Kilkenny Castle, County Kilkenny, an Office of Public Works property

Kilkenny Castle, photograph by macmillan media 2016 for Tourism Ireland, Ireland’s Content Pool. It sits on the banks of the River Nore. [1]

General information: 056 770 4100, kilkennycastleinfo@opw.ie

From the OPW website:

Built in the twelfth century, Kilkenny Castle was the principal seat of the Butlers, earls, marquesses and dukes of Ormond for almost 600 years. Under the powerful Butler family, Kilkenny grew into a thriving and vibrant city. Its lively atmosphere can still be felt today.

The castle, set in extensive parkland, was remodelled in Victorian times. It was formally taken over by the Irish State in 1969 and since then has undergone ambitious restoration works. It now welcomes thousands of visitors a year.

Kilkenny Castle, photograph by unknown 2014 for Failte Ireland, Ireland’s Content Pool. [see 1]

Kilkenny Castle has been standing for over eight hundred years, dominating Kilkenny City and the South East of Ireland. Originally built in the 13th century by William Marshall, 4th Earl of Pembroke, as a symbol of Norman control, Kilkenny Castle came to symbolise the fortunes of the powerful Butlers of Ormonde for over six hundred years. [2]

In 1967 James Arthur Norman Butler (1893-1971), 6th Marquess and 24th Earl of Ormonde sold the Castle to the Kilkenny Castle Restoration Committee for £50. Two years later it went into state ownership.

William Marshall (about 1146-1219) was married to the daughter of “Strongbow” Richard de Clare, 2nd Earl of Pembroke. With the marriage, he gained land and eventually, the title, Earl of Pembroke. The daughter of Strongbow, Isabel, inherited the title of 4th Countess of Pembroke “suo jure” i.e. herself (her brother, who died a minor, was the 3rd Earl). Hence William Marshall became the 4th Earl through his wife, but then then was created the 1st Earl of Pembroke himself ten years after their marriage. They seem to have settled in Ireland and created place for themselves, beginning with setting up the town of New Ross and then restoring Kilkenny town and castle – a castle had pre-dated them, according to the Kilkenny Castle website.

The Marriage of Aoife and Strongbow, Richard de Clare 2nd Earl of Pembroke atWaterford in 1170, by Daniel Maclise, in National Gallery of Ireland. Conceived for the decoratino of the Palace of Westminster, the painting is an ambiguous representation of the victorious Normans and the vanquished Irish. Strongbow places his foot upon a fallen Celtic cross, King Dermot looks on in alarm, and an elderly musician slumps of his harp. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The present-day castle is based on the stone fortress that Marshall designed, comprising an irregular rectangular fortress with a drum-shaped tower at each corner. Three of these towers survive to this day.

Kilkenny Castle, photograph by Mark Wesley 2016 for Failte Ireland, Ireland’s Content Pool. [see 1]
Kilkenny Castle, photograph by Finn Richards, 2015 for Failte Ireland, Ireland’s Content Pool. [see 1]

By 1200, Kilkenny was the capital of Norman Leinster and New Ross was its principal port. The Marshalls also founded the Cistercian abbeys at Tintern in County Wexford and Duiske in Graiguenamanagh, County Kilkenny, as well as the castles at Ferns and Enniscorthy. He died and was buried in England. [3]

Tintern Abbey, County Wexford, 15th March 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In 1317, the de Clare family sold the Kilkenny castle to Hugh Despenser. The Despensers were absentee landlords. In 1391 the Despensers sold the castle to James Butler, 3rd Earl of Ormond, 9th Chief Butler of Ireland (1360–1405). The first Butler to come to Ireland was Theobald Walter Le Botiller or Butler, 1st Baron Butler, 1st Chief Butler of Ireland (1165–1206). He was called “Le Botiller” because he received the monopoly of the taxes on wines being imported into Ireland (which The Peerage website tells us was eventually purchased back by the Crown from the Marquess of Ormonde for £216,000 in 1811.)

The Butlers were an important family in Ireland. They fought for the king in France and Scotland, and held positions of power, including Lord Lieutenant of Ireland, the monarch’s representative in Ireland.

The castle now forms a “u” shape, because in the time of Oliver Cromwell’s invasion, the fourth wall fell. [4]

Kilkenny Castle, photograph by unknown 2014 for Failte Ireland, Ireland’s Content Pool. [see 1]

After the Restoration of 1660, there was a major rebuilding of the old castle. In 1826, another remodelling of the castle began. In 1935, the Butler family held a great auction, selling all of the castle’s furnishings.

Thomas Butler the 7th Earl of Ormond (d. 1515) lacked a male heir, and on his death, the Earldom was contested between Sir Piers Butler and his grandchildren led by Sir Thomas Boleyn. Thomas was favoured by King Henry VIII when Henry married his daughter Anne Boleyn. Piers Butler (1467-1539) was a descendant of the 3rd Earl of Ormond. Piers relinquished the claim to the title Earl of Ormond to Boleyn and was created Earl of Ossory by Henry VIII. The lands of the 7th Earl were divided between both parties. After a rapid escalation of disputes with rural Fitzgeralds and Boleyns, Piers regained his position and was recognised Earl of Ormond in February 1538.

The Crown hoped Piers would improve the Crown’s grip over southern Ireland. Piers the 8th Earl of Ormond gained much from Crown, including suppressed monasteries. He married Margaret Fitzgerald, daughter of Gerald, 8th Earl of Kildare, in marriage arranged for the purpose of ending the long-standing rivalry between the two families. They lived in Kilkenny Castle and greatly improved it. Margaret urged Piers to bring over skilled weavers from Flanders and she helped establish industries for the production of carpets, tapestries and cloth. Margaret and her husband commissioned significant additions to the castles of Granagh and Ormond. They also rebuilt Gowran Castle, which had been originally constructed in 1385 by James Butler, 3rd Earl of Ormond.

Kilkenny Castle, photograph by Roselinde Bon 2016 for Failte Ireland, Ireland’s Content Pool. [see 1]
James Butler (1504-1564), Soldier, 9th Earl of Ormond and Ossory by Francesco Bartolozzi, published by John Chamberlaine, after Hans Holbein the Younger publ. 1797, courtesy of National Portrait Gallery NPG D39383.

As a young boy, Thomas Butler (c.1531-1614), later 10th Earl of Ormond, was fostered with Rory O’More, son of the lord of Laois before being sent to London to be educated with the future Edward VI. He was the first member of the Butler family to be brought up in the protestant faith. In 1546, he inherited the Ormond earldom following the sudden death of his father.

Thomas Butler 10th Earl of Ormond by Steven Van der Meulen. He is holding a wheelcock pistol with his coat of arms in the upper left corner.

Thomas Butler was highly regarded by Queen Elizabeth, to whom he was related through her mother Anne Boleyn. Anne Boleyn was the granddaughter of the 7th Earl of Ormond making Elizabeth and Thomas cousins. Due to his dark hair, he was called “Black Tom,” and the Queen called him “her dark husband” and it is even rumoured that she had a son with him.

Thomas Butler (c.1531-1614), 10th Earl of Ormond, artist unknown. As a young boy, Thomas was fostered with Rory O’More, son of the lord of Laois before being sent to London to be educated with the future Edward VI. He was the first member of the Butler family to be brought up in the protestant faith. In 1546, he inherited the Ormond earldom following the sudden death of his father. He was highly regarded by Queen Elizabeth to whom he was related through her mother Anne Boleyn.
Anne Boleyn was the granddaughter of the 7th Earl of Ormond making Elizabeth and Thomas cousins. Thomas married three times but left no heir and was succeeded by his nephew Walter Butler 11th Earl of Ormond. He died in 1614 and was buried in St Canice’s cathedral, Kilkenny.
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Thomas married three times but left no heir and was succeeded by his nephew Walter Butler, a son of Sir John Butler of Kilcash. Walter Butler became the 11th Earl of Ormond. He died in 1614 and was buried in St Canice’s cathedral, Kilkenny.

See my entry about the Ormond Castle at Carrick-on-Suir for more on “Black Tom.” https://irishhistorichouses.com/2024/09/05/ormond-castle-carrick-on-suir-county-tipperary-an-opw-property/

Carrick-On-Suir, Co Tipperary Courtesy Tipperary Tourism photo by Kerry Kissane All Around Ireland 2021

Unlike his uncle, who had been raised at Court and thus reared a Protestant, Walter the 11th Earl of Ormond was a Catholic.

Walter Butler’s claim to the family estates was blocked by James I. The latter orchestrated the marriage of Black Tom’s daughter and heiress Elizabeth to a Scottish favourite Richard Preston, Baron Dingwall.

The King gave Preston the title Earl of Desmond after the Fitzgeralds lost the title, due to their Desmond Rebellion, and awarded his wife most of the Ormond estate, thus depriving Walter of his inheritance. Walter refused to submit and was imprisoned for eight years in the Fleet, London. He was released 1625. Walter’s nine-year-old grandson James became the heir to the titles but not the estates.

James Butler 1st Duke of Ormond painted by John Michael Wright (1617-1694), and in centre, Elizabeth Poyntz (1588-1673), mother of the 1st Duke of Ormond, painted by John Michael Wright, and Elizabeth Preston (1615-1684), wife of the 1st Duke of Ormond, with her son Thomas, who became the 6th Earl of Ossory. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

James Butler (1610-88) 12th Earl of Ormond (later 1st Duke of Ormond) was the eldest son of Thomas Butler, Viscount Thurles, and his wife Elizabeth Poyntz. Following his father’s death in 1619, 9-year-old James became direct heir to the Ormond titles. He was made a royal ward and was educated at Lambeth Palace under the tutelage of George Abbot, Archbishop of Canterbury.

James Butler 1st Duke of Ormond painted by John Michael Wright (1617-1694), Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Elizabeth Poyntz (1588-1673), mother of the 1st Duke of Ormond, painted by John Michael Wright, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In order to reunite the Ormond title with the estates, plans were made for a marriage between James and the daughter of the Prestons, Elizabeth, to resolve the inheritance issue. In 1629 James married his cousin Elizabeth Preston and reunited the Ormond estates.

James Butler (1610-1688) 1st Duke of Ormonde by Willem Wissing circa 1680-1685, courtesy of National Portrait Gallery NPG 5559.
Elizabeth Preston (1615-1684), wife of the 1st Duke of Ormond, with her son Thomas, who became the 6th Earl of Ossory. Attributed to David des Granges (c.1610-71/2). she was the daughter of Richard Preston, Baron Dingwall, Earl of Desmond and his wife Elizabeth Butler, only daughter and heiress of Thomas Butler, 10th Earl of Ormond. On the death of her parents in 1628, Elizabeth was made a royal ward and the rights of her marriage were granted to the Earl of Holland, who sold it for £15,000. She married her cousin James Butler, Viscount Thurles, later 1st Duke of Ormond in 1629, thus reuniting the Ormond titles and properties. They had eight sons and two daughters but only three of those sons survived infancy: Thomas, later Earl of Ossory, Richard, later 1st Earl of Arran and John, later Earl of Gowran. Their daughters were Mary, later Duchess of Devonshire and Elizabeth, later Countess of Chesterfield. Lady Ormond spent a short period in exile with her husband and family in France during the early 1650s. She returned a few years later, following successful negotiations with the Cromwellian parliament, to her house at Dunmore, Co. Kilkenny. She was highly regarded at Court and was godmother to the Princess Mary, later Queen Mary. When Ormond retired to England in 1682, the duchess accompanied him and they settled at Kingston House (Kingston Lacy), Dorset. She died two years later at their town house, Ormonde House, in St. James’s Square, London. Sir Peter Lely painted the duchess but no portrait of her by the artist has been traced. A portrait of her by Henri Gascars is also recorded in seventeenth-century Ormonde inventories. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Elizabeth Preston, (1616-1684) Baroness Dingwall, Countess of Ormond, later Duchess of Ormond, with her son Thomas, Lord Ossory (1634-1680), attributed to David des Granges (1611-1671/72), courtesy Office of Public Works.
James Butler, 1st Duke of Ormonde (1610–1688) after John Michael Wright courtesy of National Trust images.

James succeeded to the Ormond titles in 1633 on the death of his grandfather, Walter Butler, 11th Earl of Ormond.

The website tells us: “A staunch royalist, Ormond was appointed commander-in-chief of the army in Ireland in 1641. He served his first term of three as Lord Lieutenant of Ireland from 1648 to 1650.  Following the defeat of the royalists in Ireland, Ormond went to exile and spent most of the years 1649 to 1660 abroad, moving about Europe with the exiled court of Charles II. After the restoration of the monarchy in England, Ormond was rewarded with a dukedom and several high offices by a grateful king. Though he enjoyed the king’s favour, Ormond had enemies at court and as a result of the machinations of the Cabal, which included powerful figures such as the Earl of Shaftesbury, he was dismissed from his post as Lord Lieutenant in 1669. When he was raised to a dukedom in the English peerage in 1682, Ormond left Ireland to reside in England. During his last term as Lord Lieutenant (1677-85), he played a major role in the planning and founding of the Royal Hospital for old soldiers at Kilmainham, near Dublin. The last decade of his life was marked by tragedy: all three of his sons and his wife died during that time. He died at his residence at Kingston Lacy in Dorset was buried in Westminster Abbey.

Note that the “Cabal” was the term used to refer to the clique around the king. The term comes from an acronym of their names, Sir Thomas Clifford 1st Baron Clifford, Henry Benet 1st Earl of Arlington, George Villiers 2nd Duke of Buckingham, Anthony Ashley Cooper, Lord Ashley 1st Earl of Shaftesbury and John Maitland, 1st Duke and 2nd Earl of Lauderdale.

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James Butler 1st Duke of Ormond, Viceroy 1703-1707 and 1710-1713. Artist: Sir Peter Lely (1618-1680). He is wearing robes of the Order of the Garter and holds the wand of office of Lord Steward of the Household in his right hand. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The 1st Duke of Ormond carried out improvements to the castle. Mark Bence-Jones describes:

The Great Duke transformed the castle from a medieval fortress into a pleasant country house, rather like the chateau or schloss of contemporary European princeling; with high-pitched roofs and cupolas surmounted by vanes and gilded ducal coronets on the old round towers. Outworks gave place to gardens with terraces, a “waterhouse” a fountain probably carved by William de Keyser, and statues copied from those in Charles II’s Privy Gardens. The Duchess seems to have been the prime mover in the work, in which William (afterwards Sir William) Robinson, Surveyor-General and architect of the Royal Hospital, Kilmainham, was probably involved, supervising the construction of the Presence Chamber 1679. Robinson is also believed to have designed the magnificent entrance gateway of Portland and Caen stone with a pediment, Corinthian pilasters and swags which the second Duke erected on the street front of the castle ca 1709. Not much else was done to the castle in C18, for the Ormondes suffered a period of eclipse following the attainder and exile of the 2nd Duke, who became a Jacobite after the accession of George I.” [5]

Kilkenny Castle, photograph by unknown 2014 for Failte Ireland, Ireland’s Content Pool. [see 1] The National Inventory describes: Random rubble stone walls with sections of limestone ashlar construction (including to breakfront having full-height Corinthian pilasters flanking round-headed recessed niches with sills, moulded surrounds having keystones, decorative frieze having swags, moulded course, modillion cornice, and blocking course with moulded surround to pediment having modillions), and limestone ashlar dressings including battlemented parapets (some having inscribed details) on corbel tables. The classical frontispiece was designed for James Butler, Second Duke of Ormonde possibly to designs prepared by Sir William Robinson. 

