Portraits T-U-V

T

Nicholas Taafe, 6th Viscount Taafe, (1677-1769), Lieut.-General in the Austrian Army Date 1763 Engraver John Dixon, Irish, c.1740-1811 After Robert Hunter, Irish, 1715/1720-c.1803.
Richard Talbot (1630-1691), 1st Duke of Tyrconnell, Lord Lieutenant of Ireland for King James II, courtesy of National Gallery of Ireland. Portrait by Francois De Troy, court painter for James II while in exile.
Richard Talbot 1st Duke of Tyrconnel ”Tyrconel, Vice-Roy in Irelande’ courtesy of Adam’s auction 30 April 2013, A late 17th Century engraving.
Frances née Jennings (1647-1730), Vicereine of Ireland 1687-89, Duchess of Tyrconnell. She was married to Richard Talbot, 1st Duke of Tyrconnell (1630-1691). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Richard Talbot (1638-1703) of Malahide, painting attributed to Peter Lely, photograph courtesy of National Gallery of Ireland.
Frances Talbot (c.1670-1718) by Garret Morphy courtesy National Gallery of Ireland NGI 4150. She was the daughter of Robert Talbot, 2nd Baronet of Carton, County Kildare, and wife of Richard Talbot (1638-1703) of Malahide.
Frances Thomasine, Countess Talbot (née Lambart), (1782-1819), Wife of the 3rd Earl Talbot Date 1822 Engraver John Samuel Agar, British, c.1773-1858 After Charles Robertson, Irish, 1759-1821, courtesy of National Gallery of Ireland.
Colonel Richard Wogan Talbot (c. 1766-1849) 2nd Baron Talbot of Malahide, 1840 by Giovanni Battista Canevari, courtesy of National Gallery of Ireland.
James Talbot, 4th Baron Talbot de Malahide (1805-1883) by John Collier courtesy National Gallery of Ireland NGI 4654.
Maria Margaretta Murray (d. 1873), Lady Talbot, married to James 4th Baron Talbot of Malahide, by Thomas Lawrence.
Gertrude Talbot, Daughter of the 18th Earl of Shrewsbury, married 13th Earl of Pembroke in 1874, Adam’s County House Collections auction 12th October 2020.
James Napper Tandy (c. 1740-1819) when a French General, by James Petrie, Scottish, 1750-1819.
James Napper Tandy (1740-1803), United Irishman, by unknown artist, presented to National Gallery of Ireland by Mr. Parker 1872, object number NGI 429

Timothy William Ferres tells us in his wonderful blog [1]:

THE RT HON THOMAS TAYLOR (1662-1736), who was created a baronet, 1704, designated of Kells, County Meath, and sworn of the Privy Council in 1726. Sir Thomas wedded Anne, daughter of Sir Robert Cotton Bt, of Combermere, and had issue, THOMAS (1657-96) his heir;
Robert (Very Rev) (d. 1744), Dean of Clonfert;
Henry;
James (1700-1747);
Henrietta; Salisbury (married first William Fitzgerand, Bishop of Clonfert and second, Brig.-Gen. James Crofts, son of James Scott, 1st and last Duke of Monmouth); Anne.

Sir Thomas was succeeded by his eldest son, THE RT HON SIR THOMAS TAYLOR (1657-96), 2nd Baronet, MP for Maidstone, 1689-96, Privy Counsellor, who married Mary, daughter of John Graham, of Platten, County Meath, and left, with a daughter, Henrietta (who married Richard Moore of Barne, County Tipperary), an only son, 

THE RT HON SIR THOMAS TAYLOR, 3rd Baronet (1724-95), KP, MP for Kells, 1747-60, who wedded, in 1754, Jane, eldest daughter of the Rt Hon Hercules Langford Rowley, by Elizabeth, Viscountess Langford, and had issue,

THOMAS (1757-1829) his successor;
Robert, a general in the army;
Clotworthy (1763-1825) created 1st Baron Langford of Summerhill, he took the surname Rowley when his wife Frances Rowley inherited her uncle Lord Langford’s estate;
Henry Edward, in holy orders;
Henrietta (married Chambré Brabazon Ponsonby-Barker (1762-1834) of Kilcooley Abbey, County Kilkenny).

