Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 272. “A house built ca mid-C18 by a Mr Leggat. Old castle in demesne. Sold by Capt R.S.Ryan 1951.”
Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
Built for the Leggatt family in the mid 18C. Demolished.
THE BENNETTS WERE MAJOR LANDOWNERS IN THE KING’S COUNTY, WITH 5,480 ACRES
NICHOLAS BENNETT married Mabel O’Kelly, of County Roscommon, and had issue,
Nicholas, died unmarried; FRANCIS, his heir; Mabel, m to John Ball; Anne, died unmarried.
The eldest surviving son,
FRANCIS BENNETT, of Thomastown, wedded Elizabeth Laffin, of County Kilkenny, and had issue,
Thomas, diedunmarried; VALENTINE; Mary Catherine, m to Lt-Col L’Estrange; Elizabeth Emily, m to John Farrell.
The younger son,
VALENTINE BENNETT JP DL, of Thomastown, High Sheriff of King’s County (Offaly), 1830, married, in 1894, Elizabeth Helen, daughter of George Ryan, of Inch House, County Tipperary, and had issue,
FRANCIS VALENTINE, his heir; George Henry; Thomas Joseph; Henry Grey; Valentine; FREDERICK PHILIP, succeeded his brother; Albert; Elizabeth Marian.
Mr Bennett died in 1839, and was succeeded by his eldest son,
FRANCIS VALENTINE BENNETT JP DL (1826-90), of Thomastown Park, High Sheriff of King’s County, 1854, who died without issue, and was succeeded by his brother,
FREDERICK PHILIP BENNETT JP DL (1830-1905), High Sheriff of King’s County, 1895, who died at Monaco.
Mr Bennett left his estate to Mr Valentine Ryan, on condition that he adopt the name of BENNETT.
THOMASTOWN PARK HOUSE, Frankford, near Birr, County Offaly, was built in the mid-18th century.
There is said to be an old castle within the demesne.
The house, built during the mid-18th century for the Leggat family, and in the ownership of the Bennett family during the 19th century, was once a large and important demesne within County Offaly.
The house even had a private chapel.
Though the country house itself is no longer extant, the associated structures of the demesne remain.
(Image: Country Life/Nicholas Kingsley)
Notable elements include the large walls which surround what once was a deer park; the finely tooled limestone entrance gates; the walled garden; and the outbuilding with ashlar bellcote.
The walled garden, outbuilding, deer park and former entrance gates and lodge to former Thomastown Park House, built ca 1750.
Main entrance gates (above) with square-profile, ashlar limestone gate piers with frieze and capping stones with wrought-iron gates flanked by pedestrian entrances with tooled limestone surrounds flanked by quadrant walls; large, walled deer park to north of former demesne with random coursed stone walls.
Walled garden to west of former house site with random coursed stone walls and red brick internal wall to north.
Outbuilding to farmyard complex with rough-cast rendered walls, corrugated roof and ashlar limestone bell-cote to south-east elevation.
Segmental and square-headed carriage arch openings with corrugated doors.
The estate was sold by Group Captain Richard Stephen Ryan CBE RAF in 1951.
Rathrobin, County Offaly, photograph courtesy of National Inventory.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 240. “(Biddulph/IFR) A house originally built 1694 by Nicholas Biddulph, near an old castle. Rebuilt C19 in irregular Tudor-Revival style; numerous gables, with ball finials; dormers, gabled single-storey porch; mullioned windows. Burnt ca 1920, now a ruin.
Rathrobin, County Offaly, photograph courtesy of National Inventory.Rathrobin, County Offaly, photograph courtesy of National Inventory.
Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
p. 121. 19C Tudor Revival house designed by Sir Thomas Drew for the Biddulph family. Burnt c. 1920. Now a ruin.
Detached multiple-bay three-storey Tudor Revival country house, built c.1890, with advanced end bay and gabled bays to front. Single-storey return and two-storey canted bay to rear. Burnt c.1920 and now in a ruinous condition. Set within its own grounds. Roof gone. Ashlar and rendered chimneystacks with finials and limestone coping to pediments. Ruled-and-lined render to walls with plinth. Plaque to front elevation with label moulding. Window opening with tooled limestone surrounds and sills and some with limestone mullions and transoms. Pedimented ashlar porch with Tudor arched opening with chamfered limestone surround and label moulding. Random coursed limestone outbuildings to north-west set around yard. Random coursed boundary wall to rear with segmental-arched gateway.
Rathrobin House was designed by Sir Thomas Drew for the Biddulph family, to replace a house built in 1694. It iis constructed of massed concrete, making it a particularly interesting structure of technical and architectural merit. Now an ivy-covered ruin following its destruction during the 1920s. It retains some of its Tudor Revival features, however, such as the multiple gables, dormers and stone window fixtures, which attest to its one time greatness. Its destruction was recounted by Arthur Magan in ‘The Magans of Ummera’, as this was his mother’s home. Despite its humble present state, Rathrobin House makes a valuable contribution to the architectural heritage of County Offaly.
In Blake, Tarquin. Abandoned Mansions of Ireland II: More Portraits of Forgotten Stately Homes. Collins Press, Cork, 2012.
Thomastown House, County Roscommon, entry front during demolition 1958, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 272. “A three storey seven bay Georgian house with a pillared porch.”
Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
p. 127. A three storey early 18C house. Roof altered in the early 19C when a Doric porch was also added. Demolished 1958.
Walled garden, outbuilding, deer park and former entrance gates and lodge to former Thomastown Park House, built c.1750. Main entrance gates with square-profile, ashlar limestone gate piers with frieze and capping stones with wrought-iron gates flanked by pedestrian entrances with tooled limestone surrounds flanked by quadrant walls. Single-storey gate lodge to east. Large walled deer park to north of former demesne with random coursed stone walls. Walled garden to west of former house site with random coursed stone walls and red brick internal wall to north. Outbuilding to farmyard complex with roughcast rendered walls, corrugated roof and ashlar limestone bellcote to south-east elevation. Segmental and square-headed carriage arch openings with corrugated doors.
Appraisal
Thomastown Park House, built during the mid eighteenth century for the Leggat family and in the ownership of the Bennett family during the nineteenth century, was once a large and important estate within County Offaly. The house even had a private chapel. Though the country house itself is no longer extant, the associated structures of the demesne remain. Notable elements include the large walls which surround what once was a deer park, the finely tooled limestone entrance gates, the walled garden and the outbuilding with ashlar bellcote.
Runnamoat (or Runnymeade), Ballymoe, County Roscommon
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 250. “(Balfe/IFR; Chichester -Constable/LG1952) A three storey house of late C18 appearance; five bay front, one bay central breakfront, doorway with sidelights and very shallow segmental fanlight. The seat of the Balfe family; passed through marriage to the Chichester family, who assumed the additional name of Constable on inheriting Burton Constable, Yorkshire. Burnt 1933.”
Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
Then and Now, Mount Talbot House, 1910 v 2024 from The Landed Estates of County Roscommon fb page
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
pg. 217. (Talbot, sub Crosbie/IFR) Originally a C18 winged Palladian house, the wings constructed at an angle of 45 degrees to the centre block, and joined to it by by curved open arcades, with urn finials on the parapets. Then, ca 1820, the centre block was transformed into an impressive castellated and Gothic pile; the arcades and wings being left as they were, producing a somewhat hybrid effect. As transformed, the entrance front of the centre block was nearly symmetrical and had a masive square tower like a keep at one end, a pair of turrets in the centre, which resembled a Tudor gatehouse tower, and 3rd turret at the other end. The garden front was more ecclesiastical than military, and had a three bay projection with graceful pointed windows and Gothic pinnacles at the corners. Dining room with Gothic recess. Chaste and elegant Classical arch at entrance to demesne, with rusticated piers and urns on its entablature; flanked by two smaller arches for pedestrians. Mount Talbot was burnt 1922.”
Mount Talbot, County Roscommon, courtesy of Mark Bence-Jones.
Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
p. 127. A mid 18C Palladian house built for the Talbots consisting of a central block connected to pavilions by open arcade sweeps. The pavilions have elevations similar to those at Altavilla, County Limerick. In c. 1820, the central block was remodelled in the Tudor Revival style. The house was burnt in 1922, but the arcade and wings remain.
Chapter in David Hicks, Irish Country Houses, a Chronicle of Change.
