Charleville Forest Castle, Tullamore, County Offaly – sometimes open to public, run by Charleville Castle Heritage Trust

Charleville Forest Castle, County Offaly, Heritage Week, August 2024 Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Charleville Castle is not a Section 482 property, but sometimes opens to the public during Heritage Week, see the website.

http://www.charlevillecastle.ie/

It was built built 1798-1812 for Charles William Bury (1764-1835), later 1st Earl of Charleville, and was designed by Francis Johnston. The castle took 14 years to build, partly because Johnston was busy with other commissions as he was appointed to the Board of Works in 1805. From his work on the castle, Francis Johnston gained many more commissions, and he worked simultaneously on Killeen Castle in County Meath (1802-1812), Markree Castle in County Sligo (1802-1805, see my entry) and Glanmore, County Wicklow (1803-04).

Mark Bence-Jones writes (1988, p. 82) that Charleville Castle is the “finest and most spectacular early nineteenth century castle in Ireland, Francis Johnston’s Gothic masterpiece, just as Townley Hall, County Louth, is his Classical masterpiece.” [1]

Charleville Forest Castle, County Offaly, Heritage Week, August 2024 Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In Irish Houses and Gardens. From the Archives of Country Life, Sean O’Reilly tells us that Charles William Bury and his wife, Catherine Maria née Dawson, had some hand in drawing plans for the building. He tells us: “Bury’s intention, as he wrote in his own unfinished account of the work, was to ‘exhibit specimens of Gothic architecture’ adapted to ‘chimneypieces, ceilings, windows, balustrades, etc.’ but without excluding ‘convenience and modern refinements in luxury.’ This recipe for the Georgian gothic villa had already been used at Horace Walpole’s Strawberry Hill in London, and Bury’s cultivated lifestyle in England certainly would have made him aware of that house and its long line of descendants.” [2]

Charles William Bury was President of the Royal Irish Academy between 1812 and 1822. He saw himself as the castle’s architect.

O’Reilly continues: “It may be that Bury himself – possibly with the assistance of his wife – outlined some of the more dramatic features in his new house, as is suggested by a number of drawings relating to the final design which still survive, now in the Irish Architectural Archive in Dublin. These all show the crude hand of an amateur, but equally betray a total freedom of imagination unshackled by the discipline of architectural training. In particular, a drawing of the exterior shows the smaller tower rising up out of the ground like a tree, with its base spreading and separating as it grows into the ground like roots.” [2]

Charleville Forest was written up by Mark Girouard for Country Life in 1962. Just over fifty-three years later Country Life published another article (October 2016), this time by Dr Judith Hill, awarded a doctorate for her work on the Gothic in Ireland.

Hill researched the role that Charles William Bury’s wife Catherine played in the design of Charleville, and shared her findings in a lecture given to the Offaly History Society and published on the Offaly History blog. She tells us:

“…it was time to look more closely at the collection of Charleville drawings which had been auctioned in the 1980s. Many of these are in the Irish architectural Archive, and those that were not bought were photographed. Here I found two pages of designs for windows that were signed by Catherine (‘CMC’: Catherine Maria Charleville). There is a sketch of a door annotated in her hand writing. There is a drawing showing a section through the castle depicting the wall decoration and furniture that had been attributed to Catherine. Rolf Loeber had a perspective drawing of the castle which showed the building, not quite as it was built, in a clearing in a wood. The architecture was quite confidently drawn and the trees were excellent. It was labelled ‘Countess Charleville’. I looked again at some of the sketches of early ideas for the castle in the Irish Architectural Archive. In one, the building design was hesitant while the trees were detailed; an architect wouldn’t bother with such good trees for an early design sketch. There was another that had an architect’s stamp; the massing of the building quickly drawn, the surrounding trees extremely shadowy. I could see Catherine and [Francis] Johnston talking about the design in these drawings.” [3]

One of the Countesses of Charleville, though I don’t know which one. Possibly Harriet Charlotte Beaujolois, the third daughter of Col. John Campbell of Shawfield in Scotland and Lady Charlotte Susan Maria Campbell. She was the second countess of Charleville and mother of Beaujolois or Little Beau.

Bence-Jones describes Charleville Forest castle as “a high square battlemented block with, at one corner, a heavily machicolated octagon tower, and at the other, a slender round tower rising to a height of 125 feet, which has been compared to a castellated lighthouse. From the centre of the block rises a tower-like lantern. The entrance door, and the window over it, are beneath a massive corbelled arch. The entire building is cut-stone, of beautiful quality.” [see 1]

“The entrance door, and the window over it, are beneath a massive corbelled arch.” Charleville Forest Castle, County Offaly, Heritage Week, August 2024 Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Front door, Charleville Forest Castle, County Offaly, Heritage Week, August 2024 Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Beginning in 1912, with the departure of Lady Emily, the last surviving daughter of the 4th Earl of Charleville, the house was left empty for 68 years.

In 1970 David Hutton-Bury (who owned and lived on the estate adjacent to the castle) granted a 35-year lease for the castle and surrounding 200 acres to Michael McMullen. McMullen lived in the castle and began its restoration in the early 1980s, during which time he restored the six main public rooms. In 1987 Bridget Vance and her mother, Constance Vance-Heavey, took over the leasehold from McMullen and continued the restoration. [4] It is now owned by the Charleville Castle Heritage Trust.

The land of Charleville Forest was inherited by Charles William’s father, John Bury (1725-1764) of Shannongrove, County Limerick. He succeeded to the estates of his maternal uncle, Charles Moore (1712-1764) 1st Earl of Charleville, in February 1764.

Shannongrove, County Limerick, the home of Charles William Bury’s father, courtesy of Archiseek. [5]

The oak forest and lands were gifted by Queen Elizabeth I to John Moore of Croghan Castle in 1577. Moore leased the land to Robert Forth, who built a house he called Redwood next to the river Clodiagh. In the 1740s Charles Moore 2nd Baron Moore and later 1st Earl of Charleville bought out the lease and made the house the family seat and named it Charleville, after himself.

Due to the lack of male heirs in the Moore family after Charles Moore’s death in 1764, and the fact that John Moore died later that year in 1764, the land was inherited by Charles William Bury who was the grand nephew of the last Earl, at just six months old.

Charles William Bury’s mother Catherine Sadleir was from Sopwell Hall County Tipperary. After her husband John Bury died, she married Henry Prittie (1743-1801) 1st Baron Dunally of Kilboy, which whom she went on to have several more children. The family probably moved to the house he had built called Kilboy House in County Tipperary.

Sopwell Hall, County Tipperary, courtesy of Colliers estate agents and myhome.ie. It was built in 1745 to a design attributed to Francis Bindon. The sale site tells us that in 1745 Francis Sadlier (1709-1797) built Sopwell Hall. The Sopwell Estate ownership passed to the Trench family in 1797 through the marriage of his daughter, Mary. The Trench family remained in ownership until 1985. See more photos in footnotes [6]
Henry Prittie, 1st Baron Dunalley (1743-1801), Irish school, courtesy of Christie’s. He was the stepfather of Charles William Bury.

On Charles Moore’s death the title became extinct until Charles William Bury was created 1st Earl of Charleville of the second creation in 1806. Before this, in 1797 he was created Baron Tullamore and in 1800, Viscount Charleville. Bury was returned to the Irish Parliament for Kilmallock in January 1790, but lost the seat in May of that year. He was once again elected for Kilmallock in 1792, and retained the seat until 1797. In 1801 he was elected as an Irish representative to sit in the British House of Lords in England.

Charles William Bury’s wife Catherine was daughter of Thomas Townley Dawson and widow of James Tisdall. From that marriage she had a daughter named Catherine.

Charleville Forest Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Charleville Forest Castle, County Offaly, Heritage Week, August 2024 Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Andrew Tierney describes Charleville Forest Castle in The Buildings of Ireland: Central Leinster: Kildare, Laois and Offaly:

The castle comprises a tall castellated block of snecked [snecked masonry has a mixture of roughly squared stones of different sizes] limestone rubble with ashlar trim, with a great muscular octagonal tower to the northwest and a narrow round tower with soaring tourelle [small tower] to the NE…The composition breaks out more fully in the collective irregular massing of the towers, the chapel and the stable block, which rambles off to the west.” [7]

Charleville Forest Castle, County Offaly, Heritage Week, August 2024 Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Tierney continues: “The positioning of a great window over the doorway bears comparison with the earlier group of Pale castles, such as Castle Browne (now Clongowes Woods school), attributed to Thomas Wogan Browne. It appears as a portcullis descending from a Gothic arch with a drawbridge in Lord Charleville’s original drawing (which also had a Radcliffean damsel in distress screaming from the battlements). He spent a lot of time drawing a sevenlight panelled window in its stead – the effect is much the same from afar – although the executed window is a more complex Perp design, probably by Johnston. The Tudor arch is employed three times in succession: over the door, in the recess of the great window and in the tripartite window above, which is subdivided into three further arches. This use of the same detailing at varying scales is also seen in the corbelling – a sort pair of intersecting hemispheres. The battlements are simple crenels on the main block but on the towers are rendered in a distinctly Irish fashion (a distinction Johnston would make at Tullynally and Markree), and here the corbelling is also more elaborate, sprouting upwards like cauliflower on the NE tower.

“Muscular” octagonal tower, Charleville, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Charleville Castle octagonal tower, August 2024. Tierney describes the windows in front of the castle as “cinquefoil.” Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The northeast tower with telescoping “tourelle” and the corbelling “sprouting upwards like cauliflower,” Charleville Forest Castle, County Offaly, Heritage Week, August 2024 Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Charleville, County Offaly, 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Side facade with NE tower, Charleville, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Side facade with NE tower, and Y shaped early 14th century style tracery arched windows, Charleville, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Side facade, with Elizabethan style mullions and transoms of timber tooled to look like stone, Charleville, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

To the right of the entrance front, and giving picturesque variety to the composition, is a long, low range of battlemented offices and a chapel, including a tower with pinnacles and a gateway.

Charleville Castle chapel, August 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
To the right of the entrance front, and giving picturesque variety to the composition, is a long, low range of battlemented offices, including a tower with pinnacles and a gateway. Charleville Castle, August 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Charleville Castle chapel, August 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The end of the chapel wing, which housed the kitchen and other offices. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Charleville Castle, August 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Stableyard lies behind these walls. Charleville, County Offaly, 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Stableyard lies beyond the chapel but is not open to the public, which is unfortunate as Tierney describes it as the finest castellated stableyard in Ireland, although now derelict. It is also by Francis Johnston.

Charleville, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Mark Bence-Jones continues:

The interior is as dramatic and well-finished as the exterior. In the hall, with its plaster groined ceiling carried on graceful shafts, a straight flight of stairs rises between galleries to piano nobile level, where a great double door, carved in florid Decorated style, leads to a vast saloon or gallery running the whole length of the garden front.”

“In the hall, with its plaster groined ceiling carried on graceful shafts, a straight flight of stairs rises between galleries to piano nobile level, where a great double door, carved in florid Decorated style, leads to a vast saloon or gallery running the whole length of the garden front.” Charleville, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Charleville, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Charleville, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The heavy oak stairs run from the basement to piano nobile. This imitates a similar configuration by James Wyatt at Fonthill and Windsor, which Lord Charleville knew. The upper stage, Tierney describes, has a plaster-panelled dado with ogee-headed niches in the style of Batty Langley, conceived for a parade of suits of armour in drawings by Lady Charleville.

Charleville, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
August 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Through the double doors is the most splendid room, the south facing Gallery. Unfortunately this was closed on our Heritage Week visit in 2024 due to filming of the Addams family movie, “Wednesday.” Mark Bence-Jones continues:“This is one of the most splendid Gothic Revival interiors in Ireland; it has a ceiling of plaster fan vaulting with a row of gigantic pendants down the middle; two lavishly carved fireplaces of grained wood, Gothic decoration in the frames of the windows opposite and Gothic bookcases and side-tables to match.

Charleville Castle Tullamore by Alex Johnson June 2017, courtesy of flickr constant commons.
Photograph of Charleville Forest Castle that appeared in 1962 in Country Life. The castle was uninhabited at this time and the furniture was borrowed from Belvedere, County Westmeath.

The fan-vaulted ceiling is inspired by Horace Walpole’s Strawberry Hill, which the Burys visited, which is in turn based on Henry VII’s Chapel at Westminster Abbey, Tierney tells us. The ceiling is thought to have been executed by George Stapleton, who is also responsible for the fan-vaulting in Johnston’s Chapel Royal in Dublin Castle. The ceiling is anchored with clustered shafts along the walls, with bays framing the two Gothic chimneypieces, the doorcase on the north wall, and the Gothic casings of the windows.

Charleville Castle Tullamore by Matt McKnight 2007, courtesy of flickr constant commons.
It has a ceiling of plaster fan vaulting with a row of gigantic pendants down the middle. Heraldic shields depict different branches of the Bury family. Photograph 2018, poor quality due to being taken on an old mobile phone © Jennifer Winder-Baggot, www.irishhistorichouses.com
Charleville, County Offaly. The Moorish doorway on the stage was left from a film set. Photograph 2018, poor quality due to being taken on an old mobile phone © Jennifer Winder-Baggot, www.irishhistorichouses.com

The drawing room and dining room are on either side of the entrance hall. The dining room on the west side has a coffered ceiling and a fireplace which is a copy of the west door of Magdalen College chapel, Oxford.

