Kilkenny Castle, County Kilkenny, an Office of Public Works property

The garden front of Kilkenny Castle, photograph by macmillan media 2016 for Tourism Ireland, Ireland’s Content Pool. It sits on the banks of the River Nore. [1]

From the OPW website:

Built in the twelfth century, Kilkenny Castle was the principal seat of the Butlers, earls, marquesses and dukes of Ormond for almost 600 years. Under the powerful Butler family, Kilkenny grew into a thriving and vibrant city. Its lively atmosphere can still be felt today.

The castle, set in extensive parkland, was remodelled in Victorian times. It was formally taken over by the Irish State in 1969 and since then has undergone ambitious restoration works. It now welcomes thousands of visitors a year.

Kilkenny Castle, photograph by unknown 2014 for Failte Ireland, Ireland’s Content Pool. [see 1]

Kilkenny Castle has been standing for over eight hundred years, dominating Kilkenny City and the South East of Ireland. Originally built in the 13th century by William Marshall, 4th Earl of Pembroke as a symbol of Norman control, Kilkenny Castle reflected the fortunes of the powerful Butlers of Ormonde for over six hundred years. [2]

The Butlers fought for the king in Ireland, France and Scotland, and held positions of power including Lord Lieutenant of Ireland, the monarch’s representative in Ireland. Mark Bence-Jones tells us that several monarchs have stayed in Kilkenny Castle during the course of its history, including Richard II, James II, Willam III, Edvard VII and George V. [3]

In 1935 the Ormondes ceased to live in the castle, which for the next thirty years stood empty and deteriorating. In 1967 James Arthur Norman Butler (1893-1971), 6th Marquess and 24th Earl of Ormonde sold the Castle to the Kilkenny Castle Restoration Committee for £50. Two years later it went into state ownership.

William Marshall (about 1146-1219) married Isabel the daughter of “Strongbow” Richard de Clare, 2nd Earl of Pembroke. With the marriage, he gained land and eventually the title Earl of Pembroke. Isabel inherited the title of 4th Countess of Pembroke “suo jure” i.e. herself (her brother, who died a minor, was the 3rd Earl). Hence William Marshall became the 4th Earl through his wife, but then then was created the 1st Earl of Pembroke himself ten years after their marriage. They settled in Ireland, beginning with setting up the town of New Ross and then restoring Kilkenny town and castle – a castle had pre-dated them, according to the Kilkenny Castle website.

The Marriage of Aoife and Strongbow, Richard de Clare 2nd Earl of Pembroke at Waterford in 1170, by Daniel Maclise, in National Gallery of Ireland. Conceived for the decoratino of the Palace of Westminster, the painting is an ambiguous representation of the victorious Normans and the vanquished Irish. Strongbow places his foot upon a fallen Celtic cross, King Dermot looks on in alarm, and an elderly musician slumps of his harp. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The present-day castle is based on the stone fortress that Marshall designed, comprising an irregular rectangular fortress with a drum-shaped tower at each corner. Three of these towers survive to this day.

Kilkenny Castle, County Kilkenny, overhead shot courtesy Air Experience AFTA website.
Kilkenny Castle, photograph by Mark Wesley 2016 for Failte Ireland, Ireland’s Content Pool. [see 1]

There is an introductory film for visitors in the one of the old round towers. Inside, you can see the thickness of the walls.

One of the three ancient corner towers of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

By 1200, Kilkenny was the capital of Norman Leinster and New Ross was its principal port. The Marshalls also founded the Cistercian abbeys at Tintern in County Wexford and Duiske in Graiguenamanagh, County Kilkenny, as well as the castles at Ferns and Enniscorthy. Marshall died and was buried in England. [4]

Tintern Abbey, County Wexford, 15th March 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In 1317, the de Clare family sold the Kilkenny castle to Hugh Despenser. The Despensers were absentee landlords. In 1391 the Despensers sold the castle to James Butler, 3rd Earl of Ormond, 9th Chief Butler of Ireland (1360–1405).

The first Butler to come to Ireland was Theobald Walter Le Botiller or Butler (1165–1206), 1st Baron Butler, 1st Chief Butler of Ireland.

In 1185, Prince John landed at Waterford and around this time he granted the hereditary office of Chief Butler of Ireland to Theobald. Before this, there was a Chief Bulter of England, a position Theobald held, but the office of Chief Butler of Ireland was freshly created. The hereditary office was a position of “serjeanty.” Under feudalism in France and England during the Middle Ages, tenure by serjeanty was a form of tenure in return for a specified duty other than standard knight-service. The duty of this serjeanty was to to attend the Kings of England at their coronation and to pour their first cup of wine. [5]

It is said that he was called “Le Botiller” because he received the monopoly of the taxes on wines being imported into Ireland. Timothy William Ferres tells us that it was Theobald, 4th Butler (1242-85) who received the prisage, from King Edward I. As the Chief Butler had to provide the wine, he was given this “prisage” to help perform his role. This privilege only ceased in 1811 when the right was purchased back by the Crown from the Marquess of Ormonde for £216,000. [6]

Theobald the 1st Chief Butler was the first of the family to use the surname Butler. He was involved in the Irish campaigns of King Henry II and King John of England. He built Arklow Castle in County Wicklow. His descendant, the 4th Chief Butler, constructed a stone fortress on the site in the 1280s which became the family’s regional stronghold.

Conjectural reconstruction drawing of Arklow Castle, County Wicklow by Sara Nylund courtesy County Wicklow Heritage.

Over the following centuries, as the Butlers grew into Earls and eventually Dukes of Ormonde centered in Kilkenny, they retained Arklow Castle and the surrounding lands by appointing constables. The 1st Duke of Ormond sold Arklow Castle in 1714 to John Allen of Stillorgan. Today only fragments remain. [see https://surnamearts.com/history/butler/butler-castles-in-ireland/ ]

Theobald died in 1206 and was buried at Wotheney Abbey in Limerick.

He is also said to have built Nenagh Castle.

The OPW website tells us that Nenagh Castle is a fine example of a Norman structure, dating between 1200 – 1220. There are 101 steps in total to reach the top of the tower, and it is five storeys high. The second floor is believed to have once been the main public hall, while the third floor was the lord’s private residence. What stands today is the last remaining tower of three, which were surrounded by a curtain wall. There would have also been a two-towered gatehouse, and it was likely defended by a moat. The castle changed hands multiple times throughout its history, initially acting as the main residence for Theobald Walter, and was the seat of his ancestors, the Butler family, until the mid-14th century. The Mac Ibrien family owned the building in the 15th century, and was returned to the Butler’s in 1533. Photograph by Gramscis Cousin, CC BY-SA 3.0

His son, Theobald le Botiller (1200–1230) 2nd Baron Butler was summoned in 1229 cum equis et armis (Latin: “with horses and arms”) to attend the King in Brittany. He died on 19 July 1230 in Poitou, France, and was buried in the Abbey of Arklow, County Wicklow.

Timothy William Ferres gives us an excellent summary of the Butler genealogy and there are great notes on the Kilkenny Castle website. [6]

The 2nd Baron Butler’s widow was his second wife, Roesia/Rohese de Verdun (c. 1204–1247). She became one of the most powerful women in 13th century Ireland. In 1236 she built Castleroche in County Louth to defend her lands against Irish raiders. The castle was practically impregnable thanks to its position and design.

Castleroche, County Louth, built by Rohese de Verdun, wife of Theobald le Botiller (1200–1230) 2nd Baron Butler. Photograph courtesy of Tourism Ireland.

Theobald Butler 3rd Baron acquired considerable property by marrying Margery, eldest daughter of Richard de Burgh (ancestor of the Earls of Clanricarde). He served as Chief Justiciar of Ireland. His son Theobald (1242-85) succeeded as 4th Baron Butler sat in the Parliament of Ireland. He assisted King Edward I in his wars in Scotland. By his marriage, the 4th Baron acquired considerable land in England.

The 5th and 6th Barons were both sons of the 4th Baron. Theobald’s son Edmond (c.1270-1321) succeeded his brother as 6th Baron and 6th Chief Butler of Ireland in 1299. He was appointed Lord Deputy of Ireland in 1312. He married Joan, the daughter of the 1st Earl of Kildare. In 1315 Edward II granted him the manors of Carrick-on-Suir and Roscrea in Tipperary, with the title of Earl of Carrick. His descendants from his second son, John, later became Earls of Carrick and also Viscounts Ikerrin.

Roscrea Castle, County Tipperary, August 2024. It was granted to the Butlers of Ormond in 1315 who held it until the early 18th Century. The castle as we see it today was built from 1332. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Earl of Carrick’s son James Butler (c. 1305-38) who succeeded as 7th Baron married Eleanor, whose mother was a daughter of King Edward I. In consequence of this alliance, in 1328 King Edward III named James Earl of Ormond.

Probably James Butler (c. 1305-1337), the 1st Earl of Ormond. St. Mary’s church, Gowran, June 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com.
St. Mary’s church, Gowran, June 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com.

His son James Butler (1331–1382) 2nd Earl of Ormond was called the Noble Earl due to his links with King Edward I. He served as Lord Justice of Ireland.

James Butler (1360–1405) who succeeded as 3rd Earl of Ormond on his father’s death made Gowran Castle his usual residence so was called Earl of Gowran. The original Gowran Castle was built in the late 14th century by the Earls of Ormonde. Badly damaged in the Cromwellian wars, it was all but a ruin when Charles Agar acquired a lease of it about 1660 and repaired it. After a fire in 1713, his son James Agar rebuilt it. The house was rebuilt for the 2nd Viscount Clifden in 1817-19 to the designs of William Robertson. 

In 1391 James Butler 3rd Earl of Ormond purchased Kilkenny Castle. In 1399 King Richard II stayed in Kilkenny Castle, where he was entertained for fourteen days.

One of the three old towers of Kilkenny Castle, photograph by Finn Richards, 2015 for Failte Ireland, Ireland’s Content Pool. [see 1]
Two of the old corner towers of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Carvings on the marble fireplace in the picture gallery of Kilkenny Castle, designed by J. H. Pollen, depict scenes from the history of the Butler family. Starting on the left, the first panel shows the buying the castle by the first Earl of Ormond in 1391 from the Despenser family – money changing hands is shown. The second panel depicts Theobald Fitzwalter acting as Chief Butler to the newly crowned King of England highlighting their ancient royal privilege and upon which their surname of Butler is based. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Marble Fireplace is made of Carrara marble and was designeded by J. H. Pollen in a quasi-medieval style. It was supplied by the firm of Ballyntyne of Dorset Street, Dublin. On the third panel, you see King Richard the Second acting as godfather for James, 4th Earl (1392-1452). The centrepiece is the family crest which can also be seen over the arch and gateway, with the family motto “comme je trouve”- “as I find”, as well as the heraldic shield guarded, the falcon, the griffin (a legendary creature with the body of a lion and the head and wings of an eagle) and the ducal coronet. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

James 3rd Earl was succeeded by his eldest son, James, 4th Earl (1392-1452), who was called The White Earl, and was esteemed for his learning. James was one of the most important figures in Irish politics in the early 15th century. He was Lord Justice of Ireland in 1407, and again in 1440. He died in 1452.

He was succeeded by his eldest son James (1420-61) 5th Earl. He married Avice Stafford in 1438, by whom he inherited substantial lands in the west country of England. After the death of his first wife, he married Eleanor Beaufort, sister of the Duke of Somerset. In 1451, was was made Lord Deputy of Ireland and the next year, Lord Lieutenant of Ireland. He served as Lord High Treasurer in 1455 and was installed a Knight of the Garter.

The Butler Family become embroiled in the War of the Roses in the 15th Century. When the Wars of the Roses gripped England from the 1450s through to 1487, the opposing houses of Lancaster (the red rose) and York (the white rose) were supported by the earls of Ormond and Kildare, respectively. The 5th Earl of Ormond was loyal to the Lancastrians and Henry VI, who made him Earl of Wiltshire in England. The title of Earl of Wiltshire expired when the throne passed into the hands of the Yorkists in 1461, and the 5th Earl was captured and executed at Newcastle in 1461. In England, Richard Plantagenet 3rd Duke of York’s son came to the throne as King Edward IV.

An old corner tower of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

After the execution of his brother the 5th Earl in 1461, John (1422–1477), who succeeded as the 6th Earl, fled to Scotland with the Lancastrians. He attempted a new Lancastrian uprising in Ireland but the revolt ended with the defeat of his kinsmen by the 8th Earl of Desmond at the Battle of Piltown in the summer of 1462. John was not present at the battle. He went into exile in Portugal and France from 1464. He returned to England 1470-71 on the restoration of Henry VI.

Edward IV, of the House of York, was returned to the throne, however, in 1471. Richard III became king in 1473, until he died in 1475, when Henry VII became king. Henry VII of the Lancaster dynasty married Edward IV’s daughter Elizabeth of York, thus uniting the families.

The 6th Earl of Ormond’s brother Thomas (1426-1515), who succeeded as 7th Earl, was attainted as a Lancastrian, but restored by King Henry VII. He was known as ‘Earl of the Wool.’ Under Henry VII he managed to recover the family position in England and his lands were restored. He was appointed Chamberlain to the Queen in 1486 and Ambassador to Brittany in 1491 and Burgundy in 1497.

From the 1490s he faced troubles in Ireland, as he lacked a male heir. His two daughters became co-heiresses who inherited the Butler estates in England. His daughter Margaret Butler (1465–1537) married Sir William Boleyn and they were the grandparents of Anne Boleyn, Queen of England, second wife of Henry VIII.

When the 7th Earl of Ormond died in 1515, the next male in the family line was Piers Butler (1467-1539). Both the 7th Earl and Piers descended from the 3rd Earl of Ormond. Piers Butler was the son James Butler and Sabh Kavanagh. He was the great grandnephew of James, the 3rd Earl. Before the 7th Earl’s death, Piers’s father laid claims to the Ormond land and title, as the 7th Earl lived mostly abroad.

Someone else could claim to be heir of the 7th Earl of Ormond. James Butler 6th Earl had illegitimate children, though he never married. His son James was called James Ormond, or James Dubh Butler. He was the 7th Earl’s agent in Ireland while the 7th Earl lived in England. Piers Butler murdered him, but was pardoneed for the murder.

Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Butler genealogy.

In 1485 Piers Butler married Margaret Fitzgerald, daughter of the 8th Earl of Kildare – a political marriage to merge the two dynasties.

In 1498, he and Margaret had seized Kilkenny Castle and made it their chief residence. Through her considerable efforts, the standard of living inside the castle was greatly improved.

Margaret was sometimes styled the “Great Countess of Ormond.” She signed herself “Margaret Fitzgerald of the Geraldines,” and occupied herself in legal matters regarding her family and the Ormond estates. She worked with Piers to develop the estate, expanding and rebuilding manor houses. She also established Kilkenny Grammar School. She urged Piers to bring over skilled weavers and artificers from Flanders and helped establish industries for the production of carpets, tapestries and diapers (a type of cloth). Margaret and her husband commissioned significant additions to the castles of Granagh, and rebuilt Gowran Castle, which had been originally constructed in 1385 by James Butler, 3rd Earl of Ormond. She is also said to have built Ballyragget Castle in County Kilkenny.

Ballyragget castle, County Kilkenny, by Gabriel Berenger, courtesy Royal Irish Academy MS 3 C 30/54.

As Anne Boleyn grew in King Henry VIII’s favour, so did her father Thomas. In 1529, the King persuaded Piers Butler to relinquish the title Earl of Ormond, and the king gave this title to Thomas Boleyn, Viscount Rochford. Piers was created, instead, Earl of Ossory. The king hoped Piers would improve the Crown’s grip over southern Ireland. Piers gained much from Crown.

Thomas Boleyn, Earl of Ormond, died without issue in 1539 and the King restored Piers Butler Earl of Ossory to his original title of Ormond. Piers succeeded as the 8th Earl of Ormond.

Piers is buried in St Canice’s Cathedral, Kilkenny with his wife.

St. Canice’s Cathedral, Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
St. Canice’s Cathedral, Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Piers Butler (1467-1539) Earl of Ossory, 8th Earl of Ormond, and his wife Margaret Fitzgerald (d. 1542), St. Canice’s Cathedral, Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Piers Butler (1467-1539) Earl of Ossory, 8th Earl of Ormond, St. Canice’s Cathedral, Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Piers Butler (1467-1539) Earl of Ossory, 8th Earl of Ormond, St. Canice’s Cathedral, Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A dog, symbol of loyalty, at the feet of Piers Butler (1467-1539) Earl of Ossory, 8th Earl of Ormond, St. Canice’s Cathedral, Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Margaret Fitzgerald (d. 1542) wife of Piers Butler, Earl of Ossory, 8th Earl of Ormond. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Piers and Margaret’s daughters married well, continuing to build ties with other powerful families. They had daughters Ellen (d. 1597) who married Donough O’Brien (d. 1553) 1st Earl of Thomond; Margaret married Barnaby FitzPatrick, 1st Baron of Upper Ossory; Joan married James Butler, 10th Baron Dunboyne; Eleanor married Thomas Butler 1st Baron Caher; Katherine married Richard Power, 1st Baron le Power and Coroghmore first and secondly, James FitzJohn FitzGerald, 13th Earl of Desmond; Ellice married Gerald FitzJohn FitzGerald (d. 1553, father of 1st Viscount Decies).

Piers’s eldest son James (1496–1546) succeeded him in 1539 as 9th Earl of Ormond, 15th Chief Butler, and 2nd Earl of Ossory. Piers’s second son, Richard (d.1571), was created 1st Viscount Mountgarret in 1550. Another son, John Butler (d. 1570) who lived in Kilcash, County Tipperary, was father of Walter (1569-1632) 11th Earl of Ormond.

James Butler (1504-1564), Soldier, 9th Earl of Ormond and Ossory by Francesco Bartolozzi, published by John Chamberlaine, after Hans Holbein the Younger publ. 1797, courtesy of National Portrait Gallery NPG D39383.

In 1520 there was a plan to marry the eldest son James to a daughter of Thomas Boleyn in an effort to end the controversy over the earldom – but nothing came of it. James married Joan Fitzgerald, daughter of James Fitzgerald, 11th Earl of Desmond.

James was nicknamed ‘The Lame’ because of a limp he acquired in the 1513 invasion of France as part of Henry VII’s army. He had been reared at the Court of Henry VIII and he was created Viscount of Thurles during the lifetime of his father. Henry VIII appointed him Lord Treasurer of Ireland (1532) and he was given seven religious houses on the dissolution of the Monasteries. He was held in high regard by Henry, with the decline of the Geraldines. He died 1546, aged 42, of food poisoning, eleven days after attending a supper at Ely House, Holborn. He and the seventeen of his household who died with him may have been deliberately poisoned. His host, John Dudley, 1st Duke of Northumberland had no motive as he had no quarrel with Ormond. Historian James Murray suggests that Anthony St Leger, Lord Deputy of Ireland, may have been invovled. [8]

James Butler (d. 1546) 9th Earl of Ormond, 2nd Earl of Ossory. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A dog, symbol of loyalty, at the feet of James Butler (d. 1546) 9th Earl of Ormond, 2nd Earl of Ossory, St. Canice’s Cathedral, Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

As well as his heir, Thomas, the 9th Earl also had a son Edmond (d. 1602) who lived in Cloughgrenan, County Carlow, who gave rise to the Baronets of Cloughgrenan.

As a young boy, Thomas Butler (c.1531-1614), later 10th Earl of Ormond, was fostered with Rory O’More, son of the lord of Laois before being sent to London to be educated with the future Edward VI. He was the first member of the Butler family to be brought up in the protestant faith. In 1546, he inherited the Ormond earldom following the sudden death of his father.

Thomas Butler 10th Earl of Ormond by Steven Van der Meulen. He is holding a wheelcock pistol with his coat of arms in the upper left corner.

Thomas Butler was highly regarded by Queen Elizabeth, to whom he was related through her mother Anne Boleyn. Anne Boleyn was the granddaughter of the 7th Earl of Ormond making Elizabeth and Thomas cousins. Due to his dark hair, he was called “Black Tom,” and the Queen called him “her dark husband” and it is even rumoured that she had a son with him.

Queen Elizabeth promoted him to Lord Treasurer of Ireland in 1559.

Thomas Butler (c.1531-1614), 10th Earl of Ormond, artist unknown. Thomas married three times but left no heir and was succeeded by his nephew Walter Butler 11th Earl of Ormond. He died in 1614 and was buried in St Canice’s cathedral, Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The OPW website tells us that after the death of his mother, Joan Fitzgerald, the old feud between the Butlers and the Fitzgeralds broke out again and Black Tom defeated the Earl of Desmond at Affane (1565), the last pitched battle in Britain or Ireland.

He was made Knight of the Garter in 1588 and Earl Marshal of England in 1591.

See my entry about the Ormond Castle at Carrick-on-Suir for more on “Black Tom.” https://irishhistorichouses.com/2024/09/05/ormond-castle-carrick-on-suir-county-tipperary-an-opw-property/

Carrick-On-Suir, Co Tipperary Courtesy Tipperary Tourism photo by Kerry Kissane All Around Ireland 2021

The Desmond Rebellions in Munster in 1569–1573 and 1579–1583 were motivated primarily by the desire to maintain the independence of feudal lords from the English monarch but also had an element of religious antagonism between Catholic Geraldines (Fitzgeralds, Earls of Desmond) and the Protestant English state. Some of Thomas the 10th Earl’s brothers supported the Fitzgeralds in their rebellion: Edmund Butler (1534-1602) of Cloghgrennan, County Carlow, Edward and Piers (1541-1601). Edmund, Edward and Piers were attainted in April 1570. That meant that Edmund ceased to be Ormond’s heir presumptive and the next brother, John Butler of Kilcash, took his place. However, John predeceased Thomas, in 1570, and John’s eldest son Walter Butler (1559–1633) became heir presumptive. 

Kilcash Castle, County Tipperary, photograph by Mike Searle.

Thomas married three times but left no direct male heir. He died in 1614 and was buried in St Canice’s cathedral, Kilkenny. He had a daughter, Elizabeth. She married her cousin, Theobald Butler (1565-1614), 1st Viscount Tulleophelim, who was the son of Black Tom’s brother Edmund (1534-1602) of Cloghgrennan, County Carlow. He died, however, the same year as Black Tom.

King James then orchestrated the marriage of Elizabeth Butler to his Scottish favourite Richard Preston (1589-1628) 1st Baron Dingwall. James I made sure that Black Tom’s daughter Elizabeth (1590-1628) inherited most of the Ormond estate.

Although he did not inherit the majority of the land, Walter Butler (1559–1633) inherited the title and became the 11th Earl of Ormond. Unlike his uncle, who had been raised at Court and reared a Protestant, Walter was Catholic. Because of his devotion to his faith, he was called Walter of the Beads.

Walter Butler’s claim to the family estates was blocked by King James I. Walter he spent much time and money in litigation opposing the King’s decision and was imprisoned for eight years in the Fleet, London, as a result. He was released 1625. The King gave Richard Preston the title Earl of Desmond, as the Fitzgeralds had lost the title of Earl of Desmond due to their rebellion.

The Butler genealogy.

Walter’s son Thomas, Viscount Thurles, predeceased him, so when he died his nine-year-old grandson James (1610-1688) became the heir to the titles. The estates, including Kilkenny Castle, had passed to Elizabeth and her husband Richard Preston Baron Dingwall. Before he died, Walter arranged a marriage between his heir James and Elizabeth and Richard Preston’s daughter in order to unite the estates with the Earl of Ormond title. In 1629 James married his cousin Elizabeth Preston and reunited the Ormond estates.

Elizabeth Poyntz (1588-1673), mother of the 1st Duke of Ormond, painted by John Michael Wright, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

James Butler (1610-88) 12th Earl of Ormond (later 1st Duke of Ormond) was the eldest son of Thomas Butler, Viscount Thurles, and his wife Elizabeth Poyntz. Following his father’s death in 1619, 9-year-old James was made a royal ward, and was educated at Lambeth Palace under the tutelage of George Abbot, Archbishop of Canterbury.

James Butler (1610-1688) 1st Duke of Ormonde by Willem Wissing circa 1680-1685, courtesy of National Portrait Gallery NPG 5559.
Elizabeth Preston, (1616-1684) Baroness Dingwall, Countess of Ormond, later Duchess of Ormond, with her son Thomas, Lord Ossory (1634-1680), attributed to David des Granges (1611-1671/72), courtesy Office of Public Works. She was the daughter of Richard Preston, Baron Dingwall, Earl of Desmond and his wife Elizabeth Butler, only daughter and heiress of Thomas Butler, 10th Earl of Ormond. On the death of her parents in 1628, Elizabeth was made a royal ward and the rights of her marriage were granted to the Earl of Holland, who sold it for £15,000. She married her cousin James Butler, Viscount Thurles, later 1st Duke of Ormond in 1629, thus reuniting the Ormond titles and properties.
In the long gallery of Kilkenny Castle: James Butler 1st Duke of Ormond painted by John Michael Wright (1617-1694); in centre, Elizabeth Poyntz (1588-1673), mother of the 1st Duke of Ormond, painted by John Michael Wright; and Elizabeth Preston (1615-1684), wife of the 1st Duke of Ormond, with her son Thomas, who became the 6th Earl of Ossory. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The marriage took place on Christmas 1629. In 1630, James and his wife Elizabeth lived in the castle in Carrick-on-Suir.

James succeeded to the Ormond titles in 1633 on the death of his grandfather, Walter Butler, 11th Earl of Ormond. James and Elizabeth Butler’s estates in Ireland consisted of close to 300,000 acres, spread over seven counties, mostly in Counties Kilkenny and Tipperary. However, both he and his wife inherited debts. Debt was to plague James all his life.

James Butler 1st Duke of Ormond painted by John Michael Wright (1617-1694), Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Marble Fireplace of the picture gallery of Kilkenny Castle. In the fifth panel, the 1st Duke of Ormond can be seen entering the Irish House of Lords still bearing his sword. Indeed, he refused to hand his weapon over as were the protocols in case it was used inside during an argument; this became known as The Act of Defiance. The sixth panel next to this symbolizes the charity of the Butler family showing Lady Ormonde giving alms to the poor. Finally, the sixth and last panel portrays the First Duke of Ormond’s triumphant return to Dublin from exile on the Restoration of Charles the Second in 1662, when he also established the Royal Hospital in Kilmainham and founded the Phoenix Park. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

James 12th Earl of Ormond and Elizabeth had eight sons and two daughters but only three of those sons survived infancy: Thomas, later Earl of Ossory, born in 1634, John, later Earl of Gowran, also born in 1634, and Richard, later 1st Earl of Arran in 1639. Their daughters were Mary, born in 1640, later Duchess of Devonshire and Elizabeth, born in 1646, later Countess of Chesterfield.

James 12th Earl of Ormond remained loyal to the monarchy and to King Charles I at the time of the 1641 Rebellion and the Civil War. He was appointed commander-in-chief of the army in Ireland in 1641. The family was living at Carrick when the 1641 rebellion broke out. The earl went to Dublin to command the army and Elizabeth and her children moved to Kilkenny Castle.

King Charles I (1600-49), attributed to James Gandy after Sir Anthony van Dyck (1619-89), this portrait hangs in the long gallery of Kilkenny Castle. Charles had been a notable patron of the arts, and was responsible for commissioning works from artists such as Sir Peter Paul Rubens, and for bringing Sir Anthony van Dyck to England. A full length portrait wearing robes of state, this is a very close copy of the portrait painted by Van Dyke (c.1636) now in the Royal Collection. The portrait is attributed to James Gandy on the grounds that it is a seventeenth century work and that he is said to have made many copies of portraits after van Dyck during the time he was employed by the Duke of Ormond. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Queen Henrietta Maria (1609-69), attributed to James Gandy after Sir Anthony van Dyck (1619-89). Daughter of Henri IV of France and Marie De Medici. Wife of Charles I of England and mother to Charles II and James II of England. This portrait hangs in the long gallery of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The five eldest children of King Charles I, after Sir Anthony van Dyck. The children include the future Kings Charles II and James II. The painting hangs in Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Sir Peter Paul Rubens (1577-1640), after a self-portrait by Rubens of c. 1625 which was painted for Charles, Prince of Wales. A crude copy, the artist is unknown, probably a nineteenth century copy. This portrait hangs in the long gallery of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Sir Anthony van Dyck (1599-1641), after Sir Anthony van Dyck. The head in this portrait would seem to be derived from van Dyck’s Self Portrait with Endymion Porter (Prado, Madrid) although the costume is different; in fact, it is closer to that used in van Dyck’s self portrait with Sunflower. Probably a nineteenth century copy, it also hangs in the long gallery of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Diorama and information in St. Canice’s Cathedral, Kilkenny, how the city of Kilkenny looked in 1642. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Diorama and information in St. Canice’s Cathedral, Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Catholic Confederacy, an alliance of Catholics and Anglo-Irish, made Kilkenny their base. James the 12th Earl negotiated on behalf of the king with the Catholic Confederacy. However, Cromwell came to Ireland in 1649 and captured Kilkenny. He ransacked the Cathedral, and attacked Kilkenny Castle.

