Mote Park, Ballymurray, Co Roscommon – demolished

Mote Park, Ballymurray, Co Roscommon

Mote Park, County Roscommon entrance front c. 1860 before fire, photograph: Augusta Crofton, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

p. 211. “(Crofton, B/PB) A three storey house by Sir Richard Morrison incorporating an earlier C18 house. Nine bay entrance front… Sold by 5th Lord Crofton 1950s, demolished 1958.”

Mote Park, County Roscommon, photographs courtesy of Mark Bence-Jones.

Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988. 

https://theirishaesthete.com/2018/12/12/the-lion-in-winter/

The Lion in Winter

by theirishaesthete

Mote Park, County Roscommon, photograph by Irish Aesthete.


The Lion Gate at Mote Park, County Roscommon. This was once one of the entrances to an estate owned by the Crofton family who settled here in the second half of the 16th century; in 1798 they became Barons Crofton of Mot . In the 1620s their forebear George Crofton built Mote Castle, but it was replaced by a new house at some date between 1777-87. This property was in turn rebuilt after being gutted by fire in 1865 but only survived another century: the last of the Croftons left Mote in the 1940s after which the contents were auctioned: the house itself was demolished in the 1960s. In February 2015 its former portico, rescued at the time of the demolition, was sold at auction for €12,000.

Mote Park, County Roscommon, photograph by Irish Aesthete.
Mote Park, County Roscommon, photograph by Irish Aesthete.



According to a history of Mote Park compiled in 1897 by Captain the Hon Francis Crofton, the Lion Gate was erected in 1787 and its design has sometimes been attributed to James Gandon, although this is disputed. Whatever the case, it takes the form of a Doric triumphal arch with screen walls linking it to what were once a pair of identical lodges (but are now used for housing livestock). A plinth on top of the arch features a Coade Stone lion, one foot resting on a ball. Over time this had become much weathered (not helped by bees nesting inside the animal) and when taken down a few years ago three of its feet fell off. Following restoration work at the Coade workshop in Wiltshire, the lion was reinstated in September 2016 and now once more surveys what is left of the Mote parkland: this restoration was funded by a number of sources, predominantly American supporters of the Irish Georgian Society.

Mote Park, County Roscommon, photograph by Irish Aesthete.

http://lordbelmontinnorthernireland.blogspot.com/2014/07/mote-park.html

THE BARONS CROFTON WERE MAJOR LANDOWNERS IN COUNTY ROSCOMMON, WITH 11,053 ACRES 

 
 
The family of CROFTON is descended maternally from the Croftons of Crofton Hall, Cumberland, but paternally descend from a common ancestor of the Lowthers, Earls of Lonsdale. 
 
 The founder of the family in Ireland was 
 
JOHN CROFTON (1540-1610), of Mote, County Roscommon, Auditor-General in the reign of ELIZABETH I, who accompanied the Earl of Essex into Ireland and obtained large grants of land in the counties of Roscommon and Leitrim. 
 
Mr Crofton wedded Jane, sister of Sir Henry Duke, of Castle Jordan, County Meath, and had issue, 
 

EDWARD, his heir
John; 
William; 
HENRY, ancestor of Sir M G Crofton Bt, of Mohill House; 
Sarah; Joan; Anne. 

The eldest son, 
 
EDWARD CROFTON, of Mote, County Roscommon, wedded Elizabeth, daughter of Captain Robert Mostyn, and had issue, 
 

GEORGE, his heir
Thomas, ancestor of Crofton of Longford House, County Sligo; 
John; 
William. 

The eldest son, 
 
GEORGE CROFTON, MP for Askeaton, 1639, married Elizabeth, second daughter of Sir Francis Berkeley, MP for County Limerick, and had issue, 
 

John; 
Thomas; 
EDWARD, of whom we treat
Mary; Sarah. 

Mr Crofton, who erected the castle of Mote, 1639, was succeeded by his youngest son, 
 
EDWARD CROFTON (1624-75), of Mote, who espoused firstly, in 1647, Mary, daughter of Sir James Ware; and secondly, Susanna Clifford, by whom he had issue, an only child, EDWARD. 
 
Mr Crofton was created a baronet in 1661, denominated of The Mote, County Roscommon. 
 
He was succeeded by his only son and heir, 
 
THE RT HON SIR EDWARD CROFTON, 2nd Baronet (c1662-1729), MP for Boyle, 1695-9, County Roscommon, 1703-27, who married, in 1684, Katherine, daughter of Sir Oliver St George Bt, and had issue, 
 

Oliver, father of the 5th Baronet
EDWARD, of whom hereafter 

Sir Edward’s younger son, 
 
SIR EDWARD CROFTON, 3rd Baronet (1687-1739), MP for Roscommon Borough, 1713-39, wedded, in 1711, Mary, daughter of Anthony Nixon, and had issue, 
 

EDWARD, his successor
CATHERINE, m Marcus Lowther. 

Sir Edward was succeeded by his son and successor, 
 
SIR EDWARD CROFTON, 4th Baronet (1713-45), MP for County Roscommon, 1713-45, who espoused, in 1741, Martha, daughter of Joseph Damer; he was, however, killed in actionat Tournai, France, when the title reverted to his cousin, 
 
SIR OLIVER CROFTON, 5th Baronet (1710-80), who married, in 1737, Abigail Jackson Buckley, though the marriage was without issue. 
 
The baronetcy therefore expired, when his sister and heiress, 
 
CATHERINE CROFTON, became representative of the family. 
 
Miss Crofton married, in 1743, Marcus Lowther (second son of George Lowther MP, descended from a common ancestor with the Earls of Lonsdale), who assumed the name of CROFTON, and being created a baronet in 1758, denominated of The Mote, County Roscommon, became  
 
SIR MARCUS LOWTHER-CROFTON, 1st Baronet, MP for Roscommon Borough, 1761-8, Ratoath, 1769-76, who had issue, 
 

EDWARD, his successor
John Frederick Lowther; 
William Henry; 
Catherine; Sophia Jane. 

Sir Marcus died in 1784, and was succeeded by his eldest son,  
 
SIR EDWARD CROFTON, 2nd Baronet (1748-97), MP for Roscommon, 1775-97, Colonel, Roscommon Militia, who married, in 1767, Anne, only daughter and heiress of Thomas Croker, and had issue, 
 

EDWARD, his successor
Henry Thomas Marcus (Rev); 
George Alfred, Captain RN; 
William Gorges, Captain, Coldstream Guards; k/a 1814; 
Caroline; Louisa; Frances; Harriet; Augusta. 

Sir Edward died in 1797 and his widow,  
 
ANNE, LADY CROFTON (1751-1817), was elevated to the peerage (an honour for Sir Edward, had he lived), in 1797, in the dignity of BARONESS CROFTON, of Mote, County Roscommon. 
 
Her ladyship was succeeded by her grandson, 
 
EDWARD, 2nd Baron (1806-69), who espoused, in 1833, the Lady Georgina Paget, daughter of Henry, 1st Marquess of Anglesey, and had issue, 
 

EDWARD HENRY CHURCHILL, his successor
Charles St George, father of 4th Baron
Alfred Henry; 
Francis George; 
Augusta Caroline. 

His lordship was succeeded by his eldest son, 
 
EDWARD HENRY CHURCHILL, 3rd Baron (1834-1912), Gentleman of the Bedchamber to the Lord Lieutenant of Ireland 1867-68, State Steward to the Lord Lieutenant, 1880; Gentleman in Waiting to the Lord Lieutenant, 1886-92, who died unmarried, when the honours reverted to his nephew, 
 
ARTHUR EDWARD LOWTHER, 4th Baron (1866-1942), who married, in 1893, Jessie Castle, daughter of James Hewitson, and had issue, 
 

Edward Charles (1896-1936), father of 5th Baron
Marcus Lowther; 
Eileen Mabel Lowther. 

His lordship was succeeded by his grandson, 
 
EDWARD BLAISE, 5th Baron (1926-74). 
 
GUY PATRICK GILBERT, 7th Baron (1951-2007), Lieutenant-Colonel, was Defence Attaché to the British Embassy in Angola. 
 

MOTE PARK HOUSE, Ballymurray, County Roscommon, was built by the Crofton family in the later half of the 18th century, preceding the Castle of Mote erected by the family in 1620. 
 
It was clearly an imposing house and reflected the influence of neo-classicism prevalent at the time. 
 
This style emphasized for the first time a sense of permanence and security among the gentry and nobility in Ireland. 
 
The house was the most impressive of its type built in County Roscommon, the others of this period being located at Runnamoat near Ballymoe, and Sandford House in Castlerea. 
 
The house was originally an irregular two-storey-over-basement house, which the architect Richard Morrison more than doubled in size by adding six bays and an extra storey. 
 
It had a deep hall with a screen of columns, beyond which a door flanked by niches led into an oval library in the bow on the garden front. These gardens contained many fine architectural features, some of which are still intact. 
 
Perhaps the most splendid surviving feature is the original entrance gate consisting of a Doric triumphal arch surmounted by a lion with screen walls linking it to a pair of identical lodges. It has been suggested that this was designed by James Gandon, although others have pointed out that while this certainly is feasible, certain elements, most notably the head and keystone of the arch, appear to be of a later date and have a provincial character. 
 
It is worth mentioning at this stage the work of Augusta Crofton: She was a renowned amateur photographer and appointed OBE in 1920. 
 