The dining room, August 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The dining room, August 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The dining room has a fireplace that incorporates the design of the west door of the chapel at Magdalen College, Oxford. It has its own miniature portcullis! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The dining room has, Tierney points out, a Dado of double-cusped panelling derived from the staircase balustrade of Strawberry Hill. The ceiling has crests of the family in the panel, supported by a Gothic frieze in the form of miniature fan vaults. The Moores are represented by a silhouette of a Moorish person, and the Burys by a boar’s head with an arrow through its neck. There are also “C”s for “Charleville.” The volunteers during Heritage Week told us that the ceiling is by William Morris, but Tierney tells us that he redecorated the room in 1875, but the scheme no longer survives. The decoration on the miniature fan vault frieze does look rather William Morris-esque to me, as well as the painting between the crests.

The Moores are represented by a silhouette of a Moorish person, and the Burys by a boar’s head with an arrow through its neck. There are also “C”s for “Charleville.” August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The volunteers during Heritage Week told us that the ceiling is by William Morris, but Tierney tells us that he redecorated the room in 1875, but the scheme no longer survives. The decoration on the miniature fan vault frieze does look rather William Morris-esque to me, as well as the painting between the crests. August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph of Charleville Forest Castle that appeared in 1962 in Country Life. The castle was uninhabited at this time and the furniture was borrowed from Belvedere, County Westmeath.
The dining room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The dining room, a sketch by Beaujolois Bury, 1843. Beaujolois Elenora Catherine was the only daughter of the second earl of Charleville (1801–51) and his wife Harriet Charlotte Beaujolois Bury née Campbell (1803–48). The unusual name was due to her having Louis Charles d’Orleans, Comte de Beaujolais, brother of Louis Phillipe, as her godfather. Louis Philippe I (1773 – 1850), nicknamed the Citizen King, was King of the French from 1830 to 1848, the penultimate monarch of France, and the last French monarch to bear the title “King”. He abdicated from his throne during the French Revolution of 1848, which led to the foundation of the French Second Republic. [8] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Drawing Room is on the east side of the house. It has a fretwork ceiling with circular heraldic panels, a panelled dado and quatrefoil cornice. The room connects through a great arch with the rib-vaulted music room to its north. Unfortunately none of the furniture is original to the house but was brought it by the current owners.

The Drawing Room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Drawing Room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Drawing Room, with arch through to the Music Room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Drawing Room and Music Room. I love the chandeliers with the figures which look like Muses. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Charleville, County Offaly, 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The “Princess” of the castle as Bonnie told us. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Music Room has a rib-vaulted ceiling.

The Music Room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Music Room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Music Room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The music room at Charleville c. 1843 with the Gothic chair from the Strawberry Hill sale on left. By Beaujolois Bury [see 8].

The Music Room connects via a curved short corridor to the Boudoir in the northeast tower, a homage to Walpole’s Tribune in Strawberry Hill, Tierney tells us. This used to be my friend Howard Fox’s bedroom when he was staying as a guest, leading mushroom foraging walks in Charleville Woods! It is a star-vaulted circular room, with bays alternating between four wide round niches and smaller openings for windows, door and fireplace. Above was Lord Charleville’s dressing room, but we did not get to go there.

The narrow curved corridor leading to the Boudoir. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Boudoir. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Boudoir ceiling. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Boudoir. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The door into the Boudoir is curved. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The stairs is tucked away in an odd place, behind a door off the northwest corner of the entrance hall. It is an intricate tightly curved staircase of Gothic joinery leading to the upper storeys, with Gothic mouldings on walls. The wall panelling is plaster painted and grained to look like oak. It rises through three storeys.

The Staircase. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Staircase. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Staircase. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Staircase. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Tierney tells us that at the top of each flight, there is a great cavetto-moulded doorcase enriched with quatrefoil fretwork in plaster. The cavetto is a concave molding with a profile approximately a quarter-circle, quarter-ellipse, or similar curve. I find the staircase thrilling. Tierney writes: “Its dark colouring is in tune with the “gloomth” of its north facing aspect, and no Gothic room in Ireland rivals its Hmmer Horror atmosphere“!

The Staircase. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Staircase. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Charleville Castle Tullamore by Matt McKnight 2007, courtesy of flickr constant commons.

A tragic accident occurred in 1861 when the 5th Earl’s young sister Harriet was sliding down the balustrade of the Gothic staircase from the nursery on the third floor and fell. She is said to haunt the staircase and to be heard singing.

I’m not sure if this is a photograph of Harriet who died falling from the staircase.

Beyond the staircase on the primary level is a small library with rib vaulted ceiling and Gothic bookcases.

The Library. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Library. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Library. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Library. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The panelling by each bookcase can be opened to reveal more space, and behind one secret door is a small room which leads out to the chapel, the guide told us.

The Library. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Library. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Secret Room off the library – we did not see the passage to the chapel, which is now without a roof. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Library. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The library has stained glass Heraldic windows.

The Library. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Library. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Library. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

O’Reilly tells us: “Charleville Forest’s patron, Charles William Bury, from 1800 Viscount and from 1806 Earl of Charleville, was a man well versed in contemporary English taste and style. He inherited lands in Limerick, through his father’s maternal line, and in Offaly. His great wealth, lavish lifestyle and generous nature allowed him simultaneously to distribute largesse in Ireland, live grandly in London and travel widely on the continent…[p. 139] Charleville’s lack of success in his search for a sinecure proved ill for the future of the family fortunes for, continuing to live extravagantly above their means, they advanced speedily towards bankruptcy. On Charleville’s death in 1835, the estate was ‘embarrassed’ and by 1844, the Limerick estates had to be sold and the castle shut up, while his son and heir, ‘the greatest bore the world can produce’ according to one contemporary, retired to Berlin.

“The greatest bore the world can produce,” Charles William Bury (1801-1851), 2nd Earl of Charleville by Alfred, Count D’Orsay 1844, courtesy of National Portrait Gallery NPG 4026(12).

The 2nd Earl held the office of Representative Peer [Ireland] between 1838 and 1851.

Charles William Bury, 2nd Earl of Charleville, seated in red cloak before a curtain, portrait by Henry Pierce Bone, 1835.

The 3rd Earl, Charles William George Bury (1822-1859), returned to the house in 1851, but with a much reduced fortune. He died young, at the age of 37, and his son, also named Charles William (1852-1874), succeeded as the 4th Earl at the age of just seven years old. His mother had died two years earlier. It seems that many of the Bury family were fated to die young.

The 4th Earl died at the age of 22 in 1874, unmarried, so the property passed to his uncle, Alfred, who succeeded as 5th Earl of Charleville but died the following year in 1875, without issue. The young 4th Earl had quarrelled with his sister who was next in line, so the property passed to a younger sister Emily.

In 1881 Emily married Kenneth Howard (1845-1885), son of the 16th Earl of Suffolk and of Louisa Petty-FitzMaurice, daughter of Henry Petty-FitzMaurice, 3rd Marquess of Lansdowne. On 14 December 1881 his name was legally changed to Kenneth Howard-Bury by Royal Licence, after his wife inherited the Charleville estate. He held the office of High Sheriff of King’s County in 1884.

After Emily’s death in 1931 the castle remained unoccupied. Her son Charles Kenneth Howard-Bury (1883-1963) preferred to live at another property he had inherited, Belvedere in County Westmeath (see my entry), which he inherited from Charles Brinsley Marlay. He auctioned the contents in 1948.

Belvedere, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Charles Brinsley Marlay of Belvedere House County Westmeath, courtesy of The Fitzwilliam Museum.

The house stood almost empty, with a caretaker, for years. When Charles Kenneth died in 1963, the property passed to a cousin, the grandson of the 3rd Earl’s sister with whom he had quarrelled. She had married Edmund Bacon Hutton and her grandson William Bacon Hutton legally changed his surname to Hutton-Bury when he inherited in 1964. The castle remained empty, until it was leased for 35 years to Michael McMullen in 1971. It had been badly vandalised at this stage. He immediately set to restore the castle.

More repairs were carried out by the next occupants, Bridget “Bonnie” Vance and her parents, who planned to run a B&B and wedding venue. Today the castle is run by Charleville Castle Heritage Trust.

For more information, see the website of the Irish Aesthete Robert O’Byrne, https://theirishaesthete.com/2019/10/14/charleville/

[1] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[2] p. 136. O’Reilly, Sean. Irish Houses and Gardens. From the Archives of Country Life. Aurum Press Ltd, London, 1998.

[3] https://offalyhistoryblog.wordpress.com/2021/09/18/catherine-maria-bury-and-the-design-of-charleville-castle-by-judith-hill/

[4] https://www.thedicamillo.com/house/charleville-castle-charleville-forest-charleville-forest-castle/

[5] https://www.archiseek.com/2010/1798-charleville-forest-tullamore-co-offaly/ 

[6] More photographs of Sopwell Hall:

Sopwell Hall, County Tipperary, courtesy of Colliers estate agents and myhome.ie
Sopwell Hall, County Tipperary, courtesy of Colliers estate agents and myhome.ie
Sopwell Hall, County Tipperary, courtesy of Colliers estate agents and myhome.ie
Sopwell Hall, County Tipperary, courtesy of Colliers estate agents and myhome.ie
Sopwell Hall, County Tipperary, courtesy of Colliers estate agents and myhome.ie
Sopwell Hall, County Tipperary, courtesy of Colliers estate agents and myhome.ie

[7] p. 232-8. Tierney, Andrew. The Buildings of Ireland: Central Leinster: Kildare, Laois and Offaly. Yale University Press, New Haven and London, 2019.

[8] https://offalyhistoryblog.com/2025/07/23/lady-beaujolois-bury-1824-1903-the-prayerful-artist-of-charleville-castle-tullamore-by-michael-byrne/

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Belvedere House, Gardens and Park, County Westmeath – open to the public

Belvedere, County Westmeath, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Belvedere House and gardens are open to the public.

http://www.belvedere-house.ie/

Mark Bence-Jones writes of Belvedere in his 1988 book:

p. 39. “(Rochfort, sub Belvedere, E/DEP Rochfort/LGI1912; Marlay/LGI1912; Howard-Bury, sub Suffolk and Berkshire, E/PB; and Bury/IFR) An exquisite villa of ca 1740 by Richard Castle, on the shores of Lough Ennell; built for Robert Rochfort, Lord Bellfield, afterwards 1st Earl of Belvedere, whose seat was at Gaulston, ca 5 miles away [Gaulston is no longer standing]. Of two storeys over basement, with a long front and curved end bows – it may well be the earliest bow-ended house in Ireland – but little more than one room deep.”

Belvedere, County Westmeath, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Robert Rochfort (1708-1774) 1st Earl of Belvedere in van Dyck costume, by Robert Hunter It is possible that the present portrait was executed posthumously.

Bence-Jones continues: “The front has a three bay recessed centre between projecting end bays, each of which originally had a Venetian window below a Diocletian window. Rusticated doorcase and rusticated window surrounds on either side of it; high roof parapet. The house contains only a few rooms, but they are of fine proportions and those on the ground floor have rococo plasterwork ceilings of the greatest delicacy and gaiety, with cherubs and other figures emerging from clouds, by the same artist as the ceilings formerly are Mespil House, Dublin, one of which is now in Aras.

When Robert Rochfort decided to use Belvedere as his principal residence he employed Barthelemij Cramillion, the French Stuccadore, to execute the principal ceilings. The Rococo plasterwork ceilings were completed circa 1760.

Belvedere, County Westmeath, August 2021: “The house contains only a few rooms, but they are of fine proportions and those on the ground floor have rococo plasterwork ceilings of the greatest delicacy and gaiety, with cherubs and other figures emerging from clouds, by the same artist as the ceilings formerly are Mespil House, Dublin, one of which is now in Aras.” Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Venetian window that lights the stairs, on the back facade of the house. The wooden porch below is an entrance into the basement of the house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Belvedere, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Robert Rochfort the 1st Earl of Belvedere was the son of George Rochfort (1682-1730) and Elizabeth, daughter of Henry Hamilton-Moore, 3rd Earl of Drogheda.

George Rochfort (1682-1730) of Gaulstown, Co. Westmeath, M.P. for Co. Westmeath by Charles Jervas courtesy of Christies Auction 2002.
Robert Rochfort (1652-1727) as Speaker of the Irish House of Commons by an unknown artist, Photograph of a painting owned by Michael O’Reilly. He was the father of George Rochfort (1682-1730) of Gaulstown, Co. Westmeath
James Rochfort (executed in 1652 after killing someone in a duel) usually known by his nickname “Prime Iron,” by Garret Morphy. He was the father of Robert Rochfort (1652-1727).

Bence-Jones tells of the Rochforts: “Soon after the house was finished, Lord Bellfield’s beautiful wife [Mary Molesworth, daughter of Richard, 3rd Viscount Molesworth of Swords, Dublin] confessed to him that she had committed adultery with his brother; whereupon he incarcerated her at Gaulston, where she remained, forbidden to see anyone but servants, until his death nearly thirty years later; while he lived a bachelor’s life of great elegance and luxury at Belvedere.

Belvedere, County Westmeath.

Mary Molesworth was Robert Rochfort’s second wife. His first wife, Elizabeth Tenison, died childless in 1732, from smallpox.

Mrs. Delaney writes of Robert and his second wife “he has discovered an intrigue, and they say he has come to England in search of him [the brother who committed adultery] to kill him wherever he meets him… He is very well-bred and very well in his person and manner; his wife is locked up in one of his houses in Ireland, with a strict guard over her, and they say he is so miserable as to love her even now; she is extremely handsome and has many personal accomplishments.

It is said that Charlotte Bronte may have been inspired by Mary’s imprisonment to write the character of “the madwoman in the attic” in Jane Eyre.

