Temple House, Ballymote, County Sligo

www.templehouse.ie

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Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House and ruins, photograph courtesy of Temple House facebook page.

When I saw that Roderick Perceval was giving a tour of his home, Temple House in County Sligo, during Heritage Week 2025, I jumped at the chance to see it and booked straight away. I had booked to stay there in the past but had to cancel, and before this tour, the only way to see this section 482 property was to stay, as it was listed as tourist accommodation. And before you get your hopes up, unfortunately it no longer is providing individual bed and breakfast (with dinner optional) accommodation, as Roderick and his family have decided to focus instead on larger group accommodation and weddings. The website now gives the option to book three or more double rooms for your stay. There is also a self-catering cottage available, which has 4 bedrooms: 1 King, 1 Double, 2 Twin.

Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rear (south) facade, Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Percevals have lived at this location since 1665. Before the current house was built, around 1820 according to Mark Bence-Jones, they lived in another property closer to Templehouse Lake, part of the Owenmore River. [1] The remnants of the earlier house sit adjacent to the ruins of a Knights Templar castle from around 1181, after which the property takes its name. [2]

Ruins of the old house and the Knights Templar castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ruins of the old house and the Knights Templar castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We came across the medieval order of knights when we visited The Turret in County Limerick during Heritage Week in 2022, a house which was built on the foundations of a construction by the Knights Hospitaller, a different branch of religious warriors. The Knights Templar were a religious order established in the eleventh century to protect Jerusalem for Christianity, and were named after Solomon’s Temple in Jerusalem. Like other religious orders, the members took vows of poverty, chastity and obedience.

A book review by Peter Harbison of Soldiers of Christ: the Knights Templar and the Knights Hospitaller in medieval Ireland edited by Martin Brown OSB and Colmán Ó Clabaigh OSB tells us that Templars came into Ireland under the protection of the English crown and acted on behalf of the king against the native Irish. Templar Knights helped govern Ireland and often gained high office. [3]

Ruins of the Knights Templar castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

When Stephen and I stayed at nearby Annaghmore house with Durcan O’Hara, he told me that he is related to the Percevals of Temple House. An O’Hara, it is believed, may have joined the Knights Templar and donated the land near Temple House. [see 2]

The Templar castle passed to the Knights of St. John the Hospitallers when the Knights Templar were disbanded in the 1300s. In France, Templars were burnt at the stake and their land seized by the crown but in other countries their property was transferred to the Knights Hospitallers, known today as the Knights of Malta.

Robert O’Byrne tells us in his blog that the land formerly owned by the Knights Templar came into the hands of the O’Haras, and that they built a new castle here around 1360. He adds that in the 16th century the same lands, along with much more beside, were acquired by John Crofton, who had come here in 1565 with Sir Henry Sidney following the latter’s appointment as Lord Deputy of Ireland. [4]

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Templar Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Templar Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Templar Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Templar Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Templar Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Templar Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Templar Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Castle, in a photograph taken from the house’s website – it looks more complete in this picture than when we visited.
The Castle, in a photograph taken from the house’s facebook page – it looks more complete in this picture than when we visited.

Roderick told us that the Croftons acquired the property around 1609, and that Henry Crofton built a thatched Tudor house around 1627. The National Inventory tells us that the remains of the house near the Templar ruins are of a two-bay two-storey stone house, built c.1650. [5]

This picture was in the vestibule of the house and I think is of the house that was built in 1627.
Ruins of the old house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ruins of the old house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ruins of the old house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

It came into the Perceval family in 1665 when George Perceval (1635-1675) married Mary Crofton.

George Perceval (1635-1675) courtesy National Portrait Gallery of London.
George Perceval (1635-1675) of Temple House, County Sligo.

We came across the Percevals when we visited Burton Park in County Cork, another section 482 property in 2025 (see my entry https://irishhistorichouses.com/2024/02/08/burton-park-churchtown-mallow-county-cork-p51-vn8h/ ).

George’s father Philip (1605-1647) came from England to Ireland to serve as registrar of the Irish court of wards, along with his brother Walter. This position would have given him an insight to property ownership in Ireland. When a son inherited property before he came of age, he was made a Ward of the state, and the someone would be chosen to act on the child’s behalf.

When Walter died in 1624, Philip inherited the family estates in England and Ireland. The land at Burton Park was named after his estate in Somerset, Burton.

Philip’s grandfather Richard Perceval was ‘confidential agent’ to Queen Elizabeth’s Minister Lord Burleigh. He had correctly identified Spanish preparations for the Armada and this vitally important information was rewarded with Irish estates. [6]

Richard Perceval (1550-1620), agent for Queen Elizabeth and Lord Burleigh, he spotted preparations for the Spanish Armada.

Philip settled in Ireland, and by means of his interest at court he gradually obtained a large number of additional offices. In 1625 he was made keeper of the records in the Birmingham Tower at Dublin Castle.

Thomas Wentworth 1st Earl of Strafford (1593-1641) on left, Lord Deputy of Ireland 1632-1640 for King Charles I. This portrait is in Castletown House.

Perceval was close to the Lord Deputy of Ireland, Thomas Wentworth, 1st Earl of Strafford. With the fall and execution of Wentworth in May 1641, Perceval lost his major patron and protector. In September 1641 Perceval narrowly avoided prosecution in England when his part in a shady land transaction was revealed. By that time, Perceval owned over 100,000 acres in Ireland, which he obtained partly through forfeited lands.

Philip Perceval married Catherine Ussher, daughter of Arthur Ussher and Judith Newcomen. She gave birth to their heir, John (1629–1665), who was created 1st Baronet of Kanturk, County Cork in 1661. George (1635-1675) was the younger son. He held the position of Registrar of the Prerogative Court in Dublin.

George Perceval’s wife Mary’s father William Crofton was High Sheriff of County Sligo in 1613  and Member of Parliament for Donegal in 1634, so George and Mary might have met in Dublin. Mary, as heiress, was a good match, and since George was a younger son, marrying into property would have suited him well.

Robert O’Byrne tells us that they lived in the old castle which had been converted by the Croftons into a domestic residence in 1627. [see 4] It is not clear to me whether George and Mary lived in a house next to the Templar castle or in some version of the castle itself. O’Byrne tells us that the castle had been besieged and badly damaged in 1641, but was repaired. [see 4].

Ruins of the old house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The old house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

George died at the young age of forty when on a ship crossing to Holyhead, when his son and heir Philip (1670-1704) was only five years old. [7] Philip’s mother remarried, this time to Richard Aldworth, who was Chief Secretary of Ireland. Philip also died young, after marrying and having several children, and the property passed to his son John (1700-1754), who was also minor when his father died.

John (1700-1754) married the daughter of a neighbour, Anne Cooper of Markree Castle, another Section 482 property in 2025 (see my entry https://irishhistorichouses.com/2021/11/06/markree-castle-collooney-co-sligo/). Anne gave birth to their son and heir Philip (1723-87).

Philip Perceval (1723-87) married Mary Carlton of Rossfad, County Fermanagh. Their son and heir Guy died soon after his father so the property passed in 1792 to Guy’s brother Reverend Philip Perceval.

The house is featured in a chapter of Great Irish Houses by Desmond Fitzgerald the Knight of Glin and Desmond Guinness. They tell us that in 1825 Reverend Philip’s son Colonel Alexander Perceval (1787-1858) built a neo-classical two story house up the hill from the castle on the present site.

What is the now the side of the house was once the front.

Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The side facade, which was originally the front of the house, according to Mark Bence-Jones. Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The house at this time was of two storeys and had five bays on the front, with the centre bay slightly recessed, with an enclosed single storey Ionic porch, and a Wyatt window over the porch.

Before building the house, Alexander Perceval (1787-1858), in 1808, married Jane Anne, eldest daughter of Colonel Henry Peisley L’Estrange, of Moystown, King’s County.

Alexander Perceval (1787-1858).

After building the house, Alexander served as MP for Sligo between 1831 and 1841, and from 1841-1858 was sergeant-at-arms to the House of Lords in England.

During the Famine, Alexander’s wife Jane sought to alleviate the suffering of the poor and she died of cholera or typhus in 1847.

Jane née L’Estrange, with her children. Fitzgerald and Guinness write about this portrait: “Vogel, the artist, depicts her with three of her children while on holiday in Germany in 1842. A touching letter of the time tells of her reminding those around her “not to neglect the tenant families between my death and my funeral.” [see 2]

When Alexander died in 1858, his son Philip was unable to afford the death duty tax and he had to sell the property. The house was bought by the Hall-Dares of Newtownbarry, County Wexford.

Newtownbarry House, County Wexford, photograph by Robert French, Lawrence Photograph Collection, National Library of Ireland.

The Hall-Dares did not remain owners for long. After they evicted some tenants, these tenants actively sought the return of the Perceval family. Four years after Philip Perceval’s sale of the house, his brother Alexander, who had made a fortune in business in Hong Kong, re-acquired the property. Philip had married and moved to Scotland. Alexander brought back many of the dispossessed families from America and Britain, gave them back their land and re-roofed their homes. [see 2]

In the 1860s Alexander Perceval enlarged and embellished the house, hiring Johnstone and Jeane of London. He added a higher two storey seven bay block of limestone ashlar on the right (north) side of the house, which formed a new entrance front, knocking down a north wing in the process. [see 2]

Fitzgerald and Guinness tell us that Alexander also commissioned the company to design and build the furniture for the entire house.

The side (east) facade, which was originally the front of the house. Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A photograph of Temple House from 1862, before the enlargement! Photograph courtesy of Temple House facebook page.
The new seven bay entrance front (north) added in 1860 by Alexander Perceval. Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The newer entrance has a large arched single-storey porte-cochére with coupled engaged Doric columns at its corners and two small arched side windows. Above is another pedimented Wyatt window in a larger pediment over two pairs of Ionic pilasters. The centre windows on either side of the porte-cochére on the ground floor are pedimented and on the upper storey the centre windows have curved arch pediments. The other windows have flat entablatures.

Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

To the right of the newer front is a single storey two bay wing slightly recessed. The house is topped with a balustraded roof parapet.

Looking toward the south facade, we see a three-bay three storey section of the house, as well as more beyond to the west. The windows on the ground floor of the east and south elevations have corbelled pilasters.

Rear (south) facade, Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The house is said to have over ninety rooms!

Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Garden at Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Garden at Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Restored Italianate terraces at Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Garden at Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The front door, photograph courtesy of Temple House facebook page.

We gathered inside the front hall for the tour, with its impressive tiled floor and geometrically patterned ceiling. It has carved decorative doorcases and arched carved and shuttered side lights by the front door, and a large window facing the front door lights the room.

Front hall at Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Front hall at Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Front hall at Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Front hall at Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, Sligo, photograph courtesy of website.

The ceiling has a Doric freize and a rose of acanthus leaves. A collection of stuffed birds and trophies line the wall, and a fine chimneypiece original to the house. [see 2]

Front hall at Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This door leads off the front hall to the newly renovated wing. Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Alexander did not get to enjoy his renovated home for long, as he died in 1866 of sunstroke, which occurred while fishing in the lake by the house. His wife lived a further twenty years. His son Alec (1859-1887) married a neighbour, Charlotte Jane O’Hara from Annaghmore.

From the front hall we entered the top-lit double-height vestibule with a grand sweeping staircase and gallery lined with paintings of ancestors.

Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I’m dying to know who features in the wonderful portraits. The vestibule is so impressive, it is hard to know where to look! The ceiling has intricate detail.

Temple House, Sligo, photograph courtesy of website.
Temple House, photograph courtesy of the house facebook page.
The detail in the ceiling is incredible, as seen in this close-up. Temple House, photograph courtesy of the house facebook page.

The upper level of the stair hall is lined with arches and Corinthian pilasters.

Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, photograph courtesy Historic Houses of Ireland

When Alec died of meningitis in 1887, Charlotte took over the running of the estate for 30 years. Alec’s son Alexander Ascelin was injured in the first world war. He married the doctor’s daughter, Nora MacDowell. In financial difficulty, he had to sell some of the land. His wife predeceased him and toward the end of his life, he lived alone in this house of about ninety seven rooms, living in only three rooms. The rest of the house was closed up, dustsheets over the furniture.

These portraits in the dining room are of Charlotte née O’Hara and her son Alexander, her husband Alec (1859-1887), and in the middle Alec’s father Alexander (1821-1866), of Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The gasolier lamps remind us that the property generated its own gas at one time.

Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, Sligo, photograph courtesy of website.
Temple House, Sligo, photograph courtesy of website.
The ceiling of the dining room in Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Five years after being closed up, in 1953, Ascelin’s son Alex, who had been a tea planter in what was then known as Burma, returned with his wife Yvonne to run the estate. They renovated the house, patched up the roof and installed a new kitchen. Alex modernised the farm.

It was their son Sandy and his wife who decided to take advantage of the size of the house to run a bed and breakfast, which opened in 1980. In 2004 their son Roderick returned to Temple House with his wife and children and took over running the business and the farm.

Photograph courtesy of Temple house website.
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Roderick told us about the family as we toured the stair hall vestibule, drawing room and dining room, then brought us across the front hall to the newly renovated part of the house, which includes a former gun room passage. He managed to find craftsmen to do repairs, including the windows, moulding and plasterwork. After the tour, he kindly let us wander around the house, including up to the bedrooms.

The Gun Room Passage, photograph from the house website.
The wing that is being renovated. Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Guinness and Fitzgerald tell us about the bedrooms:

The bedrooms are immense. They all have their own bathrooms and a wonderful collection of matching furniture; in each of them a different wood has been used. The individual character of oak and beech and mahogany and others are evident as you stroll from one bedroom to the next. There are magnificent wardrobes – in one room it is 22 ft long – beds, sideboards, dressing tables, chairs. The largest of the bedrooms is so impressive it is called the “Half Acre.”” [see 2]

Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Half Acre bedroom, Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We exited through the morning room, which has a tall glass door, the original marble chimneypiece and impressive acanthus leaf ceiling rose.

The Morning Room, photograph courtesy of the house’s facebook page.
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There is a walled kitchen garden which unfortunately we did not get to visit, where food is grown, including old varieties of apple, plum, pear and fig, and a stable yard. The Percevals preserve most of the 600 acres of old woods and the bogs in their natural state, and they also farm a further 600 acres.

Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple House, County Sligo, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[2] Great Irish Houses. Forewards by Desmond FitzGerald, the Knight of Glin, and Desmond Guinness. Photographs by Trevor Hart. IMAGE Publications, 2008.

[3] Book Review by Peter Harbison, History Ireland issue 5 (Sept Oct 2016), volume 24.

[4] https://theirishaesthete.com/2018/05/14/thinking-big/

[5] https://www.buildingsofireland.ie/buildings-search/building/32403307/temple-house-templehouse-demesne-co-sligo

[6] http://www.ihh.ie/index.cfm/houses/house/name/Temple%20House

[7] http://lordbelmontinnorthernireland.blogspot.com/2018/01/temple-house.html

Avondale House, County Wicklow – open to the public

Avondale House, County Wicklow

We visited in March 2023. The house was built in 1779 for Samuel Hayes and may have been designed by James Wyatt, or by Samuel Hayes himself. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Avondale, Rathdrum, Co Wicklow, photograph by Sonder Visuals, 2014, Courtesy Failte Ireland.

We visited in March 2023. The house was built in 1779 for Samuel Hayes and may have been designed by James Wyatt (1746-1813), or by Samuel Hayes himself. It then passed to the Parnell family and was the birthplace of the politician Charles Stewart Parnell. In 1904 the state purchased the Avondale Estate to develop modern day forestry in Ireland.

Avondale, County Wicklow, photograph by Robert French [between ca. 1865-1914], Lawrence Photographic Collection, National Library of Ireland.

Mark Bence-Jones writes in his  A Guide to Irish Country Houses (1988):

p. 15. “A square house of two storeys over basement, built 1779 for Samuel Hayes, a noted amateur architect who possibly designed it himself. Five bay entrance front, the three centre bays breaking forward under a pediment; small Doric porch with paired columns, Coade stone panels with swags and medallions between lower and upper windows. Garden front with central bow; the basement, which in the entrance front is concealed, is visible on this side with its windows have Gibbsian surrounds. Magnificent and lofty two storey hall with C18 Gothic plasterwork and gallery along inner wall. Bow room with beautiful Bossi chimneypiece. Dining room with elaborate neo-Classical plasterwork on walls and ceiling; the wall decorations incorporating oval mirrors and painted medallions. Passed to William Parnell-Hayes, brother of the 1st Baron Congleton, and grandfather of Charles Steward Parnell, who was born here and lived here all his life with his mother and elder brother. Now owned by the dept of Lands, Forestry Division, which maintains the splendid demesne as a forest park…The house has in recent years been restored by the Board of Works.” [1]

Avondale, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Avondale, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Samuel Hayes who built the house also planted a forest. He was an expert on trees and wrote books and planted experimentally to see what trees grow best in Ireland. Hayes wrote A practical treatise on planting and the management of woods and coppices (1794). Intended to be a practical guide to the planting of trees and the managing of wood for timber, it was in fact Ireland’s first full-length book on trees. It is fitting that the property is now owned by Coillte, and that they also grow trees and ran the “Great Tree Experiment” here at Avondale. For several years after the house passed into the ownership of the state a forestry school was located in the property.

Avondale, County Wicklow, photograph by Robert French [between ca. 1865-1914], Lawrence Photographic Collection, National Library of Ireland.
Avondale, County Wicklow, photograph by Robert French [between ca. 1865-1914], Lawrence Photographic Collection, National Library of Ireland.
Avondale, County Wicklow, photograph by Robert French [between ca. 1865-1914], Lawrence Photographic Collection, National Library of Ireland.
Avondale, County Wicklow, photograph by Robert French [between ca. 1865-1914], Lawrence Photographic Collection, National Library of Ireland.

The house contains Gothic features in the front hall, especially in the stuccowork. The front hall is double-height and has an overlooking balcony.


Charles Stewart Parnell was a very shy man, and so he used to practice his speeches from the balcony in the front hall of Avondale. For this reason, his family called him “the Blackbird.” Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Avondale, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Avondale, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The door has Samuel Hayes’s initials, and the date which the house was completed. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The first room we entered from the hall is dedicated to Samuel Hayes.

Avondale, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Samuel Hayes (1743-1795), who built Avondale House. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Avondale, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Avondale, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
As well as being an amateur architect, a politician and expert on trees, Samuel Hayes designed this bridge that was built over the Avondale River. Unfortunately it no longer exists.

Samuel Hayes was the great grandson of Thomas Parnell (1625-1686), the first of the Parnell family to come to Ireland, and from whom Charles Stewart Parnell was also descended. Thomas’s son John (1680-1727) became Judge of the Court of King’s Bench and built a house at Rathleague in County Laois. According to the family tree framed in the Drawing Room, John had a daughter Anne who married John Hayes and gave birth to the builder of Avondale, Samuel Hayes.

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In 1766 Samuel Hayes married Alice Le Hunt, daughter of Thomas Le Hunt, MP and wide streets commissioner of Dublin, but he died childless. The estate was initially inherited by Sir John Parnell (1744–1801), 2nd baronet. John Parnell (1680-1727) married Mary Whitshed, daughter of Thomas, Member of Parliament (M.P.) for Carysfort, County Wicklow between 1692 and 1698. Their son John (d. 1782) became 1st Baronet Parnell, of Rathleague, Queen’s County in 1766, after being High Sheriff for County Laois and MP for Maryborough in Laois (now Portlaoise).

1st Baronet Parnell married Anne Ward from Castle Ward in County Down. They had a son John (1744–1801), 2nd Baronet. He married Laetitia Charlotte Brooke, daughter of Arthur, 1st Baronet Brooke, of Colebrooke, Co. Fermanagh.

Portrait of John Parnell, 2nd Baronet, by Pompeo Girolamo Batoni, from National Trust, Castle Ward.

By the terms of Hayes’s will, Avondale passed from the 2nd Baronet to his son William Parnell (1777–1821), writer, landlord, and MP. Hayes stipulated in his will that rather than being inherited by the eldest son of the family, the estate would be inherited by a younger son. William was the younger brother of John Augustus, 3rd Baronet, who was disabled and died childless, and of Henry Brooke Parnell, who became 4th Baronet Parnell and later, 1st Baron Congleton, of Congleton, Cheshire, which had been the birthplace of the original Thomas Parnell who emigrated to Ireland.

As a result of his inheritance of Avondale, William Parnell assumed the name ‘Parnell-Hayes.’ [2] William married Francis Howard, granddaughter of Ralph Howard, 1st Viscount Wicklow. They had a son John Henry, who was Charles Stewart Parnell’s father. Charles Stewart Parnell inherited Avondale as he also was not the oldest son, but the seventh of eleven children. It was an unusual stipulation that Samuel Hayes made.

The plasterwork in the dining room is lovely, as is the marble fireplace. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Avondale, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Avondale, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Avondale, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Charles Stewart Parnell’s mother Delia. She was an American, daughter of the famous “Old Ironsides,” Admiral Charles Stewart.
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Delia was a member of the Plymouth Brethren, and converted a building on the property into house for worship. The 2nd Baron Congleton also converted to the Plymouth Brethren who met in Aungier Street in Dublin.

Avondale, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Avondale, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Avondale, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Cowshed. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Avondale, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Drawing Room contains a beautiful Bossi fireplace. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

When Charles Stewart Parnell inherited Avondale estate, it was mired in debt. He sought to increase his income by mining the local area. He became a politician chiefly, our tour guide told us, to earn money to support the estate. The Dictionary of Irish Biography tells us:

Parnell invested heavily in mining and quarrying ventures in Wicklow, in particular stone quarrying at Big Rock, near Arklow, from which he supplied paving setts to Dublin corporation. He expended money and effort in seeking to revive the old lead mine and to relocate the lodes of iron and seams of copper that had formerly been worked in the vicinity of Avondale. Through the late 1880s his chief recreation was the quest for gold in Wicklow, assaying samples of ore in his workshops successively at Etham and Brighton.” [3]

Parnell assaying his gold. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

He may have been influenced in his politics by his mother’s Republican views, i.e. anti-monarchy. He sought home rule for Ireland and was President of the Land League, which sought to enable tenants to own the land on which they worked. He was arrested for this and put in rather luxurious quarters in Kilmainham Gaol, where he was incarcerated for six months.

