Dartrey House (formerly Dawson’s Grove), Co Monaghan – demolished

Dartrey House (formerly Dawson’s Grove), Co Monaghan

Dartrey, County Monaghan, garden front, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
Portrait of Thomas Dawson (1725-1813), Lord Dartrey, 1st Viscount Cremorne, miniature, courtesy of National Gallery of Ireland.

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

p. 100. “(Dawson, Dartrey, E/PB1933) A large Elizabethan-Revival mansion by William Burn, built in 1846 to replace an earlier house of about 1770. This earlier house, described 1778 by Rev Daniel Beaufort…was of three storeys over basement, the entrance front was of seven bays…..The Elizabethan-Revival mansion which took the place of this house, built by Richard Dawson, 3rd Lord Cremorne and later 1st Earl of Dartrey, had long and somewhat monotonous elevations of curvilinear gables, mullioned windows and oriels, with, sporadically, a square turret and cupola. There were numerous Tudor chimneys, a generous application of strapwork and a two-tier terrace along the garden front with many yards of latticed balustrading.

The quoins were partly curved.

.”.. The house overlooked Lough Dromore, where, on a wooded island, Thomas Dawson, 1st Lord Dartrey and afterwards Viscount Cremorne, built a domed mausoleum ca 1770 in memory of his first wife, Lady Anne, to the design of James Wyatt, containing a dramatic lifesized sculptural group, including an angel with outstretched wings, by Joseph Wilton. The Elizabethan-Revival mansion, after standing empty for some years, was demolished ca 1950; the mausoleum, which had become roofless, so that the monument was suffering from teh weather as well as from vandalism, was repaired by the Irish Georgian Society 1961.”

Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

https://archiseek.com/2009/1846-dartry-rockcorry-co-monaghan

1846 – Dartrey, Rockcorry, Co. Monaghan 

Architect: William Burn 

Also known as Dawson Grove, Dartrey was built in 1846 and designed by William Burn as a large Elizabethan Revivial mansion to replace an earlier house on the site. Built for Richard Dawson, 3rd Lord Cremorne and later 1st Earl Dartry, it had very long façades with legions of mullioned windows, oriel windows, tudor chimneys and curvilinear gables relieved by square turrets with cupolas.  

On the garden front (pictured) was a two level terrace facing onto Lough Dromore. On an island in the lake there was also a fine Mausoleum to the design of James Wyatt from around 1770 which was recently restored. 

The house was demolished in the 1950s – after remaining empty for many years, the house was lent by the last owner to the RSPCA for a ball after which the County Council demanded rates for the house. All that remains of the estate are various gatehouses, the ruined Mausoleum and a fine stable block built around five sides of an octagon – built around 1850 to the design of William Burn.  

https://lordbelmontinnorthernireland.blogspot.com/2013/09/dartrey-house.html

THE EARLS OF DARTREY WERE MAJOR LANDOWNERS IN COUNTY MONAGHAN, WITH 17,732 ACRES 

The family of DAWSON was originally from Spaldington, Yorkshire; whence, towards the close 0f ELIZABETH I’s reign, it removed to Ulster.

THOMAS DAWSON, who became, in the following reign, a burgess of Armagh, was grandfather of

JOHN DAWSON, who married into the family of Henry Ussher, Lord Archbishop of Armagh.

Archbishop Ussher was twice married: first about 1573, to Margaret, daughter of Thomas Eliot of Balrisk, County Meath; secondly, to Mary Smith, who survived him. His widow married John Jeeves, of Drogheda, Alderman, by whom she had issue, Anne Jeeves, who married (as his second wife), Walter Dawson in 1660, from which a considerable property in counties Armagh and Tyrone came to the Dawson family.

John Dawson was father of

WALTER DAWSON, of Armagh, who married firstly, Mary, daughter of Edward Dixie, and had issue,

WALTER, his heir;
Thomas, ancestor of Catherine, Countess of Charleville;
Edward;
Margaret; Mary; Elizabeth.

He espoused secondly, in 1680, Anne, daughter of John Jeeves.

Mr Dawson died in 1704, and was succeeded by his elder son,


WALTER DAWSON, who wedded, in 1672, Frances, daughter of Richard Dawson (by which marriage the estate of Dawson Grove, County Monaghan, was conveyed to this family), and had issue,

RICHARD, his heir;
Walter;
John;
Mary; Elizabeth.

Mr Dawson, an officer in Cromwell’s army, died in 1718, and was succeeded by his only surviving son,

RICHARD DAWSON (c1693-1766), of Dawson Grove, an eminent banker, alderman of the city of Dublin, MP for St Canice, 1727-60, Monaghan Borough, 1761-6 (great-grandson of John Dawson, of Armagh, who died intestate).

Alderman Dawson wedded, in 1723, Elizabeth, daughter of the Most Rev Dr John Vesey, Lord Archbishop of Tuam, and sister of Sir Thomas Vesey Bt, Lord Bishop of Ossory, and had issue,

John, died in 1742;
THOMAS, his successor;
Richard, of Ardee;
Frances.

He was succeeded by his eldest surviving son,

THOMAS DAWSON (1725-1813), of Dawson Grove, who was elevated to the peerage, in 1770, in the dignity of Baron Dartrey, of Dawson’s Grove, County Monaghan; and advanced to a viscountcy, in 1778, as Viscount Cremorne, of Castle Dawson, County Monaghan.

His lordship married firstly, in 1754, the Lady Anne Fermor, youngest daughter of Thomas, 1st Earl of Pomfret, by whom he had a son and a daughter, both of whom died in adolescence.

He wedded secondly, in 1770, Philadelphia Hannah, daughter of Thomas Freame, of Philadelphia, by Margaretta, daughter of William Penn, the celebrated founder of that city, by whom he had another son and a daughter, who also died young.

His lordship, thus deprived of direct descendants, was created, in 1797, Baron Cremorne, with remainder to his nephew, Richard Dawson, and the heirs male of that gentleman.

Dying without an heir in 1813, the viscountcy expired, and the barony of Cremorne devolved upon his great-nephew,

RICHARD THOMAS DAWSON (1788-1827) as 2nd Baron (only son of Richard Dawson, MP for Monaghan), who espoused, in 1815, Anne Elizabeth Emily, third daughter of John Whaley, of Whaley Abbey, County Wicklow, and had issue,

RICHARD, his successor;
Thomas Vesey.

His lordship was succeeded by his elder son,
RICHARD, 3rd Baron (1817-97),  who wedded, in 1841, Augusta, second daughter of Edward Stanley, of Cross Hall, Lancashire, by his wife, the Lady Mary Maitland, second daughter of James, 8th Earl of Lauderdale.

His lordship was installed a Knight of St Patrick, 1855; a Lord-in-Waiting, 1857-66; Lord Lieutenant of County Monaghan, 1871-97.

He was advanced to an earldom, in 1866, in the dignity of EARL OF DARTREY.

By his wife he had issue,

VESEY, his successor;
Edward Stanley (1843-1919);
Richard Westland Westenra (1845-1914);
ANTHONY LUCIUS, 3rd Earl;
Mary Eleanor Anne.

His lordship was succeeded by his eldest son,


VESEY, 2nd Earl (1842-1920), MP for County Monaghan, 1865-68, High Sheriff of County Monaghan, 1878, who married, in 1882, Julia Georgiana Sarah, daughter of Sir George Ormby Wombwell Bt, and had issue,

Richard George, 1890-94;
EDITH ANNE (1883-1974), of Dartrey House;
Mary Augusta, 1887-1961.

His lordship died without surviving male issue, when the titles devolved upon his brother,

ANTHONY LUCIUS, 3rd Earl (1855-1933), who wedded, in 1878, Mary Frances, suo jure Baroness de Ros, only child of the 23rd Baron de Ros, and had issue,

Una Mary, Baroness de Ros;Maude Elizabeth; Eleanor Charlotte Augusta.

On the decease of the 3rd Earl, in 1933, the titles became extinct.

The Lady Edith Windham was the last member of the family to live at Dartrey.

The Dartrey Papers contain extensive historical information about the family. 

The Earl of Dartrey possessed the following land during the Victorian era:-

visited Cootehill several years ago.

DARTREY HOUSE, near Rockcorry, County Monaghan, was a large Elizabethan-Revival mansion by William Burn, built in 1846 to replace an earlier house, known as Dawson Grove, of ca 1770.

It was built for Richard Dawson, 3rd Baron Cremorne and later 1st Earl of Dartrey.

This noble and magnificent demesne is situated on the gorgeous chain of the Cootehill lakes, a few miles east-north-east of Cootehill.

It is separated from the neighbouring demesne of Bellamont forest, County Cavan, only by a narrow belt of one of the main lakes, Dromore Lough.

The mansion had long, monotonous elevations of curvilinear gables, mullioned windows and oriels, with, sporadically, a square turret and cupola.

There were numerous Tudor chimneys, a generous application of strapwork and a two-tier terrace along the garden front with many yards of latticed ballustrading.

The quoins were partly curved.

Dartrey House overlooked Lough Dromore where, on a wooded island (Black Island), the 1st Viscount Cremorne built a domed temple about 1770 in memory of his first wife, Lady Anne Dawson.

The sheer size of Dartrey House proved too much for the 20th-century financial resources of the family.

Most of its contents were sold by auction in 1937 and the entire building was demolished in 1946 by the Hammond Lane Foundry, Dublin, who paid £3,000 for the salvage – a dreadful return on the £30,000 it cost to build the great mansion.

Lady Edith, elder daughter of the 2nd Earl, was the last Dawson to live in Dartrey House, and it was she who was forced to make the decision to demolish it in 1946. 

Now, only the magnificent site overlooking Lough Dromore is visible.

The red-brick stable block contemporary with the 1846 house survives, and was renovated by the Irish Georgian Society (presumably at about the same time as Lady Anne’s temple).

There is also a surviving farmyard, in ruinous condition, which seems to be contemporary with (or even earlier than) the early 1770s house.