Sir Thomas was elevated to the peerage, in 1760, in the dignity of Baron Headfort; and advanced to a viscountcy, in 1762,as Viscount Headfort. His lordship was further advanced, in 1766, to the dignity of an earldom, as Earl of Bective.

Thomas Taylour (1724-1795) 1st Earl of Bective wearing the star and sash of the Order of St. Patrick by Gilbert Stuart and studio courtesy of Sotheby’s, Public Domain, https//:commons.wikimedia.org/w/index.php?curid=27947645.jpg
Reverend Henry Edward Taylor of Ardgillan Castle, County Dublin, who was a son of Thomas Taylour (1724-1795) 1st Earl of Bective.

In 1783 he was installed as a Founder Knight of St Patrick (KP), and sworn of the Privy Council of Ireland. His lordship was succeeded by his eldest son, THOMAS, 2nd Earl (1757-1829), who espoused, in 1778, Mary, only daughter and heir of George Quin, of Quinsborough, County Clare, and had issue: THOMAS (1787-1870) his successor;
George;
Mary; Elizabeth Jane.

Thomas Taylour (1757-1829) 1st Marquess of Headfort by Pompeo Batoni courtesy of Google Art Project By Pompeo Batoni – 9QE_ZzFPQzDZiQ at Google Cultural Institute, Public Domain, https//:commons.wikimedia.org/w/index.php?curid=29800995
Mary née Quin (the daughter of George Quin and Caroline Cavendish) The Marchioness of Headfort, wife of Thomas Taylour (1757-1829) 1st Marquess of Headfort, holding her Daughter Mary, 1782, by Pompeo Batoni, Google_Art_Project 6wGvrQuQJ1yERA at Google Cultural Institute, Public Domain, https//:commons.wikimedia.org/w/index.php?curid=29801821.jpg

His lordship was created, in 1800, MARQUESS OF HEADFORT.

The Taylour family became very much involved in the political life of the locality, and several members of the family served as MPs for Kells and the county of Meath. [1]

