Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 178. “A mid-C19 Italianate house of two storeys with central one bay balustraded attic rising above the roofs on either side. Three bay entrance front; central Venetian window; 1st floor windows in outer bays with entablatures and balconies on console brakcets; Venetian windows below. Single-storey balustraded portico. In recent years the home of Captain Sheppard.”
Detached three-bay two- and three-storey over basement Italianate-style house, c.1790, on a symmetrical plan retaining early aspect comprising single-bay three-storey central bay with prostyle tetrastyle portico to ground floor, single-bay two-storey advanced flanking end bays and four-bay two-storey side elevations. Now in use as clubhouse. Hipped roofs (behind parapet wall to central bay) with slate. Clay ridge tiles. Cut-stone chimney stacks. Cast-iron rainwater goods (on consoled eaves course to flanking end bays). Uncoursed squared rubble stone walls to basement. Limestone ashlar walls over. Cut-stone dressings including stringcourses to flanking end bays having consoled moulded cornices over. Cut-stone balustraded parapet wall to central bay with piers having cut-stone coping and finials. Square-headed window openings (Venetian windows to ground floor flanking end bays and to first floor central bay; window openings in recessed panels to first floor flanking end bays having corbelled cut-stone balconies with pierced fret work detailing). Cut-stone sills. Cut-stone pilaster surrounds to Venetian openings having moulded necking and archivolts with keystones. 6/6 timber sash windows to Venetian windows with fanlights and 2/2 sidelights. Moulded cut-stone surrounds to openings to first floor flanking end bays with entablatures over. Timber casement windows. Square window opening to top floor central bay. Moulded cut-stone surround. Fixed-pane timber window. Shallow segmental-headed window openings to ground floor side and rear elevations. Cut-stone sills. Cut-stone surrounds with rusticated voussoirs. 6/6 timber sash windows. Pair of round-headed door openings behind cut-stone prostyle tetrastyle portico with moulded necking to piers, plain frieze, moulded cornice and balustraded parapet wall over. Cut-stone surrounds to door openings. Glazed timber panelled double doors. Overlights. Interior with timber panelled shutters to window openings. Set back from road in own grounds. Tarmacadam forecourt/carpark to front. Landscaped lawns to rear. Detached six-bay single-storey outbuilding with attic, c.1810, to west on an L-shaped plan about a courtyard comprising three-bay single-storey range with three-bay single-storey projecting wing to left having segmental-headed integral carriageway. Gable-ended roof on an L-shaped plan with slate (gabled to attic windows). Clay ridge tiles (crested red clay ridge tiles to attic windows). Cut-stone bellcote to gable. Cut-stone coping to gables. Square rooflights. Cast-iron rainwater goods on eaves course. Roughcast walls. Painted. Rendered wall to side elevation. Unpainted. Shallow segmental-headed openings. Stone sills. Red and yellow brick surrounds. Timber fittings. Segmental-headed integral carriageway. Red and yellow brick surround with keystone. Fittings not visible. Gateway, c.1810, to courtyard comprising round-headed opening with red brick piers having yellow brick dressings, terracotta keystone, wrought iron double gates and round-headed pedestrian gateway perpendicular to left. Remains of detached outbuilding, c.1810, to parkland possibly originally folly comprising random rubble plinth wall with yellow brick over having square-headed door opening with cut-stone block-and-start surround having wrought iron gate and cut-stone hood moulding over. Detached three-bay single-storey gate lodge with dormer attic, c.1810, to south on a symmetrical plan with single-bay single-storey projecting bay to centre on a canted plan, single-bay single-storey canted bay window to side elevation and single-bay single-storey return to rear. Gable-ended roof with slate (polygonal to projecting bay; hipped to return). Crested red clay ridge tiles (rolled lead ridge tiles to projecting bay). Cut-stone chimney stack with moulded stringcourse and coping. Timber eaves and bargeboards (forming open-bed pediment to gable ends). Cast-iron rainwater goods. Limestone ashlar walls. Moulded cut-stone stringcourse. Square-headed window openings (including to canted bay window). Stone sills. Timber casement windows. Round-headed window openings to projecting bay (paired to gables). Cut-stone sills and surrounds (some with keystones). Timber casement windows. Round-headed door opening. Cut-stone surround. Timber panelled door. Gateway, c.1810, to south comprising pair of cut-stone piers with vermiculated panels having moulded cornices, plain friezes and cut-stone capping with wrought iron double gates, square-headed flanking pedestrian gateway to left (unpierced corresponding flanking wall to right), cut-stone outer pier with vermiculated panels, moulded cornice and capping, and limestone ashlar flanking boundary wall with moulded detailing and cut-stone coping.
Knockanally House is a fine and attractive substantial house that, although converted to a public use, has retained most of its original form and character. The scale and fine detailing of the house suggest its social and historic importance as the residence of a patron of high status in the locality. The construction in limestone ashlar attests to the high quality of stone masonry traditionally practised in the locality and this is especially evident in the cut-stone detailing that gives the composition its Italianate tone, including the decorative balconies, surrounds to openings, and so on, all of which have retained a crisp intricacy. The house has been very well maintained and retains important original salient features and materials including multi-pane timber sash fenestration, timber fittings to the door openings, and slate roofs having cast-iron rainwater goods. It is believed that the interior spaces are similarly intact, and timber panelled internal shutters are visible to the window openings. The house is complemented by an extensive range of ancillary structures that are individually of architectural heritage importance. The range of outbuildings to west provide insight in to the working life of a planned estate, and the use of red and yellow brick dressings – notably to the gateway leading in to the courtyard – provides an attractive example of polychromy in the grounds. The folly also provides insight in to the planning of an estate, in this instance for recreational and aesthetic purposes. The gate lodge to south has also been well maintained to present an early aspect and, despite the modest-scale, is a highly ornamental piece that forms an attractive feature on the side of the road. Also of particular interest is the gateway leading in to the grounds, the construction of which again attests to the high quality stone masonry of the region, and the gates of which are a good example of early surviving wrought iron work. The grounds of the estate are also of interest – parts having been converted to use as a golf course, the grounds immediately surrounding the house and various outbuildings have been preserved as originally intended and are important for the purpose of the context of the buildings.
Knockanally, County Kildare, photograph courtesy of Irish Aesthete.
The history of Knockanally, County Kildare is rather opaque, although it is known that the Coates family, the first of whom appears to have arrived in Ireland in the early 1700s, acquired the land on which it stands from the Aylmers who lived not far away at the now-derelict Donadea Castle (see Another Blot on the Landscape « The Irish Aesthete). Some kind of residence was built at Knockanally and in the mid-18th century this was occupied by one William Coates, known to have died in 1766 when the property was inherited by his eldest son, Matthew. When his grandson William Lancake Coates died in the following century, Knockanally was inherited by William Coristine Coates, the son of his cousin. His descendants appear to have continued living on the estate until it was taken over by the Irish Land Commission in 1942 and subsequently divided among various farmers. The immediate demesne and main house were then sold to a Captain Sheppard, who in turn sold it to the Maharani of Baroda. In 1959, ownership passed to the Rehabilitation Institute, which used the house as a convalescent home for the victims of polio.Further changes of ownership seem to have followed before Knockanally was bought in 1983 by Noel Lyons, who turned the land into an 18-hole golf course.
Knockanally, County Kildare, photograph courtesy of Irish Aesthete.
Knockanally, County Kildare, photograph courtesy of Irish Aesthete.
Knockanally, County Kildare, photograph courtesy of Irish Aesthete.
Knockanally, County Kildare, photograph courtesy of Irish Aesthete.
As it appears today, Knockanally dates from c.1843 when commissioned by William Lancake Coates on a site east of the original house. The architect responsible was Dublin-born William Deane Butler, much of whose work involved designing institutional buildings such as court and market houses, although he did receive commissions for a number of country houses also. As noted by the late Jeremy Williams, Knockanally is almost a cube, ‘if its height is assessed on the three-storied central bay.’ Of two storeys over basement and faced with wonderfully crisp limestone ashlar, the building is entered via an Ionic portico flanked by Venetian windows with a third directly above it. On this level, windows within shallow recesses open onto balconies: these can also be found on each of the four-bay side elevations. Seemingly the interior featured a central, double-height and top-lit hall. Williams has noted that this is a reduced version of the hall in Dublin’s Broadstone station, designed by John Skipton Mulvany who, he suggests, may therefore have had a hand in Knockanally. As for the very substantial and elaborate gatelodge at the entrance to the former estate, J.A.K. Dean dates this to c.1870, too late to have been designed by either Butler (who died in 1857) but may have come from Mulvany as he lived until that date.
Knockanally, County Kildare, photograph courtesy of Irish Aesthete.
Knockanally, County Kildare, photograph courtesy of Irish Aesthete.
Knockanally, County Kildare, photograph courtesy of Irish Aesthete.
Knockanally, County Kildare, photograph courtesy of Irish Aesthete.
In September 2010 it was reported that one of the country’s banks had appointed a receiver over Knockanally Golf Club, set in 125 acres; this move came a few days after creditors of Ferndale Leisure, the holding company behind the club, had met to appoint a liquidator; at the time, with an economic recession at this height, quite a number of Ireland’s golf clubs were going into receivership. Three years later, the club, the main house, gate lodge and a number of golf ‘lodges’ in the grounds, was sold to a Warwickshire-based company, St Francis Group for €1.1 million: some years earlier, this portfolio had been valued at €3.5 to €4 million. Quite what has happened since then seems to be unclear. Refurbishment work was carried out on the house and other buildings on the site, but in September 2018 the local Leinster Leader reported that the golf club had again closed down and was to be offered for sale. Since then, both the house and gate lodge have remained closed and boarded up, with inevitable deterioration in the fabric of both buildings. A dreadful waste.
Knockanally, County Kildare, photograph courtesy of Irish Aesthete.
Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.
€1,795,000 5 Bed 2 Bath 318 m² for sale Feb 2025 courtesy Knight Frank.
A charming five-bedroom, double fronted Georgian house built circa 1840 with a mix of slate cladding and cut granite stone exterior, situated in a stunning position on approximately 2.3 acres of mature south facing grounds looking out towards the Sugarloaf. Glenfield extends to approximately 318 sq. m / 3,422 sq. ft. over two floors, with an abundance of period features and plentiful natural light throughout thanks to its sunny aspect. The entrance hall opens right into the formal dining room with box bay window, open fireplace and service hatch. Adjacent is the drawing room, a slightly later addition with Arts and Crafts features to include a beamed ceiling, partially panelled walls, leaded glass windows and an open fireplace. To the left of the entrance hall is a cosy, comfortable living room with matching box bay window and a solid fuel burning stove. This room opens through to the warm country kitchen with a range of floor and wall mounted fitted pine units, an AGA and ample space for a dining table. Off the kitchen is a boot room with garden access and a useful utility room. A rear hallway with guest WC provides an entrance for everyday access to Glenfield.
Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.
An attractive flight of stairs from the entrance hall accesses the first-floor accommodation which comprises an expansive primary bedroom suite with an office space, bedroom, dressing room and en-suite. There are four further spacious bedrooms and a well-appointed family bathroom. All of the southerly facing rooms on the ground and first floor offer magnificent views over the gardens and across the surrounding countryside to the Sugarloaf. Glenfield is a beautifully proportioned home, ideal for a family, in an exceptionally private, Sylvan setting ideally situated opposite the entrance to St. Gerards School and only a short drive to local shops and services.
Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.
