Ballyscullion, Bellaghy, County Derry – demolished

Ballyscullion, Bellaghy, County Derry – demolished; Ballyscullion Park

Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London. 

p. 28. “(Hervey, Bristol, M/PB; Bruce, Bt, of Downhill/PB; Mulholland, Bt/PB) One of three eccentric palaces of Frederick Hervey, 4th Earl of Bristol and Bishop of Derry, the other two being Downhill Castle, also in County Derry, and Ickworth in Suffolk. Built near the shore of Lough Beg, the small lough at the north-west corner of Lough Neagh; begun 1787, the architect being Michael Shanahan, a Corkman who was the Earl-Bishop’s architect, adviser and confidant. Like Ickworth, it was in the form of a central domed rotunda joined by curved sweeps to rectangular pavilions or wings; the Earl-Bishop having got the idea from the circular house on Belle Isle in Lake Windermere. On the entrance side of the rotunda was a pedimented portico of four giant Corinthian columns. In the centre of the house as a double corkscrew staircase, like that at the Chateau of Chambord; a grand stair going round a smaller one for the servants, so constructed that peole on one could not see those on the other. There was a large library of segmental shape, like some of the rooms at Ickworth. The Earl-Bishop lost interest in the house, which came to be known as Bishop’s Folly, and was still uncompleted at the time of his death 1803; though it was inhabited and partly furnished. Together with Downhilll, it was left to the Earl-Bishop’s kinsman, Rev Henry Hervey Aston Bruce, who was immediately afterwards created a Bt. Not wishing to have to maintain two great palaces in the same county, and preferring Downhill, the 1st Bt demolished Ballyscullion a few years after inheriting it. Part of the façade, including the portico, was re-erected as the front of St. George’s Church, Belfast; while some pink marble columns from the interior, as well as some chimneypieces, are now at Portglenone House, Co Antrim. Other chimneypieces are at Bellarena, Co Derry. Some of the stone was later used in the building of a new and more modest house at Ballyscullion, to the design of Charles Lanyon, for Adm Sir Henry Bruce, 2nd son of Sir Henry Mulholland, 1st Bt, Speaker of the Northern Ireland parliament.” 

http://lordbelmontinnorthernireland.blogspot.com/2014/12/ballyscullion-park.html

Castle Bernard (formerly Castle Mahon), Bandon, Co Cork – ruin  

Castle Bernard (formerly Castle Mahon), Bandon, Co Cork – ruin  

Castle Bernard, County Cork, by Robert French, Lawrence Collection, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London. 

p. 62. “(Bernard, Bandon, E/PB) The old castle of the O’Mahonys, formerly known as Castle Mahon, was acquired by the Bernards early in C17 and was eventually changed to Castle Bernard.  During 1st half of C18, two new fronts were added to the castle, by Francis Bernard, Solicitor-General of Ireland, Prime Serjeant of Judge of the Court of Common Pleas, and by his son, Francis Bernard, MP.  They were of brick, with Corinthian pilasters and other enrichments of Portland stone, and were surrounded by formal gardens with statues, fountains, cascades and jets d’eau. In 1798 Francis Bernard, 1st Viscount Bandon, pulled down the two early C18 fronts and began building a new house alongside the old castle, to which it was joined by a corridor. It was of two storeys, with a nine bay entrance front overlooking the Bandon River and a garden front of three bays on either side of a deep curved central bow. Prominent roof with parapet and dentil cornice; bold quoins. In the early 19C – probably in 1815 – 1st Earl of Bandon gave the house a Gothic coating that was literally skin-deep; a facade of battlements and two slender turrets on the entrance front, which continued around the side for part of the way then stopped; the garden front being left as it was, except for the insertion of Gothic tracery in its windows, similar to that in the windows of the entrance front and sides; and the addition of hood mouldings. The old castle, an adjoining range and the connecting corridor also had C19 battlements. The interior of the house was spacious, with a straightforward plan. A square entrance hall with Ionic pilasters and columns opened into a wide central corridor running the whole length of the main block with a curving staircase at one end. On the opposite side of this corridor to the hall was a large oval room, extending into the garden front bow. Castle Bernard was burnt ca 1921; it is now a ruin smothered in climbing roses that forms an object in the garden of the modern house nearby, which was built in 1960s by 5th and last Earl of Bandon.” 

