www.curraghmorehouse.ie

Open dates in 2024: May, June, July, Sept, Fri-Sun and Bank Holidays, National Heritage Week, Aug 17-25, 10am-4pm
Fee: adult/OAP/student, house/garden/shell house tour €22, garden €9, child under 12 years free

According to the Curraghmore website:

“Curraghmore House in Waterford is the historic home of the 9th Marquis of Waterford. His ancestors (the de la Poers) came to Ireland from Normandy after a 100-year stopover in Wales around 1170, or about 320 years before Columbus ‘discovered’ the New World.

“Some 2,500 acres of formal gardens, woodland and grazing fields make this the largest private demesne in Ireland and one of the finest places to visit in Ireland….

“This tour takes in some of the finest neo-classical rooms in Ireland which feature the magnificent plaster work of James Wyatt and grisaille panels by Peter de Gree.” 

The website continues: “Curraghmore, meaning great bog, is the last of four castles built by the de la Poer family after their arrival in Ireland in 1167. The Castle walls are about 12 feet thick and within one, a tight spiral stairway connects the lower ground floor with the roof above. Of the many curious and interesting features of Curraghmore, the most  striking is the courtyard front of the house, where the original Castle is encased in a spectacular Victorian mansion with flanking Georgian ranges.“

We came across a link to the De La Poer family, also called Le Poer or Power, in Salterbridge, and will meet them again in Powerscourt in Wicklow and Dublin.

The core of the house is the medieval tower, visible from the courtyard facing side of the house, built by the original owners, the La Poers, and the house is still owned by the same family today. The tower may stretch back all the way to the original La Poer occupants from 1167. When we went inside, we stood in what was the original tower, and we could see the 12 foot thick walls.

It was difficult to find Curraghmore House. We drove two kilometres up a stony track; without the reassuring directions, we would not have believed we were on the right road. The road winds along by the River Clodagh. As our guide told us later, the distance from anything else in all directions is one reason the house remains intact. There are three entrances, and all have drives of about 1.5km to the house.

Mark Bence-Jones describes Curraghmore in A Guide to Irish Country Houses as a medieval tower with a large three storey house behind it. He writes that the “original Castle is encased in a spectacular Victorian mansion” with flanking Georgian ranges housing servants, stables, etc. [1] The house is seven bays wide (see garden front) and seven bays deep.

The guide told us that when James Wyatt added to the house, he specifically created windows and no door in the room that faces the garden, to avail of the view. However, the windows are deceptive and are actually “doors,” as they fully open to let in visitors.

Mark Bence-Jones writes that:

“The tower survives from the old castle of the Le Poers or Powers; the house was in existence in 1654, but was rebuilt 1700 and subsequently enlarged and remodelled; it extends round three sides of a small inner court, which is closed on fourth side by the tower. The 1700 rebuilding was carried out by James Power, 3rd and last Earl of Tyrone of first creation, whose daughter and heiress, Lady Catherine Power, married Sir Marcus Beresford…The 1st Beresford Earl of Tyrone remodelled the interior of the old tower and probably had work done on the house as well.“

Mark Bence-Jones continues his description of the house: “The tower and the house were both refaced mid-C19. The house has a pediment in the garden front; and, like the tower, a balustraded roof parapet. The tower has three tiers of pilasters framing the main entrance doorway and triple windows in the two storeys above it, and is surmounted by St. Hubert’s Stag, the family crest of the Le Poers.” (see [1])

We explored the buildings flanking the courtyard while waiting for the guided tour, and found the entrance to the gardens, through an arch, with an honesty box, in which we duly deposited our fee. We had missed the earlier house tour so had a couple of hours to wait for the next tour. We wandered out into the gardens. The gardens are amazing, in their formal arrangement.

I’ll write more about the gardens later, as we learned more about them on the tour.

We gathered with others for a tour. The tour guide was excellent. She told us that the gardens only opened to the public a few years ago, when the more private father of the current (ninth) Marquess died.

As usual, we were not permitted to take photographs inside, unfortunately. You can see some on the website. There is also a new book out, July 2019, it looks terrific! [2] More on the interior later – first I will tell you of the history of the house.

POWER AND MONEY AND MARRIAGE: Don’t be put off by the complications of Titles!

The estate was owned by the la Poer (or de la Poer or Le Poer – I have seen it written several ways) family for over 500 years, during which time the family gained the titles Baron la Poer (1535), Viscount Decies and Earl of Tyrone (1673, “second creation”, which means the line of the first Earls of Tyrone died out or the title was taken from them – in this case the previous Earl of Tyrone, Hugh O’Neill, rose up against the British throne during the Nine Years War and fled from Ireland when arrest was imminent, so lost his title).

The La Poer family was Norman originally, and the name has been sometimes Anglicised to “Power.”

