Open dates in 2026: May 1-31, June 1-5, 9-12, 16-19, 23-28, Aug 1-2, 15-23, 29-30, 10am-2pm
Fee: adult/OAP/student €8, child €4, under 4 years free, groups discount
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Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!
We visited Larchill on a glorious sunny day in May 2022. The house has an excellent website explaining the fact that it is a ‘Ferme Ornée’ or Ornamental Farm and is the only surviving, near complete, garden of its type in Europe. It was created between 1740 and 1780. You may have seen the house recently in the television series “Blood” starring Adrian Dunbar.
The Ferme Ornée gardens of the mid 18th century were an expression in landscape gardening of the Romantic Movement. The National Inventory tells us that the house, ornamental farm yards and follies were built by Robert Watson, but it could have been for the previous owners, the Prentice family, a Quaker merchant family who lived in Dublin and at nearby Phepotstown and who owned the land of Larchill. According to the National Inventory, the farm yard was built around 1820, later than the house, which was built around 1790. [1] [2]
Robert Prentice leased Phepotstown in 1708 to grow flax for the production of linen and it seems that at this time he started to develop the land as a ‘Ferme Ornée.’ [3]
It was the current owners, Michael and Louisa de las Casas, who discovered the significance of the property, which had become overgrown and fallen into disrepair, due to a visit by garden historian Paddy Bowe,who was the first to realise that Larchill was a Ferme Ornée and an important ‘lost’ garden.
The website tells us about the idea of an ornamental farm:
“Emulating Arcadia, a pastoral paradise was created to reflect Man’s harmony with the perfection of nature. As is the case at Larchill, a working farm with decorative buildings (often containing specimen breeds of farm animal) was situated in landscaped parkland ornamented with follies, grottos and statuary. Tree lined avenues, flowing water, lakes, areas of light and shade and beautiful framed views combined to create an inspirational experience enabling Man’s spirit to rejoice at the wonder of nature.“
The owners continue the tradition of keeping specimen breeds with the long-horn cow, peacocks and quail. They used to be kept busy with tourists and children with an adventure area and collection of rare breeds of farmyard animal, but they no longer gear it toward such an audience.
The website continues: “At this time in Versailles, Marie Antoinette enjoyed extravagant pastoral pageants, housed specimen cattle in highly decorated barns, while she herself is said to have dressed as a milk maid complete with porcelain milk churns. Freed from the restrictions of the 17th century formal garden, the Ferme Ornée represented the first move towards the fully fledged landscape parkland designs of Capability Browne.“
I recently visited the exhibition of “In Harmony with Nature: The Irish Country House Garden 1600-1900” at the Irish Georgian Society, curated by Robert O’Byrne. He describes the Romantic movement and landscape design of Capability Brown:
From exhibition of “In Harmony with Nature: The Irish Country House Garden 1600-1900” at the Irish Georgian Society, curated by Robert O’Byrne.
The Larchill website continues: “The Prentice family had trading connections throughout Europe and would have been aware of the new fashion in garden design: in particular the famous gardens of Leasowes and Woburn Farm in England. In Ireland the Prentice’s townhouse was adjacent to the home of Dean Swift in Dublin where he had developed his orchard and garden, ‘Naboth’s Vineyard.’ Dean Swift and his great friend Mrs Delaney (known today for her exquisite floral collages) were most closely associated in Ireland with knowledge of the new movement in garden design. Larchill was only 10 miles from Dangan Castle [now a ruin], often visited by Mrs Delaney, where from 1730 an extravagant 600 acres of land was embellished with a 26 acre lake, temples, statuary, obelisks and grottos by Richard Wellesley, Earl of Morningtonand Grandfather of the Duke of Wellington [I think this was Richard Wesley (c.1690-1758), first Baron of Mornington. He was born Richard Colley but took the name Wesley when he inherited Dangan from his cousin Garret Wesley. [4] Mrs Delaney writes that he had a complete man-of-war ship on his lake!]. This is entirely contemporary with the Prentice’s period of garden development on their estate.“
Robert O’Byrne writes of Larchill in his blog and tells us more about the beginnings of the movement for “ornamental farms”:
“Despite its French name, the concept of the ferme ornée is of English origin and is usually attributed to the garden designer and writer Stephen Switzer.* [*Incidentally, Stephen Switzer was no relation to the Irish Switzers: whereas his family could long be traced to residency in Hampshire, the Switzers who settled in this country in the early 18th century had come from Germany to escape religious persecution.] His 1715 book The Nobleman, Gentleman, and Gardener’s Recreation criticized the overly elaborate formal gardens derived from French and Dutch examples, and proposed laying out grounds that were attractive but also functional: ‘By mixing the useful and profitable parts of Gard’ning with the Pleasurable in the Interior Parts of my Designs and Paddocks, obscure enclosures, etc. in the outward, My Designs are thereby vastly enlarg’d and both Profit and Pleasure may be agreeably mix’d together.’ In other words, working farms could be transformed into visually delightful places. One of the earliest examples of the ferme ornée was laid out by Philip Southgate who owned the 150-acre Woburn Farm, Surrey on which work began in 1727. ‘All my design at first,’ wrote Southgate, ‘was to have a garden on the middle high ground and a walk all round my farm, for convenience as well as pleasure.’ The fashion for such designs gradually spread across Europe as part of the adoption of natural English gardens: perhaps the most famous example of the ferme ornée is the decorative model farm called the Hameau de la Reine created for Marie Antoinette at Versailles in the mid-1780s. The most complete extant example of this garden type in Europe is believed to be at Larchill, County Kildare.” [5]
The Larchill website continues: “Thus there were many sources of reference for the Prentice family as they created their own pastoral paradise before falling on hard times and bankruptcy due to failure in their trading enterprises [around 1760]. The Ferme Ornée gardens were, as a result, leased separately from Phepotstown House and became known as Larchill after a boundary of Larch trees was planted around the farm and garden in the early 1800’s.“
The Watsons leased the property in 1790 and the farm manager’s house was upgraded with additions at this time (around 1780). (see [3])
The website Meath History Hub gives us more information about the inhabitants of Larchill:
“Richard Prentice, a haberdasher from The Coombe in Dublin occupied Larch Hill in the late eighteenth century. He may have established a Ferme Ornéeat Larchhill and constructed the follies although they are generally dated to later.Mr. Prentice was declared bankrupt in 1790, owing ten thousand pounds to a Mr John Smith in Galway.
In 1790 the lease at Phepotstown was taken over by Thomas Watson. The Watson family were a Quaker family from Baltracey, Edenderrry. The house at Larch Hill may have been constructed at this time. Thomas died in 1822. His brother, Samuel Eves Watson [1785-1835], took a lease on Larchill when he married Margo Doyle in 1811. In 1820, Samuel E. Watson inherited half the estate of his uncle, Samuel Russell, in Hodgestown, Timahoe. This brought together four estates with a total area of 1,627 acres. When he died in 1836 his grandson, Samuel Neale [or was Samuel Neale his nephew, son of his sister Anna Watson?], got the estate but he had to take the name Watson in order to inherit. In 1837 Larch Hill, Kilmore, Kilcock was the residence of S.E. Watson. Its grounds were embellished with grottoes and temples. Samuel Neale Watson, as he was now known, married Susanna Davis in 1840 and lived mainly in Dublin. Samuel Neale Watson died in 1883. Seamus Cullen has researched the history of the Watson family.” [6]
The property is mainly notable for its follies, but the house is lovely too, an old Quaker farmhouse.
He greeted us outside the barns, and brought us through the house. The house was built around 1780, and entering the back door, one can see the age – one senses it in the walls in the back hallway, which are not as smooth and straight as in a modern house, and they seem to sit more firmly in the ground. The ceilings are also higher.
Although a farmhouse, it has lovely coving in the drawing room, a ceiling rose and marble fireplace.
The Larchill website continues, about the early 1800s: “It was after this time that the local Watson family leased Larchill and the famous connection was made, to this day, between Robert Watson, Master of the Carlow and Island Hounds and the Fox’s Earth folly. Although the Fox’s Earth would certainly predate the Watson’s tenure at Larchill [he died in 1908], and the fact that Robert Watson was only a distant relative of the Watsons at Larchill, still it is believed that the Fox’s Earth was constructed in response to Robert Watson’s guilt at having killed one too many foxes and his fear of punishment in reincarnation as a fox.”
The Larchill website the National Inventory tell us that according to folklore the Fox’s Earth was created by Mr Robert Watson, a famous Master of Hounds in the 18th Century who feared punishment through re-incarnation as a fox, having killed one too many foxes during his hunting career. References I have found refer to the 19th century Robert Watson who was master of the hunt. [7] I’m not sure if there was an 18th Century Robert Watson to whom the Larchill website refers. Robert Watson (1821-1908) of the Hunt lived at Ballydarton, County Carlow. [8] Maybe he influenced his Watson relatives who lived at Larchill to ensure that the odd structure would act as a “fox’s earth” in case he was reincarnated as a fox! Whatever the case, it makes a great story! Ideas of reincarnation were, the Larchill website tells us, being explored at this time through the Romantic movement as established Christian doctrine came into question. It is feasible that there was every intention to create a Fox’s refuge with the design of this folly.
The “Fox’s Earth” folly structure, the website tells us, comprises an artificial grassed mound within which is a vaulted inner chamber with gothic windows and entrance. A circular rustic temple surmounts the mound. Externally it is reminiscent of an ice house.
Leading away, on either side from the vaulted interior, are tunnels disappearing into the mound. These ‘escape’ tunnels seem to corroborate the story of this being a “Fox’s Earth”, a refuge and escape route for a fox pursued by the hunt.
The National Inventory calls it a Mausoleum: “Mausoleum and folly, built c.1820. Comprising three-bay single-storey dressed limestone façade set into artificial mount, with rustic temple set on the mount. Pointed arch openings to three-bay façade. Rubble stone walls to site, with circular profile piers. Circular profile temple, comprising six columns, capped with dome. Rubble stone bridge to the site.” [9]
Another possibility that Michael told us is that the temple is a Temple of Venus. Inside its tunnels are in the shape of a woman’s reproductive system, with a womb and fallopian tubes. It could have been a sort of temple to fertility.
The Larchill website continues: “Although described in the notes to the 1836 Ordnance Survey as ‘the most fashionable garden in all of Ireland’ over the decades knowledge of the Larchill Ferme Ornée faded. The parkland returned to farmland, the lake was drained and the formal garden was lost and used to graze sheep. Although the follies became semi derelict and obscured by undergrowth and trees, the mystery and beauty of Larchill was still recognised. Folklore stories of hauntings and the ‘strange’ nature of Larchill ensured its continued notoriety.
The Meath History Hub tells us: “The Barry family resided at Larchhill from the 1880s until 1993. Christopher and Maria Barry donated the Stations of the Cross to Moynalvey church. Christopher died before 1911 leaving Maria a widow.” (see [6])
In 1994 the de Las Casas family acquired Larchill. Four years of restoration followed with the aid of a grant from the Great Gardens of Ireland Restoration Program and a FAS Community Employment Project.
In recognition of the quality and sensitivity of the restoration program Larchill Arcadian Garden has been awarded the 1988 National Henry Ford Conservation Award, the 1999 ESB Community Environment Award and the 2002 European Union Environmental Heritage Award.
We then went outside to explore. Michael gave us a map to follow around the grounds. First he showed us the ingenious mechanism in the ornamental gate:
Before we walked the circumference of the field and lake, Michael showed us to the walled garden behind the house. On the way we passed a statue of Flora:
The ornamental dairy used to have Dutch tiles but unfortunately a previous owner removed them! Ornamental dairies were common in ornamental farms, and were places where products of the dairy could be sampled if not actually made there.
The tower, called a “Cockle Tower,” is decorated with shells, but unfortunately it needs to be stabilised before one could safely enter. I did manage to see the inside of the shell tower by looking through a window. We saw a shell house in Curraghmore in County Waterford, and Mary Delany is famous for her shell work. There is also one nearby at Carton Estate.
The website tells us that in the case of the Larchill Shell Tower, where lower rooms are decorated with shells laid in geometric patterns, the shells appear to be mostly native varieties, many are cockles with some exotic exceptions such as conches – perhaps sourced via the trading connections of the 18th century Prentice family who created the Ferme Ornée at Larchill.
After we explored the walled garden, we set off to see the follies dotted around the lake. On the lake itself are two follies: the Gibraltar and the round temple. A previous owner had drained the lake but the current owners reinstated it, as water is an essential element of an ornamental farm, creating a romantic landscape. We learned a charming new word: marl clay lines the bottom of the lake. To prepare the clay before the lake was filled with water, the land underwent the process of “puddling.” This is letting sheep loose on the clay to walk it into the ground.
Gibraltar: This is a castellated miniature fort with circular gun-holes and five battlemented towers situated on one of two islands within the lake. It would have been constructed just shortly before, or at the same time as, the famous defense by the British of their garrison on Gibraltar against the Spanish during the ‘Great Siege’ of 1779 to 1783. The siege, which lasted nearly three and half years through starvation and repeated onslaughts by the Spanish, was impressive news at the time and must have motivated the naming of the fortress as Gibraltar.
There is a similar “Gibraltar” tower in Heathfield Park Estate in East Sussex. In 1791 Francis Newbery bought Bailey Park, an estate in East Sussex, which he renamed the Heathfield Park Estate. One of his first projects was to create a memorial to the former owner of the estate, George Augustus Eliot, who had been Governor at Gibraltar during the lengthy ‘Great Siege’ by the Spanish and French of 1779-1783. In 1787 Eliot was created Lord Heathfield of Gibraltar in recognition of his service to his country, and his death in 1790 had been marked by long eulogies in the press. The tower was later sketched by Turner as part of his commission to provide illustrations for Cooke’s Views in Sussex. [11]
However the fortress at Larchill was much more a source of pleasure and entertainment, the Larchill website tells us, with stories of mock battles across the lake.
The website tells us about the Lake Temple: it “is a circular island building in the lake to the west of Gibraltar. The outer wall has decorative recesses and the internal circle of columns surrounds a well-like central core.
There is evidence that the columns may have originally been partially roofed so as to direct rainwater into the well itself. It is possible that the design was intended to emulate the plunge pool baths of Ancient Rome, such as the famous pool at Hadrian’s Villa in Tivoli.”
There used to be a causeway out to the island temple. Another theory is that the well and round temple could have been part of a sham Druidic temple. Tim Gatehouse writes of a Grand Lodge of Irish Druids in the 1790s, whose summer activities included visits to members’ estates. (see [3])
I still have to write about our visit to County Cork this year. We stayed in two airbnbs, one closer to Dublin, so that it was not too long a drive, and the second near Bantry, in order to see Bantry House. We stopped overnight in County Tipperary on the way home, in Thurles, to break up the long drive home.
On our first day, we visited Blarney House and Blarney Castle, both Section 482 properties.
The next day we drove down to our Bantry airbnb. Bantry House wasn’t open that day, as they had an event, so instead, Stephen and I went for lunch to Liss Ard estate, in order to see the Sky Garden by James Turrell. Then we went to see Castletownshend, I made an appointment to see the castle. It is wonderful, full of historical items and still in the same family who built it. I wrote about both these properties in my “accommodation page.” https://irishhistorichouses.com/2022/05/17/places-to-visit-and-stay-munster-county-cork/
The next day we visited the wonderful Bantry House. It is like a museum, so full of wonderful decor! I will be writing about all these properties soon.
We had a terrific and successful Heritage Week, visiting every province in Ireland! We headed from home to County Limerick to stay in the lovely Ash Hill in Kilmallock, which is on the Section 482 list so I’ll be writing about it.
The next day (Saturday) we visited Beechwood in County Tipperary, which was built as a glebe house for the local Church of Ireland vicar, and then headed to The Turret in Ballingarry, County Limerick, an unusual building which may be built upon ancient Knights Templar or Knights Hospitaller foundations.
Donal, the owner, also brought us to see the nearby impressive ruin of a de Lacy castle. The next day we visited Glenville in County Limerick, an old Massey property which is being beautifully restored, and then headed to see Mount Trenchard outside Foynes.
On Monday we left our lovely Ash Hill, and headed to our airbnb in County Roscommon. We stopped in County Galway to visit two section 482 properties, Oranmore Castle and Claregalway Castle, both are restored tower houses.
We were disappointed to find that the repairs to the house are still in progress and that it is not yet safe for visitors. However, as we looked around the outside of the Palladian house, we ran into Aodain, one of the staff there, and he kindly invited us to the following day’s Heritage Week event, which I had not seen advertised when I was studying the Heritage Week events – a tour of the unique darkroom of Strokestown. So we returned the next day and were able to see a few rooms inside the house. It’s a section 482 property so I’ll be writing about it soon.
On Thursday we moved from our accommodation in Roscommon to stay with Nicola and Durcan at Annaghmore in County Sligo. On the way we stopped in Boyle in County Roscommon to visit King House, now an excellent museum with information about the King family, and also the Connaught Rangers who later occupied the building.
On Friday we visited Lissadell in County Sligo, and had a tour of the house, and visited the exhibitions about Constance Markievicz and WB Yeats, as well as the Alpine Garden.
On Saturday we drove to our last airbnb accommodation, in County Fermanagh, stopping at Manorhamilton Castle on the way which was meant to be open for Heritage Week and was scheduled to be open that day, but we were informed in the cafe on the site that it was not open that day. Grrr!
We relaxed in our gorgeous airbnb, a place that deserves to be on “home of the year,” and the next day went to our final Section 482 property for Heritage Week, Hilton Park in County Monaghan.