Belvedere, County Westmeath.
Sarah Rochfort (nee Singleton) was the daughter of The Rev. Rowland Singleton (1696-1741) of Drogheda, later Vicar of Termonfeckin, County Louth, wife of Arthur Rochfort (1711-1774) of Bellfield House Co Westmeath, sold at Shepphards. Her husband was imprisoned when he could not pay his legal damages for adultery.

Mark Bence-Jones continues: “Another of his brothers lived close to Belvedere at Rochfort (afterwards Tudenham Park); having quarrelled with him too, Lord Belvedere, as he had now become, built the largest Gothic sham ruin in Ireland to blot out the view of his brother’s house; it is popularly known as the Jealous Wall.”

Tudenham Park was built for Robert’s brother George Rochfort (1713-1794) around 1743. He married Alice, daughter of Gustavus Hume 3rd Baronet of County Fermanagh. Tudenham Park is now a ruin and was recently sold.

Tudenham Park, County Westmeath, courtesy of Sherry FitzGerald Davitt & Davitt Mullingar.
“The Jealous Wall,” Belvedere. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The jealous wall is rather disappointingly attached to the visitor centre of Belvedere at the entrance to the park. Robert went to great expense to construct the wall to resemble an artificial ruined abbey, hiring the celebrated Italian architect Barrodotte to work on the project.

Visitor centre attached to the Jealous Wall, Belvedere. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Belvedere, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Visitor centre attached to the Jealous Wall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Earl of Belvedere managed to have children despite his antipathy toward his wife. His son George Rochfort (1738-1814), 2nd Earl of Belvedere inherited Belvedere and other estates when his father died in 1774. He also inherited debts, and sold Gaulston House, the house where his mother had been imprisoned by his father. Unfortunately Gaulston House was destroyed by fire in 1920. George Rochfort built an extension onto the rear of Belvedere but spent most of his time in his townhouse, Belvedere House in Great Denmark Street, Dublin.

George Rochfort (1738-1815), later 2nd Earl of Belvedere by Robert Hunter (c. 1715/20-1801), Adams auction 18 Oct 2022.
Belvedere House, Belvedere College, Dublin.
Inside Belvedere House, plasterwork by Michael Stapleton, Belvedere College, Dublin.
Belvedere House, Belvedere College, Dublin.

Robert Rochfort 1st Earl and Mary née Molesworth had a daughter Jane whom it seems was not dissuaded from marriage despite treatment of her mother, and married Brinsley Butler, 2nd Earl of Lanesborough, MP for County Cavan.

George Rochfort (12 October 1738 – 13 May 1814), 2nd Earl of Belvedere, and his second wife Jane née Mackay, by Robert Hunter, 1804 courtesy of Christies.

The 2nd Earl of Belvedere married first Dorothea Bloomfield, and after she died, he married Jane Mackay. He had no surviving children after his death in 1814. His wife inherited his Dublin property but his sister Jane née Rochfrot inherited Belvedere. Jane married Brinsley Butler, 2nd Earl of Lanesborough. She inherited Belvedere when she was 77 years old! She had married a second time, to John King, and the income from the estate allowed herself and her second husband to live in fine style in Florence.

Jane née Rochfort Countess of Lanesborough (1737-1828) Attributed to Thomas Pope Stevens courtesy Christies Irish Sale 2002. She was the daughter of Robert Rochfort, 1st Earl of Belvedere and married Brinsley Butler, 2nd Earl of Lanesborough.

The male line of the Earls of Lanesborough died out after two more generations. Jane’s son Robert Henry Butler (1759-1806) 3rd Earl of Lanesborough married Elizabeth La Touche, daughter of David La Touche (1729-1817) and Elizabeth Marlay, whom we came across when we visited Harristown, County Kildare (see my entry) and Marlay Park in Rathfarnham, Dublin. The estate passed down to their son, Brinsley Butler, 4th Earl of Lanesborough, but he died unmarried. The estate then passed through the female line. The 3rd Earl of Lanesborough’s sister Catherine married George Marlay (1748-1829), the brother of Elizabeth who married David La Touche.

Elizabeth, Countess of Lanesborough (née La Touche), (1764-1788), wife of 3rd Earl of Lanesborough, Date 1791 Engraver Francesco Bartolozzi, Italian, 1725-1815 After Horace Hone, English, 1756-1825, photograph courtesy of National Gallery of Ireland.

Mark Bence-Jones continues: “In C19, the Diocletian windows in the front of the house were replaced with rectangular triple windows; and the slope from the front of the house down to the lough was elaborately terraced. Belvedere passed by inheritance to the Marlay family and then to late Lt-Col C.K. Howard-Bury, leader of the 1921 Mount Everest Expedition; who bequeathed it to Mr Rex Beaumont.” (see [3])

Belvedere, County Westmeath.
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Catherine and George Marlay had a son, George (1791-1880), who married Catherine Tisdall, and the estate passed to his son, Charles Brinsley Marlay (1831-1912). Charles was only sixteen when he inherited Belvedere from his cousin the Earl of Lanesborough.

Charles Brinsley Marlay of Belvedere House County Westmeath, courtesy of The Fitzwilliam Museum.

It was Charles Brisley Marlay who built the terraces leading down to the lake, in the late 1880s. The twelve stone lions were added later. He spent many hours planning the 60 metre long rockery to the side of the terraces, and also built the walled garden. He was known as “the Darling Landlord” due to his kindness to tenants, and for bringing happiness and wealth back to Belvedere. He was cultured and amassed an important art collection, as well as improving the estate.

Charles Brisley Marlay built the terraces leading down to the lake, in the late 1880s. The twelve stone lions were added later. The terraces are said to have been inspired by the terraces at Haddon Hall, Derbyshire, the home of his sister. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Charles Brisley Marlay built the terraces leading down to the lake, in the late 1880s. The twelve stone lions were added later. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Belvedere, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Belvedere, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The inheritance of Belvedere continues to be even more complicated. It passed via Catherine Tisdall’s family. Her mother Catherine Dawson (1762-1821) had married twice. Catherine’s second husband was Charles William Bury (1764-1835), the 1st Earl of Charleville. We came across him earlier, as an owner of Charleville Forest, in Tullamore, County Offaly.

Charleville Forest Castle, County Offaly.

Belvedere passed to Charles William Bury (1764-1835) the 1st Earl of Charleville’s descendant, Lt. Col Charles Howard-Bury (1883-1963). The 3rd Earl of Charleville, Charles William George Bury (1822-1859) had several children but the house passed to the fourth child, Emily Alfreda Julia Bury (1856-1931), as all others had died before Charles Brinsley Marley died. It was therefore the son of Emily Alfreda Julia Bury and her husband Kenneth Howard, who added Bury to his surname, who inherited Belvedere. Their son was Charles Kenneth Howard-Bury (1883-1963).

Charles William Bury, 2nd Earl of Charleville, seated in red cloak before a curtain, portrait by Henry Pierce Bone, 1835.
Charles Howard-Bury brought a bear back from Kazakhstan!
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Charles Howard-Bury left Belvedere to his friend, Rex Beaumont. Eventally financial difficulties caused Mr Beaumont to sell the property, and it was acquired by Westmeath County Council. Two years previously, in 1980, Mr Beaumont sold the contents of the house – I wonder where those things ended up?

The estate is a wonderful amenity for County Westmeath, with large parklands to explore with several follies, as well as the walled garden.

Belvedere, County Westmeath.
Hallway, Belvedere, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Belvedere, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Belvedere, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Belvedere, County Westmeath, August 2021: Juniper astride an eagle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The portrait is of Charles Howard-Bury, who was one of the owners of Belvedere. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Belvedere, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Dining Room, Belvedere, County Westmeath. The Dining Room occupies one end bow of the house, and has a Venetian window overlooking Lough Ennell. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In Belvedere, dining was an opportunity to impress guests not only by the room but by the sumptuous meals, presented by immaculately dressed servants. The rococo ceiling of puffing cherubs and fruits and foliage is attributed to Barthelemji Cramillion, a French stuccodore.

The Dining Room, Belvedere, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Dining Room, Belvedere, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Dining Room, Belvedere, County Westmeath: The rococo ceiling of puffing cherubs and fruits and foliage is attributed to Barthelemji Cramillion, a French stuccodore. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Dining Room, Belvedere, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Bence-Jones continues: “The staircase, wood and partly curving, is in proportion to the back of the house.

Belvedere, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Belvedere, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Belvedere, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Belvedere, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Drawing Room, Belvedere, County Westmeath. The drawing room occupies one of the bows of the house, and has a Venetian window overlooking the terrace and Lough Ennell. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Information boards tells us that the Drawing Room was the place for afternoon tea, after-dinner drinks, music and conversation. Belvedere’s last owners, Charles Howard-Bury and Rex Beaumont would have passed many happy hours relaxing and reminiscing about their wartime experiences and travels across the world, as well as planning trips to Tunisia and Jamaica.

Belvedere, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Belvedere, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Belvedere, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ceiling of the Drawing Room, Belvedere, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Belvedere, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Belvedere, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Belvedere, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Belvedere, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The kitchen is in the vaulted basement of Belvedere and has an interesting ghostly display of servants. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Belvedere, County Westmeath.
Belvedere, County Westmeath.
Belvedere, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Belvedere, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Belvedere, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Belvedere, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Belvedere, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Belvedere garden folly, the Gothic Arch, built around 1760, designed by Thomas Wright as a ‘mock entrance’ to the estate. Courtesy of Westmeath County Council (www.visitwestmeath.ie), photograph by Clare Keogh, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Octagonal Gazebo, Belvedere. It was once panelled with wood on the walls, floor and ceiling and was used for summer picnics, where guests would be waited on by servants. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Octagonal Gazebo was built around 1765 by astronomer, mathematician and architect Thomas Wright.

Lough Ennell. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Strokestown Park House, Strokestown, Co. Roscommon – section 482

www.strokestownpark.ie

Open dates listed for 2024:

House tour at noon. Jan-Feb, Nov-Dec, 10.30am-4pm,

Mar-May, Sept-Oct, 10am-5pm,

June-Aug, 10am-6pm

Fee: adult house €14.50, tour of house €18.50, child €7, tour of house €10, OAP/student €12, tour of house €14.50, family €31, tour of house €39

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€10.00

Image by Chris Hill, 2014, Tourism Ireland, from Ireland’s Content Pool. [1]
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Archiseek website describes Strokestown Park house as “a substantial house in the Palladian manner of a central block flanked by wings and curved sweeps. The centre block was completed in 1696 but extended around 1730 by Richard Cassels who added the substantial wings. The house was further altered in 1819 by J. Lynn.” [2]

Strokestown Park, County Roscommon.

We visited Strokestown Park in County Roscommon during Heritage Week 2022. It houses the excellent National Famine Museum and Archive, which is really worth visiting. It sounds grim, but it is a great exhibition and it tells us so much about people’s lives that it is not a grim museum at all. It also tells us about the Pakenham-Mahons, the family who lived in the impressive Strokestown Park. Strokestown Park was the home of the first landlord to be assassinated during the height of the Great Famine of Ireland the 1840s, and it is therefore ideal for the location of the Famine Museum.

In 1979 Nicholas Hales Pakenham Mahon sold the estate to Westward Garage, founded by Jim Callery. The new owners allowed the last of the Mahon family, Olive and her husband Wilfrid Stuart Hales Pakenham Mahon, to remain living in the house until she moved to a nursing home.

Despite no longer being in the hands of the original owners, the house contains the original furnishings and fittings. The house is unchanged from the time when the Mahons lived there.

Strokestown Park, County Roscommon, August 2022.

The Museum was created when Jim Callery, founder of the Westward Garage which purchased the property, found documents relating to the famine in the family archives. Jim Callery and the Westward Garage carried out a major restoration programme and opened the property to the public. Since 2015, Strokestown Park is cared for by the Irish Heritage Trust, an independent charity. Produce from the original working gardens are grown by volunteers and used in the Strokestown Park Café.   

Strokestown Park, County Roscommon, August 2022.

The website tells us that the house is built on the site of the 16th-century castle, home of the O Conor-Roe Gaelic Chieftains. Before being called “Strokestown House” the property was called “Bawn,” in reference to the bawn of the O Conor-Roe castle.

Nicholas Mahon, a captain in King Charles I’s army, was granted Strokestown as a royal deer park in 1653. Later, after pledging allegiance to King Charles II, he received more land. He was High Sheriff of County Roscommon, 1664-76. [3] He received over 3000 acres in 1678. He started to build a house, which was completed after his death in 1680, in 1696. Terence Reeves-Smyth tells us in his book Irish Big Houses that there is a stone by the door which has 1696 carved into it – the stone is now inside the house.

Strokestown Park featured as Building of the Month in December 2015 on the National Inventory of Architectural Heritage, and it tells us about the 1696 house:

Evidence of this house survives to the present day at basement level where a panelled still room, previously one of the principal reception rooms, retains a rosette-detailed Jacobean chimneypiece, an egg-and-dart-detailed plasterwork overmantle decorated with fruits and shells, and a compartmentalised ceiling with dentilated moulded plasterwork cornices. Some earlier remains of the castle are also found in the basement where sections of the walls measure almost three metres deep. Memories of the medieval past were carried through into the nineteenth century when the house was still officially called, and was referred to by Isaac Weld (1832) and Samuel Lewis (1837) as “Bawn”.” [4] [5]

Stephen and I were able to see part of the interior of the house, despite the house being closed for restoration work at the time, by joining a Heritage Week talk about a photographic dark room which had been created in the house by one of its residents. Unfortunately we did not get to see the basement or the galleried kitchen.

