King House, Main Street, Boyle, Co. Roscommon F52 HM50

https://www.visitkinghouse.ie/

Open dates listed in 2023: April 8-9, 11-16, 18- 23, 25-30, May 2-7, 9-14, 16-21, 23-28, 30-31, June 1-30,
July 1-31, Aug 1-31, Sept 1-3, 5-10, 12-17, 19- 24, 26- 30

Tue-Sat, 11am-5pm, Sun-11am-4pm
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It is hard to capture King House in a photograph.

Stephen and I visited King House during Heritage Week 2022. It is open to the public and is no longer a private home.

King House was built in 1720 for Henry King, 3rd Baronet. There was a house previously on the site built for his grandfather, Robert. It was used as a military barracks in later years. Now it is a museum that tells the story of the King family, the history of the military unit which occupied the building, and it also houses a collection of contemporary art, the Boyle Civic Art Collection and the McAleese Collection. You can take a “virtual tour” on their website.

John King arrived in Ireland from Staffordshire, England, in the time of Queen Elizabeth I, Anthony Lawrence King-Harmon tells us in his book, The Kings of King House. His family originally came from Feathercock Hall in Yorkshire.

The land had been previously controlled by the MacDermott clan. A room in King House tells us a few stories about the MacDermott clan. They had a rare victory over Queen Elizabeth I’s forces in the pass in the Curlew Mountains, near Boyle.

King House, 2022.
King House, 2022.
King House, 2022.
King House, 2022.
King House, 2022.

John King fought along with Sir Richard Bingham in Connaught during the Nine Years War. [1] In 1603 Robert’s father John King (1560-1636) was given, along with John Bingley, the lease of Boyle Abbey and its surrounding lands, in recognition for services rendered to the Crown. The Abbey had been used as a military barracks since the dissolution of the monasteries by King Henry VIII.

Boyle Abbey, County Roscommon, August 2022.
Boyle Abbey, County Roscommon, August 2022.

He married Catherine Drury, grand-niece of Sir William Drury, Lord Deputy of Ireland. They were the parents of Edward King, who was memorialised in John Milton’s poem, Lycidas, after he drowned in the Irish Sea. The King’s townhouse is now the home of the Society of Irish Pipers, Na Píobairí Uilleann, 15 Henrietta Street. A ceiling in the house features a bust of Milton, commemorating his poem to Edward King.

King House, 2022.

The King House website tells us that John King’s main residence was in Dublin, in Baggotrath near what is now Baggot Street, but he built a “great castle” in 1607 in Boyle. By 1618 he had obtained an outright grant to the Abbey and and its 4127 acres. King-Harmon tells us that an “apocryphal” story claims that the title “Lay Abbot” gave the right to have more than one wife! He adds that this was not a privilege of which John King availed.

He was made “Muster General” of Ireland responsible for calling up personnel to assist with maintaining law and order in Ireland. At the time that he built his castle in Boyle, the population of Boyle was around 300, of whom thirty were English workmen or traders. Sir John was buried in Boyle Abbey.

As Muster Master, John King was in charge of weapons such as those above: a pike, musket, lance and sword.

Unfortunately we did not have time to visit Boyle Abbey this time, though we stopped to take a few photographs from the road – we will have to visit Boyle again.

King House, August 2022.

Sir John’s daughters married well – Mary married William Caulfeild, 2nd Baron Caulfeild of Charlemont, County Armagh, who became the Master-General of the Ordnance for Ireland. Her sister Dorothy married Arthur Moore, son of Garret, 1st Viscount Moore of Drogheda.

John’s eldest son, Robert (d. 1657) was a supporter of Oliver Cromwell, and offered his services to the Parliamentarians. He fought in battles and has been credited with victory in the battle of Ballintubber. He was MP in the Cromwellian parliament in England, representing Roscommon, Sligo and Leitrim. He lived mostly in his home in Baggotrath in Dublin but built a house on the site of the present King House in Boyle. He died the year before Cromwell died, and the Kings immediately switched sides to support King Charles II.

Robert King married twice (although not at the same time, so didn’t avail of the Lay Abbot’s rights!): first to Frances Folliott, daughter of Henry Folliott, 1st Lord Folliott, Baron of Ballyshannon (her sister married Richard Wingfield and was mother of 1st Viscount Powerscourt). Secondly, he married the widow of Edward Cecil, 1st Viscount Wimbledon, Sophia Zouche. Edward Cecil was the grandson of Queen Elizabeth I’s right hand man, William Cecil, 1st Baron Burghley.

Robert’s eldest son, John (1638-1676) first fought with the Cromwellians but then became a supporter of King Charles II. He married Catherine Fenton of Mitchelstown, County Cork. Her brothers predeceased her and she was heir to vast estates. John was created 1st Baron Kingston, of Kingston, County Dublin, in 1660, when he was also appointed as Privy Counsellor in Dublin.

Mitchelstown, County Cork, photograph courtesy of the National Library of Ireland. An older castle was demolished and it was rebuilt, as we see in this photograph, in the 1770s by Caroline Fitzgerald and her husband Robert King, 2nd Earl of Kingston.
Mitchelstown, County Cork, photograph courtesy of the National Library of Ireland.

The land of Mitchelstown in County Cork passed into the hands of Maurice Fitzgibbon, the first White Knight, in the early part of the 14th century. The title of White Knight was an Anglo-Norman hereditary title in Ireland, one of three, the others being the Black Knight, or Knight of Glin, and Green Knight, or Knight of Kerry.

In 1608 Edmond Fitzgibbon the 9th White Knight died, as did his son Maurice, and it is said that they were poisoned. The inheritance of Mitchelstown passed to Edmond’s youngest granddaughter Margaret, who married Sir William Fenton. The castle then passed to Catherine Fenton, who brought the estate into the King family.

It was the descendants of John’s second son, Robert (abt. 1640-1707), who lived in County Roscommon, since descendants of the eldest son John 1st Baron Kingston lived in Mitchelstown Castle. John gave his younger brother Robert considerable lands in what was to become Rockingham, outside Boyle. John predeceased his brother Robert, dying in 1676, leaving two sons, who became 2nd and 3rd Barons Kingston.

Robert held the office of Member of Parliament (M.P.) for Ballyshannon between 1661 and 1666. He built a sumptuous house at Rockingham in 1673, after he married Frances Gore, daughter of Lt.-Col. Henry Gore, around 1670. She had been previously married to Robert Choppyn of Newcastle, County Longford.

Robert was created 1st Baronet King, of Boyle Abbey, Co. Roscommon [Ireland] on 27 September 1682. He held the office of Member of Parliament (M.P.) for County Roscommon between 1692 and 1699. He was also appointed Privy Counsellor in Ireland, and he held the office of Member of Parliament (M.P.) for Boyle between 1703 and 1707.

King House, 2022.
Inside King House today.

Robert’s brothers’ sons, the 2nd and 3rd Barons Kingston, still owned the property in Boyle. Robert King, 2nd Baron Kingston, and his uncle Robert 1st Baronet King of Boyle Abbey both supported William III, whereas most English families in Counties Sligo and Roscommon supported King James II. Both Robert Kings became heavily involved in military operations. Robert 1st Baronet King played a major role in the Battle of Aughrim. Anthony Lawrence King-Harman tells us that it was during this battle that Robert saved the life of the head of the MacDermot family, the original owner of Rockingham.

To add to complications of the time, Robert 1st Baronet of Boyle Abbey’s son John (1673-1720) supported King James II. He sat in King James’s parliament in Dublin. Fortunately he later escaped retribution from William III when William was made King, and his father must have forgiven him also as he was his father’s heir. John became 2nd Baronet King of Boyle Abbey.

The brother of Robert 2nd Baron Kingston, John (abt. 1664-1727/28), or Jack as he was known, eloped with a servant girl from King House named Peggy O’Cahan (or Kane). They moved to France and married, and he joined court of “The Pretender,” son of James II, also known as James III. Jack converted to Catholicism. His brother did not have children so Jack would have been his brother’s heir. However, due to his Catholicism, his family took legal action to disinherit him. Robert 2nd Baron Kingston instead changed his will so that his uncle Robert, 1st Baronet King of Boyle Abbey, would inherit the Mitchelstown estates and the estate in Boyle. Jack, however, disputed this. King-Harmon tells us in The Kings of King House that Jack, with the support of James II and Catholic circles in London, launched a legal action to show that the actions of his family were in contravention of the marriage settlements of his father, and before that of William Fenton, his mother’s father. He was successful and he obtained possession of Mitchelstown in 1699, but not the estate lands. Jack, who had become 3rd Baron Kingston after his brother’s death, also achieved a Royal pardon from William III for his previous support of King James II and his son.

Jack’s actions threatened the Baronets of Boyle Abbey and their ownership of Rockingham. However, they managed to hold on to their estate and the threat receded somewhat with the accession of William and Mary to the throne. Jack, with an eye to their future, raised his children as Protestants in Mitchelstown.

Robert 1st Baronet of Boyle Abbey’s daughter Mary married Chidley Coote of Cootehall, County Roscommon, son of Richard Coote 1st Lord Coote, Baron of Colloony, County Sligo. His son John, who became 2nd Baronet of Boyle Abbey upon his father’s death, married Elizabeth Sankey, but he had no children. Elizabeth went on to marry secondly, John Moore, 1st Baron Moore of Tullamore and thirdly, Brabazon Ponsonby, 1st Earl of Bessborough. Her mother, Eleanor Morgan, was from Cottlestown, County Sligo, a property added in 2022 to the Section 482 list, which we have yet to visit.

The 2nd Baronet moved from Rockingham back to the house in Boyle, which by this time may have been known as King House. He died in March 1720 and his brother Henry (1681-1739) became 3rd Baronet King of Boyle Abbey. It was Henry who built the King House that we see today. Rockingham burnt down, probably sometime shortly after the death of the 1st Baronet. King House in Boyle was destroyed by fire in 1720, so Henry immediately started to rebuild. King-Harman tells us he hired either Edward Lovett Pearce, or William Halfpenny, an assistant to Edward Lovett Pearce, as architect. The newer house may incorporate walls of the earlier house. A pleasure garden was created across the river, and it is now a public park. It contains a plinth that used to hold a statue of King William III but that statue disappeared!

Henry (1681-1739) 3rd Baronet King of Boyle Abbey, by Robert Hunter.
The museum in King House is less certain as to who designed it, suggesting it could have been Edward Lovett Pearce, Richard Cassel (or Castle), or William Halfpenny.

Mark Bence-Jones points out in his A Guide to Irish Country Houses (1988) that King House is not situated in a demesne but in the centre of a town. It is surrounded by thick walls. He describes it as a large “u” shaped mansion of two storeys over basement with a partly gabled attic. [2]

This overhead shot of King House is taken from the website. As you can see, it’s an unusual house.
King House, 2022.
King House, 2022.
The entrance to King House, it is surrounded by these imposing walls.
The round-headed ground floor windows with keystones and blocking.
River-facing facade of King House, courtesy of National Inventory of Architectural Heritage [3]
Model of King House, which is inside the house: river facing facade.
King House, 2022.
River facade of King House during repair by Roscommon County Council. Work began in 1989 and took over four years, with renovation works designed and supervised by Dublin architects Shaffrey Associates.

The photograph from the National Inventory, above, shows the eleven bay garden front which faces the river, with its three bay pedimented breakfront and large central Venetian window in the upper storey.

The side facades have three Venetian windows, one on top of another, the top being within a gable.

King House, August 2022: side facade with three Venetian windows, the top one being within a gable.
King House, 2022.
King House, 2022.
King House, 2022.
King House, 2022.
King House, 2022.

Bence-Jones points out that: “As at Ballyhaise, County Cavan and King’s Fort, County Meath, there is vaulting in other storeys than just the basement; in fact, all four storeys are vaulted over. This was, according to Rev Daniel Beaufort, a fire precaution, Sir Henry King having naturally been fire-conscious after the fire in the earlier house.

Two wings project from the main centre block of the house, and are each two bays wide. The centre block is three bays wide with a centre triangular gable. Bence-Jones describes the deep cornice over the wings, and the round-headed ground floor windows with keystones and blocking.

King House, 2022.
The front of King House before repair.

On the front facade Bence-Jones describes a “plain massive doorway.” I find the entire centre front surprisingly plain with few windows, except the large arched ones either side of the doorway and the fanlight over the door, and two dormer windows in the roofline. Inside the museum, in a description of the building it is suggested that the front facade was not completed.

King House, 2022.
King House, 2022.
King House, 2022.

The National Inventory adds that there is “a seven-bay three-storey extension to south-west with pitched slated roof with piecrust cornice and red brick chimneystacks. Single-storey roughcast-rendered outbuildings to front. Site bounded by rubble stone wall with carved stone gate piers and cast-iron gates.

The second side facade, with its Venetian windows one on top of another and gable windows in the roof.
Single-storey roughcast-rendered outbuildings to front.
The side facade and basement.

Inside the front door is a long and narrow hall or gallery with lovely flagstone floor, which is original to the house. You can see also the vaulted ceiling, and wood panelling on the walls.

The long gallery front hall, which has the Venetian windows of the side facades of the house at either end.
King House, 2022.
King House, 2022.
King House, 2022.
Fireplace in front hall. There are two in this hall, one is of Kilkenny marble and the other is a replica.
King House, 2022.
King House, 2022.
King House, 2022.

Sir Henry King, 3rd Baronet of Boyle Abbey, served as MP for either Boyle or County Roscommon for thirty three years. He married Isabella Wingfield, daughter of Edward Wingfield of Powerscourt, County Wicklow (her brother was the 1st Viscount of Powerscourt). Henry died in 1739 and was succeeded by his son Robert (1724-1755), 4th Baronet of Boyle Abbey. Robert became MP for Boyle also and was created Baron Kingsborough in 1748. It was he who bought the house in Henrietta Street in Dublin. He became Grand Master of the Freemasons in Ireland. He died unmarried. On his death, the Barony of Kingsborough became extinct.

Robert (1724-1755), 4th Baronet of Boyle Abbey, by Robert Hunter.
Frances King, by Robert Hunter. The portrait is in King House. Thus could be a portrait of Robert’s sister Frances (1726-1812) who married Hans Widman Wood of Rossmead, County Westmeath.

On his death the entailed parts of the estate went to his younger brother Edward (1726-1797), who became 5th Baronet of Boyle Abbey. He was also a Grand Master for the Freemasons and MP for County Roscommon, and Privy Counsellor in Ireland. He inherited King House and large parts of the Sligo and Roscommon estates. However, a later will of his brother was found after his brother’s death, and all the unentailed land was left to their younger brother Henry. Henry did not marry but the dispute over inheritance led to lawsuits and caused family rifts, King-Harmon’s book The Kings of King House tells us.

Edward King (1726-1797), 5th Baronet of Boyle Abbey and eventually, 1st Earl of Kingston.

Edward the 5th Baronet married Jane Caulfeild, daughter of Thomas Caulfeild of Donamon Castle, County Roscommon (still standing, it now belongs to the Divine Word Missionaries). Edward was ambitious and when his cousin James King 4th Baron Kingston died in 1761 with no sons, he applied for a peerage and was granted it, becoming the 1st Baron Kingston of the second creation. He built a second mansion in Rockingham, which he called Kingston Hall.

He arranged with 4th Baron Kingston that his son would marry the heir to Mitchelstown, Caroline Fitzgerald. The 4th Baron Kingston’s son William predeceased him in 1755, dying childless. The 4th Baron’s daughter Margaret married Richard Fitzgerald, son of the 19th Earl of Kildare. Their only child was a daughter, Caroline (1754-1823). By marrying into the family of the Barons of Kingston, Mitchelstown came into the family of the Baronets of Boyle Abbey. Caroline and Edward’s son Robert were to marry when just 15 and 16 years old.

King House, 2022.

Meanwhile Edward, after intense lobbying, had become Viscount Kingsborough in 1767 and Earl of Kingston in 1768.

King House, 2022.
King House, 2022.
King House, 2022.
King House, 2022.

Edward, now Earl of Kingston, and his family moved into Kingston Hall in 1771, and King House was kept as a second residence, but following a fire in 1778, Edward decided to dispose of it. It was bought by the British army in 1795, and became the depot of the Connaught Rangers until taken over by the Irish army in 1922. It was abandoned and in ruins by 1987 when bought by Roscommon County Council, and it was restored and opened to the public in 1995.

King House, 2022.
Information in King House about Boyle in the 1700s.
King House, 2022.
King House, 2022.

Edward Earl of Kingston’s daughter Jane married Laurence Harman Parsons (1749-1807), son of Laurence Parsons, 3rd Baronet, who was later created 1st Earl of Rosse, and Anne Harman.

The 1st Earl of Kingston’s daughter Francis married Thomas Tenison, and their son Lt.-Col Edward King-Tenison lived in Kilronan Castle in County Roscommon and his wife, Lady Louisa Mary Anne Anson, was the origin of the use of the word “loo” for toilet! (according to The Peerage website). I’m not sure why! (Kilronan Castle is now also a hotel, https://www.kilronancastle.ie/

His daughter Eleanor died unmarried in 1822.

Henry’s daughter Eleanor, who never married, and James Stewart, a grandson of Henry.
Eleanor King, died 1822, unmarried, painting by Hugh Douglas Hamilton.
King House, 2022.

Edward’s heir, Robert (1754-1799) became the 2nd Earl of Kingston and married his cousin Caroline Fitzgerald of Mitchelstown when he was just 15. They had nine children but later separated. When young, they lived in London, and toured the world, until they took up residence at Mitchelstown Castle. Mary Wollstonecraft, who later died after giving birth to Mary Shelley née Godwin who wrote Frankenstein, was tutor to the 2nd Earl of Kingston’s children. Mary Wollstonecraft later became a writer, intellecutal and radical, spending time in Paris during the French Revolution, and wrote A Vindication of the Rights of Women, as well as several novels. She remained friendly with King’s daughters, who imbibed Mary’s feminism. Caroline, unhappy in her life with Robert, moved to England, and Robert took a lover, Elinor Hallenan, who bore him two more children.

On 18 May 1798 Robert 2nd Earl of Kingston was tried by his peers in the Irish House of Lords for the murder of Colonel Henry Gerald Fitzgerald, who had seduced the Earl’s daughter. He was acquitted as no witnesses came forward – a benefit of being in the House of Lords was that one was not tried in a general court, but tried in a court consisting of the other members of the House of Lords.