The castle now forms a “u” shape, because in the time of Oliver Cromwell’s invasion, the fourth wall fell. [7]

Kilkenny Castle, photograph by unknown 2014 for Failte Ireland, Ireland’s Content Pool. [see 1] The castle now forms a “u” shape, because in the time of Oliver Cromwell’s invasion, the fourth wall fell.
Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

James Butler served as Lord Lieutenant of Ireland from 1648-1650, the first of three periods as Lord Lieutenant. Following the defeat of the monarchy, he went into exile, moving around Europe with the exiled court of Charles II.

King Charles II (1630-85) attributed to John Michael Wright (1617-1694). This portrait hangs in the Tapestry Room in Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Queen Henrietta Maria (1609-69), after Sir Anthony van Dyck. Henrietta Maria was the daughter of Henri IV of France and Marie de Medici. She was the wife of Charles I of England and mother of Charles II and James II. This painting was formerly called “Duchess of Orleans”. This is a copy, with slight variations, after an original portrait by van Dyck, painted in 1632. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Lady Ormond was highly regarded at Court and was godmother to Princess Mary, daughter of King James II, later Queen Mary. The Kilkenny Castle website tells us that Elizabeth is author of the largest body of extant correspondence of any woman from 17th century Ireland.

Lady Ormond spent a short period in exile with her husband and family in France during the early 1650s. By August 1652, poverty forced her to travel to England to plead with Cromwell for permission to live with her children on a portion of her Irish estates. She argued that it was she who inherited the estates and not her husband. Permission was granted in February 1653 on condition that she ceased all communication with her husband. They reunited later. She returned to her house at Dunmore, Co. Kilkenny.

After the restoration of the monarchy, James Butler was given an Irish Dukedom as Duke of Ormond, in 1661. He was raised to a dukedom in the English peerage in 1682.

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James Butler 1st Duke of Ormond. Artist: Sir Peter Lely (1618-1680). He is wearing robes of the Order of the Garter and holds the wand of office of Lord Steward of the Household in his right hand. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Kilkenny castle website continues: “After the restoration of the monarchy in England, Ormond was rewarded with a dukedom and several high offices by a grateful king. Though he enjoyed the king’s favour, Ormond had enemies at court and as a result of the machinations of the Cabal, which included powerful figures such as the Earl of Shaftesbury, he was dismissed from his post as Lord Lieutenant in 1669.

Note that the “Cabal” was the term used to refer to the clique around the king. The term comes from an acronym of their names, Sir Thomas Clifford 1st Baron Clifford, Henry Benet 1st Earl of Arlington, George Villiers 2nd Duke of Buckingham, Anthony Ashley Cooper, Lord Ashley 1st Earl of Shaftesbury and John Maitland, 1st Duke and 2nd Earl of Lauderdale.

Ormond served his last term as Lord Lieutenant from 1677-1685. During this time he founded the Royal Hospital in Kilmainham in Dublin for old soldiers. William Robinson served as Surveyor General and architect of the Royal Hospital. He also worked on Kilkenny Castle. As Lord Lieutenant, the Duke lived in Dublin Castle’s State Apartments, and he had work carried out there also.

William Robinson, Royal Hospital Kilmainham.

Mark Bence-Jones describes the Duke’s renovations of Kilkenny Castle:

The Great Duke transformed the castle from a medieval fortress into a pleasant country house, rather like the chateau or schloss of contemporary European princeling; with high-pitched roofs and cupolas surmounted by vanes and gilded ducal coronets on the old round towers. Outworks gave place to gardens with terraces, a “waterhouse” a fountain probably carved by William de Keyser, and statues copied from those in Charles II’s Privy Gardens. The Duchess seems to have been the prime mover in the work, in which William (afterwards Sir William) Robinson, Surveyor-General and architect of the Royal Hospital, Kilmainham, was probably involved, supervising the construction of the Presence Chamber 1679.” [see 3]

A rather amusing article in the Dublin Penny Journal in September 1832 criticises the Duke of Ormond’s renovation “in the bad style of architecture then prevailing on the Continent, a taste for which had probably been imbibed by the Duke in his repeated visits to France. It retained, however, three of the ancient towers, but changed in character and disfigured by fantastic decorations to make them harmonize in style with the newer portions of the building.” The article tells us that the building has been put to right again by the present owner, the Marquess of Ormond, by architect Robertson of Kilkenny.

Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kilkenny Castle in Kilkenny, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The entrance to inside Kilkenny Castle, the rounded arched door. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The hoppers on the top of the drain pipes depict an eagle, and each has a different date written on it, each a significant year to the Ormondes and Kilkenny Castle. This one says 1682. This was during the time of James Butler (1665-1745) who became the 2nd Duke of Ormonde, and is a date between when his father died in 1680 and when his grandfather the 1st Duke of Ormond died in 1688. Perhaps it was the time when renovations took place on the castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

You can take an online tour of the castle on the website https://kilkennycastle.ie/about/explore-the-castle-new/

There has been an entrance hall here at least since the 17th century rebuilding of the castle. The black and white stone floor is laid with Kilkenny Black Marble and local sandstone, laid in the 19th century. The north doorway through the massive curtain wall was remodelled on two occasions in the 19th century. This room has been redecorated using organic naturally pigmented copper green paint. This colour is based on two Edwardian Irish Country house schemes; the Entrance Hall at Beaulieu, Co. Louth and the Saloon at Headford, Co. Meath.

The Entrance Hall, Kilkenny Castle. Photograph courtesy of Kilkenny Castle website. There has been an entrance hall here at least since the 17th century rebuilding of the castle. The black and white stone floor is laid with Kilkenny Black Marble and local sandstone, laid in the 19th century.
Notice board in the entrance hall. It tells us that the portraits, from the family collection, were purchased by the Irish government from the family estate in 1995. The hall table also belonged to the Ormondes, and was too heavy to move so was not sold in the auction of 1935.
The Entrance Hall, Kilkenny Castle. James Butler (1610-88), 1st Duke of Ormond, 12th Earl of Ormond, in the style of John Michael Wright (1617-1694). There was no fewer than 28 swords and daggers displayed in the Entrance Hall prior to the 1935 auction. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
James Butler (1610-88), 1st Duke of Ormond, 12th Earl of Ormond, in the style of John Michael Wright (1617-1694). Ormond is clad in armour, holding the baton of command, and wearing the blue ribbon of the Order of the Garter. A plumed helmet is to the sitter’s right. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Description of swords.
The Entrance Hall, Kilkenny Castle. Portraits of Thomas Butler (c.1531-1614), 10th Earl of Ormond, artist unknown, and James Butler (1665-1745), 2nd Duke of Ormonde, 13th Earl of Ormonde, artist unknown. A fine set of Irish elk antlers, dug from a Leitrim bog in the 19th century, are displayed over the fireplace. The Irish elk (Megaloceros giganteus) also called the giant deer or Irish deer, is an extinct species of prehistoric deer which lived during the Ice Age about 2,580,000 to 11,700 years ago. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Entrance Hall, Kilkenny Castle. Italian marble table. This large grey marble table is original to Kilkenny Castle and dates to the late 17th century. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

When Ormond retired to England in 1682, the duchess accompanied him and they settled at Kingston House (Kingston Lacy) in Dorset. She died two years later at their town house, Ormonde House, in St. James’s Square, London. Sir Peter Lely painted the duchess but no portrait of her by the artist has been traced. A portrait of her by Henri Gascars is recorded in seventeenth-century Ormonde inventories.

Kingston Lacy, which belonged to James Butler Duke of Ormond, photograph by Vauxhall,  licensed under the Creative Commons Attribution-Share Alike 4.0 International license.

The last decade of the Duke’s life was marked by tragedy: all three of his sons as well as his wife died. His daughter Elizabeth, who had married Philip Stanhope, 2nd Earl of Chesterfield, had already died at the young age of 25 in 1665. She was Stanhope’s second wife. Stanhope was one of the lovers of the notorious Barbara Villiers, mistress of King Charles II. Her portrait is in the stair hall of Kilkenny Castle.

Barbara Villiers (c.1641-1709), Duchess of Cleveland & Countess of Castlemaine, attributed to Sir Peter Lely (1618-1680) and his studio. Daughter of Lord Grandison. After an affair with Philip Stanhope, 2nd Earl of Chesterfield, in 1659, she married Roger Palmer, Earl of Castlemaine. Established as Charles II’s mistress during the Restoration in 1660, she bore him at least six children and was created Duchess of Cleveland in her own right in 1670. When she was granted lands in Dublin by the king, the grant was opposed by Ormond. The duchess was no friend of the Butler family because of her notorious affair with Lord Chesterfield, husband of Ormond’s daughter Elizabeth. A heavily restored picture shows the sitter in shepherdess’s costume with a crook and lamb, it is said to have been commissioned from Lely in order to insult the queen, Catherine of Braganza, who had been painted in a similar pose by Jacob Huysmans. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

John, 1st and last Earl of Gowran, died in 1677. Thomas 6th Earl of Ossory died in 1680. His wife Elizabeth died in 1684, and Richard, 1st and last Earl of Arran, in 1686. He himself died in 1688 at Kingston Lacy and was buried in Westminster Abbey.

Thomas Butler (1634-1680) 6th Earl of Ossory, studio of Sir Peter Lely, circa 1678, courtesy of National Portrait Gallery NPG 371. He was the second son of the Duke and Duchess of Ormond and father of 2nd Duke of Ormonde.
Richard Butler (1639-1685) 1st Earl of Arran, son of the Duke of Ormonde, by Godfrey Kneller, courtesy of National Trust Hardwick Hall.
Daughter of the 1st Earl of Ormond, Elizabeth Stanhope née Butler Countess of Chesterfield By Peter Lely – http://www.thepeerage.com/p951.htm#i9503, Public Domain, https://commons.wikimedia.org

His daughter Mary (1646-1710) married William Cavendish, 1st Duke of Devonshire.

Daughter of the 1st Earl of Ormond, Mary Butler (1646-1710) Duchess of Devonshire in the style of Willem Wissing courtesy of National Trust Hardwick Hall. She married William Cavendish, 1st Duke of Devonshire.

Thomas Butler (1634-1682) 6th Earl of Ossory was the father of the 2nd Duke of Ormond. Thomas was a soldier and Naval Commander, known as ‘Gallant Ossory.’ Born at Kilkenny Castle in 1634, his childhood was spent at Kilkenny until he went with his father and brother Richard to England in 1647. They then went to France, where he was educated at Caen and Paris at Monsieur de Camps’ Academy. In Holland he married Amelia of Nassau, daughter of Lodewyk van Nassau, Heer van Beverweerd, a natural son of Prince Maurice of Nassau. 

Thomas Butler (1634-1680, Earl of Ossory, Lord Butler of Moore Park, Lord Deputy of Ireland, studio of Sir Peter Lely (1618-80). Ossory was a witness when James, Duke of York secretly married Anne Hyde in 1660. He died suddenly in 1680, possibly from food poisoning, at Arlington House in London. He was buried in Westminster Abbey. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Thomas enjoyed the favour and support of both King Charles II and his queen. Because of his wife’s Dutch connections he was frequently sent on royal missions to Holland. In 1661 Thomas Butler became a member of both the English and Irish houses of Commons, representing Bristol in the former and Dublin University in the latter House. In 1665 he was appointed lieutenant-general of the army in Ireland and in 1666 was created an English peer as Lord Butler.

Having proven himself as an expert military strategist, and whilst visiting France in 1672, he rejected the liberal offers made by Louis XIV to induce him to enter the service of France, and returning to England he added to his high reputation by his conduct during the Battle of Texel in August 1673. From 1677 until 1679, he served alongside his father as a Lord of the Admiralty.

In 1670 he conducted William of Orange to England. In 1677 he joined the allied army in the Netherlands, commanding the British section and winning great fame at the siege of Mons in 1678. He acted as deputy for his father, who was lord-lieutenant of Ireland, and in parliament he defended Ormonde’s Irish administration with great vigour. In 1680 he was appointed governor of English Tangier, but his death prevented him from taking up his new duties.

Elizabeth Butler (d.1717) Countess of Derby by William Wissing (1656-87). Daughter of Thomas Butler, Earl of Ossory and his wife Amelia, she married William George, 9th Earl of Derby in 1673. It was an unhappy marriage, her husband’s behaviour being a cause for much concern and comment on the part of her grandparents, the 1st Duke and Duchess of Ormonde. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
King William III (1650-1702), studio of Sir Godfrey Kneller (1646-1723). This portrait in the picture gallery at Kilkenny Castle is a copy of the ‘official approved likeness’ first painted by Sir Godfrey Kneller in 1690, with a companion piece of Queen Mary II. The king is depicted waring the robes of state. Both originals are in the Royal Collection.William was born in The Hague, he was the posthumous and only child of Stadholder William II and Princess Mary, Princess Royal of England, eldest daughter of Charles I and Queen Henriette Maria [see painting: The Children of Charles I]. After the crisis precipitated by the birth of an heir [Prince James Francis Stuart] to his cousin, the Catholic James II, in 1688, William came to England at the invitation of several leading men to defend the Protestant cause. James left England, first to France to seek aid from Louis XIV, another cousin, and thence to Ireland, where he launched a military campaign to win over the country. Meanwhile William, his son-in law, landed at Carrickfergus in June 1690. He then marched south, and defeated James and his forces at the Battle of the Boyne. Both kings stayed at Kilkenny Castle during their visit to Ireland. James Butler, 2nd Duke of Ormonde, was a firm supporter of King William at the Boyne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Queen Mary II (1662-1694), studio of Sir Godfrey Kneller (1646-1723), in the picture gallery of Kilkenny Castle. Eldest daughter of James Duke of York (later James II) and Anne Hyde, she married, at the age of 15, her cousin, William, Prince of Orange, in Holland. The Duchess of Ormond was Godmother to Princess Mary, at her birth in London. Mary took an active role in the dispute with her father James II. William and Mary ruled as king and queen regnant. Under the terms of the succession, William would administer the government in both their names. The Crown would descend in the first instance to the heirs of her body, then to any heirs he might have after her death, and then to any heirs her sister Anne, Princess of Denmark (later Queen Anne).Mary was a popular monarch, and this helped compensate for her husband’s rather taciturn nature. She died prematurely at the age of 32, leaving William to reign alone for another eight years. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

John Evelyn, the diarist, was a close friend and referred to him as ‘a good natured, generous and perfectly obliging friend’. He died suddenly in 1680, possibly from food poisoning, at Arlington House in London. He was buried in Westminster Abbey

Ossory had eleven children, including James Butler (1665-1745), the eldest surviving son of Thomas the 6th Earl of Ossory, who became the 2nd Duke of Ormonde. 

Following his father’s death in 1680, James became the heir to his grandfather, James Butler, 1st Duke of Ormond, whom he succeeded in 1688. James Butler 2nd Duke of Ormonde (the ‘e’ was added to the name around this time) inherited all of the Ormonde properties and titles, from both his grandfather and grandmother including her Dingwall title.

James Butler (1665-1745) 2nd Duke of Ormonde courtesy of National Maritime Museum, Greenwich, London.
Oil painting on canvas, James Butler, 2nd Duke of Ormonde (1665-1745) by Sir Godfrey Kneller (Lubeck 1646/9 – London 1723). A three-quarter length portrait, turned slightly to the right, facing, gazing at spectator, wearing armour, blue sash and white jabot, a baton in his right hand, his left on his hip, his helmet placed at the left; cavalry in the distance, right.

James the 2nd Duke married twice: first to Anne Hyde, daughter of Laurence, 1st Earl of Rochester, and a niece Anne Hyde the wife of the duke of York, the future James II. After she died, he married Mary Somerset, a daughter of Henry Somerset, 1st Duke of Beaufort. She married James, then Lord Ossory in 1685 as his second wife. They had one son and five daughters. Only two daughters survived infancy: Lady Elizabeth, unmarried (d.1750) and Lady Mary (d.1713) who married John, Lord Ashburnham in 1710.

Anne Hyde (1669-1685) Countess of Ossory by William Wissing and his studio (1656-87), first wife of James Butler, 2nd Duke of Ormonde, hanging in the picture gallery of Kilkenny Castle. She was the daughter of Lawrence Hyde, 1st Earl of Rochester. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Anne Hyde (1637-1671), Duchess of York, a well painted version of an original painted by Sir Peter Lely in c. 1662. Daughter of Edward Hyde, 1st Earl of Clarendon (a close friend & confidant to the 1st Duke of Ormond), and first wife of James, Duke of York ( later James II). She was mother to princesses Mary and Anne, future Queens of England, and aunt of Anne Hyde, Lady Ossory, first wife of the 2nd Duke of Ormonde. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mary Somerset (1665-1733), 2nd Duchess of Ormonde, by follower of Michael Dahl (1659-1743). This hangs in the picture gallery of Kilkenny Castle. Daughter of Henry, 1st Duke of Beaufort and wife of James Butler, 2nd Duke of Ormonde. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The duchess Mary was delighted with the reception she received on her first visit to Ireland. During this visit, she wrote to John Ellis telling him, ‘I have been received with as much respect as the greatest woman in the world could have been both by civil, military and clerical…’

Queen Anne appointed her Lady of the Bedchamber (1702-14). John Dryden dedicated his work Palamon and Arcite to her. The duchess did not join her husband in exile in France but that did not spare her from the humiliation of having her pew in St. James’s Church taken from her at Christmas in 1715. On this occasion she wrote to Ellis complaining that ‘this treatment appears to me very extraordinary, that before anybody has made out their title to the House in the parish I should be turned out of the church after living 30 years myself in the Parish…’ From 1720 until her death in 1733, she lived at Paradise Row in Chelsea, London. She was buried in Westminster Abbey, London.

Mary Butler née Somerset (1665-1733) Duchess of Ormonde and her son Thomas Earl of Ossory by John Smith, after Sir Godfrey Kneller, Bt., courtesy of National Portrait Gallery, NPG D31316.
Lady Mary Somerset, Duchess of Ormonde (1665-1733) by Michael Dahl, 1690s. Three-quarter-length portrait, of a young woman, seated, full front, her head three-quarters left. She is wearing a deep brown-gold dress, blue lined and is holding a rose in her right hand. A bottle green curtain is to the right and an arcade in the left background. Courtesy of National Trust Petworth.
Top left: James Butler 2nd Duke of Ormonde (1665-1745), Lord Lieutenant of Ireland, son of Thomas Butler, Earl of Ossory. First married Anne Hyde and then Mary Somerset; below him, Mary Somerset (1665-1733), daughter of the Duke of Beaufort. In middle, Thomas Butler (1634-1680), 6th Earl of Ossory, second son of the Duke and Duchess of Ormond and father of 2nd Duke of Ormonde. Mary Somerset’s father top right, Henry Somerset (1629-1700), 1st Duke of Beaufort; below Anne Hyde (1669-1685), the 2nd Duke’s first wife, daughter of Lawrence Hyde, 1st Earl of Rochester, artist: William Wissing (1656-87). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Henry Somerset (1629-1700), 1st Duke of Beaufort 3rd Marquess of Worcester, studio of Sir Godfrey Kneller (1646-1723), hanging in the picture gallery of Kilkenny Castle. Father of Mary Somerset, 2nd Duchess of Ormonde. A staunch Tory, he refused to take the Oath of Allegiance to King William III. Created Duke of Beaufort in 1682. In 1657, he married Mary, daughter of Arthur Capel, 1st Lord Capel and sister of Arthur, Earl of Essex, Lord Lieutenant of Ireland. Henry Somerset died in 1700 and by virtue of his claim to Royal blood through his descent from John of Gaunt, Duke of Lancaster, son of Edward III, he was buried in the Beaufort Chapel at St. George’s in Windsor. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Henry Somerset (1629-1700) 1st Duke of Beaufort by Robert White, after Sir Godfrey Kneller, Bt, NPG D28194.

James 2nd Earl was appointed a Lord of the Bedchamber in 1685; and serving in the army, participated in the victory over the Duke of Monmouth, at Sedgemore. [see 6]

James Butler (1665-1745) 2nd Duke of Ormond, studio of Michael Dahl, oil on canvas, circa 1713 courtesy of National Portrait Gallery NPG 78.

The 2nd Duke carried out more work on Kilkenny Castle. Bence-Jones continues: “[William] Robinson is also believed to have designed the magnificent entrance gateway of Portland and Caen stone with a pediment, Corinthian pilasters and swags which the second Duke erected on the street front of the castle ca 1709. Not much else was done to the castle in C18, for the Ormondes suffered a period of eclipse following the attainder and exile of the 2nd Duke, who became a Jacobite after the accession of George I.” [3]

Kilkenny Castle, photograph by unknown 2014 for Failte Ireland, Ireland’s Content Pool. [see 1]
Kilkenny Castle in Kilkenny, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
A drawing for the entrance of Kilkenny Castle, very different from what we see today.
The classical frontispiece was designed for James Butler, Second Duke of Ormonde possibly to designs prepared by Sir William Robinson. Kilkenny Castle. It has full height Corinthian pilasters and a large arched entry, with niches either side. The moulded surrounds of the entrance and niches have keystones. A decorative frieze of swags sits above the entrance arch. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
At the top of the entrance door is the Butler coat of arms and their motto, Comme le Trouve, “As I find.” Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inside of the entrance gate, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inside of the entrance gate, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inside of the entrance gate, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
James Butler (1665-1745), 2nd Duke of Ormonde, 13th Earl of Ormonde, artist unknown, formerly attributed to William Dobson (British, 1611-1646). James was the eldest surviving son of Thomas Butler, Earl Ossory, and his wife Amelia Nassau.
Following his father’s death in 1680, James became the heir to his grandfather, James Butler, 1st Duke of Ormond, whom he succeeded in 1688. James is wearing Garter robes. This is a crudely painted piece. The head is similar to that used in portraits by Dahl.

Although he was later a Jacobite, favouring the return of James III to the throne rather than George I, James 2nd Duke favoured William III over James II. He took up arms under William Prince of Orange. He was present at the Boyne, and during William’s stay in Ireland entertained the king in extravagant style at Kilkenny castle. 

Lots of stone carved heads decorate the exterior of the castle. I’m not sure when they were added, but if they were there at the time of King William’s visit the military headgear of some was bound to impress.

Lots of stone carved heads decorate the exterior of the castle. Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
One of the stone heads next to an entrance of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
One of the stone heads next to an entrance of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
One of the stone heads next to an entrance of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
One of the stone heads next to an entrance of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There are also stone heads inside the front corridor. I think the corridor’s inner wall was originally an external wall of the castle. The heads inside are regal, not militant.

The front corridor of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A carved stone head inside the front corridor Kilkenny Castle, at the end of hood moulding over a door. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A carved stone head inside the front corridor Kilkenny Castle, at the end of hood moulding over a door. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stephen speaks to a guide in the front corridor of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stephen in the front corridor of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A drawing inside Kilkenny Castle shows a slightly different South front, with a portico around the entrance door. Now the whole ground floor has been extended out from the rest of the building into a corridor.
The entrance to inside Kilkenny Castle, the rounded arched door. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Once William and Mary were established on the throne of England, he began to reap the rewards of his allegiance. He attended the coronation of the new king and queen as lord high constable of England, and was named as a gentleman of the king’s bedchamber. Later he became a privy councillor in both Ireland and England. The dictionary of national biography tells us that if Ormond had prospered in William’s reign, he was to reach new heights of favour under Queen Anne. In February 1703 Ormond was appointed lord lieutenant of Ireland.

However, his fortunes went downhill, and instead of supporting the accession of George I, he became a Jacobite. He was a supporter of James II’s son James Francis Stuart (1688-1766) and his son Charles Edward Stuart, “Bonnie Prince Charlie.”

Prince James Francis Stuart (1688-1766), after Antonio David (1698–1750), this hangs in the long gallery of Kilkenny Castle. Son of King James II and his second wife Maria d’Este, ‘Mary of Modena,’ his birth in 1688 precipitated what became known as ‘The Glorious Revolution’ in England. Throughout his life he remained a focus of the Jacobite cause, culminating in the Battle of Culloden in 1745, when his son, Prince Charles Edward Stuart, ‘Bonnie Prince Charlie,’ led the Highland Scots and other Jacobites to their final defeat. The 2nd Duke of Ormonde was a close confidant and supporter to both princes.
Possibly James Butler (1665-1745) 2nd Duke or Ormonde,13th Earl of Ormonde, attributed to Adriaen van der Werff (1659-1722). This hangs in the picture gallery of Kilkenny Castle. Ormonde, like his grandfather sat to most of the fashionable portrait painters of his day. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Following his involvement in a Jacobite rising, a Bill of Attainder was passed against him. He was impeached for high treason. His English and Scottish honours, including the order of the Garter, and his English estates were seized. Timothy William Ferres tells us that Parliament passed an act which annulled the regalities and liberties of the County Palatine of Tipperary, vested his lands in the Crown, and proclaimed a reward of £10,000 for his apprehension, should he attempt to land in Ireland. [see 6] He fled to France in 1715. 

The crown administered his estates until 1721, when parliament passed an act to enable the Duke’s brother, Charles to repurchase the estates.

The 2nd Earl lived out his life in exile, and died at Avignon in France. Despite this, he was buried in 1746 in Westminster Abbey.

James Butler (1665-1745), 2nd Duke of Ormonde, 13th Earl of Ormonde, after Michael Dahl (1659-1743). Following his support of the Jacobite rising, he was impeached and fled to France. He lived out his life in exile, died in Avignon in France in 1745 and was buried in 1746 at Westminster Abbey. Wearing armour with the blue ribbon of the Garter with the lesser George (a term used to describe the medal associated with the Order of the Garter), and a sash about his waist, Ormonde holds in his right hand a baton of command. A cavalry skirmish and buildings are to his left. The portrait appears to have been executed in the 1690s; the pose is similar to that used by both Sir Godfrey Kneller and Michael Dahl. An original portrait by Dahl which is very similar is in the Devonshire collection at Hardwick Hall. A portrait by Kneller is in the National Gallery of Ireland. This portrait hangs in the Tapestry Room of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The attainder on the 2nd Duke’s estate did not cause the forfeiture of the Irish titles or estates. At the time of forfeiture, it was supposed that the Duke’s honours were all forfeited under the act of attainder passed by Parliament, but it was subsequently decided that no proceeding of the English legislature could affect Irish dignities. James the 2nd Duke had no son, so his brother Charles Butler (1671-1758) succeeded him as 14th Earl of Ormonde and de jure 3rd Duke of Ormonde in the peerage of Ireland. However, Timothy William Ferres tells us that in 1683, Charles had been created Baron Butler, and in 1693, Baron Cloughgrenan, Viscount Tullogh, and Earl of Arran, but he never assumed or was aware of possessing the English and Irish Dukedom or Marquessate.

Charles Butler, 1st Earl of Arran (1671-1758), 14th Earl of Ormond, by James Thornhill. He was the brother of the 2nd Duke of Ormond http://www.odl.ox.ac.uk/oxfordportraits

The Kilkenny Castle website tells us that Charles attended the University of Oxford and took the Grand tour of Europe. Charles reaped rewards and titles in his support for William III, becoming Baron Butler of Weston in the English Peerage (1694) and Earl of Arran in the Irish Peerage (1694). He rose through the ranks in the British Army. He succeeded his brother as High Steward of Westminster and Chancellor of Oxford University, two posts he held until his death. He was fifty years old when he was able to repurchase the Ormonde estates. He lived in St. James’s Place and Grosvenor St. in London, and a country house in Bagshot Park, Surrey. Upon his death in 1758, the Dukedom and Marquisate became extinct.

He had no children, however, so the title passed to a cousin.

The Entrance Hall, Kilkenny Castle. Portrait is of James Wandesforde Butler (1774-1838), 1st Marquess of Ormonde (3rd creation), 19th Earl of Ormonde, by Richard Rothwell (1800-1868). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Since there is the portrait of James Wandesforde Butler (1774-1838), 1st Marquess of Ormonde (3rd creation), 19th Earl of Ormonde in the front hall, let’s continue with the genealogy of the Ormondes before we continue further into the castle.

After the childless 14th Earl of Ormonde, the successor was a cousin, John Butler (d. 1766) of Kilcash and Garryricken. His father was Thomas Butler of Kilcash (d. 1738), a grandson of Richard Butler (d. 1701) of Kilcash, a brother of the 1st Duke of Ormond.

