Strokestown Park House, Strokestown, Co. Roscommon

contact: Ciarán

Tel: 01-8748030

www.strokestownpark.ie

Open dates listed for 2023: all year:

Jan-Feb, Nov-Dec, 10.30am-4pm,

Mar-May, Sept-Oct, 10am-5pm,

June-July, 10am-6pm

Fee: adult house €12, tour of house €16, child €6, tour of house €9, OAP/student €10,
tour of house €12.50, family €27, tour of house €35

Image by Chris Hill, 2014, Tourism Ireland, from Ireland’s Content Pool. [1]
Strokestown Park, County Roscommon, August 2022.

The Archiseek website describes Strokestown Park house as “a substantial house in the Palladian manner of a central block flanked by wings and curved sweeps. The centre block was completed in 1696 but extended around 1730 by Richard Cassels who added the substantial wings. The house was further altered in 1819 by J. Lynn.” [2]

We visited Strokestown Park in County Roscommon during Heritage Week 2022. It houses the excellent National Famine Museum and Archive, which is really worth visiting. It sounds grim, but it is a great exhibition and it tells us so much about people’s lives that it is not a grim museum at all. It also tells us about the Pakenham-Mahons, the family who lived in the impressive Strokestown Park. Strokestown Park was the home of the first landlord to be assassinated during the height of the Great Famine of Ireland the 1840s, and it is therefore ideal for the location of the Famine Museum.

In 1979 Nicholas Hales Pakenham Mahon sold the estate to Westward Garage, founded by Jim Callery. The new owners allowed the last of the Mahon family, Olive and her husband Wilfrid Stuart Hales Pakenham Mahon, to remain living in the house until she moved to a nursing home.

Despite no longer being in the hands of the original owners, the house contains the original furnishings and fittings. The house is unchanged from the time when the Mahons lived there.

The Museum was created when Jim Callery, founder of the Westward Garage which purchased the property, found documents relating to the famine in the family archives. Jim Callery and the Westward Garage carried out a major restoration programme and opened the property to the public. Since 2015, Strokestown Park is cared for by the Irish Heritage Trust, an independent charity. Produce from the original working gardens are grown by volunteers and used in the Strokestown Park Café.   

The website tells us that the house is built on the site of the 16th-century castle, home of the O Conor-Roe Gaelic Chieftains. Before being called “Strokestown House” the property was called “Bawn,” in reference to the bawn of the O Conor-Roe castle.

Nicholas Mahon, a captain in King Charles I’s army, was granted Strokestown as a royal deer park in 1653. Later, after pledging allegiance to King Charles II, he received more land. He was High Sheriff of County Roscommon, 1664-76. [3] He received over 3000 acres in 1678. He started to build a house, which was completed after his death in 1680, in 1696. Terence Reeves-Smyth tells us in his book Irish Big Houses that there is a stone by the door which has 1696 carved into it – the stone is now inside the house.

Strokestown Park featured as Building of the Month in December 2015 on the National Inventory of Architectural Heritage, and it tells us about the 1696 house:

Evidence of this house survives to the present day at basement level where a panelled still room, previously one of the principal reception rooms, retains a rosette-detailed Jacobean chimneypiece, an egg-and-dart-detailed plasterwork overmantle decorated with fruits and shells, and a compartmentalised ceiling with dentilated moulded plasterwork cornices. Some earlier remains of the castle are also found in the basement where sections of the walls measure almost three metres deep. Memories of the medieval past were carried through into the nineteenth century when the house was still officially called, and was referred to by Isaac Weld (1832) and Samuel Lewis (1837) as “Bawn”.” [4] [5]

Stephen and I were able to see part of the interior of the house, despite the house being closed for restoration work at the time, by joining a Heritage Week talk about a photographic dark room which had been created in the house by one of its residents. Unfortunately we did not get to see the basement or the galleried kitchen.

Captain Nicholas married Magdalena French, daughter of Arthur French of Movilla Castle, County Galway. [6] They had several children. Their son Reverend Peter (d. 1739) became Dean of Elphin and married Catherine, daughter of Paul Gore of Castle Gore, County Mayo (otherwise known as Deel Castle, now a ruin), who was son of Arthur, 1st Baronet Gore, of Newtown Gore, otherwise known as Parkes Castle in Leitrim (see my Office of Public Works in Connaught, Counties Leitrim, Mayo and Roscommon entry).

Another son, Nicholas (c. 1671-1781) married Eleanor Blayney, daughter of Henry Vincent, 5th Baron Blayney of Castle Blayney, County Monaghan.

A daughter, Margaret, married Edward Cooper of Markree Castle, County Sligo (another Section 482 property which we visited).

Strokestown passed via another son, John (d. 1708), who married Eleanor Butler (daughter of Thomas, 3rd Baronet Butler, of Cloughgrenan, Co. Carlow), to their son Thomas (1701-1782). It was Thomas who built on to the 1696 house, to create a residence designed by Richard Cassells, in about 1730.

I think the portrait is of Thomas Mahon (1701-1782), who employed Richard Castle to built a house at Strokestown.