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

By this time he was having an affair with Katherine O’Shea who was called “Kitty” in the press in order to belittle her. She was the wife of another MP who allowed the affair, presumably to maintain his position in parliament as Parnell commanded wide support. He fathered three children with Katherine and when her husband divorced her, they married, but she was unable to inherit Avondale, which passed to Parnell’s older brother.

The Irish turned against Parnell due to his affair, as discussed in James Joyces’s Portrait of the Artist as a Young Man where Stephen Daedalus’s father and aunt argue about Parnell and Stephen’s father laments “Ireland’s poor dead King.” There is a lengthy biography about him in the Dictionary of Irish Biography.

Parnell’s monument in Glasnevin Cemetery, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Dictionary of Irish Biography tells us:

Katharine Parnell lived on in deteriorating circumstances and died in Littlehampton, Sussex, on 5 February 1921. After Claude Sophie, who died shortly after her birth, Parnell and Katharine had two further daughters, Clare (1883–1909) and Katharine (‘Katie’) (1884–1947). Clare, who bore a haunting resemblance to Parnell, died in labour. Her son Assheton Clare Bowyer-Lane Maunsell, a lieutenant in the Lancashire Fusiliers, died of enteric fever in India on 29 July 1934, aged 24. As Parnell’s biographer F. S. L. Lyons wrote, ‘the line of direct descent from Parnell therefore ends in a cemetery in Lahore.’ “

The wedding ring which Parnell gave Katherine is the one on the right. The other is made from gold mined on the Parnell property. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This room is mostly dedicated to “Old Ironsides,” who gave the desk-cabinet to his son-in-law. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Avondale, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Like many old houses, Avondale had a tunnel for the servants, to the outbuildings.

Avondale, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Different types of wood, labelled, in one of the rooms which was used as a Forestry School. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The forest planted by Samuel Hayes mostly did not last, as we see from a photograph from 1900. However, the forestry school reinstated the forest, now owned by Coillte.

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There are many walks on the estate, including a “tree top walk” and a viewing tower, which has a large enclosed screwshaped slide, which Stephen and I could not resist sliding down! Be prepared to lose all control to speed!

Avondale, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Avondale, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Avondale, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Avondale, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[2] https://www.dib.ie/biography/hayes-samuel-a3878

[3] https://www.dib.ie/biography/parnell-charles-stewart-a7199

Birr Castle, County Offaly – section 482

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Fee: adult €12.50, OAP/student €11, child 7, family 2 adults and 2 children €34, guided castle tour €22

www.birrcastle.com

Birr Castle, photograph by Chris Hill 2018, for Tourism Ireland, Ireland’s Content Pool. [1]

We visited Birr Castle in June 2019. I am dying to visit again!

The castle has been in the one family since 1620. A castle existed on the site before then, but little remains of the original, as the old O’Carroll keep and the early C17 office ranges were swept away around 1778. However, parts of the auxiliary buildings of the original are incorporated into today’s castle, which was made from the gate tower which led into the castle bawn. The front hall of the original gatehouse is now at basement level. The rest of the castle has been built around this, at various times.

The castle formed part of a chain of fortresses built by the powerful O’Carroll family of Ely, on the borders of Leinster and Munster. In the 1580s the castle was sold to the Ormond Butlers. By 1620 the castle was a ruin, and King James I granted it to Laurence Parsons (d. 1628). [2] It was Laurence who made the current castle originating from the gate tower.

Although still a private residence, it is well set up for tours of the castle, and the demesne is wonderful for walks. The current owner is William Parsons, 7th Earl of Rosse.

The Parsons still live in the castle today and maintain the archives. According to the website: 

The Rosse papers are one of the most important collections of manuscripts in private ownership in Ireland. Extending from the early seventeenth century, when members of the family first established roots in the country, to the present, the core of the family archive is provided by the papers of successive members of the Parsons family. This calendar is essential reading for anyone interested in the history of: seventeenth and eighteenth-century Ireland; science in the nineteenth century; the British navy in the eighteenth century; the evolving story of the surviving families of the Irish landed elite in the nineteenth and twentieth centuries, and in the influence of a particular family that contrived over a number of centuries not only to transform Birr into one of the country’s most elegant small towns, but also to construct and sustain one of the finest country houses and its gardens.Access to the archives is by appointment.” [3]

In Crowned Harp, Memories of the Last Years of the Crown in Ireland, Nora Robertson writes about her ancestor Laurence Parsons:

With the further connivance of his even less admirable brother [less admirable, that is, than Laurence Parson’s kinsman Richard Boyle], Lord Justice William Parsons, Laurence acquired the forfeited estates of the Ely O’Carrolls in Offaly, whither he moved and erected Birr Castle...” [4]

The family history section of the Birr Castle website explains that there were four Parson brothers living in Ireland in the 1620s. They came to Ireland around 1590, and were nephews of Sir Geoffrey Fenton, Secretary of State in Ireland to Queen Elizabeth I. [5] Laurence’s brother William (1570-1649/1650) became Surveyor General of Ireland, 1st Baronet, and founded the elder branch of the Parson family in Bellamont, Dublin. This branch died out at the end of the eighteenth century.

Sir William Parsons (d. 1650), Surveyor-General and Lord Justice of Ireland Date: 1777, Engraver Samuel De Wilde, after unknown artist.

William was known as a “land-hunter”, expropriating land from owners whose titles were deemed defective. William was the progenitor of the first generation of the title of Earl of Rosse. When the last male to hold that title died without heirs, after a time the title passed to the descendants of the first baronet Bellamont’s younger brother, Laurence Parsons of Birr Castle.

Before obtaining land in Offaly, through his connection with Richard Boyle later 1st Earl of Cork (Richard married Catherine Fenton, daughter of Geoffrey Fenton, Secretary of State in Ireland to Queen Elizabeth I), Laurence Parsons acquired Myrtle Grove in Youghal, Co. Cork, previously owned by Walter Raleigh, and succeeded Raleigh as Mayor of Youghal. 

Raleigh, who introduced tobacco to Europe after discovering it on his travels, had a bucket of water thrown over him by a housemaid when he was smoking, as she thought he was on fire! Raleigh is also said to have planted the first potato in Ireland.

Myrtle Grove, Youghal, County Cork, photograph courtesy of Lawrennce Photographic Collecition National Library of Ireland, photographer: Robert French, 1841-1917.
Myrtle Grove, Youghal, County Cork, August 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Laurence Parsons served as Attorney General of Munster and later, Baron of the Exchequer, and was knighted in 1620. That same year, he ‘swapped’ his interest in a property near Cadamstown in County Wexford with Sir Robert Meredith, who served as Chancellor of the Exchequer in Ireland, for the latter’s 1,000 acres at Birr, Kings County. Parsons was granted letters patent to ‘the Castle, fort and Lands of Birr.’ [see 5]

The castle website states that:

“rather than occupy the tower house of the O’Carrolls, the Parsons decided to turn the Norman gate tower into their ‘English House,’ building on either side and incorporating two flanking towers. Sir Laurence Parsons did a large amount of building and remodelling including the building of the two flanking towers, before his death in 1628. This is all accounted for in our archives.” [6]

Suitably, a room which is now the castle’s Muniments room, which holds the archives, is located inside one of the flanking towers and retains a frieze of early 17thcentury plasterwork.

The group being led by our tour guide, Birr Castle, County Offaly. The entrance is approached by a tall flight of wide steps overshadowed by a massive arch, which gives the impression of passing beneath a medieval portcullis. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Our guide walked a group of us over to the castle, across the moat, which he told us had been created in 1847 when the owners of Birr Castle provided employment to help to stave off the hunger of the famine, along with the enormous walls surrounding the castle demesne as well as the stone stable buildings, which are now the reception courtyard, museum and cafe. 

Birr Castle, County Offaly, photograph by Stuart Smith 2016 on flickr commons.
A photograph of the moat which our guide told us had been created as a famine project in order to pay the workers. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The walls around the demesne were created in 1847 when the owners of Birr Castle provided employment to help to stave off the hunger of the famine. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle walls. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle walls. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The walls around the demesne were created in 1847 when the owners of Birr Castle provided employment to help to stave off the hunger of the famine. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle entrance, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I was intrigued to hear that the gates had been made by one of the residents of the castle, Lady Mary Field, wife of William Parsons, the third Earl of Rosse. She was an accomplished ironworker! She was also a photographer. She brought a fortune with her to the castle when she married the Earl of Rosse, which enabled him to build his telescope, for which the estate is famous. But more on that later. 

Gates on courtyard entrance made by Lady Rosse, Mary Field (1813-1885), wife of the third Earl of Rosse, with the family motto, “For God and the Land to the Stars.” The motto was originally “For God and King” but, unhappy with the monarch’s response to the famine, the family changed their motto. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Detail of a gate by Mary Field. This is the Parsons crest, the three leopard heads. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mary Rosse, Countess of Rosse (née Mary Field) (1813-1885), painter unknown, photograph from Birr Archives, courtesy wikimedia commons.

Family crests from families who intermarried with the Parsons of Birr are also worked into the gate. There are similar crests on the ceiling of the front hallway of the castle. 

Birr Castle, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We were not allowed to take photos inside the castle, unfortunately. On the other hand it’s always a relief when I am told I cannot take photos, for it means I can relax and really look, and listen to the tour guide.

With the help of portraits, our guide described the Parson family’s ancestors. The entrance hall, the room over the arch in the original gatehouse, has some portraits and a collection of arms.

Birr Castle, photograph courtesy of Birr Castle website.

The principal staircase is from the 17th century house, and is built of native yew. It was described in 1681 by Thomas Dinely as “the fairest in all Ireland.” It rises through three storeys, and is heavy, with thick turned balusters and a curving carved handrail. The ceiling above the stairs has plaster Gothic vaulting and dates from the reconstruction after a fire in 1832.

The massive seventeenth century yew staircase, photograph from an article in the Irish Times, photographer Laura Slattery.

Sir Laurence’s son Richard succeeded his father in 1628. Richard died in 1634 without an heir so Birr Castle passed to Richard’s brother William (d. 1653). During his time in Birr Castle, William protected the castle from a siege in 1641 during the Catholic uprising. He fought off the forces for fourteen or fifteen months but eventually surrendered in January 1642/43. [Burke’s Peerage and Baronetage p. 1721] The family moved to London, returning at the end of the Cromwellian period.

In his will, William specified that when the Birr estate is worth £1000 per year, his heir should build an alsmhouse in Birr for four aged Protestants, each with a garden and orchard and enough grass for the grazing of two cows. The beneficiaries would be given 12 pence every Sunday, freedom to cut turf for fire, and a red gown with a badge once every two years, which was to be presented by the heir.

William’s heir was his son, Laurence Parsons (d. 1698), who married Lady Frances, youngest daughter and co-heir of William Savage Esquire of Rheban, County Kildare.

This Laurence Parsons has a substantial entry in The Dictionary of Irish Biography. He was created Baronet of Birr Castle in 1677. Under the lord deputyship of Tyrconnell, Irish protestant grew nervous about another Catholic uprising, and Parsons moved his family to England in 1687. He left a tenant and servant of long standing, Heward Oxburgh, in charge of his estate, with instructions to use his rentals to pay certain debts, and to remit payments to him in England.

Oxburgh was a Catholic who had lost land and been transplanted to Connaught, but was a tenant and servant of the Parsons for thirty years by 1692.

When the rental money did not materialise, Parsons returned to Ireland. He found his agent “highly advanced to the dignity of sheriff of the county, who lorded it over his neighbours at a great rate, and was grown and swollen to such a height of pride he scarce owned his master.” (Birr Castle MSS, A/24, ff 1–2). Furthermore, Oxburgh had used the estate’s rental income to raise a regiment of foot soldiers for King James II.

Parsons reoccupied his castle, which was then besieged by Oxburgh’s forces. Under duress he signed articles, only to find himself tried for treason against William III, and sentenced to death. Imprisoned in his castle, he was reprieved from execution several times, and eventually in April 1690 he was moved to Dublin, and was released shortly after the battle of the Boyne.

Oxburgh sat for King’s County in the Irish parliament summoned by James II in 1689, while his son Heward was returned for Philipstown. He died in the Battle of Aughrim in 1691.

Parsons was again appointed high sheriff of King’s County, and returned to Birr to secure the area against Jacobites and tories. He was involved in one notable skirmish on 11 August, before returning to Dublin to meet his wife and children who had travelled from England. Birr was subsequently occupied by Williamite forces.

Laurence Parsons died in 1698 and was succeeded in the baronetcy by his son, William Parsons (d. 1740) 2nd Baronet. William served in the Williamite forces, and was MP for King’s Co. (1692–1741). He married firstly Elizabeth, daughter of a Scottish Baronet, and they had one son. This son William Parsons married Martha Pigott and they had a son, Laurence (1707-1756). William Parsons 2nd Baronet died in 1740 and his grandson Laurence Parsons (1707-1756) succeeded as 3rd Baronet of Birr Castle.

his conduct as supervisor of various plantations outraged the numerous native landowners who were dispossessed by his highly questionable legal machinations: local juries were intimidated into invalidating titles to property, while those dispossessed who sought legal recourse were ruined by expensive and time-consuming counter-suits. From 1611 to 1628 he was heavily involved in the increasingly crude efforts by the government to wrest land in Cosha and Ranelagh, Co. Wicklow, from Phelim McFeagh O’Byrne, which culminated in a failed attempt to frame O’Byrne for murder by torturing witnesses. He also encountered criticism for the manner in which he exercised his office as surveyor of plantation land by deliberately underestimating the extent of plantation land in order to defraud the crown and the church of their revenues. At least twice he had to procure royal pardons for corrupt activities.

By these means, he furthered the crown’s policy of supplanting catholic landowners with more politically reliable protestant ones while personally acquiring prime plantation land in Co. Wexford, Co. Tyrone, and Co. Longford, and in King’s Co. (Offaly) and Queen’s Co. (Laois). Although his grasping nature was widely advertised in Ireland, he escaped royal censure due to his political clout, being a key member of a powerful and tightly knit group of Dublin-based government officials who enriched themselves by obstructing and redirecting royal grants of Irish lands intended for courtiers in London. Reflecting his political influence and widening property interests, he sat as MP for Newcastle Lyons (1613–15), Armagh Co. (1634–5) and Wicklow Co. (1640–41).

Parsons’s fortunes changed when Thomas Wentworth came as Lord Deputy to Ireland. Wentworth believed that the protestant establishment was hopelessly corrupt and had failed in its civilising mission in Ireland. He instigated legal proceedings – designed to recover property for the crown – against a number of prominent protestant landowners.

Thomas Wentworth 1st Earl of Strafford (1593-1641), Lord Deputy of Ireland 1632-1640 for King Charles I.

Parsons managed to keep in favour to an extent with Wentworth, although they did not trust each other, and when Wentworth was subsequently accused in 1640 of corruption and treason, Parsons was appointed Lord Justice of Ireland. Parsons knew he stood on shakey ground, however, due to his complicity with Wentworth.

Parsons’s position deteriorated when the king agreed to make a number of wide-ranging concessions, including a promise to halt the plantation of Connacht. Parsons succeeded in delaying the passage of the king’s concessions into law by pleading with the king not to give so much away without extracting money from parliament. Many then and since believed that, but for Parsons’s delaying tactics, the king’s concessions would have been passed by the Irish parliament, the catholics would have felt more secure, and the subsequent disaster of 1641 would have been averted. 

In February 1642 a royal proclamation arrived in Dublin calling on the rebels to surrender and promising them lenient treatment, after which a number of catholic landowners surrendered voluntarily to the government. Parsons disliked this, and to discourage further submissions, he imprisoned and tortured those who had surrendered and even executed a catholic priest who had saved thirty protestants from being murdered in Athy, Co. Kildare. Similarly, in May he condemned the terms by which the city of Galway had submitted to the government as being too lenient. His actions quickly stemmed the flow of submissions that could have brought a peaceful end to the rising. In the meantime the English Parliament was gaining in power over King Charles I.

The Dictionary of Irish Biography continues:

Parsons declared an official policy of neutrality while privately favouring parliament in every matter. From October 1642 he allowed two parliamentarian representatives to sit at the meetings of the Irish privy council. However, the royalist Ormond had his supporters in the Irish council. The growing factionalism that pervaded the Dublin administration reflected the mistrust between the royalists and parliamentarians in Ireland.

Meanwhile in Ireland the catholics organised their own system of government, the ‘catholic confederation’, and were bolstered militarily by the arrival of experienced officers from the Irish regiments serving in the Spanish Netherlands. The protestant forces, starved of pay and munitions, were pushed back once more. The royalists led by Ormond began courting the disgruntled protestant troops in Ireland. In December army officers presented Parsons and his council with a petition outlining their unhappiness at their lack of pay. Although Parsons maintained his grip on the civil administration, the army increasingly looked to Ormond.” This led to his dismissal from the Irish privy council in July and his arrest in August 1643.

Parsons remained a prisoner in Dublin until autumn 1646. By then parliament had won the English civil war and Parsons was released. He died in 1650.

Richard Parsons, 1st Viscount Rosse married three times. He married, firstly, Anne Walsingham, daughter of Thomas Walsingham, on 27 February 1676/77. He was created 1st Viscount Rosse, Co. Wexford [Ireland] on 2 July 1681. He married, secondly, Catherine Brydges, daughter of George Brydges, 6th Baron Chandos of Sudeley on 14 October 1681.

He married his third wife, Elizabeth Hamilton, daughter of Sir George Hamilton, Comte Hamilton in December 1695, after he’d been imprisoned in the Tower of London in February for high treason, according to Burke’s Peerage, Baronetage & Knightage. I can’t find much information about this.

Viscount Rosse’s father-in-law George Hamilton, Comte Hamilton, was the grandson of the 1st Earl of Abercorn, son of 1st Baronet Hamilton, of Donalong, Co. Tyrone and of Nenagh, Co. Tipperary. George Hamilton travelled to France to fight in the Catholic French army, where he was given the title of Comte, fighting against the British. He married Frances Jenyns, who gave birth to his daughter Elizabeth who married Richard Parsons 1st Viscount Rosse. Frances Jenyns, or Jennings, married a second time, to Richard Talbot, the Duke of Tyrconnell. So we can see the circles in which Richard Parsons mixed, and why it was that he could have been imprisoned for treason.

Frances Jennings, Vicereine of Ireland 1687-89, Duchess of Tyrconnell. She was married to Richard Talbot, 1st Duke of Tyrconnell (1630-1691).

The Viscount must have changed his loyalties, to support William III. The Viscount Rosse’s son by Elizabeth Hamilton, Richard (d. 1741), succeeded as 2nd Viscount Rosse upon his father’s death in 1703. He was raised to the peerage as 1st Earl of Rosse in 1718. He became the Grand Master of the Freemasons and was a founder member of the Hellfire Club which met at Montpelier Hill in a former shooting lodge of William Conolly. The Earl of Rosse’s townhouse on Molesworth Street later became the site of the Masonic Grand Hall. One sees no trace of his supposed Satanic leanings in his portrait in Birr Castle, in which he looks the picture of innocence!

The innocent looking Richard Parsons (d. 1741) 1st Earl of Rosse, one of the founders of the Hellfire Club. Photograph of the portrait courtesy of Birr Castle’s website. Painting by William Gandy.
Henry Clements (1698-1745), Col Henry Ponsonby (1685-1745), Richard St George (d. 1775), Simon Luttrell, Henry Barry 3rd Baron Santry (1680-1735), members of the Hellfire Club, painted by another member, and co-founder, James Worsdale, photograph of portrait in the National Gallery of Ireland.

Richard’s son, also named Richard, succeeded as the 2nd Earl but died childless and the title became extinct. It was then created for a second time for the descendants of Lawrence Parsons of Birr Castle.

Let us go back now to the Parson Baronets of Birr Castle. As I mentioned, Laurence Parsons 3rd Baronet of Birr Castle had a son by his first marriage, William (1731–1791). When Laurence died in 1749, William succeeded as 4th Baronet of Birr Castle.

Laurence’s son by his second marriage, Laurence (1749-1807), who inherited his uncle Cutts Harman’s estate County Longford with the proviso that he take the name Harman, became Laurence Harman Parsons. In 1792 he was raised to the Peerage of Ireland as Baron of Oxmantown, in the County of Dublin and in 1795, Viscount Oxmantown. In 1806 when he was created Earl of Rosse in the Irish peerage, of the second creation.

William Parsons (1731-1791) the 4th Baronet served as M.P. and High Sheriff for County Offaly. William in turn was succeeded in the baronetcy by his son Laurence Parsons (1758-1841). When Laurence the 5th Baronet of Birr Castle’s uncle the 1st Earl of Rosse of the second creation died without a male heir, Laurence became the 2nd Earl of Rosse. He married Alice, daughter of John Lloyd Esquire of Gloster, King’s County.

Gloster, County Offaly, February 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com.

During Heritage Week in 2024, Stephen and I visited Tullynisk house in County Offaly, where Alicia Clement, daughter of the Earl of Rosse, who grew up in Birr Castle, gave a tour of her home. She told us that the Parsons were not as illustrious as the Lloyds, and that Alice Lloyd was considered to be a good catch!

Tullynisk, County Offaly, built for two brothers of the Earl of Rosse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com.