From the mid-19th century, as with so many other estates, things started to go downhill for the fortunes of the Croftons and their home. 
 
It should be noted at the outset that the Croftons, while not among the best examples of improving landlords, did keep their rents low and endeavoured to help their tenants as much as possible. 
 
The fact that the estate was well managed is evident from many volumes of rentals of the estate dating from 1834-1893, along with family records held at Roscommon Library. 
 
Rents received, expenditure on wages, bills, details of land improvements and summaries of yearly rental statistics for each denomination are clearly recorded. 
 
The problem of absenteeism was largely irrelevant to the Crofton estate during this period as it was administered by competent land agents. 
 
Despite the Land Acts, tenants made no effort to purchase their land. 
 
Arrears of rent increased with arrears accounting for over 30% of total rent received by the 1890s. 
 
Clearly the house itself was also falling into disrepair. 
 
The 3rd Baron died in 1912 and was interred in the family vault at Killmaine. 
 
In many respects he had become disillusioned with life on the estate long before his death, showing little interest in his Irish properties. 
 
Instead he preferred, among other roles, that of representative peer at Westminister. 
 
As he was a bachelor, his titles passed to his nephew Arthur Edward, 4th Baron. 
 
Although the 4th Baron took a practical interest in his inheritance, the last of the Land Acts meant most of the estate was sold piecemeal in the early 20th century. 
 
Ownership of what was left passed to his children and then to his grandson Edward Blaise, 5th Baron, to whom the title eventually passed. 
 
The 5th Baron was the last of the Croftons to reside at Mote, but moved to England in the 1940s. 
 
A sign that the final demise of the big house was forthcoming is evidenced by the public auction of October, 1947. 
 
It occasioned quite a large public interest as evidenced by a photograph taken of the house on the morning of the auction. 
 
The 1950s and early 1960s saw the final nail driven in the big house’s coffin with the Irish Land Commission demolishing the house completely. 
 
Much of the beautiful woods surrounding the house were also felled, and replaced with newer mixed conifer species. 
 
The remaining land was divided into several properties for families transferred from the nearby congested districts. 
 
Now, instead of the big house, many smaller farm houses lay scattered over what was once the Crofton estate. 
 
Mote Park still attracts many visitors however, marketed now as a heritage walkway, almost ten miles in length and taking in whatever original features still remaining intact. 
 
The house was demolished in the 1960s. 
 
Roscommon Golf Club occupies part of the original Mote Park demesne. 
 
First published in July, 2012.   Crofton arms courtesy of European Heraldry. 
 
The Irish state and the Big House in independent Ireland, 1922–73  
Emer Crooke, B.A., M.A.  
Thesis submitted for the degree of Ph.D Jan 2014, Maynooth. 
p. 116- 119. In another case, on 16 March 1954 the Land Commission wrote to the O.P.W. to say that they had for sale, on a Land Commission owned estate in Roscommon, Mote Park House with ‘a suitable area of accommodation land if required’.31 They described the mansion as ‘an imposing structure, in an excellent state of repair and would appear to be suitable for use as a hospital, sanatorium, school, etc.’32 The commission enquired if the O.P.W. would be interested in the purchase of the property and declared that if they did not receive a reply in twenty-one days they would assume they did not require the property and ‘other arrangements for its disposal will be made’.33 Ten days later the O.P.W. replied briefly to say that the premises were not required by them, suggesting both in the actual reply and its brevity that no interest was shown by the O.P.W. in the property, despite the willingness of the Land Commission to let them know of it for their further information and the commission’s positive comments about its repair and possible use.34 Three years later the Land Commission contacted the O.P.W. again to inform them that efforts which had been made by the commission ‘to sell the building with certain accommodation lands as a residential holding’, their first preference, had failed and they then proposed to sell the building for demolition. This was only considered when they could not sell the house as a residence and the O.P.W. was not interested in maintaining it. Furthermore, it was not in the Land Commission’s remit or budget to have been able to decide to keep and preserve this house; the O.P.W. was the only department which could do so and, if it refused, the commission was in no position but to sell or, if that proved impossible, demolish. However, even after the O.P.W’.s previous brief response the Land Commission did not demolish without thought and its officer wrote again to the O.P.W. stating:  
before any decision is taken in the matter the Land Commission will be glad to know whether the building is of any historical or architectural importance and if so whether you are interested in preserving the building, either as a complete structure or as a roofless shell and whether you would be prepared to take over the building and its site at a nominal sum.35  
On 5 November a member of the O.P.W. requested a report from the Inspector of National Monuments on the matter.36 Having received no reply at all from a seemingly unconcerned O.P.W., on 30 November the Land Commission wrote again to them requesting an early reply and reminding them of their previous letters; they did so again in December.37 As a result the O.P.W. sent a reminder to the inspector on 5 December, 2 January and 28 January 1958 asking for his report.38 Nonetheless, the Land Commission was obliged to send a further letter to the O.P.W. on 27 January asking that they deal with the matter urgently.39 The O.P.W. finally replied on 10 February that their Inspector of National Monuments had not yet found it possible to inspect the property to assess if it would be eligible for preservation as a national monument under the 1930 act, but they hoped this would be arranged shortly and would write when it had been.40 Their inspector, Leask, was again behind the refusal to recognise Mote Park House as a national monument as when he finally carried out his report he described the house as a ‘large, but not very attractive stone mansion of mid nineteenth-century appearance’.41 It did not merit the effort of an interior inspection for him and he concluded: ‘there does not appear to be anything worthy of consideration for state care’.42 Subsequently the O.P.W. informed the Land Commission: ‘we do not consider that the house … is of sufficient interest to merit preservation by the state as a national monument’.43 Following this the Land Commission went ahead with arranging for the disposal of the property and on 6 September 1958 the Irish Independent ran an advertisement by the Land Commission announcing the sale by tender of Mote Park.44 Two options were listed: the first was ‘Mote Park house, steward’s house, out-offices and 112 acres of accommodation lands; the second was ‘alternatively, Mote Park House and some of the buildings for demolition (in lots)’.45 Mote Park House was sold under this second option and demolished in 1958, although it is clear from the evidence here that this was not the preference of the Land Commission who first enquired if the house could be saved. 
27 H. G. L. and J. R. joint honorary secretaries of the N.M.A.C. to the secretary of the Department of Lands (forestry division), 15 June 1945 (N.A.I., O.P.W. files, F94/574/1).  
28 J. Darby, Department of Lands, to the secretary of the N.M.A.C., 10 May 1945 (N.A.I., O.P.W. files, F94/574/1).  
29 H. G. Leask handwritten note to division C, O.P.W., 17 May 1945 on letter from J. Darby, Department of Lands to the N.M.A.C., 10 May 1945 (N.A.I., O.P.W. files, F94/574/1).  
30 Ibid.  
31 The Land Commission to the O.P.W., 16 Mar. 1954 (N.A.I., O.P.W. files, F94/1084/1/57).  
32 Ibid.   
33 Ibid.  
34 O.P.W. to the Land Commission, 26 Mar. 1954 (N.A.I., O.P.W. files, F94/1084/1/57).  
35 The Land Commission to the O.P.W., 26 Oct. 1957 (N.A.I., O.P.W. files, F94/1084/1/57).  
36 Handwritten note addressed to the Inspector of National Monuments, 5 Nov. 1957 (N.A.I., O.P.W. files, F94/1084/1/57).   
37 The Land Commission to the O.P.W., 30 Nov. 1957; 31 Dec. 1957 (N.A.I., O.P.W. files, F94/1084/1/57).  
38 Handwritten note addressed to the Inspector of National Monuments, 5 Dec. 1957; 2 Jan. 1958; 28 Jan. 1958 (N.A.I., O.P.W. files, F94/1084/1/57).  
39 The Land Commission to the O.P.W., 27 Jan. 1958 (N.A.I., O.P.W. files, F94/1084/1/57).  
40 O.P.W. to the Land Commission, 10 Feb. 1958 (N.A.I., O.P.W. files, F94/1084/1/57).  
41 Handwritten note in O.P.W. files signed H. G., entitled: ‘Mote Park, county Roscommon’, 27 Feb. 1958 (N.A.I., O.P.W. files, F94/1084/1/57).  
42 Ibid.  
43 O.P.W. to the Land Commission, 8 Mar. 1958 (N.A.I., O.P.W. files, F94/1084/1/57).  
44 Irish Independent, 6 Sept. 1958.  
45 Ibid.   

Rossmore Park, Co Monaghan – demolished

Rossmore Park, Co Monaghan

Rossmore Park, County Monaghan, Gillman Collection, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

p. 247. “(Westenra, Rossmore, B/PB) A C19 castle of great size and complexity; partly Tudor-Gothic, of 1827, by William Vitruvius Morrison; and partly Scottish Baronial, of 1858, by William Henry Lynn. The 1827 range, built for 2nd Lord Rossmore, dominated by a square tower and turret topped with crow-step battlements; and having a line of gables and oriels. Various small additions were made at one end, in order to enlarge the drawing room; according to the story, Lord Rossmore vied with Mr Shirley of Lough Fea, as to which of them could build a bigger room. The 1838 range dominated by a smaller and more massive tower with a polygonal turret and cupola, a balustraded parapet and other Scottish Baronial touches; also by a slender square tower with a spire. Eventually the combined ranges boasted of at least 117 windows, of 53 shapes and sizes. the three towers together produced a romantic silhouette, particularly as the castle was magnificently situated on a hilltop, overlooking a landscape of woods and lakes. In the later Victorian and Edwardian days, Rossmore was noted for its gaiety; the then (5th) Lord Rossmore, known as “Derry,” being one of the brighter sparks of the Prince of Wales’s set, and author of some lively memoirs called Things I can Tell. Post WWII, the castle became severely infested by dry rot and was abandoned by 6th Lord Rossmore in favour of Camla Vale. Now demolished.”

Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

https://archiseek.com/2009/1858-rossmore-castle-monaghan-co-monaghan

1858 – Rossmore Castle, Monaghan, Co. Monaghan 

Architects: William Vitruvius Morrison / W.H. Lynn 

Rossmore Park, County Monaghan, courtesy Archiseek.
Rossmore Park, County Monaghan, courtesy Archiseek.

Also known as Rossmore Park, Rossmore Castle was a 19th century castle of great size and variety. Originally built in 1827 to the designs of William Vitruvius Morrison in Tudor Gothic, it was extended in 1858 by W.H. Lynn. The 1827 range was dominated by a square tower with turret and crow stepped battlements and a line of gables and oriel windows.  

Lord Rossmore and the Shirleys of Lough Fea had competed for many years for the largest room in County Monaghan with the result that the drawing room at Rossmore was extended five times and resulted in the elongated area seen in the left of the photograph. Eventually the Castle had at least 117 windows of 53 different sizes and shapes and the three towers produced a romantic silhouette when viewed from the surrounding hills in the demense.  

Rossmore Park, County Monaghan, courtesy Archiseek.

In the later years of the 19th century Rossmore was known for its gaiety with the 5th Lord Rossmore being a friend of the Prince of Wales. After the Second World War, dry rot forced the abandonment of the castle in favour of Camla Vale. Rossmore Castle has since been demolished.  

Dowager Lady Cunninghame, prob Elizabeth Murray who inherited vast estates of Alexander Cairnes. Adams auctioh house tells us she should be called Lady Rossmore, and that she married Bernard Cunninghame of Mount Kennedy, but I think she she married Robert Cuninghame, 1st Baron Rossmore. Courtesy Adam’s 5 Oct 2010, Hugh Douglas Hamilton (1739-1808). She was also a daughter of Colonel John Murray MP and his wife Mary Cairns.
Josephine Lloyd (1827-1912) who married Henry Robert Westenra, 2nd (UK) and 3rd Baron (Ireland) Rossmore of Monaghan.
Harriet Murray (1742-1822) married Henry Westenra (1742-1809) and Hester Westenra, could be her daughter, 1775-1858 who married Edward Wingfield (1772-1859).
Henry Robert Westenra, 3rd Baron Rossmore. Photograph © Jennifer Winder-Baggot

https://lordbelmontinnorthernireland.blogspot.com/2014/01/rossmore-park.html

THE BARONS ROSSMORE WERE MAJOR LANDOWNERS IN COUNTY MONAGHAN, WITH 14,839 ACRES

The family of CAIRNES of that ilk is of very ancient standing in Scotland. In 1363, DAVID II gave a renewal charter of the two Baronies of East and West Whitburn, Linlithgowshire, to WILLIAM DE CARNYS, and Duncan his son and heir. 

This William had issue,

Duncan;

John;

William, father of JOHN, of whom presently;

Alexander.

The grandson,

JOHN CAIRNIS, of Cults, Aberdeen, son of William and heir of his uncle Alexander, was Custumar (customs officer) of Linlithgow, 1406-22, and Scutifer (shield-bearer) to the Earl of Douglas.

He died in 1456, leaving three sons, of whom the eldest,

JOHN CAIRNIS, of Cults and of Orchardton, Custumar of Linlithgow, 1449-56, served in the wars under JAMES II, and died ca 1493.

His son, or grandson,

WILLIAM CAIRNIS, of Orchardton, summoned as a minor Baron 1527, married Margaret, daughter of Sir Patrick Agnew, of Lochnaw, and died 1555, having had, with other issue,

William;

JOHN, of whom presently;

PETER;

HENRY.

The second son,

JOHN CAIRNIS, of Cults, Esquire to MARY Queen of Scots, wedded, in 1555, Margaret, daughter of Alexander McCulloch, of Killaster, and died in 1568, leaving issue, his second son,

JOHN CAIRNIS, of Cults, who sold most of the estates, espoused Margaret Hamilton, and died in 1603, leaving issue, 

ALEXANDER CAIRNIS, of Blairboys, who sold the remainder of the lands of his family, settled in Ulster 1609, as general agent for the Scottish Undertakers in Donegal.

He died ca 1635, leaving issue, his eldest son,

JOHN CAIRNES, of Parsonstown, or Cecil, County Tyrone, MP for Augher, 1639-40, who married Jane, daughter of Dr James Miller, MD, of Monaghan, and had issue, with two daughters,

ALEXANDER (Sir), 1st Baronet;

William, of Dublin, MP for Belfast, 1703-6;

HENRY (Sir), 2nd Baronet.

The eldest son,

ALEXANDER CAIRNES (1665-1732), MP for Monaghan Borough, 1710-13, County Monaghan, 1713-14, 1715-27, Monaghan Borough, 1727-32, was created a baronet, in 1708, designated of Monaghan.

He wedded, 1697-8, Elizabeth, daughter of John Gould, of Hackney, and sister of Sir Nathaniel Gould, by whom he had issue,

William Henry, died unmarried;

MARY, of whom presently.

Sir Alexander died in 1732, when he was succeeded in the baronetcy by his brother, Sir Henry Cairnes, 2nd and last Baronet.

his only surviving child, 

MARY CAIRNES, espoused firstly, in 1724, 7th Baron Blayney. He dsp 1732.

She married secondly, in 1734, Colonel John Murray, MP for Monaghan, and by him had issue,

Frances Cairnes, m 1st Earl of Clermont;

ELIZABETH, m (as below) General Rt Hon R Cuningham, 1st Baron Rossmore;

Anne; Mary; Harriet.

The Dowager Baroness Blayney died in 1790; her son-in-law was Robert, 1st Baron Rossmore.

Lineage of Westenra

THE WESTENRAS, descended from the family of VAN WASSENAER, of Wassenburg, were of great antiquity in Holland, and they bore the augmentation of the SEAHORSE, in reference to the valour of an ancestor who, during the Duke of Alba’s campaigns, was actively employed against the enemy, and undertook to swim across an arm of the sea with important intelligence to his besieged countrymen.

WARNER WESTENRA settled in Ireland during the reign of CHARLES II, and with his brothers, Derrick and Peter Westenra, became a free denizen of that kingdom, by act of parliament, in 1662.

In 1667, Colonel Grace sold the town and lands of “Clonlee, Brickanagh, and Lyagh” [sic], in the King’s County, to this Warner Westenra, merchant, of the city of Dublin.

He married Elizabeth Wyhrantz, and had issue,

HENRY, his successor;
Elizabeth, Rt Rev Simon Digby.

Mr Westenra died in 1676, and was succeeded by his son,

HENRY WESTENRA, who inherited likewise the estates of his cousin, Peter Westenra, MP for Athboy, 1692.

Mr Westenra wedded, in 1700, Eleanor, second daughter of Sir Joshua Allen, Knight, and sister of John, 1st Viscount Allen, by whom he had surviving issue,

WARNER, his successor;
Henry;
Peter;
Elizabeth; Jane; Penelope.

He died in 1719, and was succeeded by his eldest son,

WARNER WESTENRA, MP for Maryborough, 1728-55, who espoused, in 1738, the Lady Hester Lambert, second daughter of Richard, 4th Earl of Cavan, and had issue,

HENRY, his successor;
Richard;
Joseph;
Castilinna; Eleanor.

Mr Westenra was was succeeded by his eldest son,

HENRY WESTENRA, MP for Monaghan, 1818-26, Seneschal of the King’s Manors in Ireland, who married, in 1764, Harriet, daughter of Colonel John Murray MP, and had issue,

WARNER WILLIAM, his heir;
Henry;
Mary Frances; Harriet Hesther.

He was succeeded by his eldest son,

WARNER WILLIAM WESTENRA (1765-1842), of Rossmore Park, County Monaghan, who wedded firstly, in 1791, Mary Anne, second daughter of Charles Walsh, of Walsh Park, County Tipperary, and had issue,

HENRY ROBERT, his successor;
Richard;
John Craven;
Charles;
Marianne.

He espoused secondly, in 1819, Augusta, fourth daughter of of Francis, Lord Elcho, and sister of Francis, 7th Earl of Wemyss.

Mr Westenra succeeded to the barony of ROSSMORE on the decease of ROBERT CUNINGHAME, 1st Baron Rossmore, in 1801.

***********************


ROBERT CUNINGHAME (1726-1801), son of the late Colonel David Cuninghame, of Seabegs, Stirling, a General in the army, and Colonel, 5th Dragoons; MP for Tulske, 1751-60, for Armagh, 1761-8, for Monaghan, 1769-96, and for East Grinstead, 1788-9; was elevated to the peerage, in 1796, in the dignity of BARON ROSSMORE, of Rossmore Park; and having no issue by his wife, Elizabeth, daughter of John Murray, and co-heir of her mother Mary, Dowager Lady Blayney, sole heir of Sir Alexander Cairnes Bt, the patent of creation contained a reversionary clause conferring the Barony, at his lordship’s decease, upon the heirs male, at the time being, of two of her ladyship’s sisters successively; namely, Anne, the wife of the Rt Hon Theophilus Jones; and Harriet, the wife of Henry Westenra.

