Blackhall Castle, Calverstown, Kilcullen, Co Kildare
contact: Jeffrey & Naomi White. Tel: 045-485244
listed opening dates in 2020 [but check in advance due to Covid-19 restrictions]:
May 1-31, Aug 15-23, Sept 1-15, Dec 1-20, 2pm-6pm
This is an impressive four storey sixteenth century tower-house ruin. We drove over to see it after visiting Harristown on Thursday 22nd August 2019, during Heritage Week.
Blackhall Castle was constructed by the Eustace family. The Eustaces of Castlemartin, County Kildare, nearby, were a branch of the “old English” FitzEustace family who held the title of Baron Baltinglass. In the online introduction to an article published in 1955, “The Eustace Family & Their Lands in County Kildare,” by Major-General Sir-Eustace F. Tickell with additions by Ronald F. Eustice [Tickell’s article as published in the Journal of the County Kildare Archaeological Society Volume XI1I, No. 6 (1955)], Ronald Eustice describes the Eustace family’s importance in Irish history:
“[The story of the Eustace family]is a story closely linked with Irish history since the fourteenth century, the story of the birth of a great family and of its gradual disappearance from the County in the storms that have passed through Ireland during the last five-hundred years.
“This was a family often divided against itself by deeply- held religious differences and by divergent political loyalties, a family whose important members so often chose the losing side: It was for a time perhaps the most powerful in Kildare (except of course the FitzGeralds), with lands scattered from Confey in the north to beyond the county boundary in the south; from the Dublin and Wicklow mountains in the east to Athy and Newbridge in the west. The triangle containing Naas, Ballymore Eustace and Old Kilcullen was almost one large family estate:
“Criche-Eustace or Cry-Eustace it was called. Their castles, especially those at Ballymore Eustace, Harristown, Castlemartin and Clongowes Wood, guarded the Pale for several centuries, and only fell at last to the guns of Ormonde and Cromwell. It was rare for a jury of county gentlemen to contain no Eustace, and on at least one occasion they formed a majority upon a panel of twelve… The family produced two Lords Deputy, three Lords Chancellor, two Lords Treasurer and the High Sheriff of Kildare on forty-five occasions. With a few notable exceptions they have now almost disappeared from Kildare, and their name has become a rare one in Ireland itself.” 
We drove up the wooded driveway to the castle, which has a later building attached, and is next to a beautiful old country house, now belonging to Jeffrey & Naomi White. The driveway passed the castle and entered a yard bordered by a fine stone wall. From here we were able to approach the back of the castle for a closer look.
We were greeted by a pair of dogs, and Naomi emerged from the house after them. She was very kind and welcoming, and after telling us a little about the ruin, invited us in to her house to tell us a bit more!
When Jeffrey and Naomi purchased the house, many years ago, the ruin still had its four walls. It was when they were away on a trip to Australia in 1999, leaving their property in the hands of a tenant who lived in the small cottage beside the ruin, that half of the castle came crashing to the ground. A severe storm caused a structural subsidence resulting in the complete collapse of the East section and parts of the North and South walls.  A deep loud rumble preceded the fall, and the dogs barked, as if they knew something momentous and disasterous was about to occur. Suddenly, nearly three sides of this huge ancient stone edifice tumbled to the ground, casting its giant rocks into the yard below. Fortunately nobody was injured and the cottage next door, sheltering the terrified tenant, remained unharmed, as did the centuries old farmhouse.
Naomi showed us pictures of the castle before the fall, as it stood when they first acquired the property – see the top photograph in Naomi’s collage:
The castle now existed as a one-sided shell next to an enormous heap of stones and rubble. Fortunately, when the Whites began to clear the rubble, they found the Sheelagh-na-Gig, the ancient fertility symbol which appears lewd to our modern eyes, intact. The figure had been inserted originally above the door frame of the castle. It has now been attached back on to the remains of the castle.
Naomi has an informative poster of Sheelagh-na-gigs in Britain and Ireland, which includes her Sheelagh-na-gig:
The remains of the castle have been made secure, which cost tens of thousands of euro, undertaken by the Whites with the help of a government grant. There is still much work to be done. Clearing the rubble was a massive task. The stone walls around the yard were built by an expert using some of the castle stones.
One can see where the floors of the castle were situated, the thickness of the walls, and the windows and fireplaces. I was particularly thrilled to see the intact round staircase, although we could not climb it, for safety reasons.