Castle Bernard, Bandon in County Cork, photograph by Robert French, [between ca. 1865-1914], Lawrence Photograph Collection, National Library of Ireland.
Castle Bernard, Bandon in County Cork, photograph by Robert French, [between ca. 1865-1914], Lawrence Photograph Collection, National Library of Ireland.
Castle Bernard, Bandon in County Cork, photograph by Robert French, [between ca. 1865-1914], Lawrence Photograph Collection, National Library of Ireland.
Castle Bernard, Bandon in County Cork, photograph by Robert French, [between ca. 1865-1914], Lawrence Photograph Collection, National Library of Ireland.
Castle Bernard, Bandon in County Cork, photograph by Robert French, [between ca. 1865-1914], Lawrence Photograph Collection, National Library of Ireland.

Francis Bernard was created 1st Earl of Bandon, and he married Catherine Henrietta Boyle, daughter of Richard Boyle, 2nd Earl of Shannon.

Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

A large two storey classical house built 1798 for Francis Bernard, 1st Viscount Bandon. Joined to a twoer house by a single storey corridor. The house had a good interior which included an entrance hall with a series of columns at one end, and a cantilevered stone staircase. Gothic tracery was inserted in the windows in the mid Victorian period. Destroyed by fire in 1921. Now a ruin.

The Buildings of Ireland. Cork City and County. Frank Keohane. Yale University Press: New Haven and London. 2020. 

p. 25. The first prominent exponent of Neoclassicism in Cork was a native, Michael Shanahan. He appears to have been a stonecutter, and probably came to the attention of the ‘Earl-Bishop’ Frederick Hervey while the latter was Bishop of Cloyne in 1767-8. Hervey took Shanahan on a Continental tour in 1770-2, a very rare thing for an Irish architect, during which Shanahan made measured drawings, particularly of bridges, as Hervey was proposing to build a bridge at Londonderry. On his return to Ireland, he became Hervey’s agent and oversaw the construction of James Wyatt’s Downhill in Derry, as well as designing churches and glebe houses in that diocese. Shanahan returned to Cork in the early 1780s, establishing a marble and stone works in White Street which specialized in chimneypieces, geometrical stone staircases and porticos. His first significant commission was St Patrick’s Bridge, in 1788-91. Shanahan’s houses tend to be reticent in the extreme. Castle Freke (1780s) and Castle Bernard [p. 26] (1790s) are big astylar blocks, bare except for rusticated quoins and thin cornices. Castle Bernard in particular appears to owe a debt to Wyatt’s Castle Coole in the axial arrangement of a hall with columnar screen, and the elliptical saloon projecting into the bow on the garden front.  

Also in David Hicks, Irish Country Houses, a Chronicle of Change. P.1 The architect in 1715 was John Coltsman, oversaw construction of new wings. The surrounding gardens were enhanced by a hydraulic engineer called Francis Fennell.  

https://archiseek.com/2015/1800-castle-bernard-bandon-co-cork/

1800 – Castle Bernard, Bandon, Co. Cork 

Castle Bernard, County Cork, courtesy Archiseek.
Castle Bernard, County Cork, courtesy Archiseek.

In 1788 Francis Bernard, the 1st Earl of Bandon demolished much of the old O’Mahony castle that previously stood on this site, and built a castellated mansion. It was of two storeys with a nine-bay entrance front overlooking the River Bandon; and a garden front of three bays on either side of a deep curved central bow. It was altered and enlarged in Gothic style in the mid-19th century. Now ruined, after being destroyed by arson on 21 June 1921.  

