Portraits T-U-V

T

Nicholas Taafe, 6th Viscount Taafe, (1677-1769), Lieut.-General in the Austrian Army Date 1763 Engraver John Dixon, Irish, c.1740-1811 After Robert Hunter, Irish, 1715/1720-c.1803.
Richard Talbot (1630-1691), 1st Duke of Tyrconnell, Lord Lieutenant of Ireland for King James II, courtesy of National Gallery of Ireland. Portrait by Francois De Troy, court painter for James II while in exile.
Richard Talbot 1st Duke of Tyrconnel ”Tyrconel, Vice-Roy in Irelande’ courtesy of Adam’s auction 30 April 2013, A late 17th Century engraving.
Frances née Jennings (1647-1730), Vicereine of Ireland 1687-89, Duchess of Tyrconnell. She was married to Richard Talbot, 1st Duke of Tyrconnell (1630-1691).
Richard Talbot (1638-1703) of Malahide, painting attributed to Peter Lely, photograph courtesy of National Gallery of Ireland.
Frances Thomasine, Countess Talbot (née Lambart), (1782-1819), Wife of the 3rd Earl Talbot Date 1822 Engraver John Samuel Agar, British, c.1773-1858 After Charles Robertson, Irish, 1759-1821, courtesy of National Gallery of Ireland.
Colonel Richard Wogan Talbot (c. 1766-1849) 2nd Baron Talbot of Malahide, 1840 by Giovanni Battista Canevari, courtesy of National Gallery of Ireland.
Gertrude Talbot, Daughter of the 18th Earl of Shrewsbury, married 13th Earl of Pembroke in 1874, Adam’s County House Collections auction 12th October 2020.
James Napper Tandy (c. 1740-1819) when a French General, by James Petrie, Scottish, 1750-1819.

Timothy William Ferres tells us in his wonderful blog [1]:

THE RT HON THOMAS TAYLOR (1662-1736), who was created a baronet, 1704, designated of Kells, County Meath, and sworn of the Privy Council in 1726. Sir Thomas wedded Anne, daughter of Sir Robert Cotton Bt, of Combermere, and had issue, THOMAS (1657-96) his heir;
Robert (Very Rev) (d. 1744), Dean of Clonfert;
Henry;
James (1700-1747);
Henrietta; Salisbury (married first William Fitzgerand, Bishop of Clonfert and second, Brig.-Gen. James Crofts, son of James Scott, 1st and last Duke of Monmouth); Anne.

Sir Thomas was succeeded by his eldest son, THE RT HON SIR THOMAS TAYLOR (1657-96), 2nd Baronet, MP for Maidstone, 1689-96, Privy Counsellor, who married Mary, daughter of John Graham, of Platten, County Meath, and left, with a daughter, Henrietta (who married Richard Moore of Barne, County Tipperary), an only son, 

THE RT HON SIR THOMAS TAYLOR, 3rd Baronet (1724-95), KP, MP for Kells, 1747-60, who wedded, in 1754, Jane, eldest daughter of the Rt Hon Hercules Langford Rowley, by Elizabeth, Viscountess Langford, and had issue,

THOMAS (1757-1829) his successor;
Robert, a general in the army;
Clotworthy (1763-1825) created 1st Baron Langford of Summerhill, he took the surname Rowley when his wife Frances Rowley inherited her uncle Lord Langford’s estate;
Henry Edward, in holy orders;
Henrietta (married Chambré Brabazon Ponsonby-Barker (1762-1834) of Kilcooley Abbey, County Kilkenny).

Sir Thomas was elevated to the peerage, in 1760, in the dignity of Baron Headfort; and advanced to a viscountcy, in 1762,as Viscount Headfort. His lordship was further advanced, in 1766, to the dignity of an earldom, as Earl of Bective.

Thomas Taylour (1724-1795) 1st Earl of Bective wearing the star and sash of the Order of St. Patrick by Gilbert Stuart and studio courtesy of Sotheby’s, Public Domain, https//:commons.wikimedia.org/w/index.php?curid=27947645.jpg
Reverend Henry Edward Taylor of Ardgillan Castle, County Dublin, who was a son of Thomas Taylour (1724-1795) 1st Earl of Bective.

In 1783 he was installed as a Founder Knight of St Patrick (KP), and sworn of the Privy Council of Ireland. His lordship was succeeded by his eldest son, THOMAS, 2nd Earl (1757-1829), who espoused, in 1778, Mary, only daughter and heir of George Quin, of Quinsborough, County Clare, and had issue: THOMAS (1787-1870) his successor;
George;
Mary; Elizabeth Jane.

Thomas Taylour (1757-1829) 1st Marquess of Headfort by Pompeo Batoni courtesy of Google Art Project By Pompeo Batoni – 9QE_ZzFPQzDZiQ at Google Cultural Institute, Public Domain, https//:commons.wikimedia.org/w/index.php?curid=29800995
Mary née Quin (the daughter of George Quin and Caroline Cavendish) The Marchioness of Headfort, wife of Thomas Taylour (1757-1829) 1st Marquess of Headfort, holding her Daughter Mary, 1782, by Pompeo Batoni, Google_Art_Project 6wGvrQuQJ1yERA at Google Cultural Institute, Public Domain, https//:commons.wikimedia.org/w/index.php?curid=29801821.jpg

His lordship was created, in 1800, MARQUESS OF HEADFORT.

The Taylour family became very much involved in the political life of the locality, and several members of the family served as MPs for Kells and the county of Meath. [1]

Captain Edward Richard Taylor of Ardgillan Castle, County Dublin.
Charles Thorpe (1772-1820) by engraver Patrick Maguire, photograph courtesy of National Gallery of Ireland.
Caroline Hamilton née Tighe (1777-1861), photograph courtesy of Hamwood house website.
Mary Tighe née Blachford (1772-1810) as sculpted by Lorenzo Bartolini ca. 1820, photograph courtesy of National Library of Ireland.
Theodosia Blachford née Tighe (c.1780) A self portrait, seated three-quarter length, with her children, Mary (1772-1810) and John (1771-1817) courtesy of Adam’s 2 April 2008. Theodosia was married to William Acton Blachford (1729-1773) of Altidore, County Wicklow, and she was the daughter of William Tighe (1710-1766) of Rosanna, County Wicklow.
William Tighe of Rosanna! Portrait by by Charles Jervas (c.1675-1739), courtesy of Adams auction 19 Oct 2021.
Mrs Sophia Tipping and her Daughter Wilhelmina Salisbury by Philip Hussey.
Theobald Wolfe Tone, courtesy of National Gallery of Ireland.
Charles Tottenham in his Boots (1685-1758), 1731 by James Latham.
Charles Tottenham Loftus (1737-1806), 1st Marquess of Ely by Hugh Douglas Hamilton.
Jane Tottenham-Loftus (née Myhill), 1740-1807, Marchioness of Ely. She was the daughter of Robert Myhill of Killarney, Co Kilkenny and she married Charles Tottenham Loftus 1st Marquess of Ely.
Portrait of Mary, daughter of Hamilton Townley, married Blayney Townley (Balfour) of Townley Hall, ENGLISH SCHOOL (MID 18TH CENTURY) courtesy Adam’s 11 Oct 2011.
John Henry Townshend (1827-1869).
Lieutenant-Colonel John Townsend, of the 14th Light Dragoons (d. 1845).
Reverend Horace Townsend (1750-1837). He was from the Townshend family of the Castle at Castletownshend, County Cork.
Richard Townsend (1725-1783), served as MP and high sheriff and lived at Castletownshend. He married Elizabeth Fitzgerald.
Elizabeth Townsend née Fitzgerald, wife of Richard Townsend. Elizabeth Fitzgerald was daughter of John Fitzgerald (1706-1741), 15th Knight of Kerry, and married to Richard Townsend (1725-1783).
I think this is a portrait of Henrietta Townsend née Newenham (1764-1848). She married Richard Boyle Townsend and was daughter of John Newenham (1738-1785) of Maryborough, County Cork and Harriet Vereker of Roxborough, County Limerick.
George Townshend, (1724-1807), later 4th Viscount and 1st Marquess Townshend, also Lord Lieutenant of Ireland Engraver James McArdell, Irish, c.1729-1765 After Thomas Hudson, English, 1701-1779
George Townshend, 1st Marquess Townshend (1724-1807) by George Romney.
Louisa Anne Pakenham née Staples (1770-1833) and her sister Henrietta Margaret Trench née Staples (1770-1847) Countess of Clancarty (c.1770-1847) by Hugh Douglas Hamilton. Louisa was married to Thomas Pakenham (1757-1836) and Henrietta was married to Richard Power Keating Le Poer Trench (1767-1837) 2nd Earl of Clancarty. Their father was John Staples (1736-1820) of County Tyrone, and their mother was Harriet Conolly (1739-1771) of Castletown House, County Kildare.
A portrait of Mr Trench, dated 1920, from Loughton house sale, 2016, Shepphards. I’m not sure which Mr. Trench he is.
William Power Keating Trench (1741-1805) (later first Earl of Clancarty) by Hugh Douglas Hamilton (1739-1808), courtesy Adam’s 28 March 2012. He was the father of Frances Mary, who married Henry Stanley Monck, 2nd Viscount of Ballytrammon, County Wexford and 1st Earl of Rathdowne.
A portrait of Dora Agnes Caroline Trench (1858-1899) née Turnor, wife of Benjamin Bloomfield Trench, from Loughton house sale, 2016, Shepphards.
A portrait of Blanche Trench (1852-1937), from Loughton house sale, 2016, Shepphards. She was a daughter of Henry Trench and Georgiana née Bloomfield.
Frederick Trench (1755-1840) 1st Baron Ashtown from Loughton sale Sept 2016 by Shepphards. He was an uncle of Henry Trench who married Georgiana Bloomfield.
Stephen Trotter, King’s Inn, Blackhall Place.
Richard Turner, from “In Harmony with Nature, The Irish Country House Garden 1600-1900” in the Irish Georgian Society, July 2022, curated by Robert O’Byrne.

U

Colonel Robert Uniacke (1756-1802).
Ann Upton (1664-1753) wife of William “Goodwill” Conyngham (1660-1721), daughter of Arthur Upton (1623-1706) of Castle Upton, County Antrim, courtesy of National Trust. Springhill, County Derry.
Sophia Ward, daughter of Michael Ward (1683-1759) of Castle Ward, County Down, who married Arthur Upton (1715-1768), by Charles Jervas, courtesy of National Trust, Castle Ward.
Emilia Olivia née Usher St. George (1759-1798), Duchess of Leinster, wife of 2nd Duke, 1780 engraver William Dickinson after Joshua Reynolds, courtesy of National Gallery of Ireland.
Mary Jenny Ussher (1682-1763), who married Richard Molesworth 3rd Viscount of Swords, Dublin. 14 Henrietta Street, Dublin, 10th September 2023.
James Ussher (1580-1656) Archbishop of Armagh aged 74 by Peter Lely, courtesy of National Trust Hatchlands.

V

Henry Vane-Tempest (1771–1813), 2nd Bt, the source of much of the Mount Stewart family income, as the 3rd Marquess married his heiress daughter. The portrait is by Peter Edward Stroehling. Courtesy of National Trust Mount Stewart, County Down.
Frances Anne (1800-1865) Marchioness of Londonderry, and her son George Herny (1827-1828) Viscount Seaham, by Thomas Lawrence, courtesy of National Trust, Mount Stewart. She married Charles Stewart later Vane, 3rd Marquess of Londonderry, and she was daughter of Henry Vane-Tempest (1771–1813), 2nd Bt.
Charles William Stewart (later Vane) (1778-1854), later 3rd Marquess of Londonderry, in Garter Robes, by James Godsell Middleton, courtesy of National Trust, Mount Stewart.
Alexandra Octavia Maria Vane (1823-1874), she married John Henry Reuben Dawson-Damer, 3rd Earl of Portarlington, of Emo in County Laois, and was daughter of Charles Willam Vane 3rd Marquess of Londonderry (son of Robert Stewart 1st Marquess of Londonderry) and Frances Anne Emily Vane-Tempest. The portrait is by James Godsell Middleton; courtesy of National Trust, Mount Stewart.
Elizabeth Jocelyn (1813-1884), Marchioness of Londonderry, wife of 4th Marquess of Londonderry, formerly Viscountess Powerscourt, wife of 6th Viscount Powerscourt, by James Rannie Swinton, courtesy of Mount Stewart National Trust.
Oil painting on canvas, Lady Edith Helen Vane-Tempest-Stewart née Chaplin, Marchioness of Londonderry, DBE (1878-1959) in Uniform of the Women’s Army Auxiliary Corps by Philip Alexius de László de Lombos (Budapest 1869 – London 1937), 1918. She was the wife of the 7th Marquess of Londonderry. Mount Stewart, County Down, June 2023.
Edward Charles Stewart Robert Vane-Tempest-Stewart (1902–1955), Lord Stewart, 8th Marquess of Londonderry, as a Page at the Coronation of George V, 1911, by Philip Alexius de László. Mount Stewart, County Down, June 2023.
Charles Vane-Tempest-Stewart (1852-1915), 6th Marquess of Londonderry.
Theresa Susey Helen Vane-Tempest-Stewart née Chetwynd-Talbot, Marchioness of Londonderry (1856-1919) by John Singer Sargent, Vicereine 1886-89, wife of Charles Stewart Vane-Tempest-Stewart, 6th Marquess of Londonderry.
Possibly a portrait of Hester Van Homreigh (1690-1723), Jonathan Swift’s “Vanessa,” courtesy of National Gallery of Ireland.
Mrs Letitia Pilkington (née Van Lewen), (1712-1750), Adventuress and Author Date: c.1760 Engraver: Richard Purcell, Irish, c.1736-c.1766 After Nathaniel Hone the Elder, Irish, 1718-1784.
Colonel Charles Vereker (1768-1842), Constable of Limerick Castle, later 2nd Viscount Gort, engraver James Heath after John Comerford, courtesy of National Gallery of Ireland.
The Vere Foster Family Date 1907 byWilliam Orpen, Irish, 1878-1931 courtesy of National Gallery of Ireland.
Elizabeth La Touche née Vicars (1756-1842), wife of Peter La Touche, by John Whitaker NPG D18415.
John Villiers (c.1684 – 1766) 1st Earl Grandison by Alan Ramsay.
Captain A. H. H. Villiers, Fota House, County Cork, August 2023.
Rosemarie Villiers and Children, Fota House, County Cork.

[1] http://lordbelmontinnorthernireland.blogspot.com/2013/07/virginia-park.html

Hamwood House, Dunboyne, Co. Meath

www.hamwood.ie

Open dates in 2024: March 4-8, 11-15, Apr 8-12, 15-19, May 24-31, June 21-28, July 24-31, August 17-25, Sept 2-6, 9-10, 11am-1pm, 3pm-5pm 
Fee: adult/OAP/student €10, child under 12 free

2024 Diary of Irish Historic Houses (section 482 properties)

To purchase an A5 size 2024 Diary of Historic Houses (opening times and days are not listed so the calendar is for use for recording appointments and not as a reference for opening times) send your postal address to jennifer.baggot@gmail.com along with €20 via this payment button. The calendar of 84 pages includes space for writing your appointments as well as photographs of the historic houses. The price includes postage within Ireland. Postage to U.S. is a further €10 for the A5 size calendar, so I would appreciate a donation toward the postage – you can click on the donation link.

€20.00

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

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Hamwood, November 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Hamwood is a small Palladian style house built in around 1770. We visited in November 2022 and the owner Charles Hamilton, a descendant of the original owner, gave us a tour of the house. It is two storey over basement with single storey octagonal “pepperpot” wings joined to the central block by curved hallways.

In a chapter in Great Irish Houses (Forewards by Desmond FitzGerald and Desmond Guinness) published by IMAGE Publications in 2008, we are told that it was built by Joseph O’Brien from Dublin. An original Joseph O’Brien drawing of Hamwood, dated 1789, exists. [1]

We passed a lovely gate lodge on the way in to the property, which has the date 1783 on its side, which is the year it must have been built.

Hamwood, November 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We drove in to the farmyard area as directed by signs and we had to wander around a little to find the house. The gardens are also open to the public and we walked through the walled garden.

The house was built for Charles Hamilton (1738-1818) and his wife Elizabeth Chetwood (or Chetwode), and the name “Hamwood” is formed by joining their two names.

Charles Hamilton (1738-1818) who built Hamwood, photograph courtesy of Hamwood House website.

Charles was the son of Alexander Hamilton (1690-1768), MP for Killyleagh in County Down (now in Northern Ireland), who settled in Knock, a townland in Balbriggan, County Dublin. The family of Alexander, despite being MP for Killyleagh, seem to be a different family of Hamiltons from those of Killyleagh Castle, as the Hamwood website will tell us. Hamiltons still live in Killyleagh Castle, parts of which date back to 1180. It came into the Hamilton family in the time of James Hamilton (1559-1643), 1st Viscount Claneboy, County Down. Alexander’s ancestor Hugh Hamilton (1572-1655) came to Ireland from Scotland. The 1st Viscount Claneboy also moved to Ireland from Scotland. Alexander’s brother George built a house at Tyrella in County Down.

Alexander Hamilton 1690-1768, MP for Killyleagh in County Down, who settled in Knock, a townland in Balbriggan, County Dublin. Photograph courtesy of Hamwood house website.
Killyleagh Castle, County Down, photograph courtesy of Hamwood house website.

Alexander was a wealthy landowner, owning town lands worth £50,000. He married Isabella Maxwell of Finnebrogue, County Down. The Hamwood website tells us that his son Hugh (1729-1805) became Dean of Armagh and Bishop of Ossory and a professor of Mathematics at Trinity College Dublin.

Hugh Hamilton (1729-1805), Protestant Bishop of Ossory, by engraver William Evans, after artist Gilbert Stewart, courtesy of National Gallery of Ireland, NGI.10622.

Another son, George (1738-1793), was MP for Belfast in 1769-1776 and settled at Hampton Hall, Balbriggan (which burned down in 1901 but has been rebuilt). George developed the fishing village into a flourishing town with cotton mills and a trading port with a lighthouse. I came across a newspaper article about a book published in 2004 about the Hamiltons of Balbriggan, written by Stephanie Bourke in conjunction with the Balbriggan and District Historical Society, The Hamilton Family and the making of Balbriggan.

A daughter, Anne, married Colonel Henry Caldwell, who fought in Canada under General James Wolfe (1727-1759) in the battle between France and England for control of Quebec. Wolfe died of his wounds, and as Wolfe’s Aide De Campe, Caldwell was sent to England to announce news of the victory over the French. Anne and Colonel Caldwell subsequently settled near Quebec. Later Hamiltons also travelled to live in Canada, which we will see in the house. Henry Caldwell was the son of John, 3rd Baronet Caldwell, of Wellsburrow, Co. Fermanagh.

Alexander’s son Charles, the website tells us, started working life as apprentice to a wine merchant in Portstewart in County Derry. He subsequently started his own business and moved to Mount Venus in Rathfarnham, County Dublin. He married Elizabeth Chetwood. The Chetwoods were from Woodbrook House in County Laois, a fine house which sold recently. Another brother of Charles, Robert, married her sister Hester. 

Woodbrook, County Laois, the house where Elizabeth Chetwood grew up, recently for sale, photograph from myhome.ie.

Charles was left a townland in the North of Ireland which he sold for £7,000 and bought land which had been part of the estate of Ballymacoll, County Meath (now an Equestrian stud farm) from James Hamilton. The website tells us that these Hamiltons are not related. James Hamilton was from a family who lived in Sheephill Park in County Dublin, which later became Abbotstown and housed part of the veterinary school of Dublin (and was the reason I lived in Blanchardstown when I was born), and is now a sports centre. This Hamilton family also traces back to Killyleagh, to a younger brother of James Hamilton 1st Viscount Claneboy.

Hamwood House, County Meath, photograph from Hamwood house website. This is better than my photographs since it was November when we visited and the light was fading.

Charles became the land agent for the Archbishop of Dublin and for Lord Lansdowne (William Petty-Fitzmaurice, 1st Marquess of Lansdowne). I’m not sure what dates he worked for the Archbishop of Dublin so don’t know which one it was but it could have been Charles Cobbe who was Archbishop of Dublin from 1743 to 1765, who built Newbridge House in Donabate, not too far from Balbriggan, between 1747 and 1752. The next Archbishop of Dublin (I am assuming it was a Church of Ireland archbishop since Catholic ones would not have a land agent) was only in place for the year of 1765 as he died in office, William Carmichael. The next Archbishop was Arthur Smyth who served for five years until 1771. The next archbishops were John Cradock (served 1772-1778) then Robert Fowler (1779-1801).

Art Kavanagh tells us in his The Landed Gentry and Aristocracy, Meath (published 2005) that Land agents were not paid a salary but were paid between four and five percent of the amount of rentals they collected. On some estates with large rentals this could amount to quite a substantial sum. In addition many agents became middlemen themselves and so made even more profits.