The Eustace family, according to Ronald Eustice, were a junior branch of the Le Poer family, whom I came across in my trip to Waterford, in Curraghmore (and mention of them in Salterbridge, in relation to Powerscourt, another Section 482 property). Four brothers Le Poer, of Norman origin, landed in Ireland with Henry II in 1171, and were granted lands in Ossory (Waterford). The stag with the crucifix between its antlers that tops Curraghmore is related to Saint Eustachius, a Roman centurion of the first century who converted to Christianity when he saw a miraculous stag with a crucifix between its antlers. This saint, Eustace, was probably the Patron Saint of the Le Poers since their family crest is the St. Eustace stag. I did not realise that St. Eustace is also the patron saint of Newbridge College in Kildare, where my father attended school and where for some time in the 1980s and 90s my family attended mass!
The Eustace line of the Le Poer family are descended from Eustace le Poer, Baron of Kells and a Justice Itinerant in 1285. I’m familiar with the term “Justice Itinerant” as a Robert Bagod, whom I hope is my ancestor, also served in this position in 1274. It was a judge who had to travel to courts in various parts of the country. Robert Bagod ended up living in Limerick. According to the article, Eustace le Poer’s son Arnold took the name FitzEustace, which changed to Eustace soon after the introduction of surnames in 1465. [see 1] Ronald Eustice writes of the move of the Eustace ancestors into County Kildare:
“By 1317, Arnold FitzEustace Le Poer certainly owned Castlemartin and the neighbouring townlands of Kilcullen, Brannockstown and Nicholastown, all just south of the Liffey. We also know that a FitzEustace was settled at Castlemartin before 1330; perhaps he was the Robert FitzEustace who was Lord Treasurer of Ireland in l 327.
We can thus assume with a fair degree of certainty that the Eustace estates in County Kildare originated at least as early as the start of the fourteenth century, (they had been granted lands near Naas in 1355) and were based upon the family stronghold of Castlemartin at the great bend in the Liffey, and that this had been built by a member of a junior branch of the powerful Le Poer family from Waterford, who had been granted or had seized lands in Kildare. One of these FitzEustaces founded the Dominican Priory at Naas in 1356, with its church dedicated to St. Eustachius.”
Ronald Eustice continues:
“Calverstown was occupied by the Eustaces at a very early date when they built their Blackhall Castle south of the present village. … In 1484 and again in 1493, a Richard Eustace of Kilgowan (just east of Calverstown) was High Sheriff.
“Both Calverstown and Gormanstown were owned by the Viscounts Baltinglass, and Roland, later the 2nd Viscount, lived at the latter while his father was alive and occupying Harristown. At this time Calverstown was leased to a William Eustace, a juror in 1536. Both Calverstown (which contained “two castles prostrate”) and Gormanstown were forfeited after the Baltinglass rebellion, but Calverstown was re-granted to John ( [Eustace] son of William of Castlemartin), with Harristown and Rochestown, and this grant was confirmed to his son Maurice in l627.”
I like making the connection to Harristown, which we had visited earlier in the day! Ron Eustice tells us that Sir Maurice Eustace gave Calverstown to his daughter Mary, either at the time of her marriage to Sir Richard Dixon, or upon his death. Calverstown passed to their son, Robert Dixon, later Colonel, and M.P. for Harristown from 1703-1713. On his death in 1725 it passed to his brother, Robert Dixon, and then to his sister Elizabeth, who had married Sir Kildare Borrowes, 3rd Bart. of Giltown, M.P. for Harristown in the Irish House of Commons in 1721. Their property, which would have included Blackhall Castle, had to be sold in 1747, however, to pay debts. Eustice notes that nothing remains of the occupation of Eustaces in either of their estates except Blackhall Castle. Wikipedia states that Sir Kildare Borrowes lived in Barretstown Castle, which could be why he was able to sell Blackhall. I’m not sure who owned (and perhaps occupied) Blackhall after that, before the Whites.
