Cill-Alaithe, Killala, Co Mayo 

Cill-Alaithe, Killala, Co Mayo 

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

p. 83. A two storey mansion of ca. 1900 with a small pediment in the centre of its entrance front, above a balustraded portico of pink marble columns wiht Romanesque capitals. Pedimented projection in side elevation.” 

https://www.buildingsofireland.ie/buildings-search/building/31203022/cill-alaithe-killala-killala-co-mayo

Cill-Alaithe, Killala, Co Mayo, courtesy National Inventory. 

Detached three-bay (three-bay deep) two-storey country house, built 1891-4, on a square plan centred on single-bay full-height pedimented breakfront with (single-storey) prostyle distyle Ionic portico to ground floor. Occupied, 1901; 1911. Sold, 1923. In alternative use, 1939-43. Sold, 1943. Sold, 1970. Sold, 1997. Restored, 1998. Sold, 2003. For sale, 2010. Now disused. Hipped slated roof on a quadrangular plan centred on lantern; pitched (gabled) slate roof (breakfront), clay ridge tiles, paired limestone ashlar central chimney stacks on limestone ashlar bases having cornice capping on thumbnail beaded consoles supporting yellow terracotta pots, and cast-iron rainwater goods on cut-limestone monolithic cornice on ogee consoles retaining cast-iron hoppers and downpipes. Rendered walls on benchmark-inscribed cut-limestone chamfered cushion course on snecked rock faced limestone plinth with rusticated limestone ashlar piers to corners. Square-headed central door opening behind (single-storey) prostyle distyle Ionic portico approached by flight of four cut-limestone steps with paired polished pink granite columns on plinths having responsive engaged columns supporting cornice on blind frieze below parapet, and timber doorcase with monolithic pilasters supporting dentilated cornice on consoles framing timber panelled double doors having sidelights on panelled risers below overlight. Paired square-headed window openings (first floor) with cut-limestone sill, and cut-limestone “bas-relief” surround with monolithic pilasters supporting archivolts centred on keystones framing one-over-one timber sash windows. Square-headed window openings (ground floor) with cut-limestone sill course, and cut-limestone surrounds with panelled pilasters supporting pedimented hood mouldings on blind friezes on fluted consoles framing one-over-one timber sash windows. Square-headed window openings (first floor) with cut-limestone sill course, and cut-limestone “bas-relief” block-and-start surrounds framing one-over-one timber sash windows. Interior including (ground floor): central vestibule retaining encaustic tiled floor, reclaimed cut-fossilised marble Classical-style chimneypiece, and plasterwork cornice to ceiling; square-headed door opening into hall with glazed timber panelled double doors having sidelights on panelled risers below overlight; hall retaining carved timber Classical-style surrounds to door openings framing timber panelled doors, and decorative plasterwork cornice to ceiling; Composite columnar screen into staircase hall; top-lit double-height staircase hall retaining diagonal timber boarded staircase on a dog leg plan with turned timber “spindle” balusters supporting carved timber banister terminating in finial-topped timber newels, Composite columnar screen to landing centred on lantern on panelled risers, carved timber surrounds to door openings framing timber panelled doors, and plasterwork cornice to ceiling; drawing room (south-east) retaining carved timber surround to door opening framing timber panelled door with carved timber surrounds to window openings framing timber panelled shutters on panelled risers, carved timber Classical-style chimneypiece, and decorative plasterwork cornice to ceiling on decorative plasterwork frieze; dining room (north-east) retaining carved timber surrounds to door openings framing timber panelled doors with carved timber surrounds to window openings framing timber panelled shutters on panelled risers, carved timber Jacobean-style chimneypiece, and decorative plasterwork cornice to ceiling; and carved timber surrounds to door openings to remainder framing timber panelled doors with carved timber surrounds to window openings framing timber panelled shutters on panelled risers. Set in unkempt landscaped grounds including terraces centred on flights of seven moss-covered cut-limestone steps. 

