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Marlay Park, Rathfarnham, County Dublin – owned by Dun Laoghaire/Rathdown County Council.
Marlay House is owned by Dun Laoghaire/Rathdown County Council. It has been restored for guided tours and the former stables have been converted into a crafts courtyard. The house had been declared unsound in 1977 and the council considered demolition. Insteahd, thank goodness, renovation began in 1992, much of the repairs done by people on an employment training scheme. The Council runs tours of the house during the Dun Laoghaire/Rathdown Heritage festival, which partially coincides with Heritage Week. Stephen and I went on the tour in 2025.
Marlay House was built for David La Touche (1729-1817), adding to an earlier 17th century house called the Grange. David La Touche bought the Grange in 1764. This Grange house is not to be confused with a house called Marlay Grange, mentioned by Mark Bence-Jones in his Guide to Irish Country Houses, and on the excellent website of Timothy William Ferres, Lord Belmont in Northern Ireland, which was built around 1850 and belonged to the Rowleys. [1]
The lands of Marlay Park belonged to the Cistercian Abbey of St. Mary, located in the city of Dublin – see my entry: https://irishhistorichouses.com/2022/11/09/the-church-junction-of-marys-street-jervis-street-dublin/ . After the dissolution of the monasteries by King Henry VIII, the land was granted to Barnaby Fitzpatrick (c.1478–1575) 1st Baron of Upper Ossory. Barnaby’s fourth wife was Margaret, daughter of Piers Butler, 8th Earl of Ormond. His son Barnaby who became 2nd Baron was raised at the English court with King Henry VIII’s son Edward.
Because the lands lay within the southern boundary of the pale, the holding became known as “Grange of the March”, meaning “Farmhouse of the Border.” The property later passed into the possession of the Harold family who were responsible for the defence of this section of the Pale from the attacks of the Irish clans. [2] They were known as “marcher lords” or “wild” border guardians, descendants of Vikings. The area of Harold’s Cross is named after them, specifically from a cross erected to mark the boundary between the lands of the Archbishop of Dublin and the lands of the Harold family, warning them not to encroach further toward the city. [3] The Harolds were dispossessed in after the 1641 Rebellion.
Grange, which was also known as Harold’s Grange, was owned previously by Thomas Taylor (1707-1763), Mark Bence-Jones tells us. [4] Taylor was Lord Mayor of Dublin in 1750. He inherited Grange from his father, also Thomas, who was an eminent agriculturalist, who died in 1727 and is buried in Kilgobbin graveyard. In the Taylors’ time the house was built, and also ornamental grounds and a deer park. Some of the house may have been demolished later when David La Touche was building the new part of the house.
Thomas Taylor (1707-1763) married, first, in 1733, Sarah, whose father John Falkiner held the office of High Sheriff of County Dublin in 1721 (Burke’s Peerage 2003 volume 1, page 1380). In 1747 Thomas married for a second time, this time to Anne (1725-1820), daughter of Michael Beresford, who in turn was the son of Tristram Beresford, 1st Baronet of Coleraine in County Derry.
After Thomas the son died in 1763, Grange was acquired by David La Touche.
The La Touche family was a Huguenot family. Huguenots were French Protestants, and they fled from France due to the punishment and killing of Protestants after Louis XIV revoked the Edict of Nantes – the Edict of Nantes had promoted religious toleration.
David Digues La Touche (1675-1745), born in the Loire Valley, fled from France after the Revocation of the Edict of Nantes. He fled to Holland, where his uncle obtained for him a commission in the army of William of Orange. He fought in the Battle of the Boyne in the regiment under General Caillemotte. [5] He left the army in Galway, where he was billeted on a weaver who sent him to Dublin to buy wool yarn (worsteds). He decided then to stay in Dublin, and with another Huguenot, he set up as a manufacturer of cambric and rich silk poplin. Where I live in Dublin is an area where many Huguenots lived and weaved – we are near “Weaver Square,” and our area is called “The Tenters” because cloth waas hung out to dry and bleach in the sun and looked like tents, hung on “tenterhooks”!
La Touche was an elder of the French Church group in Dublin, many of whom used to meet in what is now the Lady Chapel of St Patrick’s Cathedral. [6]
The La Touches began banking when Huguenots left their money and valuables with David for safekeeping when they would travel out of the capital. He began to advance loans, and so the La Touche bank began. He had two sons, David La Touche (1703-1785) and James Digues (later corrupted to Digges) La Touche.
David La Touche purchased properties which passed to his sons: Marlay House to David (1729-1817), Harristown in County Kildare to John (1732-1805) [see my write-up https://irishhistorichouses.com/2020/09/27/harristown-brannockstown-county-kildare/ ], and Bellevue, County Wicklow, to Peter (1733-1828). Bellevue has since been demolished, in the 1950s [7].
Photograph courtesy of La Touche Legacy website.
At the time of his death in 1785, La Touche’s rental income was £25,000 and the La Touche bank’s profit was £25,000-£30,000. His three sons who survived him, David (also the first Governor of the Bank of Ireland), John and Peter were partners in the Bank. Later, they took in their cousin William Digges La Touche as a Partner, following his distinguished service as Britain’s representative in Basra in the Persian Gulf. David and his brothers had a vast monument erected to their father in Christ Church, Delgany, where their father had died in his favourite country home, Bellevue. [see 6]
David La Touche of Marley, County Dublin (1729-1817), M.P., Banker and Privy Counsellor. Photograph courtesy of National Gallery of Ireland.Peter La Touche of Bellevue (1733-1828), Date 1775 by Robert Hunter, photograph courtesy of National Gallery of Ireland.Bellevue, County Wicklow, photograph by Robert French, Lawrence Photographic Collection, National Library of Ireland.Photograph courtesy of La Touche Legacy website.
David La Touche (1729-1817) commissioned the building of the extension of Grange, and he named his new house “Marlay” after his wife’s family. He married Elizabeth Marlay in 1762, just before he purchased the property. Her father was Bishop George Marlay of Dromore in County Down.
David La Touche (1729-1817), of Marlay, 1800 by Hugh Douglas Hamilton, courtesy of National Gallery of Ireland.
I don’t know what architect designed the enlargement of the original Taylor house at Marlay for David La Touche. Turtle Bunbury claims that the enlargement was by Whitmore Davis. Whitmore Davis joined the Dublin Society’s School of Drawing in Architecture in 1770. A date stone in the house tells us that the first stone of the house was laid by William La Touche in 1794.
David and his family would have spent much of their time in their townhouse in Dublin. Marlay House was their weekend retreat and place for entertainment. I’m not sure when the family purchased 85 St. Stephen’s Green, now part of the Museum of Literature of Ireland (MOLI), but by 1820 George La Touche was resident. George was the unmarried son of David La Touche (1729-1817). [see 6] David La Touche (1703-1785) developed much of the area around St. Stephen’s Green, Aungier Street and the Liberties. In 1812, Peter La Touche bought 9 St. Stephen’s Green, now a Private Members Club.
85 St. Stephen’s Green (in middle), Dublin, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.9 St. Stephen’s Green, view of stairhall from first floor landing, UCD archive, Built c. 1756 for the Rev. Cutts Harman, Dean of Waterford, now Stephen’s Green Club, plasterwork is attributed to Paolo Lafranchini.
The La Touche family purchased Harristown in County Kildare in 1768 and hired Whitmore Davis to design the house.
Whitmore Davis also designed the building for the Bank of Ireland at St. Mary’s Abbey in Dublin around 1786-1791. The La Touches were involved with the establishment of this bank in 1783. David La Touche was a major investor.
Peter La Touche hired Whitmore Davis in 1789 to build a church in Delgany, County Wicklow, and John La Touche hired him to design the Orphan House on North Circular Road in Dublin in 1792.
Elizabeth La Touche née Vicars (1756-1842), wife of Peter La Touche, by John Whitaker National Portrait Gallery of London D18415.
The La Touche crest features a pomegranate symbol, for fertility. We see the crest on the urn which tops Marlay House over the front door. The same crest decorates over the front windows in Harristown. The star shaped symbol might be the shape of the pomegranate flower. This shape features on the front pillar gates of Harristown House also. The same crest was added to the stairwell in 85 St. Stephen’s Green.
Marlay House is two storeys over a basement. It has a seven bay front with a central door framed by what Mark Bence-Jones calls a frontispiece of coupled engaged Doric columns. The frontispiece has an entablature enriched with medallions and swags, and urns on the top at either end. The window above is also framed with an entablature on console brackets.
The large central urn located on the roof parapet is on a plinth carved with swags, and there are smaller urns dotted around the roof.
There is a bow at the side of the house and another at the back. The kitchen and staff areas were in the Grange part of the house. We were lucky to tour the Grange as well, to see the large kitchen, which has a galley level, where the lady of the house would instruct the cook what to prepare, remaining well away from the servants.
Unfortunately one is not allowed photography inside the house, but there are a few photographs on the County Council website. The house includes an elegant entrance hall, ballroom, and unusual oval music room, with decorative plasterwork by Michael Stapleton.
Marlay House front hall, photograph courtesy of Dun Laoghaire/Rathdown County Council website.
The Hall has a screen of Corinthian columns and frieze of tripods and winged sphinxes. Our guide pointed out that it is a large front hall for the size of the house. This is because it was built to impress visitors. It is not perfectly symmetrical, but has a dummy door to improve the symmetry.
