Portraits G

G

Alessandro Gallilei (1691-1737), architect of Castletown, County Kildare.
James Gandon (1743-1823), courtesy of National Gallery of Ireland.
Luke Gardiner (1690-1755), MP, Vice Treasurer of Ireland, engraver John Brooks, after Charles Jervas.
Mrs Gardiner, wife of the Right Hon. Charles Gardiner and mother of Luke Gardiner, Viscount Mountjoy and Lady Clancarty (née Anne Gardiner), attributed to William Healy, courtesy of Adam’s auction 12th June 2019.
Luke Gardiner, 1st Viscount Mountjoy, (1745-1798), Colonel of the Dublin Militia Date 1798 Engraver Henry Brocas the Elder, Irish, 1766-1838 After James Dowling Herbert, Irish, c.1762-1837, courtesy of National Gallery of Ireland.
Lady Gardiner, wife of Luke Gardiner, attributed to Hugh Douglas Hamilton, courtesy of Fonsie Mealy auction 18th Apr 2023.
Ann Gardiner (1746-1810), by Nathaniel Hone. It is thought to be Anne Gardiner. Courtesy of Whytes March 2020 auction; She was daughter of Charles Gardiner (1720-1769 and married William Power Keating Trench, 1st Earl of Clancarty, and sat with son for Hone also.
Charles John Gardiner (1782-1829) 1st Earl of Blessington, by James Holmes circa 1812, courtesy of National Portrait Gallery NPG 1523.
Godert de Ginkel 1630-1703 1st Earl of Athlone, courtesy of National Gallery of Ireland.
Maud Gonne, by Sarah Purser (1848 – 1943), 1880.
Charlotte Lennox née Gordon (1768-1842), Duchess of Richmond, Vicereine 1807-1813, wife of Charles Lennox, 4th Duke of Richmond.
Bishop William Gore Bishop of Limerick 1772-1784 courtesy of Bishop William Gore Bishop of Limerick 1772-1784 courtesy of laoishouses.wordpress.com the heath house.
Circle of James Latham (Tipperary 1696-1747 Dublin) Portrait of a gentleman, purported to be Sir Arthur Gore of Newton Gore courtesy of British & Continental Pictures by Bonhams April 28, 2009
Ralph Gore (1725–1802), 6th Bt, Later 1st Earl of Rosse, on His Bay Hunt, attriibuted to Thomas Spencer, courtesy of National Trust.
Colonel Henry Gore, Later Baron Annaly of Tenelick, Co. Longford by Hugh Douglas Hamilton courtesy of Adams 2010.
Arthur Saunders Gore, Viscount Sudley, later 2nd Earl of Arran (1734-1809), and his wife Catherine, née Annesley (1739-1770), with their son (?), Arthur Saunders Gore, later 3rd Earl of Arran (1761-1837), as Cupid by Pompeo Batoni 1769.png
Elizabeth Gore née Underwood (1761-1829), Countess of Arran by Hugh Douglas Hamilton, sold in Christies 2008. She was the wife of Arthur Saunders Gore 2nd Earl of Arran of the Arran Islands.
Russborough House 2018: Lady Beit’s grandmother, Mabel Ogilvy née Gore (1866-1956), Countess of Airlie, wife of David William Stanley Ogilvy, 11th Earl of Airlie, by John Singer Sargent. She was daughter of Arthur Saunders William Charles Fox Gore, 5th Earl of Arran of the Arran Islands.
Countess Markievicz, Constance née Gore-Booth (1868-1927) by Casimir Markievicz, 1899, National Gallery of Ireland 1231.
Countess Markievicz, studio portrait, courtesy of National Gallery of Ireland.
Constance Gore-Booth (left) and her sister, Eva, in 1895.
Josselyn Gore-Booth.
Henry Gore-Booth (1843-1900), 5th Baronet, by Sarah Purser.
Henry Gore-Booth, (1843-1900), 5th Baronet
Mary Delany (née Granville) (1700-1788) Paper collage artist; memoir and letter writer, by John Opie, 1792, courtesy of National Portrait Gallery NPG 1030.
Henry Grattan (1746-1820).
Hamilton Knox Grogan-Morgan (1807-1854) and his family of Johnstown Castle, County Wexford. His wife is Sophia Maria née Rowe (1805-1867).
Sophia Maria Knox Grogan Morgan (1805-1867) née Rowe, with her second husband Thomas Esmonde 9th Baronet (1786-1868); Jane Colclough Grogan Morgan (1834-1872), she married George Arthur Forbes (1833-1889), 7th Earl of Granard, who is in the third portrait.
Alice Guest née Grosvenor Viscountess Wimborne by Sir John Lavery, Vicereine 1915-18.
Arthur Guinness of Beaumont, J.P., (1768-1855), courtesy of National Gallery of Ireland.
Arthur Edward Guinness (1840-1915) Baron Ardilaun, by Sir Leslie Ward, published in Vanity Fair 8 May 1880, courtesy of National Portrait Gallery NPG D43957.
Arthur Guinness (1768-1855) by Martin Gregan, courtesy of Adam’s auction 13 Oct 2015. Provenance: St. Annes, Clontarf, and by descent in the family. Martin Cregan was amongst the most highly regarded, prolific and successful portraitists of his day. Glin and Crookshank (1978) describe his start in life as romantic, but being brought up as a foster child in Summerhill in Co. Meath and then into the service of the Stewarts of Killymoon in Co. Tyrone may not have been so idyllic as he never, even to his own family, referred to his parentage or upbringing. His talent for drawing was, however, recognized by the Stewarts and he was sent to the Dublin Society Schools where he was a double prize-winner in 1806 and 1807. He was then generously sponsored by the Stewarts to go to London where he became Sir Martin Archer Shees one and only pupil. Cregan returned to Dublin in 1822 and quickly developed a reputation as a fine portrait painter and over a period of thirty-three years exhibited 334 pictures at the Royal Hibernian Academy, of which institution he was a founding member and later President. He fathered sixteen children, the support of whom necessitated his continuing to paint commissions up until his death at the age of 82.

The present work, a portrait of the second Arthur Guinness (1768-1855), was exhibited at the RHA in 1827 and is also listed in Strickland. Arthur was the second son of Guinness founder, Arthur Guinness (1725-1803) and is credited with greatly developing the business at a time of great change economically and politically. He also extended the operations of the family into such areas as flour milling and banking. Arthurs interest in banking led him to being appointed to the Court of Directors of the Bank of Ireland and later becoming its Govenor. He was also chairman of Dublin Chamber of Commerce and was elected a member of Dublin Corporation. He married Ann Lee in 1793 and had nine children, including Benjamin Lee Guinness who was born in 1798. The letter held by the sitter identifies him and is addressed at Beaumont House, his childhood home, which is now part of Beaumont Hospital on the north side of Dublin. Views of Beaumont House were drawn by his daughter, Mary Jane after some remodeling in the 1850s (see Painting Ireland, Topographical Views from Glin Castle, ref. nos.143 & 144).

Benjamin Lee Guinness by Stephen Catterson Smith Jr courtesy of Adam’s auction 13 Oct 2015, Provenance: St. Annes, Clontarf, and by descent in the family. Born in Dublin in 1849, Stephen was eldest son of portrait painter Stephen Catterson Smith, PRHA and Anne Wyke, herself an artist who exhibited occasionally at the RHA.
Stephen Jun. had intended to join the army but owing to financial issues he was unable to enter that profession and instead settled down as a painter in his fathers studio. He is listed in the RHA records as having first exhibited there in 1871 with a Portrait. His father died the following year and he effectively took over the practice and continued the family tradition of painting the great and the good of Irish society. He was a regular visitor to Scotland and it was whilst there in 1905 that he caught a severe cold which permanently affected his health. He died on November 24th 1912, at his home, 42 St. Stephens Green in the same room in which he was born.
Walter Strickland notes that Smith Jun. made a number of copies of pictures painted by his father, including portraits of the present Sir Benjamin Lee Guinness and his wife Lady Guinness, which were done, we must presume, for Lord Ardilaun. The original portrait of Benjamin Lee Guinness was painted in 1862/3 and exhibited at the RHA in 1863.
 
Sir Benjamin Lee Guinness, 1st Baronet (1798 – 1868) was the third son of Arthur Guinness II and his wife Anne Lee and grandson of the first Arthur Guinness, founder of the eponymous brewery. While his father had developed the family business and had extended the familys range of commercial interests, it was Benjamin Lee that brought the brewery onto a different level altogether.
By the time of his fathers death in 1855, he had become Irelands richest man by developing a huge export trade.

He enjoyed a successful political career, being elected Lord Mayor of Dublin in 1851 and taking a seat in the House of Commons in 1865, a position he retained until his death. His philanthropy was well known, particularly in his home city of Dublin. He undertook in the 1860s the restoration of St. Patricks Cathedral and is reported as having spent the enormous sum of £150,000 on the enterprise. His Dublin home was what is now known as Iveagh House at 80, St. Stephens Green and in 1852 he purchased Ashford Castle in Co.Mayo adding two large Victorian extensions to the castellated mansion. An avid gardener, he extended the estate to 26,000 acres and planted many thousands of trees and oversaw the development of the massive woodlands. On his death in 1868, he was succeeded in the baronetcy by his eldest son, Arthur (later Lord Ardilaum) who took over the brewery with his brother Edward (later Lord Iveagh). His daughter, Anne (1839 – 1889) married William, Lord Plunket in 1863. He is buried in the family vault in Mount Jerome Cemetery in Dublin.

