Ballynastragh, Gorey, Co Wexford

Ballynastragh, Gorey, Co Wexford

Mark Bence-Jones.  A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

Ballynastragh House, County Wexford, photograph by Robert French, Lawrence Photograph Collection, National Library of Ireland.

p. 26. [Esmonde, Bt/PB] Originally a seventeenth century house, built by James Esmonde; enlarged and modernized by Sir Thomas Esmonde, 8th Baronet, probably soon after he succeeded in 1767; so that it became a house of mid-C18 appearance, of three storeys over basement. Handsome seven bay front with three bay breakfront; niche with statue in centre, above entrance door; parapeted roof; good quoins; statues at ends of area parapet. Various alterations were carried out by Sir Thomas Esmonde, 9th Bt, between 1803-1825, including, probably, the addition of the single-storey Doric portico on the entrance front. Later in 19C, the house was embellished and slightly castellated; probably in two phases; the architect, in any case, being George Ashlin. A slender five storey battlemented tower was added on one side, and a projection with round-headed windows on the other. The parapet of the roof, as well as that of the portico, was battlemented. The garden front was given two Victorian three sided bows, of a style very characteristic of Ashlin, with three tiers of pilasters. The house was burnt 1923 and replaced 1937 by a new house in the Georgian style to the design of Mr. Dermot Gogarty, (son of Oliver St John Gogarty, of Renvyle), who worked under Lutyens; and a connection of the Esmonde family. It is of brick, two storeys and five bays; with a high-pitched sprocketed roof and a verandah recessed under the upper storey.”

Ballynastragh House, County Wexford, photograph by Robert French, Lawrence Photograph Collection, National Library of Ireland.

Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988. 

p. 149. (18th C house) “A three storey mid 18C house built by Sir Thomas Esmonde incorporating some 17C work. The single storey Doric portico may date from the early 19C. Battlements were added to the house later in the 19C and further alterations were carried out to the design of George Ashlin. Burnt in 1923. A very attractive modern house designed by Dermot Gogarty was built in 1937.”

Ballynastragh House, County Wexford, photograph by Robert French, Lawrence Photograph Collection, National Library of Ireland.

http://lordbelmontinnorthernireland.blogspot.com/2018/08/ballynastragh-house.html

THE ESMONDE BARONETS OWNED 3,533 ACRES OF LAND IN COUNTY WEXFORD

This family is of very ancient establishment in County Wexford, where we find John Esmonde was consecrated Bishop of Ferns in 1349.

The immediate founder of the present house,

JAMES ESMONDE, of Johnstown, County Wexford, with whom the Visitation of Wexford by Daniel Molyneux, Ulster King of Arms, begins, married Isabel, daughter of Thomas Rosseter, of Rathmacknee Castle, and was father of

LAURENCE ESMONDE, of Johnstown, who wedded Eleanor, daughter of Walter Walsh, of the Mountains, by whom he had two sons, and was succeeded by the elder,

WILLIAM ESMONDE, who espoused Margaret, daughter of Michael Furlong, of Horetown, and had, with seven daughters, four sons,

Robert;
LAURENCE, of whom presently;
James;
Patrick.

The second son,

SIR LAURENCE ESMONDE (1565-1645), Knight, abandoning the ancient creed of his ancestors, declared himself a partisan of ELIZABETH I, and a convert to protestantism.

Sir Laurence was elevated to the peerage in 1622, in the dignity of BARON ESMONDE, of Lymbrick, County Wexford.

During one of his campaigns in Connaught, having fallen in love with Margaret, the beautiful daughter of Murrough O’Flaherty, of Connemara, he reputedly married her, and had a son, THOMAS.

It happened, however, that Lady Esmonde, a devout Roman Catholic, fearing that her child might be brought up a Protestant, carried off the infant by stealth and returned to her family in Connaught.

This act of maternal devotion seems to have been not at all disagreeable to Sir Laurence, as affording him a pretext for casting suspicion on the legality of his union, that of a Protestant with a Catholic; yet, without resorting to legal measures to annul the marriage in due form, he some time later married Elizabeth, second daughter of the Hon Walter Butler, fourth son of James, 9th Earl of Ormonde, but by her had no issue.

His lordship died in 1645, bequeathing all his extensive estates to his only son, SIR THOMAS ESMONDE.

The severity and singularity of his case created considerable interest; and there is scarcely a doubt that, but for the melancholy state of civil war, usurpation, and destruction of property, at that period, the conduct of Lord Esmonde towards his lady, and the legality of his second marriage, his first un-divorced wife still living, upon legal investigation into the matter, and the accompanying circumstances, Sir Thomas Esmonde’s right of succession to his father’s peerage could not fail to have been acknowledged.

Before, however, that could have taken place, Sir Thomas died; and his successor had to occupy himself with entering into possession of his grandfather’s property.

Sir Thomas Esmonde, as already noticed, was reared and educated with his maternal relations; and upon his uncle being raised to the peerage, to the dignity of Viscount Mayo, in 1627, Sir Thomas, who had already been knighted for his eminent services in the cause of royalty, as General of Horse in the armies of CHARLES I, was, through the Lord Mayor’s influence, created a baronet in 1629, designated of Ballynastragh, County Wexford.

Sir Thomas married firstly, Ellice, widow of Thomas, 4th Baron Cahir, and daughter of Sir John Fitzgerald, of Dromana, County Waterford, and had issue,

LAURENCE, his successor;
James, of Ballynastagh, ancestor of the 7th Baronet.

Sir Thomas was succeeded by his elder son,

SIR LAURENCE ESMONDE, 2nd Baronet (1634-88), who wedded Lucia Butler, niece of the 1st Duke of Ormonde, and had issue,

LAURENCE, his successor;
Frances; Lucy; two other daughters.

Sir Laurence’s seat, Huntington Castle, County Carlow, was built by Lord Esmonde in 1625, and named after the ancient seat of his ancestors in England.

He was succeeded by his eldest son,

THE RT HON SIR LAURENCE ESMONDE, 3rd Baronet, who espoused, in 1703, Jane Lucy, daughter of Matthew Forde, and had issue,

LAURENCE, 4th Baronet;
JOHN, 5th Baronet;
WALTER, 6th Baronet;
Richard.

Sir Laurence died ca 1720, and was succeeded by his eldest son,

SIR LAURENCE ESMONDE, 4th Baronet, who died unmarried ca 1738, and was succeeded by his next brother,

SIR JOHN ESMONDE, 5th Baronet, who married and died without male issue, 1758, and was succeeded by his brother,

SIR WALTER ESMONDE, 6th Baronet, who wedded Joan, daughter of Theobald, 5th Baron Caher, and had three daughters.

Sir Walter died without male issue, 1766, when the title passed to his cousin,

SIR JAMES ESMONDE, 7th Baronet (1701-66), a descendant of James Esmond, younger son of the 1st Baronet, who survived Sir Walter not more than a few days, and wedded Ellice, only daughter and heir of James Whyte, of Pembrokestown, County Waterford, and had issue,

THOMAS, his successor;
John, ancestor of the 10th Baronet;
James;
Elizabeth; Katherine; Frances; Mary.

Sir James was succeeded by his eldest son,

SIR THOMAS ESMONDE, 8th Baronet; but had no issue by either of his two wives, and died in 1803, when the title reverted to his nephew and heir,

THE RT HON SIR THOMAS ESMONDE, 9th Baronet (1786-1868), MP for Wexford Borough, 1841-7, who espoused firstly, in 1812, Mary, daughter of E Payne; and secondly, in 1856, Sophia Maria, daughter of Ebenezer Radford Rowe, though both marriages were without issue, when the baronetcy passed to his cousin,

SIR JOHN ESMONDE, 10th Baronet (1826-76), JP DL, son of Commander James Esmonde RN, MP for Waterford, 1852-76, who married, in 1861, Louisa, daughter of Henry Grattan, and had issue,

THOMAS HENRY GRATTAN, his successor;
LAURENCE GRATTAN, 13th Baronet;
John Geoffrey Grattan;
Walter George Grattan;
Henrietta Pia; Louisa Ellice Benedicta Grattan; Annetta Frances Grattan.

Sir John was succeeded by his eldest son,

SIR THOMAS HENRY GRATTAN ESMONDE, 11th Baronet (1862-1935), DL MP, who wedded firstly, in 1891, Alice Barbara, daughter of Patrick Donovan, and had issue,

OSMOND THOMAS GRATTAN, his successor;
John Henry Grattan;
Alngelda Barbara Mary Grattan; Eithne Moira Grattan; Patricia Alison Louisa Grattan.

Sir Thomas was succeeded by his eldest son,

SIR OSMOND THOMAS GRATTAN ESMONDE, 12th Baronet (1896-1936), who died unmarried, when the title passed to his cousin,

SIR LAURENCE GRATTAN ESMONDE, 13th Baronet (1863-1943), Lieutenant-Colonel, Waterford Royal Field Artillery, who married twice, though both marriages were without issue, when the title reverted to his cousin,

SIR JOHN LYMBRICK ESMONDE, as 14th Baronet (1893-1958), who wedded, in 1922, Eleanor, daughter of Laurence Fitzharris, though the marriage was without issue, when the title passed to his younger brother,

SIR ANTHONY CHARLES ESMONDE, 15th Baronet (1899-1981), who wedded, in 1927, Eithne Moira Grattan, daughter of Sir Thomas Esmonde, 11th Baronet, and had issue,

JOHN HENRY GRATTAN, his successor;
Bartholomew Thomas Grattan;
Anthony James Grattan;
Alice Mary Grattan; Eithne Marion Grattan; Anne Caroline Grattan.

Sir Anthony was succeeded by his eldest son,

SIR JOHN HENRY GRATTAN ESMONDE, 16th Baronet (1928-87), Barrister, Irish politician, who married, in 1957, Pamela Mary, daughter of Dr Francis Stephen Bourke, and had issue,

THOMAS FRANCIS GRATTAN, his successor;
Harold William Grattan;
Richard Anthony Grattan;
Karen Maria Grattan; Lisa Marion Grattan.

Sir John was succeeded by his eldest son,

(SIR) THOMAS (Tom) FRANCIS GRATTAN ESMONDE, 17th Baronet (1960-2021), Consultant Neurologist, Royal Victoria Hospital, Belfast, 1992-, who married, in 1986, Pauline Loretto, daughter of James Vincent Kearns, and had issue,

SEAN VINCENT GRATTAN, his successor;
Aisling Margaret Pamela Grattan; Niamhe Pauline Grattan.

The 17th Baronet, better known as Dr Tom Esmonde, was succeeded by his son,

DR SEAN VINCENT GRATTAN ESMONDE, MBchB, MRCP, born in 1989, who would be 18th Baronet, though has yet to establish his succession to the baronetcy.

BALLYNASTRAGH HOUSE, near Gorey, County Wexford, was originally a 17th century house, built by James Esmonde.

It was enlarged and modernized by Sir Thomas Esmonde, 8th Baronet, shortly after he succeeded in 1767.

Ballynastragh comprised three storeys over a basement, with a fine seven-bay front and three-bay breakfront.

Alterations were undertaken to the mansion by the 9th Baronet between 1803-25; and later that decade the house was embellished and slightly castellated.

The mansion was burnt by the IRA in 1923 and replaced in 1937 by a Neo-Georgian dwelling.