The smaller Dining Room, off the front hall, also has a dummy door. It has a good frieze and cornice, and is the smaller dining room used for family dining. The house retains nearly all of the original chimneypieces. Our guide pointed out that one can surmise the age of the chimneypiece from the width of the mantlepiece. The Georgian mantlepieces were narrow, made to hold a mirror, which was tilted slightly upward to reflect light, and also to reflect a decorative ceiling. Later mantlepieces were made wider in the Victorian age when people liked to display objects.
There isn’t a feature staircase. There are two staircases, which are more functional than showy. There’s a servant staircase beside the small dining room.
The larger dining room could also act as a ballroom. It has beautiful delicate plasterwork mostly likely to have been made by Michael Stapleton, with a gorgeous ceiling and a decorative niche for a sideboard.
The larger dining room, Marlay House, photograph courtesy of Dun Laoghaire/Rathdown County Council website.
The walls have plaster swags and painted medallions.
There is a portrait of David La Touche in military outfit, and of his father in a soft turban-style hat.
A “jib” door leads to a corridor to the oval room. This room has a portrait of George Marlay, Bishop of Dromore. Musical instruments in the plaster ceiling show that this was a music room. The windows are curved as well as the walls.
Marlay House oval room, photograph courtesy of Dun Laoghaire/Rathdown County Council website.
There is also a fine plasterwork ceiling in the oval room. Unfortunately the photographs do not show the ceiling.
Marlay House interior, photograph courtesy of Dun Laoghaire/Rathdown County Council website.
There is a small vaulted vestibule off the oval room, which has more decorative plasterwork. Othere rooms include a library and another bow room with a decorative ceiling, which has drawings by the La Touche children. One of the library’s walls is dedicated to work by Evie Hone, since she spent time living and working in the courtyard.
In 1781 on a visit, Austin Cooper mentions the house as well as ponds with islands, rustic bridges, waterfalls, gardens with hothouses and greenhouses, an aviary and a menagerie. [8] The grounds were landscaped by Thomas Leggett (fl. 1770s-1810s) and Hely Dutton (fl. 1800s-1820s). [9]
A website about the La Touche family tells us that David (1729-1817) was an investor in the Grand Canal Company, and in 1800 he was its Treasurer. He and his brothers were founding members of the Kildare Street Club in the 1780s. They were also Freemasons. The La Touches were generous and supported most of the large charitable and cultural organisations of the time. [10] David developed an interest in farming and developed a model farm at Marlay.
David La Touche had many children, who married very well. Their daughter Elizabeth (1764-1788) married Robert Henry Butler 3rd Earl of Lanesborough and became the Countess of Lanesborough.
Photograph courtesy of La Touche Legacy website.Elizabeth, Countess of Lanesborough (née La Touche), (1764-1788), wife of 3rd Earl Date 1791 Engraver Francesco Bartolozzi, Italian, 1725-1815 After Horace Hone, English, 1756-1825, photograph courtesy of National Gallery of Ireland.
Daughter Emily (1767-1854) married Colonel George Vesey, and they lived in Lucan House (see my entry https://irishhistorichouses.com/2025/12/20/lucan-house-lucan-county-dublin/ ). Her husband’s father Agmondisham Vesey (1708–85) was, interestingly, a member of the house of commons for Harristown, Co. Kildare, 1740–60. He was an amateur architect and designed his residence, Lucan House, built in 1772, with the help of William Chambers, and consulted with James Wyatt (1746-1813) of London and Michael Stapleton for the interiors of the house. There are several similarities between Marlay House and Lucan House, including the bows, and the work by Michael Stapleton. Lucan also has a screen of Corinthian pillars in the front hall, and an oval room.
Daughter Harriet (d. 1841) married Nicholas Colthurst, 3rd Baronet of Ardum, Co. Cork. Another daughter, Anne (d. 1798) married George Jeffereyes (1768-1841) of Blarney Castle (see my entry https://irishhistorichouses.com/2022/09/23/blarney-castle-rock-close-blarney-co-cork/ ). Daughter Maria (d. 1829) married Maurice Fitzgerald, 18th Knight of Kerry, of Glin Castle in County Limerick. David and Elizabeth née Marlay’s sons were David (1769-1816), John David (1772-1838), George (1770-1824), Peter (1777-1830), Robert, who didn’t marry, and William, who is probably the one who lay the foundation stone of the house, who died young.
David La Touche (1769-1816) married Cecilia , daughter of Joseph Leeson, 1st Earl of Milltown, of Russborough House. The Dictionary of Irish Biography tells us that David served as MP for the borough of Newcastle (1790–97, 1798–1800) and MP for Co. Carlow (1802–16) in the UK parliament.
David La Touche of Marlay, Dublin (1734-1806) by Hugh Douglas Hamilton courtesy Christies Old Master & British Drawings and Watercolour.Cecilia La Touche née Leeson (about 1769-1848).
John David (1772-1838) married Anne Caroline, daughter of Charles Tottenham of New Ross, County Wexford.
John David La Touche of Marlay, Dublin (1772–1830), full-length, in a taupe frock coat and jabot, with Taormina and Mount Etna beyond by Hugh Douglas Hamilton courtesy Old Master & British Drawings and Watercolours, Christies.Gentleman believed to be Robert La Touche by Hugh Douglas Hamilton courtesy Christies Irish Sale 2003. Robert died when a stand collapsed at the Curragh Races.
Peter (1777-1830) married Charlotte, daughter of Cornwallis Maude 1st Viscount Hawarden. Peter inherited the estate at Bellevue owned by his uncle Peter La Touche.
The family enjoyed theatricals, and the Masque of Comus was performed in 1778 with an epilogue by Henry Grattan, a cousin of Mrs. La Touche. [see 8] The house had its own theatre.
The walled garden in Marlay was built around 1794.
John David La Touche was the next to live in Marlay. He was succeeded by his son David Charles La Touche (1800-1872). He died without marrying, so his brother, Charles John Digges La Touche (1811-1884), succeeded him. The La Touche legacy website tells us that Charles had been at Oxford and knew Newman (later a Cardinal). In 1844, Charles caused consternation among the wider family by becoming a Roman Catholic and moving to Tours in France. Charles had a son, John David (1861-1935), who worked in China in the Imperial Chinese Customs Service, and on his retirement, he returned to Ireland in 1925 and bought a fine residence at Kiltimon, Co. Wicklow. [see 10]
In 1871 the La Touche bank was acquired by Munster Bank.
The La Touches sold the property to Robert Tedcastle around 1850. The Tedcastle family owned a fleet of cargo ships, one of which they named “Marlay”. The “Marlay” was used to carry freight, such as coal, and passengers between Dublin and Liverpool. Tedcastle was a devout Christian and he led a quiet life so the house was no longer a place for parties. His grandchildren came to live with him. One of his grandsons wrote a memoir which discusses growing up in the house. When Robert Tedcastle died, the house went to a distant cousin, but lay empty.
The Tedcastle family lived at Marley until 1925, when Robert Ketton Love bought the house. He lived there until his death in 1939. Robert and his wife Maud bought the property to build a dairy to make icecream, but nearby a rival firm set up so the business didn’t succeed. They then established a market garden at the property. When Robert died in 1939, his son Philip inherited the estate and market garden. He was the largest tomato producer in Ireland, I believe, and also bred racehorses. He died in August 1970 and in 1972 it was bought by Dublin County Council.
2025 Diary of Irish Historic Houses (section 482 properties)
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[4] Mark Bence-Jones, A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 202. “(La Touche/IFR) The original early C18 house here, known as the Grange and built by Thomas Taylor, was sold ca 1760 to the banker, David La Touche, MP, afterwards 1st Governor of the Bank of Ireland, who renamed it Marlay, having married a daughter of Rt. Rev George Marlay, bishop of Dromore; and who rebuilt the house later in C18. Of two storeys over a basement. Seven bay front, central window-door framed by frontispiece of coupled engaged Doric columns, entablature enriched with medallions and swags, and urns; window above it with entablature on console brackets; large central urn on plinth carved with swags in centre of roof parapet; smaller urns on either side. Side elevation of 2 bays on either side of a curved bow. Delicate interior plasterwork, said to be by Michael Stapleton. Hall with screen of Corinthian columns and frieze of tripods and winged sphinxes. Fine plasterwork ceilings in dining room and oval room, that in the dining room incorporating a painted medallion; husk ornamentation on dining room walls. Sold ca 1867 to one of the Tedcastle famliy, of the well-known firm of coal merchants. From ca 1925 to 1974 the home of the Love family; for a period, the stained glass artist, Evie Hone, occupied a house in the stable court. Now owned by the local authority and empty, used by Radio-Telefis Eireann as Kilmore House in their recent feature.”
[7] p. 129. Bunbury, Turtle and Art Kavanagh, The Landed Gentry & Aristocracy of County Kildare. Published by Irish Family Names, 11 Emerald Cottages, Grand Canal St., Dublin 4 and Market Square, Bunclody, Co. Wexford, Ireland, 2004.
[8] p. 61-62, Ball, Francis Elrington, A History of the County Dublin: the people, parishes and antiquities from the earliest times to the close of the eighteenth century. Volume III. Alex. Thom, 1902-20.
On Thomas Taylor’s grave in Kilgobbin, it says “Here lieth the body of Thomas Taylor of Harold’s Grange who departed this life the 22nd November 1727. Underneath lie the remains of Samuel Taylor Esq. who departed this life 22nd April 1881 aged 79 years and six months leaving only one daughter who married to the Rev. Dr. Vesey of the City of Dublin. Mrs. Anna Taylor who departed this life Feb 22nd 1821 aged 66 years daughter of John Eastwood Esq. of Castletown, County Louth, wife of Mathew Beresford Taylor Esq who died 8th March 1828 aged 74 years. Mrs. Isabella Taylor who departed this life 1st March 1830, daughter to Sir Barry Collies Meredyth Bart wife of John Keatinge Taylor Esq. aged 36 years Captain 8th Hussars who died 3rd March 1836 aged 52 years. His widow Mary daughter of William Poole of Ballyroan Esq died 28th January 1892. Isabella their eldest child died 1834 aged two years.”
