Killadoon, Celbridge, Co Kildare 

Killadoon, Celbridge, Co Kildare 

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.  

p. 168. “(Lucas-Clements/IFR; Clements/IFR) A three storey block of ca 1770, joined to a single two storey wing by a curved sweep; if the original intention was to build a balancing wing and sweep, the idea must have been abandoned fairly soon; because there is now a three sided bow on the other side of the house which would have clashed with the sweep and which appears in a C18 view. Built for Rt Hon Nathaniel Clements, MP, the banker, politician and amateur architect, one would naturally assume that it was so his own design, yet apart from having the “patternbook” tripartite doorway with a fanlight, a baseless pediment and engaged columns which he seems to have favoured, it lacks the characteristics of the houses known to be by him or convincingly attributed to him. Apart from the doorway, the five bay entrance front is quite plain, as is the six bay garden front, whch now has some relief in external shutters of the ground floor windows. The wing has a six bay front and there are small oculi in the sweep. All this plainness, however, seems like deliberate understatement; for it is, in fact, a house of great quality. The interior is very well finished; the rooms, though few in number, are of noble proportions. The hall has a Doric frieze and a neo-classical chimneypiece of stone, with fluted Doric columns. The staircase, in a separate hall to one side, is of good joinery. The dining rom has a modillion cornice and doorcases with entablatures carved with acanthus; painted in shades of chocolate, red and oyster. The library, extending into the bow at the side of the house, has a cornice of mutules. The drawing room, which has a gilded modillion cornice, remains almost exactly as it was when redecorated ca 1820s by Nathaniel Clement’s grandson, 2nd Earl of Leitrim, with a beautiful French wallpaper in faded green and gold, gilt pelmet boards and the original red curtains and flounces.” 

Not in national inventory 

Killadoon stands in its own well-wooded parkland, Killadoon, Copyright James Fennell/The Interior Archive Ltd, JF_IC6_01 

From Country Life. 

A grand swagged curtain in the Regency style overhangs the entrance to Killadoon, Killadoon, Copyright James Fennell/The Interior Archive Ltd, JF_IC6_03. 
A pair of antique elk, or giant deer, antlers hangs above the classical mantelpiece, Killadoon, Copyright James Fennell/The Interior Archive Ltd, JF_IC6_04 
The Georgian drawing room was redecorated in the 1820s with green floral wallpaper, Killadoon, Copyright James Fennell/The Interior Archive Ltd, JF_IC6_31 
A hall chair c. 1800, painted with the Clements crest and the 2nd Earl of Leitrim’s coronet, Killadoon, Copyright James Fennell/The Interior Archive Ltd, JF_IC6_08.
A selection of 1820s wallpapers found in the attic is laid out on the desk in the library, Copyright James Fennell/The Interior Archive Ltd, JF_IC6_82 
The formal dining room is laid for a dinner party with the family silver, glass, and china, Killadoon, Co Kildare, Copyright James Fennell/The Interior Archive Ltd, JF_IC6_35 
When they were purchased in the 1770s, the enormous pier glasses in the drawing room would have been the height of luxury, Killaddon, County Kildare, Copyright James Fennell/The Interior Archive Ltd, JF_IC6_33 

https://theirishaesthete.com/2015/08/03/killadoon/

Nathaniel Clements’ engagement in speculative building, together with his reputation as an arbiter of taste, led to several buildings being attributed to him by the Knight of Glin. These included Brookelawn and Colganstown, County Dublin; Williamstown and Newberry Hall, County Kildare; and Beauparc and Belview, County Meath. All can be dated to c.1750-65, and all share certain stylistic similarities, not least reliance on Palladianism which by that date was fast falling from fashion. While respecting the Knight’s notion of Clements as an architect, and one responsible for the houses listed above, Maurice Craig in Classic Irish Houses of the Middle Size (1976) proposes that he was ‘eclectic’ not least because ‘he picked and chose his elements from pattern-books and combined them so that they compose well enough together: but they do not interact on one another.’ However, given his many other professional and financial interests, it must now be accepted that Clements was not an architect as we would understand the term. Rather he was an influence, or as Malcomson proposes, ‘a role model’, someone to turn to for advice. Furthermore, the design of his Ranger’s Lodge provided the prototype for a new generation of villa-farms that were not grand country houses but residences at the centre of working estates. All this is applicable to a house which has long been ascribed to Nathaniel Clements because it was built for his eldest son and heir Robert who in 1795 was created first Earl of Leitrim. Killadoon, County Kildare, shown in the pictures here today, surely ought to have been designed by Nathaniel Clements but even Mark Bence-Jones in his 1978 Guide to Irish Country Houses argued that ‘apart from having the “pattern-book” tripartite doorway with a fanlight, a baseless pediment and engaged columns which he seems to have favoured, it lacks the characteristics of the houses known to be by him or convincingly attributed to him.’ In fact, as Malcomson shows, Nathaniel and Robert Clements had a troubled relationship and he proposes that the older man’s input into the house’s design ‘must have been limited.’ The need for a thorough re-examination of 18thcentury architectural attribution remains. 

The text below originally appeared here in 2015. Tomorrow at Sotheby’s in London many of the items in the accompanying photographs will be offered for sale; thankfully not all, since some key pieces such as the 1770s sofas, the Axminster carpet from c.1820-30 and 19th century beds with their original hangings have been offered on loan to the state for public display. Nevertheless, the contents of another historic Irish house are being broken up because there is little or no official support for owners of such properties struggling to survive and eventually they are left with no option but to sell. 
It is worth pointing out – again – that legislation has existed on the Irish statute books for many decades which is supposed to ensure that valuable paintings, furniture and so forth remain in this country. The Documents and Pictures (Regulation of Export) Act dates from 1945 and was, in theory at least, supplemented by the National Cultural Institutions Act of 1997. The idea behind these pieces of legislation is that before any item over a certain fairly low value can leave the country, the parties responsible are required to seek permission from government-appointed authorities (until July 2015 usually one of the main national cultural institutions.*) However, there is no known instance where such an export licence has been refused; auction houses have long understood that this is a mere paper-filling formality. Tomorrow’s sale, for example, also includes a mahogany dining table attributed to Mack, Williams and Gibton and dated c.1815. It was listed in an inventory made of the contents of Carton, County Kildare in 1818 and has remained in the house until now when, after 200 years, it will be offered for sale tomorrow. 
Vendors vend, buyers buy, auctioneers auction. Across millennia collections have been assembled and dispersed. There are no villains here, no one deserves to be castigated for acting in an untoward fashion. But there is, as has been the case for too long, evidence of clear neglect on the part of the Irish state towards what becomes of our patrimony, and an obvious want of concern over how this has been steadily whittled down, year by year, house by house. One must ask what is the function of legislation observed in name only? Surely the purpose of enacting the laws mentioned above was to ensure that a reasonable effort would be made to retain valuable works of art and collections in Ireland? That is currently not the case. A general election takes place here in a few weeks’ time: readers might like to ask any candidates they encounter for an opinion on the national heritage and what might be done to retain whatever is still here. Otherwise expect more sales. 

Despite the many advances made in Irish architectural history over recent decades, some areas remain in need of further investigation. Among the most obvious of these is the question of attribution. There are significant houses across the country yet to be assigned to any architect, and others which need to have their accreditations reassessed. In the latter category are those properties given accreditations by the late Knight of Glin in the early 1960s when he was engaged on his uncompleted thesis on the subject of Irish Palladianism. At the time there was far less information available on or interest in architectural history than is now the case, and therefore the Knight was to a large extent dependent on instinct when allocating various houses to different architects, about whom little or nothing was known. Often he had to rely on his eye rather than on documentation, and as he admitted towards the end of his life, mistakes were made. To date insufficient effort has been made to correct these and as a result attributions made half a century ago still stand. An obvious opportunity for correction occurred with the appearance of the relevant volume in the Royal Irish Academy’s Art and Architecture of Ireland series published earlier this year, but the editors failed to avail of this opportunity. A reassessment of the Knight’s attributions still awaits requiring someone able to combine scholarship with connoisseurship. Until such time, in particular the output of gentlemen architects like Francis Bindon (whose name has appeared here on more than one occasion) will remain unclear. On the other hand, thanks to another book published in 2015 we are now in a much better position to assess the oeuvre of another talented 18thcentury amateur, Nathaniel Clements. 

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In 1754 John Carteret Pilkington published the third and final volume of his late mother Letitia’s celebrated memoirs in which he described Nathaniel Clements as being ‘a certain great man in Ireland, whose place of abode is not remote from Phoenix Park…whose acquirements have justly raised him from obscurity to opulence [and] whose extensive plans in building have excited an universal admiration of his taste in architecture.’ As Clements’ new biographer Anthony Malcomson noted, it was perhaps something of an exaggeration to claim he had raised himself from ‘obscurity’ but as a fifth son he would have been expected to make his own way in the world, especially since his father died when he was only seventeen. That father, Robert Clements had inherited an estate in County Cavan but in 1707 had secured the important, and lucrative, post of Teller to the Irish Exchequer. This job passed to his eldest son Theophilus who badly bungled his own financial affairs as was discovered when he died in 1728. Nevertheless, both the family and Nathaniel Clements were by this time sufficiently well connected for the Tellership of the Exchequer to pass to him, a job he held for the next twenty-seven years during which time, as Pilkington commented, he made himself exceedingly rich. His substantial income was boosted by money received from non-residents in receipt of an Irish pension for whom he acted as agent for decades (Malcolmson estimates that by the mid-1740s his annual income from this job alone was £1,500). He also held numerous other offices, all of which brought in additional funds. Much of this was used to acquire land, the most reliable form of investment in a period when banks failed regularly (as did that established by Clements and a couple of partners in 1759). By the end of his life he had bought up some 85,000 acres spread across three counties and producing an income of around £6,000 each year. 