Laurence Parsons (1758-1841) 2nd Earl of Rosse served as M.P. and opposed the Union and the abolishment of the Irish Parliament. He was a friend of Henry Grattan. He was described by Wolfe Tone in his days as an MP as “one of the very few honest men in the Irish House of Commons.” [7]

The 2nd Earl of Rosse made further alterations to the castle, shortly after 1800. He worked with a little known architect, John Johnson, and they gave the castle its Georgian Gothic style.

The website explains the additions to the castle:

“The castle survived two sieges in the 17th century, leaving the family impoverished at the beginning of the 18th century and little was done to the 17th century house. However, at some time towards the end of that century or at the beginning of the 19th century, the house which had always faced the town, was given a new gothic facade, which now faces the park. The ancient towers and walls on this, now the park side of the castle, were swept away, including the Black Tower (the tower house) of the O’Carrolls, which had stood on the motte. Around 1820 the octagonal Gothic Saloon overlooking the river was cleverly added into the space between the central block and the west flanking tower.”

Birr Castle, photograph by Liam Murphy, 2015, for Tourism Ireland, Ireland’s Content Pool. (see [1])

The entrance we see was previously the back of the house, and most of this facade was added in the additions by the 2nd Earl from 1801 onward. First the two storey porch in the centre of the front, with the giant pointed arch over the entrance door was added and the entire facade faced with ashlar. The third storey which we see was added later, after 1832. The battlements were added as the castle was given a Gothic appearance.

Mark Bence-Jones describes the Castle in his Guide to Irish Country Houses:

“…during the course of C17, the gatehouse was transformed into a dwelling-house, being joined to the two flanking towers, which were originally free-standing, by canted wings; so that it assumed its present shape of a long, narrow building with embracing arms on its principal front, which faces the demesne; its back being turned to the town of Birr and its end rising above the River Camcor. Not much seems to have been done to it during C18, apart from the decoration of some of the rooms and the laying out of the great lawn in front of it, after the old O’Carroll keep and the early C17 office ranges, which formerly stood here, had been swept away ca. 1778. From ca 1801 onwards, Sir Laurence Parsons [1758-1841] (afterwards the 2nd Earl of Rosse), enlarged and remodelled the castle in Gothic, as well as building an impressive Gothic entrance to the demesne. His work on the castle was conservative; being largely limited to facing it in ashlar and giving a unity to its facade which before was doubtless lacking; it kept its original high-pitched roof containing an attic and two C17 towers at either end of the front were not dwarfed by any new towers or turrets; the only new dominant feature being a two storey porch in the centre of the front, with a giant pointed arch over the entrance door. At the end of the castle above the river, 2nd Earl built a single-storey addition on an undercroft, containing a large saloon. He appears to have been largely his own architect in these additions and alterations, helped by a professional named John Johnston (no relation of Francis Johnston). In 1832, after a fire had destroyed the original roof, 2nd Earl added a third storey, with battlements.” [8]

…the only new dominant feature being a two storey porch in the centre of the front, with a giant pointed arch over the entrance door.Birr Castle, photograph by Chris Hill 2018, for Tourism Ireland, Ireland’s Content Pool. (see [1])
St. Brendan’s Church of Ireland, Oxmantown Mall, Birr. Built by the architect John Johnson in 1815, who worked with the 2nd Earl on Birr Castle. The church was extended in 1876 by the architect Thomas Drew, who added a new chancel. Further enhancements included the insertion of the east window, which was commissioned from Charles Kempe by the fourth Earl of Rosse in 1891. Photograph © Jennifer Winder-Baggot, http://www.irishhistorichouses.com

Besides enlarging and remodelling the castle in the Gothic style, the 2nd Earl also built the impressive Gothic entrance to the demesne. [8]

Gothic Entrance gates to Birr Castle. From ca 1801 onwards, Sir Laurence Parsons [1758-1841] (afterwards the 2nd Earl of Rosse), enlarged and remodelled the castle in Gothic, as well as building an impressive Gothic entrance to the demesne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Gothic Entrance gates to Birr Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In the book Irish Houses and Gardens, from the archives of Country Life by Sean O’Reilly, the plaster-vaulted saloon which the 2nd Earl added is described: “With the slim lines of its wall shafts and ribs, the free flow of the window tracery and the curious irregular octagon of its plan, the room possesses all the light, airy mood of the best of later Georgian Gothic, and remains one of Birr’s finest interiors.” [9]

The Saloon, or Music Room, Birr Castle, photograph courtesy of Birr Castle website.

Vaulting fills the castle, even in small hallways.

Laurence Parsons (1758-1841) 2nd Earl of Rosse was succeeded by his son William Parsons (1800-1867), the 6th Baronet and 3rd Earl of Rosse. In 1836 he married Lady Mary, eldest daughter and co-heir of John Wilmer Field Esquire of Heaton Hall, County York. It was this Mary who created the gates which we admired on the way to the Castle.

Portrait of William Parsons, 3rd Earl of Rosse, (1800-1867), photograph courtesy of National Gallery of Ireland.

It was the third Earl, William Parsons (1800-1867), who built the world’s largest telescope for over 70 years, in 1845. He was one of the leading scientists and engineers of his day, and he designed the telescope as well as having it built.

The world’s largest telescope for over 70 years, built in 1845. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

All this work took place in rural Parsonstown at the Birr demesne. Furnaces had to be built and local men trained in manufacture and metal casting, overseen by the 3rd Earl. As we saw earlier, his wife Mary also learned metalwork.

Mary was also an accomplished photographer – the photography dark room of his wife Mary née Field has only been rediscovered in the castle recently, but unfortunately we did not get to see it. Their younger son, Charles Parsons, was a groundbreaking engineering pioneer and the inventor of the steam turbine.

The Birr Castle website continues:“After a fire in the central block in 1836 the centre of the castle was rebuilt, ceilings heightened, a third story added and also the great dining room. In the middle of the 1840s to employ a larger work force during the famine, the old moat and the original Norman motte were also flattened and a new star-shaped moat was designed, with a keep gate. This was financed by Mary, Countess of Rosse. This period of remodelling also overlapped with the building of the Great Telescope, The Leviathan.”

Only one person perished in the 1836 fire, a nanny to the children, who is said to haunt the top floor of the house. There’s a crack in the fireplace of the library from this fire, which was started by a cigarette tossed into a bucket of turf.

Birr Castle dining room, photograph by Chris Hill 2018, for Tourism Ireland, Ireland’s Content Pool. (see [1])
The Dining Room, which contains many family portraits. The sideboard is supported by the Parson family crest. The leopards are the heraldic symbol of the Parsons family. The massive Gothic sideboard of the dining room probably dates from shortly after the marriage in 1836 of the 3rd Earl of Rosse to Mary Wilmer Field. Birr Castle, photograph courtesy of Birr Castle website.

The website tells us that the final work on the castle was done in the 1860s when a square tower at the back of the castle on the East side was added. This now contains nurseries on the top floor which have a view over the town.

I was overwhelmed by the plush interior of the castle. It was the fanciest I had seen to date. The pelmets are huge, curtains heavy, and paintings old and abundant – although several are copies and not originals, placed due to their relevance to the inhabitants of the castle.

In the front hall there are huge tapestries, brought by the wife of the 6th Earl, Anne Messel, which fit the hall perfectly. The ceiling is sculpted in plaster, as are all of the reception rooms which we visited. There is an enormous wardrobe in the hall which can be taken apart so is called a “travel” wardrobe despite its heft, and a lovely walnut clock stood alongside the walnut exterior wardrobe. It is a Dutch clock, and as well as the time, it tells the date, and the phase of the moon, and has a little clockwork scene that is meant to move on the hour, but is no longer functioning. The clock is “haunted,” the guide told us, and is his favourite piece in the castle. It is said to be haunted because of a few odd incidents that occurred before it was brought to the castle. When someone in the family died, the clock stopped. Another time, at the moment someone in the house died, the pendulum of the clock dropped from its mechanics. Finally, when another person died in the house, the entire clock fell forwards onto its front.

Consequently nobody wanted the clock except the daughter of the family, who brought the clock with her when she moved into Birr Castle. For safety, however, she had the freestanding clock firmly affixed to the wall behind.

The website history of the family tells us:

The 19th century saw the castle become a great centre of scientific research when William Parsons, 3rd Earl built the great telescope. (See astronomy).His wife, Mary, whose fortune helped him to build the telescope and make many improvements to the castle, was a pioneer photographer and took many photographs in the 1850s.  Her dark room – a total time capsule which was preserved in the Castle – has now been exactly relocated in the Science Centre.

The website family history continues:

Their son the 4th Earl also continued astronomy at the castle and the great telescope was used up to the beginning of the 2nd world war. His son the 5th Earl was interested in agriculture and visited Denmark in search of more modern and successful methods. Sadly he died of wounds in the 1st world war.

The website continues: “His son, Michael the 6th Earl and his wife Anne created the garden for which Birr is now famous. (see the gardens and trees and plants) Anne, who was the sister of Oliver Messel the stage designer, brought many treasures to Birr from the Messel collection and with her skill in interior decoration and artist’s eye, transformed the castle, giving it the magical beauty that is now apparent to all.  Michael was also much involved in the creation of the National Trust in England after the war.

The Irish Historic Houses website tells us:

The interior is another skilful combination of dates and styles, forming a remarkably harmonious whole for which Anne Rosse, chatelaine of Birr from the 1930s to the 70s, is chiefly responsible [Anne Messel wife of 6th Earl]. She was the sister of Oliver Messel, the artist and stage-designer, and the mother of Lord Snowdon. A talented designer, decorator and gardener in her own right, her arrangement of the family collections is masterly.” [see 2]

The Yellow Drawing Room, created by Anne née Messel, Countess of Rosse. She created the yellow drawing room from two rooms, a renovation that nearly brought the entire ceiling crashing down! Birr Castle, photograph courtesy of Birr Castle website.
Birr Castle, photograph courtesy of Birr Castle website. The portrait is labelled Countess of Rosse b. 1698, but I can’t find which Countess this could be.
Birr Castle, photograph courtesy of Birr Castle website.

Anthony Armstrong-Jones, who married Princess Margaret, is a son from Anne Messel’s first marriage, her second marriage being to the sixth Earl of Rosse, Laurence Michael Parsons. The museum, off the Ticket Office, has a family tree:

The museum, off the Ticket Office, has a family tree of the Parson family.

A sister of Anthony Armstrong-Jones married into the Vesey family of Abbeyleix, who owned the De Vesci estate. My father grew up in Abbeyleix. We used to be able to walk in the grounds of the De Vesci estate but it has since been closed to the public.

The website continues to tell us of the next generation: “Their son Brendan, the present Earl [b. 1936, he succeeded his father as the 7th Earl of Rosse in 1979], spent his career in the United Nations Development Programme, living with his wife Alison and their family in many third world countries.  He returned to Ireland on his father’s death in 1979. Brendan and Alison have also spent much time on the garden, especially collecting and planting rare trees. Their three children are all passionate about Birr and continue to add layers to the story for the future.

Patrick, Lord Oxmantown currently lives in London and is working on plans to bring large scale investment into Birr which will enable him and his family to move back to Ireland.

Alicia Clements managers the Birr Castle Estate and lives in the sibling house of Tullanisk.

Michael Parsons, works in London managing a portfolio of properties for the National Trust and is a board member to The Birr Scientific and Heritage Foundation.”

After our castle tour, we ate our lunch under a tree on a lovely circular bench made of a huge tree trunk, then went to see the telescope.

The “Leviathon” telescope. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The “Leviathon” telescope. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The “Leviathon” telescope. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
6 foot telescope of William Parsons, 3rd Earl of Rosse featuring Lawrence Parsons, 4th Earl of Rosse, by Robert French, Lawrence Collection c. 1880 L_ROY_03237.

The telescope contains a speculum mirror at the bottom of the tube, which is 1.8 metres in diameter. The mirrors were made in a workshop set up by William Parsons, and the speculum had to be taken away and polished up every once in a while, so a second speculum mirror was made. The tube which houses the speculum is 17 metres long and was made near me in the Liberties, in a Foundry on Cork Street. The Earl would look into the telescope via a brass eyepiece in the enormous wooden tube, by climbing up the stairs on the side of the stone walls, to the viewing platform. With the telescope, the Earl could see further into space than anyone had ever seen. He sketched what he saw. According to the information at the site, his sketches were amazingly accurate when compared to modern photographs taken by the Hubble Telescope. The Earl studied “nebulae,” which are clouds of dust and gas in space, and discovered the “Whirlpool Nebulae.” There is now a planting of trees in the grounds of the castle to honour the founding of this M51 nebula. The “whirlpool spiral” of trees is a plantation of lime trees, planted in 1995, marking 150 years since the Earl discovered the nebula.

The “Leviathon” telescope. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The sixth Earl of Rosse, Lawrence Michael Harvey Parsons,  pursued an interest in trees and botany rather than the stars and moon, and created the gardens. We enjoyed the beautifully sunny day, walking around the generous landscape.

Birr Castle Demesne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle Demesne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The spring wildflower meadow has not been ploughed since at least 1620. Grass is let grow long to allow wildflowers, bees and wildlife to flourish.

From “In Harmony with Nature, The Irish Country House Garden 1600-1900” in the Irish Georgian Society, July 2022, curated by Robert O’Byrne.
Birr Castle Demesne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We entered The Fernery, which according to the sign beside it, tells that Ferneries were fashionable in Victorian times. 

Birr Castle Demesne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle Demesne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle Demesne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle Demesne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

This little fountain works by gravity, as the water falls from the lake to the stream. It’s an aspect I love about exploring heritage properties: the clever and sustainable engineering of the times. We have much to learn from our ancestors. I love that they have kitchen gardens and walled gardens and were self-sustaining. 

Birr Castle Demesne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle Demesne. Birr Castle, County Offaly, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Brick Bridge, formerly called the Ivy Bridge, is in County Tipperary, according to our leaflet about the grounds of Birr Castle.

Birr Castle, County Offaly, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle Demesne. Birr Castle, County Offaly, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle, County Offaly, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Above, the Teatro Verde, “Green Theatre,” from which you can see the vista of the castle and demesne. It was inspired by the design of 18th century architect and family member Samuel Chearnley. Dedication to Edward and Caroline on a plaque on the bench, “In Truth we Love, in Love we Grow.”

We didn’t have the energy to explore the entire garden, but followed the map to see a few places such as the Fernery, the Teatro Verde, and the Formal Gardens. Along the way, we passed the box hedges, the tallest in the world! The box hedges are around ten metres tall, and are over 300 years old.

The box hedges are around ten metres tall, and are over 300 years old. Birr Castle, County Offaly, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle, County Offaly, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Formal Gardens were designed by Anne Messel, the 6th Countess of Rosse, to celebrate her marriage to the 6th Earl, Michael, in 1935. There are white seats either end which bear their initials, which she designed. The hornbeam arches are in the form of a cloister complete with “windows”!

Birr Castle, County Offaly, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle, County Offaly, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle gardens, photograph for Tourism Ireland, 2015, Ireland’s Content Pool. (see [1])
The Formal Gardens, Birr Castle, by Alison Rosse.

We headed back to the visitor centre and museum, passing the children’s area, the wonderful Tree House! The current owners, Brendan Parsons, who was director of the Irish House and Gardens Association for eleven years, and his wife Alison, have been leading advocates for finding a new role for country houses in a heritage and educational context.

Birr Castle, County Offaly, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle, County Offaly, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle, County Offaly, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle, County Offaly, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In the museum, we studied the pictures and explanations, but had to ask where it was that the viewer would sit or stand to look through the telescope. There’s a great timeline in the museum – I always find these very useful and informative!

It was interesting also to see some documents from the family archives, including a booklet written by the Earl about management of property, and purchase of the elements that make up the speculum mirror, which is made of metal and not glass – only later did they make mirrors of glass for telescopes.

Birr Castle, County Offaly, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://www.irelandscontentpool.com/en

[2] http://www.ihh.ie/index.cfm/houses/house/name/Birr%20Castle

[3] During the period 1979-2007, Lord and Lady Rosse facilitated research by Dr. Anthony Malcomson, former director of the Public Record Office of Northern Ireland (PRONI), and latterly sponsored by the Irish Manuscripts Commission, to enable the production of a comprehensive calendar of the Rosse Papers in 2008. The archive is held in the Muniment Room of Birr Castle.

[4] p. 12, Robertson, Nora. Crowned Harp, Memories of the Last Years of the Crown in Ireland, published 1960 by Allen Figgis & Co. Ltd., Dublin.

[5] https://www.tcd.ie/media/tcd/mecheng/pdfs/The_Family_Parsons_of_Parsonstown.pdf

[6] https://birrcastle.com/sharing-our-heritage/

[7] Hugh Montgomery Massingberd and Christopher Simon Sykes. Great Houses of Ireland. Laurence King Publishing, London, 1999.

[8] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[9] O’Reilly, Sean. Irish Houses and Gardens, from the archives of Country Life, Aurum Press, London: 1998, paperback edition 2008.

2026 Diary of Irish Historic Houses (section 482 properties)

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Dunguaire Castle, Kinvara, County Clare – open to the public

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Dunguaire Castle, Kinvara, County Clare

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Dunguaire Castle, County Clare, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Dunguaire is maintained by Shannon Heritage, which also owns Bunratty Castle, King Johns Castle in Limerick, Craggaunowen folk park, Knappogue Castle in County Clare, Dublin GPO Witness History and Malahide Castle and Gardens in Dublin. Stephen and I visited Dunguaire Castle in July 2021. The website currently tells us that it is temporarily closed.

Dunguaire is a tower house built in 1520 by the O’Hynes clan on the shores of Galway Bay. “Dun Guaire” is from Fort of Guaire; Guaire was King of Connaught in the sixth century. Inland lay forests, bogs and wolves, so people travelled at that time by boat.

Dunguaire Castle, County Clare, July 2021.
Dunguaire Castle, County Clare, July 2021. This information board claims that it was Rory Mor O’Shaughnessy who built Dunguaire, around 1550.
Dunguaire Castle, County Clare, July 2021.

A map in the castle showed us that from Galway in the 17th century, animal hides, tallow from fat, wool and salmon were exported to Spain and France, hare, squirrel, lamb and fox skins imported to Spain, kelp seaweed to France and England, Linen to New York (from flax) and pork and herring to colonies in Jamaica.

Galway would have obtained imports of salt from Portugal (although salt mines were also developed in Ireland), wine from France and Italy, iron, weapons, spices and calico from Spain, flax seed and tobacco from New York, potatoes from Delaware (!), and sugar, cotton and rum from the West Indies.

Another information board tells us that donkeys were brought to Ireland from Spain sometime during the seventeenth century.

The castle retains a small bawn and a second small tower.

Dunguaire Castle, County Clare, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Dunguaire Castle, County Clare, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Dunguaire Castle, County Clare, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Dunguaire Castle, County Clare, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Dunguaire Castle, County Clare, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Richard Martyn, Mayor of Galway in 1643-43, lived here until 1642 and the Martyn family, who also owned Tullira Castle in County Galway, continued to own Dunguaire castle through the eighteenth and nineteenth centuries and on until 1924. Richard Martyn is though to have modernised the building and added glass windows. Chimneys were added in the seventeenth century.

Dunguaire Castle, County Clare, July 2021.
Dunguaire Castle, County Clare, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tullira Castle, County Galway, also owned by the Martyn family, photograph by Fennell Photography BNPS from 2013 when the house was for sale. The tower house was built originally in the 15th century and in 1882 Edward Martyn, nationalist and patron of the arts, commissioned the design for the house from architect George Ashlin. 
Dunguaire Castle, County Clare, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Dunguaire Castle, County Clare, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Dunguaire Castle, County Clare, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
You can see the imprint and remnants of wicker work which held up the ceiling when the mortar vaulting was created. Dunguaire Castle, County Clare, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In 1924 Dunguaire was bought and repaired by Oliver St. John Gogarty, the famous surgeon and literary figure, who saved it from demolition.  It became the venue for meetings of the literary revivalists such as W.B. Yeats, his patron Lady Gregory, George Bernard Shaw, Edward Martin and J.M. Synge. In 1954 the castle was acquired by Christobel Lady Amptill, who completed the restoration started by Oliver St. John Gogarty.

Oliver St. John Gogarty (1878-1957) painted by William Orpen.

Mark Bence-Jones tells us in his A Guide to Irish Country Houses (1988) that Lady Ampthill’s architect was Donal O’Neill Flanagan, “who carried out a most successful and sympathetic restoration. The only addition to the castle was an unobtrusive two storey wing joining the main tower to the smaller one. The main tower has two large vaulted rooms, one above the other, in its two lower storeys, which keep their original fireplaces; these were made into the dining room and drawing room.” [1]

She must have been a brave character to live in the tower all on her own! She sold it to the Shannon Development company in 1972. It was opened to visitors before that, however, when Lady Christobel owned it, according to another information board telling us that it was opened to visitors in 1962. Banquets began at the castle in 1968 – although I am sure there were many banquets in the castle before that!

