Places to visit in County Cork

On the map above:

blue: places to visit that are not section 482

purple: section 482 properties

red: accommodation

yellow: less expensive accommodation for two

orange: “whole house rental” i.e. those properties that are only for large group accommodations or weddings, e.g. 10 or more people.

green: gardens to visit

grey: ruins

donation

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€15.00

Cork:

1. Annes Grove Gardens, County Cork – OPW

2. Ashton Grove, Ballingohig, Knockraha, Co. Cork – section 482

3. Ballymaloe House, Cloyne, County Cork – restaurant, gardens and accommodation

5. Bantry House & Garden,Bantry, Co. Cork – section 482

6. Barryscourt Castle, County Cork – OPW

7. Blackrock Castle Observatory, Cork

8. Blarney Castle & Rock Close, Blarney, Co. Cork – section 482

9. Blarney House & Gardens, Blarney, Co. Cork – section 482

10. Brideweir House,Conna, Co. Cork – section 482

11. Burton Park, Churchtown, Mallow, Co. Cork – section 482

12. Desmond Castle, Kinsale, County Cork – OPW

13. Doneraile Court, County Cork – OPW

14. Drishane House, Castletownshend, Co. Cork – section 482

15. Dún Na Séad Castle, Baltimore, Co. Cork – section 482

16. Fota House, Arboretum and Gardens – Heritage Trust and gardens are OPW

17. Garrettstown House, Garrettstown, Kinsale, Co. Cork – section 482

18. Ilnacullin, Garanish Island, County Cork – OPW

19. Inis Beg gardens, Baltimore, County Cork

20. Kilcascan Castle, Ballineen, Co. Cork – section 482

21. Kilshannig House, Rathcormac, Co. Cork – section 482

22. Liss Ard Sky Garden, County Cork

23. Riverstown House, Riverstown, Glanmire, Co. Cork – section 482

24. Woodford Bourne Warehouse, Sheares Street, Cork – section 482

Cork:

1. Annes Grove Gardens, County Cork – OPW

Annes Grove County Cork 1981, photograph from Dublin City Library and Archive [1]

See my OPW write-up. https://irishhistorichouses.com/2022/01/19/office-of-public-works-properties-munster/

2. Ashton Grove, Ballingohig, Knockraha, Co. Cork – section 482

Open dates in 2026: Jan 6, 9-11, 13, 16, 20, 23, 27, 30-31, Feb 1-3, 6, 10, 13, 17, 20, 24, May 5, 8-10, 12, 15-17, 19, 22-24, 26, June 2, 5, 8-12, 15, 19-22, 26, Aug 15-23, Sept 8,11,15,18-20, 8am-12 noon

Fee: adult €6, child €3, student/OAP free

The property has a facebook page and a contact email on it:

ashtongrovegarden@gmail.com

https://www.facebook.com/ashtongrovegardens/

The Landed Estates database has an entry for Ashton Grove:

This house is marked Ashton Grove on the first Ordnance Surve map. John Cotter was the proprietor of Ashton, Cork, in 1814 and T. Cleary of Ballingohig in 1837. Thomas J. Cleary held the property from Henry Braddell at the time of Griffith’s Valuation when the buildings were valued at £22. Cleary held a cornmill from Braddell in the townland of Kilrussane. James Fitzgerald held 122 acres of untenanted land and buildings valued at £26+ in 1906.” [2]

Under the Braddell family, the landed estates database tells us:

This family appear to be descended from the Reverend Henry Braddell of Raheengraney, county Wicklow. Henry Braddell held land in the parish of Mallow, county Cork, from at least the early 19th century. Henry Braddell may have been agent to the Earl of Listowel. His nephew John Waller Braddell certainly fulfilled this role in the 1850s and early 1860s until he was murdered in 1863. At the time of Griffith’s Valuation Matthew Braddle held land in the parish of Mourneabbey, barony of Barretts, and Henry Braddle held land in the parishes of Mallow, barony of Fermoy, Castlelyons and Knockmourne, barony of Condons and Clangibbon, Killaspugmullane, barony of Barrymore, county Cork. In the 1870s Henry Braddell of Modelligo, Fermoy, owned 1,872 acres in county Cork.

and about the Cleary family:

Thomas J. Cleary held land in the parish of Killaspugmullane, barony of Barrymore, county Cork, at the time of Griffith’s Valuation. In January 1866 the estate of John Thomas Clery at Ashton Grove, Ballingohig, barony of Barrymore, was advertised for sale. His brother Henry Clery was selling his share of Ashton Grove in June 1866. Under tenure in this sale rental a detailed history of the Clerys’ land holding is given. By a fee farm grant dated December 1850 Henry Braddell granted the lands of Kilrossane and Ballingohig to Thomas John Clery, who by his will dated 6 February 1851 left his property divided between his six sons, John Thomas, Henry, Charles, William, George and Richard. In the 1870s William Henry Cleary of Cork owned 2,534 acres in the county.

An article published on June 2nd 2013 in the Irish Examiner by Peter Dowdall gives a wonderful description of the garden. He writes:

From tiny little details, such as a glimpse of a marble seat in the distance through an accidental gap in a hedge, to a perfectly-positioned specimen tree, this garden needs senses on high alert.

If I am to be honest, I was expecting a garden recreated by the book and with a certain degree of interest from the owner. What I discovered was a garden being recreated by a man who is now thinking of the future generations and recreating this garden with a passionate attention to detail. Every plant that goes in is carefully considered; every stone and brick that went into creating an orangery from a derelict pig shed and a belfry from a cowshed were reused from the estate. Fallen slates, which weren’t good enough to use on buildings, create an edge around the rose beds.

What I love about the place is that the rule book is not evident, trial and error is the order of the day, which to me is real gardening. Except when it comes to the meticulous planning of the box hedges in the potager and the Horological Maze, which at this stage is on its third planting because the original Taxus (yew) failed due to a blight which struck again a few years later. The maze was replanted using Lonicera and is thriving, though it will be a few years before it is truly at its best…I can’t think of a more enjoyable way to spend a Sunday than roaming through the ‘garden rooms’ here.

Looking down on this garden, which is next to the maze, from an elevated platform you could imagine yourself in the south of France, except for the single-figure temperatures. Other features to admire include the fantastic Anglo-Chinese Regency-style bridge, constructed by the owner’s brother, and the pergola, which has been planted with several climbers including Jasminum, Laburnum, David Austin roses, Wisteria and Passiflora.

However, no account of a visit to this garden is complete without mentioning the Horological Maze.

