Drumbaragh, County Meath, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
supplement.
p. 296. “Woodward/LG1875) A tall three storey three bay C18 block. Central chimneystack; C19 pillared porch and window surrounds.”
Not in National Inventory
Record of Protected Structures:
Drumbaragh House, townland: Drumbaragh.
Three storey over basement house built c. 1800, attributed to designs by Francis Johnston, remodelled in late 1860s by William Caldbeck, extended to the rear c.1900. Includes gate lodge, walled garden.
Drumbaragh, also spelled Drumbarrow, is located on the Oldcastle Road from Kells. Drumbaragh house is a three storey house with a large central chimneystack, erected about 1800, possibly to the design of Francis Johnston. The house was remodelled in the 1860s by architect, William Caldbeck. The house was extended at rear by architect, L.A. McDonnell, about 1900. The 1800s interiors have survived. The house was a distance from the public road with the farmyard between the house and the road. A gate lodge was erected for Robert Woodward to the design of his cousin the noted architect, Benjamin Woodward.
Drumbaragh was the seat of the Woodward family. Benjamin Wodward was confirmed in his lands at Drumbarrow in 1668 following their confiscations from the Hill and Plunkett families by Cromwell. Benjamin’s son, Joseph, died in 1702 leaving a son, Charles who married three times. By his second wife he had a son, Benjamin, born in 1710. Benjamin married Judith Meredyth of Newtown in 1733. Benjamin died in 1761 and was succeeded at Drumbarrow by his second son, Charles. Charles was born in 1740, entered the church. Rev. Charles Woodward was rector of Ardee. He died in 1793 and there is a memorial to him and his family in Kells Church of Ireland church. His first wife, Esther Wade of Clonabreany, died in 1776 and his second wife Elizabeth Minchin died in 1778. Henry, son of Benjamin and Esther, succeeded to Drumbarrow. The present house at Drumbaragh was constructed in 1800 for Henry Woodward.
In 1835 Drumbarrow House was described as the residence of Mr. Woodward. Drumbarrow was described as a neat house of two storeys and basement, surrounded by a well cared small demesne. There were considerable offices. A school house stood not far from the house in the 1830s. The famous Victorian architect, Benjamin Woodward, spent his childhood at his uncle’s home in Drumbarragh
Henry married Sarah-Catherine Wade of Clonabreany in 1800. Their second son, Robert, inherited Drumbarrow in 1838. Born in 1805, Robert entered Trinity College and was called to the Irish bar in 1829. His brother, Henry Thomas, emigrated and settled in Illinois, U.S.A. Robert died in 1864.
Drumbaragh was purchased by the Sweetman family in 1859 and it remained in the family’s hands until 1958. John Sweetman was the eldest son of a Dublin brewer. He took an active interest in nationalistic politics. In the mid to late 1870s he took over the full running of Drumbaragh from his mother. He joined the Irish Land League and proposed the MP for Meath, Charles Stewart Parnell for the position of President. He was one of the first Meath landowners to dispose of his estate under the 1903 land act. In 1880 Sweetman visited America and became involved in a scheme to settle poor Irish farmers in a colony in Minnesota. The family brewery in Dublin was sold to Arthur Guinness & Sons in 1891 and Sweetman decided to enter full time into politics. He was elected as an anti-Parnellite Irish Parliamentary Party MP for East Wicklow in 1892. In the general election of 1895 he stood for Meath North and was narrowly defeated. On 11 September 1895 Sweetman married Agnes, daughter of John P. Hanly of Navan.
In 1899 Sweetman was elected to Meath County Council and served as chairman 1902-8. He was one of the founders and financial backers of Sinn Féin in 1905, succeeding Edward Martyn to be the second President of the party in 1908. Arthur Griffith took over as the third President later in the year. He was arrested at his home in Meath followin the 1916 Rising in which he did not apparently play any active part, and was taken to prison in England. Sweetman was an opponent of women’s suffrage, and was criticised for endowing a UCD scholarship on condition that female students should be excluded from competing for it. He supported the Pro-Treaty side in the Civil War but changed his allegiance to Fianna Fail after 1927. He died in 1936. There is an article on Sweetman in the Dictionary of Irish Biography, written by Patrick Maume. The Sweetman family papers are in the National Library. John Walter Sweetman, the eldest son of John and Agnes Sweetman, married Olivia Dudley, and inherited the Drumbaragh estate after the death of his father. John Walter died in 1961.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 107. “(McVeagh/LGI1958) An imposing three storey stone house of ca 1745, attributed to Francis Bindon, built for Barry Barry. Seven bay entrance front with three bay central breakfront; round-headed window framed by pilasters and segmental entablatures in the centre of each of two upper storeys; ground floor windows with rusticated surrounds, shouldered architraves round windows in upper storeys. Later enclosed porch with fanlight and Ionic columns and pilasters. Curved bow in one side elevation, but not in the other. Two storey hall with the staircase rising behind a bridge-gallery; a rare feature in Irish country houses at this date, though there is another example of it only a couple of miles away across the Westmeath border at Ballinlough Castle. As at Ballinlough, both the stair and gallery have slender wooden balusters; and there is C18 panelling on the walls. The doorcases, both upstairs and down, have heavy triangular or segmented pediments; and the ceiling is decorated with somewhat bucolic plasterwork. Drewstown was bought 1780s by Major Joseph M’Veagh, who married Margery, daughter of Governor Alexander Wynch of Madras, a wealthy East Indian “Nabob”. It remained in the M’Veagh or McVeagh family until 1950.”
Drewstown, County Meath, courtesy National Inventory.
Detached seven-bay three-storey country house, built c.1745, with three-bay central breakfront and later single-storey porch addition. Curved full-height projecting bay to east elevation. Hipped slate roof with carved limestone parapet and rendered chimneystacks. Ashlar limestone walls with quoins. Carved limestone and block-and-start surrounds to window openings. Timber panelled door with fanlight, flanked by engaged Ionic columns and pilaster, with cornice above.
Appraisal
This imposing country house is attributed to Francis Bindon and was built for Barry Barry. Architectural design and detailing are apparent in the execution of this imposing house. The architectural form of the building is articulated by the masonry detailing, which defines the breakfront, parapet and window surrounds. The later porch addition adds further artistic interest to the building, with finely carved columns, pilasters and fanlight.
Drewstown, County Meath, courtesy National Inventory.
Drewstown, County Meath, courtesy National Inventory.
Ranges of former stables set around a central courtyard, comprising of range to the west c.1745, range to the north c.1850 and range to the east c.1870. Pitched slate roofs. Stone walls with dressings to the openings. Timber sash windows with stone sills. Related outbuildings and remains of former walled garden to the site.
Appraisal
These three ranges of former stables and outbuildings were built at various times, which is apparent form their design and detailing. The retention of many original features and materials makes a significant contribution to the architectural heritage significance of the group. The related outbuildings to the site and the remains of the former walled garden enhance the setting of these buildings. These outbuildings form part of an interesting group with Drewstown House and entrance gates.
Drewstown, County Meath, courtesy National Inventory.Drewstown, County Meath, courtesy National Inventory.Drewstown, County Meath, courtesy National Inventory.Drewstown, County Meath, courtesy National Inventory.
Drewstown, County Meath, courtesy National Inventory.
Two pairs of ashlar limestone gate piers, built c.1745, with cast-iron double and single gates. Chamfered ashlar limestone with carved detailing and caps. Set in dressed limestone walls.
Appraisal
These entrance gates form part of an interesting group with Drewstown House, outbuildings and the remains of the walled garden. Of apparent architectural design, these piers were clearly executed by skilled masons and exhibit finely carved detailing. Located at a road junction, these entrance gates make a notable and positive contribution to the surrounding area.
Drewstown, County Meath, courtesy National Inventory.
Record of Protected Structures:
Drewstown, townland: Drewstown Great, town: Fordstown. Country house/school
Detached seven-bay three-storey country house, built c.1745, with later single-storey porch addition. attributed to Francis Bindon and was built for Barry Barry. incl gates.
Attributed to Francis Bindon by the Knight of Glin in the 1960s, Drewstown is a slightly gauche, oddly proportioned country house almost certainly designed by an amateur. Whether of not that amateur is Bindon is a point for discussion. Like much of Bindon’s work, the architectural form of the facade is articulated by the masonry detailing, which defines the breakfront, parapet and window surrounds. There is a fine galleried and panelled entrance hallway albeit with some slightly awkwardly sited doors.
In 1952 when the house and some of the estate was sold to an American mission agency which first ran an orphanage and then a biblically-based boarding school on the site. It is now a retreat centre.
Exactly fifty years ago this month, writing inthe Irish Georgian Society’s Bulletin, the late Knight of Glin proposed that Francis Bindon had been responsible for the design of Drewstown, County Meath. Aside from the presence of certain stylistic details, of which more in due course, one of his reasons for this attribution, given in a footnote, was ‘Verbal information from George McVeagh of Dublin whose family owned the house from c.1780-1950.’ The Knight also noted, as have others, that the house was built for a certain Barry Barry: in the 1993 guide to North Leinster written by Christine Casey and Alistair Rowan, the authors state ‘Little is known of its reputed builder, Barry Barry, who was evidently a man of some sophistication.’ Barry Barry was indeed a man of sophisticated taste, since in due course he would commission work from James Wyatt, but he was not the owner of Drewstown at the time it was built. Barry Barry was born the Hon Barry Maxwell, second son of John Maxwell, first Baron Farnham. In 1757 he married Margaret King whose father Robert owned Drewstown and to which, it appears, she was the co-heiress. But his mother had also been an heiress, her name being Judith Barry of Newtownbarry (now Bunclody), County Wexford. In 1771, when his mother died and presumably for the advantage of an inheritance, Barry Maxwell changed his name to Barry Barry. At that stage it must have seemed unlikely he would inherit the main Maxwell estate in County Cavan. However, in 1778 his elder brother’s only son died, as did the elder brother just a year later. Accordingly the Farnham estate passed to Barry Barry who reverted back to his original surname of Maxwell, and in due course – like his late sibling – he was created Earl of Farnham. Tellingly the Drewstown estate was sold to the McVeagh family the year after he had come into possession of that in Cavan where he asked Wyatt to work on the house. One can see why, until now, confusion has arisen so at least in this respect there is clarification.
To revert to Drewstown, the Knight’s attribution of its design to Francis Bindon is one of a number he made in 1967. Astonishingly these have never since been reconsidered. Bindon’s name has occurred here many times before (as recently as last Saturday), and in regard to such houses as Bessborough, County Kilkenny (In the Borough of Bess, November 25th 2013), New Hall, County Clare (New Blood for New Hall, August 25th 20014), Woodstock, County Kilkenny (Of Wondrous Beauty Did the Vision Seem, May 13th 2013) and St John’s Square, Limerick (When New Becomes Old, March 24th 2014). The Irish Architectural Archive’s Dictionary of Irish Architects features twenty-one entries for Bindon, the majority of them once more relying on the Knight’s attributions. Yet one must wonder whether Bindon was capable of producing as much as has been proposed, given that he was also a portrait painter, a Member of Parliament and a landowner in Counties Limerick and Clare. We do not know the date of Bindon’s birth but he is recorded as being in Italy in 1716, the year in which his brother Samuel married Anne, daughter of Thomas Coote of Cootehill, County Cavan and aunt of the architect Edward Lovett Pearce. As an architect he was an amateur, in the sense that it was not his full-time profession. In his work in this field, he was associated with Pearce and also with Richard Castle, while as a painter he produced portraits of friends such as Jonathan Swift (no less than four such likenesses) and in Dublin was given the freedom of the Guild of St Luke (to which all painters belonged) in 1733. Some years later he received an official pension of £100 and was reported to have died ‘suddenly in his chariot on his way to the country’ in June 1765.