Fred gave us a great tour of the house and then we had a wander in the gardens, down to the lake. We arrived home yesterday, tired and happy to be home. I am delighted with all that we saw, and I have lots of properties now to write about!
Oh, we visited a couple of ancient sites too – we went to Rathcroghan when we were in County Roscommon, and to Carrowmore when in Sligo.
We only had one rude home owner, who was not open on Sunday 14th August despite being listed as open that day on the Section 482 list. The person who answered the house phone at Tarbert House, County Kerry, when I rang to ask if we could visit, said no, the house was not open that day. She said it would be open “of course” the following day, Monday, and that “you can do what you like” in terms of visiting! She hastily added, “It’s not large!” i.e. “don’t bother coming.” I don’t think a three storey over basement, seven bay building can be defined as “not large”!
Open dates in 2026: Jan 6-31, Mon -Fri, May 2-19, Aug 15-23, Sept 1-24, 9.30am-1.30pm
Fee: adult/student/OAP €10, child under 12 years free
I have not yet had a chance to visit this property, but I subscribe to the Offaly History Blog and on 30th July 2022 there was a posting about this house! It will be open during Heritage Week this year, August 13-21st, so you will have a chance to visit it if you are in Tullamore.
Open dates in 2026: March 1- Sept 27, Sat & Sun, National Heritage Week, Aug 15-23, 9am-1pm
Fee: adult €6, student/OAP €2, child free
donation
Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!
Terry was very welcoming to her home, North Tower Number 7 of Dublin bay’s Martello towers. She showed us around inside and her friend, gardener and Martello tower expert Bryan gave us a tour outside. You may recognise the tower from RTE television show “Home of the Year.”
First, Terry told us a bit about the history of the Martello towers of Dublin. The Martello towers were built to protect Ireland from French invasion from Napoleon’s army. Twenty four towers were built around the bay of Dublin, and twenty-one are still standing. There are also some in Limerick and Cork. No two towers are exactly alike. Some are larger, built for larger cannons. Some of the Martello towers have cellars and some do not.
This particular tower was built in 1805-6. In 1793, under the command of Vice Admiral John Jervis, a tower in Corsica, Cape Mortella was besieged, and he noted with great interest how well it withstood a battery of cannonballs. After three days the English landed ashore and took it by force. Jervis realised that the squat rounded shape of the tower and the thickness of its walls allowed it to withstand the attack. The British copied the design for their own defensive towers, but changed the name and called them “Martello” towers. The walls facing the sea are nine feet thick and on the land side eight feet thick. The Martellos around Dublin bay are built in the line of sight of each other, with the objective of ensuring the arc of canon fire from one would meet or overlap that from its neighbours.
Napoleon never came to Ireland, however, so the towers were never used to defend the coast. Terry told us that the British admiralty took the land to build the towers as they didn’t have time to locate the owners of the land. The towers were each built of local stone.
This tower came into private ownership in the 1920s. It has been altered to create a family home. Before Terry and her husband purchased the tower, it was owned by bookseller Derek Hughes of Hughes & Hughes bookstores. Earlier owners named Ian Coulhane, Walter Douglas and Fred Thorpe broke out walls on four sides of the tower and installed extensions at each.
The cannon would have been placed on the roof of the tower. Martello towers were built of a height suitable for the cannon range, and can be up to forty feet high. The cannons were able to rotate around a track to fire 360 degrees around the tower, and it took twelve soldiers to operate the cannon. It was planned that the soldiers would maintain a 24 hour lookout, taking it in two shifts, with approximately 24 men working and living in the tower. That never happened, although some invalided soldiers did work in Tom and Terry’s tower.
Terry showed us around her tower, pointing out where she and her husband made changes and renovations, where previous owners made changes, and where one can see original features of the tower. Her son Anton Savage, a radio and tv presenter, read up all about Martello towers and made lots of discoveries in his own home.
The kitchen leads into the tower itself. On our right was a spiral staircase, which is built inside the walls of the tower. The spiral staircase takes its shape from ancient tower houses which used spiral stairs for defence, narrow and built in a way so right-handed swordsmen on the second-floor would have the advantage over invaders coming up the stairs, who would be forced to fight using their left hands.
The inside of the round tower has two storeys, but the floor in the centre has been removed to create a beautiful double-height gallery of two floors of mahogany bookcases.
When Terry and her husband Tom removed the layer that had been applied inside the stone walls to expose the original stone, they discovered a fireplace. They installed a stove.
When renovating the ground flooring, they discovered a hole in the floor, revealing what must have been a cistern with enough space to store water for twenty five men for twenty five days. Terry and Tom had the space glassed over to create a feature in the floor, rather like the floor in our local Lidl, which has a similar feature in the floor revealing the remains of an 11th century house and another revealing an 18th century ‘pit trap’ associated with the stage workings of the former Aungier Street Theatre, where an actor could disappear beneath the stage or reappear like magic.
Open dates in 2026: May 1-31, June 1-5, 8-12, 15-19, 22-26, Aug 15-23, 11am -3pm,
Fee: adult €14, OAP/student €12.50, child €8.40
donation
Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!
Beauparc House has been in the one family since it was built around 1755. It is a beautiful ashlar stone faced three storey over basement house with the classic sequence of Diocletian window above a Venetian window above a tripartite doorway. The architecture is attributed to Nathaniel Clements (or it could have been Richard Castle, Iona told us, although if built in 1755 that is after Castle’s death in 1751. The central window arrangement is reminiscent of Richard Castle [1]). The door is framed by two pairs of Doric columns topped by a central pediment. The Dictionary of Irish Biography tells us about the architecture of Nathaniel Clements: “A talented architect, he is credited with an important part in developing the Palladian villa-farm style of Irish country houses. In the 1750s and ‘60s he may have designed or advised on the design of several country houses, for example at Brooklawn and Colganstown in Co. Dublin [also a Section 482 property, see my entry], at Belview, Co. Cavan, Beauparc, Co. Meath, and at Newberry Hall and Lodge Park, Co. Kildare [another Section 482 property which I have yet to visit], all of which show the influence of his mentor Richard Castle. His residences were Manor Hamilton and Bohey, Co. Leitrim; Ashfield, Cootehill, Co. Cavan; and Woodville, Lucan, Co. Dublin.”
The house reminds me of Coopershill in County Sligo which was designed around 1755 by Francis Bindon, who also worked with Richard Castle.
Approximately twenty years after it was built, two three-bay two-storey wings were added by Charles Lambart, in around 1778, joined to the house by quadrant walls, the design attributed to the Reverend Daniel Beaufort. Beaufort was the Rector of Navan, County Meath, from 1765. He is associated also with the architecture of Ardbraccan House in County Meath (along with Thomas Cooley and James Wyatt) and Collon church in County Louth (where his daughter Louisa designed the stained glass window).
We were greeted at the door by Iona Conyngham, who gave us a tour of her home.
The back of the house, or garden front, as Mark Bence-Jones tells us, is of two bays on either side of a curved central bow, which you can just about see in the photograph taken around 1900 by Robert French (see below). [2] We did not see the back of the house.
The estate has fine stone entrance piers and a cast iron gate, and a long sweeping drive to the house. The house is beautifully situated above the Boyne River, at the back of the house, giving beautiful views.
The house was built for Gustavus Lambart (born in 1717). He was MP for Kilbeggan from 1741-1776 and Collector of the Revenue for Trim, County Meath, from 1746-1760. He received excise tax from Kilbeggan Whiskey, a distillery that was established in 1757 under Gustavus Lambart’s patronage, by Matthias McManus. Iona told us that before Gustavus Lambart changed the name to Beauparc, it was previously called Fair Park.
It passed rather indirectly but within the same family to its current owner Lord Henry Mount Charles Conyngham of Slane Castle (and his wife Iona) after the death of the previous owner, Sir Oliver Lambart, in 1986. The Navan History website tells us:
“[The previous owner] willed the house and estate to Lord Henry Mount Charles a distant relative. Sir Oliver never told him and it came as a shock to Lord Henry.”
It must indeed have been a pleasant surprise to Lord Henry Mount Charles, since he already owned Slane Castle, and although Sir Oliver Lambart had no siblings nor children, his father had eleven siblings. However, only four of those siblings, Oliver’s aunts, lived longer than his father Gustavus, and none of Gustavus’s brothers had children. Oliver had several first cousins, but most, if not all of them, predeceased him. Sir Oliver’s grandmother was Frances Caroline Maria Conyngham, daughter of the 2nd Marquess. Henry Mount Charles Conyngham is the 8th Marquess, which makes him only distantly related to Sir Oliver Lambart, the previous owner.
It is fortunate that the Conynghams inherited Beauparc before the disaster of the fire at Slane Castle in 1991, so they had somewhere to live when Slane Castle was being renovated. Lord Mount Charles had already started to host rock concerts to raise money for the upkeep of the castle so perhaps Sir Lambart admired his enterprising spirit and felt that he was leaving his house to someone who would be able to undertake the upkeep of Beauparc. Henry Mountcharles also earns some of his money from the making of whiskey as in 2015 he opened a whiskey distillery at Slane Castle, the Slane Irish Whiskey Brand. Kilbeggan Whiskey still continues today also.
Gustavus Lambart married Thomasine Rochfort of Gaulstown, County Westmeath, the sister of the “wicked” Robert Rochfort, 1st Earl of Belvedere, who imprisoned his wife at her home for allegedly having an affair with his brother (see my entry about Belvedere [3]). She was the daughter of George Rochfort.
George Rochfort, of Gaulstown, Co. Westmeath, M.P. for Co. Westmeath by Charles Jervas courtesy of Christies Auction 2002.
The Navan History website tells us of the history of the Lambart family:
“Oliver Lambart, first Baron Lambart [1573-1618], acquired lands in Cavan.” [4]
Oliver Lambart was a military commander and came to Ireland with the 2nd Earl of Essex and fought in the Nine Year’s War (1593-1603). Earlier he had fought against Spain and was knighted. In 1597 he was an MP for Southampton in England. In 1603 he served as Privy Counsellor in Ireland and In 1613 he was elected as MP for County Cavan in the Irish House of Parliament. He is buried in Westminster Abbey. [5]
His son Charles Lambart(1600-1660) succeeded him in 1618 as the 2nd Lord Lambart, Baron of Cavan, County Cavan. He followed in his father’s footsteps as MP, Privy Counsellor, and the military: He was commander of the forces of Dublin in 1642, helping to suppress the 1641 Uprising with a 1000 strong infantry regiment. [6] Previous to this, he had lived in England as an absentee landlord, due to debts which he inherited from his father. He took a seat in the Irish House of Lords in 1640 after failing to secure a seat in the English Parliament. He allied himself with the Catholic opposition to the government at first, criticising Thomas Wentworth (1593–1641), Earl of Strafford, Lord Lieutenant of Ireland. However, with the rebellious uprising in 1641, Lambart fled to Dublin and there took up arms against the Catholic rebels. He became an ally of the Duke of Ormond. The king rewarded his loyalty by creating him 1st Earl of Cavan in April 1647. [7]
His son Richard became the 2nd Earl of County Cavan. However, it was the 1st Earl of Cavan’s younger son Oliver (1628-1700) who inherited the family estates. The Navan History website tells us:
“Oliver Lambart was third son of Charles Lambart, and lived at Painstown. His elder brother, the second Earl [Richard], was deprived of his reason by a deep melancholy by which he was seized before, from a sense of injuries put upon him by his younger brother, Oliver, who by his father’s will got the estate of the family settled upon him. His son, Charles, succeeded him at Beau Parc.”
Oliver married four times. He married, firstly, Catharine Bridges from England, daughter of John Bridges, circa 1662. He and Eleanor Crane of Dublin obtained a marriage license on 6 September 1671. They had several children. He and Dorothy Whitfield obtained a marriage license on 12 December 1681, but they had no children together. He married, fourthly, Anne Tighe, daughter of Richard Tighe, Alderman of Dublin, circa 1688.
He was Anne Tighe’s third husband. Anne had been previously married to John Preston (d. 1686), Alderman of Dublin, who lived in Ardsallagh, County Meath. By him she had a son Nathaniel Preston (d. 1760) who lived at Swainstown in County Meath, another Section 482 property. Her second husband was Theophilus Sandford who lived in Moyglare, County Meath.
He held the office of Member of Parliament (M.P.) for Kilbeggan in 1661. He died in 1700.
His son Charles (d. 1753) was MP for Kilbeggan and later for Cavan. He lived at Painstown, County Meath. He married Elizabeth Hamilton, daughter of Gustavus Hamilton (1642-1723), 1st Viscount Boyne. It was their son, Gustavus Lambart who had the house at Beauparc built. Gustavus was the second son. His elder brother Charles predeceased their father, unmarried.
We stepped into the impressive front hall. The plasterwork reminded me of that in Leinster House, which I have seen in photographs. A portrait of Lady Conyngham looks down over a map table, which was a gift to her, with shamrock, thistle and rose, symbols of Ireland, Scotland and England. The hall has stone flags. The interior is laid out, Christine Casey and Alistair Rowan tell us, in a variant of the standard mid-eighteenth century double-pile plan (see [1]). The house is two rooms deep. The hall has a large Doric cornice and six doors in lugged (i.e. shouldered) frames.
The Navan History website tells us: “Gustavus Lambert, son of Charles, was MP for Kilbeggan from 1741 to 1776 and was collector of Revenue for Trim from 1746-60. His son, Charles Lambart [c. 1740-1819], was M.P. for Kilbeggan between 1768 and 1783.” As mentioned earlier, Gustavus married Thomasine Rochfort. His son Charles married Frances Dutton, whose father was born James Lenox Naper (c. 1713-1776) but later took the surname Dutton after his mother, daughter of Ralph Dutton 1st Baronet Dutton, of Sherborne, Co. Gloucester. James Lenox Naper lived at lived at Loughcrew, County Meath, which is also a Section 482 property. It was Charles Lambart who added the wings to Beauparc.
The hall opens directly into the drawing room, with its wonderful view of the Boyne. The dining room and sitting room are on either side. The sitting room retains its original modillion cornice and two stuccoed niches flanking the chimneybreast (see [1]). The main stair is located off the hall to one side and is lit by the big Venetian window. The staircase is mahogany, with two Tuscan balusters per tread and side modillion motifs carved into the tread ends.
The Navan website continues: “Charles’s son, Gustavus [1772-1850], was born in 1772. As M.P. for Kilbeggan Gustavus voted against the Act of Union in 1800.” He married in 1810. Casey and Rowan tell us that Gustavus Lambart II may have had minor alterations made to Beauparc. He may have added Neoclassical chimneypieces, plasterwork, and some “vaguely Gothick joinery” in different rooms (see [1]).
His eldest son, Gustavus William Lambart (1814-1886), married Lady Frances Caroline Maria Conyngham, daughter of the 2nd Marquess Conyngham (Francis Nathaniel Burton Conyngham (1797-1876), of Slane Castle) in 1847.
Francis Nathaniel Conyngham 2nd Marquess Conyngham, by Richard James Lane, after Stephen Catterson Smith, lithograph, 1850, photograph from the National Portrait Gallery. [8]
The Navan website tells us about Gustavus William Lambart: “A graduate of Trinity College he was State Steward to the Lord Lieutenant of Ireland. In 1876 Gustavus W. Lambart of Beauparc held 512 acres in County Meath. It is said that a Miss Lambart danced a jig in front of Queen Victoria and asked for the head of the Prime Minister, Gladstone. Gladstone was a supporter of Home Rule for Ireland, a cause which did not find favour among the Irish gentry and nobles. Gustavus William died in 1886.“
The Navan website continues: “His eldest son, Gustavus Francis William Lambart, was Chamberlain to the Lord-Lieutenant of Ireland between 1876 and 1880. He gained the rank of Major in the service of the 5th Battalion, Leinster Regiment. High Sheriff of County Meath in 1901, Gustavus was Comptroller and Chamberlain to the Lord-Lieutenant of Ireland between 1902 and 1905. He held the office of Secretary of the Order of St. Patrick. He was created 1st Baronet Lambart, of Beau Parc on 13 July 1911. He married Kathleen [Moore] Brabazon in 1911.” Kathleen Moore-Brabazon was daughter of John Arthur Henry Moore-Brabazon of Tara Hall, County Meath, who was born with the surname Moore but changed his name on the death of his uncle, the Reverend William John Moore-Brabazon, son of John Moore and Barbara Brabazon.
Kathleen Barbara Sophia nee Moore-Brabazon, Lady Lambart, with her son Sir Oliver Francis Lambart 2nd Baronet, and husband, Sir Gustavus Francis Lambart 1st Baronet by Bassano Ltd, whole-plate glass negative, 7 May 1923, photograph from National Portrait Gallery. [8]
The Navan history website tells us that: “In January 1890 Cyril, brother of Gustavus, experimented with chasing kangaroos with the Beau Parc Staghounds. He also tried hunting Barbary sheep and Tralaia deer. Cyril later emigrated to Australia.” It sounds like he must have imported kangaroos to Beauparc! Unless the Navan website does not imply that he moved to Australia after chasing kangaroos!
The website continues, telling us of the final generation of Lambart who lived in Beauparc: “Gustavus’s son, Sir Oliver Francis Lambart, born in 1913, became the 2nd Baronet on his father’s death in 1926. He served as 2nd Lieutenant in the service of the Royal Ulster Rifles. He fought in the Second World War between 1939 and 1944, with the Royal Army Service Corps. Sir Oliver’s uncle was Lord Brabazon of Tara and Minister of Aircraft Production during the Second World War. Sir Oliver Lambart was last of the Lambarts to live in the house. A popular local figure Sir Oliver had an interest in cricket and took part in the local team. He donated a field to the local GAA club as a football pitch. The Land Commission acquired 300 acres of the estate in the 1960s for distribution. Sir Oliver’s mother died in 1980 at 100 years of age. Sir Oliver died in 1986 aged 72. He willed the house and estate to Lord Henry Mount Charles a distant relative. Sir Oliver never told him and it came as a shock to Lord Henry.”