Family tree of the Butlers, showing the genealogy of the 15th Earl of Ormonde.
Colonel Thomas Butler (d. 1738) of Kilcash and Garryricken by James Latham. Thomas was the father of the 15th Earl of Ormonde, John Butler (d. 1766) of Kilcash and Garryricken.

Colonel Thomas Butler (d. 1738) of Kilcash and Garryricken, father of the 15th Earl of Ormonde, had a brother who became a Catholic Archbishop of Cashel and Emly. Their portraits, by James Latham, hang in the picture gallery of Kilkenny Castle.

Thomas (d. 1738) inherited Kilcash from his grandfather Richard Butler (d. 1701) of Kilcash. A Colonel of a Regiment of Foot in the army of King James II, Thomas married Margaret Bourke, widow of 5th Viscount Iveagh and daughter of William, 7th Earl of Clanricarde. They had three sons: Richard (d.1711), Walter who died in Paris and John Butler of Kilcash, who succeeded to the Ormonde titles as de jure 15th Earl in 1758 on the death of his cousin Amelia, sister of James Butler, 2nd Duke of Ormonde. The couple also had five daughters: one, Honora married Valentine Brown, Lord Kenmare.

Christopher Butler (d. 1758?) Catholic Archbishop of Cashel and Emly, by James Latham. Christopher Butler was Catholic archbishop of Cashel and Emly, son of Walter Butler of Garryricken and brother of Colonel Thomas Butler of Kilcash.
In the picture gallery of Kilkenny Castle: Christopher Butler (d. 1758?), Catholic archbishop of Cashel and Emly, son of Walter Butler of Garryricken and brother of Colonel Thomas Butler of Kilcash, portrait by James Latham (1696-1747); Charles Butler (1671-1758) 2nd Earl of Arran, youngest son of Thomas Butler Earl of Ossory and brother of the 2nd Duke of Ormonde; Colonel Thomas Butler of Kilcash (d. 1738) by James Latham. He was the son of Walter Butler and Garryricken and Mary Plunket. He inherited Kilcash from his grandfather Richard, youngest brother of the Duke of Ormond. His wife was Margaret Burke. Portrait attributed to Hans Hysing (1678-1753). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The 15th Earl had no children so the title then passed to a cousin, Walter Butler (1703-1783), another of the Garryricken branch, who also became the 9th Earl of Ossory. He was the only son and heir of John Butler of Garricken and Frances, daughter of George Butler of Ballyragget. Walter inherited the Ormonde titles in 1766 which he did not assume, so is called the “de jure” 16th Earl. “De jure” describes practices that are officially recognised by laws or other formal norms, regardless of whether the practice exists in reality.

Walter Butler (1703-1783) De jure 16th Earl of Ormonde, by Robert Hunter. This portrait hangs in the drawing room of Kilkenny Castle. Walter Butler is shown seated with his dog in a formal garden landscape, with a small temple and another building in the background. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In 1732 he married Eleanor Morres (1711-1793), the daughter of Nicholas Morres of Seapark Court, Co. Dublin, and of Lateragh, Co. Tipperary.

Eleanor Morres (1711-1793) by Robert Hunter (1715-1720, died after 1803). This portrait hangs in the drawing room of Kilkenny Castle. Eleanor was the daughter of Nicholas Morres of Seapark Court, Co. Dublin, and of Lateragh, Co. Tipperary, and of Susanna, daughter of Richard Talbot of Malahide Castle. She married Walter Butler, de jure 16th Earl of Ormonde, in 1732. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Duelling pistols. In 1760 Kilkenny Castle was raided for its silver plate by highwaymen. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information about duels.
Blunderbuss.

Walter succeeded to the family estates on 1766 on the death of the 15th Earl and thus moved from Garryricken House to Kilkenny Castle. Walter de jure 16th Earl was a Catholic so was unable to exercise a political role. He undertook the restoration of the Castle, decorating some of the rooms with simple late eighteenth century plasterwork, and also built the stable block across the road from the Castle, today the Design Centre and National Craft Centre. He also built the Dower House, now a hotel called Butler House.

Butler House, the dower house to Kilkenny Castle, built for Walter Butler (1703-1783) de jure 16th Earl of Ormonde. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

After Walter’s death in 1783, Eleanor moved into the Dower House. His youngest daughter, Eleanor, is known as one of the ‘Ladies of Llangollen,’ who moved with her female partner to a home in Wales.

In 1768 the thirteen-year-old Sarah Ponsonby arrived in Kilkenny to attend a local school. Following her visit to the Butler family at Kilkenny castle, and despite the difference in age, the two formed an immediate friendship and corresponded secretly. In their first attempt to flee in March 1778, they left for Waterford disguised as men and wielding pistols, but their families managed to catch up with them.

The Ladies of Llangollen, Sarah Ponsonby and Charlotte Eleanor Butler, by Richard James Lane, printed by Jérémie Graf, after Lady Mary Leighton (née Parker) courtesy of National Portrait Gallery NPG D32504.

Eleanor was then sent to the home of her brother-in-law Thomas ‘Monarch’ Kavanagh of Borris, Co. Carlow, but made a second, successful attempt and ran away to find Sarah in Woodstock, County Kilkenny. Her persistence won out when both families finally capitulated and accepted their plans to live together.

Walter and Eleanor’s son John (1740-1795) became known as “Jack of the Castle” and was the 17th Earl. Jack’s sister Susannah married Thomas Kavanagh of Borris House in County Carlow (see my entry about Borris House https://irishhistorichouses.com/2020/10/04/borris-house-county-carlow/).

Jack married Anne Wandesford, becoming a Protestant in order to marry her. This allowed him to stand as a member of Parliament. Their sons Her sons Walter and James became 18th and 19th Earls of Ormonde while a younger son Charles inherited the Wandesforde estates and took the name Wandesforde. The Kilkenny Castle website tells us that Anne placed a strong emphasis on health. In Castlecomer she had organised a fever hospital, dispensary and infirmary during the difficult period of the nineteenth century.

Susan Frances Elizabeth (Anne) Wandesford (1754-1830) Countess of Ormonde by Hugh Douglas Hamilton (1739-1808), hanging in the picture gallery of Kilkenny Castle. Daughter of John, Earl Wandesford and his wife Agnes Elizabeth Southwell of Enniscouch, Co. Limerick. In 1769, Anne married John Butler, 17th Earl of Ormonde, who claimed the Irish titles in 1783 and had them confirmed in 1791. They had four sons: Walter, later 18th Earl of Ormonde, John, who died unmarried and James. The youngest, Charles Howard Butler was heir to his mother’s estates and also inherited her brother Walter Clarke’s estates. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
John Wandesford (1725-1784), 1st Earl of Wandesford and Viscount Castlecomer, after Sir Joshua Reynolds (1723-92), hanging in the picture gallery of Kilkenny Castle. Father of Susan Frances Elizabeth (Anne) Wandesford, Marchioness of Ormonde, he was created Earl of Wandesford in 1758. When he died in 1884, the title became extinct. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
John Wandesford (1725-1784), Earl of Wandesford, father of Anne; below, Susan Frances Elizabeth (Anne) Wandesford (1754-1830), Countess of Ormonde, wife of 17th Earl of Ormonde and mother of 18th Earl, Artist: Hugh Douglas Hamilton (1739-1808); Landscape with Waterfall from the Italian school of 18th century and below, Before the Hunt. To right, Gilbert Clarke (d. 1725), by Sir Godffrey Kneller (1646-1723) and below, possibly Susanna nee Boun, wife of Gilbert Clarke. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Jack and Anne’s son Walter (1770-1820) was given the title Viscount Thurles in 1791. When his father died in 1795 he became the 18th Earl and 1st Marquess of Ormonde. He was made Knight of the Order of St. Patrick in1798 and in 1801 he was created Baron Butler of Lanthony, Co. Monmouth.

Walter Butler (1770-1820) 1st Marquess of Ormonde (2nd creation), 18th Earl of Ormonde by Sir William Beechey, hanging in the picture gallery of Kilkenny Castle. Son of John Butler and Anne Wandesford. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

After voting for the Act of Union in 1800, Walter took his seat in the House of Lords. He was said to haven a profligate spender, moving in the circle of the Regent, Prince George (later George IV).

In 1805, he married a wealthy heiress, Anna Maria Catherine Price-Clarke (1789-1817).

Anna Maria Catherine Price-Clarke (1789-1817) Marchioness of Ormonde by Sir William Beechey (1753-1839), hanging in the picture gallery of Kilkenny Castle. Heiress to her brother Godfrey TR Price-Clarke, she was the only daughter and heir of Job Hart Price-Clarke (formerly Price) of Sutton Hall, Derby, and his wife Sarah, sister and heiress of Godfrey Bagnal Clarke of Sutton Hall. She was married to Walter Butler, 1st Marquess of Ormonde (2nd creation). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

His Irish estates were worth £22,000 per annum in 1799. In 1811, probably needing money, he negotiated the sale of the presage of wines granted to his ancestor in 1327, and Parliament granted him £216,000 as compensation. He was created Marquess of Ormonde in 1816.

 Walter Butler (1770-1820) 1st Marquess of Ormonde (2nd creation), 18th Earl of Ormonde, in the manner of William Beechy.

The walls of the Chinese Withdrawing Room have remnants of hand painted Chinese wallpaper original to the room, with the monochrome grey and white infill carried out by the studio of David Skinner. This delicate paper was probably ordered as part of the redecorations done to the castle by Walter Butler (1770-1820) 1st Marquess of Ormonde (2nd creation), 18th Earl of Ormonde. Walter had three rooms decorated with Chinese Paper in 1801 of which only fragments of one survive. Walter belonged to the circle of the Prince Regent and the paper in Kilkenny is similar to that chosen by the future king for the saloon at the Royal Pavilion, Brighton, and to another set which the regent presented to the owners of Temple Newsam, Leeds.

During the 19th century ladies withdrew here from the dining room leaving the men to enjoy their port and cigars after dinner, as was the social convention.

The Chinese Withdrawing Room, Kilkenny Castle. Walter Butler belonged to the circle of the Prince Regent and the paper in Kilkenny is similar to that chosen by the future king for the saloon at the Royal Pavilion, Brighton, and to another set which the regent presented to the owners of Temple Newsam, Leeds. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Chinese Withdrawing Room, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Chinese Withdrawing Room, Kilkenny Castle. Recreated to its original 18th century proportions. The room has a late 19th century Ushak rug. Ushak Carpets are handwoven in the city of Uşak in Turkey. Uşak was a major centre of rug production from the early days of the Ottoman Empire. There was a renewed appreciation for Persian rugs in the 19th century and the Ushak rugs became highly fashionable. Ushak rugs are generally woven in a method known as the Ghiordes knot or the Turkish knot: where coloured weft yarn passes over the two warp yarns and is then pulled through between them and then cut to form the pile. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Chinese Withdrawing Room, Kilkenny Castle. Recreated to its original 18th century proportions. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information board about the Chinese Withdrawing Room in Kilkenny Castle.
The Chinese Withdrawing Room. On the walls are remnants of hand painted Chinese wallpaper original to the room with monochrome infill carried out by the studio of David Skinner. This delicate paper was probably ordered as part of the redecorations done to the castle by the 18th Earl, Walter Butler. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Chinese Withdrawing Room, Kilkenny Castle. Walter Butler had three rooms decorated with Chinese Paper in 1801 of which only fragments of one survive. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Chinese Withdrawing Room, Kilkenny Castle. The Crowded design includes water fowl, fruit and flower laden trees, ornate balustrades and fences supporting urns of various sizes and forms. More vases hang from the trees, where pheasants perch and smaller birds fly in pursuit of butterflies and insects. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Chinese Withdrawing Room. A tulipiére is an ornate vessel in which to grow tulips. They are typically constructed to accommodate one bulb per spout with a larger common water reservoir base. It is usually made of hand crafted pottery, classically delftware. This tulipiére was hand-made in Delft in 2009 as a one off. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

When Walter the 18th Earl died, the Marquessate of Ormonde and the Barony of Butler of Lanthony became extinct. He was described by Barrington in his Personal Sketches ‘as engaging a person, as many manly qualities, and to the full as much intellectual promise, as any young man of his country,’ but these were ‘either blunted by dissipation or absorbed in the licentious influence of fashionable connection’.

The Kilkenny Castle website identified this portrait that hangs in the long gallery of Kilkenny Castle as James Butler (1774-1838) 1st Marquess of Ormonde (3rd creation) and 19th Earl of Ormonde, by John Saunders (1750-1825). However it looks to me like Walter Butler (1770-1820) 1st Marquess of Ormonde (2nd creation), 18th Earl of Ormonde. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The 18th Earl had no sons so his brother James Wandesford Butler (1774-1838) succeeded him. Upon his death, it was found that Walter’s estate was massively bankrupt. It was left to his successor James, the next Earl of Ormond and his younger brother Charles to bring order to the families’ financial affairs.

James Butler (1774-1838), 1st Marquess of Ormonde, 19th Earl of Ormonde, unknown artist. This portrait hangs in the library of Kilkenny Castle. James Butler was born at Kilkenny Castle the 15th July 1774, third son of John Butler, 17th Earl of Ormonde and Lady Frances Susannah Anne Wandesforde. He was educated at Eton and succeeded his brother Walter as Earl of Ormonde in 1820 becoming one of the largest landowners of Ireland. He and his younger brother Charles Harward were friends of the Prince of Wales. He married Grace Louisa Staples in 1807.

James Butler (1774-1838) was born at Kilkenny Castle the 15th July 1774, third son of John Butler, 17th Earl of Ormonde and Lady Frances Susannah Anne Wandesforde. He was educated at Eton.

After the Act of Union in 1800, James Wandesford Butler (1774-1838) took his seat in London as MP for Kilkenny (1801-20). In 1807 he married Grace Louisa Staples. They had ten children.

Grace Louisa Staples (1779-1860) Marchioness of Ormonde by John Saunders (1750-1825) hanging in the picture gallery of Kilkenny Castle. Daughter of the Rt Hon John Stapes of Lissan, near Dungannon and Henrietta, fourth daughter of Richard, 3rd Viscount Molesworth, she married James Butler, 19th Earl and 1st Marquess of Ormonde (3rd creation) in 1807.

James succeeded his brother in 1820 and because the English honours had become extinct at Walter’s death, it was not until 1821 that he was created Baron Ormonde of Lanthony, Knight of St. Patrick, in the same year. Four years later he was created 1st Marquess of Ormonde (of the 3rd creation). 

He officiated as Chief Butler of Ireland at the Coronation of George IV.

He was Vice Admiral of Leinster, Lord Lieutenant of Co. Kilkenny (1831-38) and Militia ADC to King William IV and to Queen Victoria from 1837 until his death. 

James Wandesforde Butler (1774-1838), 1st Marquess of Ormonde (3rd creation), 19th Earl of Ormonde, by Richard Rothwell (1800-1868), the portrait hangs in the Hall of Kilkenny Castle. He succeeded his brother Walter as Earl of Ormonde in 1820, becoming one of the largest landowners in Ireland with an estate worth more than £20,000 a year. He was created Marquess of Ormonde in 1825 and officiated as Chief Butler of Ireland at the Coronation of George IV. He married Grace Louisa Staples in 1807, they had ten children. He died in Dublin in 1838 and was succeeded by his eldest son John. In this portrait, the marquess is depicted wearing a dark coat with the blue ribbon of the Order of St Patrick. Rothwell, an Irish artist who had worked as Sir Thomas Lawrence’s chief assistant, was a highly regarded portrait painter.
Marquess James Butler, Ormonde (1774 – 1838), 1830, After John Comerford (around 1762 Kilkenny – 1832 Dublin).

It was during James Wandesford Butler the 19th Earl and 1st Marquess’ time that major reconstruction work was carried out at Kilkenny Castle, around 1816 by William Robertson.

After some refurbishment had been carried out at Butler House, the family moved to live there for some years during the reconstruction work of the late 1830s and the 1840s. Robertson, an architect from Kilkenny, practically rebuilt the castle, except the three old towers and the outer walls. The front entrance by the 2nd Duke remains. Robertson swept away the 1st Duke’s embellishments.

The picture gallery of Kilkenny Castle has a wonderful drawing by William Robertson around 1816 of the castle.

Robertson replaced one of two missing sides of the courtyard with a new wing containing an immense picture gallery. The original gallery, on the top floor of the principal range, had been divided into bedrooms.

William Robertson (1770-1850) also designed a Section 482 property which I have yet to visit, Lismacue in County Tipperary (see my entry https://irishhistorichouses.com/2025/02/10/lismacue-house-bansha-co-tipperary-section-482-accommodation/ ).

Lismacue House, County Tipperary, photograph courtesy of website.
Kilkenny Castle, photograph by Chris Hill 2014 for Failte Ireland, Ireland’s Content Pool. [see 1] The National inventory describes the newer picture gallery wing. It was renovated a second time in 1858-62, with eight-bay two-storey range to north-east reconstructed having canted oriel windows to first floor, and pair of single-bay single-stage corner turrets on octagonal plans. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Mark Bence-Jones describes the renovations:

Ca. 1826, the Kilkenny architect, William Robertson, when walking in the castle courtyard with the Lady Ormonde of the day, noticed that a main wall was out of true and consequently unsafe. One suspects it may have been wishful thinking on his part, for it landed him the commission to rebuild the castle, which he did so thoroughly that virtually nothing remains from before his time except for the three old towers, the outer walls and – fortunately – the 2nd Duke’s gateway. Apart from the latter, the exterior of the castle became uncompromisingly C19 feudal; all the 1st Duke’s charming features being swept away. Robertson also replaced one of two missing sides of the courtyard with a new wing containing an immense picture gallery; the original gallery, on the top floor of the principal range, having been divided into bedrooms. Robertson left the interior of the castle extremely dull, with plain or monotonously ribbed ceilings and unvarying Louis Quinze style chimneypieces.” [see 3]

The long gallery wing of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inner corner of the south front of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inner corner of the south front of Kilkenny Castle. The hoppers on the top of the drain pipes depict an eagle, and each has a different date written on it, each a significant year to the Ormondes and Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The view from the south front of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

On the ground floor of the castle, along with the Entrance Hall are the Chinese Withdrawing Room and the State Dining Room. In a corridor there is a plan of the different floors – I don’t know when it was made, but maybe around 1826 at the time of Willliam Robertsons’s renovation.

Kilkenny Castle: this shows the ground floor with the hall, dining room and withdrawing room, and the Tapestry room in a round tower.
Kilkenny Castle.

The ground floor also contains the State Dining Room. The website tells us that this was the formal dining room in the 1860’s. Historic evidence shows that this room was hung in the late 19th century with a red flock paper when it was a billiard room. The strong blue on the walls echoes the colour in the original 19th century-stained glass windows and provides a backdrop for the Langrishe family portraits, which originated in Knocktopher Abbey, Kilkenny, and are now in the care of the State.

Knocktopher Abbey in County Kilkenny, a house incorporating the remains of the first Carmelite friary in Ireland, rebuilt for Lieutenant-Colonel Sir James Langrishe JP DL (1832-1910) after a fire. It was rebuilt around 1866 in High Victorian Gothic to the design of John McCurdy. The paintings on display are part of a generous bequest to Kilkenny Castle from Lady Grania Langrishe in July of 2012. See my footnotes for a description of the portraits of the Langrishe family which are on display. [9]

John Langrishe  (1660-1735), son of Hercules Langrishe (the first member of the family who settled in Ireland), became proprietor of the borough of Knocktopher, County Kilkenny. 

Knocktopher Abbey, Knocktopher, Co. Kilkenny, photograph courtesy DNG Country Homes & Estates, November 2024.

Most large estate houses would have had both a formal and informal Dining Room. The collection of silverware contains some pieces from the original 18th century collection, purchased by Walter Butler, the 18th Earl, after his marriage to the wealthy heiress Anna Maria Price Clarke.

The State Dining Room, Kilkenny Castle. This was the formal dining room in the 1860’s. Historic evidence shows that this room was hung in the late 19th century with a red flock paper when it was a billiard room. The strong blue on the walls echoes the colour in the original 19th century-stained glass windows and provides a backdrop for the Langrishe family portraits, which originated in Knocktopher Abbey, Kilkenny, and are now in the care of the State. Portrait of Rev. Sir Hercules Richard Langrishe (1782-1862), 3rd Baronet of Knocktopher County Kilkenny, artist unknown, in the corner. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The State Dining Room, Kilkenny Castle. Portrait of Sir Robert Langrishe (1756–1835), 2nd Baronet Knockopher, artist unknown, over the door. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The State Dining Room, Kilkenny Castle. Reflection of oil portrait of an unknown gentleman possibly Sir Robert Langrishe 2nd Baronet. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The State Dining Room, Kilkenny Castle. Portraits, from left to right: Robert Langrishe 2nd Baronet; an unknown gentleman perhaps John Langrishe (1660-1735); Robert Langrishe (1696-1769), artist unknown; Hercules Langrishe (1859–1943), 5th Baronet Knocktopher, Artist unknown and Hercules Langrishe (1731-1811), 1st Baronet Knocktopher, artist unknown. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kilkenny Castle dining room, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
View from the dining room onto the garden of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Garden front of Kilkenny Castle, photograph by Roselinde Bon 2016 for Failte Ireland, Ireland’s Content Pool. [see 1]
Planning sketch for the garden of Kilkenny Castle.
Kilkenny Castle in Kilkenny, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.

The 19th century mahogany staircase was designed and made by the local firm of Furniss & Son, Kilkenny and leads to the Tapestry Room and first floor. The use of mahogany in domestic furniture, which is so synonymous with the Grand House, is virtually unknown before the 18th century. Most of the wood imported came from the Jamaican Plantations which were cleared in order to plant sugar cane and cotton. During the 19th century this staircase was hung with several beautiful tapestries from the Decius Mus suite, some of which are now housed in the Tapestry Room.

Photograph courtesy of Kilkenny Castle website, The Grand Staircase.
At the top of the stairs is a portrait of Mrs Nott (Knott) (d.1711), possibly Susan, granddaughter of Sir Thomas Nott, Gentleman Usher of the Privy Chamber to Charles II, studio of William Wissing (1656-87). Brewer describes the sitter as a possible mistress of one of the dukes of Ormonde. The portrait also resembles that of Amelia of Nassau, wife of Thomas, Earl of Ossory, in similar costume, and may have been acquired for that reason. A signed portrait by Wissing of Mrs. Knott is in the Royal Collection, as is a portrait of Amelia. Millar dates the original portrait to ‘perhaps c. 1680-85.’ Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The other portrait at the top of the stairs is John Bligh (1683-1728), Earl of Darnley, Viscount Darnely and Baron Clifton, attributed to Charles Stoppelaer (fl. 1703-45). Bligh was MP for Trim (1709-13) and for Athboy (1713-21). His father, Thomas, had obtained large grants of land in Ireland under the Acts of Settlement 1668. He was created Baron Clifton of Rathmore, Co Meath in 1721 in consequence of his marriage in 1713 to Theodosia Hyde, suo jure Baroness Clifton, sister and heir of Edward, Lord Clifton, Viscount Cornbury. She was a wealthy heiress with royal connections. Bligh is depicted wearing a buff-coloured coat with drapery. it was painted c.1723, as the coronet is that of a viscount. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Grand Staircase, Kilkenny Castle. This 19th century mahogany staircase was designed and made by the local firm of Furniss & Son, Kilkenny and leads to the Tapestry Room and first floor. Most of the wood imported came from the Jamaican Plantations which were cleared in order to plant sugar cane and cotton. During the 19th century this staircase was hung with several beautiful tapestries from the Decius Mus suite, some of which are now housed in the Tapestry Room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Grand Staircase, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Grand Staircase, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Unknown Gentleman by Philip Hussey (1713-1783). Said to be a member of a Fitzgerald/Fitzmaurice family from the Cork area. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Unknown lady by Philip Hussey (1713-1783). The basic details of the costume are identical to that worn by Mrs Sophia Tipping in the double portrait, Mrs Sophia Tipping with her daughter, Wilhelmina Salisbury, also painted by Hussey. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mrs Sophia Tipping and her Daughter Wilhelmina Salisbury by Philip Hussey.
An allegory of Avarice by Jan de Herdt (fl.1646-72). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The stair hall, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

On the first floor we can visit the Tapestry Room, and then a suite of rooms, the Anteroom, Library and Drawing Room.

The first floor of Kilkenny Castle, with the Tapestry Room then the suite of rooms containing the anteroom, library and drawing room.

The Tapestry Room in the North Tower shows how the medieval castle was transformed in the 17th century to become a magnificent baroque ducal palace. This room was called the Great Chamber in the 17th century and the walls were decorated with embossed and gilded leather hangings on the walls; a fragment of a late 17th/ early 18th century leather has been hung beside the door to give an impression of how rich the room must have been. In the 18th century, they were replaced by a set of tapestries. There are two tapestries from the “Decius” suite in the Tapestry room. The tapestries are attributed to the workshop of Jan Raes, after designs by Sir Peter Paul Rubens.

The ‘Decius’ suite had been in the ownership of the Ormonde family for over 300 years and was displayed in several of their residences before being acquired by OPW for display in Kilkenny Castle. Tapestries were an important feature of the interior decoration of large houses in Europe during the 16th and 17th centuries and helped provide interior interest, warmth, and colour. There area more of this series of tapestries in the picture gallery of the castle.

The Gothic block wallpaper that goes halfway up the walls is a reproduction of an eighteenth century Irish wallpaper, reproduced by David Skinner.

The ceiling outlines the keyhole shape of this room, created by the addition of a square tower to the circular medieval tower during the 15th century.

The Tapestry Room in Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Desius Mus and Manlius Torquatus leave to fight the Latins. There are two tapestries from the “Decius” suite in the Tapestry room. The tapestries are attributed to the workshop of Jan Raes, after designs by Sir Peter Paul Rubens. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The obsequies of Decius Mus. The Story of ‘Decius Mus’ is a heroic tale of a Roman Consul who foretold his own death at the Battle of Veseris (Vesuvius) in the Latin War (340BC). You can read more about these tapestries on the Kilkenny Castle website. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information about the tapestries.
Information about the tapestries.
Japanese chest. A fine early black lacquer and chinoiserie decorated lift-top chest, with large engraved brass lock place, on a stand with short square legs. This travelling chest belonged to the Duke of Ormond and is an important remnant of the late 17th century furnishing of Kilkenny Castle. The Gothic style hand blocked wallpaper was reproduced by David Skinner from Malahide Castle, one of the very few examples of Irish produced wallpaper from the 18th century. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Tapestry Room, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Tapestry Room in Kilkenny Castle. The ceiling outlines the keyhole shape of this room, created by the addition of a square tower to the circular medieval tower during the 15th century. One one side is the portrait of James Butler (1610-1688), 1st Duke of Ormond, 12th Earl of Ormond, Lord Lieutenant of Ireland, by Peter Lely. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
James Butler (1610-1688), 1st Duke of Ormond, 12th Earl of Ormond, Lord Lieutenant of Ireland, by Peter Lely (1618-1680). Wearing robes of the Order of the Garter, Ormond holds the wand of office of Lord Steward of the Household in his right hand. The portrait is probably that referred to in a series of letters written by Ormond’s agents, John Buck in England and Sir George Lane in Ireland, during the years 1662 to 1663. In a letter dated May 1663, John Buck wrote: ‘…the latter end of this month I shall send from hence a most excellent picture of My Lord Duke’s, I think you saw the face done before you went; by that time I am promised the Queen’s for my Lady Duchess to send along with it: Mr. Lilly tells me there is one very good at cappeinge [copying?] in Dublin, if not pray let me receive your farther commands; Mr. Lilly will presently part with the Duchess’ pictures for you, if you can procure any to bring directions from Her Highness to him for it.’ [HMC Ormonde Mss, iii, 55]. This is the finest extant portrait of the duke. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Tapestry Room in Kilkenny Castle is in the North Tower with its 12 ft thick walls. Portrait of Honora Bourke (1675-1698), Countess of Lucan and Duchess of Berwick, French School 17th century. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Honora Bourke (1675-1698), Countess of Lucan and Duchess of Berwick. French School 17th century. She was the daughter of William Bourke, 7th Earl of Clanricarde and Lady Helen MacCarty. Honora’s sister was Margaret, Lady Iveagh, wife of Thomas Butler of Kilcash. She married, firstly, General Patrick Sarsfield, 1st Earl of Lucan, son of Patrick Sarsfield, circa 9 January 1689/90 and secondly, James FitzJames, 1st Duke of Berwick-Upon-Tweed, son of James II Stuart, King of Great Britain and Arabella Churchill, on 26 March 1695 at Saint-Germain-en-Laye, Île-de-France, France. Honora died aged 22 at Pesenas in France. Both her sons inherited their father’s titles. Oval, 1/2 length portrait. Sitter wears a yellow dress with a blue ermine-trimmed, blue wrap. It was possibly taken from a portrait painted on the occasion of her marriage to the Duke of Berwick at St-Germain-en-Laye. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Tapestry Room in Kilkenny Castle is in the North Tower with its 12 ft thick walls. This room was called the Great Chamber in the 17th century and the walls were decorated with embossed and gilded leather hangings on the walls. Portraits of James Butler (1665-1745), 2nd Duke of Ormonde, 13th Earl of Ormonde, after Michael Dahl (1659-1743), and Thomas Wentworth (1593-1641), 1st Earl of Stafford. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Thomas Wentworth (1593-1641), 1st Earl of Stafford, Lord Deputy General, Lord lieutenant of Ireland, after Anthony van Dyck (1599-1641). In the late 1620s, Wentworth was MP in opposition to the Crown, but was to become one of Charles I’s principal supporters from 1629 until his death. During his time in Ireland as Lord Lieutenant, Strafford sought to further royal interest, and in so doing he also managed to enrich himself. As a result of his manoeuvres and his own self-aggrandisement, he made many powerful enemies. His final effort on the King’s behalf-the formation of a standing army in Ireland to defend royal’s interest- was to lead to his ultimate downfall in 1640. Rumours spread that the army was to be used to invade England. He was committed to the Tower of London, and in January 1641 was impeached for high treason. The King signed his death warrant, and he was executed on Tower Hill in May 1641. Head and shoulders in armour, after a portrait by Sir Anthony van Dick painted in 1636. Van Dyck painted two portraits of the sitter in armour, one a full-length, the other a three-quarter-length. Numerous smaller copies were also made by studio assistants. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information board about the Tapestry Room.
The Tapestry Room in Kilkenny Castle, with the portrait of King Charles II in the background. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Tapestry Room in Kilkenny Castle. The colour orange is an early 19th century burnt Sienna distemper known as Malahide Orange, which was also found at Malahide Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
State chair, Original of Kilkenny Castle, a Charles II walnut state chair covered with both early 18th and possibly 17th century leather with very colourful decorations on back. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

From the website: “Today the first floor space is occupied by three rooms: Anteroom, Library and Drawing Room, as it was in the 19th century. The processional lay out of the rooms, each opening into the next is characteristic of the Baroque style of the 17th century and was know as an ‘enfilade’ suite of rooms. Baroque protocol dictated that visitors of lower rank than their host would be escorted by servants down the enfilade to the nearest room that their status allowed.