Terence Reeves-Smyth tells us in his Irish Big Houses that the top storey and balustrade were added probably around 1740 when Richard Castle built the wings for Thomas Mahon. [7]

Richard Castle, or Cassells, (c.1690/95–1751) probably came to Ireland to work for Sir Gustavus Hume to design Castle Hume, Co. Fermanagh. [8] He then worked under Edward Lovett Pearce when Pearce worked on the Parliament Building in Dublin. Pearce died young and Castle succeeded to his practice. The Dictionary of Irish Biography tells us:

He contributed significantly to the development of Dublin, designing the first imposing town houses in cut stone for the nobility, notably Tyrone House, Marlborough St. (1740–45), built for Marcus Beresford (1694–1793), later earl of Tyrone, and Leinster House, Kildare St. (1745–51), for James Fitzgerald, earl of Kildare, the grandest town house and since the 1920s the seat of Dáil Éireann. His commissions included 85 Stephen’s Green (c.1738), the first stone-fronted house on the Green, latterly part of Newman House; houses in Kildare St., notably Doneraile House (designed c.1743); and Sackville Place...Castle designed many country houses, including Belvedere, Co. Westmeath (designed 1740), which incorporated the ‘Venetian’ window, a common feature of his designs, and Ballyhaise, Co. Cavan (c.1733). By altering and enlarging many houses, he created grand country mansions (often with vaulted stables), notably Powerscourt, Co. Wicklow, with its magnificent Egyptian hall (built 1731×1740; damaged by fire 1974, and since partly restored), Westport House, Co. Mayo (1731–40), and Carton House, Co. Kildare (c.1739–45). Conolly’s Folly at Castletown estate, Co. Kildare (1740), a tall obelisk mounted on multiple arches, is attributed to him. He possibly collaborated with Francis Bindon on Belan House, Co. Kildare, complete with temple and three obelisks (1743), and Russborough, Co. Wicklow (c.1742–55).” [9]

Also designed by Richard Castle: Westport House, County Mayo (1731), photograph courtesy of Ireland’s Content Pool [1].
Newman House, St. Stephen’s Green (Museum of Literature Ireland), also designed by Castle (1738).
Also designed by Richard Castle: Carton House, County Kildare, renovations by Castle in 1739.
Carton House, County Kildare, renovations by Castle in 1739.
Castletown obelisk folly, also by Richard Castle (1740).
Also designed by Richard Castle: Belvedere, County Westmeath (1740).
Also designed by Richard Castle: Powerscourt, County Wicklow (1740)
Russborough House, also designed by Richard Castle, 1742. Photo taken by Jeremy Hylton June 2012.
Russborough House, County Wicklow, also designed by Richard Castle.
Also designed by Richard Castle: Leinster House, 1745 [Dublin, July 2022].

The house has a seven-bay, three-storey over basement central block, with curved curtain walls linking it to flanking pavilions with four-bay principal façades. The centre block front facade has three bays in the centre with giant pilasters either side and two bays beyond on either side. The centre three bays have a central panel on the pediment and the two bays on either side of the pilasters have a balustraded pediment. The front door is set in a tooled stone doorcase with decorative brackets, with an ornate spoked fanlight, and is flanked by traceried sidelights.

Strokestown House.

Most of what we see today was designed by Castle, but the house was resurfaced in 1819 and the portico added.

The portico was added around 1820.

The National Inventory of Architectural Heritage tells us that the pedimented archways to outer walls extending from pavilions give access to stable complex and kitchen yards. [10]

The flanking curtain walls have niches flanked by oculus windows on the upper part with tooled stone surrounds, and a Gibbsean doorcase with pediment over.

Flanking wall between main block and a pavilion block.
An oculus window in the curtain wall has overgrowth of greenery on the other side!

The Famine Museum is located in the stables. One enters via a Visitor Centre to one end of the complex.

Pedimented archways to outer walls extending from pavilions give access to stable complex and kitchen yards.
Entrance to the Famine Museum, located in the stables.
Visitor Centre, located at one end of the stable courtyard, opposite the entrance to the stables and the Famine Museum.
Inside the Famine Museum, which is in the former stables.

In 1735, Thomas married Jane Crosbie, daughter of Maurice, 1st Baron Branden, of Ardfert, County Kerry, MP for County Kerry. Thomas Mahon later became MP, first for the Borough of Roscommon in 1739-1763 then for County Roscommon 1763-82, when he was called the “Father of the House.” [11]

I think this is Jane Crosbie, who married Thomas.

Thomas’s son Maurice (1738-1819), named after Jane’s father, married Catherine, daughter of Stephen Moore, 1st Viscount Mountcashell, in 1765. He inherited when his father died in 1782. He was granted a peerage for his support of the Act of Union, and created 1st Baron Hartland, of Strokestown, Co. Roscommon in 1800.

Terence Reeves-Smyth tells us:

His son Maurice, who became Baron Hartland upon accepting a Union Peerage in 1800, made further additions and modifications to the house, including the inlaid mahogany doors, chimney-pieces and cornices as well as the library.”

Strokestown, image by Chris Hill, 2014, Tourism Ireland, from Ireland’s Content Pool. [1] Mark Bence-Jones writes that in a late-Georgian addition at the back of the house there is a splendid library with a coved ceiling and an original early nineteenth century wallpaper of great beauty, in yellow and brown, which gives the effect of faded gold. [12]

Maurice Mahon also had the main street of Strokestown laid out between 1810 and 1815, and had a tall Georgian Gothic arch erected at the entrance to Strokestown Park, at one end of the main street. At almost one hundred and fifty feet wide, the main thoroughfare, leading up to the gates of the estate, was said to be the widest in Ireland at the time. Apparently Baron Hartland wanted it to be wider than the Ringstrasse in Vienna. [see 12]

Tripartite gate at the entrance to the Strokestown Park estate, with crow stepped battlements.

Maurice, 1st Baron Hartland had three sons. The first, Thomas (1766-1835) succeeded as 2nd Baron Hartland in 1819. His mother lived another fifteen years after her husband died in 1819, and the museum tells us that receipts for her extravagant spending are kept in the archive.