James Gunning of Castle Coote, County Roscommon (d.1767), Father of the Celebrated beauties, Elizabeth, Maria and Catherine, with Medallion Portrait of his Daughter, Maria Date/ c.1760 Engraver Richard Houston, Irish, 1721/22-1775, courtesy of National Gallery of Ireland.
Elizabeth, Duchess of Hamilton and Brandon (née Gunning), (1734-1770) Engraver Richard Houston, Irish, 1721/22-1775 After Francis Cotes, English, 1726-1770, courtesy of National Gallery of Ireland. She was the daughter of Colonel John Gunning (1700-1767) of Castle Coote, County Roscommon and of Bridget Bourke (1716-1779), daughter of Theobald Bourke (1681-1741) 6th Viscount of Mayo. Elizabeth married James Hamilton, 6th Duke of Hamilton of Scotland.
Photograph courtesy of Glin castle website. The portrait is Margaretta Maria Gwyn (1769-1801), wife of John Bateman Fitzgerald (1765-1803) 23rd Knight of Glin, I believe.

Bantry House & Garden, Bantry, Co. Cork 975 T293

www.bantryhouse.com
Open dates in 2024: Apr 1-Oct 31, 10am-5pm. Check the website in advance as it may be closed due to an event.
Fee: adult €14, OAP/student €11.50, child €5, groups over 8-20, €8 and groups of 21
or more €9

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Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

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Bantry House, overlooking Bantry Bay, from the top of the “Sky Steps” or 100 Steps. June 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph from the National Library of Ireland Creative Commons. This is taken c. 1895, and the conservatory is now gone, as well, unfortunately, as the stork sculptures on the steps!

What we see today at Bantry House started as a more humble abode: a three storey five bay house built for Samuel Hutchinson in around 1690. It was called Blackrock. A wing was added in 1820, and a large further addition in 1845.

In the 1760s it was purchased by Captain Richard White (1700-1776). He was from a Limerick mercantile family and he had settled previously on Whiddy Island, the largest island in Bantry Bay. The Bantry website tells us that he had amassed a fortune from pilchard-fishing, iron-smelting and probably from smuggling, and that through a series of purchases, he acquired most of the land around Bantry including large parts of the Beare Peninsula, from Arthur Annesley, 5th Earl of Anglesey. The house is still occupied by his descendants, the Shelswell-White family.

This looks like the main entrance to the house – we came in the back way. © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Visitors’ entry to the house. © Jennifer Winder-Baggot, www.irishhistorichouses.com

Driving from Castletownshend, we entered the back way and not through the town. From the car park we walked up a path which gave us glimpses of the outbuildings, the west stables, and we walked all around the house to reach the visitors’ entrance. We were lucky that the earlier rain stopped and the sun came out to show off Bantry House at its best. I was excited to see this house, which is one of the most impressive of the Section 482 houses.

We missed the beginning of the tour, so raced up the stairs to join the once-a-day tour in June 2022. Unfortunately I had not been able to find anything about tour times on the website. We will definitely have to go back for the full tour! The house is incredible, and is full of treasures like a museum. I’d also love to stay there – one can book accommodation in one wing.

Captain Richard White married Martha Davies, daughter of Rowland Davies, Dean of Cork and Ross. During his time, Bantry House was called Seafield. They had a son named Simon (1739-1776), who married Frances Hedges-Eyre from Macroom Castle in County Cork. Their daughter Margaret married Richard Longfield, 1st Viscount Longueville.

The house overlooks Bantry Bay which is formative in its history because thanks to its views, Richard’s grandson was elevated to an Earldom.

View onto Bantry Bay. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bantry House, June 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

Frances Jane and Simon had a son, Richard (1767-1851), who saw French ships sail into Bantry Bay in 1796. The British and French were at war from February 1793. It was in gratitude for Richard’s courage and foresight in raising a local militia against the French that Richard was given a title.

Bantry House, June 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

There are four guns overlooking the bay. The two smaller ones are from 1780, and the larger one is dated 1796. One is French and dated 1795 and may have been captured from an invading French ship.

Bantry House, June 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

United Irishman Theobald Wolfe Tone was on one of the French ships, which were under command of French Louis Lazare Hoche.

Theobald Wolfe Tone (1763–98) (named after his godfather, Theobald Wolfe) had sought French support for an uprising against British rule in Ireland. The United Irishmen sought equal representation of all people in Parliament. Tone wanted more than the Catholic Emancipation which Henry Grattan advocated, and for him, the Catholic Relief Act of 1793 did not go far enough, as it did not give Catholics the right to sit in the Irish House of Commons. Tone was inspired by the French and American Revolutions. The British had specifically passed the Catholic Relief Act in the hope of preventing Catholics from joining with the French.

Theobald Wolf Tone, who was on the ships which Richard White spotted in Bantry Bay carrying the French who were coming to support Irish Independence.

The Dictionary of Irish Biography tells us that

With the outbreak of war with France, Dublin Castle instituted a crackdown on Irish reformers who had professed admiration for the French, and by the end of the year the United Irishmen and the reform movement were in disarray. In quick succession, the Volunteers were proscribed, the holding of elected conventions was banned, and a number of United Irishmen… were hauled before the courts on charges of seditious libel.

Tone went to the U.S. and thought he might have to settle there but with others’ encouragement he continued in his work for liberating Ireland. He went to France for support. As a result 43 ships were sent to France.

In July 1796 Tone was appointed chef de brigade (brigadier-general) in Hoche’s army ... Finally, on 16 December 1796, a French fleet sailed from Brest crammed with 14,450 soldiers. On board one of the sails of the line, the Indomptable, was ‘Citoyen Wolfe Tone, chef de brigade in the service of the republic.’” [1]

Richard White had trained a militia in order to defend the area, and stored munitions in his house. When he saw the ships in the bay he raised defenses. However, it was stormy weather and not his militia that prevented the invasion. Tone wrote of the expedition in his diary, saying that “We were close enough to toss a biscuit ashore”.

Bantry House, June 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

The French retreated home to France, but ten French ships were lost in the storm and one, the Surveillante, sank and remained on the bottom of Bantry bay for almost 200 years. 

For his efforts in preparing the local defences against the French, Richard White was created Baron Bantry in 1797 in recognition of his “spirited conduct and important service.” In 1799 he married Margaret Anne Hare (1779-1835), daughter of William the 1st Earl of Listowel in County Kerry, who brought with her a substantial dowry. In 1801 he was made a viscount, and in 1815 he became Viscount Berehaven and Earl of Bantry. He became a very successful lawyer and made an immense fortune.

Bantry House. June 2022. The entrance is under the portico, which is now glassed in. This middle section is the original house. The part on the sea facing side is the part added in 1820. The addition that appears on the left hand side is part of the fourteen bay block added to the rear of the old house in 1845 by the 2nd Earl. © Jennifer Winder-Baggot, www.irishhistorichouses.com
In this view of the house we can see the two copper domes of the stable ranges, either side of the house. The stable blocks were built in 1845 and the National Inventory tells us they are sited to appear as further lateral extensions of the house beyond its wings; when viewed from the bay they might be read as lower flanking wings in the Palladian manner. © Jennifer Winder-Baggot, www.irishhistorichouses.com

Richard was not Simon White’s only son. Simon’s son Simon became a Colonel and married Sarah Newenham of Maryborough, County Cork. They lived in Glengariff Castle. Young Simon’s sister Helen married a brother of Sarah Newenham, Richard, who inherited Maryborough. Another daughter, Martha, married Michael Goold-Adams of Jamesbrook, County Cork and another daughter, Frances, married General E. Dunne of Brittas, County Laois. Another son, Hamilton, married Lucinda Heaphy.

A wing was added to the house in 1820 in the time of the 1st Earl of Bantry. This wing is the same height as the original block, but of only two storeys, and faces out to the sea. It has a curved bow at the front and back and a six bay elevation at the side. This made space for two large drawing rooms, and more bedrooms upstairs.

The side of the house which faces the bay. This is the six bay elevation with curved bow at front a back (not visible here) which was added to the original house by the 1st Earl of Bantry. © Jennifer Winder-Baggot, www.irishhistorichouses.com
The entrance is under the Corinthian colonnade, which was built later onto the oldest part of the house. The bow in this photograph is part of the house added on during the time of the 1st Earl of Bantry. © Jennifer Winder-Baggot, www.irishhistorichouses.com

The house was greatly enlarged and remodelled in 1845 by the son of the 1st Earl, Richard (1800-1867). The 1st Earl had moved out to live in a hunting lodge in Glengariff. This son Richard was styled as Viscount Berehaven between 1816 and 1851 until his father died, when he then succeeded to become 2nd Earl of Bantry. He married Mary O’Brien, daughter of William, 2nd Marquess of Thomond, in 1836.

The 2nd Earl of Bantry and his wife travelled extensively and purchased many of the treasures in the house. The website tells us he was a passionate art collector who travelled regularly across Europe, visiting Russia, Poland, France and Italy. He brought back shiploads of exotic goods between 1820 and 1840.