In the 16th and 17th century the State Rooms were situated on this floor. 17th century history records that it was in these state apartments that James Butler 1st Duke of Ormonde received the Papal Nuncio Giovanni Battista Rinuccini during the Irish Confederate Wars of that century.

James Butler, 1st Duke of Ormonde (1610–1688) after John Michael Wright courtesy of National Trust images.

The Kilkenny castle website continues: “An Anteroom was a small room used as a waiting room, that leads into a larger and more important room. The Anteroom and the room below, today the Serving Room, were constructed in the area where an earlier stone staircase was situated.” The anteroom features a reproduction poplin wallpaper and bronze figurines in niches.

The Ante Room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Anteroom, Kilkenny Castle. Pair of large cast bronze art nouveau female figures, holding torches, suitable for conversion to electricity, as lamp holders. Semi-clad and standing on a circular base, the female figures hold a torch as a lamp holder in their hands, signed E. Rossi. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The anteroom leads to the library. “The interior decoration is a faithful recreation of the furnishing style of the mid to late 19th century. Thanks to a salvaged fabric remnant found behind a skirting board, it was possible to commission the French silk poplin on the walls in its original pattern and colour from the firm of Prelle in Lyons in France. The claret silk damask curtains are also based on the originals were made in Ireland.

For identification of the portraits in this room, see my footnotes. [10] Not all of the sitters seem to be immediately connected to the Ormonde family.

The Library. Briefly, the portraits on the wall over the door are, from the left, an unknown lady; possibly Rachel Russell the wife of William, 2nd Duke of Devonshire. Rachel was related by marriage to the Ormonde family, her husband was the son of Mary Butler, 1st Duchess of Devonshire; James Butler (1774-1838), 1st Marquess of Ormonde, 19th Earl of Ormonde; Elizabeth Jones (1665-1758), after William Wissing. Wife of John Fitzgerald, 18th Earl of Kildare; and an unknown lady. Photograph courtesy of Kilkenny Castle website.

One of the nine massive curtain pelmets is original and an Irish firm of Master Gilders faithfully reproduced matching gilt reproductions. The bookcases were also reproduced based on one original bookcase acquired by the OPW in the 1980s, this original with its 19th century glass stands in the right end corner of the library. The matching pair of pier mirrors over the mantelpieces was conserved and re gilded.”

The Library, Kilkenny Castle. The claret silk damask curtains are also based on the originals were made in Ireland. One of the nine massive curtain pelmets is original and an Irish firm of Master Gilders faithfully reproduced matching gilt reproductions. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Library, Kilkenny Castle. The claret silk damask curtains are also based on the originals were made in Ireland. One of the nine massive curtain pelmets is original and an Irish firm of Master Gilders faithfully reproduced matching gilt reproductions. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Library, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Berber style rugs were designed and woven for this room by the firm of Woodward Grosvenor in the 1990s. The restoration team were fortunate in finding the original receipt for the carpet in the family papers, and were able to trace the original company who had retained the design records. The design is based on patterns adapted from Izmir motifs. The Woodward Grosvenor company was based in Kidderminster, England. The town has been a centre of weaving for many centuries, and in the mid – late 18th century began to specialize in new forms of carpet weaving, earning the title of Carpet Capital of Britain. The company was founded in 1790 by Henry Woodward. in 1855 with his partner Benjamin Grosvenor, he build the Stour valley Mill, the first steam-powered carpet mill in Britain.

Information board about the library in Kilkenny Castle.
The Library, Kilkenny Castle. The matching pair of pier mirrors over the mantelpieces was conserved and re gilded. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Grace Louisa Staples (1779-1860) by John Comerford (1773-1835). Daughter of the Rt Hon John Staples of Lissan, near Dungannon, and Henrietta, fourth daughter of Richard, 3rd Viscount Molesworth, she married James Butler, 19th earl and 1st Marquess of Ormonde, in 1807. This small, half-length portrait is a variation on the full-length portrait of the sitter by John Saunders displayed in the Picture Gallery. Then Louisa Anne Molesworth (1749-1824), Lady Ponsonby, and later Countess Fitzwilliam, by Hugh Douglas Hamilton (ca.1739-1808). The fourth daughter of the 3rd Viscount Molesworth and his second wife Mary Usher, she married William Brabazon (later Baron) Ponsonby of Imokillly, Co. Cork, in 1769. Secondly, in 1823, she married Earl Fitzwilliam when he was 75 and she 73. Then Inscribed on the back: “Anastasie de Crussol, daughter to the dear friend of Mary Countess of Harcourt who lived during the time of the Emigration of the French principally at St Leonards, she died soon after the birth of her daughter. Her mother was daughter to the Duc de Montilmar.” Bottom, Charles Robert Moore (1848-1869), unknown artist, Inscribed on the back: “My beloved uncle [as a] child Charles Robt Moore he died at Alexandria aged 21 in 1869. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
James Butler (1774-1838), 1st Marquess of Ormonde, 19th Earl of Ormonde, by John Comerford (1773-1835). This small, half-length portrait is a variation on the full-length portrait of the sitter by John Saunders displayed in the Picture Gallery. Then Hon Henrietta Molesworth (d. 1813) by Hugh Douglas Hamilton (1740-1808). Eldest daughter of the 3rd Viscount Molesworth and his second wife Mary Usher, she married the Rt Hon John Staples of Lissan, Co Tyrone, in 1774. Their daughter, Grace Louisa Staples married James Butler, 19th Earl and 1st Marquis of Ormonde. Then Mrs Ross, attributed to Adam Buck (1759-1833). Isabella Barbara Evelyn was the daughter of Sir Gunning Bart and Ann Sutton. She married General Alexander Ross (1742-1827) in 1795. Bottom, Lady Flora Hastings (1806-1839), attributed to Adam Buck. Eldest child of Francis Rawdon Hastings, 1st Marquess of Hastings and Flora Mure Campbell, Countess of Loudown. In 1834 the unmarried Flora was appointed lady-in-waiting to future Queen Victoria’s mother, the Duchess of Kent. She was the innocent centre of a scandal that rocked court and government and caused Victoria’s popularity to plummet.
The Library, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Library, Kilkenny Castle. A Pillar Zogroscope or Optical device was popular during the latter half of the 18th century as parlour amusements. The zogroscope was designed to magnify prints so they could be seen more easily with enhanced depth. It has a convex lens mounted in a square wooden frame that, in turn, is supported on a pedestal. A second frame, hinged at the top, holds a mirror that can be held out at any desired angle. The form came into use in the eighteenth century and remained popular throughout the nineteenth century. It was also known as an optical diagonal machine or cosmorama. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Georgian folding table. An intricately inlayed walnut table in the Georgian breakfast style. The Georgian period saw an increase in formality in dining and furniture design becomes ever more elaborate and status defining. This table is thought to date from c.1800 at the time of the Act of union with the emblems of Ireland (shamrock), Scotland (thistle) and England (rose) displayed within the decoration. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Library, Kilkenny Castle.

The Drawing Room is typically the room in a house where guests and visitors are entertained. Drawing rooms were previously known as ‘withdrawing rooms’ or ‘withdrawing chambers’ which originated in sixteenth century.

The fabrics in this room are vintage glazed and block printed English and French chintzes and have been chosen to recreate the style of the rooms as they appeared in the 19th century family photographs. The Drawing Room picture hang reflects the Edward Ledwich description in his 1789 “Antiquities of Ireland!” when this room was the Presence Chamber or Alcove.

The Drawing Room, courtesy of Kilkenny Castle website. On the back wall is the painting of the five eldest children of King Charles I, after Sir Anthony van Dyck, and by the same artist, a portrait of Queen Henrietta Maria (1609-69).
The Drawing Room, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Drawing Room, Kilkenny Castle. One either side of the fireplace are portraits of Eleanor Morres (1711-1793) by Robert Hunter, she married Walter Butler, de jure 16th Earl of Ormonde, in 1732, and of her husband Walter Butler (1703-1783) De jure 16th Earl of Ormonde, also by Robert Hunter. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Drawing Room, Kilkenny Castle. One either side of the fireplace are portraits of Eleanor Morres (1711-1793) by Robert Hunter, she married Walter Butler, de jure 16th Earl of Ormonde, in 1732, and of her husband Walter Butler (1703-1783) De jure 16th Earl of Ormonde, also by Robert Hunter. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information board about the Drawing Room of Kilkenny Castle.
Kilkenny Castle drawing room, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
Kilkenny Castle drawing room, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
Kilkenny Castle drawing room, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.

We went up another winding stone cantilevered staircase to the floor with the the blue corridor, with the bedrooms and nursery.

Private staircase, Kilkenny Castle. This elegant late Georgian style staircase from the early 1800s leads to the bedroom corridor of the same period. The holes where the brass stair rods to hold the carpet can still be seen in places. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Private staircase, Kilkenny Castle. This elegant late Georgian style staircase from the early 1800s leads to the bedroom corridor of the same period. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blue corridor, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Blue Bedroom, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Blue Bedroom, Kilkenny Castle. Fragments have this restful all-over floral pattern was found in this bedroom during the restoraion work. It probably dates from the late 19th century. It is likely to have been designed and block-printed in Ireland, although the name of the maker is not known. The two-dimensional form and lack of modelling reflect the ideas of the Design Reform movement, while the organic vitality of the lines suggests the influence of the English designer William Morris. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The watercolours on display were painted by Anne Wynne née Butler, daughter of John Wandesford Butler, 1st Marquess, and his wife Grace Louisa Staples. Grace herself painted and exhibited her paintings, and she made sure that all of her children learned to paint. Anne married J.A. Wynne of Hazelwood House in County Sligo in 1838.

The Blue Bedroom, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Blue Bedroom, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Blue Bedroom, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Blue Bedroom, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The view from the Blue Room bedroom.

The photograph shows how much work the OPW had to do to make the bedroom fit for visitors.

The Blue Bedroom, Kilkenny Castle.

James 1st Marquess of 3rd creation died in Dublin in 1838 and was succeeded by his eldest son John Butler (1808-1854), who became 2nd Marquess, 20th Earl of Ormonde, Earl of Ossory and Viscount Thurles, Baron Ormonde of Lanthony, and Chief Butler of Ireland. John Butler travelled extensively. His Journals, now in the National Library of Ireland, record his many journeys across Europe to Italy and Sicily. He published an account of his travels, Autumn in Sicily, and he also wrote an account of the life of St. Canice, based on a Latin manuscript in the Burgundian library in Brussels.

John Butler (1808-1854) 2nd Marquess (3rd creation), 20th Earl of Ormonde, by Henry Weigall, Jr. (1829-1925). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

He married Frances Jane Paget in 1843. He continued the work of rebuilding Kilkenny castle that was started by his father. The castle website tells us that his journals show him to have a deep interest in art, and there are careful descriptions of several of the great galleries in Italy to be found in his writing.

Frances Jane Paget (1817-1903) Marchioness of Ormonde with her son James, Earl of Ossory by Richard Buckner (fl.1820-79). Daughter of General Edward Paget, GCB and his second wife Harriet daughter of George Legge, 3rd Earl of Dartmouth. Wife of John Butler, 2nd Marquess of Ormonde. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Although he continued to write in his journals during the years 1847 to 1850, no mention of the Irish famine is made.

He died while bathing in the sea near Loftus hall on Hook Head, Co. Wexford. A marble tomb was erected in his memory in St. Canice’s Cathedral, Kilkenny.

The Blue Bedroom, Kilkenny Castle. Top: Wedding of John Butler 2nd Marquess of Ormonde & Frances Jane Paget, 1843
Artist Edmund Fitzpatrick (fl. 1848-1883) The wedding procession in front of Kilkenny Castle, with groups of local people in the streets as the couple are recieved at the Gates. Below: Funeral of John Butler 2nd Marquess of Ormonde, 1854, Artist Edmund Fitzpatrick. The funeral procession in front of Kilkenny Castle, groups of local people in the streets.

The children were still young when their father died in 1854. Frances Jane looked after the Ormonde estates and continued the rebuilding of Kilkenny castle. During the early years of her marriage (1844-1849), she was the Lady of the bedchamber to the Queen Dowager, Adelaide.

Frances Jane Paget (1817-1903) Marchioness of Ormonde, Artist Unknown. Frances married in 1843, and so her children were still young when their father died in 1854. She looked after the Ormonde estates, and continued the rebuilding of Kilkenny castle. During the early years of her marriage(1844-1849), she was the Lady of the bedchamber to the Queen Dowager, Adelaide. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The picture gallery of Kilkenny Castle: John Butler (1808-1854), 2nd Marquess of the 3rd creation, 20th Earl of Ormonde, Earl of Ossory and Viscount Thurles, Baron Ormonde of Lanthony, Chief Butler of Ireland; Frances Jane Paget in middle (1817-1903), with her son James, Earl of Ossory. On top of the three,  over her father and uncle, is Frances Jane Paget again, with her dog. Below is her father General the Honourable Edward Paget (1775-1849), soldier and Governor of Ceylon. He was second in command under the Duke of Wellington in the Napoleonic Wards. He lost his right arm in Spain. Below him is Field Marshall Henry William Paget (1768-1854), 1st Marquis of Anglesey, Lord Lieutenant of Ireland, brother of Edward, above. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
General the Honourable Edward Paget (1775-1849), soldier and Governor of Ceylon, attributed to Sir Martin Archer Shee (1769-1850). He was the father of Frances Jane Paget, wife of the 2nd Marquess. He was second in command under the Duke of Wellington in the Napoleonic Wards. He lost his right arm in Spain. He is seated wearing the red ribbon of the knight of the Grand Cross of the order of the Bath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Another bedroom is the Chinese Bedroom, connected to the blue bedroom by double doors. This bedroom is decorated with a modern reproduction of a hand painted Chinese wallpaper, part of the Chinoiserie theme of the room. The wallpaper was based on a design from Lissan House in County Tyrone, owned by the Staples family, Grace Louisa Staples became Marchioness of Ormonde when she married James Butler, 19th Earl, 1st Marquess of Ormonde in 1807.

The Chinese Bedroom, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Chinese Bedroom, Kilkenny Castle. A large early black lacquered and chinoiserie decorated Chinese Cabinet and two doors with engraved gilt metal mounts enclosing an arrangement of ten drawers, on a stand with cabriole legs and scroll feet. A rare antique Chinese eight fold lacquered screen, profusely carved and decorated with figures by pavilions, various mythical and domestic animals, birds, flowers and emblems on one side, and the other side inscribed all over. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I particularly love the eagle holding up the drapery of the bed!

The Chinese Bedroom, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The nursery is also off the blue corridor.

The Nursery. Boys were usually sent away to boarding school in England at a young age. The Butlers traditionally sent their sons to Harrow. Girls however generally received less formal education at home including sewing, drawing, etiquette and instruction on running a household. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The nursery, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The nursery, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The nursery, Kilkenny Castle. Noah’s Arks have been made at least since the 1700s and were one of the most popular wooden toys of the nineteenth century. Nearly every well to do Victorian family had one. Due to their biblical theme, Noah’s Arks were often the only toy children were permitted to play with on Sundays. During the 19th century most arks were made in Germany where entire families would carve and paint the animals. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The nursery, Kilkenny Castle. Pictured is a Zoetrope. The Kilkenny castle website tells us that from first scientific toys that used animated images to modern movies, retinal persistence has been fundamental to fooling the mind into believing that a series of static images are in motion. In 1834, the English mathematician George Horner proposed a practical apparatus based on the phenakistoscope of Plateau and Stampfer (1830). It eliminated the need for a mirror and it enabled several people at the same time to view the moving pictures – an advance over the single spectator of the earlier toy. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Praxinoscope: This scientific toy with animated images also relies on retinal persistence to make us believe we are seeing images in motion. The praxinoscope was patented by the Frenchman Emile Reynaud in 1877, who was looking to overcome the deficiencies of the zoetrope, the most popular at the time. His apparatus was the first to eliminate the distorted view of the images in movement caused by insufficient light passing through the small slots of the zoetrope. This improvement in the quality of the image resulted in its immediate popularity. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Nursery, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The son of the 2nd Marquess, James Edward William Theobald Butler became the 3rd Marquess in 1854.

James Edward Theobald Wandesford Butler (1844-1919) 3rd Marquess of Ormonde (3rd creation), 21st Earl of Ormonde by Hon Henry Richard Graves (fl.1846-81). This hangs in the picture gallery of Kilkenny Castle. Son of John and Frances Jane, he is the little boy seated in his mother’s lap in the portrait by Buckner. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Elizabeth Harriet Grosvernor (1856-1928) Marchioness of Ormonde, by Hon Henry Richard Graves (fl.1846-81). This hangs in the picture gallery of Kilkenny Castle. Eldest Daughter of the 1st Duke of Westminster, she married James 3rd Marquess of Ormonde in 1876. They had two daughters famed for their beauty. Lady Beatrice Pole-Carew and lady Constance Butler. A noted beauty of her day, the marchioness wearing a long cream dress, stands in a landscape. A good example of a fashionable society portrait of of the period. The portrait was painted as a pendant to that of her husband. The portrait is based on Gainsborough’s portrait, the Hon. Mrs. Thomas Graham ( Nat. Gal. Scotland); it is another example of ‘borrowing’ poses for portraiture. Sir John Millias also painted the marchioness, a portrait engraved F Jenkins, Paris. A watercolour portrait of her with Kilkenny castle in the background by Edward Clifford is also known. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Educated at Harrow, the 3rd Marquess served as Captain for ten years with the First Life Gaurds and was appointed Lord Lieutenant of Co. Kilkenny in 1878, a post he held until his death. During the marquess’s time, a number of royal visitors came to Kilkenny Castle; these included the Duke and Duchess of York in 1899, followed in 1904 by King Edward VII and Queen Alexandria.

From the Poole photographic collection, National Library of Ireland. Royal visitors to the Picture Gallery of Kilkenny Castle: the Duke and Duchess of York (later King George V and Queen Mary with James Butler the 3rd Marquess of Ormond and his wife Elizabeth Grosvenor, also Two other Ormondes (likely the Marquess’ daughter & brother), Marshal & Lady Roberts (Frederick Roberts & Nora Bews), 4th Viscount & Viscountess De Vesci (John Vesey & Evelyn Charteris), Lady Eva Dugdale (later Lady of the Bedchamber), Earl of Ava (Hamilton-Temple-Blackwood d.1900), Sir Charles Leopold Cust (baronet), Sir Francis De Winton, Mr J. T Seigne JP (officer of Ormonde’s estate – we came across him when we visited Kilfane, as he lived in the house there), and “Mr Moncrieffe” 
James Edward William Theobald Butler (1844-1919) 3rd Marquess of Ormonde by Walter Stoneman 1917, courtesy of National Portrait Gallery NPG x43817.
James Edward William Theobald Butler (1844-1919) 3rd Marquess of Ormonde, probably with his wife.

James 3rd Marquess was an Officer of the Life Guards and a Knight of the Order of St. Patrick.

Swords and scabbards once owned by James Edward William Theobald Butler (1844-1919) 3rd Marquess of Ormonde. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information about the swords.

It was during the 3rd Marquess’s time that changes were made to the rather plain picture gallery block created by William Robertson. It was built on earlier foundations, primarily to house the Butler Family’s collection of paintings. Initially the gallery was built with a flat roof that had begun to cause problems shortly after its completion.

Kilkenny Castle picture gallery wing. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The architectural firm of Deane and Woodward was called in during the 1860s to make changes to the overall design of the picture gallery block and corrections to Robertson’s work. These changes included the insertions of four oriels in the west wall and the blocking up of the eight windows, while another oriel added to the east wall.

Kilkenny Castle picture gallery wing. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Plan for an oriel window at Kilkenny Castle. I’m not sure if this was made, as it is different from the oriel windows in the gallery wing of the castle.
End of the picture gallery wing Kilkenny Castle . Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Sketches of the south end of the picture gallery, Kilkenny Castle.
Sketches of the picture gallery wing, Kilkenny Castle.
The drawing for the river front of Kilkenny Castle.
Blocked up windows by Woodward and Deane in the picture gallery on the river side of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Woodward and Deane also built the fantastical Moorish staircase to give better access to the picture gallery. Charles Harrison (1835-1903), the stone carver, is credited with the carved naturalistic foliage and small animals which adorn the stairs.

The Moorish Staircase, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Moorish Staircase, Kilkenny Castle. Created by the architects Woodward & Deane to allow better access to the Picture Gallery and provide another staircase in this awkwardly shaped building. It is a rising half-turn stairs around a sky-lit well.
Charles Harrison (1835-1903), the stone carver, is credited with the carved naturalistic foliage and small animals which adorn the stairs
. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Moorish Staircase: Created by the architects Woodward & Deane to allow better access to the Picture Gallery and provide another staircase in this awkwardly shaped building. It is a rising half-turn stairs around a sky-lit well. Charles Harrison (1835-1903), the stone carver, is credited with the carved naturalistic foliage and small animals which adorn the stairs. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kilkenny Castle Moorish staircase, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
Information about the Moorish Staircase.
The Moorish Staircase, Kilkenny Castle. Created by the architects Woodward & Deane to allow better access to the Picture Gallery and provide another staircase in this awkwardly shaped building. It is a rising half-turn stairs around a sky-lit well. Charles Harrison (1835-1903), the stone carver, is credited with the carved naturalistic foliage and small animals which adorn the stairs. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Moorish Staircase, Kilkenny Castle.
The Moorish Staircase, Kilkenny Castle.
The Moorish Staircase, Kilkenny Castle. Charles Harrison (1835-1903), the stone carver, is credited with the carved naturalistic foliage and small animals which adorn the stairs. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Moorish Staircase, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Moorish Staircase, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The magnificent Picture Gallery is situated in the east wing of Kilkenny Castle. Deane and Woodward changed the flat roof to a toplit one with impressive wooden beams.

The hammer beam roof structure by Deane and Woodward is supported on carved stone corbels, carved by the O’Shea brothers from Kilkenny. The ceiling was hand painted by John Hungerford Pollen (1820-1902), Professor of Fine Arts at Newman College in Dublin. The decoration is from the quasi-medieval and pre-Raphaelite, and reminds me of Seán Leslie’s painting on beams in Castle Leslie. The cross beams of the gallery feature gilded animal and bird heads. It has taken me several visits to Kilkenny Castle to take it all in!

The Picture Gallery in Kilkenny Castle was built during the early nineteenth century building programme carried out by the architect William Robertson. It was constructed on earlier foundations. Robertston’s Picture Gallery, in keeping with his work on the rest of the castle, was in a Castellated Baronial style. Initially the gallery was built with a flat roof that had begun to cause problems shortly after its completion. The distinguished architectural firm of Deane and Woodward was called in during the 1860s to make changes to the overall design of the Picture Gallery block, and other corrections to Robertson’s work. These changes included the insertions of four oriels in the west wall and the blocking up of the eight windows, while another oriel added to the east wall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The picture gallery, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information about the picture gallery of Kilkenny Castle.
Kilkenny Castle picture gallery, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
Picture Gallery, Kilkenny Castle.
Kilkenny Castle picture gallery, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
The Picture Gallery in Kilkenny Castle. A pitched roof was put in place of the leaking flat one, with top lighting; that originally had green glass. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Picture Gallery in Kilkenny Castle. A pitched roof was put in place of the leaking flat one, with top lighting; that originally had green glass. The hammer beam roof structure by Deane and Woodward is supported on carved stone corbels, carved by the O’Shea brothers from Kilkenny. The entire ceiling was hand painted by John Hungerford Pollen (1820-1902), then Professor of Fine Arts at Newman College, Dublin, using a combination of motifs ranging from the quasi-medieval to the pre-Raphaelite, with interlace, gilded animal and bird heads on the cross beam. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Picture Gallery in Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Picture Gallery in Kilkenny Castle. The entire ceiling was hand painted by John Hungerford Pollen (1820-1902), then Professor of Fine Arts at Newman College, Dublin, using a combination of motifs ranging from the quasi-medieval to the pre-Raphaelite, with interlace, gilded animal and bird heads on the cross beam. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The hammer beam roof structure by Deane and Woodward is supported on carved stone corbels, carved by the O’Shea brothers from Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Picture Gallery in Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information about the painted roof of the picture gallery in Kilkenny Castle.
The Picture Gallery in Kilkenny Castle. It’s worth looking at all of the different pre-Raphaelite style paintings. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Picture Gallery in Kilkenny Castle. It’s worth looking at all of the different pre-Raphaelite style paintings. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Picture Gallery in Kilkenny Castle. It’s worth looking at all of the different pre-Raphaelite style paintings. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Picture Gallery in Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Picture Gallery in Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information about the paintings in the picture gallery of Kilkenny Castle. Some date from the 17th century, and others from 18th and 19th. In the 19th cnetury, there were 200 paintings in the gallery.
Henrietta Maria Stanley (1687-1718) & her sister Elizabeth (d.1714), English school 18th century. This hangs in the picture gallery of Kilkenny Castle. Daughters of William, 9th Earl of Derby and his wife Elizabeth Butler, daughter of Thomas Butler, Earl of Ossory, they would been nieces of the 2nd Duke of Ormonde. Henrietta was married to the Earl of Anglesea in 1706 ad then to John, 1st Earl of Ashburnham in 1714. She has been identified from other portraits of her painted during the first two decades of the eighteenth century. Ashburnham had previously been married to Mary, her first cousin, daughter of the 2nd Duke of Ormonde. Henrietta died in 1718 aged 31 years. Elizabeth Stanley died unmarried in 1714. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There are more of the Decius tapestries in the picture gallery.

There are three tapestries from the “Decius” suite in the Picture Gallery: Desius Mus preparing for death; The dismissal of the lictors; The death of Decius Mus. The tapestries are attributed to the workshop of Jan Raes, after designs by Sir Peter Paul Rubens. This one is the Dismissal of the lictors. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information about the tapestry in the picture gallery of Kilkenny Castle.
Stephen studies The Death of Decius. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information about the tapestries in the picture gallery of Kilkenny Castle.