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Another area of investment in which Clements engaged was housing, beginning with his participation in the development of Dublin’s Henrietta Street. The man behind this project, and others on the northern banks of the Liffey, was Luke Gardiner to whom Clements was related by marriage. Named after Henrietta, Duchess of Bolton, an old friend of Gardiner, whose husband acted as Ireland’s Lord Lieutenant in 1717-20, the street was from the start intended to be the capital’s premier address, its two sides lined with houses of princely splendor. As so often the case throughout 18th century Dublin, the exterior of the buildings, mostly standard red-brick and occupying sites of varying proportions, gave – and continue to give – insufficient notice of what lay behind the facades. Clements was responsible for constructing a number of houses on the street, beginning with Number 8 which was finished around 1733 and let to Colonel (later General) Richard St George. Three or four others then followed before he moved to Sackville (now O’Connell) Street, the initial development of which was likewise overseen by Gardiner. Here Clements built several more properties including a family residence that came to be known as Leitrim House. But having become ranger of the Phoenix Park in 1750 (having previously acted as deputy-ranger) he embarked on building himself a smart and substantial new villa. The Ranger’s Lodge was a five-bay, two-storey over full-height basement house on either side of which quadrants connected to L-shaped single-storey wings. Clements and his socially-ambitious wife hosted opulent parties on the premises intended to impress their contemporaries and to cement the couple’s place in Ireland’s hierarchy. In June 1760 for example, it was reported that the Clementses ‘gave an elegant entertainment to several of the nobility and gentry at his lodge in the Phoenix Park, which was illuminated in the most brilliant manner.’ Five years after Nathaniel Clements’ death in 1777, his son Robert sold the lodge to the government which then converted – and subsequently – enlarged the building for use as a Viceregal residence. Today the same property is known as Áras an Uachtaráin and occupied by the President of Ireland. 

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Nathaniel Clements’ engagement in speculative building, together with his reputation as an arbiter of taste, led to several buildings being attributed to him by the Knight of Glin. These included Brookelawn and Colganstown, County Dublin; Williamstown and Newberry Hall, County Kildare; and Beauparc and Belview, County Meath. All can be dated to c.1750-65, and all share certain stylistic similarities, not least reliance on Palladianism which by that date was fast falling from fashion. While respecting the Knight’s notion of Clements as an architect, and one responsible for the houses listed above, Maurice Craig in Classic Irish Houses of the Middle Size (1976) proposes that he was ‘eclectic’ not least because ‘he picked and chose his elements from pattern-books and combined them so that they compose well enough together: but they do not interact on one another.’ However, given his many other professional and financial interests, it must now be accepted that Clements was not an architect as we would understand the term. Rather he was an influence, or as Malcomson proposes, ‘a role model’, someone to turn to for advice. Furthermore, the design of his Ranger’s Lodge provided the prototype for a new generation of villa-farms that were not grand country houses but residences at the centre of working estates. All this is applicable to a house which has long been ascribed to Nathaniel Clements because it was built for his eldest son and heir Robert who in 1795 was created first Earl of Leitrim. Killadoon, County Kildare, shown in the pictures here today, surely ought to have been designed by Nathaniel Clements but even Mark Bence-Jones in his 1978 Guide to Irish Country Houses argued that ‘apart from having the “pattern-book” tripartite doorway with a fanlight, a baseless pediment and engaged columns which he seems to have favoured, it lacks the characteristics of the houses known to be by him or convincingly attributed to him.’ In fact, as Malcomson shows, Nathaniel and Robert Clements had a troubled relationship and he proposes that the older man’s input into the house’s design ‘must have been limited.’ The need for a thorough re-examination of 18thcentury architectural attribution remains. 

*In July 2015 An Taisce took a successful case in the High Court against the state delegating responsibility for the granting of export licenses to cultural institutions such as the National Gallery of Ireland. However, this does not appear to have made any difference to such licenses being granted. 

 
Nathaniel Clements, 1705-77: Politics, Fashion and Architecture in mid-Eighteenth-Century Ireland by Anthony Malcomson is published by Four Courts Press 

http://www.turtlebunbury.com/history/history_family/hist_family_clements.html 

Clements of Killadoon, Co. Kildare 

In the mid 17th century, a Leicestershire family emigrated to Massachusetts and so escaped the ravages of the English Civil War. Only one son, Daniel Clements, remained behind, serving a commission in the army of Oliver Cromwell. For his military services in Ireland he was rewarded with an estate in Cavan. His descendents rapidly scaled the heights of the Anglo-Irish ascendancy gaining the Earldom of Leitrim in 1795. Meanwhile, in America, Daniel’s sister Mary was arrested for witchcraft during the Salem Witch Trials.  

Daniel’s grandson Nat Clements was one of the great amateur architects of Georgian Ireland. Perhaps his best-known legacy is the Irish President’s residence, Arás an Uachtaráin, in Phoenix Park. In 1767 Nat’s eldest son Robert took the first lease on a property at Killadoon, Co. Kildare. A series of prudent marriages and the will of the assassinated 3rd Earl of Leitrim boosted the fortune of the Killadoon branch, but the subsequent land acts considerably reduced the size of the estate in the 20th century. Killadoon is presently home to Charlie Clements, representing the tenth generation of the Clements family since Daniel’s arrival in Ireland. 

FROM LEICESTERSHIRE TO AMERICA 

The Clements of Killadoon descend from Robert Clements (1595–1658), a prosperous English wine merchant living at Croft, six miles south of Leicester City, in the reign of James I. By his first wife Lydia, Robert was father of eight children – Job, John, Robert, Sarah, Lydia, Daniel, Abraham and Mary. 

During the 1620s, the Clements had a fleet of three ships that plied the Atlantic Ocean between England and North America. By the late 1630s, it seemed inevitable that the escalating division between Royalists and Republicans in England would result in Civil War. The Clements appear to have been opponents of Charles I at this time. 

Lydia Clements died in March 1641 causing much distress in the family. Her son Job appears to have journeyed to America at this time with some freinds and, having scouted around New England, deduced that it was a suitable place to live. He subsequently convinced his distraught father to sell their estate in England and voyage to America with him. Robert Clements was subsequently hailed as a co-founder of the frontier settlement of Haverhill, Massachusetts.  

MARY OSGOOD & THE SALEM WITCH TRIALS 

In due course, several of Job’s brothers and sisters also crossed the ocean, except for two brothers Abraham and Daniel (see below) and his youngest sister Mary Clements who, born in 1637, may have been considered too young to travel in 1642. Mary was left in Coventry with a Mrs. Biddle. She finally sailed for New England in 1652.  

On November 15th 1653, Mary was married by arrangement to another early Haverhill settler, Captain John Osgood. Mary’s father, Robert Clements, now a New England magistrate, personally conducted the marriage ceremony. Over the next twenty years, Captain Osgood became a man of prominence in the state, having his own cavalry troop and acquiring considerable lands around Andover. 

In the summer of 1692 the towns of Massachusetts were immersed in a hysteric frenzy that became known as the Salem Witch Trials. The origin of this horrific affair probably stems from an African slave called Tituba who entertained the young white children with his stories of voodoo. This initially amounted to little more than floating an egg white in a glass of water and predicting future husbands. However, for unknown reasons, certain girls started having fits, making strange noises and contorting their bodies in an alarming manner. Doctors were summoned and the town elders, Puritans to a man, began to speak in increasingly high voices of witchcraft. The girls were apprehended and asked to provide the names of any witches living locally. Over the next three months, 141 people were arrested. 19 of these were hanged, including Tituba, while seven died in prison and one was crushed to death. In September 1692 Mary Osgood, hitherto regarded as “a remarkably pious and good woman”, was suddenly accused of witchcraft. Her accuser appears to have been Dudley Bradstreet, a friend of her husband. As one of the leading women in Andover at the time, her arrest caused much astonishment to the local community but the frenzy of what became known as the Salem Witch Trials was at full steam with nearly twenty people already executed. Her own son Peter Osgood, then Constable of Salem, oversaw her transportation to trail in Salem where she was asked to confess that she had indeed been had been “dipt” by Satan. The confession came on her husband’s advice, it being considered the only feasible way she might escape execution by burning. However, in the end, the awfulness of a confession that one had given body and soul to Satan, outweighed in Mrs. Osgood’s mind the desire for life and she recanted, and with others signed the following petition:– 

“Our nearest and dearest relations seeing us in that dreadful condition, and knowing our great danger, apprehended there was no other way to save our lives…. Indeed, that confession that it is said we made was no other than what was suggested to us by some gentlemen, they telling us that we were witches, and they knew it and we knew it, which made us think that it was so, and our understanding, our reason, our faculties almost gone we were not capable of judging our condition. As also the hard measures they used with us rendered us incapable of making our defence, but said any thing and everything which they desired and with most of us, what we said was but in effect a consenting to what they said. Sometime after, when we were better composed, they telling us what we had confessed, we did profess that we were innocent and ignorant of such things. Mary Osgood, Deliverance Dane, Sarah Wilson, Mary Tyler, Abigail Barker, Hannah Tyler.” [1] 

Mary was discharged in January 1693. Captain Osgood died the following August, apparently through sheer stress of the trials. His widow lived on until October 1710. The story of the “Salem Witch Trials” formed the basis of Arthur Miller’s play, “The Crucible”.  