The beautiful gardens are a key feature of Glenfield, with a gravelled driveway leading to a large garage, a workshop, various outhouses, a gym and a summer house with sandstone paved patio ideal for summer entertaining. There is ample space for a tennis court or a swimming pool (where there once was one) while there is potential, subject to planning permission, for another house on the grounds. The gardens are laid out informally mostly in lawn, herbaceous borders, a vegetable garden and orchard while there are some fabulous specimen trees. There is also plentiful car parking.
Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.Glenfield, Thornhill Road, Bray, County Wicklow, courtesy Knight Frank, Feb 2025.
Detached three-bay two-storey house, built 1840, on a cruciform plan originally three-bay two-storey on a T-shaped plan centred on single-bay single-storey projecting porch to ground floor on an engaged half-octagonal plan; single-bay (single-bay deep) full-height central return (north). Leased, 1901. “Improved”, 1911, producing present composition. Pitched slate roof on a T-shaped plan centred on pitched slate roof (north) with clay ridge tiles, concrete or rendered coping to gables with rendered chimney stacks to apexes having stepped capping supporting terracotta pots, and cast-iron rainwater goods on timber box eaves retaining cast-iron octagonal or ogee hoppers and downpipes. Creeper- or ivy-covered slate hung walls to front (south) elevation; roughcast surface finish (remainder). Paired square-headed window openings (ground floor) with cut-granite flush sills, and concealed dressings framing twelve-over-one timber sash windows. Square-headed window openings (first floor) with cut-granite sills, and concealed dressings framing one-over-one timber sash windows. Square-headed window openings (remainder) with cut-granite sills, and concealed dressings framing six-over-six timber sash windows. Interior including (ground floor): central vestibule on a half-octagonal plan with moulded plasterwork cornice to ceiling; elliptical-headed opening into hall; hall retaining carved timber surrounds to door openings framing timber panelled doors, staircase on a dog leg plan with turned timber balusters supporting carved timber banister, and carved timber surrounds to door openings to landing framing timber panelled doors; and carved timber surrounds to door openings to remainder framing timber panelled doors with timber panelled shutters to window openings. Set in landscaped grounds with piers to perimeter having cut-granite shallow pyramidal capping supporting wrought iron double gates.
Appraisal
A house representing an integral component of the mid nineteenth-century domestic built heritage of south County Dublin with the architectural value of the composition confirmed by such attributes as the symmetrical footprint centred on a polygonal porch; and the diminishing in scale of the openings on each floor producing a graduated tiered visual effect with the principal “apartments” or reception rooms defined by bay windows: meanwhile, aspects of the composition, including the distinctive slate hung surface finish, clearly illustrate the continued development or “improvement” of the house in the early twentieth century. Having been well maintained, the elementary form and massing survive intact together with substantial quantities of the original fabric, both to the exterior and to the interior, thus upholding the character or integrity of a house having historic connections with the Buckham family including Robert Buckham (1854-1908) and Susan Maxwell Buckham (1864-1944) ‘of Thornhill Villa Bray County Dublin’ (Calendars of Wills and Administrations 1908, 48).
Castleboro House, County Wexford – now a ruin but very impressive
Castleboro, County Wexford, photograph: Robert French, Lawrence Collection, NLI, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 63. “(Carew, B/PB) A very large and imposing Classical house by Daniel Robertson, of Kilkenny; but ca 1840 for 1st Lord Carew. Its style was unusually archaic for the period in which it was built; for not only did it follow the Palladian plan of a central block flanked by wings and pavillions, but the three storey main block, in which the top storey was treated as an attic, above a boldly-projecting cornice, had an affinity with certain English mansions of early 18C; noteably Wynde’s Buckingham House. But for the inevitable C19 lushness, one might have believed the garden front to date from 100 years earlier than it actually did; it had a central three sided bow with engaged Corinthian columns at the angles supporting the entablature, two bays on either side of the centre and a pair of Corinthian pilasters at each end. The seven bay entrance front was more obviously of its period, having a rather deep two storey Corinthian portico, with a straight entablature which was, in fact, the main entablature of the house carried outwards. As in the garden front, there were pairs of Corinthian pilasters at either end of the facade, the outer one in each case being a corner-pilaster. The wings and pavilions, which were two storey, had more of a neo-Classical flavour in the entrance front; particularly the front walls of the pavilions, which had no windows, but a deep blind central recess with Ionic columns, flanked by niches. The garden front of the wings was plainer, with a central feature of four engaged Ionic columns in the end pavilions. Impressive two storey hall with gallery, two drawing rooms en suite, decorative panels of wallpaper framed with moulding on the walls; one of the two rooms having a screen of Corinthian columns. Two storey library with metalwork gallery.
Burnt 1923, now a ruin, some of the cut-stone having at various times been removed, to Monksgrange and elsewhere.”
Castleboro library c. 1890, County Wexford, photograph: Robert French, Lawrence Collection, NLI, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
The ruins of Castleboro House, County Wexford (geograph_3716684) By Mike Searle, https://commons.wikimedia.orgCastleboro, County Wexford, photograph by Robert French, [between ca. 1865-1914], Lawrence Photograph Collection, National Library of Ireland.
p. 149. A superb classical house built c. 1840 to the design of Daniel Robertson for 1st Lord Carew. Entrance front with very fine Corinthian portico in granite. Impressive interior with two storey entrance hall, imperial staircase and oval drawin groom. The house was burnt in 1923. Now a ruin which must be preserved as it is one of the most significant ruins in the country.”
Castleboro, County Wexford, photograph by Robert French, [between ca. 1865-1914], Lawrence Photograph Collection, National Library of Ireland.
Castleboro was a very large, imposing classical mansion built about 1840 for the 1st Baron Carew. The grand central block of the building presented the appearance of a Venetian Palace, with a frontage of about ninety feet in length.
A projecting semi-hexagon bay dominated the garden front about one third of the garden front. The building’s carvings were especially vigorous with a magnificent granite portico supported by six columns of the Corinthian order dominating the entrance.
Castleboro was laid out with four stepped terraces, with a manicured grass bank on each side desending to an artificial lake. In the centre of the third bank stood a magnificent fountain flanked by two smaller fountains with pools on the immediate upper terrace. The terraces were only second in grandeur to Powerscourt in Ireland.
During the Irish Troubles of the 1920s, the Carews sold off the prize cattle heards and furniture and effects and lived full time in England leaving the house locked up. In February 1923, it was torched by a group of armed men and destroyed. It is now a very impressive ruin.
In Blake, Tarquin. Abandoned Mansions of Ireland. Collins Press, Cork, 2010.
Castleboro, County Wexford, photograph by Robert French, [between ca. 1865-1914], Lawrence Photograph Collection, National Library of Ireland.
The building is a roofless shell. None of the original fabric remains other than the external walls. It is suffering from structural problems that could lead to full or partial collapse, and there is an immediate threat of further deterioration.
A classical house of circa 1840, designed by Daniel Robertson, for first Lord Carew. The building is three storey with seven bays and the central block holds a two storey Corinthian porte cochere to front and canted bay to garden front facing onto River Boro. The structure is of significant historic importance and requires conservation works to prevent further deterioration.
Detached seven-bay (six-bay deep) three-storey over basement country house, built 1840-58, on a Palladian plan centred on (double-height) prostyle tetrastyle Corinthian “portecochère” with three-bay two-storey wings abutting three-bay (five-bay deep) two-storey pavilions; five-bay three-storey Garden Front (south) centred on single-bay full-height bow on an engaged half-octagonal plan. In occasional use, 1911. “Closed”, 1921. Burnt, 1923. Now in ruins. Hipped roofs now missing, paired granite ashlar central chimney stacks on granite ashlar chamfered bases having cut-granite “Cyma Recta” or “Cyma Reversa” cornices below capping, and concealed rainwater goods retaining embedded cast-iron downpipes. Part creeper- or ivy-covered rendered, ruled and lined walls on moulded cushion course on moss-covered cut-granite plinth with paired cut-granite Corinthian pilasters to corners supporting dentilated “Cyma Recta” or “Cyma Reversa” cornice on blind frieze on entablature; part creeper- or ivy-covered rendered, ruled and lined surface finish (top floor) with paired cut-granite monolithic pilasters to corners supporting “Cyma Recta” or “Cyma Reversa” cornice on blind frieze below parapet. Square-headed central door opening behind (double-height) prostyle tetrastyle Corinthian “porte cochère” with cut-granite columns on plinths having responsive pilasters supporting dentilated “Cyma Recta” or “Cyma Reversa” cornice on blind frieze on entablature below parapet, cut-granite step threshold, and cut-granite surround with “Cyma Recta” or “Cyma Reversa” pediment over on “Acanthus”-detailed fluted scroll consoles. Square-headed window openings with cut-granite sills, and concealed cut-granite block-and-start surrounds with no fittings surviving. Square-headed central door opening to Garden Front (south), cut-granite surround with “Cyma Recta” or “Cyma Reversa” hood moulding over on fluted scroll consoles. Interior in ruins including (ground floor): double-height central entrance hall with round-headed niches centred on opening into saloon; saloon (south) on an oval plan with exposed red brick header Running bond walls; double-height staircase hall (north-east) with round-headed niche to half-landing, and cantilevered iron work to landing; dining room (south-east) with collapsed floor; and drawing room “en-suite” (west) with collapsed floor. Set in unkempt landscaped grounds including overgrown terraces centred on flights of lichen-spotted cut-granite steps.
The shell of a country house erected to a design by Daniel Robertson (d. 1849; Fraser 1844, 184-6) representing an important component of the domestic built heritage of County Wexford with the architectural value of the composition, ‘a Venetian palace…built on the site of [a] former house [1783] destroyed by fire some years previously’ (Lacy 1852, 241), confirmed by such attributes as the deliberate alignment maximising on panoramic vistas overlooking ‘[a] demesne of great extent and very richly planted [with] fine views of the neighbouring mountains of Blackstairs and Mount Leinster’ (ibid., 244); the neo-Palladian plan form centred on an impressive “porte cochère” demonstrating good quality workmanship in a silver-grey granite with the corresponding Garden Front centring on a polygonal bow recalling the Robertson-designed Johnstown Castle (1836-72; see 15704226); and the diminishing in scale of the openings on each floor producing a graduated visual impression: meanwhile, aspects of the composition, in particular the “blind” pavilions, illicit comparisons with the James Gandon (1742-1823)-designed Custom House (1781-91), Dublin. Although reduced to ruins during “The Troubles” (1919-23), ‘all that [remained] of the palatial mansion [being] smoke begrimed roofless walls and a heap of debris’ (The People 10th February 1923, 5), the elementary form and massing survive intact together with fragments of the original fabric, both to the exterior and to the interior including, remarkably, some decorative plasterwork enrichments highlighting the now-modest artistic potential of the composition. Furthermore, the remnants of an Italianate garden once second only to the Robertson-designed gardens (1840-4) at Powerscourt House, County Wicklow; a coach house-cum-stable outbuilding (see 15702504); a walled garden (see 15702505); a walled garden in the shadow of the seventeenth-century Castle Boro [SMR WX025-009—-]; and ruined gate lodges (see 15702506; 15702508), all continue to contribute positively to the group and setting values of an estate having historic connections with the Carew family including Robert Shapland Carew MP (1787-1856), first Baron Carew and one-time Lord Lieutenant of County Wexford (fl. 1831-56); Robert Shapland Carew MP (1818-81), second Baron Carew and one-time Lord Lieutenant of County Wexford (fl. 1856-81); and Robert Shapland George Julian Carew (1860-1923), third Baron Carew.