Sir Oliver Lambart’s mother, Kathleen Moore-Brabazon, seems to have been quite a character. Iona told us that she bred German Shepherd dogs, had racehorses, and also raced hot air balloons! There was a photograph of her in a hot air balloon! When I “googled” her I found a wonderful resource, the National Portrait Gallery of England’s website, that allows downloads for non-commercial use. [8]
Iona pointed out an 1853 portrait of a young boy, and asked us to notice that his belt is red. It was Queen Victoria, she told us, who changed the traditional colour for male babies to blue!
Casey and Rowan tell us that the cross-corridor of the double-pile plan appears in the basement and at the bedroom-floor level, where it is vaulted. We did not see either the basement nor the bedroom floor level of the house. Casey and Rowan tell us that the large central bedroom at the rear of the house has an internal apse backing onto this cross-corridor, which echoes its bow windows. The room must have a splendid view over the River Boyne.
Henry Mount Charles and his wife brought some of the family heirlooms from Slane Castle, which join the historic portraits and photographs of the Lambarts. Beauparc is a beautiful secluded family home. Unfortunately we did not explore the grounds. I must make a return trip to Slane Castle, which is now occupied by Henry Mount Charles’s son and his family.
On our way out along the drive we stopped to photograph a lovely pair of pheasants.
[1] p. 157. Casey, Christine and Alistair Rowan, The Buildings of Ireland: North Leinster. The Counties of Longford, Louth, Meath and Westmeath. Penguin Books, London, 1993.
[2] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
[5] G.E. Cokayne; with Vicary Gibbs, H.A. Doubleday, Geoffrey H. White, Duncan Warrand and Lord Howard de Walden, editors, The Complete Peerage of England, Scotland, Ireland, Great Britain and the United Kingdom, Extant, Extinct or Dormant, new ed., 13 volumes in 14 (1910-1959; reprint in 6 volumes, Gloucester, U.K.: Alan Sutton Publishing, 2000), volume III, page 116. Hereinafter cited as The Complete Peerage.
Munster’s counties are Clare, Cork, Kerry, Limerick, Tipperary and Waterford.
I have noticed that an inordinate amount of OPW sites are closed ever since Covid restrictions, if not even before that (as in Emo, which seems to be perpetually closed) [these sites are marked in orange here]. I must write to our Minister for Culture and Heritage to complain.
Clare:
1. Ennis Friary, County Clare
2. Scattery Island, County Clare
Limerick:
3. Askeaton Castle, County Limerick
4. Desmond Castle, Adare, County Limerick
5. Desmond Banqueting Hall, Newcastlewest, County Limerick
6. Lough Gur, County Limerick
donation
Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!
€15.00
Clare:
1. Ennis Friary, Abbey Street, Ennis, County Clare:
Ennis Friary, photograph from Ireland’s Content Pool, Photograph by Eamon Ward 2020 for Failte Ireland. [1]
General Enquiries: 065 682 9100, ennisfriary@opw.ie
“The O’Briens of Thomond, who once ruled much of north Munster, founded this medieval Franciscan friary. It grew quickly into a huge foundation, with 350 friars and a famed school of 600 pupils by 1375. It was the very last school of Catholic theology to survive the Reformation.
The building contains an exceptional wealth of fifteenth- and sixteenth-century sculptures carved in the local hard limestone, including one of St Francis himself displaying the stigmata. An arch between the nave and transept bears a remarkable image of Christ with his hands bound.
Don’t forget to visit the sacristy, an impressive structure with a ribbed, barrel-vaulted ceiling. Take especial note of the beautiful east window, with its five lancets, as it lights up the chancel.” [2]
Ennis Friary, photograph from Ireland’s Content Pool, Photograph by Eamon Ward 2020 for Failte Ireland. [see 1]
2. Scattery Island, County Clare:
Scattery Island, lies just off Kilrush, on the Shannon Estuary, in County Clare. It is the site of an early Christian settlement founded by St Senan, who built his monastery in the early sixth century. A short boat trip from Kilrush will take you to the island, where you can explore its multi-layered, 1,500-year history including its round tower and six ruined churches. Photograph from Ireland’s Content Pool, by Airswing Media for Failte Ireland. [see 1]
“Off the northern bank of the Shannon Estuary lies Scattery Island, the site of an early Christian settlement founded by an extraordinary man.
St Senan, who was born in the area, built his monastery in the early sixth century. It included a mighty round tower, which at 36 metres is one of the tallest in Ireland.
There are six ruined churches on the site too. The Church of the Hill stands on a high spot, the very place where, legend has it, an angel placed Senan so that he could find – and then banish – the terrible sea-monster called the Cathach. It is believed that Senan is buried beside another of the medieval churches.
Scattery was invaded many times over the centuries. The Vikings in particular believed that the monastery held many riches and returned several times to ravage it.
A short boat trip will take you to the island, where you can explore its multi-layered, 1,500-year history.“
Limerick:
3.Askeaton Castle, County Limerick:
General information: 087 113 9670, askeatoncastle@opw.ie
“In the very heart of this County Limerick town stand the impressive remains of a medieval fortress. Askeaton Castle dates from 1199, when William de Burgo built it on a rock in the River Deel.
Over the centuries, the castle proved itself key to the history of Munster. It was the power base of the earls of Desmond after 1348. In 1579 it held out against the English general Sir Nicholas Malby, an incident that helped spark the second Desmond Rebellion.
The banqueting hall is one of the finest medieval secular buildings in Ireland. The tower is partly ruined, but some fine windows and an exquisite medieval fireplace have remained.
The early eighteenth-century building nearby was used as a Hellfire Club. These clubs were rumoured to be dens of excess in which wealthy gentlemen indulged in drink, mock ritual and other nefarious activities.“
The Fitzgeralds, Earls of Desmond, held the castle for over 200 years and ruled Munster from it.
4. Desmond Castle, Adare, County Limerick:
General information: 061 396666, info@adareheritagecentre.ie
Desmond Castle Adare, Co Limerick, Lawrence Photographic Collection National Library of Ireland, by Robert French.
“Desmond Castle Adare epitomises the medieval fortified castle in Ireland. It is strategically situated on the banks of the River Maigue, from where its lords could control any traffic heading to or from the Shannon Estuary.
The castle was built for strength and security. A formidable square keep forms its core; the keep stands within a walled ward surrounded by a moat.
Desmond Castle Adare changed hands several times before becoming a key bastion of the earls of Desmond in the sixteenth century. During the Second Desmond Rebellion, however, it fell to the English after a bloody siege. Cromwellian forces laid waste to the building in 1657, although restorers have since helped to recall its former glory.
Guided tours are now available for anyone who wants to walk in the footsteps of the FitzGeralds and experience their courageous spirit.“
This castle belonged to the Earls of Kildare for nearly 300 years until the rebellion in 1536, when it was forfeited and granted to the Earls of Desmond who gave the castle its present name.
5.Desmond Banqueting Hall, Newcastlewest, County Limerick:
General information: 069 77408, desmondhall@opw.ie
“Many of Ireland’s surviving medieval halls are in west Limerick. The Desmond Banqueting Hall in Newcastle West is one of the most impressive among them.
It was begun in the thirteenth century by Thomas ‘the Ape’ FitzGerald, so named because of the story that an ape took him from his cradle to the top of Tralee Castle – and delivered him safely back again.
However, most of the spacious, imposing structure was created in the fifteenth century, at the height of the Desmond earls’ power, and used as a venue for frequent and lavish banquets.
The oak gallery, from which musicians would provide a raucous soundtrack for the revelry below, has been fully restored.“
Lough Gur, photograph from Ireland’s Content pool, by Ken Williams 2021 for Failte Ireland. [see 1]
The Irish Homes and Gardens website tells us that Ireland’s first settlers arrived around 8000BC. The introduction of farming in 4000BC saw a move to a more settled lifestyle and the building of farmsteads, with both circular and rectangular house styles being used. The first rectangular house and the largest concentration of Neolithic structures were found in Lough Gur dating back to 3500BC.
Although none of these houses remain, the lasting legacy from this period on the Irish landscape is the megalithic tomb: the Dolmen or Portal tomb with its huge capstone or lintel, balanced on smaller stones and the Passage tombs, with their dry-stone passages leading to corbelled ceilings (circular layers of flattish stones closed with a single stone at the top). [ https://www.irishhomesandgardens.ie/irish-architecture-history-part-1/ ]
“Lough Gur is a site of international significance due to the area’s rich archaeology and environment. It is home to Ireland’s oldest and largest stone circle and the only natural lake of significance in South East Limerick. Lough Gur also has an abundance of ancient monuments in State care with a reported 2,000 archaeological monuments in a 5km radius. Visitors to Lough Gur Lakeshore Park will find a hillside visitor centre where you can take part in a guided or self guided tour of the exhibition. There is also an option to take a full outdoor guided tour of the archaeological monuments. Tours are tailor made and can range from 30 minutes to 3 hours. The Lakeshore Park and tours are run by Lough Gur Development Group.“
Lough Gur Visitor Centre, photograph from Ireland’s Content pool, by Keith Wiseman 2013 for Failte Ireland. [see 1]Lough Gur Visitor Centre, photograph from Ireland’s Content pool, by Keith Wiseman 2013 for Failte Ireland. [see 1]
Open dates in 2026: Jan 23-25, Feb 13-15, Mar 7-8, 21-22, Apr 18-19, 25-26, May 16-17, June 6-7, 20-21, 27-28, July 4-5, 11-12, 18-19, Aug 1-23, Sept 28-30, Oct 1-4, 31, Nov 1, 2pm-6pm
Fee: Free
Springfield House, photograph courtesy of Muireann Noonan.
Owners Muireann and Tony, who purchased Springfield in 2005, were kind enough to let us visit their home in January 2022, when Covid was still going strong. I was intrigued to see it as the National Inventory of Architectural Heritage dates its building to around 1750 [1]!
It was not the “big house” of an estate but is related to the nearby Mount Lucas estate, whose house, unfortunately, is there no longer.
The main entrance is closed off so one enters into the yard through some outbuildings, with a lovely old arch. This leads into a yard and the door into the kitchen area.
The house is of seven bays and two storeys, with outbuildings to the east and with the remains of a walled garden to the north. We walked through the house from the kitchen to go out the front door, which is no longer used as the front door as the old drive to the house is no longer used.
The house has a pedimented breakfront of three bays wide, containing the front door flanked by two narrow windows. The timber sash windows have stone sills. The garden front has a round-headed window that lights the staircase, and next to that, a Diocletian window.
Springfield House, photograph courtesy of Muireann Noonan.
The National Inventory tells us that this country house, situated within extensive grounds, was built for the third son of the Lucas family who lived at the nearby Mount Lucas estate. Andrew Tierney suggests the house was built or rebuilt in 1764 by Samuel Lucas of Mount Lucas (1.2km sw, demolished) for his son, Samuel. [2]
There is an entry in Burke’s Genealogical and Heraldic Dictionary of the Landed Gentry of Great Britain and Ireland about the Lucas family of Mount Lucas. Benjamin Lucas (1704-1774), a Lieutenant Colonel in the army received sometime in the seventeenth century extensive grants of land in the counties of Clare, Limerick, Tipperary and King’s County (Offaly). He was father of Nathaniel Lucas, who married Eleanor Cooke of Cookesborough, County Westmeath. They had several daughters and six sons: Samuel, who died unmarried, John, Samuel, Robert, Cooke and Richard. The second son, John, inherited Mount Lucas. The first Samuel must have died and the next, third, son, must be Samuel, who built the house for his son Samuel.
The Lucas family lived at Mount Lucas until 1922, when they moved following an attack on the house. At that time Mount Lucas had been occupied by Deborah Elizabeth Ball, daughter of Benjamin Manly Ball and the Mount Lucas heiress Elizabeth Lucas. Deborah lived in Mount Lucas along with her aunt, Eleanor Lucas. The 1922 attack was traumatic, and Deborah was stripped and tied to a tree. [3]
You can read more about Mount Lucas in the book Mount Lucas a Quiet Hamlet by Kenneth Smyth and Damien Smyth. [4]
I could not find much information about the Cookes of Cookesborough, County Westmeath, except for stories about a later Cooke of Cookesborough, the eccentric Adolphus (1792-1876) who believed in reincarnation and that his father or grandfather had come back to life as a turkey-cock, or that his father might come back as a bee which explains the beehive structure of Adolphus’s father’s tomb, built around 1835. [5] Adolphus was the illegitimate son of Robert Cooke of Cookesborough, and since Robert’s sons predeceased him, Adolphus inherited Cookesborough.
Photograph from the National Inventory of Architectural Heritage of Robert Cooke’s Mausoleum, located within the grounds of St. John the Baptist’s Church of Ireland church in the countryside to the southwest of Delvin.
Adolphus thought he himself might be reincarnated as a fox and had massive fox holes/covert built around his estate of Cookesborough, but also created a mausoleum with fireplace and library for himself for after his death in which, however, the local priest refused to bury him and he was instead interred in the beehive structure. [6]
The Springfield website, created by its current owners, tells us that the house was extensively modernised circa 1857 and all the joinery in the principal rooms date from this time, as do the chimneys and stone coping to gables. Andrew Tierney tells us that the house changed hands in 1857. [see 2] The western bays of the rear pile also appear to be an addition of this date. [7] Tony and Muireann showed us different parts of the house which led them to their conclusions. The house had been largely unaltered since the 1857 renovations until the current owners, who have undertaken considerable sensitive renovation and updating. The work included applying new lime render to the walls which were crumbling, and fixing the roof, and also the space under the house. They also lined one chimney – the other hasn’t been done yet as it is filled with a bees nest! – and renovated or replaced timber flooring and modernised and installed new bathrooms.
The house is “double pile” which means that it is two rows of rooms thick, each row consisting of two or more rooms. When someone refers to a house as a “pile” this is an architectural term! A “pile” is a row of rooms and is usually used in the term “double pile.” [7]
Muireann showed us the width of the wall via a lovely opening, which is part of what led her and Tony to believe that the rear pile was added later than the original build.
This opening can be used to pass dishes from the kitchen into the dining room. At the moment it serves as a lovely nook for books!
The website describes the house:
“The plan of the house comprises a central hall flanked by Drawing and Dining Rooms on the front, with above them the Upper Hall leading to the two principal bedrooms. To the rear is the Stair Hall, slightly off centre with a somewhat crude wreathed and ramped staircase with cut brackets and turned spindles. Flanking this there is a narrow bay which probably housed the service stair and in the corner, over the Kitchen, are two bedrooms (one very small) served by a short corridor, and in the 19th century addition, over what may have been a billiards room with a considerably higher ceiling, are again two bedrooms.”
It is such a beautifully solid house and I particularly love the large windows with their shutters, especially in the front hall and upstairs in the Upper Hall. The Upper Hall causes my heart to catch – there is something about the vastness of the space, with its lovely wooden floorboards and current emptiness, which struck a deep chord in me!
The ceilings in different rooms of the ground floor are of different heights, which also leads to the theory that the two piles were built at different times.
There is a cellar under the western part of the front pile which may originally have been a basement. Tony opened the hatch for us which is in the floor of the Drawing Room, and we climbed down into the basement. The basement only extends under the western part of the front pile.
The basement area has an earthen floor. In one area was a circle of cobblestones and we speculated as to why they were so placed – I suggested that maybe there was a well. As Tony pointed out, the house is called “spring” field.
Unfortunately I didn’t take a photograph in the kitchen but it is modern and spacious, and it extends out to a single storey enlargement with ceiling windows. It is where the original kitchen used to be. The flagstones which were originally on the floor are now outside forming a path.
Springfield House, photograph courtesy of Muireann Noonan.
There is a lean-to building outside the kitchen housing domestic offices. This area was overgrown and tumble-down when Muireann and Tony began to renovate. Muireann described discovering the “extra room”! It even has a fireplace, and has become a cosy reading room.
The back garden opens directly to the walled garden. Tony has done a lot of work to create a vegetable garden but it is not shown to best effect in cold January! They have also started an orchard.
Muireann and her family have done terrific work creating their home, and we wish them best of luck in the future!
donation
Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!
[2] p. 305, Tierney, Andrew. The Buildings of Ireland: Central Leinster, the Counties of Kildare, Laois and Offaly. Yale University Press, New Haven and London, 2019.
[8] p. 652, Tierney, Andrew. The Buildings of Ireland: Central Leinster, the Counties of Kildare, Laois and Offaly. Yale University Press, New Haven and London, 2019.
orange: “whole house rental” i.e. those properties that are only for large group accommodations or weddings, e.g. 10 or more people.
green: gardens to visit
grey: ruins
donation
Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!
