Clonmannon, Rathnew, Co. Wicklow

Clonmannon, Rathnew, Co. Wicklow

Clonmannon House (Old), County Wicklow, Photograph courtesy of National Inventory of Architectural Heritage.

– plans for retirement home 

Mark Bence-Jones.  A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

p. 87. “(Truell/LGI1912) A late C19 house with a frontispiece rather similar to that of Mount Kennedy. Among its outbuildings is a remarkable little building of brick, with a pedimented and pilasters on a rusticated lower storey; it is rather in the manner of Inigo Jones and would appear to date from late C17 or early C18 and to have been part of an earlier house.” 

Clonmannon, County Wicklow, photograph courtesy of sale advertisment.
Clonmannon, County Wicklow, photograph courtesy of sale advertisment.
Clonmannon, County Wicklow, photograph courtesy of sale advertisment.

https://www.buildingsofireland.ie/buildings-search/building/16402501/clonmannon-house-old-clonmannan-co-wicklow

Clonmannon House (Old), CLONMANNAN, County Wicklow 

Detached six-bay two and a half-storey over basement country house, built c.1700. The house is constructed in brick with rubble stone to the basement. The house was originally symmetrical with a three bay wing either side of the three-bay breakfront. The wing to the south side was demolished in the early part of the 20th century and was replaced with a crude single-storey addition. The breakfront front has a rusticated base; to the first floor there are pilasters which support a pediment with an elliptical window opening to the tympanum. The panelled door is set within a flat-headed opening. Window openings are generally flat-headed with six over six timber sash frames. The pitched roof is finished in natural slate with cast-iron rainwater goods. The chimneystack has a slightly corbelled cap with clay pots. The building is set within a well wooded demesne. 

Appraisal 

This late 17th century or early 18th century Classical style brick house is reminiscent of the work of Inigo Jones. It is important both for its great age and the quality of the original design. It is marred by the loss of the southern wing but remains a valuable heritage asset. 

Clonmannon, County Wicklow, photograph courtesy of sale advertisment.

https://www.irishtimes.com/life-and-style/homes-and-property/the-princess-and-the-palladian-mansion-1.2545382

Feb 25, 2016 

By Barbara McCarthy 

Irish-born princess has reigned for 40 years over her 17th century house which was once part of the Chester Beatty estate  

Princess Frances Colonna di Stigliano has reigned over Clonmannon for more than 40 years. She and her first husband purchased it from the Chester Beatty estate in 1968. 

At her 17th century sprawling home close to Ashford, Co Wicklow, the first striking impression is her glorious garden, containing tropical plants, lakes, bridges and wonderfully carved wooden furniture, shining brightly despite the wintry bleakness. A winding avenue eventually leads to the Palladian mansion on a small hilltop, to be met by the princess and her one-year- old much-loved Dalmatian, Kabul Two. 

“Its lovely isn’t it,” she says as we stand outside her 300-year-old redbrick house. “I used to work as an auctioneer on Merrion Row, just off Baggot Street: that’s how I came across the place. When we bought it, it came with 600 acres and the big house over there,” she said, pointing towards a large Georgian mansion, which was built by the Tuelle family in the 18th century. 

According to the original sales catalogue from James Adam & Sons from May 14th, 1968, oil paintings, a library of books and “curious objects of art & vertu” were also sold with the estate, though clearly the lady of the manor has injected much of her own style into both the home and the gardens. 

Ms Colonna, who was born Frances Loftus in Connemara, lived in the bigger Georgian mansion with her first husband Kenneth Wilby and their three children for her first years on the estate. Later her eldest daughter Jayne was married briefly to the Carnarvon heir. His family seat is the Jacobethan style Highclere Castle, Berkshire, UK, better known to TV viewers as Downton Abbey

Clonmannon, County Wicklow, photograph courtesy of sale advertisment.

Recording studio 

After Ms Colonna and her husband separated, she sold off parts of the land, including the Georgian house, which had been built in 1780 by the wealthy landowning Truell family. After the Colonna’s sold it in the 1980s, it became the focal point of a retirement village that never quite got off the ground. 

The village comprised the main mansion, 46 retirement bungalows and 24 acres of land. People who purchased leaseholds were offered packages including a nursing home and dining and social facilities in Clonmannon House. 

Here they could avail of a grand communal drawing room, dining room, library and billiards room. It was planned to deliver a comprehensive scheme of care, but it failed to live up to expectations and ran into financial difficulties in the early 1990s By the turn of the century, it had gone into liquidation three times. In 2001, it was turned into an unauthorised recording studio, and at one point the retirement village was owned by a consortium. But little is known of the main house now. “Its very elusive,” a local business owner said. “As far as we know the nursing home is gone, there are only a handful of people left in the cottages.” 

Ms Colonna shakes her head when asked about the house, just a few hundred metres from her own. 

“I know the previous owners built it because this house became too small for them, but I’m not quite sure what happened to it after we sold it. I know there was quite a lot of controversy,” she adds. “But it was a great party house. We had lots of parties up there, it was a great spot for entertaining in those big old rooms.” 

Set in a wooded demesne, it is a little more modest than the latter, especially after the south wing was demolished in the early part of the 20th century and replaced with a single-storey annex. 

“When we moved down here in 1984, the house was in ruins. We did it up using salvage materials, some of which came from the Hibernian Hotel in Dublin.” 

By “we”, she is referring to her husband, Florentine prince Prospero Colonna (of an Italian noble family made powerful in medieval and Renaissance Rome, supplying a pope and other religious and political leaders), and their two daughters, who are now both in their 30s. 

Clonmannon, County Wicklow, photograph courtesy of sale advertisment.
Clonmannon, County Wicklow, photograph courtesy of sale advertisment.
Clonmannon, County Wicklow, photograph courtesy of sale advertisment.
Clonmannon, County Wicklow, photograph courtesy of sale advertisment.
Clonmannon, County Wicklow, photograph courtesy of sale advertisment.
Clonmannon, County Wicklow, photograph courtesy of sale advertisment.
Clonmannon, County Wicklow, photograph courtesy of sale advertisment.
Clonmannon, County Wicklow, photograph courtesy of sale advertisment.
Clonmannon, County Wicklow, photograph courtesy of sale advertisment.
Clonmannon, County Wicklow, photograph courtesy of sale advertisment.
Clonmannon, County Wicklow, photograph courtesy of sale advertisment.

“We met while I was training horses in Wicklow,” she explains. Unlike many country houses, the house is warm, without the usual brittle window frames, cold bathrooms, Superser heaters and indoor breezes you come to expect. 

The long kitchen table between the fireplace and the window provides a great spot for tea, but we don’t hang around. “I’ll show you around the house; you must see the dungeon downstairs,” she says, as we wander through the drawingroom and dining area on the ground floor, romantic and quirky rooms, yet homely, with some lovely Italian pieces from her husband’s side of the family. 

“This is the fun room. We used to have lots of parties down here,” she says, as we walk down wooden stairs to the basement room, dominated by a large oval table and red velvet chairs. 

“Cromwell’s army used to hang their clothes to dry by the fireplace after battle.” 

Tented ceiling 

Back on the landing and up the main stairs, a delightful sittingroom with twin wing back armchairs and a large fireplace awaits. It is reminiscent of a country house parlour. The first floor boasts opulent guest bedrooms with bottled water and glasses on the bedside tables and panelled bathrooms. 

On the next level again there are more bedrooms decorated in bright yellow and blue, with fabric walls and ceilings and another drawing room with a fireplace. 

Clonmannon, County Wicklow, photograph courtesy of sale advertisment.

On the top floor is a particularly impressive step-up bath, with a tented ceiling and large Italian beds adding to the general ambience. “We haven’t done anything to it since we did it up 30 years ago,” she says. 

There are many endearing features throughout the house; and in particular paintings by her daughter Vittoria Colonna, an award-winning Irish film director living in Los Angeles. 

They decorate the walls along the unused stable at the back of the house, converting the small bungalow by the gardens into a kind of art gallery. “There’s no electricity in here,” she says of the small house. “Which is fine, we use candles when we have people in.” 

For Princess Colonna, her passion is her garden, where she works most days. “I’m out every day. But we need to do more for the bees. It’s so important to have the right plants for bees to be able to pollinate.” 

Clonmannon, County Wicklow, photograph courtesy of sale advertisment.
Clonmannon, County Wicklow, photograph courtesy of sale advertisment.
Clonmannon, County Wicklow, photograph courtesy of sale advertisment.
Clonmannon, County Wicklow, photograph courtesy of sale advertisment.

Paddy Rossmore. Photographs. Edited by Robert O’Byrne. The Lilliput Press, Dublin 7, 2019. 

“The Truells of Clonmannon were a clerical family, beginning with the Rev. Hold Truell (b. 1701) who for many years served as both a rector and as justice fo the peace. Despite marrying twice and having several children, he was outlived only by his younger son, the Rev. Robert Truell: it was either he or his own son, Robert Hold Truell, who was responsible for funding a school in the vicinity of Clonmannon. By that date the famiily had moved out of the property seen here into a larger residence close by. Paddy’s photograph shows the centrepiece of an earlier house, the date of its construction unknown. Stylistically the two-storey and three-block is indebted to the early seventeenth century English architect INigoJones. On the other hand, its design has been attributed to Dubliner Michael Wills who was a cousin of the Truells, and a date of c. 1755 proposed for its construction. Although the basement is of rubble stone, the rest of the building is in brick with rusticated groundfloor and then pilasters on the upper storey supporting a pediment with an elliptical window at its centre. Originally it was flanked on either side by recessed three-bay wings with raised basements but that to the south was demolished in the early part of the last century and replaced with a single-storey extension, thereby giving the house an unfortunately lop-sided appearance. However, happily it still stands and remains in use as a private dwelling.” 

Clonmannon, County Wicklow, photograph courtesy of sale advertisment.
Clonmannon, County Wicklow, photograph courtesy of sale advertisment.

For sale July 2022 

€1,500,000 

A charming red-brick built house dating back to c.1700 constructed in the style of famed architect Inigo Jones and previously owned by philanthropist and collector Chester Beatty. Clonmannon is built upon and forms part of an original Norman Keep in an elevated position overlooking its beautifully landscaped grounds with mature specimen trees, rolling lawns and ornamental lakes of approx. 10 acres. Extending to approximately 430 sq. m / 4,630 sq. ft. over four floors the historical appeal and overall period charm of Clonmannon cannot be overstated. The original front door opens into an impressive entrance hall with timber columns to the right of which is the drawing room with attractive marble fireplace opening through to a study. To the left of the entrance hall is the full depth party room, with large open hearth, ideal for entertaining. A flight of steps leads to the kitchen with exposed beamed ceilings and raised fireplace with solid fuel burner. There is a back door onto the sunny rear courtyard from here. Further ground floor accommodation includes a utility room, office and a flight of steps down to the dramatic dungeon style dining room with open fireplace. On the first floor return is a bright and sunny living room with a wood burner and lovely far reaching views across the grounds. To the right is an attractive double bedroom and bathroom also with lovely views. There is a traditional nursery to the front of the house with two small single bedrooms adjacent, and another bathroom. Ascending another flight of stairs there are two large double bedrooms in the eaves space with wonderful timber beams, both with en-suite bathrooms and an abundance of storage space. There are period features throughout this incredibly interesting home to include timber sash windows, working shutters, original polished brick floors etc. The grounds of Clonmannonare particularly special with a sunken yard laid out with multiple loose boxes to the rear with historical stone walls dating back to the time of Cromwell. Now covered in concrete, underneath are said to be the original cobbles. In addition there is a gallery / studio which provides for an ideal events space to the back of the yard while there are also 4 WCs, including one disabled bathroom for larger parties. An old Cromwellian loo can be found at the end of the ‘studio’ while there is also an old lime kiln, and stone bridge, both wonderful focal point of the grounds. Electric security gates provide access to Clonmannon with the gravelled avenue meandering through rolling lawns, flower borders and a number of lakes with a multitude of seating areas spanning the grounds which have clearly been developed over the years with passion. A particularly attractive feature is the Japanese style bridge in likeness to that of Monet’s at Giverny while there is a purpose built barbeque area overlooking the water providing for further entertaining opportunities. There is an irrigation and pump system installed to water the grounds during the dry months taking water from the ponds. There are 25 acres of forestry adjoining Clonmannon which can be purchased by separate negotiation, perhaps for grazing horses as the property once operated as a stud farm. Clonmannon is situated less than 600m from Clonmannon Bay Beach for which it has direct access, 7km from the village of Ashford and approximately 10km from Wicklow town. There are useful local amenities in Wicklow town while Ashford is a charming village through which the Vartry River flows on the way from Roundwood to Wicklow’s Broadlough, and where the Mount Usher Gardens and visitor centre are a sought-after amenity. The village has a choice of neighbourhood shops, two schools and good leisure facilities including the Devils Glen Equestrian Centre in the grounds of nearby Glanmore Castle. For film maker enthusiasts, the hugely successful Ashford Studios is just 4.5km away. The Roundwood Lakes, Glendalough and Brittas Bay are all within easy driving distance; with world-class golf available at Druids Glen and hunting with the Bray Harriers. DART services at Bray and Greystones allow easy rail access to Dublin City Centre (approx. 40 minute drive) while the motorist is facilitated by the N11 nearby. Dublin Airport is approximately 68km / 1hr drive (traffic dependent). 

Clonmannon, County Wicklow, photograph courtesy of sale advertisment.
Clonmannon, County Wicklow, photograph courtesy of sale advertisment.

Accommodation 

Note: Please note we have not tested any apparatus, fixtures, fittings, or services. Interested parties must undertake their own investigation into the working order of these items. All measurements are approximate and photographs provided for guidance only. 

Features 

  • Period features throughout 
  • Timber sash windows with working shutters 
  • Sunken yard with multiple loose boxes 
  • Gallery / studio space with guest WC facilities 
  • Approx. 10 acres of manicured grounds 
  • Direct access to beach 
  • Gas fired central heating & well 
Clonmannon, County Wicklow, photograph courtesy of sale advertisment.
Clonmannon, County Wicklow, photograph courtesy of sale advertisment.
Clonmannon, County Wicklow, photograph courtesy of sale advertisment.
Clonmannon, County Wicklow, photograph courtesy of sale advertisment.
Clonmannon, County Wicklow, photograph courtesy of sale advertisment.

