Strokestown Park House, Strokestown, Co. Roscommon – section 482

www.strokestownpark.ie

Open in 2026: Jan 12-Dec 22, Jan-Feb, Nov-Dec 10.30am-4pm, Mar-Apr, Sept-Oct, 10am-5pm, May-Aug, 10am-6pm

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Image by Chris Hill, 2014, Tourism Ireland, from Ireland’s Content Pool. [1]
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Archiseek website describes Strokestown Park house as “a substantial house in the Palladian manner of a central block flanked by wings and curved sweeps. The centre block was completed in 1696 but extended around 1730 by Richard Cassels who added the substantial wings. The house was further altered in 1819 by J. Lynn.” [2]

Strokestown Park, County Roscommon.

We visited Strokestown Park in County Roscommon during Heritage Week 2022. It houses the excellent National Famine Museum and Archive, which is really worth visiting. It sounds grim, but it is a great exhibition and it tells us so much about people’s lives that it is not a grim museum at all. It also tells us about the Pakenham-Mahons, the family who lived in the impressive Strokestown Park. Strokestown Park was the home of the first landlord to be assassinated during the height of the Great Famine of Ireland the 1840s, and it is therefore ideal for the location of the Famine Museum.

In 1979 Nicholas Hales Pakenham Mahon sold the estate to Westward Garage, founded by Jim Callery. The new owners allowed the last of the Mahon family, Olive and her husband Wilfrid Stuart Hales Pakenham Mahon, to remain living in the house until she moved to a nursing home.

Despite no longer being in the hands of the original owners, the house contains the original furnishings and fittings. The house is unchanged from the time when the Mahons lived there.

Strokestown Park, County Roscommon, August 2022.

The Museum was created when Jim Callery, founder of the Westward Garage which purchased the property, found documents relating to the famine in the family archives. Jim Callery and the Westward Garage carried out a major restoration programme and opened the property to the public. Since 2015, Strokestown Park is cared for by the Irish Heritage Trust, an independent charity. Produce from the original working gardens are grown by volunteers and used in the Strokestown Park Café.   

Strokestown Park, County Roscommon, August 2022.

The website tells us that the house is built on the site of the 16th-century castle, home of the O Conor-Roe Gaelic Chieftains. Before being called “Strokestown House” the property was called “Bawn,” in reference to the bawn of the O Conor-Roe castle.

Nicholas Mahon, a captain in King Charles I’s army, was granted Strokestown as a royal deer park in 1653. Later, after pledging allegiance to King Charles II, he received more land. He was High Sheriff of County Roscommon, 1664-76. [3] He received over 3000 acres in 1678. He started to build a house, which was completed after his death in 1680, in 1696. Terence Reeves-Smyth tells us in his book Irish Big Houses that there is a stone by the door which has 1696 carved into it – the stone is now inside the house.

Strokestown Park featured as Building of the Month in December 2015 on the National Inventory of Architectural Heritage, and it tells us about the 1696 house:

Evidence of this house survives to the present day at basement level where a panelled still room, previously one of the principal reception rooms, retains a rosette-detailed Jacobean chimneypiece, an egg-and-dart-detailed plasterwork overmantle decorated with fruits and shells, and a compartmentalised ceiling with dentilated moulded plasterwork cornices. Some earlier remains of the castle are also found in the basement where sections of the walls measure almost three metres deep. Memories of the medieval past were carried through into the nineteenth century when the house was still officially called, and was referred to by Isaac Weld (1832) and Samuel Lewis (1837) as “Bawn”.” [4] [5]

Stephen and I were able to see part of the interior of the house, despite the house being closed for restoration work at the time, by joining a Heritage Week talk about a photographic dark room which had been created in the house by one of its residents. Unfortunately we did not get to see the basement or the galleried kitchen.

Captain Nicholas married Magdalena French, daughter of Arthur French of Movilla Castle, County Galway. [6] They had several children. Their son Reverend Peter (d. 1739) became Dean of Elphin and married Catherine, daughter of Paul Gore of Castle Gore, County Mayo (otherwise known as Deel Castle, now a ruin), who was son of Arthur, 1st Baronet Gore, of Newtown Gore, otherwise known as Parkes Castle in Leitrim (see my Office of Public Works in Connaught, Counties Leitrim, Mayo and Roscommon entry).

Another son, Nicholas (c. 1671-1781) married Eleanor Blayney, daughter of Henry Vincent, 5th Baron Blayney of Castle Blayney, County Monaghan.

A daughter, Margaret, married Edward Cooper of Markree Castle, County Sligo (another Section 482 property which we visited).

Strokestown passed via another son, John (d. 1708), who married Eleanor Butler (daughter of Thomas, 3rd Baronet Butler, of Cloughgrenan, Co. Carlow), to their son Thomas (1701-1782). It was Thomas who built on to the 1696 house, to create a residence designed by Richard Cassells, in about 1730.

I think the portrait is of Thomas Mahon (1701-1782), who employed Richard Castle to built a house at Strokestown. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Terence Reeves-Smyth tells us in his Irish Big Houses that the top storey and balustrade were added probably around 1740 when Richard Castle built the wings for Thomas Mahon. [7]

Richard Castle, or Cassells, (c.1690/95–1751) probably came to Ireland to work for Sir Gustavus Hume to design Castle Hume, Co. Fermanagh. [8] He then worked under Edward Lovett Pearce when Pearce worked on the Parliament Building in Dublin. Pearce died young and Castle succeeded to his practice. The Dictionary of Irish Biography tells us:

He contributed significantly to the development of Dublin, designing the first imposing town houses in cut stone for the nobility, notably Tyrone House, Marlborough St. (1740–45), built for Marcus Beresford (1694–1793), later earl of Tyrone, and Leinster House, Kildare St. (1745–51), for James Fitzgerald, earl of Kildare, the grandest town house and since the 1920s the seat of Dáil Éireann. His commissions included 85 Stephen’s Green (c.1738), the first stone-fronted house on the Green, latterly part of Newman House; houses in Kildare St., notably Doneraile House (designed c.1743); and Sackville Place...Castle designed many country houses, including Belvedere, Co. Westmeath (designed 1740), which incorporated the ‘Venetian’ window, a common feature of his designs, and Ballyhaise, Co. Cavan (c.1733). By altering and enlarging many houses, he created grand country mansions (often with vaulted stables), notably Powerscourt, Co. Wicklow, with its magnificent Egyptian hall (built 1731×1740; damaged by fire 1974, and since partly restored), Westport House, Co. Mayo (1731–40), and Carton House, Co. Kildare (c.1739–45). Conolly’s Folly at Castletown estate, Co. Kildare (1740), a tall obelisk mounted on multiple arches, is attributed to him. He possibly collaborated with Francis Bindon on Belan House, Co. Kildare, complete with temple and three obelisks (1743), and Russborough, Co. Wicklow (c.1742–55).” [9]