To accommodate his new furnishings he built a fourteen bay block on the side of the house opposite to the 1820 addition, consisting of a six-bay centre of two storeys over basement flanked by four-storey bow end wings.

To accommodate his new furnishings, the Viscount built a fourteen bay block to the rear of the old house consisting of a six-bay centre of two storeys over a basement flanked by four-storey bow end wings. © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website tells us:

.”..No doubt inspired by the grand baroque palaces of Germany, he gave the house a sense of architectural unity by lining the walls with giant red brick pilasters with Coade-stone Corinthian capitals, the intervening spaces consisting of grey stucco and the parapet adorned with an attractive stone balustrade.

Bantry House, 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bantry House, 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bantry House, 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bantry House, County Cork. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bantry House, 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bantry House, 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bantry House, June 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

He also lay out the Italianate gardens, including the magnificent terraces on the hillside behind the house, most of which was undertaken after he had succeeded his father as the second Earl of Bantry in 1851.

Bantry House, June 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

After his death in 1867 the property was inherited by his brother William, the third Earl (1801-1884), his grandson William the fourth and last Earl (1854-91), and then passed through the female line to the present owner, Mr. Shelswell-White.

Mark Bence-Jones tells us: “The house is entered through a glazed Corinthian colonnade, built onto the original eighteenth century front in the nineteenth century; there is a similar colonnade on the original garden front.” [2]

The Corinthian colonnade at the entrance to the house. © Jennifer Winder-Baggot, www.irishhistorichouses.com
There is a colonnade similar to that on the front entrance on the other side of the oldest part of the house. © Jennifer Winder-Baggot, www.irishhistorichouses.com
The cafe area to the side of the house. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bantry House, 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bantry House, June 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

Unfortunately we were not allowed to take photographs inside. You can see photographs of the incredible interior on the Bantry house website, and on the Irish Aesthete Robert O’Byrne’s blog. [3]

The rooms are magnificent, with their rich furnishings, ceilings and columns. Old black and white photographs show that even the ceilings were at one time covered in tapestries. The Spanish leather wallpaper in the stair hall is particularly impressive.

Mark Bence-Jones continues: “The hall is large but low-ceilinged and of irregular shape, having been formed by throwing together two rooms and the staircase hall of the mid-eighteenth century block; it has early nineteenth century plasterwork and a floor of black and white pavement, incorporating some ancient Roman tiles from Pompeii. From one corner rises the original staircase of eighteenth century joinery.”

Staircase in Bantry House, photograph courtesy of Bantry house website.

The website tells us: “Today the house remains much as the second earl left it, with an important part of his great collection still intact. Nowhere is this more son than the hall where visitors will find an eclectic collection garnered from a grand tour, which includes an Arab chest, a Japanese inlaid chest, a Russian travelling shrine with fifteenth and sixteenth century icons and a Fresian clock. There is also a fine wooden seventeenth century Flemish overmantel and rows of family portraits on the walls. The hall was created by combining two rooms with the staircase hall of the original house and consequently has a rather muddled shape, though crisp black and white Dutch floor tiles lend the room a sense of unity.. Incorporated into this floor are four mosaic panels collected by Viscount Berehaven from Pompeii in 1828 and bearing the inscriptions “Cave Canem” and “Salve.” Other unusual items on show include a mosque lamp from Damascus in the porch and a sixteenth century Spanish marriage chest which can be seen in the lobby.

Bence-Jones continues: “The two large bow-ended drawing rooms which occupy the ground floor of the late eighteenth century wing are hung with Gobelins tapestries; one of them with a particularly beautiful rose-coloured set said to have been made for Marie Antoinette.

The Drawing Room in Bantry House, photograph courtesy of Bantry house website.

The Royal Aubusson tapestries in the Rose drawing room, comprising four panels, are reputed to have been a gift from the Dauphin to his young wife-to-be Marie Antoinette. In the adjoining Gobelin drawing room, one panel of tapestries is said to have belonged to Louis Philippe, Duc D’Orleans, a cousin of Louis XV.

The website tells us: “The most spectacular room is the dining-room, dominated by copies of Allan Ramsay’s full-length portraits of George III and Queen Charlotte, whose elaborate gilt frames are set off by royal blue walls. The ceiling was once decorated with Guardi panels, but these have long since been removed and sold to passing dealers at a fraction of their worth. The differing heights of the room are due to the fact that they are partly incorporated in the original house and in the 1845 extension, their incongruity disguised by a screen of marble columns with gilded Corinthian capitals. Much of the furniture has been here since the second Earl, including the George III dining table, Chippendale chairs, mahogany teapoy, sideboards made for the room, and the enormous painting The Fruit Market by Snyders revealing figures reputedly drawn by Rubens – a wedding present to the first Countess.

The Chippendale chairs and the George III dining table were made for the room.

King George III, a reproduction in Castletown, County Kildare.
Queen Charlotte, wife of King George III, a reproduction in Castletown, County Kildare.

The description on the website continues: “The first flight of the staircase from the hall belongs to the original early eighteenth century house, as does the half-landing with its lugged architraves. This leads into the great library, built around 1845 and the last major addition to the house. The library is over sixty feet long, has screens of marble Corinthian columns, a compartmented ceiling and Dublin-made mantelpieces at each end with overhanging mirrors. The furnishing retains a fine rosewood grand piano by Bluthner of Leipzig, still occasionally used for concerts. The windows of this room once looked into an immense glass conservatory, but this has now been removed and visitors can look out upon restored gardens and the steep sloping terraces behind.

The Library in Bantry House, photograph courtesy of Bantry house website.

The third Earl, William Henry (1801-1884), succeeded his brother, who died in 1868. On 7 September 1840 William Henry’s surname was legally changed to William Henry Hedges-White by Royal Licence, adding Hedges, a name passed down by his paternal grandmother.

His grandmother was Frances Jane Eyre and her father was Richard Hedges Eyre. Richard Hedges of Macroom Castle and Mount Hedges, County Cork, married Mary Eyre. Richard Hedges Eyre was their son. He married Helena Herbert of Muckross, County Kerry. In 1760 their daughter, Frances Jane, married Simon White of Bantry, William Henry’s grandfather. When her brother Robert Hedges Eyre died without heirs in 1840 his estates were divided and William Henry the 3rd Earl of Bantry inherited the Macroom estate. [4] Until his brother’s death in 1868, William Henry Hedges-White had been living in Macroom Castle. [5]

Macroom Castle, photograph taken 2009 by “Shiny Things,” flickr constant commons.
Macroom Castle gate house, photograph taken 2007 by Carole Waller, flickr constant commons.

William Henry Hedges-White married Jane Herbert in 1845, daughter of Charles John Herbert of Muckross Abbey in County Kerry (see my entry about places to visit in County Kerry).

In November 1853, over 33,000 acres of the Bantry estate were offered for sale in the Encumbered Estates Court, and a separate sale disposed of Bere Island. The following year more than 6,000 further acres were sold, again through the Encumbered Estates Court. Nevertheless in the 1870s the third earl still owned 69,500 acres of land in County Cork.

His son, the 4th Earl, died childless in 1891. The title lapsed, and the estate passed to his nephew, Edward Egerton Leigh (1876-1920), the son of the 4th Earl’s oldest sister, Elizabeth Mary, who had married Egerton Leigh of Cheshire, England. This nephew, born Edward Egerton Leigh, added White to his surname upon his inheritance. He was only fifteen years old when he inherited, so his uncle Lord Ardilaun looked after the estate until Edward came of age in 1897. William Henry Hedges-White’s daughter Olivia Charlotte Hedges-White had married Arthur Edward Guinness, 1st and last Baron Ardilaun. Edward Egerton’s mother had died in 1880 when he was only four years old, and his father remarried in 1889.

Lady Olivia-Charlotte White, Lady Elizabeth-Mary White and William, 4th Earl of Bantry, with a dog, Irish school c. 1860 courtesy Christies Irish Sale 2004. William Henry Hare Hedges-White (1801-1884) was the son of William Hedges-White, 3rd Earl of Bantry. His sister Olivia Charlotte Hedges-White married Arthur Edward Guinness (1840-1915), Baron Ardilaun, and they lived in Ashford Castle in County Mayo. Elizabeth Mary Gore Hedges-White, another sister, married Egerton Leigh.
Bantry House, County Cork, photograph 1989 from the National Library, flickr constant commons.

Edward Egerton married Arethusa Flora Gartside Hawker in 1904. She was a cousin through his father’s second marriage. They had two daughters, Clodagh and Rachel. In March 1916 an offer from the Congested Districts’ Board was accepted by Edward Egerton Leigh White for 61,589 tenanted acres of the estate. [6] Edward Egerton died in 1920.

Patrick Comerford tells us in his blog that during the Irish Civil War in 1922-1923, the Cottage Hospital in Bantry was destroyed by fire. Arethusa Leigh-White offered Bantry House as a hospital to the nuns of the Convent of Mercy, who were running the hospital. Arethusa only made one proviso: that the injured on both sides of the conflict should be cared for. A chapel was set up in the library and the nuns and their patients moved in for five years. [7]

In 1926, Clodagh Leigh-White came of age and assumed responsibility for the estate. Later that year, she travelled to Zanzibar, Africa, where she met and married Geoffrey Shelswell, then the Assistant District Commissioner of Zanzibar. (see [7])

Geoffrey Shelswell added “White” to his surname when in 1926 Clodagh inherited Bantry estate after the death of her father. They had a son, Egerton Shelswell-White (1933-2012), and two daughters, Delia and Oonagh.