THE TALBOTS OWNED 5,916 ACRES OF LAND IN COUNTY ROSCOMMON RICHARD TALBOT (c1520-77), of Templeogue, County Dublin, Chief Justice of the Common Pleas in Ireland, eldest son of William Talbot, the youngest son of Thomas Talbot, Lord of Malahide, married Alice, daughter of John Burnell, of Balgriffin, was father of
JOHN TALBOT, of Templeogue, whose will was proved in 1584; father of
ROBERT TALBOT, of Templeogue, who wedded Eleanor, daughter of Sir Henry Colley, of Castle Carbury, and had two sons,
John, of Templeogue, dsp 1627; HENRY, his successor.
Mr Talbot died in 1616, and was succeeded by his younger son,
JAMES TALBOT, of Templeogue, and Mount Talbot, County Roscommon, Colonel in JAMES II’s army, was killed at the battle of Aughrim, 1691.
He married Bridget, daughter of Francis, 17th Baron Athenry, and had two daughters,
Mary, m John, 9th Earl of Clanricarde; Bridget, m Valentine Browne (ancestor of the Marquess of Sligo).
Mr Talbot died without male issue, and was succeeded by his brother,
WILLIAM TALBOT (-1692), of Mount Talbot, who wedded Lucy, widow of George Holmes, daughter and co-heir of William Hamilton, of Liscloony, King’s County, by whom he had a son,
HENRY TALBOT (-1729), of Mount Talbot, High Sheriff of County Roscommon, 1713, who married Isabella Forward, and had issue,
WILLIAM, his heir; John (Rev).
The elder son,
WILLIAM TALBOT (-1787), of Mount Talbot, High Sheriff of County Roscommon, 1753, wedded, in 1739, Sarah, widow of John Southwell, and daughter of the Rt Hon Henry Rose MP, and had issue,
Henry Rose, dvp 1759; WILLIAM JOHN, succeeded his brother; Bridget; Jane.
The younger son,
WILLIAM JOHN TALBOT (-1787), of Mount Talbot, wedded firstly, in 1765, Elizabeth Margaret, daughter of George Rose, of Moyvane, County Limerick, and had a daughter,
Jane, m in 1786 Sir Edmund Stanley.
He espoused secondly, in 1775, the Lady Jane Crosbie, daughter of William, 1st Earl of Glandore, and had further issue,
William, dsp 1851; JOHN, of whom presently; Charles; Theodosia.
The second son,
THE REV JOHN TALBOT, assumed, in 1816, the name and arms of CROSBIE in pursuance of the will of his uncle, John, last Earl of Glandore.
He married, in 1811, Jane, daughter of Lieutenant-Colonel Thomas Lloyd, of Beechmount, County Limerick, and had issue,
WILLIAM (TALBOT-CROSBIE), of Ardfert Abbey; JOHN, of Mount Talbot; Anne; Diana.
The Rev John Talbot-Crosbie died in 1818, and was succeeded by his second son,
JOHN TALBOT JP DL (1818-95), of Mount Talbot, High Sheriff of County Roscommon, 1857, formerly of the 35th Regiment, who assumed, in 1851, the name and arms of TALBOT instead of CROSBIE.
He espoused firstly, in 1845, Marianne, eldest daughter of Marcus McCausland, of Fruit Hill (otherwise Drenagh), County Londonderry, and had an only daughter,
Marianne Jane Theodosia.
Mr Talbot married secondly, in 1858, Gertrude Caroline, daughter of Lieutenant-Colonel Bayly, of Ballyarthur, County Wicklow, by whom he had a son,
CAPTAIN WILLIAM JOHN TALBOT JP DL (1859-1923), of Mount Talbot, High Sheriff of County Roscommon, 1886, Armagh, 1903, who wedded, in 1897, Julia Elizabeth Mary, only child of Sir Capel Molyneux Bt DL, of Castle Dillon, County Armagh, though the marriage was without male issue.
Captain Talbot was the last Lord-Lieutenant of County Roscommon, from 1917 until 1922.
MOUNT TALBOT HOUSE, near Athleague, County Roscommon, today lies in ruins.
It was built ca 1750 in the Palladian style, with wings constructed at an angle to the main block, joined by curved arcades.
The arcades, which were open, were embellished with urn finials on the parapets.
The central block was changed, about 1820, into a castellated Gothic, Tudor-Revival edifice.
The main block now had a huge square tower at one end with a pair of pinnacles or miniature turrets; and a third castlellated turret at the other end.
Whereas the garden front boasted a three-bay projection with pointed windows and Gothic pinnacles.
A grand Triumphal kind of arch with rusticated piers still remains at the former main entrance to the demesne.
The Talbot family’s great ancestral home was maliciously burnt in 1922.
William John Talbot and his wife probably never returned.
Mr Talbot, the last Lord-Lieutenant of County Roscommon, died in London one year later.
THE charming little church at Mount Talbot, which contains the family mausoleum, was erected by the Talbots in 1766.
It has been described as “a plain, neat, Gothic building, erected in 1766 at an expense of £415, a gift from the Board of First Fruits.“
Its last service took place in 1965, it is thought.
Mount Talbot, County Roscommon, photograph by Irish Aesthete.
It was the late Nuala O’Faolain who, almost 25 years ago, told me the unhappy story of Marianne Talbot, a story Nuala later incorporated into her 2001 novel, My Dream of You. The tale can be summarized as follows: in January 1845 John Talbot-Crosbie, a younger son of the Rev John Talbot-Crosbie of Ardfert Abbey, County Kerry, married Marianne McCausland. A year later the couple’s only child, a daughter also called Marianne, was born. In May 1851 John Talbot-Crosbie’s uncle William Talbot died, and left his nephew an estate in County Roscommon called Mount Talbot. However, the will stated that John was only to enjoy lifetime occupancy and full ownership rested on his having a male heir. A year later, John, who by royal licence had now dropped Crosbie from his surname, claimed to have discovered his wife Marianne with a groom called Mullen in the latter’s room, the door to which was locked; curiously the couple’s little daughter was also in the room. However, immediately separated from her child, the following day Marianne Talbot was brought by the local rector to Dublin and there kept in confinement. It is said that Mullen followed Marianne to the city and tried to see her there, but was not allowed to do so. Some time later she was declared insane, taken to England and placed in a lunatic asylum where she is believed to have spent the rest of her life. Meanwhile, her husband initiated divorce proceedings against Marianne on the grounds of adultery and although his application was granted, it was repeatedly challenged by Marianne’s family, the case going all the way to the House of Lords where the couple’s divorce was confirmed in July 1856. As can be imagined, the matter attracted considerable public attention, and it was widely believed that John Talbot, knowing his wife was unlikely to have any further children and certainly not a boy, had fabricated her adultery with the groom so as to allow a divorce. Having succeeded in this ambition, he was able to marry again – in October 1858 – and a year later his second wife, Gertrude Caroline Bayley, had a son. Divine justice then intervened: John Talbot died a fortnight after the birth.
Mount Talbot, County Roscommon, photograph by Irish Aesthete.
Mount Talbot, County Roscommon, photograph by Irish Aesthete.
Mount Talbot, County Roscommon, photograph by Irish Aesthete.
Mount Talbot, County Roscommon, photograph by Irish Aesthete.
Mount Talbot, County Roscommon, photograph by Irish Aesthete.
The Talbots were a family long settled in Ireland, the first of them being Richard de Talbot who around 1185 was granted land in Malahide where his descendants lived in a castle until 1973. Another branch was based in Templeogue, County Dublin until, in the aftermath of the Cromwellian Wars, Sir Henry Talbot had his lands seized and was transplanted to County Roscommon. Restored to his original lands in the aftermath of the Restoration, all seemed well until Sir Henry’s son James took up the cause of James II and was killed at the Battle of Aughrim in 1691. Once again, the family lost its property in the Dublin region, but somehow managed to hold onto the Roscommon estate, which eventually passed to James Talbot’s nephew Henry. In the 1730s he embarked on building the core of what remains today of the house at Mount Talbot. The design of this has been attributed to that prolific architect of the period, Richard Castle. Certainly, the building as originally constructed conformed to the Castle’s Palladian model, the main block being flanked by wings set at an angle of 45 degrees and linked to them by curved open arcades with a series of urns along the parapets. So far, so standard but then around 1820 the era’s Tudor Gothic craze hit Mount Talbot’s then owner, the aforementioned William Talbot (the terms of whose will would later be the cause of so much unhappiness). The consequences were startling.
