Open House Dublin 2023 coming soon

Open House Dublin 2023 has published their schedule https://openhousedublin.com

I look forward to this and book it into my calendar every year. I published about it before but will republish about some of the places that are open again this year. It has returned to the high quality offerings of its earlier years.

1. Blackhall Place (formerly Blue Coat School) Dublin (we visited during Open House 2019)

2. Department of Enterprise Trade and Employment, 23 Kildare Street (2019)

3. Irish Architectural Archive, Merrion Square.

4. Iveagh House, 80 and 81 Merrion Square, Dublin (Department of Foreign Affairs) (Open House 2014)

5. Mansion House, Dublin (2015)

6. Marsh’s Library, Dublin (Heritage Week 2013)

7. Na Píobairí Uilleann, 15 Henrietta St, Dublin

8. Nellie’s Flat, Iveagh Trust, Patrick Street, Dublin (Open House 2014)

9. Pigeonhouse (2021)

10. Royal College of Surgeons, Dublin (2011)

11. Tailors Hall, Dublin (Heritage Week 2013)

OPW sites are open as well, see my entry https://irishhistorichouses.com/2022/01/21/office-of-public-works-properties-dublin/

1. Blackhall Place (formerly Blue Coat School) Dublin, 2019.

Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. A taller tower was initially planned. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Archiseek tells us that the first Blue Coat School or King’s Hospital was erected in Oxmantown Green between 1669-1673. It was officially named the Hospital and Free School of King Charles II. Orphans were nominated to attend the school by the Alderman or the parish, with funding coming from voluntary donations and from ground rent of St. Stephen’s Green. This building was demolished to make way for the new building, pictured above. The current building was started in 1773. Ivory resigned in disgust before it was finished, due to lack of funds, and only a stub was built instead of his tower, and the stub was removed in 1894 and a dome constructed.

The description of the tour tells us:

The last of Dublin’s Palladian public buildings, the granite and Portland stone Blue Coat School replaced earlier premises, which had been established by King Charles I in 1671 to care for the sons of impoverished citizens. Construction began in 1773 to designs by Thomas Ivory, however funding issues led to a reduced building programme and Ivory’s departure. In 1894, a copper-clad cupola designed by Robert Stirling was added. Today, the building is home to the Law Society of Ireland, which has taken great care to retain many fine interior features.

Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The building now houses the Law Society. It was built as a traditional country house composition with a central block, two wings and connecting passages. The wings have decorations intended to mirror the central tower.

Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stephen Trotter, Judge of the Prerogative Court, by Peter Scheemakers (1691-1781), brought from Duleek, County Louth. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The interior contains plasterwork by Charles Thorpe and carvings by Simon Vierpyl.

Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Back of Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Back of Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Collins Barracks, behind Blue Coat School/Blackhall Place, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Back of Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Back of Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Side of Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Side of Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Side of Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Side of Blackhall Place, Dublin, or The Blue Coat School, by Thomas Ivory, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

2. Department of Industry and Commerce, Kildare Street (Open House 2019)

Department of Industry and Commerce, Open House 2019: The tall round-headed window passes up through the floors to a keystone of representing Eire, with “jazzy” interstitial panels. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The carved lintel of the doorway represents the celtic god Lugh releasing aeroplanes into the air! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The architect was J. R. Boyd Barrett, who won a competition to built it in 1936. It has a stripped Classical design with an Art Deco entrance bay addition. The external relief sculptures are by Gabriel Hayes. The tall round-headed window passes up through the floors to a keystone of representing Eire, with “jazzy” interstitial panels [Archiseek]. On the Schoolhouse Lane side the keystone represents Brendan the Navigator. The main entrance has a heavy cast bronze gates, and the carved lintel of the doorway represents the Celtic god Lugh releasing aeroplanes into the air!

On the Schoolhouse Lane side the keystone represents Brendan the Navigator. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Department of Industry and Commerce, Open House 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Department of Trade and Commerce, Open House 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Department of Trade and Commerce, Open House 2019. The relief carvings here represent stylised images of industry and commerce. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The interiors were also designed by Boyd Barrett and everything from the ashtrays, fireplaces and door handles were specially designed. The interiors feature polished woods and metals and patterned linoleum floors, and the ceilings are deeply coffered.

Department of Trade and Commerce, Open House 2019. The interiors were also designed by Boyd Barrett and everything from the ashtrays, fireplaces and door handles were specially designed. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Department of Trade and Commerce, Open House 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Department of Trade and Commerce, Open House 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

3. Irish Architectural Archive, 45 Merrion Square East D02VY60

https://openhousedublin.com/locations/irish-architectural-archive-2/

Take a tour of the largest terraced house on Merrion Square, learn about its history, see the latest exhibitions and discover the work of the Irish Architectural Archive.

No. 45 Merrion Square, the home of the Irish Architectural Archive, is one of the great Georgian houses of Dublin. Built for the speculative developer Gustavus Hume [1732-1812] in the mid-1790s and situated directly across Merrion Square from Leinster House, this is the largest terraced house on the Square and is the centrepiece of its East Side. Founded in 1976, the house was restored to its original plan by the Office of Public Works in 2003-4, and update fro use as a best-practice archive facility.

Tours start on the hour and will operate on a first come basis, no need to book in advance.

 www.iarc.ie

Irish Architectural Archive, 45 Merrion Square, November 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

No. 45 Merrion Square, the home of the Irish Architectural Archive, is one of the great Georgian houses of Dublin. Built for the speculative developer Gustavus Hume in the mid-1790s and situated directly across Merrion Square from Leinster House, this is the largest terraced house on the Square and is the centrepiece of its East Side.

Irish Architectural Archive, 45 Merrion Square, November 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Light-filled, spectacularly-proportioned, interconnected rooms on the piano nobile of this Georgian palazzo offer a range of venues and facilities: meeting rooms for up to 20 people; multimedia lecture facilities for up to 55, dining space for up to 80, and receptions for up to 250. Whether the event is a meeting, a conference with breakout sessions, or a private or corporate reception, the Irish Architectural Archive’s beautifully graceful spaces provide Georgian elegance in the heart of Dublin.”

Irish Architectural Archive, 45 Merrion Square, November 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Irish Architectural Archive, 45 Merrion Square, November 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Babel by Aidan Lynam. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Standing four stories over basement, and five bays wide, No. 45 is the largest of the terraced houses on Merrion Square. The house was built circa 1794 for the property developer Gustavus Hume. The architect may have been Samuel Sproule who, in the early 1780s, was responsible for the laying out of much of Holles Street, of both Mount Streets and of the east side of Merrion Square. The first person to live in the house seems to have been Robert la Touche [of Harristown, County Kildare] who leased the building in 1795. In 1829 the house was sold to Sir Thomas Staples [9th Baronet Staples of Lissan, County Tyrone]. It had been built in an ambitious and optimistic age, but in the Dublin of the late 1820s its huge size was somewhat anachronistic and certainly uneconomical, so Sir Thomas had the building carefully divided into two separate houses. Sir Thomas died aged 90 in 1865, the last survivor of the Irish House of Commons.

Irish Architectural Archive. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

On his death, both parts of the house passed to Sir John Banks, Regius Professor of Medicine in Trinity College, who, like his predecessor, leased the smaller portion of the divided building, by now numbered Nos. 10 and 11 Merrion Square East. Banks himself lived in No. 11, the larger part, which he maintained in high decorative order. Banks died in 1910, and both parts of the building fell vacant and remained so until 1915 when the whole property was used to accommodate the clerical offices of the National Health Insurance Company. With single occupancy restored, the division of the building, renumbered 44 – 45 Merrion Square, began to be reversed, a process carried on in fits and starts as successive Government departments and agencies moved in and out over the decades. The last to go was the Irish Patents Office, relocated to Kilkenny in 1996.

Irish Architectural Archive, 45 Merrion Square. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Chimneypiece in Irish Architectural Archive. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Chimneypiece in Irish Architectural Archive. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Detail of chimneypiece in Irish Architectural Archive. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Detail of chimneypiece in Irish Architectural Archive. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I love this piece, Ballymun by William Heefer. It looks like abstract art, but when you look closely, those squares are windows. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The house was assigned to Irish Architectural Archive by Ruairí Quinn TD, Minister for Finance, in his budget of 1996. The Office of Public Works carried out an extensive programme of works to the house from 2002 to 2004, including the refurbishment of the historic fabric and the construction of new state-of-the-art archival stores to the rear.

Irish Architectural Archive. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

4. Iveagh House (80 and 81 St. Stephen’s Green) – Department of Foreign Affairs (Open House 2014)

I’m excited to see this open again https://openhousedublin.com/locations/tour-of-iveagh-house-department-of-foreign-affairs-headquarters/

Iveagh House, St Stephen’s Green, October 2014. Portland stone facade (1866) by James Franklin Fuller (1835-1924) disguises an early eighteenth century townhouse by Richard Castle (d. 1751) for Robert Clayton (1695-1758), Bishop of Cork and Ross. The original house, three windows wide, is on the left of the portico. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Iveagh House, the headquarters of the Department of Foreign Affairs, has many stories within its walls. Explore the nooks and crannies of its beautiful architecture and artwork on this guided tour.

You will be welcomed in to the Entrance Hall and onwards to the Secretary General’s Office where, under the political direction of the Tánaiste and Minister, the Secretary General manages the Department. From there you will be brought through the Inner Hall to The Secretary General’s Ante Room. When you exit the Ante room you will be meet with the houses’ spectacular double Staircase. Moving on, you will be guided to through the Tánaiste’s Dining Room, Ante Room and finally the Tánaiste’s Office. The tour will continue on to the Ballroom before ending in Lady Iveagh’s Boudoir.