At the time Charles and his family mainly used Hamwood as a summer retreat as he lived in the city of Dublin in 40 Dominick Street. Art Kavanagh tells us that Charles had business interests in Dublin and was the owner of land in Ringsend. He was also involved with Arthur Pomeroy, Viscount Harberton (later of Carberry, Co Kildare), who appeared to be his partner in some land dealings in the Fitzwilliam Square area of Dublin. [2]

The Hamwood website tells us that in 1798 some rebels captured Charles along with the agent to William Robert Fitzgerald (1749-1804), 2nd Duke of Leinster. The Duke’s agent was killed but a local man named O’Reilly, whose family still practice as blacksmiths in the area, recognised Charles Hamilton and asked that Mr Hamilton be spared as “he was more useful (to them) alive than dead.” It was said that this was probably in recognition of his moral, learned and industrious character. As well as being a Land Agent, he farmed his own land.

William Robert Fitzgerald, 2nd Duke of Leinster, (1749-1804) Date 1775 by Engraver John Dixon, Irish, After Joshua Reynolds, courtesy of National Gallery of Ireland.

Charles Hamilton suggested to the Duke of Leinster that he fill the now vacant position as his land agent. The Duke owned and lived in Leinster House in Dublin (now the government buildings) and had Carton in County Kildare as his country residence (now a hotel – see my entry Places to visit and stay in County Kildare). This role passed through later generations of Hamiltons until as late as the current owner’s father. The Duke of Leinster donated the granite steps at Hamwood, as well as several trees. The website explains that the site is exposed to strong winds and the wooded surroundings helped to create shelter.

Charles became a member of the notorious “Hellfire Club” which met in the Wicklow hills for drinking, gambling and carousing. He became “toastmaster” of the club and the family still have the gavel which he used to bring the members to order.

Henry Clements (1698-1745), Col Henry Ponsonby (1685-1745), Richard St George (d. 1775), Simon Luttrell, Henry Barry 3rd Baron Santry (1680-1735), members of the Hellfire Club, painted by another member, and co-founder, James Worsdale, photograph of portrait in the National Gallery of Ireland.

Charles and his wife had fifteen children but not all survived to adulthood.

Charles’s son, also named Charles (II, 1772-1857) added the wings to the house and moved the entrance door to the unusual position in one of the pepperpot additions. His wife persuaded him to do this to keep draughts from the house. At some stage, the back of the house became the front, Charles told us.

Charles [II] Hamilton (1772-1857), photograph courtesy of Hamwood house website.
Charles’s son added the wings to the house in 1783 and moved the entrance door to the unusual position in one of the pepperpot additions. The further wing is known as “the schoolroom.” Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The entrance door, in one of the wings. The wings are topped with pineapple decorations, which are a sign of welcome, and of the wealth one would have needed to own hothouses to grow pineapples. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The door has drapery decoration above. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I liked the arched window breaking the roof parapet. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Charles II was a classics scholar and completed his education at Trinity College Dublin before being called to the Bar in 1792. He spent some years in London while practicing as a lawyer before returning to Ireland. In 1801 he married Marianne Caroline Tighe (1777-1861) of Rosanna, Co Wicklow, daughter of William, MP for Athboy and Sarah Fownes, who inherited Woodstock in County Kilkenny. She was the cousin of the poet Mary Tighe, whom we came across when we visited Altidore in County Wicklow.

Another son of Charles I and Elizabeth Chetwood was George (d. 7 January 1839), who emigrated to Canada and was founder of Hawkesbury Lumber Mills. The moose heads in the front hall in the pepperpot entrance come from Canada.

Another son, William Henry, moved to Quebec in Canada also. Sons Robert and John became merchants in Liverpool.

The wood in the front hall in the pepperpot entrance comes from Russia. The moose heads are from visits to relatives in Canada. A picture shows the funeral cortege of the Duke of Wellington – Charles told us that the wheels fell off his hearse! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ceiling of the pepperpot addition which contains the front door. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The curved corridor between the entrance hall and the rest of the house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Hamwood, November 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website tells us that Charles II and Marianne Caroline, who went by Caroline, set about making major improvements to Hamwood, extending the existing house and adding the wings, and also the interior adding ornate furniture wall coverings etc. Much of the furniture was procured for the house, some of it specially designed and fitted. 

Caroline Hamilton (1777-1861), photograph courtesy of Hamwood house website.

Charles II was responsible for laying the foundations of the Gardens, and from her diaries, we know his wife Caroline was also very involved. The website tells us about the walled garden, which was not at its best when we visited since it was November:

The walled garden began in 1777 when Charles Hamilton I built its walls. Part of the wall existed as stone, but this was later added to in brick. To make it look like a seamless brick wall, the stone walls were rendered and the brickwork painted on. At the time, the walled garden was mainly used to grow fruit, vegetables and flowers for the household. Charles II created the rock garden and with his wife Caroline, they designed the triangular shaped Knot garden. Charles III, otherwise known as Charles William, was an amateur artist as was his wife Letitia Armstrong and created to the front and rear of the house a parterre – an intricate design of flowers in beds which would resemble a cluster of fine jewels at a distance.

The walled garden was not looking its best as it was November when we visited. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Caroline was an artist who became especially well-known for her satirical sketches. The website tells us about her:

Caroline spent much of her younger years in London and took lessons in art from the notable printmaker and portrait painter John Spilsbury (1737-1812) who had taught at Harrow where her brother was at school, and later Maria Spilsbury  (1776-1820), his daughter. She became a skilled artist, especially in creating pen and ink drawings of Irish society of the day, using a satirist angle on  such subjects as religion, education and the ruling classes.  

A sketch attributed to Caroline Hamilton, belonging to the National Gallery of Ireland.

The website continues: “After rearing and educating her six children, Caroline dedicated her time to the improvement and development of Hamwood House and its gardens, her art and, in particular, her writing. Her Memoirs are one of the most significant records of Irish life of the time, and in addition, she became heir to the diaries of the Ladies of Llangollen, which are now in the collection of the Hamwood papers held in the National Library, Dublin. Caroline’s cousin, Mary Tighe (1772-1810), was an accomplished poet best known for her poem, Psyche. Her artistic talent and to some extent, that of her husband, Charles III, passed down to her great-grandchildren, Eva and Letitia.

The Ladies of Llangollen, Sarah Ponsonby and Charlotte Eleanor Butler, by Richard James Lane, printed by Jérémie Graf, after Lady Mary Leighton (née Parker) courtesy of National Portrait Gallery NPG D32504.

The “ladies of Llangollen” were Eleanor Butler (1739–1829) and Sarah Ponsonby (1755–1831) – Sarah grew up in Woodstock in County Kilkenny, with her cousins, which was the house inherited by Caroline’s mother – it is now a ruin but has wonderful gardens, see my entry for Places to visit and stay in County Kilkenny. The two friends ran away together and set up house in Llangollen, Wales, and became famous for their audacity, and were visited by many people including Percy Bysshe Shelley, William Wordsworth and the Duke of Wellington.

Mary Tighe née Blachford (1747-1791), courtesy of National Gallery of Ireland.

Caroline wrote a history of her family, detailing the lives of Theodosia and Mary Blachford and Sarah Ponsonby. Her memoir was published in 2010 as the edited volume Reminiscences of Marianne-Caroline Hamilton (1777–1861).

Caroline wrote and drew in a satirical style, providing a critical depiction of the Anglo-Irish ascendancy from that period. Her best known works include Domestic happiness as acted in the city: a tragic comic farceThe Kingston to Holyhead packet, and Society.

Charles II continued as Agent for the Earls of Leinster. The 2nd Earl died in 1804. The next, 3rd Duke, was Augustus Frederick FitzGerald (1791-1874).

Augustus Frederick FitzGerald, 3rd Duke of Leinster, (1791-1874) Engraver George Sanders, After Stephen Catterson Smith, photograph courtesy of National Gallery of Ireland.

Moving the front door to one of the wings created a double drawing room that runs along the entire length of the facade. [3] The double drawing room is separated into two by an arch, an alteration possibly made by Caroline Hamilton in the 19th century. [see 1] It is a large comfortable room, not overly formal.

Hamwood, November 2022.

David Skinner of Skinner and Sons, specialists in wallpaper design and conservation, advised on the decoration of the dining room where a rustic red wallpaper has replaced a cream colour. [see 1]

One of the rooms of Hamwood. Moving the front door to one of the wings created a double drawing room that runs along the entire length of the facade. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Hamwood, November 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Charles and Caroline’s daughter Sarah married Reverend Francis Howard, son of the 3rd Earl of Wicklow. Sarah was his second wife, as he had been previously married to Frances Beresford, who died in 1833. Sarah’s sons became the 5th and 6th Earls of Wicklow, who would have inherited the marvellous Shelton Abbey, which was gothicized by Richard Morrison.

Shelton Abbey, courtesy of National Library of Ireland, now an open prison.

Their daughter Caroline married twice but had no children and another daughter, Mary, remained unmarried.

Of their sons, Charles William (1802-1880) inherited the property when his father died in 1857. He continued his father’s position as the land agent for the 3rd Duke of Leinster. He married Letitia Charlotte Armstrong of Mount Heaton, County Offaly (now known as Mount St. Joseph’s) in 1841. The website tells us of Charles III:

He had a keen interest in Agriculture and was deeply involved in the Royal Dublin Society. He was particularly concerned about the state of Agriculture in the country prior to the Famine of 1845 and he urged the Repeal MP William Smith O’Brien to set up agricultural societies and colleges throughout Ireland to instruct farmers in modern methods. He corresponded frequently with Prime Minister William Gladstone about the terrible conditions caused by the potato blight and deplored the lack of assistance given. Although the effects were not nearly so bad in Leinster, soup kitchens were available to those who needed it, one being at Hamwood. 

One of Charles William’s passions was painting and he toured extensively, visiting Scotland and France, where he was arrested by the French whilst painting a warship in Antibes harbour. Presumably he convinced them he was simply an artist and no spy and was released! 

At Hamwood he planted the Pine Walk ca 1860, at a time when trees were becoming available from across the globe particularly from North America and the Himalayas. A Monterey Pine still stands among various Cedars, Sequoia and large Pines lining this Walk.

Charles [III] William Hamilton (1802-1880), photograph courtesy of Hamwood house website.

The 3rd Duke of Leinster died in 1874 and then Charles William continued as Agent for Charles William FitzGerald (1819-1887) 4th Duke of Leinster. and then for Gerald FitzGerald (1851-1893) the 5th Duke. Charles told us that the wife of this Duke, Hermione, daughter of William Ernest Duncombe, 1st Earl Feversham of Ryedale, County York in England, was rather wild!

The lives of the Hamiltons of Hamwood were closely tied to the Fitzgeralds of Carton. Charles told us of the next generation of Fitzgeralds: the first son was mentally unstable and unable to manage the property, the second son died in the first world war, so the third son, Edward FitzGerald (1892-1976), 7th Duke of Leinster, inherited when his brother died in 1916. The oldest son, the unstable 6th Earl, died in 1922.

Charles and Letitia had several children and the artistic bent passed to their grandchildren. Their heir was another Charles, Charles Robert (1846-1913). He married Louisa Caroline Elizabeth Brooke, daughter of Francis Richard Brooke and Henrietta Monck. The Hamwood website tells us Charles:

“… married Louise Brooke in 1874 who had 10 children, of whom 2 boys died in infancy, one being the first born and heir. The two chestnut trees in the Lawn field seen from the Trail were planted in their memory. There were 6 daughters among whom were the exceptional artists Letitia and Eva, and of the boys, Gerald Charles the future heir, and Freddie.

Charles Robert IV 1846-1913, photograph courtesy of Hamwood house website. He is probably seated with his wife Louisa Caroline Elizabeth née Brooke.

The website tells us of Charles Robert’s development of the garden:

Charles Robert was educated at home by a governess and at the age of 17 he went to Trinity to study law. He was a member of the Kildare Street Club and was passionate about the garden at Hamwood, where he transformed the Walled Garden, and in order to create an impact he employed a head gardener from Kew Gardens in London. He gained a great deal of help from his large family, particularly Connie (Constance) [b. 1883 and did not marry], who took up landscaping professionally.

Charles Robert travelled with his wife to the continent frequently and at times further afield to visit relations in Canada near Montreal. He corresponded with Kew Gardens in London and in particular with Sir Frederick Moore at The Royal Botanical Gardens Glasnevin. Sir Frederick was a Keeper of Glasnevin from 1879-1922. Charles IV and F.W. Moore became well known to each other and traded extensively in exotic and rare plants and trees discovered by the ‘Plant hunters’ of the day.

The Hamwood website has great entries about the daughters Eva and Letitia:

Eva Henrietta Hamilton (1876-1960) was born and reared at Hamwood, as was her sister, Letitia. One of five sisters and two brothers, only one sister, Lily, got married, with Eva and Letitia becoming established artists. Both fought for recognition in a society where art was considered as a male preserve and women artists were not treated as equals. Eva was an exceptional portrait artist having studied under Sir William Orpen ( 1878-1931) at the Dublin Metropolitan School of Art (DMSA) which she entered in 1907 at the age of 31 and later, under Henry Tonks, at the Slade in London. Many of her portraits were commissioned by members of her extended family and their social circle. Normally painted against a simple background, Eva’s skill was in reading the character of her sitters and transferring that on to her canvas. With the coming of independence in Ireland in 1922, the market for these type of portraits was much reduced and Eva switched her attention to landscapes which, although not particularly innovative in their production, were attractive and well observed.

Self Portrait, c.1906 by Eva Henrietta Hamilton (1876-1960), courtesy of Whyte’s auction Sept 2009.
Portrait of Rose Dorothy Brooke, Cousin of the Artist 1913 by Eva Henrietta Hamilton, photograph courtesy of National Gallery of Ireland.

The website continues:

Eva was the first of the sisters to exhibit her work, showing a portrait and a figure subject in 1898 at the annual exhibition of the Water Colour Society of Ireland (WCSI). Watercolours were then seen as an acceptable medium for women artists. Her works were shown in London, Paris and Brussels as well as the Irish International Exhibition in Dublin in 1907. She first exhibited at the Royal Hibernian Academy (RHA) in Dublin in 1904 where she continued to exhibit until 1945.

With the death of their mother in 1922, Eva assumed much of the housekeeping role and had less time to devote to her painting. The sisters lived together for most of their lives, in their later years in a series of large rented houses. Among these was Fonthill in Palmerstown, now the offices of the Ballymore construction company. In 1946, they made their final move to Woodville in Lucan, an eighteenth century house designed by the architect, Richard Castle (1690-1751). Fondly known as ‘the Aunts’ nest’ they continued to give memorable parties in their rather eccentric lifestyles. A tree with many sweeping branches stood in the garden from where old umbrellas hung, and in a rather artistic way resembled a tree with huge drooping fruit!

I found a painting of the house online from a sales catalogue of DeVeres auctioneers, by Letitia.

The Hamilton Family at Woodville House, Lucan County Dublin by Letitia Hamilton.

The website also has an entry about Letitia:

Letitia Marion Hamilton (1878-1964) was a talented and prolific landscape artist who, like her sister, studied under Orpen in the DMSA. Compared to Eva, she remained less influenced by him and more by the works of European artists that she saw during her time abroad. An inveterate traveller, she made trips to France, Belgium and Holland before the war in Europe curtailed these visits... With the cessation of hostilities, Letitia’s travels recommenced with trips abroad, often accompanied by Eva. During the 1920s, she travelled widely in France, Italy and Yugoslavia. She visited Venice for the first time in the autumn of 1923 and during the 1930s made regular visits to the city and northern Italian lakes.

“…they both blazed a trail for women artists in Ireland at a time when it was dominated by their male counterparts such as Sean Keating, Paul Henry and Jack Yeats. Eva and Letitia’s images of pre-war Europe and scenes from Irish towns and villages preserve a way of life that has now vanished for ever.

Bantry Bay with a Sailing Boat Seen Through Woodland c. 1940s by Letitia Marion Hamilton (1878-1964), photograph courtesy of National Gallery of Ireland.

Letitia won an Olympic medal in the 1948 Olympics, the only Irish medal winner that year, for Art featuring sport! Unfortunately that’s no longer an Olympic “sport.”

Their brother Francis Charles (1877-1961) was heir to Hamwood. He studied agriculture in England and acted as Land Agent for some estates in England before returning to Hamwood after the death of his father in 1913. There he continued in the position of Land Agent to the Duke of Leinster: from 1916 he would have been Agent for Edward FitzGerald (1892-1976), 7th Duke of Leinster. Mark Bence-Jones tells us that

“[The] 7th Duke was unable to live here having, as a young man, signed away his expectations to the “50 Shilling Tailor” Sir Henry Mallaby-Deeley, in return for ready money and an annuity. As a result of this unhappy transaction, Carton had eventually to be sold. It was bought 1949 by 2nd Lord Brocket…” [4]

Francis Charles [V] Hamilton (1877-1961), photograph courtesy of Hamwood house website.

A distant cousin from the family who moved to Hawkesbury in Canada, Violet Travers Hamilton, travelled to England to “do the season,” and Francis Charles was instructed to escort her. He fell in love and they married.

The Hamwood website tells us that:

Violet died prematurely in 1947. A few years later Francis Charles married Rosamund Bauer who built up Hamwood’s dairy herd and helped see the estate through some difficult times during post war depression... Francis Charles died in 1961 and left the estate to his son Charles.

Charles (1918-2005) was called “The Major” due to his time in the Indian army, and he served in World War II. Like his father, he also acted as Land Agent to some properties in England before returning to Hamwood. He returned to Ireland and lived in Galway where he was agent for Clonbrock, before returning to Hamwood in 1963, following the death of his father. He also acted as Land Agent for the Conynghams of Slane for a period. Although Carton was sold by the 7th Earl he continued to work as Agent. He may have met my grandfather, as my Grandfather John Baggot of Aghaboe and Abbeyleix in County Laois kept cattle there at some point!

Charles [VI] Hamilton (1918-2005) was called “The Major,” photograph courtesy of Hamwood house website.

In 1958 Charles married Anne Spicer from Carnew Castle, County Wicklow, where her family moved from England after the second world war. Her family had ties to Ireland, where they holidayed when she was a child, and William Wellesley-Pole (1763-1845) 3rd Earl of Mornington, of Dangan Castle in County Meath (now a ruin), the older brother of the Duke of Wellington, was an ancestor.

Charles took an interest in the garden and added to the plant collection and he ran the farm and bred cattle. Charles, who now lives in the house and showed us around, is their son. He continues the upkeep of the house, gardens and farm. He has created a woodland trail for visitors, and runs a seasonal courtyard café, Café des artistes. The family host events and have opened allotments. One can buy membership to have regular access to the gardens and café.

Map courtesy of Hamwood house website.
Hamwood, November 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] Great Irish Houses (Forewards by Desmond FitzGerald and Desmond Guinness) published by IMAGE Publications in 2008

[2] p. 117, Kavanagh, Art. The Landed Gentry and Aristocracy, Meath, 2005, published by Irish Family Names, Dublin 4.

[3] http://www.ihh.ie/index.cfm/houses/house/name/Hamwood

[4] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Portraits B

I am going to start collating a portrait gallery, as I love to put a name to the faces. I will add to these pages as I go.

I’ll be collecting them from my house entries and put them in alphabetical order by surname. I’ve also been going through the National Gallery collection and will also look at the National Portrait Gallery in London’s collection! It will be an ongoing project and a resource. I do think Ireland should have a National Portrait gallery! It would be a place where home owners could loan portraits for safekeeping also.

I have an editorial decision to make regarding women. Do I put them under their married name or under their maiden name? I think for now I’ll put them under both, as it’s nice to see them in relation to their fathers as well as in relation to their husband!

B

Captain William Baillie (1723-1810), engraver William Baillie, after Nathaniel Hone the Elder, courtesy of National Gallery of Ireland. He was from Kildrought, County Kildare.
Charlotte Marion Baird (1851/2-1937) Countess of Enniskillen, by Henry Richard Graves, courtesy os National Trust, Florence Court, County Fermanagh. She married Lowry Egerton Cole, 4th Earl of Enniskillen.
William Barker, 3rd Bt. (1704–1770), of Bocking Hall, Essex, and Kilcooley Abbey, Tipperary attributed to John Lewis, courtesy of Sothebys L11304.
Sir Jonah Barrington, (1760-1834), Judge and Author. Date: 1811, Engraver James Heath, English, 1757-1834 After Hugh Douglas Hamilton, Irish, 1740-1808 Copyist: John Comerford, Irish, 1770-1832 Publisher: G. Robinson, photograph courtesy of National Gallery. of Ireland.
David Barry (1605-1642) 6th Viscount Buttevant and 1st Earl of Barrymore.

