Accommodation and wedding venues in County Carlow

A place providing group accommodation let me know that my “places to visit and stay” pages for each county can cause confusion, since places of accommodation are not necessarily ones you can visit. Therefore I am separating into pages of places to visit, and places to stay. I will be republishing these over the next few weeks.

Carlow:

Places to stay, County Carlow

1. Huntington Castle, County Carlow – B&B and self-catering

2. Kilgraney House, County Carlow – holiday rental courtyard and cottage suites

3. Killedmond Old Rectory, County Carlow – shepherd’s huts

4. Lisnavagh, County Carlow – holiday cottages and wedding venue

5. Lorum Old Rectory, Kilgreaney, Bagenalstown, County Carlow – B&B

6. Mount Wolseley, Tullow, Co Carlow – hotel 

Group holiday rental or wedding venues in County Carlow

1. Ballykealey, Tullow, Co Carlow  – wedding or event venue

2. Borris House, Borris, County Carlow – wedding venue

3. Lisnavagh, County Carlow – holiday cottages and wedding venue

4. Sandbrook, Tullow, Co Carlow  – whole house rental and an apartment in house

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

Carlow:

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

1. Huntington Castle, County Carlow – B&B in castle or self-catering in wing or gate lodge or cottage.

https://huntingtoncastle.com/all-rooms

Huntington Castle, County Carlow, June 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Huntington Castle is on the Revenue Section 482 list so is open to the public on listed days. See my write-up:

https://irishhistorichouses.com/2019/06/28/huntington-castle-county-carlow/
Postal address: Huntington Castle, Enniscorthy, Co. Wexford

www.huntingtoncastle.com
Open dates in 2026, but check website as sometimes closed for special events: Jan 31, Feb 1, 7-8, 14-15, 21-22, 28, Mar 1, 7-8, 14-15, 21-22, 28-31, Apr 1-6, 11-12, 18-19, 25-26, May 1-31, June 1-30, July 1-31, Aug 1-31, Sept 1-30, Oct 3-4, 10-11, 17-18, 24-31, Nov 1, 7-8, 14-15, 21-22, 28-29, Dec 5-6, 12-13, 19-20, 11am-5pm
Fee: house and garden, adult €13.95, garden only €6.95, OAP/student, house and
garden €12.50, garden only €6, child, house and garden €6.50, garden €3.50, group
and family discounts available

Huntington Castle bedroom, photograph courtesy of Huntington Castle website.

2. Kilgraney House, County Carlowholiday rental courtyard and cottage suites

https://kilgraneyhouse.com/

Kilgraney House, Co Carlow, photograph by Sonder Visuals 2022 for Failte Ireland

Kilgraney is a gracious Georgian country house with courtyard suites and cottages overlooking the Barrow valley. The property is less than ninety minutes by car from Dublin and is located halfway between Bagenalstown and Borris village. Kilgraney Courtyard Suites and Cottages are open for B & B packages from May to October 2022.

Surrounded by extensive gardens and granite stone courtyards filled with culinary, aromatic and medicinal plants, the property offers guests a memorable country house experience in a tranquil rural setting on the Carlow Kilkenny border. 

Since 1994 we have been inspired by Kilgraney and captivated by what the surrounding countryside, towns and people have to offer. For the 2020 season we have decided to take a break from the kitchen and close our dining room. We will continue to offer our renowned breakfast and can recommend some very fine local restaurants. 

Through words and images we invite you to our home and we hope that they entice you to come and experience Kilgraney for yourself. 

At Kilgraney House we create a place of peace and tranquility and therefore we close the house at 1.00 am. If you wish to stay out later than this please book one of our courtyard suites, the garden cottage or the lodge.

http://www.igp-web.com/Carlow/Kilgraney.htm

The house is a charming late Georgian house, overlooking the Barrow valley, and is conveniently situated halfway between Kilkenny city and Carlow town. The house takes its name from the Irish ‘cill greine’ which means ‘sunny hill’ or ‘sunny wood’.

Kilgraney (Kilgreaney ) has seen many changes over the centuries. The house, spelt Kylgrany, appears on Mercator’s Map of Carlow in 1595 and parts of the lower courtyard, reached through the kitchen garden, date to around this time. The main house was built around 1820 although the north wing is part of older dwelling and thought to be mid-18th century. A fire in the 1920’s destroyed the original interiors and the rebuilding left Kilgraney House with a Georgian exterior and a plain early 20th century interior. Now carefully restored, the house has immense character and a simple elegance that is full of irony and amusement. The lush interiors are an eclectic mix of traditional furniture with carefully chosen pieces of fabric, furniture and art from around the world.

Source: Ireland’s Blue Book of Country Houses & Restaurants.

3. Old Rectory Killedmond, Borris, Co Carlow R95 N1K7 – section 482 with shepherd hut accommodation 

https://www.blackstairsecotrails.ie/

Old Rectory Killedmond, County Carlow, October 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Old Rectory Killedmond is on the Revenue Section 482 list so can be visited on certain days. See my write-up:

https://irishhistorichouses.com/2020/07/16/the-old-rectory-killedmond-borris-co-carlow/

https://www.blackstairsecotrails.ie/
Open dates in 2026: July 1-31, Aug 1-31, 9am-1pm
Fee: adult €10, OAP/student €6, child free.

Shepherd’s Hut, Old Rectory Killedmond, County Carlow, October 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

4. Lisnavagh, County Carlow, wedding venue and holiday cottages

www.lisnavagh.com

Lisnavagh, County Carlow, photograph taken October 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The National Inventory tells us that it was designed around 1847 by Daniel Robertson. It was built for William McClintock-Bunbury (1800-1866). Around 1953, it was truncated and reordered, to make it more liveable, and this was designed by Alan Hope.

Lisnavagh is a wedding venue, and there are buildings with accommodation, including the farm house, converted courtyard stables, the groom’s cottage, schoolhouse, farm and blacksmiths cottages and the bothy.

Weddings at Lisnavagh, photograph courtesy of website.

The website tells us that:

The estate is owned by William & Emily McClintock Bunbury. Lisnavagh House & Gardens is managed by Emily and William along with a hardworking and dedicated team in both the house and the gardens.

William McClintock Bunbury returned to Lisnavagh in 2000 with a view to creating a financially sustainable life and business on the estate. In 2001, The Lisnavagh Timber Project was established and during the following years parts of Lisnavagh Farmyard were refurbished into offices some of which now house the family enterprises.

The Library, Lisnavagh, courtesy of website.

In his book about the Carlow Gentry, Jimmy O’Toole writes:

The Bunbury wealth was considerably enhanced after the marriage of a later generation William Bunbury to Catherine Kane, daughter of Redmond Kane, a wealthy Dublin merchant in 1773. William [who lived at Moyle, County Carlow], who was elected MP for Carlow in 1776, was killed two years later when he was thrown from his horse in Leighlinbridge. It was the marriage of William and Catherine’s only daughter, Jane Bunbury to John McClintock, MP, of Drumcar, Co Louth, in 1797, that linked the Bunbury and McClintock names. It was their son John who was created Lord Rathdonnell on 21st Dec 1868. Their second son, William Bunbury-McClintock-Bunbury, born 1800, in compliance with the will of his maternal uncle Thomas Bunbury, MP, assumed the name of Bunbury in addition to that of McClintock. The McClintocks were an old Scottish family and the first to settle in Ireland was Alexander McClintock, who purchased the Rathdonnel estates in County Donegal in 1597, from where the title originated.” [7]

John McClintock married a second time, to Elizabeth Le Poer Trench, daughter of the 1st Earl Clancarty.

Mark Bence-Jones writes in his A Guide to Irish Country Houses (1988):

William Bunbury and Catherine Kane had two sons, Thomas and Kane. Jimmy O’Toole writes about these brothers (p. 66):

The election of 1841, when Thomas Bunbury and his Tory colleague Henry Bruen II, defeated Daniel O’Connell Jr and John Ashton Yates,  was one of the bitterest election contests every witnesses in County Carlow…. A bachelor, Thomas’s 6000 acre estate in the parishes of Kellistown, Rathmore and Rathvilly, passed to his brother Kane after his death.”

O’Toole continues:

His seat in Parliament was taken by his nephew William McClintock-Bunbury [1800-1866, son of John McClintock and Jane Bunbury], who was returned unopposed, and held the seat for sixteen years with a brief interruption in 1852. William had served as a Captain with the Royal Navy during the 1820s and 1830s…After inheriting the family’s Carlow estates, he completed the building of Lisnavagh, a large and rambling Tudor-Revival house of granite, in 1847. The architect was John McGurdy. That year, William and his wife Pauline, daughter of Sir James Stronge of Tynan Abbey in Armagh, and their young family, moved from Louth to live at Lisnavagh.” 

p. 187. “[Bunbury/LG1863; McClintock-Bunbury, Rathdonnell, B/PB] A large and rambling Tudor-Revival house of grey stone, built 1847 for William McClintock-Bunbury, MP, brother of 1st Lord Rathdonnell, to the design of John McCurdy. Many gables and mullioned windows; some oriels; but all very restrained, with little or no ornament and hardly any Gothic or Baronial touches apart from a porte-cochere on the service wing, which was set back from the main entrance front, and a loggia of segmental-pointed arches at the other side of the house. The port-cochere served the luggage entrance; the hall door having no such protection. Staircase of wood, ascending round large staircase hall. Drawing room with ceiling of ribs and bosses and marble chimneypiece in Louis Quinze style, en suite with library; richly carved oak bookcases. The house was greatly reduced in size ca. 1953 by 4th Lord Rathdonnell [William Robert McClintock-Bunbury (1914-1959) – with much help with his wife Pamela]; that part which contained the principal rooms being demolished, and the service wing being adapted to provide all the required accommodations. The porte-cochere, which comes in the middle of the entrance front of the reduced house, is now the main entrance. Because of the irregular plan of the house as it originally was, the service wing only abutted on the main building at one corner, which has been made good with a gable and oriel from the demolished part; so that the surviving part of the house looks complete in itself; a pleasant Tudor-Revival house of medium size rather than the rump of a larger house. A large library has been formed out of several small rooms; it is lined with the bookcases from the original library, and with oak panelling and Cordova leather of blue-green and dull bronze-gold. Fine baronial gate arch.”

The house remains in the family.

A bedroom at Lisnavagh, photograph courtesy of website.
The farmhouse at Lisnavagh, available for accommodation, photograph courtesy of website.
The Grooms Cottage, Lisnavagh, available for accommodation, photograph courtesy of website.