This tour is pre-book only, booking opens 14 September.

Iveagh House, St Stephen’s Green, the original owner, Robert Clayton (1695-1758), Bishop of Cork and Ross. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Archiseek website tells us:

Iveagh House is now the Department of Foreign Affairs as it was donated to the Irish State by the Guinness family in 1939. Originally two houses, nos 80/81 St Stephen’s Green, no 80 was originally designed by Richard Cassels [also spelled “Castle”] in 1736. After both houses were bought by Benjamin Guinness in 1862, he acted as his own architect and produced the current house. 

“The Dublin Builder, February 1 1866: ‘In this number we give a sketch of the town mansion of Mr. Benjamin Lee Guinness, M.P , now in course of erection in Stephen’s Green, South, the grounds of which run down to those of the Winter Garden. As an illustration so very quiet and unpretending a front is less remarkable as a work of architectural importance than from the interest which the name of that well-known and respected owner gives it, and from whose own designs it is said to have been built. The interior of the mansion promises to be of a very important and costly character, and to this we hope to have the pleasure of returning on a future occasion when it is more fully advanced. The works, we believe, have been carried out by the Messrs. Murphy of St. Patrick’s Cathedral notoriety, under Mr. Guinness’s own immediate directions, without the intervention of any professional architect.’ “

Iveagh House, St Stephen’s Green, October 2014. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The building was donated to the Irish government by Benjamin Guinness’s grandson Rupert, the 2nd Earl of Iveagh, in 1939 and was renamed Iveagh House.

Iveagh House, St Stephen’s Green, October 2014. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House, St Stephen’s Green. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House, St Stephen’s Green. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House, St Stephen’s Green, October 2014. Painting by De Chirico. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House, St Stephen’s Green, October 2014. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House, St Stephen’s Green, October 2014. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh Gardens, the part kept by the Guinness’s as part of Iveagh House. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mahogany doorframe and door, Iveagh House, Stephen’s Green. The architect took advantage of the tax on mahogany not imposed in Ireland. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Sleeping Faun, bought by the Guinness’s, for almost the same price as the house! Donated by the Guinnesses along with the house to the state. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House, St Stephen’s Green, medieval wooden carving, picturing Homer’s Illiad scenes. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House, St Stephen’s Green. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House, St Stephen’s Green, “Modesty.” Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House, St Stephen’s Green, original fireplace. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House, St Stephen’s Green, originally the study. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House, St Stephen’s Green, originally the study. Medieval wood carvings of scenes from Homer’s Illiad, and crest of Lord Iveagh who donated the house to the state. Original fireplace. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House, St Stephen’s Green, The Music Room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Music room ceiling, in Iveagh House. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House, St Stephen’s Green. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House, St Stephen’s Green, probably originally the room of the Lady of the house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House ballroom. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House ballroom. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Original curtains and seats in ballroom in Iveagh House. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh House ballroom. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Fireplace built for ballroom in Iveagh House to host a Royal visit to the Guinness’s, the room was built specially to have the guests, for £30,000. JFK was hosted at a reception here and had his picture taken in front of the fireplace, and his daughter Caroline Kennedy had her picture taken there years later. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ballroom stucco in Iveagh House, made from moulds but then finished by hand to make look like fully hand-done. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Minstrals’ gallery in Iveagh House ballroom, made of the new at the time material, aluminium. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ceiling of Iveagh house ballroom, in Wedgewood blue. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

5. Mansion House, Dawson Street, Dublin – private, home of the Mayor of Dublin (Open House 2015)

Mansion House, Dublin 2015. Originally there were statues along the parapet, which was later balustraded. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Buildings of Ireland website featured the Mansion House as one of its Buildings of the Month, and tells us that The Mansion House, Dawson Street, is the oldest freestanding house in the city and the only surviving mayoral residence in Ireland.

The Mansion House owes its origins to Joshua Dawson (1660-1725), a member of the Guild of Merchants and at the time the second-wealthiest man in Ireland, who in 1705 purchased a tract of poor marshy ground east of the medieval core of Dublin and within two years had laid out a new street which he named Dawson Street. Work on a suitable townhouse began in 1710 and it is clear that the house was intended as the centrepiece of the new street.

The house, a rare example of a Queen Anne-style house, was substantially refronted in 1851 when the original brick finish was plastered, the windows were given robust classical frames, and the parapet was remodelled about a central pediment carrying the Coat of Arms of the City. The elaborate cast-iron canopy (1886) was designed by Daniel J. Freeman (1856/7-1902), City Architect (fl. 1879-93).

Mansion House, March 2015. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Drawing Room, Mansion House, March 2015. It contains portraits of Earl Whitworth, the Earls of Hardwicke and Westmoreland, John Foster the last Speaker of the House of Commons and Alderman Alexander [1]. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The death of Queen Anne in 1714 abruptly disrupted Dawson’s ambitious plans. Fearing that her successor would not be so favourable toward him, Dawson agreed on the 18th of May, 1715, to sell the house to Dublin Corporation at a cost of £3,500 in addition to a yearly ground rent of forty shillings and a loaf of double-refined sugar weighing six pounds due each Christmas. As a condition of the sale, Dawson agreed to build an additional room which could be used for civic receptions: the now-famous Oak Room. 

The Oak Room was the venue of the annual City Ball throughout the eighteenth century. On such occasions the Lord Mayor dispensed generous hospitality, aided in no small part by a yearly grant of twenty thousand oysters from the civic oyster beds. The Oak Room continues to play a central role in the life of the Mansion House today. [2] It contains portraits of Charles II, George II, Duke of Cumberland and the Duke of Richmond.

The Oak room contains crests for all of the Mayors. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mayor John Gormley’s crest – the mayors pick symbols that they feel are suitable to represent them. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I don’t know what this means for Mayor Moyers! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mansion House, March 2015. The “Sheriff’s Room” with portraits of the Duke of Northumberland, Lord Townshend, John Duke of Bedford and Aldermen Sankey, Thorpe and Manders. [1] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mansion House, March 2015. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The extension of the property continued well into the nineteenth century and included the Round Room completed in just six weeks in 1821 for the reception of King George IV. Designed by John Semple (d.1840) in the “exotic” style, an apparent nod to the monarch’s Hindu-Gothic Brighton Pavilion, it was remodelled 1892 by J. G. Ashlin, and was the venue for the first sitting of Dáil Éireann in January 1919.

The improvement of the Mansion House continued into the early twentieth century when, in anticipation of a royal visit by Queen Victoria, new ceilings were installed in the entrance hall and drawing room to designs by Charles James McCarthy (c.1857-1947), City Architect (fl. 1893-1921). The stained glass window over the principal staircase dates from the same period and carries the signature of Joshua Clarke and Sons of North Frederick Street. The Dublin City coat-of-arms again features as the centrepiece in a frame including the shields of the four provinces of Ireland and the names of prominent supporters of Home Rule. Topped and tailed by a Garland of Peace and a Cornucopia of Prosperity, the window is today known as “The Peace Window”. 

6. Marsh’s Library, Dublin (2013)

https://openhousedublin.com/locations/marshs-library-2/

Marsh’s Library 1975, photograph from National Library and Archives. [3]

Marsh’s Library was built in 1701, designed by William Robinson who was surveyor general from 1670-1700, and who also designed the Royal Hospital Kilmainham. The Library was set up as the first public library in Ireland, by Archbishop Narcissus Marsh (1638-1713).

Narcissus Marsh, Provost of Trinity ca. 1690, then Archbishop of Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Unchanged for three centuries, this perfectly preserved library of the early Enlightenment, with its original oak bookcases, houses more than 25,000 rare and fascinating books. Narcissus Marsh was Church of Ireland Archbishop of Dublin, and formerly Provost of Trinity College, Dublin. In 1707 the library was established by an act of Parliament with the second gallery added shortly after under the supervision of Robinson’s successor as Surveyor General Thomas Burgh.

Built as the first public library in Ireland and still in use today by scholars and students, Marsh’s Library is one of the few buildings of its time in Dublin still being used for its original purpose. A small garden on the grounds provides a peaceful haven in the middle of the city.

Tours of the building will take place discussing the history of the building and how it was designed to preserve the books and the various alterations that have been made over the years since the Library first opened.

Meeting point: Front landing of Marsh’s Library

Tours will operate on a first come basis on the hour from 11am to 4pm with last tour starting at 4pm.

Marsh’s Library. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Entrance to Marsh’s library. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The interior of the library remains unchanged from when it was set up. It is no longer a public library, unfortunately, as the books are too delicate for general handling, but one can request to look up books in the catalogue, and it operates as a sort of museum open to the public for a fee. It contains dark oak bookcases topped with lettered gables and a mitre. The library contains the original reading cages – a reader would be locked in so that he or she could not steal the books.

Marsh’s Library, Feb 26, 2012. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Marsh’s Library librarians. The first Librarian, Elias Bouhereau, was a Huguenot refugee from France. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Garden of Marsh’s library, Heritage Week tour 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Garden of Marsh’s library, Heritage Week tour 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Garden of Marsh’s library, Heritage Week tour 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Garden of Marsh’s Library, Heritage week tour 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

7. Na Piobair Uilleann 15 Henrietta Street, Dublin (2011)

15 Henrietta Street https://openhousedublin.com/locations/na-piobairi-uilleann-2/

No. 15 Henrietta St. consists of the remaining two bays of an originally four bay, four storeys over basement townhouse, with a red brick façade, of the early 1740s. It is located on a cul-de-sac containing the finest early Georgian houses in the city. The street is of unique European significance, being the single remaining intact example of an early-18th century street of houses, which was at the forefront of what was to become the Georgian style.