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Fee: adult house €14.50, tour of house €18.50, child €7, tour of house €10, OAP/student €12, tour of house €14.50, family €31, tour of house €39
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The Archiseek website describes Strokestown Park house as “a substantial house in the Palladian manner of a central block flanked by wings and curved sweeps. The centre block was completed in 1696 but extended around 1730 by Richard Cassels who added the substantial wings. The house was further altered in 1819 by J. Lynn.” [2]
Strokestown Park, County Roscommon.
We visited Strokestown Park in County Roscommon during Heritage Week 2022. It houses the excellent National Famine Museum and Archive, which is really worth visiting. It sounds grim, but it is a great exhibition and it tells us so much about people’s lives that it is not a grim museum at all. It also tells us about the Pakenham-Mahons, the family who lived in the impressive Strokestown Park. Strokestown Park was the home of the first landlord to be assassinated during the height of the Great Famine of Ireland the 1840s, and it is therefore ideal for the location of the Famine Museum.
In 1979 Nicholas Hales Pakenham Mahon sold the estate to Westward Garage, founded by Jim Callery. The new owners allowed the last of the Mahon family, Olive and her husband Wilfrid Stuart Hales Pakenham Mahon, to remain living in the house until she moved to a nursing home.
Despite no longer being in the hands of the original owners, the house contains the original furnishings and fittings. The house is unchanged from the time when the Mahons lived there.
Strokestown Park, County Roscommon, August 2022.
The Museum was created when Jim Callery, founder of the Westward Garage which purchased the property, found documents relating to the famine in the family archives. Jim Callery and the Westward Garage carried out a major restoration programme and opened the property to the public. Since 2015, Strokestown Park is cared for by the Irish Heritage Trust, an independent charity. Produce from the original working gardens are grown by volunteers and used in the Strokestown Park Café.
Strokestown Park, County Roscommon, August 2022.
The website tells us that the house is built on the site of the 16th-century castle, home of the O Conor-Roe Gaelic Chieftains. Before being called “Strokestown House” the property was called “Bawn,” in reference to the bawn of the O Conor-Roe castle.
Nicholas Mahon, a captain in King Charles I’s army, was granted Strokestown as a royal deer park in 1653. Later, after pledging allegiance to King Charles II, he received more land. He was High Sheriff of County Roscommon, 1664-76. [3] He received over 3000 acres in 1678. He started to build a house, which was completed after his death in 1680, in 1696. Terence Reeves-Smyth tells us in his book Irish Big Houses that there is a stone by the door which has 1696 carved into it – the stone is now inside the house.
Strokestown Park featured as Building of the Month in December 2015 on the National Inventory of Architectural Heritage, and it tells us about the 1696 house:
“Evidence of this house survives to the present day at basement level where a panelled still room, previously one of the principal reception rooms, retains a rosette-detailed Jacobean chimneypiece, an egg-and-dart-detailed plasterwork overmantle decorated with fruits and shells, and a compartmentalised ceiling with dentilated moulded plasterwork cornices. Some earlier remains of the castle are also found in the basement where sections of the walls measure almost three metres deep. Memories of the medieval past were carried through into the nineteenth century when the house was still officially called, and was referred to by Isaac Weld (1832) and Samuel Lewis (1837) as “Bawn”.” [4] [5]
Stephen and I were able to see part of the interior of the house, despite the house being closed for restoration work at the time, by joining a Heritage Week talk about a photographic dark room which had been created in the house by one of its residents. Unfortunately we did not get to see the basement or the galleried kitchen.
Captain Nicholas married Magdalena French, daughter of Arthur French of Movilla Castle, County Galway. [6] They had several children. Their son Reverend Peter (d. 1739) became Dean of Elphin and married Catherine, daughter of Paul Gore of Castle Gore, County Mayo (otherwise known as Deel Castle, now a ruin), who was son of Arthur, 1st Baronet Gore, of Newtown Gore, otherwise known as Parkes Castle in Leitrim (see my Office of Public Works in Connaught, Counties Leitrim, Mayo and Roscommon entry).
Another son, Nicholas (c. 1671-1781) married Eleanor Blayney, daughter of Henry Vincent, 5th Baron Blayney of Castle Blayney, County Monaghan.
A daughter, Margaret, married Edward Cooper of Markree Castle, County Sligo (another Section 482 property which we visited).
Strokestown passed via another son, John (d. 1708), who married Eleanor Butler (daughter of Thomas, 3rd Baronet Butler, of Cloughgrenan, Co. Carlow), to their son Thomas (1701-1782). It was Thomas who built on to the 1696 house, to create a residence designed by Richard Cassells, in about 1730.
Terence Reeves-Smyth tells us in his Irish Big Houses that the top storey and balustrade were added probably around 1740 when Richard Castle built the wings for Thomas Mahon. [7]
Richard Castle, or Cassells, (c.1690/95–1751) probably came to Ireland to work for Sir Gustavus Hume to design Castle Hume, Co. Fermanagh. [8] He then worked under Edward Lovett Pearce when Pearce worked on the Parliament Building in Dublin. Pearce died young and Castle succeeded to his practice. The Dictionary of Irish Biography tells us:
“He contributed significantly to the development of Dublin, designing the first imposing town houses in cut stone for the nobility, notably Tyrone House, Marlborough St. (1740–45), built for Marcus Beresford (1694–1793), later earl of Tyrone, and Leinster House, Kildare St. (1745–51), for James Fitzgerald, earl of Kildare, the grandest town house and since the 1920s the seat of Dáil Éireann. His commissions included 85 Stephen’s Green (c.1738), the first stone-fronted house on the Green, latterly part of Newman House; houses in Kildare St., notably Doneraile House (designed c.1743); and Sackville Place...Castle designed many country houses, including Belvedere, Co. Westmeath (designed 1740), which incorporated the ‘Venetian’ window, a common feature of his designs, and Ballyhaise, Co. Cavan (c.1733). By altering and enlarging many houses, he created grand country mansions (often with vaulted stables), notably Powerscourt, Co. Wicklow, with its magnificent Egyptian hall (built 1731×1740; damaged by fire 1974, and since partly restored), Westport House, Co. Mayo (1731–40), and Carton House, Co. Kildare (c.1739–45). Conolly’s Folly at Castletown estate, Co. Kildare (1740), a tall obelisk mounted on multiple arches, is attributed to him. He possibly collaborated with Francis Bindon on Belan House, Co. Kildare, complete with temple and three obelisks (1743), and Russborough, Co. Wicklow (c.1742–55).” [9]
The house has a seven-bay, three-storey over basement central block, with curved curtain walls linking it to flanking pavilions with four-bay principal façades. The centre block front facade has three bays in the centre with giant pilasters either side and two bays beyond on either side. The centre three bays have a central panel on the pediment and the two bays on either side of the pilasters have a balustraded pediment. The front door is set in a tooled stone doorcase with decorative brackets, with an ornate spoked fanlight, and is flanked by traceried sidelights.
The National Inventory of Architectural Heritage tells us that the pedimented archways to outer walls extending from pavilions give access to stable complex and kitchen yards. [10]
The flanking curtain walls have niches flanked by oculus windows on the upper part with tooled stone surrounds, and a Gibbsean doorcase with pediment over.
In 1735, Thomas married Jane Crosbie, daughter of Maurice, 1st Baron Branden, of Ardfert, County Kerry, MP for County Kerry. Thomas Mahon later became MP, first for the Borough of Roscommon in 1739-1763 then for County Roscommon 1763-82, when he was called the “Father of the House.” [11]
Thomas’s son Maurice (1738-1819), named after Jane’s father, married Catherine, daughter of Stephen Moore, 1st Viscount Mountcashell, in 1765. He inherited when his father died in 1782. He was granted a peerage for his support of the Act of Union, and created 1st Baron Hartland, of Strokestown, Co. Roscommon in 1800.
Terence Reeves-Smyth tells us:
“His son Maurice, who became Baron Hartland upon accepting a Union Peerage in 1800, made further additions and modifications to the house, including the inlaid mahogany doors, chimney-pieces and cornices as well as the library.”
Strokestown, image by Chris Hill, 2014, Tourism Ireland, from Ireland’s Content Pool. [1] Mark Bence-Jones writes that in a late-Georgian addition at the back of the house there is a splendid library with a coved ceiling and an original early nineteenth century wallpaper of great beauty, in yellow and brown, which gives the effect of faded gold. [12]
Maurice Mahon also had the main street of Strokestown laid out between 1810 and 1815, and had a tall Georgian Gothic arch erected at the entrance to Strokestown Park, at one end of the main street. At almost one hundred and fifty feet wide, the main thoroughfare, leading up to the gates of the estate, was said to be the widest in Ireland at the time. Apparently Baron Hartland wanted it to be wider than the Ringstrasse in Vienna. [see 12]
Maurice, 1st Baron Hartland had three sons. The first, Thomas (1766-1835) succeeded as 2nd Baron Hartland in 1819. His mother lived another fifteen years after her husband died in 1819, and the museum tells us that receipts for her extravagant spending are kept in the archive.