5. Lorum Old Rectory, Kilgreaney, Bagenalstown, Co. Carlow R21 RD45  – B&B

Lorum Old Rectory, County Carlow, photograph from National Inventory of Architectural Heritage [3]

www.lorum.com
Tourist Accommodation Facility – not open to the public
Open for accommodation: April-October

The Irish Historic Houses Association website tells us:

The valley of the River Barrow is particularly beautiful, especially downstream from Bagenalstown where the river, which forms the boundary between Counties Carlow and Wexford, flows along the western foothills of the Blackstairs Mountains. The Barrow passes through the towns of Borris and Graiguenamanagh and the village of St. Mullins, where the valley sides become increasingly steep. In the late 1850s Denis Pack-Beresford [1818-1881], a local landowner from nearby Fenagh, donated land for a new church and rectory at Lorum near Kilgreaney, a small hamlet overlooking the river under the shadow of Mount Leinster. ” [4]

Denis Pack took the name Beresford from his mother, Elizabeth Louisa Beresford who was a daughter of George De La Poer Beresford, 1st Marquess of Waterford, of Curraghmore.

The Irish Historic Houses continues: “Lorum is a restrained Gothic building of warm, golden Carlow granite and a fine example of a Victorian country rectory. Of two storeys, the principal fronts are all of three bays, with a studied asymmetry that falls just short of becoming symmetrical. There are many gables and the entrance is recessed beneath a wide gothic arch, which acts as a porch and helps to give the building a solid, comfortable appearance that embodies the religious certitudes of the Church of Ireland during the last years of establishment. 

The interior is decorated in a mild and restrained Victorian Gothic; bright and airy, not too large or grand but solid and respectable. While Lorum may well have been built to the designs of Welland and Gillespie, there is little doubt that the dominant influence was the religious architecture of Augustus Welby Pugin.” (see [7])

William Joseph Welland and William Gillespie, the Dictionary of Irish Architects tells us, were appointed joint architects to the Ecclesiastical Commissioners in May 1860, following the death of Joseph Welland. According to this dictionary, both men were already in the employment of the Commissioners, and they held the post until the disestablishment of the Church of Ireland on 31 December 1870. During their ten years in office, they developed an increasingly personal and idiosyncratic version of Gothic in the churches which they designed. They designed many churches, all over Ireland.

Lorum Old Rectory, photograph from website.

The Irish Historic Houses website tells us: “The first rector was the Revd. King Smith who was installed at Lorum in 1863 and the house continued in use as a rectory until 1957, when it was offered for sale by the parish and bought by Tennant Young, father of the present owner.” (see [4])

A Carlow county website tells us that:

In the second half of the 20th century the Church of Ireland passed thorough a period of rationalisation. Parishes were amalgamated; churches closed and a number of rectories became redundant and were sold. Among these was Lorum Old Rectory which Mr. Young purchased as a home for his family. Fast forward for another thirty-five years and his daughter Bobbie, on inheriting the house, was forced to make it pay and, together with her late husband Don, decided to provide country house accommodation for visitors to the region.” [5]

The Irish Historic Houses website continues: “To the north is a small, enclosed stable yard with a coach house for the rector’s trap, a stable for his horse, and quarters for his groom and other servants. Today Lorum is unusual because both house and  grounds have been so little altered, a fate shared by few other Irish rectories.” (see [4])

The National Inventory describes is as:

Detached three-bay two-storey Tudor Revival former rectory with half-dormer attic, c. 1864, with mullioned window openings, gables and series of service wings. Now in use as guesthouse. Stable complex to rear with two-storey coach house.

The Record of Protected Structures adds that the roof is high pitched, covered with natural slates, and has Victorian, earthenware chimney-pots and has wide eaves.

The Old Rectory Lorum website tells us:

Lorum is a place known to a few – but in the 19th century, when the protestant church of Ireland enjoyed wealth and state patronage, it was the spiritual hub of a parish which included an exceedingly comfortable and spacious rectory. The clergy have departed and the rectory is now the property of Bobbie Smith, who provides guests with fantastic dinners in a dining room which retains its hint of 19th century opulence. Antique bedrooms with modern comforts provide for rest, to be followed by a most splendid breakfast. The lady of the house, incidentally, is a mine of information on Carlow and the organiser of bicycle tours in the region.


6. Mount Wolseley, Tullow, Co Carlow – hotel

 https://www.mountwolseley.ie

Mount Wolseley County Carlow photograph courtesy of website.

The Record of Protected Structures describes Mount Wolseley:

A three-bay, two-storey, Italianate house designed by the firm of Sir John Lanyon about 1870. It has painted, lined and rendered walls, a basement, raised coigns, string courses, an enclosed porch with a segmental-headed doorcase and side lights, windows with architraves, wide, bracketed eaves and a hipped roof with a pair of stacks. The sash windows have large panes of glass. On the left-hand side is a service wing. The house is well maintained and in use as a hotel.

Mark Bence-Jones writes in his A Guide to Irish Country Houses (1988):

p. 218. “(Wolseley, Bt, of Mount WolseleyPB) A two storey slightly Italianate Victorian house. Camber-headed windows; ornate balustraded porch; roof on bracket cornice. Wing with pyramidal roof. Now a school.” 

Jimmy O’Toole tells us:

p. 211. “Richard Wolseley, from Staffordshire, was the first to settle in Tullow, where he inherited the irish estates of his father, also Richard. The elder Richard, who served with King William III in Ireland, was MP for the Borough of Carlow during the reign of Queen Anne (1703-1713). His son, who served as an MP for the Borough from 1727-1768 – a record continuous tenure of parliamentary representation – was created a Baronet in 1744. The family had 2,500 acres in Carlow and 2,600 acres in Co Wicklow. The Wolseleys, according to O’Donovan’s Ordnance Survey Letters, were the beneficiaries of land grants after the Cromwellian settlement, but his claim that Mount Arran was included is wrong. Mount Arran, purchased from Charles Butler, Earl of Arran, did not come into their possession until some time after 1725, because on 23 March that year, the second Duke of Ormonde leased the estate to Thomas Green of Rahera, Co Carlow. The original of this lease was presented at a meeting of the Royal Society of Antiquaries of Ireland earlier this century, by Fr. James Hughes of Maynooth.” [6]

The house was reconstructed by Sir Thomas Wolseley in 1864 and the estate was sold to the Patrician Order for £4,500 in 1925 by the daughters of Sir John Richard Wolseley. When Sir John died aged forty, he was succeeded in the title by his brother Sir Clement James Wolseley who was probably the last of the family to occupy Mount Wolseley. 

In 1994 Mount Wolseley was purchased by the Morrissey family and has since been developed into a four star, quality hotel and 18-hole championship golf course with a range of activities on its doorstep offering guests plenty of things to do on their stay. [7]

Before it was owned by the Wolseleys, the area was called Mount Arran, and belonged to the Baggot family! It belonged to John Baggot. I have tried to research this history. John was father of Mark, who was a founding member of the Dublin Society, and who also owned much property around St. Michan’s and Smithfield. Their land deeds are in Carlow County Library. In John Ryan’s The History And Antiquities Of The County Of Carlow (1833) there is an abstract of convenyances from the Trustees of the Forfeited Estates in County Carlow in 1688:

“The estate of John Baggott, Esq., attainted; which having been granted 26th Feb., 1697, to Joost, Earl of Albemarle [Arnold Joost van Keppel, 1st Earl of Albemarle (1670-1718) a Dutch military leader who fought for William III], were by him, by deeds of lease and release, dated 27th and 28th February, 1698, for the sum of three hundred pounds conveyed to Charles Balwin, of Dublin, Esq., in trust for Mark Baggott, Esq., to whom, by deeds of lease and release, dated 8th and 9th March, 1698, he conveyed the same in execution of the said trusts ; and the said Baggott, by indenture dated 22nd March, 1702, assigned and made over his interest and right of purchasing the premises from the trustees, for three hundred and five pounds ten shillings to said Ph. Savage. — Inrolled 8th April, 1703.”

There were complications over this transaction, as of course the land was not given up willingly! I believe John Baggot fought at the Seige of Limerick, and was present when the truce and Treaty were drawn up, stating that those holding the castle would stop their fighting if they were promised that their land would not be taken from them. Thus, John Baggot’s land should not have been forfeited, despite him being a Catholic. However, John Baggot died and his son Mark should have inherited the land in Carlow and Dublin. Mark’s Protestant neighbours protested, calling Mark Baggot a “violent Papist.”

Mark Baggot of Mount Arran, Co. Carlow, inquisition of forfeited estate, Baggot produced a deed which settled land on Mark after the father’s death. Jury refused deed and land was granted to Abermarle, from John, but Mark disputed and won. Mark was in the article of Limerick but his father wasn’t. With the passing of the Act of Resumption the estate became vested in the trustees, and Mark accordingly lodged his claim. Before it came up for hearing, his father died, thus the admission of the claim would mean immediate restoration to Mark.

The case was contested, local feeling against Mark amongst Carlow Protestants, as he was called “a violent Papist,” son of John Baggot late of Mount Arran (according to Turtle Bunbury’s website, John Baggot was a Catholic soldier: John Baggot, a Catholic soldier, leased Tobinstown in 1683 from Benjamin Bunbury. Bagot was attainted for serving King James II and his Carlow estates were acquired in 1702 by Philip Savage.). Mark was High Sheriff of Carlow in 1689, “acted with pride against Protestants.

When John Baggot was outlawed and his estate forfeited, Ormond “quite irregularly” gave fresh lease of Mount Arran to Richard Wolsley, the son of Brigadier William Wolsley. Richard Wolsley did not want to give the house up to Mark Baggot.

Mark had an ally in Bishop William King of Derry and later of Dublin, due to common interest in Maths and barometers! There are many of Baggot’s letters in King’s correspondence. Mark writes to him that “the gentleman who lives in my house..uses all his interest and power to hinder and delay.”

Mark Baggot lost his land at Mount Arran but inherited Shangarry, Ballinrush, Portrussian, in Carlow, and they were preserved in the family and descended to James John Bagot Esq. of Castle Bagot, Rathcoole, County Dublin, the last male of his name (from him they passed to his sister and her husband, Ambrose More O’Ferrall).

Group holiday rental or wedding and event venues in County Carlow

1. Ballykealey, Tullow, Co Carlow  – wedding and event venue

and lodges: https://ballykealeyhouse.com

Ballykealey House, County Carlow, courtesy of Ballykealey House website.

The website tells us

The House is available for private hire for family gatherings, retreats or corporate events. Distinct character and warmth characterise the 12 individually appointed bedrooms in the manor house. All have gracious views of the surrounding countryside and retain all the original features of the 19th century house. All bedrooms have recently been renovated and include the modern comforts you would expect to find.” It has twelve rooms in the house and 15 self-catering lodges.

Ballykealey House, County Carlow, courtesy of Ballykealey House website.

Mark Bence-Jones writes in his A Guide to Irish Country Houses (1988):

p. 23. “(Lecky/LGI1937 supp) A somewhat stylized Tudor-Revival house of stucco with stone facings, built ca 1830 for John James Lecky to the design of Thomas A. Cobden, of Carlow. Symmetrical front of two storeys and high attic, with three unusually steep gables ending in finials; recessed centre with three-light round-headed window edged with stonework in a rope pattern above a stone Gothic porch of three arches. Tall Tudor chimneystacks at either end; slender battlemented pinnacles rising from corbels at the angles of the roof parapet. Battlemented single storey wing at one side, prolonged by battlemented screen walls with Gothic gateway. Irregular wing with steep gables and dormers at back. Sold ca 1953. Now a novitiate of the Patrician Brothers.” [2]

Ballykealey House, County Carlow, courtesy of Ballykealey House website.