Piers Power (or Le Poer) of Curraghmore, who held the office of Sheriff of County Waterford in 1482, cemented the family’s influence with a strategic marriage to the House of Fitzgerald. His wife, Katherine, was a daughter of Sir Gerald Fitzgerald, Lord of the Decies.

Piers’s son and heir, Richard, further strengthened the power of the family by marrying a daughter of the 8th Earl of Ormond (Piers Butler, d. 1539), Katherine. The rival families of Butler and Fitzgerald, into both of which the Le Poers had married, effectively ran the country at this time when English influence in Ireland had been in decline for several decades. [4]

Richard was created 1st Baron le Power and Coroghmore, Co. Waterford on 13 September 1535. [5]

Richard 1st Baron le Power and Coroghmore died on 10 November 1538, killed by Conor O’Callaghan while intervening (on the Crown’s behalf) in the issue of the succession of the Earldom of Desmond.

After Richard died, his wife married James John Fitzgerald, 13th Earl of Desmond, in 1549/50, who held the office of Lord High Treasurer of Ireland.

I shall intervene here to give a summary of the rank of titles, as I’m learning them through my research on houses. They rank as follows, from lowest to highest:

Baron –  female version: Baroness

Viscount – Viscountess

Earl – Countess

Marquess – Marchioness

Duke – Duchess

In 1538 Richard was succeeded by his eldest son, Piers (1526-1545). Piers was a soldier and fought in Boulogne in France for King Henry VIII. After Piers’s premature death in 1545, he was succeeded by his younger brother, John “Mor” Power (d. 1592), 3rd Baron. In 1576, Henry Sidney, the Lord Deputy of Ireland and father of the poet Philip Sidney, stayed with John Mor at Curraghmore. He wrote:

“The day I departed from Waterford I lodged that night at Curraghmore, the house that the Lord Power is baron of. The Poerne country is one of the best ordered countries in the English Pale, through the suppression of coyne and livery. The people are both willing and able to bear any reasonable subsidy towards the finding and entertaining of soldiers and civil ministers of the laws; and the lord of the country, though possessing far less territory than his neighbour (ie: Sir James Fitzgerald of the Decies, John Mor’s cousin) lives in show far more honourably and plentifully than he or any other in that province.” [6]

“Coign and livery” was the practice of getting a ruler’s subjects to host the ruler. I think Sidney must have meant that Lord Power’s subjects were willing to participate in entertainment because they were well treated by Lord Power.

Turtle Bunbury writes of the Le Poer family history in his blog (see [4]). I wonder if I can turn my blog into a way of learning Irish history, through Irish houses? I will continue to quote Mr. Bunbury’s blog here, so I can try to see connections between various house owners as I continue my travels around the country.

It was a common practice at the time for the aristocracy to send their sons to the English Court. It was a way to for the artistocracy to secure favour and contacts, and for the King to secure the loyalty of the aristocracy and their Protestant faith. 

John Mor the 3rd Baron married Eleanor, daughter of James FitzGerald the 13th Earl of Desmond, who bore his heir. After she died, he married Ellen MacCartie, widow of the 3rd Viscount Barry. He died in 1592 and was succeeded by his son Richard (d. 1607), 4th Baron Le Poer. The 4th Baron married his step-sister, Katherine Barry, daughter of his step-mother Ellen MacCartie and her first husband the 3rd Viscount Barry.

The oldest son of the 4th Baron, John “Og”, died young, in 1600, predeceasing his father, but not before he married Helen Barry, daughter of the 5th Viscount Barry, Viscount Buttevant, and produced an heir. John “Og” was killed by Edmond FitzGibbon (The White Knight).

The 4th Baron’s other children married well. His daughter Elizabeth married David Barry and gave birth to David, 1st Earl of Barrymore.

His daughter Gille married Thomas Fitzmaurice, 16th Baron of Kerry and Lixnaw. His son Piers married Katherine, daughter of Walter Butler the 11th Earl of Ormond.

After the 4th Baron died, his widow Helen remarried, espousing Thomas Butler the 10th Earl of Ormond, “Black Tom” (you can read more about him in my entry about the Ormond Castle in Carrick-on-Suir, an OPW property www.irishhistorichouses.com/2022/06/26/opw-sites-in-munster-clare-limerick-and-tipperary/). She married a third time, after he died, in 1631, to 1st (and last) Viscount Thomas Somerset, of Cashell, County Tipperary.

The family were very powerful and influential, and Catholic. Despite dying young, John “Og” and Helen had daughters, Ellen, who married Maurice Roche, 8th Viscount Roche of Fermoy (the Peerage website tells us that “She died in 1652, hanged by the Commonwealth regime on a trumped up charges of murder“) and Elinor who married Thomas Butler, 3rd Baron Caher.

King James I ordered Richard the 4th Baron to send his grandson and heir, John, the 5th Baron (born circa 1584), to England for his education, in order to convert John to Protestantism. John lived with a Protestant Archbishop in Lambeth. However, John didn’t maintain his Protestant faith. Furthermore, he later suffered from mental illness.