Colonel Henry Gerald Fitzgerald was the illegitimate son of Caroline’s half-brother. Her father had remarried after her mother died. Caroline raised Henry Gerald along with her own family. Caroline brought her daughter Mary with her when she separated her husband and moved to England. It was Mary who was seduced by her cousin, despite him having a wife. As Mary Wollstonecraft later had lovers, perhaps young Mary King was influenced by her governess’s romantic nature. Colonel Fitzgerald regularly visited Caroline and Mary in their new home in London. One day, Mary disappeared, and was found installed in a lodging house, regularly visited by her lover, Colonel Fitzgerald. King-Harman tells the story in The Kings of King House. Her father shot and killed Colonel Fitzgerald.

Another daughter, Margaret, married Stephen Moore, 2nd Earl Mountcashell. Also influenced by Mary Wollstonecraft’s radicalism, she supported the United Irishmen and Anthony Lawrence King-Harman writes that she may have been with Edward Fitzgerald when he was mortally wounded in Dublin. She left her husband for George Tighe (1776-1837) of Rossana, County Wicklow, an Irishman living in Rome, and became close friends with Wollstonecraft’s daughter Mary Shelley. She wrote children’s books and treatises on pre- and post-natal care.

Dining room, King House.

Robert’s son George (1770-1839) became the 3rd Earl of Kingston upon his father’s death in 1797. Robert left the Boyle properties to his second son, Robert Edward (1773-1854), who later became Viscount Lorton, the name chosen from a local place-name.

Brothers George, 3rd Earl of Kingston, Robert, 1st Viscount Lorton, and Admiral James William King, by Hugh Douglas Hamilton.
This large portrait in the dining room is General Robert King (1773-1854), 1st Viscount Lorton, who was the son of Robert King, 2nd Earl of Kingston.

Robert Edward King (1773-1854) inherited Kingston Hall at Rockingham. He joined the military and distinguished himself in the Caribbean. When he inherited in 1797, he returned to Ireland and joined the Roscommon Militia and worked his way up to become a General. With Rockingham, however, came debt. In 1799 he married his first cousin, Frances Parsons Harman, daughter of his aunt Jane who had married Lawrence Parsons Harman (1749-1807), who owned the Newcastle Estate in County Longford. Robert worked hard to reduce the debt, and was a tough landlord, evicting many tenants.

In the centre, Frances née Parsons Harman (1775-1841) who married Robert Edward King (1773-1854). She is flanked by their daughter Jane King, who married Anthony Lefroy, and Frances King, who married Right Reverend Charles Leslie of Corravahan.

Robert Edward was created Baron Erris of Boyle, County Roscommon in 1800 and in 1806, Viscount Lorton of Boyle, County Roscommon. His support of the Act of Union in 1800 would have helped in his rise within the Peerage.

Viscount Lorton decided to build a new house on the Rockingham estate, which is a few kilometers from Boyle. Robert O’Byrne tells us that the previous house, Kingston Hall, remained in use and became known as the Steward’s House. [4] The new house was designed by John Nash and was ready by 1810. Lorton also modernised the estate. Landscaper Humphrey Repton helped with the design of the outbuildings, gate houses and demesne. The house no longer exists, and the demesne is now part of Lough Key Park. An impressive gate lodge remains, and a chapel built by Lord Lorton in 1833 on the site of a 17th century church also built by the Kings. An icehouse, gazebo called the Temple and a tunnel which ran from the mansion to the lake and was used by tradesmen is open for visitors.

Rockingham House.
Rockingham.
Rockingham.
Rockingham.
Rockingham.
Rockingham.
Rockingham.
Model of Rockingham House created by Leaving Certificate students of Ballinamore Vocational School Fergal Conefrey, Conor Lee and Declan Sammon with construction teacher Mr. Tommy Flynn.
The interior of Rockingham.
The interior of Rockingham.
Looking out from Rockingham.

It was a time of trouble with tenants, as outlined in The Kings of King House. Robert evicted Catholic tenants due to uprisings. In famine years, however, he lowered rents and provided work.

King House, 2022.
King House, 2022.

Viscount Lorton’s daughters married well. Jane married Anthony Lefroy of Carriglass Manor, County Longford. Jane Austen had been in love with his father, Thomas Lefroy, and Mr. Darcy in Pride and Prejudice may have been based upon him. Caroline married Robert Gore-Booth, 4th Baronet, of Lissadell, County Sligo (another section 482 property). Frances married Right Reverend Charles Leslie, who we came across when we visited Corravahan, another Section 482 property, in County Cavan.

Viscount Lorton’s heir was Robert (1804-1869). He had an unhappy marriage, and his wife, Anne Gore-Booth, daughter of Robert Newcomen Gore-Booth, 3rd Baronet of Lissadell, had an affair which produced a son. Robert and his father sought to make sure that this son would not inherit the King estates.

The Kings of Rockingham were a “cadet branch” of the family of the Kings of Mitchelstown, County Cork. Viscount Lorton’s older brother inherited the Mitchelstown estate and the title of 3rd Earl of Kingston. Let’s make a diversion and look at what was happening at the Mitchelstown estate.

After her husband Robert 2nd Earl of Kingston’s death, Mitchelstown remained in the hands of Caroline (née Fitzgerald), and she returned to run the estate for a further twenty-five years. She kept her son George at arm’s length, King-Harman tells us.

George King (177901839), later 3rd Earl of Kingston, painting by Romney.

George did not inherit Mitchelstown until he was 53 years old. He was godson of King George III and was a friend of the Prince Regent who later became King George IV. He had several illegitimate children with a lover when he was in his twenties, with whom he lived in the Bahamas. He went on to marry Helena Moore, daughter of Stephen, 1st Earl of Mountcashell, County Tipperary. Before his father died, he was titled Viscount Kingsborough between 1797 and 1799, and he held the office of Member of Parliament (M.P.) for County Roscommon between 1797 and 1799. He became Colonel of the local Militia, the Mitchelstown Light Dragoons, part of the North Cork Militia.

When his father died, he succeeded as the 3rd Baron Kingston of Rockingham, Co. Roscommon, the 3rd Viscount Kingston of Kingsborough, Co. Sligo, 3rd Earl of Kingston, and 7th Baronet King, of Boyle Abbey, Co. Roscommon.

George 3rd Earl of Kingston’s eldest son, Edward, predeceased him. Edward, who was Viscount Kingsborough, became interested in Mexico while in Oxford and devoted his life and finances to the production of a monumental work, The Antiquities of Mexico. He fell into debt, partly because his father did not allow him enough to run Mitchelstown, and was imprisoned in Ireland, where he developed typhus and died in 1837. In his lifetime he presented a number of antiquities to Trinity College Dublin.

It was therefore George’s second son, Robert Henry (1796-1857) who became 4th Earl of Kingston in 1839. By 1844 the Mitchelstown estate had been taken over by the Encumbered Estaes Court. Outstanding debts went back to James 4th Baron, King-Harman tells us. Despite this, Robert Henry’s life continued at Mitchelstown in rather high style, also despite the famine. Sadly, parts of the estate were sold off bit by bit and eventually Robert Henry had a mental breakdown and ended up in an asylum in England. [for more about the 4th Earl of Kingston see the Irish Aesthete’s blog. [5]

His younger brother James became the 5th Earl of Kingston, but died two years later without issue, and with him the Barony of Kingston of Mitchelstown became extinct. He married Anna Brinkley from Parstonstown (Birr), who was thirty years his junior, and King-Harman tells us that she “was destined to play a major role in the affairs of Castle [of Mitchelstown] right through to the present century.” They had no children, so the estate would have gone to the Viscounts Lorton of Boyle.

James King (1800-1869), 5th Earl of Kingston, who married Anna Brinkley.
Anna, wife of the 5th Earl of Kingston, who lived in Mitchelstown.

Robert, who was to become 2nd Viscount Lorton, and his wife Anne née Gore-Booth, had a son, Robert (1831-1871), and a daughter, Frances. Anne then had a son, Henry Ernest, with her lover, Vicomte Ernest Satgé St Jean. 1st Viscount Lorton tried to take action to ensure that Henry Ernest would not inherit.

In order to avoid Henry Ernest from inheriting Mitchelstown, they had to break the entail on Mitchelstown and James the 5th Earl of Kingston promised money from the Mitchelstown estate to the 3rd Viscount Lorton, for signing away the entail. Instead, Mitchelstown was left to his wife. The money promised to 3rd Viscount Lorton formed a debt, falling to Anna Brinkley, which gave her much difficulty later.

Before continuing, I must mention the youngest son of 1st Viscount Lorton, Laurence Harman King (1816-1875). He married Mary Cecilia Johnstone of Alva, Scotland. His father drew up a settlement which in the event that the 2nd Viscount’s legitimate son did not have an heir, Rockingham would go to his younger son, Laurence Harman, who in 1838 had legally changed his name to Laurence Harman King-Harman.

Laurence Harman King-Harman also inherited the estate of Newcastle in County Longford. He was chosen for the inheritance in preference to his dissipated brother. Lawrence’s mother, recall, was Frances Parsons, daughter of Laurence Harman Parsons and and Jane King (daughter of 1st Earl of Kingston). Laurence Harman Parsons’s father was Laurence Parsons, 3rd Baronet of Birr Castle, County Offaly, and his mother was Anne Harman, whose family owned Newcastle, County Longford.

The property of Newcastle had belonged to the Chappoyne family. A daughter of that family married Anthony Sheppard, and the property passed into the ownership of the Sheppard family. It then passed via a daughter, Frances Sheppard, who married Wentworth Harman (c. 1635-1714). On Frances’s death in 1766 the property passed to her son Reverend Cutts Harman (1706-1784), Dean of Waterford. He had no children, so he left the property to his nephew, Laurence Parsons, who had married Jane King. In return, Laurence Parsons added the name Harman to his surname in 1792 to become Laurence Harman Parsons-Harman.

Laurence Harman Parsons was created 1st Baron Oxmantown, Co. Wexford in 1792, and 1st Earl of Rosse in 1806.

Laurence and Jane had a daughter, Frances, and no son. Frances married Robert Edward King, 1st Viscount Lorton in 1799. Laurence left all of his property to his wife Jane, which included Newcastle and two houses in St. Stephen’s Green in Dublin. Upon the birth of Frances and Robert Edward’s second son, whom they named Laurence Harman King, Lady Rosse decided to leave Newcastle to him. In 1838 when Lady Rosse died, just a year after Laurence Harman King’s marriage, he inherited Newcastle. At that time he also added Harman to his surname to become Laurence Harman King-Harman. [6]

One can now stay in Newcastle House, see https://www.newcastlehousehotel.ie/

Irish Army Artillery Dress Uniform c.1935: This uniform would have been worn by a Lieutenant Colonel. A military uniform would consist of the following: shako, tunic, slacks, black patent boots and spurs, white doe-skin gloves, cape, sword-belt complete with two scabbard slings and dress sword, sword knot and sword belt.
Dining room of King House.
The Honourable Laurence Harman King-Harman (1816-1875).
Laurence Harman King-Harman (1816-1875). The information tells us that he was the second son of Edward King, 1st Viscount Lorton. He inherited the Newcastle estate in County Longford in 1838 from his grandmother the Countess of Rosse, and lived there until his death. He succeeded to the Rockingham estate after the death of his brother Robert, 6th Earl of Kingston, in 1869.
Mary Cecilia, 6th daughter of Thomas Reymond Johnstone of Alva, Scotland. Married in May 1837 Laurence Harman King-Harman, 2nd son of Robert Edward 1st Viscount Lorton. She lived at Newcastle until her husband’s death in 1875 and then in London when she died in 1904.

Let us go back, however, to his brother Robert, who was upon his father’s death to become 2nd Viscount Lorton. The reason that 1st Viscount Lorton was worried about the second, illegitimate grandson inheriting, is that the first grandson, Robert Edward, had suffered a serious illness and had only one child, a daughter.

The 1st Viscount Lorton died in 1854 and was buried in the family vault in Boyle Abbey.

Obituary for 1st Viscount Lorton.
King House, 2022.
King House, 2022.

The 1st Viscount Lorton’s son Robert had been a long time waiting to come into his inheritance and had meanwhile spent his time dissipating the family’s money and by the time of his marriage, according to The Kings of King House, had a reputation for drinking too much alcohol. In the same year that she was proven to have an affair, Robert became semi-paralysed, perhaps after severe attack of delirium tremens from his drinking.

Robert and his wife Anne moved to Frankfurt in 1840 and his health improved somewhat. However it was here that his wife met Vicomte Ernest de Satgé St Jean. He too was married. He and Anne accumulated debts at the gaming tables which Robert had to pay, and when his wife left him, Ernest de Satgé St Jean moved into the home of the Kings in Frankfurt!

When 1st Viscount Lorton heard of the shenanigans, he sent an old friend to bring his son and his son’s wife back to Ireland. He did not succeed, and the story of Robert’s wife’s debts reminds me of “Buck” Whaley’s, with the Vicomte entering in convoluted schemes in order to try to gain money to pay off his debts, as described in The Kings of King House.

When the 1st then 2nd Viscounts Lorton died, the 2nd Viscount’s legitimate son Robert Edward (1731-1771) came into ownership of Rockingham, and became 3rd Viscount Lorton and 7th Earl of Kingston. He died two years later, after felling large quantities of timber at Rockingham to pay off his debts.

In the meantime, the younger son, Henry Ernest Newcomen King (named Ernest after his birth father) had not been legally recognised as illegitimate. Therefore when his brother died, he became 8th Earl of Kingston, although he did not inherit as much land as he could have, since the entail on Mitchelstown had been broken, and his uncle Laurence Harman inherited Newcastle and Rockingham. He joined the Connaught Rangers, which were housed in the old King home, and he gained the rank of Lieutenant-Colonel, and was a representative Irish peer in the House of Lords. He married Florence, daughter and co-heir of Colonel Edward King-Tenison of Kilronan Castle in County Roscommon. He changed his name to surname King-Tenison in 1883. He held the office of Lord-Lieutenant of County Roscommon between 1888 and 1896.

The Coronation Robe and Crown in the dining room of King House belong to his son the 9th Earl of Kingston’s wife, Ethel Lisette, made to be worn at the coronation of King Edward VIII in 1936, which did not happen since he abdicated the throne.

King House, 2022.
King House, 2022.
King House, 2022.
King House, 2022.

On the death of the 7th Earl of Kingston, the 1st Viscount Lorton’s youngest son, Harman King-Harman, inherited Rockingham and the Boyle estates as life tenant. He remained living in Newcastle, County Longford. He had six sons and his eldest Edward King-Harman (1838-1888) would inherit Rockingham and Newcastle.

King House, 2022.
This painting just identifies the sitted as Mrs King-Harman. She is probably Laurence Harman King-Harman’s wife Mary Cecilia née Johnstone, in later life.
Vanity Fair entry and picture, about Edward Robert King-Harman (1838-1888), son of Laurence Harman King-Harman. He inherited Newcastle in County Longford and Rockingham in Roscommon.

To continue with the story of Mitchelstown, in 1873 Anna née Brinkley, wife of James 5th Earl of Kingston, remarried, to William Webber. King-Harman writes that Webber allowed his relationship to the tenants to deteriorate. Meanwhile, the old debts were paid off by selling off tenanted lands under the Wyndham Land Acts. Anna, the Countess of Kingston, expressed a wish that upon her husband’s death, Mitchelstown should revert to the King family, in the person of Lt Colonel Alec King-Harman of Newcastle, great grandson of the 1st Lord Lorton. However, the castle was burnt by the IRA during the Civil War in 1922, and Alec sold off the estate.

The 2nd Earl of Kingston laid out much of the town of Mitchelstown. King Square includes Georgian houses of Kingston College and its Protestant chapel and family vault built by James, 4th Baron Kingston, and the square also includes the building where James founded the first Grand Lodge of Freemasons in Ireland. The 3rd Earl erected a drinking fountain in the square. The inn at Kilworth where Colonel Fitzgerald was shot is now a private residence. [The Kings of King House]

Edward Robert King-Harman (1838-1888), son of Laurence Harman King-Harman, inherited Newcastle in County Longford and Rockingham in Roscommon. He joined the military and fought in the siege of Dehli during the Indian Mutiny, then returned to Ireland in 1859 and became Honorary Colonel of the 5th Battalion of the Connaught Rangers whose depot was now in King House. He developed an interest in politics and the cause of Home Rule and was returned to the House of Commons in Ireland as a Conservative Home Ruler for County Sligo. He moved from Newcastle into Rockingham. He managed to leave Rockingham to his daughter, Fay, although her brothers contested this. She managed to keep Rockingham, however, along with her husband, Dr. Thomas Stafford, who was a Catholic. Fay’s son took the name Edward Stafford King-Harman.

Meanwhile Edward’s younger brother Wentworth (1840-1919) inherited Newcastle from his brother. He joined the military in Britain. When he inherited, he immersed himself in running Newcastle. It was his son Alec who inherited Mitchelstown. Alec also joined the military. He left Newcastle to a cousin Douglas King-Harman, and by that time the estate was reduced to just 50 acres, and he sold it in 1951. Before leaving Newcastle, Douglas set aside most of the family records and took them to England with him and published a book in 1959, Kings Earls of Kingston.

Edward Stafford King-Harman died in WWI. His father was raised to the British peerage as 1st Baronet Stafford in 1914. Edward married Olive Pakenham Mahon from Strokestown in Roscommon – I will be writing about it soon as it is also a Section 482 property.

King House, 2022.

It was his second son, Cecil Stafford King-Harman, who inherited Rockingham and became 2nd Baronet Stafford. Having taken a degree in Agriculture in New Zealand, Cecil was able to bring the estate back into good working order. Unfortunately, Rockingham was destroyed by fire in 1957 and although most of the furniture and pictures were saved, Cecil decided to sell. The house was demolished, and half the estate became Lough Key Forest Park. On Cecil’s death the baronetcy became extinct.