You can take an online tour of the castle on the website https://kilkennycastle.ie/about/explore-the-castle-new/

The Entrance Hall, Kilkenny Castle. Photograph courtesy of Kilkenny Castle website, Entrance Hall.
The Entrance Hall, Kilkenny Castle. There has been an entrance hall here at least since the 17th century rebuilding of the castle. The black and white stone floor is laid with Kilkenny Black Marble and local sandstone, laid in the 19th century. Portrait is of James Wandesforde Butler (1774-1838), 1st Marquess of Ormonde (3rd creation), 19th Earl of Ormonde, by Richard Rothwell (1800-1868). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Entrance Hall, Kilkenny Castle. James Butler (1610-88), 1st Duke of Ormond, 12th Earl of Ormond, in the style of John Michael Wright (1617-1694). There was no fewer than 28 swords and daggers displayed in the Entrance Hall prior to the 1935 auction. Broadsword, English Civil Wars Cr 1640s. Typical munition quality weapon of unusual construction which could have still been in service by the 1680s. English Civil Wars era “Mortuary hilt” swords cr 1650. Both swords represent the period of the Commonwealth and Protectorate of Oliver Cromwell and the exile of Charles II. Broadword of Dutch Walloon type cr 1650 and later. Both swords represent the English civil wars period and thereafter when they would have seen service in the wars against the Dutch and in the restoration period after 1660, when the Butlers were reinstated to their estates and titles. Broadsword of Dutch Walloon type 1660/90 Both swords represent the English civil wars period and thereafter when they would have seen service in the wars against the Dutch and in the restoration period after 1660, when the Butlers were reinstated to their estates and titles. Silver encrusted Officers Transitional rapier / smallsword English 1660/90. Typical of a wealthy officers weapon for whom a stylish sword was just as important as a functional weapon. The 1st Duke of Ormond might typically have carried such a sword. Heavy Cavalry, Horse Grenadier Guards, cr 1760/80. The two swords show the similarities and differences between swords in 100 years at a time when the United Kingdom of Great Britain and Ireland was expanding the Empire abroad and also regularly at war in Western Europe. Heavy Cavalry trooper cr 1788 British army. This is a typical of the sword carried by the famous Inniskilling Dragoons and it formed the basis for the first “Production Pattern” sword authorised in the army. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
James Butler (1610-88), 1st Duke of Ormond, 12th Earl of Ormond, in the style of John Michael Wright (1617-1694). James was the eldest son of Thomas Butler, Viscount Thurles, and his wife Elizabeth Poyntz. Following his father death in 1619, 9-year-old James became direct heir to the Ormond titles. In 1629 he married his cousin Elizabeth Preston reuniting the Ormond estates. He succeeded to the Ormond titles in 1633 on the death of his grand-father, Walter Butler, 11th Earl of Ormond.
Ormond is clad in armour, holding the baton of command, and wearing the blue ribbon of the Order of the Garter. A plumed helmet is to the sitter’s right.
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Entrance Hall, Kilkenny Castle. Portraits of Thomas Butler (c.1531-1614), 10th Earl of Ormond, artist unknown, and James Butler (1665-1745), 2nd Duke of Ormonde, 13th Earl of Ormonde, artist unknown. This room has been redecorated using organic, naturally pigmented copper green paint. This colour is based on two Edwardian Irish Country house schemes; the Entrance Hall at Beaulieu, Co. Louth and the Saloon at Headford, Co. Meath. A fine set of Irish elk antlers, dug from a Leitrim bog in the 19th century, are displayed over the fireplace. The Irish elk (Megaloceros giganteus) also called the giant deer or Irish deer, is an extinct species of prehistoric deer which lived during the Ice Age about 2,580,000 to 11,700 years ago. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website tells us that there has been an entrance hall here at least since the 17th century rebuilding of the castle. The north doorway through the massive curtain wall was remodelled on two occasions in the 19th century. The black and white stone floor is laid with Kilkenny Black Marble and local sandstone, laid in the 19th century.

The Entrance Hall, Kilkenny Castle. Italian marble table. This large grey marble table is original to Kilkenny Castle and dates to the late 17th century. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

On the ground floor of the castle, along with the Entrance Hall are the Chinese Withdrawing Room and the State Dining Room. The walls of the Chinese Withdrawing Room has remnants of hand painted Chinese wallpaper original to the room, with monochrome infill carried out by the studio of David Skinner. This delicate paper was probably ordered as part of the redecorations done to the castle by the 18th Earl, Walter Butler. 

The Chinese Withdrawing Room, Kilkenny Castle. Walter Butler belonged to the circle of the Prince Regent and the paper in Kilkenny is similar to that chosen by the future king for the saloon at the Royal Pavilion, Brighton, and to another set which the regent presented to the owners of Temple Newsam, Leeds. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The 1st Duke of Ormond had three sons: Thomas (1634-1680), 6th Earl of Ossory; Richard (1639-1686), 1st and last Earl of Arran; and John (1634-1677), 1st and last Earl of Gowran. He had two daughters, Elizabeth (1640-1665) and Mary (1646-1710). Mary married William Cavendish, 1st Duke of Devonshire and Elizabeth, the 2nd Earl of Chesterfield.

Richard Butler (1639-1685) 1st Earl of Arran, son of the Duke of Ormonde, by Godfrey Kneller, courtesy of National Trust Hardwick Hall.
Daughter of the 1st Earl of Ormond, Elizabeth Stanhope née Butler Countess of Chesterfield By Peter Lely – http://www.thepeerage.com/p951.htm#i9503, Public Domain, https://commons.wikimedia.org
Daughter of the 1st Earl of Ormond, Mary Butler (1646-1710) Duchess of Devonshire in the style of Willem Wissing courtesy of National Trust Hardwick Hall. She married William Cavendish, 1st Duke of Devonshire.
Thomas Butler (1634-1680) 6th Earl of Ossory, studio of Sir Peter Lely, circa 1678, courtesy of National Portrait Gallery NPG 371. He was the second son of the Duke and Duchess of Ormond and father of 2nd Duke of Ormonde.

Thomas Butler (1634-1682) 6th Earl of Ossory was the father of the 2nd Duke of Ormond. Thomas was a soldier and Naval Commander, known as ‘Gallant Ossory’. Born at Kilkenny Castle in 1634, his childhood was spent at Kilkenny until he went with his father and brother Richard to England in 1647. They then went to France, where he was educated at Caen and Paris at Monsieur de Camps’ Academy. In Holland he married Amelia of Nassau, daughter of Lodewyk van Nassau, Heer van Beverweerd, a natural son of Prince Maurice of Nassau. He was a witness when James, Duke of York (later King James II) secretly married Anne Hyde in 1660.

Thomas enjoyed the favour and support of both King Charles II and his queen. Because of his wife’s Dutch connections he was frequently sent on royal missions to Holland. In 1670 he conducted William of Orange to England. John Evelyn, the diarist, was a close friend and referred to him as ‘a good natured, generous and perfectly obliging friend’. He died suddenly in 1680, possibly from food poisoning, at Arlington House in London. He was buried in Westminster Abbey

James Butler (1665-1745) 2nd Duke of Ormond, studio of Michael Dahl, oil on canvas, circa 1713 courtesy of National Portrait Gallery NPG 78.
Top left: James Butler 2nd Duke of Ormonde (1665-1745), Lord Lieutenant of Ireland, son of Thomas Butler, Earl of Ossory. First married Anne Hyde and then Mary Somerset; below him, Mary Somerset (1665-1733), daughter of the Duke of Beaufort. In middle, Thomas Butler (1634-1680), 6th Earl of Ossory, second son of the Duke and Duchess of Ormond and father of 2nd Duke of Ormonde. Mary Somerset’s father top right, Henry Somerset (1629-1700), 1st Duke of Beaufort; below Anne Hyde (1669-1685), the 2nd Duke’s first wife, daughter of Lawrence Hyde, 1st Earl of Rochester, artist: William Wissing (1656-87). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mary Butler née Somerset (1665-1733) Duchess of Ormonde and her son Thomas Earl of Ossory by John Smith, after Sir Godfrey Kneller, Bt., courtesy of National Portrait Gallery, NPG D31316.
Lady Mary Somerset, Duchess of Ormonde (1665-1733) by Michael Dahl, 1690s. Three-quarter-length portrait, of a young woman, seated, full front, her head three-quarters left. She is wearing a deep brown-gold dress, blue lined and is holding a rose in her right hand. A bottle green curtain is to the right and an arcade in the left background. Courtesy of National Trust Petworth.
Henry Somerset (1629-1700) 1st Duke of Beaufort by Robert White, after Sir Godfrey Kneller, Bt, NPG D28194.

James Butler (1665-1745) 2nd Duke of Ormonde [the final ‘e’ was added to the name around this time] was the eldest surviving son of Thomas Butler 6th Earl of Ossory. Following his father’s death in 1680, James became the heir to his grandfather, James Butler, 1st Duke of Ormond, whom he succeeded in 1688.

Following his involvement in a Jacobite rising, a Bill of Attainder was passed against the 2nd Duke of Ormonde. His English and Scottish honours and his English estates were seized. Ormonde fled to France. He lived out his life in exile, and died at Avignon in France. Despite this, he was buried in 1746 in Westminster Abbey.

James the 2nd Duke had no son, so the title passed to his brother Charles Butler (1671-1758). He was enabled by an Act of Parliament in 1721 to recover his brother’s forfeited estates, but the dukedom ended with him. He was, however, also the 14th Earl of Ormonde and this title continued. He had no children, however, so the title passed to a cousin.

Charles Butler, 1st Earl of Arran (1671-1758) by James Thornhill. He was the brother of the 2nd Duke of Ormond http://www.odl.ox.ac.uk/oxfordportraits
Christopher Butler (d. 1758?), Catholic archbishop of Cashel and Emly, son of Walter Butler of Garryricken and brother of Colonel Thomas Butler of Kilcash, portrait by James Latham (1696-1747); Charles Butler (1671-1758) 2nd Earl of Arran, youngest son of Thomas Butler Earl of Ossory and brother of the 2nd Duke of Ormonde; Colonel Thomas Butler of Kilcash (d. 1738) by James Latham. He was the son of Walter Butler and Garryricken and Mary Plunket. He inherited Kilcash from his grandfather Richard, youngest brother of the Duke of Ormond. His wife was Margaret Burke. Portrait attributed to Hans Hysing (1678-1753). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Christopher Butler (d. 1758?) Catholic Archbishop of Cashel and Emly, by James Latham. Christopher Butler was Catholic archbishop of Cashel and Emly, son of Walter Butler of Garryricken and brother of Colonel Thomas Butler of Kilcash.
Colonel Thomas Butler of Kilcash (c. 1738) by James Latham, father of John Butler (d. 1766) of Kilcash and Garryricken who became 15th Earl of Ormonde.

Richard Butler (d. 1701) of Kilcash, County Tipperary was a younger brother of James the 1st Duke of Ormond. There is a castle ruin still in Kilcash, under the protection of the Office of Public Works but not open to the public. His son was Walter Butler of Garryricken (1633-1700). Pictured above are this Walter’s sons Christopher (the Catholic Archbishop) and Thomas (d. 1738).

Walter’s son Thomas (d. 1738) inherited Kilcash from his grandfather Richard Butler (d. 1701) of Kilcash. A Colonel of a Regiment of Foot in the army of King James II, Walter married Margaret Bourke, daughter of William, 7th Earl of Clanricarde, and widow of 5th Viscount Iveagh. It was their son John (d. 1766) who succeeded to the Ormonde titles as 15th Earl of Ormonde in 1758. 

The 15th Earl had no children so the title then passed to a cousin, Walter Butler (1703-1783), another of the Garryricken branch, who also became the 9th Earl of Ossory. He took up residence at Kilkenny Castle. Walter, a Catholic, was unable to exercise a political role. He undertook the restoration of the Castle, decorating some of the rooms with simple late eighteenth century plasterwork, and also built the stable block across the road from the Castle, today the Design Centre and National Craft Centre (also a Section 482 property). He also built the Dower House, now a hotel called Butler House.

He married Eleanor Morres (1711-1793), the daughter of Nicholas Morres of Seapark Court, Co. Dublin, and of Lateragh, Co. Tipperary. After Walter’s death in 1783, she moved  into the Dower House.

Their son John (1740-1795) became known as “Jack of the Castle” and was the 17th Earl. Jack’s sister Susannah married Thomas Kavanagh of Borris House in County Carlow (see my entry about Borris House). Jack married Anne Wandesford, pictured below.

John Wandesford (1725-1784), Earl of Wandesford, father of Anne; below, Susan Frances Elizabeth (Anne) Wandesford (1754-1830), Countess of Ormonde, wife of 17th Earl of Ormonde and mother of 18th Earl, Artist: Hugh Douglas Hamilton (1739-1808); Landscape with Waterfall from the Italian school of 18th century and below, Before the Hunt. To right, Gilbert Clarke (d. 1725), by Sir Godffrey Kneller (1646-1723) and below, possibly Susanna nee Boun, wife of Gilbert Clarke. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Susan Frances Elizabeth Wandesford (1754-1830) Duchess of Ormonde. She was the daughter of John Wandesford 1st and last Earl Wandesford and 5th Viscount Castlecomer, and wife of John Butler 17th Earl of Ormonde. Painting by Hugh Douglas Hamilton.

Jack and Anne’s son Walter (1770-1820) became the 18th Earl and 1st Marquess of Ormonde. He married Anna Clarke.

The Chinese Withdrawing Room. A tulipiére is an ornate vessel in which to grow tulips. They are typically constructed to accommodate one bulb per spout with a larger common water reservoir base. It is usually made of hand crafted pottery, classically delftware. This tulipiére was hand-made in Delft in 2009 as a one off. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Chinese Withdrawing Room, Kilkenny Castle. Recreated to its original 18th century proportions. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Chinese Withdrawing Room. On the walls are remnants of hand painted Chinese wallpaper original to the room with monochrome infill carried out by the studio of David Skinner. This delicate paper was probably ordered as part of the redecorations done to the castle by the 18th Earl, Walter Butler. During the 19th century ladies withdrew here from the dining room leaving the men to enjoy their port and cigars after dinner, as was the social convention. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Chinese Withdrawing Room, Kilkenny Castle. Recreated to its original 18th century proportions. On the walls are remnants of hand painted Chinese wallpaper original to the room with monochrome infill carried out by the studio of David Skinner. This delicate paper was probably ordered as part of the redecorations done to the castle by the 18th Earl, Walter Butler. Ushak rug
This is a late 19th century Ushak rug. Ushak Carpets are handwoven in the city of Uşak in Turkey. Uşak was a major centre of rug production from the early days of the Ottoman Empire. There was a renewed appreciation for Persian rugs in the 19th century and the Ushak rugs became highly fashionable. Ushak rugs are generally woven in a method known as the Ghiordes knot or the Turkish knot: where coloured weft yarn passes over the two warp yarns and is then pulled through between them and then cut to form the pile. During the 19th century ladies withdrew here from the dining room leaving the men to enjoy their port and cigars after dinner, as was the social convention
. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Chinese Withdrawing Room, Kilkenny Castle. Walter Butler had 3 rooms decorated with Chinese Paper in 1801 of which only fragments of one survive. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Chinese Withdrawing Room, Kilkenny Castle.The Crowded design includes water fowl, fruit and flower laden trees, ornate balustrades and fences supporting urns of various sizes and forms. More vases hang from the trees, where pheasants perch and smaller birds fly in pursuit of butterflies and insects. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Chinese Withdrawing Room, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The ground floor also contains the State Dining Room. The website tells us that this was the formal dining room in the 1860’s. Historic evidence shows that this room was hung in the late 19th century with a red flock paper when it was a billiard room. The strong blue on the walls echoes the colour in the original 19th century-stained glass windows and provides a backdrop for the Langrishe family portraits, which originated in Knocktopher Abbey, Kilkenny, and are now in the care of the State.