His lordship died in 1801, and the only son of Mrs Jones, Alexander Jones, having predeceased him, unmarried, the barony devolved upon Mrs Westenra’s eldest son, WARNER WILLIAM WESTENRA, 2nd Baron Rossmore.

The heir apparent is the present holder’s only son, the Hon Benedict William Westenra (1983).

ROSSMORE CASTLE, County Monaghan, was a very large and complex mansion, constructed on the outskirts of Monaghan town in Tudor-Gothic style in 1827 by the the 3rd Lord Rossmore, to the designs of William Vitruvius Morrison.

An extension was added in 1858 in Scottish-Baronial style, designed by William Henry Lynn.

A main feature of the original building was a large square tower and turret with crow-step battlements.

The extension also featured two towers, one with a polygonal turret and cupola, the other a smaller square tower with a spire.

The building underwent further smaller changes, a number of which were inspired by a competition which had developed over the years between Lord Rossmore and Mr Shirley of Lough Fea, as to which of them could claim to have the largest room in County Monaghan.

The remarkable consequence was that the drawing-room in Rossmore Castle was enlarged five times.

Eventually the combined changes and additions resulted in a building with three towers and over 117 windows in 53 different shapes and sizes.

After the 2nd World War, the house developed a severe case of dry rot, and the 6th Baron and his family were forced to leave the castle and take up residence in Camla Vale, a Georgian house owned by the family and situated within the estate grounds.

The mansion was demolished in 1975.

(Image: Henry Skeath)

The former demesne is now a forest park.

First published in January, 2012.

http://davidhicksbook.blogspot.com/search?updated-max=2014-07-13T01:28:00-07:00&max-results=7&start=39&by-date=false

Oscar Wilde once said ‘to lose one parent may be regarded as a misfortune, but to lose both looks like carelessness’. The same could be said of County Monaghan and its castles, for my first book I was developing two chapters about two wondrous architectural creations in Monaghan. However imagine my surprise to discover that absolutely nothing of these great buildings remain but a few steps, outbuildings and gate lodges. The first of these is Dartrey which was completed in the midst of the Great Irish Famine in 1847. It was originally designed to extend and incorporate a house from the 1770’s known as Dawson’s Grove, with the old and the new house being divided by a substantial wall. The house cost its owner, Richard Dawson, who later became the first Earl of Dartrey, £30,000. It was a vast Elizabethan Revival mansion and the architect chosen for these improvements was William Burn. The house had a very long facade with legions of mullioned windows, oriel windows, Tudor chimneys and curvilinear gables. 

In March 1856, a fire is believed to have destroyed the original part of the house which would have been the Dawson’s Grove section. The fire broke out in the roof as a result of a defective chimney and completely destroyed the north-eastern wing. Furniture, pictures and statues were saved as numerous people fought to bring the fire under control. Rooms lost in this fire included the drawing room and her ladyship’s boudoir. The house was insured and the damaged section was replaced, as a result the house that now existed was a totally ‘new’ house that contained nothing of the original Dawson’s Grove.  

A major change took place in the finances of this house and family in less than 100 years after its completion. The last owner of the house was Lady Edith Windham who was the daughter of the second Earl of Dartrey, Vesey Dawson.  Vesey Dawson, the second Earl of Dartrey died in June 1920 after a long illness at Dartrey. He was born on the 22nd April 1842 and succeeded to the Earldom upon the death of his father in 1897. He married Julia daughter of Sir George Orby Wombwell in 1882 and had two daughters. During the First World War, he and Lady Dartey produced large amounts of vegetables in the gardens and terraces that surrounded the castle. He was succeeded to the title by his brother Hon Edward Stanley Dawson born in 1843. Lady Edith Windham, the grand daughter of the first Earl disposed of the house contents in 1937 with a four day sale which included a number of paintings by El Greco, Zoffany, Reubens and Coates. A broadcasting or speaker system was used so bidding could be heard in the different rooms of the house. Also included in the auction were 5,000 books from the library, it is un-imaginable that one house could contain so many books but these were all contained in one room. There auction created a bit of a stir in the antiques world as buyers travelled from Dublin, Northern Ireland and Great Britain with special buses put in place to ferry expectant bidders to and from the castle. Lady Edith had previously moved in to the Stewards Cottage and a number of years after the auction she then made arrangements to have the house demolished. Therefore the man that originally built the house was only separated from the lady who demolished the house, by only one generation. In March 1946, the demolition sale of the castle was advertised and consisted of 500 lots which included beams, flooring, rafters, moldings, skirting’s, the solid oak staircase, oak doors, window casings, brick, 5,000 slates, mantelpieces in white and cream marble. The sale handled by Samuel Brown, an auctioneer from Monaghan. Lady Edith claimed she had no option as the rates were too high and a buyer was not forth coming. A company from Dublin called Hammond Lane Foundry were engaged to carry out the destruction of this architectural masterpiece; however one imagines they were more interested in the lead in the roof than architectural salvage. The process of demolishing the family seat supposedly made Lady Edith a profit of £3,000 but one wonders if this figure could be considered a profit, when it cost her descendant ten times that amount to build the house in the first place.  

One of the few elements that survive today and give some impression of the architectural splendour of the original house is the Dawson Mausoleum which recently underwent a spectacular restoration. The Mausoleum was built to commemorate Lady Anne Dawson who died in 1769 and contains a life sized marble sculpture of the deceased, her husband and son gathered around an urn that contained her ashes. The domed building that contained this sculpture was designed by the architect James Wyatt and was situated in the demesne that once surrounded Dartrey. Over the years the building became derelict and the sculpture was vandalised, with pieces of the statue being broken off and stolen. Now that the Mausoleum is restored a recent appeal has located the head of one of the statues in Dublin. However the hands, feet and angels wings still remain at large. 

The second architectural jewel lost to the county of Monaghan was Rossmore Castle whose decline was hastened when it developed dry rot. This castle, as can be seen in the pictures, was something akin to a Walt Disney creation with its towers and turrets. 

A succession of extensions in order to claim the title of the largest drawing room in Monaghan enlarged the floor area of the castle over the years. Rossmore Castle was a large Tudor Revival house built in 1827 to the design of William Viturvius Morrison for the second Lord Rossmore. In 1825, Richard Morrison was engaged in producing plans to rebuild the house then known as Cortolvin Hills for Lord Rossmore.  In 1854, William Deane Butler produced plans for remodelling the house but these were not executed. The house was altered and enlarged 1858 to the design of William of William H. Lynn. Eventually the combined changes and additions resulted in a building with three towers and over 117 windows in 53 different shapes and sizes. One feature of the house was its drawing room which enlarged on a number of occasions due to Lord Rossmore competing with his neighbour Mr. Shirley of Lough Fea to have the largest room in the county. A competition Lord Rossmore eventually lost. 

The early 1900’s the Rossmore’s seemed to have a run of bad luck. It was reported in August 1906, Lord Rossmore was ill in the castle and was confined to his room for the previous week. He had intended to go to his large, recently built, shooting lodge on his mountain. In April 1907, Lord and Lady Rossmore’s eldest son William was injured while mounting his pony near the castle. The pony bolted, William’s foot became entangled in the stirrups and he was dragged for some distance. He suffered a fractured skull and a broken leg. However a happy event was recorded in 1908 when the Duke of Connaught paid a visit to the castle. He again returned in 1909, where he stayed overnight and then travelled to Lord Rossmore’s mountain in Glasslough for grouse shooting.  In the early part of the twentieth century Rossmore remained unoccupied for long periods as the fifth and sixth Barons decided to live in England which resulted in the uncontrolled spread of dry rot.  

The Rossmore Family made a valiant attempt to brave the dry rot at Rossmore but when the mushrooms appeared on the drawing room ceiling it was hard to make any guests believe they were there for decorative purposes. The time came for them to abandon the castle for another family property when they had to ask their guests to wipe their feet on a disinfected mat so not to spread the spores of the dry rot. One wonders if it was the social embarrassment or the actual dry rot that led to the demolition of the house. In May 1946, contents of the castle advertised by Battersby & Co and that they had been removed to the Dower House, Camla, Rossmore Park. The auction which was to take place included antique furniture, Chippendale Mirrors, oil paintings statues, tapestries, china, carpet chandeliers and of course the obligatory billiards table. The oil paintings included works from Dutch, English, Flemish and Italian schools and comprised of portraits, battle scenes and landscapes. Now with the castle denuded of its contents, a demolition sale took place in September 1946 and lots included joist, rafters, bricks, slates, fireplaces, doors, windows, shutters, water tanks, bathroom fittings 

The house remained unoccupied, was unroofed during the Second World War and finally demolished in 1975 and the grounds of the castle were sold to the Irish State in the 1960’s. The family moved to a nearby dower house called Camla Vale after the castle became uninhabitable due to the dry rot. The dry rot spores are believed to have traveled in the corks of the bottles from the wine cellar of the castle and as a result their new home also became infested.  Today Rossmore is a public park with only a few elements such as the entrance steps and terraces of the castle surviving. 

Dartrey House (formerly Dawson’s Grove), Co Monaghan – demolished

Dartrey House (formerly Dawson’s Grove), Co Monaghan

Dartrey, County Monaghan, garden front, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
Portrait of Thomas Dawson (1725-1813), Lord Dartrey, 1st Viscount Cremorne, miniature, courtesy of National Gallery of Ireland.

