Woodhouse, County Waterford – private house, tourist accommodation in gate lodge and cottages
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Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!
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We visited Woodhouse on a day trip with the Cork Chapter of the Irish Georgian Society on a gloriously sunny day on May 24th, 2023. The home owners Jim and Sally Thompson welcomed us into their home, and historian Marianna Lorenc delivered a wonderful talk about the history of the house and the family who lived there.
“The original house was built in the early part of the 17th century by the Fitzgerald family (a branch of the MacThomas Geraldines of the Decies).
An old estate map of Woodhouse.An information board in the museum.
“While in the ownership of the Uniacke family it was passed by inheritance to the Beresford family and subsequently sold by Lord William Beresford in ca 1970. The House has since been extended over the years to become an impressive six bay window residence with bright and spacious rooms overlooking this private estate with the River Tay flowing through.”
The website gives us a detailed description of the history of the house so I will quote it here:
“The house of Woodhouse as we see it at present was built in at least three stages.
“The first one dates back to early 1600’s and the Munster Plantation, when the Messenger for Court of Wards and Liveries, an English Protestant and Undertaker (in other words Planter), James Wallis Esq., rented the lands of Woodhouse, Carrigcrokie, Stradballymore, Ballykerogue and others from the fellow Elizabethan settler and land distributor Richard Beacon. The latter gentleman was awarded the lands of the Catholic FitzGerald family in Co. Limerick and Co. Waterford (Woodhouse) by the Queen in appreciation for having performed his duties as her majesty’s attorney for the province of Munster. After leasing the land James Wallis had built a fine stone house, a mill, a walled garden accompanied by a numerous outbuildings and weirs (river dams) in the river Tay. The original house was built in an Elizabethan style on a rectangular plan.“
James Wallis (ca. 1570-1661).
“During the 1641 Rebellion in Ireland, James Wallis Esq. was forced out of Woodhouse by rebels and despite his detailed Deposition made in 1642 describing the damage to his house and the loss of his goods, as well as the favourable court ruling in his favour in 1653, he never returned to the property.“
At Woodhouse, County Waterford.
“The 1654 Civil Survey states that the owner of Woodhouse was then Thomas FitzGerald. Two generations later his grandson Major Richard MacThomas FitzGerald (then of Prospect House in Kinsalebeg, Co. Waterford) was facing large debts and had no way of paying them back so he had to sell the house and lands in 1724. Richard MacThomas Fitzgerald received over £8000 for this property but could only retain £840 while the rest was required to cover his debts.
“The new owner of Woodhouse was Richard MacThomas Fitzgerald’s distant relative and close neighbour Thomas Uniacke Esq. of Ballyvergin, Barnageehy and Youghal. It was then that the second phase of development for Woodhouse started. Thomas’ sons, Borr and Maurice Uniacke, invested heavily into renovating the dilapidated house and completely changed its character by developing it into a Georgian structure. There is no evidence to confirm who the architect of the changes was so it’s quite possible that the wealthy Uniacke family used the “Pattern Books” and hired traveling stonemasons to introduce the changes. The house was substantially enlarged and its functionality vastly changed. At this time the Woodhouse estate was is thought to have consisted of about 2500 acres in total.
“What the house looked like, may be seen at one of Borr Uniacke’s granddaughter’s amateur painting which was likely done in the first half of 1800s.“
Colonel Robert Uniacke (1756-1802).
“Woodhouse remained with the Uniacke family for about 130 years but in 1853 the Estate changed hands again. It did not entirely leave the Uniacke family inasmuch as the last heiress of this branch of the family, Frances Constantia Uniacke, having inherited Woodhouse from her older brother, Robert Borr Uniacke in 1844, married George John Beresford the grandnephew of the 1st Marquess of Waterford. Frances and George John took on the responsibility for the house and had the house and the outbuildings further extended. Owing to his sufferings caused by severe gout, at the back of the main house he had built a Turkish bath. We also know that construction of the boat house in nearby Stradbally Cove (which in contemporary nautical charts was called the Blind Cove) was done at this time.“
George John Beresford (1807-1864).
“For almost a century after that Woodhouse did not see any major changes and once again it became in need of extensive work to save it. Most of the eight Beresford children of George John and Frances Beresford married but none of them had children of their own. In 1933, the last surviving daughter of the couple, Lady Emily Frances Louisa (Beresford) Hodson bequeathed Woodhouse (the main house, 550 acres of land and the village of Stradbally) to her distant cousin Lt. Lord Hugh Tristram de la Poer Beresford Royal Navy, the sixth child of the 6th Marquess of Waterford. At the time of Lady Hodson’s death Lord Hugh was Aide De Camp to the Governor General of South Africa, yet he still managed to order renovation works including the installation of electricity and running water to the house. There is an extensive written evidence of his endeavours, which describes the works undertaken.“
Emily Frances Louisa (née Beresford) Hodson(1861-1934).At Woodhouse, County Waterford.
“In 1936 Lord Hugh Beresford made his last will and testament and bequeathed Woodhouse to his older brother Major Lord William Mostyn de la Poer Beresford. When in 1941 Lt. Cmdr. Lord Hugh Beresford was killed in action during the Battle of Crete, the will and testament were probated and when in 1944 Major Lord William Beresford returned from the war he took on Woodhouse, its lands and the village of Stradbally. Hence the third stage of structural development for Woodhouse began. Until his return however, the Estate was looked after by Arthur Hunt Esq. who had been the agent for the Beresford family since the late 1800s.
“Upon his return from the war, Lord William Beresford moved into Woodhouse. He found the Estate to be quite run down and badly in need of repairs.
“Lord William introduced considerable changes not only to the structure of the main house, but he also developed the land and garden in such a way that they yielded large crops. Every week he transported the rich surplus of vegetables, fruits and dairy products to Waterford where they were sold in the first Co-Op in town.“
“Lord William and his wife Rachel are remembered as a good and kind people who successfully ran Woodhouse as a working farm and they put all their energy into making it a self-sufficient establishment.”Lord William and his wife Rachel are remembered as a good and kind people who successfully ran Woodhouse as a working farm and they put all their energy into making it a self-sufficient establishment.
“The year 1971 was the year when everything had changed for Woodhouse. It was the first time in 250 years that it was sold outside of the Fitzgerald/Uniacke/Beresford Anglo-Irish family. In that year Lord William sold the Estate to Mr. John McCoubrey who farmed and bred his cattle here and, thanks to the auspicious nature, he succeeded in that enterprise. However only one year later Mr. McCoubrey decided to move on and he, too, sold Woodhouse.
“In 1972 Mr. John Rohan bought the house and all the lands. The new owner began extensive renovations to the main house and, being the Master of the Waterford Hunt, built stables for his horses and kennels for his dogs in the walled garden. He also purchased and installed the beautiful black gate at the main entrance to the Estate.“
“Ten years later, in 1983 Woodhouse changed hands again and was purchased as an investment by a company owned by Mr. Mahmoud Fustok and his associates from the Middle East. Mr. Fustok never occupied Woodhouse but chose to make it available to Dr John O’Connell, an Irish parliamentarian, and his friends. The house was adjusted to their style, but no major renovations took place between 1983 and 2006.
“After 23 years under Mr. Fustok’s ownership Woodhouse was purchased by two Irish business partners – Mr. Aidan Farrell and Mr. Charles O’Reilly-Hyland. After their purchase these two owners sold some land parcels of Woodhouse to interested parties and made some improvements to the Estate but did not make it their residence. Eventually in 2012 they decided to sell the entire estate.“
“The new purchasers, Jim Thompson and his wife Sally, took on the task of renovating and modernizing the vastly run-down house, cottages, outbuildings and lands. Their initiative involved an enormous amount of effort and patience but ultimately was successful. The works extended into every part of the large Estate (500 acres) and was achieved over a period of six years with the support and encouragement of the people of Stradbally.“
“After many years of being forgotten and with no sufficient means to sustain itself, Woodhouse was brought back to life by various experts – architectural, building, landscape, and farm – who guided the Thompsons through the long renovation process. This commitment to bring Woodhouse back to its former glory proved very successful and as of 2019 – 400 years after the house was originally built – Woodhouse is a vibrant estate once more.“
We gathered at the ancilliary buildings for coffee and a chat before Marianna’s introduction to the house’s history. She has published a book that was for sale, along with Julian Walton.
After our talk, we visited the house and then the walled garden. The website tell us:
“When Woodhouse changed hands in 2012 a project was undertaken to bring the walled garden back to its former glory. Today the Walled Garden and Orchard have a wide variety of fruits, vegetables, herbs and many types of flowers and, thanks to Paddy Kiely and his excellent team of skilled workmen, has developed in a place of beauty in tune with nature as it was planned when originally built.An oasis of calm and tranquility situated right in the centre of the Estate, the beautifully restored Walled Garden is a perfect venue for small intimate weddings and gatherings. Completely enclosed and surrounded by high stone walls the walled garden has flowers beds, beautiful green lawns, a raised pergola overlooking the entire garden and a soothing water feature. As well as providing a beautiful backdrop for weddings the Walled Garden is also an ideal venue for a variety of special events. Whether you are looking to toast a birthday or anniversary or hold a charity event the Walled Garden adds a special atmosphere to any occasion. For more information please get in touch1woodhouseestate@gmail.com “
Woodbrook House, photograph courtesy of Historic Houses of Ireland website.
Today I am going to write about Woodbrook as it is listed in Revenue Section 482 but is only open as accommodation. Open for accommodation: all year 2025
donation
Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!
€15.00
Then, below my entry, I have listed Section 482 properties that are open for a visit in March 2025!
Woodbrook looks like a lovely place to stay and the hosts Giles and Alexandra Fitzherbert, who have lived there since 1998, serve dinner also if requested. Giles is a former Ambassador in South America and his wife Alexandra is of Anglo-Italian-Irish-Chilean extraction, the Hidden Ireland website tells us.
Woodbrook, County Wexford, courtesy Hidden Ireland. [1]
Woodbrook house was built in the 1770s. It was built by Reverend Arthur Jacob (1717-1786), Archdeacon of Armagh, for his daughter Susan and her husband Captain William Blacker, a younger son of the family at Carrigblacker near Portadown. Arthur Jacob was Rector of Killanne in County Wexford while he was also Archdeacon of Armagh. [2]
The Historic Houses of Ireland website tells us:
“Nestling beneath the Backstairs Mountains near Enniscorthy in County Wexford, Woodbrook, which was first built in the 1770s, was occupied by a group of local rebels during the 1798 rebellion. Allegedly the leader was John Kelly, the ‘giant with the gold curling hair’ in the well known song ‘The Boy from Killanne’. It is said that Kelly made a will leaving Woodbrook to his sons but he was hanged on Wexford bridge, along with many others after the rebels defeat at Vinegar Hill. He was later given an imposing monument in nearby Killanne cemetery.” [3]
Another rebel who occupied the house in 1798 was John Henry Colclough (c.1769-98) who was also executed for his participation in the 1798 Insurrection.
The Historic Houses of Ireland site continues:
“… The house was badly knocked about by the rebels and substantially rebuilt in about 1820 as a regular three storey Regency pile with overhanging eaves, a correct Ionic porch surmounted by a balcony and three bays of unusually large Wyatt windows on each floor of the facade.” [3]
Woodbrook House, photograph courtesy of Woodbrook website.Woodbrook House, photograph courtesy of Woodbrook website.
The house has tripartite entrance doorcase with large cobweb fanlight under the portico. Mark Bence-Jones writes that the hall has a “rather Soanian vaulted ceiling.” I’m not sure what he means by this – if you can enlighten me, please do let me know! He also comments on the “very spectacular spiral flying staircase of wood, with wrought iron balustrades; a remarkable and brilliant piece of design and construction.” [4] It is called “flying” because it does not touch the walls. The steps look like stone but are timber, and each was carefully made to fit perfectly together. Robert O’Byrne tells us that the stairs bounce slightly as one walks up or down, which sounds disconcerting!
Woodbrook House, photograph courtesy of Woodbrook website.Woodbrook, County Wexford, courtesy Hidden Ireland. [1]
Woodbrook passed to the son, William Blacker (1790-1831). He married Elizabeth Anne Carew, from Castleboro House in County Wexford, now a splendid ruin.
Castleboro, County Wexford, photograph: Robert French, Lawrence Collection, NLI, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.William Blacker married Elizabeth Anne Carew, from Castleboro House in County Wexford, now a splendid ruin. The ruins of Castleboro House, County Wexford (geograph_3716684) By Mike Searle, https://commons.wikimedia.org
William and Elizabeth Anne’s son Robert Shapland Carew Blacker (1826-1913) inherited the impressive Carrickblacker house in County Armagh from his relatives, as well as inheriting Woodbrook, from an elder brother, William Jacob, who predeceased him and had no children. William Jacob Blacker served as High Sheriff of County Wexford.
Robert Shapland married, in 1858, Theodosia Charlotte Sophia, daughter of George Meara, of May Park, County Waterford. Carrickblacker house remained in the family until the estate was purchased in 1937 by Portadown Golf Club, which demolished Carrickblacker House in 1958 to make way for a new clubhouse. [5]
Woodbrook House, photograph courtesy of Woodbrook website.Woodbrook House, photograph courtesy of Woodbrook website.
The eldest son, William Robert George Blacker, died at just twenty years old. The next eldest, Edward Carew Blacker, died unmarried in 1932. He also served as High Sheriff of County Wexford. After his death, Woodbrook lay empty for some years, inherited by Edward’s brother Stewart Ward William Blacker, who also owned Carrickblacker. The Irish Historic Houses website tells us that the house was occupied by the Irish army during the Second World War.
The house has a large drawing room with a chimneypiece that is from the original house.
Woodbrook, County Wexford, courtesy Hidden Ireland. [1]Woodbrook House, photograph courtesy of Woodbrook website.
Stewart’s son Robert Stewart Blacker moved to the house in the 1950s after Carrickblacker was sold, and Woodbrook was then extensively modernised.
Woodbrook House, photograph courtesy of Woodbrook website.Woodbrook House, photograph courtesy of Woodbrook website.Woodbrook House, photograph courtesy of Woodbrook website.Woodbrook, County Wexford, courtesy Hidden Ireland. [1]Woodbrook House, photograph courtesy of Woodbrook website.There are three large guest bedrooms, all en suite.Woodbrook, County Wexford, courtesy Hidden Ireland. [1]Woodbrook House, photograph courtesy of Woodbrook website.
Also featured in The Wexford Gentry by Art Kavanagh and Rory Murphy. Published by Irish Family Names, Bunclody, Co Wexford, Ireland, 1994.
and The Irish Aesthete: Buildings of Ireland, Lost and Found. Robert O’Byrne. The Lilliput Press, Dublin, 2024.
Donation towards accommodation
I receive no funding nor aid to create and maintain this website, it is a labour of love. I travel all over Ireland to visit Section 482 properties and sometimes this entails an overnight stay. A donation would help to fund my accommodation.
[4] Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
These Section 482 listings are open on certain dates in March 2025, so you might still have time for a visit! I have separated below the places that are listed as Accommodation.
Huntington Castle, Clonegal, Co. Carlow, Y21 K237
Postal address: Huntington Castle, Enniscorthy, Co. Wexford
Open: Feb 1-2, 8-9, 15-16, 22-23, Mar 1-2, 8-9, 15-16, 22-23, 29-30, Apr 5-6, 12-30, May 1-31, June 1-30, July 1-31, Aug 1-31, Sept 1-30, Oct 4-5, 11-12, 18-19, 25-31, Nov 1-2, 8-9, 15-16, 22-23, 29-30, Dec 6-7, 13-14, 20-21, 11am-5pm
Fee: house/garden, adult €13.95, garden €6.95, OAP/student, house/garden €12.50, garden €6, child, house/garden €6.50, garden €3.50, group and family discounts available
Open: Jan 3-4, 10-11, 17-18, 24-25, 31, Feb 7-8, 14-15, 21-22, 28, Mar 1, 7-8, 14, May 8-11, 15-18, 22-25, June 12-15, 19-22, 26-29, Aug 8-10, 15-24, 29-31, 2pm-6pm
Open: Feb 1-3, 7-10, 14-17, 21-24, 28, Mar 1-3, 7-10, 14-17, Apr 18-21, May 16-19, June 1-2, 6-9, 13-16, 20-23, 27-30, Aug 1-4, 8-11, 15-25, Feb-May, 12 noon-4pm, June and August, 11am-5pm, last entry 4.30pm
Fee: adult €10, OAP €9, student, €6, child €4 must be accompanied by adult, family €25 (2 adults and 2 children)
Open: Castle, May 1-3, 8-10, 15-17, 22-24, 29-31, June 5-7, 12-14, 19-21, 26-28, July 3-5, 10-12, 17-19, Aug 1-2, 7-9, 14-24, 28-30, Sept 4-6, 11-13, 18-20, 11am-3pm
Garden, Mar 27-Sept 28, Thurs-Sundays, and Bank Holidays, National Heritage Week, Aug 16-24,11am-5pm
Fee: castle adult €16.50, child entry allowed for over 8 years €8.50, garden, adult €8.50, child €4, family ticket (2 adults + 2 children) €23, adult season ticket €56, family season ticket €70, special needs visitor with support carer €4, child 5 years or under is free
Kilcarbry Mill Engine House, Sweetfarm, Enniscorthy, Co Wexford
Open: Jan 1-4, 29-31, Feb 3-5, Mar 5-7, 10-11, Apr 3-4, 11-13, May 10-12, 19-23, July 5-7, Aug 2-31, Dec 19-23, 27-30, 12 noon-4pm
Open: Jan 1-Dec 24, 27-31, house and garden, 9.30am-5.30pm, ballroom and garden rooms, 9.30am-1.30pm
Fee: Jan-Oct, adult €14, OAP, €12, student €10.50, child €5.50, family €20, Nov- Dec, adult €10.50, OAP €9.50, student €9, child €5.50, Jan- Oct, concessions-family ticket 2 adults and 3 children under 18 years €33, concession-Nov-Dec family 2 adults and 3 children under 18 €25
Russborough, The Albert Beit Foundation, Blessington, Co. Wicklow, W91 W284
Lisdonagh House, County Galway, photograph from Lisdonagh website.
The 2025 Revenue list still hasn’t been published so today I am writing about Lisdonagh in County Galway. It is another tourist accommodation property that is only available as a whole house rental, so I don’t think I will be able to visit. There are also cottages available for accommodation – perhaps Stephen and I can stay there sometime!
The website tells us:
“When looking for an authentic Irish country house to hire, the beautiful 18th century early Georgian Heritage home is the perfect choice. Lisdonagh House is large enough to accommodate families, friends and groups for private gatherings. This private manor house is available for exclusive hire when planning your next vacation or special event. Enchantingly elegant, Lisdonagh Manor House in Galway has been lovingly restored and boasts original features as well as an extensive antiques collection. Peacefully set in secluded woodland surrounded by green fields and magnificent private lake, this luxury rental in Galway is full of traditional character and charm. The tasteful decor pays homage to the history of Lisdonagh Manor with rich and warm colours in each room. The private estate in Galway is perfect for family holidays, celebrations and Board of Director strategy meetings. Lisdonagh is an excellent base for touring Galway, Mayo and the Wild Atlantic Way.“
Lisdonagh Estate is set in its own mature woodland with private lake and guests may avail of complimentary horse riding, fishing in our lake and rambling walks through our 200 acres of Irish countryside.
Lisdonagh House, County Galway, photograph from Lisdonagh website.
I would love to be able to stay sometime!
The National Inventory of Architectural Heritage tells us it was built around 1760; Mark Bence-Jones estimated it to be from 1790s. [1] [2] A third date is suggested on the Visit Galway website which tells us that Lisdonagh House is an early Georgian country manor built around the 1720s by the Reddingtons for the St. George family who were prominent landlords in Galway. [3]
The Landed Estates website tells us:
“For fifty years in the middle of the 19th century a branch of the O’Flaherty family leased an estate at Lisdonagh, parish of Donaghpatrick, barony of Clare, county Galway, from the St. George family of Headford. Bernard O’Flaherty of Lisdonagh was agent to Peter Lynch of Ballycurran in the 1830s…In the 1870s Martin O’Flaherty of Lisdonagh owned 2,128 acres in county Galway. He married Mary O’Gorman and their daughter Eva, a founder member of Scoil Acla on Achill Island, was born in 1874. He sold his estate to Peter O’Mahony in the late 19th century and Lisdonagh passed to Henry Palmer of Galway, who married O’Mahony’s daughter. Their daughter Valda Palmer lived at Lisdonagh until the 1990s. In 1885 Martin Francis O’Flaherty was acting as a trustee for the estate of Edward Michael Davies, a bankrupt. Part of this estate at Moneyteigue, barony of Dunkellin, was offered for sale in the Landed Estates court in April 1885.” [4]
The Women’s Museum of Ireland tells us that Eva O’Flaherty studied millinery in Paris at the end of the 19th century, where she knew Countess Markievicz, and had a millinery emporium on Sloane Street, London, in 1913. Prior to World War I Eva was a well known beauty in the Café Royal, mixing with an eclectic intellectual artistic milieu, many of whom visited her in later years in Achill. Eva corresponded with Kathleen Clarke and other notable Republican women such as Dr Kathleen Lynn and Máire Comerford all her life. She moved to Achill in 1910, opening St Colman’s Knitting Industries in Dooagh which would proved much needed employment for local women for almost fifty years and co-founding Scoil Acla with poet, journalist and, later, politician, Darrell Figgis, Colm O’Loughlainn and Anita McMahon. [5]
“After her hectic experiences in Dublin, Eva settled back into life in Achill, where artist Paul Henry became a close friend and where writer Graham Green played cards regularly in her home. Such was Eva O’Flaherty’s contribution to the fledgling Irish state that President Eamon De Valera sent Senator Mark Killilea as his government representative to give the oration at her funeral in Donaghpatrick graveyard in April 1963. Her coffin was draped with a tricolour and she received military honours.” [5]
Lisdonagh House, County Galway, photograph from Lisdonagh website.
The house is two storeys over basement. It has five bays, with a central curved bow. The entrance doorway is in the bow, and has an arched fanlight over the door. The doorcase has limestone block-and-start surround, with a keystone in the form of a massive scroll bracket, and a further cornice above and limestone bracket above that in the form of a heraldic bird’s head, with the beak forming a ring for hanging a lantern. [see 1] The door is approached by flight of five limestone steps with wrought-iron railings.
Mark Bence-Jones tells us thaton one side of the house is a detached pyramidally-roofed Palladian pavilion with a Venetian window on one face and a niche on the other. Bence-Jones adds that Dr. Craig is doubtful whether a balancing pavilion was ever built.
The house has commanding views over Lough Hackett, a private Lake which forms part of the Estate, and of Knochma hill.
Lisdonagh House, County Galway, photograph from website.Lisdonagh House, County Galway, photograph from Lisdonagh website.
The rear elevation is of three bays and three storeys, with a centre flat-roofed canted bay. This rear bay contains a round headed window with cobweb fanlight which lights the stairs.
Mark Bence-Jones writes in his A Guide to Irish Country Houses that the impressive front hall has walls painted with an Ionic order and figures in grisaille by J. Ryan. [2] The Lisdonagh website tells us that the murals depict the four virtues of valour, chastity, beauty and justice.
Lisdonagh House, photograph from website.
Thestaircase is behind this hall, partly in three sided projection.
The main rooms are beautifully furnished and look invitingly comfortable. The ground floor has a spacious drawing room with open fire, separate Georgian dining room, small study or reading room and fully equipped kitchen. Dining can be self catered or provided by your hosts on request. A sweeping original oak staircase leads to the first floor and 5 en-suite bedrooms with lake or garden views. There are an additional 4 en-suite bedrooms on the lower ground floor as well as Rafferty’s Room which is a stone clad snug with mini bar style facilities.
Drawing room,Lisdonagh House, County Galway, photograph from Lisdonagh website.Drawing room,Lisdonagh House, County Galway, photograph from Lisdonagh website.Lisdonagh House library, photograph from Lisdonagh website.Dining room,Lisdonagh House, County Galway, photograph from Lisdonagh website.Dining room,Lisdonagh House, County Galway, photograph from Lisdonagh website.The Bar,Lisdonagh House, County Galway, photograph from Lisdonagh website.The Kitchen, Lisdonagh House, County Galway, photograph from Lisdonagh website.
The bedrooms look equally enticing.
The Gregory Room: Located in what was originally the kitchens of the Manor, this spacious room features two single beds, marble bathroom and antique period furniture treasures. The two front facing windows are deep set with planted rockery outside.Lisdonagh House, County Galway, photograph from Lisdonagh website.The Merriman room with four poster bed, and a bathroom with one of the first ever bathtubs in Ireland! Lisdonagh House, County Galway, photograph from Lisdonagh website.The Sommerville Room: Also on the lower ground floor (opposite the Merriman Room) with double bed and beautiful black and white tiled bathroom. Jacuzzi bath with hand held shower, the Sommerville room has courtyard garden view.Lisdonagh House, County Galway, photograph from Lisdonagh website.The Synge Room,Lisdonagh House, County Galway, photograph from Lisdonagh website.The Maud Gonne room,with two windows with garden and courtyard views, Lisdonagh House, County Galway, photograph from Lisdonagh website.Located centrally over the main entrance, The Carolan Room, Lisdonagh House, photograph from website.The Yeats Room,Lisdonagh House, County Galway, photograph from Lisdonagh website.With views of Lough Hackett, The JoyceBedroom,Lisdonagh House, County Galway, photograph from Lisdonagh website.The Flaherty Room, located on the lower ground floor, with whitewashed walls and antique brass double bed with mother of pearl headboard. The shuttered window gives a rear view of the courtyard garden area, photograph from Lisdonagh website.
The National Inventory tells us that there is a detached eight-bay two-storey stable block, built c.1760, in yard ancillary to Lisdonagh House. At either end are plain gate piers with wrought-iron gates. The yard has a carriage arch and fountain.
Coach House atLisdonagh House, photograph from website.Previously the estate’s stables, the two storey, 3 bedroom Coach House is beautifully renovated and has both period features and modern comforts. It comprises a large contemporary kitchen and breakfast room, under floor heating, a spacious sitting room complete with stove and TV including both Irish and UK channels as well as a smaller study or games room. Upstairs there are three en-suite double bedrooms.
It has two cottages for accommodation also.
Lughnasa Villa at Lisdonagh House, photograph from website: Two storeys with under floor heating on the ground floor as well as a compact galley style kitchen and beautiful antique furnishings. Ideal for friends and families, Lughnasa has two double bedrooms (king size & queen size beds) and two bathrooms.