Open in 2020: All year except New Year’s Day, Easter Sunday, Easter Monday, Christmas Day, St. Stephen’s Day & Bank Holidays, Mon-Sat, 10am-6pm, Thurs, 10am-8pm, Sundays, 12 noon-6pm
This house was built for the 3rd Viscount Powerscourt, Richard Wingfield (1730-1788), in 1771, as his city residence. He already owned the Wicklow estate and grand house of Powerscourt in Enniskerry. I came across the Wingfield family first on my big house travels last year, when Stephen and I visited Salterbridge House in Cappoquin, County Waterford, which is owned by Philip and Susan Wingfield (Philip is the descendent of the 3rd Viscount Powerscourt, by seven generations! ).
Kevin O’Connor writes in his Irish Historic Houses that “The palazzo was originally laid out around an open square. This has now been fitted (and covered) in to provide a centre specialising as a grand emporium for crafts, antiques, shopping and restaurants.”
I am writing this blog during the Covid-19 lockdown in March 2020! I started to take pictures of Powerscourt townhouse last December, when it was in its full glory inside with Christmas decorations, knowing that it is listed in section 482. Today I will write about the history of this house and share my photographs, although I have not yet contacted Mary Larkin, who must manage the Townhouse Centre. Last week before the lockdown, when most of Ireland and the world were already self-isolating and most shops were closed, Stephen and I walked into town. It was a wonderful photographic opportunity as the streets were nearly empty.
The French Connection entrance side is opposite the Westbury Mall.
The grander side is opposite from Grogans, and next to the old Assembly House which is now the headquarters of the Irish Georgian Society. The walkway by Grogans leads down to the wonderful Victorian George’s Arcade buildings.
Above, by the wall of our favourite pub, Grogans, is the picture of the James Malton engraving (1795) of the neo-Palladian Powerscourt Townhouse. This sign tells us that the house was begun in 1771 and completed in 1774 and cost £8000. It was designed by Robert Mack, who was an amateur architect and stonemason, for Richard Wingfield, 3rd Viscount Powerscourt. The west front of the house. Malton tells us, is faced with native stone from the Wicklow estate, with ornament of the more expensive Portland stone, from England. Inside the mansion are elegant rooms, and in the Dining Room and Drawing room are slabs of the lava from Mount Vesuvius, mounted in gilt frames and placed as Pier tables between the windows. The staircase is mahogany, with richly carved balusters.
The house is historically and architecturally one of the most important pre-Union mansions of the Irish nobility. The Wingfields, Viscount Powerscourt and his wife Lady Amelia Stratford (daughter of John, Earl of Aldborough), would have stayed in their townhouse during the “Season,” when Parliament sat, which was in the nearby College Green in what is now a Bank of Ireland, and they would have attended the many balls and banquets held during the Season.
Richard was the younger son of the 1st Viscount Powerscourt, and he inherited the title after his older brother, Edward, died. He was educated in Trinity College, Dublin, and the Middle Temple in London. He served in the Irish House of Commons for Wicklow County from 1761-1764. In 1764 he became 3rd Viscount after the death of his brother, and assumed his seat in the Irish House of Lords.
Archiseek tells us that it was Richard Cassells (or Castle) who designed the building.  Architectural historian Christine Casey describes it as reminiscent of Richard Castle’s country-house practice, although she writes that it was designed by Robert Mack. The arch to the left of the house was a gateway leading to the kitchen and other offices and there is a similar gateway on the right, which led to the stables.
The house has four storey over basement frontage to South William Street, with “stunted and unequal niched quadrants” (see this in the photograph above, between the main block of the house, and the gateway) and pedimented rusticated arches.  According to Christine Casey, the nine bay façade is faced with granite and has an advanced and pedimented centrepiece crowned by a solid attic storey with enormous volutes like that of Palladio’s Villa Malcontenta . This was the observatory. The ground floor has round-headed windows, while the piano nobile has alternating triangular and “segment-headed” pediments [“Piano nobile” is Italian for “noble floor” or “noble level”, also sometimes referred to by the corresponding French term, bel étage, and is the principal floor of a large house. This floor contains the principal reception and bedrooms of the house]. There is a Venetian window and tripartite window over the doorcase [Wikipedia defines the Venetian window: “the Venetian window consists of an arched central arched light symmetrically flanked by two shorter sidelights. Each sidelight is flanked by two columns or pilasters and topped by a small entablature”].
When one walks up the balustraded granite steps leading to the front door, through the hall and past the mahogany staircase, one enters what was the courtyard of the house.
The garden front is of seven bays rather than nine, and has a broader three-bay advanced centrepiece.