The Record of Protected Structures describes the house’s porch as a loggia. It adds that the walls are of smooth rendering painted and the windows have late-19th century sashes. There is a single-storey wing on the right-hand side and an arch into the yard. The rear of the house has a two-storey service wing. The interior retains original decoration. The immediate grounds are contained within a ha-ha.

Ballykealey House, County Carlow, courtesy of Ballykealey House website.

Jimmy O’Toole writes in his The Carlow Gentry: What will the neighbours say! Published by Jimmy O’Toole, Carlow, Ireland, 1993. Printed by Leinster Leader Ltd, Naas, Kildare. 

Chapter: Lecky of Ballykealy 

p. 147. “In 1953, the Lecky name was added to the growing list of departing gentry families from County Carlow. The Ballykealy seat had been in their possession since 1649, but not even three centuries of roots and tradition could hold back the tide of a rapidly changing financial climate that had already accounted for the departure of most of their neighbouring families. The 300 acre estate was bought by the Land Commission, and the house was purchased in the early 1960s for use as a noviciate for the Patrician Brothers, owners of the Wolseley family seat near Tullow since 1925.

The sale of Ballykealy was the first tell-tale sign of looming financial problems for the last owner, Lieutenant Colonel Rupert Beauchamp Lecky, who moved to London with his family. Within four years, he had more debts than assets, and bankruptcy proceedings were instituted against him… On 26th Sept 1957, the War Office Colonel said his early morning good-byes to his wife and three children, got on a train for central London, and was never seen again by friends and family. Thirty six years on, the missing persons file on Colonel Lecky still remains open at Scotland Yard. ..

p. 149. The Lecky family were one of several Quaker families in Couty Carlow, the first of them having come to County Donegal from Stirling in Scotland during the reign of Eliz I. In 1873, John J. Lecky had 1,440 acres at Ballykealy; John F. Lecky had 44 acres at Lenham Lodge, and W.E.H. Lecky the historian had 721 acres at Aughanure, Bestfield and Kilcock. This property he inherited from his father John Lecky of Newgardens, and from his mother Maria Hartpole of Shrule Castle, Co Laois, he inherited an additional 1,200 acres.

Ballykealey House, County Carlow, courtesy of Ballykealey House website.
Ballykealey House, County Carlow, courtesy of Ballykealey House website.

2. Borris House, Borris, County Carlow – wedding venue and Revenue section 482

Borris House, County Carlow by Suzanne Clarke, for Tourism Ireland, Ireland’s Content Pool. (see [1])

www.borrishouse.com

Borris House is also open to the public on certain days as it is on the Revenue Section 482 list.

Open dates in 2026: Open: Apr 1, 2, 7-12, 14-26, 28-30, May 5-10, 19-24, June 12-14, 16-18, 23-25, 30, Aug 5, 12-23, 25, 26, Sept 1, 2, 8, 9, 22, 23, 29 12pm-4pm
Fee: adult €12, OAP/student €10, child under 12 free

See my write-up: https://irishhistorichouses.com/2020/10/04/borris-house-county-carlow/

4. Lisnavagh, County Carlow, wedding venue and holiday cottages

www.lisnavagh.com

Lisnavagh, County Carlow, photograph taken October 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Lisnavagh is a wedding venue, and there are buildings with accommodation, including the farm house, converted courtyard stables, the groom’s cottage, schoolhouse, farm and blacksmiths cottages and the bothy.

Weddings at Lisnavagh, photograph courtesy of website.

The house remains in the family that built it.

A bedroom at Lisnavagh, photograph courtesy of website.
The farmhouse at Lisnavagh, available for accommodation, photograph courtesy of website.
The Grooms Cottage, Lisnavagh, available for accommodation, photograph courtesy of website.

4. Sandbrook, Tullow, Co Carlow  – wedding/retreat venue

https://sandbrook.ie

Sandbrook House, County Carlow, courtesy of website

The website tells us that Sandbrook is a handsome period country house, originally built in the early 1700s in Queen Anne style [the National Inventory says 1750], and sits in 25 acres of mature parkland on the Wicklow/Carlow border in the heart of the Irish Countryside with views toward Mount Leinster and the Wicklow Mountains. The National Inventory further describes it:

five-bay two-storey over basement house with dormer attic, c. 1750, with pedimented central breakfront having granite lugged doorcase, granite dressings, two-bay lateral wings, Palladian style quadrant walls and pavilion blocks. Interior retains original features including timber panelled hall and timber staircase.

Sandbrook House, County Carlow, courtesy of website

It belonged to the Echlin family. There are records of an Anne Echlin who died in 1804 owning Sandbrook (see Jimmy O’Toole’s book, [6]). She seems to have leased it to Clement Wolseley when Mount Arran was burned during the 1798 Rebellion.

She left the property, consisting in total of 500 acres, to Robert Marshall of Dublin, and he sold to Brownes of Browne’s Hill for £488 in 1808. William Browne-Clayton moved to live in Sandbrook after his marriage to Caroline Watson-Barton in 1867 and remained there until he inherited Browne’s Hill on the death of his father, Robert Browne-Clayton, in 1888. Browne’s Hill in County Carlow still stands, a very impressive looking private house listed in the National Inventory.

O’Toole writes: “Sandbrook was another example of the many Irish country houses that attracted senior British army officers when they retired after the First and Second World Wars. General George Lewis bought the house in 1918 and after his wife’s death in 1938 the property was purchased by Brigadier Arthur George Rolleston who had retired from the army.

In 1959 Sandbrook was purchased by John and Mary Allnatt… In the 1960s, Mrs. Allnatt purchased Rathmore Park for her son from her first marriage, Brendan Foody, but after he had decided not to return to live in Ireland, Rathmore was sold. He inherited Sandbrook following his mother’s death in September.”

The website tells us: “Sandbrook is the perfect venue for a family gathering or wedding celebration. With five interconnecting reception rooms downstairs, a covered terrace, huge lawn space and a separate loft space above converted stables there is a vast array of facilities should you wish to bring a group. Personal attention to detail and impeccable hospitality are evident throughout Sandbrook, with log fires burning in the hearths and fresh flowers in the hallways.

Sandbrook House, County Carlow, courtesy of website
Sandbrook House, County Carlow, courtesy of website
Sandbrook House, County Carlow, courtesy of website

[1] https://www.irelandscontentpool.com/en

[2] p. 113, Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[3] https://www.buildingsofireland.ie/buildings-search/building/10301908/kilgraney-rectory-borris-road-kilgraney-forth-by-co-carlow

[4] https://www.ihh.ie/index.cfm/houses/house/name/Lorum%20Rectory

[5] http://www.igp-web.com/Carlow/Lorum_Old_Rectory.htm

Source: http://www.hiddenireland.com/lorum/index.htm

[6] Jimmy O’Toole, The Carlow Gentry: What will the neighbours say! Published by Jimmy O’Toole, Carlow, Ireland, 1993. Printed by Leinster Leader Ltd, Naas, Kildare. 

[7] http://sites.rootsweb.com/~irlcar2/MOUNT_WOLSELEY.htm

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Places to visit in County Carlow

A place providing group accommodation let me know that my “places to visit and stay” pages for each county can cause confusion, since places of accommodation are not necessarily ones you can visit. Therefore I am separating into pages of places to visit, and places to stay. I will be republishing these over the next few weeks.

Carlow:

1. Altamont, Kilbride, Co Carlow – gardens open to public, see OPW entry

2. Borris House, Borris, County Carlow – section 482

3. Carlow Castle, Carlow, Co Carlow – a ruin  

4. Duckett’s Grove, Carlow – a ruin 

5. Hardymount House, Castlemore, Co Carlow – can visit gardens

6. Huntington Castle, Clonegal, Co Carlow – on section 482 

7. Old Rectory Killedmond, Borris, Co Carlow – section 482 

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

Carlow:

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

1. Altamont, Kilbride, Co Carlow – gardens open to public

See my OPW entry:

https://irishhistorichouses.com/2022/02/21/office-of-public-works-properties-leinster-carlow-kildare-kilkenny/

Altamont Gardens, County Carlow, photograph by Sonder Visuals 2015 for Tourism Ireland, Ireland’s Content Pool. [1]

2. Borris House, Borris, County Carlow – section 482

Borris House, County Carlow by Suzanne Clarke, for Tourism Ireland, Ireland’s Content Pool. (see [1])

See my write-up:

https://irishhistorichouses.com/2020/10/04/borris-house-county-carlow/

www.borrishouse.com

Open dates in 2026: Open: Apr 1, 2, 7-12, 14-26, 28-30, May 5-10, 19-24, June 12-14, 16-18, 23-25, 30, Aug 5, 12-23, 25, 26, Sept 1, 2, 8, 9, 22, 23, 29 12pm-4pm
Fee: adult €12, OAP/student €10, child under 12 free

3. Carlow Castle, Carlow, Co Carlow – a ruin  

Carlow Castle in located in Carlow Town was at one stage one of the finest Norman castles ever built in Ireland. It was built around 1213 by William Marshall and the site was carefully chosen because of its strategic defensive location close to the River Barrow. In 1361 it was strengthened when it became the headquarters of the Exchequer of Ireland when it was moved here from Dublin. Although it was attacked and withstood a number of attempted assaults in 1494 and 1641, it’s great ‘low point’ came not through war but by a physician named Middleton. Middleton attempted to convert the castle into a lunatic asylum in 1814 when he tried to diminish the thickness of the walls by using explosives. He however made a gross miscalculation and ended up blowing most of the castle to pieces. All that remained were the 2 towers and a bit of the original wall.” [2]

Carlow Castle, 1954, Dublin City Library and Archives. [3]

4. Duckett’s Grove, Carlow – a ruin 

Maintained by Carlow County Council. Destroyed by fire in 1933 but there is a walled garden open to visitor and one can see the impressive ruins.

Photograph by Robert French, late 1800s, Lawrence Photographic Collection National Library of Ireland, flickr constant commons.
Duckett’s Grove, County Carlow, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The National Inventory tells us of the house:

Remains of detached three-storey over basement country house, c. 1745 now in ruins. Gothic style mantle added, c. 1825. Designed by Thomas Cobden. Extended, c. 1845, with granite ashlar viewing tower on an octagonal plan, turrets and entrance screens added. Designed by J. McDuff Derick. Stable complex to rear.” [5]

The property was once part of a 12,000 acre estate with eight acres of gardens.

See my entry https://irishhistorichouses.com/2024/07/18/ducketts-grove-county-carlow-an-impressive-ruin-and-a-walled-garden/

Duckett’s Grove, County Carlow, August 2021. The tallest, granite, flag tower was added in 1853 and designed to be seen above the tree line. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Duckett’s Grove, County Carlow, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Duckett’s Grove, County Carlow, August 2021. The tallest, granite, flag tower was added in 1853 and designed to be seen above the tree line. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Duckett’s Grove, County Carlow, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Driving to Duckett’s Grove, you first come across the impressive entrance gates:

Duckett’s Grove entrance gates, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The walled garden has also been redeveloped.

