Malahide Castle, County Dublin – open to the public

 https://www.malahidecastleandgardens.ie

Malahide Castle by Brian Morrison, 2015, for Tourism Ireland [1]

The castle is described in the National Inventory of Architectural Heritage as a five bay three storey over basement medieval mansion from 1450, renovated and extended around 1650, and again partly rebuilt and extended in 1770 with single-bay three-storey Georgian Gothic style circular towers added at each end of the front elevation. It was further extensively renovated in 1990. It is open to the public.

In 1185, Richard Talbot, who had accompanied King Henry II of England to Ireland in 1174, was granted the land and harbour of Malahide. [2] Talbots remained living at the site of Malahide Castle for the next nearly 800 years, from 1185 until 1976, with the exception of a few years during Oliver Cromwell’s time as Lord Protectorate.

I visited again recently so though I have published about the castle before, I am adding to it today. Unfortunately I seem to have lost the first two pages of the notes I took, so apologies to our very informative tour guide!

DSC_0059
Malahide Castle, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Malahide Castle website tells us :

The original stronghold built on the lands was a wooden fortress but this was eventually superseded by a stone structure on the site of the current Malahide Castle. Over the centuries, rooms and fortifications were added, modified and strengthened until the castle took on its current form.” [3]

The first stone castle was probably built around the end of the fifteenth century. It was a simple rectangular building of two storeys. The ground floor contained the kitchen and servants quarters and the first floor the family quarters and a great hall.

Mark Bence-Jones describes it in his Guide to Irish Country Houses:

p. 198. “(Talbot de Malahide, b/PB) The most distinguished of all Irish castles, probably in continuous occupation by the same family for longer than any other house in Ireland. It also contains the only surviving medieval great hall in Ireland to keep its original form and remain in domestic use – at any case, until recently.” [4]

Another castle that has been in nearly continuous occupation by the same family since the time of the Norman invasion and of King Henry II of England is Dunsany in County Meath – which was also occupied by a Cromwellian during the time of the Protectorate. Dunsany is a Revenue Section 482 property and it can be visited on certain dates during the year, and it is still occupied by the Plunkett family. (I haven’t published an entry about it as the family asked me not to.) Another, whose entry I will be adding to soon after my Heritage Week visit, is Howth Castle in Dublin, built by the St. Lawrence’s, or an earlier version of it, after the Battle of Clontarf in 1014, and which was only sold by the family a few years ago.

The Dunsany Plunkett and the Talbot families intermarried. Matilda Plunket (d. 1482), daughter of Christopher Plunket of both Dunsany and Killeen, sister of Christopher Plunket 1st Baron of Dunsany (d. 1467), married Richard Talbot of Malahide (b. 1418).

Dunsany Castle, County Meath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Matilda Plunket’s first husband, Walter Hussey, Baron of Galtrim, was killed in a battle on their wedding day! The couple were married on Whit Monday 1429, but within a few hours the bridegroom was murdered in a skirmish at Balbriggan, County Dublin. In the Meath History Hub, Noel French tells us that Lord Galtrim supposely wanders through Malahide Castle at night pointing to the spear wound in his side and uttering dreadful groans. It is said he haunts the Castle to show his resentment towards his young bride, who married his rival immediately after he had given up his life in defence of her honour and happiness.

Matilda married Richard Talbot in 1430. When Richard died she married a third time, to John Cornwallis, who held the office of Chief Baron of the Exchequer of Ireland. She moved back to Malahide Castle when widowed, running the household and overseeing major extensions to the castle. The Archiseek website tells us that the castle was notably enlarged in the reign of Edward IV (28 April 1442 – 9 April 1483). Matilda is buried in the old abbey next to Malahide Castle.

The old abbey at Malahide, where Matilda Talbot née Plunket is buried, along with many other Talbots. The church stands on the site of an earlier church which was dedicated to St. Fenweis. It is said that Cromwellian Myles Corbett unroofed the church in 1649 to use the lead for bullets. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Richard and Matilda’s son Thomas Talbot (d. 1487) held an office created for him by King Edward IV in 1475, called Hereditary Lord High Admiral of Malahide and the Adjacent Seas. With this title he was awarded dues from customs, which would have been lucrative.

Thomas’s son John Talbot lived in Dardistown Castle in County Meath, another Section 482 property which can be visited. https://irishhistorichouses.com/2019/07/19/dardistown-castle-county-meath/

Another son, Peter Talbot (d. 1528) married Catherine Fitzgerald, an illegitimate daughter of Gerald Fitzgerald 8th Earl of Kildare.

Malahide Castle, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Gothic windows over the entrance door are the windows of the oldest remaining part of the castle, the Oak Room. The windows themselves were only added in the 1820s, when the Oak Room was enlarged to the south by Colonel Richard Wogan Talbot, 2nd Baron, when he added on the Entrance Porch and the two small squared towers. Originally, there was no entrance on the south side, but a shell-lined grotto.

Malahide Castle, County Dublin, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Malahide Castle, County Dublin, January 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Oak Room, Malahide Castle, this photograph was displayed on the wall on the way to the Oak Room.
The Oak Room, Malahide Castle 1976, Dublin City Library and Archives. [5] Notice the fanciful legs on of the table, with carved horses heads and hooves!

The Oak Room would have been the main room in the early stone castle.

The Oak Room, Malahide Castle 1976, Dublin City Library and Archives. [5]

The oak room is lined with oak panelling, elaborately carved. The carvings would have originally been part of older furniture. The panelling would have made the room warmer than having bare stone walls or limewash. The panels were painted white to make the room brighter as the windows would have been small to keep out the cold and to protect against invaders.

The Talbot crest features a lion and a dog, symbolising strength and loyalty. In the entrance courtyard to the castle, Talbot dogs sit on the pillars.

John Talbot (c. 1384-1453), 1st Earl of Shrewsbury, Detail of illuminated miniature from the Talbot Shrewsbury. He is in a habit as a knight of the Garter. Behind him a Talbot hound, his heraldic badge. presenting the book to Margaret of Anjou, Queen of England, 1445. His robe displays several encircled Garters. See Poems and Romances (Shrewsbury book), illuminated by the MASTER OF JOHN TALBOT http://www.bl.uk/catalogues/illuminatedmanuscripts/ILLUMIN.ASP?Size=mid&IllID=47542

The website of the Malahide Historical Society tells us that in 1641 John Talbot (d. 1671) succeeded his father Richard to the lordship of the Talbot estates in Malahide, Garristown and Castlering (Co. Louth).

During the uprising of 1641, Talbot tried to remain neutral, although as Catholics, many of his relatives rebelled. The Malahide Heritage website tells us:

The Duke of Ormonde, on behalf of the Lords Chief Justices, garrisoned Malahide Castle but desisted from laying waste the farmland and village. The 500 acres about the castle were very productive and Talbot was supplying the garrison and Dublin with grain and vegetables at a time when the authorities were concerned with a very severe food shortage. Nevertheless, John was indicted for treason in February 1642, outlawed and his estates at Malahide, Garristown and Castlering declared forfeited. However, he managed to rent back his own castle and estate for a further decade.