Knocktopher Abbey in County Kilkenny, a house incorporating the remains of the first Carmelite friary in Ireland, rebuilt for Lieutenant-Colonel Sir James Langrishe JP DL (1832-1910) after a fire. It was rebuilt around 1866 in High Victorian Gothic to the design of John McCurdy. The paintings on display are part of a generous bequest to Kilkenny Castle from Lady Grania Langrishe in July of 2012.

Most large estate houses would have had both a formal and informal Dining Room. The collection of silverware contains some pieces from the original 18th century collection, purchased by Walter Butler, the 18th Earl, after his marriage to the wealthy heiress Anna Maria Price Clarke.

The State Dining Room, Kilkenny Castle. This was the formal dining room in the 1860’s. Historic evidence shows that this room was hung in the late 19th century with a red flock paper when it was a billiard room. The strong blue on the walls echoes the colour in the original 19th century-stained glass windows and provides a backdrop for the Langrishe family portraits, which originated in Knocktopher Abbey, Kilkenny, and are now in the care of the State. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

John Langrishe  (1660-1735), son of Hercules Langrishe (the first member of the family who settled in Ireland), became proprietor of the borough of Knocktopher, County Kilkenny. 

Knocktopher Abbey, Knocktopher, Co. Kilkenny, R95TD82 for sale courtesy DNG Country Homes & Estates, November 2024.
The State Dining Room, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Portrait of an unknown gentleman perhaps John Langrishe (1660-1735), the first of the family to arrive in Knocktopher, father of Robert. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Mr Langrishe, High Sheriff of County Kilkenny, 1696, married firstly, Alicia, second daughter of Harry, 2nd Baron Blayney, and widow of Thomas Sandford, of Sandford Court; and secondly, Miss Sandford, daughter of Colonel Sandford; but had issue by neither of those ladies. 

He wedded thirdly, Mary, daughter of Robert Grace, feudal baron of Courtstown, and had an only son, his successor, Robert Langrishe  (c.1696-1769).

Robert Langrishe (1696-1769), artist unknown. He held the office of High Sheriff in 1740 and completed the outright purchase of the fee simple of the Knocktopher lands of over 800 acres in 1757 according to William Nolan and Kevin Phelan in Kilkenny, History and Society 1990. His son Hercules was to become first Baronet of Knocktopher. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Robert served as High Sheriff of County Kilkenny in 1740 amd Gentleman Usher of the Black Rod in Ireland 1745-9. His son and heir Hercules Langrishe (1731-1811) served as MP for Knocktopher 1761-1800. Hercules was created a baronet in 1777, denominated  of Knocktopher Abbey, County Kilkenny. 

Right Hon. Sir Hercules Langrishe (1731-1811), 1st Baronet Knocktopher, artist unknown. The Langrishe Baronetcy of Knocktopher Abbey in the County of Kilkenny is a title in the Baronetage of Ireland. It was created on 19 February 1777 for Sir Hercules Langrishe, who represented Knocktopher in the Irish House of Commons. The Langrishe family were part the social world of the Butlers. They were present at many social occasions in Kilkenny Castle including the Royal Visits to the Castle. The family seat from 1679 to 1981 was Knocktopher Abbey, County Kilkenny. The 1st Baronet was MP for Knocktopher for 40 years until the Act of union in 1801. It is said he bought up lands in Knocktopher and leased it to Catholic residents. He was created 1st Baronet in 1777. Best remembered for his pro Catholic Relief stance and his exchange of views with his friend Edmund Burke. He introduced the Catholic Relief Bill in 1792 and The Catholic Enfranchisement Act which passed in 1793. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Sir Hercules, who was a member of the Privy Council, represented the borough of Knocktopher in the Irish parliament for forty years, during which period he ranked amongst the most distinguished of its members, and was the first who advocated and obtained a partial relaxation of the most atrocious code of laws which oppressed the Roman Catholics of Ireland, a code that consigned 80% of the population to unmitigated and grinding slavery, and reduced the whole of the state to semi-barbarism. He was Commissioner of Excise and Revenue.

In 1755 he married Hannah, daughter and co-heir of Robert Myhill, of Killarney, County Kilkenny, and sister of Jane, wife of Charles, 1st Marquess of Ely. His successor was his son Robert Langrishe, 2nd Baronet (1756-1835).

Sir Robert Langrishe (1756–1835), 2nd Baronet Knockopher, artist unknown. MP for Knocktopher 1783-1796, he graduated as a barrister from Kings Inn and both father and son sat in Parliament at the same time. He was heavily involved in the theatre and was Revenue Commissioner in 1796. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Oil portrait of an unknown gentleman possibly Sir Robert Langrishe 2nd Baronet. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The State Dining Room, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In 1782 Robert married Anne, daugher of Bellingham Boyle.

Bellingham Boyle (1709-1771), unknown artist. His daughter married Sir Robt Langrishe 2nd Bt. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

His son was his successor, Hercules Richard 3rd Baronet (1782-1862), who joined the clergy.

Rev. Sir Hercules Richard Langrishe (1782-1862), 3rd Baronet of Knocktopher County Kilkenny, artist unknown. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Sir Hercules was succeeded by his eldest son, James Langrishe (1832-1905), 4th Baronet Knocktopher.

James Langrishe (1832-1905), 4th Baronet Knocktopher, artist unknown. Married twice, he was a Lt. Col in the army and High Sheriff of Kilkenny 1866. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

He was succeeded by his son Hercules Langrishe (1859–1943), 5th Baronet Knocktopher.

The State Dining Room, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Hercules Langrishe (1859–1943), 5th Baronet Knocktopher, Artist unknown. He gained the rank of Captain in the service of the Army Motor Reserve, of Captain and Honorary Major in the service of the 3rd Battalion, Oxfordshire Light Infantry and of Temporary Commander in the service of the Royal Naval Volunteer Reserve. He fought in the First World War, in the Mediterranean and Russia. He succeeded to the title of 5th Baronet on 20 August 1910. He held the office of Justice of the Peace for County Kilkenny, of High Sheriff of County Kilkenny and the office of Deputy Lieutenant of County Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There is a portrait of the 5th Baronet’s son, Hercules Ralph Langrishe (1888-1917), also.

Hercules Ralph Langrishe (1888-1917), artist unknown. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

This 19th century mahogany staircase was designed and made by the local firm of Furniss & Son, Kilkenny and leads to the Tapestry Room and first floor. The use of mahogany in domestic furniture, which is so synonymous with the Grand House, is virtually unknown before the 18th century. Most of the wood imported came from the Jamaican Plantations which were cleared in order to plant sugar cane and cotton. During the 19th century this staircase was hung with several beautiful tapestries from the Decius Mus suite, some of which are now housed in the Tapestry Room.

Photograph courtesy of Kilkenny Castle website, The Grand Staircase.
At the top of the stairs is a portrait of Mrs Nott (Knott) (d.1711), possibly Susan, granddaughter of Sir Thomas Nott, Gentleman Usher of the Privy Chamber to Charles II, studio of William Wissing (1656-87). Brewer describes the sitter as a possible mistress of one of the dukes of Ormonde. The portrait also resembles that of Amelia of Nassau, wife of Thomas, Earl of Ossory, in similar costume, and may have been acquired for that reason. A signed portrait by Wissing of Mrs. Knott is in the Royal Collection, as is a portrait of Amelia. Millar dates the original portrait to ‘perhaps c. 1680-85.’ Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The other portrait at the top of the stairs is John Bligh (1683-1728), Earl of Darnley, Viscount Darnely and Baron Clifton, attributed to Charles Stoppelaer (fl. 1703-45). Bligh was MP for Trim (1709-13) and for Athboy (1713-21). His father, Thomas, had obtained large grants of land in Ireland under the Acts of Settlement 1668. He was created Baron Clifton of Rathmore, Co Meath in 1721 in consequence of his marriage in 1713 to Theodosia Hyde, suo jure Baroness Clifton, sister and heir of Edward, Lord Clifton, Viscount Cornbury. She was a wealthy heiress with royal connections. Bligh is depicted wearing a buff-coloured coat with drapery. it was painted c.1723, as the coronet is that of a viscount. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Grand Staircase, Kilkenny Castle. This 19th century mahogany staircase was designed and made by the local firm of Furniss & Son, Kilkenny and leads to the Tapestry Room and first floor. Most of the wood imported came from the Jamaican Plantations which were cleared in order to plant sugar cane and cotton. During the 19th century this staircase was hung with several beautiful tapestries from the Decius Mus suite, some of which are now housed in the Tapestry Room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Grand Staircase, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Grand Staircase, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Unknown Gentleman by Philip Hussey (1713-1783). Said to be a member of a Fitzgerald/Fitzmaurice family from the Cork area. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Unknown lady by Philip Hussey (1713-1783). The basic details of the costume are identical to that worn by Mrs Sophia Tipping in the double portrait, Mrs Sophia Tipping with her daughter, Wilhelmina Salisbury, also painted by Hussey. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mrs Sophia Tipping and her Daughter Wilhelmina Salisbury by Philip Hussey.
Barbara Villiers (c.1641-1709), Duchess of Cleveland & Countess of Castlemaine, attributed to Sir Peter Lely (1618-1680) and his studio. Daughter of Lord Grandison. After an affair with Philip Stanhope, 2nd Earl of Chesterfield, in 1659, she married Roger Palmer, Earl of Castlemaine. Established as Charles II’s mistress during the Restoration in 1660, she bore him at least six children and was created Duchess of Cleveland in her own right in 1670. When she was granted lands in Dublin by the king, the grant was opposed by Ormond. The duchess was no friend of the Butler family because of her notorious affair with Lord Chesterfield, husband of Ormond’s daughter Elizabeth. A heavily restored picture shows the sitter in shepherdess’s costume with a crook and lamb, it is said to have been commissioned from Lely in order to insult the queen, Catherine of Braganza, who had been painted in a similar pose by Jacob Huysmans. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
An allegory of Avarice by Jan de Herdt (fl.1646-72). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

On the first floor we can visit the Tapestry Room, and then a suite of rooms, the Anteroom, Library and Drawing Room.

The Tapestry Room in the North Tower shows how the medieval castle was transformed in the 17th century to become a magnificent baroque ducal palace. This room was called the Great Chamber in the 17th century and the walls were decorated with embossed and gilded leather hangings on the walls; a fragment of a late 17th/ early 18th century leather has been hung beside the door to give an impression of how rich the room must have been. In the 18th century, they were replaced by a set of tapestries.

The Tapestry Room in Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Japanese chest. A fine early black lacquer and chinoiserie decorated lift-top chest, with large engraved brass lock place, on a stand with short square legs. This travelling chest belonged to the Duke of Ormond and is an important remnant of the late 17th century furnishing of Kilkenny Castle. The Gothic style hand blocked wallpaper was reproduced by David Skinner from Malahide Castle, one of the very few examples of Irish produced wallpaper from the 18th century. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Tapestry Room, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Tapestry Room in Kilkenny Castle. The ceiling outlines the keyhole shape of this room, created by the addition of a square tower to the circular medieval tower during the 15th century. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Desius Mus and Manlius Torquatus leave to fight the Latins. There are two tapestries from the “Decius” suite in the Tapestry room. The tapestries are attributed to the workshop of Jan Raes, after designs by Sir Peter Paul Rubens. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The obsequies of Decius Mus. There are two tapestries from the “Decius” suite in the Tapestry room. The tapestries are attributed to the workshop of Jan Raes, after designs by Sir Peter Paul Rubens. The Story of ‘Decius Mus’ is a heroic tale of a Roman Consul who foretold his own death at the Battle of Veseris (Vesuvius) in the Latin War (340BC). The tapestries are attributed to the workshop of Jan Raes, after designs by Sir Peter Paul Rubens. The ‘Decius’ suite had been in the ownership of the Ormonde family for over 300 years and was displayed in several of their residences before being acquired by OPW for display in Kilkenny Castle. Tapestries were an important feature of the interior decoration of large houses in Europe during the 16th and 17th centuries and helped provide interior interest, warmth, and colour. You can read more about these tapestries on the Kilkenny Castle website. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Tapestry Room in Kilkenny Castle is in the North Tower with its thick 12th walls. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Tapestry Room in Kilkenny Castle is in the North Tower with its thick 12th walls. This room was called the Great Chamber in the 17th century and the walls were decorated with embossed and gilded leather hangings on the walls. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Honora Bourke (1675-1698), Countess of Lucan and Duchess of Berwick. French School 17th century. She was the daughter of William Bourke, 7th Earl of Clanricarde and Lady Helen MacCarty. Honora’s sister was Margaret, Lady Iveagh, wife of Thomas Butler of Kilcash. She married, firstly, General Patrick Sarsfield, 1st Earl of Lucan, son of Patrick Sarsfield, circa 9 January 1689/90 and secondly, James FitzJames, 1st Duke of Berwick-Upon-Tweed, son of James II Stuart, King of Great Britain and Arabella Churchill, on 26 March 1695 at Saint-Germain-en-Laye, Île-de-France, France. Honora died aged 22 at Pesenas in France. Both her sons inherited their father’s titles. Oval, 1/2 length portrait. Sitter wears a yellow dress with a blue ermine-trimmed, blue wrap. It was possibly taken from a portrait painted on the occasion of her marriage to the Duke of Berwick at St-Germain-en-Laye. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Tapestry Room in Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Tapestry Room in Kilkenny Castle is in the North Tower with its thick 12th walls. The colour orange is an early 19th century burnt Sienna distemper known as Malahide Orange, which was also found at Malahide Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Thomas Wentworth (1593-1641), 1st Earl of Stafford, Lord Deputy General, Lord lieutenant of Ireland, after Anthony van Dyck (1599-1641). In the late 1620s, Wentworth was MP in opposition to the Crown, but was to become one of Charles I’s principal supporters from 1629 until his death. During his time in Ireland as Lord Lieutenant, Strafford sought to further royal interest, and in so doing he also managed to enrich himself. As a result of his manoeuvres and his own self-aggrandisement, he made many powerful enemies. His final effort on the King’s behalf-the formation of a standing army in Ireland to defend royal’s interest- was to lead to his ultimate downfall in 1640. Rumours spread that the army was to be used to invade England. He was committed to the Tower of London, and in January 1641 was impeached for high treason. The King signed his death warrant, and he was executed on Tower Hill in May 1641. Head and shoulders in armour, after a portrait by Sir Anthony van Dick painted in 1636. Van Dyck painted two portraits of the sitter in armour, one a full-length, the other a three-quarter-length. Numerous smaller copies were also made by studio assistants. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
James Butler (1610-1688), 1st Duke of Ormond, 12th Earl of Ormond, Lord Lieutenant of Ireland, by Peter Lely (1618-1680). Wearing robes of the Order of the Garter, Ormond holds the wand of office of Lord Steward of the Household in his right hand. The portrait is probably that referred to in a series of letters written by Ormond’s agents, John Buck in England and Sir George Lane in Ireland, during the years 1662 to 1663. In a letter dated May 1663, John Buck wrote: ‘…the latter end of this month I shall send from hence a most excellent picture of My Lord Duke’s, I think you saw the face done before you went; by that time I am promised the Queen’s for my Lady Duchess to send along with it: Mr. Lilly tells me there is one very good at cappeinge [copying?] in Dublin, if not pray let me receive your farther commands; Mr. Lilly will presently part with the Duchess’ pictures for you, if you can procure any to bring directions from Her Highness to him for it.’ [HMC Ormonde Mss, iii, 55]. This is the finest extant portrait of the duke. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Walter Butler (1770-1820) became the 18th Earl and 1st Marquess of Ormonde.
 Walter Butler, 1st Marquis of Ormond (1770-1820) in the manner of William Beechy.