First published in August, 2018.

for new building replacing old, Buildings of Ireland: 

https://archiseek.com/2013/ballynestragh-gorey-co-wexford

1869 – Ballynastragh, Gorey, Co. Wexford 

Architect: G.C. Ashlin 

Largely remodeled by G.C. Ashlin in the late 1860s for local MP Sir John Esmonde, and destroyed in an arson attack in March 1923 when it belonged to his son Sir Thomas Esmonde, a Senator of the new Irish Free State. The original house was a large Georgian house to which Ashlin added unconvincing battlements and a tower to one end. After the fire, in which it was almost completely destroyed, Fuller & Jermyn drew up designs for a rebuild, it was eventually rebuilt after much dispute over compensation by Dermot St.John Gogarty in 1937 in a Neo-Georgian style.  

The Irish Times, 12th March 1923, reported: “Ballynastragh, the beautiful residence of Senator Sir Thomas Henry Grattan Esmonde, Bart., about three miles from Gorey, County Wexford, was set on fire on Friday night, and burned to the ground… The only occupants of the house at the time of the outrage were Colonel Laurence Esmonde, his brother, together with five servants. The raiders, of whom there were about 50 in all, forced an entrance through one of the lower windows at about 9.30 pm, and gave the occupants ten minutes to get ready. They were kept under armed guard in an out-building till the house was well alight, the rooms and furniture having been sprayed with petrol. With the permission of the man in charge, Colonel Esmonde removed the golden chalice and sets of vestments from the beautiful little chapel in the upper portion of the building before the raiders had commenced their work of destruction. These articles are all that was saved. With the aid of a fairly strong wind, gas bombs being also used, the flames made great headway, huge tongues of fire rising towards the sky. They were seen at least ten miles away. The garrison of National troops at Gorey, attracted by the fire, arrived shortly after 11 o’clock, about half an hour after the raiders had left, but they were too late to save the building. Only the bare walls of it remain”.  

“Some interesting particulars concerning the burning of his house were given yesterday afternoon to a representative of the Press Association by Sir Thomas Grattan Esmonde, who for the past few days has been in residence in London, but returns to Dublin today. “I received a wire yesterday,” he said, “that my house had been burned down, and I must say that it came as a surprise to me. The only reason for such an act, so far as I know, is that I am a Senator of the Irish Free State, and, of course, I am in no worse a position than anybody else”. 

Featured in The Wexford Gentry by Art Kavanagh and Rory Murphy. Published by Irish Family Names, Bunclody, Co Wexford, Ireland, 1994. 

p. 97. Esmonde of Ballynastragh 

The very distinguished family of Esmonde, a surviving branch of which still lives at Ballynastragh, near Gorey, began their connection with Wexford in the 12th century. It is believed that Geoffrey de Estmont was one of the thirty knights who accompanied Robert FitzStephen to Ireland in 1169 when the latter lead the advance force that landed at Bannow that year. According to Philip Hore, Geoffrey de Estmont came from [p. 98] Huntingdon, in Lincolnshire, where a family of Esmondes survived and were ancestors of Lord Worhouse of Norfolk. 

[Hore Mss in St. Peter’s College] 

In her article Anna Kinsella stated that “it is not by accident that an Esmonde was among the first to come to Wexford, because Evan, the daughter of Sir John Esmonde who was the wife of Robert FitzHarding, Portrieve of Bristol, who was so friendly with Diarmuid McMurrough that the latter called his daughter Aoife, after Eva Esmonde.” 

According to Donovan, the original castle of Johnstown, near Wexford, now an Agricultural Research Centre, was built by this Geoffrey de Estomont. However, Herbert Hore stated that the property was acquired frmo and held under the see of Ferns from the time that John Esmonde was Bishop of Ferns, in the 14C, and the fortified mansion or hall of Johnstown was erected by the Esmondes in the reign of Henry VII, in the latter part of 15C. Anna Kinsella states that Sir Geoffrey built a motte and baily at Lymbrick in the Barony of Forth, and his son Sir Maurice built a castle on the same site. After Maurice’s death in 1225 the castle was abandoned and his son John built a castle on a new site which was called Johnstown Castle. John died in 1261. 

John was succeeded by his son Sir William Esmonde who had several sons, including John who became Bishop of Ferns, Walter (of Ballynastragh) a Conon of Ferns and an Attorney for Archbishop Lecky of Dublin, and Thomas. Sir William also had a brother Henry who was Seneschal of Wexford in 1294 and Chancellor in 1310. He was also one of the deputatinsent in 1317 to demand a charter for Wexford town from the Earl of Pembroke. [see Hilary Murphy, The Families of County Wexford]. 

p. 99. This is the first reference to Ballynastragh and it may well have been Walter who was the first Esmonde to settle here. An interesting thing about Ballynastragh was that it was situated in the parish of Kilcavan (Killinerin) near modern day Gorey and in the middle ages was called Lymbrick, probably a name brought to that part by the Esmondes who settled first at Lymbrick in the Barony of Forth.  

p. 101. During the reign of Queen Elizabeth Lawrence Esmonde, the second son of William Esmonde and his wife Margaret, daughter of Michael Furlong of Horetown, thought it prudent to embrace the new religion. By doing so, he secured his future prospects.  In the words of Anna Kinsella, “he renounced the faith of his ancestors in return for which he was appointed Major Genearl of all the King’s forces in Ireland.” His services to the crown were rewarded with knighthood. He was very active in the Nine Years War against the Kavanaghs and O’Byrnes. He was in charge of a company [p. 102] beaten at the battle near Enniscorthy where the Kavanagh/Byrne/O’Moore faction were victorious. In 1599 in a famous battle fought between the Deputy, Essex and the Kavanagh/Byrne alliance, near Arklow, Captain Esmonde was shot and wounded but survived to fight another day. Howeverhis father, William, was not so fortunate and was killed in the same encounter. In 1602 Captain Esmonde wrote to Lord Shrewsbury the Lord Deputy to say that he “had broken the Kavanagh faction and had caused Donal Spainnigh Kavanagh etc to submit upon their knees.” 

P 102. IN the same year he built a castle and a church at Luimneach near the modern village of Killinerin and near Ballynastragh, which he named Lymbrick after the original Norman motte and bailey in the Barony of Forth. In 1606 he was appointed Governor of Duncannon Fort, which was established in the late 16C to prevent an invasion of teh coast of Wexford/Waterford by the Spanish. He remained Governor of the Fort until his death in 1646.  

[in the family tree I may have Lawrence Esmondes confused. It seems confused in the Wexford book. In that book Lawrence the son of Wm and Mgt Furlong marries O’Flaherty and Eliz Butler, but in The Peerage, it is Lawrence son of Patrick, sheriff of Carlow, who marries these two, and becaome Baron of Lymbrick. See Lord Belmont below – also like the Wexford Gentry book] 

p. 103. Sir Laurence became a major player in the plantations and acquired vast estates in Wexford, Waterford, Kilkenny and Tipperary. He was MP for Wicklow in the Irish Parliament of 1613. Together with Sir William Parsons and Sir Edward Fisher he was a Commissioner for the Plantations, one of a small group of very influential and powerful men. In 1622 he was created Baron of Lymbrick. In 1625 he built Huntingdon castle in Clonegal which had named after the ancient seat of his ancestors in England. IN this year he also purchased Ballytramont, near Castlebridge, from the Synnotts for £2,600. AFter his death the Huntington estate and castle was occupied as a military station by Dudley Colclough from 1649-1674. When the Ram family acquired their Gorey lands in 1626 Lawrence Esmonde was given 13 acres in the town which almost three hundred years later became the site of the Catholic church and schools in Gorey. 

p. 104. The Baronet seemed to have had a human side to him also. When Richard Masterson, the owner of considerable lands in the Ferns area, died in 1627, his next heir was Edward the grandson of his brother Nicholas, a boy of nine. Sir Lawrence took his under his wing to protect his interests from other Mastersons, in particular Lawrence Masterson. Lawrence was Richard’s grandson by his illegitimate son John. Richard was a friend of Esmonde and would have known him from the time of teh wars with the Kavanaghs in the late 1590s. He said of Edward “his dead father left the trust of teh child to me and I have bred him up att scoole in my house this fowre years past relygiouslye, and will the next sommersend him to the college (Trinity) if it so please God.” However it appears that Edward was influenced by Esmonde’s Catholic wife and he became a Catholic later in his life. 

When the war broke out in 1641, Wexford was an extremely dangerous place for Protestant landowners as the following account of the Lords Justices of Ireland attest: 

“The rebells in ye county of Wexford, increasinge daily have taken the Castells of Arklow, Limbrick, the Lord Esmonde’s house, and Fort Chichester, places of good strength and importance…in both these counties of Wicklow and Wexford, all the castles and House of the English with all their substance are come into ye hands of ye rebells nd the English themselves with their wives and children stript naked and banished thence by their fury and rage…” 

Lord Esmonde was in command of Duncannon fort, and loyal to England during the Great Rebellion, and his son, Sir Thomas, was a Confederate General on the opposing side. Sir Thomas had started his military career as an officer in the continental army of Charles I and for his valiant service at the siege of La Rochelle he was made a baronet of Ireland while his father still lived. He did not however come back to Ireland until 1646 after his father’s death. He was a resolute Catholic and his heirs after him remained true to the faith of their original ancestors. 

p. 105. The fort was an English stronghold and soldiers from the fort attacked Redmond Hall, near Hook Head, which was defeneded by the Redmonds. One of the attacking forcewas a Lieutenant John Esmonde, a nephew or grand-nephew of Lord Esmonde. He and fourteen soldiers from the fort were hanged by the confederates for their part in the attack. Walter Roche as Provost Marshall of Wexford was responsible for the executions and it is most likely he knew Lieut. Esmonde quite well. Duncannon fort itself was besieged for three months by confederates in 1633 and Lord Esmonde was forced to surrender. The officer to whom he surrendered was Captain Thomas Roche. Lord Esmonde survived for two more years and was still the titular commander of the fort at the time of his death. 

After his death in 1646, Sir Lawrence was buried in the vault of his church at Lymbrick. His son, Sir Thomas, continued to fight for the Confederates and in the civil war of 1648, when the Confederates split he declared against the Papal Nuncio and was excommunicated for his troubles. In the following year he was appointed Major General of the Leinster forces to oppose Cromwell. He continued to campaign during 1650 but was eventually forced to submit. During the Cromwellian campaign the castle at Lymbrick was burnt to prevent its being used by the Cromwellian soldiers. Sir Thomas was on the list of Transplantable Catholics in 1653. 

After the Cromwellian Confiscations, since the Johnstown Esmondes wre Catholic, their lands were granted to Colonel Overstreet, and later came into the possession of the Grogan family. The Ballynastragh/Lymbrick lands were also confiscated and the Ballytramont property was granted to the Duke of Ablemarle (General Monck). 

