Ardee House, County Louth, courtesy National Inventory.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 8. “(Ruxton/LGI1912 and sub Fitzherbert/IFR) A three storey seven bay C18 house of red brick. Small porch with pilasters, pediment and fanlights. Now a hospital.”
Casey, Christine and Alistair Rowan. The Buildings of Ireland: North Leinster. Penguin Books, London, 1993.
p. 120. “W. of the town, off Market Street. Big redbrick Georgian house built c. 1780 for the Ruxton family, whose ancestor, Captain John Ruxton, was granted part of the former property of the Flemings of Slane during the Cromwellian plantation. This is a very plain, large house, seven windows wide on each front, three storeys and a sunk basement, with big chimneystacks at the sides and a parapet hiding the roof. Stone quoins and a tripartite pedimented doorcase. Two rooms deep, with a central hall and staircase behind. Now a hospital for the elderly, with many messy additions.”
Detached seven-bay three-storey over basement former house, built c. 1780, now in use as hospital. Rectangular-plan main block, single-storey projecting porch to centre of front (west) elevation, single-storey over basement flat-roofed extension to north gable, one-bay wide by four-bay deep two-storey flat-roofed extension to south gable c. 1950, full-height rectangular staircase towers to north and south sides of east (rear) elevation c. 1960, single-storey flat-roofed ward block extension to east c. 1965, basement areas to west and north elevations. Hipped slate roofs to main building and south extension, clay ridge and hip tiles, unpainted smooth rendered chimneystacks with projecting flat caps and clay pots, parapet gutter to main block concealed behind parapet wall, cast-iron gutters on continuous concrete eaves corbel to south extension. Red brick walling to front elevation main block, V-jointed ashlar stone quoins, moulded cornice below ashlar parapet; wet-dash walling to north and east elevations, blind roundel with moulded stone architrave interrupted by keystones on vertical and horizontal axis, on north elevation; red brick pilasters sub-dividing wet-dash walling to south extension; unpainted smooth rendered walling to staircase blocks. Square-headed window openings, brick flat arches, dressed stone sills, uPVC casement windows; round-headed window openings to ground floor north gable and stairwell half-landings on east (rear) elevation. Entrance porch to main block with central square-headed door opening, half-round fanlight above transom, open bed triangular pediment; flanked by Doric columns, square-headed sidelights and Doric pilasters at corners; entablature with moulded architrave, plain frieze and moulded cornice; blocking course over; uPVC casements; approached by stone steps. Attached brick and rendered Saint Joseph’s Chapel, built 1929. Rectangular-plan, four-bay hall, single-storey flat-roofed porch to west gable, hipped roof sacristy to east gable. Pitched slate roof, roll-top clay ridge tiles, concrete saddle-back verge copings with pedimented corbelled springers and masonry cross finials, moulded cast-iron gutters, circular cast-iron downpipes. Red brick walling to west gable, painted smooth rendered walling to projecting porch, painted smooth rendered walling to north, south and east elevations, north and south elevations sub-divided into panels by plain pilasters, painted smooth rendered chamfered projecting plinth. Paired round-headed window openings, plain smooth rendered reveals, painted masonry sills, leaded light glazing. Round-headed opening to entrance porch, painted smooth rendered plain reveals, painted smooth rendered string moulding at impost, wrought-iron gates with repousse motifs, chequerboard floor tiling, painted smooth-plastered walls, painted timber panelled double doors to interior. Concrete approach steps and ramp, linked to main block to south. Located to west of town overlooking open countryside to west, wooded grounds to north and east, approached by driveway from north.
Appraisal
This large classically-styled hospital and chapel work together to create a commanding presence on the west side of Ardee. Although much altered, the west elevation of the former house, built for the Ruxton family, retains original proportions and details and a fine entrance porch. The chapel is a pleasant little building with some notable details such as the simple open porch with excellent wrought-iron gates. Views over open countryside to the west enhance the wooded setting.
Ardee House, County Louth, courtesy National Inventory.Ardee House, County Louth, courtesy National Inventory.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 204. “(Westropp/IFR) A house of two storeys over a basement built ca 1780 by John Westropp. Fanlighted doorway; four bay garden front facing across the Shannon. Two bay side. A house with a delightful atmosphere.”
Mellon, County Limerick, courtesy National Inventory.
Detached three-bay two-storey over basement house, built c. 1780, having four-bay single-storey addition to south. Skirt slate roof with rendered chimneystacks. Rendered walls. Square-headed openings to first floor having six-over-six pane timber sliding sash windows. Those to ground floor having nine-over-six pane timber sliding sash windows and limestone sills. Round-headed opening to south elevation with spoked fanlight over eight-over-six pane timber sliding sash window and limestone sill. Square-headed openings to basement with three-over-six pane timber sliding sash windows and limestone sills. Segmental-headed opening having spoked fanlight over half-glazed timber panelled door with flanking timber pilasters having grape motifs, sidelights with render risers and flanking pilasters having grape motifs. Limestone threshold to entrance. Single-bay single-storey outbuilding to east with hipped slate roof and metal weathervane. Rubble limestone and sandstone walls. Square-headed opening having replacement timber battened door. L-plan multiple-bay single-storey outbuilding to west with hipped slate roof and rendered chimneystacks. Rubble limestone and sandstone masonry walls. Segmental-headed arches having brick voussoirs and inset square-headed door openings. Multiple-bay single-storey with dormer attic outbuilding to south having pitched slate roof, brick chimneystacks and rooflights. Rubble limestone and sandstone walls. Brick dovecotes to south elevation, now blocked up. Square-headed openings having replacement casement windows. Segmental-headed carriage arches with red brick voussoirs and inset replacement doors. Pair of square-profile rubble limestone and sandstone piers to north leading to courtyard. Pair of square-profile chamfered limestone piers to west having carved caps, plinths and double-leaf cast-iron spear-headed gates. Flanking pair of cast-iron spear-headed pedestrian gates terminating in second pair of limestone piers. Sweeping walls with limestone copings terminating in third pair of limestone piers.
Appraisal
Built on the site of a Desmond castle, Mellon House is a pleasing middle sized pile of balanced Georgian proportions. It exists largely in its original form and retains much of its original fabric. John Westropp is attributed as the builder of the house. The façade is enhanced by the entrance with its generous fanlight and timber pilasters, which serve to enliven the underlying regular classical form. The courtyard remains largely intact. Finely carved entrance piers further enhance the composition and provide artistic interest to the overall complex.
Mellon, County Limerick, courtesy National Inventory.Mellon, County Limerick, courtesy National Inventory.
The Westropp family are recorded as “of Mellon” from the early 18th century. Bence Jones dates the present house from circa 1780, the Ordnance Survey Field Name Books from 1812. Inhabited by Mrs Jane Westropp (nee Dawson) in the early 1850s. It was valued at £36. This 3 storied house was still in Westropp possession in the late 20th century. It is now run as a stud.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 299. “(Kennedy, Bt/PB) A two storey house with a three bay Victorian front which was added to an earlier range by Abel Buckley, MP, builder of the nearby Galtee Castle. The Victorian front has quoins and wide camberheaded windows surrounded by stone blocking. the older range was once the home of Col John O’Mahony, the Fenian. Since 1973, Loughananna has been the home of Mr and Mrs Robert Kennedy.”