DANIEL & ABRAHAM CLEMENTS 

While the majority of Robert and Lydia Clements children emigrated to North America, two sons stayed behind, Abraham and Daniel. It is thought they had both been conscripted into King Charles I’s army but later joined Oliver Cromwell’s Commonwealth (or Republican) army. It is not clear when or why they made this decision. Perhaps it was in response to the destruction of nearby Leicester City, a Republican stronghold, by Prince Rupert’s Royalist forces in May 1645. In 1646, the brothers both went to Ireland with Cromwell’s army, arriving into the port of Waterford in the south of Ireland. 

Daniel Clements was a Cornet, or junior officer, in Colonel Chidley Coote’s cavalry regiment.[2] He later transferred to the regiment of Chidley’s brother, Colonel Thomas Coote, with whom he was stationed in Belfast. Unconfirmed sources suggest he was present at the siege of Drogheda in September 1649. In 1657, by way of a reward for his military service, Daniel received a grant of about a thousand acres at Rathkenny, County Cavan. 

Abraham Clements also settled in Cavan and married Jane _____. His only child was a daughter, Lydia, who married Joseph Pratt. He left no sons so the name did not carry on through his blood-line.  

ROBERT CLEMENTS, TELLER OF THE IRISH EXCHEQUER 

Daniel died in June 1680 and was succeeded by his son Robert who, like so many Cromwellian settler families, was attainted by the Irish Parliament of James II in 1689. However, with the accession of William III and Mary, he was restored to his estates and appointed Deputy Treasurer of Ireland. Robert, who lived at Abbotstown near Castleknock, served as High Sheriff for County Cavan (1694), MP for Carrickfergus (1692) and as Teller of the Irish Exchequer in the reign of Queen Anne. He married Elizabeth Sandford, daughter of Colonel Theophilus Stanford and had four sons and a daughter.[3] 

The eldest son Theophilus Clements, a bachelor, succeeded to Rathkenny and 1722 and served as MP for Cavan from 1713 through to his death, aged 41, in 1728. In 1724 he presented the Borough of Cavan with its Silver Mace.  

The second son Robert became MP for Newry in 1715 and was forebear to the Lucas Clements family of Rathkenny, Co. Cavan.  

The third and youngest brother Nathaniel (“Nat”) Clements (1705 – 1777), a Dublin banker, architect and politician, was a close friend of the property developer Luke Gardiner. When Gardiner retired from public office in 1755, Nathaniel succeeded him as both Deputy Vice-Treasurer and Deputy Paymaster-General of Ireland. The two men worked together on the development of Dublin’s north side and Nat designed an imposing house for himself in Henrietta Street. He also worked in conjunction with Sir Edward Lovett Pearce, the most distinguished architect in Ireland, and his successor, Richard Castle. In April 1751, Nat was appointed Chief Ranger of the Phoenix Park, to which purpose he built a house in the Park known today as Arás an Uachtaráin, home to the Irish President. Nathaniel Clements is credited with the design of many other buildings of note such as Newbery Hall and Williamstown in Carbury, Lodge Park in Straffan and Colganstown outside Newcastle, Co. Dublin. 

In 1729 Nat married Hannah Gore, daughter of the Rev. William Gore, Dean of Down. Her uncle Sir Ralph Gore of Belle Isle, Co. Fermanagh, was a close friend of Speaker William Conolly and succeeded him as Speaker of the House of Commons in 1729. He was subsequently appointed Chancellor of the Irish Exchequer. Hannah was also a cousin to the “Nine Gore” brothers who sat in the Commons during the 1740s. Nat and Hannah had two sons – Robert and Henry.  

ROBERT CLEMENTS, CONTROLLER OF CUSTOMS 

Nat and Hannah’s elder son Robert seems to have inherited the Gores bent for politics and devoted considerable time and expense to ensuring his position in the government of the day. He also expended considerable effort petitioning for an Earldom, which title he was eventually granted through a combination of skilled political manoeuvring, social positioning and sheer persistence. Over the years, he held a succession of offices: Controller of the Great and Small Customs of the Port of Dublin for 46 years from 1760 until his death; Ranger of Phoenix Park 1777-87 and Searcher, Packer & Gauger at the Port of Dublin in 1787. In each role, he created connections and established relationships with the prime movers in both government and society. In 1765 he married Elizabeth Sandford of Maynooth which brought him further estates in County Kildare.  

Robert Clements (1732-1804) 1st Earl of Leitrim by Gilbert Stuart courtesy of Christie’s Irish Sale 2001.

In 1767, Robert leased 140 acres at Killadoon outside Celbridge from Tom Conolly of Castletown. Tom’s great uncle, Speaker Conolly had purchased the property from the Plunkett family in 1724. In 1769 Robert leased a further 112 acres at Killadoon and commenced building a new house. His architect father does not seem to have had a say in the design, attributable perhaps to an unexplained rift that had evolved between the two men. The agricultural observer Arthur Young visited Robert in June 1776, shortly after Killadoon’s completion. He described it as “an excellent house, and planted much about it with the satisfaction of finding that all his trees thrive well. I remarked the beech and larch seemed to get beyond the rest.” Young felt Robert was “a good farmer, growing cabbages to feed the sheep and potatoes to feed the pigs”. In 1795, as a reward for his assistance in securing a parliamentary seat for the Lord Lieutenant’s private secretary, Robert was finally given the Earldom he had sought since his youth. The 1st Earl of Leitrim died in 1804, having been one of the most prominent supporters of the Union of Great Britain and Ireland. 

Robert Clements, later First Earl of Leitrim, by Pompeo Batoni, about 1753–1754, Hood Museum of Art.

His butler John McMahon/MacMahon was born in about 1735. It may have been Robert Clements influence that secured McMahon’s appointment as Comptroller of the Port of Limerick. McMahon later made an expedient second marriage into the wealthy Stackpoole family. The Gentleman’s Magazine of 10 April 1860 (p. 533) has an obituary to General Thomas MacMahon, who died at Great Cumberland Street, Hyde Park, and refers to ‘the gallant General’ as ‘a son of the late John McMahon, esq, sometime Comptroller of the port of Limerick; his mother was one of the Stackpooles of the county of Cork. He was born in December 1779 and entered the army towards the close of the last century.’ The Cumberland link is his is confusing because I assume he was also connected to this lady: ‘In North Cumberland street, Dublin. Catherine, wife of John MacMahon, Esq. aged 66 years’ Limerick and Clare Examiner, 4 February 1852 … it may help to follow the Clare-Limerick connection via the landedestates.ie database plus links like this and this. I took an interest in this when researching the Victorian canal engineer John MacMahon.  

HAL CLEMENTS & THE SEVEN YEARS WAR 

On May 15th 1756, Great Britain, in alliance with the German states of Prussia and Hanover, declared war on France. Within weeks, the French had managed to secure the support of Austria, Russia, Sweden and Saxony. The war quickly spilled across the Atlantic Ocean to North America where French and British troops were attempting to wrestle control of one another’s’ territory. Amongst those troops sent to assist the British in America was 23 year-old Henry Theophilus Clements, the younger son of Nat Clements the architect. Henry – known as Hal – was a junior officer in Lord Blakeney’s Inniskilling Regiment, the 27th Foot. 

In August 1757, a sizeable French army under the Marquis de Montcalm laid siege to the British stronghold of Fort William Henry on the southern banks of New York States’ Lake George. A short distance away, lay a significant British force commanded by Hal Clements future father-in-law, General Daniel Webb. General Webb is a somewhat controversial figure in 18th century military history, contributing to one of the more memorable scenes in “The Last of the Mohicans”. Faced with a French assault, Fort William Henry’s commander, Colonel Monro, sent urgent messages to Webb for assistance. Webb declined the request, despite strong words from his second-in-command, Sir William Johnson. “General Webb, just what in the hell are you doing sitting here when Fort William Henry is under attack? We’ve got men fighting and dying up at the lake. They have got to have help. Now!” Webb remained unmoved and Monro was obliged to surrender. The following day Monro’s retreating garrison was attacked by Panaouska, war chief of the Abnakis. Nearly a hundred British soldiers were killed and scalped within minutes. 

The assault on Fort William Henry had been orchestrated from Fort Carillion, a French fortress on the Ticonderoga peninsula. In July 1758, Hal Clements was one of 16,000 British Redcoats who attempted to oust the 3200-strong French garrison from Fort Carillion. Under the command of General Abercromby, the assault was an unmitigated disaster. The British lost over 1900 men, a third of whom were members of the Highland “Black Watch” Regiment. Despite being outnumbered 4 to 1, the French prevailed. 

The Seven Years War came to an end with the treaty of Paris in February 1763. Having obtained the rank of Lieutenant Colonel, Hal duly returned to Ireland. Seven years later, he greatly enhanced his personal fortune when he married Mary Webb, daughter and heiress of the afore-mentioned General Daniel Webb. He was appointed High Sheriff of Co. Cavan in 1766 and Leitrim in 1773. He sat in Parliament from 1769 until his death in 1795, variously representing the borough of Cavan and county of Leitrim. In 1777, he succeeded his father as Deputy Vice-Treasurer of Ireland, an office that greatly increased his personal wealth but which was abolished in 1793. He principally resided at Woodville near the Lucan spas outside Dublin where he often entertained the Lord Lieutenant. Woodville previously belonged to John Hawkins, the Ulster King of Arms. 

Mary Clements provided Hal with three daughters before dying young in the winter of 1777. Hal married his second wife Catherine Beresford in August 1778. His timing couldn’t have been better. Catherine’s father John Beresford, a brother of the 1st Marquess of Waterford, had lately been appointed to the lucrative post of Taster of the Wines in the Port of Dublin. Over the course of the 1780s and 1790s Beresford became the central figure in a powerful trio of Irish ministers (the others being John Foster and John Fitzgibbon) who governed Ireland on behalf of successive lord lieutenants in the lead up to the Act of Union. Beresford’s position as Chief Commissioner of the Irish Revenue from 1780 gave him control of extensive patronage, of which his son-in-law was content to take advantage. 

