Slane Castle, County Meath C15 XP83 – section 482 tourist accommodation

www.slanecastle.ie

(Tourist Accommodation Facility)

Open in 2026: every day throughout Feb, May, June, Aug, Sept, Oct, Nov, Mar 1-11, Apr 10-30, July 1-12, 21-31, Dec 1-21

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The view of Slane Castle from just inside the gate, driving in. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Today (Saturday 27th April 2019) my husband Stephen and I made our first official blog trip.  We started in the “ancient east,” going to Slane Castle in County Meath. The land around the Boyne River is beautiful, rolling and fertile. It took almost exactly one hour to drive from our home in Dublin, taking the M1 which I find easier than the M2 through the city’s north side, with which I’m less familiar. Our timing was perfect, we arrived at 2:10pm, in time for the 2:15 tour – there are tours every hour on the quarter hour. [1]

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Coming closer to Slane Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Slane Castle, County Meath, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.

The castle is three storeys over basement, in the Gothic Revival style. There is a bow on the back side of the castle, facing the river, and the basement serves as the ground floor on this side due to the steep slope down to the River Boyne. The bow forms a round tower, but you cannot see it as you approach the castle as the river is behind.

Slane Castle, County Meath, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
Slane Castle, County Meath, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
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The view over the beautiful River Boyne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
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Stephen in front of the Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Our guide Matthew told us that the castle was reconstructed and enlarged by William Burton Conyngham (1733-1796). It was built on the foundations of a medieval castle of the Fleming family, replacing an earlier house.

William Burton Conyngham was a classicist and the front hall features Greek columns and key patterns on the walls and many marble Greek sculptures, including a sculpture of King George IV of England, donated by the king himself.

William Burton Conyngham (1733–1796) by Anton Raphael Mengs c. 1754-58, courtesy of wikipedia.

William Burton Conyngham argued with his architects, Matthew told us, so ended up having three architects for his castle: James Gandon, James Wyatt and Francis Johnston. According to Mark Bence-Jones in A Guide to Irish Country Houses, Francis Johnston completed the house for the the second Lord Conyngham’s son, nephew of William Burton Conyngham, Henry (1766-1832), who later became the 1st Marquess Conyngham.

Other architects were consulted at various times, including James Gandon, who most famously designed the Custom House and the Four Courts in Dublin, and Emo in County Laois. Francis Johnston designed the General Post Office in Dublin, and Townley Hall, County Louth. Another architect consulted was a favourite of King George IV, the English Thomas Hopper.

William Burton Conyngham, (1733-1796), Teller of the Irish Exchequer and Treasurer of the Royal Irish Academy Date 1780 Engraver Valentine Green, English, 1739 – 1813 After Hugh Douglas Hamilton, Irish, 1740-1808.

In 1785 the castle was remodelled to the design of James Wyatt (1746 – 1813). Wyatt also designed another house on the section 482 list this year, Curraghmore in County Waterford, and a house not on the list, unfortunately, as I would love to see inside, Abbeyleix House (incidentally, my father grew up in Abbeyleix and we used to enjoy the gardens which used to be open and which were reknowned for the bluebells. Also, coincidentally, according to wikipedia, Wyatt spent six years in Italy, 1762–68, in company with Richard Bagot of Staffordshire, who was Secretary to the Earl of Northampton’s embassy to the Venetian Republic. My family is rumoured to be descended from the Staffordshire Bagots, although I have not found the connection!).

The Conyngham family have owned the castle since 1703.

Slane Castle, County Meath, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.

The Flemings of Slane

The Conynghams bought the land in Slane after it was confiscated from the Flemings. In 1175, Richard Le Fleming built a castle at the western end of Slane hill and, three generations later, Simon Fleming was created Baron of Slane. [4]

The Conynghams did not acquire Slane directly after it was confiscated from the Flemings – Terry Trench of the Slane History and Archaeology Society writes that the estate changed hands, at least on paper, seven times between 1641 and 1703. The estate was taken from the Flemings in 1641, when William Fleming, the 14th Baron Slane, joined the Catholic Irish forces in rebellion against the British. He remained loyal to the king, but objected to the laws that the British parliament passed to make the Irish parliament subservient to the British parliament. The estate was restored to William’s son Randall under the Act of Settlement and Distribution of Charles II’s reign, by decree dated 27th March 1663. [5] Many estates that had been confiscated by Cromwell’s parliament were restored when Charles II was restored to the throne in 1660.

The Flemings had their land confiscated again as Christopher, 17th Baron Slane (1669-1726), backed James II in his battles against William of Orange. He served in the Irish Parliament of King James II in 1689, and as colonel in James’s army in Ireland 1689-91, fighting in both the Battle of the Boyne and in Aughrim, where he was taken prisoner by William’s forces. Released, he emigrated and fought in the French and Portuguese armies, as did many of James II’s followers who were attainted and lost their estates, as they needed to be able to earn a living. He was later reconciled with Queen Anne of England (daughter of James II) and returned to Ireland, to live in Anticur, County Antrim. In 1703, Henry Conyngham purchased the estate of Slane.

The Conynghams of Slane

The Conyngham motto, Over Fork Over, recounts the way Duncan hid from Macbeth (familiar to us from Shakespeare). Matthew told us that Duncan hid in straw in a barn, having it forked over him. After that, he managed to defeat Macbeth and to become king. So the Conynghams are descendants of a Scottish king!

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The Conyngham coat of arms, with its motto, Over Fork Over. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
At Slane, April 2019.

Alexander Conyngham moved from Scotland to Ireland when he was appointed in 1611 to be the first Protestant minister to Enver and Killymardin the diocese of Raphoe, County Donegal. [3] He was appointed dean of Raphoe in 1631.

The Bishop’s Palace at Raphoe, now a ruin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

He settled at Mount Charles, County Donegal, on an estate he leased from John Murray, earl of Annandale, the owner of ‘a vast estate’ in Scotland. Conyngham subsequently acquired the Mount Charles property through his marriage to the earl’s grand-neice, Marian, daughter of John Murray of Broughton, in Scotland (see [3]).

Alexander’s son Albert lived at Mountcharles. [2] Albert had fought with William III’s troops in the Battle of the Boyne, against Fleming and James II’s troops.

Albert Cunningham (d. 1691) first colonel of the 6th (Inniskilling) Dragoons, by Willem Wissing c. 1690, courtesy of British Cavalry Regiments website and wikipedia.

Albert married Mary, daughter of the Right Reverend Robert Leslie, Bishop of Raphoe – this Bishop is the ancestor of the Leslie family of Castle Leslie in County Monaghan, another property on the Section 482 list that I will be visiting. Albert was killed by Irish Royalist rebels, and succeeded by his only surviving son, Henry (1664-1705). 

Henry, a military man who also served as MP for County Donegal, purchased the land in Slane in 1703.

He built himself a residence, which he called Conyngham Hall, on the foundations of an older castle formerly belonging to the Flemings.

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The intertwined “C” is the symbol of the Conyngham family. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Conyngham family tree, on the walls going to the public dining area.

Henry Conyngham (d. 1705) fought first in James II’s army, but then persuaded his regiment to transfer their loyalty to William III.

Henry’s son Henry (1705-1781) inherited the Slane estate. Henry became an Member of the Irish Parliament and was raised to the peerage in 1753 to the title of Baron Conyngham of Mount Charles, and later became Viscount and eventually, Earl. He died without a son so the Barony passed to his nephew, William Burton (his sister Mary had married Francis Burton).

William Burton (1733-1796) took the name of Conyngham upon inheriting the estate in 1781. It was he who rebuilt Slane Castle.

William Burton Conyngham, engraving After GILBERT STUART courtesy of Adams Country House Collections auction Oct 2023.

His brother Francis Pierpoint Burton also who then took the name of Conyngham in 1781 as he inherited the title to become 2nd Baron Conyngham of Mount Charles, Co. Donegal. He died six years later, in 1787. [see 3]. In 1750 he had married Elizabeth, the daughter of amateur architect Nathaniel Clements, whose work we will see later in other houses on the section 482 list of heritage properties. For himself, Nathaniel Clements built what is now the Áras an Uachtaráin, the residence of our President, Michael D. Higgins, in Phoenix Park in Dublin.  

The castle and estate passed to Francis 2nd Baron Conyngham’s son Henry (1766-1832). Henry succeeded as the 3rd Baron Conyngham of Mount Charles, Co. Donegal in 1787. He served as a politician and moved quickly up the ranks of the peerage and was Lord Steward of the Royal household between 1821-30. He married Elizabeth Denison in 1794.

Elizabeth née Denison, Marchioness Conyngham (1769-1861), wife of Henry 1st Marquess.

In 1821 King George IV visited Ireland, and he spent time in the Castle with his lover, Elizabeth, wife of Frances Pierpoint Burton Conyngham. “In return,” as our guide told us, the king made Conyngham a Marquess, although this isn’t quite true as he became Marquess in 1816. [6].

Elizabeth Conyngham (née Denison), Marchioness Conyngham (1769–1861) by George Chinnery, English, 1774-1852.
Elizabeth Conyngham née Denison, wife of Henry 1st Marquess by Thomas Lawrence 1821 courtesy of Calouste Gulbenkian Museum.
Maria Conyngham (died 1843), daughter of 1st Marquess of Slane by Sir Thomas Lawrence courtesy of Metropolitan museum.

One of the rooms of the castle, the Smoking Room, has two cartoons from the period mocking the King and his consort Elizabeth, drawing them as overweight. In one, she aids her son when he has to move from the Castle of Windsor where he was Royal Chamberlain. It was he who announced to Victoria that she was Queen, upon death of the previous monarch. He was let go from his position when he tried to move his lover into his rooms in Windsor. His mother came to fetch him, with several wheelbarrows, the story goes, and she took all the furniture from his rooms. Somehow she brought a grand piano back from Windsor to Slane Castle where it sat in a specially made arbor for music in the Smoking room, until it was destroyed by a fire in Slane Castle in the 1990’s. One of the Punch style cartoons is of Elizabeth with a wheelbarrow fetching her son from Windsor. I can’t quite remember the other – it had King George IV and herself in a carriage. The Irish were very annoyed that when he came to Ireland he spent his entire time at Slane Castle!

Cartoons at Slane Castle Tour, Slane, Co Meath, photograph by Nomos Productions, 2022, Courtesy Failte Ireland.
At Slane, April 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Irish Aesthete writes of the visit:

Neither the king nor his inamorata were in the first flush of youth, and both were equally corpulent. These circumstances however did nothing to dampen their ardour. As was written of them at the time, ‘Tis pleasant at seasons to see how they sit/ First cracking their nuts, and then cracking their wit/ Then quaffing their claret – then mingling their lips/ Or tickling the fat about each other’s hips.’ And according to one contemporary observer, Lady Conyngham ‘lived exclusively with him during the whole time he was in Ireland at the Phoenix Park. When he went to Slane, she received him dressed out as for a drawing-room; he saluted her, and they then retired alone to her apartments.’” [7]

Our tour started with a video of Charles Conyngham, now known as Lord Mount Charles, telling of his childhood in the Castle, growing up in a very old-world upper class manner.  He did not join his parents at the dining table until he was twelve years old, dining until then in the Nursery. His nurse, Margaret Browne, came to the Castle at 16 years old, and he held her in such regard that he named his bar after her.

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The menu in Browne’s Bar, which gives an explanation of the name, telling of the housekeeper.

Lord Mount Charles described how he started out, when he had to take over the Castle, with a restaurant, which is now the Gandon Restaurant. To further fund the Castle maintenance, Lord Mount Charles started concerts at the venue, beginning with Thin Lizzy in 1981. To seal the deal, the next show was the Rolling Stones! With such august imprimateur, the Castle’s concerts became world-famous and featured many top performers including David Bowie, Bob Dylan, Neil Young and Queen.

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Lovely picture of Phil Lynnott of Thin Lizzy carrying a child at Slane.

Henry 1st Marquess Conyngham’s son, Francis Nathaniel Burton Conyngham (1797-1876) inherited the property and the title, to become 2nd Marquess Conyngham. His daughter Frances Caroline Maria married Gustavus William Lambart (1814-1886), who we will come across later as the owner of Beauparc in County Meath, another Section 482 property https://irishhistorichouses.com/2022/07/22/beauparc-house-beau-parc-navan-co-meath/ . The current owner of Slane inherited Beauparc from the Lambarts.

A son, George Henry (1825-1882) became 3rd Marquess Conyngham, and his son, Henry Francis the 4th Marquess. He married the daughter of the 4th Baron Mollens of Ventry, County Kerry. Their son the 5th Marquess died unmarried, so the title passed to his brother, Frederick William Burton, 6th Marquess. The current Marquess is the 8th, who is known as Lord Henry Mount Charles, but is officially 8th Marquess Conyngham since 2009.

A disasterous fire in the castle in 1991 destroyed the roof and one third of the castle.

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Newspaper clippings about the fire, in the entry to pub and restaurant.
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At Slane, April 2019.

The magnificent library with its intricate ceiling and impressive wooden chandelier was saved by two firemen fighting the fire from within the room, battling for nine hours. The smoke was so thick that one couldn’t see the ceiling. I think they deserve a plaque in the room to recognise their effort! Meanwhile the family saved as many priceless historic paintings and antiques as they could, including a huge portrait of King George IV that is now hanging again in the library, by cutting it from its giant gilt frame then taking the frame apart into four pieces in order to get it out through the doors. Lord Mount Charles now suffers with his lungs, probably partially as a result of long exposure to the flames and smoke. It took ten years to reconstruct the castle, but it has been done excellently so traces of the fire barely remain.

Portrait of George IV which was saved from the fire, Slane Castle Tour, Slane, Co Meath, photograph by Nomos Productions, 2022, Courtesy Failte Ireland.

We weren’t allowed to take pictures inside, as usual with these properties. There is a picture of the ornate roof in the library on the wonderful blog of the Irish Aesthete [8].

Mark Bence-Jones describes the room in his 1988 book (published before the fire, but this room remained intact!), A Guide to Irish Country Houses:

“…the great circular ballroom or library which rises through two storeys of the round tower and is undoubtedly the finest Gothic Revival room in Ireland; with a ceiling of Gothic plasterwork so delicate and elaborate that it looks like filigree. Yet this, too, is basically a Classical room; the Gothic ceiling is, in fact, a dome; the deep apses on either side of the fireplace are such as one finds in many of Wyatt’s Classical interiors, except that the arches leading into them are pointed; they are decorated with plasterwork that can be recognised as a very slightly Gothicized version of the familiar Adam and Wyatt fan pattern.

Slane Castle Tour, Slane, Co Meath, photograph by Nomos Productions, 2022, Courtesy Failte Ireland.
Slane Castle Tour, Slane, Co Meath, photograph by Nomos Productions, 2022, Courtesy Failte Ireland.
Slane Castle, Slane, Co Meath, photograph by Nomos Productions, 2022, Courtesy Failte Ireland

Of the tales on the tour, I especially enjoyed the story of the funeral of a soldier’s leg. Apparently it was quite the custom to have funerals for body parts – his leg had to be amputated on the field of battle and the soldier brought it back to be buried with a full-scale military funeral. It must have been to do with the fact that a person’s body is to be resurrected on the Last Day, so it’s good to know where all the parts are! Cremation used to be forbidden in the Catholic church, as somehow it would be too difficult for God to put the ashes back together – never mind a disintegrated body!

We had lunch in the bar after the tour.

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Outer entrance to the bar and Gandon Restaurant. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
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Entrance to the bar and Gandon Restaurant. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
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Browne’s Bar. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
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Album covers of musical performers at the Castle, in the bar: Van Morrison, Santana, Bruce Springstein, Neil Young, the Rolling Stones, Chris Rea, Bob Dylan, U2 and Bon Jovi.
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Memorabilia from music events: I think the guitar was signed by Phil Lynott (it was signed, anyway).
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Slane Castle.
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The music theme of Browne’s Bar is reflected in the gramophone horn lampshade. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There is an adjoining distillery in what used to be the stables, and a tour of that can be purchased in combination if desired. Lord Charles’s mother bred horses before the stables were converted. The stables were designed by Capability Brown.

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The stables, designed by Capability Brown, now a whiskey distillery. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

According to the Irish Aesthete:

Henry Conyngham, grandson of General Henry Conyngham who purchased the property, around 1770 invited Capability Brown around 1770 to produce a design both for the landscaping of the parkland at Slane, and also for a new stable block. In the collection of the Irish Architectural Archive in Dublin a drawing survives of Brown’s proposal for the latter. It is not unlike the finished building, but more elaborate than what we see today.” [9]

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I noticed this on the wall on the lower level outside the Castle – I don’t know its origin or age. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I found a blog by the Irish Aesthete on a portrait now in Slane, of Lady Elizabeth wife of the first Marqess’s daughter, Lady Maria Conyngham. Reportedly Lady Elizabeth looked very like her daughter – which one would not guess from the unflattering cartoons of her! [10]

Donation

Help me to fund my creation and update of this website. It is created purely out of love for the subject and I receive no payment so any donation is appreciated! For this entry I paid for petrol and entrance fee for myself and Stephen.

€10.00

[1] https://www.slanecastle.ie/tours/castle-tours/

[2] https://www.buildingsofireland.ie/buildings-search/building/40847025/the-hall-hall-demesne-mountcharles-co-donegal

[3] http://lordbelmontinnorthernireland.blogspot.com/2017/11/slane-castle.html

[4] https://www.culturenorthernireland.org/article/1323/the-flemings-barons-of-slane

[5] http://slanehistoryandarchaeologysociety.com/index.php/famous-people/13-the-flemings-and-the-conynghams

[6] https://en.wikipedia.org/wiki/Elizabeth_Conyngham,_Marchioness_Conyngham

“She probably became his [George IV’s] lover in 1819, when he was Prince Regent, but finally supplanted her predecessor, Isabella Seymour-Conway, Marchioness of Hertford, after he became king in 1820. He became besotted with her, constantly “kissing her hand with a look of most devoted submission.” While his wife Caroline of Brunswick was on trial in 1820 as part of efforts to divorce her, the king could not be seen with Lady Conyngham and was consequently “bored and lonely.” During his coronation, George was constantly seen “nodding and winking” at her.
“Lady Conyngham’s liaison with the king benefited her family. Her husband was raised to the rank of a marquess in the Peerage of the United Kingdom and sworn to the Privy Council, in the coronation honours of 1821. He was also given several other offices, including Lord Steward of the Household and the lieutenancy of Windsor Castle. Her second son was made Master of the Robes and First Groom of the Chamber.”

[7] https://theirishaesthete.com/2015/10/12/when-royalty-comes-to-call/

[8] https://theirishaesthete.com/2015/10/24/vaulting-ambition/

[9] https://theirishaesthete.com/2014/10/27/after-the-horses-have-bolted/

[10] https://theirishaesthete.com/2015/03/21/ireland-crossroads-of-art-and-design-vi/

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Irish Historic Homes

Places to visit in County Cork

On the map above:

blue: places to visit that are not section 482

purple: section 482 properties

red: accommodation

yellow: less expensive accommodation for two

orange: “whole house rental” i.e. those properties that are only for large group accommodations or weddings, e.g. 10 or more people.

green: gardens to visit

grey: ruins

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

Cork:

1. Annes Grove Gardens, County Cork – OPW

2. Ashton Grove, Ballingohig, Knockraha, Co. Cork – section 482

3. Ballymaloe House, Cloyne, County Cork – restaurant, gardens and accommodation

5. Bantry House & Garden,Bantry, Co. Cork – section 482

6. Barryscourt Castle, County Cork – OPW

7. Blackrock Castle Observatory, Cork

8. Blarney Castle & Rock Close, Blarney, Co. Cork – section 482

9. Blarney House & Gardens, Blarney, Co. Cork – section 482

10. Brideweir House,Conna, Co. Cork – section 482

11. Burton Park, Churchtown, Mallow, Co. Cork – section 482

12. Desmond Castle, Kinsale, County Cork – OPW

13. Doneraile Court, County Cork – OPW

14. Drishane House, Castletownshend, Co. Cork – section 482

15. Dún Na Séad Castle, Baltimore, Co. Cork – section 482

16. Fota House, Arboretum and Gardens – Heritage Trust and gardens are OPW

17. Garrettstown House, Garrettstown, Kinsale, Co. Cork – section 482

18. Ilnacullin, Garanish Island, County Cork – OPW

19. Inis Beg gardens, Baltimore, County Cork

20. Kilcascan Castle, Ballineen, Co. Cork – section 482

21. Kilshannig House, Rathcormac, Co. Cork – section 482

22. Liss Ard Sky Garden, County Cork

23. Riverstown House, Riverstown, Glanmire, Co. Cork – section 482

24. Woodford Bourne Warehouse, Sheares Street, Cork – section 482

Cork:

1. Annes Grove Gardens, County Cork – OPW

Annes Grove County Cork 1981, photograph from Dublin City Library and Archive [1]

See my OPW write-up. https://irishhistorichouses.com/2022/01/19/office-of-public-works-properties-munster/

2. Ashton Grove, Ballingohig, Knockraha, Co. Cork – section 482

Open dates in 2026: Jan 6, 9-11, 13, 16, 20, 23, 27, 30-31, Feb 1-3, 6, 10, 13, 17, 20, 24, May 5, 8-10, 12, 15-17, 19, 22-24, 26, June 2, 5, 8-12, 15, 19-22, 26, Aug 15-23, Sept 8,11,15,18-20, 8am-12 noon

Fee: adult €6, child €3, student/OAP free

The property has a facebook page and a contact email on it:

ashtongrovegarden@gmail.com

https://www.facebook.com/ashtongrovegardens/

The Landed Estates database has an entry for Ashton Grove:

This house is marked Ashton Grove on the first Ordnance Surve map. John Cotter was the proprietor of Ashton, Cork, in 1814 and T. Cleary of Ballingohig in 1837. Thomas J. Cleary held the property from Henry Braddell at the time of Griffith’s Valuation when the buildings were valued at £22. Cleary held a cornmill from Braddell in the townland of Kilrussane. James Fitzgerald held 122 acres of untenanted land and buildings valued at £26+ in 1906.” [2]

Under the Braddell family, the landed estates database tells us:

This family appear to be descended from the Reverend Henry Braddell of Raheengraney, county Wicklow. Henry Braddell held land in the parish of Mallow, county Cork, from at least the early 19th century. Henry Braddell may have been agent to the Earl of Listowel. His nephew John Waller Braddell certainly fulfilled this role in the 1850s and early 1860s until he was murdered in 1863. At the time of Griffith’s Valuation Matthew Braddle held land in the parish of Mourneabbey, barony of Barretts, and Henry Braddle held land in the parishes of Mallow, barony of Fermoy, Castlelyons and Knockmourne, barony of Condons and Clangibbon, Killaspugmullane, barony of Barrymore, county Cork. In the 1870s Henry Braddell of Modelligo, Fermoy, owned 1,872 acres in county Cork.

and about the Cleary family:

Thomas J. Cleary held land in the parish of Killaspugmullane, barony of Barrymore, county Cork, at the time of Griffith’s Valuation. In January 1866 the estate of John Thomas Clery at Ashton Grove, Ballingohig, barony of Barrymore, was advertised for sale. His brother Henry Clery was selling his share of Ashton Grove in June 1866. Under tenure in this sale rental a detailed history of the Clerys’ land holding is given. By a fee farm grant dated December 1850 Henry Braddell granted the lands of Kilrossane and Ballingohig to Thomas John Clery, who by his will dated 6 February 1851 left his property divided between his six sons, John Thomas, Henry, Charles, William, George and Richard. In the 1870s William Henry Cleary of Cork owned 2,534 acres in the county.

An article published on June 2nd 2013 in the Irish Examiner by Peter Dowdall gives a wonderful description of the garden. He writes:

From tiny little details, such as a glimpse of a marble seat in the distance through an accidental gap in a hedge, to a perfectly-positioned specimen tree, this garden needs senses on high alert.

If I am to be honest, I was expecting a garden recreated by the book and with a certain degree of interest from the owner. What I discovered was a garden being recreated by a man who is now thinking of the future generations and recreating this garden with a passionate attention to detail. Every plant that goes in is carefully considered; every stone and brick that went into creating an orangery from a derelict pig shed and a belfry from a cowshed were reused from the estate. Fallen slates, which weren’t good enough to use on buildings, create an edge around the rose beds.

What I love about the place is that the rule book is not evident, trial and error is the order of the day, which to me is real gardening. Except when it comes to the meticulous planning of the box hedges in the potager and the Horological Maze, which at this stage is on its third planting because the original Taxus (yew) failed due to a blight which struck again a few years later. The maze was replanted using Lonicera and is thriving, though it will be a few years before it is truly at its best…I can’t think of a more enjoyable way to spend a Sunday than roaming through the ‘garden rooms’ here.

Looking down on this garden, which is next to the maze, from an elevated platform you could imagine yourself in the south of France, except for the single-figure temperatures. Other features to admire include the fantastic Anglo-Chinese Regency-style bridge, constructed by the owner’s brother, and the pergola, which has been planted with several climbers including Jasminum, Laburnum, David Austin roses, Wisteria and Passiflora.

However, no account of a visit to this garden is complete without mentioning the Horological Maze.

What, I hear you ask is a Horological Maze? Well it’s a design centred on a French mantle clock, which is surrounded by interlocking cog-wheels, pinions and coil springs, all inspired by the workings of a typical mechanism. It also reflects the owner’s interest in horology and provides a balance in its garden sculpture to the turret clock presiding over the courtyard.

The owner took his inspiration for this creation from visits to Blenheim Palace and Weston Park in England, Shanagarry and Faithlegg in Ireland, and the Summer Palace in Vienna.” [3]

3. Ballymaloe House, Cloyne, County Cork – restaurant, gardens and accommodation

www.ballymaloe.ie

Ballymaloe House, 2017, photograph for Failte Ireland, Ireland’s Content Pool. [4]

The website tells us:

Ballymaloe House is a family run Country House Hotel and restaurant on 300 acres of farmland located in beautiful East Cork countryside. Internationally recognised as the birthplace of Modern Irish Cuisine, Ballymaloe House offers you the very best of Irish hospitality and seasonal locally sourced or homegrown food.
A unique Irish Country House experience.”