What, I hear you ask is a Horological Maze? Well it’s a design centred on a French mantle clock, which is surrounded by interlocking cog-wheels, pinions and coil springs, all inspired by the workings of a typical mechanism. It also reflects the owner’s interest in horology and provides a balance in its garden sculpture to the turret clock presiding over the courtyard.

The owner took his inspiration for this creation from visits to Blenheim Palace and Weston Park in England, Shanagarry and Faithlegg in Ireland, and the Summer Palace in Vienna.” [3]

3. Ballymaloe House, Cloyne, County Cork – restaurant, gardens and accommodation

www.ballymaloe.ie

Ballymaloe House, 2017, photograph for Failte Ireland, Ireland’s Content Pool. [4]

The website tells us:

Ballymaloe House is a family run Country House Hotel and restaurant on 300 acres of farmland located in beautiful East Cork countryside. Internationally recognised as the birthplace of Modern Irish Cuisine, Ballymaloe House offers you the very best of Irish hospitality and seasonal locally sourced or homegrown food.
A unique Irish Country House experience.”

Ballymaloe House, photograph from National Inventory of Architectural Heritage. [5]

Mark Bence-Jones writes in A Guide to Irish Country Houses (1988):

p. 24. “[Boyle, Cork and Orrery, E/PB; Corker sub. Corcor/LGI1912] A castle built towards the end of C16 by the FitzGeralds of Imokilly, enlarged 1602 by Sir John FitzEdmund FitzGerald [b. 1555]; confiscated by Cromwell; occupied for a period after the Restoration by William Penn [1644-1718], of Pennsylvania, when he was managing his father’s estate at Shanagarry, nearby; subsequently occupied by 1st Earl of Orrery [Roger Boyle (1621-1679)], presumably while he was repairing and improving his nearby seat of Castle Martyr; acquired towards end of C17 by Lt-Col Edward Corker; sold by him ante his death 1734 to Hugh Lumley, who added some new buildings to the castle some time ante 1750. As a result of Lumley’s additions, Ballymaloe is now predominantly early C18 in character; consisting of a plain two storey six bay range with an old tower built into one end of it, and a three storey gable-ended range at right angles to the two storey range, and joined to it by a return; forming a house on a “L”- plan. Some of the windows have thick early C18 glazing-bars. A staircase with thin turned balusters rises from the inner end of the hall, which has a ceiling with simple Adamesque decoration. The large room to the right of the hall has simple Adamesque frieze. Ca 1800, Ballymaloe was the residence of the Penn Gaskell family, who were descended from William Penn. In 1814, it was the residence of William Abbott. In 1837, it was owned by a Mr Forster; in 1908, it was occupied by William Litchfield. Until ca 1947, it was the home of Mr and Mrs J.M. Simpson; since then, it has been the home of Mr and Mrs Ivan Allen.” [6]

Ballymaloe House, photograph from National Inventory of Architectural Heritage. (see [5])

The Ballymaloe website elaborates the history:

Ballymaloe was a castle of the Imokilly Geraldines. Richard FitzMaurice FitzGerald was a son of the Knight of Kerry, who was appointed as Seneschal, or governor, of the area by the Earl of Desmond in 1440. The original castle was probably built by him shortly after that time. By the time of the Desmond rebellion, the occupant was John FitzEdmund FitzGerald who was known as ‘the Queen’s John FitzEdmond’ to distinguish him from the Seneschal of the same name who was a leader of the Insurrection and owned nearby Castlemartyr.

John FitzEdmund of Ballymaloe castle was an illegitimate son of Edmund by Honor Ni Donagh, ‘a woman of Muskerry’ and was well up in the list of efficient contrivers and gatherers of land of his time. John FitzEdmund appointed himself Sheriff of Cork in 1570 and during the Desmond rising he ‘dyd hang his (legitimate) brother James FitzEdmund’ in 1582. John refused to join O’Neill in 1599 and his lands were devastated, but he survived to be knighted by Mountjoy at Cloyne for his faithfulness in 1602.

Despite their differences, the close ties to the Geraldines were apparent when John FitzEdmund’s son, Edmund, was married to Honora, widow of his namesake, the late Seneschal. In 1611 this Edmund died and she was a widow again so old Sir John leased her the lands at a nominal rent before he died the following year aged 85.

A daughter of her rebellious father, she housed the homeless friars at Ballymaloe. Her son John moved to Ballymaloe where he died in 1640.

By the time of the Confederate War in 1641, the owner was her grandson, another Edmund and he lost the lands for taking the ‘rebel’ side. They passed to Broghill, (Roger Boyle, son of the Earl of Cork; newly-created Earl of Orrery, but living on a narrow edge of survival since he had escaped a charge of treason in London. Broghill lived at Ballymaloe after his enforced retirement as President of the court of Munster in 1672 before making his last home at Castlemartyr.

Ballymaloe House, photograph from National Inventory of Architectural Heritage. (see [5])

By the middle of the 18th Century, the occupier was Abraham Forster, and early in the 19th century, his grandson demolished parts of the old castle. It was he who largely build the house into its present form. Sometime later it passed to the Litchfield’s, and in 1924 Simpson, a nephew of the latter family came into possession. Mr. Simpson sold the house and farm to Myrtle and Ivan Allen in 1948 and it remains owned by the Allen family to this day.

Ballymaloe House, photograph from National Inventory of Architectural Heritage. (see [5])

Myrtle and Ivan Allen bought Ballymaloe in 1948 from the Simpson family. The Simpsons were known in the area for their parties and Myrtle and Ivan had, in fact, met at Ballycotton Lifeboat fundraising dinner at Ballymaloe a few years previously. Ivan had wide farming interests, growing tomatoes and cucumbers in glasshouses and mushrooms in dark wooden sheds at nearby Kinoith as well as managing the orchards there.

However, Ivan longed for a mixed farm and when Ballymaloe came up for sale he decided to buy it. Myrtle and Ivan spent the next sixteen years farming and bringing up their children. The farm was a success producing milk, butter, cream, eggs, home raised pork and veal as well as fruit and vegetables. Myrtle became highly knowledgeable about cooking their produce and began writing a cookery column in the Irish Farmers Journal.

In 1964, Myrtle, encouraged by Ivan, decided to open Ballymaloe as a restaurant. The children were growing up and she could see a different future ahead of her:

“On a winter’s day I sat by the fire alone and wondered what I would do in this big house when they were all grown up – Then I thought about a restaurant.”

Her aim was to emulate the best Irish Country House cookery.  Myrtle and Ivan then placed an advert in the Cork Examiner: Dine in a Historic Country House. Open Tuesday to Saturday. Booking essential. Phone Cloyne 16.