When Thomas inherited the property in 1819 he hired John Lynn who created the porch, among other renovations. Lynn had served as clerk of works for the building of Rockingham House in County Roscommon, erected in 1810 for Robert, 1st Viscount Lorton to designs by John Nash. We saw pictures of Rockingham House when we visited King House, see my entry. Rockingham House no longer exists. Soon after working in Strokestown, Lynn moved up to Downpatrick, County Down. [13]

Terence Reeves-Smyth continues in Irish Big Houses: “In 1819 Lieutenant General Thomas Mahon, second Lord Hartland, employed the architect J[ohn] Lynn to carry out some more improvements, such as the addition of the porch and giant pilasters to the front. Except for the gardens, few changes were later carried out at Strokestown and it remained the centre of a vast 30,000 acre estate until the present century.”

Thomas the second baron was educated at the Royal School in Armagh, Trinity College Dublin and St. John’s College, Cambridge. He joined the military and became Major in the 24th Light Dragoons. In 1798 he was in command of a garrison in Carlow, where he trapped and killed many rebels. [14] In 1811 he married Catherine Topping, but they did not have any children. He later fought in the Napoleonic wars and in Argentina.

Terence Reeves-Smyth continues:

In contrast to the exterior, the interior is quite intimate, with surprisingly small rooms – a product of the early date of much of the building. Early 18th century wood panelling survives in parts of the house including the main staircase hall, but many rooms were redecorated in regency times, such as the dining room which still has its early 19th century furniture, including a bath-sized turf bucket and pinkish-red damask wallpaper.

Staircase hall of Strokestown Park, with its original wood panelling, and archivist Martin Fagan.
On the wall on the right hand side is a portrait of Edward Pakenham (b. 1778), an uncle of Henry Sandford Pakenham who married into the family, and on the left, his brother Lt. Col. Hercules Pakenham (1781-1850). Both were brothers of the 2nd Earl of Longford, of Tullynally, County Westmeath.
Mark Bence-Jones tells us that some of the principal rooms in the centre of the house have eighteenth century panelling. [see 12]
Strokestown dining room, image by Chris Hill, 2014, Tourism Ireland, from Ireland’s Content Pool. [1] Robert O’Byrne tells us that the wallpaper features in Wallpaper in Ireland 1700-1900 written by David Skinner.

Terence Reeves-Smyth continues: “Regency additions incorporated the study, which also retains its original furnishings, and the smoking room, which was converted into a laboratory and photography darkroom by Henry Pakenham-Mahon, an amateur scientist, in the 1890’s. The finest regency addition is the library at the back, originally built as a ballroom with a bowed wall at one end to accommodate musicians. This contains Chippendale bookcases and beautiful brown and gold wallpaper, made especially for the walls in the early 19th century.

The bowed library with its gold-coloured wallpaper.
King William III on his horse in the portrait. The chimneypiece features Siena marbe, Ionic pilasters and a Grecian key pattern.
The library contains Chippendale bookcases.
The curtain pelmet features a dragon head.
The ceiling rose in the library.

Reeves-Smyth continues, describing the kitchen which we did not see: “The old kitchen in the left wing of the house is approached from the dining room along a curved corridor, past store rooms for kitchen utensils and sporting equipment. Fitted with spits and ovens for baking, roasting and smoking, this kitchen has its original balustraded gallery which crosses the high ceilinged room lengthwise, the only example of its kind to survive in Ireland, especially in houses designed by Richard Castle. These galleries allowed the housekeeper to supervise the affairs below – one tradition has it that menus were dropped from the balcony on Monday mornings with instructions to the cook for the week’s meals.

The wing to the right of the central block contains magnificent vaulted stables carried on Tuscan columns, similar to stables built by Castle for Carton (1739) and Russborough (1741). An underground passage links these stables to the yard on the north side of the house. The estate office was also in this wing, which meant the tenantry had to come here rather than to an office in the village to pay their rent.

A photograph of the vaulted stables, by Henry Pakenham Mahon (1851-1922).

Maurice Craig tells us in his Irish Country Houses of the Middle Size: p. 21. “The practice of connecting the house with outlying offices by a tunnel seems to be peculiar to Ireland…Strokestown, Bellamont, Castle Coole and Lucan are amongst the Irish examples. In the nature of things, this is a feature of the grander houses, though it has been reported in connection with some of modest size.”

Thomas 2nd Baron married but had no children and his brother Maurice (1772-1845) succeeded as 3rd Baron Hartland when Thomas died in 1835. Maurice had joined the clergy, and was awarded a prebendary (an administrative role) in Tuam Cathedral in 1804.

In 1813 the 3rd Baron Hartland married Jane Isabella Hume of Humewood, County Wicklow, but also had no children and the title became extinct. He had another brother, Stephen, but he predeceased his brothers and had no children. The museum tells us that the 3rd Baron suffered with mental illness, though it does not give us specifics. He was declared insane just a year after he inherited the property in 1835.

The 3rd Baron Hartland married Jane Isabella Hume of Humewood, County Wicklow. Humewood, County Wicklow photograph courtesy of National Library of Ireland, photographer Robert French, Lawrence Collection Circa 1865 – 1914 NLI Ref. L_IMP_3853.

The Dictionary of Irish Biography tells us that it was Denis Mahon who brought a motion against Maurice claiming that he was mentally ill and incapable of caring for the estate. Maurice had allowed the lease to lapse for a portion of the estate and stopped collecting rent from the town of Ballykilcline and its surrounding area. This led to an official declaration stating Maurice was a “lunatic.” Denis was named executor of the estate as well as being named Maurice’s legal guardian.

The museum tells us that when he was declared insane in 1836, two cousins battled in the courts to inherit the property: Denis Mahon (1787-1847) and Marcus McCausland.

Marcus McCausland owned the property of Drenagh, Limavady in County Derry (now a wedding venue). His mother was Theodosia Mahon, a sister of the 1st Baron Hartland, who had married Conolly McCausland-Gage. The nine year court case decided in favour of Denis Mahon. As well as the now poorly managed property, he inherited debts.