Ballymaloe House, photograph from National Inventory of Architectural Heritage. [5]

Mark Bence-Jones writes in A Guide to Irish Country Houses (1988):

p. 24. “[Boyle, Cork and Orrery, E/PB; Corker sub. Corcor/LGI1912] A castle built towards the end of C16 by the FitzGeralds of Imokilly, enlarged 1602 by Sir John FitzEdmund FitzGerald [b. 1555]; confiscated by Cromwell; occupied for a period after the Restoration by William Penn [1644-1718], of Pennsylvania, when he was managing his father’s estate at Shanagarry, nearby; subsequently occupied by 1st Earl of Orrery [Roger Boyle (1621-1679)], presumably while he was repairing and improving his nearby seat of Castle Martyr; acquired towards end of C17 by Lt-Col Edward Corker; sold by him ante his death 1734 to Hugh Lumley, who added some new buildings to the castle some time ante 1750. As a result of Lumley’s additions, Ballymaloe is now predominantly early C18 in character; consisting of a plain two storey six bay range with an old tower built into one end of it, and a three storey gable-ended range at right angles to the two storey range, and joined to it by a return; forming a house on a “L”- plan. Some of the windows have thick early C18 glazing-bars. A staircase with thin turned balusters rises from the inner end of the hall, which has a ceiling with simple Adamesque decoration. The large room to the right of the hall has simple Adamesque frieze. Ca 1800, Ballymaloe was the residence of the Penn Gaskell family, who were descended from William Penn. In 1814, it was the residence of William Abbott. In 1837, it was owned by a Mr Forster; in 1908, it was occupied by William Litchfield. Until ca 1947, it was the home of Mr and Mrs J.M. Simpson; since then, it has been the home of Mr and Mrs Ivan Allen.” [6]

Ballymaloe House, photograph from National Inventory of Architectural Heritage. (see [5])

The Ballymaloe website elaborates the history:

Ballymaloe was a castle of the Imokilly Geraldines. Richard FitzMaurice FitzGerald was a son of the Knight of Kerry, who was appointed as Seneschal, or governor, of the area by the Earl of Desmond in 1440. The original castle was probably built by him shortly after that time. By the time of the Desmond rebellion, the occupant was John FitzEdmund FitzGerald who was known as ‘the Queen’s John FitzEdmond’ to distinguish him from the Seneschal of the same name who was a leader of the Insurrection and owned nearby Castlemartyr.

John FitzEdmund of Ballymaloe castle was an illegitimate son of Edmund by Honor Ni Donagh, ‘a woman of Muskerry’ and was well up in the list of efficient contrivers and gatherers of land of his time. John FitzEdmund appointed himself Sheriff of Cork in 1570 and during the Desmond rising he ‘dyd hang his (legitimate) brother James FitzEdmund’ in 1582. John refused to join O’Neill in 1599 and his lands were devastated, but he survived to be knighted by Mountjoy at Cloyne for his faithfulness in 1602.

Despite their differences, the close ties to the Geraldines were apparent when John FitzEdmund’s son, Edmund, was married to Honora, widow of his namesake, the late Seneschal. In 1611 this Edmund died and she was a widow again so old Sir John leased her the lands at a nominal rent before he died the following year aged 85.

A daughter of her rebellious father, she housed the homeless friars at Ballymaloe. Her son John moved to Ballymaloe where he died in 1640.

By the time of the Confederate War in 1641, the owner was her grandson, another Edmund and he lost the lands for taking the ‘rebel’ side. They passed to Broghill, (Roger Boyle, son of the Earl of Cork; newly-created Earl of Orrery, but living on a narrow edge of survival since he had escaped a charge of treason in London. Broghill lived at Ballymaloe after his enforced retirement as President of the court of Munster in 1672 before making his last home at Castlemartyr.

Ballymaloe House, photograph from National Inventory of Architectural Heritage. (see [5])

By the middle of the 18th Century, the occupier was Abraham Forster, and early in the 19th century, his grandson demolished parts of the old castle. It was he who largely build the house into its present form. Sometime later it passed to the Litchfield’s, and in 1924 Simpson, a nephew of the latter family came into possession. Mr. Simpson sold the house and farm to Myrtle and Ivan Allen in 1948 and it remains owned by the Allen family to this day.

Ballymaloe House, photograph from National Inventory of Architectural Heritage. (see [5])

Myrtle and Ivan Allen bought Ballymaloe in 1948 from the Simpson family. The Simpsons were known in the area for their parties and Myrtle and Ivan had, in fact, met at Ballycotton Lifeboat fundraising dinner at Ballymaloe a few years previously. Ivan had wide farming interests, growing tomatoes and cucumbers in glasshouses and mushrooms in dark wooden sheds at nearby Kinoith as well as managing the orchards there.

However, Ivan longed for a mixed farm and when Ballymaloe came up for sale he decided to buy it. Myrtle and Ivan spent the next sixteen years farming and bringing up their children. The farm was a success producing milk, butter, cream, eggs, home raised pork and veal as well as fruit and vegetables. Myrtle became highly knowledgeable about cooking their produce and began writing a cookery column in the Irish Farmers Journal.

In 1964, Myrtle, encouraged by Ivan, decided to open Ballymaloe as a restaurant. The children were growing up and she could see a different future ahead of her:

“On a winter’s day I sat by the fire alone and wondered what I would do in this big house when they were all grown up – Then I thought about a restaurant.”

Her aim was to emulate the best Irish Country House cookery.  Myrtle and Ivan then placed an advert in the Cork Examiner: Dine in a Historic Country House. Open Tuesday to Saturday. Booking essential. Phone Cloyne 16.

So Myrtle scrubbed down the kitchen table, and with the help of two local women she began. They cooked on an Aga at first and she was helped front of house by Ivan and their daughter Wendy. Their shepherd Joe Cronin ran the bar.

The food was good and the restaurant flourished. They cooked using their own produce- unpasteurised milk and cream, veal, pork, homemade sausages and black puddings, herbs, fruit and vegetables. Ivan went to Ballycotton every day for the fresh catch. Local beef and lamb came from Mr.Cuddigan, the butcher in Cloyne. Myrtle also encouraged local farmers’ wives to bring in their surplus produce and blackberries, elderflowers and watercress were brought in by children for pocket money.

Although times have changed at Ballymaloe, the essential spirit of the place is rooted in these improvised beginnings and in the relationship of the farm to the table which underlies the elegance of Irish Country House cooking.

Ballymaloe House, photograph from National Inventory of Architectural Heritage. (see [5])

The National Inventory describes it: “Detached six-bay two-storey country house, built c. 1780, with four stories to rear (north) elevation, three bays to rear forming central projection and having single-storey additions to rear. Tower house, c.1450, incorporated into west elevation and taller L-plan three-storey house c. 1730 to east, five-bay two-storey hipped-roofed block with slightly projecting east bay to north-east corner…The fascinating multiphase construction is evident in the variety of styles and blocks which form the house. Formerly the seat of the FitzGeralds of Imokilly, it was enlarged by Sir John FitzEdmund FitzGerald. It was occupied at one time by William Penn of Pennsylvania and by First Earl of Ornery. Its impressive size is enhanced by fine proportions and by the retention of various timber sliding sash windows. The central doorcase and large petal fanlight form the main artistic focus and enhance the impressive and symmetrical façade. The other blocks add tremendous context. The tower house incorporated into the main house is a very notable archaeological feature. The house retains much early fabric and forms a group with related outbuildings and gate lodge.” (see [5])

Ballymaloe House, photograph from National Inventory of Architectural Heritage. (see [5])
Ballymaloe House, photograph from National Inventory of Architectural Heritage. (see [5])
Ballymaloe House, photograph from National Inventory of Architectural Heritage. (see [5])
Ballymaloe House, photograph from National Inventory of Architectural Heritage. (see [5])
Ballymaloe House, photograph from National Inventory of Architectural Heritage. (see [5])

4. Ballyvolane House, Castlelyons, Co. Corksection 482 accommodation

Tourist Accommodation Facility

www.ballyvolanehouse.ie

Although listed under Accommodation Facility they have a fee on this listing so if you contact them in advance perhaps they will give you a tour.

Open dates in 2026: Jan 7 -31, Feb 4-28, Mar 4-31. Nov 4-30, Dec 2-20, Wed-Sat, Apr 2-30. May 1-31, Sept 1-30, Oct 1-31, Tues-Sun, June 2-30, July 1-31, Aug 1-31, Mon-Sun All Day

Fee: adult €7.50, family €18- up to 2 adults and 3 children

Ballyvolane, County Cork, photo taken 2014 for Tourism Ireland, Ireland’s Content Pool. (see [4])

The website tells us: “Welcome to Ballyvolane House, a historic Irish country house of extraordinary warmth, style and comfort that provides luxury manor house accommodation, bespoke intimate weddings, glamping and private house parties/exclusive house rentals, located in the beautiful North Cork countryside of southern Ireland. Ballyvolane House is also home to Bertha’s Revenge Gin.

Ballyvolane, County Cork, photo taken 2014 for Tourism Ireland, Ireland’s Content Pool. (see [4])
Ballyvolane, County Cork, photo taken 2014 for Tourism Ireland, Ireland’s Content Pool. (see [4])

The National Inventory describes the house: “Ballyvolane House is a fine example of the Victorian Italianate domestic architecture, in this case being applied to a house which was originally a three-storey early eighteenth-century structure. The top storey was removed when the house was remodelled in 1847. The classically proportioned façade is enlivened by the decorative render dressings including oak-leaf brackets to the eaves, window surrounds and heavy continuous sill course. The porch constitutes the decorative focus of the house and is articulated by pilasters. The doorway is flanked by skillfully carved marble engaged columns with ornate foliate capitals which add further artistic interest to the façade. The block to the west was built to house the servants and is of a simpler design and treatment. This building, together with extensive outbuildings and walled gardens, adds valuable context to the site.

Ballyvolane, County Cork, photo taken 2014 for Tourism Ireland, Ireland’s Content Pool. (see [4])

The website tells us about the history:

There is an inescapable air of frivolity at Ballyvolane – the name itself means ‘the place of springing heifers’ and is testament to the fertility, richness and natural diversity of the land on which the estate lies.

Originally built in 1728 by Sir Richard Pyne, a retired Lord Chief Justice of Ireland, Ballyvolane was designed in the classic Georgian country house style with three storeys An amorous descendent, Arthur Pyne, acquired sufficient capital from his marriage to three wealthy women to have the house considerably enlarged in the early 19th century.

The three-storey house was again modified in 1872 by George Pyne. He had the building pulled apart and then, by removing the top storey, recreated a two-storey house rendered in Italianate style, with an extensive west end wing.

Ballyvolane, County Cork, photo taken 2014 for Tourism Ireland, Ireland’s Content Pool. (see [4])

The website continues: “Recent research carried out Terence Reeves-Smyth unearthed tender documents for the remodelling of Ballyvolane from this time – the architect was Richard Rolt Brash (1817-1876), a Cork architect, whose father and brother were well known builders in the city. RB Brash is better known as a very active antiquarian and friend of John Windele – he was especially interested in round towers.

The rebuilding/remodelling in the early 1870s followed the re-acquisition of the house and demesne by the Pyne family in 1869. Arthur Pyne (1747-1839) who probably built the present house around c1800 and laid out the present parkland (which looks Regency in date), was succeeded by his eldest son Jasper Pyne. Unfortunately, when Jasper died in 1860-1 he left no male heirs and as a result his wife and daughters did not inherit the property (the estate had been left by his father Arthur entailed for a life and could only be inherited by male issue). Consequently, following a big court case in May 1861 the property passed to Jasper’s younger brother, the Rev. William Masters Pyne, Rector of Oxted in Surrey. In March 1864 the Rev Pyne put the place on the market through the Encumbered Estates Courts. It remained on the market until bought by another member of the Pyne family in January 1869.

It appears that Ballyvolane was originally purchased by Sir Richard Pyne in 1702-3 for £696; prior to this it had been the property of Sir Richard Nagle and Edmond Barry, but had been granted (forfeited lands) to Viscount Sidney. At the same time Sir Richard Pyne also purchased three other Co Cork properties from the Commissioners for Sale of Forfeited Estates; one was Blarney, the others were the estates of Ballinaneala and Ardra. He also in England bought Great Codham Hall in Essex, where the family continued to live well into the 19th century.

The Pynes built the present house and lived here until 1953, when it was bought by the late Cyril Hall Green (known as Squirrel Green) and his wife Joyce (née Blake), on their return from Malaya, where Squirrel had managed rubber plantations since the 1920’s. Ballyvolane was passed on to Squirrel’s son, Jeremy, who ran it as a mixed tillage and dairy farm until the mid 1980’s when it became one the founding members of the Hidden Ireland group, an association of town and country houses offering a unique and exclusive style of accommodation and chosen for their architectural merit and interesting characteristics.

Ballyvolane was managed as a successful country house bed and breakfast by Jeremy and his wife, Merrie until January 2004, when the reins were handed to his son Justin and his wife, Jenny. Justin and Jenny are experienced hoteliers having gained international management experience in some of the best hotels in the world namely Mandarin Oriental in Hong Kong, The Legian in Bali, Jumeirah Beach Hotel in Dubai and prior to moving home, Justin was GM of Babington House (part of Soho House) in Somerset. Three generations of the Green Family now live at Ballyvolane.

Ballyvolane, County Cork, photo taken 2014 for Tourism Ireland, Ireland’s Content Pool. (see [4])
Ballyvolane, County Cork, photo taken 2014 for Tourism Ireland, Ireland’s Content Pool. (see [4])
Ballyvolane, County Cork, photo taken 2014 for Tourism Ireland, Ireland’s Content Pool. (see [4])
Ballyvolane, County Cork, photo taken 2014 for Tourism Ireland, Ireland’s Content Pool. (see [4])
Ballyvolane, County Cork, photo taken 2014 for Tourism Ireland, Ireland’s Content Pool. (see [4])

5. Bantry House & Garden,Bantry, Co. Cork 975 T293 – section 482

Bantry House, County Cork, photograph 1989 from the National Library, flickr constant commons.
Bantry House, County Cork, photograph by Chris Hill, 2016 for Tourism Ireland, Ireland’s Content Pool. (see [4])

www.bantryhouse.com

Open dates in 2026: Check website in advance. Mar 30-31, Apr 1-Oct 31, Mon-Sun 10am-5pm

Fee: adult €14, OAP/student €11.50, child €5, groups 8-20 people €10p.p. and groups
of 21 or more people €9p.p.

See my entry https://irishhistorichouses.com/2022/12/01/bantry-house-garden-bantry-co-cork/

6. Barryscourt Castle, County Cork – OPW

See my OPW write-up. https://irishhistorichouses.com/2022/01/19/office-of-public-works-properties-munster/

Barryscourt Castle by Julia Delio, flickr constant commons, August 2009.

7. Blackrock Castle Observatory, Cork

Blackrock Castle, Cork, from the National Library of Ireland, flickr constant commons.

The Archiseek website tells us:

Blackrock Castle lies on the shore of the river Lee, in the city of Cork, in County Cork in Ireland. 

The circular watchtower of Blackrock Castle was built in 1604, on the site of an earlier fort. With its 2.2 meter thick walls, it was designed to withstand cannon fire. It was built to defend the city against attacks from pirates and the Spanish, who had landed at Kinsale 3 years earlier. But it also served to protect the English Lord Deputy Mountjoy against the citizens of Cork, who had been slow to acknowledge King James I. 

Later Blackrock Castle was used by the Mayors of Cork for the Admiralty Court. Also known as the Maritime Court, it exercised jurisdiction over all maritime caes and offences. 

In 1827 the castle was gutted by fire following the annual Corporation banquet. Two years later, in 1829, it was rebuilt and enlarged in Gothic Revival style. 

Later it was used as a meeting place, a private residence, a restaurant and commercial offices before it was acquired by the Cork City Council in 2001. At present the castle houses an astronomy center/museum especially aimed at children.” [7]

Blackrock Castle and the River Lee, County Cork 1796, from Views in Ireland after Thomas Sautelle Roberts, photograph courtesy of National Gallery of Ireland.

8. Blarney Castle & Rock Close, Blarney, Co. Cork – section 482

See my entry https://irishhistorichouses.com/2022/09/23/blarney-castle-rock-close-blarney-co-cork/

www.blarneycastle.ie

Open dates in 2026: all year, Jan-Mar, Nov, Dec, 9am-5pm, Apr, Oct, 9am-5.30pm, May- Sept
9am-6pm

Fee: adult €24, OAP/student €19, child €12

Kissing the Blarney Stone, County Cork, photograph from the National Library of Ireland, flickr constant commons.
Kissing the Blarney Stone, around 1897, photograph from National Library of Ireland, flickr constant commons.
The Blarney Stone, Blarney Castle, Ireland’s Content Pool (see [4])
Blarney Castle, March 2003. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

9. Blarney House & Gardens, Blarney, Co. Cork – section 482

Blarney House, County Cork, photograph from National Library of Ireland, flickr constant commons.

www.blarneycastle.ie

Open dates in 2026: June 1-Aug 31, Mon-Sat, National Heritage Week, Aug 15-23, 10am-2pm

Fee: adult €10, OAP/student €8, child €6

See my entry https://irishhistorichouses.com/2022/09/30/blarney-house-gardens-blarney-co-cork/

10. Brideweir House,Conna, Co. Cork P51 FD36 – section 482

www.brideweir.ie

Open dates in 2026: May 4-5, 11-12, Aug 1-31, Sept 1-30, Nov 2-10, 9am-1pm

Fee: adult €15, child/student €10, OAP free

Brideweir House, County Cork, photograph from National Inventory of Architectural Heritage.

The website tells us: “Every house has its tales to tell and Brideweir House in Conna, Co Cork is no exception. In the year  1822  famine had hit Ireland. In Conna the local Reverend Ludlow Tonson chaired a meeting of the parish on 29th July in favour of constructing a bridge over the River Bride. 

Its purpose was “to facilitate communications in the area, and to offer employment”. A petition was sent to Dublin Castle and the rest, as they say, is history. The bridge still has pride of place today over the River Bride. 

But it’s safe to say that the reverend Tonson must have had a vested interest in seeing the bridge built. It was to be just a stone’s throw from the location of his two storey over basement rectory, Brideweir House, built in 1822, the same year he helped raise the petition

The Reverend’s house, completed for the princely sum of £923 (thanks to a gift and a grant, both of £300 from the Board of First Fruits), was situated on a glebe of seven acres and boasted a fine coach house and stables, all still in existence today.

11. Burton Park, Churchtown, Mallow, Co. Cork – section 482

www.slieile.ie 

Open dates in 2026: Apr 1-Oct 10, Sat-Sun, National Heritage Week, Aug 15-23, 2pm-6pm

Fee: adult €9

Burton Park, County Cork, photograph from National Inventory of Architectural Heritage.

See my entry https://irishhistorichouses.com/2024/02/08/burton-park-churchtown-mallow-county-cork-p51-vn8h/

12. Desmond Castle, Kinsale, County Cork – OPW

See my OPW write-up. https://irishhistorichouses.com/2022/01/19/office-of-public-works-properties-munster/

13. Doneraile Court, County Cork – OPW

Doneraile Court, County Cork, August 2020.

See my entry https://irishhistorichouses.com/2024/04/19/doneraile-court-county-cork-an-office-of-public-works-property/

14. Drishane House, Castletownshend, Co. Cork – section 482

Drishane House, County Cork. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

See my write-up:

https://irishhistorichouses.com/2021/03/07/drishane-house-castletownshend-co-cork/

www.drishane.com

Open dates in 2026: May 1-31, Aug 15-23, Oct 3-22, 11am-3pm

Fee: adult €12, OAP €10, student/child €8, child under 6 years free

15. Dún Na Séad Castle (Baltimore Castle), Baltimore, Co. Cork, 981 X968 – section 482

www.baltimorecastle.ie

Open dates in 2026: Apr 1-Oct 31, 10am-5pm

Fee: adult/OAP/student €6, child free with an adult

See my entry https://irishhistorichouses.com/2023/12/28/dun-na-sead-castle-baltimore-co-cork-981-x968/

Baltimore Castle, County Cork, August 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Between 1997 and 2005 the ruined castle was rebuilt, at first as a private residence. At present it is a small museum.

Baltimore Castle, County Cork, August 2020.
Baltimore Castle, County Cork, August 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

16. Fota House, Arboretum and Gardens – OPW and Irish Heritage Trust

The house is maintained by the Irish Heritage Trust, and the gardens by OPW.

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

General enquiries: (021) 481 5543 https://fotahouse.com/

fota.arboretum@opw.ie

See my entry https://irishhistorichouses.com/2024/03/10/fota-house-and-gardens-county-cork-a-heritage-trust-property-with-opw-gardens/

From the OPW website: https://heritageireland.ie/visit/places-to-visit/fota-arboretum-and-gardens/

Fota House was designed by 19th century architects Richard and William Morrison. From the beautifully proportioned rooms with exquisite plasterwork, to the preserved service wing and kitchens, Fota House offers visitors an intimate look at how life was lived in the past, for the cooks, butlers, footmen and maids who supported the lavish lifestyle of the gentry. Our painting collection is considered to be one of the finest collections of landscape painting outside the National Gallery of Ireland and includes works by William Ashford PRHA, Robert Carver, Jonathan Fisher and Thomas Roberts.” [8]

Front porch of Fota House. Fluted baseless Green Doric columns support a weighty entablature in which wreaths alternate with the Barry crest in the metopes. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

17. Garrettstown House, Garrettstown, Kinsale, Co. Cork – section 482

Open dates in 2026: May 8-Sept 12, 12 noon-5pm

Fee: adult €7, OAP/student/child €5, groups (10 or more) €5 per person

www.garrettstownhouse.com

Garrettstown House, County Cork, photograph from National Inventory of Architectural Heritage.

Mark Bence-Jones writes in his 1988 A Guide to Irish Country Houses (1988):

p. 132. “(Cuthbert-Kearney/LG1863; Franks/IFR) Some time ante mid-C18, the Kearney family – who, like other families along the south-west coast of Ireland, are reputed to have become rich through smuggling – began building themselves a grand house with two wings facing each other across a forecourt in the Palladian manner; levelling a site for it out of the solid rock above the sea at great expense. The two wings, of an attractive golden stone, their handsome pedimented facades, each with a rusticated doorway, facing each other across the forecourt, fwere completed. But whether the house itself was actually built is uncertain; though Charles Smith (writing 1750) implies that it was. If it existed, it cannot have survived very long; for one of the wings subsequently became the house, being enlarge dfor this purpose…Towards the end of C19, Garrettstown was inherited by the Franks family, who sold it ca 1950. It is now ruinous.” It is no longer ruinous and has undergone major renovation.

The National Inventory of Architectural Heritage gives the following appraisal:

Built by the Kearney family between the years 1702 and 1720, with changes and additions being made until 1740, this building was originally a wing of a substantial country house. The main house was never started due to financial reasons and this, one of the flanking buildings, was subsequently turned into a stable block. The money saved by not building the main house was spent on improving the gardens and grounds. The house was passed down through the female line, staying within that lineage until 1950 when it was sold to the Land Commission. Although now in use as offices, the building retains much of its original form and character seen in the tooled limestone detailing and its grand scale. The retention of many of the original outbuildings and the extensive gardens on the site give further evidence to the wealth and status of this former country house.” 

18. Ilnacullin, Garanish Island, County Cork – OPW

See my OPW write-up:

https://irishhistorichouses.com/2022/01/19/office-of-public-works-properties-munster/

Italian garden, Garnish Island, Glengarriff, Beara, Co. Cork, Photograph by Chris Hill 2014, Ireland’s Content Pool.

19. Inis Beg gardens, Baltimore, County Cork

https://www.inishbeg.com/homepage/

Inish Beg estate, Baltimore, County Cork, photograph by George Karbus 2016 for Tourism Ireland, Ireland’s Content Pool (see [4])

The website tells us:

Inish Beg, Irish for “small island”, is the most northerly of the Carbery Hundred Islands of County Cork Ireland and lies in the unspoilt tidal estuary of the Ilen River. There is a bronze age Cromlech (boulder burial) within the grounds, as well as a tree covered Lissaghaun (little fort or fairy mound) in front of the main house.The local saint, St. Fachtna is recorded as having been given the “Book of Dues” on the island in the 6th century.The island belonged to a Richard White in the 17th Century and was acquired by the MacCarthy Morrough family in 1830. Initially used as a sporting estate, the main house was finally finished in 1899.The population of the island followed a familiar pattern to that of much of the rural west of Ireland. Lewis quotes 109 inhabitants in 1837, but the numbers then declined to 11 by 1901 following the famine years of the mid nineteenth century and the agricultural depression of the 1880’s.

“In 1908 Kay Summersby was born at Inish Beg House. She came to notoriety as a close companion of Dwight D. Eisenhower.

Inish Beg estate, Baltimore, County Cork, photograph by George Karbus 2016 for Tourism Ireland, Ireland’s Content Pool (see [4])
Inis Beg House, County Cork, photograph by Robert French (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.

Inish Beg Estate comprises 97 acres; 

  • 42 of these are birdsong-filled woodlands which are sympathetically managed and include exceptional tree ferns, bamboo, several ponds, bird hides and carriage drives,
  • 42 acres are green fields sweeping down to the Ilen Estuary where sheep and ponies graze, for this is a working farm run on organic principles.
  • the remaining 13 acres is taken up with buildings, a walled garden with glass house and fruit cages, a sunken garden with fountain, a cherry drive, an orchard, a daffodil lined avenue and two woodland gardens.
  • see also https://westcorkgardentrail.com

20. Kilcascan Castle, Ballineen, Co. Cork 947 R286 – section 482

Open dates in 2026: Aug 1-31, Sept 1-30, 9.30am-1.30pm
Fee: Free

See my entry https://irishhistorichouses.com/2023/12/14/kilcascan-castle-ballineen-co-cork-947-r286/

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

21. Kilshannig House, Rathcormac, Co. Cork P61 AW77 – section 482

Kilshanning House, County Cork, August 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

See my entry: https://irishhistorichouses.com/2020/12/10/kilshannig-house-rathcormac-county-cork/

Open dates in 2026: March 18-19, 21, 24, 26-27, April2, 4-7, 9, 11-12,15, 21, 23, 25, May 12, 14, 16-17, 19, 21, 23-26, 28, 30, June 2, 4, 6-9, 11, 13, 16, 25, 27-29, July 2, 4-7, 14, 16, 18-20, 28, 30, Aug 1- 4, 6, 8, 11, 13, 15-25, Sept 18, 20, 22-25, 27, 29, 8.30am-3pm,

Fee: adult €14, OAP €12, student €10, child €8

22. Liss Ard Sky Garden, County Cork – hotel

Liss Ard estate is now a hotel, but you can book lunch and a visit to the Sky Garden, and wander around the gardens of the estate. The hotel is surrounded by miles of trails, which weave whimsically and which reveal magical settings with artfully placed walls and steps. It is also the site of a ring fort: the Irish “Lios Aird” means high fort. For more about the hotel, see the accommodation section below.

The art dealers/collectors Claudia and Veith Turske purchased Liss Ard estate and in the 1990s and created public gardens with waterfalls, an arboretum with 10,000 newly-planted trees and had plans to create further land artworks after James Turrell’s installation, which was created in 1992. The property has since changed hands. It first came to my attention when a music festival was held in its grounds.