Also designed by Richard Castle: Westport House, County Mayo (1731), photograph courtesy of Ireland’s Content Pool [1].
Newman House, St. Stephen’s Green (Museum of Literature Ireland), also designed by Castle (1738). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Also designed by Richard Castle: Carton House, County Kildare, renovations by Castle in 1739. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Carton House, County Kildare, renovations by Castle in 1739. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Castletown obelisk folly, also by Richard Castle (1740). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Also designed by Richard Castle: Belvedere, County Westmeath (1740). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Also designed by Richard Castle: Powerscourt, County Wicklow (1740) Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Russborough House, also designed by Richard Castle, 1742. Photo taken by Jeremy Hylton June 2012.
Russborough House, County Wicklow, also designed by Richard Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Also designed by Richard Castle: Leinster House, 1745 [Dublin, July 2022]. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The house has a seven-bay, three-storey over basement central block, with curved curtain walls linking it to flanking pavilions with four-bay principal façades. The centre block front facade has three bays in the centre with giant pilasters either side and two bays beyond on either side. The centre three bays have a central panel on the pediment and the two bays on either side of the pilasters have a balustraded pediment. The front door is set in a tooled stone doorcase with decorative brackets, with an ornate spoked fanlight, and is flanked by traceried sidelights.

Strokestown House. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Most of what we see today was designed by Castle, but the house was resurfaced in 1819 and the portico added.

The portico was added around 1820. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The National Inventory of Architectural Heritage tells us that the pedimented archways to outer walls extending from pavilions give access to stable complex and kitchen yards. [10]

The flanking curtain walls have niches flanked by oculus windows on the upper part with tooled stone surrounds, and a Gibbsean doorcase with pediment over.

Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Flanking wall between main block and a pavilion block. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
An oculus window in the curtain wall has overgrowth of greenery on the other side! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Famine Museum is located in the stables. One enters via a Visitor Centre to one end of the complex.

Pedimented archways to outer walls extending from pavilions give access to stable complex and kitchen yards. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Entrance to the Famine Museum, located in the stables. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Visitor Centre, located at one end of the stable courtyard, opposite the entrance to the stables and the Famine Museum. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inside the Famine Museum, which is in the former stables. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In 1735, Thomas married Jane Crosbie, daughter of Maurice, 1st Baron Branden, of Ardfert, County Kerry, MP for County Kerry. Thomas Mahon later became MP, first for the Borough of Roscommon in 1739-1763 then for County Roscommon 1763-82, when he was called the “Father of the House.” [11]

I think this is Jane Crosbie, who married Thomas Mahon. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Thomas’s son Maurice (1738-1819), named after Jane’s father, married Catherine, daughter of Stephen Moore, 1st Viscount Mountcashell, in 1765. He inherited when his father died in 1782. He was granted a peerage for his support of the Act of Union, and created 1st Baron Hartland, of Strokestown, Co. Roscommon in 1800.

Terence Reeves-Smyth tells us:

His son Maurice, who became Baron Hartland upon accepting a Union Peerage in 1800, made further additions and modifications to the house, including the inlaid mahogany doors, chimney-pieces and cornices as well as the library.”

Strokestown, image by Chris Hill, 2014, Tourism Ireland, from Ireland’s Content Pool. [1] Mark Bence-Jones writes that in a late-Georgian addition at the back of the house there is a splendid library with a coved ceiling and an original early nineteenth century wallpaper of great beauty, in yellow and brown, which gives the effect of faded gold. [12]

Maurice Mahon also had the main street of Strokestown laid out between 1810 and 1815, and had a tall Georgian Gothic arch erected at the entrance to Strokestown Park, at one end of the main street. At almost one hundred and fifty feet wide, the main thoroughfare, leading up to the gates of the estate, was said to be the widest in Ireland at the time. Apparently Baron Hartland wanted it to be wider than the Ringstrasse in Vienna. [see 12]

Tripartite gate at the entrance to the Strokestown Park estate, with crow stepped battlements. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Maurice, 1st Baron Hartland had three sons. The first, Thomas (1766-1835) succeeded as 2nd Baron Hartland in 1819. His mother lived another fifteen years after her husband died in 1819, and the museum tells us that receipts for her extravagant spending are kept in the archive.

When Thomas inherited the property in 1819 he hired John Lynn who created the porch, among other renovations. Lynn had served as clerk of works for the building of Rockingham House in County Roscommon, erected in 1810 for Robert, 1st Viscount Lorton to designs by John Nash. We saw pictures of Rockingham House when we visited King House, see my entry. Rockingham House no longer exists. Soon after working in Strokestown, Lynn moved up to Downpatrick, County Down. [13]

Terence Reeves-Smyth continues in Irish Big Houses: “In 1819 Lieutenant General Thomas Mahon, second Lord Hartland, employed the architect J[ohn] Lynn to carry out some more improvements, such as the addition of the porch and giant pilasters to the front. Except for the gardens, few changes were later carried out at Strokestown and it remained the centre of a vast 30,000 acre estate until the present century.”

Thomas the second baron was educated at the Royal School in Armagh, Trinity College Dublin and St. John’s College, Cambridge. He joined the military and became Major in the 24th Light Dragoons. In 1798 he was in command of a garrison in Carlow, where he trapped and killed many rebels. [14] In 1811 he married Catherine Topping, but they did not have any children. He later fought in the Napoleonic wars and in Argentina.

Terence Reeves-Smyth continues:

In contrast to the exterior, the interior is quite intimate, with surprisingly small rooms – a product of the early date of much of the building. Early 18th century wood panelling survives in parts of the house including the main staircase hall, but many rooms were redecorated in regency times, such as the dining room which still has its early 19th century furniture, including a bath-sized turf bucket and pinkish-red damask wallpaper.