Interestingly it appears that Sir Laurence Esmonde had taken the lands from General Monck during the Plantation period as asserted in a petition by his son in 1668… 

p. 106. It took the Esmondes 60 years and cost an enormous amount of money to get back parts of their North Wexford estates. 

p. 106. Sir Thomas was married to Ellice the dau of Sir John FitzGerald, and they had three sons, Lawrence, James and Patrick. Lawrence inherited the title and as Sir Lawrence reoccupied Huntingdon Castle in 1682. His young son [Laurence] went to France and entered the French army at the age of 14. His guardian was the Countess of Devonshire. He came back to Huntington to become the 3rd Baronet. James succeeded to Ballynastragh and the youngest son, Patrick became an officer in the Austrian army and fought in the Turkish wards, spending seven years as a prisoner of war in the infamous Seven Towers prison in Constantinople. He was later made a Chevalier and appointed Governor of Prague. 

p. 106. The main line of Esmondes continued on through the descendants of Sir Thomas who in the persons of the 3rd, 4th, 5th and 6th baronets resided at Huntington. The widow of the 6th Baronet was left in “straitened circumstances” and sold the estate of Huntington to Sir James Leslie, the Church of Ireland Bishop of Limerick, in 1751. Huntington remained in his family until 1825 when it was leased to Alexander Durdin and later bought by his descendants. It passed by marriage to the Robertsons who are still in possession of Huntington Castle today. [note that the 5th Bt had a daugther, who married Richard Durdin. The 6th Baronet had only daughters also]. 

[7th Bt was from the line of James, son of Thomas the 1st baronet – James was the second son, who inherited Ballynastragh. He had a son, Laurence (1670-1760) who had the son James the 7th Bt of Ballynastragh). 

p. 107. James the second son of Thomas 1st Bt married Barbara Vincent and they had at least two sons, Lawrence, who succeeded his father as owner of Ballynastragh in 1717 and Marcus who, in 1670, temporarily regained possession of Johnstown (forfeited in 1654). This may have come about when the widow of Colonel Overstreet married a man called Withers, who may have let Johnstown to Marcus. Johnstown was sold to Col John Reynolds and his daughter Mary married John Grogan of Wexford, a yeoman and merchant, who took possession of the estates in the late 1690s. 

p. 107. Ballynastragh was confiscated because of the “rebel” taint, and the sons of Dr John Esmonde, who had been hanged for his part in the 1798 rebellion, fled to France. Sir Thomas had no family so when he died, John’s eldest son Thomas succeeded as heir and 9th Bt. He eventually regained possession of Ballynastragh in 1816. 

Sir Thomas, 9th Bt, gave the Catholic church the sites and grounds for the present St Michael’s church in Gorey, the Presbytery, the CBS school and Monastery and the Loreto Convent. The Church was designed by Pugin, who visited Wexford at the invitation of Sir Thomas and Mr John Talbot of Castle Talbot. The portion of ground so generously donated was known as “Sparrow’s Plot.” [p. 109] Sparrow was the person who in Penal Times “discovered” the Esmondes as Catholics and following the resultant confiscation was awarded teh portion of ground which became known as “Sparrow’s Plot” which Sir thomas Esmonde bought from Lord Valentia (Annesley). 

The 9th Bt died in 1868 ages 82. One of his brothers was very Rev. Bartholomew Esmonde, a Jesuit, who was Superior of Clongowes Wood College and an eminent theologian. Sir Thomas was succeeded by his newphew, Sir Thomas, 10thBt [son of James], who married Louisa the daughter of Henry Grattan MP and grand daughter of the great Henry Grattan (of Parliament fame). 

Featured in The Wexford Gentry by Art Kavanagh and Rory Murphy. Published by Irish Family Names, Bunclody, Co Wexford, Ireland, 1994. 

p. 97. Esmonde of Ballynastragh 

The very distinguished family of Esmonde, a surviving branch of which still lives at Ballynastragh, near Gorey, began their connection with Wexford in the 12th century. It is believed that Geoffrey de Estmont was one of the thirty knights who accompanied Robert FitzStephen to Ireland in 1169 when the latter lead the advance force that landed at Bannow that year. According to Philip Hore, Geoffrey de Estmont came from [p. 98] Huntingdon, in Lincolnshire, where a family of Esmondes survived and were ancestors of Lord Worhouse of Norfolk. 

[Hore Mss in St. Peter’s College] 

In her article Anna Kinsella stated that “it is not by accident that an Esmonde was among the first to come to Wexford, because Evan, the daughter of Sir John Esmonde who was the wife of Robert FitzHarding, Portrieve of Bristol, who was so friendly with Diarmuid McMurrough that the latter called his daughter Aoife, after Eva Esmonde.” 

According to Donovan, the original castle of Johnstown, near Wexford, now an Agricultural Research Centre, was built by this Geoffrey de Estomont. However, Herbert Hore stated that the property was acquired frmo and held under the see of Ferns from the time that John Esmonde was Bishop of Ferns, in the 14C, and the fortified mansion or hall of Johnstown was erected by the Esmondes in the reign of Henry VII, in the latter part of 15C. Anna Kinsella states that Sir Geoffrey built a motte and baily at Lymbrick in the Barony of Forth, and his son Sir Maurice built a castle on the same site. After Maurice’s death in 1225 the castle was abandoned and his son John built a castle on a new site which was called Johnstown Castle. John died in 1261. 

John was succeeded by his son Sir William Esmonde who had several sons, including John who became Bishop of Ferns, Walter (of Ballynastragh) a Conon of Ferns and an Attorney for Archbishop Lecky of Dublin, and Thomas. Sir William also had a brother Henry who was Seneschal of Wexford in 1294 and Chancellor in 1310. He was also one of the deputatinsent in 1317 to demand a charter for Wexford town from the Earl of Pembroke. [see Hilary Murphy, The Families of County Wexford]. 

p. 99. This is the first reference to Ballynastragh and it may well have been Walter who was the first Esmonde to settle here. An interesting thing about Ballynastragh was that it was situated in the parish of Kilcavan (Killinerin) near modern day Gorey and in the middle ages was called Lymbrick, probably a name brought to that part by the Esmondes who settled first at Lymbrick in the Barony of Forth.  

p. 101. During the reign of Queen Elizabeth Lawrence Esmonde, the second son of William Esmonde and his wife Margaret, daughter of Michael Furlong of Horetown, thought it prudent to embrace the new religion. By doing so, he secured his future prospects.  In the words of Anna Kinsella, “he renounced the faith of his ancestors in return for which he was appointed Major Genearl of all the King’s forces in Ireland.” His services to the crown were rewarded with knighthood. He was very active in the Nine Years War against the Kavanaghs and O’Byrnes. He was in charge of a company [p. 102] beaten at the battle near Enniscorthy where the Kavanagh/Byrne/O’Moore faction were victorious. In 1599 in a famous battle fought between the Deputy, Essex and the Kavanagh/Byrne alliance, near Arklow, Captain Esmonde was shot and wounded but survived to fight another day. Howeverhis father, William, was not so fortunate and was killed in the same encounter. In 1602 Captain Esmonde wrote to Lord Shrewsbury the Lord Deputy to say that he “had broken the Kavanagh faction and had caused Donal Spainnigh Kavanagh etc to submit upon their knees.” 

P 102. IN the same year he built a castle and a church at Luimneach near the modern village of Killinerin and near Ballynastragh, which he named Lymbrick after the original Norman motte and bailey in the Barony of Forth. In 1606 he was appointed Governor of Duncannon Fort, which was established in the late 16C to prevent an invasion of teh coast of Wexford/Waterford by the Spanish. He remained Governor of the Fort until his death in 1646.  

[in the family tree I may have Lawrence Esmondes confused. It seems confused in the Wexford book. In that book Lawrence the son of Wm and Mgt Furlong marries O’Flaherty and Eliz Butler, but in The Peerage, it is Lawrence son of Patrick, sheriff of Carlow, who marries these two, and becaome Baron of Lymbrick. See Lord Belmont below – also like the Wexford Gentry book] 

p. 103. Sir Laurence became a major player in the plantations and acquired vast estates in Wexford, Waterford, Kilkenny and Tipperary. He was MP for Wicklow in the Irish Parliament of 1613. Together with Sir William Parsons and Sir Edward Fisher he was a Commissioner for the Plantations, one of a small group of very influential and powerful men. In 1622 he was created Baron of Lymbrick. In 1625 he built Huntingdon castle in Clonegal which had named after the ancient seat of his ancestors in England. IN this year he also purchased Ballytramont, near Castlebridge, from the Synnotts for £2,600. AFter his death the Huntington estate and castle was occupied as a military station by Dudley Colclough from 1649-1674. When the Ram family acquired their Gorey lands in 1626 Lawrence Esmonde was given 13 acres in the town which almost three hundred years later became the site of the Catholic church and schools in Gorey. 

p. 104. The Baronet seemed to have had a human side to him also. When Richard Masterson, the owner of considerable lands in the Ferns area, died in 1627, his next heir was Edward the grandson of his brother Nicholas, a boy of nine. Sir Lawrence took his under his wing to protect his interests from other Mastersons, in particular Lawrence Masterson. Lawrence was Richard’s grandson by his illegitimate son John. Richard was a friend of Esmonde and would have known him from the time of teh wars with the Kavanaghs in the late 1590s. He said of Edward “his dead father left the trust of teh child to me and I have bred him up att scoole in my house this fowre years past relygiouslye, and will the next sommersend him to the college (Trinity) if it so please God.” However it appears that Edward was influenced by Esmonde’s Catholic wife and he became a Catholic later in his life. 

When the war broke out in 1641, Wexford was an extremely dangerous place for Protestant landowners as the following account of the Lords Justices of Ireland attest: 

“The rebells in ye county of Wexford, increasinge daily have taken the Castells of Arklow, Limbrick, the Lord Esmonde’s house, and Fort Chichester, places of good strength and importance…in both these counties of Wicklow and Wexford, all the castles and House of the English with all their substance are come into ye hands of ye rebells nd the English themselves with their wives and children stript naked and banished thence by their fury and rage…” 

Lord Esmonde was in command of Duncannon fort, and loyal to England during the Great Rebellion, and his son, Sir Thomas, was a Confederate General on the opposing side. Sir Thomas had started his military career as an officer in the continental army of Charles I and for his valiant service at the siege of La Rochelle he was made a baronet of Ireland while his father still lived. He did not however come back to Ireland until 1646 after his father’s death. He was a resolute Catholic and his heirs after him remained true to the faith of their original ancestors. 

p. 105. The fort was an English stronghold and soldiers from the fort attacked Redmond Hall, near Hook Head, which was defeneded by the Redmonds. One of the attacking forcewas a Lieutenant John Esmonde, a nephew or grand-nephew of Lord Esmonde. He and fourteen soldiers from the fort were hanged by the confederates for their part in the attack. Walter Roche as Provost Marshall of Wexford was responsible for the executions and it is most likely he knew Lieut. Esmonde quite well. Duncannon fort itself was besieged for three months by confederates in 1633 and Lord Esmonde was forced to surrender. The officer to whom he surrendered was Captain Thomas Roche. Lord Esmonde survived for two more years and was still the titular commander of the fort at the time of his death. 

After his death in 1646, Sir Lawrence was buried in the vault of his church at Lymbrick. His son, Sir Thomas, continued to fight for the Confederates and in the civil war of 1648, when the Confederates split he declared against the Papal Nuncio and was excommunicated for his troubles. In the following year he was appointed Major General of the Leinster forces to oppose Cromwell. He continued to campaign during 1650 but was eventually forced to submit. During the Cromwellian campaign the castle at Lymbrick was burnt to prevent its being used by the Cromwellian soldiers. Sir Thomas was on the list of Transplantable Catholics in 1653. 

After the Cromwellian Confiscations, since the Johnstown Esmondes wre Catholic, their lands were granted to Colonel Overstreet, and lter came into the possession of the Grogan family. The Ballynastragh/Lymbrick lands were also confiscated and the Ballytramont property was granted to the Duke of Ablemarle (General Monck). 