The website describes James Turrell’s The Irish Sky Garden

For over half a century, the internationally renowned landscape artist James Turrell has worked directly with light and space to create artworks that engage viewers with the limits and wonder of human perception. New Yorker critic Calvin Tompkins writes, “His work is not about light, or a record of light; it is light — the physical presence of light made manifest in sensory form.” ”

The Sky Garden at Liss Ard by James Turrell.

The Irish Public Art directory describes the Sky Garden:

The ‘Irish Sky Garden’ is a giant earth and stone crater embedded into the landscape of the Liss Ard Estate gardens. The artwork consists of an archway, a long megalithic-like passage, and stairs leading to an oval shaped, grass-lined crater, which measures 50 x 25 metres. In the centre of the crater’s ‘bowl’ is a large stone ‘vault purchase’ or plinth (not unlike an Egyptian sarcophagus). This is where the visitor should lie back and look at the sky, which is framed by the edges of the elliptical crater.

”The most important thing is that inside turns into outside and the other way around, in the sense that relationships between the Irish landscape and the Irish sky changes” (James Turrell).”

Entrance to the gardens of Liss Ard. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Liss Ard. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The “megalith-like passage” of the Sky Garden. I wonder did James Turrell visit Newgrange in preparation for his work? Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Entrance to the crater of the Sky Garden. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

It is impossible to capture the feel of the earth work creation in a photograph although the aerial view from the ‘myhome’ website gives us an idea.

The Sky Garden, Liss Ard. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Liss Ard. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Liss Ard. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This was my view when lying on the plinth. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
We wandered back up to the hotel by the garden trails. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

23. Riverstown House, Riverstown, Glanmire, Co. Cork T45 HY45 – section 482

Open dates in 2026: May 1-2, 7-9, 14-16, 21-23, 28-30, June 4-6, 10-12, 18-20, 25-27, July 2-4, 9-11, 16-18, 23-25, 30-31, Aug 1, 6-8, 13-23, 27-29 Sept 3-5, 2pm-6pm

Fee: adult €10, OAP €7, student €6, child €3

See my entry https://irishhistorichouses.com/2023/02/25/riverstown-house-riverstown-glanmire-county-cork-t45-hy45/

Riverstown House, County Cork, with plasterwork by La Francini brothers. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

24. Woodford Bourne Warehouse, Sheares Street, Cork – section 482

www.woodfordbournewarehouse.com

Open dates in 2026: all year, except Christmas Eve, Christmas Day, 12 noon-10pm
Fee: Free

Now a fast food outlet, this used to be a warehouse, and the Architect is William Henry Hill (1837-1911).

[1] https://repository.dri.ie/catalog

[2] https://landedestates.ie/property/3505

[3] https://www.irishexaminer.com/lifestyle/outdoors/gardening/getting-to-the-soul-of-a-magical-place-232846.html

[4] https://www.irelandscontentpool.com/en

[5] https://www.buildingsofireland.ie/buildings-search/building/20908902/ballymaloe-house-ballymaloe-more-cork

[6] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[7] https://archiseek.com/2012/blackrock-castle-cork/

[8] fotahouse.com

[9] Keohane, Frank. The Buildings of Ireland: Cork City and County. Yale University Press: New Haven and London, 2020.

[10] O’Hea O’Keeffe, Jane. Voices from the Great Houses: Cork and Kerry (Mercier Press, Cork, 2013).

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Places to visit in County Kerry

On the map above:

blue: places to visit that are not section 482

purple: section 482 properties

red: accommodation

yellow: less expensive accommodation for two

orange: “whole house rental” i.e. those properties that are only for large group accommodations or weddings, e.g. 10 or more people.

green: gardens to visit

grey: ruins

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

Kerry:

1. Derrynane House, Caherdaniel, County KerryOPW

2. Derreen Gardens, Lauragh, Tuosist, Kenmare, Co. Kerry – section 482, garden only

3. Kells Bay Garden, Kells, Caherciveen, County Kerry  garden only

4. Killarney House, County Kerry

5. Knockreer House and Gardens, County Kerry

6. Listowel Castle, County KerryOPW

7. Muckross House,  Killarney, County Kerryopen to visitors 

8. Ross’s Castle, Killarney, County Kerry

9. Staigue Fort, County Kerry

Places to visit in County Kerry:

1. Derrynane House, Caherdaniel, KerryOPW

Derrynane House, County Kerry, photograph by George Munday, 2014, for Tourism Ireland, Ireland’s Content Pool. [1]

See my OPW write-up: https://irishhistorichouses.com/2022/11/07/office-of-public-works-properties-in-munster-counties-kerry-and-waterford/

Daniel O’Connell, who lived at Derrynane. Portrait in Mansion House, Dublin, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

2. Derreen Gardens, Lauragh, Tuosist, Kenmare, Co. Kerry, V93 D792section 482, garden only

https://www.derreengarden.com/

Open dates in 2026: all year, 10am-6pm

Fee: adult €12, child €6, family ticket €45 (2 adults & all accompanying children under18) season tickets from €40
Concession discounts available for large groups

See my entry https://irishhistorichouses.com/2023/09/07/derreen-gardens-lauragh-tuosist-kenmare-co-kerry/

The website tells us: “A beautiful 19th century woodland garden with paths winding through rare tropical plants and opening onto sea views.

Derreen, County Kerry. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Set on a peninsula at the head of Kilmackillogue Harbour and surrounded by the Caha Mountains, the garden at Derreen covers 60 acres.

A network of winding paths passes through a mature woodland garden laid out 150 years ago with subtropical plants from around the world and incomparable views of the sea and mountains.

3. Kells Bay Garden, Kells, Caherciveen, Co Kerry, V23 EP48 – garden only

www.kellsbay.ie 

Kells Bay House and Gardens, Co Kerry. Photo: Valerie O’Sullivan, 2015 for Tourism Ireland, Ireland’s Content Pool (see [1])

In 2026 this property is no longer on the Revenue Section 482 listing. See my entry https://irishhistorichouses.com/2023/09/13/kells-bay-house-garden-kells-caherciveen-county-kerry/

The website tells us: “Kells Bay Gardens is one of Europe’s premier horticultural experiences, containing a renowned collection of Tree-ferns and other exotic plants growing in its unique microclimate created by the Gulf Stream. It is the home of ‘The SkyWalk’ Ireland’s longest rope-bridge.

The rope bridge crosses the river. Kells Bay, March 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

4. Killarney House, County Kerry – part of park

https://killarney.ie/listing/killarney-house-gardens/

Originally called Kenmare House. The stable block of Kenmare House was converted in 1830 into this house. The original Kenmare House was built in 1726 and was demolished in 1872 by Valentine Augustus Browne, 4th Earl of Kenmare. The succeeding house, called Killarney House, and was accidentally destroyed by fire in 1913 and never rebuilt; instead, in 1915 the stable block of the original Kenmare House was converted into the present Killarney House, although the Brownes called it Kenmare House.

Kenmare House Kerry Photograph taken between 1880 and 1914 Lawrence Collection, National Library of Ireland NLI Ref L_CAB_01020
Killarney House and Gardens, photograph ©Fáilte Ireland by Finola White, 2020, Ireland’s Content Pool.

John McShain, renowned architect and building contractor, acquired Killarney House, the former home of the Earls of Kenmare, in 1956. After the death of McShain’s wife, Mary, in 1998, the stately house, and its lavish gardens were sold to the State with the proviso that the property would be incorporated into the neighbouring Killarney National Park. The McShains were allowed to live in the house for the remainder of their lives, and they remodelled extensively. When Mrs. McShain died in 1998 the house reverted to the state. It sat empty and became derelict, but in 2011 restoration was begun. The gardens are open to the public and at some stage, the house also will be opened up.

5. Knockreer House and Gardens, County Kerry – part of park, Education centre

https://www.discoverireland.ie/kerry/knockreer-house-and-gardens

Killarney National Park Education Centre is based in Knockreer House, the last of the Kenmare mansions. The centre is situated on a hill close to the town of Killarney and has spectacular views over the National Park.

We provide a range of specialist courses linked directly to the curriculum, using the diverse habitats of Killarney National Park as an outdoor classroom. We work with groups from all backgrounds, ages and abilities, including primary schools, post-primary schools, third level institutions, tour groups and youth groups. We also provide facilities and programmes for the general public and the corporate sector.

The website tells us:

Found in County Kerry’s Killarney National Park, Knockreer House and Gardens are within walking distance of Killarney Town. The area includes a circular walk with excellent views of the Lower Lake.

The Knockreer section of Killarney National Park is within walking distance of Killarney Town, County Kerry. This area was formerly part of the Kenmare Estate, which was laid out by Valentine Brown, the third Viscount of Kenmare. Deenagh Lodge Tearoom dates back to 1834 and was the gate lodge of the Kenmare Estate. The tearoom is a popular haunt with locals and visitors after a stroll in the park. It is located just inside Kings Bridge across from St Mary’s Cathedral.

Knockreer House, a short walk up the hill, is the Killarney National Park Education Centre and is built on the site of the original Killarney House, which was destroyed by fire in 1913. The circular walk is signposted and offers excellent views of the Lower Lake. On the circular walk there is a pathway off to the right that leads up to the viewing point on top of the hill, which provides a wonderful panorama of the surrounding countryside.

6. Listowel Castle, County Kerry – OPW

See my OPW write-up: https://irishhistorichouses.com/2022/11/07/office-of-public-works-properties-in-munster-counties-kerry-and-waterford/

7. Muckross House (or Muckruss),  Killarney, County Kerry – open to the public

Muckross House Killarney Co. Kerry, photograph by Chris Hill 2014 for Tourism Ireland, Ireland’s Content Pool. (see [1])

www.muckross-house.ie 

This nineteenth century Victorian mansion is set against the stunning beauty of Killarney National Park. The house stands close to the shores of Muckross Lake, one of Killarney’s three lakes, famed world wide for their splendour and beauty. As a focal point within Killarney National Park, Muckross House is the ideal base from which to explore this landscape. 

Muckross House was built for Henry Arthur Herbert and his wife, the water-colourist Mary Balfour Herbert. This was actually the fourth house that successive generations of the Herbert family had occupied at Muckross over a period of almost two hundred years. William Burn, the well-known Scottish architect, was responsible for its design. Building commenced in 1839 and was completed in 1843. 

Originally it was intended that Muckross House should be a larger, more ornate, structure. The plans for a bigger servants’ wing, stable block, orangery and summer-house, are believed to have been altered at Mary’s request. Today the principal rooms are furnished in period style and portray the elegant lifestyle of the nineteenth century landowning class. In the basement, one can imagine the busy bustle of the servants as they went about their daily chores. 

Muckross House and Gardens, Killarney National Park, Co Kerry ©Trustees of Muckross House 2019.
Muckross House and Gardens, Killarney National Park, Co Kerry Muckross House and Gardens, Killarney National Park, Co Kerry ©Trustees of Muckross House 2017.

During the 1850s, the Herberts undertook extensive garden works in preparation for Queen Victoria’s visit in 1861. Later, the Bourn Vincent family continued this gardening tradition. They purchased the estate from Lord and Lady Ardilaun early in the twentieth century. It was at this time that the Sunken Garden, Rock Garden and the Stream Garden were developed.

Muckross House, County Kerry, October 2012. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The children of Charles John Herbert (d. 1823) of Muckross, County Kerry, and his wife Louisa Middleton, by Richard Rothwell, courtesy of National Trust Powis Castle.
Muckross House 1970, photograph from Dublin City Library and Archive. [2]
Muckross House Killarney Co. Kerry, photograph by Chris Hill 2014 for Tourism Ireland, Ireland’s Content Pool. (see [1])
Muckross House Killarney Co. Kerry, photograph by Chris Hill 2014 for Tourism Ireland, Ireland’s Content Pool. (see [1])
Muckross House Killarney Co. Kerry, photograph by Chris Hill 2014 for Tourism Ireland, Ireland’s Content Pool. (see [1])
Muckross House Killarney Co. Kerry, photograph by Chris Hill 2014 for Tourism Ireland, Ireland’s Content Pool. (see [1])

8. Ross’s Castle, Killarney, County Kerry – OPW

See my OPW write-up: https://irishhistorichouses.com/2022/11/07/office-of-public-works-properties-in-munster-counties-kerry-and-waterford/

Ross Castle, Killarney, County Kerry, August 2007.

9. Staigue Fort, County Kerry – ruin

Staigue Fort, County Kerry, October 2012. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The following website gives us information about this ancient impressive fort: https://voicesfromthedawn.com/staigue-fort/

It tells us:

Constructed entirely without mortar, Staigue cashel encloses an area of 27.4 m (90 ft) in diameter, with walls as tall as 5.5 m (18 ft) and a sturdy 4 m (13 ft) in thickness. It has one double-linteled entrance, a passageway 1.8 m (6 ft) long. In the virtual-reality environment (above) click the hotspots to proceed to the fort’s interior. It is similar in construction to the Grianan of Aileach in Co. Donegal, and was possibly constructed in the same period of the Early Medieval period (approximately fifth to eleventh century CE). The fort is surrounded by a large bank and ditch, most evident on its northern side. This may have been a part of Staigue’s defenses, or it may be a prehistoric feature that pre-dates the construction of the stone fort.

Staigue Fort, October 2012 Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website continues: “In 1897 T.J. Westropp reported that the local peasantry called the building Staig an air, which he translated as “Windy House, or “Temple of the Father,” or “The Staired Place of Slaughter.” These different translations may inspire distinctly different conjectures about the builders of Staigue. It has been described as both a temple or an observatory, and has been attributed to many different cultures in the past, such as Druids, Phoenicians, Cyclopeans, and Danes. But it was, of course, built by the “Kerrymen of old.”

Staigue Fort, October 2012. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The sign at the site explains that Staigue “was the home of the chieftain’s family, guards and servants, and would have been full of houses, out-buildings, and possibly tents or other temporary structures.” The illustration from this sign is in the gallery below. Cashels, of which Staigue is an impressive and probably high-status example, were enclosed and defendable farmsteads of the Irish Early Medieval period. They housed an extended family and, in high-status examples, their retinue. However archaeologist Peter Harbison was unable to explain why the ancient architects would have created so many (10) sets of X-shaped stairs climbing up the inner face of the wall to its ramparts.

[1] https://www.irelandscontentpool.com/en

[2] https://repository.dri.ie/catalog?f%5Broot_collection_id_ssi%5D%5B%5D=pk02rr951&mode=objects&search_field=all_fields&view=grid

Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Revenue Section 482 list for 2026 published!

The Revenue Section 482 list for 2026 has been published! Unfortunately 18 properties have dropped off the list, and there are no new additions. Of the ones removed, I didn’t get to see nine of the properties. We were, however, able to visit the other nine properties which have now been removed. Some of the properties remain open for tourist accommodation, or perhaps even for a visit.

The properties which I did not get to visit include 81 North King Street in Dublin, and Castle Ellen in Galway.

I am sad to see that Tarbert in County Kerry is no longer listed, and Ballybur in County Kilkenny.

https://irishhistorichouses.com/2024/12/19/ballybur-castle-ballybur-upper-cuffesgrange-co-kilkenny/

Prison House in County Mayo, listed for tourist accommodation in 2025, is no longer a Section 482.

In County Tipperary, Fancroft Mill has dropped off the listing and in County Westmeath, St. John’s Church in Drumcree, Collinstown.

All of the lovely Kildare properties remain on the list but three in Kilkenny have dropped off, so we say goodbye to lovely Ballysallagh with its winter garden. See https://irishhistorichouses.com/2022/06/17/ballysallagh-house-johnswell-co-kilkenny/

The Design Yard at Kilkenny Castle is no longer listed but you can still visit it for shopping in the courtyard.

Unfortunately I never visited Ballaghmore Castle in County Laois, which has dropped off the list. The website is still working, so it must still be available for a castle stay! See www.castleballaghmore.com

Castle Ballaghmore, photograph courtesy of website.

Woodbrook House in County Wexford is no longer a Section 482 property but you can still book for accommodation at
www.woodbrookhouse.ie

See my entry https://irishhistorichouses.com/2025/03/13/woodbrook-killanne-enniscorthy-co-wexford-y21-tp-92-section-482-accommodation/

Woodbrook, County Wexford, courtesy Hidden Ireland.

A garden that is no longer listed is Kells Bay garden in County Kerry, but it remains open to the public, with some tourist accommodation, https://www.kellsbay.ie, see my entry https://irishhistorichouses.com/2023/09/13/kells-bay-house-garden-kells-caherciveen-county-kerry/.

The rope bridge crosses the river. Kells Bay, March 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com.

Markree Castle in Collooney, Co Sligo is no longer a Section 482 property but it is still a hotel and wedding venue.

See my entry: https://irishhistorichouses.com/2021/11/06/markree-castle-collooney-co-sligo/

www.markreecastle.ie

Markree Castle by Tom Keenan, creative commons on flickr.

We also say goodbye to Drishane Castle in County Cork, which fortunately I visited already, see my entry https://irishhistorichouses.com/2024/01/11/drishane-castle-gardens-drishanemore-millstreet-town-co-cork/.

Drishane Castle, County Cork 17th August 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com.

The Turret in County Limerick has dropped off the list and is no longer open to visitors – fortunately we had a chance to visit: See my entry: https://irishhistorichouses.com/2023/03/23/the-turret-ballingarry-co-limerick-v94-hv24/

The Turret, Limerick, Photograph courtesy of Sherry Fitzgerald Stack estate agents, June 2023.

A property I am sorry to see leave the listing is Dardistown Castle in County Meath. It’s a beautiful spot with a fascinating history – Stephen and I were lucky enough to visit. See my entry: https://irishhistorichouses.com/2019/07/19/dardistown-castle-county-meath/

Dardistown Castle, County Meath, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

And Woodville House in County Wexford has also been removed from the list but you might be able to visit, see www.woodvillegardens.ie

See my entry https://irishhistorichouses.com/2023/10/19/woodville-house-new-ross-co-wexford-y34-wp93/

Woodville House, photograph courtesy of Woodville house website.

I’m happy to report that all of the Wicklow properties listed last year remain on the Section 482. For full details and opening days and times, see https://irishhistorichouses.com

Castle Saunderson, Co. Cavan – a ruin 

Castle Saunderson, Co. Cavan – a ruin 

Castle Saunderson, County Cavan, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

This property is not listed on the Section 482 Revenue list but is open to the public to visit, although at a distance, due to safety considerations. We visited in December 2020. Nearby, a World Peace Centre for the Scouts has been established. The castle was destroyed by fire in 1990.

The castle, which dates from 1840, was destroyed by fire in 1990.

https://www.thisiscavan.ie/fun/article/luanch-of-new-heritage-trail-at-castle-saunderson

Mark Bence-Jones writes in his  A Guide to Irish Country Houses (1988) that it’s a large castellated mansion combining both baronial and Tudor-Revival elements, built around 1840. He likens the style to that of Crom Castle, attributed to Edward Blore, which is only about five miles away in County Fermanagh. [1] The National Inventory tells us that the work on Castle Saunderson was carried out by George Sudden, but he may have worked according to designs by Blore.

Crom Castle, County Fermanagh, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.

The Dictionary of Irish Architects tells us that Edward Blore (1787-1879), from London, designed Crom Castle in County Fermanagh from 1833-41, Ballydrain in County Antrim in 1837-8, additions at Castle Upton, County Antrim in 1836-7, and proposed the addition of a tower at Mallow Castle, County Cork in 1837. [2]

The Dictionary of Irish Biography tells us that George Sudden was Clerk of works, architect and stonemason, active in Counties Fermanagh and Monaghan in the 1830s and 1840s. In 1830 when Crom Castle, newly completed to designs by Edward Blore, was destroyed by fire, John Creighton appointed Sudden to rebuild the house to Blore’s specifications. [3]

The National Inventory of Architectural Heritage tells us that Castle Saunderson was built around 1835.

The land belonged to the O’Reilly clan in the 16th century, rulers of Breifne, which covered much of modern County Cavan. Scottish mercenatry Alexander Sanderson (the ‘u’ was added later), was first granted lands in Cavan and Tyrone in 1618. The estate passed to his son Robert, the first recorded Sanderson to live here, in 1633. The castle that was there at that time was burned to the ground in 1641 during the Rebellion. Robert Sanderson helped Oliver Cromwell’s troops to reconquer, and he was awarded with more land.

An information board tells us that the land belonged to the O’Reilly clan, rulers of Breifne, in the 16th century. Breifne covered much of modern County Cavan. Scottish mercenatry Alexander Sanderson (the ‘u’ was added later), was first granted lands in Cavan and Tyrone in 1618. He served as High Sheriff for County Tyrone.

The estate passed to his son Robert (c1602-c1676), the first recorded Sanderson to live here, in 1633. The castle that was there at that time was burned to the ground in 1641 during the Rebellion.

Castle Saunderson. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Robert Sanderson was a colonel in the army of Gustavus Adolphus of Sweden. He served in Oliver Cromwell’s army, and was awarded with more land. [4] Another residence must have been built at the site: the Landed Estates database tells us that Robert Sanderson built Castle Sanderson near Belturbet in county Cavan in the mid-17th century.

Robert’s son, also named Robert (1653-1724), served as MP for County Cavan, and was a colonel of a regiment in William III’s army. He married Jane Leslie, daughter of the Right Rev John Leslie, Lord Bishop of Clogher, “The Fighting Bishop” (see my entry for Castle Leslie https://irishhistorichouses.com/2020/08/07/castle-leslie-glaslough-county-monaghan/ ). His heir to Castle Saunderson was his nephew, Alexander Sanderson. Alexander served as High Sheriff of County Cavan in 1714, and wedded Mabella, daughter of William Saunderson, of Moycashel, County Westmeath. He was buried at St Mary’s in Dublin in 1726 and was succeeded at Castle Saunderson by his son Francis (d. 1746). (see [4])

Francis served as High Sheriff of County Cavan in 1740 and espoused Anne, eldest daughter of Anthony Atkinson of Cangort, County Offaly. Francis died in 1746 and it was his son, Alexander, who changed the spelling of his name to Saunderson. (see [4])

Alexander married Rose Lloyd, daughter of Trevor Lloyd of Gloster in County Offaly, a section 482 property in 2025. Alexander Saunderson also served as High Sheriff for County Cavan.

The National Inventory tells us that the Castle Saunderson that we see today incorporates fabric of an older residence, a Georgian house dating from around 1780. This house may have been built by Alexander and Rose’s son and heir Francis Saunderson (1754-1827). He also served as High Sheriff for County Cavan, and he married Anne Bassett, daughter of Stephen White, of Miskin, Glamorgan, and heir of the Bassett estates in that county. (see [4])

It was then Francis and Anne’s son and heir, Alexander (1783-1857) who probably built the current Tudor-Gothic version of the castle around 1835.

This is what Bence-Jones describes as the entrance front, Castle Saunderson, County Cavan, December 2020. It is symmetrical, with a battlemented parapet and square end turrets. In the centre is what Bence-Jones calls a tall central gatehouse tower. This has the two octagonal turrets on either side of large mullioned windows, with entrance doors on the outer sides of these central turrets. Castle Saunderson, County Cavan, photograph courtesy instagram @greatirishhouses.
Castle Saunderson, County Cavan, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Mark Bence-Jones describes:

p. 75. “Entrance front symmetrical, with a battlemented parapet, square end turrets and a tall central gatehouse tower which is unusual in having the entrance door in its side rather than in its front.” [1]

Castle Saunderson, County Cavan, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.

It looks like there is an entrance door on either side of what Bence-Jones calls the central gatehouse tower.

Castle Saunderson, County Cavan, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The side to the right of the entrance front has another octagonal tower with an entrance door, and another square tower. The National Inventory calls this side, the north elevation, the entrance side, describing it as: “Four-bay two-storey entrance elevation to north having advanced square-plan three-stage tower to west, corner turret to east and engaged octagonal-plan entrance tower with castellated doorcase, mullioned-and transomed hood-moulded windows of varying size and smaller incidental windows.” [5]

The doors have arched openings, and windows have hood mouldings.

On the left hand is what Mark Bence-Jones calls the entrance front, and to the right, the north facade, is what the National Inventory calls the entrance front. Castle Saunderson, County Cavan, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The entrance door on one of the central turrets of the entrance front. Castle Saunderson, County Cavan, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The octagonal-plan entrance tower with castellated doorcase, on the north facade, as described by the National Inventory. Castle Saunderson, County Cavan, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The square tower on the north side, Castle Saunderson, County Cavan, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Bence-Jones continues: “The adjoining garden front is more irregular, with a recessed centre between two projecting wings of unequal size and fenestration, each having a Tudor gable; the two wings being joined at ground floor level by a rather fragile Gothic arcade. To the left of this front, a lower “L”-shaped wing with a battlemented parapet and various turrets, ending in a long Gothic conservatory. Castle Saunderson has stood empty for years and is now semi-derelict.” [1]

The garden front, Castle Saunderson, County Cavan, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The long castellated arcade screening outbuildings extending to south terminate in a castellated turret. Castle Saunderson, County Cavan, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Castle Saunderson, County Cavan, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Castle Saunderson, County Cavan, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The various towers have “balistraria” cruciform and vertical arrow slit windows.

Alexander Saunderson (1783-1857) married Sarah Maxwell, the daughter of Reverend Henry Maxwell 6th Baron Farnham of Farnham in County Cavan.

In 1828, Alexander Saunderson, MP for Cavan, married Sarah Maxwell, daughter of Reverend Henry Maxwell 6th Baron Farnham, head of another of Cavan’s powerful Anglo-Irish families (Farnham Estate is now a hotel). Through marriage, the Maxwells are reputed to be able to trace their lineage back to the High King Brian Boru, and to the Scottish Robert Bruce. Alexander was a kind landlord, suspending rent collection from 1845-51 due to the famine.

The information board tells us that Alexander was a king landlord and the during the Famine of 1845-51, he suspended rent collection from his tenants. Alexander served as High Sheriff of County Cavan in 1818, and was MP for County Cavan.

Sarah decided to leave the estate to her third eldest surviving son, Edward. The older sons were Alexander de Bedick (1832-60) and Somerset Bassett (1834-92) – I am not sure why they did not inherit Castle Saunderson, but perhaps they inherited the Bassett estates in Glamorgan. The Landed Estates database tells us that in the mid-19th century the main part of Colonel Alexander (1783-1857) Saunderson’s estate was in the parishes of Annagelliff and Lavey in the barony of Upper Loughtee [Drumkeen], but he also held sizable portions of land in the parishes of Larah, Annagh and Killinkere [Castle Saunderson and Clover Hill]. He also bought some of the estate of the Earl of Mornington which was for sale in 1853. His brother, the Reverend Francis Saunderson, rector of Kildallan, county Cavan, held an estate in the parishes of Drumlane and Killashandra. [6]

Loreto College, formerly Drumkeen or Dromkeen, County Cavan, photograph courtesy of National Inventory.