Denis was the son of a brother of 1st Baron Hartland, Reverend Thomas Mahon (1740-1811). Reverend Thomas married Honoria Kelly, daughter of Denis Kelly of Castle Kelly, County Galway (also called Aughrane Castle, it has been demolished. It was purchased by Bagots in 1910, I’m haven’t found an ancestral link to these Bagots).

It was Denis Mahon who was then murdered during the Famine. The story is told in detail in the Famine Museum. The estate was badly run and tenants let and sublet their parcels of land, hence owned smaller and smaller portions of land to grow their crops.

Reeves-Smyth tells us: “Major Denis Mahon, who succeeded to Strokestown on the death of the third and last Lord Hartland in 1845 was so unpopular a landlord during the famine years that he was shot whilst returning from a meeting of the Roscommon Relief Committee in 1848, apparently on suspicion of chartering unseaworthy ships to transport emigrants from his estate to America. His successors were much better regarded and his great-granddaughter and last owner, Mrs. Olive Hales-Packenham-Mahon, was a much loved figure in this part of Ireland. She died in 1981, leaving a house filled with the trappings of three centuries of unbroken family occupation.

Captain Denis Mahon chose to help his tenants to leave Ireland. He wanted to reduce his number of tenants. The 1838 Poor Law made a local tax for poor rates. In 1843 the act was amended and introduced new rates, charging landlords a tax for each tenant who had holdings of less than a value of £4. Landlords therefore tried to reduce the number of tenants.

Sculptures of shoes like this are dotted along the way of the Famine Walk.
The entrance to the Famine Museum and café.

The Famine Museum is introduced by a beautifully handwritten letter by tenants asking not for money or food, but work. The eloquent letter humanises those who were experiencing the poverty of the famine in the 1840s.

Arthur Young writes in his A Tour in Ireland in 1799 that “the poor live on potatoes and milk, it is their regular diet, very little oat bread being used and no flesh meat at all except on Easter Sunday and Christmas day.

Denis Mahon tried to make the estate pay for itself, to pay off the debts he had inherited. He also tried to take care of his tenants. He had two agents, John Ross Mahon and Thomas Conry. He began relief efforts for his tenants in March 1846. 4000 people were provided with corn on a weekly basis at low or no cost, and after a harsh winter, he distributed free seed to his most needy tenants. He also had a soup kitchen set up.

John Ross Mahon wrote to him that the poor rates would exceed receipts of rent. By 1847 the conditions were worse and there was unrest amongst the tenants. Mahon began to evict tenants and to encourage others to emigrate. The Freeman’s Journal in 1848 states that “The evictions on the estate since Major Mahon had taken over amounted to 3006 people, including the 1,490 who were selected to emigrate.” Fewer than half of those who emigrated survived the trek to Dublin and the journey on the ship.

The building of the month entry in the National Inventory summarises: “Major Mahon, an improving landlord, sought to alleviate the situation by judicious depopulation and in 1847 organised the voluntary emigration of almost one thousand of his tenants to North America. However, a far greater number refused to move and were the subject of evictions involving almost 600 families and 3000 individuals. Returning from an evening meeting in Roscommon, where he had urged the Board of Guardians to keep the workhouse open for needy paupers, Major Mahon was fatally shot on the 2nd of November 1847. Three men were hanged for the murder and two were transported, but the true identity of the assassin or assassins has been debated ever since.”

The Famine Museum tells us that there were secret societies who sought to improve the conditions of the poor. A local one in Roscommon was called the “Molly Maguires.”

The man suspected to be the mastermind of the murder, Andrew Connor, probably escaped to Canada. Police followed to Canada to try to capture him but to no avail. A man named Patrick Hasty was hanged for the murder, along with two others.

Denis’s son Thomas predeceased him, childless, and the house passed to his daughter, Grace Catherine. Earlier in 1847, Grace had married Henry Sandford Pakenham (1823-1893), son of Reverend Henry Pakenham, Dean of St. Patrick’s Cathedral in Dublin, who was from Pakenham Hall in County Westmeath, now called Tullynally (see my entry, it is another Section 482 property which can be visited).

Henry Sandford Pakenham held the office of High Sheriff of County Roscommon in 1830. He was heir to the vast Pakenham and Sandford estates in counties Longford, Westmeath and Roscommon. He legally changed his name to Henry Sandford Pakenham Mahon by Royal Licence in 1847.

Elizabeth Sandford, mother of Henry Sandford Pakenham, wife of Reverend Henry Pakenham, Dean of St. Patrick’s Cathedral in Dublin. Henry Sandford Pakenham married the heiress Grace Catherine Mahon and changed his surname to Pakenham Mahon.
A portrait of Lt. Gen. Hercules Pakenham (1781-1850), an uncle of Henry Sandford Pakenham Mahon, hangs in the front hall of Strokestown House.
Major General Edward Pakenham (1778-1815), another uncle of Henry Sandford Pakenham Mahon, also hangs in the front hall of Strokestown House.

After Denis Mahon was killed his devastated daughter Grace moved to the Isle of Wight with her husband, who continued to manage the estate with the help of his agent.

He and Grace Catherine had several daughters, and a son, Henry Pakenham-Mahon (1851-1922).

Henry moved back to live in Strokestown. He was High Sheriff, Justice of the Peace and Deputy Lieutenant of County Roscommon, following in the footsteps of his father. He married Mary Burrard and Olive, as mentioned by Reeves-Smyth, was their daughter.

Henry Pakenham-Mahon was a keen horticulturalist and his main contribution to the estate was the development of the gardens. The family lived part-time in Strokestown Park and part-time in England. He developed a Pleasure Garden in the walled garden.