Staircase hall of Strokestown Park, with its original wood panelling, and archivist Martin Fagan. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
On the wall on the right hand side is a portrait of Edward Pakenham (b. 1778), an uncle of Henry Sandford Pakenham who married into the family, and on the left, his brother Lt. Col. Hercules Pakenham (1781-1850). Both were brothers of the 2nd Earl of Longford, of Tullynally, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mark Bence-Jones tells us that some of the principal rooms in the centre of the house have eighteenth century panelling. [see 12] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown dining room, image by Chris Hill, 2014, Tourism Ireland, from Ireland’s Content Pool. [1] Robert O’Byrne tells us that the wallpaper features in Wallpaper in Ireland 1700-1900 written by David Skinner.

Terence Reeves-Smyth continues: “Regency additions incorporated the study, which also retains its original furnishings, and the smoking room, which was converted into a laboratory and photography darkroom by Henry Pakenham-Mahon, an amateur scientist, in the 1890’s. The finest regency addition is the library at the back, originally built as a ballroom with a bowed wall at one end to accommodate musicians. This contains Chippendale bookcases and beautiful brown and gold wallpaper, made especially for the walls in the early 19th century.

The bowed library with its gold-coloured wallpaper. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
King William III on his horse in the portrait. The chimneypiece features Siena marbe, Ionic pilasters and a Grecian key pattern. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The library contains Chippendale bookcases. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The curtain pelmet features a dragon head. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The ceiling rose in the library. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Reeves-Smyth continues, describing the kitchen which we did not see: “The old kitchen in the left wing of the house is approached from the dining room along a curved corridor, past store rooms for kitchen utensils and sporting equipment. Fitted with spits and ovens for baking, roasting and smoking, this kitchen has its original balustraded gallery which crosses the high ceilinged room lengthwise, the only example of its kind to survive in Ireland, especially in houses designed by Richard Castle. These galleries allowed the housekeeper to supervise the affairs below – one tradition has it that menus were dropped from the balcony on Monday mornings with instructions to the cook for the week’s meals.

The wing to the right of the central block contains magnificent vaulted stables carried on Tuscan columns, similar to stables built by Castle for Carton (1739) and Russborough (1741). An underground passage links these stables to the yard on the north side of the house. The estate office was also in this wing, which meant the tenantry had to come here rather than to an office in the village to pay their rent.

A photograph of the vaulted stables, by Henry Pakenham Mahon (1851-1922).

Maurice Craig tells us in his Irish Country Houses of the Middle Size: p. 21. “The practice of connecting the house with outlying offices by a tunnel seems to be peculiar to Ireland…Strokestown, Bellamont, Castle Coole and Lucan are amongst the Irish examples. In the nature of things, this is a feature of the grander houses, though it has been reported in connection with some of modest size.”

Thomas 2nd Baron married but had no children and his brother Maurice (1772-1845) succeeded as 3rd Baron Hartland when Thomas died in 1835. Maurice had joined the clergy, and was awarded a prebendary (an administrative role) in Tuam Cathedral in 1804.

In 1813 the 3rd Baron Hartland married Jane Isabella Hume of Humewood, County Wicklow, but also had no children and the title became extinct. He had another brother, Stephen, but he predeceased his brothers and had no children. The museum tells us that the 3rd Baron suffered with mental illness, though it does not give us specifics. He was declared insane just a year after he inherited the property in 1835.

The 3rd Baron Hartland married Jane Isabella Hume of Humewood, County Wicklow. Humewood, County Wicklow photograph courtesy of National Library of Ireland, photographer Robert French, Lawrence Collection Circa 1865 – 1914 NLI Ref. L_IMP_3853.

The Dictionary of Irish Biography tells us that it was Denis Mahon who brought a motion against Maurice claiming that he was mentally ill and incapable of caring for the estate. Maurice had allowed the lease to lapse for a portion of the estate and stopped collecting rent from the town of Ballykilcline and its surrounding area. This led to an official declaration stating Maurice was a “lunatic.” Denis was named executor of the estate as well as being named Maurice’s legal guardian.

The museum tells us that when he was declared insane in 1836, two cousins battled in the courts to inherit the property: Denis Mahon (1787-1847) and Marcus McCausland.

Marcus McCausland owned the property of Drenagh, Limavady in County Derry (now a wedding venue). His mother was Theodosia Mahon, a sister of the 1st Baron Hartland, who had married Conolly McCausland-Gage. The nine year court case decided in favour of Denis Mahon. As well as the now poorly managed property, he inherited debts.

Denis was the son of a brother of 1st Baron Hartland, Reverend Thomas Mahon (1740-1811). Reverend Thomas married Honoria Kelly, daughter of Denis Kelly of Castle Kelly, County Galway (also called Aughrane Castle, it has been demolished. It was purchased by Bagots in 1910, I’m haven’t found an ancestral link to these Bagots).

Strokestown Park, County Roscommon, August 2022.

It was Denis Mahon who was then murdered during the Famine. The story is told in detail in the Famine Museum. The estate was badly run and tenants let and sublet their parcels of land, hence owned smaller and smaller portions of land to grow their crops.

Reeves-Smyth tells us: “Major Denis Mahon, who succeeded to Strokestown on the death of the third and last Lord Hartland in 1845 was so unpopular a landlord during the famine years that he was shot whilst returning from a meeting of the Roscommon Relief Committee in 1848, apparently on suspicion of chartering unseaworthy ships to transport emigrants from his estate to America. His successors were much better regarded and his great-granddaughter and last owner, Mrs. Olive Hales-Packenham-Mahon, was a much loved figure in this part of Ireland. She died in 1981, leaving a house filled with the trappings of three centuries of unbroken family occupation.

Strokestown Park, County Roscommon, August 2022.

Captain Denis Mahon chose to help his tenants to leave Ireland. He wanted to reduce his number of tenants. The 1838 Poor Law made a local tax for poor rates. In 1843 the act was amended and introduced new rates, charging landlords a tax for each tenant who had holdings of less than a value of £4. Landlords therefore tried to reduce the number of tenants.

Sculptures of shoes like this are dotted along the way of the Famine Walk. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022.
Strokestown Park, County Roscommon, August 2022.
The entrance to the Famine Museum and café. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Famine Museum is introduced by a beautifully handwritten letter by tenants asking not for money or food, but work. The eloquent letter humanises those who were experiencing the poverty of the famine in the 1840s.

Strokestown Park, County Roscommon, August 2022.
Strokestown Park, County Roscommon, August 2022.

Arthur Young writes in his A Tour in Ireland in 1799 that “the poor live on potatoes and milk, it is their regular diet, very little oat bread being used and no flesh meat at all except on Easter Sunday and Christmas day.