James Butler, 1st Duke of Ormond, who was also a supporter of the Stuart monarchy, in a portrait in Malahide Castle.

In 1653 Myles Corbett, Commissioner of Affairs in for Oliver Cromwell in Ireland, fleeing from an outbreak of plague in Dublin, ousted the family and obtained a seven-year lease on the castle.

A portrait of Oliver Cromwell in Malahide Castle. I don’t think the Talbots would have owned this picture! Most of the paintings are on loan from the National Gallery. The corbel head above is of King Edward IV (28 April 1442 – 9 April 1483) and is original to the Great Hall.
Myles Corbett, Cromwellian, who occupied Malahide Castle in Cromwell’s time and who signed death warrant of Charles I. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

When Charles II was restored to the throne, Myles Corbett was executed for his role in signing the death warrant of King Charles I.

The castle was restored to the Talbots after Corbet’s death.

John Talbot married Catherine Plunkett, daughter of Lucas 1st Earl of Fingall, of Killeen Castle, and Susannah Brabazon daughter of Edward Brabazon, 1st Lord Brabazon and Baron of Ardee (the Brabazons still live in Killruddery in County Wicklow).

According to tradition, Mark Bence-Jones tells us, the carving of the Coronation of the Virgin above the fireplace of the Oak Room miraculously disappeared when the castle was occupied Myles Corbett and reappeared when the Talbots returned after the Restoration. This would have been a Catholic tale, as Protestants do not believe in the virgin birth and would not venerate Mary the mother of Jesus in the way that Catholics do. The carving is seventeenth century Flemish.

Malahide Castle 1984, Dublin City Library and Archives. (see [5]) According to tradition, Mark Bence-Jones tells us, the carving of the Coronation of the Virgin above the fireplace of this room miraculously disappeared when the castle was occupied by the regicide, Myles Corbett, during the Cromwellian period, and reappeared when the Talbots returned after the Restoration.
The Egyptian style fireplace surround would have been added some time after the early 1900s, I believe, after Howard Carter make his discovery of Tutenkamen’s tomb. Malahide Castle, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Malahide Castle 1976, Dublin City Library and Archives. (see [5])

Behind the carved panels on the wall to the right hand side of the fireplace is a door that acted as an escape route for Catholic priests when Catholic mass was held in this room.

Behind the carved panels is a door that acted as an escape route for Catholic priests when Catholic mass was held in this room. Malahide Castle, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Malahide Castle, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Malahide Castle 1976, Dublin City Library and Archives. (see [5])

When he returned to Ireland after Corbet left Malahide, Talbot acted as agent for Irish Catholics attempting to recover confiscated estates. He regained title to Malahide but he lost the customs of the port of Malahide, all his land in Castlering and most of the Garristown land, amounting to 2,716 acres in all or two-thirds of what he inherited in 1640.

The other ancient room in the castle is the Great Hall, which dates to 1475. The room has carved wooden corbel heads of King Edward IV (28 April 1442 – 9 April 1483), which are original. Here, Talbots would have presided over a medieval court, a place of banquets, feasting and music, with its minstrals gallery. The minstrels would have been kept away from the family for health reasons, as they might have carried disease and infection.

The Minstrals Gallery, above the Malahide Castle Great Hall dining room, Dublin City Library and Archives, 1976. (see [5])
The Great Hall, Malahide Castle, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Great Hall, Malahide Castle, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Great Hall has an important collection of Jacobite portraits. Jacobites were supporters of King James II, as opposed to William of Orange. The portraits belonged to the Talbots and were acquired by the National Gallery and are now on loan to the castle.

You can see the carved heads of King Edward IV (1442 – 1483) in this photograph of Malahide Castle 1976, Dublin City Library and Archives. Richard Talbot (1630-1690) Duke of Tyrconnell sits to the left of the chimneypiece. (see [5])
The Great Hall, a photograph that is displayed in the entrance hall of the castle.

Richard Wogan Talbot (1766-1849) 2nd Baron Talbot extensively remodelled the Great Hall in 1825 in a neo-gothic revival style. Also, as you can see in my photographs, the ceiling has more wooden beams than in the 1976 photographs: the room was conserved in 2022 to honour its history.

Work on the Great Hall was carried out under the direction of conservation architects Blackwood Associates Architects. Over €500,000 was invested by Fingal County Council. Work was done to the external fabric of the building, including upgrading the roof and rainwater goods. Internally, the rafters of the great hall were restored as well as the minstrels’ gallery.

Conservation of the 19th century windows and fireplaces also took place. Studying the photographs, the windows appear to have been moved from the right hand side when facing the minstrals gallery, to the left hand wall! In fact a room seems to have disappeared from the Dublin City Library and Archives 1976 photograph above.

The Great Hall, Malahide Castle, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
We can see philosopher George Berkeley next to the door on the right in this photograph. Malahide Castle, Dublin, photograph by Pocket Squares
Malahide Castle 1976, Dublin City Library and Archives. In this photograph there are windows on the right hand wall to the minstrals’ gallery. (see [5])

I was greatly interested in the portraits and would love to return to learn more about them and their sitters.

I have not yet identified the man who currently takes pride of place over the chimneypiece between the two windows.

I haven’t identified this man in his fine suit of armour and frilly lace collar and cuffs, who currently sits over the chimneypiece between the windows. I’d love help with identifications! He is rather like Thomas Butler, Earl of Ossory, Eldest son of James, Duke of Ormond.
Thomas Butler, 6th Earl of Ossory, (1634-1680), Eldest son of James, Duke of Ormond, in armour standing near his charge, attributed to Van Dyck, courtesy of Adam’s auction 11 Oct 2016. Provenance: Formerly in the collection of the Earl of Fitzwilliam, 1948.
Thomas Butler (1634-1680) 6th Earl of Ossory, studio of Sir Peter Lely, circa 1678, courtesy of National Portrait Gallery NPG 371. Second son of the Duke and Duchess of Ormond and father of 2nd Duke of Ormonde.
Malahide Castle 1976, Dublin City Library and Archives. (see [5])

An exerpt from J. Stirling Coyne and N.P. Willis’s The Scenery and Antiquities of Ireland, 1841, describes the portrait collection at Malahide Castle, writing that there were portraits of Charles I and his wife by Van Dyke and of James II and his queen by Peter Lely.

John Talbot (d. 1671) and Catherine Plunkett’s son Richard (1638-1703) married Frances Talbot (d. 1718) daughter of Robert Talbot (d. 1670) 2nd Baronet Talbot, of Carton, Co. Kildare. Frances’s father played a leading role in the Catholic Confederacy of the 1640s.

Richard Talbot of Malahide (1638-1703), Attributed to Peter Lely, Dutch, 1618-1680. Photograph courtesy of National Gallery of Ireland.
Frances Talbot (c.1670-1718) by Garret Morphy courtesy National Gallery of Ireland NGI 4150. She was the daughter of Robert Talbot, 2nd Baronet of Carton, County Kildare, and wife of Richard Talbot (1638-1703) of Malahide.
Malahide Castle 1976, Dublin City Library and Archives. (see [5]). Portrait of Frances Talbot (c.1670-1718) by Garret Morphy.