From the website: “Today the first floor space is occupied by three rooms: Anteroom, Library and Drawing Room, as it was in the 19th century. The processional lay out of the rooms, each opening into the next is characteristic of the Baroque style of the 17th century and was know as an ‘enfilade’ suite of rooms. Baroque protocol dictated that visitors of lower rank than their host would be escorted by servants down the enfilade to the nearest room that their status allowed. In the 16th and 17th century the State Rooms were situated on this floor. 17th century history records that it was in these state apartments that James Butler 1st Duke of Ormonde received the Papal Nuncio Giovanni Battista Rinuccini during the Irish Confederate Wars of that century. An Anteroom was a small room used as a waiting room, that leads into a larger and more important room. The Anteroom and the room below,  today the Serving Room, were constructed in the area where an earlier stone staircase was situated.” The anteroom features a reproduction poplin wallpaper and bronze figurines in niches.

The Ante Room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The anteroom leads to the library. “The interior decoration is a faithful recreation of the furnishing style of the mid to late 19th century. Thanks to a salvaged fabric remnant found behind a skirting board, it was possible to commission the French silk poplin on the walls in its original pattern and colour from the firm of Prelle in Lyons in France. The claret silk damask curtains are also based on the originals were made in Ireland. One of the nine massive curtain pelmets is original and an Irish firm of Master Gilders faithfully reproduced matching gilt reproductions. The bookcases were also reproduced based on one original bookcase acquired by the OPW in the 1980s, this original with its 19th century glass stands in the right end corner of the library. The matching pair of pier mirrors over the mantelpieces was conserved and re gilded.”

The Library. Photograph courtesy of Kilkenny Castle website.

The Drawing Room is typically the room in a house where guests and visitors are entertained. Drawing rooms were previously known as ‘withdrawing rooms’ or ‘withdrawing chambers’ which originated in sixteenth century.

The fabrics in this room are vintage glazed and block printed English and French chintzes and have been chosen to recreate the style of the rooms as they appeared in the 19th century family photographs. The Drawing Room picture hang reflects the Edward Ledwich description in his 1789 “Antiquities of Ireland!” when this room was the Presence Chamber or Alcove.

The Drawing Room, courtesy of Kilkenny Castle website.

The 18th Earl had no sons so his brother James Wandesford Butler (1774-1838) inherited the title of 19th Earl. He became one of the largest landowners in Ireland with an estate worth more than £20,000 a year. He was recreated 1st Marquess of Ormonde in 1825 and officiated as Chief Butler of Ireland at the Coronation of George IV. He married Grace Louisa Staples in 1807, they had ten children.

James Wandesford Butler (1777-1838) 1st Marquess of Ormonde, by John Saunders.
Marquess James Butler, Ormonde (1774 – 1838 ), 1830, After John Comerford (around 1762 Kilkenny – 1832 Dublin).
Grace Louisa Staples (1779-1860), wife of James Wandesford Butler (1777-1838) 1st Marquess of Ormonde. She was the daughter of John Staples of Lissan, County Tyrone.

James Wandesford Butler the 19th Earl and 1st Marquess undertook more renovations. Mark Bence-Jones describes:

Ca. 1826, the Kilkenny architect, William Robertson, when walking in the castle courtyard with the Lady Ormonde of the day, noticed that a main wall was out of true and consequently unsafe. One suspects it may have been wishful thinking on his part, for it landed him the commission to rebuild the castle, which he did so thoroughly that virtually nothing remains from before his time except for the three old towers, the outer walls and – fortunately – the 2nd Duke’s gateway. Apart from the latter, the exterior of the castle became uncompromisingly C19 feudal; all the 1st Duke’s charming features being swept away. Robertson also replaced one of two missing sides of the courtyard with a new wing containing an immense picture gallery; the original gallery, on the top floor of the principal range, having been divided into bedrooms. Robertson left the interior of the castle extremely dull, with plain or monotonously ribbed ceilings and unvarying Louis Quinze style chimneypieces.

William Robertson also designed a Section 482 property which I have yet to visit, Lismacue in County Tipperary.

Kilkenny Castle, photograph by Chris Hill 2014 for Failte Ireland, Ireland’s Content Pool. [see 1] The National inventory describes the newer wing: Renovated, 1858-62, with eight-bay two-storey range to north-east reconstructed having canted oriel windows to first floor, and pair of single-bay single-stage corner turrets on octagonal plans Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kilkenny Castle, photograph by me in May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Chinese Bedroom is connected to the blue bedroom by double doors [these are on the second floor]. This bedroom is decorated with a modern reproduction of a hand painted Chinese wallpaper, part of the Chinoiserie theme of the room. The wallpaper was based on a design from Lissan House in County Tyrone, owned by the Staples family, Grace Louisa Staples became Marchioness of Ormonde when she married James Butler, 19th Earl, 1st Marquess of Ormonde in 1807. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The 1st Marquess died in Dublin in 1838 and was succeeded by his eldest son John Butler (1808-1854), 2nd Marquess, 20th Earl of Ormonde, Earl of Ossory and Viscount Thurles, Baron Ormonde of Lanthony, Chief Butler of Ireland (see his portrait below).

John Butler (1808-1854), 2nd Marquess of the 3rd creation, 20th Earl of Ormonde, Earl of Ossory and Viscount Thurles, Baron Ormonde of Lanthony, Chief Butler of Ireland. He died while bathing; Frances Jane Paget in middle (1817-1903), with her son James, Earl of Ossory. She was the daughter of General E. Paget and niece of Field Marshal Henry William Paget, 1st Marquis of Anglesey, and wife of 2nd Marquess of Ormonde. Following the death of her husband, she managed the Ormonde estates and continued the rebuilding of Kilkenny Castle.  On top of the three,  over her father and uncle, is Frances Jane Paget again, with her dog. Below is her father General the Honourable Edward Paget (1775-1849), soldier and Governor of Ceylon. He was second in command under the Duke of Wellington in the Napoleonic Wards. He lost his right arm in Spain. Below him is Field Marshall Henry William Paget (1768-1854), 1st Marquis of Anglesey, Lord Lieutenant of Ireland, brother of Edward, above. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
John Butler (1808-1854) 2nd Marquess (3rd creation) and 20th Earl of Ormonde, by Henry Weigall Jr.
Frances Jane Paget (1817-1903) Marchioness of Ormonde with her son James Earl of Ossory, by Richard Bruckner.

John the 2nd Marquess travelled extensively. His journals (now in National Library of Ireland) record his many journeys across  Europe to Italy and Sicily. He published an account of his travels, Autumn in Sicily, and he also wrote an account of the life of St. Canice. He married Frances Jane Paget in 1843. He continued the work of rebuilding Kilkenny castle that was started by his father. His journals show him to have a deep interest in art, and there are careful descriptions of several of the great galleries in Italy to be found in his writing. Although he continued to write in his journals during the years 1847 to 1850, no mention of the Irish famine is made. He died while bathing in the sea near Loftus hall on Hook Head, Co. Wexford. A marble tomb was erected in his memory in St. Canice’s Cathedral, Kilkenny.

The son of the 2nd Marquess, James Edward William Theobald Butler became the 3rd Marquess in 1854.

James Edward William Theobald Butler (1844-1919) 3rd Marquess of Ormonde by Walter Stoneman 1917, courtesy of National Portrait Gallery NPG x43817.

It was during his time that changes were made to the rather plain picture gallery block created by William Robertson. Robertston’s Picture Gallery, in keeping with his work on the rest of the castle, was in a Castellated Baronial style. Initially the gallery was built with a flat roof that had begun to cause problems shortly after its completion. The distinguished architectural firm of Deane and Woodward was called in during the 1860s to make changes to the overall design of the Picture Gallery block, and other corrections to Robertson’s work. These changes included the insertions of four oriels in the west wall and the blocking up of the eight windows, while another oriel added to the east wall.

The Moorish Staircase: Created by the architects Woodward & Deane to allow better access to the Picture Gallery and provide another staircase in this awkwardly shaped building. It is a rising half-turn stairs around a sky-lit well. Charles Harrison (1835-1903), the stone carver, is credited with the carved naturalistic foliage and small animals which adorn the stairs. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The magnificent Picture Gallery is situated in the east wing of Kilkenny Castle.This stunning space dates from the 19th century and was built primarily to house the Butler Family’s fine collection of paintings.

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

From the website: “… The entire ceiling was hand painted by John Hungerford Pollen (1820-1902), then Professor of Fine Arts at Newman College, Dublin, using a combination of motifs ranging from the quasi-medieval to the pre-Raphaelite, with interlace, gilded animal and bird heads on the cross beam.

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Marble Fireplace is made of Carrara marble and was designed by J. H. Pollen also in a quasi-medieval style. It was supplied by the firm of Ballyntyne of Dorset Street, Dublin. Foliage carving attributed to Charles Harrison covers the chimneypiece and a frieze beneath is decorated with seven panels, showing the family coat of arms and significant episodes from the family’s long history. Starting on the left, the first panel shows the buying the castle by the first Earl of Ormond in 1391 from the Despenser family – money changing hands is shown. The second panel depicts Theobald Fitzwalter acting as Chief Butler to the newly crowned King of England highlighting their ancient royal privilege and upon which their surname of Butler is based. On the third panel, you see King Richard the Second acting as godfather for one of the infants of the Butler family in 1391. The centrepiece is the family crest which can also be seen over the arch and gateway, with the family motto “comme je trouve”- “as I find”, as well as the heraldic shield guarded, the falcon, the griffin (a legendary creature with the body of a lion and the head and wings of an eagle) and the ducal coronet. In the fifth panel, the 1st Duke of Ormond can be seen entering the Irish House of Lords still bearing his sword. Indeed, he refused to hand his weapon over as were the protocols in case it was used inside during an argument; this became known as The Act of Defiance. The sixth panel next to this symbolizes the charity of the Butler family showing Lady Ormonde giving alms to the poor. Finally, the sixth and last panel portrays the First Duke of Ormond’s triumphant return to Dublin from exile on the Restoration of Charles the Second in 1662, when he also established the Royal Hospital in Kilmainham and founded the Phoenix Park.”

From the Poole photographic collection, National Library of Ireland. Royal visitors to the Picture Gallery of Kilkenny Castle: the Duke and Duchess of York (later King George V and Queen Mary with James Butler the 3rd Marquess of Ormond and his wife Elizabeth Grosvenor, also Two other Ormondes (likely the Marquess’ daughter & brother), Marshal & Lady Roberts (Frederick Roberts & Nora Bews), 4th Viscount & Viscountess De Vesci (John Vesey & Evelyn Charteris), Lady Eva Dugdale (later Lady of the Bedchamber), Earl of Ava (Hamilton-Temple-Blackwood d.1900), Sir Charles Leopold Cust (baronet), Sir Francis De Winton, Mr J. T Seigne JP (officer of Ormonde’s estate – we came across him when we visited Kilfane, as he lived in the house there), and “Mr Moncrieffe” 

The 3rd Marquess’s brother James Arthur Wellington Foley Butler (1849-1943) became 4th Marquess (and 22nd Earl) of Ormonde in 1919. He was educated at Harrow and joined the army becoming a lieutenant in the 1st Life Guards. He was state steward to the Earl of Carnarvon when Lord Lieutenant of Ireland. In 1887 he married Ellen Stager, daughter of American General Anson Stager.

The Nursery. Boys were usually sent away to boarding school in England at a young age. The Butlers traditionally sent their sons to Harrow. Girls however generally received less formal education at home including sewing, drawing, etiquette and instruction on running a household.  Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

As I mentioned earlier, it was James Arthur Norman Butler (1893-1971), 6th Marquess and 24th Earl of Ormonde, youngest son of James Arthur, 4th Marquess of Ormonde, who in 1967 sold the Castle.

Mark Bence-Jones tells us that the interior was largely redecorated and wood-carvings in the manner of Grinling Gibbons were introduced into some of the family rooms in the South Tower after the castle suffered damage 1922 during the Civil War, when, having been occupied by one side, it was attacked and captured by the other; the Earl of Ossory (afterwards 9th Marquess) and his wife being in residence at the time. In 1935 the Ormondes ceased to live in the castle, which for the next thirty years stood empty and deteriorating. It is now a wonderful place to visit, and has fifty acres of rolling parkland, a terraced rose garden, playground, tearoom and man-made lake, for visitors to enjoy.

[1] https://www.irelandscontentpool.com

[2] https://kilkennycastle.ie/about/explore-the-castle-new/

[3] https://kilkennycastle.ie/about/characters-of-kilkenny-castle/

[4] http://www.stevenroyedwards.com/kilkennycastle-timeline.html

[5] p. 167. Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Portraits B

I am going to start collating a portrait gallery, as I love to put a name to the faces. I will add to these pages as I go.

I’ll be collecting them from my house entries and put them in alphabetical order by surname. I’ve also been going through the National Gallery collection and will also look at the National Portrait Gallery in London’s collection! It will be an ongoing project and a resource. I do think Ireland should have a National Portrait gallery! It would be a place where home owners could loan portraits for safekeeping also.

I have an editorial decision to make regarding women. Do I put them under their married name or under their maiden name? I think for now I’ll put them under both, as it’s nice to see them in relation to their fathers as well as in relation to their husband!