Detached L-plan two-storey house, built c. 1780, with bay window to west elevation and three-bay two-storey extension to front, c. 1860. Hipped slate roof having terracotta ridge tiles, cast-iron rainwater goods and rendered chimneystacks. Rrendered walls with tooled limestone quoins. Camber-headed openings to first floor, south (front) elevation having tooled limestone sills, block-and-start surrounds and voussoirs with bipartite and single one-over-one pane timber sliding sash windows. Camber-headed openings to ground floor having square-headed timber framed door and flanking sidelights, with tooled limestone block-and-start surrounds, voussoirs, and sills. Camber-headed openings having tooled limestone sills, render surrounds and bipartite and single one-over-one pane timber sliding sash windows to first floor, east and west elevations. Camber-headed opening to ground floor, west elevation with tooled limestone sill, render surround and timber framed window. Bay window to west elevation having camber-headed openings with tooled limestone sills, render surrounds and one-over-one timber sliding sash windows. Square-headed openings to east elevation having limestone sills and single and bipartie one-over-one pane timber sliding sash windows and timber framed windows. Camber-headed opening to front with timber door case comprising square-headed opening having half-glazed timber panelled door, side lights and overlight. Limestone steps to entrance. Camber-headed opening to west elevation with render surround, double-leaf glazed timber door and bipartite overlight. Render step to entrance. Square-headed opening to west elevation having glazed timber door. Detached five-bay two-storey former coach house to east. Slate roof hipped to south, pitched to north, with terracotta ridge tiles and cast-iron rainwater goods. Rubble sandstone walls having dressed sandstone quoins. Square-headed openings with limestone sills, red brick block-and-start surrounds and voussoirs and timber framed windows to first and ground floors. Camber-headed opening having red brick block-and-start surround, voussoirs and timber framed window. Square-headed opening with red brick block-and-start surround and voussoirs, having timber battened door. Three-bay single-storey gate lodge to west, c. 1850. Hipped slate roof with timber eaves course and red brick chimneystack. Rubble sandstone walls having roughly dressed quoins. Square-headed openings with limestone sills, red brick block-and-start surrounds and voussoirs, timber framed windows. Lean-to porch to front (north) having timber battened walls on rendered base. Square-headed opening to west elevation of porch. Pair of circular-profile roughcast-rendered gate piers with render caps and double-leaf cast-iron electronic gate to south-west.
Appraisal
This impressive house retains much of its original form and materials. The later Victorian façade is enlivened by the tooled limestone quoins and surrounds, which add variety of texture and material. Its variety of single and bipartite timber sliding sash windows add to its architectural significance, as do the retention of the related coach house and gate lodge, adding context to the site. The Victorian range was added to the earlier house by Abel Buckley MP, who was the builder of the nearby Galtee Castle, County Tipperary. The older range was once the home of Col. John O’Mahony, the Fenian. Galtee Castle was demolished c. 1940.
At the time of Griffith’s Valuation a house at Loughananna was occupied by James McGrath, valued at £10+ and situated on the Kingston estate. By 1906 the mansion house at Loughananna was valued at £50+ and Abel Buckley is recorded as the occupier.
Beechmount House, County Limerick, photograph by Robert French, Lawrence Photograph Collection, National Library of Ireland.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London
p. 35. “(Lloyd/IFR) A three storey five bay Georgian house with single-storey five bay C19 wings, one of them being a conservatory. Triple window in centre of two upper storeys, above C19 glazed porch; solid roof parapets.”
Beechmount House, County Limerick, photograph by Robert French, Lawrence Photograph Collection, National Library of Ireland.Beechmount House, County Limerick, photograph by Robert French, Lawrence Photograph Collection, National Library of Ireland.
Beechmount House, County Limerick, courtesy of National Inventory.
Detached five-bay two-storey H-plan house, built c. 1780. Hipped slate roof with overhanging eaves, brackets and rendered chimneystacks. Rendered walls with limestone plinth course. Square-headed openings to first floor having bipartite four-over-four pane timber sliding sash windows and limestone sills. Square-headed openings to ground floor with bipartite four-over-four pane timber sliding sash windows having geometric multiple-pane overlights and limestone sills. Square-headed opening with concrete surround and timber battened door. Limestone threshold to entrance. Rubble limestone walls to south with square-plan rubble limestone outbuilding having hipped slate roof and cast-iron finial. Square-profile rubble limestone gate lodge to north having stepped crenellations and hipped slate roof. Pointed arch openings with replacement uPVC windows and concrete sills. Those to ground floor having brick voussoirs. Remains of gate lodge to north-west. No roof. Rubble limestone walls with remains of window and door openings. Pair of square-profile cut limestone piers to north having carved caps, plinth and double-leaf spear-headed cast-iron gates. Rubble limestone walls with cast-iron railings terminating in second pair of piers.
Appraisal
This impressive country house, possibly originally H-plan, has many interesting eighteenth-century and later nineteenth-century features. Of particular interest are the projecting end bays, a common feature of high status buildings of this period. The façade is enlivened by the decorative bipartite windows, with ornate multiple-pane overlights to the ground floor windows. The outbuildings and gate lodges complete this attractive group.
Beechmount House, County Limerick, courtesy of National Inventory.Beechmount House, County Limerick, courtesy of National Inventory.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London
p. 20. “(Furnell/IFR) A plain two storey 5 bay late C18 house with an eaved roof and a projecting porch. Sold 1973.”
Detached five-bay two-storey house, built c. 1780. Hipped slate roof with overhanging eaves. Lined-and-ruled rendered walls, stepped render plinth course with base batter to north elevation. Square-headed window openings with two-over-two pane timber sliding sash windows. Tooled limestone sills. Round-headed door opening with timber panelled door and fanlight over. Moulded render doorcase having pilasters flanking door. Door approached by slate paved area. Single-bay single-storey gate lodge to east, bowed to south. Hipped slate roof with red brick chimneystack. Roughcast rendered walls. Square-headed window opening with timber framed windows. Square-headed door opening with recent timber door frame. Render fire surround to interior. Coursed rubble limestone sweep walls to entrance. Terminating in square-profile piers with tooled quoins and flat caps supporting cast-iron double-leaf gates.
Appraisal
The first house built on this site was erected in 1645 but was replaced by the current structure in the mid 1700s, and has seen a number of alterations since that time. The building retains a strong sense of its original historic character, which is enhanced by the retention of the render door case and timber sliding sash windows. The entrance with its cast-iron gates and gate lodge add further historical interest, providing a context to further understanding of the history of the house beyond.
Jamestown, County Leitrim, photographer Edward King Tenison, Kilronan album, c. 1858, NLI ref TEN87
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 160. “(O’Beirne/LGI1912) A hybrid house with a mixture of Georgian and Victorian features; probably a C18 house re-roofed and remodelled C19. Gables with elaborate bargeboards; lunette windows above mullioned windows; two storey three bay end with pillared porch.”
Jamestown House, JAMESTOWN, Jamestown, County Leitrim
Jamestown, County Leitrim, courtesy National Inventory.
Detached four-bay two-storey house, built c.1780 and extensively remodelled c.1930. Hipped slate roof with ridge tiles, cast-iron rainwater goods and rendered chimneystack. Roughcast render to walls. Entrance porch with glazed timber door attached to east end of facade. Single and double timber sash and replacement uPVC windows with stone sills. Cast-iron pump to west wall. Site bounded by random stone wall, rendered piers and cast-iron gates. Piers with cast-iron gates to coach house, erected c.1860.
Appraisal
Although this house has been extensively remodelled, it continues to be significant due to its historical association with the O’Beirne family. It is part of a group of former demesne structures, which were built by Hugh O’Beirne, a campaigner for Catholic Relief leading up to the Rebellion of 1798. The adjacent former coach house, outbuildings, lodge, walls and gates add a further dimension to the site and highlight its former importance within the townscape of Jamestown. The cast-iron gates leading to the coach house are of artistic and technical merit. Decorated with anthemion heads, they appear to be unique n the locality.
Jamestown, County Leitrim, courtesy National Inventory.
