Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 35. “(Bolton/LG1863; Wachman, sub Daly/IFR) A plain two storey house of ca 1790. 7 bay front, enclosed porch with fluted Doric columns; five bay side. Good staircase hall. The childhood home of James Stern, the writer; sold to William Bird 1922. Recently the home of Norman Wachman, who sold it to the Tower Cement Mines Co.”
Not in national inventory
Record of Protected Structures:
Bective House, townland: Balgill, town” Bective C1790 incl arched yard, stables, NE lodge, West Lodge, 19thC.
The Landed Gentry and Aristocracy: County Meath. Volume 1. Art Kavanagh, 2005.
Bolton of Bective Abbey p. 43.
p. 43. Richard Bolton …first emerges as a recorder of the city [of Dublin] in about 1606/7…p. 44…in 1618 the year in which he was made solicitor-general.
It was while serving in this port that he published, in 1621, a selection of The Statutes of Ireland….made Chief Baron of the Exchequer and within a year, Lord Chancellor of Ireland, replacing Sir Adam Loftus (later Viscount Ely)…
The Chancellorship was a position of some considerable importance. As head of Chancery he served as keeper of the Irish Great Seal which was applied to letters issued in the king’s name. The Lord Chancelor was entitled to a moiety (half share) of the income derived from such writes and an annual salary of £500. Significantly his acquisition of Bective coincides wiht his appointment to the position, and based on his predecessors, holding the position of Chancellor seems to have been a prerequisite to obtaining the abbey property.
Located within the Pale, the 12C foundation at Bective was one of the first great Irish monastic houses to fall under the seemingly rancorous dissolution policy of Henry VIII. The Abbey and its 4,440 acres in Meath were seized and the secularisation of the religious buildings commenced under Thomas Agard, known as “Agard of the mint” because of his position as vice-treasurer of the Mint in the Tudor administration.
Agard’s possession of the monastery seems to have been short, perhaps reflecting financial difficulties, and in 1544 it passed, again for a brief period, to Sir John Alen, the Lord Chancellor and head of the commission for the dissolution of the monasteries. …
p. 45. Bective next passed to the Treasurer of Ireland, Anthony Wyse…following his death in 1567, Bective passed to his son in law, Sir Alexander Fitton, and afterwards to his son-in-law Sir Bartholomew Dillon, a Chief Justice who resided across the Boyne at Riverstown Castle and who in 1595 had married Catherine Litton. Bective seems to have declined after this period and in 1619 the abbey was described as deserted.
Sir Richard Bolton restored some stability to the ownership of the property and his descendants established a possession of the property that endured until the end of the 19C. However from the late 17th century, the Bolton family was chiefly resident in Brazeel, an important 17th century house in north County Dublin while Bective Abbey was leased to others including Thomas Taylour, whose descendants, in recognition of this, became Earls of Bective. A smaller residence on the site, now incorporated into the present Bective House, appears to have been provided for the Bolton family’s occasional presence on their Meath estate.
p. 46. Sir Richard had barely taken up office amid the gathering tensions of the mid seventeenth century that spectacularly flared with the Catholic rising of 1641. Barely had he acquainted himself with the duties of office when he was subjected, wiht others, to impeachment proceedings for high treason. These had been initiated, it has been claimed, by Catholic members of the commons – an intrigue that has to be placed in the context of the circumstances surrounding teh abiding crises of the mid 17c. … he managed to have the proceedings against him dropped and was immediately reinstated to the chancellorship.
p. 47. The high point of his career came when he was central to the negotiations in 1643 conducted by the Earl of Ormonde, between the King and the Confederate Catholics which led to a temporary truce and military support for Chalres I, in his conflict with parliament. Bolton’s name also heads the signatories of the proclamation issued in 1646 announcing the terms of so-called first Ormonde Peace.
Richard Bolton was first married to Frances Walter who came from his home county of Staffordshire…with whom he had several children and at least one son, Edward. Notwithstanding the circumstances of his election to parliament in 1613 and later accusations that he was “much opposed to concessions to Roman Catholics in Ireland” he formed an alliance with one of the most important old Catholic families of the Pale when he took Margaret Barnewall of Turvey , widow of Luke Netterville, as his second wife. Her father, Sir Patrick Barnewall… the eldest of the 11 children of Sir Christopher Barneweall, high sheriff of Co. Dublin, he was already prominent as the leading opponent of Sir Arthur Chichester , p. 48] when as Lord Deputy Chichester attempted to compel Catholic attendance at services of the established church, applying the rigours of the Castle Chamber to those who refused. Pehaps not as threatening as the Westminster court it sought to emulate, its penalties to deviants varied from pillory to whipping to the barbarity of removing the ears of the accused. Barnewall was successful in having this regime suspended. In 1646 Patrick Barnewall’s eldest son Nicholas, in recognition of services during the English civil war was created Viscount Kingsland and Baron of Turvey by Charles I.
Bolton’s eldest son, Sir Edward Bolton, who had been knighted in 1635, followed his father’s career when as solicitor-general he was appointed Chief Baron of the Exchequer in 1640, but it is stated that he was later “removed by the usurping powers. Notwithstanding this he inherited the Bective estates on his father’s death in 1648 and in 1651 under the parliamentary government obtained another official post as Commissioner for the administration of justice in Ireland.
p. 49. After Sir Edward, who died in 1705, the Bolton family’s political importance appears to have diminished considerably and at Brazeel he was succeeded by a succession of Richards, Edwards and Roberts who remain largely obscure. Early in the 18C Edward Bolton of Brazeel married Letitia Molesworth, younger sister of the famous incarcerate Lady Belvedere. He served as MP for Swords…
By the late 18C when Taylour Earl of Bective had moved to his newly built neoClassical mansion Headfort, near Kells, Bective Abbey ceased to function as a residence and once abandoned eventually became ruinous.
The property then belonged to another Edward Bolton, an officer of the royal horse guards and it was his eldest son by his first marriage, Robert Compton Bolton, who appears to have been the last of the family to have been associated with Brazeel before its destruction by fire in about 1810. Perhaps it was because of the destruction of the house that his eldest son, Richard, renewed the family’s interest in the Bective estate when shortly before 1836 he commenced preparations to shape the present demesne.
.p. 51. ..Richard became JP and married Frances Bomfort of nearby Rahinston…Frances along with her sisters inherited the estate of her brother Robert-George Bomford when he died in 1846. …Rahinston was sold in 1852 through the Encumbered Estates Court under the direction of dame Annette Hesketh, Frances Bolton’s older sister.
It appears that the ruins of Bective Abbey and surrounding farm had, by 1862, come into the possession of Rev. George H. Martin, Rector of Agher, who was related to the Bolton family, his father Rev Charles Rudinge Martin (d. 1847), 4th son of John Martin of Blackrock, Cork, having eloped with Frances Bolton’s younger sister, Susan Bomfort, in 1826. Martin transferred the Abbey, now a National Monument, to the Commissioners for Public Works in 1894. Richard Bolton’s death does not seem to have taken place until 1868 (according to a monument at Bective Church) in in 1876 his widow still appears in possession of the estate.
p. 52. Robert the brother of Richard of Bective Abbey was married to Maria Arthur of Seafield, Co Dublin, and hey had a son whoul was probably the last of the Boltons of Bective. He was John Marshall Botlon, and he went off to South Africa.
Watson of Bective, p. 213.
John Watson (1852-1908)
The Watsons were a Quaker family; members of the petty gentry who had been established in Carlow by the early 17th century after John Watson from Cumberland obtained a lease of lands at Ardristan from the Earl of Ormond. It is claimed that they were descended from the Rutland based Wtson family who were raised to the peerage in the early eighteenth century to the Marquisate of Rockingham [see Jimmy O’Toole the Carlow Gentry]. The family’s principal seats were in Carlow, at Kilconnor and Ballydarton.
John the first of the family died in 1675 so it is unlikely that he came to Ireland any sooner than 1650. He would certainly not have been welcomne during the Great War of 1641-9 when Protestants of any persuasion were, to say the least, not encouraged to live in the rural south east. It is more liekly that he settled at Kilconnor in the aftermath of the Cromwellian clearance. He may have come to Ireland after the Restoration when the Duke of Ormonde regained much of his estates and some more in recognition of his loyalty tot he king, Carles II. The Duke was the titular owner of the lands in the Fenagh area where Watson settled. The family managed to acquire a number of properties in the area including Ballydarton and later Lumclone which became the main family seat.
John Watson the founding father was not a Quaker, but his grandson became one. Watson had an only daughter who married Robert Lecky, another post Cromwellian and neighbouring landlord.
It was John Watson III who became a member of the Society of Friends and built the meeting house at Kilconnor in 1678. The Watsons remained Quakers for the next five generations. As dissenters they would have been porhibited from holding any official posts. Despite this obvious handicap to advancement the family prospered and in due course they acquired two further properites at Lumclone and Ballydarton (Fenagh). This lead to three distinct branches of the family, all descended from Samuel of Kilconnor who was born in 1682, the eldest son of John Watson III.
Samuel of Kilconnor had two sons John of Kilconnor and Samuel of Ballydarton. John continued on the Kilconnor line down to John Lecky Watson.
Bective House is located on the banks of the river Boyne, just downstream from Bective Abbey. One of the entrance gates is on the Trim-Navan road. In the 1820s Richard Bolton erected a new house in Grange townland downstream from the abbey, making the most of the local scenery. Described as ‘a cottage’ in 1836 and ‘a handsome modern residence’ in 1837 the house is linked to the river and also to the abbey. Named ‘Bective House’ to emphasise the continuity of the estate it was also occasionally recorded as ‘Bective Abbey’ or ‘Bective Lodge’. The house is in an understated architectural style in the spirit of Francis Johnston. The front is seven bay with a side elevation of five bays. Indoors the plan was simple. The main house is two rooms deep on a tripartite plan with a large and restrained central stair hall.
Bective house was surrounded by a wide expanse of parkland, dotted with clumps of trees and secluded from the outside world by perimeter belts of trees. The plantation of these trees and creation of parkland led to the walling in of the demesne and the re-routing of the Trim-Navan road. Impressive ashlar gateways were erected at each entrance to estate with gate lodges at each and an additional number of houses to cater for workers on the estate. The gate lodge at the Trim entrance was erected in 1852 and is adorned by the Bolton crest. A walled garden was constructed near the house which provided produce for the family and household. Later the garden produced roses and vegetables for sale.
Following the dissolution of Bective monastery the estate passed though the hands of various civil servants, none of whom had the time to pay any great attention to its development but the abbey was converted into a mansion.
The Bolton family acquired Bective in 1630. The transfer of the manor of Bective from Bartholomew Dillon to Edward Bolton took place on 10 August 1630. Sir Richard Bolton was Lord Chancellor of Ireland in 1639 and established himself at Brazeel in north County Dublin.
Richard Bolton was born about 1802 and inherited the manor of Bective after the death of his father. The family home at Brazeel was destroyed by fire in 1810. Bolton did not live at Bective until the late 1820s.
In the 1820s Bolton established himself at Bective. Bolton married Frances Georgina Bomford of Rahinstown. Richard Bolton was High Sheriff of County Meath in 1828. Richard Bolton provided the site for a new national school at Robinstown, Balbradagh townland, in 1840 and became patron of the new school. His father, Robert, had provided a site for a chapel and school in 1800. In the mid 1850s a dispute arose between Mr. Bolton and the local priest as to the right to visitation and the appointment of teachers. This became a bitter dispute which was finally resolved in 1861 when Bective School at Robinstown became a non vested school and Bolton’s influence ceased.
Bolton was a resident landlord, residing on his estate and being close to his tenants and took an active interest in the development of his estate. Mr. Justice from Dublin was the agent in 1836 and Mr. Tisdall, who resided locally was agent in 1861. Bolton erected a house for the estate, walled in the demesne and erected a parish church. As the patron of the parish and the owner of the tithes Bolton decided to erect a church for his tenants and servants. Designed by Joseph Welland the church was erected on lands provided by Bolton and the cost of construction was also met by Bolton. The church was consecrated 15 June 1853 and enlarged in 1858. A glebe house was also erected in 1853. He was determined to stamp his footprint on his estate at Bective, becoming a landscape architect through the creation of a demesne. Bolton acquired his own coat of arms and crest. The motto he adopted was Deus providebit meaning ‘God will provide’. In Griffith’s Valuation of 1854 Bolton was the landlord of the entire parish of Bective and also held lands nearby at Shanbo, in the parish of Rataine. Richard Bolton died in 1868 and was buried in his church at Bective.
Francis Georgina Bolton died in 1884 and bequeathed Bective to her nephew, Rev. George Henry Martin. George Henry Martin died in 1896, aged 63. Bective was bequeathed to his fourth child, Mary Louisa, who lived there from perhaps as early as 1895. She farmed Bective for a period but later sold the house to John Watson and the majority of the estate to the Land Commission.