Colonel Hal Clements died on 26th October 1795 and was succeeded by his 14-year-old son Henry John Clements.  

HENRY JOHN CLEMENTS (1781-1843) 

Henry John Clements was 17 years old when rebels struck at Killadoon during the 1798 Rebellion but the house survived the looting. A committed Tory, Henry represented Counties Leitrim (1804 – 1818) and Cavan (1840 –1843) in the House of Commons. He was also a Colonel in the Leitrim Militia. In December 1811 he married Louisa Stewart (d. 27 April 1850) and settled at Ashfield Lodge, Cootehill, Co. Cavan.  

James Stewart (1741-1821) of Killymoon, County Tyrone, by Pompeo Batoni, Ulster Museum, National Museum of Northern Ireland.

Louisa’s father was James Stewart, MP, of Killymoon, Co. Tyrone. Stewart was a leading advocate for the abolition of penal laws against the northern Presbyterians. In 1772 he married Lady Elizabeth Molesworth, one of the heiresses of the substantial Molesworth estates. In 1763, Lady Elizabeth was badly injured in a fire at the family’s London townhouse that killed her widowed mother, two sisters and six servants, and sent her only surviving brother insane. By 1840, however, the Stewart family were in such terrible financial difficulty that Louisa’s siblings were obliged to seek refuge from their creditors in Boulogne. Following the death without issue of her only brother, Colonel William Stewart, in 1850, the Molesworth rents passed to her.  

Louisa’s husband, Colonel HJ Clements had died seven years earlier at the age of 62 and thus, on her death in the winter of 1850, the Molesworth estate passed directly to her eldest son, Henry Theophilus Clements. 

HENRY THEOPHILUS CLEMENTS (1820-1904) 

Henry Theophilus Clements was a man on whom destiny kept bestowing great fortunes. He was born at Ashfield Lodge, Co. Cavan, in 1820. After an education in England and on the Continent, he followed family tradition and became a gentleman and magistrate in his home county. Following the death of his father in 1843, he inherited Ashfield and was appointed Deputy Lieutenant, JP and High Sheriff for Cavan (1849). He later became a Colonel in the Leitrim Rifles and High Sheriff for Leitrim (1870). When he was 30-years old, his mother died and left him the Molesworth estates.  

Colonel Henry John Clements (1781-1843) of Ashfield, Co. Cavan by Martin Cregan, courtesy of Christie’s Irish Sale 2001. He was the son of Henry Theophilus Clements (1750-1795), a brother of the 1st Earl of Leitrim, and Catherine Beresford (1761-1836). He married Louisa Stewart (1778-1850) of Killymoon, Country Tyrone, daughter of James Stewart (1741-1821).

On 3rd December 1868, the 48-year-old Colonel was married at St Gabriel’s, Pimlico to Gertrude Markham, youngest daughter of David Markham, Canon of Windsor and Rector of Great Horkesley in Essex. Her brother was Sir Clements Robert Markham, the celebrated explorer and President of the Royal Geographical Society. 

On April 2nd 1878, Henry’s second cousin, the 3rd Earl of Leitrim, was assassinated near Milford in co. Donegal. The murder was in part a reaction to Lord Leitrim’s callous policy of evicting tenants and in part because the disreputable landlord had allegedly “debauched” a servant girl whose father was among the assassins.[4] As it happened, the Earl had fallen out with his own immediate family and so he bequeathed his vast property, consisting of nearly 96,000 acres in Leitrim, Donegal, Galway and Kildare, to a rather surprised Colonel HT Clements. On hearing this news, the Colonel promptly volunteered the Donegal estates to Robert Clements, the new Earl.[5] The Colonel subsequently employed Sir Thomas Drew, RHA, to add a substantial new wing to Lord Leitrim’s magnificent lakeside house at Lough Rhynn, completed in 1889. His inheritance also included the Clements estate at Killadoon, granted in fee to the 2nd Earl of Leitrim in 1853. 

Colonel HT Clements died on 7th January 1904 leaving two sons and two daughters, Gertrude (1873–1949) and Selina (1885–1961).  

HENRY JOHN BERESFORD CLEMENTS (1869–1940) 

Born in 1869, the Colonel’s eldest son Henry John Beresford Clements was educated at Eton and earned the unusual epitaph of being the world’s most acknowledged expert in the field of “armorial book-binding”. This was a 14th century practice, greatly developed in subsequent centuries, whereby the family arms of private individuals were placed on book covers. Henry’s collection, bequeathed to the Victoria & Albert Museum after his death, is the largest of its kind in the world. As a young man, he served in the Great War, in India and on the Western Front. He was sent home twice – once with frostbite, once with a wounded leg – and finished the war, like so many of his forbears, with the rank of Colonel. He was also involved in the judicial and administrative running of counties Leitrim and Cavan, serving variously as High Sheriff, DL and JP, as well as JP for Co. Kildare. 

“According to one of his employees, Thomas Boyle, Henry was a `very good employer’. Although he spent most of his time at his Killadoon estate, near Celbridge, Co. Kildare, Clements with his family and their servants spent about a month at Rynn each year. Boyle recalls that there were 46 workers on the payroll at the time, including Mr Steward the estate manager, Revd JG Digges the chaplain, Mr Hardy the steward and a housekeeper. In addition to a weekly wage of ten shillings (about €0.65), all the married workers received a partly furnished house, grass for a cow or donkey, ground for sowing potatoes a good sized garden and turbary rights – and seven tons of good farm manure. Thomas recalls the workers’ concern over Lloyd George’s Agricultural Wages Act of 1917: they were sure that Clements would dismiss a lot of the men rather than pay the newly mandated rate of 27/6 a week. Apparently not one man was dismissed – and while there were new contributions to be made for house rent, grazing, etc, the deductions amounted to less than 5 shillings a week”. [6] 

Henry married Eleonore Wickham (d. 1955) of Binstead Wyck, Yorkshire. Her father William Wickham, MP, was a keen biologist and Fellow of the Linnean Society while her great-grandfather, also William Wickham, was a master spy for the British during the French Revolution and, like the Scarlet Pimpernel, helped numerous aristocrats escape the guillotine.  

They had three sons (Henry, Charles and Robert) and three daughters (Eleonore, Cecily and Violet). The youngest son Bob Clements, or Riobard Mac Laghmainn, is of particular interest as became a prominent supporter of the Irish Republican Army during the 1930s. Born in 1900, he became a Nationalist while studying at Trinity College Dublin during the Anglo-Irish War of 1919. He was interred at the Curragh during the Second World War, during which time he learned how to speak fluent Irish. In later years, he lived at Killadoon. He was still speaking soft, fireside recollections when Charlie and Sally Clements moved into the house in 1991.[7] 

Henry’s younger brother Lieutenant Colonel Marcus Clements, DL, JP, was born on 29th September 1879 and educated at Harrow and Trinity College Oxford. He served with the King’s Royal Rifle Corps in the Great War, was wounded and retired from the army in 1924 to live at Ashfield Lodge in Cavan. On 14th April 1932 he married Wilhelmina, only daughter of Lt Col William Lennox-Conyngham, OBE, of Springhill, Moneymore, Co. Derry, by whom he had a son Marcus and daughter Kate. 

Henry’s eldest son Lieutenant Colonel Henry Theophilus Clements was born in November 1898 and educated at Eton. After a short spell at the Royal Military Academy in Woolwich, he saw action in France during the Great War. He served again in World War Two, commanding the 144th Field Regiment of the Royal Artillery in the Allied assault on Italian occupied Sudan in 1941. He was later Chairman of the Irish branch of SSAFA (the Soldiers’, Sailors’, Airmen and Families Association). He lived at Lough Rynn while his younger brother Robert, a solicitor, and sister Cecily, lived at Killadoon. He died unmarried on 6th August 1974, having made over Lough Rynn to his cousin Marcus (see below) in 1963. In his will, he bequeathed Killadoon to his sister Cecily, known as Kitty, for life with remainder to Charlie, eldest son of his cousin Marcus.  

Lieutenant Colonel Marcus Clements died on 17th February 1952 and was succeeded by his 17-year-old son, also Marcus, then a student at Eton. Ashfield Lodge was sold shortly afterwards and sadly demolished. His widow remarried Colonel Bob McClintock, DSO, youngest son of the Arctic explorer Admiral Sir Francis McClintock. Nearly all of the original Lough Rynn Estate had by now been sold off by the Land Commission – mostly to descendants of the tenants of the previous century. The Clements’ continued to live at Lough Rynn up to the 1970s, but on a much reduced estate. In 1990, the remainder of the estate was bought by Mike Flaherty, an Irish-American businessman.[8] 

Marcus went on to study agriculture at Cirencester and, in May 1959, married Joanne Fenwick. Her father, Commander Charles Edward Fenwick, RN, was head of India’s naval fleet after Indian independence was granted in 1948 and later served as an attaché with NATO in Brussels and Greece. They have three sons – Charles (1960) who is married to Sally and now runs Killadoon; Nat (1964), a decorative art specialist and Hal (1965), a wallpaper specialist – and two daughters – Fiona (1961) and Selina (1967). In 1961 Marcus’s sister Kate married Frank Mashahiro Okuno of Yokohama, Tokyo, with whom she had Richard (1962), Marcus (1963) and the late Mary Okuno. 

With thanks to Fiona Clements. 

  

NB: Those interested in the Clements story might like to seek a CD of a book written by an American relative (and Republican politician) Percival Wood-Clement (1846-1927) of Rutland Vermont, http://en.wikipedia.org/wiki/Percival_W._Clement According to Fiona Clements, ‘Percival was passionately empirical about his research, and photo-copied as many original documents as he could find, including the deed of sale between the founders of Haverhill and the Passaaquo and Saggahew Indians.’ 