Dunguaire Castle, County Clare, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Dunguaire Castle, County Clare, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Banquet Hall, which also has a stage. Dunguaire Castle, County Clare, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Dunguaire Castle, County Clare, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I’m not sure when these stained glass windows were installed, probably by Edward Martyn (d. 1836) who was involved with a stained glass cooperative called An Tur Gloinne with the artist Sarah Purser. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Dunguaire Castle, County Clare, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Dunguaire Castle, County Clare, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I wonder if these tapestries belonged to Lady Ampthilll, because the hunting scenes reflect her enjoyment of hunting. Dunguaire Castle, County Clare, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Dunguaire Castle, County Clare, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Dunguaire Castle, County Clare, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Dunguaire Castle, County Clare, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Dunguaire Castle, County Clare, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Dunguaire Castle, County Clare, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A view from the tower house, looking inland. Dunguaire Castle, County Clare, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Dunguaire Castle, County Clare, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
View from Dunguaire Castle, County Clare, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The roof of Dunguaire Castle, County Clare, July 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] Mark Bence-Jones writes in A Guide to Irish Country Houses (1988):

p. 115. “(Martyn/LGI1912; Gogarty/IFR; Russell, Ampthill, B/PB) An old tower-house with a bawn and a smaller tower, on a creek of Galway Bay; which was for long roofless, though in other respects well maintained by the Martyn family, of Tulira, who owned it C18 and C19, and which was bought in the present century by Oliver St John Gogarty, the surgeon, writer and wit, to save it from threat of demolition. More recently, it was bought by the late Christabel, Lady Ampthill, and restored by her as her home; her architect, being Donal O’Neill Flanagan, who carried out a most successful and sympathetic restoration. The only addition to the castle was an unobtrusive two storey wing joining the main tower to the smaller one. The main tower has two large vaulted rooms, one above the other, in its two lower storeys, which keep their original fireplaces; these were made into the dining room and drawing room. “Medieval” banquets and entertainments are now held here.” 

Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Wells House and Gardens, County Wexford – open for tours

Wells House, County Wexford

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Help me to fund my creation and update of this website. It is my “full time job” and created purely out of love for the subject and I receive no payment so any donation is appreciated! My costs include travelling to our destinations from Dublin, accommodation if we need to stay somewhere nearby, and entrance fees. Your donation could also help with the cost of the occasional book I buy for research (though I mostly use the library – thank you Kevin Street library!). Your donation could also help with my Irish Georgian Society membership or attendance for talks and lectures, or the Historic Houses of Ireland annual conference in Maynooth.

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2026 Diary of Irish Historic Houses (section 482 properties)

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www.wellshouse.ie 

Wells House, County Wexford, May 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Wells House, although not a Section 482 property, is open to the public for house tours and has 450 acres of woodland and garden to explore. It is one of Wexford’s most popular tourist destinations with some 100,000 visitors each year. Stephen and I visited in May 2025.

The original house was built in the 1600s for John Warren, a Cromwellian soldier who was granted 6000 acres. The house at the time was a simple square manor. The name “Wells” comes from the fact that the land holds several natural springs. In the 1830s Daniel Robertson enlarged and remodelled the house in Tudor-Gothic style.

According to the house’s website, John Warren’s wife predeceased him and he had no children. In his last will and testament, he left his estate, which was then earning him £400 a year, to a cousin, Hugh Warren, on the condition that Hugh pay Samuel Jackson, the executor, £5000, to be divided among John’s other relatives. Alternatively, if Hugh preferred, Wells would be sold, and he would instead be given £500.

Hugh was at Wells in 1693 when John Warren died. He immediately collected up all the valuables in the house, including £1200. He then opted for the £500 legacy rather than having to pay £5000 to inherit the house.

The executor of the will, Samuel Jackson, must have realised that Warren had taken things from the house, so took Hugh to court in England, which resulted in Hugh being imprisoned in 1699.

The House of Lords was asked to delibrate on the case, and two years later Hugh was released from primson but he was ordered to sell the house. [1]

The estate was purchased in 1703 by Robert Doyne (1651-1733). At the time, Robert Doyne was Lord Chief Justice of the Court of Common Pleas in Ireland, having studied in Trinity College Dublin.

Robert Doyne (1651-1733), who purchased Wells property in 1703.

The tour guide, Aileen, told us that Robert Doyne was from an old Irish family from County Laois. He never lived in the seventeenth century house, and nor did his son and heir, Philip (1685-1753). Robert married Jane, widow of Joseph Saunders of Saunders Court in County Wexford and daughter of the wealthy lawyer and politician Henry Whitfield. They had a house in Dublin at Ormond Quay, where he died, and he is buried in St. Nicholas Within in Dublin. [2]

Philip Doyne (1685-1753), courtesy of Wells House.

The son Philip, who served on the Privy Council, married three times. His first wife, Mary, was daughter of Benjamin Burton (1662-1758), MP for Dublin and Lord Mayor of Dublin, who purchased Burton Hall in County Carlow. Mary gave birth to Philip’s heir, Robert (1705-1754) but she died in childbirth.

Philip went on to marry Frances South, with whom he had several children. Their son Charles (d. 1777) held the office of Dean of Leighlin. Frances died in 1712, and Philip married his third wife, Elizabeth, daughter of James Stopford, MP for County Wexford. Elizabeth’s brother was James, 1st Earl of Courtown, County Wexford.

The tour guide told us that it was Robert Doyne’s great grandson who inherited the property when he was just nine years old, another Robert Doyne, who had Wells House rebuilt, designed by Daniel Robertson.

To backtrack to look at the family tree, Philip Doyne and Mary Burton’s son Robert (1705-1754) inherited the estate and old house at Wells. He served as MP for County Wexford and also High Sheriff. He married Deborah Annesley.

Their son Robert (1738-1791) also served as High Sheriff for County Wexford. His elder brother Philip married Joanna, daughter of Arthur Gore 1st Earl of Arran, but he died young and they had no children. Robert married Mary Ram from Ramsfort in County Wexford, whose father Humphreys was also an MP.

Wells House was spared from attack in the 1798 Rebellion thanks to protection by a local man, Thomas Murphy, who claimed to have risked his life to save the house. Tour Guide Aileen showed us a copy of the letter in which he makes this claim, when he sought to be exonerated from his part in the 1798 Rebellion.

1798 letter by Thomas Murphy.

Wells House became a barracks for the troops that were stationed in the area after the fighting of 1798. The house’s website blog tells us:

They occupied it for three years. Once the army left, the house and 393 acres around it were let, on long-term lease, to a man named Charles Craven for £393 a year. Craven carried out repairs to the house, and set about improving the land, but in 1811 Robert Doyne, who had by this time left school in Dublin, moved to England, married and decided he would return to Wells to live. To compensate Charles Craven for the work he had done, he agreed to pay the Cravens £80 a year for as long as Charles or his son should live.

Robert and Mary Ram’s son Robert (1782-1850) married Annette Constantia Beresford in 1805. Before that he’d lived a life of adventure, travelling in Europe with famous dandy Beau Brummell, sailing on a raft down the Rhine. We came across Annette Constantia Beresford when we visited Woodhouse in County Waterford. She had been married to Colonel Robert Uniacke (1756-1802) of Woodhouse, County Waterford (see my entry https://irishhistorichouses.com/2025/03/29/woodhouse-county-waterford-private-house-tourist-accommodation-in-gate-lodge-and-cottages/ ).

Annette Constantia Beresford-Uniacke-Doyne (1768-1836), courtesy of Woodhouse, County Waterford.

It was Robert (1782-1850), probably with wealth from his wife’s first marriage, who commissioned Daniel Robertson to design the Wells House which we see today, building on to the original square residence.

Wells House and Gardens, Ballyedmond, Gorey, Co Wexford_Courtesy Sonder Visuals 2017 for Tourism Ireland, Ireland’s Content Pool.
A portrait of Daniel Robertson that our guide showed us.

Mark Bence-Jones writes (1988):

“(Doyne/IFR) A Tudor-Gothic house of ca 1840 by Daniel Robertson of Kilkenny; built for Robert Doyne, replacing an earlier house which, for nearly three years after the Rebellion of 1798, was used as a military barracks. Gabled front, symmetrical except that there is a three sided oriel at one end of the façade and not at the other, facing along straight avenue of trees to entrance gate. Sold ca 1964.” [3]

Wells House, County Wexford, courtesy DNG Properties 2019.
Wells House, County Wexford, May 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The house is of red brick with granite dressings, and has finial topped gables on the roofline. A crenellated Tudor style entrance porch with arched entrance surrounds the studded timber door. Windows have arched tops, Gothic tracery and hood moulding. The oriel window has crenellation on top.

Wells House, County Wexford, May 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rear facade of Wells House, County Wexford, May 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Robertson, our guide told us, was born in America. When living in England he was thrown into debtors prison. He then moved to Ireland, and Wells was one of his first Irish commissions. He lived in Wells House while working on Johnstown Castle nearby (see my entry about Johnstown Castle https://irishhistorichouses.com/2023/09/30/a-heritage-trust-property-johnstown-castle-county-wexford/). He worked for the Doyne family on and off for fourteen years and he designed everything from the house, gardens, window sills down to such detail as the picture frames.

The lakeside facade of Johnstown Castle, County Wexford, built 1836-72 for Hamilton Knox Grogan Morgan (1808-54), MP, also by Daniel Robertson. It envelops a seventeenth-century house (perhaps by Thomas Hopper) remodelled (1810-4) by James Pain (1779-1877) of Limerick. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We came across Daniel Robertson’s architectural work also when we stayed at Wilton Castle in County Wexford (see my entry https://irishhistorichouses.com/2022/02/04/wilton-castle-bree-enniscorthy-co-wexford-and-a-trip-to-johnstown-castle/).

Wilton Castle, County Wexford – the owners have done a marvellous renovation of what was previously a roofless ruin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Wilton Castle, County Wexford. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Dictionary of Irish Architects tells us more about Daniel Robertson:

From the early 1830s he did no further work in Britain but received a series of commissions in Ireland, mainly for country house work in the south eastern counties. Most of these houses or additions were in the Tudor style, which, he asserted in a letter to a client, Henry Faulkner, of Castletown, Co. Carlow, was ‘still so new and so little understood in Ireland’. For some of them he used Martin Day as his executant architect.” [4]

Ballydarton House, County Carlow, also designed by Daniel Robertson, in 1830. Photograph from the National Inventory of Architectural Heritage.
Dunleckney Manor, County Carlow, by Daniel Robertson, 1835. Photograph from the National Inventory of Architectural Heritage.

Daniel Robertson introduced a dramatic entrance avenue of oaks in the 1840s, retaining the original U shape directly in front of the house. Some of the original oak trees remain, which are over two hundred years old. Lady Frances planted fifty species of daffodil on the avenue.

Wells House, County Wexford, courtesy DNG Properties 2019.

The avenue is 550 meters in length from the front door to the entrance at the road and this central axis continues through the house and finishes at a lake that is situated in the woodland at the far side of the house.

Along the avenue on the left-hand side, the website tells us, are 25 mature Oak trees, 3 Sycamore, 2 Lime, and one beech tree. Amongst them we have a Champion Oak tree. A champion tree is the largest tree of a species. [5]

Robertson also designed the surrounding garden including the parterre at the back of the house. From the French word meaning ‘on the ground’, a parterre is a formal garden laid out on a level area and made up of enclosed beds, separated by gravel. Parterres often include box hedging surrounding colourful flower beds.

The parterre was first developed in France by garden designer Claude Mollet around 1595 when he introduced compartment-patterned parterres to royal gardens at Saint-Germain-en-Laye and Fontainebleau. The style soon became popular in France and all over Europe. [6]

Rear facade of Wells House, County Wexford, May 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Robert O’Byrne tells us that Daniel Robertson was one of the most influential garden designers to work in Ireland in the second quarter of the 19th century.

From “In Harmony with Nature, The Irish Country House Garden 1600-1900” in the Irish Georgian Society, July 2022, curated by Robert O’Byrne.
Rear facade of Wells House, County Wexford, May 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Gardens by rear facade of Wells House, County Wexford, May 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

From 1842 onwards, the 6th Viscount of Powerscourt employed Daniel Robertson to improve the gardens (see my entry https://irishhistorichouses.com/2020/04/26/powerscourt-house-gardens-enniskerry-county-wicklow/). Robertson created Italian gardens on the terraces, with broad steps and inlaid pavement, balustrades and statues.

Powerscourt County Wicklow, photograph by Jeremy Hylton.
Powerscourt County Wicklow, photograph by Jeremy Hylton.
Powerscourt County Wicklow, photograph by Jeremy Hylton.
Powerscourt, County Wicklow, photograph by Jeremy Hylton.
Powerscourt County Wicklow, photograph by Jeremy Hylton.

The Dictionary of Irish Architects continues in the entry about Robertson: “In spite of his success in attracting commissions, when he was working at Powerscourt in the early 1840s he was, in the words of Lord Powerscourt, ‘always in debt and…used to hide in the domes of the roof of the house’ to escape the Sheriff’s officers who pursued him. By then he was crippled with gout and in an advanced state of alcoholism; at Powerscourt he ‘used to be wheeled out on the terrace in a wheelbarrow with a bottle of sherry, and as long as that lasted he was able to design and direct the workmen, but when the sherry was finished he collapsed and was incapable of working till the drunken fit had evaporated.’ In at least two instances – at Powerscourt and at Lisnavagh – he lived on the premises while work was in progress, and it seems that from the 1830s until the year of his death his wife and family never settled for any time in Ireland… Robertson was overseeing the completion of Lisnavagh, Co. Carlow, where he had been living intermittently since the start of building in 1846, when he fell seriously ill in the spring of 1849” and died in September of that year. [see 4]

Quote above from “In Harmony with Nature, The Irish Country House Garden 1600-1900” in the Irish Georgian Society, July 2022, curated by Robert O’Byrne. See below also.
The parterre at Wells House. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The parterre at Wells House. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Our guide brought us through the impressive double door into the entrance hall. The vestibule retains its original encaustic tile floor, and carved timber Classical-style surrounds to door openings and windows with their shutters. [7]

Wells House, County Wexford, May 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Wells House, County Wexford, May 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Wells House, County Wexford, courtesy DNG Properties 2019.

Daniel Robertson imported Italian oak for the panelling in the entrance hall. The hall retains its carved timber Classical-style corner chimneypiece, and dentilated cornice to the compartmentalised ceiling.

Wells House, County Wexford, May 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The ceiling of the entrance hall has the carved coat of arms of the Doynes, with an eagle representing strength and courage, and the family motto Mullac a boo, “Victory from the hills.”

Coat-of-arms detailed pierced quatrefoil, Wells House, County Wexford, May 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There is more carved decoration above the door from the vestibule.

Wells House, County Wexford, May 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Carved decoration above the door from the vestibule, Wells House, County Wexford, May 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Another family crest on the ceiling of the entrance hall.

Robert and Annette Constantia’s son Robert Stephen Doyne (1806-1870) lived at Wells House. He served as High Sheriff of County Wexford and later of County Carlow, and was Deputy Lieutenant and Justice of the Peace. He married Sarah Emily Tynte Pratt (1814-1871), daughter of Joseph Pratt (1775-1863) of Cabra Castle.

Robert Stephen Doyne (1806-1870) of Wells House.
I think this is Robert Stephen Doyne’s wife, Sarah Emily Tynte Pratt (1814-1871).

Robert Stephen Doyne’s son Charles Mervyn Doyne (1839-1924) was heir to the estate. He attended university in Magdalene College in Cambridge, then served, like his father, as High Sheriff of Counties Wexford and Carlow, Justice of the Peace and Deputy Lieutenant.

In Cambridge he met the sons of William Thomas Spencer Wentworth-Fitzwilliam, 6th Earl Fitzwilliam of the grand house Wentworth Woodhouse in England. The family was one of the richest in England, and made their money from mining coal on their 20,000-acre estate near Sheffield in Yorkshire. They also owned Coollattin in County Wicklow, and the 6th Earl served as M.P. for Wicklow between 1847 and 1857.

Charles Mervyn stayed with the family at Coollattin, playing cricket, shooting and fishing, and there met his friends’ sister, his wife-to-be, Lady Frances. He and Lady Frances announced their engagement in September 1867 and married two months later at Wentworth Woodhouse. [8]

Charles Mervyn Doyne (1839-1924) and his wife Frances.

Our tour mostly focussed on the lives of Charles Mervyn and his wife, because they lived in and clearly loved Wells House. They were good landlords and had twelve servants, all of whom could read and write. Interestingly, they gave their daughters rather Irish names: Kathleen, Eveleen and Bridget.

Frances Mary née FitzWilliam.

We passed through a stair hall next to the large entrance hall, which contains the original staircase of the seventeenth century house.

Original staircase of the seventeenth century house, Wells House, County Wexford, May 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Original staircase of the seventeenth century house, Wells House, County Wexford, May 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Drawing Room is the piéce de resistance of the house with its Versailles style. The room has a cut white marble corner Classic-style chimneypiece with large mirror over, and decorative wall panelling.

Wells House, County Wexford, courtesy DNG Properties 2019.
Corner marble chimneypiece, Wells House, County Wexford, May 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

An impressive gilt acanthus leaf ceiling rose with surrounding leaf decoration support a chandelier, and the room has a modillion cornice and a border with acanthus detail.

Versailles style drawing room, Wells House, County Wexford, May 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Versailles style drawing room, Wells House, County Wexford, May 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

A musical decoration indicates that the room was probably used for musical events. The female face in the panel shows that this was the Ladies Drawing Room, with romantic Cupid’s sheaf of arrows.

Music motif, Versailles style drawing room, May 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The female face in the panel shows that this was the Ladies Drawing Room, with romantic Cupid’s sheaf of arrows. Versailles style drawing room, Wells House, County Wexford, May 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The timber panelled door has carved surround matching shutters and window surrounds, and matching pelmets. The door decoration is repeated in the wall panels.

Versailles style drawing room, retaining carved timber surrounds to door openings framing timber panelled doors, May 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Versailles style drawing room, retaining carved timber surrounds to door openings framing timber panelled doors, May 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Plan for the drawing room.

The dining room reminded me of Johnstown Castle, with its carved timber geometric ceiling and Gothic-style timber panelled wainscoting.

Wells House, County Wexford, courtesy DNG Properties 2019.
Dining room, Wells House, County Wexford, May 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
There are more decorative family crests on the dining room ceiling. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

A secret room was disovered over one of the doors entering the dining room, where Charles Doyne’s weapons were hidden.

The dining room has what the National Inventory refers to as a “Tudor-headed” buffet niche.

Wells House, County Wexford, courtesy DNG Properties 2019.
Specially designed furniture in the buffet niche, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Aileen showed us the two surprising places where food entered the room – through a trap door in the floor and through a grate in the fireplace! There is a room you can see through the grate where food preparation took place.

Food was passed through the grate in the fireplace. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The study has jib doors hidden within the bookcases, disguised by false books. It has a carved timber Gothic-style corner chimneypiece, and carved timber cornice to the geometric ceiling centred on Gothic-style ceiling rose.

Robert, Charles’s son, started a lending library based on his book collection. Some of the original books that belonged to the Doynes remain in the collection.

Wells House, County Wexford, courtesy DNG Properties 2019.
The Library chimneypiece. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The study, or Fossil Room as it was called, is the cabinet of curiosities of items collected by the family on their travels. The room has another corner marble fireplace and timber cornice with geometric decorative ceiling with armourial shields.

The fossil room, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The fossil room, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Armourial shield on ceiling in fossil room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The fossil room, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Lady Frances painted the pictures that hang on the walls of the fossil room. She died of scarlet fever in 1903, and her husband lived another 21 years but never remarried.

Scenes painted by Frances née Fitzwilliam. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The stair hall introduced in the Robertson renovation has more Gothic timber wainscoting, and cast iron balusters support a carved timber banister which terminates in octagonal newels. The half-landing has the oriel window with stained glass detail and carved shutters. The groin vaulted ceiling has moulded plasterwork ribs centred on octagonal boss. I found it hard to capture the grandeur in one photograph!

Stair hall, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Wells House, County Wexford, courtesy DNG Properties 2019.
I love the purple walls of the stair hall, painted after the property was sold in 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Oriel window, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Groin vaulted ceiling of stair hall, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Groin vaulted ceiling of stair hall, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Carved octagonal newel of stairs, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Plans for the stair hall.

We visited two bedrooms upstairs. Our guide explained that the beds were made shorter in those days, because a sleeper slept sitting up in order to breathe better. The fireplace in the room would have absorbed oxygen from the air so it was easier to breathe in an upright position.

Charles’s bedroom, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Electricity wasn’t installed until the 1950s.

When the Butler was ill, Charles Doyle sent for his own doctor. The doctor advised that the Butler take some time off work. When the Butler died just one day after he went home to his family, Charles was heartbroken, our guide told us. The family were good to their servants and tenants. They ran a soup kitchen during the Famine.

Frances enjoyed horseriding, and the house still has her riding habit.

Wells House, County Wexford, May 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Lady Frances’s riding habit, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The dressing room, between the two bedrooms, with a lovely view of the long drive. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Lady Frances’s bedroom, Wells House, County Wexford, courtesy DNG Properties 2019.
The wardrobe is original to the house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Charles and Frances’s son Robert married Mary Diana Lascelles, daughter of Henry Thynne Lascelles, 4th Earl of Harwood. He chose to sell the house. His sister Kathleen, who never married, bought it!

When Kathleen died in 1938, her brother Dermot inherited, and gave the house to his son Charles Hastings Doyne. Charles Hastings sold the house to a German family, who renovated it. It was opened to the public in 2012.

It was for sale again in 2019 and purchased in 2022 by a local man. He renovated the outbuildings for tourist accommodation.

Wells House, County Wexford, courtesy DNG Properties 2019.

The property has a café, playground, woodland walk, a glorious walled garden and small menagerie of animals, and is a working farm.

Wells House, County Wexford, courtesy DNG Properties 2019.
Tourist accommodation in outbuildings at Wells House, County Wexford, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tourist accommodation in outbuildings at Wells House, County Wexford, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tourist accommodation in outbuildings at Wells House, County Wexford, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Entrance to walled gardens, Wells House, County Wexford, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The walled garden at Wells House, County Wexford, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The walled garden at Wells House, County Wexford, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The walled garden at Wells House, County Wexford, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The walled garden at Wells House, County Wexford, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The walled garden at Wells House, County Wexford, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The walled garden at Wells House, County Wexford, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In the menagerie of animals we were especially delighted with the meerkats who had fun sliding down a slide!