Mount Talbot, County Roscommon, photograph by Irish Aesthete.
Mount Talbot, County Roscommon, photograph by Irish Aesthete.
Mount Talbot, County Roscommon, photograph by Irish Aesthete.
Mount Talbot, County Roscommon, photograph by Irish Aesthete.
Mount Talbot, County Roscommon, photograph by Irish Aesthete.
The architect chosen to oversee Mount Talbot’s transformation was a local man, Richard Richards, of whom relatively little is known although he did design a number of churches. This was certainly his most important commission and he clearly wanted to make an impression. What presumably had been a symmetrical classical house was given a great square keep at one end of the façade and a smaller polygonal turret at the other; between them the entrance to the building was now flanked by similar turrets. The centre of the garden front received a three-storey projecting block with arched Gothic windows and pinnacles at the corners of the roofline, all of which was castellated. One more turret rose above all the others in the middle of the building. Further work undertaken in the early 1880s when a new entrance front approached by a grand stone staircase was added in the north-east corner of the house. Yet while the main block was dressed up to look like a castle, the arcades and wings retained their original classical appearance, an altogether bizarre juxtaposition of styles. It was not to last long. William John Talbot, the heir born to John Talbot just two weeks before his death, in due course came of age and into his inheritance when he embarked on the additional work mentioned above. Known as Johnnie, in 1897 he married a wealthy heiress, Julia Molyneux, only child of Sir Capel Molyneux of Castle Dillon, County Armagh, meaning the couple were exceedingly wealthy. All was well until the onset of the War of Independence and its aftermath, the Civil War. During the first of these, British troops were garrisoned in the house and grounds of Mount Talbot, the Talbots seemingly living during this period at Castle Dillon. Following the signing of the Treaty, they returned to Mount Talbot but in early April 1922, a group of armed Republicans arrived at the house and assaulted the now-elderly Johnnie Talbot, giving the couple 24 hours to leave the place or face worse. The next day the Talbots departed, never to return, he to go into a nursing home in Dublin, his wife to the Shelbourne Hotel, where she died that night, supposedly from shock brought on by the attack at Mount Talbot. Johnnie Talbot died the following year in London. Meanwhile, as the Civil War continued, Free State troops occupied Mount Talbot which in July 1922 was attacked by Anti-Treaty forces who placed a mine under the main entrance and other bombs around the building, causing considerable damage. The Talbots had no children, and following his death, the estate was broken up by the Land Commission and the house, along with its contents, sold. All that remains today is a stump of the central block and one of the wings. No trace survives of the other wing, nor of either linking arcade. After all that John Talbot had done to ensure Mount Talbot remained in his family, and all the suffering he had caused to his first wife Marianne, this was the end result.
Mount Plunkett, County Roscommon entrance front c. 1920 photograph: William English, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 216. “A house of unusual design built 1806 by George Plunkett….Passed to the Grehan family ca 1850 and in 1876, to Robert Adamson. Laster the residence of C.E.A. Cameron, Assistant Inspector General of the RIC. Dismantled 1946, now a ruin.”
In Blake, Tarquin. Abandoned Mansions of Ireland II: More Portraits of Forgotten Stately Homes. Collins Press, Cork, 2012.
Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
Mote Park, County Roscommon entrance front c. 1860 before fire, photograph: Augusta Crofton, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 211. “(Crofton, B/PB) A three storey house by Sir Richard Morrison incorporating an earlier C18 house. Nine bay entrance front… Sold by 5th Lord Crofton 1950s, demolished 1958.”
Mote Park, County Roscommon, photographs courtesy of Mark Bence-Jones.
Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
Mote Park, County Roscommon, photograph by Irish Aesthete.
The Lion Gate at Mote Park, County Roscommon. This was once one of the entrances to an estate owned by the Crofton family who settled here in the second half of the 16th century; in 1798 they became Barons Crofton of Mot . In the 1620s their forebear George Crofton built Mote Castle, but it was replaced by a new house at some date between 1777-87. This property was in turn rebuilt after being gutted by fire in 1865 but only survived another century: the last of the Croftons left Mote in the 1940s after which the contents were auctioned: the house itself was demolished in the 1960s. In February 2015 its former portico, rescued at the time of the demolition, was sold at auction for €12,000.
Mote Park, County Roscommon, photograph by Irish Aesthete.
Mote Park, County Roscommon, photograph by Irish Aesthete.
According to a history of Mote Park compiled in 1897 by Captain the Hon Francis Crofton, the Lion Gate was erected in 1787 and its design has sometimes been attributed to James Gandon, although this is disputed. Whatever the case, it takes the form of a Doric triumphal arch with screen walls linking it to what were once a pair of identical lodges (but are now used for housing livestock). A plinth on top of the arch features a Coade Stone lion, one foot resting on a ball. Over time this had become much weathered (not helped by bees nesting inside the animal) and when taken down a few years ago three of its feet fell off. Following restoration work at the Coade workshop in Wiltshire, the lion was reinstated in September 2016 and now once more surveys what is left of the Mote parkland: this restoration was funded by a number of sources, predominantly American supporters of the Irish Georgian Society.
Mote Park, County Roscommon, photograph by Irish Aesthete.
THE BARONS CROFTON WERE MAJOR LANDOWNERS IN COUNTY ROSCOMMON, WITH 11,053 ACRES
The family of CROFTON is descended maternally from the Croftons of Crofton Hall, Cumberland, but paternally descend from a common ancestor of the Lowthers, Earls of Lonsdale.
The founder of the family in Ireland was
JOHN CROFTON (1540-1610), of Mote, County Roscommon, Auditor-General in the reign of ELIZABETH I, who accompanied the Earl of Essex into Ireland and obtained large grants of land in the counties of Roscommon and Leitrim.
Mr Crofton wedded Jane, sister of Sir Henry Duke, of Castle Jordan, County Meath, and had issue,
EDWARD, his heir; John; William; HENRY, ancestor of Sir M G Crofton Bt, of Mohill House; Sarah; Joan; Anne.
The eldest son,
EDWARD CROFTON, of Mote, County Roscommon, wedded Elizabeth, daughter of Captain Robert Mostyn, and had issue,
GEORGE, his heir; Thomas, ancestor of Crofton of Longford House, County Sligo; John; William.
The eldest son,
GEORGE CROFTON, MP for Askeaton, 1639, married Elizabeth, second daughter of Sir Francis Berkeley, MP for County Limerick, and had issue,
John; Thomas; EDWARD, of whom we treat; Mary; Sarah.
Mr Crofton, who erected the castle of Mote, 1639, was succeeded by his youngest son,
EDWARD CROFTON (1624-75), of Mote, who espoused firstly, in 1647, Mary, daughter of Sir James Ware; and secondly, Susanna Clifford, by whom he had issue, an only child, EDWARD.
Mr Crofton was created a baronet in 1661, denominated of The Mote, County Roscommon.
He was succeeded by his only son and heir,
THE RT HON SIR EDWARD CROFTON, 2nd Baronet (c1662-1729), MP for Boyle, 1695-9, County Roscommon, 1703-27, who married, in 1684, Katherine, daughter of Sir Oliver St George Bt, and had issue,
Oliver, father of the 5th Baronet; EDWARD, of whom hereafter
Sir Edward’s younger son,
SIR EDWARD CROFTON, 3rd Baronet (1687-1739), MP for Roscommon Borough, 1713-39, wedded, in 1711, Mary, daughter of Anthony Nixon, and had issue,
EDWARD, his successor; CATHERINE, m Marcus Lowther.
Sir Edward was succeeded by his son and successor,
SIR EDWARD CROFTON, 4th Baronet (1713-45), MP for County Roscommon, 1713-45, who espoused, in 1741, Martha, daughter of Joseph Damer; he was, however, killed in actionat Tournai, France, when the title reverted to his cousin,
SIR OLIVER CROFTON, 5th Baronet (1710-80), who married, in 1737, Abigail Jackson Buckley, though the marriage was without issue.
The baronetcy therefore expired, when his sister and heiress,
CATHERINE CROFTON, became representative of the family.
Miss Crofton married, in 1743, Marcus Lowther (second son of George Lowther MP, descended from a common ancestor with the Earls of Lonsdale), who assumed the name of CROFTON, and being created a baronet in 1758, denominated of The Mote, County Roscommon, became
SIR MARCUS LOWTHER-CROFTON, 1st Baronet, MP for Roscommon Borough, 1761-8, Ratoath, 1769-76, who had issue,
EDWARD, his successor; John Frederick Lowther; William Henry; Catherine; Sophia Jane.