The brick walls of the walled garden retain the sun’s heat better than the granite of surrounding building structures.

Walled garden, Duckett’s Grove, County Carlow, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Walled garden, Duckett’s Grove, County Carlow, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

5. Hardymount House, Castlemore, Co Carlow R93 XN24 – can visit gardens https://www.carlowgardentrail.com/venue/hardymount-gardens/

Check website for times.

https://www.discoverireland.ie/Arts-Culture-Heritage/the-garden-hardymount-house/70913

The website tells us: “Hardymount Gardens comprise of 1 hectare of lawns and shrubs surrounded by magnificent beech and oak trees. Located near Tullow, County Carlow, the colourful, lively gardens feature many unusual plants and flowers.

One of the largest Spanish chestnut trees in the country greets visitors on arrival to 1 hectare of lawns and shrubs surrounded by magnificent beech and oak trees. Found just outside Tullow, County Carlow, Hardymount Gardens features a wonderful walled garden that sits behind the house and contains many unusual plants and flowers in the herbaceous border: lilac-coloured Erysimum, yellow helianthus, beds of old roses, downy variegated mint, mimosa, blue agapanthus, California tree poppies, Chinese foxgloves and much, much more.

The grass paths take visitors past the pond with lilies and fish, and by espaliered apple trees, lobelia tupa, a pergola clothed with wisteria and under planted with hollyhocks and foxgloves. There is a vegetable garden and a summer house at the end of the garden which provides a quiet area for rest and relaxation. Hardymount is a truly amazing walled garden full of colour and vigour thanks to its owner and her dedication to gardening.

Group lunches and teas are available upon request. Car Parking available (a coach may park on road). No dogs or picnics.”

Mark Bence-Jones writes of Hardymount House in his A Guide to Irish Country Houses (1988):

p. 149. “(Eustace-Duckett/IFR; Maude, sub Hawarden, PB). A two storey bow-ended Georigan house with giant pilasters at each end of the entrance front. The recent owner, Mr H.A.C. Maude, introduced some chimneypieces from Belgard. Now the home of Mrs Patrick Reeves-Smith.” 

6. Huntington Castle, Clonegal, Co Carlow Y21 K237 – on section 482 

Huntington Castle, County Carlow, June 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

See my write-up:

https://irishhistorichouses.com/2019/06/28/huntington-castle-county-carlow/
Postal address: Huntington Castle, Enniscorthy, Co. Wexford

www.huntingtoncastle.com
Open dates in 2026, but check website as sometimes closed for special events: Jan 31, Feb 1, 7-8, 14-15, 21-22, 28, Mar 1, 7-8, 14-15, 21-22, 28-31, Apr 1-6, 11-12, 18-19, 25-26, May 1-31, June 1-30, July 1-31, Aug 1-31, Sept 1-30, Oct 3-4, 10-11, 17-18, 24-31, Nov 1, 7-8, 14-15, 21-22, 28-29, Dec 5-6, 12-13, 19-20, 11am-5pm
Fee: house and garden, adult €13.95, garden only €6.95, OAP/student, house and
garden €12.50, garden only €6, child, house and garden €6.50, garden €3.50, group
and family discounts available

7. Killedmond, Borris, Co Carlow.(Old Rectory, Killedmond) R95 N1K7 – section 482 

Old Rectory Killedmond, County Carlow, October 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

See my write-up:

https://irishhistorichouses.com/2020/07/16/the-old-rectory-killedmond-borris-co-carlow/

https://www.blackstairsecotrails.ie/
Open dates in 2026: July 1-31, Aug 1-31, 9am-1pm
Fee: adult €10, OAP/student €6, child free.

[1] https://www.irelandscontentpool.com/en

[2] https://curiousireland.ie/carlow-castle/

[3] Carlow Castle, 1954, Dublin City Library and Archives. https://repository.dri.ie

[4] p. 113, Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[5] https://www.buildingsofireland.ie/buildings-search/building/10300304/ducketts-grove-russellstown-cross-roads-russellstown-carlow

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Johnstown Castle, County Wexford, a Heritage Trust property

Maintained by the Irish Heritage Trust

Johnstown Castle, County Wexford. The house was designed by Daniel Robertson (d. 1849). It envelops a seventeenth-century house (perhaps by Thomas Hopper) [1] remodelled (1810-4) by James Pain (1779-1877) of Limerick. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

https://johnstowncastle.ie/

Photograph on display from 1890.

An information board in the museum tells us that Geoffrey and Maurice Esmonde were the estate’s first owners, who arrived as part of the Anglo-Norman invasion in 1169. Geoffrey Esmonde built the original Johnstown Castle, which was a plain and modest tower house. His son Maurice built a second tower house at Rathlannon Castle, the remains of which are on the grounds to this day.

Information board at Johnstown Castle.

Our guide Mary told us that the Esmondes tower house used to stand in front of the current Johnstown Castle, but it was taken down. See below an old photograph – the old tower is the part covered in ivy in the photo.

The original tower house of the Esmondes was the ivy covered one in this photograph. It has since been taken down.
Rathlannon Castle, built by Maurice Esmonde in the 1200s. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Esmondes lived here for 500 years until they lost their lands during the invasion of Oliver Cromwell, as they were Catholics. Our guide Mary told us that Cromwell slaughtered over 3000 people in Wexford.

There is a chapter on the Esmonds of Ballynastragh in The Wexford Gentry by Art Kavanagh and Rory Murphy. They tell us that it is believed that Geoffrey de Estmont was one of the thirty knights who accompanied Robert FitzStephen to Ireland in 1169 when the latter lead the advance force that landed at Bannow in county Wexford. Geoffrey built a motte and baily at Lymbrick in the Barony of Forth in Wexford, and his son Maurice built a castle on the same site. After Maurice’s death in 1225 the castle was abandoned and his son John built a castle on a new site which was called Johnstown Castle. John died in 1261. [2]

James Esmonde, an early Esmonde living at Johnstown Castle, married Isabel Rosseter, daughter of Thomas Rosseter who owned Rathmacknee Castle in County Wexford – this is a tower house that still stands and is a National Monument. It remained occupied until 1760s and in the nineteenth century it was restored by Hamilton Knox Grogan-Morgan who also owned Johnstown Castle.

James’s grandson, Walter or William, married Margaret Furlong, daughter of Michael of Horetown, County Wexford. They had several children. Their younger son Patrick held the office of Sheriff of Carlow in 1627. He married Katherine Gough and their son Laurence (about 1570-1645) was created 1st Lord Esmonde, Baron of Lymbrick, Co. Wexford, for his services to the crown.

Laurence Esmonde converted to Anglicanism and served in the armies of British Queen Elizabeth I and then James I. He is the ancestor of the Esmondes who owned Huntington Castle in County Carlow (see my entry https://irishhistorichouses.com/2019/06/28/huntington-castle-county-carlow/).

Huntington Castle, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Huntington Castle, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

It was an elder son of Walter or William Esmonde and Margaret Furlong, Robert, who inherited the Johnstown estate, which then passed to Robert’s son William. William was MP for Wexford in 1634. However, in the following decades the Esmondes lost the estate.

Lieutenant Colonel John Overstreet was granted Johnstown Castle estate in 1652 in lieu of payment for fighting in Cromwell’s army. When Overstreet died, his wife married another Cromwellian, Edward Withers, who took over the ownership of the castle as Overstreet had no offspring. Withers and his new wife also had no children. Withers and his wife sold the castle to John Reynolds, who had married a niece of John Overstreet, Elizabeth Lacy.

John Reynolds and his wife had three daughters, who were co-heirs to the Johnstown estate. Their daughter Mary married John Grogan (1653-1720), and this is how the property passed into Grogan ownership in 1692. [3]

John Grogan was the son of Cornelius Grogan, a yeoman who brought some property in the town of Wexford. [see 3]

A tower like gate lodge erected to a design (1846) by Martin Day of Gallagh, with an oriel window similar to the Daniel Robertson designed gate lodge at Shankill Castle, County Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Grogan family and their descendants lived at Johnstown Castle until 1945 when it was handed over to the state. Our guide told us that it was given in lieu of death duties. Nearly all of the furniture was sold, but fortunately some has been recovered.

John Grogan (1653-1720) and Mary Reynolds had a son Cornelius (1687-1724). Cornelius’s son John (1717-1783) married an heiress, Catherine Knox of Rathmacknee, County Wexford. Catherine’s father was Andrew Knox, and her mother was Mary Grogan, daughter of John Grogan (1653-1720) who had acquired Johnstown Castle by his wife, Mary Reynolds. Mary Grogan was John’s daughter by his second wife, Anne Livingston.

After Mary’s husband Andrew Knox died, she married a second and third time. Her second husband was William Hore (1680-1745) of Wexford, whose first wife had been Dorothy Ponsonby, daughter of William, 1st Viscount Duncannon. After William Hore died, Mary née Grogan married Charles Tottenham (1685-1758, Tottenham “in his boots” as he was called for once wearing his boots into parliament, since he was running late).

Charles Tottenham “in his Boots”, 1731 by James Latham, National Gallery of Ireland 411. He married Mary née Grogan after her previous husband died. In 1731 a proposal that an Irish tax surplus be given to the British treasury caused consternation, and Tottenham, though ill, rode up to Dublin from County Wexford as he was MP for New Ross and he was anxious to vote on the proposal. A serjeant-at-arms tried to stop Tottenham from entering the Parliament house in his muddy boots but Tottenham strode inside, ever after being given the nickname “Tottenham in his boots.”

Another daughter of John and Anne née Livingston was Sarah (1699-1777). She married William Morgan, Mayor of Waterford. They had a son, Samuel, who left a fortune to a later occupant of Johnstown Castle, as we shall see later.

John Grogan (1717-1783) and Catherine Knox had a son Cornelius (1738-1798) who succeeded to the family estates and served as high sheriff of County Wexford and from 1783-1790, MP for Enniscorthy in the Irish parliament.

Cornelius had a bridge built, Wexford bridge, and charged a toll from those crossing. During the rebellion of 1798 Cornelius joined the insurgents, the United Irishmen and he was beheaded for his treason in 1798 and his head was hung on Wexford bridge, along with two other landlords turned rebels, John Henry Colclough and Bagenal Beauchamp Harvey.

The Johnstown estate was restored to his younger brother, John Knox Grogan (1760-1814), on payment of a heavy fine.

Information board at Johnstown Castle.

The information board tells us that the younger brother John Knox Grogan (1760-1814) set about rebuilding and enlarging the castle, and laying out the ornamental gardens. According to the National Inventory, he hired James Pain (1779-1877) of Limerick and work was carried out from 1810-1814.

John Knox Grogan married Anne Coote, daughter of Chidley Coote of Ash Hill, County Limerick (a section 482 property – see my entry https://irishhistorichouses.com/2023/04/06/ash-hill-kilmallock-co-limerick/). She died in childbirth after giving birth to her daughter Anne.