Castleboro, County Wexford, photograph by Robert French, [between ca. 1865-1914], Lawrence Photograph Collection, National Library of Ireland.Castleboro, County Wexford, photograph by Robert French, [between ca. 1865-1914], Lawrence Photograph Collection, National Library of Ireland.Castleboro, County Wexford, photograph by Robert French, [between ca. 1865-1914], Lawrence Photograph Collection, National Library of Ireland.Castleboro, County Wexford, photograph by Robert French, [between ca. 1865-1914], Lawrence Photograph Collection, National Library of Ireland.Castleboro, County Wexford, photograph by Robert French, [between ca. 1865-1914], Lawrence Photograph Collection, National Library of Ireland.Castleboro, County Wexford, photograph by Robert French, [between ca. 1865-1914], Lawrence Photograph Collection, National Library of Ireland.
THE BARONS CAREW WERE THE GREATEST LANDOWNERS IN COUNTY WEXFORD, WITH 17,830 ACRES
The CAREWS are one of the few families now remaining who can trace their descent without intermission from the Anglo-Saxon period of English history. For a long series of years, they maintained an elevated position among the landed proprietors of Devon.
A scion of the English stock settling in Ireland was ancestor of the CAREWS of that kingdom, of whom,
ROBERT CAREW wedded Anne, sister of Lawrence Hyde, of Cottington, and had issue,
ROBERT, his heir;
Lawrence;
Peter;
William;
Richard;
Henry.
Mr Carew died before June, 1661, and was succeeded by his eldest son,
ROBERT CAREW JP, of Bally Born, County Wexford, High Sheriff of County Waterford, 1711, who married, in 1710, Elizabeth, daughter and co-heir of John Shapland, a wealthy merchant of Wexford, and had issue,
ROBERT, his heir; SHAPLAND, succeeded his brother; Thomas, of Ballinamona; Ellen.
Mr Carew died in 1721, and was succeeded by his eldest son,
ROBERT CAREW, of Castle Boro, MP for Waterford, 1740, who dsp and was succeeded by his brother,
SHAPLAND CAREW (1716-80), of Castleboro, County Wexford, Barrister, MP for Waterford City, 1748-76, wedded Dorothy, daughter and co-heir of Isaac Dobson, and had issue,
ROBERT SHAPLAND, his heir; Elizabeth; Eleanor; Dorothea; Mary; Dobson.
The son and heir,
ROBERT SHAPLAND CAREW (1752-1829), of Castleboro, MP for Waterford City, 1776-1800, espoused Anne, daughter and heir of the Rev Dr Richard Pigott, of Dysart, Queen’s County, and had issue,
ROBERT SHAPLAND, his heir; Dorothea; Elizabeth Anne; Ellen.
Mr Carew was succeeded by his son,
ROBERT SHAPLAND CAREW (1787-1856), of Castleboro, who married, in 1816, Jane Catherine, daughter of Major Anthony Cliffe, of Ross, by Frances his wife, eldest daughter of Colonel Deane, MP for County Dublin, and had issue,
ROBERT SHAPLAND, his heir; Shapland Francis; Anne Dorothea; Ellen Jane.
Mr Carew was elevated to the peerage, in 1838, in the dignity of BARON CAREW, of County Wexford.
His lordship was installed, in 1851, as a Knight of the Most Illustrious Order of St Patrick (KP).
The heir apparent is the present holder’s son, the Hon William Patrick Conolly-Carew.
CASTLEBORO, near Enniscorthy, County Wexford, was a very large, imposing, Classical mansion of about 1840, built for the 1st Baron Carew.
The main block was of three storeys, the top storey used as an attic; a central, three-sided bow with Corinthian columns at the angles supporting the entablature; two bays on either side of the centre and a pair of Corinthian pilasters at each end.
The grand centre of the building presented the appearance of a Venetian palace, about ninety feet in length and, at the front, extended a façade of elegant and elaborate workmanship.
A projection of a semi-hexagon figure occupied about one third of the garden front (above), while the mansion extended a similar distance on each side.
A highly ornamental entablature ran along the entire building above the second story and was supported in the centre by four Corinthian columns with very rich capitals and by two pilasters of the same order on the right and left extremities.
A very rich and highly ornamental cut stone string course ran above the first storey with rosettes and scrolls.
The entrance front (below) displayed a lofty and magnificent portico supported by six columns of the Corinthian order.
The architect, Robertson, suffered from gout and, whilst the building was in progress, it was said he was pushed around sitting in a wheelbarrow with the plans in one hand and a bottle of fine wine in the other!
Castleboro was laid out with four stepped terraces, with a manicured grass bank on each side desending to an artificial lake.
In the centre of the third bank stood a magnificent fountain flanked by two smaller fountains with pools on the immediate upper terrace.
During the Irish Troubles of the 1920s, the Carews sold off the prize cattle herds and furniture and effects and lived full time in England.
The entrance front was of seven bays, with a deep, two-storey Corinthian portico.
The wings and pavilions, two-storey, were mainly neo-Classical; the garden front (below) being more plain.
A lengthy article in The People of 1923 entitled “Castleboro Burned: Lord Carew’s Mansion In Flames: Now A Mass Of Debris” states:
‘Castleboro, the ancestral home of the Right Hon. Lord Carew was burned to the ground on Monday night, and all that remains now of the palatial mansion are smoke begrimed roofless walls and a heap of debris.
The reason for the destruction of one of the finest residences in Leinster remains a mystery to all but those who were responsible for the destructive work which will only add more thousands to the bill that the Co Wexford will have to foot when the time of reckoning comes.
The work of destruction was perpetrated shortly after ten o’clock on Monday night. Between nine and ten the farm steward, Mr. Robert Richardson…was knocked up at his residence by armed men.
On answering the knock he was compelled to hand over the keys of a store in which some barrels of paraffin oil were stored.
These the armed men took possession of and rolled them from the farm yard to the main building and brought with them hay, which they also got in the farm yard.
Then it would appear that they soaked the hay in the paraffin and scattering it through the main building set it alight with the result that in a short time the whole place was ablaze…
Entrance to the house was gained through the French bay windows which would appear to have been broken by the butt end of rifles.
The noise of the breaking of the glass was plainly audible in the farm yard and tongues of flames leaping up to the sky after a short space of time conveyed the first intimation of what the advent of the armed men breaking in on their peaceable surroundings meant while they were left powerless to attempt to save their master’s property…
It was impossible to do anything to extinguish the conflagration which had taken a complete hold of the building and which appeared to have been fired in several places. The fire raged furiously for some hours and completely destroyed the fine building’
‘The building of the mansion cost, it is stated, £200,000 [£16 million in 2011], so that a claim which will undoubtedly be lodged is likely to run into a very big sum.
Castleboro was always famous for its gardens and through the liberality of the present Lord Carew visitors were allowed to stroll through the grounds, a privilege that was largely availed of in the summer months.
The scene of Monday night’s fire was visited by large numbers of people on Tuesday and the terrible work was condemned on all sides.
The people of the district were always liberally treated by the Carew family and the wanton destruction of their beautiful home was learned with feelings of horror and dismay’ (The People 10th February 1923).
Lord Carew did not live to see his claim for compensation satisfied and died on the 29th April 1923, less than three months following the destruction of his home.
Castleboro House survives as an impressive ruin in a somewhat bleak setting, the parkland to the north now used for grazing and the truncated terraces to the south – once second only to those at Powerscourt House, County Wicklow.
Other former seats ~ Woodstown, County Waterford; Crowcombe Court, Taunton, Somerset. Former town residence ~ 28 Belgrave Square, London.
Carew arms courtesy of European Heraldry. First published in July, 2011.
Detached eleven-bay single- and two-storey coach house-cum-stable outbuilding, dated 1815, on a U-shaped Palladian plan with single-bay (five-bay deep) double-height pedimented “pavilion” end bays centred on three-bay two-storey pedimented breakfront. Now disused. Pitched slate roofs on a U-shaped plan with pitched (gable-fronted) slate roofs (end bays) centred on pitched (gable-fronted) slate roof (breakfront), clay ridge tiles, lichen-covered cut-granite coping to gables on cut-granite “Cavetto” kneelers, and no rainwater goods surviving on slate flagged eaves. Coursed rubble stone walls (breakfront) retaining sections of Roman Cement render on moulded cushion course on cut-granite plinth with cut-granite pilasters supporting weathervane finial-topped “Cavetto” pediment on blind frieze; coursed rubble stone walls (end bays) on moulded cushion course on cut-granite plinth with cut-granite pilasters to corners supporting “Cavetto” pediments on blind friezes; fine roughcast surface finish to courtyard (south) elevation with concealed cut-granite flush quoins to corners. Segmental-headed central integral carriageway below coat-of-arms with cut-granite “Cavetto” archivolt centred on keystone. Square-headed flanking window openings with “Cyma Recta”- or “Cyma Reversa”-detailed sills on fluted consoles, and panelled pilasters supporting “Cyma Recta”- or “Cyma Reversa”-detailed pediments on “Acanthus”-detailed fluted consoles framing six-over-six timber sash windows. Square-headed window openings in tripartite arrangement in segmental-headed recesses (end bays), cut-granite sills, timber mullions, and cut-granite lintels framing six-over-six timber sash windows having four-over-four sidelights. Pair of round- or segmental-headed door openings to courtyard (south) elevation with concealed dressings framing timber boarded doors having overpanels. Round-headed central window opening in bipartite arrangement (first floor) with cut-granite sill, timber mullion, and concealed red brick block-and-start surround framing four-over-four timber sash windows having “fanlight” overpanel. Series of elliptical-headed carriageways with red brick block-and-start surrounds framing timber boarded double doors. Square-headed window openings (first floor) with cut-granite sills, and cut-granite block-and-start surrounds centred on keystones framing timber boarded fittings. Set in grounds shared with Castleboro House.
Appraisal
A coach house-cum-stable outbuilding contributing positively to the group and setting values of the Castleboro House estate with the architectural value of the composition, one attributed without substantiation to Martin Day (d. 1861) of Gallagh (Williams 1994, 377), confirmed by such attributes as the neo-Palladian plan form centred on ‘a commodious arch in the middle of a handsome front…finely ornamented in the Doric style’ (Lacy 1852, 245); the silver-grey granite dressings demonstrating good quality workmanship; and the pedimented roofline.
Detached single-bay single-storey gate lodge with dormer attic, built 1844, on a shallow T-shaped plan with (single-storey) prostyle tetrastyle pedimented Doric portico; two-bay single-storey rear (south) elevation. Now in ruins. Pitched roof on a shallow T-shaped plan now missing. Part creeper- or ivy-covered rendered, ruled and lined walls with cut-granite “Cyma Recta”- or “Cyma Reversa”-detailed cornice on blind frieze on entablature. Square-headed central door opening behind (single-storey) prostyle tetrastyle pedimented Doric portico approached by flight of overgrown cut-granite steps with cut-granite pilasters centred on cut-granite columns supporting cut-granite “Cyma Recta” or “Cyma Reversa” pediment on blind frieze on entablature, and concealed red brick block-and-start surround with no fittings surviving. Square-headed flanking window openings with sills now missing, and concealed red brick block-and-start surrounds with no fittings surviving. Square-headed window openings (remainder) with cut-granite sills, and concealed red brick block-and-start surrounds with no fittings surviving. Interior in ruins. Set back from road at entrance to grounds of Castleboro House.
Appraisal
A gate lodge contributing positively to the group and setting values of the Castleboro House estate with the architectural value of the composition, one eliciting comparisons with the Daniel Robertson (d. 1849)-designed Bagenalstown Courthouse (1826), County Carlow, confirmed by such attributes as the ‘[placement] on a platform of rich granite…approached by a capacious flight of several steps of the same material’ (Lacy 1852, 241); the temple-like frontage demonstrating good quality workmanship; and the pedimented roofline ‘[preparing] the mind of the tourist for the rich treat that he may expect soon to enjoy [when visiting Castleboro House]’ (ibid., 242).