When Thomas inherited the property in 1819 he hired John Lynn who created the porch, among other renovations. Lynn had served as clerk of works for the building of Rockingham House in County Roscommon, erected in 1810 for Robert, 1st Viscount Lorton to designs by John Nash. We saw pictures of Rockingham House when we visited King House, see my entry. Rockingham House no longer exists. Soon after working in Strokestown, Lynn moved up to Downpatrick, County Down. [13]
Terence Reeves-Smyth continues in Irish Big Houses: “In 1819 Lieutenant General Thomas Mahon, second Lord Hartland, employed the architect J[ohn] Lynn to carry out some more improvements, such as the addition of the porch and giant pilasters to the front. Except for the gardens, few changes were later carried out at Strokestown and it remained the centre of a vast 30,000 acre estate until the present century.”
Thomas the second baron was educated at the Royal School in Armagh, Trinity College Dublin and St. John’s College, Cambridge. He joined the military and became Major in the 24th Light Dragoons. In 1798 he was in command of a garrison in Carlow, where he trapped and killed many rebels. [14] In 1811 he married Catherine Topping, but they did not have any children. He later fought in the Napoleonic wars and in Argentina.
Terence Reeves-Smyth continues:
“In contrast to the exterior, the interior is quite intimate, with surprisingly small rooms – a product of the early date of much of the building. Early 18th century wood panelling survives in parts of the house including the main staircase hall, but many rooms were redecorated in regency times, such as the dining room which still has its early 19th century furniture, including a bath-sized turf bucket and pinkish-red damask wallpaper.“
Terence Reeves-Smyth continues: “Regency additions incorporated the study, which also retains its original furnishings, and the smoking room, which was converted into a laboratory and photography darkroom by Henry Pakenham-Mahon, an amateur scientist, in the 1890’s. The finest regency addition is the library at the back, originally built as a ballroom with a bowed wall at one end to accommodate musicians. This contains Chippendale bookcases and beautiful brown and gold wallpaper, made especially for the walls in the early 19th century.“
Reeves-Smyth continues, describing the kitchen which we did not see: “The old kitchen in the left wing of the house is approached from the dining room along a curved corridor, past store rooms for kitchen utensils and sporting equipment. Fitted with spits and ovens for baking, roasting and smoking, this kitchen has its original balustraded gallery which crosses the high ceilinged room lengthwise, the only example of its kind to survive in Ireland, especially in houses designed by Richard Castle. These galleries allowed the housekeeper to supervise the affairs below – one tradition has it that menus were dropped from the balcony on Monday mornings with instructions to the cook for the week’s meals.
“The wing to the right of the central block contains magnificent vaulted stables carried on Tuscan columns, similar to stables built by Castle for Carton (1739) and Russborough (1741). An underground passage links these stables to the yard on the north side of the house. The estate office was also in this wing, which meant the tenantry had to come here rather than to an office in the village to pay their rent.“
A photograph of the vaulted stables, by Henry Pakenham Mahon (1851-1922).
Maurice Craig tells us in his Irish Country Houses of the Middle Size: p. 21. “The practice of connecting the house with outlying offices by a tunnel seems to be peculiar to Ireland…Strokestown, Bellamont, Castle Coole and Lucan are amongst the Irish examples. In the nature of things, this is a feature of the grander houses, though it has been reported in connection with some of modest size.”
Thomas 2nd Baron married but had no children and his brother Maurice (1772-1845) succeeded as 3rd Baron Hartland when Thomas died in 1835. Maurice had joined the clergy, and was awarded a prebendary (an administrative role) in Tuam Cathedral in 1804.
In 1813 the 3rd Baron Hartland married Jane Isabella Hume of Humewood, County Wicklow, but also had no children and the title became extinct. He had another brother, Stephen, but he predeceased his brothers and had no children. The museum tells us that the 3rd Baron suffered with mental illness, though it does not give us specifics. He was declared insane just a year after he inherited the property in 1835.
The 3rd Baron Hartland married Jane Isabella Hume of Humewood, County Wicklow. Humewood, County Wicklow photograph courtesy of National Library of Ireland, photographer Robert French, Lawrence Collection Circa 1865 – 1914 NLI Ref. L_IMP_3853.
The Dictionary of Irish Biography tells us that it was Denis Mahon who brought a motion against Maurice claiming that he was mentally ill and incapable of caring for the estate. Maurice had allowed the lease to lapse for a portion of the estate and stopped collecting rent from the town of Ballykilcline and its surrounding area. This led to an official declaration stating Maurice was a “lunatic.” Denis was named executor of the estate as well as being named Maurice’s legal guardian.
The museum tells us that when he was declared insane in 1836, two cousins battled in the courts to inherit the property: Denis Mahon (1787-1847) and Marcus McCausland.
Marcus McCausland owned the property of Drenagh, Limavady in County Derry (now a wedding venue). His mother was Theodosia Mahon, a sister of the 1st Baron Hartland, who had married Conolly McCausland-Gage. The nine year court case decided in favour of Denis Mahon. As well as the now poorly managed property, he inherited debts.
Denis was the son of a brother of 1st Baron Hartland, Reverend Thomas Mahon (1740-1811). Reverend Thomas married Honoria Kelly, daughter of Denis Kelly of Castle Kelly, County Galway (also called Aughrane Castle, it has been demolished. It was purchased by Bagots in 1910, I’m haven’t found an ancestral link to these Bagots).
Strokestown Park, County Roscommon, August 2022.
It was Denis Mahon who was then murdered during the Famine. The story is told in detail in the Famine Museum. The estate was badly run and tenants let and sublet their parcels of land, hence owned smaller and smaller portions of land to grow their crops.
Reeves-Smyth tells us: “Major Denis Mahon, who succeeded to Strokestown on the death of the third and last Lord Hartland in 1845 was so unpopular a landlord during the famine years that he was shot whilst returning from a meeting of the Roscommon Relief Committee in 1848, apparently on suspicion of chartering unseaworthy ships to transport emigrants from his estate to America. His successors were much better regarded and his great-granddaughter and last owner, Mrs. Olive Hales-Packenham-Mahon, was a much loved figure in this part of Ireland. She died in 1981, leaving a house filled with the trappings of three centuries of unbroken family occupation.“
Strokestown Park, County Roscommon, August 2022.
Captain Denis Mahon chose to help his tenants to leave Ireland. He wanted to reduce his number of tenants. The 1838 Poor Law made a local tax for poor rates. In 1843 the act was amended and introduced new rates, charging landlords a tax for each tenant who had holdings of less than a value of £4. Landlords therefore tried to reduce the number of tenants.
The Famine Museum is introduced by a beautifully handwritten letter by tenants asking not for money or food, but work. The eloquent letter humanises those who were experiencing the poverty of the famine in the 1840s.
Strokestown Park, County Roscommon, August 2022.Strokestown Park, County Roscommon, August 2022.
Arthur Young writes in his A Tour in Ireland in 1799 that “the poor live on potatoes and milk, it is their regular diet, very little oat bread being used and no flesh meat at all except on Easter Sunday and Christmas day.”
Strokestown Park, County Roscommon, August 2022.Strokestown Park, County Roscommon, August 2022.Strokestown Park, County Roscommon, August 2022.
Denis Mahon tried to make the estate pay for itself, to pay off the debts he had inherited. He also tried to take care of his tenants. He had two agents, John Ross Mahon and Thomas Conry. He began relief efforts for his tenants in March 1846. 4000 people were provided with corn on a weekly basis at low or no cost, and after a harsh winter, he distributed free seed to his most needy tenants. He also had a soup kitchen set up.
John Ross Mahon wrote to him that the poor rates would exceed receipts of rent. By 1847 the conditions were worse and there was unrest amongst the tenants. Mahon began to evict tenants and to encourage others to emigrate. The Freeman’s Journal in 1848 states that “The evictions on the estate since Major Mahon had taken over amounted to 3006 people, including the 1,490 who were selected to emigrate.” Fewer than half of those who emigrated survived the trek to Dublin and the journey on the ship.
The building of the month entry in the National Inventory summarises: “Major Mahon, an improving landlord, sought to alleviate the situation by judicious depopulation and in 1847 organised the voluntary emigration of almost one thousand of his tenants to North America. However, a far greater number refused to move and were the subject of evictions involving almost 600 families and 3000 individuals. Returning from an evening meeting in Roscommon, where he had urged the Board of Guardians to keep the workhouse open for needy paupers, Major Mahon was fatally shot on the 2nd of November 1847. Three men were hanged for the murder and two were transported, but the true identity of the assassin or assassins has been debated ever since.”
Strokestown Park, County Roscommon, August 2022.
The Famine Museum tells us that there were secret societies who sought to improve the conditions of the poor. A local one in Roscommon was called the “Molly Maguires.”
Strokestown Park, County Roscommon, August 2022.Strokestown Park, County Roscommon, August 2022.
The man suspected to be the mastermind of the murder, Andrew Connor, probably escaped to Canada. Police followed to Canada to try to capture him but to no avail. A man named Patrick Hasty was hanged for the murder, along with two others.
Strokestown Park, County Roscommon, August 2022.
Denis’s son Thomas predeceased him, childless, and the house passed to his daughter, Grace Catherine. Earlier in 1847, Grace had married Henry Sandford Pakenham (1823-1893), son of Reverend Henry Pakenham, Dean of St. Patrick’s Cathedral in Dublin, who was from Pakenham Hall in County Westmeath, now called Tullynally (see my entry, it is another Section 482 property which can be visited).