Sir Marcus died in 1784, and was succeeded by his eldest son,
SIR EDWARD CROFTON, 2nd Baronet (1748-97), MP for Roscommon, 1775-97, Colonel, Roscommon Militia, who married, in 1767, Anne, only daughter and heiress of Thomas Croker, and had issue,
EDWARD, his successor; Henry Thomas Marcus (Rev); George Alfred, Captain RN; William Gorges, Captain, Coldstream Guards; k/a 1814; Caroline; Louisa; Frances; Harriet; Augusta.
Sir Edward died in 1797 and his widow,
ANNE, LADY CROFTON (1751-1817), was elevated to the peerage (an honour for Sir Edward, had he lived), in 1797, in the dignity of BARONESS CROFTON, of Mote, County Roscommon.
Her ladyship was succeeded by her grandson,
EDWARD, 2nd Baron (1806-69), who espoused, in 1833, the Lady Georgina Paget, daughter of Henry, 1st Marquess of Anglesey, and had issue,
EDWARD HENRY CHURCHILL, his successor; Charles St George, father of 4th Baron; Alfred Henry; Francis George; Augusta Caroline.
His lordship was succeeded by his eldest son,
EDWARD HENRY CHURCHILL, 3rd Baron (1834-1912), Gentleman of the Bedchamber to the Lord Lieutenant of Ireland 1867-68, State Steward to the Lord Lieutenant, 1880; Gentleman in Waiting to the Lord Lieutenant, 1886-92, who died unmarried, when the honours reverted to his nephew,
ARTHUR EDWARD LOWTHER, 4th Baron (1866-1942), who married, in 1893, Jessie Castle, daughter of James Hewitson, and had issue,
Edward Charles (1896-1936), father of 5th Baron; Marcus Lowther; Eileen Mabel Lowther.
His lordship was succeeded by his grandson,
EDWARD BLAISE, 5th Baron (1926-74).
GUY PATRICK GILBERT, 7th Baron (1951-2007), Lieutenant-Colonel, was Defence Attaché to the British Embassy in Angola.
MOTE PARK HOUSE, Ballymurray, County Roscommon, was built by the Crofton family in the later half of the 18th century, preceding the Castle of Mote erected by the family in 1620.
It was clearly an imposing house and reflected the influence of neo-classicism prevalent at the time.
This style emphasized for the first time a sense of permanence and security among the gentry and nobility in Ireland.
The house was the most impressive of its type built in County Roscommon, the others of this period being located at Runnamoat near Ballymoe, and Sandford House in Castlerea.
The house was originally an irregular two-storey-over-basement house, which the architect Richard Morrison more than doubled in size by adding six bays and an extra storey.
It had a deep hall with a screen of columns, beyond which a door flanked by niches led into an oval library in the bow on the garden front. These gardens contained many fine architectural features, some of which are still intact.
Perhaps the most splendid surviving feature is the original entrance gate consisting of a Doric triumphal arch surmounted by a lion with screen walls linking it to a pair of identical lodges. It has been suggested that this was designed by James Gandon, although others have pointed out that while this certainly is feasible, certain elements, most notably the head and keystone of the arch, appear to be of a later date and have a provincial character.
It is worth mentioning at this stage the work of Augusta Crofton: She was a renowned amateur photographer and appointed OBE in 1920.
From the mid-19th century, as with so many other estates, things started to go downhill for the fortunes of the Croftons and their home.
It should be noted at the outset that the Croftons, while not among the best examples of improving landlords, did keep their rents low and endeavoured to help their tenants as much as possible.
The fact that the estate was well managed is evident from many volumes of rentals of the estate dating from 1834-1893, along with family records held at Roscommon Library.
Rents received, expenditure on wages, bills, details of land improvements and summaries of yearly rental statistics for each denomination are clearly recorded.
The problem of absenteeism was largely irrelevant to the Crofton estate during this period as it was administered by competent land agents.
Despite the Land Acts, tenants made no effort to purchase their land.
Arrears of rent increased with arrears accounting for over 30% of total rent received by the 1890s.
Clearly the house itself was also falling into disrepair.
The 3rd Baron died in 1912 and was interred in the family vault at Killmaine.
In many respects he had become disillusioned with life on the estate long before his death, showing little interest in his Irish properties.
Instead he preferred, among other roles, that of representative peer at Westminister.
As he was a bachelor, his titles passed to his nephew Arthur Edward, 4th Baron.
Although the 4th Baron took a practical interest in his inheritance, the last of the Land Acts meant most of the estate was sold piecemeal in the early 20th century.
Ownership of what was left passed to his children and then to his grandson Edward Blaise, 5th Baron, to whom the title eventually passed.
The 5th Baron was the last of the Croftons to reside at Mote, but moved to England in the 1940s.
A sign that the final demise of the big house was forthcoming is evidenced by the public auction of October, 1947.
It occasioned quite a large public interest as evidenced by a photograph taken of the house on the morning of the auction.
The 1950s and early 1960s saw the final nail driven in the big house’s coffin with the Irish Land Commission demolishing the house completely.
Much of the beautiful woods surrounding the house were also felled, and replaced with newer mixed conifer species.
The remaining land was divided into several properties for families transferred from the nearby congested districts.
Now, instead of the big house, many smaller farm houses lay scattered over what was once the Crofton estate.
Mote Park still attracts many visitors however, marketed now as a heritage walkway, almost ten miles in length and taking in whatever original features still remaining intact.
The house was demolished in the 1960s.
Roscommon Golf Club occupies part of the original Mote Park demesne.
First published in July, 2012. Crofton arms courtesy of European Heraldry.
The Irish state and the Big House in independent Ireland, 1922–73 Emer Crooke, B.A., M.A. Thesis submitted for the degree of Ph.D Jan 2014, Maynooth. p. 116- 119. In another case, on 16 March 1954 the Land Commission wrote to the O.P.W. to say that they had for sale, on a Land Commission owned estate in Roscommon, Mote Park House with ‘a suitable area of accommodation land if required’.31 They described the mansion as ‘an imposing structure, in an excellent state of repair and would appear to be suitable for use as a hospital, sanatorium, school, etc.’32 The commission enquired if the O.P.W. would be interested in the purchase of the property and declared that if they did not receive a reply in twenty-one days they would assume they did not require the property and ‘other arrangements for its disposal will be made’.33 Ten days later the O.P.W. replied briefly to say that the premises were not required by them, suggesting both in the actual reply and its brevity that no interest was shown by the O.P.W. in the property, despite the willingness of the Land Commission to let them know of it for their further information and the commission’s positive comments about its repair and possible use.34 Three years later the Land Commission contacted the O.P.W. again to inform them that efforts which had been made by the commission ‘to sell the building with certain accommodation lands as a residential holding’, their first preference, had failed and they then proposed to sell the building for demolition. This was only considered when they could not sell the house as a residence and the O.P.W. was not interested in maintaining it. Furthermore, it was not in the Land Commission’s remit or budget to have been able to decide to keep and preserve this house; the O.P.W. was the only department which could do so and, if it refused, the commission was in no position but to sell or, if that proved impossible, demolish. However, even after the O.P.W’.s previous brief response the Land Commission did not demolish without thought and its officer wrote again to the O.P.W. stating: before any decision is taken in the matter the Land Commission will be glad to know whether the building is of any historical or architectural importance and if so whether you are interested in preserving the building, either as a complete structure or as a roofless shell and whether you would be prepared to take over the building and its site at a nominal sum.35 On 5 November a member of the O.P.W. requested a report from the Inspector of National Monuments on the matter.36 Having received no reply at all from a seemingly unconcerned O.P.W., on 30 November the Land Commission wrote again to them requesting an early reply and reminding them of their previous letters; they did so again in December.37 As a result the O.P.W. sent a reminder to the inspector on 5 December, 2 January and 28 January 1958 asking for his report.38 Nonetheless, the Land Commission was obliged to