In O’Hea O’Keeffe, Jane. Voices from the Great Houses: Cork and Kerry. Mercier Press, Cork, 2013. 

p. 73. The Bernard family has been associated with the Bandon settlement since the plantation of Munster in the late 1500s. Francis Bernard, third son of Sir Henry Bernard of Acornbank in Westmoreland, accompanied the Lord Lieutenant of Ireland, Robert Devereux, Earl of Essex, and 17,000 men to Ireland in 1599, during the Nine Years’ War. At the time the O’Mahony clan was in possession of Castle Mahon, which was acquired by the descendants of Francis Bernard in 1639 and renamed Castle Bernard. 

p. 75. Early on the morning of 21 June 1921, the Bandon Battalion of the IRA, under the command of Sean Hales, burned Castle Bernard, having ordered Lord and Lady Bandon and their servants to leave the house. They stood and watched as the castle and its contents burned. The IRA then kidnapped Lord Bandon, who was 74 years old. Three weeks later, he was released at the gates of Castle Bernard, having been, by all accounts, reasonably well treated. Lady Bandon had spent part of the period of his captivity at the gardener’s cottage on the castle grounds, later. moving to Cork to stay with friends. Immediately on his release, her husband joined her, and they left for England shortly thereafter. 

The 4th Earl died in 1924 and was succeeded by his cousin, Air Chief Marshal Percy Bernard, (1904-79), 5th Earl of Bandon. Lady Frances Carter, daughter of the late Percy Bernard, now lives in a house on the Castle Bernard estate, which today stretches to around 500 acres. She reflects on those troubled days: 

“He must have been very sad indeed. He loved his Bandon home, and had lived there nearly all his life. He died just three years after he left for England. Today, not a lot survives from the castle… James Francis Bernard, 4th Earl of Bandon, was my father Percy Bernard’s first cousin twice removed, and my father inherited the title on his cousin’s death in England in 1924.” 

Lady Frances and her older sister Jennifer were born and reared in England. 

p. 76. “We were brought up by our mother, Betty, as a consequence of the split between my parents just before I was born in 1943. I first came her to Bandon in 1956, when I was 13, to stay with my father. We stayed in a most uncomfortable house near the castle, which my grandmother had created from several existing cottages so that she and my father could have somewhere to stay on their visits to Bandon. [he remarried, to Betty Playfair] 

p. 78. “When my father inherited, Bandon obviously became a big part of his life. He was always determined to make something of the estate and to live here eventually. He was an absentee in that he was in the Air Force, but he always knew he would eventually live here. This was essentially his home, and he farmed it and kept it going. He was undoubtedly very attached to it.” 

p. 79. Lady Frances and Paul Carter married in England in 1967, and just two years ago they moved into the new house they had built on the grounds at Castle Bernard.  

p. 80. The Castle Bernard estate now stretches to about 500 acres and is home to Bandon Golf Club. The Carters have also leased the farming land. 

p. 81. The records of the Bernard family of Bandon are stored at the Cork Archives at Blackpool, where over 300 boxes of unsorted material await attention. Luckily, when the castl was burned in 1921, the agent in Bandon town had these boxes and estate books in his possession.

https://theirishaesthete.com/2019/05/06/bandon/

Like many Irish houses, Castle Bernard, County Cork has a long and complex architectural history, some aspects of which are still not clear. The place takes its name from the Bernard family, the first of whom – christened Francis like many of his successors – came here during the Plantation of Munster in the late 16th century. He acquired lands which had formerly been owned by the O’Mahonys and was centred around a great square tower house called Castle Mahon to the immediate south of the river Bandon. This became the Bernards’ residence, its name at some date changed to Castle Bernard, until c.1715, Francis Bernard, great-grandson of the original settler, and Solicitor-General of Ireland, Prime Serjeant and Judge of the Court of Common Pleas initiated work on a new building, seemingly to the designs of John Coltsman of Cork. This involved adding wings to the old tower house, the whole encased in brick with Corinthian pilasters and other ornamentations in Portland stone. A decade later the surrounding demesne was transformed into a formal garden with terraces, cascades, jets d’eau and statuary. This arrangement lasted until the end of the 18th century when Castle Bernard underwent a further transformation. 