Here is the Knight’s fifty-year old description of Drewstown, with an explanation why he believed the house to have been designed by Bindon: ‘There, in the detailing, we see the usual concern with moulded block architraves, for the ground floor of the seven-bay entrance is composed with them. A later porch makes the front more awkward than needs be, though as a whole the windows are uncomfortably placed. The richly voluted and pilastered central first floor widow with its segmental entablature carries up to a further pilastered and segmcntally capped attic window which in typical Bindon manner breaks through the frieze of the house. A bow window forms the main ornament on the East front which faces the lake in not dissimilar fashion to Castle’s Rochfort, Co. Westmeath. As an exterior it is best viewed from the south-east for here the contrast of bow and breakfront make a not unsatisfying, solidly plump and peaceful image. The front door opens immediately into a galleried panelled hall with a grand staircase at one end. Heavy segmental and triangular pedimented doors lead off into the other rooms, all of which are relatively plain. The plasterwork in the hall is somewhat crude though the Apollo and rays surrounded by trophies over the stairs are pleasingly executed. As an interior feature this galleried hall is an important hallmark for it rarely occurs in houses of this date in Ireland and it seems always to be associated with buildings that are attributable to Francis Bindon…’
Today leading nowhere, here is the former main entrance to Drewstown, County Meath. The paired ashlar limestone gate piers date from c.1745 and proclaimed the importance of this estate, now sadly diminished (the lodge on the other side of the wall is an overgrown ruin) but thankfully with the important Georgian house at its centre still standing.
Drewstown house situated on the road between Athboy and Oldcastle was home to the McVeagh family. Described by Casey and Rowan as an eccentric mid 18th century house of some pretension the house was constructed about 1745 to plans by Francis Bindon for Barry Barry, the then owner. The plan of the house was very old fashioned. There are some signs that the designer was not familiar with large-scale domestic design. Similar problems at nearby Ballinlough Castle suggest the same architect for both. A three storey house the staircase rises behind a bridge gallery, which is a rarity in Irish houses. A stained glass window dating to 1872 lights the entrance hall. Almost all the early Georgian joinery in the entrance hall survives. To the east of the house is the lake with a pretty rock work bridge and the remnants of the plantings of a picturesque walled garden. There is another lake to the front of the house. One was the White lake and the other was the Black lake. The ranges of former stables set around a central courtyard, date from 1745, 1850 and 1870. The gates of Drewstown with their limestone piers dating from 1745 are notable as they stand at a road junction.
The name Drewstown is said to be derived from a druid’s altar in the estate. The Plunket family held Drewstown in the middle ages. The Tandys then acquired the lands. In 1684 James Naper of Loughcrew married Elizabeth, daughter of James Tandy, of Drewstown. The lands at Drewstown were inherited in 1685 by the Napper family as a result of a marriage with a Tandy heiress. The United Irishman and rebel, James Napper Tandy, was descended from the Tandys of Drewstown and the Nappers of Loughcrew. James was a grandson of John Tandy of Drewstown.
Barry Barry is traditionally said to be the person who erected Drewstown house in 1745. The English agriculturalist and improver, Arthur Young, visited Drewstown when the Maxwell family were in occupation in 1776.
Drewstown was purchased in the 1780s by Major Joseph McVeagh, who married Margery, daughter of Governor Alexander Wynch. Wynch was Governor of Madras from 1773 to 1775. Joseph McVeagh was High Sheriff of Meath in 1790. He was succeeded by his son, Ferdiand.
An officer in the Inniskilling Fusiliers Ferdinand Meath McVeagh was High Sheriff of Meath in 1817. Ferdinand McVeagh married Charlotte Brooke and he died in 1866. They had a son Ferdinand McVeagh who was born in 1813. Their daughter, Flora Harriet, married Francis Ralph Sadlier, a clergyman who was the last Protestant curate of the parish of Kilallon. In 1837 Drewstown, the residence of F. McVeigh, Esq., was described as a handsome house in a highly improved demesne.
In 1847 Ferdinand McVeagh married Marie Rotherham of nearby Triermore in Athboy church. After the wedding the couple returned to Triermore where there was a splendid dinner, the evening concluded with a dance. The poor were not forgotten on this happy occasion, a substantial dinner being provided for them by Mr. Rotherham.
In 1876 Ferdinand McVeigh of Drewstown held 2,270 acres in County Meath. Ferdinand died in 1888 and his wife Maria in 1890 and they were buried at Athboy churchyard.
George Joseph McVeigh, born in Dublin about 1866, held Drewstown in the early years of the twentieth century. His son was Major Ferdinand Annesley McVeagh who served in the Royal Irish Fusiliers during World War I. Trevor George McVeagh, born at Drewstown in 1906, played cricket for Ireland between 1926 and 1934. A superb natural athlete he also played hockey, squash and tennis player. He died in Dublin in 1968.
The house remained in the hands of the McVeagh family until 1950. The McVeagh family moved from Drewstown to Galtrim Lodge.
In 1952 Drewstown House was purchased for use as a Christian Orphanage, then in the early 1960’s it was used as a Christian secondary boarding school. Since 1989 Drewstown has been used as a Christian camping and conference centre. Drewstown House is a centre made available to the public and to groups whose purpose is to advance the Christian faith. It is operated by the Drewstown House Trust.
Dowth Hall, County Meath, courtesy Sherry Fitzgerald.Dowth Hall, County Meath, courtesy National Inventory.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 107. “Netterville, V/DEP; Gradwell/LGI1958) A small and extremely elegant mid-C18 house, built for 6th Viscount Netterville; with a two storey front, but with an extra storey fitted in as a mezzanine at the back. The front, of ashlar, is five bay; the lower storey is rusticated; the windows in the upper storey are higher than those below, and have alternate triangular and segmental pediments over them. Urns on roofline; pedimented doorway with Doric columns and frieze. Splendid interior plasterwork, possibly by Robert West, who may in fact have been the architect. Doric frieze in hall. Beautiful rococo decoration on walls and ceiling of drawing room. Dining room ceiling with birds and clouds. Library with simple rococo ceiling and swags on walls. A little way from the hosue is a famous prehistoric burial mound, one of several in the neighbourhood. 6th Viscount Netterville, who was a somewhat eccentric character, used to sit on top of it and “attend” mass by training a telescope on a distant chapel. Dowth Hall was acquired mid-19C by the Gradwell family, who sold it ca 1951. It subsequently became the home of Mr Clifford Cameron.”
Detached five-bay two-storey over basement country house, built c.1760, with additional mezzanine to the rear. Hipped slate roof with rendered chimneystacks and ashlar limestone parapets. Ashlar limestone walls with string courses having channelled ashlar to the entrance level. Timber sash windows, with alternating pediments to upper floor. Paired timber panelled doors. Carved limestone porch, comprising columns supporting entablature and pediment, approached by flight of limestone steps. Conservatory, c.1900, attached to south elevation. Outbuildings to north elevation.
Appraisal
This house was built by the sixth Viscount Netterville, and is a well designed building, which is representative of mid eighteenth-century architecture in Ireland. The building is articulated with ashlar limestone dressings, with channelling to the entrance level, string courses and alternating pediments to upper floor. The building retains many interesting features and materials, such as the slate roof, timber sash windows and timber conservatory. The building retains fine interior features, which have been attributed to Robert West.
Dowth Hall, County Meath, courtesy National Inventory.Dowth Hall, County Meath, courtesy National Inventory.Dowth Hall, County Meath, courtesy National Inventory.
Record of Protected Structures:
Dowth Hall, townland: Dowth.
Detached five-bay two-storey over basement country house, built c.1730. Conservatory, c.1900, attached to south elevation. Outbuildings to north elevation. Incl Stables and Gate lodge
Dowth Hall dates from c.1760 and was built for John, Viscount Netterville (1744-1826), and probably designed by George Darley. According to theirishaesthete.com: “The real delight of Dowth lies in its extravagantly decorated interiors, where a master stuccadore has been allowed free hand. The drawing room (originally dining room) is especially fanciful with rococo scrolls and tendrils covering wall panels and the ceiling’s central light fitting suspended from the claws of an eagle around which flutter other birds. None of the other ground floor rooms quite match this boldness but they all contain superlative plaster ornamentation, with looped garlands being a notable feature of the library. Again, the person responsible for this work is unknown, but on the basis of comparative similarities with contemporary stuccowork at 86 St Stephen’s Green in Dublin (on which George Darley is supposed to have worked) Dowth Hall’s decoration is usually attributed to Robert West (died 1790).”
featured in Georgian Mansions in Ireland with some account of the evolution af Georgian Architecture and Decoration by Thomas U. Sadleir and Page L. Dickinson. Dublin University Press, 1915. P. 61
“This is a plain, square mansion, with cut stone front, situated in County Meath, some four miles to the west of Drogheda, on the southern bank of the River Boyne. The hall is large, with grand stairs in three flights, ending on the first floor. The ceiling is without ornament, with Doric frieze, and all the doors have broken architraves, in which the principal feature is the cast iron stove, a nice specimen of Georgian workmanship, bearing what appears to be intended for the arms of the fifth Viscount Netterville and his wife, though, being of Continental manufacture, the heraldry is wrong and exhibits unmistakenly foreign characteristics. The door on the extreme right admits to the dining-room, which has a carved wood mantel, the ceiling being in free rococo, with a cornice of five enrichments.
“a remarkable display of rococo plaster is to be found in the drawing room, also on this floor, both walls and ceiling being quite covered with graceful scrolls and swags. ..There is a siena and white marble mantel, which, like the joinery, would appear to be original. To the left is the library, a small room, with rococo frieze, carved wood mantel, and mural decoration in festoons.
As regards the upstairs portion of the house, two of the bedrooms have ceilings slightly decorated in heavy relief, while one has the Bossi mantel and the original brass grate, set in white marble…
“Dowth is the ancient home of the Anglo-Norman family of Netterville, the estate, according to Burke’s “Visitation of Seats and Arms” being granted to them by Hugh de Lacy, Lord Justice of Ireland. [p. 62] Sir John Netterville was resident here in the thirteenth century, and from his descended a long line of owners. Several of the family were distinguished as lawyers, John Netterville of Dowth being a Justice of the King’s Bench, as was also his youngest son, Thomas, while Lucas Netterville was appointed second Justice of the Queen’s Bench in 1559.
“On 3rd April 1622 Nicholas Netterville, the then head of this ancient house,… was raised to the peerage of Ireland as Viscount Netterville of Dowth. In 1641, on the breaking out of the rebellion, he made protestations to the Crown, and expressed his readiness to assist in suppressing it; but, his offers of service being rejected, he took offence, and soon after joined the Confederates. As a result of this action he was deprived of his estates, and on 17 Nov 1642, declared an outlaw. Ten years later he was excepted from pardon by Cromwell’s Government.
“Sir John Netterville, Knight, who succeeded as second Viscount on his father’s decease in 1655, was for some time a prisoner in Dublin Castle, charged with treason, but obtained his liberty by sending a petition to the king. In this he stated that he had been living at Dowth when the insurrection broke out, and that during the siege of Drogheda by the rebels large parties of them more than once forced their way into his dwelling, and resided there against his will, so that he had been unjustly condemned for harbouring rebels in his house, since he had been unable to keep them out. He married, in 1623, Lady Elizabeth Weston, eldest daughter of Richard, Earl of Portland, who, being an Englishwoman, obtained an order under the Commonwealth to enjoy a fifth part of the revenues of her husband’s forfeited estates, and having no other place of residence, was permitted to remain in possession of Dowth. Lord Netterville [p. 63] died in Sept 1659, and was succeeded by his eldest son, Nicholas, the third Viscount, who, failing to obtain restitution of his estates at the Restoration, went to England and laid his case before the King, who was pleased to have it enacted by the Act of Explanation that he should be reinstated in all the lands and property, spiritual livings, tithes, rectories, and parsonages excepted, which had been enjoyed by the late lord or his father on the outbreak of the rebellion, to hold the same as if he had been adjudged innocent, and that he should be restored in blood to all intents and purposes. Notwithstanding, he was only able to regain possession of the fifth part previously held by his mother, for which he passed patent on 18 June 1666. Charles II also granted him a pension, which he retained under his successor, James II, who was pleased to appoint him a Privy Councillor in Ireland. He served in the Jacobite army at the siege of Derry, where he had the misfortune to be taken prisoner on 8th May 1689, and died soon afterwards… Some month later, however, he was found guilty of high treason before the Grand Jury of County Westmeath, and in consequence declared an outlaw; but, on a petition lodged by his children showing that he had in fact died before the indictment, his attainder was annulled.
“John, fourth Lord Netterville, who was a minor and at school on the Continent at the time of his father’s death, returned to Ireland, while still under age, in 1692. On 19 Jan 1715, he took the Oath of Allegiance in the Irish House of Lords, but declined to make the Declaration, and was accordingly debarred from taking his seat, and ordered to withdraw. On 30 May 1704, he married the Hon. Frances Parsons, eldest daughter of Richard, Viscount Rosse, by whom he had an only son.
Lord Netterville died of fever at Liege, in Flanders, on 12 Dec 1727, aged 54, and was buried in the Convent of Nuns there.