B

Captain William Baillie (1723-1810), engraver William Baillie, after Nathaniel Hone the Elder, courtesy of National Gallery of Ireland. He was from Kildrought, County Kildare.
Captain William Baillie (1723-1810) by Nathaniel Hone courtesy Christies Old Master and British Pictures.
Charlotte Marion Baird (1851/2-1937) Countess of Enniskillen, by Henry Richard Graves, courtesy os National Trust, Florence Court, County Fermanagh. She married Lowry Egerton Cole, 4th Earl of Enniskillen.
William Barker, 3rd Bt. (1704–1770), of Bocking Hall, Essex, and Kilcooley Abbey, Tipperary attributed to John Lewis, courtesy of Sothebys L11304.
Sir Jonah Barrington, (1760-1834), Judge and Author. Date: 1811, Engraver James Heath, English, 1757-1834 After Hugh Douglas Hamilton, Irish, 1740-1808 Copyist: John Comerford, Irish, 1770-1832 Publisher: G. Robinson, photograph courtesy of National Gallery. of Ireland.
David Barry (1605-1642) 6th Viscount Buttevant and 1st Earl of Barrymore. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Barons Barry (c. 1261)

  • David de Barry, 1st Baron Barry (died 1278). In 1267, King Henry III of England appointed Lord David de Barry as Chief Justice of Ireland.
  • John Barry, 2nd Baron Barry (died 1285)
  • David FitzDavid Barry, 3rd Baron Barry (died 1290)
  • John Barry, 4th Baron Barry (died 1330)
  • David Barry, 5th Baron Barry (died 1347)
  • David Barry, 6th Baron Barry (died 1392)
  • John Barry, 7th Baron Barry (died 1420)
  • William Barry, 8th Baron Barry (died 1480)
  • John Barry, 9th Baron Barry (died 1486)
  • Thomas de Barry, 10th Baron Barry (died 1488)
  • William Barry, 11th Baron Barry (died 1500)
  • John Barry, 12th Baron Barry (died 1530)
  • John Barry, 13th Baron Barry (died 1534)
  • John FitzJohn Barry, 14th Baron Barry (1517–1553) (created Viscount Buttevant in 1541)

Viscounts Buttevant (1541)

  • John FitzJohn Barry, 1st Viscount Buttevant (1517–1553)
  • Edmund FitzJohn Barry, 2nd Viscount Buttevant (died 1556)
  • James FitzJohn Barry, 3rd Viscount Buttevant (died 1557)
  • James de Barry, 4th Viscount Buttevant (c. 1520–1581) 1st wife: Elizabeth Boyle, daughter of Charles Boyle, 3rd Viscount Dungarvan; 2nd wife: Elizabeth née Savage (d. 1714), daughter and heir of Richard Savage 4th Earl Rivers; 3rd wife: Anne Chichester, daughter of Major-General Arthur Chichester, 3rd Earl of Donegall (1666-1706), she was the mother of James Smith-Barry of Fota, County Cork.
  • David de Barry, 5th Viscount Buttevant (died 1617)
  • David Barry, 6th Viscount Buttevant (1604–1642) (created Earl of Barrymore in 1627/28)

Earls of Barrymore (1627/28)

  • David Barry, 1st Earl of Barrymore (1604–1642)
  • Richard Barry, 2nd Earl of Barrymore (1630–1694)
  • Laurence Barry, 3rd Earl of Barrymore (1664–1699)
  • James Barry, 4th Earl of Barrymore (1667–1747)
  • James Barry, 5th Earl of Barrymore (1717–1751)
  • Richard Barry, 6th Earl of Barrymore (1745–1773)
  • Richard Barry, 7th Earl of Barrymore (1769–1793)
  • Henry Barry, 8th Earl of Barrymore (1770–1823) [1]
James Barry, 4th Earl of Barrymore (1667-1748) (Lieutenant-General), Studio of Sir Godfrey Kneller courtesy of Sothebys 2013 collection l13304 lot 95.
James Barry, 4th Earl of Barrymore, (1667-1747), Soldier and Politician Date c. 1753 by Engraver Michael Ford, Irish, d. 1765 After Thomas Ottway, courtesy of National Gallery of Ireland.
James Barry, 4th Earl of Barrymore, (1667-1747). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
James Barry (1667-1747) Lieutenant Colonel and 4th Earl of Barrymore, National Trust, Public domain, via Wikimedia Commons.
Lt. Gen. James Barry, 4th Earl of Barrymore, (1667-1747) attributed to John Riley, courtesy of Christie’s The Sunday Sale, property of Smith-Barry estates removed from Old Priory Gloucestershire.
Elizabeth Barry née Savage (d. 1714) wife of James Barry 4th Earl of Barrymore, daughter and heir of Richard Savage 4th Earl Rivers and Penelope Downes, seated with her daughter Penelope. This painting is attributed by Sotheby’s to Thomas Worldige.
Elizabeth Barry née Savage (d. 1714), 2nd wife of James 4th Earl of Barrymore. She and the 4th Earl had three daughters, and a son who died in his first year. She was the daughter of Richard Savage, 4th Earl Rivers. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Anne Barry née Chichester (1697-1753) Countess of Barrymore, 3rd wife of James Barry 4th Earl of Barrymore. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Lady Anne Chichester, Countess of Barrymore (d. 1753) Attributed to Philip Hussey, she was daughter of Major-General Arthur Chichester, 3rd Earl of Donegall (1666-1706) and his wife Lady Catherine Forbes (d. 1743), and she married James Barry 4th Earl of Barrymore, and was the mother of James Smith-Barry.
Dorothy née Barry (1670-1748), married John Jacob 2nd Bt. She was the daughter of Richard Barry 2nd Earl of Barrymore. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Captain the Hon. Richard Barry R.N. (1721-1787), with his spaniel by John Lewis, second son of James Barry 4th Earl of Barrymore. This portrait is also courtesy of Sotheby’s L11304. This portrait belonged to the Smith-Barry family and was sold in an auction at Sotheby’s in 2013. We can see it in the old photograph of the library of Fota House.
Arthur Barry (1723-1770) by Francis Cotes courtesy of Sotheby’s L11304. This portrait belonged to the Smith-Barry family and was sold in an auction at Sotheby’s in 2013. Arthur was another son of James Barry, 4th Earl of Barrymore, he died unmarried and his property went to the Smith-Barry family.
Daniel Augustus Beaufort (1739-1821), Geographer, by unknown artist circa 1800-1805, courtesy of National Portrait Gallery NPG 5255.
Alfred Beit (1903-1994), 2nd Baronet and his wife Clementine née Freeman-Mitford (b. 1915), of Russborough House, County Wicklow.
Major William Bertram Bell (1881-1971). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
John Bellew 1st Baron (d. 1691) by Garrett Morphy, courtesy of http://www.galleryofthemasters.com . He commanded a regiment of infantry in Ireland and was a Roman Catholic peer who sat in James II’s Parliament of 1689. He died of wounds received in the Battle of Aughrim.
Edward Joseph Bellew (1830-1895) 2nd Baron Bellew by unknown photographer 1860s courtesy of National Portrait Gallery NPG Ax196758.
Henry Grattan Bellew, 3rd Baronet, b.1860, married Sophia Forbes, daughter of the Earl of Granard, by Dermod O’Brien, courtesy of Adam’s auction 10 Oct 2017.
Dorothy Bentinck née Cavendish, Duchess of Portland (1750-1794) by George Romney, c. 1772, daughter of William Cavendish, 4th Duke of Devonshire. She married William Henry Bentinck 3rd Duke of Portland, who added Cavendish to his name to become Cavendish-Bentinck. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Timothy William Ferres tells us of the Beresfords of Curraghmore: http://lordbelmontinnorthernireland.blogspot.com/search/label/County%20Waterford%20Landowners

SIR TRISTRAM BERESFORD (1595-1673), who was created a baronet in 1665, designated of Coleraine, County Londonderry. He married firstly, Anne, eldest daughter of John Rowley, of Castleroe, County Londonderry, by whom he had one son, RANDAL, his heir, and two daughters; and secondly, Sarah Sackville, and had three sons and three daughters: Tristram; Michael; Sackville; Susanna; Sarah; Anne.

Tristram Beresford (d. 1673), 1st Bt of Coleraine

Sir Tristram was succeeded by his eldest son, SIR RANDAL BERESFORD, 2nd Baronet (c. 1636-81), MP for Coleraine, 1661-68, who married Catherine Annesley, younger daughter of Francis, 1st Viscount Valentia, and dying in 1681, left issue, TRISTRAM, his heir; Jane; Catherine.

Sir Randal was succeeded by his eldest surviving son, SIR TRISTRAM BERESFORD, 3rd Baronet (1669-1701), MP for Londonderry County, 1692-99, who commanded a foot regiment against JAMES II, and was attainted by the parliament of that monarch. Sir Tristram wedded, in 1687, Nichola Sophia, youngest daughter and co-heiress of  Hugh Hamilton, 1st Viscount Glenawly.

He was succeeded by his son, SIR MARCUS BERESFORD, 4th Baronet (1694-1763), MP for Coleraine, 1715-20, who espoused, in 1717, Catherine, BARONESS LE POER, daughter and heiress of James, 3rd Earl of Tyrone, and in consequence of that alliance, was elevated to the peerage, in 1720, in the dignity of Baron Beresford and Viscount Tyrone. His lordship was further advanced to an earldom, in 1746, as EARL OF TYRONE.

Rt. Hon. Marcus Beresford (1694-1763) 4th Baronet and 1st Earl of Tyrone, photograph courtesy of the Beresford family and creative commons and wikipedia.

Marcus Beresford (1694-1763) 1st Earl of Tyrone had surviving issue: GEORGE DE LA POER (1735-1800) his successor who became 2nd Earl of Tyrone;
John (1737/38-1805);
William (1743-1819) (Most Rev), created BARON DECIES;
Anne; Jane; Catherine; Aramintha; Frances Maria; Elizabeth.

George de la Poer Beresford (1735-1800) 2nd Earl of Tyrone, later 1st Marquess of Waterford, by Johann Zoffany, courtesy of National Trust Hatchlands.
John Beresford, M.P. (1738-1805), son of of Marcus Beresford 1st Earl of Tyrone, miniature by Richard Crosse, British, 1742-1810.
John Beresford (1738-1805), first commissioner of the Revenue in Ireland, engraver Charles Howard Hodges, after Gilbert Smith, courtesy of National Gallery of Ireland.
John Beresford (1738-1805), MP by Gilbert Stuart c. 1790, courtesy of National Gallery of Ireland NGI 1133.
Right Honourable John Beresford by Thomas Hickey (fl.1756-1816) courtesy Chrisites 2005. I’m not sure if this is John Beresford (1738-1805).
Barbara Montgomery (?1757-1788), second wife of John Beresford (1738-1805) by Hugh Douglas Hamilton, courtesy of National Gallery of Ireland P5547. His first wife was Anne Constantia Ligondes.
Marcus Gervais Beresford (1801-1885), Archbishop of Armagh, painting as Prelate of Order of St. Patrick, by engraver John Richardson Jackson, after painting by Stephen Catterson Smith, courtesy of National Gallery of Ireland. He was grandson of John Beresford (1738-1805). His father was Rt. Rev. George de la Poer Beresford (1765-1841).
George John Beresford (1807-1864) of Woodhouse, County Waterford. He was also a grandson of John Beresford (1738-1805). His father was Reverend Charles Cobbe Beresford (b. 1770).
John Claudius Beresford, Lord Mayor of Dublin courtesy Adam’s 8 March 2006 in style of William Cuming PRHA. He was the son of John Beresford (1738-1805).
Elizabeth de la Poer Beresford (1736-1806), daughter of Marcus Beresford 1st Earl of Tyrone, wife of Thomas Cobbe of Newbridge House, in a costume evocative of Mary Queen of Scots, miniature, Cobbe Collection.

George de la Poer Beresford, 2nd Earl of Tyrone (1735-1800) inherited the ancient Barony of de la Poer at the decease of his mother in 1769. His lordship was enrolled amongst the peers of Great Britain, in 1786, as Baron Tyrone; and created, in 1789, MARQUESS OF WATERFORD.

George de la Poer Beresford (1735-1800) First Marquess of Waterford by Gilbert Stuart, courtesy of Bonhams and commons.

He married, in 1769, Elizabeth, only daughter and heiress of Henry Monck, of Charleville. They had issue:

Marcus, died at 8 years old; Henry de la Poer Beresford (1772-1826) his successor who became 2nd Marquess of Waterford; John George (1773-1862) (Most Rev), Lord Archbishop of Armagh;
George Thomas (1781-1839) (Rt Hon), Lt-Gen, GCH; Isabella Anne; Catherine; Anne; Elizabeth Louisa (1783-1856).

Henry de la Poer Beresford (1772-1826) 2nd Marquess of Waterford by William Beechy courtesy of Eton College.
John George Beresford (1773-1862), Archbishop of Armagh, after Thomas Lawrence, by Charles Turner, courtesy of Armagh County Museum. He was son of George de la Poer Beresford, 2nd Earl of Tyrone.
Thought to be Elizabeth Louisa Reynell (1783-1856) née De La Poer and formerly wife of Sir Denis Pack, courtesy of Whyte’s Nov 2011. She was the daughter of the 1st Marquess of Waterford, and she married Denis Pack of County Kilkenny and later, Thomas Reynell, 6th Baronet.

He had an illegitimate son Admiral Sir John de la Poer Beresford (1766-1844) 1st Bt Beresford, of Bagnall, Co. Waterford, and also Lt.-Gen. William Carr Beresford (1768-1854) 1st and last Viscount Beresford of Beresford.

William Carr Beresford (1768-1854) Viscount Beresford, by William Beechey, Photograph courtesy of National Portrait Gallery, London.
Harriet Elizabeth Peirse (1790-1825) Lady Beresford, wife of Admiral Sir John de la Poer Beresford (1766-1844) 1st Bt Beresford, of Bagnall, Co. Waterford, by Thomas Lawrence, courtesy of National Trust Hatchlands.

Henry de la Poer Beresford 2nd Marquess (1772-1826) wedded, in 1805, Susanna Carpenter, only daughter and heiress of George Carpenter 2nd Earl of Tyrconnell, and had issue,

HENRY de la Poer Beresford (1811-1859) his successor who became 3rd Marquess of Waterford;
William;
John (1814-1866) who became 4th Marquess of Waterford;
James;
Sarah Elizabeth (1807-1854) who married Henry John Chetwynd-Talbot, 18th Earl of Shrewsbury.

James Beresford (1816-1841) by Joseph Clover, courtesy of Ingestre Hall Residential Arts Centre.

Henry de la Poer Beresford 3rd Marquess married Louisa Anne Stuart (1818-1891), daughter of Charles Stuart, 1st and last Baron Stuart de Rothesay. They did not have children.

Elizabeth Stuart née Yorke (1789-1867). Lady Stuart de Rothesay, with her daughters Charlotte (1817-1861) and Louisa (1818-1891) by George Hayter, photograph courtesy of UK Government Art Collection. Elizabeth was the daughter of Philip Yorke 3rd Earl of Hardwicke; Louisa married Henry de la Poer Beresford 3rd Marquis of Waterford; Charlotte married Charles John Canning 1st Viceroy of India, 2nd Viscount Canning, 1st Earl Canning.
Louisa Anne Beresford née Stuart (1818-1891), wife of Henry de la Poer Beresford, 3rd Marquess of Waterford, daughter of Charles Stuart, 1st and last Baron Stuart de Rothesay, by Sir Francis Grant 1859-1860, NPG 3176. The National Portrait Gallery tells us: “Louisa Stuart was brought up mostly in Paris, where her father was British Ambassador to the French court. She was taught to draw from an early age and art, along with religion and philanthropy, was one of her main interests throughout her life. A gifted amateur watercolourist, she did not exhibit at professional galleries until the 1870s. With a strong interest in the welfare of the tenants on her Northumberland estate, she rebuilt the village of Ford. She provided a school and started a temperance society in the village. Her greatest artistic achievement was the decoration of the new school with life sized scenes from the Old and New testaments that used children and adults from the village as models.”

When the 3rd Marquess died, his brother John became the 4th Marquess. The 4th Marquess married Christiana, daughter of Charles Powell Leslie of Castle Leslie in County Monaghan.