The Talbot family played a leading role at the Battle of the Boyne in 1690: it is said 14 members of the Talbot family had breakfast together in the great hall on the morning of the battle, but only one of the 14 cousins returned to Malahide when the battle was over. They fought on the side of James II.

Displayed in the castle, this family tree includes the Talbots of Carton.

Richard’s wife Frances was a niece of Richard Talbot, 1st Duke of Tyrconnell (1630-1691). The Duke of Tyrconnell was a close companion of James, Duke of York, who later became King James II. The Dictionary of Irish Biography tell us:

At the battle of the Boyne on 1 July the greater part of the Jacobite army was diverted upstream as a result of a Williamite ruse, leaving Tyrconnell in command of 8,000 men at Oldbridge, where the battle was fought and lost, despite fierce resistance, especially from Tyrconnell’s cavalry. Immediately after the battle both Lauzun and Tyrconnell advised James to leave for France.

Richard Talbot (1630-1691), Duke of Tyrconnell, courtesy of National Gallery of Ireland.
Richard Talbot (1630-1690) Duke of Tyrconnell.

Richard Talbot (1630-1691), Duke of Tyrconnell’s portrait takes centre stage on the back wall of the Great Hall.

Centre, Richard Talbot, Earl of Tyrconnell. Portrait by Francois de Troy, court painter for King James II in his exile. Above him in the centre is John Talbot 1st Earl of Shrewsbury c. 1670. In the top right corner is Catherine Nugent (d.1756) by James Latham c. 1725.
Richard, 5th Viscount Molyneux of Maryborough (1679-1738) and Mary, 5th Viscountess Molyneux (1680-1766) by Garret Morphy, c. 1705, above Morris Hayes (2025).

I’m not sure what role Richard of Malahide played in battles in Ireland, but he was Auditor-General of Ireland in 1688, when the Duke of Tyrconnell was Lord Deputy of Ireland.

Richard of Malahide and his sons survived the change in monarchy and although the Earl of Tyrconnell and his brother, Frances Talbot’s father the 2nd Baronet of Carton, were attainted, Richard managed to keep his estate of Malahide.

King William III as a boy. It may seem strange that as Jacobites, there’s a portrait of William III, or William of Orange, in Malahide Castle, who took the throne from his father-in-law James II, but James and William were were closely related. King James’s sister was William III’s mother. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The library wing dates to the seventeenth century and is hung with eighteenth century leather wall hangings.

Malahide Castle 1976, Dublin City Library and Archives. (see [5])
The library, Malahide Castle, Dublin, photograph by Pocket Squares . The wallpaper is of calfskin with gold and silver leaf and is three hundred years old. The room was used as a dining room in the 1970s by the Talbots.

Richard’s son John (1668-1739) married Frances Wogan, daughter of Colonel Nicholas Wogan of Rathcoffey, County Kildare. The Wogans had also been a Jacobite family.

The family continued to intermarry with prominent Irish Catholic families: John and Frances née Wogan’s son Richard (d. 1788) married Margaret O’Reilly, daughter of James O’Reilly of Ballinlough Castle and of Barbara Nugent, another Catholic family. Archiseek tells us that the family remained Roman Catholic until 1774. At this time Richard officially converted to Protestantism, but our tour guide pondered rhetorically “but did he really?” His wife Margaret did not convert.

Richard raised a company of military volunteers. The Malahide heritage site tells us:

Early in November 1779, the anniversary of the birth of William III and of his landing in England, one hundred and fifty of Captain Talbot’s men joined up with other north side Volunteers and all nine hundred marched through the city to College Green led by the Duke of Leinster. There, in company with south side Volunteers, they called for Free Trade between Ireland and England, firing off their muskets and discharging small cannon. The scene was recorded by the English painter Francis Wheatley in his well known canvas. Talbot’s Volunteers later formed the nucleus of an officially recognised regiment of Fencibles, renamed the 106th Regiment of Foot with Richard as their colonel. They proved unruly and mutinous and were disbanded in 1783 but not before they had cost Talbot a great deal of expense.

Painting by Francis Wheatley depicting the Dublin Volunteers on College Green, 1779.

A fire in the castle in 1760 destroyed a great hall that dated from the early 16th or 17th century. The room had been divided into four smaller rooms by hanging tapestries from the ceiling to form walls. Richard and Margaret had a new Georgian Gothic wing built, which added two slender round towers. Part of the castle was reconfigured with the new wing, to create two magnificent drawing rooms with rococo plasterwork which may be by or is certainly in the style of Robert West.

The Castle from the Pleasure Garden, photograph by George Munday, 2014, Tourism Ireland. The towers were added in 1765.  (see [1])
Malahide Castle, engraving of picture by Francis Wheatley, photograph courtesy of National Gallery of Ireland.

Mark Bence-Jones suggest that the work at Malahide Castle was probably done by amateur architect Thomas Wogan Browne, who may also have carried out work for Hugh O’Reilly (1741-1821) of Ballinlough Castle in County Westmeath, Margaret’s brother.

Ballinlough Castle, County Westmeath, photograph courtesy of Ballinlough Castle’s website.

Thomas Wogan Browne (d. 1812) of Castle Brown in County Kildare, which is now the home of the school Clongowes Woods College, was a cousin of Richard. Richard Talbot’s mother was Frances Wogan, daughter of Nicholas Wogan of Castle Browne and his wife Rose O’Neill, and her sister Catherine married Michael Browne, and was the mother of Thomas Wogan Browne. [6]

Clongowes Wood College, County Kildare, home of amateur architect Thomas Wogan Browne who may have designed the new wing at Malahide Castle.
Rose O’Neill, later Mrs Nicholas Wogan, by Garret Morphy c. 1695. She was Richard Talbot’s grandmother. Thomas Wogan Browne the amateur architect was her nephew. Portrait courtesy of National Gallery of Ireland NGI 4149.

The Dictionary of Irish Biograph tells us that, like Richard Talbot, Wogan Browne was brought up a Catholic but at about the time of his marriage conformed to the Protestant church (October 1785), which enabled him to play a part in local life and politics closed to him as a Catholic.

Malahide Castle, County Dublin, August 2025. The slender towers were added in 1765. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ballinlough Castle, County Westmeath, photograph courtesy of Ballinlough website https://www.ballinloughcastle.ie/history

Ballinlough Castle is available for hire! See my entry about Places to Visit and Stay in County Meath https://irishhistorichouses.com/2022/10/28/places-to-visit-and-stay-in-county-meath-leinster/

The pair of “Malahide Orange” painted drawing rooms which contain rococo plasterwork in the manner of Robert West and the Dublin school also have decorative doorcases and marble fireplaces and are now filled with portraits and paintings.

Malahide Castle, Dublin, photograph by Pocket Squares

West, Robert (d. 1790), stuccodore and Dublin property developer, was probably born in Dublin c. 1720-1730. The Dictionary of Irish Biography tells us that he was established in his trade by c.1750. His brother John was also a plasterer and builder. The Dictionary of Irish Biography entry states:

West is often confused with Robert West (d. 1770), artist and draughtsman, who lived in Dublin at the same time and was a teacher of applied arts such as stucco design as well as life drawing. Though there is no evidence that the two men were blood relatives, they would almost certainly have known of each other’s work. Continental prints, showing ceiling designs by artists such as Bérain, Pineau, and Boucher, were commonly circulated among craftsmen and students in Dublin during the 1750s and 60s. Robert West the artist may have provided inspiration for some of the motifs (such as birds, swags, and musical instruments) used by West the stuccodore. The design and fixing of plasterwork was a complex collaborative venture involving many hands, and it is rarely possible to attribute plasterwork designs to a single artist. It is known that Robert worked alongside his brother John West and he would have required a team of assistants.