It was Edward Saunderson (1837-1906) who inherited Castle Saunderson. Edward Saunderson, the information board tells us, was the founder of British Unionism, the movement to preserve British rule in Ireland. He opposed Charles Stewart Parnell’s “Home Rule” movement, which sought to bring a parliament back to Ireland after it was abolished in 1800.

The notice board tells us that Edward enjoyed feats of strength, and made his male guests climb the pillars rather than using the stairs! His wife, Helena Emily de Moleyns, youngest daughter of Thomas, 3rd Baron Ventry, developed a bog garden, regarded as one of the finest in Europe, and the writer Percy French used to visit.

In the late 19th century, Colonel Edward Saunderson opposed Charles Stewart Parnell. Saunderson was the founder of Irish Unionism, a movement to preserve British rule in Ireland.
The last Saunderson, Alexander, or “Sandy,” was a prisoner of war in WWII, sharing a cell with Sir John Leslie of Castle Leslie. In prison he studied law and later worked at the Nuremburg Nazi war crimes trials.

Alexander Saunderson (1917-2004), the last of the family to live there, sold the property to a London-based businessman in 1977. (see [4]). The Castle was in a state of disrepair and plans to have it completely renovated as a private dwelling at this time never materialized. The estate was sold again in 1990 to be developed as a hotel. These plans were also abandoned after a fire gutted and destroyed most of the Castle interior. This was the third fire to take place in the history of the castle. (see[4]). The property was then sold to Scouts Ireland.

A Scout centre nearby has been established, and is a World Peace Centre for the Scouts.

[1] p. 75, Bence-Jones, Mark.  A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London. 

[2] https://www.dia.ie/architects/view/516/BLORE%2C+EDWARD+%23

[3] https://www.dia.ie/architects/view/5203/sudden%2C+george

[4] http://lordbelmontinnorthernireland.blogspot.com/2013/11/castle-saunderson.html

[5] https://www.buildingsofireland.ie/buildings-search/building/40401110/castle-saunderson-castlesaunderson-demesne-co-cavan

[6] https://landedestates.ie/estate/4008

Portraits P

P

Thought to be Elizabeth Louisa née Beresford (1783-1856) who married Sir Denis Pack (1774-1823), then Thomas Reynell, 6th Baronet, courtesy of Whyte’s Nov 2011. She was the daughter of George de la Poer Beresford, 1st Marquess of Waterford.
Captain Denis William Pack-Beresford (1818-1881) of Fennagh House in the parish of Lorum, County Carlow by Stephen Pearse (1819-1904) courtesy of Whyte’s Nov 2011. He was the son of Denis Pack and Elizabeth Louisa née Beresford. He married Annette Caroline Browne of Browne’s Hill, County Carlow.
Henry Paget, 1st Marquess of Anglesey (1768-1854). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Frances Jane Paget (1817-1903) Marchioness of Ormonde with her son James Earl of Ossory, by Richard Bruckner. She married John Butler 2nd Marquess of Ormonde. Funnily enough, all of her sons were named James! The Earl of Ossory was her eldest son James Edward William Theobald Butler (1844-1919), who became 15th Earl of Ossory in 1854 when he was ten years old. The painting thus anachronistically refers to him as the Earl of Ossory, as he was not yet ten years old when it was painted. A younger son, James Arthur Wellington Foley Butler (1849-1943) also became Earl of Ossory, in 1919, the same year he became 4th Marquess of Ormonde, when his older brother James the 3rd Marquess died. Frances Jane’s father was General Hon. Sir Edward Paget, and she was the daughter of his second wife, Harriet Legge. His first wife was Frances, daughter of William Bagot 1st Baron Bagot of Bagot’s Bromley, Staffordshire, England.
William Lygon Pakenham, 4th Earl of Longford.
Thomas Pakenham (1713-1766), 1st Baron Longford, Date c.1756 Credit Line: Presented, Mrs R. Montagu, 1956.
Thomas Pakenham, 1st Baron of Longford (1713-1766), who married Elizabeth Cuffe. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Elizabeth Cuffe (1719-1794) who married Thomas Pakenham, 1st Baron Longford. She became Countess of Longford in her own right, through her father Michael Cuffe (1694-1744), who was heir to Ambrose Aungier, 2nd and last Earl of Longford (1st creation).  Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Edward Michael Pakenham, 2nd Baron Longford (1743-1792). His daughter married the Duke of Wellington, Arthur Wellesley. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Thomas Pakenham the 2nd Earl of Longford (1774-1835). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Georgiana Pakenham née Lygon (1774-1880). She married Thomas Pakenham 2nd Earl of Longford. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Louisa Anne Pakenham née Staples (1770-1833) and her sister Henrietta Margaret Trench née Staples (1770-1847) Countess of Clancarty (c.1770-1847) by Hugh Douglas Hamilton. Louisa was married to Thomas Pakenham (1757-1836) and Henrietta was married to Richard Power Keating Le Poer Trench (1767-1837) 2nd Earl of Clancarty. Their father was John Staples (1736-1820) of County Tyrone, and their mother was Harriet Conolly (1739-1771) of Castletown House, County Kildare. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Major General Edward Pakenham (1778-1815), another uncle of Henry Sandford Pakenham Mahon, also hangs in the front hall of Strokestown House. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A portrait of Lt. Gen. Hercules Pakenham (1781-1850), an uncle of Henry Sandford Pakenham Mahon, hangs in the front hall of Strokestown House.
Elizabeth Sandford, mother of Henry Sandford Pakenham, wife of Reverend Henry Pakenham, Dean of St. Patrick’s Cathedral in Dublin. Henry Sandford Pakenham married the heiress Grace Catherine Mahon and changed his surname to Pakenham Mahon. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Olive Hales Pakenham Mahon dressed for a visit to Buckingham Palace in the 1930s. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Olive Hales Pakenham Mahon (1894-1981). She was from Strokestown House, and married first Edward Charles Stafford King-Harman, and then Wilfred Stuart Atherstone Hales who added the surname Pakenham Mahon to his name.
Mary, Countess of Inchiquin (née Palmer), (1750-1820), 2nd wife of Murrough O’Brien (1726-1808) 4th Earl of Inchiquin, later 1st Marquess of Thomond; After Thomas Lawrence, English, 1769-1830, photograph courtesy of National Gallery of Ireland.
Charles Stewart Parnell (1846-1891).
John Parnell, brother of Charles Stewart Parnell.
John Parnell (1744-1801) 2nd Baronet of Rathleague by Batoni, 1770, courtesy of National Gallery of Ireland. He was the great-grandfather of Charles Stewart Parnell. His son William (1870-1821) added the name Hayes to his surname after inheriting Avondale, County Wicklow, from Samuel Hayes.
Sir William Parsons (?1570-1650), 1st Baronet Parsons, Surveyor-General and Lord Justice of Ireland Date: 1777 Engraver Samuel De Wilde, After Unknown Artist. He emigrated to Ireland around 1590. He was the brother of Laurence Parsons (d. 1628), grandfather of Laurence Parsons (d. 1698), 1st Baronet Parsons, of Birr Castle. William Parsons married Elizabeth Lany, daughter of John, an alderman of Dublin. National Portrait Gallery of London D3829.
Frances née Parsons Harman (1775-1841) who married Robert Edward King (1773-1854), 1st Viscount Lorton. She was the daughter of Lawrence Harman Parsons (1749-1807) 1st Earl of Rosse who assumed the surname Parsons-Harman.
William Parsons, 3rd Earl of Rosse (1800-1867) by Stephen Catterson Smith 1860.
William Parsons (1800-1867) 3rd Earl of Rosse, photograph courtesy of National Gallery of Ireland.
Henrietta Paulet née Crofts, Duchess of Bolton (1682-1730) daughter of James Crofts (Scott), 1st and last Duke of Monmouth, illegitimate son of King Charles II. She married Charles Paulet, 2nd Duke of Bolton. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Thomas Ryder Pepper (1760-1828) with The Old Castle, Loughton in the background from Loughton house auction, 2016, Shepphards. He married Anne Bloomfield, the sister of Benjamin Bloomfield 1st Baron Bloomfield, of Loughton, County Offaly.
John Perceval (1629–1665), 1st Baronet of Kanturk engraving by J Faber (1743).
Catherine (1637 – 1679) the only daughter of Sir Robert Southwell of Kinsale, wife of Sir John Perceval, 1st Baronet. Engraved by J. Faber (1743).
Sir Philip Perceval, 2nd Bt (1656-1680) by Thomas Pooley c. 1670-74, courtesy of National Gallery of Ireland NGI 4626.
John Perceval, 3rd Bt (1660-1686) by Thomas Pooley, c. 1670-74, courtesy of National Gallery of Ireland NGI 4627.
John Perceval 3rd Bt, by John Faber Jr, National Portrait Gallery of London D29835.
John Perceval (1683-1748) 1st Earl of Egmont, County Cork, by and published by John Smith, after Sir Godfrey Kneller 1704, National Portrait Gallery of England D11553.
John Perceval, 1st Earl of Egmont (1683-1748) by Hans Hysing.
John Perceval, 2nd Earl of Egmont, (1711-1770) Date 1764 by Engraver James McArdell, Irish, c.1729-1765 After Thomas Hudson, English, 1701-1779.
John Perceval (1711-1770) 2nd Earl of Egmont by Thomas Hudson.
John Percival, later 2nd Earl of Egmont (1711-1770) by Francis Hayman c. 1740, courtesy of National Gallery of Ireland NGI 4489
John Perceval, 2nd Earl of Egmont with Catherine Perceval (née Cecil), Countess of Egmont by Richard Josey, after Sir Joshua Reynolds mezzotint, 1876 (1756) National Portrait Gallery of London D1855.
Catherine Perceval (née Compton), Countess of Egmont; Charles George Perceval, 2nd Baron Arden by James Macardell, after Thomas Hudson mezzotint, published 1765, National Portrait Gallery of London D1829.
Spencer Perceval (d. 1812) by George Francis Joseph (died 1846), given to the National Portrait Gallery, London in 1857. He was the son of the 2nd Earl of Egmont, and served for a short time as Prime Minister of England.
Sir John Perrot 1527-1592, said to be a son of King Henry VIII; soldier and Lord Deputy of Ireland, date 1776, engraver Valentine Green, English 1739-1813 copyist George Powle. His daughter Lettice (d. 1620) married Arthur Chichester 1st and last Baron Chichester of Belfast (b. 1563).
Edmond Sexton Pery, later 1st Viscount Pery (1719-1806) Date: c.1790 by Gilbert Stuart, American, 1755-1828.
William Petty (1623-1687) by Isaac Fuller circa 1651, National Portrait Gallery of London 2924.
William Petty (1623-1687) by Godfrey Kneller courtesy of Romsey Town Hall.
William Petty, (1623-1687), Physician in the Army in Ireland, Surveyor General and Political Economist Date: 1696, Engraver John Smith, English, 1652-1743 After John Baptist Closterman, German, c.1690-1713.
A sketch of Henry Petty (1675-1751) Earl of Shelburne by George Townshend, 4th Viscount and 1st Marquess Townshend National Portrait Gallery of London ref. 4855(15). He was the son of William Petty (1623-1687) and he married Arabella, daughter of Charles Boyle 2nd Baron Clifford of Lanesborough.

Thomas Fitzmaurice (1668-1741) 1st Earl of Kerry (21st Baron of Kerry), Viscount Clanmorris was the father of John Fitzmaurice Petty (1706-1761) 1st Earl of Shelburne, who added Petty to his name after his mother, Anne Petty (d. 1737). Another son of the 1st Earl of Kerry was his heir William FitzMaurice (1694-1747) who succeeded as 2nd Earl of Kerry.

William Petty (1737-1805) 1st Marquess of Lansdowne Lord Shelburne, Prime Minister, after Sir Joshua Reynolds based on a work of 1766, National Portrait Gallery of London 43. He was the son of John Fitzmaurice Petty (1706-1761) 1st Earl of Shelburne, who was the son of Thomas Fitzmaurice 1st Earl of Kerry (21st Baron of Kerry), Viscount Clanmorris
Louisa Lansdowne née Fitzpatrick, wife of William Petty 1st Marquess of Lansdowne by Joshua Reynolds from Catalogue of the pictures and drawings in the National loan exhibition, in aid of National gallery funds, Grafton Galleries, London. She was a daughter of John FitzPatrick 1st Earl of Upper Ossory.
John Henry Petty (1765-1809) 2nd Marquess of Lansdowne National Portrait Gallery of London ref. D37171.
John Henry Petty (1765-1809), 2nd Marquis of Lansdowne by Francois-Xavier Fabre, 1795.
Henry Petty-Fitzmaurice (1780-1863) 3rd Marquess of Lansdowne, Trustee of the National Portrait Gallery, by Henry Walton circa 1805 courtesy of National Portrait Gallery, NPG 178.
Henry Thomas Petty-Fitzmaurice (1816-1866) 4th Marquess of Lansdowne, Politician and railway company chairman, photograph by by John & Charles Watkins circa early 1860s, courtesy of National Portrait Gallery NPG Ax16422.
Henry Charles Keith Petty-Fitzmaurice 5th Marquess of Lansdowne by Philip Alexius de László.
Beatrix Frances Duchess of St Albans, Maud Evelyn Petty-Fitzmaurice, Marchioness of Lansdowne (wife of 5th Marquess), Theresa Susey Helen Vane-Tempest-Stewart, Marchioness of Londonderry and Evelyn Emily Mary Cavendish, Duchess of Devonshire, by Frederick & Richard Speaight.
Mrs Letitia Pilkington (née Van Lewen), (1712-1750), “Adventuress” and Author Date: c.1760 Engraver: Richard Purcell, Irish, c.1736-c.1766 After Nathaniel Hone the Elder, Irish, 1718-1784.
Oliver Plunket, by Edward Luttrell courtesy of National Portrait Gallery London.
Called Frances Hales, Countess of Fingall, possibly Margaret MacCarty later Countess of Fingall, wife of Luke Plunkett (1639-1685) 3rd Earl of Fingall, by Simon Pietersz Verelst courtesy of National Trust Hatchlands. Margaret was daughter of Donough MacCarty (or MacCarthy) 1st Earl of Clancarty; 2nd Viscount Muskerry. Frances Hales married Peter Plunkett (1678-1717) 4th Earl of Fingall.
Arthur James Plunkett (1759-1836) 8th Earl of Fingall by Charles Turner after Joseph Del Vechio NPG D36923.
Horace Plunkett by photographer Bassano Ltd, 1923, courtesy of National Portrait Gallery of London, reference NPGx12783.
William Conyngham Plunket, 1st Baron Plunket, (1764-1854), Orator and former Lord Chancellor of Ireland Engraver David Lucas, British, 1802-1881 After Richard Rothwell, Irish, 1800-1868.
Marble bust of William Plunket, 1st Baron Plunket (1764-1854), Lord Chancellor of Ireland, by CHRISTOPHER MOORE RHA (1790 – 1863), courtesy of Adams auction 19 Oct 2021.
William Pole of Ballyfin (d. 1781), English school of 18th century, pastel, courtesy of Christies auction, wikimedia commons. He married Sarah Moore, daughter of the 5th Earl of Drogheda.

Brabazon Ponsonby (1679-1758) 1st Earl of Bessborough, 2nd Viscount Duncannon, of the fort of Duncannon, Co. Wexford married Sarah Margetson. Their daughter Sarah (d. 1736/37) married Edward Moore, 5th Earl of Drogheda. Their daughter Anne married Benjamin Burton of Burton Hall, County Carlow. Their daughter Letitia (d. 1754) married Hervey Morres, 1st Viscount Mountmorres. Their son William Ponsonby (1704-1793) succeeded as 2nd Earl of Bessborough and a younger son, John (1713-1787) married Elizabeth, daughter of William Cavendish 3rd Duke of Devonshire.

John Ponsonby (1713 – 1787) by Hugh Douglas Hamilton, courtesy of The Library Collection auction 26 April 2023 at Adams. He was Speaker of the Irish House of Commons. He was the son of Brabazon Ponsonby (1679-1758) 1st Earl of Bessborough, 2nd Viscount Duncannon, of the fort of Duncannon, Co. Wexford. He married Elizabeth, daughter of William Cavendish 3rd Duke of Devonshire.
The Hon. Richard Ponsonby (1772-1853), Bishop of Derry and Raphoe, British (English) School, circa 1830. A half-length portrait of a man, known as “handsome Dick Ponsonby”, turned go the right, gazing at the spectator, wearing surplice and white bands. He was a son of William Brabazon Ponsonby, 1st Baron Ponsonby of Imokilly (1744-1806) who was a son of John Ponsonby (1713 – 1787). Courtesy of National Trust images
William Ponsonby, 2nd Earl of Bessborough, (1705-1793), observing a copy of the Borghese Vase Date 1794 by Engraver Robert Dunkarton, English, 1744-1811 After John Singleton Copley, American, 1738-1815.
Oil painting on canvas, William Ponsonby, 2nd Earl of Bessborough (1704-1793), attributed to Jeremiah Davison (Scotland c.1695 ? London after 1750) or George Knapton (London 1698 ? Kensington 1778), circa 1743/50. Oval, half-length portrait, turned slightly to the left, gazing at spectator, wearing oriental costume, composed of a red tunic, blue cloak edged with white fur and a red and white turban. Courtesy of National Trust Hardwick House. He married Caroline Cavendish, daughter of 3rd Duke of Devonshire.
Frederick Ponsonby, Viscount Duncannon, (1758-1844), later 3rd Earl of Bessborough Date 1786, Engraver Joseph Grozer, British, fl.1784-1797 After Joshua Reynolds, English, 1723-1792.
Lady Caroline Lamb née Ponsonby (1785-1828) by Eliza H. Trotter, NPG 3312. She was the daughter of the 3rd Earl of Bessborough.
John William Brabazon Ponsonby (1781-1847) 4th Earl of Bessborough, County Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
George Portis (d. 1760), who married Mary Ratcliffe, courtesy of Fonsie Mealy auction.
George M. Portis (b. 10th Nov 1729), Collector of Belfast, by Stephen Slaughter, courtesy of Fonsie Mealy auction.
Isabella Maria Portis (1741-1806), daughter of George and Mary, by Stephen Slaughter, courtesy of Fonsie Mealy auction.
Marguerite née Power, Countess of Blessington. Marguerite (1789-1849) was daughter of Edmund Power, and she married first Maurice St. Leger Farmer, and secondly, Charles John Gardiner, 1st and last Earl of Blessington, son of Luke Gardiner, 1st Viscount Mountjoy. She wrote the book Confessions of an Elderly Gentleman, published 1836, and The Idler in Italy, published between 1839 and 1840, in three volumes. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mervyn Pratt (1807-1890), husband of Madeline Jackson, of Enniscoe, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mary Preston youngest daughter of the Hon. Henry Hamilton, by Hugh Douglas Hamilton Adam’s auction 20 Sept 2015. Mary Hamilton married in 1764 (as his second wife) the second Nathaniel Preston (1724-1796), Reverend, of Swainstown, Co. Meath. Her father was a younger son of Gustavus Hamilton 1st Viscount Boyne of Stackallan, Co. Meath and her parents were intimate with Mrs Delaney who of them said – “I never saw a couple better suited than Mr Hamilton and his wife, their house like themselves looks cheerful and neat…., they have four children, whose behaviour shows the sense of their parents”. Mary’s brother, Sackville Hamilton became a competent and respected Civil Servant.
Lucretia (1804-1891) Viscountess Gormanston, daughter of William Jerningham, wife of Edward Anthony John Preston 13th Viscount Gormanston courtesy of Adam’s auction 12 Oct 2014.
Thomas Prior (1682-1751), Founding Member and Secretary to the Dublin Society, Engraver Charles Spooner, Irish, c.1720-1767 After John van Nost the Younger, Flemish, c.1710 – 1780.
Henry Prittie, 1st Baron Dunalley (1743-1801), Irish school, courtesy of Christie’s.
Henry Prittie, 3rd Baron Dunalley (1807-1885) by Stephen Catterson Smith courtesy of Christie’s 2013.
Augustus Welby Northmore Pugin (1812-1852) by James Henry Lynch, after John Rogers Herbert NPG D20474.

Marlay Park House, Rathfarnham, County Dublin

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Marlay Park, Rathfarnham, County Dublin – owned by Dun Laoghaire/Rathdown County Council.

Marlay House, County Dublin, September 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

https://www.dlrcoco.ie/en/heritage/heritage

Online tour https://www.dlrcoco.ie/heritage/heritage

Marlay House is owned by Dun Laoghaire/Rathdown County Council. It has been restored for guided tours and the former stables have been converted into a crafts courtyard. The house had been declared unsound in 1977 and the council considered demolition. Insteahd, thank goodness, renovation began in 1992, much of the repairs done by people on an employment training scheme. The Council runs tours of the house during the Dun Laoghaire/Rathdown Heritage festival, which partially coincides with Heritage Week. Stephen and I went on the tour in 2025.

Marlay House was built for David La Touche (1729-1817), adding to an earlier 17th century house called the Grange. David La Touche bought the Grange in 1764. This Grange house is not to be confused with a house called Marlay Grange, mentioned by Mark Bence-Jones in his Guide to Irish Country Houses, and on the excellent website of Timothy William Ferres, Lord Belmont in Northern Ireland, which was built around 1850 and belonged to the Rowleys. [1]

Marlay House and Grange, which is attached, September 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Marlay Park, view from the house, County Dublin, September 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The lands of Marlay Park belonged to the Cistercian Abbey of St. Mary, located in the city of Dublin – see my entry: https://irishhistorichouses.com/2022/11/09/the-church-junction-of-marys-street-jervis-street-dublin/ . After the dissolution of the monasteries by King Henry VIII, the land was granted to Barnaby Fitzpatrick (c.1478–1575) 1st Baron of Upper Ossory. Barnaby’s fourth wife was Margaret, daughter of Piers Butler, 8th Earl of Ormond. His son Barnaby who became 2nd Baron was raised at the English court with King Henry VIII’s son Edward.

Because the lands lay within the southern boundary of the pale, the holding became known as “Grange of the March”, meaning “Farmhouse of the Border.” The property later passed into the possession of the Harold family who were responsible for the defence of this section of the Pale from the attacks of the Irish clans. [2] They were known as “marcher lords” or “wild” border guardians, descendants of Vikings. The area of Harold’s Cross is named after them, specifically from a cross erected to mark the boundary between the lands of the Archbishop of Dublin and the lands of the Harold family, warning them not to encroach further toward the city. [3] The Harolds were dispossessed in after the 1641 Rebellion.

Grange, which was also known as Harold’s Grange, was owned previously by Thomas Taylor (1707-1763), Mark Bence-Jones tells us. [4] Taylor was Lord Mayor of Dublin in 1750. He inherited Grange from his father, also Thomas, who was an eminent agriculturalist, who died in 1727 and is buried in Kilgobbin graveyard. In the Taylors’ time the house was built, and also ornamental grounds and a deer park. Some of the house may have been demolished later when David La Touche was building the new part of the house.

Grange, which is attached to Marlay House, September 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Grange, September 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Grange, the part within the courtyard next to Marlay House, September 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The courtyard next to Marlay House. Tor a period, the stained glass artist Evie Hone occupied a house in the stable court. September 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Thomas Taylor (1707-1763) married, first, in 1733, Sarah, whose father John Falkiner held the office of High Sheriff of County Dublin in 1721 (Burke’s Peerage 2003 volume 1, page 1380). In 1747 Thomas married for a second time, this time to Anne (1725-1820), daughter of Michael Beresford, who in turn was the son of Tristram Beresford, 1st Baronet of Coleraine in County Derry.

Tristram Beresford (d. 1673), 1st Baronet of Coleraine in County Derry.
Grange, which is attached to Marlay House, view of the rear of the house, September 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Grange, which is attached to Marlay House, view of the rear of the house, September 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

After Thomas the son died in 1763, Grange was acquired by David La Touche.

The La Touche family was a Huguenot family. Huguenots were French Protestants, and they fled from France due to the punishment and killing of Protestants after Louis XIV revoked the Edict of Nantes – the Edict of Nantes had promoted religious toleration.

David Digues La Touche (1675-1745), born in the Loire Valley, fled from France after the Revocation of the Edict of Nantes. He fled to Holland, where his uncle obtained for him a commission in the army of William of Orange. He fought in the Battle of the Boyne in the regiment under General Caillemotte. [5] He left the army in Galway, where he was billeted on a weaver who sent him to Dublin to buy wool yarn (worsteds). He decided then to stay in Dublin, and with another Huguenot, he set up as a manufacturer of cambric and rich silk poplin. Where I live in Dublin is an area where many Huguenots lived and weaved – we are near “Weaver Square,” and our area is called “The Tenters” because cloth waas hung out to dry and bleach in the sun and looked like tents, hung on “tenterhooks”!

La Touche was an elder of the French Church group in Dublin, many of whom used to meet in what is now the Lady Chapel of St Patrick’s Cathedral. [6]

The La Touches began banking when Huguenots left their money and valuables with David for safekeeping when they would travel out of the capital. He began to advance loans, and so the La Touche bank began. He had two sons, David La Touche (1703-1785) and James Digues (later corrupted to Digges) La Touche.

David La Touche purchased properties which passed to his sons: Marlay House to David (1729-1817), Harristown in County Kildare to John (1732-1805) [see my write-up https://irishhistorichouses.com/2020/09/27/harristown-brannockstown-county-kildare/ ], and Bellevue, County Wicklow, to Peter (1733-1828). Bellevue has since been demolished, in the 1950s [7].

Photograph courtesy of La Touche Legacy website.

At the time of his death in 1785, La Touche’s rental income was £25,000 and the La Touche bank’s profit was £25,000-£30,000. His three sons who survived him, David (also the first Governor of the Bank of Ireland), John and Peter were partners in the Bank. Later, they took in their cousin William Digges La Touche as a Partner, following his distinguished service as Britain’s representative in Basra in the Persian Gulf. David and his brothers had a vast monument erected to their father in Christ Church, Delgany, where their father had died in his favourite country home, Bellevue. [see 6]

David La Touche of Marley, County Dublin (1729-1817), M.P., Banker and Privy Counsellor. Photograph courtesy of National Gallery of Ireland.
Peter La Touche of Bellevue (1733-1828), Date 1775 by Robert Hunter, photograph courtesy of National Gallery of Ireland.
Bellevue, County Wicklow, photograph by Robert French, Lawrence Photographic Collection, National Library of Ireland.
Photograph courtesy of La Touche Legacy website.

David La Touche (1729-1817) commissioned the building of the extension of Grange, and he named his new house “Marlay” after his wife’s family. He married Elizabeth Marlay in 1762, just before he purchased the property. Her father was Bishop George Marlay of Dromore in County Down.

David La Touche (1729-1817), of Marlay, 1800 by Hugh Douglas Hamilton, courtesy of National Gallery of Ireland.

I don’t know what architect designed the enlargement of the original Taylor house at Marlay for David La Touche. Turtle Bunbury claims that the enlargement was by Whitmore Davis. Whitmore Davis joined the Dublin Society’s School of Drawing in Architecture in 1770. A date stone in the house tells us that the first stone of the house was laid by William La Touche in 1794.