George Berkeley (1685-1753) Protestant Bishop of Cloyne and Philosopher by John Smibert, American, 1688-1751, courtesy of National Gallery of Ireland.
George Berkeley (1685-1753), Philosopher; Bishop of Cloyne, by John Smibert 1730 courtesy of National Portrait Gallery NPG 653.
George Berkeley (1685-1753) Bishop of Cloyne, portrait in Trinity College Dublin exam hall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The painting is a portrait by William Hogarth of the 1st Earl of Charlemont, James Caulfeild (1728-1799) aged 13, with his mother, Elizabeth Caulfeild née Bernard (1703-1743)(portrait painted in 1741). She was the daughter of Judge Francis Bernard of Castle Mahon County Cork and Alice Ludlow of Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Thomas Bernard (1816-1882), son of Catherine née Hely Hutchinson and Thomas Bernard (d. 1834).
Richard Wellesly Bernard (1822-1877) of Castle Bernard, County Offaly, in early 1860s, National Portrait Gallery of London Ax196557
George Bingham, 4th Baronet of Castlebar, County Mayo.
John Bingham, 5th Bt., of Castlebar Attributed to Robert Hunter courtesy Christie’s Irish Sale 2001. He was the father of Charles Bingham, 1st Baron of Lucan (1735-1799), later 1st Earl of Lucan. He married Anne Vesey
Believed to be John Bingham, 5th Baron Clanmorris, 19th Century Irish School, courtesy Adam’s 5 Oct 2010.
Charles Bingham, 1st Baron of Lucan (1735-1799), later 1st Earl of Lucan, Engraver John Jones, After Joshua Reynolds, courtesy of National Gallery of Ireland.
Miss Bingham by T. Richardson (mid 18th Century) courtesy Adam’s 5th Oct 2010.
Mary Tighe née Blachford (1772-1810) as sculpted by Lorenzo Bartolini ca. 1820, photograph courtesy of National Library of Ireland.
Mary Tighe née Blachford (1747-1791), courtesy of National Gallery of Ireland.
Theodosia Blachford née Tighe (c.1780) A self portrait, seated three-quarter length, with her children, Mary (1772-1810, she married Henry Tighe 1771-1836 of Woodstock) and John (1771-1817) courtesy of Adam’s 2 April 2008. Theodosia was married to William Acton Blachford (1729-1773) of Altidore, County Wicklow, and she was the daughter of William Tighe (1710-1766) of Rosanna, County Wicklow.
Francis Blackburne (1782-1867), Lord Chancellor of Ireland, 1852 by engraver George Sanders, after Stephen Catterson Smith, courtesy of National Gallery of Ireland.
Helena Selina Blackwood née Sheridan (1807-1867), Writer, Wife of 4th Baron Dufferin and Clandeboye, later Countess of Gifford Date 1849 Engraver John Henry Robinson, English, 1796 – 1871 After Frank Stone, English, 1800-1859.
Nathaniel Bland (1695-1760), Vicar General of Diocese of Ardfert and Aghadoe, Picture from The Story of Dorothy Jordan by Clare Jerrold, 1914, courtesy of Teresa Stokes, flickr
Blayney R.J. Townley- Balfour and Madeline née Kells-Ingram, his Wife, of Townley Hall, Drogheda by Sarah Cecilia Harrison, courtesy of Adam’s auction 31 May 2017.
Lady Blennerhassett, Ballyseedy Castle, Tralee, Co. Kerry, Irish school 18 century Adams auction 19 Oct 2021
Theodosia Bligh (1722-1777), Countess of Glandore, attributed to James Latham, courtesy of Adam’s 5 Oct 2010.
Colonel Thomas Blood (1618-1680), Adventurer Engraver Emmery Walker After Gerard Soest, Dutch, c.1600-1681, courtesy of National Gallery of Ireland.
Benjamin Bloomfield (1768-1846) 1st Baron Bloomfield as Keeper of His Majestys Privy Purse at the Coronation of George IV, by Henry Meyer, after Philip Francis Stephanoff 1826, NPG D31893. He lived in Loughton House, County Offaly.
Benjamin Bloomfield (1768-1846) 1st Baron Bloomfield, by John Lilley, from Loughton house auction catalogue, 2016, Shepphards.
Benjamin Bloomfield (1768-1846) 1st Baron Bloomfield), Irish school, 19th c, from Loughton house sale, 2016, Shepphards.
John Arthur Douglas Bloomfield (1802-1879), 2nd Baron Bloomfield of Oakhampton and Redwood, 1st Baron Bloomfield of Ciamhaltha, County Tipperary, wearing a burgundy red jacket and fur collar, Painting After Sir Thomas Lawrence, from Loughton house auction catalogue, 2016, Shepphards
Georgiana Bloomfield née Liddell, Lady Bloomfield from Loughton house auction catalogue, 2016, Shepphards. She was the wife of John Arthur Douglas Bloomfield 1st Baron Bloomfield of Ciamhaltha, County Tipperary.
Portrait of Lady Bloomfield, from Loughton house sale, 2016, Shepphards. I’m not sure which Lady Bloomfield she is. I suspect she is Georgiana née Liddell (1822-1905)
Charles Blount (1563-1606), 8th Baron Mountjoy, Lord Deputy of Ireland, 1775, engraver Valentine Green after Paulus Van Somer; photograph courtesy of National Gallery of Ireland.
Richard Bolton (circa 1570-1648) Lord Chancellor of Ireland, courtesy of Whyte’s Oct 2018. Bolton Street in Dublin was named after him.
Hugh Boulter, Protestant Archbishop of Armagh and then Primate of Ireland 1724-1742. He was also Chaplain to King George I. The Dictionary of National Biography tells us that by a statute enacted through Boulter’s influence, Catholics were excluded from the legal profession and disqualified from holding offices connected with the administration of law. Under another act passed through Boulter’s exertions, they were deprived of the right of voting at elections for members of parliament or magistrates—the sole constitutional right which they had been allowed to exercise. He helped to set up the Charter School system and sought to convert Catholics to Protestantism, but did good work trying to alleviate hunger during the Famine – though perhaps he only advocated feeding those who converted to Protestantism! I’m not sure of that though. Provost’s House, Trinity College Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Portrait of Frances Walsingham, along with her husband Robert Devereux, 2nd Earl of Essex, and in the small picture, Sir Philip Sydney, her first husband. Her third husband was Richard Bourke 4th Earl of Clanricarde. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
John Bourke, 1st Baron Naas, (1705-1790), later 1st Earl of Mayo, Engraver William Dickinson, English, 1746-1823 After Robert Hunter, Irish, 1715/1720-c.1803, photograph courtesy of National Gallery of Ireland.
Bellingham Boyle (1709-1772), of Rathfarnham Castle, County Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Richard Boyle, 1st Earl of Cork (1566-1643) Date c.1630, courtesy of National Gallery of Ireland.

Timothy William Ferres tells us of the family of the Boyles, Earls of Cork:

Richard Boyle (1566-1643) 1st Earl of Cork married firstly, in 1595, Joan, daughter and co-heiress of William Apsley, of Limerick, without surviving issue; and secondly, Catherine, daughter of Sir Geoffrey Fenton, Knight, principal secretary of state for Ireland, and had issue (with eight daughters):

Roger (1606-15);

RICHARD (1612-98) his successor; Geoffrey d. 1 year old; Lewis (1619-1642) created Viscount Boyle of Kinalmeaky;

ROGER (1621-1679) created 1st Earl of Orrery; ancestor of John, 5th Earl of Cork;

Francis (1623-1699) created Viscount Shannon;

Robert (1626/1627-1691), the philosopher.

Robert Boyle (1626/1627-1691) the philosopher. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Robert Boyle F. R. S. (1627-1691) by Johann Kerseboom, 1689, courtesy of Science History Institute. He was the brother of the 2nd Earl of Cork.

The 1st Earl of Cork’s daughter Alice (1607-1666) married David Barry 1st Earl of Barrymore. His other daughters were Sarah (1609-1633) who married first Thomas Moore son of Garret Moore 1st Viscount of Drogheda, and then second, Rober Digby 1st Baron Digby; Lettice who married Lord Goring; Joan who married George Fitzgerald 16th Earl of Kildare; Catherine (1615-1691) who married Arthur Jones 2nd Viscount Ranelagh; Dorothy (1617-1668) who married Arthur Loftus and second, Gilbert Talbot son of William Talbot 1st Baronet; Mary (1625-1678) who married Charles Rich 4th Earl of Warwick;

The 1st Earl of Cork was succeeded by his eldest son, RICHARD, 2nd Earl (1612-98); who, having wedded, in 1635, the Lady Elizabeth Clifford, daughter and heiress of Henry, 5th Earl of Cumberland, was created a Peer of England, 1644, in the dignity of Baron Clifford of Londesborough, Yorkshire; and, in 1664, EARL OF BURLINGTON.

Richard Boyle (1612-1698) 1st Earl of Burlington and 2nd Earl of Cork, possibly after Sir Anthony van Dyck c.1640, NPG 893.
Oil painting on canvas, Lady Elizabeth Clifford, Countess of Burlington (1621 – 1698) by Sir Anthony Van Dyck (Antwerp 1599 – London 1641). Three-quarter length portrait, profile to left, head facing, wearing wbite satin dress and blue scarf, pointing with her left hand in a landscape. She married Richard Boyle, 2nd Earl of Cork and 1st Earl of Burlington.

The 2nd Earl of Cork had issue:

Charles, 3rd Viscount Dungarvan (1639-94); father of the 3rd Earl of Cork; Richard, who died in 1665 at the battle of Lowestoft; and daughters Frances who married Colonel Francis Courtenay, 3rd Bt. then second, Wentworth Dillon, 4th Earl of Roscommon; Anne who married Edward Montagu, 2nd Earl of Sandwich; Elizabeth who married Nicholas Tufton, 3rd Earl of Thanet; Mary; Henrietta who married Laurence Hyde, 1st Earl of Rochester.

His lordship’s eldest son Charles, 3rd Viscount Dungarvan (1639-94) having predeceased him, was succeeded by his grandson, CHARLES (c. 1662-1704), 3rd Earl of Cork and 2nd Earl of Burlington.

Charles Boyle (c. 1662-1704) 3rd Earl of Cork and 2nd Earl of Burlington, by Godfrey Kneller, courtesy of National Trust Hardwick Hall.

Charles, 3rd Viscount Dungarvan (1639-94) had a daughter Elizabeth (1662-1703) who married Lt.-Gen. James Barry, 4th Earl of Barrymore.

The 3rd Earl of Cork, 2nd Earl of Burlington espoused Juliana, daughter and heiress of the Hon Henry Noel, of Luffenham, Rutland, by whom he had surviving issue, RICHARD (1694-1753) his successor, 3rd Earl of Burlington.

Richard Boyle, 3rd Earl of Burlington (1694-1753) by Jonathan Richardson, courtesy of London’s National Portrait Gallery NPG 4818.

The 3rd Earl of Cork, 2nd Earl of Burlington had daughters Elizabeth; Juliana; Jane; Henrietta (1700-1746) who married Henry Boyle, 1st Earl of Shannon.

The 3rd Earl of Cork, 2nd Earl of Burlington was succeeded by his only son, RICHARD (1694-1753), 4th Earl of Cork and 3rd Earl of Burlington, KG, who married, in 1720, the Lady Dorothy Savile, elder daughter and co-heiress of William, 2nd Marquess of Halifax, by which lady he had three daughters, Dorothy; Juliana; Charlotte Elizabeth, m William Cavendish, Marquess of Hartington.

His lordship claimed, in 1727, the barony of Clifford, as great-grandson of the Lady Elizabeth Clifford, daughter and heiress of Henry, Lord Clifford, and the house of peers acknowledged and confirmed his lordship’s right thereto.

This nobleman was eminent as a munificent encourager of literature and the fine arts, and as a friend of Alexander Pope he will always be remembered.

His lordship died in 1753, and leaving an only surviving daughter, Lady Charlotte, who had wedded William, 4th Duke of Devonshire, and inherited the barony of Clifford; all his lordship’s other English honours ceased, while those of Ireland devolved upon his kinsman, JOHN BOYLE (1707-62), 5th Earl of Orrery, in Ireland; Baron Boyle of Marston, in Great Britain; succeeded as 5th EARL OF CORK (refer to Roger, third son of the first Earl of Cork).

Charlotte Boyle (1731-1754) daughter of Richard Boyle (1694-1753) 3rd Earl of Burlington 4th Earl of Cork. She married William Cavendish (1720-1764) 4th Duke of Devonshire and brought Lismore Castle, County Waterford, into the Cavendish family. Painting after style of George Knapton, courtesy of Chiswick House collection.
Richard Boyle 4th Earl of Cork and 3rd Earl of Burlington and Dorothy Savile attributed to Aikman, William Aikman (1682-1731).
Oil painting on canvas, Possibly Lady Dorothy Savile, Countess of Burlington and Countess of Cork (1699-1758) by Michael Dahl, circa 1720. Inscribed top right in gold: Lady Dorothy Saville / Daughter to the Marquis of Halifax / married to the Earl of Burlington. A half-length portrait of a young woman, facing, wearing white decollete dress with blue ribbon. Courtesy of National Trust Hardwick Hall
Lady Dorothy Savile, Countess of Burlington (1699-1758) with her Daughter Lady Dorothy Boyle, later Countess of Euston (1724-1742) by Michael Dahl courtesy of National Trust Hardwick Hall. She married Richard Boyle 4th Earl of Cork and 3rd Earl of Burlington.

The 1st Earl of Cork’s son ROGER (1621-1679) was created 1st Earl of Orrery.

Lady Mary Boyle nursing her son Charles, by Godfrey Kneller (1646-1723) Adams auction 18 Oct 2022. I think this could be Mary née Sackville (1637-1679) who married Roger Boyle 2nd Earl of Orrery. Her son Charles Boyle (1674-1731) became the 4th Earl of Orrery.
Charles Boyle 4th Earl of Orrery, possibly a copy, based on painting by Charles Jervas.

JOHN BOYLE (1707-62), 5th Earl of Orrery, in Ireland; Baron Boyle of Marston, in Great Britain; succeeded as 5th EARL OF CORK (refer to Roger, third son of the first Earl of Cork).

His lordship wedded firstly, in 1728, the Lady Henrietta Hamilton, youngest daughter of George, 1st Earl of Orkney KT, and had issue: Charles, Viscount Dungarvan (1729-1759); HAMILTON, his successor; Elizabeth.

Mrs John O’Neill (née Henrietta Boyle) (1756-1793), Poet and Patron of Mrs Siddons, Engraver John Raphael Smith, English, 1752-1812 After Matthew William Peters, English, 1742-1814, courtesy of National Gallery of Ireland. She was the wife of John O’Neill (1740-1798), 1st Viscount, of Shane’s Castle, County Antrim, and the daughter of Charles Boyle, Viscount Dungarvan, who was the son of John Boyle 5th Earl of Orrery and 5th Earl of Cork.

He espoused secondly, Margaret, daughter and sole heiress of John Hamilton, by whom he had further issue: EDMUND, 7th Earl of Cork; Catherine Agnes; Lucy. He was a writer.

He was succeeded by his eldest surviving son, HAMILTON (1729-64), 6th Earl of Cork and Orrery, who died unmarried, in little more than a year after his father, when the honours devolved upon his brother, EDMUND (1742-98), 7th Earl of Cork and Orrery, who married firstly, in 1764, Anne, daughter of Kelland Courtenay, and had issue: John Richard, Viscount Dungarvan (1765-8); EDMUND, of whom hereafter; Courtenay (the Hon Sir), Vice-Admiral in the Royal Navy; Lucy Isabella.

Anne Boyle née Courteney, Countess of Cork and Orrery (1742-1785) Engraver James Watson, Irish, c.1740-1790 After Hugh Douglas Hamilton, Irish, 1740-1808, courtesy of National Gallery of Ireland. She married Edmund Boyle 7th Earl of Cork and Orrery.

His lordship espoused secondly, in 1786, Mary, youngest daughter of John, 1st Viscount Galway, without further issue.