Captain Edward Richard Taylor of Ardgillan Castle, County Dublin.
Charles Thorpe (1772-1820) by engraver Patrick Maguire, photograph courtesy of National Gallery of Ireland.
Caroline Hamilton née Tighe (1777-1861), photograph courtesy of Hamwood house website.
Mary Tighe née Blachford (1772-1810) as sculpted by Lorenzo Bartolini ca. 1820, photograph courtesy of National Library of Ireland.
Theodosia Blachford née Tighe (c.1780) A self portrait, seated three-quarter length, with her children, Mary (1772-1810) and John (1771-1817) courtesy of Adam’s 2 April 2008. Theodosia was married to William Acton Blachford (1729-1773) of Altidore, County Wicklow, and she was the daughter of William Tighe (1710-1766) of Rosanna, County Wicklow.
William Tighe of Rosanna! Portrait by by Charles Jervas (c.1675-1739), courtesy of Adams auction 19 Oct 2021.
Mrs Sophia Tipping and her Daughter Wilhelmina Salisbury by Philip Hussey.
Theobald Wolfe Tone, courtesy of National Gallery of Ireland.
Charles Tottenham in his Boots (1685-1758), 1731 by James Latham. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Charles Tottenham Loftus (1737-1806), 1st Marquess of Ely by Hugh Douglas Hamilton. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Jane Tottenham-Loftus (née Myhill), 1740-1807, Marchioness of Ely. She was the daughter of Robert Myhill of Killarney, Co Kilkenny and she married Charles Tottenham Loftus 1st Marquess of Ely. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Portrait of Mary, daughter of Hamilton Townley, married Blayney Townley (Balfour) of Townley Hall, ENGLISH SCHOOL (MID 18TH CENTURY) courtesy Adam’s 11 Oct 2011.
John Henry Townshend (1827-1869). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Lieutenant-Colonel John Townsend, of the 14th Light Dragoons (d. 1845). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Reverend Horace Townsend (1750-1837). He was from the Townshend family of the Castle at Castletownshend, County Cork.
Richard Townsend (1725-1783), served as MP and high sheriff and lived at Castletownshend. He married Elizabeth Fitzgerald. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Elizabeth Townsend née Fitzgerald, wife of Richard Townsend. Elizabeth Fitzgerald was daughter of John Fitzgerald (1706-1741), 15th Knight of Kerry, and married to Richard Townsend (1725-1783). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I think this is a portrait of Henrietta Townsend née Newenham (1764-1848). She married Richard Boyle Townsend and was daughter of John Newenham (1738-1785) of Maryborough, County Cork and Harriet Vereker of Roxborough, County Limerick. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
George Townshend, (1724-1807), later 4th Viscount and 1st Marquess Townshend, also Lord Lieutenant of Ireland Engraver James McArdell, Irish, c.1729-1765 After Thomas Hudson, English, 1701-1779
George Townshend, 1st Marquess Townshend (1724-1807) by George Romney.
Louisa Anne Pakenham née Staples (1770-1833) and her sister Henrietta Margaret Trench née Staples (1770-1847) Countess of Clancarty (c.1770-1847) by Hugh Douglas Hamilton. Louisa was married to Thomas Pakenham (1757-1836) and Henrietta was married to Richard Power Keating Le Poer Trench (1767-1837) 2nd Earl of Clancarty. Their father was John Staples (1736-1820) of County Tyrone, and their mother was Harriet Conolly (1739-1771) of Castletown House, County Kildare. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A portrait of Mr Trench, dated 1920, from Loughton house sale, 2016, Shepphards. I’m not sure which Mr. Trench he is.
William Power Keating Trench (1741-1805) (later first Earl of Clancarty) by Hugh Douglas Hamilton (1739-1808), courtesy Adam’s 28 March 2012. He was the father of Frances Mary, who married Henry Stanley Monck, 2nd Viscount of Ballytrammon, County Wexford and 1st Earl of Rathdowne.
A portrait of Dora Agnes Caroline Trench (1858-1899) née Turnor, wife of Benjamin Bloomfield Trench, from Loughton house sale, 2016, Shepphards.
A portrait of Blanche Trench (1852-1937), from Loughton house sale, 2016, Shepphards. She was a daughter of Henry Trench and Georgiana née Bloomfield.
Frederick Trench (1755-1840) 1st Baron Ashtown from Loughton sale Sept 2016 by Shepphards. He was an uncle of Henry Trench who married Georgiana Bloomfield.
Stephen Trotter, King’s Inn, Blackhall Place. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Richard Turner, from “In Harmony with Nature, The Irish Country House Garden 1600-1900” in the Irish Georgian Society, July 2022, curated by Robert O’Byrne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

U

Colonel Robert Uniacke (1756-1802). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ann Upton (1664-1753) wife of William “Goodwill” Conyngham (1660-1721), daughter of Arthur Upton (1623-1706) of Castle Upton, County Antrim, courtesy of National Trust. Springhill, County Derry.
Sophia Ward, daughter of Michael Ward (1683-1759) of Castle Ward, County Down, who married Arthur Upton (1715-1768), by Charles Jervas, courtesy of National Trust, Castle Ward.
Emilia Olivia née Usher St. George (1759-1798), Duchess of Leinster, wife of 2nd Duke, 1780 engraver William Dickinson after Joshua Reynolds, courtesy of National Gallery of Ireland.
Mary Jenny Ussher (1682-1763), who married Richard Molesworth 3rd Viscount of Swords, Dublin. 14 Henrietta Street, Dublin, 10th September 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
James Ussher (1580-1656) Archbishop of Armagh aged 74 by Peter Lely, courtesy of National Trust Hatchlands.