He also had an interest in photography, and he built a darkroom in Strokestown House.

His daughter Olive, born in 1894, first married Captain Edward Charles Stafford-King-Harman, from Rockingham House, County Roscommon, whom we came across in King House. Tragically, he died in the first world war in 1914. They had one daughter, Lettice. If Lettice had been a boy she would have inherited Rockingham. Olive and Lettice returned to live in Strokestown Park.

The King Harman Gate in the Pleasure Gardens, a wedding present from the men of Rockingham Estate on the marriage of Olive to Edward Charles Stafford-King-Harman.

Olive married again, this time to Wilfrid Stuart Atherstone Hales, who also fought in the first world war, and later, in the second. A British garrison was set up in Strokestown House during the War of Independence. After an ambush nearby, Wilfrid Stuart Hales was sent to investigate, and he and Olive fell in love. On 18 April 1923 his name was legally changed to Wilfrid Stuart Atherstone Hales Pakenham Mahon by Deed Poll. He married Olive in 1921 and he changed his name after the death of her father in 1922. They went on to have several children. It was her son who sold the estate.

Olive Hales Pakenham Mahon dressed for a visit to Buckingham Palace in the 1930s.

The Pakenham Mahons did not spent much time in Strokestown due to Stuart Hales Pakenham Mahon’s military career, until they returned to live there in the 1950s.

Stuart Hales Pakenham Mahon was interested in finding water and mineral deposits by “dousing,” and the photography display we saw in the house also had information on this topic.

The property has a six acre walled garden and woodlands.

Westward Garage Ltd approached the Pakenham Mahons to buy their land, and terms were agreed. At first the garage only wanted to keep some land and they planned to sell the house, but then Jim Callery found the documents relating to the famine, and had the idea of setting up a famine museum. The company let Olive and her husband remain in the house. Jim Callery employed his cousin Luke Dodd to oversee restoration of the house. [15] In 1987 the house opened to the public, and the Famine Museum opened in 1994. The walled garden opened in 1997, and the herbaceous border is said to be the longest in either Ireland or the UK.

Seated is Henry Pakenham Mahon, son of Grace Mahon and her husband Henry Sandford Pakenham Mahon (born Pakenham). He is photographed here with his wife Mary and to far left, his daughter Olive, and friends.

After exploring the Famine Museum we went out to the extensive walled garden.

This Venetian window was over the doorway of Strokestown Park House in the eighteenth century. The window was removed when the house was refaced in 1819 and remained in storage until an opportunity for its reuse was found. Its “Venetian” form elicits comparisons with the doorcase of the Castle-designed Ledwithstown House (1746), County Longford, and the first floor centrepiece of the long ruined Mantua House (1747), near Elphin. [16]
image by Chris Hill, 2014, Tourism Ireland, from Ireland’s Content Pool. [1]
Paul Connolly tells us that this building was used in the summer months by the Mahons, offering views of their garden.

The following day there was a talk about the mausoleum at Strokestown, but we had to move on with our Heritage Week plans. The mausoleum was constructed within an earlier 17th century church and contains a crypt in which members of the Mahon Family were buried. Following years of careful and professional conservation and sympathetic landscaping, this ruin is again accessible and visible to visitors to Strokestown Park.

[1] https://www.irelandscontentpool.com/en

[2] https://www.archiseek.com/2012/1730-strokestown-park-co-roscommon/

[3] http://lordbelmontinnorthernireland.blogspot.com/search/label/County%20Roscommon%20Landowners

[4] https://www.buildingsofireland.ie/building-of-the-month/strokestown-park-house-cloonradoon-td-strokestown-county-roscommon/

[5] You can see the chimney and plaster overmantel on the website of Robert O’Byrne, https://theirishaesthete.com/2014/10/29/getting-to-the-bottom-of-it/

[6] Bernard, Sir Burke, editor, Burke’s genealogical and heraldic history of the landed gentry of Ireland, 4th ed. (London, U.K.: Burkes Peerage Ltd, 1958), page 471. I’m not sure if “Movilla” mentioned here refers to Moyveela townland.

[7] Reeves-Smyth, Terence. Irish Big Houses. Appletree Press Ltd (22 April 2009)

[8] https://www.dia.ie/architects/view/347/CASTLE-RICHARD

[9] https://www.dib.ie/index.php/biography/castle-castles-cassels-cassells-richard-a1552

[10] https://www.buildingsofireland.ie/buildings-search/building/31811028/strokestown-park-house-cloonradoon-strokestown-co-roscommon and Strokestown Park featured as Building of the month in December 2015 https://www.buildingsofireland.ie/building-of-the-month/strokestown-park-house-cloonradoon-td-strokestown-county-roscommon/

[11] http://www.thepeerage.com/p37647.htm#i376469

[12] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988, Constable and Company Ltd, London. Note that Mark Bence-Jones claims that it was the 2nd Baron Hartland who laid out the main street of Strokestown and had the entrance built, but the National Inventory tells us that it was Maurice, 1st Baron Hartland.

[13] https://www.dia.ie/architects/view/3279/LYNN-JOHN%5B1%5D#tab_biography

[14] p. 203. Connolly, Paul. The Landed Estates of County Roscommon. Published by Paul Connolly, 2018.

[15] p. 213, Connolly.

[16] https://www.buildingsofireland.ie/building-of-the-month/strokestown-park-house-cloonradoon-td-strokestown-county-roscommon/

Enniscoe House & Gardens, Castlehill, Ballina, Co. Mayo F26 EA24

contact: Susan Kellett Tel: 096-31112 

www.enniscoe.com

(Tourist Accommodation Facility)
Open in 2023: April 1-Oct 31
Open: garden, April 1-Oct 31, 10am-4pm,
Fee: garden & heritage centre adult €8, OAP €6, child €3 under 4 years free, student €3, family 2 adults and 2 children €15, tour of house €5 per adult, free tour in National Heritage Week

Enniscoe House, County Mayo.

