Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 56. [Pigott] A 2 storey early C19 house with a 5 bay front; the centre bay pedimented and projecting boldly, with a window in a rectangular recess above a Doric portico. The Pigott family tree is painted on a wall in one of the rooms. Straight canal in garden.”
Capard, County Laois, courtesy Savills.Capard, County Laois, courtesy Savills.Capard, County Laois, courtesy Savills.Capard, County Laois, courtesy Savills.
Capard, County Laois, courtesy courtesy myhome.ie 2020
Savills 2024:
Capard House is a Greek Revival, late 18 Century country mansion of immense charm and character set amidst about 40.40 hectares/100 acres of land.
Capard House was built in 1790 and was the third house to be built on the same site. A Protected Structure, it is a most impressive two storey non basement Greek Revival period house with an adjoining substantial wing (formally built for staff), which is totally self-contained and can also be used as additional accommodation to the Main House.
Capard, County Laois, courtesy Savills.
The Capard House was home to the Piggott family. The family owned vast tracks of lands in both Co. Laois (The Queens County) and Co. Limerick. The Treaty of Limerick (1691) which brought an end to the Williamite wars against James II is reputed to have been signed at Capard. General Ginkel is said to have quartered his soldiers at Rosenallis Village and he himself stayed in Capard House as a guest of Robert Piggott. A copy of the Treaty was kept in Capard House up to the 1960`s when it was handed over to the National Museum.
The family prospered at Capard, one family member, Thomas Piggott was a major- general in the army and a member of parliament, his son George Piggott was granted the Piggott Baronetcy, a title in the Baronetage of the United Kingdom.
Over the past 20 years, the vendors have painstakingly and meticulously restored the house and wing, whilst maintaining the integrity of the original period features. All wiring and plumbing has been replaced and many improvements made. Their attention to detail throughout is evident.
Their efforts went far beyond the residence and wing as the entire estate has been restored to its former glory with the terraced lawns and formal gardens broken into segments, the walled gardens, the long pond and lake, the folly and stables all combining to offer the new owner of Capard House, all the benefits of their labours.
The main house is laid out with bright and generous proportioned rooms with ornate ceiling decoration and large open fireplaces. It is a perfect house for entertaining on a grand scale with all the main reception rooms leading off the main hall.
Capard, County Laois, courtesy myhome.ie 2020Capard, County Laois, courtesy myhome.ie 2020Capard, County Laois, courtesy myhome.ie 2020Capard, County Laois, courtesy myhome.ie 2020Capard, County Laois, courtesy myhome.ie 2020Capard, County Laois, courtesy myhome.ie 2020Capard, County Laois, courtesy Savills.
Upstairs are the very generous bedroom suites, all with fine views either overlooking the gardens or with a panoramic vista over the surrounding countryside below.
Capard, County Laois, courtesy myhome.ie 2020Capard, County Laois, courtesy myhome.ie 2020Capard, County Laois, courtesy myhome.ie 2020Capard, County Laois, courtesy myhome.ie 2020.Capard, County Laois, courtesy Savills.
There is a terrific atmosphere of calmness at Capard which comes from the natural surrounds of the gardens and grounds with the stream flowing incessantly bringing nourishment to all the living plants, trees and flowers on the property.
Capard is situated at the foothills of the Slieve Bloom Hills well known for its many and varied wildlife. Part of the estate has a special designation (SPA) Special Protected Area which is an area where rare and protected species can live in safety and their breeds can evolve. The surrounding habitat is very suitable for many leisurely purposes.
The gardens at Capard have been largely created under the guidance of Arthur Shackleton over the past 20 years and are now maturing into one of the finer gardens in the country. Nestled on the edge of the Slieve Bloom Mountains with stunning views across the landscape and with acid soil and soft climate, it is the perfect place to create a garden.
Formal terraces round the house covered with scented roses lead out into a Camellia Walk, Scented Walk, mixed grass border and a field of beautiful Rhododendrons planted to celebrate the Millennium.
Capard, County Laois, courtesy Savills.Capard, County Laois, courtesy Savills.Capard, County Laois, courtesy Savills.Capard, County Laois, courtesy Savills.Capard, County Laois, courtesy Savills.
A lake and canal sit happily in the landscape below the house. Set in the midst of this is a restored Walled Garden filled with shrub borders, a Hornbeam archway, new and old rose borders and an orchard.
Capard, County Laois, courtesy Savills.Capard, County Laois, courtesy Savills.Capard, County Laois, courtesy Savills.Capard, County Laois, courtesy Savills.Capard, County Laois, courtesy Savills.Capard, County Laois, courtesy Savills.
Natural streams run down through the garden and as if this were not enough, the woods in May are carpeted with a sea of wild bluebells. All in all a remarkable and inspiring garden experience where the vendor’s passion for the garden has been extraordinary and responsible for creating this magical experience.
Capard, County Laois, courtesy Savills.Capard, County Laois, courtesy Savills.Capard, County Laois, courtesy Savills.Capard, County Laois, courtesy Savills.