Julian Walton, in a talk I attended in Dromana House in Waterford (another section 482 house), told us about a powerful woman, Kinbrough Pyphoe (nee Valentine). [7] She is named after a Saxon saint, Kinbrough. Her unfortunate daughter Ruth was married to John Power of the “disordered wits” (the 5th Baron). In 1642, Kinbrough Pyphoe wrote for to the Lord Justices of Ireland for protection, explaining that Lord Le Poer had “these past twelve years been visited with impediments” which had “disabled him from intermeddling with his own estate.” As a result, when Oliver Cromwell arrived in Ireland, he issued a writ on 20th September 1649 decreeing that Lord Power and his family be “taken into his special protection.” In this way, Kinbrough Pyphoe saved the family and estates from being confiscated by the Cromwellian parliament or overtaken by Cromwellian soldiers.

Despite his mental illness, John and Ruth had a son Richard (1630-1690) (along with many other children), who succeeded as the 6th Baron. One of their daughters, Catherine (1641-1660), married John Fitzgerald (1642-1664), Lord of the Decies, of Dromana, County Waterford. We will come back to her later.

Richard (1630-1690) married Dorothy Annesley, daughter of Arthur, 1st Earl of Anglesey in 1654. Richard was Governor of Waterford City and County Waterford in 1661, and MP for County Waterford from 1661-1666.

In 1672 King Charles II made Richard the 1st Earl of Tyrone, and elevated Richard’s son John to the peerage as Viscount Decies.

Turtle Bunbury writes that Richard the 1st Earl of Tyrone sat on Charles II’s Privy Council from 1667-1679. However, Richard was forced to resign when somebody implicated him in the “Popish Plot.” The “Popish Plot” was caused by fear and panic. There never was a plot, but many people assumed to be sympathetic to Catholicism were accused of treason. In 1681, Richard Power was brought before the House of Commons and charged with high treason. He was imprisoned. He was released in 1684.

WHO TO SUPPORT? CATHOLIC OR PROTESTANT? JAMES II OR WILLIAM III?

James II came to the throne after the death of his brother Charles II, and he installed Richard in the Irish Privy Council in 1686.

When William of Orange and Mary came to the throne, taking it from Mary’s father James II, Richard was again charged with high treason, this time for supporting James II, and he was imprisoned in the Tower of London and died there, in 1690. He was succeeded by his son 25-year-old son John, who became 2nd Earl of Tyrone.

John married his first cousin, the orphaned heiress Catherine Fitzgerald, daughter of above-mentioned Catherine (1641-1660) who married John Fitzgerald (1642-1664), Lord of the Decies, of Dromana, County Waterford. They were married as children in 1673, in order for John to marry Catherine’s wealth. However, Catherine managed to have the marriage declared null and void, so that she could marry in March 1676 her true love, Edward Villiers, son and heir of George, 4th Viscount Grandison [I write more on this in my entry on Dromana www.irishhistorichouses.com/2021/02/06/dromana-house-cappoquin-co-waterford/].

John died aged just 28 in 1693 and was succeeded by his brother James. Before he died, it is said that John made a prediction:

“One night in 1693 when Nichola, Lady Beresford [nee Hamilton, wife of 3rd Baronet Beresford of Coleraine, daughter of Hugh Hamilton, 1st Viscount of Glenawly, Co Fermanagh], was staying in Gill Hall, her schoolday friend, John Power, [2nd] Earl of Tyrone, with whom she had made a pact that whoever died first should appear to the other to prove that there was an afterlife, appeared by her bedside and told her that he was dead, and that there was indeed an after-life. To convince her that he was a genuine apparition and not just a figment of her dreams, he made various prophecies, all of which came true: noteably that she would have a son who would marry his niece, the heiress of Curraghmore and that she would die on her 47th birthday. He also touched her wrist, which made the flesh and sinews shrink, so that for the rest of her life she wore a black ribbon to hide the place.” [8]

At the time of his death, his neice was not yet born! It makes a good story. She was born eight years later in 1701 to John’s brother James.

James, the 3rd Earl of Tyrone, married Anne Rickard, eldest daughter and co-heir of Andrew Rickard of Dangan Spidoge, County Kilkenny. He had fought with the Jacobites (supporters of James II), but when William III came to the throne, the 3rd Earl of Tyrone claimed that he had only supported James II because his father had forced him to (this is the father who died in the Tower of London for supporting James II). In 1697 James Le Poer received a Pardon under the Great Seal and he served as Governor of Waterford from 1697 until his death in 1704.

DEVELOPING THE CASTLE
In 1700 the 3rd Earl, James, commissioned the construction of the present house at Curraghmore on the site of the original castle. Mark Bence-Jones writes: “the house was in existence in 1654, but was rebuilt 1700 and subsequently enlarged and remodelled; it extends round three sides of a small inner court, which is closed on fourth side by the tower.“(see [1])

In 1704 the male line of the la Poers became extinct as James had no sons.