He was succeeded by his eldest surviving son, EDMUND (1767-1856), 8th Earl of Cork and Orrery, KP, a General in the Army, who married, in 1795, Isabella Henrietta, third daughter of William Poyntz, of Midgam house, Berkshire, and had issue: Edmund William, Viscount Dungarvan (1798-1826); George Richard (1799-1810); CHARLES, of whom presently; John, ancestor of the 12th and 13th Earls; Robert Edward; Richard Cavendish; Isabella Elizabeth; Lucy Georgina; Louisa.

His lordship’s eldest surviving son CHARLES (1800-34), styled Viscount Dungarvan, wedded, in 1828, the Lady Catherine St Lawrence, daughter of William, 2nd Earl of Howth, and had issue:

RICHARD EDMUND ST LAWRENCE, his successor;

William George;

Edmund John;

Louisa Caroline Elizabeth; Mary Emily.

His lordship predeceased his father, and the family honours devolved upon his eldest son,

RICHARD EDMUND ST LAWRENCE (1829-1904), as 9th Earl of Cork and Orrery, KP, who married, in 1853, the Lady Elizabeth Charlotte de Burgh, daughter of Ulick John, 1st Marquess of Clanricarde, and had issue: CHARLES SPENCER CANNING, his successor; ROBERT JOHN LASCELLES, 11th Earl; Emily Harriet Catherine; Grace Elizabeth; Isabel Lettice Theodosia; Honora Janet; Dorothy Blanche.

Anne Boyle née Courteney, Countess of Cork and Orrery (1742-1785) Engraver James Watson, Irish, c.1740-1790 After Hugh Douglas Hamilton, Irish, 1740-1808, courtesy of National Gallery of Ireland. She married Edmund Boyle 7th Earl of Cork, 7th Earl of Orrery.

The 1st Earl of Cork’s son Francis (1623-1699) was created 1st Viscount Shannon.

Henry Boyle, M.P. (1682-1764), Speaker of the Irish House of Commons, later 1st Earl of Shannon Date: 1742, Engraver John Brooks, Irish, fl.1730-1756 After Unknown Artist, England, 18th century, English, courtesy of National Gallery of Ireland.
Henry Boyle 1st Earl of Shannon by Stephen Slaughter, in Ballyfin Demesne, courtesy of Parliamentary Art Collection.
Henry Boyle, 1st Earl of Shannon (1682-1762), Speaker of the Irish House of Commons, 1733 by William Hoare. Courtesy of Whytes.
Richard Boyle, 2nd Earl of Shannon by Arthur Devis, courtesy of National Museums of Northern Ireland.
Richard Boyle, 2nd Earl of Shannon (1727–1807) (Joshua Reynolds, 1759 or later).
Anne Boyle (1700-1742) 2nd Lady Mountjoy, wife of William Stewart 2nd Viscount Mountjoy by Garrett Morphy courtesy of Adams auction 19 Oct 2021. She was the daughter of Murrough Boyle, 1st Viscount of Blessington.
Edward Brabazon 7th Earl of Meath (1691-1772).
Anthony Brabazon 8th Earl of Meath (1721-1790).
John Chambé Brabazon 10th Earl of Meath (1772-1851).
Melosina Adelaide Brabazon née Meade (1780-1866), wife of 10th Earl of Meath.
Theodosia née Brabazon (1811-1876), daughter of John Chambre Brabazon 10th Earl of Meath, she married Archibald French Acheson, 3rd Earl of Gosford.
William Brabazon, 11th Earl of Meath (1803-1887).
Normand Brabazon 13th Earl of Meath (1869-1949).
Lambert Brabazon, 18th Century School, courtesy Adam’s 17th May 2005. This could be Lambert Brabazon b. 1742 d. 1811, of Rath House, Termonfeckin, County Louth. He had a brother Henry (1739-1811) who had a son Henry (1771-1815).
Henry Brabazon in a blue coat, 19th Century School, courtesy Adam’s 17 May 2005. I’m not sure which Henry Brabazon this is.
Henry Brabazon in a green coat courtesy, 18th Century School, Adam’s 17 May 2005 – again, I’m not sure which Henry Brabazon this is.
Hilary Brabazon in a mauve dress, Irish School, 18th Century, courtesy Adam’s 17 May 2005.
Sidney Brabazon in a blue dress, Irish School, 18th Century, courtesy Adam’s 17 May 2005.
Anna King née Brinkley, wife of James King (1800-1869) 5th Earl of Kingston, who lived in Mitchelstown. She was daughter of Matthew Brinkly of Parsonstown House, County Meath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Esther née Brinkley (d. 1901), wife of John Alexander, High Sheriff of Carlow 1824, MP for Carlow 1853-1859, by Stephen Catterton Smith, courtesy of Fonsie Mealy auction. Daughter of Matthew Brinkly of Parsonstown House, County Meath. She married John Alexander on 18 Oct 1848 and he first brought electricity to Milford. He was high sheriff of County Carlow 1824 and MP for Carlow 1853-1859.
Rose Dorothy Brooke, cousin of the artist, 1913 by Eva Henrietta Hamilton, photograph courtesy of National Gallery of Ireland.
With inscription verso ‘Sir Henry Brooke Bart Son of Francis Brooke, Major of 18th… of Hannah, Sister of 1st Lord Dunally. He married Harriott Butler, granddaughter of Earl Lainsborough. He rebuilt the House of Colebrooke in 1822. Died at Colebrooke, 24th March 1834, aged 63 years.‘ Courtesy of Adam’s auction 10 Oct 2017. Henry Brooke (1770-1834) Bt.of Colebrooke, Co Fermanagh.
Charles Robert Hamilton (1846-1913), photograph courtesy of Hamwood house website. He is probably seated with his wife Louisa Caroline Elizabeth née Brooke (1850-1922).
“Capability” Launcelot Brown (1716-1783), Landscape gardener, painting by Nathaniel Dance (later Sir Nathaniel Holland, Bt), c. 1773, courtesy of National Portrait Gallery NPG 6049
John Browne (1709-1776), Baron Mount Eagle, 1st Earl of Altamont, of Westport, County Mayo, after Joshua Reynold, Adams auction 18 Oct 2022

Timothy William Ferres tells us of the Earls of Kenmare, County Kerry: http://lordbelmontinnorthernireland.blogspot.com/2013/08/kenmare-house.html

THE RT HON SIR VALENTINE BROWNE (d 1589) in 1583, received instruction, jointly with Sir Henry Wallop, for the survey of several escheated lands in Ireland. He was subsequently sworn of the Privy Council, and represented County Sligo in parliament in 1585. In the same year, Sir Valentine purchased from Donald, Earl of Clancare, all the lands, manors, etc in counties Kerry and Cork, which had been in the possession of Teige Dermot MacCormac and Rorie Donoghoemore.

Sir Valentine married firstly, Alice or Elizabeth, daughter of Robert Alexander, of London, and had issue, a son. He wedded secondly, Thomasine, sister of the Lord Keeper of the Great Seal, Sir Nicholas Bacon, and had further issue (with a daughter), two sons.

Sir Valentine’s eldest surviving son, SIR NICHOLAS BROWNE, Knight, of Ross, County Kerry, who wedded Sicheley Sheela, daughter of O’Sullivan Beare, and had issue: VALENTINE, his heir;
Anne.

Sir Nicholas died in 1616, and was succeeded by his son, VALENTINE BROWNE, High Sheriff of County Kerry, 1623, who was created a baronet in 1622, designated of Molahiffe, County Kerry.

Sir Valentine, after his father’s decease, presented a petition to JAMES I, praying an abatement of the yearly rent reserved on the estate which he held from the Crown, as an undertaker, at the annual sum of £113 6s 8d, in regard of the small profit he made of it, being set out in the most barren and remote part of County Kerry; which request was complied with, and he received a confirmation, by patent, of all his lands at a reduced rent.

He married Elizabeth, fifth daughter of Gerald, Earl of Kildare [I’m not sure if this – JWB], and was succeeded by his grandson, THE RT HON SIR VALENTINE BROWNE, 3rd Baronet (1638-94); who was sworn of the Privy Council of JAMES II, and created by that monarch, subsequently to his abdication, in 1689, Baron Castlerosse and Viscount Kenmare.

His lordship, who was Colonel of Infantry in the army of JAMES II, forfeited his estates by his inviolable fidelity to that unfortunate monarch. He wedded Jane, only daughter and heir of Sir Nicholas Plunket [of Balrath], and niece of Lucas, Earl of Fingall, and had five sons and four daughters.

The 1st Viscount was succeeded by his eldest son, SIR NICHOLAS BROWNE, 4th Baronet (called 2nd Viscount); an officer of rank in the service of JAMES II, and attainted in consequence, who espoused, in 1664, Helen, eldest daughter and co-heir of Thomas Brown, by whom he obtained a very considerable fortune, but which, with his own estates, became forfeited for his life. The crown, however, allowed his lady a rent-charge of £400 per year for the maintenance of herself and her children. Sir Nicholas died in 1720, leaving four daughters and his son and successor,

SIR VALENTINE BROWNE, 5th Baronet (called 3rd Viscount) (1695-1736), who continued outlawed by the attainder of his father and grandfather. [The 4th Baronet’s daughter Frances married Edward Herbert (1693-1770 of Muckross, County Kerry]

Portrait of a Gentleman by Follower of Kneller, traditionally identified as Valentine Browne (1695-1736), 3rd Viscount Kenmare courtesy of https://www.bonhams.com/auctions/19056/lot/278/.jpg

He married, in 1720, Honora, second daughter of Colonel Thomas Butler [of Kilcash (1671-1738)], and great-grandniece of James, Duke of Ormonde, by whom he had issue, Thomas, his successor, and two daughters.

Sir Valentine espoused secondly, in 1735, Mary, Dowager Countess of Fingall, by whom he left a posthumous daughter, Mary Frances. [Mary née Fitzgerald (1716-1741/2) was the daughter of Maurice Fitzgerald, 5th Baronet of Castle Ishen, County Cork; Mary was first married to Justin Plunkett, 5th Earl of Fingall. She married thirdly John Bellew, 4th Baron Bellew of Duleek]

He was succeeded by his only son, SIR THOMAS BROWNE, 6th Baronet (called 4th Viscount) (1726-95), who wedded, in 1750, Anne, only daughter of Thomas Cooke, of Painstown, County Carlow, by whom he had a son and a daughter, Catherine, married to Count de Durfort-Civrac.

“He was succeeded by his son, SIR VALENTINE BROWNE, 7th Baronet (called 5th Viscount) (1754-1812), who was created (the viscountcy of JAMES II never having been acknowledged in law), in 1798, Baron Castlerosse and Viscount Kenmare.

“His lordship was further advanced to the dignity of an earldom, in 1800, as EARL OF KENMARE.”

Valentine Browne (1754-1812), 1st Earl of Kenmare by Hugh Douglas Hamilton courtesy of Country House Collections at Slane Castle by Adam’s 2012.

He married firstly, in 1777, Charlotte, daughter of Henry, 11th Viscount Dillon [of Costello-Gallin], and had an only daughter, Charlotte. [She married George Goold, 2nd Bt of Old Court, Co. Cork.]

His lordship wedded secondly, in 1785, Mary, eldest daughter of Michael Aylmer, of Lyons, County Kildare, and had issue,

VALENTINE (1788-1853) his successor as 2nd Earl;
Thomas (1789-1871) who became 3rd Earl;
William;
Michael;
Marianne; Frances.

His lordship was succeeded by his eldest son, VALENTINE, 2nd Earl (1788-1853), PC, who espoused, in 1816, Augusta, daughter of Sir Robert Wilmot, 2nd Baronet, though the marriage was without issue, when the family honours devolved upon his brother,

THOMAS, 3rd Earl (1789-1871), who married, in 1822, Catherine, daughter of Edmond O’Callaghan [d. 1791. Another daughter of Edmond O’Callaghan, Ellen, married James John Bagot of Castle Bagot, Rathcoole. His daughter Elizabeth married Gerald Dease of Turbotstown, a Section 482 property].

John Denis Browne (1756-1809), 1st Marquess of Sligo, 1806 by engraver William Whiston Barney after John Opie, courtesy of National Gallery of Ireland.
Robert Brown, 1720 by Godfrey Kneller from Coolattin house sale, 2016, Shepphards.
The Reverend Jemmet Browne (of Riverstown, County Cork) at a meet of foxhounds, by Peter Tillemans, courtesy of Yale Centre for British Art.
A portrait of Alice Waterhouse (1700-1782), wife of Bishop Jemmett Browne. (1703-1782), Bishop of Cork and Archbishop of Tuam. They lived at Riverstown, County Cork. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
John Brownlow (1690-1754) 1st Viscount Tyrconnell.
William Brownlow (1726-1794) (after Gilbert Stuart) by Charles Howard Hodges courtesy of Armagh County Museum.
Lucy Loftus née Brydges (1654-1681? or 1646-1689?) of Sudeley Manor, Gloucestershire, England, by Peter Lely, wife of Adam Loftus (1632-1691), 1st and last Viscount Lisburne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Portrait of Ulick de Burgo or Bourke, 5th Earl of Clanricarde (d. 1657). He was created Marquess of Clanricarde. He was Lord Deputy and Commander in Chief of Royalist forces against Cromwell in 1649. His Irish estates were lost but then recovered by his widow after the restoration of Charles II to the throne.
Henry de Burgh, (1743-1797) 1st Marquess of Clanricarde 2nd creation, as Knight of St. Patrick, by engraver William Sedgewick, after Robert Hunter, courtesy of National Gallery of Ireland.
Henry de Burgh (1742/3-97) 2nd Marquess and 12th Earl of Clanricarde in robes of Knight of the Order of St. Patrick.
John Thomas De Burgh (1744-1808) 13th Earl of Clanricarde was created 1st Earl of Clanricarde, Co. Galway.
Ulick John De Burgh (1802-1874), 14th Earl and 1st Marquess of Clanricarde (3rd creation).
The 2nd Marquess, Hubert George De Burgh-Canning (1832-1916), “the notorious miser and eccentric who spent his life in squalid rooms in London and dressed like a tramp.”
Maria De Burgh, Lady Downes (1788-1842) of Bert House, County Kildare, attributed to Adam Buck, only child and heiress of Walter Bagenal of Duckleckney and Mount Leinster Lodge, Co Carlow, courtesy of Fonsie Mealy auction.
Maria de Burgh, Lady Downes (1788-1842), only child and heiress of Walter Bagenal of Dunleckney Manor, and Mount Leinster Lodge, Killedmond, County Carlow, courtesy of Fonsie Mealy auction.
Thomas Burgh, Royal Hospital Kilmainham, 15th October 2023.
Charles William Bury (1801-1851), 2nd Earl of Charleville by Alfred, Count D’Orsay 1844, courtesy of National Portrait Gallery NPG 4026(12).
Charles William Bury, 2nd Earl of Charleville, seated in red cloak before a curtain, portrait by Henry Pierce Bone, 1835.
Humphrey Butler, 4th Viscount and later 1st Earl of Lanesborough, (c.1700-1768) Engraver John Brooks, Irish, fl.1730-1756 After C. Brown, courtesy of National Gallery of Ireland.
Female member of Butler family, Cahir Castle, courtesy of Fonsie Mealy auction
Probably James Butler (c. 1305-1337), the 1st Earl of Ormond. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Probably Eleanor de Bohun (c. 1304-1363), the wife of James Butler the 1st Earl of Ormond, in St. Mary’s Church, Gowran, County Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Robert Butler(d.1788) of Ballyragget Castle and Ballyragget Lodge, County Kilkenny by Joseph Highmore. Brother of James Butler Archbishop of Cashel, courtesy Fonsie Mealy Oct 2024.