Strokestown Park, County Roscommon, August 2022.
Strokestown Park, County Roscommon, August 2022.
Strokestown Park, County Roscommon, August 2022.

Denis Mahon tried to make the estate pay for itself, to pay off the debts he had inherited. He also tried to take care of his tenants. He had two agents, John Ross Mahon and Thomas Conry. He began relief efforts for his tenants in March 1846. 4000 people were provided with corn on a weekly basis at low or no cost, and after a harsh winter, he distributed free seed to his most needy tenants. He also had a soup kitchen set up.

John Ross Mahon wrote to him that the poor rates would exceed receipts of rent. By 1847 the conditions were worse and there was unrest amongst the tenants. Mahon began to evict tenants and to encourage others to emigrate. The Freeman’s Journal in 1848 states that “The evictions on the estate since Major Mahon had taken over amounted to 3006 people, including the 1,490 who were selected to emigrate.” Fewer than half of those who emigrated survived the trek to Dublin and the journey on the ship.

The building of the month entry in the National Inventory summarises: “Major Mahon, an improving landlord, sought to alleviate the situation by judicious depopulation and in 1847 organised the voluntary emigration of almost one thousand of his tenants to North America. However, a far greater number refused to move and were the subject of evictions involving almost 600 families and 3000 individuals. Returning from an evening meeting in Roscommon, where he had urged the Board of Guardians to keep the workhouse open for needy paupers, Major Mahon was fatally shot on the 2nd of November 1847. Three men were hanged for the murder and two were transported, but the true identity of the assassin or assassins has been debated ever since.”

Strokestown Park, County Roscommon, August 2022.

The Famine Museum tells us that there were secret societies who sought to improve the conditions of the poor. A local one in Roscommon was called the “Molly Maguires.”

Strokestown Park, County Roscommon, August 2022.
Strokestown Park, County Roscommon, August 2022.

The man suspected to be the mastermind of the murder, Andrew Connor, probably escaped to Canada. Police followed to Canada to try to capture him but to no avail. A man named Patrick Hasty was hanged for the murder, along with two others.

Strokestown Park, County Roscommon, August 2022.

Denis’s son Thomas predeceased him, childless, and the house passed to his daughter, Grace Catherine. Earlier in 1847, Grace had married Henry Sandford Pakenham (1823-1893), son of Reverend Henry Pakenham, Dean of St. Patrick’s Cathedral in Dublin, who was from Pakenham Hall in County Westmeath, now called Tullynally (see my entry, it is another Section 482 property which can be visited).

Henry Sandford Pakenham held the office of High Sheriff of County Roscommon in 1830. He was heir to the vast Pakenham and Sandford estates in counties Longford, Westmeath and Roscommon. He legally changed his name to Henry Sandford Pakenham Mahon by Royal Licence in 1847.

Elizabeth Sandford, mother of Henry Sandford Pakenham, wife of Reverend Henry Pakenham, Dean of St. Patrick’s Cathedral in Dublin. Henry Sandford Pakenham married the heiress Grace Catherine Mahon and changed his surname to Pakenham Mahon. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A portrait of Lt. Gen. Hercules Pakenham (1781-1850), an uncle of Henry Sandford Pakenham Mahon, hangs in the front hall of Strokestown House.
Major General Edward Pakenham (1778-1815), another uncle of Henry Sandford Pakenham Mahon, also hangs in the front hall of Strokestown House.

After Denis Mahon was killed his devastated daughter Grace moved to the Isle of Wight with her husband, who continued to manage the estate with the help of his agent.

He and Grace Catherine had several daughters, and a son, Henry Pakenham-Mahon (1851-1922).

Henry moved back to live in Strokestown. He was High Sheriff, Justice of the Peace and Deputy Lieutenant of County Roscommon, following in the footsteps of his father. He married Mary Burrard and Olive, as mentioned by Reeves-Smyth, was their daughter.

Henry Pakenham-Mahon was a keen horticulturalist and his main contribution to the estate was the development of the gardens. The family lived part-time in Strokestown Park and part-time in England. He developed a Pleasure Garden in the walled garden.

Strokestown Park, County Roscommon, August 2022.

He also had an interest in photography, and he built a darkroom in Strokestown House.

Strokestown Park, County Roscommon, August 2022.
Strokestown Park, County Roscommon, August 2022.
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022.

His daughter Olive, born in 1894, first married Captain Edward Charles Stafford-King-Harman, from Rockingham House, County Roscommon, whom we came across in King House. Tragically, he died in the first world war in 1914. They had one daughter, Lettice. If Lettice had been a boy she would have inherited Rockingham. Olive and Lettice returned to live in Strokestown Park.

The King Harman Gate in the Pleasure Gardens, a wedding present from the men of Rockingham Estate on the marriage of Olive to Edward Charles Stafford-King-Harman. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022.
Strokestown Park, County Roscommon, August 2022.

Olive married again, this time to Wilfrid Stuart Atherstone Hales, who also fought in the first world war, and later, in the second. A British garrison was set up in Strokestown House during the War of Independence. After an ambush nearby, Wilfrid Stuart Hales was sent to investigate, and he and Olive fell in love. On 18 April 1923 his name was legally changed to Wilfrid Stuart Atherstone Hales Pakenham Mahon by Deed Poll. He married Olive in 1921 and he changed his name after the death of her father in 1922. They went on to have several children. It was her son who sold the estate.

Olive Hales Pakenham Mahon dressed for a visit to Buckingham Palace in the 1930s.
Strokestown Park, County Roscommon, August 2022.

The Pakenham Mahons did not spent much time in Strokestown due to Stuart Hales Pakenham Mahon’s military career, until they returned to live there in the 1950s.

Stuart Hales Pakenham Mahon was interested in finding water and mineral deposits by “dousing,” and the photography display we saw in the house also had information on this topic.

Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The property has a six acre walled garden and woodlands.

Westward Garage Ltd approached the Pakenham Mahons to buy their land, and terms were agreed. At first the garage only wanted to keep some land and they planned to sell the house, but then Jim Callery found the documents relating to the famine, and had the idea of setting up a famine museum. The company let Olive and her husband remain in the house. Jim Callery employed his cousin Luke Dodd to oversee restoration of the house. [15] In 1987 the house opened to the public, and the Famine Museum opened in 1994. The walled garden opened in 1997, and the herbaceous border is said to be the longest in either Ireland or the UK.

