39 North Great George’s Street, Dublin – section 482

www.39northgreatgeorgesstreet.com

Open dates in 2026: May 11-24, June 12-21, July 6-19, Aug 9-30, 1pm-5pm

Fee: adult €7, student/OAP €5, child free with adult, group €5 per person

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

2026 Diary of Irish Historic Houses (section 482 properties)

To purchase an A5 size 2026 Diary of Historic Houses (opening times and days are not listed so the calendar is for use for recording appointments and not as a reference for opening times) send your postal address to jennifer.baggot@gmail.com along with €20 via this payment button. The calendar of 84 pages includes space for writing your appointments as well as photographs of the historic houses. The price includes postage within Ireland. Postage to U.S. is a further €10 for the A5 size calendar, so I would appreciate a donation toward the postage – you can click on the donation link.

€20.00

North Great Georges Street, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
39 North Great Georges Street, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Number 39 North Great Georges Street, a three bay four storey over basement house, was built in 1790 by Henry Darley (1721-1798) on land leased from the Archdall family. Darley also built numbers 41 and 42, and may have built number 43 for Theophilus Clements. We visited the street before when we saw another Section 482 property, number 11 (see my entry).

The land was owned at the beginning of the 18th century by John Eccles (1664-1727), Lord Mayor of Dublin in 1710, for whom Eccles Street was named, the street where Leopold Bloom lives in James Joyce’s Ulysses. The North Great Georges Street specially dedicated website with a history of the street written by Conor Lucey tells us that Eccles’ mansion of the same name survived into the first decades of the twentieth-century, and stood on the site now occupied by the diminutive two-storey building situated between the present Nos.43 and 46. [1]

John Eccles (1664-1727) Lord Mayor of Dublin (1714), Irish school, courtesy of National Trust Castle Ward.

The lease for the estate was purchased by Nicholas Archdall for a term of 999 years beginning on 1st August 1749. The North Great Georges Street website tells us:

Nicholas Archdall, an MP for Co. Fermanagh and one of the first ‘Home Rulers’, had in fact been born Nicholas Montgomery, assuming the name of Archdall upon his marriage in 1728 to the heiress Angel Archdall, a descendant of one of the foremost County Fermanagh families since the days of the Ulster Plantation. Following Angel Archdall’s death in 1748, Nicholas married Sarah Spurling, originally of London, and by her had eight children, one of whom, Edward, would later become a property developer, involved in the building of Nos.19 and 20 North Great George’s Street in the late 1780s. Nicholas Archdall died at Mount Eccles in 1763, and some years later his widow petitioned Parliament for the heads of a bill to enable her ‘to grant long leases for building on the said Premises.’ This decision to set out the ground as a commercial venture may have been inspired by the eminently fashionable, and ever-expanding, Gardiner estate, and motivated in particular by the opening up of Gardiner’s Row (adjoining the north west side of the Mount Eccles estate) in 1765. Sarah Archdall’s formal request was presented to the House of Commons on 12 February 1766 and stated:

“That the said Grounds and Premises lie contiguous to the City of Dublin, and from their Situation will be taken by Persons in Lots for building upon, if Power to make Building Leases thereof can be obtained. That all the Petitioners…are Minors, and the youngest about six Years of Age, and until they all come of age no Building Leases can be granted, and it will greatly tend to the Benefit of the Petitioner Sarah, and her Children, to have Power to grant Building Leases.”

The Journals of the House of Commons records that Royal Assent was granted on 7 June 1766 and the leasehold interest in the first building lots were advertised the following year, the notices highlighting both the advantage of the location and its proximity to established residential districts:

“To be Let in Lots for Building, the Lands of Mount Eccles, in Great Britain-street, opposite Marlborough-street, joining Palace-row and Cavendish-street, containing seven Acres, which for Situation, Air and Prospect, cannot be exceeded by any in or about Dublin, subject to no Manner of Tax, Hearth Money excepted. For further Particulars, enquire of Mrs. Archdale, at Mount Eccles, where a Plan of the whole may be seen.”

