The excellent site of Timothy William Ferres tells us of the Hamiltons, of Stackallen in County Meath:
GUSTAVUS HAMILTON (1642-1723), having abandoned the fortunes of JAMES II, to whom he was a privy counsellor, and distinguished himself as a military officer in the service of WILLIAM III, particularly at the battle of the Boyne, and the siege of Derry, was sworn of the Privy Council of the latter monarch, appointed Brigadier-General of his armies, and further rewarded with a grant of forfeited lands. General Hamilton was MP for County Donegal, 1692-1713, and for Strabane, 1713-15. He was elevated to the peerage, 1715, in the dignity of Baron Hamilton of Stackallan, County Meath. His lordship was advanced to a viscountcy, in 1717, as VISCOUNT BOYNE.
He married Elizabeth, second daughter of SIR HENRY BROOKE, Knight, of Brookeborough, County Fermanagh. They had issue:
FREDERICK (c. 1663-1715), father of GUSTAVUS, 2nd Viscount; Gustavus, father of 3rd and 4th Viscounts; Henry, MP for Donegal, 1725-43; Elizabeth.
The 1st Viscount was succeeded by his grandson, GUSTAVUS, 2nd Viscount (1710-46).
Gustavus 2nd Viscount died unmarried, and the honours devolved upon his cousin, Frederick, 3rd Viscount (1718-72).
James Hamilton (1559/1560 or 1568-1643) 1st Viscount Clandeboye married Ursula, daughter of Edward Brabazon, 1st Lord Brabazon, Baron of Ardee. They had no children and after her death he married Jane Philipps, who gave birth to their heir James Hamilton (1617/18-1643) 1st Earl of Clanbrassil, County Armagh.
James Hamilton (1617/18-1643) 1st Earl of Clanbrassil married Anne Carey (d. 1688/89), who gave birth to their heir Henry Hamilton (1647-1675), 2nd Earl of Clanbrassil. They had no children and after his death the title became extinct. The name Claneboye was revived in a title in 1800 when his great-great-grandniece Dorcas Blackwood was made 1st Baroness Dufferin and Claneboye.
There were lots of creations of Earls of Clanbrassil! There was James Hamilton (1697-1758) 1st Earl of Clanbrassill, Co. Armagh. He was the son of James Hamilton (d. 1693) and Anne Mordaunt.
James Hamilton (1575-1618) 1st Earl of Abercorn, Co. Linlithgow [Scotland] was Member of the Council of the province of Munster on 20 May 1615. His son Claud Hamilton (d. 1638) was created 2nd Lord Hamilton, Baron of Strabane, County Tyrone. Another son was the heir, James Hamilton, 2nd Earl of Abercorn. The 2nd Earl had a son, George Hamilton who became 3rd Earl of Abercorn but had no children.
Claud Hamilton (d. 1638) 2nd Lord Hamilton, Baron of Strabane, County Tyrone was succeeded by his son James Hamilton (1633-1655) 3rd Lord Hamilton, Baron of Strabane but he died without issue and was succeeded by his brother, George Hamilton (d. 1668) 4th Lord Hamilton, Baron of Strabane.
George’s son Claud Hamilton (1659-1691) succeeded as 5th Lord Hamilton, Baron of Strabane, Co. Tyrone and 4th Earl of Abercorn. He held the office of Lord of the Bedchamber to King James II. He fought in the Battle of the Boyne on 1 July 1690. On 11 May 1691 he was outlawed in Ireland, and his Irish titles were forfeited. He fought in the Battle of Aughrim on 12 July 1691, where he commanded a regiment of horse. [1]
Claud Hamilton (1659–1691) 4th Earl of Abercorn didn’t have offspring and was succeeded by his brother, Charles (d. 1701) who became 5th Earl of Abercorn. His brother John (1713/4-1755) had a son, John James Hamilton, who succeeded as 5th Baronet Hamilton, of Donalong, Co. Tyrone and of Nenagh, Co. Tipperary, 9th Earl of Abercorn, and was later created 1st Marquess of Abercorn.
With his death, the senior line of the Abercorns and the Strabanes failed as he had no surviving offspring. With regard to the Abercorns, the succession reverted to the next of the cadet branches descending from the five sons of the 1st Earl of Abercorn as it already had done in about 1650 when George, the 3rd Earl, died unmarried in Padua. As the 1st Earl’s third son, William, 1st Baronet of Westport, had no children, the succession passed to the descendants of the fourth son, Sir George Hamilton (d. 1679) 1st Baronet, of Donalong, County Tyrone and his wife Mary Butler (d. 1680) daughter of Thomas Butler Viscount Thurles. The 5th Earl was therefore succeeded as Earl of Abercorn by his second cousin, James Hamilton (d. 1734) the grandson of Sir George. James Hamilton would thus become the 6th Earl of Abercorn.
James Hamilton, 6th Earl of Abercorn, also 2nd Baronet Hamilton, of Donalong, Co. Tyrone and of Nenagh, Co. Tipperary and 1st Baron Mountcastle, Co. Tyrone was succeeded by his son, James Hamilton, (1685/6-1743/4) 7th Earl of Abercorn, who was succeeded by his son, James Hamilton (1712-1789) 8th Earl of Abercorn, who died unmarried.
The next in line was John James Hamilton (1756-1818) who succeed as 5th Baronet Hamilton, of Donalong, Co. Tyrone and of Nenagh, Co. Tipperary, 9th Earl of Abercorn and was later created 1st Marquess of Abercorn. He was the posthumous son of Captain Hon. John Hamilton and his wife Harriet, and grandson of James Hamilton, 7th Earl of Abercorn
John James Hamilton (1756-1818) 1st Marquess of Abercorn married first Catherine Copley and they had several children including a son James (1786-1814), called Viscount Hamilton. He married Harriet Douglas who gave birth to their heir James Hamilton (1811-1885), who was to become 1st Duke of Abercorn.
John James Hamilton (1756-1818) 1st Marquess of Abercorn married secondly a cousin, Cecil Hamilton, but they later divorced. He then married Anne Jane Gore, daughter of Arthur Saunders Gore, 2nd Earl of Arran of the Arran Islands.
[1] G.E. Cokayne; with Vicary Gibbs, H.A. Doubleday, Geoffrey H. White, Duncan Warrand and Lord Howard de Walden, editors, The Complete Peerage of England, Scotland, Ireland, Great Britain and the United Kingdom, Extant, Extinct or Dormant, new ed., 13 volumes in 14 (1910-1959; reprint in 6 volumes, Gloucester, U.K.: Alan Sutton Publishing, 2000), volume I, page 4. Hereinafter cited as The Complete Peerage.
orange: “whole house rental” i.e. those properties that are only for large group accommodations or weddings, e.g. 10 or more people.
green: gardens to visit
grey: ruins
donation
Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!