Henry Sandford Pakenham held the office of High Sheriff of County Roscommon in 1830. He was heir to the vast Pakenham and Sandford estates in counties Longford, Westmeath and Roscommon. He legally changed his name to Henry Sandford Pakenham Mahon by Royal Licence in 1847.
After Denis Mahon was killed his devastated daughter Grace moved to the Isle of Wight with her husband, who continued to manage the estate with the help of his agent.
He and Grace Catherine had several daughters, and a son, Henry Pakenham-Mahon (1851-1922).
Henry moved back to live in Strokestown. He was High Sheriff, Justice of the Peace and Deputy Lieutenant of County Roscommon, following in the footsteps of his father. He married Mary Burrard and Olive, as mentioned by Reeves-Smyth, was their daughter.
Henry Pakenham-Mahon was a keen horticulturalist and his main contribution to the estate was the development of the gardens. The family lived part-time in Strokestown Park and part-time in England. He developed a Pleasure Garden in the walled garden.
Strokestown Park, County Roscommon, August 2022.
He also had an interest in photography, and he built a darkroom in Strokestown House.
His daughter Olive, born in 1894, first married Captain Edward Charles Stafford-King-Harman, from Rockingham House, County Roscommon, whom we came across in King House. Tragically, he died in the first world war in 1914. They had one daughter, Lettice. If Lettice had been a boy she would have inherited Rockingham. Olive and Lettice returned to live in Strokestown Park.
Olive married again, this time to Wilfrid Stuart Atherstone Hales, who also fought in the first world war, and later, in the second. A British garrison was set up in Strokestown House during the War of Independence. After an ambush nearby, Wilfrid Stuart Hales was sent to investigate, and he and Olive fell in love. On 18 April 1923 his name was legally changed to Wilfrid Stuart Atherstone Hales Pakenham Mahon by Deed Poll. He married Olive in 1921 and he changed his name after the death of her father in 1922. They went on to have several children. It was her son who sold the estate.
Olive Hales Pakenham Mahon dressed for a visit to Buckingham Palace in the 1930s.Strokestown Park, County Roscommon, August 2022.
The Pakenham Mahons did not spent much time in Strokestown due to Stuart Hales Pakenham Mahon’s military career, until they returned to live there in the 1950s.
Stuart Hales Pakenham Mahon was interested in finding water and mineral deposits by “dousing,” and the photography display we saw in the house also had information on this topic.
The property has a six acre walled garden and woodlands.
Westward Garage Ltd approached the Pakenham Mahons to buy their land, and terms were agreed. At first the garage only wanted to keep some land and they planned to sell the house, but then Jim Callery found the documents relating to the famine, and had the idea of setting up a famine museum. The company let Olive and her husband remain in the house. Jim Callery employed his cousin Luke Dodd to oversee restoration of the house. [15] In 1987 the house opened to the public, and the Famine Museum opened in 1994. The walled garden opened in 1997, and the herbaceous border is said to be the longest in either Ireland or the UK.
The following day there was a talk about the mausoleum at Strokestown, but we had to move on with our Heritage Week plans. The mausoleum was constructed within an earlier 17th century church and contains a crypt in which members of the Mahon Family were buried. Following years of careful and professional conservation and sympathetic landscaping, this ruin is again accessible and visible to visitors to Strokestown Park.
[6] Bernard, Sir Burke, editor, Burke’s genealogical and heraldic history of the landed gentry of Ireland, 4th ed. (London, U.K.: Burkes Peerage Ltd, 1958), page 471. I’m not sure if “Movilla” mentioned here refers to Moyveela townland.
[7] Reeves-Smyth, Terence. Irish Big Houses. Appletree Press Ltd (22 April 2009)
[12] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988, Constable and Company Ltd, London. Note that Mark Bence-Jones claims that it was the 2nd Baron Hartland who laid out the main street of Strokestown and had the entrance built, but the National Inventory tells us that it was Maurice, 1st Baron Hartland.
I have a bigger project than this section 482 houses blog. It helps, when writing about big houses, to know what is out there. So I have studied Mark Bence-Jones’s 1988 publication in great detail,A Guide to Irish Country Houses, and have conducted research with the help of the internet.
For my own interest, and I am sure many of my readers will appreciate, I am compiling a list of all of the “big house” accommodation across Ireland – finding out places to stay for when Stephen and I go on holidays, especially when we go to see the section 482 houses!
I am also discovering what other houses are open to the public. There are plenty to see which are not privately owned or part of the section 482 scheme. In fact many of the larger houses are either owned by the state, or have been converted into hotels.
This Monday, 8th June 2020, Ireland moves to the next phase of the government’s Covid-19 prevention plan, and we are allowed to travel 20km from our home, or to places within our county. Big houses won’t be open for visits, but some will be opening their gardens – already my friend Gary has been to the gardens of Ardgillan Castle for a walk. Stephen and I went there before lockdown, meeting Stephen’s cousin Nessa for a walk. The castle was closed, but we were blown away by the amazing view from the garden, and walked down to the sea.
Here is my list of houses/castles to visit in Dublin. Some are on section 482 so are private houses with very limited visting times; others are state-owned and are open most days – though not during Covid-19 restriction lockdown – they might be open from June 29th but check websites. Some have gardens which are open to the public now for a wander.
The website says “Original home to the Overend family, today Airfield House is an interactive tour and exhibition which brings visitors closer to this admired Dublin family. Here you’ll view family photographs, letters, original clothing and display cases with information on their prize-winning Jersey herd, vintage cars and their much loved Victorian toys and books.
We focus not just on the way of life the family lived at Airfield, but also on their fantastic charitable work for organisations such as St John Ambulance and The Children’s Sunshine Home (now The Laura Lynn Foundation) to name but a few.“
The name was changed from Bess Mount to Airfield circa 1836. It is a working farm, in the middle of suburban Dundrum! The house was built around 1830. [1] It was built for Thomas Mackey Scully, eldest son of James Scully of Maudlins, Co Kildare. Thomas Mackey Scully was a barrister at Law Grays Inn 1833 and called to the bar in 1847. He was a supporter of O’Connell and a member of the Loyal National Repeal Association. In 1852 the house went into the Encumbered Estates, and was purchased by Thomas Cranfield.
The Stillorgan History and Genealogy website tells us that Thomas Cranfield married Anne Keys in 1839. Thomas was a stationer and printer of 23 Westmorland Street. In 1847 he became the first mezzotint printer in Ireland producing copies of a works by Irish artists such as William Brocas. He received an award from the RDS for his print from a portrait of the Earl of Clarendon. He moved to 115 Grafton Street and received a Royal Warrant in 1850. The family moved to Airfield in 1854. Thomas was also an agent for the London Stereoscopic company and moved into photography. He disposed of his business in 1878 to his son and his assistant George Nutter. I recently heard Brian May member of the former rock band Queen discussing his interest in stereoscopic photography, which was fascinating. I wonder has he been to Airfield? It’s a pity there is nothing about it in the house. Thomas moved to England in 1882 after the death of his son Charles.
Thomas’s father was interesting also: the website tells us: “In 1753, Dr Richard Russell published The Use of Sea Water which recommended the use of seawater for healing various diseases. Circa 1790 Richard Cranfield opened sea baths between Sandymount and Irishtown and by 1806 was also offering tepid baths. Originally called the Cranfield baths it was trading as the Tritonville baths by 1806. Richard Cranfield born circa 1731 died in 1809 at Tritonville Lodge outliving his wife by four years to whom he had been married for over 60 years. He was a sculptor and a carver of wood and had a share in the exhibition Hall in William Street which was put up for sale after his death. He was also the treasurer for the Society of Artists in Ireland. He worked at Carton House and Trinity College. His son Richard took over the baths.“
The Stillorgan History and Genealogy website continues. When the Cranfields left Airfield, it was taken over by the Jury family of the Shelbourne hotel in Dublin. William Jury born circa 1805 was a hotel proprietor. He and his second wife went to live at Tolka Park, Cabra and William became proprietor of the Imperial Hotel in Cork and in Belfast and also had an interest ‘Jurys’ in Derry. In 1865 William, together with Charles Cotton, (brother of his wife Margaret) and Christian Goodman, (manager of the Railway Hotel in Killarney) purchased The Shelbourne from the estate of Martin Burke. They closed The Shelbourne in February 1866, purchased additional ground from the Kildare Society, and proceeded with a rebuild and reopened on 21.02.1867. John McCurdy was the architect and Samuel Henry Bolton the builder. The four bronze figures of Assyrian muses/mutes installed at the entrance of the Shelbourne Hotel were designed by the Bronze-founders of Gustave Barbezat & CIE of France.
William’s wife Margaret took over the running of the hotel after the death of her husband. She travelled from Airfield each morning bringing fresh vegetables for use in the hotel. She left Airfield circa 1891.
Four of their sons followed into the hotel business. Their fourth son, Charles, took over the running of The Shelbourne and died in 1946 in Cheshire aged 91 years.
The Overends seem to have taken over Airfield from 1884. Trevor Thomas Letham Overend (1847-1919) was born in Portadown, 3rd son of John Overend of 57 Rutland Square. He married Elizabeth Anne (Lily) Butler 2nd daughter of William Paul Butler and Letitia Gray of Broomville, County Carlow. Their daughters Letitia and Naomi were left well provided for with no necessity to work and instead devoted themselves to volunteer work and never married.