V

Henry Vane-Tempest (1771–1813), 2nd Bt, the source of much of the Mount Stewart family income, as the 3rd Marquess married his heiress daughter. The portrait is by Peter Edward Stroehling. Courtesy of National Trust Mount Stewart, County Down.
Frances Anne (1800-1865) Marchioness of Londonderry, and her son George Herny (1827-1828) Viscount Seaham, by Thomas Lawrence, courtesy of National Trust, Mount Stewart. She married Charles Stewart later Vane, 3rd Marquess of Londonderry, and she was daughter of Henry Vane-Tempest (1771–1813), 2nd Bt.
Charles William Stewart (later Vane) (1778-1854), later 3rd Marquess of Londonderry, in Garter Robes, by James Godsell Middleton, courtesy of National Trust, Mount Stewart.
Alexandra Octavia Maria Vane (1823-1874), she married John Henry Reuben Dawson-Damer, 3rd Earl of Portarlington, of Emo in County Laois, and was daughter of Charles Willam Vane 3rd Marquess of Londonderry (son of Robert Stewart 1st Marquess of Londonderry) and Frances Anne Emily Vane-Tempest. The portrait is by James Godsell Middleton; courtesy of National Trust, Mount Stewart.
Elizabeth Jocelyn (1813-1884), Marchioness of Londonderry, wife of 4th Marquess of Londonderry, formerly Viscountess Powerscourt, wife of 6th Viscount Powerscourt, by James Rannie Swinton, courtesy of Mount Stewart National Trust.
Oil painting on canvas, Lady Edith Helen Vane-Tempest-Stewart née Chaplin, Marchioness of Londonderry, DBE (1878-1959) in Uniform of the Women’s Army Auxiliary Corps by Philip Alexius de László de Lombos (Budapest 1869 – London 1937), 1918. She was the wife of the 7th Marquess of Londonderry. Mount Stewart, County Down, June 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Edward Charles Stewart Robert Vane-Tempest-Stewart (1902–1955), Lord Stewart, 8th Marquess of Londonderry, as a Page at the Coronation of George V, 1911, by Philip Alexius de László. Mount Stewart, County Down, June 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Charles Vane-Tempest-Stewart (1852-1915), 6th Marquess of Londonderry. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Theresa Susey Helen Vane-Tempest-Stewart née Chetwynd-Talbot, Marchioness of Londonderry (1856-1919) by John Singer Sargent, Vicereine 1886-89, wife of Charles Stewart Vane-Tempest-Stewart, 6th Marquess of Londonderry. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Possibly a portrait of Hester Van Homreigh (1690-1723), Jonathan Swift’s “Vanessa,” courtesy of National Gallery of Ireland.
Mrs Letitia Pilkington (née Van Lewen), (1712-1750), Adventuress and Author Date: c.1760 Engraver: Richard Purcell, Irish, c.1736-c.1766 After Nathaniel Hone the Elder, Irish, 1718-1784.
Colonel Charles Vereker (1768-1842), Constable of Limerick Castle, later 2nd Viscount Gort, engraver James Heath after John Comerford, courtesy of National Gallery of Ireland.
The Vere Foster Family Date 1907 byWilliam Orpen, Irish, 1878-1931 courtesy of National Gallery of Ireland.
Elizabeth Vesey (1715?-1791) by unknown artist, circa 1770, NPG 3131 © National Portrait Gallery, London.
Portrait of Mrs. George Vesey and Her Daughter Elizabeth Vesey, later Lady Colthurst, 1816 by Jean Auguste Dominique Ingres (1780-1867). Location: Fogg Art Museum at Harvard University Massachusetts USA.
Elizabeth La Touche née Vicars (1756-1842), wife of Peter La Touche, by John Whitaker NPG D18415.
John Villiers (c.1684 – 1766) 1st Earl Grandison by Alan Ramsay.
Captain A. H. H. Villiers, Fota House, County Cork, August 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rosemarie Villiers and Children, Fota House, County Cork. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] http://lordbelmontinnorthernireland.blogspot.com/2013/07/virginia-park.html

Ardgillan Castle, Balbriggan, County Dublin

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

https://ardgillancastle.ie

Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

You approach Ardgillan Castle from the back, coming from the car park, facing down to the amazing vista of Dublin bay.

The approach to Ardgillan Castle with the view of Dublin Bay, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
The view of Dublin Bay from the front of Ardgillan Castle, March 2020. © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website tells us:

In 1658, the “Down Survey” records that Ardgillan was owned by a wine merchant, Robert Usher of Tallaght, Dublin and by 1737, the property had been acquired by the Reverend Robert Taylor, one of the Headfort Taylors, whose grandfather had collaborated with Sir William Petty on the mid 17th century “Down Survey of Ireland”. 

The grandfather mentioned is Thomas Taylor (1631-1682), who came to Ireland in 1652 to carry out the survey to evaluate the land confiscated after Cromwell’s campaign.

The Taylors owned Headfort House in County Meath. Later, part of Headfort became a school and part kept as a residence. The east wing was advertised for sale in November 2019. The Dining Hall has particularly fine stucco work by Scottish born architect Robert Adam (1728-1792), one of the family from which the term “Adamesque” takes its name.