Strokestown Park, County Roscommon, August 2022.
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Seated is Henry Pakenham Mahon, son of Grace Mahon and her husband Henry Sandford Pakenham Mahon (born Pakenham). He is photographed here with his wife Mary and to far left, his daughter Olive, and friends.

After exploring the Famine Museum we went out to the extensive walled garden.

Strokestown Park, County Roscommon, August 2022.
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022.
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This Venetian window was over the doorway of Strokestown Park House in the eighteenth century. The window was removed when the house was refaced in 1819 and remained in storage until an opportunity for its reuse was found. Its “Venetian” form elicits comparisons with the doorcase of the Castle-designed Ledwithstown House (1746), County Longford, and the first floor centrepiece of the long ruined Mantua House (1747), near Elphin. [16] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
image by Chris Hill, 2014, Tourism Ireland, from Ireland’s Content Pool. [1]
Strokestown Park, County Roscommon, August 2022.
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022.
Strokestown Park, County Roscommon, August 2022.
Paul Connolly tells us that this building was used in the summer months by the Mahons, offering views of their garden. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022.
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The following day there was a talk about the mausoleum at Strokestown, but we had to move on with our Heritage Week plans. The mausoleum was constructed within an earlier 17th century church and contains a crypt in which members of the Mahon Family were buried. Following years of careful and professional conservation and sympathetic landscaping, this ruin is again accessible and visible to visitors to Strokestown Park.

Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://www.irelandscontentpool.com/en

[2] https://www.archiseek.com/2012/1730-strokestown-park-co-roscommon/

[3] http://lordbelmontinnorthernireland.blogspot.com/search/label/County%20Roscommon%20Landowners

[4] https://www.buildingsofireland.ie/building-of-the-month/strokestown-park-house-cloonradoon-td-strokestown-county-roscommon/

[5] You can see the chimney and plaster overmantel on the website of Robert O’Byrne, https://theirishaesthete.com/2014/10/29/getting-to-the-bottom-of-it/

[6] Bernard, Sir Burke, editor, Burke’s genealogical and heraldic history of the landed gentry of Ireland, 4th ed. (London, U.K.: Burkes Peerage Ltd, 1958), page 471. I’m not sure if “Movilla” mentioned here refers to Moyveela townland.

[7] Reeves-Smyth, Terence. Irish Big Houses. Appletree Press Ltd (22 April 2009)

[8] https://www.dia.ie/architects/view/347/CASTLE-RICHARD

[9] https://www.dib.ie/index.php/biography/castle-castles-cassels-cassells-richard-a1552

[10] https://www.buildingsofireland.ie/buildings-search/building/31811028/strokestown-park-house-cloonradoon-strokestown-co-roscommon and Strokestown Park featured as Building of the month in December 2015 https://www.buildingsofireland.ie/building-of-the-month/strokestown-park-house-cloonradoon-td-strokestown-county-roscommon/

[11] http://www.thepeerage.com/p37647.htm#i376469

[12] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988, Constable and Company Ltd, London. Note that Mark Bence-Jones claims that it was the 2nd Baron Hartland who laid out the main street of Strokestown and had the entrance built, but the National Inventory tells us that it was Maurice, 1st Baron Hartland.

[13] https://www.dia.ie/architects/view/3279/LYNN-JOHN%5B1%5D#tab_biography

[14] p. 203. Connolly, Paul. The Landed Estates of County Roscommon. Published by Paul Connolly, 2018.

[15] p. 213, Connolly.

[16] https://www.buildingsofireland.ie/building-of-the-month/strokestown-park-house-cloonradoon-td-strokestown-county-roscommon/

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Powerscourt Townhouse, 59 South William Street, Dublin 2 – section 482

Powerscourt townhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

https://www.powerscourtcentre.ie/

Open in 2026: all year, except New Year’s Day, Christmas Day, 10am-6pm

Fee: Free entry

This house was built for the 3rd Viscount Powerscourt, Richard Wingfield (1730-1788), in 1771, as his city residence. He already owned the Wicklow estate and grand house of Powerscourt in Enniskerry (see my entry for more about the Wingfield family and the Viscounts Powerscourt). I came across the Wingfield family first on my big house travels in 2019, when Stephen and I visited Salterbridge House in Cappoquin, County Waterford, which is owned by Philip and Susan Wingfield (Philip is the descendent of the 3rd Viscount Powerscourt, by seven generations! [1]).

Richard Wingfield (1730-1788) 3rd Viscount Powerscourt.

Kevin O’Connor writes in his Irish Historic Houses that “The palazzo was originally laid out around an open square. This has now been fitted (and covered) in to provide a centre specialising as a grand emporium for crafts, antiques, shopping and restaurants.”

Inside Powerscourt townhouse, now full of shops. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I am writing this blog during the Covid-19 lockdown in March 2020! I started to take pictures of Powerscourt townhouse last December, when it was in its full glory inside with Christmas decorations, knowing that it is listed in section 482. Today I will write about the history of this house and share my photographs, although I have not yet contacted Mary Larkin, who must manage the Townhouse Centre. Last week before the lockdown, when most of Ireland and the world were already self-isolating and most shops were closed, Stephen and I walked into town. It was a wonderful photographic opportunity as the streets were nearly empty.

Above, by the wall of our favourite pub, Grogans, is the picture of the James Malton engraving (1795) of the neo-Palladian Powerscourt Townhouse. This sign tells us that the house was begun in 1771 and completed in 1774 and cost £8000.

Architectural historian Christine Casey describes Powerscourt Townhouse to be reminiscent of Richard Castle’s country-house practice, although she writes that it was designed by Robert Mack. [3] Mack was an amateur architect and stonemason. The west front of the house, Malton tells us, is faced with native stone from the Wicklow estate, with ornament of the more expensive Portland stone, from England.

Powerscourt Townhouse 1945, photograph from Dublin City Library and Archives. [2]

The house is historically and architecturally one of the most important pre-Union mansions of the Irish nobility. The Wingfields, Viscount Powerscourt and his wife Lady Amelia Stratford (daughter of John, Earl of Aldborough), would have stayed in their townhouse during the “Season,” when Parliament sat, which was in the nearby College Green in what is now a Bank of Ireland, and they would have attended the many balls and banquets held during the Season.

Richard was the younger son of the 1st Viscount Powerscourt, and he inherited the title after his older brother, Edward, died. He was educated in Trinity College, Dublin, and the Middle Temple in London. He served in the Irish House of Commons for Wicklow County from 1761-1764. In 1764 he became 3rd Viscount after the death of his brother, and assumed his seat in the Irish House of Lords.