Barons Barry (c. 1261)

  • David de Barry, 1st Baron Barry (died 1278). In 1267, King Henry III of England appointed Lord David de Barry as Chief Justice of Ireland.
  • John Barry, 2nd Baron Barry (died 1285)
  • David FitzDavid Barry, 3rd Baron Barry (died 1290)
  • John Barry, 4th Baron Barry (died 1330)
  • David Barry, 5th Baron Barry (died 1347)
  • David Barry, 6th Baron Barry (died 1392)
  • John Barry, 7th Baron Barry (died 1420)
  • William Barry, 8th Baron Barry (died 1480)
  • John Barry, 9th Baron Barry (died 1486)
  • Thomas de Barry, 10th Baron Barry (died 1488)
  • William Barry, 11th Baron Barry (died 1500)
  • John Barry, 12th Baron Barry (died 1530)
  • John Barry, 13th Baron Barry (died 1534)
  • John FitzJohn Barry, 14th Baron Barry (1517–1553) (created Viscount Buttevant in 1541)

Viscounts Buttevant (1541)

  • John FitzJohn Barry, 1st Viscount Buttevant (1517–1553)
  • Edmund FitzJohn Barry, 2nd Viscount Buttevant (died 1556)
  • James FitzJohn Barry, 3rd Viscount Buttevant (died 1557)
  • James de Barry, 4th Viscount Buttevant (c. 1520–1581) 1st wife: Elizabeth Boyle, daughter of Charles Boyle, 3rd Viscount Dungarvan; 2nd wife: Elizabeth née Savage (d. 1714), daughter and heir of Richard Savage 4th Earl Rivers; 3rd wife: Anne Chichester, daughter of Major-General Arthur Chichester, 3rd Earl of Donegall (1666-1706), she was the mother of James Smith-Barry of Fota, County Cork.
  • David de Barry, 5th Viscount Buttevant (died 1617)
  • David Barry, 6th Viscount Buttevant (1604–1642) (created Earl of Barrymore in 1627/28)

Earls of Barrymore (1627/28)

  • David Barry, 1st Earl of Barrymore (1604–1642)
  • Richard Barry, 2nd Earl of Barrymore (1630–1694)
  • Laurence Barry, 3rd Earl of Barrymore (1664–1699)
  • James Barry, 4th Earl of Barrymore (1667–1747)
  • James Barry, 5th Earl of Barrymore (1717–1751)
  • Richard Barry, 6th Earl of Barrymore (1745–1773)
  • Richard Barry, 7th Earl of Barrymore (1769–1793)
  • Henry Barry, 8th Earl of Barrymore (1770–1823) [1]
James Barry, 4th Earl of Barrymore (1667-1748) (Lieutenant-General), Studio of Sir Godfrey Kneller courtesy of Sothebys 2013 collection l13304 lot 95.
James Barry, 4th Earl of Barrymore, (1667-1747), Soldier and Politician Date c. 1753 by Engraver Michael Ford, Irish, d. 1765 After Thomas Ottway, courtesy of National Gallery of Ireland.
James Barry, 4th Earl of Barrymore, (1667-1747).
James Barry (1667-1747) Lieutenant Colonel and 4th Earl of Barrymore, National Trust, Public domain, via Wikimedia Commons.
Lt. Gen. James Barry, 4th Earl of Barrymore, (1667-1747) attributed to John Riley, courtesy of Christie’s The Sunday Sale, property of Smith-Barry estates removed from Old Priory Gloucestershire.
Elizabeth Barry née Savage (d. 1714) wife of James Barry 4th Earl of Barrymore, daughter and heir of Richard Savage 4th Earl Rivers and Penelope Downes, seated with her daughter Penelope. This painting is attributed by Sotheby’s to Thomas Worldige.
Elizabeth Barry née Savage (d. 1714), 2nd wife of James 4th Earl of Barrymore. She and the 4th Earl had three daughters, and a son who died in his first year. She was the daughter of Richard Savage, 4th Earl Rivers.
Anne Barry née Chichester (1697-1753) Countess of Barrymore, 3rd wife of James Barry 4th Earl of Barrymore.
Lady Anne Chichester, Countess of Barrymore (d. 1753) Attributed to Philip Hussey, she was daughter of Major-General Arthur Chichester, 3rd Earl of Donegall (1666-1706) and his wife Lady Catherine Forbes (d. 1743), and she married James Barry 4th Earl of Barrymore, and was the mother of James Smith-Barry.
Dorothy née Barry (1670-1748), married John Jacob 2nd Bt. She was the daughter of Richard Barry 2nd Earl of Barrymore.
Captain the Hon. Richard Barry R.N. (1721-1787), with his spaniel by John Lewis, second son of James Barry 4th Earl of Barrymore. This portrait is also courtesy of Sotheby’s L11304. This portrait belonged to the Smith-Barry family and was sold in an auction at Sotheby’s in 2013. We can see it in the old photograph of the library of Fota House.
Arthur Barry (1723-1770) by Francis Cotes courtesy of Sotheby’s L11304. This portrait belonged to the Smith-Barry family and was sold in an auction at Sotheby’s in 2013. Arthur was another son of James Barry, 4th Earl of Barrymore, he died unmarried and his property went to the Smith-Barry family.
Daniel Augustus Beaufort (1739-1821), Geographer, by unknown artist circa 1800-1805, courtesy of National Portrait Gallery NPG 5255.
Alfred Beit (1903-1994), 2nd Baronet and his wife Clementine née Freeman-Mitford (b. 1915), of Russborough House, County Wicklow.
Major William Bertram Bell (1881-1971).
John Bellew 1st Baron (d. 1691) by Garrett Morphy, courtesy of http://www.galleryofthemasters.com . He commanded a regiment of infantry in Ireland and was a Roman Catholic peer who sat in James II’s Parliament of 1689. He died of wounds received in the Battle of Aughrim.
Edward Joseph Bellew (1830-1895) 2nd Baron Bellew by unknown photographer 1860s courtesy of National Portrait Gallery NPG Ax196758.
Henry Grattan Bellew, 3rd Baronet, b.1860, married Sophia Forbes, daughter of the Earl of Granard, by Dermod O’Brien, courtesy of Adam’s auction 10 Oct 2017.
Dorothy Bentinck née Cavendish, Duchess of Portland (1750-1794) by George Romney, c. 1772, daughter of William Cavendish, 4th Duke of Devonshire. She married William Henry Bentinck 3rd Duke of Portland, who added Cavendish to his name to become Cavendish-Bentinck.

Timothy William Ferres tells us of the Beresfords of Curraghmore: http://lordbelmontinnorthernireland.blogspot.com/search/label/County%20Waterford%20Landowners

SIR TRISTRAM BERESFORD (1595-1673), who was created a baronet in 1665, designated of Coleraine, County Londonderry. He married firstly, Anne, eldest daughter of John Rowley, of Castleroe, County Londonderry, by whom he had one son, RANDAL, his heir, and two daughters; and secondly, Sarah Sackville, and had three sons and three daughters: Tristram; Michael; Sackville; Susanna; Sarah; Anne.

Sir Tristram was succeeded by his eldest son, SIR RANDAL BERESFORD, 2nd Baronet (c. 1636-81), MP for Coleraine, 1661-68, who married Catherine Annesley, younger daughter of Francis, 1st Viscount Valentia, and dying in 1681, left issue, TRISTRAM, his heir; Jane; Catherine.

Sir Randal was succeeded by his eldest surviving son, SIR TRISTRAM BERESFORD, 3rd Baronet (1669-1701), MP for Londonderry County, 1692-99, who commanded a foot regiment against JAMES II, and was attainted by the parliament of that monarch. Sir Tristram wedded, in 1687, Nichola Sophia, youngest daughter and co-heiress of  Hugh Hamilton, 1st Viscount Glenawly.

He was succeeded by his son, SIR MARCUS BERESFORD, 4th Baronet (1694-1763), MP for Coleraine, 1715-20, who espoused, in 1717, Catherine, BARONESS LE POER, daughter and heiress of James, 3rd Earl of Tyrone, and in consequence of that alliance, was elevated to the peerage, in 1720, in the dignity of Baron Beresford and Viscount Tyrone. His lordship was further advanced to an earldom, in 1746, as EARL OF TYRONE.

Rt. Hon. Marcus Beresford (1694-1763) 4th Baronet and 1st Earl of Tyrone, photograph courtesy of the Beresford family and creative commons and wikipedia.

Marcus Beresford (1694-1763) 1st Earl of Tyrone had surviving issue: GEORGE DE LA POER (1735-1800) his successor who became 2nd Earl of Tyrone;
John (1737/38-1805);
William (1743-1819) (Most Rev), created BARON DECIES;
Anne; Jane; Catherine; Aramintha; Frances Maria; Elizabeth.

George de la Poer Beresford (1735-1800) 2nd Earl of Tyrone, later 1st Marquess of Waterford, by Johann Zoffany, courtesy of National Trust Hatchlands.
John Beresford, M.P. (1738-1805), son of of Marcus Beresford 1st Earl of Tyrone, miniature by Richard Crosse, British, 1742-1810.
John Beresford (1738-1805), first commissioner of the Revenue in Ireland, engraver Charles Howard Hodges, after Gilbert Smith, courtesy of National Gallery of Ireland.
John Beresford (1738-1805), MP by Gilbert Stuart c. 1790, courtesy of National Gallery of Ireland NGI 1133.
Barbara Montgomery (?1757-1788), second wife of John Beresford (1738-1805) by Hugh Douglas Hamilton, courtesy of National Gallery of Ireland P5547. His first wife was Anne Constantia Ligondes.
Marcus Gervais Beresford (1801-1885), Archbishop of Armagh, painting as Prelate of Order of St. Patrick, by engraver John Richardson Jackson, after painting by Stephen Catterson Smith, courtesy of National Gallery of Ireland. He was grandson of John Beresford (1738-1805). His father was Rt. Rev. George de la Poer Beresford (1765-1841).
George John Beresford (1807-1864) of Woodhouse, County Waterford. He was also a grandson of John Beresford (1738-1805). His father was Reverend Charles Cobbe Beresford (b. 1770).
John Claudius Beresford, Lord Mayor of Dublin courtesy Adam’s 8 March 2006 in style of William Cuming PRHA. He was the son of John Beresford (1738-1805).
Elizabeth de la Poer Beresford (1736-1806), daughter of Marcus Beresford 1st Earl of Tyrone, wife of Thomas Cobbe of Newbridge House, in a costume evocative of Mary Queen of Scots, miniature, Cobbe Collection.

George de la Poer Beresford, 2nd Earl of Tyrone (1735-1800) inherited the ancient Barony of de la Poer at the decease of his mother in 1769. His lordship was enrolled amongst the peers of Great Britain, in 1786, as Baron Tyrone; and created, in 1789, MARQUESS OF WATERFORD.

George de la Poer Beresford (1735-1800) First Marquess of Waterford by Gilbert Stuart, courtesy of Bonhams and commons.

He married, in 1769, Elizabeth, only daughter and heiress of Henry Monck, of Charleville. They had issue:

Marcus, died at 8 years old; Henry de la Poer Beresford (1772-1826) his successor who became 2nd Marquess of Waterford; John George (1773-1862) (Most Rev), Lord Archbishop of Armagh;
George Thomas (1781-1839) (Rt Hon), Lt-Gen, GCH; Isabella Anne; Catherine; Anne; Elizabeth Louisa (1783-1856).

Henry de la Poer Beresford (1772-1826) 2nd Marquess of Waterford by William Beechy courtesy of Eton College.
John George Beresford (1773-1862), Archbishop of Armagh, after Thomas Lawrence, by Charles Turner, courtesy of Armagh County Museum. He was son of George de la Poer Beresford, 2nd Earl of Tyrone.
Thought to be Elizabeth Louisa Reynell (1783-1856) née De La Poer and formerly wife of Sir Denis Pack, courtesy of Whyte’s Nov 2011. She was the daughter of the 1st Marquess of Waterford, and she married Denis Pack of County Kilkenny and later, Thomas Reynell, 6th Baronet.

He had an illegitimate son Admiral Sir John de la Poer Beresford (1766-1844) 1st Bt Beresford, of Bagnall, Co. Waterford, and also Lt.-Gen. William Carr Beresford (1768-1854) 1st and last Viscount Beresford of Beresford.

William Carr Beresford (1768-1854) Viscount Beresford, by William Beechey, Photograph courtesy of National Portrait Gallery, London.
Harriet Elizabeth Peirse (1790-1825) Lady Beresford, wife of Admiral Sir John de la Poer Beresford (1766-1844) 1st Bt Beresford, of Bagnall, Co. Waterford, by Thomas Lawrence, courtesy of National Trust Hatchlands.

Henry de la Poer Beresford 2nd Marquess (1772-1826) wedded, in 1805, Susanna Carpenter, only daughter and heiress of George Carpenter 2nd Earl of Tyrconnell, and had issue,

HENRY de la Poer Beresford (1811-1859) his successor who became 3rd Marquess of Waterford;
William;
John (1814-1866) who became 4th Marquess of Waterford;
James;
Sarah Elizabeth (1807-1854) who married Henry John Chetwynd-Talbot, 18th Earl of Shrewsbury.

James Beresford (1816-1841) by Joseph Clover, courtesy of Ingestre Hall Residential Arts Centre.

Henry de la Poer Beresford 3rd Marquess married Louisa Anne Stuart (1818-1891), daughter of Charles Stuart, 1st and last Baron Stuart de Rothesay. They did not have children.

Elizabeth Stuart née Yorke (1789-1867). Lady Stuart de Rothesay, with her daughters Charlotte (1817-1861) and Louisa (1818-1891) by George Hayter, photograph courtesy of UK Government Art Collection. Elizabeth was the daughter of Philip Yorke 3rd Earl of Hardwicke; Louisa married Henry de la Poer Beresford 3rd Marquis of Waterford; Charlotte married Charles John Canning 1st Viceroy of India, 2nd Viscount Canning, 1st Earl Canning.
Louisa Anne Beresford née Stuart (1818-1891), wife of Henry de la Poer Beresford, 3rd Marquess of Waterford, daughter of Charles Stuart, 1st and last Baron Stuart de Rothesay, by Sir Francis Grant 1859-1860, NPG 3176. The National Portrait Gallery tells us: “Louisa Stuart was brought up mostly in Paris, where her father was British Ambassador to the French court. She was taught to draw from an early age and art, along with religion and philanthropy, was one of her main interests throughout her life. A gifted amateur watercolourist, she did not exhibit at professional galleries until the 1870s. With a strong interest in the welfare of the tenants on her Northumberland estate, she rebuilt the village of Ford. She provided a school and started a temperance society in the village. Her greatest artistic achievement was the decoration of the new school with life sized scenes from the Old and New testaments that used children and adults from the village as models.”

When the 3rd Marquess died, his brother John became the 4th Marquess. The 4th Marquess married Christiana, daughter of Charles Powell Leslie of Castle Leslie in County Monaghan.

George Berkeley (1685-1753) Protestant Bishop of Cloyne and Philosopher by John Smibert, American, 1688-1751, courtesy of National Gallery of Ireland.
George Berkeley (1685-1753), Philosopher; Bishop of Cloyne, by John Smibert 1730 courtesy of National Portrait Gallery NPG 653.
George Berkeley (1685-1753) Bishop of Cloyne, portrait in Trinity College Dublin exam hall
The painting is a portrait by William Hogarth of the 1st Earl of Charlemont, James Caulfeild (1728-1799) aged 13, with his mother, Elizabeth Caulfeild née Bernard (1703-1743)(portrait painted in 1741). She was the daughter of Judge Francis Bernard of Castle Mahon County Cork and Alice Ludlow of Dublin.
Thomas Bernard (1816-1882), son of Catherine née Hely Hutchinson and Thomas Bernard (d. 1834).
Richard Wellesly Bernard (1822-1877) of Castle Bernard, County Offaly, in early 1860s, National Portrait Gallery of London Ax196557
Charles Bingham, 1st Baron of Lucan (1735-1799), later 1st Earl of Lucan, Engraver John Jones, After Joshua Reynolds, courtesy of National Gallery of Ireland.
Mary Tighe née Blachford (1772-1810) as sculpted by Lorenzo Bartolini ca. 1820, photograph courtesy of National Library of Ireland.
Mary Tighe née Blachford (1747-1791), courtesy of National Gallery of Ireland.
Theodosia Blachford née Tighe (c.1780) A self portrait, seated three-quarter length, with her children, Mary (1772-1810, she married Henry Tighe 1771-1836 of Woodstock) and John (1771-1817) courtesy of Adam’s 2 April 2008. Theodosia was married to William Acton Blachford (1729-1773) of Altidore, County Wicklow, and she was the daughter of William Tighe (1710-1766) of Rosanna, County Wicklow.
Francis Blackburne (1782-1867), Lord Chancellor of Ireland, 1852 by engraver George Sanders, after Stephen Catterson Smith, courtesy of National Gallery of Ireland.
Helena Selina Blackwood née Sheridan (1807-1867), Writer, Wife of 4th Baron Dufferin and Clandeboye, later Countess of Gifford Date 1849 Engraver John Henry Robinson, English, 1796 – 1871 After Frank Stone, English, 1800-1859.
Nathaniel Bland (1695-1760), Vicar General of Diocese of Ardfert and Aghadoe, Picture from The Story of Dorothy Jordan by Clare Jerrold, 1914, courtesy of Teresa Stokes, flickr
Blayney R.J. Townley- Balfour and Madeline née Kells-Ingram, his Wife, of Townley Hall, Drogheda by Sarah Cecilia Harrison, courtesy of Adam’s auction 31 May 2017.
Lady Blennerhassett, Ballyseedy Castle, Tralee, Co. Kerry, Irish school 18 century Adams auction 19 Oct 2021
Colonel Thomas Blood (1618-1680), Adventurer Engraver Emmery Walker After Gerard Soest, Dutch, c.1600-1681, courtesy of National Gallery of Ireland.
Benjamin Bloomfield (1768-1846) 1st Baron Bloomfield as Keeper of His Majestys Privy Purse at the Coronation of George IV, by Henry Meyer, after Philip Francis Stephanoff 1826, NPG D31893. He lived in Loughton House, County Offaly.
Benjamin Bloomfield (1768-1846) 1st Baron Bloomfield, by John Lilley, from Loughton house auction catalogue, 2016, Shepphards.
Benjamin Bloomfield (1768-1846) 1st Baron Bloomfield), Irish school, 19th c, from Loughton house sale, 2016, Shepphards.
John Arthur Douglas Bloomfield (1802-1879), 2nd Baron Bloomfield of Oakhampton and Redwood, 1st Baron Bloomfield of Ciamhaltha, County Tipperary, wearing a burgundy red jacket and fur collar, Painting After Sir Thomas Lawrence, from Loughton house auction catalogue, 2016, Shepphards
Georgiana Bloomfield née Liddell, Lady Bloomfield from Loughton house auction catalogue, 2016, Shepphards. She was the wife of John Arthur Douglas Bloomfield 1st Baron Bloomfield of Ciamhaltha, County Tipperary.
Portrait of Lady Bloomfield, from Loughton house sale, 2016, Shepphards. I’m not sure which Lady Bloomfield she is. I suspect she is Georgiana née Liddell (1822-1905)
Charles Blount (1563-1606), 8th Baron Mountjoy, Lord Deputy of Ireland, 1775, engraver Valentine Green after Paulus Van Somer; photograph courtesy of National Gallery of Ireland.
Richard Bolton (circa 1570-1648) Lord Chancellor of Ireland, courtesy of Whyte’s Oct 2018. Bolton Street in Dublin was named after him.
Hugh Boulter, Protestant Archbishop of Armagh and then Primate of Ireland 1724-1742. He was also Chaplain to King George I. The Dictionary of National Biography tells us that by a statute enacted through Boulter’s influence, Catholics were excluded from the legal profession and disqualified from holding offices connected with the administration of law. Under another act passed through Boulter’s exertions, they were deprived of the right of voting at elections for members of parliament or magistrates—the sole constitutional right which they had been allowed to exercise. He helped to set up the Charter School system and sought to convert Catholics to Protestantism, but did good work trying to alleviate hunger during the Famine – though perhaps he only advocated feeding those who converted to Protestantism! I’m not sure of that though. Provost’s House, Trinity College Dublin.
Portrait of Frances Walsingham, along with her husband Robert Devereux, 2nd Earl of Essex, and in the small picture, Sir Philip Sydney, her first husband. Her third husband was Richard Bourke 4th Earl of Clanricarde.
John Bourke, 1st Baron Naas, (1705-1790), later 1st Earl of Mayo, Engraver William Dickinson, English, 1746-1823 After Robert Hunter, Irish, 1715/1720-c.1803, photograph courtesy of National Gallery of Ireland.
Bellingham Boyle (1709-1772), of Rathfarnham Castle, County Dublin.
Richard Boyle, 1st Earl of Cork (1566-1643) Date c.1630, courtesy of National Gallery of Ireland.