So Myrtle scrubbed down the kitchen table, and with the help of two local women she began. They cooked on an Aga at first and she was helped front of house by Ivan and their daughter Wendy. Their shepherd Joe Cronin ran the bar.

The food was good and the restaurant flourished. They cooked using their own produce- unpasteurised milk and cream, veal, pork, homemade sausages and black puddings, herbs, fruit and vegetables. Ivan went to Ballycotton every day for the fresh catch. Local beef and lamb came from Mr.Cuddigan, the butcher in Cloyne. Myrtle also encouraged local farmers’ wives to bring in their surplus produce and blackberries, elderflowers and watercress were brought in by children for pocket money.

Although times have changed at Ballymaloe, the essential spirit of the place is rooted in these improvised beginnings and in the relationship of the farm to the table which underlies the elegance of Irish Country House cooking.

Ballymaloe House, photograph from National Inventory of Architectural Heritage. (see [5])

The National Inventory describes it: “Detached six-bay two-storey country house, built c. 1780, with four stories to rear (north) elevation, three bays to rear forming central projection and having single-storey additions to rear. Tower house, c.1450, incorporated into west elevation and taller L-plan three-storey house c. 1730 to east, five-bay two-storey hipped-roofed block with slightly projecting east bay to north-east corner…The fascinating multiphase construction is evident in the variety of styles and blocks which form the house. Formerly the seat of the FitzGeralds of Imokilly, it was enlarged by Sir John FitzEdmund FitzGerald. It was occupied at one time by William Penn of Pennsylvania and by First Earl of Ornery. Its impressive size is enhanced by fine proportions and by the retention of various timber sliding sash windows. The central doorcase and large petal fanlight form the main artistic focus and enhance the impressive and symmetrical façade. The other blocks add tremendous context. The tower house incorporated into the main house is a very notable archaeological feature. The house retains much early fabric and forms a group with related outbuildings and gate lodge.” (see [5])

Ballymaloe House, photograph from National Inventory of Architectural Heritage. (see [5])
Ballymaloe House, photograph from National Inventory of Architectural Heritage. (see [5])
Ballymaloe House, photograph from National Inventory of Architectural Heritage. (see [5])
Ballymaloe House, photograph from National Inventory of Architectural Heritage. (see [5])
Ballymaloe House, photograph from National Inventory of Architectural Heritage. (see [5])

4. Ballyvolane House, Castlelyons, Co. Corksection 482 accommodation

Tourist Accommodation Facility

www.ballyvolanehouse.ie

Although listed under Accommodation Facility they have a fee on this listing so if you contact them in advance perhaps they will give you a tour.

Open dates in 2026: Jan 7 -31, Feb 4-28, Mar 4-31. Nov 4-30, Dec 2-20, Wed-Sat, Apr 2-30. May 1-31, Sept 1-30, Oct 1-31, Tues-Sun, June 2-30, July 1-31, Aug 1-31, Mon-Sun All Day

Fee: adult €7.50, family €18- up to 2 adults and 3 children

Ballyvolane, County Cork, photo taken 2014 for Tourism Ireland, Ireland’s Content Pool. (see [4])

The website tells us: “Welcome to Ballyvolane House, a historic Irish country house of extraordinary warmth, style and comfort that provides luxury manor house accommodation, bespoke intimate weddings, glamping and private house parties/exclusive house rentals, located in the beautiful North Cork countryside of southern Ireland. Ballyvolane House is also home to Bertha’s Revenge Gin.

Ballyvolane, County Cork, photo taken 2014 for Tourism Ireland, Ireland’s Content Pool. (see [4])
Ballyvolane, County Cork, photo taken 2014 for Tourism Ireland, Ireland’s Content Pool. (see [4])

The National Inventory describes the house: “Ballyvolane House is a fine example of the Victorian Italianate domestic architecture, in this case being applied to a house which was originally a three-storey early eighteenth-century structure. The top storey was removed when the house was remodelled in 1847. The classically proportioned façade is enlivened by the decorative render dressings including oak-leaf brackets to the eaves, window surrounds and heavy continuous sill course. The porch constitutes the decorative focus of the house and is articulated by pilasters. The doorway is flanked by skillfully carved marble engaged columns with ornate foliate capitals which add further artistic interest to the façade. The block to the west was built to house the servants and is of a simpler design and treatment. This building, together with extensive outbuildings and walled gardens, adds valuable context to the site.

Ballyvolane, County Cork, photo taken 2014 for Tourism Ireland, Ireland’s Content Pool. (see [4])

The website tells us about the history:

There is an inescapable air of frivolity at Ballyvolane – the name itself means ‘the place of springing heifers’ and is testament to the fertility, richness and natural diversity of the land on which the estate lies.

Originally built in 1728 by Sir Richard Pyne, a retired Lord Chief Justice of Ireland, Ballyvolane was designed in the classic Georgian country house style with three storeys An amorous descendent, Arthur Pyne, acquired sufficient capital from his marriage to three wealthy women to have the house considerably enlarged in the early 19th century.

The three-storey house was again modified in 1872 by George Pyne. He had the building pulled apart and then, by removing the top storey, recreated a two-storey house rendered in Italianate style, with an extensive west end wing.

Ballyvolane, County Cork, photo taken 2014 for Tourism Ireland, Ireland’s Content Pool. (see [4])

The website continues: “Recent research carried out Terence Reeves-Smyth unearthed tender documents for the remodelling of Ballyvolane from this time – the architect was Richard Rolt Brash (1817-1876), a Cork architect, whose father and brother were well known builders in the city. RB Brash is better known as a very active antiquarian and friend of John Windele – he was especially interested in round towers.

The rebuilding/remodelling in the early 1870s followed the re-acquisition of the house and demesne by the Pyne family in 1869. Arthur Pyne (1747-1839) who probably built the present house around c1800 and laid out the present parkland (which looks Regency in date), was succeeded by his eldest son Jasper Pyne. Unfortunately, when Jasper died in 1860-1 he left no male heirs and as a result his wife and daughters did not inherit the property (the estate had been left by his father Arthur entailed for a life and could only be inherited by male issue). Consequently, following a big court case in May 1861 the property passed to Jasper’s younger brother, the Rev. William Masters Pyne, Rector of Oxted in Surrey. In March 1864 the Rev Pyne put the place on the market through the Encumbered Estates Courts. It remained on the market until bought by another member of the Pyne family in January 1869.

