical complications. In 1901, Sir William married Mary Leeson-Marshall of nearby Callinafercy House. During Sir William’s time, the Godfrey estate was sold to the tenants under the terms of the Wyndham Act of 1903, all of teh proceeds going towards teh payment of debts. 

Making a decisive political shift, in the 1918 election Sinn Fein, the Irish republican party, gained all four seats in Kerry, and in the spring of 1921 the first attacks on the Big Houses in Kerry by the IRA began. Kilcoleman Abbey escaped unscathed, due in part to Sir William’s local popularity.  On his death in 1926, Kilcolman was inherited by his brother, John Ernest Godfrey (1864-1935), who in 1889 had been appointed an engineer to the Duke of Devonshire’s estate at Lismore Castle in Co Waterford. In 1933 he and his wife Eileen Curry moved back to Kerry. He was succeeded by his son, Sir William Maurice Godfrey, who lived in England. In 1941, unable to support the family seat, Sir William decided to sell Kilcoleman to his cousin Phyllis Godfrey (1890-1959), who was the last member of the family to reside at the old estate. 

p. 218. Mary Constance Godfrey married Dick Edwards, who became agent of Lismore Castle. It is their son, Dermot Edwards, who is interviewed for this chapter of the book. 

p. 219. Phyllis Godfrey, who was born in 1890 to Sir William Cecil and Lady Maud Godfrey, bought Kilcoleman Abbey, but she did not have the financial resources to maintain the building or teh gardens. Life was far from easy. After the sale in 1942, Dermot’s grandmother Eileen, Lady Godfrey, left Kilcoleman, and with her two daughters, Dorothy and Ursula, returned to live at Lismore.  

[It was demolished in the 1970s. It was full of dry rot. Dr John Knightly, a native of Milltown, wrote his PhD thesis: The Godfrey Family and their Estates 1730-1850.] 

p. 224. After Phyllis Godfrey’s death, Kilcoleman was inhierted for a second time by Sir William Godfrey, who at this time was determined to live in Kerry, though not to restore the ruined house. He was approached by Paulie Fenno, an American heiress, who offered to buy and restore the house and run it as a hotel. The project ran into financial difficulties, however, the the remaining lands were sold to the Land Commission to be divided up among local farmers. In the 1970s Kerry County Council bought and demolished the derelict building. An estate of modern houses now stands on teh site. 

http://landedestates.nuigalway.ie/LandedEstates/jsp/property-show.jsp?id=1975 

Kilcoleman Abbey was the residence of Sir William Godfrey at the time of Griffith’s Valuation, when it was valued at £33. Lewis also records it as his residence in 1837. In 1894 Slater referred to it as the seat of Sir John F. Godfrey. In 1906, it was still part of the Godfrey estate and valued at £35 10s.The Irish Tourist Association survey of the early 1940s refers to it as “Godfrey House, a fine type of Elizabethan type mansion”. Bary states that the original house, built by the first Godfrey to settle in the area at the end of the seventeenth century, was called Bushfield but that it burned down in 1774 though Wilson still refers to it by this name in 1786 and provides a detailed description of the surroundings. Knightly indicates that a new house was then built by Sir William Godfrey. This house was remodelled twice in the nineteenth century. Sir William Maurice Godfrey sold Kilcoleman in the 1960s and it was demolished in 1977. 

http://lordbelmontinnorthernireland.blogspot.com/2016/03/kilcolman-abbey.html

THE GODFREY BARONETS OWNED 6,331 ACRES OF LAND IN COUNTY KERRY 

 
MAJOR JOHN GODFREY, of Colonel Edmund Ludlow’sRegiment of Horse (a member of the ancient family of GODFREY, of Romney, Kent), obtained for his services in Ireland during the rebellion of 1641, a grant of 4,980 acres of land in County Kerry, and settled there. 
 