Timothy William Ferres tells us of the family of the Boyles, Earls of Cork:

Richard Boyle (1566-1643) 1st Earl of Cork married firstly, in 1595, Joan, daughter and co-heiress of William Apsley, of Limerick, without surviving issue; and secondly, Catherine, daughter of Sir Geoffrey Fenton, Knight, principal secretary of state for Ireland, and had issue (with eight daughters):

Roger (1606-15);

RICHARD (1612-98) his successor; Geoffrey d. 1 year old; Lewis (1619-1642) created Viscount Boyle of Kinalmeaky;

ROGER (1621-1679) created 1st Earl of Orrery; ancestor of John, 5th Earl of Cork;

Francis (1623-1699) created Viscount Shannon;

Robert (1626/1627-1691), the philosopher.

Robert Boyle (1626/1627-1691) the philosopher.
Robert Boyle F. R. S. (1627-1691) by Johann Kerseboom, 1689, courtesy of Science History Institute. He was the brother of the 2nd Earl of Cork.

The 1st Earl of Cork’s daughter Alice (1607-1666) married David Barry 1st Earl of Barrymore. His other daughters were Sarah (1609-1633) who married first Thomas Moore son of Garret Moore 1st Viscount of Drogheda, and then second, Rober Digby 1st Baron Digby; Lettice who married Lord Goring; Joan who married George Fitzgerald 16th Earl of Kildare; Catherine (1615-1691) who married Arthur Jones 2nd Viscount Ranelagh; Dorothy (1617-1668) who married Arthur Loftus and second, Gilbert Talbot son of William Talbot 1st Baronet; Mary (1625-1678) who married Charles Rich 4th Earl of Warwick;

The 1st Earl of Cork was succeeded by his eldest son, RICHARD, 2nd Earl (1612-98); who, having wedded, in 1635, the Lady Elizabeth Clifford, daughter and heiress of Henry, 5th Earl of Cumberland, was created a Peer of England, 1644, in the dignity of Baron Clifford of Londesborough, Yorkshire; and, in 1664, EARL OF BURLINGTON.

Richard Boyle (1612-1698) 1st Earl of Burlington and 2nd Earl of Cork, possibly after Sir Anthony van Dyck c.1640, NPG 893.
Oil painting on canvas, Lady Elizabeth Clifford, Countess of Burlington (1621 – 1698) by Sir Anthony Van Dyck (Antwerp 1599 – London 1641). Three-quarter length portrait, profile to left, head facing, wearing wbite satin dress and blue scarf, pointing with her left hand in a landscape. She married Richard Boyle, 2nd Earl of Cork and 1st Earl of Burlington.

The 2nd Earl of Cork had issue:

Charles, 3rd Viscount Dungarvan (1639-94); father of the 3rd Earl of Cork; Richard, who died in 1665 at the battle of Lowestoft; and daughters Frances who married Colonel Francis Courtenay, 3rd Bt. then second, Wentworth Dillon, 4th Earl of Roscommon; Anne who married Edward Montagu, 2nd Earl of Sandwich; Elizabeth who married Nicholas Tufton, 3rd Earl of Thanet; Mary; Henrietta who married Laurence Hyde, 1st Earl of Rochester.

His lordship’s eldest son Charles, 3rd Viscount Dungarvan (1639-94) having predeceased him, was succeeded by his grandson, CHARLES (c. 1662-1704), 3rd Earl of Cork and 2nd Earl of Burlington.

Charles Boyle (c. 1662-1704) 3rd Earl of Cork and 2nd Earl of Burlington, by Godfrey Kneller, courtesy of National Trust Hardwick Hall.

Charles, 3rd Viscount Dungarvan (1639-94) had a daughter Elizabeth (1662-1703) who married Lt.-Gen. James Barry, 4th Earl of Barrymore.

The 3rd Earl of Cork, 2nd Earl of Burlington espoused Juliana, daughter and heiress of the Hon Henry Noel, of Luffenham, Rutland, by whom he had surviving issue, RICHARD (1694-1753) his successor, 3rd Earl of Burlington.

Richard Boyle, 3rd Earl of Burlington (1694-1753) by Jonathan Richardson, courtesy of London’s National Portrait Gallery NPG 4818.

The 3rd Earl of Cork, 2nd Earl of Burlington had daughters Elizabeth; Juliana; Jane; Henrietta (1700-1746) who married Henry Boyle, 1st Earl of Shannon.

The 3rd Earl of Cork, 2nd Earl of Burlington was succeeded by his only son, RICHARD (1694-1753), 4th Earl of Cork and 3rd Earl of Burlington, KG, who married, in 1720, the Lady Dorothy Savile, elder daughter and co-heiress of William, 2nd Marquess of Halifax, by which lady he had three daughters, Dorothy; Juliana; Charlotte Elizabeth, m William Cavendish, Marquess of Hartington.

His lordship claimed, in 1727, the barony of Clifford, as great-grandson of the Lady Elizabeth Clifford, daughter and heiress of Henry, Lord Clifford, and the house of peers acknowledged and confirmed his lordship’s right thereto.

This nobleman was eminent as a munificent encourager of literature and the fine arts, and as a friend of Alexander Pope he will always be remembered.

His lordship died in 1753, and leaving an only surviving daughter, Lady Charlotte, who had wedded William, 4th Duke of Devonshire, and inherited the barony of Clifford; all his lordship’s other English honours ceased, while those of Ireland devolved upon his kinsman, JOHN BOYLE (1707-62), 5th Earl of Orrery, in Ireland; Baron Boyle of Marston, in Great Britain; succeeded as 5th EARL OF CORK (refer to Roger, third son of the first Earl of Cork).

Charlotte Boyle (1731-1754) daughter of Richard Boyle (1694-1753) 3rd Earl of Burlington 4th Earl of Cork. She married William Cavendish (1720-1764) 4th Duke of Devonshire and brought Lismore Castle, County Waterford, into the Cavendish family. Painting after style of George Knapton, courtesy of Chiswick House collection.
Richard Boyle 4th Earl of Cork and 3rd Earl of Burlington and Dorothy Savile attributed to Aikman, William Aikman (1682-1731).
Oil painting on canvas, Possibly Lady Dorothy Savile, Countess of Burlington and Countess of Cork (1699-1758) by Michael Dahl, circa 1720. Inscribed top right in gold: Lady Dorothy Saville / Daughter to the Marquis of Halifax / married to the Earl of Burlington. A half-length portrait of a young woman, facing, wearing white decollete dress with blue ribbon. Courtesy of National Trust Hardwick Hall
Lady Dorothy Savile, Countess of Burlington (1699-1758) with her Daughter Lady Dorothy Boyle, later Countess of Euston (1724-1742) by Michael Dahl courtesy of National Trust Hardwick Hall. She married Richard Boyle 4th Earl of Cork and 3rd Earl of Burlington.

The 1st Earl of Cork’s son ROGER (1621-1679) was created 1st Earl of Orrery.

Lady Mary Boyle nursing her son Charles, by Godfrey Kneller (1646-1723) Adams auction 18 Oct 2022. I think this could be Mary née Sackville (1637-1679) who married Roger Boyle 2nd Earl of Orrery. Her son Charles Boyle (1674-1731) became the 4th Earl of Orrery.
Charles Boyle 4th Earl of Orrery, possibly a copy, based on painting by Charles Jervas.

JOHN BOYLE (1707-62), 5th Earl of Orrery, in Ireland; Baron Boyle of Marston, in Great Britain; succeeded as 5th EARL OF CORK (refer to Roger, third son of the first Earl of Cork).

His lordship wedded firstly, in 1728, the Lady Henrietta Hamilton, youngest daughter of George, 1st Earl of Orkney KT, and had issue: Charles, Viscount Dungarvan (1729-1759); HAMILTON, his successor; Elizabeth.

Mrs John O’Neill (née Henrietta Boyle) (1756-1793), Poet and Patron of Mrs Siddons, Engraver John Raphael Smith, English, 1752-1812 After Matthew William Peters, English, 1742-1814, courtesy of National Gallery of Ireland. She was the wife of John O’Neill (1740-1798), 1st Viscount, of Shane’s Castle, County Antrim, and the daughter of Charles Boyle, Viscount Dungarvan, who was the son of John Boyle 5th Earl of Orrery and 5th Earl of Cork.

He espoused secondly, Margaret, daughter and sole heiress of John Hamilton, by whom he had further issue: EDMUND, 7th Earl of Cork; Catherine Agnes; Lucy. He was a writer.

He was succeeded by his eldest surviving son, HAMILTON (1729-64), 6th Earl of Cork and Orrery, who died unmarried, in little more than a year after his father, when the honours devolved upon his brother, EDMUND (1742-98), 7th Earl of Cork and Orrery, who married firstly, in 1764, Anne, daughter of Kelland Courtenay, and had issue: John Richard, Viscount Dungarvan (1765-8); EDMUND, of whom hereafter; Courtenay (the Hon Sir), Vice-Admiral in the Royal Navy; Lucy Isabella.

His lordship espoused secondly, in 1786, Mary, youngest daughter of John, 1st Viscount Galway, without further issue.

He was succeeded by his eldest surviving son, EDMUND (1767-1856), 8th Earl of Cork and Orrery, KP, a General in the Army, who married, in 1795, Isabella Henrietta, third daughter of William Poyntz, of Midgam house, Berkshire, and had issue: Edmund William, Viscount Dungarvan (1798-1826); George Richard (1799-1810); CHARLES, of whom presently; John, ancestor of the 12th and 13th Earls; Robert Edward; Richard Cavendish; Isabella Elizabeth; Lucy Georgina; Louisa.

His lordship’s eldest surviving son CHARLES (1800-34), styled Viscount Dungarvan, wedded, in 1828, the Lady Catherine St Lawrence, daughter of William, 2nd Earl of Howth, and had issue:

RICHARD EDMUND ST LAWRENCE, his successor;

William George;

Edmund John;

Louisa Caroline Elizabeth; Mary Emily.

His lordship predeceased his father, and the family honours devolved upon his eldest son,

RICHARD EDMUND ST LAWRENCE (1829-1904), as 9th Earl of Cork and Orrery, KP, who married, in 1853, the Lady Elizabeth Charlotte de Burgh, daughter of Ulick John, 1st Marquess of Clanricarde, and had issue: CHARLES SPENCER CANNING, his successor; ROBERT JOHN LASCELLES, 11th Earl; Emily Harriet Catherine; Grace Elizabeth; Isabel Lettice Theodosia; Honora Janet; Dorothy Blanche.

Anne Boyle née Courteney, Countess of Cork and Orrery (1742-1785) Engraver James Watson, Irish, c.1740-1790 After Hugh Douglas Hamilton, Irish, 1740-1808, courtesy of National Gallery of Ireland. She married Edmund Boyle 7th Earl of Cork, 7th Earl of Orrery.

The 1st Earl of Cork’s son Francis (1623-1699) was created 1st Viscount Shannon.

Henry Boyle, M.P. (1682-1764), Speaker of the Irish House of Commons, later 1st Earl of Shannon Date: 1742, Engraver John Brooks, Irish, fl.1730-1756 After Unknown Artist, England, 18th century, English, courtesy of National Gallery of Ireland.
Henry Boyle 1st Earl of Shannon by Stephen Slaughter, in Ballyfin Demesne, courtesy of Parliamentary Art Collection.
Richard Boyle, 2nd Earl of Shannon by Arthur Devis, courtesy of National Museums of Northern Ireland.
Richard Boyle, 2nd Earl of Shannon (1727–1807) (Joshua Reynolds, 1759 or later).
Anne Boyle (1700-1742) 2nd Lady Mountjoy, wife of William Stewart 2nd Viscount Mountjoy by Garrett Morphy courtesy of Adams auction 19 Oct 2021. She was the daughter of Murrough Boyle, 1st Viscount of Blessington.
Edward Brabazon 7th Earl of Meath (1691-1772).
Anthony Brabazon 8th Earl of Meath (1721-1790).
John Chambé Brabazon 10th Earl of Meath (1772-1851).
Melosina Adelaide Brabazon née Meade (1780-1866), wife of 10th Earl of Meath.
Theodosia née Brabazon (1811-1876), daughter of John Chambre Brabazon 10th Earl of Meath, she married Archibald French Acheson, 3rd Earl of Gosford.
William Brabazon, 11th Earl of Meath (1803-1887).
Normand Brabazon 13th Earl of Meath (1869-1949).
Lambert Brabazon, 18th Century School, courtesy Adam’s 17th May 2005. This could be Lambert Brabazon b. 1742 d. 1811, of Rath House, Termonfeckin, County Louth. He had a brother Henry (1739-1811) who had a son Henry (1771-1815).
Henry Brabazon in a blue coat, 19th Century School, courtesy Adam’s 17 May 2005. I’m not sure which Henry Brabazon this is.
Henry Brabazon in a green coat courtesy, 18th Century School, Adam’s 17 May 2005 – again, I’m not sure which Henry Brabazon this is.
Hilary Brabazon in a mauve dress, Irish School, 18th Century, courtesy Adam’s 17 May 2005.
Sidney Brabazon in a blue dress, Irish School, 18th Century, courtesy Adam’s 17 May 2005.
Anna King née Brinkley, wife of James King (1800-1869) 5th Earl of Kingston, who lived in Mitchelstown. She was daughter of Matthew Brinkly of Parsonstown House, County Meath.
Esther née Brinkley (d. 1901), wife of John Alexander, High Sheriff of Carlow 1824, MP for Carlow 1853-1859, by Stephen Catterton Smith, courtesy of Fonsie Mealy auction. Daughter of Matthew Brinkly of Parsonstown House, County Meath. She married John Alexander on 18 Oct 1848 and he first brought electricity to Milford. He was high sheriff of County Carlow 1824 and MP for Carlow 1853-1859.
Rose Dorothy Brooke, cousin of the artist, 1913 by Eva Henrietta Hamilton, photograph courtesy of National Gallery of Ireland.
With inscription verso ‘Sir Henry Brooke Bart Son of Francis Brooke, Major of 18th… of Hannah, Sister of 1st Lord Dunally. He married Harriott Butler, granddaughter of Earl Lainsborough. He rebuilt the House of Colebrooke in 1822. Died at Colebrooke, 24th March 1834, aged 63 years.‘ Courtesy of Adam’s auction 10 Oct 2017. Henry Brooke (1770-1834) Bt.of Colebrooke, Co Fermanagh.
Charles Robert Hamilton (1846-1913), photograph courtesy of Hamwood house website. He is probably seated with his wife Louisa Caroline Elizabeth née Brooke (1850-1922).
“Capability” Launcelot Brown (1716-1783), Landscape gardener, painting by Nathaniel Dance (later Sir Nathaniel Holland, Bt), c. 1773, courtesy of National Portrait Gallery NPG 6049
John Browne (1709-1776), Baron Mount Eagle, 1st Earl of Altamont, of Westport, County Mayo, after Joshua Reynold, Adams auction 18 Oct 2022

Timothy William Ferres tells us of the Earls of Kenmare, County Kerry: http://lordbelmontinnorthernireland.blogspot.com/2013/08/kenmare-house.html

THE RT HON SIR VALENTINE BROWNE (d 1589) in 1583, received instruction, jointly with Sir Henry Wallop, for the survey of several escheated lands in Ireland. He was subsequently sworn of the Privy Council, and represented County Sligo in parliament in 1585. In the same year, Sir Valentine purchased from Donald, Earl of Clancare, all the lands, manors, etc in counties Kerry and Cork, which had been in the possession of Teige Dermot MacCormac and Rorie Donoghoemore.

Sir Valentine married firstly, Alice or Elizabeth, daughter of Robert Alexander, of London, and had issue, a son. He wedded secondly, Thomasine, sister of the Lord Keeper of the Great Seal, Sir Nicholas Bacon, and had further issue (with a daughter), two sons.

Sir Valentine’s eldest surviving son, SIR NICHOLAS BROWNE, Knight, of Ross, County Kerry, who wedded Sicheley Sheela, daughter of O’Sullivan Beare, and had issue: VALENTINE, his heir;
Anne.

Sir Nicholas died in 1616, and was succeeded by his son, VALENTINE BROWNE, High Sheriff of County Kerry, 1623, who was created a baronet in 1622, designated of Molahiffe, County Kerry.

Sir Valentine, after his father’s decease, presented a petition to JAMES I, praying an abatement of the yearly rent reserved on the estate which he held from the Crown, as an undertaker, at the annual sum of £113 6s 8d, in regard of the small profit he made of it, being set out in the most barren and remote part of County Kerry; which request was complied with, and he received a confirmation, by patent, of all his lands at a reduced rent.

He married Elizabeth, fifth daughter of Gerald, Earl of Kildare [I’m not sure if this – JWB], and was succeeded by his grandson, THE RT HON SIR VALENTINE BROWNE, 3rd Baronet (1638-94); who was sworn of the Privy Council of JAMES II, and created by that monarch, subsequently to his abdication, in 1689, Baron Castlerosse and Viscount Kenmare.

His lordship, who was Colonel of Infantry in the army of JAMES II, forfeited his estates by his inviolable fidelity to that unfortunate monarch. He wedded Jane, only daughter and heir of Sir Nicholas Plunket [of Balrath], and niece of Lucas, Earl of Fingall, and had five sons and four daughters.

The 1st Viscount was succeeded by his eldest son, SIR NICHOLAS BROWNE, 4th Baronet (called 2nd Viscount); an officer of rank in the service of JAMES II, and attainted in consequence, who espoused, in 1664, Helen, eldest daughter and co-heir of Thomas Brown, by whom he obtained a very considerable fortune, but which, with his own estates, became forfeited for his life. The crown, however, allowed his lady a rent-charge of £400 per year for the maintenance of herself and her children. Sir Nicholas died in 1720, leaving four daughters and his son and successor,

SIR VALENTINE BROWNE, 5th Baronet (called 3rd Viscount) (1695-1736), who continued outlawed by the attainder of his father and grandfather. [The 4th Baronet’s daughter Frances married Edward Herbert (1693-1770 of Muckross, County Kerry]

Portrait of a Gentleman by Follower of Kneller, traditionally identified as Valentine Browne (1695-1736), 3rd Viscount Kenmare courtesy of https://www.bonhams.com/auctions/19056/lot/278/.jpg

He married, in 1720, Honora, second daughter of Colonel Thomas Butler [of Kilcash (1671-1738)], and great-grandniece of James, Duke of Ormonde, by whom he had issue, Thomas, his successor, and two daughters.

Sir Valentine espoused secondly, in 1735, Mary, Dowager Countess of Fingall, by whom he left a posthumous daughter, Mary Frances. [Mary née Fitzgerald (1716-1741/2) was the daughter of Maurice Fitzgerald, 5th Baronet of Castle Ishen, County Cork; Mary was first married to Justin Plunkett, 5th Earl of Fingall. She married thirdly John Bellew, 4th Baron Bellew of Duleek]

He was succeeded by his only son, SIR THOMAS BROWNE, 6th Baronet (called 4th Viscount) (1726-95), who wedded, in 1750, Anne, only daughter of Thomas Cooke, of Painstown, County Carlow, by whom he had a son and a daughter, Catherine, married to Count de Durfort-Civrac.

“He was succeeded by his son, SIR VALENTINE BROWNE, 7th Baronet (called 5th Viscount) (1754-1812), who was created (the viscountcy of JAMES II never having been acknowledged in law), in 1798, Baron Castlerosse and Viscount Kenmare.

“His lordship was further advanced to the dignity of an earldom, in 1800, as EARL OF KENMARE.”

Valentine Browne (1754-1812), 1st Earl of Kenmare by Hugh Douglas Hamilton courtesy of Country House Collections at Slane Castle by Adam’s 2012.

He married firstly, in 1777, Charlotte, daughter of Henry, 11th Viscount Dillon [of Costello-Gallin], and had an only daughter, Charlotte. [She married George Goold, 2nd Bt of Old Court, Co. Cork.]

His lordship wedded secondly, in 1785, Mary, eldest daughter of Michael Aylmer, of Lyons, County Kildare, and had issue,

VALENTINE (1788-1853) his successor as 2nd Earl;
Thomas (1789-1871) who became 3rd Earl;
William;
Michael;
Marianne; Frances.

His lordship was succeeded by his eldest son, VALENTINE, 2nd Earl (1788-1853), PC, who espoused, in 1816, Augusta, daughter of Sir Robert Wilmot, 2nd Baronet, though the marriage was without issue, when the family honours devolved upon his brother,

THOMAS, 3rd Earl (1789-1871), who married, in 1822, Catherine, daughter of Edmond O’Callaghan [d. 1791. Another daughter of Edmond O’Callaghan, Ellen, married James John Bagot of Castle Bagot, Rathcoole. His daughter Elizabeth married Gerald Dease of Turbotstown, a Section 482 property].