Powerscourt townhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The arch to the left of the house was a gateway leading to the kitchen and other offices and there is a similar gateway on the right, which led to the stables.

The house has four storey over basement frontage to South William Street, with “stunted and unequal niched quadrants” (see this in the photograph above, between the main block of the house, and the gateway) and pedimented rusticated arches. [4][5] Christine Casey describes the nine bay façade as faced with granite, and it has an advanced and pedimented centrepiece crowned by a solid attic storey with enormous volutes like that of Palladio’s Villa Malcontenta [5].

The attic storey housed an observatory. From this level, one could see Dublin Bay.

The ground floor has round-headed windows, while the piano nobile has alternating triangular and “segment-headed” pediments. A “Piano nobile” is Italian for “noble floor” or “noble level”, also sometimes referred to by the corresponding French term, bel étage, and is the principal floor of a large house. This floor contains the principal reception and bedrooms of the house. There is a Venetian window and tripartite window over the doorcase. Mark Bence-Jones tells us a Venetian window had three openings, that in the centre being round-headed and wider than those on either side; it is a very familiar feature of Palladian architecture.

Powerscourt Townhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Powerscourt townhouse.
Plan of front of Powerscourt Townhouse, from a sketch on display at Carton, County Kildare.

The ground floor contained the grand dining room, the parlour, and Lord Powerscourt’s private rooms. Ascending to the first floor up the magnificent mahogany staircase, one entered the rooms for entertaining: the ballroom and drawing room.

Plan of Powerscourt Townhouse, from a sketch on display at Carton, County Kildare.
Powerscourt townhouse.

An information board inside the house quotes the “Article of Agreement” between Lord Powerscourt and the stonemason Robert Mack:

Two shillings for each foot of the moulded window stooles and cornice over the windows, two shillings and eight pence for the Balusters under the windows… three shillings and three pence for the great cornice over the upper storey. Three shillings for each foot of flagging in the Great Hall to be of Portland Stone, and black squares or dolles, one shilling and six pence for each yard of flagging in the kitchen and cellars of mountmellick or black flagges.”

This information board also tells us that the original setting of the house would have been a garden to the rear of the house, laid out in formal lawns with box hedging and gravel walks.

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Powerscourt townhouse.

When one walks up the balustraded granite steps leading to the front door, through the hall and past the mahogany staircase, one enters what was the courtyard of the house.

The entrance hall is now occupied by a flower shop. It has fine ceilings by James McCullagh. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Powerscourt townhouse 1964, photograph from Dublin City Library and Archives. [see 2]
Information board about Powerscourt townhouse.
The staircase hall plan, Powerscourt Townhouse, from a sketch on display at Carton, County Kildare.
Plan of Powerscourt Townhouse, from a sketch on display at Carton, County Kildare.
There are decorative heads along the top of the doorway leading from the entrance hall into the stair hall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Powerscourt townhouse, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The entrance hall has fine ceilings by James McCullagh. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The entrance hall has fine ceilings by James McCullagh. There are wonderful metopes and panels with urns, buncrania, bows and arrows and baskets of fruit. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
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See the “monkey tail” wooden volute at end of stairway. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

You can see the “trompe l’oeil” floor in the entrance hall in the photo below, made up of black Kilkenny marble, grey and white limestone.

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Powerscourt Townhouse, the stair hall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
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Powerscourt townhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The mahogany staircase rises in three flights to the first floor. The balusters are probably the most elaborately carved in Ireland, and the handrail ends in a large volute or “monkey’s tail” at the base of the stairs. The woodwork carving is by Ignatius McDonagh. I need to go back to take a better picture of the balustrade. We saw an even larger “monkey tail” volute end of a staircase in Barmeath (another section 482 property, see my entry), more like a dragon’s tail than a monkey, it was so large!

The carved mahogany balusters by Ignatius McDonagh. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Wingfield family descended from Robert, Lord Wingfield of Wingfield Castle in England, near Suffolk. The first member of the family who came from England was Sir Richard Wingfield, who came under the patronage of his uncle, Sir William Fitzwilliam, the Lord Deputy of Ireland from 1561 to 1588. In 1609 King James I granted Richard Wingfield, in reward for his services to the Crown, the lands of Powerscourt in County Wicklow. Richard was a military adventurer, and fought against the Irish, and advanced to the office of Marshal of Ireland. In May 1608 he marched into Ulster during “O’Doherty’s Rebellion” against Sir Cahir O’Doherty, and killed him and dispersed O’Doherty’s followers. For this, he was granted Powerscourt Estate, in 1609. [7]

In 1618 James I raised Richard to the Peerage as Viscount Powerscourt, Baron Wingfield. The family motto is “Fidelite est de Dieu,” faithfulness is from God.

Richard the 3rd Viscount Powerscourt succeeded to the title in 1764. He was not a direct descendant of the 1st Viscount Powerscourt. Richard the 1st Viscount had no children, so the peerage ended with the death of the 1st Viscount.

The Powerscourt estate in Wicklow passed to his cousin, Sir Edward Wingfield, a distinguished soldier under the Earl of Essex (Robert Devereux, 2nd Earl of Essex), and a person of great influence in Ireland. [8] Essex came to Ireland to quell a rebellion that became the Nine Years’ War. Sir Edward Wingfield married Anne, the daughter of Edward, 3rd Baron Cromwell (descendent of Henry VIII’s Thomas Cromwell). [9]  It was this Edward Wingfield’s grandson Folliot (son of Richard Wingfield), who inherited the Powerscourt estates, for whom the Viscountcy was revived, the “second creation,” in 1665. [10]

However, once again the peerage expired as Folliot also had no offspring. Powerscourt Estate passed to his cousin, Edward Wingfield. Edward’s son Richard (1697-1751) of Powerscourt, MP for Boyle, was elevated to the peerage in 1743, by the titles of Baron Wingfield and Viscount Powerscourt (3rd Creation).

This Richard Wingfield was now the 1st Viscount (3rd creation). He married, first, Anne Usher, daughter of Christopher Usher of Usher’s Quay, but they had no children. He married secondly Dorothy, daughter of Hercules Rowley of Summerville, County Meath. Their son, Edward, became the 2nd Viscount. When he died in 1764, Richard, his brother, became 3rd Viscount. Seven years after inheriting the title, Richard 3rd Viscount began the building of Powerscourt Townhouse.