send a further letter to the O.P.W. on 27 January asking that they deal with the matter urgently.39 The O.P.W. finally replied on 10 February that their Inspector of National Monuments had not yet found it possible to inspect the property to assess if it would be eligible for preservation as a national monument under the 1930 act, but they hoped this would be arranged shortly and would write when it had been.40 Their inspector, Leask, was again behind the refusal to recognise Mote Park House as a national monument as when he finally carried out his report he described the house as a ‘large, but not very attractive stone mansion of mid nineteenth-century appearance’.41 It did not merit the effort of an interior inspection for him and he concluded: ‘there does not appear to be anything worthy of consideration for state care’.42 Subsequently the O.P.W. informed the Land Commission: ‘we do not consider that the house … is of sufficient interest to merit preservation by the state as a national monument’.43 Following this the Land Commission went ahead with arranging for the disposal of the property and on 6 September 1958 the Irish Independent ran an advertisement by the Land Commission announcing the sale by tender of Mote Park.44 Two options were listed: the first was ‘Mote Park house, steward’s house, out-offices and 112 acres of accommodation lands; the second was ‘alternatively, Mote Park House and some of the buildings for demolition (in lots)’.45 Mote Park House was sold under this second option and demolished in 1958, although it is clear from the evidence here that this was not the preference of the Land Commission who first enquired if the house could be saved. 27 H. G. L. and J. R. joint honorary secretaries of the N.M.A.C. to the secretary of the Department of Lands (forestry division), 15 June 1945 (N.A.I., O.P.W. files, F94/574/1). 28 J. Darby, Department of Lands, to the secretary of the N.M.A.C., 10 May 1945 (N.A.I., O.P.W. files, F94/574/1). 29 H. G. Leask handwritten note to division C, O.P.W., 17 May 1945 on letter from J. Darby, Department of Lands to the N.M.A.C., 10 May 1945 (N.A.I., O.P.W. files, F94/574/1). 30 Ibid. 31 The Land Commission to the O.P.W., 16 Mar. 1954 (N.A.I., O.P.W. files, F94/1084/1/57). 32 Ibid. 33 Ibid. 34 O.P.W. to the Land Commission, 26 Mar. 1954 (N.A.I., O.P.W. files, F94/1084/1/57). 35 The Land Commission to the O.P.W., 26 Oct. 1957 (N.A.I., O.P.W. files, F94/1084/1/57). 36 Handwritten note addressed to the Inspector of National Monuments, 5 Nov. 1957 (N.A.I., O.P.W. files, F94/1084/1/57). 37 The Land Commission to the O.P.W., 30 Nov. 1957; 31 Dec. 1957 (N.A.I., O.P.W. files, F94/1084/1/57). 38 Handwritten note addressed to the Inspector of National Monuments, 5 Dec. 1957; 2 Jan. 1958; 28 Jan. 1958 (N.A.I., O.P.W. files, F94/1084/1/57). 39 The Land Commission to the O.P.W., 27 Jan. 1958 (N.A.I., O.P.W. files, F94/1084/1/57). 40 O.P.W. to the Land Commission, 10 Feb. 1958 (N.A.I., O.P.W. files, F94/1084/1/57). 41 Handwritten note in O.P.W. files signed H. G., entitled: ‘Mote Park, county Roscommon’, 27 Feb. 1958 (N.A.I., O.P.W. files, F94/1084/1/57). 42 Ibid. 43 O.P.W. to the Land Commission, 8 Mar. 1958 (N.A.I., O.P.W. files, F94/1084/1/57). 44 Irish Independent, 6 Sept. 1958. 45 Ibid.
Main staircase, Mantua, County Roscommon 1972, photograph: J and S Harsch, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 200. “(Grace, sub Bowen/LGI1912) A Palladian house attributed to Richard Castle and believed to have been built ca 1747 for Oliver Grace, who married the daughter and heiress of John Dowell, the former owner of the estate. Centre block of three storeys over basement and five bays; roundel between niches in centre of top storey, above pedimented niche betwwen two narrow windows, above fanlighted doorway also between two narrow windows. Rusticated window surrounds. Single-storey corridors joining centre block to two storey three bay wings, each with a roundel above a Venetian window; the wings also having rusticated window surrounds.”
Not in national inventory
Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
p. 127. “A three storey house built c. 1747 to the design of Richard Castle for Oliver Grace.
The property: eight-bedroom 557sq m (6,000sq ft) house for €295,000 which represents a cost of €529 per sq m (€49 per sq ft).
The look: extended country farmhouse, currently the Mantua Arts Centre.
The landscape: located in the scenic countryside of Elphin, 14.5 miles from Boyle and 13.5 miles from Carrick-on-Shannon. Mantua national school is 100 yards away.
The features: tree-lined property with its own brook and private well. It has a kitchen, utility room, well, four reception rooms, eight bedrooms and seven additional rooms used as gallery space.
How much for an investor? The repayments on a 85 per cent loan at an interest rate of 3.6 per cent (APR 3.66 per cent) over 25 years would be €1,266 per month. With an interest-only loan at the same rate, the repayments would be €825 per month.
How much for owner-occupier to buy? Over 35 years, at AIB’s discounted tracker rate of 3.1 per cent (3.6 per cent) the repayments on this mortgage would be €1,151 per month for the first year.
At 92 per cent of the property price, at AIB’s discounted tracker rate of 3.1 per cent (Apr 3.6 per cent) the repayments over 35 years would be €1,058 per month for the first year. Repayments at the standard variable rate of 3.75 per cent (APR 3.81 per cent) would be €1,159 per month.
Potential: it has previously been a barracks, nursing home and shop/post office and is currently an arts centre. Other possibilities include a guest-house or a family home for which it would need some refurbishment.
Verdict: could be a golden opportunity for someone looking to get away from it all and start their own business in the country.
Built in the mid 18th century and owned by the Grace family in the 18th and 19th centuries. Occupied by R. Underwood in 1778. In 1786 Wilson notes that it was the seat of the late Richard Underwood and of Captain Grace. The 1st edition Ordnance Survey map indicates that it had elaborate gardens with a fishpond and terrace. It was owned by Edward F. Bowen in 1906. Mantua is now a ruin.
Mantua House, near Elphin. Oliver Grace married the Roscommon heiress Mary Dowell in the 1740’s and they built this large Palladian house at Mantua, to a design by celebrated architect Richard Castle. The house is now an ivy covered ruin.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 96. “Described by Dr Craig as “perhaps the most splendidly masculine house in the whole country,” an early C18 house of noble proportions and bold, self-confident detail; of two storeys over a basement, with two adjoining pedimented breakfront elevations, one of five bays and the other of seven. The longer of two fronts had a Venetian window above a pedimented doorcase flanked by two windows; the shorter had a doorcase with a pediment on tapering pilasters copied from Sir John Vanbrugh’s door at King’s Weston, Glos, which in turn derived from Michaelangelo. Roof on massive cornice with tall stacks. The house is said to have been built for a fmily named Fraser; it seems likely that Sir Edward Lovett Pearce had at least a hand in the design. By the end of C18 it belonged to a branch of the Daly family; early in C19, it became a school, one of the masters of which was the uncle of Rev A.B. Nicholls, who brought his bride, Charlotte Bronte, to stay here on their honeymoon 1854. The house was unroofed ca 1946, and in recent years, much of the ruin has been demolished.
Cuba Court, County Offaly, entrance front 1978 photograph: William Garner, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
p. 121. designed by school of Edward Lovett Pearce for the fraser family…
Cuba Court, CURRAGHAVARNA AND PORTAVOLLA, Banagher, County Offaly
Detached L-plan five-bay two-storey school house, built c.1720. Now disused. Set within the former demesne of Cuba Court. Hipped slate roof with terracotta ridge tiles. Rendered walls. Square-headed window openings with limestone sills, round-headed door opening and carriage arch opening. Site accessed through stone gate piers with cast-iron gates.
Appraisal
This building was part of the Cuba Court Demesne, and is one of the only remaining structures in what was described by Maurice Craig as ‘perhaps the most splendidly masculine house in the whole country’. Cuba Court was built for the Fraser family in the early eighteenth century and has been associated with Irish architect Sir Edward Lovett Pearce. Charlotte Brontë stayed in Cuba Court on her honeymoon and was impressed to find ‘so much English order and repose in the family habits and arrangements’. Unfortunately the house no longer remains, but the remaining buildings give an impression of the demesne’s former glory, retaining much character and original fabric.
Cuba Court, now demolished, was built around 1730 for George Fraser former Governor of Cuba. The 1629 Charter of Charles I gave Banagher a Royal Free School which was located here in the 19th century.