The building underwent significant restoration which was completed in 2007, and the 18th-century appearance of the interior, including much of the original joinery and plaster work, was restored. Perhaps the most important features of the house are the stucco ceilings on the ground and first floors which were restored in the 1980s.

The building is now the headquarters of Na Píobairí Uilleann, an international organisation involved in promoting the playing, the making, and the teaching of the Irish uilleann pipes. They now plan to reinstate No. 16 Henrietta St. next door.

Tours will include access to the ground floor formal reception rooms, including the rear reception room featuring a mid-18th century figured papier-mâché ceiling, depicting the Four Seasons and including busts of Shakespeare and Milton. Tours will continue up a staircase, belonging to the 1828 division of the house, to the Library and Archive of Na Píobairí Uilleann, the current occupants of the building.

Henrietta Street, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Luke Gardiner (d. 1755), building developer, picture engraver John Brooks, Irish, after Charles Jervas, photograph courtesy of National Gallery of Ireland.
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Henrietta Crofts, Duchess of Bolton (1682-1730) as shepherdess, by James Maubert. Henrietta Street was named in her honour. Vicereine 1717-1720. She was the daughter of James Crofts (Scott), 1st and last Duke of Monmouth, illegitimate son of King Charles II. She married Charles Paulet, 2nd Duke of Bolton.

See also the wonderfully informative book, The Best Address in Town: Henrietta Street, Dublin and its First Residents 1720-80 by Melanie Hayes, published by Four Courts Press, Dublin 8, 2020.

Henrietta Street, October 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

8. Nellies Flat, Iveagh Buildings (Open House 2014)

https://openhousedublin.com/locations/nellies-flat/

Iveagh Trust flat, Iveagh Trust buildings on Patrick Street, Dublin 8. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Iveagh Trust buildings were commissioned by Edward Cecil Guinness 1st Earl of Iveagh in 1901. He provided houses and amenities for working-class people with low incomes in Dublin. The architects were Joseph and Smithem, London architects. The centrepiece of the buildings, built to house people who lived in the slums about St. Patrick’s cathdral, was the Iveagh Baths.

Iveagh Trust flat, Iveagh Trust buildings on Patrick Street, Dublin 8. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Open House website tells us that Flat 3B, Bull Alley Estate on Patrick Street is a cosy flat comprising a living room and two bedrooms. It was once home to the Molloy family and built by The Iveagh Trust.

The Iveagh Trust replaced some of the worst slum dwellings in Europe. And, at the time, these new flats were state of the art. Nellie, their daughter, was one of six children. She lived here in this flat from 1915 right up until to 2002. Today, flat 3B is a museum and remains unchanged since the trust first built Bull Alley Estate.

Iveagh Trust flat, Iveagh Trust buildings on Patrick Street, Dublin 8. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The range, in Iveagh Trust flat, Iveagh Trust buildings on Patrick Street, Dublin 8. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh Trust flat, Iveagh Trust buildings on Patrick Street, Dublin 8. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh Trust flat, Iveagh Trust buildings on Patrick Street, Dublin 8. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh Trust flat, Iveagh Trust buildings on Patrick Street, Dublin 8. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh Trust flat, Iveagh Trust buildings on Patrick Street, Dublin 8. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh Trust flat, Iveagh Trust buildings on Patrick Street, Dublin 8. Child of Prague and St. Christopher in the alcove. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh Trust flat, Iveagh Trust buildings on Patrick Street, Dublin 8. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh Trust flat, Iveagh Trust buildings on Patrick Street, Dublin 8. Religion was more dominant in peoples’ lives in those days than it is generally in Irish people today! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh Trust flat, Iveagh Trust buildings on Patrick Street, Dublin 8. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh Trust flat, Iveagh Trust buildings on Patrick Street, Dublin 8, picture of Nelly and her family. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Iveagh Trust flat, Iveagh Trust buildings on Patrick Street, Dublin 8. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

9. Pigeonhouse Power Station and hotel (2021)

https://openhousedublin.com/locations/pigeon-house-power-station/

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The vast ruin of the former Pigeon House power station is the one of the most striking industrial architecture complexes in the city and is now one of the largest protected structures in Ireland. Built in three main phases (1902-03, 1911-1913 and 1933-40; decommissioned in the 1970s), the power station was constructed of red brick and steel, and later of reinforced concrete. These layers of exposed fabric show how the building was constantly modified to keep up with increasing electricity demand.
Today, only one of the 12 chimneys remain and the ruins of the power station resemble the atmospheric drawings of classical ruins by the 18th century Italian artist Giovanni Battista Piranesi. The vast ruin of the former Pigeon House power station is the one of the most striking industrial architecture complexes in the city and is now one of the largest protected structures in Ireland. Built in three main phases (1902-03, 1911-1913 and 1933-40; decommissioned in the 1970s), the power station was constructed of red brick and steel, and later of reinforced concrete. These layers of exposed fabric show how the building was constantly modified to keep up with increasing electricity demand.
Today, only one of the 12 chimneys remain and the ruins of the power station resemble the atmospheric drawings of classical ruins by the 18th century Italian artist Giovanni Battista Piranesi.

Join to 30-40 minute tour. Exterior of building only. This tour is pre-book only and booking opens 14 September.

The old Pigeonhouse Hotel. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The old Pigeonhouse Power Station. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Old Pigeonhouse power station. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Pigeonhouse power station. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Pigeonhouse power station. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Pigeonhouse power station. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Pigeonhouse power station. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

10. Royal College of Surgeons, Dublin (Open House 2011)

https://openhousedublin.com/locations/open-house-at-rcsi-123-st-stephens-green/

William Dease sculpture, one of the founders of the Royal College of Surgeons, Open House, 2011, Royal College of Surgeons. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Royal College of Surgeons was built in two phases, first by architect Edward Parke, who built what is now the last three bays on the south side and five bays deep on York Street. This was subsumed later by architect William Murray, who added four bays to the north and moved the pediment to the new centre of the building, on St. Stephen’s Green. The facade has large round-headed windows separated by freestanding columns. The pediment has the royal arms, and is topped with three statues: Athena (goddess of Wisdom and War), Asclepius (god of Medicine) and Hygiea (Goddess of Health), all by John Smyth [Archiseek]. It has a rusticated basement storey.

The interior, as listed in Lewis’s guide in 1837, contains a large board room, a library, an apartment for general meetings, an examination hall, several committee rooms and offices, lecture theatres and three museums, two of which have galleries.

There is a top-lit gallery with Adamesque plasterwork.

Open House, 2011, Royal College of Surgeons. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House, 2011, Royal College of Surgeons. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House, 2011, Royal College of Surgeons. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House, 2011, Royal College of Surgeons. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House, 2011, Royal College of Surgeons. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House, 2011, Royal College of Surgeons. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House, 2011, Royal College of Surgeons. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House, 2011, Royal College of Surgeons. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House, 2011, Royal College of Surgeons. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House, 2011, Royal College of Surgeons. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
My father looks at the fireplace, 2011, Royal College of Surgeons. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House, 2011, Royal College of Surgeons. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

11. Tailor’s Guild Hall, Dublin (Culture Night 2013)

Tailor’s Guild Hall, 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

https://openhousedublin.com/locations/tailors-hall/

Tailor’s Hall was built in 1706 and is the only Guild Hall from the medieval guilds still in existence in Dublin. It is two storeys over basement and the hall inside is lit by tall round-headed windows on both sides, and has two floors of smaller rooms. It is now the headquarters for An Taisce. It was originally the meeting hall for the Guild of Merchant Tailors, from 1706-1841.

It was used in 1792 as the meeting place for the Catholic Committee during their campaign against Penal Law, and for this the building earned the nickname of “Back Lane Parliament.” Later still, it was used as a meeting place for the United Irishmen around 1798.

From Christine Casey, The Buildings of Ireland: Dublin, 2005, p. 367:
1703-1707, Richard Mills overseer. The Tailors’ Guild Hall is a tall shallow red brick building with a steep roof and dormer windows, a large gabled chimneystack and stair compartment projecting from the rear or N. wall. The entrance front is the long S elevation, reached by a stone arch and forecourt from Back Lane. In the 18th century the Hall was concealed behind houses on High Street and Back Lane and preceded only by the narrow arched pathway and a basement area. This unusual sequestered position is explained by the fact that the site was formerly occupied by a Jesuit chapel and college, endowed in 1629 by the Countess of Kildare. Seized by the Crown in 1630, it was subsequently repossessed by Lord and Lady Kildare and returned to the Jesuits who remained here for an unknown period prior to 1706…Tailors’ Hall is substantially early 18C. However, curiosities in the design and [p.368] structure suggest that it may incorporate something of the fabric of the 17C chapel.

The most striking feature of the facade is its asymmetry. Four tall narrow round-headed windows lighting the assembly hall fill almost two-thirds of the facade. To their right the facade is of two storeys and three bays with the entrance on the left next to the hall framed by an elegant rusticated limestone door surround of 1770. The basic arrangement reflects a pragmatic medieval-based system of hall and upper chamber, common in London livery halls of the late C17… A granite base-mould divides the brick masonry of the principal floor from the basement walling, which is largely of Calp with a band of brick forming the slightly cambered heads of the basement windows.”

Casey, p. 368: “the finest feature of the interior is the staircase, which is an elaborate open-well type with a low moulded handrail, barley sugar banisters and later square newels.” They are hand carved. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tailor’s Guild Hall, Heritage Week 2013: p. 368, Casey: “an elegant double-height brightly lit hall with a fine early C18 Ionic reredos at the W end bearing the name of guild masters, a handsome marble chimneypiece…and at the east end a bowed draught lobby with a curious Gothic pelmet and above it a Late Georgian Neoclassical wrought-iron balcony reached from the room above the entrance hall.” Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tailor’s Guild Hall, Heritage Week 2013. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://www.archiseek.com/2010/1715-mansion-house-dawson-street-dublin/

[2] https://www.buildingsofireland.ie/building-of-the-month/the-mansion-house-dawson-street-dublin-2/ 

[3] National Library and Archives digital repository.