The following description of the Dartrey Estate near Cootehill, County Monaghan, Ireland, was written in 1773 by the Reverend J Burrows, visiting tutor to the Dawson family:

A thousand acres of lake, three hundred of which flows within a few yards of the house, with hills on each side covered with the most beautiful delicious woods, bring all fairyland to one’s imagination. On the other side of the lake is a large island, wonderfully shaded on all its sides but with a bald pate of open ground on the top, giving a very pleasing and uncommon effect.

Beyond that are woods that lose themselves in the clouds. People who are not used to lakes cannot conceive into what delightful forms they throw themselves, and how much the little islands, here and there interspersed, which contain one or two trees, add to their beauty. 

The Dartrey estate, originally known as Dawson Grove, was established by the Dawson family in the 17th century alongside Bellamont Forest, a demesne of similar size – over a thousand acres.  

Richard Dawson, a banker and Dublin alderman, built the present (Church of Ireland) church on the Dartrey estate in 1729.

It was established in its own separate parish of Ematris soon after.

The Dawsons added a north gallery to the church in 1769, and much later the Corry family (from Rockcorry) added a south gallery, raised on arches to avoid desecrating the burial ground beneath it.

A fire caused serious damaged in 1811 leaving the church for a period without a roof.

The fine west tower was built in 1840, and the sanctuary apse in 1870.

With the demolition of the Dawson mansion in 1950, and their once thriving estate turned over to forestry, St John’s appears isolated.

However it shares services with St James’ church, Rockcorry some 2½ miles away, which the Dawsons built in 1855, and both churches continue well supported by the local farming community. 

But the view from St John’s cemetery across Inner Lough, once described as “one of the best in Ireland”, is currently obscured by conifers.

The Northern Standard, Saturday, 8th March, 1856:-

FIRE  AT  DARTREY  HOUSE

We regret to announce the breaking out of a destructive fire, on Saturday evening last, at Dartrey House, the magnificent residence of Lord Cremorne, in this county. 

The fire is supposed to have originated in the flue of one of the rooms in the basement storeys, which broke out near the roof, and before effective aid could be procured, had enveloped the entire of the upper storey of the north-eastern wing of the building.

The existence of the fire was first observed about six o’clock, by Mr. Little, Lord Cremorne’s steward, who hastened with a number of his labourers to render all the assistance within their power. 

Mr. Little’s exertions up to the final subduing of the fire were unremitting. 

Captain Boyle, of Tanagh, and the Rev. T. A. Robinson, were immediately on the ground, and aided materially in checking the fire, which, however, raged with a great fury until the arrival of the fire engines from Monaghan. 

Previous to the arrival of the engines, the exertions of those present were directed to cutting off the communication between what is termed the Old and New House, a strong wall dividing the two portions of the house.

At a few minutes past seven in the evening, a messenger from Dartrey arrived at Mr. McCoy’s, of Monaghan, in whose care the town engine is; fortunately, all Mr McCoy’s staff were about his concern, it being pay night, and were consequently available for immediate work.

Four horses from Campbell’s posting establishment were immediately harnessed to the engine, and it started for Dartrey, where it arrived at nine o’clock. 

In the meantime, Mr. McCoy sent a requisition for the Ordnance engine, to the officer commanding the detachment of Militia stationed here.

This engine was placed on a float, and, with a pair of horses from the Canal Stores, proceeded to Dartrey, where it arrived in time to do efficient service, under the directions of Sergeant Crooks, of the Monaghan Regiment, whose exertions elicited the commendation of every person present.

Nothing could exceed his intrepidity and cool daring ; indeed, at one moment it was supposed he had fallen a victim, a large beam having fallen just where he had been standing a second before.  A. A. Murray Ker, Esq., Lord Cremorne’s agent, was in Monaghan when intelligence of the fire arrived; he immediately started for Dartrey, where he remained until a late hour on Sunday evening; by his presence and individual exertions he animated the energies of the very many who aided in extinguishing the fire.

Amongst those present who worked with hearty good will were – and certainly first on the list – the Rev. T. A. Robinson, Captain Boyle, Wm. Murray, Esq., Richard Mayne, Esq., (this gentleman, we regret to say, was severely hurt by an accident), Rev. John Wolfe, Subinspectors Kirwan and Fortesque; a number of young gentlemen from Cootehill and Monaghan were also most effectual aids.

We do not know the names of the Cootehill gentlemen or we would gladly give them.  Amongst those from Monaghan we noticed Messrs. Watkins, Lewers, and Campbell.

The Constabulary from the surrounding stations to a man exerted themselves in a most praiseworthy manner, both by individual exertion and protection of property. 

Amongst the most exertive and daring of them was one named Kinsella, from Cootehill station. 

The costly furniture, pictures, and mirrors were all saved, with the exception of such injuries as their removal caused.

On learning the existence of the fire, our own chief anxiety was as to the safety of an exquisite group of statuary, “Cupid and Psyche”, which stood in the vestibule of the Grand Staircase; – this beautiful piece of art, though in extreme danger, escaped with but the fracture of one of the arms of the descending figure; the injury is not material, and can be remedied.

The portion of the building entirely destroyed consists of Lord and Lady Cremorne’s private apartments, Drawing-room, and her ladyship’s Boudoir, both of which were magnificent apartments; the cut stone walls seem safe; all the apartments over the east point are destroyed; the Grand Hall, Billiard-room, and Drawing-room are safe, as is also the entire of the basement storey.

The fire continued smouldering and occasionally to blaze out up to five or six o’clock on Sunday evening. 

The assurance on the house was heavy, and will more than cover the estimated damages; but much depends on the decision architects arrive at as to the state of the outer walls.

It is, on the whole, surprising that the damage done is not of much greater extent, when the means of overcoming it were so distant.

The tenantry in the neighbourhood all assembled on Tuesday with carts and horses, and cleared away all the debris of the fire, before the arrival of Lord and Lady Cremorne.

TO THE EDITOR OF THE NORTHERN STANDARD 

Sir,  Allow me, through your paper, to render Lord Cremorne’s grateful thanks to all those who used such strenuous exertions in checking the conflagration at his Lordship’s beautiful mansion on last Saturday night.

The Assurance Companies concerned have every reason to be thankful, (and indeed have already expressed themselves to that effect), to the assembled multitude who lent their best exertions towards arresting the progress of the flames, and saving such a large amount of property.

It would be impossible to personally thank each and all of those I saw distinguishing themselves, for their name was “Legion”.

The constabulary were early on the ground from Rockcorry, and very shortly after from Cootehill, Drum, and Newbliss, and were most efficient and steady.

The fire engines from Monaghan arrived in quite the brigade style, and certainly deserve especial consideration.

The Corporation engine, under the direction of Mr. McCoy and his very active and intelligent workmen, and the Barrack engine, managed by Sergeant Crooks, who most creditably kept up the character of his regiment by his cool and daring conduct.

The tenantry to a man worked with a will.  I could name hundreds who were towards morning nearly – and often quite – exhausted and faint.

Nothing could exceed the care taken of the furniture, pictures, and mirrors, in their removal, and wonderfully little damage has been done.

I am happy to say that the Assurances cover the loss and damage to both building and furniture – and again thanking most sincerely those who so kindly gave their valuable aid in time of need.  

I remain, your obedient servant,     A A Murray Ker, Newbliss.

Henry Skeath has sent me interesting information with regard to Dartrey:

I have attached an article (above) from The Northern Standard about a serious fire at Dartrey House in 1856 just ten years after the place was built.

Two good articles on Dartrey appeared in recent editions of the Clogher Record.

In 2004 June Brown detailed the rise and fall of the estate. June was friendly with Lady Edith, the last of the family at Dartrey, and keeps in touch with her descendants.

The 2009 edition contains a well-researched article by June’s granddaughter, Victoria Baird, about Lady Augusta wife of the 1st Earl of Dartrey.

Lady Augusta endowed St. James’s in Rockcorry where a photograph of her still hangs.

St. John’s Church is affectionately known as St. John’s in the Wood.

The Dawson gallery contains a fireplace for the comfort of the family.

In 1996 St. John’s celebrated 275 years of worship and the Rev. J. T. Merry, rector, produced a short history of the parish.

The Dartrey Heritage Group is undertaking wonderful refurbishment work on the mausoleum which was designed by James Wyatt.

The building has been stabilised and a new domed roof erected.

The Rev. Daniel Beaufort visited in 1780 and noted that the sculptural group within, by Joseph Wilton, had cost £1,000.

The quarterly bulletin of the Irish Georgian Society for Jan-Mar 1961includes an article on it.

Wilton’s work suffered at the hands of vandals but there are ambitious plans for restoration.

In 2008 the Heritage Group completed the restoration of a 60-foot column, also designed by James Wyatt, erected in 1807 to the memory of Richard Dawson who was elected to five successive Parliaments.

It stands prominently along the main road.

The 1846 stable block, five sides of an octagon, restored by the Irish Georgian Society in 1961, has been allowed to fall into disrepair again in recent years.

Of Dartrey House, hardly a vestige remains.

Parts of the basement can be seen and the once-graceful terraces on the garden front can still be traced.

It was once one of the finest estates in Ireland.

London residence ~ 30 Curzon Street.

First published in September, 2011.   Dartrey arms courtesy of European Heraldry.

https://lordbelmontinnorthernireland.blogspot.com/2020/08/cootehill-iii.html

The Parliamentary Gazetteer of Ireland tells us that County Monaghan is an inland county, in the centre of the south of the historic province of Ulster.

It is bounded, on the north, by Tyrone; on the east, by Armagh; and on the west, by Cavan and Fermanagh.

Dawson Grove, now Dartrey, County Monaghan,

“A noble and magnificent demesne, the property of the Viscount Cremorne [later Earl of Dartrey], on the southern margin of the barony of Dartrey, is situated on the gorgeous chain of the Cootehill lakes, 1½ miles from Cootehill; and is separated from the rival demesne of Bellamont Forest in County Cavan, only by the narrow belt of one of the main lakes called Dromore.”