Detached six-bay two-storey former coach house, built c.1820, with two-bay pedimented breakfront and half-octagonal rear return. Hipped slate roof with ridge tiles and ashlar chimneystack. Limestone and sandstone roughly dressed random coursed walls with quoins and tooled stone eaves course. Partly blocked-up segmental-arched integral carriage arch openings with cut limestone jambs and brick arches to breakfront and returns. Replacement timber casement windows with brick and cut limestone surrounds and stone sills. Windows inserted into door openings. Cut stone oculus to tympanum. Replacement timber and glazed door to return. Ruinous roughcast rendered outbuildings to north surrounding central yard. Single ashlar gate pier to north.
Appraisal
Classically designed, this former coach house is a fine example of nineteenth-century architecture. The well-proportioned building is enhanced by a subtle breakfront, tooled stone dressings and hipped-roofed return to the rear. The derelict outbuildings contribute to the setting and form an interesting group of structures with Jamestown House, which was home to the O’Beirne family.
Jamestown, County Leitrim, courtesy National Inventory.Jamestown, County Leitrim, courtesy National Inventory.
At the time of Griffith’s Valuation Hugh O’Beirne was occupying a house at Jamestown, barony of Leitrm, valued at £40. Jamestown House was held by the O’Beirne family until the twentieth century though in 1894 Slater refers to it as the seat of Gilbert King, junior. In 1906 it was also valued at £40. It is still extant and occupied.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 92. “A two storey five bay house probably of late C18. Three storey centre bow. In 1814 the residence of George Percy; in 1914, of Frederick James Penrose.”
Detached five-bay two-storey over basement house, built c.1780, with central half-octagonal breakfront to facade. Return and two-storey over basement extension to rear. Hipped slate roof with rendered chimneystacks and cast-iron rainwater goods. Painted random coursed stone walls. Replacement timber casement and sash windows and tooled stone sills. Door opening with replacement timber door accessed by stone steps. Enclosed cobbled yard to rear.
Appraisal
The regular form of this country house is interrupted by the central breakfront to the front elevation. Corduff House is a substantial, well-built stone house located on an elevated site overlooking Corduff Lough to the south. The enclosed rear yard retains its original cobbled surface and contributes to the setting of the house.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 244. “(Newport/Bt,PB1862) A fine two storey house overlooking the city of Waterford from the Kilkenny side of the River Suir, built 1780s by a member of the rich and powerful C18 Waterford banking family of Newport. Long façade with two three sided bows. Pillared hall, magnificent drawing room or ballroom, higher than the other principal rooms; with a ceiling of fine late C18 plasterwork with good doorcases. The house was saved from destruction by Mr Donal O’Neill Flanagan, the architect, who bought it and restored it sympathetically as the offices of his firm.”
Rockshire House, ROCKSHIRE, Waterford (environs of), County Kilkenny
[no image]
Detached seven-bay two-storey over basement Classical-style house, c.1775, on a symmetrical plan comprising three-bay two-storey central block with pair of two-storey canted bay windows to outer bays, and two-bay two-storey flanking ranges having two-bay two-storey side elevations on shallow bowed plans. Restored, pre-1988. Converted to use as apartments, 2001. Hipped slate roof (continuing into half-octagonal sections to canted bay windows) with clay ridge tiles, rendered chimney stacks, slightly sproketed eaves, and cast-iron rainwater goods on rendered eaves. Painted rendered, ruled and lined walls. Square-headed window openings with painted cut-stone sills, nine-over-six or nine-over-nine (ground floor) and six-over-six (first floor) timber sash windows. Round-headed door opening approached by flight of four cut-stone steps having wrought iron railings, painted rendered pilaster doorcase incorporating entablature, and timber panelled double doors having fanlight. Set back from road in own grounds with wrought iron railings to basement on cut-stone plinth, and landscaped grounds to site including forecourt.
Appraisal
An elegantly-appointed middle-size house built by the Newport family forming an important element of the mid to late eighteenth-century domestic architectural heritage of the environs of Waterford City. Distinctive attributes including the bay windows, the Classically-detailed doorcase, and so on all contribute to the architectural design aesthetic of the composition. Having been thoroughly restored under the direction of Donal O’Neill-Flanagan (n. d.) the house remains of additional importance for the historic connections with the Greene family.
Castle Gore (or Old Castle, Deel Castle), Ballina, Co Mayo – lost
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 69. “ (Bourke/LGI1899; Gore, Arran, E/PB; Cuff, Tyrawley, B/DEP) Deel Castle, a C16 tower-house of the Bourkes close to the northern end of Lough Conn, passed, after Col Thomas Bourke has fought on the side of King James in the Williamite War, to the Gore family, afterwards Earls of Arran, who renamed it Castle Gore. The tower-house had a large C18 wing wiht a handsome rusticated doorway added to it; possibly incorporating a C17 range. The front was flanked by a wall and a low office range which probably included parts of the old bawn. In the later C18, the estate somehow became alienated to 1st Earl of Arran’s sister’s son, James Cuff, MP (afterwards 1st and last Lord Tryawley), who built a new house a short distance from the old castle ca 1790; a typical late C18 block of three storeys over basement. Three bay entrance front; tripartite doorway with engaged Tuscan columns and pediment extending over door and sidelights. Plain five bay garden front. Hall with frieze of delicate late-Georgian plasterwork. Long and narrow staircase hall at back of main hall, lit by very tall round-headed window; also with plasterwork frieze. Drawing room with niches on either side of fireplace. Low service wing; office court with stone arcade for coaches; barrel-vaulted underground service tunnel, passing beneath the formal garden. Many-arched bridge over Deel River. The house was severely damaged and the original staircase destroyed during the Rebellion of 1798. Lord Tyrawley left Castle Gore to his illegitimate son, Col James Cuff, who scandalized the County by keeping a French mistress here. After his death, the estate reverted to the Earls of Arran. The house was burnt 1922 and not rebuilt; in recent years the local authority tried to dynamite the ruin, regarding it as unsafe; but it proved so well built that only one corner was blown off. The old castle, which was still intact earlier this century, is now also a ruin.”
Portrait of a gentleman, purported to be Sir Arthur Gore of Newton Gore courtesy of British & Continental Pictures by Bonhams April 28, 2009, painting by Circle of James Latham.Mrs Jane Gore, Countess Of Aran by Isaac Whood 1733 courtesy artory.com. Probaby Jane Saunders(1704-1747), wife of Arthur Gore 1st Earl of Arran.Arthur Saunders Gore, Viscount Sudley, later 2nd Earl of Arran (1734-1809), and his wife Catherine, née Annesley (1739-1770), with their son (?), Arthur Saunders Gore, later 3rd Earl of Arran (1761-1837), as Cupid by Pompeo Batoni 1769.pngElizabeth Gore née Underwood (1761-1829), Countess of Arran by Hugh Douglas Hamilton, sold in Christies 2008. She was the wife of Arthur Saunders Gore 2nd Earl of Arran of the Arran Islands.Anne Jane née Gore daughter of Arthur Saunders Gore, 2nd Earl of Arran of the Arran Islands who married Henry Hatton of Great Clonard in County Wexford and secondly, John James Hamilton, 1st Marquess of Abercorn. Painting by John Opie.
Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
Castle Gore (Old Castle, formerly Deel Castle), Ballina: “A sixteenth century tower house with a wing added in the mid 18C. This wing has a simple rusticated doorcase. Seat of the Gore family, afterwards Earls of Arran. Now a ruin.”
and “Castle Gore, Ballina, County Mayo: A large plain house built c. 1790 for James Cuffe M.P. 1st Lord Tyrawley. The house was severely damaged in the 1798 rebellion. Very fine granite Doric pedimented doorcase. Burnt in 1922. Now a ruin.” \
THE EARLS OF ARRAN WERE MAJOR LANDOWNERS IN COUNTY MAYO, WITH 29,644 ACRES
This family deduces from
GERARD GORE (c1516-1607), citizen, Merchant Taylor, and Alderman of the City of London at the close of the 16th century, who married Helen, daughter of Ralph Davenant, of Davenant Land, Essex.