Robert was a property developer as well as a stuccodore, which provided a ready-made market for his team of plaster workers. In 1757 he leased two adjacent plots on what is now Lower Dominick St. The surviving plaster work in number 20, which is attributed to West and his circle, is among the most daring rococo plasterwork to be found anywhere in Ireland. Menacing birds perch on pedestals, and naturalistic busts of girls, sea-pieces, and bowls of flowers are sculpted with great sensitivity. West is associated with the plasterwork in about ten town houses in Dublin such as 4 and 5 Rutland (latterly Parnell) Square and 86 St Stephen’s Green. All of these interiors date from c.1756 to 1765. West is not connected to any plasterwork between 1765 and his death in 1790.

Robert West plasterwork in 20 Lower Dominic Street, photograph courtesy of Dublin City Library Archive.
Dominick Street Lower, No. 20 ceiling of stairhall, Robert West’s house 1758.

The West circle of stuccodores was instrumental in encouraging imaginative rococo plasterwork in Ireland during the 1750s and 1760s. West was a magpie in terms of style and deployed elements of the chinoiserie (winged dragons and ho-ho birds) alongside the more conventional swirling acanthus leaves commonly found on contemporary continental prints. Indeed, this eclectic mix can be seen in many Dublin town houses and in country houses as far afield as Florence Court, Co. Fermanagh.

Malahide Castle, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The large portrait is of Adam Loftus of Rathfarnham Castle, Lord Chancellor, 1619.
Malahide Castle, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Malahide Castle, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Malahide Castle, August 2025, with portrait of Milo George Milo Talbot (1854-1931) by William Carter. Above him is a portrait of Mrs Kelly (born Lynch of Barna) by Martin Archer Shee c. 1820. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Rococo plasterwork in the manner of Robert West of the Dublin School in Malahide Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Rococo plasterwork in the manner of Robert West of the Dublin School in Malahide Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Rococo plasterwork in the manner of Robert West of the Dublin School in Malahide Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
85/86 St. Stephen’s Green work by Robert West. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Mark Bence-Jones continues: “The doorway between the two rooms has on one side a doorcase with a broken pediment on Ionic columns. The walls of the two drawing rooms are painted a subtle shade of orange, which makes a perfect background to the pictures in their gilt frames.  

Opening off each of the two drawing rooms is a charming little turret room. A third round tower was subsequently added at the corner of the hall range, balancing one of C18 towers at the opposite side of the entrance front; and in early C19, an addition was built in the centre of this front, with two wide mullioned windows windows above an entrance door; forming an extension to the Oak Room and providing an entrance hall below it.”  

Malahide Castle drawing room 1976, Dublin City Library and Archives. (see [5])
Malahide Castle 1980, Dublin City Library and Archives. (see [5])
Malahide Castle 1976, Dublin City Library and Archives. (see [5])
Malahide Castle 1976, Dublin City Library and Archives. (see [5])
Malahide Castle 1984, Dublin City Library and Archives. (see [5])

The Malahide history website tells us that to generate employment for his tenants, beginning in 1782 Richard Talbot built a five-storey cotton mill, generating energy from a large water wheel. He wanted to construct a canal from Malahide into county Meath, from which he could obtain a toll, and obtained parliamentary approval, but died just as work commenced in 1788, so it wasn’t built. [6]

Richard’s widow Margaret was created Baroness Talbot in 1931 at the age of 86. This could be due to her husband’s work, and also her family connections. She was related by marriage to the influential George Temple Grenville, later to become the Marquess of Buckingham, who was twice Lord Lieutenant of Ireland. He married Mary Nugent, daughter of Robert Craggs-Nugent (né Nugent), 1st Earl Nugent. His patronage would be of considerable benefit to Margaret and her offspring. Due to this creation, her sons then became Barons.

Her son Richard Wogan Talbot (1766-1849) became 2nd Baron Talbot of Malahide in 1834 when his mother died. He held the office of Member of Parliament (Whig) for County Dublin between 1807 and 1830. The Malahide Heritage Site tells us that he carried out extensive repairs and improvements to Malahide Castle and let it for the summer of 1825 to the Lord Lieutenant, the Marquesss of Wellesley (the Duke of Wellington’s eldest brother Richard).

Colonel Richard Wogan Talbot, 2nd Baron Talbot of Malahide (c.1766-1849) Date 1840, by Giovanni Battista Canevari, Italian, 1789-1876. Photograph courtesy of National Gallery of Ireland.

When there was a dire shortage of coinage in 1803, Richard Wogan Talbot set up a bank in Malahide with authority to issue small denomination notes. He became an early director of the Provincial Bank of Ireland which many years later amalgamated with the Munster & Leinster Bank and the Royal Bank of Ireland to form the now existing Allied Irish Bank. 

He also sought to improve the farmland on Lambay and retired there for extended periods on several occasions, so it is apt that later owners of Lambay are of the Barings bank family. (see my entry https://irishhistorichouses.com/2025/01/03/lambay-castle-lambay-island-malahide-co-dublin-section-482-tourist-accommodation/ )

Richard Wogan Talbot was elected to Westminster in 1806 and continued there until he retired in 1830. He was a supporter of Catholic Emancipation.

He was created Baron Furnival of Malahide in 1839 in the Peerage of the United Kingdom. He married firstly Catherine Malpas (d. c.1800) of Chapelizod and Rochestown, Co. Dublin, by whom he had two children. In 1806 he married Margaret Sayers, daughter of Andrew Sayers of Drogheda. He lived beyond his limited means throughout most of his life and was supported by his mother, Margaret. [7]

His son predeceased him, so the baronetcy passed to his brother, James Talbot (1767-1850).

Here is the portrait of Colonel Richard Wogan Talbot, 2nd Baron Talbot of Malahide (c.1766-1849) in situ, below Frances Talbot (c.1670-1718) by Garret Morphy.

The Dictionary of Irish Biography has an extensive entry for James Talbot (1767-1850) 3rd Baron of Malahide, who was a diplomat and spy! From 1796 until he retired in 1803 he engaged in highly sensitive and covert activities mainly in France and Switzerland. In 1804 he married Anne Sarah Rodbard of Somerset with whom he had seven sons and five daughters. The family lived in France and Italy for about thirteen years before returning to his wife’s family home in Somerset. On the death of his brother Richard in October 1849 he became 3rd Baron Talbot. However, he was too infirm to travel to Malahide and he died in December 1850, aged 83. [see 7]

The Baronetcy then passed to his son James Talbot (1805-1883) 4th Baron of Malahide. He was an antiquarian and archaeologist.

James Talbot, 4th Baron Talbot de Malahide (1805-1883) by John Collier courtesy National Gallery of Ireland NGI 4654.