The Butlers of Ormonde

Piers Butler (d. 1539) 8th Earl of Ormonde married Margaret Fitzgerald, daughter of Gerald Fitzgerald 8th Earl of Kildare.

They had daughters Ellen (d. 1597) who married Donough O’Brien (d. 1553) 1st Earl of Thomond; Margaret married Barnaby FitzPatrick, 1st Baron of Upper Ossory; Joan married James Butler, 10th Baron Dunboyne; Eleanor married Thomas Butler 1st Baron Caher; Katherine married Richard Power, 1st Baron le Power and Coroghmore first and secondly, James FitzJohn FitzGerald, 13th Earl of Desmond; Ellice married Gerald FitzJohn FitzGerald (d. 1553, father of 1st Viscount Decies).

They had sons John Butler (d. 1570) who lived in Kilcash, County Tipperary and was father of Walter (1569-1632) 11th Earl of Ormond; Richard Butler (d. 1571) 1st Viscount Mountgarret; Thomas who died in 1532; and James Butler (d. 1546) 9th Earl of Ormonde.

James Butler (1504-1546), Soldier, 9th Earl of Ormond and Ossory by Francesco Bartolozzi, published by John Chamberlaine, after Hans Holbein the Younger publ. 1797, courtesy of National Portrait Gallery NPG D39383.

James Butler (d. 1546) 9th Earl of Ormonde married Joan Fitzgerald, daughter of James FitzMaurice FitzGerald, 10th Earl of Desmond. She gave birth to Thomas Butler (1531-1614) who became 10th Earl of Ormond.

Portrait of Thomas Butler, 10th Earl of Ormond (1531-1614) in three-quarter armour holding a wheelock pistol, with his coat of arms at upper left, by Steven van der Meulen.

The 9th Earl also had a son Edmond (d. 1602) who lived in Cloughgrenan, County Carlow, who gave rise to the Baronets of Cloughgrenan.

The 10th Earl of Ormond, “Black Tom,” had no direct heir so the Earldom passed to his nephew, Walter, a son of Sir John Butler (d. 1570) of Kilcash. Unlike his uncle, who had been raised at Court and thus reared a Protestant, Walter the 11th Earl of Ormond was a Catholic. See my entry about the Ormond Castle at Carrick-on-Suir for more on “Black Tom.” https://irishhistorichouses.com/2022/06/26/opw-sites-in-munster-clare-limerick-and-tipperary/

Walter Butler’s claim to the family estates was blocked by James I. The latter orchestrated the marriage of Black Tom’s daughter and heiress Elizabeth to a Scottish favourite Richard Preston, Baron Dingwall. The King gave Preston the title Earl of Desmond (after the Fitzgeralds lost the title, due to their Desmond Rebellion), and awarded his wife most of the Ormond estate, thus depriving Walter of his inheritance. Walter refused to submit and was imprisoned for eight years in the Fleet, London. He was released 1625. Walter’s nine-year-old grandson, James, became the heir to the titles but not the estates.

James (1610-1688) 12th Earl of Ormond (later 1st Duke of Ormond) was the son of Thomas Butler (d. 1619) Viscount Thurles, and Elizabeth Poyntz. Following his father’s death in 1619, 9-year-old James became direct heir to the Ormond titles. He was made a royal ward and was educated at Lambeth Palace under the tutelage of George Abbot, Archbishop of Canterbury.

James Butler (1610-1688), 1st Duke of Ormond, Viceroy from 1643, on and off until he died in 1688, Dublin Castle, painting by Sir Peter Lely, circa 1665. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
James Butler, 1st Duke of Ormonde (1610–1688) after John Michael Wright courtesy of National Trust images.

Another son of Thomas Butler (d. 1619) Viscount Thurles, and Elizabeth Poyntz was Richard Butler (d. 1701) of Kilcash, County Tipperary.

In order to reunite the Ormond title with the estates, plans were made for a marriage between James and the daughter of the Prestons, Elizabeth, to resolve the inheritance issue. In 1629 James married his cousin Elizabeth Preston and reunited the Ormond estates.

Elizabeth Butler née Preston (1615-1684) Baroness Dingwall, Countess of Ormond later Duchess, with her son Thomas, Lord Ossory (1634-1680) attributed to David des Granges. She was the daughter of Black Tom’s daughter and heiress Elizabeth and Richard Preston, Baron Dingwall.
James Butler of Kilkenny Castle, courtesy of Fonsie Mealy auction. It was in a Florentine style gilt frame and is by the 18th century English school.
James Butler (1610-1688) 1st Duke of Ormonde by Willem Wissing circa 1680-1685, courtesy of National Portrait Gallery NPG 5559.
James Butler (1611–1688), 1st Duke of Ormonde, in Garter Robes, Peter Lely (1618-1680) (style of), 1171123 National Trust.

The 1st Duke of Ormond had three sons: Thomas (1634-1680), 6th Earl of Ossory; Richard (1639-1686), 1st and last Earl of Arran; and John (1634-1677), 1st and last Earl of Gowran. He had two daughters, Elizabeth (1640-1665) and Mary (1646-1710). Mary married William Cavendish, 1st Duke of Devonshire and Elizabeth, the 2nd Earl of Chesterfield.

Thomas Butler (1634-1680) 6th Earl of Ossory, Eldest son of James, Duke of Ormond, in armour standing near his charge, attributed to Van Dyck, courtesy of Adam’s auction 11 Oct 2016. Provenance: Formerly in the collection of the Earl of Fitzwilliam, 1948.

Thomas Butler, 6th Earl of Ossory, (1634-1680) was born at Kilkenny Castle, the eldest son of James Butler, 1st Duke of Ormonde and Lady Elizabeth Preston.
His early years were spent in Ireland and France. He was an accomplished athlete and a good scholar. In 1661 Butler became a member of both the English and Irish houses of Commons, representing Bristol in the former and Dublin University in the latter House. In 1665 he was appointed lieutenant-general of the army in Ireland and in 1666 was created an English peer as Lord Butler.

Having proven himself as an expert military strategist, and whilst visiting France in 1672, he rejected the liberal offers made by Louis XIV to induce him to enter the service of France, and returning to England he added to his high reputation by his conduct during the Battle of Texel in August 1673. From 1677 until 1679, he served alongside his father as a Lord of the Admiralty.

The earl was chosen to William, Prince of Orange, and in 1677 he joined the allied army in the Netherlands, commanding the British section and winning great fame at the siege of Mons in 1678. He acted as deputy for his father, who was lord-lieutenant of Ireland, and in parliament he defended Ormonde’s Irish administration with great vigour. In 1680 he was appointed governor of English Tangier, but his death prevented him from taking up his new duties.

Ossory had eleven children, including James Butler who became the 2nd Duke of Ormonde in 1688. A Portrait of Thomas Butler by Lely, painted in 1678 is in the National Portrait Gallery, London and a portrait by the same hand as his father, the 1st Duke is in the ownership of the National Trust at Kedleston Hall.
Thomas Butler (1634-1680) 6th Earl of Ossory, studio of Sir Peter Lely, circa 1678, courtesy of National Portrait Gallery NPG 371. Second son of the Duke and Duchess of Ormond and father of 2nd Duke of Ormonde.
Richard Butler (1639-1685) 1st Earl of Arran, son of the Duke of Ormonde, by Godfrey Kneller, courtesy of National Trust Hardwick Hall.
Mary Cavendish née Butler (1646-1710) Duchess of Devonshire in the style of Willem Wissing courtesy of National Trust Hardwick Hall. She was the daughter of James, 1st Duke of Ormond.
Elizabeth Stanhope née Butler (1640-1665), daughter of the 1st Duke of Ormonde and 2nd wife of Philip Stanhope 2nd Earl of Chesterfield Date: 1681/1688 Engraver: Isaac Beckett, English, c.1653-c.1715/19 After Peter Lely, Dutch, 1618-1680, courtesy of National Gallery of Ireland.
Elizabeth Stanhope née Butler Countess of Chesterfield By Peter Lely – http//:www.thepeerage.com/p951.htm#i9503, Public Domain, https//:commons.wikimedia.org

Thomas Butler (1634-1680) 6th Earl of Ossory and his wife Amelia of Nassau were the parents of James Butler (1665-1745) 2nd Duke of Ormonde. Another son was Lt.-Gen. Charles Butler, 1st Earl of Arran (1671-1758).

James Butler (1665-1745) 2nd Duke of Ormond, studio of Michael Dahl, oil on canvas, circa 1713 courtesy of National Portrait Gallery NPG 78.
James Butler (1665-1745) 2nd Duke of Ormonde courtesy of National Maritime Museum, Greenwich, London.
Oil painting on canvas, James Butler, 2nd Duke of Ormonde (1665-1745) by Sir Godfrey Kneller (Lubeck 1646/9 – London 1723). A three-quarter length portrait, turned slightly to the right, facing, gazing at spectator, wearing armour, blue sash and white jabot, a baton in his right hand, his left on his hip, his helmet placed at the left; cavalry in the distance, right. Photograph courtesy of National Trust Images.

James Butler (1665-1745) 2nd Duke of Ormond married, first, Anne Hyde, and second, Mary Somerset.

Anne Hyde (1669-1685), Countess of Ossory, first wife of James Butler 2nd Duke of Ormonde. Painting by William Wissing
Mary Somerset (1665-1733), Duchess of Ormond, wife of James Butler 2nd Duke of Ormond (1665-1745), painted by Michael Dahl. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

James the 2nd Duke had no son, so the title passed to his brother Charles Butler (1671-1758) 1st Earl of Arran. He was enabled by an Act of Parliament in 1721 to recover his brother’s forfeited estates, but the dukedom ended with him. He was, however, also the 14th Earl of Ormonde and this title continued. He had no children, however, so the title passed to a cousin.

Charles Butler (1671-1758) 1st Earl of Arran by James Thornhill, courtesy of Examination Schools, University of Oxford.

John Butler (d. 1766) of Kilcash and Garryricken became 15th Earl of Ormonde. He was a descendant of Walter Butler the 11th Earl.

Colonel Thomas Butler of Kilcash (c. 1738) by James Latham, father of John Butler (d. 1766) of Kilcash and Garryricken who became 15th Earl of Ormonde.

Richard Butler (d. 1701) of Kilcash, County Tipperary was a younger brother of James the 1st Duke of Ormond. There is a castle ruin still in Kilcash, under the protection of the Office of Public Works but not open to the public. His son was Walter Butler of Garryricken (1633-1700). Walter had sons Christopher (the Catholic Archbishop) and Thomas (d. 1738).

Christopher Butler (d. 1758?) Catholic Archbishop of Cashel and Emly, by James Latham. Christopher Butler was Catholic archbishop of Cashel and Emly, son of Walter Butler of Garryricken and brother of Colonel Thomas Butler of Kilcash.

The 15th Earl had no children so the title then passed to a cousin, Walter Butler (1703-1783), 16th Earl, another of the Garryricken branch, who also became the 9th Earl of Ossory. He took up residence at Kilkenny Castle. Walter, a Catholic, was unable to exercise a political role.

John Butler 17th Earl of Ormonde, nicknamed “Jack of the Castle,” was son of the 16th Earl. He in turn was father of Walter Butler (1770-1820) 18th Earl of Ormonde, 1st And Last Marquess of Ormonde (of the 2nd creation).

Susan Frances Elizabeth Wandesford (1754-1830) Duchess of Ormonde. She was the daughter of John Wandesford 1st and last Earl Wandesford and 5th Viscount Castlecomer, and wife of John Butler 17th Earl of Ormonde. Painting by Hugh Douglas Hamilton.
Walter Butler (1770-1820) became the 18th Earl and 1st Marquess of Ormonde.

His younger brother James Wandesford Butler (1777-1838) was later created 1st Marquess of Ormonde of the third creation, 19th Earl of Ormonde. He was the father of John Butler (1808-1854) 2nd Marquess (3rd creation) and 20th Earl of Ormonde, who was the father of James Edward William Theobald Butler (1844-1919) 3rd Marquess of Ormonde and also James Arthur Wellington Foley Butler (d. 1943) 4th Marquess of Ormonde, who was father of 5th and 6th Marquesses.

James Wandesford Butler (1777-1838) 1st Marquess of Ormonde
John Butler (1808-1854) 2nd Marquess (3rd creation) and 20th Earl of Ormonde, by Henry Weigall Jr.
Frances Jane Paget (1817-1903) Marchioness of Ormonde with her son James Earl of Ossory, by Richard Bruckner. She was the wife of the 2nd Marquess of Ormonde.
James Edward William Theobald Butler (1844-1919) 3rd Marquess of Ormonde by Walter Stoneman 1917, courtesy of National Portrait Gallery NPG x43817.
Edmund Butler 11th Viscount Mountgarret (1745-1793) in the style of Hugh Douglas Hamilton, Adams auction 19 Oct 2021.
Henrietta Butler (1750-1785) Viscountess Mountgarret in the style of Hugh Douglas Hamilton, Adams auction 19 Oct 2021. She was the daughter of Somerset Hamilton Butler, 1st Earl of Carrick, 6th Viscount of Ikerrin and wife of Edmund Butler 11th Viscount Mountgarret (1745-1793).
Mildred Butler née Fowler (c. 1770-1830) Countess of Kilkenny, wife of Edmond 12th Viscount Mountgarret and 1st Earl of Kilkenny and daughter of Robert, Archbishop of Dublin (1724-1801) by Thomas Hickey, courtesy of Sheppards auction Nov 26 2013.
Elizabeth Butler (1674-1708), wife of Peter Aylward, daughter of Richard Butler, 2nd Baronet of Paulstown (or Poulstown), County Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Juliana Butler (1727/8-1804) Countess of Carrick (wife of Somerset Hamilton Butler 1st Earl of Carrick) with her younger daughters Lady Henrietta Butler (1750-1785), later Viscountess Mountgarret, wife of 11th Viscount, and Lady Margaret Butler/Lowry-Corry (1748-1775), by Richard Cosway, courtesy of National Trust, Castle Coole, County Fermanagh.
Margaret Lowry-Corry née Butler (1748-1775) by Robert Hunter, courtesy of National Trust, Castle Coole, County Fermanagh. She married Armar Lowry-Corry 1st Earl of Belmore. She was the daughter of Somerset Hamilton Butler, 8th Viscount Ikerrin, 1st Earl of Carrick, County Tipperary.
Harriet Anne née Butler (1799-1860) Countess of Belfast, wife of George Hamilton Chichester 3rd Marquess of Donegal and daughter of Richard Butler, 1st Earl of Glengall.
Richard Butler (1794-1858) 2nd Earl of Glengall, by Richard James Lane, lithograph, 1854, National Portrait Gallery of London D22384.
Margaret Lauretta Butler (née Mellish), Countess of Glengall by Richard James Lane courtesy of National Portrait Gallery London NPG D22383.
Elizabeth, Countess of Lanesborough (née La Touche), (1764-1788), wife of Robert Henry Butler 3rd Earl of Lanesborough. Date 1791 Engraver Francesco Bartolozzi, Italian, 1725-1815 After Horace Hone, English, 1756-1825, photograph courtesy of National Gallery of Ireland.

[1] https://en.wikipedia.org/wiki/Earl_of_Barrymore