King House, 2022.
King House, 2022.
King House, 2022.
King House, 2022.
King House, 2022.
King House, 2022.
King House, 2022.
King House, 2022.
King House, 2022.
King House, 2022.
King House, 2022.
Part of a set of china rescued from the fire in 1957.
King House, 2022.
King House, 2022.
King House, 2022.
King House, 2022.
King House, 2022.
This room in King House describes the fire at Rockingham. Over the fireplace is a picture of Lady Eleanor King, and one of her nephews, brothers George, 3rd Earl of Kingston, Robert, 1st Viscount Lorton, and Admiral James William King.

In an upper storey of the King House there is a step-by-step description of the 1989-94 renovation of the house.

King House, 2022.
King House, 2022.
King House, 2022.
King House, 2022.
King House, 2022.
King House, 2022.
King House, 2022.
Inside the attic of King House.
King House, 2022.
King House, 2022.
Vaulted ceiling of the attic.
Display of builders’ paraphernalia in the attic.
King House, 2022.
King House, 2022.
King House, 2022.

King House is used to host art exhibitions, as well as weddings and events.

King House, 2022.
King House, 2022.
King House, 2022.
King House, 2022.
The Main Salon on the first floor. This room was used for formal dining and entertaining. It contains two fireplaces and decorative cornicing.

When used as a Barracks, the military erected a mezzanine level in the Main Salon. After Independence, in the 1940s the Irish army used the room for dances every Wednesday.

Henry King b. 1733 by Hunter. He was a son of Henry King who built King House.

King House is now home to the Connaught Rangers museum as well as the Boyle Civic Art Collection, and the house also plays host to musical, dramatic and cultural events. 

The displays about the Connaught Rangers are very moving, and remind of us that horrors of war.
King House, 2022.
King House, 2022.
King House, 2022.
King House, 2022.
King House, 2022.
King House, 2022.
Connaught Rangers dress helmet (1878-1922). Regimental buttons on uniforms had a harp and crown surrounded by a shamrock leaf, and on the collar was a brass Indian elephant.
King House, 2022.
King House, 2022.

The barracks in King House served as a recruitment centre. We can see some of the posters that encouraged Irish men to join the British Army during the wars.

King House, 2022.
King House, 2022.

As home to the Connaught Rangers, Robert O’Byrne tells us that the house was able to accommodate 12 officers and 260 non-commissioned officers and private foot soldiers, as well as a 30-bed hospital and stabling for horses. [7]

During the War of Independence, the Barracks was strongly garrisoned and the Royal Irish Constabulary and the Black and Tans were stationed outside the barracks near the main gate. Many arrests of Irishmen fighting for Independence were made, and prisoners were held in the barracks. Two prisoners managed to escape, James Molloy and Michael Dockery.

Prison cell in the basement of King House.
King House, 2022.
King House, 2022.
A drawing depicting the escape from King House.

Sadly, reflecting the turbulent times in Ireland, Michael Dockery was later killed by anti-Treaty forces during the Irish Civil War that took place after Ireland gained Independence (the Civil War occurred because many did not agree with the Treaty signed to give Ireland independence since the British kept six counties in Ulster, leading to the division of the island of Ireland). When the new Republic of Ireland continued to use King House as a barracks it was called Dockery Barracks after Michael Dockery.

A couple of rooms in King House now contain the gifts which were given to President Mary McAleese, which is a lovely collection of the crafts of various nations.

King House, 2022.
King House, 2022.
King House, 2022.
King House, 2022.
King House, 2022.
King House, 2022.
King House, 2022.

Based in the courtyard, Úna Bhán Tourism Co-operative runs a traditional craft shop showcasing locally produced crafts as well as operating an accommodation booking service and at weekends there is a farmers market in the courtyard.

[1] Connolly, Paul. The Landed Estates of County Roscommon. Published by Paul Connolly, 2018.

[2] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978), Revised edition 1988, Constable and Company Ltd, London.

[3] https://www.buildingsofireland.ie/buildings-search/building/31804023/king-house-military-road-knocknashee-boyle-co-roscommon

[4] https://theirishaesthete.com/2022/08/22/kingston-lodge/

[5] https://theirishaesthete.com/2014/09/01/god-bless-the-kings/

[6] https://www.buildingsofireland.ie/buildings-search/building/13402709/newcastle-house-newcastle-newcastle-demesne-county-longford

[7] https://theirishaesthete.com/tag/king-house/

Blarney Castle & Rock Close, Blarney, Co. Cork

www.blarneycastle.ie

Open dates in 2023: all year except Christmas Eve & Christmas Day, Jan-Feb, Nov-Dec, 9am-4pm,
Mar-Oct, 9am-5pm.
Fee: adult €20, OAP/student €16, child €9

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Blarney Castle, County Cork, June 2022.

We visited Blarney Castle on a trip to Cork in June 2022, choosing to visit on a date when we could also visit Blarney House – see my entry (on its way!).

We have all heard that kissing the Blarney stone gives us the “gift of the gab,” but where did the story come from? Randal MacDonnell, in his book, The Lost Houses of Ireland, tells us that Queen Elizabeth I said of Cormac mac Diarmada MacCarthy (1552-1616), Lord of Muskerry, ‘This is all Blarney; what he says he never means!’ so the term was used as far back as Elizabethan times. The Blarney Stone, set high in the castle under the battlements, was said to have been a gift to the MacCarthy family after sending 5,000 soldiers to help Robert the Bruce (who died in 1329) in battle. It was reputedly the stone that gushed water after Moses struck it, or else it is said to be part of the Stone of Scone, on which the Kings of Scotland were inaugurated. It is also said to be the pillow that Jacob slept upon when he dreamed of angels ascending a ladder to heaven, that was brought from the Holy Land after the Crusades. Frank Keohane tells us bluntly in his description of Blarney Castle in Buildings of Ireland, Cork City and County (published 2020) that it is in fact the lintel to the central machicolation on the south side!

An Irish person can be reluctant to visit Blarney castle, thinking it “stage Irish” with its tradition of kissing the Blarney stone but it is really well worth a visit, including queueing to get to the top of the castle (to kiss the stone, which you can of course skip!), because along the way you can see the interior five storeys of the castle with its many rooms and corridors. Each year around 550,000 tourists visit Blarney Castle.

It is also worth visiting just to wander the seventy acres of gardens, which are beautiful. There’s a coffee shop in the stable yard.

Map of the extensive estate and gardens.
The Stables and Coach Yard have a coffee shop.
Blarney Castle, June 2022.
This sign board tells us that the castle we see today is the third structure that was erected on the site. In the tenth century there was a wooden hunting lodge. Around 1210 this was replaced by a stone structure, which was demolished for the foundations of the third, current, castle, built by Cormac MacCarthy in 1446.

The castle we see today is the third structure that was erected on the site. In the tenth century there was a wooden hunting lodge. Around 1210 this was replaced by a stone structure, which was demolished for the foundations of the third, current, castle, built by Cormac Laidir (‘the strong’) MacCarthy in 1446. To put it into chronological perspective, this is around the same time that Richard III deposed King Edward V and nearly fifty years before Christopher Columbus “discovered” the “New world” in 1492 (see the terrific chronology outlined in James Lyttelton’s Blarney Castle, An Irish Towerhouse). He built a slender self-contained four storey tower house, which is now called the northwest tower.

The MacCarthy clan had vast estates, and were recognised as Kings of Munster by the lesser Irish chiefs, the sign boards at Blarney tell us. They trace their ancestry back to a chieftain who was converted to Christianity by St. Patrick. Cormac MacCarthy built Cormac’s Chapel on the Rock of Cashel, 1127-1134, before the Anglo-Norman invasion of Ireland in 1169.

The second, larger, five storey tower was built in the early to mid 16th century.

In 1628 King Charles I created Cormac (Charles) MacCarthy (1564-1640/41) Viscount Muskerry. His father was the 16th Lord of Muskerry – the family gained the title from the English crown in 1353 – and his mother was Mary Butler, daughter of the 1st Baron Caher (of second creation), Theobald, of Cahir Castle in County Tipperary. Viscount Muskerry inherited Blarney in 1616 and undertook alterations, perhaps adding the tall machicolated parapets, and enlarging windows, fitting them with hooded twin and triple light mullioned windows. He married Margaret O’Brien, a daughter of the 4th Earl of Thomond, and secondly, Ellen, widow of Donall MacCarthy Reagh, and daughter of David, seventh Viscount Fermoy. [1]

Viscount Muskerry died in 1640/41, passing the title 2nd Viscount to his son Donnchadh (or Donough). Donough MacCarthy based himself in Macroom, County Cork, and Dublin. Donough and his father were Members of Parliament and sat in the House of Lords in Dublin. He was loyal to the crown in 1641 during the rebellion but afterwards supported the Catholics who sought to be able to keep their lands. The Duke of Ormond sought negotiation between the Confederate Catholics and the crown, and 2nd Viscount Muskerry played an active role in these negotiations. [2] Negotiations were complicated because the lines of disagreement were unclear and as time progressed and more negotiators became involved, goals changed. For some, it was about Catholics being able to own land, for others, to be able to practice their religion freely. Factions fought amongst themselves.

Donough MacCarthy (1594-1665), 2nd Viscount Muskerry and 1st Earl Clancarty, Painted portrait (oil on canvas) at the Hunt Museum, Limerick, Accession number HCP 004. The portrait is part of the original collection donated by antiquarian John Durell Hunt and wife Gertrude Hunt. Other sources suggest it is Donough MacCarthy the 4th Earl Clancarty. I will have to check this!

Further complications arose as Parliament in England was unhappy with the reign of Charles I. Viscount Muskerry was firmly Royalist, along with his brother-in-law the Duke of Ormond. It was at this time that Donough MacCarthy the 2nd Viscount married Eleanor Butler, twin sister of the 1st Duke of Ormond. In 1649, Lord Broghill (Roger Boyle, later created 1st Earl of Orrery) persuaded the towns of Cork, Youghal, Bandon, and Kinsale to declare for Parliament. The division was no longer between Catholics and English rule, but between Royalists and Parliament supporters.

Blarney Castle was taken by Cromwell’s army under Lord Broghill in 1646 and again in 1649 by Oliver Cromwell. The inhabitants and defenders fled via the passageways below the castle and escaped.

It is said that the inhabitants of the castle escaped Cromwell’s army by these routes under the castle.

The 2nd Viscount became the 1st Earl of Clancarty in 1658, raised to the title by the exiled son of King Charles I, who in 1660 became King Charles II. MacCarthy’s property was restored to him by the King.

Charles 3rd Viscount died in the same year as his father (1665), having joined first the French army when in exile from Ireland, and later, the regiment of the Duke of York (who later became King James II). It was therefore his son, Charles James MacCarthy, who became 2nd Earl of Clancarty. The 2nd Earl’s mother was Margaret de Burgh, or Bourke, daughter of the 1st Marquess Clanricarde. The 2nd Earl died in the following year, so the 1st Earl’s second son, Callaghan (1635-1676) became 3rd Earl of Clancarty in 1666. Callaghan converted to Protestantism. He married Elizabeth FitzGerald, daughter of the 16th Earl of Kildare. His younger brother, Justin, was given the title of Viscount Mountcashel.

Jane Ohlmeyer writes of the MacCarthys of Muskerry in her book Making Ireland English:

p. 108: “[the MacCarthys of Muskerry] The family thus enjoyed a formidable range of kinship ties that included the Butlers, of Ormond and Cahir, and the houses of Thomond, Fermoy, Buttevant, Courcy of Kinsale and Kerry. Like Viscount Roche, Muskerry enjoyed a close friendship with the earl of Cork and stood as godfather to one of his youngest children. …Blarney Castle..was the family’s principal residence…. They also resided at Macroom castle in mid-Cork…Though Muskerry retained the traditional customs associated with Gaelic lordship, he also acted as an anglicizing speculator, loaning money and securing lands through mortgages, and as an improving landlord who encouraged English settlers to his estates and especially his main town of Macroom, in mid-Cork.” [see 1]

We saw many means of defense illustrated on our tour of Cahir Castle recently during Heritage Week 2022, and many of these were utilised at Blarney. [see my entry on Cahir Castle in https://irishhistorichouses.com/2022/06/26/opw-sites-in-munster-clare-limerick-and-tipperary/ ] One can see the heavy machicolation, a series of openings in the floor of projecting parapets in castles and tower-houses through which offensive or injurious substances can be dropped on the enemy below.

See the machicolation at the top of Blarney Castle.

The castle rises formidably from the bedrock of solid limestone. Its height gives a view all around for defense.

The castle is built on a bedrock of solid limestone.
Ground level openings.
The ground level entrance we see was a gatehouse that defended the tower. Below the castle is a labyrinth of underground passages and chambers. One chamber may have been used as a prison. Another housed a well.

A bawn surrounded the tower house: a defensive area of about eight acres surrounded by a wall. Maurice Craig tells us in his book The Architecture of Ireland from the Earliest Times to 1880 that the word bawn comes from the Irish name “bádhún” meaning an enclosure for cattle. Animals and people took shelter within the bawn in times of danger. The castle was self-sufficient and the bawn would have been a hive of activity with tanners, blacksmiths, masons, woodcutters, carpenters, livestock keepers, horses, cows, pigs, poultry, butchers, cooks, gardeners and attendants. Part of the bawn wall remains.

View of the bawn wall from the castle.
Defense measures include an Oubliette for unwanted guests, and a murder hole if you gain entry to the tower house.
Blarney Castle, June 2022.
The tower house rising from the limestone bedrock.
The impressively intact casement oriel window we can see here was the Earl of Clancarty’s bedchamber, probably added in 1616 when Cormac (Charles) MacCarthy (1564-1640/41) Viscount Muskerry inherited and undertook major alterations. Further up, there is a two-light window, which was not made to be glazed so is therefore very old.

Blarney was a typical tower house with four or five storeys, with one or two main chambers and some smaller rooms on each floor. A vaulted stone ceiling served to keep the thin tower structurally sound by tying the walls together and also acted as a firebreak. Blarney was constructed as two towers, one built later (by about 100 years) than the other. At the bottom the walls are about 18 feet thick. When it was first built it would have been covered in plaster and whitewashed to protect it from rainy weather.

The MacCarthys retained Blarney Castle until forced to leave it in the years following the Battle of the Boyne in 1690. They were Jacobites, supporters of King James II, and not supporters of King William III, who was crowned King of England, along with his wife Mary, James II’s daughter, in 1689. Mark Bence-Jones tells us that the castle was fortified by Donogh MacCarthy (c. 1668-1734), 4th Earl of Clancarty, who fought for James II in the Williamite War. [3]

The Dictionary of Irish Biography tells us that Donogh MacCarthy the 4th Earl held the office of Lord of the Bedchamber to King James II in Ireland in 1689. MacCarthy fought in the Siege of Cork in 1690, where he was captured, and he was imprisoned in the Tower of London. He escaped and fled to France in May 1694. In 1698 he secretly returned to England but was betrayed by his brother-in-law, Charles Spencer, 3rd Earl of Sunderland, and was again imprisoned in the Tower. The Dictionary tells us that Lady Russell obtained a pardon for him, on condition he stayed permanently abroad. Lady Rachel Russell, nee Wriothesley, had previously petitioned unsuccessfully for the freedom of her husband, William Lord Russell, who had been arrested as part of the Rye House Plot to kill King Charles II and his brother James.

In exile in France in 1707, Donogh MacCarthy was Lord of the Bedchamber to the titular King James III (so called by the Jacobites who continued to support the Stuarts for the monarchy after William III and Mary had taken the throne). [4] This means he would have known John Baggot of County Cork and Baggotstown, County Limerick, whom I hope was an ancestor of mine (I haven’t been able to trace my family tree back that far). John Baggot married Eleanor Gould, daughter of Ignatius Gould, and fought at the Battle of Aughrim, where he lost an eye. The exiled monarchy recognised his sacrifice and in gratitude, made him groom of the bedchamber to the titular King James III in France also. Those that left Ireland at this time were called the Wild Geese. His son John Baggot subsequently fought in the French army and the other son, Ignatius, in the Spanish army.

There is a terrific summary in plaques in the ground in Limerick city around the Treaty of Limerick stone, on which the Treaty of Limerick was signed in 1691, that tells of the series of battles fought between the troops supporting King James II and the troops supporting King William. One plaque tells us:

Sept 1690 King William returned to England leaving Baron de Ginkel in charge. Cork and Kinsale surrendered to William’s army. Sarsfield rejects Ginkel’s offer of peace. More French help arrives in Limerick as well as a new French leader, the Marquis St. Ruth. Avoiding Limerick, Ginkel attacked Athlone, which guarded the main route into Connaght. 30th June 1691, Athlone surrendered. St. Ruth withdrew to Aughrim. 12th July 1691 The Battle of Aughrim. The bloodiest battle ever fought on Irish soil. The Jacobites were heading for victory when St. Ruth was killed by a cannonball. Without leadership the resistance collapsed and by nightfall, the Williamites had won, with heavy losses on both sides. Most of the Jacobites withdrew to Limerick.

Plaques in the ground of Limerick City around the Treaty of Limerick Stone, about the War of two Kings.
Blarney Castle, June 2022.
There are many additions to the castle as well as the main keep. This round tower was part of a Gothic mansion built on to the side of the castle by James Jefferyes in 1739.

After the MacCarthys were forced to leave Blarney Castle, it was occupied by the Hollow Sword Blade Company from London. The Historic Houses of Ireland website tells us that this company was a forerunner of the disastrously speculative South Sea Company that was attempting to break the Bank of England’s monopoly over Government loans. [5] The Landed Estates database tells us:

The Hollow Sword Blades Company was set up in England in 1691 to make sword blades. In 1703 the company purchased some of the Irish estates forfeited under the Williamite settlement in counties Mayo, Sligo, Galway, and Roscommon. They also bought the forfeited estates of the Earl of Clancarty in counties Cork and Kerry and of Sir Patrick Trant in counties Kerry, Limerick, Kildare, Dublin, King and Queen’s counties (Offaly and Laois). Further lands in counties Limerick, Tipperary, Cork and other counties, formerly the estate of James II were also purchased, also part of the estate of Lord Cahir in county Tipperary. In June 1703 the company bought a large estate in county Cork, confiscated from a number of attainted persons and other lands in counties Waterford and Clare. However within about 10 years the company had sold most of its Irish estates. Francis Edwards, a London merchant, was one of the main purchasers.” [6]

In 1702 the castle was sold to Sir Richard Pyne, Lord Chief Justice of Ireland, who sold it the following year, in 1703, to the Governor of Cork, Sir James Jeffereyes (alternatively spelled “Jefferyes”). Richard Pyne also purchased land at Ballyvolane in County Cork, another section 482 property which we have yet to visit!