As well as Lughasa Villa there is Inisfree Villa. On the ground floor there is a large sitting room with plush period furnishings and wood burning stove. A small but fully fitted galley kitchen is adjacent to the sitting room. Upstairs there are two bedrooms, one very spacious double bedroom and a twin bedroom – both en-suite.
There is a two-bay single-storey gate lodge of c.1830 on the opposite side of the road to the entrance gates, with lime-rendered walls and wide windows. The entrance is through the porch in the south return wall.
Gate Lodge atLisdonagh House, photograph from website.This self-catering cottage is located at the entrance to Lisdonagh Manor Estate. Set entirely over the ground floor, this holiday rental in Galway can sleep four people in two bedrooms with shared bathroom. The Gate Lodge also has a kitchen with dining area and a sitting room. Oil fired central heating with multi-fuel stove.
[2] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
Lismacue House, photograph courtesy of Lismacue website.
donation
Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!
Lismacue in County Tipperary was listed in the 2024 Revenue Section 482 list as tourist accommodation. The 2025 Revenue Section 482 list has not yet been published. Under the Revenue rules, a historic property can have an income tax reduction for a percentage of repair and renovation costs if they offer tourist accommodation six months of the year, at least four of those months being between 1st May and 30th September.
There are loopholes in the section 482 scheme, in that it does not specify what sort of accommodation must be provided, nor how much the accommodation costs. Lismacue, for example, can only be rented as an entire house with five bedrooms.
However, you can take a tour of Lismacue with the company Historic Family Home Tours, which brings visitors to three historic houses: twelfth century Castlegarde in County Limerick with its 1820s extension by the Pain brothers, Lismacue and Grenane House (see my entry https://irishhistorichouses.com/2024/04/04/grenane-house-tipperary-co-tipperary-e34-ep22/ )
The tours are quite expensive, however, and require a group, so I don’t think I will be able to visit Lismacue house, so I am going to write about the history of the house today.
Lismacue, photograph courtesy of National Inventory of Architectural Heritage.
Mark Bence-Jones tells us in his A Guide to Irish Country Houses that Lismacue is:
“[Baker/IFR] A late-Georgian house with battlements and other mild Gothic touches. Two storeys; entrance front of three bays with Gothic porch, prolonged by lower wing ending in a gable with tracery window. Side of five bays has a battlemented pediment with pinnacles. Another pediment on the rear facade.” [1]
The Archiseek website tells us that the house was designed by architect William Robertson (1770-1850) and building completed in 1813. [2] William Robertson was born in Kilkenny, where he later ran a busy architectural practice. After some years in London, he returned to Kilkenny, where he designed the Gaol, St. Canice’s Church and the Psychiatric Hospital (“Lunatic Asylum”). Among other private residences, he designed Jenkinstown House in County Kilkenny.
Five bay side of Lismacue House, photograph courtesy of website.Jenkinstown House, County Kilkenny, courtesy Lisney Sotheby’s 2024.Also designed by William Robertson, it also has hood mouldings, crenellations, and a large Gothic traceried window.
The National Inventory claims that Lismacue was built around 1760. [3] The work by William Robertson was added to the earlier house.
Lismacue has elements of Tudor-Revival with its hood mouldings over the windows and wonderful pinnacles either side of the central breakfront. The house is two storeys over basement. The sides of the house are of five bays, and there is a lower wing to the north with an ecclesiastical-looking Gothic window.
William Baker (d. 1733) purchased Lismacue from Charles Blount in 1705, and the estate remains in the ownership of the same family. The present owners are Kate née Baker and her husband Jim Nicholson. Kate inherited Lismacue from her father, William Baker. The Bakers’ ancestor Thomas Baker (1577-1642) probably came to Ireland in the retinue of Robert Devereux, 2nd Earl of Essex. [4]
William Baker served as High Sheriff for County Tipperary. His father lived at Lattinmore, County Tipperary. In 1700 William married Margaret, daughter of Captain Hugh Massy of Duntrileague, County Limerick.
William and Margaret had several children. The house passed to their oldest son, Hugh (d. 1772). In 1730 Hugh married Catherine, daughter of Robert Ryves, of Ryves Castle, Ballyskiddane, County Limerick. It may be been Hugh who built the first iteration of the house, in time for his new bride.
Reflecting the exterior, the interior features Gothic details. The front hall is divided by a pointed arch with two fluted columns and further fluted pilasters, and quatrefoil circular decorations on the wall over the arch. A large window lights the staircase with its wooden banisters and carved veloute. The staircase leads from the entrance hall to the guest bedrooms.
Lismacue House, photograph courtesy of website.
The Lismacue website tells us that the accommodation includes a classically proportioned drawing room, dining room, breakfast room and library. The house is centrally heated throughout, and the owners provide warm and welcoming log fires in the reception rooms. All windows have the original pine shutters.
Lismacue House, photograph courtesy of website.
Many of the large rooms have decorative plasterwork, and the ground floor rooms have mahogany doors. Several rooms retain wallpaper dating from the 1830s. The dining room features decorative pelmets and a sideboard niche.
The Library, Lismacue House, photograph courtesy of website.Lismacue House, photograph courtesy of website.
Hugh and Catherine’s son William (1719-1808) served as a Colonel for the Irish Volunteers, the local militia formed in 1778 to protect against invasion, such as the French threat in Bantry Bay.
William married Elizabeth, second daughter of the Very Reverend Charles Massy, Dean of Limerick, and sister of Hugh Dillon Massy 1st Baronet of Doonass, County Limerick. Their son William Baker (1767-1815) inherited, and married Elizabeth daughter of Thomas Roberts, 1st Baronet of Britfieldstown, County Cork.
William hired William Robertson and built the current version of the house in 1813, but he was murdered a few years later in 1815. [5] He was a Justice of the Peace and was murdered on the way home from a meeting in Cashel of the Quarter Sessions held under the Insurrection Act. [see 4] Two men were eventually arrested and one of them was executed, on the testimony of the other. William Blake’s grave in Bansha features quatrefoils similar to those on his house. [6]
After his death William’s wife Elizabeth moved to Cheltenham, taking all the family furniture with her, so none of the original furniture remains in Lismacue. William was succeeded by a son of his brother Hugh, who had died in 1801, also named Hugh (1798-1868). He married Marion, only child of Charles Conyers, of Castletown Conyers, County Limerick.
A bedroom ofLismacue House, photograph courtesy of website.
The Landed Families website tells us:
“Hugh Baker seems to have been a considerate and generous landlord, but that did not stop him receiving unwelcome attention from violent elements in the local population in the 1830s on account of the fact that he employed a Protestant steward. At one point he was obliged to leave the estate for the greater safety of Dublin, although he soon returned and was resident throughout the famine years of the 1840s. He had a large family of four sons and five daughters.“
Hugh’s son Hugh (1845-1887) inherited but he died young, leaving a widow and two small children. The Landed Families website explains:
“The estate passed to his young son, but it was heavily indebted and in an era of falling agricultural prices one of the creditors called in his loan, leading to the estate being vested in trustees for sale. Hugh Baker’s widow, Frances, had meanwhile married again, to Maj. Ralph Hall Bunbury (d. 1898), who bought the house (but not the estate) so that the family could continue to live there. However when he died, rather than leaving the house as might have been expected to his step-son, Hugh Baker (1880-1952), it passed to his unmarried sisters. Hugh, who became a naval officer and a leading figure in the world of fly-fishing, later moved to County Antrim, and died there without issue. The Misses Bunbury sold their unexpected legacy at a generously low valuation to Charles Conyers Massy Baker (1847-1905), the second son of Hugh Baker (1798-1868), who was perhaps looking to retire from his practice as a barrister.”
A wonderfully spacious bedroom ofLismacue House, photograph courtesy of website.
Charles Conyers Massy’s son Allen inherited the house and was the grandfather of the current owner Kate. Interestingly, Allen Baker (1881-1959) was the first person to qualify (in 1900) as a veterinary surgeon at the Royal Veterinary College of Ireland! It’s a pity my father is not still alive as he too graduated from the veterinary college and would have found that interesting.
Allan Baker made his home at Lismacue, where he established a stud farm and acted as the local vet. His son and heir William Baker (1913-77) followed in his father’s footsteps and maintained both the stud and the veterinary practice. Unfortunately William died suddenly and there were large death duties to pay. From around 2000, Kate and her husband found the funds to embark on a systematic restoration of the house. They continue to operate the family stud farm, now with the assistance of a manager
A bedroom ofLismacue House, photograph courtesy of website.A bedroom ofLismacue House, photograph courtesy of website.
Outside is fine open parkland with views of the Galtee Mountains and the Glen of Aherlow, and a long avenue of lime trees said to date from 1760.
[1] Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978) Revised edition 1988 Constable and Company Ltd, London.
Malahide Castle by Brian Morrison, 2015, for Tourism Ireland [1]
The castle is described in the National Inventory of Architectural Heritage as a five bay three storey over basement medieval mansion from 1450, renovated and extended around 1650, and again partly rebuilt and extended in 1770 with single-bay three-storey Georgian Gothic style circular towers added at each end of the front elevation. It was further extensively renovated in 1990. It is open to the public.
In 1185, Richard Talbot, who had accompanied King Henry II of England to Ireland in 1174, was granted the land and harbour of Malahide. [2] Talbots remained living at the site of Malahide Castle for the next nearly 800 years, from 1185 until 1976, with the exception of a few years during Oliver Cromwell’s time as Lord Protectorate.
I visited again recently so though I have published about the castle before, I am adding to it today. Unfortunately I seem to have lost the first two pages of the notes I took, so apologies to our very informative tour guide!
“The original stronghold built on the lands was a wooden fortress but this was eventually superseded by a stone structure on the site of the current Malahide Castle. Over the centuries, rooms and fortifications were added, modified and strengthened until the castle took on its current form.” [3]
The first stone castle was probably built around the end of the fifteenth century. It was a simple rectangular building of two storeys. The ground floor contained the kitchen and servants quarters and the first floor the family quarters and a great hall.
Mark Bence-Jones describes it in his Guide to Irish Country Houses:
p. 198. “(Talbot de Malahide, b/PB) The most distinguished of all Irish castles, probably in continuous occupation by the same family for longer than any other house in Ireland. It also contains the only surviving medieval great hall in Ireland to keep its original form and remain in domestic use – at any case, until recently.” [4]
Another castle that has been in nearly continuous occupation by the same family since the time of the Norman invasion and of King Henry II of England is Dunsany in County Meath – which was also occupied by a Cromwellian during the time of the Protectorate. Dunsany is a Revenue Section 482 property and it can be visited on certain dates during the year, and it is still occupied by the Plunkett family. (I haven’t published an entry about it as the family asked me not to.) Another, whose entry I will be adding to soon after my Heritage Week visit, is Howth Castle in Dublin, built by the St. Lawrence’s, or an earlier version of it, after the Battle of Clontarf in 1014, and which was only sold by the family a few years ago.
The Dunsany Plunkett and the Talbot families intermarried. Matilda Plunket (d. 1482), daughter of Christopher Plunket of both Dunsany and Killeen, sister of Christopher Plunket 1st Baron of Dunsany (d. 1467), married Richard Talbot of Malahide (b. 1418).
Matilda Plunket’s first husband, Walter Hussey, Baron of Galtrim, was killed in a battle on their wedding day! The couple were married on Whit Monday 1429, but within a few hours the bridegroom was murdered in a skirmish at Balbriggan, County Dublin. In the Meath History Hub, Noel French tells us that Lord Galtrim supposely wanders through Malahide Castle at night pointing to the spear wound in his side and uttering dreadful groans. It is said he haunts the Castle to show his resentment towards his young bride, who married his rival immediately after he had given up his life in defence of her honour and happiness.
Matilda married Richard Talbot in 1430. When Richard died she married a third time, to John Cornwallis, who held the office of Chief Baron of the Exchequer of Ireland. She moved back to Malahide Castle when widowed, running the household and overseeing major extensions to the castle. The Archiseek website tells us thatthe castle was notably enlarged in the reign of Edward IV (28 April 1442 – 9 April 1483). Matilda is buried in the old abbey next to Malahide Castle.
Richard and Matilda’s son Thomas Talbot (d. 1487) held an office created for him by King Edward IV in 1475, called Hereditary Lord High Admiral of Malahide and the Adjacent Seas. With this title he was awarded dues from customs, which would have been lucrative.
The Gothic windows over the entrance door are the windows of the oldest remaining part of the castle, the Oak Room. The windows themselves were only added in the 1820s, when the Oak Room was enlarged to the south by Colonel Richard Wogan Talbot, 2nd Baron, when he added on the Entrance Porch and the two small squared towers. Originally, there was no entrance on the south side, but a shell-lined grotto.
The Oak Room would have been the main room in the early stone castle.
The Oak Room, Malahide Castle 1976, Dublin City Library and Archives. [5]
The oak room is lined with oak panelling, elaborately carved. The carvings would have originally been part of older furniture. The panelling would have made the room warmer than having bare stone walls or limewash. The panels were painted white to make the room brighter as the windows would have been small to keep out the cold and to protect against invaders.
The Talbot crest features a lion and a dog, symbolising strength and loyalty. In the entrance courtyard to the castle, Talbot dogs sit on the pillars.
John Talbot (c. 1384-1453), 1st Earl of Shrewsbury, Detail of illuminated miniature from the Talbot Shrewsbury. He is in a habit as a knight of the Garter. Behind him a Talbot hound, his heraldic badge. presenting the book to Margaret of Anjou, Queen of England, 1445. His robe displays several encircled Garters. See Poems and Romances (Shrewsbury book), illuminated by the MASTER OF JOHN TALBOT – http://www.bl.uk/catalogues/illuminatedmanuscripts/ILLUMIN.ASP?Size=mid&IllID=47542
The website of the Malahide Historical Society tells us that in 1641 John Talbot (d. 1671) succeeded his father Richard to the lordship of the Talbot estates in Malahide, Garristown and Castlering (Co. Louth).
During the uprising of 1641, Talbot tried to remain neutral, although as Catholics, many of his relatives rebelled. The Malahide Heritage website tells us:
“The Duke of Ormonde, on behalf of the Lords Chief Justices, garrisoned Malahide Castle but desisted from laying waste the farmland and village. The 500 acres about the castle were very productive and Talbot was supplying the garrison and Dublin with grain and vegetables at a time when the authorities were concerned with a very severe food shortage. Nevertheless, John was indicted for treason in February 1642, outlawed and his estates at Malahide, Garristown and Castlering declared forfeited. However, he managed to rent back his own castle and estate for a further decade.“
James Butler, 1st Duke of Ormond, who was also a supporter of the Stuart monarchy, in a portrait in Malahide Castle.
In 1653 Myles Corbett, Commissioner of Affairs in for Oliver Cromwell in Ireland, fleeing from an outbreak of plague in Dublin, ousted the family and obtained a seven-year lease on the castle.
When Charles II was restored to the throne, Myles Corbett was executed for his role in signing the death warrant of King Charles I.
The castle was restored to the Talbots after Corbet’s death.
John Talbot married Catherine Plunkett, daughter of Lucas 1st Earl of Fingall, of Killeen Castle, and Susannah Brabazon daughter of Edward Brabazon, 1st Lord Brabazon and Baron of Ardee (the Brabazons still live in Killruddery in County Wicklow).
According to tradition, Mark Bence-Jones tells us, the carving of the Coronation of the Virgin above the fireplace of the Oak Room miraculously disappeared when the castle was occupied Myles Corbett and reappeared when the Talbots returned after the Restoration. This would have been a Catholic tale, as Protestants do not believe in the virgin birth and would not venerate Mary the mother of Jesus in the way that Catholics do. The carving is seventeenth century Flemish.
Behind the carved panels on the wall to the right hand side of the fireplace is a door that acted as an escape route for Catholic priests when Catholic mass was held in this room.
When he returned to Ireland after Corbet left Malahide, Talbot acted as agent for Irish Catholics attempting to recover confiscated estates. He regained title to Malahide but he lost the customs of the port of Malahide, all his land in Castlering and most of the Garristown land, amounting to 2,716 acres in all or two-thirds of what he inherited in 1640.
The other ancient room in the castle is the Great Hall, which dates to 1475. The room has carved wooden corbel heads of King Edward IV (28 April 1442 – 9 April 1483), which are original. Here, Talbots would have presided over a medieval court, a place of banquets, feasting and music, with its minstrals gallery. The minstrels would have been kept away from the family for health reasons, as they might have carried disease and infection.
The Great Hall has an important collection of Jacobite portraits. Jacobites were supporters of King James II, as opposed to William of Orange. The portraits belonged to the Talbots and were acquired by the National Gallery and are now on loan to the castle.
You can see the carved heads of King Edward IV (1442 – 1483) in this photograph of Malahide Castle 1976, Dublin City Library and Archives.Richard Talbot (1630-1690) Duke of Tyrconnell sits to the left of the chimneypiece. (see [5])The Great Hall, a photograph that is displayed in the entrance hall of the castle.
Richard Wogan Talbot (1766-1849) 2nd Baron Talbot extensively remodelled the Great Hall in 1825 in a neo-gothic revival style. Also, as you can see in my photographs, the ceiling has more wooden beams than in the 1976 photographs: the room was conserved in 2022 to honour its history.
Work on the Great Hall was carried out under the direction of conservation architects Blackwood Associates Architects. Over €500,000 was invested by Fingal County Council. Work was done to the external fabric of the building, including upgrading the roof and rainwater goods. Internally, the rafters of the great hall were restored as well as the minstrels’ gallery.
Conservation of the 19th century windows and fireplaces also took place. Studying the photographs, the windows appear to have been moved from the right hand side when facing the minstrals gallery, to the left hand wall! In fact a room seems to have disappeared from the Dublin City Library and Archives 1976 photograph above.
I was greatly interested in the portraits and would love to return to learn more about them and their sitters.
I have not yet identified the man who currently takes pride of place over the chimneypiece between the two windows.
I haven’t identified this man in his fine suit of armour and frilly lace collar and cuffs, who currently sits over the chimneypiece between the windows. I’d love help with identifications!He is rather like Thomas Butler, Earl of Ossory, Eldest son of James, Duke of Ormond.Thomas Butler, 6th Earl of Ossory, (1634-1680), Eldest son of James, Duke of Ormond, in armour standing near his charge, attributed to Van Dyck, courtesy of Adam’s auction 11 Oct 2016. Provenance: Formerly in the collection of the Earl of Fitzwilliam, 1948. Thomas Butler (1634-1680) 6th Earl of Ossory, studio of Sir Peter Lely, circa 1678, courtesy of National Portrait Gallery NPG 371. Second son of the Duke and Duchess of Ormond and father of 2nd Duke of Ormonde. Malahide Castle 1976, Dublin City Library and Archives. (see [5])
An exerpt from J. Stirling Coyne and N.P. Willis’s The Scenery and Antiquities of Ireland, 1841, describes the portrait collection at Malahide Castle, writing that there were portraits of Charles I and his wife by Van Dyke and of James II and his queen by Peter Lely.
John Talbot (d. 1671) and Catherine Plunkett’s son Richard (1638-1703) married Frances Talbot (d. 1718) daughter of Robert Talbot (d. 1670) 2nd Baronet Talbot, of Carton, Co. Kildare. Frances’s father played a leading role in the Catholic Confederacy of the 1640s.
Richard Talbot of Malahide (1638-1703), Attributed to Peter Lely, Dutch, 1618-1680. Photograph courtesy of National Gallery of Ireland.Frances Talbot (c.1670-1718) by Garret Morphy courtesy National Gallery of Ireland NGI 4150. She was the daughter of Robert Talbot, 2nd Baronet of Carton, County Kildare, and wife of Richard Talbot (1638-1703) of Malahide.Malahide Castle 1976, Dublin City Library and Archives. (see [5]). Portrait of Frances Talbot (c.1670-1718) by Garret Morphy.
The Talbot family played a leading role at the Battle of the Boyne in 1690: it is said 14 members of the Talbot family had breakfast together in the great hall on the morning of the battle, but only one of the 14 cousins returned to Malahide when the battle was over. They fought on the side of James II.
Displayed in the castle, this family tree includes the Talbots of Carton.
Richard’s wife Frances was a niece of Richard Talbot, 1st Duke of Tyrconnell (1630-1691). The Duke of Tyrconnell was a close companion of James, Duke of York, who later became King James II. The Dictionary of Irish Biography tell us:
“At the battle of the Boyne on 1 July the greater part of the Jacobite army was diverted upstream as a result of a Williamite ruse, leaving Tyrconnell in command of 8,000 men at Oldbridge, where the battle was fought and lost, despite fierce resistance, especially from Tyrconnell’s cavalry. Immediately after the battle both Lauzun and Tyrconnell advised James to leave for France.“
Richard Talbot (1630-1691), Duke of Tyrconnell, courtesy of National Gallery of Ireland.Richard Talbot (1630-1690) Duke of Tyrconnell.
Richard Talbot (1630-1691), Duke of Tyrconnell’s portrait takes centre stage on the back wall of the Great Hall.
Centre, Richard Talbot, Earl of Tyrconnell. Portrait by Francois de Troy, court painter for King James II in his exile.Above him in the centre is John Talbot 1st Earl of Shrewsbury c. 1670.In the top right corner is Catherine Nugent (d.1756) by James Latham c. 1725.Richard, 5th Viscount Molyneux of Maryborough (1679-1738) and Mary, 5th Viscountess Molyneux (1680-1766) by Garret Morphy, c. 1705, above Morris Hayes (2025).
I’m not sure what role Richard of Malahide played in battles in Ireland, but he was Auditor-General of Ireland in 1688, when the Duke of Tyrconnell was Lord Deputy of Ireland.
Richard of Malahide and his sons survived the change in monarchy and although the Earl of Tyrconnell and his brother, Frances Talbot’s father the 2nd Baronet of Carton, were attainted, Richard managed to keep his estate of Malahide.
The library wing dates to the seventeenth century and is hung with eighteenth century leather wall hangings.
Malahide Castle 1976, Dublin City Library and Archives. (see [5])The library, Malahide Castle, Dublin, photograph byPocket Squares . The wallpaper is of calfskin with gold and silver leaf and is three hundred years old. The room was used as a dining room in the 1970s by the Talbots.
Richard’s son John (1668-1739) married Frances Wogan, daughter of Colonel Nicholas Wogan of Rathcoffey, County Kildare. The Wogans had also been a Jacobite family.
The family continued to intermarry with prominent Irish Catholic families: John and Frances née Wogan’s son Richard (d. 1788) married Margaret O’Reilly, daughter of James O’Reilly of Ballinlough Castle and of Barbara Nugent, another Catholic family. Archiseek tells us that the family remained Roman Catholic until 1774. At this time Richard officially converted to Protestantism, but our tour guide pondered rhetorically “but did he really?” His wife Margaret did not convert.
Richard raised a company of military volunteers. The Malahide heritage site tells us:
“Early in November 1779, the anniversary of the birth of William III and of his landing in England, one hundred and fifty of Captain Talbot’s men joined up with other north side Volunteers and all nine hundred marched through the city to College Green led by the Duke of Leinster. There, in company with south side Volunteers, they called for Free Trade between Ireland and England, firing off their muskets and discharging small cannon. The scene was recorded by the English painter Francis Wheatley in his well known canvas. Talbot’s Volunteers later formed the nucleus of an officially recognised regiment of Fencibles, renamed the 106th Regiment of Foot with Richard as their colonel. They proved unruly and mutinous and were disbanded in 1783 but not before they had cost Talbot a great deal of expense.“
Painting by Francis Wheatley depicting the Dublin Volunteers on College Green, 1779.
A fire in the castle in 1760 destroyed a great hall that dated from the early 16th or 17th century. The room had been divided into four smaller rooms by hanging tapestries from the ceiling to form walls. Richard and Margaret had a new Georgian Gothic wing built, which added two slender round towers. Part of the castle was reconfigured with the new wing, to create two magnificent drawing rooms with rococo plasterwork which may be by or is certainly in the style of Robert West.
The Castle from the Pleasure Garden, photograph by George Munday, 2014, Tourism Ireland. The towers were added in 1765.(see [1])Malahide Castle, engraving of picture by Francis Wheatley, photograph courtesy of National Gallery of Ireland.
Mark Bence-Jones suggest that the work at Malahide Castle was probably done by amateur architect Thomas Wogan Browne, who may also have carried out work for Hugh O’Reilly (1741-1821) of Ballinlough Castle in County Westmeath, Margaret’s brother.
Ballinlough Castle, County Westmeath, photograph courtesy of Ballinlough Castle’s website.
Thomas Wogan Browne (d. 1812) of Castle Brown in County Kildare, which is now the home of the school Clongowes Woods College, was a cousin of Richard. Richard Talbot’s mother was Frances Wogan, daughter of Nicholas Wogan of Castle Browne and his wife Rose O’Neill, and her sister Catherine married Michael Browne, and was the mother of Thomas Wogan Browne. [6]
Clongowes Wood College, County Kildare, home of amateur architect Thomas Wogan Browne who may have designed the new wing at Malahide Castle.Rose O’Neill, later Mrs Nicholas Wogan, by Garret Morphy c. 1695. She was Richard Talbot’s grandmother. Thomas Wogan Browne the amateur architect was her nephew. Portrait courtesy of National Gallery of Ireland NGI 4149.
The Dictionary of Irish Biograph tells us that, like Richard Talbot, Wogan Browne was brought up a Catholic but at about the time of his marriage conformed to the Protestant church (October 1785), which enabled him to play a part in local life and politics closed to him as a Catholic.
The pair of “Malahide Orange” painted drawing rooms which contain rococo plasterwork in the manner of Robert West and the Dublin school also have decorative doorcases and marble fireplaces and are now filled with portraits and paintings.