The large marble fireplace is also designed by John Hungerford Pollen. It was supplied by the firm of Ballyntyne of Dorset Street, Dublin. Foliage carving attributed to Charles Harrison covers the chimneypiece and a frieze beneath is decorated with seven panels, showing the family coat of arms and significant episodes from the family’s long history.

The Marble Fireplace is made of Carrara marble and was designed by J. H. Pollen also in a quasi-medieval style.
It was supplied by the firm of Ballyntyne of Dorset Street, Dublin. Foliage carving attributed to Charles Harrison covers the chimneypiece and a frieze beneath is decorated with seven panels, showing the family coat of arms and significant episodes from the family’s long history.
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Starting on the left, the first panel shows the buying the castle by the first Earl of Ormond in 1391 from the Despenser family – money changing hands is shown. The second panel depicts Theobald Fitzwalter acting as Chief Butler to the newly crowned King of England highlighting their ancient royal privilege and upon which their surname of Butler is based. On the third panel, you see King Richard the Second acting as godfather for one of the infants of the Butler family in 1391. The centrepiece is the family crest which can also be seen over the arch and gateway, with the family motto “comme je trouve”- “as I find”, as well as the heraldic shield guarded, the falcon, the griffin (a legendary creature with the body of a lion and the head and wings of an eagle) and the ducal coronet. In the fifth panel, the 1st Duke of Ormond can be seen entering the Irish House of Lords still bearing his sword. Indeed, he refused to hand his weapon over as were the protocols in case it was used inside during an argument; this became known as The Act of Defiance. The sixth panel next to this symbolizes the charity of the Butler family showing Lady Ormonde giving alms to the poor. Finally, the sixth and last panel portrays the First Duke of Ormond’s triumphant return to Dublin from exile on the Restoration of Charles the Second in 1662, when he also established the Royal Hospital in Kilmainham and founded the Phoenix Park.”
The castle website tells us that this is a Mahogany side table c.1740 with green marble tops (most likely Connemara) in the style of William. Kent. The apron has lion mask against stylised acanthus under a frieze of egg and dart. The tables show the influence of William Kent (1684-1748) in the realistic and bold detail and are either English or Irish, the slight punching on the apron possibly indicating the latter. There is eye-catching detail in the lion’s mane and the legs are especially hairy and vivid. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A hopper commemorates the date 1877, so perhaps some of the building work on Kilkenny Castle was completed in that year.

James was the last marquess to live at Kilkenny Castle. He died there and is buried in the private family cemetery. The 3rd Marquess’s brother James Arthur Wellington Foley Butler (1849-1943) became 4th Marquess (and 22nd Earl) of Ormonde in 1919. James’ principal home was at Gennings, Kent where he died in 1943. It seems such a pity his father had improved the picture gallery and he didn’t live there!

James Arthur Wellington Foley Butler (1849-1943) 4th Marquess, 22nd Earl of Ormonde, by Philip de Laszlo (1869 – 1937). This portrain hangs in the Hall of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

He was educated at Harrow and joined the army becoming a lieutenant in the 1st Life Guards. He was state steward to the Earl of Carnarvon when Lord Lieutenant of Ireland. In 1887 he married Ellen Stager, daughter of American General Anson Stager.

Lord and Lady Arthur Butler purchased Gennings Park in Kent in 1901. The purchase of country estate after fourteen years of marriage was reportedly made following the death of Lord Arthur’s cousin George O’Callaghan, 2nd Viscount Lismore in 1899; Lord Lismore had reportedly informed his family that, following the deaths of his two sons, Lord Arthur Butler would be the heir to his estates (a 47,000-acre estate in Ireland centred on Shanbally Castle worth £18,435 annually). [11] Following Lord Lismore’s death in 1898, his Will revealed that he had instead named Lord Arthur’s nieces Lady Beatrice and Lady Constance Butler as the beneficiaries of his estate. [12]

Shanbally Castle, County Tipperary, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.

Gennings Park remained the home of Ellen, Lady Arthur Butler (later Marchioness of Ormonde) until her death in 1951. Her son was James George Anson Butler, 23rd Earl, 5th Marquess, 24th Chief Butler (1890–1959). George was educated at Harrow and Sandhurst. In 1915 he married Sybil Fellowes, daughter of 2nd Lord de Ramsey and Winston Churchill’s first cousin. They had two children, Moira and Anthony. George and Sybil were in residence at Kilkenny Castle in 1922 when the building was occupied by Republicans and besieged by troops of the Free State.

He oversaw the 1935 auction of contents at Kilkenny Castle. His younger brother succeeded him, James Arthur Norman Butler, 24th Earl, 6th Marquess, 30th Chief Butler (1893–1971). Arthur was educated at Harrow and Sandhurst. He pursued a military career and served in both world wars. From 1945 onwards, Arthur lived at Gennings Park in Kent with his widowed mother Ellen. In 1955, after her death, he moved with his wife to Cantley Farm, Wokingham, Berkshire. In 1967 he sold the Castle to the Kilkenny Castle Restoration Committee for £50. Two years later it went into state ownership.

As I mentioned earlier, it was James Arthur Norman Butler (1893-1971), 6th Marquess and 24th Earl of Ormonde, youngest son of James Arthur, 4th Marquess of Ormonde, who in 1967 sold the Castle.

The next Earl was a cousin, James Hubert Theobald Charles Butler, 25th Earl, 7th Marquess, 31st Chief Butler (1899–1997). He was a grandson of James Butler, 21st Earl of Ormonde and a cousin of the 23rd and 24th Earls of Ormonde. Upon his death, the Marquessate of Ormonde became extinct and the Earldoms of Ormonde and Ossory and the Viscountcy of Thurles became dormant.

It is now a wonderful place to visit, and has fifty acres of rolling parkland, a terraced rose garden, playground, tearoom and man-made lake, for visitors to enjoy. We enjoyed a delicious moist slice of fruitcake in the vaulted café, which must have been the kitchen, before heading out for a walk around the park.

The café is in the old kitchen of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kitchen, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kitchen, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Service bells in the Kitchen, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://www.irelandscontentpool.com

[2] https://kilkennycastle.ie/about/explore-the-castle-new/

[3] p. 167. Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[4] https://kilkennycastle.ie/about/characters-of-kilkenny-castle/

[5] p. 67, Otway-Ruthven, A. J. A History of Medieval Ireland New York: Barnes & Noble 1993.

[6] https://lordbelmontinnorthernireland.blogspot.com/2014/09/kilkenny-castle.html

[7] http://www.stevenroyedwards.com/kilkennycastle-timeline.html

[8] p. 192. Murray, James (2009). Enforcing the English Reformation in Ireland. Cambridge: Cambridge University Press, “Whether Ormond’s death was directly attributable to the viceroy’s actions, or simply a remarkable coincidence, is now impossible to determine.”

[9] Knocktopher Abbey in County Kilkenny, a house incorporating the remains of the first Carmelite friary in Ireland, rebuilt for Lieutenant-Colonel Sir James Langrishe JP DL (1832-1910) after a fire. It was rebuilt around 1866 in High Victorian Gothic to the design of John McCurdy. The paintings on display are part of a generous bequest to Kilkenny Castle from Lady Grania Langrishe in July of 2012.

John Langrishe  (1660-1735), son of Hercules Langrishe (the first member of the family who settled in Ireland), became proprietor of the borough of Knocktopher, County Kilkenny. 

Knocktopher Abbey, Knocktopher, Co. Kilkenny, for sale courtesy DNG Country Homes & Estates, November 2024.
Portrait of an unknown gentleman perhaps John Langrishe (1660-1735), the first of the family to arrive in Knocktopher, father of Robert. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Mr Langrishe, High Sheriff of County Kilkenny, 1696, married firstly, Alicia, second daughter of Harry, 2nd Baron Blayney, and widow of Thomas Sandford, of Sandford Court; and secondly, Miss Sandford, daughter of Colonel Sandford; but had issue by neither of those ladies. 

He wedded thirdly, Mary, daughter of Robert Grace, feudal baron of Courtstown, and had an only son, his successor, Robert Langrishe  (c.1696-1769).

Robert Langrishe (1696-1769), artist unknown. He held the office of High Sheriff in 1740 and completed the outright purchase of the fee simple of the Knocktopher lands of over 800 acres in 1757 according to William Nolan and Kevin Phelan in Kilkenny, History and Society 1990. His son Hercules was to become first Baronet of Knocktopher. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Robert served as High Sheriff of County Kilkenny in 1740 amd Gentleman Usher of the Black Rod in Ireland 1745-9. His son and heir Hercules Langrishe (1731-1811) served as MP for Knocktopher 1761-1800. Hercules was created a baronet in 1777, denominated  of Knocktopher Abbey, County Kilkenny. 

Right Hon. Sir Hercules Langrishe (1731-1811), 1st Baronet Knocktopher, artist unknown. The Langrishe Baronetcy of Knocktopher Abbey in the County of Kilkenny is a title in the Baronetage of Ireland. It was created on 19 February 1777 for Sir Hercules Langrishe, who represented Knocktopher in the Irish House of Commons. The Langrishe family were part the social world of the Butlers. They were present at many social occasions in Kilkenny Castle including the Royal Visits to the Castle. The family seat from 1679 to 1981 was Knocktopher Abbey, County Kilkenny. The 1st Baronet was MP for Knocktopher for 40 years until the Act of union in 1801. It is said he bought up lands in Knocktopher and leased it to Catholic residents. He was created 1st Baronet in 1777. Best remembered for his pro Catholic Relief stance and his exchange of views with his friend Edmund Burke. He introduced the Catholic Relief Bill in 1792 and The Catholic Enfranchisement Act which passed in 1793. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Sir Hercules, who was a member of the Privy Council, represented the borough of Knocktopher in the Irish parliament for forty years, during which period he ranked amongst the most distinguished of its members, and was the first who advocated and obtained a partial relaxation of the most atrocious code of laws which oppressed the Roman Catholics of Ireland, a code that consigned 80% of the population to unmitigated and grinding slavery, and reduced the whole of the state to semi-barbarism. He was Commissioner of Excise and Revenue.

In 1755 he married Hannah, daughter and co-heir of Robert Myhill, of Killarney, County Kilkenny, and sister of Jane, wife of Charles, 1st Marquess of Ely. His successor was his son Robert Langrishe, 2nd Baronet (1756-1835).

Sir Robert Langrishe (1756–1835), 2nd Baronet Knockopher, artist unknown. MP for Knocktopher 1783-1796, he graduated as a barrister from Kings Inn and both father and son sat in Parliament at the same time. He was heavily involved in the theatre and was Revenue Commissioner in 1796. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Oil portrait of an unknown gentleman possibly Sir Robert Langrishe 2nd Baronet. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In 1782 Robert married Anne, daugher of Bellingham Boyle.

Bellingham Boyle (1709-1771), unknown artist. His daughter married Sir Robt Langrishe 2nd Bt. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

His son was his successor, Hercules Richard 3rd Baronet (1782-1862), who joined the clergy.

Rev. Sir Hercules Richard Langrishe (1782-1862), 3rd Baronet of Knocktopher County Kilkenny, artist unknown. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Sir Hercules was succeeded by his eldest son, James Langrishe (1832-1905), 4th Baronet Knocktopher.

James Langrishe (1832-1905), 4th Baronet Knocktopher, artist unknown. Married twice, he was a Lt. Col in the army and High Sheriff of Kilkenny 1866. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

He was succeeded by his son Hercules Langrishe (1859–1943), 5th Baronet Knocktopher.

Hercules Langrishe (1859–1943), 5th Baronet Knocktopher, Artist unknown. He gained the rank of Captain in the service of the Army Motor Reserve, of Captain and Honorary Major in the service of the 3rd Battalion, Oxfordshire Light Infantry and of Temporary Commander in the service of the Royal Naval Volunteer Reserve. He fought in the First World War, in the Mediterranean and Russia. He succeeded to the title of 5th Baronet on 20 August 1910. He held the office of Justice of the Peace for County Kilkenny, of High Sheriff of County Kilkenny and the office of Deputy Lieutenant of County Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There is a portrait of the 5th Baronet’s son, Hercules Ralph Langrishe (1888-1917), also.

Hercules Ralph Langrishe (1888-1917), artist unknown. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[10] The Library and Drawing Room portraits:

Half-length portrait, said to be of Mr Martin Shee (d.1783), father of the artist Sir Martin Archer Shee P.R.A. The costume details would indicate a date of c. 1815. Shee’s father was known to be blind, and it is noticeable that the eyes in this portrait are unfocused. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Portrait of unknown lady, possibly member of Shee Family Artist Irish school, eighteenth century. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Catherine Morres (d.1851) 1st Viscountess Frankfort de Montmorency. Artist John Comerford (1773-1835) Catherine Morres was the second wife of the Viscount Frankfort de Montmorency, and daughter of George White of Castlebellingham.
The family of Morres changed their name to de Montmorency in 1815, claiming descent from the Norman Geoffry de Marisco.
The claim has been dismissed in the following terms: ‘This cock and bull pedigree or genealogical nightmare, which for sheer topsy-turveydom, has, I venture to assert, never been surpassed.’ The sitter is wearing a large muslin bonnet of a type which was fashionable and worn by married ladies during the early years of the nineteenth century.
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Catherine Vigors (1794-1820) by Robert Lawrence (1794-1820). Catherine was the daughter of Soloman Richards of Solborough, Co Wexford.She married Nicholas Aylward Vigors of Old Leighlin and Belmont, Co Carlow, in 1781. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bellingham Boyle (1709-1771), unknown artist. His daughter married Sir Robt Langrishe 2nd Bt. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[11] O’Donnell, Michael (2010). Fethard County Tipperary 1200–2000. Dublin: Geography Publications. p. 142, 158. 

[12] The Lady’s Realm. Vol. 6. Hutchinson. 1899. p. 520. 

Event or wedding venues – spaces for 100 and more

Venues in County Antrim:

1. Larchfield Estate, Lisburn, Co Antrim, BT27 6XJ, Northern Ireland

https://www.larchfieldestate.co.uk/staying-over

The website tells us that Larchfield extends to 600 acres and includes peaceful forest and woodland alongside picturesque river banks. Steeped in history, Larchfield’s heritage dates back to the 1600’s with many remarkable ups and downs throughout its 350-year history.

See my entry www.irishhistorichouses.com/2022/03/21/places-to-visit-and-stay-in-ulster-county-antrim/

The current owners (Gavin and Sarah Mackie) were married themselves at Larchfield in 2007, and moved back to take on the estate from Gavin’s parents. The estate was opened up for weddings and events around this time and in 2010, as part of its renovation, the Stables was re-built and re-roofed for hire for ceremonies and smaller functions downstairs.

In 2012, Rose Cottage was the first of the onsite accommodation to be restored, leading to the development of accommodation for up to 37 guests. Late 2019 saw the completion of the redevelopment of an 1800s railway style building facing the Larchfield Estate cottages. Harkening back to its history as a piggery, The Old Piggery was officially launched in 2020 as a new offering for experiences, dining, special celebrations and corporate retreats. This project was kindly supported by the Rural Development Programme.

The website https://magheramorneestate.com/ tells us:

The stunning Magheramorne Estate, conveniently located just 23 miles from Belfast, is one of the most exclusive venues available for private hire in Northern Ireland. From weddings, family parties, corporate meetings and events to occasion meals, this coastal estate offers a variety of unique indoor and outdoor spaces to fulfil your dreams.

Built as a grand family home around 1880, the house has recently enjoyed sympathetic and elegant restoration in keeping with its Grade B1 listed status.

The Allen family have made significant investments to ensure the house meets modern expectations while carefully retaining the welcoming warmth of genuine domestic comfort.

Designed circa 1878 by Samuel P Close, it was built by James Henry for Sir James Hogg to mark his rise to the peerage of Baron Magheramorne in 1880. It replaced Ballylig House, an earlier and more modest residence originally constructed in 1817.

Venues in County Armagh:

1. Elmfield Estate, Craigavon, County Armagh

The website https://elmfieldestate.com/about/ tells us: 

Elmfield Estate has been a family home for generations and of the Shaw family for the last 60 years. It has evolved through the years, from a modest dwelling house and stable yard in the 18c to an impressive Victorian Scottish baronial style house with turrets and ziggurat balustrades, built by the wealthy linen barons in the mid-1800s. The estate ran into disrepair after the second world war but was saved by the Shaws who have lovingly restored the house, farm, and gardens room by room lawn by lawn. Elmfield has certainly been a place of transformation and vision over the last 60 years. When Derek and Ann’s three children were little, they enjoyed the freedom and wildness that only a semi-derelict estate can offer. To turn that into what you see today is down to Derek’s vision.

2. Killeavy Castle, County Armagh

St. Patrick’s day Greening, Killeavy Castle Estate, Co Armagh, 2022 ©Killeavy Castle Estate, for Failte Ireland.

https://www.killeavycastle.com

The website tells us:

Killeavy Castle is a Grade A listed historical building originally designed in 1836 by architect George Papworth of Dublin. Formally known as Killeavy Lodge, the Foxall family had their home rebuilt in the style of the pre-Victorian Gosford Castle with towers, Tudor windows and a medieval-style door transforming the modest farmhouse into a home fit for a king.

Situated on the eastern base of Slieve Gullion, the original castle and surrounding grounds brought a new element to the beautiful landscape. The building contained a basement level with a kitchen, store rooms, servant’s quarters and an underground tunnel to allow servants to enter and exit the building unseen. Above was a parlour and wine cellar, with an adjoining drawing room, library and conservatory. On the top level were six bedrooms, four dressing rooms and bathrooms. There was a beautiful walled garden and an ornamental water wheel.

The Bell family took ownership of the property in 1881, but in recent years the building fell into disrepair. Fortunately, the facade remained intact and, surrounded by fir plantations and lush farmland, it has been returned to its former glory.

The Architect

George Papworth (1781-1855) was the younger brother of English architect John Buonarotti Papworth. He established himself in Ireland and designed many notable buildings including Sir Patrick Dun’s Hospital and the King’s Bridge in Dublin. His drawings of Killeavy were exhibited in the Royal Hibernian Academy in 1836.

County Carlow venues:

1. Huntington Castle, County Carlow

Huntington Castle and Gardens, by Daniel O’Connor 2021 for Tourism Ireland.

See my entry https://irishhistorichouses.com/2022/10/14/places-to-visit-and-stay-in-leinster-carlow/

2. Lisnavagh, County Carlow

www.lisnavagh.com

Lisnavagh, County Carlow, photograph taken October 2019.

Lisnavagh is a wedding venue, and there are buildings with accommodation, including the farm house, converted courtyard stables, the groom’s cottage, schoolhouse, farm and blacksmiths cottages and the bothy.

The National Inventory tells us that it was designed around 1847 by Daniel Robertson. It was built for William McClintock-Bunbury (1800-1866). Around 1953, it was truncated and reordered, to make it more liveable, and this was designed by Alan Hope.

See my entry https://irishhistorichouses.com/2022/10/14/places-to-visit-and-stay-in-leinster-carlow/

3. Sandbrook, Tullow, Co Carlow  – wedding/retreat venue

https://sandbrook.ie

The website tells us that Sandbrook is a handsome period country house, originally built in the early 1700s in Queen Anne style [the National Inventory says 1750], and sits in 25 acres of mature parkland on the Wicklow/Carlow border in the heart of the Irish Countryside with views toward Mount Leinster and the Wicklow Mountains. The National Inventory further describes it:

five-bay two-storey over basement house with dormer attic, c. 1750, with pedimented central breakfront having granite lugged doorcase, granite dressings, two-bay lateral wings, Palladian style quadrant walls and pavilion blocks. Interior retains original features including timber panelled hall and timber staircase.

See my entry https://irishhistorichouses.com/2022/10/14/places-to-visit-and-stay-in-leinster-carlow/

Venues in County Cavan

See my entry https://irishhistorichouses.com/2020/07/03/county-cavan-historic-houses-to-see-and-stay/

1. Cabra Castle, on section 482 – hotel €€

Cabra Castle, County Cavan.

www.cabracastle.com

2. Farnham Estate, Cavanhotel €€

Farnham Estate, County Cavan, photograph from the National Inventory of Architectural Heritage.

https://www.farnhamestate.ie

3. Virginia Park, Co Cavan – weddings only

https://www.irelands-blue-book.ie/houses.html?country=Cavan

This was formerly the hunting lodge of the Taylours, Marquess Headfort, who also owned Headfort House in County Meath. See my County Cavan entry https://irishhistorichouses.com/2020/07/03/county-cavan-historic-houses-to-see-and-stay/

Venues in County Clare:

1. Dromoland Castle, Newmarket-on-Fergus, Co. Clare – hotel €€€ 

www.dromoland.ie 

Dromoland Castle, County Clare, photo care of Dromoland Castle, for Tourism Ireland 2019, Ireland’s Content Pool.

See my entry https://irishhistorichouses.com/2023/01/20/places-to-visit-and-stay-in-county-clare/

Venues in County Cork:

1. Ballincurra House, County Cork

https://www.ballinacurra.com/

2. Ballymaloe, Cloyne, Co Cork – accommodation €€ 

https://www.ballymaloe.ie/

Croquet at Ballymaloe House.

See my entry www.irishhistorichouses.com/2022/05/17/places-to-visit-and-stay-munster-county-cork/

3. Ballynatray, Youghal, Co Cork, holiday cottages and whole house rentalhttps://www.ballynatray.com/private-estate-rental

Ballynatray, County Waterford, August 2023. The house is not on the Section 482 listing, just the garden.

4. Ballyvolane, Castlelyons, Co Cork – Hidden Ireland accommodation €€€

Ballyvolane, County Cork, photo taken 2014 for Tourism Ireland, Ireland’s Content Pool.

https://ballyvolanehouse.ie 

See my entry www.irishhistorichouses.com/2022/05/17/places-to-visit-and-stay-munster-county-cork/

5. Bantry House & Garden, Bantry, Co. Cork€€

Bantry House, County Cork, a treasurehouse of culture.

See my entry www.irishhistorichouses.com/2022/05/17/places-to-visit-and-stay-munster-county-cork/

6. Barnabrow, Cloyne, Co Cork – whole house accommodation

https://www.barnabrowhouse.ie/

The website tells us: “Barnabrow Country House: in idyllic East Cork is discreet – it is like a secret garden that beckons. Visitors may happen upon it nestled in the rolling hills of East Cork with distant but tantalising glimpses of Ballycotton Bay. At first glance it appears contained – its banqueting hall, high on the hill, is not obvious, the twenty-two bedrooms are tucked away in various courtyards and the cottages are not apparent.

See my entry www.irishhistorichouses.com/2022/05/17/places-to-visit-and-stay-munster-county-cork/

7. Blackwater Castle (Castle Widenham, or Blackwater Valley Castle) Castletownroache, Co Cork – whole house 

https://www.blackwatercastle.com/

The website tells us:

A medieval Castle for rent in Ireland, the spectacular home of the former Viscount of Fermoy and Lords of the Barony of Fermoy, is a truly unique heritage site of international significance. Blackwater Castle, with a history extending back some 10,000 years to the Mesolithic period, is available to hire as a private Castle experience for exclusive Castle weddings, private parties, and family gatherings.

The Castle was first erected in the twelfth century on the site of the Bronze Age fortress of Dún Cruadha, an inland promontory fort which was established some 2,500 years ago or more on a rocky outcrop on the banks of the River Awbeg. Beautifully appointed suites, welcoming reception rooms, historical tours, and extensive activities from zip-lining to fly fishing are all on offer at one of Ireland’s more interesting and best preserved castles set on a 50 acre estate of mature native Irish trees with a private stretch of the River Awbeg.

See my entry www.irishhistorichouses.com/2022/05/17/places-to-visit-and-stay-munster-county-cork/

8. Castlemartyr, Co Cork – hotel  €€€

https://www.castlemartyrresort.ie/

Venues in County Derry

1. Beechill House, 32 Ardmore Road, Derry-Londonderry, Northern Ireland BT47 3QPweddings

https://www.beech-hill.com/

Beechill Country House Hotel, Courtesy of Tyrone and Sperrins destination, for Tourism Ireland.

2. Drenagh House, County Derrywhole house rental, 22 guests

https://www.drenagh.com

Nestled in beautiful parkland where you will find our grand Georgian Mansion House which is perfect for weddings, family get togethers, corporate events and much more.

See my entry https://irishhistorichouses.com/2023/05/20/places-to-visit-and-stay-in-counties-armagh-derry-and-down/

Venues in County Donegal

1. Drumhalla House, Rathmullen, County Donegal – whole house rental and wedding venue

https://drumhallahouse.ie

Steeped in history, the house was originally built in 1789 by Dr Knox of Lifford. The house and grounds have now been beautifully restored by the present owner and offer luxury accommodation as well as a unique, private location for a variety of functions including weddings and corporate events.

Drumhalla House offers superior 5 star accommodation and is a much sought after and unique wedding venue.

Panoramic views over Lough Swilly and the renowned Kinnegar beach provide the perfect backdrop for your wedding day. The beautifully maintained grounds and lawns at Drumhalla House make it perfect for your guests to enjoy and explore.

Allow our Country Manor House, complete with 5 star accommodation at Drumhalla to transform your wedding ideas into the fairytale you always dreamed of.

All of our bedrooms are individual and unique and everything one would expect in a much loved Manor House. The rooms are very comfortable and traditional in style and filled with carefully chosen furnishings. They are located on the 1st floor of the house and provide varied views over the gardens and beach.

2. Dunmore, Carrigans, Co Donegal – accommodation and weddings

https://www.dunmoregardens.ie/our-history/

3. Rockhill House, Letterkenny, Co Donegal – hotel €€€

https://www.rockhillhouse.ie

See my entry https://irishhistorichouses.com/2022/10/27/places-to-visit-and-stay-in-county-donegal-ulster/

Venues in County Down

See my entry https://irishhistorichouses.com/2023/05/20/places-to-visit-and-stay-in-counties-armagh-derry-and-down/

1. Culloden, County Down – hotel €€€

Culloden Estate and Spa, photograph courtesy of Hastings Hotel 2017, Ireland’s Content Pool.

See https://www.cullodenestateandspa.com

2. Narrow Water Castle, Newry Road, Warrenpoint, Down, Northern Ireland, BT34 3LE http://narrowwatercastle.co.uk

Narrow Water, photograph by Chris Hill 2005 for Tourism Ireland, Ireland’s Content Pool.

The website tells us:

Narrow Water Castle is the private home of the Hall family who have lived at Narrow Water since 1670, originally in the Old Narrow Water Keep situated on the shoreline of Carlingford Lough which is now a national monument.

As a private home the castle is not open for public admission. It does however occasionally open its doors for weddings and exclusive events.

In 1816 construction began on the new Castle by Thomas Duff, a well-known Newry architect who also designed the Cathedrals in Newry, Armagh and Dundalk. The Elizabethan revival style castle is made from local granite and built next to the existing house, Mount Hall (1680). It was completed in 1836.

Event Venues Dublin

1. Luttrellstown Castle, (known for a period as Woodlands), Clonsilla, Co Dublin

https://www.luttrellstowncastle.com

Luttrellstown Castle Resort, photograph by Colm Kerr 2018, Ireland’s Content Pool. The National Inventory describes it: “Detached seven-bay two-storey castle, incorporating fabric of earlier castle. Extended and remodelled c.1810, with battlements and turrets. Two wings to rear, with several later additions. Farmyard quadrangle mostly dating to c.1840. Demesne with lake, cascades, ice-house, gate lodges, obelisk, tower, bridges, rustic pavilion, and Doric temple. Now in use as hotel.”

See my entry https://irishhistorichouses.com/2023/05/26/places-to-visit-and-stay-in-dublin-city-and-county/

The castle dates from around 1420, according to Timothy William Ferrars.

Luttrellstown Castle, courtesy of Luttrellstown Castle Resort for Failte Ireland 2019, Ireland’s Content Pool.
Luttrellstown Castle, courtesy of Luttrellstown Castle Resort for Failte Ireland 2019, Ireland’s Content Pool.
Luttrellstown Castle, courtesy of Luttrellstown Castle Resort for Failte Ireland 2018, Ireland’s Content Pool.
Gothic Hall, Luttrellstown Castle, courtesy of Luttrellstown Castle Resort for Failte Ireland 2018, Ireland’s Content Pool. The National inventory describes the interior: “Octagonal entrance hall; Gothic vaulting; ballroom with Adamesque plasterwork.”
Inner Hall: the staircase hall with a painted ceiling by Thornhill, Luttrellstown Castle, courtesy of Luttrellstown Castle Resort for Failte Ireland 2018, Ireland’s Content Pool.
Luttrellstown Castle Resort, Van Stry Ballroom, photograph by Colm Kerr 2018.
Luttrellstown Castle Resort, The Kentian Room: “birds and swags and foliage of stucco in high relief on the walls, and a painted ceiling by de Wit. The room was designed by Mr Felix Harbord, who also designed an Adamesque drawing room decorated with grisaille paintings by Peter de Gree fro Oirel Temple, and transformed the staircase hall with a painted ceiling by Thornhill”, photograph by Colm Kerr, 2019, Ireland’s Content Pool.