The meerkats at Wells House, County Wexford, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The small menagerie at Wells House, County Wexford, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The small menagerie at Wells House, County Wexford, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://wellshouse.ie/a-tale-of-betrayal-and-treachery-at-wells

[2] F. Elrington Ball, The Judges in Ireland 1221-1921 published by John Murray, London, 1926.

[3] p. 283, Bence-Jones, Mark.  A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[4] https://www.dia.ie/architects/view/4570/ROBERTSON%2C+DANIEL#tab_biography

[5] https://wellshouse.ie/a-wells-house-country-garden-our-champion-oak

[6] https://www.english-heritage.org.uk/learn/histories/perfect-parterres/

[7] https://www.buildingsofireland.ie/buildings-search/building/15702132/wells-house-wells-co-wexford

[8] https://wellshouse.ie/the-wells-artist-lady-frances

Heywood gardens, Ballinakill, County Laois, Office of Public Works

Donation

Help me to fund my creation and update of this website. It is my “full time job” and created purely out of love for the subject and I receive no payment so any donation is appreciated! My costs include travelling to our destinations from Dublin, accommodation if we need to stay somewhere nearby, and entrance fees. Your donation could also help with the cost of the occasional book I buy for research (though I mostly use the library – thank you Kevin Street library!). Your donation could also help with my Irish Georgian Society membership or attendance for talks and lectures, or the Historic Houses of Ireland annual conference in Maynooth.

€15.00

General enquiries: 086 810 7916, emocourt@opw.ie

From the OPW website https://heritageireland.ie/visit/places-to-visit/heywood-gardens/:

Heywood House, County Laois.

Heywood House in County Laois burned in an accidental fire in 1950, but the demesne is maintained and open to the public. My father, who grew up in nearby Abbeyleix, was at a musical concert with his mother the night of the fire and saw the house burning! At the time, the house was owned by the Salesian order of priests.

The house was designed by its owner Michael Frederick Trench (1746-1836) in 1770s, with the help of his friend James Gandon who designed, among other buildings, Dublin Custom House. Trench was an amateur architect, and designed the parish church of Swords, as well as an addition to the Rotunda in Dublin. [1]

Michael Frederick Trench (1746-1836) by Hugh Douglas Hamilton, picture courtesy of National Gallery of Ireland, NGI.7773
James Gandon (1743-1823), courtesy of National Gallery of Ireland.

Robert O’Byrne tells us in his blog The Irish Aesthete that: “In the early 18th century, a younger son William Trench settled in Laois and acquired land there which was initially developed by his heir, the Rev. Frederick. The English antiquary Owen Brereton wrote of the property in 1763, describing it as ‘a sweet Habitation’ with ’24 Acres Walld round 10 feet high. The ground naturally in fine Slopes and Rising, large trees properly disperst, a River of very clear Water running through it. Pouring Cascades, upon which I counted near 100 Couple of rabbits & 100 of Brace of Hares which are in this Grounds…very extensive Views.’ Both the habitation and the grounds were enlarged by the Rev. Trench’s son Michael Frederick Trench…” [2]

The house was named after Trench’s mother-in-law, Mary Heywood (daughter of a Drogheda merchant). Michael Frederick Trench married Anna Helena Stewart who was the only daughter of Patrick Stewart and Mary Heywood of Killymoon in Co. Tyrone. 

Mark Bence-Jones describes the house in his Irish Country Houses (1988):

A house consisting of three storey four bay late C18 centre, with mansard roofed Victorian wings of the same height but in a totally different style. The C18 centre built 1773 by M.F. Trench, who is said to have been the only man who ever called a house after his mother-in-law…The dining room was one of the most accomplished interiors of the Adam period in Ireland, with delicate plasterwork on the ceiling and in panels on the walls.

Information board at Heywood, County Laois.
Heywood, County Laois, photograph by A.E. Henson, from Country Life, volume XLV, 1919.
The dining room at Heywood House, ceiling probably by Michael Stapleton, photograph by A.E. Henson, from Country Life, volume XLV, 1919.
Heywood, County Laois, photograph by A.E. Henson, from Country Life, volume XLV, 1919.
Heywood, County Laois, photograph by A.E. Henson, from Country Life, volume XLV, 1919.
Heywood, County Laois, photograph by A.E. Henson, from Country Life, volume XLV, 1919.
Heywood, County Laois, photograph by A.E. Henson, from Country Life, volume XLV, 1919.
Heywood, County Laois, photograph by A.E. Henson, from Country Life, volume XLV, 1919.
Heywood, County Laois, photograph by A.E. Henson, from Country Life, volume XLV, 1919.

After Michael Frederick Trench built the house, he landscaped the area between his house and the village of Ballinakill, apparently moving hills, digging lakes (he made three artificial lakes), planting trees and placing follies. He created a picturesque garden. The idea of the picturesque first emerges as an idea in late Renaissance in Italy where the term pittoresco began to be used in writing about art. It means that the subject, in this case, the landscape, is “like a traditional picture”.  In Holland in the early 17th century a new genre of landscape painting was often referred to as  “painter-like” (schilder-achtig). [3] At roughly the same time, French artists Claude Lorraine and Nicholas Poussin painted Arcadian landscapes with classical elements such as ruined temples and mythological figures. These paintings inspired William Kent (c. 1685 – 12 April 1748), an architect, landscape architect and painter. Kent began a style of “natural” gardening that revolutionised the laying out of gardens and estates. 

There’s a seat in the gardens called “Claud’s Seat” that may be a tribute to Claude Lorraine.

The landscape gardens designed by Lancelot ‘Capability’ Brown (c. 1716-1783) and his followers were considered to be quintessentially picturesque.

“Capability” Launcelot Brown (1716-1783), Landscape gardener, painting by Nathaniel Dance (later Sir Nathaniel Holland, Bt), c. 1773, courtesy of National Portrait Gallery NPG 6049

The demesne includes parkland, woodland, a lake, some architectural features and a formal garden by Edwin Lutyens with a beautiful vista, which takes in seven counties!

Looking over the lake towards the exterior of Heywood House, photograph by A.E. Henson, not used, from archive for Country Life, volume XLV, 1919.
Information board at Heywood Gardens, County Laois.
Parkland of Heywood desmesne, April 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Lovely bluebells in the woodland, Heywood, County Laois, April 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Heywood, County Laois, April 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The vista that contains seven counties! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The garden, set within a 250 acre demesne, is, Andrew Tierney claims, the best of its kind in Ireland: a blend of the Arcadian and the Picturesque, above which Edwin Lutyens later erected his walled terraces and enclosures. [4] One of the follies built by the Trenches may contain windows from nearby Aghaboe Abbey. My grandfather purchased property (house and farm) at Aghaboe but the family lost the property when the land was bought by compulsory purchase by the Land Commission in 1977, after my grandfather John Baggot died. I always thought we actually owned the Abbey but that may have been wishful thinking on my Dad’s part.

The Gothic ruin folly, Heywood, County Laois, April 2025. The window may have been taken from Aghaboe Abbey. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Aghaboe Abbey, County Laois, 2018. There are certainly several empty window frames from which a stone medieval tracery window may have been removed! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Aghaboe Abbey, County Laois, 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Aghaboe Abbey, County Laois, 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Aghaboe Abbey, County Laois, 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Aghaboe Abbey, County Laois, 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Aghaboe Abbey in 1985. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Aghaboe Abbey in 1985, with my Dad and sister. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Aghaboe Abbey in 1985, with my sister. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The sham ruin at Heywood, County Laois, April 2025. This window does have some teardrop shapes, like the remaining window at Aghaboe. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stephen looks at the beautiful view framed by a Gothic window in the sham ruin at Heywood, County Laois, April 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information board about the sham castle and Gothic ruin follies, Heywood, County Laois.
The sham castle at Heywood, County Laois, April 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The sham castle at Heywood, County Laois, April 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Michael Frederick’s daughter Helena married Compton Pocklington Domvile, 1st Baronet Domvile, of Templeogue and Santry, Dublin. They had several children, but the house was passed down via their daughter Mary Adelaide, who married Lt-Col William Hutcheson Poë (1848-1934) 1st Baronet.

A son of Michael Frederick Trench, this is Frederick Trench (1775-1859). Inscribed on a label on the back: General Sir Frederick Trench/late of Heywood/A prominent promoter of/The Thames Embankment/& other improvements in London. By Unknown artist circa 1827, courtesy National Portrait Gallery 5505. The panorama of the Thames Quay cascading from Trench’s desk appears to stop at St Paul’s and is therefore intended to represent his A Collection of Papers relating to the Thames Quay, with Hints for some further Improvements, illustrated with lithographs by C. M. Baynes and published in 1825, re-issued in 1827. This followed an unsuccessful Bill in Parliament introduced to obtain Treasury support for the project, but in spite of influential backing the plans were dropped and the Embankment was not begun until five years after Trench’s death, with his elegant colonnades omitted. The furnishing of his room includes on a bracket the marble bust by Matthew Wyatt (1826) of Trench’s patron, the Duchess of Rutland, now at Castle Howard. Manuscripts and a William Kent table point to his various antiquarian interests.

Heywood House was enlarged by Lt-Col William Hutchison-Poë in 1875. Around 1906, William Hutchison-Poë hired Edwin Lutyens to create a garden for Heywood.

Information board about Heywood, County Laois.

The website tell us that “The architect Sir Edwin Lutyens designed the formal gardens, which are the centrepiece of the property. It is likely that renowned designer Gertrude Jekyll landscaped them.

The gardens are composed of elements linked by a terrace that originally ran along the front of the house. (Sadly, the house is no more.) One of the site’s most unusual features is a sunken garden containing an elongated pool, at whose centre stands a grand fountain.

The Lutyens sunken garden at Heywood. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Lutyens designed the National War Memorial Gardens in Islandbridge in Dublin many years later, in the 1930s.

Also designed by Lutyens, the National War Memorial Gardens, October 2014: the sunken rose garden. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
War Memorial Gardens October 2014, Stephen, and two of the four “bookrooms” which represent the four provinces of Ireland and house a collection of items relating to both world wars, as well as record books which list the names, regiments and places of birth of the Irish soldiers known to have died in the First World War. These books are illustrated by Harry Clarke and are kept in cases designed by Lutyens. I have never seen these pavilions open to the public, however. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Heywood was bought by the Salesian Fathers in 1923, and it was during their time that the fire occurred. It was transferred to State ownership from the Salesian Fathers in November 1993 .

The OPW website tells us “The Heywood experience starts beside the Gate Lodge. Information panels and signage will guide you around the magical Lutyens gardens and the surrounding romantic landscape.

The entrance gates of Heywood, County Laois. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

An information board tells us that the main entrance was on a turnpike road, on which a toll had to be paid.

The entrance gates and gate lodge of Heywood, County Laois. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The entrance gates of Heywood, County Laois.

Tierney describes the garden: “The gardens stretch from the principal gates for almost a kilometer and a half, incorporating a sequence of three adjoining lakes and a fourth, further east, and areas of rolling parkland skirted by woodlands. Trench named each part of his garden after Alpine scenery. Trench’s Gothic follies include the Abbeyleix gate, an arrangement of octagonal towers joined by a Tudor-arched gateway. The Trench coat of arms is visible to the right of the gateway arch. From this gate the winding drive opens to Trench’s valley. Nearby, marking a split in the road, is the Spire, a shaft raised in memory of Trench’s friend Andrew Caldwell. Further along is a sham castle. High up behind that is a bridge, and a ruin, on the other side, with the Aghaboe windows. Up the pathway is the Gothic Greenhouse, a brick construction with five lancets with hood mouldings. On the east side of the lake is a grotto or bath house. On the east side of the demesne is the Trench mausoleum.”. [see 4]

The Obelisk, erected in memory of Andrew Caldwell, Frederick Trench’s friend. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information board about the Obelisk.
The Obelisk, erected in memory of Andrew Caldwell, Frederick Trench’s friend. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The remains of the Orangery, Heywood, County Laois. Ducts on the inner walls would have conveyed heat. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information board.

Heading toward the Lutyens sunken garden from the Orangerie displays the stunning view, over a lawn of perfect grass. Below the lawn, toward the river, is a trellised walkway, by Lutyens. The house was above. To the east of the house was an alley of “pleached” limes: pleaching means bending and weaving the branches of a row of trees to form a living wall.

Information board.
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The lawn is held up by a thick retaining wall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Sean O’Reilly describes the Lutyens garden addition:

Lutyens worked on the gardens from about 1906. He complemented the strong architectural framework with an informal planting style, following the same combination of structure and nature developed at Lambay and made popular with his associate – and Country Life author – Gertrude Jekyll. Laying out the garden in a series of terraces and stepped passageways exploding east and west from the falling southern terraces of the house itself, the architect shaped these spaces with a bewildering variety of retaining walls – vertical and battered, stepped and sheer – screen walls – straight and curved, large and dwarf – columns, steps and architectural artifacts.” [5]

The pergola is at a lower level than the lawn. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Entrance to the pergola. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The pergola. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The columns of the pergola, Robert O’Byrne tells us, were recycled from a “Temple of the Winds” built by Trench. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Above, at the level of the former house, is a school and what looks like the outbuildings, with an impressive monkey puzzle tree. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information board.
The north wall of the pleached alley at Heywood House. Photograph by A.E. Henson,Published originally Country Life 04/01/1919.
The Pleached Walk. This had “pleached” limes. Pleaching means bending and weaving the branches of a row of trees to form a living wall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Pleached Walk. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Lutyens garden descends to a sunken garden, with terraced borders leading down to a pool surrounded by bronze tortoises perched on stone balls.

Lutyens’ Sunken Garden, Heywood, County Laois: ox-eye circles in the wall frame views. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Lutyens’ Sunken Garden, Heywood, County Laois, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Tuatha website tells us that, sadly, in 1920, Poe’s car was set alight by Republicans when he was returning from a dinner party in Ballyroan. Poe left Heywood a month later, never to return. [6] Perhaps the website is incorrect and it was slightly later, which would make sense, as Poe served as a Senator in the Irish Free State from 1922 to 1925. Many senators had their houses burned by anti-Treaty forces, so burning his car may have occurred for that reason.

In 1941, the house and gardens at Heywood were broken up, and the Salesian Brothers purchased the property. The Salesians are a religious institute founded in the late-19th century by Italian priest, Saint Don Bosco, in order to help children suffering from poverty during the industrial revolution. The Salesians set up a novitiate at Heywood to a train aspirants to the priesthood. They utilised the glasshouses created by Poe to grow fruit and vegetables, with tomatoes, nectarines, peach trees and grape vines.

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bronze tortoises, Lutyens’ Sunken Garden, Heywood, County Laois,Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bronze tortoise, Lutyens’ Sunken Garden, Heywood, County Laois, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Lutyens’ Sunken Garden, Heywood, County Laois, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Lutyens’ Sunken Garden, Heywood, County Laois, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

On the east side of the pond Luytens created a Pavilion with Portland stone dressings, terracotta tiled roof and saucer-domed interior, containing two Corinthian capitals rescued by Trench from the Parliament House in Dublin, which he was involved in remodelling. The north wall had busts of philosphers in oval niches, now replaced by urns.

Lutyens’ Pavilion, Heywood, County Laois,Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Lutyens’ Pavilion, Heywood, County Laois,Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Lutyens’ Pavilion, Heywood, County Laois, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Lutyens’ Pavilion, Heywood, County Laois, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Aerial view of Lutyens garden, Heywood, courtesy of tuatha.ie
Lutyens’ Sunken Garden, Heywood, County Laois, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Heywood, County Laois, photograph by A.E. Henson, from Country Life, volume XLV, 1919.

Behind and above the Sunken Garden are a series of “rooms” created by tall hedges and floral planting, stone structures and a suntrap of a seating area.

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] p. 96. Sadleir, Thomas U. and Page L. Dickinson. Georgian Mansions in Ireland with some account of the evolution af Georgian Architecture and Decoration. Dublin University Press, 1915. 

[2] https://theirishaesthete.com/2018/08/27/heywood/

[3] https://thegardenhistory.blog/2024/09/28/what-is-a-picturesque-garden/

[4] p. 356. Tierney, Andrew. The Buildings of Ireland: Central Leinster: Kildare, Laois and Offaly. Yale University Press, New Haven and London, 2019.

[5] p. 61. O’Reilly, Sean. Irish Houses and Gardens. From the Archives of  Country Life. Aurum Press Ltd, London, 1998. 

[6] https://www.tuatha.ie/heywood-gardens/

and https://theirishaesthete.com/2014/05/12/to-smooth-the-lawn-to-decorate-the-dale/

Kinnitty Castle (formerly Castle Bernard), Kinnity, County Offaly – now a hotel

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Kinnitty Castle (formerly Castle Bernard), Kinnity, County Offaly

https://www.kinnittycastlehotel.com/index.html

Kinnitty Castle Hotel, 2014, photographer unknown, for Tourism Ireland, Ireland’s Content Pool. [1]

We treated ourselves to a stay in Kinnitty Castle in February 2023. Formerly a home, it is now a hotel.

The website used to include a history, which told us that the present building was originally built by William O’Carroll on the site of an old Abbey in 1630. The building we see today, however, received a major reconstruction by architect brothers James (1779-1877) and George Richard Pain (1793-1838) in 1833. You can see traces of the Abbey in the courtyard.

A finely cut ogee-headed window set in the wall, Andrew Tierney tells us, attests to the fact that the site was occupied in medieval times. Pointed arched entrance to former stable yard and screen wall incorporate part of fifteenth-century church. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There is a ninth or tenth-century high cross in front of the hotel, which must have been from the grounds of the Abbey.

The ninth or tenth century high cross.
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In 1641 the castle was confiscated from William O’Carroll, as he must have played a part in the 1641 rebellion. The land was granted in 1663 by King Charles II to Colonel Thomas Winter for his military service.

The Stable yard is in use as a banqueting hall, called the Great Hall of the O’Carrolls, and kitchens.

There’s even an arrow loop in the ruins by the stable yard. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The stableyard of Kinnitty Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Banqueting Hall in the stable yard of Kinnitty Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Banqueting Hall of Kinnitty Castle has a mezzanine, or Minstrels Gallery. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Banqueting Hall of Kinnitty Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
There’s an impressive looking fireplace in the banqueting hall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website continues, telling us that the Winter family sold the building in 1764 to the Bernards of County Carlow.

Andrew Tierney tells us in his The Buildings of Ireland Central Leinster that Franks Bernard (named after the surname “Franks”), a son of Charles Bernard of Bernard’s Grove, County Laois (now called Blandsfort), leased a small estate here in the early eighteenth century. Either he or his nephew Thomas (d. 1788) probably built the modest T-plan house that forms the core of the castle.

There is another Castle Bernard in County Cork – this seems to have belonged to a different Bernard family.

The castle website tells us that it was Catherine Hely Hutchinson (d. 1844, daughter of Francis Hely Hutchinson, MP for Naas, County Kildare), wife of Colonel Thomas Bernard (d. 1834), who hired the Pain brothers, James and George Pain, to renovate the building, in 1833 (according to Mark Bence-Jones).

Kinnitty Castle, County Offaly, 9th February 2023. The National Inventory tells us that the oriel window over the castellated entrance porch was added at a later date. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

James and George Pain were architects of the impressive Mitchellstown Castle, unfortunately no longer existing.

Mitchelstown Castle, County Cork, designed by the Pain brothers, courtesy of the National Library of Ireland, Lawrence PHotographic Collection, photographer Robert French ca. 1865-1914 ref. NLI L_ROY_01072.

We saw work by the Pain brothers on a visit to Revenue section 482 property Loughton in County Offaly – see my entry https://irishhistorichouses.com/2020/11/01/loughton-house-moneygall-county-offaly/ Loughton is not Tudor Gothic like Kinnitty.

Loughton, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

James and George were sons of James Pain, an English builder and surveyor. Their Grandfather William Pain was the author of a series of builder’s pattern books, so they had architecture in the blood. According to the Dictionary of Irish Architects, James and his younger brother George Richard were both pupils of John Nash, one of the foremost British architects of his day, responsible for the design of many important areas of London including Marble Arch, Regent Street and Buckingham Palace. He was architect to the prolific lover of architecture the Prince Regent, later King George IV. When Nash designed Lough Cutra Castle in County Galway for Charles Vereker in 1811, he recommended that the two brothers should be placed in charge of the work, so it was at this time that they came to Ireland. Lough Cutra is an amazing looking castle privately owned which is available for self-catering rental (very expensive, I am sure! But for those of you with oodles of money to spend, or for an event that requires nine bedrooms…). [2]

Lough Cutra castle, County Galway, also designed by the Pain brothers, photograph from Lough Cutra website.

James Pain settled in Limerick and George in Cork, but they worked together on a large number of buildings – churches (both Catholic and Protestant), country houses, court houses, gaols and bridges – almost all of them in the south and west of Ireland. [3] In 1823 James Pain was appointed architect to the Board of First Fruits for Munster, responsible for all the churches and glebe houses in the province.

The Pains Gothicized and castellated Dromoland Castle in County Clare at some time from 1819-1838, now a luxury hotel. [4]

Dromoland Castle, County Clare, which was renvoated by the Pain brothers, photo care of Dromoland Castle, for Tourism Ireland 2019, Ireland’s Content Pool.