The Malahide History Site describes the 4th Baron’s achievements:

In 1838 he set off with his aunt Eliza from Ballinclea House in Killiney on an extended tour of Europe and the near east. They spent over two years abroad during which he conducted much research while in Egypt and developed a keen interest in Roman antiquities. He succeeded his father as fourth Baron Talbot of Malahide in 1850 having already been in residence in Malahide and in 1856 he was created a peer of the United Kingdom as Baron Talbot de Malahide, in the County of Dublin. This gave him a seat in the House of Lords where he contributed regularly and from 1863 to 1866 he served as a Lord-in-Waiting (government whip) in the Liberal administrations of Lord Palmerston and Lord Russell. He was also a magistrate for Co. Dublin. James Talbot was also a noted amateur archaeologist and an active member of the Royal Archaeological Institute, serving as president for 30 years. Moreover, he was a Fellow of the Royal Society and of the Society of Antiquaries of London and served as president of the Royal Irish Academy. He was president also of the Geological and Zoological Societies of Ireland and vice-president of the Royal Dublin Society where he was a regular exhibitor of cattle at its shows. In that society’s autumn show he won a prize for seventeen varieties of farm produce from Lambay. He was instrumental in the revival of the Fingal Farming Society. Lord Talbot of Malahide married a well-to-do Scottish heiress, Maria Margaretta, daughter of Patrick Murray, of Simprim, Forfarshire, in 1842 but was left a widower in August, 1873. She was the last to be buried in the crypt in Malahide Abbey under the altar tomb associated with Maud Plunkett. He had a family of seven children. He died in Madeira in April 1883, aged 77, and was succeeded in his titles and estates by his eldest son.

Maria Margaretta Murray, Lady Talbot, married to James 4th Baron Talbot of Malahide, by Thomas Lawrence.

The Malahide History Site tells us that a gas-making plant was purchased from Messrs Edmundson of Capel Street in Dublin in 1856 and erected on The Green in the village. Apart from providing street lighting, the gas appears to have been piped to the castle thus making it one of the earlier houses to have gas lighting installed.

James’s son Richard Wogan Talbot (1846-1921) was next in line as 5th Baron. He also sounds like a fascinating character. He joined an exploration party making researches into the interior of Africa, and later published an account of his adventures. He found the estate in poor condition when he inherited, so he saved all that he could to put the castle and estate in order. [see 7]

Richard married Emily Harriette Boswell, and after his death their son James Boswell Talbot became the 6th Baron. Emily Harriette was the granddaughter of James Boswell the biographer of Samuel Johnson, author of the Dictionary of the English Language in 1775. When Emily died in 1898, Richard Talbot inherited the Boswell estate in Auchinleck, Scotland. This included an ebony cabinet full of the writer’s papers! In 1986 the remains of the buildings at Auchinleck were turned over to the Scottish Historic Buildings Trust by James Boswell, a descendant of the 18th-century Boswells. Now restored, Auchinleck House is used for holiday lets through the Landmark Trust, and is occasionally open to the public.

Richard the 5th Baron and his son spent much time travelling and the castle was left empty for long periods. He married for a second time in 1901 and he and his wife returned to live in Malahide. Several of his wife Isabelle’s paintings hang in the castle. She filled the house with children from her first marriage to John Gurney of Ham House and Sprowston Hall in England. She became head of the Dublin branch of the Red Cross during World War I and was awarded an O.B.E. in 1920. 

James Boswell Talbot the 6th Baron’s main interests were horse racing, Irish wolfhounds and fishing. He married at aged 50 Joyce Gunning Kerr, the eighteen year old daughter of an actor and London theatre manager. He fished at Mountshannon where he and his wife maintained a lodge and boat. Having inherited about 3,000 acres he had, by 1946, sold all but the 300 acres around the castle. He was of a retiring disposition but popular locally. His new wife assumed much of the day-to-day management of the castle. Lady Joyce took a keen interest in the Boswell Papers and was closely involved in their sale but not before she attempted to censor some of Boswell’s more explicit descriptions of his sexual encounters. They had no children so when he died in 1948 the title went to a grandson of the 4th Baron, Milo, who became 7th Baron, and who inherited Malahide Castle and estate.

James Boswell Talbot (1874-1948) 6th Baron Talbot and his wife.

Milo would not have grown up expecting the title, as his father had an elder brother who predeceased him by just one year, but this brother did not have children.

Colonel The Hon. Milo George Milo Talbot (1854-1931) by William Carter. He was the father of Milo the 7th Baron.

Milo the 7th Baron was a diplomat in Laos when he inherited Malahide Castle and was later Ambassador to Laos. He never married. He returned to live in the castle and died in 1973.

Milo Talbot, one of the last owners of Malahide, at Queen Elizabeth II’s coronation in 1952.

He is yet another fascinating character and is described on the Malahide Historical Society website:

Much of Milo’s career during the 1940s and early 50s is shrouded in mystery and rumour. At Cambridge, Guy Burgess had been his history tutor and Anthony Blount had also tutored him. Kim Philby and Donald Maclean were also at Cambridge around this time. Milo is thought to have worked in the Secret Service for some years during World War II and to have encountered some of these men in the Foreign Office  and in diplomatic postings abroad especially at Ankara in Turkey. In the course of Milo’s time at the Foreign Office during the Cold War Burgess and Maclean defected to the Russians after Philby alerted them to the fact that they were under suspicion. Milo retired in 1956 aged 45. Philby subsequently defected to be followed by Blount who was exposed as a double agent and who had been a regular guest of Milo at Malahide Castle. When Milo died suddenly in Greece when apparently in good health rumours and innuendos again circulated. No post mortem was carried out. Milo’s sister Rose burned his papers immediately on his death and many of the Foreign Office papers relating to him have disappeared.” [see 7]

When Milo the 7th Baron died the barony expired, and Malahide Castle and demesne was inherited by his sister Rose. Two years later, in 1975, she sold the castle to the Irish state, partly due to inheritance taxes. She moved to family property in Tasmania.

Milo and Rose Talbot with their mother. At the time of this painting they would have had no idea that they were to inherit Malahide Castle. Apparently Rose did not like the painting and left it for the castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A photograph of Milo and Rose Talbot, the last Talbots to live in Malahide Castle.

We saw two bedrooms after touring the formal rooms.

Malahide Castle 1980, Dublin City Library and Archives. That’s Oliver Goldsmith on the stairs, by Joshua Reynolds. (see [5])
Malahide Castle, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Malahide Castle, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Malahide Castle 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Actor David Garrick’s bed. The tour guide isn’t sure how or why it was acquired for the castle! Malahide Castle, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

A flushing toilet was installed in 1870. Queen Victoria had a similar one, designed by Thomas Crapper.

Malahide Castle, County Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A room in the tower, Malahide Castle, January 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Malahide Castle, 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The tower room has another beautiful stucco ceiling. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Malahide Castle 1984, Dublin City Library and Archives. (see [5])
Malahide Castle, 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The castle is surrounded by extensive lawns and woodland, and includes a butterfly house! There’s also a Victorian conservatory.