€10.00
The province of Ulster contains counties Antrim, Armagh, Cavan, Derry, Donegal, Down, Fermanagh, Monaghan and Tyrone.
For places to stay, I have made a rough estimate of prices at time of publication:
€ = up to approximately €150 per night for two people sharing (in yellow on map);
On September 9th 2023 all Landmark Trust properties in Northern Ireland will be open to visitors, from 10am-4pm. See their website for details, https://irishlandmark.com/ as booking will be required, but booking is not open yet. Subscribe for updates to find out when you need to book to make a visit.
Down:
1. Audley’s Castle, County Down
2. Bangor Castle Park, County Down
3. Castle Ward, County Down
4. Dundrum Castle, County Down
5. Hillsborough Castle, County Down
6. Montalto Estate, County Down
7. Mount Stewart, County Down
8. Newry and Mourne Museum, Bagenal’s Castle, County Down
9. Portaferry Castle, County Down
Places to stay, County Down
1. Barr Hall Barns, Portaferry, County Down€
2. Castle Ward, Potter’s Cottage in farmyard and Castle Ward bunkhouse
10. St John’s Point Lighthouse Sloop, Killough, County Down: Irish Landmark property € for 3-4
11. Tullymurry House, Tullymurry road, Donaghmore, Newry, County Downsleeps 8, € for 8
12. Tyrella, Downpatrick, County Down, BT30 8SU – accommodation €
Whole house County Down
1. Ballydugan House, County Down(weddings)
2. Drenagh Estate and Gardens, County Down (weddings)
donation
Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!
“The castle is named after its late 16th-century owners, the Audleys, an Anglo-Norman family who held land in the area in the 13th century, It was sold, with the surrounding estate, to the Ward family in 1646 and used in 1738 as an eye-catching focus of the long vista along Castle Ward’s artificial lake, Temple Water.
The site comprises of a number of paths to allow you to get to the Castle.“
“This impressive building was built for the Hon Robert Edward Ward [1818-1904] and his family in 1852. It is presently the headquarters of Ards and North Down Borough Council who use the mansions spectacular grand salon as the council chamber. The building is situated in the grounds of Castle Park alongside North Down Museum and is just a short walk from Bangor Castle Walled Garden.
“CS Lewis visited North Down on many occasions throughout his life and regularly returned to the area. He enjoyed the beautiful view over Belfast Lough from the grounds of Bangor Castle. As Lewis himself once said “Heaven is Oxford lifted and placed in the middle of County Down”.
Mark Bence-Jones writes in his A Guide to Irish Country Houses (1988):
p. 30. “(Ward, sub Bangor, V/PB; Bingham, Clanmorris, B/PB) An Elizabethan-Revival and Baronial mansion by William Burn, built 1847 for Robert Ward, a descendant of 1st Viscount Bangor. Mullioned windows; oriels created with strapwork; rather steep gables with finials. At one end, a battlemented tower with a pyramidal-roofed clock turret. Partly curved quoins, very characteristic of Burn. Inherited by Robert Ward’s daughter and heiress, Matilda Catherine, wife of 5th Lord Clanmorris [John George Barry Bingham, 5th Baron Clanmorris of Newbrook, County Mayo]. Featured in Peers and Plebs by Madeleine Bingham. Now owned by the town of Bangor.”
“The current Castle Ward is a particularly unusual building, famed for having been built with two completely different architectural styles, both inside and out.
“One half is built in the classical Palladian style, with the other half which faces out across Strangford lough built in the more elaborate Gothick style.
“The story told for the reason behind this unusual decorative scheme is that the original builder of the house, Bernard Ward, 1st Viscount Bangor, did not agree with his wife Lady Anne [Anne Bligh (1718-1789, daughter of John Blight 1st Earl of Darnley] on the décor. Bernard was more classical in taste with Lady Anne prefering the fashionable Gothick style, leading them to split the house down the middle. This story is compounded by the fact that they separated not long after the house was finished with Anne leaving Castle Ward for good. This hint of scandal has carried this story through the years, but let us consider instead that Anne and Bernard set out to build the house exactly as it is – not a marriage of compromise, but a triumph of collaboration.
“When Bernard and Lady Anne inherited the estate in 1759 they set about building themselves a fine new house, one which would be symbolic of their union and exist as a statement of the Ward family’s bold and forward-thinking place in the world. Castle Ward was completed in 1766 and by 1781 they had been created Viscount and Viscountess Bangor in the Peerage of Ireland.
“Lady Anne’s grandfather was the nephew of the Duchess of York – wife of King James II, and a first cousin of Queen Anne. This royal ancestry shows itself in the choice of the Gothick style. The ceiling in the Morning Room is copied from the Henry VII Chapel in Westminster Abbey where Anne’s maternal family were permitted to be buried due to their royal blood. Rather than the house becoming known as an architectural monstrosity, the couple aimed for it to be a masterpiece, striving against convention and rooting the Ward family as bold, modern thinkers with an impressive past.
“The unusual combination of styles has long been a point of joy or novelty for guests, having a ‘marmite’ appeal. On a visit to Castle Ward, writer and poet John Betjeman referred to the ceiling in the Boudoir as “like sitting under a cow’s udder”, and the comment has stuck. Others comment on the otherworldly feeling created in the exotic grandeur of the Gothick side.
“Please check the homepage for opening times of the mansion house before planning your visit, as they may change seasonally. There is no need to book your visit in advance.“
The website also tells us more about owner Anne Ward:
“Castle Ward – the story of a warring couple, divided in opinion and styles leading to a house with two sides. Perhaps the story is a little more complicated – here we delve deeper into the background of Lady Anne Bligh, co-architect of Castle Ward.
“Given that Lady Anne Ward was co-creator of the dichotomous style of Castle Ward, it is surprising how few of her possessions or papers are left in the collection. Hers’ remains a hidden history. Having left Castle Ward and her husband Bernard in 1770 shortly after the completion of the house, she has become a symbol of mystery and speculation, made notorious and unusual because of her independence of mind and spirit.“Given that Lady Anne Ward was co-creator of the dichotomous style of Castle Ward, it is surprising how few of her possessions or papers are left in the collection. Hers’ remains a hidden history. Having left Castle Ward and her husband Bernard in 1770 shortly after the completion of the house, she has become a symbol of mystery and speculation, made notorious and unusual because of her independence of mind and spirit.