John Denis Browne (1756-1809), 1st Marquess of Sligo, 1806 by engraver William Whiston Barney after John Opie, courtesy of National Gallery of Ireland.
Robert Brown, 1720 by Godfrey Kneller from Coolattin house sale, 2016, Shepphards.
The Reverend Jemmet Browne (of Riverstown, County Cork) at a meet of foxhounds, by Peter Tillemans, courtesy of Yale Centre for British Art.
A portrait of Alice Waterhouse (1700-1782), wife of Bishop Jemmett Browne. (1703-1782), Bishop of Cork and Archbishop of Tuam. They lived at Riverstown, County Cork.
John Brownlow (1690-1754) 1st Viscount Tyrconnell.
William Brownlow (1726-1794) (after Gilbert Stuart) by Charles Howard Hodges courtesy of Armagh County Museum.
Lucy Loftus née Brydges (1654-1681? or 1646-1689?) of Sudeley Manor, Gloucestershire, England, by Peter Lely, wife of Adam Loftus (1632-1691), 1st and last Viscount Lisburne.
Portrait of Ulick de Burgo or Bourke, 5th Earl of Clanricarde (d. 1657). He was created Marquess of Clanricarde. He was Lord Deputy and Commander in Chief of Royalist forces against Cromwell in 1649. His Irish estates were lost but then recovered by his widow after the restoration of Charles II to the throne.
Henry de Burgh, (1743-1797) 1st Marquess of Clanricarde 2nd creation, as Knight of St. Patrick, by engraver William Sedgewick, after Robert Hunter, courtesy of National Gallery of Ireland.
Henry de Burgh (1742/3-97) 2nd Marquess and 12th Earl of Clanricarde in robes of Knight of the Order of St. Patrick.
John Thomas De Burgh (1744-1808) 13th Earl of Clanricarde was created 1st Earl of Clanricarde, Co. Galway.
Ulick John De Burgh (1802-1874), 14th Earl and 1st Marquess of Clanricarde (3rd creation).
The 2nd Marquess, Hubert George De Burgh-Canning (1832-1916), “the notorious miser and eccentric who spent his life in squalid rooms in London and dressed like a tramp.”
Maria De Burgh, Lady Downes (1788-1842) of Bert House, County Kildare, attributed to Adam Buck, only child and heiress of Walter Bagenal of Duckleckney and Mount Leinster Lodge, Co Carlow, courtesy of Fonsie Mealy auction.
Maria de Burgh, Lady Downes (1788-1842), only child and heiress of Walter Bagenal of Dunleckney Manor, and Mount Leinster Lodge, Killedmond, County Carlow, courtesy of Fonsie Mealy auction.
Thomas Burgh, Royal Hospital Kilmainham, 15th October 2023.
Charles William Bury (1801-1851), 2nd Earl of Charleville by Alfred, Count D’Orsay 1844, courtesy of National Portrait Gallery NPG 4026(12).
Charles William Bury, 2nd Earl of Charleville, seated in red cloak before a curtain, portrait by Henry Pierce Bone, 1835.
Humphrey Butler, 4th Viscount and later 1st Earl of Lanesborough, (c.1700-1768) Engraver John Brooks, Irish, fl.1730-1756 After C. Brown, courtesy of National Gallery of Ireland.
Female member of Butler family, Cahir Castle, courtesy of Fonsie Mealy auction
Probably James Butler (c. 1305-1337), the 1st Earl of Ormond.
Probably Eleanor de Bohun (c. 1304-1363), the wife of James Butler the 1st Earl of Ormond, in St. Mary’s Church, Gowran, County Kilkenny.

The Butlers of Ormonde

Piers Butler (d. 1539) 8th Earl of Ormonde married Margaret Fitzgerald, daughter of Gerald Fitzgerald 8th Earl of Kildare.

They had daughters Ellen (d. 1597) who married Donough O’Brien (d. 1553) 1st Earl of Thomond; Margaret married Barnaby FitzPatrick, 1st Baron of Upper Ossory; Joan married James Butler, 10th Baron Dunboyne; Eleanor married Thomas Butler 1st Baron Caher; Katherine married Richard Power, 1st Baron le Power and Coroghmore first and secondly, James FitzJohn FitzGerald, 13th Earl of Desmond; Ellice married Gerald FitzJohn FitzGerald (d. 1553, father of 1st Viscount Decies).

They had sons John Butler (d. 1570) who lived in Kilcash, County Tipperary and was father of Walter (1569-1632) 11th Earl of Ormond; Richard Butler (d. 1571) 1st Viscount Mountgarret; Thomas who died in 1532; and James Butler (d. 1546) 9th Earl of Ormonde.

James Butler (1504-1546), Soldier, 9th Earl of Ormond and Ossory by Francesco Bartolozzi, published by John Chamberlaine, after Hans Holbein the Younger publ. 1797, courtesy of National Portrait Gallery NPG D39383.

James Butler (d. 1546) 9th Earl of Ormonde married Joan Fitzgerald, daughter of James FitzMaurice FitzGerald, 10th Earl of Desmond. She gave birth to Thomas Butler (1531-1614) who became 10th Earl of Ormond.

Portrait of Thomas Butler, 10th Earl of Ormond (1531-1614) in three-quarter armour holding a wheelock pistol, with his coat of arms at upper left, by Steven van der Meulen.

The 9th Earl also had a son Edmond (d. 1602) who lived in Cloughgrenan, County Carlow, who gave rise to the Baronets of Cloughgrenan.

The 10th Earl of Ormond, “Black Tom,” had no direct heir so the Earldom passed to his nephew, Walter, a son of Sir John Butler (d. 1570) of Kilcash. Unlike his uncle, who had been raised at Court and thus reared a Protestant, Walter the 11th Earl of Ormond was a Catholic. See my entry about the Ormond Castle at Carrick-on-Suir for more on “Black Tom.” https://irishhistorichouses.com/2022/06/26/opw-sites-in-munster-clare-limerick-and-tipperary/

Walter Butler’s claim to the family estates was blocked by James I. The latter orchestrated the marriage of Black Tom’s daughter and heiress Elizabeth to a Scottish favourite Richard Preston, Baron Dingwall. The King gave Preston the title Earl of Desmond (after the Fitzgeralds lost the title, due to their Desmond Rebellion), and awarded his wife most of the Ormond estate, thus depriving Walter of his inheritance. Walter refused to submit and was imprisoned for eight years in the Fleet, London. He was released 1625. Walter’s nine-year-old grandson, James, became the heir to the titles but not the estates.

James (1610-1688) 12th Earl of Ormond (later 1st Duke of Ormond) was the son of Thomas Butler (d. 1619) Viscount Thurles, and Elizabeth Poyntz. Following his father’s death in 1619, 9-year-old James became direct heir to the Ormond titles. He was made a royal ward and was educated at Lambeth Palace under the tutelage of George Abbot, Archbishop of Canterbury.

James Butler (1610-1688), 1st Duke of Ormond, Viceroy from 1643, on and off until he died in 1688, Dublin Castle, painting by Sir Peter Lely, circa 1665.
James Butler, 1st Duke of Ormonde (1610–1688) after John Michael Wright courtesy of National Trust images.

Another son of Thomas Butler (d. 1619) Viscount Thurles, and Elizabeth Poyntz was Richard Butler (d. 1701) of Kilcash, County Tipperary.

In order to reunite the Ormond title with the estates, plans were made for a marriage between James and the daughter of the Prestons, Elizabeth, to resolve the inheritance issue. In 1629 James married his cousin Elizabeth Preston and reunited the Ormond estates.

Elizabeth Butler née Preston (1615-1684) Baroness Dingwall, Countess of Ormond later Duchess, with her son Thomas, Lord Ossory (1634-1680) attributed to David des Granges. She was the daughter of Black Tom’s daughter and heiress Elizabeth and Richard Preston, Baron Dingwall.
James Butler of Kilkenny Castle, courtesy of Fonsie Mealy auction. It was in a Florentine style gilt frame and is by the 18th century English school.
James Butler (1610-1688) 1st Duke of Ormonde by Willem Wissing circa 1680-1685, courtesy of National Portrait Gallery NPG 5559.
James Butler (1611–1688), 1st Duke of Ormonde, in Garter Robes, Peter Lely (1618-1680) (style of), 1171123 National Trust.

The 1st Duke of Ormond had three sons: Thomas (1634-1680), 6th Earl of Ossory; Richard (1639-1686), 1st and last Earl of Arran; and John (1634-1677), 1st and last Earl of Gowran. He had two daughters, Elizabeth (1640-1665) and Mary (1646-1710). Mary married William Cavendish, 1st Duke of Devonshire and Elizabeth, the 2nd Earl of Chesterfield.

Thomas Butler (1634-1680) 6th Earl of Ossory, Eldest son of James, Duke of Ormond, in armour standing near his charge, attributed to Van Dyck, courtesy of Adam’s auction 11 Oct 2016. Provenance: Formerly in the collection of the Earl of Fitzwilliam, 1948.

Thomas Butler, 6th Earl of Ossory, (1634-1680) was born at Kilkenny Castle, the eldest son of James Butler, 1st Duke of Ormonde and Lady Elizabeth Preston.
His early years were spent in Ireland and France. He was an accomplished athlete and a good scholar. In 1661 Butler became a member of both the English and Irish houses of Commons, representing Bristol in the former and Dublin University in the latter House. In 1665 he was appointed lieutenant-general of the army in Ireland and in 1666 was created an English peer as Lord Butler.

Having proven himself as an expert military strategist, and whilst visiting France in 1672, he rejected the liberal offers made by Louis XIV to induce him to enter the service of France, and returning to England he added to his high reputation by his conduct during the Battle of Texel in August 1673. From 1677 until 1679, he served alongside his father as a Lord of the Admiralty.

The earl was chosen to William, Prince of Orange, and in 1677 he joined the allied army in the Netherlands, commanding the British section and winning great fame at the siege of Mons in 1678. He acted as deputy for his father, who was lord-lieutenant of Ireland, and in parliament he defended Ormonde’s Irish administration with great vigour. In 1680 he was appointed governor of English Tangier, but his death prevented him from taking up his new duties.

Ossory had eleven children, including James Butler who became the 2nd Duke of Ormonde in 1688. A Portrait of Thomas Butler by Lely, painted in 1678 is in the National Portrait Gallery, London and a portrait by the same hand as his father, the 1st Duke is in the ownership of the National Trust at Kedleston Hall.
Thomas Butler (1634-1680) 6th Earl of Ossory, studio of Sir Peter Lely, circa 1678, courtesy of National Portrait Gallery NPG 371. Second son of the Duke and Duchess of Ormond and father of 2nd Duke of Ormonde.
Richard Butler (1639-1685) 1st Earl of Arran, son of the Duke of Ormonde, by Godfrey Kneller, courtesy of National Trust Hardwick Hall.
Mary Cavendish née Butler (1646-1710) Duchess of Devonshire in the style of Willem Wissing courtesy of National Trust Hardwick Hall. She was the daughter of James, 1st Duke of Ormond.
Elizabeth Stanhope née Butler (1640-1665), daughter of the 1st Duke of Ormonde and 2nd wife of Philip Stanhope 2nd Earl of Chesterfield Date: 1681/1688 Engraver: Isaac Beckett, English, c.1653-c.1715/19 After Peter Lely, Dutch, 1618-1680, courtesy of National Gallery of Ireland.
Elizabeth Stanhope née Butler Countess of Chesterfield By Peter Lely – http//:www.thepeerage.com/p951.htm#i9503, Public Domain, https//:commons.wikimedia.org

Thomas Butler (1634-1680) 6th Earl of Ossory and his wife Amelia of Nassau were the parents of James Butler (1665-1745) 2nd Duke of Ormonde. Another son was Lt.-Gen. Charles Butler, 1st Earl of Arran (1671-1758).

James Butler (1665-1745) 2nd Duke of Ormond, studio of Michael Dahl, oil on canvas, circa 1713 courtesy of National Portrait Gallery NPG 78.
James Butler (1665-1745) 2nd Duke of Ormonde courtesy of National Maritime Museum, Greenwich, London.
Oil painting on canvas, James Butler, 2nd Duke of Ormonde (1665-1745) by Sir Godfrey Kneller (Lubeck 1646/9 – London 1723). A three-quarter length portrait, turned slightly to the right, facing, gazing at spectator, wearing armour, blue sash and white jabot, a baton in his right hand, his left on his hip, his helmet placed at the left; cavalry in the distance, right. Photograph courtesy of National Trust Images.

James Butler (1665-1745) 2nd Duke of Ormond married, first, Anne Hyde, and second, Mary Somerset.

Anne Hyde (1669-1685), Countess of Ossory, first wife of James Butler 2nd Duke of Ormonde. Painting by William Wissing
Mary Somerset (1665-1733), Duchess of Ormond, wife of James Butler 2nd Duke of Ormond (1665-1745), painted by Michael Dahl.

James the 2nd Duke had no son, so the title passed to his brother Charles Butler (1671-1758) 1st Earl of Arran. He was enabled by an Act of Parliament in 1721 to recover his brother’s forfeited estates, but the dukedom ended with him. He was, however, also the 14th Earl of Ormonde and this title continued. He had no children, however, so the title passed to a cousin.

Charles Butler (1671-1758) 1st Earl of Arran by James Thornhill, courtesy of Examination Schools, University of Oxford.

John Butler (d. 1766) of Kilcash and Garryricken became 15th Earl of Ormonde. He was a descendant of Walter Butler the 11th Earl.

Colonel Thomas Butler of Kilcash (c. 1738) by James Latham, father of John Butler (d. 1766) of Kilcash and Garryricken who became 15th Earl of Ormonde.

Richard Butler (d. 1701) of Kilcash, County Tipperary was a younger brother of James the 1st Duke of Ormond. There is a castle ruin still in Kilcash, under the protection of the Office of Public Works but not open to the public. His son was Walter Butler of Garryricken (1633-1700). Walter had sons Christopher (the Catholic Archbishop) and Thomas (d. 1738).

Christopher Butler (d. 1758?) Catholic Archbishop of Cashel and Emly, by James Latham. Christopher Butler was Catholic archbishop of Cashel and Emly, son of Walter Butler of Garryricken and brother of Colonel Thomas Butler of Kilcash.

The 15th Earl had no children so the title then passed to a cousin, Walter Butler (1703-1783), 16th Earl, another of the Garryricken branch, who also became the 9th Earl of Ossory. He took up residence at Kilkenny Castle. Walter, a Catholic, was unable to exercise a political role.

John Butler 17th Earl of Ormonde, nicknamed “Jack of the Castle,” was son of the 16th Earl. He in turn was father of Walter Butler (1770-1820) 18th Earl of Ormonde, 1st And Last Marquess of Ormonde (of the 2nd creation).

Susan Frances Elizabeth Wandesford (1754-1830) Duchess of Ormonde. She was the daughter of John Wandesford 1st and last Earl Wandesford and 5th Viscount Castlecomer, and wife of John Butler 17th Earl of Ormonde. Painting by Hugh Douglas Hamilton.
Walter Butler (1770-1820) became the 18th Earl and 1st Marquess of Ormonde.

His younger brother James Wandesford Butler (1777-1838) was later created 1st Marquess of Ormonde of the third creation, 19th Earl of Ormonde. He was the father of John Butler (1808-1854) 2nd Marquess (3rd creation) and 20th Earl of Ormonde, who was the father of James Edward William Theobald Butler (1844-1919) 3rd Marquess of Ormonde and also James Arthur Wellington Foley Butler (d. 1943) 4th Marquess of Ormonde, who was father of 5th and 6th Marquesses.

James Wandesford Butler (1777-1838) 1st Marquess of Ormonde
John Butler (1808-1854) 2nd Marquess (3rd creation) and 20th Earl of Ormonde, by Henry Weigall Jr.
Frances Jane Paget (1817-1903) Marchioness of Ormonde with her son James Earl of Ossory, by Richard Bruckner. She was the wife of the 2nd Marquess of Ormonde.
James Edward William Theobald Butler (1844-1919) 3rd Marquess of Ormonde by Walter Stoneman 1917, courtesy of National Portrait Gallery NPG x43817.
Edmund Butler 11th Viscount Mountgarret (1745-1793) in the style of Hugh Douglas Hamilton, Adams auction 19 Oct 2021.
Henrietta Butler (1750-1785) Viscountess Mountgarret in the style of Hugh Douglas Hamilton, Adams auction 19 Oct 2021. She was the daughter of Somerset Hamilton Butler, 1st Earl of Carrick, 6th Viscount of Ikerrin and wife of Edmund Butler 11th Viscount Mountgarret (1745-1793).
Mildred Butler née Fowler (c. 1770-1830) Countess of Kilkenny, wife of Edmond 12th Viscount Mountgarret and 1st Earl of Kilkenny and daughter of Robert, Archbishop of Dublin (1724-1801) by Thomas Hickey, courtesy of Sheppards auction Nov 26 2013.
Elizabeth Butler (1674-1708), wife of Peter Aylward, daughter of Richard Butler, 2nd Baronet of Paulstown (or Poulstown), County Kilkenny.
Juliana Butler (1727/8-1804) Countess of Carrick (wife of Somerset Hamilton Butler 1st Earl of Carrick) with her younger daughters Lady Henrietta Butler (1750-1785), later Viscountess Mountgarret, wife of 11th Viscount, and Lady Margaret Butler/Lowry-Corry (1748-1775), by Richard Cosway, courtesy of National Trust, Castle Coole, County Fermanagh.
Margaret Lowry-Corry née Butler (1748-1775) by Robert Hunter, courtesy of National Trust, Castle Coole, County Fermanagh. She married Armar Lowry-Corry 1st Earl of Belmore. She was the daughter of Somerset Hamilton Butler, 8th Viscount Ikerrin, 1st Earl of Carrick, County Tipperary.
Harriet Anne née Butler (1799-1860) Countess of Belfast, wife of George Hamilton Chichester 3rd Marquess of Donegal and daughter of Richard Butler, 1st Earl of Glengall.
Richard Butler (1794-1858) 2nd Earl of Glengall, by Richard James Lane, lithograph, 1854, National Portrait Gallery of London D22384.
Margaret Lauretta Butler (née Mellish), Countess of Glengall by Richard James Lane courtesy of National Portrait Gallery London NPG D22383.
Elizabeth, Countess of Lanesborough (née La Touche), (1764-1788), wife of Robert Henry Butler 3rd Earl of Lanesborough. Date 1791 Engraver Francesco Bartolozzi, Italian, 1725-1815 After Horace Hone, English, 1756-1825, photograph courtesy of National Gallery of Ireland.

[1] https://en.wikipedia.org/wiki/Earl_of_Barrymore

Places to visit and stay in County Kilkenny, Leinster.

On the map above:

blue: places to visit that are not section 482

purple: section 482 properties

red: accommodation

yellow: less expensive accommodation for two

orange: “whole house rental” i.e. those properties that are only for large group accommodations or weddings, e.g. 10 or more people.

green: gardens to visit

grey: ruins

Carlow, Dublin, Kildare, Kilkenny, Laois, Longford, Louth, Meath, Offaly, Westmeath, Wexford and Wicklow are the counties that make up the Leinster region.

As well as places to visit, I have listed separately places to stay, because some of them are worth visiting – you may be able to visit for afternoon tea or a meal.

For places to stay, I have made a rough estimate of prices at time of publication:

€ = up to approximately €150 per night for two people sharing (in yellow on map);

€€ – up to approx €250 per night for two;

€€€ – over €250 per night for two.

For a full listing of accommodation in big houses in Ireland, see my accommodation page: https://irishhistorichouses.com/accommodation/

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€10.00

Places to visit in County Kilkenny:

1. Aylwardstown, Glenmore, Co Kilkenny – section 482 

2. Ballybur Castle, Ballybur, Cuffesgrange, Co. Kilkenny – section 482

3. Ballysallagh House, Johnswell, Co Kilkenny – section 482 

4.  Kilfane Glen & Waterfall Garden, Thomastown, County Kilkenny – 482 – garden only

5. Kilkenny Castle, Kilkenny – OPW

6. Kilkenny Design Centre, Castle Yard, Kilkenny – Design Centre on 482

7. Kilrush House, County Kilkenny, ihh member, by appt. 

8. Rothe House, Kilkenny, County Kilkenny  

9. Shankill Castle, Paulstown, Co. Kilkenny – section 482 

10. Tybroughney Castle, Piltown, Co Kilkenny – 482 

11. Woodstock Gardens and Arboretum, Woodstock, Inistioge, Kilkenny

Places to stay, County Kilkenny

1. Ballyduff, Thomastown, Co Kilkenny – wedding venue, B&B 

2. Blanchville Coachyard, Dunbell, County Kilkenny €

3. Butler House, Kilkenny, co Kilkenny – accommodation 

4. Clomantagh Castle, Co Kilkenny – €€ for two, € for 3-8

5. Grange Manor, Ballyragget, County Kilkenny B&B

6. Lyrath House, near Kilkenny, County Kilkenny – hotel 

7.  Mount Juliet, Thomastown, County Kilkenny – hotel 

8. Tubbrid Castle, County Kilkenny €€€ for two, € for 8

9. Waterside Guest House, Graiguenamanagh, County Kilkenny

Whole House Rental County Kilkenny:

1. Annamult House, Bennettsbridge, Co Kilkenny – whole house accommodation

2. Ballybur Castle, County Kilkenny €€€ for two, € for 10

3. Castle Blunden, County Kilkenny – whole house accommodation

Places to visit in County Kilkenny:

1. Aylwardstown, Glenmore, Co Kilkenny – section 482 

http://www.kelvale.com
Open dates in 2024: Aug 1-31, Sept 1-30, 9am-5pm

Fee: adult €5, OAP/student €3, child free

Open dates in 2024: Aug 1-31, Sept 1-30, 2pm-6pm

Fee: Free

Photograph courtesy of Ballybur website.