In 1739 James Jeffereyes built a four storey Gothic style mansion on to the side of the castle, which he called “The Court,” demolishing a former house the MacCarthys had added to the castle. Frank Keohane tells us that the architect may have been Christopher Myers, who had previously rebuilt Glenarm Castle in County Antrim. We can see glimpses of its appearance from the round towers and ruins to one side of the castle, which are the remnants of this grand mansion. The Jefferyes family also laid out a landscape garden at Blarney known as Rock Close, with great stones arranged to look as though they had been put there in prehistoric times. There is a stone over the “wishing steps” inscribed “G. Jefferyes 1759” which commemorates the date of birth of James Jefferyes’s heir. It was a popular tourist destination as early as the 1770s.

Blarney Castle, June 2022.
Blarney Castle, County Cork 1796 After Thomas Sautelle Roberts, Irish, 1760-1826, photograph courtesy of National Gallery of Ireland.
Pictures of the Gothic house that was built on the side of the castle, on a noticeboard at Blarney.
Ruins of “the Court,” the Gothic house added to the side of the castle by the Jeffereyes. You can see the plaster decoration of a horse over the door. This must have been put up by later owners of the castle as the horse, or colt, is a symbol of the Colthurst family.

We joined the queue to go up the tower. The ground floor is a large vaulted space. We saw the same sort of vaulting in Oranmore Castle in County Galway, which we visited later that week during Heritage Week 2022.

Ground floor of the Castle, a vaulted space.

This room would have been the cellar chamber when first built, and would have had a wooden floor above, supported by still-present stone supports in the walls. The room on the upper wooden floor was the Great Hall. Originally, an information board tells us, the lower storey probably housed servants or junior members of the household. By the eighteenth and nineteenth centuries it had become a wine cellar, as evidenced by some brick-lined shelves.

Ground floor of Blarney Castle.

We can see the arched vaulted ceiling from the ground floor, with indentations left from wickerwork mats that were used, on which the bed of mortar for the roof was set. We saw similar indentations at Trim Castle and the nearby house of St. Mary’s Abbey in Trim, in the basement [see https://irishhistorichouses.com/2022/09/17/st-marys-abbey-high-street-trim-co-meath/ ]. The walls would have been covered in tapestries, which were put on the floor at some stage, becoming carpets. The arched ceiling tied the walls of the tower together.

See the remnants of the wickerwork on the vaulted ceiling, and an impressive fireplace remains in what would have been the Great Hall.

Next to the Great Hall was the Earl’s bedroom.

From here we have a good view of the remnants of the Gothic house remnants:

Remnants of the Gothic styled house which had been built onto the castle.

We climbed a stone spiral staircase inside the tower to see the upper chambers. As usual in tower houses, the narrow spiral staircase was built partly for defense.

We next reached the “Young Ladies’ Bedroom.” The noticeboard tells us that three daughters of Cormac Teige MacCarthy (d. 1583), 14th Lord, grew up here.

The room above the Great Hall in the tower would have been the family room.

Blarney Castle, June 2022.
Remaining plasterwork on the wall in the family room.
Blarney Castle, June 2022.
One end of the Family Room has a large fireplace, and the Banqueting Hall was on the storey above. The floor of the Banqueting Hall no longer exists, but you can see the fireplace of this room on the right hand side of the photograph.
Continuing our climb up to the top of Blarney Castle, looking down.

The floors of the banqueting hall, above the family room, and the chapel which would have been on the floor above the banqueting hall, are gone, so when you reach the top of the castle, you can look down inside.

Blarney Castle, June 2022.
Looking down from the battlements at what would have been the chapel (with the arched windows) and the Banqueting Hall below.

In the Chapel, mass would have been said in Latin, and the chaplain acted as tutor to the children also. The builder of Blarney Castle, Cormac Laidir MacCarthy, was a generous patron of the church and he built five churches, including Kilcrea Abbey where he was buried, which became the traditional burial place for the lords of Blarney.

Blarney Castle, June 2022.
I love how well-preserved the stone door and window frames remain.

The information boards tell us that feasting was part of the way of life at the time and a meal was combined with a night’s entertainment as part of the social life of the Castle. A series of courses would be served, with fish eggs, fowl and roast meat, all highly spiced to keep them fresh. Alcohol served included mead, beer, wine and whiskey. The high ranks sat near the Lord at the top of the table “above the salt” and others sat “below the salt.” As the meal progressed the Chieftain’s Bard would play his harp and sing songs celebrating the prowess of the MacCarthy clan.

Blarney Castle, June 2022.
The bell-tower, midway along the top of the eastern battlements. The north pilaster supporting the arch is built on top of a chimneystack that served the fireplaces in the Great Hall and the Banqueting Hall.

The Historic Houses of Ireland website tells us that in former times visitors were lowered over the parapet to kiss ‘The Stone’ while gripped firmly by the ankles. The process has become easier and safer today though one still has to lean very far back to kiss the stone, head dangling downward. It has been a popular tourist destination since the days of Queen Victoria. The keep and Blarney stone remains, “despite the osculatory attrition of the eponymous stone by thousands of tourists every year” as Burke’s Peerage tells us with verve! (107th Edition (2003) page 865)

Photograph dated around 1897, National Library of Ireland Creative Commons on flickr.
photo by Chris Hill, 2015, Tourism Ireland, Ireland’s Content Pool.
Winston Churchill at Blarney Stone, 1912.
Photograph from National Library of Ireland Creative Commons.

One can see from the window embrasures how thick the castle walls are. There are passageways within the walls.

Passageways within the thick walls of the castle.

Some passageways lead to ancilliary rooms, sometimes to a garderobe or “bathroom.”

Blarney Castle, June 2022.
Blarney Castle, June 2022.
Blarney Castle, June 2022.

James St. John Jeffereyes (1734-1780) inherited Blarney estate at the age of six. St. John Jeffereyes was an “improving” landlord who sought to aid the welfare of his tenants and maximise profits from his estates. He took an interest in the linen trade developing in County Cork, which processed locally grown flax into linen. St. John Jeffereyes created a village near Blarney Castle in 1765 with a linen mill, bleach mill, weavers’ cottages and a bleach green. The River Martin powered the mills. The rise of cotton, however, proved the downfall of the production of linen. In 1824, Martin Mahon moved his woollen manufacturing business to a former cotton mill in Blarney, to develop Blarney Woollen Mills. James St. John also, with three other landed gentlemen, established the Tonson Warren bank in Cork city (1768). It was a prominent institution in Cork until its failure in 1784, after Jeffereyes’s death.

James St. John Jeffereyes first married Elizabeth Cosby (1721-1788). We came across her when we visited Stradbally in County Laois, which is still owned by the Cosby family. Her father was William Cosby (1690-1736), who was Governor of New York. She had been previously married to Augustus Fitzroy, 2nd Duke of Grafton, who died in 1741. James St. John and Elizabeth’s daughter Lucia served as Maid of Honour to Queen Charlotte, wife of King George III.

James St. John Jeffereyes married secondly Arabella Fitzgibbon, sister of the 1st Earl of Clare, John Fitzgibbon (1748-1802) (who, by the way, married the daughter of Richard Chapell Whaley, who had the house on St. Stephen’s Green built which now houses the Museum of Literature Ireland (MOLI) – see my entry for MOLI on https://irishhistorichouses.com/2020/06/06/covid-19-lockdown-20km-limits-and-places-to-visit-in-dublin/. He was the Lord Chancellor of Ireland who forced the Act of Union through parliament). With Arabella, James had a son and heir, George Jeffereyes (1768-1841).

James’s son George Jeffereyes (1768-1841) married Anne, daughter of the Right Hon. David la Touche of Marlay, the richest man in Ireland and head of the banking dynasty. George’s sisters also married well: Marianne married George Frederick Nugent, 7th Earl of Westmeath; Albinia married Colonel Stephen Francis William Fremantle; and Emilia married Richard Butler, 1st Earl of Glengall.

The Court was destroyed by fire in 1820. Instead of rebuilding, George Jeffereyes and his family moved to Inishera House in West Cork. [7] George and Anne’s son St. John Jeffereyes (1798-1862) inherited Blarney. He had a son, also St. John, who lived in Paris and died in 1898. The estate passed to St. John’s sister Louisa, who married George Colthurst (1824-1878), 5th Baronet Colthurst, of Ardum, Co. Cork. He was a man of property, with another large estate at Ballyvourney near the border with County Kerry, along with Lucan House in County Dublin (currently the Italian ambassador’s residence in Ireland). Blarney remains in the hands of the Colthurst family. Blarney House was built for Louisa and George Colthurst, in 1874.

Blarney House, built for George Colthurst (1824-1878), 5th Baronet Colthurst and his wife Louisa Jeffereyes in 1874, as seen from the top of Blarney Castle.

George Colthurst’s maternal grandmother was Emily La Touche, daughter of David La Touche and Elizabeth Marlay, and paternal grandmother was Emily La Touche’s sister Harriet. Their sister Anne had married George Charles Jeffereyes, Louisa’s grandmother, so Louisa and George were second cousins.

Randall MacDonald tells us in his book The Lost Houses of Ireland. A chronicle of great houses and the families who lived in them:

p. 29 “The Colthursts had arrived in Ireland from Yorkshire towards the end of Elizabeth I’s reign and settled in Cork. Christopher Colthurst was murdered by the rebels in 1641 near Macroom in County Cork. By the 1730s, they were High Sheriffs of County Cork, and in 1744 John Colthurst, who had married the daughter of the 1st Earl of Kerry, Lady Charlotte Fitzmaurice, was created a baronet. It would be uncharitable to suggest that it was his father-in-law’s influence that procured him this advancement. He was Member of Parliament for Doneraile from 1751 (and afterwards for Youghal and Castle Martyr). His son Sir John Colthurst, the 2nd Baronet, was killed in a duel with Dominick Trant in 1787 and the title passed to his brother (MP for Johnstown, Co Longford and then for Castle Martyr until 1795), who married Harriet, daughter of the Right Hon. David la Touche. Sir Nicholas Colthurst, the 4th Baronet, was the MP for the city of Cork from 1812-1829.

It was his son, Sir George Colthurst, the 5th Baronet, who married Louisa Jefferyes of Blarney Castle in 1846.” [8]

The 9th Baronet Colthurst, Richard La Touche Colthurst (1928-2003) married Janet Georgina Wilson Wright, from Coolcarrigan in County Kildare, another section 482 property [ https://irishhistorichouses.com/2020/05/31/coolcarrigan-house-and-gardens-coill-dubh-naas-county-kildare/ ]. Their son is the current owner of Blarney Castle and House.

We headed for the coffee shop after our perusal of the Castle. In the yard they have beautiful barrell vaulted wagons, and in the cafe, lovely old travel advertisements.

Blarney Castle, June 2022.
Blarney Castle, June 2022.
Blarney Castle, June 2022.
Blarney Castle, June 2022.
Blarney Castle, June 2022.
Individual stables have been made into “snugs” for snacks.

The seventy acres of gardens offer various landscapes. The bawn contains a Poison Garden, or medicinal garden, where various medicinal plants are grown, including poisons such as wolfsbane, ricin, mandrake, opium and cannabis.

The bawn wall and poison garden.

The Rock Close is the garden that was developed by the Jefferyes in the 1750s and echoes Ireland’s ancient past with giant rock formations and hints of Druidic culture. Water running through adds to the beauty, with a lovely waterfall.

Blarney Castle, June 2022.
We were impressed by the bamboo maze.
Blarney Castle, June 2022.

My favourite area is the Fern Garden, which feels prehistoric and is extremely picturesque, with raised wooden walkways. We headed to Blarney House, which will be my next entry!

The Fern Garden, which includes lovely wooden walkways.

[1] p. 108. Ohlmeyer, Jane. Making Ireland English: The Irish Aristocracy in the 17th Century.

[2] See Ó Siochrú, Micheál’s entry in the Dictionary of Irish Biography: https://www.dib.ie/biography/maccarthy-donough-a5129

[3] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[4] G.E. Cokayne; with Vicary Gibbs, H.A. Doubleday, Geoffrey H. White, Duncan Warrand and Lord Howard de Walden, editors, The Complete Peerage of England, Scotland, Ireland, Great Britain and the United Kingdom, Extant, Extinct or Dormant, new ed., 13 volumes in 14 (1910-1959; reprint in 6 volumes, Gloucester, U.K.: Alan Sutton Publishing, 2000), volume III, page 216. Quoted on the website The Peerage.com. See also https://www.dib.ie/biography/maccarthy-donogh-a5128

[5] https://www.ihh.ie/index.cfm/houses/house/name/Blarney%20House

[6] https://landedestates.ie/family/2877

[7] see the timeline in James Lyttelton’s Blarney Castle, An Irish Towerhouse.

[8] MacDonnell, Randal. The Lost Houses of Ireland. A chronicle of great houses and the families who lived in them. Weidenfeld and Nicolson. London, 2002.

Places to visit and stay in County Limerick, Munster

On the map above:

blue: places to visit that are not section 482

purple: section 482 properties

red: accommodation

yellow: less expensive accommodation for two

orange: “whole house rental” i.e. those properties that are only for large group accommodations or weddings, e.g. 10 or more people.

green: gardens to visit

grey: ruins

Munster’s counties are Clare, Cork, Kerry, Limerick, Tipperary and Waterford.

For places to stay, I have made a rough estimate of prices at time of publication:

€ = up to approximately €150 per night for two people sharing (in yellow on map);

€€ – up to approx €250 per night for two;

€€€ – over €250 per night for two.

For a full listing of accommodation in big houses in Ireland, see my accommodation page: https://irishhistorichouses.com/accommodation/

Limerick:

1. Askeaton Castle, County Limerick – OPW

2. Desmond Castle, Adare, County Limerick – OPW

3. Desmond Castle, Newcastlewest, County Limerick – OPW

4. Glebe House, Holycross, Bruff, Co. Limerick – section 482

5. Glenville House, Glenville, Ardagh, Co. Limerick – section 482

6. Glenquin Castle, Newcastle West, Co Limerick – open to visitors 

7. Glenstal Abbey, County Limerick

8. Kilpeacon House, Crecora, Co. Limerick – section 482

9. King John’s Castle, Limerick

10. Odellville House, Ballingarry, Co. Limerick – section 482

11. Mount Trenchard House and Garden, Foynes, Co. Limerick – section 482

12. The Turret, Ryanes, Ballyingarry, Co. Limerick – section 482

13. The Old Rectory, Rathkeale, Co. Limerick – section 482

Places to stay, County Limerick:

1. Adare Manor, Limerick – hotel €€€

2. Ash Hill Towers, Kilmallock, Co Limerick – section 482, Hidden Ireland accommodation €

3. Ballyteigue House, County Limerick self-catering whole house accommodation, rental per week. €€ for two, € for 4-10

4. Deebert House, Kilmallock, County Limerick – B&B and self-catering

5. The Dunraven, Adare, Co Limerick € 

6. Flemingstown House, Kilmallock, Co. Limerick, Ireland whole house accommodation, up to 11 guests. €€€ for two for a week, € for 4-11

7. Longcourt House Hotel, Newcastle West, Co Limerick €

8. Woodlands House and Spa, Adare, Co Limerick €€

Whole house rental County Limerick

1. Ballyteigue House, Bruree, County Limerick – self-catering whole house accommodation, rental per week. €€ for two, € for 4-10

2. Fanningstown Castle, Adare, County Limerick – sleeps 10

3. Flemingstown House, Kilmallock, Co. Limerick, Ireland whole house accommodation, up to 11 guests. €€€ for two for a week, € for 4-11

4. Glin Castle, whole house rental.

5. Springfield Castle, Drumcollogher, Co. Limerick, Ireland €€€ for 2, € for 5-25.

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Limerick:

1. Askeaton Castle, County Limerick – OPW

See my OPW write-up: https://irishhistorichouses.com/2022/06/26/opw-sites-in-munster-clare-limerick-and-tipperary/

2. Desmond Castle, Adare, County Limerick – OPW

See my OPW write-up:

https://irishhistorichouses.com/2022/06/26/opw-sites-in-munster-clare-limerick-and-tipperary/

Desmond Castle, Adare, courtesy of National Library of Ireland, photograph by Robert French, Lawrence Photographic Collection.

3. Desmond Castle, Newcastlewest, County Limerick – OPW

Desmond Castle, Newcastle West, County Limerick, August 2022.

See my OPW write-up: https://irishhistorichouses.com/2022/06/26/opw-sites-in-munster-clare-limerick-and-tipperary/

4. Glebe House, Holycross, Bruff, Co. Limerick – section 482

Is this it? Brackvoan, former Presbytry, Bruff, County Limerick, photograph from National Inventory of Architectural Heritage. [3]

Open dates in 2023: Jan 4-6, 9-13, 16-20, 23-27, 30-31, Mon-Fri, 2.30pm-6.30pm, May 8-26, June 12-23, Mon-Fri, 2.30pm-6.30pm, Sat & Sun, 8am-12 noon, Aug 12-20, National Heritage Week, 9am-1pm

Fee: Free

5. Glenville House, Glenville, Ardagh, Co. Limerick V42 X225 – section 482

Glenville House, County Limerick, August 2022.

Open dates in 2023: Apr 1-28, May 2-31, June 1-10, Tue-Sat, Aug 11-20, 9.30am-1.30pm

Fee: adult €5, OAP/student €3, child free

See my entry https://irishhistorichouses.com/2023/03/19/glenville-house-glenville-ardagh-co-limerick-v42-x225/

6. Glenquin Castle, Newcastle West, Co Limerick – open to visitors 

One of the finest tower houses to survive from the 16th century, Gleann an Choim (Glen of the Shelter) is situated a few miles from Ashford at the edge of the road (open to the public during summer). 