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

p. 100. “(Dawson, Dartrey, E/PB1933) A large Elizabethan-Revival mansion by William Burn, built in 1846 to replace an earlier house of about 1770. This earlier house, described 1778 by Rev Daniel Beaufort…was of three storeys over basement, the entrance front was of seven bays…..The Elizabethan-Revival mansion which took the place of this house, built by Richard Dawson, 3rd Lord Cremorne and later 1st Earl of Dartrey, had long and somewhat monotonous elevations of curvilinear gables, mullioned windows and oriels, with, sporadically, a square turret and cupola. There were numerous Tudor chimneys, a generous application of strapwork and a two-tier terrace along the garden front with many yards of latticed balustrading.

The quoins were partly curved.

.”.. The house overlooked Lough Dromore, where, on a wooded island, Thomas Dawson, 1st Lord Dartrey and afterwards Viscount Cremorne, built a domed mausoleum ca 1770 in memory of his first wife, Lady Anne, to the design of James Wyatt, containing a dramatic lifesized sculptural group, including an angel with outstretched wings, by Joseph Wilton. The Elizabethan-Revival mansion, after standing empty for some years, was demolished ca 1950; the mausoleum, which had become roofless, so that the monument was suffering from teh weather as well as from vandalism, was repaired by the Irish Georgian Society 1961.”

Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

https://archiseek.com/2009/1846-dartry-rockcorry-co-monaghan

1846 – Dartrey, Rockcorry, Co. Monaghan 

Architect: William Burn 

Also known as Dawson Grove, Dartrey was built in 1846 and designed by William Burn as a large Elizabethan Revivial mansion to replace an earlier house on the site. Built for Richard Dawson, 3rd Lord Cremorne and later 1st Earl Dartry, it had very long façades with legions of mullioned windows, oriel windows, tudor chimneys and curvilinear gables relieved by square turrets with cupolas.  

On the garden front (pictured) was a two level terrace facing onto Lough Dromore. On an island in the lake there was also a fine Mausoleum to the design of James Wyatt from around 1770 which was recently restored. 

The house was demolished in the 1950s – after remaining empty for many years, the house was lent by the last owner to the RSPCA for a ball after which the County Council demanded rates for the house. All that remains of the estate are various gatehouses, the ruined Mausoleum and a fine stable block built around five sides of an octagon – built around 1850 to the design of William Burn.  

https://lordbelmontinnorthernireland.blogspot.com/2013/09/dartrey-house.html

THE EARLS OF DARTREY WERE MAJOR LANDOWNERS IN COUNTY MONAGHAN, WITH 17,732 ACRES 

The family of DAWSON was originally from Spaldington, Yorkshire; whence, towards the close 0f ELIZABETH I’s reign, it removed to Ulster.

THOMAS DAWSON, who became, in the following reign, a burgess of Armagh, was grandfather of

JOHN DAWSON, who married into the family of Henry Ussher, Lord Archbishop of Armagh.

Archbishop Ussher was twice married: first about 1573, to Margaret, daughter of Thomas Eliot of Balrisk, County Meath; secondly, to Mary Smith, who survived him. His widow married John Jeeves, of Drogheda, Alderman, by whom she had issue, Anne Jeeves, who married (as his second wife), Walter Dawson in 1660, from which a considerable property in counties Armagh and Tyrone came to the Dawson family.

John Dawson was father of

WALTER DAWSON, of Armagh, who married firstly, Mary, daughter of Edward Dixie, and had issue,

WALTER, his heir;
Thomas, ancestor of Catherine, Countess of Charleville;
Edward;
Margaret; Mary; Elizabeth.

He espoused secondly, in 1680, Anne, daughter of John Jeeves.

Mr Dawson died in 1704, and was succeeded by his elder son,


WALTER DAWSON, who wedded, in 1672, Frances, daughter of Richard Dawson (by which marriage the estate of Dawson Grove, County Monaghan, was conveyed to this family), and had issue,

RICHARD, his heir;
Walter;
John;
Mary; Elizabeth.

Mr Dawson, an officer in Cromwell’s army, died in 1718, and was succeeded by his only surviving son,

RICHARD DAWSON (c1693-1766), of Dawson Grove, an eminent banker, alderman of the city of Dublin, MP for St Canice, 1727-60, Monaghan Borough, 1761-6 (great-grandson of John Dawson, of Armagh, who died intestate).

Alderman Dawson wedded, in 1723, Elizabeth, daughter of the Most Rev Dr John Vesey, Lord Archbishop of Tuam, and sister of Sir Thomas Vesey Bt, Lord Bishop of Ossory, and had issue,

John, died in 1742;
THOMAS, his successor;
Richard, of Ardee;
Frances.

He was succeeded by his eldest surviving son,

THOMAS DAWSON (1725-1813), of Dawson Grove, who was elevated to the peerage, in 1770, in the dignity of Baron Dartrey, of Dawson’s Grove, County Monaghan; and advanced to a viscountcy, in 1778, as Viscount Cremorne, of Castle Dawson, County Monaghan.

His lordship married firstly, in 1754, the Lady Anne Fermor, youngest daughter of Thomas, 1st Earl of Pomfret, by whom he had a son and a daughter, both of whom died in adolescence.

He wedded secondly, in 1770, Philadelphia Hannah, daughter of Thomas Freame, of Philadelphia, by Margaretta, daughter of William Penn, the celebrated founder of that city, by whom he had another son and a daughter, who also died young.

His lordship, thus deprived of direct descendants, was created, in 1797, Baron Cremorne, with remainder to his nephew, Richard Dawson, and the heirs male of that gentleman.

Dying without an heir in 1813, the viscountcy expired, and the barony of Cremorne devolved upon his great-nephew,

RICHARD THOMAS DAWSON (1788-1827) as 2nd Baron (only son of Richard Dawson, MP for Monaghan), who espoused, in 1815, Anne Elizabeth Emily, third daughter of John Whaley, of Whaley Abbey, County Wicklow, and had issue,

RICHARD, his successor;
Thomas Vesey.

His lordship was succeeded by his elder son,
RICHARD, 3rd Baron (1817-97),  who wedded, in 1841, Augusta, second daughter of Edward Stanley, of Cross Hall, Lancashire, by his wife, the Lady Mary Maitland, second daughter of James, 8th Earl of Lauderdale.

His lordship was installed a Knight of St Patrick, 1855; a Lord-in-Waiting, 1857-66; Lord Lieutenant of County Monaghan, 1871-97.

He was advanced to an earldom, in 1866, in the dignity of EARL OF DARTREY.

By his wife he had issue,

VESEY, his successor;
Edward Stanley (1843-1919);
Richard Westland Westenra (1845-1914);
ANTHONY LUCIUS, 3rd Earl;
Mary Eleanor Anne.

His lordship was succeeded by his eldest son,


VESEY, 2nd Earl (1842-1920), MP for County Monaghan, 1865-68, High Sheriff of County Monaghan, 1878, who married, in 1882, Julia Georgiana Sarah, daughter of Sir George Ormby Wombwell Bt, and had issue,

Richard George, 1890-94;
EDITH ANNE (1883-1974), of Dartrey House;
Mary Augusta, 1887-1961.

His lordship died without surviving male issue, when the titles devolved upon his brother,

ANTHONY LUCIUS, 3rd Earl (1855-1933), who wedded, in 1878, Mary Frances, suo jure Baroness de Ros, only child of the 23rd Baron de Ros, and had issue,

Una Mary, Baroness de Ros;Maude Elizabeth; Eleanor Charlotte Augusta.

On the decease of the 3rd Earl, in 1933, the titles became extinct.

The Lady Edith Windham was the last member of the family to live at Dartrey.

The Dartrey Papers contain extensive historical information about the family. 

The Earl of Dartrey possessed the following land during the Victorian era:-

visited Cootehill several years ago.

DARTREY HOUSE, near Rockcorry, County Monaghan, was a large Elizabethan-Revival mansion by William Burn, built in 1846 to replace an earlier house, known as Dawson Grove, of ca 1770.

It was built for Richard Dawson, 3rd Baron Cremorne and later 1st Earl of Dartrey.

This noble and magnificent demesne is situated on the gorgeous chain of the Cootehill lakes, a few miles east-north-east of Cootehill.

It is separated from the neighbouring demesne of Bellamont forest, County Cavan, only by a narrow belt of one of the main lakes, Dromore Lough.

The mansion had long, monotonous elevations of curvilinear gables, mullioned windows and oriels, with, sporadically, a square turret and cupola.

There were numerous Tudor chimneys, a generous application of strapwork and a two-tier terrace along the garden front with many yards of latticed ballustrading.

The quoins were partly curved.

Dartrey House overlooked Lough Dromore where, on a wooded island (Black Island), the 1st Viscount Cremorne built a domed temple about 1770 in memory of his first wife, Lady Anne Dawson.

The sheer size of Dartrey House proved too much for the 20th-century financial resources of the family.

Most of its contents were sold by auction in 1937 and the entire building was demolished in 1946 by the Hammond Lane Foundry, Dublin, who paid £3,000 for the salvage – a dreadful return on the £30,000 it cost to build the great mansion.

Lady Edith, elder daughter of the 2nd Earl, was the last Dawson to live in Dartrey House, and it was she who was forced to make the decision to demolish it in 1946. 