The predictions of John the 2nd Baron of Curraghmore came true. Lady Nichola did indeed die on her 47th birthday, and her son Marcus married John’s niece, Catherine Power, or de la Poer.

Catherine de la Poer (1701-1769), the sole child of her parents, could not officially inherit the property at the time. Her Catholic mother made a deal with a Bishop that Catherine would marry a Protestant of his choosing, in order to keep her land. Fortunately, the property was kept for her and she was married to Marcus Beresford (1694-1763), in 1717. This ensured that the house stayed in her family, as Marcus joined her to live in Curraghmore.

Sir Marcus Beresford of Coleraine (born 1694) was already a Baronet by descent in his family. After he married Catherine, he became Viscount Tyrone and 1st Baron Beresford, of Beresford, County Cavan. In 1746 he was created 1st Earl of Tyrone. Proud of her De La Poer background, when her husband died in 1763, Catherine, now titled the Dowager Countess of Tyrone, requested the title of Baroness La Poer.

The Guide told us a wonderful story of the stag on top of the house. It has a cross on its head, and is called a St. Hubert’s Stag. This was the crest of the family of Catherine de la Poer. To marry Marcus Beresford, she had to convert to Protestantism, but she kept the cross of her crest. The Beresford crest is in a sculpture on the front entrance, or back, of the house: a dragon with an arrow through the neck. The broken off part of the spear is in the dragon’s mouth.

The IRA came to set fire to the house at one point. They came through the courtyard at night. The moon was full, and the stag and cross cast a shadow. Seeing the cross, the rebels believed the occupants were Catholic and decided not to set fire to the house. The story illustrates that the rebels must not have been from the local area, as locals would have known that the family had converted to Protestantism centuries ago. It is lucky the invaders did not approach from the other side of the house!

When I was researching Blackhall Castle in County Kildare, I came across more information about St. Hubert’s Stag. The stag with the crucifix between its antlers that tops Curraghmore is in fact related to Saint Eustachius, a Roman centurion of the first century who converted to Christianity when he saw a miraculous stag with a crucifix between its antlers. This saint, Eustace, was probably the Patron Saint of the Le Poers since their family crest is the St. Eustace (otherwise called St. Hubert’s) stag. I did not realise that St. Eustace is also the patron saint of Newbridge College in Kildare, where my father attended school and where for some time in the 1980s and 90s my family attended mass!

I read in Irish Houses and Gardens, from the archives of Country Life by Sean O’Reilly, [Aurum Press, London: 1998, paperback edition 2008] that the St. Hubert Stag at Curraghmore was executed by Queen Victoria’s favourite sculptor, Sir Joseph Edgar Boehm. He was also responsible for the beautiful representation in the family chapel at Clonegam of the first wife of the 5^th Marquess, who died in childbirth. [9]

THE INTERIOR OF THE HOUSE

The entrance hall, which is in the old tower, has a barrel vaulted ceiling covered with plasterwork rosettes in circular compartments which dates from 1750; it was one of the rooms redecorated by Marcus Beresford and his wife Catherine (see [1]). Sadleir and Dickinson tell us of the house and the Hall:

p. 49. “Careful remodelling has given to the back of the structure the lines of a complete architectural whole, but there can be no doubt from internal evidence that at least three important additions are in fact embodied; it is also probable that a portion of the centre, which differs in character from the surroundings, was rebuilt in consequence of a fire.“

The entrance hall is part of the original tower house, and you can see the thickness of the walls. The hall now has a Georgian ceiling of bold, regular design. On the wall in the front hall is a huge portrait of Catherine, Marcus Beresford, and their children. Three stuffed lions stand guard, which were brought back from India by a descendant of Catherine and Marcus (more on the lions later).

Sadleir and Dickinson continue: “A flight of stone steps leads up to a corridor giving access to the spacious staircase hall, a late eighteenth century addition, with Adam ornament on the ceiling and walls. The grand staircase, which has a plain metal balustrade, is gracefully carried up along the wall to a gallery, giving access to the billiard room and bedrooms.” (see [6])

The staircase hall wasn’t added until the next generation. Above the front hall in the tower house, Marcus Beresford had a magnificent room created, now the Billiard room. Unfortunately we didn’t see it on the tour, but there are photographs on the website.

It has a tremendously impressive coved ceiling probably by Paul and Philip Francini, according to Mark Bence-Jones. The ceiling is decorated with rococo foliage, flowers, busts and ribbons in rectangular and curvilinear compartments. The chimneypiece, which has a white decorative  overmantel with a “broken” pediment (i.e. split into two with the top of the triangular pediment lopped off to make room for a decoration in between) and putti cherubs, is probably by John Houghton, German architect Richard Castle’s carver. Bence-Jones describes that the inner end of the room is a recess in the thickness of the old castle wall with a screen of fluted Corinthian columns. There is a similar recess in the hall below, in which a straight flight of stairs leads up to the level of the principal rooms of the house.