The Pains took their Gothicizing skills then to Mitchelstown Castle in 1823-25. In 1825 they also worked on Convamore (Ballyhooly) Castle but that is now a ruin. They also probably worked on Quinville in County Clare and also Curragh Chase in County Limerick (now derelict after a fire in 1941), Blackrock Castle in County Cork (now a science centre, museum and observatory which you can visit [7]), they did some work for Adare Manor in County Limerick (also now a luxury hotel), Clarina Park in Limerick (also, unfortunately, demolished, but you can get a taste of what it must have been like from its gate lodge), Fort William in County Waterford, and they probably designed the Gothicization and castellation of Ash Hill Towers in County Limerick (a section 482 property and with lovely tourist accommodation, see my entry https://irishhistorichouses.com/2023/04/06/ash-hill-kilmallock-co-limerick/), alterations and castellation of Knappogue Castle, County Clare (you can also visit and stay, or attend a medieval style banquet), Aughrane Castle mansion in County Galway (demolished – Bagots used to own it, I don’t know if we are related!), a castellated tower on Glenwilliam Castle, County Limerick and more.

Curragh Chase, County Limerick garden front 1938, also designed by the Pain brothers, like Loughton it is classical rather than Tudor Gothic, photograph from Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
Fortwilliam, Glencairn, Lismore, Co Waterford courtesy Michael H. Daniels and Co., also designed by the Pains in Tudor Gothic style.
Knappogue, or Knoppogue, Castle, County Clare, also designed by the Pains.
Kinnity Castle (Castle Bernard) County Offaly, photograph by Robert French, Lawrence c. 1865-1914 Photographic Collection National Library of Ireland ref L_Cab_09230.

In his 1988 book A Guide to Irish Country Houses, Mark Bence-Jones writes about Kinnitty Castle, formerly named Castle Bernard, that it is a Tudor-Revival castle of 1833, with impressive entrance front with gables, oriels and tracery windows and an octagonal corner tower with battlements and crockets; all in smooth ashlar. [5]

Kinnitty Castle Hotel, 2014, photographer unknown, for Tourism Ireland, Ireland’s Content Pool. (see [1])

The National Inventory describes it:

Ashlar limestone walls with castellated parapet, carved limestone plinth course and continuous string course to parapet. Battered walls to basement level. Square-headed window openings with tooled limestone and sandstone label mouldings, chamfered surrounds and punched limestone sills. Castellated box bay to second bay from north-east rising from basement level to first floor with chamfered stone mullions. Oriel window above entrance added at later date.”

Battered walls at basement are walls that slant outwards. This was a traditional building feature of castles, so that stones could be dropped from above and they would not fall straight down but hit the battered walls and bounce outwards to hit intruders.

The stone finials on top of the porch are particularly impressive. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Mark Bence-Jones defines an oriel window as a large projecting window in Gothic, Tudor, Gothic-Revival and Tudor-Revival architecture; sometimes rising through two or more storeys, sometimes in an upper storey only and carried on corbelling. This particular window is not carried on corbels.

Kinnitty Castle, February 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The National Inventory continues: “Single-storey castellated entrance porch with diagonal buttresses surmounted by pinnacles with crockets and finials. Tudor arched opening to porch with label moulding accessed rendered porch with ribbed ceiling, niches to side walls and tooled limestone bell surround and post box flanking door. Square-headed door opening with chamfered limestone surround and label moulding, sandstone threshold and timber double doors.

The Tudor arch opening to porch with “label moulding” over, and you can see the ribbed ceiling inside. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I love the rather church-like configuration of the three narrow pointed headed windows at the top arranged to form an arch. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Side of Kinnitty Castle, February 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Before he married Catherine, Thomas Bernard, MP for County Offaly, married Elizabeth, daughter of Henry Prittie, 1st Baron Dunalley of Kilboy, County Tipperary. She died in 1802 and he married for a second time in 1814. He began building work on his house in 1833 but died the following year.

Thomas and Catherine had several children. Their heir was Thomas Bernard (1816-1882). Other sons were Francis, Richard Wellesley, and John Henry Scrope, and daughter Margaret.

Thomas Bernard (1816-1882), son of Catherine née Hely Hutchinson and Thomas Bernard (d. 1834).

Nearby the Bernard family have an unusual pyramid-shaped mausoleum. Richard Wellesley Bernard (c. 1822-1877) completed his military training in Egypt. He was an architect and engineer and it is said that he built the pyramid between 1830-34 but he would have been only eight years old, so perhaps it was constructed by an earlier Bernard. It is an exact replica of the Egyptian pyramid of Cheop.

Richard Wellesley Bernard (1822-1877) in early 1860s, National Portrait Gallery of London ref. Ax196557.
The Kinnitty Bernard mausoleum. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website continues: “The building was burned in 1922 by Republican forces and rebuilt by means of a Government grant of £32,000 in 1927.

The Buildings of Ireland Central Leinster book by Andrew Tierney tells us that the castle was rebuilt by Joseph John Bruntz. He was born in Dublin. The Dictionary of Irish Architects tells us that he was a pupil in his father’s office for four years and remained as an assistant for a further three years. After starting to practise independently as an architect circa 1915, he moved in 1917 or 1918 to Edenderry, Co. Offaly, where he set up an office. From 1922 he held the position of architect and civil engineer to the Co. Offaly Board of Health.

The website continues: “The building became the property of Lord Decies in 1946. He in turn sold it and the estate to the Government of Ireland on 12th December 1951. The State used the castle as a Forestry Training centre from 1955 until it was purchased in 1994 and turned into a 37 bedroom luxurious hotel for all guests both locally and internationally to enjoy.

Arthur George Marcus Douglas De La Poer Beresford (1915-1992), 6th Lord Decies, bought the property in 1946. He sold it in 1951.

It is a wonderful and affordable hotel, full of character.

The front entrance to Kinnitty Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A suit of armour stands watch by the door. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Entrance hall and reception of Kinnitty Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The impressive staircase of Kinnitty Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I love the angels on this overhead light. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The stair hall is toplit. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kinnitty Castle, February 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
There’s a lovely fireplace in the blue drawing room and a painting of the castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Blue drawing room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kinnitty Castle Hotel, 2014, photographer unknown, for Tourism Ireland, Ireland’s Content Pool. (see [1])
This room is now a dining room, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The dining room leads to the octagonal tower room. The room has a vaulted ceiling. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Library Bar in Kinnitty Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kinnitty Castle Hotel, 2014, photographer unknown, for Tourism Ireland, Ireland’s Content Pool. (see [1])
A hallway upstairs at Kinnitty Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
We gravitated toward the bookshelf at the top of the stairs. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Another hallway in Kinnitty Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Our lovely bedroom at Kinnitty Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There’s a bar in the cellar of the hotel, called the Dungeon Bar.

The back stairs of the castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Dungeon Bar in the basement of the hotel. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Dungeon Bar at Kinnitty Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A snug in the Dungeon Bar. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
An old horse trough in the rather ecclesiastical bar looks for a moment like a coffin! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The atmospheric Dungeon Bar at Kinnitty Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
There are still meat hooks on the vaulted ceiling of the cellar. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kinnitty Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The River Camcor winds through the property.

A map of the Demesne at Kinnitty.
The River Camcor crosses the property at Kinnity Castle, and one can go for lovely walks in the grounds, along the river. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Single-spire wire suspension footbridge, built c.1840, over the River Camcor within the demesne of Kinnitty Castle. The bridge is hung from cast-iron columns, and is accessed through a wrought-iron gate with iron circular framing. The Manufacturer’s name ‘T & D Roberts’ is on a downstream upright. It is one of only two suspension bridges in Offaly (the other is at Birr Castle demesne) and one of several footbridges with Kinnitty Castle demesne. It is a rare surviving example of a multiple-wire cable suspension bridge, and the National Inventory tells us it is significant because of its association with the Mountmellick Foundry. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The bridge has odd sunburst decorative iron circular framing at one end. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Single-span metal lattice footbridge, c.1900, over the River Camcor in the grounds of Kinnitty Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This could be the “back lodge” referred to by Andrew Tierney. If so, he suggests that it too could have been designed by the Pain brothers, who had supervised the work of John Nash, who designed the Swiss Cottage in County Tipperary (see my entry under Places to Visit and Stay in County Tipperary). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The gate lodge at Kinnity used to be the Day Spa but is was empty when we visited in February 2023, perhaps a victim of Covid. The National Inventory tells us that it was built around 1835. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://www.irelandscontentpool.com/en

[2] http://www.loughcutra.com/

[3] https://www.dia.ie/architects/view/2640/PAIN-JAMES

[4] https://www.dromoland.ie/

[5] p. 62 (under Castle Bernard), Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988, Constable and Company Ltd, London.

Tintern Abbey, County Wexford – an OPW property

Tintern Abbey, County Wexford

Tintern Abbey, County Wexford, 15th March 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

General information: 051 562650, tinternabbey@opw.ie

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

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We visited Tintern Abbey when we were in Wexford in May 2023. We visited again recently as it had rained on our previous visit and we didn’t get to to go to Colclough walled garden, so we made a beeline for the walled garden on our second visit.

Tintern Abbey, photograph by Brian Morrison, 2017 for Tourism Ireland, Ireland’s Content Pool. [see 1]
Tintern Abbey, County Wexford, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tintern Abbey and Colclough Walled Garden.

The Abbey was converted into a residence after the Dissolution of the Monasteries in King Henry VIII’s time. When the Abbey was gifted to the state, the Irish Board of Works immediately demolished the residence, so that the building was left a ruin. It was only two decades later that the Board of Works began to conserve the property.

Tintern Abbey, County Wexford, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The OPW website https://heritageireland.ie/visit/places-to-visit/tintern-abbey/ tells us that the Abbey was founded as a Cistercian monastery around the year 1200 by William Marshall, 1st Earl of Pembroke, who became Lord of Leinster as he married Isabella de Clare, the daughter of “Strongbow,” Richard de Clare, 2nd Earl of Pembroke. Marshall vowed to create an abbey wherever he could safely land in Ireland during a storm, and he landed in Bannow Bay. Tintern Abbey is located at the head of a small inlet of the sea, next to a stream that provided fresh water. The Abbey was founded as a “daughter house” of Tintern Abbey in Wales, made famous by poet William Wordsworth. To distinguish it from the Welsh abbey, Wexford’s Abbey was also called “Tintern de Voto” meaning “of the vow.”

OPW notice board. Reconstruction drawings by Daniel Tietzsch-Tyler.
Tintern Abbey, County Wexford, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The story of the marriage of William Marshall and Isabel de Clare.

After the dissolution of the monasteries by Thomas Cromwell and King Henry VIII, Tintern Abbey was granted to a soldier, Anthony Colclough (d. 1584).

Information boards tell us about the history of the Abbey and the Cistercian Order, which was based on a strict interpretation of Benedictine rule. The monks would have lived according to a spartan routine of prayer and manual labour. Most of the difficult tasks were carried out by lay brothers. The practice of having lay brothers began because initially the monks wanted to cut themselves off from the outside world and did not allow lay people on their land. However, they needed labourers, so the lay ministry was formed. Some of these lay brothers may have lived nearby in Rathumney Hall, or Castle, now a ruin. Lay brothers often lived in out-farms or “granges,” which would have their own hall, dormitory, kitchen and chapel, and the brothers would then join the monks at the Abbey at weekends.

Tintern Abbey, County Wexford, May 2023.
Tintern Abbey, County Wexford, situated at the top of an inlet.
Tintern Abbey, photograph by Celtic Routes, 2019 for Tourism Ireland, Ireland’s Content Pool. [see 1]

Information boards tell us of the various phases of the Abbey. It would have been built first by lay monks, and later by the mid 1200s, by professional masons.

Tintern Abbey, County Wexford, May 2023. Reconstruction drawings by Daniel Tietzsch-Tyler.
Tintern Abbey, County Wexford, May 2023.
Makers Marks, from as early as the 1200s, Tintern Abbey, County Wexford, May 2023.

Cistercian simplicity was reflected in their buildings, of strong form and good building techniques. In 1140, Malachy, Bishop of Down, visited Bernard of Clairvaux. Bernard sent helped to establish the Cistercian monastery in Mellifont, County Louth, and by 1169 Ireland had fourteen Cistercian settlements. The Anglo Normans established a further ten in the fifty years after 1169, including Dunbrody Abbey, another Cistercian monastery near Tintern Abbey.

The Cistercians built according to well-established convention. The churches consisted of an aisled nave and presbytery with north and south transepts. A tower was not a usual feature. The cloister was south of the church and was surrounded by buildings such as the infirmary, dormitory, kitchen, guest house and scriptorium.

Tintern Abbey, County Wexford, May 2023. Reconstruction drawings by Daniel Tietzsch-Tyler.
The large window at the east end of the chancel of Tintern Abbey, probably built by 1325. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The large window at the east end of the chancel of Tintern Abbey, probably built by 1325. The sloping window cill next to the tower would have accommodated the north transept and chapel. These may never have been built, as there is no evidence. The stepped battlements were probably added at a later date. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The sloping window cill next to the tower would have accommodated the north transept and chapel. Tintern Abbey, County Wexford, May 2023. Above the windows are the carved corbel tables. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
See the carved heads above the window. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tintern Abbey, County Wexford, May 2023.

The monks were interested in farming and adopted the latest methods.

Tintern Abbey, County Wexford, May 2023. Reconstruction drawings by Daniel Tietzsch-Tyler.
Tower, Nave and South Trancept, Tintern Abbey, County Wexford, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The nave, chancel, tower, chapel and cloister still stand. The nave has lost its aisles and clerestory, but still has three bays of plain arches.

Tower and south trancept, Tintern Abbey, County Wexford, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Nave, Tintern Abbey, County Wexford, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Facing the tower from the nave, Tintern Abbey, County Wexford, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tower and Nave, Tintern Abbey, photograph by Brian Morrison, 2017 for Tourism Ireland, Ireland’s Content Pool. [see 1]
Tintern Abbey, County Wexford, 15th March 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Sculpture was not encouraged in Cistercian buildings but Tintern has a few fine surviving examples. A carved corbel table remains, which contains twenty four carved heads, some human, some monstrous.

Carved heads above the window. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Carved heads above the window. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tintern Abbey, County Wexford, May 2023.
Picture of carving in Tintern Abbey.

In the 16th century the old abbey was granted to the Colclough family (pronounced Coakley) and soon after the church was partly converted into living quarters and further adapted over the centuries. The Colcloughs occupied the abbey from the sixteenth century until the mid-twentieth.

The nave contained the main residence of the Colclough family.
Renovations and excavation at Tintern Abbey.
Tintern Abbey, County Wexford, May 2023.

A chapter by Sean Clooney about Tintern Abbey in Tintern Abbey County Wexford, Cistercians and Colcloughs, Eight Centuries of Occupation, 1st Edition edited by Kevin Whelan, 2nd Edition edited by Anne Finn, tells us that Anthony Colclough, much like King Henry VIII, divorced his first wife! He divorced Thomasine Sutton in 1547 and married Clare Agard. He converted the tower of the abbey into a fortified tower house. A fire in 1562 had destroyed many of the other buildings. He also built the unique fortified bridge nearby.

The fortified bridge built by Anthony Colclough by Tintern Abbey, County Wexford, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The fortified bridge built by Anthony Colclough by Tintern Abbey, County Wexford, March 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tintern church and cemetery, which contains the Colclough vault. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

He is buried in the small ruined church a few hundred metres south east of the abbey. The plaque in this church reads:

Here lieth the body Syr Anthony Colclought Knight, eldest sune of Richard Colclought of Wolstanton in Stafordshire Esquier who came first into this land in the 34 yere of Henry the 8 and then was Captayn of the Pensioners in which place and others of greater charge he continued a most faythful serviter during the life of Edward the VI and Queen Mary and until the XXVI yer of our most noble Queen Elisabeth and then died the IX of December 1584. He left his wife, Clare Agare, daughter of Thomas Agare Esquier 7 sonns, Frances, Ratlife, Anthony, Syr Thomas Colclough, Knight, John, Matew, Lenard and 5 doghters, Jaqnet who married to Nicholas Walsh Esquier of the Priveie Counsayle and one of the Justice of the Kings Bench in Ireland; Fraunc married to William Smethwike of Smethwik in Cheshier; Clare married to William Snead of Brodwal in Stafordshire Esquier; Elinor died iunge.”

Tintern church and cemetery, which contains the Colclough vault. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tintern church and cemetery, which contains the Colclough vault. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tintern church and cemetery, which contains the Colclough vault. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tintern church and cemetery, which contains the Colclough vault. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tintern church and cemetery, which contains the Colclough vault. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Anthony’s son Thomas continued to develop Tintern, and is said to have established oyster beds in Bannow Bay. He married, first, Martha Loftus, daughter of Adam Loftus, Protestant Archbishop of Dublin. Their son Adam was raised to the baronetcy as 1st Baronet of Tintern Abbey. Thomas’s second wife, Eleanor Bagenal, was Catholic. After her husband’s death, she married Lucas Plunkett, 1st Earl of Fingall. Thomas’s son by his second marriage inherited lands at Duffry, where Duffry Hall was built by his grandson Patrick Colclough (d. 1691).

Tintern Abbey, County Wexford, May 2023.
Tintern Abbey, County Wexford, May 2023. Reconstruction drawings by Daniel Tietzsch-Tyler.
Colclough family tree, in Tintern Abbey County Wexford, Cistercians and Colcloughs, Eight Centuries of Occupation, 1st Edition edited by Kevin Whelan, 2nd Edition.

During the 1641 rebellion 200 local Protestant people took refuge in Tintern which was garrisoned by forty soldiers from Duncannon Fort situated nearby. At that time Tintern would have been inhabited by the 2nd Baronet, Caesar Colclough (d. 1684). Shortly afterwards the Catholic branch of the family laid siege to the Protestant branch who were in residence in Tintern Abbey. [2]

The Catholic branch who took control of the abbey following a two-week siege included Dudley Colclough (1613-1663), who had married Katherine Esmonde of Johnstown Castle, and his two brothers John and Anthony (who married Mary Esmonde from Johnstown Castle). Following Oliver Cromwell’s arrival in 1649 Dudley was banished to Connaught and he ultimately died in exile in France.

The 3rd Baronet of Tintern Abbey, Caesar (1650-1687) had no heir so the title expired and the lands passed to his sister Margaret. She married firstly, in 1673, Robert Leigh, of Rosegarland, who thereupon assumed the surname of Colclough; and secondly, in 1696, John Pigott, of Kilfinney, County Limerick, who also assumed the surname of Colclough.

Caesar Colclough (d. 1766), known as “Great Caesar,” great-grandson of Catholic Dudley who had rebelled in 1641, united the properties. His grandfather, Patrick Colclough of Duffry Hall, married Katherine Bagenal of Dunleckney, County Carlow. Patrick Colclough was Catholic and very active in the Jacobite cause and was attainted of High Treason and outlawed by King William III but he died in 1691, before the attainder passed into law, so his eldest son was able to inherit his estates. His son Dudley (d. 1712) was brought up in the Protestant faith. [3] He married Mary Barnewall, granddaughter of Nicholas Barnewall, 1st Viscount Barnewall of Kingsland. The Great Caesar was their son.

The “Great Caesar” was a great sportsman and generous landlord. He brought a team of men to play hurling in front of King George. The team wore a yellow sash to distinguish them from the opposition, and the king or queen called out, “Come on the yellow bellies!” and from then on, Wexford men are called “yellow bellies.”

Caesar’s second wife, Henrietta Vesey, was the great-granddaughter of King Charles II, granddaughter of Mary Walters de Crofts, illegitimate daughter of Charles II.

Upon the Great Caesar’s death in 1766, the Tintern estates passed to his grandson Vesey, and the Duffry estates passed to his younger son Adam. Vesey Colclough (1745-1794) married Catherine Grogan of Johnstown Castle in County Wexford. It was not a happy marriage and they separated, but Vesey remained in Tintern and transformed the chancel of the abbey into a residence. He was extravagant in his lifestyle, however, and his son John had to extricate himself from debt accrued.

OPW notice board. Reconstruction drawings by Daniel Tietzsch-Tyler.
Tintern Abbey, County Wexford, 15th March 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

John did more renovations of the abbey, constructing a second storey over the south transept aisle, which was known as the Lady Chapel. The lower storey held a kitchen and above, a library, wiht a massive Gothic window facing the sea.

Tintern Abbey, County Wexford, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tintern Abbey, County Wexford, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tintern Abbey, County Wexford.
The library window, Tintern Abbey, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The large traceried window being restored.
The old library with its large window. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

However, when John was standing for election he was shot dead in a duel in 1807 by William Alcock of Wilton Castle in County Wexford, an opponent in the election. Alcock was acquitted by a jury of his peers, but his mental health deteriorated.

Four Colcloughs died in duels. Thomas of Duffrey Hall was killed in a duel in 1690. Agmondisham, son of “Great Caesar,” was killed in a duel in 1758, and John Colclough of St. Kieran’s was killed in 1801 by Henry Loftus Tottenham of Loftus Hall, far down on the Hook Peninsula (a property that is again advertised for sale).

Tintern passed to John’s brother, another Caesar Colclough (1766-1843). He and his wife Jane Kirwan had no children, and some suspected his wife of killing him. She went on to marry Thomas Boyce. Her right to the property was challenged by the Colclough family. So many court cases were instigated that it has been said that it was one of the inspirations for Dickens’ “Jarndice vs Jarndice” in Bleak House.

Adam, the son of “Great Caesar” who inherited Duffry, had a son, Caesar, who died in 1822. He was Chief Justice of Prince Edward Island in Canada. It was his daughter, Mary, who married John Thomas Rossborough, who eventually gained ownership. Her husband took the name Colclough.

The Colclough family lived there until 1958, when it was presented to the state by Lucy Biddulph-Colclough.

The Board of Works that took on care of Tintern Abbey dismantled the residential part of the building: floors, doors and windows were taken out, the roof was taken off, and materials were sold by auction. It was only twenty years later that the Board of Work returned to preserve the abbey.

Tintern Abbey noticeboard. Reconstruction drawings by Daniel Tietzsch-Tyler.
Tintern before restoration work.
Tintern before restoration work.

When it was being restored, the roof of the tower was rebuilt. The coach house with the medieval gateway was restored to provide visitor facilities.