West, Robert (d. 1790), stuccodore and Dublin property developer, was probably born in Dublin c. 1720-1730. The Dictionary of Irish Biography tells us that he was established in his trade by c.1750. His brother John was also a plasterer and builder. The Dictionary of Irish Biography entry states:
“West is often confused with Robert West (d. 1770), artist and draughtsman, who lived in Dublin at the same time and was a teacher of applied arts such as stucco design as well as life drawing. Though there is no evidence that the two men were blood relatives, they would almost certainly have known of each other’s work. Continental prints, showing ceiling designs by artists such as Bérain, Pineau, and Boucher, were commonly circulated among craftsmen and students in Dublin during the 1750s and 60s. Robert West the artist may have provided inspiration for some of the motifs (such as birds, swags, and musical instruments) used by West the stuccodore. The design and fixing of plasterwork was a complex collaborative venture involving many hands, and it is rarely possible to attribute plasterwork designs to a single artist. It is known that Robert worked alongside his brother John West and he would have required a team of assistants.“
“Robert was a property developer as well as a stuccodore, which provided a ready-made market for his team of plaster workers. In 1757 he leased two adjacent plots on what is now Lower Dominick St. The surviving plaster work in number 20, which is attributed to West and his circle, is among the most daring rococo plasterwork to be found anywhere in Ireland. Menacing birds perch on pedestals, and naturalistic busts of girls, sea-pieces, and bowls of flowers are sculpted with great sensitivity. West is associated with the plasterwork in about ten town houses in Dublin such as 4 and 5 Rutland (latterly Parnell) Square and 86 St Stephen’s Green. All of these interiors date from c.1756 to 1765. West is not connected to any plasterwork between 1765 and his death in 1790.“
Robert West plasterwork in 20 Lower Dominic Street, photograph courtesy of Dublin City Library Archive.Dominick Street Lower, No. 20 ceiling of stairhall, Robert West’s house 1758.
“The West circle of stuccodores was instrumental in encouraging imaginative rococo plasterwork in Ireland during the 1750s and 1760s. West was a magpie in terms of style and deployed elements of the chinoiserie (winged dragons and ho-ho birds) alongside the more conventional swirling acanthus leaves commonly found on contemporary continental prints. Indeed, this eclectic mix can be seen in many Dublin town houses and in country houses as far afield as Florence Court, Co. Fermanagh.“
Mark Bence-Jones continues: “The doorway between the two rooms has on one side a doorcase with a broken pediment on Ionic columns. The walls of the two drawing rooms are painted a subtle shade of orange, which makes a perfect background to the pictures in their gilt frames.
“Opening off each of the two drawing rooms is a charming little turret room. A third round tower was subsequently added at the corner of the hall range, balancing one of C18 towers at the opposite side of the entrance front; and in early C19, an addition was built in the centre of this front, with two wide mullioned windows windows above an entrance door; forming an extension to the Oak Room and providing an entrance hall below it.”
Malahide Castle drawing room 1976, Dublin City Library and Archives. (see [5])Malahide Castle 1980, Dublin City Library and Archives. (see [5])Malahide Castle 1976, Dublin City Library and Archives. (see [5])Malahide Castle 1976, Dublin City Library and Archives. (see [5])Malahide Castle 1984, Dublin City Library and Archives. (see [5])
The Malahide history website tells us that to generate employment for his tenants, beginning in 1782 Richard Talbot built a five-storey cotton mill, generating energy from a large water wheel. He wanted to construct a canal from Malahide into county Meath, from which he could obtain a toll, and obtained parliamentary approval, but died just as work commenced in 1788, so it wasn’t built. [6]
Richard’s widow Margaret was created Baroness Talbot in 1931 at the age of 86. This could be due to her husband’s work, and also her family connections. She was related by marriage to the influential George Temple Grenville, later to become the Marquess of Buckingham, who was twice Lord Lieutenant of Ireland. He married Mary Nugent, daughter of Robert Craggs-Nugent (né Nugent), 1st Earl Nugent. His patronage would be of considerable benefit to Margaret and her offspring. Due to this creation, her sons then became Barons.
Her son Richard Wogan Talbot (1766-1849) became 2nd Baron Talbot of Malahide in 1834 when his mother died. He held the office of Member of Parliament (Whig) for County Dublin between 1807 and 1830. The Malahide Heritage Site tells us that he carried out extensive repairs and improvements to Malahide Castle and let it for the summer of 1825 to the Lord Lieutenant, the Marquesss of Wellesley (the Duke of Wellington’s eldest brother Richard).
Colonel Richard Wogan Talbot, 2nd Baron Talbot of Malahide (c.1766-1849) Date 1840, by Giovanni Battista Canevari, Italian, 1789-1876. Photograph courtesy of National Gallery of Ireland.
When there was a dire shortage of coinage in 1803, Richard Wogan Talbot set up a bank in Malahide with authority to issue small denomination notes. He became an early director of the Provincial Bank of Ireland which many years later amalgamated with the Munster & Leinster Bank and the Royal Bank of Ireland to form the now existing Allied Irish Bank.
Richard Wogan Talbot was elected to Westminster in 1806 and continued there until he retired in 1830. He was a supporter of Catholic Emancipation.
He was created Baron Furnival of Malahide in 1839 in the Peerage of the United Kingdom. He married firstly Catherine Malpas (d. c.1800) of Chapelizod and Rochestown, Co. Dublin, by whom he had two children. In 1806 he married Margaret Sayers, daughter of Andrew Sayers of Drogheda. He lived beyond his limited means throughout most of his life and was supported by his mother, Margaret. [7]
His son predeceased him, so the baronetcy passed to his brother, James Talbot (1767-1850).
Here is the portrait of Colonel Richard Wogan Talbot, 2nd Baron Talbot of Malahide (c.1766-1849) in situ, below Frances Talbot (c.1670-1718) by Garret Morphy.
The Dictionary of Irish Biography has an extensive entry for James Talbot (1767-1850) 3rd Baron of Malahide, who was a diplomat and spy! From 1796 until he retired in 1803 he engaged in highly sensitive and covert activities mainly in France and Switzerland. In 1804 he married Anne Sarah Rodbard of Somerset with whom he had seven sons and five daughters. The family lived in France and Italy for about thirteen years before returning to his wife’s family home in Somerset. On the death of his brother Richard in October 1849 he became 3rd Baron Talbot. However, he was too infirm to travel to Malahide and he died in December 1850, aged 83. [see 7]
The Baronetcy then passed to his son James Talbot (1805-1883) 4th Baron of Malahide. He was an antiquarian and archaeologist.
James Talbot, 4th Baron Talbot de Malahide (1805-1883) by John Collier courtesy National Gallery of Ireland NGI 4654.
The Malahide History Site describes the 4th Baron’s achievements:
“In 1838 he set off with his aunt Eliza from Ballinclea House in Killiney on an extended tour of Europe and the near east. They spent over two years abroad during which he conducted much research while in Egypt and developed a keen interest in Roman antiquities. He succeeded his father as fourth Baron Talbot of Malahide in 1850 having already been in residence in Malahide and in 1856 he was created a peer of the United Kingdom as Baron Talbot de Malahide, in the County of Dublin. This gave him a seat in the House of Lords where he contributed regularly and from 1863 to 1866 he served as a Lord-in-Waiting (government whip) in the Liberal administrations of Lord Palmerston and Lord Russell. He was also a magistrate for Co. Dublin. James Talbot was also a noted amateur archaeologist and an active member of the Royal Archaeological Institute, serving as president for 30 years. Moreover, he was a Fellow of the Royal Society and of the Society of Antiquaries of London and served as president of the Royal Irish Academy. He was president also of the Geological and Zoological Societies of Ireland and vice-president of the Royal Dublin Society where he was a regular exhibitor of cattle at its shows. In that society’s autumn show he won a prize for seventeen varieties of farm produce from Lambay. He was instrumental in the revival of the Fingal Farming Society. Lord Talbot of Malahide married a well-to-do Scottish heiress, Maria Margaretta, daughter of Patrick Murray, of Simprim, Forfarshire, in 1842 but was left a widower in August, 1873. She was the last to be buried in the crypt in Malahide Abbey under the altar tomb associated with Maud Plunkett. He had a family of seven children. He died in Madeira in April 1883, aged 77, and was succeeded in his titles and estates by his eldest son.“
Maria Margaretta Murray, Lady Talbot, married to James 4th Baron Talbot of Malahide, by Thomas Lawrence.
The Malahide History Site tells us that a gas-making plant was purchased from Messrs Edmundson of Capel Street in Dublin in 1856 and erected on The Green in the village. Apart from providing street lighting, the gas appears to have been piped to the castle thus making it one of the earlier houses to have gas lighting installed.
James’s son Richard Wogan Talbot (1846-1921) was next in line as 5th Baron. He also sounds like a fascinating character. He joined an exploration party making researches into the interior of Africa, and later published an account of his adventures. He found the estate in poor condition when he inherited, so he saved all that he could to put the castle and estate in order. [see 7]
Richard married Emily Harriette Boswell, and after his death their son James Boswell Talbot became the 6th Baron. Emily Harriette was the granddaughter of James Boswell the biographer of Samuel Johnson, author of the Dictionary of the English Language in 1775. When Emily died in 1898, Richard Talbot inherited the Boswell estate in Auchinleck, Scotland. This included an ebony cabinet full of the writer’s papers! In 1986 the remains of the buildings at Auchinleck were turned over to the Scottish Historic Buildings Trust by James Boswell, a descendant of the 18th-century Boswells. Now restored, Auchinleck House is used for holiday lets through the Landmark Trust, and is occasionally open to the public.
Richard the 5th Baron and his son spent much time travelling and the castle was left empty for long periods. He married for a second time in 1901 and he and his wife returned to live in Malahide. Several of his wife Isabelle’s paintings hang in the castle. She filled the house with children from her first marriage to John Gurney of Ham House and Sprowston Hall in England. She became head of the Dublin branch of the Red Cross during World War I and was awarded an O.B.E. in 1920.
James Boswell Talbot the 6th Baron’s main interests were horse racing, Irish wolfhounds and fishing. He married at aged 50 Joyce Gunning Kerr, the eighteen year old daughter of an actor and London theatre manager. He fished at Mountshannon where he and his wife maintained a lodge and boat. Having inherited about 3,000 acres he had, by 1946, sold all but the 300 acres around the castle. He was of a retiring disposition but popular locally. His new wife assumed much of the day-to-day management of the castle. Lady Joyce took a keen interest in the Boswell Papers and was closely involved in their sale but not before she attempted to censor some of Boswell’s more explicit descriptions of his sexual encounters. They had no children so when he died in 1948 the title went to a grandson of the 4th Baron, Milo, who became 7th Baron, and who inherited Malahide Castle and estate.
James Boswell Talbot (1874-1948) 6th Baron Talbot and his wife.
Milo would not have grown up expecting the title, as his father had an elder brother who predeceased him by just one year, but this brother did not have children.
Colonel The Hon. Milo George Milo Talbot (1854-1931) by William Carter. He was the father of Milo the 7th Baron.
Milo the 7th Baron was a diplomat in Laos when he inherited Malahide Castle and was later Ambassador to Laos. He never married. He returned to live in the castle and died in 1973.
Milo Talbot, one of the last owners of Malahide, at Queen Elizabeth II’s coronationin 1952.
He is yet another fascinating character and is described on the Malahide Historical Society website:
“Much of Milo’s career during the 1940s and early 50s is shrouded in mystery and rumour. At Cambridge, Guy Burgess had been his history tutor and Anthony Blount had also tutored him. Kim Philby and Donald Maclean were also at Cambridge around this time. Milo is thought to have worked in the Secret Service for some years during World War II and to have encountered some of these men in the Foreign Office and in diplomatic postings abroad especially at Ankara in Turkey. In the course of Milo’s time at the Foreign Office during the Cold War Burgess and Maclean defected to the Russians after Philby alerted them to the fact that they were under suspicion. Milo retired in 1956 aged 45. Philby subsequently defected to be followed by Blount who was exposed as a double agent and who had been a regular guest of Milo at Malahide Castle. When Milo died suddenly in Greece when apparently in good health rumours and innuendos again circulated. No post mortem was carried out. Milo’s sister Rose burned his papers immediately on his death and many of the Foreign Office papers relating to him have disappeared.” [see 7]
When Milo the 7th Baron died the barony expired, and Malahide Castle and demesne was inherited by his sister Rose. Two years later, in 1975, she sold the castle to the Irish state, partly due to inheritance taxes. She moved to family property in Tasmania.
[4] Mark Bence-Jones A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
orange: “whole house rental” i.e. those properties that are only for large group accommodations or weddings, e.g. 10 or more people.
green: gardens to visit
grey: ruins
As well as places to visit, I have listed separately places to stay, because some of them are worth visiting – you may be able to visit for afternoon tea or a meal.
For places to stay, I have made a rough estimate of prices at time of original publication:
€ = up to approximately €150 per night for two people sharing (in yellow on map);
€€ – up to approx €250 per night for two;
€€€ – over €250 per night for two.
Places to visit in CountyLongford:
1. Castlecor House, County Longford, open by previous arrangement.
2. Maria Edgeworth Visitor Centre, Longford, County Longford.
2. Newcastle House Hotel, Ballymahon, County Longford.
3. Viewmount House, Longford
donation
Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!
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Places to visit in County Longford:
1. Castlecor House, County Longford, open by previous arrangement:
Castlecor House, County Longford, photograph from the National Inventory of Architectural Heritage [1]
I’ve been looking forward to staying in Castlecor house, after seeing a photograph of its incredible octagonal room.
Castlecor House, County Longford, photograph from the National Inventory of Architectural Heritage [1]
The website tells us:
“The construction of this magnificent residence, as it stands today, spanned 300 years, originally built in the mid 1700’s as a Hunting Lodge with additions in the 19th & 20th century.“
The website continues: “It was built by the Very Revd. Cutts Harman (1706 – 1784), son of the important Harman family of nearby Newcastle House [which offers accommodation]. He was Dean of Waterford cathedral from 1759 and was married to Bridget Gore (1723-1762) from Tashinny [Tennalick, now a ruin, which passed from the Sankey family to the Gore family by the marriage of Bridget’s mother Bridget Sankey to George Gore, son of Sir Arthur Gore, 1st Baronet of Newtown Gore, County Mayo] in c. 1740.“
The National Inventory of Architectural Heritage (www.buildingsofIreland.ie) gives the building an unusually long appraisal which explains the unusual building:
“It was originally built as a symmetrical two-storey block on octagonal-plan with short (single-room) projecting wings to four sides (in cross pattern on alternating sides), and with tall round-headed window openings between to the remaining four walls. The single wide room to the octagon at first floor level has an extraordinary central chimneypiece (on square-plan) with marble fireplaces to its four faces; which are framed by Corinthian columns that support richly-detailed marble entablatures over. The marble fireplaces themselves are delicately detailed with egg-and-dart mouldings and are probably original. This room must rank as one of the most unusual and interesting rooms built anywhere in Ireland during the eighteenth-century.“
Castlecor House, County Longford, photograph from the National Inventory of Architectural Heritage: “The single wide room to the octagon at first floor level has an extraordinary central chimneypiece (on square-plan) with marble fireplaces to its four faces; which are framed by Corinthian columns that support richly-detailed marble entablatures over. The marble fireplaces themselves are delicately detailed with egg-and-dart mouldings and are probably original.” [1]Castlecor House, County Longford, photograph from the National Inventory of Architectural Heritage: “The walls of the octagonal room are decorated with Neo-Egyptian artwork.” [1]Castlecor House, County Longford, photograph from the National Inventory of Architectural Heritage [1]
The National Inventory continues: “The walls of the octagonal room are decorated with Neo-Egyptian artwork, which may have been inspired by illustrations in Owen Jones’ book ‘Decoration’, published in 1856. The inspiration for this distinctive octagonal block is not known. Some sources suggest an Italian inspiration, such as the pattern books of the noted architect Sebastiano Serlio (1475 – 1554) [Mark Bence-Jones suggests this [2]], or that it was based on the designs of the much larger hunting lodge (Palazzina di caccia of Stupinigi) that was built for the Duke of Savoy, near Turin, between 1729 and c. 1731 (The later seems a highly fanciful idea but there are some similarities in plan, albeit on a much larger scale at Stupinigi); while Craig (1977, 15) suggests that the ‘inspiration is clearly the hunting lodge at Clemenswerth in Lower Saxony, Germany’, which was constructed between 1737 – 1747 to designs by Johann Conrad Schlaun for Prince Clemens August, a structure that Castlecor resembles in terms of scale and plan. However, it may be that the plan of this building was inspired by William Halfpenny (died 1755), an English Palladian architect who created a number of unexecuted designs for Waterford Church of Ireland cathedral and for an associated bishop’s palace from c. 1739. Interestingly, a number of these unexecuted plans for the bishop’s palace included a central octagonal block with projecting wings, while a number of the church plans included an unusual separate baptismal building attached to the nave, which is also on an octagonal-plan. The Very Revd. Cutts Harman may well have been aware of Halfpenny’s unexecuted designs, being Dean of the cathedral from 1759 and was probably associated with the diocese from an earlier date, and perhaps he used these as his inspiration for the designs of Castlecor. The central four-sided chimneypiece is reminiscent of the centerpiece of the Rotunda of Ranelagh Gardens, London, (built to designs by William Jones 1741 – 2; demolished c. 1803) albeit on a much reduced scale at Castlecor. The plan of Castlecor is also similar to a number of buildings (some not executed) in Scotland, including Hamilton Parish Church (built c. 1733 to designs by William Adam (1698 – 1748) and the designs for a small Neoclassical villa prepared by James Adam (1732 – 92), c. 1765, for Sir Thomas Kennedy. The exact construction date of Castlecor is not known, however the traditional building date is usual given as c. 1765. The architectural detailing to the interior of the original block, and perhaps the personal life of Very Revd. Cutts Harman (married in 1751 to a daughter of Lord Annaly of Tennalick 13402348; his duties at Waterford cathedral from 1759; Cutts Harmon leased out a number of plots of land in Longford from c. 1768) would suggest an earlier date of, perhaps, the 1740s. The architect is also unknown although it is possible that Harman designed the house himself (perhaps inspired by a pattern book or by Halfpenny’s unexecuted designs); while Craig (1977) suggest that the architect may have been Davis Ducart (Daviso de Arcort; died 1780/1), an Italian or French architect and engineer who worked extensively in Ireland (particularly the southern half of the island) during the 1760s and 1770s.” We saw Ducart’s work at Kilshannig in County Cork, another section 482 property, see my entry [3].
Castlecor House, County Longford, see the octagonal Great Hall in the centre of the house. photograph from the National Inventory of Architectural Heritage [1]. Castlecor House, County Longford, photograph from the National Inventory of Architectural Heritage [1]Castlecor House, County Longford, photograph from the National Inventory of Architectural Heritage [1]
The website tells us:”The Rev. Cutts Harman who had Castlecor built died without issue, it was inherited by his niece’s son [or was it his sister Anne’s son? If so, it was her son Lawrence Harman Parsons (1749-1807); she married Laurence Parsons, 3rd Baronet of Birr Castle. Her son added Harman to his surname when he inherited Castlecor from his uncle], Laurence Harman- Harman, later Lord Oxmantown, and finally Earl of Rosse. Peyton Johnston, the Earl’s nephew, rented the house during this time. Captain Thomas Hussey, Royal Marines; purchased Castlecor in c.I820. There is very little documentary evidence relative to Captain Hussey’s occupancy. He resided there from 1832/3 to 1856 and was High Sheriff of Longford.“
Mark Bence-Jones adds: “To make the house more habitable, a conventional two storey front was built onto it early in C19, either by Peyton Johnston, who rented the house after it had been inherited by the Earl of Rosse, or by Thomas Hussey, the subsequent tenant who bought the property ante 1825. This front joins two of the wings so that its ends and theirs form obtuse angles. In the space between it and the octagon is a top-lit stair. Early in the present century, a wider front of two storeys and three bays in C18 manner, with a tripartite pedimented doorway, was built onto the front of the early C19 front. Castlecor subsequently passed to a branch of the Bonds, and was eventually inherited by Mrs C. J. Clerk (nee Bond).”
Castlecor House, County Longford, photograph from the National Inventory of Architectural Heritage [1]
The National Inventory continues to tell us the history of the house: “The building was extended c. 1850 (the house appears on its original plan on the Ordnance Survey first edition six-inch map 1838) by the construction of a two-storey block to the northeast corner of the house, between two of the wings of the original structure. The earlier wing to the west may have been extended at this time also. The lion’s head motifs to the rainwater goods throughout the building (built around and before c. 1850) are very similar to those found at the gate lodge serving Castlecor to the northwest, built c. 1855, suggesting that the house was altered at this time, possibly as part of wider program of works at the estate.”
The lion’s head motifs to the rainwater goods throughout the building: Castlecor House, County Longford, photograph from the National Inventory of Architectural Heritage [1]
The National Inventory continues: “The projection to the south wing having the box bay window also looks of mid-to-late nineteenth century date and may also have been added at this time. The Castlecor estate was bought by the Hussey family during the late-eighteenth century following the death of Cutts Harman, and the first series of works may have been carried out when Capt. Thomas Hussey (1777 – 1866), High Sheriff of Longford from 1840 – 44, was in residence. However, the Castlecor estate was offered for sale by Commissioners of Incumbered Estates in 1855 when it was bought by a branch of the Bond family and, perhaps, the house was extended just after this date by the new owners. The Bonds were an important landed family in Longford at the time, and owned a number of estates to the centre of the county, to the north of Castlecor, and a branch also lived at adjacent Moygh/Moigh House (13402606) [still standing and in private hands] during the second half of the nineteenth century. Thomas Bond (1786 – 1869) [of Edgeworthstown] was probably the first Bond in residence at Castlecor. A John Bond, later of Castlecor, was High Sheriff of Longford in 1856. The last Bond owner/resident was probably a Mrs Clerk (nee Bond) [Emily Constance Smyth Bond] who was in residence in 1920. She married a Charles James Clerk (J.P. and High Sheriff of Longford in 1906) in 1901/2, and he was responsible for the three-bay two-storey block that now forms the main entrance, built c. 1913. This block was built to designs by A. G. C. Millar, an architect based on Kildare Street, Dublin. This block is built in a style that is reminiscent of a mid-eighteenth century house, having a central pedimented tripartite doorcase and a rigid symmetry to the front elevation. The house became a convent (Ladies of Mary) sometime after 1925 until c. 1980, and was later in use as a nursing home until c. 2007. This building, particularly the original block, is one of the more eccentric and interesting elements of the built heritage of Longford, and forms the centrepiece of a group of related structures.” [1]
The website tells us thatthe four wings adjoining the original octagonal hunting lodge align with the four cardinal compass points.
In 2009, the current owners Loretta Grogan and Brian Ginty set about purchasing the house, with the aspiration to restore Castlecor House, its grounds, native woodland and walled garden with pond and orchard to its former glory, opening it to the public by appointment and also welcoming guests.
2. Maria Edgeworth Visitor Centre, Longford, County Longford.
“The Maria Edgeworth Centre, in County Longford, is located in one of Ireland’s oldest school buildings that opened in 1841. Using a combination of audio, imagery and interactive displays, the centre tells the story of the Edgeworth family and the origins of the National School system. You will also learn about the role the family played in the educational, scientific, political and cultural life in Ireland. Maria Edgeworth was a notable pioneer of literature and education, a feminist and a social commentator of her time. Audios and displays are available in seven languages.”
Open dates in 2025: Aug 1-31, Sept 1-29, 9.30am-1.30pm Fee: adult/OAP/student/child €8
Moorhill House, photograph from the National Inventory of Architectural Heritage.[4]
The National Inventory describes it:
“Detached three-bay two-storey over basement house on L-shaped plan, built c. 1815, having two-storey-storey return to rear (northwest) with pitched slate roof. Two-storey extension attached to the northwest end of rear return. Recently renovated. Possibly incorporating fabric of earlier building/structure. …This appealing and well-proportioned middle-sized house, of early nineteenth-century appearance, retains its early form, character and fabric. Its form is typical of houses of its type and date in rural Ireland, with a three-bay two-storey main elevation, hipped natural slate roof with a pair of centralised chimneystacks, and central round-headed door opening with fanlight. The influence of classicism can be seen in the tall ground floor window openings and the rigid symmetry to the front facade. The simple doorcase with the delicate petal fanlight over provides a central focus and enlivens the plain front elevation. The return to the rear has unusually thick walls and a relative dearth of openings, possibly indicating that it contains earlier fabric. This house forms an interesting group with the entrance gates to the southeast, the outbuildings (13401509) and walled garden to the rear, and the highly ornate railings to the southwest side featuring a sinuous vine leaf motif. The quality of these railings is such that their appearance is equally fine from both sides, the vine leaves being cast in three dimensions. They are notable examples of their type and date, and add substantial to the setting of this fine composition, which is an important element of the built heritage of the local area. Moorhill was the home of a R. (Robert or Richard) Blackall, Esq. in 1837 (Lewis). The Blackalls were an important family in the locality and built nearby Coolamber Manor c. 1837 [built for Major Samuel Wesley Blackhall (1809 – 1871)…to designs by the eminent architect John Hargrave (c. 1788 – 1833). Hargrave worked extensively in County Longford during the 1820s and was responsible for the designs for the governor’s house at Longford Town Jail in 1824; works at Ardagh House in 1826; the rebuilding of St. Paul’s Church of Ireland church at Newtown-Forbes; the remodelling of Castle Forbes, nearby Farragh/Farraghroe House (demolished); Doory Hall now ruinous; St. Paul’s Church of Ireland church, Ballinalee; and possibly for the designs of St. Catherine’s Church of Ireland church at nearby Killoe. …and [Coolamber Manor] may have replaced an earlier house associated with the Blackall family at Coolamber (a Robert Blackall (1764 – 1855), father of the above, lived in Longford in the late-eighteenth century)].
Moorhill House “was possibly the home of Robert Blackall, the father of Samuel Wensley, who was responsible for the construction of Coolamber Manor and later served as M.P. (1847 – 51) for the county before serving as Governor of Queensland, Australia from 1868 until his death in 1871. Moorhill may have been the residence of a Francis Taylor in 1894 (Slater’s Directory).”
Newcastle House (now a hotel), County Longford, photograph from Newcastlehousehotel.iephotograph from the Newcastlehousehotel.ie
Newcastle House is a 300-year-old manor house, set on the banks of the River Inny near Ballymahon, in Co. Longford.
The website tells us; “Standing on 44 acres of mature parkland and surrounded by 900 acres of forest, Newcastle House is only one and half hour’s drive from Dublin, making it an excellent base to see, explore and enjoy the natural wonders of Ireland. So whether you are looking for a peaceful place to stay (to get away from it all) or perhaps need a location to hold an event, or that most important wedding, give us a call.”