39 North Great Georges Street, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The North Great Georges Street website continues:

While building at the southern end of North Great George’s Street began from the mid-1770s, including Nos.22–27 (all now demolished) and Nos.33–35 (of which only No.35 survives), the majority date from the mid-1780s, including Nos.12–21 and Nos.36–43. In many cases, these later houses were built by some of the leading figures from Dublin’s late eighteenth-century building and house-decorating community, among them the renowned stuccodor Charles Thorp (Nos. 37 and 38), and Henry Darley, from the celebrated family of stonecutters (Nos.39 and 41–42).

Darley worked with James Gandon on the new Custom House in Dublin, from 1781-1791, before working on North Great Georges Street. The plasterwork inside may be by Charles Thorp (abt. 1772-1820), as he owned the house next door to number 39.

Charles Thorp, (abt. 1772-1820), Builder, Stuccodore and Lord Mayor of Dublin 1800-1801, engraver Patrick Maguire, Irish, fl.1783-1820. Photograph courtesy of the National Gallery of Ireland.
North Great Georges Street, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Conor Lucey describes the typical layout of the houses on the street:

By far the most common plan type is the ‘two room’ plan, composed of an axially- aligned entrance hall and stair hall, and flanked by front and rear parlours, the latter typically serving as the formal dining room. The principal staircase, customarily of timber open-string construction, is situated at the back of the house and rises from the ground floor – by way of the piano nobile or ‘drawing room storey’ – to the ‘attic’ or bedroom storey, with admittance to the ‘garret’ alone acquired by a smaller, subordinate stair.

Ceiling of the front hall, 39 North Great Georges Street. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The first occupant of the house was Thomas Taylour (1757-1829), later created 1st Marquess of Headfort, of Headfort House in County Meath, in 1800 at the time of the Act of Union.

Thomas Taylour (1757-1829) 1st Marquess of Headfort by Pompeo Batoni courtesy of Google Art Project By Pompeo Batoni – 9QE_ZzFPQzDZiQ at Google Cultural Institute, Public Domain, https://commons.wikimedia.org/w/index.php?curid=29800995
Mary née Quin (the daughter of George Quin and Caroline Cavendish) The Marchioness of Headfort, wife of Thomas Taylour (1757-1829) 1st Marquess of Headfort, holding her Daughter Mary, 1782, by Pompeo Batoni, Google_Art_Project 6wGvrQuQJ1yERA at Google Cultural Institute, Public Domain, https//:commons.wikimedia.org/w/index.php?curid=29801821.jpg

The front hall has an archway, built by Darley, and The Marquess of Headfort had him put in double doors and a fanlight.

The website for the house tells us that it was then occupied by Thomas Taylour’s first cousin, Stephen Moore of Barne Park, Clonmel, County Tipperary. [2] Thomas Taylour probably moved to Rutland Square (now Parnell Square), where his family had a townhouse which he inherited.

Thomas Taylour’s aunt Henrietta Taylour married Richard Moore (1714-1771) of Barne Park. They had a son Stephen (about 1748-1800), who married Salisbury Moore, and they had a son, Stephen Moore of Barne Park, who married Eleanor Westry. They had a son, Stephen Charles Moore (1808-1873). In 1833 Stephen Charles Moore of Barne married Anna, eldest daughter of Colonel Kingsmill Pennefather of Newpark, County Tipperary. Stephen Charles Moore was Justice of the Peace, High Sheriff and Deputy Lieutenant of County Tipperary. Mrs. Mary Moore of Barne Park is listed as living in the house in 1840.

Tom welcomed us to his home. He told us that the house was purchased by a Bishop who put it in trust for life. The house was continually let until the mid twentieth century. The house’s website tells us that:

By 1850, the house, now held in trust, was let to a barrister, Patrick Owen Cogan and in 1909, was being run as a boarding house by a Mrs. Hill, who lived there with her husband and daughters. It was afterwards occupied by a rector of St. Georges Church, and later by a doctor from the Childrens Hospital in Temple Street. In the 18th.c. when this house was built, there was no plumbing or sanitary facilities and it was probably towards the end of the 19th.c. that it became fashionable to install a bathroom, usually by thrusting out an extension from the 2nd. half landing on the stairs, hence the name “thrust out.” Such a bathroom was installed in No.39. This would have been the height of sophistication in the Edwardian era.