€15.00
Waterford:
1. Ballysaggartmore Towers, County Waterford
2. Bishop’s Palace Museum, Waterford
3. Cappagh House (Old and New), Cappagh, Dungarvan, Co Waterford– section 482
4. Cappoquin House & Gardens, Cappoquin, Co. Waterford– section 482
3. Cappoquin House holiday cottages, County Waterford
4. Dromana, Co Waterford – 482, holiday cottages
5. Faithlegg House, Waterford, Co Waterford – hotel
6. Fort William, County Waterford, holiday cottages
7.Gaultier Lodge, Woodstown, Co Waterford
8. Richmond House, Cappoquin, Co Waterford – guest house
9. Salterbridge Gate Lodge, County Waterford – Irish Landmark accommodation
10. Waterford Castle, The Island, Co Waterford – hotel
11. Woodhouse, County Waterford– cottage accommodation
Whole House Rental County Waterford
1. Glenbeg House, Jacobean manor home, Glencairn, County Waterford P51 H5W0 – whole house holiday rental
2.Lismore Castle, County Waterford – castle holiday rental
Waterford:
1. Ballysaggartmore Towers, County Waterford
Ballysaggartmore Towers, Lismore, photograph by Chris Hill, 2015, for Tourism Ireland, Ireland’s Content Pool. [1]The Towers, Ballysaggartmore, Lismore, Co Waterford Courtesy of Luke Myers 2015, for Tourism Ireland, Ireland’s Content Pool. [1]
Mark Bence-Jones tells us (1988): p. 27. “(Keily, sub Ussher/IFR, Anson, sub Lichfield, E/PB) A late-Georgian house built round a courtyard, on the side of a steep hill overlooking the River Blackwater, to which a new front was subsequently added… A seat of the Keily family. Arthur Keily [1777-1862], who assumed the name of Ussher 1843, built two remarkable Gothic follies in the demesne, to the design of his gardener, J. Smith; one of them a turreted gateway, the other a castellated bridge over a stream. The house was bought at the beginning of the present century by Hon Claud Anson, who sold it 1930s. It was subsequently demolished. The follies remain, one of them being now occupied as a house.” [2]
The National Inventory describes this bridge and its towers:
“Three-arch rock-faced sandstone ashlar Gothic-style road bridge over ravine, c.1845, on a curved plan. Rock-faced sandstone ashlar walls with buttresses to piers, trefoil-headed recessed niches to flanking abutments, cut-stone stringcourse on corbels, and battlemented parapets having cut-stone coping. Three pointed arches with rock-faced sandstone ashlar voussoirs, and squared sandstone soffits. Sited in grounds shared with Ballysaggartmore House spanning ravine with grass banks to ravine…Detached five-bay single- and two-storey lodge, c.1845, to south-west comprising single-bay single-storey central block with pointed segmental-headed carriageway, single-bay single-stage turret over on a circular plan, single-bay single-storey recessed lower flanking bays, single-bay single-storey advanced end bay to right, single-bay single-storey advanced higher end bay to left, and pair of single-bay two-storey engaged towers to rear (north-east) on square plans….Rock-faced sandstone ashlar walls with cut-sandstone dressings including stepped buttresses, battlemented parapets on corbelled stringcourses having cut-stone coping, and corner pinnacles to central block on circular plans having battlemented coping. Pointed-arch window openings with paired pointed-arch lights over, no sills, and chamfered reveals. Some square-headed window openings with no sills, chamfered reveals, and hood mouldings over. Square-headed door openings with hood mouldings over….Detached five-bay single- and two-storey lodge, c.1845, to north-east comprising single-bay two-storey central block with pointed segmental-headed carriageway, single-bay single-storey flanking recessed bays, single-bay two-storey advanced end bay tower to right on a square plan, single-bay two-stage advanced higher end tower to left on a circular plan, and pair of single-bay two-stage engaged towers to rear (south-west) elevation on circular plans…Although initial indications suggest that the lodges are identical, individualistic features distinguish each piece, and contribute significantly to the architectural design quality of the composition. Well maintained, the composition retains its original form and massing, although many of the fittings have been lost as a result of dismantling works in the mid twentieth century. The construction in rock-faced sandstone produces an attractive textured visual effect, and attests to high quality stone masonry.”
Ballysaggartmore Towers, Lismore, photograph by Chris Hill, 2015, for Tourism Ireland, Ireland’s Content Pool. [1]Ballysaggartmore Towers, Lismore, photograph Courtesy Celtic Routes, 2020, for Tourism Ireland, Ireland’s Content Pool. [1]Ballysaggartmore Towers, Lismore, photograph Courtesy Celtic Routes, 2020, for Tourism Ireland, Ireland’s Content Pool. [1]Ballysaggartmore Towers, Lismore, photograph Courtesy Celtic Routes, 2020, for Tourism Ireland, Ireland’s Content Pool. [1]Ballysaggartmore Towers, Lismore, photograph by Chris Hill, 2015, for Tourism Ireland, Ireland’s Content Pool. [1]
The National Inventory describes the gateway: “Gateway, c.1845, comprising ogee-headed opening, limestone ashlar polygonal flanking piers, and pair of attached two-bay single- and two-storey flanking gate lodges diagonally-disposed to east and to west comprising single-bay single-storey linking bays with single-bay two-storey outer bays having single-bay three-stage engaged corner turrets on circular plans…Limestone ashlar polygonal piers to gateway with moulded stringcourses having battlemented coping over, and sproketed finial to apex to opening with finial. Sandstone ashlar walls to gate lodges with cut-limestone dressings including stepped buttresses, stringcourses to first floor, moulded course to first stage to turrets, and battlemented parapets on consoled stringcourses (on profiled tables to turrets) having cut-limestone coping. Ogee-headed opening to gateway with decorative cast-iron double gates. Paired square-headed window openings to gate lodges with no sills, chamfered reveals, and hood mouldings over. Square-headed door openings with chamfered reveals, and hood mouldings over. Pointed-arch door openings to turrets with inscribed surrounds. Trefoil-headed flanking window openings with raised surrounds, and quatrefoil openings over. Cross apertures to top stages to turrets with raised surrounds. All fittings now gone. Interiors now dismantled with internal walls and floors removed.
“An impressive structure in a fantastical Gothic style, successfully combining a gateway and flanking gate lodges in a wholly-integrated composition. Now disused, with most of the external and internal fittings removed, the gateway nevertheless retains most of its original form and massing. The construction of the gateway attests to high quality stone masonry and craftsmanship, particularly to the fine detailing, which enhances the architectural and design quality of the site. The gateway forms an integral component of the Ballysaggartmore House estate and, set in slightly overgrown grounds, forms an appealing feature of Romantic quality in the landscape.“
The Gate Lodge, Ballysaggartmore, Lismore, Co Waterford Courtesy of Luke Myers 2015, for Tourism Ireland, Ireland’s Content Pool. [1]Ballysaggartmore Towers, Lismore, photograph by Chris Hill, 2015, for Tourism Ireland, Ireland’s Content Pool. [1]
2. Bishop’s Palace Museum, Waterford
Bishop’s Palace, Waterford, photograph from the National Library of Ireland, flickr constant commons.
Mark Bence-Jones writes (1988):
p. 282. “The Palace of the (C of I) Bishops of Waterford; one of the largest and – externally – finest episcopal residences in Ireland. Begun 1741 by Bishop Charles Este to the design of Richard Castle. The garden front, which faces over the mall and new forms a magnificent architectural group with the tower and spire of later C18 Cathedral, by John Roberts, is of three storeys; the ground floor being treated as a basement and rusticated. The centre of the ground floor breaks forward with three arches, forming the base of the pedimented Doric centrepiece of the storey above, which incorporates three windows. In the centre of the top storey is a circular niche, flanked by two windows. On either side of the centre are three bays. Bishop Este died 1745 before the Palace was finished, which probably explains why the interior is rather disappointing. The Palace ceased to be the episcopal residence early in the present century, and from then until ca 1965 it was occupied by Bishop Foy school. It has since been sold.”
Bishop’s Palace, Waterford by Keith Fitzgerald, 2014, for Tourism Ireland, Ireland’s Content Pool. [1]
Archiseek adds: “It has now been extensively restored to showcase artefacts and art from Waterford’s Georgian and Victorian past. The two main facades are quite different: one having seven bays – the central bay having an more elaborate window treatment and a Gibbsian doorway; the other facade has eight bay with a more elaborate entrance and shallow pediment with blank niches.” [3]
The National Inventory explains about the designs of Richard Castle and John Roberts:
“An imposing Classical-style building commissioned by Bishop Miles (d. 1740) and subsequently by Bishop Charles Este (n. d.), and believed to have been initiated to plans prepared by Richard Castle (c.1690 – 1751), and completed to the designs prepared by John Roberts (1712 – 1796). The building is of great importance for its original intended use as a bishop’s palace, and for its subsequent use as a school. The construction of the building in limestone ashlar reveals high quality stone masonry, and this is particularly evident in the carved detailing, which has retained its intricacy. Well-maintained, the building presents an early aspect while replacement fittings have been installed in keeping with the original integrity of the design. The interior also incorporates important early or original schemes, including decorative plasterwork of artistic merit. Set on an elevated site, the building forms an attractive and commanding feature fronting on to The Mall (to south-east) and on to Cathedral Square (to north-west).”
Bishop’s Palace, Waterford City Courtesy Leo Byrne Photography 2015, for Tourism Ireland, Ireland’s Content Pool. [1]Bishop’s Palace, Waterford by Keith Fitzgerald, 2014, for Tourism Ireland, Ireland’s Content Pool. [1]
3. Cappagh House (Old and New), Cappagh, Dungarvan, Co WaterfordX35 RH51– section 482
Open dates in 2026: May 1-4, 8-10, 15-17, 22-24, 29-31, June 1, 5-7, 12-14, 19-21, 26-28, July 3-5, 10-12, 17-19, 24-26, 31, Aug 1-3, 7-9, 14-23, 28-30, 10am-4pm
Fee: adult/OAP/student, full tour €22, garden tour €8, child under12 years free
The website tells us: “Fairbrook House garden and museum, Kilmeaden, Co.Waterford, Ireland X91FN83 A romantic walled garden at the river Dawn laid out between ruins of the former Fairbrook Mill (since 1700). OPEN MAY – SEPTEMBER”
Mount Congreve House and Gardens, Co Waterford Courtesy Celtic Routes 2019 for Tourism Ireland (see [1])
The website tells us: “Mount Congreve House and Gardens situated in Kilmeaden, Co. Waterford, in Ireland’s Ancient East is home to one of “the great gardens of the World”. Mount Congreve House, home to six generations of Congreves, was built in 1760 by the celebrated local architect John Roberts.
“The Gardens comprise around seventy acres of intensively planted woodland, a four acre walled garden and 16 kilometres of walkways. Planted on a slight incline overlooking the River Suir, Mount Congreve’s entire collection consists of over three thousand different trees and shrubs, more than two thousand Rhododendrons, six hundred Camellias, three hundred Acer cultivars, six hundred conifers, two hundred and fifty climbers and fifteen hundred herbaceous plants plus many more tender species contained in the Georgian glasshouse.“
The house was built for John Congreve (1730-1801), who held the office of High Sheriff of County Waterford in 1755. His grandfather John was Rector of Kilmacow, County Kilkenny, and his father Ambrose (1698-1741) played a leading role in the affairs of Waterford city. When Ambrose died his widow married Dr. John Whetcombe, Bishop of Clonfert and later Archbishop of Cashel.
John Congreve (1730-1801) married Mary Ussher, daughter of Beverly Ussher, MP, who lived at Kilmeadon, County Waterford.
Mark Bence-Jones tells us of Mount Congreve (1988):
p. 213. “(Congreve/IFR) An C18 house [the National Inventory says c. 1750] consisting of three storey seven bay centre block with two storey three bay overlapping wings; joined to pavilions by screen walls with arches on the entrance front and low ranges on the garden front, where the centre block has a three bay breakfront and an ionic doorcase. The house was remodelled and embellished ca 1965-69, when a deep bow was added in the centre of the entrance front, incorporating a rather Baroque Ionic doorcase, and the pavilions were adorned with cupolas and doorcases with broken pediments. Other new features include handsome gateways flanking the garden front at either end and a fountain with a statue in one of the courtyards between the house and pavilions. The present owner has also laid out magnificent gardens along the bank of the River Suir which now extends to upwards of 100 acres; with large scale plantings of rare trees and shrubs, notably rhododendrons and magnolias. The original walled gardens contains an eighteenth century greenhouse.”
Ambrose Ussher Congreve (1767-1809) inherited the estate and married Anne Jenkins.
Ambrose and Anne’s son John (1801-1863) was their heir.
Ambrose and Anne’s daughter Jane married John Cooke of Kiltinane Castle in County Tipperary. Daughter Mary married Reverend John Thomas Medlycott who lived in Rockett’s Castle in Portlaw, County Waterford. Their son Ambrose died unmarried.
John was Deputy Lieutenant and also High Sheriff of County Waterford. He married Louisa Harriet Dillon from Clonbrock in County Galway, daughter of Luke Dillon (1780-1826) 2nd Baron Clonbrock.
Their son Ambrose (1832-1901) inherited the estate, and he also held the positions of Deputy Lieutenant and High Sheriff for County Waterford. He married a cousin, Alice Elizabeth, daughter of Robert 3rd Baron Clonbrock.
Ambrose Congreve reading a newspaper at Clonbrock House, Ahascragh, Co. Galway, National Library of Ireland Ref. CLON422.
John (1872-1957) the son of Ambrose and Alice Elizabeth joined the military and fought in World War I. He married Helena Blanche Irene, daughter of Edward Ponsonby 8th Earl of Bessborough in County Kilkenny. Their son Ambrose Christian (1907-2011) worked for Unilever and then with the firm founded by his father-in-law, Humphreys and Glasgow. He inherited Mount Congreve and developed and improved the garden. In April 2011 Mr. Congreve was in London en route to the Chelsea Flower Show, aged 104, when he died. He married but had no children. The estate was left in Trust for the Irish people.
2012 Auction Catalogue for Mount Congreve.
Mount Congreve Gardens was closed for new development works but has reopened. An article by Ann Power in the Mount Congreve blog, 22nd Sept 2021, tells us:
“The 70-acre Mount Congreve Gardens overlooking the River Suir and located around 7km from the centre of Waterford City will close on October 10th 2021. The closure is to facilitate the upcoming works on Mount Congreve House and Gardens as it will be redeveloped into a world-class tourism destination with an enhanced visitor experience which is set to open for summer 2022.
“Funding of €3,726,000 has been approved under the Rural Regeneration Development Fund with additional funding from Failte Ireland and Waterford City & County Council for the visitor attraction, which is home to one of the largest private collections of plants in the world. The redevelopment and restoration of the Estate is set to provide enhanced visitor amenities including the repair of the historic greenhouse, improved access to grounds and pathways, and provision of family-friendly facilities. Car parking & visitor centre with cafe & retail.
“The project is planned for completion in 2022 and will create a new visitor centre featuring retail, food and beverage facilities, kitchens, toilets, and a ticket desk while also opening up new areas of the estate to the public including parts of the main house which has never been accessible to the public before.“
The website tells us: “The Woodland gardens at Mount Congreve were founded on the inspiration, generosity and encouragement of Mr. Lionel N. de Rothschild. He became arguably, the greatest landscaper of the 20th Century and one of the cleverest hybridists. He died in 1942. The original gardens at Mount Congreve had comprised of a simple terraced garden with woodland of ilexes and sweet chestnuts on the slopes falling down to the river. The Gardens are held in Trust for the State.
Mount Congreve Estate Gardens, Co Waterford Courtesy Sonder Visuals 2017 for Tourism Ireland (see [3]). In April 2011 Mr. Congreve was in London en route to the Chelsea Flower Show, aged 104, when he died. His ashes were returned to Mount Congreve and placed in the temple overlooking his gardens and the River Suir below.
“The original gardens at Mount Congreve had comprised of a simple terraced garden with woodland of ilexes and sweet chestnuts on the slopes falling down to the river. Ambrose Congreve began planting parts of these in his late teens but it was not until 1955 that he began to make large clearings in the woodlands to create the necessary conditions where his new plants would thrive. With the arrival of Mr. Herman Dool in the early sixties, the two men began the process that would lead to Mount Congreve’s recognition as one of the ‘Great Gardens of the World’. Up to the very last years of his life, Mr Congreve could be found in the gardens dispensing orders and advice relating to his beloved plants.“
Mount Congreve Estate Gardens, Co Waterford Courtesy Sonder Visuals 2017 for Tourism Ireland (see [1])From “In Harmony with Nature, The Irish Country House Garden 1600-1900” in the Irish Georgian Society, July 2022, curated by Robert O’Byrne.
The Presentation Convent, photograph from National Inventory of Architectural Heritage.
Open dates in 2026: Jan 1- Dec 23, 27, 29,30, Mon-Fri, National Heritage Week Aug 15-23, closed Bank Holidays, 8.30am-5.30pm
Fee: Free
The National Inventory tells us it is a:
“Detached ten-bay two-storey over basement Gothic Revival convent, built 1848 – 1856, on a quadrangular plan about a courtyard comprising eight-bay two-storey central block with two-bay two-storey gabled advanced end bays to north and to south, ten-bay two-storey over part-raised basement wing to south having single-bay four-stage tower on a circular plan, eight-bay two-storey recessed wing to east with single-bay two-storey gabled advanced engaged flanking bays, six-bay double-height wing to north incorporating chapel with two-bay single-storey sacristy to north-east having single-bay single-storey gabled projecting porch, and three-bay single-storey wing with dormer attic to north…
“An attractive, substantial convent built on a complex plan arranged about a courtyard. Designed by Augustus Welby Northmore Pugin (1812 – 1852) in the Gothic Revival style, the convent has been well maintained, retaining its original form and character, together with many important salient features and materials. However, the gradual replacement of the original fittings to the openings with inappropriate modern articles threatens the historic character of the composition. The construction of the building reveals high quality local stone masonry, particularly to the cut-stone detailing, which has retained its original form. A fine chapel interior has been well maintained, and includes features of artistic design distinction, including delicate stained glass panels, profiled timber joinery, including an increasingly-rare rood screen indicative of high quality craftsmanship, and an open timber roof construction of some technical interest. The convent remains an important anchor site in the suburbs of Waterford City and contributes to the historic character of an area that has been substantially developed in the late twentieth century.” [7]
House, April 1-30, May 1-31, June 2-30, Tue-Sat, 1pm-5pm, National Heritage Week, Aug 15-23, 1pm-5pm
Garden April-Sept, Tue-Sat, 1pm-5pm,
Fee: adult house €14, garden only €7, OAP house & garden €12, child/student free
Places to stay, County Waterford
1. Annestown House, County Waterford – B&B
Annestown House, County Waterford, photograph from National Inventory of Architectural Heritage.Annestown House, courtesy of Savills Residential & Country Agencyand myhome.ie
We were lucky to stay at the cottages at Annestown House in May 2023! I swam in the sea every day there, in the wonderful bay. The house was advertised for sale the following month.