Local Sporting Golf at Birr and The Heritage in Portarlington. Racing at the Curragh, Tipperary, Limerick and Kilbeggan. Several good hunting packs including Laois Hunt and the Ormond Hunt. Many excellent driven and rough shooting opportunities in the vicinity. (There are Shooting rights over approximately 100 acres adjoining the property). Main House Ground floor A Portico entrance leads into the Entrance Hall which features gilted decorative cornice and centre rose, black and white marble tiled floor with double doors lead to the Main Hall. The hall also has marble black and white tiled floor and gilted decorative cornice centre rose. The Drawing room has a timber floor, white carved mantelpiece with Georgian grate, highly decorated gilted painted cornice and centre rose, 2 large windows affording wonderful panoramic views. The Dining Room boasts white marble Adam style mantelpiece and Georgian grate, highly decorated gilted painted cornice and centre Rose and timber floor. The Staircase Hall features the magnificent cantilevered staircase lit by a central cupola and black and white marble tiled floor. Off this hall is found the Cloakroom with WC and small storeroom and sandstone flagged floor. The Library with marble mantelpiece and brass surrounds, gilted cornice decoration and the Small Dining Room with black marble mantelpiece and decorative gilted cornice. The Back hall also has a black and white marble tiled floor and leads to the wine cellar, the serving dining room, the kitchen, breakfast room, utility, pantry, and office and study. The back staircase leads from the back hall to the first floor. The study has a wooden fireplace and leads into the office which also has a wooden fireplace. The Pantry has a sandstone flagged floor, fireplace, fitted cupboards and shelving. The Serving Dining room features an impressive marble Adam style mantelpiece and basket grate, cornice and centre rose decoration in gold and white, sandstone floor. The large old world Kitchen has a sandstone floor, fully fitted with large timber cupboards and drawers with large polished granite worktops and meat hooks on ceiling, a 4 oven oil fired Aga cooker, 5 ring Neff gas hob and electric cooker, double stainless steel sink unit, drawers and built in dresser. Off the kitchen is found the breakfast room with sandstone floor, open fire, fitted cupboards, and polished granite worktops. The Utility has fitted cupboards sink unit, plumbed for washing machine and dryer, cloak cupboards and boot storage and door to outside. First floor At first floor level there are 8 spacious bedrooms, 7 of which have their own ensuite bathroom. Guest Bedroom 1 has a timber floor, grey marble mantelpiece and basket grate and the large ensuite has a timber floor, WC, WHB, bath with shower attachment and tiled shower, grey marble mantelpiece and basket grate. Guest Bedroom 2 has a timber floor, white Connemara marble mantelpiece and Georgian grate. The Master Bedroom Suite has a timber floor, panoramic views over 5 counties, mottled white marble mantelpiece open grate and the ensuite has twin WHB Multi jet shower, roll top bath, WC, mottled white marble mantelpiece open grate, large fitted wardrobe Guest Bedroom 4 has a timber floor, mottled mantelpiece open fire and the ensuite has a bath with shower attachment, bidet, WC and WHB. Off the landing is a Guest with WC, WHB and the back staircase, and a laundry room. Guest bedroom 5 has a timber floor and Black fireplace and the ensuite has a timber floor, bath, separate shower, heated towel rail, WC, WHB, open fireplace. Guest bedroom 6 and ensuite with tiled floor, WC, WHB, heated towel rail, shower. Guest bedroom 7 and ensuite with tiled floor, shower, WHB, WC, heated towel rail. Guest bedroom 8 with fireplace and ensuite with tiled floor, WC, WHB, large bath, shower, heated towel rail. THE WING Ground floor Entrance Hall with tiled floor, leading to the front of the wing and rear. Ground floor front Kitchen fully fitted with fridge freezer, electric 4 plate hob, Neff Electric Cooker, polished granite work top with sink and drawer + extractor fan, sandstone floor. Double doors lead to the Dining Room with oak and Greek mahogany inlay floor, black marble mantelpiece + Georgian granite, cornice and centre rose. Double doors lead to the Drawing Room with oak and Greek mahogany inlay floor and Dublin white marble mantelpiece with painted decoration and open grate cornice and centre rose and a door to front garden. Another set of double doors lead to the hall with sandstone flagged floor open fireplace and staircases, door to rear. Double Doors into the Study with black marble fireplace and an ensuite bathroom with tiled floor, WC, Jacuzzi bath, shower and heated towel rail. Ground floor rear Second staircase hall with open fireplace, tiled floor and corridor and double doors into the Catering Kitchen which has tiled floor, 2 Neff electric double ovens, 5 plate Neff Gas Hob, fridge freezer, fully fitted Cupboards with polished granite worktops and sink unit. The Hot Tub Room has a fitted hot tub/ Jacuzzi and is fully tiled with 2 showers + heated towel rail. The Guest Changing have tiled floor, 2 WC, 2 WHB. The Party / Banqueting Room features an oak and Greek Mahogany inlay floor, partly sprung for dancing, door to Courtyard. First floor Front Upstairs has laminated rosewood floors with underfloor heating Bed 1 with ensuite shower room with tiled floor and walls, shower WHB + WC. Large games room which interconnects the front and rear of the wing. Guest WC with marble floor WHB + WC. Bed 2 with and ensuite shower room with marble tiled floor, part tiled wall, built in shower, WHB, WC and heated towel rail. Bed 3 with ensuite bathroom, shower, WC, WHB marble tiled floor and part tiled walls and walk in wardrobes. First floor rear wing Living room with carved painted wooden mantel piece and concealed door to internal hallway. Also with Study off the living room. The halls gives access to the large Bathroom tiled floor and part tiled walls, 2 x WHB, WC, oval Bath and multi jet shower. It also gives access to Bedroom 4 off of which are two further concealed doors leading to a Study / office with fitted bookshelves in the corridor and the other leading to the Dressing room which is fully fitted. Bedroom 5 is wired and plumbed for a kitchen. The farm buildings Upper Courtyard A series of stone lofted sheds and general storage facilities Farm yard Long concrete yard with stone building including 2 garages Large open span, stone built barn with concrete floor and good roof. Various stone outbuildings/ stores and old cottage all re-roofed. The lands The grass land provides good grazing mainly for sheep and cattle and the woodland provides great shelter and amenity. Parts of the land are included in an SPA, (Special Protected Area) which means that it provides a very special habitat for many species of wild life as well as being a safe haven for many species of birds’, especially rare ones. Title Freehold Fixtures and Fittings Garden statuary, light fittings, furniture and other removable fittings are expressly excluded.
Detached seven-bay two-storey Neo-Classical Georgian house, built c.1815, with pedimented central breakfront and flanking end bays. Double-pitched and hipped slate roofs hidden behind parapets, with rolled lead ridge tiles, ashlar chimneystacks with yellow clay pots and glazed lantern to rear on a cylindrical plan. Sandstone ashlar walls with projecting plinth, bands, cornice and blocking course. Pediment to entrance bay with eagle over. Nap rendered to rear elevation with ruled and lined detail, painted. Square-headed window openings with sandstone sills forming sill course, sandstone architraves and six-over-six timber sash windows. Blind openings to end bays with pediments over. Prostyle tetrastyle Greek Doric portico to breakfront with lugged architrave to door opening and timber panelled double door with sidelights. Interior retains original joinery; Entrance Hall with decorative plasterwork; Dining Room with decorative plasterwork. House is set back from road in own grounds; designed landscaped grounds to site; tarmacadam drive and forecourt to approach; concrete steps to entrance. Gateway to site comprising rendered piers with cast-iron gates.
Capard, County Laois, courtesy National Inventory.
Detached nine-bay two-storey former stable complex, built c.1820, on a quadrangular plan with three-bay pedimented central breakfront. Renovated, c.1990, to accommodate part residential use. Double-pitched and hipped slate roof with rolled lead ridge tiles, nap rendered chimneystacks and cast-iron rainwater goods. Nap rendered walls with ruled and lined detail and sandstone plinth and cornice. Square-headed window openings with sandstone sills with three-over-six and six-over-six timber sash windows. Two round-headed window openings flank round-headed door opening to central breakfront with glazed timber panelled door with fanlight. Interior not inspected. Set back from road in own grounds; landscaped grounds to site; cobbled courtyard to site.
Capard, County Laois, courtesy National Inventory.
Detached seven-bay single- and two-storey coach house, built c.1760, comprising six-bay single-storey range with single-bay two-storey pedimented end bay having bellcote. Pyramidal slate roof with sandstone bellcote. Roof to stable wing originally double-pitched. Roughcast rendered walls with rubble stone to side elevations, painted. Stone sillcourse to upper floor, painted. Oculi and round-headed window openings to upper floor, Diocletian window opening to pediment with multi-pane timber fixed-pane windows. Elliptical-headed carriageway with timber panelled double doors. Interior not inspected. Road fronted; tarmacadam courtyard to right; pair of limestone ashlar piers to right with wrought iron gates and railings.
Capard, County Laois, courtesy National Inventory.