Now, only the magnificent site overlooking Lough Dromore is visible.

The red-brick stable block contemporary with the 1846 house survives, and was renovated by the Irish Georgian Society (presumably at about the same time as Lady Anne’s temple).

There is also a surviving farmyard, in ruinous condition, which seems to be contemporary with (or even earlier than) the early 1770s house.

The following description of the Dartrey Estate near Cootehill, County Monaghan, Ireland, was written in 1773 by the Reverend J Burrows, visiting tutor to the Dawson family:

A thousand acres of lake, three hundred of which flows within a few yards of the house, with hills on each side covered with the most beautiful delicious woods, bring all fairyland to one’s imagination. On the other side of the lake is a large island, wonderfully shaded on all its sides but with a bald pate of open ground on the top, giving a very pleasing and uncommon effect.

Beyond that are woods that lose themselves in the clouds. People who are not used to lakes cannot conceive into what delightful forms they throw themselves, and how much the little islands, here and there interspersed, which contain one or two trees, add to their beauty. 

The Dartrey estate, originally known as Dawson Grove, was established by the Dawson family in the 17th century alongside Bellamont Forest, a demesne of similar size – over a thousand acres.  

Richard Dawson, a banker and Dublin alderman, built the present (Church of Ireland) church on the Dartrey estate in 1729.

It was established in its own separate parish of Ematris soon after.

The Dawsons added a north gallery to the church in 1769, and much later the Corry family (from Rockcorry) added a south gallery, raised on arches to avoid desecrating the burial ground beneath it.

A fire caused serious damaged in 1811 leaving the church for a period without a roof.

The fine west tower was built in 1840, and the sanctuary apse in 1870.

With the demolition of the Dawson mansion in 1950, and their once thriving estate turned over to forestry, St John’s appears isolated.

However it shares services with St James’ church, Rockcorry some 2½ miles away, which the Dawsons built in 1855, and both churches continue well supported by the local farming community. 

But the view from St John’s cemetery across Inner Lough, once described as “one of the best in Ireland”, is currently obscured by conifers.

The Northern Standard, Saturday, 8th March, 1856:-

FIRE  AT  DARTREY  HOUSE

We regret to announce the breaking out of a destructive fire, on Saturday evening last, at Dartrey House, the magnificent residence of Lord Cremorne, in this county. 

The fire is supposed to have originated in the flue of one of the rooms in the basement storeys, which broke out near the roof, and before effective aid could be procured, had enveloped the entire of the upper storey of the north-eastern wing of the building.

The existence of the fire was first observed about six o’clock, by Mr. Little, Lord Cremorne’s steward, who hastened with a number of his labourers to render all the assistance within their power. 

Mr. Little’s exertions up to the final subduing of the fire were unremitting. 

Captain Boyle, of Tanagh, and the Rev. T. A. Robinson, were immediately on the ground, and aided materially in checking the fire, which, however, raged with a great fury until the arrival of the fire engines from Monaghan. 

Previous to the arrival of the engines, the exertions of those present were directed to cutting off the communication between what is termed the Old and New House, a strong wall dividing the two portions of the house.

At a few minutes past seven in the evening, a messenger from Dartrey arrived at Mr. McCoy’s, of Monaghan, in whose care the town engine is; fortunately, all Mr McCoy’s staff were about his concern, it being pay night, and were consequently available for immediate work.

Four horses from Campbell’s posting establishment were immediately harnessed to the engine, and it started for Dartrey, where it arrived at nine o’clock. 

In the meantime, Mr. McCoy sent a requisition for the Ordnance engine, to the officer commanding the detachment of Militia stationed here.

This engine was placed on a float, and, with a pair of horses from the Canal Stores, proceeded to Dartrey, where it arrived in time to do efficient service, under the directions of Sergeant Crooks, of the Monaghan Regiment, whose exertions elicited the commendation of every person present.

Nothing could exceed his intrepidity and cool daring ; indeed, at one moment it was supposed he had fallen a victim, a large beam having fallen just where he had been standing a second before.  A. A. Murray Ker, Esq., Lord Cremorne’s agent, was in Monaghan when intelligence of the fire arrived; he immediately started for Dartrey, where he remained until a late hour on Sunday evening; by his presence and individual exertions he animated the energies of the very many who aided in extinguishing the fire.

Amongst those present who worked with hearty good will were – and certainly first on the list – the Rev. T. A. Robinson, Captain Boyle, Wm. Murray, Esq., Richard Mayne, Esq., (this gentleman, we regret to say, was severely hurt by an accident), Rev. John Wolfe, Subinspectors Kirwan and Fortesque; a number of young gentlemen from Cootehill and Monaghan were also most effectual aids.

We do not know the names of the Cootehill gentlemen or we would gladly give them.  Amongst those from Monaghan we noticed Messrs. Watkins, Lewers, and Campbell.

The Constabulary from the surrounding stations to a man exerted themselves in a most praiseworthy manner, both by individual exertion and protection of property. 

Amongst the most exertive and daring of them was one named Kinsella, from Cootehill station. 

The costly furniture, pictures, and mirrors were all saved, with the exception of such injuries as their removal caused.

On learning the existence of the fire, our own chief anxiety was as to the safety of an exquisite group of statuary, “Cupid and Psyche”, which stood in the vestibule of the Grand Staircase; – this beautiful piece of art, though in extreme danger, escaped with but the fracture of one of the arms of the descending figure; the injury is not material, and can be remedied.

The portion of the building entirely destroyed consists of Lord and Lady Cremorne’s private apartments, Drawing-room, and her ladyship’s Boudoir, both of which were magnificent apartments; the cut stone walls seem safe; all the apartments over the east point are destroyed; the Grand Hall, Billiard-room, and Drawing-room are safe, as is also the entire of the basement storey.

The fire continued smouldering and occasionally to blaze out up to five or six o’clock on Sunday evening. 

The assurance on the house was heavy, and will more than cover the estimated damages; but much depends on the decision architects arrive at as to the state of the outer walls.

It is, on the whole, surprising that the damage done is not of much greater extent, when the means of overcoming it were so distant.

The tenantry in the neighbourhood all assembled on Tuesday with carts and horses, and cleared away all the debris of the fire, before the arrival of Lord and Lady Cremorne.

TO THE EDITOR OF THE NORTHERN STANDARD 

Sir,  Allow me, through your paper, to render Lord Cremorne’s grateful thanks to all those who used such strenuous exertions in checking the conflagration at his Lordship’s beautiful mansion on last Saturday night.

The Assurance Companies concerned have every reason to be thankful, (and indeed have already expressed themselves to that effect), to the assembled multitude who lent their best exertions towards arresting the progress of the flames, and saving such a large amount of property.

It would be impossible to personally thank each and all of those I saw distinguishing themselves, for their name was “Legion”.

The constabulary were early on the ground from Rockcorry, and very shortly after from Cootehill, Drum, and Newbliss, and were most efficient and steady.

The fire engines from Monaghan arrived in quite the brigade style, and certainly deserve especial consideration.

The Corporation engine, under the direction of Mr. McCoy and his very active and intelligent workmen, and the Barrack engine, managed by Sergeant Crooks, who most creditably kept up the character of his regiment by his cool and daring conduct.

The tenantry to a man worked with a will.  I could name hundreds who were towards morning nearly – and often quite – exhausted and faint.

Nothing could exceed the care taken of the furniture, pictures, and mirrors, in their removal, and wonderfully little damage has been done.

I am happy to say that the Assurances cover the loss and damage to both building and furniture – and again thanking most sincerely those who so kindly gave their valuable aid in time of need.  

I remain, your obedient servant,     A A Murray Ker, Newbliss.

Henry Skeath has sent me interesting information with regard to Dartrey:

I have attached an article (above) from The Northern Standard about a serious fire at Dartrey House in 1856 just ten years after the place was built.

Two good articles on Dartrey appeared in recent editions of the Clogher Record.

In 2004 June Brown detailed the rise and fall of the estate. June was friendly with Lady Edith, the last of the family at Dartrey, and keeps in touch with her descendants.

The 2009 edition contains a well-researched article by June’s granddaughter, Victoria Baird, about Lady Augusta wife of the 1st Earl of Dartrey.

Lady Augusta endowed St. James’s in Rockcorry where a photograph of her still hangs.

St. John’s Church is affectionately known as St. John’s in the Wood.

The Dawson gallery contains a fireplace for the comfort of the family.

In 1996 St. John’s celebrated 275 years of worship and the Rev. J. T. Merry, rector, produced a short history of the parish.

The Dartrey Heritage Group is undertaking wonderful refurbishment work on the mausoleum which was designed by James Wyatt.

The building has been stabilised and a new domed roof erected.

The Rev. Daniel Beaufort visited in 1780 and noted that the sculptural group within, by Joseph Wilton, had cost £1,000.

The quarterly bulletin of the Irish Georgian Society for Jan-Mar 1961includes an article on it.

Wilton’s work suffered at the hands of vandals but there are ambitious plans for restoration.

In 2008 the Heritage Group completed the restoration of a 60-foot column, also designed by James Wyatt, erected in 1807 to the memory of Richard Dawson who was elected to five successive Parliaments.

It stands prominently along the main road.

The 1846 stable block, five sides of an octagon, restored by the Irish Georgian Society in 1961, has been allowed to fall into disrepair again in recent years.

Of Dartrey House, hardly a vestige remains.