Portraits C

C

Cornelius Callaghan, M.P., (d.1741), Lawyer Date: 1742 Engraver John Brooks, Irish, fl.1730-1756 After Unknown Artist, courtesy of National Gallery of Ireland.
Cecil Calvert, 2nd Baron Baltimore (1605/6-1675), Aged 51 Date c.1657 by Engraver Abraham Blooteling, Dutch, 1640-1690 After Irish 17th century, Irish, courtesy of National Gallery of Ireland.
Harriet de Burgh née Canning, Countess of Clanricarde (1804-1876), married to Ulick John De Burgh, 14th Earl and 1st Marquess of Clanricarde (1802-1874). I think the portrait is by John Lucas.
Elizabeth Stuart née Yorke (1789-1867). Lady Stuart de Rothesay, with her daughters Charlotte (1817-1861) and Louisa (1818-1891) by George Hayter, photograph courtesy of UK Government Art Collection. Elizabeth was the daughter of Philip Yorke 3rd Earl of Hardwicke; Louisa married Henry de la Poer Beresford 3rd Marquis of Waterford; Charlotte married Charles John Canning 1st Viceroy of India, 2nd Viscount Canning, 1st Earl Canning.
Algernon Capell (1670-1710) 2nd Earl of Essex.
John Craven Carden, 1st Baronet by Robert Hunter courtesy of Adam’s auction 13 Oct 2015. This portrait of John Craven Carden is in the uniform of the Templemore Light Dragoons, a volunteer regiment raised in response to the withdrawal of regular troops required for the American War but which rapidly acquired political leverage. Carden had inherited large estates in Tipperary acquired in the Cromwellian settlement of the 17th Century. Although without parliamentry influence, Carden represented landed interests which the Castle administration were keen to control. Bribes were measured and Carden was made a baronet in 1787. He proved to be a sound man in the 1798 rebellion and by fortifying the Market House in Templemore denied the town to the rebels. He also leased the land for a barracks (now the Garda Training College) and donated the site of the Catholic Church in 1810.
Sarah Cooper née Carleton (born around 1718), wife of Arthur Cooper (b. 1716) of Coopershill, County Sligo. Daughter of Guy Cathcart Carleton of Fermanagh and Mary Brooke of Brookeborough, County Fermanagh.
The painting is a portrait by William Hogarth of the 1st Earl of Charlemont, James Caulfeild (1728-1799) aged 13, with his mother, Elizabeth Caulfeild née Bernard (1703-1743)(portrait painted in 1741).
James Caulfeild (1728-1799) 4th Viscount, 1st Earl of Charlemont, 1790 by Martin Ferdinand Quadal, courtesy of National Gallery of Ireland.
James Caulfeild, 1st Earl of Charlemont (1728-1799) by Richard Livesay, British, 1753-1826.
Dorothy Bentinck née Cavendish, Duchess of Portland (1750-1794) by George Romney, c. 1772, daughter of William Cavendish, 4th Duke of Devonshire. She married William Henry Bentinck 3rd Duke of Portland who added Cavendish to his name to become Cavendish-Bentinck.
William Cavendish, 3rd Duke of Devonshire, (1698-1755), former Lord Lieutenant of Ireland by Engraver John Faber the Younger, Dutch, c.1695-1756 After Joshua Reynolds, English, 1723-1792, courtesy of National Gallery of Ireland.
Catherine Cavendish, Duchess Of Devonshire (1700-1777) née Hoskins or Hoskyn, As Saint Catherine by Charles Jervas (1675-1739), courtesy of Whyte’s auction March 2019. She married William Cavendish 3rd Duke of Devonshire.
William Cavendish (1720-1764) 4th Duke of Devonshire, who brought Lismore Castle, County Waterford, into the Cavendish family by his marriage. Painting by Thomas Hudson.
Charlotte Boyle (1731-1754) daughter of Richard Boyle (1694-1753) 3rd Earl of Burlington 4th Earl of Cork who married William Cavendish (1720-1764) 4th Duke of Devonshire and brought Lismore Castle, County Waterford, into the Cavendish family. Painting after style of George Knapton, courtesy of Chiswick House collection.
William Cavendish (1748-1811) 5th Duke of Devonshire by John Raphael Smith, after Sir Joshua Reynolds publ. 1776, NPG D1752.
Elizabeth Christina Foster née Hervey (1759-1824) later Duchess of Devonshire by Angelica Kauffmann courtesy of National Trust Ickworth. She was the daughter of Frederick Augustus Hervey 4th Earl of Bristol, Bishop of Derry who built Downhill, Co Derry. She married John Thomas Foster MP (1747-1796) and later, William Boyle Cavendish 5th Duke of Devonshire. Last, she married Valentine Richard Quin 1st Earl of Dunraven and Mount Earl.
Lady Elizabeth Foster (1759-1824) née Hervey, as the Tiburtine Sibyl c. 1805 by Thomas Lawrence, National Gallery of Ireland NGI788. She was the daughter of Frederick Augustus Hervey 4th Earl of Bristol, Bishop of Derry who built Downhill, Co Derry. She married John Thomas Foster MP (1747-1796) and later, William Boyle Cavendish 5th Duke of Devonshire. Last, she married Valentine Richard Quin 1st Earl of Dunraven and Mount Earl.
William George Spencer Cavendish (1790-1858) 6th Duke of Devonshire by George Edward Madeley, NPG D15276.
Margaret Jones née Cecil (1673-1727) Countess of Ranelagh, 2nd wife of Richard Jones 1st Earl of Ranelagh Engraver: John Smith, English, 1652-1743 After Godfrey Kneller, German, 1646-1723, courtesy of National Gallery of Ireland.
William Chambers in the style of Joshua Reynolds, courtesy of Adam’s auction 13 Oct 2015
Major Henry Chavasse (1863-1943). 4th Battalion Scottish Rifles.
Anna Georgina Chavasse, née Coghill (d. 1899). She married Reverend William Izon Chavasse (1835-1864).
Theresa Susey Helen Vane-Tempest-Stewart née Chetwynd-Talbot, Marchioness of Londonderry (1856-1919) by John Singer Sargent, Vicereine 1886-89, wife of Charles Stewart Vane-Tempest-Stewart , 6th Marquess of Londonderry.

Baron Chichester (1613)

  • Arthur Chichester, 1st Baron Chichester (1563–1625)
Arthur Chichester (1563-1625) Baron Chichester Of Belfast (c) Belfast Harbour Commissioners; Supplied by The Public Catalogue Foundation.

Baron Chichester and Viscount Chichester (1625)

  • Edward Chichester, 1st Viscount Chichester (1568–1648)
  • Arthur Chichester, 2nd Viscount Chichester (1606–1675; created Earl of Donegall in 1647)

Earl of Donegall (1647)

  • Arthur Chichester, 1st Earl of Donegall (1606–1675)
  • Arthur Chichester, 2nd Earl of Donegall (died 1678)
  • Arthur Chichester, 3rd Earl of Donegall (1666–1706)
Anne Barry née Chichester (1697-1753) Countess of Barrymore, 3rd wife of James Barry 4th Earl of Barrymore. She was the daughter of Arthur, 3rd Earl of Donegall.
Lady Anne Chichester, Countess of Barrymore (d. 1753) Attributed to Philip Hussey, she was daughter of Major-General Arthur Chichester, 3rd Earl of Donegall (1666-1706) and his wife Lady Catherine Forbes (d. 1743), and she married James Barry 4th Earl of Barrymore, and was the mother of James Smith-Barry.
  • Arthur Chichester, 4th Earl of Donegall (1695–1757)
Lady Lucy Ridgeway was the eldest daughter and co-heir of Robert Ridgeway, 4th Earl of Londonderry (d. 1713/14), she married Arthur Chichester, 4th Earl of Donegal (1695-1757), by Jonathan Richardson courtesy of Sothebys L11304.
  • Arthur Chichester, 5th Earl of Donegall (1739–1799; created Baron Fisherwick in 1790 and Earl of Belfast and Marquess of Donegall in 1791). He married Anne née Hamilton (1731-1780) who was the daughter of James Brandon Douglas Hamilton 5th Duke of Hamilton, Scotland. Arthur the 5th Earl of Donegall was the son of John Chichester (1700-1746), who was the son of Arthur 3rd Earl of Donegall.
Anne Chichester née Hamilton, Countess of Donegall (1731-1780), who married Arthur Chichester 5th Earl of Donegall. She was the daughter of James Brandon Douglas Hamilton 5th Duke of Hamilton, Scotland.

Marquess of Donegall (1791)

  • Arthur Chichester, 1st Marquess of Donegall (1739–1799)
Arthur Chichester (1739-1799) 1st Marquess of Donegall, by Thomas Gainsborough, courtesy of Ulster Museum. He was the grandson of the 3rd Earl of Donegall.
  • George Augustus Chichester, 2nd Marquess of Donegall (1769–1844)
George Augustus Chichester (1769-1844) 2nd Marquess of Donegall, courtesy of Belfast Castle.

George Hamilton Chichester, 3rd Marquess of Donegall, Baron Ennishowen and Carrickfergus (1797–1883). He married Harriet Anne née Butler (1799-1860), daughter of Richard Butler, 1st Earl of Glengall.