Ballynure, Grange Con, Co Wicklow

Ballynure, Grange Con, Co Wicklow 

Mark Bence-Jones.  A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London. 

p. 27. “(Carroll/LG1863) A two storey stucco faced early C19 house of four bays between pedimented ends. Horizontal panels over central upper windows.” 

https://www.buildingsofireland.ie/buildings-search/building/16402004/ballynure-house-ballynure-demesne-grange-con-co-wicklow

Ballynure House, BALLYNURE DEMESNE, Grange Con, County Wicklow 

Detached seven-bay two-storey with attic country house, built c.1800. The building consists of a five-bay centre block flanked by gabled single-bay projections, with corresponding projections to the rear as well as a roughly central stairwell bay, and a large part gabled part flat-roofed extension of the later 20th century. The walls are finished in rough render, (much of which has worn away to reveal the rubble construction), with granite surrounds to the squat attic windows to the front. The slated pitched roof has an overhang with bracketed eaves which is arranged as a pediment to the gabled projections to the front and rear, whilst the tall granite chimneystacks have various corbelled courses and uniform pots. The entrance consists of a largely glazed timber door with decorative leaded sidelights and segmental fanlights and panelled jambs. The windows are generally flat-headed and filled with six over six timber sash frames, however the front projections have tripartite frames with panelled mullions with decorative console brackets. At attic level to the front there is a row of squat windows with top-hung frames. Cast-iron rainwater goods. The house is set within an extensive demesne. 

Appraisal 

Well preserved late Georgian country house set with distinctive roof overhang. One of the county’s more memorable examples of early 1800s architecture. 

featured in Great Irish Houses. Forewards by Desmond FitgGerald, Desmond Guinness. IMAGE Publications, 2008. 

p. 56. “Ballynure is a very fine medium-sized house hidden away on a rise of grassland among stands of mature trees in the Wicklow foothills. Its delightfully distressed facade, which adds to the intimate feel of the place, disguises a perfectly restored interior. The house looks East with a wonderful view towards the Wicklow mountains. 

It was David Reid Scott, 61, who inherited the “bankrupt farm and lovely Georgian house” and turned around its fortunes. He grew up in Ballynure and, over the years, saw his family struggling to maintain it. He was young and ambitious and headed for the City in London to make his name and, of course, to make some money. He loved the place and never had any doubt he wanted to save the house that had been in his family “forever.” Ballynure was in his blood. 

The name itself is something of a mystery. Ballynure may be derived from Baile an iubhair – the homestead of the yews – but in the 18th century itsnamed often appeared in maps as New House. It is possible, then, that the name is a mistranslation from English into Irish and that a new house may have become An Yew House. 

What is known, however, is that Cistercian monks from Baltinglass Abbey farmed the fertile lands around the house and built the first house there, a simple farmhouse. Following the dissolution of the monastery in 1541, Queen Eliz I granted Ballynure and its lands to Sir Henry Harrington. The family did not occupy all the land and some of it may have been separated off as freehold. In about 1617, under James I, some of it was granted to the Carrolls. Later that century, they extended the farmhouse. “The original house was probably no more than two upand two down over a cellar,” Reid Scott explains. “It was extended in Jacobean style and became the residence of the Carrolls.” 

They were a typical Anglo-Irish family who lived on the estate but sent their children off to be educated in England. They were well off, but not rich. In about 1800, however, they decided to enlarge the Jacobean house. Although the architect is not known, the Carrolls adopted the villa design of the day and opted for a late Georgian style. By about 1810, the new house had been built around the Jacobean core. 

Today, Ballynure is a beautifully proportioned seven-bay structure over three storeys with two large pedimented ends. The pattern of rooms is perfectly symmetrical. No basement was added to the original cellar. The principal architectural features are the lovely cornices on the ground floor and a fan window over the front door that is matched by one over the inside entrance to the stairway. “Thank God the Victorians never got their hands on it,” says Reid Scott. 

The last of the Carroll family to live here was Henry Carroll, who was educated at Eton and Oxford and went on in 1826 to become High Sheriff of the county. He died childless and in the late 19th century Ballynure passed to relations, the Mitchell family from Scotland. James W. Mitchell lived there until his death in 1914, when he was succeeded by his son, Major Wilmot Mitchell of the 14th Hussars. His son, Christopher Mitchell, David Reid Scott’s grandfather, inherited Ballynure, but he preferred the world of horses to the [p. 59] conservation of Georgian houses. He helped to develop Punchestown racecourse, was a senior steward of the Turf Club and an active member of the Kildare Street Club, but Ballynure suffered as a result. “He was a doyen of the local hunting and racing scene,” Reid Scott says simply. 

He saw his grandmother struggling to keep Ballynure financially viable. “My grandmother did her best to look after the house,” he adds. “She used to disappear into the gardens and when she got back she’d notice another piece of furniture or picture had vanished; sold to the Dublin dealers, usually with most of the proceeds to be invested in another horse.” 

David’s mother died in a hunting accident when he was six and his father of cancer when he was twelve. He had to grow up quickly. The City was an obvious solution, a way of turning the tide and taking control of his home. He worked in New York for White Weld and had a spell in Saudi helping them invest their oil wealth while he built up some handy tax-free savings. “I adored the place and knew I wanted to keep it on. I helped out my grandmother financially when I could.” 

He was 28 when his grandmother died in 1976, aged 84, and he inherited the house outright. He cut back the expenditure and started the restoration process on a very limited budget. In 1995, however, after a successful decade building a business, he sold his company. “I made some decent money,” he says. And the major work started [p. 61] on Ballynure. Five years later and the roof was secured, the walls had been replastered, doors and shutters replaced, and new heating and electricity systems had been installed. The original 19th century walled garden is now a paddock. The present garden around the house, with its herbaceous borders and banks of hydrangeas, have been designed and planted over the last twelve years. 

The next step was to redecorate the house, a task which Clare Reid Scott, his wife, has performed with sympathetic good taste. Sadly, most of the furniture had been sold off to solve the house’s financial problems. David’s first wife, who was French, had some beautiful family furniture that she brought to the house. David has collected the rest at auction and through dealers. On the wall of the hall is a lively portrait of David, a modest man who has made the house once again a flourishing family home. 

“Ballynure is a happy place,” says David. “Those who come have always felt that the house provides a wonderfully warm welcome.” 

[picture caption: The front hall looking towards the sitting room with its original pillars and cornicing.] 

[a view of the sitting room and the original 18th century white marble fireplace.] 

[a pair of 18th century “Baigneuses” (bathers) adorn the top border of the garden.] 

[the farm buildings were built shortly after the house] 

Lodge, Puckaun, Co Tipperary 

Lodge, Puckaun, Co Tipperary 

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

p. 189. “(Studdert/IFR) A plain and slightly irregular two storey five bay late C17 or early C18 house, enlarged mid-C18 by the addition of two one bay wings rising above the centre to the height of an attic storey; one of them with a gable treaded as a pediment and adorned with an eagle and urns; the other with a pediment to match. Each wing had a Diocletian or lunette window above two Venetian windows. The gable has now lost its embellishments and both of the semi-circular attic windows have been blocked up; the surround of one still shows.” 

https://www.buildingsofireland.ie/buildings-search/building/22401407/lodge-house-lodge-killodiernan-pr-tipperary-north

Lodge House, LODGE (KILLODIERNAN PR), Tipperary North 

Detached five-bay two-storey house, built c. 1700, remodelled and extended, c. 1750, with addition of single-bay flanking wings and addition to north-east end of rear. Now disused. Pitched slate main roof with pitched and hipped later roofs, with rendered chimneystacks. Rendered walls, with limestone quoins to north-east flanking bay. Venetian-style tripartite sash windows to wings with blocked lunettes to upper gables, all with dressed limestone block-and-start surrounds. South-west wing retains gable front. Six-over-six pane timber sash windows with limestone sills in square-headed openings elsewhere, those of north-most bay being at different level to rest of façade. Square-headed doorcase with carved limestone surround and cornice and having timber panelled door with ornate overlight. Outbuilding to east with pitched corrugated-iron roof and rendered walls. Concrete block extensions with artificial slate roofs being added to rear. 

Appraisal 

This unusual house of irregular plan is a very notable feature on the rural landscape due to its size and form. Its façade is enlivened by features such as the Venetian windows, carved doorcase, and limestone dressings. Some internal plasterwork also remains. It is obviously a house with a history of several centuries and as such is one of the oldest buildings in the district. 

Lagore, Dunshaughlin, Co Meath

Lagore, Dunshaughlin, Co Meath

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London. 

“(Thunder/LGI1958) A single-storey house of five bays, with projecting end bays.” 

Not in national inventory 

Record of Protected Structures: Lagore Lodge 

A very attractive small 3 bay single storey house. Dated from 1705 but would appear to be nearer 1800. 

Lagore House, townland: Lagore Little, town: Dunshaughlin 

A single storey house of 5 bays with advanced end bays. Incl Outuildings. 

http://meathhistoryhub.ie/houses-k-p/ 

Lagore is located just east of Dunshaughlin, not far from Ratoath. Lagore House was described as a fine modern house in the 1830s. The gatelodge at Lagore is attributed to the renowned architect, Francis Johnson.  

The Boltons family held the position of rector of Ratoath for nearly a hundred years. Henry Bolton was appointed in 1677 and he was succeeded in 1688 by Dr. John Bolton, who resigned in 1720 and was succeeded by Richard Bolton, who held the position until his death in 1761. A close relative, Thomas Lee Norman, then became rector.  

John Bolton was appointed Dean of Derry in 1699. Swift hoped for the position but it is said he would not pay the bribe involved in securing the position. John Bolton died in 1724.  

Robert Norman, M.P. for Derry 1733 married Sarah, daughter of Very Rev. John Bolton of Lagore. Their son, Thomas, was born in 1715 succeeded to Lagore. The daughter of Thomas, Florinda, married Charles Gardiner and they became the parents of Luke Gardiner, who developed much of Dublin’s Georgian north-side. Thomas was succeeded by his son Robert, who died without an heir in 1771.  

In 1799 the lands were transferred to the Thunder family. The Thunder family were a merchant family in Dublin before acquiring lands at Balleally, Lusk, Co. Dublin. When Lagore was acquired Ballaly was retained as a dower house.  Michael Thunder of Ballaly, Co. Dublin was the father of Patrick Thunder of Lagore. In 1798 Patrick married Elizabeth Taaffe of Smarmore Castle. Dr. Plunkett, Bishop of Meath, stayed with Patrick Thunder at Lagore when he visited Ratoath on his visitation of the diocese in 1800 and again in 1819. There was a private oratory in the house.  

Patrick Thunder died about 1827 and was succeeded by his eldest son, Michael. Michael Thunder born in 1802, was High Sheriff of Meath in 1850. He married Charlotte Mary D’Alton in 1834. Their eldest son, Patrick, succeeded opt the estates and the second son, Michael settled at Sencehelstown. Michael served in the Rutland Regiment and retired from the army in 1864 as a Lieutenant. In 1837 Lagore House was described as a handsome residence in a richly wooded demesne, abounding with stately timber.  

In 1839 William Wilde and George Petrie visited Lagore House to see the artefacts which had been dug out at the site of the crannog in Lagore bog.  

Michael’s eldest son, also Michael succeeded him on his death in 1875 but only lived for four years longer and so the estate went to Patrick Thunder. In 1876 Michael Thunder of Lagore held 1,065 acres in Meath but the family also held lands in Westmeath, Kildare and Dublin amounting to a total estate of 2,002 acres. 

Patrick Thunder of Lagore and Ballaly, Co. Dublin, was born in 1838. In 1871 he married Mary Anne de Penthony O’Kelly. Their son, Michael was born in 1874. In 1870 there was a family vault erected in the grounds of Ratoath Church. Patrick Thunder died in December 1912. 1n 1901 Patrick Thunder owned Lagore but it was resided in by Higgin Holmes Chippindall. Patrick and his family were residing at Balleally. 

Picture 785899014, PictureMichael Thunder  

Michael Thunder, son of George Thunder of Lagore, was killed during World War I. a member of the Royal Flying Corps he died as a result of an accident in 1916. Wing commander Michael Dalton Thunder of Lagore in the RAF was the first man to fly non-stop from Ceylon to Perth in 1943. 

In 1926 the untenanted lands of Patrick Thunder were acquired by the Land Commission. The house and surrounding lands were held by the family until November 1941 and they held onto a lodge which they still owned in the 1960s. 

Mrs. Claudia Burgoyne and her son Major Mark Teeling Watters purchased Lagore House and lands from the Thunders in 1941. Major Watters had returned from WWII.  The estate had a dairy and a modern bottling plant. Mrs. Burgoyne moved to St. Mary’s Abbey, Trim. Mr. Clements purchased Lagore. In August 1952 a fire destroyed the building. A modern house was erected on the site by the Walsh family. In 1956 the O’Hare family purchased Lagore. 

Shannon Grove, Pallaskenry, Co Limerick 

Shannon Grove, Pallaskenry, Co Limerick 

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London. 

p. 258. “(Bury/IFR; Waller/IFR; Armitage/LG1969) A very distinguished small early C18 house by the side of the Shannon estuary; begun ca 1709 by John Bury and completed ca 1723 by his son William; the architect seems likely to have been one of the Rothery family. Of two storeys over a basement, with a dormered attic in the high pitched roof. The entrance front and the front facing the river are both of five bays; but whereast the entrance front has a fairly simple doorcase with a segmental pediment (dated 1709), the river front doorcase (dated 1723) is splendidly baroque and incorporates a cartouche of arms; and it stands at the head of a much more impressive flight of steps than the entrance door does, owing to the basement being much higher on this side; doubtless a precaution against flooding. The roof is crowned with two tall and massive chimneystacks of patterned brickwork. All the main rooms have fielded panelling and there is a staircase of fine joinery with alternate barley sugar balusters. The house is flanked by two “L” shaped detached wings, with mullion and transom windows. Originally these wings had curvilinear gables on the entrance front. Shannon Grove was for some years post WWII the home of Mr and Mrs R.W. Armitage. It is now the home of Mr and Mrs John W. Griffith.” 

https://www.buildingsofireland.ie/buildings-search/building/21900308/shannongrove-shannongrove-co-limerick

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Detached five-bay two-storey over basement country house, built c. 1709 and completed in c. 1723, with extensions to sides. Hipped roof with dormered attic and two tall chimneystacks of patterned brickwork. Square-headed window openings. Simple doorcase with segmental pediment to entrance front dated 1709, Baroque styled doorcase to garden front dated 1723 with a flight of steps leading to it. Roughcast rendered walls. House flanked by two L-shaped detached wings with mullion and transom windows. Pigeon house to east of house with a honeycombed in terior. 