Interestingly it appears that Sir Laurence Esmonde had taken the lands from General Monck during the Plantation period as asserted in a petition by his son in 1668… 

p. 106. It took the Esmondes 60 years and cost an enormous amount of money to get back parts of their North Wexford estates. 

p. 106. Sir Thomas was married to Ellice the dau of Sir John FitzGerald, and they had three sons, Lawrence, James and Patrick. Lawrence inherited the title and as Sir Lawrence reoccupied Huntingdon Castle in 1682. His young son [Laurence] went to France and entered the French army at the age of 14. His guardian was the Countess of Devonshire. He came back to Huntington to become the 3rd Baronet. James succeeded to Ballynastragh and the youngest son, Patrick became an officer in the Austrian army and fought in the Turkish wards, spending seven years as a prisoner of war in the infamous Seven Towers prison in Constantinople. He was later made a Chevalier and appointed Governor of Prague. 

p. 106. The main line of Esmondes continued on through the descendants of Sir Thomas who in the persons of the 3rd, 4th, 5th and 6th baronets resided at Huntington. The widow of the 6th Baronet was left in “straitened circumstances” and sold the estate of Huntington to Sir James Leslie, the Church of Ireland Bishop of Limerick, in 1751. Huntington remained in his family until 1825 when it was leased to Alexander Durdin and later bought by his descendants. It passed by marriage to the Robertsons who are still in possession of Huntington Castle today. [note that the 5th Bt had a daugther, who married Richard Durdin. The 6th Baronet had only daughters also]. 

[7th Bt was from the line of James, son of Thomas the 1st baronet – James was the second son, who inherited Ballynastragh. He had a son, Laurence (1670-1760) who had the son James the 7th Bt of Ballynastragh). 

p. 107. James the second son of Thomas 1st Bt married Barbara Vincent and they had at least two sons, Lawrence, who succeeded his father as owner of Ballynastragh in 1717 and Marcus who, in 1670, temporarily regained possession of Johnstown (forfeited in 1654). This may have come about when the widow of Colonel Overstreet married a man called Withers, who may have let Johnstown to Marcus. Johnstown was sold to Col John Reynolds and his daughter Mary married John Grogan of Wexford, a yeoman and merchant, who took possession of the estates in the late 1690s. 

p. 107. Ballynastragh was confiscated because of the “rebel” taint, and the sons of Dr John Esmonde, who had been hanged for his part in the 1798 rebellion, fled to France. Sir Thomas had no family so when he died, John’s eldest son Thomas succeeded as heir and 9th Bt. He eventually regained possession of Ballynastragh in 1816. 

Sir Thomas, 9th Bt, gave the Catholic church the sites and grounds for the present St Michael’s church in Gorey, the Presbytery, the CBS school and Monastery and the Loreto Convent. The Church was designed by Pugin, who visited Wexford at the invitation of Sir Thomas and Mr John Talbot of Castle Talbot. The portion of ground so generously donated was known as “Sparrow’s Plot.” [p. 109] Sparrow was the person who in Penal Times “discovered” the Esmondes as Catholics and following the resultant confiscation was awarded teh portion of ground which became known as “Sparrow’s Plot” which Sir thomas Esmonde bought from Lord Valentia (Annesley). 

The 9th Bt died in 1868 ages 82. One of his brothers was very Rev. Bartholomew Esmonde, a Jesuit, who was Superior of Clongowes Wood College and an eminent theologian. Sir Thomas was succeeded by his newphew, Sir Thomas, 10thBt [son of James], who married Louisa the daughter of Henry Grattan MP and grand daughter of the great Henry Grattan (of Parliament fame).  

https://www.buildingsofireland.ie/buildings-search/building/15700706/ballynestragh-ballynestragh-demesne-co-wexford

Detached five-bay two-storey country house with dormer attic, dated 1937, on a square plan; five-bay two-storey side elevations. Refenestrated, —-. Hipped slate roof on a U-shaped plan with clay ridge tiles, yellow brick Flemish bond chimney stacks on yellow brick Flemish bond bases having cornice capping, sproketed eaves, and cast-iron rainwater goods on timber eaves boards on “Cavetto” cornice retaining embossed cast-iron hoppers (“1937”) and square profile downpipes. Tuck pointed yellow brick Flemish bond walls with stained yellow brick flush quoins to corners. Square-headed central door opening approached by two steps with coat of arms-detailed doorcase having bull nose-detailed reveals framing timber panelled double doors having overlight. Square-headed window openings with shallow sills, and yellow brick voussoirs framing replacement eight-over-twelve (ground floor) or eight-over-eight (first floor) sash windows without horns having part exposed sash boxes. Set in landscaped grounds. 

A country house erected to a design by Dermot St. John Gogarty (b. 1908) of Merrion Square, Dublin (DIA), representing an important component of the twentieth-century domestic built heritage of north County Wexford with the architectural value of the composition, one rooted firmly in the contemporary Georgian Revival fashion, confirmed by such attributes as the deliberate alignment maximising on scenic vistas overlooking ‘a very fine parkland with a large ornamental lake in front’ (Craig and Garner 1975, 54); the compact near-square plan form centred on a restrained doorcase demonstrating good quality workmanship; the diminishing in scale of the openings on each floor producing a graduated visual impression; and the Sir Edwin Lutyens (1869-1944)-esque high pitched sproketed roofline: meanwhile, a colonnaded “loggia” survives as an interesting relic of ‘the beautiful residence of Senator Sir Thomas Henry Grattan Esmonde [1862-1935] set on fire and burned to the ground’ (The People 14th March 1923, 3). Having been well maintained, the elementary form and massing survive intact together with substantial quantities of the original fabric, both to the exterior and to the interior, thus upholding the character or integrity of the composition. Furthermore, a walled garden (see 15700707); and a ruined gate lodge (see 15700709), all continue to contribute positively to the group and setting values of an estate having historic connections with the Esmonde family including Lieutenant-Colonel Sir Laurence Grattan Esmonde (1863-1943), thirteenth Baronet; Sir John Lymbrick Esmonde (1893-1958), fourteenth Baronet; Sir Anthony Charles Esmonde (1899-1981), fifteenth Baronet; and Sir John Henry Grattan Esmonde (1928-87), sixteenth Baronet.  

Borris House, County Carlow – section 482

www.borrishouse.com
Open dates in 2026: Open: Apr 1, 2, 7-12, 14-26, 28-30, May 5-10, 19-24, June 12-14, 16-18, 23-25, 30, Aug 5, 12-23, 25, 26, Sept 1, 2, 8, 9, 22, 23, 29 12pm-4pm
Fee: adult €12, OAP/student €10, child under 12 free

Borris House, Carlow, photograph by Suzanne Clarke, 2016 for Tourism Ireland, Ireland’s Content Pool.

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Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I had been particularly looking forward to visiting Borris House. It feels like I have a personal link to it, because my great great grandmother’s name is Harriet Cavanagh, from Carlow, and Borris House is the home of the family of Kavanaghs of Carlow, and the most famous resident of the house, Arthur MacMurrough Kavanagh, was the son of a Harriet Kavanagh! Unfortunately I don’t think there’s a connection.

We were able to park right outside on the main street of Borris, across from the entrance. My fond familial feelings immediately faded when faced with the grandeur of the entrance to Borris House. I shrank into a awestruck tourist and meekly followed instructions at the Gate Lodge to make my way across the sweep of grass to the front entrance of the huge castle of a house.

We brought our friend Damo along with us – here he is with Stephen at the entrance arch. The National Inventory of Architectural Heritage tells us that this entrance was designed by Richard Morrison, around 1813. It has an arch opening with crenellations, flanking turrets and buttressed walls. There’s a portcullis and fabulous studded door. The towers have blind arrow slits including a cruciform arrow slit, and there’s a small Gothic window with hood moulding. [1] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A view of the arched entrance from inside the demesne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Unlike other section 482 houses – with the few exceptions such as Birr Castle and Tullynally – Borris House has a very professional set-up to welcome visitors as one goes through the gate lodge. The website does not convey this, as it emphasises the house’s potential as a wedding venue, but the property is in fact fully set up for daily guided tours, and has a small gift shop in the gate lodge, through which one enters to the demesne. Borris House is still a family home and is inhabited by descendants of the original owners.

Approach to the front of the house from the gate lodge. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Standing at the front of the house looking to our left at the beautiful landscape. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Originally a castle would have been located here on the River Barrow to guard the area. From the house one can see Mount Leinster and the Blackstairs Mountains.

The current owner Morgan Kavanagh can trace his ancestry back to the notorious Dermot MacMurrough (Diarmait mac Murchadha in Irish), who “invited the British in to Ireland” or rather, asked for help in protecting his Kingship. The MacMurroughs, or Murchadhas, were Celtic kings of Leinster. “MacMurrough” was the title of an elected Lord. Dermot pledged an oath of allegiance to King Henry II of Britain. The Norman “Strongbow,” or Richard de Clare, 2nd Earl of Pembroke, came to Ireland to fight alongside Dermot MacMurrough against Dermot’s enemies. As a reward, Dermot MacMurrough offered Strongbow the hand of his daughter Aoife. This was less a love match than a chance to become the next King of Leinster. Succeeding generations of MacMurrough family controlled the area, maintaining their Gaelic traditions.

The Marriage of Aoife and Strongbow, Richard de Clare 2nd Earl of Pembroke at Waterford in 1170, by Daniel Maclise, in National Gallery of Ireland. Conceived for the decoration of the Palace of Westminster, a note tells us, the painting is an ambiguous representation of the victorious Normans and the vanquished Irish. Strongbow places his foot upon a fallen Celtic cross, King Dermot looks on in alarm, and an elderly musician slumps of his harp.

Timothy William Ferres tells us that in 1171, the name Kavanagh was given to Donell, son of Dermot MacMorrough. [1*]

In the late 14th century, Art mac Murchadha (d. around 1417) was one of the Irish kings who was offered a knighthood by King Richard II of England. In the 1500s, King Henry VIII sought to reduce the power of the Irish kings and to have them swear loyalty to him. In 1550 Charles MacMurrough Kavanagh (the Anglicised version of the name ‘Cahir MacArt’ MacMurrough Kavanagh) “submitted himself, and publicly renounced the title and dignity of MacMorrough, as borne by his ancestors.” [2] (note the various spellings of MacMorrough/MacMurrough). The head of the family was still however referred to as “the MacMorrough.”

We gathered with a few others to wait outside the front of the house for our tour guide on a gloriously sunny day in July 2019. Some of the others seemed to be staying at the house. For weddings there is accommodation in the house and also five Victorian cottages. We did not get to see these in the tour but you can see them on the website. Unfortunately our tour guide was not a member of the family but she was knowledgeable about the house and its history.

The current house was built originally as a three storey square house in 1731, incorporating part of a fifteenth century castle. We can gather that this was the date of completion of the house from a carved date stone.

According to the Borris House website, the 1731 house was built for Morgan Kavanagh, a descendant of Charles MacMurrough Kavanagh. However, I have the date of 1720 as the death for Morgan Kavanagh. Irish Aesthete Robert O’Byrne writes that the 1731 house was built by Brian Kavanagh. [3] Morgan Kavanagh has a son named Brian (d. 1741), so it could be the case that the house was commissioned by Morgan and completed by his son.