Nicholas, the fifth Viscount, who then succeeded his father in the title and at Dowth, spent two years at the university of Utrecht, returning to Ireland in Aug 1728, and, having conformed to the Established Church, took his seat in the Houes of Lords the following year. He married on 25 Feb 1731, Catherine, only daughter of Samuel Burton, of Burton Hall, Co Carlow, being described at the time as “a fool and a fop, but a lord with a tolerable estate.” [Autobiography and Correspondence of Mary Granville, Mrs Delany, vol. 1, p. 338]. On 1 Aug 1743, he was indicted for the murder of Michael Walsh, but after a trial, lasting fifteen hours, in the following February he was honourably acquitted by his peers. He died on 19 March 1750, aged 42, and was buried at Dowth. He is stated to have left £1000 per annum [p.64] and £5000 personalty, so that his only son John, sixth Viscount Netterville, who did not attain his majority till 1765, found himself in a more affluent position than most of his predecessors. He was some time an Ensign in the 122nd Regiment of Foot. On leaving the service, he settled at Dowth, where about 1780 he erected the present mansion. He appears, however, to have only resided there for a short period, and in or before 1812 he let the house and demesne to Roger Hamill, of Drogheda, for a term of 31 years, at £300 per annum.
“Lord Netterville never married, and on his death, 15 March 1826, the Viscountcy became dormant. By his will the old castle at Dowth, which in 1812, though somewhat ruinous, was still habitable, was fitted up as an Alms House for six aged women and six orphan boys, and for their support and the maintenance of a school he devised 60 acres of land. He also left his house in Blackhall Street, Dublin, which he had purchased in 1795 on disposing of his father’s residence in Sackville St, as a dispensary for the benefit of the poor. From 1826, and until he was dispossessed under a decree in Chancery, dated 19 June 1835, Dowth was occupied by John Netterville Blake, grandson of the last Lord’s only sister.
“His kinsman, James Netterville, succeeded as seventh Viscount by a decision of the House of Lords on 14 Aug 1834, but, although he obtained possession of the estates settled by his predecessor, he had lost so much money in establishing his claim to the peerage that the property became heavily mortgaged. It was finally sold in 1845 by the Court of Chancery, the purchaser being Richard Gradwell, a Lancashire gentleman, father of Robert B.G.A. Gradwell, Esq, the present proprietor.”
Dowth Hall, County Meath, courtesyof Georgian Mansions in Ireland with some account of the evolution af Georgian Architecture and Decoration by Thomas U. Sadleir and Page L. Dickinson. Dublin University Press, 1915.Dowth Hall, County Meath, courtesyof Georgian Mansions in Ireland with some account of the evolution af Georgian Architecture and Decoration by Thomas U. Sadleir and Page L. Dickinson. Dublin University Press, 1915.Dowth Hall, County Meath, courtesy Sherry Fitzgerald.Dowth Hall, County Meath, courtesy Sherry Fitzgerald.Dowth Hall, County Meath, courtesyof Georgian Mansions in Ireland with some account of the evolution af Georgian Architecture and Decoration by Thomas U. Sadleir and Page L. Dickinson. Dublin University Press, 1915.Dowth Hall, County Meath, courtesyof Georgian Mansions in Ireland with some account of the evolution af Georgian Architecture and Decoration by Thomas U. Sadleir and Page L. Dickinson. Dublin University Press, 1915.Dowth Hall, County Meath, courtesy Sherry Fitzgerald.Dowth Hall, County Meath, courtesyof Georgian Mansions in Ireland with some account of the evolution af Georgian Architecture and Decoration by Thomas U. Sadleir and Page L. Dickinson. Dublin University Press, 1915.Dowth Hall, County Meath, courtesy Sherry Fitzgerald.Dowth Hall, County Meath, courtesy Sherry Fitzgerald.Dowth Hall, County Meath, courtesy Sherry Fitzgerald.Dowth Hall, County Meath, courtesy Sherry Fitzgerald.
Located midway between Slane and Drogheda, and immediately north of the river Boyne Dowth is today known as the site of one of a number of important Neolithic passage tombs in County Meath, others in its immediate vicinity including Newgrange and Knowth. But Dowth deserves to be renowned also for an important mid-18th century house which is due to be auctioned at the end of January. Dowth Hall dates from c.1760 and was built for John, Viscount Netterville (1744-1826). His family, of Anglo-Norman origin, had been settled in the area since at least the 12th century: in 1217 Luke Netterville was selected to be Archbishop of Armagh and Primate of All Ireland. That religious streak remained with them and come the 16th century Reformation the Nettervilles remained determinedly Roman Catholic. For this adherence some of them suffered greatly; when Drogheda fell to Oliver Cromwell in September 1649 the Jesuit priest Robert Netterville was captured and tortured, subsequently dying of the injuries sustained. Nevertheless, the Nettervilles survived, and even acquired a viscouncy. They also held onto their estates, one of a number of families – the Plunketts of Killeen Castle and the Prestons of Gormanston spring to mind – who retained both their religious faith and their lands, thereby disproving the idea that Catholics automatically suffered displacement during the Penal era.
The sixth Viscount was only aged six on the death of his father, the latter dismissed by Mrs Delaney as ‘A fop and a fool, but a lord with a tolerable estate, who always wears fine clothes’ and otherwise only notable for having been indicted the year before his son’s birth for the murder of a valet (he was afterwards honourably acquitted by the House of Lords). The young Lord Netterville was raised by his widowed mother and spent much time in Dublin where the family owned a fine house at 29 Upper Sackville (now O’Connell) Street. The old castle in Dowth seems to have fallen into ruin and so a few years after coming of age Viscount Netterville undertook to construct a new house on his Meath estate. As is so often the case, information about the architect responsible for Dowth Hall is scanty. The common supposition is that the building was designed by George Darley (1730-1817), who had been employed for this purpose by Lord Netterville in Dublin where he was also the architect of a number of other houses. And indeed from the exterior Dowth Hall, rusticated limestone ground floor and tall ashlar first floor with windows alternately topped by triangular and segmental pediments, looks like an Italianate town palazzo transported into the Irish countryside; not least thanks to its plain sides, the house seems more attuned to the streets of Milan than the rich pasturelands of Meath.
The real delight of Dowth lies in its extravagantly decorated interiors, where a master stuccadore has been allowed free hand. The drawing room (originally dining room) is especially fanciful with rococo scrolls and tendrils covering wall panels and the ceiling’s central light fitting suspended from the claws of an eagle around which flutter other birds. None of the other ground floor rooms quite match this boldness but they all contain superlative plaster ornamentation, with looped garlands being a notable feature of the library. Again, the person responsible for this work is unknown, but on the basis of comparative similarities with contemporary stuccowork at 86 St Stephen’s Green in Dublin (on which George Darley is supposed to have worked) Dowth Hall’s decoration is usually attributed to Robert West (died 1790). Although not as extensive, there is even a certain amount of plasterwork decoration in the main bedrooms on the first floor, which is most unusual. And the house still retains its original chimneypieces (that in the entrance hall even has its Georgian basket grate), along with fine panelled doors and other elements from the property’s original construction. This makes it of enormous importance, since many other similar buildings underwent refurbishment and modernisation in the 19th century during which they lost older features.
There are reasons why Dowth Hall has survived almost unaltered since first built 250 years ago. The sixth Viscount Netterville, somewhat eccentric, fell into dispute with the local priest and was banned from the chapel on his own land; in retaliation, he built a ‘tea house’ on top of the Neolithic tomb from which he claimed to follow religious services through a telescope. But then he seems to have given up living at Dowth and moved back to Dublin. He never married and on dying at the age of 82 left a will with no less than nine codicils. One of these insisted that the Dowth estate go to whoever inherited the title, but it took eight years and a lot of litigation for the rightful heir, a distant cousin, to establish his claim. He did so at considerable cost and so, despite marrying an heiress, was obliged to offer Dowth for sale; the last Lord Netterville, another remote cousin, died also without heirs in 1882 and the title became extinct. Meanwhile Dowth was finally bought from the Chancery Court in 1850 by Richard Gradwell, younger son of a wealthy Catholic family from Lancashire. His heirs continued to live in the house for a century, but then sold up in the early 1950s when the place changed hands again. It did so one more time around twenty years later when acquired by two local bachelor farmers who moved into Dowth Hall. Following their respective deaths (the second at the start of last year), a local newspaper reported that the siblings had gone ‘to Drogheda every Saturday night, would attend the Fatima novena at 7.30pm then would walk over West Street to see what was going on, although they never took a drink or went to pubs.’ Now Dowth Hall is for sale, and there must be concern that it finds a sympathetic new owner because the house is in need of serious attention. It comes with some 420 acres of agricultural land, which means a sale is assured but that could be to the building’s disadvantage: it might fall into further desuetude if the farm alone was of interest to a purchaser. Too many instances of this have occurred in the past and it must not be allowed to happen here. One feels there ought to be some kind of vetting process to ensure prospective buyers demonstrate sufficient appreciation of the house. Only somebody with the same vision and flair as the sixth Lord Netterville should be permitted to acquire Dowth Hall. This last image is taken from Georgian Mansions in Ireland by Thomas Sadleir and Page Dickinson published in 1915.
Detached five-bay two-storey over basement country house, built c.1760, with additional mezzanine to the rear. Hipped slate roof with rendered chimneystacks and ashlar limestone parapets. Ashlar limestone walls with string courses having channelled ashlar to the entrance level. Timber sash windows, with alternating pediments to upper floor. Paired timber panelled doors. Carved limestone porch, comprising columns supporting entablature and pediment, approached by flight of limestone steps. Conservatory, c.1900, attached to south elevation. Outbuildings to north elevation
Appraisal
This house was built by the sixth Viscount Netterville, and is a well designed building, which is representative of mid eighteenth-century architecture in Ireland. The building is articulated with ashlar limestone dressings, with channelling to the entrance level, string courses and alternating pediments to upper floor. The building retains many interesting features and materials, such as the slate roof, timber sash windows and timber conservatory. The building retains fine interior features, which have been attributed to Robert West.
My novel is called December Girl and is set in Dowth, Drogheda and London. It’s inspired by the true story of an eviction that took place at Dowth in 1880 – and follows the life of fictional character Molly Thomas, who sees herself caught up in a web of murder, prostitution and the loss of her child, in her quest to come home.
Located midway between Slane and Drogheda, and immediately north of the river Boyne Dowth is today known as the site of one of a number of important Neolithic passage tombs in County Meath, others in its immediate vicinity including Newgrange and Knowth. But Dowth deserves to be renowned also for an important mid-18th century house which is due to be auctioned at the end of January. Dowth Hall dates from c.1760 and was built for John, Viscount Netterville (1744-1826). His family, of Anglo-Norman origin, had been settled in the area since at least the 12th century: in 1217 Luke Netterville was selected to be Archbishop of Armagh and Primate of All Ireland. That religious streak remained with them and come the 16th century Reformation the Nettervilles remained determinedly Roman Catholic. For this adherence some of them suffered greatly; when Drogheda fell to Oliver Cromwell in September 1649 the Jesuit priest Robert Netterville was captured and tortured, subsequently dying of the injuries sustained. Nevertheless, the Nettervilles survived, and even acquired a viscouncy. They also held onto their estates, one of a number of families – the Plunketts of Killeen Castle and the Prestons of Gormanston spring to mind – who retained both their religious faith and their lands, thereby disproving the idea that Catholics automatically suffered displacement during the Penal era.
The sixth Viscount was only aged six on the death of his father, the latter dismissed by Mrs Delaney as ‘A fop and a fool, but a lord with a tolerable estate, who always wears fine clothes’ and otherwise only notable for having been indicted the year before his son’s birth for the murder of a valet (he was afterwards honourably acquitted by the House of Lords). The young Lord Netterville was raised by his widowed mother and spent much time in Dublin where the family owned a fine house at 29 Upper Sackville (now O’Connell) Street. The old castle in Dowth seems to have fallen into ruin and so a few years after coming of age Viscount Netterville undertook to construct a new house on his Meath estate. As is so often the case, information about the architect responsible for Dowth Hall is scanty. The common supposition is that the building was designed by George Darley (1730-1817), who had been employed for this purpose by Lord Netterville in Dublin where he was also the architect of a number of other houses. And indeed from the exterior Dowth Hall, rusticated limestone ground floor and tall ashlar first floor with windows alternately topped by triangular and segmental pediments, looks like an Italianate town palazzo transported into the Irish countryside; not least thanks to its plain sides, the house seems more attuned to the streets of Milan than the rich pasturelands of Meath.