Parts of the basement can be seen and the once-graceful terraces on the garden front can still be traced.

It was once one of the finest estates in Ireland.

London residence ~ 30 Curzon Street.

First published in September, 2011.   Dartrey arms courtesy of European Heraldry.

https://lordbelmontinnorthernireland.blogspot.com/2020/08/cootehill-iii.html

The Parliamentary Gazetteer of Ireland tells us that County Monaghan is an inland county, in the centre of the south of the historic province of Ulster.

It is bounded, on the north, by Tyrone; on the east, by Armagh; and on the west, by Cavan and Fermanagh.

Dawson Grove, now Dartrey, County Monaghan,

“A noble and magnificent demesne, the property of the Viscount Cremorne [later Earl of Dartrey], on the southern margin of the barony of Dartrey, is situated on the gorgeous chain of the Cootehill lakes, 1½ miles from Cootehill; and is separated from the rival demesne of Bellamont Forest in County Cavan, only by the narrow belt of one of the main lakes called Dromore.”

“From the contiguity of Dawson Grove and Bellamont Forest, and the beautiful natural lakes which in many places form their line of demarcation, they may be said in various instances to reflect each other.”

“Separately they are splendid residences; conjointly they form a rich combination of many of the elements of landscape.”

On Saturday afternoon four of us met Noel Carney, of Dartrey Heritage Association, who took us to see Dartrey demesne, former seat of the extinct Earls of Dartrey.

This was my first visit to Dartrey, once a very large estate comprising almost 18,000 acres, with extensive boundary walls and picturesque gate lodges (there were eight in total) carrying on interminably.

We stopped off en route at the main entrance lodge of ca1847, fully restored, extended, and inhabited, once incorporating the estate post office.

This lodge is made of ashlar stone, with a Tudor-style entrance surmounted by a blank shield.

Several hundred yards further along the main public road we turned into another driveway, which eventually led us to the “new” stable block, a large, impressive, grand affair comprising five sides in red brick.

This derelict stable block was constructed in the 1840s to replace an older block.

The standard of craftsmanship by masons was remarkable, as Noel pointed out to us.

The bricks were made in situ, and even straw marks could be seen on the ones that had dried on the ground.

The New Stable Block is not in a good state, although it’s not beyond redemption for another purpose, such as apartments or business premises, or units.

It was practically ruinous several decades ago, and today at least it’s in better condition than that.

There used to be a large clock encased in a circular stone feature in the middle of the block, though it has disappeared.

A short distance further on we stopped off at the original, or “Old” stable block of, it is thought, the 1770s.

It, like its younger sibling, is privately owned and closed off.

THEREAFTER we drove through overgrown estate tracks to the Island Bridge, also known as the Iron Bridge, which connects the estate to Black Island.

This is a single-arch bridge, erected in the 1840s, which leads to the glorious mausoleum or temple dedicated to the Lady Anne Dawson.

The skill of the blacksmiths and stonemasons  can be admired on this little bridge, with its superbly carved stone abutments and wrought-iron handrails.

When we crossed the bridge we caught a glimpse of the remains of the great mansion house of Dartrey. All that’s left of it today is the basement and rubble.

Dartrey House (or Castle) was demolished in 1946, because the last member of the Dawsons to live there, Lady Edith, simply couldn’t afford to maintain it, and couldn’t find a buyer.

First published in August, 2020.

https://lordbelmontinnorthernireland.blogspot.com/2020/08/cootehill-iv.html

From the edge of the lake, not far from the Iron Bridge, we could see the site of Dartrey House (or Castle), a very large mansion which was built in 1846.

The Dartrey Estate lies in County Monaghan, though straddles the neighbouring county of Cavan.

Dartey: Basement Cellar (Image: Henry Skeath, 2002)

All that remains of the house are the ruins of the basement and cellars, so it’s almost invisible at ground level from a distance.

Dartrey: Basement Cellar (Image: Henry Skeath, 2002)

The Land Acts deprived great estates like Dartrey and Lough Fea of their income and, when the 2nd Earl of Dartrey died in 1920, without a male heir, the estate was inherited by his eldest daughter, Lady Edith.

Dartrey: Ruins (Image: Henry Skeath, 2002)

Crippled by the immense cost of maintaining Dartrey, its outbuildings, gate lodges, stable block, and everything else, Lady Edith decided initially to sell the contents of the house.

A four-day auction of the contents, including thousands of books from the library, and valuable old-master paintings, was held in 1937.

Lady Edith Windham (1883-1974) couldn’t afford the exorbitant rates bills, and found it impossible to find a buyer for the house, so made the decision to salvage what she could of it, including the slates, staircases, and doors, wooden casings etc, before Dartrey House was finally demolished in 1946.

By this stage Lady Edith was living in the former land steward’s house, not far from the big house itself.

First published in August, 2020. https://theirishaesthete.com/2014/09/15/a-shining-distinction-on-earth/

A Shining Distinction on Earth

by theirishaesthete

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The Dawson family of County Monaghan came from Yorkshire to Ireland during the reign of Elizabeth I, Thomas Dawson becoming a Burgess of Armagh. Subsequently Richard Dawson, a Cromwellian cornet of horse, assembled the nucleus of the family’s estate in the 1650s and 1660s through the acquisition of thirty-one townlands, based around a property called Dawson’s Grove on the banks of a chain of lakes separating counties Cavan and Monaghan. Richard Dawson’s only child, a daughter named Frances, married her cousin Walter Dawson. Their son Richard was an Alderman of Dublin, an MP for County Kilkenny and the owner of a family bank. He further expanded the estates both in County Monaghan and elsewhere. With his wife Elizabeth, daughter of John Vesey, Archbishop of Tuam, he had four children, their third son being Thomas Dawson born in 1725. After coming into his inheritance the latter built a new house at Dawson’s Grove in the early 1770s and also bought and redeveloped a residence in London, Cremorne House, Chelsea where the garden designer Nathaniel Richmond was commissioned to lay out the grounds (although the house is long gone, this is now the site of Cremorne Gardens, just down river from Battersea Bridge). In May 1770 Thomas Dawson was created Baron Dartrey of Dawson’s Grove, and in June 1785 Viscount Cremorne. 

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In August 1754 Thomas Dawson married Lady Anne Fermor, youngest daughter of the first Earl of Pomfret, with whom he had two children before she died in March 1769. Her husband’s grief was considerable, but not so great as to prevent his marrying just over a year later Philadelphia Hannah Freame. She was the granddaughter of William Penn, whose family owned land in County Cork but who is better known as the founder of Pennsylvania. By his second marriage to Hannah Callowhill William Penn had eight children one of whom, Thomas Penn, married Lady Juliana Fermor, eldest daughter of Lord Pomfret. This explains how Thomas Dawson should have met his second wife Philadelphia, whose mother Margaret Freame, was another of William Penn’s children. In other words, he married his first wife’s niece. And, as her name indicates, she was born in the city of Philadelphia in 1740. 

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Philadelphia Freame’s marriage to Thomas Dawson was marked by the building of a house for the Dartrey estate’s agent, Charles Mayne, which was then given the name Freame Mount. Lady Anne Fermor, however, was commemorated in a more original fashion with the construction of a mausoleum which stands in the middle of Black Island on raised ground facing the former site of Dawson’s Grove. Based on a surviving elevation for the west front which shows the inspiration of the Pantheon in Rome, the design of the Dartrey Mausoleum has been attributed to James Wyatt, making it the English architect’s first commission in Ireland and contemporaneous with Wyatt’s Pantheon, the famous assembly rooms on London’s Oxford Street.
The building in Monaghan is a tall, square block built of locally-fired red brick raised on a limestone plinth. The exterior, featuring a sequence of blind windows and oculi, is relieved on the western front (which would have been visible from Dawson’s Grove) by a shallow tetrastyle portico with four pilasters (note their unusual fluted capitals) beneath a pedimented entablature. Above this cube rises a dome, its open centre providing the only light for the interior which would have been even more dramatic when viewed on nights with a full moon. 

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In August 1774 the Dublin Hibernian Journal reported, ‘A few days ago was landed in Dublin a beautiful Marble Monument done by Joseph Wilton, Esq., of Portland Street, London, which Lord Dartrey is to erect in a Temple at his seat in Co. Monaghan, to the memory of his late wife, Lady Anne Dawson, daughter of the late Earl of Pomfret.’ The London-born Wilton, a founder-member of the Royal Academy, had in 1764 been appointed ‘Sculptor to his Majesty’ by George III. His funerary monument in the Dartrey Mausoleum, for which he was paid 1,000 guineas, is the only commission he received in Ireland; during the same period he also sculpted a bust of Thomas Dawson, now in the Yale Center for British Art.
Like that piece, Wilton’s work inside the mausoleum is carved in Carrara marble and was installed against the eastern wall above a plain altar. A plaque recalls both Lady Anne, described as possessing ‘all the external Advantages which contribute to form a shining Distinction on Earth’, and the couple’s prematurely deceased daughter Henrietta Anne ‘who lived long enough to justify all the fairest Hopes of a Mother.’ To one side of a large funerary urn are the lifesize figures of Lady Anne’s grieving husband and their young son clinging to his father in both terror and sorrow; the pair of them gaze up at the hovering form of an interceding angel. It is a remarkably theatrical piece of work, and must have been especially effective when seen by moonlight. 