John Watson purchased Bective House and demesne after retiring from the army. He was master of the Meath Hunt from 1891 until 1908 when he died. Watson erected kennels for the Meath Hunt at Bective. Watson was highly regarded as a huntsman and well known for his temper. An active polo player he created a team at Bective and introduced the game to America. Watson died at Bective House in 1908 after which the estate was put up for sale.
Following Watson’s death Bective was acquired by Captain Henry Stern, late of the 13th Hussars. In 1912 Bective house was altered for Captain Stern. The Sterns were unsettled by the troubled times in the early 1920s.
An American paper manufacturer, Charles Bird, came to Meath to hunt in the early part of the twentieth century. In 1926 Bird with two friends put in a bid of £3,000 for Bective only to be amazed when a telegram arrived in the States saying “Congratulations, you own Bective”. The syndicate wished to become involved in hunting in Ireland. When the friends sold their shares, the Birds owned the place outright. The house and garden were rejuvenated. The estate’s most famous horses, Heartbreak Hill, came sixth in the 1932 Grand National at Aintree and won steeplechases all over Ireland. The steward at Bective was Tom Lavin whose daughter was Mary Lavin, the short story writer. George Briscoe, who had sold the neighbouring estate and house at Bellinter, took over the management of Bective in 1952. Briscoe and his wife moved into the wing at Bective. The Tara Harrier kennels and Briscoe’s horse were re-located to Bective. Bird became the joint master of the Meath Hunt so there were two hunts centred at Bective.
In 1960 the Birds and the Briscoes moved across the river to Assigh and Bective House became home to Norman Wachman until the mid 1970s. Wachman allowed the Tara Harriers to continue using the kennels at Bective and began to develop a stud farm.
Bective was purchased by Michael Wymes in 1975. Wymes, a major shareholder in Bula Mines, developed a pheasant shoot on the property. In July 2006 Wymes sold Bective House and demesne.
In a rather sorry state, this is the front lodge to Bective, County Meath. In the mid-19th century, the estate was laid out by then-owner Richard Bolton who added two lodges, one of them – seen here – in Tudoresque style, the front looking onto the avenue having two arched projections, one accommodating a large mullioned window, the other an entrance porch. Above the latter is a plaque featuring a hawk from the Bolton crest and the family motto ‘Deus Providebit’ (God will Provide). Smothered in cement render and dating from 1852, the building’s design has been tentatively attributed by J.A.K. Dean to Dublin architect William George Murray. Towards the end of the last century, the whole estate went into decline but it was bought a few years ago and the land is now a stud farm. The other lodge, classical with a Doric loggia, has been restored and is now used as a tea room. One must hope a similar revival awaits this building.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 189. (Redmond/LG1863; Loftus, Ely, M/PB) A gaunt, three-storey mansion of 1871, with rows of plate-glass windows and a balustraded parapet, incorporating parts of a previous house here, which was late 17th century or early C18, gable-ended and of two storeys and nine bays, with a dormered roof and a steep pedimented gable; it was fronted by a forecourt with tall piers surmounded by ball finials and had a haunted tapestry room. .
The house stands near the tip of Hook Head, and must have been one of the most wing-swept noblemen’s seats in the British Isles; “No tree will grow above the shelter of the walls,” Bishop Pococke observed of Loftus Hall in C18, and the same is true of the place today. The site was originally occupied by an old castle of the Redmonds, which was known in their day as The Hall; and of which a square turret remained near the old house, but was demolished when the present house was built. The present house, which was built soon after his coming-of-age by the 4th Marquess of Ely – who also planned to rebuild his other seat, Ely Lodge – contains an impressive staircase hall, with an oak stair in Jacobean style, richly decorated with carving and marquetry; the gallery being carried on fluted Corinthian columns of wood. The house is now a convent.”
Loftus Hall, County Wexford
Loftus Hall: Formerly named Redmond Hall, it is a three-storey mansion built in 1871, incorporating parts of a previous house here, which was late 17th century or early C18.
Henry Loftus of Dunguelph Castle moved to Redmond Hall. He was the father of Nicholas Loftus (d. 1763) who was created 1st Viscount of Ely.
Lord Belmont tells us:
NICHOLAS LOFTUS, MP for County Wexford, who was elevated to the peerage as Baron Loftus, of Loftus Hall, in 1751.
Nicholas Loftus, 1st Viscount Ely (1687-1763)
His lordship was sworn of the privy council in 1753; nominated Governor of County Wexford, and advanced to a viscountcy, as Viscount Loftus, of Ely, in 1756.
He married firstly Anne Ponsonby, 2nd daughter of William, Viscount Duncannon, by whom he had issue,
NICHOLAS (d. 1766), his successor;
HENRY (1709-1783), succeeded as 4th Viscount Loftus;
Mary; Anne; Elizabeth.
His lordship wedded secondly, Letitia, daughter of Sir John Rowley, knight, by whom he had no issue.
He died in 1763, and was succeeded by his elder son,
NICHOLAS, 2nd Viscount, who was advanced to the dignity of Earl of Ely in 1766.
Nicholas Hume Loftus, 1st Earl of Ely (1708-1766) by Jacob Ennis. These two portraits depict Nicholas, the so-called “Wicked Earl” at various stages of his life. Nicholas is much older in the Ennis portrait on the left. Lord Loftus allegedly mistrated his son (also Nicholas) leading to a protracted court case. That son would later bequeath Rathfarnham Castle and the estate to his uncle, Henry Loftus (1709-1783) who became the 1st Earl of Ely (of the second creation). Jacob Ennis was an Irish historical and portrait painter who spent some time studying in Italy. He was later a Master in the Dublin Society’s Drawing Schools.
He married Mary, eldest daughter and heir of Sir Gustavus Hume Bt, of Castle Hume, County Fermanagh; and dying in 1766, was succeeded by his only son,
NICHOLAS, 2nd Earl, who died unmarried, in 1769, when the earldom expired, and the viscountcy and barony reverted to his uncle,
THE HON HENRY LOFTUS, as 4th Viscount, born in 1709.
His lordship was advanced to an earldom, in 1771, as Earl of Ely; and installed a Knight Founder of the Most Illustrious of St Patrick, 1783.
Henry Loftus, 1st Earl of Ely of the 2nd Creation (1709-1783) by Angelica Kauffman.Henry Loftus (1709-1783) 1st Earl of Ely and wife Frances Monroe courtesy of National Trust.
Lord Loftus married twice, though died without issue, in 1783, when the titles became extinct; while the estates devolved upon his nephew,
THE RT HON CHARLES TOTTENHAM, who then assumed the surname and arms of LOFTUS, and was created, in two years afterwards, Baron Loftus, of Loftus Hall.
His lordship was advanced to a viscountcy, in 1789, as Viscount Loftus; and Earl of Ely in 1794.
He was further advanced, to the dignity of a marquessate, in 1800, as MARQUESS OF ELY.
His lordship was postmaster-general of Ireland in 1789; privy counsellor; Knight of St Patrick; governor of Wexford; governor of Fermanagh; colonel, the Wexford Militia.
Loftus Hall, County Wexford, for sale April 2025 photograph courtesy Colliers.Loftus Hall, County Wexford, for sale April 2025 photograph courtesy Colliers.Loftus Hall, County Wexford, for sale April 2025 photograph courtesy Colliers.Loftus Hall, County Wexford, for sale April 2025 photograph courtesy Colliers.Loftus Hall, County Wexford, for sale April 2025 photograph courtesy Colliers.
Adam’s son Dudley (1561-1616) sat in the Irish parliament for Newborough in County Wexford. He married Anne Bagenal of Newry Castle, County Down, daughter of Nicholas Henry Bagenal, Marshal of Ireland. The castle passed to their son, Adam Loftus (1590-1666), who married Jane Vaughan of Golden Grove, County Offaly.
Another son of Dudley and Anne Bagenal was Nicholas Loftus (1592-1666), the ancestor of Henry Loftus, the Earl of Ely. Nicholas’s second son Henry (1636-1716) lived in Loftus Hall in County Wexford.
Loftus Hall, County Wexford, for sale April 2025 courtesy Colliers.Formerly named Redmond Hall, it is a three-storey mansion built in 1871, incorporating parts of a previous house here, which was late 17th century or early C18. [3]
Let us backtrack now to look at the descendants of the first Adam Loftus. Adam’s grandson Nicholas lived in Fethard, County Wexford, in the precursor to Loftus Hall. His son Henry (1636-1716) of Loftus Hall was the father of Nicholas Loftus (1687-1763) who was created 1st Viscount Loftus of Ely.
Nicholas Loftus, 1st Viscount Ely (1687-1763). Painter unknown. This painting was completed in 1758 to mark the 70th birthday of Nicholas, father of both Nicholas (the 1st Earl of Ely) and Henry Loftus. He sits next to a book entitled The Present State of Ireland. This anonymous work was originally published in 1730 and contained criticism of the amount of money flowing out of Ireland to absentee landlords, no doubt reflecting Nicholas’s concern with the financial state of the kingdom. He is sometimes known as “the Extinguisher” because of his threat to extinguish the Hook lighthouse in Wexford unless the rent he received from it was increased.
Nicholas served as MP for Wexford, and married Anne Ponsonby, daughter of William Ponsonby, 1st Viscount Duncannon. He was first created Baron Loftus of Loftus Hall in 1751, and then assumed a seat in the House of Lords, and became Privy Counsellor of Ireland in 1753. He was created Viscount Loftus of Ely in County Wicklow in 1756.
After Anne died, around 1724, Nicholas Viscount Ely married Letitia Rowley (d. 1765) of Summerhill in County Meath. To make matters more confusing, she had been previously married to Arthur Loftus (1644-1725) 3rd Viscount of Ely!
Summerhill, County Meath, etnrance front, photograph: Maurice Craig, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
Viscount Loftus is a title that has been created three times in the Peerage of Ireland for members of the Anglo-Irish Loftus family. The first creation was for Adam Loftus (1568-1643) on 10 May 1622, who served as Lord Chancellor of Ireland in 1619. He is not to be confused the our Adam Loftus (1533-1605) of Rathfarnham Castle. This title became extinct in 1725 upon the death of the third viscount, who had no male heir, despite having married three times.
Nicholas and Anne’s son Nicholas Loftus (1708-1766) became the 1st Earl of Ely, and added Hume to his surname after marrying Mary Hume, daughter of Gustavus Hume, 3rd Baronet of Castle Hume, County Fermanagh. As well as Loftus Hall in Wexford, they owned 13 Henrietta Street in Dublin. He became known as the “wicked earl” due to a court hearing about the supposed mental incapacity of his son, also named Nicholas. Young Nicholas’s uncle, George Rochfort (1713-1734), brother of the 1st Earl of Belvedere, sought to have young Nicholas declared incapable of succeeding to the title. George Rochfort was married to another daughter, Alice, of Gustavus Hume, 3rd Baronet of Castle Hume. Family members testified that young Nicholas was of normal intelligence, and that any eccentric behaviour should be blamed on his father’s ill-treatment. The trial lasted for nine years and was even brought to the House of Lords. Poor young Nicholas died before the trial was finished and Rochfort’s case was declared invalid.
Nicholas Hume Loftus, 1st Earl of Ely (1708-1766), unknown artist. It was after Nicholas Loftus (son of the Extinguisher) had married into the wealthy Hume family that the Ely earldom was created for the first time. This depicts Nicholas, the so-called “Wicked Earl” in the doctoral robes of Trinity College Dublin.Nicholas Hume Loftus, 1st Earl of Ely (1708-1766) by Jacob Ennis. These two portraits depict Nicholas, the so-called “Wicked Earl” at various stages of his life. Nicholas is much older in the Ennis portrait. Jacob Ennis was an Irish historical and portrait painter who spent some time studying in Italy. He was later a Master in the Dublin Society’s Drawing Schools.
Nicholas Loftus Hume officially succeeded as 2nd Earl of Ely (1738-1769). It was through him that Rathfarnham Castle returned to Loftus ownership. Nicholas bequeathed Rathfarnham Castle and the estate to his uncle, Henry Loftus (1709-1783) who became the 1st Earl of Ely of the second creation. Henry was the younger son of Nicholas Loftus (d. 1763) 1st Viscount Loftus and Anne née Ponsonby, brother to the earlier Nicholas Hume Loftus (d. 1766) 1st Earl of Ely, the Wicked Earl.
Henry Loftus, 1st Earl of Ely of the 2nd Creation (1709-1783) by Angelica Kauffman. Henry inherited Rathfarnham Castle and its demesne in 1769 upon the death of Nicholas, his nephew. Nicholas had been the subject of a long running legal case concerning the state of his mind and Henry had supported him throughout. The Swiss artist Angelica Kauffman is known to have spent several months in Dublin in 1771. As well as this portrait which was probably completed to mark Henry’s elevation to the earldom of Ely, this renowned painter also completed a group portrait of Henry and his family (now in the National Gallery) as well as a series of ceiling paintings for the long gallery on the first floor depicting scenes from Greek mythology.