The website continues: “We focus not just on the way of life the family lived at Airfield, but also on their fantastic charitable work for organisations such as St John Ambulance and The Children’s Sunshine Home (now The Laura Lynn Foundation) to name but a few.“
“Airfield Ornamental Gardens Airfield gardens came to prominence under the leadership of Jimi Blake in the early 2000’s. Like all progressive gardens the garden in Airfield is an ever-evolving landscape. The gardens were redesigned in 2014 by internationally renowned garden designer Lady Arabella Lenox Boyd and landscape architect Dermot Foley. The colour and life you see in our gardens today are the result of the hard work and imagination of our Head Gardener Colm O’Driscoll and his team who have since put their stamp on the gardens as they continue to evolve. The gardens are managed organically and regeneratively with a focus on arts and craft style of gardening.
Airfield Food Gardens Certified organic by the Irish Organic Association this productive 2-acre garden supplies the onsite café and farmers market with fresh seasonal produce. Food production is only one element of this dynamic food garden. Education is at the core of this space. Annual crop trails, experimental crops and forward-thinking growing methods are implemented throughout the garden. Soil is at the heart of the approach to growing and and on top of being certified organic the garden is managed under “no dig” principals. These regenerative approaches result in a thriving food garden that is a hive of activity throughout the growing season.”
“The Walled Garden was originally a Victorian-styled kitchen garden that used to supply the fruit, vegetables and cut flower requirements to the house. It is 1 hectare (2.27 acres) in size, and is subdivided by free standing walls into five separate compartments. The walled garden was replanted in 1992 and through the 1990’s, with each section given a different theme.“
“The Victorian Conservatory was originally built in 1880 at Seamount, Malahide, the home of the Jameson family, who became famous for their whiskey all over the world. It was built by a Scottish glasshouse builder McKenzie & Moncur Engineering, and is reputed to be a replica of a glasshouse built at Balmoral in Scotland, the Scottish home of the British Royal Family. The conservatory was donated to Fingal County Council by the present owner of Seamount, the Treacy family and was re-located to the Ardgillan Rose Garden in the mid-1990s by park staff.
“The Department of Arts, Heritage and the Gaeltacht (DAHG) approached Fingal County Council in early 2014 to participate in a pilot project to develop and enhance skill sets in built heritage conservation, under the Traditional Building Skills Training Scheme 2014. The glass house/ conservatory at Ardgillan was selected as part of this project. The glass house has been completely dismantled because it had decayed to such an extent that it was structurally unstable. All parts removed as part of this process are in safe storage. This work is the first stage of a major restoration project being undertaken by the Councils own Direct Labour Crew in the Operations Department supervised by David Curley along with Fingal County Council Architects so that the glasshouse can be re-erected in the garden and can again act as a wonderful backdrop to the rose garden. This is a complex and difficult piece of work which is currently on going and we are hopeful to have the glasshouse back to its former glory as a centrepiece of the visitor offering in Ardgillan Demesne in the near future.“
The Bewleys business began in 1840 as a leading tea and coffee company, started by Samuel Bewley and his son Charles, when they imported tea directly from China. Charles’s brother Joshua established the China Tea Company, the precursor to Bewleys.
The Buildings of Ireland publication on Dublin South City tells us: “Rebuilt in 1926 to designs by Miller and Symes, the playful mosaics framing the ground and mezzanine floors are indebted to the Egyptian style then in vogue following the discovery of Tutankhamun’s tomb. The interior, originally modelled on the grand cafés of Europe and Oriental tearooms, was restructured in 1995 but retains a suite of six stained glass windows designed (1927) by the celebrated Harry Clarke (1889-1931). Four windows lighting the back wall of the tearoom are particularly fine and represent the four orders of architecture.“
Recently Paddy Bewley died, the last of the family directly involved with the running of the cafe and coffee business of Bewleys. Paddy was responsible for starting the coffee supplying end of the Bewley business.
Paddy, like those in his family before him, was a Quaker, and he lived by their ethos. The Bewley family migrated from Cumberland in England to County Offaly in 1700. Their association with coffee and tea dates back to the mid nineteenth centry, when they began to import tea from China.
Mark Bence-Jones writes in his A Guide to Irish Country Houses (1988):
p. 52. [Nugent, Byrne 1863, Ormsby-Hamilton sub Ormsby] A C18 house built round three sides of a square; with well-proportioned rooms and good decoration. Built by that genial Irishman on the C18 English political scene, Robert [1702-1788] 1st and last Earl Nugent, on an estate which belonged to his brother-in-law, George Byrne [or O’Byrne (1717-1763), husband of Clare Née Nugent], and afterwards to his nephew and political protege, Michael Byrne MP. The house was originally known as Clare Hill, Lord Nugent’s 2nd title being Viscount Clare; but it became known as Cabinteely House after being bequeathed by Lord Nugent to the Byrnes, who made it their seat in preference to the original Cabinteely House, which, having been let for a period to John Dwyer – who, confusingly, was secretary to Lord Chancellor Fitzgibbon, 1st Earl of Clare [John Fitzgibbon (1748-1802)] – was demolished at end of C18 and a new house, known as Marlfield and afterwards a seat of the Jessop family (1912), built on the site. The new Cabinteely House (formerly Clare Hill), afterwards passed to the Ormsby-Hamilton family. In recent years, it was the home of Mr. Joseph McGrath, founder of the Irish Sweep and a well-known figure on the Turf.”
Cabinteely House, photograph from Dun Laoghaire Rathdown County Council website.
The National Inventory attributes it to architect Thomas Cooley. It is described as: Detached nine-bay (three-bay deep) two-storey country house, built 1769, on a quadrangular plan originally nine-bay two-storey on a U-shaped plan; six-bay two-storey parallel block (west). Sold, 1883. “Improved” producing present composition” when sold to George Pim (1801-87) of neighbouring Brenanstown House. The Inventory also lists other owners: estate having historic connections with Robert Byrne (d. 1798, a brother to above-mentioned Michael Byrne MP) and his spinster daughters Mary Clare (d. 1810), Clarinda Mary (d. 1850) and Georgina Mary (d. 1864); William Richard O’Byrne (1823-96), one-time High Sheriff of County Wicklow (fl. 1872) [he inherited the house after his cousin Georgiana Mary died]; a succession of tenants of the Pims including Alfred Hamilton Ormsby Hamilton (1852-1935), ‘Barrister – Not Practicing’ (NA 1901); John Hollowey (1858-1928); and Joseph McGrath (1887-1966), one-time Deputy Minister for Labour (fl. 1919-2) and co-founder of the Irish Hospitals’ Sweepstake (1930). [4]
Charlemount House. Photograph from flickr constant commons, National Library of Ireland.
The architect of Charlemount House was William Chambers, and it was built in 1763. The Archiseek website tells us:
“Lord Charlemont [James Caulfeild, 1st Earl, 4th Viscount of Charlemont] had met and befriended Sir William Chambers in Italy while Chambers was studying roman antiquities and Charlemont was on a collecting trip. Years later Charlemont had hired Chambers to design his Casino on his family estate at Marino outside Dublin. When the need arose for a residence in the city Charlemont turned again to Chambers who produced the designs for Charlemont House finished in 1763. The house now the Municipal Gallery of Modern Art consists of a single block of five bays with curved screen walls to either side. The house breaks up the regularity of this side of Parnell Square as it is set back from the other houses…Charlemont house was sold to the government in 1870 becoming the General Register and Census Offices for Ireland and later the Municipal Gallery for Modern Art – a development that Charlemont would undoubtedly would have approved.” [5]
Robert O’Byrne tells us that inside is work by Simon Vierpyl also.
James Caulfeild, 1st Earl of Charlemont (1728-1799) by Richard Livesay, British, 1753-1826.
Postal address Woodbrook, Bray, Co. Wicklow contact: Alfred Cochrane Tel: 087-2447006 www.corkelodge.com Open dates in 2025: June 2-27, Mon-Fri, July 1-26, Tue-Sat, Aug 4-24, 10am-2pm
Fee: adult €10, entrance fee is a voluntary donation in honesty box at door.
“The house was built in the 1820’s to designs by William Farrell as an Italianate seaside villa. A Mediterranean grove was planted with a Cork tree as its centrepiece. In the remains of this romantic wilderness, the present owner, architect Alfred Cochrane, designed a garden punctuated by a collection of architectural follies salvaged from the demolition of Glendalough House, an 1830’s Tudor revival mansion, built for the Barton family by Daniel Robertson who designed Powerscourt Gardens.”
“There is more fun at Corke Lodge” writes Jane Powers, The Irish Times, where ” the ‘ancient garden’ of box parterres is punctuated by melancholy gothic follies, and emerges eerily from the dense boskage of evergreen oaks, myrtles, and a writhing cork oak tree with deeply corrugated bark. Avenues of cordyline palms and tree ferns, dense planting of sword-leaved New Zealand flax, and clumps of whispering bamboos lend a magical atmosphere to this rampantly imaginative creation.”
Believe it or not, I did my Leaving Certificate examinations in this building! I was extremely lucky and I loved it and the great atmosphere helped me to get the points/grades I wanted!
Dalkey Castle in Dalkey in the suburbs of south Dublin, photograph by Brian Morrison, 2014, from Tourism Ireland. (see [2])
The website tells us: “Dalkey Castle is one of the seven fortified town houses/castles of Dalkey. The castles were built to store the goods which were off-loaded in Dalkey during the Middle Ages, when Dalkey acted as the port for Dublin. The castles all had defensive features to protect the goods from being plundered. These are all still visible on the site: Machicolation, Murder Hole, Battlements and arrow-loop windows. In Dalkey Castle, you will see a fine example of barrel-vaulted ceiling and traces of the wicker work that supported it. Niches have been exposed on the walls where precious goods may have been stored. The Castle is an integral entrance to both the Heritage Centre and Dalkey Town Hall.