2. Orlagh House, Dublin – whole house, weddings

https://hiddenireland.com/house-pages/orlagh-house/

The Hidden Ireland website tells us:

A Georgian mansion built by Dublin snuff merchant Lundy Foot back in 1790. Frequent visitors to the house included the Great Emancipator Daniel O’Connell, Eoin Mac Neill, Padraig Pearse and William Smith O’Brian, among many other famous figures from Anglo-Irish history.

A truly unique house set on 45 acres in the foothills of the Dublin Mountains, with spectacular views over Dublin City and stretching out as far as the Irish Sea. We are only 25 minutes from Dublin Airport and from Dublin city centre. The house has been lovingly and tastefully restored in recent years, with large drawing and reception rooms and open fires. Our beautiful dining room sits 20 people at our regency table. There is a large games room in the basement of the house with table tennis, pool table, and a full-sized snooker table.

There is lots to do in the immediate area including numerous hiking trails both on the estate and in proximity including the Dublin Way and the Wicklow Way. We have an equestrian centre next door with reduced rates for guests and some of Dublin’s most infamous pubs are within 10 minutes of the house, with great local food, traditional music, and Irish dancing.

The house really is one-of-a-kind.

WEDDINGS

Orlagh house is the perfect location for couples who want something different from the norm, a unique and truly personal day to remember. Exclusively yours for your wedding day with a second day optional, we also have 14 bedrooms to offer your guests.

We have an in-house catering team who can create your perfect menu, from sit down formal dining to a more laid-back BBQ’. Choose from our indoor ballroom or numerous outside garden areas. Our wedding team are there to help you with everything you may need.

Whole House Accommodation and Weddings, County Galway:

1. Cloghan Castle, near Loughrea, County Galwaywhole castle accommodation and weddings, €€€ for two.

https://www.cloughancastle.ie/

The website describes it:

An air of historic grandeur and authenticity is the initial impression upon arrival at Cloughan Castle. Follow the long sweeping driveway surrounded with breath-taking countryside views, to the beautifully restored castle with its ornamental stonework & imposing four storey tower. Sitting within several acres of matured woodlands with striking panoramic countryside views, this lovingly restored 13th-century castle holds its historic past with a character that blends effortlessly with elegance and comfort.

Find yourself immersed in unrivalled castle comfort with the ultimate mix of homeliness & grandeur, the most appealing destination for those seeking exclusivity & privacy. A combination of seven magnificently appointed bedrooms, two versatile reception rooms, complete with an idyllic backdrop, ensures a truly memorable occasion to be long remembered. Cloughan Castle offers complete exclusivity for all occasions, from an intimate family getaway to a private party celebration, to a truly magical wedding location.

See my entry https://irishhistorichouses.com/2023/05/31/places-to-visit-and-stay-in-county-galway/

2. Glenlo Abbey, near Galway, Co Galway – accommodation €€

Glenlo Abbey Hotel & Estate, Co Galway Kelvin Gillmor Photography 2020, for Tourism Ireland, Ireland’s Content Pool.

https://www.glenloabbeyhotel.ie

See my entry https://irishhistorichouses.com/2023/05/31/places-to-visit-and-stay-in-county-galway/

Glenlo Abbey Hotel & Estate, Co Galway Kelvin Gillmor Photography 2020, for Tourism Ireland, Ireland’s Content Pool.
Glenlo Abbey Hotel & Estate, Co Galway Courtesy Glenlo Abbey Hotel and Estate, Galway 2017, for Tourism Ireland, Ireland’s Content Pool.
Glenlo Abbey Hotel 2020 Courtesy Glenlo Abbey Hotel and Estate, Galway, for Tourism Ireland, Ireland’s Content Pool.
Palmer Bar, Glenlo Abbey Hotel & Estate, Courtesy Glenlo Abbey Hotel and Estate, Galway 2020, for Tourism Ireland, Ireland’s Content Pool.

3. Lough Cutra Castle, County Galway

info@loughcutra.com

https://www.loughcutra.com/

Nestled into the Northern corner of the courtyard, this beautifully appointed self catering cottage can sleep up to six guests – with private entrance and parking. Built during 1846 as part of a programme to provide famine relief during the Great Potato Famine of the time, it originally housed stabling for some of the many horses that were needed to run a large country estate such as Lough Cutra. In the 1920’s the Gough family, who were the then owners of the Estate, closed up the Castle and converted several areas of the courtyard including Cormorant into a large residence for themselves. They brought with them many original features from the Castle, such as wooden panelling and oak floorboards from the main Castle dining room and marble fireplaces from the bedrooms.

We have furnished and decorated the home to provide a luxuriously comfortable and private stay to our guests. Each unique courtyard home combines the history and heritage of the estate and buildings with modern conveniences.

4. Rosleague Manor, Galway – accommodation €€

 https://www.rosleague.com

The website tells us: “Resting on the quiet shores of Ballinakill Bay, and beautifully secluded within 30 acres of its own private woodland, Rosleague Manor in Connemara is one of Ireland’s finest regency hotels.

The National Inventory tells us: “Attached L-plan three-bay two-storey house, built c.1830, facing north-east and having gabled two-storey block to rear and multiple recent additions to rear built 1950-2000, now in use as hotel…This house is notable for its margined timber sash windows and timber porch. The various additions have been built in a sympathetic fashion with many features echoing the historic models present in the original house.”

Places to Stay, County Kerry: 

See my entry https://irishhistorichouses.com/2022/10/19/places-to-visit-and-stay-in-county-kerry-munster/

1. Ballyseede Castle/ Ballyseedy (Tralee Castle), Tralee, County Kerry – hotel €€ www.ballyseedecastle.com

We ate our breakfast here every day, Ballyseede Castle.

2. Cahernane (or Cahirnane) House, Killarney, Co Kerry – hotel

 https://www.cahernane.com

The website tells us:

Beautifully situated on a private estate on the edge of Killarney National Park, our luxury four-star hotel is located just twenty minutes’ walk from Killarney town centre. The entrance to the hotel is framed by a tunnel of greenery which unfurls to reveal the beauty of this imposing manor house, constructed in 1877 and formerly home to the Herbert Family.

Cahernane House Hotel exudes a sense of relaxation and peacefulness where you can retreat from the hectic pace of life into a cocoon of calmness and serenity. The only sounds you may hear are the lambs bleating or the birds singing.

Cahernane House was built as the family residence of Henry Herbert in 1877 at a cost of £5,992. The work was carried out by Collen Brothers Contractors. The original plans by architect James Franklin Fuller, whose portfolio included Ballyseedy Castle, Dromquinna Manor and the Parknasilla Hotel, was for a mansion three times the present size.

3. Carrig Country House, County Kerry €€€

https://carrighouse.com

The website tells us: “If you are looking for the perfect hideaway which offers peace, tranquility, plus a wonderful restaurant on the lake, Carrig House on the Ring of Kerry and Wild Atlantic Way is the place for you. The beautifully appointed bedrooms, drawing rooms and The Lakeside Restaurant, overlooking Caragh Lake and surrounded by Kerry’s Reeks District mountains, rivers and lakes create the perfect getaway.

Carrig House was built originally circa 1850 as a hunting lodge, it was part of the Blennerhassett Estate. It has been mainly owned and used by British Aristocracy who came here to hunt and fish during the different seasons.

The house was purchased by Senator Arthur Rose Vincent in the early 20th. Century. Vincent moved here after he and his wealthy Californian father in law Mr. Bowers Bourne gave Muckross House & Estate in Killarney to the Irish Government for a wonderful National Park.

Bourne had originally purchased Muckross House from the Guinness family and gave it to his daughter Maud as a present on her marriage to Arthur Rose Vincent. However, Maud died at a young age prompting Bourne and Vincent to donate the estate to the Irish State.

Vincent remarried a French lady and lived at Carrig for about 6 years, they then moved to the France. The country house history doesn’t end there, Carrig has had many other illustrious owners, such as Lady Cuffe , Sir Aubrey Metcalfe, who retired as the British Viceroy in India and Lord Brocket Snr, whose main residence was Brocket Hall in England.

Frank & Mary Slattery, the current owners purchased the house in 1996. They are the first Irish owners of Carrig since it was originally built and have renovated and meticulously restored the Victorian residence to its former glory.

For over two decades Frank & Mary have operated a very successful Country House & Restaurant and have won many rewards for their hospitality and their Lakeside Restaurant. They are members of Ireland’s prestigious Blue Book.

Carrig House has 17 bedrooms, each individually decorated in period style with antique furniture. Each room enjoys spectacular views of Caragh Lake and the surrounding mountains. All rooms are en suite with bath and shower. Those who like to indulge can enjoy the sumptuous comfort of the Presidential Suite with its own separate panoramic sitting room, male and female dressing rooms and bathroom with Jacuzzi bath.

The restaurant is wonderfully situated overlooking the lake. The atmosphere is friendly, warm and one of total relaxation. The menu covers a wide range of the freshest Irish cuisine.

Irish trout and salmon from the lake and succulent Kerry lamb feature alongside organic vegetables. Interesting selections of old and new world wines are offered to compliment dinner whilst aperitifs and after-dinner drinks are served in the airy drawing room beside open peat fires.

Within the house, chess, cards and board games are available in the games room.

4. Dromquinna Estate, Co Kerryaccommodation €€

https://www.dromquinnamanor.com

It was constructed for Sir John Columb around 1889-90. The website tells us:

There are many elements to Dromquinna Manor. Firstly it is a stunning waterside estate unlike anything else. Set on 40 acres of parkland planted in the 1800s, the Estate offers an abundance of activities and facilities.

The Manor, dating from the 1890s, is dedicated to catering for Weddings and events. The Oak Room is the heart of the Manor and is classical in every sense. Stylish beyond words with views of Kenmare Bay celebrations here are truly memorable. The Drawing Rooms and Terrace all make for a very special and memorable occasion for all. It is a real family and friends party as opposed to a hotel ballroom function.

Venues in County Kildare:

1. Barberstown Castle, Kildare – hotel 

www.barberstowncastle.ie

2. Carton House, Kildare – open to public, hotel 

The garden front of Carton House. The house was built in 1739 to designs by Richard Castle and remodelled in 1815 by Richard Morrison. Not Used Country Life archives, 18/02/2009.  Photographer Paul Barker.
Carton House 2014, for Failte Ireland.

See my entry https://irishhistorichouses.com/2023/06/08/places-to-visit-and-stay-in-county-kildare/

Carton, Image for Country Life, by Paul Barker.
The Gold Saloon at Carton House, which was originally known as the Eating Parlour. The organ case was designed by Lord Gerald FitzGerald in 1857. Not Used Country Life archives 18/02/2009,  Photographer Paul Barker.

3. The Cliff at Lyons, County Kildare

www.cliffatlyons.ie

Robert O’Byrne writes about the Cliff at Lyons:

The Village at Lyons, County Kildare is often described as a restoration but to be frank it is more a recreation. By the time the late Tony Ryan bought the estate in 1996, the buildings beside the Grand Canal, which had once included a forge, mill and dwelling houses, were in a state of almost total ruin. Therefore the work undertaken here in the years prior to his death in 2007 involved a great deal of architectural salvage, much of it brought from France, although some Irish elements were incorporated such as a mid-19th century conservatory designed by Richard Turner, originally constructed for Ballynegall, County Westmeath. Today the place primarily operates as a wedding venue, providing an alluring stage set for photographs but bearing little resemblance to what originally stood here.” [9]

The entrance front of Lyons House, designed by Oliver Grave for Nicholas Lawless, 1st baron Cloncurry circa 1786 and remodelled by his son Richard Morrison in 1802-05. Pub Orig Country Life 16/01/2003, vol. CXCVII by Photographer Paul Barker. 

See my entry https://irishhistorichouses.com/2023/06/08/places-to-visit-and-stay-in-county-kildare/

The website https://www.firmounthouse.com/ tells us:

Firmount House is a unique and stunning venue just outside Clane in County Kildare, only 40minutes from Dublin city centre. Lovingly restored by the owners, the house is known for flexibility and creativity and is now open for weddings, private parties, film shoots, yoga retreats and corporate events. Enjoy visiting the Firmount website and see for yourself the lifelong journey these restoration warriors have taken to provide you with the perfect location in a wonderful, natural setting.

This fabulous house consists of a sitting room, breakfast room and dining room downstairs reached from a large hallway, alongside a commercial kitchen and butlers pantry. The first floor consists of seven large and sumptuous bedrooms – five doubles and two twin rooms with plenty of room for two travel cots which are also provided. There are also six bathrooms. Heated by oil fired radiators, there are also two stoves in the main entertaining space.

5. The K Club, Straffan House, County Kildare

See https://www.kclub.ie

6. Kilkea Castle, Castledermot, Kildare – hotel 

https://www.kilkeacastle.ie/

7. Leixlip Manor hotel (formerly St. Catherine’s Park) Leixlip, Co Kildare

Formerly Liffey Valley House hotel

http://www.leixlipmanorhotel.ie/about-us/the-manor-kildare

The house that stood before the current Manor House was taller and was tenanted by the Earl of Lanesborough. Then in 1792, it was occupied by David La Touche, of the Huguenot banking family. It shortly thereafter burned to the ground and in around 1798 a new house, also called St Catherine’s Park, was built in the same townland to the design of Francis Johnston; it is now Leixlip Manor Hotel & Gardens.

8. Moyvalley (formerly Balyna), Co Kildare – weddings, accommodation 

Now called Moyvalley Hotel. https://www.moyvalley.com/aboutus.html

The website tells us:

Balyna House lies to the south of Moyvalley Bridge over the Grand Canal, about half way between Enfield and Kinnegad on the old Dublin — Galway road. The house lies in the centre of the estates 500 acres. Balyna Estate was granted in 1574 by Queen Elizabeth I to the O’Moore family because they had lost their land in Laois and were reinstated in Balyna.

Balyna House consists of 10 luxurious ensuite bedrooms, 3 reception rooms to cater for up to 100 guests, Balyna Bar and Cellar Bar. The house is available exclusively for private events and weddings.

See https://www.palmerstownhouse.ie

Venues in County Kilkenny

See my entry https://irishhistorichouses.com/2022/10/28/places-to-visit-and-stay-in-county-kilkenny-leinster/

1. Ballyduff, Thomastown, Co Kilkenny – wedding venue, B&B 

http://ballyduffhouse.ie/booking-enquiries/ 

The website tells us:

Ballyduff House is a classic Georgian country house with a 14th century castle, steeped in Irish history and full of the warmest of welcomes.

The River Nore sparkles as it runs along Ballyduff’s riverbank while sheep and cattle graze the pasture either side.

Open fires, the book lined library and the comfortable bedrooms furnished with Irish antiques capture an early 18th century experience tempered by discreet 21st century comfort.

This is real Ireland – calm, green and beautiful, set alongside the picturesque village of Inistioge with Dublin only an hour away.

2. Butler House, Kilkenny, co Kilkenny – accommodation 

https://www.butler.ie

View to Butler House and Garden, Kilkenny Leo Byrne Photography 2015.

3. Lyrath House, near Kilkenny, County Kilkenny – hotel

 https://www.lyrath.com

4. Mount Juliet, Thomastown, County Kilkenny – hotel

Mount Juliet Gardens, Thomastown, Co Kilkenny, photograph by Finn Richards 2015 for Tourism Ireland, Ireland’s Content Pool.

See https://www.mountjuliet.ie/ and my entry https://irishhistorichouses.com/2022/10/28/places-to-visit-and-stay-in-county-kilkenny-leinster/

Venues in County Laois:

See my entry https://irishhistorichouses.com/2022/10/27/places-to-visit-and-stay-in-county-laois-leinster/

1. Ballyfin House, Co. Laois – hotel €€€

https://ballyfin.com

2. Castle Durrow, Co Laoisa hotel 

https://www.castledurrow.com

3. Ballintubbert House, County Laois – whole house and weddings

https://www.ballintubbert.com/exclusive-hire/manor-house/

Ballintubbert is a five-bay two-storey over basement rectory, c. 1835. It was previously owned by actor John Hurt, and poet Cecil Day-Lewis.

The Manor House has five double bedrooms and the Garden Wing has four additional double bedrooms. A beautiful country style kitchen, two stunning living rooms and a dining room that sits twenty. The house has six bathrooms.

4. Preston House, Abbeyleix, County Laois – whole house rental

https://hiddenireland.com/house-pages/preston-house/

Hidden Ireland tells us:

We are delighted that you have found our beautifully restored 18th Century Georgian House, with a private courtyard and wooded garden, located on the Main Street of the picturesque Heritage Town of Abbeyleix.

Venues in County Leitrim

See my entry https://irishhistorichouses.com/2022/10/19/places-to-visit-and-stay-in-county-leitrim-connaught/

1. Bush Hotel, Carrick on Shannon, Co Leitrim € 

https://www.bushhotel.com/

“Our charming award-winning boutique heritage hotel is in the centre of Carrick on Shannon, County Leitrim.”

2. Lough Rynn Castle, Mohill, County Leitrim

https://www.loughrynn.ie/

Venues in County Limerick:

See my entry https://irishhistorichouses.com/2023/07/21/places-to-visit-and-stay-in-county-limerick/

1. Adare Manor, Limerickhotel €€€

Adare Manor, Limerick, October 2012.

See my entry https://www.adaremanor.com

2. Glin Castle, whole house rental.

Glin Castle, County Limerick, photograph from National Inventory of Architectural Heritage.

https://www.glin-castle.com/

You can see lovely photographs of the castle, inside and out, on the website.

Venues in County Longford:

See my entry https://irishhistorichouses.com/2022/05/05/places-to-visit-and-stay-in-leinster-longford-louth-and-meath/

1. Newcastle House Hotel, Ballymahon, County Longford

https://www.newcastlehousehotel.ie

Newcastle House (now a hotel), County Longford, photograph from the National Inventory of Architectural Heritage.

Newcastle House is a 300-year-old manor house, set on the banks of the River Inny near Ballymahon, in Co. Longford.

The website tells us; “Standing on 44 acres of mature parkland and surrounded by 900 acres of forest, Newcastle House is only one and half hour’s drive from Dublin, making it an excellent base to see, explore and enjoy the natural wonders of Ireland. So whether you are looking for a peaceful place to stay (to get away from it all) or perhaps need a location to hold an event, or that most important wedding, give us a call.”

Newcastle House (now a hotel), County Longford, photograph from the National Inventory of Architectural Heritage.

Venues in County Louth:

See my entry https://irishhistorichouses.com/2022/10/28/places-to-visit-and-stay-in-county-louth-leinster/

1. Ballymascanlon House, Louth  – hotel

 https://www.ballymascanlon.com

Ballymascanlon House, County Louth, photograph from National Inventory of Architectural Heritage.

The website tells us: “The Ballymascanlon House is set on 130 acres of beautiful parkland, this impressive Victorian House forms the heart of this Hotel. It is one of the most remarkable historical estates in Ireland dating back to 833 A.D. Steeped in history, Ballymascanlon estate is located in Ireland’s North East on the Cooley Peninsula in close proximity to the Irish Sea and Mourne Mountains. Less than 1 hour from Dublin and Belfast, and 20 minutes from the medieval town of Carlingford. We are delighted to welcome you to our beautiful luxurious venue, ideal for both Business and Leisure.”

2. Darver Castle, County Louth

https://www.darvercastle.ie/home/

3. Castle Bellingham, Co. Louth

Castle Bellingham, County Louth, 20th November 2022.

https://www.bellinghamcastle.ie

The website tells us:

At Bellingham Castle, the welcome is warm, the facilities luxurious and the memories, eternal. Nestled in the medieval village of Castlebellingham in County Louth along Ireland’s Ancient East, Bellingham Castle is an elegant and spacious 17th Century authentic Irish Castle available for exclusive hire, to allow you become King or Queen of your very own castle for a truly memorable experience. The Castle opens for overnight stays on select dates throughout the year, but is predominantly a venue for spectacular Weddings, conferences or events.

Castle Bellingham, County Louth, November 2022.
Castle Bellingham, County Louth, November 2022.

Places to stay, County Mayo:

See my entry https://irishhistorichouses.com/2022/05/15/places-to-stay-and-visit-in-connacht-leitrim-mayo-and-sligo/

1. Ashford Castle, Mayo/Galway – hotel €€€

Ashford Castle, photograph Courtesy Aervisions 2016 for Tourism Ireland, Ireland’s Content Pool.

https://ashfordcastle.com/

The website tells us: “Unrivalled service, warm Irish hospitality and five-star luxury await at Ashford Castle, part of The Red Carnation Hotel Collection. Situated in a spectacular 350-acre estate, discover sumptuous rooms and suites, splendid interiors brimming with antique furniture, fine fabrics and unique features at every turn.

It was built originally by the Norman De Burgo family around 1228.

See my entry www.irishhistorichouses.com/2022/05/15/places-to-stay-and-visit-in-connacht-leitrim-mayo-and-sligo/

Ashford Castle, photograph by Brian Morrison 2015 for Tourism Ireland, Ireland’s Content Pool.
Afternoon tea, Ashford Castle, Co Mayo Courtesy Kelvin Gillmor 2014.
Ashford Castle, photograph by Brian Morrison 2015 for Tourism Ireland, Ireland’s Content Pool.

2. Belleek Castle and Ballina House, originally Belleek Castle, Ballina, Mayo – €€

See https://belleekcastle.com/

3. Knockranny House Hotel and Spa, County Mayo

https://www.knockrannyhousehotel.ie/

The website tells us: “Owned and run by Adrian & Geraldine Noonan, Knockranny House Hotel & Spa is one of Ireland’s finest 4 star hotels in Westport.

Set in secluded grounds on a hillside, this luxury hotel stands proudly overlooking the picturesque town of Westport and enjoys breathtaking views of Croagh Patrick and Clew Bay’s islands to the west and the Nephin Mountains to the north, one of the best Westport hotels locations.

The welcoming atmosphere at Knockranny House Hotel Westport begins with the open log fires in the reception hall, and is carried throughout the property with its antique furniture, excellent spa facilities, superb cuisine and friendly service, creating a genuine sense of relaxed warmth and hospitality. Previously voted as AA Irish hotel of the year.

4.  Mount Falcon, Ballina, County Mayo – hotel €€

https://www.mountfalcon.com/

Mount Falcon Estate, Co Mayo_by Mount Falcon 2020 for Tourism Ireland, Ireland’s Content Pool.

The website tells us:

Mount Falcon Estate is a luxury 32 bedroom 4-star deluxe hotel with 45 luxury lodges located on the west bank of the River Moy and is situated perfectly for exploring the 2500km of rugged Irish coastline called The Wild Atlantic Way. Mount Falcon hotel offers 100 acres of magical woodlands, between Foxford and Ballina, in North County Mayo, the most beautiful part of the West of Ireland. Situated in the heart of the Moy Valley (which encompasses Mayo North and Co. Sligo) this Victorian Gothic manor house (est. 1876) exudes understated elegance from a bygone era. Originally constructed as a wedding gift, Mount Falcon Estate has subsequently become known as the most romantic house in Ireland.

See my entry www.irishhistorichouses.com/2022/05/15/places-to-stay-and-visit-in-connacht-leitrim-mayo-and-sligo/

Places to stay, County Meath:

See my entry https://irishhistorichouses.com/2022/10/28/places-to-visit-and-stay-in-county-meath-leinster/

1. Bellinter House near Bective, County Meath – hotel and restaurant €€

www.bellinterhouse.com

Bellinter House, photograph for Tourism Ireland, Ireland’s Content Pool.

The website tells us:

A magnificent 18th century Georgian house, located in the heart of the Boyne Valley, less than 5 minutes of the M3 and under 30 minutes from Dublin City centre and Dublin airport.

A property designed originally by Richard Castles for John Preston [1700-1755], this house was once used as a country retreat for the Preston Family, to abscond from the city for the summer months.

Following over 270 years of beautiful history the purpose of Bellinter House remains the same, a retreat from ones daily life.

On arriving, you will find yourself succumb to the peacefulness and serenity that is Bellinter House.

See my entry https://irishhistorichouses.com/2022/10/28/places-to-visit-and-stay-in-county-meath-leinster/

2. Johnstown Estate, Enfield, Co Meath – hotel

 https://thejohnstownestate.com

The website tells us:

The original manor – or The Johnstown House as it was known – is as storied as many other large country house in Ireland.  Luckily, the house itself has stood the test of time and is the beating heart of the hotel and all its facilities which together form The Johnstown Estate. 

Built in 1761, The Johnstown House (as it was then known) was the country residence of Colonel Francis Forde [1717-1769], his wife Margaret [Bowerbank] and their five daughters. Colonel Forde was the 7th son of Matthew Forde, MP, of Coolgraney, Seaforde County Down, and the family seat is still in existence in the pretty village of Seaforde, hosting Seaforde Gardens.

3. Tankardstown House, Rathkenny, Slane, Co. Meath – section 482

Tankardstown, County Meath, August 2019.

www.tankardstown.ie
See my entry.

4. Ballinlough Castle, County Meath

https://www.ballinloughcastle.ie/

5. Boyne Hill estate, Navan, County Meath – whole house rental

https://www.boynehillhouse.ie

Set in 38 acres of pretty gardens and parklands and just 35 minutes from Dublin, this stunning country house estate becomes your very own private residence for your special day.

6. Durhamstown Castle, Bohermeen, County Meath – whole house rental https://durhamstowncastle.com

Durhamstown Castle is 600 years old inhabited continuously since 1420. Its surrounded by meadows, dotted with mature trees. We take enormous pleasure in offering you our home and hospitality.

See my entry www.irishhistorichouses.com/2022/05/05/places-to-visit-and-stay-in-leinster-longford-louth-and-meath/

7. Loughcrew House, Loughcrew, Old Castle, Co. Meath – section 482

www.loughcrew.com

Remains of Loughcrew House, 22nd May 2010.
Loughcrew 22nd May 2010

8. Mill House, Slane – weddings

https://www.themillhouse.ie

The Mill House, Slane, March 2022.

The website tells us:

Built in 1766, The Millhouse and The Old Mill Slane, the weir and the millrace were once considered the largest and finest complex of its kind in Ireland. Originally a corn mill powered by two large water wheels, the harvest was hoisted into the upper floor granaries before being dried, sifted and ground.

Over time, the Old Mill became a specialised manufacturer of textiles turning raw cotton into luxury bed linen. Times have changed but this past remains part of our history, acknowledged and conserved.

​In 2006, The Millhouse was creatively rejuvenated, transformed into a hotel and wedding venue of unique character – a nod to the early 1900’s when it briefly served as a hotel-stop for passengers on pleasure steamer boats.”

Venues in County Monaghan

1. Castle Leslie, Glaslough, Co. Monaghan – section 482

www.castleleslie.com

See my entry:

https://irishhistorichouses.com/2020/08/07/castle-leslie-glaslough-county-monaghan/

2. Hilton Park House, Clones, Co. Monaghan – section 482
www.hiltonpark.ie

See my entry www.irishhistorichouses.com/2022/04/03/places-to-visit-and-stay-in-ulster-counties-fermanagh-monaghan-and-tyrone/

Places to stay, County Offaly

See my entry: https://irishhistorichouses.com/2022/10/27/places-to-visit-and-stay-in-county-offaly/

1. Gloster, County Offaly

https://www.glosterhouse.ie/

Gloster, County Offaly, February 2023.

2. Kinnitty Castle (formerly Castle Bernard), Kinnity, Co Offaly

https://www.kinnittycastlehotel.com/index.html

Kinnitty Castle Hotel, 2014, photographer unknown, for Tourism Ireland, Ireland’s Content Pool.

Mark Bence-Jones writes in his 1988 book of Kinnitty Castle, formerly named Castle Bernard: p. 62. [Castle Bernard]: “[Bernard 1912; De la Poer Beresford, Decies] A Tudor-Revival castle of 1833 by James and George Pain [built for T. Bernard]. Impressive entrance front with gables, oriels and tracery windows and an octagonal corner tower with battlements and crockets; all in smooth ashlar. Subsequently the home of 6th Lord Decies [Arthur George Marcus Douglas De La Poer Beresford (1915-1992)], by whom it was sold ca. 1950. Now a forestry centre.” 

Kinnitty Castle Hotel, 2014, photographer unknown, for Tourism Ireland, Ireland’s Content Pool.