Detached two-storey farm outbuilding, built c.1830, about a courtyard with round-headed carriageway to entrance. Double-pitched and hipped slate roof with nap rendered chimneystack and cast-iron rainwater goods. Mono-pitched to flanking bays. Lime-rendered walls over rubble sandstone, painted. Square-headed window openings with sandstone sills and six-over-six timber sash windows. Elliptical-headed carriageway; no fitting. Cobbled floors to interior and timber stalls. Outbuilding is set back from road in own grounds at right angles to road; cobbled courtyard to site; roughcast boundary wall to front with rendered piers having wrought iron double gates; tarmacadam turn-around to front. Detached single-storey rubble stone outbuildings to site.
‘The house is one of the most extensive in the kingdom, the front exceeding upwards of two hundred feet and one of the most beautiful, being built of the quarries on this estate, and mostly hewn, which gives the whole a magnificent appearance’. So wrote William Wilson in 1803 of the recently built Capard, County Laois. This neo-classical house, situated on high ground with panoramic views across the surrounding countryside, has enjoyed mixed fortunes over the past two centuries with its future uncertain on more than one occasion. However since 2015 its current owners have undertaken a meticulous restoration of both building and demesne so that it is now without doubt one of Ireland’s finest country houses. This week saw the publication of a book chronicling Capard’s history, written by Ciarán Reilly and placing the estate within the context of time and place, allowing readers better to understand the evolution of the midlands region. As handsome as the place itself, Capard: An Irish Country House and Estate is a welcome addition to the field of Irish country house studies
Thomastown Castle, County Tipperary, entrance front 1917, photograph: Miss Moira Lysaght, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.Thomastown, County Tipperary, entrance front c. 1969, photograph: Christopher Tynne, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 272. “(Mathew/IFR; Daly/IFR) Originally a long two storey house of pink brick built from 1670 onwards by George Mathew, half-brother of the great Great Duke of Ormonde; with a centre one room deep consisting of a great chamber or gallery above a rusticated arcade, and projecting wings; a massive oak staircase led up from the arcade to the first floor. It was probably by the same builders who worked for the Duchess of Ormonde at Dunmore House, near Kilkenny; while Dr Loeber suggests that the arcade may have been a design by Sir William Robinson. The Mathews grew richer through heiress marriages, and the grandson of the builder of the house, another George, who inherited 1711, carried out various additions and improvements…This George Mathew was known as “Grand George” and renowned for his hospitality; people could come uninvited to Thomastown and use it as though it were an inn; many legends have grown up about him, though he has become somewhat confused, in local legend, with “Big George,” Earl of Kingston (see Mitchellstown Castle). In 1812, Francis Mathew, 2nd Earl of Llandaff, called in Richard Morrison to enlarge the house and transform it into a castle. Morrison’s transformation was literally skin-deep; he refaced the house in cement, which was originally painted the rather surprising shade of pale blue’ a mask of Gothic openings was applied to the front of C17 arcade which was glazecd and turned into a “Gothic Hall” with a Gothic chimneypiece of plaster and other Gothic plasterwork. Slender turrets, square and polygonal, were added to the entrance and garden fronts, which remained symmetrical; the two on either side of the entrance have pinnacles like rockets or darts growing out of them; from a distance they look like rabbit ears. Thr office wing to the right of the entrance front was enlarged into a vast Gothic kitchen court and stables; a detached entrance tower was also built. The great upstairs room became a Gothic library; the drawing room remained Classical and was adorned with scagliola columns. Fr Theobald Mathew, the “Apostle of Temperance,” grew up here, his father having been a cousin of 1st Earl of Landaff who more or less adopted him and made him his agent. Lady Elizabeth Mathew, sister of 2nd Earl, left Thomastown to her cousin on her mother’s side, the Visomte de Rohan Chabot, son of the Comte de Jarnac. It eventually passed to the Daly family, but from ca 1872 onwards it was allowed to fall into disrepair; it is now one of the most spectacular ruined Gothic castles in Ireland, much of it submerged beneath the ivy which grows here with an unbelievable luxuriance. In 1938 the ruin was bought by Archbishop David Mathew, the historian, in order to keep it in the family and to save it from destruction.”
Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
p. 136. A large Tudor Revival house designed by Richard Morrison in 1812 for Thomas Mathew 2nd Earl of Llandaff incorporating a late 17C house which may have been designed by Sir William Robinson. Very fine interiors some of which were classical. Now a ruin.
Detached multiple-bay two-storey country house, incorporating seventeenth-century house, enlarged 1812, now in ruins. Comprising central block with office wing to west having square and polygonal towers to front elevation and incorporating an earlier seventeenth-century house. Courtyard with outbuildings to north. Crenellations with machicolations to roofline. Lined-and-ruled render over brick walls with rendered string course to office wing. Ashlar limestone masonry plinths to towers. Projecting entrance bay, in ruins. Square-headed window openings with carved limestone label mouldings having ornate label stops to front. Pointed arch window openings to office wing. Two-storey gate lodge to east having crenellations with machicolations. Rendered brick walls with blank cross-loops to first floor and buttresses to ground floor. Square-headed opening with render hood moulding over pointed arch entrance. Three-stage polygonal tower to east elevation with crenellations and arrow slit windows with hood-mouldings. Coursed rubble limestone walled gardens to north.
Appraisal
This former country house was built by the Matthew family, the earliest house on this site, built by George Matthew dating to c. 1670. The house in its present form was enlarged in the Gothic style by Francis Matthew, II Earl of Llandaff in 1812. Richard Morrison designed the house incorporating a veneer of Gothic openings including the ornate polygonal and square towers to front elevation. The office wing to the right was also enlarged in the Gothic style. From 1870 the house fell into disrepair to become the impressive and spectacular ruin it is today. Much of the original seventeenth-century house survives in the interior of the building. The arched gate lodge to the east mirrors the architecture of the main house and retains many fine details such as the cross loops and hood mouldings. The walled gardens provide an example of the many demesne related activities thereby contributing context to the site.
Built in 1812 for the 2nd Earl of Landaff, the large Tudor Revival castle incorporated a previous 17th century house, thought to have been designed by Sir William Robinson. Now a ruin, the castle was the victim of the decline of the family’s fortunes and was largely closed up in the early part of the 20th century. Now a spectacular ruin.
The original building was a two storey house of pink brick built in the 1670s by George Mathew with early 18th additions. Wilson decribed it in 1786 as “an ancient but handsome edifice”. In the second decade of the 19th century it was enlarged and transformed into a Gothic castle, designed by Richard Morrison for the 2nd Earl of Llandaff. Viscount Chabot is recorded as the occupier in the mid 19th century. He held the property in fee and the buildings were valued at £100. Bence Jones writes that it later was in the possession of the Daly family but from the mid 1870s it began to decay. William Daly was the occupier in 1906 when the buildings were valued at £61.
The family of MATHEW originated from Wales, where at Radyr, Glamorganshire, they long resided; and possessed the town of Llandaff in that county.