Dalkey Castle was called the Castle of Dalkey in the Middle Ages. Later, in the mid to late 1600s it was called Goat Castle when the Cheevers family of Monkstown Castle were the owners.
In 1860s the former living quarters, upstairs, became a meeting room for the Dalkey Town Commissioners. It continued as a meeting room until 1998 when it was incorporated into Dalkey Castle & Heritage Centre. Today, part of the Living History tour takes place there. There is a re-creation of the stocks that were across the street where the entrance to the church is today.“
The website describes the Castle: “Drimnagh Castle is the only castle in Ireland to retain a fully flooded moat. Its rectangular shape enclosing the castle, its gardens and courtyard, created a safe haven for people and animals in times of war and disturbance. The moat is fed by a small stream, called the Bluebell. The present bridge, by which you enter the castle, was erected in 1780 and replaced a drawbridge structure.“
The website tells us: “Fernhill is a former substantial family residence on 34 hectares of land at Stepaside. Fernhill Park and Gardens is Dublin’s newest Public Park, and forms an important component of the historic landscape on the fringe of Dublin City and an impressive example of a small estate dating back to around 1823. The former estate is a unique collection of heritage buildings, gardens, parkland, woodland and agricultural land. The elevated nature of the site, overlooking Dublin Bay on the threshold between the city and the Dublin mountains, lends a particular magic to the place. Fernhill is also home to a unique plant collection, made up of acid-loving plants such as Rhododendrons, Camelias and Magnolias, among others.“
The Stillorgan Genealogy and History website tells us:
“The original house was a single-storey (possibly a hunting lodge) built circa 1723. By 1812 it was substantial family residence with additional out buildings surrounded by gardens, woodlands, parkland and farming land on an elevated location overlooking Dublin Bay. The house itself is a series of rambling interconnecting blocks of one and two stories transcended by a three storey tower which has developed and evolved over the years.
The gardens were planted with exotics such as magnolia and Chilean firetrees but it is also home to an extensive daffodil collection. Originally on 110 acres it now now on about 82 acres. The land was owned by Sir William Verner and part was leased to Joseph Stock. Alderman Frederick Darley purchased the lease from Verner in 1812 and his son William purchased the property outright in 1841.” Another son was the architect Frederick Darley (1798-1872).
20. Georgian House Museum, 29 Lower Fitzwilliam Street, Merrion Square, Dublin 2 – virtual visit only
Mark Bence-Jones. A Guide to Irish Country Houses.[originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978; Revised edition 1988 Constable and Company Ltd, London.]
p. 155. “Gaisford-St. Lawrence/IF) A rambling and romantic castle on the Hill of Howth, which forms the northern side of Dublin bay; the home of the St. Lawrences for 800 years. Basically a massive medieval keep, with corner towers crenellated in the Irish crow-step fashion, to which additions have been made through the centuries. The keep is joined by a hall range to a tower with similar turrets which probably dates from early C16; in front of this tower stands a C15 gatehouse tower, joined to it by a battlemented wall which forms one side of the entrance court, the other side being an early C19 castellated range added by 3rd Earl of Howth. The hall range, in the centre, now has Georgian sash windows and in front of it runs a handsome balustraded terrace with a broad flight of steps leading up to the entrance door, which has a pedimented and rusticated Doric doorcase. These Classical features date from 1738, when the castle was enlarged and modernized by William St. Lawrence, 14th Lord Howth, who frequently entertained his friend Dean Swift here; the Dean described Lady Howth as a “blue eyed nymph.” On the other side of the hall range, a long two storey wing containing the drawing room extends at right angles to it, ending in another tower similar to the keep, with Irish battlemented corner turrets. This last tower was added 1910 for Cmdr Julian Gaisford-St. Lawrence, who inherited Howth from his maternal uncle, 4th and last Earl of Howth, and assumed the additional surname of St Lawrence; it was designed by Sir Edward Lutyens, who also added a corridor with corbelled oriels at the back of the drawing room wing and a loggia at the junction of the wing with the hall range; as well as carrying out some alterations to the interior. The hall has C18 doorcases with shouldered architraves, an early C19 Gothic frieze and a medieval stone fireplace with a surround by Lutyens. The dining room, which Lutyens restored to its original size after it had been partitioned off into several smaller rooms, has a modillion cornice and panelling of C18 style with fluted Corinthian pilasters. The drawing room has a heavily moulded mid-C18 ceiling, probably copied from William Kent’s Works of Inigo Jones; the walls are divided into panels with arched mouldings, a treatment which is repeated in one of the bedrooms. The library, by Lutyens, in his tower, has bookcases and panelling of oak and a ceiling of elm boarding. Lutyens also made a simple and dignified Catholic chapel in early C19 range on one side of the entrance court; it has a barrel-vaulted ceiling and an apse behind the altar. Howth Castle is celebrated for the custom, continuing down to the present day, of laying an extra place at meals for the descendent of the chieftan who, several centuries ago, kidnapped the infant heir of the Lord Howth at the time in retaliation for being refused admittance to the castle because the family was at dinner, only returning him after the family had promised that the gates of the castle should always be kept open at mealtimes and an extra place always set at the table in case the kidnapper’s descendants should wish to avail themselves of it. Famous gardens; formal garden laid out ca 1720, with gigantic beech hedges; early C18 canal; magnificent plantings of rhododendrons.”
“It is with great sadness that we report the death of Pat Herbert, the founder and curator of The Hurdy Gurdy Museum of Vintage Radio, sadly he passed away on the 18th of June, 2020.
The museum has been a very special place since it first opened its doors in 2003. Pat had begun collecting radios and all things connected with communications, when he was working in the construction industry in London in the 1950’s. His collection grew over the years and found its rightful home in the Martello Tower which has a long history with the story of radio in Ireland. Pat had an encyclopedic knowledge on the history of radio and was also a great storyteller. He generously allowed the setting up of the amateur station EI0MAR in the Martello Tower and was always fascinated with the contacts made throughout the world over the airwaves.”
Lambay Island, photograph courtesy ofwww.visitdublin.comLambay Island, photograph courtesy ofwww.visitdublin.comLambay Castle, Lambay Island. Photograph from Country Life.The east court of Lambay Castle. (see [8])
26. Lissen Hall, Lissenhall Demesne, Swords, Dublin – open by appointment
The Historic Houses of Ireland tells us about Lissen Hall:
“Looking over the Meadow Water near the expanding village of Swords, Lissen Hall presents a tranquil mid-Georgian façade that is typical of rural Leinster. In fact country houses have become a rarity in the suburb of Fingal, formerly North County Dublin, which reuses an ancient place name for one of Ireland’s newest administrative regions. A pair of end bows disguise the fact that Lissen Hall is part of a far earlier building, possibly dating from the very end of the 17th century. The newer five-bay front is a typical mid-Georgian concept, with a tripartite door-case surmounted by a Serlian window.
“The arrangement is repeated on the upper storey, where the central window is flanked by a pair of blind sidelights, and the façade continues upwards to form a high parapet, now adorned with a pair of stone eagles. The building’s other main decorative features, a pair of attached two-storey bows with half conical roofs, have many similarities with Mantua, a now-demolished house that faced Lissen Hall across the Meadow Water in former times. At Mantua, which was probably slightly earlier, the silhouettes of the bow roofs prolonged the hip of the main roof in an uninterrupted upward line. It is difficult to imagine how this arrangement could have been achieved at Lissen Hall without compromising the outer windows on the top floor.
“The principal rooms are not over large but the interior of the mid-Georgian range is largely intact and original, with good joinery and chimneypieces. Architectural drawings from 1765 can be seen in the house, which at that time was owned by John Hatch, MP for Swords in the Irish Parliament in Dublin.
“Lissen Hall has only been sold once in 250 years. It passed from John Hatch to the politically influential Hely-Hutchinson family, one of whose seats was Seafield House in nearby Donabate. In 1950 Terence Chadwick purchased the house and park from the Hely-Hutchinsons and the house was subsequently inherited by his daughter Sheelagh, the wife of Sir Robert Goff.”
The Great Hall has an important collection of Jacobite portraits, on loan from the National Gallery of Ireland. It has corbel heads of King Edward IV (28 April 1442 – 9 April 1483), which are original.
Malahide Castle 1976, Dublin City Library and Archives. (see [6])Malahide Castle 1976, Dublin City Library and Archives. (see [6])
The library wing dates to the seventeenth century and is hung with eighteenth century leather wall hangings.
The pair of drawing rooms were rebuilt c.1770 after a fire in 1760. They contain rococo plasterwork and decorative doorcases. The castle also has turret rooms.
Open dates in 2025: Jan 6-10, 13-17, 20-24, 27-31, May 1-3, 6-10, 26-31, June 3-7, 9-14, 16-21, 23, Aug 16-24, 9am-1pm
Fee: adult €5, OAP/child/student €2
Meander, photograph from National Inventory of Architectural Heritage.