The National Inventory tells us it was run as a hotel called the “Windsor hotel” in the early 1900s, perhaps in the time of Mrs. Hill. The census in 1901 tells us it was divided in two parts, with the Hill family, Joseph and his wife Catherine, who are members of the Church of Ireland, and their daughters, in one part and boarders in the rest of the house – one of whom, Stephen Dawson, an engineering student, lists his religion as “free thinker”! In 1911 it was no longer occupied by the Hills, but by a family named Greer, a Rev. Fergus Greer who was rector of St. George’s church. He moved to no. 38, next door, after John Pentland Mahaffy vacated that house.

39 North Great Georges Street, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website continues with the history of the house:

In 1939 the trust let the house to a builder, giving him permission to let it out in rooms. This was the final stage in a downward spiral that almost ended in its demolition. It had probably not been well maintained throughout the 19th.c. but the intensive use it was now subjected to led to a rapid deterioration and it soon became an “open door tenement,” with no lock on the front door and the interior common areas open to all. In 1948, there were 11 families living in the house, mostly one family per room. Many of these were large families. There were no services in any of the rooms, and with only the single bathroom off the half landing and a second wc at the door to the back yard conditions were grim. A sink had been installed outside the bathroom and leakage from this caused extensive rot on the staircase. Leaking rainwater downpipes caused further rot, and the roof slating had failed and been replaced with a temporary covering of chipboard and green mineral felt. In 1966 the trust sold the house for £200. It again changed hands in 1973, to an owner interested in its preservation. He had the remaining tenants rehoused and upgraded the house as offices and flats.

The present owners bought the house in 1976.

The present owners, the Kiernans, have done wonderful repairs to the house. They outline the repairs on the website. The roof was repaired and reslated, and the third floor bow wall in the back rebuilt. The owners had to contend with dry rot, and much work was done in the upper drawing room and the upper floors. They bought back the mews house, which had been sold previously, and they renovated that also. You can see photographs of various stages of the repair work on the website.

Tom Kiernan has been repairing the skirting, architraves and other woodwork, and also, I was delighted to learn, the plasterwork.

Tom has carried out repairs to the beautiful fireplace in the drawing room or “street parlour” on the ground floor. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The repaired chimneypiece in the drawing room. The faces are copied from a house in Mountjoy Square. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The street parlour. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The dining room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The dining room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The cornice and frieze of the dining room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Detail on the stairs, which Tom is repairing. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Another decorative frieze. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Double doors on the first floor landing. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The impressive first floor drawing room with bow in the back. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The beautiful ceiling of the upstairs drawing room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The beautiful ceiling of the upstairs drawing room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The beautiful ceiling of the upstairs drawing room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The beautiful ceiling of the upstairs drawing room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Some artefacts collected by Tom. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tom showed us how he is repairing the dado rail and plasterwork. He is creating a version cast from “composition ornament.” Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Repairing the woodwork, skirting boards and decorative elements. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The return in the back. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The impressive Neoclassical ceiling in the front drawing room upstairs. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The front drawing room upstairs. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The front drawing room upstairs. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The front drawing room upstairs. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://northgreatgeorgesstreet.ie/history/

[2] Barne Park, County Tipperary, https://www.buildingsofireland.ie/buildings-search/building/22207612/barne-park-barn-demesne-innishlounaght-pr-co-tipperary-south

A house built c. 1730 but possibly incorporating a seventeenth-century house, it is very impressive. It was built for Stephen Moore (1689-1747).

The house went up for sale in 2023! Here are some photographs courtesy of myhome.ie:

Barne, County Tipperary, photograph courtesy of myhome.ie in July 2023.
Barne, County Tipperary, photograph courtesy of myhome.ie in July 2023. The use of drones really helps in advertising a property for sale.
Barne, County Tipperary, photograph courtesy of myhome.ie in July 2023. I don’t know if the Moores still own it – it would be wonderful if those weapons and trophies are from the Moore family.
Barne, County Tipperary, photograph courtesy of myhome.ie in July 2023.
Barne, County Tipperary, photograph courtesy of myhome.ie in July 2023. I wonder who is painted in the portraits?
Thomas Taylour (1724-1795) 1st Earl of Bective wearing the star and sash of the Order of St. Patrick by Gilbert Stuart and studio courtesy of Sotheby’s. I see this portrait in the photograph from Barne!
Thomas Moore of Barne, courtesy of Adam’s auction 15th Oct 2019
Barne, County Tipperary, photograph courtesy of myhome.ie in July 2023.
Barne, County Tipperary, photograph courtesy of myhome.ie in July 2023. What a beautiful cabinet!
Barne, County Tipperary, photograph courtesy of myhome.ie in July 2023. The pelmets match the bed. I wonder if they are original to the house, and whose crest that is?