Captain Nicholas married Magdalena French, daughter of Arthur French of Movilla Castle, County Galway. [6] They had several children. Their son Reverend Peter (d. 1739) became Dean of Elphin and married Catherine, daughter of Paul Gore of Castle Gore, County Mayo (otherwise known as Deel Castle, now a ruin), who was son of Arthur, 1st Baronet Gore, of Newtown Gore, otherwise known as Parkes Castle in Leitrim (see my Office of Public Works in Connaught, Counties Leitrim, Mayo and Roscommon entry).

Another son, Nicholas (c. 1671-1781) married Eleanor Blayney, daughter of Henry Vincent, 5th Baron Blayney of Castle Blayney, County Monaghan.

A daughter, Margaret, married Edward Cooper of Markree Castle, County Sligo (another Section 482 property which we visited).

Strokestown passed via another son, John (d. 1708), who married Eleanor Butler (daughter of Thomas, 3rd Baronet Butler, of Cloughgrenan, Co. Carlow), to their son Thomas (1701-1782). It was Thomas who built on to the 1696 house, to create a residence designed by Richard Cassells, in about 1730.

I think the portrait is of Thomas Mahon (1701-1782), who employed Richard Castle to built a house at Strokestown. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Terence Reeves-Smyth tells us in his Irish Big Houses that the top storey and balustrade were added probably around 1740 when Richard Castle built the wings for Thomas Mahon. [7]

Richard Castle, or Cassells, (c.1690/95–1751) probably came to Ireland to work for Sir Gustavus Hume to design Castle Hume, Co. Fermanagh. [8] He then worked under Edward Lovett Pearce when Pearce worked on the Parliament Building in Dublin. Pearce died young and Castle succeeded to his practice. The Dictionary of Irish Biography tells us:

He contributed significantly to the development of Dublin, designing the first imposing town houses in cut stone for the nobility, notably Tyrone House, Marlborough St. (1740–45), built for Marcus Beresford (1694–1793), later earl of Tyrone, and Leinster House, Kildare St. (1745–51), for James Fitzgerald, earl of Kildare, the grandest town house and since the 1920s the seat of Dáil Éireann. His commissions included 85 Stephen’s Green (c.1738), the first stone-fronted house on the Green, latterly part of Newman House; houses in Kildare St., notably Doneraile House (designed c.1743); and Sackville Place...Castle designed many country houses, including Belvedere, Co. Westmeath (designed 1740), which incorporated the ‘Venetian’ window, a common feature of his designs, and Ballyhaise, Co. Cavan (c.1733). By altering and enlarging many houses, he created grand country mansions (often with vaulted stables), notably Powerscourt, Co. Wicklow, with its magnificent Egyptian hall (built 1731×1740; damaged by fire 1974, and since partly restored), Westport House, Co. Mayo (1731–40), and Carton House, Co. Kildare (c.1739–45). Conolly’s Folly at Castletown estate, Co. Kildare (1740), a tall obelisk mounted on multiple arches, is attributed to him. He possibly collaborated with Francis Bindon on Belan House, Co. Kildare, complete with temple and three obelisks (1743), and Russborough, Co. Wicklow (c.1742–55).” [9]

Also designed by Richard Castle: Westport House, County Mayo (1731), photograph courtesy of Ireland’s Content Pool [1].
Newman House, St. Stephen’s Green (Museum of Literature Ireland), also designed by Castle (1738). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Also designed by Richard Castle: Carton House, County Kildare, renovations by Castle in 1739. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Carton House, County Kildare, renovations by Castle in 1739. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Castletown obelisk folly, also by Richard Castle (1740). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Also designed by Richard Castle: Belvedere, County Westmeath (1740). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Also designed by Richard Castle: Powerscourt, County Wicklow (1740) Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Russborough House, also designed by Richard Castle, 1742. Photo taken by Jeremy Hylton June 2012.
Russborough House, County Wicklow, also designed by Richard Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Also designed by Richard Castle: Leinster House, 1745 [Dublin, July 2022]. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The house has a seven-bay, three-storey over basement central block, with curved curtain walls linking it to flanking pavilions with four-bay principal façades. The centre block front facade has three bays in the centre with giant pilasters either side and two bays beyond on either side. The centre three bays have a central panel on the pediment and the two bays on either side of the pilasters have a balustraded pediment. The front door is set in a tooled stone doorcase with decorative brackets, with an ornate spoked fanlight, and is flanked by traceried sidelights.

Strokestown House. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Most of what we see today was designed by Castle, but the house was resurfaced in 1819 and the portico added.

The portico was added around 1820. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The National Inventory of Architectural Heritage tells us that the pedimented archways to outer walls extending from pavilions give access to stable complex and kitchen yards. [10]

The flanking curtain walls have niches flanked by oculus windows on the upper part with tooled stone surrounds, and a Gibbsean doorcase with pediment over.

Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Flanking wall between main block and a pavilion block. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
An oculus window in the curtain wall has overgrowth of greenery on the other side! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Famine Museum is located in the stables. One enters via a Visitor Centre to one end of the complex.

Pedimented archways to outer walls extending from pavilions give access to stable complex and kitchen yards. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Entrance to the Famine Museum, located in the stables. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Visitor Centre, located at one end of the stable courtyard, opposite the entrance to the stables and the Famine Museum. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inside the Famine Museum, which is in the former stables. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In 1735, Thomas married Jane Crosbie, daughter of Maurice, 1st Baron Branden, of Ardfert, County Kerry, MP for County Kerry. Thomas Mahon later became MP, first for the Borough of Roscommon in 1739-1763 then for County Roscommon 1763-82, when he was called the “Father of the House.” [11]

I think this is Jane Crosbie, who married Thomas Mahon. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Thomas’s son Maurice (1738-1819), named after Jane’s father, married Catherine, daughter of Stephen Moore, 1st Viscount Mountcashell, in 1765. He inherited when his father died in 1782. He was granted a peerage for his support of the Act of Union, and created 1st Baron Hartland, of Strokestown, Co. Roscommon in 1800.

Terence Reeves-Smyth tells us:

His son Maurice, who became Baron Hartland upon accepting a Union Peerage in 1800, made further additions and modifications to the house, including the inlaid mahogany doors, chimney-pieces and cornices as well as the library.”

Strokestown, image by Chris Hill, 2014, Tourism Ireland, from Ireland’s Content Pool. [1] Mark Bence-Jones writes that in a late-Georgian addition at the back of the house there is a splendid library with a coved ceiling and an original early nineteenth century wallpaper of great beauty, in yellow and brown, which gives the effect of faded gold. [12]

Maurice Mahon also had the main street of Strokestown laid out between 1810 and 1815, and had a tall Georgian Gothic arch erected at the entrance to Strokestown Park, at one end of the main street. At almost one hundred and fifty feet wide, the main thoroughfare, leading up to the gates of the estate, was said to be the widest in Ireland at the time. Apparently Baron Hartland wanted it to be wider than the Ringstrasse in Vienna. [see 12]

Tripartite gate at the entrance to the Strokestown Park estate, with crow stepped battlements. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Maurice, 1st Baron Hartland had three sons. The first, Thomas (1766-1835) succeeded as 2nd Baron Hartland in 1819. His mother lived another fifteen years after her husband died in 1819, and the museum tells us that receipts for her extravagant spending are kept in the archive.

When Thomas inherited the property in 1819 he hired John Lynn who created the porch, among other renovations. Lynn had served as clerk of works for the building of Rockingham House in County Roscommon, erected in 1810 for Robert, 1st Viscount Lorton to designs by John Nash. We saw pictures of Rockingham House when we visited King House, see my entry. Rockingham House no longer exists. Soon after working in Strokestown, Lynn moved up to Downpatrick, County Down. [13]

Terence Reeves-Smyth continues in Irish Big Houses: “In 1819 Lieutenant General Thomas Mahon, second Lord Hartland, employed the architect J[ohn] Lynn to carry out some more improvements, such as the addition of the porch and giant pilasters to the front. Except for the gardens, few changes were later carried out at Strokestown and it remained the centre of a vast 30,000 acre estate until the present century.”

Thomas the second baron was educated at the Royal School in Armagh, Trinity College Dublin and St. John’s College, Cambridge. He joined the military and became Major in the 24th Light Dragoons. In 1798 he was in command of a garrison in Carlow, where he trapped and killed many rebels. [14] In 1811 he married Catherine Topping, but they did not have any children. He later fought in the Napoleonic wars and in Argentina.

Terence Reeves-Smyth continues:

In contrast to the exterior, the interior is quite intimate, with surprisingly small rooms – a product of the early date of much of the building. Early 18th century wood panelling survives in parts of the house including the main staircase hall, but many rooms were redecorated in regency times, such as the dining room which still has its early 19th century furniture, including a bath-sized turf bucket and pinkish-red damask wallpaper.

Staircase hall of Strokestown Park, with its original wood panelling, and archivist Martin Fagan. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
On the wall on the right hand side is a portrait of Edward Pakenham (b. 1778), an uncle of Henry Sandford Pakenham who married into the family, and on the left, his brother Lt. Col. Hercules Pakenham (1781-1850). Both were brothers of the 2nd Earl of Longford, of Tullynally, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mark Bence-Jones tells us that some of the principal rooms in the centre of the house have eighteenth century panelling. [see 12] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown dining room, image by Chris Hill, 2014, Tourism Ireland, from Ireland’s Content Pool. [1] Robert O’Byrne tells us that the wallpaper features in Wallpaper in Ireland 1700-1900 written by David Skinner.

Terence Reeves-Smyth continues: “Regency additions incorporated the study, which also retains its original furnishings, and the smoking room, which was converted into a laboratory and photography darkroom by Henry Pakenham-Mahon, an amateur scientist, in the 1890’s. The finest regency addition is the library at the back, originally built as a ballroom with a bowed wall at one end to accommodate musicians. This contains Chippendale bookcases and beautiful brown and gold wallpaper, made especially for the walls in the early 19th century.

The bowed library with its gold-coloured wallpaper. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
King William III on his horse in the portrait. The chimneypiece features Siena marbe, Ionic pilasters and a Grecian key pattern. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The library contains Chippendale bookcases. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The curtain pelmet features a dragon head. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The ceiling rose in the library. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Reeves-Smyth continues, describing the kitchen which we did not see: “The old kitchen in the left wing of the house is approached from the dining room along a curved corridor, past store rooms for kitchen utensils and sporting equipment. Fitted with spits and ovens for baking, roasting and smoking, this kitchen has its original balustraded gallery which crosses the high ceilinged room lengthwise, the only example of its kind to survive in Ireland, especially in houses designed by Richard Castle. These galleries allowed the housekeeper to supervise the affairs below – one tradition has it that menus were dropped from the balcony on Monday mornings with instructions to the cook for the week’s meals.

The wing to the right of the central block contains magnificent vaulted stables carried on Tuscan columns, similar to stables built by Castle for Carton (1739) and Russborough (1741). An underground passage links these stables to the yard on the north side of the house. The estate office was also in this wing, which meant the tenantry had to come here rather than to an office in the village to pay their rent.

A photograph of the vaulted stables, by Henry Pakenham Mahon (1851-1922).

Maurice Craig tells us in his Irish Country Houses of the Middle Size: p. 21. “The practice of connecting the house with outlying offices by a tunnel seems to be peculiar to Ireland…Strokestown, Bellamont, Castle Coole and Lucan are amongst the Irish examples. In the nature of things, this is a feature of the grander houses, though it has been reported in connection with some of modest size.”

Thomas 2nd Baron married but had no children and his brother Maurice (1772-1845) succeeded as 3rd Baron Hartland when Thomas died in 1835. Maurice had joined the clergy, and was awarded a prebendary (an administrative role) in Tuam Cathedral in 1804.

In 1813 the 3rd Baron Hartland married Jane Isabella Hume of Humewood, County Wicklow, but also had no children and the title became extinct. He had another brother, Stephen, but he predeceased his brothers and had no children. The museum tells us that the 3rd Baron suffered with mental illness, though it does not give us specifics. He was declared insane just a year after he inherited the property in 1835.

The 3rd Baron Hartland married Jane Isabella Hume of Humewood, County Wicklow. Humewood, County Wicklow photograph courtesy of National Library of Ireland, photographer Robert French, Lawrence Collection Circa 1865 – 1914 NLI Ref. L_IMP_3853.

The Dictionary of Irish Biography tells us that it was Denis Mahon who brought a motion against Maurice claiming that he was mentally ill and incapable of caring for the estate. Maurice had allowed the lease to lapse for a portion of the estate and stopped collecting rent from the town of Ballykilcline and its surrounding area. This led to an official declaration stating Maurice was a “lunatic.” Denis was named executor of the estate as well as being named Maurice’s legal guardian.

The museum tells us that when he was declared insane in 1836, two cousins battled in the courts to inherit the property: Denis Mahon (1787-1847) and Marcus McCausland.

Marcus McCausland owned the property of Drenagh, Limavady in County Derry (now a wedding venue). His mother was Theodosia Mahon, a sister of the 1st Baron Hartland, who had married Conolly McCausland-Gage. The nine year court case decided in favour of Denis Mahon. As well as the now poorly managed property, he inherited debts.

Denis was the son of a brother of 1st Baron Hartland, Reverend Thomas Mahon (1740-1811). Reverend Thomas married Honoria Kelly, daughter of Denis Kelly of Castle Kelly, County Galway (also called Aughrane Castle, it has been demolished. It was purchased by Bagots in 1910, I’m haven’t found an ancestral link to these Bagots).

Strokestown Park, County Roscommon, August 2022.

It was Denis Mahon who was then murdered during the Famine. The story is told in detail in the Famine Museum. The estate was badly run and tenants let and sublet their parcels of land, hence owned smaller and smaller portions of land to grow their crops.