Malahide Castle, 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Malahide Castle, 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Malahide Castle, 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Malahide Castle, 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Butterfly house at Malahide Castle, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inside the Butterfly House at Malahide Castle, 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Malahide Castle, 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Malahide Castle, 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://www.irelandscontentpool.com/en/media-assets/media/100792

[2] https://www.archiseek.com/2011/1765-malahide-castle-co-dublin/

[3] https://www.malahidecastleandgardens.ie/castle/a-brief-history/

[4] Mark Bence-Jones  A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[5] Dublin City Library and Archives. https://repository.dri.ie

[6] https://www.dib.ie/biography/browne-thomas-wogan-a1055 and Hugh A. Law “Sir Charles Wogan,”

The Journal of the Royal Society of Antiquaries of Ireland, Seventh Series, Vol. 7, No. 2 (Dec. 31, 1937), pp. 253-264 (12 pages), on JStor https://www.jstor.org/stable/25513883?read-now=1&seq=5#page_scan_tab_contents

[5] www.archiseek.com

[6] https://www.malahideheritage.ie/Other-Notable-Talbots.php

[7] https://www.malahideheritage.ie/The-Talbots.php

Loughton House, Moneygall, County Offaly E53 WK16 – section 482

www.loughtonhouse.com
Open dates in 2025: May 1-3, 6-10, 13-17, 20-24, 27-31, June 3-7, 10-14, 17-21, 24-28, Aug 5-9, 12-24, 11am-3pm

Fee: adult €8, OAP €7, child/student free

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

Loughton, May 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We drove up a long tree-lined avenue to Loughton House. Stephen rang from the car on our way and spoke to Michael Lyons, who was out chopping wood, so told us that Andrew would be at the house to meet us.

This would have been the front of the house in 1777, as it has the bow in the centre. This is the side which we saw first as we drove up, the North facing side. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Loughton House was built on the site of a previous house, in 1777. When we arrived, we wondered why there were two front doors. I think Andrew Vance, who greeted us, explained, but we were so busy introducing ourselves and immediately got along so well, that I forget what he told me about the two doors. That’s a question for next time!

Single storey addition with crisp limestone pilasters, and pediments on console brackets over the doors. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

According to the website, alterations were made to the house in 1835 by James and George Pain. I don’t know who the architect of the 1777 house is, but originally the house faced north, with a shallow full-height half hexagon bow in the centre.

I would consider this to be the back of the house since we went out of the door in the single-storey addition, above, after our tour, to see the garden, but is officially the front, the South facing side. The windows have pediments with console brackets on the ground and first floors. The three storeys are over a concealed basement. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Mark Bence-Jones describes the house in his A Guide to Irish Country Houses:

“Of elegant and restrained late-Georgian character, the main front consisting of two wide and shallow three sided bows of three bays each, with a two bay centre between them. Single storey wing of two bays, adorned with pilasters. Pediments and entablatures on console brackets over ground floor and first floor windows. Parapeted roof. Very handsome Georgian stables.” [1]

The 1777 house was built for Major Thomas Pepper. Thomas, born around 1735, of Ballygarth, Julianstown, Co Meath, son of Lambert Pepper and Jane Otway, was Major in the 14th Light Dragoons. The Peppers acquired Ballygarth Castle (now a ruin) and lands in County Meath after the Restoration of Charles II to the British throne in 1660, for their loyalty to the Stuart monarchy. [2] Thomas Pepper married Mary Ryder, daughter of John Ryder, the Archbishop of Tuam, County Roscommon. The 14th Light Dragoons was originally called James Dormer’s Dragoons, and were raised in the south of England in 1715 in response to the Jacobite Rebellion. They were sent to Ireland in 1717. In 1747 they were renamed the 14th Regiment of Dragoons, and became the Light Dragoons in 1776 [3]. Loughton House passed to their son Thomas Ryder Pepper (1760-1828), who in 1792 married Anne Bloomfield, daughter of John Benjamin Bloomfield and Charlotte Anne Waller, of Newport, County Tipperary. The Bloomfield family had originally settled at Eyrecourt, County Galway.

Thomas Ryder Pepper (1760-1828) with The Old Castle, Loughton in the background from Loughton house auction, 2016, Shepphards.

When Thomas Ryder Pepper died, the house passed to his brother-in-law, Benjamin Bloomfield, 1st Baron Bloomfield (1815) of Oakhampton and Redwood (1768-1846). Redwood House in County Tipperary no longer exists. Oakhampton, also in Tipperary, still stands. He was Lieutenant General in the British Army and fought the rebels in 1798 at Vinegar Hill, County Wexford. He rose in the ranks to become Keeper of the Privy Purse for King George IV. This was a particularly difficult job – we came across King George IV before at several houses listed in the Revenue Section 482 Property list. The king enjoyed a romance with Elizabeth Conyngham of Slane Castle, and relished the good life: food, drink and beauty in the form not only of women but in architecture, with the help of John Nash. He was therefore rather a Big Spender. Naturally, therefore, he came to resent Benjamin Bloomfield and his efforts to tighten the purse strings.

Benjamin Bloomfield (1768-1846) 1st Baron Bloomfield as Keeper of His Majestys Privy Purse at the Coronation of George IV, by Henry Meyer, after Philip Francis Stephanoff 1826, NPG D31893.
1st Lord Bloomfield, 1768-1846, by John Lilley, from Loughton house auction catalogue, 2016, Shepphards
Benjamin, Ist Lord Bloomfield (1768-1846), Irish school, 19th c, from Loughton house sale, 2016, Shepphards.
Portrait of Lady Bloomfield, from Loughton house sale, 2016, Shepphards

We have already seen that several houses underwent alterations in expectation of a visit from King George IV in 1821. In Charleville, County Wicklow, a new floor was installed at great expense. Here in Loughton, a bedroom was done up for the King. Unfortunately, the King never made it to Loughton.

It was later that Bloomfield hired James and George Richard Pain to renovate Loughton House, in 1835.

Loughton, May 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

James and George were sons of James Pain, an English builder and surveyor. Their Grandfather William Pain was the author of a series of builder’s pattern books, so they had architecture in the blood. According to the Dictionary of Irish Architects, James and his younger brother George Richard were both pupils of John Nash, one of the foremost British architects of his day responsible for the design of many important areas of London including Marble Arch, Regent Street and Buckingham Palace. He was architect to the prolific lover of architecture the Prince Regent, later King George IV. When Nash designed Lough Cutra Castle in County Galway for Charles Vereker in 1811, he recommended that the two brothers should be placed in charge of the work, so it was at this time that they came to Ireland. Lough Cutra is an amazing looking castle privately owned which is available for self-catering rental. [4] James Pain settled in Limerick and George in Cork, but they worked together on a large number of buildings – churches (both Catholic and Protestant), country houses, court houses, gaols and bridges – almost all of them in the south and west of Ireland. [5] In 1823 James Pain was appointed architect to the Board of First Fruits for Munster, responsible for all the churches and glebe houses in the province.