“From the contiguity of Dawson Grove and Bellamont Forest, and the beautiful natural lakes which in many places form their line of demarcation, they may be said in various instances to reflect each other.”

“Separately they are splendid residences; conjointly they form a rich combination of many of the elements of landscape.”

On Saturday afternoon four of us met Noel Carney, of Dartrey Heritage Association, who took us to see Dartrey demesne, former seat of the extinct Earls of Dartrey.

This was my first visit to Dartrey, once a very large estate comprising almost 18,000 acres, with extensive boundary walls and picturesque gate lodges (there were eight in total) carrying on interminably.

We stopped off en route at the main entrance lodge of ca1847, fully restored, extended, and inhabited, once incorporating the estate post office.

This lodge is made of ashlar stone, with a Tudor-style entrance surmounted by a blank shield.

Several hundred yards further along the main public road we turned into another driveway, which eventually led us to the “new” stable block, a large, impressive, grand affair comprising five sides in red brick.

This derelict stable block was constructed in the 1840s to replace an older block.

The standard of craftsmanship by masons was remarkable, as Noel pointed out to us.

The bricks were made in situ, and even straw marks could be seen on the ones that had dried on the ground.

The New Stable Block is not in a good state, although it’s not beyond redemption for another purpose, such as apartments or business premises, or units.

It was practically ruinous several decades ago, and today at least it’s in better condition than that.

There used to be a large clock encased in a circular stone feature in the middle of the block, though it has disappeared.

A short distance further on we stopped off at the original, or “Old” stable block of, it is thought, the 1770s.

It, like its younger sibling, is privately owned and closed off.

THEREAFTER we drove through overgrown estate tracks to the Island Bridge, also known as the Iron Bridge, which connects the estate to Black Island.

This is a single-arch bridge, erected in the 1840s, which leads to the glorious mausoleum or temple dedicated to the Lady Anne Dawson.

The skill of the blacksmiths and stonemasons  can be admired on this little bridge, with its superbly carved stone abutments and wrought-iron handrails.

When we crossed the bridge we caught a glimpse of the remains of the great mansion house of Dartrey. All that’s left of it today is the basement and rubble.

Dartrey House (or Castle) was demolished in 1946, because the last member of the Dawsons to live there, Lady Edith, simply couldn’t afford to maintain it, and couldn’t find a buyer.

First published in August, 2020.

https://lordbelmontinnorthernireland.blogspot.com/2020/08/cootehill-iv.html

From the edge of the lake, not far from the Iron Bridge, we could see the site of Dartrey House (or Castle), a very large mansion which was built in 1846.

The Dartrey Estate lies in County Monaghan, though straddles the neighbouring county of Cavan.

Dartey: Basement Cellar (Image: Henry Skeath, 2002)

All that remains of the house are the ruins of the basement and cellars, so it’s almost invisible at ground level from a distance.

Dartrey: Basement Cellar (Image: Henry Skeath, 2002)

The Land Acts deprived great estates like Dartrey and Lough Fea of their income and, when the 2nd Earl of Dartrey died in 1920, without a male heir, the estate was inherited by his eldest daughter, Lady Edith.

Dartrey: Ruins (Image: Henry Skeath, 2002)

Crippled by the immense cost of maintaining Dartrey, its outbuildings, gate lodges, stable block, and everything else, Lady Edith decided initially to sell the contents of the house.

A four-day auction of the contents, including thousands of books from the library, and valuable old-master paintings, was held in 1937.

Lady Edith Windham (1883-1974) couldn’t afford the exorbitant rates bills, and found it impossible to find a buyer for the house, so made the decision to salvage what she could of it, including the slates, staircases, and doors, wooden casings etc, before Dartrey House was finally demolished in 1946.

By this stage Lady Edith was living in the former land steward’s house, not far from the big house itself.

First published in August, 2020. https://theirishaesthete.com/2014/09/15/a-shining-distinction-on-earth/

A Shining Distinction on Earth

by theirishaesthete

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The Dawson family of County Monaghan came from Yorkshire to Ireland during the reign of Elizabeth I, Thomas Dawson becoming a Burgess of Armagh. Subsequently Richard Dawson, a Cromwellian cornet of horse, assembled the nucleus of the family’s estate in the 1650s and 1660s through the acquisition of thirty-one townlands, based around a property called Dawson’s Grove on the banks of a chain of lakes separating counties Cavan and Monaghan. Richard Dawson’s only child, a daughter named Frances, married her cousin Walter Dawson. Their son Richard was an Alderman of Dublin, an MP for County Kilkenny and the owner of a family bank. He further expanded the estates both in County Monaghan and elsewhere. With his wife Elizabeth, daughter of John Vesey, Archbishop of Tuam, he had four children, their third son being Thomas Dawson born in 1725. After coming into his inheritance the latter built a new house at Dawson’s Grove in the early 1770s and also bought and redeveloped a residence in London, Cremorne House, Chelsea where the garden designer Nathaniel Richmond was commissioned to lay out the grounds (although the house is long gone, this is now the site of Cremorne Gardens, just down river from Battersea Bridge). In May 1770 Thomas Dawson was created Baron Dartrey of Dawson’s Grove, and in June 1785 Viscount Cremorne. 

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In August 1754 Thomas Dawson married Lady Anne Fermor, youngest daughter of the first Earl of Pomfret, with whom he had two children before she died in March 1769. Her husband’s grief was considerable, but not so great as to prevent his marrying just over a year later Philadelphia Hannah Freame. She was the granddaughter of William Penn, whose family owned land in County Cork but who is better known as the founder of Pennsylvania. By his second marriage to Hannah Callowhill William Penn had eight children one of whom, Thomas Penn, married Lady Juliana Fermor, eldest daughter of Lord Pomfret. This explains how Thomas Dawson should have met his second wife Philadelphia, whose mother Margaret Freame, was another of William Penn’s children. In other words, he married his first wife’s niece. And, as her name indicates, she was born in the city of Philadelphia in 1740. 

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Philadelphia Freame’s marriage to Thomas Dawson was marked by the building of a house for the Dartrey estate’s agent, Charles Mayne, which was then given the name Freame Mount. Lady Anne Fermor, however, was commemorated in a more original fashion with the construction of a mausoleum which stands in the middle of Black Island on raised ground facing the former site of Dawson’s Grove. Based on a surviving elevation for the west front which shows the inspiration of the Pantheon in Rome, the design of the Dartrey Mausoleum has been attributed to James Wyatt, making it the English architect’s first commission in Ireland and contemporaneous with Wyatt’s Pantheon, the famous assembly rooms on London’s Oxford Street.
The building in Monaghan is a tall, square block built of locally-fired red brick raised on a limestone plinth. The exterior, featuring a sequence of blind windows and oculi, is relieved on the western front (which would have been visible from Dawson’s Grove) by a shallow tetrastyle portico with four pilasters (note their unusual fluted capitals) beneath a pedimented entablature. Above this cube rises a dome, its open centre providing the only light for the interior which would have been even more dramatic when viewed on nights with a full moon. 

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In August 1774 the Dublin Hibernian Journal reported, ‘A few days ago was landed in Dublin a beautiful Marble Monument done by Joseph Wilton, Esq., of Portland Street, London, which Lord Dartrey is to erect in a Temple at his seat in Co. Monaghan, to the memory of his late wife, Lady Anne Dawson, daughter of the late Earl of Pomfret.’ The London-born Wilton, a founder-member of the Royal Academy, had in 1764 been appointed ‘Sculptor to his Majesty’ by George III. His funerary monument in the Dartrey Mausoleum, for which he was paid 1,000 guineas, is the only commission he received in Ireland; during the same period he also sculpted a bust of Thomas Dawson, now in the Yale Center for British Art.
Like that piece, Wilton’s work inside the mausoleum is carved in Carrara marble and was installed against the eastern wall above a plain altar. A plaque recalls both Lady Anne, described as possessing ‘all the external Advantages which contribute to form a shining Distinction on Earth’, and the couple’s prematurely deceased daughter Henrietta Anne ‘who lived long enough to justify all the fairest Hopes of a Mother.’ To one side of a large funerary urn are the lifesize figures of Lady Anne’s grieving husband and their young son clinging to his father in both terror and sorrow; the pair of them gaze up at the hovering form of an interceding angel. It is a remarkably theatrical piece of work, and must have been especially effective when seen by moonlight. 

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The subsequent fortunes of the Dartrey Mausoleum have been mixed. At some date in the 19th century, the dome was taken, or fell, down and replaced with a shallow slated pyramidal roof, and the brick walls plastered. The last member of the Dawson family to live at Dartrey, Lady Edith Windham, eldest child of the second Earl of Dartrey, sold the estate in 1946 to the Irish Forestry Commission (now Coillte) which continues to own the land on which the mausoleum stands. Dawson’s Grove, rebuilt in the 1840s as Dartrey Castle, was demolished and the view across to Black Island obscured by dense planting of evergreen woodland. Meanwhile the mausoleum was left to languish and although the Irish Georgian Society undertook some repairs in the 1960s, the building succumbed to decay, its roof was lost and the sculptural group – as can be seen in photographs above – seriously vandalised.
Such might have remained the case, had it not been for the energy, imagination and commitment of a local group, the Dartrey Heritage Association which over the past decade has steadily worked to ensure the restoration of this outstanding monument. Securing funding from a variety of sources, including the local County Council, the Heritage Council and once more the Irish Georgian Society, together with monies raised by other means, the DHA has now almost completed this project. The building is once more intact and with a domed roof, and inside the sculptural group has been repaired with missing sections scrupulously replaced. The entire project is a wonderful testament to what can be achievied by a local voluntary body with sufficient determination and persistence, and ought to serve as an example for others throughout the country. Above all the restoration of the Dartrey Mausoleum shows that nothing is beyond salvation, provided the will is there. 