The real delight of Dowth lies in its extravagantly decorated interiors, where a master stuccadore has been allowed free hand. The drawing room (originally dining room) is especially fanciful with rococo scrolls and tendrils covering wall panels and the ceiling’s central light fitting suspended from the claws of an eagle around which flutter other birds. None of the other ground floor rooms quite match this boldness but they all contain superlative plaster ornamentation, with looped garlands being a notable feature of the library. Again, the person responsible for this work is unknown, but on the basis of comparative similarities with contemporary stuccowork at 86 St Stephen’s Green in Dublin (on which George Darley is supposed to have worked) Dowth Hall’s decoration is usually attributed to Robert West (died 1790). Although not as extensive, there is even a certain amount of plasterwork decoration in the main bedrooms on the first floor, which is most unusual. And the house still retains its original chimneypieces (that in the entrance hall even has its Georgian basket grate), along with fine panelled doors and other elements from the property’s original construction. This makes it of enormous importance, since many other similar buildings underwent refurbishment and modernisation in the 19th century during which they lost older features.
There are reasons why Dowth Hall has survived almost unaltered since first built 250 years ago. The sixth Viscount Netterville, somewhat eccentric, fell into dispute with the local priest and was banned from the chapel on his own land; in retaliation, he built a ‘tea house’ on top of the Neolithic tomb from which he claimed to follow religious services through a telescope. But then he seems to have given up living at Dowth and moved back to Dublin. He never married and on dying at the age of 82 left a will with no less than nine codicils. One of these insisted that the Dowth estate go to whoever inherited the title, but it took eight years and a lot of litigation for the rightful heir, a distant cousin, to establish his claim. He did so at considerable cost and so, despite marrying an heiress, was obliged to offer Dowth for sale; the last Lord Netterville, another remote cousin, died also without heirs in 1882 and the title became extinct. Meanwhile Dowth was finally bought from the Chancery Court in 1850 by Richard Gradwell, younger son of a wealthy Catholic family from Lancashire. His heirs continued to live in the house for a century, but then sold up in the early 1950s when the place changed hands again. It did so one more time around twenty years later when acquired by two local bachelor farmers who moved into Dowth Hall. Following their respective deaths (the second at the start of last year), a local newspaper reported that the siblings had gone ‘to Drogheda every Saturday night, would attend the Fatima novena at 7.30pm then would walk over West Street to see what was going on, although they never took a drink or went to pubs.’ Now Dowth Hall is for sale, and there must be concern that it finds a sympathetic new owner because the house is in need of serious attention. It comes with some 420 acres of agricultural land, which means a sale is assured but that could be to the building’s disadvantage: it might fall into further desuetude if the farm alone was of interest to a purchaser. Too many instances of this have occurred in the past and it must not be allowed to happen here. One feels there ought to be some kind of vetting process to ensure prospective buyers demonstrate sufficient appreciation of the house. Only somebody with the same vision and flair as the sixth Lord Netterville should be permitted to acquire Dowth Hall. This last image is taken from Georgian Mansions in Ireland by Thomas Sadleir and Page Dickinson published in 1915.
For those of you who have been concerned about the future of Dowth Hall (see my piece Netterville! Netterville! Where Have You Been? on December 24th last), the estate was sold at auction yesterday. Seemingly there were three interested bidders, the buyer is Irish and paid €5 million for Dowth and surrounding 420 acres (a considerably higher figure than the €3.75m guide price). A lot more will need to be spent if the house, with its ravishing rococo plasterwork, is to be brought back to good condition. Let us hope the new owner is prepared to undertake this task… *On Thursday February 7th The Irish Times reported that Dowth’s new owner is a County Meath resident, Owen Brennan, who owns a successful agri-technology business.
Dowth Hall is located to the east of Slane, near Dowth passage grave. Dowth Hall may have been designed by Robert West or George Darley. The plasterwork is similar to that of Newman House in St. Stephen’s Green, Dublin. The drawing room has a remarkable display of plasterwork. The entrance hall is large with a grand staircase. The joinery is similar to Dunboyne Castle. Bence–Jones described Dowth Hall as ‘a small and extremely elegant mid-eighteenth century house.’ The splendid interior plasterwork was possibly by Robert West who may also have been the architect according to Bence-Jones. Mulligan also suggested West for the plasterwork but says that George Darley is more likely as architect.
A conservatory with views to the west was added to the two-storey over basement house. A range of stables, set out around a central courtyard, date to 1760. The gate lodge dates to about 1830.
An ornamental temple erected on top of Dowth mound allowed Lord Netterville to attend Mass at the nearby chapel without actually being in the building. He could not then be accused of being a Catholic and having his lands confiscated.
The Nettervilles were the lords of Dowth from the fourteenth century and lived at Dowth Castle to the west of the present house. Nicholas Netterville was created Viscount Netterville of dowth in 1622 by James I. Nicholas Netterville, the fifth viscount, succeeded to the title following the death of his Catholic father in 1727. He conformed to the State religion and took his seat in the House of Lords in 1729. In 1731 Nicholas married Catherine Burton of Burton Hall, Carlow. He was described at the time as a ‘fool and a fop, but a lord with a tolerable estate.’ In 1743 he was indicted for murder but acquitted the following year. The mansion was erected before 1731 and the demesne was created over the following twenty years. The new house was partitioned from the old castle, church and tumulus by a plantation of trees. To the east of the house stands a large embanked enclosure. So much funds were expended on the house and demesne that the Nettervilles had to sell off some of their lands in Westmeath and put some of the Dowth lands into trusteeship. It would appear that this house lasted for about fifty years with a new house or a complete renovation taking place fifty years later about 1780.
Dowth House was erected about 1780 by John 6th Viscount Netterville. His father had been tried by the Irish House of Lords for murder and found innocent. He settled at Dowth after leaving the army. George Darley is believed to be the architect as he designed the Netterville townhouse in Dublin in 1767. In 1812 he let the house and demesne to Roger Hamill for a term of 31 years. In the same year he made his will leaving Dowth to a charity for six poor widows and six poor orphan boys. He died unmarried in 1826. His successor, a distant cousin, James had to take a case to the House of Lords to secure the title. As a result of the cost of court cases in order to secure the title Netterville was forced to sell Dowth in 1845.
In 1835 Dowth was occupied by Mr. Blake. A racecourse was developed at the east end of the demesne but it was dangerous as there was a sheer drop into a limestone quarry. The house was described as a modern three-storey slated house with a demesne of 259 acres. The house and demesne were not in a good state as a result of the ongoing legal dispute. In the south end of the demesne was a deerpark. The demesne also included the Neolithic tomb of Dowth.
Richard Gradwell purchased the house in 1845. The Gradwells originally came from Preston but also held lands at Carlanstown, Co. Westmeath. The family also held Mullaghmean, now a forestry plantation on the borders of Meath and Westmeath. His older brother, John Joseph Gradwell, purchased nearby Platten Hall about 1870.
Richard married Maria Theresa, eldest daughter of James McEvoy of Tobertynan House in 1852. In 1876 Richard Gradwell of Dowth Hall held 845 acres in County Meath and 3169 acres in Westmeath. Richard Gradwell died 1884 aged 60 years and was buried in the vault in St. Andrew’s Church, Westland row, Dublin. Maria Gradwell of Dowth Hall died in 1914 aged 88 and she too was buried in the vault in St. Andrew’s Church, Westland row, Dublin. Richard was succeeded by his son, Robert, who was appointed High Sheriff of Meath in 1892. Robert married Lady Henrietta Plunkett, daughter of the Earl of Fingal in 1884.
Robert died without an heir in 1935 and the property went to his cousin, Francis Gradwell of Beltichburn House, Drogheda, who was living in the house in 1941.
The house was sold about 1951 to Clifford Cameron family and then the Pidgeon family purchased the property.
For sale April 2023 A92 T2T7
Dowth Hall & Farm On C. 368 Acres, Dowth, Co. Meath
Dowth Hall, County Meath, courtesy Sherry Fitzgerald.Dowth Hall, County Meath, courtesy Sherry Fitzgerald.Dowth Hall, County Meath, courtesy Sherry Fitzgerald.Dowth Hall, County Meath, courtesy Sherry Fitzgerald.
With 6000 years of documented history and now home to ground-breaking food production research, Dowth Hall is a significant approx. 148 Hectares (368 Acre) Estate with the option of purchasing Netterville Manor and up to a further approx. 74 Hectares (184 Acres) of rolling lands and lush woodland with a breath-taking backdrop of the Boyne River and Valley in the heart of County Meath and within easy commute of Dublin City Centre. SPECIAL FEATURES • Approx. 148 Hectares (368 Acre) Estate with the option of purchasing Netterville Manor and up to a further approx. 74 Hectares (184 Acres) of rolling lands and lush woodland. • 2.59km of frontage onto the River Boyne, with private access and fishing rights to the river. • Historic 18th Century Georgian Country residence at the focal point of the Estate. • 7 bedrooms and 5 reception rooms extending to approx. 970 sq.m (10,440 sq.ft) • 1 of 12 exemplary sustainable farms worldwide, the Global Network of Lighthouse Farms • Productive lands suitable for several uses such as grazing or tillage. • Beautiful old walled garden, stables and 5 additional houses surrounding the main house. • Located just outside the historic town of Drogheda and village of Slane in the heart of County Meath • Approx. 47km from Dublin International Airport • Excellent road network throughout the lands • Lands very well laid out with the majority newly fenced and secure • Spectacular views over Newgrange Stone Age Passage Tomb • Full planning permission for the restoration of the Main Residence • Private grass airstrip on land directly adjacent to estate DESCRIPTION ONE OF THE OLDEST FARMS IN THE WORLD Ancient farming and civilisation at its genesis can be found at Dowth, dating back 6000 years ago. The 368 acres of roaming pasturelands and mystifying woodland are bounded by the River Boyne, with Dowth Hall at the focal point of the estate. Situated less than fifty-five kilometres from Dublin, Dowth is a rare architectural example of excellence in prehistoric architectural preservation with a stunning backdrop of the Boyne Valley and surrounding countryside a rare commodity on the market these days. The transformation from the Mesolithic period, characterised by hunter gatherers, to Neolithic farmers happened around 6,000 years ago in Ireland. For the first time settlements remained in permanent locations formed by farming communities. The three principal megalithic passage tombs of Newgrange, Knowth and Dowth dating from 5,500 years ago, that together form the world-renowned Brú na Bóinne UNESCO World Heritage Site, are a testament to the success of these first Irish farmers and the fertility of the rich Boyne Valley soil. Dowth Hall sits regally on the highest point on the estate, looking out over the spectacular Boyne Valley, a rich and royal landscape. Built in 1745, this 18th century country pile is the perfect example of a Georgian Country house. Whilst the historic finds around the house have been the centre of attention at Dowth, this period residence tells a story in itself and the owners have lovingly preserved and readied the structure for a full restoration. LOCATION Dowth is located between the townlands of Slane and Drogheda in County Meath which is named ‘The Royal County’ due to its history as the seat of the High King of Ireland. Meath was formed from the eastern part of the former Kingdom of Mide but now forms part of the province of Leinster. The seat of the High King of Ireland was located at Tara Hill which, is only some 10 km / 6 miles from Navan. Slane is a beautiful village and rich in history and is very well known throughout the world for the renowned concerts that Slane Castle holds regularly and now is also known for Slane Castle Whiskey. The Castle is the focal point of the village and attracts many tourists into the area creating a vibrant atmosphere all year round. The Conyngham Arms Hotel, Inside Out Restaurant and Village Inn are great spots for a bite to eat and the local bakery, Georges Patisserie is a popular spot for breakfast. Slane village stands on a steep hillside on the left bank of the River Boyne at the intersection of the N2 (Dublin to Monaghan Road) and the N51 (Drogheda to Navan road). Coming into the village from Dublin you pass over a beautiful stone bridge that goes over the River Boyne with the Old Mill to the right making it one of the most picturesque settings for entering a village in Ireland. The village centre dates from the 18th century. The village and surrounding area contain many historic sites dating back over 5,000 years. Drogheda is approx. a 10-minute drive and is known for its heritage, an active arts and culture scene and for shopping with both an attractive main street and two retail parks on its outskirts. County Meath is home to Fairyhouse Racecourse, Navan Racecourse, Bellewstown Racecourse and of course, Tattersalls Ireland. Nearby, for almost over one hundred and fifty years, the annual races are held on the strand at Laytown. County Meath is proud of it’s Horse Racing heritage and is the only county in Ireland with 4 racetracks. There are several excellent golf courses in Co. Meath. Killeen Castle, only a 35-minute drive, with its highly regarded Jack Nicklaus Signature Design 18 hole Championship golf course that hosted the 2011 Solheim Cup as well as the Ladies Irish Open from 2010 until 2012. Baltray Golf Course is a mere 25-minute drive from Dowth, famous for hosting the Irish Open in 2004 and 2009. With central Dublin only 55km away, the M1 and M2 (N2) offer a convenient route to the city. Dublin airport is a 35-minute drive. Access by helicopter is possible, co-ordinates available upon request • 8.5 km to the Slane • 9 km to Drogheda • 13.5 km to Duleek • 23 km to Navan • 38 km to Dundalk • 54 km to Dublin • 47 km to Dublin Airport