In 1794 the Cork architect Michael Shanahan, best-known work commissioned in Ulster by his patron Frederick Hervey, Earl-Bishop of Derry, prepared designs for a new house at Castle Bernard. (For more on Shanahan and the Earl-Bishop, see It’s Downhill All the Way, October 28th 2013 and Let the Door be Instantly Open, For There is Much Wealth Within, March 31st 2014). This involved pulling down the additions to the original tower house, and instead erecting a structure to its immediate east, a linking corridor running between the two. In 1800 another Corkman, William Deane, prepared estimates of £522.4s.4d. for work in finishing the house. In both instances, the client was Francis Bernard who from 1793 gradually scaled the hierarchy of the peerage until 1800 when created first Earl of Bandon. The house he commissioned was classical in style, of two storeys over basement and with a nine-bay entrance front. The garden front was similar but broken by a substantial full-height bow occupying the three centre bays. Just fifteen years later, Lord Bandon undertook further work, this time by an unknown architect, in order to give it the – largely superficial – appearance of a gothic castle, and thereby provide better links both to the old tower house and to the Bernard family’s ancient pedigree. While the garden front experienced little other than the insertion of gothic tracery in its windows, battlements and turrets were added to the façade, and the Bernard coat of arms carved in stone above the main entrance. No great changes were made to the interior, which despite the gothic fenestration otherwise retained its classical decoration. On the ground floor, an entrance hall with Ionic pilasters and columns gave access to a wide corridor which ran like a spine down the centre of the house. Among the reception rooms, the most notable was an oval drawing room overlooking the garden: one sees in its design the abiding influence of the Earl-Bishop on Shanahan. 

The Bernard family remained in residence at Castle Bernard until June 1921 when the 70-year old fourth earl and his wife were woken in the early hours of the morning by a group of IRA members and ordered out of the house, which was then set on fire. Lord Bandon was then taken into captivity by the men and held for the next three weeks, constantly moved from house to house before being released at the gates of the now-ruined Castle Bernard after three weeks: during this time he had lost a stone in weight and never recovered from the experience, dying less than three years later. He and his wife had no children, so the title passed to a first cousin twice-removed, Air Chief Marshal Percy Bernard, widely known as ‘Paddy’ Bandon. But he inherited not a lot else and so, although some compensation was received by the family, Castle Bernard was not rebuilt (the fifth earl constructed a modest bungalow behind the ruin). Since he in turn had no son, the earldom became extinct. Although his descendants still live on the estate, the land in front of Castle Bernard is now a golf course.” http://lordbelmontinnorthernireland.blogspot.com/2013/07/castle-bernard.html

THE EARLS OF BANDON WERE THE SECOND LARGEST LANDOWNERS IN COUNTY CORK, WITH 40,941 ACRES 

   
 
The house of BERNARD, Earls of Bandon, derives, according to Thomas Hawley, Norroy King of Arms, from SIR THEOPHILUS, a valiant knight of German descent who, in 1066, accompanied WILLIAM THE CONQUEROR into England. 
 
This Theophilus was son of Sir Egerette, and father of 

SIR DORBARD BERNARD, the first of his family surnamed BERNARD. 
 
His descendants settled at Acornbank in Westmorland, and in the counties of Yorkshire and Northamptonshire. 
 
Among these we find Robert FitzBernard, who accompanied HENRY II to Ireland, and who, on the King’s departure, had Wexford and Waterford committed to his custody. 
 
SIR FRANCIS BERNARD, of Acornbank (the lineal descendant of Sir Dorbard), married Hannah, daughter of Sir John Pilkington, and was grandfather of 
 
SIR HENRY BERNARD, Knight, who married Anne, daughter of Sir John Dawson, of Westmorland, and had four sons, ROBERT, William, Francis, and Charles. 
 
FRANCIS BERNARD, the third son, removed to Ireland during ELIZABETH I’s reign and purchased considerable estates. 
 
He died leaving issue, besides two daughters, a son,  
 
FRANCIS BERNARD, Lord of the manor of Castle Bernard, who married Elizabeth, daughter of Arthur Freke, of Rathbarry Castle (ancestor of Lord Carbery). 
 
Mr Bernard was killed while defending his castle from an attack of the rebel forces, and left issue (with four daughters, all married), two sons, 

FRANCIS, his heir
Arthur, born in 1666. 

The elder son, 
 
FRANCIS BERNARD (1663-1731), was attainted by JAMES II’sparliament, but was restored to his estates by WILLIAM and MARY. 
 
He was appointed Solicitor-General for Ireland by QUEEN ANNE, Prime Sergeant, and Judge of the Court of Common Pleas. 
 