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https://theirishaesthete.com/2014/09/23/their-faithful-representative/

Their Faithful Representative

by theirishaesthete

dartrey 1

In the late 18th century, Thomas Dawson, Viscount Cremorne, passed responsibility for his Irish estate Dawson’s Grove, County Monaghan to his heir and nephew, Richard Dawson. To the dismay of his uncle, Richard – who served as a local MP in the Irish parliament – proved to be something of a radical and in 1799 consistently voted against the Act of Union. In the event, he died eight years later (predeceasing Lord Cremorne) after which he was remembered as being ‘the most active in promoting improvements, the most useful and the most popular man this country ever knew.’
As evidence, in the aftermath of his death, a fifty-eight foot high limestone Doric column surmounted by a funerary urn was erected on the edge of the Dawson’s Grove demesne. The arms of the Dawson family appear on two sides of the monument’s square base plinth and the following inscription on the other two sides: ‘This column was erected by the free and independent electors of the county of Monaghan to perpetuate the memory of Richard Dawson Esq., who was unanimously returned by them to five successive parliaments. He died their faithful representative on 3 September 1807, aged 44 years.’ The column, its design attributed to James Wyatt, has been restored in recent years. Dawson’s Grove was eventually inherited by Richard Dawson’s son, another Richard, who in 1813 became Baron Cremorne.

Newbrook, Co Mayo

Newbrook, Co Mayo – lost 

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

p. 223. “(Bingham, Clanmorris, B/Pb) A mid to late C18 house of two storeys over a basement, possibly by William Leeson. Seven bay entrance front, doorcase with blocked engaged Doric columns and pediment; broad flight of steps up to door. Adjoining front of seven bays, with three bay breakfront; centre windows in lower storey longer than those at the sides. The rooms are said to have been spacious but not very lofty. Irish battlemented tower in grounds. In 1837 the house was gutted by a fire with is said to have burnt for 8 days. Not rebuilt.”

Letters from Georgian Ireland: The Correspondence of Mary Delany 1731-68.

Ed. Angelique Day, foreward by Sybil Connolly. The Friar’s Bush Press, Belfast, UK, 1991.

p. 131. 27 Oct 1732. “I writ to you from Mr Bingham’s, we staid there Tuesday and Wednesday, and were very merry. Left that place on Thursday morning, and dined at another Mr Bingham’s [at Newbrook, Claremorris] about eight miles from Castlebar, uncle of the Mr Bingham we left – a very good, agreeable sort of man, extremely beloved by all the gentlemen of the country; his wife – a plain, country lady, civil, hospitable and an immoderate lover of quadrille; their two eldest daughters are beauties – reserved, well-behaved, but not entertaining, so we passed the day hum-drumish.

The next morning we decamped, and travelled to Tuam; nothing happened on the road remarkable, sometimes I rode, but generally went in the chaise with Phil, that being the way I like best. We got early into our inn, played at my lady’s hole, supped and went early to bed.

The next day we arrived at Mrs Mahone’s [Castlegar], staid there Sunday and Monday, were free and easy, lived as at Killala, everybody went their own way, we danced and sung, and were entertained in a very handsome, friendly manner. We left them Tuesday morning; jogged on through bods, and over plains, and about three miles from the place were to rest, we passed a fine place called Aire’s Court [Eyrescourt in Galway], a great many fine woods and improvements that looked very English.”

Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

Abbeyleix House, County Laois

Abbeyleix House, County Laois 

Abbeyleix House, County Laois, photograph courtesy of Colliers.
Abbeyleix House, County Laois, photograph courtesy of Colliers.
Abbeyleix House, County Laois, photograph courtesy of Colliers.

 
featured in Great Irish Houses. Forewards by Desmond FitgGerald, Desmond Guinness. IMAGE Publications, 2008. 

Designed by James Wyatt for Lord Knapton, later the 1st Viscount de Vesci, building began in 1773. Built between 1773 and 1778, it was a typical plain Georgian box. By the mid-19th century the De Vesci’s had grown wealthier and wanted the house to look somewhat grander.  

Many of the adornments – such as architraves and large ballast rails – were added in the 1840s to the design of  Thomas Wyatt, a nephew of James Wyatt, added these adornments. The De Vesci family retained the house until 1994 when the present owner Sir David Davies acquired the property and began the latest phase of restoration. 

When David Davies acquired the house in 1994, he employed John O’Connell, one of Ireland’s foremost conservation architects, to restore the building. 

Sir David was determined to preserve and reuse all the original architectural elements, which included acquiring at auction the 18th century original window sashes. Fortunately, the Penrose Wyatt Collection fo Drawings in the National Library of Ireland had office drawings relating to the gold room/saloon of Abbey Leix so they could be accurately returned to their 18th century states. 

One of the main decisions taken by Sir David was to alter a wing built in the mid 19th century to the west of the building. The original idea had been to drive the house more towards the west, with the addition of a new dining room, large library and billiard room beyond. This was never completed. Today it has become a wonderful and sympathetic addition to the main house. “It was a horrible concrete looking thing with three chimneys,” says Sir David. “John O’Connell was asked to make it look sympathetic with the rest of the house. I now call the finished product the John O’Connell wing!”  

The nearby courtyard and 19th century dairy have been retained, as has the area where carriages and service stores for the house were kept. What appears to be a single storey structure from the outside has two floors inside. It was dug out so its height would not impact on the lines of the main house. On the opposite side of the main house is an unusually short extension of the basement to the first floor. A mezzanine level allows movement between each floor. The grand forecourt, which has been executed to an Italianate design, provides a tremendous podium for the house to sit upon. 

Inside, the entrance hall is very much the heart of the house. The hall floor, unlike many 18th century properties, is not Portland stone but French limestone. The fireplace, which is not original and dated earlier than the house, came from a De Vesci house in London. The screen columns are all original, while the stuccowork is a fine example of neo-Classical design. Great mahogany doors, many with original locks and handles, lead from the hall. 

As was often the fashion at the time in the early 20th century, the entrance hall doubled as a sitting room in winter months, and large curtains across the entrance door helped retain the heat. Sir David has returned the hall to what it is likely to have looked like in 1770. There are two great Irish tables – one from 1720 is pine, painted to look like ebony, while the other is a slightly later piece, dating to 1750. A set of four chairs, designed by Wyatt for Dunsandle House in Co Galway, were bought from Russborough. The stone colouring is true to 18th century form. Indeed, the colouring is authentic throughout with the dining room primarily cream and the drawing room a plaster or rose pink colour. The original dining room was a long way from the kitchen ans so now its primary purpose is as a music room and sir David has held a number of concerts in it. 

[p. 39] The fireplace here is shown on early drawings for the room and it is fascinating to compare the vision for this great neo-classical room with the reality. The room has, however, been subjected to two great upheavals. The first was a fire in the 1950s but the second – and far more serious – occurred in 1996 during the restoration. 

[picture credit: The front of the house shows the refacing, which took place in the 19th century. The façade is rendered and the finish gives the impression of sandstone. ] 

[grissailes by de Gree in the music room which was originally designed as a dining room] 

A smouldering fire, confined to this room and the one adjacent, resulted in the doors leading to the second suite of rooms being badly burned. The ceilings in both rooms also had to be taken down, cleaned and restored. As much of the ceiling design is executed in gold, it was resistant to the worse of the fire damage. Cliveden Conservation, a company specialising in restoration and renewal of plasterwork and marble fireplaces, restored the ceilings of the two great rooms after the fire, but also copied and carved the original Wyatt fireplace in the drawing room which was so badly damaged that it had to be replaced. Also reinstated were the French limestone tiles in the front hall. 

Primarily the music room was designed to have a typical ‘wedding cake’ interior with a strong emphasis on cream and gold colourings. Sir David has opted for more Adam colours such as pink and green and the result is magnificent. The pelmets were designed by O’Connell and have blended into the overall design seamlessly. Pull-up curtains have been installed as draw curtains would have taken up too much space. The double doors, with brass handles and carvings, were modelled from another Wyatt design. It is thought the mahogany came from Honduras and was already 1,000 years old when it was felled for the house in 1770. 

The drawing room is one of the most elegant and best proportioned rooms in the house. Sir David has a young family and so the room is also comfortable. The ceiling features a circular motif design with two large panels either side. The room also suffered extensive damage during the recent fire and required extensive restoration that took more than a year to complete. Many of the panels had to be removed and repaired or replaced.” 

[picture caption: the music room showing the neo-classical plaster decoration designed by James Wyatt. According to John O’Connell it is probably the most authentic Wyatt room in Ireland, aside from the great dining room at Curraghmore.] 

[the study with the carved festoons in the style of Grinling Gibbons.] 

p. 40. “The original house ended where there is now a set of four scagliola columns when in the 1840s the De Vescies decided to create a long gallery through to where the glass conservatory once stood. Sir David decided to partition the gallery, given its proximity to the kitchen, in order to create a dining room with both a formal and informal dining space. The Knight of Glin helped with the furnishings. ‘All the furniture and paintings here have been brought in the last 25 years,” Sir David says. “It was a time when the Knight was persuading people to buy Irish furniture and paintings and bring them back to Ireland. Much of the stuff here was bought in America. It’s important these furnishings in the house don’t come across as a museum piece. This is very much a family home.” 

The great wing built off the house has the largest and longest butler’s pantry in Ireland, which leads to the upstairs kitchen. The floors in this area are of oak found on the estate. Beyond the kitchen is a wonderful family room in what was formerly the billiard room. The entire first floor is made up on family rooms, bedrooms, dressing rooms and en suite bathrooms. All the original bath and tap finishings have been retained, with slate flooring used under the baths to prevent damage. The real richness at work at Abbey Leix is the contrast between the formal and informal, between the everyday and the elaborate. In its simple elegance, it remains as true to the early 18th century original as any house in private ownership today.” 

[picture caption: The white chimneypiece in the drawing room is to the design of James Wyatt. The Irish mirror was designed by Francis and John Booker of Essexbridge, Dublin.] 

[The present dining room was a large tri-partite library in the mid 19th century.] 