The house was damaged in the 1798 Rebellion and rebuilt and altered by Richard and William Vitruvius Morrison around 1813 into what one sees today. According to Edmund Joyce in his book Borris House, Co. Carlow, and elite regency patronage, it was Walter Kavanagh, grandson of the aforementioned Brian (d. 1741) who commissioned the work, which was taken over by brother Thomas (1767-1837) when Walter died in 1818. [4]. The Morrisons gave it a Tudor exterior although as Mark Bence-Jones points out in his Guide to Irish Country Houses, the interiors by the Morrisons are mostly Classical.

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Morrisons kept the original square three storey building symmetrical. Edmund Joyce references McCullough, Irish Building Traditions, writing that “The Anglo-Irish landlords at the beginning of the 19th century who wanted to establish a strong family history with positive Irish associations were beginning to use the castle form – which had long been a status of power both in Ireland and further afield – to embed the notion of a long and powerful lineage into the mindset of the audience.”

In keeping with this castle ideal, the Morrisons added battlemented parapets with finials, the crenellated arcaded porch on the entrance, as well as four square corner turrets to the house, topped with cupolas (which are no longer there). The porch has slightly pointed arches, and is unusual with its bricklike rustication, and elongated mini towers on top with tawny detailing in between, reflected in the roof parapet.

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

They also created rather fantastical Tudor Gothic curvilinear hood mouldings over the windows, some “ogee” shaped (convex and concave curves; found in Gothic and Gothic-Revival architecture) [5].

An ogee shaped hood moulding. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

These mouldings drop down from the top of the windows to finish with sculptured of heads of kings and queens. These are not representations of anyone in particular, the guide told us, but are idealised sculptures representing royalty to remind one of the Celtic kingship of the Kavanaghs.

As well as illustrating their heritage in architecture, Walter Kavanagh (d. 1718) commissioned an illustrated book of the family pedigree, titled “The pedigree of the ancient illustrious noble and princely house of Kavanagh in ancient times monarchs of Ireland and at the period of the invasion by Henry the second, kings of Leinster,” which traces the family tree back to 1670 BC! The connections to the prominent families of Butlers, Fitzjohns, De Mariscos and FitzGeralds are highlighted, which are also illustrated in the stained glass window in the main stairwell at Borris.

Borris House, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The stairwell in Borris House, with the stained glass window which records some of the genealogy of the Kavanaghs. Photograph courtesy of Borris House instagram, by @1darmar

The guide pointed to the many configurations of windows on the front facade of the house. They were made different deliberately, she told us, to create the illusion that the different types of windows are from different periods, even though they are not! This was to reflect the fact that various parts of the building were built at different times.

The crest of the family on the front of the house on the portico features a crescent moon for peace, sheaf of wheat for plenty and a lion passant for royalty. The motto is written in Irish, to show the Celtic heredity of the Kavanaghs, and means “peace and plenty.”

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Morrisons also added a castellated office wing, joining the house to a chapel. This wing has been partially demolished.

View of the chapel from the front of the house, and beyond, the path leads to the gate lodge. In between the chapel and the house you can see the wall which once housed the kitchen, with the octagonal chimney stack built into the wall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Charles MacMurrough Kavanagh married Cecilia, daughter of Gerald Fitzgerald, 9th Earl of Kildare. Charles’s son Brian (c. 1526-1576) converted to Protestantism and sent his children to be educated in England. One of them, Sir Morgan Kavanagh, acquired the estate of Borris when he was granted the forfeited estates of the O’Ryans of Idrone in County Carlow.

When Protestants were attacked in 1641 by a Catholic rebellion, when Morgan’s son Brian (1595-1662) was “The MacMorrough,” the MacMurrough Kavanaghs were spared due to their ancient Irish lineage. Later, when Cromwell rampaged through Ireland, they were spared since they were Protestant, so they had the best of both worlds during those turbulent times.

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Brian Kavanagh (1595-1662) married twice. His first wife was Elinor, daughter of Thomas Colclough of Tintern Abbey in County Wexford. His second wife was Elinor Blancheville of Blanchevillestown in County Kilkenny.

The tour guide took us first towards the chapel. She explained the structure of the house as we trooped across the lawn. She pointed out the partially demolished stretch between the square part of the house and the chapel. All that remains of this demolished section is a wall. The octagonal towerlike structures built into the wall were chimneys and the demolished part was the kitchen.

Side of Borris House with the chapel in the foreground. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
In this photograph, from Shane Prunty Weddings and the Borris House instagram page, you can see the remaining wall of the extension between the house and the chapel.
Side of Borris House, with the later wing that was added, that stretches toward the chapel. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The square tower that joins the house to the demolished kitchen contained the nursery. The wing was demolished to reduce the amount of rates to be paid. The house was reoriented during rebuilding, the guide told us, and a walled garden was built with a gap between the walls which could be filled with coal and heated! I love learning of novel mechanisms in homes and gardens, techniques which are no longer used but which may be useful to resurrect as we try to develop more sustainable ways of living (not that we’d want to go back to using coal).

The square tower contained the nursery, the guide told us. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

It is worth outlining some of the genealogy of this ancient family, as they intermarried with many prominent families of their day. Morgan Kavanagh (1668-1720) who probably commissioned the building of the 1730s house married Frances Esmonde, daughter of Laurence Esmonde (1634-1688) 2nd Baronet of Ballynastragh, County Wexford, who lived at Huntington Castle (another section 482 property I visited). After her death, he married Margaret Morres of Castle Morres in County Kilkenny.

Morgan and Frances née Esmonde’s son Brian (1699-1741) married Mary Butler, daughter of Thomas Butler (d. 1738) of Kilcash. Their son Thomas (1727-1790) married another Butler, Susanna, daughter of the 16th Earl of Ormonde.

It was the following generation, another Thomas (1767-1837), who is relevant to our visit to the chapel.

This Thomas (1767-1837) was originally a Catholic. He married yet another Butler, Elizabeth, daughter of the 17th Earl of Ormonde, in 1799. At some time he converted to Protestantism. It must have been before 1798 because in that year he represented Kilkenny City in Parliament and at that time only members of the Established Church could serve in Parliament.

As I mentioned, the house was badly damaged in 1798, when the United Irishmen rose up in an attempt to create an independent Ireland. Although the Kavanaghs are of Irish descent and are not a Norman or English family, this did not save them from the 1798 raids. The house was not badly damaged in a siege but outbuildings were. The invaders were looking for weapons inside the house, the guide told us. Robert O’Byrne the Irish Aesthete writes tells us: “Walter MacMurrough Kavanagh wrote to his brother-in-law that although a turf and coal house were set on fire and efforts made to bring ‘fire up to the front door under cover of a car on which were raised feather beds and mattresses’ [their efforts] were unsuccessful.” [6]

Edmund Joyce describes the raid in his book on Borris House (pg. 21-22):

“The rebels who had marched overnight from Vinegar Hill in Wexford…arrived at Borris House on the morning of 12 June. They were met by a strong opposing group of Donegal militia, who had taken up their quarters in the house. It seems that the MacMurrough Kavanaghs had expected such unrest and in anticipation had the lower windows…lately built up with strong masonry work. Despite the energetic battle, those defending the house appear to have been indefatigable, and the rebels, ‘whose cannons were too small to have any effect on the castle…’ the mob retreated back to their camps in Wexford.”

The estate was 30,000 acres at one point, but the Land Acts reduced it in the 1930s to 750 acres, which the present owner farms organically. The outbuildings which were built originally to house the workings of the house – abbatoir, blacksmith, dairy etc, were burnt in one of the sieges and so all the outbuildings now to be seen, the guide told us, were built in the nineteenth century.

Walter Kavanagh (1766-1813), brother of Thomas (1767-1837) (M.P.) and Morgan Kavanagh (who married Alicia Grace of Gracefield, Queens County). Courtesy Fonsie Mealy March 2019.

Thomas’s second wife, Harriet Le Poer Trench, daughter of the 2nd Earl of Clancarty, was of staunch Scottish Protestant persuasion [7]. When he converted, the chapel had to be reconsecrated as a Protestant chapel. According to legend, Lady Harriet had a statue of the Virgin Mary removed from the chapel and asked the workmen to get rid of it. The workmen, staunch Catholics, buried the statue in the garden. People believed that for this act, Lady Harriet was cursed, and it was said that one day her family would be “led by a cripple.”

The story probably came about because Harriet’s third son, Arthur, was born without arms or legs. As she had given birth to two older sons, and he had another half-brother, Walter, son of Thomas’s first wife, it seemed unlikely that Arthur would be the heir. However, the three older brothers all died before Arthur and Arthur did indeed become the heir to Borris House.

Arthur MacMorrough Kavanagh, M.P., (1831-1839), Politician and Sportsman Date after 1889 Engraver Morris & Co. Photograph courtesy of the National Gallery of Ireland.

The plasterwork in the chapel, which is called the Chapel of St. Molin, is by Michael Stapleton.

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In Jimmy O’Toole’s book The Carlow Gentry: What will the neighbours say! (published by Jimmy O’Toole, Carlow, Ireland, 1993. Printed by Leinster Leader Ltd, Naas, Kildare), he tells us of a rather miraculous finding of a Bible giving evidence of Thomas’s early Catholicism:

p. 130. “In the early 1950s, Borris House needed an electrical rewire. It was the kind of job in this rambling mansion that would take tradesmen into all sorts of unused nooks and crannies, attics untouched since the last electricians were there, and of course, there was the necessary task, dreaded by owners, the lifting of floor boards…What the electricians turned up from underneath the floor boards in the library of borris House was an 18C missal, which had been carefully wrapped and placed there by the Catholic Thomas Kavanagh either when he conformed to the Established Church, or when he married for the second time in 1825. The missal was a gift from his mother, the former Lady Suzanna Butler, bearing the hopeful inscription that he would remain faithful to the Catholic religion practised for centuries by his forebears, who could trace their ancestry back to early Christian times.” 

Jimmy O’Toole also tells us that Borris House stands on 9th century dungeons!

While we sat in the chapel, our guide told us about the amazing Arthur MacMurrough Kavanagh. When her husband Walter died, Harriet and her children went travelling. They travelled broadly, and she painted, and collected objects which she brought back to Ireland, including a collection of artefacts from Egypt now in the National Museum of Ireland. When Arthur was 17 years old his mother sent him travelling again, to get him away from his high jinks with the local girls. Arthur kept diaries, which are available for perusal in the National Library. I must have a look! I have a special interest in diaries, since I have been keeping my own since I was twelve years old. Some of Arthur’s adventures include being captured and being cruelly put on display by a tribe. He also fell ill and found himself being nursed back to health in a harem – little did the Sultan or head of the harem realise that Arthur was perfectly capable of impregnating the ladies!

Arthur’s brother and tutor died on their travels and Arthur found himself alone in India. He joined the East India Company as a dispatch rider – he was an excellent horseman, as he could be strapped in to a special saddle, which we saw inside the house, now mounted on a children’s riding horse! I was also thrilled to see his wheelchair, in the Dining Room, which is now converted into a dining chair.

Arthur MacMurrough’s saddle in mounted on the rocking horse. Photograph by Paul Barker, 2011, for Country Life.

When Arthur came home as heir, he found his mother had set up a school of lacemaking, now called Borris Lace, to help the local women to earn money during the difficult Famine years. The lace became famous and was sold to Russian and English royalty. The rest of the estate, however, was in poor shape. Arthur set about making it profitable, bringing the railway to Borris, building a nearby viaduct, which cost €20,000 to build. He also built cottages in the town, winning a design medal from the Royal Dublin Society, and he set up a sawmill, from which tenants were given free timber to roof their houses. He set up limekilns for building material, and also experimented (unsuccessfully) with “water gas” to power the crane used to built the viaduct. His mother built a fever house, dower house and a Protestant school, and Arthur’s sisters built a Catholic school. There is a little schoolhouse (with bell) behind the chapel.