The restored coach house, in use for tourist facilities, at Tintern Abbey, County Wexford, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Lady Chapel was restored for use as an exhibition room.

Stephen in the stone vaulted Lady Chapel, Tintern Abbey, County Wexford, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tintern Abbey, County Wexford, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Carved boss in the Lady Chapel vaulting, Tintern Abbey, County Wexford, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Library was cleared out during restoration, including removing wood panelling. Wood panelling was later partly reinstated.

When the Abbey was converted into a residence, new flooring was added and the tower house was divided into rooms with wattle and daub timber frame screen walls and oak panelling fixed to the masonry walls. What remains of the oak panelling has been conserved and is now located on the first floor of the Crossing Tower. Dendrochronology dates the timbers to 1600-1620. It was known as “wainscotting.” It added warmth to the room.

Tintern Abbey, County Wexford, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tintern Abbey, County Wexford, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tintern Abbey, County Wexford, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
When converted to a residence, wooden-framed partition walls were added in the tower. The oak framework was infilled with panels of woven sticks “wattle” and caked with mud (“daub”) and painted.
Recovered oak panelling from 1600-1620, Tintern Abbey, County Wexford, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tintern Abbey, County Wexford, May 2023.
Wattle and daub, Tintern Abbey, County Wexford, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The “wattle” for building was obtained by the practice of coppicing, Tintern Abbey, County Wexford, May 2023.
Tintern Abbey, County Wexford, May 2023.
Tintern Abbey, County Wexford, May 2023.
Tintern Abbey, County Wexford, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tintern Abbey, County Wexford, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tintern Abbey, County Wexford, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
You can see how thick the walls are, Tintern Abbey, County Wexford, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Display case in Tintern Abbey. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tintern Abbey, County Wexford, May 2023.
Tintern Abbey, County Wexford, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tintern Abbey, County Wexford, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website continues: “Conservation works have included special measures to protect the local bat colonies. The abbey is set in a special area of conservation and is surrounded by woodland within which are walking trails. Not to be missed is the restored Colclough Walled Garden situated within the old estate.

Colclough walled garden, Tintern Abbey, County Wexford. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Colclough Walled garden, Tintern Abbey, photograph by Brian Morrison, 2017 for Tourism Ireland, Ireland’s Content Pool. [see 1]
Tintern Abbey, photograph by Brian Morrison, 2015 for Tourism Ireland, Ireland’s Content Pool. [see 1]

Following the donation of Tintern Abbey to the Irish State in 1959 the walled garden was abandoned to nature and became overgrown.  The gradual restoration of the walled garden by a team of volunteers began in 2010 and the 1830s layout shown on the Ordnance Survey was reinstated. The restored garden, which opened to the public in 2012, is divided into two sections: the Ornamental Garden and the Kitchen Garden. 

Garden at Tintern Abbey, photograph by Brian Morrison, 2017 for Tourism Ireland, Ireland’s Content Pool. [see 1]
Tintern Abbey, County Wexford, 15th March 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tintern Abbey, County Wexford, 15th March 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tintern Abbey, County Wexford, 15th March 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://www.irelandscontentpool.com/en/media-assets/media/81101

[2] notes from Tintern website, by Breda Lynch.

[3] https://genealogy-and-you.com/onewebmedia/Colclough.pdf

See the sale of Loftus Hall, courtesy of Colliers.

Loftus Hall, County Wexford, for sale April 2025 courtesy Colliers.

Loftus Hall is a large, partly re-furbished country house which was built on the site of the original Redmond Hall. The property boasts one of the most scenic locations in the southeast with views over Hook Peninsula and the world famous Hook Lighthouse, providing the most stunning landscape which is steeped in history and reputed by locals to have been haunted the property. The property was purchased by the Quigley family in 2011 and run as a tourist attraction with guided tours of the property and seasonal events. In 2021 the property was bought by its current owners who had a masterplan to refurbish the original building over two phases. The estate has already undergone extensive renovations, with Phase 1 nearing completion, set to transform the property into an exclusive 22-bedroom luxury hotel with high-end amenities, extensive food and beverage facilities, and beautifully landscaped gardens. The vision for Phase 2, included an additional 56 bedroom hotel block, a gym and spa, dedicated wedding facilities, 33 standalone garden cottages and 10 eco pods strategically placed along the perimeter of the property.

Loftus Hall, County Wexford, for sale April 2025 courtesy Colliers.

Location Loftus Hall is located on the southern tip of Hook Peninsula, close to the famous Hook Lighthouse, one of the oldest operational lighthouses in the world. Loftus Hall offers an unparalleled location for exploring the beauty and history of County Wexford. Just 4km from the iconic Hook Lighthouse, 33km from the vibrant town of New Ross, 45km from Wexford and 51km from Waterford. The property is also in close proximity to several popular tourist destinations, including Passage East (17km) and Dunmore East (30km) and the charming nearby villages such as Hookless Village, Slade, and Fethard-On-Sea, all within easy access. The location is quite picturesque, making it a popular spot for visitors interested in history, architecture, and the paranormal. Main House Built originally between 1870 and 1871 on the site of Redmond Hall, which traces its history to 1350, Loftus Hall comprises a detached nine-bay, three storey house. The estate is situated on approximately 27.68 hectares (68 acres) with the house extending to a total gross internal area (GIA) of 2,460 sq.m (26,480 sq. ft). Loftus Hall is a protected structure under RPS Ref WCC0692 and under the NIAH Ref 15705401. The estate has already undergone extensive renovations, with Phase 1 nearing completion. The ground floor of the original building has been transformed to contain a large dining room, a cigar room and a number of guest lounge areas. When completed the restaurant will seat over 100 covers which will feature visibility of the chefs working with an open pass, an outside BBQ area and fire pit adjacent to the new restaurant area with the existing bar fully refurbished. The hotel bedrooms are finished to second fix over the first and second floors and are appointed with large ensuite bathrooms and with commanding and sweeping views out to sea. The vision for Phase 2 consists of the development of a permanent marquee erected on the grounds which will cater for up to 300 seated wedding guests, a gym & spa, a new hotel bedroom block which will contain up to 56 additional bedrooms, 33 standalone garden cottages, 10 eco pods wrapped around the perimeter of the property, a children’s playground, a herb and vegetable garden, over two hundred car park spaces in total between the front and rear of the development and a walkway that will allow guests to access the beach directly from the development. The Grounds The grounds are a feature of Loftus Hall and have been maintained to the highest standards throughout the refurbishment. The gardens at Loftus Hall, particularly the walled garden, were designed to thrive in the unique climate of the Hook Peninsula. The garden’s high walls provided a sheltered environment, allowing a variety of plants to flourish. Fruit trees were a significant feature, with mulberry trees being particularly successful. The sheltered environment also supported other fruit trees like apple and pear. Additionally, the garden likely included a variety of herbs and vegetables, which were essential for the estate’s kitchen. The garden’s design and plant selection reflect the practical needs and aesthetic preferences of the time, creating a space that was both beautiful and functional.

Woodhouse, County Waterford – private house, tourist accommodation in gate lodge and cottages

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Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

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We visited Woodhouse on a day trip with the Cork Chapter of the Irish Georgian Society on a gloriously sunny day on May 24th, 2023. The home owners Jim and Sally Thompson welcomed us into their home, and historian Marianna Lorenc delivered a wonderful talk about the history of the house and the family who lived there.

Woodhouse, May 2023. The house is private but you can stay in cottages. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

You can stay in the gate lodge or cottages.

https://woodhouseestate.com/

The Hayloft, Woodhouse, available for self-catering accommodation.
At Woodhouse, County Waterford. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website tells us:

The original house was built in the early part of the 17th century by the Fitzgerald family (a branch of the MacThomas Geraldines of the Decies).

An old estate map of Woodhouse.
An information board in the museum.

While in the ownership of the Uniacke family it was passed by inheritance to the Beresford family and subsequently sold by Lord William Beresford in ca 1970. The House has since been extended over the years to become an impressive six bay window residence with bright and spacious rooms overlooking this private estate with the River Tay flowing through.”

The River Tay. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The River Tay. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website gives us a detailed description of the history of the house so I will quote it here:

The house of Woodhouse as we see it at present was built in at least three stages.

The first one dates back to early 1600’s and the Munster Plantation, when the Messenger for Court of Wards and Liveries, an English Protestant and Undertaker (in other words Planter), James Wallis Esq., rented the lands of Woodhouse, Carrigcrokie, Stradballymore, Ballykerogue and others from the fellow Elizabethan settler and land distributor Richard Beacon. The latter gentleman was awarded the lands of the Catholic FitzGerald family in Co. Limerick and Co. Waterford (Woodhouse) by the Queen in appreciation for having performed his duties as her majesty’s attorney for the province of Munster. After leasing the land James Wallis had built a fine stone house, a mill, a walled garden accompanied by a numerous outbuildings and weirs (river dams) in the river Tay. The original house was built in an Elizabethan style on a rectangular plan.

James Wallis (ca. 1570-1661).

During the 1641 Rebellion in Ireland, James Wallis Esq. was forced out of Woodhouse by rebels and despite his detailed Deposition made in 1642 describing the damage to his house and the loss of his goods, as well as the favourable court ruling in his favour in 1653, he never returned to the property.

At Woodhouse, County Waterford.

The 1654 Civil Survey states that the owner of Woodhouse was then Thomas FitzGerald. Two generations later his grandson Major Richard MacThomas FitzGerald (then of Prospect House in Kinsalebeg, Co. Waterford) was facing large debts and had no way of paying them back so he had to sell the house and lands in 1724. Richard MacThomas Fitzgerald received over £8000 for this property but could only retain £840 while the rest was required to cover his debts.

The new owner of Woodhouse was Richard MacThomas Fitzgerald’s distant relative and close neighbour Thomas Uniacke Esq. of Ballyvergin, Barnageehy and Youghal. It was then that the second phase of development for Woodhouse started. Thomas’ sons, Borr and Maurice Uniacke, invested heavily into renovating the dilapidated house and completely changed its character by developing it into a Georgian structure. There is no evidence to confirm who the architect of the changes was so it’s quite possible that the wealthy Uniacke family used the “Pattern Books” and hired traveling stonemasons to introduce the changes. The house was substantially enlarged and its functionality vastly changed. At this time the Woodhouse estate was is thought to have consisted of about 2500 acres in total.

What the house looked like, may be seen at one of Borr Uniacke’s granddaughter’s amateur painting which was likely done in the first half of 1800s.

Colonel Robert Uniacke (1756-1802).

Woodhouse remained with the Uniacke family for about 130 years but in 1853 the Estate changed hands again. It did not entirely leave the Uniacke family inasmuch as the last heiress of this branch of the family, Frances Constantia Uniacke, having inherited Woodhouse from her older brother, Robert Borr Uniacke in 1844, married George John Beresford the grandnephew of the 1st Marquess of Waterford. Frances and George John took on the responsibility for the house and had the house and the outbuildings further extended. Owing to his sufferings caused by severe gout, at the back of the main house he had built a Turkish bath. We also know that construction of the boat house in nearby Stradbally Cove (which in contemporary nautical charts was called the Blind Cove) was done at this time.

George John Beresford (1807-1864).

For almost a century after that Woodhouse did not see any major changes and once again it became in need of extensive work to save it. Most of the eight Beresford children of George John and Frances Beresford married but none of them had children of their own. In 1933, the last surviving daughter of the couple, Lady Emily Frances Louisa (Beresford) Hodson bequeathed Woodhouse (the main house, 550 acres of land and the village of Stradbally) to her distant cousin Lt. Lord Hugh Tristram de la Poer Beresford Royal Navy, the sixth child of the 6th Marquess of Waterford. At the time of Lady Hodson’s death Lord Hugh was Aide De Camp to the Governor General of South Africa, yet he still managed to order renovation works including the installation of electricity and running water to the house. There is an extensive written evidence of his endeavours, which describes the works undertaken.

Emily Frances Louisa (née Beresford) Hodson (1861-1934).
At Woodhouse, County Waterford.

In 1936 Lord Hugh Beresford made his last will and testament and bequeathed Woodhouse to his older brother Major Lord William Mostyn de la Poer Beresford. When in 1941 Lt. Cmdr. Lord Hugh Beresford was killed in action during the Battle of Crete, the will and testament were probated and when in 1944 Major Lord William Beresford returned from the war he took on Woodhouse, its lands and the village of Stradbally. Hence the third stage of structural development for Woodhouse began. Until his return however, the Estate was looked after by Arthur Hunt Esq. who had been the agent for the Beresford family since the late 1800s.

Upon his return from the war, Lord William Beresford moved into Woodhouse. He found the Estate to be quite run down and badly in need of repairs.

Lord William introduced considerable changes not only to the structure of the main house, but he also developed the land and garden in such a way that they yielded large crops. Every week he transported the rich surplus of vegetables, fruits and dairy products to Waterford where they were sold in the first Co-Op in town.

There is a beautiful bridge in the distance, on the property. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Lord William and his wife Rachel are remembered as a good and kind people who successfully ran Woodhouse as a working farm and they put all their energy into making it a self-sufficient establishment.”Lord William and his wife Rachel are remembered as a good and kind people who successfully ran Woodhouse as a working farm and they put all their energy into making it a self-sufficient establishment.

The year 1971 was the year when everything had changed for Woodhouse. It was the first time in 250 years that it was sold outside of the Fitzgerald/Uniacke/Beresford Anglo-Irish family. In that year Lord William sold the Estate to Mr. John McCoubrey who farmed and bred his cattle here and, thanks to the auspicious nature, he succeeded in that enterprise. However only one year later Mr. McCoubrey decided to move on and he, too, sold Woodhouse.

In 1972 Mr. John Rohan bought the house and all the lands. The new owner began extensive renovations to the main house and, being the Master of the Waterford Hunt, built stables for his horses and kennels for his dogs in the walled garden. He also purchased and installed the beautiful black gate at the main entrance to the Estate.

The impressive gates of Woodhouse, purchased and installed by John Rohan. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Ten years later, in 1983 Woodhouse changed hands again and was purchased as an investment by a company owned by Mr. Mahmoud Fustok and his associates from the Middle East. Mr. Fustok never occupied Woodhouse but chose to make it available to Dr John O’Connell, an Irish parliamentarian, and his friends. The house was adjusted to their style, but no major renovations took place between 1983 and 2006.  

After 23 years under Mr. Fustok’s ownership Woodhouse was purchased by two Irish business partners – Mr. Aidan Farrell and Mr. Charles O’Reilly-Hyland. After their purchase these two owners sold some land parcels of Woodhouse to interested parties and made some improvements to the Estate but did not make it their residence. Eventually in 2012 they decided to sell the entire estate.

The front door to the private house of Woodhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The new purchasers, Jim Thompson and his wife Sally, took on the task of renovating and modernizing the vastly run-down house, cottages, outbuildings and lands. Their initiative involved an enormous amount of effort and patience but ultimately was successful. The works extended into every part of the large Estate (500 acres) and was achieved over a period of six years with the support and encouragement of the people of Stradbally.

Inside this area is a museum about Woodhouse, a function room, and the Hayloft cottage. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

After many years of being forgotten and with no sufficient means to sustain itself, Woodhouse was brought back to life by various experts – architectural, building, landscape, and farm – who guided the Thompsons through the long renovation process. This commitment to bring Woodhouse back to its former glory proved very successful and as of 2019 – 400 years after the house was originally built – Woodhouse is a vibrant estate once more.

The private home of Woodhouse, the rear entrance, with French doors from the kitchen. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
French doors from the kitchen. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The beautiful day showed the gardens to perfection. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
These lovely buildings house the museum and a function room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We gathered at the ancilliary buildings for coffee and a chat before Marianna’s introduction to the house’s history. She has published a book that was for sale, along with Julian Walton.

This houses the museum and function rooms. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ancilliary buildings. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Woodhouse, County Waterford. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ancilliary buildings at Woodhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The museum, upstairs in the ancilliary buildings. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This was the walk between the museum and the main house. The gardens everywhere are beautiful and we couldn’t have had a finer day for our visit. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

After our talk, we visited the house and then the walled garden. The website tell us:

When Woodhouse changed hands in 2012 a project was undertaken to bring the walled garden back to its former glory. Today the Walled Garden and Orchard have a wide variety of fruits, vegetables, herbs and many types of flowers and, thanks to Paddy Kiely and his excellent team of skilled workmen, has developed in a place of beauty in tune with nature as it was planned when originally built. An oasis of calm and tranquility situated right in the centre of the Estate, the beautifully restored Walled Garden is a perfect venue for small intimate weddings and gatherings. Completely enclosed and surrounded by high stone walls the walled garden has flowers beds, beautiful green lawns, a raised pergola overlooking the entire garden and a soothing water feature. As well as providing a beautiful backdrop for weddings the Walled Garden is also an ideal venue for a variety of special events.  Whether you are looking to toast a birthday or anniversary or hold a charity event the Walled Garden adds a special atmosphere to any occasion.
For more information please get in touch
1woodhouseestate@gmail.com

The beautiful walled garden of Woodtown. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Events can be held in the buildings in the walled garden. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The beautiful walled garden of Woodhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The beautiful walled garden of Woodhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The beautiful walled garden of Woodhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The beautiful walled garden of Woodhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The beautiful walled garden of Woodhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The beautiful walled garden of Woodhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Beyond the walled garden in a further section is an orchard and greenhouse, and a house for chickens.

The orchard at Woodhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The greenhouse at Woodhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
At Woodhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Woodbrook, Killanne, Enniscorthy, Co. Wexford, Y21 TP 92 – section 482 accommodation

(Tourist Accommodation Facility)

www.woodbrookhouse.ie

Woodbrook House, photograph courtesy of Historic Houses of Ireland website.

Today I am going to write about Woodbrook as it is listed in Revenue Section 482 but is only open as accommodation. Open for accommodation: all year 2025

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

Then, below my entry, I have listed Section 482 properties that are open for a visit in March 2025!

Woodbrook looks like a lovely place to stay and the hosts Giles and Alexandra Fitzherbert, who have lived there since 1998, serve dinner also if requested. Giles is a former Ambassador in South America and his wife Alexandra is of Anglo-Italian-Irish-Chilean extraction, the Hidden Ireland website tells us.

Woodbrook, County Wexford, courtesy Hidden Ireland. [1]

Woodbrook house was built in the 1770s. It was built by Reverend Arthur Jacob (1717-1786), Archdeacon of Armagh, for his daughter Susan and her husband Captain William Blacker, a younger son of the family at Carrigblacker near Portadown. Arthur Jacob was Rector of Killanne in County Wexford while he was also Archdeacon of Armagh. [2]

The Historic Houses of Ireland website tells us:

Nestling beneath the Backstairs Mountains near Enniscorthy in County Wexford, Woodbrook, which was first built in the 1770s, was occupied by a group of local rebels during the 1798 rebellion. Allegedly the leader was John Kelly, the ‘giant with the gold curling hair’ in the well known song ‘The Boy from Killanne’. It is said that Kelly made a will leaving Woodbrook to his sons but he was hanged on Wexford bridge, along with many others after the rebels defeat at Vinegar Hill. He was later given an imposing monument in nearby Killanne cemetery.” [3]

Another rebel who occupied the house in 1798 was John Henry Colclough (c.1769-98) who was also executed for his participation in the 1798 Insurrection.

The Historic Houses of Ireland site continues:

… The house was badly knocked about by the rebels and substantially rebuilt in about 1820 as a regular three storey Regency pile with overhanging eaves, a correct Ionic porch surmounted by a balcony and three bays of unusually large Wyatt windows on each floor of the facade.” [3]

Woodbrook House, photograph courtesy of Woodbrook website.
Woodbrook House, photograph courtesy of Woodbrook website.

The house has tripartite entrance doorcase with large cobweb fanlight under the portico. Mark Bence-Jones writes that the hall has a “rather Soanian vaulted ceiling.” I’m not sure what he means by this – if you can enlighten me, please do let me know! He also comments on the “very spectacular spiral flying staircase of wood, with wrought iron balustrades; a remarkable and brilliant piece of design and construction.” [4] It is called “flying” because it does not touch the walls. The steps look like stone but are timber, and each was carefully made to fit perfectly together. Robert O’Byrne tells us that the stairs bounce slightly as one walks up or down, which sounds disconcerting!

Woodbrook House, photograph courtesy of Woodbrook website.
Woodbrook, County Wexford, courtesy Hidden Ireland. [1]

Woodbrook passed to the son, William Blacker (1790-1831). He married Elizabeth Anne Carew, from Castleboro House in County Wexford, now a splendid ruin.

Castleboro, County Wexford, photograph: Robert French, Lawrence Collection, NLI, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
William Blacker married Elizabeth Anne Carew, from Castleboro House in County Wexford, now a splendid ruin. The ruins of Castleboro House, County Wexford (geograph_3716684) By Mike Searle, https://commons.wikimedia.org

William and Elizabeth Anne’s son Robert Shapland Carew Blacker (1826-1913) inherited the impressive Carrickblacker house in County Armagh from his relatives, as well as inheriting Woodbrook, from an elder brother, William Jacob, who predeceased him and had no children. William Jacob Blacker served as High Sheriff of County Wexford.

Robert Shapland married, in 1858, Theodosia Charlotte Sophia, daughter of George Meara, of May Park, County Waterford. Carrickblacker house remained in the family until the estate was purchased in 1937 by Portadown Golf Club, which demolished Carrickblacker House in 1958 to make way for a new clubhouse. [5]

Woodbrook House, photograph courtesy of Woodbrook website.
Woodbrook House, photograph courtesy of Woodbrook website.