He married Miss Davies, and was succeeded by his only son, 
 
WILLIAM GODFREY, of Bushfield, County Kerry, and Knockgraffon, County Tipperary, who wedded Deborah, only child of Alderman Luke Lowther, of the city of Dublin, and was succeeded at his decease by his eldest son, 
 
JOHN GODFREY, of Bushfield, who espoused Philippa, daughter of Anthony Chearnley, of Burncourt, County Tipperary, and had issue, 
 

William, dsp
JOHN, his successor

Mr Godfrey died in 1712, and was succeeded by his only surviving son, 
 
JOHN GODFREY, of Bushfield, who married Barbara, daughter of the Rev Mr Hathway, and granddaughter (maternally) of the 1st Earl Coningsby, and had issue, 
 

WILLIAM, his successor
Luke (Rev Dr), Rector of Middleton, Co Cork; 
Edward; 
Anthony; 
Letitia; Phillippa. 

Mr Godfrey died in 1782, and was succeeded by his eldest son, 
 
WILLIAM GODFREY (1739-1817), of Bushfield, who was created a baronet in 1785, denominated of Bushfield, County Kerry. 
 
Sir William, MP for Tralee, 1783-90, MP for Belfast, 1792-7, wedded, in 1761, Agnes, only daughter of William Blennerhassett, of Elm Grove, County Kerry, and had surviving issue, 
 

JOHN, his heir
William (Rev), Rector of Kenmare; 
Luke, a major in the army; 
Letitia; Agnes; Phillippa; Arabella; Margaret; Elizabeth. 

Sir William was succeeded by his eldest son, 
 
SIR JOHN GODFREY, 2nd Baronet (1763-1841), who espoused, in 1796, Eleanor, eldest daughter of John Cromie, of Cromore, County Londonderry, and had issue, 
 

WILLIAM DUNCAN, his heir
John (Rev); 
Henry Alexander; 
Robert; 
James George; 
Richard Frankland; 
Anne; Agnes; Eleanor. 

Sir John was succeeded by his eldest son, 
 
﷟HYPERLINK “https://en.wikipedia.org/wiki/Sir_William_Godfrey,_3rd_Baronet”SIR WILLIAM DUNCAN GODFREY, 3rd Baronet (1797-1873), JP DL, who married, in 1824, Mary Teresa, second daughter of John Coltsman, of County Kerry, and had issue, 
 

JOHN FERMOR, his heir
William; 
Henry Arthur; 
Christiana; Eleanor Isabella. 

Sir William was succeeded by his eldest son, 
 
SIR JOHN FERMOR GODFREY, 4th Baronet (1828-1900). 
 

  • Sir John Fermor Godfrey, 4th Baronet (1828–1900); 
  • Sir William Cecil Godfrey, 5th Baronet (1857–1926); 
  • Sir John Ernest Godfrey, 6th Baronet (1864–1935); 
  • Sir William Maurice Godfrey, 7th Baronet (1909–1971). 

The baronetcy expired following the decease of the 7th Baronet, without male issue. 

KILCOLMAN ABBEY, formerly Bushfield, Milltown, County Kerry, was granted in 1641 by CHARLES II to Major John Godfrey “for his services against the rebels“. 
 
Sir William Petty, in his Reflections on Matters and Things in Ireland, called this donation “by no means an equivalent for the Major’s services”. 
 It was built ca 1800 by Sir William Godfrey, 1st Baronet, comprising a fairly plain, Georgian, three-storey block. 
 
The house was altered in 1819 by Sir John, 2nd Baronet to designs of W V Morrison, who gave it a Tudor-Revival makeover, with four slender turrets on each corner, topped by cupolas (not dissimilar to Glenarm Castle and Borris). 
 
A two-storey service wing was added later. 
 
Morrison created a two-storey galleried hall, which opened with arches on to the hall. 
 
The Godfrey family continued to live at Kilcolman until about 1960, when it was abandoned. 
 
It was demolished in 1977. 
 
First published in March, 2016.