Mr Bernard represented Bandon and Clonakilty in parliament. 
 
He wedded, in 1697, Alice, daughter of Stephen Ludlow, ancestor of the Earls Ludlow, and grandson of Sir Henry Ludlow, of Maiden Bradley, Wiltshire (whose eldest son was the famous General Ludlow), by whom he left at his decease, 

FRANCIS, his heir
Stephen, of Prospect Hall
North Ludlow, father of JAMES BERNARD; 
Arthur; 
William; 
John; 
Elizabeth, m 3rd Viscount Charlemont. 

The eldest son, 
 
FRANCIS BERNARD (1698-1783), of Castle Bernard, and Bassingbourne Hall, Essex, MP for Clonakilty, 1725-60, Bandonbridge, 1766-76,  espoused, in 1722, the Lady Anne Petty, only daughter of Henry, Earl of Shelburne; but died without surviving issue, when he was succeeded by his nephew, 
 
JAMES BERNARD (1729-90), of Castle Bernard, son of North Ludlow Bernard, MP for County Cork, 1781-90, who married, in 1752, Esther, daughter of Percy Smyth, and heiress of her brother, William Smyth, of Headborough, and widow of Robert Gookin, and had issue, 

FRANCIS, his heir
Rose; Esther; Mary; Charlotte; Elizabeth. 

The only son, 
 
FRANCIS BERNARD (1755-1830), MP for Ennis, 1778-83, Bandonbridge, 1783-90, was elevated to the peerage, in 1793, in the dignity of Baron Bandon; and advanced to a viscountcy, in 1795, as Viscount Bandon. 
 
His lordship was further advanced, in 1800, to the dignities of Viscount Bernard and EARL OF BANDON. 
 
He wedded, in 1784, Catherine Henrietta, only daughter of Richard, 2nd Earl of Shannon, and had issue, 

JAMES, his successor
Richard Boyle (Very Rev), Dean of Leighlin; 
Francis; 
William Smyth; 
Henry Boyle; 
Charles Ludlow; 
Catherine Henrietta; Charlotte Esther; Louisa Anne. 

His lordship was succeeded by his eldest son, 
 
JAMES, 2nd Earl (1785-1856), who married, in 1809, Mary Susan Albinia, eldest daughter of the Hon and Most Rev Dr Charles Brodrick, Lord Archbishop of Cashel, and had issue, 

FRANCIS, his successor
Charles Brodrick; 
Henry Boyle; 
Catherine Henrietta. 

The 4th Earl was the last Lord-Lieutenant of County Cork, from 1877 until 1922. 

 
CASTLE BERNARD, near Bandon, County Cork, was re-modelled by Francis Bernard, 1st Viscount Bandon and afterwards 1st Earl of Bandon. 
 
He pulled down the two early 18th century fronts in 1798 and began building a new house alongside the old O’Mahony castle, which was joined by a corridor. 
 
It was of two storeys with a nine-bay entrance front overlooking the River Bandon; and a garden front of three bays on either side of a deep curved central bow.   
 
It was altered and enlarged in Gothic style in the mid-19th century. 

 
Castle Bernard became known as one of the most hospitable houses in Ireland and the house parties held by the 4th Earl and Countess were said to have been legendary. 

 
In an early morning raid on the 21st June, 1921, an IRA gang, under Sean Hales, called at the Castle. 
 
They intended to kidnap Lord Bandon, but “Buckshot” Bandon and his staff had taken refuge in the cellars. 

Apparently disappointed in the first object of their call, the IRA decided to burn the house. 

Hales was heard to say,“well the bird has flown, so we’ll burn the nest”. 
 
At that, Lord Bandon and his party appeared from the cellars but it was too late, the fire had started.  
 
Ironically the IRA carefully took out all the furniture and piled it on the lawn before setting the building on fire. 
 
Lady Bandon had to sit and watch the flames for some hours. 
 

When the flames were at their height, she suddenly stood up in her nightgown and sang God Save the King as loudly as possible, which disconcerted the incendiaries, but while they may not have stood to attention, they let her have her say and did nothing about it. 
 