BRÚ NA BÓINNE Bounded on the south by a bend in the River Boyne, the prehistoric site of Brú na Bóinne is dominated by the three great burial mounds of Knowth, Newgrange and Dowth. Surrounded by around forty satellite passage tombs, they form a burial landscape recognized for its high ceremonial value, drawing later monuments from the Iron Age, early Christian, and medieval eras. The site is some 55 kilometres from Dublin, on a hill between the rivers Boyne and Mattock, and is surrounded by other prehistoric mounds. It is part of a region rich in tales about Ireland’s ancient history. The region, which is primarily agricultural at the moment, has been intensively examined by archaeologists and historians for more than a century, with excavation revealng several peculiarities and features. To give a brief history, the Knowth group, whose earliest features date from the Neolithic period and the most recent from the Anglo-Norman period, has produced thirty monuments and sites that are included in the official inventory, including petroglyph-adorned passage graves, enclosures, occupation sites, and field systems. With a ringfort, cursus, passage burials, and a now infamous henge, the Newgrange complex is entirely prehistoric. The Dowth group is comparable to Newgrange, but also has medieval remains in the shape of a church and a fortress. Dowth Hall is the largest land holding within the core area of the Unesco World Heritage site that is Brú Na Bóinne
DOWTH HALL Dowth Hall Estate is a significant country estate steeped in history through the centuries. At it’s heart is Dowth Hall – a true 4 bay, 3 storey over basement Georgian country house. Dating from 1745, this regal home was built by the 6th Viscount of Netterville. Thanks to the present owners, the home is in fine shape for a thorough restoration and will soon be restored to its former splendour. The main house is a substantial structure, a magnificent example of its era. Common belief holds that Lord Netterville employed the most renowned architect at the time, George Darley to design this country pile. Darley’s designs are also characteristically linked to the Tholsel building in Drogheda and to Dunboyne Castle, a mere 50 kilometres away. The formal front façade is treated with dressed Ardbraccan limestone, similar to Leinster House, the 1921 Custom House restoration and of course Ardbraccan House. The rest of the building is built in brick and treated minimally. Through the front door, the entrance hall features an ornate fireplace and a majestic staircase with further draws your eye to the striking coving designs. The principal reception rooms comprise of a drawing room, dining room and library, all light filled rooms with high ceilings. The drawing room in particular features special rococo stuccowork covering the wall panels. The ceiling boasts a light fitting suspended from the claws of an eagle, surrounded by smaller birds. The remaining rooms on the ground floor also boasts ornate plasterwork. The stuccodore attributed to this work in Dowth Hall is not confirmed, but rather speculated to be Robert West. The similarity in contemporary stuccowork at the Newman House, 86 St. Stephens Green is striking, on which George Darley supposedly worked on. George Darley’s designs were frequently complemented by Robert West’s work and not to mention, Robert West’s designs were flamboyant in design and frequently featured birds thanks to his passion for ornithology, all of which are characteristically present at Dowth Hall. The first floor with the higher elevation offering magnificent vantage points of the surrounding royal countryside in all its wonder. There are three principal bedrooms on the first floor, one of which is to the front of the house and two are to the rear. The layout could lend itself to allow for a larger master bedroom suite with living area, bathroom and a guest bedroom suite with bathrooms. The remaining four bedrooms are on the second floor. The basement features high ceilings, not a common occurrence in Georgian style abodes. Thus, the basement is bright in areas and provides an opportunity for additional living space on this floor. Two private drives lead to Dowth Hall the shorter North drive bringing you to the north side where a quaint courtyard lies to the side of the Hall. The longer, formal carriage drive takes you firstly through a restored Lime Tree quadrant in the racecourse field and further through the estate to the Georgian front facing east. The Courtyard cottage and stables have planning permission for renovations. The East gate lodge, West gate lodge, Redbrick Cottage, and Chapel House have potential to be renovated to provide further accommodation, subject to full planning permission from the local county council. The walled garden is vast in size and is ready to be planted, rejuvenated and reinstated to its former glory. LANDS AT DOWTH County Meath is dominated and characterised by both the quality of its agricultural land and its status as the heart of historical importance in Ireland. The ancient site of Newgrange is in sight, with Knowth and the Hilof Tara also in close proximity. The gardens and grounds at Dowth hold as much historic interest as the house and have a rich botanical and architectural story to tell. Home to Irelands first farmers some 6000 years ago, the Lands at Dowth have been exemplary to the farming industry in recent years thanks to Devenish Nutrition who are helping to shape sustainable farming and food production for the future. Devenish Nutrition have been operating at ‘Lands at Dowth’ Global Lighthouse Farm, striving to produce zercarbon beef and lamb by developing a dynamic and healthy ecosystem. The Devenish strategy ‘One Health,from Soil to Society’ emphasises the importance of maximising nutrient uptake in soil, plants, animals and the environment as key and interconnected components of the value foodchain. Their HeartLand project in particular has caught the attention of many. This project has been developed to create economically and environmentalsustainable livestock products of enhanced nutritional value through pasture-based production systems. Theused 36 hectares of land (86 Acres) in Dowth, splitting the lands into pastures with different grazing swards TECHNICAL INFORMAT IONServices and Features | The property is serviced by mains electricity, well water and drainage is to septic tanks within the grounds.Tenure and Possession | The property is offered for sale freehold by private treaty with vacant possession being given at the closing of the sale.Local Authority & Protected Status | Record of Protected Structures within World Heritage site Meath County Council AreaMH020-107 – Dowth Hall, Dowth – Detached five-bay two-storey over basement country house, built c.1765. Conservatory, c.1900. Outbuildings to north elevation. Incl Stables and Gate lodgeMapping And Rights Of Way | The property is offered for sale subject to and with the benefit of all matters and rights of way contained in or referred to in the Deeds.Building Energy Rating (BER) | • East Gate Lodge Exempt• West Gate Lodge Exempt• Redbrick Cottage Exempt• Courtyard Cottage Exempt• Chapel House – ExemptViewing Strictly By Appointment Only
Accommodation
BER Details
Exempt
Negotiator
Philip Guckian
Dowth Hall, County Meath, courtesy Sherry Fitzgerald.Dowth Hall, County Meath, courtesy Sherry Fitzgerald.Dowth Hall, County Meath, courtesy Sherry Fitzgerald.Dowth Hall, County Meath, courtesy Sherry Fitzgerald.Dowth Hall, County Meath, courtesy Sherry Fitzgerald.Dowth Hall, County Meath, courtesy Sherry Fitzgerald.Dowth Hall, County Meath, courtesy Sherry Fitzgerald.Dowth Hall, County Meath, courtesy Sherry Fitzgerald.Dowth Hall, County Meath, courtesy Sherry Fitzgerald.Dowth Hall, County Meath, courtesy Sherry Fitzgerald.Dowth Hall, County Meath, courtesy Sherry Fitzgerald.Dowth Hall, County Meath, courtesy Sherry Fitzgerald.Dowth Hall, County Meath, courtesy Sherry Fitzgerald.Dowth Hall, County Meath, courtesy Sherry Fitzgerald.
Dowth Hall, County Meath was first discussed here in December 2012, when the house and surrounding land were offered for sale. Now, more than a decade later, the place has come back on the market. Below is the original text, along with fresh photographs of Dowth Hall taken in recent weeks.
Located midway between Slane and Drogheda, and immediately north of the river Boyne, Dowth is today known as the site of one of a number of important Neolithic passage tombs in County Meath, others in its immediate vicinity including Newgrange and Knowth. But Dowth deserves to be renowned also for an important mid-18th century house. Dowth Hall dates from c.1760 and was built for John, Viscount Netterville (1744-1826). His family, of Anglo-Norman origin, had been settled in the area since at least the 12th century: in 1217 Luke Netterville was selected to be Archbishop of Armagh and Primate of All Ireland. That religious streak remained with them and come the 16th century Reformation, the Nettervilles remained determinedly Roman Catholic. For this adherence some of them suffered greatly; when Drogheda fell to Oliver Cromwell in September 1649 the Jesuit priest Robert Netterville was captured and tortured, subsequently dying of the injuries sustained. Nevertheless, the Nettervilles survived, and even acquired a viscountcy. They also held onto their estates, one of a number of families – the Plunketts of Killeen Castle and the Prestons of Gormanston spring to mind – who retained both their religious faith and their lands, thereby disproving the idea that all Catholics automatically suffered displacement during the Penal era.
The sixth Viscount was only aged six on the death of his father, the latter dismissed by Mrs Delaney as ‘A fop and a fool, but a lord with a tolerable estate, who always wears fine clothes’ and otherwise only notable for having been indicted the year before his son’s birth for the murder of a valet (he was afterwards honourably acquitted by the House of Lords). The young Lord Netterville was raised by his widowed mother and spent much time in Dublin where the family owned a fine house at 29 Upper Sackville (now O’Connell) Street. The old castle in Dowth seems to have fallen into ruin and so, a few years after coming of age, Viscount Netterville undertook to construct a new house on his Meath estate. As is so often the case, information about the architect responsible for Dowth Hall is scanty. The common supposition is that the building was designed by George Darley (1730-1817), who had been employed for this purpose by Lord Netterville in Dublin where he was also the architect of a number of other houses. And indeed, from the exterior Dowth Hall, rusticated limestone ground floor and tall ashlar first floor with windows alternately topped by triangular and segmental pediments, looks like an Italianate town palazzo transported into the Irish countryside; not least thanks to its plain sides, the house seems more attuned to the streets of Milan than to the rich pasturelands of Meath.
The real delight of Dowth lies in its extravagantly decorated interiors, where a master stuccadore has been allowed free hand. The drawing room (originally dining room) is especially fanciful with rococo scrolls and tendrils covering wall panels and the ceiling’s central light fitting suspended from the claws of an eagle around which flutter smaller birds. None of the other ground floor rooms quite match this boldness but they all contain superlative plaster ornamentation, with looped garlands being a notable feature of the library. Again, the person responsible for this work is unknown, but on the basis of comparative similarities with contemporary stuccowork at 86 St Stephen’s Green in Dublin (on which George Darley is supposed to have worked) Dowth Hall’s decoration is usually attributed to Robert West (died 1790). Although not as extensive, there is even a certain amount of plasterwork decoration in the main bedrooms on the first floor, which is most unusual. And the house still retains its original chimneypieces (that in the entrance hall even has its Georgian basket grate), along with fine panelled doors and other elements from the property’s original construction. This makes it of enormous importance, since many other similar buildings underwent refurbishment and modernisation in the 19th century during which they lost older features.
There are reasons why Dowth Hall has survived almost unaltered since first built 250 years ago. The sixth Viscount Netterville, somewhat eccentric, fell into dispute with the local priest and was banned from the chapel on his own land; in retaliation, he built a ‘tea house’ on top of the Neolithic tomb from which he claimed to follow religious services through a telescope. But then he seems to have given up living at Dowth and moved back to Dublin. He never married and on dying at the age of 82 left a will with no less than nine codicils. One of these insisted that the Dowth estate go to whoever inherited the title, but it took eight years and a lot of litigation for the rightful heir, a distant cousin, to establish his claim. He did so at considerable cost and so, despite marrying an heiress, was obliged to offer Dowth for sale; the last Lord Netterville, another remote cousin, again died without heirs in 1882 and the title became extinct. Meanwhile Dowth was finally bought from the Chancery Court in 1850 by Richard Gradwell, younger son of a wealthy Catholic family from Lancashire. His heirs continued to live in the house for a century, but then sold up in the early 1950s when the place again changed hands. It did so one more time around twenty years later when acquired by two local bachelor farmers who moved into Dowth Hall. Following their respective deaths (the second at the start of last year), a local newspaper reported that the siblings had gone to Drogheda ‘every Saturday night, would attend the Fatima novena at 7.30pm then would walk over West Street to see what was going on, although they never took a drink or went to pubs.’ Now Dowth Hall is for sale, and there must be concern that it finds a sympathetic new owner because the house is in need of serious attention. It comes with some 420 acres of agricultural land, which means a sale is assured but that could be to the building’s disadvantage: it might fall into further desuetude if the farm alone was of interest to a purchaser. Too many instances of this have occurred in the past and it must not be allowed to happen here. One feels there ought to be some kind of vetting process to ensure prospective buyers demonstrate sufficient appreciation of the house. Only somebody with the same vision and flair as the sixth Lord Netterville should be permitted to acquire Dowth Hall.