This castle was a fortified dwelling, for the protection against raids and invaders, more correctly described as a Tower House. [5]

Robert O’Byrne tells us: “Thought to stand on the site of an older building dating from the 10th century, Glenquin Castle in Killeedy was built by the O’Hallinan family (their name deriving from the Irish Ó hAilgheanáin, meaning mild or noble). When the castle was built seems unclear; both the mid-15th and mid-16th centuries are proposed. Regardless, it is typical of tower houses being constructed at the time right around the country.” [6]

7. Glenstal Abbey, County Limerick

Glenstal Abbey, Courtesy Michelle Crowley 2020 for Tourism Ireland, Ireland’s Content Pool. [7]

https://glenstal.com/

The website tells us: “Glenstal Abbey is home to a community of Benedictine monks in County Limerick, Ireland, and is a place of prayer, work, education and hospitality. The monastery sits alongside a popular guesthouse and a boarding school for boys, housed within a 19th century Normanesque castle amidst five hundred magnificent acres of farmland, forest, lakes and streams.

We are happy to welcome groups who wish to visit the monastery and spend some time getting to know our place, our tradition and our life.”

You can book to stay, as a retreat: https://glenstal.com/abbey/stay/

View of a copy of the romansque cathedral door in Glenstall. Country Life 03/10/1974 [8]

The castle was built as a home for Joseph Barrington (1764-1846), 1st Baronet of Limerick. Joseph married Mary Baggott – I wonder are we distantly related? She was the daughter of Daniel Baggot (the landed families website tells us that he was a bootseller in Limerick!). Joseph’s son Matthew, 2nd Baronet was also involved with having the home built.

The front door is flanked by figures of Henry II and Queen Eleanor, who were such a warring couple that one wonders if they were chosen in ignorance: the Queen holds a scroll on which is inscribed the Irish welcome, Cead mile failte. [9]

Mark Bence-Jones writes (1988):

p. 139. “(Barrington, BT/Pb) A massive Norman-Revival castle by William Bardwell, of London, begun in 1837, though not finished till about 1880. 

The main building comprises a square, three-storey keep joined to a broad round tower by a lower range. 

The entrance front is approached through a gatehouse copied from that of Rockingham Castle, Northamptonshire. The stonework is of excellent quality and there is wealth of carving; the entrance door is flanked by the figures of Edward I and Eleanor of Castille; while the look-out tower is manned by a stone soldier. Groined entrance hall; staircase of dark oak carved with animals, foliage and Celtic motifs, hemmed in by Romanesque columns; drawing room with mirror in Norman frame. Octagonal library at the base of the round tower, lit by small windows in very deep recesses; the vaulted ceiling painted with blue and gold stars; central pier panelled in looking-glass with fireplace. Elaborately carved stone Celtic-Romanesque doorway copied from Killaloe Cathedral between two of the reception rooms. Glen with fine trees and shrubs; river and lake, many-arched bridge. Now a Benedictine Abbey and a well-known  boys’ public school.” 

Glenstal Abbey, photograph from National Inventory of Architectural Heritage.
Glenstal Abbey, photograph from National Inventory of Architectural Heritage.
Glenstal Abbey, photograph from National Inventory of Architectural Heritage.
Glenstal Abbey, photograph from National Inventory of Architectural Heritage.
Glenstal Abbey, photograph from National Inventory of Architectural Heritage.
Glenstal Abbey, photograph from National Inventory of Architectural Heritage.
Glenstal Abbey, photograph from National Inventory of Architectural Heritage.

Sean O’Reilly writes: “the castle remains one of the most magnificent attempts at creating an Irish version of the medieval Anglo-Norman castle. Yet Glenstal’s castle-like form is not due to the need for defence. In a tradition going back to Georgian castles such as Glin, Co Limerick and Charleville forest, Co Offaly, the intention is to evoke some ancient time, but conbined with the needs of a modern country house.” [10]

“(p. 172)The appearance of antiquity might also give to its patron at least the suggestion of an ancient lineage, and that in itself, in an increasingly disjointed Irish society, was not without significance. The Barringtons settled in Limerick relatively late, at the end of the seventeenth century, and furthered their fame less though marriage than through hard work, innovative industry and successful trading. Pofessional advancement was not accompanied by significant social advance, and though Joseph Barrington was a baronet, the family were in essence business people rather than aristocracy. Although there was no speedier way of securing the impression of title and history than by having one’s own castle, his son Matthew, Crown solicitor for Munster, must have recognized the discomfort of real castles, and so decided to build a more comfortable, modern version. 

The design passed through numerous phases even before building began. Even after construction commenced in 1838, from designs provided by the successful English architect William Bardwell, changes, indecision and economic variables all added further complications. Initially, before the selection of the design, the problem was the choice of site. Not having inherited lands on which to build, Barrington might use any site, and he decided first on property he had leased in 1818 from the increasingly encumbered Limerick estates of the Lord Carberry. Part of these included the district of Glenstal, at one time intended as a site for the house, and although Barrington later turned to various other sites, he took with him the name. Consequently, in a very characteristic Georgian incongruity, the title of this apparently ancient castle bears no relation to the land on which it sits.

View of the Central peri of one of the fire places in the library at Glenstall. Country Life 03/10/1974 [8] 

O’Reilly tells us “[William] Bardwell [1795-1890], little known today despite his long life – he died in 1890 aged 95 – was still less familiar when first employed by Barrington, and Glenstal remains his most important work. After training in England he advanced his studies, rather unusually for the date, in France. He gained some celebrity through competing both for the London Houses of Parliament, and for the Fitzwilliam Museum at Cambridge. It may well have been the Norman tower proposed by Bardwell as his entrance to Parliament that suggested him to his Limerick patron, though as all periods of architecture were intended to be represented in that building, any prospective client may have found something of interest. 

The ultimate inspiration for Bardwell’s Glenstal lay less with the designs of the Paines or O’Hara than with the work of Thomas Hopper, notably his Gosford Castle in Armagh, of 1819. This was the first Normal revival castle in these islands, and the first in a style that Hopper would make his own. Neither Barrington nor Bardwell need have been with Gosford itself, for by the late 1830s the type was not uncommon. 

…Bardwell was in Ireland in 1840, reviewing the completed work. It then extended from the largest, southern, tower to the gatehouse in the south-east wall. However, work stopped in the following year, and began again only in 1846 or 1847. Construction paused again in 1849, to recommence in about 1853, with Bardwell finally paid off, and a Cork architect, Joshua Hargrave, appointed to complete the work with restricted funds, and to create something approaching a functioning building…

Most carving was executed by an English firm, W.T. Kelsey of Brompton, which provided fifteen cases of columns, capitals and corbels in 1844. However, the detailing of much of the carved work suggests some familiarity with Irish early Christian sources, and echoes abound of recent work at Adare Manor, itself being slowly built over many years, although using native craftsmen. 

If much of the carved detail is evocative rather than accurate, there are also striking and significant copies of Irish early Christian design. The style was then only beginning to receive proper attention as part of Ireland’s heritage. The idea may have been inspired again by Dunraven’s Adare – Barrington is known to have had business dealings with the family – for they used such Hiberno-Romanesque designs in the doorcase of their entrance hall. At Glenstal we find superb copies, notably the doorcase connecting the dining room and drawing room. This is a magnificently carved and surprisingly accurate reconstruction of the doorway in Killaloe Cathedral, Co Clare, today recognized as one of the masterpieces of the Irish Romanesque. A lack of understanding of the importance of such work was prevalent in mid-nineteenth-century Ireland – it might be compared to the recent lack of interest in the heritage of the country house – and its introduction here was an important moment in the history of the revival of interest in Ireland’s Christian and Celtic legacy.

“…It was part of a wider interest in Ireland’s national character that the future of this important house was put in jeopardy. The tragic accidental shooting of the daughter of the 5th Baronet, Charles Barrington, by the IRA in an ambush on the Black and Tans in May 1921, led to the family’s departure and, eventually, the sale of the estate in 1925.

Timothy William Ferres quotes “The Origins and Early Days of Glenstal” by Mark Tierney OSB, in Martin Browne OSB and Colmán O Clabaigh (eds), The Irish Benedictines: a history (Dublin, 2005):

When eventually, in 1925, the time came to leave, Sir Charles made a magnificent gesture. He wrote to the Irish Free State government, offering Glenstal as a gift to the Irish nation, specifically suggesting that it might be a suitable residence for the Governor-General. 

Mr W T. Cosgrave, the President of the Executive Council of the Irish Free State, and Mr Tim Healy, the Governor-General, visited Glenstal in July 1925, and ‘were astonished at its magnificence, which far exceeded our expectations’. However, financial restraints forced them to turn down the offer. Mr Cosgrave wrote to Sir Charles, stating that ‘our present economic position would not warrant the Ministry in applying to the Dail to vote the necessary funds for the upkeep of Glenstal’. “

8. Kilpeacon House, Crecora, Co. Limerick – section 482

Open dates in 2023: May 1-June 30, Mon-Sat, Aug 12-20, 10am-2pm

Fee: adult/child/OAP €8

Kilpeacon, County Limerick, photograph from National Inventory of Architectural Heritage.

Mark Bence-Jones writes in his A Guide to Irish Country Houses (1988):

“[Gavin, sub Westropp/IFR] An early C19 villa undoubtedly by Sir Richard Morrison, though it is undocumented; having a strong likeness to Morrison’s “show” villa, Bearforest, Co Cork; while its plan is, in Mr. McPartland’s words, “an ingenious contraction of that of Castlegar,” one of his larger houses in the villa manner, 2 storey; 3 bay front; central breakfront; curved balustraded porch with Ionic columns; Wyatt windows under semi-circular relieving arches on either side in lower storey. Eaved roof. 5 bay side elevation. Oval entrance hall. Small but impressively high central staircase hall lit by lantern and surrounded by arches lighting a barrel-vaulted bedroom corridor. The seat of the Gavin family.

The landed estates database tells us:

Lewis writes that the manor was granted to William King in the reign of James I and that “the late proprietor” had erected a handsome mansion which was now the “property and residence of Cripps Villiers”. In his will dated 1704 William King refers to his niece Mary Villiers. The Ordnance Survey Field Name Book states that Kilpeacon House was the property of Edward Villiers, Dublin, and was occupied by Miss Deborah Cripps. Built in 1820 it was a large, commodious building of 2 stories. It was the residence of Edward C. Villiers at the time of Griffith’s Valuation, held in fee and valued at £60. Bought by Major George Gavin in the early 1850s from the Villiers and the residence of his son Montiford W. Gavin in the early 20th century. The Irish Tourist Association surveyor writes in 1942 that this house was completed in 1799. The owner was Mrs O’Kelly, her husband having purchased the house in 1927 from the Gavins. This house is still extant and occupied.” [11] 

9. King John’s Castle, Limerick

King John’s Castle Limerick, July 2018.

Maintained by Shannon Heritage. Archiseek tells us: “King John’s Castle, on the south side of Thomond Bridge head, built in 1210 “to dominate the bridge and watch towards Thomond”, is one of the finest specimens of fortified Norman architecture in Ireland.

The castle is roughly square on plan and its 60 meter frontage along the river is flanked by two massive round towers, each over 15m. in diameter with walls 3 metres thick. The castle gate entrance – a tall, narrow gateway between two tall, round towers is quite imposing. There is another massive round tower at the north east corner of the fortification, but the east wall and the square tower defending the south-east corner of the castle, and on which cannons were mounted, is long demolished. 

There was a military barracks erected within the walls in 1751, some of which still remains. Houses were also erected in the castle yard at a very much later date. These have now been removed and a modern visitor centre built on the walls. 

The walls and towers still remaining of the castle are in reasonably good state of preservation. The domestic buildings of the courtyard do not survive, except for remnants of a 13th century hall and the site of what could be the castle chapel.” [12]

King John’s Castle Limerick, July 2018.
King John’s Castle Limerick, July 2018.

The castle was built around 1197 under the orders of King John following the invasion of the Anglo-Normans. It was built on the site of an original Viking settlement believed to date back to 922 AD.” [13]

King John’s Castle, Limerick. The information board tells us that from here you can see the Gatehouse and the Great Hall. These are some of the earliest remaining features of the stone castle: the back of the twin-towered gatehouse and the northeast tower. The gatehouse defences were continued into the courtyard by means of an arched passageway, at the end of which were placed the inner gates of the castle. This extension was demolished in the 18th century.

The information board tells us that built between 1210-1212 along part of the line of the 12th century ringwork, the gatehouse was the first of its kind to be constructed in Ireland, with boldly projecting towers placed on either side of the gate. It followed the latest trend in European castle building, moving from rectangular to round towers, as curved walls offered better protection from attack, particularly from mining. Mining is when one digs a series of holes or “mines” under the walls in order to weaken the walls – hence comes our term “to undermine.” The two towers of the gatehouse are “D” shaped in plan, with three floors of circular chambers within and a parapet on top.

By flanking the gate, the two towers allowed the castle’s entrance to be defended in depth, from a number of well-positioned arrow loops in the chambers. The defences also included a portcullis and a murder hole. The castle was also supplied via the river, where there is a more modest watergate in the west curtain wall.

“In 1642 the castle was occupied by people escaping the confederate wars and was badly damaged in the Siege of Limerick. The confederate leader Garret Barry had no artillery so dug under the foundations of the castle’s walls, causing them to collapse. There was also considerable damage caused during the Williamite sieges in the 1690s and so the castle has been repaired and restored on a number of occasions.” [13]

It is a good place here to review the Siege of Limerick. Near the castle is the Treaty Stone: apparently the Treaty of Limerick, which was signed by, amongst others, John Baggot, was signed on this stone, which was later memorialised on a plinth. A series of plaques on the ground around the stone tells us the story of the Siege of Limerick:

The War of Two Kings. James II, a Catholic, was king of England. Parliament, unhappy with the power that James II had given to the Catholics, invite William and Mary to take over the throne. William of Orange was married to Mary the Protestant daughter of James. William arrives in England. James, fearing for his life, flees to France and gets support from his cousin Louis XIV, William’s enemy. James lands at Kinsale.

A document in St Patrick’s Cathedral, Dublin, with pictures of King William III and Queen Mary, the daughter of King James II.

William and Mary are crowned King and Queen of England. A French army of 7000 men arrive in Ireland to help James regain his crown.

King William arrives in Carrickfergus with a large army, aiming to take Dublin. Battle of the Boyne. James’ army had 25,000 poorly equipped Irish and French soldiers. William had 36,000 experienced soldiers from all over Europe. King William is victorious.”

King William sent General Schomberg first, who landed in Carrickfergus on 14th June 1690 with 300 troops.

Seats of Schonberg (or Schomberg) and King William III in St Patrick’s Cathedral, Dublin.
Chair where King William III sat in St Patrick’s Cathedral where he gave thank for winning the Battle of the Boyne.

The plaques continue the story: “July 2nd 1690 James flees to France. By the 2nd July, most of the army had gathered in Limerick with Tyrconnell [Richard Talbot (1630-1691), 1st Duke of Tyrconnell] in charge. Limerick, an important port, was the second largest city in the country, with 1000 inhabitants. The Irish military in Limerick had few weapons. A small force of French cavalry were with the Irish cavalry on the Clare side of the Shannon. Their leader was Patrick Sarsfield, Earl of Lucan [1620-1693].

First Siege of Limerick. King William’s army began to set up camp while they waited for their heavy guns and ammunition to arrive from Dublin. Aug 10th 1690, In a daring overnight raid Sarsfield attacked the siege train at Ballyneely. King William continued his siege but massive resistance from the Jacobite army and the people of Limerick, plus bad weather, forced him to call off the siege.

King William returned to England leaving Baron de Ginkel in charge. Cork and Kinsale surrendered to William’s army. Sarsfield rejects Ginkel’s offer of peace. More French help arrives in Limerick as well as a new French leader, the Marquis St. Ruth. Avoiding Limerick, Ginkel attacked Athlone, which guarded the main route into Connaght. 30th June 1691, Athlone surrendered. St. Ruth withdrew to Aughrim. 12th July 1691 The Battle of Aughrim. The bloodiest battle ever fought on Irish soil. The Jacobites were heading for victory when St. Ruth was killed by a cannonball. Without leadership the resistance collapsed and by nightfall, the Williamites had won, with heavy losses on both sides. Most of the Jacobites withdrew to Limerick.

There is a John Baggot who fought in the Battle of Aughrim, and lost an eye. He later went to France with the Wild Geese, and served in the court of James II and “James III” (his followers called him James III although he was not the recognised king).

The city walls had been strengthened since the previous year. Tyrconnell died in mid-August and the promised help from Louis XIV had not yet arrived. The Second Siege of Limerick. Ginkel and the Williamites reached Limerick and took up positions on the Irishtown side. They bombarded the city daily with cannon. They managed to break down a large section of the walls at English town, but could not get into the city. With a large English fleet on the Shannon, the city was cut off and almost completely surrounded. Sept 22nd 1691 Ginkel’s army attacked the Jacobites who were defending Thomond Bridge. The drawbridge was ordered to be raised too soon and about 600 Irish were killed or drowned. This had a profound effect on the morale of the garrison. A council of war was held and the Jacobites decided to call a truce. Leaders from both sides saw that they could gain more by ending the fighting and the discussions were conducted with great courtesy. The Treaty was finally signed on October 3rd 1691, reputedly on the Treaty Stone.

Article Civil and Military, agreed on the 3rd day of October 1691, between the Right Honourable Sir Charles Porter, Knight, and Thomas Coningsby, Esq, Lords Justices of Ireland, and his Excellency the Baron de Ginkel, Lieutenant General, and the Commander in Chief of the English army, of the one part and Sarsfield and his followers on the other. The treaty had civil and military sections. The Civil articles promised freedom to practice their religion to Catholics, but in the years after 1691, harsh laws were passed against Catholics known as the Penal Laws.

The broken treaty embittered relations between the English and Irish for two centuries.

The military parts of the Treaty allowed the Irish Jacobites to join the French army. Most of the Irish (about 14,000 approx.) went to France with Sarsfield. Some of their wives and children also travelled to France. These exiles were known as the Wild Geese. The Wild Geese became part of the French army, which included Irish regimens until the French Revolution. Wine Geese: some of the Wild Geese got into the wine trade, where their names live on today, names such as Michael Lynch, who fought in the battle of the Boyne, Phelan, Barton, and Richard Hennessy of Hennessy cognac.

John Baggot’s sons (sons of Eleanor Gould), John and Ignatius, became soldiers and one fought for France and one fought for Spain.