Loftus Hall, Fethard-On-Sea, Co. Wexford, Y34YC93 courtesy Colliers, April 2025
€3,000,000
22 Bed
22 Bath
2460 m²
Loftus Hall is a large, partly re-furbished country house which was built on the site of the original Redmond Hall. The property boasts one of the most scenic locations in the southeast with views over Hook Peninsula and the world famous Hook Lighthouse, providing the most stunning landscape which is steeped in history and reputed by locals to have been haunted the property. The property was purchased by the Quigley family in 2011 and run as a tourist attraction with guided tours of the property and seasonal events. In 2021 the property was bought by its current owners who had a masterplan to refurbish the original building over two phases. The estate has already undergone extensive renovations, with Phase 1 nearing completion, set to transform the property into an exclusive 22-bedroom luxury hotel with high-end amenities, extensive food and beverage facilities, and beautifully landscaped gardens. The vision for Phase 2, included an additional 56 bedroom hotel block, a gym and spa, dedicated wedding facilities, 33 standalone garden cottages and 10 eco pods strategically placed along the perimeter of the property. Location Loftus Hall is located on the southern tip of Hook Peninsula, close to the famous Hook Lighthouse, one of the oldest operational lighthouses in the world. Loftus Hall offers an unparalleled location for exploring the beauty and history of County Wexford. Just 4km from the iconic Hook Lighthouse, 33km from the vibrant town of New Ross, 45km from Wexford and 51km from Waterford. The property is also in close proximity to several popular tourist destinations, including Passage East (17km) and Dunmore East (30km) and the charming nearby villages such as Hookless Village, Slade, and Fethard-On-Sea, all within easy access. The location is quite picturesque, making it a popular spot for visitors interested in history, architecture, and the paranormal. Main House Built originally between 1870 and 1871 on the site of Redmond Hall, which traces its history to 1350, Loftus Hall comprises a detached nine-bay, three storey house. The estate is situated on approximately 27.68 hectares (68 acres) with the house extending to a total gross internal area (GIA) of 2,460 sq.m (26,480 sq. ft). Loftus Hall is a protected structure under RPS Ref WCC0692 and under the NIAH Ref 15705401. The estate has already undergone extensive renovations, with Phase 1 nearing completion. The ground floor of the original building has been transformed to contain a large dining room, a cigar room and a number of guest lounge areas. When completed the restaurant will seat over 100 covers which will feature visibility of the chefs working with an open pass, an outside BBQ area and fire pit adjacent to the new restaurant area with the existing bar fully refurbished. The hotel bedrooms are finished to second fix over the first and second floors and are appointed with large ensuite bathrooms and with commanding and sweeping views out to sea. The vision for Phase 2 consists of the development of a permanent marquee erected on the grounds which will cater for up to 300 seated wedding guests, a gym & spa, a new hotel bedroom block which will contain up to 56 additional bedrooms, 33 standalone garden cottages, 10 eco pods wrapped around the perimeter of the property, a children’s playground, a herb and vegetable garden, over two hundred car park spaces in total between the front and rear of the development and a walkway that will allow guests to access the beach directly from the development. The Grounds The grounds are a feature of Loftus Hall and have been maintained to the highest standards throughout the refurbishment. The gardens at Loftus Hall, particularly the walled garden, were designed to thrive in the unique climate of the Hook Peninsula. The garden’s high walls provided a sheltered environment, allowing a variety of plants to flourish. Fruit trees were a significant feature, with mulberry trees being particularly successful. The sheltered environment also supported other fruit trees like apple and pear. Additionally, the garden likely included a variety of herbs and vegetables, which were essential for the estate’s kitchen. The garden’s design and plant selection reflect the practical needs and aesthetic preferences of the time, creating a space that was both beautiful and functional. Services • ESB – full upgrade of supply to the property with 80kVA allowance • Mains Water – two water supplies to the property • Gas – storage tank for supply to the building • Heating – plumbed for electric central heating system
Loftus Hall, County Wexford, courtesy National Inventory.
Detached nine-bay three-storey country house, built 1870-1, on an L-shaped plan centred on single-bay single-storey flat-roofed projecting porch to ground floor; seven-bay three-storey side (south) elevation centred on three-bay three-storey breakfront on a bowed plan. Occupied, 1901; 1911. In alternative use, 1916-35. In alternative use, 1937-83. In alternative use, 1983-91. For sale, 1991. Vacant, 2007. For sale, 2008. Roof not visible behind parapet with cast-iron rainwater goods retaining cast-iron downpipes. Roughcast walls on lichen-spotted chamfered cushion course on rendered plinth with lichen-spotted vermiculated-panelled quoins to corners supporting dentilated cornice on blind frieze below balustraded parapet. Square-headed central door opening in tripartite arrangement approached by flight of four steps with engaged columns on panelled pedestals supporting dentilated cornice on “triglyph”-detailed frieze on entablature framing glazed timber panelled double doors having sidelights. Square-headed window openings (ground floor) with lichen-spotted chamfered sill course, and rendered surrounds with bull nose-detailed pilasters supporting “Cyma Recta”- or “Cyma Reversa”-detailed hood mouldings on panelled consoles framing boarded-up one-over-one timber sash windows. Square-headed window openings (first floor) with thumbnail beaded sills, and rendered surrounds with bull nose-detailed pilasters on “Cavetto” consoles supporting “Cyma Recta”- or “Cyma Reversa”-detailed open bed pediments on panelled consoles framing boarded-up one-over-one timber sash windows. Square-headed window openings (top floor) with sills on “Cavetto” consoles, and rendered surrounds with bull nose-detailed pilasters supporting “Cyma Recta”- or “Cyma Reversa”-detailed hood mouldings on panelled consoles framing boarded-up one-over-one timber sash windows. Interior including (ground floor): vestibule; square-headed door opening into hall with carved timber surround having roundel-detailed panelled concave reveals framing glazed timber panelled door having overlight; hall retaining encaustic tiled floor carved timber Classical-style surrounds to door openings framing timber panelled doors centred on cut-veined marble Classical-style chimneypiece with carved timber surrounds to opposing window openings framing timber panelled shutters on panelled risers, and decorative plasterwork cornice to ceiling; top-lit double-height staircase hall (west) retaining inlaid timber parquet floor, timber panelled staircase on an Imperial plan with fluted timber balusters supporting carved timber banisters terminating in timber panelled newels, round-headed niche to half-landing with moulded plasterwork frame, carved timber Classical-style surrounds to door openings to landing framing timber panelled doors, and decorative plasterwork cornice to compartmentalised ceiling centred on stained glass lantern with “Acanthus” ceiling rose; reception room retaining carved timber Classical-style surround to door opening framing timber panelled double doors with carved timber surrounds to window openings framing timber panelled shutters on panelled risers, cut-veined black marble Classical-style chimneypiece with lugged frame centred on keystone, and decorative plasterwork cornice to ceiling centred on “Acanthus” ceiling rose; reception room retaining carved timber Classical-style surround to door opening framing timber panelled double doors with carved timber surrounds to window openings framing timber panelled shutters on panelled risers, cut-veined red marble Classical-style chimneypiece, and decorative plasterwork cornice to ceiling; reception room (south-east) retaining carved timber surround to door opening framing timber panelled door with carved timber surrounds to window openings framing timber panelled shutters on panelled risers, roundel-detailed cut-veined red marble Classical-style chimneypieces, and decorative plasterwork cornice to ceiling; bow-ended reception room (south) retaining carved timber Classical-style surround to door opening framing timber panelled double doors with carved timber surrounds to opposing window openings framing timber panelled shutters on panelled risers, and decorative plasterwork cornice to ceiling; chapel (south-west) retaining inlaid timber parquet floor, cut-veined black marble Classical-style chimneypiece with carved timber surrounds to opposing window openings framing timber panelled shutters on panelled risers, and timber boarded ceiling in carved timber frame on carved timber cornice; and (upper floors): carved timber surrounds to door openings framing timber panelled doors with carved timber surrounds to window openings framing timber panelled shutters on panelled risers. Set in unkempt grounds.
Appraisal
A country house erected for John Henry Wellington Graham Loftus (1849-89), fourth Marquess of Ely, representing an important component of the later nineteenth-century domestic built heritage of south County Wexford with the architectural value of the composition, one retaining at least the footings of a house (1680-4) illustrated in Volume IV of Philip Herbert Hore’s (1841-1931) “History of the Town and County of Wexford” (1901), confirmed by such attributes as the deliberate alignment maximising on panoramic vistas overlooking windswept grounds with Saint George’s Channel and Waterford Harbour as backdrops; the symmetrical frontage centred on a pillared porch demonstrating good quality workmanship; the diminishing in scale of the openings on each floor producing a graduated visual impression with those openings showing “stucco” refinements ‘designed to resemble a grand hotel’ (Williams 1994, 186); the definition of the principal “apartments” by Osborne House (1845-51)-like bows; and the balustraded roofline repurposing eagle finials shown in a sketch (1835-6) by Charles Newport Bolton (1816-84) of County Waterford (Hore 1901 IV, 381). A prolonged period of unoccupancy notwithstanding, the elementary form and massing survive intact together with substantial quantities of the original fabric, both to the exterior and to the interior where encaustic tile work; contemporary joinery; robust chimneypieces; plasterwork by James Hogan and Sons of Great Brunswick Street [Pearse Street], Dublin (The Irish Builder 15th May 1874, 148; Freeman’s Journal 6th November 1875); and ‘an impressive oak stair in the Jacobean style…richly decorated with carving and marquetry’ (Bence-Jones 1978, 189-90), all highlight the artistic potential of the composition. Furthermore, an adjacent coach house-cum-stable outbuilding (see 15705402); a walled garden (see 15705403); and a nearby gate lodge (see 15705405), all continue to contribute positively to the group and setting values of an estate having subsequent connections with John Henry Loftus (1851-1925), fifth Marquess of Ely. NOTE: Loftus Hall is the subject of two apocryphal legends with the first being the famous “Legend of Loftus Hall” (1765) and the second being that the country house was erected in anticipation of a royal visit from Queen Victoria (1819-1901; r. 1837-1901) by whom Jane Loftus (née Hope-Vere) (1821-90), Dowager Marchioness of Ely, was appointed to the office of Lady of the Bedchamber (1851).
Loftus Hall, County Wexford, courtesy National Inventory.Loftus Hall, County Wexford, courtesy National Inventory.Loftus Hall, County Wexford, courtesy National Inventory.Loftus Hall, County Wexford, courtesy National Inventory.Loftus Hall, County Wexford, courtesy National Inventory.Loftus Hall, County Wexford, courtesy National Inventory.Loftus Hall, County Wexford, courtesy National Inventory.Loftus Hall, County Wexford, courtesy National Inventory.Loftus Hall, County Wexford, courtesy National Inventory.
At Loftus Hall, County Wexford, courtesy National Inventory.
Farmyard complex, extant 1902, including: Detached three- or five-bay single-storey hipped gable-fronted coach house-cum-stable outbuilding with attic on a rectangular plan. Now in ruins. Hipped gable-fronted roof now missing, paired rendered central chimney stacks having stringcourses below “Cyma Recta”- or “Cyma Reversa”-detailed cornice capping, and no rainwater goods surviving on rendered eaves. Fine roughcast walls. Segmental-headed central carriageway with overgrown threshold, and cut-limestone block-and-start surround having bull nose-detailed reveals centred on keystone with no fittings surviving. Camber-headed window opening (half-attic) with cut-limestone sill, and limestone lugged surround having chamfered reveals with no fittings surviving. Paired square-headed window openings with cut-granite sills, and concealed red brick block-and-start surrounds with no fittings surviving. Interior in ruins. Set in unkempt grounds shared with Loftus Hall.
Appraisal
A farmyard complex contributing positively to the group and setting values of the Loftus Hall estate.
AtLoftus Hall, County Wexford, courtesy National Inventory.
Gateway, extant 1771, on a symmetrical plan comprising pair of tuck pointed limestone ashlar piers on moulded cushion courses on plinths having stringcourses below ball finial-topped “Cyma Recta”- or “Cyma Reversa”-detailed cornice capping. Now disused. Road fronted at entrance to grounds of Loftus Hall.
Appraisal
A gateway not only making a pleasing visual statement in a rural street scene at the entrance on to the grounds of the Loftus Hall estate, but also surviving as a repurposed relic of the seventeenth-century estate as evidenced by a sketch (1835-6) by Charles Newport Bolton (1816-84) of County Waterford (cf. 15705406).
Loftus Hall, County Wexford, courtesy National Inventory.
Loftus Hall is a gaunt, three-storey nine-bay mansion of 1871, with rows of plate-glass windows and a parapet. It incorporates parts of a previous, late 17th century house. The house stands near the tip of Hook Head, an extremely wind-swept spot bereft of trees and shelter, and was built after his coming-of-age by the 4th Marquess of Ely. It largely built on the foundations of the old. Only the circular foundation of one of the towers in the ‘Ringfield’ and an underground passage survive of the original building. The new Loftus Hall was built with no expense spared – the entrance and staircase halls being of particular note. The house was supplied throughout with lighting by gas which was made on the premises and all the rooms heated by hot air pipes.