SIR DAVID MATHEW (1400-84), Knight, was Standard-Bearer of EDWARD IV, whose monument is still to be seen in Llandaff Cathedral, Glamorganshire.
EDWARD MATHEW, of Radyr, was possessed, in 1600, of the town of Llandaff, and other estates, which his ancestors enjoyed for time immemorial.
At his decease he left an only son,
GEORGE MATHEW, the first of the family in Ireland, who became seated at Thurles, County Tipperary, and married Elizabeth, daughter of Sir John Poyntz MP, of Iron Acton, Gloucestershire, and widow of Thomas Butler, Viscount Thurles (who died before his father Walter, 11th Earl of Ormond).
Mr Mathew died in 1636, leaving two sons and a daughter, and was succeeded by the elder son,
THEOBOLD MATHEW, of Thurles, who married Margaret, eldest daughter of Sir Valentine Browne Bt, and was succeeded by his elder son,
GEORGE MATHEW, of Thurles, who wedded Eleanor, second daughter of Edmond, 3rd/13th Baron Dunboyne, and was succeeded by his son,
GEORGE MATHEW, who erected a splendid mansion upon his estate at Thurles, containing forty bedrooms, and ample corresponding accommodation for as many guests.
This gentleman distinguished himself by hospitality upon an unprecedented and almost boundless scale.
He fitted up his sumptuous residence as a guest house of the first magnitude, and his guests were informed upon their arrival, that as such they were to regard it, and to consider themselves, in every sense of the word, quite at home.
They might either live in their own suite of rooms, or at the table d’hôte, as they pleased.
There was a coffee-room, tavern, billiards-room, etc, and Mr Mathew himself appeared only as one of the guests.
This highly accomplished and celebrated person had the degree of LL.D conferred upon him, 1677, by his half-brother James, 1st Duke of Ormond, Chancellor of the University of Oxford.
Mr Mathew wedded firstly, Catherine, third daughter of Sir John Shelley, 3rd Baronet, by Mary, eldest daughter and co-heiress of Sir John Gage Bt, of Firle, East Sussex, and had issue, an only child,
GEORGE, his heir.
He espoused secondly, in 1716, Ann, widow of James, 3rd Earl of Tyrone, by whom he no issue, and at his decease, the estates devolved upon his brother-in-law,
GEORGE MATHEW, married his cousin, Mary Anne Mathew, and had issue,
George (1733-8); Elizabeth.
On the failure of male issue in this branch, the estates devolved to
GEORGE MATHEW, of Thomastown, who wedded firstly, Margaret, fourth daughter of Thomas Butler (grandson of the Lord Richard Butler, younger son of James, 1st Duke of Ormond, by the Lady Margaret Burke, eldest daughter of William, 7th Earl of Clanricarde, and widow of Bryan Magennis, Viscount Iveagh, and had issue, a daughter.
Mr Mathew espoused secondly, Isabella, fourth daughter of William Brownlow, of Lurgan, County Armagh (by the Lady Elizabeth Hamilton, eldest daughter of James, 6th Earl of Abercorn), and had issue, a son, who died in infancy, when the estate devolved upon a junior branch of the family,
THOMAS MATHEW, of Thurles, and subsequently of Thomastown, who married, in 1736, Miss Mary Mathews, of Dublin, and had issue,
FRANCIS, his heir; Catherine Ann Maria.
The only son and heir,
FRANCIS MATHEW (1738-1806), wedded firstly, in 1764, Ellis, second daughter of James Smyth (son of the Rt Rev Edward Smyth, Lord Bishop of Down and Connor), and had issue,
FRANCIS JAMES, his heir; Montague James, Lieutenant-General in the Army; George Toby Skeffington; Elizabeth.
He espoused secondly, in 1784, the Lady Catherine Skeffington; and thirdly, in 1799, ______ Coghlan, second daughter of Jeremiah Coghlan.
Mr Mathew, MP for Tipperary, 1768-83, High Sheriff of County Tipperary, 1769, was elevated to the peerage, in 1783, as Baron Landaff, of Thomastown, County Tipperary; and was advanced to a viscountcy, in 1793, as Viscount Landaff, of Thomastown, County Tipperary.
His lordship was further advanced to the dignity of an earldom, in 1797, as EARL LANDAFF.
He was succeeded by his eldest son,
FRANCIS JAMES, 2nd Earl (1768-1833), MP for County Tipperary, 1801-6, Knight of St Patrick, 1831, who married, in 1797, Gertrude Cecilia, daughter of John La Touche, of Harristown, County Kildare, though the marriage was without issue.
His lordship died of syncope in Dublin, on 12 March 1833, aged 65, when the titles expired.
Dying intestate, his estates went to his sister, the Lady Elizabeth Mathew, who died in 1842, leaving the estates to a cousin, the Vicomte de Chabot, the son of her mother’s sister, Elizabeth Smyth.
THOMASTOWN CASTLE, Golden, County Tipperary, was built by George Matthew and dated from ca 1670.
It comprised a long, two-storey house of pink brick.
The house in its present form was enlarged in the Gothic style by Francis, 2nd Earl Landaff, in 1812.
(Sir) Richard Morrison designed the house incorporating a veneer of Gothic openings, including the ornate polygonal and square towers to the front elevation.
The office wing to the right was also enlarged in the Gothic style.
From ca 1872 the great mansion fell into disrepair to become the impressive and spectacular ruin it is today.
Father Theobald Mathew, the famous temperance reformer whose father was a cousin of the 1st Earl, grew up at the Castle.
The 2nd Earl’s sister, Lady Elizabeth Mathew, bequeathed Thomastown to her maternal cousin, the Vicomte de Rohan-Chabot, son of the Comte de Jarnac.
The estate later passed to the Daly family.
The ruinous building was purchased in 1938 by the Rt Rev David Mathew, the historian, who wished it to be kept in the family and saved from destruction.
This expectation proved to have been in vain.
The arched gate lodge to the east reflects the architecture of the main house and retains many fine details, such as the cross loops and hood mouldings.
The walled gardens provide an example of the many demesne-related activities thereby contributing context to the site.
The Tipperary Gentry. Volume 1. By William Hayes and Art Kavanagh. Published by Irish Family Names, c/o Eneclann, Unit 1, The Trinity Enterprise Centre, Pearse St, Dublin 2, 11 Emerald Cottages, Grand Canal St, Dublin 4 and Market Square, Bunclody, Co Wexford, Ireland. 2003.
Matthew of Thomastown, Annfield and Thurles
p. 135. Viscount Thurles was Thomas Butler the eldest son of Walter the 11th Earl of Ormonde. Thomas’s wife was Elizabeth the daughter of Sir John Poynz of Acton, Gloucester, and she was a Catholic. Thomas died tragically in a drowing accident when he was travelling to Ireland from England in 1619. His widow, Elizabeth, had three sons and four daughters. Elizabeth’s eldest son became the 12th Earl of 1st Duke of Ormonde. She did not remain a widow for long. She married George Mathew of Llandaff, Glamorgan, in 1620. [This enterprising lady managed to save Thurles during the Cromwellian wards by telling Cromwell taht she had refused to allow a Royalist company under Colonel Brian O’Neill to occupy the town and sought Cromwell’s help. This action saved the town of Thurles from being despoiled and saved the Mathew family from being dispossessed.]