The entry via the servants’ quarters, which I thought odd, has indeed always been the approach to the house. Catherine had the houses in the forecourt built for her servants in 1740s or 50s. She cared for the well-being of her tenants and workers, and by having their houses built flanking the entrance courtyard, perhaps hoped to influence other landlords and employers.

Someone asked about the sculptures in the niches in the courtyard. Why are there only some in niches – are the others destroyed or stolen? That in itself was quite a story! A visitor said they could have the sculptures cleaned up, by sending them to England for restoration. The Marquess at the time agreed, but said only take every second one, to leave some in place, and when those are back, we’ll send the remaining ones. Just as well he did this, since the helper scuppered and statues were never returned.

Bence-Jones writes of the forecourt approach to the house:

“[The house] stands at the head of a vast forecourt, a feature which seems to belong more to France, or elsewhere on the Continent… having no counterpart in Ireland, and only one or two in Britain… It is by the Waterford architect John Roberts, and is a magnificent piece of architecture; the long stable ranges on either side being dominated by tremendous pedimented archways with blocked columns and pilasters. There are rusticated arches and window surrounds, pedimented niches with statues, doorways with entablatures; all in beautifully crisp stonework. The ends of the two ranges facing the front are pedimented and joined by a long railing with a gate in the centre.“

Since bad weather threatened on our visit in 2019 (and in 2023!), the tour guide took us out to the Shell House in the garden first. This was created by Catherine. A friend of Jonathan Swift, Mrs. Mary Delany, started a trend for shell grottoes, which progressed to shell houses.

Catherine had the house specially built, and she went to the docks nearby to ask the sailors to collect shells for her from all over the world, who obliged since their wages were paid by the Marquess. She then spent two hundred and sixty one days (it says this in a scroll that the marble sculpture holds in her hand) lining the structure with the shells (and some coral). The statue in the house is of Catherine herself, made of marble, by the younger John van Nost (he did many other sculptures and statues in Dublin, following in his father’s footsteps). Robert O’Byrne has a lovely video about shell grottoes and tells us more about this shell house on his website. [10]

Catherine also adorned the interior of Curraghmore with frescoes by the Dutch painter van der Hagen, and laid out the garden with canals, cascades, terraces and statues, which were swept away in the next century in the reaction against formality in the garden. In the nineteenth century, the formal layout was reinstated. [11]

Marcus and Catherine has many children. John de la Poer Beresford (1738-1805) served as first Commissioner of the Revenue.

Marcus Beresford was succeeded by his fourth but eldest surviving son, the second Earl, George Beresford (1734-1800), who also inherited the title Baron La Poer from his mother in 1769.

He married Elizabeth Monck, only daughter and heiress of Henry Monck (1725-1787) of Charleville, another house on the Section 482 list which we visited www.irishhistorichouses.com/2020/09/18/charleville-county-wicklow/.]  

In 1786 he was created Baron Tyrone. Three years later he was made Marquess of Waterford in the Peerage of Ireland. He was therefore the 1st Marquess of Waterford. The titles descended in the direct line until the death of his grandson, the third Marquess, in 1859.

Note on spelling of Marquis/Marquess: on the Curraghmore website “Marquis” is used, but in other references, I find “Marquess.” According to google:

A marquess is “a member of the British peerage ranking below a duke and above an earl. … A marquis is the French name for a nobleman whose rank was equivalent to a German margrave. They both referred to a ruler of border or frontier territories; in fact, the oldest sense of the English word mark is ‘a boundary land’.”

I shall therefore use the spelling “marquess.” If quoting – I’ll use the spelling used by the source. I prefer “marquis”,  as “marquess” sounds female to me, although it refers to a male!

George the 1st Marquess had the principal rooms of the house redecorated to the design of James Wyatt in the 1780s. Perhaps this was when the van der Hagen paintings were lost! We can see more of Van der Hagen’s work in a house sometimes open to the public, Beaulieu in County Louth. At the same time, George the 1st Marquess probably built the present staircase hall, which had been an open inner court, and carried out other structural alterations.

As Bence-Jones describes it, the principal rooms of the house lie on three sides of the great staircase hall, which has Wyatt decoration and a stair with a light and simple balustrade rising in a sweeping curve. Our tour paused here for the guide to point out the various portraits of the generations of Marquesses, and to tell stories about each.

Bence-Jones writes that the finest of the Wyatt interiors are the dining room and the Blue drawing room, two of the most beautiful late eighteenth rooms in Ireland, he claims.