Appraisal 

This is a very distinguished early eighteenth-century house, which was begun by John Bury and completed by his son, William, was designed by an architect who may have been one of the Rothery family. It is a highly significant house in terms of its style, along with the decorative elements such as the doorcases and the tall, massive patterned brick chimneystacks. It is sited significantly on the south shore of the Shannon estuary and the different doorway treatment on the river side underlines the importance of the riverine elevation. The survival of the pigeon house adds further technical interest in terms of the honeycombed interior which survives in this demesne related building. 

https://archiseek.com/2016/1709-shannon-grove-co-limerick

1709 – Shannon Grove, Co. Limerick 

Completed around 1709 in a Dutch-Palladian style, Shannon Grove is a fine medium sized Irish country houses. It has a central block with small symmetrical wings, and particularly fine brick chimneys. Possibly constructed by mason John O’Brien for landowner John Bury. 

http://landedestates.nuigalway.ie/LandedEstates/jsp/property-list.jsp?letter=S 

Originally the home of the Bury family, Earls of Charleville, overlooking the Shannon estuary. The Ordnance Survey Name Books record this house as four-storied, built in 1709. Bence Jones dates this house from the early 18th century. Lewis writes that Shannon Grove was the old family mansion of the Earls of Charleville and “now the residence of Bolton Waller”. Bolton Waller held the property in fee in the early 1850s when the buildings were valued at £43 and the demesne was over 400 acres. Bought by John Sheehy of Askeaton in 1860 and remained in the possession of his descendants until the mid 20th century. The house is still extant and occupied.   

Woodbrook, Portarlington, Co Laois

Woodbrook, Portarlington, Co Laois

Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London. 

p. 285. “(Wilmot-Chetwode/LGI1912) A two storey five bay late-Georgian house with a fanlighted doorway; extended at the back by a lower wing linking it to a three storey bow end block with a four story polytonal tower. Recently the house of Mr and Mrs Denis Quirke.” 

Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.
Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.

https://www.buildingsofireland.ie/buildings-search/building/12800403/woodbrook-house-coolnavarnoge-and-coolaghy-county-laois

Woodbrook, Portarlington, County Laois courtesy National Inventory.

Detached five-bay two-storey late-Georgian house, built c.1820, with two-storey lower returns to rear. Double-pitched and hipped slate roofs with nap rendered chimneystack and profiled cast-iron rainwater goods with lion mask motifs. Nap rendered walls with ruled and lined detail, limestone plinth and sill/stringcourse to first floor. Square-headed window openings, set into recessed arches to ground floor level, with limestone sills and three-over-six and six-over-six timber sash windows. Diastyle Doric portico to entrance with timber door and wrought-iron fanlight over. Timber panelled internal shutters to window openings; vaulted ceiling to porch with coffers having plaster centrepieces. House set back from road in own grounds; landscaped lawns to site; gravel drive and forecourt to approach; sandstone step to entrance. Group of detached rubble stone outbuildings to site. Detached gate lodge to site (12800404). 

https://www.buildingsofireland.ie/buildings-search/building/12800404/woodbrook-house-woodbrook-demesne-coolnavarnoge-and-coolaghy-co-laois

Detached gable-fronted gate lodge, built c.1880. Double-pitched slate roof with decorative red clay ridge tiles and limestone ashlar chimneystack on a hexagonal plan. Nap rendered rendered walls, painted, with limestone ashlar pediment to gable. Square-headed window openings with limestone sills and timber casement windows. Timber door. Interior not inspected. Gatelodge set back from road in grounds shared with main house at right angles to road; landscaped lawns surround lodge; gravel drive to front. Gateway to site comprising group of limestone ashlar piers with flanking walls having round-headed recessed niches and wrought iron gates and railings. 

Woodbrook, County Laois courtesy National Inventory.
Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.
Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.
Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.
Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.
Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.
Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.
Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.
Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.

https://www.independent.ie/life/home-garden/homes/the-house-that-begat-gullivers-travels-is-not-for-the-little-people-26446253.html

July 8 2007 

I’VE said it before and I’ll say it again. Some homes are born great while still others have greatness thrust upon them. In the case of Woodbrook House in Portarlington, however, it happens to be both. 

I mean, check out the history on this one for a start. The Woodbrook Estate came into being on the marriage of Knightly Chetwood (do you think he was bullied?) to Hester Brooking at St Michans Church in Dublin in 1698. 

By 1713, Knightly, now doubtless Knightrider, befriended Jonathan Swift and a long friendship began. In fact, Swift travelled to Woodbrook frequently, and used it as his weekend retreat where the bulk of ‘Gulliver’s Travels’ was written in the library. 

To think that Swift, like all men with ideas above their Luas station, spent many an hour musing on the little people in this very room. Sure don’t we all. 

Not content with being born great, Woodbrook House then began to have greatness thrust upon it in the form of extensive and sympathetic restoration, most of which has occurred in the last three years. 

This home is now back to its 18th century glory with a bang. In fact a wing from this century, complete with a four storey tower that was banjaxed in the 1970s (weren’t we all) has now been reinstated. 

The restoration has been massive and systematic. All roofs have been replaced using 18th century slate where required, timber sash windows, rewiring, oil fired heating system, new plumbing and sewage system, broadband, alarms – you name it, it’s been done. 

My favourite is the Canadian hot tub on the tower roof terrace – the perfect place from which to ponder awhile about those that have less. 

With a reception hall, stair hall, six reception rooms, orangerie, a master bedroom suite with twelve further bedroom suites and a selection of offices and stores on offer, it is difficult to see who wouldn’t want to buy this home. 

Whether thinking of a commercial or private use or both, quite frankly, Woodbrook House is simply the best. Carpe diem. 

For further information contact Savills Hamilton Osborne King 01 663 4350 or visit www.savills.ie 

https://laoishouses.wordpress.com/2021/08/21/woodbrook-portarlington/

Probably where Swift wrote part of Gulliver’s Travels

Woodbrook since the rebuilding by Ray Simmons. Image Courtesy of JJ Dunne NBD Photography
As it was in 1980

In 1918 Walter Strickland wrote an article on Woodbrook in the Journal of the County Kildare Archaeological Society , Vol. IX., which is available as a download at the end of this article. As he had access to the Chetwood papers, his account is unlikely to be ever bettered.  In summary Knightley Chetwood acquired the lands that had belonged to his wife’s family on his marriage to Hester Brooking in at St Michan’s Church in 1698 (something that he appears to have overlooked when they separated later in life).  There was probably an existing building on the site as he was writing from Woodbrook in 1712.  By 1715 he had engaged builders and was consulting his father-in-law’s friend Jonathan Swift about the gardens.    He had the usual problems that anyone has when building a house, such as when the brick layer, John Mulloy, disappeared with the property of other tradesmen on the site.    It is hard to make sense of the drawing reproduced in the Kildare Archaeological Society of the 18th century house.    There is a very grand neo-classical doorway, perhaps taken from one of the seven architects’ designs (including one by James Gandon) that Valentine Knightley Chetwood commissioned pre 1771 that were not executed due to Valentine’s death that year – it has a slight resemblance to Gandon’s design for the entrance to the Rotunda.  That door is said to be where the 5 storey tower is in the later building. In Colum O’Riordan’s House and Home, describing the Chetwood drawings at the Irish Architectural Archive, he describes the ground floor survey of 1770 as showing “a warren – a vaguely L shaped building with an indeterminate number of accretions around an older core”

A drawing of the pre 1815 house that was reproduced in the Kildare Arch. Journal in 1918

In the late 1790s or early 1800s part of Woodbrook was destroyed by fire.   Jonathan Chetwood, working with the architect James Shiel, rebuilt it about 1816, building the present entrance and hall, the dining-room and drawing-room, and changed the entrance from its former position facing the lake. The library and range of rooms beyond, including the great kitchen, part of the old house, remained though portions of the upper part were afterwards altered by Edward Wilmot Chetwood and his successors, who also added the tower on the side facing the lake, near where the old entrance had been.   Elizabeth Hester Chetwood, granddaughter of Crewe Chetwood, (a younger brother of Valentine Knightley Chetwood of Woodbrook), married Robert Rogers Wilmot and had a son Edward Wilmot who took the name Chetwood in 1839 when he inherited Woodbrook.

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The old kitchen was a large room with an arched fire-place at one end, and at the opposite end a great dresser filling the whole wall. On the top of this dresser are painted these lines : BE CLEANLY.  HAVE TASTE.  HAVE PLENTY. NO WASTE.

The west wing kitchen at Castletown House, Kildare – the quote from Matthew is Conolly’s response to the servants’ imprecation on the opposite wall “Give Us This Day Our Daily Bread”
The Galleried Kitchen at Strokestown House 

The gallery which ran around the side was put up in 1858 by Lady Janet Wilmot Chetwood, in order, it is said, that she might be able to visit and superintend her kitchen without going down stairs and along the passage leading to it.  In the 1940s the poet John Betjeman stayed often and fell in love with the house, and its galleried kitchen (from which the mistress could drop the menu of the day to the cook below).

Jane(tta) Erskine had married Edward Wilmot-Chetwode in 1830, the year after her father John Thomas Erskine, 25th/8th Earl of Mar had  OD’ed on opium.  The fifteen 1840 murals, which had been attributed to Edwin Hayes, were commissioned for her to remind her of Scotland.   Hayes, now known as a great marine artist, was also a noted set painter and created highland castle murals.  There are very similar murals by Hayes at Manor Kilbride in Wicklow (which was designed by Cobden for George Ogle Moore circa 1843).    However the estate agents marketing the house in 2022, Conway Estates, state recent research proved them to be the work of Scottish artist David Ramsay Hay . It is one of 3 complete rooms of his work known to survive the others being 73 Lower Baggot Street, Dublin 2 and the staircase hall at Preston Hall in Scotland . 

Murals by Hayes at Manor Kilbride, Wicklow

There was a vaulted room beneath the study, accessed through a trapdoor.  This is where the historic correspondence with the Duke of Marlborough, the Duke of Chandos, Swift and others was stored in trunk.  Fortunately the Swift letters had been transcribed in 1856 for Swift’s biography.  The rest were destroyed by damp.

The Land Commission took over the 250 acre estate from the 100 year old Gladys Chetwood- Aiken in 1965  “The richly planted and picturesque lawns” described in Thomas Lacy’s 1863 “Sights of Our Fatherland” rapidly disappeared beneath the subsistence  farming dictums and dictates of Oliver J and Dev.  In 1969 Oliver J had the sale of 300 excellent ash beech and elm trees and 6 tons of cut beech at Woodbrook Demesne.

blob:https://aguidetoirishcountryhouses.wordpress.com/022b3285-44c5-4347-b361-204299828046

Denis Quirke, who had already devastated the demesne of Bert House with his notions of prairie stud farming, bought the house and 100 acres, and cleared even more of the tree and hedges, destroying the largest heronry in Ireland. The Quirkes sold in 1976, and Denis Quirke died soon afterwards. 

The 1840 OS map vs an aerial view of 2000

In the 1970s the devastated demesne featured in an IGS exhibition in Portlaoise called “Open Your Eyes”.   Few did.   The new owners were an absolute disaster area, whose idea of restoration was to demolish pretty much everything apart from Shiel’s 1816 villa – the great kitchen and all the original 1700s building were turned into rubble.   Such dumb dolts and blockheads should be confined to spaces where they can’t do too much damage. The truncated house was bought by Jim and Brenadette Robson who offered elegant country house accommodation to tourists, long before Ireland’s Ancient East was fashionable.

The emasculated building in the 1990s
The 1816 vaulted front hall with its inlaid floor, probably of oak, photographed in the 1990s

The historian and photographer Robert Vance viewed Woodbrook  “Many moons ago”  He writes “The OS showed woods and an ornamental lake within the acreage to be sold. On arrival I saw the woods were clear-cut and the roots had been used to fill in the lake. The parkland was now overgrown with rushes. The farmer pointed out the stump of a walnut tree he had cut. It had been planted by Jonathan Swift 250 years previously.  The early buildings, servants’ wing and stables were left as a vast pile of brick, rubble and nettles behind the house.” 

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The very shook remains struggled on and it was for sale again in 1990 for £200,000  and then again in 1998, for €550,000

The current owner, Ray Simmons, has rebuilt a replica of the demolished part of the house and planted trees.

https://proper.ie/property/Laois/Mountrath/WOODBROOK%20HOUSE,%20WOODBROOK,%20MOUNTRATH/16408524338949159042

Sold 10th May 2019 for just €260,000 

Family tree see Crewe Chetwode b. 1710 

€2,750,000 on 29/6/22 

An impressive and substantial late Georgian house comprising 2 and 3 storeys privately set within its own lands . Extensive any sympathic restoration over the last number of years included the rebuilding of a mid 18th century wing complete with 4 storey tower and undertook much of the structural repairs necessary but repairs in some parts of the residence are incomplete.

Woodbrook House represents an opportunity for a potential purchaser to complete and decorate the house to their liking and perhaps would consider a commercial use subject to the necessary planning consents . Approx. 39 ha / 98 acres with the laid out to pasture and tillage interspersed with maturing parkland trees.