Annestown House, courtesy of Savills Residential & Country Agencyand myhome.ie. We stayed in the blue converted stables in back.
It was a heavenly place to stay, as the setting was so lovely, and we were able to sit out and look at the view over the sea. Rabbits emerged on the lawn regularly, and I enjoyed sitting on a bench and watching them venture out across the lawn, which used to be a tennis court and croquet lawn.
The first part of the house seems to have been built around 1770 for Henry St. George Cole. The Landed Estates database tells us that he was a Justice of the Peace and a member of the Board of Waterford Port. His death is reported in contemporary newspapers in 1819. Mark Bence-Jones tells us it was bought around 1830 by the Palliser family.
The National Inventory gives us more detail on its construction: “Detached six-bay two-storey house with dormer attic, c.1820, retaining early fenestration with single-bay two-storey gabled entrance bay, single-bay two-storey gabled end bay having single-bay two-storey canted bay window, three-bay two-storey wing to north originally separate house, c.1770, and three-bay two-storey return to west. Extended, c.1920, comprising single-bay single-storey lean-to recessed end bay to south.“
Mark Bence-Jones tells us of Annestown:
p. 5. “(Palliser, sub Galloway/IFR) Rambling three storey house at right angles to the village street of Annestown, which is in fact two houses joined together. The main front of the house faces the sea; but it has a gable end actually on the street. Low-ceilinged but spacious rooms; long drawing room divided by an arch with simple Victorian plasterwork; large library approached by a passage. Owned at beginning of 19C by Henry St. George Cole, bought ca. 1830 by the Palliser family, from whom it was inherited by the Galloways.”
Annestown House, courtesy of Savills Residential & Country Agencyand myhome.ie.
The advertisement by Savills Residential & Country Agency with myhome.ie describes the interior:
“Entering through a porch, this opens into an impressive hall, which offers access to the main reception rooms which include the dining room and drawing room which are most impressive. Located on the right wing of the house is the games room while on the left wing is the kitchen and breakfast room. A staircase in the rear hall leads up to the first floor where there is the master bedroom suite. There are 6 further bedrooms (two ensuite) and a bathroom on this level. On the second floor, there are two additional attic rooms and a shower room.…While the accommodation has been extended since its original construction, the house has been beautifully maintained with many notable period features which include hardwood floors, architraves, decorative fireplaces, sash and cash windows, cornices and ceiling roses.“
Annestown House, courtesy of Savills Residential & Country Agencyand myhome.ie. Annestown House, courtesy of Savills Residential & Country Agencyand myhome.ie.
Timothy William Ferres tells us that Reverend John Bury Palliser (1791-1864) lived here. He was Rector of Clonmel. His father was John Palliser of Derryluskan, County Tipperary and his mother Grace Barton from Grove House in County Tipperary.
The Reverend Palliser married Julia Phillida Howe. Their son and heir was Wray Bury Palliser (1831-1906). A younger brother died aged just 25 in the China War, in China.
Annestown House, courtesy of Savills Residential & Country Agencyand myhome.ie. Annestown House, courtesy of Savills Residential & Country Agencyand myhome.ie. Annestown House, courtesy of Savills Residential & Country Agencyand myhome.ie. Annestown House, courtesy of Savills Residential & Country Agencyand myhome.ie. Annestown House, courtesy of Savills Residential & Country Agencyand myhome.ie.
Wray was High Sheriff of County Waterford in 1883, Deputy Lieutenant and Justice of the Peace. He married Maria Victoria Josephine Gubbins, daughter of Joseph Gubbins of Kilfrush House in County Limerick. They had a daughter, Alice Grace Palliser who died aged only 15. The property therefore passed via a brother of Reverend John Bury Palliser, Wray Bury Palliser of Derryluskan, to his son William (1830-1882). William was in the military and married Anne Perham.
His daughter Mary Jane Sybil (1874-1940) married Major Harold Bessemer Galloway in 1908, who was from Scotland. Their son Ian Charles joined the military and lived in Tynte Park in County Wicklow and in Scotland. Their son Wray Bury Galloway (1914-1994) lived in Annestown. He married Mary Clayton Alcock from Wilton Castle in County Wexford – we have also stayed in Wilton Castle, a Section 482 property!
It remained with the Galloway family until 2008, Timothy William Ferres tells us. John and Pippa Galloway ran a restaurant in th house, and John had been restaurant manager in Waterford Castle hotel.
The converted stables and barn where we stayed at Annestown House, photograph courtesy of Savills Residential & Country Agencyand myhome.ie. The stable yard at Annestown House, County Waterford, converted into holiday accommodation, photograph from National Inventory of Architectural Heritage.I sat here on the lawn at Annestown to watch the rabbits, photograph courtesy of Savills Residential & Country Agencyand myhome.ie.
Ballyrafter House, County Waterford, photograph from myhome.ie
I’m not sure if this is still a hotel as it was advertised for sale in 2020. The Myhome website tells us: “Ballyrafter House was built circa 1830, on the commission of the Duke of Devonshire, one of the wealthiest men in England, whose Irish Seat is the nearby Lismore Castle. Initially intended for the Duke’s Steward, it soon became a hunting and fishing lodge for his guests.“
Inside Ballyrafter House, photograph from myhome.ie
3. Cappoquin House, County Waterford holiday cottages
Faithlegg House Hotel, Co Waterford, Courtesy Colin Shanahan_ Faithlegg House Hotel 2021, for Tourism Ireland. (see [1])
Mark Bence-Jones describes Faithlegg House (1988):
p. 123. (Power/IFR; Gallwey/IFR) A three storey seven bay block with a three bay pedimented breakfront, built 1783 by Cornelius Bolton, MP, whose arms, elaborately displayed, appear in the pediment. Bought 1819 by the Powers who ca 1870 added two storey two bay wings with a single-storey bow-fronted wings beyond them. At the same time the house was entirely refaced, with segmental hoods over the ground floor windows; a portico or porch with slightly rusticated square piers was added, as well as an orangery prolonging one of the single-storey wings. Good C19 neo-Classical ceilings in the principal rooms of the main block, and some C18 friezes upstairs. Sold 1936 by Mrs H.W.D. Gallwey (nee Power); now a college for boys run by the De La Salle Brothers.”
The Faithlegg website tells us that the house was probably built by John Roberts (1714-1796): “a gifted Waterford architect who designed the Waterford’s two Cathedrals, City Hall, Chamber of Commerce and Infirmary. He leased land from Cornelius Bolton at Faithlegg here he built his own house which he called Roberts Mount. He built mansions for local gentry and was probably the builder of Faithlegg House in 1783.”
The website tells us of more about the history of the house:
“Faithlegg stands at the head of Waterford Harbour, where the three sister rivers of the Barrow, Nore and Suir meet. As a consequence, it has been to the fore in the history of not just Waterford but also Ireland. For it was via the harbour and these rivers that the early settlers entered and from the hill that we stand under, the Minaun, that the harbour was monitored. Here legend tells us sleeps the giant Cainche Corcardhearg son of Fionn of the Fianna who was stationed here to keep a watch over Leinster.
“A Norman named Strongbow landed in the harbour in 1170 and this was followed by the arrival of Henry II in October 1171. Legend has it that Henry’s fleet numbered 600 ships and one of the merchants who donated to the flotilla was a Bristol merchant named Aylward. He was handsomely rewarded with the granting of 7000 acres of land centred in Faithlegg. The family lived originally in a Motte and Baily enclosure the remains of which is still to be seen. This was followed by Faithlegg Castle and the 13th century church in the grounds of the present Faithlegg church dates from their era too. The family ruled the area for 500 years until they were dispossessed in 1649 by the armies of Oliver Cromwell. The property was subsequently granted to a Cromwellian solider, Captain William Bolton.
“Over a century later in 1783 the present house was commenced by Cornelius Bolton who had inherited the Faithlegg Estate from his father in 1779. Cornelius was an MP, a progressive landlord and businessman. Luck was not on his side however and financial difficulties followed. In 1819 the Bolton family sold the house and lands to Nicholas and Margaret Mahon Power, who had married the year before. It was said that Margaret’s dowry enabled the purchase. The Powers adorned the estate with the stag’s head and cross, which was the Power family crest. It remains the emblem of Faithlegg to this day.”
Margaret, the website tells us, was the only daughter and heiress of Nicholas Mahon of Dublin. She married Nicholas Power in 1818 and the couple came to live in Faithlegg. It was not a happy marriage and, following a legal separation in 1860, she returned to live in Dublin where she died in 1866.
“The House passed to Hubert Power, the only son of Pat & Lady Olivia Power, and in 1920 upon Hubert’s death, it passed to his daughter Eily Power, in 1935 Eily and her husband sold the House to the De la Salle order of teaching brothers after which it acted as a junior novitiate until 1986.
“The last remaining gap in history is from 1980’s until 1998 when it was taken over by FBD Property and Leisure Group.“
6. Fort William, County Waterford, holiday cottages
Fort William, County Waterford, photograph from National Inventory of Architectural Heritage.
p. 126. “Gumbleton, sub Maxwell-Gumbleton/LG1952; Grosvenor, Westminster, B/PB) A two storey house of sandstone ashlar with a few slight Tudor-Revival touches, built 1836 for J. B. [John Bowen] Gumbleton to the design of James & George Richard Pain. Three bay front with three small gables and a slender turret-pinnacle at either side; doorway recessed in segmental-pointed arch Georgian glazed rectangular sash windows with hood mouldings. Tudor chimneys. Other front of seven bays; plain three bay side elevation. Large hall, drawing room with very fine Louis XI boiseries, introduced by 2nd Duke of Westminster, Fort William was his Irish home from ca 1946 to his death in 1953. Afterwards the house of Mr and Mrs Henry Drummond-Wolff, then Mr and Mrs Murray Mitchell.”
Fort William, County Waterford, photograph from National Inventory of Architectural Heritage.
The Historic Houses of Ireland gives us more detail about the house, including explaining its name:
“In the early eighteenth century the Gumbleton family, originally from Kent, purchased an estate beside the River Blackwater in County Waterford, a few miles upstream from Lismore. The younger son, William Conner Gumbleton, inherited a portion of the estate and built a house named Fort William, following the example of his cousin, Robert Conner, who had called his house in West Cork Fort Robert. The estate passed to his nephew, John Bowen Gumbleton, who commissioned a new house by James and George Richard Pain, former apprentices of John Nash with a thriving architectural practice in Cork.
“Built in 1836, in a restrained Tudor Revival style, the new house is a regular building of two stories in local sandstone with an abundance of gables, pinnacles and tall Elizabethan chimneys. The interior is largely late-Georgian and Fortwilliam is essentially a classical Georgian house with a profusion of mildly Gothic details.
“Gumbleton’s son died at sea and his daughter Frances eventually leased the house to Colonel Richard Keane, brother of Sir John from nearby Cappoquin House. The Colonel was much annoyed when his car, reputedly fitted with a well-stocked cocktail cabinet, was commandeered by the IRA so he permitted Free State troops to occupy the servants’ wing at Fortwilliam during the Civil War, which may have influenced the Republican’s decision to burn his brother’s house in 1923.
“When Colonel Keane died in a shooting accident, the estate reverted to Frances Gumbleton’s nephew, John Currey, and was sold to a Mr Dunne, who continued the tradition of letting the house. His most notable tenant was Adele Astaire, sister of the famous dancer and film star Fred Astaire, who became the wife of Lord Charles Cavendish from nearby Lismore Castle.
“In 1944 the Gumbleton family repurchased Fortwilliam but resold for £10,000 after just two years. The new owner was Hugh Grosvenor, second Duke of Westminster and one of the world’s wealthiest men. His nickname ‘Bend or’ was a corruption of the heraldic term Azure, a bend or, arms the Court of Chivalry had forced his ancestor to surrender to Lord Scroope in 1389 and still a source of irritation after six hundred years. Already thrice divorced, the duke’s name had been linked to a number of fashionable ladies, including the celebrated Parisian couturier Coco Chanel.
“Fortwilliam is in good hunting country with some fine beats on a major salmon river, which allowed the elderly duke to claim he had purchased an Irish sporting base. Its real purpose, however, was to facilitate his pursuit of Miss Nancy Sullivan, daughter of a retired general from Glanmire, near Cork, who soon became his fourth duchess.
“They made extensive alterations at Fortwilliam, installing the fine gilded Louis XV boiseries in the drawing room, removed from the ducal seat at Eaton Hall, in Cheshire, and fitting out the dining room with panelling from one of his sumptuous yachts. He died in 1953 but his widow survived for a further fifty years, outliving three of her husband’s successors at Eaton Lodge in Cheshire. Anne, Duchess of Westminster was renowned as one of the foremost National Hunt owners of the day. Her bay gelding, Arkle, won the Cheltenham Gold Cup on three successive occasions and is among the most famous steeplechasers of all time.
“Fortwilliam was briefly owned by the Drummond-Wolfe family before passing to an American, Mr. Murray Mitchell. On his widow’s death it was purchased by Ian Agnew and his wife Sara, who undertook a sensitive restoration before he too died in 2009. In 2013 the estate was purchased by David Evans-Bevan who lives at Fortwilliam today with his family, farming and running the salmon fishery.“
“Gaultier Lodge is an 18th Century Georgian Country House designed by John Roberts, which overlooks the beach at Woodstown on the south east coast of Co. Waterford in Ireland. Enjoy high quality bed and breakfast guest accommodation next to the beach and Waterford Bay. Relax and unwind in the tastefully decorated rooms and warm inviting bedrooms. Enjoy an Irish breakfast each morning.”
8. Richmond House, Cappoquin, Co Waterford – guest house
Richmond House, Cappoquin, County Waterford, photograph courtesy of National Inventory of Architectural Heritage.
“The Earl of Cork built Richmond House in 1704. Refurbished and restored each of the 9 bedrooms feature period furniture and warm, spacious comfort. All rooms are ensuite and feature views of the extensive grounds and complimentary Wi-Fi Internet access is available throughout the house. An award winning 18th century Georgian country house, Richmond House is situated in stunning mature parkland surrounded by magnificent mountains and rivers.
“Richmond House facilities include a fully licensed restaurant with local and French cuisine. French is also spoken at Richmond House. Each bedroom offers central heating, direct dial telephone, television, trouser press, complimentary Wi-Fi Internet access, tea-and coffee-making facilities and a Richmond House breakfast.”
In his book Guide to Irish Country Houses (1988) Mark Bence-Jones describes it: “a three storey late Georgian block. Five bay front with Doric porch; three bay side. Eaved roof on bracket cornice. In 1814, the residence of Michael Keane; in 1914, of Gerald Villiers-Stuart.“
9. Salterbridge Gate Lodge, County Waterford – Irish Landmark accommodation
Waterford Castle Hotel, photo by Shane O’Neill 2010 for Tourism Ireland. (see [1])
The Archiseek website tells us that Waterford Castle is: “A small Norman keep that was extended and “restored” in the late 19th century. An initial restoration took place in 1849, but it was English architect W.H. Romaine-Walker who extended it and was responsible for its current appearance today. The original keep is central to the composition with two wings added, and the keep redesigned to complete the composition.“
The National Inventory adds: “Detached nine-bay two- and three-storey over basement Gothic-style house, built 1895, on a quasi H-shaped plan incorporating fabric of earlier house, pre-1845, comprising three-bay two-storey entrance tower incorporating fabric of medieval castle, pre-1645…A substantial house of solid, muscular massing, built for Gerald Purcell-Fitzgerald (n. d.) to designs prepared by Romayne Walker (n. d.) (supervised by Albert Murrary (1849 – 1924)), incorporating at least two earlier phases of building, including a medieval castle. The construction in unrefined rubble stone produces an attractive, textured visual effect, which is mirrored in the skyline by the Irish battlements to the roof. Fine cut-stone quoins and window frames are indicative of high quality stone masonry. Successfully converted to an alternative use without adversely affecting the original character of the composition, the house retains its original form and massing together with important salient features and materials, both to the exterior and to the interior, including fine timber joinery and plasterwork to the primary reception rooms.”
Waterford Castle Hotel and Golf Resort 2021 County Waterford, from Ireland’s Content Pool. (see [1])Photograph Courtesy of Waterford Castle Hotel and Golf Resort, 2021, Ireland’s Content Pool. (see [1])Waterford Castle Hotel, photo by Shane O’Neill 2016 for Tourism Ireland. (see [1])
11. Woodhouse, County Waterford – private house, tourist accommodation in gate lodge and cottages
After our talk, we visited the house and then the walled garden. The website tell us:
“When Woodhouse changed hands in 2012 a project was undertaken to bring the walled garden back to its former glory. Today the Walled Garden and Orchard have a wide variety of fruits, vegetables, herbs and many types of flowers and, thanks to Paddy Kiely and his excellent team of skilled workmen, has developed in a place of beauty in tune with nature as it was planned when originally built.An oasis of calm and tranquility situated right in the centre of the Estate, the beautifully restored Walled Garden is a perfect venue for small intimate weddings and gatherings. Completely enclosed and surrounded by high stone walls the walled garden has flowers beds, beautiful green lawns, a raised pergola overlooking the entire garden and a soothing water feature. As well as providing a beautiful backdrop for weddings the Walled Garden is also an ideal venue for a variety of special events. Whether you are looking to toast a birthday or anniversary or hold a charity event the Walled Garden adds a special atmosphere to any occasion. For more information please get in touch1woodhouseestate@gmail.com “
Glenbeg House, County Waterford, photograph courtesy of National Inventory of Architectural Heritage.