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Arthur seems to have had a great sense of humour. On one of his visits to Abbeyleix, he remarked to Lady De Vesci, “It’s an extraordinary thing – I haven’t been here for five years but the stationmaster recognised me.”

Arthur married Mary Frances Forde-Leathley and fathered six children. He became an MP for Carlow and Kilkenny, and sat in the House of Commons in England, which he reached by sailing as far as London, where he was then carried in to the houses of Parliament.

He lost when he ran again for Parliament in 1880, beaten by the Home Rule candidates. He returned from London after his defeat and saw bonfires, which were often lit by his tenants to celebrate his return. However, this time, horrifically, he saw his effigy being burned on the bonfires by tenants celebrating the triumph of the Home Rule candidates. He must have been devastated, as he had worked so hard for his tenants and treated them generously. For more about him, see the Irish Aesthete’s entry about him. [8]

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Jimmy O’Toole’s book gives a detailed description of politics at the time of Arthur’s defeat and explains why the tenants behaved in such a brutal way. Elections grew heated and dangerous in the days of the Land League and of Charles Stewart Parnell, when tenants hoped to own their own land. In the 1841 election, tenants of the Kavanaghs were forced to vote for the Tory candidate against Daniel O’Connell Jr., despite a visit from Daniel O’Connell Sr, “The Liberator” who fought for Catholic emancipation.

The land agent for the Kavanaghs, Charles Doyne, threatened the tenants with eviction if they did not vote for his favoured candidate. In response to threats of eviction, members of the Land League forced tenants to support their cause by publicly shaming anyone who dared to oppose them. People were locked into buildings to prevent them from voting, or on the other hand, were locked in to protect them from attacks which took place if they planned to support the Tory candidate. Not all Irish Catholics supported the Land League. Labourers realised that landlords provided employment which would be lost if the land was divided for small farmers.

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

It was Arthur’s grandfather, Thomas (b. 1727), who undertook much of the renovation work at Borris in the 1800s, with money brought into the family by his wife, Susanna Butler. [9] Under her influence, Italian workmen were employed and ceilings were decorated and Scagliola pillars installed. After hearing the stories about amazing Arthur, we returned across the lawn to enter the main house.

The front hall is square but is decorated with a circular ceiling of rich plasterwork, “treated as a rotunda with segmental pointed arches and scagliola columns; eagles in high relief in the spandrels of the arches and festoons above,” as Mark Bence-Jones describes in his inimitable style [see 5, p. 45]. We were not allowed to take photographs but the Irish Aesthete’s site has terrific photographs [see 3]. The eagles represent strength and power. There are also the sheafs of wheat, crescent moons and lion heads, symbols from the family crest. Another common motif in the house is a Grecian key pattern.

Photograph by Paul Barker, 2011, from Country Life picture library.
Borris House front hall, photograph from Borris House instagram, @karinalee.studio
Borris House front hall, photograph from Borris House instagram, @karinalee.studio
Photograph by Paul Barker, 2011, from Country Life picture library.

The craftwork and furnishings of the house are all built by Irish craftsmen, including mahogany doors. There is a clever vent in the wall that brings hot air from the kitchens to heat the room.

We next went into the music room which has a beautiful domed oval ceiling with intricate plasterwork. It includes the oak leaf for strength and longevity.

The drawing room has another pretty Stapleton ceiling, more feminine, as this was a Ladies’ room. It has lovely pale blue walls, and was originally the front entrance to the house. When it was made into a circular room the leftover bits of the original rectangular room form small triangular spaces, which were used as a room for preparing the tea, a small library with a bookcase, and a bathroom. The curved mahogany doors were also made by Irish craftsmen in Dublin, Mack, Williams and Gibton.

The dining room has more scagliola columns at one end, framing the serving sideboard, commissioned specially by Morrison for Borris House. It was sold in the 1950s but bought back by later owners. [10] The room has more rich plasterwork by Michael Stapleton: a Celtic design on the ceiling, and ox skulls represent the feasting of Chieftains. With the aid of portraits in the dining room, the guide told us more stories about the family. It was sad to hear how Arthur had to put an end to the tradition of the locals standing outside the dining room windows, and gentry inside, to observe the diners. He did not like to be seen eating, as he had to be fed.

The grand dining room, photograph courtesy of Borris House instagram.

We saw the portrait of Lady Susanna’s husband, whom her sister Charlotte Eleanor dubbed “Fat Thomas.” Eleanor formed a relationship with Sarah Ponsonby, and they ran away from their families to be together. As a result, Eleanor was taken to stay with her sister’s family in Borris House, and she must have felt imprisoned by her sister’s husband, hence the insulting moniker. Eleanor managed to escape and to make her way to Woodstock, the house in County Kilkenny where Sarah was staying. Finally their families capitulated and accepted their plans to live together. They set up house in Wales, in Llangollen, and were known as The Ladies of Llangollen They were visited by many famous people, including Anna Seward, William Wordsworth, Sir Walter Scott, Charles and Erasmus Darwin, Sir Arthur Wellesley and Josiah Wedgewood.

The Ladies of Llangollen, Sarah Ponsonby and Charlotte Eleanor Butler, by Richard James Lane, printed by Jérémie Graf, after Lady Mary Leighton (née Parker) courtesy of National Portrait Gallery NPG D32504.

Mark Bence-Jones describes an upstairs library with ceiling of alternate barrel and rib vaults, above a frieze of wreaths that is a hallmark of the Morrisons, which unfortunately we did not get to see. We didn’t get to go upstairs but we saw the grand Bath stone cantilevered staircase. The room was originally an open courtyard.

We then went out to the Ballroom, which was originally built by Arthur as a billiard room, with a gun room at one end and a planned upper level of five bedrooms. The building was not finished as planned as Arthur died. It is now used for weddings and entertainment.

Side of the house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In 1958 the house faced ruin when Joane Kavanagh’s husband Lieutenant Colonel Archibald Macalpine-Downie died, and she decided to move to a smaller house. However, her son, Andrew Macalpine-Downie, returned to Borris after a career as a jockey in England. with his wife Tina Murray. He assumed the name Kavanagh, and set himself the task of preventing the house from becoming a ruin. [11]

We were welcomed to wander the garden afterwards.

I was delighted with the sheep who must keep the grass down. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
View from the grounds of Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://www.buildingsofireland.ie/buildings-search/building/10400804/borris-house-borris-borris-co-carlow

[1*] http://lordbelmontinnorthernireland.blogspot.com/2013/07/borris-house.html

[2] p. 33, MacDonnell, Randal. The Lost Houses of Ireland. A chronicle of great houses and the families who lived in them. Weidenfeld and Nicolson. London, 2002.

[3] https://theirishaesthete.com/2013/11/04/an-arthurian-legend/

The Borris website claims that the 1731 house was built for Morgan Kavanagh, but the Irish Aesthete Robert O’Byrne writes that the 1731 house was built by Brian Kavanagh, incorporating part of the fifteenth century castle. I have the date of 1720 as the death for Morgan Kavanagh and he has a son, Brian, so it could be the case that the house was commissioned by Morgan and completed by his son Brian.

[4] Joyce, Edmond. Borris House, Co. Carlow, and elite regency patronage. Four Courts Press, Dublin, 2013.

[5] https://irishhistorichouses.com/2020/04/18/architectural-definitions/

and Mark Bence-Jones. A Guide to Irish Country Houses [originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978]; Revised edition 1988 Constable and Company Ltd, London.

[6] https://theirishaesthete.com/2013/11/04/an-arthurian-legend/

This entry also has lovely pictures of the inside of Borris House and more details about the history of the house and family.

[7] p. 130. O’Toole, Jimmy. The Carlow Gentry: What will the neighbours say! Published by Jimmy O’Toole, Carlow, Ireland, 1993. Printed by Leinster Leader Ltd, Naas, Kildare.

[8] https://theirishaesthete.com/2013/11/04/an-arthurian-legend/

[9] for more on the Butlers see John Kirwan’s book, The Chief Butlers of Ireland and the House of Ormond, An Illustrated Genealogical Guide, published by Irish Academic Press, Newbridge, County Kildare, 2018. Stephen and I went to see John Kirwan give a fascinating talk on his book at the Irish Georgian Society’s Assembly House in Dublin.

[10] p. 115. Fitzgerald, Desmond et al. Great Irish Houses. Published by IMAGE Publications Ltd, Dublin, 2008.

[11] p. 134. O’Toole, Jimmy. The Carlow Gentry: What will the neighbours say! Published by Jimmy O’Toole, Carlow, Ireland, 1993. Printed by Leinster Leader Ltd, Naas, Kildare.

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Huntington Castle, County Carlow Y21 K237 – section 482

In the past, in August 2016, I visited Huntington Castle in Clonegal, County Carlow.
www.huntingtoncastle.com
Open dates in 2026, but check website as sometimes closed for special events:

Jan 31, Feb 1, 7-8, 14-15, 21-22, 28, Mar 1, 7-8, 14-15, 21-22, 28-31, Apr 1-6, 11-12, 18-19, 25-26, May 1-31, June 1-30, July 1-31, Aug 1-31, Sept 1-30, Oct 3-4, 10-11, 17-18, 24-31, Nov 1, 7-8, 14-15, 21-22, 28-29, Dec 5-6, 12-13, 19-20, 11am-5pm

Fee: house and garden, adult €13.95, garden only €6.95, OAP/student, house and garden €12.50, garden only €6, child, house and garden €6.50, garden €3.50, group and family discounts available

2026 Diary of Irish Historic Houses (section 482 properties)

To purchase an A5 size 2026 Diary of Historic Houses (opening times and days are not listed so the calendar is for use for recording appointments and not as a reference for opening times) send your postal address to jennifer.baggot@gmail.com along with €20 via this payment button. The calendar of 84 pages includes space for writing your appointments as well as photographs of the historic houses. The price includes postage within Ireland. Postage to U.S. is a further €10 for the A5 size calendar, so I would appreciate a donation toward the postage – you can click on the donation link.

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Huntington Castle, County Carlow, 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

It’s magical! And note that you can stay at this castle – see their website! [1]

Huntington Castle stands in the valley of the River Derry, a tributary of the River Slaney, on the borders of Counties Carlow and Wexford, near the village of Clonegal. Built in 1625, it is the ancient seat of the Esmonde family, and is presently lived in by the Durdin-Robertsons. It passed into the Durdin family from the Esmonde family by marriage in the nineteenth century, so actually still belongs to the original family.

It was built as a garrison on the strategically important Dublin-Wexford route to protect a pass in the Blackstairs Mountains, on the site of a 14th century stronghold and abbey. It was also a coach stop on the Dublin travel route to Wexford. There was a brewery and a distillery in the area at the time. After fifty years, the soldiers moved out and the family began to convert it into a family home. [2]

The fourteenth century abbey at Huntington Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Abbey, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

A History of the house and its residents

The castle website tells us that the Esmondes (note that I have found the name spelled as both ‘Esmond’ and ‘Edmonde’) moved to Ireland in 1192 and were involved in building other castles such as Duncannon Fort in Wexford and Johnstown Castle in Wexford (see my entry https://irishhistorichouses.com/2023/09/30/a-heritage-trust-property-johnstown-castle-county-wexford/).