Newcastle House (now a hotel), County Longford, photograph from the National Inventory of Architectural Heritage. [5]
The website previously included a brief history of the inhabitants of Newcastle:
“Newcastle Wood was once part of Newcastle Demesne, an estate of some 11,000 hectares run by the King- Harman family in the 1800’s. The beautiful, historic nearby Newcastle House was where the King- Harmans lived and there are many features and place names in the woodland which refer back to that time.“
We came across Lawrence Harman Parsons (1749-1807) who became the 1st Earl of Rosse, and who added Harman to his surname to become Lawrence Harman Parsons Harman, when he inherited Castlecor in County Longford. He married Jane King, daughter of Edward Thomas King, 1st Earl of Kingston, from Boyle, County Roscommon. They had a daughter, Frances Parsons-Harmon, who married Robert Edward King (1773-1854), 1st Viscount Lorton of Boyle, County Roscommon. Their second son, Lawrence Harman King assumed the additional name of Harman to become Lawrence Harman King-Harman (1816-1875). It was his family who lived at Newcastle Wood.
The old website continued: “The King- Harmans were generally regarded as good landlords by the local populace. They employed many local people in all sorts of trades. The last of the King- Harmans died in 1949. King- Harman sold lands to the Forestry Department in 1934 and over the following two years it was planted with a mixture of coniferous and broadleaf trees.“
Then National Inventory describes the house:
“Detached double-pile seven-bay three-storey over basement former country house, built c. 1730 and altered and extended at various dates throughout the eighteenth and nineteenth century, having curvilinear Dutch-type gable to the central bay and later gable-fronted single-bay single-storey entrance porch with matching curvilinear Dutch-type gable to the centre of the main block (southeast elevation), built c. 1820. Advanced three-bay single-storey over basement wing flanking main block to northeast, and advanced four-bay two-storey over basement wing flanking main block to southwest, both built c. 1785. Recessed single-bay single-storey over basement Tudor Gothic style addition attached to northeast elevation having gable-fronted rear elevation and chamfered corners at ground floor level having dressed ashlar limestone masonry , built c. 1850, and two-storey extension to southwest, built c. 1880. Possibly incorporating the fabric of earlier house(s) to site c. 1660. Later in use as a convent and now in use as a hotel…Round-headed door opening to front face of porch (southeast) having carved limestone surround with architrave, square-headed timber battened door with decorative cast-iron hinge motifs, wrought-iron overlight, and having moulded render label moulding over.…Painted stuccoed ceilings and ceiling cornices, some with a neoclassical character, a number of early panelled timber doors and marble fireplaces survive to interior...” [5]
Newcastle House, photograph from National Inventory of Architectural Heritage: “Round-headed door opening to front face of porch (southeast) having carved limestone surround with architrave, square-headed timber battened door with decorative cast-iron hinge motifs, wrought-iron overlight, and having moulded render label moulding over.” The Inventory tells us that the carved coat of arms is probably of the King family. [5]Newcastle House, photograph from Newcastlehousehotel.ie: “Painted stuccoed ceilings and ceiling cornices, some with a neoclassical character.” [5]photograph from the Newcastlehousehotel.ie
Before belonging to the King-Harman family, Newcastle belonged to the Sheppard family. It came to the King-Harman family through the marriage of Frances Sheppard (d. 1766) daughter of Anthony Sheppard of Newcastle to Wentworth Harman (d. 1714) of Moyle, County Longford.
The National Inventory adds:
“The lands and house at Newcastle were successively in the possession of the Chappoyne/Chappayne/Choppin, the Sheppard, the Harman and the King-Harman families. The earliest mention of the estate is references to an Anthony Chappoyne at Newcastle in 1660, although this may have been the site of an earlier ‘castle’ from as early as the fourteenth century (as the placename suggests). In 1680 a Robert Choppayne appears to have purchased/consolidated the lands of Newcastle from Gerald Fitzgerald, 17th Earl of Kildare. Dowdall (1682) describes the site as ‘..on the southside of the river is Newcastle, the antient Estate of the Earl of Kildare now the estate and habitation of Robert Choppin Esqr where he hath lately built a fair house and a wooden bridge over said river’. The estate passed into the ownership of Anthony Sheppard (born 1668 – 1738), heir (son?) of Robert Chappoyne, c. 1693, who served as High Sheriff of County Longford in 1698. His son, also Anthony, was M.P. for Longford in 1727. The estate later passed by marriage into the ownership into the Harman family at the very end of the seventeenth century. Robert Harman (1699 – 1765; M.P. for Longford c. 1760 -5) [son of Wentworth Harman and Frances Sheppard] was in possession of the estate of much of the middle of the eighteenth century and it is likely that he was responsible for much of the early work on the house. The Very Revd. Cutts Harman, who built the quirky hunting/fishing lodge at nearby Castlecor, inherited the house c. 1765 following the death of his brother Robert. The estate later passed into the ownership of Lawrence Parsons-Harman (1749 – 1807) in 1784 (M.P. for Longford 1776 – 1792; Baron Oxmantown in 1792; Viscount Oxmantown in 1795; Earl of Rosse 1806; sat was one of the original Irish Representative Peers in the British House of Lords) and he greatly increased the Newcastle estate, and by his death (1807) its size had doubled to approximately 31,000 acres in size. It is likely that he was responsible for the construction of the side wings to the main block and general improvements to the house from 1784. The estate passed into the ownership of his wife Jane, Countess of Rosse (who partially funded the construction of a number of Church of Ireland churches and funded a number of schools in County Longford during the first half of the nineteenth century), who left the estate to her grandson Laurence King-Harman (1816 – 1878) after falling out with her son.Laurence King-Harman has probably responsible for the vaguely Tudor Gothic extension to the northeast elevation. The brick chimneystacks also look of mid-nineteenth century date and may have been added around the same time this wing was constructed. The King family had extensive estates in Ireland during the nineteenth century, owning the magnificent Rockingham House (demolished) and King House [also a Section 482 property which I hope to visit later this year], Boyle, both in County Roscommon;as well as Mitchelstown Castle in County Cork, burnt in 1922 (memorial plaques and carved stone heads from Mitchelstown Castle were built into the northeast elevation of Newcastle House c. 1925, but have been removed and returned to Cork in recent years). The estate reached its largest extent in 1888, some 38,616 acres in size, when Wentworth Henry King-Harman was in residence. The estate was described in 1900 as ‘a master-piece of smooth and intricate organisation, with walled gardens and glasshouses, its diary, its laundry, its carpenters, masons and handymen of all estate crafts, the home farm, the gamekeepers and retrievers kennels, its saw-mill and paint shop and deer park for the provision of venison. The place is self supporting to a much greater degree than most country houses in England’. The estate went in to decline during the first decades of the twentieth century, and with dwindled in size to 800 acres by 1911. The house and estate remained in the ownership of the King-Harman family until c. 1951, when Capt. Robert Douglas King-Harman sold the house to an order of African Missionary nuns (house and contents sold for £11,000). It was later in use as a hotel from c. 1980.” [5]
Viewmount House, photograph from National Inventory of Architectural Heritage. [6]
The website tells us:
“Discover this boutique gem, a secret tucked away in the heart of Ireland. This magnificent 17th century manor is complemented by its incredible countryside surroundings, and by the four acres of meticulously-maintained garden that surround it. Within the manor you’ll find a place of character, with open fires, beautiful furniture, fresh flowers and Irish literature. The manor retains its stately, historic charm, and blends it with thoughtful renovation that incorporates modern comfort.
“Here, you will unwind into the exceptionally relaxing atmosphere, a restful world where all you hear is peace, quiet and birdsong.“
This house was advertised for sale in recent years. The National Inventory describes it:
“Detached three-bay three-storey house, built c. 1750 and remodeled c. 1860, having single-bay single-storey porch with flat roof to the centre of the front elevation (north). Renovated c. 1994. Formerly in use as a Church of Ireland charter school (c. 1753 – 1826)…This elegant mid-sized Georgian house is a fine example of the language of classical architecture reduced to its essential elements. It retains its early character and form despite recent alterations….Set in extensive mature grounds, this fine structure is a worthy addition to the architectural heritage of County Longford….This house was the home of the Cuffe family during the first half of the eighteenth century. It was later inherited by Thomas Pakenham (later [1st] Baron Longford [of Pakenham Hall, or Tullynally, County Westmeath, another section 482 property, see my entry]) following his marriage to Elizabeth Cuffe (1714-94) in 1739 or 1740. It is possible that Viewmount House was constructed shortly after this date and it may have replaced an earlier Cuffe family house on or close to the present site. The house was never lived in by the Pakenham family but it was used by their agent to administer the Longford estate, c. 1860. It was apparently in use as a charter school from 1753 until 1826, originally founded under the patronage of Thomas Pakenham. There is a ‘charter school’ indicated here (or close to here) on the Taylor and Skinner map (from Maps of the Roads of Ireland) of the area, dated between 1777 – 1783. A ‘free charter school’ at Knockahaw, Longford Town, with 32 boys, is mentioned in an Irish Education Board Report, dated 1826 – 7 (Ir. Educ. Rept 2, 692 – 3).” [6]
[2] p. 66. Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
2025 Diary of Irish Historic Houses (section 482 properties)
To purchase an A5 size 2025 Diary of Historic Houses (opening times and days are not listed so the calendar is for use for recording appointments and not as a reference for opening times) send your postal address to jennifer.baggot@gmail.com along with €20 via this payment button. The calendar of 84 pages includes space for writing your appointments as well as photographs of the historic houses. The price includes postage within Ireland. Postage to U.S. is a further €10 for the A5 size calendar, so I would appreciate a donation toward the postage – you can click on the donation link.
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Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!
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I have been working to save all my photographs on USB sticks so do not have a new property to post, although I have lots to write up. I am therefore reposting this entry.
On the map above:
blue: places to visit that are not section 482
purple: section 482 properties
red: accommodation
yellow: less expensive accommodation for two
orange: “whole house rental” i.e. those properties that are only for large group accommodations or weddings, e.g. 10 or more people.
green: gardens to visit
grey: ruins
Carlow, Dublin, Kildare, Kilkenny, Laois, Longford, Louth, Meath, Offaly, Westmeath, Wexford and Wicklow are the counties that make up the Leinster region.
As well as places to visit, I have listed separately places to stay, because some of them are worth visiting – you may be able to visit for afternoon tea or a meal.
For places to stay, I have made a rough estimate of prices at time of publication:
€ = up to approximately €150 per night for two people sharing (in yellow on map);
www.burtownhouse.ie Open dates in 2025: June 4-7, 11-14, 18-21, 25-28, July 2-5, 9-12, 16-19, 23-26, 30-31, August 1-2, 6-9, 13-24, 27-30, Sept 3-6, 10am-2pm
Fee: adult €10, OAP/student/child €5
Burtown House and Gardens, Athy, Co Kildare, photograph by Sonder Visuals, 2022, Courtesy Failte Ireland.
The Historic Houses of Ireland website tells us:
“Ballytore, in County Kildare, was a stronghold of the Irish Quakers and the centre of a sizeable Quaker community. One of their members, Robert Power, built Burtown House as the hub of a two thousand acre farming enterprise in the 1720s. His Georgian villa, shown on early maps as “Power’s Grove,” was only one room deep so wings were added later in the century. These were subsequently removed, though their faint outlines can still be identified and Burtown was further extended in the early nineteenth century when a full height bow was added on the garden front.
“The new extension provided a bow ended room on the garden front, a large bedroom above and a grand staircase, lit by a tall round-headed window. Pretty plasterwork in the manner of James Wyatt was also introduced at the time, most notably in an arched alcove in the bow-ended room, which is likely to have been the original dining room. The alcove is filled with a shallow fan, and delightfully cursive sprays of vine leaves, and is flanked by a pair of classical vases on pilasters of foliage with naive Corinthian capitals.
“Burtown has never been sold in all its three hundred years. The house passed from the Power family to the Houghtons and thence to the Wakefields, who gave it a new roof with widely projecting eaves in the early nineteenth century. They also lengthened the sash windows, installed a new front door with a fanlight in a deep recess, and carried out a number of other alterations.
“When Mr. Wakefield was killed playing cricket Burtown passed to his sister, who had married a fellow Quaker from County Tipperary, William Fennell. Their son, William James was a keen horseman but “was asked to leave the Quaker congregation because of his fondness for driving a carriage with two uniformed flunkeys on the back”.
“Today Burtown is in the midst of two hundred acres of parkland, including ten acres of lush flower, vegetable and woodland gardens with many fine walks. The house has now been home to five generations of the Fennell family, and to the acclaimed botanical artist and illustrator, Wendy Walsh. Coincidentally, the leading Irish botanical artist of the early twentieth century, Lydia Shackleton, also came from the same small Quaker community.” [1]
“Donadea Forest Park includes Donadea Castle and estate, the former home of the Aylmer family up until 1935. There are many historical features including the remains of the castle and walled gardens, St. Peter’s church, an ice house and boat house. The Lime tree avenue planted in the 19th century formed the original entrance to the estate. Another feature of the park is the 9/11 Memorial, a scaled replica of the twin towers carved in limestone. The small lake is brimming with ducks, waterhens and has a beautiful display of water lilies in the summer. There is a café open throughout the year.“
In 1581 Gerald Aylmer, (1548-1634), Knight, of Donadea, son of George Aylmer, of Cloncurry, and grandson of Richard Aylmer, of Lyons, built a new tower in Donadea, not fully completed until 1624 and it is now the oldest part of the Castle. [2]
In 1626, he repaired the medieval Church in Donadea and built a new extension in which he established his family burial plot. In the extension he also constructed an Altar Tomb monument as a burial memorial for his family. Gerald was titled by the Crown and became the first Baronet of Donadea.
The Aylmers were connected with the various conflicts and rebellions over the next two centuries. During the wars of the 1640s, Sir Andrew, 2nd Baronet (c. 1610-c. 1671), supported the rebels and was imprisoned at the beginning of the war.
Although he was a brother-in-law of the Lord Lieutenant of Ireland, James Butler, 1st Duke of Ormond, there were no favours granted to him. The Aylmers rebuilt the castle after it was burned by James Butler’s troops.
In 1689, after the battle of the Boyne, Lady Helen Aylmer, widow of the 3rd Baronet, (born Plunkett, daughter of Luke Plunkett 3rd Earl of Fingall) was in charge of the Castle. She was outlawed due to her support for James II, but she managed to hold on to the Castle and lands under the terms of the Treaty of Limerick.
In 1736, Sir Gerald, 5th Baronet, died leaving an only son FitzGerald who became the 6th Baronet.
He was only one year old when his father died and was subsequently raised by his mother (Ellice or Ellen, daughter of Gerald Aylmer, 2nd Baronet of Balrath, County Meath) and her relatives who were members of the established church. FitzGerald subsequently conformed to the established religion. In 1773, he built a new house in front of the Castle and incorporated the Tower in his new residence.
Gerald, 8th Baronet, held the lands of Donadea between 1816 and 1878 and he is accredited with most of the construction work that is visible in Donadea demesne today. He began his building program in the 1820s by re-routing the roads away from the Castle and the construction of a high wall enclosing the demesne. Gate lodges were then built at all the entrances.
He also built a new grand entrance known as the Lime Avenue.
In 1827 he completely remodelled the front of the Castle which gave it an attractive bow shaped appearance. It has been suggested that he employed the renowned architect Richard Morrison to design this new structure.
The older cabin-type dwellings close to the castle were demolished and new estate houses built at the Range. To the west of the Castle he built an eight acre area of gardens and paddocks, surrounded and sub-divided by walls. In the Castle yard he built dwellings for staff and elaborative farm buildings. He also constructed the artificial lake and the Ice House. Large areas of the demesne were planted and, by the time of his death, Donadea demesne was listed as one of the finest parkland settings in the county.
Outside the demesne he was involved in numerous construction projects including the famous ‘Aylmer Folly’, viz. the Tower on the summit of the hill of Allen. (see [2]) Sir Gerald’s grandson Justin, 10th Baronet, died unmarried in 1885. His sister Caroline inherited the castle and much of the demesne, while the baronetcy passed to a cousin. Caroline Maria Aylmer, who was the daughter of Sir Gerald George Aylmer, 9th Baronet, was the last Aylmer to live at Donadea. She died in 1935, leaving the estate to the Church of Ireland who, in turn, passed it bequeathed to the Irish state.
The castle remained unoccupied and its roof was removed in the late 1950s.
For more on the Aylmer family, see The Landed Gentry & Aristocracy of County Kildare by Turtle Bunbury & Art Kavanagh (published by Irish Family Names, 2004).
Farmersvale House, County Kildare, photograph from National Inventory of Architectural Heritage.
Open dates in 2025: Jan 6-21, Mar 3-6, July 18-31, Aug 1-26, 9.30am-1.30pm
Fee: adult €5, student/child/OAP €3, (Irish Georgian Society members free)
7. Griesemount House, Ballitore, Co KildareR14 WF64– section 482
www.griesemounthouse.ie Open dates in 2025: Feb 9-28, May 11-30, June 23-30, July 1-4, Aug 16-24, 2pm-6pm
Fee: adult €6, OAP/child/student €5
The Historic Houses of Ireland website tells us:
“In 1685, the village of Ballitore on the river Griese in the southern corner of County Kildare became the first planned Quaker village in England and Ireland. The Shackleton family from Yorkshire settled here some decades later and besides establishing wool and corn mills, founded the famous village school in 1726. Thanks to an entry by Mary (née Shackleton) Leadbetter in her ‘Annals of Ballitore’, we know that the first stone of Griesemount House (also known as Ballitore Hill House) was laid on Midsummer Day in 1817. While the three-bay side elevation is symmetrical, the two-bay front façade with the front door under the left window is quite modest, as was often the case with Quaker houses. It was built by George Shackleton, who had grown up in Griesebank House beside the now-ruinous Ballitore Mills on the river just below. He married Hannah Fisher and they raised 13 children in the new house, including the noted botanical artist Lydia Shackleton, the first artist-in-residence at the Botanic Gardens in Dublin. One of her first recorded sketches is of the house. The family lived here until the early 20th century; the house then changed hands several times. It was briefly owned and restored by the mother of mezzosoprano Frederica von Stade, and has recently come into new ownership.” [3]
Open in 2025: May 17-31, Aug 12-31, Sept 7-16, Dec 17-31, 9am-1pm
Fee: adult €8, student/OAP/child €5
The Historic Houses of Ireland website tells us:
“The forebears of the Greenes of Millbrook House in the far south of County Kildare lived at Kilmanaghan Castle and Moorestown Castle [now a ruin] in County Tipperary. A great grandson of the family patriarch Captain Godfrey Greene moved up to settle near Carlow. William Nassau Greene (1714-1781) was a businessman and magistrate, and built a residence known as Kilkea Lodge (c. 1740) adjacent to the ancient Fitzgerald seat at Kilkea Castle, where his descendants are still resident. A younger son, John (1751-1819), who became High Sheriff of Kildare and Captain of the Castledermot Yeomanry, built a neighbouring house at Millbrook with the help of his father. It was completed in 1776 with its attendant mill and millrace off the River Griese, which had replaced an earlier mill in the nearby Kilkea Castle demesne. The house passed through generations of the family until finally the mill ceased operating under Thomas Greene (1843-1900), a poet and author who was made High Sheriff of Kildare in 1895. The house was left by inheritance to one of the cousins from Kilkea Lodge, father of the present owner. Throughout WWII, he had served as a frontline doctor in the 4th Indian Division in North Africa, Italy and Greece, and returned with his wife in 1950 to an utterly neglected house. Millbrook is still in the process of being restored to its former state.” [5]
Open dates in 2025: Jan 13-17, 20-24, 27-31, Feb 4-7, 10, May 1-2, 6-18, 26-30, July 1-11, Aug 16-24, 8am-12 noon
Fee: adult €6, OAP/student/child €3
16. Steam Museum Lodge Park Heritage Centre, Lodge Park, Straffan, Co. Kildare– section 482
www.steam-museum.com Open dates in 2025: Apr 19-21, 26-27, May 3-5, 10-11, 17-18, 24-25, 31, June 12, 14-15, 18, 21-22, 28-29, July 5-6, 12-13, 19-20, 26-27, Aug 2-4, 9-10, 16-24, 30-31, Sept 6-7, 13-14, 20-21, 27-28, Oct 5,12, 19, 26-27, 1pm-5pm
Fee: Garden and Museum, adult/OAP €15, €20 with steam, student/child free
Lodge Park, photograph courtesy of Historic Houses of Ireland.
The Historic Houses of Ireland website tells us about Lodge Park:
“Lodge Park, overlooking a fine stretch of the River Liffey, was built by Hugh Henry who had married his cousin, Lady Anne Leeson from Russborough [daughter of Joseph Leeson 1st Earl of Milltown]. Completed in about 1776, the centre block forms the core of an unusual composition with curved quadrants leading to a pair of two-storey wings, both attached to two further pavilions by curtain walls to form a unique elongated ensemble of five interconnected buildings, “perhaps the most extreme example of the Irish Palladian style.”
“Henry’s father was the merchant banker Hugh Henry, who had purchased the entire Straffan estate with 7,000 acres. Lodge Park was long thought to be the last building by Nathaniel Clements, who died in 1777, but has now been attributed to John Ensor. The hipped roof is surrounded by a granite-topped parapet, and the walls are finished in rough cast, with ashlar block quoins and granite window surrounds with detailing. It is Ireland’s best exampe of concatenation, having curtain walls attached to the main house, leading to two pavilions, attached by two gateways to two further buildings. Hugh’s son Arthur built the Victorian walled garden, now beautifully restored and open to the public, as well as the fine gate lodge. The house was bought by the Guinness family in 1948.
The walled garden has been beautifully restored while a disused Victorian church has been re-erected in the grounds to house a magnificent Steam Museum with early inventor’s models, scientific engineering models and historic works of mechanical art. The Power Hall displays six huge stationary steam engines, which are run on special occasions.” https://www.ihh.ie/index.cfm/houses/house/name/Lodge%20Park
“Balyna House lies to the south of Moyvalley Bridge over the Grand Canal, about half way between Enfield and Kinnegad on the old Dublin — Galway road. The house lies in the centre of the estates 500 acres. Balyna Estate was granted in 1574 by Queen Elizabeth I to the O’Moore family because they had lost their land in Laois and were reinstated in Balyna.
“Major Ambrose O’Ferrall married Letitia More in 1796. Their eldest son Richard More O’Ferrall was born in 1797. [ I don’t think this is correct. I believe that Letitia More married Richard O’Ferrall (1729-1790) and that their son was Ambrose More O’Ferrall who married Ann Baggot daughter of John Baggot of Castle Baggot, Rathcoole. Richard More O’Ferrall (1797-1880) was their son]. He is reputed for having been responsible for the erection of the Celtic cross which now stands to the rear of the house. It is said that this Cross, along with another was transported from Europe, the two being encased in wooden crates and towed behind the ship on a barge. Legend has it that one was lost at sea, but its twin survives to this day.“
p. 30. [More O’Ferrall] “The ancestral home of the O’More family, the land having been granted to them by Eliz I as a small compensation for their forfeited territories in Laois… A new house was built 1815, which was burnt 1878; this was replaced by the present house, built 1880s. It is slightly Italianate, with a Mansard roof carried on a bracket cornice; of 2 storeys with a dormered attic. Entrance front with two 3 sided bows and a single-storey Ionic portico, 5 by garden front with pediment, the windows on either side being larger than those in the centre. Imposing staircase with handrail of decorative ironwork; ceiling of staircase hall has modillion cornice. Chapel in garden. Sold 1960s, subsequently owned by Bewleys Oriental Cafe Ltd” [6]
The website continues: “The first real record of any house dates from 1815 when Ambrose built a large mansion. That Georgian house was burned down and replaced in the 1880’s by the present Italianate mansion.
“The estate was a refuge for bishops and priests for centuries and Dr. Forstall, Bishop of Kildare, ordained priests here in the year 1678 — 1680. For this loyalty, the family was granted Papal permission to build a private Chapel on the estate (located to the rear of the house) and up to approximately 1914 Sunday Mass was offered. It was only used intermittently after that, with the last occasion being in the summer of 1959.
“The estate remained in the More O’Ferrall family until May 1960 when it was sold to the Bewley family (of Café fame). The wonderful milk and cream in the Cafes came from the pedigree Jersey herd at Balyna. In 1984 the estate was sold to Justin Keating; it was sold again in 1990-1991 to George Grant. Moyvalley was developed into a Hotel & Golf Resort in 2007.
“Balyna House consists of 10 luxurious ensuite bedrooms, 3 reception rooms to cater for up to 100 guests, Balyna Bar and Cellar Bar. The house is available exclusively for private events and weddings.
“In 2014 the resort was purchased by the late Oliver Brady (well-known horse trainer from Co. Monaghan) with his business partner a well know entrepreneur Rita Shah owner of Shabra Recycling Plastic’s Group, Thai business woman Jane Tripipatkul and her son Mark McCarthy who are based in London.
“It is likely that several Irish and European military campaigns were discussed and argued over at Balyna, as apart from the fierce-some O’More’s and the well documented Irish battles in which they took part, several later generations saw service in European armies. All three sons of Richard and Letitia O’Ferrall saw service abroad. The eldest, Ambrose, and his youngest brother, Charles, rose to the rank of Major in the Royal Sardinian Army, while the middle brother, James attained the rank of Major General in the Austrian Hohenzollern Army.“
Incidentally, there was a Bagot family of “Castle Baggot” in Rathcoole, and neither son had children so all the Bagot property, which included land around Smithfield in Dublin and extensive property in County Carlow, passed to the daughter, Ann, who married the above-mentioned Ambrose More O’Ferrall.
“As a digression, it is worth noting that Rory O’ More’s eldest daughter, Anne, married Patrick Sarsfield, 1st Earl of Lucan and famous military leader. His father in law was the man behind the Irish Rebellion of 1641.
“King James had adopted the policy of remodelling the Irish army so as to turn it from a Protestant-led force to a Roman Catholic led one, and Sarsfield, whose family were Roman Catholics, was selected to assist in this reorganisation. Colonel Sarsfield went to Ireland with Richard Talbot, 1st Earl of Tyrconnell , who was appointed commander-in-chief by the king.“
Barberstown Castle, photograph courtesy of barberstowncastle.ie
Mark Bence-Jones writes (1988): p. 31. “A tower-house with a long plain 2 storey wing attached. In 1814, the residence of Jos Atkinson, in 1837, of Capt Robinson.”
The website gives a timeline:
“1288: Nicholas Barby built the original Castle towards the end of the 13th Century on the land which was originally owned by the Great Norman family the Fitzgerald’s.