The website tells us: “Tranquil historic estate accommodating guests in luxury. Glenbeg, a historic castle which has been sensitively restored, preserving its historic past, whilst catering to the needs and comforts of modern living.
“Glenbeg Estate is the maternal home of Sir Arthur Conan Doyle, who visited during his life time and wrote some of his early work while visiting with his family here. You and your party will have exclusive use of the property during your stay.“
2.Lismore Castle, whole house holiday rental
Photograph courtesy of The Hall and Lismore Castle website.
“Lismore Castle’s 800-year history is everywhere you look, from the stained-glass windows and thick stone walls, to the centuries-old gardens and the exceptional artworks by Old Masters and leading contemporary artists. Available for rent, this exclusive use castle in Ireland’s county Waterford is the perfect retreat for you and your guests.“
Photograph courtesy of The Hall and Lismore Castle website.Photograph courtesy of The Hall and Lismore Castle website.Photograph courtesy of The Hall and Lismore Castle website.Photograph courtesy of The Hall and Lismore Castle website.Photograph courtesy of The Hall and Lismore Castle website.Photograph courtesy of The Hall and Lismore Castle website.Photograph courtesy of The Hall and Lismore Castle website.Photograph courtesy of The Hall and Lismore Castle website.Photograph courtesy of The Hall and Lismore Castle website.Photograph courtesy of The Hall and Lismore Castle website.Photograph courtesy of The Hall and Lismore Castle website.Photograph courtesy of The Hall and Lismore Castle website.Photograph courtesy of The Hall and Lismore Castle website.Photograph courtesy of The Hall and Lismore Castle website.Photograph courtesy of The Hall and Lismore Castle website.Photograph courtesy of The Hall and Lismore Castle website.
[2] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
orange: “whole house rental” i.e. those properties that are only for large group accommodations or weddings, e.g. 10 or more people.
green: gardens to visit
grey: ruins
donation
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Mayo:
1. Belleek Castle and Ballina House, originally Belleek Castle, Ballina, Mayo – hotel and gives tours
Belleek Manor, or Castle, courtesy of National Inventory of Architectural Heritage.
The website tells us:
“Welcome to your authentic Castle Experience in the beautiful West of Ireland in Ballina, County Mayo. An award winning hotel & wedding venue with a gourmet restaurant, cafe and museum on site!
“Explore Belleek Castle, an iconic Irish Country Home a restaurant, wedding venue, boutique hotel and spectacular exhibition of the eclectic Marshall Doran Collection of which one of our academically trained guides will be delighted to take you on a tour.
“Belleek Castle has been a member of the prestigious Ireland’s Blue Book since 2016. Ireland’s Blue Book is a romantic collection of Irish Country House Hotels, Manor Houses, Castles and Restaurants. Located throughout the island of Ireland these charming and stylish hideaways are the perfect choice for your holiday vacation in Ireland. They are also ideal for a midweek or weekend break and those seeking a romantic getaway.
Open dates in 2026: Mar 13-26, Apr 17-25, June 12-26, July 8-24, Aug 15-23, 2pm-6pm
Fee: adult €8, OAP/child/student €3, National Heritage Week free
Brookhill House, photograph from National Inventory of Architectural Heritage. [1]
The National Inventory tells us it is a:
“Detached three-bay two-storey double-pile over part raised basement country house with attic, built 1845, on a T-shaped plan centred on single-bay full-height gabled frontispiece; three- or five-bay two-storey rear (south) elevation centred on single-bay full-height gabled “bas-relief” breakfront… “Restored”, 1990-1…Tudor-headed central door opening approached by flight of thirteen drag edged tooled cut-limestone steps between wrought iron railings, trefoil leaf-embossed timber doorcase having engaged colonette-detailed moulded rebated reveals with hood moulding on polygonal label stops framing timber panelled door. Pointed-arch flanking window openings with creeper- or ivy-covered sills, timber Y-mullions, and carved timber surrounds framing timber casement windows. Square-headed window openings in tripartite arrangement with drag edged dragged cut-limestone sills, timber cruciform mullions, and rendered flush surrounds having chamfered reveals with hood mouldings framing two-over-two timber sash windows without horns. Hipped square-headed central door opening to rear (south) elevation approached by flight of nine drag edged tooled cut-limestone steps between replacement mild steel railings, tooled cut-limestone surround having chamfered reveals with hood moulding framing glazed timber panelled double doors having sidelights below overlight. Square-headed window openings with rendered flush surrounds having chamfered reveals framing timber casement windows. Interior including (ground floor): central hall on a square plan retaining carved timber lugged surrounds to door openings framing timber panelled doors, and moulded plasterwork cornice to ceiling; and carved timber surrounds to door openings to remainder framing timber panelled doors with carved timber surrounds to window openings framing timber panelled shutters on panelled risers. Set in landscaped grounds.
Appraisal
“A country house erected to a design attributed to Frederick Darley Junior (1798-1872) of Dublin representing an important component of the domestic built heritage of the rural environs of Claremorris with the architectural value of the composition, one enveloping a “four square” house annotated as “Brook hill [of] Kirwan Esquire” by Taylor and Skinner (1778 pl. 214), confirmed by such attributes as the deliberate alignment maximising on panoramic vistas overlooking landscaped grounds; the symmetrical frontage centred on a “medieval” doorcase demonstrating good quality workmanship with the corresponding Garden Front centred on a streamlined doorcase; the diminishing in scale of the multipartite openings on each floor producing a graduated tiered visual effect with the principal “apartments” defined by polygonal bay windows; and the robust timber work embellishing the roofline. Having been well maintained, the elementary form and massing survive intact together with substantial quantities of the original fabric, both to the exterior and to the interior where contemporary joinery; Classical-style chimneypieces; and decorative plasterwork enrichments, all highlight the artistic potential of the composition. Furthermore, adjacent outbuildings (extant 1893); a lengthy walled garden (extant 1893); and an abbreviated “Triumphal Column” erected over the burial place of Joseph Lambert JP (1793-1855), all continue to contribute positively to the group and setting values of an estate having historic connections with the Lambert family including Joseph Lambert (1760-1813), one-time High Sheriff of County Mayo (fl. 1796); Alexander Clendenning Lambert JP DL (1803-92), ‘County Treasurer late of Brookhill County Mayo’ (Calendars of Wills and Administrations 1893, 432); Colonel Joseph Alexander Lambert JP DL (1855-1907), ‘late of Brookhill Claremorris County Mayo and of Bouverie Road West Folkestone Kent’ (Calendars of Wills and Administrations 1908, 297); and Brigadier Alexander Fane Lambert DL (1887-1974), later of Auld Licht Manse, Angus, Scotland; and a succession of tenants including Valentine Joseph Blake JP (1842-1912), ‘Land Agent’ (NA 1901); Major General Reginald Henry Mahon (1859-1929; NA 1911); and Katharine Tynan Hinkson (1859-1931; occupant 1916-21), poet and author of the autobiographical “The Years of the Shadow” (1919) and “The Wandering Years” (1922).“
The Landed Estates database tells us:
“Brookhill was situated on church land held by the Gonnes, who leased the house to the Kirwans in the late 1770s. Occupied by the Lambert family from the 1790s to the 1940s when it was sold to Gerald Maguire, a solicitor in Claremorris. Now the home of the Noone family.” [2]
3. Old Coastguard Station, Rosmoney, Westport, Co. Mayo– section 482
Open dates in 2026: June 29-30, July 1-31, Aug 1-30, Sept 1-8, 11am-4pm
Fee: adult €1, child/OAP/student free
Old Coastguard Station, County Mayo, photograph from National Inventory of Architectural Heritage.
The National Inventory tells us it is “A coastguard station erected to a design examined (1876) by Enoch Trevor Owen (c.1833-81), Assistant Architect to the Board of Public Works (appointed 1863), representing an important component of the later nineteenth-century maritime architectural heritage of County Mayo. Having been reasonably well maintained, the elementary form and massing survive intact together with quantities of the original fabric, both to the exterior and to the interior: the introduction of replacement fittings to the openings, however, has not had a beneficial impact on the character or integrity of the composition. Nevertheless, an adjacent boathouse (extant 1897) continues to contribute positively to the group and setting values of a neat self-contained ensemble making a pleasing visual statement in a low hillside overlooking the islet-studded Westport Bay.“
4. Partry House, Mayo – part of Museums of Mayo– sometimes open to the public
“Partry House is a charming historic house in a unique and secluded old estate by the shores of Lough Carra.
“Built in 1667 on the site of an old Castle, it is set in just 250 acres of unspoilt woodland, bog, pasture and parkland.
Farm
“The farm and gardens are run on ecologically friendly and organic principles. Wildlife abounds on this peaceful sanctuary in scenic South County Mayo.
“Now restored in keeping with its age and character, Partry House is open in part to the public during July and August.
“Partry House dates from 1667 when it was built on the remains of Cloonlagheen Castle by Arthur Lynch as a dowager house for his mother Lady Ellis, widow of Sir Roebuck Lynch [2nd Baronet, 1621-1667] of Castle Carra.
“Sir Roebuck’s lands were seized by the Cromwellians and he was compensated by lands at Castle Carra during the first half of the seventeenth century. The Castle was named after Cloonlagheen (‘the meadow of the little lake’) townland on which it stands.
“Evidence of the original castle was discovered during restoration work in 1995 when slit windows opening inwards were found at knee level on the first floor. Old castle walls can be seen incorporated into stable walls.
“Knox’s ‘History of Mayo‘ (1910) clearly states that Cloonlagheen castle was owned in 1574 by Abbé MacEnvile who was over Ballintubber Abbey. This was part of the Elizabethan survey called the ‘Divisons of Connaught’.
“The Lynchs, of the noted Galway family, occupied Partry House from 1667 until 1991; over 330 years in residence. Many of the ancestors of the present Lynch family are buried in a ring-fort graveyard on the estate, where their achievemements are noted on a large stone obelisk. Military, Exploratory and Humanitarian, their dates and names are written in stone.
“The one-time islands Moynish, Creggaun and Leamnahaye are linked to the shore by means of the Famine Walk built between the lake and a bog area. This and the fine limestone shore edging date from famine times when the Lynchs looked after their tenants providing food and work for them. Two old cast iron pots used to cook cornmeal stand in the garden.
“The obelisk commemorates George Quested Lynch MD who returned at once to Partry from Euphrates on hearing of the famine and died here of Typhus in 1848, aged only 34. The Lynchs, along with Browns of Westport House and the Moores of Moore Hall chartered the ship the ‘Martha Washington’ to bring corn meal from America for their tenants.”
5. Turlough Park, County Mayo – National Museum of Ireland Museum of Country Life
“Turlough Park was built in 1865, to replace a much older building near the entrance to the park. The name of the village and estate derives from the Irish turlach, signifying a lake that dries up in the summer period.
“Turlough Park was the home of the Fitzgerald family, to whom the estate was granted under the Cromwellian land settlements of the mid-seventeenth century.
“At its largest, the Turlough estate consisted of almost 8,500 acres requiring many indoor servants and outdoor estate workers to maintain the house and lands. In 1915, the Congested Districts Board – established to initiate economic improvements along the western seaboard – purchased and re-distributed the Fitzgerald estate.“
“A notable family member was George Robert [c. 1712-1782], son of George and later known as the ‘Fighting Fitzgerald’. Famous for his brave and reckless horsemanship, and a renowned duellist, George Robert was involved in a number of disputes and family quarrels. He was found guilty of murder and hanged in Castlebar, Co. Mayo in 1786.“
Mary née Hervey was George “Fighting Fitzgerald”s mother.Johann Zoffany Portrait of George Fitzgerald (1748-1786) with his Sons George and Charles (roughly 1764) courtesy of National Gallery of Ireland and Crawford Gallery.
“His younger brother Charles Lionel would inherit the Turlough Park estate.
“The architect Thomas Newenham Deane designed Turlough Park House. Deane was also the designer of the National Museum of Ireland – Archaeology in Dublin.
“The architectural style of the house has been referred to as ‘Victorian Gothic’. The two-storey house built of limestone rises to a high-pitched roof with dormer windows. It incorporates an open central Gothic porch bearing the house’s 1865 date stone.
“A service area adjoining the house, which once accommodated the kitchen and stable block, now incorporates visitor facilities such as the gift shop and café. In such houses, the kitchen was detached from the main house to avoid cooking smells disturbing the family and their guests and to minimise the risk of fire.“
“An imposing stained glass window above the porch incorporates the Fitzgerald family crest and bears the motto Honor Probataque Virtus (Honour, Probity & Virtue).”
“While the library was used mostly for recreation and study, the room was also where tenant farmers paid their quarterly rents to their landlord, the Fitzgerald family. The agent, seated facing the glass doors where the tenants entered, would note the payment in his rent book and issue the tenant with a receipt. It is said that the landlord sometimes sat behind the concealed door to hear what the tenants had to say without being observed.“
This room is furnished and decorated the way it may have looked around 1900. Most families occupying a house for a long time accumulate a variety of furniture from different eras and in different styles. The furniture here is from the Decorative Arts & History collections of the Museum.“
“Among the items is a Lyrachord Piano, which is the only one of its kind in the world. The left side operates like a piano and the right like a harpsichord.“
“There is also a nest of tables with harp and shamrock inlay typical of the Killarney school of furniture, as well as an embroidered armchair from Adare Manor, Co. Limerick dating from 1850.
“Becoming part of the National Museum of Ireland, Turlough Park House remained in the same family until 1991 when it was purchased by Mayo County Council. The proposal to open the house as a museum was a local initiative which led eventually to a decision made in 1995 to locate part of the National Museum of Ireland here. The Museum’s Folklife collections had been stored for a long time in Daingean, Co. Offaly, awaiting a suitable venue.“
“As the house was not suitable as a major exhibition space, a new building was purpose-built alongside it. Housing the Museum galleries, this award winning design was created by the architectural branch of the Office of Public Works. As part of the project, the Office of Public Works also restored the original ‘Big House’. The grounds and gardens were restored by Mayo County Council.“
The website tells us: “One of the few privately-owned historic houses left in Ireland, Westport House was built by the Browne family whose connections to Mayo date back to the 1500s. Their lineage relates them and the house to the trail-blazing pirate queen and chieftain, Grace O’Malley.“
“In 2017, Westport House was bought by another local and historic family, the Hughes family, who hope to ensure its survival into the future.
“Built in the 18th century, Westport House was designed by the famous architects, Richard Cassels, James Wyatt and Thomas Ivory. Westport House is located west of the Shannon and is considered to be one of Ireland’s most beautiful historic homes open to visitors – and is today often described as being one of Ireland’s National Treasures. It is situated in a superb parkland setting with lake, terraces, gardens and magnificent views overlooking Clew Bay, the Atlantic Ocean, Clare Island and Ireland’s Holy Mountain, Croagh Patrick right in the heart of the Wild Atlantic Way. It was built … by the Browne family, who are direct descendants of the famous 16th century Pirate Queen – Grace O’Malley.
“After Grace O’Malley’s death, a report stated that for forty years she was the stay of all rebellions in the West. She was chief of the O’Malley Clan and ruled the seas around Mayo. Grace O’Malley had several castles in the West of Ireland and it was on the foundations of one of these that Westport House was actually built. There is still an area of her original castle in the basement of the House (now known as The Dungeons), which is on view to visitors.
“The original house which would have been smaller, was built by Colonel John Browne [1631-1712], a Jacobite, who was at the Siege of Limerick and his wife, Maude Burke [or Bourke, (1640-1690)] in 1679-83. Maude Burke was Grace O’Malley’s great-great granddaughter. The house did not have the lake or a dam and the tide rose and fell against the walls.
“The east front of the House, as it is today, was built in 1730 by Colonel John Browne’s grandson, also John- 1st Earl of Altamont [1709-1776]. He hired the famous German architect, Richard Cassels. It is built with the finest limestone taken from the quarry south of the estate farmyard and was executed by local craftsmen. Richard Cassels also designed Carton, Haselwood, Russborough and Leinster Houses.
John Browne (1709-1776), Baron Mount Eagle, 1st Earl of Altamont, of Westport, County Mayo, after Joshua Reynold, Adams auction 18 Oct 2022.
“From the plans made in 1773, the ground floor contained:
The Waiting Room – now The Library
Front Staircase – now the Ante- library
Living Room – now The Front Hall
Back staircase – now part of the present Drawing Room
Dressing Room – now the East end of The Long Gallery.
“It was only one room deep, built round an open courtyard.
“In 1778, Peter, the 2nd Earl Of Altamont built the south wing to the Thomas Ivory plans his father had commissioned but had not carried out. Ivory’s south façade has a delicacy quite unlike Cassel’s bolder work on the East. In the 1780’s Peter’s son John Denis, 3rd Earl of Altamont (who later became the 1st Marquess of Sligo), completed the square of the House. He engaged James Wyatt to decorate his new Long Gallery and Large Dining Room (one of the great English architects who is responsible for other significant buildings in the town of Westport and further afield).“
John Denis Browne (1756-1809) 1st Marquess of Sligo Date 1806 Engraver William Whiston Barney, British, fl. c. 1805 After John Opie, English, 1761-1807, courtesy of National Gallery of Ireland.