  

FOOTNOTES 

[1] Charles W. Upham, Salem Witchcraft, With an Account of Salem Village and a History of Opinions on Witchcraft and Kindred Spirits (1867). 

[2] Chidley was the second son of Sir Charles Coote, a bloody-minded “New English” planter, killed leading a cavalry charge against Confederate forces at Trim in 1642. Chidley’s descendents were the Eyre-Cootes of Kilmallock, Co. Limerick. In 1808 Sir Eyre Coote was appointed Governor of Jamaica. In “In His Own Words: Colin Powell”, published in 1995, General Powell, US Secretary of State under the Bush administration, claimed kinship with the House of Coote by way of a secretive liaison between the Governor and a slave girl called Sally. 

[3] I am indebted to Anthony Malcolmson’s expert insight into the “Killadoon Papers” and “Ancestors & Descendants of Robert Clements of Leicestershire & Warwickshire, Eng., first settler of Haverhill, Mass”, P. W. Clement. 2 vols,. 1927.  

[4] The murder was to prove the inspiration for Shane Leslie’s story, “Lord Mulroy’s Ghost”. 

[5] This arrangement was later confirmed when Parliament passed the Leitrim Estate Act 1879. the 4th Earl rapidly set about regaining the trust of the Leitrim people. His son Charles Clements (1879 – 1952) was the 5th and last Earl of Leitrim. He was second only to Colonel Fred Crawford in organizing gun-running for the Ulster Volunteer Force between 1912 and 1914. In 1915 his wife, the Countess of Leitrim, caused quite a stir when she argued for compulsory recruitment of the Irish for the Great War. She stated that in “so many ways they [the Irish] are like children & they don’t understand an invitation where they would quietly obey an order”. Anglo-Saxons & Celts: Study of Anti-Irish Prejudice in Victorian England, L.P. Curtis (New York, 1969). 

[6] Fiona Slevin, Lough Rynn: Lives & Times. 

[7] The IRA in the Twilight Years, 1923 – 1948, Uinseann MacEoin (Argenta, 1997). 

[8] Flaherty developed the gardens and opened them to the public. The current owners are developing a hotel and golf resort on the site. 

In Living in Ireland by Barbara and Rene Stoeltie 

Parkanaur Manor, Castlecaulfeild, Co Tyrone 

Parkanaur Manor, Castlecaulfeild, Co Tyrone 

Parkanour House and garden, County Tyrone, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London. 

p. 230. “(Burges/IFR) A large and romance Tudor-Revival house, dating from various periods in first half of C19. A small, three gabled two storey house, known as the “farm at Edenfield” was built here 1802-04 by J. H. Burges, who leased the estate from his cousin, Lady Poulett, daughter of Ynry Burges who bought it 1771. Then a “cottage wing” extesnsion of rubble with a hipped roof, identified as the present south wing, was added 1820-21. Finally in 1839, J.H. Burges’s son, J.Y. Burges, having inherited money from Lady Poulett, who died in the previous year, enabling him to buy the freehold of the estate, embarked on the building of a higher and much larger wing, to the design of Thomas Duff, of Newry, which was completed 1848. Its cost was specified as not to exceed £5,000. The three gabled house of 1802-04, which now has an arched porch, can be seen to the left of the 1839-48 wing with its pinnacle and gabled projection and two further gables. The latter wing, and that of 1820-21, have mullioned windows with leaded lights; whereas the windows of the 1802-04 house have mullions and Georgian astragals. Impressive courtyard at back of house, with coachhouse and tower intended for hanging meat. Rich Elizabethan or Jacobean interiors: long gallery with imported English carved wooden mantel dated 1641 and arched screen at one end; antoher C17 carved wooden chimneypiece with overmantel in inner hall; lofty Jacobean ceilings in sitting room, octagonal room and drawing room. The latter, which has a strapwork mantel, was not completed until 1854. Sold by Major Y.A. Burges ca 1958, now the Thomas Doran Training Centre for handicapped children.” 

Parkanaur House, County Tyrone, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
Parkanaur House, County Tyrone, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
Parkanaur House and garden, County Tyrone, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.

http://lordbelmontinnorthernireland.blogspot.com/2014/05/parkanaur-house.html

THE BURGESES OWNED 2,485 ACRES OF LAND IN COUNTY TYRONE 

 
The surname of this family, as appears from ancient documents, was formerly De Burges, afterwards Burches, and subsequently, in 1747, the present one was adopted. 
 
Richard De Burges was High Sheriff of Herefordshire, 1351-2. 
 
SAMUEL BURCHES, born in Dublin, ca 1645, married, in 1684, Margaret Williams, of Llanelian, North Wales, and had issue, 

David (Rev), Rector of St Mark’s, Dublin; 
Wilham; 
JOSEPH, of whom we treat
Katherine; Deborah. 

Both brothers eventually moved northwards to the city of Armagh during the primacy of Archbishop Lindsay, with whom they were connected. 
 
The youngest son, 
 
JOSEPH BURCHES (1689-1747), baptized at St Michan’s Church, Dublin, wedded, in 1716, Elizabeth, daughter of Ynyr Lloyd, of East Ham, Essex (Deputy Secretary of the East India Company), and had issue, 

Joseph (Rev), 1717-46; 
JOHN, of whom hereafter
YNYR, of East Ham; 
Molly; Margaret; Alice. 

Mr Burches’ second son, 
 
JOHN BURGES (1722-90), espoused, in 1763, Martha, daughter of Robert Ford, and had issue, 

JOHN HENRY, his heir
Mary, m 1784, G Perry, of Mullaghmore, Co Tyrone; 
Martha, m 1787, J Johnston, of Knappagh, Co Armagh; 
Alice, died in infancy. 

His only son and heir, 
 
JOHN HENRY BURGES JP (c1768-1822), of Woodpark, Tynan, and Parkanaur, both in County Armagh, married, in 1795, Marianne, eldest daughter and eventually co-heir of Sir Richard Johnston Bt, of Gilford, and had issue, 

JOHN YNYR, his heir
Richard, deceased; 
Margaret Anne; 
Matilda, d 1805. 

The only surviving son, 
 
JOHN YNYR BURGES JP DL (1798-1889) of Parkanaur, County Tyrone, Thorpe Hall, Essex, and East Ham, Essex, High Sheriff of County Tyrone, 1829, wedded, in 1833, the Lady Caroline Clements, youngest daughter of Nathaniel, 2nd Earl of Leitrim KP, and had issue, 

YNYR HENRY, his heir
Charles Skeffington, 1835-45; 
Clements Keppel, d 1840; 
John Richard Alexander Wamphray, 1843-50; 
Mary Anne Margaret; Alice Caroline. 

The eldest son, 
 
YNYR HENRY BURGES JP DL (1834-1908), of Parkanaur, High Sheriff of County Tyrone, 1869, espoused, in 1859, Edith, third daughter of the Hon Richard Bootle-Wilbraham, and sister of the 1st Earl of Latham, and had issue, 

YNYR RICHARD PATRICK (1866-1905), father of YNYR ALFRED; 
John Ynyr Wilbraham (1871-95); 
Edith Alice; Ethel Margaret; Lilian Adela; Myrtle Constance; Beatrice Annette; Irene Caroline. 

Colonel Burges, officer commanding 6th Brigade, Northern Ireland Division, Royal Artillery, married secondly, in 1896, Mary, daughter of George Pearce, of Bishops Lydeard, Somerset. 
 
He was succeeded by his grandson, 
 
YNYR ALFRED BURGES JP DL (1900-83), of Parkanaur, High Sheriff of County Armagh, 1951, who wedded, in 1930, Christine, daughter Colonel George Iver Patrick O’Shee (by his wife, the Lady Edith King-Tenison), and had issue, 

MICHAEL YNYR, b 1931; 
Susan Elizabeth, b 1934; 
Patricia Anne, b 1936. 

Major Burges, who lived, in 1976, at Catsfield Manor, Battle, Sussex, was succeeded by his son, 
 
MICHAEL YNYR BURGES, Lieutenant, Royal Inniskilling Fusiliers; in the Belfast Linen trade, 1950-74, at Belfast; who lived, in 1976, at Skinners, Edenbridge, Kent. 

***** 

 
The BURGES estate, East Ham, Essex, was established by Ynyr Burges, Paymaster, East India Company, between 1762 and his death in 1792, at a total cost of £20,700. 
 
He was succeeded by his daughter Margaret, wife of Sir John Smith-Burges Bt, a director of the East India Company. 
 
In 1799, the estate comprised 422 acres. 
 
Sir John died in 1803. 
 
In 1816, his widow married John, Earl Poulett. 
 
Lady Poulett, who was childless, was succeeded by John Ynyr Burges, grandson of her father’s elder brother. 

In 1838, the estate produced an income of £1,549, but by 1840 this had been increased to £2,471. An estate map drawn in 1881, which includes details of recent and later changes, shows that most of the property lay near the present town centre. 

John Ynyr Burges, who died in 1889, was succeeded by his son, Colonel Ynyr Henry Burges, who was largely responsible for developing the estate for building. 
 
He had started to do so, on his father’s behalf, about 1887, and continued until his own death in 1908. 
 
Colonel Burges was succeeded by his grandson, Major Ynyr Alfred Burges, who completed the development of the estate during the 1920s. 
 
Ynyr Burges (d 1792) lived at East Ham for most of his life. 
 
As a boy he was adopted by his uncle, Ynyr Lloyd, deputy secretary of the East India Company.  