“1310: The Castle was built as a fortress to protect the village and people of Barberstown from the attack of the rebellious Ui Faolain tribesmen who tried to burn the town (among others) in 1310. It has traditionally found itself in the middle of political struggle and local wars which generally resulted in change of ownership.
“Retaining Ownership: Some of its previous owners have gone to extreme lengths to retain ownership. Just how far some went is illustrated by the story of the body that is said to be interred in the tower of the Castle Keep (the original part of the Castle). His fate can be explained by reading the lease on the Castle at the time in which was written that the lease would expire when he was buried underground (ie. his death). The ending of a lease normally resulted in an increase in rent so after the man’s death he was buried in the tower above the earth which ensured the family continued to hold the lease to the Castle!
“The walls of the Castle Keep walls slope inwards so as to prevent an enemy getting out of range by closing up to the building. Ironically however the rooms on the upper floors of the Castle are larger than those on the ground level as their walls are somewhat thinner.
“Penal Times: The neighbouring village of Straffan is named after St. Straffan, one of the early sixth century missionaries. Its close linkages with the local town and people were proven when an underground tunnel from the Church in Straffan to the Castle was found in 1996 during renovations. A ‘Priest’s Hole’ can be also found in the Castle which was originally made to protect the priests of the town during Penal Times.
“1630: William Sutton of one of the most important families in the area owned the property. The population of Barberstown at the time was 36!
“1689: Lord Kingston [I’m not sure who they mean here – Robert King (d. 1693) was the 2nd Baron of Kingston at the time] had his ownership confiscated by Earl of Tyrconnell after the accession to power of James 11 of England. It was around this time that it fell into the less glamorous hands of the Commissioners of the Revenue who let it out to a Roger Kelly for £102 annual rent in the late 1600s.
“1703: It was purchased by Bartholomew Van Homreigh in 1703 for £1,033 the sixth owner in six years. At the time the property was 335 acres. Van Homreigh had been mayor of Dublin in 1697 and his greatest ‘claim to fame’ lies in the fact that he was the father of Vanessa of whom Swift wrote so passionately about. He sold it to the Henrys who were prone to excessive spending at the time….
“1830: The Henry’s had no option but to sell it to Mr. Hugh Barton [1766-1854] who completed the last wing of the house in the 1830s which added to the present day unique architectural status of Barberstown. He is also famed for constructing Straffan House known today at the K-Club.
“1900: As the property became too expensive to retain as a residence, the Huddlestons who owned Barberstown Castle in the 1900s sold it to Mrs. Norah Devlin who converted it into a hotel in 1971. Barberstown was one of the first great Irish country houses to display its splendour to the outside world when it opened as a hotel in 1971. It has maintained the elegance of design over the centuries by sympathetically blending its Victorian and Elizabethan extensions with the original Castle Keep.
“1979: The acclaimed Musician, Singer, Songwriter & Record Producer Mr. Eric Clapton CBE purchased the property in 1979 and lived in the property until 1987. Music sessions took place in the Green Room and original Castle Keep during the time Eric lived here with many famous Rockstars from all over the world coming here to stay.
“1987 to Present Day: Upon purchasing Barberstown Castle from Eric Clapton in 1987, this beautiful historic house has since been transformed from a 10-bedroom property with three bathrooms to a 55-bedroom Failte Ireland approved 4 Star Hotel. They are a proud member of Ireland’s Blue Book of properties and Historic Hotels of Europe.
“Since 1288 Barberstown has had 37 owners all of whom had the foresight to protect its heritage and character. Look out for the names of all the owners of Barberstown Castle painted on the bedroom doors of the hotel!“
3. Batty Langley Lodge, Celbridge, County Kildare€€
One of the entrances to the Castletown demesne has a Gothic lodge, from a design published by Batty Langley (1696-1751) 1741. Batty Langley was an English garden designer who produced a number of engraved “Gothick” designs for garden buildings and seats. He was named “Batty” after his father’s patron, David Batty. He also published a wide range of architectural books.
“The Village at Lyons, County Kildare is often described as a restoration but to be frank it is more a recreation. By the time the late Tony Ryan bought the estate in 1996, the buildings beside the Grand Canal, which had once included a forge, mill and dwelling houses, were in a state of almost total ruin. Therefore the work undertaken here in the years prior to his death in 2007 involved a great deal of architectural salvage, much of it brought from France, although some Irish elements were incorporated such as a mid-19th century conservatory designed by Richard Turner, originally constructed for Ballynegall, County Westmeath. Today the place primarily operates as a wedding venue, providing an alluring stage set for photographs but bearing little resemblance to what originally stood here.”[9]
The entrance front of Lyons House, designed by Oliver Grave for Nicholas Lawless, 1st baron Cloncurry circa 1786 and remodelled by his son Richard Morrison in 1802-05. Pub Orig Country Life 16/01/2003, vol. CXCVII by Photographer Paul Barker. (see[7])
Mark Bence-Jones writes of Lyons:
p. 196. “(Alymer/IFR; Lawless, Cloncurry, B/PB1929; Winn, sub St. Oswalds, B/PB) Originally the seat of the Aylmer family. Sold 1796 by Michael Aylmer to Nicholas Lawless,the 1st Lord Cloncurry, son of a wealthy blanket manufacturer, who had a new house built in 1797, to the design of an architect named Grace.
“Three storey block with a curved bow on either side of its entrance front, joined to two-storey wings by curved sweeps. About 1801, shortly after his release from the Tower of London, where he had been imprisoned for two years on account of his advanced political views and friendship wiht some of the United Irishmen, the 2nd Lord Cloncurry hired Richard Morrison to undertake improvements and alterations to his father’s house, work continuing till 1805.
“During this period, Lord Cloncurry was in Italy, collecting antiques and modern sculpture for the house; he also acquired three antique columns of red Egyptian granite from the Golden House of Nero, afterwards at the Palazzo Farnese, which were used as three of the four columns in a single-storey portico at Lyons, with a triangular pediment surmounted by a free-standing coat-of-arms.The other notable alteration made to the exterior of the house at this time was the substitution of straight colonnades for the curved sweeps linking the main block to the winds, a change similar to that which Morrison made a few years later at Carton. Also the main block and wings were faced with rusticated ashlar up to the height of one storey on the entrnace front. The hall was given a frieze of ox-skulls and tripods based on the Temple of Fortuna Virilis in Rome, doorcases with fluted entablatures and overdoor panels with classical reliefs; a pair of free-standing antique marble Corinthian columns were set against one wall, and vaarous items from Lord Cloncurry’s collection fo sculpture disposed around the other walls. The walls of the dining room and music rom were painted with Irish waterfalls – and other enchanting decoration by Gaspare Gabrielli, an artist brought by Lord Cloncurry from Rome. The bow-ended dining room was also decorated with a wall painting, of Dublin Bay; and was adorned with reliefs of the story of Daedalus.”
The garden front of Lyons House, The new orangery and pool house are the single-storey buildings flanking the central block. Pub Orig Country Life 16/01/2003, vol. CXCVII by Photographer Paul Barker. (see [7])GASPARE GABRIELLI A Group of Five Mythological Landscapes a preparatory scheme for the murals at Lyons, County Kildare courtesy Adams Irish Old Masters 15 May 2025
Bence-Jones continues: “The seven-bay garden front was left fairly plain, but before it a vast formal garden was laid out, with abundant statuary and urns and an antique column supporting a statue of Venus half way along the broad central walk leading from the house to what is the largest artificial lake in Ireland. Beyond the lake rises the wooded Hill of Lyons.
“The Grand Canal passes along one side of the demesne, and there is a handsome Georgian range of buildings beside it which would have been Lord Cloncurry’s private canal station. A daughter of 3rd Lord Cloncurry was Emily Lawless, the poet, a prominent figure in the Irish Revival of the early yars of the present century. Her niece, Hon Kathleen Lawless, bequeathed the Lyons estate to a cousin, Mr G M V Winn, who sold it about 1962 to University College, Dublin, which has erected a handsome pedimented arch from Browne’s Hill, Co Carlow at one of the entrances to the demesne.”
Art Kavanagh’s book on the Landed Gentry and Aristocracy: Meath, volume 1, tells us more about the Aylmers of Balrath. During the reign of Henry VI, Richard Aylmer of Lyons was a Keeper of the Peace for both Dublin and Kildare. He was in charge of protecting the settler community from attack by the neighbouring O’Toole and O’Byrne septs. The family rose to become one of the most prominent families in Meath and Kildare and key figures in the Dublin administration. Before the end of the 16th century they had established two independent branches at Donadea in Kildare and Dollardstown in County Meath.
The first Aylmer of real significance, Art Kavanagh tells us, was John Aylmer (c. 1359 – c. 1415) who married Helen Tyrell of Lyons, an heiress, at the end of the 14th century, and so the family acquired Lyons. [p. 1, Kavanagh, published by Irish Family Names, Dublin 4, 2005]
9. The K Club, Straffan House, County Kildare
Straffan House, the K Club, courtesy of the K Club Resort, 2005.
The Straffan estate formed part of the original land grant bestowed upon Maurice Fitzgerald by Strongbow for his role in the Anglo-Norman invasion of 1169. In 1679, the property was purchased by Richard Talbot, the Duke of Tyrconnell who commanded the Jacobite army in Ireland during the war between James II and William of Orange. Tyrconnell’s estates were forfeited to the crown in the wake of the Williamite victory. In about 1710, the property was purchased by Hugh Henry, a prosperous merchant banker, who also owned Lodge Park. He married Anne Leeson, a sister of Joseph Leeson, 1st Earl of Milltown. Straffan passed to their son, Joseph, who travelled in Europe and collected art. In April 1764 he married Lady Catherine Rawdon, eldest daughter of the 1st Earl of Moira.
Joseph Henry of Straffan, Co. Kildare by Francis Hayman, R.A. (c. 1708-1776) courtesy of Christies Irish Sale 2001.
Their son John Joseph (1777-1846) married Lady Emily Fitzgerald, the 23-year-old daughter of the 2nd Duke of Leinster. He was an extravagant spender and had to sell Straffan in 1831.
Hugh Barton (1766-1854) acquired Straffan House from the Henry family in 1831 and his descendents remained there until the 1960s. The Barton family were part of the Barton & Guestier winemakers. Hugh soon commissioned Dublin architect, Frederick Darley, to build a new house, based on Madame Dubarry’s great Château at Louveciennes to the west of Paris. [10] The house passed through many hands subsequently.
Mark Bence-Jones writes of Straffan House (1988):
p. 266. “(Barton/IFR) An imposing C19 house in a style combining Italianate and French chateau. Main block of two storeys with an attic of pedimented dormers in a mansard roof; seven bay entrance front, the centre bay breking forward and having a tripartite window above a single-storey balustraded Corinthian portico. Entablatures on console brackets over ground-floor windows; triangular pediments over windows above and segmental pediment of central window. Decorated band between storeys; balustraded roof parapet; chimneystacks with recessed panels and tooth decoration. The main block prolonged at one side by a lower two storey wing, from which rises a tall and slender campanile tower, with two tiers of open belvederes. Formal garden with elaborate Victorian fountain. Capt F.B. Barton sold Straffan ca 1949 to John Ellis. It was subsequently the home of Kevin McClory, the film producer, and later owned by Mr Patrick Gallagher, who restored the main block to its original size.”
10. Kilkea Castle, Castledermot, Kildare – hotel
Kilkea Castle County Kildare by Elena on flickr constant commons 2005.
p. 167. “(Fitzgerald, Leinster, D/PB) A medieval castle of the FitzGeralds, Earls of Kildare, especially associated with C16 11th Earl of Kildare, the most famous “wizard Earl.” [Gerald (1525-1585)] After Carton became the family seat in C18, it was leased to a succession of tenants; one of them being the Dublin silk merchant, Thomas Reynolds, friend of Lord Edward Fitzgerald through whom he became a United Irishman, only to turn informer when he realised the full aims of the movement. His role as informer did not prevent the unhappy Reynolds from having the castle, which he had only recently done up in fine style, sacked by the military; who tored up the floorboards and tore down the panelling on the pretext of searching for arms. Subsequent tenants caused yet more damage and there was a serious fire 1849; after which the third Duke of Leinster resumed possession of the castle and restored and enlarged it as a dower-house for his family. The work was sympathetically done, so that the tall grey castle keeps its air of medieval strength with its bartizans and its massively battered stone walls; though its battlements and its rather too regularly placed trefoil headed windows are obviously C19. AT one side of the caslte a long, low, gabled office range was added, in a restrained Tudor Revival style. The interior is entirely of 1849, for the lofty top storey, where the principal rooms were originally situated, was divided to provide a storey extra. The ceilings are mostly beamed, with corbels bearing the Leinster saltire. In 1880s the beautiful Hermione, Duchess of Leinster (then Marchioness of Kildare) lived here with her amiable but not very inspiring husband [Gerald the 5th Duke of Leinster]; finding the life not much to her taste, she composed the couplet “Kilkea Castle and Lord Kildare/are more than any woman can bear.” After the sale of Carton 1949, Kilkea became the seat of the 8th and Present Duke of Leinster (then Marquess of Kildare), but it was sold ca 1960 and is now an hotel.”
11. Leixlip Manor hotel (formerly Liffey Valley House hotel, formerlySt. Catherine’s Park), Leixlip, Co Kildare
The house that stood before the current Manor House was taller and was tenanted by the Earl of Lanesborough. Then in 1792, it was occupied by David La Touche, of the Huguenot banking family. It shortly thereafter burned to the ground and in around 1798 a new house, also called St Catherine’s Park, was built in the same townland to the design of Francis Johnston; it is now Leixlip Manor Hotel & Gardens.
Rt. Hon. David La Touche of Marlay (1729-1817) Date c.1800 by Hugh Douglas Hamilton, Irish, 1740-1808, courtesy of National Gallery of Ireland.
12. Martinstown House, Kilcullen, Co Kildare – accommodation
Martinstown House 2012, photograph courtesy of Martinstown House on flickr constant commons.
featured in Great Irish Houses. Forewards by Desmond FitzGerald, Desmond Guinness. IMAGE Publications, 2008.
p. 232. “Martinstown House is one of the finest cottage ornee style buildings in Ireland today. Originally part of the huge estates of the Dukes of Leinster, this fine house was commissioned by Robert Burrowes [d. 1850, son of Kildare Dixon Borrowes, 5th Baronet] and completed by the Burrowes family between 1832 and 1840, when decorative effects such as thatched roofs, undressed stonework and verandahs made of free growing branches were being incorporated into rural Irish dwellings. While experts feel the house was built in 1833, it may have been started years earlier, with many of the outbuildings including stables and also the walled gardens dating to some time between 1815 and 1820.” The book’s authors add that Decimus Burton was involved in the creation of this house.
“Beautiful self catering, Georgian Manor centrally located in the hearth of Kildare in a very private setting. De Burgh Manor comprises of 15 bedrooms all ensuite. The ground floor consists of a double reception room, drawing room, dining room, bar, library , breakfast room and kitchen. Situated on c. 6 acres of grounds overlooking the River Barrow.“
The website also tells us about the history:
“De Burgh Manor was built circa 1709 [the National Inventory says it was built around 1780] by Thomas Burgh [1670-1730] of Oldtown [built ca 1709 by Thomas Burgh (1670-1730), MP, Engineer and Surveyor-General for Ireland, to his own design. The centre block was burned 1950s. A house has now been made out of one of the wings. He also designed Kildrought house, a Section 482 property] for his brother William Burgh later known as Captain William De Burgh and who became Comptroller and Auditor General for Ireland. Thomas Burgh was Barracks Overseer for Ireland from 1701 and was also responsible for [building] – the Library at Trinity College Dublin, Collins Barracks Dublin – now a museum – and Dr Steeven Hospital Dublin.
“William De Burgh was born in 1667 and had a son, Thomas, and a daughter, Elisabeth. Thomas, born in 1696, eventually became a Member of Parliament for Lanesboro, Co. Longford. Freeman of Athy Borough and Sovereign of Athy, in 1755 he married Lady Ann Downes, daughter of the Bishop of Cork & Ross. Her mother was a sister to Robert Earl of Kildare. Her brother, Robert Downes, was the last MP for Kildare in 1749 and was Sovereign of Athy.
“Thomas had two sons, William and Ulysses [Ulysses was actually the grandson of Thomas, son of another Thomas]. William born in 1741 went on to represent Athy as an MP in Parliament between 1768 and 1776. A monument to his memory by Sculptor Sir Richard Westmacott, a statue of faith, which depicts him with a book in one hand and a scroll in the other and stands in York Minster. He wrote two books on religion and faith.
“Ulysses, born in 1788succeeded to the title of Lord Downes [2nd Baron Downes of Aghanville] on the death of his cousin William Downes who was made Lord Chief Justice in 1803 and created Lord Downes on his retirement in 1822. It was Ulysses De Burgh who presented the Town Hall Clock to Athy in 1846 and it was he who had the wings added to Bert House. [Mark Bence-Jones writes of Bert: “enlarged early in C19 by the addition of two storey Classical overlapping wings, of the same height as the centre block; which is of three storeys over basement with two seven bay fronts.”]
“Ulysses’ daughter Charlotte was the last of the De Burgh’s to call Bert House home with her husband Lt. General James Colbourne [2nd Baron Seaton of Seaton, co. Devon]. Charlotte and James came to Bert House in 1863 as Lord and Lady Seaton after the death of Lord Downes. It was sold by them in 1909 to Lady Geoghegan who then sold it onto her cousin, Major Quirke.“
2. Firmount, Clane, County Kildare – whole house or weddings
“Firmount House is a unique and stunning venue just outside Clane in County Kildare, only 40minutes from Dublin city centre. Lovingly restored by the owners, the house is known for flexibility and creativity and is now open for weddings, private parties, film shoots, yoga retreats and corporate events. Enjoy visiting the Firmount website and see for yourself the lifelong journey these restoration warriors have taken to provide you with the perfect location in a wonderful, natural setting.
“This fabulous house consists of a sitting room, breakfast room and dining room downstairs reached from a large hallway, alongside a commercial kitchen and butlers pantry. The first floor consists of seven large and sumptuous bedrooms – five doubles and two twin rooms with plenty of room for two travel cots which are also provided. There are also six bathrooms. Heated by oil fired radiators, there are also two stoves in the main entertaining space.
“Firmount House has a colourful history dating from the 13th century when there was reputed to be a fortified house on the current site. The Down Survey of 1655 seems to show a house on the land (then known as Keapock). In the 18th century the house was owned by the Warburtons and sat on extensive grounds. The story of the current house really begins in 1878 when Hugh Henry Snr having married his cousin Emily Henry (of Lodge Park, site of the current K-club) bought Firmount house and renovated it extensively. It seems he took what was a Georgian house, wrapped it in concrete (one of the first houses of it’s kind) and added a Victorian wing to the South.
“The estate consisted of 409 acres at that point. Hugh Henry’s son, imaginatively named Hugh Jr, inherited the house in 1888 and lived there until 1917. It is rumoured that his wife, Eileen, had nightmares of the house going down in flames – although given it was made of concrete, we think she would have been ok. The house became a WWI hospital in 1917 and 390 soldiers were treated there until 1919, with no deaths registered – thank goodness for that. However the next decades were not so lucky for the house. In 1929 the house was bought by Kildare County Council and turned into a TB sanatorium. It ran as such until 1961. There are local stories of movies being run in the ballroom for patients with the now Mayor of Clane, at the projector. And of patients sitting on the elevated banks at the very front of the house on the roadside, watching life on the road go by but being unable to participate. 1964 brought the purchase of the house by the Department of Defence who ran it as a Control Centre for Nuclear Tracking and named it Section Seven Regional Control.
“Here things get really interesting as the basement of the house was intended to house senior officials, media and communications personel in the event of nuclear fall out. It is rumoured the Taoiseach (Irish prime-minister) was supposed to have a bunker on site and the house can still be found on Russian nuclear maps! This picture shows one of the several signs found in the house. The downside of government and county council ownership is that many original period features were lost through ignorance, neglect and the reinforcement of windows, floors, porticos and doors with concrete.
“The current “madthings” bought the house in 2012 with the aim of slowly bringing Firmount house back to life, window by window and floor by floor aswell as bringing Firmount forward into a gathering place with a welcome for all.“
3. Griesemount House, County Kildare, whole house rentals– see above
[6] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
orange: “whole house rental” i.e. those properties that are only for large group accommodations or weddings, e.g. 10 or more people.
green: gardens to visit
grey: ruins
The five counties of Connacht are Galway, Leitrim, Mayo, Roscommon and Sligo.
As well as places to visit, I have listed separately places to stay, because some of them are worth visiting – you may be able to visit for afternoon tea or a meal.
For places to stay, I have made a rough estimate of prices at time of publication:
€ = up to approximately €150 per night for two people sharing (in yellow on map);
Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!
€15.00
Galway
1. Ardamullivan Castle, Galway – national monument, to be open to public in future – check status
2. Athenry Castle, County Galway – open to public
3. Aughnanure Castle, County Galway (OPW)
4. Castle Ellen House, Athenry, Co. Galway– section 482
5. Coole Park, County Galway – house gone but stables visitor site open
6. Gleane Aoibheann, Clifden, Galway – gardens
7. Kylemore Abbey, County Galway
8. The Grammer School, College Road, Galway– section 482
10. Cregg Castle, Corrandulla, Co Galway – Airbnb€
11. Crocnaraw County House, Moyard, County Galway€
12. Currarevagh, Oughterard, Co Galway – country house hotel€€
13. Delphi Lodge, Leenane, Co Galway€€€
14. Emlaghmore Cottage, Connemara, County Galway€
15. Errisbeg House, Roundstone, County Galway
16. Glenlo Abbey, near Galway, Co Galway – accommodation
17. Kilcolgan Castle, Clarinbridge, Co Galway
18. Lisdonagh House, Caherlistrane, Co. Galway– section 482, see above
19. Lough Cutra Castle, County Galway, holiday cottages
20. Lough Ina Lodge Hotel, County Galway€
21. Oranmore Castle, County Galway – section 482 accommodation
22. Oranmore Lodge Hotel(previously Thorn Park), Oranmore, Co Galway
23. The Quay House, Clifden, Co Galway
24. Renvyle, Letterfrack, Co Galway – hotel
25. Rosleague Manor, Galway – accommodation€
26. Ross, Moycullen, Co Galway
27. Ross Lake House Hotel, Oughterard, County Galway
28. Screebe House, Camus Bay, County Galway€€€
Whole House Accommodation and Weddings, County Galway:
1. Carraigin Castle, County Galway – sleeps 10
2. Cloghan Castle, near Loughrea, County Galway – whole castle accommodation and weddings, €€€ for two.
Galway
1. Ardamullivan Castle, Galway – national monument, to be open to public in future – check status
Ardamullivan Castle County Galway photograph courtesy of SA 2.0 Mike Searle cc, Sept 2009, file 1543253
“The castle is a is a restored six storey tower house. Part of the original defensive wall remains. Ardamullivan Castle was built in the 16th century by the O’Shaughnessy family. Although there is no history of the exact date of when the castle was built, it is believed it was built in the 16th century as it was first mentioned in 1567 due to the death of Sir Roger O’Shaughnessey who held the castle at the time.
“Sir Roger was succeeded by his brother Dermot, ‘the Swarthy’, known as ‘the Queen’s O’Shaughnessy’ due to his support shown to the Crown. Dermot became very unpopular among the public and even among his own family after he betrayed Dr Creagh, the Roman Catholic Archbishop of Armagh, who had sought refuge in the woods on O’Shaughnessy territory.
“Tensions came to a boil in 1579, when John, the nephew of Dermot, fought with Dermot outside the south gate of the castle in dispute over possession of the castle. Both men were killed in the fight. After this period the castle fell into ruin until the last century where it was restored to its former glory.” [1]
2. Athenry Castle, County Galway – open to public
Athenry Castle, County Galway, photograph courtesy of OPW website.
http://www.castleellen.ie/ Open dates in 2025: Apr 6-9, 13-16, 20-23, 27-30, May 4-7, 11-14, 18-21, 25-28, June 1-4, 8-11, 15-18, 22-25, 29-30, July 1-2, Aug 16-24, 12 noon-4pm
Fee: adult €5, child/OAP/student free
Castle Ellen, photograph from National Inventory of Architectural Heritage [2]
5. Coole Park, County Galway – house gone but stables visitor site open
“Coole Park, in the early 20th century, was the centre of the Irish Literary Revival. William Butler Yeats, George Bernard Shaw, John Millington Synge and Sean O’ Casey all came to experience its magic. They and many others carved their initials on the Autograph Tree, an old Copper beech still standing in the walled garden today.
“At that time it was home to Lady Gregory, dramatist and folklorist. She is perhaps best known as a co-founder of the Abbey Theatre with Edward Martyn of nearby Tullira Castle and Nobel prize-winning poet William Butler Yeats. The seven woods celebrated by W.B. Yeats are part of the many kilometres of nature trails taking in woods, river, turlough, bare limestone and Coole lake.
“At Coole, we invite you to investigate for yourself the magic and serenity of this unique landscape. Although the house no longer stands, you can still appreciate the environment that drew so many here. You will experience the natural world that Yeats captured in his poetry. Through this website, you can learn about this special place and its wildlife, as well as Gregory family history and literary connections.“
The website tells us: “Nestled in the heart of Connemara, on the Wild Atlantic Way, Kylemore Abbey is a haven of history, beauty and serenity. Home to a Benedictine order of Nuns for the past 100 years, Kylemore Abbey welcomes visitors from all over the world each year to embrace the magic of the magnificent 1,000-acre estate.“
“Kylemore Castle was built in the late 1800s by Mitchell Henry MP, a wealthy businessman, and liberal politician. Inspired by his love for his wife Margaret, and his hopes for his beloved Ireland, Henry created an estate boasting ‘all the innovations of the modern age’. An enlightened landlord and vocal advocate of the Irish people, Henry poured his life’s energy into creating an estate that would showcase what could be achieved in the remote wilds of Connemara. Today Kylemore Abbey is owned and run by the Benedictine community who have been in residence here since 1920.
“Come to Kylemore and enjoy the new visitor experience in the Abbey, From Generation to Generation…..the story of Kylemore Abbey. Experience woodland and lakeshore walks, magnificent buildings and Ireland’s largest Walled Garden. Enjoy wholesome food and delicious home-baking in our Café or Garden Tea House. History talks take place three times a day in the Abbey and tours of the Walled Garden take place throughout the summer. Browse our Craft and Design Shop for unique gifts including Kylemore Abbey Pottery and award-winning chocolates handmade by the Benedictine nuns. Discover the beauty, history, and romance of Ireland’s most intriguing estate in the heart of the Connemara countryside.“
“Although Mitchell Henry was born in Manchester he proudly proclaimed that every drop of blood that ran in his veins was Irish. The son of a wealthy Manchester cotton merchant of Irish origin, Mitchell was a skilled pathologist and eye surgeon. In fact, before he was thirty years of age, he had a successful Harley Street practise and is known to have been one of the youngest ever speakers at the Royal College of Surgeons in London.