He died at the advanced age of 91, having had eight sons, of whom,
RICHARD, the eldest, MP for London, d leaving 7 daughters; JOHN (Sir), 4th son, Lord Mayor of London, 1624; PAUL (Sir), of whom presently.
The youngest son,
SIR PAUL GORE (1567-1629), captain of a troop of horse, went over to Ireland with his regiment in the reign of ELIZABETH I, and obtaining large grants of land, which he condensed into a manor, designated Manor Gore, settled there.
Captain Gore wedded Isabella, daughter of Francis Wickliffe, and niece of Thomas, Earl of Strafford, and had issue,
ARTHUR GORE (c1640-97), of Newtown, County Mayo, was created a baronet in 1662, designated of Newtown, County Mayo.
He wedded Eleanor, daughter of Sir George St George Bt, of Carrick, County Leitrim, and had (with seven daughters) four sons, viz.
PAUL, predeceased his father; Arthur; William, of Woodford, MP for Co Leitrim; George, an eminent lawyer.
Sir Arthur was succeeded by his grandson (son of Paul),
SIR ARTHUR GORE, 2nd Baronet (c1682-1741), MP for Ballynakill, 1703-13, Donegal Borough, 1714-14, County Mayo, 1715-42, who married Elizabeth, eldest daughter of Maurice Annesley, of Little Rath, County Kildare, and had four sons and three daughters,
ARTHUR, his heir; Paul Annesley; William; George; Anne; Eleanor; Elizabeth.
Sir Arthur was succeeded by his eldest son,
SIR ARTHUR GORE, 3rd Baronet (1703-73), MP for Donegal Borough, 1727-58, who was created, in 1758, Baron Saunders, of Deeps, County Wexford, and Viscount Sudley, of Castle Gore.
His lordship was advanced to an earldom, in 1762, in the dignity of EARL OF ARRAN, of the Arran Islands, County Galway.
He espoused Jane, heiress of Richard Saunders, of Saunders Court, and relict of William Worth.
ARTHUR CHARLES JOCELYN CHARLES [GORE], 6th Earl, KP, PC; Knight of St Patrick, 1909; Privy Counsellor, 1917; Lord-Lieutenant of County Donegal, 1917-20. The 6th Earl is pictured above, wearing the robe, sash and insignia of the Most Illustrious Order of St Patrick.
Address to 6th Earl and Countess of Arran on their marriage
“We, the Tenants on your Lordship’s Mayo Estate, and their friends, have heard with the utmost pleasure of your Marriage, and in meeting assembled, unanimously and with sincere and cordial feelings have passed the following resolution …”
The Earls of Arran were a “Patrick family”, the 2nd, 4th, 5th and 6th Earls all having been appointed to the Order of St Patrick.
The present Earl and Countess of Arran live at Castle Hill House, near Barnstaple, Devon.
***** CASTLE GORE, or Deel Castle, near Crossmolina, County Mayo, is a 16th century tower house of the Bourkes.
It is close to the northern end of Lough Conn.
After Colonel Thomas Bourke had fought on the side of JAMES II in the Williamite War, the property was forfeited and given to the Gore family, afterwards Earls of Arran, who renamed it Castle Gore.
The tower-house had a large 18th century wing with a handsome rusticated doorway added to it, possibly incorporating a 17th century range.
They also acquired the manor of Belleek from the O’Haras, Barons Tyrawley, and owned estates in County Donegal.
The castle along with other lands was leased to James Cuff, Lord Tyrawley, towards the end of the 18th century; occupied by the Cuffs’ steward for part of the 19th century.
James Cuff, Lord Tyrawley, built a house beside the Old Bourke Castle in 1791.
The house was burnt in 1922 when the Arrans removed to England. It was not rebuilt.
The old castle, which was still intact in the early 20th century, is now a ruin.
The Earls of Arran’s London residence was The Pavilion, Hans Place.
First published in October, 2012. Arran arms courtesy of European Heraldry.
Castle Gore (or Old Deel Castle), County Mayo, courtesy National Inventory.
Detached three-bay (three-bay deep) three-storey over basement country house, built 1789-92, on a symmetrical plan with five-bay full-height rear (west) elevation. Damaged, 1798. Occupied, 1911. Burnt, 1922. In ruins [complete], 1942. In ruins [partial], 1978. Roof now missing with remains of paired limestone ashlar central chimney stacks having corbelled stepped capping supporting yellow terracotta octagonal pots, and no rainwater goods surviving on ivy-covered dragged cut-limestone stepped cornice retaining cast-iron downpipes. Creeper- or ivy-covered fine roughcast walls on benchmark-inscribed dragged cut-limestone chamfered cushion course on rendered plinth. Square-headed central door opening in tripartite arrangement with steps now missing, cut-granite doorcase with engaged Tuscan columns on stepped plinths supporting “Cyma Recta” or “Cyma Reversa” pediment on blind frieze centred on dragged cut-limestone panel. Square-headed window openings (basement) with drag edged dragged cut-limestone sills, and concealed drag edged tooled cut-limestone block-and-start surrounds with no fittings surviving. Square-headed window openings (remainder) with drag edged dragged cut-limestone sills, and concealed red brick block-and-start surrounds with no fittings surviving. Interior in ruins including (ground floor): central entrance hall retaining decorative plasterwork cornice to ceiling on foliate- or vine-detailed frieze. Set in unkempt grounds. Additional photography by James Fraher
Appraisal
The shell of a country house erected for James Cuff MP (1747-1821), first and last Lord Tyrawley (DIA), representing an important component of the late eighteenth-century domestic built heritage of north County Mayo with the architectural value of the composition, ‘a fine modern residence’ recalling the near-contemporary Clogher House (1770), Clogher (see 31310001), confirmed by such attributes as the deliberate alignment maximising on panoramic vistas overlooking gently rolling grounds and the meandering Deel River; the compact near-square plan form centred on a Classically-detailed doorcase ‘similar in style to Enniscoe [see 31303803]’ (Craig and Garner 1976, 35); and the diminishing in scale of the openings on each floor producing a graduated visual impression. Although reduced to ruins during “The Troubles” (1919-23), and thereafter unsuccessfully dynamited in the later twentieth century (Bence-Jones 1978, 69-70), the elementary form and massing survive intact together with remnants of the original fabric, both to the exterior and to the interior including, remarkably, some decorative plasterwork enrichments highlighting the now-modest artistic potential of the composition. Furthermore, adjacent outbuildings (extant 1838); a walled garden (see 31303007); an ivy-enveloped icehouse (see 31303008); and a ruined Episcopal church (see 31303010), all continue to contribute positively to the group and setting values of a fragmented estate having historic connections with the Cuff family including the hermetic Colonel James Cuff MP (1778-1828) ‘who, aspiring to parliamentary honours, was publically taunted by Daniel “The Liberator” O’Connell [1775-1847)] as to his questionable parentage’ (ITA 1942); and Colonel St. George Cuff (1796-1883), ‘late of Deelcastle County Mayo’ (Calendars of Wills and Administrations 1883, 177); the Earls of Arran including Arthur Saunders Gore (1839-1901), fifth Earl of Arran and one-time Lord Lieutenant of County Mayo (fl. 1889-1901); and Lieutenant-Colonel Arthur Jocelyn Charles Gore JP DL (1868-1958), sixth Earl of Arran; and a succession of stewards including James Dunbar (1843-1920), ‘Farm Steward’ (NA 1901); and Thomas Vaughan (—-), ‘Steward [and] Caretaker’ (NA 1911).