Headfort House in Co Meath, photograph by Robert French, Lawrence Photograph Collection, National Library of Ireland. The house was built in the early 1770s by Irish architect George Semple with the interiors designed by Robert Adam.
Headfort, County Meath, photograph courtesy of Irish Georgian Society.
Headfort, County Meath, photograph courtesy of Irish Georgian Society.
Thomas Taylour (1757-1829) 1st Marquess of Headfort by Pompeo Batoni. He was the son of Thomas, 1st Earl of Bective. Picture courtesy of Google Art Project By Pompeo Batoni – 9QE_ZzFPQzDZiQ at Google Cultural Institute, Public Domain, https//:commons.wikimedia.org/w/index.php?curid=29800995
Mary née Quin (the daughter of George Quin and Caroline Cavendish) The Marchioness of Headfort, wife of Thomas Taylour (1757-1829) 1st Marquess of Headfort, holding her Daughter Mary, 1782, by Pompeo Batoni, Google_Art_Project 6wGvrQuQJ1yERA at Google Cultural Institute, Public Domain, https//:commons.wikimedia.org/w/index.php?curid=29801821.jpg
Headfort, County Meath, photograph courtesy of Irish Georgian Society.
Headfort Court, east wing of Headfort House, County Meath, photograph courtesy Savills, November 2019.

Robert (1689-1744) was the son of Thomas (1662-1736), the 1st Baronet of Kells, County Meath. Robert, a younger son, joined the clergy and according to the Ardgillan website, was a recluse and spent his time writing sermons. He became Dean of Clonfert, County Galway.

Robert died unmarried and the estate passed to his brother Thomas Taylour, the 2nd Baronet of Kells, County Meath. His sister Salisbury married a Bishop of Clonfert and secondly, Brigadier General James Crofts, son of James Scott the Duke of Monmouth, an illegitimate son of King Charles II!

Ardgillan remained the family home of the Taylors (later changed to Taylour) for more than two hundred years up until 1962 when the estate was sold to Heinrich Potts of Westphalia, Germany. In 1982, Dublin County Council purchased Ardgillan Demesne and it is now managed by Ardgillan Castle Ltd. under the auspices of Fingal County Council.

Originally named “Prospect House”, built on Mount Prospect (you can see why it was so called, with such a view!), the central section was built in 1738 by Reverend Robert Taylor, with the west and east wings added in the late 1800s. 

Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

The centre of the front is of two storeys with a threey storey bow in the middle. The house is crenellated, and there are arrow slits decorating the crow-stepped gables either side of the centre block, including cruciform arrow slits in the middle. There is hood moulding over the window and door of the central bow. Mark Bence-Jones writes in his A Guide to Irish Country Houses (1988) that over each window in the side wings a “Gothic cloak of battlements and pointed arches” was thrown. Below this Gothic cloak Bence-Jones writes that one discerns the Classical house.

IMG_2005
Ardgillan Castle, June 2020. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

The other side of the house has battlemented ranges and an octagon tower. [1]

IMG_2002
The back of Ardgillan Castle, Dublin, June 2020. © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website informs us:

Initially the site was heavily wooded, the name Ardgillan being derived from the Irish “Ard Choill” meaning High Wood. It was cleared out by service soldiers and itinerant workers in return for one penny a day, sleeping accommodation and one meal. 

The house consists of two storeys over a basement which extends out under the lawns on the southern side of the building. When occupied, the ground and first floors were the living accommodations while the west and east wings were servants’ quarters and estate offices. The basement comprised of the service floor, the kitchen and stores.

Thomas Taylour 2nd Baronet of Kells married Sarah Graham of Platten, County Meath. Their son Thomas was MP for Kells, County Meath, and was created 1st Earl of Bective, of Bective Castle, Co. Meath.

Thomas Taylour (1724-1795) 1st Earl of Bective wearing the star and sash of the Order of St. Patrick by Gilbert Stuart and studio courtesy of Sotheby’s, Public Domain, https://commons.wikimedia.org/w/index.php?curid=27947645.jpg
Platten Hall, County Meath, courtesy Thomas U. Sadlier and Page L. Dickinson’s Georgian Mansions in Ireland, published in 1915 by Ponsonby and Gibbs, Dublin.