There is a chapter on the Esmonds of Ballynastragh in The Wexford Gentry by Art Kavanagh and Rory Murphy. They tell us that it is believed that Geoffrey de Estmont was one of the thirty knights who accompanied Robert FitzStephen to Ireland in 1169 when the latter led the advance force that landed at Bannow that year.

Sir Geoffrey built a motte and baily at Lymbrick in the Barony of Forth in Wexford, and his son Sir Maurice built a castle on the same site. After Maurice’s death in 1225 the castle was abandoned and his son John built a castle on a new site which was called Johnstown Castle. John died in 1261. [3]

After the Cromwellian Confiscations, since the Johnstown Esmondes were Catholic, their lands were granted to Colonel Overstreet, and later came into the possession of the Grogan family. The Ballynastragh/Lymbrick lands were also confiscated and the Ballytramont property was granted to the Duke of Ablemarle (General Monck). The Esmondes later regained Ballynastragh.

The 12-14th century abbey at Huntington Castle, 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inside the Abbey, on our visit in 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

A descendant, Laurence Esmonde (about 1570-1645) converted to Anglicanism and served in the armies of British Queen Elizabeth I and then James I.

He fought in the Dutch Wars against Spain, and later, in 1599, he commanded 150 foot soldiers in the Nine Years War, the battle led by an Irish alliance led mainly by Hugh O’Neill 2nd Earl of Tyrone and Hugh Roe O’Donnell against the British rule in Ireland.

Hugh O’Neill (c. 1540-1616) 2nd Earl of Tyrone, courtesy of the Ulster Museum. He was one of the rebels in the Nine Years War, who fought against Laurence Esmonde (b. about 1570, d. 1645).

In 1602 Lawrence Esmonde built a castle and a church at Luimneach near the modern village of Killinerin and near Ballynastragh, which he named Lymbrick after the original Norman motte and bailey in the Barony of Forth. [see 3]

View of the castle from the Abbey, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Abbey ruins at Huntington Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

He governed the fort of Duncannon from 1606-1646. In reward for his services, he was raised to the peerage in 1622 as Baron of Lymbrick in County Wexford and it seems that a few years after receiving this honour he built the core of the present Huntington Castle on the site of an earlier military keep. He built a three-storey fortified tower house, which forms the front facing down the avenue, according to Mark Bence-Jones in A Guide to Irish Country Houses. [4]

1622 core of Huntington Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Huntington Castle, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Huntington Castle, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Huntington Castle, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Note the Egyptian style decorative motif over the entrance door – it makes more sense once one discovers what is inside the basement of the castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

This original tower-house is made of rough-hewn granite. In her discussion of marriage in Making Ireland English, Jane Ohlmeyer writes that for the Irish, legitimacy of children didn’t determine inheritance, and so attitudes toward marriage, including cohabitation and desertion, were very different than in England. She writes that the first Baron Esmonde behaved in a way reminiscent of medieval Gaelic practices when he repudiated his first wife and remarried without a formal divorce. Laurence met Ailish, the sister of Morrough O’Flaherty (note that Turtle Bunbury tells us that she was a granddaughter of the pirate queen Grace O’Malley!) on one of his expeditions to Ulster, and married her. However, after the birth of their son, Thomas, she returned to her family, fearing that her son would be raised as a Protestant. [5]

Esmonde went on to marry Elizabeth Butler, a granddaughter of the ninth earl of Ormond (daughter of Walter Butler, and she was already twice widowed). He had no children by his second marriage and despite acknowledging Thomas to be his son, he did not admit that his first marriage was lawful and consequently had no official heir and his title Baron of Lymbrick became extinct after his death.

Baron Esmonde died after a siege of Duncannon fort by General Thomas Preston, 1st Viscount Tara, of the Confederates, who considered Esmonde a defender of the Parliamentarians (i.e. Oliver Cromwell’s men, the “roundheads”). Although his son did not inherit his title, he did inherit his property. [6]

After Lawrence’s death the Huntington estate and castle was occupied as a military station by Dudley Colclough from 1649-1674. [see 3]

Lawrence’s son Thomas Esmonde started his military career as an officer in the continental army of King Charles I. For his service at the siege of La Rochelle he was made a baronet of Ireland while his father still lived, and became 1st Baronet Esmonde of Ballynastragh, County Wexford, in 1629. He did not return to Ireland, however, until 1646 after his father’s death. He joined the rebels, the Confederate forces, who were fighting against the British forts which his father held. Taking after his mother, he was a resolute Catholic.

He married well, into other prominent Catholic families: first to a daughter of the Lord of Decies, Ellice Fitzgerald. She was the widow of another Catholic, Thomas Butler, 2nd Baron Caher, and with him had one daughter, Margaret, who had married Edmond Butler, 3rd/13th Baron Dunboyne a couple of years before her mother remarried in around 1629. Thomas and Ellice had two sons. Ellice died in 1644/45 and Thomas married secondly Joanne, a daughter of Walter Butler 11th Earl of Ormond. She too had been married before, to George Bagenal who built Dunleckney Manor in County Carlow. Her sons by Bagenal were also prominent Confederate Colonels. She was also the widow of Theobald Purcell of Loughmoe, County Tipperary. We came across the Purcells of Loughmoe on our visit to Ballysallagh in County Kilkenny (see my entry).

Thomas served as Member of Parliament for Enniscorthy, County Wexford from 1641 to 1642, during the reign of King James II.

His son Laurence succeeded as 2nd Baronet, and reoccupied Huntington Castle in 1682. [see 3]

Laurence made additions to Huntington Castle around 1680, and named it “Huntington” after the Esmonde’s “ancestral pile” in Lincolnshire, England [7]. He is probably responsible for some of the formal garden planting. The Irish Aesthete Robert O’Byrne discusses this garden in another blog entry [8]. He tells us that the yew walk, which stretches 130 yards, dates from the time of the Franciscan friary in the Middle Ages!

Huntington Castle, photograph by Daniel O’Connor, 2021 for Tourism Ireland, Ireland’s Content Pool. [9]
Huntington Castle, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Huntington Castle, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The over 500 year old yew walk. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The formal gardens, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The formal gardens, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The formal gardens, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The grounds of Huntington Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Laurence 2nd Baronet married Lucia Butler, daughter of another Colonel who fought in the 1641 uprising, Richard Butler (d. 1701) of Garryricken. Their daughter Frances married Morgan Kavanagh, “The MacMorrough” of the powerful Irish Kavanagh family.

The 3rd Baronet, another Laurence, served for a while in the French army.

A wing was constructed by yet another Sir Laurence, 4th Baronet, in 1720. The castle, as you can see, is very higgeldy piggedly, reflecting the history of its additions. The 4th Baronet had no heir so his brother John became the 5th Baronet. He had a daughter, Helen, who married Richard Durdin of Shanagarry, County Cork. The went out to the United States and founded Huntington, Pennsylvania. He had no sons, and died before his brother, Walter, who became the 6th Baronet. Walter married Joan Butler, daughter of Theobald, 4th Baron Caher. Walter and Joan also had no sons, only daughters.

Huntington Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In The Wexford Gentry we are told that the widow of the 6th Baronet was left in “straitened circumstances” after her husband Walter died in 1767, and sold the estate of Huntington to Sir James Leslie (1704-1770), the Church of Ireland Bishop of Limerick, in 1751. He was from the Tarbert House branch of the Leslie family in County Kerry. Huntington remained in his family until 1825 when it was leased to Alexander Durdin (1821-1892) and later bought by his descendants. [see 3, p. 106].

The line of inheritance looks very convoluted. I have consulted Burke’s Peerage. John Durdin migrated from England to Cork in around 1639. His descendant Alexander Durdin, born in 1712, of Shanagarry, County Cork, married four times! His second wife, Mary Duncan of Kilmoon House, County Meath, died shortly after giving birth to her son Richard, born in 1747. Alexander then married Anne née Vaux, widow of the grandson of William Penn the founder of Pennsylvania. Finally, he married Barbara St. Leger, with whom he had seven more sons and several daughters.

It was Alexander’s son Richard who married Helen Esmonde, daughter of the 4th Baronet, according to Burke’s Peerage. Richard then married Frances Esmonde, daughter of the 7th Baronet.

The 6th Baronet had only daughter so the title went to a cousin. This cousin was a descendant of Thomas Esmonde 1st Baronet of Ballynastragh, Thomas’s son James. James had a son Laurence (1670-1760), and it was his son, James (1701-1767) who became the 7th Baronet of Ballynastragh. It was his daughter Frances who married Richard Durdin of Huntington Pennsylvania, who had been previously married to Helen Esmonde.

Despite his two marriages, Richard had no son. His brother William Leader Durdin (1778-1849) married Mary Anne Drury of Ballinderry, County Wicklow and it was their son Alexander (1821-1892) who either inherited Huntington, or at least, according to The Wexford Gentry, leased and later purchased Huntington, the home of his ancestors.

Alexander also had only daughters. In 1880, his daughter Helen married Herbert Robertson, Baron Strathloch (a Scots feudal barony) and MP for a London borough. She inherited Huntington Castle when her father died. Together they made a number of late Victorian additions at the rear of the castle while their professional architect son, Manning Durdin-Robertson, an early devotee of concrete, carried out yet further alterations in the 1920s. Manning also created W. B. Yeats’s grave, and social housing in Dublin.

Huntington Castle, Clonegal, County Carlow, the view when one enters the courtyard from the avenue. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There is an irregular two storey range with castellated battlements and a curved bow and battlemented gable in front of the earlier building, which rises above them. The front battlemented range was added in the mid 1890s.

The older part of the castle includes a full height semicircular tower. Inside, when one enters through the portico facing onto the stable yard, one can see the outside of this full height semicircular tower, curving into the room to one’s right hand side, where there is even a little stone window set in the curved wall, and the round tower bulges into the stairway hall, clad with timber and covered in armour.

Huntington Castle, 2023, facing into stable yard. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Detail of Huntington Castle, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The stable yard, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Huntington Castle, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Huntington Castle, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We entered the castle through a door in the battlemented porticon next to the double height bow facing onto the stableyard and courtyard. Inside the portico are statues which may have been from the Abbey – I forgot to ask our tour guide, as there was just so much to see and learn about.

Huntington Castle, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We were not allowed to take photos inside, except for in the basement, but you can see some pictures on the official website [1] and also on the wonderful blog of the Irish Aesthete [10].

Gary waits for the tour, at the entrance. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The entrance to the tour is through the door under the battlemented portico. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Huntington Castle, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Huntington Castle, 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Huntington Castle, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There were wonderful old treasures in the house including armour chest protections in the hallway along the stairs, which was one of the first things to catch my attention as we entered. Our guide let us hold it – it was terribly heavy, and so a soldier must have been weighed down by his armour – wearing chain mail underneath his shielding armour. The chest protection piece we held was made of cast iron! She showed us the “proof mark” on the inside. Cast iron could shatter, our guide told us, so a piece of armour would be tested, leaving a little hole, which proved that it would not shatter when worn and hit by a projectile or sword. This piece dates all the way back to Oliver Cromwell’s time!