David and his family would have spent much of their time in their townhouse in Dublin. Marlay House was their weekend retreat and place for entertainment. I’m not sure when the family purchased 85 St. Stephen’s Green, now part of the Museum of Literature of Ireland (MOLI), but by 1820 George La Touche was resident. George was the unmarried son of David La Touche (1729-1817). [see 6] David La Touche (1703-1785) developed much of the area around St. Stephen’s Green, Aungier Street and the Liberties. In 1812, Peter La Touche bought 9 St. Stephen’s Green, now a Private Members Club.

85 St. Stephen’s Green (in middle), Dublin, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
9 St. Stephen’s Green, view of stairhall from first floor landing, UCD archive, Built c. 1756 for the Rev. Cutts Harman, Dean of Waterford, now Stephen’s Green Club, plasterwork is attributed to Paolo Lafranchini.

The La Touche family purchased Harristown in County Kildare in 1768 and hired Whitmore Davis to design the house.

Harristown House, County Kildare. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph courtesy of La Touche Legacy website.

Whitmore Davis also designed the building for the Bank of Ireland at St. Mary’s Abbey in Dublin around 1786-1791. The La Touches were involved with the establishment of this bank in 1783. David La Touche was a major investor.

Peter La Touche hired Whitmore Davis in 1789 to build a church in Delgany, County Wicklow, and John La Touche hired him to design the Orphan House on North Circular Road in Dublin in 1792.

Elizabeth La Touche née Vicars (1756-1842), wife of Peter La Touche, by John Whitaker National Portrait Gallery of London D18415.

The La Touche crest features a pomegranate symbol, for fertility. We see the crest on the urn which tops Marlay House over the front door. The same crest decorates over the front windows in Harristown. The star shaped symbol might be the shape of the pomegranate flower. This shape features on the front pillar gates of Harristown House also. The same crest was added to the stairwell in 85 St. Stephen’s Green.

Front of Marlay House, with crest of pomegranate on the urn on top of roof, and star symbol under urn. September 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Marlay House, with crest of pomegranate on the urn on top of roof, and star symbol under urn. September 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Crest with pomegranate on Harristown House. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The La Touche crest, in 85 St. Stephen’s Green, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Marlay House, County Dublin, September 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Marlay House is two storeys over a basement. It has a seven bay front with a central door framed by what Mark Bence-Jones calls a frontispiece of coupled engaged Doric columns. The frontispiece has an entablature enriched with medallions and swags, and urns on the top at either end. The window above is also framed with an entablature on console brackets.

Marlay House, County Dublin, September 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The large central urn located on the roof parapet is on a plinth carved with swags, and there are smaller urns dotted around the roof.

There is a bow at the side of the house and another at the back. The kitchen and staff areas were in the Grange part of the house. We were lucky to tour the Grange as well, to see the large kitchen, which has a galley level, where the lady of the house would instruct the cook what to prepare, remaining well away from the servants.

Marlay House, County Dublin, September 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Marlay House, County Dublin, September 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Side of Marlay House, County Dublin, September 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Side of Marlay House, County Dublin, September 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rear view of Marlay House, County Dublin, September 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Rear bow, Marlay House, County Dublin, September 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Unfortunately one is not allowed photography inside the house, but there are a few photographs on the County Council website. The house includes an elegant entrance hall, ballroom, and unusual oval music room, with decorative plasterwork by Michael Stapleton. 

Marlay House front hall, photograph courtesy of Dun Laoghaire/Rathdown County Council website.

The Hall has a screen of Corinthian columns and frieze of tripods and winged sphinxes. Our guide pointed out that it is a large front hall for the size of the house. This is because it was built to impress visitors. It is not perfectly symmetrical, but has a dummy door to improve the symmetry.

The smaller Dining Room, off the front hall, also has a dummy door. It has a good frieze and cornice, and is the smaller dining room used for family dining. The house retains nearly all of the original chimneypieces. Our guide pointed out that one can surmise the age of the chimneypiece from the width of the mantlepiece. The Georgian mantlepieces were narrow, made to hold a mirror, which was tilted slightly upward to reflect light, and also to reflect a decorative ceiling. Later mantlepieces were made wider in the Victorian age when people liked to display objects.

There isn’t a feature staircase. There are two staircases, which are more functional than showy. There’s a servant staircase beside the small dining room.

The larger dining room could also act as a ballroom. It has beautiful delicate plasterwork mostly likely to have been made by Michael Stapleton, with a gorgeous ceiling and a decorative niche for a sideboard.

The larger dining room, Marlay House, photograph courtesy of Dun Laoghaire/Rathdown County Council website.

The walls have plaster swags and painted medallions.

There is a portrait of David La Touche in military outfit, and of his father in a soft turban-style hat.

A “jib” door leads to a corridor to the oval room. This room has a portrait of George Marlay, Bishop of Dromore. Musical instruments in the plaster ceiling show that this was a music room. The windows are curved as well as the walls.

Marlay House oval room, photograph courtesy of Dun Laoghaire/Rathdown County Council website.

There is also a fine plasterwork ceiling in the oval room. Unfortunately the photographs do not show the ceiling.

Marlay House interior, photograph courtesy of Dun Laoghaire/Rathdown County Council website.

There is a small vaulted vestibule off the oval room, which has more decorative plasterwork. Othere rooms include a library and another bow room with a decorative ceiling, which has drawings by the La Touche children. One of the library’s walls is dedicated to work by Evie Hone, since she spent time living and working in the courtyard.

In 1781 on a visit, Austin Cooper mentions the house as well as ponds with islands, rustic bridges, waterfalls, gardens with hothouses and greenhouses, an aviary and a menagerie. [8] The grounds were landscaped by Thomas Leggett (fl. 1770s-1810s) and Hely Dutton (fl. 1800s-1820s). [9] 

The house once again has an aviary!

The aviary at Marlay House. September 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The aviary at Marlay House. September 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

A website about the La Touche family tells us that David (1729-1817) was an investor in the Grand Canal Company, and in 1800 he was its Treasurer. He and his brothers were founding members of the Kildare Street Club in the 1780s. They were also Freemasons. The La Touches were generous and supported most of the large charitable and cultural organisations of the time. [10] David developed an interest in farming and developed a model farm at Marlay.

David La Touche had many children, who married very well. Their daughter Elizabeth (1764-1788) married Robert Henry Butler 3rd Earl of Lanesborough and became the Countess of Lanesborough.

Photograph courtesy of La Touche Legacy website.
Elizabeth, Countess of Lanesborough (née La Touche), (1764-1788), wife of 3rd Earl Date 1791 Engraver Francesco Bartolozzi, Italian, 1725-1815 After Horace Hone, English, 1756-1825, photograph courtesy of National Gallery of Ireland.

Daughter Emily (1767-1854) married Colonel George Vesey, and they lived in Lucan House (see my entry https://irishhistorichouses.com/2025/12/20/lucan-house-lucan-county-dublin/ ). Her husband’s father Agmondisham Vesey (1708–85) was, interestingly, a member of the house of commons for Harristown, Co. Kildare, 1740–60. He was an amateur architect and designed his residence, Lucan House, built in 1772, with the help of William Chambers, and consulted with James Wyatt (1746-1813) of London and Michael Stapleton for the interiors of the house. There are several similarities between Marlay House and Lucan House, including the bows, and the work by Michael Stapleton. Lucan also has a screen of Corinthian pillars in the front hall, and an oval room.

Lucan House, Dublin, October 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Plasterwork probably by Michael Stapleton in Lucan House, Dublin, October 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Plasterwork probably by Michael Stapleton in Lucan House, Dublin, October 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Oval Room in Lucan House, Dublin, October 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Daughter Harriet (d. 1841) married Nicholas Colthurst, 3rd Baronet of Ardum, Co. Cork. Another daughter, Anne (d. 1798) married George Jeffereyes (1768-1841) of Blarney Castle (see my entry https://irishhistorichouses.com/2022/09/23/blarney-castle-rock-close-blarney-co-cork/ ). Daughter Maria (d. 1829) married Maurice Fitzgerald, 18th Knight of Kerry, of Glin Castle in County Limerick. David and Elizabeth née Marlay’s sons were David (1769-1816), John David (1772-1838), George (1770-1824), Peter (1777-1830), Robert, who didn’t marry, and William, who is probably the one who lay the foundation stone of the house, who died young.

David La Touche (1769-1816) married Cecilia , daughter of Joseph Leeson, 1st Earl of Milltown, of Russborough House. The Dictionary of Irish Biography tells us that David served as MP for the borough of Newcastle (1790–97, 1798–1800) and MP for Co. Carlow (1802–16) in the UK parliament.

David La Touche of Marlay, Dublin (1734-1806) by Hugh Douglas Hamilton courtesy Christies Old Master & British Drawings and Watercolour.
Cecilia La Touche née Leeson (about 1769-1848).

Hugh Douglas Hamilton, (1739-1808) Madame La Touche thought to be Cecilia La Touche who married David La Touche eldest son of R.T Hon David La Touche in 1789, dau of Joseph Leeson, courtesy of Adam’s 28 Sept 2005

John David La Touche of Marlay, Dublin (1772–1830), full-length, in a taupe frock coat and jabot, with Taormina and Mount Etna beyond by Hugh Douglas Hamilton courtesy Old Master & British Drawings and Watercolours, Christies.
Gentleman believed to be Robert La Touche by Hugh Douglas Hamilton courtesy Christies Irish Sale 2003. Robert died when a stand collapsed at the Curragh Races.
Portrait Of A Young Gentleman, Believed To Be Peter Digges La Touche courtesy of Adam’s 1st April 2009, Irish School, late 18th Century.

Peter (1777-1830) married Charlotte, daughter of Cornwallis Maude 1st Viscount Hawarden. Peter inherited the estate at Bellevue owned by his uncle Peter La Touche.

The family enjoyed theatricals, and the Masque of Comus was performed in 1778 with an epilogue by Henry Grattan, a cousin of Mrs. La Touche. [see 8] The house had its own theatre.

The walled garden in Marlay was built around 1794.

The walled garden at Marlay House. September 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The walled garden at Marlay House. September 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Regency Orangerie in the walled garden at Marlay House. September 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The thatched arbour in the walled garden at Marlay House. September 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The walled garden at Marlay House. September 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The walled garden at Marlay House. September 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Marlay House. September 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

John David La Touche was the next to live in Marlay. He was succeeded by his son David Charles La Touche (1800-1872). He died without marrying, so his brother, Charles John Digges La Touche (1811-1884), succeeded him. The La Touche legacy website tells us that Charles had been at Oxford and knew Newman (later a Cardinal). In 1844, Charles caused consternation among the wider family by becoming a Roman Catholic and moving to Tours in France. Charles had a son, John David (1861-1935), who worked in China in the Imperial Chinese Customs Service, and on his retirement, he returned to Ireland in 1925 and bought a fine residence at Kiltimon, Co. Wicklow. [see 10]

In 1871 the La Touche bank was acquired by Munster Bank.

The La Touches sold the property to Robert Tedcastle around 1850. The Tedcastle family owned a fleet of cargo ships, one of which they named “Marlay”.  The “Marlay” was used to carry freight, such as coal, and passengers between Dublin and Liverpool. Tedcastle was a devout Christian and he led a quiet life so the house was no longer a place for parties. His grandchildren came to live with him. One of his grandsons wrote a memoir which discusses growing up in the house. When Robert Tedcastle died, the house went to a distant cousin, but lay empty.

The Tedcastle family lived at Marley until 1925, when Robert Ketton Love bought the house. He lived there until his death in 1939. Robert and his wife Maud bought the property to build a dairy to make icecream, but nearby a rival firm set up so the business didn’t succeed. They then established a market garden at the property. When Robert died in 1939, his son Philip inherited the estate and market garden. He was the largest tomato producer in Ireland, I believe, and also bred racehorses. He died in August 1970 and in 1972 it was bought by Dublin County Council.

Marlay House. September 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

2025 Diary of Irish Historic Houses (section 482 properties)

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[1] http://lordbelmontinnorthernireland.blogspot.com/2012/05/marlay-grange.html

[2] http://marleygrange.ie/history-of-marley-grange/

[3] https://www.hxparish.ie/history

[4] Mark Bence-Jones, A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

p. 202. “(La Touche/IFR) The original early C18 house here, known as the Grange and built by Thomas Taylor, was sold ca 1760 to the banker, David La Touche, MP, afterwards 1st Governor of the Bank of Ireland, who renamed it Marlay, having married a daughter of Rt. Rev George Marlay, bishop of Dromore; and who rebuilt the house later in C18. Of two storeys over a basement. Seven bay front, central window-door framed by frontispiece of coupled engaged Doric columns, entablature enriched with medallions and swags, and urns; window above it with entablature on console brackets; large central urn on plinth carved with swags in centre of roof parapet; smaller urns on either side. Side elevation of 2 bays on either side of a curved bow. Delicate interior plasterwork, said to be by Michael Stapleton. Hall with screen of Corinthian columns and frieze of tripods and winged sphinxes. Fine plasterwork ceilings in dining room and oval room, that in the dining room incorporating a painted medallion; husk ornamentation on dining room walls. Sold ca 1867 to one of the Tedcastle famliy, of the well-known firm of coal merchants. From ca 1925 to 1974 the home of the Love family; for a period, the stained glass artist, Evie Hone, occupied a house in the stable court. Now owned by the local authority and empty, used by Radio-Telefis Eireann as Kilmore House in their recent feature.” 

[5] Young, M.F. “The La Touche Family of Harristown,” Journal of the Kildare Archaological Society, volume 7. 1891. https://archive.org/details/journalofcountyk07coun/page/36/mode/2up

[6] https://www.greystonesahs.org/gahs3/index.php/talks-and-visits?view=article&id=214:journal-volume-4-article-6-1&catid=87

[7] p. 129. Bunbury, Turtle and Art Kavanagh, The Landed Gentry & Aristocracy of County Kildare. Published by Irish Family Names, 11 Emerald Cottages, Grand Canal St., Dublin 4 and Market Square, Bunclody, Co. Wexford, Ireland, 2004.

[8] p. 61-62, Ball, Francis Elrington, A History of the County Dublin: the people, parishes and antiquities from the earliest times to the close of the eighteenth century. Volume III. Alex. Thom, 1902-20.

On Thomas Taylor’s grave in Kilgobbin, it says “Here lieth the body of Thomas Taylor of Harold’s Grange who departed this life the 22nd November 1727. Underneath lie the remains of Samuel Taylor Esq. who departed this life 22nd April 1881 aged 79 years and six months leaving only one daughter who married to the Rev. Dr. Vesey of the City of Dublin. Mrs. Anna Taylor who departed this life Feb 22nd 1821 aged 66 years daughter of John Eastwood Esq. of Castletown, County Louth, wife of Mathew Beresford Taylor Esq who died 8th March 1828 aged 74 years. Mrs. Isabella Taylor who departed this life 1st March 1830, daughter to Sir Barry Collies Meredyth Bart wife of John Keatinge Taylor Esq. aged 36 years Captain 8th Hussars who died 3rd March 1836 aged 52 years. His widow Mary daughter of William Poole of Ballyroan Esq died 28th January 1892. Isabella their eldest child died 1834 aged two years.”

[9] https://www.buildingsofireland.ie/buildings-search/building/60220011/marlay-house-grange-road-co-dun-laoghaire-rathdown

[10] http://latouchelegacy.com/the-marlay-rathfarnham-family/

Howth Castle, Dublin

Howth Castle, Dublin

Howth Castle, Dublin, August 2025, overlooking Dublin bay. The medieval tower is the one to the right of the two storey part of the castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle, photograph courtesy Howth Castle website.

My friend Gary and I went on a tour of Howth Castle in Dublin during Heritage Week in 2025. You can arrange a tour if you contact the castle in advance, see the website https://howthcastle.ie

Entrance to Howth Castle, Dublin, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I envy historian Daniel, our tour guide, as he lives in the castle! Mark Bence-Jones describes the castle as a massive medieval keep, with corner towers crenellated in the Irish crow-step fashion, to which additions have been made through the centuries. [1]

Howth Castle, courtesy of Howth Castle instagram. In the middle of the photograph is the old tower house.
Howth Castle, County Dublin, after Francis Wheatley, English, 1747-1801.

Timothy William Ferres tells us that the current building is not the original Howth Castle, which was on the high slopes by the village and the sea. [2]

Howth Castle, Dublin. The old tower house in the centre, with a 1900s tower to the left. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Until recently, the castle was owned by the Gaisford-St. Lawrence family. Irish investment group Tetrarch who purchased the property in 2019 plan to build a hotel on the grounds. It had been owned by the same family, originally the St. Lawrences, ever since it was built over eight hundred years ago. Over the years, wings, turrets and towers were added, involving architects such as Francis Bindon (the Knight of Glin suggests he may have been responsible for some work around 1738), Richard Morrison (the Gothic gateway, and stables, around 1810), Francis Johnson (proposed works for the 3rd Earl of Howth), and Edward Lutyens (for Julian Gaisford-St. Lawrence).

The Gothic gateway to Howth Castle, by Richard Morrison c. 1810. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Timothy William Ferres tells us that the St. Lawrence family was originally the Tristram family. Sir Almeric Tristram took the name St. Lawrence after praying to the saint before a battle which took place on St. Lawrence’s Day near Clontarf in Dublin. Sir Almeric landed in Howth in 1177. After the battle he was rewarded for his valour in the conflict with the lands and barony of Howth. [see 2]

In an article in the Irish Times on Saturday August 14th 2021, Elizabeth Birthistle tells us that a sword that is said to have featured in the St. Lawrence’s Day battle is to be auctioned. A “more sober assessment” of the Great Sword of Howth, she tells us, dates it to the late 15th century. Perhaps, she suggests, Nicholas St. Lawrence 3rd Baron of Howth used it in 1504 at the Battle of Knockdoe. The sword is so heavy that it must be held with two hands. It is first recorded in an inventory of 1748, and is described and illustrated in Joseph C Walker’s An Historical Essay on the Dress of the Ancient and Modern Irish. [3]

Almeric went on to fight in Ulster and then Connaught. In Connaught, he was killed by the O’Conor head of the province, along with his thirty knights and two hundred infantry. He left three sons by his wife, a sister of John de Courcy, Earl of Ulster. The eldest son, Nicholas Fitz Almeric, relinquished his father’s Ulster conquests to religious houses, and settled in Howth. [see 2]

The first construction on the site would have been of wood.

The family coat of arms depicts a mermaid and a sea lion. The mermaid is often pictured holding a mirror. There is a coat of arms on the wall of the front of the castle which was probably moved from an older part of a castle. The Howth Castle website tells us:

Plaque on the front of Howth Castle, with the family coat of arms depicting a mermaid holding a mirror. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

A mermaid is one of the supporters of the St. Lawrence family coat of arms, alongside a sea lion. The mermaid is often portrayed holding a small glass mirror. According to legend, the mermaid was once Dame Geraldine O’Byrne, daughter of The O’Byrne of Wicklow. She fell victim to dark magic at Howth Castle and was transformed into a mermaid. One item she left behind in her bedroom was a small glass mirror. The tower she slept in was from then always known as the ‘Mermaid’s Tower’. “

The Mermaid’s Tower at Howth Castle, built at the beginning of the nineteenth century. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Mermaid’s Tower, built at the beginning of the nineteenth century, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

An article in the Irish Times tells us that there was a tryst between Dame Geraldine O’Byrne and Tristram St. Lawrence which left the Wicklow woman heartbroken and shamed, so she transformed into a mermaid. It is said her wails of melancholy are still carried through the winds at night near the Mermaid’s Tower on the estate. [3]

The Howth Castle website tells us that:

One Christmas, Thomas St. Lawrence, Bishop of Cork and Ross [(1755–1831), son of the 1st Earl, 15th Baron of Howth] returned to Howth Castle to find that the family had gone to stay with Lord Sligo for the holiday season. Bishop St. Lawrence was left alone in the cold and dark castle with just a housekeeper for company and his ancestors glaring at him from the portraits in the dark hallways. The housekeeper put him to bed in the ‘Mermaid’s Tower’. His room was described as if ‘designed as the locus in quo for a ghost scene. Its moth-eaten finery, antiquated and shabby – -its yellow curtains, fluttering in the air…the appearance of the room was enough to make a nervous spirit shudder.’

He was suddenly and violently awoken in the night by the feeling of a cold, wet hand clasping his wrist and a cold hand covering his mouth. He made one large leap from his bed, lit his candle and there he found not a sinner in the room with him but one bloody yellow glove lying on his bed. Was he visited in the night by the mermaid?”

Howth Castle on the day we visited for the sale of its library, September 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I’m confused about Barons of Howth as different sources number the Barons differently. I will follow the numbering used on The Peerage website, which refers to  L. G. Pine, The New Extinct Peerage 1884-1971: Containing Extinct, Abeyant, Dormant and Suspended Peerages With Genealogies and Arms (London, U.K.: Heraldry Today, 1972), page 150. According to this, Christopher St. Lawrence (died around 1462) was 1st Baron Howth. He held the office of Constable of Dublin Castle from 1461.

The oldest surviving part of the castle is the gate tower in front of the main house. It dates to around 1450, the time of the 1st Baron Howth.

The front of Howth Castle with the Gate Tower, which dates to around 1450, the time of the 1st Baron Howth. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The National Inventory tells us about the Gate Tower: “Attached single-bay three-storey rubble stone gate tower, c.1450, with round-headed integral carriageway to ground floor. Renovated 1738.” Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Detail of painting of Howth Castle attributed to William Van der Hagen (fl. 1720-1745) or Joseph Tudor (d. 1759), courtesy of Howth Castle website.

The Howth Castle website tells us that the Keep, the tower incorporated into the castle, also dates from the mid fifteenth century. Unfortunately I have misplaced the notes I took on my visit to the castle. Daniel pointed out the various parts of the castle as we stood on the balustrade looking out into the courtyard, telling us when each part was built. From the photograph of the painting above, the Keep is the large tower on the left of the front door, and the Gate House is slightly to the front of the building to the right. Traces remain in the gardens of the wall and turrets, which would have enclosed the area. You can’t fully see the keep from the front of the house.

The Gate Tower, which dates to around 1450, the time of the 1st Baron Howth. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Gate Tower, Howth Castle, Dublin, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Christopher’s son Robert St. Lawrence (d. 1486) 2nd Baron Howth served as Lord Chancellor of Ireland, after first serving as “Chancellor of the Green Wax,” which was the title of the Chancellor of the Exchequer of Ireland. He married Joan, second daughter of Edmund Beaufort, 2nd Duke of Somerset, so by marriage, Timothy William Ferres tells us, Lord Howth’s descendants derived descent from King Edward III, and became inheritors of the blood royal. [see 2]

Nicholas St. Lawrence (d. 1526) was 3rd Baron Howth according to the Dictionary of Irish Biography. He also served as Lord Chancellor of Ireland. He married three times. The first bride was Janet, daughter of Christopher Plunkett 2nd Baron Killeen. We came across the Plunketts of Killeen and Dunsany when we visited Dunsany Castle in County Meath.

Howth Castle on the day we visited for the sale of its library, September 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Dictionary of Irish Biography tells us that when Lambert Simnel came to Ireland in 1487 and was crowned as King Edward VI in Christchurch catheral in Dublin, Nicholas the 3rd Baron remained loyal to King Henry VII. [4] In 1504, as mentioned earlier, the 3rd Baron Howth played a significant role at the battle of Knockdoe in County Galway, where the lord deputy, 8th Earl of Kildare, defeated the MacWilliam Burkes of Clanricard and the O’Briens of Thomond. [see 4]

The family were well-connected. The third baron’s daughter Elizabeth married widower Richard Nugent, 3rd Baron Delvin, whose first wife had been the daughter of Gerald Fitzgerald 8th Earl of Kildare.

The son and heir of the 3rd Baron, Christopher (d. 1542), served as Sheriff for County Dublin. Christopher the 4th Baron was father to the 5th, Edward (d. 1549), 6th (Richard, d. 1558 and married Catherine, daughter of the 9th Earl of Kildare, but they had no children) and 7th Barons of Howth.

The Hall, which is the middle of the front facade, was added to the side of the Keep in 1558 by Christopher, who is the 20th Lord of Howth according to the Howth Castle website, or the 7th Baron. He was also called “the Blind Lord,” presumably due to weak eyesight. The 1558 hall is now entered by the main door of the Castle.

The old tower is on the left, behind the extending wing, and the hall is in the middle with the front door. Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Christopher St. Lawrence (d. 1589) 7th Baron Howth was educated at Lincoln’s Inn, along with his two elder brothers, the 5th and 6th barons. Christopher entered Lincoln’s Inn in 1544 and was still resident ten years later in 1554. That year he was threatened with expulsion from Lincoln’s Inn for wearing a beard, which indicates, Terry Clavin suggests in the Dictionary of Irish Biography, a rakish side to his personality. He inherited his family estate of Howth and the title on the death of his brother Richard in autumn 1558 and was sworn a member of the Irish privy council soon afterward. [5]

The Dictionary of Irish Biography tells us that between December 1562 and February 1563 the 7th Baron represented Thomas Radcliffe 3rd Earl of Sussex’s views on the government of Ireland to Queen Elizabeth. [5]

A portrait of Queen Elizabeth I in the Provost’s House, Trinity College Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com.

The Dictionary tells us that from 1570 onward the 7th Baron Howth ceased to play an active role in the privy council and became increasingly estranged from the government. By 1575, concerned about his loyalty, the government briefly imprisoned him, following the arrest of his close associate Gerald Fitzgerald, 11th Earl of Kildare, upon charges of treason.

Christopher St. Lawrence (d. 1589) 7th Baron Howth compiled a book, The Book of Howth, in which he rebutted Henry Sidney’s views of Ireland.

Sir Henry Sidney (1529-1586), Lord Deputy of Ireland, after painter Arnold Van Brounkhorst, courtesy of National Gallery of Ireland.