“The public expression of her personal tastes in the Gothick style at Castle Ward, clashed dramatically with her husband’s preferred classical style, and this has resulted in the condemnation of Lady Ann as unusual. History has found it difficult to understand the architectural choice that was reached by Lady Anne and Bernard, seeming as a legacy to their failed marriage. Whilst Bernard is remembered as the maker of the classical side of the house, symbolically representing reason, balance and order, Lady Anne in contrast represents an ‘otherness’ which she expressed in Gothick architecture – seemingly conveying her fantastical, whimsical and unconventional personality.
“The Royal blood from her maternal grandparents gave Lady Anne the hauteur and confidence to do as she pleased. Her grandfather, the Earl of Clarendon was the nephew of the Duchess of York, wife of James II, and a first cousin of Queen Anne. Queen Anne was her mother Theodosia’s Godmother, and as such Theodosia was allowed to marry in Westminster Abbey. This was something Lady Ann was keen to highlight in her choice of architecture at Castle Ward, even copying the plasterwork from the Henry VII Chapel and recreating it in the Morning Room as a reminder of her royal connections.
“The Earl of Clarendon also prompted perception of the family as “eccentric” by accounts of them acting out their role as Colonial Governor of New York dressed in articles of women’s clothing which challenged social boundaries of the period. Historians have been unable to confirm the accuracy of these accounts nor the motivations behind the Earl’s alleged presentation of gender non-conformity. Whatever the accuracy or reason, contemporaries condemned the Earl and considered it to be a sign of ‘great insanity’, however the Earl remained protected and often handsomely rewarded by their cousin Queen Anne. This connection provided crucial protection from critics.
“Elizabeth Hastings, Countess of Moira who knew the family decribed them as having ‘an hereditary malady’. Members were noted as experiencing varied mental health issues. Lady Anne was accused of having ‘a shade of derangement in her intellects’. Her brother, Lord Darnley, was convinced he was a teapot and was reluctant to engage in sexual activity lest ‘his spout would come off in the night’; Lady Anne’s son Nicholas was declared ‘a lunatic’ in 1785 but details about this are scant.
“Lady Anne’s relationship with a woman, prior to her two marriages [she was previously married to Robert Hawkins-Magill of Gill Hall, County Down], has also been the source of popular speculation and of academic debate. At 21, Lady Anne embarked on a six year relationship with Letitia Bushe, a woman considered much inferior in status and wealth, but much more experienced in the world with a great intellect and close friend of Mrs Delany. From the surviving correspondence of Letitia Bushe, it is clear that she was besotted with Lady Anne who was some fifteen years her junior, writing in 1740:
‘This Day twelvemonth was the Day I first stay’d with you, the night of which you may remember pass’d very oddly. I cannot forget how I pity’d you and how by that soft road you led me on to love you… that first Sunday at Bray, when you were dressing and I lay down on your Bed – ‘twas then I took first a notion to you’.
“Academic research has suggested that this instance of same-sex love and desire provided Lady Anne with ‘an alternative outlet for emotional needs and energies, free of the complex web of economic and social considerations that surrounded relations between men and women of the propertied classes’ at this time.
“Sadly none of Lady Anne’s correspondence to Letitia Bushe survives – in true Lady Anne style she remains an enigma, true to herself regardless of tastes or conventions, and a symbol of ‘the three-dimensional complexity of human life’.“
Mark Bence-Jones writes in his A Guide to Irish Country Houses (1988):
p.78. Castleward: “Ward, Bangor, V/PB) A grandmid-C18 house of three storeys over basement and seven bays; built 1760/73 by Bernard Ward (afterwards 1st Viscount Bangor), and his wife, Lady Anne, daughter of 1st Earl of Darnley, to replace an earlier house. Probably by an English architect; and faced in Bath stone, brought over from Bristol in Mr Ward’s own ships. It seems that the Wards could not agree on the style of their new house; he wanted it to be Classical; but she was of what Mrs Delany called “whimsical” taste and favoured the fashionable new Strawberry Hill Gothic. The result was a compromise. The entrance front was made Classical, with central feature of a pediment and four engaged Ionic columns rising through the two upper storeys, the bottom storey being rusticated and treated as a basement. The garden front, facing over Strangford Lough, was made Gothic, with a battlemented parapet, pinnacles in the centre, and pointed windows in all its three storeys and seven bays – lancet in the central breakfront, ogee on the other side. All the windows have delightful Strawberry Hill Gothic astragals. This front of Castleward, and Moore Abbey, Co Kildare, are the only two surviving examples of mid-C18 Gothic in major Irish country houses which are not old castles remodelled. The interior of Castleward is remarkable in that the rooms on the Classical side of the house are Classical and those on the Gothic side Gothic; thus the hall – now the music room – has a Doric frieze and a screen of Doric columns; whereas the saloon has a ceiling of fretting and quatrefoils, pointed doors and a Gothic chimneypiece. The dining room, with its grained plaster panelling, is Classical and the sitting room is Gothic with spectacular plaster fan vaulting. Mr Ward, however, managed to be one up on his wife in that the staircase, which is in the middle of the house, is Classical; lit by a Venetian window in one of the end bows. If we believe Lady Anne, this was not the only time when he got his own way at her expense, for, having left him, as it turned out, for good, she wrote accusing him of bullying her. In C19, a porch was added to one of the end bows of the house, making a new entrance under the staircase; so that the hall became the music room. In the grounds there is a four storey tower-house, built at the end of C16 by Nicholas Ward; also a temple modelled on Palladio’s Redentore, dating from ante 1755; it stands on a hill, overlooking an early C18 artificial lake, or canal. On the death of 6th Viscount, 1950, Castleward was handed over in part payment of death duties to the Northern Ireland Government, who gave it, with an endowment, to the National Trust. The house and garden are now open to the public, and the Trust has set up various projects in different parts of the estate.”
“Hillsborough Castle has been a grand family home and is now the official home of the Secretary of State for Northern Ireland, and a royal residence. Members of the Royal Family stay at Hillsborough when visiting Northern Ireland.
“Viewed by some as a politically neutral venue, Hillsborough has played an important role in the Peace Process in Northern Ireland since the 1980s.
“In 2014, Historic Royal Palaces took over the running of Hillsborough Castle and Gardens and began an ambitious project to restore the house and gardens to its former glory.
“Hillsborough, originally the settlement of Cromlyn (meaning Crooked Glen) in mid-Down, became part of the Hill family estates in the early 1600s. Moyses Hill, the landless second son of an English West Country family, joined the army to seek his fortune in Ireland, where he supported the Earl of Essex, a military leader sent by Elizabeth I.
“At this time, the land was still in the hands of Irish chiefs of the Magennis family. But the defeat of Irish chieftain Hugh O’Neill in 1603 opened the way for men such as Moyses Hill to establish themselves as landowners in Ireland. The Hills bought some 5,000 acres of land, then gradually added to this over the next 20 years until the whole area around the present Hillsborough had passed from the Magennises to the Hills.