In 1917 Loftus Hall was bought by the Sisters of Providence and turned into a convent and a school for young girls interested in joining the order. In 1983, it was purchased by Michael Deveraux who reopened it as “Loftus Hall Hotel”, which was subsequently closed again in the late 1990s.
Featured in The Wexford Gentry by Art Kavanagh and Rory Murphy. Published by Irish Family Names, Bunclody, Co Wexford, Ireland, 1994.
p. 194. Redmond of the Hall.
The Redmonds of the Hall (now Loftus Hall on the Hook peninsula) became famous for defending their castle during the Rebellion of 1641. The Catholic Redmonds were Confederates. They were attacked by a force of soldiers from Duncannon fort, under the command of Captain Ashton. The English soldiers did not expect any formidable opposition and they pounded the castle with cannon. However Alexander and his sons and some tenants, pressed into service, stoutly defended the hall. A small army of rebels were camped at a short distance away. Among them were William and Antony Hore of Harperstown. When they heard the shooting and commotion, realising what was happening, they rushed to the help of the bealeaguered defendants. As luck would have it, a sudden mist swept in from the sea and the soldiers were unable to charge their pieces. They were outnumbered two to one by the rebels and the outcome was inevitable. Captain Ashton was killed (by Anthony Hore, it’s said), and seventy of his fellow soldiers also fell.
Alexander Redmond continued to live in the Hall until his death in 1650. When Cromwell’s forces arrived at his gates in 1649, he surrendered the castle but he was allowed to live there because of his advanced years. His sons were dispossessed. The lands were granted to Sir Nicholas Loftus, a Protestant neighbour, the grandson of Adam Loftus the archbishop of Dublin.
p. 195. It is generally thought that the South Wexford Redmonds descended from Raymond le Gros, who was one of the original Norman invaders. He appears to have had a son Alexander who was given a grant of the lands of the Hook Peninsula. In 1232 there is mention of a Sir Robert Redmond…[A Robert Redmond] married Eleanor Esmonde of Johnstown, daughter of Sir William Esmonde. They had four sons, Sir Alexander killed in battle against the Welsh, Richard, also killed in Wales, John who was a soldier in King Edward’s army and his succesor and heir Sir Walter Redmond. Sir Robert also had a daughter who married her first cousin Sir William Esmonde of Johnstown. It was noted that Walter died in 1350. Either Walter or his father is credited with building the castle subsequently konwn as Redmond’s Hall. Over one hundred years later an Andrew FitzRedmond is mentioned… an in 1520 a Sir John Redmond of hte Hall achieve fame as a most hospitable and generous patron of the church…
In 1559 Alexander Redmond of the Hook, was a government appointed collectr of Revenue which was to be used for the protection of the Wexford Pale.
Nearly one hundred years later, in 1642, another Alexander Redmond as the owner of Redmond Hall.
He had at least two sons, Robert and Michael, and at least ond daughter, Ellen, who was married to Henry Laffan (a descendant of James Laffane Prebendary of Whitechurch in 1570). Henry Laffan appears to have died before 1642, because that year Robert, his brother in law, was the guardian of Ellen’s four year old son. Ellen and her son were living in Slade Castle, which was fortified for her protection during the Rebellion.
P 196. Robert was married to Eleanor the daughter of William Esmonde of Johnstown, whose brother Patrick appeared to be living in the Hall at that time. Interestingly, when Robert lost his property in 1653 following the Cromwellian Confiscations, it was noted that Eleanor Redmond occupied property in Fethard village, not far from the Hall. Follwing that dark episode of history the Redmonds seem to disappear for a time.
In Burke’s Irish Family Records, it is surmised that the family of Redmonds of Wexford of whom John Redmond the renowned politician was a famous scion, descended from the Redmonds of the Hall.
p. 197. …John Edward Redmond, the famous politician. Born in 1856 …he was an MP from 1881 to 1918. He was Parnell’s chief supporter on the split in 1890 [p. 198] and leader of the Parnellite group on the death of Parnell in 1891. He succeeded in reuniting the party, which he led until his death in 1918.
He urged all young Irishmen to fight for Britain in the first World War He was a strict parliamentarian and fought for a free Ireland within the British Empire. He was totally opposed to the 1916 Rising and because of his stance, his popularity declined in Wexford.
Loftus Hall is located on Hook Head in co.Wexford. This was originally the site of a castle built by a family called Redmonds in 1350. It later ‘fell into the hands’ of the Loftus family in the 1650’s as result of the Cromwellian confiscations. One of their descendants, the 4th Marquess of Ely, built this house with the finest materials in 1872. Over the following years there were reports of strange happenings. One infamous story happened on a stormy winter’s night as the family relaxed before a roaring log fire. A stranger arrived on horseback who knocked on the door and was invited to stay for the night. After refreshments, he participated in a game of cards and when one fell on the floor, Lady Anne bent down to retrieve it. She was shocked to discover that the stranger had a cloven foot and when she screamed in terror, the stranger vanished through the ceiling in a puff of smoke!! (scared yet?) Lady Anne then fainted but when she awoke, she was apparently mentally ill. This was an embarrassment for the family and so she was locked away in her out of sight until she died. More ghost stories followed including that presumed to be of Anne Tottenham who frequently ‘appeared’ in the in the Tapestry Room. An exorcism was even carried out on the house by Father Broaders who’s own epitaph reads..‘here lies the body of Thomas Broaders, who did good and prayed for all and banished the Devil from Loftus Hall.‘ Loftus Hall was re opened again on Friday 13th of July 2012 and the public can now do ‘The Loftus Hall Tour’…if they dare! A new movie is also being made about the house which will be the first Irish film to be released in 3D.
THE MARQUESSES OF ELY WERE MAJOR LANDOWNERS IN COUNTY WEXFORD, WITH 14,023 ACRES
The family of LOFTUS, or, as it was anciently spelt, Lofthouse, appears, from the archives of York Minster, to have flourished in Yorkshire as early as the reign of ALFRED THE GREAT.
Before the advent of the Normans, this family held the town and lands of Loftus, Yorkshire, by thaneage, and after the Conquest, by military tenure.
The same records show that Christopher Lofthouse was prior of Helagh, Yorkshire, in 1460.
EDWARD LOFTUS, of Swineshead, Yorkshire, whose descendants have been, in different branches, thrice elevated to the Irish peerage, had two sons, namely,
ROBERT;
ADAM.
The elder son, Robert, whose second son,
ADAM LOFTUS, an eminent lawyer, was appointed LORD CHANCELLOR OF IRELAND, 1619; and created, in 1622, Viscount Loftus, of Ely, a dignity which expired with his lordship’ grandson ARTHUR, 3rd Viscount.
The younger son,
THE MOST REV ADAM LOFTUS, accompanied, as private chaplain, the Viceroy, Thomas, Earl of Sussex, into Ireland, and was consecrated Lord Archbishop of Armagh, 1562-3.
In 1567, the Lord Primate was translated to the see of Dublin; and six years afterwards we find him Lord Keeper of the Great Seal.
In 1578, His Grace was constituted LORD CHANCELLOR OF IRELAND, and he continued to hold the seals until his death.
This esteemed divine having a principal share in the foundation of Trinity College, Dublin, was appointed by charter its first Provost, which office he resigned in 1594.
He married Jane, eldest daughter of Alan Purdon, of Lurgan Race, County Louth, and by her had twenty children, of whom seven died young.
The survivors were eight sons and five daughters.
The Archbishop died in 1605, and was succeeded by his eldest son,
SIR DUDLEY LOFTUS, of Rathfarnham, who wedded Anne, daughter of Sir Henry Bagenal, of Newry, and had, with other issue,
NICHOLAS, of Fethard, born in 1592, Joint Clerk of the Pells and of the Treasury in Ireland, wedded and was succeeded by his eldest surviving son,
SIR NICHOLAS LOFTUS, of Fethard, who married twice, and had several children, all of whom died issueless, when the estates descended to his brother,
HENRY LOFTUS, of Loftus Hall, who married twice and was succeeded, in 1716, by his elder son,
NICHOLAS LOFTUS, MP for County Wexford, who was elevated to the peerage as Baron Loftus, of Loftus Hall, in 1751.
His lordship was sworn of the privy council in 1753; nominated Governor of County Wexford, and advanced to a viscountcy, as Viscount Loftus, of Ely, in 1756.
He married firstly Anne, 2nd daughter of William, Viscount Duncannon, by whom he had issue,
NICHOLAS, his successor;
HENRY, succeeded as 4th Viscount Loftus;
Mary; Anne; Elizabeth.
His lordship wedded secondly, Letitia, daughter of Sir John Rowley, knight, by whom he had no issue.
He died in 1763, and was succeeded by his elder son,
NICHOLAS, 2nd Viscount, who was advanced to the dignity of Earl of Ely in 1766.
He married Mary, eldest daughter and heir of Sir Gustavus Hume Bt, of Castle Hume, County Fermanagh; and dying in 1766, was succeeded by his only son,
NICHOLAS, 2nd Earl, who died unmarried, in 1769, when the earldom expired, and the viscountcy and barony reverted to his uncle,
THE HON HENRY LOFTUS, as 4th Viscount, born in 1709.
His lordship was advanced to an earldom, in 1771, as Earl of Ely; and installed a Knight Founder of the Most Illustrious of St Patrick, 1783.
Lord Loftus married twice, though died without issue, in 1783, when the titles became extinct; while the estates devolved upon his nephew,
THE RT HON CHARLES TOTTENHAM, who then assumed the surname and arms of LOFTUS, and was created, in two years afterwards, Baron Loftus, of Loftus Hall.
His lordship was advanced to a viscountcy, in 1789, as Viscount Loftus; and Earl of Ely in 1794.
He was further advanced, to the dignity of a marquessate, in 1800, as MARQUESS OF ELY.
His lordship was postmaster-general of Ireland in 1789; privy counsellor; Knight of St Patrick; governor of Wexford; governor of Fermanagh; colonel, the Wexford Militia.
*****
GEORGE HENRY WELLINGTON, 7th Marquess (1903-69), styled Viscount Loftus between 1925-35, became known by the courtesy title Viscount Loftus when his father succeeded to the marquessate in 1925.
He was educated at Lancing College and served as a major in the North Irish Horse during the 2nd World War. He was also High Sheriff of Fermanagh in 1931. In 1935 he succeeded in the marquessate on the death of his father.
*****
CHARLES JOHN, 8th Marquess, who died in 2006 aged 92, was a Canadian prep school headmaster for some 40 years and a dogged, if silent, attender at the House of Lords for almost 30 years until his exclusion by Tony Blair’s reforms. He was appalled by the “constitutional vandalism” that cost him his seat.
His eldest son, John, who was born in 1943, succeeded to the titles as 9th Marquess.
LOFTUS HALL, near Fethard-on-Sea, County Wexford, is, according to Mark Bence-Jones, a gaunt, three-storey mansion of 1871, with rows of plate-glass windows and a parapet, incorporating parts of a previous, late 17th century house.
The house stands near the tip of Hook Head, an extremely wind-swept spot bereft of trees and shelter.
The present house was built after his coming-of-age by the 4th Marquess of Ely (who also had plans for Ely Lodge in County Fermanagh).
It contains an impressive staircase hall.
In 1917, Loftus Hall was bought by the Sisters of Providence and turned into a convent and a school for young girls interested in joining the order.
In 1983, it was purchased by Michael Deveraux, who re-opened it as “Loftus Hall Hotel”, which was subsequently closed again in the late 1990s.
It was privately owned by Deveraux’s surviving family until late 2008, when it was sold to an unnamed buyer, rumoured to be “Bono” of U2 fame.
While in need of repair at the time of writing, the nine-bay mansion comprises seven reception rooms, twenty-two bedrooms and a function room spread across three floors.
In the drawing rooms of many Irish country houses stories abound of the night the devil paid a visit. His usual route of escape, upon discovery of his true identity, was via the chimney as a puff of smoke leaving damaged chimney pieces in his wake as a reminder. Many stories have abounded about satanic damage to fireplaces that may owe their true origin to faulty foundations rather than supernatural occurrences. However there is one story that has endured regarding Loftus Hall in Co. Wexford, of course like any tale, it should be prefaced with the words ‘Based on a True Story’.
Loftus Hall in the early 1900s, Copyright The National Library of Ireland
A house existed previously on the site of the current incarnation of Loftus Hall on the Hook Head Peninsula. It was known as Redmond Hall and it was in this house that the story of the visit of a mysterious stranger emanates. The Tottenham family were in residence the early 1770’s where, as the result of a storm, a ship deposited a mysterious man on the beach near the house. Redmond Hall being the one of the few houses in this area, the visitor was drawn to the lights from the windows. He made his equiries at the door and was welcomed in by Charles Tottenham. The young man stayed a number of days and a romance seemed to blossom with Charles’s daughter Anne.