The website tells us:

Ballybur Castle is the ancient seat of the Comerford clan, built by Richard Comerford around 1588. Despite the violent times, it seems to have maintained a fairly peaceful existance. It was one of the seats of the powerful Comerford family, the only one remaining.

Ballybur Castle is typical of the single family castles of that period, built primarily for protection against warring groups travelling the countryside. They were usually surrounded by more temporary structures where the farm labourers lived and livestock were kept.

When trouble was brewing, a roofwatch was kept and at the sight of any hostile group, labourers and livestock were gathered into the castle.

The Comerford castles flourished in the 1500s and well into the 16th century, all three castles were clustered in this area. (There were two more castles near Ballybur Castle belonging to the Comerford clan).

One can imagine the social standing of the Comerfords, the entertainment and grand parties that took place in their castles were renowned. The Comerfords occupied Ballybur Castle during the confederation that took place in Kilkenny in 1641.

And so it happened that the papal Nunco, Cardinal Rinnuncini on his way to Kilkenny stopped at Ballybur Castle where a reception was held in honour of him and many important personages came to pay their respect.

The cardinal presented a very ornate rosary to Richard and Mary Comerford. This rosary was passed on through generations of the castle’s owners at Ballybur. It was presented to Rothe House by father Langton Hayward who said he was given the rosary by the Marnell sisters in 1970, who still occupied the castle.

John Comerford, son of Richard Comerford, was the last Comerford to reside at Ballybur Castle. He was banished to Connaught in 1654 and forfeited his castle and lands to Brian Manseragh during the Cromwellian distribution survey of that period. Interestingly, this Brian Manseragh is a forefather of Martin Manseragh, the present T.D. from Tipparary who was the Taoiseach’s special advisor for the north during the current peace negotiations.

We know little about the period between 1655 until 1841 when it is stated that Thomas Deigan was the occupier of Ballybur.

I found a photograph in the National Library of Ireland that seems to tell us that a James Murphy lived in Ballybur, who had a daughter, Kathleen. Carol Maddock provides an extract from the Kilkenny People on the day: “… in the O’Loughlin Memorial Church in St. John’s Parish, when Chevalier Thomas O’Loughlin, Killarney Villa, Ballarat, Australia, was united in marriage with Miss Kathleen Murphy, fifth daughter of Mr. James Murphy, Ballybur Castle, Co. Kilkenny. Chevalier O’Loughlin (or Count O’Loughlin, as he now is[…]) is a prominent figure in the Catholic world in Ireland and Australia. A native of Kilkenny and the inheritor of a vast fortune in the Southern Continent … The wedding ceremony was fixed for 8 o’clock…[about thirty priests con-celebrated the mass, even some from Australia!] … followed by her sisters, the Misses Daisy and Sheela Murphy…”

Chevalier O’Loughlin wedding, large family group, 27 September 1911 (date of wedding) Photographer: A. H. Poole of Poole Photographic Studio, Waterford National Library of Ireland Ref POOLEWP 2350a

Locally it is known that the Marnell sisters married into the Deigan family. They occupied Ballybur until Frank and Aifric Gray bought it in 1979.

“The Grays at Ballybur By Ruan Gray

When mum and dad bought Ballybur in 1979, there was no roof on the castle as it is said that; “Cromwell blew it off with a cannon at the end of Ballybur lane.”

At the time when my parents bought the castle, it was in a very poor state of repair. It was their intention to spend five years on it’s restoration. They received grant aid from the Kilkenny County Council to replace the windows, some help towards the rebuilding of the roof from the Heritage Council and from Barrow Suir Development to complete the renovation.

It is now 25 years since the work began, and it has been mostly accomplished by dad and some local builders. Now it is completely refurbished and open to visitors. It truly has been a labour of love.

3. Ballysallagh House, Johnswell, Co Kilkenny R95 A6P1 – section 482 

Ballysallagh House, County Kilkenny, February 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Open dates in 2024: Feb 1-20, May 1-7, 18-31, Aug 17-31, Sept 1-5, 9am-1pm
Fee: adult €7.50, child/OAP/student €5, discount free access to local community groups

See my entry: https://irishhistorichouses.com/2022/06/17/ballysallagh-house-johnswell-co-kilkenny/

4.  Kilfane Glen & Waterfall Garden, Thomastown, County Kilkenny R95 RXO5 – 482 – garden only

Kilfane, County Kilkenny, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

See my entry:

https://irishhistorichouses.com/2021/12/16/kilfane-glen-waterfall-kilfane-thomastown-co-kilkenny/

www.kilfane.com

Open dates in 2024: July 1-31, Aug 1-31, 11am-6pm
Fee: adult €7, OAP/student/child €6.50, child €6, family €20

5. Kilkenny Castle, Kilkenny – OPW

Kilkenny Castle, May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kilkenny Castle, Kilkenny City by Sonder Visuals for Failte Ireland 2014.

see my OPW entry, https://irishhistorichouses.com/2022/10/12/office-of-public-works-properties-leinster-county-kilkenny/

6. Kilkenny Design Centre, Castle Yard, Kilkenny – Design Centre on 482

www.kilkennydesign.com
Open dates in 2024: 2 Jan-Dec 24, 28-31, Jan, Mar, Apr, June, Aug, Oct, 9am-8pm, Feb, May, July, Sept, Nov, Dec, 9am-5pm

Fee: Free

7. Kilrush House, County Kilkenny, ihh member, by appt. 

Kilrush House, photograph courtesy of National Inventory of Architectural Heritage
Kilrush House, photograph courtesy of National Inventory of Architectural Heritage.

The Historic Houses of Ireland website tells us:

William Robertson (1777 – 1850) was a native of Kilkenny where the patronage of Lord Ormonde stood him in good stead, since most of his work can be found in Kilkenny and the neighbouring counties of Laois, Tipperary and Waterford. When Richard St. George wished to move from his medieval castle at Kilrush near Freshford in 1820, Robertson was the obvious choice. His work is less exuberant than that of his namesake Daniel but he was a talented architect and produced an interesting early nineteenth century reinterpretation of the typical late-Georgian country house. 

The St Georges are a Norman family who ‘came over to England with the Conqueror’ and arrived in Ireland in the sixteenth century. They quickly became established here, with several branches in County Kilkenny and others in Galway, Leitrim and Roscommon.

The St Georges of Kilrush were active in political and cultural circles in the seventeenth and eighteenth centuries. Richard St George was an M.P. in the Irish Parliament, with a town house at No. 8 Henrietta Street, while his cousin St George Ashe was the Provost of Trinity College and a close friend of Dean Swift. St. George was also a founding member of the Dublin Philosophical Society, which encouraged his numerous publications of scientific and national interest.

Richard considered moving out of his tower-house at Kilrush in the middle of the eighteenth century but this decision was left to his heirs, who built the existing house in the early nineteenth century. Kilrush has a three bay façade, a five bay garden front, a hipped roof with widely overhanging eaves, a single very large, central chimney-stack into which all the flues are diverted, and an interesting ground plan.

The cut-stone door case is a handsome arrangement of Doric half-columns and pilasters, supporting a deep entablature with swags beneath a semi-circular leaded fanlight. The ground floor windows to either side are set in shallow recesses with elliptical heads; otherwise the elevations are quite plain.

The most interesting internal space is the landing, a perfect Doric rotunda supporting a delicately glazed dome. This partly lights the inner hall below through a circular well in the floor. The dining and drawing rooms are both finely proportioned apartments, with many original fittings and furnishings, and their original wallpaper.

Kilrush looks out over mature parkland to a large mill, almost half a mile off.  The gardens contain a stupendous collection of snowdrops, there is a tower house, the former residence of the family in the attached yard, while an interesting early garden layout with connected canals has recently been identified and is currently in the course of restoration.” [1]

8. Rothe House, Kilkenny, County Kilkenny  

Rothe House, Kilkenny, photograph by Brian Morrison 2015 for Tourism Ireland [2]

Rothe House is a treasure, older than any house in Dublin! It was built around 1594-1610, by John Rothe FitzPiers (1560-1620) for his wife Rose Archer, and is the last merchant’s townhouse in Kilkenny surviving from the early post-medieval period. [3] The house, purchased by Kilkenny Archaeological Society in 1962, is open to the public as a museum displaying a selection of the historic artefacts collected by the Society since its founding in 1947.  The artefacts relate to Kilkenny heritage throughout the ages and some date from prehistoric times.  The adjoining garden has since 2008 been open to the public and is a faithful reconstruction of an early seventeenth-century urban garden. 

Garden at Rothe House, May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rothe House, May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The National Inventory describes it:

Terraced five-bay two-storey over basement house with dormer attic on a U-shaped plan about a stone cobbled (east) courtyard with two-bay two-storey gabled central bay having jettied box oriel window to first floor, series of five round-headed openings to ground floor forming arcade, single-bay three-storey linking range to north-west, and three-bay three-storey parallel range to west (completing U-shaped plan about a courtyard) originally three-bay two-storey having round-headed carriageway to right ground floor. In use as school, c.1750. Restored, 1898, to accommodate use as Gaelic League house. Converted to use as museum, 1963-5. Restored, 1983. Restored, 1999, to accommodate use as offices.”

Rothe House, May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rothe House, May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rothe House, May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rothe House, May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Archiseek website tells us:

In 1594 a wealthy merchant called John Rothe built this magnificent Tudor mansion. Second and third generation houses were built around the cobelled courtyards and a well dating to 1604. The façade houses shops, one of them was John Rothe’s own. During the Confederation of Kilkenny, many dignitaries were entertained here by John Rothe and his cousin, the Bishop of Ossory. The building has been restored magnificently and is now home to Kilkenny Archaeological Society.” [4]

Rothe House, May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rothe House, May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rothe House, May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Plague Doctor! In 1348 there was Plague in Kilkenny. Friar John Clyn in the Franciscan Abbey across the road  recorded the effect of the plague on the town and the friary. He himself fell victim to the epidemic.  Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rothe House, May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Artefacts from the Confederation of Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rothe House, May 2018.
Rothe House, May 2018.
Rothe House, May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Viking Sword. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
“Pattens” – wooden shoes worn by women over their regular shoes to protect from mud. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

9. Shankill Castle, Paulstown, Co. Kilkenny R95 T8X7 – section 482 

www.shankillcastle.com
Open dates in 2024: Apr 6-7, 13-14, 20-21, 27-28, May 4-5, 11-13, 18-19, 25-26, June 1-2, 6-9, 13-16, 20-23, 27-30, July 4-7, 11-14, 18-21, 25-28, Aug 1-4, 8-11, 15-26, 29-30, Sept 1, 7-8, 14-15, 21-22, 28-29, Oct 5-6, 12-13, 19-20, 26-27, 11am-5pm
Fee: house & garden, adult €12 garden €6, OAP/student €10, garden €5, child, over 5 years €6, garden €3

See my entry https://irishhistorichouses.com/2023/11/30/shankill-castle-paulstown-county-kilkenny-r95-t8x7/

Shankill Castle County Kilkenny 3rd June 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

10. Tybroughney Castle, Piltown, Co Kilkenny – 482 

Tybroughney, photograph courtesy of National Inventory of Architectural Heritage.

Open dates in 2024: May 1-31, June 1-30, Mon-Sat, National Heritage Week, Aug 17-25, 11am-3pm
Fee: free

11. Woodstock Gardens and Arboretum, Woodstock, Inistioge, Kilkenny, maintained by Kilkenny County Council

Woodstock, County Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Woodstock Gardens, photograph from Lawrence Photograph Collections, National Library of Ireland, photograph from “In Harmony with Nature” exhibition at the Irish Georgian Society curated by Robert O’Byrne.

Mark Bence-Jones writes about Woodstock (1988):

p. 286. “(Fownes, Bt/EDB; Tighe/IFR) A house by Francis Bindon [for William Fownes, 2nd Baronet], probably dating from 1740s, which is unusual in being built round a small inner court, or light-shaft. Three storeys; handsomely rusticated entrance front of six bays with a central niche and statue above the entrance doorway…In 1770s Sarah Ponsonby lived here with her cousins, Sir William and Betty Fownes [born Elizabeth Ponsonby]; her friend, Eleanor Butler, having escaped from Borris, co Carlow, where she was being kept in disgrace, was let into Woodstock through a window, hiding herself in Sarah’s room for 24 hours before being discovered; shortly afterwards, the two friends left for Wales, where they subsequently became famous as the “Ladies of Llangollen.” Woodstock passed to the Tighes with the marriage of the daughter and heiress of Sir William Fownes to William Tighe, whose daughter-in-law was Mary Tighe, the poet, author of Psyche; she died at Woodstock 1810 aged 37, and Flaxman’s monument to her is in a small neo-Classical mausoleum behind the Protestant church in the village of Inistioge, at the gates of the demesne. There was also a statue of her in one of the rooms in the house. Woodstock was burnt ca 1920, and is now a ruin, but the demesne, with its magnificent beechwoods, still belongs to the Tighes.” [6]

The information board tells us that in 1804 flanking wings were added to designs by William Robertson (1770-1850). The house was burned in 1922 after being occupied by the Black and Tans.
The gardens at Woodstock, County Kilkenny, August 2021. The gardens at Woodstock, gloriously situated above the River Nore, were conceived on a grand scale by Colonel William Tighe (1794-1878) and Lady Louisa Lennox (1803-1900) as the centrepiece of a great estate. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Ladies of Llangollen, Sarah Ponsonby and Charlotte Eleanor Butler, by Richard James Lane, printed by Jérémie Graf, after Lady Mary Leighton (née Parker) courtesy of National Portrait Gallery NPG D32504.
Mary Tighe née Blachford (1747-1791), courtesy of National Gallery of Ireland.

The formal parterres were created in the 1860s by a Scotsman, Charles McDonald, for Colonel William Tighe (1794-1878) and his wife Lady Louisa née Lennox (1803-1900, daughter of Charles, 4th Duke of Richmond – she is not to be confused with Louisa Lennox (1743-1817) daughter of Charles 2nd Duke of Richmond, who married Thomas Conolly of Castletown, County Kildare). The parterre incorporates a shamrock motif. Robert O’Byrne tells us in his exhibition “In Harmony with Nature” at the Irish Georgian Society July 2022 that creating the parterres involved removing 200,000 cubic yards of earth and retention by a wall of cut granite quarried on the estate and ornamented by local craftsmen with stone finials, balls and vases.

Woodstock Gardens, photograph from Lawrence Photograph Collections, National Library of Ireland, photograph from “In Harmony with Nature” exhibition at the Irish Georgian Society July 2022 curated by Robert O’Byrne.

The estate passed to the daughter, Sarah, of William Fownes and Elizabeth Ponsonby, and Sarah married William Tighe (1738-1872) of Rossana, County Wicklow.

William Tighe of Rosanna! Portrait by by Charles Jervas (c.1675-1739), courtesy of Adams auction 19 Oct 2021.
This information board tells us about the Arboretum at Woodstock, where a number of exotic trees were planted in the nineteenth century.
Woodstock, County Kilkenny.
Entrance to walled garden at Woodstock. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Gardens at Woodstock, with reproduction Turner glasshouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
“Turner bench” which matches the glasshouse at Woodstock. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The longest and oldest Monkey Puzzle Walk in Europe, at Woodstock. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Places to stay, County Kilkenny

1. Ballyduff, Thomastown, Co Kilkenny – wedding venue, B&B 

http://ballyduffhouse.ie/booking-enquiries/ 

Ballyduff House, courtesy of National Inventory of Architectural Heritage.

The website tells us:

Ballyduff House is a classic Georgian country house with a 14th century castle, steeped in Irish history and full of the warmest of welcomes.

The River Nore sparkles as it runs along Ballyduff’s riverbank while sheep and cattle graze the pasture either side.

Open fires, the book lined library and the comfortable bedrooms furnished with Irish antiques capture an early 18th century experience tempered by discreet 21st century comfort.

This is real Ireland – calm, green and beautiful, set alongside the picturesque village of Inistioge with Dublin only an hour away.

The National Inventory tells us:

A country house representing an important component of the mid eighteenth-century domestic built heritage of County Kilkenny with the architectural value of the composition, one abutting a “roofed down” tower house, confirmed by such attributes as the deliberate alignment maximising on panoramic vistas overlooking broad parkland and the wooded River Nore; the compact rectilinear plan form centred on a restrained doorcase showing a simple radial fanlight; the diminishing in scale of the openings on each floor producing a graduated visual impression with the principal “apartments” or reception rooms defined by Wyatt-style tripartite glazing patterns; and the slightly oversailing roofline. Having been well maintained, the elementary form and massing survive intact together with substantial quantities of the original fabric, both to the exterior and to the interior, including crown or cylinder glazing panels in hornless sash frames: meanwhile, contemporary joinery; restrained chimneypieces; and sleek plasterwork refinements, all highlight the artistic potential of the composition. Furthermore, an adjacent farmyard complex ; and a walled garden (extant 1839), all continue to contribute positively to the group and setting values of a self-contained estate having historic connections with the Coghill family including Sir Josiah Coghill (1773-1850), third Baronet (Lewis 1837 II, 18); the Connellans of nearby Coolmore House (see 12403210); and Lieutenant-Colonel Frederick William John Shore (1844-1916), fourth Baron Teignmouth (NA 1901; NA 1911). NOTE: Given as the birthplace of Sir John Joscelyn Coghill (1826-1905) of Glen Barrahane in Castletownshend, County Cork (Dod’s Peerage Baronetage and Knightage 1865, 186); and George Leopold Bryan (1828-80) of Jenkinstown (Dod’s Parliamentary Companion 1875, 174).

2. Blanchville Coachyard, Dunbell, County Kilkenny

https://blanchville.ie/

Blanchville Coachyard, Dunbell, County Kilkenny, photograph from website https://blanchville.ie/

The Coach Houses & Gardener’s Cottage are, as the name suggests, part of the beautiful old stone building that was originally the Coach House at Blanchville. The building has been sensitively and extensively refurbished and now offers guests comfortable and inviting Self-Catering Accommodation in three self-contained Holiday Homes.

These Heritage Holiday Lets feature a cosy woodburning stove or open fire, fully fitted modern kitchen and relaxing bedrooms – the perfect requisite for an enjoyable weekend break or holiday in Kilkenny.

3. Butler House, Kilkenny, co Kilkenny – accommodation 

https://www.butler.ie

View to Butler House and Garden, Kilkenny Leo Byrne Photography 2015. (see [2])

The National Inventory tells us about Butler house: “Semi-detached three-bay three-storey over basement house, built 1786, with pair of three-bay full-height bowed bays to rear (east) elevation. Extended, 1832, comprising two-bay three-storey perpendicular block to right. Renovated, 1972. Now in use as hotel. One of a pair…An elegantly-composed Classically-proportioned substantial house built either by Walter Butler (1713-83), sixteenth Earl of Ormonde or John Butler (1740-95), seventeenth Earl of Ormonde as one of a pair of dower houses…Distinctive attributes including the elegant bowed bays to the Garden (east) Front contribute positively to the architectural design value of the composition while carved limestone dressings with particular emphasis on the well-executed doorcase displaying high quality stone masonry further enliven the external expression of the house in the streetscape.”

The house was home to Lady Eleanor Butler who lived here after the death of her husband Walter in 1783. Lady Eleanor Butler was the mother of John, the 17th Earl of Ormonde and her daughter, also Eleanor, was one of the famous “Ladies of Langollen”.

James, Earl of Ormonde (1777-1838, and 1st Marquess) resided in the house while the Castle was under reconstruction in 1831. A soup kitchen was run from here during the cholera epidemic of 1832.

The Royal Historical and Archaeological Association of Ireland held their meetings in Butler House in 1870. Kilkenny Design, the state design agency, restored Butler House in 1972. The decor and furnishings reflect a certain 1970s Art Deco style, which because of the muted colours and natural fabrics used, proved sympathetic to the original features of the house. In 1989, the Kilkenny Civic Trust acquired both Butler House and the Castle Stables. 

4. Clomantagh Castle, Co Kilkennyaccommodation, whole house on airbnb: €€ for two, € for 3-8

Clomantagh Castle, courtesy of National Inventory of Architectural Heritage.

https://www.airbnb.ie/rooms/29346656?federated_search_id=050f383f-6e5e-45b5-9989-b166bfe7e70d&source_impression_id=p3_1650104926_er%2FjFSqCgEWzQLW5

The National Inventory tells us it is a farmhouse erected by John Shortal (d. 1857) or Patrick Shortal (d. 1858) representing an integral component of the mid nineteenth-century domestic built heritage of County Kilkenny with the architectural value of the composition, one occupying the site of a hall adjoining the fifteenth-century Clomantagh Castle.