It appears that Ballyvolane was originally purchased by Sir Richard Pyne in 1702-3 for £696; prior to this it had been the property of Sir Richard Nagle and Edmond Barry, but had been granted (forfeited lands) to Viscount Sidney. At the same time Sir Richard Pyne also purchased three other Co Cork properties from the Commissioners for Sale of Forfeited Estates; one was Blarney, the others were the estates of Ballinaneala and Ardra. He also in England bought Great Codham Hall in Essex, where the family continued to live well into the 19th century.

The Pynes built the present house and lived here until 1953, when it was bought by the late Cyril Hall Green (known as Squirrel Green) and his wife Joyce (née Blake), on their return from Malaya, where Squirrel had managed rubber plantations since the 1920’s. Ballyvolane was passed on to Squirrel’s son, Jeremy, who ran it as a mixed tillage and dairy farm until the mid 1980’s when it became one the founding members of the Hidden Ireland group, an association of town and country houses offering a unique and exclusive style of accommodation and chosen for their architectural merit and interesting characteristics.

Ballyvolane was managed as a successful country house bed and breakfast by Jeremy and his wife, Merrie until January 2004, when the reins were handed to his son Justin and his wife, Jenny. Justin and Jenny are experienced hoteliers having gained international management experience in some of the best hotels in the world namely Mandarin Oriental in Hong Kong, The Legian in Bali, Jumeirah Beach Hotel in Dubai and prior to moving home, Justin was GM of Babington House (part of Soho House) in Somerset. Three generations of the Green Family now live at Ballyvolane.

Ballyvolane, County Cork, photo taken 2014 for Tourism Ireland, Ireland’s Content Pool. (see [4])
Ballyvolane, County Cork, photo taken 2014 for Tourism Ireland, Ireland’s Content Pool. (see [4])
Ballyvolane, County Cork, photo taken 2014 for Tourism Ireland, Ireland’s Content Pool. (see [4])
Ballyvolane, County Cork, photo taken 2014 for Tourism Ireland, Ireland’s Content Pool. (see [4])
Ballyvolane, County Cork, photo taken 2014 for Tourism Ireland, Ireland’s Content Pool. (see [4])

5. Bantry House & Garden,Bantry, Co. Cork 975 T293 – section 482

Bantry House, County Cork, photograph 1989 from the National Library, flickr constant commons.
Bantry House, County Cork, photograph by Chris Hill, 2016 for Tourism Ireland, Ireland’s Content Pool. (see [4])

www.bantryhouse.com

Open dates in 2026: Check website in advance. Mar 30-31, Apr 1-Oct 31, Mon-Sun 10am-5pm

Fee: adult €14, OAP/student €11.50, child €5, groups 8-20 people €10p.p. and groups
of 21 or more people €9p.p.

See my entry https://irishhistorichouses.com/2022/12/01/bantry-house-garden-bantry-co-cork/

6. Barryscourt Castle, County Cork – OPW

See my OPW write-up. https://irishhistorichouses.com/2022/01/19/office-of-public-works-properties-munster/

Barryscourt Castle by Julia Delio, flickr constant commons, August 2009.

7. Blackrock Castle Observatory, Cork

Blackrock Castle, Cork, from the National Library of Ireland, flickr constant commons.

The Archiseek website tells us:

Blackrock Castle lies on the shore of the river Lee, in the city of Cork, in County Cork in Ireland. 

The circular watchtower of Blackrock Castle was built in 1604, on the site of an earlier fort. With its 2.2 meter thick walls, it was designed to withstand cannon fire. It was built to defend the city against attacks from pirates and the Spanish, who had landed at Kinsale 3 years earlier. But it also served to protect the English Lord Deputy Mountjoy against the citizens of Cork, who had been slow to acknowledge King James I. 

Later Blackrock Castle was used by the Mayors of Cork for the Admiralty Court. Also known as the Maritime Court, it exercised jurisdiction over all maritime caes and offences. 

In 1827 the castle was gutted by fire following the annual Corporation banquet. Two years later, in 1829, it was rebuilt and enlarged in Gothic Revival style. 

Later it was used as a meeting place, a private residence, a restaurant and commercial offices before it was acquired by the Cork City Council in 2001. At present the castle houses an astronomy center/museum especially aimed at children.” [7]

Blackrock Castle and the River Lee, County Cork 1796, from Views in Ireland after Thomas Sautelle Roberts, photograph courtesy of National Gallery of Ireland.

8. Blarney Castle & Rock Close, Blarney, Co. Cork – section 482

See my entry https://irishhistorichouses.com/2022/09/23/blarney-castle-rock-close-blarney-co-cork/

www.blarneycastle.ie

Open dates in 2026: all year, Jan-Mar, Nov, Dec, 9am-5pm, Apr, Oct, 9am-5.30pm, May- Sept
9am-6pm

Fee: adult €24, OAP/student €19, child €12

Kissing the Blarney Stone, County Cork, photograph from the National Library of Ireland, flickr constant commons.
Kissing the Blarney Stone, around 1897, photograph from National Library of Ireland, flickr constant commons.
The Blarney Stone, Blarney Castle, Ireland’s Content Pool (see [4])
Blarney Castle, March 2003. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

9. Blarney House & Gardens, Blarney, Co. Cork – section 482

Blarney House, County Cork, photograph from National Library of Ireland, flickr constant commons.

www.blarneycastle.ie

Open dates in 2026: June 1-Aug 31, Mon-Sat, National Heritage Week, Aug 15-23, 10am-2pm

Fee: adult €10, OAP/student €8, child €6

See my entry https://irishhistorichouses.com/2022/09/30/blarney-house-gardens-blarney-co-cork/

10. Brideweir House,Conna, Co. Cork P51 FD36 – section 482

www.brideweir.ie

Open dates in 2026: May 4-5, 11-12, Aug 1-31, Sept 1-30, Nov 2-10, 9am-1pm

Fee: adult €15, child/student €10, OAP free

Brideweir House, County Cork, photograph from National Inventory of Architectural Heritage.

The website tells us: “Every house has its tales to tell and Brideweir House in Conna, Co Cork is no exception. In the year  1822  famine had hit Ireland. In Conna the local Reverend Ludlow Tonson chaired a meeting of the parish on 29th July in favour of constructing a bridge over the River Bride. 

Its purpose was “to facilitate communications in the area, and to offer employment”. A petition was sent to Dublin Castle and the rest, as they say, is history. The bridge still has pride of place today over the River Bride. 

But it’s safe to say that the reverend Tonson must have had a vested interest in seeing the bridge built. It was to be just a stone’s throw from the location of his two storey over basement rectory, Brideweir House, built in 1822, the same year he helped raise the petition

The Reverend’s house, completed for the princely sum of £923 (thanks to a gift and a grant, both of £300 from the Board of First Fruits), was situated on a glebe of seven acres and boasted a fine coach house and stables, all still in existence today.