During the Second World War, the house and stables were occupied by the Second Cyclist Squadron of the Irish Army, and they brought electricity and the telephone to the estate.

Bantry House, 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bantry House, June 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

Clodagh opened the house in 1946 to paying visitors with the help of her sister Rachel who lived nearby. Her daughter Oonagh moved with her family into the Stable Yard.

Clodagh remained living in the house after her husband died in 1962, until her death in 1978. Brigittte, wife of Clodagh’s son Egerton, writes:

As far as I know it never occurred to Clodagh to live elsewhere. She thought nothing of having her sitting room downstairs, her kitchen and bedroom upstairs and her bathroom across the landing. No en suite for her! In the winter when the freezing wing howled through the house, she more or less lived in her fur coat, by all accounts cheerful and contented. She loved bridge and held parties, which took place in the Rose Drawing Room, or in the room next to the kitchen, called the Morning Room.

Brigitte also tells of wonderful evenings of music and dance hosted by Clodagh and her friend Ian Montague, who had been a ballet dancer with the Royal Swedish Ballet. Ian put on plays and dancing in period costumes. Members of the audience were taught about eighteenth century dance and were encouraged to join in. I think we should hold such dances in the lovely octagon room of the Irish Georgian Society!

Clodagh’s son Egerton had moved to the United States with his wife Jill, where he taught in a school called Indian Springs. When his mother died he returned to Bantry. The house was in poor repair, the roof leaking and both wings derelict. Jill decided to remain in the United States with their children who were teenagers at the time and settled into their life there.

Bantry House features in Great Irish Houses, which has a foreward by Desmond FitzGerald and Desmond Guinness (IMAGE Publications, 2008). In the book, Egerton is interviewed. He tells us:

p. 68. “The family don’t go into the public rooms very much. We live in the self-contained area. I remember before the war as children we used the dining rooms and the state bedrooms, but after the war my parents moved into this private area of the house. It feels like home and the other rooms are our business. You never think of all that furniture as being your own. You think of it more as the assets of the company.

The relatively modest private living quarters were completed in 1985. Sophie Shelswell-White, Egerton’s daughter, says, “When we were younger we shied away from the main house because of the intrusion from the public. Everyone imagines we play hide and seek all day long and we did play it a bit. We also used to run around looking for secret tunnels and passageways. I used to believe one day I’d push something and it would open a secret room, but it never happened.”

Mark Bence-Jones continues his description, moving to the stables: “Flanking the entrance front is an imposing stable range, with a pediment and cupola. The house is surrounded by Italian gardens with balustrades and statues and has a magnificent view over Bantry Bay to the mountains on the far shore. The demesne is entered by a fine archway.” (see [2])

The large stable complex is to one side of the house, the East Stables. This is where the horses and carriages were kept. © Jennifer Winder-Baggot, www.irishhistorichouses.com

The National Inventory tells us about the East Stables:

A classically inspired outbuilding forming part of an architectural set-piece, the formal design of which dates to the middle of the nineteenth century when Richard White, Viscount Berehaven and later second Earl of Bantry, undertook a large remodelling of Bantry House. At this time the house was extended laterally with flanking six-bay wings that overlook the bay. This stable block and the pair to the south-west are sited to appear as further lateral extensions of the house beyond its wings; when viewed from the bay they might be read as lower flanking wings in the Palladian manner. This elaborate architectural scheme exhibits many finely crafted features including a distinguished cupola, playful sculptural detailing as well as cut stone pilasters to the façade. The survival of early materials is visible in a variety of fine timber sliding sash windows, which add to the history of the site.

View of the 1820 wing in foreground and 1845 behind, and behind that, the East Stables. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bantry House, 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
This impressive arch with pediment topped by urns and birds, which leads toward the east stable yard, as seen behind. © Jennifer Winder-Baggot, www.irishhistorichouses.com
The East Stable yard. © Jennifer Winder-Baggot, www.irishhistorichouses.com
The east stable yard as seen from the garden. © Jennifer Winder-Baggot, www.irishhistorichouses.com

Egerton married Brigitte in 1981. They undertook many of the repairs themselves. They started a tearoom with the help of a friend, Abi Sutton, who also helped with the house. Egerton played the trombone and opened the house to musical events. They continued to open the house for tours. They renovated the went wing and opened it for bed and breakfast guests.

Coffee is served on the terrace, similar to that in the front, but only partly glazed. Unfortunately we arrived too late for a snack. Bantry House is breathtaking and its gardens and location magnify the grandeur. I like that the grandeur, like Curraghmore, is slightly faded: a lady’s fox fur worn down to the leather and shiny in places.

The balustraded area on the side of the house where tea and coffee are served overlooks a garden.

Bantry House, 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bantry House, 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bantry House, 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bantry House, 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bantry House, 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bantry House, 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
From the garden to one side of the house, you can see another stable complex, the West Stables. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bantry House, June 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

Brigitte and Egerton continued restoration of the house and started to tackle the garden. They repaired the fountain and started work on the Italian parterre. In 1998 they applied for an EEC grant for renovation of the garden. They restored the statues, balustrades, 100 Steps, Parterre, Diana’s Bed and fourteen round beds overlooking the sea.

Bantry House, 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bantry House, 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Looking past the fountain to the 100 Steps. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bantry House, County Cork, photograph by Chris Hill, 2016 for Tourism Ireland, Ireland’s Content Pool. Wisteria adds an extra oomph to the garden.
Bantry House, 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bantry House, June 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

It is Egerton’s daughter Sophie who now lives in and maintains Bantry House, along with her husband and children.

The family donated their archive of papers to the Boole Library of University College Cork in 1997.

Bantry House, 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bantry House, June 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

The National Inventory tells us the five-bay two-storey west stables were also built c.1845. They have a pedimented central bay with cupola above, which has a copper dome, finial, plinth and six Tuscan-Corinthian columns. [8] The West Stables were used as a workshop for outdoor maintenance and repairs. They had fallen into disrepair but were repaired to rectify deteriorating elements with the help of the Heritage Council in 2010-11.

Bantry House, 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
These buildings, the West Stables, were used as a workshop for outdoor maintenance and repairs. They have fallen into disrepair but were repaired to rectify deteriorating element with the help of the Heritage Council in 2010-11. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bantry House, 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bantry House, 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bantry House, 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bantry House, 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bantry House, 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bantry House, June 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://www.dib.ie/biography/tone-theobald-wolfe-a8590

[2] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988, Constable and Company Ltd, London.

[3] https://theirishaesthete.com/2014/09/08/when-its-gone-its-gone/

[4] https://landedestates.ie/family/1088 and https://www.dib.ie/biography/eyre-robert-hedges-a2978

See also

[5] Shelswell-White, Sophie. Bantry House & Garden, The History of a family home in Ireland. This booklet includes an article by Geoffrey Shelswell-White, “The Story of Bantry House” which had appeared in the Irish Tatler and Sketch, May 1951.

[6] https://landedestates.ie/family/1088

[7] http://www.patrickcomerford.com/2016/05/bantry-house-has-story-that-spans.html

[8] https://www.buildingsofireland.ie/buildings-search/building/20911813/bantry-house-seafield-bantry-co-cork

© Jennifer Winder-Baggot, www.irishhistorichouses.com

Places to visit and stay in County Kerry, Munster

On the map above:

blue: places to visit that are not section 482

purple: section 482 properties

red: accommodation

yellow: less expensive accommodation for two

orange: “whole house rental” i.e. those properties that are only for large group accommodations or weddings, e.g. 10 or more people.

green: gardens to visit

grey: ruins

Munster’s counties are Clare, Cork, Kerry, Limerick, Tipperary and Waterford.

For places to stay, I have made a rough estimate of prices at time of publication:

€ = up to approximately €150 per night for two people sharing (in yellow on map);

€€ – up to approx €250 per night for two;

€€€ – over €250 per night for two.