Clomantagh Castle - was home to the [8th] Earl of Ormond, Pierce Ruadh (1467-1539). When he died in 1539 the castle along with other properties was passed to his son Richard Butler, first Viscount Mountgarret (1500-1571). The castle and its estate stayed in the Butler family until it was forfeited during the war with Cromwell to Lieutenant Arthur St. George [ancestor of the Kilrush family]. After the war the castle changed hands twice more and a farmhouse was added by the Shortall family, the owners in the 1800’s, before its last owner  Willie White a local vet. The property is now owned by a non profit making charity called the Landmark Trust who preserve historic buildings. 

The Landmark site tells us:

The name Clomantagh comes from the Irish “cloch mantaigh”, meaning missing tooth or gappy smile. Locals gave this name to the castle as the irregular castellation reminded them of someone smiling with missing teeth.  

“It has been established that the tower and bawn were built in the 15th century (c.1430). The tower house has been modified and extended over the centuries, and in the early 19th century a farmhouse was added providing accommodation with comfort, rather than defence, in mind. In recent times, the bawn walls have sheltered the buildings of a 20th century working farm. It also has a rare clochán (small dome-roomed structure) knit into the bawn walls. Five other tower houses can be seen from the roof of Clomantagh Castle, and they were all strategically aligned for defence purposes.

Clomantagh followed mainstream castle design, emerging as an almost square building, six storeys high, with massive walls built from local limestone, and a corner staircase. Inserted high on the south wall is a Sheela-na-Gig. This pagan symbol was adopted by medieval builders and incorporated as the building was erected. High up the remains of the stepped battlement walls, the merlons can be seen – a specifically Irish feature whose inspiration is considered to be Venetian. Inside the battlements a wide walkway gave access to all sides of the building. In the north east corner, a high watchtower has been built. This is knows as Moll Gearailt’s Chair, after the particularly ferocious original mistress of the house, Maighréad nhee Gearóid, who used to sit watching over her fields to ensure that her labourers were not slacking at their work. The walkway, or Alure, was sloped outward to allow run off water through drainage holes and stone spouts. Generally, battlement walls have not survived well, their thinner construction and unstable sloping bases have contributed to their disappearance from tower houses.” [6]

5. Grange Manor, Ballyragget, County Kilkenny B&B

Grange Manor, photograph from myhome.ie 2021.

http://grangemanorkilkenny.com

The website tell us: “Located in the heart of the Kilkenny countryside, this beautiful Georgian manorhouse is set into 26 acres of lush landscaped grounds. With the medieval city of Kilkenny just 20 mins drive, experience Irish culture at your own pace in in Grange Manor.”

Grange Manor, photograph from myhome.ie 2021. The National Inventory describes the doorcase: “Classically-detailed doorcase not only demonstrating good quality workmanship in a deep grey limestone, but also showing a pretty overlight.”
Grange Manor, photograph from myhome.ie 2021.
Grange Manor, photograph from myhome.ie 2021. The National Inventory tell us: “Interior including (ground floor): central hall retaining carved timber surrounds to window openings framing timber panelled shutters on panelled risers with carved timber surrounds to opposing door openings framing timber panelled doors, and plasterwork cornice to ceiling on “bas-relief” frieze centred on “bas-relief” ceiling rose.”

Mark Bence-Jones writes (1988): p. 145. “(Lannigan, Stannard and Dowdall, sub Bancroft/IFR) An old farmhouse to which Georgian reception rooms were added, producing a house of two storeys and nine bays, with a three bay breakfront centre higher than the bays on either side. Fanlighted doorway; high-pitched roof. Room with Adamesque plasterwork incorporating oval painted medallions.” 

It was occupied (1751) by Captain James Warren (d. 1758). It was advertised for sale in 2021.

Grange Manor, photograph from myhome.ie 2021.
Grange Manor, photograph from myhome.ie 2021. The National Inventory describes: “double-height staircase hall (north) retaining carved timber surrounds to door openings framing timber panelled doors, moulded plasterwork cornice to ceiling, staircase on a dog leg plan with turned timber “spindle” balusters supporting carved timber banister terminating in volute, carved timber Classical-style surround to window opening to half-landing framing timber panelled shutters, carved timber surrounds to door openings to landing framing timber panelled double doors having overlights, and decorative plasterwork cornice to coved ceiling centred on “bas-relief” ceiling rose.”
Grange Manor, photograph from myhome.ie 2021. Staircase hall with Adamesque plasterwork incorporating oval medallions.
Grange Manor, photograph from myhome.ie 2021.
Grange Manor, photograph from myhome.ie 2021.
Grange Manor, photograph from myhome.ie 2021.
Grange Manor, photograph from myhome.ie 2021.
Grange Manor, photograph from myhome.ie 2021.
Grange Manor, photograph from myhome.ie 2021.
Grange Manor, photograph from myhome.ie 2021.
Grange Manor, photograph from myhome.ie 2021. The National Inventory tells us about the gate lodge: “A gate lodge erected by John Stannard (né Lannigan) (d. 1836) contributing positively to the group and setting values of the Grange House estate with the architectural value of the composition suggested by such attributes as the compact square plan form centred on a featureless doorcase; and the openings showing pretty lattice glazing patterns.”
Grange Manor, photograph from myhome.ie 2021.
The Nore at Grange Manor, photograph from myhome.ie 2021.
The Nore at Grange Manor, photograph from myhome.ie 2021.
The Nore at Grange Manor, photograph from myhome.ie 2021.

6. Lyrath House, near Kilkenny, County Kilkenny – hotel

Lyrath Estate by Colin Whittaker 2009, flickr creative commons.

https://www.lyrath.com

Mark Bence-Jones writes:

p. 184. “(Wheeler-Cuffe, Bt/PB1934; Tupper/LGI1958) Originally a Tobin castle, acquired by the Wheeler family C17. By 1826, the house here consisted of a simple two storey five bay pedimented front facing west, with two wings running back from it to enclose a small three sided office court; the entrance door being on the south side; under a Regency veranda. In 1861, Sir Charles Wheeler-Cuffe, 2nd Bt, married Pauline Villiers-Stuart, daughter of Lord Stuart de Decies [of Dromana House, County Waterford – see my entry], whose parents did not regard this house as grand enough for her; so in that same year he rebuilt the main western block on a larger scale and in a rich Italianate style, while leaving the two storey wings more of less as they were.; his architect being John McCurdy. The entrance was moved from the south side to the new west front, which is pedimented and of five bays like its predecessor, but not entirely symmetrical; having a pair of windows on the ground floor to the left of centre, but a single window on the right. Entrance door framed by Ionic columns carrying a balustrade, above which is a Venetian window framed by an aedicule with a segmental pediment. All the ground floor windows have semi-circular heads, while the heads of the windows of the upper storey – apart from the central Venetian windows – are cambered. The garden front to the north has two single-storey balustraded curved bows, the windows of which are treated as arcades supported by Romanesque columns of sandstone. There is another Romanesque column separated the pair of windows in the centre of the front. The windows in the bow are glazed with curved glass. The roof is carried on a deep bracket cornice and there are prominent string courses, which give the elevations a High Victorian character. Hall with imposing imperial staircase, the centre ramp of which rises between two fluted Corinthian columns. There is a similarity between the staircase here and that at Dromana, Co Waterford, Pauline Lady Wheeler-Cuffe’s old home; except that the Dromana staircase was of stone, whereas that at Leyrath is of wood, with ornate cast-iron balustrades. On the centre ramp of the staircase there is still a chair with its back legs cut down to fit the steps; this was put there in 1880s for Pauline when she became infirm. Hall has a ceiling cornice of typical C19 plasterwork in a design of foliage, and door with entablatures which still have their original walnut graining. To the left of the hall, in the garden front, are the drawing room, ante-room and dining room, opening into each other with large double doors’ they have ceiling cornices similar to that in the hall, and good C19 white chimneypieces, enriched with carving; the drawing room and ante-room keep their original white and gold wallpaper. In the south wing there are smaller and lower rooms surviving from before the rebuilding; while first floor rooms in this wing have barrel ceilings throughout and contain some C18 chimneypieces of black marble.” 

The website tells us more about the history:

The name Lyrath is thought to date back to Norman times when “Strongbow” settled in Ireland during the Norman invasion. The area was originally called Le Rar or Le Rath by the French speaking De Ponte family who during the 12th century lived in the Monastery which was once located within the grounds. There is also a mention of a castle which was once said to have been situated within the grounds.

Prior to 1653 the lands were owned by the Shortall family, who then rented the ‘old castle in repair’ and land to Thomas Tobin, Constable of the Barony of Gowran. In 1664, a gentleman named Thomas Mances, paid a sum of 4s ‘hearth money’ for the old castle.

Later in the Seventeenth Century the property was acquired by Richard Wheeler through his kinship to Jonah Wheeler the Bishop of Ossary. By then the original ‘Tobin’ castle had been demolished.

Richard Wheeler’s son, Jonah Wheeler, married Elisabeth Denny-Cuffe, a descendant of the Desart-Cuffe family who had extensive landed property in the Counties of Carlow and Kilkenny, on his marriage Jonah decided to adopt the name Cuffe.

In 1814 the grandson of Jonah, also named Jonah, was living in the house with his with Elisabeth Browne, from Brownes Hill in neighbouring Carlow. Sir Jonah died in 1853 and his elder son, Sir Charles Denny Wheeler-Cuffe succeeded him.

To redesign the house Sir Charles engaged the services of John McCurdy, a Dublin born Architect, whose other commissions with his partner, William Mitchell, include Kilkenny’s Knocktopher Abbey, Dublin’s famous ‘Shelbourne Hotel’ and the South City Markets.

The current house is one of the most important surviving country houses built by John McCurdy.

Sir Charles and Pauline had no children, so on the death of Sir Charles, his nephew Sir Ottway Fortesque Luke Wheeler-Cuffe inherited the baronetcy and demesne of Lyrath and became the primary resident. Sir Ottaway married Charlotte Isabel Williams in 1897. Lady Charlotte was the earliest known botanical explorer to reach the remote areas Burma and it was during these trips that she discovered several plants including two new species of Rhododendrons, Burmanicum, and Cuffianum (named after her). Cuffianum, the white rhododendron is extremely rare and has not been collected by any botanist since Lady Wheeler-Cuffe found in 1911.

Sir Ottway and Lady Charlotte stayed in Burma until Sir Ottway’s retirement in August 1921 when they finally returned to live at Lyrath. On her return to Lyrath, Lady Charlotte redesigned the gardens. The Conservatory adjacent to Tupper’s Bar in the new Hotel overlooks the Victorian garden designer by her which has been carefully restored to her original design (based on family records and drawings), they are also home to the ancient yew trees which are now protected by a preservation order.

Lady Charlotte lived in the house until her death in 1966 in her 100th year.

Following the death of Lady Charlotte, in 1967 the property was inherited by Lieutenant-Colonel G.W. Tupper whose grandfather had married Sir Charles’ sister in 1846. Reginald’s great nephew, Captain Anthony Tupper and his wife moved into the house and ran it as a traditional estate farm with a herd of Jersey cows, hens, and geese in the yard, calves in the haggard field and a big old-fashioned kitchen with dogs and cats which rambled in and out at will.

The Tuppers remained in the house until 1997.

When the Tuppers left, there was an auction at the house of all the furniture and the bits and pieces accumulated over several lifetimes laid out and labelled for sale. Fortunately, Xavier McAuliffe managed to obtain many of the items on auction that day, these items are now on display in the house and include to original large portraits hanging in the hallway and other paintings on display.

Xavier purchased the Estate in 2003 and developed the house into Lyrath Estate Hotel and Convention Centre, which opened its doors to the public in 2006.

7. Mount Juliet, Thomastown, County Kilkenny – hotel

Mount Juliet Gardens, Thomastown, Co Kilkenny, photograph by Finn Richards 2015 for Tourism Ireland, Ireland’s Content Pool. (see [2])
Drawing room of Mount Juliet, County Kilkenny, Date 2 November 1920 courtesy of National Library of Ireland NLI Ref. P_WP_2886.

https://www.mountjuliet.ie/

Mark Bence-Jones writes of Mount Juliet:

p. 214. “(Butler, Carrick, E/PB; McCalmont/IFR) A mid to late C18 house built by the 1st Earl of Carrick [Somerset Hamilton Butler, 8th Viscount Ikerrin and 1st Earl of Carrick (1719-1774)] across the River Nore from the former family seat, Ballylinch Castle on an estate which he had bought ca 1750 from Rev Thomas Bushe [1727-1795], of Kilmurry; traditionally named by him after his wife [Juliana Boyle, daugher of the 1st Earl of Shannon]. Of three storeys over basement, front of seven bays between two shallow curved bows, each having three windows. One bay central breakfront, with Venetian windows in the two upper storeys above tripartite pedimented and fanlighted doorway. Centre window in two lower storeys of bows roundheaded. Perron and double steps in front of entrance door, with iron railings. High pitched roof and massive stacks. Sold 1914 by 6th Earl of Carrick to the McCalmonts who had leased the house for some years. Major Dermot McCalmont made a new entrance in what had formerly been the back of the house, where the main block is flanked by two storey wings, extending at right angles from  it to form a shallow three sided court, and joined to it by curved sweeps. The interior of the house was richly decorated by 2nd Earl of Carrick 1780s with plasterwork in the manner of Michael Stapleton. The hall, which is long and narrow, is divided by an arcade carried on fluted Ionic columns, beyond which rises a bifurcating staircase with a balustrade of plain slender uprights; the present entrance being by way of a porch built out at the back of the staircase. The rooms on either side of the hall in what was formerly the entrance front and is now the garden front have plasterwork ceilings; one with a centre medallion of a hunting scene, another with a medallion of a man shooting. One of these rooms, the dining room, also has plasterwork on the walls, incorporating medallions with Classical reliefs. One of the wings flanking the present entrance front contains a ballroom made by Major Dermot McCalmont 1920s, with a frieze of late C18 style plasterwork; it is reached by way of a curving corridor. The demesne of Mount Juliet is one of the finest in Ireland, with magnificent hardwoods above the River Nore ; it includes the Ballylinch demesne across the river. There is a series of large walled gardens near the house Mount Juliet is famous for its stud, founded by Major Dermot McCalmont 1915. Sold 1987.” 

Reverend Thomas McCalmont, 2nd Son of Hugh McCalmont, of Abbey Lands, Belfast. Born 1809, Died 1872, courtesy Sheppard’s Nov 7 2023.

8. Tubbrid Castle, County Kilkenny €€€ for two, € for 8

https://www.tubbridcastle.com/

Tubbrid Castle, photograph courtesy of https://www.tubbridcastle.com/

and https://www.airbnb.ie/rooms/29598290?adults=2&category_tag=Tag%3A8047&children=0&infants=0&search_mode=flex_destinations_search&check_in=2022-06-05&check_out=2022-06-10&federated_search_id=6eebbe51-3470-4008-be61-4228d4019473&source_impression_id=p3_1652359358_O%2F1m3ENyNNeiOZ%2Bf

The entry tells us:

Tubbrid Castle is a unique 15th-century tower house, uninhabited for the last century and now restored to its former glory. We’ve highlighted original features to let you step back in time and added luxury touches so you can indulge your inner prince or princess.

Heritage

Tubbrid Castle stands at an important point on the borders of the ancient kingdoms of Laighean and Mumhan. Built as a defensive structure to protect the territory of the Butlers of Ormond, the tower house was home to generations of families allied to the Butlers of Kilkenny Castle. The architectural significance of Tubbrid Castle is denoted by its designation as a National Monument and a Protected Structure.

In 942 AD, Muircheartach, King of modern-day Ulster, marched his army of 1000 Leather Cloaks south to avenge his allies, who had been attacked by Callaghan, King of Cashel. Muircheartach’s bard, Colmanach, recorded the journey in an epic poem, Circuit of Ireland, in which he praised the beauty of Osraí (now Kilkenny), and the hospitality of its people. At the edge of enemy territory and on the cusp of battle, Muircheartach’s army set up camp in Tubbrid, on a plain that a millennium later is still called Bán an Champa (the Field of the Encampment). The King himself is thought to have slept at the fort where Tubbrid Castle now stands. A thousand years later, the people of Kilkenny still pride ourselves on our warm hospitality and from the top floor bedroom of Tubbrid Castle you can survey Bán an Champa and enjoy lodgings befitting a king.

Tubbrid Castle, photograph courtesy of https://www.tubbridcastle.com/

The website tells us that Margeret Fitzgerald, 8th Countess of Ormond, is supposed to have had the castle built. When the Countess visited Tubbrid, she is said to have slept at the castle’s highest point, to keep her safe from enemy attackers. She is buried with her husband Piers Butler (8th Earl of Ormond) under elaborate effigies at St Canice’s Cathedral, in Kilkenny City.

A detailed written description of the castle comes from James Mease in 1851, writing for the Transactions of the Kilkenny Archaeological Society. Mease claims that, according to locals at the time, there were three ditches surrounding the castle, which had been dug away for manure. Supposedly a cannon ball was found during these works. No trace of these outer fortifications survives today. Mease believed that the castle may have been built on an ancient mound or rath, and perhaps at an old habitation site that might have been the location where the King of Aileach, mentioned in the poem of 971 camped. The ground and second floor were wicker-vaulted and at the time this paper was written, some of the wicker was still in place. We know from the Griffith Valuation that this castle was owned at the time by Arthur St. George, Esq. and leased to Catherine Campion.

Around the turn of the 19th century, the roof was removed from Tubbrid Castle, leaving it open to the elements and accelerating structural decay. By the turn of the millenium, the corners were crumbling and floors were sagging.

John Campion Snr began working on the tower house, aiming at first simply to prevent its collapse. Over several years he repointed the facade and applied a traditional lime mortar, known as harling. The tower house was re-roofed in green oak, in the same style as the original, with no nails or screws.

“In 2016, John Campion Jnr took over the restoration of Tubbrid Castle. Following archaeological impact reports, and with input from the National Monuments Office, John completed the restoration and fit-out of the tower house, turning it into a three-bedroom home.”

9. Waterside Guest House, Graiguenamanagh, County Kilkenny

https://www.watersideguesthouse.com

Phone: (059) 9724246

Email: info@watersideguesthouse.com

Waterside Guesthouse Graiguenamanagh, County Kilkenny, photograph courtesy of website.

This is set in a beautiful old 19th century granite corn store on the River Barrow in Graiguenamanagh.

Whole House rental, County Kilkenny:

1. Annamult House, Bennettsbridge, Co Kilkenny – whole house rental 

Annamult House, courtesy of Annamult website.

https://annamultcountryhouseestate.com

Annamult House, courtesy of Annamult website.

The website tells us:

Annamult County House Estate is a lovely Grade I listed ancient Manor House in the heart of the countryside in Kilkenny with parts dating back to the 16th century. But unlike other grand old homes, Annamult Country House Estate is warm, friendly and welcoming with unlimited hot water, central heating and log fires throughout with beautiful antiques. A uniquely beautiful Country Estate. It’s light, bright and airy. And the moment you step through the door it feels like home.

The website describes the accommodation as 7 Bedrooms, 1 on the lower ground floor, 1 wheelchair accessible bedroom on the ground floor and 4 very large formal bedrooms upstairs and our Japanese Bedroom at the heart of the house . 4 Bedrooms are ensuite with the Bed 1 and 2 sharing a Bathroom nestled between them

Annamult House, courtesy of Annamult website.

The National Inventory describes Annamult: “Detached four-bay two-storey double gable-fronted Tudor-style country house, c.1825, incorporating fabric of earlier house, pre-1771, with three-bay single-storey flat-roofed projecting open porch to centre ground floor, three-bay two-storey side elevations, and five-bay three-storey lower wing to left having single-bay (two-bay deep) two-storey connecting return to east...Forming a picturesque landmark rising above a mature wooded setting on a bank at the confluence of the Kings River and the River Nore a large-scale country house exhibiting a robust Tudor theme represents an important element of the architectural heritage of County Kilkenny. Having origins in an eighteenth-century range the architectural design value of the composition is identified by elegant attributes including the porch displaying high quality stone masonry reminiscent of a similar treatment at the contemporary (c.1825) Shankill Castle (12306002/KK-16-06-02), the Classically-inspired Wyatt-style tripartite openings, the enriched parapet, and so on: the wing incorporating minimal surface detailing is comparatively demure in quality. Having been carefully maintained to present an early aspect the house makes a significant contribution to the character of the locality. The house remains of additional importance for the associations with the Prim, the Nevill (Neville), and the Bayley families.

Annamult House, courtesy of Annamult website.
Annamult House, courtesy of Annamult website.
Annamult House, courtesy of Annamult website.