Gateway, extant 1903, on a symmetrical plan comprising pair of margined rock faced granite ashlar piers on margined rock faced cut-granite chamfered plinths having cut-granite pyramidal capping supporting wrought iron double gates with margined rock faced granite ashlar outer piers on margined rock faced cut-granite chamfered plinths having cut-granite pyramidal capping supporting wrought iron gates. Road fronted at entrance to grounds of Castleboro House.
Appraisal
A gateway not only contributing positively to the group and setting values of the Castleboro House estate, but also clearly illustrating the continued development or “improvement” of the estate in the later nineteenth century.
Detached three-bay single-storey gate lodge, built 1862, on a T-shaped plan centred on (single-storey) prostyle tetrastyle pedimented Roman Doric portico; two-bay single-storey side elevations. Now in ruins. Roof now missing with granite ashlar central chimney stack on axis with ridge having lichen-covered cut-granite capping supporting terracotta or yellow terracotta pots. Part creeper- or ivy-covered lichen-spotted granite ashlar walls on overgrown plinth with cut-granite panelled pilasters to corners supporting remains of “Cyma Recta” or “Cyma Reversa” cornice on blind frieze on monolithic entablature. Pair of round-headed niches centred on square-headed door opening behind (single-storey) prostyle tetrastyle pedimented Roman Doric portico with cut-granite columns on overgrown plinths having panelled responsive pilasters supporting “Cyma Recta” or “Cyma Reversa” pediment on blind frieze on monolithic entablature, and cut-granite monolithic surround with no fittings surviving. Square-headed window openings with cut-granite “Cyma Recta” or “Cyma Reversa” sills, and cut-granite surrounds with panelled pilasters supporting “Cyma Recta” or “Cyma Reversa” pediments on “Acanthus”-detailed fluted consoles. Interior in ruins. Set back from road at entrance to grounds of Castleboro House.
Appraisal
An ivy-enveloped gate lodge contributing positively to the group and setting values of the Castleboro House estate with the architectural value of the composition, one spurred on by the opening (1862) of a railway station at Ballywilliam by the Bagenalstown and Wexford Railway (BWR) Company (Lacy 1863, 480), confirmed by such attributes as the compact plan form centred on a pillared portico; the construction in a silver-grey granite demonstrating good quality workmanship; and the pedimented roofline (cf. 15701522).
The remains of the principal gate lodge at Castleboro, County Wexford. The main house (burnt in 1923) had been built around 1840 for the first Lord Carew to the designs of Daniel Robertson of Kilkenny. The single-storey lodge, marking the entrance of a new approach to the house through its parkland, dates from some twenty years later and features a tetrastyle Roman Doric portico. Sad to see this crisp granite building slip into what appears to be irreversible decay.
Classical architecture has long been associated with the Ancient Greeks and Romans. The signature elements of this style can be seen in the form of the dominating columns and pediments. Despite the Doric order of columns being preferred as an elegant design feature, Robertson chose the elaborate Corinthian columns for Castleboro.
Castleboro House was built on the site of a former house built c. 1783 which was destroyed by fire. In 1837, Lord and Lady Carew requested the designs of Robertson for their new home. Designed in the Classical architectural style, Robertson was capable of showcasing his design skills with such a magnificent house. Many clients commissioned Robertson for designs during the mid 19th century, thus putting Robertson in the market for an apprentice. Wexford man Martin Day oversaw many of Robertson’s work, acting as a 19th century foreman, to deal with the projects on site while Robertson was designing another. Castleboro was completed in 1844.
Unfortunately for the Carew family, the house was burned down by members of the Republican Army in the 1920’s. Since then, the house never fully regained it’s once spectacular features such as the Corinthian porte Cochère, a feature found on another Robertson design such as Ballinkeele House, also in Co. Wexford. The Neo-Palladian style was one that was rarely seen on the landscape, making it a significant loss to the area when it was forcefully attacked.
Remnants of the front polygonal bow garden can still be seen, traces of which are similar to that of the gardens found at Johnstown Castle, also designed by Robertson some years earlier. Ruins of gate lodges remain to contribute to the historical value of the area. The residents of the time reportedly allowed visitors entry into their vast garden, a trip that was extremely popular during the summer months especially.
Currently there is now use for Castleboro House as it is roofless and deemed extremely unsafe to enter. It is in private ownership, however access to the grounds is prohibited.
Dartrey House (formerly Dawson’s Grove), Co Monaghan
Dartrey, County Monaghan, garden front, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.Portrait of Thomas Dawson (1725-1813), Lord Dartrey, 1st Viscount Cremorne, miniature, courtesy of National Gallery of Ireland.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 100. “(Dawson, Dartrey, E/PB1933) A large Elizabethan-Revival mansion by William Burn, built in 1846 to replace an earlier house of about 1770. This earlier house, described 1778 by Rev Daniel Beaufort…was of three storeys over basement, the entrance front was of seven bays…..The Elizabethan-Revival mansion which took the place of this house, built by Richard Dawson, 3rd Lord Cremorne and later 1st Earl of Dartrey, had long and somewhat monotonous elevations of curvilinear gables, mullioned windows and oriels, with, sporadically, a square turret and cupola. There were numerous Tudor chimneys, a generous application of strapwork and a two-tier terrace along the garden front with many yards of latticed balustrading.
“The quoins were partly curved.
.”.. The house overlooked Lough Dromore, where, on a wooded island, Thomas Dawson, 1st Lord Dartrey and afterwards Viscount Cremorne, built a domed mausoleum ca 1770 in memory of his first wife, Lady Anne, to the design of James Wyatt, containing a dramatic lifesized sculptural group, including an angel with outstretched wings, by Joseph Wilton. The Elizabethan-Revival mansion, after standing empty for some years, was demolished ca 1950; the mausoleum, which had become roofless, so that the monument was suffering from teh weather as well as from vandalism, was repaired by the Irish Georgian Society 1961.”
Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
Also known as Dawson Grove, Dartrey was built in 1846 and designed by William Burn as a large Elizabethan Revivial mansion to replace an earlier house on the site. Built for Richard Dawson, 3rd Lord Cremorne and later 1st Earl Dartry, it had very long façades with legions of mullioned windows, oriel windows, tudor chimneys and curvilinear gables relieved by square turrets with cupolas.
On the garden front (pictured) was a two level terrace facing onto Lough Dromore. On an island in the lake there was also a fine Mausoleum to the design of James Wyatt from around 1770 which was recently restored.
The house was demolished in the 1950s – after remaining empty for many years, the house was lent by the last owner to the RSPCA for a ball after which the County Council demanded rates for the house. All that remains of the estate are various gatehouses, the ruined Mausoleum and a fine stable block built around five sides of an octagon – built around 1850 to the design of William Burn.
THE EARLS OF DARTREY WERE MAJOR LANDOWNERS IN COUNTY MONAGHAN, WITH 17,732 ACRES
The family of DAWSON was originally from Spaldington, Yorkshire; whence, towards the close 0f ELIZABETH I’s reign, it removed to Ulster.
THOMAS DAWSON, who became, in the following reign, a burgess of Armagh, was grandfather of
JOHN DAWSON, who married into the family of Henry Ussher, Lord Archbishop of Armagh.
Archbishop Ussher was twice married: first about 1573, to Margaret, daughter of Thomas Eliot of Balrisk, County Meath; secondly, to Mary Smith, who survived him. His widow married John Jeeves, of Drogheda, Alderman, by whom she had issue, Anne Jeeves, who married (as his second wife), Walter Dawson in 1660, from which a considerable property in counties Armagh and Tyrone came to the Dawson family.
John Dawson was father of
WALTER DAWSON, of Armagh, who married firstly, Mary, daughter of Edward Dixie, and had issue,
WALTER, his heir; Thomas, ancestor of Catherine, Countess of Charleville; Edward; Margaret; Mary; Elizabeth.
He espoused secondly, in 1680, Anne, daughter of John Jeeves.
Mr Dawson died in 1704, and was succeeded by his elder son,
WALTER DAWSON, who wedded, in 1672, Frances, daughter of Richard Dawson (by which marriage the estate of Dawson Grove, County Monaghan, was conveyed to this family), and had issue,
RICHARD, his heir; Walter; John; Mary; Elizabeth.
Mr Dawson, an officer in Cromwell’s army, died in 1718, and was succeeded by his only surviving son,
RICHARD DAWSON (c1693-1766), of Dawson Grove, an eminent banker, alderman of the city of Dublin, MP for St Canice, 1727-60, Monaghan Borough, 1761-6 (great-grandson of John Dawson, of Armagh, who died intestate).
Alderman Dawson wedded, in 1723, Elizabeth, daughter of the Most Rev Dr John Vesey, Lord Archbishop of Tuam, and sister of Sir Thomas Vesey Bt, Lord Bishop of Ossory, and had issue,
John, died in 1742; THOMAS, his successor; Richard, of Ardee; Frances.
He was succeeded by his eldest surviving son,
THOMAS DAWSON (1725-1813), of Dawson Grove, who was elevated to the peerage, in 1770, in the dignity of Baron Dartrey, of Dawson’s Grove, County Monaghan; and advanced to a viscountcy, in 1778, as Viscount Cremorne, of Castle Dawson, County Monaghan.
His lordship married firstly, in 1754, the Lady Anne Fermor, youngest daughter of Thomas, 1st Earl of Pomfret, by whom he had a son and a daughter, both of whom died in adolescence.
He wedded secondly, in 1770, Philadelphia Hannah, daughter of Thomas Freame, of Philadelphia, by Margaretta, daughter of William Penn, the celebrated founder of that city, by whom he had another son and a daughter, who also died young.
His lordship, thus deprived of direct descendants, was created, in 1797, Baron Cremorne, with remainder to his nephew, Richard Dawson, and the heirs male of that gentleman.
Dying without an heir in 1813, the viscountcy expired, and the barony of Cremorne devolved upon his great-nephew,
RICHARD THOMAS DAWSON (1788-1827) as 2nd Baron (only son of Richard Dawson, MP for Monaghan), who espoused, in 1815, Anne Elizabeth Emily, third daughter of John Whaley, of Whaley Abbey, County Wicklow, and had issue,
RICHARD, his successor; Thomas Vesey.
His lordship was succeeded by his elder son, RICHARD, 3rd Baron (1817-97), who wedded, in 1841, Augusta, second daughter of Edward Stanley, of Cross Hall, Lancashire, by his wife, the Lady Mary Maitland, second daughter of James, 8th Earl of Lauderdale.
His lordship was installed a Knight of St Patrick, 1855; a Lord-in-Waiting, 1857-66; Lord Lieutenant of County Monaghan, 1871-97.
He was advanced to an earldom, in 1866, in the dignity of EARL OF DARTREY.
By his wife he had issue,
VESEY, his successor; Edward Stanley (1843-1919); Richard Westland Westenra (1845-1914); ANTHONY LUCIUS, 3rd Earl; Mary Eleanor Anne.
His lordship was succeeded by his eldest son,
VESEY, 2nd Earl (1842-1920), MP for County Monaghan, 1865-68, High Sheriff of County Monaghan, 1878, who married, in 1882, Julia Georgiana Sarah, daughter of Sir George Ormby Wombwell Bt, and had issue,
Richard George, 1890-94; EDITH ANNE (1883-1974), of Dartrey House; Mary Augusta, 1887-1961.
His lordship died without surviving male issue, when the titles devolved upon his brother,
ANTHONY LUCIUS, 3rd Earl (1855-1933), who wedded, in 1878, Mary Frances, suo jure Baroness de Ros, only child of the 23rd Baron de Ros, and had issue,
Una Mary, Baroness de Ros;Maude Elizabeth; Eleanor Charlotte Augusta.