We visited Enniscoe House in August, during Heritage Week. I was delighted that the owner, Susan Kellett, had heard of and likes my website! She gave us a lovely tour of her home, which she also runs as an upmarket guest house. One can stay in the beautiful bedrooms in the house where breakfast is provided and dinner is also an option, or in self-catering accommodation in converted stables.

Enniscoe house is a two storey house with a five bay entrance front, with a central window in the upper storey above the pedimented tripartite doorway. The doorway has Doric columns and pilasters, and sidelights. The side elevation has five bays. [1]

Side of the house.

Susan’s father inherited the property from his cousin, Mervyn Pratt (1873-1950). Mervyn’s grandfather, another Mervyn Pratt (1807-1890) married Madeline Eglantine Jackson, heiress, from Enniscoe. We came across Mervyn Pratt before, when we visited Cabra Castle. [2]

Mervyn and Madeline Eglantine’s daughter Louisa Catherine Hannah Pratt, the sister of Joseph, the second Mervyn’s father, married Thomas Rothwell from Rockfield, County Meath (which is currently for sale for €1.75 million [3]), and Susan’s father was their descendant. [4]

The view from Enniscoe House. The house is on the shore of Lough Conn. The horses are Connemara ponies – the land is leased to the National Parks and Wildlife, and they are keeping rare breeds such as Connemara ponies on the property. President Erskine Childers gave a herd of Connemara ponies to the state, and these ponies are related to them.

An informative booklet about Enniscoe which Susan gave me tells us that in ancient times, there was a castle at “Inniscoe,” one of the chief residences of the Kings of Hy-Fiachrach (who claimed descent from Fiachrae, brother of Niall of the Nine Hostages). The booklet tells us that traces of early earthworks can still be found. “Innis Cua” means the island of the hound. The O’Dowda, a Hy-Fiachrach family, ruled in the area and were famous for their greyhounds, which probably led to the Anglicised name Enniscoe. From the time of the Normans coming to Ireland, the land was fought over by the Bourkes, Barretts, Lynotts and Cusacks, and eventually owned by the Bourkes. At one stage Theobald Bourke, “Tibbot ne Long” (Theobald of the Ships), 1st Viscount of Mayo (1567-1629) owned the land around Enniscoe.

The information booklet tells us that the Patent Rolls of James I state that Enniscoe was possessed by the sons of John McOliverus Bourke in 1603 (this Patent Roll sounds like a great source of information! Copies are available in the National Library, and the information is gathered from 1603-1619). In the Strafford Inquisition of 1625, which gathered information about the landowners of County Mayo for Thomas Wentworth, the Earl of Strafford (who had plans for a Plantation), Richard Roe Bourke was recorded as having one third of the castle, town and lands of Enniscoe, and Thomas Roe Bourke had the other two thirds.

By 1641, the Bourkes no longer lived at Enniscoe. Susan’s booklet tells us that a Roger William Palmer owned the lands at one point – perhaps related to Roger Palmer, 1st Earl of Castlemaine (1634-1705), who was married to Barbara Villiers, who later became a favourite of King Charles II.

In the 1660s, a soldier in Cromwell’s army, Francis Jackson, was granted the lands at Enniscoe. This was confirmed by Charles II in 1669. He settled down to live in Ireland and to farm the land.

In the mid-eighteenth century George Jackson (1717-1789), great grandson of Francis, built a large farmhouse, using stones of the old castle of “Inniscoe” and oak trees recovered from nearby bogland. This house was a tall single gabled building of five bays, and it has been incorporated into the current house – Susan pointed out to us where the newer house joins to the old. George married Jane Cuffe, daughter of James Cuffe of Ballinrobe, County Mayo, and sister of James, the 1st and last Baron Tyrawley of County Mayo [of the second creation – the first creation of Baron Tyrawley was for Charles O’Hara in 1706].

A portrait of Jane Cuffe, daughter of James Cuffe of Ballinrobe, County Mayo, wife of George Jackson (1717-1789).

George Jackson’s son, George “Two” (as he is called by the family) (1761-1805), became a Member of Parliament for County Mayo in the Irish House of Commons, with the aid of Baron Tyrawley.

Colonel George Jackson, MP for County Mayo (George “Two”).

George Two expanded the house into what it is today. The old house was three storey but the new front was two storey. He built on two large reception rooms and a grand staircase. The architect Jeremy Williams attributes the design of the enlargement of the house to John Roberts (1712-1796) of Waterford, who also designed Christ Church Cathedral in Waterford, and may have built Moore Hall in County Mayo. [5] The stucco work in the Stairway Hall is similar to some in Deel Castle done in the 1790s, which is situated across the lake from Enniscoe, for James Cuffe, Baron Tyrawley.

James Cuffe bought the life interest of Deel Castle, which had also originally been a Bourke castle, from his uncle (the brother of his mother, Elizabeth Gore) Arthur Gore, 1st Earl of Arran. James Cuffe built a new house a short distance from the castle. Deel Castle reverted to the Earls of Arran after James Cuffe’s death, but is now a ruin, and the house was burnt in 1921 and not rebuilt. David Hicks has written about Deel Castle and the neighbouring house, Castle Gore, on his website. [6]

The large entrance hall of Enniscoe has a frieze of foliage, and Adamesque decoration in the centre of the ceiling.

The inside of the front door with its old locks.
Front Hall of Enniscoe, with beautiful stuccowork, and fishing rods on the walls.