George and his widow, Elizabeth, had two sons, Theobald, who founded the Thurles adn Annfield dynasties of Mathew, and George Reihill, later of Thomastown, who managed the estates of the Ormondes in Tipperary [The Peerage has him as the son of Theobald]. In the process George succeeded in acquiring substantial properties himself. The fact that George Reihill married Eleanor Butler, the [p. 136] daughter of Lord Dunboyne and widow of Lord Cahir (another Butler) helped considerably. George raised her young son the 4th Lord Cahir and when he was of age married him off to his niece, Elizabeth. George Reihill was the ancestor of the Thomastown Mathews. [George surrendered Cahir Castle to Cromwell in 1649. Apparently he was warned by his mother, Elizabeth, to follow that course of action as she had done in Thurles]. [ note: the Mathew family of Llandaff adopted “Mathews” with an ‘s’ in the mid 17th century]
When the Duke and Duchess of Ormonde were away in England or in Dublin the maintenance of Kilkenny Castle was the provenance of Captain George Reihill Mathew, their relation. The Duchess bombarded him with orders, “my Lord and I doe so much apprehend the danger to the roof of the old hall of the castle of Kilkenny and he desires it may be secured, repaired and mended with as much speed as may be.” “I desire you will furnish the castle of Kilkenny to be in readiness to receive me, my son and his family in the middle of next month.”
p. 137. When the Lady Cahir died George married another widow, who brought with her a dowry of £10,000. She was the widow of the last Earl of Tyrone [ on my family tree I have her as Anne Rickard (1665-1729) but she is married to his son, George Mathew *. She was married to James de la Poer, 3rd Earl of Tyrone (1666-1704), and they had a child, Catherine de la Poer, Baroness de la Poer (1701-1769)].
She had no children [Anne Rickard, according to this book] and when George died in 1689 she became somewhat isolated in Thomastown. [Thomastown was built around 1670 by George Reihill. Prior to that he had lived in Cahir Castle]. She fled to London in 1690 whre she petitioned the government for help, stating that she, a Protestant, had been driven out of Ireladn by her in-laws who were Catholic. [see Marnane, Land and Violence in West Tipperary].
George Reihill was succeeded by his second son, Theobald, who was also twice married. [the eldest son, George, was educated in England and died on the way home from England in 1666]. He died in 1711. Theobald’s son, George, known as “Grand” George, inherited the estate of Thomastown. In his will, Thomas left several bequests including monies to be put in trust and managed for his three daughters until they got married or reached the age of 21. [The ladies in question were Elizabeth, who married Christopher O’Brien of County Clare, Frances, who married John Butler of Co Tipperary, and Elinor who married Kean O’Hara of County Sligo]. He expected a return of 8% on his money. He left money to the youngest son, Bartholomew, and to his “dear cousin” Major George Mathew of Thurles…
The problem of succession in the Catholic Mathew families contrasts with the almost smooth successions achieved by the families of the Butlers of Cahir and the Ryans of Inch.
p. 138. The Thurles Mathews were fortunate that there were three single male heirs following the death of Theobald Mathew in 1699. This meant that no stratagem had to be used to avoid carving up the estate. However, a failsafe plan was put in place in the event that the male heirs were not forthcoming. In 1713 a settlement was put in place, which ensured that in default of male heirs the estate would go to the Annfield and Thomastown branches successively. Similar plans must have been put in place in the other Mathew properties because in 1738 the Thurles and Thomastown estates were joined because of the failure of direct heirs in Thomastown. It should be noted that “Grand” George Mathew who died in 1738 had converted in the early years of the 18th century. This inheritance did put a strain on the Thurles owner, George Mathew, who felt it incumbent to change his religion in 1740.
p. 138. Theobald of Thurles (who died in 1699) did in fact have several sons and daughters himself. He was married three times. By his first wife, Margaret the daughter of Sir valentine Browne he had three sons, George, known as Major George who inherited in 1699, Edmund who died young and James who married Elizabeth Bourke, daughter of the 3rd Baron Brittas. [he is acknowledged to be the father of James Mathew of Thomastown and later of Rathclogheen, who was adopted by his cousin and guardian the 1st Earl of Llandaff. James of Rathclogheen is the ancestor of the modern day Mathews] James had no family. He also had two daughters – Elizabeth who married the 4th Lord Cahir, and Anne who married Viscount Galmoy [ 3rd]
By his second marriage to the heiress, Anne Salle of Killough Castle, County tipperary, he had one son….[see tree]
The Annfield branch of the family found life a little more complicated in that Theobald of Annfield, who inherited in 1714 had two brothers. However there is no record on any legal pressure being applied to compel the family to comply with the penal laws of inheritance.
p. 139. When Theobald died in 1745 the estate went to his son Thomas Mathew. [Thomas had three sons and two daughters, one of whom, Mary, married John Ryan of Inch. The sons were Theobald, who inherited in 1714, Edmund who died in 1772 and James of Borris who married the heiress Anne Morres. They had one daughter who married her cousin Charles Mathew.]
Again there does not seem to have been any pressure put on Thomas to divide the estate. Howver, in 1755 just prior to Parliament considering framing anti-Catholic laws Thomas decided to convert. The fact that his relation, George Mathew of Thurles, who had inherited Thomastown, was now elderly and had no male heir may have been a contributory factor also. George died in 1760 and Thomas Mathew of Annfield now became the sole owner of all the Mathew properties.
p. 141. Thomastown had been repaired and reconstruction began in 1711. [ W. Nolan in Tipperary History and Society] It was reported that “Grand” George Mathew and his family lived ‘frugally’ on the continent for seven years on £600 a year in order to devote his £8,000 rental to the laying out of his 1500 acre demesne and the fitting out of the house with forty bedrooms. [T. Power in Land, Politics and Society in 18th Century Tipperary]…
“Grand” George of Thomastown turned Protestant in the early decades of the 18th century and was elected an MP for County Tipperary. George sat as a Tory and a supporter of the 2nd Duke of Ormonde. He was also elected MP for the period 1727-1736. He died two years later. This was the same George Mathew who was visited by Dean Swift in 1719. In 1704 he was one of nine Catholics in the country who were given licenses to carry arms. However this situation changed after 1715 when the government ordered the seizure of Catholics horses and arms. At some stage in th following years George adn his son were apprehended and searched for arms.