Second, John Knox Grogan (1760-1814) married Elizabeth Fitzgerald, daughter of James Stephen Fitzgerald of Ballythomas, County Laois.

Following John Knox Grogan’s death, his son Hamilton Knox Grogan (1808-54) continued the building works. He hired Daniel Robertson, who created the castle as we see it today.

In 1827 Hamilton Knox Grogan inherited more land from a cousin of his father, Samuel Morgan (1737-1827) of Ardcandrisk, County Wexford (see above; the house has been demolished). He added Morgan to his surname then, to become Hamilton Knox Grogan-Morgan, becoming the largest landowner without a title in Ireland.

Mark Bence-Jones tells us about Johnstown Castle (1988):

Front of Johnstown Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

p. 161. “(Esmonde, bt/PB; Grogan-Morgan; LG1863; Forbes, Granard, E/PB; FitzGerald, sub Leinster, D/PB) An old tower house of the Esmondes, engulfed in an impressively turreted, battlemented and machicolated castle of gleaming silver-grey ashlar built ca 1840 for Hamilton Knox Grogan Morgan [1808-54], MP, to the design of Daniel Robertson [d. 1849], of Kilkenny. The entrance front is dominated by a single frowning tower with a porte-cochere projecting at the end of an entrance corridor and a Gothic conservatory at one end.”

The entrance front is dominated by a single frowning tower with a porte-cochere projecting at the end of an entrance corridor and a Gothic conservatory at one end. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The entrance front is dominated by a single frowning tower with a porte-cochere projecting at the end of an entrance corridor and a Gothic conservatory at one end. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inside the front arch of Johnstown Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Gothic conservatory in the middle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Johnstown Castle, County Wexford. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Mark Bence-Jones continues: “The garden front has two round turrets, a three-sided central bow with tracery windows. Lower wing with polygonal tower.”

Garden front, Johnstown Castle, County Wexford: The garden front has two round turrets, a three-sided central bow with tracery windows. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The National Inventory describes it:

Detached three-bay three-storey over basement country house, built 1836-72, on an asymmetrical plan centred on single-bay full-height breakfront with single-bay (four-bay deep) single-storey projecting porch-cum-“porte cochère” to ground floor; five-bay three-storey Garden Front (south) with single-bay four-stage turrets on circular plans centred on single-bay full-height bow on an engaged half-octagonal plan…A country house … enveloping a seventeenth-century house remodelled (1810-4) by James Pain (1779-1877) of Limerick (DIA), confirmed by such attributes as the asymmetrical plan form centred on ‘a splendid porch…formed by beautiful Gothic arches with neat light groinings’ (Lacy 1852, 259); the construction in a blue-green rubble stone offset by glimmering Mount Leinster granite dressings not only demonstrating good quality workmanship, but also producing a sober two-tone palette; the diminishing in scale of the multipartite openings on each floor producing a graduated visual impression with the principal “apartments” defined by a polygonal bow; and the battlemented turrets producing an eye-catching silhouette: meanwhile, aspects of the composition clearly illustrate the continued development or “improvement” of the country house ‘under the munificent and highly-gifted Lady Esmonde who never tires of affording employment to the skilful artisans whom she herself has trained’.”

Hamilton Knox Grogan Morgan married Sophia Maria Rowe (1805-1867), daughter of Ebenezer Radford Rowe of Ballyharty, County Wexford.

Hamilton Knox Grogan-Morgan (1807-1854) and his family. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
You can see the basement on the garden front. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Johnstown Castle, County Wexford. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Johnstown Castle, County Wexford. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Johnstown Castle, County Wexford. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The clock tower side of Johnstown Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Spectacular doorway arch to one side of Johnstown Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The doorway arch at Johnstown Castle features a border of carved stone heads. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Carved stone heads at Johnstown Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Window surround detail and tracery at Johnstown Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A workman at Johnstown Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We did not get to see the inside of Johnstown Castle when we visited in November 2021 as it was closed that day, but we visited again in May 2023.

The portico corridor, Johnstown Castle, National Inventory of Architectural Heritage tells us: “corridor on a rectangular plan retaining encaustic tiled floor, Gothic-style timber panelled wainscoting supporting carved timber dado rail, clustered colonette-detailed carved timber surrounds to window openings framing Gothic-style timber panelled shutters on Gothic-style timber panelled risers, and groin vaulted ceiling with carved timber ribs on portrait-detailed oak leaf corbels.” [4] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Detail of carving in the portico corridor. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
More decorative head carvings. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tile floor of the corridor, Johnstown Castle, photograph from National Inventory of Architectural Heritage. [4]

Hamilton Knox Grogan Morgan’s daughter Jane inherited the estate. Sophia and Hamilton were not happily married, our guide told us. They had no sons, just two daughters. After Hamilton died his wife remarried in 1856, this time to Thomas Esmonde (1786-1868) 9th Baronet of Ballynastragh, County Wexford.

Sophia Maria Knox Grogan Morgan née Rowe (1805-1867) and her second husband, Thomas Esmonde (1786-1868) 9th Baronet.

Sophia was allowed to remain living in the house, and her husband moved in with her.

There is a story that in order to inherit the estate, the daughters were made to run a race to see who would win, and thus inherit! Jane won the race.

Johnstown Castle. Jane Colclough Grogan-Morgan portrait by Margaret Carpenter, 1846. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The other daughter of Hamilton Knox Grogan Morgan, Elizabeth Geraldine, married Robert Tilson FitzMaurice Deane (1826-1857), son of Matthew Fitzmaurice Deane, 3rd Baron Muskerry of County Cork. In 1854 his name was legally changed to Robert Tilson FitzMaurice Deane-Morgan by Royal Licence.

Jane married George Arthur Forbes (1833-1889), 7th Earl of Granard, County Longford. Jane did not get along well with her mother. Her mother was a Protestant, and Jane and her husband converted to Catholicism. They built a church in Newtown Forbes in Longford. Jane’s mother tried to disinherit her but her new will was signed with an “x” and the judge said it didn’t stand up in court.

Jane Colclough Grogan-Morgan (1834-1872), and next to her picture is George Arthur Forbes (1833-1889) 7th Earl of Granard.

Jane was charitable and on her death there was a headline announcing “death of princess,” our guide told us. The Earl of Granard married a second time after Jane died, and had several more children. He lived in Castle Forbes in County Longford. He married Frances Mary Petre, daughter of William Bernard Petre, 12th Baron Petre of Writtle, Co. Essex in England.

Jane and George Arthur had two daughters, Sophia Maria Elizabeth and Adelaide Jane Frances. Sophia married Henry Christopher Grattan-Bellew, 3rd Baronet Bellew, of Mount Bellew, Co. Galway. Adelaide married Maurice Fitzgerald (1852-1901), son of the 4th Duke of Leinster, of Carton House in County Kildare. They inherited the estate at Johnstown Castle.

Maurice Fitzgerald (1852-1901) and his wife, Adelaide.
Henry Grattan Bellew, 3rd Baronet, b.1860, married Sophia Forbes, daughter of the Earl of Granard, by Dermod O’Brien, courtesy of Adam’s auction 10 Oct 2017. He represented one of the few Catholic aristocratic families who survived Cromwellian deportation to Connaught. Mount Bellow was an architecturally significant house with a fine library of books; the former destroyed, the latter dispersed.
Information board at Johnstown Castle.

Adelaide (1860-1942) converted to Protestantism to marry the Maurice Fitzgerald (1852-1901). Like her mother, she undertook much charity work. She brought the first motorised ambulance to County Wexford.

Adelaide and Maurice had four children: Geraldine (1881-1954), Gerald Hugh (1886-1914), Kathleen (1892-1930) and Marjorie (1896-1899).

Geraldine married Gerald More O’Ferrall (d. 1951) of Lissard House, County Longford (now demolished). Adelaide and Maurice’s son Gerald died in WWI in France. He had married Dorothy Violet Charrington from England. After his death, she remarried, to Thomas William Jefferies of Wexford.

A daughter of Maurice Fitzgerald and Adelaide Jane, Geraldine, married Gerald More O’Ferrall.

Kathleen married Major Michael Lakin (1881-1960) of Horetown House, County Wexford, and it was their son Maurice Victor Lakin (d. 1919) who inherited the estate. His brother Gerald fought in World War II and died in Africa in 1943. Kathleen died tragically in a horse riding accident when she was just 37 years old.

Wedding photograph of Michael Lakin (1881-1960) of Horetown House who married Kathleen Fitzgerald (1892-1930) in 1914. He is next to Inez Charlotte Grace Casberd-Boteler, I presume as she is listed as Lady Henry Fitzgerald, and Henry was another son of Charles William Fitzgerald, 4th Duke of Leinster. She is next to the wife of Maurice Fitzgerald, Adelaide Jane Frances née Forbes, who is next to Captain Gerald Fitzgerald (1851-1893), 5th Duke of Leinster. Is the centre is Captain Michael Lakin’s father, also Michael, 1st Baronet Lakin, of The Cliff, Co. Warwick. He is next to Bell Irvine, best man, who is next to Miss C. Paget (bridesmaid), and Miss. D Charrington. The page is Andrew Horsburgh Porter, and Kathleen the bride is seated.
Horetown House, County Wexford, photograph courtesy of Horetown website.

Maurice Victor Lakin, pictured below, was the last man to privately own the castle and estate before handing it over to the state.

Johnstown Castle, County Wexford.

Maurice Victor Lakin gifted it to the state in 1945.

The Grogan-Morgan family tree.
Explanation of the handover to the state and Department of Agriculture.

After walking through the entrance corridor a room is reached called the “Apostles’ Hall” due to the wooden carvings. The National Inventory continues:

A prolonged period of unoccupancy notwithstanding, the elementary form and massing survive intact together with substantial quantities of the original fabric, both to the exterior and to the interior where encaustic tile work; the so-called “Apostles Hall” with ‘oak panelling and carving of the most costly description’ (Lacy 1852, 268); contemporary joinery ‘by poor Mooney who may be said to have lived and died in the employment of the munificent proprietor [and who was] succeeded by another native genius [named] Sinnott’ (ibid., 269); restrained chimneypieces in contrasting neo-Classical or Egyptian Revival styles; and geometric ceilings recalling the Robertson-designed Wells House (1836-45), all highlight the considerable artistic significance of the composition.

The “Apostles Hall,” Johnstown Castle, County Wexford. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Apostles in the Apostles Hall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Johnstown Castle, Apostles Hall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Wood carving in the Apostles Hall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

From the Apostles Hall you enter a top-lit three storey galleried space. Our guide told us that this used to be a music room. The National Inventory of Architectural Heritage describes it: “top-lit triple-height “Grand Hall” on a square plan retaining tessellated “Asphaltum” tiled floor, clustered colonette-detailed carved timber surrounds to door openings framing Gothic-style timber panelled doors, arcaded galleries (upper floors) with carved timber hand rails, and fan vaulted plasterwork ceiling centred on replacement glass block-filled mass concrete dome.” [4]

The Waterford Crystal chandelier in the former music room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ground floor of the three tiered gallery space. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ground floor of the three tiered gallery space. The table with quatrefoil carving belonged to the Knox Grogan Morgans. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

As well as hosting musical events in this space, tenants would be given Christmas dinner here. Mary told us that the owners were good to their tenants.