On the decease of the 3rd Earl, in 1933, the titles became extinct.
The Lady Edith Windham was the last member of the family to live at Dartrey.
The Dartrey Papers contain extensive historical information about the family.
The Earl of Dartrey possessed the following land during the Victorian era:-
DARTREY HOUSE, near Rockcorry, County Monaghan, was a large Elizabethan-Revival mansion by William Burn, built in 1846 to replace an earlier house, known as Dawson Grove, of ca 1770.
It was built for Richard Dawson, 3rd Baron Cremorne and later 1st Earl of Dartrey.
This noble and magnificent demesne is situated on the gorgeous chain of the Cootehill lakes, a few miles east-north-east of Cootehill.
It is separated from the neighbouring demesne of Bellamont forest, County Cavan, only by a narrow belt of one of the main lakes, Dromore Lough.
The mansion had long, monotonous elevations of curvilinear gables, mullioned windows and oriels, with, sporadically, a square turret and cupola.
There were numerous Tudor chimneys, a generous application of strapwork and a two-tier terrace along the garden front with many yards of latticed ballustrading.
The quoins were partly curved.
Dartrey House overlooked Lough Dromore where, on a wooded island (Black Island), the 1st Viscount Cremorne built a domed temple about 1770 in memory of his first wife, Lady Anne Dawson.
The sheer size of Dartrey House proved too much for the 20th-century financial resources of the family.
Most of its contents were sold by auction in 1937 and the entire building was demolished in 1946 by the Hammond Lane Foundry, Dublin, who paid £3,000 for the salvage – a dreadful return on the £30,000 it cost to build the great mansion.
Lady Edith, elder daughter of the 2nd Earl, was the last Dawson to live in Dartrey House, and it was she who was forced to make the decision to demolish it in 1946.
Now, only the magnificent site overlooking Lough Dromore is visible.
The red-brick stable block contemporary with the 1846 house survives, and was renovated by the Irish Georgian Society (presumably at about the same time as Lady Anne’s temple).
There is also a surviving farmyard, in ruinous condition, which seems to be contemporary with (or even earlier than) the early 1770s house.
The following description of the Dartrey Estate near Cootehill, County Monaghan, Ireland, was written in 1773 by the Reverend J Burrows, visiting tutor to the Dawson family:
A thousand acres of lake, three hundred of which flows within a few yards of the house, with hills on each side covered with the most beautiful delicious woods, bring all fairyland to one’s imagination. On the other side of the lake is a large island, wonderfully shaded on all its sides but with a bald pate of open ground on the top, giving a very pleasing and uncommon effect.
Beyond that are woods that lose themselves in the clouds. People who are not used to lakes cannot conceive into what delightful forms they throw themselves, and how much the little islands, here and there interspersed, which contain one or two trees, add to their beauty.
The Dartrey estate, originally known as Dawson Grove, was established by the Dawson family in the 17th century alongside Bellamont Forest, a demesne of similar size – over a thousand acres.
Richard Dawson, a banker and Dublin alderman, built the present (Church of Ireland) church on the Dartrey estate in 1729.
It was established in its own separate parish of Ematris soon after.
The Dawsons added a north gallery to the church in 1769, and much later the Corry family (from Rockcorry) added a south gallery, raised on arches to avoid desecrating the burial ground beneath it.
A fire caused serious damaged in 1811 leaving the church for a period without a roof.
The fine west tower was built in 1840, and the sanctuary apse in 1870.
With the demolition of the Dawson mansion in 1950, and their once thriving estate turned over to forestry, St John’s appears isolated.
However it shares services with St James’ church, Rockcorry some 2½ miles away, which the Dawsons built in 1855, and both churches continue well supported by the local farming community.
But the view from St John’s cemetery across Inner Lough, once described as “one of the best in Ireland”, is currently obscured by conifers.
The Northern Standard, Saturday, 8th March, 1856:-
FIRE AT DARTREY HOUSE
We regret to announce the breaking out of a destructive fire, on Saturday evening last, at Dartrey House, the magnificent residence of Lord Cremorne, in this county.
The fire is supposed to have originated in the flue of one of the rooms in the basement storeys, which broke out near the roof, and before effective aid could be procured, had enveloped the entire of the upper storey of the north-eastern wing of the building.
The existence of the fire was first observed about six o’clock, by Mr. Little, Lord Cremorne’s steward, who hastened with a number of his labourers to render all the assistance within their power.
Mr. Little’s exertions up to the final subduing of the fire were unremitting.
Captain Boyle, of Tanagh, and the Rev. T. A. Robinson, were immediately on the ground, and aided materially in checking the fire, which, however, raged with a great fury until the arrival of the fire engines from Monaghan.
Previous to the arrival of the engines, the exertions of those present were directed to cutting off the communication between what is termed the Old and New House, a strong wall dividing the two portions of the house.
At a few minutes past seven in the evening, a messenger from Dartrey arrived at Mr. McCoy’s, of Monaghan, in whose care the town engine is; fortunately, all Mr McCoy’s staff were about his concern, it being pay night, and were consequently available for immediate work.
Four horses from Campbell’s posting establishment were immediately harnessed to the engine, and it started for Dartrey, where it arrived at nine o’clock.
In the meantime, Mr. McCoy sent a requisition for the Ordnance engine, to the officer commanding the detachment of Militia stationed here.
This engine was placed on a float, and, with a pair of horses from the Canal Stores, proceeded to Dartrey, where it arrived in time to do efficient service, under the directions of Sergeant Crooks, of the Monaghan Regiment, whose exertions elicited the commendation of every person present.
Nothing could exceed his intrepidity and cool daring ; indeed, at one moment it was supposed he had fallen a victim, a large beam having fallen just where he had been standing a second before. A. A. Murray Ker, Esq., Lord Cremorne’s agent, was in Monaghan when intelligence of the fire arrived; he immediately started for Dartrey, where he remained until a late hour on Sunday evening; by his presence and individual exertions he animated the energies of the very many who aided in extinguishing the fire.
Amongst those present who worked with hearty good will were – and certainly first on the list – the Rev. T. A. Robinson, Captain Boyle, Wm. Murray, Esq., Richard Mayne, Esq., (this gentleman, we regret to say, was severely hurt by an accident), Rev. John Wolfe, Subinspectors Kirwan and Fortesque; a number of young gentlemen from Cootehill and Monaghan were also most effectual aids.
We do not know the names of the Cootehill gentlemen or we would gladly give them. Amongst those from Monaghan we noticed Messrs. Watkins, Lewers, and Campbell.
The Constabulary from the surrounding stations to a man exerted themselves in a most praiseworthy manner, both by individual exertion and protection of property.
Amongst the most exertive and daring of them was one named Kinsella, from Cootehill station.
The costly furniture, pictures, and mirrors were all saved, with the exception of such injuries as their removal caused.
On learning the existence of the fire, our own chief anxiety was as to the safety of an exquisite group of statuary, “Cupid and Psyche”, which stood in the vestibule of the Grand Staircase; – this beautiful piece of art, though in extreme danger, escaped with but the fracture of one of the arms of the descending figure; the injury is not material, and can be remedied.
The portion of the building entirely destroyed consists of Lord and Lady Cremorne’s private apartments, Drawing-room, and her ladyship’s Boudoir, both of which were magnificent apartments; the cut stone walls seem safe; all the apartments over the east point are destroyed; the Grand Hall, Billiard-room, and Drawing-room are safe, as is also the entire of the basement storey.
The fire continued smouldering and occasionally to blaze out up to five or six o’clock on Sunday evening.
The assurance on the house was heavy, and will more than cover the estimated damages; but much depends on the decision architects arrive at as to the state of the outer walls.
It is, on the whole, surprising that the damage done is not of much greater extent, when the means of overcoming it were so distant.
The tenantry in the neighbourhood all assembled on Tuesday with carts and horses, and cleared away all the debris of the fire, before the arrival of Lord and Lady Cremorne.
TO THE EDITOR OF THE NORTHERN STANDARD
Sir, Allow me, through your paper, to render Lord Cremorne’s grateful thanks to all those who used such strenuous exertions in checking the conflagration at his Lordship’s beautiful mansion on last Saturday night.
The Assurance Companies concerned have every reason to be thankful, (and indeed have already expressed themselves to that effect), to the assembled multitude who lent their best exertions towards arresting the progress of the flames, and saving such a large amount of property.
It would be impossible to personally thank each and all of those I saw distinguishing themselves, for their name was “Legion”.
The constabulary were early on the ground from Rockcorry, and very shortly after from Cootehill, Drum, and Newbliss, and were most efficient and steady.
The fire engines from Monaghan arrived in quite the brigade style, and certainly deserve especial consideration.
The Corporation engine, under the direction of Mr. McCoy and his very active and intelligent workmen, and the Barrack engine, managed by Sergeant Crooks, who most creditably kept up the character of his regiment by his cool and daring conduct.
The tenantry to a man worked with a will. I could name hundreds who were towards morning nearly – and often quite – exhausted and faint.
Nothing could exceed the care taken of the furniture, pictures, and mirrors, in their removal, and wonderfully little damage has been done.
I am happy to say that the Assurances cover the loss and damage to both building and furniture – and again thanking most sincerely those who so kindly gave their valuable aid in time of need.
I remain, your obedient servant, A A Murray Ker, Newbliss.
Henry Skeath has sent me interesting information with regard to Dartrey:
I have attached an article (above) from The Northern Standard about a serious fire at Dartrey House in 1856 just ten years after the place was built.
Two good articles on Dartrey appeared in recent editions of the Clogher Record.
In 2004 June Brown detailed the rise and fall of the estate. June was friendly with Lady Edith, the last of the family at Dartrey, and keeps in touch with her descendants.
The 2009 edition contains a well-researched article by June’s granddaughter, Victoria Baird, about Lady Augusta wife of the 1st Earl of Dartrey.
Lady Augusta endowed St. James’s in Rockcorry where a photograph of her still hangs.
St. John’s Church is affectionately known as St. John’s in the Wood.
The Dawson gallery contains a fireplace for the comfort of the family.
In 1996 St. John’s celebrated 275 years of worship and the Rev. J. T. Merry, rector, produced a short history of the parish.
The Dartrey Heritage Group is undertaking wonderful refurbishment work on the mausoleum which was designed by James Wyatt.
The building has been stabilised and a new domed roof erected.
The Rev. Daniel Beaufort visited in 1780 and noted that the sculptural group within, by Joseph Wilton, had cost £1,000.
The quarterly bulletin of the Irish Georgian Society for Jan-Mar 1961includes an article on it.
Wilton’s work suffered at the hands of vandals but there are ambitious plans for restoration.
In 2008 the Heritage Group completed the restoration of a 60-foot column, also designed by James Wyatt, erected in 1807 to the memory of Richard Dawson who was elected to five successive Parliaments.
It stands prominently along the main road.
The 1846 stable block, five sides of an octagon, restored by the Irish Georgian Society in 1961, has been allowed to fall into disrepair again in recent years.
Of Dartrey House, hardly a vestige remains.
Parts of the basement can be seen and the once-graceful terraces on the garden front can still be traced.
It was once one of the finest estates in Ireland.
London residence ~ 30 Curzon Street.
First published in September, 2011. Dartrey arms courtesy of European Heraldry.
The Parliamentary Gazetteer of Ireland tells us that County Monaghan is an inland county, in the centre of the south of the historic province of Ulster.
It is bounded, on the north, by Tyrone; on the east, by Armagh; and on the west, by Cavan and Fermanagh.