11. Burton Park, Churchtown, Mallow, Co. Cork – section 482

www.slieile.ie 

Open dates in 2026: Apr 1-Oct 10, Sat-Sun, National Heritage Week, Aug 15-23, 2pm-6pm

Fee: adult €9

Burton Park, County Cork, photograph from National Inventory of Architectural Heritage.

See my entry https://irishhistorichouses.com/2024/02/08/burton-park-churchtown-mallow-county-cork-p51-vn8h/

12. Desmond Castle, Kinsale, County Cork – OPW

See my OPW write-up. https://irishhistorichouses.com/2022/01/19/office-of-public-works-properties-munster/

13. Doneraile Court, County Cork – OPW

Doneraile Court, County Cork, August 2020.

See my entry https://irishhistorichouses.com/2024/04/19/doneraile-court-county-cork-an-office-of-public-works-property/

14. Drishane House, Castletownshend, Co. Cork – section 482

Drishane House, County Cork. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

See my write-up:

https://irishhistorichouses.com/2021/03/07/drishane-house-castletownshend-co-cork/

www.drishane.com

Open dates in 2026: May 1-31, Aug 15-23, Oct 3-22, 11am-3pm

Fee: adult €12, OAP €10, student/child €8, child under 6 years free

15. Dún Na Séad Castle (Baltimore Castle), Baltimore, Co. Cork, 981 X968 – section 482

www.baltimorecastle.ie

Open dates in 2026: Apr 1-Oct 31, 10am-5pm

Fee: adult/OAP/student €6, child free with an adult

See my entry https://irishhistorichouses.com/2023/12/28/dun-na-sead-castle-baltimore-co-cork-981-x968/

Baltimore Castle, County Cork, August 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Between 1997 and 2005 the ruined castle was rebuilt, at first as a private residence. At present it is a small museum.

Baltimore Castle, County Cork, August 2020.
Baltimore Castle, County Cork, August 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

16. Fota House, Arboretum and Gardens – OPW and Irish Heritage Trust

The house is maintained by the Irish Heritage Trust, and the gardens by OPW.

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

General enquiries: (021) 481 5543 https://fotahouse.com/

fota.arboretum@opw.ie

See my entry https://irishhistorichouses.com/2024/03/10/fota-house-and-gardens-county-cork-a-heritage-trust-property-with-opw-gardens/

From the OPW website: https://heritageireland.ie/visit/places-to-visit/fota-arboretum-and-gardens/

Fota House was designed by 19th century architects Richard and William Morrison. From the beautifully proportioned rooms with exquisite plasterwork, to the preserved service wing and kitchens, Fota House offers visitors an intimate look at how life was lived in the past, for the cooks, butlers, footmen and maids who supported the lavish lifestyle of the gentry. Our painting collection is considered to be one of the finest collections of landscape painting outside the National Gallery of Ireland and includes works by William Ashford PRHA, Robert Carver, Jonathan Fisher and Thomas Roberts.” [8]

Front porch of Fota House. Fluted baseless Green Doric columns support a weighty entablature in which wreaths alternate with the Barry crest in the metopes. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

17. Garrettstown House, Garrettstown, Kinsale, Co. Cork – section 482

Open dates in 2026: May 8-Sept 12, 12 noon-5pm

Fee: adult €7, OAP/student/child €5, groups (10 or more) €5 per person

www.garrettstownhouse.com

Garrettstown House, County Cork, photograph from National Inventory of Architectural Heritage.

Mark Bence-Jones writes in his 1988 A Guide to Irish Country Houses (1988):

p. 132. “(Cuthbert-Kearney/LG1863; Franks/IFR) Some time ante mid-C18, the Kearney family – who, like other families along the south-west coast of Ireland, are reputed to have become rich through smuggling – began building themselves a grand house with two wings facing each other across a forecourt in the Palladian manner; levelling a site for it out of the solid rock above the sea at great expense. The two wings, of an attractive golden stone, their handsome pedimented facades, each with a rusticated doorway, facing each other across the forecourt, fwere completed. But whether the house itself was actually built is uncertain; though Charles Smith (writing 1750) implies that it was. If it existed, it cannot have survived very long; for one of the wings subsequently became the house, being enlarge dfor this purpose…Towards the end of C19, Garrettstown was inherited by the Franks family, who sold it ca 1950. It is now ruinous.” It is no longer ruinous and has undergone major renovation.

The National Inventory of Architectural Heritage gives the following appraisal:

Built by the Kearney family between the years 1702 and 1720, with changes and additions being made until 1740, this building was originally a wing of a substantial country house. The main house was never started due to financial reasons and this, one of the flanking buildings, was subsequently turned into a stable block. The money saved by not building the main house was spent on improving the gardens and grounds. The house was passed down through the female line, staying within that lineage until 1950 when it was sold to the Land Commission. Although now in use as offices, the building retains much of its original form and character seen in the tooled limestone detailing and its grand scale. The retention of many of the original outbuildings and the extensive gardens on the site give further evidence to the wealth and status of this former country house.” 

18. Ilnacullin, Garanish Island, County Cork – OPW

See my OPW write-up:

https://irishhistorichouses.com/2022/01/19/office-of-public-works-properties-munster/

Italian garden, Garnish Island, Glengarriff, Beara, Co. Cork, Photograph by Chris Hill 2014, Ireland’s Content Pool.

19. Inis Beg gardens, Baltimore, County Cork

https://www.inishbeg.com/homepage/

Inish Beg estate, Baltimore, County Cork, photograph by George Karbus 2016 for Tourism Ireland, Ireland’s Content Pool (see [4])

The website tells us:

Inish Beg, Irish for “small island”, is the most northerly of the Carbery Hundred Islands of County Cork Ireland and lies in the unspoilt tidal estuary of the Ilen River. There is a bronze age Cromlech (boulder burial) within the grounds, as well as a tree covered Lissaghaun (little fort or fairy mound) in front of the main house.The local saint, St. Fachtna is recorded as having been given the “Book of Dues” on the island in the 6th century.The island belonged to a Richard White in the 17th Century and was acquired by the MacCarthy Morrough family in 1830. Initially used as a sporting estate, the main house was finally finished in 1899.The population of the island followed a familiar pattern to that of much of the rural west of Ireland. Lewis quotes 109 inhabitants in 1837, but the numbers then declined to 11 by 1901 following the famine years of the mid nineteenth century and the agricultural depression of the 1880’s.