Dowth Hall, along with 420 acres, was sold in January for €5 million. Now with 552 acres, the house is back on the market for €10 million.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 104. “A two storey late-Georgian house; three bay front, with ground floor windows set in arched recesses; four bay side. Oval staircase. In 1814, the residence of James Hamilton.”
Not in National Inventory
Record of Protected Structures:
Townland: Staffordstown
Detached three-bay two-storey house, c.1820, with wide bracketed eaves, outbuildings and entrance gates.
Dolly’s Grove stands about four miles from Dunboyne, on the Maynooth side of the village. Also known as Staffordstown, Dolly’s Grove, is a two storey late Georgian house and has an oval staircase. The house may be dated to the 1820s or slightly earlier. The house has a neo-classical gateway and in modern times its own private airstrip.
The house is associated with the Hamilton and Gaisford families. In 1809 Dolly’s Grove was the residence of Christopher Robinson. In 1814 James Hamilton was living there. One of the Hamilton’s had the public roadway re-routed away from the house. In 1837 Dolly’s Grove was described as is a gentleman’s seat with an extensive demesne and some ornamental ground. The townland was in the ownership of Mr. Hamilton
John William Gaisford settled at Dolly’s Grove in the 1850s. The Gaisford family originated at Bulkington, Wiltshire with the earliest record of the family being in 1302. The Gaisfords were the local squires and made their money from land and wool.
John was the second son of Thomas Gaisford, Dean of Christ Church, Oxford. Thomas Gaisford became professor of Greek at Oxford in 1811 and then became a clergyman there. He was Dean of Christ Church from 1831 until his death. Thomas was curator of the Bodleian Library and principle delegate of Oxford University Press. In 1843 his 21 year old son, William, drowned while swimming in the Thames.
John William Gaisford purchased a commission in the 72nd Highlanders and served with them for twenty four years. He commanded the regiment for a few months during the Crimean War before selling his commission in 1855 and retiring to Ireland. He married Mary Jane Vaughan, daughter of Dean Cotton, Dean of Lismore, a family associated with India. He had three sons, Cecil Henry who was killed in the Afghan War; Douglas, Colonel of the South Wales Borderers and Algernon, Lieut. Seaforth Highlanders and two daughters; Lady Sandeman, wife of the late Sir. R.G. Sandeman died 1912 and Mabel. There was also a step-daughter, Miss Montizambert. In 1876- Lieut.-Col. Gaisford of The Grove, Dunboyne held 113 acres in County Meath. In 1882 Helen Kate, daughter of Lieutenant Colonel John William Gaisford married as his second wife, Sir Robert Groves Sandeman, an officer in the Indian army and administrator. In 1878 he was appointed the governor-general in Baluchistan. John William Gaisford died in 1889 and was buried in Dunboyne churchyard.
Colonel Douglas Gaisford married Esme, daughter of General Sir Archibald Alison. Their children were John William, Robert Sandeman and Jane Esme. Douglas retired from the Army as a major in 1901. John William Gaisford, joined the Royal Artillery in 1914, was wounded Gallipoli but survived the war. He served in World War II primarily in East Africa and the Middle East. After the end of the war he retired at the rank of brigadier and settled in America. His brother, Robert Sandeman Gaisford, became a Captain in the Royal Flying Corps. He was killed over enemy lines, Italy, when engaged with four hostile machines in January 1918. The aeroplane was shot down in flames by Austro-Hungarian anti-aircraft fire over the Piave Sector of the Italian Front. A message was dropped from an Austro-Hungarian aeroplane to let his comrades know that the plane had been shot down and that the casualties had been buried with military honours. This act shows how in some case the First World War was treated as a war between gentlemen. Douglas Gaisford died about 1940.
About 1990 Dolly’s Grove became home to Conor and Pat Crowley. They developed a stud farm at the property. Conor was a businessman and Pat a fashion designer. Pat Crowley studied fashion design with the Grafton Academy in Dublin. In 1968, she launched her own range of knitted and crocheted fashions. In the early seventies, Pat employed six hundred knitters, dotted around the country. Pat Crowley used Carrickmacross lace in her designs. She dressed many women in Irish society and counted the Kennedy women in America among her clients. In 2001 Dolly’s Grove was sold for £3.35 million by the Crowley family.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 104. “[Jones late of Headfort/LG1937 supp] An early C18 house of two storeys and seven bays, with a central breakfront, a Venetian window and a tall pedimented doorcase. Brackets under eaves on one side rather similar to those at Eyrescourt Castle, Co Galway. In 1814, the residence of Cunningham Jones (who was probably a son of Walter Jones, of Lisvagh, Co Leitrim, and his wife Charlotte, nee Cunningham.).”
Dollanstown, County Meath, courtesy Savills.
Record of Protected Structures:
Dolanstown, townland Dolanstown, town: Kilcock
An early 18th century house in part but is now much altered. It consists of 7 bays, 2 storeys, the roof dates from 1828. In 1786 this house was the seat of the Jones. The outbuildings, some modern, are used as a Stud farm. Incl. Gates and
DOLLANSTOWN ESTATE, KILCOCK, COUNTY MEATH, IRELAND A splendid late-Georgian country home, enjoying a majestic position within delightful gardens, as the centrepiece of a glorious parkland estate. Enjoying a remarkable position deep within the estate, comprising some 284 acres or 115 hectares, magnificent panoramic vistas are captured from large windows throughout all the principal rooms. Whilst an extremely picturesque and private estate with a rich equestrian provenance the position is equally desirable, being just 21 miles or 34 kilometres from Dublin city centre and about 30 minutes driving of Dublin International airport. Dollanstown House is quite beautiful, and when considered within the context of the glorious gardens and wider picturesque estate, it is nestled within, the effect is decidedly magical. Dating to circa 1780 the house features all the charm and eloquence of late-Georgian design. The principal rooms are well-proportioned and benefit from good natural light and fine decorative features, such as large timber sash windows, tall ceilings and restrained plasterwork. Accommodation within the house extends to some 8,396 square feet or 780 square metres and includes 5 reception rooms and 7 bedrooms.
from myhome.ie
Dollanstown, County Meath, courtesy Savills.
from myhome.ie
Dollanstown, County Meath, courtesy Savills.
from myhome.ie
from myhome.ie
Dollanstown, County Meath, courtesy Savills.Dollanstown, County Meath, courtesy Savills.Dollanstown, County Meath, courtesy Savills.
from myhome.ie
from myhome.ie
Dollanstown, County Meath, courtesy Savills.
from myhome.ie
Dollanstown, County Meath, courtesy Savills.
from myhome.ie
from myhome.ie
from myhome.ie
from myhome.ie
from myhome.ie
from myhome.ie
Dollanstown, County Meath, courtesy Savills.
A guest cottage and studio apartment within the enclosed courtyard provide further accommodation, giving a total of some 10,494 square feet or 975 square metres combined. A manager’s house and 3 gate lodges complete the accommodation within the estate.
Dollanstown, County Meath, courtesy Savills.Dollanstown, County Meath, courtesy Savills.Dollanstown, County Meath, courtesy Savills.Dollanstown, County Meath, courtesy Savills.
Quite a feature of Dollanstown Estate are the remarkable gardens and grounds. The formal gardens surrounding the house are laid out in carefully clipped lawns interspersed with many notable and mature shrubs. A magnificent and intact walled garden is serenely private and quiet. The wider grounds of the estate comprise well-timbered and highly fertile parkland augmented with belts of mature woodland. Well maintained throughout the overall effect of the estate is visually pleasing. Being within a single contiguous block the estate has superb internal roadways and bridal ways and offers great amenity for leisure rides and walks, taking in a pleasant mixture of open parkland, woodland shelter belts and copses.
Dollanstown, County Meath, courtesy Savills.Dollanstown, County Meath, courtesy Savills.
from myhome.ie
Dollanstown, County Meath, courtesy Savills.
from myhome.ie
The renowned horse trainer, Peter Purcell Gilpin, ran a stud at Dollanstown in conjunction with his stud in Newmarket. Dollanstown was subsequently owned by an Austrian couple, who bred many notable winners at Dollanstown, including the Derby winner from 1961, Psidium. This strong equestrian tradition continued with the present owner, a former Swedish international event rider, who, seeking an elegant country house with lands suitable to keep and train champion horses, purchased in 1982. Subsequently an International-standard event course was created at Dollanstown, with an assortment of testing cross country fences over varying terrain, including woodlands and open parkland. Among notable events held were trials for the Olympic Games and European Championships in three-day eventing. A Derby Course has been used in competition up to 2016. There is also a 1.5 mile or 2,400 metre all-weather gallop. There are 3 stable yards within the estate. The main stable yard is positioned nearby to the main house and manager’s house and comprises 14 loose boxes and is augmented by the 4 original stables within the courtyard, indoor and outdoor arenas, a covered 6-bay horse walker and a large Dutch barn, used for hay and straw storage. An in-hand farm is operated alongside the equestrian enterprises.
Dollanstown, County Meath, courtesy Savills.Dollanstown, County Meath, courtesy Savills.Dollanstown, County Meath, courtesy Savills.Dollanstown, County Meath, courtesy Savills.Dollanstown, County Meath, courtesy Savills.Dollanstown, County Meath, courtesy Savills.
The woods are mainly laid out as shelter belts or small copses and provide shelter, privacy and amenity. An additional, adjacent, out-farm comprising some 80 acres or 32.4 hectares can also be purchased. Eircode W23 XY6K, GPS Location 53.4118548 (latitude), -6.6490713 (longitude) SELLING AGENTS Ireland Sotheby’s International Realty and Savills (Ireland) For more information, pictures, an interview or a visit please contact: David Ashmore (david.ashmore@sothebysrealty.ie or 087 251 2909) PSRA Licence Number 003640 BER Exempt
Dollanstown or Dollinstown house is situated in the civil parish of Roddanstown, near Kilcock. An eighteenth century house of two storeys the roof dates from 1828. The outbuildings, some modern, are in use as a stud farm. In 1911 there were fifty one outbuildings, twenty one rooms in the house and eleven windows at the front of the house.
In 1775 Richard Jones was one of the Justices of the Peace for County Kildare. In 1765 Richard Jones was M.P. for Killybegs from 1761 to 1768 and M.P. for Newtown Limavady 1768 to 1778. Richard died in 1790. Richard was keen on hawking, hunting and country pursuits. Richard married Mary Cunningham. His ancestor, Roger Jones, was granted 200 acres to lay out the town of Killybegs by James I. Arthur Young, the English improver, visited Dollanstown in 1776 when he was the guest of Roger Jones.
In 1814 Dollanstown was the residence of Cunningham Jones and his wife Charlotte. In 1835 Dollanstown was the residence of Mr Gledstanes and described as a good two storey slated house with the land neatly planted with fir and ash trees. In 1834 Ambrose Upton Gledstanes was one of magistrates for County Fermanagh. In the 1850s Henry S. Jones held the land and Ambrose U. Gladstone was leasing the house but not living in it.
In 1901 Alexander McNeil and his family lived at Dollanstown. In 1911 Peter Purcell Gilpin was the owner of Dollanstown and Catherine Jane Newtown, caretaker and domestic servant, was residing in the house.