“Successive generations of this ambitious family began to rise, politically and socially, in Ireland. Within 50 years they were one of the most prominent landowning families in the area; their estates stretched for over 130 miles from Larne, north of Belfast to Dun Laoghaire, south of Dublin, around 115, 000 acres in total.
“Wills Hill was the first Marquess of Downshire and his diplomatic skills as a courtier cemented the family’s position in society.
“From 1768-72 he held the post of Secretary of State for the Colonies. He had grown very powerful in government and served the royal family, for which he was awarded his title in 1789.
“Wills Hill famously hosted American founding father Benjamin Franklin, but contrary to popular myth, when they met at Hillsborough in 1771, the two men got along well together.
“Wills Hill built not only this house but also the Courthouse in The Square. He also built the terraces around The Square and other buildings in the town.
“Hillsborough is unusual for an Irish Big House as it is not a country house around which a town grew; rather it was built as a townhouse, forming one side of a neat Georgian square.
“The road to Moira once passed directly below the windows, and opposite the house were a variety of shops, houses and the Quaker Meeting House.
“The 3rd and 4th Marquesses, also commissioned a lot of work on the house, giving it the outward appearance it has today.
“When the house was being altered in the 1840s, the family decided to expand the gardens and so rebuilt the road, houses and Quaker Meeting House all further away. The old road was absorbed into the landscaping of the gardens, and the south side of the house was opened out to allow views of the ‘picturesque’ gardens.
“Successive generations of the Hill family enjoyed the house as a family home, renovating and redecorating in the latest styles and improving the gardens.
“However, by the end of the 19th century they were spending more time on their estate in England, at Easthampstead Park in Berkshire or their seaside home at Murlough House in County Down. The sixth Marquess’ uncle and guardian, Lord Arthur Hill remained at Hillsborough Castle to look after his nephew’s estate. The family first rented out Hillsborough in 1909, then sold it completely in 1925.
“It was bought by the British government, for around £24,000 (equivalent to £1.3m today) to be the residence of the Governor of Northern Ireland.
“Following Partition in 1921, Governors were appointed to represent the monarch in Northern Ireland, replacing the Lord-Lieutenant of Ireland who had previously lived at Dublin Castle. The house became known as Government House, remaining the official residence of the Governors for over 50 years.”
Mark Bence-Jones writes in his A Guide to Irish Country Houses (1988):
p. 152. “(Hill, Downshire, M/PB; Dixon, Glentoran, B/PB) A large, rambling, two storey late-Georgian mansion of a warm, golden-orange ashlar; its elevations rather long for their height. It appears to incorporate a much smaller house of ca 1760, but was mostly built later in C18, to the design of R.F. Brettingham, by Wills Hill, 1st Marquess of Downshire, a prominent member of Lord North’s Cabinet at the time of the American War. The work was not completed until 1797, four years after 1st Marquess’s death. In 1830s and 1840s, the house was enlarged and remodelled, to the design of Thomas Duff, of Newry, and William Sands. The pedimented portico of four giant Ionic columns in the middle of the long seventeen bay garden front – originally the entrance front – which is the principal exterior feature, dates from this period; as does the present appearance of the pedimented front adjoining to the left, with its asymmetrical projecting ends; as well as the treatment of the elevations of the two ranges at right angles to each other which form two sides of the entrance forecourt; one of them having a rather shallow single-storey portico of four pairs of coupled Ionic columns. The forecourt, with its magnificent mid-C18 wrought iron gates and railings, brought here 1936 from Rich Hill, Co Armagh, is on one side of the main square of the charming little town of Hillsborough, which is reminiscent of the Schlossplatz in a small German capital. Although the house backs onto a sizeable demesne, with a lake, the park is on the opposite side of the town. Its chief feature is Hillsborough Fort, a star-shaped fort built by Col Arthur Hill ca 1650. The gatehouse of the fort was rebuilt most delightfully in the Gothic taste ca 1758, perhaps to the design of Sanderson Miller himself. Hillsborough Castle became the official residence of the Governor of Northern Ireland 1925, and consequently became known as Government House; from then, until 1973, when the post of Governor was abolished, it was occupied by successive Governors (all PB); namely, 3rd Duke of Abercorn, 4th Earl Granville, 2nd Lord Wakehurst, Lord Erskine of Rerrick, and Lord Grey of Naunton; during this period, the house was frequently visited by members of the British Royal Family. In 1934 the house was seriously damaged by fire, and in the subsequent rebuilding the principal rooms were done up in a more palatial style, with elaborate plasterwork. The future of the house is now uncertain.”
“For the first time in its history, this mystical and enchanting estate, set in magnificent natural surroundings, is open to visit.
“Nestled in the picturesque County Down countryside, Montalto is a privately-owned demesne steeped in history dating back to the 1600s. It is famously the site of ‘The Battle of Ballynahinch’ which took place during the Irish rebellion in 1798. It is also home to an exotic plant collection initially created by ‘The Father of Irish Gardening’, Sir Arthur Rawdon.
“Montalto Estate aims to reconnect visitors with nature through access to a range of captivating gardens and beautiful walks and trails. The visitor experience includes: public access to the estate’s beautiful gardens along with unique and surprising garden features; historic walks and trails; and an exciting play area where children can explore, learn and wonder at their natural surroundings. A purpose built centre, designed in keeping with the look and feel of the estate, includes a welcome area featuring interpretation of the estate’s history; a stylish café offering flavoursome and beautifully presented food; and a shop that offers a mix of estate produce, local craft products and many other unique and exceptionally designed items.
“The beautiful gardens include an Alpine Garden, a Winter Garden, a Cutting Garden, a Walled Garden, a Formal Garden and the Orchard situated within a wildflower meadow. Both the Winter Garden and Alpine Garden will always be accessible whilst the other gardens will be accessible whenever possible as they are working gardens. Four champion trees are located around the lake and the pinetum and over the past three years over 30,000 trees have been planted here.
“Active families will enjoy the Woodland Trail and low wood. The impressive purpose built tree house, which was handcrafted onsite, features rope bridges, monkey bars and treetop views kids of all ages will enjoy. Mini explorers can enjoy the smaller tree house and natural play area. Everything within this area has been designed to fuel the imagination through exploration and discovery.
“For tranquil and picturesque walks you can enjoy the stunning views of The Lake Walk and The Garden Walk. Catch a glimpse of some of the wonderful wildlife that calls Montalto Estate their home or simply take in the beautiful seasonal displays and reconnect with nature.”
“Montalto, nestled beautifully in the heart of the picturesque Co. Down countryside, is a privately-owned demesne which dates back to the early 1600s.