The walls have grissaille panels by Peter de Gree, which are imitations of bas-reliefs, so are painted to look as if they are sculpture. De Gree was born in Antwerp, Holland [12]. In Antwerp he met David de la Touche of Marlay, Rathfarnham, Dublin, who was on a grand tour. The first works of de Gree in Ireland were for David de la Touche for his house in St. Stephen’s Green in Dublin. [13]

The dining room has delicate plasterwork on the ceiling,  incorporating rondels attributed to Antonio Zucchi (1726-1795, an Italian painter and printmaker of the Neoclassic period) or his wife Angelica Kauffman (a Swiss Neoclassical painter who had a successful career in London and Rome).

The Blue Drawing Room has a ceiling incorporating roundels by de Gree and semi-circular panels attributed to Zucchi.

Sadlier and Dickinson tell us: “The principal drawing room is a large apartment, somewhat low, with three windows, four doors, and Adam overdoors; there is a pretty Adam ceiling in pale green and white, the work in relief being slightly gilt.“

Sadleir and Dickinson continue: “The circular plaques are decorated in monochrome by De Gree, while four semi-circular compartments are believed to have been painted by Zucci, the husband of Angelica Kauffman. The heavy white marble mantel, of classic design, is possibly contemporary with the decoration…A door communicates with the yellow drawing room, smaller but better proportioned, which has an uncoloured Adam ceiling, and a pretty linen-fold mantel in white marble [plate XXXI]. It is lighted by three windows … “

Sadleir and Dickinson continue the tour: “A door to the right gives access from the Hall to the library, which has an Adam ceiling with circular medallion heads, and an Adam mantel with added overshelf, the design of the frieze being repeated in the mantel and bookcases. Most of the books belonged to Lord John George Beresford, Archbishop of Armagh, whose portrait hangs over the fireplace.“

John George Beresford was a son of George, the 1st Marquess.

MARQUESSES OF WATERFORD

I am aided here by the wonderfully informative website of Timothy Ferres. [14]

George, 1st Marquess of Waterford had several children including some illegitimate. His illegitimate son Admiral Sir John de la Poer Beresford was raised to the British peerage as 1st Baronet Beresford, of Bagnall, Co. Waterford. His other illegitimate son was Lt.-Gen. William Carr Beresford, created 1st and last Viscount Beresford of Beresford. His first legitimate son died in a riding accident.

He was succeeded by his second legitimate son, Henry, 2nd Marquess (1772-1826), who wedded, in 1805, Susanna, only daughter and heiress of George Carpenter, 2nd Earl of Tyrconnell. Henry, who was a Knight of St Patrick, a Privy Counsellor in Ireland, Governor of County Waterford, and Colonel of the Waterford Militia, was succeeded by his eldest son, Henry, 3rd Marquess.

In an interview with Patrick Freyne, the current Marquess, whom the townspeople call “Tyrone,” explained that it was the third Marquess, Henry who originated the phrase “painting the town red” while on a wild night in Miltown Mowbray in 1837: he literally painted the town red! [15]

I wonder was this the Marquis who, as a boy in Eton, was expelled, and took with him the “whipping bench,” which looks like a pew, from the school. It remains in the house, in the staircase hall! We can only hope that it meant than no more boys in Eton were whipped.

In 1842, Henry the third Marquess of Waterford married Louisa Stuart, daughter of the 1st Baron Stuart de Rothesay, and settled in Curraghmore House. Sadly, when she came to Curraghmore with her husband she had an accident which prevented her from having children.

Louisa laid out the garden. She had been raised in France and modelled the gardens on those at Versailles.

According to the website:

“After Wyatt’s Georgian developments, work at Curraghmore in the  nineteenth century concentrated on the gardens and the Victorian refacing to the front of the house.

Formal parterre, tiered lawns, lake, arboretum and kitchen gardens  were all developed during this time and survive to today. At this time some of Ireland’s most remarkable surviving trees were planted in the estate’s arboretum. Today these trees frame miles of beautiful river walks  (A Sitka Spruce overlooking King John’s Bridge is one of the tallest trees in Ireland).“

Tragically, The 3rd Marquess broke his neck in a fall while hunting, in 1859, and died.

He was succeed by his younger brother, John (1814-1866), who became the 4th Marquess. It was this Marquess who bought the scarey statues in the garden. The tour guide told us that perhaps the choice of statue reflected the Marquis’s personality.

The 4th Marquess had studied to join the clergy. He did not want to be the heir to the estate, with all of the responsibilites that came with it. He became more religious and more forboding as he aged.

John married Christiana Leslie in 1843, daughter of Charles Powell Leslie II of Castle Leslie (we will learn more about the Leslies in my write ups for Castle Leslie www.irishhistorichouses.com/2020/08/07/castle-leslie-glaslough-county-monaghan/ and Corravahan House in County Cavan www.irishhistorichouses.com/2020/08/28/corravahan-house-and-gardens-drung-county-cavan/).