“A noble and magnificent demesne, the property of the Viscount Cremorne [later Earl of Dartrey], on the southern margin of the barony of Dartrey, is situated on the gorgeous chain of the Cootehill lakes, 1½ miles from Cootehill; and is separated from the rival demesne of Bellamont Forest in County Cavan, only by the narrow belt of one of the main lakes called Dromore.”
“From the contiguity of Dawson Grove and Bellamont Forest, and the beautiful natural lakes which in many places form their line of demarcation, they may be said in various instances to reflect each other.”
“Separately they are splendid residences; conjointly they form a rich combination of many of the elements of landscape.”
On Saturday afternoon four of us met Noel Carney, of Dartrey Heritage Association, who took us to see Dartrey demesne, former seat of the extinct Earls of Dartrey.
This was my first visit to Dartrey, once a very large estate comprising almost 18,000 acres, with extensive boundary walls and picturesque gate lodges (there were eight in total) carrying on interminably.
We stopped off en route at the main entrance lodge of ca1847, fully restored, extended, and inhabited, once incorporating the estate post office.
This lodge is made of ashlar stone, with a Tudor-style entrance surmounted by a blank shield.
Several hundred yards further along the main public road we turned into another driveway, which eventually led us to the “new” stable block, a large, impressive, grand affair comprising five sides in red brick.
This derelict stable block was constructed in the 1840s to replace an older block.
The standard of craftsmanship by masons was remarkable, as Noel pointed out to us.
The bricks were made in situ, and even straw marks could be seen on the ones that had dried on the ground.
The New Stable Block is not in a good state, although it’s not beyond redemption for another purpose, such as apartments or business premises, or units.
It was practically ruinous several decades ago, and today at least it’s in better condition than that.
There used to be a large clock encased in a circular stone feature in the middle of the block, though it has disappeared.
A short distance further on we stopped off at the original, or “Old” stable block of, it is thought, the 1770s.
It, like its younger sibling, is privately owned and closed off.
THEREAFTER we drove through overgrown estate tracks to the Island Bridge, also known as the Iron Bridge, which connects the estate to Black Island.
This is a single-arch bridge, erected in the 1840s, which leads to the glorious mausoleum or temple dedicated to the Lady Anne Dawson.
The skill of the blacksmiths and stonemasons can be admired on this little bridge, with its superbly carved stone abutments and wrought-iron handrails.
When we crossed the bridge we caught a glimpse of the remains of the great mansion house of Dartrey. All that’s left of it today is the basement and rubble.
Dartrey House (or Castle) was demolished in 1946, because the last member of the Dawsons to live there, Lady Edith, simply couldn’t afford to maintain it, and couldn’t find a buyer.
From the edge of the lake, not far from the Iron Bridge, we could see the site of Dartrey House (or Castle), a very large mansion which was built in 1846.
The Dartrey Estate lies in County Monaghan, though straddles the neighbouring county of Cavan.
Dartey: Basement Cellar (Image: Henry Skeath, 2002)
All that remains of the house are the ruins of the basement and cellars, so it’s almost invisible at ground level from a distance.
Dartrey: Basement Cellar (Image: Henry Skeath, 2002)
The Land Acts deprived great estates like Dartrey and Lough Fea of their income and, when the 2nd Earl of Dartrey died in 1920, without a male heir, the estate was inherited by his eldest daughter, Lady Edith.
Dartrey: Ruins (Image: Henry Skeath, 2002)
Crippled by the immense cost of maintaining Dartrey, its outbuildings, gate lodges, stable block, and everything else, Lady Edith decided initially to sell the contents of the house.
A four-day auction of the contents, including thousands of books from the library, and valuable old-master paintings, was held in 1937.
Lady Edith Windham (1883-1974) couldn’t afford the exorbitant rates bills, and found it impossible to find a buyer for the house, so made the decision to salvage what she could of it, including the slates, staircases, and doors, wooden casings etc, before Dartrey House was finally demolished in 1946.
By this stage Lady Edith was living in the former land steward’s house, not far from the big house itself.
The Dawson family of County Monaghan came from Yorkshire to Ireland during the reign of Elizabeth I, Thomas Dawson becoming a Burgess of Armagh. Subsequently Richard Dawson, a Cromwellian cornet of horse, assembled the nucleus of the family’s estate in the 1650s and 1660s through the acquisition of thirty-one townlands, based around a property called Dawson’s Grove on the banks of a chain of lakes separating counties Cavan and Monaghan. Richard Dawson’s only child, a daughter named Frances, married her cousin Walter Dawson. Their son Richard was an Alderman of Dublin, an MP for County Kilkenny and the owner of a family bank. He further expanded the estates both in County Monaghan and elsewhere. With his wife Elizabeth, daughter of John Vesey, Archbishop of Tuam, he had four children, their third son being Thomas Dawson born in 1725. After coming into his inheritance the latter built a new house at Dawson’s Grove in the early 1770s and also bought and redeveloped a residence in London, Cremorne House, Chelsea where the garden designer Nathaniel Richmond was commissioned to lay out the grounds (although the house is long gone, this is now the site of Cremorne Gardens, just down river from Battersea Bridge). In May 1770 Thomas Dawson was created Baron Dartrey of Dawson’s Grove, and in June 1785 Viscount Cremorne.
In August 1754 Thomas Dawson married Lady Anne Fermor, youngest daughter of the first Earl of Pomfret, with whom he had two children before she died in March 1769. Her husband’s grief was considerable, but not so great as to prevent his marrying just over a year later Philadelphia Hannah Freame. She was the granddaughter of William Penn, whose family owned land in County Cork but who is better known as the founder of Pennsylvania. By his second marriage to Hannah Callowhill William Penn had eight children one of whom, Thomas Penn, married Lady Juliana Fermor, eldest daughter of Lord Pomfret. This explains how Thomas Dawson should have met his second wife Philadelphia, whose mother Margaret Freame, was another of William Penn’s children. In other words, he married his first wife’s niece. And, as her name indicates, she was born in the city of Philadelphia in 1740.
Philadelphia Freame’s marriage to Thomas Dawson was marked by the building of a house for the Dartrey estate’s agent, Charles Mayne, which was then given the name Freame Mount. Lady Anne Fermor, however, was commemorated in a more original fashion with the construction of a mausoleum which stands in the middle of Black Island on raised ground facing the former site of Dawson’s Grove. Based on a surviving elevation for the west front which shows the inspiration of the Pantheon in Rome, the design of the Dartrey Mausoleum has been attributed to James Wyatt, making it the English architect’s first commission in Ireland and contemporaneous with Wyatt’s Pantheon, the famous assembly rooms on London’s Oxford Street. The building in Monaghan is a tall, square block built of locally-fired red brick raised on a limestone plinth. The exterior, featuring a sequence of blind windows and oculi, is relieved on the western front (which would have been visible from Dawson’s Grove) by a shallow tetrastyle portico with four pilasters (note their unusual fluted capitals) beneath a pedimented entablature. Above this cube rises a dome, its open centre providing the only light for the interior which would have been even more dramatic when viewed on nights with a full moon.
In August 1774 the Dublin Hibernian Journal reported, ‘A few days ago was landed in Dublin a beautiful Marble Monument done by Joseph Wilton, Esq., of Portland Street, London, which Lord Dartrey is to erect in a Temple at his seat in Co. Monaghan, to the memory of his late wife, Lady Anne Dawson, daughter of the late Earl of Pomfret.’ The London-born Wilton, a founder-member of the Royal Academy, had in 1764 been appointed ‘Sculptor to his Majesty’ by George III. His funerary monument in the Dartrey Mausoleum, for which he was paid 1,000 guineas, is the only commission he received in Ireland; during the same period he also sculpted a bust of Thomas Dawson, now in the Yale Center for British Art. Like that piece, Wilton’s work inside the mausoleum is carved in Carrara marble and was installed against the eastern wall above a plain altar. A plaque recalls both Lady Anne, described as possessing ‘all the external Advantages which contribute to form a shining Distinction on Earth’, and the couple’s prematurely deceased daughter Henrietta Anne ‘who lived long enough to justify all the fairest Hopes of a Mother.’ To one side of a large funerary urn are the lifesize figures of Lady Anne’s grieving husband and their young son clinging to his father in both terror and sorrow; the pair of them gaze up at the hovering form of an interceding angel. It is a remarkably theatrical piece of work, and must have been especially effective when seen by moonlight.
The subsequent fortunes of the Dartrey Mausoleum have been mixed. At some date in the 19th century, the dome was taken, or fell, down and replaced with a shallow slated pyramidal roof, and the brick walls plastered. The last member of the Dawson family to live at Dartrey, Lady Edith Windham, eldest child of the second Earl of Dartrey, sold the estate in 1946 to the Irish Forestry Commission (now Coillte) which continues to own the land on which the mausoleum stands. Dawson’s Grove, rebuilt in the 1840s as Dartrey Castle, was demolished and the view across to Black Island obscured by dense planting of evergreen woodland. Meanwhile the mausoleum was left to languish and although the Irish Georgian Society undertook some repairs in the 1960s, the building succumbed to decay, its roof was lost and the sculptural group – as can be seen in photographs above – seriously vandalised. Such might have remained the case, had it not been for the energy, imagination and commitment of a local group, the Dartrey Heritage Association which over the past decade has steadily worked to ensure the restoration of this outstanding monument. Securing funding from a variety of sources, including the local County Council, the Heritage Council and once more the Irish Georgian Society, together with monies raised by other means, the DHA has now almost completed this project. The building is once more intact and with a domed roof, and inside the sculptural group has been repaired with missing sections scrupulously replaced. The entire project is a wonderful testament to what can be achievied by a local voluntary body with sufficient determination and persistence, and ought to serve as an example for others throughout the country. Above all the restoration of the Dartrey Mausoleum shows that nothing is beyond salvation, provided the will is there.
In the late 18th century, Thomas Dawson, Viscount Cremorne, passed responsibility for his Irish estate Dawson’s Grove, County Monaghan to his heir and nephew, Richard Dawson. To the dismay of his uncle, Richard – who served as a local MP in the Irish parliament – proved to be something of a radical and in 1799 consistently voted against the Act of Union. In the event, he died eight years later (predeceasing Lord Cremorne) after which he was remembered as being ‘the most active in promoting improvements, the most useful and the most popular man this country ever knew.’ As evidence, in the aftermath of his death, a fifty-eight foot high limestone Doric column surmounted by a funerary urn was erected on the edge of the Dawson’s Grove demesne. The arms of the Dawson family appear on two sides of the monument’s square base plinth and the following inscription on the other two sides: ‘This column was erected by the free and independent electors of the county of Monaghan to perpetuate the memory of Richard Dawson Esq., who was unanimously returned by them to five successive parliaments. He died their faithful representative on 3 September 1807, aged 44 years.’ The column, its design attributed to James Wyatt, has been restored in recent years. Dawson’s Grove was eventually inherited by Richard Dawson’s son, another Richard, who in 1813 became Baron Cremorne.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 206. “(Bagwell/IFR) A two storey three bay house of ca 1830 with a fanlighted doorway. Curving staircase.”
Detached three-bay two-storey Georgian house, c.1840, possibly over basement retaining early fenestration with five-bay two-storey lower return to rear to south-east having two-bay single-storey end bay. Renovated, c.1990. Hipped roof with slate (gable-ended to return to south-east). Clay ridge tiles. Rendered chimney stacks. Square rooflights, c.1990, to part of return. Rendered eaves course. Cast-iron rainwater goods. Roughcast walls. Unpainted. Square-headed window openings. Stone sills. 3/3, 3/6 and 6/6 timber sash windows. Elliptical-headed door opening approached by flight of steps. Timber pilaster doorcase with consoles and entablature. Timber panelled door. Overlight. Set back from road in own grounds. Gravel forecourt to front. Gateway, c.1840, to north-west comprising pair of cut-granite piers with stringcourses, pyramidal capping, cast-iron double gates having spear head finials and rubble stone flanking boundary wall.