Reeves-Smyth tells us: “Major Denis Mahon, who succeeded to Strokestown on the death of the third and last Lord Hartland in 1845 was so unpopular a landlord during the famine years that he was shot whilst returning from a meeting of the Roscommon Relief Committee in 1848, apparently on suspicion of chartering unseaworthy ships to transport emigrants from his estate to America. His successors were much better regarded and his great-granddaughter and last owner, Mrs. Olive Hales-Packenham-Mahon, was a much loved figure in this part of Ireland. She died in 1981, leaving a house filled with the trappings of three centuries of unbroken family occupation.

Strokestown Park, County Roscommon, August 2022.

Captain Denis Mahon chose to help his tenants to leave Ireland. He wanted to reduce his number of tenants. The 1838 Poor Law made a local tax for poor rates. In 1843 the act was amended and introduced new rates, charging landlords a tax for each tenant who had holdings of less than a value of £4. Landlords therefore tried to reduce the number of tenants.

Sculptures of shoes like this are dotted along the way of the Famine Walk. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022.
Strokestown Park, County Roscommon, August 2022.
The entrance to the Famine Museum and café. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Famine Museum is introduced by a beautifully handwritten letter by tenants asking not for money or food, but work. The eloquent letter humanises those who were experiencing the poverty of the famine in the 1840s.

Strokestown Park, County Roscommon, August 2022.
Strokestown Park, County Roscommon, August 2022.

Arthur Young writes in his A Tour in Ireland in 1799 that “the poor live on potatoes and milk, it is their regular diet, very little oat bread being used and no flesh meat at all except on Easter Sunday and Christmas day.

Strokestown Park, County Roscommon, August 2022.
Strokestown Park, County Roscommon, August 2022.
Strokestown Park, County Roscommon, August 2022.

Denis Mahon tried to make the estate pay for itself, to pay off the debts he had inherited. He also tried to take care of his tenants. He had two agents, John Ross Mahon and Thomas Conry. He began relief efforts for his tenants in March 1846. 4000 people were provided with corn on a weekly basis at low or no cost, and after a harsh winter, he distributed free seed to his most needy tenants. He also had a soup kitchen set up.

John Ross Mahon wrote to him that the poor rates would exceed receipts of rent. By 1847 the conditions were worse and there was unrest amongst the tenants. Mahon began to evict tenants and to encourage others to emigrate. The Freeman’s Journal in 1848 states that “The evictions on the estate since Major Mahon had taken over amounted to 3006 people, including the 1,490 who were selected to emigrate.” Fewer than half of those who emigrated survived the trek to Dublin and the journey on the ship.

The building of the month entry in the National Inventory summarises: “Major Mahon, an improving landlord, sought to alleviate the situation by judicious depopulation and in 1847 organised the voluntary emigration of almost one thousand of his tenants to North America. However, a far greater number refused to move and were the subject of evictions involving almost 600 families and 3000 individuals. Returning from an evening meeting in Roscommon, where he had urged the Board of Guardians to keep the workhouse open for needy paupers, Major Mahon was fatally shot on the 2nd of November 1847. Three men were hanged for the murder and two were transported, but the true identity of the assassin or assassins has been debated ever since.”

Strokestown Park, County Roscommon, August 2022.

The Famine Museum tells us that there were secret societies who sought to improve the conditions of the poor. A local one in Roscommon was called the “Molly Maguires.”

Strokestown Park, County Roscommon, August 2022.
Strokestown Park, County Roscommon, August 2022.

The man suspected to be the mastermind of the murder, Andrew Connor, probably escaped to Canada. Police followed to Canada to try to capture him but to no avail. A man named Patrick Hasty was hanged for the murder, along with two others.

Strokestown Park, County Roscommon, August 2022.

Denis’s son Thomas predeceased him, childless, and the house passed to his daughter, Grace Catherine. Earlier in 1847, Grace had married Henry Sandford Pakenham (1823-1893), son of Reverend Henry Pakenham, Dean of St. Patrick’s Cathedral in Dublin, who was from Pakenham Hall in County Westmeath, now called Tullynally (see my entry, it is another Section 482 property which can be visited).

Henry Sandford Pakenham held the office of High Sheriff of County Roscommon in 1830. He was heir to the vast Pakenham and Sandford estates in counties Longford, Westmeath and Roscommon. He legally changed his name to Henry Sandford Pakenham Mahon by Royal Licence in 1847.

Elizabeth Sandford, mother of Henry Sandford Pakenham, wife of Reverend Henry Pakenham, Dean of St. Patrick’s Cathedral in Dublin. Henry Sandford Pakenham married the heiress Grace Catherine Mahon and changed his surname to Pakenham Mahon. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A portrait of Lt. Gen. Hercules Pakenham (1781-1850), an uncle of Henry Sandford Pakenham Mahon, hangs in the front hall of Strokestown House.
Major General Edward Pakenham (1778-1815), another uncle of Henry Sandford Pakenham Mahon, also hangs in the front hall of Strokestown House.

After Denis Mahon was killed his devastated daughter Grace moved to the Isle of Wight with her husband, who continued to manage the estate with the help of his agent.

He and Grace Catherine had several daughters, and a son, Henry Pakenham-Mahon (1851-1922).

Henry moved back to live in Strokestown. He was High Sheriff, Justice of the Peace and Deputy Lieutenant of County Roscommon, following in the footsteps of his father. He married Mary Burrard and Olive, as mentioned by Reeves-Smyth, was their daughter.

Henry Pakenham-Mahon was a keen horticulturalist and his main contribution to the estate was the development of the gardens. The family lived part-time in Strokestown Park and part-time in England. He developed a Pleasure Garden in the walled garden.

Strokestown Park, County Roscommon, August 2022.

He also had an interest in photography, and he built a darkroom in Strokestown House.

Strokestown Park, County Roscommon, August 2022.
Strokestown Park, County Roscommon, August 2022.
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022.

His daughter Olive, born in 1894, first married Captain Edward Charles Stafford-King-Harman, from Rockingham House, County Roscommon, whom we came across in King House. Tragically, he died in the first world war in 1914. They had one daughter, Lettice. If Lettice had been a boy she would have inherited Rockingham. Olive and Lettice returned to live in Strokestown Park.

The King Harman Gate in the Pleasure Gardens, a wedding present from the men of Rockingham Estate on the marriage of Olive to Edward Charles Stafford-King-Harman. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022.
Strokestown Park, County Roscommon, August 2022.

Olive married again, this time to Wilfrid Stuart Atherstone Hales, who also fought in the first world war, and later, in the second. A British garrison was set up in Strokestown House during the War of Independence. After an ambush nearby, Wilfrid Stuart Hales was sent to investigate, and he and Olive fell in love. On 18 April 1923 his name was legally changed to Wilfrid Stuart Atherstone Hales Pakenham Mahon by Deed Poll. He married Olive in 1921 and he changed his name after the death of her father in 1922. They went on to have several children. It was her son who sold the estate.

Olive Hales Pakenham Mahon dressed for a visit to Buckingham Palace in the 1930s.
Strokestown Park, County Roscommon, August 2022.

The Pakenham Mahons did not spent much time in Strokestown due to Stuart Hales Pakenham Mahon’s military career, until they returned to live there in the 1950s.

Stuart Hales Pakenham Mahon was interested in finding water and mineral deposits by “dousing,” and the photography display we saw in the house also had information on this topic.

Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The property has a six acre walled garden and woodlands.

Westward Garage Ltd approached the Pakenham Mahons to buy their land, and terms were agreed. At first the garage only wanted to keep some land and they planned to sell the house, but then Jim Callery found the documents relating to the famine, and had the idea of setting up a famine museum. The company let Olive and her husband remain in the house. Jim Callery employed his cousin Luke Dodd to oversee restoration of the house. [15] In 1987 the house opened to the public, and the Famine Museum opened in 1994. The walled garden opened in 1997, and the herbaceous border is said to be the longest in either Ireland or the UK.

Strokestown Park, County Roscommon, August 2022.
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Seated is Henry Pakenham Mahon, son of Grace Mahon and her husband Henry Sandford Pakenham Mahon (born Pakenham). He is photographed here with his wife Mary and to far left, his daughter Olive, and friends.

After exploring the Famine Museum we went out to the extensive walled garden.

Strokestown Park, County Roscommon, August 2022.
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022.
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This Venetian window was over the doorway of Strokestown Park House in the eighteenth century. The window was removed when the house was refaced in 1819 and remained in storage until an opportunity for its reuse was found. Its “Venetian” form elicits comparisons with the doorcase of the Castle-designed Ledwithstown House (1746), County Longford, and the first floor centrepiece of the long ruined Mantua House (1747), near Elphin. [16] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
image by Chris Hill, 2014, Tourism Ireland, from Ireland’s Content Pool. [1]
Strokestown Park, County Roscommon, August 2022.
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022.
Strokestown Park, County Roscommon, August 2022.
Paul Connolly tells us that this building was used in the summer months by the Mahons, offering views of their garden. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022.
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The following day there was a talk about the mausoleum at Strokestown, but we had to move on with our Heritage Week plans. The mausoleum was constructed within an earlier 17th century church and contains a crypt in which members of the Mahon Family were buried. Following years of careful and professional conservation and sympathetic landscaping, this ruin is again accessible and visible to visitors to Strokestown Park.

Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Strokestown Park, County Roscommon, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://www.irelandscontentpool.com/en

[2] https://www.archiseek.com/2012/1730-strokestown-park-co-roscommon/

[3] http://lordbelmontinnorthernireland.blogspot.com/search/label/County%20Roscommon%20Landowners

[4] https://www.buildingsofireland.ie/building-of-the-month/strokestown-park-house-cloonradoon-td-strokestown-county-roscommon/

[5] You can see the chimney and plaster overmantel on the website of Robert O’Byrne, https://theirishaesthete.com/2014/10/29/getting-to-the-bottom-of-it/

[6] Bernard, Sir Burke, editor, Burke’s genealogical and heraldic history of the landed gentry of Ireland, 4th ed. (London, U.K.: Burkes Peerage Ltd, 1958), page 471. I’m not sure if “Movilla” mentioned here refers to Moyveela townland.

[7] Reeves-Smyth, Terence. Irish Big Houses. Appletree Press Ltd (22 April 2009)

[8] https://www.dia.ie/architects/view/347/CASTLE-RICHARD

[9] https://www.dib.ie/index.php/biography/castle-castles-cassels-cassells-richard-a1552

[10] https://www.buildingsofireland.ie/buildings-search/building/31811028/strokestown-park-house-cloonradoon-strokestown-co-roscommon and Strokestown Park featured as Building of the month in December 2015 https://www.buildingsofireland.ie/building-of-the-month/strokestown-park-house-cloonradoon-td-strokestown-county-roscommon/

[11] http://www.thepeerage.com/p37647.htm#i376469

[12] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988, Constable and Company Ltd, London. Note that Mark Bence-Jones claims that it was the 2nd Baron Hartland who laid out the main street of Strokestown and had the entrance built, but the National Inventory tells us that it was Maurice, 1st Baron Hartland.

[13] https://www.dia.ie/architects/view/3279/LYNN-JOHN%5B1%5D#tab_biography

[14] p. 203. Connolly, Paul. The Landed Estates of County Roscommon. Published by Paul Connolly, 2018.

[15] p. 213, Connolly.

[16] https://www.buildingsofireland.ie/building-of-the-month/strokestown-park-house-cloonradoon-td-strokestown-county-roscommon/

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Places to visit and stay in County Westmeath, Leinster

On the map above:

blue: places to visit that are not section 482

purple: section 482 properties

red: accommodation

yellow: less expensive accommodation for two

orange: “whole house rental” i.e. those properties that are only for large group accommodations or weddings, e.g. 10 or more people.

green: gardens to visit

grey: ruins

Carlow, Dublin, Kildare, Kilkenny, Laois, Longford, Louth, Meath, Offaly, Westmeath, Wexford and Wicklow are the counties that make up the Leinster region.

As well as places to visit, I have listed separately places to stay, because some of them are worth visiting – you may be able to visit for afternoon tea or a meal.

For places to stay, I have made a rough estimate of prices at time of publication:

€ = up to approximately €150 per night for two people sharing (in yellow on map);

€€ – up to approx €250 per night for two;

€€€ – over €250 per night for two.

For a full listing of accommodation in big houses in Ireland, see my accommodation page: https://irishhistorichouses.com/accommodation/

Places to visit in County Westmeath:

1. Athlone Castle, County Westmeath

2. Belvedere House, Gardens and Park, County Westmeath

3. Killua Castle, County Westmeath https://killuacastle.com/guided-tours/

4. Lough Park House, Castlepollard, Co. Westmeath

5. Rockfield Ecological Estate, Rathaspic, Rathowen, Mullingar, Co. Westmeath

6. St. John’s Church, Loughstown, Drumcree, Collinstown, Co. Westmeath

7. Tullynally Castle & Gardens, Castlepollard, Co. Westmeath

8. Turbotstown, Coole, Co. Westmeath

9. Tyrrelspass Castle, County Westmeathrestaurant and gift shop 

Places to stay, County Westmeath: 

1. Annebrook House Hotel, Austin Friars Street, Mullingar, Co. Westmeath, N91YH2F

2. Lough Bawn House, Colllinstown, County Westmeath €€

3. Lough Bishop House, Collinstown, County Westmeath

4. Mornington House, County Westmeath €€

Whole House Rental/wedding venue, County Westmeath:

1. Bishopstown House, Rosemount, County Westmeath – whole house rental (sleeps up to 18 people)

2.  Middleton Park, Mullingar, County Westmeath – whole house rental and weddings

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

Places to visit in County Westmeath:

1. Athlone Castle, County Westmeath

http://www.athlonecastle.ie/ 

Cruising by Athlone Castle, Co Westmeath Courtesy Fennell Photography 2015, for Tourism Ireland, Ireland’s Content Pool.