Castle Gore (or Old Deel Castle), County Mayo, courtesy National Inventory.Castle Gore (or Old Deel Castle), County Mayo, courtesy National Inventory.Castle Gore (or Old Deel Castle), County Mayo, courtesy National Inventory.
‘Many a time I walked for three or four hours without meeting even one human being. Here and there a stately mansion, around it the gate lodge of the serf, the winding avenue, the spreading oaks, and the green fields in which no man was visible. Landlordism, the willing instrument of British rule, had wrought this desolation. I renewed my resolve to do my share in bringing about the change that must come sooner or later.’ Dan Breen, My Fight for Irish Freedom (1924)
The ruins of the late 18th century Deel Castle, otherwise known as Castle Gore, in County Mayo have featured here before (see Sent Up in Flames « The Irish Aesthete) but rather confusingly the remains of a second, older building with the same name stand close by. The original Deel Castle – which might be classified as the real Deel – is a tower house sitting above the river Deel, thought to date from the 16th century when constructed by the Bourke family, then dominant in this part of the country. Like so many other such buildings, it is rectangular but larger than usual, of four storeys and with a substantial bartizan on the south-west corner of the roofline, above which rise tall, narrow chimneystacks. As is also typical of tower houses, there is only one point of access, a modest arched doorcase on the west side. It remained in the possession of the Bourke family until the late 17th century when, after Colonel Thomas Bourke had fought on the side of King James in the Williamite Wars, the property was forfeited and granted to Sir Arthur Gore.
Born in London, Paul Gore (created a baronet in 1622) had come to Ireland in the late 16th century in the service of Elizabeth I as commander of a troop of horse and eventually settled in County Donegal, representing Ballyshannon for a number of years in the Irish House of Commons. Arthur Gore (created a baronet in 1662) was his second son, and likewise both a soldier and politician, becoming High Sheriff of both Mayo and County Galway, and later of Leitrim. Having settled in Mayo, he received the Bourkes‘ former property, Castle Deel and in due course, his son having predeceased him, passed this to his grandson, also called Arthur Gore. When Mrs Delany visited the place in 1732, she noted, ‘tis an old castle patched up and very irregular, but well fitted up and good handsome rooms within. The master of the house, Arthur Gore, a jolly red-faced widower, has one daughter, a quiet thing that lives in the house with him; his dogs and horses are as dear to him as his children, his laugh is hearty, though his jests are course.’ The second baronet’s son, yet another Arthur, was created Earl of Arran in 1762. It would appear that the family continued to live in Deel Castle but towards the end of the 18th century, the estate was leased to James Cuff, first (and last) Lord Tyrawley who built the now-ruined house within sight of the old castle. Cuff’s mother Elizabeth was a sister of Lord Arran, which helps to explain why he should have been granted a lease on the place. Lord Tyrawley had no legitimate heirs, although he had two illegitimate sons by an actress, one of whom, James Duff, lived in the new Deel Castle until his death in 1828, after which that building reverted back to the third Earl of Arran. As for the old castle, it was occupied by Colonel St George Cuff, thought to have been the illegitimate son of James Cuff; the colonel’s wife Louisa Maria Knox Gore, was descended in the maternal line from the second Earl of Arran, making the family connection clearer. It was only after the colonel’s death in 1883 that the old castle likewise returned to the Gores and remained with them until after 1921 when the new house was burnt by the IRA and left the ruin still seen today.
As already mentioned, the original Deel Castle was a substantial tower house. To the east of this, possibly as early as the 17th century, an extension was built which was probably further improved in the 18th century. A bartizan on the south-east corner of the extension certainly suggests an early date, since it would come from a time when the occupants of the building would consider themselves vulnerable to attack. In any case, this section is of three storeys and five bays, with a limestone Gibbsian doorcase on the groundfloor. The outline of a gable on the eastern side of the facade indicates that a further building once stood here, perhaps to match that which still extends forward immediately beyond the tower house to the west, thereby creating a courtyard in front of the building. Little remains inside either the original or the later structure, the roof long gone, along with the various floors, windows and chimneypieces: the external walls alone now survive. This decay has occurred only in the past 100 years since, unlike its neighbour, Deel Castle was not burnt during the early 1920s but still occupied. Only afterwards was it abandoned, and left to fall into the present state of ruin.
Castle Gore is a shell of an eighteenth century building that is located between the towns of Crossmolina and Ballina in County Mayo. While strictly not a castle but a large house, it inherited the moniker of being a castle from the older sixteenth century tower house nearby. While both structures are often confusingly referred to as Castle Gore, for simplicity I shall refer to the sixteenth century tower house as Deel Castle and the eighteenth century mansion as Castle Gore. Deel Castle is situated beside the river from which it took its name and was erected by the Burkes in the sixteenth century. It was occupied by that family up until the seventeenth century after which Sir Arthur Gore was granted possession of Deel castle and its lands. In the following years the castle was enlarged and improved with the addition of a large eighteenth century wing which possibly incorporated a seventeenth century range.
Very few pictures exist of Castle Gore and in this previously unpublished view, the garden front of Castle Gore can be seen which overlooked the gardens and the river beyond. The house was built in 1791 by James Cuff, the first and last Lord Tyrawley and to the left of the picture can be seen the service wing which was accessed by a tunnel from the road below.Accreditation- Photo from Maurice Knox
Near the end of the eighteenth century, the Gore family leased Deel Castle and its lands to James Cuff of Ballinrobe. In 1791, James Cuff, the first and last Lord Tyrawley built a new mansion a short distance from the old Deel Castle, on the opposite side of the road overlooking the river. It was a substantial Georgian block of a house with three stories over a basement. It had a three bay entrance front which contained an impressive tripartite entrance door which had Tuscan columns on either side that supported a large pediment. The five bay garden front of the house faced the river and well tended gardens surrounded the house. The access arrangements for the servants were located on this side of the mansion and a tunnel from the road led under the manicured lawn to a courtyard and servants entrance. Arrangements like this were common, as often the upper-class residents of the house did not like the sight of servants and delivery carriages traipsing across their lawns and interrupting their view of the formal gardens. To the side and rear of the house was a low service wing and office court which housed all the ancillary parts of the household. Kitchens, laundries and areas for administration of the estate such as the Stewart’s office were all located here. James Cuff who built the house was directly related to the Gore Family, from whom he leased the lands, by his mother Elizabeth. She was the sister of Arthur Gore, the first Earl of Arran (1703-1773) and daughter of Sir Arthur Gore, second Baronet Gore of Newtown Gore (1685 -1742). In the peerage, both of these gentlemen are listed as living in Deel Castle during their life times.
Mary Delany visited Deel Castle in 1732 and recorded her impressions, ‘tis an old castle patched up and very irregular, but well fitted up and good handsome rooms within. The master of the house, Arthur Gore, a jolly red-faced widower, has one daughter, a quiet thing that lives in the house with him; his dogs and horses are as dear to him as his children, his laugh is hearty, though his gests are course’. Whether it was James Cuff’s uncle or grandfather living in Deel Castle at this time, I can’t be sure. The Gore family’s occupation of Deel Castle may have been the reason behind the construction of the new mansion in 1791. James Cuff married Mary Levinge in 1770 and he was created first Baron Tyrawley of Ballinrobe on November 7, 1797. In the late eighteenth century, Daniel Beaufort and his wife Mary visited Castle Gore, here they met ‘several gents of the neighbourhood’ and ‘Dinner here was plain & good & well served, but one course & no desert but apples. They kill a beef every fortnight, two sheep per week, feed forty-five people daily and have a French maitre d’hotel’.