“In pre-plantation times the estate was originally owned by Patrick McCartan. However, due to his involvement in the 1641 Rebellion, his Ballynahinch lands were confiscated, and in 1657 the townland was purchased by Sir George Rawdon [and Patrick McCartan was executed]. Circa 1765, his descendant Sir John Rawdon – First Earl of Moira [1720-1793] – built a mansion property on the estate: this is the house that we now know as Montalto House.
“Sir John’s ancestor, Sir Arthur Rawdon – The Father of Irish Gardening – had earlier amassed a large collection of exotic foreign plants at Moira Castle. Many of Sir Arthur’s plants were transferred to Montalto when his grandson Sir John moved onto the estate.
“During the Battle of Ballynahinch (part of the 1798 Rebellion), rebels occupying Montalto House are attacked by the militia. The mansion sustains some fire and artillery damage. Francis Rawdon-Hastings – 2nd Earl of Moira and Montalto resident – is a respected British military officer during the American War of Independence. He is a close friend of the Prince Regent, later King George IV. For ten years he is Governor General of India, carrying huge military and political responsibilities. He sells the Montalto Estate soon after the 1798 Rebellion and later becomes 1st Marquess of Hastings in 1816.“
John Rawdon 1st Earl of Moira married three times: first to Helena Perceval, daughter of John Perceval 1st Earl of Egmont, Co. Cork; next to Anne Hill, daughter of 1st Viscount Hillsborough, and finally to Elizabeth, daughter of Theophilus Hastings, 9th Earl of Huntingdon, England. His heir is Francis Rawdon-Hastings, 1st Marquess of Hastings.
“In 1803 David Ker of Portavo purchased the estate. In 1910 Richard – the last of the Kers to reside at Montalto – is finally forced to sell the estate.In 1912 Arthur, [Arthur Vesey Meade] 5th Earl of Clanwilliam [County Tipperary], purchases Montalto for £20,000.
“The Earl fights in the Boer War (where he is badly wounded), and with the Guards in France in WW1. His wife Lady Muriel cares for wounded Allied officers during their convalescence at Montalto.
“In 1979 the house is purchased by the Hogg Corry Partnership. In 1988 Corry withdraws. In 1995 it is purchased by the Wilson family. Working with local architects Hobart and Heron, as well as John O’Connell – a leading conservation architect from Dublin, specialising in Georgian architecture – they setabout a programme of works to restore the house, grounds, and outbuildings to their former glory.
“The estate has been almost exclusively, a family home since Lord Moira built the first house here. Nowadays Montalto offers visitors the use of 400 acres of rolling Irish countryside, which includes wonderful trails and gardens and a chance to explore this historic demesne and reconnect with nature.“”The estate has been almost exclusively, a family home since Lord Moira built the first house here. Nowadays Montalto offers visitors the use of 400 acres of rolling Irish countryside, which includes wonderful trails and gardens and a chance to explore this historic demesne and reconnect with nature.“
Mark Bence-Jones writes in his A Guide to Irish Country Houses (1988):
p. 209. “(Rawdon, Moira, E/DEP; Ker/IFR; Meade, Clanwilliam, E/PB) A large and dignified three storey house of late-Georgian aspet; which, in fact, was built mid-C18 as a two storey house by Sir John Rawdon, 1st Earl of Moira, who probably brought the stuccodore who was working for him at Moira House in Dublin to execute the plasterwork here; for the ceiling which survives in the room known as the Lady’s Sitting Room is pre-1765 and of the very highest quality, closely resembling the work of Robert West; with birds, grapes, roses and arabesques in high relief. There is also a triple niche of plasterwork at one end of the room; though the central relief of a fox riding in a curricle drawn by a cock is much less sophisticated than the rest of the plasterwork and was probably done by a local man. 2nd Earl, afterwards 1st Marquess of Hastings, who distinguished himself as a soldier in the American War of Independence, and was subsequently Governor-General of India, sold Montalto 1802 to David Ker, who enlarged the windows of the house, in accordance with the prevailing fashion. In 1837, D.G. Ker enlarged the house by carrying out what one would imagine to be a most difficult, not to say hazardous operation; he excavated the rock under the house and round the foundations, thus forming a new lower ground floor; the structure being supported by numerous arches and pillars. It was more than just digging out a basement, as has been done at one or two other houses in Ulster; for the new ground floor is much higher than any basement would be; the operation made the house fully three storeyed. Entrance front of two bays on either side of a central three sided bow; the front also having end bows. Shallow Doric porch at foot of centre bow. Ground floor windows round-headed; those above rectangular, with plain entablatures over the windows of the original ground floor, now the piano nobile. Parapeted roof. The right hand side of the house is of ten bays, plus the end bow of the front; with a pilastered triple window immediately to the right of the bow in the piano nobile, balanced by another at the far end of the elevation. The left-hand side of the house is only of three bays and the bow, with a single triple window’ the elevation being prolonged by a two storey wing with round-headed windows. Various additions were built at the back of the house and at the sides during the course of C19; a ballroom being added by D.S. Ker, grandson of the David Ker who bought the estate. In 1837 ground floor there is an imposing entrance hall, with eight paired Doric columns, flanked by a library and a dining room. A double staircase leads up to the piano nobile, where there is a long gallery running the full width of the house, which may have been the original entrance hall. Also on the piano nobile is the sitting room with the splendid C18 plasterwork. Montalto was bought ca 1910 by 5th Earl of Clanwilliam, whose bridge refused to live at Gill Hall, the family seat a few miles to the west, because of the ghosts there. In 1952, the ballroom and a service wing at the back were demolished.”
“The Stewarts came from Scotland to Donegal as part of the Jacobean Plantation of Ulster. Alexander Stewart and his wife, Mary Cowan, bought a large area of land in County Down in 1744, part of which became Mount Stewart demesne. Mary had inherited a fortune from her brother, Robert Cowan, who was in the East India Company, and was Governor of Bombay.
“A modest house on the shore of Strangford Lough was extended in the 1780s into a long low 2-storey house by Alexander’s son, Robert. Robert also built a walled garden and farm buildings further inland, and commissioned James ‘Athenian’ Stuart to design the Temple of the Winds, one of the finest small neo-classical buildings in Ireland. Through his political connections and marriage, Robert rose through the political ranks, becoming earl and subsequently marquess of Londonderry.
Robert Stewart (1739-1821) 1st Marquess of Londonderry married Sarah Frances Seymour Conway, and she gave birth to his heir, Robert Stewart (1769-1822) 2nd Marquess of Londonderry, who was later made Viscount Castlereagh.