In 1754 Thomas Earl of Bective married Jane, eldest daughter of the Rt Hon Hercules Langford Rowley, from Summerhill, County Meath. The house she came from was one of the most impressive of the time but unfortunately no longer exists. It was designed by Edward Lovett Pearce and completed by Richard Cassels in the Palladian style.

Summerhill, County Meath, entrance front, photograph: Maurice Craig, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

The Earl of Bective’s younger son Henry Edward Taylour (1768-1852) joined the clergy and he and his wife, Marianne St. Leger from Doneraile in County Cork, settled at Ardgillan. See my entry for Doneraile, which you can visit https://irishhistorichouses.com/2024/04/19/doneraile-court-county-cork-an-office-of-public-works-property/.

The 1st Earl of Bective’s eldest son Thomas was created 1st Marquess of Headfort and lived in Headfort House. Another son, Clotworthy, took the name Rowley when he succeeded to the Rowley estates in 1796, and was created 1st Baron Langford of Summerhill. Summerhill had been built 1731 for Hercules Rowley, MP, who inherited the estate from his mother, the daughter of Sir Hercules Langford, 1st Baronet.

The information board tells us that Reverend Edward Taylor and his wife Marianne settled in what was then called Prospect House, which they extended and renamed Ardgillan Castle. Reverend Taylor ministered to congregations in Howth, Malahide, Rush and beyond. He died on a family trip to Lake Como.

Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
By the front door, a bell pull, I think. © Jennifer Winder-Baggot, www.irishhistorichouses.com

We returned to Ardgillan in February 2022 and were able to see inside the castle. The entrance hall of Ardgillan has a little shop and visitors’ desk. Lovely plasterwork scrolls of foliage line the the inside of the arches that divides the room. A gothic arches pattern runs around the ceiling, which matches the glass door and window arch. The ceiling and wall arch are flanked by rounded pilasters. The fine ceiling rose is of acanthus leaves.

Entrance Hall of Ardgillan, with shop and visitor’s desk. There are lovely plasterwork scrolls of foliage along the inside of the arches and a gothic arches pattern around the ceiling which matches the glass door and window arch. The ceiling and wall arch contain flanking rounded pillars. The fine ceiling rose is of acanthus leaves. © Jennifer Winder-Baggot, www.irishhistorichouses.com

The drawing room has a fine marble fireplace.

The Drawing Room of Ardgillan Castle. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

Reveredn Taylor struck a deal with the Great Northern Railway company to build across his land. The information board tells us that as part of the deal, the family had permission to stop any train on the line for their personal use by waving a red flag at a purpose built halting spot!

I’m amused by the fact that the family could stop any train on the line for their personal use! © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, County Dublin with the Dublin and Drogheda Railway 1844, photograph courtesy of National Gallery of Ireland.

The house passed to Thomas Edward Taylor (1811-1883). He and his brother Richard, the sign board tells us, were educated in England, then joined the British Army. Thomas retired from the army aged thirty-five and focussed on a political career. He served as MP for County Dublin and was appointed party whip by Robert Peel. Later, he was a member of Queen Victoria’s Privy Council. He married Sarah Tollemache from England and they had five children.

Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

The dining room is the piéce de resistance, with intricately carved oak panelling by Italian brothers Guardocici dated 1889 featuring Taylor Family crest. Thomas Edward’s son Edward Richard Taylor (1863-1938) employed Italian woodcarvers to fashion the panelling, doors and furniture. He also had shelves by the Dublin firm Pim Brothers Ltd installed in the library.

Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
The door to the dining room is carved with the family crest and detailed pattern. © Jennifer Winder-Baggot, www.irishhistorichouses.com
The door frame features a head, and lion heads, which are continued in the wall panelling and the large cabinet. © Jennifer Winder-Baggot, www.irishhistorichouses.com
The matching cabinet in the dining room at Ardgillan Castle. © Jennifer Winder-Baggot, www.irishhistorichouses.com
The carved wall panelling in the dining room at Ardgillan Castle, by Italian brothers Guardocici dated 1889 featuring Taylor Family crest. © Jennifer Winder-Baggot, www.irishhistorichouses.com

The room also features a real stuffed bear!

Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

The fireplace in the dining room is also intricately carved.

Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

Edward Richard Taylor (1863-1938) took over the estate after his father Thomas Edward’s death in 1883. He also inherited lands in Skree and Slane in County Meath. He relied on his lands for income, so the Land Acts of the 1880s, by which tenants could purchase land, affected his finances.

Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

Edward Richard Taylor served as Deputy Lieutenant in Ireland, and Justice of the Peace in Balbriggan in Dublin. He served in the British Army, in the Boer War and the first world war. He married late in life and had no children.

Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

Since Edward Richard had no children he was succeeded by his brother Thomas’s son, Richard. It was Richard who sold Ardgillan.

The next room is the lovely library with the Pim Brothers shelves.

The library of Ardgillan Castle. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
We entered the library through a jib door of pretend books. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

The stairs to the upper storey are modest for such a house. Upstairs there are artists’ studios – how lucky they are, to have such a wonderful setting for their work!

The staircase of Ardgillan Castle – modest for such a house. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
I couldn’t resist putting on the armour. © Jennifer Winder-Baggot, www.irishhistorichouses.com

The basement is well-preserved.

Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stephen in The Butler’s Pantry at Ardgillan Castle. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website tells us:

Ardgillan park is unique among Dublin’s regional parks for the magnificent views it enjoys of the coastline. A panorama, taking in Rockabill Lighthouse, Colt Church, Shenick and Lambay Islands may be seen, including Sliabh Foy, the highest of the Cooley Mountains, and of course the Mourne Mountains can be seen sweeping down to the sea.

Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

The park area is the property of Fingal County Council and was opened to the public as a regional park in June 1985. Preliminary works were carried out prior to the opening in order to transform what had been an arable farm, into a public park. Five miles of footpaths were provided throughout the demesne, some by opening old avenues, while others were newly constructed. They now provide a system of varied and interesting woodland, walks and vantage points from which to enjoy breath-taking views of the sea, the coastline and surrounding countryside. A signposted cycle route through the park since June 2009 means that cyclists can share the miles of walking paths with pedestrians.

The Walled Garden was originally a Victorian-styled kitchen garden that used to supply the fruit, vegetables and cut ower requirements to the house. It is 1 hectare (2.27 acres) in size, and is subdivided by free standing walls into five separate compartments. The walled garden was replanted in 1992 and through the 1990’s, with each section given a different theme.

The walled garden at Ardgillan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
The website tells us: “The Vegetable Potager demonstrates the variety of vegetables that can be grown in shaped beds to create an attractive display. The Fruit Garden The Fruit Garden includes raspberries, red, white and black currants, gooseberries and fan-trained stone fruit on the walls. A collection of 30 old Irish varieties of apples, espalier-trained on wires, were planted in the year 2000. Varieties include: Scarlet Crofton (1500), Ballyfatten (1802) and Allen’s Everlasting (1864).” © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ardgillan Castle, Balbriggan, February 2022. © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Victorian Conservatory was originally built in 1880 at Seamount, Malahide, the home of the Jameson family, who became famous for their whiskey all over the world. It was built by a Scottish glasshouse builder McKenzie & Moncur Engineering, and is reputed to be a replica of a glasshouse built at Balmoral in Scotland, the Scottish home of the British Royal Family. The conservatory was donated to Fingal County Council by the present owner of Seamount, the Treacy family and was re-located to the Ardgillan Rose Garden in the mid-1990s by park staff.

The Department of Arts, Heritage and the Gaeltacht (DAHG) approached Fingal County Council in early 2014 to participate in a pilot project to develop and enhance skill sets in built heritage conservation, under the Traditional Building Skills Training Scheme 2014. The glass house/ conservatory at Ardgillan was selected as part of this project. The glass house has been completely dismantled because it had decayed to such an extent that it was structurally unstable. All parts removed as part of this process are in safe storage. This work is the first stage of a major restoration project being undertaken by the Councils own Direct Labour Crew in the Operations Department supervised by David Curley along with Fingal County Council Architects so that the glasshouse can be re-erected in the garden and can again act as a wonderful backdrop to the rose garden. This is a complex and difficult piece of work which is currently on going and we are hopeful to have the glasshouse back to its former glory as a centrepiece of the visitor offering in Ardgillan Demesne in the near future.

[1] p. 9, Bence-Jones, Mark.  A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.