PARKANAUR MANOR, near Castlecaulfield, County Tyrone, is a large, rambling, romantic, Tudor-Revival house which has evolved over many years. 
 
Originally the land was held by the O’Donnellys until granted by JAMES I to Sir Toby Caulfeild in the early 1600s. 
 
The growing importance of the house from retreat to home to seat is reflected in the graduated scale of the different parts. 
 
When Ynyr Henry Burges settled on the estate in the 1820s, the cottage was enlarged. 
 
His son, John Ynyr, added further to the building from 1839-54, encasing the original building and adding a west wing. 
 
This new house was then named Parkanaur and was built from block rubble on a larger scale. 

 
Parkanaur has a grand, terraced front with octagonal shafts (or pinnacles) and gables at each projection of the façade; a big bay window and an upper oriel; and is comparable to Narrow Water Castle in County Down, again by the Newry Architect, Thomas Duff. 
 
The original two-storey dwelling is still visible with the new building adjoined to it. 
 
The large plate windows of the 1820 and 1839 additions have mullioned windows with leaded lights and transformed frames. 
 
They are shielded by block drip-stones. 

 
The present, higher west wing, lying along the terrace, was laid in 1843. 
 
It doubles back to form an upper yard which has a coach house and a tower intended for hanging meat. 
 
A free-standing office block was added in 1870. 
 
A plaque above the doorway leading to the court is inscribed “This house and offices were built by John Ynyr and Lady Caroline Burges without placing any debt upon the property (A.D. 1870)”
 
The cost of the works was specified not to exceed £5,000. 
 
The house remained within the ownership of the Burgeses until 1955, when Major Ynyr Burges and his family moved to Catsfield Manor in East Sussex. 
 
The house lay vacant until 1958 when it was bought by the millionaire Thomas Doran for £13,000 as a gift for his friend, the Rev Gerry Eakins. 
 
Mr Doran had originally come from near Castlecaulfield but had emigrated to the USA as a teenager, where he made his fortune as the founder of The Cheerful Greetings Card Company. 
 
The reason for purchasing the house was to facilitate his friend Gerry Eakins in developing a new centre for the education of handicapped young adults. 
 
The house reopened in 1960 as The Thomas Doran Training Centre (Parkanaur College) and much of the house continues today in this role. 
 
Parkanaur boasts rich, Elizabethan-style interiors. 
 
It has a great hall lit by its three perpendicular windows, with a Tudor-style, arched screen and minstrel’s gallery at its south end. 
 
Older work includes the 17th Century Jacobean carved, wooden mantel with male and female figures, and an imported dining-room chimney-piece dated 1641 with Ionic columns, decorated with bunches of grapes and interspersed with spiralling vines and cherub heads below the shelf. 
 
In the Duff Wing, Mrs Burges’s sitting room, the drawing room (which has a strap work mantel) and a further octagonal room have lofty Jacobean ceilings. 
 
There is a pretty, mid-17th century Baroque organ-case in the gallery. 
 
Parkanaur is set in beautiful grounds. It boasts a rare herd of white fallow deer. 
 
Much of the original estate remains in the ownership of the NI Forest Service.   
 
As previously stated, the present Tudor-Revival house was begun in 1839 by John Ynyr Burges after he succeeded to the property in 1838, though this building may incorporate elements of the 18th century house on the site. 
 
A wing was added by Duff in 1858 and the whole complex of house and yards completed by 1870 as detailed above, including stable-yard, terrace, retaining wall, gates and urn. 
 
The mansion is enhanced by lawns and parkland, with a small, modern ornamental garden. 
 
Formal gardens on the west side of the house are not planted, but yews and a terrace survive. 
 
The demesne dates from the late 18th century and is on undulating ground; is well planted, with a mixture of mature trees in woodland and parkland, including some unusual trees, exotics and forest planting. 
 
The NI Forestry Service is developing the site as an oak forest and for native conifers. 
 
It is referred to now as‘a lowland broad-leaved estate’. 
 
This continues a tradition noted by Deane, who describes the demesne thus: 

… immaculately tended grounds, wooded by the planting of 40,000 trees by John Henry (Burges) are two avenues leading from two gate lodges added in the mid 1840s. 

There is a walled garden, no longer planted up, which has a castellated potting shed in the eastern corner and a large, fine lean-to glasshouse used for peaches, with an extending centre piece. 
 
This was erected in 1873 by J Boyd & sons for £250. 
 
There are remnants of an ornamental area east of the house, between the house and the walled garden, which is oval in shape; retained paths, yews and an urn. 
 
A pond and riverside walks in woodland have been maintained by the Forest Service. 
 
The gate lodge, gates and screen, also by Duff ca 1845, are fine and are listed. 
 
The local and main road have been realigned. 
 
In 1976 the NI Department of Agriculture bought 161 hectares and subsequently more land was acquired, including the stable yard, to allow the provision of facilities for the Forest Park. 
 
Five white fallow deer arrived from Mallow Castle, County Cork, in 1978 and they are the basis of the present herd. 
 
The grounds were opened to the public as Parkanaur Forest Park in 1983. 
 
Parkanaur is open to visitors for functions.  
 
First published in October, 2010. 

www.nihgt.org/resources/pdf/Register_of_Parks_Gardens_Demesnes-NOV20.pdf

PARKANAUR, County Tyrone (AP MID ULSTER 10) T/030 
REGISTERED GRADE A 
Victorian landscape park with Regency origins (420 acres/170ha) enclosing an Elizabethian-style 
house of 1839-43 (Listed HB 13/13/002), 3.4 miles (5.4km) west of Dungannon and 1.1 miles 
(1.8km) south-west of Castlecaulfield. The demesne lies on undulating ground which is well 
planted with a mixture of mature trees in both woodland and parkland, including some unusual 
trees, exotics and forest planting. From the 1990 DAERA (Forest Service) have been developing 
the site as an oak woodland and for native conifers; it is sometimes referred to now as ‘a lowland 
broad-leaved estate’. Historically the land here belonged to the O’Donnelly’s, one of the 
‘household families’ of the O’Neill’s of Tyrone. In 1610 this land became part of the grant – ‘the 
Manor of Aghloske’ (alas Castlecaulfield) – given by King James I to Sir Toby Caulfield (1565-1627), 
1st Baron Caulfield. It remained with the Caulfields until 1771 when the townland of 
Edenacrannon and adjacent townlands of Stakernagh, Terrenew, Tullyallen and Killymoyle were 
sold for £13,500 by James Caulfield, (1728-99), 1st Earl of Charlemont, to Ynyr Burges, alas John 
Burches (1723-92), the Dublin-born Secretary of the East India Company, who lived at East Ham in 
Essex. In 1774 an estate map by Oliver Beckett was produced of what was to became the 
demesne, then divided to three tenant holdings. In the event Burges never built a house here and 
Instead, it passed on his death in 1792 to a nephew, John Henry Burges (1766-1822), of 
Woodpark, Co. Armagh, who subsequently in the 1790s planted 21,115 trees and 91,000 quicks 
here at a cost of £197-8-10d followed in 1802-04 by building a modest two-storey house 
‘Edenfield’ which forms the core of the present mansion. This house was set 115m north from 
what was then the Castlecaulfield-Ballygalley public road. It is depicted on a map of 1807 by John 
Graham as a two-storey plain house with Wyatt-windows. Edenfield (the name derives from he 

Register of Parks, Gardens and Demesnes of Special Historic Interest (NI) – November 2020 
townland name) served as an occasional residence until 1820 when John Henry moved there 
permanently from England, though in their absence tree planting had continued with Stakernagh 
top belt planted in 1811; oak and beech about the waterfall and river walks in 1818, and in 1820, 
when they take up residence plant variegated sycamore and weeping ashes in front of the house 
and commenced the ‘Rose Garden’. This lay to the east of the house where the oval path of the 
present pleasure gardens seem to define what was the old boundary (wall or hedge) of this 
garden, later pinetum. In 1821 the house is enlarged by building what at the time was called ‘The 
Cottage’ part – namely the library, ante-room and small drawing room, so house became on plan a 
long rectangular block with south-east-south axis. Following his death in 1822, his son and heir 
John Ynyr Burges (1798-1889) inherited the Irish estates. In 1824 he engaged John Kinley Tenor to 
produce a survey of the demesne and every year added to the plantings in the demesne. In 1833 
he married Lady Caroline Clements (1802-69), daughter of 2nd Earl of Leitrim; this no doubt 
encouraged him to modify and extend his Irish seat, while the choice of style may also have been 
influenced by the Tudor-revival of Lough Rynn, the Earl of Leitrim’s house, begun in 1833. 
However, the finances for upgrading the house did not become available until 1838 until he 
inherited the English family seats of East Ham and Thorpe Hall, Ilford, Essex, following the death 
of his relative, Margaret, Dowager Countess Poulett. Until this he undertook piecemeal 
improvements to the demesne; in 1833 built the school house and planted rhododendrons for the 
first time along the river. The following year 1839 Burges commissioned Newry architect Thomas 
Duff (1792-1848) to extend and remodel the house in a Tudor-Elizabethian style, which by now he 
had renamed ‘Parkanaur’. Work proceeded in three main stages until 1848, externally, while work 
on interior was not finished until the early 1850s. The end product was a large and complex 
house, basically C-shaped in plan, with walls of cut-stone and squared rubble, a relatively steeply- 
pitched slated roof with a wealth of gables, and an abundance of Tudoresque detailing including 
mullioned and transomed windows, label moulding, octagonal shafts between bays, parapets, 
finials and kneelers to the gables, and tall cut-stone chimneystacks. The earlier two-storey house 
is in the centre, this being relatively low embellished in 1839-40 with a large cut-stone porch and 
tall chimneys. Also remodelled in 1839-40 was the taller 2½-storey L-shaped section on the west 
end with its. projecting full-height gabled bay. Duff started work on the east end from 1841, this 
being a long single-storey screen wall with buttresses and Tudor-arched windows, which hide a 
long row gable-fronted coach houses and terminates to the east end in a barbican. The three- 
storey double-pile west wing and the two-storey T-shaped service wing to the north are all part of 
Duff’s 1843 commission and are of more uniform appearance, the former having detailing similar 
the western end of the front elevation. The service wing is much plainer, but has a later 
octagonal gothic style turret to the eastern gable. Also built by Duff is the service yard with 
continuous ranges to the north, east and west, octagonal cupola and a high south wall with 
octagonal tower (apparently for hanging meat) to its western end. While work on the house was 
being undertaken the ‘new line’ of Ballygawley Road was being built – this road had been diverted 
away to the south to its present position from 1839 a plan that was first put in place as early as 
1807. To achieve this land had to be acquired from Lord Charlemont and indeed it was not until 
1849 that the townland of Cullenfad was finally bought from Charlemont. The old road 
subsequently became an internal demesne driveway which to the west of the walled garden and 
south of the park lawn is lined with fine beech trees (‘The beech avenue’). New entrances had to 
be made into the park, notable the main entrance which lies in the south-east section of the park, 
off the Parkanaur-road and opposite the Torrent River. Both gate lodge and gates (Listed HB 
13/13/003) are also probably by Thomas Duff in 1849-50, which Dean has shown is derived from a 
design by P.F. Robinson. The lodge, known today as the ‘Gothic Lodge’ is a 1½-storey 
asymmetrical Tudor-style house in ashlar with tall chimney, a gabled porch and a square bay, with 
a half-dormer over the latter. The adjacent gate screen has sturdy octagonal stone piers with 
concave caps with original-looking decorative iron carriage and pedestrian gates, and railings. The 
new walled garden (Listed HB 13/13/004) was built alongside the south side of the old public 