For a full listing of accommodation in big houses in Ireland, see my accommodation page: https://irishhistorichouses.com/accommodation/

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€10.00

Kerry:

1. Derrynane House, Caherdaniel, County KerryOPW

2. Derreen Gardens, Lauragh, Tuosist, Kenmare, Co. Kerry – section 482, garden only

3. Dhu Varren garden, Knockreigh, Milltown, Kerry, V93 VX27

4. Kells Bay House & Garden, Kells, Caherciveen, County Kerry section 482, garden only

5. Killarney House, County Kerry

6. Knockreer House and Gardens, County Kerry

7. Listowel Castle, County KerryOPW

8. Muckross House,  Killarney, County Kerryopen to visitors 

9. Ross’s Castle, Killarney, County Kerry

10. Staigue Fort, County Kerry

11. Tarbert House, Tarbert, Co. Kerry – section 482

Places to Stay, County Kerry: 

1. Ballyseede Castle/ Ballyseedy (Tralee Castle), Tralee, County Kerry hotel, €€

3. Cahernane (or Cahirnane) House, Killarney, County Kerry – hotel 

4. Carrig Country House, County Kerry €€€

5. Castlemorris House, Tralee, County Kerry

6. Dromquinna Estate, County Kerry€€

7. Fahagh Court, Beaufort, County Kerry – now Killarney Country Club and accommodation €

8. Glanleam, Valentia Island, County Kerry – accommodation

9. Kells Bay House & Garden, Kells, Caherciveen, County Kerry € 

10. Muxnaw Lodge, Kenmare, County Kerry € 

11. Parknasilla Resort and Spa, Kenmare, County Kerry 

Whole House Rental County Kerry:

1. Ballywilliam House, Kinsale, County Kerry – whole house rental, up to 16

3. Churchtown House, Killarney, County Kerry – whole house rental (sleeps 12)

4.  Coolclogher House, Killarney, County Kerry – whole house rental (up to 16 people)

Places to visit in County Kerry:

1. Derrynane House, Caherdaniel, KerryOPW

Derrynane House, County Kerry, photograph by George Munday, 2014, for Tourism Ireland, Ireland’s Content Pool. [1]

See my OPW write-up: https://irishhistorichouses.com/2022/11/07/office-of-public-works-properties-in-munster-counties-kerry-and-waterford/

Daniel O’Connell, who lived at Derrynane. Portrait in Mansion House, Dublin, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

2. Derreen Gardens, Lauragh, Tuosist, Kenmare, Co. Kerrysection 482, garden only

https://www.derreengarden.com/
Open: all year, 10am-6pm
Fee: adult/OAP/student €9, child €4, family ticket €25 (adults and & 2 children)

See my entry https://irishhistorichouses.com/2023/09/07/derreen-gardens-lauragh-tuosist-kenmare-co-kerry/

The website tells us: “A beautiful 19th century woodland garden with paths winding through rare tropical plants and opening onto sea views.

Derreen, County Kerry. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Set on a peninsula at the head of Kilmackillogue Harbour and surrounded by the Caha Mountains, the garden at Derreen covers 60 acres.

A network of winding paths passes through a mature woodland garden laid out 150 years ago with subtropical plants from around the world and incomparable views of the sea and mountains.

3. Dhu Varren garden, Knockreigh, Milltown, Kerry, V93 VX27

www.dhuvarrengarden.com 

The website tells us:

Dhu Varren Garden, owned by Mark and Laura Collins, began its development in 2001. Since then it has grown to contain one of the largest and most diverse plant collections of any private garden in Ireland. This continues to grow as new and exciting plants are sourced from around the world. It has been described by visitors as ‘Kerry’s Botanical Garden’.

4. Kells Bay House & Garden, Kells, Caherciveen, Co Kerry, V23 EP48 – section 482, garden only

www.kellsbay.ie 

Kells Bay House and Gardens, Co Kerry. Photo: Valerie O’Sullivan, 2015 for Tourism Ireland, Ireland’s Content Pool (see [1])

Open dates in 2024: Jan 1-7, Feb 3-Dec 21, 28-31, Jan-Mar, Nov-Dec 9.30am-5pm, Apr-Oct 9.30am-6pm
Fee: €8.75, purchase in the gardens €9.50, child €6.75, purchase in the garden €7.50, family €28, purchase in the gardens €30, OAP/student free

See my entry https://irishhistorichouses.com/2023/09/13/kells-bay-house-garden-kells-caherciveen-county-kerry/

The website tells us: “Kells Bay Gardens is one of Europe’s premier horticultural experiences, containing a renowned collection of Tree-ferns and other exotic plants growing in its unique microclimate created by the Gulf Stream. It is the home of ‘The SkyWalk’ Ireland’s longest rope-bridge.

The rope bridge crosses the river. Kells Bay, March 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

5. Killarney House, County Kerry

https://killarney.ie/listing/killarney-house-gardens/

Originally called Kenmare House. The stable block of Kenmare House was converted in 1830 into this house. The original Kenmare House was built in 1726 and was demolished in 1872 by Valentine Augustus Browne, 4th Earl of Kenmare. The succeeding house, called Killarney House, and was accidentally destroyed by fire in 1913 and never rebuilt; instead, in 1915 the stable block of the original Kenmare House was converted into the present Killarney House, although the Brownes called it Kenmare House.

Kenmare House Kerry Photograph taken between 1880 and 1914 Lawrence Collection, National Library of Ireland NLI Ref L_CAB_01020
Killarney House and Gardens, photograph ©Fáilte Ireland by Finola White, 2020, Ireland’s Content Pool.

John McShain, renowned architect and building contractor, acquired Killarney House, the former home of the Earls of Kenmare, in 1956. After the death of McShain’s wife, Mary, in 1998, the stately house, and its lavish gardens were sold to the State with the proviso that the property would be incorporated into the neighbouring Killarney National Park. The McShains were allowed to live in the house for the remainder of their lives, and they remodelled extensively. When Mrs. McShain died in 1998 the house reverted to the state. It sat empty and became derelict, but in 2011 restoration was begun. The gardens are open to the public and at some stage, the house also will be opened up.

6. Knockreer House and Gardens, County Kerry

https://www.discoverireland.ie/kerry/knockreer-house-and-gardens

The website tells us:

Found in County Kerry’s Killarney National Park, Knockreer House and Gardens are within walking distance of Killarney Town. The area includes a circular walk with excellent views of the Lower Lake.

The Knockreer section of Killarney National Park is within walking distance of Killarney Town, County Kerry. This area was formerly part of the Kenmare Estate, which was laid out by Valentine Brown, the third Viscount of Kenmare. Deenagh Lodge Tearoom dates back to 1834 and was the gate lodge of the Kenmare Estate. The tearoom is a popular haunt with locals and visitors after a stroll in the park. It is located just inside Kings Bridge across from St Mary’s Cathedral.

Knockreer House, a short walk up the hill, is the Killarney National Park Education Centre and is built on the site of the original Killarney House, which was destroyed by fire in 1913. The circular walk is signposted and offers excellent views of the Lower Lake. On the circular walk there is a pathway off to the right that leads up to the viewing point on top of the hill, which provides a wonderful panorama of the surrounding countryside.

7. Listowel Castle, County Kerry – OPW

See my OPW write-up: https://irishhistorichouses.com/2022/11/07/office-of-public-works-properties-in-munster-counties-kerry-and-waterford/

8. Muckross House (or Muckruss),  Killarney, County Kerry

Muckross House Killarney Co. Kerry, photograph by Chris Hill 2014 for Tourism Ireland, Ireland’s Content Pool. (see [1])

www.muckross-house.ie 

This nineteenth century Victorian mansion is set against the stunning beauty of Killarney National Park. The house stands close to the shores of Muckross Lake, one of Killarney’s three lakes, famed world wide for their splendour and beauty. As a focal point within Killarney National Park, Muckross House is the ideal base from which to explore this landscape. 

Muckross House was built for Henry Arthur Herbert and his wife, the water-colourist Mary Balfour Herbert. This was actually the fourth house that successive generations of the Herbert family had occupied at Muckross over a period of almost two hundred years. William Burn, the well-known Scottish architect, was responsible for its design. Building commenced in 1839 and was completed in 1843. 

Originally it was intended that Muckross House should be a larger, more ornate, structure. The plans for a bigger servants’ wing, stable block, orangery and summer-house, are believed to have been altered at Mary’s request. Today the principal rooms are furnished in period style and portray the elegant lifestyle of the nineteenth century landowning class. In the basement, one can imagine the busy bustle of the servants as they went about their daily chores. 

Muckross House and Gardens, Killarney National Park, Co Kerry ©Trustees of Muckross House 2019.
Muckross House and Gardens, Killarney National Park, Co Kerry Muckross House and Gardens, Killarney National Park, Co Kerry ©Trustees of Muckross House 2017.

During the 1850s, the Herberts undertook extensive garden works in preparation for Queen Victoria’s visit in 1861. Later, the Bourn Vincent family continued this gardening tradition. They purchased the estate from Lord and Lady Ardilaun early in the twentieth century. It was at this time that the Sunken Garden, Rock Garden and the Stream Garden were developed.

Muckross House, County Kerry, October 2012. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Muckross House 1970, photograph from Dublin City Library and Archive. [2]
Muckross House Killarney Co. Kerry, photograph by Chris Hill 2014 for Tourism Ireland, Ireland’s Content Pool. (see [1])
Muckross House Killarney Co. Kerry, photograph by Chris Hill 2014 for Tourism Ireland, Ireland’s Content Pool. (see [1])
Muckross House Killarney Co. Kerry, photograph by Chris Hill 2014 for Tourism Ireland, Ireland’s Content Pool. (see [1])
Muckross House Killarney Co. Kerry, photograph by Chris Hill 2014 for Tourism Ireland, Ireland’s Content Pool. (see [1])

9. Ross’s Castle, Killarney, County Kerry

See my OPW write-up: https://irishhistorichouses.com/2022/11/07/office-of-public-works-properties-in-munster-counties-kerry-and-waterford/

10. Staigue Fort, County Kerry

Staigue Fort, County Kerry, October 2012. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The following website gives us information about this ancient impressive fort: https://voicesfromthedawn.com/staigue-fort/

It tells us:

Constructed entirely without mortar, Staigue cashel encloses an area of 27.4 m (90 ft) in diameter, with walls as tall as 5.5 m (18 ft) and a sturdy 4 m (13 ft) in thickness. It has one double-linteled entrance, a passageway 1.8 m (6 ft) long. In the virtual-reality environment (above) click the hotspots to proceed to the fort’s interior. It is similar in construction to the Grianan of Aileach in Co. Donegal, and was possibly constructed in the same period of the Early Medieval period (approximately fifth to eleventh century CE). The fort is surrounded by a large bank and ditch, most evident on its northern side. This may have been a part of Staigue’s defenses, or it may be a prehistoric feature that pre-dates the construction of the stone fort.