The website tells us: “Trace the footprints of the generations who shaped this place. From early settlements and warring chieftains to foreign invaders and local heroes. This site on the River Shannon is the centre of Ireland’s Hidden Heartlands.

Over the centuries it has been the nucleus of the Anglo-Norman settlement; a stronghold of the rival local families the Dillons and the O’Kelly’s; the seat of the Court of Claims; the residence of the President of Connaught and the Jacobite stronghold during the sieges of Athlone.  After the Siege of Athlone it became incorporated into the new military barrack complex.  It remained a stronghold of the garrison for almost three hundred years.

In 1922 when the Free State troops took over the Barracks from their British counterparts, they proudly flew the tricolour from a temporary flagpole much to the delight of the majority of townspeople.

In 1967 the Old Athlone Society established a museum in the castle with a range of exhibits relating to Athlone and its environs and also to folk-life in the district.  Two years later when the military left the castle it was handed over to the Office of Public Works and the central keep became a National Monument.

In 1991 to mark the Tercentenary of the Siege of Athlone the castle became the foremost visitor attraction in Athlone.  Athlone Town Council (then Athlone UDC) made a major investment in the castle creating a multi-faceted Visitor Centre as it approached its 800th Anniversary in 2010. A total of €4.3million euro was invested in the new facility by Fáilte Ireland and Athlone Town Council and was officially opened by the then Minister of State for Tourism and Sport, Michael Ring T.D. on Tuesday 26th February 2012.

Athlone Castle, County Westmeath, photograph by Robert French, Lawrence Photographic Collection, National Library of Ireland.
Athlone Castle, Athlone, Co Westmeath_Courtesy Ros Kavanagh 2014, for Tourism Ireland, Ireland’s Content Pool.

Athlone Castle Visitor Centre is now a modern, engaging, fun and unique family attraction which harnesses most significant architectural features, such as the keep, to act as a dramatic backdrop to its diverse and fascinating story.

It houses eight individual exhibition spaces, each depicting a different aspect of life in Athlone, the Castle and the periods both before and after the famous Siege. Fun, hands-on interactives, touchable objects and educational narratives immerse visitors in the drama, tragedy and spectacle of Athlone’s diverse and fascinating story. 3D maps, audio-visual installations, illustrations and artefacts bring the stories and characters of Athlone to life and The Great Siege of Athlone is dramatically recreated in a 360-degree cinematic experience in the Keep of the castle.

Athlone Castle, Athlone, Co Westmeath_Courtesy Ros Kavanagh 2014, for Tourism Ireland, Ireland’s Content Pool.

As part of Westmeath County Council’s commemoration of Ireland’s world-renowned tenor, John Count McCormack, a new exhibition dedicated to the celebrated singer was opened at Athlone Castle in October 2014.

Archiseek tells us about Athlone Castle: “Towards the end of the 12th century the Anglo-Normans constructed a motte-and-bailey fortification here. This was superceeded by a stone structure built in 1210, on the orders of King John of England. The Castle was built by John de Gray, Bishop of Norwich. The 12-sided donjon dates from this time. The rest of the castle was largely destroyed during the Siege of Athlone and subsequently rebuilt and enlarged upon. In the early 1800s, during the Napoleonic Wars, the castle was rebuilt as a fortification to protect the river crossing, taking the form we largely see today. The machicolations of the central keep are all nineteenth century. In the interior is an early nineteenth century two-storey barrack building. The modern ramp up to the castle has a line of pistol loops. The castle was taken over by the Irish Army in 1922 and continued as a military installation until it was transferred to the Office of Public Works in 1970.” [8]

Athlone Castle, Athlone, Co Westmeath_Courtesy Sonder Visuals 2021 for Tourism Ireland, Ireland’s Content Pool.

2. Belvedere House, Gardens and Park, County Westmeath

Belvedere, County Westmeath, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

http://www.belvedere-house.ie/

Mark Bence-Jones writes of Belvedere in his 1988 book:

p. 39. “(Rochfort, sub Belvedere, E/DEP Rochfort/LGI1912; Marlay/LGI1912; Howard-Bury, sub Suffolk and Berkshire, E/PB; and Bury/IFR) An exquisite villa of ca 1740 by Richard Castle, on the shores of Lough Ennell; built for Robert Rochfort, Lord Bellfield, afterwards 1st Earl of Belvedere, whose seat was at Gaulston, ca 5 miles away. Of two storeys over basement, with a long front and curved end bows – it may well be the earliest bow-ended house in Ireland – but little more than one room deep.”

Belvedere, County Westmeath, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

See my entry https://irishhistorichouses.com/2024/05/23/belvedere-house-gardens-and-park-county-westmeath/

3. Killua Castle, County Westmeath

https://killuacastle.com/guided-tours/

4. Lough Park House, Castlepollard, Co. Westmeath

Lough Park House, photograph courtesy of National Inventory of Architectural Heritage.

Open dates in 2025: Mar 15-21, 28-31, Apr 18-21, May 1-7, June 1-9, July 12-25, Aug 1-7, 16-24,

2pm-6pm

Fee: adult €6

5. Rockfield Ecological Estate, Rathaspic, Rathowen, Mullingar, Co. Westmeath

Open dates in 2025: May 20-30, June 15-30, July 20-30, Aug 15-30, Sept 1-20, 2pm-6pm

Fee: Free

6. St. John’s Church, Loughstown, Drumcree, Collinstown, Co. Westmeath

St. John’s Church, photograph courtesy of National Inventory of Architectural Heritage.

Open in 2025: July 1-31, Aug 1-30, 2pm-6pm

Fee: adult €10, OAP/student/child €5

7. Tullynally Castle & Gardens, Castlepollard, Co. Westmeath N91 HV58

Tullynally, County Westmeath, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

https://irishhistorichouses.com/2020/11/19/tullynally-castle-and-gardens-castlepollard-county-westmeath/

www.tullynallycastle.com
Open dates in 2025:

Castle, May 1-3, 8-10, 15-17, 22-24, 29-31, June 5-7, 12-14, 19-21, 26-28, July 3-5, 10-12, 17-19, Aug 1-2, 7-9, 14-24, 28-30, Sept 4-6, 11-13, 18-20, 11am-3pm

Garden, Mar 27-Sept 28, Thurs-Sundays, and Bank Holidays, National Heritage Week, Aug 16-24,11am-5pm

Fee: castle adult €16.50, child entry allowed for over 8 years €8.50, garden, adult €8.50, child €4, family ticket (2 adults + 2 children) €23, adult season ticket €56, family season ticket €70, special needs visitor with support carer €4, child 5 years or under is free

8. Turbotstown, Coole, Co. Westmeath

Turbotstown, County Westmeath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Open in 2025: Aug 1-31, Sept 1-9, Dec 1-20, 9am-1pm

Fee: adult/student/OAP €8, child €4

We visited in 2023, https://irishhistorichouses.com/2023/11/23/turbotstown-coole-co-westmeath/

and see Robert O’Byrne’s entry about Turbotstown, https://theirishaesthete.com/2015/10/19/a-fitting-tribute-to-the-past/

9. Tyrrelspass Castle, Co Westmeathrestaurant and gift shop

https://www.facebook.com/tyrrellspasscastle/ 

Places to stay, County Westmeath: 

1. Annebrook House Hotel, Austin Friars Street, Mullingar, Co.Westmeath, Ireland, N91YH2F.

https://www.annebrook.ie/gallery.html

The family run Annebrook House Hotel Mullingar opened its doors February 2007.  Originally an Old Georgian residence for the local county surgeon, Dr O’Connell, the historic Annebrook House Hotel was purchased by the Dunne family in 2005. With his experience in hospitality and construction Berty Dunne set about creating a hotel as unique as the man who owns it. The Annebrook’s central location, its diverse range of accommodation from 2 bedroomed family suites to executive doubles has made it a very popular location for those coming to experience all that the midlands has to offer.

Situated in the heart of Mullingar overlooking 10 acres of parkland, the Award Winning 4 star Annebrook House Hotel presents a modern day styling coupled with 17th century heritage.  As a family run hotel the Annebrook prides itself on quality and high standards of customer service, working as part of one team to ensure all guests of their best and personal attention at all times. Annebrook House Hotel is steeped in history and enjoys the enviable advantage of being one of the most centrally located hotels in Mullingar town. This unique venue mixes old world charm with modern comfort and has established itself as one of Westmeath’s top wedding venues and was recently voted Best Wedding Venue Ireland by Irish Wedding Diary Magazine. With accommodation ranging from executive hotel rooms, family suites, luxurious champagne suites and apartments, the Annebrook has much to offer those visiting Mullingar. Offering a range of dining options from Berty’s Bar to fine dining in the award winning Old House Restaurant.  The four star Annebrook House Hotel offers an excellent service to both its corporate & leisure guests. The hotel is accessible by car just 50 mins from Dublin and is only 10 minutes from the local Train Station.

2. Lough Bawn House, Colllinstown, Co Westmeath – B&B accommodation €€

http://loughbawnhouse.com

Photograph courtesy of Lough Bawn House website.

A classic Georgian house in a unique setting. Lough Bawn house sits high above Lough Bane with amazing sweeping views. Nestled in a 50 acre parkland at the end of a long drive, Lough Bawn House is a haven of peace and tranquillity.

The house and estate has been in the same family since it was built in 1820 by George Battesby, the current occupier, Verity’s, Great Great Great Grandfather. The house is being lovingly restored by Verity, having returned from England to live in the family home. Verity ran her own catering and events company in Gloucestershire for over 20 years. Her passion for cooking & entertaining shines through. Guests enjoy an extensive and varied breakfast with much of the ingredients being grown or reared by Verity herself, and delicious dinners are on offer. Breakfast is eaten in the large newly restored dining room, with wonderful views over the lough and of the parading peacocks on the rolling lawns.

Photograph courtesy of Lough Bawn House website.
Photograph courtesy of Lough Bawn House website.

Both of the large, en-suite rooms have fine views down the length of Lough Bane and over the wooded hills while the single room and the twin/double room have sweeping views of the surrounding parklands. Guests are warmly welcomed and encouraged to relax in the homely drawing room in front of a roaring fire or to explore one of the many local historical sites, gardens, walks or cultural entertainments on offer.

Several areas of the estate have been classified as Special Areas of Conservation (SAC‘s) due to the incredibly varied and rare flora. Wild flowers can be found in abundance and a charming fern walk has been the created amongst the woodland near the house.

3. Lough Bishop House, Collinstown, County Westmeath

https://loughbishophouse.com/

The website tells us:

Built in the early 19th Century, Lough Bishop is a charming Country House nestling peacefully into a south-facing slope overlooking Bishop’s Lough in County Westmeath, Ireland.

Breathtaking scenery in an unspoilt and tranquil setting, amid the rolling farmlands and lakes of Westmeath make Lough Bishop an ideal refuge from the hustle and bustle of modern life. There are family dogs in the background and animals play a large part of life at Lough Bishop House.

Lough Bishop House is a family run business offering Country House Bed & Breakfast accommodation in a wonderful location in the middle of a working organic farm. We even have a purpose built trailer towed behind the quad bike to give guests a tour of the farm and the opportunity to get up close to the animals.

Following extensive renovation this attractive Georgian Country Farmhouse offers its guests luxurious bed and breakfast accommodations, peaceful surroundings and fine home cooked food much of which comes from our own farm, garden and orchard.

4. Mornington House, County Westmeath – B&B accommodation 

Mornington House, photograph courtesy of their website.

https://mornington.ie

Mornington House, a historic Irish Country Manor offering luxury country house accommodation located in the heart of the Co. Westmeath countryside, just 60 miles from Ireland’s capital city of Dublin. Tranquility and warm hospitality are the essence of Mornington, home to the O’Hara’s since 1858.

Mornington House is hidden away in the midst of a charming and dramatic landscape with rolling hills, green pasture, forests with ancient, heavy timber and sparkling lakes, deep in an unexplored corner of County Westmeath. Nearby are ancient churches, castles and abbeys, and delightful small villages to explore, away from all hustle and bustle of 21st century life, yet just 60 miles from Dublin.

There has been a house at Mornington since the early 17th century but this was considerably enlarged in 1896 by Warwick’s grandparents. It is now a gracious family home with a reputation for delicious breakfasts which are prepared in the fine tradition of the Irish Country House and really set you up for the day ahead.

A special place to stay for a romantic or relaxing break Mornington House’s location in the centre of Ireland just an hour’s drive from Dublin and Dublin Airport makes it ideal for either a midweek or weekend country break. Guests can walk to the lake or wander round the grounds. Excellent golf, fishing, walking and riding can be arranged. The Hill of Uisneach, the Neolithic passage tombs at Loughcrew and Newgrange and the early Christian sites at Fore and Clonmacnoise are all within easy reach, as are the gardens at Belvedere, Tullynally and Loughcrew.