“On his father’s death, Mitchell inherited a hugely successful family business and became one of the wealthiest young men in Britain at the time. Mitchell lost no time in quitting his medical career and turning instead to liberal politics where he felt he could change the world for the better. His newfound wealth allowed him to buy Kylemore Lodge and construct the castle and enabled him to bring change, employment, and economic growth to the Connemara region which was at the time stricken with hunger, disease, and desperation.
“On exiting the castle, turn around and look up, you will notice the beautiful carved angel which guards over it. In the hands of that angel is the coat of arms of Margaret Henry’s birth family, the Vaughan’s of County Down. Margaret’s arms over the front door proudly proclaim this as her castle. Look more closely and you will also see charming carvings of birds which were a favourite motif of the Henry’s. The birds represented the Henry’s hope that Kylemore would become the ‘nesting’ place of their family. Indeed, Kylemore did provide an idyllic retreat from the hustle and bustle of life in London where, even for the very wealthy, life was made difficult by the polluted atmosphere caused by the Industrial Age.
“At Kylemore Margaret, Mitchell and their large family revelled in the outdoor life of the ‘Connemara Highlands’. Margaret took on the role of the country lady and became much loved by the local tenants. Her passion for travel and eye for beauty were reflected in the sumptuous interiors where Italian and Irish craftsmen worked side by side to create the ‘family nest’. Sadly the idyllic life did not last long for the Henrys.
“In 1874 just a few years after the castle was completed, the Henry family departed Kylemore for a luxurious holiday in Egypt. Margaret was struck ill while travelling and despite all efforts, nothing could be done. After two weeks of suffering Margaret had died. She was 45 years old and her youngest daughter, Violet, was just two years of age. Mitchell was heartbroken. Margaret’s body was beautifully embalmed in Cairo before being returned to Kylemore. According to local lore Margaret lay in a glass coffin which was placed beneath the grand staircase in the front hall, where family and tenants alike could come to pay their respects. In an age when all funerals were held in the home, this is not as unusual as it may first seem. In time Margaret’s remains were placed in a modest red brick mausoleum in the woodlands of her beloved Kylemore.
“Although Henry remained on at Kylemore life for him there was never the same again. His older children helped him to manage the estate and care for the younger ones, as he attempted to continue his vision for improvements and hold on to his political career. By now he had become a prominent figure in Irish politics and was a founding member of Isaac Butt’s Home Rule movement. In 1878 work began on the neo-Gothic Church which was built as a beautiful and lasting testament to Henry’s love for his wife. Margaret’s remains were, for some reason, never moved to the vaults beneath the church and to this day she lays alongside Mitchell in the little Mausoleum nestled in the Kylemore woodlands.
“The Kylemore Estate, like the rest of Connemara, was made up of mountain, lakes and bog. In keeping with his policy of improvement and advancement, Henry began reclaiming bogland almost immediately and encouraged his tenants to do likewise. Forty years under the guiding hand of Mitchell Henry turned thousands of acres of waste land into the productive Kylemore Estate. He developed the Kylemore Estate as a commercial and political experiment and the result brought material and social benefits to the entire region and left a lasting impression on the landscape and in the memory of the local people. Mitchell Henry introduced many improvements for the locals who were recovering from the Great Irish Famine, providing work, shelter and later a school for his workers children. He represented Galway in the House of Commons for 14 years and put great passion and effort into rallying for a more proactive and compassionate approach to the “Irish problem”. Mitchell Henry gave the tenants at Kylemore a landlord hard to be equalled not just in Connemara but throughout Ireland.
“Despite the tragedies that befell the family and Mitchell’s hard work, life at Kylemore was certainly very luxurious. The castle itself was beautifully decorated and provided all that was needed for a family used to a lavish London lifestyle. The Walled Gardens provided a wide range of fruit and vegetables that included luxuries unthinkable to ordinary Irish people such as grapes, nectarines, melons and even bananas. Fruit and vegetable grown at Kylemore were often served at the Henry’s London dinner parties. Salmon caught in Kylemore’s lakes could also be wrapped in cabbage leaves and posted to London where they made a novel addition to the table. As well as a well-equipped kitchen, Kylemore also had several pantries, an ice house, fish and meat larder and a beer and wine cellar. The still room was used for a myriad of ingenious way to preserve and store food stuffs throughout the year.
“Guests at Kylemore were presented with a bouquet of violets to be worn at dinner. Violets were a craze in Victorian London as they represented loyalty and friendship. Kylemore castle was well equipped for entertaining and throughout the Salmon season from march to September the Henry’s welcomed many guests from Manchester and London. After dinner, entertainment was provided in the beautiful ballroom with its sprung oak floor for dancing with much of the music and plays being performed by the family themselves.
“The older Henry sons enjoyed such pastimes as photography and keeping exotic pets. Alexander Henry is responsible for many of the black and white photographs displayed at Kylemore today. His darkroom was located where Mitchell’s Café stands today. Lorenzo Henry kept a building called the ‘Powder House’ where he experimented with explosives. Indeed, Lorenzo had a brilliant mind like his father’s and went on to develop a number of successful inventions including the Henrite Cartridge for pigeon shooting. All of the family, including the girls enjoyed the outdoor life of fishing, shooting and horse riding. But the family were to suffer heartbreak again when Mitchell’s daughter Geraldine, was to be killed in a tragic carriage accident on the estate while out for a jaunt with her baby daughter and nurse. Both Geraldine’s daughter Elizabeth, and the baby’s nurse survived the accident but Geraldine’s death deeply affected the Henry Family and their connection to Kylemore.
“The Henry family eventually left Kylemore in 1902 when the estate was sold to the ninth Duke of Manchester. Mitchell Henry lived to be 84 years old but heartbreak had taken its toll and Mitchel died an aloof individual with a meagre sum of £700 in the bank.”
Kylemore Abbey, photograph for Tourism Ireland, Ireland’s Content Pool. (see [7])
“In 1903, Mitchell Henry sold Kylemore Castle to the Duke of Manchester (William Angus Drogo Montague) and his Duchess of Manchester, Helena Zimmerman. They lived a lavish lifestyle financed by the Duchess’ wealthy father, the American businessman, Eugene Zimmerman.
“On arrival at Kylemore in Connemara the couple set about a major renovation, removing much of the Henry’s Italian inspired interiors and making the castle more suitable for the lavish entertainments that they hoped to stage in their new home, including an anticipated visit from their friend King Edward VII.
“The renovation included the removal of the beautiful German stained-glass window in the staircase hall and ripping out large quantities of Italian and Connemara marble. Local people were unhappy with the developments and felt the changes represented a desecration of the memory of the much-loved Margaret Henry and her beloved Kylemore Castle.
“Born in March 1877, William Montagu – the Duke was educated at Eton and Trinity College, Cambridge, and succeeded his father when he was still a minor. The Duke inherited a grand estate which included lavish residences such as Tanderagee Castle in Co. Armagh and Kimbolton Castle in Huntington, England. However, his inheritance, which was administered by trustees was heavily indebted and together with his lavish lifestyle meant that by the age of 23 the Duke was bankrupt. When in 1900 the Duke married the Cincinatti born heiress, Helena Zimmerman, it seemed that his money problems could be forgotten. As Helena’s parents frowned on the relationship the couple eloped to Paris where they were married – a suitably glamorous start to the marriage of this sparkling and often talked about pair. It is thought that Helena’s father hoped the life of a country squire at Kylemore would help the Duke to leave behind his days of gambling and partying but this was not to be. The Duke and Duchess left Kylemore in 1914 following the death of Helena’s father. There were many stories in circulation which claimed that the Duke lost Kylemore in a late-night gambling session in the Castle however it seems more likely that following the death of Eugene Zimmerman there were insufficient funds available to the Duke to maintain the Kylemore estate.“
“Beginning in Brussels in 1598, following the suppression of religious houses in the British Isles when British Catholics left England and opened religious houses abroad, a number of monasteries originated from one Benedictine house in Brussels, founded by Lady Mary Percy. Houses founded from Lady Mary’s house in Brussels were at Cambray in France (now Stanbrook in England) and at Ghent (now Oulton Abbey) in Staffordshire. Ghent in turn founded several Benedictine Houses, one of which was at Ypres. Kylemore Abbey is the oldest of the Irish Benedictine Abbeys. The community of nuns, who have resided here since 1920, have a long history stretching back almost three hundred and forty years. Founded in Ypres, Belgium, in 1665, the house was formally made over to the Irish nation in 1682.The purpose of the abbey at Ypres was to provide an education and religious community for Irish women during times of persecution here in Ireland.
“Down through the centuries, Ypres Abbey attracted the daughters of the Irish nobility, both as students and postulants, and enjoyed the patronage of many influential Irish families living in exile.
“At the request of King James II the nuns moved to Dublin in 1688. However, they returned to Ypres following James’s defeat at the Battle of the Boyne in 1690. The community finally left Ypres after the Abbey was destroyed in the early days of World War One. The community first took refuge in England, and later in Co Wexford before eventually settling in Kylemore in December 1920.
“At Kylemore, the nuns reopened their international boarding school and established a day school for local girls. They also ran a farm and guesthouse; the guesthouse was closed after a devastating fire in 1959. In 2010, the Girl’s Boarding School was closed and the nuns have since been developing new education and retreat activities.“
Kylemore Abbey, Connemara by George Munday 2014 for Tourism Ireland, Ireland’s Content Pool. (see [7])
Display board from exhibition in the Irish Georgian Society, July 2022, The National Inventory of Architectural Heritage is compiling a Garden Survey.
From “In Harmony with Nature, The Irish Country House Garden 1600-1900” in the Irish Georgian Society, July 2022, curated by Robert O’Byrne.
“Kylemore Abbey’s Victorian Walled Garden is an oasis of ordered splendour in the wild Connemara Countryside. Developed along with the Castle in the late 1800s it once boasted 21 heated glasshouses and a workforce of 40 gardeners. One of the last walled gardens built during the Victorian period in Ireland it was so advanced for the time that it was compared in magnificence with Kew Gardens in London.
“Comprised of roughly 6 acres, the Garden is divided in two by a beautiful mountain stream. The eastern half includes the formal flower garden, glasshouses the head gardener’s house and the garden bothy. The western part of the garden includes the vegetable garden, herbaceous border, fruit trees, a rockery and herb garden. Leaving the Garden by the West Gate you can visit the plantation of young oak trees, waiting to be replanted around the estate. The Garden also contains a shaded fernery, an important feature of any Victorian Garden. Follow our self-guiding panels through the garden and learn more about its intriguing history and the extensive restoration work that it took to return the garden to its former glory after falling into disrepair.
“Today Kylemore is a Heritage Garden displaying only plant varieties from the Victorian era. The bedding is changed twice a year, for Spring and Summer and its colours change throughout the year. Be sure to visit us and fall in love with a garden that is surely the jewel in Connemara’s Crown.“
8. The Grammer School, College Road, Galway– section 482
www.yeatscollege.ie Open dates in 2025: May 3-4, 10-11, 17-18, 24-25, June 7-8, July 1-31, Aug 1-12, 16-24, 9am-5pm
Fee: adult/OAP/student €5, child under 12 free
The Grammer School, Yeats College, County Galway, designed by Richard Morrison. Photograph from the National Inventory of Architectural Heritage [11]
The National Inventory tells us about it under the heading of Yeats College. I am not sure why the Revenue section 482 spells is “Grammer” rather than “Grammar” but as it is listed as that every year, I defer to their spelling!
“Freestanding H-plan five-bay three-storey school with basement, built 1815, having slightly advanced gable-fronted end bays to front, and having recent addition to rear… Round-headed recesses to end bays and to ground floor of middle bays. Tripartite Diocletian windows to top floor of end bays, their recesses encompassing blind square-headed openings to first floor…Square-headed door opening to front within segmental-headed recess, having replacement timber panelled door within tooled limestone doorcase comprising moulded limestone surround surmounted by panelled blocks and moulded cornice framing paned overlight and flanked by paned timber sidelights with chamfered limestone surround.
“This large-scale former school retains its original character. Designed by Richard Morrison in 1807, the school was named after Erasmus Smith who founded the original grammar school, located at the courthouse, in 1699. The building displays a host of classical architectural features and a variety of window types. Its impressive scale on the main approach to the city from the east makes it one of the most significant buildings in the city.” [11]
This was the home of Violet Martin, one half of the Somerville and Ross partnership of writers, with Edith Somerville.
Violet Florence Martin (1862-1915) by Edith Anna Oenone Somerville, oil on panel 1886 National Portrait Gallery of London, npg-4655
The website tells us of the house, which is open to accommodation:
“Ross Castle offers refined elegance for your special occasion or memorable holiday. The distinctive ambience of the Castle’s grand rooms and self catering cottages, accented with beautiful antique furnishings, will captivate you and up to 40 guests. This 120 acre estate is nestled in a picturesque setting of mountains, lake, and parkland.
“Constructed in 1539 by The “Ferocious” O’Flahertys, one of the most distinguished tribes of Galway, the property was later acquired by the Martin Family who built the present manor house upon the former castle’s foundation. After two fires and much neglect, the McLaughlin family acquired the property in the 1980s and have spent the past several decades restoring the estate to its present splendour.
“Upon entering the estate you are immediately awestruck by the grand front lawn; undulating to the lake and Parkland.
“From the Castle’s courtyard cottages and through the carriage entrance, a gothic archway entices you to explore the walled in Gardens.
“Stroll along the herbaceous bordered pathways while taking in the beauty and tranquility of your surroundings, shadowed by 6 massive yew trees hundreds of years old. Giant box hedges create unexpected surprises around every turn: stone sculptures, a red-brick pond, greenhouse, urns and statuary.“
Fee: adult €2.50, child €1.50, OAP/student free, family €5, group rates depending on numbers
Inis Oírr ( Inisheer) Lighthouse, Aran Islands, Co Galway, photograph Courtesy of Lukasz Warzecha for Tourism Ireland, 2015, Ireland’s Content Pool. (see [7])
12. Thoor Ballylee, County Galway
Thoor Ballylea 1984 Dublin City Library Archives [12]
“Thoor Ballylee is a fine and well-preserved fourteenth-century tower but its major significance is due to its close association with his fellow Nobel laureate for Literature, the poet W.B.Yeats. It was here the poet spent summers with his family and was inspired to write some of his finest poetry, making the tower his permanent symbol. Due to serious flood damage in the winter of 2009/10 the tower was closed for some years. A local group the Yeats Thoor Ballylee Society has come together and are actively seeking funds to ensure its permanent restoration. Because of an ongoing fundraising effort and extensive repair and restoration work, the tower and associated cottages can be viewed year round, and thanks to our volunteers are open for the summer months, complete with a new Yeats Thoor Ballylee exhibition for visitors to enjoy.“
13.Woodville House Dovecote & Walls of Walled Garden, Craughwell, Co. Galway– section 482, garden only
Open dates in 2025: Feb 1-3, 7-10, 14-17, 21-24, 28, Mar 1-3, 7-10, 14-17, Apr 18-21, May 16-19, June 1-2, 6-9, 13-16, 20-23, 27-30, Aug 1-4, 8-11, 15-25, Feb-May, 12 noon-4pm, June and August, 11am-5pm, last entry 4.30pm
Fee: adult €10, OAP €9, student, €6, child €4 must be accompanied by adult, family €25 (2 adults and 2 children)
Woodville House, County Galway, photograph from National Inventory of Architectural Heritage.
The website tells us Woodville is home to a restored walled kitchen garden along with a museum outlining the fascinating connection to Lady Augusta Gregory at Woodville. “Come for a visit to this romantic secret garden in the West of Ireland and enjoy the sights, scents and colours contained within the original stone walls.“
Outbuilding at Woodville House, County Galway, photograph from National Inventory of Architectural Heritage.
“The D’Arcy family most certainly have been at Woodville in 1750 when Francis D’Arcy left his initials on the keystone in the garden arch. The most famous member of the D’Arcy family to live at Woodville was Robert, who held the position of land agent to the estate of the first Marquis of Clanricarde for over 30 years – including the famine period. He does not seem to have been a popular figure in the local area, carrying out his duties with no small amount of vigour. After Robert’s death the estate passed to Francis Nicholas D’Arcy. He lived quietly at Woodville until his death in 1879.
“For the next 25 years little is known about Woodville. From the 1901 census we learn that Catherine Kelly was occupying the house and Lord Clanricarde was the landowner.
“On the 1st of May 1904 Henry Persse [1855-1928, brother of Augusta, who married William Henry Gregory of Coole Park] leased Woodville house and farm, which comprised of 460 acres, for a period of 29 years from the Marquise of Clanricarde. Henry Persse was the seventh son of Dudley Persse of Roxborogh, Kilchreest He was born on 14th of October 1855 and educated at Trinity College, Dublin. He went to India and served in the Indian police for some years, stationed at Madras. Coming into a legacy he returned to Ireland and married Eleanor Ada Beadon in 1888. They had two sons, Lovaine and Dermot, both born in Kilchreest.
“The grandparents of the present owners, Pat and Maria Donohue, took over the running of Woodville house and farm, and took a lease out on the farm in 1916 and purchased it outright in 1920. It is from the memories of their oldest daughter. Maureen Donohue, known as Sr. Austin of The Mercy Convent, Loughrea, that it was possible to collect information about what was grown in the walled garden at the time her parents came Maureen was just 3 years of age and her first memory as a child is of visiting the garden with her father and being given a lovely ripe peach picked from a tree by Harry Persse. There was an abundance of fruit trees of all different varieties at Wooville: peaches, pears, plums, greengage, damsons, cherries, quince, meddlers and apples, Cox’s Orange Pippins, Summers Eves, Brambly Seedlings, Beauty of Bath.
“Leading from the steps to the centre of the garden was an arch covered with climbing roses and in front of this were two bamboo trees on either side of the entrance. The central paths were lined with iron railings and box hedging. The garden was planted with poppies, lily of the valley, daffodils, snowdrops, and bluebells. It took four men to maintain the garden at Woodville and the head gardeners name was Tap Mannion and the cook in the house was Mary Lamb.Soft fruits included red and green gooseberries, Tay berries, loganberries, red and white currants and raspberries. There was also a fig tree in the south – east corner of the garden – demonstrating just what a microclimate the walls create.”
The Visit Galway website tells us “Built in 1832 by John d’Arcy, Abbeyglen Castle was shortly after leased to the then parish priest, and was named ‘Glenowen House’.
“The castle was later purchased for use as a Protestant orphanage by the Irish Church Mission Society. Here girls would have been trained for domestic service. In 1953, the orphanage became a mixed orphanage until 1955, where it closed due to financial difficulties.
“The castle fell derelict and was home to livestock for some time. It was then purchased by Padraig Joyce of Clifden and became a hotel. The castle continued to operate as a hotel after the Hughes family took over in 1969 and still remains a prestigious hotel to this day.” [13]
2. Ardilaun House Hotel(formerly Glenarde), Co Galway – hotel €
The Landed Estates database tells us it was the town house of the Persse family, built in the mid 19th century, bought by the Bolands of Bolands biscuits in the 1920s and since the early 1960s has functioned as the Ardilaun House Hotel.
Ballynahinch Castle Hotel, County Galway, 2014 Tourism Ireland, Ireland’s Content Pool (see [2])Ballynahinch Castle, photograph courtesy of hotel website.
The website tells us:
“Welcome to Ballynahinch Castle Hotel, one of Ireland’s finest luxury castle hotels. Voted #6 Resort Hotel in in the UK & Ireland by Travel & Leisure and #3 in Ireland by the readers of Condé Nast magazine. Set in a private 700 acre estate of woodland, rivers and walks in the heart of Connemara, Co. Galway. This authentic and unpretentious Castle Hotel stands proudly overlooking its famous salmon fishery, with a backdrop of the beautiful 12 Bens Mountain range.
“During your stay relax in your beautifully appointed bedroom or suite with wonderful views, wake up to the sound of the river meandering past your window before enjoying breakfast in the elegant restaurant, which was voted the best in Ireland in April 2017 by Georgina Campbell.”
Ballynahinch Castle, photograph courtesy of hotel website.
Mark Bence-Jones writes:
p. 25. “[Martin/IFR, Berridge/IFR] A long, many-windowed house built in late C18 by Richard Martin [1754-1834], who owned so much of Connemara that he could boast to George IV that he had “an approach from his gatehouse to his hall of thirty miles length” and who earned the nickname “Humanity Dick” for founding the RSPCA.
“When Maria Edgeworth came here 1833 the house had a “battlemented front” and “four pepperbox-looking towers stuck on at each corner”; but it seemed to her merely a “whitewashed dilapidated mansion with nothing of a castle about it.” The “pepperbox-looking towers” no longer exist; but both the front entrance and the 8 bay garden front have battlements, stepped gables, curvilinear dormers and hood mouldings; as does the end elevation.
“The principal rooms are low for their size. Entrance hall with mid-C19 plasterwork in ceiling. Staircase hall beyond; partly curving stair with balustrade of plain slender uprights. Long drawing room in garden front, oval of C18 plasterowrk foliage in ceiling, rather like the plasterwork at Castle Ffrench. Also reminiscent of Castle Ffrench are the elegant mouldings, with concave corners, in the panelling of the door and window recesses. The principal rooms still have their doors of “magnificently thick well-moulded mahogany” which Maria Edgeworth thought “gave an air at first sight of grandeur” though she complained that “not one of them would shut or keep open a single instant.” The drawing room now has a C19 chimneypiece of Connemara marble. The dining room has an unusually low fireplace, framed by a pair of Ionic half-columns. Humanity Dick was reknowned for his extravagant way of life, and in order to escape his creditors he retired to Bologne, where he died. He left the family estates heavily mortgaged, with the result that his granddaughter and eventual heiress, Mary Letitia Martin, known as “The Princess of Connemara” was utterly ruined after the Great Famine, when Ballynahinch and the rest of her property was sold by the Emcumbered Estates Court; she and her husband being obliged to emigrate to America, where she died in childbirth soon after her arrival Ballynahinch was bought by Richard Berridge, whose son sold it in 1925; after which it was acquired by the famous cricketer Maharaja Ranhisinhji, Jam Sahib of Nawanagar. It is now a hotel.”
Ballynahinch Castle, photograph courtesy of hotel website.
6. Caherkinmonwee (or Caher) Castle, Co Galway – on airbnb, €€
The airbnb entry tells us: “A beautiful, original medieval castle experience can be yours for a weekend, a week, or even longer. You’ll be staying in the master bedroom, the highest room in the castle.
“This castle has been restored to its original state by using traditional materials, and also by using cutting edge technology. We used traditional local stone, limestone, as well as oak beams, to make the castle as traditional as possible, but it also has modern conveniences, such as solar water heating. The castle was built sometime in the 1400s but was refurbished in the last decade.“
A visit Galway website tells us it has been recorded that in 1574, the castle was held by Myler Henry Burke. The castle was left in ruin for over two hundred years before being purchased by Peter Hayes in 1996. Under the ownership of Mr. Hayes, the castle underwent a large restoration project. The castle still retains some of the original features such as bartizans on all four corners, a spiral staircase and latrines on the second, third, and fourth storey levels.
7. Cashel House, Cashel, Connemara, Co Galway – hotel€€
The website tells us: “A perfect start on your venture on the Wild Atlantic Way, Cashel House Hotel overlooks the majestic Cashel Bay on the west coast of Ireland. Here a traditional welcome awaits guests in this classic country house retreat. Built in the 19th century this gracious country home was converted to a family run four star hotel in 1968 by the McEvilly family. Situated in the heart of Connemara and nestling in the peaceful surroundings of 50 acres of gardens and woodland walks this little bit of paradise offers an ideal base from which to enjoy walking, beaches, sea and lake fishing, golf and horse riding.“
Cashel House Hotel, County Galway, courtesy of hotel website
Mark Bence-Jones writes (1988):
p. 293. “(Browne-Clayton/IFR) A house of ca 1850, asymmetrical gabled elevations, built by Captain [Thomas] Hazel [or Hazell] for his land agent, Geoffrey Emerson, [a great great grandfather of the current owner] who is said to have designed it. From 1921-52 the home of the O’Meara family who remodelled the interior with chimneypieces salvaged from Dublin and laid out most of the garden. In 1952 it became the house of Lt-Col and Mrs William Patrick Browne-Clayton, formerly of Browne’s Hill, who gave the garden its notable collection of fuschias. Cashels is now owned by Mr and Mrs Dermot McEvilly, who run it as a hotel.”
The website continues the history:
“From 1919 to 1951 Cashel House was the home of Jim O`Mara T.D. and his family. Jim O`Mara was the first official representative of Ireland in the United States and he devoted his life and talents to make Ireland a nation. Jim O`Mara was a keen botanist and found happiness in Cashel House.
“Over the years he carried out a lot of work on the Gardens. The three streams, which flow through the Garden, were a delight to him with their banks clothed with bog plants and Spirea & Osmunda ferns. O`Mara turned the orchard field into a walled garden of rare trees, Azaleas, Heather’s and dwarf Rhododendrons, which his children named ‘the Secret Garden’.
“In 1952 Cashel House became the home of Lt Col and Mrs Brown Clayton, formerly of Brownes Hill in Carlow. During their time at Cashel House the Browne Clayton’s had Harold McMillian, the late British Prime Minister, stay as their guest. The Browne Clayton’s also gave the Garden its notable collection of Fuchisas.
“Dermot and Kay McEvilly purchased Cashel House in 1967. Total refurbishment began immediately, with a fine collection of antiques being added and offering all modern facilities. The house reopened in May 1968 and ‘Cashel House Hotel’ was born.“
Castlehacket, photograph courtesy of airbnb Castlehacket entry.
The entry tells us:
“CastleHacket House, steeped in Irish History. Built in 1703 by John Kirwan Mayor of Galway, the house is surrounded by nature and is very quiet and peaceful. Join in one of our “quiet “Yoga Classes, hike Connemara, stroll Knockma Woods, explore the lakes – world Famous for brown Trout fishing, or simply relax in the beautiful Park and Gardens.