About 1,398 square meters/ 15,078 square feet comprising in brief : reception hall, stair hall, 6 reception rooms, kitchen, Orangerie, Master Bedroom Suite, 12 further bedroom suites, a number of offices and stores. Gate Lodge ( 1 bedroom ), large selection of stone outbuildings and yards and two walled gardens. •

Portarlington 4km • Emo 7.5km • Portlaoise 16km • Kildare 14km • Dublin 80km • Dublin Airport 60-minute drive • The Heritage Killenard Hotel & Golf Club 5 minute drive • Ballyfin House 25 minute drive • The K- Club 50 minute drive • The Curragh Racecourse 25 minute drive • Punchestown Racecourse 45 minute drive (times approximate)

History The Woodbrook Estate came in to being on the marriage of Knightly Cherwood to Hester Brooking at St. Michael’s Church Dublin in 1698 . Hester brought 620 acres of land and Tinakill Castle with her as a dowry and in 1700 the couple set upon building a residence there . A letter dating as early as 1712 describes “the continued building works and improvements” to the property. In 1713 Cherwwod befriended Jonathan Swift when the latter returned to Ireland as Dean of St. Patrick’s. A long friendship and correspondence ensued . Swift travelled frequently to Woodbrook, using it has his weekend retreat , and it is here in the library he penned much of Gullivers Travels. Unfortunately, as with many of Swifts friendships, he and Cherwood had a falling out and spent their latter years not speaking to each other. On February 17th 1752 , Chetwood died in London.

His son Valentine, who in 1758 was High Sherrif of Co. Laois , succeeded him. He in turn passes away in 1771 and was succeeded by his son Jonathan . The family continued to reside on the estate until 1963 until the blood line ran out .

The original house was a modest 2 storey property comprising drawing room, ding room, library and 4 bedrooms, but like many Irish country houses embellished as family circumstances allowed.

Entrance Hall; with ornate domed ceiling. Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.
Entrance Hall; with ornate domed ceiling, Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.

In 1750 a grander 3 storey wing was added incorporating a 4 storey tower.

A fire in 1790 saw the demise of the drawing room but cleared the way for the now existing Regency wing.

The drawing room houses a collection of wall paintings depicting scenes of Scottish Castles, created to remind the new Mrs. Cherwood, a daughter of the Earl of Mann and descendant of the Kings of Scotland, of her homeland. The paintings, executed in the style of Watteau, remain intact to day and have only recently been proved to be the work of Scottish artist David Ramsay Hay. It is one of 3 complete rooms of his work known to survive the others being 73 Lower Baggot Street, Dublin 2 and the staircase hall at Preston Hall in Scotland.

Drawing room: with original grey marble fireplace. Suite of oil paintings by David Ramsy Hay depicting scenes of Scotland . Wired for phone , smoke alarm and music.

Suite of oil paintings by David Ramsy Hay depicting scenes of Scotland, Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.
Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.
Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.
Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.
Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.
Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.

Dining Room ; with original Kilkenny marble fireplace. Silver cupboard. Wired for phone. Smoke alarm, music and service bell to kitchen .

Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.
Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.
Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.
Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.

Staircase Hall: with ornate ceiling and decorative arched window .

Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.
Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.
Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.

Library: with original fitted bookcases including a “secret door “ and original Kilkenny marble fireplace. Wired for phone, smoke alarm. Music and tv Breakfast Room; with original Kilkenny marble fireplace. Wired for phone, smoke alarm and music.

Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.
Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King..
Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.
Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.
Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.
Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.
Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.
Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.

Kitchen: with full range of bespoke cupboards and granite counter tops . Full range of integrated appliances including two oven Aga, 4 electric ovens, twin microwaves, twin dishwashers, 5 ring gas hob, twin 6ft refrigerators. Trapdoor to vaulted 17th Century cellar . Wires for phone, smoke alarm and music. Galleried Hall: over lit by ornate dome. Grey a marble fireplace . Wired for phone, smoke alarm and music. Billiard Room : with fireplace . Wired for phone, smoke alarm and music. Study : Anteroom with fireplace leading to octagonal study . Wired for phone, smoke alarm and music. Orangerie : with double glazed pvc roof . 4 pairs of timber double doors with fanlights opening to south facing garden. Master suite with fireplace . Wired for phone, smoke alarm, tv and security lights on the grounds. Leading to dressing room and master bath plumbed for bath separate shower, wc, twin whb, twin heated towel rails. 12 further bedrooms all with bathrooms ensuite . Smoke alarm and phone. All ensuites plumbed for bath/shower, wc, whb and heated towel rail . A selection of offices and store rooms including strong room. Gardens and grounds At the entrance to the estate there is a Gate Lodge with a kitchen, living room, shower room and mezzanine bedroom . Extensive yards behind the house comprise a large range of stone outbuildings in varying repair, some benefit ting being re roofed in natural slate. Immediately beyond these yards lie 2 walled gardens. The lands are laid out to pasture and in crop and benefit from extensive tree planting (c 1,000) throughout the estate including a very impressive avenue of Lime trees and planting to reestablish the parkland lost in the 1970’s. Also filled in around this time was a large lake in the field off to the right of the avenue and north and east of the house which could possibly be reinstated . Fixtures & Fittings A full inventory is available on request and separate negotiation. Title Freehold Title Protected Status Woodbrook House is a listed protected structure . 

Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.
Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.

Synopsis of restoration work to date Extensive and sympathetic restoration has been undertaken in the last number of years to restore the property to its former 18th Century glory and reinstate the 18th Century wing complete with 4 storey tower that was lost in the 1970’s . Great effort has been taken when restoring , rebuilding or replacing to use materials sympathetic to the original craftmanship of the house . The schedule of works to date to the main house include ; restoration and replacement of all roofs using reclaimed 18th Century slate where required: replacement of all windows with traditional timber sash windows, reinstating the original hand spun 18th Century glass where possible and taking the opportunity to install a “Ventrolla” draught exclusion system to all windows .

Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.

The current owner undertook much of the structural repairs necessary but repairs are incomplete; complete rewiring with 5 separate zones ; installation of new gas fired heating system with 5 separate zones; insulation of new plumbing with 2.5 bar pressure to power showers to all bedroom suites; installation of a new well with all bathing water passing through a water softener system; installation of a “Puraflow” sewage treatment system with superfluous capacity fro present accommodation, i.e. could potentially take accommodate extension/conversion of outbuildings subject to the necessary consents; new insulation and fireproofing throughout, wired for high specification integrated fire alarm system; wired for 3 phone lines wireless broadband, and Phonewatch, fittings throughout and the replacement of all gutters and down pipes . 

Features 

*An impressive and substantial Late Georgian House. *Approximately 39 Hectares (98 Acres) . *Vendor would consider splitting the Estate in two Lots . *Lot 1 – Woodbrook House, Gate Lodge on approx. 10 Acres . *Lot 2 -Approx. 89 Acres of Land . 

BER Details 

BER: Exempt 

Woodbrook, Portarlington, County Laois courtesy Savills Hamilton Osborne King.

https://theirishaesthete.com/2025/06/23/woodbrook/

Making A Swift Connection

by theirishaesthete



The name Woodbrook has been given to a number of houses in different parts of Ireland, and the natural assumption would be that it derives from the property having once had a brook in woodland. In the case of Woodbrook, County Laois, however, it combines the second syllable of original owner Knightley Chetwood’s surname along with the first syllable of that of his wife Hester Brooking: hence Woodbrook. An article written by Walter Strickland and published in the Journal of the Archaeological Society of the County of Kildare in 1918 provides a detailed account of the origins of the Chetwood family and their arrival in Ireland following the restoration of Charles II in 1660. There is some uncertainty as to how Knightly Chetwood, whose family had been impoverished English gentry, managed to acquire the lands in County Laois on which Woodbrook now stands: Strickland proposes that it may have come to him via his spouse, but without being able to say precisely how this should have been the case. In any case, some years after the couple’s marriage in August 1700, despite living contentedly in County Meath, he embarked on a project to build a residence on his midland’s property, albeit with some reluctance: at one stage he implored a friend to find him another house in Meath, since otherwise he would be condemned to ‘go and live in a bog in a far off country.’ Indeed, being as Strickland says ‘an uncompromising Tory,’ following the accession of George I in 1714, Chetwood found it best to live, if not in a bog then certainly in a far-off country, spending a number of years in mainland Europe before returning to Ireland around 1721 when he took an oath of allegiance to the Hanoverian monarch and abjured the Stuart pretender. It may have only been after this time that serious work commenced on the house at Woodbrook. 





We know more about the early development of the Woodbrook estate than would usually be the case thanks to surviving correspondence between Knightley Chetwood and Dean Swift, who not only provided its proprietor with advice but visited the place on a number of occasions. There was likely some kind of residence already on the site, not least because Chetwood was able to write letters from there even before his new house had been built. Strickland cites a note from Swift to his host dated 6th November 1714 and composed when he had arrived at Woodbrook to find the Chetwoods away from home. The following month, after the dean’s departure, Chetwood informed him, ‘This place I hate since you left it.’ Swift is believed to have been responsible for planting a grove of beech trees close to the house, although these were cut down in 1917 for sale to the then-Government. The two men also make regular reference to an area of the estate called the ‘Dean’s field.’ Once Chetwood returned from his self-imposed exile and turned his attention to erecting a new house, Swift’s opinion was again sought, the dean recommending in June 1731, ‘I can only advise you to ask advice, to go on slowly and to have your house on paper before you put it into lime and stone.’ Unfortunately, it was around this time that the friendship of almost twenty years came to an end. Chetwood seems to have had a tricky, volatile character. He had already become estranged from his wife, husband and wife formally separating in 1725, and he was inclined to find himself embroiled in rows on a regular basis: that he and Swift should fall out accordingly seems to have been inevitable. Chetwood died in London in 1752 and Woodbrook then passed to his elder surviving son, Valentine but since he spent most of his life out of Ireland, it was the younger son Crewe Chetwood who stayed in Laois. The next generation, Jonathan Cope Chetwood, did live at Woodbrook from the time he inherited the property in 1771 until his own death in 1839. As he had no immediate heir, the estate went sideways passing to Edward Wilmost, a great-grandson of Crewe Chetwood, who duly took the additional surname of Chetwood. However, following the death during the Boer War of Edward Wilmot-Chetwood, Woodbrook passed to another branch of the family, being inherited by Major Harold Chetwood-Aiken; his widow lived there until 1965 when what remained of the estate was taken over by the Land Commission. 





The evolution of the house now standing at Woodbrook is complex, even by Irish standards. The original building commissioned by Knightley Chetwood can be seen in a pencil drawing reproduced in Strickland’s 1918 article and shows the long east-facing entrance front, seemingly single-storey but with two-storeys visible to one side and dominated by a great doorcase beneath a steeply-pitched roof. A 1770 ground floor survey is described by Colum O’Riordan in House and Home as depicting ‘a vaguely L shaped building with an indeterminate number of accretions around an older core.’ Much of this structure appears to have been damaged or destroyed in a fire in the early 19th century, after which Jonathan Cope Chetwood undertook extensive alterations to the house, not least the addition of a new neo-classical entrance front facing south. Designed c.1815 by James Shiel, it included a spacious hall off which opened drawing and dining rooms. The older part of the building contained the library and staircase, and, beyond these, service quarters including a double-height kitchen one wall of which was filled with a great dresser and above which, according to Strickland, were painted the words ‘BE CLEANLY. HAVE TASTE. HAVE PLENTY. NO WASTE.’ Later in the 19th century, further changes took place, not least in the drawing room where the walls were covered with 15 murals representing scenes of the Scottish Highlands: still extant (although some are currently undergoing restoration), they were painted in 1840 by artist David Ramsay Hay, commissioned by Lady Jane Erskine, daughter of the 25th/8th Earl of Mar and wife of  Edward Wilmot-Chetwood, as reminders of her native country. At some unknown date, a five-storey polygonal tower was added towards the rear of the house on the east side. 
Alas, the later decades of the last century were not kind to Woodbrook. All the ancient trees, not least those lining the avenue to the house, were all cut down in 1969. The lake to the immediate east, created by Jonathan Cole Chetwood, also suffered devastation causing the loss of what was said to have been the largest heronry in the country. Then, in the 1970s, the owners of the house demolished almost all of what had stood behind Shiel’s early 19th century extension, everything that had remained from the original building constructed by Knightley Chetwood, along with the great kitchen and the polygonal tower. This strangely truncated property somehow survived until the present century when another owner ambitiously reconstructed the sections that had been reduced to rubble just a few decades earlier. In consequence, at least on the exterior, Woodbrook looks much as it did when still occupied by the last members of the Chetwood family. Just under two years ago, the house and surrounding lands changed hands once more, and the current owners have embarked on an ambitious and admirable programme of restoration and restitution, with thousands of trees being planted, the lake being brought back to life and the surrounding lands improved. Similar considerate work is taking place inside the building so that in due course Woodbrook will once again take its place among County Laois’s finest country houses. It’s always thrilling to visit a property which is undergoing renewal, and the owners of Woodbrook deserve all the applause and support they can get. 

https://theirishaesthete.com/2025/06/27/woodbrook-gates/

Upon Entry

by theirishaesthete

After Monday’s post about the main house at Woodbrook, County Laois, here are the the south gate lodge and gate screen into the estate. The lodge itself is a curious structure which may, or may not, have been designed by James Shiel at the same time as he was coming up with proposals for the house. The facade is dominated by an substantial ashlar pediment with window beneath, the latter flanked by deep recesses, one of which has a door into the building. So generous are the recesses that the pediment has to be supported by a pair of slender iron columns. The gate screen itself, of limestone ashlar and wrought iron, is more standardised with its piers, quadrant walls and arched niches in the outer sections. Here also is an old milestone advising that Dublin lies 47 miles distant.

Platten Hall, Co Meath – demolished

Platten Hall, Co Meath

Platten Hall, County Meath, courtesy Thomas U. Sadlier and Page L. Dickinson’s Georgian Mansions in Ireland, published in 1915 by Ponsonby and Gibbs, Dublin.
Platten Hall, County Meath, courtesy Thomas U. Sadlier and Page L. Dickinson’s Georgian Mansions in Ireland, published in 1915 by Ponsonby and Gibbs, Dublin.

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London. 