One evening the family and their guest sat down to play cards. During the game Anne dropped her playing cards and leant down to pick them up. She was amused to see that the young man had removed his shoes. However when she glanced at his feet, she was disgusted to see her suitor had hooves. The young man seen Anne’s ashen face as she arose from beneath the table, he knew his true identity had been discovered. Anne screamed and the man regained his true form as the devil and then disappeared up through the ceiling in a puff of smoke. Anne never recovered from the shock of her close encounter with Satan and as a result she had a mental breakdown. Her family confined her to the Tapestry Room and the house became a magnet for supernatural activity. Anne remained in the Tapestry Room for the rest of her life, sitting in a hunched position refused to leave the window for fear that she may miss the return of the stranger from the shore. As a result, by the time of her death in 1775, her bones had become fused in this position. A special coffin had to be made and she was buried in the same position in which she had remained in for most of her life. This fact was confirmed when the Tottenham crypt was opened in the 1940’s and Anne’s unusual shaped coffin was seen. Despite an exorcism, the house and its replacement continued to be plagued by unexplained occurrences. In later years another tragedy was to occur at Loftus Hall when the second Marquis of Ormonde died on the the beach near the house in sight of his family. He and his family had traveled from Kilkenny Castle to Loftus Hall which he was renting from the Marquess of Ely on the 25th September 1854.
The house that now stands on the Hook peninsula was built in 1870 on the ruins of Redmond Hall by John Henry Wellington Graham Loftus, fourth Marquess of Ely. Loftus Hall was built to celebrate his coming of age, having inherited the estate and the title at the age of eight. The Marquess had another house in Fermanagh called Ely Lodge which he had blown up, also to celebrate his coming of age. It was his intention to rebuild this house but he spent too much on the new house in Wexford that his project in Fermanagh was never realised. Another reason put forward for blowing up Ely Lodge was to prevent Queen Victoria from making a visit, which seems drastic action to take to avoid an unwanted guest. Loftus Hall in Wexford reputedly stands on the foundations of the earlier seventeenth century house and it is said that both houses had a comparable footprint. The current owners believe that the new house was actually a remodeling of the existing house and incorporates numerous features from Redmond Hall. At the time of the rebuilding the Tapestry Room from the old house now became a billiards-room which continued to plagued by ghostly goings on. In later years the house keeper complained about the ghost of Anne Tottenham, “Oh! Master George, don’t talk about her. Last night she made a horrid noise knocking the billiard balls about’. The design of the new house was influenced by Queen Victoria’s Osbourne House on the Isle of Wight, as John’s mother, Jane Loftus, the Dowager Marchioness of Ely, was a Lady of the Bedchamber to the Queen . The mansion is deliberately aligned on an axis to maximise the vista over looking the Hook Peninsula. The eagle finials on the roof line are said to be relics from the earlier house and the gateway to the house is said to have been designed by Robert Adam for the first Viscount Loftus of Ely.
John Henry Wellington Graham Loftus, 4th Marquess of Ely, who built Loftus Hall when he came of age. He is pictured here with his mother, Jane Loftus (née Hope-Vere), Marchioness of Ely who is said to have influenced the design of the house.Photographed by John & Charles Watkins, published by Mason & Co (Robert Hindry Mason), circa 1860. Copyright the National Portrait Gallery London.
After the death of the fourth Marquess in 1889 and his wife in 1917, Loftus Hall was used as a convent by two different orders of nuns until 1983. After the departure of the holy orders the mansion was successfully run as a country hotel by the Devereux family until 1991. The mansion stood empty for a number of years and was sold in October 2008 to a Galway based businessman for around €1.7 million. However owing to the owner’s personal circumstances, it was put back up for sale in 2011. The local Quigley family purchased the house, mainly for the surrounding agricultural land but soon discovered the true value of the asset at its core, Loftus Hall. While they do not intend to restore the house, they have secured the fabric of the building by sorting out the leaky roof. The current owners have chosen to embrace the house’s troubled past and now use it to its advantage. They now provide ghost tours of the house which have attracted crowds of people. However when some ghostly faces were recently pictured at the windows of Loftus Hall, it has now made the house a popular tourist attraction and gained international attention
The image of the ghostly residents pictured at Loftus Hall, Co. Wexford.
If you wish to visit Loftus Hall and its ghosts, you can find more details by going to the website below:
With properties at a premium and construction at a standstill it’s not a particularly good time to be buying a home. However, if your budget runs to seven figures and you don’t mind living in one of the country’s most haunted houses then your search may be at an end.
For the princely sum of €2,650,000 prospective owners can now purchase the famous Loftus Hall and its surrounding 63 acres.
The mansion on the Hook peninsula was bought by Aidan and Shane Quigley in 2011 and subsequently opened to the public for the first time in 20 years in 2012.
Paddy McKillen Jr has cut the asking price for Loftus Hall in Wexford from €4 million to €3 million as the first phase of an ambitious redevelopment plan to turn the property into a luxury hotel nears competition.
When McKillen Jr first bought Loftus Hall in 2022, his development company Oakmount reportedly paid €1.75 million for the manor-style house and 68 acres of land, subsequently paying millions more on its restoration.
A spokesperson for Colliers said the current price “is reflective of market demand for an asset which requires substantial refurbishment work.”
Loftus Hall, which encompasses 2460 sq m, has been attracting interest from international wellness resort operators. The three-storey sea-view property overlooks the Hook lighthouse and peninsula and comes with walled gardens.
As it nears the end of McKillen’s phase one plans, Loftus Hall – built on the historic site of the original Redmond Hall – now has 22 upstairs bedrooms, a restored roof, replastered façade and a new bar and restaurant.
It also, famously, has reputation among locals for being haunted, according to its listing on Daft.ie.
“The property was purchased by the Quigley family in 2011 and run as a tourist attraction with guided tours of the property and seasonal events. In 2021 the property was bought by its current owners who had a masterplan to refurbish the original building over two phases,” the listing reads.
“The estate has already undergone extensive renovations, with Phase 1 nearing completion, set to transform the property into an exclusive 22-bedroom luxury hotel with high-end amenities, extensive food and beverage facilities, and beautifully landscaped gardens.”
Phase two of the redevelopment included an additional 56 bedroom hotel block, a gym and spa, dedicated wedding facilities for up to 300 seated guests, 33 standalone garden cottages, 10 eco pods along its perimeter, a children’s playground and more than two hundred car park spaces.
One of Ireland’s most storied properties, Loftus Hall at Fethard-on-Sea in Co Wexford, officially came to market this week and is being sold through Colliers for a reported ask of €4 million.
Developer Paddy McKillen Jr spent millions on preparatory works to convert the period pile into a high-end 22-bedroom boutique hotel after purchasing it in 2022 for €1.75 million.
The 68 acre estate which has a remarkable past, overlooks Hook Peninsula and Hook Lighthouse, and offers a blend of heritage and development potential.
[captions: The house was built in 1870, as the private residence of John Henry Wellington Graham Loftus, 4th Marquess of Ely, on the site of the original 14th-century Redmond Hall estate. Paddy McKillen’s company Oakmount had begun extensive renovations on the house, a protected structure, as part of an initial phase of development. Its original owner fell into financial difficulty and was forced to sell the property. The house later served as a convent and a hotel]
The property was built in about 1870 on the site of the original Redmond Hall estate (which dated back to 1350) and boasts a total gross internal area (GIA) of 2,460.7 square metres across three floors.
The 19th-century residence was initially the private residence of John Henry Wellington Graham Loftus, 4th Marquess of Ely, who fell into financial difficulty and was forced to sell it. It was later operated as a convent by the Sisters of Providence (1917) and then as a hotel before closing in the late 1990s.
In a case of history eerily repeating, McKillen Jnr is now divesting from his property business, Oakmount.Before that process began last autumn, Oakmount had begun extensive renovations on Loftus Hall, a protected structure, as part of an initial phase of development.
A second phase was proposed which would have added an additional 56-bedroom hotel block, a gym and spa, dedicated wedding facilities, 33 standalone garden cottages, and 10 eco pods strategically placed along the perimeter of the property.
Loftus Hall could serve as a luxury hotel, a private estate, or a heritage attraction. With its striking location, rich history, and potential for further development, it could become a premier hospitality destination.
For further inquiries or to arrange a private viewing, contact Marcus Magnier or Gillian Earley of Colliers at 01-6333785 or 01-6333708 respectively.
General Enquiries: 01 493 9462, rathfarnhamcastle@opw.ie
Rathfarnham Castle is a wonderful property to visit and I suspect, much underappreciated! It is one of the oldest surviving residences in Ireland, and has a variety of impressive ceilings. It is also another property which was inhabited by the Jesuits at one time, as was Emo Court in County Laois. Although they no longer own either of these properties, they still run schools in the former Castle Browne in County Kildare (now Clongowes Wood College) and Belvedere House in Dublin. They certainly knew how to pick impressive properties! [1]
Rathfarnham Castle was built around 1583 for Adam Loftus (1533-1605), a clergyman originally from Yorkshire, who rose to the position of Archbishop of Dublin and Lord Chancellor of Ireland. Its position outside the city of Dublin made it vulnerable to attack, so it was built as a fortified house, with four flanker towers shaped to give maximum visibility of the surrounding landscape. The OPW website tells us:
“Loftus wanted the Castle to be a grand and impressive home which would reflect his high status in Irish society. He also needed it to be easily defended against attack from hostile Irish families such as the O’Byrnes based in the mountains to the south. The design was radically modern for the time and based on recent continental thinking about defensive architecture. The angled bastion towers located at each corner of the building were equipped with musket loops which allowed a garrison of soldiers to defend all approaches to the castle.”
Archbishop-Chancellor Adam Loftus (1533-1605). The portrait is in Trinity College Dublin, as he was the first Provost. He was also Keeper of the Great Seal of Ireland, and he is here holding the embroidered purse which held the seal.Adam Loftus (1533-1605), Lord Chancellor, 1619. Painting hangs in Malahide Castle, courtesy of National Museum of Ireland.This shows the special shape of Rathfarnham Castle’s flanker towers.
Loftus had previously lived in an archiepiscopal palace in Tallaght, and it had been sacked by the O’Byrnes and O’Tooles from the Wicklow mountains, which is why he ensured that his new house in Rathfarnham had strong defenses. The Bishop’s Palace in Raphoe, now a ruin, is similarly shaped.
Maurice Craig points out in his The Architecture of Ireland from the earliest times to 1880 that there are a group of similar buildings, built over a period of fifty years or more: Rathfarnham; Kanturk for MacDonagh MacCarthy, built before 1609; Portumna for the Earl of Clanrickarde, before 1618; Manorhamilton for Sir Frederick Hamilton, probably around 1634; Raphoe, for Bishop John Leslie (the “Fighting Bishop” – see my entry on Castle Leslie https://irishhistorichouses.com/2020/08/07/castle-leslie-glaslough-county-monaghan/) in 1636, and Burncourt for Sir Richard Everard before 1650. Manorhamilton is a section 482 ruin (see my entry https://irishhistorichouses.com/2025/02/20/manorhamilton-castle-castle-st-manorhamilton-co-leitrim/) and we visited Portumna in County Galway – see my entry https://irishhistorichouses.com/2022/02/14/office-of-public-works-properties-connacht/. The buildings resemble a fort, such as Mountjoy Fort in County Tyrone built 1600-1605. Killenure, County Tipperary, is similar but has cylindrical flankers, Craig tells us. This last was unroofed by 1793, and it is now (2025) a Section 482 property which I must visit!
Loftus attended Cambridge, where he took holy orders as a Catholic priest. Upon Queen Elizabeth’s accession to the throne in 1558, he declared himself Anglican. The Dictionary of Irish Biography tells us that a major turning point in Loftus’s life and career occurred in 1560, when he emigrated to Ireland as a chaplain to Thomas Radcliffe, 3rd Earl of Sussex, who had been granted a commission to serve as Lord Lieutenant of Ireland by Queen Elizabeth. On the recommendation of Sussex, Loftus was appointed Archbishop of Armagh, his consecration taking place on 2 March 1563. In January 1565, on account of the poverty of the archbishopric of Armagh, Queen Elizabeth granted Loftus the deanery of St Patrick’s cathedral in Dublin. In 1567 he was made Archbishop of Dublin.
It was Adam Loftus who had Reverend Dermot O’Hurley executed, whom I wrote about a couple of weeks ago in my entry about Doheny & Nesbitt.
The Dictionary of Irish Biography tells us:
He was “a strongly delineated establishment figure whose primary concerns were to serve the crown in Ireland, in whatever capacity the queen and her advisers thought fit; and to build up his own personal affinity, so that he would be in a position to execute the offices that came his way with a measure of genuine political and social authority. Thus, during the periods when the archbishop served as lord chancellor of Ireland (1581–1605), or as acting governor of the country during the periodic absences from Ireland of a serving viceroy (August 1582–June 1584, November 1597–April 1599, September 1599–February 1600), he was also careful to establish a network of connections throughout the country, particularly through the marriage of his children to leading families among the new English protestant elite. Among the families with which Loftus made these connections were the Bagenals of Co. Down, the Dukes of Castlejordan, the Hartpoles of Shrule, the Usshers of Dublin, the Colleys of Castle Carbury, the Berkeleys of Askeaton, and the Warrens of Warrenstown. The social ascent of Loftus and his family was also evident in the archbishop’s decision to proceed with the purchase of the estate of Rathfarnham, Co. Dublin (c.1589–90), on which he built a stately castle.” [2]
Adam Loftus married Jane Purdon. They had twenty children, not all of whom survived to adulthood, and those who did married very well.