Castle Gore was burnt down in September 1922 and has remained a ruin since. In the 1950s the local council dynamited the building in order to demolish it, but they only succeeded in blowing off one corner of the building.Accreditation- Photo by David Hicks
During the rebellion of 1798, the house was severely damaged and the original staircase destroyed. Lord Tyrawley’s wife died in 1808 followed by the death of Lord Tyrawley and his title on June 15, 1821. He is listed as having died without legitimate issue but he left Castle Gore to his illegitimate son, Colonel James Cuff who scandalized the county by keeping a French mistress in the new mansion. Colonel James also left his mark on the estate, as a short distance from the ruins of Deel Castle and Castle Gore are the walls of a small church. According to local tradition it was never fully completed and only one service was ever held there. It is said that Colonel Cuff had his parentage questioned by Daniel O Connell and after this incident he cut himself off from polite society and retired to Castle Gore. The church was erected for his private use and still survives today in a ruined state surrounded by modern houses. The entrance gates to the Castle Gore demesne were located in this area but no traces of them can be found today. Colonel James Cuff died in London on July 29, 1828 and the mansion at Castle Gore returned to the ownership of the Gore family.
The church that was said to have been erected by Colonel James Cuff for his private use in the early 1800’s. The gates to the estate were said to be situated nearby but no trace of them exists today. Only one service was ever thought to have been held in this ruinous building.Accreditation- Photo by David Hicks
In the early 1800s, the sixteenth century Deel Castle was occupied by Colonel St. George Cuff. He was born in 1796 and was said to be the second surviving son of James Cuff. His name does crop up in the national press over the years in connection with Deel Castle; in October 1861, Colonel Knox from Ballinrobe is listed as returning from a visit to Deel Castle the home of Colonel St. George Cuff and in 1876, Colonel St. George Cuff of Deel Castle is recorded as owning 3,205 acres in County Mayo. He was married to Louisa Maria, a daughter of James Knox Gore from Broadlands Park in County Mayo. Louisa Maria’s mother, was the daughter of the second Earl of Arran, thus another union that cemented the ties between the two families of Cuff and Gore. By July 1880, Colonel Cuff who is still living in the castle is described as a ‘feeble old man’ and ‘a most indulgent landlord’. By June 1883 it is recorded in the national press that he passed away in the previous years. Now the lands, Deel Castle and the mansion house were under the control of the Earl of Arran and the Gore Family. One of the people who is most associated with the new mansion at Castle Gore was Arthur Saunders William Charles Fox Gore, fifth Earl of Arran who was born in 1839 in Bath, Somerset England.
This is what remains of the formal landscape that Castle Goreonce overlooked which is situated by the banks of the River DeelAccreditation- Photo by David Hicks
In the years from 1892 to 1894, the architectural partnership of Millar & Symes carried out work for the fifth Earl of Arran at Castle Gore. It is also noted during the same period they were making regular visits to nearby Mount Falcon, a home belonging to a branch of the Knox family. A visitor to Castle Gore in August 1898, at the invitation of the Earl and Countess of Arran, recorded an interesting account of what they seen in the house. The Countess received her guest in the drawing room and afterwards the Earl conducted a tour of Deel Castle. The lawns around the house are described as ‘velvet’ and that they ‘undulate towards the river’. The visitor to Castle Gore describes a rich collection of works of art that were housed in the drawing room. There were two Gainsboroughs, a painting by Sir Joshua Reynolds together with a landscape by Constable and many items of interest such as a marble burst of the Countess Sudley. In the dining room there was a painting of ‘A Large Hound’ by Velasquez, set in a carved gilt frame that hung over the mantel piece. There were numerous other paintings hanging in this room including another by Reynolds. The entrance hall of the house had a delicate frieze of late Georgian plasterwork off which there was a long and narrow staircase lit by a very tall round headed window with decorative plasterwork. The drawing room had niches on either side of the fireplace and tall windows overlooked the formal gardens and the River Deel beyond.
The sixteenth century tower house that is named Deel Castle and is located near the ruin of Castle Gore.Copyright- Photo by David Hicks
It was customary for the tenants of the estate to make presentations to the Earl of Arran and his family on various milestones in their lives. In July 1894, Lady Esther Gore, the daughter of the fifth Earl of Arran, married William Frederick Danvers Smith, second Viscount Hambleden. She visited Castle Gore in the autumn to be presented with a wedding gift by the Earl of Arran’s tenants, who all had subscribed to the presentation. In January 1901, the home coming of Lord Dudley, son of the Earl of Arran, from the War in South Africa was also marked with gifts from the tenantry. The tenants presented him with an address of welcome and a silver cup, while the estate workmen and outdoor servants presented a silver inkstand as a mark of their personal esteem. Lord Dudley’s carriage was met at the entrance gate by the tenants and workmen, where a triumphal arch had been erected. The men removed the horses from the carriage and pulled it up to the front of house where it was warmly welcomed by the assembled mass of tenants and those employed on the estate. The Earl of Arran and his son were in the carriage and upon their arrival at the front door of Castle Gore; they were addressed by Rev. Perdue. The clergy man spoke on behalf of the tenants and expressed gratification of being able to welcome Lord Dudley back again. A tenant on the estate by the name of John Mc Givney read an illuminated address decorated in an artistic manner by James McConnell of Sackville Street in Dublin. The silver cup was presented by Christopher Armstrong on behalf of the tenants and both it and the accompanying ink stand were engraved with inscriptions recording the event. In the 1901 census, the mansion at Castle Gore is listed as being inhabited by five people and having thirty-one rooms, ten windows in its entrance front and fifteen outbuildings. Living in Castle Gore at this time is the Dunbar Family from Scotland, with James Dunbar listed as a farm stewart, his wife Jessie, daughter Hannah and two other servants. These persons living in the house at this time were probably acting as caretakers as the Earl and Countess of Arran had other homes in England that they divided their time between.
The entrance tunnel for servants, which used to run under the front lawn of Castle Gore that faced the garden and the river. Servants and goods entered the courtyard to the rear of the house in order not to disturb the beauty of the formal landscape above. Today sections of this tunnel have collapsed and the remainder is used for the storage of farm vehicles.Copyright- Photo by David Hicks
Winifred, Countess of Arran, the wife of the fifth Earl of Arran, spent many months every year in residence at Castle Gore. She was the second wife of the fifth Earl and step mother to the future sixth Earl of Arran. The Countess was a former Lady-in-Waiting to Princess Christian and was in attendance on Her Royal Highness when she had accompanied Queen Victoria on her final visit to Dublin. In 1892, the philanthropic Countess of Arran established a knitting industry with a capital of £3 which provided employment to the women and girls from around the locality of Castle Gore, The work was so good that one hundred girls were kept in employment with orders for knickbockers from both England and abroad. The work was sent from Castle Gore on approval, so people could judge for themselves the merits of the work. In June 1902, an advertisement appeared in The Irish Times informing people that hand knitted socks could be procured from the Knitting Industry, Castle Gore, Ballina. The stockings fetched as much as 4s 6d a pair in London and bales of them were frequently sent to France and Italy where the work commanded very favourable prices. The Countess spent time every year, mainly during summer months, at Castle Gore until she died in November 1921. Arthur Saunders William Charles Fox Gore, fifth Earl of Arran, died on March 14, 1901 aged 62. He had homes in Hertford Street and Mayfair London in addition to his estate at Castle Gore in the west of Ireland. He left £100 to his butler Frederick Bax and his nurse Martha Hill. His diamond star of the Order of St. Patrick he bequeathed to his daughter, Lady Winifred Helena Lettice Gore together with £5000. The residue of his property went to his son Captain Arthur Jocelyn Charles Gore, Viscount Sudley, now the sixth Earl of Arran with a request that he give a keepsake to each of his children. The Earls estate was valued at £44,608 4s 6d and he was buried at Windsor Cemetery, Berkshire, England.