Inside just past the entrance hall, we can still climb the staircase and see the wonderful plasterwork by stuccodores James McCullagh assisted by Michael Reynolds.

The decoration on the upper walls consists of panels decorated with arabesque work interspersed with urns, acanthus scrolls [6], palms and portrait medallions. I haven’t discovered who is pictured in the portraits! Neither Christine Casey nor the Irish Aesthete tell us in their descriptions.

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Powerscourt Townhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Powerscourt Townhouse.
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Powerscourt Townhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
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Powerscourt Townhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Detail of the stair hall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Detail of the drapery in the stuccowork. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
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Powerscourt Townhouse. Unfortunately the busts are not identified. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
One of the many busts in stucco medallions in the stair hall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Detail of the stair hall ceiling. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
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Powerscourt Townhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ionic pilasters of the stair hall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Detail of the floral swags in stucco. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
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Powerscourt townhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Ionic pilasters frame two windows high up in the east wall – we can see one in the photograph above. The lower walls are “rusticated in timber to resemble stone,” Casey tells us. I would have assumed that the brickwork was of stone, not of timber.

No expense was spared in furnishing the house. As well as the rococo plasterwork on the stairs there was neo-Classical work by stuccodore Michael Stapleton. According to the information board, much of the more sober neo-Classical work was cast using moulds, no longer created freehand the way the rococo plasterwork was done. The neo-Classical work was called the Adams style and in Powerscourt Townhouse, was created between 1778-1780. Stapleton’s work could have been seen in the Dining Room, Ballroom, Drawing room and Dome Room.

Powerscourt Townhouse.
Powerscourt Townhouse.
Ceiling of the drawing room, by Michael Stapleton. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The former drawing room, with its fine stucco work by Michael Stapleton, looking out onto what was the courtyard. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Powerscourt townhouse.

The ceiling in a room now occupied by The Town Bride, which was the original music room, and the ballroom, now occupied by the Powerscourt Gallery, contain Stapleton’s work.

Powerscourt townhouse, Dublin.
The ceiling of The Town Bride: Minerva, Roman Goddess of Music and the Arts, in the Music Room on the ceiling. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The ceiling of what is now The Town Bride shop. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I love the stucco work around the top of the walls also, of urns and cherubs and swags. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Dome Room is now behind glass.

Detail on the Dome Room ceiling. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Detail of Dome Room ceiling and the top of the walls. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The items in the dome room are behind glass so I could not get more detail in the photographs. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The ceiling of another room on the second storey. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This room is on the top floor and is magnificent! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
There are lots of frolicking putti on this ceiling and walls. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Powerscourt townhouse, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Powerscourt townhouse, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This room, appropriately, houses an art gallery. The window and door frames are magnificent also. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Powerscourt townhouse, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This room also looks onto the converted courtyard. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Looking down into the centre of the shopping area. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Looking down into the centre of the shopping area. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Powerscourt townhouse, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Powerscourt townhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

To see the Dining Room and Parlour, you must enter through one of the side carriage entrances, to the restaurant Farrier and Draper.

To see the Dining Room and Parlour, you must enter through one of the side carriage entrances, to the restaurant Farrier and Draper. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Originally the Parlour, now part of Farrier and Draper, plasterwork by Michael Stapleton. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Powerscourt Townhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The original Dining Room, with oval and round plaques with swagged garlands set within square and rectangular panels, now part of restaurant Farrier and Draper. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Powerscourt townhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The townhouse website tells us that Richard Wingfield was known as the “French Earl” because he made the Grand Tour in Europe and returned wearing the latest Parisian fashions. He died in 1788 and was laid out in state for two days in his townhouse, where the public were admitted to view him! His son Richard inherited the title and estates.

The garden front is of seven bays rather than nine, and has a broader three-bay advanced centrepiece.

Powerscourt townhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

After the house was sold by the Powerscourt family the gardens were built over between 1807 and 1815, when the house became the home of the Government Stamp Office. After the Act of Union, when the Irish Parliament was abolished and Ireland was ruled by Parliament in England, many Dublin mansions were sold. In July 1897 Richard 4th Lord Powerscourt petitioned Parliament to be allowed to sell his house to the Commissioner of Stamp Duties. The house was described as black from “floating films of soot” produced by the city’s coal fires. I can remember when Trinity was blackened by soot also before smoky coal was banned from Dublin, and extensive cleaning took place.

Powerscourt townhouse.

Several alterations were made to make the house suitable for its new purpose. This work was carried out by Francis Johnston, architect of the Board of Works, who designed the General Post Office on O’Connell Street. He designed additional buildings to form the courtyard of brown brick in Powerscourt townhouse, which served as offices. This consisted of three ranges of three storeys with sash windows. He also designed the clock tower and bell on Clarendon Street.

Francis Johnston designed the clock and bell tower on Clarendon Street. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In 1835, the Government sold the property to Messrs Ferrier Pollock wholesale drapers, who occupied it for more than one hundred years. It was used as a warehouse. I’m sure the workers in the warehouse enjoyed going up and down the grand staircase!

In 1981 the buildings were converted into a shopping centre, by architect James Toomey, for Power Securities. The courtyard was glazed over to make a roof.

Powerscourt Townhouse.
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Powerscourt Townhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
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Powerscourt Townhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
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Powerscourt townhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Powerscourt Townhouse was one of my haunts when I first moved to Dublin in 1986 (after leaving Dublin, where I was born, in 1969, at eight months old). I loved the antique stores with their small silver treasures and I bought an old pocket watch mounted on a strap and wore it as a watch for years. My sister, our friend Kerry and I would go to Hanky Pancakes at the back of the town centre, downstairs, for lemon and sugar coated thin pancakes, watching them cook on the large round griddle, being smoothed with a brush like that used to clean a windshield. For years, it was my favourite place in Dublin. Pictured below is the pianist, an old friend of Stephen’s, Maurice Culligan. My husband bought my engagement ring in one of the antique shops!

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Maurice Culligan playing piano in Powerscourt Townhouse.
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My engagement ring, purchased in Powerscourt Townhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Despite the very helpful information boards, I find it impossible to imagine what the original house looked like. I took pictures walking around the outside of the shopping centre.

Powerscourt Townhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
There’s an art deco feel to the curved middle projection on the upper storey at the side. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Perhaps the detailing to the sides – the inset pillars and medallions – of this side entrance to the shopping centre are by Francis Johnston (who trained under Thomas Cooley, creator of Rokeby Hall, also on Section 482). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Powerscourt Townhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Powerscourt townhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The French Connection entrance side is opposite the Westbury Mall.