Lord Bandon was then kidnapped by a local IRA gang and held hostage for three weeks, being released on 12th July. 
 
The IRA threatened to have him executed if the authorities went ahead with executing IRA prisoners of war. 
 
During his captivity, Bandon coolly played cards with his captors, who treated him well. 
 
Tom Barry later stated he believed the kidnapping helped move HM Government towards the Anglo-Irish Treaty of 1921 and the cessation of hostilities. 
 
The elderly Lord Bandon never recovered from the experience and died in 1924. 
 
Some years later, when the last of the IRA burning party died, the 4th Earl was asked to go to the funeral, which he did – in full funeral attire of top hat and morning coat. 
 
Castle Bernard continued to be the home of the 5th Earl and Countess: they built a small house within the Castle boundary walls. 
 
The 5th Earl died in 1979 and, as he had no heir, the titles became extinct. 
 
Lady Bandon died in 1999, aged 102.  
 
Lady Jennifer Bernard, who inherited the property, lived on the grounds of the castle until she died in 2010. 
 
A modern house was built a short distance from the ruin by the 5th Earl in the 1960s and the uncontrolled growth of trees and ivy gives the building its romantic character.  
 
There is a huge high window in the curved stairwell which would have been a magnificent feature in its day. 
 
Above the grand doorway and grass covered steps are a fine carved crest and standards.  
 
Several of the attractive stone window frames are still more or less intact which adds to the appeal of this splendid ruin. 
 
Percy, 5th Earl, GBE CB CVO DSO, Air Chief Marshal, was one of the most senior officers in the RAF.   
 
In his retirement the 5th Earl discovered the pleasures of fishing, particularly in the River Bandon which was well stocked with salmon, and in shooting, snipe and woodcock found in large numbers near Castle Bernard. 
 
He was also developing an enthusiastic skill as a gardener with a particular knowledge of rhododendrons. 
 
The 5th Earl died on 8 February 1979 at Bon Secours Hospital in County Cork aged 74 and without male issue. 
 
Consequently on his death all the titles became extinct. 
 
He was survived by Lois, Lady Bandon and the two daughters from his first marriage, Lady Jennifer Jane Bernard, of Castle Bernard (b 1935) and Lady Frances Elizabeth Bernard (b 1943). 
 
A portrait in oils (painted 1969) of Lord Bandon, in his uniform as an Air Chief Marshal together with his robes as a peer of the realm, hangs in the main dining hall at the Royal Air Force College, Cranwell. 

 
First published in August, 2011.  Bandon arms courtesy of European Heraldry. 

Maryborough, Douglas, Co Cork

Maryborough, Douglas, Co Cork – Maryborough Hotel €€

  https://www.maryborough.com

Maryborough, County Cork, photograph courtesy Irish Aesthete.

The website tells us:

Located in the leafy suburbs of Douglas, yet minutes from Cork City Centre, The Maryborough has a character and style all of its own. Set in 18 acres of 300-year-old listed gardens and woodland, our family-owned boutique hotel affords guests an experience in luxury itself and is among the top hotels in Cork.  The Maryborough Hotel is unique with its charming 18th Century Mansion accompanied by the creatively designed contemporary extension. All of this combined makes The Maryborough the perfect destination.

The hotel delivers a unique experience in an exceptional atmosphere. From the moment you enter, we will guarantee you a level of personal service and care designed to match the exquisite surroundings of our 300-year-old listed gardens. Guests can enjoy an award-winning restaurant in Cork, state of the art Leisure Club and luxurious ESPA spa.

Maryborough, County Cork, photograph courtesy Irish Aesthete.

Our History

The Maryborough Hotel & Spa is one of the most renowned 4 star hotels in Cork today. The Maryborough’s Georgian Manor House was built in 1710 by Mr Richard Newenham [note that a Richard Newenham of Maryborough married Sarah Devonsher, niece of Abraham Devonsher of Kilshannig]. Descendants of the Newenhams as well as other families lived there up until the 1990s when it was purchased by the O’Sullivan family. In 1997 the family opened what is now The Maryborough Hotel, a 4 star luxury hotel in Cork with 93 bedrooms.