[The formal dining table, which had a fine collection of Wyatt dining chairs, can seat up to 24 guests. The painting is of Sir David Davis by Lord Dunsany.] 

Abbeyleix House, County Laois, photograph courtesy of Colliers.

 
featured in Georgian Mansions in Ireland with some account of the evolution af Georgian Architecture and Decoration by Thomas U. Sadleir and Page L. Dickinson. Dublin University Press, 1915. 

Abbeyleix House, County Laois, photograph courtesy of Colliers.

 
Mark Bence-Jones. A Guide to Irish Country Houses.[originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978; Revised edition 1988 Constable and Company Ltd, London.] 

 
P. 1. Abbey Leix, Co Leix: “[Vesey, De Vesci, V/PB] A three storey late C18 block, built from 1773 onwards by Thomas Vesey, 2nd Lord Knapton and afterwards 1st Viscount de Vesci, with some interiors being designed by James Wyatt. Seven bay entrance front, with three bay pedimented breakfront; frontispiece of coupled Doric columns and entablature around entrance door. Five bay garden front with three bay breakfront. In C19 the elevations were made more ornate with a balustraded roof parapet, entablatures over the windows, balconies and other features. A large conservatory was also added at one side of the house, which was blown away by the “great wind” of 1902 and replaced by a wing containing a new dining room. The principal rooms in the main block have ceilings and, in the old dining room, walls decorated with Wyatt plasterwork. The hall has a screen of fluted Ionic columns;  

 
from myhome.ie. The fireplace mantel of siena and white marble in the front hall, with a well-carved centre panel,  is from a Dublin mansion [from Georgian Mansions in Ireland, as well as following information about paintings] There’s a portrait of Le Grand Dauphin by Pierre Mignard, and pictures of Michael Boyle, Archbishop of Armagh [ he was an ancestor of the family through the marriage of Sir Thomas Vesey, 1st Baronet, with his granddaughter Mary Muschamp]; of John Vesey, archbishop of Tuam; Sir Thomas Vesey, Bt, 1712, afterwards Bishop of Ossory the first Lord Knapton; Mrs Colclough, wife of Caesar Colclough, of Duffrey Hall, Co Wexford and sister of the first Lord Knapton; Agmondesham Vesey, father of Ann, Lady Bingham, as a child [also an ancestor of the Veseys of Lucan, which estate he acquired by his first marriage with Charlotte, daughter of William Sarsfield, who was the elder brother of the celebrated Patrick Sarsfield, Earl of Lucan, and by whom he had an only daughter, Anne, wife of Sir John Bingham, Baronet, ancestor of the present Earl of Lucan. He left the estate to his oldest son of his second marriage, so subsequent owners are not descended from the Sarsfields]; and of the Elizabeth, wife of the first Lord Knapton. This last painting is by Stephen Slaughter, and dates to 1744.  

BJ cont. “the drawing room is hung with a C19 blue wallpaper. The demesne contains some magnificent trees, including oaks which are part of a primeval forest. A formal garden with terraces and ironwork balustrades was laid out by Lady Emma Herbert, who married 3rd Viscount 1839; inspired by the garden of her Russian grandfather, Count Simon Woronzow, at Alupka, near Yalta, in the Crimea. Towards the end of C19, in the time of 4th Viscount, whose wife was Lady Evelyn Charteris, daughter of 10th Earl of Wemyss, Abbey Leix was the Irish outpost of the “Souls.” The garden is now open to the public.” 

Abbeyleix House, County Laois, photograph courtesy of Colliers.
Abbeyleix House, County Laois, photograph courtesy of Colliers.
Abbeyleix House, County Laois, photograph courtesy of Colliers.
Abbeyleix House, County Laois, photograph courtesy of Colliers.
Abbeyleix House, County Laois, photograph courtesy of Colliers.
Abbeyleix House, County Laois, photograph courtesy of Colliers.
Abbeyleix House, County Laois, photograph courtesy of Colliers.
Abbeyleix House, County Laois, photograph courtesy of Colliers.
Abbeyleix House, County Laois, photograph courtesy of Colliers.
Abbeyleix House, County Laois, photograph courtesy of Colliers.
Abbeyleix House, County Laois, photograph courtesy of Colliers.
Abbeyleix House, County Laois, photograph courtesy of Colliers.
Abbeyleix House, County Laois, photograph courtesy of Colliers.
Abbeyleix House, County Laois, photograph courtesy of Colliers.
Abbeyleix House, County Laois, photograph courtesy of Colliers.
Abbeyleix House, County Laois, photograph courtesy of Colliers.
Abbeyleix House, County Laois, photograph courtesy of Colliers.
Abbeyleix House, County Laois, photograph courtesy of Colliers.
Abbeyleix House, County Laois, photograph courtesy of Colliers.
Abbeyleix House, County Laois, photograph courtesy of Colliers.
Abbeyleix House, County Laois, photograph courtesy of Colliers.
Abbeyleix House, County Laois, photograph courtesy of Colliers.
Abbeyleix House, County Laois, photograph courtesy of Colliers.
Abbeyleix House, County Laois, photograph courtesy of Colliers.

Colliers International 

Tel: 01 633 3700 

PSRA Licence No. 001223 

€20,000,000 

9 beds, 10 baths, 2500 sq metres, 

Eircode: R32 E2W4
A splendid and most distinguished Irish 18th-century mansion positioned within a remarkable and ancient woodland demesne of over 1,000 acres. Abbey Leix is one of the most venerable 18th-century houses in Ireland and, following a spectacular restoration, it is also one of the most congenial. In any list of important Irish country houses Abbey Leix has a prominent place. The late-18th-century mansion, clothed in the Italianate manner in 1859-60, enjoys a remarkable position within a private estate comprising some 1,120 acres and includes some of Ireland’s most notable remaining ancient woodland and extensive frontage to the River Nore. The accommodation is grand and beautifully executed with the mansion comprising some 26,910 square feet or 2,500 square metres. 

Abbeyleix House, County Laois, photograph courtesy of Colliers.

The mansion is augmented by 10 lodges and cottages on the estate. Abbey Leix was designed in 1773 by the noted architect James Wyatt. The house is an elegant three-storey Classical mansion of seven bays, the three central bays under a triangular pediment. The arrangement of rooms is elegant and simple, with three major rooms on the park front. There is a deep hall, with a screen of columns separating it from the east-west-running staircase hall and corridor. The music room at the south-eastern corner of the house retains the light, decorative plasterwork for which Wyatt was so admired. Plaster roundels framed by swags of husks were decorated with grisaille by the artist De Gree a few years after completion, probably about 1785. In the middle of the 19th-century the Italianate character was adopted and the great Classical library and a conservatory were added. 

Abbeyleix House, County Laois, photograph courtesy of Colliers.
Abbeyleix House, County Laois, photograph courtesy of Colliers.
Abbeyleix House, County Laois, photograph courtesy of Colliers.

At the same time the front of the house was enclosed within an Entrance Court with terraces added to the rear. A comprehensive and sympathetic restoration was undertaken in 1995. The whole north-west corner of the accommodation was redesigned to provide a new family room (out of rooms subdivided in the 1966), kitchen, and butler’s pantry. A new state dining room was created out of two-thirds of the original library, the remainder now comprising a smaller library. A considerable programme of conservation of the major rooms followed. The works create a 21st-century family home with an appropriate balance between comfort and informality on the one hand and grandeur for entertaining and the display of art on the other. Abbey Leix has one of the most important collections of trees in Ireland. Whereas elsewhere in Ireland the primeval forests of oak, birch, alder and willow have been almost entirely depleted, the woods on Park Hill across the river from the house are among the last surviving remnants of Ireland’s ancient woodland. 

Abbey Leix, like so many places in Ireland, owes its origins to religious settlement, and specifically to the French Cistercian monks who came to Ireland in the mid-12th-century. An ancient stone bridge on the estate, known as Monk’s Bridge, marks where they located their abbey. The present demesne evolved out of the monastery’s granges, woods and fields. One tree, the oldest oak in Ireland still survives from this period. The de Vesci family fashioned a landscape as beautiful as the house they built during their ownership between 1675 and 1995. A stud farm is positioned within the original farmstead and includes an attractive range of cut-stone outbuildings. 

A beautiful principal yard, complete with a clock tower, was built of local limestone in 1822. The quadrangular yard contains 24 loose boxes. A separate farmyard has a range of farm sheds. The farmland provides good grazing. The limestone soil is highly fertile and ideal for rearing and keeping bloodstock, being well laid out in gently undulating fields and paddocks. The lands are well sheltered by the surrounding woodland. Positioned centrally within the estate the house is quiet and private, the wooded drive being c. 1 mile long. “As few places elsewhere, Abbey Leix gives a sense of the longue durée of Irish history. Having been home to French Monks, O’More Princes, Ormonde Earls, de Vesci Viscounts, and a Welsh Knight, the house, its park and woods form a microcosm of our past.” William Laffan, 2017. 

Abbeyleix House, County Laois, photograph courtesy of Colliers.
Abbeyleix House, County Laois, photograph courtesy of Colliers.

1773 – Abbeyleix House, Abbeyleix, Co. Laois 

Architect: James Wyatt 

A seven-bay, three-storey over basement with dormer attic Classical-style country house, begun 1773, with a pedimented breakfront having a cut stone Doric door-case to the ground floor. Originally brick, later rendered by Thomas Henry Wyatt. Five-bay elevation to garden front with breakfront having cut sandstone doorcase and Wyatt style window openings to flanking bays. 

A good landlord, and an improving man, his first care was to remove the old village on the banks of the Nore, and to build a new one, long known as New Abbeyleix, on a better site further from the river.f He also demolished the former family residence, and, in 1773, erected in its place the present mansion, which took several years to complete.” 

http://lordbelmontinnorthernireland.blogspot.com/2013/12/abbeyleix-house.html

THE VISCOUNTS DE VESCI WERE MAJOR LANDOWNERS IN THE QUEEN’S COUNTY, WITH 15,069 ACRES 

This and the illustrious family of De Burgh, Marquesses and Earls of Clanricarde, derive from a common progenitor; namely, 

JOHN, Earl of Comyn and Baron of Tonsburgh, Normandy, son of BALDWIN II of Boulogne, founder of the house of BLOIS, in France. 