Appraisal 

A country house erected for Miss August Gertrude Knox (1846-1924) to designs by Richard Chaytor Millar (1844-1915) of Great Brunswick Street [Pearse Street], Dublin (Country Life 8th November 1902, –), representing an important component of the late nineteenth-century domestic built heritage of north County Mayo with the architectural value of the composition, one recalling the Millar and Symes-restructured Ballina House (1892-4) in Ballina (see 31303024), confirmed by such attributes as the deliberate alignment maximising on panoramic vistas overlooking terraced grounds with Killala Bay as a backdrop in the near distance; the compact near-square plan form centred on a pillared portico; the slight diminishing in scale of the openings on each floor producing a graduated visual impression with the principal “apartments” defined by Classically-detailed polygonal bay windows; the silver-grey limestone dressings demonstrating good quality workmanship; and the pedimented roofline. Having been well maintained, the elementary form and massing survive intact together with substantial quantities of the original fabric, both to the exterior and to the interior where a fossilised marble chimneypiece reclaimed from Rappa Castle [SMR MA030-019—-; Craig and Garner 1976, 41]; contemporary joinery; a top-lit staircase hall allegedly modelled after the Knox family seat at Castlereagh (see 31301418; Irish Independent 30th May 2003, –); chimneypieces; and decorative plasterwork enrichments, all highlight the considerable artistic potential of the composition. Furthermore, an adjacent stable complex (see 31203023); and lengthy walled garden (1894), all continue to contribute positively to the group and setting values of an estate having subsequent connections with the Killala-born Brooklyn-based attorney James H. Gilvarry (1876-1947); and Alexander “Alex” Knox Miller (1906-95) ‘[of] Cill-Alaithe…and Millbrook, Straidarran, County Derry’ (cf. 31203003). 

Cill-Alaithe, Killala, Co Mayo, courtesy National Inventory. 

 
http://landedestates.nuigalway.ie/LandedEstates/jsp/property-list.jsp?letter=C 

Described as ‘an Italianate country house’ (National Inventory of Architectural Heritage) built in the early 1890s, on the outskirts of the town of Killala, to the design of Richard Chaytor Millar, for Miss Augusta Gertrude Knox Gore. The grounds included a stable complex and walled garden. Sold in 1923 to James Gilvarry, a local man who had become wealthy in America. In the early 1940s it became the property of Alexander Knox Miller and is often known as ‘Miller’s House’. Since 1970 it has had a number of owners and is currently (2016) under restoration. 

Cill-Alaithe House  

Killala, Co. Mayo 
 

A car parked in front of a brick building

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The Entrance Front of Cill-Alaithe House, once home to Augusta Gertrude Knox Gore 
Photo dates from October 2014 
     Copyright ICHC 

Cill-Alaithe House is situated near the town of Killala, in Co. Mayo and was designed and built for Miss Augusta Gertrude Knox Gore in the 1890’s, a remarkable expression of independence considering the few rights that women had at this time. The house was constructed on the land of the nearby former Bishop’s Palace which had been purchased by her brother Sir Charles James Knox Gore, 2nd Baronet of Belleek Castle in 1874. Sir Charles died on the 22nd December 1890, unmarried with a personal estate valued at £70,339 2s 2d. As Sir Charles had died with no male heirs, the title of Baronet died with him, having only been awarded to his father twenty two years earlier. The estate at Belleek Manor and its land near Ballina, was entailed under the terms of Charles’s fathers will, and was thus divided between his older sisters. In the 1870’s the Knox Gore estate extended to over 22,000 acres of land in Mayo with a further 8,500 in Sligo.  However it was Sir Charles’s sizable personal fortune, which was not entailed, that provided Augusta with the independent means with which to build her own home.  

A tree in a forest

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The grave of Charles James Knox Gore and his dog Phizzie buried nearby 
in the demense of Belleek Manor overlooking the River Moy. It was the death 
of Charles and the money that Augusta inherited from him that allowed her to 
construct her home in Killala 
     Copyright ICHC 