Opposite Powerscourt townhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The grander side is opposite from Grogans, and next to the old Assembly House which is now the headquarters of the Irish Georgian Society. The walkway by Grogans leads down to the wonderful Victorian George’s Arcade buildings.

South City Markets. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
South City Markets. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
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South City Markets, by Lockwood & Mawson, 1878-81. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

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[1] I traced the genealogy of the owner of Salterbridge, Philip Wingfield. I traced him back to the owners of Powerscourt Townhouse. Richard 4th Viscount Powerscourt (1762-1809) has a son, Reverend Edward Wingfield (his third son) (b. 1792). He marries Louise Joan Jocelyn (by the way, he is not the only Wingfield who marries into the Jocelyn family, the Earls of Roden). They have a son, Captain Edward Ffolliott Wingfield (1823-1865). He marries Frances Emily Rice-Trevor, and they have a son, Edward Rhys Wingfield (1848-1901). He marries Edith Caroline Wood, and they have a son, Captain Cecil John Talbot Rhys Wingfiend. He marries Violet Nita, Lady Paulett, and they have a son, Major Edward William Rhys Wingfield. It is he who buys Salterbridge, along with his wife, Norah Jellicoe. They are the parents of Philip Wingfield.

[2] https://repository.dri.ie/catalog?f%5Broot_collection_id_ssi%5D%5B%5D=pk02rr951&mode=objects&search_field=all_fields&view=grid

[3] Archiseek seems mistaken as identifying the architect to be Richard Castle/Cassells

http://archiseek.com/2010/1774-powerscourt-house-south-william-street-dublin/

[4] Casey, Christine. The Buildings of Ireland: Dublin. The City within the Grand and Royal Canals and the Circular Road with the Phoenix Park. Founding editors: Nikolaus Pevsner and Alistair Rowan. Yale University Press, New Haven and London, 2005.

[6] architectural definitions

pediment: “Originally the low-pitched triangular gable of the roof of a Classical temple, and of the roof of a portico; used as an ornamental feature, generally in the centre of a facade, without any structural purpose.”

portico: “an open porch consisting of a pediment or entablature carried on columns.”

entablature: “a horizontal member, properly consisting of an architrave, frieze and cornice, supported on columns, or on a wall, with or without columns or pilasters.”

architrave: “strictly speaking, the lowest member of the Classical entablature; used loosely to denote the moulded frame of a door or window opening.”

frieze: “strictly speaking, the middle part of an entablature in Classical architecture; used also to denote a band of ornament running round a room immediately below the ceiling.”

cornice: “strictly speaking, the crowning or upper projecting part of the Classical entablature; used to denote any projecting moulding along the top of a building, and in the angle between the walls and the ceiling of a room.”

pilasters: “a flat pillar projecting from a wall, usually with a capital of one of the principal Orders of architecture.”

volute: “a scroll derived from the scroll in the Ionic capital.”

Ionic Order: “the second Order of Classical architecture.”

Acanthus – decoration based on the leaf of the acanthus plant, which forms part of the Corinthian capital

[7]https://en.wikipedia.org/wiki/Richard_Wingfield,_1st_Viscount_Powerscourt_(first_creation)

[8]http://lordbelmontinnorthernireland.blogspot.com/search/label/County%20Wicklow%20Landowners

I did further research in Burke’s Peerage to discover the exact relationship of these cousins. https://ukga.org/cgi-bin/browse.cgi?action=ViewRec&DB=33&bookID=227&page=bp189401283

Lewis Wingfield of Southampton married a Ms. Noon. He had a son Richard who married Christiana Fitzwilliam, and a son George. Richard the 1st Viscount who moved to Ireland is the son of Richard and Christiana. Edward Wingfield, who inherited Powerscourt Estate from Richard 1st Viscount, was the grandson of George (son of Lewis of Southampton), son of Richard Wingfield of Robertstown, County Limerick, who married Honora O’Brien, daughter of Tadh O’Brien (second son of Muragh O’Brien, 1st Lord Inchiquin).

[9] There was much intermarrying between the Cromwells and the Wingfields at this time! 1st Viscount Richard Wingfield, of the first creation, married Frances Rugge (or Repps), daughter of William Rugge (or Repps) and Thomasine Townshend, who was the widow of Edward Cromwell, 3rd Baron Cromwell. Frances Rugge and Edward Cromwell had two daughters, Frances and Anne. Frances Cromwell married Sir John Wingfield of Tickencote, Rutland, and Anne Cromwell married Sir Edward Wingfield of Carnew, County Wicklow. Anne and Edward’s grandson Folliott became the 1st Viscount Powerscourt of the 2ndcreation.

[10] Wikipedia has a different genealogy from Lord Belmont’s blog. Folliott Wingfield, 1st Vt of 2nd creation (1642-1717), according to Wikipedia, is the son of Richard Wingfield and Elizabeth Folliott, rather than the son of Anne Cromwell and Edward Wingfield of Carnew, County Wicklow, as the Lord Belmont blog claims. Burke’s Peerage however, agrees that Folliott Wingfield, 1st Vt 2nd Creation is not the son of Edward Wingfield of Carnew.

According to Burke’s Peerage, Edward Wingfield of Carnew, who married Anne Cromwell, and who inherits Powerscourt Estate, dies in 1638. They have six sons:

I. Richard is his heir;

II. Francis

III. Lewis, of Scurmore, Co Sligo, who married Sidney, daughter of Paul Gore, 1st Bart of Manor Gore, and they have three sons: Edward*, Lewis and Thomas. This Edward inherits Powerscourt Estate.

IV. Anthony, of London

V.  Edward, of Newcastle, Co Wickow, d. 1706

Richard (d. 1644 or 1645), the heir, married Elizabeth Folliott, and is succeeded by his son Folliott Wingfield, who becomes 1st Vt, 2nd Creation. When he dies, the peerage ends again. However, his first cousin, Edward* inherits Powerscourt. Edward Wingfield Esq, of Powerscourt, Barrister-at-Law, marries first Eleanor Gore, daughter of Arthur Gore of Newtown Gore, County Mayo, and by her has a son, Richard. Richard inherited Powerscourt, became an MP and was elevated to the peerage in 1743, and became (1st) Viscount Powerscourt of the 3rd creation.

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com