Harriet Anne née Butler (1799-1860) Countess of Belfast, wife of George Hamilton Chichester 3rd Marquess of Donegal and daughter of Richard Butler, 1st Earl of Glengall.
Frederick Richard Chichester (1827-1853), Earl of Belfast, Courtesy of Ulster Museum. He was the son of the 3rd Marquess of Donegall.
Frederick Richard Chichester (1827-1853) Earl of Belfast courtesy of Ulster Museum.
  • Edward Chichester, 4th Marquess of Donegall (1799–1889)
  • George Augustus Hamilton Chichester, 5th Marquess of Donegall (1822–1904)
  • Edward Arthur Donald St George Hamilton Chichester, 6th Marquess of Donegall (1903–1975)
  • Dermot Richard Claud Chichester, 7th Marquess of Donegall (5th Baron Templemore) (1916–2007)
  • Arthur Patrick Chichester, 8th Marquess of Donegall (b. 1952) [1]
Portrait c. 1740 of Archbishop Robert Clayton (1695–1758) and Katherine née Donellan by James Latham, courtesy of National Gallery of Ireland. Known for his unorthodox views, at the time of his death Robert Clayton was facing charges of heresy.
Robert Clayton (1695–1758) Bishop of Cork and Ross, in Iveagh House on St. Stephen’s Green.
Robert Clements, later First Earl of Leitrim, by Pompeo Batoni, about 1753–1754, Hood Museum of Art.
Robert Clements (1732-1804) 1st Earl of Leitrim by Gilbert Stuart courtesy of Christie’s Irish Sale 2001.
Colonel Henry John Clements (1781-1843) of Ashfield, Co. Cavan by Martin Cregan, courtesy of Christie’s Irish Sale 2001. He was the son of Henry Theophilus Clements (1750-1795), a brother of the 1st Earl of Leitrim, and Catherine Beresford (1761-1836). He married Louisa Stewart (1778-1850) of Killymoon, Country Tyrone, daughter of James Stewart (1741-1821).
Charlotte Florentia Percy née Clive (1787-1866), Duchess of Northumberland (1787-1866), by Martin Cregan. She was the daughter of Edward Clive, 1st Earl of Powys, and she married Hugh Percy, Earl Percy.
John Clotworthy (d. 1665), 1st Viscount of Massereene, courtesy of Clotworthy House.
Archbishop Charles Cobbe (1687-1765) of Newbridge House, Dublin
Charles Cobbe (1687-1765), Protestant Archbishop of Dublin Date 1746 by Engraver Andrew Miller, English, fl.1737-1763 After Francis Bindon, Irish, 1690-1765, courtesy of National Gallery of Ireland.
Charles Cobbe, P. Archbishop of Dublin, (1687-1765) by Engraver Andrew Miller, English, fl.1737-1763 After Francis Bindon, Irish, 1690-1765, courtesy of National Gallery of Ireland.
Elizabeth Cobbe née de la Poer Beresford (1736-1806), wife of Thomas Cobbe (1733-1814) of Newbridge House, Dublin, in a costume evocative of Mary Queen of Scots, miniature, Cobbe Collection.
This portrait was painted the year that Marmaduke Coghill (1673-1739) was appointed Chancellor of the Exchequer, attributed to Francis Bindon, courtesy of Adam’s auction 15 Dec 2019. A firm adherent to the ‘castle’ administration he had ‘inherited’ from his father the position of Judge of the Prerogative Court and had enriched himself sufficiently to re-build Drumcondra House, probably using Edward Lovett Pearce. He had a penchant for commissioning outstanding pieces of silver from the Dublin silversmiths such as the extraordinary cistern in the Ulster Museum and the Monteith in Waterford. There is a monument to him by Peter Scheemakers in Drumcondra Church. Francis Bindon (1690 – 1765) is the most likely artist to have painted this portrait.
Marmaduke Coghill (1673-1738). Never married, he lived in Belvedere House, Drumcondra before building a house at Clonturk, afterwards known as Drumcondra House, he lived there with his sister Mary until his death. Adam’s auction 9 Mar 2014.
Admiral Josiah Coghill (1773-1850), 3rd Baronet Coghill, of Coghill, Co. York, UK.
Anna Georgina Chavasse, née Coghill (d. 1899). She married Reverend William Izon Chavasse (1835-1864).

I refer to Timothy William Ferres’s terrific blog to look at the Cole family of Florence Court in County Fermanagh, a National Trust property.

William Cole married Susannah, daughter and heir of John Croft, of Lancashire, and widow of Stephen Segar, Lieutenant of Dublin Castle, by whom he left at his decease in 1653,

MICHAEL, his heir;
John, of Newland, father of Arthur, 1st BARON RANELAGH;
Mary; Margaret.

Called Elizabeth Cole Lady Ranelagh, probably really Catherine Cole née Byron (1667-1746) Lady Ranelagh attributed to John Closterman courtesy of National Trust Florence Court. She married Arthur Cole, 1st Baron Ranelagh.

The elder son,

MICHAEL COLE, wedded, in 1640, Catherine, daughter of Sir Laurence Parsons, of Birr, 2nd Baron of the Irish Exchequer, and dvp, administration being granted 1663 to his only surviving child,

SIR MICHAEL COLE, Knight (1644-1710), of Enniskillen Castle, MP for Enniskillen, 1692-3, 95-9, 1703-11, who espoused firstly, Alice (dsp 1671), daughter of Chidley Coote, of Killester; and secondly, 1672, his cousin, Elizabeth (d 1733), daughter of Sir J Cole Bt.

Sir Michael was succeeded by his only surviving child,

JOHN COLE (1680-1726), of Florence Court, MP for Enniskillen, 1703-26, who espoused, in 1707, Florence, only daughter of Sir Bourchier Wrey Bt, of Trebitch, in Cornwall.

Florence Bourchier Wrey (d. 1718), courtesy of National Trust, Florence Court, County Fermanagh. She married John Cole (1680-1726) who built Florence Court, and named it after her.

John and Florence had the following children:

Henry (Rev);
JOHN (1709-67) his heir;
Letitia; Florence.

Mr Cole was succeeded by his younger son, John Cole (1709-67) MP for Enniskillen, 1730-60. John married in 1728 Elizabeth, daughter of Hugh Willoughby Montgomery, of Carrow, County Fermanagh. Mr Cole was elevated to the peerage, in 1760, in the dignity of Baron Mountflorence, of Florence Court, County Fermanagh.

John Cole (1709-1767) 1st Baron Mountflorence of Florence Court, County Fermanagh, courtesy of National Trust, Florence Court, County Fermanagh.

John and Elizabeth had the following children:

WILLIAM WILLOUGHBY (1736-1803) his heir;
Arthur, m in 1780 Caroline Hamilton;
Flora Caroline; Catherine.

His lordship was succeeded by his elder son, WILLIAM WILLOUGHBY, 2nd Baron (1736-1803), MP for Enniskillen, 1761-7, who was created Viscount Enniskillen in 1776; and advanced to the dignity of an earldom, in 1789, as EARL OF ENNISKILLEN.

William Willoughby Cole (1736-1803) 1st Earl of Enniskillen, by Nathaniel Hone, courtesy of National Trust, Florence Court, County Fermanagh. He was the son of John Cole 1st Baron Mountflorence.

William Willoughby Cole married, in 1763, Anne, daughter of Galbraith Lowry Corry, of Ahenis, County Tyrone, and sister of Armar Corry, Earl of Belmore, and had issue,

JOHN WILLOUGHBY (1768-1840) his successor, who became 2nd Earl;
Galbraith Lowry (Sir), GCB, a general in the army;
William Montgomery (Very Rev), Dean of Waterford;
Arthur Henry, MP for Enniskillen;
Henry, died young;
Sarah; Elizabeth Anne; Anne; Florence; Henrietta Frances.

John Willoughby Cole (1768-1840) 2nd Earl of Enniskillen, later 1st Baron Grinstead, by Thomas Robinson, courtesy of National Trust, Florence Court, County Fermanagh.
John Willoughby Cole (1768-1840) 2nd Earl of Enniskillen and 1st Baron Grinstead (1768-1840).
Lady Henrietta Cole, Lady Grantham, later Countess de Grey (1784-1848), Vicereine 1841-44, from Florence Court, Fermanagh. She was the daughter of William Willoughby Cole the 1st Earl of Enniskillen.
Florence Townley-Balfour née Cole (1779-1862) daughter of William Willoughby Cole 1st Earl of Enniskillen, she married Blayney Townley-Balfour. Painting by Richard Rothwell, courtesy of National Trust Florence Court.

JOHN WILLOUGHBY Cole 2nd Earl (1768-1840) married, in 1805, the Lady Charlotte Paget, daughter of Henry, 1st Earl of Uxbridge. The 2nd Earl of Charlotte had the following children:

WILLIAM WILLOUGHBY (1807-86) his successor, who became the 3rd Earl of Enniskillen.

Henry Arthur; John Lowry; Lowry Balfour; Jane Anne Louisa Florence.

William Willoughby Cole (1807-1886) 3rd Earl of Enniskillen, by William Robinson, courtesy of National Trust, Florence Court, County Fermanagh.

WILLIAM WILLOUGHBY, 3rd Earl (1807-86), Honorary Colonel, 3rd Battalion, Royal Inniskilling Fusiliers, married firstly, in 1844, Jane, daughter of James Casamaijor, and had issue,

John Willoughby Michael, styled Viscount Cole (1844-50);

LOWRY EGERTON, 4th Earl;

Arthur Edward Casamaijor;

Florence Mary; Alice Elizabeth; Charlotte June; Jane Evelyn.

He wedded secondly, in 1865, Mary Emma, daughter of Charles, 6th Viscount Midleton.

His lordship was succeeded by his eldest surviving son,

LOWRY EGERTON, 4th Earl (1845-1924), KP JP DL MP, who wedded, in 1869, Charlotte Marion, daughter of Douglas Baird.