John entered the ministry and served as Prebendary of St Patrick’s Cathedral, under his uncle, Lord John (John George de la Poer Beresford, Lord Archbishop of Armagh, the brother of his father the second Marquess).

Our guide told us that John forbade his wife from horseriding, which she adored. When he died in 1866, the sons were notified. Before they went to visit the body, when they arrived home they went straight to the stables. They took their father’s best horse and brought it inside the house, and up the grand staircase, right into their mother’s bedroom, where she was still in bed. It was her favourite horse! They “gave her her freedom.” She got onto the horse and rode it back down the staircase – one can still see a crack in the granite steps where the horse kicked one on the way down – and out the door and off into the countryside!

The oldest of these sons, John Henry de La Poer Beresford (1844-1895), became 5th Marquess, and also a Member of Parliament and Lord Lieutenant of Waterford. Wikipedia tells us that W. S. Gilbert of Gilbert and Sullivan fame refers to John Henry in his opera “Patience” as “reckless and rollicky” in Colonel Calverley’s song “If You Want A Receipt For That Popular Mystery”!

The second son, Admiral Charles William de la Poer Beresford, was created the 1st and last Baron Beresford of Metemmeh and Curraghmore, County Waterford in the British peerage. His daughter Kathleen Mary married Maj.-Gen. Edmund Raoul Blacque and in 1926 she purchased Castletown Cox, a Georgian classical mansion in County Kilkenny.

The 5th Marquess eloped with Florence Grosvenor Rowley, wife of John Vivian, an English Liberal politician, and married her on 9 August 1872. She died in 1873, and he married secondly, Lady Blanche Somerset, daughter of Henry Somerset, 8th Duke of Beaufort, on 21 July 1874. The second Lady Waterford suffered from a severe illness which left her an invalid. She had a special carriage designed to carry her around the estate at Curraghmore.

Sadly, John Henry killed himself when he was 51, leaving his son Henry to be 6th Marquess (1875-1911).

Henry the 6th Marquess served in the military. He married Beatrix Frances Petty-Fitzmaurice. He died tragically in a drowning  accident on the estate aged only 36. His daughter Blanche Maud de la Poer Beresford married Major Richard Desiré Girouard and had a son Mark Girouard, architectural historian, who worked for Country Life magazine.

His son John Charles became the 7th Marquess (1901-34). He too  died young. He served as a Second Lieutenant in the Royal Regiment of Horse Guards but died at age 33 in a shooting accident in the gun room at Curraghmore. He married Juliet Mary Lindsay. Their son John Hubert (1933-2015) thus became 8th Marquess at the age of just one year old.

A story is told that a woman’s son was hung, and she cursed the magistrate, the Marquess, by walking nine times around the courtyard of Curraghmore and cursing the family, wishing that the Marquess would have a painful death. It seems that her curse had some effect, as tragedy haunted the family. It was the fourth son who inherited the property and titles of Marcus Beresford, all other sons having died.

The obituary of the 8th Marquis of Waterford gives more details on the curse, which was described to us by our guide, with the help of the portraits:

“The 8th Marquis of Waterford, who has died aged 81, was an Irish peer and a noted player in the Duke of Edinburgh’s polo team.

That Lord Waterford reached the age he did might have surprised the superstitious, for some believed his family to be the object of a particularly malevolent curse. He himself inherited the title at only a year old, when his father, the 7th Marquis, died aged 33 in a shooting accident in the gun room at the family seat, Curraghmore, in Co Waterford.

The 3rd Marquis broke his neck in a fall in the hunting field in 1859; the 5th shot himself in 1895, worn down by years of suffering from injuries caused by a hunting accident which had left him crippled; and the 6th Marquis, having narrowly escaped being killed by a lion while big game hunting in Africa, drowned in a river on his estate in 1911 when he was 36.” [16]

The lion, along with some pals, stand in the front hallway in a museum style diorama!

It is not all fun and games at the house, as in the pictures above! The guide told us a bit about the lives of the servants. In the 1901 census, she told us, not one servant was Irish. This would be because the maidservants were brought by their mistresses, who mostly came from England. The house still doesn’t have central heating, and tradition has it that the fireplace in the front hall can only be lit by the Marquis, and until it is lit, no other fires can be lit. The maids had to work in the cold if he decided to have a lie-in!

John Hubert served as a lieutenant in the Royal Horse Guards’ Supplementary Reserve and was a skilled horseman. From 1960 to 1985, he was captain of the All-Ireland Polo Club, and he was a member of the Duke of Edinburgh’s Windsor Park team. After retiring from the Army, John Hubert, Lord Waterford, returned to Curraghmore and became director of a number of enterprises to provide local employment, among them the Munster Chipboard company, Waterford Properties (a hotel group) and, later, Kenmare Resources, an Irish oil and gas exploration company. He was a founder patron of the Waterford International Festival of Light Opera.