Arthur Bell Nicholls grew up in Cuba Court while his uncle Rev. Alan Bell was Headmaster (1821-1839). Bell Nicholls was ordained a clergyman in 1844 and in the following year became assistant in Haworth to the Rev. Patrick Bronte (originally Prunty from Co. Down) whose daughter Charlotte, the English novelist, he married in June 1854.
Part of their honeymoon was spent in Cuba Court. Sadly Charlotte died in March the following year, 1855. She was expecting a child at the time. In addition to Bell Nicholls other famous past students of Cuba Royal School were Sir William Wilde, father of Oscar Wilde, and William Bulfin, author of ‘Rambles in Erin’.
Banagher’s Cuba Court (now demolished) is said to date from the 1730s and may have been constructed by one George Frazer, a former Governor of Cuba and perhaps to a design of Sir Edward Lovett Pearce. The house was unroofed in 1946 because, like so many Irish houses, it was ruined by the policy on rates at the time. If the abolition of rates in 1977 was disastrous for the National Debt and local government at least, it may have contributed to the saving of many Irish houses.
Towards the end of the eighteenth century Cuba was the home of Denis Bowes Daly. Bowes Daly was a prominent member of the local ascendancy. Prior to his death in 1821 he had leased Cuba Court to the Army Medical Board as of 1804 on a 61-year lease. The building was but little used as a hospital and the Medical Board was quite happy to give it up to the Commissioners of Education for the purpose of the Royal School. In 1819 the school had some forty pupils. The then headmaster, Thomas Morris, was succeeded by Revd Alan Bell in 1822. Bell purchased the headmastership from Morris for £1,000.
Alan Bell was at the time master of a classical school in Downpatrick and was the son of a County Antrim farmer. He graduated from T.C.D. in 1814. One of his assistant teachers in the late 1830s was Arthur Nicholls, a nephew and a past pupil of Banagher school. Alan Bell died in 1839 and was succeeded by Revd James Hamilton. After a succession of school masters James Adamson Bell, son of Revd Alan Bell, was appointed in 1848 – at the age of 21. The later agreed, at an inquiry at Tullamore in 1855, that he had not the experience at the time to run the establishment. He graduated from T.C.D. with a B. A. in 1847 and in 1852 became a clergyman. The school improved under his management and had 36 pupils in 1852.
Arthur Bell Nicholls
Arthur Bell Nicholls was born of Scottish parents in County Antrim in 1818. He was orphaned early and subsequently brought up by his headmaster uncle in Banagher. He graduated from T.C.D. in 1844 and became curate of Haworth in 1845. It was at Haworth in the West Riding of Yorkshire that he met Charlotte Bronte, daughter of Patrick Bronte, a clergyman at Haworth. Charlotte was born in 1816 and at 31 published an extremely successful novel, Jane Eyre. Her sister, Emily, had earlier published Wuthering Heights. Bell was two years younger than Charlotte and was said to be very serious, almost grave, reserved religious young man of strong convictions – highly conscientious in the performance of his parish duties and narrow in his ideas. Phyllis Bently in her book The Brontes and their World described the marriage proposal and acceptance as follows:
‘For some time Charlotte had been uneasily aware of constraint and awkwardness in Nicholl’s behaviour in her presence, and when one evening in December 1852, just after the disappointing reception of Villette by George Smith, Nicholls on leaving Mr. Bronte’s study tapped on the parlour door, she guessed in a flash what was coming. But she had not realized how strong his feelings for her were. Pale, shaking from head to foot, speaking with difficulty in a low but vehement tone, Nicholls made her understand what this declaration meant to him. She asked if he had spoken to Mr. Bronte; he said, he dared not. She half led, half pushed him from the room, promising him an answer on the morrow, then went immediately to her father with news of the proposal. Mr. Bronte was furious. Charlotte’s own accounts of this courtship and eventual engagement, given in her letters to Ellen Nussey as it went along, could not be bettered in the finest novel in the world. Mr. Bronte’s jealous fury, expressing itself as snobbish resentment – a curate with £100 a year marry his famous daughter! Mr. Nicholl’s stubborn passion, which almost unseated his reason – he would not eat or drink; stayed shut up in his lodgings at the Browns’ (though he still took poor old Flossy out for walks); broke down in the Communion Service, while the village women sobbed around; was rude to a visiting Bishop; resigned his Haworth curacy and agreed to remain till Mr. Bronte found another curate; volunteered as a missionary to Australia but finally took a curacy at Kirk Smeaton, in the West Riding itself. Charlotte, exasperated by Nicholl’s lack of the qualities she desired in a husband, infuriated by her father’s ignoble objections to the match, conscious of the absence of alternatives. The villagers, torn between opposing parties – some say they would like to shoot Mr. Nicholls, but they gave him a gold watch as a parting present. What a tragic drama – or a roaring comedy, depending on its result. Love, coupled with Charlotte’s loneliness and Mr. Bronte’s dissatisfaction with his new curate, Mr. De Renzi, triumphed.
The only-known surviving portrait of Charlotte, Emily and Anne Bronte was painted by their brother Branwell in 1834 and then bought by the National Portrait Gallery in 1914 after it was rediscovered in Banagher. The painting is creased because it was discovered folded up on top of a cupboard in 1914 by the second wife of Charlotte’s husband.
The marriage took place at Haworth on 29 June, 1854, just 165 years ago. The honeymoon was in Ireland and if Bell was a poor unknown curate in England – in Banagher he was a member of a respectable family. In a letter quoted by Mrs. Gaskell in her book The Life of Charlotte Bronte, Charlotte wrote:
“My dear husband, too, appears in a new light in his own country. More than once I have had deep pleasure in hearing his praises on all sides. Some of the old servants and followers of the family tell me I am a most fortunate person; for that I have got one of the best gentlemen in the country . . . . I trust I feel thankful to God for having enabled me to make what seems a right choice; and I pray to be enabled to repay as I ought the affectionate devotion of a truthful, honourable man. “
Cuba Court about 1977
She noted of the school in Cuba House where she stayed while in Banagher: “It is very large and looks externally like a gentleman’s country seat – within most of the rooms are lofty and spacious, and some – the drawing room, dining room &c handsomely and commodiously furnished. The passages look desolate and bare – our bedroom, a great room of the ground floor, would have looked gloomy when we were shown into it but for the turf fire that was burning in the wide old chimney. “Mrs. Bentley felt in her biography that it was difficult to judge whether Charlotte was happy in her marriage. “We’ve been so happy,’ she murmured to her husband, and she spoke warmly of his care and affectionate company when she was ill. But to Ellen she wrote: ‘It is a solemn and strange and perilous thing for a woman to become a wife.’ At least she was no longer lonely, but alway occupied, always needed; she had a parish and two men to care for – ‘my time is not my own now’ – and knew the reality of sex.
In January 1855 Charlotte discovered she was pregnant. It was accompanied by severe illness and she died on 31 March 1855 probably killed by the same illness – consumption – that had killed her two sisters and her brother. The marriage was of short duration – no more than nine months. As to Mr. Nicholls he “remained faithfully with Mr. Bronte in Haworth for the six long years which remained of the old man’s life. He was a somewhat stern guardian of the bedridden invalid that Mr. Bronte rapidly became, and allowed himself a strong dislike to references to his wife’s fame, refusing, for example to baptize infants with the names of any of the Bronte family. Mr. Bronte, learning this, once baptized an infant in his bedroom from a water jug – a sufficient indication of the terms on which the two men stood. When Mr. Bronte died in 1861 Mr. Nicholls returned to Banagher, taking with him his wife’s portrait, her wedding dress (of which a copy has been made), some of Charlotte’s letters and other mementoes, including Mr. Bronte’s dog Plato and Martha Brown. He made a happy second marriage with his cousin, but did not forget Charlotte. Forty years later, when the critic Clement Shorter prepared to write Charlotte Bronte and Her Circle, he found at Banagher among other cherished relics two diary notes of Emily and Anne, in a tin box, and some of the minute childhood writings wrapped in newspaper at the bottom of a drawer. The following report of the pictures he brought from Haworth appeared in 1914 in a local newspaper:
Banagher and Valuable Pictures The Trustees of the National Portrait Gallery have purchased and placed in Room XXXVII a group and a single portrait of considerable personal value. The group represents the portraits of Charlotte Bronte and her two sisters Emily and “dear”, gentle Anne”; the single image is believed to be a long lost portrait of Emily, both pictures from the brush of the brother, Branwell, who was born a year later than Charlotte. The importance of the discovery is indicated also by the reference of the London daily papers. The Morning Post, from which the above extract is taken, says further:- “There seems to have been another group of the three sisters by Branwell. Mr. A. B. Nicholls took the picture with him to Ireland, and not caring much for the portraits of his wife, Charlotte, and Ann he cut them out of the canvas and destroyed them. He retained the portrait of Emily, however, and gave it Martha Brown, the Brontes servant, on one of her visits to Ireland. Martha took it back with her to Haworth, and from that date the fragment disappeared until recently rediscovered in the possession of the widow of Mr. Nicholls, and from her acquired for the National Portrait Gallery.