Charlotte Marion Baird (1851/2-1937) Countess of Enniskillen, by Henry Richard Graves, courtesy of National Trust, Florence Court, County Fermanagh. She married Lowry Egerton Cole, 4th Earl of Enniskillen.

Courtesy of http://lordbelmontinnorthernireland.blogspot.com/2017/08/florence-court-house.html

Nicholas Conway Colthurst (1789-1829) 4th Baronet of Ardrum, County Cork, by Martin Arthur Shee, courtesy of Eton College. He was Member of Parliament (M.P.) for the City of Cork between 1812 and 1829. His son the 5th Earl married Louisa Jane Jefferyes, through whom he acquired Blarney Castle.
Ambrose Congreve reading a newspaper at Clonbrock House, Ahascragh, Co. Galway, National Library of Ireland Ref. CLON422.

Timothy William Ferres tells us of the line of the Conolly family who owned Castletown House in County Kildare. [2] It was built by William Conolly (1662-1729), Speaker of the House of Commons in Ireland during the reign of Queen Anne, First Lord of the Treasury until his decease during the reign of GEORGE II, and ten times sworn one of the Lords Justices of Ireland.

William Conolly (1662-1729) of Castletown, County Kildare.

William Conolly married, in 1694, Katherine Conyngham, sister of Henry 1st Earl.

Katherine Conolly née Conyngham (c. 1662-1752) who married William Conolly, pictured with her great-niece Molly Burton. Portrait by Charles Jervas.

Speaker Conolly, MP for Donegal, 1692-9, Londonderry, 1703-29, was succeeded by his nephew, William James Conolly (1706-54).

I’m not sure but the top portrait looks like Katherine Conyngham to me, who marries William Conolly.
William Conolly, M.P. (d.1754) by Anthony Lee c. 1727 courtesy of National Gallery of Ireland NGI 421

William James Conolly (1706-54) married Anne Wentworth, eldest daughter of Thomas, 1st Earl of Strafford.

Lady Anne Conolly née Wentworth (1713-1797), daughter of Thomas Wentworth (1672-1739) 1st Earl of Strafford). She was married to William James Conolly (1712-1754), of Castletown, County Kildare. Painting attributed to Anthony Lee, courtesy of National Gallery of Ireland. She was the mother of Thomas Conolly (1734-1803).
Lady Anne Conolly (born Wentworth (1712/1713-1797), daughter of Thomas Wentworth (1672-1739) 1st Earl of Strafford). She was married to William James Conolly (1712-1754), of Castletown, County Kildare. She was the mother of Thomas Conolly (1734-1803).

They had issue,

THOMAS (1734-1803) his heir;
Katherine, m. Ralph, Earl of Ross;
Anne, m. G. Byng; mother of Earl of Strafford;
Harriet, m. Rt Hon John Staples, of Lissan;
Frances, m. 5th Viscount Howe;
Caroline, m. 2nd Earl of Buckinghamshire;

[2]

Thomas Conolly (1734-1803). He was the son and heir of William James Conolly (d.1754) of Castletown House, by his wife Lady Anne Wentworth. Thomas Conolly married Lady Louisa Lennox, a daughter of Charles Lennox, the 2nd Duke of Richmond.
Thomas Conolly (1738-1803), 1758 by Anton Raphael Mengs, National Gallery of Ireland PGI 4458
Portrait called The Honourable Harriet Molesworth (1745-1812), wife of John Staples (1736-1820) (probably Harriet Conolly, d. 1771), by Francis Cotes, courtesy of National Trust. Springhill, County Derry.

Ferres continues, telling us that Thomas Conolly, MP for County Londonderry, 1761-1800, wedded, in 1758, Louisa Augusta Lennox, daughter of Charles, 2nd Duke of Richmond and Lennox.

The pastel on the top left is Thomas Conolly (1734-1803), Louisa’s husband.
Thomas Connolly of Castletown by Hugh Douglas Hamilton (1739-1808), courtesy Adam’s auction 28 March 2012.
Lady Louisa Connolly née Lennox (1743-1817) by Hugh Douglas Hamilton, (1739-1808), courtesy Adam’s 28 Sept 2005. She was the daughter of Charles, 2nd Duke of Richmond and Lennox.
Louisa Conolly née Lennox (1743-1817) who married Thomas Conolly (1734-1803).

Thomas and Louisa had no children so the estate passed to a grand-nephew, Edward Michael Pakenham (1786-1849) who assumed the surname Conolly in 1821. Now Edward Michael Conolly of Castletown, County Kildare, and Cliff, County Donegal, Lieutenant-Colonel, Donegal Militia, MP for County Donegal, 1831-49, he married in 1819, Catherine Jane, daughter of Chambré Brabazon Ponsonby-Barker, by the Lady Henrietta Taylour his wife, daughter of Thomas, Earl of Bective. They had issue,

THOMAS (1823-1876) his heir;
Chambré Brabazon, d 1835;
Frederick William Edward, d 1826;
Arthur Wellesley, 1828-54;
John Augustus, VC;
Richard, d 1870;
Louisa Augusta; Henrietta; Mary Margaret; Frances Catherine.

Thomas Conolly (1823-1876), painting by William Osbourne.

Thomas married, in 1868, Sarah Elizabeth, daughter of Joseph Shaw, of Temple House, Celbridge, County Kildare.

Sarah Eliza Conolly née Shaw, wife of Thomas.
Thomas Conolly (1823-1876) and his wife Sarah Eliza. Sarah Eliza was the daughter of a prosperous Celbridge paper mill owner, Joseph Shaw. Her substantial dowry helped to fund her husband’s adventurous lifestyle! A photograph album which belonged to her brother Henry Shaw, of a visit to Castletown, was rescued from the rubble of his home in London when it was destroyed by a German bomb in 1944. Sadly, he died in the bombing. The photograph album is on display in Castletown.

Thomas and Sarah Elizabeth had several children:

Thomas (1870-1900), killed in action at S Africa;
William, 1872-95;
EDWARD MICHAEL, of whom hereafter;
CATHERINE, Baroness Carew, mother of 6th BARON CAREW.

Mr Conolly was succeeded by his eldest surviving son,

EDWARD MICHAEL CONOLLY CMG (1874-1956), of Castletown, Major, Royal Artillery, who died unmarried, when Castletown passed to his nephew,

William Francis (Conolly-Carew), 6th Baron Carew. [2]

Albert Cunningham (d. 1691) first colonel of the 6th (Inniskilling) Dragoons, by Willem Wissing c. 1690, courtesy of British Cavalry Regiments website and wikipedia.
Albert Conyngham (d. 1691), courtesy of National Trust Springhill.
William Burton Conyngham (1733-1796), teller of the Irish Exchequer and treasurer of the Royal Irish Academy, 1780 engraver Valentine Green, after Hugh Douglas Hamilton, courtesy of National Gallery of Ireland.
Katherine Conolly née Conyngham (c. 1662-1752) who married William Conolly, with her great-niece Molly Burton. Portrait by Charles Jervas.

On his terrific website, Timothy William Ferres tells us about the Conyngham family of Springhill, County Derry in Northern Ireland: [3]

Colonel William Cunningham, of Ayrshire settled in the townland of Ballydrum, in which Springhill is situated, in 1609.

Colonel Cunningham’s son, William Conyngham, known as “Good Will” (d. 1721) married Ann, daughter of Arthur Upton, of Castle Norton (later Castle Upton), County Antrim, by his wife Dorothy, daughter of Colonel Michael Beresford, of Coleraine. William “Good Will” Conyngham died in 1721, and was succeeded by his nephew,

William Conyngham (d. 1721), “Good Will”, courtesy of National Trust. Springhill, County Derry.
Ann Upton (1664-1753) wife of William “Goodwill” Conyngham (1660-1721), daughter of Arthur Upton (1623-1706) of Castle Upton, County Antrim, courtesy of National Trust. Springhill, County Derry.

William “Goodwill” Conyngham was succeeded by his nephew George Butle Conyngham (d. 1765). He married , in 1721, Anne, daughter of Dr Upton Peacocke, of Cultra.

George Butle Conyngham (d. 1765), courtesy of National Trust, Springhill, County Derry.
Anne Peacocke (d. 1754), Mrs George Butle Conyngham, courtesy of National Trust, Springhill, County Derry.

George Butle Conyngham and Anne née Peacocke had children William (1723-84), the heir to Springhill, and David, successor to his brother, John who died unmarried in 1775 and a daughter Anne (1724-1777) who married in 1745 Clotworthy Lenox.

Called Anne Conyngham (1724-1777) Mrs Clotworthy Lenox, courtesy of National Trust. Springhill, County Derry. She was the daughter of George Butle Conyngham.

David who succeeded his brother William died without issue so Springhill passed to his nephew George Lenox (1752-1816), son of his sister Anne, and George adopted the surname of Conyngham. George married, first, Jean née Hamilton (d. 1788), daughter of John Hamilton of Castlefin. They had a son, William Lenox-Conyngham (1792-1858).

Jean Hamilton (d. 1788), wife of William Conyngham (1723-1774) by Joshua Reynolds, courtesy of National Trust. Springhill, County Derry.

George married, second, in 1794, Olivia, fourth daughter of William Irvine, of Castle Irvine, County Fermanagh.

William Burton Conyngham (1733-1796), teller of the Irish Exchequer and treasurer of the Royal Irish Academy, 1780 engraver Valentine Green, after Hugh Douglas Hamilton, courtesy of National Gallery of Ireland.
William Burton Conyngham (1733–1796) by Anton Raphael Mengs c. 1754-58, courtesy of wikipedia. He was the son of Francis Burton and Mary Conyngham, and he inherited Slane Castle as well as Donegal estates from his uncle William Conyngham who died in 1781.
William Burton Conyngham, engraving After GILBERT STUART courtesy of Adams Country House Collections auction Oct 2023.