“We are environmentally friendly and support green living, health and wellbeing.
“Ground Floor, West wing Guest Apartment in Historic CastleHacket House. Tastefully decorated, your own private door leads to 2 bedrooms, bathroom and kitchen-dining room. Tea and coffee facilities available and breakfast is included.
“Guest access to: Library, Reception/Lounge Room, Dining Room with tea and coffee facilaties, Sun Room, Outdoor Picnic area with bbq/pizza wood fired oven. Extensive gardens and woods. Safe car parking. Undercover area for Motorbikes and bicycles. Yoga classes and therapeutic Baths (extra cost). Wifi. Use of water hose, dry place to hang wet gear.“
Castlehacket takes its name from the Hackett family who owned the land prior to the Kirwans.
Mark Bence-Jones tells us (1988):
p. 70. “[Kirwan, sub Paley; Bernard, sub Bandon; Paley 1969] An early C18 centre block of 3 storeys over a basement, with 2 storey wings added later in C18, and a late C19 wing at the back. Burnt 1923; rebuilt 1928-9, without one of C18 wings and the top storey of the centre block. The seat of the Kirwans, inherited by Mrs. P.B. Bernard (nee Kirwan) 1875. Passed from Lt Gen Sir Denis Barnard 1956 to his nephew Percy Paley, who had a notable genealogical library here.”
The National Inventory describes it: “two-storey country house over basement, built c.1760 and rebuilt 1929 after being burnt in 1923. Eight-bay entrance front faces north onto large courtyard with gateway, has one-bay projections to each side of entrance bay, flat-roofed porch between projections, and two-bay east side elevation, and with slightly lower four-bay two-storey over basement service wing at west side and stables at east. Seven-bay garden front faces south, with pair of full-height canted bows on either side of central two bays, and is continued by slightly lower three-bay two-storey over basement block terminating in further rounded corner bay, to join with four-bay two-storey over basement service wing on west side of courtyard…Garden front has render frieze to parapet, with medallions separated by fluting…Porch has open arch to exterior, supported on columns with Temple of the Winds-style capitals, and approached by flight of steps. West bow of garden front has round-headed doorway with glazed timber door and fanlight and approached by three limestone steps. Garden to south of house bounded by low hedge, with parkland and sheep grazing beyond.
“This large country house displays mid-eighteenth-century, nineteenth-century and early twentieth-century work. The modestly presented front elevation is enhanced by the projecting bays and arched entrance. The brick bows to the garden elevation contrast nicely with the plain rendered walls elsewhere, and the decorated frieze and other details add interest and incident. The large lower block and service wing greatly enlarged the house and the fine accompanying stable block and demesne gateways provide a setting of considerable quality and interest.“
“Stay in one of our five beautiful rooms (Old Mill Rooms, Salmon Pool & Abbey Rooms). The River Room is situated beside the Castle on the banks of the River Clare in the village of Claregalway. Just 10km from Galway City Centre and within walking distance of a bus stop, restaurants/bars and the stunning Abbey. This family room is very comfortable with under-floor heating and luxurious bedding. Includes complimentary wine, tea/coffee & a generous continental breakfast.
“Claregalway Castle is a fully restored 15th century Anglo-Norman tower house and together with the castle grounds is a fabulous opportunity to savour the history while enjoying the comfort of your beautifully decorated and comfortable room.“
“Claregalway castle was the chief fortress of the powerful Clanricard de Burgo or Burke family from the early 1400s to the mid-1600s. The Clanricard Burkes were descended from William de Burgh, an English knight of Norman ancestry who led the colonial expansion into Connacht in the early 1200s. His brother Hubert was Justiciar of England. William became the progenitor of one of the most illustrious families in Ireland.“
The visit Galway website tells us: “Claregalway Castle was believed to have been built in the 1440’s as a stronghold to the De Burgo (Burke) family. The castle was strategically placed on a low crossing point of the Clare River, allowing the De Burgo family to control the water and land trade routes.
“In the past, the castle would have featured a high bawn/defensive wall, an imposing gate-house and a moat. The Battle of Knockdoe in 1504, was one of the largest pitched battles in Medieval Irish history, involving an estimated 10,000 combatants. On the eve of the battle, Ulick Finn Burke stayed at the Castle (which was 5km’s from the battle ground), drinking and playing cards with his troops. The Burke family lost the battle and the castle was later captured by the opponents, the Fitzgerald family.
“In the 1600’s, Ulick Burke, 5th Earl of Clanricarde [1st Marquess Clanricarde], held the castle however it was captured by Oliver Cromwell in 1651 who made the castle his headquarters. English military garrison occupied the castle in the early 1700’s and by the end of the 1700’s, the castle was described as going into decline and disrepair. During the War of Independence in 1919-21, the British once again used the castle as a garrison and a prison for I.R.A soldiers. In the later 1900’s, the famous actor Orson Welles is believed to have stayed at the castle as a 16 year old boy.
“Today, the castle has been fully restored to its former glory.” [6]
10. Cregg Castle, Corrandulla, Co Galway – Airbnb€
The listing tells us that “Cregg Castle is a magical place built in 1648 by the Kirwin Family, one of the 12 tribes of Galway. It is set on 180 acres of pasture and beautiful woodlands. Your host, Artist Alan Murray who currently hosts the Gallery of Angels in the main rooms.“
p. 94. “A tower house built 1648 by a member of the Kirwan family [I think it was Patrick Kirwan (c. 1625-1679)]. And said to have been the last fortified dwelling to be built west of the Shannon; given sash-windows and otherwise altered in Georgian times, and enlarged with a wing on either side: that to the right being as high as the original building, and with a gable; that to the left being lower, and battlemented. In C18 it was the home of the great chemist and natural philosopher Richard Kirwan [1733-1812], whose laboratory, now roofless, still stands in the garden. It was acquired ca 1780 by James Blake [c. 1755-1818].”
Richard Kirwan married Anne Blake, daughter of Thomas (1701-1749), 7th Baronet Blake of Galway.
Mark Bence-Jones continues: “The hall, entered through a rusticated round-headed doorway with a perron and double steps, has a black marble chimneypiece with the Blake coat of arms. The dining room has a plasterwork ceiling. Sold 1947 by Mrs Christopher Kerins (nee Blake) to Mr and Mrs Alexander Johnston. Re-sold 1972 to Mr Martin Murray, owner of the Salthill Hotel, near Galway.”
Alan who now lives in the castle is, I believe, a nephew of Martin Murray of the Salthill Hotel.
Cregg Castle, Corrandulla, County Galway, July 2021.
The National Inventory describes it:
“multi-period house, comprising tower house of 1648 at centre, later modified and refenestrated to three-bay two-storey over half-basement, flanked to west by lower two-bay two-storey with attic over half-basement block of c.1780 with two-bay gable elevation, and to east by slightly lower three-bay three-storey over half-basement L-plan block of c. 1870 with gables over eastmost bay of front and rear elevations. Lower four-storey return block at right angles to rear of middle and west blocks, having two-bay elevations. Further two-bay single-storey block to rear of four-storey return, two-bay two-storey block to west of west block and with single-storey block further west again.“
“Crocnaraw Country House is an Irish Georgian Country Guest House (note we’re not a Hotel as such) by Ballinakill Bay,10 kilometres from Clifden, Connemara-on the Galway-Westport road.Set in 8 hectares of gardens and fields with fine views,Crocnaraw Country House has been winner of the National Guest House Gardens Competition for 4 years. This independently run Country Inn is noted for Irish hospitality and informality but without a sense of casualness.The House is tastefully and cheerfully decorated, each of its bedrooms being distinctively furnished to ensure the personal well-being of Guests. Fully licensed Crocnaraw Country House’s excellent cuisine is based on locally sourced fish and meat as well as eggs,fresh vegetables, salads and fruits from kitchen garden and orchard. Moyard is centrally located for Salmon and Trout fishing, deep-sea Angling, Championship Golf-Courses and many more recreational activities in the Clifden and Letterfrack Region of Connemara in County Galway.”
The National Inventory tells us that the house is a L-plan six-bay two-storey two-pile house, built c.1850, having crenellated full-height canted bay to south-east side elevation. Recent flat-roof two-storey extension to north-east…”Originally named Rockfield House, this building has undergone many alterations over time, the crenellated bay being an interesting addition. The area was leased by Thomas Butler as a Protestant orphanage and was known locally as ‘The Forty Boys’. The retention of timber sash windows enhances the building. The road entrance sets the house off plesantly.“
12. Currarevagh, Oughterard, Co Galway – country house hotel€€
Currarevagh House, photograph from house website.Currarevagh House, photograph from house website.
The website tells us:
“Currarevagh House is a gracious early Victorian Country House, set in 180 acres of private parkland and woodland bordering on Lough Corrib. We offer an oasis of privacy for guests in an idyllic, undisturbed natural environment, providing exceptional personal service with a high standard of accommodation and old fashioned, traditional character. A genuine warm welcome from the owners.“
Currarevagh House, photograph from house website.
“Currarevagh House was built by the present owner’s great, great, great, great grandfather in 1842, however our history can be traced further back. The seat of the Hodgson Family in the 1600s was in Whitehaven, in the North of England, where they owned many mining interests. Towards the end of the 17th Century, Henry William Hodgson moved to Arklow and commenced mining for lead in Co Wicklow. A keen angler and shot he travelled much of Ireland to fulfil his sport (not too easy in those days), and during the course of a visit to the West of Ireland decided to prospect for copper. This he found along the Hill of Doon Road. At much the same time he discovered lead on the other side of Oughterard. So encouraged was he that he moved to Galway and bought Merlin Park (then a large house on the Eastern outskirts of Galway, now a Hospital) from the Blake family and commenced mining. As Galway was some distance from the mining activities he wanted a house closer to Oughterard. Currarevagh (not the present house, but an early 18th century house about 100m from the present house) was then owned by the O’Flaherties – the largest clan in Connaught – and, though no proof can be found, we believe that he purchased it from the O’Flaherties. However a more romantic story says he won it and 28,000 acres in a game of cards. The estate spread beyond Maam Cross in the heart of Connemara, and to beyond Maam Bridge in the North of Connemara. As the mining developed so the need for transportation of the ore became increasingly difficult until eventually two steamers (“the Lioness” and “the Tigress”) were bought. These, the first on Corrib, delivered the ore to Galway and returned with goods and passengers stopping at the piers of various villages on the way. All apparently went very well. The present house was built in 1842, suggesting a renewed wealth and success. No sooner however was present Currarevagh completed, then the 1850’s saw disaster. A combination of British export law changes, and vast seems of copper ore discovered in Spain and South America, heralded the end of mining activity in Ireland. The family, who were fairly substantial land owners at this stage, got involved in various projects, from fish farming to turf production – inventing the briquette in the process. Certainly Currarevagh was been run as a sporting lodge for paying guests by 1890 by my great grandfather; indeed we have a brochure dated 1900 with instructions from London Euston Railway Station. This we believe makes it the oldest in Ireland; certainly the oldest in continuous ownership. After the Irish Civil War of the 1920s the Free State was formed and many of the larger Estates were broken up for distribution amongst tenants. This included Currarevagh, even though they were not absentee landlords and had bought all their land in the first place. Landlords were assured they would be paid 5 shillings (approx 25c) an acre, however this redemption was never honoured, and effectively 10’s of thousands of acres were confiscated by the new state, leaving Currarevagh with no income, apart from the rare intrepid paying guest. At one stage a non local cell of the Free Staters (an early version of the IRA) tried to blow up Currarevagh, planting explosive under what is currently the dining room. However the plan was discovered before hand, and the explosive made safe. From then on a member of the local IRA cell remained at the gates of Currarevagh to warn off any of the marauding out of towners, saying Currarevagh was not to be touched. Evidently they were well integrated into the community, and indeed during the famine years it seems they did as much as they could to help alleviate local suffering. Indeed there is a famine graveyard on our estate; this was because the local people became too week to bring the dead to Oughterard. It is also one of the few burial grounds to contain a Protestant consecrated section. Having got through the 1920s and 30s, Currarevagh again got in financial trouble during the second world war: although paying guests did come to Ireland (mainly as rationing was not so strict here), the original house was put up for sale. It did not sell, and eventually was pulled down in 1946, leaving just Currarevagh House as it stands today. In 1947 it was the first country house to open as a restaurant to no staying guests; still, of course, the situation today.”
The website tells us: “A delightful 1830s country house, fishing lodge and hotel in one of the most spectacular settings in Connemara Ireland. It offers charming accommodation, glorious scenery, great food and total tranquillity. Located in a wild and unspoilt valley of extraordinary beauty, the 1000-acre Delphi estate is one of Ireland’s hidden treasures…
“The Marquis of Sligo (Westport House) builds Delphi Lodge as a hunting/fishing lodge and is reputed to have named it “Delphi” based on the valley’s alleged similarity to the home of the Oracle in Greece.“
Delphi Fishing Lodge, abt. 1842, photograph courtesy of National Gallery of Ireland.Delphi Lodge, 2014, for Tourism Ireland, Ireland’s Content Pool (see [7]).John Denis Browne, 1st Marquess of Sligo, 1806 by engraver William Whiston Barney after John Opie, courtesy of National Gallery of Ireland.
“Connemara cottage, four hundred yards off the coast road, 10 km from Roundstone and 4 km from Ballyconneely.
“Emlaghmore Cottage was built in stone in about 1905, with just three rooms, and was extended in the 1960s to make a holiday home for a family. It stands on about ¾ acre running down to Maumeen lake, and is about 400 yards off the coast road (The Wild Atlantic Way) in a secluded situation with fine views. It has a shed with a supply of turf for the open fire in the living room, and garden furniture. There is a boat for anglers on the lake.“
Mark Bence-Jones tells us (1988): p. 138. “(Palmer, sub De Stacpoole/IFR) A long plain two storey house built onto slender tower with pointed openings near the top. The seat of the Palmer family.”
The estate belonged to the Ffrench family in the 1750s, an Anglo-Norman family. It was originally named Kentfield House, before becoming Glenlow or Glenlo, derived from the Irish Gleann Locha meaning “glen of the lake.” The adjacent abbey was built in the 1790s as a private church for the family but was never consecrated. In 1846 the house was put up for sale. It was purchased by the Blakes.
In 1897 it was purchased by the Palmers. In the 1980s it was sold to the Bourke family, who converted it to a hotel.
In 1990s two carriages from the Orient Express train were purchased and they form a unique restaurant.
Kilcolgan Castle, photograph courtesy of airbnb castle entry.
Mark Bence-Jones tells us (1988):
p. 165. “(St. George, sub French/IFR; Blyth, B/PB; Ffrench, B/PB) A small early C19 castle, built ca 1801 by Christopher St. George, the builder of the nearby Tyrone House, who retired here with a “chere amie” having handed over Tyrone House to his son [Christopher St George was born Christopher French, adding St George to his surname to comply with his Great-Grandfather, George St George (c. 1658-1735) 1st Baron Saint George of Hatley Saint George in Counties Leitrim and Roscommon]. It consists of three storey square tower with battlements and crockets and a single-storey battlemented and buttressed range. The windows appear to have been subsequently altered. The castle served as a dower house for Tyrone, and was occupied by Miss Matilda St George after Tyrone was abandoned by the family 1905; it was sold after her death, 1925. Subsequent owners included Mr Martin Niland, TD; Mr Arthur Penberthy; Lord Blyth; and Mrs T.A.C.Agnew (sister of 7th and present Lord Ffrench); it is now owned by Mr John Maitland.”
Kilcolgan Castle, photograph courtesy of airbnb castle entry.Kilcolgan Castle, photograph courtesy of airbnb castle entry.Kilcolgan Castle, photograph courtesy of airbnb castle entry.Kilcolgan Castle, photograph courtesy of airbnb castle entry.
18. Lisdonagh House, Caherlistrane, Co. GalwayH91 PFW6 – section 482 – whole house rental and self-catering cottages.
www.lisdonagh.com (Tourist Accommodation Facility) Open: May 1-Oct 31st
“When looking for an authentic Irish country house to hire, the beautiful 18th century early Georgian Heritage home is the perfect choice. Lisdonagh House is large enough to accommodate families, friends and groups for private gatherings. This private manor house is available for exclusive hire when planning your next vacation or special event. Enchantingly elegant, Lisdonagh Manor House in Galway has been lovingly restored and boasts original features as well as an extensive antiques collection. Peacefully set in secluded woodland surrounded by green fields and magnificent private lake, this luxury rental in Galway is full of traditional character and charm. The tasteful decor pays homage to the history of Lisdonagh Manor with rich and warm colours in each room. The private estate in Galway is perfect for family holidays, celebrations and Board of Director strategy meetings. Lisdonagh is an excellent base for touring Galway, Mayo and the Wild Atlantic Way.“
Lisdonagh House, photograph from website.Lisdonagh House, photograph from website.Lisdonagh House, photograph from website.
It has two cottages, a coach house and gate lodge accommodation also.
Lughnasa Villa at Lisdonagh House, photograph from website.Coach House atLisdonagh House, photograph from website.Gate Lodge atLisdonagh House, photograph from website.
19. Lough Cutra Castle, County Galway, holiday cottages
“Nestled into the Northern corner of the courtyard, this beautifully appointed self catering cottage can sleep up to six guests – with private entrance and parking. Built during 1846 as part of a programme to provide famine relief during the Great Potato Famine of the time, it originally housed stabling for some of the many horses that were needed to run a large country estate such as Lough Cutra. In the 1920’s the Gough family, who were the then owners of the Estate, closed up the Castle and converted several areas of the courtyard including Cormorant into a large residence for themselves. They brought with them many original features from the Castle, such as wooden panelling and oak floorboards from the main Castle dining room and marble fireplaces from the bedrooms.
“We have furnished and decorated the home to provide a luxuriously comfortable and private stay to our guests. Each unique courtyard home combines the history and heritage of the estate and buildings with modern conveniences.“
Lough Cutra castle, photograph from Lough Cutra website.
The website gives us a detailed history of the castle:
“Lough Cutra Castle and Estate has a long and varied history, from famine relief to the billeting of soldiers, to a period as a convent and eventually life as a private home. It was designed by John Nash who worked on Buckingham Palace, and has been host to exclusive guests such as Irish President Michael D Higgins, His Royal Highness Prince Charles and Duchess of Cornwall Camilla, Bob Geldof, Lady Augusta Gregory and WB Yeats. The countryside surrounding Lough Cutra holds many a story, dating back centuries.“
Lough Cutra castle, photograph from Lough Cutra website.
“The extensive history of the Lough Cutra Castle and Estate can be traced back as far as 866 AD. It is quite likely that Ireland’s patron saint, Saint Patrick, passed Lough Cutra on his travels and also Saint Colman MacDuagh as he was a relative of nearby Gort’s King Guaire. The round tower Kilmacduagh built in his honour is an amazing site to visit near Lough Cutra. The countryside surrounding Lough Cutra holds stories for the centuries, all the way back to the Tuatha De Danann.
“The immediate grounds of the 600 acre estate are rich in remnants of churches, cells and monasteries due to the introduction of Christianity. A number of the islands on the lake contain the remnants of stone altars.
“The hillsides surrounding Lough Cutra contain evidence of the tribal struggle between the Firbolgs and the Tuatha De Danann (the Firbolgs and the Tuatha De Danann were tribes said to have existed in Ireland). These are from around the times of the Danish invasion. The ruined church of nearby Beagh on the North West shore was sacked by the Danes in 866 AD and war raged through the district for nearly 1000 years. In 1601 John O’Shaughnessy and Redmond Burke camped on the shores of the lake while they plundered the district.“
Lough Cutra castle, photograph from Lough Cutra website.
“In 1678, Sir Roger O’Shaughnessy inherited from Sir Dermot all the O’Shaughnessy’s Irish land – nearly 13,000 acres – and this included Gort and 2,000 acres around Lough Cutra and the lake itself. Following the revolution during which Sir Roger died of ill health, the Gort lands were seized and presented to Thomas Prendergast. This was one of the oldest families in Ireland. Sir Thomas came to Ireland on King William’s death in 1701 and lived in County Monaghan. The title to the lands was confused, but was in the process of being resolved when Sir Thomas was killed during the Spanish Wars in 1709. His widow, Lady Penelope decided to let the lands around the lake and the islands. On these islands, large numbers of apple, pear and cherry trees were planted, and some still survive today. The land struggle continued as the O’Shaughnessy’s tried to lay claim to the lands that had been taken from them by King William. In 1742 the government confirmed the Prendergast title, but it was not until 1753 that Roebuck O’Shaughnessy accepted a sum of money in return for giving up the claim.
“Following Sir Thomas’s death, John Prendergast Smyth inherited the Gort Estate. It was John who created the roads and planted trees, particularly around the Punchbowl where the Gort River disappears on its way to Gort and Coole. John lived next to the river bridge in Gort when in the area. This area is now known as the Convent, Bank of Ireland and the old Glynn’s Hotel which is now a local restaurant. When John died in 1797 he was succeeded by his nephew, Colonel Charles Vereker who in 1816 became Viscount Gort. The estate at this time was around 12,000 acres.“
Lough Cutra castle, photograph from Lough Cutra website.
“When the estate was inherited by Colonel Vereker in 1797 he decided to employ the world renowned architect John Nash to design the Gothic Style building now known as Lough Cutra Castle. Colonel Vereker had visited Nash’s East Cowes Castle on the Isle of Wight and was so taken with it that he commissioned the construction of a similar building on his lands on the shore of Lough Cutra. Nash also designed Mitchelstown Castle, Regents Park Crescent, his own East Cowes Castle, as well as being involved in the construction of Buckingham Palace.
“The Castle itself was built during the Gothic revival period and is idyllically situated overlooking the Estate’s 1000 acre lake. The building of the castle was overseen by the Pain brothers, who later designed and built the Gate House at Dromoland. The original building included 25 basement rooms and the cost of the building was estimated at 80,000 pounds. While the exact dates of construction are not known the building commenced around 1809 and went on for a number of years. We know that it had nearly been finished by 1817 due to a reference in a contemporary local paper.“
Colonel Charles Vereker, M.P., (1768-1842), Constable of Limerick Castle, later 2nd Viscount Gort Engraver James Heath, English, 1757-1834 After John Comerford, Irish, 1770-1832, photograph courtesy of National Gallery of Ireland.
“The Viscount Gort was forced to sell the Castle and Estate in the Late 1840s having bankrupted himself as a result of creating famine relief. The Estate was purchased by General Sir William Gough, an eminent British General. The Gough’s set about refurbishing the Castle to their own taste and undertook further construction work adding large extensions to the original building, including a clock tower and servant quarters. Great attention was paid to the planting of trees, location of the deer park, and creation of new avenues. An American garden was created to the south west of the Castle. The entire building operations were completed in 1858 and 1859.
“A further extension, known as the Museum Wing, was built at the end of the nineteenth century to house the war spoils of General Sir William Gough by his Grandson. This was subsequently demolished in the 1950s and the cut stone taken to rebuild Bunratty Castle in County Clare.
“In the 1920s the family moved out of the Castle as they could not afford the running costs. Some of the stables in the Courtyards were converted into a residence for them. The Castle was effectively closed up for the next forty years, although during WWII the Irish army was billeted within the Castle and on the Estate.“
Lough Cutra castle, photograph from Lough Cutra website.
“The Estate changed hands several times between the 1930s and the 1960s when it was purchased by descendants of the First Viscount Gort. They took on the task of refurbishing the Castle during the late 1960s. Having completed the project, it was then bought by the present owner’s family.
“In more recent years there has begun another refurbishment programme to the Castle and the Estate generally. In 2003 a new roof was completed on the main body of the Castle, with some of the tower roofs also being refurbished. There has been much done also to the internal dressings of the Castle bringing the building up to a modern standard. Around the Estate there has been reconstruction and rebuilding works in the gate lodges and courtyards. There has also begun extensive works to some of the woodlands in order to try and retain the earlier character of the Estate.
“It is envisaged that more works will be undertaken over the coming years as the history and legend of Lough Cutra continues to build.“
“Lough InaghLodge was built on the shores of Lough Inagh in the 1880. It was part of the Martin Estate (Richard “Humanity Dick” Martin of Ballynahinch Castle) as one of its fishing lodges. It was later purchased by Richard Berridge, a London brewer who used the building as a fishing lodge in the 1880’s. It passed through the hands of the Tennent family, and then to Carroll Industries until 1989 it was redeveloped by the O’Connor family back to its former glory into a modern bespoke boutique lodge.”
21. Oranmore Castle, County Galway, H91TFT6 – section 482 accommodation
“The Oranmore Lodge Hotel is a four-star family-run hotel that has earned the reputation of being a “home away from home”, situated in Oranmore, a popular village bursting with life and character. From the moment you arrive, take in the beautiful surroundings and unique character of the building that will encourage you to relax and leave it all behind. Guests have enjoyed our Irish hospitality for over 150 years.“
The National Inventory tells us:
“The Oranmore Lodge Hotel was formerly the residence of the Blake Butler family. The house was altered in the late nineteenth century and its name changed from Mount Vernon to Thornpark, and the steep gables, bay windows and crenellations are typical of that era. An interesting symmetrical elevation, enhanced by the family shield with motto. It retains much original fabric notwithstanding its extension on both sides.“
“Built for the Harbour Master nearly 200 years ago, The Quay House has been sensitively restored and now offers guest accommodation in fourteen bedrooms (all different) with full bathrooms – all but three overlook the Harbour. Family portraits, period furniture, cosy fires and a warm Irish welcome make for a unique atmosphere of comfort and fun.
“The owners, Paddy and Julia Foyle, are always on hand for advice on fishing, golfing, riding, walking, swimming, sailing, dining, etc – all close by.
“The Quay House is Clifden’s oldest building, dating from C1820. It was originally the Harbour Master’s house but later became a Franciscan monastery, then a convent and finally a hotel owned by the Pye family. Now providing Town House Accommodation in Clifen, it is run by the Foyle family, whose forebears have been entertaining guests in Connemara for nearly a century.
“The Quay House stands right on the harbour, just 7 minutes walk from Clifden town centre. All rooms are individually furnished with some good antiques and original paintings; several have working fireplaces. All have large bathrooms with tubs and showers and there is also one ground floor room for wheelchair users.“
The Quay House hotel, Clifden, County Galway, photograph by James Fennell 2014 for Tourism Ireland, Ireland’s Content Pool (see [7]).The Quay House hotel, Clifden, County Galway, photograph by James Fennell 2014 for Tourism Ireland, Ireland’s Content Pool (see [7]).The Quay House hotel, Clifden, County Galway, photograph by James Fennell 2014 for Tourism Ireland, Ireland’s Content Pool (see [7]).The Quay House hotel, Clifden, County Galway, photograph by James Fennell 2014 for Tourism Ireland, Ireland’s Content Pool (see [7]).