Anne Loftus married, first, Henry Colley of Castle Carbury in County Kildare, and second, Edward Blayney, 1st Lord Blayney, Baron of Monaghan.
Martha Loftus (d. 1609) married Thomas Colclough (1564-1624) of Tintern Abbey in Wexford.
Isabelle Loftus (d. 1597) married William Ussher (1561-1659)
Thomas Loftus (d. 1635) married Helen Hartpole of Shrule.
Alice Loftus (d. 1608) married Henry Warren of Warrenstown, County Offaly.
Katherine Loftus married Francis Berkeley of Askeaton, County Limerick.
son Adam died unmarried in 1599.
Margaret Loftus married George Colley of Castle Carbury.
Edward Loftus (d. 1601) married Anne Duke of Castle Jordan, County Meath.
Dudley Loftus (1561-1616) married Anne Bagenal of Newry Castle, County Down, daughter of Nicholas Henry Bagenal, Marshal of Ireland.
Dorothy Loftus (d. 1633) married John Moore (d. 1633)
Adam Loftus was the first Provost of Trinity College Dublin.
The Dictionary of Irish Biography continues:
“Although by the early 1590s Loftus had largely reconciled himself to the reality that the task of converting the indigenous community to protestantism, and securing its allegiance to the state church, was beyond him, the queen and her advisers still expected him to discharge his religious duties and press ahead with reforming initiatives on behalf of the state church. To this end, and in the midst of a period of mounting political crisis that culminated in the outbreak of the Nine Years War, Loftus was the prime mover behind the foundation of TCD, which received its royal charter on 3 March 1592. The archbishop also served as the college’s first provost till June 1594.“
Adam Loftus died in the old Palace of St. Sepulchre beside St. Patrick’s Cathedral, which until recently was the Garda barracks on Kevin Street, now housed in a new building. I hope they will make something of the historic old archbishop’s palace now, which could be a great museum!
Adam’s son Dudley (1561-1616) sat in the Irish parliament for Newborough in County Wexford. He married Anne Bagenal of Newry Castle, County Down, daughter of Nicholas Henry Bagenal, Marshal of Ireland. The castle passed to their son, Adam Loftus (1590-1666), who married Jane Vaughan of Golden Grove, County Offaly.
Another son of Dudley and Anne Bagenal was Nicholas Loftus (1592-1666), the ancestor of Henry Loftus, the Earl of Ely. Nicholas’s second son Henry (1636-1716) lived in Loftus Hall in County Wexford.
Loftus Hall, County Wexford, for sale April 2025 courtesy Colliers.Formerly named Redmond Hall, it is a three-storey mansion built in 1871, incorporating parts of a previous house here, which was late 17th century or early C18. [3]
Adam Loftus (1590-1666) and Jane née Vaughan’s children also made good marriages. Their son Arthur Loftus (1616-1659) married Dorothy Boyle (1616-1668), daughter of Richard Boyle the 1st Earl of Cork. Arthur also served as MP for County Wexford, as well as Provost Marshall of Ulster.
The castle came under seige in 1641 and in 1642 the house was occupied by Cromwell’s Parliamentary troops. [4] In 1649 it was stormed and taken by Royalist troops under the Marquess of Ormond and all occupants were taken as prisoners. Ormond writes that nobody was killed. [5] Rathfarnham Castle was restored to Adam Loftus (1590-1666) when Charles II was crowned king.
Adam’s son Arthur predeceased him, so the castle passed to Arthur’s wife Dorothy née Boyle. In 1665 she obtained six firelock muskets from the Master of Ordinance to protect the castle.
Arthur Loftus and Dorothy née Boyle had a son Adam Loftus (1632-1691). Adam Loftus was Ranger of the Phoenix Park in Dublin and from 1685, a member of the Irish Privy Council. King James II created him Baron of Rathfarnham and Viscount Lisburne in the Peerage of Ireland. Adam married Lucy Brydges, daughter of George Brydges, 6th Baron Chandos of Sudeley, England.
Lucy Loftus née Brydges (1654-1681), by Peter Lely.She was a renowned Restoration beauty and the first wife of Viscount Adam Loftus. He died at the Siege of Limerick in 1691 and the cannon ball which reputedly killed him hangs in St Patrick’s Cathedral. Lucy is dressed in pseudo-antique clothing against an Arcadian landscape. The parrot in the background is an ambiguous symbol and can refer to a number of characteristics including eloquence, marital obedience or exoticism. Peter Lely was of Dutch origin but spent most of his career in England and became the most influential portrait painter at court following the death of Anthony van Dyck. He successfully navigated the turbulence of the 17th century to paint at the court of Charles I, the Cromwellian Commonwealth and Charles II following the Restoration. Lely was prolific, often only painting the sitter’s head while students and assistants at his studio completed the portraits.
After his wife Lucy died, Adam Loftus married Dorothy, the daughter of Patrick Allen or Alen, of St. Wolstan’s of Celbridge in County Kildare. Adam was a gallant at the court of King Charles II.
Despite earning his peerage from King James II, Adam Viscount Lisburn supported the cause of William III. He died at the Siege of Limerick in 1691 and the cannon ball which reputedly killed him hangs in St Patrick’s Cathedral.
The castle passed to Adam’s daughter Lucy, who married Thomas Wharton, 1st Marquess of Wharton in 1692, who in 1715 was created 1st Earl of Rathfarnham, 1st Marquess of Carlow and 1st Baron of Trim.
Lucy Loftus, Marchioness of Wharton (1670-1717) by Godfrey Kneller.
Lucy and the Marquess of Wharton had a son Philip, who became the Duke of Wharton. He was a Jacobite and supporter of the titular James III, and was subsequently granted many titles. The Peerage website lists the titles. As well as those he inherited from his father, he was created 1st Viscount Winchendon, Co. Buckingham [England] and 1st Marquess of Woodburn, Co. Buckingham [England], 1st Earl of Malmesbury, Co. Wilts [England] on 22 December 1716, Jacobite.
He was appointed Privy Counsellor (P.C.) in Ireland between 1717 and 1726. He was created 1st Duke of Wharton, Co. Westmorland [Great Britain] on 28 January 1717/18, in an attempt by the authorities to wean him from his Jacobitism and make him a good Whig like his father. Darryl Lundy of The Peerage website tells us that his Dukedom did at least make him for a while speak and vote with the Tories in the House of Lords, for instance in debates on the South Sea Bubble. He lost a fortune from participation in the South Sea Bubble. In June 1725 he left the country. He was Envoy to Vienna in August 1725, for the Jacobite King James III, and then Envoy to Madrid in March 1725/26.
Philip Wharton Duke of Wharton by Rosalba Carriera – Royal Collection, Public Domain.
Out of money, he took a position in the Jacobite forces and commanded a Spanish detachment at the Siege of Gibraltar in 1727, fighting against the English. On 3 April 1729 he was outlawed and his titles and such estates as he still held in Britain forfeited.
He had no surviving male issue when he died on 31 May 1731. On his death, all his titles, most forfeited by his treason, expired, except the Barony of Wharton, which was deemed by the House of Lords in 1915 to be descendible to his heirs.
He sold Rathfarnham Castle in 1724. It was purchased by Speaker William Conolly for £62,000. Speaker Conolly never lived in the Castle since he had built Castletown in County Kildare, and he leased Rathfarnham in 1742 to Dr. Hoadley, Archbishop of Armagh.
Dr. Hoadley was interested in building, and he had built an Episcopal mansion in Tallaght to replace a medieval castle. He then restored Rathfarnham Castle. It was famed for its excellent agriculture and fruit gardens. [see 5].
Dr. Hoadley’s daughter Sarah married Bellingham Boyle (1709-1772), and they inherited Rathfarnham Castle. Boyle also took an interest in farming and grew the first oats in Ireland. [see 5]. The Hoadley-Boyle tenancy lasted for twenty-five years, and Bellingham Boyle and his wife mixed in high society, entertaining two Lords Lieutenant in the castle: the Duke of Devonshire and the Earl of Harrington. Boyle may be be responsible for installing some of the delicate rococo ceilings in the castle.
“Bellingham Boyle (1709-1772). He inherited Rathfarnham Castle in 1746 from his father-in-law, Archbishop John Hoadley who leased the castle in 1742 by “indented lease renewable forever.” Bellingham Boyle served as an MP, first for Bandon then for Youghal in Cork and was later appointed a Commissioner for the Revenue. Prior to his marriage, Belingham travelled across Europe to Italy where he had his portrait painted by Giorgio Dupra.”
Interestingly, in Aug 1742, Bellingham Boyle was appointed to a commission to investigate the soundness of mind of Jonathan Swift, Dean of St. Patrick’s Cathedral in Dublin. The Writ “De Lunatico Inquirendo,” in the case of Jonathan Swift, D.D. was issued to investigate and ascertain whether the ailing Dean Swift was of unsound mind and memory to safely conduct his own business. Belllingham Boyle was one of 12 commissioned to perform the investigation. Dean Swift was found to be of unsound mind and memory and was placed under the protection of the Court of Chancery. [6]
Boyle’s daughter Anne married Robert Langrishe 2nd Baronet Langrishe, of Knocktopher, Co. Kilkenny.
Knocktopher Abbey, Knocktopher, Co. Kilkenny, for sale November 2024, photograph courtesy DNG Country Homes & Estates.
The castle returned to the ownership of the Loftus family in 1767, to Nicholas Hume Loftus, 2nd Earl of Ely, a descendant of the original owner Adam Loftus. Nicholas never married and on his death in 1769 the Castle passed to his uncle, Henry Loftus (created Earl of Ely in 1771). Henry continued the remodelling of the castle and the works were completed by the time of his death in 1783.
Let us backtrack now to look at the descendants of the first Adam Loftus. Adam’s grandson Nicholas lived in Fethard, County Wexford, in the precursor to Loftus Hall. His son Henry (1636-1716) of Loftus Hall was the father of Nicholas Loftus (1687-1763) who was created 1st Viscount Loftus of Ely.
Nicholas Loftus, 1st Viscount Ely (1687-1763). Painter unknown. This painting was completed in 1758 to mark the 70th birthday of Nicholas, father of both Nicholas (the 1st Earl of Ely) and Henry Loftus. He sits next to a book entitled The Present State of Ireland. This anonymous work was originally published in 1730 and contained criticism of the amount of money flowing out of Ireland to absentee landlords, no doubt reflecting Nicholas’s concern with the financial state of the kingdom. He is sometimes known as “the Extinguisher” because of his threat to extinguish the Hook lighthouse in Wexford unless the rent he received from it was increased.
Nicholas served as MP for Wexford, and married Anne Ponsonby, daughter of William Ponsonby, 1st Viscount Duncannon. He was first created Baron Loftus of Loftus Hall in 1751, and then assumed a seat in the House of Lords, and became Privy Counsellor of Ireland in 1753. He was created Viscount Loftus of Ely in County Wicklow in 1756.
After Anne died, around 1724, Nicholas Viscount Ely married Letitia Rowley (d. 1765) of Summerhill in County Meath. To make matters more confusing, she had been previously married to Arthur Loftus (1644-1725) 3rd Viscount of Ely!
Summerhill, County Meath, etnrance front, photograph: Maurice Craig, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
Viscount Loftus is a title that has been created three times in the Peerage of Ireland for members of the Anglo-Irish Loftus family. The first creation was for Adam Loftus (1568-1643) on 10 May 1622, who served as Lord Chancellor of Ireland in 1619. He is not to be confused the our Adam Loftus (1533-1605) of Rathfarnham Castle. This title became extinct in 1725 upon the death of the third viscount, who had no male heir, despite having married three times.
Nicholas and Anne’s son Nicholas Loftus (1708-1766) became the 1st Earl of Ely, and added Hume to his surname after marrying Mary Hume, daughter of Gustavus Hume, 3rd Baronet of Castle Hume, County Fermanagh. As well as Loftus Hall in Wexford, they owned 13 Henrietta Street in Dublin. He became known as the “wicked earl” due to a court hearing about the supposed mental incapacity of his son, also named Nicholas. Young Nicholas’s uncle, George Rochfort (1713-1734), brother of the 1st Earl of Belvedere, sought to have young Nicholas declared incapable of succeeding to the title. George Rochfort was married to another daughter, Alice, of Gustavus Hume, 3rd Baronet of Castle Hume. Family members testified that young Nicholas was of normal intelligence, and that any eccentric behaviour should be blamed on his father’s ill-treatment. The trial lasted for nine years and was even brought to the House of Lords. Poor young Nicholas died before the trial was finished and Rochfort’s case was declared invalid.