Slane Castle passed to William Burton Conyngham’s nephew Henry Conyngham (1766-1832) 1st Marquess Conyngham. Henry married Elizabeth Denison.

Elizabeth née Denison, Marchioness Conyngham (1769-1861), wife of Henry 1st Marquess.
Elizabeth Conyngham née Denison, wife of Henry 1st Marquess by Thomas Lawrence 1821 courtesy of Calouste Gulbenkian Museum.
Elizabeth Conyngham (née Denison), Marchioness Conyngham (1769–1861) by George Chinnery, English, 1774-1852.
Maria Conyngham (died 1843), daughter of 1st Marquess of Slane by Sir Thomas Lawrence courtesy of Metropolitan museum.
Francis Nathaniel Conyngham (1797-1876) 2nd Marquess of Slane, County Meath, courtesy of National Gallery of Ireland.
Edward Cooke, (1755-1820), Under-Secretary of State for Ireland Date: 1799 Engraver William Ward the Elder, English, 1766-1826 After William Cuming, Irish, 1769-1852.
Arthur Cooper, b. 1716, of Coopershill, County Sligo.
Sarah Cooper née Carleton (born around 1718), wife of Arthur Cooper (b. 1716) of Coopershill, County Sligo. Daughter of Guy Cathcart Carleton of Fermanagh and Mary Brooke of Brookeborough, County Fermanagh.
Arthur Brooke Cooper (c. 1775-1854) of Coopershill, County Sligo.

Timothy William Ferres also tells us of the Coote family. Charles Coote (1581-1642), 1st Baronet of Castle Cuffe, Queen’s County (Laois): “The Peerage” website tells us that in 1600 he went to Ireland as Captain of 100 Foot under 8th Lord Mountjoy, Queen Elizabeth I’s Lord Deputy of Ireland. He fought in the siege of Kingsale in 1602. He held the office of Provost Marshal of Connaught between 1605 and 1642, for life. He held the office of General Collector and Receiver of the King’s Composition Money for Connaught in 1613, for life. He held the office of Vice-President of Connaught in 1620. He was appointed Privy Counsellor (P.C.) in 1620. He was created 1st Baronet Coote, of Castle Cuffe, Queen’s Co. [Ireland] on 2 April 1621. He held the office of Custos Rotulorum of Queen’s County in 1634. He held the office of Member of Parliament (M.P.) for Queen’s County [Ireland] in 1639. Before 1641 he held Irish lands, mostly in Conaught, worth £4,000 a year. He held the office of Governor of Dublin in 1641. In 1642 he helped relieve Birr, King’s County (now County Offaly), during the Uprising by the Confederation of Kilkenny, his successful operations there and elsewhere in the area, which was called Mountrath, suggesting the title by which his son was ennobled.

Sir Charles Coote (1581-1642) 1st Baronet of Castle Cuffe, Queens County By David Keddie – Own work, Public Domain, https//:commons.wikimedia.org/w/index.php?curid=42005305.jpg

He married Dorothea, youngest daughter and co-heir of Hugh Cuffe, of Cuffe’s Wood, County Cork, and had issue, Charles (c.1610 –1661) 1st Earl of Mountrath;
Chidley (d. 1688) of Killester, Co Dublin and Mount Coote, County Limerick;
RICHARD (1620-83) 1st Baron Coote of Colloony, County Sligo, ancestor of the EARL OF BELLAMONT (1st Creation);
Thomas, of Coote Hill;
Letitia (married Francis Hamilton, 1st Bt of Killaugh, co. Cavan).

Charles Coote 1st Earl of Mountrath (c.1610 –1661), 2nd Baronet, ca. 1642, before he was ennobled, Circle of William Dobson. By Christina Keddie – Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=42002789

Charles Coote (c.1610 –1661), 1st Earl of Mountrath married first, Mary Ruish, who gave birth to his heir, Charles Coote (d. 1672) 2nd Earl of Mountrath, Queen’s County. The 1st Earl of Mountrath, Queen’s County, also had the titles 1st Baron Coote of Castle Cuffe, in Queen’s Co. [Ireland] and 1st Viscount Coote of Castle Coote, Co. Roscommon [Ireland].

Charles Coote (c.1610 –1661), 1st Earl of Mountrath married secondly Jane Hannay, and she had a son Richard (1643-1700), who married Penelope, daughter of Arthur Hill of Hillsborough, County Down. Their daughter Penelope Rose married Charles Boyle (d. 1732) 2nd Viscount Blesington. Another daughter, Jane (d. 1729) married William Evans, 1st and last Baronet of Kilcreene, County Kilkenny.

Charles Coote, 2nd Earl of Mountrath married Alice, daughter of Robert Meredyth of Greenhills, County Kildare. His daughter Anne (d. 1725) married Murrough Boyle, 1st Viscount Blesington (d. 1718). His son Charles (1656-1709) succeeded as 3rd Earl of Mountrath, and he was father to the 4th, 5th and 6th Earls.

Charles Coote (d. 1715) 4th Earl of Mountrath, c. 1710 by Charles Jervas. He died unmarried.
Diana Coote (1696-1766), Countess of Mountrath, wife of 6th Earl, 1746 by Thomas Hudson, National Gallery of Ireland NGI293.

The son of Algernon Coote (1689-1744) 6th Earl of Mountrath, Charles Henry Coote (d. 1802) 7th Earl of Mountrath had no legitimate male issue and the earldom and its associated titles created in 1660 died with him. The barony of Castle Coote passed according to the special remainder to his kinsman, Charles Coote. The baronetcy of Castle Cuffe also held by the Earl passed to another kinsman, Sir Charles Coote, 9th Baronet.

Charles Henry Coote (1794-1864) 9th Baronet of Castle Cuffe, Queens County, By John Hoppner, Public Domain, https://commons.wikimedia.org/w/index.php?curid=42004929

Let us return now to Charles Coote (1581-1642), 1st Baronet of Castle Cuffe, Queen’s County (Laois) and trace the line of his younger son, RICHARD COOTE (1620-83), for his hearty concurrence with his brother, SIR CHARLES, 2nd Baronet, in promoting the restoration of CHARLES II, was rewarded with the dignity of a peerage of the realm; the same day that his brother was created Earl of Mountrath, Richard Coote was created, in 1660, Baron Coote, of Colloony.

In 1660, Richard was appointed Major to the Duke of Albemarle’s Regiment of Horse; and the same year he was appointed one of the commissioners for executing His Majesty’s declaration for the settlement of Ireland. He was, in 1675, appointed one of the commissioners entrusted for the 49 Officers. In 1676, the 1st Baron resided at Moore Park, County Meath, and Piercetown, County Westmeath. He married Mary, second daughter of George, Lord St. George, and had issue: RICHARD (1636-1701) his successor;
Thomas (d. 1741)
Lætitia (married Robert Molesworth, 1st Viscount Molesworth of Swords); Mary (married William Stewart, 1st Viscount Mountjoy); Catherine (married Ferdinando Hastings); Elizabeth (married Lt.-Gen. Richard St. George).

Following his decease, in 1683, he was interred at Christ Church Cathedral, Dublin. He was succeeded by his eldest son,

RICHARD, 2nd Baron (1636-1701), Governor of County Leitrim, 1689, Treasurer to the Queen, 1689-93, MP for Droitwich, 1689-95, who was, in 1688, one of the first to join the Prince of Orange. In 1689, he was attainted in his absence by the Irish Parliament of JAMES II. His lordship was created, in 1689, EARL OF BELLAMONT, along with a grant of 77,000 acres of forfeited lands.

Richard Coote (1636-1700/01) 1st Earl Bellomont By Samuel Smith Kilburn (d. 1903) – New York Public Library digital library http//:digitalgallery.nypl.org/nypldigital/id?423861, Public Domain, https//:commons.wikimedia.org/w/index.php?curid=13014278

Richard 1st Earl of Bellomont was Governor of Massachusetts, 1695, and Governor of New York, 1697-1701. The King had sent Lord Bellomont to New York to suppress the “freebooting.” Unfortunately he was responsible for outfitting the veteran mariner William Kidd, who turned into “Captain Kidd,” who terrorised the merchants until his capture in 1698.

According to Cokayne “he was a man of eminently fair character, upright, courageous and independent. Though a decided Whig he had distinguished himself by bringing before the Parliament at Westminster some tyrannical acts done by Whigs at Dublin.”

The 1st Earl of Bellomont wedded, in 1680, Catharine, daughter and heir of Bridges Nanfan, of Worcestershire, and had issue, NANFAN (1681-1708) his successor as 2nd Earl of Bellomont, and RICHARD (1682-1766), who succeeded his brother.

NANFAN, 2nd Earl (1681-1708) married Lucia Anna van Nassau (1684-1744), daughter of Henry de Nassau, Lord Overkirk, in 1705/6 at St Martin-in-the-Fields Church, London. Nanfan died at Bath, Somerset, from palsy, without male issue, when the family honours devolved upon his brother, RICHARD, 3rd Earl (1682-1766), who, in 1729, sold the family estate of Colloony, County Sligo, for nearly £17,000.

In 1737, he succeeded his mother to the estates of Birtsmorton, Worcestershire. Macaulay described him as “of eminently fair character, upright, courageous and independent.” On his death the earldom expired. 