Lieutenant Colonel Arthur Jocelyn Charles Gorewho inherited Castle Gore after the death of hisfather in 1901.
Lieutenant Colonel Arthur Jocelyn Charles Gore succeeded his father as the sixth Earl of Arran and in the early 1900s and the new Earl and Countess of Arran divided their time among their homes in Ireland and England. During the years between 1900 and 1906 the house in County Mayo was only occasionally visited and it appears that the new Earl was not as attached to Castle Gore as his father had been. The house was only occupied during the spring and summer months and remained closed the rest of the year. Eventually it was visited less and less, as both the Earl and Countess of Arran seemed to prefer to spend a lot of time at their villa in Cowes, an English seaport town on the Isle of Wight. In the spring of 1905, they closed up Castle Gore and spent the remaining months at the villa in Cowes with the Earl returning to London on occasion for business. Castle Gore was then used for entertaining friends and family on occasion. In January 1908, the Earl of Arran entertained some friends at Castle Gore for a woodcock shoot. The best days shooting was much spoilt by bad weather, but an excellent bag was secured, namely 72 woodcocks, 130 pheasants, 3 wild ducks, 2 snipe, 16 rabbits and 2 hares. In the summer of 1910, the Earl and Countess of Arran stayed at Hyde Hall in Hertfordshire and Castle Gore was let to the Lord Chancellor of Ireland and his wife, Lady Walker. By the time of 1911 census, the mansion at Castle Gore was only inhabited by Thomas Vaughan and his wife Mary. Thomas has listed his profession as a steward and caretaker and Mary is described as a house keeper. Unusually at the time, he has listed his religion as Church of England whereas his wife is a Catholic. The mansion of Castle Gore is recorded as having thirty-two rooms, eight windows on its entrance front and fourteen out buildings. At the time of the 1911 census, the ancient sixteenth century Deel Castle was uninhabited and remained so until its roof was removed in the 1930s.
The above map which dates from before 1913 shows the extent of the estate and also the proximity of Deel Castle and Castle Gore
The end for Castle Gore came September 3, 1921, when a band of masked and armed men surrounded the house with the intention of burning it down. The caretaker said that sixteen men arrived at the door of the castle at 2 o’clock in the morning. When he answered the door, he was faced by a number of revolvers and placed under guard. The masked men proceeded to saturate the building with petrol and paraffin oil which ignited quickly. In a few moments the mansion was a mass of flames and by day break was in ruins. A newspaper report from the time said that the castle contained very valuable antiques and oil paintings. There were 350 paintings supposedly lost in the fire and the damage to the house was estimated at £100,000. Later the same month a claim for compensation in the amount of £30,000 was lodged with the Provisional Government by the Earl of Arran for ‘deconstruction of premises’ at Castle Gore. Given the low amount of compensation sought, possibly a lot of paintings and items from Castle Gore had been removed to England for safe keeping. This was a decision taken by many landlords at the time as they were all too well aware of the threat posed of having their houses in Ireland burnt down. As Castle Gore was let out on occasion and with the small amount of time the Earl spent there, I would imagine that the majority of personal effects and valuable items left the mansion in Crossmolina long before the fire occurred in 1921. The house continues to stand in the landscape but its gaunt walls bear little resemblance to the house that existed before 1921. The ancient Deel Castle, the Castle Gore ruins and the estate lands were eventually sold to the Land Commission who divided them up among former tenants of the estate. The Earls of Arran maybe gone from County Mayo but the estate did have a connection with another great house in Ireland. Lady Beit of Russborough House in County Wicklow was the grand daughter of Mabell, Countess of Airlie, who was a daughter of the fifth Earl of Arran, who had grown up at Castle Gore. In more recent times the ruins of the house were to suffer another indignity, when in the 1950s the local authority tried to dynamite the ruin in the interests of public safety. This act of further vandalism on Castle Gore only resulted in one corner being blown off, leaving the truncated hulk that we see today.
Deel Castle is named after the river on whosebanks on which it is situatedCopyright- Photo by David Hicks
This is a four-storey 16th century tower-house which belonged to the Bourkes. It was forfeited after the Williamite Wars and given to the Gore family. In the 18th century the Gores built a large house nearby which the named Castle Gore. This name was eventually applied to the old castle as well. The tower still stands to full height although the roof is missing. There are square bartizans at two adjacent corners. At some time, possibly in the 18th century, a three-storey annex was attached to the opposite wall. This was provided with a similar square bartizan at one of its free corners. It is not clear whether this new bartizan was a fully functional structure or simply a decorative architectural embellishment.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
“(Fortescue, sub Hamilton/IFR) A square Georgian house of two storeys over a basement, five bays long and five bays deep, enlarged ca 1820 by the addition of two wings of one storey over a basement, running the full depth of the house and prolinging the front and rear elevations by two bays on either side. One of the wings was demolished ca mid-C19; that which survives has large tripartite fanlighted windows in both its elevations. The entrance front has a fanlighted and rusticated doorway, now obscured by a porch with engaged Doric columns. Some time in the earlier part of C19, the windows were given Tudor-Revival hood mouldings; but late C19 the house was refaced with cement, and the hood-mouldings were replaced by Classical pediments and entablatures. Parapeted roof. Long central axial hall with a pair of columns at far end. Drawing room with broad plasterwork frieze of foliage and C19 decorative plasterwork panels on walls. After the death of Mrs Pyke-Fortescue, 1966, Stephenstown was inherited by her nephew, Major Digby Hamilton, who sold it ca 1974.”
Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
p. 109. “A large late 18C house to which wings were added in the early 19C. Built for the Fortescue family. One wing was later demolished. Good interior. The house is now derelict.”
THE FORTESCUES WERE MAJOR LANDOWNERS IN COUNTY LOUTH, WITH 5,262 ACRES
This is a cadet branch of FORTESCUE of Dromiskin (from whom descended the EARLS OF CLERMONT, and the BARONS CLERMONT and CARLINGFORD).
WILLIAM FORTESCUE, of Newrath, County Louth, younger son of SIR THOMAS FORTESCUE, of Dromiskin, married Margaret, daughter and heiress of Nicholas Gernon, of Milltown, County Louth, and died in 1734, leaving, with other issue, a third son,
CAPTAIN MATTHEW FORTESCUE, Royal Navy, who wedded, in 1757, Catherine Doogh, and had (with a daughter, Catherine) a son,
MATHEW FORTESCUE, of Stephenstown, who espoused Mary Anne, eldest daughter of John McClintock MP, of Drumcar, and had issue,
MATHEW, his heir; Anna Maria; Harriet; Emily.
The only son,
MATHEW FORTESCUE DL (1791-1845), of Stephenstown, married, in 1811, Catherine Eglantine, eldest daughter of Colonel Blair MP, of Blair, and had issue,
Mathew Charles, died in infancy; JOHN CHARLES WILLIAM, his heir; Frederick Richard Norman, father of MATTHEW CHARLES EDWARD; William Hamilton; Clermont Mathew Augustus.
Mr Mathew Fortescue was succeeded by his eldest surviving son,
JOHN CHARLES WILLIAM FORTESCUE JP DL (1822-91), of Stephenstown, and Corderry, Lieutenant-Colonel, RA; High Sheriff of County Louth, 1861, Vice Lord-Lieutenant of County Louth, 1868-79, who wedded, in 1857, Geraldine Olivia Mary Anne, daughter of the Rev Frederick Pare, by the Hon Geraldine de Ros his wife.