Nicholas Hume Loftus, 1st Earl of Ely (1708-1766), unknown artist. It was after Nicholas Loftus (son of the Extinguisher) had married into the wealthy Hume family that the Ely earldom was created for the first time. This depicts Nicholas, the so-called “Wicked Earl” in the doctoral robes of Trinity College Dublin.Nicholas Hume Loftus, 1st Earl of Ely (1708-1766) by Jacob Ennis. These two portraits depict Nicholas, the so-called “Wicked Earl” at various stages of his life. Nicholas is much older in the Ennis portrait. Jacob Ennis was an Irish historical and portrait painter who spent some time studying in Italy. He was later a Master in the Dublin Society’s Drawing Schools.
Nicholas Loftus Hume officially succeeded as 2nd Earl of Ely (1738-1769). It was through him that Rathfarnham Castle returned to Loftus ownership. Nicholas bequeathed Rathfarnham Castle and the estate to his uncle, Henry Loftus (1709-1783) who became the 1st Earl of Ely of the second creation. Henry was the younger son of Nicholas Loftus (d. 1763) 1st Viscount Loftus and Anne née Ponsonby, brother to the earlier Nicholas Hume Loftus (d. 1766) 1st Earl of Ely, the Wicked Earl.
Henry Loftus, 1st Earl of Ely of the 2nd Creation (1709-1783) by Angelica Kauffman. Henry inherited Rathfarnham Castle and its demesne in 1769 upon the death of Nicholas, his nephew. Nicholas had been the subject of a long running legal case concerning the state of his mind and Henry had supported him throughout. The Swiss artist Angelica Kauffman is known to have spent several months in Dublin in 1771. As well as this portrait which was probably completed to mark Henry’s elevation to the earldom of Ely, this renowned painter also completed a group portrait of Henry and his family (now in the National Gallery) as well as a series of ceiling paintings for the long gallery on the first floor depicting scenes from Greek mythology.
Between 1769 and his death in 1783 Henry funded some of the most substantial 18th century changes to Rathfarnham Castle and the demesne.
He contracted Sir William Chambers to remodel several of the rooms including the Ballroom and Anteroom. Externally, the window openings were enlarged, and a new stone Tuscan entrance portico added, probably to the designs of William Chambers. The original battlements were removed and the new parapet was embellished with ball finials and urns some of which also serve as chimneys. On the south front new garden steps were added, while on the east front a three bay bow had been added by 1774.
“Loftus’s castle, with its four flanker towers, is an excellent example of the Elizabethan fortified house in Ireland. In the late eighteenth century, the house was remodelled on a splendid scale employing some of the finest architects of the day including Sir William Chambers and James ‘Athenian’ Stuart. The collection includes family portraits by Angelica Kauffman, Sir Peter Lely, and Hugh Douglas Hamilton.“
From an information panel in the entrance hall: “This room is believed to have been built to a design by the influential architect Sir William Chambers (1723-1796). Despite never visiting Ireland, Chambers left a significant mark on Dublin where he also designed the Casino at Marino, Charlemont House on Parnell Square, and much of Front Square in Trinity College. The floor and free standing Doric columns are in Portland stone. The painted glass panels featuring fruit and flowers are believed to be by the Dublin Huguenot artist Thomas Jervais (d. 1799). The marble relief busts on the walls depict well known figures from the Classical and Renaissance past, including the Egyptian queen Cleopatra and Italian poet Dante. These sculptures seem to have been acquired in Italy and would have been incorporated into the design of the Entrance Hall to signal the taste and refinement and learning of the Loftus family. The original eighteenth century marble fireplace was replaced with a painted timber one in around 1913. It was one of several of the original fireplaces which were removed and sold when the Blackburne family left the castle in 1911.“
Henry Loftus (1709-1783) is pictured below. He married first, Frances Monroe of Roe’s Hall, County Down, (pictured below), who died in 1774, then married secondly Anne Bonfoy. He purchased Ely House in Dublin (built 1770) from Sir Gustavus Hume, 3rd Baronet (now owned by the Knights of Columbanus).
Painting by Angelica Kauffman, who spent several months in Dublin in 1771. It shows Henry Loftus 1st Earl of Ely of the 2nd Creation (1709-1783) with his wife Frances, her nieces and an exotic trophy servant, a young Indian page in Oriental dress carrying a cushion with two coronets, symbolising the title the Earl had just received. The older niece, Dolly Monroe, was Classical costume. Her younger sister Frances plays a fashionable aria on the harpsichord.
As well as the ante room and ballroom and the entrance hall on the first floor, Chambers was responsible for the small drawing room ceiling, back staircase lobby, and the octagonal room in one of the towers.
There are also several rooms which are attributed to architect and designer James “Athenian” Stuart, whose best work in Ireland is the Temple of the Winds at Mount Stewart, County Down. Stuart was employed at Rathfarnham from at least 1769 and was responsible for the design of the ground floor gallery and two rooms above it. He was also involved in the decoration of some interiors at the family townhouse, Ely House, Dublin.
Henry Loftus was succeeded by his nephew Charles Tottenham (1738-1806), son of Henry’s sister Elizabeth (1720-1747) and her husband John Tottenham (1714-1786) 1st Baronet of Tottenham Green, County Wexford. Charles Tottenham’s name was changed to Charles Loftus in 1783 after the death of Henry Loftus 1st Earl of Ely of the 2nd Creation.
Charles held the office of Member of Parliament (M.P.) for New Ross between 1761 and 1768, M.P. for Bannow between 1768 and 1776, M.P. for New Fethard between 1776 and 1783. and M.P. for County Wexford between 1783 and 1785. He was created 1st Baron Loftus of Loftus Hall, Co. Wexford [Ireland] on 28 June 1785. He succeeded as the 2nd Baronet Tottenham [I., 1780] on 29 December 1786. He was created 1st Viscount Loftus of Ely [Ireland] on 28 December 1789 and 1st Earl of Ely [Ireland] on 2 March 1794. He was created 1st Marquess of Ely [Ireland] on 1 January 1801 and 1st Baron Loftus of Long Loftus, Co. York [U.K.] on 19 January 1801. He was also Privy Counsellor.
Charles Tottenham Loftus, Marquis of Ely by Hugh Douglas Hamilton. Charles was the nephew of Henry Loftus Earl of Ely and inherited Rathfarnham Castle and the demesne on his death in 1783. The painting shows Charles in the robes of the Irish House of Lords. He is also wearing a chain indicating his membership of the prestigious Order of St Patrick. He was elevated to a Marquis, given a baronetcy in England as well as £45,000 in return for his votes in favour of the Act of Union. Hugh Douglas Hamilton (1740-1808) was born and grew up in Dublin and attended the Dublin Society’s Drawing Schools. He had a long and successful career as an artist and worked in London and Rome as well as Dublin. He is perhaps best known for his work in pastels and left an extensive series of portraits of leading figures in Irish society.
At Rathfarnham, Charles did little beyond the erection in 1790 of the Gothic or Back Gate, now almost competely demolished to make way for a road.
He married Jane Myhill of Killarney, County Kerry. Her sister Hannah married Hercules Langrishe, 1st Baronet of Knocktopher, County Kilkenny.
The Dining Room. “This room remains unrestored which allows us to see the changes and alternations which were made to the building over the years. The door on the left-hand (northern) wall is typically eighteenth century in style and decoration. However to the left of it a trace of the original Elizabethan doorway is visible. It was blocked up during the 18th century refurbishments. The bow extension to the eastern side of the building is another change dating to that period which added space and brought more light into these rooms. The 18th century timber wall panelling and lining paper survives in this room. It is likely that the walls were covered with silk. Although designed as a dining room, in the 20th century the Jesuits used this room as a library.“
The Castle fell into disrepair. From the Parliamentary Gazetteer of Ireland 1846 (vol. iii): ‘Rathfarnham Castle, situated in a once noble demesne, at the south-east extremity of the village, was not long ago esteemed a magnificent building, and boasted a gorgeous picture-gallery, and superb series of garden and pleasure grounds, but it was allowed to fall into decay in consequence of the prolonged non-residence of its proprietor, the Marquis of Ely, and it now prosaically, though usefully, figures as a diary‘.
At this time, John Loftus (1770-1845) was 2nd Marquess of Ely, who inherited the Castle and lands from his father, Charles Tottenham Loftus. John Loftus rented out the house and surrounding lands, and between 1812 and 1852 the estate was leased to the Roper family. [from the castle’s Instagram page]
Oil painting on canvas, John Loftus, 2nd Marquess of Ely (1770-1845), attributed to Sir Thomas Lawrence (1769-1830). A three-quarter-length portrait, in a brown coat and blue sash. Peer’s robes to the right, red curtain to the background. A picture of the sitter’s wife by Lawrence is in the Art Institute of Chicago. By Studio of Thomas Lawrence – Sothebys, Public Domain, https://commons.wikimedia.org/w/index.php?curid=15266849
Rathfarnham Castle was sold in 1852 to Francis Blackburne (1782-1867), Lord Chancellor of Ireland.
Francis Blackburne (1782-1867), Lord Chancellor of Ireland, 1852 by engraver George Sanders, after Stephen Catterson Smith, courtesy of National Gallery of Ireland.
His family lived there until 1911. Coincidentally almost in the footsteps of Adam Loftus who built Rathfarnham Castle, Francis Blackburne became Vice-Chancellor of Trinity College.
The Society of Jesus then acquired the building and for much of the remainder of the 20th century it was used as a Retreat House for lay visitors as well as accommodation for seminarians attending college in the city. Following the departure of the Jesuits in 1985, the Castle came into the care of the state and a great deal of restoration work has been carried out. Most of the rooms have been restored to their 18th century state and several are furnished with a collection of fine eighteen and nineteenth century pieces from continental Europe, Britain and Ireland.
[3] Loftus Hall: Formerly named Redmond Hall, it is a three-storey mansion built in 1871, incorporating parts of a previous house here, which was late 17th century or early C18.
Loftus Hall, County Wexford, for sale April 2025 photograph courtesy Colliers.Loftus Hall, County Wexford, for sale April 2025 photograph courtesy Colliers.Loftus Hall, County Wexford, for sale April 2025 photograph courtesy Colliers.Loftus Hall, County Wexford, for sale April 2025 photograph courtesy Colliers.Loftus Hall, County Wexford, for sale April 2025 photograph courtesy Colliers.
General Enquiries: 01 493 9462, rathfarnhamcastle@opw.ie
From the OPW website:
“The castle at Rathfarnham dates back to the Elizabethan period. It was built [around 1583] for Adam Loftus, a Yorkshire clergyman and politician [1533-1605]. Loftus was ambitious and eventually rose to become Archbishop of Dublin and Lord Chancellor of Ireland.
“Loftus’s castle, with its four flanker towers, is an excellent example of the Elizabethan fortified house in Ireland. In the late eighteenth century, the house was remodelled on a splendid scale employing some of the finest architects of the day including Sir William Chambers and James ‘Athenian’ Stuart. The collection includes family portraits by Angelica Kauffman, Sir Peter Lely, and Hugh Douglas Hamilton.
Archbishop-Chancellor Adam Loftus (1533-1605). The portrait is in Trinity College Dublin, as he was the first Provost. He was also Keeper of the Great Seal of Ireland, and he is here holding the embroidered purse which held the seal.
“Loftus wanted the Castle to be a grand and impressive home which would reflect his high status in Irish society. He also needed it to be easily defended against attack from hostile Irish families such as the O’Byrnes based in the mountains to the south. The design was radically modern for the time and based on recent continental thinking about defensive architecture. The angled bastion towers located at each corner of the building were equipped with musket loops which allowed a garrison of soldiers to defend all approaches to the castle.” He married Jane Purdon. He was also the Provost of Trinity College Dublin, and Lord Chancellor of Ireland. They had many children, who married very well. [He died while he was Archbishop of Dublin, in the old Palace of St. Sepulchre beside St. Patrick’s Cathedral, which until recently was the Garda barracks on Kevin Street, now housed in a new building. I hope they will make something of the historic old archbishop’s palace now, which could be a great museum!]
Loftus had previously lived in an archiepiscopal palace in Tallaght, and it had been sacked by the O’Byrnes and O’Tooles from the Wicklow mountains, which is why he ensured that his new house in Rathfarnham had strong defenses. The Bishop’s Palace in Raphoe, now a ruin, is similarly shaped.
Maurice Craig points out in his The Architecture of Ireland from the earliest times to 1880 that there are a group of similar buildings, built over a period of fifty years or more: Rathfarnham; Kanturk for MacDonagh MacCarthy, before 1609; Portumna for the Earl of Clanrickarde, before 1618; Manorhamilton for Sir Frederick Hamilton, probably around 1634; Raphoe, for Bishop John Leslie (the “Fighting Bishop” – see my entry on Castle Leslie https://irishhistorichouses.com/2020/08/07/castle-leslie-glaslough-county-monaghan/) in 1636, and Burntcourt for Sir Richard Everard before 1650. Manorhamilton is a section 482 ruin which I will be writing about, and we visited Portumna in County Galway – see my entry https://irishhistorichouses.com/2022/02/14/office-of-public-works-properties-connacht/. The buildings resemble a fort, such as Mountjoy Fort in County Tyrone built 1600-1605. Killenure, County Tipperary, is similar but has cylindrical flankers, Craig tells us. This last was unroofed by 1793.