The website tells us: “It was Robert’s son, best known as Viscount Castlereagh, who chose the architect George Dance to design a new wing for Mount Stewart which included a series of fine reception rooms. The west wing was built around 1804–6.“
Mark Bence-Jones writes in his A Guide to Irish Country Houses (1988):
p. 216. “Vane-Tempest-Stewart, Londonderry, M/PB) A long two storey Classical house of 1820s, one end of which is, in fact, a house built 1803-06 by 1st Marquess of Londonderry (father of the stateman, Castlereagh) to the design of George Dance. The seven bay front of 1803-06 house survives as the end elevation of the present house; unchanged, except that its centre bay now breaks forward under a shallow pediment, similar to those on either side of the present entrance front, which are very much of 1820s. The three rooms at this end of the house keep their original ceilings of delicate plasterwork; the centre one, which was formerly the entrance hall, has a ceiling with pendentives, making it an octagon. Behind this former entrance hall is an imperial staircase with a balustrade of elegant ironwork, lit by a dome; this too, is part of the earlier house.“
The website continues, telling us more about Lord Castlereagh: “Castlereagh is best known in Ireland for his involvement in the repression of the 1798 Rebellion and as one of the architects of the Anglo-Irish Union of 1800, for which he was vilified by many. He was however regarded as a consummate statesman and astute negotiator.
“From 1802 to 1822 he was based in London as Secretary of State for War and Foreign Secretary during the wars with America and France under Napoleon. He was one of the chief negotiators at the Congress of Vienna (1814-15) and his greatest legacy was steering the Congress towards a more equitable balance of power. The Congress was the first multinational European congress; many issues were discussed including the abolition of slavery. Castlereagh became a staunch supporter of abolition, as the trade was ‘repugnant to the principles of humanity and universal morality’.
“The Peterloo Massacre of 1819 earned him more criticism, for although he was not personally responsible and was appalled by the outcome, as Home Secretary he had to justify the yeomanry’s actions. In 1822 he suffered a breakdown and took his own life, just a year after becoming the 2nd marquess of Londonderry.“
Castlereagh’s father the 1st Marquess married a second time after his first wife died, this time to Frances Pratt, daughter of Charles, 1st Earl of Camden. They went on to have many more children.
It was a son from the second marriage, Charles Stewart (1778-1854) who became the 3rd Marques of Londonderry. First he married Catherine Bligh, daughter of John 3rd Earl of Darnley. She had a son, who became Charles’s heir, Frederick William Robert Stewart (1805-1872) 4th Marquess of Londonderry. Frederick married Elizabeth Frances Charlotte Jocelyn, daughter of Robert Jocelyn, 3rd Earl of Roden, County Tipperary, but they had no children. She had been previously married to Richard Wingfield 6th Viscount Powerscourt.
After his first wife’s death, Charles Stewart (1778-1854) married Frances Anne Emily Vane-Tempest in 1819. He changed his surname to Vane. Frances Anne’s mother was Katherine MacDonnell whom we came across at Glenarm, the notorious heiress!
Mark Bence-Jones continues: “3rd Marquess, Castlereagh’s younger half-brother, who was far richer than either his father or his brother had ever been, having married the wealthy Durham heiress, Frances Anne Vane Tempest, enlarged the house to its present form ca 1825-28, his architect being William Vitruvius Morrison. A new block was built onto what had been the back of the original house, as wide as the original house was long and long enough to make, with the end of the original house, a new entrance front of 11 bays, with a pedimented porte-cochere of four giant Ionic columns as its main central feature; the three outer bays on either side being treated as pavilions, each with a one bay pedimented breakfront similar to that which was put onto the front of the original house. The outer bays have a balustraded roof parapet, which is carried round the end of the house and along the new garden front. The latter is as long as the entrance front, and has a boldly projecting centre with a pediment and a single-storey portico of coupled Ionic columns; and a curved bow at either end.”
The website tells us: “Castlereagh’s half-brother, Charles Stewart fought in the Peninsula War under Wellington and became British ambassador at Berlin and then Vienna during the Congress. In 1819 he married the wealthy Frances Anne Vane Tempest who had inherited coal mines and a grand estate in County Durham. They travelled widely and rebuilt Wynyard, County Durham and Londonderry House in London. Charles also extended Mount Stewart in the 1840s. His grandson, the 6th Marquess, was Lord Lieutenant of Ireland in the 1880s. The 6th Marquess was strongly opposed to Home Rule for Ireland; he and his wife were instigators and signatories of the Ulster Covenant in 1912.“
Charles and Frances Anne had several children. Their daughter Alexandrina married into Emo Park in County Laois.
Mark Bence-Jones continues: “The principal interior feature of the newer building is a vast central hall, consisting of an octagon, top-lit through a balustraded gallery from a dome filled with stained glass, with rectangular extensions so as to form a room much longer than it is wide; with screens of couple painted marble Ionic columns between the octagon and the extensions. Morrison’s reception rooms are spacious and simple; the drawing room has a screen of Ionic colmns at either end. The interior of the house was done up post WWI by 7th Marquess, Secretary of State for Air in 1930s; the central room in the garden front being panelled as a smoking and living room. The 7th Marquess and his wife (the well-known political hostess and friend of Ramsay MacDonald) also laid out an elaborate garden, going down the hillside from the garden front of the house towards Strangford Lough. As well as this noteaable C20 garden, Mount Stewart boasts of one of the finest C18 garden buildings in Ireland, the Temple of the Winds, an octagonal banqueting house built 1780 to the design of “Athenian” Stuart, who based it on the Tower of the Winds in Athens. It has a porch on two of its faces, each with two columns of the same modified Corinthian order as that of the columns of the Tower of the Winds. Mount Stewart was given to the Northern Ireland National Trust by Lady Mairi Bury, daughter of 7th Marquess, ca 1977, and is now open to the public. The Temple of the Winds was given 1962 to the Trust, which has since restored it; the garden was given to the Trust in 1955.”
You can see pictures and read more about the treasures in the house on the website. The website tells us about the various rooms of the house.
Central hall
“Soak up the atmosphere of the most impressive space in the house, where you can see life-size sculptures by Lawrence MacDonald, alongside the family collection of silver dating from 1694.
“Look down at your feet to take in the original Scrabo stone, which was recently restored after being hidden since the 1960s when it was covered by linoleum.
When Frederick died, his brother succeeded as the 5th Marquess of Londonderry, George Henry Robert Charles William Vane-Tempest (1821-1884). Like his father, he joined the military. He married Mary Cornelia Edwards, daughter of John Edwards, 1st and last Baronet Edwards, of Garth, Montgomeryshire.