Johnstown Castle, ground floor of the three tiered gallery space. This cabinet of birds is original to the castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Top-lighting in the fan vaulted gallery, Johnstown Castle. The guide told us there used to be stained glass here. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The fan vaulted plasterwork has funny heads around the edges. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Johnstown Castle, first floor and second floor galleries. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

A grand staircase was removed, and the balcony remains:

The grand staircase was removed, unfortunately – see this picture with staircase intact.
The balustrade was extended, and the armorial shield added, after the staircase was removed. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The doorway under where the stairs used to be, and the remaining balustrade. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The next room is the: “bow-ended dining room (south) retaining clustered colonette-detailed carved timber surround to door opening framing timber panelled door with clustered colonette-detailed carved timber surrounds to opposing window openings framing Gothic-style timber panelled shutters on Gothic-style timber panelled risers.”

Johnstown Castle, photograph from National Inventory of Architectural Heritage: “bow-ended dining room” [4]
The windows were boarded up for repair when we visited. This room is identified as the dining room in the National Inventory, but holds bookcases so was probably not the dining room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The carving on the window embrasure is very complex. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Johnstown Castle, detail of ceiling. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bookcases. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The bookcases are beautifully carved. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The bookcases are topped with armorial shields. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Some of the original furniture has been brought back to the castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Gothic style chimneypiece. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The National Inventory tells us that Armorial panels over the glazed-in carriageway and on the dining room chimneypiece show a coat of arms combining three bears heads couped and muzzled [Forbes] centred on a griffin sergeant [Morgan] representing the marriage of George Arthur Hastings Forbes (1833-89), seventh Earl of Granard, and Jane Colclough Morgan (1840-72) with Order of Saint Patrick motto “QUIS SEPARABIT MDCCLXXXIII [Who Will Separate Us 1783]” recognising the earl’s investment as a Knight of the Order of Saint Patrick (K.P.) in 1857. 

Napolean scowls into the room.
Ceiling detail in Johnstown Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Grogan bookplates. We see the bookplate of Overstreet Grogan (1762-1814), a son of John Grogan (1716-1783) and his wife Catherine Knox.
Grogan livery buttons.

The next room contains the Hamilton Knox portrait.

Johnstown Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The painting of Hamilton Knox Grogan Morgan and his family.
The little dog Lady Morgan, who sports a rather unattractive haircut, makes up for it with her gold collar. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The pinecones stops anyone sitting on the original furniture! This couch is the same one as in the painting of Hamilton Knox Grogan Morgan and his family. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

It was quite a process to situate the newly restored couch into the castle’s room upstairs, as we see in this photograph below:

Moving the couch. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

After giving the property to the state, the Lackin family moved to France. They retained the hunting, fishing and burial rights to the property. Recently Victor Lackin’s grandson visited, and he fished in the lake, and had his photograph taken by his ancestor’s portrait. He is very like Hamilton Knox Grogan-Morgan!

A descendant of Hamilton Knox Grogan-Morgan.
18th Century Irish School “Portrait of John Stratford, 1st Earl of Aldborough,” Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Beautiful views of the parkland. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The dining room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Coat-of-arms-detailed cut-veined green marble Gothic-style chimneypiece in Gothic-style timber surround, and picture railing below grape-and-vine-detailed cornice to quatrefoil-detailed compartmentalised ceiling in carved timber frame” from National Inventory of Architectural Heritage. [4]
Grape-and-vine-detailed cornice. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A portrait in Johnstown Castle – 18th Century Irish School “Portrait of the 2nd Countess of Aldborough,” a charming three-quarter length study, seated in pink dress, with jewels, and seated by a table with coronet. She was the wife of Edward Augustus Stratford, 2nd Earl of Aldborough.
Beside the Grogan Morgan family portrait is 18th Century Irish School “Portrait of Martha, 1st Countess Aldborough.” She is Martha O’Neale (1707-1796), daughter of Benjamin O’Neale, Archdeacon of Leighlin and Ferns. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Johnstown Castle, hallway. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Detail of the carved door frames at Johnstown Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The principal Drawing Room in Johnstown Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The next room, the principal Drawing Room, features two huge mirrors brought from Paris at one end of the room, installed in about 1860.

The Principal Drawing Room in Johnstown Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Johnstown Castle, our tour guide, Mary. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A photograph of how the room with the large mirrors used to look.
Detail of the ceiling. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The principal Drawing Room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Jane Colclough Grogan Morgan – who married George Arthur Hastings Forbes and became Countess Granard.
A bedroom in Johnstown Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The door carvings are magnificent, even into a bathroom. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Chimneypiece detail in Johnstown Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Another splendid ceiling in Johnstown Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This room has a fine chimneypiece also, in Johnstown Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I liked this tabletop mirror with its detailed carvings that remind me of Jacobean furniture carvings. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
In this photograph we see the old laboratory that was set up for the agricultural school. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The laboratory room in Johnstown Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The castle hosted students from the Botanic Gardens from 1949-56. Our guide told us about Tom Walsh, I jotted down a note that he was the first agricultural student in Ireland, who sent students to America. They returned and took soil samples, and now we have the best quality beef and dairy industry in the world, due to the work done with soil. It was another Tom Walsh who started the Wexford Opera Festival.

Information board at Johnstown Castle.
Information board at Johnstown Castle.

After learning about the agricultural work carried out in Johnstown Castle we went to the basement to see the kitchen and servants areas.

Basement of Johnstown Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Servants dining area. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The servants.
Information at Johnstown Castle.
The range in the kitchenit is not the original. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Despite being in the basement, windows let in the light. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The bright basement. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Part of an old vacuum cleaner! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We left the castle through the servants and goods entrance, a tunnel from the basement that is 85 metres long! It is the longest such tunnel in Ireland.

The beginning of the 85 metre servants tunnel. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The tunnel exits through this white door. The tower is called the Meat House. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Map of the estate.
Johnstown Castle stands in a lush setting of lawns and exotic trees and shrubs, overlooking a lake with has a Gothic tower rising from its waters and a terrace lined with statues on its far side. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Johnstown Castle, County Wexford. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Johnstown Castle, County Wexford. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Johnstown Castle, County Wexford. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The National Inventory continues: “Furthermore, a “Terrace Garden”; a stable complex; folly-like towers and turrets overlooking an artificial lake ; a walled garden; and nearby gate lodges, all continue to contribute positively to the group and setting values of a largely intact estate.

Johnstown Castle, County Wexford. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Walled garden, Johnstown Castle, County Wexford, November 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Entrance to Johnstown Castle estate, County Wexford.
Johnstown Castle, County Wexford. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stable Complex, Johnstown Castle, County Wexford, November 2021.

[1] https://www.archiseek.com/2014/johnstown-castle-county-wexford/

[2] Kavanagh, Art and Rory Murphy, The Wexford Gentry. Published by Irish Family Names, Bunclody, Co Wexford, Ireland, 1994.

[3] Gaul, Liam. Johnstown Castle A History. The History Press, 2014.

[4] https://www.buildingsofireland.ie/buildings-search/building/15704226/johnstown-castle-johnstown-fo-by-wexford

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Borris House, County Carlow – section 482

www.borrishouse.com
Open dates in 2026: Open: Apr 1, 2, 7-12, 14-26, 28-30, May 5-10, 19-24, June 12-14, 16-18, 23-25, 30, Aug 5, 12-23, 25, 26, Sept 1, 2, 8, 9, 22, 23, 29 12pm-4pm
Fee: adult €12, OAP/student €10, child under 12 free

Borris House, Carlow, photograph by Suzanne Clarke, 2016 for Tourism Ireland, Ireland’s Content Pool.

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I had been particularly looking forward to visiting Borris House. It feels like I have a personal link to it, because my great great grandmother’s name is Harriet Cavanagh, from Carlow, and Borris House is the home of the family of Kavanaghs of Carlow, and the most famous resident of the house, Arthur MacMurrough Kavanagh, was the son of a Harriet Kavanagh! Unfortunately I don’t think there’s a connection.

We were able to park right outside on the main street of Borris, across from the entrance. My fond familial feelings immediately faded when faced with the grandeur of the entrance to Borris House. I shrank into a awestruck tourist and meekly followed instructions at the Gate Lodge to make my way across the sweep of grass to the front entrance of the huge castle of a house.

We brought our friend Damo along with us – here he is with Stephen at the entrance arch. The National Inventory of Architectural Heritage tells us that this entrance was designed by Richard Morrison, around 1813. It has an arch opening with crenellations, flanking turrets and buttressed walls. There’s a portcullis and fabulous studded door. The towers have blind arrow slits including a cruciform arrow slit, and there’s a small Gothic window with hood moulding. [1] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A view of the arched entrance from inside the demesne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Unlike other section 482 houses – with the few exceptions such as Birr Castle and Tullynally – Borris House has a very professional set-up to welcome visitors as one goes through the gate lodge. The website does not convey this, as it emphasises the house’s potential as a wedding venue, but the property is in fact fully set up for daily guided tours, and has a small gift shop in the gate lodge, through which one enters to the demesne. Borris House is still a family home and is inhabited by descendants of the original owners.

Approach to the front of the house from the gate lodge. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Standing at the front of the house looking to our left at the beautiful landscape. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Originally a castle would have been located here on the River Barrow to guard the area. From the house one can see Mount Leinster and the Blackstairs Mountains.

The current owner Morgan Kavanagh can trace his ancestry back to the notorious Dermot MacMurrough (Diarmait mac Murchadha in Irish), who “invited the British in to Ireland” or rather, asked for help in protecting his Kingship. The MacMurroughs, or Murchadhas, were Celtic kings of Leinster. “MacMurrough” was the title of an elected Lord. Dermot pledged an oath of allegiance to King Henry II of Britain. The Norman “Strongbow,” or Richard de Clare, 2nd Earl of Pembroke, came to Ireland to fight alongside Dermot MacMurrough against Dermot’s enemies. As a reward, Dermot MacMurrough offered Strongbow the hand of his daughter Aoife. This was less a love match than a chance to become the next King of Leinster. Succeeding generations of MacMurrough family controlled the area, maintaining their Gaelic traditions.

The Marriage of Aoife and Strongbow, Richard de Clare 2nd Earl of Pembroke at Waterford in 1170, by Daniel Maclise, in National Gallery of Ireland. Conceived for the decoration of the Palace of Westminster, a note tells us, the painting is an ambiguous representation of the victorious Normans and the vanquished Irish. Strongbow places his foot upon a fallen Celtic cross, King Dermot looks on in alarm, and an elderly musician slumps of his harp.