“(D’Arcy;IFR; Reeves;LGI1912; Gradwell, LGI1958) A very handsome red brick house with stone facings probably built ca 1700 by Alderman John Graham on an estate which, before the Williamite War, had belonged to a branch of the D’Arcy family. Considered by Dr Craig to be a possible work of William Robinson. Originally of three storeys; nine bay front, thee bay breakfront; splendid Baroque doorcase with segmental pediment, engaged Ionic columns and camber-headed fanlight. Camber-headed ground floor windows with scroll keystones. Long side elevations which in later years were largely blind; in the centre of one side, however, was a pedimented doorcase. Large two storey panelled hall with stairs and gallery of fine joinery; engaged fluted Corinthian columns superimposed on fluted Ionic columns. Carved frieze below gallery; fluted Corinthian newels and fluted balusters; ceiling with modillion cornice; floor of marble pavement. Oak panelling in dining room enriched with fluted Corinthian pilasters and elaborately carved segmental pediment over door. Pedimented stables at back of house. The house was originally set in a formal layout of elm avenues. Mrs Delany (then Mrs Pendarves) came to a ball here in 1731. A later John Graham left the estate 1777 to a friend, Graves Chamey; it was sold post 1800 to Robert Reeves, whose son, S.S. Reeves, removed the top storey, giving the house a rather truncated appearance. In later years, too, part of the house was derelict; which would explain why the side windows were bricked up. Platten Hall was sold post 1863 to J. J. Gradwelll; it was demolished ca 1950.” 

Platten Hall, County Meath, courtesy Mark Bence-Jones.
Platten Hall, County Meath, courtesy Mark Bence-Jones.
Platten, County Meath, dining room c. 1915, photograph: Milford Lewis, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

p. 115. “Very important three storey early 18C house attributed to William Robinson. The top floor was removed in the early 19C. Very fine interior which included a superb staircase and a panelled dining room. Built for Alderman John Graham. The dining room as re-erected in a house in Dublin. The house was demolished c. 1950.”

See also, for more on William Graham who lived at Platten Hall, Melanie Hayes, The Best Address in Town: Henrietta Street, Dublin and its First Residents 1720-80, published by Four Courts Press, Dublin 8, 2020.

Thomas U. Sadlier and Page L. Dickinson’s Georgian Mansions in Ireland, published in 1915 by Ponsonby and Gibbs, Dublin

A large bedroom, the door of which appears in LXVI is known as the Duke’s Room, the tradition being that Duke Schonberg’s body was laid in state here after the Boyne. 

“p. 81 For several centuries this property belonged to the Anglo-Norman family of D’Arcy. Sir John D’Arcy, a distinguished soldier under Edward III, sometime Constable of the Tower, came to Ireland in 1329, and for some years acted as Justiciary; he subsequently fought in both Scotland and in France, serving with distinction at the Battle of Crecy. The castle at Platten built by him passed at his death, 1347, to his younger son, William D’Arcy, father of John D’Arcy of Platten, who was sheriff of Meath in 1404 and 1415. Another Sir William D’Arcy, of Platten, the latter’s great-grandson, apparently a man of considerable bodily strength, carried Lambert Simmel on his back through Dublin, after he had been crowned in Christchurch, for which offence he was obliged to do homage and fealty to Sir Richard Edgecombe, Lord Deputy, in 1488. The family lived on here till the 17C, when they experience various vicissitudes. In 1641 they resisted the attack of Sir Henry Tichborne, ultimately surrendering Platten on terms by which the garrison departed without arms, but were allowed to take some of their good with them. It was perhaps at this period that the old chapel of the D’Arcys, some remains of which may yet be seen, became ruinous. Finally in 1690, on the attainder of Nicholas D’Arcy, who had taken sides with the Jacobites, the property was forfeited.

It next passed into the possession of Alderman John Graham, of Drogheda, a man of great wealth of whom we know little save that he bought landed property, doubtless at an undervalue, from the Commissioners of Forfeited Estates, and that for some years he sat in Parliament for his native city. On his death he was succeeded in the representation of that borough, and also at Platten, where he built the present residence, by his son William.

This William Graham married the Hon. Mary Granville, second daughter of George, Lord Lansdown; she doubtless met him at the court in Dublin when staying with her uncle, Lord Carteret, for he was Lord Leiutenant at the time of their marriage (1729). Thus the owner of Platten found [p. 82] himself allied with some of the first families in England – a circumstance which speedily led to his being sworn a member of the Irish Privy Council, and of coming to the notice of Mrs Delaney, or as she was then, Mrs Pendarves, his wife’s first cousin.”

“p 85 William Graham was sadly extravagant…spendthrift.” On his death, “Platten, in 1748, devolved on his elder son, John Graham, who in that year married Dorothy Sophia, daughter of Richard Gorges, of Kilbrew, in Meath.

‘We have unfortunately no further details as to life at Platten. Its owner, John Graham, seems to have become estranged from his family, and preferred to reside in Dublin, where he had a house in North Great George’s Street. Finally, on his death in 1777, all his property in Meath and Drogheda passed under his will to Graves Chamney, an intimate and valued friend, who for some years previously had resided in Platten Hall. The reason Mr Graham gives for thus passing over his wife and daughter in favour of Mr Chamney is “for his friendship in taking me out of gaol when my own and my wife’s relations would not relieve me.” Graves Chamney died unmarried in 1794, but the property remained in his family till soon after 1800, when it was sold to a Mr Robert Reeves, of Merrion Square, Dublin, who left it to his second son, Samuel Spaight Reeves. From this gentleman, who was resident here in 1863, and by whom the house was lowered a storey, it passed by purchase to John Joseph Gradwell, father of George Fitzgerald Gradwell, JP, the present landlord.”

Platten Hall, County Meath, courtesy Thomas U. Sadlier and Page L. Dickinson’s Georgian Mansions in Ireland, published in 1915 by Ponsonby and Gibbs, Dublin.
Platten Hall, County Meath, courtesy Thomas U. Sadlier and Page L. Dickinson’s Georgian Mansions in Ireland, published in 1915 by Ponsonby and Gibbs, Dublin.
Platten Hall, County Meath, courtesy Thomas U. Sadlier and Page L. Dickinson’s Georgian Mansions in Ireland, published in 1915 by Ponsonby and Gibbs, Dublin.

No longer exists 

https://archiseek.com/2014/1700-platten-hall-co-meath

1700 – Platten Hall, Co. Meath 

Architect: Sir William Robinson 

Construction started circa 1700 for Alderman John Graham. According to Maurice Craig, possibly designed by Sir William Robinson. Demolished in the 1950s. Replaced by a smaller house on the same site. The farmyard building to the rear still exists. 

A description of 1906: “It is an ugly building now, in spite of its rich red colouring; but in former days, when it was a story higher, and had a gabled roof, its appearance was doubtless more attractive.  

Like all early Georgian houses, the main entrance is on a level with the ground ; it opens into the imposing hall, which contains a handsome grand staircase in three flights,/ supported by six Ionic columns, the floor being paved in black and white marble. The walls are panelled, and there are other symptoms of early construction; there is some tasteful decoration, the frieze being very richly carved, and displaying tiny figures, quite Jacobean in treatment. Note, too, the gallery, which we also illustrate, with its handsome balustrading, with ramps at the newels. Below the gallery the panels are in plaster.  

Platten once afforded considerable accommodation, but one wing has been allowed to fall into disrepair, as its bricked-up windows show, and the excellent rooms in the basement are no longer utilized.  

….the dining-room, a large apartment panelled in oak, which is to the right as we enter the hall ; it has handsome high doors with brass locks, and the wainscot is ornamented with boldly carved fluted pilasters. There is a curious, probably early Georgian, mantel in white and grey marble.” 

Anyone familiar with the Irish Georgian Society will know that the original organisation of that name was established in 1908 with the specific intention of creating a record of the country’s 18th century domestic architecture. Five volumes were produced over successive years, the first four devoted to Dublin while the last, which appeared in 1913, made an attempt to provide an overview of country houses. Two years later, another work, Georgian Mansions in Ireland, appeared. This book, written by barrister and genealogist Thomas U. Sadleir and architect Page L. Dickinson, both members of the now-dissolved Irish Georgian Society, was intended to correct what they believed to have been a problem with the earlier work: namely that its compilers ‘laboured under a disadvantage, for they had but slight knowledge of the existing material.’ The two authors proposed that whereas the compilers of the Irish Georgian Society volumes were well informed about historic buildings in Dublin, ‘as regards the country districts, their number, their history and their situation were alike unknown.’ For Sadleir and Dickinson, writing almost a century ago, the contrast between historic properties in Dublin and the rest of the country could not have been more stark. The former’s large houses, ‘so far from being, as they once were, the residences of the rich, are too often the dwellings of the poor; at best, hotels, offices or institutions. But the country houses present a delightful contrast. Some, no doubt, have gone through a “Castle Rackrent” stage; but – as anyone who cares to consult the long list in the fifth Georgian volume must admit – the vast majority are still family seats, often enriched with the treasures of former generations of wealthy art-lovers and travelled collectors.’ 
It is unlikely the authors would have been able to write such words even a decade later, and certainly not today. ‘Irish houses seldom contain valuable china,’ they advised, ‘but good pictures, plate, and eighteenth-century furniture are not uncommon. How delightful it would be to preserve the individual history of these treasures! The silver bowl on which a spinster aunt lent money to some spendthrift owner, and then returned when a more prudent heir inherited; the family pictures, by Reynolds, Romney, Battoni, or that fashionable Irish artist Hugh Hamilton, preserved by that grandmother who removed to London, and lived to be ninety; the Chippendale chairs which had lain forgotten in an attic. Even the estates themselves have often only been preserved by the saving effects of a long minority, the law of entail, or marriage with an English heiress.’ 
Below are three houses featured in Georgian Mansions in Ireland, with a selection of the pictures included in the book. The line drawings are by the architect Richard Orpen, who had been in partnership with Dickinson before the outbreak of the First World War. 

Platten Hall, County Meath dated from c. 1700 and was built for Alderman John Graham of Drogheda: Maurice Craig proposed the architect responsible was Sir William Robinson. Built of red brick and with a tripartite nine-bay facade, it was originally three-storied but the uppermost floor was removed in the 19th century. Alderman Graham’s son William Graham married the Hon. Mary Granville, second daughter of George, Lord Lansdown and cousin of the inestimable Mrs Delaney who visited Platten on several occasions during her first marriage (when she was known as Mrs Pendarves). Sadleir and Dickinson quote one of her letters from January 1733, in which she described a ball given in the house: ‘we began at seven;  danced thirty-six dances, with only resting once, supped at twelve, everyone by their partner, at a long table which was handsomely filled with all manner of cold meats, sweetmeats, creams, and jellies. Two or three of the young ladies sang. I was asked for my song, and gave them “Hopp’d She”; that occasioned some mirth. At two we went to dancing again, most of the ladies determined not to leave Plattin till daybreak, they having three miles to go home, so we danced on till we were not able to dance any longer. Sir Thomas Prendergast is an excellent dancer – dances with great spirit, and in very good time. We did not go to bed till past eight; the company staid all that time, but part of the morning was spent in little plays. We met the next morning at twelve (very rakish indeed), went early to bed that night, and were perfectly refreshed on Saturday morning. …’ As for Platten when they knew it, Sadleir and Dickinson comment: ‘Like all early Georgian houses, the main entrance is on a level with the ground; it opens into the imposing hall, which contains a handsome grand staircase in three flights, supported by six Ionic columns, the floor being paved in black and white marble. The walls are panelled, and there are other symptoms of early construction; there is some tasteful decoration, the frieze being very richly carved, and displaying tiny figures, quite Jacobean in treatment. Note, too, the gallery, which we also illustrate, with its handsome balustrading, with ramps at the newels. Below the gallery the panels are in plaster. 
Platten once afforded considerable accommodation, but one wing has been allowed to fall into disrepair, as its bricked-up windows show, and the excellent rooms in the basement are no longer utilized…the dining-room, a large apartment panelled in oak, which is to the right as we enter the hall; it has handsome high doors with brass locks, and the wainscot is ornamented with boldly carved fluted pilasters. There is a curious, probably early Georgian, mantel in white and grey marble.’ 
Platten Hall was demolished in the early 1950s. 

http://meathhistoryhub.ie/houses-k-p/ 

Platten Hall was located at Donore, just west of Drogheda. Today the cement works occupy part of the estate. Bence-Jones described Platten Hall as a ‘very handsome red brick house with stone facings’ probably from about 1700. Craig considered it possibly the work of Sir William Robinson for John Graham. A large red-brick mansion the design occupied three sides of a square. Situated in an extensive demesne, originally wide avenues of elms radiated from it on all sides, like the spokes of a cart-wheel — a plan fashionable in England; but unfortunately these did not remain perfect. It had a large hall with an open staircase of three flights. Samuel Reeves took a storey off the house in the mid nineteenth century. One wing was closed off and the windows bricked up. The house was demolished in the second half of the twentieth century. The house may have replaced a medieval castle, belonging to the D’Arcy family. The house was originally set out in a formal layout of elm avenues. The church in the grounds was sued as a mausoleum by the successive residents of the Hall. Octagonal pigeon house attached to Platten Hall  

According to ‘The parish of Duleek and over the Ditches’ Plattin was purchased from the Forfeited Estates Court by Alderman John Graham of Drogheda. John Graham was the eldest son of Robert Graham of Ballyheridan, Co. Armagh. The Darcy family had held the property before the Battle of the Boyne. Platten being between Oldbridge and Duleek featured in the battle of the Boyne. Graham erected the three-storey red-brick mansion where he resided until his death in 1717. His second son, William, succeeded as he disinherited his first son, Richard. 

Mrs. Delaney (Pendarves) wrote of the Christmas at Platen in 1732 –  ‘We are to have a ball, and a ball we had; nine couples of as clover dancers as ever tripped. We began at seven, danced thirty-six dances, with only resting once, supped at twelve, everyone by their partner at a long table which was handsomely filled with all manners of cold meats, sweetmeats, creams and jellies. Two or three young ladies sang. At two we started dancing again; most of the ladies determined not to leave Platten till daybreak so we dance don until we were not able to dance any longer. We did not get to bed till past eight.’  A regular visitor to the Grahams Mrs Delaney makes a number of mentions of balls in their home. 

The extravagance of William Graham was a matter of public notoriety. Swift had to write to him as he did not meet the rent of a premises he held from St. Patrick’s Cathedral. In 1734 Dean Swift wrote to Mrs. Delaney (Pendarves) that Mr. Graham was ruining himself as fast as possible. One of the bedrooms in the house was called the Duke’s Room after the Duke of Dorset, Lord Lieutenant of Ireland who visited the house in 1732 when the Boyne Obelisk was unveiled. 