Under the terms of this will Charles appointed a number of executors which included his sister Augusta Gertrude Knox. She was well provided for under the terms of the will, she received all her brother’s silver plate, linen, china, books, wines, liquors, furniture, household effects, guns together with all his carriages and horses in Belleek Manor. However he also left her a large sum of money, in the amount of £20,000, which would allow Augusta to construct the house in Killala. Charles also recorded in his will that he desired to be buried in the demesne around Belleek Manor, in an area that he had pointed out previously to Augusta. It is obvious that Charles held his sister in high regard, as once the finances of his estate were settled after his death, any residue was to be placed in a trust and the income paid to Augusta. She was the only trustee of her brother’s estate who had the power to appoint new trustees and it was she who had the final say over her deceased brothers investments, Charles also stated that Augusta had the right to reside at Belleek Manor for a period of six months after his death to allow her to make arrangements for a new residence for herself. Charles had left to his sister, Mrs Saunders ( who inherited Belleek Manor under the terms of her father will), the Warwick vase, two candelabra and the oak furniture in the castle. However if Augusta was refused by her sister the period of six months residence in the manor, Mrs. Saunders forsook these items, which causes one to think that relations were not good between the sisters. 
 

A castle on top of a building

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The Entrance Front of Belleek Castle, Ballina, Co. Mayo 
The home of Augusta Knox Gore before she built her home in Killala 
     Copyright ICHC 

Augusta Gertrude Knox was born circa 1846 and was the daughter of Sir Arthur and Lady Sarah Knox Gore of Belleek Manor outside Ballina, Co. Mayo. Augusta’s mother, Lady Sarah, whom Arthur Knox Gore married in 1829, was the daughter of Colonel Charles Nesbitt Knox of Castle Lacken near Killala. Arthur and Sarah’s marriage produced a family of two sons and six daughters. Sir Arthur, who became a baronet in 1868, brought the railway to Ballina and vowed that he would travel on the first train to arrive in the station in the town. He was true to his word, but he arrived contained within a coffin as he died in the Shelbourne Hotel in Dublin in 1873. Augusta was said to have be treated badly by her mother who preferred her other daughters and often let it known to the staff of Belleek Manor that the needs of her other daughters came before the needs of Augusta’s. As a result of this treatment in her childhood she grew up to be a very disagreeable woman in later life. It appears that Augsuta’s mother, Lady Sarah thought herself better than others in the extended family and landed classes in the locality at the time.  Augusta’s sister and Lady Sarah’s daughter, Agnes Frances Nina Knox Gore of Belleek Manor married Utred Knox of nearby Mount Falcon in 1875. However her mother Lady Sarah, in her estimation considered Utred’s family home, Hollywood House (also known as Mount Falcon as it was its predecessor), not suitable as a residence for her daughter having grown up in Belleek Manor. Utred had inherited £7,000 from his father but had to borrow a further £14,000 in order to complete a new house for his new bride. The new home was designed by the architect James Franklin Fuller, however the debt that Utred incurred worried himself and Nina for the rest of their married life. When Lady Sarah died aged 77 at Mount Falcon in 1888, she made no provision or bequest in her will to her daughter Augusta despite leaving an estate valued at £6,822 which passed in most part to her daughter Agnes Frances Nina Knox. Lady Sarah’s funeral was strictly private, was held at 4 am in the morning when she was buried with her husband in Belleek Wood under the monument designed by Fuller. Therefore Augusta, possibly in awe of her sister’s home at Mount Falcon and having grown up in Belleek Manor, would have had plenty of inspiration when it came to designing her own home in Killala. It is quite possible that Augusta had inherited her mother’s conceit and pretentious nature which now could be expressed with the inheritance received the from her brother. Augusta probably felt that the new house in Killala was necessary for someone of her social class considering the other homes of family members such as Belleek Manor and Mount Falcon. 
 

A castle on top of a lush green field

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Mount Falcon, Ballina, Co. Mayo, the home of Augusta’s sister Nina who married Utred Knox.  
Nina’s mother declared that a new house of stature had to be built as Utred’s previous home  
was not suitable for her daughter. Mount Falcon was therefore built by Utred in the 1870’s 
 to keep his mother-in-law happy. Copyright ICHC 

On the 16th May 1891, it was reported,in The Western People, that the contract had been awarded for the construction of a house for Miss Knox Gore in Killala at a cost of £8,000. What is interesting about the date is that is within the six month period mentioned in Charles’s will. In the same paper in the same month, a John Goode, a contractor based in Killala, placed an advertisement looking for a number of masons and stone cutters to help with the construction of an ‘extensive villa at Killala’. At this time Miss Knox Gore was lobbying the Board of Guardians of the nearby workhouse. Her solicitor, Mr. Garvey, told the board that Miss Knox Gore was ‘ anxious to attach portion of the workhouse grounds for the villa residence she intends to build on her property near the town’. While the board seen no issue with the request, they were concerned that it might have some effect on a proposal to turn the workhouse into an industrial training school in the near future.  