The portrait in the Front Hall of the man in wonderful frilled pantaloons is an ancestor, Sir Audley Mervyn (about 1603-1675), Speaker in the Irish House of Commons. His parents Henry Mervyn and Christian Touchet purchased lands in County County Tyrone from Mervyn Touchet, the 2nd Earl of Castlehaven, which Audley Mervyn (who was named after the Touchet estate in Staffordshire, Audley) inherited. [7] The heads of Indian deer were shot by the brothers Audley and Mervyn Pratt while fighting with the British army in the early 1900s. The carved hall chairs picture the Bourke family crest of a chained cat; Susan’s mother was a Bourke from Heathfield House, Ballycastle, County Mayo. [8] The pike was caught in Lough Conn in 1896 and weighs 37 lbs!

Delicate stucco work in the ceiling rose in the front hall.
Fireplace in front hallway. The crest in the fireplace is the Nicholson crest, painted by a family member. Above the crest is a white horse, the crest of the Jackson family.

The front hall leads into the staircase hall, which is built on the exterior wall of the old house. The staircase hall has a frieze of urns and foliage and a glazed dome surrounded by foliage and oval medallions of classical figures.

The stairs, part of the newer build for George Jackson Two, nips across the doorway of the drawing room. Susan pointed out how one door – see in the photograph below, has a blocked off section in its height, as a result – compare it to the other door in the photograph below it.
The doorway height is lowered due to the way the staircase nips across it in the hallway.
The door on the other side of the drawing room, without the lowered height of the other door. The decorative overdoors were added later than the original carved timber surround, probably in the 1870s.
It’s hard to capture the wonderful curving sweep of the top-lit staircase in a photograph, with its lantern roof lined with beautiful neoclassical stucco work.

One can see the division between older original house and the newer part clearly. Behind the staircase hall is a lobby with a delicate interior fanlight opening onto the staircase of the earlier house.

The fanlight of the original doorcase to the older house, at the foot of the older staircase.

The Rising of 1798, which had been inspired by the French Revolution, came to Enniscoe, in the form of French soldiers under General Jean Joseph Amable Humbert, who landed at Killala in County Mayo on August 23, 1798. George Jackson was a Colonel in the North Mayo Militia and so would have opposed the 1798 Rebellion and the incoming French troops – although he was stationed further south as militia regiments were never stationed in their own county. The French soldiers stopped at the house at Enniscoe and Susan told us that the troops drank his wine, later declaring that it was “the only good wine in Ireland”! The scaffolding from the enlargement of the house was still lying in front of the house when the troops arrived and they used it for firewood for their campfire. George’s regiment were summoned back from the south, and Colonel Jackson was made Military Governor of the Crossmolina area. He was responsible for killing or imprisoning many of the defeated rebels in the surrounding countryside, and it is said that he lined the road from Crossmolina to Gortnor Abbey with severed heads on pikes. General Humbert and his troops were defeated by the British Army in the Battle of Ballinamuck. [9]

Susan’s mother, an artist, Patita Bourke, painted a scene famous from the 1798 Rebellion, when the French troops billeted themselves in the home of the Church of Ireland Bishop Joseph Stock of Killala (who wrote a memoir of the incident).

One result of the 1798 Rebellion was that the Irish Parliament was abolished by the Act of Union in 1800, which was supported by George Jackson. George was promoted to Colonel of the Carabineers, a dragoon in the British Army, and the position was inherited by his son, William.

William married Jane Louise Blair, daughter of Colonel William Blair of Scotland, and moved to England, and died young. He died in 1822 and his wife predeceased him in 1817 so their only daughter, Madeline Eglantine Jackson, was left an orphan at the age of six. She was raised by her aunt at Stephenstown in County Louth. Her mother’s sister was Catherine Eglantine Blair, who married Matthew Fortescue, whose father had built Stephenstown. They arranged a good marriage for Madeline when she turned 18, to a cousin of the family, Mervyn Pratt of Cabra Castle. They married in 1834.

Madeline and Mervyn settled in Enniscoe and Mervyn had the estate surveyed in order to set to work on an enormous scheme of draining land and building roads. The booklet Susan gave me tells us that during the famine, the Pratts did their best for those in the area and they gained a reputation for good management and fairness.

Patita painted a portrait of Madeline Jackson, based on the picture below.
Madeline Jackson.
Mervyn Pratt, husband of Madeline Jackson.
The Drawing Room has the original silk Adam design wallpaper, which has faded over the years from pale blue to mushroom pink.

There are two large reception rooms on the ground floor, as well as the dining room.

The intricately carved mirror over the fireplace in the drawing room is made of wood and was never gilded. Rosette-detailed cut-white marble Classical-style chimneypiece.
A beautiful dollhouse which Susan used to admire as a child; her mother made the furniture and even installed the electric light.
We liked this “conversation sofa.”

Madeline and Mervyn had five children. Their only son Joseph joined the army and served in India, and when he came home, took over the running of Enniscoe. He married his cousin Ina Hamilton of Cornacassa, County Monaghan (this house has been partly demolished. It was built around 1800 for Dacre Hamilton). [10]

Joseph Pratt was one of the first landlords to start selling his land to his tenants under the Wyndham Land Acts of 1903. Joseph and Ina did much to improve their estate, farming and creating the garden within the old walled garden. The Heritage Centre gives us an idea of what life on the farm was like for both the home owners and the many people employed on the estate. 

Joseph’s elder son Mervyn was injured in the wars and the younger Audley was killed in the First World War. The Heritage Centre located in the walled garden at Enniscoe displays a hippo skull which Audley brought home from Africa when he fought in the Boer War (1899-1902).