Staigue Fort, October 2012 Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website continues: “In 1897 T.J. Westropp reported that the local peasantry called the building Staig an air, which he translated as “Windy House, or “Temple of the Father,” or “The Staired Place of Slaughter.” These different translations may inspire distinctly different conjectures about the builders of Staigue. It has been described as both a temple or an observatory, and has been attributed to many different cultures in the past, such as Druids, Phoenicians, Cyclopeans, and Danes. But it was, of course, built by the “Kerrymen of old.”

Staigue Fort, October 2012. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The sign at the site explains that Staigue “was the home of the chieftain’s family, guards and servants, and would have been full of houses, out-buildings, and possibly tents or other temporary structures.” The illustration from this sign is in the gallery below. Cashels, of which Staigue is an impressive and probably high-status example, were enclosed and defendable farmsteads of the Irish Early Medieval period. They housed an extended family and, in high-status examples, their retinue. However archaeologist Peter Harbison was unable to explain why the ancient architects would have created so many (10) sets of X-shaped stairs climbing up the inner face of the wall to its ramparts.

11. Tarbert House, Tarbert, Co. Kerry – section 482

Open dates in 2024: May 1- July 31, Mon-Sat, Aug 1-31,10am-12 noon, 2pm-4pm
Fee: adult/OAP €5, student/child free

Tarbert House, County Kerry, photograph from National Inventory of Architectural Heritage.

Tarbert House, near the town of that name in County Kerry, stands in wooded parkland beside the River Shannon, a few miles downstream from Glin and just across the county bounds. The plain, square, seven-bay seat of James Leslie, erstwhile Bishop of Limerick, was built precisely in the middle of his diocese for convenience, and dates from the 1750s. The house, which is still owned by the bishop’s descendants, was given an additional storey in the mid-19th century but retains its mid-Georgian character and plan, with robust joinery and chimneypieces, and a fine collection of family portraits, furniture, papers and objects.” [3]

Places to Stay, County Kerry: 

1. Ballyseede Castle, Tralee, Co. Kerry – section 482, also a hotel for accommodation €€

www.ballyseedecastle.com
Open: : Jan 1-Dec 22, 8am-12 midnight
Fee: Free to visit

We treated ourselves to a stay in 2023. See my entry: https://irishhistorichouses.com/2023/09/02/ballyseede-castle-ballyseede-tralee-co-kerry/

Ballyseede Castle, County Kerry. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website https://www.barrowhouse.ie/ tells us the House and Gardens are available for bed & breakfast guests or as an exclusive venue for corporate functions, private group rentals and intimate, small scale weddings. They are members of the Historic Houses of Ireland association, which tells us of the history of the house:

Nestling on the shore of stunning Barrow Harbour with views of the glorious Slieve Mish Mountains, Barrow House in Co. Kerry has a rich history of ownership from knights to noblemen and smugglers.

Built in around 1715, it possibly incorporates the fabric of an earlier house from during or after the Cromwellian period (1649-57). The sublime Georgian front elevation of Barrow House was added as part of the structural rebuild and enlargement work carried out at some point before 1760, while a second sympathetic addition was made at the rear towards the end of the 1800s. The house has changed little over the years. In fact, its still-visible four-feet thick internal walls, two gable end chimney stacks, original interior features, handcrafted ceiling mouldings and sash windows with antique glass exude the restrained, rational elegance typical of a noble dwelling. 

Alongside is a detached seven-bay single- and two-storey former boathouse, c. 1800, on a U-shaped plan. Barrow’s lands were originally part of the 6,000 acres granted by Elizabeth 1 in 1587 to Sir Edward Denny for his loyalty following the Desmond Rebellion. Nearby are the ruins of an ancient church referred to in Papal documents 1302-07 as “Ecclesia of Barun” or the Church of Barun (Barrow). 

Over the centuries, the house and the estate were passed on through marriage or by sale to different owners, including the notorious smuggler, John Collis. The smuggling of wines and tobacco was prevalent in Kerry during the 17th and 18th centuries in particular and Barrow Harbour was a natural rendezvous with its caves and narrow inlets. In the first half of the 20th century, the Knights of Kerry, the Fitzgerald family, affectionately referred to Barrow House as their summerhouse.  In more recent years, it was purchased by an American, Maureen Erde, who published a popular account of running it as a golfers’ guesthouse entitled “Help me, I’m an Irish Inn Keeper”. After she sold it in 1999, the house was restored as a resort estate, flourishing for some years before enduring a period of neglect and abandonment. Barrow House’s current owner, Daragh McDonagh, purchased it in 2016 and has lovingly restored it to welcome guests.

3. Cahernane (or Cahirnane) House, Killarney, Co Kerry – hotel

 https://www.cahernane.com

Cahernane House, County Kerry, photograph from National Inventory of Architectural Heritage, which tells us it is a seven-bay two-storey over part-raised basement Ruskinesque Gothic Revival style country house with dormer attic, dated 1877, possibly incorporating fabric of earlier house. Designed by James Franklin Fuller.

The website tells us:

Beautifully situated on a private estate on the edge of Killarney National Park, our luxury four-star hotel is located just twenty minutes’ walk from Killarney town centre. The entrance to the hotel is framed by a tunnel of greenery which unfurls to reveal the beauty of this imposing manor house, constructed in 1877 and formerly home to the Herbert Family.

Cahernane House Hotel exudes a sense of relaxation and peacefulness where you can retreat from the hectic pace of life into a cocoon of calmness and serenity. The only sounds you may hear are the lambs bleating or the birds singing.

Cahernane House was built as the family residence of Henry Herbert in 1877 at a cost of £5,992. The work was carried out by Collen Brothers Contractors. The original plans by architect James Franklin Fuller, whose portfolio included Ballyseedy Castle, Dromquinna Manor and the Parknasilla Hotel, was for a mansion three times the present size.

4. Carrig Country House, County Kerry €€€

https://carrighouse.com

The website tells us: “If you are looking for the perfect hideaway which offers peace, tranquility, plus a wonderful restaurant on the lake, Carrig House on the Ring of Kerry and Wild Atlantic Way is the place for you. The beautifully appointed bedrooms, drawing rooms and The Lakeside Restaurant, overlooking Caragh Lake and surrounded by Kerry’s Reeks District mountains, rivers and lakes create the perfect getaway.

Carrig House was built originally circa 1850 as a hunting lodge, it was part of the Blennerhassett Estate. It has been mainly owned and used by British Aristocracy who came here to hunt and fish during the different seasons.

The house was purchased by Senator Arthur Rose Vincent in the early 20th. Century. Vincent moved here after he and his wealthy Californian father in law Mr. Bowers Bourne gave Muckross House & Estate in Killarney to the Irish Government for a wonderful National Park.

Bourne had originally purchased Muckross House from the Guinness family and gave it to his daughter Maud as a present on her marriage to Arthur Rose Vincent. However, Maud died at a young age prompting Bourne and Vincent to donate the estate to the Irish State.

Vincent remarried a French lady and lived at Carrig for about 6 years, they then moved to the France. The country house history doesn’t end there, Carrig has had many other illustrious owners, such as Lady Cuffe , Sir Aubrey Metcalfe, who retired as the British Viceroy in India and Lord Brocket Snr, whose main residence was Brocket Hall in England.

Frank & Mary Slattery, the current owners purchased the house in 1996. They are the first Irish owners of Carrig since it was originally built and have renovated and meticulously restored the Victorian residence to its former glory.

For over two decades Frank & Mary have operated a very successful Country House & Restaurant and have won many rewards for their hospitality and their Lakeside Restaurant. They are members of Ireland’s prestigious Blue Book.

Carrig House has 17 bedrooms, each individually decorated in period style with antique furniture. Each room enjoys spectacular views of Caragh Lake and the surrounding mountains. All rooms are en suite with bath and shower. Those who like to indulge can enjoy the sumptuous comfort of the Presidential Suite with its own separate panoramic sitting room, male and female dressing rooms and bathroom with Jacuzzi bath.

The restaurant is wonderfully situated overlooking the lake. The atmosphere is friendly, warm and one of total relaxation. The menu covers a wide range of the freshest Irish cuisine.

Irish trout and salmon from the lake and succulent Kerry lamb feature alongside organic vegetables. Interesting selections of old and new world wines are offered to compliment dinner whilst aperitifs and after-dinner drinks are served in the airy drawing room beside open peat fires.

Within the house, chess, cards and board games are available in the games room.