He dsp in 1891, and was succeeded by his nephew,
MATTHEW CHARLES EDWARD FORTESCUE JP DL (1861-1914), of Stephenstown, High Sheriff of County Louth, 1903, Major, 6th Battalion, Royal Irish Rifles, who wedded, in 1894, Edith Magdalen, eldest daughter of Sir Charles Arthur Fairlie-Cunninghame Bt, though the marriage was without issue.
*****
After the death of Mrs Pike-Fortescue in 1966, Stephenstown was inherited by her nephew, Major Digby Hamilton, who sold it about 1974.
STEPHENSTOWN HOUSE, near Dundalk, County Louth, was a square Georgian house of two storeys over a basement, five bays long and five bays deep.
The house was extended in 1820 by the addition of two wings of one storey over the basement. One of these wings was demolished later in the 19th century.
At some time in the earlier part of the 19th Century the windows were given Tudor-Revival hood mouldings, but later the house was refaced with cement and the hood mouldings replaced by classical pediments and entablatures.
Alas, the once-great mansion is now ruinous.
Although neglected in recent years, Stephenstown House continues to play a vital role in its surroundings.
It is located on the highest point in the locality dominating the skyline and providing a point of drama in the landscape.
The outlying buildings are in fair condition and their survival contributes further to Stephenstown’s significance.
Stephenstown, County Louth, courtesy National Inventory.
Detached five-bay two-storey over basement house, built c. 1790, now in ruinous condition, single-storey addition to south c. 1820, porch to entrance front, c. 1840. Hipped slate roof, partly missing, rendered chimneystacks to main house, red brick north wing. Cast-iron rainwater goods, partly missing. Unpainted cement-rendered walling, limestone trim, continuous eaves cornice, sill course, quoins. Square-headed window openings, rendered surrounds to first floor with flat entablatures, pedimented to ground floor, segmental-headed window openings at wing to north in moulded Gibbsian-style surround, all windows missing. Segmental-headed door opening in Gibbsian-style surround behind porch c. 1840, entablature supported on Tuscan columns. Located on top of elevated position overlooking surrounding countryside, now surrounded by fields. Range of farm buildings to south-east including concrete water tower, single-storey rubble stone farm buildings corrugated fibre-concrete sheeted roofs, red brick surrounds to loop windows. Tower keep in curtilage of south-west, now surrounded by fields.
Appraisal
Although neglected in recent years Stephenstown House continues to play a vital role in its surroundings. Built by the Fortescue family, it is located on the highest point in the locality dominating the skyline and providing a point of drama in the landscape. The outlying buildings are in fair condition and their survival contributes further to Stephenstown’s significance.
Stephenstown, County Louth, courtesy Archiseek.Stephenstown, County Louth, courtesy Archiseek.
Built in 1785 by Matthew Fortescue for his new bride Marian McClintock. A square Georgian house of 2 storeys over a basement 5 bays long and 5 bays deep. Extended in 1820 by the addition of 2 wings of one storey over basement. One of these wings was further demolished later in the 19th century.
Stephenstown, County Louth, courtesy Archiseek.
After the death of Mrs Pyke-Fortescue, Stephenstown was inherited by her nephew who sold it in 1974. Increasingly derelict, the house is now a ruin with portions of the roof collapsing through the structure.
Stephenstown House near Dundalk. On March 19 1735, Mr. Richard Taaffe of Manfieldstown granted a lease of the lands of Stephenstown, Ballyclare and Ballinlough (a later deed confirms that the townland of Knocktavey was also included, together with the dwelling house and demesne of Stephenstown) to Mr. John Taaffe. On 14th February 1740, John Taaffe surrendered the lease of all the above lands to Mr. Page, a money lender from Dublin, who immediately re-leased on the same terms and conditions to Chichester Fortescue, the second son of William Fortescue and Margaret Gernon. Chichester, who lived at Dellin in the parish of Darver, never married and when he died in 1747 he left all his property to his younger brother, Mathew, who continued with the lease on the above named land. Stephenstown House was built in 1785 by Matthew Fortescue (son of the above Mathew), for his bride Marian McClintocka.k.a. Mary Anne. A square Georgian house of 2 storeys house. Extended in 1820. In 1817, William Galt was contracted by Matthew Fortescue to build two ponds, the water being needed for new gardens which had recently been constructed at Stephenstown house and also to drive to the grinding mills in the house farmyard. William Galt who was married to Agnes Burness, the sister of the famous Scottish poet Robert Burns. Galt was retained as manager to Mr. Fortescue after the completion of the ponds with the generous salary of 40 guineas per annum – the post also came with the use of a cottage as well as land for keeping a cow and growing vegetables. William and Agnes had no children but lived comfortably for the rest of their lives. Agnes lived to be 72 years old and died on October 17th 1834, her husband survived her by 13 years and died on March 3, 1847. The couple are buried in St Nicholas Cemetery in Dundalk.
Marianne Fortescue (1767-1849) married to Matthew Fortescue who wrote a diary at the family home on Merrion Street in Dublin where they were staying when the 1798 uprising broke out. Her diary is of significant historical value. In July 1798 she was able to return to Stephenstown House, Country Louth. Stephenstown house remained in the Fortescue family until recent times. When Mrs Pyke-Fortescue died in 1966, Stephenstown was inherited by her nephew Major Digby Hamilton who sold it in 1974. It was let fall into ruin in the 1980’s.
Stephenstown pond is now a nature park and tourist attraction
During the reign of James I the splendidly named Sir Faithful Fortescue whose family originated in Devon came to this country where prior to his death in 1666 he bought an estate in County Louth. From him descended several branches of the Fortescues, one of which eventually acquired the titles of Viscount and Earl of Clermont. Meanwhile the parcel of land first acquired by Sir Faithful was further supplemented by various successors and came to include an estate called Stephenstown close to the village of Knockbridge. Here sometime around 1785-90, Matthew Fortescue built a new house to mark his marriage to Mary-Anne McClintock whose own Louth-based family had, through her mother (a Foster), already inter-married with the Fortescues.
Stephenstown is a large, square house of two storeys over raised basement and with five bays to each side. Around 1820, the next generation of Fortescues added single-storey over basement wings to either side but that to the south was subsequently demolished. At some other date seemingly the building’s windows were given Tudor-revival hood mouldings, probably not unlike the make-over given during the same period to nearby Glyde Court (see The Scattering, April 20th 2015). However later again these openings reverted to a classical model, with classical pediments on the ground floor and entablatures on the first, the whole covered in cement render. A single storey porch on the entrance front was the only other alteration. From what remains, it would appear the interior had delicate neo-classical plasterwork, perhaps on the ceilings (none of which survive) and certainly on friezes below the cornice in diverse rooms.
It is not easy to piece together the history of Stephenstown in the last century. The last direct descendant of the original builder was another Matthew Fortescue who in 1894 married a cousin, Edith Fairlie-Cuninghame. He died twenty years later without a direct heir, after which his widow married an Australian clergyman, the Rev. Henry Pyke who took on the Fortescue surname to become Pyke-Fortescue. Curiously the couple are listed as dying on the same day, 24th September 1936, upon which Stephenstown seemingly passed to another relative, Digby Hamilton. He sold up in the 1970s after which the house stood empty (and the trees in the surrounding parkland were all cut down). When Alistair Rowan and Christine Casey published their volume on the buildings of North Leinster in 1993, they noted that Stephenstown was ‘an elegant house, too large for modern rural life, empty in 1985, and likely to become derelict.’ That likelihood has since become a reality.