Since becoming a hotel, the Mansion House has fortunately retained its striking original architectural features. Some of the rooms at The Maryborough still showcase Adam style decoration – notably the entrance hall and some mantelpieces. This adds to the historical relevance of the manor house and contributes to the decadence and luxury of this boutique hotel in Cork.

The former eighteenth-century stately home is set amid acres of woods and beautiful gardens, just south of Cork’s historical city centre in Douglas. John Newenham, a younger brother of the last Newenham owner of The Maryborough was a great gardener and collector of trees. Thanks to his inspired work the gardens at The Maryborough still host quite a collection, in particular of rhododendrons, making it one of the reasons for The Maryborough being one of the best hotels in Cork.

The Maryborough works to continually develop a deluxe guest experience merging the hotels history with beautifully appointed accommodations. In order to incorporate the elegant grandeur of the old house into the hotel, several splendid suites were built on the upper floors of the Mansion House. Read more about our luxury suites in Cork.

To compliment the opulent charm of the old house, the hotel’s contemporary extension was built. It is here you will find our Deluxe, Executive and Family Rooms. Spectacular architecture blended with effortless service and genuine hospitality makes the Maryborough one of the top hotels in Cork.

Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.  

p. 204. “(Newenham/IFR; Sherrard, sub Morrough/IFR) A three storey seven bay mid-C18 house with a lower late-Georgian bow-fronted addition. On the garden front, the house is weather-slated; and the main block is joined by a curving corridor to an office wing with a high-pitched sprocketed roof. Hall with ceiling of Adamesque plasterwork and floor of black and white pavement. Dining room with plasterwork frieze. Staircase of handsome C18 joinery, with Corinthian newels. Upper hall with ceiling of rococo plasterwork in the manner of Robert West. In the late-Georgian wing, there is an oval cantilevered stone staircase with an iron balustrade; the wing also formerly contained a ballroom and library, but these were destroyed by fire 1914 and rebuilt as kitchens. Originally the seat of a branch of the Newenham family; passed at the beginning of the present century to the Sherrard family.” 

The Buildings of Ireland. Cork City and County. Frank Keohane. Yale University Press: New Haven and London. 2020. 

p. 27. Of mid-C18 Palladian interiors, good representative examples with panelled dados, lugged architraves, fielded panelling and chunky cornices are found at Coole Abbey House, Assolas, Cloghroe, Kilshannig, and Blackrock House. Curiously, the heavy Palladian lugged architrave remained in use in the county long after it fell out of fashion elsewhere. At Lisnabrin, Dunkathel, Burton, Rockforest and Muckridge, the form is encountered in late C18 Neoclassical interiors, suggesting an innate conservatism among local joiners. The finest joinery in most houses is reserved for the staircase, and in many cases these have survived. The best early C18 staircases, at the Red House and Annes Grove, have alternating barley-twist and columnar balusters, big Corinthian newel posts, ramped handrails and carved tread-end brackets. Mount Alvernia (Mallow), Carrigrohane and Cloghroe all have good mid-C18 staircases of a similar type; that at Lota is exceptional in its use of mahogany and for its imperial plan. Good Neoclassical staircases, geometrical in form with delicate ironwork balustrades, survive at Maryborough, Newmarket Court and Castle Hyde; the destruction of those at Vernon Mount is a particularly sad loss. 

The best early plasterwork is that of the Swiss-Italian brothers Paolo and Filippo Lafranchini at Riverstown, where highly sculptural late Baroque figurative ornament is applied to the walls and ceilings of the Saloon… Filippo alone decorated two rooms at Kilshannig, blending late Baroque figures with lighter acanthus arabesques and putti. Rococo plasterwork featuring scrolling acanthus and birds comparable to the Dublin school of the 1760s is encountered in the Saloon at Castlemartyr, and at Maryborough. At Laurentium (Doneraile) and the Old College (Youghal), it is rather more hesitant. For the most part, stucco workers remain anonymous, so it is a happy circumstance that Patrick Osborne’s accomplished work at the former Mansion House at Cork is recorded. He also probably worked at Lota, as well as at Castle Hyde. Good Neoclassical plasterwork in low relief and employing small-scale classical motifs of the type made fashionable by Robert Adam and James Wyatt is found at Maryborough, at Old Court House (Rochestown), and at the Old College and Loreto College at Youghal.  