“In 1908 Kay Summersby was born at Inish Beg House. She came to notoriety as a close companion of Dwight D. Eisenhower.

Inish Beg estate, Baltimore, County Cork, photograph by George Karbus 2016 for Tourism Ireland, Ireland’s Content Pool (see [4])
Inis Beg House, County Cork, photograph by Robert French (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.

Inish Beg Estate comprises 97 acres; 

  • 42 of these are birdsong-filled woodlands which are sympathetically managed and include exceptional tree ferns, bamboo, several ponds, bird hides and carriage drives,
  • 42 acres are green fields sweeping down to the Ilen Estuary where sheep and ponies graze, for this is a working farm run on organic principles.
  • the remaining 13 acres is taken up with buildings, a walled garden with glass house and fruit cages, a sunken garden with fountain, a cherry drive, an orchard, a daffodil lined avenue and two woodland gardens.
  • see also https://westcorkgardentrail.com

20. Kilcascan Castle, Ballineen, Co. Cork 947 R286 – section 482

Open dates in 2026: Aug 1-31, Sept 1-30, 9.30am-1.30pm
Fee: Free

See my entry https://irishhistorichouses.com/2023/12/14/kilcascan-castle-ballineen-co-cork-947-r286/

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

21. Kilshannig House, Rathcormac, Co. Cork P61 AW77 – section 482

Kilshanning House, County Cork, August 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

See my entry: https://irishhistorichouses.com/2020/12/10/kilshannig-house-rathcormac-county-cork/

Open dates in 2026: March 18-19, 21, 24, 26-27, April2, 4-7, 9, 11-12,15, 21, 23, 25, May 12, 14, 16-17, 19, 21, 23-26, 28, 30, June 2, 4, 6-9, 11, 13, 16, 25, 27-29, July 2, 4-7, 14, 16, 18-20, 28, 30, Aug 1- 4, 6, 8, 11, 13, 15-25, Sept 18, 20, 22-25, 27, 29, 8.30am-3pm,

Fee: adult €14, OAP €12, student €10, child €8

22. Liss Ard Sky Garden, County Cork – hotel

Liss Ard estate is now a hotel, but you can book lunch and a visit to the Sky Garden, and wander around the gardens of the estate. The hotel is surrounded by miles of trails, which weave whimsically and which reveal magical settings with artfully placed walls and steps. It is also the site of a ring fort: the Irish “Lios Aird” means high fort. For more about the hotel, see the accommodation section below.

The art dealers/collectors Claudia and Veith Turske purchased Liss Ard estate and in the 1990s and created public gardens with waterfalls, an arboretum with 10,000 newly-planted trees and had plans to create further land artworks after James Turrell’s installation, which was created in 1992. The property has since changed hands. It first came to my attention when a music festival was held in its grounds.

The website describes James Turrell’s The Irish Sky Garden

For over half a century, the internationally renowned landscape artist James Turrell has worked directly with light and space to create artworks that engage viewers with the limits and wonder of human perception. New Yorker critic Calvin Tompkins writes, “His work is not about light, or a record of light; it is light — the physical presence of light made manifest in sensory form.” ”

The Sky Garden at Liss Ard by James Turrell.

The Irish Public Art directory describes the Sky Garden:

The ‘Irish Sky Garden’ is a giant earth and stone crater embedded into the landscape of the Liss Ard Estate gardens. The artwork consists of an archway, a long megalithic-like passage, and stairs leading to an oval shaped, grass-lined crater, which measures 50 x 25 metres. In the centre of the crater’s ‘bowl’ is a large stone ‘vault purchase’ or plinth (not unlike an Egyptian sarcophagus). This is where the visitor should lie back and look at the sky, which is framed by the edges of the elliptical crater.

”The most important thing is that inside turns into outside and the other way around, in the sense that relationships between the Irish landscape and the Irish sky changes” (James Turrell).”

Entrance to the gardens of Liss Ard. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Liss Ard. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The “megalith-like passage” of the Sky Garden. I wonder did James Turrell visit Newgrange in preparation for his work? Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Entrance to the crater of the Sky Garden. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

It is impossible to capture the feel of the earth work creation in a photograph although the aerial view from the ‘myhome’ website gives us an idea.

The Sky Garden, Liss Ard. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Liss Ard. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Liss Ard. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This was my view when lying on the plinth. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
We wandered back up to the hotel by the garden trails. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

23. Riverstown House, Riverstown, Glanmire, Co. Cork T45 HY45 – section 482

Open dates in 2026: May 1-2, 7-9, 14-16, 21-23, 28-30, June 4-6, 10-12, 18-20, 25-27, July 2-4, 9-11, 16-18, 23-25, 30-31, Aug 1, 6-8, 13-23, 27-29 Sept 3-5, 2pm-6pm

Fee: adult €10, OAP €7, student €6, child €3

See my entry https://irishhistorichouses.com/2023/02/25/riverstown-house-riverstown-glanmire-county-cork-t45-hy45/

Riverstown House, County Cork, with plasterwork by La Francini brothers. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

24. Woodford Bourne Warehouse, Sheares Street, Cork – section 482

www.woodfordbournewarehouse.com

Open dates in 2026: all year, except Christmas Eve, Christmas Day, 12 noon-10pm
Fee: Free

Now a fast food outlet, this used to be a warehouse, and the Architect is William Henry Hill (1837-1911).

[1] https://repository.dri.ie/catalog

[2] https://landedestates.ie/property/3505

[3] https://www.irishexaminer.com/lifestyle/outdoors/gardening/getting-to-the-soul-of-a-magical-place-232846.html

[4] https://www.irelandscontentpool.com/en

[5] https://www.buildingsofireland.ie/buildings-search/building/20908902/ballymaloe-house-ballymaloe-more-cork

[6] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[7] https://archiseek.com/2012/blackrock-castle-cork/

[8] fotahouse.com

[9] Keohane, Frank. The Buildings of Ireland: Cork City and County. Yale University Press: New Haven and London, 2020.

[10] O’Hea O’Keeffe, Jane. Voices from the Great Houses: Cork and Kerry (Mercier Press, Cork, 2013).

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Kinnitty Castle (formerly Castle Bernard), Kinnity, County Offaly – now a hotel

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Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

Kinnitty Castle (formerly Castle Bernard), Kinnity, County Offaly

https://www.kinnittycastlehotel.com/index.html

Kinnitty Castle Hotel, 2014, photographer unknown, for Tourism Ireland, Ireland’s Content Pool. [1]

We treated ourselves to a stay in Kinnitty Castle in February 2023. Formerly a home, it is now a hotel.