The other two branches of the family remained Catholic. When Lady Thurles died she left her second son Theobald the town and manor of Thurles and an estate of four thousand acres. He was married three times and his second wife was Anne Sall, an heiress. Theobald gave her esate to his second son Thomas and so began the Annfield family. The changes in land ownership, which was effected by the necessity of the Ormonde Duke to reduce his overwhelming debts, benefited many landowners in Tipperary, including the Mathew famiy. They used the opportunity to consolidate and expand their holdings. [other families to benefit were Sadleir, Coote, Langley, Baker, Cleere, Dawson, Dancer and Harrison – T. Power in Land, Politics and Society in 18th C Tipperary]
p. 142. The Mathew family owned Thurles town and because of their patronage the Catholic Butler bishop was allowed to live there. [Whelan in Tipperary society and history]. In addition the Mathew family of Annfield built Inch and Thurles chapels. A plaque on the wall of the chapel, which was built in 1730 in Thurles, stated that it was built by “Big” George Mathew. He was the George Mathew of thurles who married his stepsister Martha Eaton. He was also the son of the Major mentioned above.
The Thomastown dynasty came to an abrupt end with the death of “Grand” George and his grandson who both died in 1738. “Grand” George’s son, Theobald, had died two years earlier in 1736. He was married to a cousin from Thurles, Mary Ann Mathew. Her brother, George of Thurles inherited Thomastown at this time. As George of Thurles had no sons the Thomastown and Thurles estates passed into the ownershop of Thomas of Annfield in 1760. The will, transferring the ownership, was contested unsuccessfully by Margaret the daughter of George of Thurles.
Thomas had converted to the Church of Ireland in 1755 and he was returned an MP for Tipperary in 1761. In the turbulent political climate of the times, his election was seen as a triumph for the pro Catholic interest in the county. Thomas was perceived as being of dubious conformity himself. He conformed again in 1762. He was elected MP again [p. 143] in 1768 but by a very small margin of 25 votes. On petition the result was overturned. Unlike the Pritties who were very widely connected with teh Protestant landowning classes, Thomas Mathew had to rely on his own voters and whatver support he could must from among the more liberal gentry.
…Thomas Mathew’s son Francis was perceived as being a closet Catholic. However, he was fortunate in that he had John Scott (later Lord Clonmell) as his brother-in-law. Scott became solicitor-general and was very influential in government circles. Through his influence, Francis, formerly an opposition MP, became a government supporter and this led to his elevation to the peerage as Lord Llandaff in 1784. Though he had, to some extent, changed his allegiance, he still championed the Catholic cause right up to the end of the century and beyond.
The Act of 1778, which gave an enormous measure of relief to the Catholics, was widely welcomed by the Catholics in Tipperary. The men most associated with the carriage of the Act were Francis Mathew of Thomastown, Lord Clonmel (John Scott, brother in law of Francis, Sir William Osborne and John Hely-Hutchinson. [This close association between Lord Clonell and Francis Mathew wasn’t always harmonious. According to Barrington, in his Reminiscences, Lord Clonmell fought duels with Lord Llandaff, Lord Tryawley and others.] p. 144. The main features of the Act were (1) the removal of the requirement that Catholic property had to be divided among the surviving sons (2) leases could now be given for more than 31 yers (3) the removal of the decree that a son who converted would get immediate possession making his parent a tenant for life only. The Act would only apply to people who took the Oath of Allegiance. …
That is not to say that Francis favoured any change in the status quo with regard to property rights. During the heyday of Whiteboyism he stood four square with the landlords. After the murder of Ambrose Power, a landlord, in 1775, over sixty of the leading figures in Tipperary including Francis Mathew nd Thomas Maude, pledged their lives and fortunes to suppress Whiteboyism.
With the re-emergence of considerable agrarian unrest, the American war of Independence and threatened French invasions, Volunteer Corps were founded all over Ireland. ..Each corps ws comprised of about forty rank and file members drawn from the head tenantry or from friends or associates of the Colonel. Francis Mathew had three corps, one in each of his main holdings at thomastown, Annfield and Thurles.
…p. 145. Francis was made Baron Llandaff of Thomastown in 1783 and he was later made Earl of Llandaff in 1797. The Earl lived the life of a Lord and entertained and was entertained royally. ..
In 1812 Francis the 2nd Earl employed the architect Richard Morrison to “throw a Gothic cloak over the earlier house” (at Thomastown)…
Fortuitous marriages brought additional wealth to the Mathew family starting with George the first Mathew to arrive in Tipperary, who married the widow of Viscount Thurles. His soon George Reihill married the widow of Lord Cahir who was also the daughter of Lord Dunboyne. “Grand” George Mathew, a grandson of George Reihill, married as his second wife Lady Ann Hume who brought him an estate worth £10,000 in the 1680s. He converted the title to his own use and that of his heirs and used the money to make further land purchases. Francis Mathew the 1st Earl received £10,000 with Ellis Smyth of Wicklow when they married in 1764.
…Francis was in serious debt when he inherited in 1777 due largely to marriage payments and unpaid debts from previous generations. Trustees were appointed by Parliament to unravel his affairs and lands had to be disposed of.
When he died in 1806 the estate was still very much in debt for a variety of reaons one of which was his sponsoring a bill to bring a water supply to Thomastown Castle.
p. 147. Francis teh 2nd Earl died in 1833. He had been predeceased by his brother Montague in 1819. His second brother George was insane and had died in 1832, so teh estates passed to Elizabeth his sister. She too died unmarried in 1841.
While the main branch of the family disappeared the Mathew name was kept aloive…For example, Francis Mathew of Rockview House who was mentioned in the will of Elizabeth was married twice and had four sons and two daughters. ..
Thomastown Castle, County Tipperary, photograph by Robert O’Byrne.
Many people in Ireland will be familiar with the name of Theobald Mathew, a 19th century Roman Catholic priest who became known as the Apostle of Temperance. A member of the Capuchin order, in 1838 Fr Mathew, witnessing the problems arising from excessive consumption of alcohol, founded the Total Abstinence Society in Cork city, where he was then living. Within nine months some 150,000 persons had enrolled in this organisation and at its height during the late 1840s it is estimated that half the population of Ireland were members. What may be less well known is that Theobald Mathew was related to a wealthy, and Protestand, landed family and grew up at Thomastown Castle, County Tipperary where his father acted as agent to a cousin, the first Earl of Landaff. Now a striking ruin, Thomastown was for several centuries the seat of the Mathew family. Of Welsh origin (hence the choice of name for their title), they were connected through marriage to the Butlers, and thus acquired land in this part of the country. As was so often the case, a series of judicious marital alliances made them exceedingly rich, allowing the construction of a large residence in the late 17th/early 18th centuries. In Town and Country in Ireland under the Georges (1940) Constantia Maxwell provides an excellent account of life there in the years after the house had been built by Thomas Mathew. The building was ‘surrounded by gardens adorned with terraces, statuary, and fish ponds, and by a park of some two thousand acres stocked with deer. Mr Mathew, besides being very rich, was held to be one of the finest gentlemen of the age, and, having travelled much on the Continent and lived in London and Dublin, had a large circle of friends. Nothing gave him so much pleasure as to invite these to Thomastown, where he had no less than forty guest-rooms, besides handsome accommodation for servants. The guests in his house were invited to order anything they might wish for, as at an inn; they might seat themselves at the dining-room table without paying irksome respect to rank, or, if they preferred it, dine with chosen companions in their own rooms. A large room was fitted up as a city coffee-house with newspapers and chessboards, where servants had been ordered to bring refreshments at any time of the day. For those who liked sport fishing tackle was provided, as well as guns and ammunition, while hounds and hunters were available in the stables. But, although everything at Thomastown was on such a lavish scale, there was no disorder or waste, for Mr Mathew rose early every morning to look over the accounts, and his servants were well paid, and forbidden to take tips.’ A description of life at Thomastown was provided by Thomas Sheridan in his biography of Jonathan Swift described how the later was so delighted with Thomas Mathew’s hospitality that instead of staying for a fortnight, as originally intended, he remained there for four months.