Their son Charles Stewart Vane-Tempest succeed as the the 6th Marquess of Londonerry in 1884. In 1885 he added Stewart to his surname, to become Vane-Tempest-Stewart. In 1875 he married Theresa Susey Helen Chetwynd-Talbot, daughter of Charles John Chetwynd Chetwynd-Talbot, 19th Earl of Shrewsbury. The 6th Marquess served in many posts, including Lord-Lieutenant of Ireland between 1886 and 1889.
Their son Charles Stewart Henry Vane-Tempest-Stewart (1878-1949) succeeded as 7th Marquess of Londonderry. He married Edith Helen Chaplin, daughter of Henry Chaplin, 1st Viscount Chaplin.
The website continues: “Charles’s great-grandson, Charles 7th Marquess, served in the First World War, during which his wife Edith founded the Women’s Legion. At the end of the war, Edith began to create the gardens at Mount Stewart and redecorated and furnished the house, processes she thoroughly enjoyed and continued until her death in 1959. Charles served in the new Northern Irish government following the partition of Ireland in 1921. He later became Secretary of State for Air during the early 1930s. The horrors of the First World War and the rise of Communism meant many were anxious to avoid another European war. For Charles, this meant holding a series of meetings with the Nazi leadership, but his actions and intentions were misunderstood and his career and reputation were fatally damaged.“
Drawing room
“Step inside the drawing room which was the social hub of the house, furnished with comfortable armchairs and sofas gathered around the fireplace, as well as a piano for musical entertainment.
“At one end of the room stands the Congress of Vienna Desk, brought back by Castlereagh Viscount Castlereagh after the Congress and the Peace of Paris in 1815, for which he was made a Knight of the Garter. Above it hangs his portrait, by Sir Thomas Lawrence, alongside many others by the same artist.”
Dining room
“Visit the dining room which was used to entertain famous guests including Winston Churchill and Neville Chamberlain – both of whom later became Prime Ministers of Britain. Along the walls stand the chairs used during the Congress of Vienna (1814–15). Their needlework covers were commissioned by Edith in the 1930s to display the coats of arms of those present at the Congress, and the countries they represented.“
The breakfast room
“Stop by the breakfast room, where Charles and Edith enjoyed relaxed family breakfasts, lunches and afternoon teas overlooking the Sunk Garden that Edith created in 1920–21. Edith introduced the large sliding sash window so that they could have direct access to the garden.
“In the centre of the room you can see the family’s traditional Irish ‘wake’ or hunting table, whilst a collection of Berlin cabinet plates from 1810–20 are displayed in the cabinets.”
We then went upstairs.
Unfortunately it was raining and we were on our way back to Dublin so we didn’t get to explore the gardens though my hairdresser Shane tells me they are splendid.
We did, however, get to the coach house to see the State Coach.
8. Newry and Mourne Museum, Bagenal’s Castle, County Down
“Bagenal’s Castle is a sixteenth century fortified house and adjoining nineteenth century warehouse. It houses Newry and Mourne Museum and Newry Visitor Information Centre.
“During restoration work on the Castle many original features were uncovered including fireplaces, windows, doorways, gun loops and a bread oven. These have been interpreted for the visitor and drawings were commissioned to illustrate how the various living quarters of the castle would have functioned in the sixteenth century. Highlights include a restored Banqueting Room which is used throughout the year for seasonal and family events.“During restoration work on the Castle many original features were uncovered including fireplaces, windows, doorways, gun loops and a bread oven. These have been interpreted for the visitor and drawings were commissioned to illustrate how the various living quarters of the castle would have functioned in the sixteenth century. Highlights include a restored Banqueting Room which is used throughout the year for seasonal and family events.
“The Museum’s diverse collections include material relating to prehistory, Newry’s Cistercian foundations, Ulster’s Gaelic order and the relationship with the English Crown; the building of a merchant town and the first summit level canal in the British Isles. You can also discover the history of the ‘Gap of the North’, the historic mountain pass between Ulster and Leinster located to the south of Newry. One of the key main exhibitions, ‘A Border Town’s Experience of the 20th Century’, examines local attitudes to major political and economic events of the 20th century. There are also permanent exhibitions on farming, fishing and folklore in the Mournes and South Armagh.”
“Portaferry Castle is a 16th-century tower-house, built by the Savage family and prominently located on the slope overlooking Portaferry harbour within sight of Strangford and Audley’s Castles across the water. Simpler than the earlier ‘gatehouse’ tower house, it is square in plan with one projecting tower to the south where a turret rises an extra storey and contains the entrance and stair from ground floor to first floor.
There are three storeys and an attic, and like early tower-houses it has spiral stairs. However, like some later tower houses it lacks a stone vault as all floors were originally made of wood.
***THE CASTLE IS CURRENTLY CLOSED FOR REPAIRS AND WILL NOT OPEN THIS YEAR”
Places to stay, County Down
1. Barr Hall Barns, Portaferry, County Down– self catering €
“Barr Hall Barns are 18th Century period cottages in an outstanding tranquil location with panoramic views across Strangford Lough to the Mourne Mountains.
We are based just outside the seaside village of Portaferry, at the very southern tip of the Ards Peninsula, overlooking Barr Hall Bay which is protected by the National Trust.
With idyllic walking routes right at our doorstep, come escape to an area of natural outstanding beauty and enter the truly magical setting of Barr Hall Barns.“
and Florida Manor Gambles Patch, Hollow View and Meadow Green.
The website tells us: “Dating back to 1676, Florida Manor, an original Irish Georgian Estate has undergone sympathetic refurbishment. Within the estates original stone perimeter wall lies 200 acres of extensive landscaped grasslands, private lakes, walkways and bridal paths.“
Mark Bence-Jones writes in his A Guide to Irish Country Houses (1988):
p. 297. “(Gordon/IFR) A C18 house consisting of a three storey principal block with a recessed centre, linked to lower wings by curved sweeps with balustrades and pilasters. Projecting enclosed porch, also balustraded and with Ionic columns. quoins. Originally the seat of the Crawfords; passed by marriage to the Gordons C18. The house became ruinous in the present century but has been restored as two dwellings.”
“A tower with pepper-pot bartizans rising from a hill at the southern end of the demesne, completed 1862 to a design by William Burn. It was built in honour of his mother, Helen, Lady Dufferin, one of three beautiful and lively sisters who were the granddaughters of Richard Brinsley Sheridan; in a room near the top of the tower, lined with delicate Gothic woodwork, the walls are adorned with poems on bronze tablets expressing the love between mother and son; including a poem written specially for Lord Dufferin by Tennyson:
The website tells us: “Kiltariff Hall is a Victorian Country House on the outskirts of the small market town of Rathfriland. Built by our great-grandfather William Fegan in 1888, the house is set at the end of a short drive and is surrounded by mature oak, sycamore and pine trees. It is run myself, Catherine and my sister Shelagh who grew up in Kiltariff when it was a working farm. We are both passionate and knowledgeable about the Mourne area and believe that providing good locally produced food is key to ensuring guests enjoy their stay.“
“Narrow Water Castle is the private home of the Hall family who have lived at Narrow Water since 1670, originally in the Old Narrow Water Keep situated on the shoreline of Carlingford Lough which is now a national monument.