The website used to include a history, which told us that the present building was originally built by William O’Carroll on the site of an old Abbey in 1630. The building we see today, however, received a major reconstruction by architect brothers James (1779-1877) and George Richard Pain (1793-1838) in 1833. You can see traces of the Abbey in the courtyard.

A finely cut ogee-headed window set in the wall, Andrew Tierney tells us, attests to the fact that the site was occupied in medieval times. Pointed arched entrance to former stable yard and screen wall incorporate part of fifteenth-century church. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There is a ninth or tenth-century high cross in front of the hotel, which must have been from the grounds of the Abbey.

The ninth or tenth century high cross.
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In 1641 the castle was confiscated from William O’Carroll, as he must have played a part in the 1641 rebellion. The land was granted in 1663 by King Charles II to Colonel Thomas Winter for his military service.

The Stable yard is in use as a banqueting hall, called the Great Hall of the O’Carrolls, and kitchens.

There’s even an arrow loop in the ruins by the stable yard. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The stableyard of Kinnitty Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Banqueting Hall in the stable yard of Kinnitty Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Banqueting Hall of Kinnitty Castle has a mezzanine, or Minstrels Gallery. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Banqueting Hall of Kinnitty Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
There’s an impressive looking fireplace in the banqueting hall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website continues, telling us that the Winter family sold the building in 1764 to the Bernards of County Carlow.

Andrew Tierney tells us in his The Buildings of Ireland Central Leinster that Franks Bernard (named after the surname “Franks”), a son of Charles Bernard of Bernard’s Grove, County Laois (now called Blandsfort), leased a small estate here in the early eighteenth century. Either he or his nephew Thomas (d. 1788) probably built the modest T-plan house that forms the core of the castle.

There is another Castle Bernard in County Cork – this seems to have belonged to a different Bernard family.

The castle website tells us that it was Catherine Hely Hutchinson (d. 1844, daughter of Francis Hely Hutchinson, MP for Naas, County Kildare), wife of Colonel Thomas Bernard (d. 1834), who hired the Pain brothers, James and George Pain, to renovate the building, in 1833 (according to Mark Bence-Jones).

Kinnitty Castle, County Offaly, 9th February 2023. The National Inventory tells us that the oriel window over the castellated entrance porch was added at a later date. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

James and George Pain were architects of the impressive Mitchellstown Castle, unfortunately no longer existing.

Mitchelstown Castle, County Cork, designed by the Pain brothers, courtesy of the National Library of Ireland, Lawrence PHotographic Collection, photographer Robert French ca. 1865-1914 ref. NLI L_ROY_01072.

We saw work by the Pain brothers on a visit to Revenue section 482 property Loughton in County Offaly – see my entry https://irishhistorichouses.com/2020/11/01/loughton-house-moneygall-county-offaly/ Loughton is not Tudor Gothic like Kinnitty.

Loughton, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

James and George were sons of James Pain, an English builder and surveyor. Their Grandfather William Pain was the author of a series of builder’s pattern books, so they had architecture in the blood. According to the Dictionary of Irish Architects, James and his younger brother George Richard were both pupils of John Nash, one of the foremost British architects of his day, responsible for the design of many important areas of London including Marble Arch, Regent Street and Buckingham Palace. He was architect to the prolific lover of architecture the Prince Regent, later King George IV. When Nash designed Lough Cutra Castle in County Galway for Charles Vereker in 1811, he recommended that the two brothers should be placed in charge of the work, so it was at this time that they came to Ireland. Lough Cutra is an amazing looking castle privately owned which is available for self-catering rental (very expensive, I am sure! But for those of you with oodles of money to spend, or for an event that requires nine bedrooms…). [2]

Lough Cutra castle, County Galway, also designed by the Pain brothers, photograph from Lough Cutra website.

James Pain settled in Limerick and George in Cork, but they worked together on a large number of buildings – churches (both Catholic and Protestant), country houses, court houses, gaols and bridges – almost all of them in the south and west of Ireland. [3] In 1823 James Pain was appointed architect to the Board of First Fruits for Munster, responsible for all the churches and glebe houses in the province.

The Pains Gothicized and castellated Dromoland Castle in County Clare at some time from 1819-1838, now a luxury hotel. [4]

Dromoland Castle, County Clare, which was renvoated by the Pain brothers, photo care of Dromoland Castle, for Tourism Ireland 2019, Ireland’s Content Pool.

The Pains took their Gothicizing skills then to Mitchelstown Castle in 1823-25. In 1825 they also worked on Convamore (Ballyhooly) Castle but that is now a ruin. They also probably worked on Quinville in County Clare and also Curragh Chase in County Limerick (now derelict after a fire in 1941), Blackrock Castle in County Cork (now a science centre, museum and observatory which you can visit [7]), they did some work for Adare Manor in County Limerick (also now a luxury hotel), Clarina Park in Limerick (also, unfortunately, demolished, but you can get a taste of what it must have been like from its gate lodge), Fort William in County Waterford, and they probably designed the Gothicization and castellation of Ash Hill Towers in County Limerick (a section 482 property and with lovely tourist accommodation, see my entry https://irishhistorichouses.com/2023/04/06/ash-hill-kilmallock-co-limerick/), alterations and castellation of Knappogue Castle, County Clare (you can also visit and stay, or attend a medieval style banquet), Aughrane Castle mansion in County Galway (demolished – Bagots used to own it, I don’t know if we are related!), a castellated tower on Glenwilliam Castle, County Limerick and more.

Curragh Chase, County Limerick garden front 1938, also designed by the Pain brothers, like Loughton it is classical rather than Tudor Gothic, photograph from Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
Fortwilliam, Glencairn, Lismore, Co Waterford courtesy Michael H. Daniels and Co., also designed by the Pains in Tudor Gothic style.
Knappogue, or Knoppogue, Castle, County Clare, also designed by the Pains.
Kinnity Castle (Castle Bernard) County Offaly, photograph by Robert French, Lawrence c. 1865-1914 Photographic Collection National Library of Ireland ref L_Cab_09230.

In his 1988 book A Guide to Irish Country Houses, Mark Bence-Jones writes about Kinnitty Castle, formerly named Castle Bernard, that it is a Tudor-Revival castle of 1833, with impressive entrance front with gables, oriels and tracery windows and an octagonal corner tower with battlements and crockets; all in smooth ashlar. [5]

Kinnitty Castle Hotel, 2014, photographer unknown, for Tourism Ireland, Ireland’s Content Pool. (see [1])

The National Inventory describes it:

Ashlar limestone walls with castellated parapet, carved limestone plinth course and continuous string course to parapet. Battered walls to basement level. Square-headed window openings with tooled limestone and sandstone label mouldings, chamfered surrounds and punched limestone sills. Castellated box bay to second bay from north-east rising from basement level to first floor with chamfered stone mullions. Oriel window above entrance added at later date.”