The National Inventory tells us:

A well-detailed middle-sized country house, on complex plan, which retains its early aspect, form and much of its important early fabric. The ascending breakfronts to the entrance front of this structure adds to the overall form and its architectural impact. The facade, incorporating extensive moulded detailing and a very fine doorcase, is both visually and architecturally impressive and displays a high level of workmanship. The present entrance front (east) is built to the front of an earlier house, the form of which suggests that it might be quite early, perhaps early eighteenth-century in date. The 1896 entrance front was built to designs by W.H. Byrne (1844-1917), a noted architect of his day, best remembered for his numerous church designs. Apparently, Mornington is one of only two domestic commissions that can be attributed to this noteworthy architect, adding extra significance to this structure. The building was completed by 1898 at a cost of £2,400. Mornington House was in the ownership of the Daly Family in the early eighteenth-century and has been in the ownership of the O’Hara Family since 1858. It forms the centrepiece of an interesting, multi-period, complex with the outbuildings, the walled gardens and the fine entrance gates to the south. It represents an important element to the architectural heritage of Westmeath and occupies attractive nature grounds to the east of Multyfarnham.” [9]

Whole House accommodation, County Westmeath:

1. Bishopstown House, Rosemount, Westmeath (sleeps up to 18 people)

https://www.bishopstownhouse.ie

Photograph courtesy of Bishopstown House website.

The website tells us of the history:

Bishopstown House is a three-storey Georgian house built in the early 1800s by the Casey family. After he passed away, the original owner, Mr. J Casey left Bishopstown to his two daughters, who then sold the house to Mr Richard Cleary in 1895.

Mr Richard Cleary, formally from the famed lakeside Cleaboy Stud near Mullingar, planned and erected Bishopstown House and Stud. In his younger days he rode horses at Kilbeggan, Ballinarobe, Claremorris and other Irish meetings with varying degrees of success, but as a trainer he knew no bounds. In his later years he devoted his time to breeding and training, and in time he became one of Ireland’s most famous trainers, breeding some excellent horses, including the winner of the 1916 Irish Grand National, Mr James Kiernan’s All Sorts!

Other famous horses from the Bishopstown stud include Shaun Spada and Serent Murphy who both won the Aintree Grand National in England. Another horse called Dunadry won the Lancashire Steeple Chase. Other stallion winners include Sylvio III, Lustrea and Irish Battle who frequently had their names in the limelight throughout Irish and English racecourses.

After being left fall into a dilapidated state, the stud farm and house was purchased by Paddy and Claire Dunning, the owners of the award-winning Grouse Lodge Recording Studios and Coolatore House and members of the Georgian society. It was restored to its former glory in 2009 and is now available for rent.

2.  Middleton Park, Mullingar, County Westmeath – wedding venue and accommodation 

Photograph courtesy of Middleton Park House website.

https://www.middletonparkhouse.com

http://mph.ie

Middleton Park House featured in The Great House Revival on RTE, with presenter (and architect) Hugh Wallace. The website tells us:

Carolyn and Michael McDonnell, together with Carolyn’s brother Henry, joined together to purchase this expansive property in Castletown Geoghegan. Built during the famine, the property was last in use as a hotel but it had deteriorated at a surprisingly fast rate over its three unoccupied years.

Designed by renowned architect George Papworth, featuring a Turner-designed conservatory, Middleton Park House stands at a palatial 35,000sq. ft. and is steeped in history. Its sheer scale makes it an ambitious restoration.

The trio’s aim is to create a family home, first and foremost, which can host Henry’s children at the weekends and extended family all year-round. Due to its recent commercial use, the three will need to figure out how to change industrial-style aspects to make it a welcoming home that is economical to run.

Henry will be putting his skills as a contractor and a qualified chippy to use, and Michael will be wearing his qualified engineer’s hat to figure out an effective heating system. Carolyn will be using her love of interiors to work out the aesthetic of the house, and how to furnish a property the size of 35 semi-detached houses in Dublin.

Photograph courtesy of Middleton Park House website.

The trio have now made the house available for accommodation and as a wedding venue.

Photograph courtesy of Middleton Park House website.

The National Inventory tells us:

A very fine and distinguished large-scale mid-nineteenth country house, which retains its early form, character and fabric This well-proportioned house is built in an Italianate style and is elevated by the fine ashlar limestone detailing, including a well-executed Greek Ionic porch/portico and a pronounced eaves cornice. This house was (re)built for George Augustus Boyd [1817-1887] in 1850 to designs by George Papworth (1781-1855) and replaced an earlier smaller-scale house on site, the property of a J. Middleton Berry, Esq., in 1837 (Lewis). The style of this house is quite old fashioned for its construction date and has the appearance of an early-nineteenth/late-Georgian country house. The form of this elegant house is very similar to Francis Johnston’s masterpiece Ballynagall (15401212), located to the north of Mullingar and now sadly in ruins. This house remained in the Boyd-Rochfort family until 1958 and was famously offered as a prize in a raffle in 1986 by its then owner, Barney Curly. This house forms the centerpiece of an important collection of related structures along with the elegant conservatory by Richard Turner (15318024), the service wing to the north (15318020), the stable block to the north (15318022) and the main gates (15318017) and the gate lodge (15318018) to the west. This building is an important element of the built heritage of Westmeath and adds historic and architectural incident to the landscape to the south of Castletown Geoghegan.” [10]

[1] https://www.buildingsofireland.ie/buildings-search/building/14911023/ballybrittan-house-ballybrittan-co-offaly

[2] https://www.irelandscontentpool.com/en

[3] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[4] p. 136. O’Reilly, Sean. Irish Houses and Gardens. From the Archives of Country Life. Aurum Press Ltd, London, 1998. 

[5] https://www.buildingsofireland.ie/buildings-search/building/14942001/corolanty-house-curralanty-offaly

[6] https://www.ihh.ie/index.cfm/houses/house/name/Gloster%20House

[7] https://offalyhistoryblog.wordpress.com/2018/03/31/sun-too-slow-sun-too-fast-ethel-and-enid-homan-mulock-of-ballycumber-house-by-lisa-shortall/

[8] https://archiseek.com/2009/athlone-castle-co-westmeath/

[9] https://www.buildingsofireland.ie/buildings-search/building/15400709/mornington-house-monintown-co-westmeath

[10] https://www.buildingsofireland.ie/buildings-search/building/15318019/middleton-park-house-castletown-geoghegan-co-westmeath

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Happy New Year!

I love starting a new year. The new listing for Section 482 properties won’t be published until February or March, so at the moment we will have to rely on 2021 listings (January listings below).

I had an amazing 2021 and visited lots of properties! As well as those I’ve written about so far, I am hoping to hear back for approval for a few more write-ups. Last year Stephen and I visited thirteen section 482 properties, thirteen OPW properties, and some other properties maintained by various groups.

The Section 482 properties we visited were Mount Usher gardens and Killruddery in County Wicklow; Killineer House and gardens in County Louth; Salthill Gardens in County Donegal; Stradbally Hall in County Laois; Enniscoe in County Mayo; Tullynally in County Westmeath; Kilfane Glen and Waterfall in County Kilkenny; Killedmond Rectory in County Carlow; Coopershill, Newpark and Markree Castle in County Sligo and Wilton Castle in County Wexford.

Mount Usher Gardens, County Wicklow (June 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Killruddery, County Wicklow (we visited in April 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Killineer House and Gardens, County Louth (visited in June 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Salthill Gardens, County Donegal (visited in July 2021.) Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stradbally Hall, County Laois (visited in June 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Enniscoe, County Mayo (visited in August 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tullynally, County Westmeath (visited in August 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kilfane Glen and Waterfall, County Kilkenny (visited in August 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Gardens at Killedmond Rectory, County Carlow (visited in August 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Coopershill, County Sligo (visited in August 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Newpark House, County Sligo (visited in August 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Markree Castle, County Sligo (visited in August 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Wilton Castle, County Wexford (visited in November 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The OPW properties we visited were Dublin Castle, the Irish National War Memorial Gardens, National Botanic Gardens, Rathfarnham Castle, St. Stephen’s Green, Iveagh Gardens, Phoenix Park and Royal Hospital Kilmainham in Dublin; Emo Court, County Laois; Portumna Castle, County Galway; Fore Abbey in County Westmeath; Parke’s Castle, County Leitrim; and Ballymote Castle, County Sligo.

Inside Dublin Castle (visited in September 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Irish National War Memorial Gardens, Dublin, designed by Lutyens (we go walking here all the time!). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
National Botanic Gardens, Dublin (visited in September 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inside Rathfarnham Castle (visited in September 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Iveagh Gardens, Dublin (visited in October 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Gardens at Royal Hospital Kilmainham (visited in January 2022). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Emo Park, County Laois (visited in June 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Portumna Castle, Galway (visited in July 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Fore Abbey, County Westmeath (visited in August 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Parke’s Castle, County Leitrim, maintained by the OPW (visited in August 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ballymote Castle, County Sligo (visited in August 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We also visited Duckett’s Grove, maintained by Carlow County Council; Woodstock Gardens and Arbortetum maintained by Kilkenny County Council; Johnstown Castle, County Wexford maintained by the Irish Heritage Trust (which also maintains Strokestown Park, which we have yet to visit – hopefully this year! it’s a Section 482 property – and Fota House, Arboretum and Gardens, which we visited in 2020); Dunguaire Castle, County Clare, which is maintained by Shannon Heritage, as well as Newbridge House, which we also visited in 2021. Shannon Heritage also maintains Bunratty Castle, Knappogue Castle and Cragganowen Castle in County Clare, King John’s Castle in Limerick, which we visited in 2019, Malahide Castle in Dublin which I visited in 2018, GPO museum, and the Casino model railway museum. We also visited Belvedere House, Gardens and Park – I’m not sure who maintains it (can’t see it on the website).

Duckett’s Grove, County Carlow (visited in August 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Woodstock House, County Kilkenny, maintained by Kilkenny County Council (visited in August 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Johnstown Castle, County Wexford, maintained by the Irish Heritage Trust (visited in November 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Dunguaire Castle, County Clare (visited in July 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Newbridge House, County Dublin (visited in June 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Belvedere House, County Westmeath (visited in August 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We were able to visit two historic properties when we went to view auction sales at Townley Hall, County Louth and Howth Castle, Dublin.

The domed rotunda in Townley Hall, County Louth (visited in October 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle, County Dublin (visited in September 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Finally some private Big Houses that we visited, staying in airbnbs, were Annaghmore in County Sligo and Cregg Castle in Galway.

Annaghmore, County Sligo, where we stayed as airbnb guests with Durcan and Nicola O’Hara (in August 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cregg Castle, County Galway (in July 2021). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Here are the listings for January 2021:

Cavan

Cabra Castle (Hotel)

Kingscourt, Co. Cavan

Howard Corscadden.

Tel: 042-9667030

www.cabracastle.com

Open dates in 2021: all year, except Dec 24, 25, 26, 11am-12 midnight

Fee: Free

Cabra Castle, County Cavan. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Corravahan House & Gardens

Corravahan, Drung, Ballyhaise, Co. Cavan

Ian Elliott

Tel: 087-9772224

www.corravahan.com

Open dates in 2021: Jan 4-5, 11-12, 18-19, 25-26, Feb 1-2, 8-9, 15-16, 22-23, Mar 1-2, 8-9, May 4- 5, 9-12, 16-19, 23-26, 30-31, June 1-4, Aug 14-31, Sept 1-2, 9am-1pm, Sundays 2pm- 6pm
Fee: adult €10, OAP/student/child €5 

Corravahan, County Cavan. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Clare

Newtown Castle

Newtown, Ballyvaughan, Co. Clare

Mary Hawkes- Greene

Tel: 065-7077200

www.newtowncastle.com , www.burrencollege.ie

Open dates in 2021: Jan 4-May 31, Mon-Fri, June 1-30 Mon-Sat, July 1-Aug 31 daily, Sept 1-Dec 17 Mon-Fri, 10am-5pm
Fee: Free 

Newtown Castle, County Clare. Photograph from National Inventory of Architectural Heritage.