Major Mervyn lived all his life in Enniscoe, and was particularly interested in gardening and fishing. His rock garden and greenhouses were well-known. He never married, and left Enniscoe to his cousin Jack Nicholson, Susan’s father (Jack was a great-grandson of Madeline Jackson). Mervyn did not spend much time in Cabra Castle in County Cavan which he also inherited, and he left it to another cousin, Mervyn Sheppard.

Jack Nicholson married Patita Bourke, daughter of Captain Bertrim Bourke of Heathfield, County Mayo. In his blog, David Hicks tells us that Heathfield was purchased by the Land Commission and the family were allocated a farm at Beauparc, County Meath. He adds that former President of Ireland Mary Robinson was from the Bourke family of Heathfield.

The second drawing room of Enniscoe, with George “Two” over the fireplace.

Jack was a Professor of Veterinary Medicine, so I felt a bond with Susan, as my father, Desmond Baggot, was also a Professor of Veterinary Medicine! Jack was head of the Veterinary College of Ireland, so perhaps their paths crossed as my father was studying there at the time of my birth, before we moved to the United States where my father did his PhD in Ohio State University. Jack died in 1972 and Enniscoe house and lands passed to his children. In 1984 Susan Kellett took over the property from her brother.

The house is full of Patita’s creative and sometimes cheeky paintings.

This is an example of Patita’s creativity – she thought the original painting of the seascape was rather dull, so she painted the foreground of the girls on the balcony onto the original painting! The wallpaper in this bedroom is by David Skinner, who reproduces wallpaper from historic houses using scraps from the original.

The dining room was originally the library. The side nook was created by Susan’s parents. It has a simple early nineteenth century cornice of reeding and acanthus leaves.

Stephen and Susan in the dining room.
Cut-veined white marble Classical-style chimneypiece, and to the left, the dining nook added by Susan’s parents.
A painting by Patita of Heathfield House, her childhood home, of herself with her mother and sister Binki. Her father Bertrim Bourke was killed in the First World War and she paints him as a ghost in his military uniform.
A painting by Patita of Enniscoe and her family, painted in the 1950s.

Next we went up to the bedrooms. Susan’s son DJ and his wife Colette help to run the guest house. The main bedrooms open off the oval top-lit landing. They are classically proportioned large rooms with canopy or four poster beds, all with en suite bathrooms.

One of the bedrooms available for Bed & Breakfast.
This unusual piece of Victorian style furniture is original to the house.

The bedrooms are on slightly different levels, since the newer part is of two storeys built on to the original three storey.

The doorcase in one of the bedrooms of the older section of the house. The shouldered doorcase is distinct from the doorcases of the newer rooms. Not pictured here is an unusual latch on the door. The latch could be opened from the bed. Susan had never seen such a contraption before until she came across one in Hampton Court in London!
This staircase in the older section of the house leads to the attic. The maids would have slept upstairs and the butlers downstairs, to keep them apart. In the past, the Pratts would have employed many people in the house, in the gardens, in the stables, where there was a forge, and on the farm.
A view on to the stable yard.
The stable yard.

After our wonderful tour, we headed over to the walled garden and the North Mayo Heritage Centre, which also provides a genealogy service. [11] It is a member of the Irish Family History Foundation, which provides a country wide service through the website RootsIreland. North Mayo Heritage Centre covers the northern half of County Mayo, and the Centre in Ballinrobe covers the southern half.

There is mature woodland around Enniscoe that supports a diversity of plant, insect and animal species.

The door to the walled garden has this lovely horse carving, the crest of the Jackson family.

The walled garden was restored in 1996-9 under the Great Gardens of Ireland Restoration Programme. The head gardener at Enniscoe from 1872 to 1912 was William Gray, who moved to Enniscoe from St. Anne’s in Clontarf, where he had worked on Benjamin Lee Guinness’s estate. Much of the present ornamental garden is much as it was in William’s day.

Enniscoe, County Mayo, by Maria Levinge, oil on board. Part of the exhibition of paintings of walled gardens in 2021 in the Irish Georgian Society [12].

Storyboards from the Heritage Centre, including a picture of the booklet which Susan gave me which gave me much of my information.

[1] https://www.buildingsofireland.ie/buildings-search/building/31303803/enniscoe-house-originally-inishcoe-house-prospect-co-mayo

[2] https://irishhistorichouses.com/2021/03/28/cabra-castle-kingscourt-county-cavan/

[3] https://www.irishtimes.com/life-and-style/homes-and-property/new-to-market/restored-1-75m-georgian-estate-in-co-meath-brought-into-the-21st-century-1.4630736

[4] http://thepeerage.com/

[5] https://www.dia.ie/architects/view/4559/ROBERTS%2C+JOHN+%5B1%5D#tab_works

Moore Hall, County Mayo, also attributed to John Roberts of Waterford. Photograph from National Inventory of Architectural Heritage.

[6] http://davidhicksbook.blogspot.com/

[7] Dictionary of Irish Biography, which contains an informative piece on Audley Mervyn. https://www.dib.ie/biography/mervyn-sir-audley-a5803

[8] p. 151. Great Irish Houses. Forward by Desmond FitzGerald and Desmond Guinness. IMAGE Publications, 2008.

[9] Guy Beiner’s book entitled Remembering the Year of the French (University of Wisconsin Press, 2007) discusses folk history and how this French incursion and the 1798 Rebellion in Mayo is remembered.

[10] https://www.buildingsofireland.ie/buildings-search/building/41400944/cornecassa-house-cornecassa-demesne-co-monaghan

[11] email: northmayo@gmail.com

www.northmayogenealogy.com

[12] https://irishhistorichouses.com/2021/09/24/an-exhibition-in-the-irish-georgian-society/