William Graham died in 1748 and was succeeded by his son, John, who was M.P. for Drogheda 1749-1768. John married Dorothy Gorges of Kilbrew. John was High Sheriff of Meath in 1753. When John died in 1777 all his property went to his steward, Graves Chamney. Graves Chamney became heir as Graham said he had succeeded in ‘taking me  out of prison when my wife and relations would not  relieve me.’ He was   obviously in gaol for debt. Graham  resided for the most part in his house North Great Georges Street, Dublin rather than at Plattin. A branch of the Graham family settled at Cromore House, Doneraile, Co. Cork. 

In 1800 the property was sold to Robert Reeves of Dublin who bequeathed it to his second son, Samuel Speight Reeves. From Samuel the property passed to John Joseph Gradwell, High Sheriff of Drogheda in 1855. The Gradwells from Preston had already purchased Dowth Hall.  Mr. Gradwell died in 1873 and was succeeded by his son, George Fitzgerald Gradwell. The Gradwells were involved in the milling trade in Drogheda. In 1876 Ellen Gradwell of Platten Hall held 615 acres in county Meath. He had three sons and was succeeded by the third son, Francis William Edward Gradwell in 1933 and he was living in the house in 1941. The house passed through the hands of T.J. O’Neill and D’Arcy Slone. The house became derelict and was demolished. 

Oldtown, Naas, Co Kildare 

Oldtown, Naas, Co Kildare 

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

p. 229. “(De Burgh/IFR) One of Ireland’s first Palladian windged houses, built ca 1709 by Thomas Burgh, MP, Engineer and Surveyor-General for Ireland, to his own design. Two storey centre block with two storey wings; centre block adorned with pairs of Ionic pilasters, rising to just below the first floor windows; each pair carrying its own short section of entablature; wings also adorned with pairs of Ionic pilasters carrying massive entablatures. The centre block was burned 1950s. a house has now been made out of one of the wings.” 

Not in National Register

See in family tree, Thomas Burgh of Oldtown.

http://www.turtlebunbury.com/history/history_family/hist_family_deburgh.htm

p. 52. With a lineage stretching back to the great Emperor Charlemagne, the de Burgh’s role in Irish affairs has made an immense impact on the shape of the island’s past. From the first Norman knights who cantered across the seas in the 12th century to the courtrooms of Georgian Dublin, the de Burghs have been intrinsically involved with some of the most pivotal events in Irish history. The Oldtown branch was established in Kildare just over 300 years ago by Thomas Burgh, one of the first great Irish military engineers. His descendents include the Georgian orators Walter Hussey Burgh and John Foster, General Sir Eric de Burgh, the singer Chris de Burgh and the 2003 Miss World, Rosanna Davison.

A Call to Arms

The de Burghs claim descent from Charlemagne through Jean, Comte de Konign and Baron de Tonsburgh in the late 10th century. Amongst their more prestigious forbears were Baldwin de Burgh, King of Jerusalem (1118 – 1131) and Ode, Bishop of Bayeux, for whom the Bayeux Tapestry was made. The first of the family to settle in Ireland was William de Burgh, a Steward of Henry II, who personally received the submission of the Kings of Connaught and Meath at Athlone in 1172. In return he was made Governor of Wexford and “Dominus” or Lord of Connaught by Prince John, Lord of Ireland. Tradition states the de Burgh arms were granted when one of the family killed a leading Saracen while fighting alongside Richard the Lionheart. The crusading monarch is said to have dipped his sword in the dead man’s blood and made the shape of a cross over his fallen shield, saying “these, Knight, be thine arms forever”. As William de Burgh was married to Richard’s daughter Isabel, widow of Prince Llewelyn of Wales, it seems plausible that he was the man to whom the arms were first granted.

[p. 53. ]

Protector of the Realm

In 1192, William allied with Donal O’Brien, King of Thomond, against the MacCarthys. He subsequently married O’Brien’s daughter Anne by whom he had a son, Richard, in 1201. When John ascended the English throne in 1199, William’s younger brother Hubert de Burgh (1165 – 1243) was appointed King’s chamberlain. Hubert was to become one of the most influential men in England during the reign of King John. His successful defence of Dover Castle against a French invasion in 1216 gave him the necessary power to stand as sole Regent of the minor Henry III on the death of John, a position he retained until Henry came of age in 1227. (1)

[p. 54] Richard de Burgh, Justiciar of Ireland

William’s premature death in 1204 left his estates with Richard de Burgh, now a four-year-old orphan. It may be presumed that Richard’s wealthy uncle subsequently raised him at one of his many castles in England. Although Hubert had sons of his own, he was an assiduous promoter of his nephew whose conquest of Ulster was launched during Hubert’s regency. By the age of 14, Richard was already one of the principal barons in Ireland. His father had been granted lands in Connaught by O’Brien in 1195 but, despite vigorous campaigning, had been unable to realize it. Backed by his uncle, then Justiciar of England, Richard launched a prolonged war of conquest on Connaught in 1226. Within a year he had taken control of 25 cantreds in Connaught, the remaining five near Athlone being reserved to Henry III and leased to King Felim O’Connor. On his return to Dublin in 1228, Richard was appointed Justiciar of Ireland, a position he retained until Hubert’s fall from power in 1232. Richard died campaigning with Henry III in Gascony in 1243. 

Clanwilliam Burke

Richard was succeeded as Lord of Connaught by his eldest son Walter, later Earl of Ulster. Walter’s brother William Óg de Burgh, ancestor of the Clanwilliam Burkes, lords of Mayo, was a celebrated warrior in the 13th century, fighting in France, Scotland and the Middle East. However, in 1270, his attempt to secure his fathers’ lands in Connaught resulted in colossal defeat by the King of Connaught at the battle of Athankip. William Óg was captured and executed. Nearly fifty years later his only son William Liath de Burgh avenged his death at Athenry (1316), one of the bloodiest battles in Irish history which effectively ended the power of the O’Connor chieftains. 

The Red Earl

Arguably the most influential member of the de Burgh family in the medieval age was Richard, the “Red Earl” of Ulster, only son of the above-named Walter. An enormously ambitious man, he spent most of his formative years campaigning against both the native Irish septs in Ulster and Connaught and the Geraldines of Desmond and Kildare. In 1302 his daughter Elizabeth married Robert the Bruce of Scotland. The Red Earl opposed the invasion of Edward the Bruce in 1315 but his kinship with the Scotsman led the citizens of Dublin to doubt his loyalty and he was imprisoned for several months. In later life he retired to the priory at Athassel, county Tipperary, where he died in June 1326. His grandson, William the “Brown Earl” of Ulster, was assassinated in 1333, leaving a baby daughter, Elizabeth as heiress. She later married Prince Lionel of Clarence, son of Edward III, and through their daughter Philippa the legal ownership of the Earldom of Ulster and lordship of Connaught was transmitted to the Mortimer family and ultimately to the English Crown.

p. 55. En Route to Dromkeen

The de Burghs of Oldtown descend from Éamon Albanach (Edmund the Scot), son of William Liath de Burgh, the victor of Athenry. This era is a particularly complex one in terms of the growing feud between the Clanwilliam Burkes of Mayo and their cousins, the Clanricarde Burkes of Galway … and anyone else passing through the neighbourhood. I do not intend to go into all this in this essay but if anyone is able to sum it all up for me in a couple of paragraphs, I would gladly insert them here. In the meantime, have a read of ‘William Fitz-Adelm de Burgh & The Bourkes of Clanwilliam’ by James Grene Barry, J.P. (originally published in the Journal of the Royal Society of Antiquaries of Ireland in 1889.) Another option is ‘The New History of Ireland, V9, Maps, Genealogies, Lists‘, edited by Moody, Martin & Byrne (Oxford at the Clarendon Press, 1984) in which Table 39 gives lineage chart for the Lower Mac William: Burkes of Mayo, descendants of Edmund Albanach. At any rate, upon his death in 1375, Éamon Albanach was succeeded by his son, Sir Thomas Bourke who married a daughter of the O’Conor Don. In 1420 Sir Thomas’s grandson John de Burgh of Shruel defeated the O’Brien chieftain and acquired by exchange O’Brien’s sister as a wife and a substantial land grant at Dromkeen, near Pallas Green, in County Limerick. Dromkeen remained in the de Burgh family for the next 420 years. 

Ulysses Burgh, Bishop of Ardagh

The Reverend Ulysses Burgh was eighth in descent from John de Burgh of Dromkeen. Little is known of the generations between save that Ulysses’ father, Richard, was also in Holy Orders. He also had a sister, Eleanor who married a Thomas Apjohn an officer in the army and a tax commissioner for Co. Limerick. Ulysses became Rector of Grean and Kilteely in 1672, rising to become Dean of Emly in 1685. Prior to the outbreak of the Jacobite War in Ireland in 1689, Ulysses fled to London with his family. He returned to Ireland with his sons Richard, William and Thomas in 1690 and all four men appear to have served in William of Orange’s army at the siege of Limerick. His loyalty led to the burning of Dromkeen by the retreating Catholics. However, after William was proclaimed king, Ulysses was generously compensated for his loss and consecratedBishop of Ardagh on September 11th 1692. (2) Bishop Burgh of Ardragh fathered eight sons and three daughters by his wife Mary, daughter of William Kingsmill of Ballibeg, Co. Cork. The eldest son Rickard Burgh succeeded to Dromkeen and also joined the Church. The second son, William, a friend of Jonathan Swift, became Comptroller and Accountant General of the British Army in Ireland, married a daughter of Thomas Parnell and lived at Bert, Co. Kildare; their daughter Elizabeth was mother to John Foster, the great Georgian orator and last Speaker in the Irish House of Commons. It is for Elizabeth that Burgh Quay in Dublin is named. William Burgh’s great-grandson General Sir Ulysses de Burgh succeeded as 2nd Baron Downes and was a brother-in-law to the ill-fated Nathaniel Sneyd of Chesterfield House, Blakcrock, Co. Dublin. Bishop Burgh’s youngest daughter Dorothea married the Rev. Thomas SmythBishop of Limerick, and was thus ancestress of the Viscounts Gort. However, it is Bishop Burgh’s third son, Thomas, who most concerns us here for he was the first of the family to settle at Oldtown.

[p. 56] Thomas ‘The Surveyor’ Burgh of Oldtown (1670 – 1730)

Thomas Burgh of Oldtown (1670 – 1730) is regarded as one of the first great Irish military engineers and rose to become Surveyor General for the country. He was born in 1670 and educated at Delany’s School in Dublin. He entered Trinity College Dublin on November 22nd 1685 but probably fled Ireland with his father in the run up to the Williamite wars. On March 8th 1689 a Thomas Bourk [sic] was commissioned as Lieutenant in Lord Lovelace‘s Regiment of Foot, which served with the Duke of Schomberg’s army in Ireland. He may have been appointed to the Irish Engineers as early as February 1691 but, following the Williamite victory, he appears to have joined the Royal Regiment of Foot commanded by the Earl of Orkney and left for the continent. On 1st August 1692, he received a commission as Captain and he subsequently saw action at the battles of Steinkirk (1692) and Landen (1693). At the Siege of Namur in 1695, he was employed as an engineer, probably under the command of the Dutch artillery expert, John Wynant Goor. Two years later, he was ranked as one of the top twenty five engineers in the British Army and the third most senior in the Irish Establishment. (3) Between 1697 and 1700, Thomas worked under Surveyor-General William Robinson whom he replaced on 10th July 1700, at a salary of £300 per annum, having displaced the second engineer of Ireland, Richard Corneille. On February 12th 1701, he was given charge of overseeing the construction and renovation of all military buildings in Ireland, a commission repeatedly renewed over the next twenty seven years. During this time, he expanded barracks throughout Ireland, completed the rebuilding of Dublin Castle and constructed numerous fortifications and lighthouses along the Irish coastline. (4) His proposal to dredge Dublin Harbour and build a fortified basin to hold ships was ultimately rejected but he continued to be a forceful advocate that Ireland’s inland waterways be made navigable.

p. 57. Perhaps it was in reaction to the destruction of his family home in 1691 that Thomas Burgh became such a vigorous builder. He did not merely restrict himself to military architecture. The City of Dublin made him a Freeman in 1704 in recognition of his ongoing efforts to beautify the rapidly evolving capital. His first known building is the Royal Barracks (now Collins Barracks) on Dublin’s north side. Among his other civic legacies were the original Custom House on Essex Quay, Dublin Castle, the Trinity College Library (1712 – 1732), the Linen Hall, the Kilmainham Infirmary (1711), St. Werburgh’s Church (1715), the Royal Barracks and Dr. Steeven’s Hospital (1721 – 1733). 

Oldtown

In 1696 he acquired a property outside Naas called Oldtown. The site lay near a holy well where St Patrick reputedly baptised Oillill and Illann, the sons of King Dunlang of Leinster. In 1709, he designed and oversaw the construction of a new house at Oldtown, one of Ireland’s first Palladian winged houses. The building comprised of a two storey central block flanked by two storey wings. The centre block was adorned with pairs of Ionic pilasters, rising to just beneath the windows of the first floor. The wings were likewise adorned with Ionic pilasters, all of which carried substantial entablatures. Thomas’s masterpiece was to remain the pride of his descendants until the centre block was destroyed by fire in the 1950s and the family moved into one of the wings.