As a private home the castle is not open for public admission. It does however occasionally open its doors for weddings and exclusive events.
In 1816 construction began on the new Castle by Thomas Duff, a well-known Newry architect who also designed the Cathedrals in Newry, Armagh and Dundalk. The Elizabethan revival style castle is made from local granite and built next to the existing house, Mount Hall (1680). It was completed in 1836.
The self catering apartments are located in the original hub of the castle (Mount Hall), dating back to 1680. Mount Hall joins the Elizabethan revival part of the castle to the courtyard.“
Number 2: The apartment opens into an elegant open plan, living room and dining room with open fire. We have used several antique pieces of furniture to hint of times gone by. We are happy to provide logs if our guests wish to use the fire.
There are two spacious, beautifully furnished bedrooms, one of which is en-suite.
Number 6: This 2 bedroom luxury apartment is the perfect place to escape and unwind. Both bedrooms are en-suite. There is a grand open plan living /dining area with a unique feature skylight and exposed beams. The living area is adorned with antique furniture has a wood burning stove for cosy nights by the fire. The modern kitchen is fully equipped and the dining area seats six comfortably. A quality sofa bed allows this apartment to accommodate up to six guests. This apartment is on the first floor with access via the original stone staircase dating to the 1680s
The website tells us: “Slieve Donard was originally built by the Belfast and County Down Railway as an ‘end of the line’ luxury holiday destination. Construction started in 1896 and was completed and officially opened on 24th June 1898 at the cost of £44,000. It was one of the most majestic hotels of its time and was almost self-sufficient with its own bakery, vegetable gardens, pigs, laundry and innovatively a power plant, which also provided electricity for the railway station.
Slieve Donard typified the idea of Victorian grandeur and luxury with its Drawing Room, Grand Coffee Room, Reading and Writing Room, Smoking Room, Billiard Room and Hairdressing Rooms—you can’t help but conjure up scenes of great style and decadence. ‘One could even partake of seawater baths, douche, spray, needle and Turkish baths all provided by an electric pump straight from the sea.
In 2021, Adventurous Journeys (AJ) Capital Partners acquired Slieve Donard Resort and Spa, which will become the first Marine & Lawn Hotels & Resorts property in Northern Ireland and the fourth hotel in the collection.“
9. St John’s Point Lighthouse Sloop, Killough, County Down€ for 3-4
“This fabulous period home is a historic Irish country farm house. Set on wonderful gardens including an orchard, Tullymurry House is an ideal base for golf, fishing, hiking, walking, beach, and other outdoor pursuits.“
11. Tyrella, Downpatrick, County Down, BT30 8SU– accommodation €
“Tyrella House is a luxury B&B and wedding venue located in the heart of picturesque County Down, with its necklace of pretty fishing villages. A fine 18th century house surrounded by glorious wooded parkland with its own private beach just a short walk from the house, Tyrella offers a tranquil and relaxing getaway.
Tyrella House has been owned by the Corbett family for over 60 years, and was bought by John Corbett after the Second World War to train race horses.
His son, David Corbett began running B&B in the 1990s, which continues to this day. In 2020, the day to day running of the B&B was taken over by his son, John and his wife Hannah.“
“At Ballydugan we can provide accommodation and an oasis of relative calm for the Bride’s immediate family. Also if absolute adherence to tradition is important then we haveBallymote Country Housenearby, where we can ensure that the paths of the Bride and Groom will not cross prior to the wedding.“
2. Drenagh Estate and Gardens, County Down (wedding venue)
It tells us “Nestled in beautiful parkland and surrounded by our gardens, you will find our grand Georgian Mansion House which is perfect for weddings, family get togethers, corporate events and much more.“
The website tells us the history of the McCausland family who own the property:
“The family name McCausland goes back more than 900 years to an O’Cahan named Anselan, son of Kyan, King of Ulster. Anselan was forced to leave Ireland in about 1016 on account of his share in a ‘memorable stratagem where he and other young Irishmen dressed in women’s attire surprised and slaughtered their Danish oppressors’ (The Vikings). When Malcolm II of Scotland heard of Anselans feats he invited him to become his Master of Arms and ‘bestowed ample lands upon him in The Lennox’.
Twelve generations later, in the 1540s, his descendant Baron Alexander McAuslane returned to Ulster with his brother Andrew and settled in the Strabane area. The first McCausland to live at Drenagh (then called Fruithill) was Robert McCausland, Alexander’s grandson. Robert was bequeathed the Estates when he married the daughter of William Conolly, a wealthy self-made man and speaker of the Irish Parliament. [I don’t think this can be correct as William Conolly didn’t have a daughter]
Robert named his first son Conolly in reverence to his father-in-law; the name is still used in alternate generations to this day. A large painting of Robert and his family now hangs in the dining room at Drenagh. The first Conolly married the heiress Elizabeth Gage from Bellarena (five miles up the coast) and had a son, Conolly, who also formed another lucrative union with Theodosia Mahon from Strokestown House, Co. Roscommon [see my entry on Strokestown].
It was their son Marcus McCausland (1787-1862) who was responsible for commissioning Sir Charles Lanyon to build the present house. The former house (Fruithill) can be seen through a window painted in the portrait of Robert McCausland and his family. Marcus and his wife, Marianne, nee Tyndall from The Fort at Bristol, produced an heir Conolly Thomas(1828-1902). A delightful portrait of him dressed in his Eton cricketing clothes also hangs in the dining room at Drenagh.
Conolly Thomas’s son Maurice Marcus lived through both the best and worst of times at Drenagh as in 1902, through the Irish Land Acts; the Government compulsorily purchased 75% of the Estate. Drenagh was lucky; many Irish Estates were taken off their owners in their entirety. Some say this was no bad thing, as landlords the Irish landed gentry could be brutal in their treatment of their tenantry, indeed some were burnt out before they could be bought out.
Conolly Robert, Maurice’s son, fought in the 2nd World War and was so profoundly affected by what he experienced that he changed his Faith to Catholicism. This he did despite knowing he had signed a codicil to his fathers will barring him from inheriting should he become a Catholic. The will was contested but it was found that although the codicil applied to Conolly Robert, it did not do so to any of his direct descendants. So, on his death in 1968, his son Marcus inherited Drenagh.
Sadly four years later in 1972 Marcus was shot dead by the IRA.
Currently Marcus’s son Conolly Patrick lives at Drenagh.“