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

11 North Great George’s Street, Dublin 1 – section 482

www.number11dublin.ie

Open dates in 2026: March 23-27, April 20-24, May 5-9, June 8-13, July 6-11, Aug 4-8, 15-23, Sept 1-10, 21-25, Oct 5-8, 12 noon-4 pm

Fee: adult €7, student/OAP €3, child free, all takings at door are donated to Merchants Quay Ireland

North Great George’s Street, Dublin, Courtesy Fionn Mc Cann for Fáilte Ireland, 2021.
39 North Great Georges Street, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I visited 11 North Great George’s Street in 2012 during Open House, run by the Irish Architectural Foundation. I went with my husband Stephen and my Dad, Desmond. There is a video of the day on the website and I am excited to see myself in it! [1]

We loved this house! It’s wonderfully decorated and we had a tour with owner John Aboud. The decor is very quirky and full of character. I loved the plaster decoration on the walls, “John Soane’s Museum” style. Like Peter Pearson, the occupant has rescued parts of old houses which are being discarded. How I’d love to come across such a skip!

DSC_0999
11 North Great George’s Street, 2012. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

According to the Buildings of Ireland website, this house was one of the first to be built on North Great George’s Street, a street of stepped terraces built after 1768 as a result of commercial leases granted on the avenue leading to the Mount Eccles Estate and in response to the expansion of the Gardiner Estate [2]. The houses were built as townhouses for the gentry. Number 11 was completed in 1774.

The street has its own North Great George’s Street Preservation Society, which has an excellent website with a history of the street written by Conor Lucey. [3] The Preservation Society began in 1979, according to its website, by a group of resident house-owners who had become concerned about the fate of the street, which had survived almost alone amid the surrounding dereliction of North Central Dublin. The Association was formed more recently to represent the views and interests of the many long-term residents in the street.

Sir John Eccles was Lord Mayor of Dublin in 1710. He owned an extensive private estate, which contained the area which is now North Great George’s Street. Unfortunately his mansion has gone and the site where it stood is now occupied by a small two-storey building situated between the present numbers 43 and 46 North Great George’s Street.

John Eccles Lord Mayor of Dublin (1714) courtesy of National Trust Castle Ward.
DSC_0994
11 North Great George’s Street, 2012. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Conor Lucey tells us that Mount Eccles is clearly visible on John Rocque’s map of Dublin published in 1756, but it is labelled with the name of Nicholas Archdall Esq. Nicholas Archdall had purchased the lease for the Mount Eccles estate for 999 years, beginning 1st August 1749.

Nicholas Archdall was MP for County Fermanagh. His son, Edward Archdall, became a property developer. He built numbers 19 and 20 North Great George’s Street in the late 1780s. Nicholas Archdall’s widow Sarah (nee Spurling) petitioned the Irish Parliament in 1766 for permission to grant long leases on premises on her property. She may have been inspired by the new Gardiner estate and Gardiner’s Row. Permission was granted, and the advertisement read:

To be Let in Lots for Building, the Lands of Mount Eccles, in Great Britain-street, opposite Marlborough-street, joining Palace-row and Cavendish-street, containing seven Acres, which for Situation, Air and Prospect, cannot be exceeded by any in or about Dublin, subject to no Manner of Tax, Hearth Money excepted. For further Particulars, enquire of Mrs. Archdale, at Mount Eccles, where a Plan of the whole may be seen.

DSC_1000
11 North Great George’s Street, 2012. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Lucey tells us that the leases for North Great George’s Street contain no covenants or specifications regarding the form of the house, except for the provision of an eight foot wide ‘area’ intended to be ‘in the front of the houses which is to be built on the said ground over and above the flagged passage which is to be 6 ft and 6 in wide’. Other developments, such as Merrion Square and Fitzwilliam square, had much more detailed specifications for the houses to be built.