“You can dine inside or outside in luxury
you can picnic on the island , the riverside or in the woods .
You can relax or play on the lawns .
Climb trees
Boules on the lawns
Croquet on the lawns
You can swim in the river
You can fish in the river
You can walk in the woods
You can relax in the silence
You can star gaze at the firepit
You can play loud music
Great exploration for kids
you can birdwatch and spot some fab wildlife like our buzzards and hawks .
You may come across the deer in the woods
Watch out for badgers … Its ok they are nocturnal only .
Various local suppliers will run group activities on the grounds from yoga to tag archery.”

Annamult House, courtesy of Annamult website.
Annamult House, courtesy of Annamult website.

2. Ballybur Castle, County Kilkenny €€€ for two, € for 10

http://www.ballyburcastle.com/

See above.

3. Castle Blunden, County Kilkenny – whole house rental

hhiref@castleblunden.com https://www.castleblunden.com/

Castle Blunden courtesy of National Inventory of Architectural Heritage.

The Historic Houses of Ireland website tells us:

A few miles from the cathedral city of Kilkenny, Castle Blunden stands on an elevated site in the midst of mature parkland. Dating from the 1750s, and still owned by the Blunden family, this pretty seven-bay building is typical of County Kilkenny houses from the mid-Georgian period. The house is rendered, with a profusion of cut limestone decoration and details, and a handsome sprocketed roof, while the later Doric porch compliments the symmetry of the facade. The basement is concealed by a ramped gravel approach, which makes the house appear both lower and wider than is actually the case, while the small lakes to either side add to the overall air of enchantment.” [7]

The National Inventory tells us:

Representing an important element of the mid eighteenth-century architectural legacy of County Kilkenny a Classically-composed substantial country house built to designs attributed to Francis Bindon (c.1698-1765) in a manner reminiscent of the contemporary (1737) Bonnettstown Hall (12401909/KK-19-09) nearby has been very well maintained to present an early aspect with the original composition attributes surviving in place together with most of the historic fabric both to the exterior and to the interior. Sparsely-detailed the external expression of the house is enlivened by limestone dressings including a somewhat squat portico displaying high quality stone masonry. Forming the centrepiece of a large-scale estate the resulting ensemble having long-standing connections with the Blunden family makes a pleasant contribution to the visual appeal of the local landscape.”

[1] https://www.ihh.ie/index.cfm/houses/house/name/Kilrush%20House

[2] https://www.irelandscontentpool.com/en

[3] https://www.buildingsofireland.ie/buildings-search/building/12000025/rothe-house-15-16-parliament-street-gardens-st-johns-par-kilkenny-co-kilkenny

[4] https://archiseek.com/2010/1594-rothe-house-kilkenny-co-kilkenny/

[5] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[6] https://www.irishlandmark.com/wp-content/uploads/2013/06/Clomantagh_castle.pdf

and http://kilkennyarchaeologicalsociety.ie

[7] https://www.ihh.ie/index.cfm/houses/house/name/Castle%20Blunden

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Altidore Castle, Kilpeddar, Greystones, County Wicklow A63 X227

Open in 2024: Mar 4-24, May 1-31, June 1-5, 1pm-5pm, Aug 17-25, 2pm-6pm
Fee: adult €10, OAP/child/student €5

Altidore Castle, a seven bay, two storey over basement house. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Beautiful wrought iron gates at the entrance to the farm, and square panelled pillars. © Jennifer Winder-Baggot, www.irishhistorichouses.com

Stephen and I visited Altidore Castle on a grey Saturday, June 1st 2019. I contacted Philip Emmet beforehand and he suggested we come at 3pm for a tour of the house. Philip Emmet is a descendant of the family of the Irish rebel Robert Emmet, who was hung for treason in 1803.

Execution of Robert Emmet, copyright 1897 by Kurz & Allison-Art publishers, Chicago

We arrived early and Philip’s wife Vicky suggested we look around the gardens until the other couple who were coming for the tour arrived. We had spied a pond to our left on our way up the long driveway, and there were stone steps up from the driveway across from the front of the house to a large rectangle of a lawn, edged by huge rhododendrons, so we headed off to explore.

The garden at Altidore, © Jennifer Winder-Baggot, www.irishhistorichouses.com

We only had about fifteen minutes, so after looking at the lawn above, we went down toward the pond and the gardens directly outside the house. We found a lovely sunken garden with two lions guarding it, containing a “wishing well.”

Altidore, County Wicklow. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Steps down to the sunken garden. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Lions flank the steps to the sunken garden. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stephen at the wishing well. I could not make out what was on the top of the well. © Jennifer Winder-Baggot, www.irishhistorichouses.com
The well has Corinthian columns and a crest on top with two heads, and a cast iron embellishment. © Jennifer Winder-Baggot, www.irishhistorichouses.com

We walked around the back, I was conscious that we could look in the windows and not wanting to disturb or pry, I carefully kept my back to the windows and gazed at the impressive view of the wide valley below. What a view!

The view from Altidore Castle. © Jennifer Winder-Baggot, www.irishhistorichouses.com

We headed back to the front of the house then. It is a most odd-looking home. It’s quite small but has imposing castellations. This must be why it is called a “toy fort” (by Mark Bence-Jones) or a “toy castle” (National Inventory of Historic Architecture).

Mark Bence-Jones describes it in his A Guide to Irish Country Houses:

A charming late-Georgian “toy fort,” with four octagonal corner turrets; of two storeys on the entrance side and three on the other sides, where the ground falls away. Despite the battlements on the turrets, the house is more Classical than Gothic; it is symmetrical and has a central Venetian window over a pillared porch. [1]

The Venetian (tripartite) window over a single-storey pillared porch. © Jennifer Winder-Baggot, www.irishhistorichouses.com
The back of the house is three storeys whereas the front is two, due to the slope of the ground. The basement forms the ground floor in the back. © Jennifer Winder-Baggot, www.irishhistorichouses.com

The house was built for General Thomas Pearce around 1730. It may have been designed by his nephew, Edward Lovett Pearce. General Thomas Pearce (ca. 1670-1739) was a British Army officer, a privy councillor and member of Parliament. He was appointed to Ireland in 1715, ultimately becoming General of His Majesty’s Forces in Ireland. He represented Limerick in Parliament from 1727 until his death. He married Mary daughter of William Hewes of Wrexham, and they had three sons and two daughters. His daughter Anne married her first cousin, Edward Lovett Pearce. [2]

Edward Lovett Pearce was a young Irish architect, born in 1699. He favoured the Palladian style of architecture and studied initially under his cousin the English Baroque architect John Vanbrugh. Lovett Pearce is best known for his work on Castletown House and the Irish Houses of Parliament, which later became the Bank of Ireland on College Green in Dublin. In Italy he met the Florentine architect Alessandro Galilei who was making plans for Castletown. Pearce seems to have taken over the work on Castletown based on Galilei’s plans.

Pearce was also commissioned by his uncle-in-law Thomas Coote (Coote married Edward Lovett Pearce’s aunt Anne Lovett – she was Thomas Coote’s third wife) to build Bellamont House in Cootehill, County Cavan (around 1730). He also designed two houses on Henrietta Street in Dublin, including number 9, for his cousin Mrs. Thomas Carter, and he designed Summerhill, County Meath. He died of an abscess at the young age of 34 in his home The Grove in Stillorgan, Dublin, and is buried in St. Mary’s Graveyard, now a closed graveyard in Donnybrook, which I was lucky enough to see in a tour a couple of years ago.

Archway from the sunken garden to the back of the house. © Jennifer Winder-Baggot, www.irishhistorichouses.com

We followed the other couple in through the porch to meet Philip Emmet, who welcomed us. We stepped into a large high-ceilinged hall.

The inside of the front hall and staircase is odd as the windows don’t look as if they fit the plans, or else the staircase has been moved. Philip does not know a lot about the background of the house. The Irish Historic Houses website states that Altidore was enlarged and modified for a subsequent owner, Major Henry Brownrigg. [3] We did not go upstairs, but Mark Bence-Jones tells us that the staircase is “of stout but elegant joinery with a scrolled end to its balusters.”

By 1773 the house was owned by Reverend William Blachford, Librarian of Marsh’s Library in Dublin. Philip has a portrait of Reverend Blachford’s daughter Mary Tighe, a poet who was famous in her time and was grouped with the Romantic writers Byron and the revolutionary Mary Wollestonecraft. The poet John Keats admired her work. I must borrow her book, Psyche or the Legend of Love from the library!

Mary Tighe (1747-1791), Poet, by George Romney, courtesy of National Gallery of Ireland.

Mary, nee Blachford, had a severely religious upbringing. William Blachford died in 1773 leaving his wife Theodosia (daughter of William Tighe of Rossana, County Wicklow), a son John and daughter Mary. Theodosia converted to Methodism, founded by John Wesley, and was involved in many charitable works including supporting the Leeson Street Magdalen Asylum for unmarried mothers, and the Female Orphan House on Prussia Street in Dublin. [4]

Theodosia Blachford née Tighe (c.1780) A self portrait, seated three-quarter length, with her children, Mary and John courtesy of Adam’s 2 April 2008.
William Tighe of Rosanna! Portrait by by Charles Jervas (c.1675-1739), courtesy of Adams auction 19 Oct 2021.

At the young age of 21, Mary married her cousin Henry Tighe (1771-1836), son of William Tighe of Woodstock, County Kilkenny. Henry served as an MP in the Irish Parliament representing Inistioge, County Kilkenny.

Mary contracted tuberculosis and lived her final months as an invalid in her brother-in-law William Tighe’s estate of Woodstock, where she died at the age of 37.

A marble statue of Mary, commissioned by her son after her death and carved by Lorenzo Bartolini of Tuscany, stood in the hall of Woodstock before the house was burnt in 1922. Although the original statue was destroyed in the fire at Woodstock, the plaster original of Bartolini’s statue is in the Accademia in Florence. There is also another life-size sculpture of her by English sculptor John Flaxman in her mausoleum in the graveyard attached to the former Augustinian priory in Inistioge, County Kilkenny. [5]

Mary Blachford Tighe (1772-1810) as sculpted by Lorenzo Bartolini ca. 1820, photograph from National Library of Ireland, flickr constant commons.

Woodstock was not rebuilt after it was burned in 1922 and it remains a ruin but the gardens are open to the public.

Woodstock, County Kilkenny, where Mary Tighe spent her final years. © Jennifer Winder-Baggot, www.irishhistorichouses.com

Reverend Blachford’s son John inherited Altidore and lived there with his wife Mary Anne, daughter of Henry Grattan MP (1746-1820) from nearby Tinnehinch [6]. I don’t think they had any children.

Henry Grattan (1746-1820).

There was another fascinating portrait in one of the beautifully decorated rooms, this time of an Indian military man, who was a servant of an ancestor of Philip’s wife. This ancestor, named Dennehy, worked in India under Queen Victoria, and introduced Victoria to Indian servants – and through him she met her beloved Indian servant, about whom, and their relationship, there was a movie a few years ago, “Victoria and Abdul”! Philip’s wife was in Osbourne, Victoria’s home on the Isle of Wight, and noticed that there is a series of these pictures, matching her own, of Queen Victoria’s other Indian servants. Stephen and I also loved the tv series about young Victoria.

Before the Emmets purchased the house in 1944, the Dopping-Hempenstals owned the house, from 1834-1918. They owned extensive lands in County Wicklow. They rarely lived in Altidore and instead leased it out. At one stage it housed a tuberculosis sanatorium. According to the Irish Historic Houses website, Altidore changed hands many times over the next decades and was owned by two different banks on separate occasions.

Finally, in 1945, James Albert Garland Emmet (who went by “Garland”) purchased the house on three hundred acres from Percy Burton, a bachelor. The Emmets carried out extensive restoration and created a large new garden, centred on a pair of canals from the early 18th century garden layout. These are the bodies of water we saw on the way in. The present owners, Philip (grandson of Garland Emmet) and his wife Vicky, have farmed the estate organically for nearly 20 years.

One of the “canals.” © Jennifer Winder-Baggot, www.irishhistorichouses.com
Altidore, June 2019. © Jennifer Winder-Baggot, www.irishhistorichouses.com

We moved from the drawing rooms to the dining room. The walls are adorned with fine medallions of Classical figures in stucco relief. They were uncovered when the walls were being redone, under layers of paint and wallpaper! The Irish Aesthete writes about them, and has beautiful photographs on his website:

“One of the past year’s most fascinating personal discoveries was the dining room at Altidore Castle, County Wicklow …. Much of the interior decoration dates from that period [ca. 1730], including the dining room’s panelling. In the last quarter of the 18th century, however, additional ornamentation was added with the introduction of oval and circular plaster medallions featuring female classical deities and graces: this would have been around the period that Altidore was owned by Rev William Blachford … During the same period the interiors of nearby Mount Kennedy – designed by James Wyatt in 1772 but only built under the supervision of Thomas Cooley the following decade – was being decorated by the celebrated stuccadore Michael Stapleton. The medallions are not unlike those seen in Lucan House, County Dublin where Stapleton also worked: might he have had a hand in the plasterwork at Altidore?” [7]

Michael Stapleton (1747-1801) was a famous Irish stuccodore, known as the “Dublin Adam,” referring to the Scottish architect and interior designer Robert Adam (1728-1792), who worked in the neo-Classical style of plasterwork. [8] 

Side view of the house. © Jennifer Winder-Baggot, www.irishhistorichouses.com

Philip told us that his ancestors, the Emmets, had to leave Ireland after Robert (1778-1803) and his brother Thomas Addis Emmet rebelled. Thomas Addis Emmet moved to the United States.

Robert Emmet. Published by Fishel, Alder & Schwartz 64 Fulton St. New York (1880), coloured and framed and entitled ”Robert Emmett, The Irish Patriot” courtesy Adam’s auction 18 April 2012
Thomas Addis Emmett (1764-1827) by William Carroll, bearing inscription on back Thomas Addis Emmet by William O’Carroll, 57 Henry Street Dublin, courtesy of Adam’s auction 22 Nov 2015.

Thomas Addis Emmet (1764-1827) was a lawyer and politician from a wealthy Anglo-Irish Protestant family. He sought to end discrimination against Catholics and Protestant Dissenters such as Presbyterians. He tried to find a peaceful way of introducing a non-sectarian democracy to Ireland.

He acted as a legal advisor for the Society of United Irishmen. However, the United Irishmen were declared illegal, so efforts for a peaceful Catholic emancipation were abandoned. Instead, the United Irishmen sought  independence from Britain by armed rebellion. Thomas Addis Emmet advocated waiting until the French had arrived for the rebellion, but Edward Fitzgerald (1763-1798) was more impatient and decided to go ahead with the rebellion in 1798. British intelligence infiltrated the United Irishmen and arrested most of the leaders, including Thomas Addis Emmet, on the eve of their rebellion on March 12, 1798. On his release in 1802 he went to Brussels, where he was visited by his brother Robert in October that year, who informed of the preparations for a fresh rising in Ireland in conjunction with French aid. However, at that stage France and Britain were briefly at peace, and the Emmets’ pleas for help were turned down by Napoleon.

I came across this painting of the Emmet house in St. Stephen’s Green in Dublin in the museum at Lissadell.

Thomas received news of the failure of Robert Emmet’s rising in July 1803 in Paris. Robert was hung for treason in front of St. Catherine’s Church in Thomas Street in Dublin on September 20th 1803. Thomas Addis then emigrated to the United States and joined the New York bar where he had lucrative practice.

DSC_0963
Memorial in front of St. Catherine’s church, Thomas Street, Dublin. © Jennifer Winder-Baggot, www.irishhistorichouses.com
DSC_0964
Plaque in front of St. Catherine’s church, Thomas Street, Dublin. © Jennifer Winder-Baggot, www.irishhistorichouses.com

Thomas Addis Emmet became a member of the “New York Society for Promoting the Manumission of Slaves, and Protecting Such of Them as Have Been, or May Be Liberated,” commonly known as the New-York Manumission Society (N-YMS). Emmet denounced slavery for destroying the character, dignity and natural rights of man. [9]

Thomas Addis’s son John Patten Emmet (1796–1842) studied medicine and developed an interest in Chemistry. He was a chemistry professor at the University of Virginia from 1825 until his death in 1842.

Thomas Addis Emmet’s grandson, son of John Patten Emmet, also named Thomas Addis Emmet (1828-1919), visited Ireland in 1880. He hoped to move to Ireland but unfortunately he was not allowed by the government to live in Ireland, although he was a gynaecologist by profession, because it was thought that, like his ancestors, he may harbour rebellious tendencies. He requested that he be buried in Ireland so he could “rest in the land from which my family came.” Dr Emmet was interred according to his wishes in Glasnevin Cemetery in Dublin in 1922. His grave marker was designed by the father and brother of the revolutionary Padraig Pearse (they also sculpted the statues adorning St. Augustine and St. John church on Thomas Street).

It was Dr. Thomas Addis Emmet’s grandson, James Garland Emmet, who returned to Ireland and purchased Altidore Castle in 1944. He married Jocelyn Portman, daughter of Claud Berkeley Portman, 4th Viscount Portman of Bryanston, County Dorset in England.

He set up his home as the base the Irish branch of the Emmet family and gathered objects for a collection of Emmet memorabilia. Altidore still hosts an Emmet Museum. Fascinated, Stephen lingered in the museum room and traded stories with Philip. There are lovely miniatures of the Emmet family, and a sketch of Emmet done from his time in court, by – oh, who was it? Someone famous! [10] They also have Robert Emmet’s college books, with his sketches of uniforms – he was a good artist! He was thrown out of Trinity for being a revolutionary. The house also has some artifacts from Thomas Addis Emmet, and also Robert Emmet’s final letter from prison – written not to his fiance, Sarah Curran, as Stephen and I had believed, but to a politician, to urge him to excuse himself for not anticipating the rebellion. Robert Emmet was reknown for his secrecy.

A memorial plaque in St. Patrick’s Cathedral in Dublin, to the Emmet family. It tells us that this plaque is in the place which held the Emmet family vault, and that Thomas Addis Emmet MD of New York and other members of his family placed the plaque in 1908. © Jennifer Winder-Baggot, www.irishhistorichouses.com

We wandered back out to the ponds, which are divided into three, and are part of a canal running down the mountain. We found the old walled garden – not in use currently – and looked around the farm and the beautiful old farm buildings.

© Jennifer Winder-Baggot, www.irishhistorichouses.com

Altidore, County Wicklow. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Altidore, County Wicklow. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Altidore, County Wicklow. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Above the arch is a half-circle oculus. © Jennifer Winder-Baggot, www.irishhistorichouses.com
Altidore outbuildings, © Jennifer Winder-Baggot, www.irishhistorichouses.com

Donation

Help me to fund my creation and update of this website. It is created purely out of love for the subject and I receive no payment so any donation is appreciated! For this entry I paid for petrol to drive from Dublin and for the entrance fee for myself and Stephen.

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[1] Bence-Jones, Mark. A Guide to Irish Country Houses published by Constable and Company Limited, London, 1988, previously published by Burke’s Peerage Ltd as Burke’s Guide to Country Houses, vol. 1 Ireland, 1978.

[2] https://en.wikipedia.org/wiki/Thomas_Pearce_(British_Army_officer)

[3] https://www.ihh.ie/index.cfm/houses/house/name/Altidore%20Castle

[4] Mary Delany (1700-1788) whose letters are published, was Godmother to a musician in the Wesley family, and explains how the Methodist Wesleys were cousins of Arthur Wellesley, the Duke of Wellington – who is honoured in the Wellington obelisk in the Phoenix Park.

[5] https://theirishaesthete.com/2013/05/13/of-wonderous-beauty-did-the-vision-seem/

The Irish Aesthete also notes: A new biography of Mary Tighe by Miranda O’Connell has been published by the Somerville Press.

[6] Tinnehinch was presented to Grattan, according to Mark Bence-Jones, in gratitude for  the part he played in obtaining freedom from British control in 1782. The house has been destroyed by fire but one storey of the ruin still stands and has been made into a feature of the garden of the present house, which is in the former stables.

[7] https://theirishaesthete.com/2016/01/02/getting-thoroughly-plastered/

[8] Other work by Michael Stapleton can be seen in Marlay House in Dublin, several houses in North Great George’s Street including Belvedere House, Powerscourt Townhouse, 59 South William Street, Dublin 2 and in Trinity College Dublin, especially in the Exam Hall and the Chapel. Note that Stapleton was the executor of Robert West’s will, and may have trained with Robert West. We came across Robert West’s characteristic stucco work in Colganstown.

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Examination Hall, Trinity College Dublin.

[9] Landy, Craig A. “Society of United Irishmen Revolutionary and New-York Manumission Society Lawyer: Thomas Addis Emmet and the Irish Contributions to the Antislavery Movement in New York” New York History, Vol. 95, No. 2 (Spring 2014), pp. 193-222 (30 pages).

[10] Perhaps the artist was John Comerford, who sketched Robert Emmet during his trial, and a miniature has been made from the sketch. The miniature is now in the National Gallery.