A car parked on the side of a building

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Cill-Alaithe House outside Kilala was built in the 1890’s to Augusta’s specification 
Photo dates from October 2014 
     Copyright ICHC 

One year later in June 1892, The Western People, reported that ’ the handsome mansion which Miss Knox is building for herself near Killala is drawing rapidly to a finish. It is a very imposing structure, and commands unrivaled marine and land views. We wish Miss Knox Gore many years to enjoy her new home’. The architectural firm who are are said to have designed the house were Millar and Symes, who were an architectural partnership based in Dublin, formed in 1874. It was recorded by the architect, R.C. Millar, in his diary that he made visits to other Knox homes, Mount Falcon and Castle Gore between 1892 and 1894. The house in Killala is said to have been built between 1893 and 1894, however as we can see from reports in the local press that the house was built between 1891 and 1892 however it could have been 1894 by the time the gardens and courtyard were completed. It is recorded that the architect was staying with the Knox family while he oversaw his West of Ireland commission. It is said that the Knox Gore’s instructed the architect to visit and incorporate ideas from ten of the stateliest houses in England. However the architect may have been inspired by the Knox’s own homes in Mayo, as the interior of the completed Cill Alaithe contains a chimney piece from Rappa Castle together with items from other Knox homes in Ballina. One of the fireplaces came from the residence of the Colonel King in Ballina, which is now the offices of Mac Hales Solicitors in the town. However over the years, I have heard other architectural historians imply that the house may have been the work of James Franklin Fuller, who had completed a number of projects for the Knox family in the previous years. Also the entrance gates to Belleek Castle were commissioned by Augusta’s brother, Charles, from Fuller the architect in the 1870’s together with a monument over the grave of their father. It should be noted that Charles purchased the land in Killala on which Augusta’s new house would be built in 1874. Would it be possible that Fuller had provided an outline design at that time in the 1870’s for the house in Killala which was later developed by Millar and Symes when it came to building the house in the 1890’s . However this is just conjecture as Fuller was notorious for destroying his own records. 

A picture containing building, table, chair, pier

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The top lit staircase in the Cill-Alaithe was said to have been inspired by another Knox home  
near Killala known as Castlereagh, which is now demolished. Photo taken in 2014 
     Copyright ICHC 

The top lit walnut staircase of the house in Killala was said to have been modeled on another Knox Family home at Castlereagh which was demolished in the 1930’s. The completed house in Killala is in the Italianate architectural style which would have been the height of fashion at the time. The house was named Cill-Alaithe, which is the Irish for the name of the town of Killala. At the time of the 1901 census, Augusta Gertrude Knox Gore is aged 54 and living in the house with a large number of servants, her income is derived from dividends and land, with her religion being described as Plymouth Brethren. Present in the house on the night of the census is Joseph Valentine Russell, a land steward, aged 31 and member of the Church of Ireland from Sligo. There is a headstone along the side avenue to the house in memory of Joseph who died in 1912 and is said to have been more than just a close friend of Miss Knox Gore, however one thinks this is unlikely considering the age difference. Joseph died on the 27th March 1912 , his death certificate records that he died of heart failure and that a Martin Divine was present at his death which occurred in Killala, he was aged 42 and his profession is listed as being a carpenter, Also present in the house at the time of the 1901 census were James Devine from Mayo aged 40, a butler, Mary Devine aged 47, the cook, Jane March aged 18, the house maid, Kate Reape aged 17, a laundress and Anne Canning aged 17, a dairy maid. All the servants were from Mayo and Catholic. The house is recorded at this time extending to 18 rooms with 41 outbuildings. By 1911, Cill Alaithe was inhabited by the Scott family, the head of the family John Scott is described as a labourer. Augusta at this time was residing with her sister in Coolcronaun near Foxford. 