The Rathfarnham website continues: “[Adam Loftus’s] son Dudley (1561-1616) married Anne Bagenal, daughter of Nicholas Henry Bagenal, Marshal of Ireland. The castle passed to his son, Adam Loftus (1590-1666), who married Jane Vaughan of Golden Grove, County Offaly. Their son Arthur Loftus (1616-1659) married Dorothy Boyle, daughter of Richard Boyle the 1st Earl of Cork. They had a son, Adam Loftus (1632-1691) who became the 1st and last Viscount Lisburne. His only son died in infancy. Viscount Loftus was killed at the Seige of Limerick.
Lucy Loftus nee Brydges (1654-1681), by Peter Lely. She was a renowned Restoration beauty and the first wife of Viscount Adam Loftus. He died at the Siege of Limerick in 1691 and the cannon ball which reputedly killed him hangs in St Patrick’s Cathedral. Lucy is dressed in pseudo-antique clothing against an Arcadian landscape. The parrot in the background is an ambiguous symbol and can refer to a number of characteristics including eloquence, marital obedience or exoticism. Peter Lely was of Dutch origin but spent most of his career in England and became the most influential portrait painter at court following the death of Anthony van Dyck. He successfully navigated the turbulence of the 17th century to paint at the court of Charles I, the Cromwellian Commonwealth and Charles II following the Restoration. Lely was prolific, often only painting the sitter’s head while students and assistants at his studio completed the portraits.
Another son of Dudley and Anne Bagenal was Nicholas Loftus (1592-1666), the ancestor of Henry Loftus, the Earl of Ely. Nicholas’s second son Henry (1636-1716) lived in Loftus Hall in County Wexford, and was the father of Nicholas Loftus, 1st Viscount Loftus of Ely. He married Anne Ponsonby, daughter of William Ponsonby, 1st Viscount Duncannon, and they had, first, the son Nicholas Loftus (1708-1766), who became the 1st Earl of Ely, and who added Hume to his surname after marrying Mary Hume, daughter of Gustavus Hume, 3rd Baronet of Castle Hume, County Fermanagh.
Nicholas Loftus, 1st Viscount Ely (1687-1763). Painter unknown. This painting was completed in 1758 to mark the 70th birthday of Nicholas, father of both Nicholas (the 1st Earl of Ely) and Henry Loftus. He sits next to a book entitled The Present State of Ireland. This anonymous work was originally published in 1730 and contained criticism of the amount of money flowing out of Ireland to absentee landlords, no doubt reflecting Nicholas’s concern with the financial state of the kingdom. He is sometimes known as “the Extinguisher” because of his threat to extinguish the Hook lighthouse in Wexford unless the rent he received from it was increased.
Nicholas Loftus 1st Earl of Ely and his wife Mary Hume gave birth to Nicholas Loftus Hume, 2nd Earl of Ely (1738-1769).
Nicholas Hume Loftus, 1st Earl of Ely (1708-1766), unknown artist. It was after Nicholas Loftus (son of the Extinguisher) had married into the wealthy Hume family that the Ely earldom was created for the first time. This depicts Nicholas, the so-called “Wicked Earl” in the doctoral robes of Trinity College Dublin. Nicholas Hume Loftus, 1st Earl of Ely (1708-1766) by Jacob Ennis. These two portraits depict Nicholas, the so-called “Wicked Earl” at various stages of his life. Nicholas is much older in the Ennis portrait on the left. Lord Loftus allegedly mistrated his son (also Nicholas) leading to a protracted court case. That son would later bequeath Rathfarnham Castle and the estate to his uncle, Henry Loftus (1709-1783) who became the 1st Earl of Ely (of the second creation). Jacob Ennis was an Irish historical and portrait painter who spent some time studying in Italy. He was later a Master in the Dublin Society’s Drawing Schools.Henry Loftus, 1st Earl of Ely of the 2nd Creation (1709-1783) by Angelica Kauffman. Henry inherited Rathfarnham Castle and its demesne in 1769 upon the death of Nicholas, his nephew. Nicholas had been the subject of a long running legal case concerning the state of his mind and Henry had suppported him throughout. Between 1769 and his death in 1783 Henry funded some of the most substantial 18th century changes to Rathfarnham Castle and the demesne. He contracted Sir William Chambers to remodel several of the rooms including the Ballroom and Anteroom. The Swiss artist Angelica Kauffman is known to have spent several months in Dublin in 1771. As well as this portrait which was probably completed to mark Henry’s elevation to the earldom of Ely, this renowned painter also completed a group portrait of Henry and his family (now in the National Gallery) as well as a series of ceiling paintings for the long gallery on the first floor depicting scenes from Greek mythology.
Henry Loftus (1709-1783) pictured below. He married first, Frances Monroe of Roe’s Hall, County Down, (pictured below), who died in 1774, then married secondly Anne Bonfoy. He purchased Ely House in Dublin (built 1770) from Sir Gustavus Hume, 3rd Baronet.
Painting by Angelica Kauffman, who spent several months in Dublin in 1771. It shows Henry Loftus with his wife Frances, her nieces and an exotic trophy servant, a young Indian page in Oriental dress carrying a cushion with two coronets, symbolising the title the Earl had just received. The older niece, Dolly Monroe, was Classical costume. Her younger sister Frances plays a fashionable aria on the harpsichord.
Rathfarnham Castle remained in the hands of the Loftus family and their heirs until it was purchased in 1723 by Speaker William Conolly of Castletown, Co Kildare, for £62,000. It returned to ownership of the Loftus family in 1767 when it was purchased by Nicholas Hume-Loftus.
Speaker Conolly never resided at Rathfarnham, leasing it instead to Joan Hoady, Archbishop of Dublin, from 1730-1742, who began the series of alterations that were to transform the castle into a modern country residence. He gave it to his son-in-law Bellingham Boyle.
“Bellingham Boyle (1709-1772). He inherited Rathfarnham Castle in 1746 from his father-in-law, Archbishop John Hoadley who leased the castle in 1742 by “indented lease renewable forever.” Bellingham Boyle served as an MP, first for Bandon then for Youghal in Cork and was later appointed a Commissioner for the Revenue. Prior to his marriage, Belingham travelled across Europe to Italy where he had his portrait painted by Giorgio Dupra.”
The castle returned to the ownership of the Loftus family in 1767 when it was purchased by Nicholas Hume-Loftus. Nicholas never married and on his death in 1769 the Castle passed to his uncle, Henry Loftus (created Earl of Ely in 1771). Henry continued the remodelling of the castle and the works were completed by the time of his death in 1783.
Henry Loftus (1709-1783) commissioned Sir William Chambers to remodel and redecorate Rathfarnham Castle. There are also several rooms which are attributed to architect and designer James “Athenian” Stuart. Much of the neo-classical design of the Castle today can be attributed to these two architects. Externally, the window openings were enlarged, and a new stone Tuscan entrance portico added, probably to the designs of William Chambers. The original battlements were removed and the new parapet was embellished with ball finials and urns some of which also serve as chimneys. On the south front new garden steps were added, while on the east front a three bay bow had been added by 1774. Most of the main interiors can now be attributed with certainty to James Stuart, whose best work in Ireland is the Temple of the Winds at Mount Stewart, County Down, and Sir William Chambers. Stuart was employed at Rathfarnham from at least 1769 and was responsible for the design of the ground floor gallery and two rooms above it. He was also involved in the decoration of some interiors at the family townhouse, Ely House, Dublin. Chambers was responsible for the small drawing room ceiling, back staircase lobby, the ante room and ballroom above, the entrance hall on the first floor, and the octagonal room in one of the towers.
Henry Loftus was succeeded by his nephew Charles Tottenham who did little beyond the erection in 1790 of the Gothic or Back Gate, now almost competely demolished to make way for a road.
Charles Tottenham Loftus, 1st Marquess of Ely by Hugh Douglas Hamilton. Charles was the nephew of Henry Loftus Earl of Ely and inherited Rathfarnham CAstle and the demesne on his death in 1783. The painting shows Charles in the robes of the Irish House of Lords. He is also wearing a chain indicating his membership of the prestigious Order of St Patrick. He was elevated to a Marquis, given a baronetcy in England as well as £45,000 in return for his votes in favour of the Act of Union. Hugh Douglas Hamilton (1740-1808) was born and grew up in Dublin and attended the Dublin Society’s Drawing Schools. He had a long and successful career as an artist and worked in London and Rome as well as Dublin. He is perhaps best known for his work in pastels and left an extensive series of portraits of leading figures in Irish society.Jane Tottenham-Loftus (nee Myhill), 1740-1807, Marchioness of Ely. After Angelica Kauffman. She was married to Charles Tottenham Loftus, 1st Marquis of Ely, whose portrait hangs in the Ballroom. He was the son of John Tottenham, 1st Baron Tottenham of Ireland, and of Elizabeth Loftus, daughter of Nicholas Loftus, 1st Viscount Loftus of Ely.
“The Loftus family left Rathfarnham Castle in the 19th century and it was ultimately sold to the Blackburne family in 1852 (Francis Blackburne 1782-1867) who lived there until 1911. Coincidentally almost in the footsteps of Adam Loftus who built Rathfarnham Castle, Francis Blackburne became Vice-Chancellor of Trinity College. The Society of Jesus then acquired the building and for much of the remainder of the 20th century it was used as a Retreat House for lay visitors as well as accommodation for seminarians attending college in the city. Following the departure of the Jesuits in 1985, the Castle came into the care of the state and a great deal of restoration work has been carried out. Most of the rooms have been restored to their 18th century state and several are furnished with a collection of fine eighteen and nineteenth century pieces from continental Europe, Britain and Ireland.”
“This room is believed to have been built to a design by the influential architect Sir William Chambers (1723-1796). Despite never visiting Ireland, Chambers left a significant mark on Dublin where he also designed the Casino at Marino, Charlemont House on Parnell Square, and much of Front Square in Trinity College. The floor and free standing Doric columns are in Portland stone. The painted glass panels featuring fruit and flowers are believed to be by the Dublin Huguenot artist Thomas Jervais (d. 1799). The marble relief busts on the walls depict well known figures from the Classical and Renaissance past, including the Egyptian queen Cleopatra and Italian poet Dante. These sculptures seem to have been acquired in Italy and would have been incorporated into the design of the Entrance Hall to signal the taste and refinement and learning of the Loftus family. The original eighteenth century marble fireplace was replaced with a painted timber one in around 1913. It was one of several of the original fireplaces which were removed and sold when the Blackburne family left the castle in 1911.“
The Dining Room. “This room remains unrestored which allows us to see the changes and alternations which were made to the building over the years. The door on the left-hand (northern) wall is typically eighteenth century in style and decoration. However to the left of it a trace of the original Elizabethan doorway is visible. It was blocked up during the 18th century refurbishments. The bow extension to the eastern side of the building is another change dating to that period which added space and brought more light into these rooms. The 18th century timber wall panelling and lining paper survives in this room. It is likely that the walls were covered with silk. Although designed as a dining room, in the 20th century the Jesuits used this room as a library.“
Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 239. “(Loftus, Ely, M/PB; Blackburne/LGI1958) A C16 castle with square corner towers, refaced C18 and given regular elevations, of three storeys over a basement, with Georgian sash windows; also given a straight roof parapet with urns. Entrance front of three bays between the towers, which are of one bay each; the three centre windows in the middle storey being round-headed and that over the doorway, which is now obscured by a later pillared porch, Venetian. Adjoining elevation with central bowed projection; garden front with curving perron ascending to door in centre. Interior of 1770-1, designed by James Stewart for Henry Loftus, 1st (and last) Earl of Ely of 2nd creation. Low-ceilinged hall with Doric columns and entablature, cornice of mutules and pedimented Doric doorcases; formerly adorned with busts on marble pedestals. Principal reception rooms on floor above, which is treated as a piano nobile. The gallery or drawing room has a ceiling with a central compartment of circles and semi-circles, surrounded by a border of plaster reliefs which formerly incorporated painted panels, possibly by Cipriani. Another room has a ceiling of painted medallions and delicate plasterwork in square, rectangular and circular compartments. Roman triumphal arch at one entrance to demesne, Gothic gateway at another. By 1837, the castle had been emptied of its furniture and pictures; and then its owner, 2nd Marquess of Ely, was planning to demolish it “and to divide the demesne into a number of small plots for the erection of villas.” It was, however, spared, and became the seat of Bt Hon Francis Blackburne, Lord Chancellor of Ireland. Subsequently owned by the Society of Jesus.”
Irish Historic Houses 