The website tells us: “First opened as a hotel in 1883, it is spectacularly located on a 150 acre estate on the shores of the Wild Atlantic Way in Connemara, Co. Galway. The grounds include a private freshwater lake for fishing and boating, a beach, woodlands, gardens and numerous activities on site including tennis, croquet, outdoor heated swimming pool, canoeing and shore angling. For a unique location, an award winning Restaurant, comfortable bedrooms and a truly uplifting break, here, the only stress is on relaxation.
“Its often-turbulent history has mirrored the change of circumstances and troubled history of Ireland, but it has been resilient and survived. Renvyle House was once home of the Chieftain and one of the oldest and most powerful Gaelic clans in Connacht; that of Donal O’Flaherty, who had a house on the site since the 12th Century where the hotel stands today.
“The Blakes (one of the 14 Tribes of Galway) bought 2,000 acres of confiscated O’Flaherty land in 1689. They leased it to the senior O’Flaherty family until the Blakes took up residence in 1822. Before then the ‘Big House’ was a thatched cabin 20ft by 60ft and one storey high. Henry Blake implemented major improvements to make it more compatible to a man of his means. The timber used in the building of the house extension was said to have been from a shipwreck in the bay. The thatch was replaced with slate roof and he added another storey. In 1825 the Blake family published the ‘Letters from the Irish Highlands’ describing the life and conditions in Connemara at that time. His widow, Caroline Johanna opened it first as a hotel in 1883. ‘Through Connemara in a Governess Cart’ published in 1893, written by Edith Somerville and Violet Martin. In this beautifully illustrated book, they visit Ballynahinch Castle, Kylemore Abbey and Renvyle House.“
I imagine that Edith Somerville, when she illustrated their book, Through Connemara in a Governess Cart (published 1893), had herself and her cousin in mind when she drew this picture. Photograph care of the British Library.
“The house was sold before the War of Independence In 1917 to surgeon, statesman and poet Oliver St.John Gogarty played host to countless distinguished friends including Augustus John, W.B. Yeats (who came on his honeymoon to Renvyle House and Yeat’s first Noh play was first performed in the Long Lounge). Indeed in 1928 Gogarty had a flying visit from aviator Lady Mary Heath and her husband which was well documented. The House was burned to the ground during the Irish Civil War in 1923 by the IRA, as were many other home of government supporters; along with Gogarty’s priceless library. The house was rebuilt by Gogarty as a hotel in the late 1920’s in the Arts & Crafts design of that era. “My house..stands on a lake, but it stands also on the sea – waterlilies meet the golden seaweed…at this, the world’s end” Oliver St. John Gogarty.
“The war years were difficult times although the hotel stayed open all year round. Dr. Donny Coyle visited Renvyle house in July 1944 with friends and as fate would have it, he bought it with friends Mr. John Allen and Mr. Michael O’Malley in 1952 from the Gogarty estate and they reopened it on the 4th July that year.
“The 1958 brochure announced new facilities in the hotel bedrooms. “Shoe cleaning. Shoe polishing and shining materials are in each room, just lift the lid of the wooden shoe rest.” Guests were also informed that dinner was served from 7.30pm to 9pm, and that they were not to go hungry through politeness. “Don’t be shy, if you’d like a little more, please ask.” – and that ethos of hospitality remains to this day.
“It remains in the Coyle family to this day, owned by Donny’s son John Coyle and his wife Sally.Their eldest daughter Zoë Fitzgerald is also involved with the hotel, is the Marketing Director and Chairman of the Board.“
The website tells us: “Resting on the quiet shores of Ballinakill Bay, and beautifully secluded within 30 acres of its own private woodland, Rosleague Manor in Connemara is one of Ireland’s finest regency hotels.“
The National Inventory tells us: “Attached L-plan three-bay two-storey house, built c.1830, facing north-east and having gabled two-storey block to rear and multiple recent additions to rear built 1950-2000, now in use as hotel…This house is notable for its margined timber sash windows and timber porch. The various additions have been built in a sympathetic fashion with many features echoing the historic models present in the original house.”
“Ross Lake House Hotel in Galway is a splendid 19th Century Georgian House. Built in 1850, this charming Galway hotel is formerly an estate house of the landed gentry, who prized it for its serenity. Set amidst rambling woods and rolling lawns, it is truly a haven of peace and tranquillity. Echoes of gracious living are carried throughout the house from the elegant drawing room to the cosy library bar and intimate dining room.“
“Tucked away in the idyllic surrounds of Camus Bay, experience the best of Connemara at one of Ireland’s finest Victorian country homes, Screebe House.
“Built in 1872 as a fishing lodge and lovingly restored by the Burkart family in 2010, Screebe House offers guests an experience of luxury comfort, and effortless charm. With open fireplaces, high ceilings and heritage décor, Screebe’s elegant spaces evoke a sense of grandeur and provide the perfect setting to read a good book or savour a delicious glass of wine while taking in the breathtaking Connemara scenery.
“Screebe, originating from the Irish word ‘scribe’ meaning destination, is ideally located for those who want to explore the stunning scenery of Connemara or partake in a wealth of activities available, from renting bikes to fishing, deer spotting, swimming, hiking, and more. Screebe’s privately owned estate extends 45,000 acres, one of the largest estates in the country.“
Whole House Accommodation and Weddings, County Galway:
“Surrounded by seven acres of lawns, park and woodland, Carraigin Castle is an idyllic holiday home in a beautiful setting on the shores of Lough Corrib, one of Ireland’s biggest lakes, famous for its brown trout and its multitude of picturesque islands. From the Castle one can enjoy boating and fishing on the lake, walking, riding and sightseeing all over Galway and Mayo, or just relax by the open hearth and contemplate the charm and simple grandeur of this ancient dwelling, a rare and beautiful example of a fortified, medieval “hall house”.
“Family groups or close friends will love the relaxed atmosphere of this authentic 13th-century manor house, which has been restored by the present owner after languishing for more than two centuries as a crumbling, roofless ruin. Carraigin’s church-like structure sits on a rise reached by an avenue across the tree-lined Pleasure Ground.“
The History:
“Despite its massive, castellated walls, Carraigin was never a mere fortress, but rather, an elegant home where a land-owning family could live securely in turbulent times. For some ten generations, the castle housed the descendants of its founder, Adam Gaynard III, grandson of a Norman adventurer who had taken part in the colonisation of the neighbourhood by the great de Burgo conquerors in 1238.
“Towards 1650, another military adventurer, George Staunton, acquired “the castle and lands of Cargin”, which his descendants continued to own until 1946. By, then, the castle had long been abandoned. Stripped of its roof in the early 18th century, Carraigin’s relatively recent upper storeys and finer stonework were demolished and burned to make lime for the construction of the nearby Georgian mansion which replaced it.
“However, the solid masonry core of the original 13th Century building had been constructed with such skill that it weathered centuries of neglect, surviving as a romantic, ivy-covered ruin until, in 1970, the castle was restored to its original form and purpose.“
The Interior: “The ancient-looking, nail-studded front door on the ground floor, often mistaken for an authentic antiquity, was actually made by the owner during the building’s restoration in the 1970s. Round the corner, an imposing stone staircase leads to another grand entrance, into the lofty, oak-beamed Great Hall featuring a wide, stone-arched fireplace that provides a comforting aroma of turf and wood-smoke.
“The Great Hall is the central living and dining area of the castle. It features a mix of old oak and comfortable modern furniture surrounding the welcoming hearth. Its white walls are extensively decorated with art including tapestries, brass rubbing portraits of ancient kings and knights and a magnificent triptych featuring a Galway galleon (as on that city’s coat of arms). There is a tiny but well-equipped kitchen next door with a view over the tall trees of the Pleasure Ground.
“On the same level as the Hall is an oak-beamed double bedroom with a king-size bed and bathroom. A stone staircase winds upwards over this master bedroom to a family loft room overlooking the Great Hall. Another winding stairs leads up to a little single bedroom in the corner tower. From both of these second-floor rooms you can stroll out onto the castle parapets with fabulous views of Lough Corrib and the hills of Connemara and Mayo, and even those of Clare, on the other side of Galway Bay.
“The rest of you sleep in the four cosy ‘Vaults’ on the ground floor below, their walls also lined with tapestries and other artworks. The Vaults have much picturesque charm with their oak-timbered partitions, arches and vaulted ceilings, and they work if you know each other well as the rooms lead one into the other. Vault I, the largest of the four, sleeps two in bunk-beds and features a fair-sized work table and chairs for busy teenagers and a mini-sofa for one or two in the window embrasure. Vault II (off No. 1) has a double bed and a similar window seat. Vault III (also off No.1) has one double and one single bed and a window seat. Vault III in turn gives access to Vault IV, a small single room with a three-light gothic window looking out at the standing stone sundial on the lawn.“
2. Cloghan Castle, near Loughrea, County Galway– whole castle accommodation and weddings, €€€ for two.
“An air of historic grandeur and authenticity is the initial impression upon arrival at Cloughan Castle. Follow the long sweeping driveway surrounded with breath-taking countryside views, to the beautifully restored castle with its ornamental stonework & imposing four storey tower. Sitting within several acres of matured woodlands with striking panoramic countryside views, this lovingly restored 13th-century castle holds its historic past with a character that blends effortlessly with elegance and comfort.
“Find yourself immersed in unrivalled castle comfort with the ultimate mix of homeliness & grandeur, the most appealing destination for those seeking exclusivity & privacy. A combination of seven magnificently appointed bedrooms, two versatile reception rooms, complete with an idyllic backdrop, ensures a truly memorable occasion to be long remembered. Cloughan Castle offers complete exclusivity for all occasions, from an intimate family getaway to a private party celebration, to a truly magical wedding location.“
The Visit Galway website tells us:
“Cloghan Castle near Loughrea in Galway, was originally built as an out-post fortification in the 12th century by an Anglo-Norman family. The castle was last inhabited by Hugh de Burgo, a son of Walter de Burgo, Earl of Ulster, in the 15th century.
“In 1973, Cloghan Castle was a derelict ruin and all that remained of the fortified Norman keep, built in 1239, were the walls of the tower house. Its current owner, Michael Burke, always had an interest in history and seeing the ruined castle on a neighbour’s land he thought it would be a nice idea to restore it.
“The aim of the restoration work was to recreate what it was like to live in a medieval castle, but without having to suffer the deprivation of 13th century living. The meticulous and historically accurate restoration programme was completed in the December of 1996 and the castle now plays host and venue to numerous weddings each year.“
[3] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
[4]To read a fantastic summary of the history of Castle Ellen and more information on the house, read David Hicks blog here.
There has also been some fantastic work carried out by Patricia Boran (and her colleagues) at NUIG where they compiled a Landed Estates Database, which is a searchable, online database of all Landed Estates in Connacht and Munster. This database is maintained by the Moore Institute for Research in the Humanities and Social Studies, National University of Ireland, Galway. The Lambers (of Castle Ellen) can be found here. A detailed genealogical study of the Lambert family can be found at Andy Lambert’s Lambert Family
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The Swiss-Italian stuccadores were brought to Ireland from England in 1738 by Robert Fitzgerald (1675-1744) 19th Earl of Kildare, who built both Leinster House in Dublin (first known as Kildare House until his son was raised to be Earl of Leinster) and Carton House.
Going back to its origins, the estate of Riverstown was purchased by Edward Browne (b. 1676), Mayor of Cork. He married Judith, the heiress daughter of Warham Jemmett (b. 1637), who lived in County Cork. The present house possibly dates from the mid 1730s, Frank Keohane tells us in Buildings of Ireland: Cork City and County. [2] A hopper with the date 1753 probably records alterations, when the gable end at one side was replaced by full-height canted bays.
Mark Bence-Jones describes Riverstown in his A Guide to Irish Country Houses (1988):
“…The house consists of a double gable-ended block of two storeys over a basement which is concealed on the entrance front, but which forms an extra storey on the garden front, where the ground falls away steeply; and a three-storey one bay tower-like addition at one end, which has two bows on its side elevation. The main block has a four bay entrance front, with a doorway flanked by narrow windows not centrally placed.” [3]
The tower-like third storey on part of the house was possibly added by architect Henry Hill around 1830, Keohane tells us. Henry Hill was an architect who worked in Cork, perhaps initially with George Richard Pain, and later with William Henry Hill and Arthur Hill.
As Riverstown and its plasterwork was described in 1750 in Smith’s History of County Cork, it must have been created before this, perhaps when Browne’s son Jemmet Browne was elevated to the position of Bishop of Cork in 1745. He later became Archbishop of Tuam.
Reverend Jemmett Browne at a meet of Foxhounds by Peter Tillemans, courtesy of Yale Centre for British Art.
Reverend Jemmett Browne gave rise to a long line of clerics. He married Alice Waterhouse, daughter of Reverend Thomas Waterhouse. His son Edward (1726-1777) became Archbishop of Cork and Ross, and a younger son, Thomas, also joined the clergy.
A portrait of Alice Waterhouse, wife of Bishop Jemmett Browne.
Edward Archbishop of Cork and Ross named his heir Jemmett (1753-1797) and he also joined the clergy. He married Frances Blennerhassett of Ballyseede, County Kerry (now a hotel and also a section 482 property, see my entry). If the tower part of the house was built in 1830 it would have been for this Jemmett Browne’s heir, another Jemmett (1787-1850).
In BeautiesofIreland (vol. 2, p. 375, published 1826), James Norris Brewer writes that: “the river of Glanmire runs through the gardens banked with serpentine canals which are well stocked with carp,tench, etc. A pleasant park stocked with deer, comes close to the garden walls. The grounds of this very respectable seat about in aged timber and the whole demesne wears an air of dignified seclusion.”
The first Jemmett Browne was friendly with Laurence Sterne, author of Tristram Shandy. The bawdiness of the novel demonstrates that clerics at the time led a different life than those of today! Jemmett Browne’s interest in fine stucco work was probably influenced by fellow clerics Bishop George Berkeley, Samuel “Premium” Madden and Bishop Robert Clayton. Samuel Madden recommended, in his Reflections and Resolutions Proper to the Gentlemen of Ireland that stucco is substituted for wainscot. [4] Bishop Clayton owned what is now called Iveagh House on St. Stephen’s Green in Dublin (see my entry, https://irishhistorichouses.com/2022/09/23/open-house-culture-night-and-heritage-week-dublin-visits/ ).
Portrait c. 1740 of Archbishop Robert Clayton (1695–1758) and Katherine née Donellan by James Latham, courtesy of National Gallery of Ireland. Known for his unorthodox views, at the time of his death Robert Clayton was facing charges of heresy.George Berkeley (1685-1753), Philosopher; Bishop of Cloyne, by John Smibert 1730 courtesy of National Portrait Gallery NPG 653.He was a friend of Reverend Jemmett Browne.
The stucco work is so important that the Office of Public Works feared it would be lost, as the house was standing empty in the 1950s before being purchased by John Dooley, father of the current owner, in around 1965. Under the direction of Raymond McGrath of the Office of Public Words, with advice from Dr. C. P. Curran, the authority on Irish decorative plasterwork, moulds were taken in 1955-6. The moulds are now displayed prominently in the home of Ireland’s President, Áras an Uachtaráin. (see my entry on the Áras in the entry on Office of Public Works properties in Dublin, https://irishhistorichouses.com/2022/01/21/office-of-public-works-properties-dublin/ )
Shortly after John Dooley purchased the property, the members of the Irish Georgian Society decided to help to restore the plasterwork.
The book published on the 50th anniversary of the Irish Georgian Society, by Robert O’Byrne, has part of a chapter on Riverstown and the Irish Georgian Society’s role in restoration of the Lafranchini plasterwork in the 1960s.
The book published on the 50th anniversary of the Irish Georgian Society has part of a chapter on Riverstown and the Irish Georgian Society’s role in restoration of the Lafranchini plasterwork in the 1960s. By this time, John Dooley had purchased Riverstown, after it has been standing empty. At the time, Dooley had not yet moved in, and the dining room was not preserved to the standard the Georgian Society would have liked. The book has a photograph of potatoes being stored in the dining room.
Photograph from Irish Georgian Society, by Robert O’Byrne. The photograph was published in the Cork Examiner in February 1965.We don’t know of course how temporary this storage was.
The entrance hall of Riverstown is also impressive, and the members of the Georgian Society also helped to clean the plasterwork in this room. The walls curve, and the room has an elegant Neoclassical Doric frieze and shapely Corinthian columns.
Mark Bence-Jones decribes: “The hall, though of modest proportions, is made elegant and interesting by columns, a plasterwork frieze and a curved inner wall, in which there is a doorcase giving directly onto an enclosed staircase of good joinery. To the left of the hall, in the three storey addition, are two bow-ended drawing rooms back to back. Straight ahead, in the middle of the garden front, is the dining room, the chief glory of Riverstown.”
The Lafranchini work in the dining room derives from Maffei’s edition of Agostini’s Gemme AnticheFigurate (1707-09). Frank Keohane notes that the Maffei’s engravings were also used for the decoration of the Apollo Room in 85 St. Stephen’s Green, Dublin, also by the Lafranchini brothers.
The ceiling at Riverstown: winged figure of Father Time, rescuing Truth from the assaults of Discord and Envy, taken from the allegorical painting by Nicholas Poussin which he painted on the ceiling in France for Cardinal Richelieu in 1641 and now hangs in the Louvre, Paris.
C. P. Curran tells us that the history of the Lafranchini brothers is obscure, but they “represent one of the successive waves of stuccodores who from quite early periods swarmed over Europe from fertile hives in the valleys of either side of the Swiss Italian Alps….They worked in some unascertained way side by side with local guildsmen and introduced new motifs and methods. Their repertory of ornament was abundant and they excelled in figure work.” [4] They executed their work in Carton in 1739, Curran tells us, and in 85 St. Stephen’s Green in 1740.
Keohane tells us that the simple eighteenth century black-marble slab chimneypiece was installed in the 1950s when the house was saved by the Dooley family from ruination. It replaced a remarkable overmantel, now in an upper room, with great scrolled jambs garlanded with flowers and tufted with acanthus, and a comic mask in the centre of the frieze which possibly depicts Bishop Browne.
The work by the members of the Irish Georgian Society on the dining room in Riverstown was complete by the end of 1965. John Dooley continued the restoration of the rest of the house, and it is now kept in beautiful condition by his son Denis and wife Rita, with many treasures collected by the Dooleys. A 1970 Irish Georgian Society Bulletin, Robert O’Byrne tells us, reported further improvements made by the Dooleys. It tells us that one of the house’s two late-eighteenth century drawing rooms adjoining the dining room:
“has been given a new dado, architraves, chimney-piece, overdoors and overmantel. These have been collected by John Lenehan of Kanturk, who rescued them from houses in Dublin that were being demolished and inserted them at Riverstown.”
The two drawing rooms do indeed have splendid over mantel and overdoors. The drawing room has been hung with green silk wall covering. The Dooleys have shown fine taste for the decoration and maintenance of the rooms and I suspect John Dooley knew what he was doing when he purchased and thus saved the house.
A fine wooden staircase brings us upstairs to a spacious lobby containing a Ladies’ conversation chair. Keohane suggests the stair may have originally been open to the front hall, but is now hidden by a screen wall. He writes that this arrangement probably dates from c. 1784, when Phineas Bagnell was granted a long lease of the house.
The owners’ bedroom has an extraordinary carved marble mantel. It was probably originally in the room with the Lafranchini stuccowork. It has great scrolled jambs garlanded with flowers and tufted with acanthus, and a comic mask in the centre of the frieze which possibly depicts Bishop Browne, Frank Keohane tells us.
The Dooleys have a garden centre, which is situated behind the house. They maintain the gardens with its rolling lawns beautifully. The Glanmire river passes by the bottom of the garden.
[1] https://repository.dri.ie/catalog [2] p. 556, Keohane, Frank. Buildings of Ireland: Cork City and County. Yale University Press, New Haven and London, 2020.
[3] Bence-Jones, Mark A Guide to IrishCountryHouses. (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
[4] Curran, C.P. RiverstownHouseGlanmire, County Cork and the Francini. A leaflet given to us by Denis Dooley.
“In 1658, the “Down Survey” records that Ardgillan was owned by a wine merchant, Robert Usher of Tallaght, Dublin and by 1737, the property had been acquired by the Reverend Robert Taylor, one of the Headfort Taylors [of Headfort House, County Meath – of which later part became a school and part kept as a residence, and the east wing was advertised for sale in November 2019. The Dining Hall has particularly fine stucco work by Scottish born architect Robert Adam (1728-1792), one of the family from which the term “Adamesque” takes its name], whose grand-father had collaborated with Sir William Petty on the mid 17th century “Down Survey of Ireland”.
Robert was the son of Thomas (1662-1736), the 1st Baronet of Kells, County Meath. Robert (1689-1744), a younger son, joined the clergy and according to the Ardgillan website, was a recluse and spent his time writing sermons. He became Dean of Clonfert, County Galway. He died unmarried and the estate passed to his brother Thomas Taylour, the 2nd Baronet of Kells, County Meath. His sister Salisbury married a Bishop of Clonfert and secondly, Brigadier General James Crofts, son of James Scott the Duke of Monmouth, an illegitimate son of King Charles II!
Ardgillan remained the family home of the Taylors (later changed to Taylour) for more than two hundred years up until 1962 when the estate was sold to Heinrich Potts of Westphalia, Germany. In 1982, Dublin County Council purchased Ardgillan Demesne and it is now managed by Ardgillan Castle Ltd. under the auspices of Fingal County Council.
Originally named “Prospect House”, built on Mount Prospect (you can see why it was so called, with such a view!), the central section was built in 1738 by Robert Taylor, with the west and east wings added in the late 1800s.
Mark Bence-Jones writes in his A Guide to Irish Country Houses (1988):
p. 9. [Taylour, sub. Headfort, M/PB]. A C18 house consisting of a 2 storey bow-fronted centre with single-storey overlapping wings, mildly castellated either towards the end of C18 or early C19. The central bow has been made into a round tower by raising it a storey and giving it a skyline of Irish battlements; the main roof parapet has been crenellated and the windows given hood mouldings. Over each of the windows was thrown, literally speaking, a Gothic cloak of battlements and pointed arches; below which the original facade, with its quoins and rectangular sash windows, shows in all its Classical nakedness. Battlemented ranges and an octagon tower were added on the other side of the house.” [1]
“Initially the site was heavily wooded, the name Ardgillan being derived from the Irish “Ard Choill” meaning High Wood. It was cleared out by service soldiers and itinerant workers in return for one penny a day, sleeping accommodation and one meal.
“The house consists of two storeys over a basement which extends out under the lawns on the southern side of the building. When occupied, the ground and first floors were the living accommodations while the west and east wings were servants’ quarters and estate offices. The basement comprised of the service floor, the kitchen and stores.“
Thomas Taylour 2nd Baronet of Kells married Sarah Graham of Platten, County Meath. Their son Thomas was MP for Kells, County Meath, and was created 1st Earl of Bective, of Bective Castle, Co. Meath.
He wedded, in 1754, Jane, eldest daughter of the Rt Hon Hercules Langford Rowley, from Summerhill, County Kilkenny. Their younger son, Henry Edward Taylour (1768-1852) joined the clergy and he and his wife, Marianne St. Leger from Doneraile in County Cork, settled at Ardgillan.
The dining room is the piece de resistance, with intricately carved oak panelling by Italian brothers Guardocici dated 1889 featuring Taylor Family crest. It also features a real stuffed bear!
It was his son, Edward Richard Taylor (1863-1938), who employed the Italian woodcarvers. He also had the library shelves installed by the Dublin firm Pim Brothers Ltd.
The stairs to the upper storey are modest for such a house. Upstairs there are artists’ studios – how lucky they are, to have such a wonderful setting for their work!
“Ardgillan park is unique among Dublin’s regional parks for the magnificent views it enjoys of the coastline. A panorama, taking in Rockabill Lighthouse, Colt Church, Shenick and Lambay Islands may be seen, including Sliabh Foy, the highest of the Cooley Mountains, and of course the Mourne Mountains can be seen sweeping down to the sea.
The park area is the property of Fingal County Council and was opened to the public as a regional park in June 1985. Preliminary works were carried out prior to the opening in order to transform what had been an arable farm, into a public park. Five miles of footpaths were provided throughout the demesne, some by opening old avenues, while others were newly constructed. They now provide a system of varied and interesting woodland, walks and vantage points from which to enjoy breath-taking views of the sea, the coastline and surrounding countryside. A signposted cycle route through the park since June 2009 means that cyclists can share the miles of walking paths with pedestrians.“
“The Walled Garden was originally a Victorian-styled kitchen garden that used to supply the fruit, vegetables and cut ower requirements to the house. It is 1 hectare (2.27 acres) in size, and is subdivided by free standing walls into five separate compartments. The walled garden was replanted in 1992 and through the 1990’s, with each section given a different theme.“
“The Victorian Conservatory was originally built in 1880 at Seamount, Malahide, the home of the Jameson family, who became famous for their whiskey all over the world. It was built by a Scottish glasshouse builder McKenzie & Moncur Engineering, and is reputed to be a replica of a glasshouse built at Balmoral in Scotland, the Scottish home of the British Royal Family. The conservatory was donated to Fingal County Council by the present owner of Seamount, the Treacy family and was re-located to the Ardgillan Rose Garden in the mid-1990s by park staff.
§’The Department of Arts, Heritage and the Gaeltacht (DAHG) approached Fingal County Council in early 2014 to participate in a pilot project to develop and enhance skill sets in built heritage conservation, under the Traditional Building Skills Training Scheme 2014. The glass house/ conservatory at Ardgillan was selected as part of this project. The glass house has been completely dismantled because it had decayed to such an extent that it was structurally unstable. All parts removed as part of this process are in safe storage. This work is the first stage of a major restoration project being undertaken by the Councils own Direct Labour Crew in the Operations Department supervised by David Curley along with Fingal County Council Architects so that the glasshouse can be re-erected in the garden and can again act as a wonderful backdrop to the rose garden. This is a complex and difficult piece of work which is currently on going and we are hopeful to have the glasshouse back to its former glory as a centrepiece of the visitor offering in Ardgillan Demesne in the near future.“
[1] Mark Bence-Jones A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.