In order to ascertain particulars the editor of the King’s Co. Chronicle communicated with the Revd. J. J. Sherrard, B. D. , Banagher, wrote to the Chronicle on 7th March –
“The Rev. A. B. Nicholls, left an orphan at six, was practically adopted by Rev. A. Bell, Headmaster of Cuba School, which Mr. N. who was a relative, attended as a boy. He returned to Banagher after the death of Rev. P. Bronte, to whom he was curate in Yorkshire, and married Miss Bell, daughter of Rev. A. Bell. The pictures, two in number – one of the three sisters and one of Emily, were found wrapped in brown paper in a wardrobe a few weeks ago in the Hill House, Banagher, by Mrs. Nicholls, who sent them to Mr. Smith, of Smith and Elder, Publishers of Charlotte Bronte’s books, and were sold through him to the National Gallery. The enclosed cutting (from the Morning Post) is wrong in stating the picture given to Martha Brown was among these. It was not and is believed to be lost.
Banagher Church of Ireland where Bell Nicholls was buried
Subsequent to the publication of the above there appeared in the Morning Post a letter from James J. Sherrard of Banagher a letter dated March 8, 1914. ” Sir, I have received a copy of the “Morning Post” containing an article animadverting on some information I had recently forwarded to the King’s County Chronicle with reference to the above. I may state that your account of the discovery, &c. , of the pictures – though not quite correct- was nearer the truth than any of the accounts I read in other newspapers. The facts are as follows: The pictures sent by Mrs. Nicholls to the National Gallery have been at The Hill House, Banagher, ever since they were brought there by the late Rev. A. B. Nicholls. The single one of Emily – cut out of a large portrait containing three sisters – was preserved by Mr. Nicholls. The rest of picture, with the portraits of his wife Charlotte and Anne, was handed to Martha Brown – who lived at The Hill House for upwards of eight years – not for preservation, but to be destroyed, and it is believed it was destroyed by her. I need not go into all the reasons for this action on the part of Mr. Nicholls. You see, therefore, that I was correct in saying that the picture of Emily forwarded to the National Gallery was never in Martha Brown’s possession, though I was mistaken in implying that Mr. Nicholls had ever given any portrait to Martha Brown. I have the above facts on the best living authority. Yours &c. “ James J. Sherrard.
Banagher before the First World War
Charlotte Bronte and the Bell Family Charlotte died in 1855 and her husband at Banagher in 1906. He had married his cousin and spent the last 45 years of his life there. Their writings place the three Bronte sisters on the highest eminence. Today their novels are read with the same avidity as marked their first publication, and promise to be perpetual. Charlotte’s, Jane Eyre, a romantic love story, met the public eye in 1847, and immediately had an immense circulation, which greatly relieved the straightened circumstances of the family, besides winning lasting fame for its author. Her two other principal works of fiction are known by the names Shirley and Villette, the former a tragedy appearing two years after the first, and at which time her brother and two sisters were dead. In both stories nearly all the people appear as living pictures of relatives and neighbours, and both secured a circulation surpassing expectation. Emily’s undying fame is due to her novel, Wuthering Heights, which saw the light in 1847, but she was not destined to reap the reward of her success as she expired in the course of another brief year, aged 30. The sister Anne’s novel, Agnes Grey, afforded another evidence of the almost evenly divided genius of the three immortal sisters.
Cuba School, Banagher, was one of the Royal educational institutions in Ireland, and ceased as such about 40 years ago, its last master under the endowment having been Mr. Joyce, who afterwards became a medical doctor. The school turned out not a few who rose to distinction in after life, one of these having been the late Sir William, father of Oscar Wilde.
HIll House, Banagher
Hill House, where Nicholls spent so many years, was sold to Major Bell in 1919. He died in 1944 and his wife inherited the property. Florence Bell died in 1959. It is now once again open to visitors who can enjoy its restored appearance and sense the history of a place connected in a curious way with the Bronte family.
Banagher in 1820 from a drawing by George Petrie with the old bridge, barracks and mill.
Banagher, County Offaly has associations with two well-known writers of the nineteenth century – Anthony Trollope and Charlotte Bronte. Up to recent years nothing by way of notice of this was to be found in Banagher, but that has all changed as Banagher, now hard pressed along its main street, looks again to embrace tourism in a way that it did so well in the nineteenth century and in the 1960s. The rescue of Crank House was a great feat, but the challenges are growing.
Many have tackled Trollope’s Life, but none immersed himself so much in Banagher as the late James Pope Hennessy. John McCourt in his 2015 study of Trollope Writing the Frontier: Anthony Trollope between Britain and Ireland ‘offers an in-depth exploration of Trollope’s time in Ireland as a rising Post Office official, contextualising his considerable output of Irish novels and short stories and his ongoing interest in the country, its people, and its always complicated relationship with Britain’.
2. D.H.4 bomber, aircrew posing with map (IWM, Q12021)
Offaly had a small but significant part in the early years of military aviation. In September 1913 Offaly was an important base for some of the earliest uses of aircraft in the annual British Army manoeuvres; some of the Royal Flying Corps’ earliest crashes took place in Offaly during those operations. Approximately 85 men who served in the Allied flying services were born or from Offaly, but their impact was far greater than would be expected. Ferbane hosted an operational wartime base at ‘RAF Athlone’, and there was a landing ground at Birr during the 1918-1920 mobilisation period.
The Parker Brothers of Clara and John Martin of Tullamore. One of the Parker boys was killed as was John Martin on 8 October 1918.
There was very little published work relating to Offaly in World War I until recent times. The 1983 essay by Vivienne Clarke was a first and rare examination of the period in Offaly, until Tom Burnell’s Offaly War Dead in 2010, and 2014’s Edenderry in the Great War by Catherine Watson. And so nearly every essay published in Offaly and the Great War which was launched to mark the centenary of the end of the Great War represents new and original historical research and findings, a very exciting prospect in the world of history publishing.The seventeen contributors have submitted essays that cover every aspect of the war and from almost all corners of the county.
I was fortunate to be invited to visit Banagher during Heritage Week in August 2018. Unfortunately I missed the presentation by Messrs Keenaghan and Scully but am told that all went swimmingly or, as we say up here in BAC, it was a hoot. Anyway I have many relations in the Banagher district and some of my ancestors were distillers and engineers about that town and in Kilcormac. I always like to visit Houghs when in Banagher. It was beloved by my old friend Hugh Leonard. I have had a pint or two with ‘admiralty men’ in Pawky Flynn’s and in the Railway Bar.
Not so many years ago we had fine restaurants in Brosna Lodge, the Shannon Hotel (a disgrace now) and we had Valerie Landon’s pottery. I remember the great Waller firm and Ray O’Donovan up in the Midland Maltings. It’s a fine old town and deserves a right good clean up and boost to its business. If Mrs Quirke was alive now what would she say not to mention the late R.H. Moore who my father and grandfather told me was one of nature’s gentlemen. I wonder how is the Vocational School going now. The late Elsie Naugton even had the boys playing hockey. I read somewhere that La Sainte Union had the first flush toilet in Offaly for the new French order of nuns there. It was a great place for the young ladies of the midlands. The old Royal School was long closed in my time but a bit of it survived up to when I left the area. There was always a bit of quality about Banagher and it would be a shame to lose it. Anyway my piece this week is culled from the Birr bastion of unionism, the Chronicle. I know Trollope and Charlotte Bronte would have liked its sentiments but it would not sit so easy with the Sinn Féin men of more recent times.