“In 1816, Howe Peter (2nd Marquess of Sligo) began his alterations to the House. He built on the north wing for men servants and between 1819-1825, he built on the south wing. The south wing was built as a two-tiered library designed by Benjamin Wyatt. This was warmed by hot air and due to defects in the system, it was destroyed by fire almost immediately in 1826.
“In the 1830s, the central open courtyard where the Marble Staircase now sits, was covered in and Howe Peter made a new library by running a gallery round the now enclosed wall. In 1858 his son George abolished his father’s Library, moving it to where it is today and replaced it with the Marble Staircase.
“On the west side of the house, the highly effective balustraded terraces’above the lake and the landing places were put in by George Ulick (6th Marquess of Sligo). These were designed by the English architect, Romaine Walker, whose main Irish work was the remodelling of Waterford Castle.“
The website continues, telling us about the Browne Family:
“The story of the Browne Family is a microcosm for the wider and, at times, turbulent history of Ireland. Each generation has had to contend with and adapt to the prevailing social, political and religious changes encountered along the way. Despite revolution, invasion, plantation, famine and confiscation, the bond uniting Westport House and its family remained right up until 2017.
“The Browne Family originally arrived into Mayo from Sussex in the 16th century. Through marriage with daughters of native Irish landowners and by purchase, they built up a small estate near The Neale. As a Catholic family, they were fortunate that their lands were situated in Connaught thereby escaping the notorious confiscations of Cromwell. It was with John Browne III (1638-1711) with whom the connection with Westport House commenced. A successful lawyer, he married Maud Burke, daughter of Viscount Mayo and great-great granddaughter of the Pirate Queen Grace O’Malley (Granuaile 1530-1603).
“John Browne greatly increased his estate in Mayo and Galway including Cathair-na-mart (Stone-fort of the Beeves), a ruinous O’Malley fortress on the shores of Clew Bay. John’s good fortune was swept away as Ireland was plunged into chaos in the Williamite Wars. A Catholic, John supported the Jacobite cause and was appointed a Colonel in the Jacobite army. From the iron mines on his lands near Westport, he supplied the army with cannon balls and weapons. The defeat of the Jacobite army at Aughrim and Limerick in 1691 brought financial ruin in the confiscations that followed. At his death in 1711, his estate was reduced to Cathair-na-Mart and a few hundred acres.
“The Penal Laws which followed left his grandson, John IV, with little option but to conform to the prevailing religion in hope of surviving the confiscations and political upheaval. John IV gradually revived the family fortune. Young and ambitious he set about extending his estate and transforming the old O’Malley castle into modern day Westport House. In 1767, he – along with architect, William Leeson – replaced the old village of Cathair-na-Mart with a new town of Westport where he established a thriving linen industry. An excellent farmer he set about improving the fertility of his lands, which for the most part were of poor quality. He became the 1st Earl of Altamont. In 1752, his son and heir, Peter, 2nd Earl Of Altamont, married the heiress Elizabeth Kelly from Co. Galway whose estates in Jamaica further enhanced the family fortune. It is said that – as part of the dowry – her father insisted that he take the Kelly name and he became known as Peter Browne Kelly.
“John, 3rd Earl of Altamont, continued the innovative farming tradition of his grandfather. He created the lake to the West of Westport House and planted trees. He laid out the principal streets of the present town of Westport and many of the streets in Westport today are named after Browne Family members such as Peter Street, James Street, Altamont Street and John’s Row. He also established a theatre at the Octagon and built the town of Louisburgh. In 1787, he married Louisa Catherine, daughter and heiress of the famous English Admiral Earl Howe. During his lifetime, the French inspired 1798 Rebellion occurred. Aided by the arbitrary actions of Denis Browne, his younger brother, against the Irish insurgents (which earned him the reputation of “ black sheep” of the family), the Rebellion was crushed.
“In 1800, there was an Act of Union with England. The 3rd Earl voted for it and became the 1st Marquess of Sligo and an Irish representative peer. The reason the title is Sligo when the family home is in Mayo, is that in 1800 there was already an Earl of Mayo, a Viscount Galway to the south and a Lord Roscommon to the East. West was the Atlantic Ocean, so it had to be North – the land of Yeats and black cattle – Sligo.
“His only son Howe Peter, 2nd Marquess of Sligo, inherited in 1809 at the age of twenty-one. Extravagant and generous, his early life subscribed to the popular image of a “regency buck”. Friend of Byron, de Quincy and the Prince Regent, he traveled extensively throughout Europe on the “grand tour”. He excavated at Mycenae and discovered the 3,000 year old columns of the Treasury of Atreus. To bring them back to Westport, he took some seamen from a British warship and was subsequently sentenced to 4 months in Newgate prison. He married Hester, the Earl of Conricard’s daughter, with whom he had 14 children and settled down to life in Westport. He bred many famous race horses both at Westport and the Curragh. One of his horses, Waxy, won the Derby. He owned the last two of the original breed of Irish Wolfhound. In 1834, he was appointed Governor of Jamaica with the difficult task of overseeing the “apprenticeship system” a period prior to the full emancipation of the slaves. He met with great opposition from plantation owners and other vested interests. He was first to emancipate the slaves on the family’s Jamaican plantations. The first “free village” in the world, Sligoville, was subsequently named in his honour. A liberal, he was one of the few Irish Peers to vote for Catholic Emancipation. He died in 1845 as the clouds of the Great Famine descended over Mayo.
“His son, George, the 3rd Marquess, inherited a terrible legacy. The West of Ireland was worst affected by the famine. Westport House was closed and with no rents forthcoming, George borrowed where he could, spending £50,000 of his own money to alleviate the suffering of the tenants. With the guidance of his mother, Hesther Catherine, he imported cargoes of meal to Westport Quay and sub-vented the local workhouse, then the only shelter available to the destitute. He wrote tirelessly to the British Government demanding that they do more to help the famine victims. He wrote and had published a pamphlet outlining many pioneering reforms of the economic and social conditions that had led to the famine. In 1854, on being offered the Order of St. Patrick, an honour once held by his father and grandfather, disillusioned by England’s Irish policy (a reoccurring sentiment at Westport House!), the 3rd Marquess wrote “ I have no desire for the honour.” An exhibition about the Great Famine is on display in Westport House as told through Hesther Catherine’s letters to the estate’s agent in Westport, Hildebrand.
“John succeeded his brother as 4th Marquess. He had to contend with the huge changes that occurred in the ownership of land in Ireland in the late nineteenth and early twentieth century. Above all he was a “professional” farmer whose main contribution was to transform a reduced and almost bankrupt estate into a profitable one solely from agriculture. This work was continued by the 6th Marquess who added a sawmill, a salmon hatchery and planted extensively. The compulsory acquisition of the main entrance to the House for local public housing occurred in the ownership of the 8th Marquess which altered the historic relationship that had existed between the House and the town of Westport.
“In 1960, in the midst of a great depression and facing rising death duties, the 10th Marquess, Denis Edward, his wife Jose and son Jeremy (11th Marquess) decided to open Westport House and the grounds to the visiting public. It was a pioneering venture in a place and at a time that was remote and depressed. Over the succeeding decades, the 11th Marquess and his family developed the Estate into a Tourist Attraction.
The Grounds & Gardens
“The Brownes of Westport House knew the value of trees in a landscape too, as the stunning woodland in the estate’s grounds attest. Westport Demesne retains 100 acres of historic woods dating back to the 1700s.
“Back in the day, these trees provided a number of resources for the Westport House Estate. They created a shelter belt from the harsh Atlantic weather systems, they provided a fuel and timber source for heating and building materials, and they created a lush green back drop for the ‘naturalised parkland’ design landscape.
“The lords and ladies loved to interact with the landscape by promenading along a deep networks of track and trails. They would bring their visitors along these paths too, impressing them with the grandeur and beauty of the estate’s stately woodlands. Aptly enough, these design pathways and the areas of woodlands they ventured through were known as ‘the pleasure grounds’.
“An elaborate network of serpentine pathways meandered along, softly curving – following the style of landscape design that was popular during the 1800s and remains timeless to this day. The trails led the walker deep into the woodlands and surrounding landscape, where they could discover hidden design elements, such as sculptural pieces of architecture, exotic plant and tree species and new views.
“The pyramidal cone of Croagh Patrick was one of the most emphasised views in the Westport House Demesne, and a number of the historic pathways were specifically designed to yield the most captivating vistas. The woodlands even had purposely made gaps to seduce the stroller with sudden framed glimpses of the famous Reek.
Opened to the Public in 1960
“By the early 1960s, most historic homes of its nature were either burnt, knocked down or abandoned. Not so for Westport House. Jeremy – 11th Marquess of Sligo (1939 – 2014), took the estate in a whole new direction with inspiration from the “Big Houses” in the UK who had opened their doors to the interested public who were keen to see how the “other half” lived. In 1960, when Jeremy and Jennifer opened the attraction, the admission price was 2/6 for adults and 1/- for children. Admission to the grounds was 6d for both adults and children. In 1960, 2,400 visitors visited Westport House.
“Jeremy had a remarkable passion for product development and marketing. He was inspired by other houses that were becoming sustainable and viable by diversifying their offering from not only heritage but including other leisure attractions. He felt strongly that Westport House needed to appeal to a wider audience than those solely interested in antiques and architecture. Over time, he introduced a number of fun attractions. In the 1970s, the Slippery Dip (Cannon Ball run) and the Miniature Railway (Westport House Express) were added discretely on the grounds. A Camping and Caravan Park was developed – as well as Horse Drawn Caravan tours of Connemara – and Gracy’s Restaurant (situated at the Farmyard was created from what was originally a cowshed) and a shop evolved from a similar situation. There were even one armed bandits in the basement at one point in time and the giant pink rabbit called Pinkie was introduced as the estate’s mascot. The Tennis Courts, Pitch and Putt, a Flume Ride (The Pirates Plunge), Jungle World (The Pirates Den), and of course The Giant Swans on the lake were also phased in. In 2008, the Ships Galleon (The Pirate Queen) was introduced.
“It was during this time that Jeremy and Jennifer realised that in order to be able to leave the estate to their daughters, drastic action would need to be taken. Jeremy had signed a family trust aged 21 to leave the estate and title to his son. They went on to have five wonderful daughters (with no sign of a male heir). With the help of Mary Robinson QC (and later, first female president of Ireland) and Michael Egan, solicitor from Castlebar, Jeremy succeeded in bringing the Altamont Act through the senate in 1992 allowing him to leave the estate to his daughters and break the trust. He did not enact the same for the title of Marquess of Sligo and today, the 12th Marquess of Sligo, Sebastian Browne, resides in Sydney, Australia.
“In 2003, Jeremy commissioned Michael Cooper, his brother-in-law, to create a sculpture of Grace O’Malley – the original of alabaster stone is situated in the House and a bronze casting is in the garden. This was the beginning of reinstating her back where she belongs – in her home, with her family, and where the re-branding of the estate in 2009 as Westport House and Pirates Adventure Park emanated from.
“It was around this time that Sheelyn and Karen Browne – the two eldest of Jeremy’s five daughters – took the reins and added an Adventure Activity Centre, a seasonal Events Programme as well as holding the first large music festivals on the estate while Clare and Alannah ran Gracy’s Bar. Fifth sister, Lucinda, was always happy to lend a hand when home from the U.K. In 2017, the Browne family sold the house and estate to the local Hughes family who own neighbouring Hotel Westport and workwear provider, Portwest. A new chapter in the history of Westport House & Estate has begun. The Hughes family immediately started working on the grounds and gardens of the estate. The adventure park has been upgraded with a variety of new attractions and rides and there are plans to further invest in adventure. In 2021, urgent and necessary restorative works to Westport House will begin. And our new CEO’s main focus – along with the Hughes family – has been to produce a master plan for the entire estate that will ensure the sustainability and viability of the house and estate into the future.“
Places to stay, County Mayo:
1. Ashford Castle, Mayo/Galway – hotel
Ashford Castle, photograph Courtesy Aervisions 2016for Tourism Ireland, Ireland’s Content Pool (see [5]).
The website tells us: “Unrivalled service, warm Irish hospitality and five-star luxury await at Ashford Castle, part of The Red Carnation Hotel Collection. Situated in a spectacular 350-acre estate, discover sumptuous rooms and suites, splendid interiors brimming with antique furniture, fine fabrics and unique features at every turn.“
It was built originally by the Norman De Burgo family around 1228.
Ashford Castle, Cong, County Mayo, photograph by Robert French, Lawrence Photographic Collection, National Library of Ireland.Ashford Castle, photograph by Brian Morrison 2015 for Tourism Ireland, Ireland’s Content Pool (see [5]).Ashford Castle, photograph by Brian Morrison 2015 for Tourism Ireland, Ireland’s Content Pool (see [5]).
Mark Bence-Jones writes in A Guide to Irish Country Houses (1988):
p. 12. “(Browne, Oranmore and Browne, B/PB; Guinness, Bt/PB) A vast and imposing Victorian-Baronial castle of rather harsh rough-hewn grey stone in a superb postion and the head of Lough Corrib…built onto an earlier house consisting of a 2 storey 5 bay Georgian shooting-box enlarged and remodelled in French chateau style. The shooting-box and estate originally belonged to the Oranmore and Browne family; they were sold by the Encumbered Estates Court in 1855 and bought by Benjamin Lee Guinness, afterwards 1st Bt., head of Guinness’s brewery, who transformed the shooting-box into the French chateau. From the 1870s onwards, his son, Arthur, 1st and Last Lord Ardilaun, added the castle, which was designed by James Franklin Fuller and George Ashlin. He also built the tremendous castellated 6 arch bridge across the river, with outworks and an embattled gateway surmounted by a gigantic A and a Baron’s coronet, which is the main approach; from the far side of this bridge the castle looks most impressive. Its interior, however, is a disappointment, like the interiors of so many late-Victorian houses. The rooms are not particularly large, and some of them are rather low; everything is light oak, with timbered ceilings and panelling. The main hall was formed out of 2 or more rooms in the earlier house, and has a somewhat makeshift air; it is surrounded by an oak gallery with thin uprights and a staircase rises straight from one side of it. Another room has an immense carved oak mantel with caryatids and the Guinness motto. Magnificent gardens and grounds; large fountain, vista up the hillside with steps; castellated terrace by the lake. Sold ca 1930, now a hotel.” (see [3])
Ashford Castle, Cong, County Mayo, photograph by Robert French, Lawrence Photographic Collection, National Library of Ireland.Ashford Castle, Cong, County Mayo, photograph by Robert French, Lawrence Photographic Collection, National Library of Ireland.Ashford Castle, Cong, County Mayo, photograph by Robert French, Lawrence Photographic Collection, National Library of Ireland.Ashford Castle, Cong, County Mayo, photograph by Robert French, Lawrence Photographic Collection, National Library of Ireland.Ashford Castle, photograph by Brian Morrison 2015 for Tourism Ireland, Ireland’s Content Pool (see [5]).George V Dining Room, Ashford Castle, Co Mayo, Courtesy Jack Hardy 2016for Tourism Ireland, Ireland’s Content Pool (see [5]).Billiards Room, Ashford Castle,Courtesy Jack Hardy 2016for Tourism Ireland, Ireland’s Content Pool (see [5]).Afternoon tea, Ashford Castle, Co Mayo Courtesy Kelvin Gillmor 2014. (see [5])Ashford Castle, photograph by Brian Morrison 2015 for Tourism Ireland, Ireland’s Content Pool (see [5]).Ashford Castle, photograph by unknown, for Tourism Ireland, Ireland’s Content Pool (see [5]).Ashford Castle, photograph by Brian Morrison 2015 for Tourism Ireland, Ireland’s Content Pool (see [5]).
2. Belleek Castle and Ballina House, originally Belleek Castle, Ballina, Mayo –
Belleek Manor, or Castle, courtesy of National Inventory of Architectural Heritage.
The website tells us:
“Welcome to your authentic Castle Experience in the beautiful West of Ireland in Ballina, County Mayo. An award winning hotel & wedding venue with a gourmet restaurant, cafe and museum on site!
“Explore Belleek Castle, an iconic Irish Country Home a restaurant, wedding venue, boutique hotel and spectacular exhibition of the eclectic Marshall Doran Collection of which one of our academically trained guides will be delighted to take you on a tour.
“Belleek Castle has been a member of the prestigious Ireland’s Blue Book since 2016. Ireland’s Blue Book is a romantic collection of Irish Country House Hotels, Manor Houses, Castles and Restaurants. Located throughout the island of Ireland these charming and stylish hideaways are the perfect choice for your holiday vacation in Ireland. They are also ideal for a midweek or weekend break and those seeking a romantic getaway.
“The neo-gothic Country House, dating from 1831, has not lost its flavour by over modernisation…This historic Belleek Castle is informal, hassle-free and friendly, rich in decor and antiquities, with many open log fires to warm your steps back through half a millennium.”
Belleek Manor, or Castle, courtesy of National Inventory of Architectural Heritage.Belleek Manor, or Castle, courtesy of National Inventory of Architectural Heritage.
It continues in the history section:
“Belleek Castle was built between 1825 and finished in 1831 for the cost of £10,000. The building was commissioned by Sir Arthur Francis Knox-Gore for the cost of £10,000 and . The manor house was designed by the prolific architect John Benjamin Keane, and the Neo-Gothic architecture met the taste of the time, when Medieval styles became fashionable again.”