To the right when one enters is a room full of animal heads and weapons. There is a huge bison head from India and a black buck, and a sawfish from the Caribbean. A gharial crocodile hanging on the wall was killed by Nora Parsons at the age of seventeen in India! There is also the shell of an armadillo. The room also has a lovely wooden chimneypiece and there is another in the hallway, which has a Tudor style stucco ceiling. We went up a narrow stairway lined as Bence-Jones describes “with wainscot or half-timbered studding.”

Manning Durdin-Robertson married Nora Kathleen Parsons, from Birr Castle. She wrote The Crowned Harp. Memories of the Last Years of the Crown in Ireland, an important memorial of the last years of English rule in Ireland [11]. I ordered a copy of the book from my local library! It’s a lovely book and an enjoyable rather “chatty” read. She writes a bit about her heritage, which you can see in my entry on another section 482 castle, Birr Castle. She tells us about life at the time, which seems to have been very sociable! She writes a great description of social rank:

The hierarchy of Irish social order was not defined, it did not need to be, it was deeply implicit. In England the nobility were fewer and markedly more important than over here and they were seated in the mansions considered appropriate….
The top social rows were then too well-known and accepted to be written down but, because a new generation may be interested and amused, I will have a shot at defining an order so unreal and preposterous as to be like theatricals in fancy dress. Although breeding was essential it still had to be buttressed by money.

Row A: peers who were Lord or Deputy Lieutenants, High Sheriffs and Knights of St. Patrick. If married adequately their entrenchment was secure and their sons joined the Guards, the 10th Hussars or the R.N. [Royal Navy, I assume]
Row B: Other peers with smaller seats, ditto baronets, solvent country gentry and young sons of Row A, (sons Green Jackets, Highland regiments, certain cavalry, gunners and R.N.).
Row A used them for marrying their younger children.
Row C: Less solvent country gentry, who could only allow their sons about £100 a year. These joined the Irish Regiments which were cheap; or transferred to the Indian army. They were recognised and respected by A and B and belonged to the Kildare Street Club.
Row D: Loyal professional people, gentlemen professional farmers, trade, large retail or small wholesale, they could often afford more expensive Regiments than Row C managed. Such rarely cohabited with Rows A and B but formed useful cannon fodder at Protestant Bazaars and could, if they were really liked, achieve Kildare Street.

Absurd and irritating as it may seem today, this social hierarchy dominated our acceptances.

I had the benefit of always meeting a social cross section by playing a good deal of match tennis…. The top Rows rarely joined clubs and their play suffered….There were perhaps a dozen (also very loyal) Roman Catholic families who qualified for the first two Rows; many more, equally loyal but less distinguished, moved freely with the last two.

Amongst these “Row A” Roman Catholics were the Kenmares, living in a long gracious house at Killarney. Like Bantry House, in an equally lovely situation.…”

There are some notable structures inside the building, as Robert O’Byrne notes. “The drawing room has 18th century classical plaster panelled walls beneath a 19th century Perpendicular-Gothic ceiling. Some passages on the ground floor retain their original oak panelling, a number of bedrooms above being panelled in painted pine. The dining room has an immense granite chimneypiece bearing the date 1625, while those in other rooms are clearly from a century later.” [10]

The dining room, the original hall of the castle, is hung with Bedouin tents, brought back from Tunisia in the 1870s by Herbert Robertson, Helen Durdin’s husband. The large stone fireplace has the date stone 1625, and a stained glass window traces out the Esmonde and Durdin genealogy. We know that the room is very old by the thickness of the walls. The room has an Elizabethan ceiling, and portraits of family members hang on the walls. You can see a photograph of the room on the Castle Tours page of the website. There is a portrait of Barbara St. Leger, from Doneraile in Cork, who married Alexander Durdin (1712-1807), the one who also married the two Esmonde daughters. It is said that Barbara wore a set of keys at her waist, and that sometimes ghostly jingling can be heard in the castle.

Next to the dining room is a ladies drawing room with white panelled walls and a stucco ceiling with Gothic drop decoration and compartments. I think it was in this room the guide told us that the panelling is made of plaster, created to look like wood panelling. You can see some photographs of these rooms on the castle’s facebook page. The ceiling may seem low for an elegant room but we must remember that it originally housed a barracks! This room also is part of the original structure – the doorway into the next room shows how thick the wall is – about the length of two arms.

Another drawing room is hung with tapestry, which would have kept the residents a bit warmer in winter. There are beautiful stuccoed ceilings, which you can see on the website, and a deep bay window with Gothic arches in the bars of the window.

The Tapestry Room, Huntington Castle, photograph courtesy of Huntington Castle website. The portrait over the fireplace is, I believe, Helen Durdin who married Herbert Robertson. I think this room was added to the castle in 1760.

Huntington was one of the first country houses in Ireland to have electricity, and in order to satisfy local interest a light was kept burning on the front lawn so that the curious could come up and inspect it.

The turbine house is at the end of this row of trees. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I loved the light and plant filled conservatory area, with a childish drawing on one wall. The glass ceiling is draped in grape vines. The picture is of the estate, drawn by the four children of the house in 1928, Olivia Durdin-Robertson and her brother Derry and sister Barbara, children of Manning and Nora. I loved the pictures of the children themselves swimming in the river, wearing little swimming hats! The picture even has the telephone wires in it. The conservatory area is part of an addition on the back of the castle, added around 1860.

Huntington Castle, photograph courtesy of Huntington Castle website, with the vine that was taken in 1860 from Hampton Court in London.
Huntington Castle, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The conservatory is in the brick and battlemented addition to one side of the castle. From the formal gardens to the side of the castle a different vantage shows more of the castle and one can see the original tower house, and the additions.

1960s addition to the castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Conservatory. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The formal garden was probably laid out by Laurence Esmonde, 2nd Baronet of Ballynastragh, County Wexford, from the 1680s. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This shows the addition which houses the light filled conservatory. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Huntington Castle, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The conservatory contains a vine that is a cutting taken in the 1860s of a great vine in Hampton Court.

Percy the Peacock had a seat on the balcony off the conservatory. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Huntington Castle, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A door under the conservatory which leads into the basement has another Egyptian plaque over the door. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We were allowed to take photos in the basement, which used to house dungeons, and now holds the “Temple of Isis.” It also contains a well, which was the reason the castle was situated on this spot.

In the 1970s two of the four children of Manning Durdin-Robertson, the writer and mystic Olivia Durdin-Robertson, who was a friend of W.B. Yeats and A.E. Moore, and her brother Laurence (nicknamed Derry), and his wife Bobby, converted the undercroft into a temple to the Egyptian Goddess Isis, founding a new religion. In 1976 the temple became the foundation centre for the Fellowship of Isis [11]. I love the notion of a religion that celebrates the earthy aspects of womanhood, and I purchased a copy of Olivia Durdin-Robertson’s book in the coffee shop. The religion takes symbols from Egyptian religion, as you can see in my photos of this marvellous space:

Entrance to the basement. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple of Isis in Huntington Castle. This room houses the well. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple of Isis in Huntington Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple of Isis in Huntington Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
You can see the old vaulted brick ceilings of the basement. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Temple of Isis in Huntington Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The basement still has its wooden beam ceilings. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Huntington Castle, Temple of Isis. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Turtle Bunbury has a video of the Fellowship of Isis on his website [12]! You can get a flavour of what their rituals were like initially. Perhaps they are similar today. The religion celebrates the Divine Feminine.

Huntington Castle, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

After a tour of the castle, we then went to the back garden, coming out from the basement by a door under the stone balcony. According to its website:

The Gardens were mainly laid out in the 1680s by the Esmondes. They feature impressive formal plantings and layouts including the Italian style ‘Parterre’ or formal gardens, as well the French lime Avenue (planted in 1680). The world famous yew walk is a significant feature which is thought to date to over 500 years old and should not be missed.

Later plantings resulted in Huntington gaining a number of Champion trees including more than ten National Champions. The gardens also feature early water features such as stew ponds and an ornamental lake as well as plenty to see in the greenhouse and lots of unusual and exotic plants and shrubs.“”Later plantings resulted in Huntington gaining a number of Champion trees including more than ten National Champions. The gardens also feature early water features such as stew ponds and an ornamental lake as well as plenty to see in the greenhouse and lots of unusual and exotic plants and shrubs.

Huntington Castle, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Huntington Castle, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Huntington Castle, 2023.
One exits the stable yard through a small gate in the wall, to the garden, and the orchard and greenhouses are to the right. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The orchard. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Even the auxiliary buildings have stepped gables. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The greenhouses were built by Manning Durdin-Robertson and are made of concrete. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Huntington Castle, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Huntington Castle, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Huntington Castle, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Rose Walk and stream. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Bluebell woods. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Our 2023 visit, Stephen and Gary. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Huntington Castle, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The “stew ponds” would have held fish that could be caught for dinner.

The Stew Ponds, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Stew Ponds, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The lake, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
DSC_1369
The lake, in 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The wilderness near the River. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The river Derry, at the end of the property, and an old mill building beyond. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

After the garden, we needed a rest in the Cafe.

The tearoom has some built-in pigeon boxes. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
One of the auxiliary buildings in the stable yard has been renovated into a “Granny flat.” Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The garden side of the granny flat. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The wall must be very old, with this enormously thick supporting buttress. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Back of the “granny flat.” Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I loved the arrangement of plates on the walls of the cafe! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I was also thrilled by the hens who roamed the yard and even tried to enter the cafe:

There is space next to the cafe that can be rented out for events:

A few plants were for sale in the yard. A shop off the cafe sells local made craft, pottery, and books. The stables and farmyard buildings are kept in good condition and buzzed with with the business of upkeep of the house and gardens.

Ancilliary building in the stable yard. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The stable yard has a very handy mounting block, to get on to your horse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Last time we visited, I was amused by the hens wandering around the yard. This time, we were accompanied in our coffee and delicious coffee cake by an inquisitive peacock, and there were some more retiring peahens. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The inquisitive – and acquisitive! – peacock. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I’ll never tire of admiring the vibrant “art nouveau” colours of the peacock. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The stables house art studios, I believe. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
what is this tall flower? Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://www.huntingtoncastle.com/

[2] The website http://www.ihh.ie/index.cfm/houses/house/name/Huntington%20Castle says it was built on the site of a 14th century stronghold and abbey, whereas the Irish Aesthete says it was built on the site of a 13th century Franciscan monastery.

[3] Kavanagh, Art and Rory Murphy, The Wexford Gentry. Published by Irish Family Names, Bunclody, Co Wexford, Ireland, 1994. 

[4]  Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[5] p. 171, Ohlmeyer, Jane. Making Ireland English. The Irish Aristocracy in the Seventeenth Century. Yale University Press, New Haven and London, 2012. See also pages 43, 273, 444 and 451.

[6] Dunlop, Robert. ‘Edmonde, Laurence.’ Oxford Dictionary of National Biography, online edition volume 18, accessed February 2020. https://en.wikisource.org/wiki/Esmonde,_Laurence_(DNB00)

[7] http://www.turtlebunbury.com/history/history_houses/hist_hse_huntington.html

[8] https://theirishaesthete.com/2016/11/14/light-and-shade/

[9] https://www.irelandscontentpool.com/en

[10] https://theirishaesthete.com/2017/01/23/huntington/

[11] Robertson, Nora. The Crowned Harp. Memories of the Last Years of the Crown in Ireland. published by Allen Figgis & Co. Ltd., Dublin, 1960.

[12] http://www.turtlebunbury.com/history/history_houses/hist_hse_huntington.html

http://www.fellowshipofisis.com/

Irish Historic Homes

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

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