A living room filled with furniture and a large window

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A bay window in one of the first floor windows which would have once 
overlooked the Italian gardens 
Photo dates from October 2014 

From reading newspaper reports from the time, it appears that Miss Knox Gore established a stud farm at Cill Alaithe which expanded rapidly from 1898 after the construction of the house. In 1901, it was reported that a horse by the name of Vertigo, bred by Miss Knox Gore, won the Aintree Feather Plate at the Liverpool meeting making this its third win in succession. In August of the same year, Miss Knox Gore’s horses, St. Moritz and Vertigo also won at the Windsor races. In 1906, a horse named Royal Arch ran at Kempton Park was bred by Miss Knox Gore. It was noted at the time that she was a famous horse breeder and had bred successful horses named Glenamoy and Nausicaa, who won at Lingfield in 1905. It was said that the sea air near Cill Alaithe was the reason behind the successful horses she bred. 

An old photo of a tree

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This image of the gardens surround Cill-Alaithe were featured in Country Life magazine in 1902, 
what is interesting above this image is that it would show the gardens soon after they were completed 
     Copyright ICHC 

The grounds surrounding the house are now in the process of being re-established after being over grown for decades but were once envied throughout Ireland and England. Miss Knox Gore had one of the finest collections of rare and exotic trees and at one stage employed four gardeners to keep it in check. Her collection of plants were in the landscaped grounds which she named her Italian garden was featured in Country Life Magazine in 1902. In the magazine, the garden was referred to being eight years old, which would indicate that it was complete by 1894. It was necessary when the garden was being constructed, that the perimeter was surrounded with a double beech hedge to provide protection to the plants from harsh weather. In the garden was planted magnolias, aralias, cordylines, hydrangeas, fuchsias and myrtles. When the French sailed into Killala in 1798, they brought three canons with them. One was left in Killala while the other two travelled with the French to Castlebar, and ended in the grounds of Raheen’s House in Castlebar, subject of an earlier post. It was said that up until the Civil War in Ireland this cannon sat on the lawn of Miss Knox’s house. However it was confiscated during the troubled times of the 1920’s in the mistaken belief that it could still be of some use. The man said to be responsible for the design of the gardens around Augusta’s house in Killala was Mr. John Leybourne, who was once the head garden in Belleek Manor prior to the death of Augusta’s brother Charles. After the departure of Augusta in the 1920’s from Cill-Alaithe, John continued to live in Killala until his death in 1930 and is buried in Ballysokeery graveyard. 

A picture containing outdoor, holding, white, grass

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This is possibly an image of Augusta Knox dating from 1902 in the garden of Cill-Alaithe House 
     Copyright ICHC 

By early 1919, Miss Knox Gore was beginning to divest herself of her holdings of land around Killala and in February of that year, the sale of eight farms owned by Miss Knox was advertised. W.M. Boland was instructed to sell lands at Public Auction at the Courthouse in the town on the 8th of February. It is also mentioned that farm implements and machinery in the yard of Cill Alaithe would also be sold. It says that the implements are by the best manufacturers and are only one year in use. James Gilvarry, a wealthy local man returning from the U.S. bought the house from  Augusta in 1923. She moved to Hadfod, Lon Llandegfan , Menai Bridge Anglesey in Wales and died there in October of 1924 and she is buried in Llandeyfan, Anglesey in Wales. Her will was probated in London in January 1925 by Frederick Hellewell Mills, a barrister and Ethel Theodora Pery. Miss Knox Gore’s estate was valued at £13,492 1s. When Augusta left Killala in 1923 she transported all her belonging from Killala in an old boat, and it is said that when it reached its destination, on the other side of the Irish Sea, that it had barely been unloaded when it heeled over and sank. 
 