Register of Parks, Gardens and Demesnes of Special Historic Interest (NI) – November 2020 
road, in 1852. As we might expect for a Victorian walled garden, it has a rigid rectangular plan (1.8 
acres/0.73ha) with a slip garden to the north-west (1.05 acres/0.43ha), the latter is not enclosed 
by walls, probably originally with clipped hedges. It had ceased to grow produce by the 1950s but 
there were then still some cold frames in the upper portion; the river ran through the lower 
section supplying the garden with a convenient water supply. There is a centrally placed gate in 
the north-west wall of the walled garden giving access to the slip garden, while there is a 
pedestrian entrance in the north-east wall with a handsome iron gate made in 1870 by John 
Patterson, blacksmith in Castlecaulfield. The walls around the garden, 15ft (4.5m) high, are of 
stone with brick-lining on all four wall inside; as normal in walled gardens, the brick coursing 
follows the slope of the ground inside the garden (north-west to south-east). In the south-east 
corner is a three-stage square brick tower whose gabled roof has corbie-steps with ashlar coping. 
The top floor has narrow windows with ashlar surrounds and access to upper floors internally was 
by ladder. The building served as a potting shed with the upper floors used to shore bulbs, roots 
and seed, where they were safe from mice. The main feature of the garden, demolished in recent 
years (though also listed) was a fine glasshouse, comprising two lean-to ranges or ‘wings’ and a 
projecting central canted conservatory against the north-east facing wall. This was built in 1873 by 
the Scottish firm of James (or John) Boyd & Sons (Paisley) for £250. It contained peaches, 
nectarines and vines with the central section presumably devoted to more ornamental plants. 
Entry into the garden for the gentry was via steps directly down the hillside (now overgrown) and 
through a door into the conservatory and so into the garden. Over this door on the north side is 
still a large consul supporting a ashlar block, which may have once supported has a coat of arms. 
Until the 1950s a tall clipped hedge each side of the path leading into this door hid from the sight 
of visitors the cold frames lined up on the west side and the lean-to potting sheds on their left 
(east side) – all have now gone and this part of the garden very overgrown. While the wooden 
glasshouse frame has been removed, its base brick wall remains, compete with enclosed 6-inch 
heating pipes. The walled garden was in full cultivation until the 1960s with a flower border down 
the centre on axis with the conservatory and backed by tall clipped hedges (yew or box). After 
the Dept. of Agriculture took over most of the demesne in 1978 the Forest Service also assumed 
ownership of the walled garden, but the school retained use of it and vegetables continued to be 
cultivated here until 1983, while the glasshouse continued to be used to supply house plants for 
the school into the 1990s; it was dismantled about 2006. In 2010 the Castlecaulfield Horticultural 
Society with voluntary support rejuvenated the gardens over a period of ten years, restored the 
paths, put down lawns and have grown vegetables and flowers. Part of the west ed is now under 
allotments, while the Parkanaur residential school have a polytunnel at the east end which they 
use for plant sales. Usually the head gardener’s house lie adjacent to the walled garden, but here 
the house, known as Pleasantview or Cullion House, lies on the south side of the public road 
overlooking the garden; it was built around 1870. East of the house, just above the walled 
garden, is the pleasure ground, sometimes called the Upper Garden. This has been a garden from 
at least the 1820s a rose garden with sundial, developed as an oval area crossed down the long 
axis by a straight path with pairs of yews at intervals. Until the 1950s the area within the oval was 
well kept lawns with elaborate bedding out schemes and isolated ornamental shrubs. Outside 
the ovals were (and still are) exotic trees and shrubs. The house itself formally had formal bedding 
out schemes on the raised terrace flanking the west side of the house. This now has lawn plats, 
fountain and sundial at the north end and a swimming pool built here in the 1970s. The idea of 
the terrace was to permit expansive views of the parkland, but sadly tree now block many of 
these views. The parkland or west lawn and the area to its south and south-east have been 
retained as parkland by the Forest Service, though sadly all the many other areas of open 
parkscape that contributed to the beauty of Parkanaur have been infilled with commercial trees. 
The west lawn has lost a number of fine parkland cedars here over the past few decades, but still 
retains good cedars, oaks, Scots Pine and beech. To the south inside the ha-ha is a good Fagus 
sylvatica var. tortuosa (Dwarf beech). The house terrace gives access down onto the river where 

Register of Parks, Gardens and Demesnes of Special Historic Interest (NI) – November 2020 
planting has been north and east of the house since the 1820s. In 1842 walks were laid down each 
side of the river with associated planting, which is recorded as including ‘Pinus, Ilex, Portugal 
laurel, Holly, Double Hawthorn and Rhododendron’. Planting extended west of the house in the 
1850s and near a stone arch over the walk, 250m west of the house and beyond the ha-ha there is 
some notable planting with impressive Sequoiadenendron giganteum, Thuja plicata, Liriodendron 
tulipifera and others. A notable feature north-west of the house is a large pond or lake with 
island, sometimes called the duck pond, created just north of the river and still maintained by the 
Forest Service wit its water lilies; the lake it seems provided water to the big house via a pump. 
Every year John Ynyr Burges added to the plantations; once the Cullenfad townland to the south 
was acquired in 1849, he was able to plant this up with a mixture of open parkland meadows 
(alongside the road) with trees on the heights above. Much of the planting was completed by 
1867 and in 1872 he decided to build an ornamental wooden summer house in the popular ‘Swiss 
Cottage’ style atop the hill at the very south end of Cullenfad. While Regency cottage ornés where 
sometimes wrongly called ‘Swiss’ cottages there was a Victorian fashion for more genuine alpine 
style buildings following the example of Prince Albert’s Swiss Cottage in Osborne in 1854-55. The 
summer house or chalet at Parkanaur had trees around it and was approached by a carriage drive 
from the house. It survived until the 1940s and has since been demolished, though its floor can be 
discerned in the woodland. In 1889 John Ynyr Burges died and Ynyr Henry Burges (1843-1908) 
inherited Parkanaur and from him it passed to his daughter, Edith Alice Burges (1860-1942), who 
married Arthur Howard Frere (1860-1931). The property remained in Burges ownership to 1955, 
before being sold in 1958 to Thomas Doran, a locally-born man who had migrated to the USA as a 
teenager where he founded a greetings card business and made a fortune. Mr. Doran purchased 
the house in order to facilitate his friend, Rev Gerry Eakins, in developing a new centre for the 
education of handicapped young adults. The house reopened in 1960 as ‘The Thomas Doran 
Training Centre’ (Parkanaur College), and much of the building continues in this role today. In 
1976 the Dept. of Agriculture (Forest Service) bought 161 hectares and subsequently more land 
was acquired, including the stableyard, to allow the provision of facilities for the Forest park. Five 
white fallow deer arrived from Mallow Castle, Co. Cork in 1978 and they are the basis of the 
present herd. The grounds were opened to the public as Parkanaur Forest Park in 1983 
(administered by DAERA (Forest Service). SMR: TYR 54:39 crannog?. House private. 

https://theirishaesthete.com/2021/08/23/parkanaur/

Without Any Debt

by theirishaesthete

Parkanaur, County Tyrone, photograph by Robert O’Byrne.