Lucey describes the typical layout of the houses on the street:

By far the most common plan type is the ‘two room’ plan, composed of an axially- aligned entrance hall and stair hall, and flanked by front and rear parlours, the latter typically serving as the formal dining room. The principal staircase, customarily of timber open-string construction, is situated at the back of the house and rises from the ground floor – by way of the piano nobile or ‘drawing room storey’ – to the ‘attic’ or bedroom storey, with admittance to the ‘garret’ alone acquired by a smaller, subordinate stair. A distinctive decorative feature of the garret storey stair is the ‘Chinese Chippendale’ balustrade, popular from mid-century and exemplified by surviving examples at Nos.4, 11, 36 and 50.

DSC_1004
Chinese Chippendale balustrade on the way to the garret, with the owner’s display of masks. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Other properties on the street were leased to Emilia, Dowager Viscountess Powerscourt (the widow of Richard Wingfield, 3rd Viscount Powerscourt, who built Powerscourt Townhouse in Dublin – see my entry on Powerscourt Townhouse) and Valentine Browne, 1st Earl of Kenmare.

The Act of Union of 1800, however, meant that there was no longer a Parliament in Dublin and many gentry left Ireland. The house’s website states:

Despite the drain from the city of power and money after the Act of Union in 1800, North Great George’s Street managed to hold onto some grandees till the very end of the 19th Century. In the case of no. 11, these included in 1821 a George Whitford, High Sheriff of Dublin, who was knighted in that year by George IV at the Mansion House. No doubt to celebrate his new status, he had the front doorcase re-modelled to accommodate a large new fanlight, and also had the Salon joinery replaced in the fashionable neo-classical style.

The No.11 website tells us more about former inhabitants.

Dr. Charles Orpen lived in the house in the 1830s. He played a significant part in the development of sign language, and in the education of deaf children, founding Ireland’s first school for deaf children, in 1816, in Brunswick Street (now Pearse Street). It became The Claremont Institution for the Deaf and Dumb when it moved to a large demesne called Claremont in Glasnevin. Dr. Orpen worked at the Workhouse at the House of Industry in Dublin, where he noticed that there were 21 deaf children. He took one of the children, Thomas Collins, home to educate him, and based on his learnings about the conditions of being deaf, he gave several popular lectures in the Rotunda, which led to a public interest in the condition and of education of deaf and dumb children. [4]

Another former inhabitant of number 11 in the 1850s was a barrister named Patrick Blake. He had Nationalist leanings, and the no.11 website tells us that it is believed that Michael Davitt, one of the leaders of the Irish Republican Brotherhood and the Land League, was hidden in the house for some time before his arrest and imprisonment in 1870. By this time, and for the rest of the century, the domestic quarters of the house had retreated to the top two floors, and the rest of the house was given over to office space for barristers and land agents.

DSC_1002
11 North Great George’s Street, 2012. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

As the wealthy left the city centre for houses in the suburbs, in 1910 a Mr. Kelly bought the house and turned it into a tenement. The No.11 website tells us that unlike many houses, the landlord lived on the premises and so the house survived many of the ravages that other houses suffered at this time. Between the 1930s and 1970s every room in the house was used as a family flat.

By the early 1980s the historic centre of Dublin had been all but abandoned. The house was largely derelict with a roof that was on the point of collapse. The website tells us that a great deal of the house was saturated and pigeons inhabited the upper floors. Despite this, the last tenant, Mrs. Margaret Howard, who had moved into the house in 1921, struggled to maintain an old fashioned gentility in her tenement rooms.

The National Inventory of Architectural Heritage Buildings of Ireland website describes number 11 as a terraced three-bay four-storey house over exposed basement. It’s made of handmade red bricks and granite window sills. The website describes:

Round-headed door opening with painted stone Doric doorcase. Original ten-panelled painted timber door flanked by engaged Doric columns on stone plinth blocks supporting deep cornice, and replacement peacock fanlight with moulded surrounds and scrolled keystone.

The website also mentions the original plaster walls and ceiling, as well as original timber joinery and flooring. The ceilings seemed overly colourful, but the owner assured us that this is how such a ceiling would have looked originally.