Thomastown Castle, County Tipperary, photograph by Robert O’Byrne.
Thomastown Castle, County Tipperary, photograph by Robert O’Byrne.
Thomastown Castle, County Tipperary, photograph by Robert O’Byrne.
Thomastown Castle, County Tipperary, photograph by Robert O’Byrne.
As mentioned, the house at Thomastown was once surrounded by splendid gardens. Writing in 1778, Thomas Campbell noted that not only was the setting perfect, with the Galtee Mountains ‘set at such a due distance that they are the finest termination for a prospect a painter could desire’ but ‘behind the house is a square parterre, with flowers, with terraces thickly studded with busts and statues; before it, a long and blind avenue, planted with treble rows of well-grown trees, extends its awkward length. In the centre of this, and on the acclivity of the hill, are little fish ponds, pond above pond. The whole park is thrown into squares and parallelograms, with numerous avenues fenced and planted.’ By the time Campbell visited, this style of garden had fallen out of fashion, so he tut-tutted that ‘if a hillock dared to interpose its little head, it was cut off as an excrescence, or at least cut through; that the roads might be everywhere as level as they are straight. Thus was this delightful spot treated by some Procrustes of the last age.’ A few years later, Joseph Cooper Walker was just as critical of Thomastown’s gardens. ‘They lie principally on the gentle declivity of an hill,’ he explained, ‘resting on terraces, and filled with “statues thick as trees”. A long fish pond, sleeping under “a green mantle” between two rectilineous banks, appears in the midst. And in one corner stands a verdant theatre (once the scene of several dramatic exhibitions) displaying all the absurdity of the architecture of gardening. Thus did our ancestors, governed by the false taste which they imbibed from the English, disfigure, with unsuitable ornaments, the simple garb of nature.’ Not much later, perhaps when the second Earl of Landaff, who inherited title and estate on his father’s death in 1806, transformed the house, these by-now old-fashioned gardens were largely swept away in favour of open parkland.
Thomastown Castle, County Tipperary, photograph by Robert O’Byrne.
Thomastown Castle, County Tipperary, photograph by Robert O’Byrne.
Thomastown, as previously mentioned, was originally a late 17th/early 18th century house of two storeys, the centre just one room deep with projecting wings forming a short entrance courtyard. However, it appears that the generous Thomas Mathew enlarged the house by filling in the space between the wings to create a dining room, some 50 feet long and 20 feet deep, no doubt to feed all the guests he entertained. Several generations later, the second Earl of Landaff decided to alter the building’s appearance by giving it a Gothick makeover. In 1812 the architect Richard Morrison was commissioned to come up with a design for the place. The original entrance arcade was now glazed to create a Great Hall, while the first-floor gallery became a gothic-style library. However, the drawing room retained its classical decoration, with screens of scagliola columns at either end, a typical Morrison flourish which can still be seen in the library at Ballyfin, County Laois. Meanwhile, the exterior was ornamented with a crenellated parapet and a series of octagonal turrets topped with dart-like finials. As Mark Bence-Jones noted, from a distance these look like rabbits’ ears. A kitchen and service wing at right-angles to the house was also thoroughly dressed in Tudor-Gothic decoration, although a stone tower at the corner of the range is in Norman style. The entire building was covered in stucco, which was then rather oddly painted pale blue. An engraving of the completed work made by John PrestonNeale in 1819 although this included an unexecuted family wing and a more simple service range than that actually constructed. The second earl had no children and following his death, Thomastown passed to a sister Lady Elizabeth Mathew who in turn left the estate to a cousin of her mother, the Vicomte de Chabot. Before the end of the 19th century, it had come into the possession of the Dalys of Dunsandle, County Galway but seemingly by then the house was already falling into ruin. And so it has remained, with much of the central block, where those hospitable dinners were once given, long since collapsed. Today the only diners seen here are cattle.
Thomastown Castle, County Tipperary, photograph by Robert O’Byrne.
Thomastown Castle gate tower, County Tipperary, photograph by Robert O’Byrne.
Thomastown Castle gate tower, County Tipperary, photograph by Robert O’Byrne.
After Monday’s post explaining the history of Thomastown Castle, County Tipperary, these pictures might be of interest since they show the gate tower that formerly gave access to the main house. It dates from around 1812 and was likewise designed by Richard Morrison: note the Mathew family coat of arms prominently displayed over the gateway. Aside from this detail, the building is almost identical to a similar gate tower at the entrance to the demesne of Borris House, County Carlow. This was also designed by Morrison and at the same date: one wonders if the estates’ respective owners ever noticed or remarked on the duplication?
Thomastown Castle gate tower, County Tipperary, photograph by Robert O’Byrne.
Thomastown Castle gate tower, County Tipperary, photograph by Robert O’Byrne.
In recent days, I have been writing about tangled family trees and difficult marriages that led to questions about the inheritance of titles and estates in the Townshend familyand the Leeson family.
In the Townshend family, scandals and a bigamous marriage threatened the succession to both the title of Marquess Townshend and the ownership of Tamworth Castle. In the Leeson family, a tangled family tree led to the loss of Russborough House in Co Wicklow and the disappearance of the title of Earl of Milltown.
Similar stories are told about the Mathew family of Thomastown, Co Tipperary, and the claims to the title of Earl Landaff.
The Mathew family claimed descent from a branch of the Matthew family of Radyr in Glamorgan, in south Wales. There are three 15th and 16th century Mathew family effigies In Llandaff Cathedral.
George Mathew sold his estate at Radyr in the mid-17th and moved to Co Tipperary. He became the owner of Thomastown Castle, near Thurles, when he married Elizabeth Poyntz (1587-1673), Lady Thurles, widow of Thomas Butler, Viscount Thurles.
It was a marriage that brought George Mathew into a powerful and influential family circle, and he was the stepfather of James Butler (1610-1688), 1st Duke of Ormond.
George Mathew died in 1638, but the Mathew family maintained close connections with the Ormond Butlers in the generations that followed. In 1666, George Mathew was granted a large estate in Co Tipperary, including part of Thomastown. The original Thomastown Castle was a two-storey house of pink brick built in the 1670s by George Mathew with early 18th additions.
Thomastown Castle was the birthplace and early home of Father Mathew, the ‘Apostle of Temperance,’ and his father was a cousin of Thomas Mathew and worked for him as his agent.