In 1957 he married Lady Caroline Olein Geraldine Wyndham-Quin, daughter of the 6th Earl of Dunraven and Mount-Earl, of Adare Manor in County Limerick. The 8th Marquess and his wife Caroline carried out restoration of the Library and Yellow Drawing Room. Lord Waterford devoted much of his time to maintaining and improving the Curraghmore estate, with its 2,500 acres of farmland and 1,000 acres of woodland.

He was succeeded by his son, Henry de La Pore Beresford (b. 1958), the current Marquess. He and his wife now live in the House and have opened it up for visitors. His son is also a polo professional, and is known as Richard Le Poer.

The website tells us, as did the Guide, of the current family:

“The present day de la Poer Beresfords are country people by tradition. Farming, hunting, breeding  horses and an active social calendar continues as it did centuries ago. Weekly game-shooting parties are held every season (Nov. through Feb.) and in spring, calves, foals and lambs can be seen in abundance on Curraghmore’s verdant fields. Polo is still played on the estate in summer. Throughout Ireland’s turbulent history, this family have never been ‘absentee landlords’ and they still provide diverse employment for a number of local people. Change comes slowly to Curraghmore – table linen, cutlery and dishes from the early nineteenth century are still in use.“

THE OUTBUILDINGS

Behind the houses and stables on one side were more buildings, probably more accommodation for the workers, as well as more stables, riding areas and workplaces such as a forge. I guessed that one building had been a school but we later learned that the school for the workers’ children was in a different location, behind a the gate lodge by the entrance gate (nearly 2 km away, I think).

We were lucky to be able to wander around the outbuildings.

Other buildings were stables, or had been occupied as accommodation in the past, and some were used for storage.

Last but not least, Curraghmore is now the venue for the latest music festival, Alltogethernow. There’s a stag’s head made by a pair of Native American artists, of wooden boughs that were gathered on the estate. It was constructed for the festival last year but still stands, ready for this year (2019)! Some of my friends will be at the festival. The house will be railed off for the event.

[1] Mark Bence-Jones, A Guide to Irish Country Houses. (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[2] https://theirishaesthete.com/2019/07/03/now-available/

[3] Thomas U. Sadleir and Page L. Dickinson. Georgian Mansions in Ireland with some account of the evolution of Georgian Architecture and Decoration. Printed for the Authors at the Dublin University Press, by Ponsonby & Gibbs, 1915. 

[4] http://www.turtlebunbury.com/history/history_family/hist_family_delapoer.html

Turtle Bunbury on his website writes of the history of the family:

“On his death on 2nd August 1521, Sir Piers was succeeded as head of the family by his eldest son, Sir Richard Power, later 1st Baron le Poer and Coroghmore…. In 1526, five years after his father’s death, Sir Richard married Lady Katherine Butler, a daughter of Piers, 8th Earl of Ormonde, and aunt of ‘Black Tom’ Butler, Queen Elizabeth’s childhood sweetheart. The marriage occurred at a fortuitous time for Power family fortunes. English influence in Ireland had been in decline for several decades and the rival Houses of Butler and Fitzgerald effectively ran the country. The Powers of Curraghmore were intimately connected, by marriage, with both.”

[5] www.thepeerage.com

As a description of the times, and the issue of the succession of the Earls of Desmond, I shall include here some history panels I came across in the Desmond Banqueting Hall in Newcastle West in Limerick (see my entry on Office of Public Works properties in County Limerick):

[6] Quoted p. 51, Thomas U. Sadleir and Page L. Dickinson. Georgian Mansions in Ireland with some account of the evolution af Georgian Architecture and Decoration. Printed for the Authors at the Dublin University Press, by Ponsonby & Gibbs, 1915. 

[7] https://dromanahouse.com/2019/03/20/the-drawbacks-and-dangers-of-heiress-hunting/

[8] Mark Bence-Jones describes it in his book, A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[9] see https://theirishaesthete.com/2019/07/01/curraghmore-church/

[10] https://theirishaesthete.com/2018/03/19/in-a-shell/

[11] Hugh Montgomery Massingberd and Christopher Simon Sykes. Great Houses of Ireland. Laurence King Publishing, London, 1999.

[12] https://theirishaesthete.com/2019/11/23/to-a-de-gree/

[13] https://www.libraryireland.com/irishartists/peter-de-gree.php

[14] from http://lordbelmontinnorthernireland.blogspot.com/search/label/County%20Waterford%20Landowners

[15] https://www.irishtimes.com/life-and-style/people/oh-lord-next-generation-takes-the-keys-to-waterford-county-1.2191959

[16] https://www.independent.ie/irish-news/news/obituary-the-irish-peer-who-outlived-curse-30998942.html

[17] http://www.turtlebunbury.com/history/history_family/hist_family_delapoer.html

[5] https://www.buildingsofireland.ie/buildings-search/building/22900816/curraghmore-house-curraghmore-co-waterford

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com