Appraisal
Millbrook House is a fine and well-maintained mid nineteenth-century substantial gentleman’s residence that retains most of its original character. The front (north-west) elevation is based on a symmetrical plan, centred about a decorative doorcase, and is composed of graceful Georgian proportions. The sophisticated, if austere, nature of the primary elevation is off-set by a rambling return to south-east that, due to the different levels of the pitches of the roofs, appears to be a naturally evolved range. The house, which is attractively set in its own grounds and which is a valuable component of the architectural heritage of the locality, retains most of its original features and materials. Multi-pane timber sash fenestration is retained throughout, as are slate roofs, and the retention of an early external aspect suggests that an early or original interior of note may also survive intact. The house is announced on the side of the road by a fine gateway of cut-granite, the gates of which are a good example of early decorative cast-iron work.
Quarrymount, also known as Kilclooney, Milltown, Co Galway
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 236. “A two storey house of ca 1840, on the borderline between late-Georgian and Victorian. Five bay entrance front, one bay central breakfront with fanlighted doorway beneath single-storey Doric portico. Roof parapet of thin latticework; entablatures on console brackets over ground floor windows. Bow at end. Earlier wing at back. Built by J.J. Bodkin, MP, whose grandson was Fr William Bodkin, SJ, Rector of Stonyhurst and Beaumont Colleges and Provincial of the Society of Jesus.”
61 Baggot Street Lower, Dublin 2, D02VE84 for sale January 2025 courtesy Hunters Estate Agents.
€2,950,000
6 Bed
6 Bath
480 m²
61 Baggot Street Lower is a stunning mid terrace Georgian townhouse which has been completely refurbished and stylishly maintained by the current owners. Arranged four storeys over basement with a self-contained two bedroom apartment at basement level, the property also boasts a full rear garden with rear access and possible mews potential (subject to planning permission) on to Convent Close. Located in the heart of Georgian Dublin on Baggot Street Lower, just a short stroll from Leeson Street and St Stephens Green this property benefits from a fantastic array of central Dublin highlights to include the finest dining options, with shops, bars and cafes all in abundance. Grand Canal Dock is also in close proximity. An excellent selection of schools are within the vicinity to include Loreto College and St Conleth`s College while Trinity College is also a short walk. For transport, hireable Dublin City bikes can be found on Herbert Street while DART, LUAS and Dublin Bus services are all in close proximity. The property benefits from excellent transport links with Pearse Street DART Station a short walk away (15 min), the LUAS Green Line is accessible at St. Stephen’s Green (15 min) and services the south suburbs and Cherrywood. Numerous Dublin Bus Routes on the doorstep of the property that serve all areas of Dublin. Dublin Bikes are available at Herbert Place, Wilton Terrace, and Herbert Lane. Merrion Square and Fitzwilliam Square parks have recently been opened to the public to accommodate food markets, festivals and events. Viewing is essential and highly recommended. SPECIAL FEATURES Mid-terrace Georgian 4 storey over basement property Extending to circa 480 sq. m /5,166 sq. ft Retaining many original period features throughout Prime city centre location Self-contained 2 bedroom apartment at basement level Walking distance to Grafton Street and St. Stephen’s Green Excellent transport links including Pearse Street DART station and LUAS Green line Large rear garden with vehicular access onto Convent Close. Mews development potential (subject to relevant planning permission) ACCOMMODATION: ENTRANCE HALLWAY 12.3m (40.4ft) x 2.56m (8.4ft) Magnificent entrance hallway with wainscoting dado rail, picture rail, ornate cornicing, ceiling rose, feature fan light above the door. Feature archway in middle of the entrance hall with ornate fanlight above hall door. Radiator covers. UTILITY ROOM 5.28m (17.3ft) x 2.41m (7.10ft) Hotpress, fitted shelving, fitted wall and base units, stainless steel sink and washing machine. W.C. to the rear. GUEST W.C. / BACK HALLWAY 1.93m (6.3ft) x 2.31m (7.6ft) W.C., wash-hand basin, wainscoting, door to the rear garden. LIVING ROOM 5.17m (16.11ft) x 4.39m (14.4ft) Original wide plank floorboards sanded and varnished, large fitted shelving unit and T.V. cabinets. Wall mirrors either side of the chimney breast. Sandstone fireplace with log effect gas fire, picture rail, cornicing, centre rose and large sash window to the front. Double folding doors opening into the kitchen: KITCHEN 6.73m (22.0ft) x 4.09m (13.5ft) Range of fitted wall and base kitchen units from Coolmore Kitchens with large Island unit and Sile Stine countertop. Integrated Smeg dishwasher, Range master with 6 ring gas hob and extractor hood. Iintegrated Normende American style double fridge. Cornicing, surround sound, picture rail. Varnished wooden floors. SPACIOUS FIRST FLOOR RETURN LANDING Double doors leading to the guest w.c. GUEST W.C. 2.56m (8.4ft) x 2.39m (7.10ft) Spacious bathroom with tiled floor, w.c., and wash-hand basin. FIRST FLOOR BAR / LOUNGE / ENTERTAINMENT ROOM 7.06m (23.1ft) x 5.18m (16.11ft) Fine marble fireplace with slate hearth and surround and brass inset, open fire. Dado rail wall panelling throughout, cornicing, picture rail, ceiling rose and radiator cover. Large fully built-in bar with magnificent drinks cabinet and bar countertop. Two large matching sash windows with Juliet balconies to the front overlooking Baggot Street below. Painted original floorboards. Double interconnecting doors lead to the dining room: DINING ROOM 6.74m (22.1ft) x 4.58m (15.0ft) Matching marble fireplace with slate hearth and surround. Picture rail, radiator cover, surround sound, cornicing and ceiling rose. Ceiling height is 4m. SECOND FLOOR Wall lights, wainscoting all the way up, double windows and a large feature arch window overlooking the rear of the property. UPSTAIRS LANDING BEDROOM 2 5.06m (16.7ft) x 4.12m (13.6ft) (max measurement) Rear aspect, wainscoting, ceiling cornicing, fitted wardrobes. Fine sash window with Juliet balcony overlooking the City to the rear. ENSUITE 1.03m (3.4ft) x 2.53m (8.3ft) Shower cubicle with rain water shower head, w.c., wash-hand basin, and heated towel rail. Sliding pocket door. BEDROOM 3 5.39m (17.8ft) x 3.08m (10.1ft) (max measurement) Front aspect, ceiling cornicing, built-in wardrobes and ensuite. ENSUITE 1.16m (3.9ft) x 2.37m (7.9ft) Shower cubicle with rain water shower head attachment, w.c., and wash-hand basin. BEDROOM 4 5.58m (18.3ft) x 3.36m (11.0ft) (max measurement) Front aspect, built-in wardrobes, ceiling cornicing, and ensuite with pocket sliding door. ENSUITE 1.18m (3.10ft) x 2.21m (7.3ft) Heated towel rail, w.c., wash-hand basin. Shower cubicle with rain water shower head attachment. THIRD FLOOR Rising to the Master Suite. Wall lights, and large velux window above the landing. MASTER BEDROOM 5.41m (17.9ft) x 6.59m (21.7ft) Recessed ceiling lighting, attractive Sandstone fireplace with cast iron inset and slate hearth. Fitted shelving and cabinet space. Wall panelling, rose centre piece. MASTER ENSUITE 6.96m (22.9ft) x 2.12m (6.11ft) Recessed ceiling lighting, surround sound, wall lights, heated towel rail. His and Her’s wash-hand basin. Double shower (His and Her’s) each with rain water shower head, fully tiled with mosaic tiled flooring, free standing roll over bath with telephone shower head attachment. W.C., door into walk-in wardrobe: WALK-IN WARDROBE 3.15m (10.3ft) x 4.90m (16.0ft) Abundance of hanging space shelving and cupboards. BASEMENT LEVEL Self contained 2 bedroom apartment with access from both front and rear and was fully renovated in the past 12 months. Entering from the rear there is the boiler room and stairs that connect this level to the main part of the house are still in place, it is simply closed off at the top but could easily be re-instated. There is solid oak flooring throughout the ground floor. KITCHEN 2.06m (6.9ft) x 2.79m (9.1ft) Fully fitted kitchen with wall and base kitchen units, 4 ring ceramic hob, Hotpoint dishwasher, integrated oven. Samsung fridge freezer, tiled floor and splashback. BEDROOM 2 2.60m (8.6ft) x 4.24m (13.10ft) Fine double bedroom with fitted wardrobes. LAUNDRY / UTILITY ROOM 2.09m (6.10ft) x 2.09m (6.10ft) Plumbed for washing machine. Shelving. LIVING / DINING AREA 3.5m (11.5ft) x 5.03m (16.6ft) (max measurement) Solid plank oak flooring. Door to main bedroom and front entrance hall. FRONT ENTRANCE HALLWAY 2.75m (9.0ft) x 2.16m (7.1ft) Stone tiling and door which lead out to the small courtyard with granite steps up to the street above. Storage units. BEDROOM 1 3.95m (12.11ft) x 5m (16.4ft) (max measurement) Double bedroom with fitted wardrobe and ensuite. ENSUITE 2.17m (7.1ft) x 2.82m (9.3ft) W.C., wash-hand basin, heated towel rail. Shower cubicle with rain water shower head attachment. REAR INNER COURTYARD 4.62m (15.1ft) x 6.02m (19.9ft) At the back of the basement level. Coal shed for storing bikes and garden furniture. REAR GARDEN 33m x 7m Large rear garden which is walled on all sides and landscaped with artificial grass and selection of Olive trees. Paved pathways with planting and wooden panelling along the sides with Buxus hedging. Roller shutters at the end of the garden with access out to Convent Close which provides parking for at least 3 or 4 cars. There is potential for mews development at the rear of the garden, subject to relevant planning permission. FLOORPLAN Not to scale. For identification purposes only. BER DETAILS BER Exempt VIEWING Strictly by prior appointment with sole selling agents. Hunters Estate Agent City on 01 6680008.
Attached two-bay four-storey former house over basement, built c. 1845, having flat-roofed two-storey return to east end of rear. Now in use as offices. M-profile roof, hipped to east end, having brick parapet with granite copings, shared brown brick chimneystacks with clay pots and rendered base to north party wall, and concealed rainwater goods. Flemish bond brown brick walling on painted granite plinth over painted rendered basement. Square-headed window openings, diminishing in height to upper floors, with painted rendered reveals, painted granite sills and brick voussoirs. Timber sliding sash windows with four-over-four pane windows to ground and first floors with cavetto horns, two-over-two pane to second and third floors with convex horns, and replacement timber casement window to basement. Decorative cast-iron balconettes to ground, first and second floors, and wrought-iron window-guards to top floor. Apparently timber sash windows to rear, three-over-three pane and two-over-two pane to top floor and six-over-six pane below, tripartite to ground and first floors. Recessed round-headed doorcase with moulded surround, limestone freestanding Ionic columns, entablature with fluted frieze, decorative cobweb fanlight and recent four-panel painted timber door with brass furniture. Granite entrance platform with decorative cast-iron boot-scrape and two granite steps. Wrought-iron railings on painted moulded granite plinth enclosing basement area, with decorative cast-iron posts. Wrought-iron gate leads to quarter-turn masonry stairs with winders and simple iron handrail accessing basement. Recent timber glazed door to basement level. Yard and carparking to rear.