Thomas Mathew of Annefield succeeded to the Mathew estates of Thomastown and Thurles in 1760. Wilson described Thomastown Castle in 1786 as ‘an ancient but handsome edifice.’ Thomas was succeeded by his son Francis Mathew in 1777 who was given the title of Earl Landaff in 1797.
Francis Mathew (1738-1806), 1st Earl Landaff, had been MP for Tipperary in the Irish House of Commons in 1768-1783, and was High Sheriff of Tipperary. He was made a member of the Irish House of Lords in 1783 with the title of Baron Landaff, of Thomastown, in Co Tipperary. In 1793, he received the higher title of Viscount Landaff, and in 1797 he was made Earl Landaff.
The Earls Landaff used the invented courtesy title Viscount Mathew for the heir apparent. Despite their territorial designations, the misspelling of Llandaff as Landaff, and the fact that the titles were in the Irish Peerage, the titles all referred to the place in Glamorgan now spelt Llandaff. After the Act of Union, Lord Landaff was elected as one of the 28 Irish peers to the British House of Lords.
This Lord Landaff was married three times. On 6 September 1764, he married Elisha Smyth (1743-1781) in Bellinter, Co Meath. She was a sister of Sir Skeffington Smyth of Tinney Park, Co Wicklow. They had four children, three sons and two daughters: Francis James Mathew, later 2nd Earl of Landaff; General Montague Mathew (1773-1819); the Hon George Toby Skeffington Mathew (died 1832); and Lady Elizabeth Mathew (died 1842).
In 1784, he married his second wife, Lady Catherine Skeffington (1752-1796), a daughter of Clotworthy Skeffington, 1st Earl of Massereene. They had no children, and in 1799 he married his third wife, a woman named Coghlan from Ardo, Co Waterford.
When he died in 1806, he was succeeded in his titles by his eldest son from his first marriage, Francis James Mathew (1768-1833), 2nd Earl Landaff, who had been known by the courtesy title of Viscount Mathew. He was MP for Tipperary in the Irish House of Commons (1790-1792), Callan (1796) and again for Tipperary (1796-1801). As Earl Landaff, he also took his father’s place as an Irish representative peer in the House of Lords.
He opposed the Act of Union, supported Catholic Emancipation, and was seen as ‘a personal enemy of George IV’ when he gave evidence in favour of Queen Charlotte regarding her conduct at the Court of Naples during her famous trial.
Thomastown Castle was enlarged in the early 19th century, and transformed into a Gothic castle, designed by Richard Morrison for Francis James Mathew, the 2nd Earl Landaff.
Lord Landaff married Gertrude Cecilia La Touche, a daughter of John La Touche, of Harristown, Co Kildare. They had no children, and he died in Dublin on 12 March 1833, aged 65.
Lord Landaff’s next brother, Lieut-Gen Montague James Mathew (1773-1819), had died 14 years earlier, on 19 March 1819, and so the family titles became extinct. General Mathew was MP for for Ballynakill in the Irish Parliament until 1800, and MP for Co Tipperary in Westminster in 1806-1819. He was a Whig and a supporter of Catholic Emancipation.
Their youngest brother, the Hon George Toby Skeffington Mathew, also died in 1832. So, when the second earl died, the family titles became extinct, and the estates passed to his sister, Lady Elizabeth Mathew. The Ordnance Survey Name Books record Lady Elizabeth Mathew owned townlands in the parish of Kilfeacle, barony of Clanwilliam, in 1840.
When she died in 1842, she left the family estates and fortune to a cousin, the Vicomte de Chabot, the son of her mother’s sister Elizabeth Smyth. Viscount Chabot was living at Thomastown Castle in the mid-19th century. Later it was owned by the Daly family, but from the mid-1870s it began to decay from the mid-1870s. William Daly was living there in 1906.
As Thomastown Castle crumbled and decayed, a number of pretenders came forward, claiming they were the rightful holders of the title Earl Landaff and heirs to the castle. The most outrageous of these pretenders was Arnold Harris Mathew (1852-1919), self-styled de jure 4th Earl Landaff, also self-styled Count Povoleri di Vicenza.
Mathew was also the founder and first bishop of the self-styled Old Roman Catholic Western Orthodox Church in Great Britain, an Old Catholic Church. His episcopal consecration was declared null and void by the Union of Utrecht’s International Old Catholic Bishops’ Conference. In addition, he was excommunicated by Pope Pius X for illicitly consecrating two priests as bishops which led a London jury to find that ‘the words were true in substance and in fact’ that he was a ‘pseudo-bishop.’
He claimed his father, Major Arnold Henry Ochterlony Mathew, who died in 1894, was the third Earl Landaff, and the son of Major Arnold Nesbit Mathew, of the Indian Army. According to these claims, this Major Arnold Mathew was, in turn, the eldest son of the 1st Earl Landaff, born in Paris five months after his parents married.
This claim was later shown to be based on invented and fictitious information. Arnold Nesbit Mathew originally used the name Matthews, as did his son. He was, in fact, the son of William Richard Matthews and his wife Anne, of Down Ampney in Gloucestershire. Incidentally, Down Ampney was also the home village of the composer Ralph Vaughan Williams (1872-1958(, who composed the tune ‘Down Ampney’ for the hymn ‘Come down, O love divine’
Arnold Harris Mathew put forward his claim to the Garter Principal King of Arms for the title of 4th Earl Landaff of Thomastown, Co Tipperary, in 1890, and placed his creative pedigree on the official record at the College of Arms.
John H Matthews, Cardiff archivist, said in 1898 that the number of claimants to the dormant or extinct earldom was ‘legion.’ In his opinion, Arnold Henry Mathew’s pedigree was ‘too extra-ordinary to commend itself to an impartial mind.’
Nevertheless, Arnold Henry Mathew presented his petition to the House of Lords in 1899, claiming a right to vote with the Irish peers for representative peers in the House of Lords. In his petition, he did not repeat other exuberant claims, including one that his grandmother was Eliza Francesca Povoleri, was an Italian countess and the daughter of a Papal marchese.
His petition was read and referred to the Lord Chancellor, Lord Halsbury, who reported in 1902 that Mathew’s claim ‘is of such a nature that it ought to be referred to the Committee for Privileges; read, and ordered to lie on the Table.’
Mark Bence Jones in a feature in Country Life says Archbishop Mathew also bought the ruins of Thomastown Castle and 20 acres surrounding it to save it from destruction.
Mathew’s aristocratic pretensions, like his life as a ‘wandering bishop,’ were fantasies that continue to resurface in the claims of fantasists and pretenders in many walks of life.
When he died on 19 December 1919, the claims to the Mathew title did not come to an end.
As recently as 1987, a mural memorial was erected in Llandaff Cathedral, claiming it was: ‘In memory of Thomas James Mathew son and heir of Francis James Mathew second Earl of Landaff born in London 1798 died in Cape Town 1862.’ The memorial includes a full display of the coat of arms of the Mathew family of Co Tipperary as Earls Landaff, and the misspelling of Llandaff as Landaff.