From the eldest son of this noble John descended the house of Clanricarde; and from the younger, 

EUSTACE DE BURGE, Baron of Tonsburgh, that of which we are now to treat. 

This Eustace had two sons, Charles and John, both companions in arms of WILLIAM THE CONQUEROR. 

 
The elder son, 

CHARLES, built the castle of Knaresborough, in Yorkshire, and was succeeded by his brother, 

JOHN FITZ RICHARD, who wedded Margaret, aunt of King STEPHEN, and was succeeded by his eldest son, 

EUSTACE FITZ JOHN, feudal lord of Knaresborough, who espoused Beatrix, daughter and sole heir of Ivo de Vesci, by Alda, only daughter and heir of William Tyson, Lord of Alnwick, and was succeeded by his elder son, 

WILLIAM, who assumed the name and arms of VESCI, and had a grant from HENRY II of Alnwick Castle. 

He was sheriff of Northumberland during the greater part of that reign, and was a principal commander in the battle fought near Alnwick, wherein the Scottish army sustained a signal overthrow. 

This William’s elder son, 

EUSTACE DE VESCI (1169-1216), one of the twenty-five feudal barons appointed to enforce the observance of MAGNA CARTA, married Margaret, daughter of WILLIAM, King of Scotland. 

 
This nobleman was succeeded by his son, 

 
WILLIAM DE VESCI, who espoused firstly, Isabel, daughter of William Longespée, Earl of Salisbury; and secondly, Agnes, eldest daughter of William Ferrers, Earl of Derby; and in right of the latter had a share of those lands assigned to him in Ireland, belonging to William Marshal, Earl of Pembroke. 

 
He died in 1253, and was succeeded by his eldest son, 

 
JOHN DE VESCI, who was summoned to parliament, 1264, as Baron Vesci. 

 
His lordship dsp 1289, and was succeeded by his brother, 

 
WILLIAM DE VESCI, who was summoned to parliament in 1295, and was one of the competitors for the crown of Scotland during the reign of EDWARD I. 

 
This nobleman was Justice in Eyre for all the royal forests beyond Trent, and one of the Justices-Itinerant touching the pleas of the forest, Governor of Scarborough Castle, and Lord Justice of Ireland, where he was Lord of Kildare. 

 
His lordship died in 1297, leaving an only daughter, Isabel; and the male line of his family was continued by his brother, 

 
THOMAS DE VESCI, who settled in Newlands, Cumberland, where the family continued until his descendant, 

 
WILLIAM VESEY, having the misfortune to kill his antagonist in a duel, fled into Scotland, whence he removed to Ireland, in the reign of ELIZABETH I. 

 
He wedded a daughter of the family of Ker of Cessford, and was succeeded by his only son, 

THE VEN THOMAS VESEY, Archdeacon of Armagh, 1655; whose son and heir, 

THE MOST REV JOHN VESEY (1638-1716), was consecrated Lord Archbishop of Tuam. 

[Georgian Mansions in Ireland with some account of the evolution af Georgian Architecture and Decoration by Thomas U. Sadleir and Page L. Dickinson. Dublin University Press, 1915: 

“The Most Rev. John Vesey, Archbishop of Tuam, father of the purchaser (of Abbeyleix), may also be called the founder of this family in Ireland, for from him descended the Veseys of Lucan, Co Dublin; Hollymount, County Mayo; and Derrabard, Co Tyrone; as well as Baron Fitzgerald and Vesey, a title now extinct, and the family of Vesey-Fitzgerald. During the vice-royalty of Tyrconnell he suffered great hardships at the hands of the native Irish, though it was only when their lives were in danger that he and Bishop Tenison, of Killala, consented to quite Connaught. fn. see Dictionary of National Biography. Taking his wife and twelve children, he fled to London, where he lived in straightened circumstances, having no means of subsistence save a lectureship of £40 per annum, which the interest of his friends obtained for him. While in England he was attainted by James II’s Irish Parliament, but after the Revolution he returned to his diocese, and resumed the prominent part which he had been accustomed to take in the affairs of the country, of which he was twice appointed Lord Justice. It was probably as some recompense for his misfortunes that his eldest son, Thomas, when only 25 and during his father’s lifetime, was created a Baronet… He took great pleasure in laying out and planting his seat at Hollymount, Co Mayo, described by John Wesley, when he visited it some forty years afterwards, as “one of the pleasantest places in Ireland.” There he died on 28 March 1716, having been in failing health for two years. ] 

This learned prelate, who was thrice one of the Lords Justices of Ireland, left issue, 

THOMAS; 
Agmondisham, ancestor of the Earls of Lucan; 
John, in holy orders; 
William; 
Francis; 
Mary; Elizabeth; Anne. 

His Grace was succeeded by his eldest son, 

THOMAS VESEY (c1668-1730), who was created a baronet in 1698, denominated of Abbeyleix, Queen’s County. 

Sir Thomas, subsequently taking holy orders, was consecrated Lord Bishop of Killaloe in 1713, and translated to the see of Ossory in the following year. 

[Georgian Mansions in Ireland with some account of the evolution af Georgian Architecture and Decoration by Thomas U. Sadleir and Page L. Dickinson. Dublin University Press, 1915: 

p. 13. “The above-mentioned Sir Thomas Vesey had a singular career. Born at Cork in 1673 [ie. differs from webpage date], of which city his father was then Dean, he received his education at Eton, and Christ Church College in Oxford…. It is said that he had early intended to take Orders, but it was not until 1699, after he had returned to Ireland, that the young Baronet was ordained a deacon. Preferment in his father’s diocese naturally followed, and in the following year, soon after he was priested, he was presented to a Galway living, and preferred to the Archdeanery of Tuam – an office which he resigned in 1703. During the vice-royalty of the second Duke of Ormond he acted as his chaplain, and on his recommendation was appointed by Queen Anne to the Bishopric of Killaloe, which he held for little more than a year, beign translated in 1714 to the See of Ossory. Notwithstanding that his rapid promotion was due to court influence, his character both as a man and a prelate stood high, and he was greatly respected by his clergy. We have no records of his residence at Abbeyleix, though it is known to have been the birthplace of his only son, born in 1709 [fn. The Compete Baronetage, by G.E. C.], and it seems probable that he constantly lived there. Some difficulty appears to have arisen with regard to his title to the estate, for in 1711 he invoked the aid of Swift to assist him in getting an Act of Parliament to settle the matter. The Bishop died in Dublin on 6 Aug 1730, and was buried in St. Anne’s church.By his wife Mary Muschamp, who survived til 26 Feb 1749, he had one son and two daughters, of whom the younger, Elizabeth, a versatile and accomplished woman, married first William Handcock, of Willbrook [fn. now called Moydrum Castle, and the residence of his representative, Lord Castlemaine], Co Westmeath, and secondly he cousin Agmondesham Vesey, MP, of Lucan, Co Dublin. [fn. Kildare Journal of Archaeolgoy, vol. vii, no. 6, p. 404]. As Mrs Vesey, the friend of Dr. Johnson, she was long prominent in London society for her literary receptions, celebrated in the pages of Horace Walpole and Madame D’Arblay.”] 

He wedded Mary, only surviving daughter and heir of Denny Muschamp, of Horsley, Surrey, Muster-Master-General of Ireland, and his wife, Elizabeth, eldest daughter of the Most Rev Michael Boyle, Lord Archbishop of Armagh, by whom he had issue, two daughters, and a son, 

SIR JOHN DENNY VESEY, 2nd Baronet, who was elevated to the peerage, in 1750, by the title of Baron Knapton

[Georgian Mansions in Ireland with some account of the evolution af Georgian Architecture and Decoration by Thomas U. Sadleir and Page L. Dickinson. Dublin University Press, 1915:  

p. 13. Sir John Denny Vesey, 2nd Bt, of Abbeyleix, succeeded his father in the title and estates. He had matriculated as a Gentleman Commoner at Christ Church, Oxford, in July 1727, but relinquished his studies on entering the Irish Parliament as M.P. for Newtown Ards before the end of that year. For ths borough he sat for 23 years, and on 10 April 1750, in recognition of his political services, he was raised to the peerage as Baron Knapton, taking his title from a townland on his property adjoining Abbeyleix, which in its turn had been named from Knapton in Yorkshire, a former seat of the family… Lord Knapton, who had been appointed Governor and Custos Rotulorum of the Queen’s County in 1746, during the rebellion in Scotland, died on 25 June 1761, aged 52.] 

He espoused, in Elizabeth, daughter of William Brownlow MP, of Lurgan, County Armagh, by the Lady Elizabeth Hamilton, his wife, daughter of the 6th Earl of Abercorn, and had issue, 

THOMAS, his successor
Elizabeth; Anne; Jane. 