An old photo of a forest

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The Italian garden beside Cill-Alaithe, the bottom photo dates from after the 1950’s 
as the palm trees ,present in the above photograph, are missing as they collapsed in a storm 
     Copyright Richard Longfield 

James Gilvarry did not live in the house on a full time basis but a man by the name of Michael Gilvarry, James’s brother, was in residence on occasion. James and his family did return from America to the house on numerous occasions during the summer months and their visits were often recorded in the press. In 1935, James’s daughter Mary Elizabeth was married in the chapel in Killala with the reception taking place afterwards in Cill Alaithe. During one summer in the house, the family entertained the Taoiseach W.T. Cosgrave, whom they also previously entertained in New York. On one occasion, Cosgrave on his return to Ireland from the United States had shamrocks picked from the grounds of Cill Alaithe and sent to James in Amercia as a thank you for his hospitality. In the newspaper The Brooklyn Daily Eagle in June 1936, it was reported that Mrs. James H. Gilvarry and her daughter, Miss Peggy Gilvarry of 66 Maple St., Brooklyn had sailed for Ireland on the Cunard Liner Britannic ( sister ship to the Titanic), to visit their summer home Cill Alaithe in Killala, Co. Mayo. They were to be joined by James H. Gilvarry Jr. who was a student of medicine at Trinity.  Mrs Gilvarry’s husband James would sail later in the month and would spend most of August in Irelandand on the continent. In 1938, James made front page news in New York when he was abducted by two armed men and his car stolen. The property in Killala then passed to James’ daughter Mary Flynn, who often listed the house as her address when advertising pedigree livestock for sale. She had married a man from Leitrim and was based in Ireland on a full time bases. Her father, James, possibly had to curtail his visits to Killala from America as a result of the outbreak of the Second World War. James H. Gilvarry died in 1947  at the age of 71, it was noted in his obituary that he was a lawyer and real estate broker, he died of a heart attack in the Court House in Manhattan.   

A close up of a map

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This OS Map shows the location of August’s Italian garden which occupied 
an area to the side of the house. 
     Copyright OSI 

In early 1941, the Sisters of the Marist Order arrived from France, Belguim and England  at the house in Killala to take refuge as their own convents had been damaged in the bombings during the Second World War. The house was occupied until 1942 by the group of nuns,when it was purchased by Alexander Knox Miller. He maintained the house in a good condition and was always happy to let anybody visit the house and grounds, provided they had asked permission. For a number of years, a local priest Father Guckian lived in the house in Killala, in a small flat. He looked after the house as Mr. Miller lived mostly in Millbrook, Co. Derry, where he still practiced the family profession that gave rise to his surname. In June 1954, there was a dispersal sale of livestock, which was advertised as taking place at Cill-Alaithe under Mr. Miller’s instruction. At the sale, one of the yearling heifers swapped one salubrious residence for another when it was purchased by Mr. P. F. Cooper of Markree Castle in Sligo. The last wedding to take place in this lovely house took place on 7th September, 1963, between Mr. Miller’s daughter, Felicity, and Richard Longfield, whose forebears came from Mallow, Co. Cork. Both groom and bride were graduates of Trinity College, Dublin.  

A boy standing in front of a house

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The green house that once existed to the rear of Cill Alaithe      Copyright Richard Longfield 
A house with trees in the background

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Side Elevation 
Photo dates from October 2014 
Copyright ICHC 

In 1970, Asahi, a local factory, purchased Cill Alaithe House, who intended to maintain the property for use by its employees. In 1988 Asahi granted Killala Community Council permission to lease the house to An Oige for use as a youth hostel. Over the following years the house changed owners a number of times. In 1997 the house appeared on the market for around €320,000 but after a number of bids it was sold to Johnny Mc Carthy for €400,000. During the time that the house was owned by Asahi, its condition deteriorated and original features were lost including the substantial glass house to the rear of the property. Mr. Mc Carthy restored the house, spending over €1 million euros, and placed it back on the market in 2003 for €1.5 million. In 2004, a planning application was lodged by the new owners to Mayo County Council to link the house with the stable block and also construct 72 bedrooms in an effort to turn the house in to a hotel. This plan never materialized and the house appeared again on the market in 2010. New owners were not forth coming as Ireland was in the midst of a financial crisis. In October 2014, the house was sold for €765,000 and the new owners have embraced the prospect of owning a property of this nature and have reinvigorated the house, stables and the gardens in a lavish fashion.   

NOTE :Please note that the text of this article or any of the photograph’s contained within may not be reproduced without the permission of David Hicks