Private Commissions

By 1721, Thomas Burgh was a very wealthy man. From 1706 to 1714 he had held the office of Lieutenant of the Ordnance of Ireland which, together with the Surveyor-Generalship, made him far the most influential officer in the Irish Ordnance. In 1713 he was elected Tory MP for Naas, which seat he held until his death in 1730. He became a governor of the Royal Hospital of Kilmainham in 1707 and, from 1717, a trustee of Dr. Steeven’s Hospital. Aside from the wealth he had accumulated from his many and ongoing engineering commissions, he and his partner Richard Stewart were operating a very lucrative colliery at Ballycastle, Co. Antrim, which brought him in £2000 in 1721 alone. He was also benefiting from the growing affluence and pretensions of his fellow squires. As early as 1702, he was advising the Quartermaster-General Richard Gorges on how to build garden walls at Kilbrew, Co. Meath. That same year he was recruited as a consultant in the building of Archbishop King‘s Dublin residence; he helped design Marsh’s Library seven years later. The O’Brien family called on him for the construction of the original Dromoland Castle at Newmarket-on-Fergus in Co. Clare. He may also have had a hand in the 1724 design of Oakly Park outside Celbridge for Arthur Price, later Bishop of Meath and Archbishop of Cashel. (5)

p. 58. Death of Thomas

On 10th July 1700, Thomas married Mary Smyth, second daughter of the Rev. William Smyth, Bishop of Raphoe, Kilmore and Ardagh. Her mother Mary was a daughter of Sir John Povey,Chief Justice of Ireland in the reign of Charles II. By her he had five sons and four daughters. The family lived between the country estate at Oldtown and their Dublin townhouse at 37 Dawson Street (now rebuilt). Thomas died at Oldtown on December 18th 1730 at the age of sixty. Burgh was evidently an affable employer. For much of his working career, he employed the same team of smiths, joiners, bricklayers, plasterers, painters, carpenters, slaters and glaziers. 

Thomas Burgh, MP

Colonel Thomas Burgh was succeeded by his 23-year-old son Thomas II, MP for Naas from 1731 until his death in 1759. He was educated at Dr. Sheridan’s in Dublin and Trinity College Dublin, advancing to the Middle Temple in 1728. His first wife, an English heiress, Margaret Sprigg of Clonvoe, left him a daughter Alice who married into the Fox family. In June 1752 he married secondly Catherine, daughter of the politician, Sir Richard Wolseley of Mount Wolseley, Co. Carlow. 

Walter Hussey Burgh, Lord Chief Baron of the Exchequer

Thomas’s sister Elizabeth married Ignatius Hussey of Donore, Co. Kildare, and was mother of the Right Hon. Walter Hussey Burgh, one of the most eloquent and charismatic lawyers in Ireland during the late 18th century. In June 1783 he was appointed to the lucrative judicial position of Lord Chief Baron of the Exchequer, one of the Four Courts in Dublin. However, less than six months later, the 40-year-old contracted an illness while inspecting a gaol in Armagh and died. When not in Dublin for the Parliament he lived at Dromkeen, Co. Limerick. He was probably buried at St Peter’s Church, North Circular Rd, Dublin. According to Ken Finlay’s website, ‘a public funeral was accorded to him, and his remains were followed to the grave by the members of the Legislature and the authorities and students of the University”. Another upcoming barrister and Burgh kinsman John Foster, Baron Oriel, immediately succeeded him at the Exchequer.

p. 59. Thomas Burgh, MP for Harristown & Athy

Thomas and Margaret Burgh had two sons, Thomas III and Richard, and two daughters, Mary and Catherine. Born on 23rd January 1754, Thomas was only five years old when his father died and he succeeded to Oldtown. After graduating from Trinity College Dublin, he was called to the Irish Bar in 1779. As part of the Duke of Leinster‘s party, the soft-spoken Kildare man was elected MP for Harristown and Athy in the Irish House of Commons. A close ally of his cousin John Foster, Thomas increased the family wealth by becoming one of the chief undertakers of the Grand Canal. In the summer of 1784 he married Florinda Gardiner, a granddaughter of Luke Gardiner, the property tycoon who developed what became central Dublin in the 1740s and 1750s. Her sister was married to Lord Clancarty and her brother Luke Gardiner had been elected MP for Co. Dublin the previous year. It was in that capacity that Luke introduced the first Catholic Relief Acts of 1778 and 1782, partially dismantling the penal laws. Luke was created Viscount Mountjoy in 1795. In June 1798 he was killed by rebel pikemen while trying to negotiate a surrender at New Ross. 

Thomas & Florinda de Burgh’s Children

Thomas III and Florinda had eight sons of whom two drowned and a third was killed in action while serving with the Royal Navy. The third son Walter Burgh was Vicar of Naas and married Elizabeth Langrishe. The seventh son John was a major with the 93rd Highlanders and married Emma Hunt. The youngest, William, Rector of Ardboe, Co. Tyrone, and St. John’s of Sandymount, Dublin, fathered an impressive eighteen children of whom Maurice was Archdeacon of Kildare and Hubert took Holy Orders and lived in the Vatican

Thomas Monck Mason & the Paget Connection

One of Thomas and Florinda’s daughters, Dorothea Burgh, married Captain Thomas Monck Mason, Royal Navy. He was a son of Henry Monck Mason, lieutenant-colonel of the Engineers, by his second wife, Jane Mosse (daughter of Bartholomew Mosse, founder of the Rotunda hospital). Thomas’s early years were at a French speaking school; he may have had Hugenot blood. Thomas had a reputation within the family as a ‘foolhardy’ young man, heading to sea aged 12 and, by his own words, spent his naval years indulging in the many vices prevalent in the Royal Navy at that time. Shortly before his marriage to Dorothea Burgh, his life was turned around and he was from then on ‘led by divine grace’. Alas, Dorothea died in 1820 shortly afer the birth of Frances Florinda. Some 2-3 years later, Thomas married Mary Grey (daughter of the Commissioner of Portsmouth dockyard Sir George Grey, and niece of the future prime minister, Charles Grey) . Mary’s mother (Lady Grey, nee Whitbread) was much involved with the Evangelical movement at that time, so this fitted with Thomas’ new found discipline. Thomas Monck Mason died in 1838 and was buried in Powerscourt. His daughter Florinda Frances Mason married Captain Catesby Paget (1809-1878), son of Hon Berkeley Paget and first cousin of Captain Charles Paget of HMS Samarang.

The Rev. Thomas Burgh

Thomas and Florinda’s eldest son, the Rev. Thomas Burgh was for many years Dean of Cloyne. On 4th May 1811 he married Lady Anna Hely-Hutchinson, daughter of Francis Hely-Hutchinson and sister of the 3rd Earl of Donoughmore (see “Woulfe of Forenaghts”). Like the Gardiners, the Hely-Hutchinsons made a name for themselves in the late 18th century by their sympathy for the Catholic cause and support of Free Trade. 

In his history of the Kildare Hunt (p. 232), Lord Mayo tells a story about how Dean de Burgh of Old Town would never allow a tree to be felled in his demesne. When his son Thomas succeeded him he ‘very properly began to thin out the plantations’. However, while in Naas one day Thomas was ‘pestered for money by an old wrecker clad in an old scarlet hunting coat, well known as old Joe. After repeated importunities all up the long street, he was at last told to go to a warm climate. “Ah!” said old Joe,”if I go there, Master Tom, I’ll be shure to see the ould Dane, and I’ll tell him ye’re cutting down all the timber.”

The Dean and Mrs de Burgh had nine sons and three daughters of whom Francis was a lieutenant colonel with the Dublin City Artillery, Henry married Elizabeth Hendrick of Kerdiffstown House, Florinda married Thomas Tristam, Chancellor of the Diocese of London and Charlotte married Colonel James Tighe of Rossanagh. The Rev. Burgh succeeded to Oldtown in 1832. He died on 4th September 1845; Lady Anna passed away on 27th December 1857.

p. 60. The Return of the De

The Rev. and Lady Anna Burgh’s eldest son was another Thomas. On 6th March 1848 Dublin Castle presented this Thomas with a patent by which his heirs and descendents were granted the right “to resume their ancient name of de Burgh“. Thomas de Burgh lived at Oldtown and married Jane, daughter of a Major Campbell-Graham, 1st Royal Scots, of Scarva House, Clones, Co. Monaghan. Three sons, Thomas, Ulick and Hugo, and a daughter followed.

Thomas and Emily de Robeck

The eldest son Thomas John de Burgh was born on 1st November 1851. As a young man, he served as a lieutenant in the 57th (Middlesex) Regiment (aka the “Die-Hards“), taking part in the 1879 campaign against the Zulus. A fellow officer of the 57th, Lord Gifford, VC, was personally responsible for the capture of Ceshwayo, the Zulu king. He was sometime Deputy Lieutenant, Justice of the Peace and High Sheriff (1884) for County Kildare. On 23rd April 1878 he married Emily Anne de Robeck, eldest daughter of the 4th Baron de Robeck (qv). He later secured a commission in the 5th Royal Inniskilling Dragoon Guards, under Lord Baden Powell, attaining the rank of Lieutenant Colonel. During the Boer War, he commanded the 17th Battalion of the Imperial Yeomanry. On 23rd December 1900 he was wounded at Houtkraal. Thomas died in 1931 having had five sons, Hubert, (Sir) Eric, Maurice, Charles and Tom, and three daughters, Helen, Zoe and Una.

Ulick & Hugo de Burgh. When Thomas de Burgh went to war in South Africa, he was joined by his younger brothers Ulick and Hugo. Ulick de Burgh had previously served in the Egyptian campaign of 1892 and later as Inspector General of Remounts at British Army headquarters. In January 1916 he offered for sale Scarva House, his mother’s family home in Clones, with 94 acres. By his wife Anna Paget he had a son Desmond de Burgh who served with the RAF in both World Wars but was killed on active service in January 1943. 

Hugo de Burgh lived at of Ballinapierce, County Wexford, and married Mabel Beaumont of Tarnely Lodge in St. Alban’s. Hugo was killed in April 1900 during the siege of Wepener in the Orange Free State. It seems that Thomas and Ulick subsequently spent some time in California. Hugo was survived by two sons – Lieutenant Colonel Hugh de Burgh, OBE, MC and Ulric de Burgh, an officer in the Royal Navy – and a daughter Madge Anstruther. 

Ulric de Burgh, RN, RAF

Hugo’s younger son Ulric served with the Royal Navy during the Great War, primarily in the North Atlantic, but left voluntarily in 1922. He immediately joined the RAF as a Flight Lieutenant. He stayed with the RAF for 16 years, during which time he was married for the first time. He was recalled to the RN to help set up the Fleet Air Arm and spent most of the Second World War setting up Naval Air stations in New Zealand, India and Ceylon – where he met and married his second wife, mother of Campbell de Burgh. Ulric left the Royal Navy in 1947, joined the merchant marine and retired in 1966. He died in 1977. 

Commander Dashwood Tandy

Thomas de Burgh’s only sister Anna (Louisa Margaret) was born on 29th November 1850. On October 22rd 1874, Thomas de Burgh’s only sister Anna (Louisa Margaret) married Commodore Dashwood Goldie Tandy, RN. The service took place at St. Donlough’s Church and was conducted by the Rev. Charles Edward Tisdall, D.D., Incumbent of the Parish, assisted by the Rev. William Machonchy, A.M., Rector of Coolock. Born in 1841, Dashwood had made a name for himself when he captured a number of slave-carrying dhows on the east coast of Africa during the 1860s. The Commander was only 42 years old when he died suddenly at Oldtown in October 1883. His obituary was published in The Kildare Observer:

NAAS, SATURDAY, OCTOBER 6, 1883 – SUDDEN DEATH OF COMMANDER TANDY, R.N.

On Wednesday afternoon, Dr. R. S. Hayes, J.P., district coroner, held an inquest at Naas, on the body of Commander Tandy, Royal Navy, who died suddenly. The deceased gentleman was on a visit to his brother-in-law, T.J.de Burgh, Esq., High Sheriff of the County, and was driving in company with Mrs. de Burgh and Captain Slaney to Baron de Robeck’s residence at Gowran Grange, when he suddenly took ill on the way and expired in the course of a few minutes. The principal evidence taken at the inquest was that of Captain Slaney, who deposed – ‘I was in company with the deceased this day (Wednesday) driving from Oldtown to Gowran Grange. When we started the deceased was in perfect health as far as I could see. On the way we got out of the trap to walk up the hill. On the top of the hill we again got into the trap, and after we had gone a short distance I noticed deceased’s head fall down on his chest, as I thought in a fainting fit. I took him into my arms, and, with the assistance of a man, carried him into a neighbouring house. He never spoke. I believe he died in my arms before I took him out the trap’. Just before he got ill he complained of being unwell, and said that since he was in the East Indies the exertion of walking up a hill always told upon him. Dr. Joseph Alfred Gormly, in medical charge of the troops at Naas, said he made a post-,mortem examination on the body of the deceased, and that his opinion death resulted from heart disease. The jury returned a verdict accordingly.

In her latter years Anne Tandy lived at St. Anne’s in Naas. She passed away at Oldtown on 25th April 1912. Their eldest son, Hugo Shapland Dashwood Tandy, was born on 11th April 1876 but died young on the 28th September 1880. Their younger son, Major Reginald (Reggie) Dashwood Tandy, was born on 23rd May 1883 and went on to become High Sheriff Co. Meath (1912), Magistrate for Co. Meath, Lieutenant of the Lancashire Fusiliers and Major in the Denbighshire Hussars Yeomanry. On 9th May 1906, Reggie married Valerie (Olivia) Wellesley, only daughter of Arthur George Henry Wellesley and Sarah Humprey. (6) He was granted his late mothers’ estate on 30th May 1912. 

Anyone with further information on the Tandy family is advised to contact David & Diana Hope (tandy42@btinternet.com)

p. 61. Death in the Great War

The Great War of 1914 – 1918 brought tragedy to innumerable households throughout Ireland. In the autumn of 1914 the dreaded letter arrived in the post at Oldtown informing Thomas and Emily of the death in France of their youngest son Tom de Burgh, a lieutenant with the 31st Lancers. Prior to his death Tom is mentioned in despatches for distinguished conduct under enemy fire. Three of Tom’s elder brothers received the DSO. (7) The eldest, Captain Hubert de Burgh, was awarded both the DSO and Legion of Honour in 1917 for his services in the Royal Navy. On 28th November 1917 he married Mary Buchan, daughter of John Adye Buchan of Whitehall, Kingsbridge in South Devon. They had a son John and two daughters Deirdre and Rosaleen. 

General Sir Eric de Burgh – Old Friend

Thomas and Emily’s second son General Sir Eric de Burgh, KCB, OBE, was born at Oldtown in 1881. Nearly a century later, his grandson Chris de Burgh penned a ballad to his memory called “Old Friend“. Eric served in the Boer War as a teenager, joined the Indian Army in 1904, won a DSO in 1916 and rose steadily through the ranks to become General of the British Army in India in 1939. In October 1923 he married Mary Fanshawe, only daughter of General Sir Edward Fanshawe, KCB, of Rathmore, Naas. She died in the summer of 1934, leaving two small daughters, Maeve and Rosemary. General de Burgh retired from the army in 1941 and lived for a while at Ard Cairn outside Naas. In 1960 he purchased the rundown Bargy Castle in Wexford where he lived until his death in 1973.