Inside just past the entrance hall, we can still mount the staircase and see the wonderful plasterwork by stuccodores James McCullagh assisted by Michael Reynolds.
The decoration on the upper walls consists of panels decorated with arabesque work interspersed with urns, acanthus scrolls , palms and portrait medallions. I haven’t discovered who is pictured in the portraits! Neither Christine Casey nor the Irish Aesthete tell us in their descriptions.
The mahogany staircase rises in three flights to the first floor. The balusters are probably the most elaborately carved in Ireland, and the handrail ends in a large volute or “monkey’s tail” at the base of the stairs (see photograph below). The woodwork carving is by Ignatius McDonagh. I need to go back to take a better picture of the balustrade. We saw an even larger “monkey tail” volute end of a staircase in Barmeath, more like a dragon’s tail than a monkey, it was so large!
Ionic pilasters frame two windows high up in the east wall – we can see one in the photograph above. The lower walls are “rusticated in timber to resemble stone,” Casey tells us. I didn’t notice this! I would have assumed that the brickwork was of stone, not of timber.
The Wingfield family descended from Robert, Lord Wingfield of Wingfield Castle in England, near Suffolk. The first member of the family who came from England was Sir Richard Wingfield, who came under the patronage of his uncle, Sir William Fitzwilliam, the Lord Deputy of Ireland from 1561 to 1588. In 1609 King James I granted Richard Wingfield, in reward for his services to the Crown, the lands of Powerscourt in County Wicklow. Richard was a military adventurer, and fought against the Irish, and advanced to the office of Marshal of Ireland. In May 1608 he marched into Ulster during “O’Doherty’s Rebellion” against Sir Cahir O’Doherty, and killed him and dispersed O’Doherty’s followers. For this, he was granted Powerscourt Estate, in 1609. 
In 1618 James I raised Richard to the Peerage as Viscount Powerscourt, Baron Wingfield. The family motto is “Fidelite est de Dieu,” faithfulness is from God.
Richard the 3rd Viscount Powerscourt succeeded to the title in 1764. He was not a direct descendant of the 1st Viscount Powerscourt. Richard the 1st Viscount had no children, so the peerage ended with the death of the 1st Viscount. The Powerscourt estate in Wicklow passed to his cousin, Sir Edward Wingfield, a distinguished soldier under the Earl of Essex (Robert Devereux, 2nd Earl of Essex), and a person of great influence in Ireland.  Essex came to Ireland to quell a rebellion that became the Nine Years’ War. Sir Edward Wingfield married Anne, the daughter of Edward, 3rd Baron Cromwell (descendent of Henry VIII’s Thomas Cromwell).  It was this Edward Wingfield’s grandson Folliot (son of Richard Wingfield), who inherited the Powerscourt estates, for whom the Viscountcy was revived, the “second creation,” in 1665. 
However, once again the peerage expired as Folliot also had no offspring. Powerscourt Estate passed to his cousin, Edward Wingfield. Edward’s son Richard (1697-1751) of Powerscourt, MP for Boyle, was elevated to the peerage in 1743, by the titles of Baron Wingfield and Viscount Powerscourt (3rd Creation).
This Richard Wingfield was now the 1st Viscount (3rd creation). He married, first, Anne Usher, daughter of Christopher Usher of Usher’s Quay, but they had no children. He married secondly Dorothy, daughter of Hercules Rowley of Summerville, County Meath. Their son, Edward, became the 2nd Viscount. When he died in 1764, Richard, his brother, became 3rd Viscount. Seven years after inheriting the title, Richard 3rd Viscount began the building of Powerscourt Townhouse.
An information board inside the house quotes the “Article of Agreement” between Lord Powerscourt and the stonemason Robert Mack:
“Two shillings for each foot of the moulded window stooles and cornice over the windows, two shillings and eight pence for the Balusters under the windows… three shillings and three pence for the great cornice over the upper storey. Three shillings for each foot of flagging in the Great Hall to be of Portland Stone, and black squares or dolles, one shilling and six pence for each yard of flagging in the kitchen and cellars of mountmellick or black flagges.”
This information board also tells us that the original setting of the house would have been a garden to the rear of the house, laid out in formal lawns with box hedging and gravel walks.
The attic storey originally contained an observatory, from which one could see Dublin Bay. The ground floor contained the grand dining room, the parlour, and Lord Powerscourt’s private rooms. Ascending to the first floor up the magnificent staircase, one entered the rooms for entertaining: the ballroom and drawing room.