In 1791 the British Army built military barracks suitable for up to 400 soldiers at the castle and remained there until 1922. In 1935 the Limerick Corporation removed some of the castle walls in order to erect 22 houses in the courtyard. These houses were subsequently demolished in 1989 when the castle was restored and opened to the public.” [13]

10. Odellville House, Ballingarry, Co. Limericksection 482

Odellville, Photograph from the National Inventory of Architectural Heritage. [14]

www.odellville.simplesite.com
Open: May 1-31, June 1-30, Aug 12-20, 10am-2pm

Fee: adult €8, student/OAP/child €4

The National Inventory tells us it is a detached five-bay two-storey over basement house, built c. 1780, with later two-storey extension to rear (south). It continues: “Odell Ville is typical of the small country houses of rural Ireland, often associated with the gentleman farmers of the eighteenth century. The retention of historic fabric such as sliding sash windows, fine tooled limestone details and modest door with its stepped approach all contribute positively to the building’s character. It was once the house of T. A. O’Dell, Esq. Athough of a modest design, the overall massing of the house makes a strong and positive impact on the surrounding countryside. The associated gate lodge adds further context and character to the site.” [14]

11. Mount Trenchard House and Garden, Foynes, Co. Limericksection 482

Open: June 1-30, July 1-31, Aug 12-20, 9am-5pm

Fee: adult €8, child/OAP/student €4

Mount Trenchard, County Limerick, August 2022.

We visited Mount Trenchard during Heritage Week 2022 – see my entry: https://irishhistorichouses.com/2023/04/01/mount-trenchard-house-and-garden-foynes-co-limerick/

12. The Turret, Ryanes, Ballyingarry, Co. Limerick V94 HV24 – section 482

The Turret, County Limerick, August 2022.

Open dates in 2023: May 1-31, June 1-15, Aug 1-31, 2pm-6pm

Fee: adult €5, OAP/child/student/ free

We visited The Turret during Heritage Week 2022: see my entry https://irishhistorichouses.com/2023/03/23/the-turret-ballingarry-co-limerick-v94-hv24/

14. The Old Rectory, Rathkeale, Co. Limerick – section 482

contact: John Roche
Tel: 087-8269123
Open: May 6-Nov 26, Saturday and Sundays, National Heritage Week, Aug 12-20 10am-2pm

Fee: adult €8, child/OAP/student €3

Places to stay, County Limerick:

1. Adare Manor, Limerick – hotel €€€

Adare Manor, Limerick, October 2012.
Adare Manor, photograph from Lawrence Collection, National Library of Ireland, flickr constant commons.

Mark Bence-Jones writes (1988):

Originally a two storey 7 bay early C18 house with a 3 bay pedimented breakfront and a high-pitched roof on a bracket cornice; probably built ca 1720-1730 by Valentine Quin [1691-1744], grandfather of the first Earl of Dunraven [Valentine Richard Quin (1752-1824)].”

David Hicks tells us in his Irish Country Houses, A Chronicle of Change that Valentine Quin converted to Protestantism to retain the Quinn lands. In the 1780s his son Windham remodelled the Georgian house in a neoclassical manner and made many improvements including the addition of another storey. His son Valentine Richard Quin inherited but due to debt, moved to England to live a more frugal lifestyle. He was created 1st Baronet Quin, of Adare, Co. Limerick in 1781, and 1st Baron Adare, of Adare in 1800 for voting for the Act of Union, and finally 1st Earl of Dunraven and Mount-Earl in 1822, Dunravan being chosen in honour of his daughter-in-law Caroline Wyndham and her home Dunraven Castle in Wales. His son Windham Henry (1782-1850), 2nd Earl, returned to the heavily indebted Irish estate in 1801 and managed to reduce debts by leasing land. He was elected MP for Limerick in 1806. He was a supporter of the Union but also an advocate of Catholic emancipation. In 1810 he married Caroline Wyndham, heiress to large estates in Wales, and as a result of her large inheritance, the Quin family name was changed to Wyndham-Quin. The Quin and Wyndham heraldic shields decorate the entrance to the manor. An inscription in Gothic lettering on the south front of the manor reads “This goodly house was erected by Windham Henry Earl of Dunraven and Caroline his Countess without borrowing, selling or leaving a debt.”

Bence-Jones continues: “From 1832 onwards the 2nd Earl, whose wife was the wealthy heiress of the Wyndhams of Dunraven, Glamorganshire, and who was prevented by gout from shooting and fishing, began rebuilding the house in the Tudor Revival style as a way of occupying himself; continued to live in the old house while the new buildings went up gradually behind it only moving out of it about ten years later when it was engulfed by the new work and demolished.

To a certain extent Lord and Lady Dunraven acted as their own architects, helped by a master mason named James Conolly; and making as much use as they could of local craftsmen, notably a talented carver. At the same time, however, they employed a professional architect, James Pain; and in 1846, when the house was 3/4 built, they commissioned A.W. Pugin to design some of the interior features of the great hall. Finally, between 1850 and 1862, after the death of the second Earl, his son, the 3rd Earl [Edwin Richard Wyndham-Quin (1812-1871)], a distinguished Irish archaeologist, completed the house by building the principal garden front, to the design of P.C. [Philip Charles] Hardwick. The house, as completed, is a picturesque and impressive grey stone pile, composed of various elements that are rather loosely tied together; some of them close copies of Tudor originals in England, thus the turreted entrance tower, which stands rather incongruously at one corner of the front instead of in the middle, is a copy of the entrance to the Cloister Court at Eton.

Adare Manor, Limerick, October 2012.
Adare Manor, Limerick

Bence-Jones continues: “The detail, however, is of excellent quality; and the whole great building is full of interest, and abounds in those historical allusions which so appealed to early-Victorians of the stamp of the second Earl, his wife and son. As might be expected, Hardwick’s front is more architecturally correct than the earlier parts of the house, but less inspired; a rather heavy three storey asymmetrical composition of oriels and mullioned windows, relieved by a Gothic cloister at one end and dominated by an Irish-battlemented tower with a truncated pyramidal roof, surmounted by High-Victorian decorative iron cresting.

Adare Manor, Limerick, October 2012.
Adare Manor, Limerick:Irish-battlemented tower with a truncated pyramidal roof, surmounted by High-Victorian decorative iron cresting.

The Archiseek website tells us:

The structure is a series of visual allusions to famous Irish and English homes that the Dunravens admired. It is replete with curious eccentricities such as the turreted entrance tower at one corner rather than in the centre, 52 chimneys to commemorate each week of the year, 75 fireplaces and 365 leaded glass windows. The lettered text carved into the front of the south parapet reads: “Except the Lord build the house, the labour is but lost that built it.” The elaborate decoration is a miracle of stonework – arches, gargoyles, chimneys and bay windows. The interior spaces are designed on a grand scale. One of the most renowned interior spaces is the Minstrel’s Gallery: 132 foot long, 26-1/2 foot high expanse inspired by the Hall of Mirrors in Versailles and lined on either side with 17th Century Flemish Choir Stalls. 

Other architects to have collaborated with the Earl include Lewis [Nockalls] Cottingham, Philip Charles Hardwick, and possibly A.W.N Pugin who designed a staircase and ceiling.” [17]

Adare Manor, Limerick: The lettered text carved into the front of the south parapet reads: “Except the Lord build the house, the labour is but lost that built it.” O’Reilly tells us that “The ornamental carving at Adare is one of the earliest manifestations of a survival – or perhaps revival – in Ireland of ancient carving traditions. This same tradition would shape the future of the Gothic revival in Ireland, and make the nineteenth century one of the most creative periods in the whole history of the nation’s architecture. Two names in particular are associated with the stonework over the 1830s and early 1840s, James Conolly and Michael Donoghue, but it remains uncertain as to which of them, if either, deserves the major credit.”
Adare Manor, Limerick, 2012.
Adare Manor, Photograph from National Inventory of Architectural Heritage.
Adare Manor, Photograph from National Inventory of Architectural Heritage.
Adare Manor, Photograph from National Inventory of Architectural Heritage.
An inscription in Gothic lettering on the south front of the manor reads “This goodly house was erected by Windham Henry Earl of Dunraven and Caroline his Countess without borrowing, selling or leaving a debt.” Photograph from National Inventory of Architectural Heritage.
Adare Manor, Photograph from National Inventory of Architectural Heritage.
Adare Manor, Photograph from National Inventory of Architectural Heritage.
Adare Manor, Photograph from National Inventory of Architectural Heritage.
Adare Manor, Photograph from National Inventory of Architectural Heritage.
Adare Manor, Photograph from National Inventory of Architectural Heritage.
Adare Manor, Photograph from National Inventory of Architectural Heritage.

Mark Bence-Jones continues: “The entrance hall has doorways of grey marble carved in the Irish Romanesque style; the ceiling is timbered, the doors are covered in golden Spanish leather. The great hall beyond, for which Pugin provided designs, is a room of vast size and height, divided down the middle by a screen of giant Gothic arches of stone, and with similar arches in front of the staircase, so that there are Gothic vistas in all directions. A carved oak minstrels’ gallery runs along one side; originally there was also an organ-loft. From the landing of the stairs, a vaulted passage constitutes the next stage in the romantic and devious approach to the grandest room in the house, the long gallery, which was built before the great hall, in 1830s; it is 132 feet long and 26 feet high with a timbered roof; along the walls are carved C17 Flemish choir stalls and there is a great deal of other woodcarving, including C15 carved panelling in the door.

The other principal reception rooms are in Hardwick’s garden front; they have ceilings of Tudor Revival plasterwork and elaborately carved marble chimneypieces; that in the drawingroom having been designed by Pugin.

Hall of Adare Manor, Limerick, October 2012. Augustus Welby Northmore Pugin designed the shield bearing ravens that sit on top of the newel posts on the stairs in the Great Hall.
Hall of Adare Manor, Limerick, October 2012.

Sean O’Reilly writes in his book Irish Houses and Gardens. From the Archives of  Country Life.

Nowhere is the creativity of Adare more apparent than in the Great Hall and its associated spaces. Enclosed by screens of giant and more modest arches, round and pointed, surrounded by corridors, staircases and steps flying in an apparently conflicting succession of directions, and with galleries breaking through walls, not to mention the ubiquitous antlers of the Irish elk, the great hall was one of the most picturesque interiors of its day. Lady Dunraven described the room as being ‘peculiarly adapted to every purpose for which it may be required,’ observing that ‘it has been frequently used with equal appropriateness as a dining room, concert-room, ballroom, for private theatricals, tableaux vivants and other amusements.’ ” [18]

In 1834 the Dunravens visited Antwerp and purchased the woodcarvings to adorn the gallery. In 1835 they purchased a highly carved and decorative choir stall from St. Paul’s church in Antwerp. Local woodcarvers in Limerick then made an exact copy of the seventeenth century original in order to form a pair.

Inside Adare Manor, Limerick, October 2012: The Gallery.
The Gallery, Adare Manor, Limerick

O’Reilly writes: “If the hall is the most complex space, the most dramatic is the gallery, a huge timber-roofed space rising through two storeys and stretching nearly forty-five metres. With its architectural details, pictures and furnishings, the idea, as Cornforth so well expressed it, was to ‘create 250 years of history overnight.’ The family history from the twelfth century is traced in Willement’s stained glass and portraits – both family heirlooms and acquisitions – which carry the story through in more intimate, if also more vague terms. Seventeenth century Flemish stalls, purchased by the Dunravens during their Continental tour of 1834-36, add to the ambiguous combination of old and new.” [18]

Adare Manor, Limerick: 15th century carved panelling in the door. In 1835 the Dunravens purchased a highly carved and decorative choir stall from St. Paul’s church in Antwerp. Local woodcarvers in Limerick then made an exact copy of the seventeenth century original in order to form a pair.
The Gallery, Adare Manor, Limerick: Seventeenth century Flemish stalls, purchased by the Dunravens during their Continental tour of 1834-36.
The Gallery, Adare Manor, Limerick: 15th century carved panelling in the door. 
The Gallery, Adare Manor, Limerickchimneypieces were designed by Pugin.
The Gallery, Adare Manor, Limerick

O’Reilly adds: “It was Pugin’s successor, the English architect P.C. Hardwick, who developed the next and final major phase of work at Adare. This involved the laying out of the surrounding terraces, and the completion of the southern range, that which looks across to the river and occupies the site of the original classical house. Although Hardwick’s work embodies the professional finish of the later nineteenth century, it possesses none of the amateur exuberance of the earlier work. Yet his patron, the 3rd Earl, was to establish himself as one of the foremost authorities of Irish antiquities. He was a friend of the celebrated Irish antiquary George Petrie, and collated the material for the posthumously published Notes on Irish Antiquities, one of the most significant antiquarian publications of the century.” [18]

The principal reception rooms in Hardwick’s garden front have ceilings of Tudor Revival plasterwork and elaborately carved marble chimneypieces, that in the drawing room was designed by Pugin. The drawing room, library and other reception rooms in the garden front only came into use for the coming of age of the future fourth Earl of Dunraven in 1862. The third Earl married Augusta Charlotte Gould, whose grandmother was Mary Quin, daughter of Valentine Quinn who built the first house at Adare. Augusta’s sister Caroline married Robert Gore-Booth, 4th Baronet of Lissadell, County Sligo, a section 482 property.

Adare Manor, Limerick, 2012. The other principal reception rooms are in Hardwick’s garden front; they have ceilings of Tudor Revival plasterwork and elaborately carved marble chimneypieces; that in the drawing room having been designed by Pugin. 

A daughter of the 3rd Earl, Mary Frances, married Arthur Hugh Smith-Barry, 1st and last Baron Barrymore of Fota House in County Cork (see my entry https://irishhistorichouses.com/2022/01/19/office-of-public-works-properties-munster/ )

The 4th Earl had no sons and he was succeeded by his cousin, Windham Henry Wyndham-Quin (1857-1952), grandson of the 2nd Earl of Dunraven. He lived at Adare for twenty-six years, until his death in 1952. He was married to Eva Constance Aline Bourke, daughter of the 6th Earl of Mayo. It was their son, Richard Southwell Windham Robert Wyndham-Quin, 6th Earl of Dunraven and Mount-Earl, who made the difficult decision to sell Adare Manor due to difficult economic climate of the 1980s in Ireland. It took a while to find a suitable buyer. Unable to bear the expense of maintaining Adare Manor, the 7th Earl sold it and its contents in 1984.

Adare Manor, Limerick, 2012.
Adare Manor, Limerick, 2012.
Adare Manor, Limerick, 2012.
Adare Manor, Limerick, 2012.
Adare Manor, Limerick, breakfast room, 2012.
Adare Manor, Limerick, 2012.
Adare Manor, Limerick, 2012.

Mark Bence-Jones adds: “The house stands close to the River Maigue surrounded by a splendid desmesne in which there is a Desmond castle, and a ruined medieval Franciscan friary; one of three monastic buildings at Adare, the other two having been restored as the Catholic and Protestant churches.” 

Ruined medieval Franciscan friary at Adare Manor, Limerick, 2012.
Veteran’s Memorial, Adare Manor, Limerick
Adare Manor, Limerick, veterans memorial

Among the trees southwest of the Manor House are Ogham Stones, which were brought to Adare Manor from Kerry by Edwin, the 3rd Earl of Dunraven. Ogham Stones date from the early 5th Century to the middle of the 7th Century. They are mainly Christian in context and are usually associated with old churches or early Christian burial sites. Ogham inscriptions are in an early form of Irish, frequently followed by Latin inscriptions and often read from the bottom upwards.

Ogham stones at Adare Manor, Limerick.

2. Ash Hill, Kilmallock, Co Limerick V35 W306 – section 482, Hidden Ireland accommodation €

www.ashhill.com 
Tourist Accommodation Facility
As a Tourist Accommodation Facility, Ash Hill doesn’t need to open to the public, but it has listed Open Days in 2023 – contact them in advance to ensure that it is convenient for the owners for a visit: Mar 16-31, Apr 15-30, May 1-31, June 1-30, July 15-31, Aug 1-31, Sept 1-30, Oct 1-15, 9.30am-4.30pm

Fee: free

Ashill Towers, taken  c.1865-1914 by Robert French, Lawrence Photographic Collection, National Library of Ireland, flickr constant commons. The two corner towers were taken down in the 1960s.
Ash Hill, August 2022. Listed in National Inventory of Architectural Heritage. [1]

The website tells us: “Ash Hill is a large, comfortable Georgian estate, boasting many fine stucco ceilings and cornices throughout the house. For guests wishing to stay at Ash Hill, we have three beautifully appointed en-suite bedrooms, all of which can accommodate one or more cots…Open to the public from January 15th through December 15th. Historical tours with afternoon tea are easily arranged and make for an enjoyable afternoon. We also host small workshops of all kinds, upon request…For discerning guests, Ash Hill can be rented, fully staffed, in its entirety [comfortably sleeps 10 people]. Minimum rental 7 days.”

We treated ourselves to a stay during Heritage Week 2022 – https://irishhistorichouses.com/2023/04/06/ash-hill-kilmallock-co-limerick/

Our bedroom at Ash Hill, County Limerick.
The courtyard side of the house, Ash Hill.
The stables in the courtyard, Ash Hill.

3. Ballyteigue House, Bruree, County Limerick – self-catering whole house accommodation, rental per week. €€ for two, € for 4-10

Ballyteigue House, County Limerick, photograph from National Inventory of Architectural Heritage.

The National Inventory tells us it is a three-bay two-storey country house, built c. 1850, having later porch to front (south).

http://www.ballyteigue.com/

Ballyteigue House accommodation Limerick can accommodate nine people comfortably and there is a Courtyard Cottage which can accommodate an extra 6 people.

The House available for holiday lettings consists of 5 Bedrooms, 4 double or twin, and a single room. All rooms have their own bathroom.

Bruree is where President De Valera spent the early part of his life and went to school.

4. Deebert House, Kilmallock, County Limerick – B&B and self-catering http://www.deeberthouse.com/

The National Inventory tells us it was built in 1804.

5. The Dunraven, Adare, Co Limerick € 

https://www.dunravenhotel.com/

6. Flemingstown House, Kilmallock, Co. Limerick, Ireland  whole house accommodation, up to 11 guests. €€€ for two for a week, € for 4-11

https://flemingstownhouse.com

plus self-catering cottage for up to 4 people.