Chris de Burgh & Rosanna Davison

In April 1946, the General’s eldest daughter Maeve married Colonel Charles Davison, MBE. Colonel Davison was born in the Channel Islands and raised on his family’s ranch at Estancia in Argentina. On the outbreak of World War Two, he volunteered for the Special Operations Executive, a newly-formed unit specialising in covert operations and sabotage. As a member of SOE, he twice parachuted behind Japanese lines in Burma, where he spent some years organising Burmese guerrillas in operations against the Japanese occupation army. After the war, he and his wife returned to Argentina where their two sons Richard and Chris were born. The family returned to Ireland in 1960 and the young Davison boys went to live with their grandfather, General de Burgh, at Bargy. 

After the General’s death, the Davisons renovated Bargy and ran it as a hotel; young Chris soon found himself entertaining guests with his guitar. While his brother Richard became a lawyer, Chris adopted his mothers’ maiden name and began releasing singles, commencing with the excellent “Spanish Train” in 1975. Known to the world as Chris de Burgh, he has now sold more than 40 million albums and performed at over 2,500 concerts worldwide. His anthemic “High on Emotion” was No. 1 in 10 European countries. His signature song, “Lady in Red“, reached No. 1 in 25 countries and sold eight million copies around the world. “Lady in Red” is also acknowledged as one of the Top 20 most played songs in America. In December 2003 his 19-year-old daughter Rosanna Davison was crowned Miss World in Sanya, China, becoming the first Irish woman to scoop the beauty pageant.

Captain Charles & Lydia de Burgh

Thomas and Emily’s fourth son Captain Charles de Burgh, DSO, was born in 1886. In 1908 he joined the Mobilization Department of the Admiralty under his first cousin Admiral de Robeck. He orchestrated submarine movements during the Great War, won a DSO in 1917 and subsequently commanded HMS Cyclops (1926 – 27) and the 6th Submarine Flotilla (1928 – 29). He married Isabel Campbell and they lived for many years in the former agents house at Seaforde, County Down. Their daughter Lydia de Burgh became well known for her portraits of Queen Elizabeth II and Princess Anne. A terrific source of gossip to many subsequent generations, Lydia passed away in December 2007.

Hubert and Joan de Burgh’s only son, Major John de Burgh, was born on 17th February 1921 and educated at Stowe. He served with the 16th/5th Lancers in World War Two, was mentioned in dispatches, won an MC in North Africa in 1943 and retired with the rank of Major in 1950. On 29th September 1952 he married Clare Shennan, daughter of Major Kenneth and Lilah Shennan of Shipton Oliffe in Gloucestershire. Lilah’s brother Major Bowes Daly, MC, was sometime ADC to the Viceroy of India and Master of the Galway Blazers. Together John and Clare established Oldtown as one of Ireland’s foremost studs. This produced a Group One winner in 1964, a double Oaks winner (Fair Salinia) in 1978 and, in 1984, achieved a record price for a yearling at the Newmarket sales. Major de Burgh regularly served as a steward at National Hunt meetings throughout the country and was elected to the Turf Club in 1961. He served on the Irish Racing board for 15 years.

On Major de Burgh’s 33rd birthday, his wife presented him with a son, Hubert. A daughter Caroline arrived the following year and a son, William, three years later.

In 1999 Major John de Burgh put Oldtown demesne on the market. His eldest son Hubie de Burgh, formerly bloodstock manager for Shadwell Stud, Newmarket, and of the bloodstock interests for Sheikh Hamdan bin Rashid Al Maktoum, the Crown Prince of Dubai, at Derrinstown Stud. He now owns Huma Park Stud near Maynooth and runs a bloodstock agency, De Burgh Equine Ltd. His brother William de Burgh runs a successful business in California and his sister Caroline is married and lives in Wales.

Major John de Burgh Clare died aged 89 on 4th December 2010 while Clare passed on 4th November 2016, aged 86. They now lie together at St David’s Church, Naas.

With thanks to Hubie de Burgh, William de Burgh, the late Lydia de Burgh, John de Robeck, Gwyneth Brindley, Campbell de Burgh, Michael J Hewett, Colm Smyth, Gwyneth Brindley, Edmond O’Dea, Nickie Johnson, David Winpenny, Ralph Buerk, Matthew Forde, Nick Coveney, Ursula Ormond, Paul Simon, Jo Minns, Vicki Pattinson, David & Dian Hope, Michael Brennan, Sean Slowey, Vicki Pattinson, Peter Chomley, Hugo de Burgh and George Bates (Illinois).

FOOTNOTES

1. Hubert de Burgh was greatly enriched by royal favour during the early years of John’s reign, receiving numerous townships and castles throughout England, Wales and north west France. It is said that when John captured his rebellious nephew Arthur of Brittany in 1202, Hubert was appointed his jailor and ordered to blind the young Prince, a task he refused to perform. He continued to serve John during the French wars, being held prisoner in the great castle of Chinon in the Loire Valley for two years. He remained loyal to the king during the Baron’s War and is listed as one of the twenty five Barons who guaranteed Magna Carta. In 1217 he married the King’s widow, Isabella, and in 1221 he married Margaret, daughter of King William I of Scotland.
Michael Weiss, “The Castellan: The Early Career of Hubert de Burgh“, Viator, vol. 5 (1974)
2. Burke’s Irish Family Records, 1976, page 338
3. For much of this I am indebted to Rolf Loeber’s invaluable “A Biographical Dictionary of Architects in Ireland 1600 – 1720” (John Murray, 1981). 
4. An English act of 1699 fixed the Irish peacetime military establishment at 12,000 men, as compared to 7000 in England. In practice a section of this army was always deployed outside the kingdom but Ireland was now a major base for Britain’s strategic reserves and consequently bore a considerable share of the overall cost of imperial defence. 
5. While Vicar of Celbridge, Price proposed to Swift’s “Vanessa”. In the late 18th century, Oakly Park was the home of Lady Sarah Napier, one of the famous Lennox sisters. Her sisters Lady Louisa Conolly and the Duchess of Leinster resided at nearby Castletown and Carton respectively. 
6. Arthur was the eldest son of Col. William Henry Charles Wellesley, son of the Rev. the Hon. Gerald Valerian Wellesley D.D., Chaplain to the Queen and Prebendary of Durham, brother of Arthur, 1st Duke of Wellington, and fourth son of Garnet 1st Earl of Mornington.
7. 8,981 DSOs were awarded during the First World War. Each award was announced in the London Gazette together with its accompanying citation.

Rush Hill, Co Roscommon

Rush Hill, Co Roscommon

not in Bence-Jones nor National Inventory 

https://theirishaesthete.com/2016/09/19/rolling-back-the-years/

This week the Irish Aesthete marks its fourth anniversary. It is remarkable that an initiative started almost on a whim has continued for such a long period, and looks set to carry on doing so. The need to find ‘fresh’ (albeit old) material for this thrice-weekly site has encouraged me to take greater interest in, and investigation of, this country’s architectural heritage, providing opportunities to return to old favourites as well as abundant chances to explore other sites hitherto overlooked, at least by myself. There continues to be no shortage of places to visit, photograph (with mixed results) and write about. Sometimes the outcome is a feeling of despondency, but just as often one comes away elated, thrilled to learn there are people across Ireland who care passionately for the preservation of our country’s tangible history and are actively ensuring it has a viable, vibrant future. Such is the case with the house shown today. 

Rush Hill, County Roscommon featured not long after the Irish Aesthete began (see The Folks Who Live at Rush Hill, November 12th 2012) and after an absence of almost four years was recently revisited. Listed as one of the four ‘gentlemen’s seats’ in the area in Samuel Lewis’s 1837 Topographical Dictionary of Ireland it is the only one remaining. The core of the house dates from c.1700 and until almost the end of the 19th century it was the residence for successive generations of the same family of tenant farmers. A fire which broke out not long after it was taken on by another family resulted in a programme of rebuilding and augmentation, as can be seen by the ground floor bay windows. But much of the building would look familiar to earlier occupants, especially after the under the care of its present owners. Rush Hill’s renewal has been a gradual process, one by no means complete. It was fascinating to see how much more had been accomplished over the past four years, and to hear of intended work during the years to come. Thanks to such care the house looks as though it will continue to serve as a ‘gentleman’s seat’ long into the future. 

The Irish Aesthete rather too often focusses on ruins, so it is a delight to feature a building which, prior to being taken on by the present owners, seemed destined to go the way of so many others in this country. One looks forward to reporting more such stories; please feel free to get in touch if you know of any. This site is always looking for further material, and welcomes your thoughts, comments and – provided politely phrased – criticisms and corrections. There are many plans for the year ahead, including expansion into other areas and media. In the meantime, please continue to follow the Irish Aesthete not just here but also on Facebook (TheIrishAesthete) Twitter (@IrishAesthete) and Instagram (the.irish.aesthete). And thank you as always to friends and followers for your kind words and encouragement, these are very much appreciated. 

https://theirishaesthete.com/2012/11/12/the-folks-who-live-at-rush-hill/

The Irish term ‘strong farmer’ refers not to the title holder’s physical strength but to the size of his land holding. Until sequential legislation in the late 19th/early 20th centuries collectively known as the Land Acts, the greater part of this country lay in the possession of a relatively small number of wealthy families, their tenants obliged to survive on tiny holdings of just a couple of acres. Tenantry leasing larger, more economically viable plots of land came to be known as strong farmers and their fiscal strength allowed them to build bigger houses than the usual one- or two-roomed thatched cottage. 
Rush Hill in County Roscommon is just such a house. This has never been a particularly fashionable, or indeed affluent, part of the country but it used to sustain many more such properties; of the four ‘gentlemen’s seats’ identified in the immediate parish by Samuel Lewis in his 1837 Topographical Dictionary of Ireland, Rush Hill is the only one still standing. The core of the house dates from c.1700. By that date, and for the next 200-odd years, much of the region was owned by the King family, beneficiaries of extensive land acquisitions made in the first decades of the 17th century by an ancestor, Edward King, Anglican Bishop of Elphin. 

Rush Hill’s clerical connections are frequent. Within a century of Bishop King taking possession of the land on which the house stands, it was leased together with some 400 acres to a relation of his descendants, the Rev. George Blackburne who became rector of the local parish and built a new church at the end of what was effectively Rush Hill’s drive. Described by Lewis as ‘a neat, plain building with a small spire,’ this survived an ever-dwindling congregation until demolished in 1971. The graveyard survives. 
Unmarried, Blackburne left control of the property to his nephew William Devenish; generations of the same family remained there as major tenant farmers and minor Protestant gentry for the next 150 years. In 1884 the last of the line to live at Rush Hill, Robert Devenish gave up the tenancy and two years later it was let to George Acheson whose heirs continued to live there until 1943, during which time they acquired the freehold of the house and 109 acres from the King estate. Next it passed into the hands of a local farmer but after fifty years the house was abandoned and began to slide into decay, a condition only partially arrested when a Dutch family bought the place in 1997. Ten years ago Rush Hill was acquired by its present owners who ever since have been engaged in diligently restoring house and grounds. 

By the time they assumed responsibility for the place, Rush Hill was in poor shape; it had not been rewired since the mid-1950s when electricity was first introduced to the premises, the only sink was in the kitchen, supplied with water via a rubber hose through a window, and the only lavatory was broken. Almost all the windows needed to be replaced, as did many floorboards and parts of the roof, while the majority of original fittings like chimney pieces had long since been sold or stolen. Likewise outdoors the gardens were overgrown and the yard buildings in a state of total dereliction. 
Given the scale of work required, inevitably it has taken time to achieve the present results. Looking at Rush Hill today, it is hard to imagine the property’s shambolic state a mere ten years ago. While most of the finance for this enterprise has come from the owners’ own resources, they did receive assistance on a couple of occasions from the Heritage Council; one worries the organisation may not be able to provide such support for much longer, given the present government’s apparent determination to emasculate it. 

Rush Hill is precisely the kind of property that deserves help from state agencies, especially when relatively small sums can make a substantial difference. Too often, because the national mindset is fixed on the extremes of Big House and peasant cottage, the idea that our architectural heritage might include other kinds of domestic building tends to be overlooked. Not being one of the region’s more significant properties, Rush Hill could easily have slipped out of existence, like the other three ‘gentlemen’s seats’ in the parish, had it not been rescued just in time. The evolution of Rush Hill took place over three centuries; the core five-bay house probably began as just one-room deep and without the lop-sided extensions to either side of the central block or indeed the latter’s projecting groundfloor bows. Gradually the house grew to reflect successive owners’ affluence and aspirations until achieving its present form. In the process, it came to represent one lesser-known but still important strand of our nation’s history. Without Rush Hill’s patient preservation we should all be the poorer. 

See Robert O’Byrne, The Irish Country House, A New Vision. With photographs by Luke White. Rizzoli, New York, Paris, London, Milan, 2024.

Santry Court, Dublin

Santry Court, Dublin, Gilman Collection, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

p. 254. “(Barry/IFR; Domville/IFR; Poe-Domville, sub Poe/IFR)…[see Lord Belmont] A very important early C18 house of red brick with stone facings, built 1703 by 3rd Lord Barry of Santry, commonly called Lord Santry. …Curved sweeps and wings added later, probably ca 1740-50 by the notorious 4th and last Lord Barry of Santry, commonly called Lord Santry, a leading member of the Hell Fire Club who was tried and convicted before his peers for the murder of a porter at an inn at Palmerstown 1739, but saved from the death penalty on a recommendation for mercy; his estates were restored to him but his peerage was forfeited for life. …Santry was inherited by the Domvilles after the death of the last Lord Barry of Santry 1751….On the death of Sir Compton Domville, 4th and last Bt, 1935, it passed to his nephew, Sir  Hugo Poe, 2nd and last Bt, who assumed the additional name of Domvile. The house was gutted by fire in the 1940s…The doorcase from the entrance front is to be re-erected in Dublin Castle.”

Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

p. 67. “…The fine entrance doorcase is held in store by the OPW.”