Sidney believed that the medieval conquest of Ireland failed due to the manner in which the descendants of the Norman colonists, the so-called ‘Old English,’ embraced Gaelic customs. He regarded as especially pernicious the system of ‘coign and livery.’ Under ‘coign and livery,’ landowners maintained private armies. Sidney believed this impoverished the country and institutionalised violence. Clavin writes that Lord Howth produced the ‘Book of Howth’ to rebut this interpretation of Irish history and to provide a thinly-veiled critique of Sidney’s reliance on and promotion of English-born officials and military adventurers at the expense of the Old English community. Howth held that the abolition of ‘coign and livery’ would leave the Old English exposed to the depredations of the Gaelic Irish. [5]

Instead of “coign and livery,” the English maintained a royal army, with landowners providing for the soldiers with the “cess.” Christopher St. Lawrence 7th Baron opposed the “cess.” Sidney suggested that a tax be imposed instead of the cess. Lord Howth objected and was imprisoned for six months. He and others similarly imprisoned were released when they acknowledged that the queen was entitled to tax her subjects during times of necessity. [5]

In 1579, Christopher was convicted cruelty towards his wife and children. His wife Elizabeth Plunket was from Beaulieu in County Louth (see my entry https://irishhistorichouses.com/2021/03/17/beaulieu-county-louth/). After he whipped his thirteen year old daughter Jane to punish her, she died. He beat his wife so badly that she had to remain in bed for two weeks, and then fled to her brother. Howth was tried before the court of castle chamber on charges of manslaughter and domestic abuse. Clavin writes that: “In an unprecedented step, given Howth’s social status, the court accepted testimony providing lurid details of his dissolute private life. This may reflect either the crown’s desire to discredit a prominent opposition figure or simply the savagery of his crimes.” [5] He was imprisoned and fined, and made to pay support for his wife and children, from whom he separated, and he fell out of public life.

Amazingly, he later married for a second time, this time to Cecilia Cusack (d. 1638), daughter of an Alderman of Dublin, Henry Cusack. After Christopher died in 1589, she married John Barnewall of Monktown, Co. Meath, and after his death, John Finglas, of Westpalstown, Co. Dublin.

Another legend of the castle stems from around the time of Christopher 7th Baron. When we visited the castle, the dining room was set with a place for a guest. The tradition is to keep a place for any passing guest. This stems from a legend about Grace O’Malley (c.1530-1603), “the pirate queen.”

A spare place setting at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A spare place setting in the dining room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Grace O’Malley was nicknamed ‘Grainne Mhaol’ (Grace the Bald) because when she was a child she cut her hair when her father Eoghan refused to take her on a voyage to Spain because he believed that a ship was no place for a girl. She cropped her hair to look like a boy. [6]

Grace O’Malley, 18th century Irish school, courtesy of Fonsie Mealy auction for Howth Castle, 2021.

The story is told that in around 1575, Grace O’Malley landed in Howth on her return from a visit to Queen Elizabeth. However, the Howth website tells us that Grace O’Malley did not visit Queen Elizabeth until 1593. She was in Dublin, however, in 1576, visiting the Lord Deputy. The story tells us that Grace O’Malley proceeded to Howth Castle, expecting to be invited for dinner, and to obtain supplies for her voyage home to Mayo. However, the gates were closed against her. This breached ancient Irish hospitality.

Later, when Lord Howth’s heir was taken to see her ship, she abducted him and brought him back to Mayo. She returned him after extracting a promise from Lord Howth that his gates would never be closed at the dinner hour, and that a place would always be laid for an unexpected guest.

Nicholas the 8th Baron fought with the British against the rebels in the Nine Years War (1594–1603). He fought alongside Henry Bagenal (d. 1598) against Hugh O’Neill (c.1540–1616) 2nd Earl of Tyrone, and accompanied Lord Deputy William Russell, later 1st Baron Russell of Thornhaugh, on his campaign against the O’Byrnes in County Wicklow. In 1601 he went to London to discuss Irish affairs, and the Queen formed a high opinion of him. She was also impressed by Howth’s eldest son Christopher, later 9th Baron Howth. [7]

William Russell (d. 1613) 1st Baron of Thornhaugh, painting attributed to Marcus Gheeraerts the Younger. Nicholas the 8th Baron accompanied Lord Deputy William Russell 1st Baron Russell of Thornhaugh on his campaign against the O’Byrnes in County Wicklow.

Nicholas married Margaret, daughter of Christopher Barnewall of Turvey in Dublin. She gave birth to the heir, and her daughter Margaret married Jenico Preston, 5th Viscount Gormanston. When widowed, daughter Margaret married Luke Plunkett, 1st Earl of Fingall.

After his wife Margaret née Barnewall’s death, Nicholas married secondly Mary, daughter of Sir Nicholas White of Leixlip, Master of the Rolls in Ireland, who lived in Leixlip Castle. See my entry https://irishhistorichouses.com/2020/09/04/leixlip-castle-county-kildare-desmond-guinnesss-jewelbox-of-treasures/

Nicholas and Margaret’s son Christopher (d. 1619) succeeded as 9th Baron Howth. Christopher 9th Baron also fought against the rebels in the Nine Years War. At some point Christopher converted to Protestantism. He conducted a successful siege at Cahir Castle in County Tipperary against Catholic Butlers. See my entry https://irishhistorichouses.com/2024/03/29/cahir-castle-county-tipperary-an-office-of-public-works-property/

In 1599, Christopher St. Lawrence 9th Baron was one of six who accompanied Robert Devereux 2nd Earl of Essex on his unauthorised return to England, riding with the earl to the royal palace at Nonesuch, where Essex burst in to Queen Elizabeth’s bedchamber. 

Robert Devereux, 2nd Earl of Essex (1566-1601) by Marcus Geeraerts the younger (Bruges 1561/2 – London 1635/6) and Studio, dated, top left: 1599. From a full-length portrait at Woburn Abbey (Duke of Bedford), courtesy of National Trust.

Rumour circulated that Christopher St. Lawrence pledged to kill Essex’s arch-rival Sir Robert Cecil. The Dictionary of Irish Biography tells us:

In late October he was summoned before the English privy council, where he denied having threatened Cecil’s life. One of the counsellors then referred to his Irishness, the clear implication being that as such he could not be trusted, at which he declared: ‘I am sorry that when I am in England, I should be esteemed an Irish Man, and in Ireland, an English Man; I have spent my blood, engaged and endangered my Liffe, often to doe Her Majestie Service, and doe beseech to have yt soe regarded’ (Collins, Letters and memorials of state, i, 138). His dignified and uncharacteristically tactful response eloquently summed up the quandary of the partially gaelicised descendants of the medieval invaders of Ireland (the Old English), who were regarded with suspicion by the Gaelic Irish and English alike. It also mollified his accusers, who, in any case, recognised that his martial prowess was urgently required in Ireland. Prior to his return to Dublin on 19 January, the queen reversed an earlier decision to cut off his salary, and commended him to the authorities in Dublin.” [8]

Christopher married Elizabeth Wentworth, daughter of Sir John Wentworth of Little Horkesley and Gosfield Hall, Essex, but by 1605 they separated, and the Privy Council ruled that he must pay for her maintenance. The St. Lawrence family inherited estates near Colchester from her family.

By 1601, while fighting in Ulster alongside the Lord Deputy Charles Blount, 8th Baron Mountjoy, many of the men Christopher commanded were Gaelic Irish. Increasingly dissatisfied, Christopher St. Lawrence began to alienate leading members of the political establishment.

Charles Blount (1563-1606), 8th Baron Mountjoy, Lord Deputy of Ireland, 1775, engraver Valentine Green after Paulus Van Somer; photograph courtesy of National Gallery of Ireland.

In 1605 the government began prosecuting prominent Catholics for failing to attend Church of Ireland services. Although Protestant, St. Lawrence’s family connections led him to identify with the Catholic opposition. The Dictionary of Irish Biography tells us that he became involved in the planning of an uprising in late 1605, along with Hugh O’Neill, despite his father having previously battled against O’Neill. [8]

Hugh O’Neill (c. 1540-1616) 2nd Earl of Tyrone, courtesy of National Museums Northern Ireland. In Irish Portraits 1660-1860 by Anne Crookshank and the Knight of Glin, we are told that this was painted during his exile in Rome.

Low on funds, and not having yet inherited Howth, he sought to join the Spanish army in Flanders, where an Irish regiment had been established in 1605. He wanted support for a rebellion against the British crown. However, perhaps realising that an uprising would fail, he turned into an informant for the government. The Dictionary of Irish Biography tells us that he sought to consolidate ties to the establishment by arranging the marriage of his son and heir Nicholas to a daughter of the Church of Ireland bishop of Meath, George Montgomery, in 1615.

George Montgomery, Bishop of Meath (c. 1566-1621), courtesy of Fonsie Mealy auction 2021.
Inside Howth Castle before the interiors auction, photograph courtesy of Irish Times, Saturday August 14th 2021. Pictured here is George Montgomery, Bishop of Meath (c. 1566-1621). On the left is a painting of George Montgomery’s wife Susan Steyning (1573-1614). In the middle is William St. Lawrence, son of William, 14th Baron Howth c 1740, Attributed to John Lewis (fl 1745-60). The auction catalogue tells us: “Born sometime around 1732, William was given the same name as his father, William St. Lawrence, 14th Baron Howth. Although William’s mother, Lucy Gorges, was twenty years younger than her husband, they were happily married and had three children; a daughter named Mary, and two sons, Thomas (who became 1st Earl of Howth), and William, the sitter in this portrait. The St. Lawrences were friends of Jonathan Swift, who was a frequent visitor to Howth Castle and also to Kilfane, their country house in Co. Kilkenny, where William Snr indulged his passion for horses and hunting…The attribution of this painting to the Dublin artist John Lewis, in Toby Bernard’s “Making the Grand Figure: Lives and Possessions in Ireland 1641-1770”, is convincing. Although not well-known as a portrait painter, Lewis was at the centre of Dublin’s theatre and cultural life in the mid eighteenth century, when he worked as a scene painter at the Smock Alley Theatre. He painted portraits of actor Peg Woffington, and dramatist Henry Brooke. While on a visit to Quilca House in Co. Cavan with Thomas Sheridan, he painted mural decorations, with images of Milton, Shakespeare and Jonathan Swift. He may have painted the portrait of William St. Lawrence after the boy’s untimely death. Although destined for a life as a professional soldier, and appointed an ensign in the army while still just fourteen years old, William’s military career was shortlived. While still a teenager, in April 1749, he died of smallpox. Dr. Peter Murray 2021.”

Christopher acted as a secret agent for the Crown, while pretending to be part of the rebellion against the Crown. He was afraid of being discovered as a traitor. The Dictionary of Biography has a long entry about his and his double dealings. He died in 1619 at Howth and was buried at Howth abbey on 30 January 1620. He and his wife had two sons and a daughter; he was succeeded by his eldest son, Nicholas. [8]

Nicholas St. Lawrence (d. 1643/44) 10th Baron Howth added the top floor above the hall of Howth Castle sometime prior to 1641. He and his wife Jane née Montgomery had two daughters: Alison, who married Thomas Luttrell of Luttrellstown Castle (now a wedding venue), and Elizabeth.

Luttrellstown Castle, courtesy of Luttrellstown Castle Resort for Failte Ireland 2019, Ireland’s Content Pool. [9]

Nicholas’s brother Thomas (d. 1649) succeeded as 11th Baron. Thomas’s son, William St. Lawrence (1628-1671), succeeded as 12th Baron Howth. The 12th Baron was appointed Custos Rotulorum for Dublin in 1661, and sat in the Irish House of Lords.

Nicholas the 10th Baron’s daughter Elizabeth married, as her second husband, her cousin William St. Lawrence 12th Baron Howth. She gave birth to the 13th Baron Howth.

Thomas St. Lawrence (1659-1727) 13th Baron Howth inherited the title when he was only twelve years old. Thomas Butler, 6th Earl of Ossory was appointed by his father as his legal guardian.

Thomas Butler (1634-1680) 6th Earl of Ossory, studio of Sir Peter Lely, circa 1678, courtesy of National Portrait Gallery NPG 371. Second son of the Duke and Duchess of Ormond and father of 2nd Duke of Ormonde. He was appointed as Thomas St. Lawrence (1659-1727) 13th Baron Howth’s legal guardian.

Thomas St. Lawrence married Mary, daughter of Henry Barnewall, 2nd Viscount Barnewall of Kingsland, County Dublin. After first backing King James II, in 1697 he signed the declaration in favour of King William III.

His son William (1688-1748) succeeded as 14th Baron, and carried out extensive work on Howth Castle, completing the project in 1738. A painting dating from this period commemorates the work.

Dating from around 1740, this bird’s eye view of Howth Demesne commemorates the extensive rebuilding of Howth Castle, a project completed in 1738 under the direction of William St. Lawrence, 14th Baron of Howth. Attributed to William Van der Hagen (fl. 1720-1745) or Joseph Tudor (d. 1759). Photograph courtesy of Sales Catalogue, Fonsie Mealy auction of Howth Castle contents, 2021.

Mark Bence-Jones writes that the castle is “Basically a massive medieval keep, with corner towers crenellated in the Irish crow-step fashion, to which additions have been made through the centuries. The keep is joined by a hall range to a tower with similar turrets which probably dates from early C16; in front of this tower stands a C15 gatehouse tower, joined to it by a battlemented wall which forms one side of the entrance court.” [see 1]

Howth Castle on the day we visited for the sale of its library. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle, Dublin, painting by Peter Pearson.

Mark Bence-Jones describes the central part of the front of the house:

The hall range, in the centre, now has Georgian sash windows and in front of it runs a handsome balustraded terrace with a broad flight of steps leading up to the entrance door, which has a pedimented and rusticated Doric doorcase. These Classical features date from 1738, when the castle was enlarged and modernized by William St. Lawrence, 14th Lord Howth, who frequently entertained his friend Dean Swift here.” [see 1]

The hall range of Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Our tour guide Daniel at Howth Castle, looking out from the balustraded terrace at the entrance. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle, Dublin City Library and Archives [10]. I think the photograph is reversed, as the Gate Tower should be on the left, when looking out from the balustraded terrace.
Looking out from the balustraded terrace at the entrance to Howth Castle, toward the Gate Tower. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle: the range on the right side when looking out from the front of the castle. This is the East wing, or Tower House – you can see the tower better from the other side, see the photograph below, which was added by William St. Lawrence (1628-1671), 12th Baron Howth or 25th Lord of Howth as the website refers to him, sometime between the Restoration in 1660 and his death in 1671. The tower at the end, called the Kenelm Tower, was not added until the Victorian period, by the 3rd Earl of Howth. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The other side of the East wing with its Tower House, added by William St. Lawrence (1628-1671), 12th Baron Howth sometime between the Restoration in 1660 and his death in 1671. Howth Castle, Dublin City Library and Archives. (see [10])
Howth Castle: this is the medieval tower house with the East wing and Tower House. The narrow tower at the end, called the Kenelm Tower, was not added until the Victorian period, by the 3rd Earl of Howth. Photograph courtesy of Howth Castle instagram.
Howth Castle: the Kenelm Tower. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Front entrance to Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Front hall, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Mark Bence-Jones describes: “The hall has eighteenth century doorcases with shouldered architraves, an early nineteenth century Gothic frieze and a medieval stone fireplace with a surround by Lutyens.” [see 1] The hall was added to the medieval tower in 1558 by Christopher, who is the 20th Lord of Howth according to the Howth Castle website, or the 7th Baron. It was later adapted by Edwin Lutyens in around 1911.

Ceiling of Front hall, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Front hall, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In Irish Houses and Gardens. From the Archives of Country Life, Sean O’Reilly writes about the article written about Howth Castle by Weaver for Country Life:

It is Lutyens’s selective retention and sensitive recovery of surviving original fabric from a variety of eras that distinguishes his work at Howth. The entrance hall, at the head of a wide flight of stairs, displays best his ability to empathise. While the photographs, by an unknown photographer and by Henson, convey his success, Weaver’s summary clarifies the architect’s methodology: ‘The general work of reparation in the interior revealed in the hall fireplace an old elliptical arch which enabled the original open hearth to be used once more. Above it Mr Macdonald Gill had painted, under Mr Lutyens’ direction, a charming conventional map of Howth and the neighbouring sea and a dial which records the movement of a wind gauge.’ ” [11]

The chimneypiece in the entrance hall was developed from existing Georgian and Victorian features, Seán O’Reilly tells us, with medieval fabric recovered during renovation, providing a mix of styles typical of Lutyens’ restorations. I wish I could find my notes to tell you more about the map painted by MacDonald Gill! I will just have to return so historian Daniel can tell me again.

Mr Macdonald Gill painted, under Mr Lutyens’ direction, a charming conventional map of Howth and the neighbouring sea and a dial which records the movement of a wind gauge.’ Front hall, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Front hall, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Front hall, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Front hall, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Front hall, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Front hall, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Front hall, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Front hall, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We were lucky enough to visit the castle when it hosted an exhibition of paintings by Peter Pearson, which feature in a book: Of Sea and Stone: Paintings 1974-2014.

Peter Pearson, Of Sea and Stone: Paintings 1974-2014.
Front hall, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

William the 14th Baron (1688-1748) married Lucy, younger daughter of Lieutenant-General Richard Gorges of Kilbrew, County Meath. Her mother was Nicola Sophia Hamilton, who before marrying Richard Gorges, had been married to Tristram Beresford, 3rd Baronet of Coleraine.

The Howth Castle website reminds us of a story that our guide on our visit to Curraghmore in County Waterford told us:

For many years in the Drawing Room of the castle hung the portrait of a handsome woman. To the back of the portrait was attached an unsigned and undated note stating that the painting once had a black ribbon round the wrist but that this had been removed during cleaning. The woman is Nicola Hamilton born 1667 who married firstly Sir Tristram Beresford and subsequently General Richard Gorges. The younger daughter of this marriage was Lucy Gorges, wife of the 27th Lord Howth, Swift’s ‘blue-eyed nymph’.”

Nicola Hamilton (1666-1713) by 17th century Irish portraitist, Garrett Morphy, courtesy of Howth Castle instagram.

The legend is that when she was quite young, she made an agreement with John Le Poer, Earl of Tyrone that whoever died first would come back and appear to the other. On dying Lord Tyrone came to her in the night, assured her of the truth of the Christian Revelation and made various predictions, that her first husband would soon die, that her son would marry the Tyrone heiress, and that she herself would die in her forty-seventh year, all of which came true. To convince her of the reality of his presence, he grasped her wrist causing her an injury and permanent scar which she concealed beneath a black ribbon.

The ease with which the ribbon was removed from the portrait does little to enhance the veracity of the story.

Nicola’s son was Marcus Beresford (1694-1763) 4th Baronet of Coleraine and as the ghost predicted, he married Catherine Le Poer of Curraghmore, daughter and heiress of James, 3rd Earl of Tyrone.

William St. Lawrence 14th Baron of Howth spent much time at another house he owned in Ireland, Kilfane in County Kilkenny. [12] He sat in the Irish House of Commons as MP for Ratoath between 1716 and 1727, and became a member of the Privy Council of Ireland in 1739.

William 14th Baron came to know Jonathan Swift through his wife. Swift became a regular visitor to Howth Castle and they exchanged numerous letters. At Howth’s request, Swift had his portrait painted by Francis Bindon.

Jonathan Swift by Francis Bindon, courtesy of Howth auction by Fonsie Mealy, 2021.

The painting of Jonathan Swift by Francis Bindon was offered at auction in 2021. A very similar painting by Bindon is owned by the Deanery of St. Patrick’s Cathedral. An obituary notice about Bindon in Faulkner’s Journal from 1765 describes Bindon as “one of the best painters and architects this nation has ever produced” and a copy of the Swift picture, painted by Robert Home, hangs in the Examination Hall at Trinity College, Dublin.

Portrait of Jonathan Swift (1667-1745) by Francis Bindon owned by St. Patrick’s Cathedral Deanery.

In 1736, Lady Lucy Howth’s brother Hamilton Gorges killed Lord Howth’s brother Henry St. Lawrence in a duel. Gorges was tried for murder but acquitted.

After her husband died, Lucy married Nicholas Weldon of Gravelmount House in County Meath, a Section 482 property which we visited. (see my entry https://irishhistorichouses.com/2024/06/13/gravelmount-house-castletown-kilpatrick-navan-co-meath/ )

William 14th Baron and Lucy’s son Thomas (1730-1801) succeeded as 15th Baron. He was educated in Trinity College Dublin, and succeeded to the title when he was eighteen years old, after his father’s death. He became a barrister, and was elected as a “Bencher,” or Master of the Bench of King’s Inn in Dublin in 1767.

In 1750 he married Isabella, daughter of Henry King, 3rd Baronet of Boyle Abbey in County Roscommon.

Isabella King, daughter of Henry King 3rd Baronet of Boyle Abbey in County Roscommon and wife of Thomas, 1st Earl of Howth courtesy Adam’s 6 Oct 2009 Robert Hunter (c.1715/20-c.1803).

In 1767 Thomas was created Viscount St. Lawrence and then Earl of Howth. He was appointed to Ireland’s Privy Council in 1768. Timothy William Ferres tells us that in consideration of his own and his ancestors’ services, he obtained, in 1776, a pension of £500 a year. 

His daughter Elizabeth married Dudley Alexander Sydney Cosby, 1st and last Baron Sydney and Stradbally, whom we came across when we visited Stradbally Hall in County Laois (see my entry https://irishhistorichouses.com/2021/10/14/stradbally-hall-stradbally-co-laois/ ). A younger son, Thomas St. Lawrence (1755-1831), became Lord Bishop of Cork and Ross. He’s the one who supposedly heard the mermaid in the tower!

Thomas’s son William (1752-1822) succeeded as 2nd Earl. William married firstly, in 1777, Mary Bermingham, 2nd daughter and co-heiress of Thomas, 1st Earl of Louth. Mary gave birth to several daughters.

Harriet St. Lawrence (d. 1830), daughter of William 2nd Earl of Howth. She married Arthur French St. George (1780-1844).

A daughter of the 2nd Earl of Howth, Isabella (d. 1837), married William Richard Annesley, 3rd Earl Annesley of Castlewellan, County Down.

Castlewellan Castle, County Down, 2014 © George Munday/Tourism Ireland.

Mary née Bermingham died in 1773 and William 2nd Earl of Howth then married Margaret Burke, daughter of William Burke of Glinsk, County Galway.

Howth Harbour was constructed from 1807, and in 1821, King George IV visited Ireland, landing at Howth pier.

Margaret the second wife, Countess of Howth, gave birth to a daughter Catherine, who married Charles Boyle, Viscount Dungarvan, son of the 8th Earl of Cork. She also gave birth to the heir, Thomas (1803-1874), who succeeded as 3rd Earl of Howth in 1822.

Thomas the 3rd Earl served as Vice-Admiral of the Province of Leinster, and Lord-Lieutenant of County Dublin. He married Emily, daughter of John Thomas de Burgh, the 1st Marquess of Clanricarde.

Emily, Countess of Howth, courtesy Fonsie Mealy Howth Castle sale.

Around 1840, Richard Morrison drew up plans for alterations in the castle, which were only partially executed, including Gothicizing the stables. [see 2]

Emily gave birth to several children, including the heir, but died of measles at the age of thirty-five, in 1842.

Emily and Thomas had a daughter, Emily (d. 1868), who married Thomas Gaisford (d. 1898). Another daughter, Margaret Frances, married Charles Compton William Domvile, 2nd Baronet of Templeogue and Santry.

The 3rd Earl married for a second time in 1851, to Henriette Elizabeth Digby Barfoot. She had a daughter, Henrietta Eliza, who married Benjamin Lee Guinness (1842-1900), and two other children.

In 1855 the 3rd Earl had the Kenelm Lee Guinness Tower built at the end of the east range at the front of the castle. Kenelm was the son of Henrietta née St. Lawrence and Benjamin Lee Guinness. The tower must have been named later, as Kenelm was born in 1887.

Henrietta Guinness née St. Lawrence (1851-1935), she married Benjamin Lee Guinness. By Unknown – https://www.findagrave.com/memorial/287500312/henrietta_eliza-guinness#view-photo=331837388, Public Domain, https://commons.wikimedia.org/w/index.php?curid=179111290
In 1855 the 3rd Earl had the Kenelm Lee Guinness Tower built at the end of the east range at the front of the castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Kenelm Lee Guinness Tower at Howth Castle, Dublin, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Thomas and Emily’s son William Ulick Tristram (1827-1909) succeeded as 4th Earl in 1874. He served as Captain in the 7th Hussars 1847-50. He was High Sheriff of County Dublin in 1854 and State Steward to the Lord Lieutenant of Ireland from 1855 until 1866. In the English House of Commons he served as Liberal MP for Galway Borough from 1868 until 1874.

He had no children and the titles died with him.

The property passed to his sister Emily’s family, and her son added St. Lawrence to his surname to become Julian Charles Gaisford-St. Lawrence (d. 1932). In 1911 he hired Edwin Lutyens to renovate and enlarge the castle.

The most substantial addition was the three bay two storey Gaisford Tower, with basement and dormer attic, at the end of the west wing, which he built to house his library. This tower picked up many of the motifs distinguishing the earlier fabric, from its irregular massing to the use of stepped battlements with pyramidal pinnacles, all moulding it into the meandering fabric of the earlier buildings. [see 11] Other work included the steps to the east of the new tower, a loggia with bathrooms above between the old hall and the west wing and a sunken garden. He also added square plan corner turrets to the south-west and north-east facades, incorporating fabric of earlier structures, 1738 and ca 1840. [see 2]

New facade on the west wing introduced by Lutyens, with library tower on the left, photograph courtesy of Howth Castle instagram.
Plan of Howth Castle, courtesy Archiseek.
Drawings by Lutyens for Howth Castle.

Mark Bence-Jones writes:

On the other side of the hall range, a long two storey wing containing the drawing room extends at right angles to it, ending in another tower similar to the keep, with Irish battlemented corner turrets. This last tower was added 1910 for Cmdr Julian Gaisford-St. Lawrence, who inherited Howth from his maternal uncle, 4th and last Earl of Howth, and assumed the additional surname of St Lawrence; it was designed by Sir Edward Lutyens, who also added a corridor with corbelled oriels at the back of the drawing room wing and a loggia at the junction of the wing with the hall range; as well as carrying out some alterations to the interior.”

This architectural sketch by Lutyens shows in the middle drawing, the balustraded terrace to the front door, the hall, with “smoking room” on the right and dining room on the left.
The Gaisford Tower, I think, containing the library, by Lutyens. Photograph courtesy of Archiseek. [13]
Drawings by Lutyens for Howth Castle.

From the front hall, to the right, when facing the fireplace, is the dining room. It has surviving eighteeth century panelling.

The dining room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The dining room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Bence-Jones writes that Lutyens restored the dining room to its original size after it had been partitioned off into several smaller rooms. It has a modillion cornice and eighteenth century style panelling with fluted Corinthian pilasters.

The dining room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The dining room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The view from the dining room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The drawing room was left largely untouched by Lutyens.

Enfilade toward the Library, through the Drawing room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Drawing room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Mark Bence-Jones writes: “The drawing room has a heavily moulded mid-C18 ceiling, probably copied from William Kent’s Works of Inigo Jones; the walls are divided into panels with arched mouldings, a treatment which is repeated in one of the bedrooms.”

The Drawing room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Drawing room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Drawing room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Drawing room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Drawing room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Drawing room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Drawing room at Howth Castle before auction, photograph courtesy of Irish Times Saturday August 14th 2021.
The Drawing room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Drawing room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Window in the Drawing room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Here you can see the drawing room windows from the outside. The drawing room is perpendicular to the Hall, and the old tower is to the right in the photograph. Howth Castle, courtesy of Howth Castle instagram.
The view from The Drawing room at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Drawing by Lutyens of the wing including the library.