7. Longcourt House Hotel, Newcastle West, Co Limerick €

https://www.longcourthousehotel.ie/our-story/

“It is a vibrant property and the teams behind it are equally passionate and dedicated to the hotel and guests who frequent it. Jim & Mary Long are the proprietors, who purchased the property in 2014 and lovingly restored it and redeveloped it for its opening in December 2017. They are both from West Limerick but reside in London and have always maintained their strong connections to the area and frequent visitors to the hotel and their extended family and friends.”

8. Woodlands House and Spa, Adare, Co Limerick € or €€

https://www.woodlands-hotel.ie/home/history/

Fitzgeralds Woodlands House Hotel & Spa, which is a founding member of Original Irish Hotels, began life more than 40 years ago as a four-bedroomed bed and breakfast (B&B) run by Mary and Dick (RIP) Fitzgerald as a way to supplement their farming income.  Today, it is an 89-room award-winning four-star hotel employing more than 200 people.”

Whole house rental County Limerick

1. Ballyteigue House, Bruree, County Limerick – self-catering whole house accommodation, rental per week. €€ for two, € for 4-10 – see above

2. Fanningstown Castle, Adare, County Limerick – sleeps 10

https://fanningstowncastle.com/

3. Flemingstown House, Kilmallock, Co. Limerick, Ireland – whole house accommodation, up to 11 guests – see above

https://flemingstownhouse.com

plus self-catering cottage for up to 4 people.

4. Glin Castle, County Limerick – whole house rental.

Glin Castle, County Limerick, photograph from National Inventory of Architectural Heritage.

https://www.glin-castle.com/

You can see lovely photographs of the castle, inside and out, on the website.

The website tells us: “The castle comprises 5 exquisite reception rooms filled with a unique collection of Irish 18th century furniture. The entrance hall with a screen of Corinthian pillars has a superb Neo-classical plaster ceiling and the enfilade of reception rooms are filled with a unique collection of Irish 18th century mahogany furniture. Family portraits and Irish pictures line the walls, and the library bookcase has a secret door leading to the hall and the very rare flying staircase.

Upstairs there are 15+ individually decorated bedrooms, each with its own private bathroom. Colourful rugs and chaise longues stand at the end of comforting plump beds. Pictures and blue and white porcelain adorn the walls. The bedrooms at the back of the castle overlook the garden, while those at the front have a view of the river.

Glin Castle, County Limerick, photograph from National Inventory of Architectural Heritage.
Glin Castle, County Limerick, photograph from National Inventory of Architectural Heritage.

The website tells us of the history:

The FitzGeralds first settled here in the 1200’s at nearby Shanid Castle following the Norman invasion of Ireland. Their war cry was Shanid Abu!  (Shanid forever in Gaelic). In the early 14th century the Earl of Desmond, head of the Geraldines, made hereditary Knights of 3 illegitimate sons he had sired with the wives of various Irish chieftains, creating them the White Knight, the Green Knight of Kerry and the Black Knight of Glin. For seven centuries they defended their lands against the troops of Elizabeth I, and during the Cromwellian plantation and Penal laws.

Coming into the hall with its Corinthian columns and elaborate plaster ceiling in the neo­ classical style, one can see straight ahead among a series of family portraits, some already mentioned, the picture of Colonel John FitzGerald [(1765-1803)the 23rd Knight of Glin], the builder of the house, wearing the uniform of his volunteer regiment the Royal Glin Artillery. In his portrait, which hangs over the Portland stone chimneypiece, he is proudly pointing at his cannon. In May 1779 Colonel John’s father, Thomas FitzGerald, whose portrait in a blue coat is on the left of the dining room door, wrote to Edmund Sexton Pery the Speaker of the Irish House of Commons to warn him that a French naval invasion was expected off the coast. There were rumours that the American privateer Paul Jones had sailed up the Shannon to Tarbert after he had defeated an English ship in Belfast Lough in the summer of 1779. France and Spain had declared war on England and were supporting the American colonists in the War of Independence. Panic spread among the gentry and nobility of Ireland in case the country should be left unprotected in the face of an invasion, and the Irish Volunteer Regiments were raised between 1778 and 1783-40,000 men having been enrolled by 1779 and 100,000 by 1782. Inspired by the success of the Americans and with the strength of the Volunteers behind them, Henry Grattan and his Patriot Party demanded legislative independence for Ireland from Britain following their achievement of the abolition of trade restrictions in 1778. These stirring optimistic times were the background to the building of Glin.” 

Glin Castle, County Limerick, photograph from National Inventory of Architectural Heritage.

The website continues: “The new prosperity of the country was reflected in a great deal of public and private building and the accompanying extensive landscaping and tree planting showed the pride of Ireland’s ruling classes in their newly won but brief national independence-an independence which was shaken by the French Revolution and finally shattered by the Rebellion of 1798 and the ensuing Union with England in 1800. Colonel John supported this Union, though his faith in King and Country had faltered under the influence of his United Irishman brother, Gerald during the 1798 Rebellion, when his kinsman Lord Edward FitzGerald is said to have stayed at Glin. Colonel John had no political influence as all the local boroughs were in the hands of the new English settler families. This meant that unlike so many of them he did not spend money on a large Dublin house and thereby concentrated on cutting a greater dash at home. 

Unfortunately, we have no direct information about who designed the house or the identity of the craftsmen who styled the superb woodwork such as the mahogany library bookcase with its concealed secret door, the inlaid stair-rail, the flying staircase, or the intricate plaster ceilings. This is because many of the family papers were burned by the so-called ‘Cracked Knight’ in the 1860s. Tradition tells us that the stone for the house was brought across the hills from a quarry in nearby Athea on horse-drawn sleds by a ‘strongman’ contractor called Sheehy. This is the only name connected with the building of the house that has come down to us. 

It seems likely that Colonel John started his house sometime in the 1780s as he obviously used the same masons and carpenters as were used for two houses adjoining each other in Henry Street, Limerick, one built for the Bishop of Limerick, later Lord Glentworth, and the other for his elder brother the Speaker of the Irish House of Commons, Viscount Pery. These Limerick houses were finished by 1784 and it would seem not unlikely that they are the work of a good local carpenter /builder. Colonel John may well have been his own architect working with the excellent craftsmen that Limerick could obviously produce. The neo-classical plasterwork of the hall is possibly an exception as it is close to the work of two Dublin stuccadores, Charles Thorpe or Michael Stapleton. The motifs on the frieze reminds us of the Volunteer enthusiasm of the house for the military trophies, shields sprouting shamrocks and the full bosomed Irish harp which are to be seen on the hall ceiling all underline Colonel John’s patriotism. The French horn and the music book also reminds us that this hall doubled up as a ballroom; the music undoubtedly being played by the musicians from the artillery band. Colonel John loved music and had been taught the flute by a Gaelic music and dancing master, Seań Bán Aerach Ó Flanagán. The house stands on the banks of the widest part of the river Shannon and the snub nosed dolphins and tridents in· the corners of the main hall ceiling symbolise water, while flower-laden cornucopiae and ears of wheat represent the fruitful grasslands that surround the newly built mansion. Oval plaques with their Pompeian red background portray Roman soldiers depicting war and other figures characterise peace and justice. All this symbolism reminds us of contemporary events in the sea girt island of Ireland. This magnificent ceiling retains much of its original 18th century colouring. 

Glin Castle, County Limerick, photograph from National Inventory of Architectural Heritage.
Glin Castle, County Limerick, photograph from National Inventory of Architectural Heritage.

In 1789 Colonel John married his beautiful English wife, the daughter of a rich west country squire, and her coat-of-arms are impaled with his on the hall ceiling. Her portrait hangs above her husbands to the right of the drawing room door in the hall. Her coat-of-arms on the ceiling suggests that the house was still being decorated in 1789 although the money must have been beginning to run out, because work was stopped short on the third floor, and walls remained scored for plaster and pine doors are unpainted to this day. Financial problems must have marred their brief decade together at Glin as in 1791 the Dublin La Touche Bank called in their debts going back as far as 1736 and took a case to Parliament. In June 1801 a private Act of Parliament in Westminster was passed to force part of the Glin estate to be sold in order to pay off the many ‘incumbrances’ which had accrued through the 18th century. This document mentions that Colonel John had expended ‘Six thousand pounds and upward in building a mansion house and offices and making plantations and other valuable and lasting improvements…’. Comparing costs with other roughly contemporary buildings shows us that the cut stone Custom House in Limerick cost £8,000 in 1779 and Mornington House, one of Dublin’s largest houses, was sold for the same sum in 1791, so £6,000 ‘and upwards’ was a substantial sum in those days. Colonel John’s wife Margaretta Maria Fraunceis died at one of her father’s properties, Combe Florey in Somerset a few months after the Act was passed. In 1802, 5,000 acres of Glin were sold, and Colonel John himself died in 1803 leaving an only son, and heir aged 12. In June 1803 the local newspaper the Limerick Chronicle advertised sales of the household furniture, the library, , ‘a superb service of India china’, but no pictures or silver. The hall chairs and amorial sideboard in the hall survived because of their family associations but carriages, farm stock, and ‘the fast-sailing sloop The Farmer, her cabin neatly fitted up’ followed. The FitzGeralds of Glin were almost bankrupt.

It was only because of the long minority of John Fraunceis FitzGerald, the son and heir, and the fact that there were no younger children to provide for, which saw the estate on to 1812 when he attained his majority. Educated at Winchester and Cambridge he regained the family fortunes by successful gambling and though he married an English clergyman’s daughter with no great dower, he built the various Gothic lodges and added the battlements and sugar icing detail to the old Glin House making it into the ‘cardboard castle’ that it is today. This would have been typical of the romantic notions of the 1820s and he obviously thought that the holder of such an ancient title should be living in a castle like his medieval ancestors.

Glin Castle, County Limerick, photograph from National Inventory of Architectural Heritage.

The top floor was never completed and other than further planting, little else was done to Glin for over a hundred years as money was scarce during the Victorian period. Over 5,000 acres were sold by 1837 and for the rest of the century the estate consisted of 5,836 acres and the town of Glin. The rent roll came to between £3,000 and £3,800 a year but with mortgages, windows jointures, and other family charges there was in 1858 a surplus of only £777 16s. 5d. brought in from the estate. Not included in this would have been the income from the salmon weirs on the Shannon. Lack of money may have been a blessing in disguise for there were few Victorian improvements at Glin though the Dublin firm of Sibthorpe redecorated the staircase ceiling and added Celtic revival monograms in two roundels and carried out some stencil work in the library and smoking room. This work would have been done in the 1860s probably at the same time that the Protestant church at the gate was being rebuilt.

From “In Harmony with Nature, The Irish Country House Garden 1600-1900” in the Irish Georgian Society, July 2022, curated by Robert O’Byrne.

5. Springfield Castle, Drumcollogher, Co. Limerick, Ireland €€€ for 2, € for 5-25.

Springfield Castle, County Limerick, photograph from National Inventory of Architectural Heritage.

https://www.springfieldcastle.com 

The website tells us: “Springfield Castle is situated in the heart of County Limerick on a magical 200 acre wooded estate and is approached along a magnificent three quarter mile long avenue, lined with ancient lime trees. Enjoy an exclusive relaxing stay in a one of a kind castle.

Accommodation for up to 25 people in a unique Irish castle we are the perfect place for your vacation, family gathering or boutique wedding in Ireland. It is the ideal place to stay in an Irish castle, Springfield is centrally located allowing you to explore many of Ireland’s fantastic gems including the Wild Atlantic Way. It is a one of a kind place where you can unwind and relax.

Springfield castle is owned By Robert Fitzmaurice Deane the 9th Baron of Muskerry. Robert and his wife Rita are regular visitors. Robert has funded the ongoing restoration in Springfield since 2006, most recently of the garden cottage where he and Rita stay when visiting Ireland.

Mark Bence-Jones writes (1988):

p. 263. “(Petty-Fitzmaurice, sub Lansdowne, M/PB; Deane, Muskerry, B/PB) A three storey C18 house adjoining a large C16 tower house of the FitzGeralds, later bought by the Fitzmaurices, whose heiress married Sir Robert Deane, 6th Bt, afterwards 1st Lord Muskerry, 1775. …A two storey C19 Gothic wing with pinnacle buttresses was added at one end of C18 block, extending along one side of the old castle bawn, a smaller tower at another and outbuildings along two of the remaining sides to form a courtyard. 20C entrance gates and lodge in the New Zealand Maori style. C18 house was burnt 1923 and new house was afterwards made out of C19 Gothic wing, which was extended in the same style.” 

Springfield Castle, County Limerick, photograph from National Inventory of Architectural Heritage.
Springfield Castle, County Limerick, photograph from National Inventory of Architectural Heritage.

The National Inventory tells us it is a “Gothic Revival style country house with courtyard complex, commenced c. 1740, comprising attached eight-bay two-storey country house, rebuilt c. 1925, having single-bay three-stage entrance tower. Earlier two-bay three-storey wing to side (east) having single-bay three-stage gate tower with integral camber-headed carriage arch. Tooled limestone octagonal corner turrets with pinnacles to front (south) elevation of wing gate tower, rendered octagonal turrets and pinnacles to side (west) elevation of main block. Two-bay two-storey double-pile over basement block to rear (north) incorporating possibly earlier three-stage tower to north-west. Additional lean-to stairwell block to side (west) elevation of extension block.

This impressive country house is situated in a picturesque location with extensive panoramic views of the surrounding countryside. The house and courtyard complex are the ancestral home of Lord and Lady Muskerry and occupies the site of an old bawn associated with the sixteenth-century tower house. The first record of a castle at Springfield is dated to 1280, when the Norman Fitzgeralds arrived. A visible mark to the tower house represents part of the roof line of an earlier eighteenth-century mansion that was built by John Fitzmaurice, a grandson of the 20th Lord of Kerry. Sir Robert Deane [1745-1818] married Ann Fitzmaurice in 1780, the sole heiress of Springfield and was a year later awarded the title Baron Muskerry. This mansion was burnt in 1921 by the IRA who were afraid that the occupying Black and Tans were going to convert the buildings into a garrison. The current house was rebuilt by ‘Bob’ Muskerry, the 5th Baron and follows the Gothic Revival style of the nineteenth century, with characteristic pinnacled turrets to the house and main entrance. The castellated entrance towers with tooled stone forming the main fabric of the turrets and a grand entrance door greatly enliven the façade of the building. The fine Gothic Revival style gate tower provides a glorious entrance to the substantial courtyard. A large variety of outbuildings display great skill and craftsmanship with well executed rubble stone walls and numerous carriage arches helping to maintain the historic character of the site. A curious mechanised clock controlling a mechanical calendar, lunar calendar and a bell constructed by the current owner’s great grand uncle is a mechanical masterpiece of great technical interest. Coupled with the archaeological monuments, this complex has a significant architectural value at a national level.

The website tells us about the history:

Steeped in history, it is the ancestral home of Lord and Lady Muskerry, whose motto Forti et fideli nihil dificile which means “nothing is difficult to the strong and faithful” underlies over 700 years of family history.

The earliest castle at Gort na Tiobrad, the Irish name for Springfield Castle, is reputed to date from 1280 when one of the Fitzgeralds, a junior member of the Earl of Desmond’s family, married a lady of the O Coilleains, who were the Gaelic Lords of Claonghlais. He took the title Lord of Claonghlais and subsequently built a castle at Springfield. The Tower house and build circa 1480. This was the beginning of a long association of the Fitzgeralds with the area. They were patrons to Irish poets and musicians.As you enter the impressive gateway to Springfield Castle a plaque on the wall commemorates Daithi O’Bruadair, a classical Irish poet of the seventeenth century who lived at the castle with his patrons, the Fitzgerald family, recording their lives (and general events). He described Springfield Castle as “a mansion abounding in poetry, prizes and people”

The Fitzgeralds soon became, as the saying goes “more Irish than the Irish themselves” and had an oft-times difficult relationship with the British monarchy. In 1691 they had their lands confiscated for the third and last time and Sir John Fitzgerald went to France with Sir Patrick Sarsfield to continue fighting the English there, never to return to Ireland. A younger son of the 20th Lord of Kerry, William Fitzmaurice [1670-1710], (cousins to the Fitzgeralds) then bought Springfield castle. His son, John, built a very large 3 story early Georgian mansion attached to the existing buildings. The Fitzmaurices occupied Springfield Castle until Sir Robert Deane married Ann Fitzmaurice, the sole heiress, in 1780. He was awarded the title Baron Muskerry in 1781 and the title Lord Muskerry has stayed at Springfield Castle to this day. The castle was burnt in 1921 during the war of Independence and rebuilt by “Bob” Muskerry the 5th Baron in 1929. The 9th Baron, Robert Fitzmaurice Deane, lives and works in South Africa at present, and started restoring the castle in 2006. Robert’s sister Betty, her husband Jonathan and their children Karen and Daniel run Springfield Castle and look forward to meeting you.

[1] https://www.buildingsofireland.ie/buildings-search/building/21813051/ash-hill-stud-ash-hill-kilmallock-co-limerick

[2] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[3] https://www.buildingsofireland.ie/buildings-search/building/21803033/brackvoan-bruff-limerick

[4] https://www.buildingsofireland.ie/buildings-search/building/21902807/glenville-house-glenville-ardagh-co-limerick

[5] https://www.limerick.ie/discover/eat-see-do/history-heritage/historic-attractions/glenquin-castle

[6] https://theirishaesthete.com/2021/09/13/glenquin-castle/

[7] https://www.irelandscontentpool.com/en

[8] https://www.countrylifeimages.co.uk/Search.aspx?s=glenstall

[9] https://landedfamilies.blogspot.com/search/label/Ireland?updated-max=2020-04-02T14:59:00%2B01:00&max-results=20&start=5&by-date=false

[10] p. 171, O’Reilly, Sean. Irish Houses and Gardens. From the Archives of  Country Life. Aurum Press Ltd, London, 1998. 