No expense was spared in furnishing the house. As well as the rococo plasterwork on the stairs there was neo-Classical work by stuccodore Michael Stapleton. According to the information board (pictured below), much of the more sober neo-Classical work was cast using moulds, no longer created freehand the way the rococo plasterwork was done. The neo-Classical work was called the Adams style and in Powerscourt Townhouse, was created between 1778-1780. Stapleton’s work could have been seen in the Dining Room, Ballroom, Drawing room and Dome Room.
You can see the entrance hall to one side of my picture, through the door. I didn’t take a proper picture of the entrance hall as it is now occupied by a flower shop and is always busy!
You can just about see the “trompe l’oeil” floor in the entrance hall in the photo above, made up of black Kilkenny marble, grey and white limestone.
I didn’t visit the areas in which you can see the neo-Classical work – I shall have to go again once the Covid-19 lockdown is over! So please do check for an update to this entry in a few weeks (or months, depending on when this lockdown ends!). The ceiling in a room now occupied by The Town Bride, which was the original music room, and the ballroom, now occupied by the Powerscourt Gallery, contain Stapleton’s work.
The townhouse website tells us that Richard Wingfield was known as the “French Earl” because he made the Grand Tour in Europe and returned wearing the latest Parisian fashions. He died in 1788 and was laid out in state for two days in his townhouse, where the public were admitted to view him! His son Richard inherited the title and estates.
After the house was sold by the Powerscourt family the gardens were built over between 1807 and 1815, when the house became the home of the Government Stamp Office. After the Act of Union, when the Irish Parliament was abolished and Ireland was ruled by Parliament in England, many Dublin mansions were sold. In July 1897 Richard 4th Lord Powerscourt petitioned Parliament to be allowed to sell his house to the Commissioner of Stamp Duties. The house was described as black from “floating films of soot” produced by the city’s coal fires. I can remember when Trinity was blackened by soot also before smoky coal was banned from Dublin, and extensive cleaning took place.
Several alterations were made to make the house suitable for its new purpose. This work was carried out by Francis Johnston, architect of the Board of Works, who designed the General Post Office on O’Connell Street. He designed additional buildings to form the courtyard of brown brick in Powerscourt townhouse, which served as offices. This consisted of three ranges of three storeys with sash windows. He also designed the clock tower and bell on Clarendon Street.
In 1835, the Government sold the property to Messrs Ferrier Pollock wholesale drapers, who occupied it for more than one hundred years. It was used as a warehouse. I’m sure the workers in the warehouse enjoyed going up and down the grand staircase!
In 1981 the buildings were converted into a shopping centre, by architect James Toomey, for Power Securities. The courtyard was glazed over to make a roof.
Despite the very helpful information boards, I find it impossible to imagine what the original house looked like. I took pictures walking around the outside of the shopping centre.
Powerscourt Townhouse was one of my haunts when I first moved to Dublin in 1986 (after leaving Dublin, where I was born, in 1969, at eight months old). I loved the antique stores with their small silver treasures and I bought an old pocket watch mounted on a strap and wore it as a watch for years. My sister, our friend Kerry and I would go to Hanky Pancakes at the back of the town centre, downstairs, for lemon and sugar coated thin pancakes, watching them cook on the large round griddle, being smoothed with a brush like that used to clean a windshield. For years, it was my favourite place in Dublin. Pictured below is the pianist, an old friend of Stephen’s, Maurice Culligan. My husband bought my engagement ring in one of the antique shops!
 I traced the genealogy of the owner of Salterbridge, Philip Wingfield. I traced him back to the owners of Powerscourt Townhouse. Richard 4th Viscount Powerscourt (1762-1809) has a son, Reverend Edward Wingfield (his third son) (b. 1792). He marries Louise Joan Jocelyn (by the way, he is not the only Wingfield who marries into the Jocelyn family, the Earls of Roden). They have a son, Captain Edward Ffolliott Wingfield (1823-1865). He marries Frances Emily Rice-Trevor, and they have a son, Edward Rhys Wingfield (1848-1901). He marries Edith Caroline Wood, and they have a son, Captain Cecil John Talbot Rhys Wingfiend. He marries Violet Nita, Lady Paulett, and they have a son, Major Edward William Rhys Wingfield. It is he who buys Salterbridge, along with his wife, Norah Jellicoe. They are the parents of Philip Wingfield.