The last Earl was succeeded in the barony of Coote by his first cousin once removed, CHARLES, 5th Baron (1736-1800), KB PC, son of Charles Coote [1695-1750] High Sheriff of County Cavan, 1719, MP for Granard, 1723-27, Cavan County, 1727-50MP for County Cavan, 1761-6, who was son of the HON THOMAS COOTE (c. 1655-1741) a Justice of the Court of the King’s Bench of Ireland, younger son of the 1st Baron. This Thomas’s daughter Elizabeth married Mervyn Pratt (1687-1751) of Cabra Castle.

Charles Coote (1736-1800) 1st Earl of Bellamont (3rd creation) By Joshua Reynolds – Public Domain, https//:commons.wikimedia.org/w/index.php?curid=4796126.jpg, National Gallery of Ireland NGI 216

Sir Charles succeeded his cousin, Richard, in 1766, as 5th Baron Coote; and was created, in 1767, EARL OF BELLAMONT (3rd creation). His lordship was created a baronet, in 1774, designated of Donnybrooke, County Dublin, with remainder to his natural son, Charles Coote, of Dublin.

SIR CHARLES COOTE (1736-1800), KB PC, of Coote Hill (afterwards renamed Bellamont Forest) had an illegitimate son, Charles Coote (1765-1857) who despite his illegitimacy became 2nd Baronet of Bellamont). Charles 1st Earl married, in 1774, the Lady Emily Maria Margaret FitzGerald, daughter of James, 1st Duke of Leinster, and had issue, Charles, Viscount Coote (died age seven, 1778-86); Mary; Prudentia; Emily; Louisa. Following his death in 1800, the titles became extinct as he left no legitimate male issue, though he was succeeded in the baronetcy according to the special remainder by his illegitimate son Charles, 2nd Baronet.

Finally, let us return now to Charles Coote (1581-1642), 1st Baronet of Castle Cuffe, Queen’s County (Laois) and trace the line of his son Chidley Coote (d. 1668). Chidley lived in Mount Coote, County Limerick (later called Ash Hill, a section 482 property, see my entry). He had a son, Chidley (d. 1702) who married Catherine Sandys. They had a daughter Catherine (d. 1725) who married Henry Boyle 1st Earl of Shannon. Another daughter, Anne, married Bartholomew Purdon, MP for Doneraile and later Castlemartyr of County Cork. They had a son Reverend Chidley Coote (1678-1730) who inherited Ash Hill in County Limerick. He married Jane Evans (d. 1763) and it was their grandson Charles Henry Coote (1754-1823) who succeeded as 2nd Baron Castle Coote in 1802. He was the son of Reverend Charles Coote (1713-1796) and Grace Tilson (d. 1766). Another son was Lt.-Gen. Sir Eyre Coote (1762-1823).

Major General Eyre Coote (1762-1823), Governor of Jamaica, 1805 by engraver Antoine Cordon after J.P.J. Lodder, courtesy of National Gallery of Ireland. He was son of Reverend Charles Coote (1713-1796) and Grace Tilson (d. 1766).
Eyre Coote (1726-1783) attributed to Henry Robert Morland, c. 1763, National Portrait Gallery of London NPG124. He was the son of Reverend Chidley Coote (1678-1730) who inherited Ash Hill in County Limerick and Jane Evans (d. 1763).
Lieutenant General Sir Eyre Coote (1726-1783) Commander-in-Chief in the East Indies (1777-1783) by John Thomas Seton, courtesy of the British Library. He was the son of Reverend Chidley Coote (1678-1730) who inherited Ash Hill in County Limerick and Jane Evans (d. 1763).

Reverend Chidley Coote (1678-1730) who inherited Ash Hill and Jane Evans (d. 1763) had a daughter Elizabeth who married John Bowen. Reverend Childley Coote and Jane Evans’s son Robert (d. 1745) inherited Ash Hill and married his cousin Anne Purdon, daughter of Bartholomew Purdon and Anne Coote. Robert Coote and Anne Purdon’s grandson was Charles Henry Coote (1792-1864) who succeeded as 9th Baronet of Castle Cuffe, Queen’s County, who married Caroline Elizabeth Whaley (d. 1871), daughter of John Whaley (d. 1847) of Dublin.

Caroline Elizabeth Coote née Whaley (d. 1871), daughter of John Whaley (d. 1847) of Dublin courtesy of wikitree, uploaded by Desmond William Kelly Lynch SD. She married Charles Henry Coote (1792-1864) who succeeded as 9th Baronet of Castle Cuffe, Queen’s County.
Charles Eyre Coote (1801-1858), third son of Chidley Coote (1776-1843) and Anne Hewitt, by James Butler Brenan RHA (1825-1889) courtesy Whyte’s Sept 2003.
James Corry (c. 1643-1718), MP, Colonel by Thomas Pooley courtesy of National Trust Castle Coole. He was the father of John Corry, MP (d. 1726).
Colonel John Corry, MP (1666–1726), attributed to Thomas Pooley, courtesy of National Trust Castle Coole, County Fermanagh.
Elizabeth Corry (1715-1791) (?) later Mrs Archibald Hamilton (d. 1752) and finally Mrs James Leslie of Leslie Hill, County Antrim, possibly by Anthony Lee courtesy of National Trust Castle Coole. She was the daughter of Colonel John Corry, MP (1666–1726).
Sarah Corry (1709-1779) later Mrs Galbraith Lowry Corry, by Anthony Lee courtesy of National Trust, Castle Coole, County Fermanagh. She was the daughter of Colonel John Corry, MP (1666–1726).
Martha Leslie née Corry (1704/5-1759) possibly by Anthony Lee courtesy of National Trust Castle Coole. She married Edmund Leslie, MP, of Leslie House, County Antrim. She was the daughter of Colonel John Corry, MP (1666–1726).
Probably Edmund Corry né Leslie (d. after 1764), MP by Irish school; or else Leslie Corry (1712-1740/41), MP, courtesy of National Trust Castle Coole. Edmund Leslie married Martha Corry, and added Corry to his surname to become Edmund Leslie-Corry.
Mary Armar née Corry (1710-1774) Mrs Margetson Armar by Anthony Lee courtesy of National Trust Castle Coole. She was the daughter of Colonel John Corry, MP (1666–1726).
Pole Cosby and his Daughter Sarah, by James Latham, portrait courtesy of Gallery of the Masters website. Sarah (b. 1730) married, first, Arthur Upton (1715-1768) of Castle Upton in County Antrim, after his first wife Sophia Ward had died, and secondly, Robert Maxwell (d. 1779) 1st and last Earl of Farnham. https://www.galleryofthemasters.com/l-folder/latham-james-pole-cosby.html
The Archers, John Dyke Acland and Dudley Alexander Sydney Cosby (1732-1774), 1st Baron Sydney and Stradbally, courtesy of National Gallery of Ireland.
Mrs. Sydney Cosby, courtesy of National Gallery of Ireland. Could it be Emily Ashworth (d. 1863), wife of Sydney Cosby (1807-1840)?
General William Cosby (c. 1690-1736) by Charles Jervas 1710, Governor of New York, courtesy of National Gallery of Ireland.
Anne Boyle née Courteney, Countess of Cork and Orrery (1742-1785) Engraver James Watson, Irish, c.1740-1790 After Hugh Douglas Hamilton, Irish, 1740-1808, courtesy of National Gallery of Ireland. She married Edmund Boyle 7th Earl of Cork, 7th Earl of Orrery.
Portrait Of A Lady traditionally identified as Caroline Courtenay Née Smith-Barry, courtesy of Whyte’s Sept 2007, daughter of James Smith-Barry (1746-1801) of Fota House, County Cork, she married George Courtenay of Ballyedmond House, County Cork (no longer exists).
Mary Creighton (or Crichton) née Hervey, Countess of Erne, with her daughter Lady Caroline Creighton (or Crichton), later Lady Wharncliffe by Hugh D Hamilton courtesy of Christie’s 2004. Mary was daughter of Frederick Augustus Hervey 4th Earl of Bristol, Bishop of Derry, who built Downhill in Derry, and she married John Creighton (or Crichton) 1st Earl Erne of Crom Castle.
Henrietta Paulet née Crofts, Duchess of Bolton (1682-1730) daughter of James Crofts (Scott), 1st and last Duke of Monmouth, illegitimate son of King Charles II. She married Charles Paulet, 2nd Duke of Bolton.
I think this is Jane Crosbie (c. 1713-1753), who married Thomas Mahon (1701-1782) of Strokestown, County Roscommon. She’s the daughter of Maurice Crosbie, 1st Baron Brandon.
Arabella Crosbie (d. 1813) who married Edward Ward (1753-1812) of Castle Ward, County Down, by Anna Maria Frances Blackwood Price, courtesy of National Trust, Castle Ward. William Crosbie 1st Earl of Glandore, County Cork, son of 1st Baron Brandon.
James Cuffe, 1st Baron Tyrawley, (1748-1821), Barrack-Master General and First Commissioner of the Board of Works in Ireland Date 1802 by Engraver John Raphael Smith, English, 1752-1812 After William Cuming, Irish, 1769-1852, courtesy of National Gallery of Ireland.
A portrait of Jane Cuffe (1719-1806), daughter of James Cuffe of Ballinrobe, County Mayo, wife of George Jackson (1717-1789) of Enniscoe, County Mayo.
Elizabeth Cuffe (1719-1794) who married Thomas Pakenham, 1st Baron Longford. She became Countess of Longford in her own right, through her father Michael Cuffe (1694-1744), who was heir to Ambrose Aungier, 2nd and last Earl of Longford (1st creation). 

[1] https://en.wikipedia.org/wiki/Marquess_of_Donegall

[2] http://lordbelmontinnorthernireland.blogspot.com/2016/03/castletown-house.html

[3] http://lordbelmontinnorthernireland.blogspot.com/search/label/County%20Londonderry%20Landowners