Like so many others, the Burges (originally Burches) family appear to have arrived in this country in the mid-17th century, having for several previous generations been clergymen in England. And again, as was frequently the case, judicious connections through marriage aided their rise to wealth. Two brothers, David and Joseph, the elder of which was Rector of St Mark’s church in Dublin, moved to Armagh and in 1716 the younger married Elizabeth Lloyd whose father Ynyr was Deputy Secretary of the East India Company and owned land in East Ham, now a suburb of London. One of their sons, another Ynyr, also held an important post in the East India Company as Secretary & Paymaster of Seamen’s Wages, further improving their fortune. The family history in the 18th and early 19th century is complex as various lines failed to produce a male heir and therefore property was inherited by nephews or cousins who sometimes had to change their surnames as a condition of succeeding to estates. However, by the mid-19th century John Ynyr Burges, married to Lady Caroline Clements, a daughter of the second Earl of Leitrim, is listed in gentry directories as being of East Ham and Thorpe Hall, both in Essex, and of Parkanaur, County Tyrone. The land on which the last of these stands was originally held by the O’Donnelly family until they were displaced in the early 1600s and the property granted by James I to Sir Toby Caulfeild. His family remained in possession, until the Parkanaur estate was sold in 1771 by James Caulfeild, first Earl of Charlemont by Ynyr Burges. He appears to have rarely visited the place but some time after his death in 1793 a two-storey gabled cottage called Edenfield was built on the land for use as an occasional residence for the family.

Parkanaur, County Tyrone, photograph by Robert O’Byrne.
Parkanaur, County Tyrone, photograph by Robert O’Byrne.
Parkanaur, County Tyrone, photograph by Robert O’Byrne.
Parkanaur, County Tyrone, photograph by Robert O’Byrne.





The  architect Thomas Duff has been discussed here before with regard to Narrow Water Castle, County Down (Narrow Water Castle « The Irish Aesthete). Born in Newry in 1792, we know little of his background and education but 21 years later he is mentioned as executant architect of St Mary’s church in his hometown. In 1822 he advertised in the Belfast press to advise ‘such gentlemen as intend building, that he purposes to furnish plans of every description, in the Grecian, Roman and Gothic styles of architecture, with estimates and such written instructions as are requisite for the execution of each design.’ He also reassured readers that he would superintend the work. Soon enough commissions followed, beginning with Belfast’s Fisherwick Presbyterian church, a large classical building dominated by its Ionic portico. Duff was soon in demand among other denominations, and in 1825 he designed the Roman Catholic cathedral in Newry, described in 1841 by Thackeray (otherwise highly dismissive of the ‘Papist’ faith) as a fine building which did the architect credit: the cathedral, incidentally, is in the Perpendicular Gothic manner, reflecting Duff’s versatility and his ability to adapt to the wishes of clients. This was demonstrated in 1830 when, together with his then-partner Thomas Jackson, he designed the first museum built in Ireland by voluntary subscription for the Belfast Natural History and Philosophical Society in the Greek Revival style, with a portico exactly copied from the octagon tower of Adronicus in Athens. A few years later, he was responsible for designing the Tudoresque Narrow Water Castle. And so it went on with a huge amount of work for religious, domestic and commercial properties right up to the time of his death in 1848 at the relatively young age of 56. However, during the previous decade he had been employed by John Ynyr Burges to transform Edenfield, the cottage at Parkanaur, into a substantial mansion.

Parkanaur, County Tyrone, photograph by Robert O’Byrne.
Parkanaur, County Tyrone, photograph by Robert O’Byrne.
Parkanaur, County Tyrone, photograph by Robert O’Byrne.
Parkanaur, County Tyrone, photograph by Robert O’Byrne.





Around 1820 Edenfield cottage was enlarged thanks to the addition of a new wing. However, it was only in the following decade that the house assumed its present appearance and proportions, following the employment of Thomas Duff: the original three-bay, two-storey building can still be detected behind the entrance porch. But the entire structure was refronted by Duff, also responsible for designing a very substantial west wing which holds many of the main reception rooms, as well as two neighbouring yards behind the main block. The architect was given a strict budget of £5,000 and a plaque located above the archway leading to the stableyard declared ‘This house and offices were built by John Ynyr and Lady Caroline Burges without placing any debt upon the property A.D. 1870.’ Renamed Parkanaur, the building’s make-over made it look to be an Elizabethan manor house, one that would not be out of place in the Cotswolds. There are further gabled bays, their corners delineated by slender polygonal towers, an abundance of stone finials, tall chimneys, hood mouldings over the windows, as well as the obligatory Oriel window. Inside the decorative flourishes continue, not least in the Great Hall which is lit by three large Perpendicular windows and has a minstrel’s gallery above an arched screen. Elsewhere, other than in the ceiling decoration, the Tudor borrowings are less explicit, and both the gallery and inner hall contain exceedingly fine Jacobean carved chimneypieces, presumably brought here from some house in England; that in the gallery is dated 1641. Parkanaur remained in the possession of the same family until 1955 when sold by Major Ynyr Alfred Burges, after which the house stood empty for three years until bought by Thomas Doran. Originally from this part of Ireland, as a young man he had emigrated to the United States and there worked as a truck driver until unable to do so owing to ill-health. He subsequently started a business, the Cheerful Greetings Card Company, which involved people throughout America selling its products door to door: this was so successful that it made Doran a multi-millionaire (he eventually sold the company in 1966 for in the region of UD$10 million). Doran was a friend of a Presbyterian minister, the Rev Gerry Eakins who wished to establish a residential centre for disabled young adults, and so he bought Parkanaur and presented it to be used for this purpose. Opened in 1960 as the Thomas Doran Training Centre and now called Parkanaur College, the buildings continue to be used for this purpose.”  

Parkanaur, County Tyrone, photograph by Robert O’Byrne.

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Tudor Revival Survival

Forest parks on Irish demesnes often have a vital missing component: the country house. All too many were mindlessly demolished in the mid 20th century. Pomeroy House and Seskinore House both in County Tyrone are sadly typical examples. In those two cases all that remain are the stables and a footprint of the house just about legible from an aerial view. Parkanaur is a remarkable exception: the entire house with its rambling wings and outbuildings is intact and in use. Just to add to the country estate feel, white fallow deer descended from a pair gifted by Queen Elizabeth I in 1597 to her niece at Mallow Castle in County Cork roam an enclosure overlooked by the house.

In 1771, an Anglo Irish gentleman Ynyr Burges bought the Parkanaur Estate from the Caulfield family. John Henry Burges, a cousin of John Henry’s daughter Lady Poulet, leased the estate and built a triple gabled hunting lodge about 1804. The entrance door was to the left of the present one. A south wing was added in 1821 when the house became the family seat. John Henry’s son John Yner received an inheritance from Lady Poulet in 1838 enabling him to buy the freehold of the estate the following year.

John Yner commissioned the architect Thomas Duff to design a large extension which was completed at a cost of £3,000 in 1848. The original house has windows with mullions and Georgian astragals; the later addition has mullioned windows with leaded lights. The two principal fronts, at a perpendicular angle to one another, back onto courtyards surrounded by substantial outbuildings included a coach house and tower. The rear elevation of the largest courtyard building with its Georgian sash windows is three storeyed due to the sloping land.

The completed Parkanaur is a handsome Tudor Revival house. Thomas Duff was a serious architect. His oeuvre includes the Catholic Cathedrals of St Patrick’s Armagh, St Patrick’s Dundalk and St Patrick and St Colman’s Newry. Narrow Water Castle outside Newry, equally belonging to the revivification of the Tudor Style, is also by his hand. He partnered for a short time with the equally talented Belfast architect Thomas Jackson. The Newry based architect is credited with designing the first Presbyterian portico in Ulster at Fisherwick Place Church in Belfast.

As a Catholic, Thomas Duff was an unusual choice for Protestant commissions and clients. John Yner and his wife Lady Caroline also made improvements to the demesne, planting thousands of trees each year. The Burges enjoyed a sociable lifestyle revolving around entertaining and visiting other Anglo Irish families. Castle Leslie in County Monaghan, Glenarm Castle in County Antrim and Killymoon Castle in County Tyrone – neighbours in aristocratic terms – were all on their social circuit.

The 1830s were halcyon years for the Burges family. But the following decade, three of their four sons died leaving just two daughters. Lady Caroline sold the carriage horses to fund charitable efforts after the Great Famine struck in 1845. Her husband recorded, “My lady instituted a kitchen with every apparatus and convenience for feeding the labourers, all of whom were fed daily … they got the best beef, potatoes and pudding which sustained them while many were starving … with all this I could not keep my people and no less than 300 went off to America having disposed of their land to try their fortune in a strange country.”

The Burges were benevolent landlords. Lady Caroline’s brother, William Clements 3rd Earl of Leitrim, was not: he was murdered for his callousness in 1878. During World War II, Parkanaur was used as a base for the Western Command, housing 50 military personnel. In 1955, the Burges family sold the house and 25 hectares for £12,000 to Reverend Gerry and Mary Eakin. Their son Stanley had difficulty walking and would later use a wheelchair. The Eakins decided to set up an occupational training college in the house to support disabled students. Parkanaur now celebrates seven decades of educational use and residential care supporting a wide range of needs. It is currently occupied by the Thomas Doran Parkanaur Trust. The demesne continues to be a much loved forest park.

St Michael’s Church of Ireland Church Castlcaulfield is two kilometres from Parkanaur as the falcon files. At the summit of the sloping cemetery stands a Tuscan temple with a gloriously oversized pediment all faced in buff pink (long greyed) Dungannon sandstone. It is the Burges burial vault. There are two tombstones unmissably close to the church entrance porch. One marks the burial place of Frederica Florence Elizabeth (1873 to 1957) Burges of Quintin Castle, Portaferry, County Down (it’s now a nursing home). She was the widow of Ynyr Richard Patrick Burges who was buried in Lawrenny, Pembrokeshire, in 1905. Her tombstone is also over the grave of their daughter Margaret Elizabeth (1908 to 1958). Next to Frederica’s tombstone is the resting place of Major Ynyr Alfred Burges’ (1900 to 1983). The last of the Burges family to own Parkanaur, he was High Sheriff of Counties Armagh and Tyrone. His wife Christine (1908 to 1982) shares the same burial plot.