 Casey, Christine. The Buildings of Ireland: Dublin. The City within the Grand and Royal Canals and the Circular Road with the Phoenix Park. Founding editors: Nikolaus Pevsner and Alistair Rowan. Yale University Press, New Haven and London, 2005.
pediment: “Originally the low-pitched triangular gable of the roof of a Classical temple, and of the roof of a portico; used as an ornamental feature, generally in the centre of a facade, without any structural purpose.”
portico: “an open porch consisting of a pediment or entablature carried on columns.”
entablature: “a horizontal member, properly consisting of an architrave, frieze and cornice, supported on columns, or on a wall, with or without columns or pilasters.”
architrave: “strictly speaking, the lowest member of the Classical entablature; used loosely to denote the moulded frame of a door or window opening.”
frieze: “strictly speaking, the middle part of an entablature in Classical architecture; used also to denote a band of ornament running round a room immediately below the ceiling.”
cornice: “strictly speaking, the crowning or upper projecting part of the Classical entablature; used to denote any projecting moulding along the top of a building, and in the angle between the walls and the ceiling of a room.”
pilasters: “a flat pillar projecting from a wall, usually with a capital of one of the principal Orders of architecture.”
volute: “a scroll derived from the scroll in the Ionic capital.”
Ionic Order: “the second Order of Classical architecture.”
Acanthus – decoration based on the leaf of the acanthus plant, which forms part of the Corinthian capital
Lewis Wingfield of Southampton married a Ms. Noon. He had a son Richard who married Christiana Fitzwilliam, and a son George. Richard the 1st Viscount who moved to Ireland is the son of Richard and Christiana. Edward Wingfield, who inherited Powerscourt Estate from Richard 1st Viscount, was the grandson of George (son of Lewis of Southampton), son of Richard Wingfield of Robertstown, County Limerick, who married Honora O’Brien, daughter of Tadh O’Brien (second son of Muragh O’Brien, 1st Lord Inchiquin).
 There was much intermarrying between the Cromwells and the Wingfields at this time! 1st Viscount Richard Wingfield, of the first creation, married Frances Rugge (or Repps), daughter of William Rugge (or Repps) and Thomasine Townshend, who was the widow of Edward Cromwell, 3rd Baron Cromwell. Frances Rugge and Edward Cromwell had two daughters, Frances and Anne. Frances Cromwell married Sir John Wingfield of Tickencote, Rutland, and Anne Cromwell married Sir Edward Wingfield of Carnew, County Wicklow. Anne and Edward’s grandson Folliott became the 1st Viscount Powerscourt of the 2ndcreation.
 Wikipedia has a different genealogy from Lord Belmont’s blog. Folliott Wingfield, 1st Vt of 2nd creation (1642-1717), according to Wikipedia, is the son of Richard Wingfield and Elizabeth Folliott, rather than the son of Anne Cromwell and Edward Wingfield of Carnew, County Wicklow, as the Lord Belmont blog claims. Burke’s Peerage however, agrees that Folliott Wingfield, 1st Vt 2nd Creation is not the son of Edward Wingfield of Carnew.
According to Burke’s Peerage, Edward Wingfield of Carnew, who married Anne Cromwell, and who inherits Powerscourt Estate, dies in 1638. They have six sons:
I. Richard is his heir;
III. Lewis, of Scurmore, Co Sligo, who married Sidney, daughter of Paul Gore, 1st Bart of Manor Gore, and they have three sons: Edward*, Lewis and Thomas. This Edward inherits Powerscourt Estate.
IV. Anthony, of London
V. Edward, of Newcastle, Co Wickow, d. 1706
Richard (d. 1644 or 1645), the heir, married Elizabeth Folliott, and is succeeded by his son Folliott Wingfield, who becomes 1st Vt, 2nd Creation. When he dies, the peerage ends again. However, his first cousin, Edward* inherits Powerscourt. Edward Wingfield Esq, of Powerscourt, Barrister-at-Law, marries first Eleanor Gore, daughter of Arthur Gore of Newtown Gore, County Mayo, and by her has a son, Richard. Richard inherited Powerscourt, became an MP and was elevated to the peerage in 1743, and became (1st) Viscount Powerscourt of the 3rd creation.