Timothy William Ferres tells us that in 1171, the name Kavanagh was given to Donell, son of Dermot MacMorrough. [1*]

In the late 14th century, Art mac Murchadha (d. around 1417) was one of the Irish kings who was offered a knighthood by King Richard II of England. In the 1500s, King Henry VIII sought to reduce the power of the Irish kings and to have them swear loyalty to him. In 1550 Charles MacMurrough Kavanagh (the Anglicised version of the name ‘Cahir MacArt’ MacMurrough Kavanagh) “submitted himself, and publicly renounced the title and dignity of MacMorrough, as borne by his ancestors.” [2] (note the various spellings of MacMorrough/MacMurrough). The head of the family was still however referred to as “the MacMorrough.”

We gathered with a few others to wait outside the front of the house for our tour guide on a gloriously sunny day in July 2019. Some of the others seemed to be staying at the house. For weddings there is accommodation in the house and also five Victorian cottages. We did not get to see these in the tour but you can see them on the website. Unfortunately our tour guide was not a member of the family but she was knowledgeable about the house and its history.

The current house was built originally as a three storey square house in 1731, incorporating part of a fifteenth century castle. We can gather that this was the date of completion of the house from a carved date stone.

According to the Borris House website, the 1731 house was built for Morgan Kavanagh, a descendant of Charles MacMurrough Kavanagh. However, I have the date of 1720 as the death for Morgan Kavanagh. Irish Aesthete Robert O’Byrne writes that the 1731 house was built by Brian Kavanagh. [3] Morgan Kavanagh has a son named Brian (d. 1741), so it could be the case that the house was commissioned by Morgan and completed by his son.

The house was damaged in the 1798 Rebellion and rebuilt and altered by Richard and William Vitruvius Morrison around 1813 into what one sees today. According to Edmund Joyce in his book Borris House, Co. Carlow, and elite regency patronage, it was Walter Kavanagh, grandson of the aforementioned Brian (d. 1741) who commissioned the work, which was taken over by brother Thomas (1767-1837) when Walter died in 1818. [4]. The Morrisons gave it a Tudor exterior although as Mark Bence-Jones points out in his Guide to Irish Country Houses, the interiors by the Morrisons are mostly Classical.

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Morrisons kept the original square three storey building symmetrical. Edmund Joyce references McCullough, Irish Building Traditions, writing that “The Anglo-Irish landlords at the beginning of the 19th century who wanted to establish a strong family history with positive Irish associations were beginning to use the castle form – which had long been a status of power both in Ireland and further afield – to embed the notion of a long and powerful lineage into the mindset of the audience.”

In keeping with this castle ideal, the Morrisons added battlemented parapets with finials, the crenellated arcaded porch on the entrance, as well as four square corner turrets to the house, topped with cupolas (which are no longer there). The porch has slightly pointed arches, and is unusual with its bricklike rustication, and elongated mini towers on top with tawny detailing in between, reflected in the roof parapet.

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

They also created rather fantastical Tudor Gothic curvilinear hood mouldings over the windows, some “ogee” shaped (convex and concave curves; found in Gothic and Gothic-Revival architecture) [5].

An ogee shaped hood moulding. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

These mouldings drop down from the top of the windows to finish with sculptured of heads of kings and queens. These are not representations of anyone in particular, the guide told us, but are idealised sculptures representing royalty to remind one of the Celtic kingship of the Kavanaghs.

As well as illustrating their heritage in architecture, Walter Kavanagh (d. 1718) commissioned an illustrated book of the family pedigree, titled “The pedigree of the ancient illustrious noble and princely house of Kavanagh in ancient times monarchs of Ireland and at the period of the invasion by Henry the second, kings of Leinster,” which traces the family tree back to 1670 BC! The connections to the prominent families of Butlers, Fitzjohns, De Mariscos and FitzGeralds are highlighted, which are also illustrated in the stained glass window in the main stairwell at Borris.

Borris House, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The stairwell in Borris House, with the stained glass window which records some of the genealogy of the Kavanaghs. Photograph courtesy of Borris House instagram, by @1darmar

The guide pointed to the many configurations of windows on the front facade of the house. They were made different deliberately, she told us, to create the illusion that the different types of windows are from different periods, even though they are not! This was to reflect the fact that various parts of the building were built at different times.

The crest of the family on the front of the house on the portico features a crescent moon for peace, sheaf of wheat for plenty and a lion passant for royalty. The motto is written in Irish, to show the Celtic heredity of the Kavanaghs, and means “peace and plenty.”

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Morrisons also added a castellated office wing, joining the house to a chapel. This wing has been partially demolished.

View of the chapel from the front of the house, and beyond, the path leads to the gate lodge. In between the chapel and the house you can see the wall which once housed the kitchen, with the octagonal chimney stack built into the wall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Charles MacMurrough Kavanagh married Cecilia, daughter of Gerald Fitzgerald, 9th Earl of Kildare. Charles’s son Brian (c. 1526-1576) converted to Protestantism and sent his children to be educated in England. One of them, Sir Morgan Kavanagh, acquired the estate of Borris when he was granted the forfeited estates of the O’Ryans of Idrone in County Carlow.

When Protestants were attacked in 1641 by a Catholic rebellion, when Morgan’s son Brian (1595-1662) was “The MacMorrough,” the MacMurrough Kavanaghs were spared due to their ancient Irish lineage. Later, when Cromwell rampaged through Ireland, they were spared since they were Protestant, so they had the best of both worlds during those turbulent times.

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Brian Kavanagh (1595-1662) married twice. His first wife was Elinor, daughter of Thomas Colclough of Tintern Abbey in County Wexford. His second wife was Elinor Blancheville of Blanchevillestown in County Kilkenny.

The tour guide took us first towards the chapel. She explained the structure of the house as we trooped across the lawn. She pointed out the partially demolished stretch between the square part of the house and the chapel. All that remains of this demolished section is a wall. The octagonal towerlike structures built into the wall were chimneys and the demolished part was the kitchen.

Side of Borris House with the chapel in the foreground. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
In this photograph, from Shane Prunty Weddings and the Borris House instagram page, you can see the remaining wall of the extension between the house and the chapel.
Side of Borris House, with the later wing that was added, that stretches toward the chapel. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The square tower that joins the house to the demolished kitchen contained the nursery. The wing was demolished to reduce the amount of rates to be paid. The house was reoriented during rebuilding, the guide told us, and a walled garden was built with a gap between the walls which could be filled with coal and heated! I love learning of novel mechanisms in homes and gardens, techniques which are no longer used but which may be useful to resurrect as we try to develop more sustainable ways of living (not that we’d want to go back to using coal).

The square tower contained the nursery, the guide told us. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

It is worth outlining some of the genealogy of this ancient family, as they intermarried with many prominent families of their day. Morgan Kavanagh (1668-1720) who probably commissioned the building of the 1730s house married Frances Esmonde, daughter of Laurence Esmonde (1634-1688) 2nd Baronet of Ballynastragh, County Wexford, who lived at Huntington Castle (another section 482 property I visited). After her death, he married Margaret Morres of Castle Morres in County Kilkenny.

Morgan and Frances née Esmonde’s son Brian (1699-1741) married Mary Butler, daughter of Thomas Butler (d. 1738) of Kilcash. Their son Thomas (1727-1790) married another Butler, Susanna, daughter of the 16th Earl of Ormonde.

It was the following generation, another Thomas (1767-1837), who is relevant to our visit to the chapel.

This Thomas (1767-1837) was originally a Catholic. He married yet another Butler, Elizabeth, daughter of the 17th Earl of Ormonde, in 1799. At some time he converted to Protestantism. It must have been before 1798 because in that year he represented Kilkenny City in Parliament and at that time only members of the Established Church could serve in Parliament.

As I mentioned, the house was badly damaged in 1798, when the United Irishmen rose up in an attempt to create an independent Ireland. Although the Kavanaghs are of Irish descent and are not a Norman or English family, this did not save them from the 1798 raids. The house was not badly damaged in a siege but outbuildings were. The invaders were looking for weapons inside the house, the guide told us. Robert O’Byrne the Irish Aesthete writes tells us: “Walter MacMurrough Kavanagh wrote to his brother-in-law that although a turf and coal house were set on fire and efforts made to bring ‘fire up to the front door under cover of a car on which were raised feather beds and mattresses’ [their efforts] were unsuccessful.” [6]

Edmund Joyce describes the raid in his book on Borris House (pg. 21-22):

“The rebels who had marched overnight from Vinegar Hill in Wexford…arrived at Borris House on the morning of 12 June. They were met by a strong opposing group of Donegal militia, who had taken up their quarters in the house. It seems that the MacMurrough Kavanaghs had expected such unrest and in anticipation had the lower windows…lately built up with strong masonry work. Despite the energetic battle, those defending the house appear to have been indefatigable, and the rebels, ‘whose cannons were too small to have any effect on the castle…’ the mob retreated back to their camps in Wexford.”

The estate was 30,000 acres at one point, but the Land Acts reduced it in the 1930s to 750 acres, which the present owner farms organically. The outbuildings which were built originally to house the workings of the house – abbatoir, blacksmith, dairy etc, were burnt in one of the sieges and so all the outbuildings now to be seen, the guide told us, were built in the nineteenth century.

Walter Kavanagh (1766-1813), brother of Thomas (1767-1837) (M.P.) and Morgan Kavanagh (who married Alicia Grace of Gracefield, Queens County). Courtesy Fonsie Mealy March 2019.

Thomas’s second wife, Harriet Le Poer Trench, daughter of the 2nd Earl of Clancarty, was of staunch Scottish Protestant persuasion [7]. When he converted, the chapel had to be reconsecrated as a Protestant chapel. According to legend, Lady Harriet had a statue of the Virgin Mary removed from the chapel and asked the workmen to get rid of it. The workmen, staunch Catholics, buried the statue in the garden. People believed that for this act, Lady Harriet was cursed, and it was said that one day her family would be “led by a cripple.”

The story probably came about because Harriet’s third son, Arthur, was born without arms or legs. As she had given birth to two older sons, and he had another half-brother, Walter, son of Thomas’s first wife, it seemed unlikely that Arthur would be the heir. However, the three older brothers all died before Arthur and Arthur did indeed become the heir to Borris House.

Arthur MacMorrough Kavanagh, M.P., (1831-1839), Politician and Sportsman Date after 1889 Engraver Morris & Co. Photograph courtesy of the National Gallery of Ireland.

The plasterwork in the chapel, which is called the Chapel of St. Molin, is by Michael Stapleton.

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In Jimmy O’Toole’s book The Carlow Gentry: What will the neighbours say! (published by Jimmy O’Toole, Carlow, Ireland, 1993. Printed by Leinster Leader Ltd, Naas, Kildare), he tells us of a rather miraculous finding of a Bible giving evidence of Thomas’s early Catholicism:

p. 130. “In the early 1950s, Borris House needed an electrical rewire. It was the kind of job in this rambling mansion that would take tradesmen into all sorts of unused nooks and crannies, attics untouched since the last electricians were there, and of course, there was the necessary task, dreaded by owners, the lifting of floor boards…What the electricians turned up from underneath the floor boards in the library of borris House was an 18C missal, which had been carefully wrapped and placed there by the Catholic Thomas Kavanagh either when he conformed to the Established Church, or when he married for the second time in 1825. The missal was a gift from his mother, the former Lady Suzanna Butler, bearing the hopeful inscription that he would remain faithful to the Catholic religion practised for centuries by his forebears, who could trace their ancestry back to early Christian times.” 