The eldest son, William Robert George Blacker, died at just twenty years old. The next eldest, Edward Carew Blacker, died unmarried in 1932. He also served as High Sheriff of County Wexford. After his death, Woodbrook lay empty for some years, inherited by Edward’s brother Stewart Ward William Blacker, who also owned Carrickblacker. The Irish Historic Houses website tells us that the house was occupied by the Irish army during the Second World War.

The house has a large drawing room with a chimneypiece that is from the original house.

Woodbrook, County Wexford, courtesy Hidden Ireland. [1]
Woodbrook House, photograph courtesy of Woodbrook website.

Stewart’s son Robert Stewart Blacker moved to the house in the 1950s after Carrickblacker was sold, and Woodbrook was then extensively modernised.

Woodbrook House, photograph courtesy of Woodbrook website.
Woodbrook House, photograph courtesy of Woodbrook website.
Woodbrook House, photograph courtesy of Woodbrook website.
Woodbrook, County Wexford, courtesy Hidden Ireland. [1]
Woodbrook House, photograph courtesy of Woodbrook website.
There are three large guest bedrooms, all en suite. Woodbrook, County Wexford, courtesy Hidden Ireland. [1]
Woodbrook House, photograph courtesy of Woodbrook website.

Also featured in The Wexford Gentry by Art Kavanagh and Rory Murphy. Published by Irish Family Names, Bunclody, Co Wexford, Ireland, 1994.

and The Irish Aesthete: Buildings of Ireland, Lost and Found. Robert O’Byrne. The Lilliput Press, Dublin, 2024.

Donation towards accommodation

I receive no funding nor aid to create and maintain this website, it is a labour of love. I travel all over Ireland to visit Section 482 properties and sometimes this entails an overnight stay. A donation would help to fund my accommodation.

€150.00

[1] https://hiddenireland.com/house-pages/woodbrook-house/

[2] https://theirishaesthete.com/2013/06/24/speaking-of-98/

[3] https://www.ihh.ie/index.cfm/houses/house/name/Woodbrook

[4] Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London. 

[5] http://lordbelmontinnorthernireland.blogspot.com/2013/05/house-of-blacker.html

These Section 482 listings are open on certain dates in March 2025, so you might still have time for a visit! I have separated below the places that are listed as Accommodation.

Huntington Castle, Clonegal, Co. Carlow, Y21 K237

Postal address: Huntington Castle, Enniscorthy, Co. Wexford          

www.huntingtoncastle.com

Open: Feb 1-2, 8-9, 15-16, 22-23, Mar 1-2, 8-9, 15-16, 22-23, 29-30, Apr 5-6, 12-30, May 1-31, June 1-30, July 1-31, Aug 1-31, Sept 1-30, Oct 4-5, 11-12, 18-19, 25-31, Nov 1-2, 8-9, 15-16, 22-23, 29-30, Dec 6-7, 13-14, 20-21, 11am-5pm 

Fee: house/garden, adult €13.95, garden €6.95, OAP/student, house/garden €12.50, garden €6, child, house/garden €6.50, garden €3.50, group and family discounts available

Corravahan House & Gardens, Corravahan, Drung, Ballyhaise, Co. Cavan, H12 D860

www.corravahan.com

Open: Jan 3-4, 10-11, 17-18, 24-25, 31, Feb 7-8, 14-15, 21-22, 28, Mar 1, 7-8, 14, May 8-11, 15-18, 22-25, June 12-15, 19-22, 26-29, Aug 8-10, 15-24, 29-31, 2pm-6pm 

Fee: adult €10, OAP/student/child €5 

Newtown Castle, Newtown, Ballyvaughan, Co. Clare

www.newtowncastle.com                                                                                                                                                        

Open: Jan 6-Dec 19 Mon-Fri, National Heritage Week 16-24, 10am-5pm 

Fee: Free

Ashton Grove, Ballingohig, Knockraha, Co. Cork     

Open: Jan 7-10, 14-17, 21-24, Feb 10-14, 18, 25, Mar 4, May 1-5, 8-11, 13, 15-16, 20, 22-23, June 3-8, 10-15, 17-20, Aug 16-24, 8am-12 noon 

Fee: adult €6, child €3, student/OAP free

Blarney Castle & Rock Close, Blarney, Co. Cork

www.blarneycastle.ie

Open: all year, Jan-Mar, Nov, Dec, 9am-5pm, Apr, Oct, 9am-5.30pm, May- Sept 9am-6pm,

Fee: adult €23, OAP/student €18, child €11

Kilshannig House, Rathcormac, Co. Cork, P61 AW77

Open: March 18-19, 21, 24, 26-27, April 2, 4-7, 9, 11-13, 21, 23, 25, May 12, 14, 16-17, 19, 21, 23-26, 28, 30,  June 2, 4, 6-9, 11, 13, 16, 25, 27-29, July 2, 4-7, 14, 16, 18-20, 28, 30, Aug 1- 4, 6, 8, 11, 13, 15-25, Sept 18, 20, 22-25, 27, 29, 8.30am-3pm, 

Fee: adult €14, OAP €12, student €10, child €8

Woodford Bourne Warehouse, Sheares Street, Cork

www.woodfordbournewarehouse.com

Open: all year, except Christmas Eve, Christmas Day, 12 noon-10pm 

Fee: Free

Bewley’s, 78-79 Grafton Street/234 Johnson’s Court, Dublin 2

www.bewleys.com

Open: all year, except Christmas Day, Jan- Nov, 8am-6.30pm, Dec 8am-8pm

Fee: Free

Doheny & Nesbitt, 4/5 Lower Baggot Street, Dublin 2

www.dohenyandnesbitts.ie

Open: all year, except Christmas Day, Mon-Wed, 9am-12 midnight, Thurs-Sat, 9am-1.30am, Sun, 9am-12 midnight

Fee: Free

Hibernian/National Irish Bank, 23-27 College Green, Dublin 2                                                                                                                                                

www.clarendonproperties.ie

Open: all year, except Jan1, and Dec 25, 9am-8pm

Fee: Free 

The Odeon (formerly the Old Harcourt Street Railway Station), 57 Harcourt Street, Dublin 2

www.odeon.ie

Open: all year Tue-Sat, National Heritage Week, Aug 16-24, 12 noon-12 midnight 

Fee: Free

Powerscourt Townhouse Centre, 59 South William Street, Dublin 2

www.powerscourtcentre.ie

Open: all year, except New Year’s Day, Christmas Day, 10am-6pm 

Fee: Free

10 South Frederick Street, Dublin 2, DO2 YT54

Open: all year, 2pm-6pm

Fee: Free

The Church, Junction of Mary’s Street/Jervis Street, Dublin 1

www.thechurch.ie

Open: Jan 1-Dec 23, 27-31, 11am-11pm

Fee: Free

www.clonskeagh.com

Open: Jan 5-9, Feb 28, Mar 1-7, 9, May 1-10, June 1-10, July 1-10, Aug 16-25, Nov 4-6, Dec 2-4, 10am-2pm

Fee: adult €12, student/OAP/groups €8, groups over 4 people €8 each

Martello Tower, Portrane, Co. Dublin

Open: March 1- Sept 21, Sat & Sun, National Heritage Week, Aug 16-24, 9am-1pm

Fee: adult €6, student/OAP €2, child free

Tibradden House, Mutton Lane, Rathfarnham, Dublin 16, D16 XV97

www.selinaguinness.com

Open: Jan 7-17, 24, Feb 3, 10, 17, 24, Mar 3, 10, 21, 24, Apr 4, May 2-3, 9-10, 16-17, 23, 29-30, June 13-15, 19-22, 25-28, Aug 15-24, Sept 3-6, 12-13, 19-20, 26-27, Jan-Apr, May-June, Aug, 2pm-6pm, Feb and Sept, 10am-2pm  

Fee: adult €8, student/OAP/group €5  

Woodville House Dovecote & Walls of Walled Garden, Craughwell, Co. Galway

www.woodvillewalledgarden.com

Open: Feb 1-3, 7-10, 14-17, 21-24, 28, Mar 1-3, 7-10, 14-17, Apr 18-21, May 16-19, June 1-2, 6-9, 13-16, 20-23, 27-30, Aug 1-4, 8-11, 15-25, Feb-May, 12 noon-4pm, June and August, 11am-5pm, last entry 4.30pm    

Fee: adult €10, OAP €9, student, €6, child €4 must be accompanied by adult, family €25 (2 adults and 2 children) 

Derreen Gardens, Lauragh, Tuosist, Kenmare, Co. Kerry

www.derreengarden.com

Open: all year, 10am-6pm

Fee: adult/OAP/student €10, child €5, family ticket €30 (2 adults & all accompanying children under18) 20% discount for groups over 10 people

Kells Bay House & Garden, Kells, Caherciveen, Co. Kerry, V23 EP48 

www.kellsbay.ie

Open: Jan 1-4, Feb 1-Dec 21, 27-31, Jan-Apr, Oct-Dec 9am-5pm, May-Sept 9am-6pm

Fee: adult €9.50, child €7.50, family €30 (2 adults and up to 3 children 17 years or under) concessions 10% on groups up to 20 persons

Farmersvale House, Badgerhill, Kill, Co. Kildare, W91 PP99

Open: Jan 6-21, Mar 3-6, July 18-31, Aug 1-26, 9.30am-1.30pm

Fee: adult €5, student/child/OAP €3, (Irish Georgian Society members free)

Harristown House, Brannockstown, Co. Kildare, W91 E710       

www.harristownhouse.ie

Open: Feb 3-7, 24-28, Mar 10-14, 17-21, May 1-14, July 23-25, 28-31, Aug 1, 5-24, 9am-1pm

Fee: adult €15, OAP/student/child €10

Leixlip Castle, Leixlip, Co. Kildare, W23 N8X6

Open: Feb 17-21, 24-28, Mar 3-7, 10-14, May 12-23, June 9-20, Aug 16-24, Sept 1-7, 9am-1pm

Fee: adult €8, OAP/student/child €4, no charge for local school visits/tours 

Kilkenny Design Centre, Castle Yard, Kilkenny

www.kilkennydesign.com

Open: Jan 1 new year’s day 12 noon-5.30pm, Jan 2-Dec 23, 27-31, Jan, Feb, Mar, Apr, Oct, Nov, Dec, Sun, 11am-6pm, Mon-Sat, 10am-6pm, May, 10am-6pm, June, July, Aug, Sept, Sun, 10am-6pm, Mon- Sat, 9am-6pm,

Fee: Free

Ballaghmore Castle, Borris in Ossory, Co. Laois

www.castleballaghmore.com

Open: all year, except Christmas Day, 11am-5pm

Fee: adult €15 with Guide, child over 7 years /OAP/student €8, family of 4 €30

Manorhamilton Castle (Ruin), Castle St, Manorhamilton, Co. Leitrim

Open: Jan 3, 6, 10, 13, 17, 20, 24, 27, 31, Feb 3, 7, 10, 14, 17, 21, 24, 28,  Mar 3, 7, 10, 14, 17, 21, 24, 28, 31,  Apr 4, 7, 11, 14, 18, 21, 25, 28, May 2-5, 9-12, 16-19, 23, 26, 30, June 2, 6, 9, 13, 16, 20, 23, 27,  July 4, 7, 11, 14, 18, 21, 25,  Aug 1, 4, 8, 15-25, 29, Sept 1, 5, 8, 12, 15, 19, 22, 26, 29, 10am-4pm

Fee: adult €5, child/OAP/student free

Brookhill House, Brookhill, Claremorris, Co. Mayo

Open:  Mar 13-26, Apr 17-25, June 12-26, July 8-24, Aug 15-26, 2pm-6pm

Fee: adult €8, OAP/student €4, National Heritage Week free

Beau Parc House, Beau Parc, Navan, Co. Meath, C15 D2K6

Open: Mar 1-20, May 1-31, Aug 16-24, 10am-2 pm 

Fee: adult €10, OAP/student/child €8

St. Mary’s Abbey, High Street, Trim, Co. Meath

Open: Feb 8-14, 24-28, Mar 3-7, 26-28, May 10-18, June 23-30, July 21-27, Aug 16-24, Sept 14-20, 2pm-6pm

Fee: adult €5, OAP/student/child €2

Swainstown House, Kilmessan, Co. Meath, C15 Y60F

Open: Mar 4-5, 7-8, April 7-8, 10-11, May 5-11, June 2-8, July 7-13, Aug 16-24, Sept 8-12, 15-19, Oct 6-7, 9-10, Nov 3-4, 6-7, Dec 1-2, 4-5, 11am-3pm

Fee: adult €8, OAP/student/child €5, National Heritage Week free

Crotty Church, Castle Street, Birr, Co. Offaly

Open: Jan 1- Dec 31, Mon-Fri, excluding Bank Holidays, National Heritage Week  Aug 16-24, 12 noon-5pm 

Fee: Free

Springfield House, Mount Lucas, Daingean, Tullamore, Co. Offaly, R35 NF89

www.springfieldhouse.ie

Open: Feb 1-3, 22-23, Mar 8-9, 15-17, Apr 5-6, May 3-5,10-11, 17-18, July 5-6, 26-30, Aug 1-24, Sept 29-30, Oct 1-5, 25-27, 2pm-6pm 

Fee: Free

Strokestown Park House, Strokestown, Co. Roscommon

www.strokestownpark.ie www.irishheritagetrust.ie

Open: Jan 10-Dec 24, Jan-Feb, Nov-Dec 10.30am-4pm, Mar-May, Sept-Oct, 10am-5pm, June-Aug, 10am-6pm 

Fee: adult house €14.50, tour of house €18.50, child €7, tour of house €10, OAP/student €12, tour of house €14.50, family €31, tour of house €39

Beechwood House, Ballbrunoge, Cullen, Co. Tipperary, E34 HK00

Open: Feb 25-27, Mar 4-6, 11-13, April 1-11, May 8-11, 15-18, 22-25, June 7-8, 14-15, Aug 16-24, Sept 2-4, 9-11, 16-18, 23-28, 9.15am-1.15pm

Fee: adult €5, OAP/student €2, child free, fees donated to charity

Clashleigh House, Clogheen, Co. Tipperary

Open: Mar 4, 6, 11, 13, 18, 20, 25, 27, Apr 1, 3, 8, 10, 15, 17, 22, 24, 30,  May 6, 8, 10-11, 13, 15, 17-18, 20, 22, 24-25, 27, 29, June 3, 5, 10, 12, 17, 19, 24, 26,  Aug 16-24, Sept 2, 4, 9, 11, 16, 18, 23, 25, 30, Oct  2, 7, 9, 9am-1pm

Fee: adult €8, OAP/student/child €4 

Fancroft Mill , Fancroft, Roscrea, Co. Tipperary

www.fancroft.ie

Open: Feb 3-15, Mar 24-30, May 13-28, June 10-20, Aug 15-27, 10am-2pm 

Fee: adult €8, OAP/student €6, child free under 5 years, one to one adult supervision essential, group rates available 

Cappoquin House & Gardens, Cappoquin, Co. Waterford, P51 D324

www.cappoquinhouseandgardens.com

Open: Apr 7-12, 15-19, 22-26, 28-30, May 1-3, 5-10, 2-17, 19-24, 26-31, June 2-7, Aug 16-24, 9am-1pm  

Gardens open all year  

Fee: adult house €10, house and garden €15, garden only €6, child free

The Presentation Convent, Waterford Healthpark, Slievekeel Road, Waterford City

www.rowecreavin.ie

Open: Jan 2- Dec 23, 29-30, Mon-Fri, National Heritage Week Aug 16-24, closed Bank Holidays, 8.30am-5.30pm

Fee: Free

Lough Park House, Castlepollard, Co. Westmeath

Open: Mar 15-21, 28-31, Apr 18-21, May 1-7, June 1-9, July 12-25, Aug 1-7, 16-24, 2pm-6pm

Fee: adult €6

Tullynally Castle & Gardens, Castlepollard, Co. Westmeath, N91 HV58

www.tullynallycastle.com

Open: Castle, May 1-3, 8-10, 15-17, 22-24, 29-31, June 5-7, 12-14, 19-21, 26-28, July 3-5, 10-12, 17-19, Aug 1-2, 7-9, 14-24, 28-30, Sept 4-6, 11-13, 18-20, 11am-3pm

Garden, Mar 27-Sept 28, Thurs-Sundays, and Bank Holidays, National Heritage Week, Aug 16-24,11am-5pm

Fee: castle adult €16.50, child entry allowed for over 8 years €8.50, garden, adult €8.50, child €4, family ticket (2 adults + 2 children) €23, adult season ticket €56, family season ticket €70, special needs visitor with support carer €4, child 5 years or under is free

Kilcarbry Mill Engine House, Sweetfarm, Enniscorthy, Co Wexford

Open: Jan 1-4, 29-31, Feb 3-5, Mar 5-7, 10-11, Apr 3-4, 11-13, May 10-12, 19-23, July 5-7, Aug 2-31, Dec 19-23, 27-30, 12 noon-4pm

Fee: adult €10, student/OAP €5, child free

Sigginstown Castle, Sigginstown, Tacumshane, Co. Wexford, Y35 XK7D 

www.sigginstowncastle.com

Open: Mar 14-17, 21-23, April 4-6, 11-13, 18-21, May 2-5, 9-11, 16-18, 23-25, June 6-8, 13-15, 20-22, 27-29, July 4-6, 11-13, 18-20, 25-27, Aug 1-4, 8-10, 15-24, Sept 6-7, 13-14, 20-21, 27-28, 1pm-5pm

Fee: adult €10, child/OAP/student €8, groups of 6 or more €8 per person

Altidore Castle, Kilpeddar, Greystones, Co. Wicklow, A63 X227

Open: Mar 10-30, May 1-31, June 1-5, 1pm-5pm, Aug 16-24, 2pm-6pm

Fee: adult €10, OAP/child/student €8

Castle Howard, Avoca, Co. Wicklow

Open: Jan 6-8, Feb 10-14, Mar 3-5, 18-20, June 4-7, 9-11, 23-28, July 7-12, 21-24, Aug 16-24, Sept 1-6, 13, 20, 28-30, Oct 1, 6-8, 9am-1pm

Fee: adult €8.50, OAP/student €6.50, child €5

Mount Usher Gardens, Ashford, Co. Wicklow, A67 VW22

www.mountushergardens.ie

Open: all year, except Christmas Day and St. Stephen’s Day, Jan-Mar, Nov-Dec, 10am-5pm, Apr-Oct, 10am-5.30pm 

Fee: adult €10, student/OAP €8, child over 4 years €5, under 4 years free, group rate (10 or more people) €8 per person 

Powerscourt House & Gardens, Powerscourt Estate, Enniskerry, Co. Wicklow, A98 W0D0

www.powerscourt.com

Open: Jan 1-Dec 24, 27-31, house and garden, 9.30am-5.30pm, ballroom and garden rooms, 9.30am-1.30pm

Fee: Jan-Oct, adult €14, OAP, €12, student €10.50, child €5.50, family €20, Nov- Dec, adult €10.50, OAP €9.50, student €9, child €5.50, Jan- Oct, concessions-family ticket 2 adults and 3 children under 18 years €33, concession-Nov-Dec family 2 adults and 3 children under 18 €25

Russborough, The Albert Beit Foundation, Blessington, Co. Wicklow, W91 W284

enc@russborough.ie

Open: Feb 1-Dec 23, 27-31, Feb, Nov, Dec 9am-5.30pm, Mar-Oct 9am-6pm Fee: adult €14.

Cabra Castle (Hotel), Kingscourt, Co. Cavan, A82 EC64

www.cabracastle.com

Open: all year, except Dec 24, 25, 26, 11am-4pm

Fee: Free

Claregalway Castle, Claregalway, Co. Galway, H91 E9T3 

www.claregalwaycastle.com

Tourist Accommodation Facility

Open: January 2- December 24

Ballyseede Castle, Ballyseede, Tralee, Co. Kerry

www.ballyseedecastle.com

Open: Mar 14-Dec 31, 8am-12 midnight

Fee: Free

Owenmore, Garranard, Ballina, Co. Mayo

www.owenbeag.ie

(Tourist Accommodation Facility)

Open: all year except Jan, Feb, June 15- July 10, Dec   

Cillghrian Glebe now known as Boyne House Slane, Chapel Street, Slane, Co. Meath, C15 P657

www.boynehouseslane.ie

(Tourists Accommodation Facility)

Open: all year, National Heritage Week, Aug 16-24, 9am-1pm

Fee: Free

Loughcrew House, Loughcrew, Old Castle, Co. Meath

www.loughcrew.com

(Tourist Accommodation Facility)

Open: all year

Fee: adult €8, OAP/student €6, child €4, carers free

Slane Castle, Slane, Co. Meath, C15 XP83

(Tourist Accommodation Facility)

Open: January, February, May, June, July, August, (Mar-Apr, Sept-Dec, Mon-Thurs)

Fee: adult €14, OAP/student €12.50, child €8.40 under 5 years free

Tankardstown House, Rathkenny, Slane, Co. Meath, C15 D535

www.tankardstown.ie

Open: all year, National Heritage Week, Aug 16-24, 9am-1pm

Fee: Free

Castle Leslie, Glaslough, Co. Monaghan

www.castleleslie.com

(Tourist Accommodation Facility)

Open: all year, National Heritage Week events August 16-24

Fee: Free

The Maltings, Castle Street, Birr, Co. Offaly

www.canbe.ie

(Tourist Accommodation Facility)

Open: all year

Lismacue House, Bansha, Co. Tipperary

www.lismacue.com

(Tourist Accommodation Facility)

Open: Mar 1-Oct 31

Wilton Castle, Bree, Enniscorthy, Co. Wexford, Y21 V9P9

(Tourist Accommodation Facility)

www.wiltoncastleireland.com   

Open: all year

Woodbrook House, Killanne, Enniscorthy, Co. Wexford, Y21 TP 92

(Tourist Accommodation Facility)

www.woodbrookhouse.ie

Open: all year