Before entering the library we entered another room, the Boudoir, which contains an old map of the estate. At its height, the Howth Estate covered about 15,000 acres. This estate stretched from Howth to Killester and partially through North County Dublin and Meath. 

Daniel tells us about the estate map at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The estate map at Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

This room also has a beautiful decorative ceiling.

Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The library, by Lutyens, in his tower, has bookcases and panelling of oak and a ceiling of elm boarding.

The Library, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Library, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A photograph in the library which Daniel showed us.
Howth Castle library, National Library of Ireland, from constant commons on flickr.
The elaborate chimmeypiece in the library in Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com. Much of the interiors and even some of the windows of Killester House, a former dower house of the Howth estate, were moved to Howth Castle following its dereliction and eventual demolition, including a marble fireplace which stands in the Lutyens library.
Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The 2021 Fonsie Mealy auction included A Series of 10 Prototype Architect Drawings and Sketches by Edwin Lutyens, Alterations and Additions for J.C. Gaisford St. Lawrence, Esq at Howth Castle, all with original hand-coloured decoration. The drawings include: West Wing of Tower; Entrance Loggia; Ground Floor Plans; Principle Floor; Second Floor; Attic & Roof Plans; South Elevation; North Elevation; Back & Front Elevations; Elevation to Coach House; Kitchen Block; Longitudinal Sections etc.

Lutyens added a long corridor to one side of the drawing room and boudoir.

The corridor, Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We also passed the staircase, but the tour did not include upstairs.

Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Mark Bence-Jones tells us: “Lutyens also made a simple and dignified Catholic chapel in early C19 range on one side of the entrance court; it has a barrel-vaulted ceiling and an apse behind the altar.”

The addition to the east wing by Lutyens in around 1911 contains the chapel. Unfortunately we did not get to see inside this wing.

Drawings by Lutyens for Howth Castle, the east wing.
The Chapel, Howth Castle, photograph courtesy of Archiseek. [13]

Bence-Jones also tells us that the castle has famous gardens, with a formal garden laid out around 1720, gigantic beech hedges, an early eighteenth century canal, and plantings of rhododendrons. I will have to return to see the gardens!

Howth Castle, courtesy of Howth Castle instagram. This has the windows of the boudoir, with steps leading to it, and of the drawing room overlooking the lawn, The medieval tower house is on the right.
An addition by Lutyens, I believe: the Loggia. Photograph courtesy of Archiseek.
Howth Castle 1966, Dublin City Library and Archives. This is the medieval tower house, with the chapel wing to the right, and the Kenelm Tower on the far right. (see [10]).
The Lutyens Gaisford tower is on the left here. Howth Castle, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We walked around the side, around what I think is the stable block, past the Mermaid Tower.

The Mermaid Tower, Howth Castle, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle on the day we visited for the sale of its library, 2021. The stable block. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I think this is the stable block. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Marriage plate Howth Castle, Dublin City Library and Archives. (see [10])
Howth Castle on the day we visited for the sale of its library, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle on the day we visited for the sale of its library, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle on the day we visited for the sale of its library, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle on the day we visited for the sale of its library, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle on the day we visited for the sale of its library, 2021. The Lutyens Gaisford library tower is on the right. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle on the day we visited for the sale of its library, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle on the day we visited for the sale of its library, 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle on the day we visited for the sale of its library. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Castle from the back view: At the background end of this photograph is what the National Inventory describes: “Attached four-bay three-storey medieval tower house with dormer attic, c.1525, with turret attached to north-east. Renovated c.1650. Renovated and openings remodelled, 1738. Renovated with dormer attic added, 1910.” The Lutyens tower is on the right in the foreground. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle, August 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle 1940, Dublin City Library and Archives (see [10]). The English architect Sir Edwin Lutyens restyled a 14th century castle overlooking Dublin Bay.

2025 Diary of Irish Historic Houses (section 482 properties)

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[1] p. 155. Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[2] http://lordbelmontinnorthernireland.blogspot.com/2013/07/howth-castle.html

[3] https://www.irishtimes.com/life-and-style/homes-and-property/fine-art-antiques/swift-portrait-included-in-howth-castle-contents-sale-could-fetch-up-to-400-000-1.4644698

[4] https://www.dib.ie/index.php/biography/st-lawrence-sir-nicholas-a8221

[5] https://www.dib.ie/index.php/biography/st-lawrence-christopher-a8219

[6] https://www.dib.ie/biography/omalley-grainne-grace-granuaile-a6886

[7] Ball, F. Elrington History of Dublin 6 Volumes Alexander Thoms and Co. Dublin 1902–1920.

[8] https://www.dib.ie/index.php/biography/st-lawrence-sir-christopher-a8220

[9] https://www.irelandscontentpool.com/en/media-assets/medp://tia/100792

[10] Dublin City Library and Archives. https://repository.dri.ie

[11] p. 38. Irish Houses and Gardens. From the Archives of Country Life. Sean O’Reilly. Aurum Press Ltd, London, 1998. 

[12] Ball, F. Elrington History of Dublin Vol. 5 “Howth and its Owners” University Press Dublin 1917 pp. 135-40

[13] www.archiseek.com

A Guide to Irish Country Houses by Mark Bence-Jones contents and pictures, houses beginning with F

[1] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

Factory Hill, Glanmire, Co Cork

p. 123. “(Hoare, Bt, of Annabella/PB; Dring/IFR) A small Georgian house in the Palladian manner, consisting of a centre block joined to tiny pavilions by curved sweeps; and with the farmyard at the back. A seat of the Hoare family; bought ca 1954 by Mr John Dring, who sold it some years later.”  [1]

Fahagh Court, Beaufort, Co Kerry – Killarney Country Club 

p. 122. (Morrogh-Bernard/IFR) An irregular two storey house with a shallow battlemented bow and a rusticated doorcase of sandstone on its front, and a gable at the back. Now an hotel.” [1]

Fairy Hill, Mallow, Co Cork  

p. 123. “(Sarsfield/LGI1958) A later Georgian house of one story over a basement. Irregular façade with bow and Wyatt window.” 

Fairy Hill, Borrisokane, Co Tipperary 

Fairy Hill, Borrisokane, Co Tipperary courtesy National Inventory

p. 123. “A two storey three bay C18 house with a pediment and a fanlighted doorway with sidelights and blocking. In 1837 the seat of W.H. Cox.” [1]

Faithlegg House, Waterford, Co Waterford – a hotel

Faithlegg House Hotel, Co Waterford, Courtesy Colin Shanahan_ Faithlegg House Hotel 2021, for Tourism Ireland.

See my entry https://irishhistorichouses.com/2022/05/26/places-to-visit-and-stay-in-munster-county-waterford/

p. 123. (Power/IFR; Gallwey/IFR) A three storey seven bay block with a three bay pedimented breakfront, built 1783 by Cornelius Bolton, MP, whose arms, elaborately displayed, appear in the pediment. Bought 1819 by the Powers who ca 1870 added two storey two bay wings with a single-storey bow-fronted wings beyond them. At the same time the house was entirely refaced, with segmental hoods over the ground floor windows; a portico or porch with slightly rusticated square piers was added, as well as an orangery prolonging one of the single-storey wings. Good C19 neo-Classical ceilings in the principal rooms of the main block, and some C18 friezes upstairs. Sold 1936 by Mrs H.W.D. Gallwey (nee Power); now a college for boys run by the De La Salle Brothers.” [1]

Falls Hotel (formerly Ennistymon House), County Clare

See my entry https://irishhistorichouses.com/2023/01/20/places-to-visit-and-stay-in-county-clare/

Falls Hotel, photograph for Failte Ireland, 2021. [see Ireland’s Content Pool].

Falmore Hall, Dundalk, Co Louth 

Falmore Hall, Dundalk, Co Louth courtesy of National Inventory of Architectural Heritage.

p. 123. “(Bigger, sub Hamilton/IFR; Windham-Dawson, sub Dartrey, E/PB1933) A two storey Georgian house of five bays, with an eaved roof and a bow on one front...” [1]

Falmore Hall, Dundalk, Co Louth courtesy of National Inventory of Architectural Heritage.

Fanningtown Castle, Croom, Co Limerick – whole house accommodation

Photograph courtesy of Fanningstown Castle website.

See my entry https://irishhistorichouses.com/2023/07/21/places-to-visit-and-stay-in-county-limerick/

Farmleigh, Castleknock, Co Dublin – open to the public

Farmleigh, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com.

See my entry https://irishhistorichouses.com/2025/08/03/farmleigh-house-and-iveagh-house-phoenix-park-dublin/

Farney Castle, Thurles, Co Tipperary 

Farney Castle, County Tipperary, photograph courtesy of National Inventory.

See my entry https://irishhistorichouses.com/2022/10/19/places-to-visit-and-stay-in-county-tipperary-munster/

Farnham House, Farnham Estate, County Cavan – hotel 

Farnham Estate, County Cavan, Photograph from National Inventory of Architectural Heritage.

See my entry https://irishhistorichouses.com/2020/07/03/county-cavan-historic-houses-to-see-and-stay/

Farragh House (also known as Farraghroe), Longford, Co Longford – demolished 

Farragh, County Longford, photograph courtesy of Mark Bence-Jones, A Guide to Irish Country Houses.

p. 124. “(Bond/LGI1958) A somewhat composite house, originally a shooting box but greatly enlarged by Willoughby Bond between 1811 and 1833, his architect being John Hargrave, of Cork. Subsequent additions were made in the Victorian period. Entrance front of three storeys and five baysm with Wyatt windows in centre above pillared porch. Side elevation of two storeys and three bays framed by giant plain pilasters; round-headed windows in arched recesses in upper storey of outer bays; two windows in middle above a single-storey Victorian bowed and balustraded projection. Other elevation of three storeys and four bays with a pediment extending over its whole length. Large two storey central hall with gallery and bifurcating staircase, too-lit through skylight with stained glass incorporating family motto, “Deus providebit,” which may have been set by mistake the wrong way round, so that from below the letters read back to front; people said that this had been done intentionally, so that the Almighty, looking down from above, would be able to read the motto and thus be reminded of his obligations. Farragh was sold ca 1960 by Mr B.W.Bond, it was subsequently demolished.” [1]

Farran, Coachford, Co Cork  – Hidden Ireland whole house rental

Farran, Coachford, Co Cork courtesy National Inventory

See my entry https://irishhistorichouses.com/2022/05/17/places-to-visit-and-stay-munster-county-cork/

Faughart, Dundalk, Co Louth 

p. 124. “(MacNeale.LGI1912; and sub McNeile/LG1972) A two storey gable-ended house of ca 1770. Five bay front, pedimented Doric doorcase.” [1]

Favour Royal, Aughnacloy, County Tyrone

p. 124. “(Moutray/LGI1912) A somewhat austere Tudor-Gothic house of 1825, said to be by an architect named William Warren; built for John Corry Moutray to replace a house of 1670 destroyed by fire 1823. Two storey with attic of rather low-pitched gables in front; three storey at the back. The front of the house has large rectangular windows with elaborate Gothic tracery and hood mouldings over them. Now owned by the Forestry Commisson.” [1]

Fellows Hall, Killylea, County Armagh 

p. 124. “(Maxwell, sub Farnham, B/PB; Armstrong, IFR; Stronge, Bt/PB; McClintock/IFR) A Victorian Italianate rebuilding of a house of 1762, itself a rebuilding of a C17 house burnt 1752. Two storeys over basement; five bay front, round-headed windows with keystones in upper storey, rectangular windows with entablatures on console brackets above them in lower storey. Tripartite doorway with triple window above it. Roof on bracket cornice. Passed through marriage from the Maxwell family to the Armstrong and Stronge families, and then to the McClintock family.”

 Fenagh House, Bagenalstown, County Carlow

Fenagh House, County Carlow, photograph courtesy of National Library of Ireland.

p. 124. “(Pack-Beresford/IFR) A plain and austere C19 house of stone. Irregular in plan, and extensive; but with a symmetrical entrance front of three bays, the centre bay being recessed with a pillared porch.” [1]

Fenaghy House, Galgorm, County Antrim 

p. 124. “A two storey, five bay gable-ended C18 house, refaced as a stucco Italianate villa in mid-C19. Entablatures on console brackets over ground floor windows; two storey projecting porch with a Corinthian column on either side of the entrance doorway; pierced roof balustrade. Conservatory at end of house, of pretty ironwork. Good interior plasterwork.” [1]

Fennypark, Co Kilkenny 

p. 124. “A Georgian house consisting of a two storey three bay centre with Wyatt windows and a pedimented pillared porch, joined to one storey one bay pedimented wings by links with iron verandahs.” [1]

Fermoy House, Fermoy, Co Cork – ‘lost’

Fermoy House, County Cork, photograph by Robert French, Lawrence Photograph Collection, National Library of Ireland.

p. 125. “(Anderson, Bt of Fermoy/PB1861; Cooke-Collis/IFR) A house of ca 1790, consisting of a centre block and wings. The seat of John Anderson, the enterprising army contractor who laid out the town of Fermoy. Later a seat of the Cooke-Collis family. Now demolished.” [1]

Ferns Castle, Wexford  – OPW

Ferns Castle, photograph by Chris Hill, 2014 for Tourism Ireland, Ireland’s Content Pool.

See my entry https://irishhistorichouses.com/2024/02/23/office-of-public-works-properties-in-leinster-counties-westmeath-wexford-and-wicklow/

Ferrans, Co Meath 

p. 125. “(Bomford/IFR) A two storey five bay late-Georgian house with an eaved roof. Sold ca 1970; burnt 1972, subsequently rebuilt for institutional use.” [1]

Ferry Quarter, Strangford, County Down

p. 125. (Cooke/IFR) “A large stucco early-Victorian house, overlooking the entrance to Strangford Lough.” [1] 

ffrankfort Castle, Dunkerrin, Co Offaly – a ruin 

Ffrankfort Castle, County Offaly, entrance front, photograph: Standish Stewart, Varnishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

p. 125. “Rolleston/IFR) A Georgian castellated house, with a battlemented parapet, pointed windows and a turret, incorporating part of a medieval castle and surrounded by the original fosse and a fortified wall of predominantly late C18 or early C19 appearance, with twin Gothic gateways opening into a forecourt in front of the house. Originally the seat of the ffranks; passed to the Rollestons through the marriage of the adopted daughter of Capt James ffrank to Francis Rolleston 1740. Now demolished except for some walls and moat.” [1]

Finnebrogue House, Downpatrick, County Down 

Finnebrogue House, County Down, photograph by Robert French, Lawrence Photograph Collection, National Library of Ireland.

p. 125. “(Perceval-Maxwell/IFR) A fine late C17 house, built on an H plan: a central range with wings projecting at the front and back.  

The house is of two storeys over a basement, with an attic storey in the side and rear elevations. 
 
The entrance front is of five bays, with two additional bays at the end of each wing. 
 
The upper storey of the central range is treated as a piano nobile, with higher windows than those below. The house was altered and brought up to date at end of C18 by Dorothea, Mrs Waring-Maxwell, sister and heiress of Edward Maxwell, of Finnebrogue, having stood empty for some 25 years. 
 
The original high-pitched roof was replaced by a roof that was lower, though still high by late 18th century standards; late-Georgian sash windows were inserted, and some of the 1st floor rooms were given high coffered ceilings similar to those of the Down Hunt Rooms in Downpatrick, which date from the same period. Some of the internal partition walls are of peat or turf, as in certain other Irish houses.” [1]

Finnstown, Lucan, Co Dublin – hotel 

Finnstown, County Dublin, photograph courtesy of finnstowncastlehotel.com

See my entry https://irishhistorichouses.com/2023/05/26/places-to-visit-and-stay-in-dublin-city-and-county/

Finvoy Lodge, Ballymoney, County Antrim 

p. 125. Two storey gable-ended Georgian house; three bay front; later projecting porch, three bay return.” [1]

Fisherwick Lodge, Ballyclare, County Antrim 

p. 125. (Chichester, Donegall, M/PB) A hunting lodge of the Marquesses of Donegall; rebuilt ca 1805 as a hollow square with two single-storey fronts of nine bays each. Tall windows, reaching almost to the ground; pedimented wooden doorcase, with fluted columns.” [1]

Fishmoyne, near Templemore, Co Tipperary 

p. 125. “(Carden/IFR) The seat of the junior branch of the Cardens; a three storey C19 block built to replace an earlier house destroyed by fire. Pedimented entrance door in three sided bow in middle of front, two bays on either side. Entablatures over ground floor and first floor windows; eaved roof. Octagonal hall.” [1]

Flood Hall, Thomastown, Co Kilkenny – demolished

p. 125. (Solly-Flood/LGI1912; Hanford-Flood/LGI1912) A two storey Georgian house with C19 Gothic embellishments. Front with pediment flanked by small crockets; single-storey three sided bow below. Hood mouldings. Irregular C19 end. The home of Henry Flood, the great C18 statesman and Irish patriot. Demolished 1950.” [1]

Florence Court House, County Fermanagh – open to the public 

Florence Court, County Fermanagh.

See my entry https://irishhistorichouses.com/2024/05/16/florence-court-county-fermanagh-a-national-trust-property/

Forenaghts (used to be townland of Little Forenaghts), Naas, Co Kildare 

p. 128. “Wolfe/IFR) A three storey early or mid- C18 house, probably originally of five bays but subsequently extended to form a three storey front of seven bays, with an addition of ca 1831 which is of two storeys on the entrance front and a single high storey on the garden front. Also in the C19 the house was given an eaved roof on a bracket cornice and a single storey Doric portico; and it was refaced in stucco. The garden front is of six bays, with a two bay projection at one end; C19 wing on this side has a curved bow. Low ceilinged rooms in the main block. Hall with slightly curving staircase at back, enlarged early C20 aby taking in the adjoining room to the left, which in turn has been opened, with arches on either side of its fireplace, into the library beyond, which has bookcases incorporated in its panelling. Beautiful early C19 drawing room in the garden fron ton the wing, with a curved bow and a high coved ceiling decorated with elaborate C19 plasterwork. This room was probably made – and the wing added – by Rev Richard Wolfe, for his fashionable wife, who was Lady Charlotte Hely-Hutchinson, sister of 2nd Earl of Donoughmore.” [1]

Fort Etna, Patrickswell, Co Limerick 

p. 126. “(Peacocke/LGI1912; Reilly, sub Simonds-Gooding and Peart/LGI1958) A two storey five bay C18 house with a Venetian window and a pedimented and shouldered doorcase. Five bay side. Gable-ended farm buildings treated as wings. The seat of the Peacocke family; afterwards of the Reilly family.” [1]

Fort Frederic, Virginia, Co Cavan – a ruin 

p. 126. “(Sankey/LGI1912) A two storey mid-C18 house with a central three sided bow and two bays on either side of it. Georgian Gothic doorcase. Single-storey wings, one of them with two bows in its end wall.” [1]

Fort Robert, Ballineen, Co Cork – ‘lost’  

Fort Robert, County Cork, photograph by Robert French, Lawrence Photograph Collection, National Library of Ireland.

p. 126. “(Conner;IFR) A late C18 weather-slated house of two storeys over high basement, built by R.L.Conner 1788. Eight bay front, with wide fanlighted doorway. Three bay side. Empty and decayed by 1854; ruinous by end of C19.” [1]

Fort Stewart, Ramelton, Co Donegal  

p. 126. “(Stewart, Bt, of Ramelton/PB) A three storey gable-ended C18 house. Seven bay entrance front, with single-storey, two bay wings. C19 pilastered porch with door at side. Entrance hall with four engaged Tuscan columns and shallow rib-vaulting rising from them. Early C19 decoration in reception rooms.” [1]

Fort William, Tivoli, Co Cork

p. 126. “Baker/IFR) A late-Georgian house consisting of a two storey five bay centre block with single-storey bow-ended wings. Now part of the Silver Springs Hotel.” [1]

Fort William, Glencairn, Lismore, Waterford 

Fortwilliam, Glencairn, Lismore, Co Waterford courtesy Michael H. Daniels and Co.

See my entry https://irishhistorichouses.com/2022/05/26/places-to-visit-and-stay-in-munster-county-waterford/

Fortfergus (also known as Mountfergus), Killadysert, County Clare

p. 126. “(Ross-Lewin/LGI1912; Stacpoole/IFR) A long, irregular house of vaguely Georgian appearance, incorporating, or on the site of, a house built by Captain George Ross 1688. Passed by descent to Ross-Lewins; transferred by W.G. Ross-Lewin to his uncle, John Stacpoole, 1800. Sold under Encumbered Estates Act 1855 to Major William Hawkins Ball. Burnt 1922.” [1]

Fortfield, Terenure, Co Dublin

p. 126. “Yelverton, Avonmore, V/PB1910) A three storey house built ca 1785 for Chief Baron Yelverton, afterwards 1stViscount Avonmore. Seven bay front; central Venetian window above single-storey portico and with three oculi in the centre of top storey. Very wide staircase.” [1]

Fortgranite, Baltinglass, Co Wicklow 

Fortgranite, Baltinglass, Co Wicklow Courtesy of National Inventory of Architectural Heritage.

p. 126. “(Dennis.IFR) A house of ca 1730 built by George Pendred, of Saunders Grove – whose son assumed the name of Saunders – which came to T.S. Dennis through his marriage to Katherine Saunders 1810; he remodelled it 1810-15, so that it is now predominantly late-Georgian in character. Two storey; entrance front with recessed centre and single storey Doric portico. Adjoining front is five bay with two single-storey three sided bows. Parapeted roof. The house was modernized 1870-1 by M.C. Dennis. The grounds contain a notable arboretum, planted ca 1820.” [1]

Fortland, Easkey, Co Sligo 

p. 126. “(Brinkley/LGI1912) A Georgian house. Tripartite doorway with rusticated piers and pediment extending over door and sidelights.” [1]

Fortwilliam, Milford, Co Cork   

Fortwilliam, Milford, Co Cork, photograph courtesy National Inventory.

p. 297. “(Sheehy/IFR) A house of mid-C19 appearance in the cottage style, with gables and ornamented bargeboards.” 

Fortwilliam, Ballinasloe, Co Galway 

p. 126. “(D’Arcy/IFR) A small Georgian house with Victorian additions.” [1]

Fosterstown House, Trim, Co Meath 

Fosterstown House, Trim, Co Meath photograph courtesy of National Inventory of Architectural Heritage.

p. 127. “(Chambers. LGI1937 supp) A two storey three bay gable-ended late C18 house. The residence of the great Duke of Wellington (as Hon. Arthur Wellesley) when he was Member for Trim in the Irish Parliament.” [1]

Fota House, Arboretum and Garden, Carrigtwohill, County Cork  – open to public  

Fota House Cork, August 2023. Photograph © Jennifer Winder-Baggot, http://www.irishhistorichouses.com.

See my entry https://irishhistorichouses.com/2024/03/10/fota-house-and-gardens-county-cork-a-heritage-trust-property-with-opw-gardens/

Fountainstown House, Crosshaven, Co Cork

Fountainstown House, Crosshaven, Co Cork courtesy National Inventory.

p. 128. “(Hodder/IFR) A three storey double gable-ended early C18 house built by Samuel Hodder.” [1]

Fox Hall, Letterkenny, Co Donegal  

Fox Hall, County Donegal, photograph by Robert French, Lawrence Photograph Collection, National Library of Ireland.

p. 128. “(Chambers/LG1863) A stucco-faced house of mid-C19 appearance, but in a straightforward late-Georgian manner, with large rectangular windows and astragals. Of two storeys over basement. Projecting porch, with two ball fiials, not centrally placed; roof on plain cornice.” [1]

Fox Hall, County Donegal, photograph by Robert French, Lawrence Photograph Collection, National Library of Ireland.

Foyle Park House, Eglington, County Derry 

p. 128. “(Davidson/IFR) A plain two storey irregular late-Georgian house, built ca 1820 and opened 1827 as the North West of Ireland Society’s Literary and Agricultural Seminary and School of Classics. Come to the Davidson family by marriage later in C19. Sold 1920 by James Davidson to Mr H. Whiteside, who sold it back to Lt-Col K.B. L Davidson, of The Manor House, Eglington, 1968.” [1]

Frankville House, Athboy, Co Meath 

Frankville House, County Meath, photograph by Robert French, Lawrence Photograph Collection, National Library of Ireland.

p. 128. “A two storey house of late-Georgian appearance. Three bay front, with Wyatt windows and an enclosed porch with a die. Four bay side, with two Wyatt windows in the lower storey not related to the windows above.” [1]

Frascati (or Frescati), Blackrock, Co Dublin – ‘lost’ 

Frescati House, Blackrock, County Dublin, courtesy of National Library of Ireland.

p. 128. “Fitzgerald, Leinster, D/PB) The seaside house of the Leinsters in C18, where Emily, Duchess of Leinster, lived during her widowhood and where her son, the United Irish leader, Lord Edward Fitzgerald, spent much of his youth. A long, plain two storey eighteenth century house, wiht a pedimented doorway between two three sided bows. Drawing room with ceiling by Thomas Riley, who decorated the gallery at Castletown, County Kildare for Emily Duchess’s sister Lady Louisa Conolly. Demolished 1981-3.” [1]

French Park, County Roscommon – lost 

French Park, County Roscommon, entrance front 1954. photograph: National Parks and Monuments Branch, OPW, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

p. 128. “(De Freyne, B.PB) An early Palladian winged house of red brick; probably built ca 1729 by John French to the design of Richard Castle. Three storey seven bay centre block, three bay pedimented breakfront with lunette window in pediment; late-Georgian pillared porch, two storey wings five bays long and four deep joined to main block by curved sweeps as high as they are themselves; the curved sweeps having three windows in their upper storey and a door flanked by two windows below. Two storey panelled hall; stairs with slender turned banisters ascending round it to gallery; panelling with bolection mouldings; walnut graining. Dining room originally hung with embossed leather which was later replaced by wallpaper; nineteenth century plasterwork cornice and rosette and circle in centre of ceiling. Drawing room on 1st floor above dining room, with Bossi chimneypiece at one end and a late eighteenth century Ionic chimneypiece at the other; good compartmented plasterwork ceiling executed for Arthur French, 4th Lord De Freyne, late nineteenth century. Fine eighteenth century wrought iron entrance gates. Now a roofless ruin having been sold by 7th and present Lord de Freyne 1953 and afterwards demolished.” 

supplement: “This house incorporated a mid-C17 house, built by Patrick French, a burgess of Galway who acquired the estate and other lands, and who died 1669.” [1]

Frybrook House, Boyle, Co. Roscommon 

Frybrook, County Roscommon.