5. Castlemorris House, Tralee, County Kerry

Castlemorris House, Tralee, County Kerry, photograph from National Inventory of Architectural Heritage.

https://www.bandbireland.com/accommodation/28161/castlemorris-house

Castlemorris is now a bed and breakfast. The National Inventory tells us it is a detached five-bay three-storey over basement house, built c. 1830, with single- and two-storey extensions to rear. Formerly residence of army officer in neighbouring barracks.

6. Dromquinna Estate, Co Kerry €€

 https://www.dromquinnamanor.com

Drumquinna Manor, photograph from the National Inventory of Architectural Heritage, which tells us that the house is an eleven-bay two-storey Jacobean Revival style country house with dormer attic, built c. 1890, designed by James Franklin Fuller.

It was constructed for Sir John Columb around 1889-90. The website tells us:

There are many elements to Dromquinna Manor. Firstly it is a stunning waterside estate unlike anything else. Set on 40 acres of parkland planted in the 1800s, the Estate offers an abundance of activities and facilities.

The Manor, dating from the 1890s, is dedicated to catering for Weddings and events. The Oak Room is the heart of the Manor and is classical in every sense. Stylish beyond words with views of Kenmare Bay celebrations here are truly memorable. The Drawing Rooms and Terrace all make for a very special and memorable occassion for all. It is a real family and friends party as opposed to a hotel ballroom function.”

7. Killarney Country Club cottage (formerly Fahagh Court) Beaufort, Co Kerry € 

Mark Bence-Jones tells us about the main house (1988): p. 122. (Morrogh-Bernard/IFR) An irregular two storey house with a shallow battlemented bow and a rusticated doorcase of sandstone on its front, and a gable at the back. Now an hotel.” [4]

https://www.hogansirishcottages.com/cottage/County-Cork-Killarney/Killarney-Country-Club-Cottage-924208.html

or on airbnb https://www.airbnb.ie/rooms/18733691?source_impression_id=p3_1652716587_lWafOPgeB9uWaPDl

The website tells us:

A fantastic mid-terrace property in the grounds of Killarney Country Club just outside Faha near Beaufort in County Kerry, eight miles from Killarney.

Stone built but with a modern feel and fantastic mountain views, this is an excellent base for a family or friends to come to County Kerry and do some sightseeing.

There are two bedrooms upstairs, a double and a twin, along with a shower room, while on the ground floor there is an open plan living area with kitchen, dining area and living area, keeping everyone together while breakfast is being rustled up ahead of a day of exploring.

French doors in the living area take you out to the rear garden, with spectacular views of Macgillycuddy’s Reeks mountain range, home to Carrauntoohil, the highest peak in Ireland.

With a bar on site there will be no arguments about who the designated driver will be.

With great scenery in the surrounding area, be sure to do a bit of sightseeing while out for a walk or a cycle in the fresh Irish air.

Only a short drive down the road, Beaufort will tend to your basic needs while Killarney is only eight miles away, where you can sample a range of shops, restaurants and pubs with some good local Irish music being played.

8. Glanleam, Valentia Island, Co Kerry

 https://hiddenireland.com/house-pages/glanleam-house/

Glanleam, County Kerry, photograph from National Inventory.

The website tells us:

Glanleam was built as a linen mill in 1775 and later converted into a house by the Knight of Kerry, who planted the magnificent sub-tropical gardens. In 1975 Meta Kreissig bought the estate which had declined for 50 years. She rescued the house, restored and enlarged the garden and, with her daughter Jessica, made it a delightful place to stay, with a mixture of antique and contemporary furniture and an extensive library. The setting looking out over the harbour is magical. There are green fields, a beach and a lighthouse, and Valentia Island is connected to the Kerry mainland by a car ferry and a bridge.

Glanleam was converted into a country house by the 19th Knight of Kerry (1808-1889). His father had developed the famous Valentia slate quarry (the slates were especially in demand for billiard tables, then very much in vogue). The Knight, an enthusiastic botanist, recognised the unique potential of the island’s microclimate for sub-tropical plants and laid out a fifty acre garden, using species just introduced from South America. His efforts won him great acclaim at the time and today his gardens have matured into dense woodlands.

Together Meta Kreissig and her daughter Jessica have refurbished the house, furnishing it with an amalgam of antique and modern pieces, and opened it to guests. There is an extensive library, several of the rooms have their original Valentia slate chimneypieces, and the bedrooms have luxurious Bonasck designer bathrooms. The gardens have also benefited from their attention. One recent visitor described the ‘radial planting of vegetables’ in the centre of the walled kitchen garden as ‘a jewel’.

9. Kells Bay House & Garden, Kells, Caherciveen, Co Kerry € see above

https://www.kellsbay.ie/accommodation/

10. Muxnaw Lodge, Kenmare, Co Kerry €

https://www.muxnawlodgekenmare.com/

The website tells us that Muxnaw Lodge in Kenmare is an attractive Victorian house, with spectacular views of the Kenmare River and Suspension Bridge.

Muxnaw Lodge features in Jane O’Hea O’Keeffe’s Voices from the Great Houses: Cork and Kerry. Mercier Press, Cork, 2013:

p. 242. “John Desmond Calverley Oulton (konwn as Desmond), who was born at Clontarf Castle in 1921, is the son of John George Oulton and Sybil Mona Calverley. He has long and loving memories of his childhood home at Clontarf Castle, where he played with his siblings in truly magical surroundings…”

p. 245. “During his childhood days, Desmond and his family would travel to Kerry each summer to stay at Muxnaw Lodge at Kenmare, which had been owned for generations by his mother’s people, the Calverleys. A lovely gabled building, the Lodge was built in 1801 as a hunting and fishing lodge by the Calverley family. It is situated on a spectacular site overlooking the Kenmare River and is now run as an up-market guesthouse. 

The name Muxnaw comes from the Irish Mucsnamh (the swimming place of the pigs). Joyce’s Irish Place Names gives this explanation: 

The natural explanation seems to be that wild pigs were formerly in the habit of crossing… at this narrow point. The Kenmare River narrowed at this point by a spit of land projecting from the northern shore, and here in past ages, wild pigs used to swim across so frequently, and in such numbers, that the place was called Muscnamh or Mucksna.” 

p. 245. “Desmond explains the complexities of his family history: “Colonel Vernon, owner of Clontarf Castle, had several daughters and a son. One daughter, Edith Vernon, married Walter Calverley who owned Muxnaw Lodge. They had two children, my mother, Sybil Mona Calverley, and Walter Calverley. Walter was killed during the first world war, and following the death of Walter Calverley Sr, Muxnaw Lodge went to his brother, Charles, who left it to his niece, my mother.” “

11. Parknasilla Resort and Spa, Kenmare, Co Kerry 

Parknasilla, photograph from National Inventory.

https://parknasillaresort.com

The website tells us:

Parknasilla Hotel, nestled in the shadows of the Kerry mountains amidst islands, inlets and hidden beaches.

Come stay with us and feel the restorative power of nature and marvel in the splendour of the seascape and landscape that surrounds you here.

The word  Parknasilla ,(means the field of Sallys) [perhaps “salix” meaning Willow], for so many is evocative of so many things, tucked away in the corner of a subtropical paradise on the Kenmare river , it’s a place of beauty, of rare plants, islands linked by timber bridges and coral inlets.

Where the sea, the light and clouds  put on a continual show to delight the senses. A place where people come as guests and leave as friends, with its tradition of hospitality stretching back over 125 years. It has hosted royalty, dignitaries, family gatherings and romantic get aways.

It has provided people with that peaceful haven for them to recalibrate and recharge their batteries but it has also been that place of quite inspiration for writers and artist from George Bernard Shaw to Ceclia Ahern .

With its winding walks, this 200 acre estate walled gardens, golf course, island dotted bay and spa coupled with a world class resort with a 4 star hotel houses and apartments  it provides one with that perfect retreat to suit all tastes.

It is a place of many layers constantly evolving, seen through the prism of history it’s a place where people create their own be it in the friends formed or memories laid down to last a life time, a place to return to again.”

The website tells us about the history of Parknasilla:

The origins of the rise of the Great Southern Hotels and Parknasilla arised from the middle of the 19th century. Despite the ravages of the famine, Ireland was seen as an exotic tourism destination and this was particularly true after Queen Victoria’s trip to Ireland and Kerry in 1861, that saw an explosion of tourism from overseas. Railway lines were developed in the mid 1850’s from Dubin to remote towns of Killarney, Dingle, Galway and Sligo and later new lines were developed from Killarney for instance to Kenmare.

In the South of Ireland, the most import railway was the Great Southern and Western Dublin-Cork Link that opened in 1849. Excursions were promoted and resort hotels that were built were to supplied with customers by new railway line. New doors opened for Parknasilla around the start of the 1890’s, when in 1893 Kenmare became the terminuis of the branch line. Subsequently two years earlier, the Derryquin Estate was in 1891 by the Bland family in various lots. Bishop Graves of Limerick who had leased the part of the property for a long period off the Blands, purchased in one lot, and only a short time after sold the property to the Great Southern Hotel Group.

On the 1st of May 1895, The Southern Hotel Parknasilla opened, the name Parknasilla which means “The field of the willows” began to appear on the maps. It was also refered to as the “Bishops House Hotel, Parknasilla”. The story of the construction of architecture is also an interesting one. Eminent architect James Franklin Fuller was chosen by the Great South and Western Railway, prior 1895. Fuller himself left an incredible legacy behind, he was responsible for the designs of some of Ireland’s most iconic buildings such as Kylemore Abbey, Ashford Castle, Kenmare Park (formely the Great Southern Kenmare) and Farmleigh House.