Jimmy O’Toole also tells us that Borris House stands on 9th century dungeons!

While we sat in the chapel, our guide told us about the amazing Arthur MacMurrough Kavanagh. When her husband Walter died, Harriet and her children went travelling. They travelled broadly, and she painted, and collected objects which she brought back to Ireland, including a collection of artefacts from Egypt now in the National Museum of Ireland. When Arthur was 17 years old his mother sent him travelling again, to get him away from his high jinks with the local girls. Arthur kept diaries, which are available for perusal in the National Library. I must have a look! I have a special interest in diaries, since I have been keeping my own since I was twelve years old. Some of Arthur’s adventures include being captured and being cruelly put on display by a tribe. He also fell ill and found himself being nursed back to health in a harem – little did the Sultan or head of the harem realise that Arthur was perfectly capable of impregnating the ladies!

Arthur’s brother and tutor died on their travels and Arthur found himself alone in India. He joined the East India Company as a dispatch rider – he was an excellent horseman, as he could be strapped in to a special saddle, which we saw inside the house, now mounted on a children’s riding horse! I was also thrilled to see his wheelchair, in the Dining Room, which is now converted into a dining chair.

Arthur MacMurrough’s saddle in mounted on the rocking horse. Photograph by Paul Barker, 2011, for Country Life.

When Arthur came home as heir, he found his mother had set up a school of lacemaking, now called Borris Lace, to help the local women to earn money during the difficult Famine years. The lace became famous and was sold to Russian and English royalty. The rest of the estate, however, was in poor shape. Arthur set about making it profitable, bringing the railway to Borris, building a nearby viaduct, which cost €20,000 to build. He also built cottages in the town, winning a design medal from the Royal Dublin Society, and he set up a sawmill, from which tenants were given free timber to roof their houses. He set up limekilns for building material, and also experimented (unsuccessfully) with “water gas” to power the crane used to built the viaduct. His mother built a fever house, dower house and a Protestant school, and Arthur’s sisters built a Catholic school. There is a little schoolhouse (with bell) behind the chapel.

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Arthur seems to have had a great sense of humour. On one of his visits to Abbeyleix, he remarked to Lady De Vesci, “It’s an extraordinary thing – I haven’t been here for five years but the stationmaster recognised me.”

Arthur married Mary Frances Forde-Leathley and fathered six children. He became an MP for Carlow and Kilkenny, and sat in the House of Commons in England, which he reached by sailing as far as London, where he was then carried in to the houses of Parliament.

He lost when he ran again for Parliament in 1880, beaten by the Home Rule candidates. He returned from London after his defeat and saw bonfires, which were often lit by his tenants to celebrate his return. However, this time, horrifically, he saw his effigy being burned on the bonfires by tenants celebrating the triumph of the Home Rule candidates. He must have been devastated, as he had worked so hard for his tenants and treated them generously. For more about him, see the Irish Aesthete’s entry about him. [8]

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Jimmy O’Toole’s book gives a detailed description of politics at the time of Arthur’s defeat and explains why the tenants behaved in such a brutal way. Elections grew heated and dangerous in the days of the Land League and of Charles Stewart Parnell, when tenants hoped to own their own land. In the 1841 election, tenants of the Kavanaghs were forced to vote for the Tory candidate against Daniel O’Connell Jr., despite a visit from Daniel O’Connell Sr, “The Liberator” who fought for Catholic emancipation.

The land agent for the Kavanaghs, Charles Doyne, threatened the tenants with eviction if they did not vote for his favoured candidate. In response to threats of eviction, members of the Land League forced tenants to support their cause by publicly shaming anyone who dared to oppose them. People were locked into buildings to prevent them from voting, or on the other hand, were locked in to protect them from attacks which took place if they planned to support the Tory candidate. Not all Irish Catholics supported the Land League. Labourers realised that landlords provided employment which would be lost if the land was divided for small farmers.

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

It was Arthur’s grandfather, Thomas (b. 1727), who undertook much of the renovation work at Borris in the 1800s, with money brought into the family by his wife, Susanna Butler. [9] Under her influence, Italian workmen were employed and ceilings were decorated and Scagliola pillars installed. After hearing the stories about amazing Arthur, we returned across the lawn to enter the main house.

The front hall is square but is decorated with a circular ceiling of rich plasterwork, “treated as a rotunda with segmental pointed arches and scagliola columns; eagles in high relief in the spandrels of the arches and festoons above,” as Mark Bence-Jones describes in his inimitable style [see 5, p. 45]. We were not allowed to take photographs but the Irish Aesthete’s site has terrific photographs [see 3]. The eagles represent strength and power. There are also the sheafs of wheat, crescent moons and lion heads, symbols from the family crest. Another common motif in the house is a Grecian key pattern.

Photograph by Paul Barker, 2011, from Country Life picture library.
Borris House front hall, photograph from Borris House instagram, @karinalee.studio
Borris House front hall, photograph from Borris House instagram, @karinalee.studio
Photograph by Paul Barker, 2011, from Country Life picture library.

The craftwork and furnishings of the house are all built by Irish craftsmen, including mahogany doors. There is a clever vent in the wall that brings hot air from the kitchens to heat the room.

We next went into the music room which has a beautiful domed oval ceiling with intricate plasterwork. It includes the oak leaf for strength and longevity.

The drawing room has another pretty Stapleton ceiling, more feminine, as this was a Ladies’ room. It has lovely pale blue walls, and was originally the front entrance to the house. When it was made into a circular room the leftover bits of the original rectangular room form small triangular spaces, which were used as a room for preparing the tea, a small library with a bookcase, and a bathroom. The curved mahogany doors were also made by Irish craftsmen in Dublin, Mack, Williams and Gibton.

The dining room has more scagliola columns at one end, framing the serving sideboard, commissioned specially by Morrison for Borris House. It was sold in the 1950s but bought back by later owners. [10] The room has more rich plasterwork by Michael Stapleton: a Celtic design on the ceiling, and ox skulls represent the feasting of Chieftains. With the aid of portraits in the dining room, the guide told us more stories about the family. It was sad to hear how Arthur had to put an end to the tradition of the locals standing outside the dining room windows, and gentry inside, to observe the diners. He did not like to be seen eating, as he had to be fed.

The grand dining room, photograph courtesy of Borris House instagram.

We saw the portrait of Lady Susanna’s husband, whom her sister Charlotte Eleanor dubbed “Fat Thomas.” Eleanor formed a relationship with Sarah Ponsonby, and they ran away from their families to be together. As a result, Eleanor was taken to stay with her sister’s family in Borris House, and she must have felt imprisoned by her sister’s husband, hence the insulting moniker. Eleanor managed to escape and to make her way to Woodstock, the house in County Kilkenny where Sarah was staying. Finally their families capitulated and accepted their plans to live together. They set up house in Wales, in Llangollen, and were known as The Ladies of Llangollen They were visited by many famous people, including Anna Seward, William Wordsworth, Sir Walter Scott, Charles and Erasmus Darwin, Sir Arthur Wellesley and Josiah Wedgewood.

The Ladies of Llangollen, Sarah Ponsonby and Charlotte Eleanor Butler, by Richard James Lane, printed by Jérémie Graf, after Lady Mary Leighton (née Parker) courtesy of National Portrait Gallery NPG D32504.

Mark Bence-Jones describes an upstairs library with ceiling of alternate barrel and rib vaults, above a frieze of wreaths that is a hallmark of the Morrisons, which unfortunately we did not get to see. We didn’t get to go upstairs but we saw the grand Bath stone cantilevered staircase. The room was originally an open courtyard.

We then went out to the Ballroom, which was originally built by Arthur as a billiard room, with a gun room at one end and a planned upper level of five bedrooms. The building was not finished as planned as Arthur died. It is now used for weddings and entertainment.

Side of the house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In 1958 the house faced ruin when Joane Kavanagh’s husband Lieutenant Colonel Archibald Macalpine-Downie died, and she decided to move to a smaller house. However, her son, Andrew Macalpine-Downie, returned to Borris after a career as a jockey in England. with his wife Tina Murray. He assumed the name Kavanagh, and set himself the task of preventing the house from becoming a ruin. [11]

We were welcomed to wander the garden afterwards.

I was delighted with the sheep who must keep the grass down. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
View from the grounds of Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://www.buildingsofireland.ie/buildings-search/building/10400804/borris-house-borris-borris-co-carlow

[1*] http://lordbelmontinnorthernireland.blogspot.com/2013/07/borris-house.html

[2] p. 33, MacDonnell, Randal. The Lost Houses of Ireland. A chronicle of great houses and the families who lived in them. Weidenfeld and Nicolson. London, 2002.

[3] https://theirishaesthete.com/2013/11/04/an-arthurian-legend/

The Borris website claims that the 1731 house was built for Morgan Kavanagh, but the Irish Aesthete Robert O’Byrne writes that the 1731 house was built by Brian Kavanagh, incorporating part of the fifteenth century castle. I have the date of 1720 as the death for Morgan Kavanagh and he has a son, Brian, so it could be the case that the house was commissioned by Morgan and completed by his son Brian.

[4] Joyce, Edmond. Borris House, Co. Carlow, and elite regency patronage. Four Courts Press, Dublin, 2013.

[5] https://irishhistorichouses.com/2020/04/18/architectural-definitions/

and Mark Bence-Jones. A Guide to Irish Country Houses [originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978]; Revised edition 1988 Constable and Company Ltd, London.

[6] https://theirishaesthete.com/2013/11/04/an-arthurian-legend/

This entry also has lovely pictures of the inside of Borris House and more details about the history of the house and family.

[7] p. 130. O’Toole, Jimmy. The Carlow Gentry: What will the neighbours say! Published by Jimmy O’Toole, Carlow, Ireland, 1993. Printed by Leinster Leader Ltd, Naas, Kildare.

[8] https://theirishaesthete.com/2013/11/04/an-arthurian-legend/

[9] for more on the Butlers see John Kirwan’s book, The Chief Butlers of Ireland and the House of Ormond, An Illustrated Genealogical Guide, published by Irish Academic Press, Newbridge, County Kildare, 2018. Stephen and I went to see John Kirwan give a fascinating talk on his book at the Irish Georgian Society’s Assembly House in Dublin.

[10] p. 115. Fitzgerald, Desmond et al. Great Irish Houses. Published by IMAGE Publications Ltd, Dublin, 2008.

[11] p. 134. O’Toole, Jimmy. The Carlow Gentry: What will the neighbours say! Published by Jimmy O’Toole, Carlow, Ireland, 1993. Printed by Leinster Leader Ltd, Naas, Kildare.

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com