Battered walls at basement are walls that slant outwards. This was a traditional building feature of castles, so that stones could be dropped from above and they would not fall straight down but hit the battered walls and bounce outwards to hit intruders.

The stone finials on top of the porch are particularly impressive. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Mark Bence-Jones defines an oriel window as a large projecting window in Gothic, Tudor, Gothic-Revival and Tudor-Revival architecture; sometimes rising through two or more storeys, sometimes in an upper storey only and carried on corbelling. This particular window is not carried on corbels.

Kinnitty Castle, February 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The National Inventory continues: “Single-storey castellated entrance porch with diagonal buttresses surmounted by pinnacles with crockets and finials. Tudor arched opening to porch with label moulding accessed rendered porch with ribbed ceiling, niches to side walls and tooled limestone bell surround and post box flanking door. Square-headed door opening with chamfered limestone surround and label moulding, sandstone threshold and timber double doors.

The Tudor arch opening to porch with “label moulding” over, and you can see the ribbed ceiling inside. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I love the rather church-like configuration of the three narrow pointed headed windows at the top arranged to form an arch. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Side of Kinnitty Castle, February 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Before he married Catherine, Thomas Bernard, MP for County Offaly, married Elizabeth, daughter of Henry Prittie, 1st Baron Dunalley of Kilboy, County Tipperary. She died in 1802 and he married for a second time in 1814. He began building work on his house in 1833 but died the following year.

Thomas and Catherine had several children. Their heir was Thomas Bernard (1816-1882). Other sons were Francis, Richard Wellesley, and John Henry Scrope, and daughter Margaret.

Thomas Bernard (1816-1882), son of Catherine née Hely Hutchinson and Thomas Bernard (d. 1834).

Nearby the Bernard family have an unusual pyramid-shaped mausoleum. Richard Wellesley Bernard (c. 1822-1877) completed his military training in Egypt. He was an architect and engineer and it is said that he built the pyramid between 1830-34 but he would have been only eight years old, so perhaps it was constructed by an earlier Bernard. It is an exact replica of the Egyptian pyramid of Cheop.

Richard Wellesley Bernard (1822-1877) in early 1860s, National Portrait Gallery of London ref. Ax196557.
The Kinnitty Bernard mausoleum. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website continues: “The building was burned in 1922 by Republican forces and rebuilt by means of a Government grant of £32,000 in 1927.

The Buildings of Ireland Central Leinster book by Andrew Tierney tells us that the castle was rebuilt by Joseph John Bruntz. He was born in Dublin. The Dictionary of Irish Architects tells us that he was a pupil in his father’s office for four years and remained as an assistant for a further three years. After starting to practise independently as an architect circa 1915, he moved in 1917 or 1918 to Edenderry, Co. Offaly, where he set up an office. From 1922 he held the position of architect and civil engineer to the Co. Offaly Board of Health.

The website continues: “The building became the property of Lord Decies in 1946. He in turn sold it and the estate to the Government of Ireland on 12th December 1951. The State used the castle as a Forestry Training centre from 1955 until it was purchased in 1994 and turned into a 37 bedroom luxurious hotel for all guests both locally and internationally to enjoy.

Arthur George Marcus Douglas De La Poer Beresford (1915-1992), 6th Lord Decies, bought the property in 1946. He sold it in 1951.

It is a wonderful and affordable hotel, full of character.

The front entrance to Kinnitty Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A suit of armour stands watch by the door. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Entrance hall and reception of Kinnitty Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The impressive staircase of Kinnitty Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I love the angels on this overhead light. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The stair hall is toplit. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kinnitty Castle, February 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
There’s a lovely fireplace in the blue drawing room and a painting of the castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Blue drawing room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kinnitty Castle Hotel, 2014, photographer unknown, for Tourism Ireland, Ireland’s Content Pool. (see [1])
This room is now a dining room, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The dining room leads to the octagonal tower room. The room has a vaulted ceiling. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Library Bar in Kinnitty Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kinnitty Castle Hotel, 2014, photographer unknown, for Tourism Ireland, Ireland’s Content Pool. (see [1])
A hallway upstairs at Kinnitty Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
We gravitated toward the bookshelf at the top of the stairs. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Another hallway in Kinnitty Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Our lovely bedroom at Kinnitty Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There’s a bar in the cellar of the hotel, called the Dungeon Bar.

The back stairs of the castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Dungeon Bar in the basement of the hotel. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Dungeon Bar at Kinnitty Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A snug in the Dungeon Bar. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
An old horse trough in the rather ecclesiastical bar looks for a moment like a coffin! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The atmospheric Dungeon Bar at Kinnitty Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
There are still meat hooks on the vaulted ceiling of the cellar. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kinnitty Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The River Camcor winds through the property.

A map of the Demesne at Kinnitty.
The River Camcor crosses the property at Kinnity Castle, and one can go for lovely walks in the grounds, along the river. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Single-spire wire suspension footbridge, built c.1840, over the River Camcor within the demesne of Kinnitty Castle. The bridge is hung from cast-iron columns, and is accessed through a wrought-iron gate with iron circular framing. The Manufacturer’s name ‘T & D Roberts’ is on a downstream upright. It is one of only two suspension bridges in Offaly (the other is at Birr Castle demesne) and one of several footbridges with Kinnitty Castle demesne. It is a rare surviving example of a multiple-wire cable suspension bridge, and the National Inventory tells us it is significant because of its association with the Mountmellick Foundry. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The bridge has odd sunburst decorative iron circular framing at one end. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Single-span metal lattice footbridge, c.1900, over the River Camcor in the grounds of Kinnitty Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This could be the “back lodge” referred to by Andrew Tierney. If so, he suggests that it too could have been designed by the Pain brothers, who had supervised the work of John Nash, who designed the Swiss Cottage in County Tipperary (see my entry under Places to Visit and Stay in County Tipperary). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The gate lodge at Kinnity used to be the Day Spa but is was empty when we visited in February 2023, perhaps a victim of Covid. The National Inventory tells us that it was built around 1835. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://www.irelandscontentpool.com/en

[2] http://www.loughcutra.com/

[3] https://www.dia.ie/architects/view/2640/PAIN-JAMES

[4] https://www.dromoland.ie/

[5] p. 62 (under Castle Bernard), Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988, Constable and Company Ltd, London.