DSC_0995
11 North Great George’s Street, 2012. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Buildings of Ireland website describes:

Upper floors having large amounts of surviving late Rococo plasterwork with projecting birds, acanthus leaves and flower-baskets to rear rooms. First floor saloon having ceiling with flower vases, acanthus pendants and cartouches. Neo-classical over-doors and friezes with urns and festoons. Lugged architraves throughout and moulded joinery [“lugged” is a moulded frame with horizontal projections at the top, according to wikipedia]. Imposing fluted Doric architraves to round-headed windows at each half-landing. Chinese Chippendale stair to garret floor.” [5]

The Rococo plasterwork, the number 11 website tells us, “must be amongst the very last flings of the renowned Robert West School of Rococo plasterwork.” We came across Robert West plasterwork also in Colganstown [6].

DSC_0997
11 North Great George’s Street. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
DSC_1003
11 North Great George’s Street. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
DSC_1007
11 North Great George’s Street, 2012. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The home owner is a collector, not only of architectural pieces and masks, but of dolls:

DSC_0996
11 North Great George’s Street, 2012. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Some of the architectural pieces are from, I believe, a church that was demolished, St. Peter’s Church on Aungier Street. These banisters might have been altar rails:

DSC_0993
11 North Great George’s Street. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
DSC_0992
11 North Great George’s Street, 2012. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The back garden is beautifully tranquil with an Oriental vibe, with a pond and a temple at the back with more architectural pieces and sculptures.

DSC_0988
11 North Great George’s Street. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
DSC_0990
11 North Great George’s Street. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
DSC_0989
11 North Great George’s Street, 2012. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In its appraisal the National Inventory website states:

Largely dilapidated by the early 1980s, it was carefully conserved by the owner and is now a residence and venue for weddings and other events. The surviving early plasterwork is a fine example of the traditional ‘Dublin school’ Rococo style and its juxtaposition with the Neo-classical embodies the stylistic developments of the late eighteenth century. The oversailing lintel of c.1820 is one of few on the street and the restored light posts add a further element of interest in the public realm of the street. The retention of timber sash windows and of the granite and iron work to the entrance and basement enhances the architectural heritage quality of this house and of the street in general.

DSC_0991
11 North Great George’s Street, 2012. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website for number 11 has a link to airbnb accommodation available in the house.

At the top of North Great George’s Street, on Denmark Street, is Belvedere House, now part of Belvedere College, a boys’ secondary school. I visited this on another Open Day. Its splendid stucco work is of the Neoclassical or “Adam” style popular in Dublin in mid 1770s to 1800, designed by Michael Stapleton. Conor Lucey writes:

The neoclassical style is also well represented by Belvedere House. Built for George Augustus Rochfort, 2nd Earl of Belvedere, and completed by 1786, it is one of the finest city mansions built during the latter part of the century. The interiors of this house represent a text-book model of how Irish stuccodors invented freely within the Adamesque idiom, deriving their decorative vocabulary from architectural treatises, builder’s manuals and pattern books.

Open House, Belvedere House, Belvedere College, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Open House, Belvedere House, Belvedere College, Dublin
Belvedere House, 2015. The architect was Robert West. 86 St. Stephen’s Green has also been attributed to Robert West, which now houses MoLI, the new Museum of Literature of Ireland. The stucco work in no. 11 North Great George’s Street is of the Robert West school. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
George Rochfort (1738-1815), later 2nd Earl of Belvedere by Robert Hunter (C. 1715/20-1801), Adams auction 18 Oct 2022. He owned Belvedere House on North Great Georges Street.

Donation

Help me to fund my creation and update of this website. It is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

[1] https://www.youtube.com/watch?time_continue=10&v=C3RdULJddO0&feature=emb_logo

[2] https://www.buildingsofireland.ie/buildings-search/building/50010998/north-great-georges-street-dublin-dublin-city

[3] https://northgreatgeorgesstreet.ie/

[4] https://en.wikipedia.org/wiki/Claremont_Institution

[5] According to Craig, Maurice and Knight of Glin, Ireland Observed, A Handbook to the Buildings and Antiquities. Mercier Press, Dublin and Cork, 1970, Rococo is the asymmetrical freely-modelled style of decoration originating in France and popular in Ireland from about 1750 to 1775. See also Architectural Definitions:

architectural definitions

[6] Colganstown House, Hazelhatch Road, Newcastle, County Dublin

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com