https://theirishaesthete.com/2025/02/24/maryborough/

A Handsome House

by theirishaesthete



‘Not far from Douglas is a handsome house adorned with a cupola and good plantations, the residence of Mr Richard Newenham, merchant in Cork, a gentleman who is the largest dealer in Ireland in the worsted trade, and employs some thousands in different parts of this country in spinning bay yarn, which he exports to Bristol.’ From The Ancient and Present State of the County and City of Cork by Charles Smith (1750). 
The Newenhams are believed to have settled in Cork in the early 17th century and to have prospered as merchants: in 1671 one of their number, John Newenham, served as Mayor of Cork city. One branch of the family would come to live at Coolmore (see Trans-Atlantic Links « The Irish Aesthete). Believed to have been born around 1705, Richard Newenham was the son of another John, a clothier who some years earlier had become a Quaker. His father-in-law, Thomas Wight, who also began professional life as a clothier, was author of A history of the rise and progress of the people called Quakers, in Ireland, from the year 1653 to 1700. The eldest of seven children, Richard Newenham prospered and, as noted by Charles Smith, developed a thriving textile business. As Daniel Beaumont has noted, he may also have been involved in the manufacture of sailcloth, because the village of Douglas, close to Maryborough, had become an important centre for this industry. Newenham also went into partnership with a number of other men in the business of ‘sugar making and sugar boiling’ on the southern outskirts of Cork city. In 1738 he married Sarah Devonsher, member of another successful Quaker family which was responsible for building Kilshannig (see Exuberance « The Irish Aesthete). 

Maryborough, County Cork, photograph courtesy Irish Aesthete.
Maryborough, County Cork, photograph courtesy Irish Aesthete.
Maryborough, County Cork, photograph courtesy Irish Aesthete.
Maryborough, County Cork, photograph courtesy Irish Aesthete.





Probably built not long before Charles Smith published his book on Cork in 1750 and thought to be on the site of an earlier house, Maryborough was then described as having a cupola, but that no longer exists. The main body of the house is rendered, of three storeys over a raised basement, and seven bays wide, the three-bay breakfront defined with limestone quoins. A substantial flight of steps leads up to the pedimented entrance doorcase, also of limestone. The rear of the house is similar, having a three-bay breakfront but with a Gibbsian doorcase and the two upper floors being slate-fronted, as is the upper section of an extension to the east. The latter’s two-storied facade is a substantial, three-bay bow. This part of the building is thought to be a later extension from c.1830 while behind it is another addition from the late 18th century, a gable-ended wing accommodating a cantilevered Portland stone staircase: Frank Keohane proposes this as the work of local architect Michael Shanahan (who also worked in Ulster for the Earl-Bishop of Derry). The interiors of Maryborough are relatively plain, as befitted the home of a member of the Quaker community, amongst whom there was strong disapproval of gratuitous ornament. However, one room on the first floor has an elaborately decorated rococo ceiling, heavily enriched with scrolling acanthus leaves and an abundance of floral bouquets. 

Maryborough, County Cork, photograph courtesy Irish Aesthete.
Maryborough, County Cork, photograph courtesy Irish Aesthete.
Maryborough, County Cork, photograph courtesy Irish Aesthete.
Maryborough, County Cork, photograph courtesy Irish Aesthete.





Following Richard Newenham’s death in 1759, Maryborough was inherited by his only son John, and after the latter died in turn his son, another Richard, inherited the property. In 1837 it was described by Samuel Lewis as ‘the residence of E.E. Newenham Esq., a noble mansion in a spacious demesne, embellished with stately timber.’
Maryborough remained in the ownership of the Newenhams until the late 19th century, although rented out for some years before being sold to Thomas Sherrard in 1889. His descendants lived there until 1995 when the place was sold to the present owners who turned the house into an hotel, with a large bedroom extension added to the south and, more recently, an orangery/function room to the immediate west of the old building.

Maryborough, County Cork, photograph courtesy Irish Aesthete.
Maryborough, County Cork, photograph courtesy Irish Aesthete.