See my entry https://irishhistorichouses.com/2025/11/02/frybrook-house-county-roscommon/

Furness (townland of Great Forenaghts, or Phornauts), Naas, County Kildare 

Furness, Naas, County Kildare courtesy myhome.ie

p. 129. “Nevill, sub Neville/IFR; Dering, Bt/PB; Beauman/LG1886; Synnott/IFR) A house built originally ca 1740 for Richard Nevill, and attributed by the Knight of Glin to Francis Bindon; consisting of a three storey centre block joined by single-storey links to a storey projecting wings of the same height as the links; the elevation being further prolonged by quadrants joining the wings to office ranges; so that it extends to a total length of 400 feet. The centre block has a three bay ashlar faced entrance front, with a lunette window above a window framed by an aedicule on console brackets consisting of two engaged Ionic columns and a pediment; above a frontispiece of coupled Doric columns and a Doric entablature framing the entrance doorway. There is an almost identical elevation in Clermont, Co Wicklow. The garden front of the centre block is five bays, with blocking round the ground floor windows. From ca 1780 onwards, Richard Nevill, MP, great-nephew of the builder of the house, carried out various additions and alterations; chief of which was the raising of the left-hand link, so that it became a two storey wing with a curved bow on the garden front. The whole of the centre block, on the entrance front, is taken up with a hall, consisting of two sections opening into each other with an arch; they were originally separate, but the Doric frieze is probably contemporary with the building of the house, as is the handsome staircase of Spanish chestnut, which rises on one side of the arch; though there are indications that it has been remodelled. On the frieze of the staircase and gallery is a Vitruvian scroll decoration. The drawing room has a ceiling, probably by Michael Stapleton, of delicate late C28 plasterwork with a medallion of Minerva attended by a kneeling hero. The dining room, in the wing, is. Large simple room with a curved bow. Richard Nevill, MP, also landscaped the grounds. At his deat 1822, Furness passed to his daughter and heiress, the wife of Edward Dering. Later it was sold to the Beauman family. In 1897, by which time it had become very dilapidated, it was bought by N.J. Synnott, who carried out a thorough – and for those days, remarkably sympathetic – restoration. The vista from the entrance front of the house is now terminated by a column formerly at Dangan, Co Meath, the boyhood home of the great Duke of Wellington. It was brought here and erected 1962, as a 21st birthday present to Mr David Synnott from his father. The house features in the film of the Somerville and Ross Irish RM stories. Mr David Synnott sold Furness 1987.” [1]

[1] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

Places still to visit

Happy new year!

About

2026 Diary of Irish Historic Houses (section 482 properties)

To purchase an A5 size 2026 Diary of Historic Houses (opening times and days are not listed so the calendar is for use for recording appointments and not as a reference for opening times) send your postal address to jennifer.baggot@gmail.com along with €20 via this payment button. The calendar of 84 pages includes space for writing your appointments as well as photographs of the historic houses. The price includes postage within Ireland. Postage to U.S. is a further €10 for the A5 size calendar, so I would appreciate a donation toward the postage – you can click on the donation link.

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Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

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I hope your year has started well. Here is a list of the Section 482 houses I have yet to visit – provided they are on future Section 482 lists. I am separating out tourist accommodation. The list unfortunately is usually published in late February, so we have a while to wait to see what properties will be on it this year.

As you can see, although I have visited more than 100 Section 482 properties, I still have over fifty to go! So, lots of travel for myself and Stephen. Below my places yet to visit, I have chosen twelve sites, to visit one per month, if we can manage that.

Happy visiting!

February

Griesemount House , Ballitore, Co. Kildare, R14 WF64

www.griesemounthouse.ie

Open dates in 2026: Feb 9-28, May 5-19, June 5-14, July 6-10, Aug 15-24, 2pm-6pm

Fee: adult €8, OAP/student €5, child free

March

Tibradden House, Mutton Lane, Rathfarnham, Dublin 16, D16 XV97

www.selinaguinness.com

Open dates in 2026: Feb 6, 9, 13, 16, 20, 23, 27 Mar 9, 13, 20, 23, 27, 30, Apr 10, 13, 17, 20, 24, 27, May 5, 6, 8, 9, 11-16, 19-23, 26-28, June 2, 3, 4, 9, 10, 13, 17, 18, 20, 21, Aug 15-23, Sept 11, 18, 25, 26, 11am-3pm

Fee: adult €8, student/OAP €5, child free

Concession – members of An Taisce & Irish Georgian Society €5 with membership card

April 

Steam Museum & Lodge Park Walled Garden, Lodge Park, Straffan, Co. Kildare, W23 X8N4

www.steam-museum.com

Open dates in 2026: Apr 5-6, 12, 19, 26, May 3-4, 9-10, 16-17, 23-24, 30-31, June 1, 6-7, 12, 14,20-21, 27-28, July 4-5,11-12,18,19, 25-26, Aug 1-3, 8-9,15-23, 29-30, Sept 5-6,12-13,19-20, 26-27, Oct 4,10,18, 25-26, 1pm-5pm

Fee: Garden and Museum With steam adult €20, OAP €15, (Sun and Bank Holidays),No steam (Sat) adult €15, OAP €10, Museum only -with steam, adult €15, OAP €10 (Sun and Bank Holidays), No steam (Sat) adult €10, OAP €7, Garden only –adult/OAP €7, student/child free

May

Kiltimon House, Newcastle, Co. Wicklow

Open dates in 2026: Feb 10, 13, 17, 20, 24, 27, Mar 3, 6, 10, 13, 20, 24, 27, 31, Apr 10, 14, 17, 21,24, 28, May 5, 8-10, 12-13, 15-16, 19, 22, 26, June 9-10, 12-13, 16, 19, 23, 26, Aug 15-23, Sept 1, 4, 8, 11-12, 15, 18-19, 22, 25-26, 29, 9am-1pm

Fee: adult €10, OAP/student/child €5

Griesemount House , Ballitore, Co. Kildare, R14 WF64

www.griesemounthouse.ie

Open dates in 2026: Feb 9-28, May 5-19, June 5-14, July 6-10, Aug 15-24, 2pm-6pm

Fee: adult €8, OAP/student €5, child free

June

Burtown House and Garden _JUNE, Athy, Co. Kildare, R14 AE67

www.burtownhouse.ie

Burtown, County Kildare. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Open dates in 2026: May 1-31, June 1-30, July 1-2, 8-9, 15-16, 22-23, August 15-23, 10am-1pm

Fee: adult €10, OAP/student/child €6

July

Knocknagin House – JULY, Coney Hill, Ballbriggan, Co Dublin, K32 YE00

Open dates in 2026: June 2 – 27, July 1 – 31, Aug 1-14, Tues – Sat, National Heritage Week, Aug 15-23, 9.30am-1.30pm

Fee: adult €15, students/OAP/child €10

August

15 

Newtown Castle, Newtown, Ballyvaughan, Co. Clare, H91 H299

www.newtowncastle.com

Open dates in 2026: Jan 5-30, Feb 3-27, March 2-31, April 1-30, May 1-29, June 2-30, July 1-31, August 1-31, Sept 1-30, Oct 1-30, Nov 2-30, Dec 1-19 Mon-Fri, National Heritage Week, Aug 15-23, 10am-5pm

Fee: Free

16 

Brookhill House, Brookhill, Claremorris, Co. Mayo

Open dates in 2026: Mar 13-26, Apr 17-25, June 12-26, July 8-24, Aug 15-23, 2pm-6pm

Fee: adult €8, OAP/child/student €3, National Heritage Week free

17 

Rockfield Ecological Estate, Rathaspic, Rathowen, Mullingar, Co. Westmeath

Open dates in 2026: July 15-31, Aug 15-31, Sept 15-30, Oct 15-30, 2pm-6pm

Fee: Free

18

Lough Park House, Castlepollard, Co. Westmeath

Open dates in 2026: Mar 13-18, Apr 2-8, May 1-7, 28-31, June 1-3, July 18-26, Aug 1-10, 15-24, Oct 23-27, 2pm-6pm

Fee: adult €6

19

Moorhill House, Castlenugent, Lisryan, Co. Longford

Open dates in 2026: Aug 1-31, Sept 1-29, 9.30am-1.30pm

Fee: adult/OAP/student/child €8

20

Meander, Westminister Road, Foxrock, Dublin 18, D18 E2T9

Open dates in 2026: Jan 12-16, 19-23, 26-30, Feb 3-6, 9, May 1-2, 5-9, 25-30, June 2-6, 8-13, 15-20, 22, Aug 15-23, 9am-1pm

Fee: adult €5, OAP/child/student €2

21

Kingston House, Kingston, Rathdrum, Co. Wicklow, A67 DV25

Open dates in 2026: Aug 1-31, Sept 1-30, 10am-2pm

Fee: adult €3, OAP/student/child €2

22

Clougheast Cottage, Carne, Co. Wexford, Y35 A9T1

Open dates in 2026: Jan 11-31, May 1-31, August 15-23, 9am-1pm

Fee: €5

23

Aylwardstown House, Glenmore, Co. Kilkenny, Y34 WW60

Open dates in 2026: Aug 1-31, Sept 1-30, 10am-5pm

Fee: adult €5, OAP €3, student/child free

September

Redwood Castle, Redwood, Lorrha, Nenagh, Co. Tipperary, E45 HT38

Redwood is off the Birr/Portumna Rd

www.redwoodcastleireland.com

Open dates in 2026: May 20-26, June 11-17, 22-30, July 1-16, 23-31, Aug 5-23, Sept 1-8, 2.30pm-6.30pm,

Fee: adult €15, OAP/student €10, child €5

October

Ballyvolane House, Castlelyons, Co. Cork, P61 FP70

Ballyvolane, County Cork, photo taken 2014 for Tourism Ireland, Ireland’s Content Pool.

(Tourist Accommodation Facility)

www.ballyvolanehouse.ie

Open dates in 2026: Jan 7 -31, Feb 4-28, Mar 4-31. Nov 4-30, Dec 2-20, Wed-Sat, Apr 2-30. May1-31, Sept 1-30, Oct 1-31, Tues-Sun, June 2-30, July 1-31, Aug 1-31, Mon-Sun All Day

Fee: adult €7.50, family €18- up to 2 adults and 3 children

November

The Old Rectory, Rathkeale, Co. Limerick

Open dates in 2026: May 2-Nov 29, Saturday and Sundays, National Heritage Week, Aug 15-23,

10am-2pm

Fee: adult €8, child/OAP/student €3

December

Kilcarbry Mill Engine House, Sweetfarm, Enniscorthy, Co Wexford, Y21 F7YD

Open dates in 2026: Feb 4-5, 8-11, Mar 11-12, 16-19, May 10-11, 22-31, July 4-5, 13-14, Aug 3-30, Dec 19-22 12 noon-4pm

Fee: adult €10, student/OAP €5, child free

Houses still to visit:

Newtown Castle – MAY

Newtown, Ballyvaughan, Co. Clare, H91 H299

www.newtowncastle.com

Open dates in 2026: Jan 5-30, Feb 3-27, March 2-31, April 1-30, May 1-29, June 2-30, July 1-31, August 1-31, Sept 1-30, Oct 1-30, Nov 2-30, Dec 1-19 Mon-Fri, National Heritage Week, Aug 15-23, 10am-5pm

Fee: Free

Newtown Castle, photograph courtesy of National Library of Ireland.

Cork

Ashton Grove, Ballingohig, Knockraha, Co. Cork, T56 V220

https://irishhistorichouses.com/2022/11/04/ashton-grove-ballingohig-knockraha-co-cork/

Open dates in 2026: Jan 6, 9-11, 13, 16, 20, 23, 27, 30-31, Feb 1-3, 6, 10, 13, 17, 20, 24, May 5, 8-10, 12, 15-17, 19, 22-24, 26, June 2, 5, 8-12, 15, 19-22, 26, Aug 15-23, Sept 8,11,15, 18-20, 8am-12 noon

Fee: adult €6, child €3, student/OAP free

Ballyvolane House – OCT

Castlelyons, Co. Cork, P61 FP70

(Tourist Accommodation Facility)

www.ballyvolanehouse.ie

Open dates in 2026: Jan 7-31, Feb 4-28, Mar 4-31. Nov 4-30, Dec 2-20, Wed-Sat, Apr 2-30. May1-31, Sept 1-30, Oct 1-31, Tues-Sun, June 2-30, July 1-31, Aug 1-31, Mon-Sun All Day

Fee: adult €7.50, family €18- up to 2 adults and 3 children

Brideweir House, Aghern, Conna, Co. Cork, P51 FD36

www.brideweir.ie

Open dates in 2026: May 4-5, 11-12, Aug 1-31, Sept 1-30, Nov 2-10, 9am-1pm

Fee: adult €15, child/student €10, OAP free

Garrettstown House, Garrettstown, Kinsale, Co. Cork, P17 NP66

www.garrettstownhouse.com

Open dates in 2026: May 8-Sept 12, 12 noon-5pm

Fee: adult €7, OAP/student/child €5, groups (10 or more) €5 per person

Woodford Bourne Warehouse, Sheares Street, Cork

www.woodfordbournewarehouse.com

Open dates in 2026: all year, except Christmas Eve, Christmas Day, 12 noon-10pm

Fee: Free

Cavanacor House, Ballindrait, Lifford, Co. Donegal, F93 F573

www.cavanacorgallery.ie

Open dates in 2026: Feb 1-20, Aug 14-31, Sept 1-3, 12-30, 1pm-5pm

Fee: adult €10, OAP/student/child €8

10 South Frederick Street, Dublin 2, DO2 YT54

Open dates in 2026: Jan 1-9, 12-16, 19-21, Apr 27-30, May 1-22, 25-29, June 1-4, Aug 15-23, 2pm-6pm

Fee: Free

Corke Lodge Garden, Woodbrook, Bray, Co. Dublin, A98 X264

www.corkelodge.com

Open dates in 2026: June 2-30, Tues-Fri, July 1-31, Tue-Sat, Aug 4-23, 10am-2pm

Fee: adult €10, entrance fee is a voluntary donation in honesty box at door

Farm Complex, Killeek, St Margaret’s, Co. Dublin

Open dates in 2026: Jan 9-12, 16-19, 23-26, 30-31, Mon-Fri, 9.30pm-1.30pm, Sat-Sun, 1pm-5pm, May 11, 15-18, 29-31, June 5-8, 12-15, 19-22, Aug 14-23, Sept 11-12, 18-21, 25-28, Oct 16-19, 23-24, Mon- Fri 9.30am-1.30pm, Sat-Sun 2pm-6pm

Fee: adult €6, student/OAP/child €5

Knocknagin House – JULY

Coney Hill, Ballbriggan, Co Dublin, K32 YE00

Open dates in 2026: June 2 – 27, July 1 – 31, Aug 1-14, Tues – Sat, National Heritage Week, Aug 15-23, 9.30am-1.30pm

Fee: adult €15, students/OAP/child €10

Meander – AUG

Westminister Road, Foxrock, Dublin 18, D18 E2T9

Open dates in 2026: Jan 12-16, 19-23, 26-30, Feb 3-6, 9, May 1-2, 5-9, 25-30, June 2-6, 8-13, 15-20, 22, Aug 15-23, 9am-1pm

Fee: adult €5, OAP/child/student €2

Tibradden House – MARCH

Mutton Lane, Rathfarnham, Dublin 16, D16 XV97

www.selinaguinness.com

Open dates in 2026: Feb 6, 9, 13, 16, 20, 23, 27 Mar 9, 13, 20, 23, 27, 30, Apr 10, 13, 17, 20, 24, 27, May 5, 6, 8, 9, 11-16, 19-23, 26-28, June 2, 3, 4, 9, 10, 13, 17, 18, 20, 21, Aug 15-23, Sept 11, 18, 25, 26, 11am-3pm

Fee: adult €8, student/OAP €5, child free

Concession – members of An Taisce & Irish Georgian Society €5 with membership card

Galway

The Grammer School, College Road, Galway

www.yeatscollege.ie

Open dates in 2026: May 2-3, 9-10, 16-17, 23-24, June 6-7, July 1-31, Aug 1-12, 15-23, 9am-5pm

Fee: adult/OAP/student €5, child under 12 free

Signal Tower & Lighthouse, Oughill, Inis Mór, Aran Islands, Co. Galway

www.aranislands.ie

Open dates in 2026: April 1-October 31, 9am-5pm

Fee: adult €2.50, child €1.50, OAP/student free, family €5, group rates depending on numbers

Woodville House Dovecote & Walls of Walled Garden, Craughwell, Co. Galway

www.woodvillewalledgarden.com

Open dates in 2026: Jan 30-31, Feb 1-28, June 1, 5-8, 12-15, 19-22, 26-29, July 3-6, 10-13, 17-20, 24-27, 31 Aug 1-3, 7-10, 14-23, 12 noon -4pm,

Fee: adult €10, OAP €8, student, €7, child 4-16 years €5

Burtown House and Garden _JUNE

Athy, Co. Kildare, R14 AE67

www.burtownhouse.ie

Burtown, County Kildare. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Open dates in 2026: May 1-31, June 1-30, July 1-2, 8-9, 15-16, 22-23, August 15-23, 10am-1pm

Fee: adult €10, OAP/student/child €6

Farmersvale House, Badgerhill, Kill, Co. Kildare, W91 PP99

Open dates in 2026: Jan 1-17, Feb 18-20, June 1-20, Aug 4-23, 9.30am-1.30pm

Fee: adult €5, student/child/OAP €3, (Irish Georgian Society members free)

Griesemount House – MAY

Ballitore, Co. Kildare, R14 WF64

www.griesemounthouse.ie

Open dates in 2026: Feb 9-28, May 5-19, June 5-14, July 6-10, Aug 15-24, 2pm-6pm

Fee: adult €8, OAP/student €5, child free

Moyglare Glebe, Moyglare, Maynooth, Co. Kildare, W23K285

Open dates in 2026: Jan 12-16, 19-23, 26-27, 29-31, Feb 3, 5-8, May 1-5, 7-13, 21, 23-34, 26-27, June 25-29, July 2, 20-21, 23-28, Aug 15-23, 8.30am -12.30pm

Fee: adult €6, OAP/student/child €3

Steam Museum & Lodge Park Walled Garden – APRIL

Lodge Park, Straffan, Co. Kildare, W23 X8N4

www.steam-museum.com

Open dates in 2026: Apr 5-6, 12, 19, 26, May 3-4, 9-10, 16-17, 23-24, 30-31, June 1, 6-7, 12, 14, 20-21, 27-28, July 4-5,11 12, 18, 19, 25-26, Aug 1-3, 8-9, 15-23, 29-30, Sept 5-6, 12-13,19-20, 26-27, Oct 4,10,18, 25-26, 1pm-5pm

Fee: Garden and Museum With steam adult €20, OAP €15, (Sun and Bank Holidays),

No steam (Sat) adult €15, OAP €10, Museum only -with steam, adult €15, OAP €10 (Sun and Bank Holidays), No steam (Sat) adult €10, OAP €7, Garden only – adult/OAP €7, student/child free

Templemills House

Newtown Road, Celbridge, Co. Kildare, W23 YK26

Open dates in 2026: Feb 2-24, May 1-31, Aug 16-24, 9am-1pm

Fee: adult €12, child/student/OAP €8

Kilkenny

Aylwardstown House – AUG

Glenmore, Co. Kilkenny, Y34 WW60

Open dates in 2026: Aug 1-31, Sept 1-30, 10am-5pm

Fee: adult €5, OAP €3, student/child free

Tybroughney Castle, Piltown, Co. Kilkenny E32 NV 32

https://www.tybroughneycastle.com/

Open dates in 2026: Mar 1-20, May 1-31, Aug 15-23,11am-3pm

Fee: adult €5, student €3, child/OAP free

Leitrim

Manorhamilton Castle (Ruin), Castle St, Manorhamilton, Co. Leitrim, F91 PX00

Open dates in 2026: Mar 16-29, Apr 13-26, May 4-31, June 2-12, Aug 15-23, 9am-1pm

Fee: adult €5, child/OAP/student free

Limerick

Glebe House, Holycross, Bruff, Co. Limerick, V35 DW96

Open dates in 2026: Jan 5-30 Mon-Fri 2.30pm-6.30pm, June 8-22 Mon-Fri 2.30-6.30pm, Aug 15-23 Mon-Sun 9am-1pm, Sept 7-22, Mon-Fri, 2.30pm-6.30pm, Sat-Sun, 9am-1pm

Fee: Free

Kilpeacon House, Crecora, Co. Limerick

Open dates in 2026: May 2-30, June 1-30, Mon-Sat, Aug 15-23, 10am-2pm

Fee: adult/child/OAP/student €8

Odellville House, Ballingarry, Co. Limerick

www.odellville.simplesite.com

Open dates in 2026: May 1-31, June 1-30, Aug 15-23, 10am-2pm

Fee: adult €8, student/OAP/child €4

The Old Rectory – NOV

Rathkeale, Co. Limerick

Open dates in 2026: May 2-Nov 29, Saturday and Sundays, National Heritage Week, Aug 15-23,

10am-2pm

Fee: adult €8, child/OAP/student €3

Longford

Moorhill House – AUG

Castlenugent, Lisryan, Co. Longford

Open dates in 2026: Aug 1-31, Sept 1-29, 9.30am-1.30pm

Fee: adult/OAP/student/child €8

Mayo

Brookhill House – AUG

Brookhill, Claremorris, Co. Mayo

Open dates in 2026: Mar 13-26, Apr 17-25, June 12-26, July 8-24, Aug 15-23, 2pm-6pm

Fee: adult €8, OAP/child/student €3, National Heritage Week free

Old Coastguard Station, Rosmoney, Westport, Co. Mayo

Open dates in 2026: June 29-30, July 1-31, Aug 1-30, Sept 1-8, 11am-4pm

Fee: adult €1, child/OAP/student free

Mullan Village and Mill, Mullan, Emyvale, Co. Monaghan

www.mullanvillage.com

Open dates in 2026: Aug 1-31, Sept 1-30, 2pm-6.30pm

Fee: €6

High Street House, 6 High Street, Tullamore, Co. Offaly, R35 T189

36. High Street House, 6 High Street, Tullamore, Co. Offaly R35 T189

www.no6highstreet.com

Open dates in 2026: Jan 6-31, Mon -Fri, May 2-19, Aug 15-23, Sept 1-24, 9.30am-1.30pm

Fee: adult/student/OAP €10, child under 12 years free

Shannonbridge Fortifications, Raghrabeg,Shannonbridge, Co. Roscommon

www.shannonbridgefortifications.ie 

Open dates in 2026: May 1-Sept 30, 12 noon- 4pm

Fee: Free

Strokestown Park House, Strokestown Park House, Strokestown, Co. Roscommon

www.strokestownpark.ie www.irishheritagetrust.ie

Open dates in 2026: Jan 12-Dec 22, Jan-Feb, Nov-Dec 10.30am-4pm, Mar-Apr, Sept-Oct, 10am-

5pm, May-Aug, 10am-6pm

Fee: adult house €15, tour of house €19, child €7.50, tour of house €10.50,

OAP/student €12.50, tour of house €15, family €31.50, tour of house €39.50

Rathcarrick House, Rathcarrick, Strandhill Road, Co. Sligo, F91 PK58

Open dates in 2026: June, July, Aug, Tue-Sat, National Heritage Week, Aug 15-23, 2pm-6pm

Fee: adult €5, child/OAP/student free

Killenure Castle, Dundrum, Co Tipperary

www.killenure.com

Open dates in 2026: Feb 1-20, May 1-31, Aug 15-23, 10.30am-2.30pm

Fee: adult €10, child /OAP €8

Redwood Castle – SEPT

Redwood, Lorrha, Nenagh, Co. Tipperary, E45 HT38

Redwood is off the Birr/Portumna Rd

www.redwoodcastleireland.com

Open dates in 2026: May 20-26, June 11-17, 22-30, July 1-16, 23-31, Aug 5-23, Sept 1-8, 2.30pm-6.30pm,

Fee: adult €15, OAP/student €10, child €5

Silversprings House, St. Patrick’s Road, Clonmel, Co. Tipperary, E91 NT32

Open dates in 2026: May 1-31, June 1-30, Aug 15-23, 12 noon-4pm

Fee: adult €5, OAP/student €3, child free

Waterford

The Presentation Convent, Waterford Healthpark, Slievekeale Road, Waterford, X91 X3HY

www.rowecreavin.ie

Open dates in 2026: Jan 1- Dec 23, 27, 29,30, Mon-Fri, National Heritage Week Aug 15-23, closed

Bank Holidays, 8.30am-5.30pm

Fee: Free

Westmeath

Lough Park House – AUG

Castlepollard, Co. Westmeath

Open dates in 2026: Mar 13-18, Apr 2-8, May 1-7, 28-31, June 1-3, July 18-26, Aug 1-10, 15-24,

Oct 23-27, 2pm-6pm

Fee: adult €6

Rockfield Ecological Estate – AUG

Rathaspic, Rathowen, Mullingar, Co. Westmeath

Open dates in 2026: July 15-31, Aug 15-31, Sept 15-30, Oct 15-30, 2pm-6pm

Fee: Free

Wexford

Clougheast Cottage – AUG

Carne, Co. Wexford, Y35 A9T1

Fee: €5

Open dates in 2026: Jan 11-31, May 1-31, August 15-23, 9am-1pm

Kilcarbry Mill Engine House – DEC

Sweetfarm, Enniscorthy, Co Wexford, Y21 F7YD

Open dates in 2026: Feb 4-5, 8-11, Mar 11-12, 16-19, May 10-11, 22-31, July 4-5, 13-14, Aug 3-30, Dec 19-22 12 noon-4pm

Fee: adult €10, student/OAP €5, child free

Greenanmore, Ballintombay Lower, Rathdrum, Co Wicklow, A67 R896

www.greenanmore.ie

Open dates in 2026: June 27-30, July 1-31, Aug 1-25, 10am-3pm

Fee: adult/OAP €6, child/student €3

Kiltimon House – FEBRUARY

Newcastle, Co. Wicklow

Open dates in 2026: Feb 10, 13, 17, 20, 24, 27, Mar 3, 6, 10, 13, 20, 24, 27, 31, Apr 10, 14, 17, 21, 24, 28, May 5, 8-10, 12-13, 15-16, 19, 22, 26, June 9-10, 12-13, 16, 19, 23, 26, Aug 15-23, Sept 1, 4, 8, 11-12, 15, 18-19, 22, 25-26, 29, 9am-1pm

Fee: adult €10, OAP/student/child €5

Kingston House – AUG

Kingston, Rathdrum, Co. Wicklow, A67 DV25

Open dates in 2026: Aug 1-31, Sept 1-30, 10am-2pm

Fee: adult €3, OAP/student/child €2

Knockanree Garden, Avoca, Co. Wicklow, Y14 DY89

https://knockanree-gardens.business.site/?m=true

Fee: Free

Open dates in 2026: Apr 12-30, June 7-25, July 5-23 Sun -Thurs, Aug 9-23, 9.30am-1.30pm