His lordship [who had been appointed Governor and Custos Rotulorum of Queen’s County in 1746, during the rebellion of Scotland]  

died in 1761, and was succeeded by his son, 

THOMAS, 2nd Baron (1735-1804), [the former’s only surviving son, second Lord Knapton] 

who was created, in 1776, VISCOUNT DE VESCI, of Abbey Leix

[Georgian Mansions in Ireland with some account of the evolution af Georgian Architecture and Decoration by Thomas U. Sadleir and Page L. Dickinson. Dublin University Press, 1915:  

“His only surviving son, Thomas, second Lord Knapton, served in Lord Drogheda’s Regiment of Horse, in which he was promoted to the rank of Captain Lieutenant a few months after his father’s death. He was subsequently a Captain in the 123rd Regiment of Foot. {fn. Kelly’s Almanack and Directory for 1795. In 1782 he acted as a General of Volunteers}. After he had retired from the service, on 24 April 1769, he married Selina Elizabeth. He had a town house in Dawon St, Dublin, inherited from his father, but on his marriage moved to a newer and more fashionable residence at 26 Merrion Square. A good landlord, and an improving man, his first care was to remove the old village on the banks of the Nore, and to build a new one, long known as New Abbeyleix, on a better site further from the river. (fn. History of Queens Co p. 154). He also demolished the former family residence, and, in 1773, erected in its place the present mansion, which took several years to complete. During the administration of the Marquess Townsend, Lord Knapton was in opposition, but he accorded his support to the measures of his successor, Earl Harcourt. [fn. The Irish Parliament in 1775, p. 174]. It was not, however, for political reasons, but for having “acted with great spirit and propriety in discountenancing and suppressing the outrageous proceedings of the White Boys” {fn. Harcourt Papers, vol. x p. 198}that he was, on 18 July 1776, advanced to the Viscounty of de Vesci. Besides being an active magistrate, he was a hospitable man, and frequently gathered round him parties of friends. ….Lord de Vesci died at Abbeyleix of a paralytic stroke on 13 Oct 1804. ] 

His lordship married, in 1769, Selina Elizabeth, eldest daughter and co-heir of the Rt Hon Sir Arthur Brooke Bt, of Colebrooke, County Fermanagh, by whom he had issue, 

JOHN, his successor
Arthur, in holy orders; 
Charles; 
Elizabeth; 
Selina, m Andrew Nugent, of Portaferry. 

The 1st Viscount was succeeded by his eldest son, 

JOHN, 2nd Viscount (1771-1855), of Abbey Leix, who wedded, in 1800, Frances Letitia, daughter of the Rt Hon William Brownlow, of Lurgan, County Armagh. 

[Georgian Mansions in Ireland with some account of the evolution af Georgian Architecture and Decoration by Thomas U. Sadleir and Page L. Dickinson. Dublin University Press, 1915:  

p. 16. Of the second Viscount we have the following account, written the year before he died, by an anonymous writer [ he died at Portaferry, Co Down, the residence of his son-in-law, Col Patrick Nugent]]: “,,,An ever resident landlord, he has spent all his life amidst his tenantry; and whereever you turn the fruits of his paternal care are seen.” His elder son, the 3rd Viscount de Vesci, died at 4 Carlton House Terrace, London, on 23 Dec 1875 [he was MP for Queens co, 1835-7, and 1841-52; a representative peer, and an Ecclesiastical Commissioner for Ireland] leaving, with other issue, John Robert William, 4th Viscount, H.M.L. for the Queen’s county, sometimes Lieut-Col of the Coldstream Guards, and of the Honorable Artillery Company of London, who was created Baron de Vesci of Abbeyleix in the peerage of the UK in 1884. On his decease, 6th July 1903, this barony expired, while the Irish honours devolved on his nephew, the 5th and present holder…. note that the 2nd Visciount was MP for the borough of Mayborough, 1796-97, a Representative Peer, and for many years, Lord Lieut. of Queen’s Co.] 

They had issue, 

THOMAS, his successor
William John; 
Catherine. 

His lordship was succeeded by his eldest son, 

THOMAS, 3rd Viscount (1803-75), 

The heir apparent is the present holder’s second son, the Hon Oliver Ivo Vesey. 

 
In a Country Life article of 1991, entitled Abbeyleix, County Laois …’, the late John Cornforth provided a short but still serviceable account of Vesey family history, largely based on the Public Record Office of Northern Ireland list of the de Vesci papers as it then stood: 

… The Veseys first appeared in Ireland in the second quarter of the 17th century and, like a surprising number of families, rose through service in the Church of Ireland. The first of them, the Venerable Thomas, ended up as Archdeacon of Armagh in 1655 and died in 1662. 

Both his sons followed him into the Church, the elder one, John, becoming Archbishop of Tuam [in 1679], a Privy Councillor and a Lord Justice of Ireland. Three of the Archbishop’s five sons also entered the church, with Thomas, the eldest, being made a baronet [in 1698] and a bishop [in 1713], in his father’s lifetime. He had the foresight to marry, [in 1699, Mary Muschamp], the granddaughter of an even more distinguished Archbishop, Michael Boyle, who was both Primate [1678-1702] and Lord Chancellor [1665-85]. … 

Through this marriage, Sir Thomas Vesey acquired the Abbeyleix estate, which was given to the couple as Mary’s marriage portion, by her father, Denny Muschamp. Muschamp was a tax farmer and land speculator as well as adviser to his father-in-law, Archbishop Boyle, and he became involved in Abbeyleix in 1675 through buying the rest of a 99-year Crown lease from the trustees of the will of Sir Edward Massey, an act that immediately led to litigation with the trustees and the beneficiaries of the will. That, together with other complications, led to a series of claims and counter-claims that caused the case to drag on until 1769. …  

In 1995, the 7th and present Lord de Vesci sold Abbey Leix sold most of the demesne (excluding, however, the part which went with Knapton). 

The purchasers were Sir David Davies, an Irish-born and based international banker and businessman, and his wife, Linda, whose ‘spectacular restoration’ of the house carried forward the de Vesci tradition of improvement and was the subject of an article by Jeremy Musson entitled ‘Abbeyleix, County Laois …’, published in Country Life on the 24th July, 2003.  

Prior to the sale of the house and its residual contents, Lord de Vesci had removed, among many other things, his collection of family portraits and the archive. 

However, later in 1995, agreement was reached for the sale of the latter to the National Library of Ireland, where it is now made more easily and widely accessible by the publication of the present catalogue.  

The de Vesci Papers are deposited at the NLI. 

 
Thomas Eustace Vesey, 7th and present Viscount de Vesci (b 1955) is managing director of Horticultural Coir Limited. 

 
ABBEYLEIX HOUSE is a seven-bay, three-storey over basement with dormer attic Classical-style country house, begun 1773, with a pedimented breakfront having a cut stone Doric door-case to the ground floor. 

 
Five-bay elevation to garden front with breakfront having cut sandstone doorcase and Wyatt style window openings to flanking bays. 

Two-bay single-storey wing to west, renovated ca 1840, with façade enrichments added. 

 
It was extended to the west, post-1902, comprising a seven-bay single-storey wing with breakfront having three-bay advanced centre bay. Balustraded forecourt of ca 1840, to the north. 

 
 
Formal gardens, post-1839, to south comprising series of artificial terraces with balustrades, flights of steps and ha-has. 

The house is set within a landscaped demesne approached by gravel drive; balustraded formal courtyard to Entrance Front with gravel drive and grass centrepiece; group of formal gardens to Garden Front including series of artificial terraces with balustrades, flights of steps and rubble stone ha-has; pond to sheltered garden to south-west.

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From Georgian Mansions in Ireland with some account of the evolution af Georgian Architecture and Decoration by Thomas U. Sadleir and Page L. Dickinson. Dublin University Press, 1915: 

 
P. 10. Abbeyleix house, the residence of the Viscount de Vesci, is a large four-storied rectangular building, situated in a splendid demesne, celebrated for its magnificent oaks, of over 700 acres, not far from the small but picturesque town from whence its name is derived. Externally it presents an uninteresting appearance for although constructed of red brick with a stone front, by plastering the whole it has entirely lost its Georgian character; internally, in spite of modern embellishment, much of the original work is still preserved. The character of the ornament is well shown in the Hall: two fluted columns support an entablature, and the Adam style appears both in the frieze and the fan decoration of the walls. There is a tall handsome mantel of siena and white marble, with well-carved centre panel, which was formerly in a Dublin mansion. Besides the masterly portrait of Le Grand Dauphin, by Pierre Mignard, a recent purchase of the present Viscount, this apartment contains pictures in oils of Michael Boyle, Archbishop of Armagh [an ancestor of the family through the marriage of Sir Thomas Vesey, 1st Bt, with his grand-daughter Mary Muschamp.]; John Vesey, Archbishop of Tuam; Sir Thomas Vesey, Bt, 1712, afterwards Bishop of Ossory; first Lord Knapton, in early manhood; Mrs Colclough, wife of Caesar Colclough of Duffrey Hall, County Wexford, and sister of teh first Lord Knapton; Agmondesham Vesey (father of Ann, Lady Bingham0, as a child; and Elizabeth, wife of teh first Lord Knapton [she was a daughter of William Brownlow of Lurgan, MP for county Armagh], by Stephen Slaughter, dated 1744. 

p. 11 “Passing to the left from the Hall we enter a large lofty sitting room, wiht three mahogany doors and carved wood overdoors; the decoration is in plaster panels enriched with Adam ornament. There is a conventional Adam ceiling and frieze, the mantel, doubtless contemporary, being of white marble carved. … At the opposite end of the house lies the grand staircase, in two flights, with light balustrade of iron and oak handrail, the plan being similar to that at Caledon.” 

 
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Georgian Mansions in Ireland with some account of the evolution af Georgian Architecture and Decoration by Thomas U. Sadleir and Page L. Dickinson. Dublin University Press, 1915.: 

“The corridor bisecting the house passes through the staircase hall, and has been carried on to afford communication with a modern addition containing a library and breakfast room. In this corridor are a fine portrait of Nicholas de Launay, by Hyacinth Rigaud, and a pleasing picture, which has been engraved in mezzotint, of the Right Honourable William Brownlow, of Lurgan, Co Armagh, half-length seated, by Gilbert Stuart. [fn. He was father of Frances Letitia, Viscountess de Vesci, and ancestor of Lord Lurgan.]  

The drawing room and dining room, also on this floor, have a south aspect, and overlook the beautifully laid out pleasure grounds: the former, spacious apartment, though lacking in any Georgian interest, contains several oil-paintings, including Thomas, first Viscount de Vesci, by Gilbert Stuart; Margaret, wife of Sir Arthur Brooke, Bart., of Colebrook, Co Fermanagh. [fn. she was the only daughter of Thomas Fortescue, of Reynoldstown, Co Louth, and sister of the first Lord Clermont]. There is also a case of miniatures, in which are examples of the work of Nathaniel Hone, Adam Buck, Gervaise Spencer, and others. 

