Ballinterry House, Rathcormac, Co Cork

Ballinterry House, Rathcormac, Co Cork – accommodation

Ballinterry House, County Cork, photograph from National Inventory of Architectural Heritage.
Ballinterry House, County Cork, photograph from National Inventory of Architectural Heritage.

 https://www.facebook.com/BallinterryH/

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Ballinterry House Accommodation 
P: +353 (0)25 87835  or  +353 (0)87-6508555 
E: ballinterryhouse@yahoo.co.uk 

Frank Keohane writes in his Buildings of Ireland: Cork City and County that:

p. 21. “After the Williamite wars, landowners had the confidence to invest in their property and improve their estates, building new houses and offices, and creating enclosed landscaped demesnes. Of the minor gentry, most aspired to nothing more than a house that was solidly built, symmetrical and convenient. At first, middling houses were unsophisticated in their form and planning, often only one room deep but sometimes having a return containing a staircase or service rooms, thus forming an L-plan or T-plan. Steep gable-ended roofs were almost universal, hipped roofs and the use of parapets the exception. This arrangement continued throughout the 18th century for gentry houses, and well into the C19 for larger farmhouses. Early examples include Ballinterry (Rathcormac), Velvetstown (Buttevant), Rosehill at Ballynacorra (Midleton) and Aghadoe at Killeagh.” [9]

Mark Bence-Jones writes of Ballinterry House in A Guide to Irish Country Houses (1988):

p. 290. “(Barry/IFR) An early C18 house built on the site of a castle which in 1699 belonged to Andrew Morrough or Murragh, an attainted Jacobite; the house was until comparatively recently surrounded by old fortifications including four round towers, of which one and the fragments of another survive. Gable ended main block of two storeys with attic lit by windows in gable-ends; five bay front, originally seven bay, the windows on either side of the centre having been blocked up; presumably in the late Georgian period, when the other windows of the front appear to have been reduced in size and the interior walls rearranged. Simple fanlighted doorway. Original grass terrace with flagged pavement along front. Two storey return wing; central projection at rear of main block containing late-Georgian stairs with balustrade of plain sturdy wooden uprights. Stairs now open to hall; formerly separated from it by screen of C18 panelling with Gothic fanlight, now removed to first floor lobby of wing. Bought 1703 by the 4th Earl of Barrymore [James Barry (1667-1747)]; afterwards passed to the Ross family and then by marriage and descent to the Ryders and Henleys successively. From 1821 to 1862 the home of Archdeacon (“Black Billy”) Ryder, remembered for his part in the “Gortroe Massacre” in 1834, a tragic episode of the Tithe War. Ballinterry is now the home of Mr Hurd Maguire Hatfield, the stage and screen actor, who has carried out a sympathetic restoration of the house [who sold it to the current owners, Michael and Anne in 2007].” 

James Barry (1667-1747) Lieutenant Colonel and 4th Earl of Barrymore, National Trust, Public domain, via Wikimedia Commons.

The interior extensively damaged by a fire in 1991. Michael and Anne bought the period propety as a restoration project and realised it would be suitable for taking guests. An article in the Irish Times on Oct 3 2013 by Ellen Lynch tells us about the renovation:

Michael and Ann spent three years taking up rotting floors, dismantling partitions, uncovering windows and other original features, and taking the house “back to the future” by renovating and modernising it in a way which was wholly sympathetic to its origins.  

In December 2007, without power and with no floorboards, the couple had no choice but to decamp with their young children to a cottage in outbuildings on the property. They moved back in during the spring of 2009.

They managed to complete the work with the help of a conservation architect and the encouragement and blessing of Cork County Council’s conservation officer, Mona Hallinan. The Georgian Society declared it one of the most sympathetic restorations they’ve seen.  

Ann credits Michael’s unerring eye for detail and his capacity for hard work in bringing everything together to make Ballinterry House what it is today – a splendid country house with a truly authentic feel.

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