Born in 1835 in Kerry, he was the only son of Thomas Harnett Fuller of Glashnacree by his first wife, Frances Diana, a daugther of the Francis Christopher Bland of Parknasilla dn Derryquin Castle. The Blands were indeed synomous with Parknasilla for over two centuries, and new chapter for Parknasilla future now had an incredible link with its past.

The hotel originally started out in what was known as “The Bishops House”, however a better position was chosen in 1897 for a new purpose buillt hotel. The new Parknasilla Hotel faced down the Kenmare Bay an offered its guests uparelled views of the Atantic Ocean. The facilties of the new hotel included Turkish Hot and Cold Seawater Baths, reading and games rooms and bathrooms on every floor. This decision came after unprecedented demand that well exceed supply.

The website also tells us about the early owners of the property:

The Blands of Derryquin Castle Demense were a Yorkshire family, the first of whom Rev. James Bland came to Ireland in 1692 and from 1693 was vicar of Killarney. His son Nathaniel, a judge and vicar general of Ardfert and Aghadoe obtained a grant of land in 1732 which would later become the Derryquin Estate. Derryquin Castle was the third house of the Blands on this land but it is not known when it was first constructed, its earliest written mention being in 1837, however it was indicated some decades earlier by Nimmo in his 1812 map.

Nathaniel Bland (1695-1760), Vicar General of Diocese of Ardfert and Aghadoe, Picture from The Story of Dorothy Jordan by Clare Jerrold, 1914, courtesy of Teresa Stokes, flickr

The estate is said to have reached its zenith under the guidance of James Franklin Bland (1799-1863). His nephew the well known architect James Franklin Fuller described the castle estate in his
autobiography as a largely self-supporting community busy with sawmill, carpenter’s shop, forge as well as farming and gardening. A fish pond existed on the water’s edge just below the castle, alternatively described as being self-replenishing with the tide or restocked from a trawler.

The castle itself consisted of a three-storey main block with a four-storey octagonal tower rising through the centre and a two storey partly curved wing branching off in a western direction. Major renovations were carried out and a significant additional wing running southwest, overlooking the coastline was added sometime between 1895 and 1904.

James Franklin Bland’s death in 1863 the estate passed to his son Francis Christopher, the estate slipped into decline during the time that he was absent while travelling and preaching on Christian ministry, this being during the years of land agitation in Ireland. Part of the estate was sold in the landed estates court in 1873 but ultimately the decline continued with the remainder being sold in 1891.

It was bought in 1891 for £30,000 by Colonel Charles Wallace Warden. He had retired in 1895 as Colonel of the Middlesex Regiment (previously known as the 57th) He had seen action in the Zulu War of 1879 and on his death on 9th March 1953 in his 98th year was its oldest survivor. He also fought with the Imperial Yeomanry in the Boer War. As landlord of Derryquin he was highly unpopular with tenants and neighbours alike, his behaviour regularly mentioned in Parliament. After the burning of Derryquin Castle he retired to Buckland-tout-Saints in Devon and acquired an estate there with his payment from the burning of Derryquin.

However in 2014 Derryquin castle rose again out of the ashes to feature in a novel by Christopher Bland chairman of the BBC who having discovered a photo of his ancestors decided to write the novel Ashes in the Wind. it interweaves the destinies of two families: the Anglo-Irish Burkes and the Catholic Irish Sullivans, beginning in 1919 with a shocking murder and the burning of the Burkes’ ancestral castle in Kerry. Childhood friends John Burke and Tomas Sullivan will find themselves on opposite sides of an armed struggle that engulfs Ireland. Only 60 years later will the triumphant and redemptive finale of this enthralling story be played out.

Whole House Rental County Kerry:

1. Ballywilliam House, Kinsale, County Kerry – whole house rental, up to 16

https://www.airbnb.ie/rooms/45838390?guests=1&adults=1&s=67&unique_share_id=db6b1a4c-0b7e-47c0-8005-a126984fd520&source_impression_id=p3_1662206216_56bfjuaKrGTdi%2Buf

8 bedrooms. Minimum 14 nights stay.

2. Barrow House, Barrow West, Ardfert, Tralee, Kerry, V92 Y270

See above, https://www.barrowhouse.ie/ and “We invite you to celebrate, reconnect and escape with your friends and family to the idyllic West Coast of Ireland. Enjoy the benefits of exclusivity, privacy and tranquillity and make Barrow House your home. Unwind and relax as you enjoy a smouldering fire, or explore the lakes and mountains of our great outdoors. Our aim is to provide a beautiful backdrop steeped in rich history for you and your  companions to create lingering memories. Your stay will be uniquely tailored to your preferences, choose your own pace of life, making it as restful or as active as you please.

3. Churchtown House, Killarney, County Kerry (sleeps 12)

www.churchtownhousekerry.com

Mark Bence-Jones tells us (1988):

p. 83. “(Magill/IFR) A three storey 5 bay C18 house. Doorcase with entablature on console brackets flanked by narrow windows. Fine gate piers with pineapples.” [4]

The Hidden Ireland website tells us:

“Churchtown Estate incorporates both Churchtown House and Beaufort Golf Club. The centre piece is the Georgian Churchtown House built in 1740 by Sir Rowland Blennerhassett. In 1860 James MacGillycuddy Magill bought the estate and turned it into one of the largest dairy farms of its time in the south west region.

James’s grandson and great grandson’s closed the farm in the early nineties and with the help of golf architect Arthur Spring, developed Beaufort Golf Course which was officially opened in 1995. The golf course went through further development in 2007 when it was re-designed by Tom Mackenzie of Mackenzie Ebert – Leading International Golf Architects.

Churchtown House mixes traditional elegance with country house charm and modern facilities. 2 large elegant reception rooms, roaring fires and quiet reading rooms add to the atmosphere. There is also a home entertainment room and games room in the basement of the house for guests to enjoy.

The House comfortably sleeps 12 in 6 spacious bedrooms, with a selection of King or twin rooms, with 2 additional ‘pull out’ beds if needed to accommodate 14 guests. All bedrooms have private bathrooms with modern facilities. The kitchen is fully equipped with an Aga and halogen hob, modern appliances and beautiful breakfast table looking out onto the courtyard and Ireland’s highest mountain Carrauntoohil.

The ruins of 15th century Castle Corr standing on the 15th green was designed as a square tower house. Castle Corr (Castle of the round hill) was built circa 1480 by the MacGillycuddy’s, a branch of the O’Sullivan Mór Clan. Fearing that it would have been taken by the English forces Donagh MacGillycuddy burnt the castle in 1641 but restored it in 1660. Donagh went on to become High Sheriff of Kerry in 1687.

The castle was abandoned by Donagh’s son Denis in 1696 when he married into the Blennerhassett family in nearby Killorglin Castle. The stone of Castle Corr was taken to build the Georgian manor Churchtown House.

3. Coolclogher House, Killarney, County Kerry – whole house rental accommodation, up to 16 people

https://coolclogherhouse.com/

Coolclogher House, County Kerry, photograph from National Inventory of Architectural Heritage.

Coolclogher House built in 1746 is a historic manor house set on a 68 acre walled estate near Killarney on the Ring of Kerry. The house has been restored to an exceptional standard by Mary and Maurice Harnett and has spacious reception rooms, a large conservatory containing a 170 year-old specimen camellia and seven large luxurious bedrooms, each with their own bathroom and with magnificent views over the gardens and pasture to the dramatic mountains of the Killarney National Park.

This is an excellent base for exploring this ruggedly beautiful county and Coolclogher House specialises in vacation rental for groups of up to 16 people. It is right on the Ring of Kerry and Ross Castle and Killarney town are within walking distance while the Gap of Dunloe and Muckross House are in easy reach. It is the ideal special holiday destination for extended family groups, golfing groups or celebrating that special occasion.

The famous Lakes of Killarney, the Killarney National Park, Muckross House and Abbey and Ross Castle are all within easy reach. Killarney is an ideal starting point on the famous Ring of Kerry, going by way of Kenmare, Parknasilla and Waterville, and returning via Cahirciveen, Glenbeigh and Killorglin, but there are also wonderful drives through Beaufort and the Gap of Dunloe, along Caragh Lake to Glencar or, for the more ambitious, a day trip to the Dingle Peninsula or the wonderful Ring of Beara. There are world famous golf courses at Waterville, Tralee and Ballybunion while boat trips on the famous Lakes of Killarney, fishing and horse riding can all be arranged.

Situated 5 minutes from the historic town of Killarney, which boasts a number of excellent dining options and a wide variety of entertainment, this mansion house is the perfect base for a longer stay and a wonderful location for a family reunion or for celebrating a special occasion.

[1] https://www.irelandscontentpool.com/en

[2] https://repository.dri.ie/catalog?f%5Broot_collection_id_ssi%5D%5B%5D=pk02rr951&mode=objects&search_field=all_fields&view=grid

[3] https://www.ihh.ie/index.cfm/houses/house/name/Tarbet%20House

[4] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com