Later for sale by Savills:
W23 XY6K 7 beds5 baths780 m2
Exceptional estate with a quality stud farm in a prime location Read the feature on Dollanstown in Social and Personal Magazine here – Escape to the Country HISTORY Dollanstown was owned by the Hamilton Smythe family in the nineteenth century and for generations before. They are believed to have constructed the present house. The estate was taken over by the renowned horse trainer, Peter Purcell Gilpin, who established a stud at Dollanstown to run in conjunction with his stud at Newmarket. He sent out many notable winners, including two Derby winners and the mare, Pretty Polly, winner of 22 races. In 1939, following the death of Mr Gilpin, his widow leased Dollanstown to Mr J A Dewar, nephew of Lord Dewar, with an option to purchase the estate upon her death. Mrs Gilpin died in 1948 and Dewar availed of the option, subsequently adding a further 76 acres. Mr Jack Olding purchased the estate in 1954, following Mr Dewar’s death and after two years, sold it to Dr and Mme Plesch who added a further 100 acres to the estate to comprise a total of about 500 acres. Dr Plesch was a Doctor of Law, entrepreneur and horticulturalist, while his Austrian-born wife had a life-long affinity with horses. A total of 38 mares, fillies and yearlings were quickly acquired at public auction and privately to increase the broodmare band at Dollanstown. The couple bred many notable winners at Dollanstown, including the Derby winner from 1961, Psidium. Arguably the greatest horse owned by Dr and Mme Plesch was Sassafras, whose career highlight was success in the Prix de l’Arc de Triomphe. The death of Dr Plesch in 1974 led to a dispersal sale in 1975. The estate had a number of Irish owners before it was purchased by the present owners in 1982. The adjoining farm at Ferrestown was purchased in 1992. The present owners created a International-standard event course. DESCRIPTION Dollanstown Stud & Estate is an equestrian, agricultural and residential estate extending to about 284 acres (115 hectares) in total. It is situated in an area of Ireland which is famed worldwide for its equestrianism and combined with its excellent facilities, places Dollanstown in the premier league of country estates and stud farms in the country. The estate comprises a wide range of assets including a fully modernised country house at its core. The house is set within formal grounds and includes well-balanced and beautifully proportioned accommodation. Dollanstown includes an additional 6 residential properties which are of traditional construction and design. They provide employee accommodation and offer the potential for holiday cottages or longer term letting properties. The estate has immaculate formal gardens, a beautiful walled garden, parkland and wooded policies. The equestrianism at Dollanstown is the key feature with 71 stables spread over five yards, an all-weather gallop, two outdoor arenas, an indoor arena, a horse walker and an event course. A livestock-rearing enterprise is presently run in-hand at Dollanstown with farm buildings. A particular advantage of the estate is the extent and quality of the farmland which lies in a contiguous block and has good access via the public roads and a network of internal roads and tracks. The estate is partially enclosed by a traditional stone wall. While the house is within commuting distance of Dublin city centre and is just 23 kilometres from the M50 Dublin bypass, it occupies a private situation with no evidence of suburbia from the estate. The house and main yard are conveniently situated at the core of the estate. BER 1. Newtown Yard Lodge, BER No 111191458, BER D1 2. Gate Lodge Dollanstown, BER No 111191565, BER G
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
[Supplement]
p. 294. “An elegant mid-C19 neo-Classical villa in the style of J.S. Mulvany, of one storey over a basement and three bays; the centre bay being raised as a pedimented attic. Flanking service tower. remodelled in Edwardian period.”
Courthill House was erected near the Church of Ireland church at Dunboyne about 1835. It was the residence of John Greene and described as a neat two storey slated modern house. The attached outbuildings were in good repair and the demesne of twenty seven acres was kept in good order. A two storey house it is described as a substantial square villa with an elegant classical hall. The plasterwork dates to about 1838. About 1900 Courthill was enlarged by the addition of an extra storey. A walled garden stands to the north of the house. A gate lodge was erected about 1880.
Walsingham Coke held Courthill until 1622 when he sold it to Sir Arthur Savage. James Hamilton purchased it in 1698 from Sir Lawrence Parsons. This James Hamilton was from Raheny and was not related to the Hamiltons of Hamwood and Sheephill. The Wilson family then held the property.
Courthill House was erected by John Green, a fishmonger in the mid 1830s. Henry Green held the property in the 1850s. The house then descended though various families. In 1873 Patrick O’Donnell purchased the property but it was up for sale again in 1884 and 1893. It came into the hands of John Justin McCarthy in 1908. John McCarthy was the son of Jeremiah McCarthy of Coolnacalle. McCarthy was from Kerry and had managed to acquire a fortune though railways shares in companies in Africa. A supporter of Kerry GAA, Kerry footballers stayed at Courthill the night before the All-Irelands.
McCarthy died in 1953 and after the death of his wife the property passed to Eamonn Walsh. Courthill provided the name for Courthill Drive, a local residential development.
Corbalton Hall (formerly Cookstown House), Tara, Co Meath
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 92. “(Corbally/LG1863; Corbally-Stourton, sub Mowbray, Segrave and Stourton, B.PB1970) A three storey C18 house with a front of originally seven bays and flanked by curved screen walls; to which a two storey villa by Francis Johnston was added 1801-7 for Elias Corbally; the older building and new being joined at an acute angle. The front of Johnston’s addition became the new entrance front: three bays, one bay breakfront centre; Wyatt window above single-storey Ionic portico; ground floor windows set in rather Soanian arched recesses. Johnston also changed the fenestration of the front of the old house to three bays and replaced the original staircase with a spiral secondary stair lit by a large polygonal cupola. His new block contained a large drawing room and dining room on either rside of a hall with a curved staircase extending into a bowed projection at the back. Along the front of the old house is an elegant glass conservatory with a curving roof; from its appearance, it would hav been added fairly early C19. Adjoining the house on this side is a handsome pedimented stable range, with a cupola clock. Inherited through his mother by Col Hon Edward Stourton, who assumed the additional name of Corbally’ and who sold Corbalton 1931.”
Not in National Inventory
Record of Protected Structures:
Detached house, three-bay two-storey over basement, 1801
by Francis Johnson, stableyards, walled garden, with lodges.
A stunning Georgian villa at the heart of a magical estate. Completely upgraded and tastefully refurbished throughout. For sale in one or three lots. The property is approached via an impressive stone pier entrance leading to a driveway that sweeps amidst a mature, parkland setting. There is also a separate entrance to the yard. Lot 1 Residence and buildings on c. 53.01 ha, (c.131 acres) Lot 2 Lands. c.91.86 ha, (c.227 acres) Lot 3 The Entire – Residence/buildings and lands on c.144.87 ha, (c.358 acres) The accommodation comprises briefly; Entrance Hall – Inner Hall – Drawing room – Sitting room – Dining room – Kitchen/breakfast room – Garden room – Library – Cinema – Gym – Bar – Wine and beer cellars – Pantries – Utility and laundry room Store rooms – Lift Once considered only a basement today the lower ground floor is very much a part of the accommodation of the house containing both the cinema and gym. Master bedroom suite – Guest bedroom suite – 2 further bedroom suites Walled garden cottage – Coach house and apartment – Extensive garaging and outbuildings Formal gardens – Kitchen garden – Walled garden – Paddocks – Agricultural land In all about 358 acres. The tillage lands are currently all in winter wheat. Historical Note
Corbalton Hall was owned by the Corbally-Stourton family for over a century and a half until it was sold in 1951. It changed hands again a few years later and after being left vacant, it became somewhat dilapidated. It was then bought by a German couple who set about restoring it. It was subsequently sold again in 1999 to its current owner who undertook the major restoration and refurbishment of the property. A distinctive two storey Georgian villa, designed by the notable Irish Architect, Francis Johnston, better known for his work on Aras an Uachtarain, and built in the first years of the 19th century. The residence has a handsome three-bay façade, a breakfront centre and a Wyatt window above a single-storey Ionic portico. The house is dominated by a grand entrance hall with ornate plasterwork on the ceiling and a fine marble fireplace. It has an inner hall with a cantilevered staircase lit by a large stained glass window and there are two elegant reception rooms on either side of the entrance hall. The Grounds The residence is surrounded by parkland and there is a large, walled garden, beautifully laid out with immaculate hedges. The stable yard is built of attractive cut stone and is exceptionally well maintained, as is the entire property.
Corbalton Hall (formerly Cookstown House), Tara, Co Meath, photograpy by Tom Coakley, Barrow Coakley Photography Ltd., 25th May 2018.Corbalton Hall (formerly Cookstown House), Tara, Co Meath, photograpy by Tom Coakley, Barrow Coakley Photography Ltd., 25th May 2018.Corbalton Hall (formerly Cookstown House), Tara, Co Meath, photograpy by Tom Coakley, Barrow Coakley Photography Ltd., 25th May 2018.Corbalton Hall (formerly Cookstown House), Tara, Co Meath, photograpy by Tom Coakley, Barrow Coakley Photography Ltd., 25th May 2018.Corbalton Hall (formerly Cookstown House), Tara, Co Meath, photograpy by Tom Coakley, Barrow Coakley Photography Ltd., 25th May 2018.Corbalton Hall (formerly Cookstown House), Tara, Co Meath, photograpy by Tom Coakley, Barrow Coakley Photography Ltd., 25th May 2018.Corbalton Hall (formerly Cookstown House), Tara, Co Meath, photograpy by Tom Coakley, Barrow Coakley Photography Ltd., 25th May 2018.Corbalton Hall (formerly Cookstown House), Tara, Co Meath, photograpy by Tom Coakley, Barrow Coakley Photography Ltd., 25th May 2018.Corbalton Hall (formerly Cookstown House), Tara, Co Meath, photograpy by Tom Coakley, Barrow Coakley Photography Ltd., 25th May 2018.Corbalton Hall (formerly Cookstown House), Tara, Co Meath, photograpy by Tom Coakley, Barrow Coakley Photography Ltd., 25th May 2018.Corbalton Hall (formerly Cookstown House), Tara, Co Meath, photograpy by Tom Coakley, Barrow Coakley Photography Ltd., 25th May 2018.Corbalton Hall (formerly Cookstown House), Tara, Co Meath, photograpy by Tom Coakley, Barrow Coakley Photography Ltd., 25th May 2018.Corbalton Hall (formerly Cookstown House), Tara, Co Meath, photograpy by Tom Coakley, Barrow Coakley Photography Ltd., 25th May 2018.
Coonan Property and Goffs Property have confirmed the sale of Corbalton Hall, Tara, a period home on 358 acres in Skryne.
Purchased by a businessman for an undisclosed sum – the Georgian villa was originally designed by renowned Irish architect Francis Johnston over two hundred years ago. In recent times it has been thoughtfully and lovingly extended and restored to its current splendour by the educational technology entrepreneur Pat McDonagh and his family.
Coonan Property & Goffs Property say they were honoured to be instructed to handle the sale of Corbalton Hall in recent times.
“This rare treasure in Ireland’s heritage gives everything the county is most recognised for in one stunning package.”
Home for 150 years to the Corbally-Stourton family, it was bought 20 years ago by Riverdeep software businessman, Pat McDonagh, and his family. The family has now flown the nest, and the McDonaghs are downsizing from the 358 acre/148 hectare estate in the heart of Meath.
A three storey house was constructed on the Skryne-Ratoath road in the 18th century, to which a new wing was attached about 1801.
The two storey villa wing was designed by the distinguished Irish architect, Francis Johnston. It is suggested that the extension was as a result of the prosperity in the Irish corn market due to the Napoleonic wars. The older building and the new were joined at an acute angle.
Three vaulted rooms as well as associated walls of the original house were incorporated into the main 1801 house.
The Barnewalls held the property in the 17th century. Elias Corbally, a rich miller, acquired Cookstown about 1800 from a Mr White.
The Corbally family was Catholic and relative Bishop Plunkett of Killeen Castle was a regular visitor at their original home at nearby Sydenham.
Corbalton Hall is ensconced within fertile farmland in a County renowned as one of Ireland’s most prominent farming locations, this estate extends to approx. 358 acres (144.88 ha). At the same time however, it is well connected to amenities and has everything one both needs or desires within easy reach.
The joint agents said: “A true example of wholehearted stylish living in the most magnificent surroundings, we are certain that the new beginnings at Corbalton Hall will yield good fortune in every respect.”
The agents commented that: “A sale of this calibre shows there remains a demand for this type of property in the market currently plus we have a resilient marketplace given the testing few months we have just experienced. We wish the new owners every success in their new home.”
Corbalton was withdrawn from auction a year ago, guiding €11 million.
Poignantly, the funeral took place this week in Navan of Vicky Von Schmeider of Tara, whose family occupied Corbalton immediately prior to the McDonagh family acquiring the property.