Cuba Court, Banagher, late the Royal School and host for a night or two for Charlotte Bronte
From the Kings County Chronicle, 18 July 1918 Banagher, well known for its celebrated annual fair, held on the 15th, 16th and 17th of September, is in the Rynagh Parish, Garry Castle Barony, six miles north-west of Parsons town (Birr), 82, miles from Dublin, on the east bank of the Shannon, near the confluence of the Little Brosna, and just in the angle of three of the four provinces, being within Leinster, and divided by the Shannon from Connaught, while lower down the river, a little distance, is the juncture of the Brosna, on the other shore of which is Munster. It returned two MPs to the Irish Parliament from Charles 1 to 1800. It is mainly one long street stretching for nearly a mile from the top of the hill at the church to the bridge, near which is the old barrack and the railway terminus.
The Distillery What was one of the largest whiskey distilleries in Ireland was worked by a private company of a few gentlemen, the former and originating company having abandoned it as a failure. It was formerly a mill, but a limited liability company, about the year 1870, reconverted it. Owing to the capital being reduced by the building charges of about £70,000, the enterprise was closed after a few years, and so remained until, owing to the energetic efforts of the former manager, a new company was formed; and the enterprise was at once placed on a firm financial basis. In its first season, such was the fine quality, the distillery was obliged to continue working up to August. Unfortunately, however, this prosperous condition of things did not continue, and the place has since been almost idle, except for malting carried on by Messrs D. E. Williams, Ltd which firm, within the past few years, also started a cabinet factory in the premises. The distillery itself is a splendid pile, heavy sums, years ago, having been expended on buildings and plant.
Public Buildings The Roman Catholic Church is a fine structure, and a clock placed in the tower through the enterprise of a few. Mr. Patrick Hynes, an energetic inhabitant, taking the lead. Here is also an ancient endowed Royal School, but the Government having decided on discontinuing it, a Commission sat to consider, among other matters, the cause of its decline in the number of pupils. The school endowment is very ancient, dating back to the time of Elizabeth, and is on the foundation of the Royal Schools of Ireland. In its time the school sent forth into the world many eminent men, the late Sir William Wilde being one of its pupils.
The first agent of the Bank of Ireland was Mr. W. Scott, and through the energy of the Roman Catholics a fine convent was erected. Three miles off is the ancient historic town of Cloghan Castle. The town is inconveniently, though pleasantly, situated on a rather steep hill sloping to the Shannon. The ancient name was Beandcar, from the pointed eminence on which it is built. It was known as Fortfalk-land and Bannagh. St. Reynach, sister of St. Finian, who died in 563 founded a religious house here called Kill- Rignaighe, and gave her name to the parish. The site of the house is now a burial ground. Amongst its ruins there was a shaft of a stone cross erected in memory of Bishop O’Duffy, of Clonfert, who was killed by a fall from his horse in 1297. This cross was removed to Clonmacnoise, and it represents the Bishop on horseback bearing a crozier. Here the great Felin MacCoghlan was slain in 1539 by the sons of O’Madden after Mass on Sunday. The castle was rebuilt by Teige O’Carroll in spite of the opposition of the O’Maddens. But in 1584 they demolished it, lest it should come into possession of the English.
Fair day in Banagher about 1904
The Markets Sir John Mac Coghlan, in 1612, obtained a grant to hold a market here on Thursday, but it was afterwards changed to a Monday and is now held on Friday. It was constituted a corporate town by charter of Charles 1 is 1628, the corporation being styled. “The Sovereign, Burgeases and Free Commons of the Borough and Town of Bannacher alias, Banagher.” “The Sovereign” was appointed a justice of the peace, coroner, and a clerk of the market, and had an extended jurisdiction. These offices, as well as to send two members to parliament, lapsed at the Union
Banagher Besieged Banagher gave considerable trouble to the Birr garrison, and often sent out marauding parties who foraged for themselves pretty freely in the surrounding district. However, when Birr Castle surrendered to General Preston, the natives evacuated Banagher. Dr Warren describes what happened then in his words: “There being no opposition made to Preston, he sat down before Fort Falkland (Banagher), a place of strength enough to have held out against him longer then he could have stayed in that season of the year, and for want of provisions. But though those within were numerous, yet many of them were not serviceable, and they were much encouraged by a long and vain expectation of succour from the monastery which had entirely neglected them. It would have been impossible, indeed, that they should have done, had it not been for the relief, which was sent, then, from time to time, by Lord Clanricarde but as he was himself, then surrounded with too many difficulties to afford them a prospect of succour, and as Preston had granted an honourable capitulation to the garrison in Birr, the besieged were inclined to surrender to him, for fear of falling into worse hands. Therefore, the next day after he came up to Fort falkland, before any battery was raised. Lord Castleward, the Governor, capitulated and was to be conveyed safe, with all his people to the fort of Galway.” It seems this garrison was finally delivered at the castle of Athlone.
Sarsfield at Banagher “All the island called Enisbreary, alias Island MacCoghlan, in the barony of Garrycastle, and also the two ruinous castles of Banagher and Belanaley,” with “liberty of fishing in the Shannon, in the aforesaid barony” were about 1671 granted to John Blysse. A right to establish a ferry was also given, the annual rent for the lands being 10s and for the ferry 5s. As appears by Sarsfield’s operations that he repeatedly crossed a bridge here, the old bridge at Banagher must have been built before then, and the ferry discontinued. From Harris we learn that when Sarsfield attacked Birr in 1690, the English generals – Douglas, Kirk and Lanier – advanced, reliving Birr, and driving Sarsfield across the Shannon to Banagher. The attempt by the English to destroy the bridges was too dangerous, as the Irish were strongly posted on the Connaught side, besides defending the bridge with a castle and other works. The present bridge is on the site of the ancient one.”
The Armstrong Family At Mount Cartaret is the seat of a very old and universally respected family, the Armstrongs, of Scottish extraction. They have resided about Banagher for over two centuries. A mural tablet, dated 1680, records “Here lies the body of Gerald Armstrong.” On another is “Armstrong, four brothers, 1700.” Their first ancestor in Ireland was Thomas Armstrong, who came over in 1657. The present representative is Major T.P. St. G. Armstrong, J.P., and a constant resident with his family.
Anthony Trollope from a Spyt Cartoon in Vanity Fair, 5 Apr. 1873.
A Masonic Lodge, No. 306, was by warrant, dated 1758, from the Earl of Drogheda, G.M. of Ireland, founded in Banagher. [I read somewhere that Trollope was a member of this lodge and had great high jinks when the new bridge was opened. A big bill for the bottles but at least they paid for themselves.] Next time I get the OK to contribute to Offaly History I may do something on Raleen near Mount Bolus where I believe the last of the chiefs of my clan was located. But then I might recall Kieran Molloy of Clonmacnoise. Do any of you remember them when they looked the monastic site. Some of them were teachers there. I think Clonmacnoise has 150,000 visitors a year now at near €10 each and that cannot be bad. Good to see my old friends in Lukers getting a few visitors from it, not to mention Birr Castle.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
Supplement
p. 294. “(Leicester, Bt/Edb; Magan/IFR) In mid-C18, Clonearl was sold by Sir John Leicester to Arthur Magan, a County Westmeath landed magnate of old Irish descent who had married a rich wife. William Henry Magan, “The Magnificent” built a new and elegant cut-stone neo-Classical house here ca 1820, to the design of William Farrell. Of two storeys, it had a five bay front with a giant Ionic portico in antis…Clonearl was inherited 1840 by the yonger William Henry Magan, known as Wiliam Henry the Bad; he was wildly extravagant and his misdeeds ranged from seducing the married daughter of an Earl (he married her, but is alleged, probably unfairly, to have strangled her) to annoying Queen Victoria by making faced when, as a young cavalry officer, he was escorting her carriage. He was also blamed for causing the death of a local man, who was called in to amuse a stag party at Clonearl and accidentally set fire to his shirt, sustaining fatal burns. Clonearl was burnt 1846, supposedly as a result of one of William Henry the Bad’s drunken orgies; it was not rebuilt. The house features in Brid William Magan’s excellent book, Umma-More.”
Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
p. 121. “A very fine cut stone two storey house built for W.H. Magan to the design of William Farrell c. 1817. Garden front with two storey Ionic portico in antis. Demolished.”
Ranges of stone outbuildings, built c.1750, set around courtyard. Multiple-bay single- and two-storey buildings with pitched and hipped slate roofs. Renovated east wing with replacement widows and doors. Square and segmental-headed openings to north west and south wings, with remains of groin-vaulted carriage arch beneath former clock tower to west range. Remains of Clonearl House, underground rooms and water pump located on the site.
Though in poor condition, these outbuildings retain evidence of some original design features that hint of the former splendour of Clonearl House. At present efforts are being made to restore the north wing.