John B. Keane began his career as assistant to Richard Morrison in the early 1820s and set up his own practice by 1823, David Hicks tells us in his Irish Country Houses, A Chronicle of Change. The stone for the house was quarried from nearby quarry in Moyne. Francis Arthur Francis Knox-Gore had inherited the estate in 1818 when he was 15, and the manor was built after his marriage to Sarah Nesbit Knox from Castle Lacken, County Mayo. It is thought to have replaced an earlier structure, as the basement area of the castle today appears to be older than the floors above.
The website continues: “The house is thought to have replaced an earlier structure & is named after the original Belleek Castle, a 13th Tower House Castle situated on the banks of the River Moy. Francis lived at Belleek Castle with his wife Sarah and his 9 children until his death in 1873. According to his wishes he was buried in Belleek Demense. A striking Neo-Gothic Monument, designed by James Franklin Fuller, now marks his grave and is situated in the middle of Belleek Woods. It is said that his wife & favourite horse are both buried beside him. His eldest son Charles Knox-Gore inherited & became the 2nd Baronet. Charles died without issue in 1890 & was also buried in Belleek Demense beside the River Moy, and his dog Phizzie was buried beside him. The house was inherited by his sister Matilda who married Major General William Boyd Saunders of Torquay. Their grandson William Arthur Cecil Saunders-Knox-Gore sold the house in 1942.
“The house was later purchased by the Beckett family who intended on converting the Manor House into a stud farm but later sold the house. Mayo County Council purchased the house in the 1950s and used the Manor House as a hospital & military barracks and was later abandoned it. It was at this time that Mayo County Council considered taking the roof of the building to avoid paying rates. Fortunately Marshall Doran, a merchant navy officer and an avid collector of fossils and medieval armour, acquired the run down property in 1961, restored it and opened it as a hotel in 1970. Some of the rooms are in 19th style, whilst most of the interior design has a medieval and nautical touch. Marshall, being quite a craftsman, did a lot of the work himself, assisted by John Mullen, and supervised the restoration expertly. Today, the Castle is managed by Marshall’s son Paul Doran and Ms. Maya Nikolaeva.“
Belleek Manor, or Castle, courtesy of National Inventory of Architectural Heritage.
And about the tour of the castle:
“The Belleek Castle Tour includes an explanation of the origins of the Castle and the history of its former owners, the Knox-Gore family, the Earls of Arran. Learn about the life of Marshall Doran an adventurer, sailor & smuggler who restored Belleek Castle in the 1960’s. Visitors will see private dining rooms, decorated in opulent romantic style, as well as rooms designed by Marshal such as the Medieval Banquet Hall, the Spanish Armada Bar and the Tween Deck. The highlight of the tour is The Marshall Doran Collection, which is one of the finest collections of Jurassic fossils, Medieval Weapons and Medieval armour in Ireland. Visitors will also see the Grace O’Malley “The Pirate Queen’s” bed, the last wolf shot in Connaught and other curiosities.”
Magherameena Castle, Belleek, County Fermanagh, also designed by John Benjamin Keane, no longer standing. National Library of Ireland NLI Ref L_CAB_04725 National Library of Ireland
3. Breaffy House Resort, Castlebar, Co Mayo (formerly Breaghwy)
The website tells us: “Breaffy House Resort is located in the heart of County Mayo and is the perfect destination if you are looking for a well-deserved and relaxing break! Set on 101 acres, the resort consists of 4* Breaffy House Hotel and Self-Catering Apartments, only a 2 minute stroll between House Hotel & Apartments.”
Mark Bence-Jones writes (1988):
p. 47. “(Browne/IFR) A large Victorian Baronial mansion of rough-hewn grey stone with red sandstone around the windows; unusually long for its height. Entrance front with single-storey battlemented porch. Garden front with stepped gables, polygonal corner turret with battlements and pointed roof, and another battlemented turret set at an obtuse angle to the façade. Sold ca 1960. Now an hotel.” (see [5])
Archiseek describes it: “Dominick Andrew Browne built the present Breaffy House in 1890. The house is a Scottish baronial mansion and is victorian in style and was designed by English architect William M. Fawcett from Cambridge. The house has boldly recessed facades, a polygonal corner turret with battlements and pointed roof, a second turret set at an obtuse angle to the facade and stepped gables. The entrance front has a single story battlement porch. The building has tall slender chimneys and there are dormer windows on the roof.” (see [3])
4. Enniscoe House, Castlehill, Ballina, Co Mayo – section 482accommodation
The website tells us: “Owned and run by Adrian & Geraldine Noonan, Knockranny House Hotel & Spa is one of Ireland’s finest 4 star hotels in Westport.
“Set in secluded grounds on a hillside, this luxury hotel stands proudly overlooking the picturesque town of Westport and enjoys breathtaking views of Croagh Patrick and Clew Bay’s islands to the west and the Nephin Mountains to the north, one of the best Westport hotels locations.
“The welcoming atmosphere at Knockranny House Hotel Westport begins with the open log fires in the reception hall, and is carried throughout the property with its antique furniture, excellent spa facilities, superb cuisine and friendly service, creating a genuine sense of relaxed warmth and hospitality. Previously voted as AA Irish hotel of the year. “
Mount Falcon Estate, Co Mayo_by Mount Falcon 2020 for Tourism Ireland, Ireland’s Content Pool. (see [5])
The website tells us:
“Mount Falcon Estate is a luxury 32 bedroom 4-star deluxe hotel with 45 luxury lodges located on the west bank of the River Moy and is situated perfectly for exploring the 2500km of rugged Irish coastline called The Wild Atlantic Way. Mount Falcon hotel offers 100 acres of magical woodlands, between Foxford and Ballina, in North County Mayo, the most beautiful part of the West of Ireland. Situated in the heart of the Moy Valley (which encompasses Mayo North and Co. Sligo) this Victorian Gothic manor house (est. 1876) exudes understated elegance from a bygone era. Originally constructed as a wedding gift, Mount Falcon Estate has subsequently become known as the most romantic house in Ireland.
“Mount Falcon’s owners, the Maloney Family fell in love with the Estate and transformed it into one of the top Hotels in Ballina and Mayo. The owners have invested heavily in an ongoing restoration programme, and have ensured that the integrity and charm of the Estate have been completely retained. AA Hotel of the Year 2009/2010 & IGTOA Boutique Hotel of the Year 2011. Best Manor House Hotel in Ireland 2015, Hotel of the year 2017 Manor House Hotel, Traditional Luxury Hotel 2018 Luxury Travel Diary, Irelands Favourite Place to Stay Connaught 2018 Gold Medal Awards People Choice Winner, Top 100 Best Wedding Venues 2018 One Fab Day.“
Mark Bence-Jones writes (1988): p. 213. “(Knox/IFR) A Victorian Gothic house of rough-hewn stone, built 1876 for U.A. Knox [Utred Augustus Knox JP DL (1825-1913)], probably to the design of James Franklin Fuller. Of two storeys with a three storey bock to which a tower was added. Plate glass windows. There is a similarity between Mount Falcon and Errew Grange. Mount Falcon is now a hotel.“
The National Inventory adds:
“A country house erected for Utred Augustus Knox JP DL (1825-1913) to a design signed by James Franklin Fuller (1835-1924) of Great Brunswick Street [Pearse Street], Dublin, representing an important component of the later nineteenth-century domestic built heritage of County Mayo with the architectural value of the composition, one evoking strong comparisons with the Fuller-designed Errew House (1872-7), Errew, confirmed by such attributes as the deliberate alignment maximising on scenic vistas overlooking gently rolling grounds; the compact, albeit multi-faceted plan form; the robust rock faced surface finish offset by sheer limestone dressings not only demonstrating good quality workmanship, but also compounding a ponderous two-tone palette; the slight diminishing in scale of the openings on each floor producing a feint graduated visual effect with the principal “apartments” defined by polygonal bay windows; and the spire-topped tower embellishing a multi-gabled roofline. Having been well maintained, the elementary form and massing survive intact together with substantial quantities of the original fabric, both to the exterior and to the interior where encaustic tile work; contemporary joinery; restrained chimneypieces carrying the monogram of the proprietor (“UAK”); and decorative plasterwork enrichments, all highlight the considerable artistic potential of a country house having subsequent connections with the Aldridge family including Major John Beauclerk Aldridge RA (1900-76), previously of Glenmore: meanwhile, a discreet benchmark remains of additional interest for the connections with cartography and the preparation of maps by the Ordnance Survey (established 1824).” [7]
7. Owenmore, Garranard, Ballina, Co. Mayo –section 482 accommodation
Tourist Accommodation Facility: Open in 2026: all year except Jan, Feb, Mar 1-9, July 1-23, Dec 22-31
Since it is listed in Revenue Section 482 under Tourist Accommodation Facility, it does not have to open to the public.
Originally called Millbrook, Mark Bence-Jones tells us (1988):
p. 229. “(Orme/LGI1912; McCausland/IFR) An early C19 house of two storeys over high basement. Entrance front of 5 bays; single-storey Doric portico with a die up broad flight of steps. Entablatures on console brackets over windows of lower storey. Side elevation of one bay with a curved bow; at the other side is a two storey bowed wing of the same height and style as the main block, set back from it and joined to it by a canted bay. Eaved roof on cornice. Two drawing rooms en suite with decoration of ca 1830; ceilings with plasterwork in compartments; pediment over double-doors. Dining room ceiling with delicate plasterwork in centre surrounded by rectangular frame with similar decoration.” [3]
Timothy William Ferres tells us it was built ca 1847, and when the estate was decimated by the Land Acts, about 1926, it was sold to the Knox family. It was sold again in 1950 to Major Marcus McCausland.” [4]
It seems to have been built for William Orme (1810-76), JP. The National Inventory adds:
“the compact plan form centred on a pillared portico demonstrating good quality workmanship in a blue-grey limestone; and the very slight diminishing in scale of the openings on each floor producing a graduated visual impression with those openings showing sleek “stucco” dressings. Having been well maintained, the form and massing survive intact together with substantial quantities of the original fabric, both to the exterior and to the interior, including crown or cylinder glazing panels in hornless sash frames: meanwhile, contemporary joinery; and ‘splendid ceilings [revealing] the superb skill of the Italian masters introduced for this work’ (Irish Tourist Association Report 1942), all highlight the artistic potential of the composition.”
8. Turin Castle, Turin, Kilmaine, Co. Mayo, Ireland – whole castle rental, up to 12 guest
“Turin Castle in County Mayo is a luxury self catering venue near Ballinrobe in County Mayo Ireland. It is a unique medieval castle set against the backdrop of picturesque countryside. This exclusive and intimate venue is the perfect location for a romantic, castle wedding or family gathering. Unfortuntately It is not suitable for stag or hen parties. It is the only privately owned castle in Ireland with en-suite facilities. The castle sleeps a maximum of 12 people and is hired on a self catering basis but catering can be arranged if required. Please ask for details.
“If you are looking for a truly exceptional medieval experience, Turin Castle in County Mayo will not disappoint. The castle is ideal for a family holiday with a difference or a special intimate wedding affording total privacy.
“Turin Castle is situated in the ancient barony of Kilmaine, the castle is surrounded by 16 acres of rich walled pasture land and is an ideal choice for couples searching for an idyllic but small wedding venue. The nearest town is Ballinrobe which is 8 km away offering a good selection of pubs and eateries. The picturesque village of Cong famous for the John Ford film ” The Quiet Man” and Ashford castle are also close by. The castle is conveniently located close to excellent golf courses.“
The website includes a good description of its history:
“1238 was a most auspicious year in the long and turbulent history of County Mayo. For we are told in the annals of the four Masters that the foreigners erected Castles In Conmacnaine Cuile(Kilmaine) and Muinter Murchadha.(Robeen).
“The Foreigners were Anglo-Normans led by Richard de Burgo, son of William de Burgo. One of the most powerful Lords in England. In 1228 Richard had received the Overlordship of the whole of Connacht from the English King, Henry II, making him the “ red Earl “ the most powerful man in Ireland.
“The de Burgo dynasty survived and flourished up until Elizabethan times when the two hereditary titles of upper and lower Mac William (From William de Burgo, known as the conqueror) were finally abolished. During this time the de Burgos had become completely integrated into Gaelic society adopting Gaelic customs, laws and language becoming “ Hiberniores Hibernis ipis”. More Irish than the Irish themselves .However this was the beginning of the end of the old Gaelic order in Ireland and opened the way for the final conquest and plantation of Ireland.
“The origins and history of Turin Castle Ireland and neighbouring castles are sadly mostly lost in the mists of time. According to the chronicler O’Donovan “ In the parish of Kilmaine there are several square Castles said to have been built by the Burkes ( de Burgos) There is one in Kilmaine, one in Cregduff, one in Elistron and one in Killernan”. Turin would appear to derive from the old Irish meaning ‘small bleaching field’. Which may suggest that Turin Castle Ireland was involved in the very lucrative trade of sheep farming. There was a growing market for hides, meat and wool in continental Europe and by the mid 16th Century Kilmaine, politically and economically was the most important barony in the county. In 1574 there were 41 castles in an area of just 10 miles long by eight broad, by far the highest concentration of castles in Connacht, an indication that agriculture was on an industrial scale. The producers were the owners or tenants of the estates who would have enjoyed the protection of the upper and lower Mac William and in turn the Mac Williams would profit from the duty imposed which would probably directly affect the commodity market price in Galway. Keeping the lines of communication open was essential hence the need for a line of Castles protecting the trade route from Lough Corrib to Galway. Apart from this liberal studding of castles in Kilmaine another possible indication of the profitability and importance of this trade was the presence of a large mercenary army loyal to the Mac Williams.
“In the division of Connacht 1570-1574 one Walter Mac Remon is listed as being resident of Turin Castle Ireland.The Mac Remons was a cadet branch of the clann Seonin who were one of the chief de Burgo clans of Ireland.
“Following the death of the Mac William Sir Richard Bourke, in September of 1586. The de Burgo clans and the Mac Donnells along with the O’Malleys and the Joys(Joyces) rose up against the English oppressors in an attempt to reinstate the Mac Williamship and other lordships which the English had abolished. One of the signatories to a document presented to the council of Connaught was Walter Mac Jonyn ( Seonin) of Towrin (Turin). This document attested that the principle reason for the rebellion was the abolition of the Mac Williamship and other titles.
“In 1589 the de Burgo clans along with the O’ Flaherties,Joys and Clandonnel rose up against the English forces and plundered the baronies of Clare,Kilmaine and Clanmorris.
“Sir Murrough O’Flaherty [(1540-1626)I believe he was a son of Grace O’Malley and Donal O’Flaherty] stayed with a few men at Keltyprichnane in Kilmaine and sent the rest under his son Teige to plunder the baronies of Clare and Dunmore where they burned 16 towns and gathered 3000 head of cattle and horses. The” rebel forces” gathered at the Carre in Kilmainham and engaged the English. Edward Bermingham of MilltownCastle and former Sherrif of Mayo joined the battle after being attacked by Teig O’ Flaherty. He described the battle in a letter written from Athlone on the 31st March:-
“The soldiers not neglecting their time went against them; there was a volley of shot on both sides.They came to the push of the pike with great courage, when the said Teig O’ Flaherty was slain with eight of his company. They were then disordered and I with six horsemen of mine and eight footmen, being beside our battle as a wing ready to charge upon the breach, did charge,
When I struck their Guidion (standard bearer) under his morion (helmet) with my staff and ran him through in the face of battle. I followed another and had him down, and so did my horseman Kill 5 more at that charge. We had not six score of ground to deal with them when they recovered a main bog. Three of my horsemen and eight footmen did kill of them in the bog 16.
Her majesties attorney in that province (Mr Comerford)understanding of their disordering, issued forth when he met of them and did slay 16.Divers others in the fight did kill of them, so that I account there is slain of them 80 and upwards. The attorney and I brought the head of Teige O’Flaherty to Sir Richard yester night that was wonderful glad, for this Teige was the stoutest man in the province and could do most.”
“According to a letter written by Comerford at Turin Castle Ireland dated 29th March Comerford rode two miles to the battle field and sallied forth on the fugitives with six shot, seven footmen and four horsemen killing 24.
“Following the subjugation and pacification of the Gaelic lords and subsequent plantation of Mayo. Many of the Castles were abandoned by their new English owners preferring the comfort of Manor houses. In some cases, incorporating the existing building or cannibalising materials from it. From records we know that Turin Castle Ireland had been abandoned for at least two hundred and fifty years up until its restoration in 1997.“
11. Westbrook Country House, Castlebar, County Mayo – boutique country house holiday rental
“A New Boutique Georgian Country House, Westbrook epitomises elegance & splendour. Located between the tourist meccas’ Westport & Castlebar, Westbrook Country House is the ideal base from which to explore the stunning West of Ireland Wild Atlantic Way, cycle the Greenway, sail on Clew Bay, climb Croagh Patrick, visit Knock Shrine or the National Museum of Country Life, or catch a show in the Castlebar Theatre Royal.
“As restful or as adventurous as you prefer your break to be, Westbrook Country House is the perfect place to base yourself; with world-class home cooked breakfasts, and stylish, spacious, immaculate five star hotel-grade guest rooms & suites complimented by a relaxed, friendly family atmosphere.
“Curl up on a leather armchair in front of a roaring fire with a first edition or your favourite novel in our library, climb in under crisp white linen sheets on one of our sumptuous beds or sink into a bubbling Jacuzzi bath with your favourite music & a lovely glass of Sauvingon Blanc, our vibe is opulent and fabulous but down to earth, and homely. We pride ourselves on guest consideration that is second to none.
“Arrive as a Guest, leave as a friend. We look forward to welcoming you to Westbrook.”
[3] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
Irish Historic Houses 