 
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Georgian Mansions in Ireland with some account of the evolution af Georgian Architecture and Decoration by Thomas U. Sadleir and Page L. Dickinson. Dublin University Press, 1915: 

“In the bedrooms most of the joinery is modern, but the Georgian brass grates, in some cases black-leaded, have been well-preserved.” 

p. 11. Nothing now remains of the Abbey founded at Leix, in the territory of the O’Mores, by the Cistercians in 1183, though some of the buildings were not finally demolished till the last quarter of the eighteenth century. This establishment, caleld in some documents “the little Abbey of Lenix,” existed till the dissolution, when the site, which is said to be that of the present mansion, together with some 820 acres in the immediate neighbourhood, passed to the Crown, being granted in 1562 to Thomas, Earl of Ormond, [p. 12] “Black Tom,” for services against the rebels. It does not appear that it was ever a residence of the Butler family, but it remained in their possession till in or about 1698, when it became the property of Thomas Vesey, who had lately marrieed a wealthy heiress in the person of Mary, the only daughter of Denny Muschamp, of Horsley, Surrey, Muster-Master General in Ireland, and who in the same year was created a Baronet of Ireland. 

p. 12. The most reverent John Vesey, Archbishop of Tuam, father of the purchaser, may also be called the founder of the family in Ireland, for from him descended the Veseys of Lucan, County Dublin; Hollymount, County Mayo, and Derrabard, County Tyrone; as well as Baron FitzGerald and Vesey, a title now extinct, and the family of Vesey-Fitzgerald. During the vice-royalty of Tyrconnell, he suffered great hardships at the hands of the native Irish, though it was only when their lives were in dangerthat he and Bishop Tenison, of Killala, consented to quit Connaught. Taking his wife and twelve children, he fled to London, where he lived in straitened circumstances, having no means of subsistence save a lectureship of £40 per annum, which the interest of his friends obtained for him. When in England he was attainted by James II’s Irish Parliament, but after the Revolution he returned to his diocese, and resumed the prominent part which he had been accustomed to take in the affairs of the country, of which he was twice appointed Lord Justice. It was probably as some recompense for his misfortunes that his eldest son, Thomas, when only 25, and during his father’s lifetime, was created a Baronet. Swift occasionally mentions the Archbishop, who published several sermons, as well as a “Life of Primate Bramhall” and appears to have been a man of refined tastes. He took great pleasure in laying out and planting his seat at Hollymount, County Mayo, described by John Wesley, when he visited it some forty years afterwards, as “one of the pleasantest places in Ireland.” There he died on 28 March 1716, having been in failing health for two years. 

p. 13.  

 
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Single-arch rubble stone hump back road bridge over river, built c.1840, with cut granite voussoirs. Random rubble stone walls with cut granite voussoirs. Round-headed openings with cut granite voussoirs and rubble stone lining. Sited spanning river; iron gate to centre of bridge; cut stone retaining walls to river banks to north and to south; tubular steel cow grill to east. 

Freestanding six-bay single-storey boathouse, built c.1850, with yellow brick piers and open gable ends. Double-pitched slate roof with scalloped slate and red clay tiles, concrete ridge tiles, decorative cresting, timber eaves and decorative timber bargeboards and open framing to gable ends. Coursed rubble stone to base of walls with yellow brick intermittent piers. Square-headed window openings with concrete chamfered sills, yellow brick dressings to lintels and timber lattice panels. Yellow brick internal walls. Sited to west of river on an elevated site; section of iron railings to open gable end to west; gravel drive to east; grass river banks to north and to south. 

Detached seven-bay three-storey over basement with dormer attic Classical-style country house, begun 1773, with pedimented breakfront having cut stone Doric doorcase to ground floor. Five-bay elevation to garden front with breakfront having cut sandstone doorcase and Wyatt style window openings to flanking bays. Two-bay single-storey wing to west, renovated c.1840, with façade enrichments added. Extended to west, post-1902, comprising seven-bay single-storey wing with breakfront having three-bay advanced centre bay. Balustraded forecourt, c.1840, to north. Formal gardens, post-1839, to south comprising series of artificial terraces with balustrades, flights of steps and ha-has. Slate mansard roof hidden behind balustraded parapet with rolled lead ridge tiles, rendered panelled chimneystacks with yellow clay pots and cast-iron rainwater goods. Flat-roofed dormer attic windows, flat-roof to wing not visible behind guilloche parapet, roof to wing not visible behind guilloche parapet. Nap rendered walls with ruled and lined detail, unpainted, with sandstone dressings including quoins, quoins strips, stringcourses and cornice. Nap rendered to wings with ruled and lined detail. Square-headed window openings with stone sills on corbels. Gibbsian surrounds to ground floor windows, shouldered surrounds to first floor windows with balconettes to breakfront windows and architraves to top floor windows with keystones, all with three-over-three and six-over-six timber sash windows. Wyatt-style surrounds to Garden Front. Tripartite door arrangement, cut-limestone Doric frontispiece with entablature with timber panelled double doors and decorative overlight. Gibbsian surround to door opening to Garden Front with timber French door. Round-headed window openings to wing with concrete sills, pillared surrounds, moulded archivolts and timber casement windows with overlights. Timber panelled internal shutters to window openings; entrance hall: stone tiled floor; decorative marble fireplaces; Ionic screen wall; Wyatt-style plasterwork to walls and to ceiling. Abbeyleix House is set within landscaped demesne approached by gravel drive; balustraded formal courtyard to Entrance Front with gravel drive and grass centrepiece; group of formal gardens to Garden Front including series of artificial terraces with balustrades, flights of steps and rubble stone ha-has; pond to sheltered garden to south-west. 

Multiple-bay two-storey stable complex, built c.1800, on a quadrangular plan with courtyard. Pair of round-headed integral carriageways with belfry and ogee dome to east and series of elliptical-headed carriageways. Multiple-bay two-storey range, c.1800, to east on a triangular plan with kitchen courtyard connecting to Abbeyleix House. Detached four-bay single-storey rubble stone stable range, c.1800, to west. Double-pitched slate roof on quadrangular and triangular plans with rolled lead ridge tiles, roughcast chimneystacks with red clay pots, timber eaves and cast-iron rainwater goods. Timber belfry to apex with corner pilasters and ogee dome. Double-pitched slate roof to stable range with concrete ridge tiles and timber eaves. Roughcast render over rubble stone walls, unpainted. Random rubble stone to stable range. Square-headed window openings with concrete sills, some rendered surrounds and two-over-two, three-over-three and three-over-six timber sash windows. Series of lunette window openings to first floor with concrete sills and timber fixed-pane windows. Round- and elliptical-headed carriageways (two integral) with rendered surrounds and timber panelled double doors. Square-headed door openings to stable range with timber panelled half-doors. Utilitarian interiors with timber stalls. Set adjacent to west of Abbey Leix House approached by gravel drive; tarmacadam and gravel courtyard to centre of quadrangular range; cobbled courtyard to centre of triangular range. 

https://theirishaesthete.com/2019/08/05/an-18th-century-house-guest/

‘I must return to give you an account of Lady De Vesci’s. I am quite in love with her and with their state of living. It is entirely without form, everybody doing as they please, and always a vast number of people in the house. Lady Knapton, his mother, lives with them, and seems no restraint upon anybody, she is so good-humoured. We were about six or seven ladies and as many gentlemen, divided into different parties about the room, some working, some reading, some playing cards, and the room being large and very full, it had a most comfortable appearance. It opens into the library on one side and the dining-room on the other. As it rained most of the time I was there I did not see much of the grounds, but the park is not laid out, as they have employed all their time and money in making a comfortable house first, which I think the most sensible plan. Lady De Vesci was very loth to let us go so soon, but Mr. Dawson had business at home that prevented our staying longer. However, we go again into their neighbourhood the end of next week, as Sir Robert and Lady Staples have been very pressing with their invitations, and insisted upon our naming the time, which we accordingly did, and Lady De Vesci begs we will come to her again after that, to meet Lord and Lady Tyrone, so you see we have enough to do; besides we have a ball to go to on Wednesday next, which a distant neighbour has invited us to, and when all this is over we meditate a trip to Dublin, to buy some things we have occasion for.’ 
From Lady Caroline Dawson to Lady Louisa Stuart, September 1778. 

The Irish Aesthete: Buildings of Ireland, Lost and Found. Robert O’Byrne. The Lilliput Press, Dublin, 2024.

p. 2. Abbeyleix House, County Laois – June 2016

“Abbey Leix was designed in 1773 by James Wyatt for Thomas Vesey, Lord Knapton (later first Viscount de Vesci). As originally built, the house was an elegant three-storey classical mansion of seven bays, the three central bays under a triangular pediment. In the middle of the nineteenth century the third Viscount de Vesci and his wife Emma, daughter of the 11th Earl of Pembroke, added a great classical library and a conservatory, extending the eighteenth-century library to twice its length. Their architect was T. H. Wyatt (descended from a cousin of James Wyatt).

“These alterations gave the building a more pronounced Italianate character through added features such as stone details, Gibbsian window surrounds, emphatic quoins and balconies. The most notable external work was the addition of a balustrade parapet running around the attic, thereby masking dormer windows on an additional storey to provide staff accommodation. Portland cement render applied to the exterior drew these changes together, giving the impression of a unified composition. At the same time as alterations were being made to the building, Lady de Vesci embarked on redesigning the gardens to the rear. Here, a series of elaborate formal terraces was introduced. It has been proposed that the design of these terraces was inspired by those at Alupka in the Crimea, the palace of Lady de Vesci’s Russian maternal grandfather, Prince Worontsov, although more likely they were the invention of Abbey Leix’s chatelaine. In the mid-1990s the house and estate were sold to Sir David Davies, who embarked on a thorough restoration of both. More recently, Abbey Leix was bought by Irish entrepreneur John Collison.”