The National Inventory of Architectural Heritage describes it:
“Detached four-bay two-storey mono-pitched house, built 1939, on an asymmetrical plan with single-bay single-storey flat-roofed projecting porch to ground floor abutting single-bay two-storey mono-pitched higher projection; five-bay two-storey rear (south) elevation with single-bay two-storey projection on a shallow segmental bowed plan….A house erected to a design by Alan Hodgson Hope (1909-65) representing an important component of the twentieth-century domestic built heritage of south County Dublin with the architectural value of the composition, one ‘exploring Scandinavian modernism rather than Mediterranean modernism‘ (Becker 1997, 117), confirmed by such attributes as the asymmetrical plan form; the cedar boarded surface finish; the slight diminishing in scale of the openings on each floor producing a graduated visual impression with some of those openings showing horizontal glazing bars; and the oversailing roofline: meanwhile, a cantilevered projection illustrates the later “improvement” of the house expressly to give the architect’s children a room to wallpaper (pers. comm. 12th April 2016). Having been well maintained, the elementary form and massing survive intact together with substantial quantities of the original fabric, both to the exterior and to the plywood-sheeted interior, thus upholding the character or integrity of a house ‘which has grown and matured together with its garden to make an ensemble appealing more to the senses than to the mind’.”
“No. 45 Merrion Square, the home of the Irish Architectural Archive, is one of the great Georgian houses of Dublin. Built for the speculative developer Gustavus Hume in the mid-1790s and situated directly across Merrion Square from Leinster House, this is the largest terraced house on the Square and is the centrepiece of its East Side.
Light-filled, spectacularly-proportioned, interconnected rooms on the piano nobile of this Georgian palazzo offer a range of venues and facilities: meeting rooms for up to 20 people; multimedia lecture facilities for up to 55, dining space for up to 80, and receptions for up to 250. Whether the event is a meeting, a conference with breakout sessions, or a private or corporate reception, the Irish Architectural Archive’s beautifully graceful spaces provide Georgian elegance in the heart of Dublin.”
“Standing four stories over basement, and five bays wide, No. 45 is the largest of the terraced houses on Merrion Square. The house was built circa 1794 for the property developer Gustavus Hume. The architect may have been Samuel Sproule who, in the early 1780s, was responsible for the laying out of much of Holles Street, of both Mount Streets and of the east side of Merrion Square. The first person to live in the house seems to have been Robert la Touche who leased the building in 1795. In 1829 the house was sold to Sir Thomas Staples. It had been built in an ambitious and optimistic age, but in the Dublin of the late 1820s its huge size was somewhat anachronistic and certainly uneconomical, so Sir Thomas had the building carefully divided into two separate houses. Sir Thomas died aged 90 in 1865, the last survivor of the Irish House of Commons.
On his death, both parts of the house passed to Sir John Banks, Regius Professor of Medicine in Trinity College, who, like his predecessor, leased the smaller portion of the divided building, by now numbered Nos. 10 and 11 Merrion Square East. Banks himself lived in No. 11, the larger part, which he maintained in high decorative order. Banks died in 1910, and both parts of the building fell vacant and remained so until 1915 when the whole property was used to accommodate the clerical offices of the National Health Insurance Company. With single occupancy restored, the division of the building, renumbered 44 – 45 Merrion Square, began to be reversed, a process carried on in fits and starts as successive Government departments and agencies moved in and out over the decades. The last to go was the Irish Patents Office, relocated to Kilkenny in 1996.
The house was assigned to Irish Architectural Archive by Ruairí Quinn TD, Minister for Finance, in his budget of 1996. The Office of Public Works carried out an extensive programme of works to the house from 2002 to 2004, including the refurbishment of the historic fabric and the construction of new state-of-the-art archival stores to the rear.“
32. MOLI, Museum of Literature Ireland, Newman House, 85-86 St Stephen’s Green, Dublin
“No. 85 St. Stephen’s Green was built in 1738 by Richard Cassels, architect of Powerscourt House and Russborough House, and is notable for its exquisite baroque plasterwork by the Lafranchini brothers. The adjoining townhouse at No. 86 was constructed in 1765 and features superb examples of rococo stuccowork by the distinguished Dublin School of Plaster Workers.
The building takes its name from the theologian and educationalist Dr. John Henry Newman, who was rector when the Catholic University was founded in 1854.”
One entire room is dedicated as a “cabinet of curiosities.” Desmond Guinness and Desmond FitzGerald tells us in their entry about Newbridge House in Great Irish Houses that the collection may have started life as a shell collection in the 1790s by Elizabeth Beresford (1736-1860), who married the archbishop’s son Colonel Thomas Cobbe (1733-1814). She came from Curraghmore in County Waterford (see my entry on Curraghmore) and would have been familiar with her mother’s Shell Cottage. Much of what we see in the collection today comes from the Indian subcontinent, including a Taj Mahal in alabaster, ostrich eggs, corals, statues of house gods, snake charmer’s box and tusks with carving noting the abolition of slavery [see 12]. The oriental theme is even carried through to the elephant design curtains. The panels on the wall are reproduction of the originals.
The National Inventory tells us it is a: “Terraced two-bay four-storey over basement house with adjoining carriage arch to east, built c.1750, rebuilt c.1800. Now in use as offices… has recently undergone conservation. Due to appropriate materials such as timber sash windows with narrow glazing bars and careful repointing with lime mortar, it retains its Georgian aspect. The diminishing windows and regular fenestration create a well-proportioned façade, which is enhanced by an Ionic doorcase and spoked fanlight. The presence of an adjoining carriage arch adds interest to the building and to the streetscape. Its stone surround is well-executed and attests to the skill and craftsmanship of stonemasons and builders in the early nineteenth century. Thom’s directory of 1850 lists this house as being the residence of Richard Spring, pawnbroker.”
37. The Odeon(formerly the Old Harcourt Street Railway Station), 57 Harcourt Street, Dublin 2 – section 482
An Arts and Crafts Gothic Revival mansion built in the late 1870s by its architect owner George Coppinger Ashlin for himself and his wife, Mary in tribute to her father, the hugely influential Gothic Revival architect, Augustus Pugin, who most famously designed the British Houses of Parliament and a number of Irish churches and Cathedrals. [17]
The website tells us: “Located in the centre of the ancient town Swords Castle contains over 800 years of history and, as a recent surprising discovery of burials beneath the gatehouse shows, it has yet to give up all of its secrets. The castle was built by the Archbishop of Dublin, John Comyn, around 1200, as a residence and administrative centre. The extensive complex of buildings is in the form of a rough pentagon of 0.5 hectares and is enclosed by a perimeter wall of 260 meters. It is a National Monument, and it is the best surviving example of an Archbishop’s Palace in Ireland. The curtain walls enclose over an acre of land that slopes down to the Ward River. This complex of buildings is made up of many phases of reuse and redesign reflecting its long history and changing fortunes.”
Swords Castle, 1971, Dublin City Library and Archives photograph. (see [6])Swords Castle, 1971, Dublin City Library and Archives photograph. (see [6])
47. The Church, Junction of Mary’s Street/Jervis Street, Dublin 1– section 482
The National Inventory tells us it is: “Freestanding former Church of Ireland church, built 1700-4… Now in use as bar and restaurant, with recent glazed stair tower built to northeast, linked with recent elevated glazed walkway to restaurant at upper level within church… Saint Mary’s (former) Church of Ireland was begun c.1700 to the design of Sir William Robinson and was completed by his successor, Thomas Burgh.” [18]
Mark Bence-Jones writes in his A Guide to Irish Country Houses (1988):
“[Guinness/IFR] A Victorian house of two storeys over a basement with plate glass windows, built ca 1860 for Thomas Hosea Guinness and his wife Mary, nee Davis, who was heiress of the estate. Rich plasterwork and Corinthian columns with scagliola shafts in hall.”
The National Inventory adds the following assessment:
“A country house erected for Thomas Hosea Guinness JP (1831-88) to a design by Joseph Maguire (1820-1904) of Great Brunswick Street [Pearse Street], Dublin (Dublin Builder 1st December 1861, 692), representing an integral component of the mid nineteenth-century domestic built heritage of south County Dublin with the architectural value of the composition, one superseding an adjacent farmhouse annotated as “Tibradden House” on the first edition of the Ordnance Survey (surveyed 1837; published 1843), confirmed by such attributes as the deliberate alignment maximising on scenic vistas overlooking rolling grounds and the minor Glin River; the compact near-square plan form centred on a Classically-detailed doorcase demonstrating good quality workmanship; the diminishing in scale of the openings on each floor producing a graduated visual impression; and the open bed pediment embellishing a slightly oversailing roofline. Having been well maintained, the elementary form and massing survive intact together with substantial quantities of the original fabric, both to the exterior and to the interior where contemporary joinery; Classical-style chimneypieces; and decorative plasterwork enrichments, all highlight the artistic potential of the composition. Furthermore, adjacent outbuildings (extant 1909); a walled garden (extant 1837); and a nearby gate lodge (see 60250002), all continue to contribute positively to the group and setting values of a self-contained ensemble having historic connections with the Guinness family including Colonel Charles Davis Guinness (1860-1939), one-time High Sheriff of County Louth (fl. 1918); Major Owen Charles Guinness OBE (1894-1970); and Second Lieutenant Charles Spencer Guinness (1932-2004).“
Current owner Selina Guinness’s memoir The Crocodile by the Door tells us about the house and how she acquired it from her uncle, and the work she has undertaken to run it as a family home, with her adventure of taking up sheep farming to maintain the property and its land.
“Tyrrelstown House & Garden is set in 10 hectare of parkland in Fingal, North County Dublin, just minutes from the M50, off the N3 (Navan Road). There are 2 walled gardens, and an arboretum with woodland walks including 2 hectares of wild flower & pictorial meadows. Lots of spring bulbs and cyclamen adorn this lovely sylvan setting.
The walled gardens are over 600 years old and include a wide range of alkaline and acid loving plants and shrubs and include an organic vegetable garden.
The Wilkinson family arrived here in 1895 & have been farming the land ever since.“
[3] Mark Bence-Jones A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
Irish Historic Houses 