The Pains Gothicized and castellated Dromoland Castle in County Clare at some time from 1819-1838, now a luxury hotel. [6] They took their Gothicizing skills then to Mitchelstown Castle in 1823-25, but that is now a ruin. In 1825 they also worked on Convamore (Ballyhooly) Castle but that too is now a ruin. They also probably worked on Quinville in County Clare and also Curragh Chase in County Limerick (now derelict after a fire in 1941), Blackrock Castle in County Cork (now a science centre, museum and observatory which you can visit [7]), they did some work for Adare Manor in County Limerick (also now a luxury hotel), Clarina Park in Limerick (also, unfortunately, demolished, but you can get a taste of what it must have been like from its gate lodge), Fort William in County Waterford, probably they designed the Gothicization and castellation of Ash Hill Towers in County Limerick (also a section 482 property!), alterations and castellation of Knoppogue Castle, County Clare (you can also visit and stay, or attend a medieval style banquet), Aughrane Castle mansion in County Galway (demolished – Bagots used to own it, I don’t know if we are related!), a castellated tower on Glenwilliam Castle, County Limerick and more.

The Pain brothers reoriented Loughton House to face south, and the main doorcase was put to the east end, the Loughton House website tells us. In his Buildings of Ireland: Central Leinster. Counties of Kildare, Laois and Offaly, Andrew Tierney tells us that this oblique approach of typical of James Pain. [8]

Loughton, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Loughton, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Loughton, May 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The National Inventory of Architectural Heritage claims that Loughton House is probably the Pain’s finest Classical work [9]. The exterior is relatively plain, with limestone window dressings with keystones. The north facing side is the original house, whereas the south facing side, of eight bays instead of the seven in the north side, is by the Pain brothers. The windows on this side have moulded cement detailing: architrave, cornice and consoles, and pediments. We saw more of the Pains’ work inside, in the Drawing and Dining Rooms which date from their renovation, and the wonderful curved stone cantilevered staircase.

The current owners, who acquired the house in 2016, are both medical doctors, as was the previous owner, Dr. James Reilly, who was also a former Minister for Health in the Irish government. When we visited, the house exuded a comfortable quirky chic, with marble busts on pillars in the front hall and a touch of whimsy, with a stag’s head draped in a fur at the bottom of the sweeping cantilevered staircase. 

The Loughton House website tells us:

“The house has very fine detailing – traces of the late eighteenth-century decoration can be seen in the house as well as early nineteenth-century changes in internal layout.

“The ground floor is laid out with bright and generously proportioned formal reception rooms with magnificent decorative cornicing and ceilings, ornate plaster work and large original period fireplaces. The original wood floors remain throughout and the grand sash bay windows permit torrents of light into the house. Most notable are the wood-carved shutters and door panels in the original Billiard room.” [10]

Loughton passed to Bloomfield’s son, John Arthur Douglas Bloomfield (1802-1879). He succeeded as 2nd Baron Bloomfield on his father’s death. He was a diplomat and travelled widely, was envoy to St. Petersburg and Ambassador to Austria. He was appointed Privy Counsellor on 17 December 1860. He was created 1st Baron Bloomfield of Ciamhaltha, Co. Tipperary on 7 August 1871. In 1834 his father had a hunting lodge built, Ciamhaltha House, County Tipperary, so the new title referred to this house [11]. He and his wife Georgiana Liddell had no son and the titles ended with his death. Georgina served as a Maid of Honour to Queen Victoria between 1841-45. Upon Georgiana’s marriage to Baron Bloomfield in 1845, when Georgiana left her position in the house of the Queen, Victoria gave her a cutting from a vine, which still grows at Loughton House today. Georgiana wrote the book Reminiscences of Court and Diplomatic Life, published 1883. It sounds fascinating!

2nd Lord Bloomfield, 1802-1879 wearing a burgundy red jacket and fur collar, Painting After Sir Thomas Lawrence, from Loughton house auction catalogue, 2016, Shepphards
Georgiana Bloomfield née Liddell, Lady Bloomfield from Loughton house auction catalogue, 2016, Shepphards.

The house passed to the Baron’s sister, Georgiana, and her husband, Henry Trench, of Cangort Park, County Offaly (still standing, privately owned). The Landed Estates website tells us that in the 1870s, Henry Trench owned 4,707 acres in county Tipperary, 2,113 acres in county Offaly, 1,926 acres in county Limerick, 1,581 acres in county Galway, 704 acres in county Clare and 432 acres in county Roscommon. [12]

Frederick Trench (1755-1840) 1st Baron Ashtown from Loughton sale Sept 2016 by Shepphards. He was an uncle of Henry Trench who married Georgiana Bloomfield.
A portrait of Blanche Trench (1852-1937), from Loughton house sale, 2016, Shepphards. She was a daughter of Henry Trench and Georgiana née Bloomfield.

When James Reilly sold Loughton House, he unfortunately sold its contents, including an archive of family papers. Michael Parsons of The Irish Times wrote of the auction:

Lot 2066, The Loughton Papers circa 1749-1960 – an archive of documents including correspondence, diaries, journals, sketch books and recipe books created by the various families who had lived at Loughton House – sold for €12,000 (above the estimate of €5,000-€8,000).

Sheppard’s said the buyer was Galway businessman Pat McDonagh, founder and managing director of the Supermac’s fast-food chain and owner of the Barack Obama Plaza – a services area on the M8 motorway just outside the village of Moneygall built following the visit of the US president.”

Fortunately, the article continues to reassure the readers that the documents will be properly preserved and accessible:

“In a statement issued via the auction house, Mr McDonagh described the archive “part of a tapestry of history” and that his “first priority” was its “preservation for historians, the community and the country”.

“The statement said: “Mr McDonagh commended Offaly County Council for their interest in working with Supermac’s for the preservation of the papers” which will be digitised, and that “historians owe a debt of gratitude to the owners of Loughton House, Dr James Reilly and his wife Dorothy”.

“Mr McDonagh “confirmed also that the visitor centre at the Barack Obama Plaza will host a Loughton House section, where extracts from the archive will be displayed on a rolling basis.” He said the plaza would work to ensure that the heritage of the house was not lost to the community, adding that he would encourage local and expert input to ensuring that the archive would be educational, appropriate and accessible.” [13]

A portrait of Dora Agnes Caroline Trench (1858-1899) née Turnor, wife of Benjamin Bloomfield Trench, from Loughton house sale, 2016, Shepphards.
A portrait of Mr Trench, dated 1920, from Loughton house sale, 2016, Shepphards.

The wood carved panels shutters and door panels in the billiards room, now a dining room, were decorated by one of the Trenches, Dora. The form of decoration, with details rendered by a hot poker, is exquisitely done. The portrait of the artist, Dora, hangs next to the doors. Dora was Henry Trench’s son Benjamin Bloomfield Trench’s wife, Dora Agnes Caroline Turnor. Dora Trench died in 1899, after a brief illness. Benjamin and Dora had two daughters, Sheelagh Georgiana Bertha and Theodora Caroline. [14]

Loughton, May 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Dora illustrated the doors with crests and intricate patterns, and all of the doors from the room are decorated, along with the shutters. I was delighted when Stephen asked if I could take a photograph of the door – I didn’t like to ask, knowing that most section 482 houses forbid indoor photography. Andrew’s assent typified his warm welcome. You can see photographs of the room, called Dora’s Room, on the Loughton website, along with photographs of the other reception rooms, the Library, Dining and Drawing Rooms. “Dora’s Room” contains a long table and chairs, and an intricately carved fireplace.