Corbalton Hall, located between Skryne and Dunshaughlin, was home to the Corbally family. A three storey house was constructed in the eighteenth century to which a new wing was attached about 1801. The two storey villa wing was designed by the distinguished Irish architect, Francis Johnston. Casey and Rowan suggested that the extension was as a result of the prosperity in the Irish corn market due to the Napoleonic wars. The older building and the new were joined at an acute angle. Three vaulted rooms as well as associated walls of the original house were incorporated into the main 1801 house and are currently underneath a paved terrace. The front of Johnston’s addition became the new entrance front. The older section, called Cookstown House after the townland name, was demolished in 1970, leaving a gap between the stable block and the 1801 house. The farmyard was located away from the house on one of the entrance avenues.
The Barnewalls held the property in the seventeenth century. Elias Corbally, a rich miller, purchased Cookstown about 1800 from Mr. White. The Corbally family were a Catholic family and Bishop Plunkett was a regular visitor at their original home at nearby Sydenham. As a lieutenant in the Ratoath yeoman cavalry Elais Corbally was captured by rebels on the first day of the 1798 rebellion, but rescued by members of the Clonsilla yeoman cavalry. Corbally was active in various Catholic committees in Dublin and Navan attempting to secure better rights for Catholics. Corbally was a major contributor to the chapel at Skryne and donated the site for a new parochial house. In the 1830s Corbalton Hall was described as the elegant and spacious mansion of Elias Corbally, Esq., standing in a remarkably well-wooded demesne of about 1000 acres. Elias died in 1837 and is commemorated by a memorial in the ruined Rathregan church.
In 1817 Arthur James Plunkett, Lord Killeen, and later 9th Earl of Fingal, married Louisa, the only daughter of Elias Corbally of Corbalton Hall. The Plunkett family lived at Corbalton Hall and their children were born there. Arthur James, the eldest son of the 9th Earl, held the position of High Sheriff of Meath in 1845. A major in the 8th Dragoons he served at the Siege of Sebastopol during the Crimean War. William Plunkett was the third son of the 9th Earl of Fingal. Born at Corbalton in 1824 he joined the army, serving in the West Indies and Canada before joining the church. William was the first Irishman to join the Congregation of the Most Holy Redeemer in 1851. He worked in Manchester, Limerick, Clapham, Scotland and Australia as a Redemptorist priest. Sir Francis Richard Plunkett was born the sixth son of the 9th Earl Fingal at Corbalton Hall in 1835. Francis joined the diplomatic service and served throughout Europe before being made Minister in Tokyo in 1883. In 1900 he was appointed ambassador at Vienna, a post from which he retired in 1905.
Matthew Elias, son of Elias, was born in 1791. Living until 1870 Matthew was M.P. for Meath, a justice of the Peace and Deputy Lieutenant for County Meath. Matthew married Matilda Preston, daughter of the 12th Viscount Gormanston in 1842. Matilda died in 1889 aged 72 and husband and wife are buried in the vault in Skryne church. They only had one child, Mary Margaret, who was born in 1845. Matthew is said to have planted 14 lime trees along the cowfield and asked his daughter to have as many children.
In 1865 Mary married Alfred Joseph, 23rd Lord Mowbray, 24th Lord Segrave, 20th Lord Stourton and they had ten children, six boys and four girls. In 1876 Hon. Mrs. Corbally of Corbalton held 5,033 acres in county Meath. Alfred Joseph died in 1893, aged 64, in Paris. Mary Margaret died in 1925 aged 79. Their son, Edward Plantagenet Joseph, inherited the estate in 1925 and took the additional surname of Corbally. He sold the estate in 1951.
Corbalton Hall, County Meath, photograph courtesy Irish Aesthete.
Corbalton Hall, County Meath, photograph courtesy Irish Aesthete.
Corbalton Hall dates from 1801 when the house was designed by Francis Johnston. The foremost architect of the period, Johnston was responsible for some of Ireland’s most significant buildings, such as Dublin’s GPO and the Chapel Royal in Dublin Castle, as well as many other country houses. His client on this occasion was Elias Corbally, a wealthy miller who bought the estate along with an older house, since demolished, called Cookstown. To commemorate his family, Corbally decided to name the new house Corbalton Hall. A flawless example of fashionable neo-classical taste, Corbalton is faced in crisp limestone, the two-storey facade defined by a freestanding Ionic portico. The windows on either side are set in shallow recesses with semi-elliptical fluted panels above them. Inside, the building follows a typical tripartite plan, with a central entrance hall flanked by the main reception rooms, accessed through meticulously finished mahogany doors. To the rear of the hall is the cantilevered staircase in pale Portland stone, the whole space amply lit by a generous bowed window on the return and leading up to a series of bedrooms.
Corbalton Hall, County Meath, photograph courtesy Irish Aesthete.
Corbalton Hall, County Meath, photograph courtesy Irish Aesthete.
Corbalton Hall, County Meath, photograph courtesy Irish Aesthete.
Corbalton Hall, County Meath, photograph courtesy Irish Aesthete.
Corbalton Hall, County Meath, photograph courtesy Irish Aesthete.
Corbalton Hall, County Meath, photograph courtesy Irish Aesthete.
Symmetry and order are paramount in Johnston’s neo-classical houses, so Corbalton Hall’s drawing room and dining room have exactly the same proportions, although the former has a large east-facing bow window offering views across the surrounding demesne. All the windows on this floor are set in shallow recesses holding the shutters, at the top of which can be seen a design detail typical of Johnston’s work: a fan-like fluted, semi-circular motif. In 1970 the original Cookstown House was demolished, leaving an empty space between Johnston’s villa and the stable block which he had also designed. At the start of the present century, however, an extension designed by conservation architect David Sheehan was added to the rear of Francis Johnston’s Corbalton Hall, on the footprint of the demolished building, thereby restoring coherence to the site. Fortunately the handsome stable yard survives and beyond it lie further work yards leading to a pair of substantial walled gardens (the first of them terraced), all essential features of a functioning country house.
Corbalton Hall, County Meath, photograph courtesy Irish Aesthete.
Corbalton Hall, County Meath, photograph courtesy Irish Aesthete.
Corbalton Hall, County Meath, photograph courtesy Irish Aesthete.
Corbalton Hall, County Meath, photograph courtesy Irish Aesthete.
Corbalton Hall, County Meath, photograph courtesy Irish Aesthete.
Corbalton Hall, County Meath, photograph courtesy Irish Aesthete.
It is worth noting that Elias Corbally was a Roman Catholic, and a keen campaigner for the repeal of the Penal Laws, together with full civil rights for members of his faith. As a result, the Corballys became associated through marriage with other notable Catholic families elsewhere in County Meath. In 1817, for example, Elias’s only daughter Louisa Emilia Corbally married Arthur Plunket, 10th Earl of Fingall who lived not far away at Killeen Castle which had only recently been enlarged and altered by Francis Johnston. The Fingalls had always been Catholic, as were the Prestons, Viscount Gormanston: in 1842 Elias’s son and heir Matthew married the Hon Matilda Preston, daughter of the 12th Viscount. In 1865 their only child, and Elias’s granddaughter, Mary Margaret Corbally would marry Alfred Stourton, 24th Baron Segrave whose family title went all the way back to 1283; like the others, his ancestors had always remained Catholic. Their son, Colonel the Hon Edward Plantagenet Joseph Corbally Stourton was the last of the family to live at Corbalton Hall, selling the property in 1951. It then passed through several owners before being acquired a few years ago by the present owner who has carried out extensive restoration and refurbishment work on the building.
Corbalton Hall, County Meath, photograph courtesy Irish Aesthete.
Corbalton Hall, County Meath, photograph courtesy Irish Aesthete.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 89. “( Hallinan/IFR) A late C18 house, built ca 1775.”
Casey, Christine and Alistair Rowan. The Buildings of Ireland: North Leinster. Penguin Books, London, 1993.
p. 163. “Three storey gabled house with three-bay entrance front and a later square porch. Reputedly erected c. 1775; interior joinery and plasterwork look more like 1790.”
Collierstown House is located at Bellewstown, Duleek. Casey and Rowan said the house was reputedly erected about 1775 but the interior joinery and plasterwork look more like the 1790s. A three storey over basement house there is a good range of outbuildings including coachhouses. The house on the south side of Bellewstown Hill has uninterrupted views over east Meath and north Dublin.
In 1876 Bartholomew Ennis of Collierstown held 373 acres in County Meath. In 1901 Bartholomew Ennis and his family were living at Collierstown. J.S. Langan lived there from the early 1930s to about 1960. The Boylan family of Hilltown held the house for a period as did the Allen family.
Pastor Hill, Johnstown, Navan, Co. Meath, C15X56E courtesy Sherry Fitzgerald May 2025
€975,000
4 Bed
2 Bath
230 m²
Pastor Hill has a unique dual denominational status having been constructed first as a rectory for the Church of Ireland around 1820 and sold to the Catholic Church for use as a presbytery 100 years later in 1920. In more recent times the house has been used as a home for family living, but retains a connection to its clerical past with a former oratory now used as a bedroom. The house is a two storey over garden level country house in pristine condition having been lovingly maintained and decorated by the current owners, who also developed the tranquil gardens to an almost show-garden level. A charming mews in the courtyard adds an extra dimension to the property and is used as additional accommodation for family and other visitors. The courtyard comes with a garage, an enclosed barn, two farm sheds and a dog kennel. There is also a large potting shed on site. The house accommodation consists of kitchen, living room, study/office, sun-room and associated utility space at garden level. The middle floor includes a reception hall, large drawing room and family room with the latter rooms having period fireplaces with a stove replacing the grate in the family room. On the upper floor there are four bedrooms (one having the unusual domed ceiling of the former oratory) with a bathroom and shower-room. The property is located 1.5km from Old Johnstown Village less that 4 kms from Navan, c.45kms from Dublin city and a 40 minute drive to Dublin Airport (which also served by a very frequent direct bus service). Sporting facilities nearby include Royal Tara and Killeen golf clubs; Navan and Fairyhouse racecourses and Walterstown GFC. Services include Heating (oil-fired central heating); Water (mains) and newly certified Septic Tank. There is fibre broadband on site. Ground Floor -1 Office/Utility 4.20 x 3.33m Living Room 4.20 x 2.65m Kitchen 5.45 x 3.61m Utility/WC 2.00 x 1.60m Sunroom 5.50 x 3.40m Ground Floor Drawing Room 6.85 x 4.28m Family Room 4.41 x 3.71m Other 4.40 x 2.40m First Floor Bedroom 1 4.44 x 3.68m Bedroom 2 4.32 x 3.40m Bedroom 3 3.30 x 3.15m Bedroom 4 2.89 x 2.52m Bathroom 2.55 x 2.30m Coach House 120 sq metres Garden Shed 3.80 x 3.12m WC/Shower 2.46 x 2.28m Kitchen/Dining 4.08 x 2.85m Garage 4.34 x 3.80m Wood Shed 3.80 x 3.00m Bedroom 4.28 x 3.30m Living Area 4.34 x 3.00m Potting Shed 6.9 x 3.73m Garden Storage with Loft 5.7 x 4.2m
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 34. “A two storey five bay late-Georgian house with an eaved roof and single storey Doric portico. The home of R.A. Cornwall until his death ca 1956.”
Not in national inventory
Record of Protected Structures:Beamond House, townland: Beaumont. Town: Bellewstown.
Detached five-bay, two-storey over basement house. Built c. 1836. includes outbuildings, gates and boundary walls.
Beaumont (Beaumond) House is located at Bellewstown, on the road between Duleek and Laytown. Beaumont House is a two storey over basement regency style house with a limestone porch. The house was erected in the early nineteenth century by John McCann who operated the nearby mill. In 1837 John McCann held an extensive four and oatmeal mill at Beaumont, Kilsharvan. In 1837 the mill was fitted with the most modern machinery including six pairs of millstones and a steam engine of 20 horsepower. The mill was powered by the steam engine when the water level in the Nanny river was too low. Mr. McCann’s residence adjoined the mill. In 1876 John McCann of Beaumont held 73 acres in County Meath. Beaumond mill closed in 1898 and the building was demolished in the mid-twentieth century.
In 1901 Beatrice McCann lived at Beaumont. In 1911 Hugh Sheridan and family lived at Beaumont. The house had eleven rooms and twelve outbuildings. According to ‘The parish of Duleek and over the ditches’ Desmond Boylan of the Hilltown Boylans bought Beaumond from Mrs. Graham and subsequently sold it to Tom Jenkinson, Snr.