See my entry www.irishhistorichouses.com/2022/05/07/places-to-visit-and-stay-in-leinster-offaly-and-westmeath/

Kinnitty Castle Hotel, 2014, photographer unknown, for Tourism Ireland, Ireland’s Content Pool.
Kinnitty Castle Hotel, 2014, photographer unknown, for Tourism Ireland, Ireland’s Content Pool.

2. Loughton House, County Offaly

https://loughtonhouse.com

Loughton, County Offaly

Places to stay, County Roscommon:

See my entry https://irishhistorichouses.com/2022/10/26/places-to-visit-and-stay-in-county-roscommon-connaught/

1. Clonalis House, Castlerea, Co Roscommon – accommodation and 482 

www.clonalishouse.com

2.  Kilronan Castle (formerly Castle Tenison), Ballyfarnan, County Roscommon – hotel 

Amazingly, when this was photographed for the National Inventory, it was a ruin! It has now been completely renovated. https://www.kilronancastle.ie

The website tells us:

Kilronan Castle Estate & Spa should be on your list of castles to stay at in Ireland. The luxury 4 star castle hotel is situated in County Roscommon in a secluded corner of the idyllic West of Ireland. Built in the 18th century, the Kilronan Castle resort welcomes its guests through a set of magnificent medieval gates at the top of a meandering driveway through an ancient forest which is surrounded by fifty acres of lush green estate and next to a beautiful lough making the castle look like something straight out of a fairytale.

See my entry https://irishhistorichouses.com/2022/10/26/places-to-visit-and-stay-in-county-roscommon-connaught/

Places to stay, County Sligo:

See my entry https://irishhistorichouses.com/2022/10/19/places-to-visit-and-stay-in-county-sligo-connaught/

1. Castle Dargan Lodges, Ballygawley, Co. Sligo, Ireland

https://www.castledargan.com

The website tells us: “Welcome to Castle Dargan Estate, a magnificent, rambling country estate on 170 rolling acres in W.B. Yeats’ beloved County Sligo. The great poet was inspired to write of its charms in The King of The Great Clock Tower and a hundred years later we invite you to be enchanted by a timeless elegance and unique atmosphere that will stay with you forever.

Accommodation at Castle Dargan Estate offers guests a diverse range of 4-star hotel accommodation including luxury suites in the 18th century Castle Dargan House, one and two bed Walled Garden Suites which are perfect for family breaks, and self-catering lodges available for holiday rentals. With a rich history brought in to 21st century, Castle Dargan Estate offers more to our guests than hospitality and fantastic settings, it offers classic grandeur that remains timeless.

See my entry https://irishhistorichouses.com/2022/10/19/places-to-visit-and-stay-in-county-sligo-connaught/

2. Markree Castle, Collooney, Co Sligo – section 482

www.markreecastle.ie

Markree Castle by Tom Keenan, creative commons on flickr.

See my entry:

https://irishhistorichouses.com/2021/11/06/markree-castle-collooney-co-sligo/

3. Newpark House and Demesne, Newpark, Ballymote, Co. Sligo – section 482

See https://www.juniperbarn.ie/accommodation and my entry:

Newpark, County Sligo, 16th August 2021.

https://irishhistorichouses.com/2021/11/30/newpark-house-and-demesne-newpark-ballymote-co-sligo/

4. Temple House, Ballymote, Co. Sligo – section 482

www.templehouse.ie

Places to stay, County Tipperary

See my entry https://irishhistorichouses.com/2022/10/19/places-to-visit-and-stay-in-county-tipperary-munster/

1. Ashley Park, Nenagh, Co Tipperary – accommodation

 https://hiddenireland.com/stay/bed-breakfast-guesthouses/

Ashley Park, County Tipperary, December 2016.
Ashley Park, County Tipperary, December 2016.

The Hidden Ireland website tells us:

“Ashley Park House has a magical quality that is particularly appealing. The avenue winds along the shore, through deep woods of oak and beech, until–suddenly–you reach the Georgian house, surrounded by tall trees, with beautiful views over a private lake. Inside, the rooms are large, comfortable and well equipped so offering a truly relaxing break away from the busyness of modern life.

Ashley Park, County Tipperary, December 2016.
Ashley Park, County Tipperary, December 2016.

The owners, Margaret & David McKenzie  run their home in a relaxed and informal way in the style of the traditional Irish country house, ideal for family and friends taking a break to celebrate a special occasion. Guests like nothing more than losing themselves in the woods and gardens, or rowing around the lake and exploring the ruins of the ancient fort on the island.

2. Cashel Palace Hotel, Cashel, County Tipperary – €€€

https://www.cashelpalacehotel.ie

The website tells us it is: “A Palladian manor, in the heart of Ireland, Cashel Palace is a luxury hideaway, meticulously restored and exquisitely reimagined. Spectacularly located by the Rock of Cashel in picturesque Co. Tipperary, the hotel is enveloped in nature and overlooked by ancient history.

Cashel Palace hotel, County Tipperary, photograph by Brian Morrison 2014 for Tourism Ireland, Ireland’s Content Pool.

The website tells us of the history:

Built in 1732, as the home of Church of Ireland Archbishop Theophilus Bolton, Cashel Palace was designed by the eminent architect Sir Edward Lovett Pearce. Lovett Pearce was one of the most celebrated architects of the time, and would go on to design Dublin’s impressive Parliament House – now the Bank of Ireland in College Green.

3. Clonacody House, County Tipperary – whole house or B&B €

https://www.clonacodyhouse.com/home

Clonacody has six spacious bedrooms, all boasting genuine antique interiors. Expect the good-old fashioned hospitality of the bygone days, curious family history, artwork and photographs to pour over. Curl up on our squishy sofas with a good book while enjoying an open fire on our ground floor, or have a bath beside an open window taking in the glorious surrounding views of Co. Tipperary’s mountains for endless relaxation. All include quality bedlinen, towels and toiletries.

4. Cloughjordan House, Cloughjordan, Co. Tipperary – section 482

Cloughjordan House, County Tipperary, photograph from National Inventory of Architectural Heritage.

https://www.cloughjordanhouse.com/accommodation

5. Dundrum House, County Tipperary – €€

https://www.dundrumhousehotel.com

6. Lissanisky House, County Tipperary

https://www.lissaniskyhouse.com/

The website tells us:

Lissanisky House is a listed Irish Georgian country house just outside Nenagh in Tipperary, Ireland. Built in approx. 1770 on the site of the 12th century O’Meara castle, it boasts a pedimented breakfront, five bays and three storeys over the basement. It is also renowned for its glorious cobweb fanlight above the front door. It was once a huge estate, but this was carved up by the land commission and now retains 10 acres of the original grounds, including the Victorian walled garden. ​The trees planted in the walled garden are still producing the tastiest apples, pears, quinces, plums and hazelnuts. If you’re around at the right time, you’ll get to enjoy one of our scrumptious homemade apple and toffee puddings with fresh cream. Delicious!

The house itself is full of history, with some interesting previous owners, like Dr Barry O’Meara, Napoleon’s doctor in St Helena and author of the definitive book on Napoleon, ‘Napoleon in Exile’; The Hon Otway Fortescue Graham-Toler, son of the second Earl of Norbury and relation of John Toler, the infamous ‘hanging judge’ and R Smithwick who is believed to be of the Kilkenny brewing family. We also recently discovered that former owners, the Cleeve family, were related to a member of the Guinness brewing family via the matriarch Heath Otway Waller of Priory Park.

THE FUTURE

We fell in love with Lissanisky House and made it our joint life goal to ensure that it would be restored to its full potential and secure it for future generations. By staying with us in our bed and breakfast or celebrating your wedding here, you are helping to fund all future restoration work to the house and outbuildings, making a huge contribution to the preservation of such an important building.

7. Raheen House Hotel, Clonmel, County Tipperary €€

https://www.raheenhouse.ie/

Raheen House Hotel is one of the leading hotels in the vibrant town of Clonmel, County Tipperary. This captivating hotel, with a history dating back to the 17th century, offers visitors the opportunity to relax and luxuriate in exquisite surroundings.

The Hotel offers 15 elegant bedrooms within the tranquillity of its own 3.5 acre gardens. The refinement extends throughout the whole house; have a drink in front of the open fire in the bar, take afternoon tea in the sumptuous Drawing Room or enjoy a delicious formal dinner in our restaurant.”

8. Kilshane, Tipperary, Co Tipperary – whole house rental:

Kilshane, County Tipperary, photograph from the National Inventory of Architectural Heritage.

https://www.kilshanehouse.ie

The National Inventory tells us this impressive country house was built by the architect C.F. Anderson for John Lowe.

Kilshane, County Tipperary: the impressive conservatory – see the website for a better picture, photograph from the National Inventory of Architectural Heritage.

Venues in County Tyrone

See my entry https://irishhistorichouses.com/2022/04/03/places-to-visit-and-stay-in-ulster-counties-fermanagh-monaghan-and-tyrone/

1. Baronscourt Estate, Newtownstewart, Omagh, County Tyrone

https://barons-court.com

2. Blessingbourne, County Tyrone €€

https://www.blessingbourne.com/self-catering-accommodation/ 

3. Killymoon Castle Lodge, 302 Killymoon Road, BT80 8ZA

https://killymooncastle.com

Places to stay, County Waterford

See my entry https://irishhistorichouses.com/2022/05/26/places-to-visit-and-stay-in-munster-county-waterford/

1. Ballynatray Estate, Co. Waterford – section 482

www.ballynatray.com

2. Faithlegg House, Waterford, Co Waterford – hotel €€

https://www.faithlegg.com

Faithlegg House Hotel, Co Waterford, Courtesy Colin Shanahan_ Faithlegg House Hotel 2021, for Tourism Ireland.

See my entry https://irishhistorichouses.com/2022/05/26/places-to-visit-and-stay-in-munster-county-waterford/

The Faithlegg website tells us that the house was probably built by John Roberts (1714-1796): “a gifted Waterford architect who designed the Waterford’s two Cathedrals, City Hall, Chamber of Commerce and Infirmary.  He leased land from Cornelius Bolton at Faithlegg here he built his own house which he called Roberts Mount. He built mansions for local gentry and was probably the builder of Faithlegg House in 1783.”

3. Waterford Castle, The Island, Co Waterford €€

https://www.waterfordcastleresort.com

Waterford Castle Hotel, photo by Shane O’Neill 2010 for Tourism Ireland.

The Archiseek website tells us that Waterford Castle is: “A small Norman keep that was extended and “restored” in the late 19th century. An initial restoration took place in 1849, but it was English architect W.H. Romaine-Walker who extended it and was responsible for its current appearance today. The original keep is central to the composition with two wings added, and the keep redesigned to complete the composition.

See my entry https://irishhistorichouses.com/2022/05/26/places-to-visit-and-stay-in-munster-county-waterford/

Waterford Castle Hotel and Golf Resort 2021 County Waterford, from Ireland’s Content Pool.
Photograph Courtesy of Waterford Castle Hotel and Golf Resort, 2021, Ireland’s Content Pool.
Waterford Castle Hotel, photo by Shane O’Neill 2016 for Tourism Ireland.

4. Lismore Castle, whole house rental

www.lismorecastlegardens.com

Places to stay, County Westmeath: 

See my entry https://irishhistorichouses.com/2022/05/07/places-to-visit-and-stay-in-leinster-offaly-and-westmeath/

1.  Middleton Park, Mullingar, County Westmeath – available to rent 

http://mph.ie

Middleton Park House featured in The Great House Revival on RTE, with presenter (and architect) Hugh Wallace. The website tells us:

Carolyn and Michael McDonnell, together with Carolyn’s brother Henry, joined together to purchase this expansive property in Castletown Geoghegan. Built during the famine, the property was last in use as a hotel but it had deteriorated at a surprisingly fast rate over its three unoccupied years.

Designed by renowned architect George Papworth, featuring a Turner-designed conservatory, Middleton Park House stands at a palatial 35,000sq. ft. and is steeped in history. Its sheer scale makes it an ambitious restoration.

The trio’s aim is to create a family home, first and foremost, which can host Henry’s children at the weekends and extended family all year-round. Due to its recent commercial use, the three will need to figure out how to change industrial-style aspects to make it a welcoming home that is economical to run.

Henry will be putting his skills as a contractor and a qualified chippy to use, and Michael will be wearing his qualified engineer’s hat to figure out an effective heating system. Carolyn will be using her love of interiors to work out the aesthetic of the house, and how to furnish a property the size of 35 semi-detached houses in Dublin.

The trio have now made the house available for accommodation and as a wedding venue.

County Wexford

1. Johnstown Castle, County Wexford

https://johnstowncastle.ie/weddings/

See my entry.

2. Marlfield, Gorey, Co Wexford – accommodation 

WWW.MARLFIELDHOUSE.COM

See my entry www.irishhistorichouses.com/2022/05/10/places-to-visit-and-stay-in-leinster-wexford-and-wicklow/

3. Monart, Enniscorthy, Co Wexford – 5* hotel 

https://www.monart.ie/

Monart Spa Wexford Annica Jansson 2016, for Tourism Ireland, Ireland’s Content Pool.

Nestled in over 100 acres of lush countryside in County Wexford, Monart offers two types of accommodation, 68 deluxe bedrooms with lake or woodland views and two luxurious suites located in the 18th century Monart House.

See my entry www.irishhistorichouses.com/2022/05/10/places-to-visit-and-stay-in-leinster-wexford-and-wicklow/

4. Horetown House, County Wexford – weddings

 https://www.horetownhouse.ie/

The website tells us:

Horetown House is a private country house wedding venue in County Wexford in the South-East corner of Ireland. Situated among rolling hills in the heart of rural Wexford, Horetown House is the perfect venue for a stylish, laid back wedding.  Our charming country house is yours exclusively for the duration of your stay with us.

Family owned and run, we can take care of everything from delicious food, bedrooms and Shepherds huts, to a fully licensed pub in the cellar. Horetown House is perfect for couples looking for something a little bit different, your very own country house to create your dream wedding.

See my entry www.irishhistorichouses.com/2022/05/10/places-to-visit-and-stay-in-leinster-wexford-and-wicklow/

See https://wellshouse.ie/

Places to stay, County Wicklow:

See my entry https://irishhistorichouses.com/2022/10/20/places-to-visit-and-stay-in-county-wicklow-leinster/

1. Brook Lodge and Macreddin Village, County Wicklow

https://www.originalirishhotels.com/hotels/brooklodge-macreddin-village

The website tells us:

Relax and unwind at The Wells Spa, a designated ‘resort spa’. Dine at The Strawberry Tree, Ireland’s first certified Wild and Organic Restaurant, or La Taverna Armento, a Southern Italian style bistro. We also host Actons Country Pub, The Orchard Café, an Organic Bakery, a Smokehouse and a Wild Food Pantry and much more. Macreddin Golf Course designed by European Ryder Cup Captain Paul McGinley is a short stroll from BrookLodge.

Macreddin Village has twice won AA Hotel of the Year, Ireland’s Culinary Hotel of the Year and Ireland’s Luxury Eco-Friendly Hotel. Other recent awards for The Strawberry Tree Restaurant include titles such as Best Restaurant and Best Organic Restaurant.

2. Druid’s Glen hotel and golf club (formerly Woodstock), Newtownmountkennedy, Co Wicklow

https://www.druidsglenresort.com

3. Rathsallagh, co Wicklow – accommodation €€

Rathsallagh, photograph courtesy of Rathsallagh House.

www.rathsallagh.com

It was built around 1750 as stables and converted in 1798. The range consists of four wings based around a large courtyard with the main wing to the front (west) having two-storey projections to its north and south ends.

The website tells us: “Rathsallagh House has been owned and run by the O’Flynn family for over 30 years, it has a happy and relaxed atmosphere with log and turf fires in the bar and drawing rooms. The food at Rathsallagh is country house cooking at its best, Game in season and fresh fish are specialities. Breakfast in Rathsallagh is an experience in itself and has won the National Breakfast Awards a record four times.

Rathsallagh also has conference and meeting rooms, Spa room, billiard room, and tennis court and is surrounded by the magnificant Rathsallagh Golf Club.

See my entry www.irishhistorichouses.com/2022/05/10/places-to-visit-and-stay-in-leinster-wexford-and-wicklow/

Rathsallagh House, County Wicklow, photograph courtesy of Rathsallagh House.

4. Summerhill House Hotel, County Wicklow

https://summerhillhousehotel.com

The website tells us: “Summerhill House Hotel is where glamour and the countryside blend in one of Ireland’s prettiest villages. Our location in the cosy village of Enniskerry is a gloriously refreshing antidote to city living or stressful lives. Reconnect with family and friends and let the kids run free. Lose track of time as you breathe in clean air, stride for miles through nature walks on your doorstep, stargaze under big skies, and, most importantly – relax, with a dose of the finest Wicklow hospitality.

5. Tinakilly House, Rathnew, Co Wicklow – country house hotel

https://tinakilly.ie

The website tells us:

Set in 14 acres of mature landscaped gardens overlooking the Irish Sea Tinakilly offers peace and tranquillity yet is only 45 minutes from Dublin. This stunning award winning Country House Hotel in Wicklow is steeped in history and oozes charm and sophistication.

See my entry www.irishhistorichouses.com/2022/05/10/places-to-visit-and-stay-in-leinster-wexford-and-wicklow/

6. Tulfarris, Blessington, Co Wicklow - hotel 

www.tulfarrishotel.com

The website tells us: “Tulfarris Hotel & Golf Resort is a luxury 4 star retreat situated in the garden of Ireland, County Wicklow. Perched on the banks of the Blessington Lakes against the backdrop of the Wicklow mountains, yet only 45 minutes drive from Dublin. Offering delicious food, relaxed bars and deluxe guest accommodation, the views are breathtaking and the golf course is immense. Step back in time as you enter the 18th century Manor House which stands imposingly at the heart of our 200 acre resort. Get married, get your colleagues together or get some rest and relaxation. Tulfarris Hotel in Wicklow is yours to enjoy.

See my entry www.irishhistorichouses.com/2022/05/10/places-to-visit-and-stay-in-leinster-wexford-and-wicklow/

Places to visit and stay in County Kilkenny

On the map above:

blue: places to visit that are not section 482

purple: section 482 properties

red: accommodation

yellow: less expensive accommodation for two

orange: “whole house rental” i.e. those properties that are only for large group accommodations or weddings, e.g. 10 or more people.

green: gardens to visit

grey: ruins

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

Places to visit in County Kilkenny:

1. Aylwardstown, Glenmore, Co Kilkenny – section 482 

2.  Kilfane Glen & Waterfall Garden, Thomastown, County Kilkenny – 482 – garden only

3. Kilkenny Castle, Kilkenny – OPW

4. Kilrush House, County Kilkenny, ihh member, by appt. 

5. Rothe House, Kilkenny, County Kilkenny – open to the public  

6. Shankill Castle, Paulstown, Co. Kilkenny – section 482 

7. Tybroughney Castle, Piltown, Co Kilkenny – section 482 

8. Woodstock Gardens and Arboretum, Woodstock, Inistioge, Kilkenny

Places to stay, County Kilkenny

1. Ballyduff, Thomastown, Co Kilkenny – wedding venue, B&B 

2. Blanchville Coachyard, Dunbell, County Kilkenny – courtyard accommodation

3. Butler House, Kilkenny, co Kilkenny – accommodation 

4. Clomantagh Castle, Co Kilkenny – tower house accommodation

6. Lyrath House, near Kilkenny, County Kilkenny – hotel 

7.  Mount Juliet, Thomastown, County Kilkenny – hotel 

8. Tubbrid Castle, County Kilkenny – tower house accommodation

9. Waterside Guest House, Graiguenamanagh, County Kilkenny

Whole House Rental County Kilkenny:

1. Annamult House, Bennettsbridge, Co Kilkenny – whole house accommodation

2. Ballybur Castle, County Kilkenny – castle accommodation

3. Castle Blunden, County Kilkenny – whole house accommodation

Places to visit in County Kilkenny:

1. Aylwardstown, Glenmore, Co Kilkenny – section 482 

Open dates in 2026: Aug 1-31, Sept 1-30, 10am-5pm

Fee: adult €5, OAP/student €3, child free

2.  Kilfane Glen & Waterfall Garden, Thomastown, County Kilkenny R95 RXO5 – 482 – garden only

Kilfane, County Kilkenny, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

See my entry:

https://irishhistorichouses.com/2021/12/16/kilfane-glen-waterfall-kilfane-thomastown-co-kilkenny/

www.kilfane.com

Open dates in 2026: July 1-31, Aug 1-31, 11am-6pm
Fee: adult €9, OAP/student €7, child €6

3. Kilkenny Castle, Kilkenny – OPW

Kilkenny Castle, May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kilkenny Castle, Kilkenny City by Sonder Visuals for Failte Ireland 2014.

see my entry https://irishhistorichouses.com/2024/04/08/kilkenny-castle-county-kilkenny-an-office-of-public-works-property/

4. Kilrush House, County Kilkenny, ihh member, by appt. 

Kilrush House, photograph courtesy of National Inventory of Architectural Heritage
Kilrush House, photograph courtesy of National Inventory of Architectural Heritage.

The Historic Houses of Ireland website tells us:

William Robertson (1777 – 1850) was a native of Kilkenny where the patronage of Lord Ormonde stood him in good stead, since most of his work can be found in Kilkenny and the neighbouring counties of Laois, Tipperary and Waterford. When Richard St. George wished to move from his medieval castle at Kilrush near Freshford in 1820, Robertson was the obvious choice. His work is less exuberant than that of his namesake Daniel but he was a talented architect and produced an interesting early nineteenth century reinterpretation of the typical late-Georgian country house. 

The St Georges are a Norman family who ‘came over to England with the Conqueror’ and arrived in Ireland in the sixteenth century. They quickly became established here, with several branches in County Kilkenny and others in Galway, Leitrim and Roscommon.

The St Georges of Kilrush were active in political and cultural circles in the seventeenth and eighteenth centuries. Richard St George was an M.P. in the Irish Parliament, with a town house at No. 8 Henrietta Street, while his cousin St George Ashe was the Provost of Trinity College and a close friend of Dean Swift. St. George was also a founding member of the Dublin Philosophical Society, which encouraged his numerous publications of scientific and national interest.

Richard considered moving out of his tower-house at Kilrush in the middle of the eighteenth century but this decision was left to his heirs, who built the existing house in the early nineteenth century. Kilrush has a three bay façade, a five bay garden front, a hipped roof with widely overhanging eaves, a single very large, central chimney-stack into which all the flues are diverted, and an interesting ground plan.

The cut-stone door case is a handsome arrangement of Doric half-columns and pilasters, supporting a deep entablature with swags beneath a semi-circular leaded fanlight. The ground floor windows to either side are set in shallow recesses with elliptical heads; otherwise the elevations are quite plain.

The most interesting internal space is the landing, a perfect Doric rotunda supporting a delicately glazed dome. This partly lights the inner hall below through a circular well in the floor. The dining and drawing rooms are both finely proportioned apartments, with many original fittings and furnishings, and their original wallpaper.

Kilrush looks out over mature parkland to a large mill, almost half a mile off.  The gardens contain a stupendous collection of snowdrops, there is a tower house, the former residence of the family in the attached yard, while an interesting early garden layout with connected canals has recently been identified and is currently in the course of restoration.” [1]

5. Rothe House, Kilkenny, County Kilkenny  

Rothe House, Kilkenny, photograph by Brian Morrison 2015 for Tourism Ireland [2]

Rothe House is a treasure, older than any house in Dublin! It was built around 1594-1610, by John Rothe FitzPiers (1560-1620) for his wife Rose Archer, and is the last merchant’s townhouse in Kilkenny surviving from the early post-medieval period. [3] The house, purchased by Kilkenny Archaeological Society in 1962, is open to the public as a museum displaying a selection of the historic artefacts collected by the Society since its founding in 1947.  The artefacts relate to Kilkenny heritage throughout the ages and some date from prehistoric times.  The adjoining garden has since 2008 been open to the public and is a faithful reconstruction of an early seventeenth-century urban garden. 

Garden at Rothe House, May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rothe House, May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The National Inventory describes it:

Terraced five-bay two-storey over basement house with dormer attic on a U-shaped plan about a stone cobbled (east) courtyard with two-bay two-storey gabled central bay having jettied box oriel window to first floor, series of five round-headed openings to ground floor forming arcade, single-bay three-storey linking range to north-west, and three-bay three-storey parallel range to west (completing U-shaped plan about a courtyard) originally three-bay two-storey having round-headed carriageway to right ground floor. In use as school, c.1750. Restored, 1898, to accommodate use as Gaelic League house. Converted to use as museum, 1963-5. Restored, 1983. Restored, 1999, to accommodate use as offices.”

Rothe House, May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rothe House, May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rothe House, May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rothe House, May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Archiseek website tells us:

In 1594 a wealthy merchant called John Rothe built this magnificent Tudor mansion. Second and third generation houses were built around the cobelled courtyards and a well dating to 1604. The façade houses shops, one of them was John Rothe’s own. During the Confederation of Kilkenny, many dignitaries were entertained here by John Rothe and his cousin, the Bishop of Ossory. The building has been restored magnificently and is now home to Kilkenny Archaeological Society.” [4]

Rothe House, May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rothe House, May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rothe House, May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Plague Doctor! In 1348 there was Plague in Kilkenny. Friar John Clyn in the Franciscan Abbey across the road  recorded the effect of the plague on the town and the friary. He himself fell victim to the epidemic.  Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rothe House, May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Artefacts from the Confederation of Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rothe House, May 2018.
Rothe House, May 2018.
Rothe House, May 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Viking Sword. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
“Pattens” – wooden shoes worn by women over their regular shoes to protect from mud. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

6. Shankill Castle, Paulstown, Co. Kilkenny R95 T8X7 – section 482 

www.shankillcastle.com

Open dates in 2026: Feb 7-8, 14-15, 21-22, 28, Mar 1, Apr 3-5, 10-12, 17-19, 24-26, May 1-3, 8-10, 15-17, 22-24, 29-31, June 5-7, 12-14, 19-21, 26-28, July 3-5, 10-12, 17-19, 24-26, 29, 31, Aug 1-2, 7-9, 14-23, 28-30, Sept 4-6, 11-13, 18-20, 25-27, Oct 2-4, 9-11, 16-18, 23-25, 30-31, 11am-5pm

Fee: adult €14 house & garden, €6 garden, OAP/student €10 house & garden, €4 garden, child house & garden €6, €3 garden

See my entry https://irishhistorichouses.com/2023/11/30/shankill-castle-paulstown-county-kilkenny-r95-t8x7/

Shankill Castle County Kilkenny 3rd June 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

7. Tybroughney Castle, Piltown, Co Kilkenny E32 NV 32  – section 482 and castle accommodation 

Tybroughney, photograph courtesy of National Inventory of Architectural Heritage.

https://www.tybroughneycastle.com/

Open dates in 2026: Mar 1-20, May 1-31, Aug 15-23,11am-3pm

Fee: adult €5, student €3, child/OAP free

8. Woodstock Gardens and Arboretum, Woodstock, Inistioge, Kilkenny, maintained by Kilkenny County Council

Woodstock, County Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Woodstock Gardens, photograph from Lawrence Photograph Collections, National Library of Ireland, photograph from “In Harmony with Nature” exhibition at the Irish Georgian Society curated by Robert O’Byrne.

Mark Bence-Jones writes about Woodstock (1988):

p. 286. “(Fownes, Bt/EDB; Tighe/IFR) A house by Francis Bindon [for William Fownes, 2nd Baronet], probably dating from 1740s, which is unusual in being built round a small inner court, or light-shaft. Three storeys; handsomely rusticated entrance front of six bays with a central niche and statue above the entrance doorway…In 1770s Sarah Ponsonby lived here with her cousins, Sir William and Betty Fownes [born Elizabeth Ponsonby]; her friend, Eleanor Butler, having escaped from Borris, co Carlow, where she was being kept in disgrace, was let into Woodstock through a window, hiding herself in Sarah’s room for 24 hours before being discovered; shortly afterwards, the two friends left for Wales, where they subsequently became famous as the “Ladies of Llangollen.” Woodstock passed to the Tighes with the marriage of the daughter and heiress of Sir William Fownes to William Tighe, whose daughter-in-law was Mary Tighe, the poet, author of Psyche; she died at Woodstock 1810 aged 37, and Flaxman’s monument to her is in a small neo-Classical mausoleum behind the Protestant church in the village of Inistioge, at the gates of the demesne. There was also a statue of her in one of the rooms in the house. Woodstock was burnt ca 1920, and is now a ruin, but the demesne, with its magnificent beechwoods, still belongs to the Tighes.” [6]

The information board tells us that in 1804 flanking wings were added to designs by William Robertson (1770-1850). The house was burned in 1922 after being occupied by the Black and Tans.
The gardens at Woodstock, County Kilkenny, August 2021. The gardens at Woodstock, gloriously situated above the River Nore, were conceived on a grand scale by Colonel William Tighe (1794-1878) and Lady Louisa Lennox (1803-1900) as the centrepiece of a great estate. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Ladies of Llangollen, Sarah Ponsonby and Charlotte Eleanor Butler, by Richard James Lane, printed by Jérémie Graf, after Lady Mary Leighton (née Parker) courtesy of National Portrait Gallery NPG D32504.
Mary Tighe née Blachford (1747-1791), courtesy of National Gallery of Ireland.