No. 61 Baggot Street Lower is a well-preserved mid-nineteenth-century former house, forming part of a cohesive row on a street that has been well retained. It displays the well-balanced proportions and graded fenestration pattern typical of the period and is enriched with decorative iron balconettes to three storeys, and a Greek Revival doorcase executed in Portland limestone, with a decorative boot-scrape. The intact setting contributes to the character of the streetscape. Development of Baggot Street began at the west end in the late eighteenth century, but was slow due to recession during the mid-1790s. The majority of houses were built during the early decades of the nineteenth century, but a number of plots were still being advertised during the early 1840s, by which time the street had developed into a thriving residential thoroughfare. Nos. 60-63 Baggot Street Lower had not been erected by 1843. There are many signs of speculative building including variation in levels, materials and detailing. However, by the mid-nineteenth century Baggot Street had developed into a thriving residential thoroughfare.
Magheramena, County Donegal or Fermanagh, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London
p. 198. “(Johnston;LGI1912) An early to mid-C19 Tudor-gothic house of ashlar. Two storey; blind gables, slender polygonal turrets with finials; small square battlemented tower at one corner. Solid parapet; rectangular windows with mullions and astragals under hood-mouldings; single-storey partly canted projection with pinnacles, quatrefoil decoration on the parapet and tall Gothic windows; these windows having simple tracery and Georgian Gothic astragals. Single-storey battlemented wing ending in low round turret at other end of house.”
Magheramena, County Donegal, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.Magheramena, County Fermanagh, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
THE JOHNSTONS OWNED 7,157 ACRES OF LAND IN COUNTY FERMANAGH
This family was originally from Scotland.
WALTER ROE JOHNSTONE, of Mawlick, County Fermanagh, High Sheriff of County Fermanagh, 1679, attainted in 1689, had five sons,
Francis, of Limerick; James, of Magheramena, dsp 1731; George; HUGH, of whom hereafter; Edward, of Leitrim.
The fourth son,
THE REV HUGH JOHNSTON, of Templecarn, County Fermanagh, made his will in 1691, and left a son,
FRANCIS JOHNSTON, of Magheramenagh, High Sheriff of County Fermanagh, 1731-2, who died in 1737, leaving, by Frances his wife,
James; Walter; Hugh; Francis; JOHN, of whom we treat; Mary; Grace; Lettice.
The fifth son,
CAPTAIN JOHN JOHNSTON, left by Anne his wife (married in 1756) two sons, of whom
ROBERT JOHNSTON QC, wedded, in 1806, Letitia, daughter of Sir William Richardson Bt, of Castle Hill, County Tyrone; and had issue,
JAMES, his heir; Anna Maria, m, 1827, G Knox, of Prehen; Harriette, m H Daniel, of Auburn; Letitia Mary, m, 1835, J L Macartney.
Mr Johnston died in 1833, and was succeeded by his only son,
JAMES JOHNSTON JP DL (1817-73), of Magheramenagh Castle, County Fermanagh, High Sheriff of County Fermanagh, 1841, who married, in 1838, Cecilia, daughter of Thomas Newcomen Edgeworth, of Kilshrewly, County Longford, and had issue,
ROBERT EDGEWORTH, his heir; Letitia Marian; Rosetta.
Mr Johnston was succeeded by his only son,
ROBERT EDGEWORTH JOHNSTON (1842-), of Glencore House, High Sheriff, 1877, who wedded, in 1873, Edythe Grace, daughter of John Reynolds Dickson, of Woodville and Tullaghan House, County Leitrim, and had, with other issue,
JAMES CECIL JOHNSTON (1880-1915), of Magheramenagh Castle and Glencore House, County Fermanagh, High Sheriff of County Fermanagh, 1910, who married, in 1903, Violet Myrtle, daughter of S A Walker Waters, Assistant Inspector-General, Royal Irish Constabulary, and had issue, two daughters,
MYRTLE; Marjorie Helen, b 1911.
Captain Johnston, Adjutant, Royal Irish Fuliliers, Deputy Ranger of The Curragh of Kildare, 1910, Master of the Horse to His Excellency the Lord Lieutenant of Ireland, Lord Aberdeen, 1910, was killed in action during the 1st World War.
His elder daughter,
MYRTLE JOHNSTON (1909-), a novelist, was born at Dublin and educated privately at Magheramena Castle.
The family moved to Bournemouth in 1921.
She published Hanging Johnny (1927), followed by Relentless (1930), The Maiden (1930), and A Robin Redbreast in a Cage(1950), amongst others.
MAGHERAMENAGH CASTLE, near Belleek, County Fermanagh, was a Tudor-Gothic house of ashlar, built between 1835-40.
It comprised two storeys, blind gables, and polygonal turrets with finials; a square battlemented tower at one corner; tall Gothic windows; quatrefoil decoration.
There was a single-storey battlemented wing terminating in a low round turret at the other end of the house.
It faced the River Erne to the south.
The entrance was to the north; and a conservatory to the east.
A small kitchen court faced westwards.
The main façades were quite irregular, with big octagonal turrets and haphazard breaks from room to room.
A corridor running east to west connected the five principal rooms on the south front.
The house was constructed with cut stone.
A covered passage led westwards from the house to the 18th century stable-court and offices.
The Johnstons seem to have abandoned Magheramenagh and Ulster in 1921, following the untimely death of Captain Johnston and the establishment of Northern Ireland.
Thereafter, Magheramenagh Castle became a parochial house.
It was unroofed and partly demolished in the 1950s.
The estate lies between Belleek and Castle Caldwell.
Mount Anville (also known as Dargan Villa), Dundrum, Co Dublin – school
Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 212. “An early Victorian-Italianate villa, with an eaved roof on a bracket cornice; dominated by an unusually tall and massive campanile tower. The home of the railway contractor, William Dargan, the leading spirit of the Dublin Exhibition 1853. Queen Victoria paid Dargan the exceptional honour of visiting here when she came over to Dublin for the Exhibtion; and she climbed to the top of the tower to see the “24 distinct views” which it afforded. Later in C19, the house became a well-known girls’ convent school.”
Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
p. 276. “(Dunn/IFR1976) A Tudor-Revival house of 1840.”
Tudor Hall, Holywood, Co Down for sale October 2025 courtesy Sherry FitzGerald Ltd. Christie’s International Real Estate
€1,556,688
Building Holywood
5 Beds
4 Baths
Built in the 1840s by Belfast merchant Henry Murney of High Street, Tudor Hall stands as a remarkable example of period architecture blended seamlessly with modern refinement. This exceptional Grade B1 Listed Tudor-Gothic residence has been sympathetically and comprehensively restored, with every detail carefully considered to preserve its historic charm while ensuring comfort, style, and functionality for contemporary living.
The property itself is steeped in history, reflecting the fully-fledged neo-Elizabethan style of architecture, and is enhanced by its striking façade, elegant proportions, and timeless period detailing. Beyond the impressive exterior, the interiors showcase a harmonious balance of grandeur and warmth, with original features beautifully complemented by high-quality modern upgrades.
Set within approximately half an acre of landscaped gardens and private woodland, the home enjoys an enviable sense of peace and seclusion, all while being only a short stroll from Holywood’s vibrant High Street. Its elevated position affords picturesque views across Belfast Lough, adding to the sense of prestige and tranquility.
Rarely does a residence of such architectural significance, heritage, and quality come to the market. Tudor Hall is not only a fine example of neo-Elizabethan design but also a true sanctuary, offering a unique lifestyle opportunity in one of Holywood’s most desirable and private settings.
Rooms
GROUND FLOOR: ENTRANCE PORCH: 8’2” x 7’11” (2.5m x 2.41m)Double opening entrance door with glass side panels. Ornate period tiled floor. Double opening glazed doors to: ENTRANCE HALL: 24’8” x 17’2” (7.52m x 5.23m)Impressive reception hall with restored hardwood strip flooring, ornate cornice detail and ceiling rose. Feature staircase to First Floor. WC:Traditional style suite with wash hand basin and low flush WC. Hardwood strip floor. CLOAKROOM:Hanging space. Restored hardwood strip floor. DRAWING ROOM: 25’11” x 23’2” (7.9m x 7.06m)Views over the garden and Belfast Lough. Magnificent reception room with restored hardwood strip flooring, corniced ceiling, period open fire and hearth. KITCHEN/DINING ROOM: 27’3” x 18’11” (8.3m x 5.77m)Corniced ceiling and ceiling rose. Period open fire with hearth, restored hardwood strip flooring, working original shutters. Integrated premium appliances, bespoke carpentry and a large Calcutta Viola marble island. Access to Garden Room. GARDEN ROOM: 20’4” x 11’5” (6.2m x 3.48m)Hardwood strip floor. Double opening doors to side garden. REAR HALLWAY:Hardwood strip flooring. ART GALLERY: 14’11” x 8’3” (4.55m x 2.51m)Hardwood strip floor. Access to Garden Room. GYM: 14’2” x 13’10” (4.32m x 4.22m)Half tiled walls, quarry tiled floor. SECOND KITCHEN: 17’1” x 12’5” (5.2m x 3.78m)Excellent range of fitted solid wood high and low level units. Porcelain sink with chrome mixer taps. Plumbed for washing machine and dishwasher. Space for electric cooker and fridge freezer. Quarry tiled floor, half tiled walls. BOILER/UTILITY ROOM: 6’8” x 6’6” (2.03m x 1.98m)New gas-fired central heating boiler. Quarry tiled floor, half tiled walls. Access to enclosed yard. FIRST FLOOR: BEDROOM 1: 20’7” x 15’8” (6.27m x 4.78m)Views across Belfast Lough. Corniced ceiling. Hardwood strip floor surround with central carpet. READING ROOM/OPEN LANDING: 16’11” x 14’5” (5.16m x4.4m)Views over the garden and Lough. Period fireplace and restored hardwood floor. PRINCIPAL BEDROOM (2): 26’8” x 19’0” (8.13m x 5.8m)Expansive principal room with views over the garden and Lough. Corniced ceiling, hardwood flooring and period fireplace. BATHROOM: 14’11” x 8’3” (2.5m x 2.51m)Shower enclosure, wash hand basin, wall-hung WC, Amtico flooring. REAR LANDING: (4.22m x 2.95m)Carpet. BEDROOM 3: 15’8” x 12’2” (4.78m x 3.7m)Corniced ceiling. Carpet. Period tiled fireplace. LINEN ROOM:Shelving and secondary boiler for upper floor SECOND FLOOR: BEDROOM 4: 18’5” x 16’4” (5.61m x 4.98m)Views across Belfast Lough. Fitted with full-length wardrobes. Wooden floor surround and central carpet. BEDROOM 5: 16’4” x 14’8” (4.98m x 4.47m)Views across Belfast Lough and gardens. Period tiled fireplace. Carpet. OFFICE SUITE: 26’8” x 19’0” (8.13m x 5.8m) 2: 16’9” x 9’5” (5.1m x 2.87m) 3: 16’10” x 9’5” (5.13m x 2.87m) 4: 13’7” x 13’2” (4.14m x 4.01m)Flexible office/creative spaces with views over Belfast Lough and garden. Period fireplaces. Carpet. ENCLOSED YARD:Fully quarry paved. Water supply. OUTSIDE STORE/GARAGE: 17’0” x 11’6” (5.18m x 3.5m At widest points)Twin Belfast sink. Quarry tiled floor. Power and light. Covered wood store. OUTSIDE:• Newly landscaped with feature planting and shrub beds • Golden gravel driveway and pathways • Secure fencing, gates and hedge boundaries • Expansive lawns and numerous outdoor entertaining areas with garden and Lough views • A rare private woodland with a variety of species and seasonal wildflowers, offering both seclusion and a natural retreat