[11] http://landedestates.nuigalway.ie/LandedEstates/jsp/property-list.jsp?letter=K

[12] https://archiseek.com/2009/king-johns-castle-limerick/

[13] http://www.britainirelandcastles.com/Ireland/County-Limerick/King-Johns-Castle.html

[14] https://www.buildingsofireland.ie/buildings-search/building/21903717/odell-ville-ballynarooga-beg-limerick

[15] http://landedestates.nuigalway.ie/LandedEstates/jsp/property-list.jsp?letter=M

[16] http://lordbelmontinnorthernireland.blogspot.com/2014/12/mount-trenchard-house.html

[17] https://archiseek.com/2009/adare-manor-co-limerick/

[18] p. 160. O’Reilly, Sean. Irish Houses and Gardens. From the Archives of  Country Life. Aurum Press Ltd, London, 1998. 

Slane Castle, County Meath

www.slanecastle.ie
Open in 2023: Mar 18-19, 25-26. April 1-2, 8-9, 15-16, 22-23, May 5-7, June 23-25, July 1-2, 7-9, 14-16, 21-23, 28-30, Aug 4-6, 12-20, 25-27, Sept 2-3, 9-10, 16-17, 23-24, 30, Oct 1, 7-8, 14-15, 21-22, 28-29

tours 11am, 1pm, 3pm
Fee: adult €14, OAP/student €12.50, child €8.40, concession group discounts available for over 3 guests, starting from 10%-32% for up to 25 guests

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The view of Slane Castle from just inside the gate, driving in.

Today (Saturday 27th April 2019) my husband Stephen and I made our first official blog trip.  We started in the “ancient east,” going to Slane Castle in County Meath. The land around the Boyne River is beautiful, rolling and fertile. It took almost exactly one hour to drive from our home in Dublin, taking the M1 which I find easier than the M2 through the city’s north side, with which I’m less familiar. Our timing was perfect, we arrived at 2:10pm, in time for the 2:15 tour – there are tours every hour on the quarter hour. [1]

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Coming closer to Slane Castle.

The castle is three storeys over basement, in the Gothic Revival style. There is a bow on the back side of the castle, facing the river, and the basement serves as the ground floor on this side due to the steep slope down to the River Boyne. The bow forms a round tower, but you cannot see it as you approach the castle as the river is behind.

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The view over the beautiful River Boyne.
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Stephen in front of the Castle.

Our guide Matthew told us that the castle was reconstructed and enlarged by William Burton Conyngham (1733-1796). It was built on the foundations of a medieval castle of the Fleming family, replacing an earlier house. William Burton Conyngham was a classicist and the front hall features Greek columns and key patterns on the walls and many marble Greek sculptures, including a sculpture of King George IV of England, donated by the king himself.

William Burton Conyngham, (1733-1796), Teller of the Irish Exchequer and Treasurer of the Royal Irish Academy Date 1780 Engraver Valentine Green, English, 1739 – 1813 After Hugh Douglas Hamilton, Irish, 1740-1808.

William Burton Conyngham argued with his architects, Matthew told us, so ended up having three architects for his castle: James Gandon, James Wyatt and Francis Johnston. According to Mark Bence-Jones in A Guide to Irish Country Houses, Francis Johnston completed the house for the the second Lord Conyngham’s son, nephew of William Burton Conyngham, Henry (1766-1832), who later became the 1st Marquess Conyngham. Other architects were consulted at various times, including James Gandon, who most famously designed the Custom House and the Four Courts in Dublin, and Emo in County Laois. Francis Johnston designed the General Post Office in Dublin, and Townley Hall, County Louth. Another architect consulted was a favourite of King George IV, the English Thomas Hopper.

In 1785 the castle was remodelled to the design of James Wyatt (1746 – 1813). Wyatt also designed another house on the section 482 list this year, Curraghmore in County Waterford, and a house not on the list, unfortunately, as I would love to see inside, Abbeyleix House (incidentally, my father grew up in Abbeyleix and we used to enjoy the gardens which used to be open and which were reknowned for the bluebells. Also, coincidentally, according to wikipedia, Wyatt spent six years in Italy, 1762–68, in company with Richard Bagot of Staffordshire, who was Secretary to the Earl of Northampton’s embassy to the Venetian Republic. My family is rumoured to be descended from the Staffordshire Bagots, although I have not found the connection!).

The Conyngham family have owned the castle since 1703.

The Flemings of Slane

The Conynghams bought the land in Slane after it was confiscated from the Flemings. In 1175, Richard Le Fleming built a castle at the western end of Slane hill and, three generations later, Simon Fleming was created Baron of Slane. [4]

The Conynghams did not acquire Slane directly after it was confiscated from the Flemings – Terry Trench of the Slane History and Archaeology Society writes that the estate changed hands, at least on paper, seven times between 1641 and 1703. The estate was taken from the Flemings in 1641, when William Fleming, the 14th Baron Slane, joined the Catholic Irish forces in rebellion against the British. He remained loyal to the king, but objected to the laws that the British parliament passed to make the Irish parliament subservient to the British parliament. The estate was restored to William’s son Randall under the Act of Settlement and Distribution of Charles II’s reign, by decree dated 27th March 1663. [5] Many estates that had been confiscated by Cromwell’s parliament were restored when Charles II was restored to the throne in 1660.

The Flemings had their land confiscated again as Christopher, 17th Baron Slane (1669-1726), backed James II in his battles against William of Orange. He served in the Irish Parliament of King James II in 1689, and as colonel in James’s army in Ireland 1689-91, fighting in both the Battle of the Boyne and in Aughrim, where he was taken prisoner by William’s forces. Released, he emigrated and fought in the French and Portuguese armies, as did many of James II’s followers who were attainted and lost their estates, as they needed to be able to earn a living. He was later reconciled with Queen Anne of England (daughter of James II) and returned to Ireland, to live in Anticur, County Antrim. In 1703, Henry Conyngham purchased the estate of Slane.

The Conynghams of Slane

The Conyngham motto, Over Fork Over, recounts the way Duncan hid from Macbeth (familiar to us from Shakespeare). Matthew told us that Duncan hid in straw in a barn, having it forked over him. After that, he managed to defeat Macbeth and to become king. So the Conynghams are descendants of a Scottish king!

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The Conyngham coat of arms, with its motto, Over Fork Over.

Alexander Conyngham moved from Scotland to Ireland when he was appointed in 1611 to be the first Protestant minister to Enver and Killymardin the diocese of Raphoe, County Donegal. [3] He was appointed dean of Raphoe in 1631.

The Bishop’s Palace at Raphoe, now a ruin.

He settled at Mount Charles, County Donegal, on an estate he leased from John Murray, earl of Annandale, the owner of ‘a vast estate’ in Scotland. Conyngham subsequently acquired the Mount Charles property through his marriage to the earl’s grand-neice, Marian, daughter of John Murray of Broughton, in Scotland (see [3]).

Alexander’s son Albert lived at Mountcharles. [2] Albert had fought with William III’s troops in the Battle of the Boyne, against Fleming and James II’s troops.

Albert married Mary, daughter of the Right Reverend Robert Leslie, Bishop of Raphoe – this Bishop is the ancestor of the Leslie family of Castle Leslie in County Monaghan, another property on the Section 482 list that I will be visiting. Albert was killed by Irish Royalist rebels, and succeeded by his only surviving son, Henry (1664-1705). 

Henry, a military man who also served as MP for County Donegal, purchased the land in Slane in 1703.

He built himself a residence, which he called Conyngham Hall, on the foundations of an older castle formerly belonging to the Flemings.

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The intertwined “C” is the symbol of the Conyngham family.
The Conyngham family tree, on the walls going to the public dining area.

Henry Conyngham (d. 1705) fought first in James II’s army, but then persuaded his regiment to transfer their loyalty to William III.

Henry’s son Henry (1705-1781) inherited the Slane estate. Henry became an Member of the Irish Parliament and was raised to the peerage in 1753 to the title of Baron Conyngham of Mount Charles, and later became Viscount and eventually, Earl. He died without a son so the Barony passed to his nephew, William Burton (his sister Mary had married Francis Burton).

William Burton (1733-1796) took the name of Conyngham upon inheriting the estate in 1781. It was he who rebuilt Slane Castle.

His brother Francis Pierpoint Burton also who then took the name of Conyngham in 1781 as he inherited the title to become 2nd Baron Conyngham of Mount Charles, Co. Donegal. He died six years later, in 1787. [see 3]. In 1750 he had married Elizabeth, the daughter of amateur architect Nathaniel Clements, whose work we will see later in other houses on the section 482 list of heritage properties. For himself, Nathaniel Clements built what is now the Áras an Uachtaráin, the residence of our President, Michael D. Higgins, in Phoenix Park in Dublin.  

The castle and estate passed to Francis 2nd Baron Conyngham’s son Henry (1766-1832). Henry succeeded as the 3rd Baron Conyngham of Mount Charles, Co. Donegal in 1787. He served as a politician and moved quickly up the ranks of the peerage and was Lord Steward of the Royal household between 1821-30. He married Elizabeth Denison in 1794.

In 1821 King George IV visited Ireland, and he spent time in the Castle with his lover, Elizabeth, wife of Frances Pierpoint Burton Conyngham. “In return,” as our guide told us, the king made Conyngham a Marquess, although this isn’t quite true as he became Marquess in 1816. [6].

One of the rooms of the castle, the Smoking Room, has two cartoons from the period mocking the King and his consort Elizabeth, drawing them as overweight. In one, she aids her son when he has to move from the Castle of Windsor where he was Royal Chamberlain. It was he who announced to Victoria that she was Queen, upon death of the previous monarch. He was let go from his position when he tried to move his lover into his rooms in Windsor. His mother came to fetch him, with several wheelbarrows, the story goes, and she took all the furniture from his rooms. Somehow she brought a grand piano back from Windsor to Slane Castle where it sat in a specially made arbor for music in the Smoking room, until it was destroyed by a fire in Slane Castle in the 1990’s. One of the Punch style cartoons is of Elizabeth with a wheelbarrow fetching her son from Windsor. I can’t quite remember the other – it had King George IV and herself in a carriage. The Irish were very annoyed that when he came to Ireland he spent his entire time at Slane Castle!

Cartoons at Slane Castle Tour, Slane, Co Meath, photograph by Nomos Productions, 2022, Courtesy Failte Ireland.

The Irish Aesthete writes of the visit:

Neither the king nor his inamorata were in the first flush of youth, and both were equally corpulent. These circumstances however did nothing to dampen their ardour. As was written of them at the time, ‘Tis pleasant at seasons to see how they sit/ First cracking their nuts, and then cracking their wit/ Then quaffing their claret – then mingling their lips/ Or tickling the fat about each other’s hips.’ And according to one contemporary observer, Lady Conyngham ‘lived exclusively with him during the whole time he was in Ireland at the Phoenix Park. When he went to Slane, she received him dressed out as for a drawing-room; he saluted her, and they then retired alone to her apartments.’” [7]

Our tour started with a video of Charles Conyngham, now known as Lord Mount Charles, telling of his childhood in the Castle, growing up in a very old-world upper class manner.  He did not join his parents at the dining table until he was twelve years old, dining until then in the Nursery. His nurse, Margaret Browne, came to the Castle at 16 years old, and he held her in such regard that he named his bar after her.

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The menu in Browne’s Bar, which gives an explanation of the name, telling of the housekeeper.

Lord Mount Charles described how he started out, when he had to take over the Castle, with a restaurant, which is now the Gandon Restaurant. To further fund the Castle maintenance, Lord Mount Charles started concerts at the venue, beginning with Thin Lizzy in 1981. To seal the deal, the next show was the Rolling Stones! With such august imprimateur, the Castle’s concerts became world-famous and featured many top performers including David Bowie, Bob Dylan, Neil Young and Queen.

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Lovely picture of Phil Lynnott of Thin Lizzy carrying a child at Slane.

Henry 1st Marquess Conyngham’s son, Francis Nathaniel Burton Conyngham (1797-1876) inherited the property and the title, to become 2nd Marquess Conyngham. His daughter Frances Caroline Maria married Gustavus William Lambart (1814-1886), who we will come across later as the owner of Beauparc in County Meath, another Section 482 property https://irishhistorichouses.com/2022/07/22/beauparc-house-beau-parc-navan-co-meath/ . The current owner of Slane inherited Beauparc from the Lambarts.

A son, George Henry (1825-1882) became 3rd Marquess Conyngham, and his son, Henry Francis the 4th Marquess. He married the daughter of the 4th Baron Mollens of Ventry, County Kerry. Their son the 5th Marquess died unmarried, so the title passed to his brother, Frederick William Burton, 6th Marquess. The current Marquess is the 8th, who is known as Lord Henry Mount Charles, but is officially 8th Marquess Conyngham since 2009.

A disasterous fire in the castle in 1991 destroyed the roof and one third of the castle.

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Newspaper clippings about the fire, in the entry to pub and restaurant.
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The magnificent library with its intricate ceiling and impressive wooden chandelier was saved by two firemen fighting the fire from within the room, battling for nine hours. The smoke was so thick that one couldn’t see the ceiling. I think they deserve a plaque in the room to recognise their effort! Meanwhile the family saved as many priceless historic paintings and antiques as they could, including a huge portrait of King George IV that is now hanging again in the library, by cutting it from its giant gilt frame then taking the frame apart into four pieces in order to get it out through the doors. Lord Mount Charles now suffers with his lungs, probably partially as a result of long exposure to the flames and smoke. It took ten years to reconstruct the castle, but it has been done excellently so traces of the fire barely remain.

Portrait of George IV which was saved from the fire, Slane Castle Tour, Slane, Co Meath, photograph by Nomos Productions, 2022, Courtesy Failte Ireland.

We weren’t allowed to take pictures inside, as usual with these properties. There is a picture of the ornate roof in the library on the wonderful blog of the Irish Aesthete [8].

Mark Bence-Jones describes the room in his 1988 book (published before the fire, but this room remained intact!), A Guide to Irish Country Houses:

“…the great circular ballroom or library which rises through two storeys of the round tower and is undoubtedly the finest Gothic Revival room in Ireland; with a ceiling of Gothic plasterwork so delicate and elaborate that it looks like filigree. Yet this, too, is basically a Classical room; the Gothic ceiling is, in fact, a dome; the deep apses on either side of the fireplace are such as one finds in many of Wyatt’s Classical interiors, except that the arches leading into them are pointed; they are decorated with plasterwork that can be recognised as a very slightly Gothicized version of the familiar Adam and Wyatt fan pattern.

Slane Castle Tour, Slane, Co Meath, photograph by Nomos Productions, 2022, Courtesy Failte Ireland.
Slane Castle Tour, Slane, Co Meath, photograph by Nomos Productions, 2022, Courtesy Failte Ireland.
Slane Castle, Slane, Co Meath, photograph by Nomos Productions, 2022, Courtesy Failte Ireland

Of the tales on the tour, I especially enjoyed the story of the funeral of a soldier’s leg. Apparently it was quite the custom to have funerals for body parts – his leg had to be amputated on the field of battle and the soldier brought it back to be buried with a full-scale military funeral. It must have been to do with the fact that a person’s body is to be resurrected on the Last Day, so it’s good to know where all the parts are! Cremation used to be forbidden in the Catholic church, as somehow it would be too difficult for God to put the ashes back together – never mind a disintegrated body!

We had lunch in the bar after the tour.

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Outer entrance to the bar and Gandon Restaurant.
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Entrance to the bar and Gandon Restaurant.
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Browne’s Bar.
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Album covers of musical performers at the Castle, in the bar: Van Morrison, Santana, Bruce Springstein, Neil Young, the Rolling Stones, Chris Rea, Bob Dylan, U2 and Bon Jovi.
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Memorabilia from music events: I think the guitar was signed by Phil Lynott (it was signed, anyway).
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Slane Castle.
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The music theme of Browne’s Bar is reflected in the gramophone horn lampshade.

There is an adjoining distillery in what used to be the stables, and a tour of that can be purchased in combination if desired. Lord Charles’s mother bred horses before the stables were converted. The stables were designed by Capability Brown.

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The stables, designed by Capability Brown, now a whiskey distillery.

According to the Irish Aesthete:

Henry Conyngham, grandson of General Henry Conyngham who purchased the property, around 1770 invited Capability Brown around 1770 to produce a design both for the landscaping of the parkland at Slane, and also for a new stable block. In the collection of the Irish Architectural Archive in Dublin a drawing survives of Brown’s proposal for the latter. It is not unlike the finished building, but more elaborate than what we see today.” [9]

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I noticed this on the wall on the lower level outside the Castle – I don’t know its origin or age.

I found a blog by the Irish Aesthete on a portrait now in Slane, of Lady Elizabeth wife of the first Marqess’s daughter, Lady Maria Conyngham. Reportedly Lady Elizabeth looked very like her daughter – which one would not guess from the unflattering cartoons of her! [10]

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[1] https://www.slanecastle.ie/tours/castle-tours/

[2] https://www.buildingsofireland.ie/buildings-search/building/40847025/the-hall-hall-demesne-mountcharles-co-donegal

[3] http://lordbelmontinnorthernireland.blogspot.com/2017/11/slane-castle.html

[4] https://www.culturenorthernireland.org/article/1323/the-flemings-barons-of-slane

[5] http://slanehistoryandarchaeologysociety.com/index.php/famous-people/13-the-flemings-and-the-conynghams

[6] https://en.wikipedia.org/wiki/Elizabeth_Conyngham,_Marchioness_Conyngham

“She probably became his [George IV’s] lover in 1819, when he was Prince Regent, but finally supplanted her predecessor, Isabella Seymour-Conway, Marchioness of Hertford, after he became king in 1820. He became besotted with her, constantly “kissing her hand with a look of most devoted submission.” While his wife Caroline of Brunswick was on trial in 1820 as part of efforts to divorce her, the king could not be seen with Lady Conyngham and was consequently “bored and lonely.” During his coronation, George was constantly seen “nodding and winking” at her.
“Lady Conyngham’s liaison with the king benefited her family. Her husband was raised to the rank of a marquess in the Peerage of the United Kingdom and sworn to the Privy Council, in the coronation honours of 1821. He was also given several other offices, including Lord Steward of the Household and the lieutenancy of Windsor Castle. Her second son was made Master of the Robes and First Groom of the Chamber.”

[7] https://theirishaesthete.com/2015/10/12/when-royalty-comes-to-call/

[8] https://theirishaesthete.com/2015/10/24/vaulting-ambition/

[9] https://theirishaesthete.com/2014/10/27/after-the-horses-have-bolted/

[10] https://theirishaesthete.com/2015/03/21/ireland-crossroads-of-art-and-design-vi/

Irish Historic Homes