The fireplace in Dora’s Room can be seen on the Loughton website. It is, Andrew Tierney tells us in his Buildings of Ireland: Central Leinster, it is Tudor Revival, of 1862. The male caryatid figure on the right is the original, Andrew thinks, whereas the figure on the left is a copy. It’s strange how such fireplaces are carved in wood and manage to survive the fire they contain. Andrew said it throws out great heat. It has a second flue behind, from which the fire can draw its oxygen, rather than drawing from the warmed air inside the room.

The Loughton website tells us that the Trenches remained in residence until 1973 when the property was passed to the Atkinson family.

Major Anthony Guy Atkinson (b. 1909) inherited Loughton in 1970 from his cousins Thora and Sheelah Trench (Dora’s daughters). Henry Trench, Georgina Bloomfield’s husband, had a sister, Anne Margaret Trench. She married Guy Caddell Atkinson. They inherited Cangort Park in County Tipperary and Major Anthony Guy Atkinson was a descendant of Anne Margaret Trench. [15] He made Loughton over to his son, Guy Nevill Atkinson (b. 1950), who sold it in 2001.

From Dora’s Room we came upon the hallway with the sweeping floating stone cantilever staircase. This was originally the entrance hall, before James Pain added the staircase and moved the entrance to the east end.

Andrew drew our attention to an old tall clock with barometer. It was from Lissadell House, and, appropriately, was made by a man named Yates – not the poet Yeats who frequented the house, note the different spelling, but in a nice touch, the picture hanging beside it was of the poet. Incidentally, one of the Trench family, a sister of Benjamin Bloomfield Trench who inherited Loughton, Louisa Charlotte, married Colonel James Gore-Booth, of the Lissadell family. The owners have taken their time to populate the house appropriately, with respect for its history and a dash of humour.

I was most enamoured with the next room, the library, with its floor to ceiling built in bookshelves. It retains original wallpaper, worn but still in situ.

“This is where we sit in the evenings, with a glass of wine,” Andrew told us. I could just see myself there too, in the well-worn couches, facing the fireplace. You can also see this room on the website, with its comfy leather armchairs. The Equine pictures are appropriate as Andrew is Master of the local Hunt!

In the Drawing Room, a formal room with sofas, carpets and lovely salmon pink walls, gorgeous cabinets, piano and ornate gilt overmantel mirror, Andrew pointed out another treasure: the fire insurance plaque from a building. The various insurance companies had their own firetrucks and teams, and they only put out fires of the buildings insured by them. Unfortunate neighbours burned down. I was excited to see the plaque as I had seen one on the Patriot Inn in Kilmainham, one of the few remaining, and learned about them in a lecture in Warrenmount in Dublin.

Loughton, May 2019.

We then entered the second dining room (if we consider Dora’s Room, the former Billiards room, to be a dining room also, as it is currently furnished), a larger room than the first. This dining room also has a clever fireplace, this one of steel, with secret cabinets at the sides to keep the plates and dishes hot. It also had vents, and further vents built into the walls of the room, to control temperature and air flow.

Loughton, May 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

A painting above the door is by Sarah, Lady Langham, an artist, who has also applied her creative skills to the house, and who manages the day-to-day operation of the house. She has made curtains and even the wallpaper of The King’s Bedroom. On our way to the back staircase we ran into Sarah herself, as I was photographing the chain that was used to pull the coal to the upper floors.

Loughton, May 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The final rooms we viewed are Sarah’s piece de resistance, “the King’s Suite,” which comprises two rooms – the room where George IV was meant to sleep, and a room next to it also furnished with a bed, which might have been his dressing room or a parlour.

Loughton, May 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Sarah created the wallpaper. It features a crest of a unicorn and a lion around the top – and a stag that is pictured in the recurring motifs below. She also made the magnificant curtains and pelmet.

The fireplace is interesting. It is made of limestone, which contains fossils of tubular sea creatures:

Loughton, May 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

This, along with other rooms, is available for guest accommodation.

There is a stable complex to one side of the house. Andrew brought us out to show us the function room, which was originally a coal shed. It’s huge, and would be wonderful for parties, and is available for hire. The garden outside it, which would also be available for the functions, is romantic and beautiful, with a pond and stone walls.

Loughton, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Loughton, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Loughton, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Loughton, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Loughton, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Loughton, May 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Then we sat at a table outside and Andrew brought us coffees – such a lovely touch!

Loughton, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Loughton, May 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Michael joined us briefly and shared with us a photograph he had found in the national archives in England, of a group gathered at what is now the back of the house.

Andrew then urged us to wander in the gardens. We walked over to what looks like a Norman keep. It is Ballinlough Castle (not to be confused with Ballinlough Castle of County Westmeath), which dates back to the early seventeeth century, and belonged to the O’Carroll family. I climbed nearly all the way to the top (at my own peril!)!

Loughton, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Loughton, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Loughton, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Loughton, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Loughton, May 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We then found our way to the walled garden. Michael told us he hopes to restore the glasshouse.

Loughton, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Loughton, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Loughton, May 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I’d love such a large growing space, with space for fruit trees and sheltering walls. I have had my own allotment for seven years!

Loughton, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The vine, above, which was taken from a cutting from a vine belonging to Queen Victoria and given to her lady-in-waiting, Georgiana Liddell, when she married Baron Bloomfield. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Loughton, May 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I’d love to stay in the cottage, which is also available to rent.

Loughton, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Loughton, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Loughton, May 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] Mark Bence-Jones. A Guide to Irish Country Houses. (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[2] http://www.patrickcomerford.com/search/label/castles?updated-max=2017-03-10T11:30:00Z&max-results=20&start=79&by-date=false

[3] https://en.wikipedia.org/wiki/14th_King%27s_Hussars

[4] http://www.loughcutra.com/

[5] https://www.dia.ie/architects/view/2640/PAIN-JAMES

[6] https://www.dromoland.ie/

[7] https://www.bco.ie

[8] p. 472. Tierney, Andrew. Buildings of Ireland: Central Leinster. The Counties of Kildare, Laois and Offaly. Yale University Press, New Haven and London, 2019.

[9] https://www.buildingsofireland.ie/buildings-search/building/14946003/laughton-house-ballinlough-cl-by-cullenwaine-ed-moneygall-co-offaly

[10] https://loughtonhouse.com/

[11] https://www.buildingsofireland.ie/buildings-search/building/22403202/ciamaltha-house-garraunbeg-tipperary-north

[12] http://landedestates.nuigalway.ie/LandedEstates/jsp/estate-show.jsp?id=2352

Redwood was inherited by Henry Trench’s son William Thomas Trench (1843-1911).

[13] https://www.irishtimes.com/life-and-style/homes-and-property/fine-art-antiques/owner-of-supermac-s-buys-loughton-house-archive-1.2818308

[14] http://www.thepeerage.com

[15] https://landedfamilies.blogspot.com/search/label/Ireland?updated-max=2017-02-19T16:18:00Z&max-results=20&start=23&by-date=false Atkinson of Cangort and Ashley Park

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com