Cork

Blarney Castle & Rock Close

Blarney, Co. Cork

C. Colthurst

Tel: 021-4385252

www.blarneycastle.ie

Open dates in 2021: all year except Christmas Eve & Christmas Day, Jan-Mar, Mon-Sat, 9am- sundown, Sun, 9am-6pm 

Apr-May, 9am-6pm, June-Aug, Mon-Sat, 9am-7pm, Sun, 9am-6pm, Sept, Mon-Sat, 9am-6.30pm, Sun, 9am-6pm,
Oct, Nov, Dec daily 9am-6pm,
Fee: adult €18, OAP/student €15, child €10, family and season passes 

Brideweir House

Conna, Co. Cork

Ronan Fox

Tel: 087-0523256

Open dates in 2021: Jan 1-Dec 24, 11am-4pm 

Fee: adult €10, OAP/student €5, child free

Woodford Bourne Warehouse

Sheares Street, Cork

Edward Nicholson

Tel: 021-4273000

www.woodfordbournewarehouse.com

Open dates in 2021: all year except Christmas Eve, Christmas Day, 1pm-11pm 

Fee: Free

Donegal

Portnason House 

Portnason, Ballyshannon, Co. Donegal
Madge Sharkey
Tel: 086-3846843
Open dates in 2021: Jan 18-22, 25-29, Feb 1-5, 8-12, Aug 14-30, Sept 1-17, 20-23, 27-28, Nov 15- 19, 22-26, Dec 1-3 6-10, 13-14, 9am-1pm 

Fee: adult €8, OAP/student/child €5 

Dublin City

Bewley’s 

78-79 Grafton Street/234 Johnson’s Court, Dublin 2

Peter O’ Callaghan

Tel 087-7179367

www.bewleys.com

Open dates in 2021: all year except Christmas Day, 

11am-7pm Fee: Free 

Hibernian/National Irish Bank

23-27 College Green, Dublin 2

Dan O’Sullivan 

Tel: 01-6755100

www.clarendonproperties.ie

Open dates in 2021: all year, except Dec 25, Wed-Fri 9.30am-8pm, Sun 11am-7pm, Sat, Mon, Tue, 9.30-7pm 

Fee: Free 

Powerscourt Townhouse Centre

59 South William Street, Dublin 2

Mary Larkin

Tel: 01-6717000

Open dates in 2021: All year except New Year’s Day, Easter Sunday, Easter Monday, Christmas Day, St. Stephen’s Day & Bank Holidays, Mon-Sat, 10am-6pm, Thurs, 10am-8pm, Sundays, 12 noon-6pm

Fee: Free

Powerscourt Townhouse, Dublin City. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

10 South Frederick Street

Dublin 2

Joe Hogan

Tel: 087-2430334

Open dates in 2021: Jan 1-24, May 1, 3-8, 10-15, 17-22, 24-27, Aug 14-22, 2pm-6pm 

Fee: Free 

County Dublin 

“Geragh” 

Sandycove Point, Sandycove, Co. Dublin

Gráinne Casey

Tel: 01-2804884

Open dates in 2021: Jan 28-29, Feb 1-5, 8-12, 15-22, May 4-31, Aug 14-22, Sept 1-3, 2pm-6pm Fee: adult €7, OAP €4, student €2, child free  

Meander

Westminister Road, Foxrock, Dublin 18,

Ruth O’Herlihy, 

Tel: 087-2163623

Open dates in 2021: Jan 4-8, 11-15, 18-22, 25-29, May 1, 4-8, 10-11, 17-22, June 8-12, 14-19, 21- 26, Aug 14-22, 9am-1pm 

Fee: adult €5, OAP/child/student €2 

Tibradden House

Mutton Lane, Rathfarnham, Dublin 16

Selina Guinness

Tel: 01-4957483

www.selinaguinness.com

Open dates in 2021: Jan 14-17, 23-24, 28-29, Feb 4-7, 11-12, 19-21, 26-28, May 3-13,16, 18-20, 23-27, June 2-4, 8-10, 14-16, 19-20, Aug 14-22, weekdays 2.30pm-6.30pm, weekends 10.30am-2.30pm
Fee: adult/OAP €8 student €5, child free, Members of An Taisce the The Irish Georgian Society (with membership card) €5 

Galway 

Woodville House Dovecote & Walls of Walled Garden 

Craughwell, Co. Galway
Margarita and Michael Donoghue
Tel: 087-9069191
www.woodvillewalledgarden.com
Open dates in 2021: Jan 29-31, Feb 1-28, Apr 1-13, 11am- 4.30pm, June 1, 6-8, 13-15, 21-22, 27- 29, July 10-11, 17-18, 24-25, 31, Aug 1-2, 6-8, 13-22, 27-29, Sept 4-5, 11am-5pm Fee: adult/OAP €6, child €3, student, €5, family €20, guided tours €10 

Kerry

Derreen Gardens

Lauragh, Tuosist, Kenmare, Co. Kerry

John Daly

Tel: 087-1325665

www.derreengarden.com 

Open dates in 2021: all year, 10am-6pm

Fee: adult/OAP/student €8, child €3, family ticket (2 adults and all children under 18 and 2 maps) €20 

Kildare

Farmersvale House

Badgerhill, Kill, Co. Kildare

Patricia Orr

Tel: 086-2552661

Open dates in 2021: Jan 18-31, Feb 1-6, July 23-31, Aug 1-31, 9.30am-1.30pm
Fee: adult €5, student/child/OAP €3, (Irish Georgian Society members free) 

Harristown House

Brannockstown, Co. Kildare

Hubert Beaumont
Tel: 087-2588775

www.harristownhouse.ie

Open dates in 2021: Jan 11-15, 18-22, Feb 8-12, 15-19, May 4-28, June 7-11, Aug 14-22, Sept 6-10, 9am-1pm 

Fee: adult/OAP/student €10, child €5 

Harristown House, County Kildare. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Kildrought House

Celbridge Village, Co. Kildare

June Stuart

Tel: 01-6271206, 087-6168651

Open dates in 2021: Jan 1-20, May 18-26, Aug 11-31,10am-2pm
Fee: adult €6, OAP/student/child €3, child under 5 years free, school groups €2 per head 

Moyglare Glebe

Moyglare, Maynooth, Co. Kildare

Joan Hayden

Tel: 01-8722238

Open dates in 2021: Jan 4-8, 11-15, 18-22, 25-29, May 1-31, Aug 14-22, Sept 4-7, 8.30am-12.30pm Fee: adult €6, OAP/student/child €3 

Kilkenny

Kilkenny Design Centre

Castle Yard, Kilkenny

Joseph O’ Keeffe, Tel: 064-6623331

www.kilkennydesign.com

Open dates in 2021: all year,10am-7pm 

Fee: Free

Laois

Ballaghmore Castle

Borris in Ossory, Co. Laois

Grace Pym

Tel: 0505-21453

www.castleballaghmore.com

Open dates in 2021: all year, 9.30am-6pm
Fee: adult €5, child/OAP €3, student free, family of 4, €10 

Leitrim

Manorhamilton Castle (Ruin)

Castle St, Manorhamilton, Co. Leitrim

Anthony Daly

Tel: 086-2502593

Open dates in 2021: Jan 7-Dec 21, National Heritage Week, Aug 14-22, closed Sat & Sun, 10am- 5pm
Fee: adult €5, child free 

Limerick

Ash Hill 

Kilmallock, Co. Limerick

Simon and Nicole Johnson 

Tel: 063-98035

www.ashhill.com

(Tourist Accommodation Facility)

Open dates in 2021: Jan 15-Oct 31, Nov 1-29, Dec 1-15, 9am-4pm Fee: adult/student €5, child/OAP free 

Glebe House

Bruff, Co. Limerick

Colm McCarthy

Tel: 087-6487556

Open dates in 2021: Jan 4-29, May 10-28, Aug 13-22, Sept 13-24, Mon-Fri, 5.30pm-9.30pm, Sat- Sun, 8am-12 noon 

Fee: Free 

Mayo

Brookhill House

Brookhill, Claremorris, Co. Mayo

Patricia and John Noone

Tel: 094-9371348

Open dates in 2021: Jan 13-20, Apr 13-20, May 18-24, June 8-14, July 13-19, Aug 1-23, 2pm-6pm

Fee: adult €6, student €3, OAP/child/National Heritage Week free

Meath

Cillghrian Glebe now known as Boyne House Slane (or Stackallan)

Slane, Co. Meath

Alan Haugh

Tel: 041-9884444

www.boynehouseslane.ie

Open dates in 2021: all year, National Heritage Week, Aug 14-22, 9am-1pm Fee: Free 

Dardistown Castle

Dardistown, Julianstown, Co. Meath

Lizanne Allen

Tel: 086 -2774271

www.dardistowncastle.ie

Open dates in 2021: Jan 9-31, Feb 11-21, May 15-21, Aug 14-31, Sept 1-30, 10am-2pm Fee: adult €6, student/OAP €5, child free 

Dardistown Castle, County Meath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Gravelmount House 

Castletown, Kilpatrick, Navan, Co. Meath
Brian McKenna
Tel: 087-2520523
Open dates in 2021: Jan 1-13, May 10-30, June 1-20, Aug 14-22, 9am-1pm Fee: adult €6, OAP/student/child €3 

Moyglare House

Moyglare, Co. Meath

Postal address Maynooth Co. Kildare

Angela Alexander

Tel: 086-0537291

www.moyglarehouse.ie

Open dates in 2021: Jan 1, 4-8, 11-15, 18-22, 25-29, May 1-21, 24-28, 31, June 1-3, Aug 14-22, 9am-1pm
Fee: adult €7.50, OAP/student/child €5 

St. Mary’s Abbey

High Street, Trim, Co. Meath

Peter Higgins 

Tel: 087-2057176

Open dates in 2021: Jan 25-29, Feb 22-26, Mar 8-12, Apr 12-16, May 24-30, June 21-27, July 19- 25, Aug 14-22, Sept 13-17, 20-24, 2pm-6pm 

Fee: adult €5, OAP/student/child €2 

Tankardstown House 

Rathkenny, Slane, Co. Meath

Tadhg Carolan, Tel: 087-7512871

www.tankardstown.ie

Open dates in 2021: All year including National Heritage Week, 9am-1pm

Fee: Free

Tankardstown, County Meath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Monaghan

Castle Leslie

Glaslough, Co. Monaghan

Samantha Leslie 

Tel: 047-88091

www.castleleslie.com

(Tourist Accommodation Facility)

Open dates in 2021: all year, National Heritage Week, events August 14-22 Fee: Free 

Castle Leslie, County Monaghan. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Offaly

Ballybrittan Castle

Ballybrittan, Edenderry, Co. Offaly

Rosemarie

Tel: 087-2469802 

Open dates in 2021: Jan 3-4, 10-11, 17-18, 23-24, 30-31, Feb 6-7, 13-14, 20-21, 27-28, Mar 6-7,13- 14, 20-21, 27-28, May 1-2, 8-9, 15-16, 22-23, June 12-13,19-20, 26-27, July 3-4,10- 11,17-18, 24-25, 31, Aug 14-22, Sept 4-14, 2pm-6pm. 

Fee: free – except in case of large groups a fee of €5 p.p. 

Corolanty House

Shinrone, Birr, Co. Offaly

Siobhan Webb

Tel: 086-1209984

Open dates in 2021: Jan, Feb, July, Aug, Sept, daily 2pm-6pm

Fee: Free

Crotty Church

Castle Street, Birr, Co. Offaly

Brendan Garry

Tel: 086-8236452

Open dates in 2021: All year, except Dec 25, 9am-5pm 

Fee: Free

High Street House

High Street, Tullamore, Co. Offaly

George Ross

Tel: 086-3832992

www.no6highstreet.com

Open dates in 2021: Jan 4-8, 11-15, 18-22, 25-29, May 1-18, Aug 14-22, Sept 1-24, 9.30am-1.30pm Fee: adult/student €5, OAP €4, child under 12 free 

Springfield House 

Mount Lucas, Daingean, Tullamore, Co. Offaly Muireann Noonan
Tel: 087-2204569
www.springfieldhouse.ie 

Open dates in 2021: Jan 1-14, 1pm-5pm, May 14-16, 24-28, July 2-4, 9-11, 16-18, Aug 7-29, 2pm- 6pm, Dec 26-31, 1pm-5pm
Fee: Free 

Roscommon

Strokestown Park House

Strokestown Park House, Strokestown, Co. Roscommon

Ciarán

Tel: 01-8748030

www.strokestownpark.ie

Open dates in 2021: Jan 2-Dec 20, Jan, Feb, Mar 1-16, Nov, Dec,10.30am-4pm, March 17-Oct 31, 10.30am-5.30pm,
Fee: adult €14, €12.50, €9.25, OAP/student €12.50, child €6, family €29, groups €11.50 

Tipperary

Beechwood House

Ballbrunoge, Cullen, Co. Tipperary

Maura & Patrick McCormack

Tel: 083-1486736

Open dates in 2021: Jan 4-8, 18-22, Feb 1-5, 8-12, May 1-3, 14-17, 21-24, June 11-14, 18-21, Aug 14-22, Sept 3-6, 10-13, 17-20, 24-27, 10.15am-2.15pm 

Fee: adult €5, OAP/student €2, child free, fees donated to charity 

Waterford 

The Presentation Convent 

Waterford Healthpark, Slievekeel Road,Waterford Michelle O’ Brien
www.rowecreavin.ie
Tel: 051-370057 

Open dates in 2021: Jan 1-Dec 31, excluding Bank Holidays and Sundays, Mon-Fri, 8am-6pm, Sat, 10am-2pm, National Heritage Week, Aug 14-22
Fee: Free 

Wexford

Clougheast Cottage

Carne, Co. Wexford

Jacinta Denieffe

Tel: 086-1234322

Open dates in 2021: Jan 11-31, May 1-31 August 14-22, 9am-1pm Fee: €5 

Wilton Castle

Bree, Enniscorthy, Co. Wexford

Sean Windsor

(Tourist Accommodation Facility)

Tel: 053-9247738 

www.wiltoncastleireland.com   

Open dates in 2021: all year

Wilton Castle, County Wexford. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Wicklow

Castle Howard

Avoca, Co. Wicklow

Mark Sinnott

Tel: 087-2987601

Open dates in 2021: Jan 11-13, Feb 1-5, Mar 1-3, 22-24, June 10-12, 14-15, 19, 21-26, 28, July 5-9, 19-22, Aug 13-22, Sept 6-11, 18, 25, Oct 4-6, 11-13, 9am-1pm 

Fee: adult €8.50, OAP/student €6.50, child €5 

Castle Howard, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Mount Usher Gardens

Ashford, Co. Wicklow

Caitriona Mc Weeney

Tel: 0404-49672

www.mountushergardens.ie

Open dates in 2021: all year 10am-6pm

Fee: adult €8, student/OAP €7, child €4, no charge for wheelchair users

Powerscourt House & Gardens

Powerscourt Estate, Enniskerry, Co. Wicklow

Sarah Slazenger

Tel: 01-2046000

www.powerscourt.ie

Open: All year, closed Christmas day and St Stephens day, 9.30am-5.30pm, ballroom and garden rooms Sun, 9.30am-1.30pm
Fee: Mar-Oct, adult €11.50, OAP €9, student €8.50, child €5, family ticket €26, Nov- Dec, adult €8.50, OAP €7.50, student €7, child €4, family ticket 2 adults + 3 children €18, children under 5 free 

Powerscourt, County Wicklow. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com