The formal parterres were created in the 1860s by a Scotsman, Charles McDonald, for Colonel William Tighe (1794-1878) and his wife Lady Louisa née Lennox (1803-1900, daughter of Charles, 4th Duke of Richmond – she is not to be confused with Louisa Lennox (1743-1817) daughter of Charles 2nd Duke of Richmond, who married Thomas Conolly of Castletown, County Kildare). The parterre incorporates a shamrock motif. Robert O’Byrne tells us in his exhibition “In Harmony with Nature” at the Irish Georgian Society July 2022 that creating the parterres involved removing 200,000 cubic yards of earth and retention by a wall of cut granite quarried on the estate and ornamented by local craftsmen with stone finials, balls and vases.

Woodstock Gardens, photograph from Lawrence Photograph Collections, National Library of Ireland, photograph from “In Harmony with Nature” exhibition at the Irish Georgian Society July 2022 curated by Robert O’Byrne.

The estate passed to the daughter, Sarah, of William Fownes and Elizabeth Ponsonby, and Sarah married William Tighe (1738-1872) of Rossana, County Wicklow.

William Tighe of Rosanna! Portrait by by Charles Jervas (c.1675-1739), courtesy of Adams auction 19 Oct 2021.
This information board tells us about the Arboretum at Woodstock, where a number of exotic trees were planted in the nineteenth century.
Woodstock, County Kilkenny.
Entrance to walled garden at Woodstock. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Gardens at Woodstock, with reproduction Turner glasshouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
“Turner bench” which matches the glasshouse at Woodstock. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The longest and oldest Monkey Puzzle Walk in Europe, at Woodstock. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Places to stay, County Kilkenny

1. Ballyduff, Thomastown, Co Kilkenny – wedding venue, B&B 

http://ballyduffhouse.ie/booking-enquiries/ 

Ballyduff House, courtesy of National Inventory of Architectural Heritage.

The website tells us:

Ballyduff House is a classic Georgian country house with a 14th century castle, steeped in Irish history and full of the warmest of welcomes.

The River Nore sparkles as it runs along Ballyduff’s riverbank while sheep and cattle graze the pasture either side.

Open fires, the book lined library and the comfortable bedrooms furnished with Irish antiques capture an early 18th century experience tempered by discreet 21st century comfort.

This is real Ireland – calm, green and beautiful, set alongside the picturesque village of Inistioge with Dublin only an hour away.

The National Inventory tells us:

A country house representing an important component of the mid eighteenth-century domestic built heritage of County Kilkenny with the architectural value of the composition, one abutting a “roofed down” tower house, confirmed by such attributes as the deliberate alignment maximising on panoramic vistas overlooking broad parkland and the wooded River Nore; the compact rectilinear plan form centred on a restrained doorcase showing a simple radial fanlight; the diminishing in scale of the openings on each floor producing a graduated visual impression with the principal “apartments” or reception rooms defined by Wyatt-style tripartite glazing patterns; and the slightly oversailing roofline. Having been well maintained, the elementary form and massing survive intact together with substantial quantities of the original fabric, both to the exterior and to the interior, including crown or cylinder glazing panels in hornless sash frames: meanwhile, contemporary joinery; restrained chimneypieces; and sleek plasterwork refinements, all highlight the artistic potential of the composition. Furthermore, an adjacent farmyard complex ; and a walled garden (extant 1839), all continue to contribute positively to the group and setting values of a self-contained estate having historic connections with the Coghill family including Sir Josiah Coghill (1773-1850), third Baronet (Lewis 1837 II, 18); the Connellans of nearby Coolmore House (see 12403210); and Lieutenant-Colonel Frederick William John Shore (1844-1916), fourth Baron Teignmouth (NA 1901; NA 1911). NOTE: Given as the birthplace of Sir John Joscelyn Coghill (1826-1905) of Glen Barrahane in Castletownshend, County Cork (Dod’s Peerage Baronetage and Knightage 1865, 186); and George Leopold Bryan (1828-80) of Jenkinstown (Dod’s Parliamentary Companion 1875, 174).

2. Blanchville Coachyard, Dunbell, County Kilkenny – coachyard accommodation

https://blanchville.ie/

Blanchville Coachyard, Dunbell, County Kilkenny, photograph from website https://blanchville.ie/

The Coach Houses & Gardener’s Cottage are, as the name suggests, part of the beautiful old stone building that was originally the Coach House at Blanchville. The building has been sensitively and extensively refurbished and now offers guests comfortable and inviting Self-Catering Accommodation in three self-contained Holiday Homes.

These Heritage Holiday Lets feature a cosy woodburning stove or open fire, fully fitted modern kitchen and relaxing bedrooms – the perfect requisite for an enjoyable weekend break or holiday in Kilkenny.

3. Butler House, Kilkenny, co Kilkenny – accommodation 

https://www.butler.ie

View to Butler House and Garden, Kilkenny Leo Byrne Photography 2015. (see [2])

The National Inventory tells us about Butler house: “Semi-detached three-bay three-storey over basement house, built 1786, with pair of three-bay full-height bowed bays to rear (east) elevation. Extended, 1832, comprising two-bay three-storey perpendicular block to right. Renovated, 1972. Now in use as hotel. One of a pair…An elegantly-composed Classically-proportioned substantial house built either by Walter Butler (1713-83), sixteenth Earl of Ormonde or John Butler (1740-95), seventeenth Earl of Ormonde as one of a pair of dower houses…Distinctive attributes including the elegant bowed bays to the Garden (east) Front contribute positively to the architectural design value of the composition while carved limestone dressings with particular emphasis on the well-executed doorcase displaying high quality stone masonry further enliven the external expression of the house in the streetscape.”

The house was home to Lady Eleanor Butler who lived here after the death of her husband Walter in 1783. Lady Eleanor Butler was the mother of John, the 17th Earl of Ormonde and her daughter, also Eleanor, was one of the famous “Ladies of Langollen”.

James, Earl of Ormonde (1777-1838, and 1st Marquess) resided in the house while the Castle was under reconstruction in 1831. A soup kitchen was run from here during the cholera epidemic of 1832.

The Royal Historical and Archaeological Association of Ireland held their meetings in Butler House in 1870. Kilkenny Design, the state design agency, restored Butler House in 1972. The decor and furnishings reflect a certain 1970s Art Deco style, which because of the muted colours and natural fabrics used, proved sympathetic to the original features of the house. In 1989, the Kilkenny Civic Trust acquired both Butler House and the Castle Stables. 

4. Clomantagh Castle, Co Kilkennytower house accommodation

Clomantagh Castle, courtesy of National Inventory of Architectural Heritage.

https://www.airbnb.ie/rooms/29346656?federated_search_id=050f383f-6e5e-45b5-9989-b166bfe7e70d&source_impression_id=p3_1650104926_er%2FjFSqCgEWzQLW5

The National Inventory tells us it is a farmhouse erected by John Shortal (d. 1857) or Patrick Shortal (d. 1858) representing an integral component of the mid nineteenth-century domestic built heritage of County Kilkenny with the architectural value of the composition, one occupying the site of a hall adjoining the fifteenth-century Clomantagh Castle.

Clomantagh Castle - was home to the [8th] Earl of Ormond, Pierce Ruadh (1467-1539). When he died in 1539 the castle along with other properties was passed to his son Richard Butler, first Viscount Mountgarret (1500-1571). The castle and its estate stayed in the Butler family until it was forfeited during the war with Cromwell to Lieutenant Arthur St. George [ancestor of the Kilrush family]. After the war the castle changed hands twice more and a farmhouse was added by the Shortall family, the owners in the 1800’s, before its last owner  Willie White a local vet. The property is now owned by a non profit making charity called the Landmark Trust who preserve historic buildings. 

The Landmark site tells us:

The name Clomantagh comes from the Irish “cloch mantaigh”, meaning missing tooth or gappy smile. Locals gave this name to the castle as the irregular castellation reminded them of someone smiling with missing teeth.  

“It has been established that the tower and bawn were built in the 15th century (c.1430). The tower house has been modified and extended over the centuries, and in the early 19th century a farmhouse was added providing accommodation with comfort, rather than defence, in mind. In recent times, the bawn walls have sheltered the buildings of a 20th century working farm. It also has a rare clochán (small dome-roomed structure) knit into the bawn walls. Five other tower houses can be seen from the roof of Clomantagh Castle, and they were all strategically aligned for defence purposes.

Clomantagh followed mainstream castle design, emerging as an almost square building, six storeys high, with massive walls built from local limestone, and a corner staircase. Inserted high on the south wall is a Sheela-na-Gig. This pagan symbol was adopted by medieval builders and incorporated as the building was erected. High up the remains of the stepped battlement walls, the merlons can be seen – a specifically Irish feature whose inspiration is considered to be Venetian. Inside the battlements a wide walkway gave access to all sides of the building. In the north east corner, a high watchtower has been built. This is knows as Moll Gearailt’s Chair, after the particularly ferocious original mistress of the house, Maighréad nhee Gearóid, who used to sit watching over her fields to ensure that her labourers were not slacking at their work. The walkway, or Alure, was sloped outward to allow run off water through drainage holes and stone spouts. Generally, battlement walls have not survived well, their thinner construction and unstable sloping bases have contributed to their disappearance from tower houses.” [6]

You can stay in the main house or in smaller private accommodation https://cullintrahouse.com

The website tells us: “A countryside retreat in the heart of Co Kilkenny, Ireland – surrounded by acres of woodland, farmland and secret places to explore, Cullintra House offers guests a unique accommodation experience.

The house is furnished with your host Patricia Cantlon’s artistic style to the fore – each room has unique pieces of furniture or bespoke decorative touches that make Cullintra House a special find in Co Kilkenny.

6. Lyrath House, near Kilkenny, County Kilkenny – hotel

Lyrath Estate by Colin Whittaker 2009, flickr creative commons.

https://www.lyrath.com

Mark Bence-Jones writes:

p. 184. “(Wheeler-Cuffe, Bt/PB1934; Tupper/LGI1958) Originally a Tobin castle, acquired by the Wheeler family C17. By 1826, the house here consisted of a simple two storey five bay pedimented front facing west, with two wings running back from it to enclose a small three sided office court; the entrance door being on the south side; under a Regency veranda. In 1861, Sir Charles Wheeler-Cuffe, 2nd Bt, married Pauline Villiers-Stuart, daughter of Lord Stuart de Decies [of Dromana House, County Waterford – see my entry], whose parents did not regard this house as grand enough for her; so in that same year he rebuilt the main western block on a larger scale and in a rich Italianate style, while leaving the two storey wings more of less as they were.; his architect being John McCurdy. The entrance was moved from the south side to the new west front, which is pedimented and of five bays like its predecessor, but not entirely symmetrical; having a pair of windows on the ground floor to the left of centre, but a single window on the right. Entrance door framed by Ionic columns carrying a balustrade, above which is a Venetian window framed by an aedicule with a segmental pediment. All the ground floor windows have semi-circular heads, while the heads of the windows of the upper storey – apart from the central Venetian windows – are cambered. The garden front to the north has two single-storey balustraded curved bows, the windows of which are treated as arcades supported by Romanesque columns of sandstone. There is another Romanesque column separated the pair of windows in the centre of the front. The windows in the bow are glazed with curved glass. The roof is carried on a deep bracket cornice and there are prominent string courses, which give the elevations a High Victorian character. Hall with imposing imperial staircase, the centre ramp of which rises between two fluted Corinthian columns. There is a similarity between the staircase here and that at Dromana, Co Waterford, Pauline Lady Wheeler-Cuffe’s old home; except that the Dromana staircase was of stone, whereas that at Leyrath is of wood, with ornate cast-iron balustrades. On the centre ramp of the staircase there is still a chair with its back legs cut down to fit the steps; this was put there in 1880s for Pauline when she became infirm. Hall has a ceiling cornice of typical C19 plasterwork in a design of foliage, and door with entablatures which still have their original walnut graining. To the left of the hall, in the garden front, are the drawing room, ante-room and dining room, opening into each other with large double doors’ they have ceiling cornices similar to that in the hall, and good C19 white chimneypieces, enriched with carving; the drawing room and ante-room keep their original white and gold wallpaper. In the south wing there are smaller and lower rooms surviving from before the rebuilding; while first floor rooms in this wing have barrel ceilings throughout and contain some C18 chimneypieces of black marble.” 

The website tells us more about the history:

The name Lyrath is thought to date back to Norman times when “Strongbow” settled in Ireland during the Norman invasion. The area was originally called Le Rar or Le Rath by the French speaking De Ponte family who during the 12th century lived in the Monastery which was once located within the grounds. There is also a mention of a castle which was once said to have been situated within the grounds.

Prior to 1653 the lands were owned by the Shortall family, who then rented the ‘old castle in repair’ and land to Thomas Tobin, Constable of the Barony of Gowran. In 1664, a gentleman named Thomas Mances, paid a sum of 4s ‘hearth money’ for the old castle.

Later in the Seventeenth Century the property was acquired by Richard Wheeler through his kinship to Jonah Wheeler the Bishop of Ossary. By then the original ‘Tobin’ castle had been demolished.

Richard Wheeler’s son, Jonah Wheeler, married Elisabeth Denny-Cuffe, a descendant of the Desart-Cuffe family who had extensive landed property in the Counties of Carlow and Kilkenny, on his marriage Jonah decided to adopt the name Cuffe.

In 1814 the grandson of Jonah, also named Jonah, was living in the house with his with Elisabeth Browne, from Brownes Hill in neighbouring Carlow. Sir Jonah died in 1853 and his elder son, Sir Charles Denny Wheeler-Cuffe succeeded him.

To redesign the house Sir Charles engaged the services of John McCurdy, a Dublin born Architect, whose other commissions with his partner, William Mitchell, include Kilkenny’s Knocktopher Abbey, Dublin’s famous ‘Shelbourne Hotel’ and the South City Markets.

The current house is one of the most important surviving country houses built by John McCurdy.

Sir Charles and Pauline had no children, so on the death of Sir Charles, his nephew Sir Ottway Fortesque Luke Wheeler-Cuffe inherited the baronetcy and demesne of Lyrath and became the primary resident. Sir Ottaway married Charlotte Isabel Williams in 1897. Lady Charlotte was the earliest known botanical explorer to reach the remote areas Burma and it was during these trips that she discovered several plants including two new species of Rhododendrons, Burmanicum, and Cuffianum (named after her). Cuffianum, the white rhododendron is extremely rare and has not been collected by any botanist since Lady Wheeler-Cuffe found in 1911.

Sir Ottway and Lady Charlotte stayed in Burma until Sir Ottway’s retirement in August 1921 when they finally returned to live at Lyrath. On her return to Lyrath, Lady Charlotte redesigned the gardens. The Conservatory adjacent to Tupper’s Bar in the new Hotel overlooks the Victorian garden designer by her which has been carefully restored to her original design (based on family records and drawings), they are also home to the ancient yew trees which are now protected by a preservation order.

Lady Charlotte lived in the house until her death in 1966 in her 100th year.

Following the death of Lady Charlotte, in 1967 the property was inherited by Lieutenant-Colonel G.W. Tupper whose grandfather had married Sir Charles’ sister in 1846. Reginald’s great nephew, Captain Anthony Tupper and his wife moved into the house and ran it as a traditional estate farm with a herd of Jersey cows, hens, and geese in the yard, calves in the haggard field and a big old-fashioned kitchen with dogs and cats which rambled in and out at will.

The Tuppers remained in the house until 1997.

When the Tuppers left, there was an auction at the house of all the furniture and the bits and pieces accumulated over several lifetimes laid out and labelled for sale. Fortunately, Xavier McAuliffe managed to obtain many of the items on auction that day, these items are now on display in the house and include to original large portraits hanging in the hallway and other paintings on display.

Xavier purchased the Estate in 2003 and developed the house into Lyrath Estate Hotel and Convention Centre, which opened its doors to the public in 2006.

7. Mount Juliet, Thomastown, County Kilkenny – hotel

Mount Juliet Gardens, Thomastown, Co Kilkenny, photograph by Finn Richards 2015 for Tourism Ireland, Ireland’s Content Pool. (see [2])
Drawing room of Mount Juliet, County Kilkenny, Date 2 November 1920 courtesy of National Library of Ireland NLI Ref. P_WP_2886.

https://www.mountjuliet.ie/

Mark Bence-Jones writes of Mount Juliet:

p. 214. “(Butler, Carrick, E/PB; McCalmont/IFR) A mid to late C18 house built by the 1st Earl of Carrick [Somerset Hamilton Butler, 8th Viscount Ikerrin and 1st Earl of Carrick (1719-1774)] across the River Nore from the former family seat, Ballylinch Castle on an estate which he had bought ca 1750 from Rev Thomas Bushe [1727-1795], of Kilmurry; traditionally named by him after his wife [Juliana Boyle, daugher of the 1st Earl of Shannon]. Of three storeys over basement, front of seven bays between two shallow curved bows, each having three windows. One bay central breakfront, with Venetian windows in the two upper storeys above tripartite pedimented and fanlighted doorway. Centre window in two lower storeys of bows roundheaded. Perron and double steps in front of entrance door, with iron railings. High pitched roof and massive stacks. Sold 1914 by 6th Earl of Carrick to the McCalmonts who had leased the house for some years. Major Dermot McCalmont made a new entrance in what had formerly been the back of the house, where the main block is flanked by two storey wings, extending at right angles from  it to form a shallow three sided court, and joined to it by curved sweeps. The interior of the house was richly decorated by 2nd Earl of Carrick 1780s with plasterwork in the manner of Michael Stapleton. The hall, which is long and narrow, is divided by an arcade carried on fluted Ionic columns, beyond which rises a bifurcating staircase with a balustrade of plain slender uprights; the present entrance being by way of a porch built out at the back of the staircase. The rooms on either side of the hall in what was formerly the entrance front and is now the garden front have plasterwork ceilings; one with a centre medallion of a hunting scene, another with a medallion of a man shooting. One of these rooms, the dining room, also has plasterwork on the walls, incorporating medallions with Classical reliefs. One of the wings flanking the present entrance front contains a ballroom made by Major Dermot McCalmont 1920s, with a frieze of late C18 style plasterwork; it is reached by way of a curving corridor. The demesne of Mount Juliet is one of the finest in Ireland, with magnificent hardwoods above the River Nore ; it includes the Ballylinch demesne across the river. There is a series of large walled gardens near the house Mount Juliet is famous for its stud, founded by Major Dermot McCalmont 1915. Sold 1987.” 

Reverend Thomas McCalmont, 2nd Son of Hugh McCalmont, of Abbey Lands, Belfast. Born 1809, Died 1872, courtesy Sheppard’s Nov 7 2023.

8. Tybroughney Castle, Piltown, Co Kilkenny E32 NV 32  – section 482 and castle accommodation 

Tybroughney, photograph courtesy of National Inventory of Architectural Heritage.

https://www.tybroughneycastle.com/

Open dates in 2026: Mar 1-20, May 1-31, Aug 15-23,11am-3pm

Fee: adult €5, student €3, child/OAP free

9. Tubbrid Castle, County Kilkenny – castle rental accommodation

https://www.tubbridcastle.com/

Tubbrid Castle, photograph courtesy of https://www.tubbridcastle.com/

and https://www.airbnb.ie/rooms/29598290?adults=2&category_tag=Tag%3A8047&children=0&infants=0&search_mode=flex_destinations_search&check_in=2022-06-05&check_out=2022-06-10&federated_search_id=6eebbe51-3470-4008-be61-4228d4019473&source_impression_id=p3_1652359358_O%2F1m3ENyNNeiOZ%2Bf

The entry tells us:

Tubbrid Castle is a unique 15th-century tower house, uninhabited for the last century and now restored to its former glory. We’ve highlighted original features to let you step back in time and added luxury touches so you can indulge your inner prince or princess.

Heritage

Tubbrid Castle stands at an important point on the borders of the ancient kingdoms of Laighean and Mumhan. Built as a defensive structure to protect the territory of the Butlers of Ormond, the tower house was home to generations of families allied to the Butlers of Kilkenny Castle. The architectural significance of Tubbrid Castle is denoted by its designation as a National Monument and a Protected Structure.

In 942 AD, Muircheartach, King of modern-day Ulster, marched his army of 1000 Leather Cloaks south to avenge his allies, who had been attacked by Callaghan, King of Cashel. Muircheartach’s bard, Colmanach, recorded the journey in an epic poem, Circuit of Ireland, in which he praised the beauty of Osraí (now Kilkenny), and the hospitality of its people. At the edge of enemy territory and on the cusp of battle, Muircheartach’s army set up camp in Tubbrid, on a plain that a millennium later is still called Bán an Champa (the Field of the Encampment). The King himself is thought to have slept at the fort where Tubbrid Castle now stands. A thousand years later, the people of Kilkenny still pride ourselves on our warm hospitality and from the top floor bedroom of Tubbrid Castle you can survey Bán an Champa and enjoy lodgings befitting a king.

Tubbrid Castle, photograph courtesy of https://www.tubbridcastle.com/

The website tells us that Margeret Fitzgerald, 8th Countess of Ormond, is supposed to have had the castle built. When the Countess visited Tubbrid, she is said to have slept at the castle’s highest point, to keep her safe from enemy attackers. She is buried with her husband Piers Butler (8th Earl of Ormond) under elaborate effigies at St Canice’s Cathedral, in Kilkenny City.

A detailed written description of the castle comes from James Mease in 1851, writing for the Transactions of the Kilkenny Archaeological Society. Mease claims that, according to locals at the time, there were three ditches surrounding the castle, which had been dug away for manure. Supposedly a cannon ball was found during these works. No trace of these outer fortifications survives today. Mease believed that the castle may have been built on an ancient mound or rath, and perhaps at an old habitation site that might have been the location where the King of Aileach, mentioned in the poem of 971 camped. The ground and second floor were wicker-vaulted and at the time this paper was written, some of the wicker was still in place. We know from the Griffith Valuation that this castle was owned at the time by Arthur St. George, Esq. and leased to Catherine Campion.

Around the turn of the 19th century, the roof was removed from Tubbrid Castle, leaving it open to the elements and accelerating structural decay. By the turn of the millenium, the corners were crumbling and floors were sagging.

John Campion Snr began working on the tower house, aiming at first simply to prevent its collapse. Over several years he repointed the facade and applied a traditional lime mortar, known as harling. The tower house was re-roofed in green oak, in the same style as the original, with no nails or screws.

“In 2016, John Campion Jnr took over the restoration of Tubbrid Castle. Following archaeological impact reports, and with input from the National Monuments Office, John completed the restoration and fit-out of the tower house, turning it into a three-bedroom home.”

9. Waterside Guest House, Graiguenamanagh, County Kilkenny

https://www.watersideguesthouse.com

Phone: (059) 9724246

Email: info@watersideguesthouse.com

Waterside Guesthouse Graiguenamanagh, County Kilkenny, photograph courtesy of website.

This is set in a beautiful old 19th century granite corn store on the River Barrow in Graiguenamanagh.

Whole House rental, County Kilkenny:

1. Annamult House, Bennettsbridge, Co Kilkenny – whole house rental 

Annamult House, courtesy of Annamult website.

https://annamultcountryhouseestate.com

Annamult House, courtesy of Annamult website.

The website tells us:

Annamult County House Estate is a lovely Grade I listed ancient Manor House in the heart of the countryside in Kilkenny with parts dating back to the 16th century. But unlike other grand old homes, Annamult Country House Estate is warm, friendly and welcoming with unlimited hot water, central heating and log fires throughout with beautiful antiques. A uniquely beautiful Country Estate. It’s light, bright and airy. And the moment you step through the door it feels like home.

The website describes the accommodation as 7 Bedrooms, 1 on the lower ground floor, 1 wheelchair accessible bedroom on the ground floor and 4 very large formal bedrooms upstairs and our Japanese Bedroom at the heart of the house . 4 Bedrooms are ensuite with the Bed 1 and 2 sharing a Bathroom nestled between them

Annamult House, courtesy of Annamult website.

The National Inventory describes Annamult: “Detached four-bay two-storey double gable-fronted Tudor-style country house, c.1825, incorporating fabric of earlier house, pre-1771, with three-bay single-storey flat-roofed projecting open porch to centre ground floor, three-bay two-storey side elevations, and five-bay three-storey lower wing to left having single-bay (two-bay deep) two-storey connecting return to east...Forming a picturesque landmark rising above a mature wooded setting on a bank at the confluence of the Kings River and the River Nore a large-scale country house exhibiting a robust Tudor theme represents an important element of the architectural heritage of County Kilkenny. Having origins in an eighteenth-century range the architectural design value of the composition is identified by elegant attributes including the porch displaying high quality stone masonry reminiscent of a similar treatment at the contemporary (c.1825) Shankill Castle (12306002/KK-16-06-02), the Classically-inspired Wyatt-style tripartite openings, the enriched parapet, and so on: the wing incorporating minimal surface detailing is comparatively demure in quality. Having been carefully maintained to present an early aspect the house makes a significant contribution to the character of the locality. The house remains of additional importance for the associations with the Prim, the Nevill (Neville), and the Bayley families.

Annamult House, courtesy of Annamult website.
Annamult House, courtesy of Annamult website.
Annamult House, courtesy of Annamult website.

“You can dine inside or outside in luxury
you can picnic on the island , the riverside or in the woods .
You can relax or play on the lawns .
Climb trees
Boules on the lawns
Croquet on the lawns
You can swim in the river
You can fish in the river
You can walk in the woods
You can relax in the silence
You can star gaze at the firepit
You can play loud music
Great exploration for kids
you can birdwatch and spot some fab wildlife like our buzzards and hawks .
You may come across the deer in the woods
Watch out for badgers … Its ok they are nocturnal only .
Various local suppliers will run group activities on the grounds from yoga to tag archery.”

Annamult House, courtesy of Annamult website.
Annamult House, courtesy of Annamult website.

2. Castle Blunden, County Kilkenny – whole house rental

hhiref@castleblunden.com https://www.castleblunden.com/

Castle Blunden courtesy of National Inventory of Architectural Heritage.

The Historic Houses of Ireland website tells us:

A few miles from the cathedral city of Kilkenny, Castle Blunden stands on an elevated site in the midst of mature parkland. Dating from the 1750s, and still owned by the Blunden family, this pretty seven-bay building is typical of County Kilkenny houses from the mid-Georgian period. The house is rendered, with a profusion of cut limestone decoration and details, and a handsome sprocketed roof, while the later Doric porch compliments the symmetry of the facade. The basement is concealed by a ramped gravel approach, which makes the house appear both lower and wider than is actually the case, while the small lakes to either side add to the overall air of enchantment.” [7]

The National Inventory tells us:

Representing an important element of the mid eighteenth-century architectural legacy of County Kilkenny a Classically-composed substantial country house built to designs attributed to Francis Bindon (c.1698-1765) in a manner reminiscent of the contemporary (1737) Bonnettstown Hall (12401909/KK-19-09) nearby has been very well maintained to present an early aspect with the original composition attributes surviving in place together with most of the historic fabric both to the exterior and to the interior. Sparsely-detailed the external expression of the house is enlivened by limestone dressings including a somewhat squat portico displaying high quality stone masonry. Forming the centrepiece of a large-scale estate the resulting ensemble having long-standing connections with the Blunden family makes a pleasant contribution to the visual appeal of the local landscape.”

[1] https://www.ihh.ie/index.cfm/houses/house/name/Kilrush%20House

[2] https://www.irelandscontentpool.com/en

[3] https://www.buildingsofireland.ie/buildings-search/building/12000025/rothe-house-15-16-parliament-street-gardens-st-johns-par-kilkenny-co-kilkenny

[4] https://archiseek.com/2010/1594-rothe-house-kilkenny-co-kilkenny/

[5] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[6] https://www.irishlandmark.com/wp-content/uploads/2013/06/Clomantagh_castle.pdf

and http://kilkennyarchaeologicalsociety.ie

[7] https://www.ihh.ie/index.cfm/houses/house/name/Castle%20Blunden

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com