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The subsequent fortunes of the Dartrey Mausoleum have been mixed. At some date in the 19th century, the dome was taken, or fell, down and replaced with a shallow slated pyramidal roof, and the brick walls plastered. The last member of the Dawson family to live at Dartrey, Lady Edith Windham, eldest child of the second Earl of Dartrey, sold the estate in 1946 to the Irish Forestry Commission (now Coillte) which continues to own the land on which the mausoleum stands. Dawson’s Grove, rebuilt in the 1840s as Dartrey Castle, was demolished and the view across to Black Island obscured by dense planting of evergreen woodland. Meanwhile the mausoleum was left to languish and although the Irish Georgian Society undertook some repairs in the 1960s, the building succumbed to decay, its roof was lost and the sculptural group – as can be seen in photographs above – seriously vandalised.
Such might have remained the case, had it not been for the energy, imagination and commitment of a local group, the Dartrey Heritage Association which over the past decade has steadily worked to ensure the restoration of this outstanding monument. Securing funding from a variety of sources, including the local County Council, the Heritage Council and once more the Irish Georgian Society, together with monies raised by other means, the DHA has now almost completed this project. The building is once more intact and with a domed roof, and inside the sculptural group has been repaired with missing sections scrupulously replaced. The entire project is a wonderful testament to what can be achievied by a local voluntary body with sufficient determination and persistence, and ought to serve as an example for others throughout the country. Above all the restoration of the Dartrey Mausoleum shows that nothing is beyond salvation, provided the will is there. 

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https://theirishaesthete.com/2014/09/23/their-faithful-representative/

Their Faithful Representative

by theirishaesthete

dartrey 1

In the late 18th century, Thomas Dawson, Viscount Cremorne, passed responsibility for his Irish estate Dawson’s Grove, County Monaghan to his heir and nephew, Richard Dawson. To the dismay of his uncle, Richard – who served as a local MP in the Irish parliament – proved to be something of a radical and in 1799 consistently voted against the Act of Union. In the event, he died eight years later (predeceasing Lord Cremorne) after which he was remembered as being ‘the most active in promoting improvements, the most useful and the most popular man this country ever knew.’
As evidence, in the aftermath of his death, a fifty-eight foot high limestone Doric column surmounted by a funerary urn was erected on the edge of the Dawson’s Grove demesne. The arms of the Dawson family appear on two sides of the monument’s square base plinth and the following inscription on the other two sides: ‘This column was erected by the free and independent electors of the county of Monaghan to perpetuate the memory of Richard Dawson Esq., who was unanimously returned by them to five successive parliaments. He died their faithful representative on 3 September 1807, aged 44 years.’ The column, its design attributed to James Wyatt, has been restored in recent years. Dawson’s Grove was eventually inherited by Richard Dawson’s son, another Richard, who in 1813 became Baron Cremorne.

Trimleston Castle (Tremblestown, Trimlestown), Kildalkey, Co Meath – ruin

Trimleston Castle (Tremblestown, Trimlestown), Kildalkey, Co Meath

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

as in Lord Belmont…”…Here lived 12th Lord Trimlestown, a celebrated figure in mid-C18 Ireland; he kept a large eagle chained up by the front door and he had a magnificent coach which had been presented to him by Mashal Saxe; for, as a Catholic, he had spent much of his life abroad, where he had acquired skill in medicine, so that he would treat the poor of the neighbourhood gratuitously; he also treated a fashionable lady for the vapours by getting four assistants to threaten her with rods in a darkened room. In time, the castle had a fine formal garden… Early in C19, the castle was adorned with what a contemporary described as “ornamental towers, an embattled parapet and other marks of the style which prevailed in the latter part of the sixteenth century.” soon afterwards, however, it was abandoned by the family, and fell into ruin.

Record of Protected Structures:

Tremblestown Castle, townland: Tremblestown, town: Trim

Medieval towerhouse with18thC house added, and 19thC

crennelations – barnwell mausoleum, a plain single cell with

some simple slabs to the north in a field.

In Blake, Tarquin. Abandoned Mansions of Ireland II: More Portraits of Forgotten Stately Homes. Collins Press, Cork, 2012.

The Landed Gentry and Aristocracy: County Meath. Volume 1. Art Kavanagh, 2005.

Barnewall of Trimlestown, p. 19.

Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

p. 115. “An 18C house incorporating a tower house. The building was further altered in the early 19C. Now a ruin.”

https://lordbelmontinnorthernireland.blogspot.com/2015/12/1st-baron-trimlestown.html

THE BARONS TRIMLESTOWN OWNED 3,025 ACRES OF LAND IN COUNTY MEATH

This family, whose surname was anciently written De Barneval and Barnewall, deduces its lineage from remote antiquity, and claims, among its earliest progenitors, personages of the most eminent renown. It is the parent stock whence the noble houses of BARNEWALL and TRIMLESTOWN branched.

The name of its patriarch is to be found, with the other companions in arms of WILLIAM THE CONQUEROR, in the roll of Battle Abbey. In Ireland, the Barnewalls came under the denomination of “Strongbowians“, having established themselves there in 1172, under the banner of Richard de Clare, 2nd Earl of Pembroke, commonly called Strongbow.

SIR MICHAEL DE BERNEVAL, Knight, the first settler, joined the English expedition, with three armed ships, and effected a descent upon Berehaven, County Cork, previous to the landing of his chief, the Earl of Pembroke, in the province of Leinster.

Sir Michael is mentioned in the records at the Tower of London as one of the leading captains in the enterprise; and in the reigns of HENRY II and RICHARD I, he was lord, by tenure, of Berehaven and Bantry.

From this gallant and successful soldier we pass to

SIR ULPHRAM DE BERNEVAL, Knight, the tenth in descent, first possessor of Crickstown Castle and estate, and the founder of what was termed the “Crickstown Branch” of the family.

The great-grandson of this Sir Ulphram,

NICHOLAS DE BERNEVALL (fourth of the same Christian name), married a daughter of the Lord Furnivall, and left three sons,

Christopher (Sir), father of 1st Baron Trimlestown;
John, ancestor of the Barons Kingsland;
Barnaby (Sir), an eminent lawyer.

The eldest son,

SIR CHRISTOPHER BARNEWALL (c1400-46), as the name began to be spelt, succeeded to the patrimonial estate of Crickstown; and was, in 1445 and 1446, Vice-Treasurer of Ireland and Lord Chief Justice of Ireland.

He married Matilda, daughter of Sir _____ Drake, of Drakerath, and had two sons, of whom the younger,

SIR ROBERT BARNEWALL, Knight, was elevated to the peerage by EDWARD IV, in 1461, in the dignity of BARON TRIMLESTOWN, of Trimlestown, County Meath.

The next patent of creation that occurs” said the historian, William Lynch, in his work on Feudal Dignities, “is one of considerable importance, as being the first grant (in Ireland) of any description of peerage conveying, by express words, the dignity of a baron of parliament.”

The patent was dated in the second year of EDWARD IV’s reign, and thereby the King ordained and constituted Sir Robert Barnewall, Knight, for his good services to His Majesty’s father when in Ireland, as essendum unum baronum parliamenti nostri infra terram nostram prædictam, to hold to him and the heirs male of his body lawfully begotten, and to be called by the name of Domini et Baronis de Trymleteston, etc;

And also that the said Sir Robert should be one of his, the King’s, Council within the said land during his life, with the fee of £10 yearly, payable out of the fee-farm of Salmon Leap and Chapelizod etc.

His lordship wedded firstly, Elizabeth Broune, by whom he acquired a considerable estate, and had two sons,

CHRISTOPHER (Sir), his heir;
Thomas.

He espoused secondly, Anne, daughter of Sir Thomas Plunkett, but had no other issue.

His lordship was succeeded at his decease in 1470 by his elder son,

CHRISTOPHER, 2nd Baron; who obtained a pardon for his participation in the treason of Lambert Simnel.

His lordship married Elizabeth, daughter of Sir Thomas Plunkett, of Rathmore, and had issue,

JOHN, his heir;
Robert;
Ismay;
a daughter;
Alison.

His lordship died ca 1513, and was succeeded by his eldest son,

JOHN, 3rd Baron (1470-1538), an eminent judge and politician, who wedded no less than four times, and was succeeded at his decease by the only son of his first wife, Janet, daughter of John Bellew, of Bellewstown,

PATRICK, 4th Baron, who espoused Catherine, daughter of Richard Taylor, of Swords, County Dublin, and widow of Richard Delahyde, Recorder of Drogheda.

His lordship died in 1562, and was succeeded by his eldest son,

ROBERT, 5th Baron, who married Anne, only daughter of Alderman Richard Fyan, Mayor of Dublin; but dying issueless, in 1573, the barony devolved upon his brother,

PETER, 6th Baron. This nobleman dying in 1598, was succeeded by his only son, by Catherine, daughter of the Hon Sir Christopher Nugent, and granddaughter of Richard, 11th Baron Delvin,

ROBERT, 7th Baron (c1574-1639), who wedded Genet, daughter of Thomas Talbot, of Dardistown, County Meath, by whom he had issue,

Christopher, father of MATTHIAS, 8th Baron;
John;
Patrick;
Richard;
Matthew;
Mary; Catherine; Ismay.

His lordship had a memorable dispute with the Lord Dunsany regarding precedency, which was decided in favour of Lord Trimlestown by the Privy Council in 1634.

He was succeeded by his grandson,

MATTHIAS, 8th Baron (1614-67), eldest son of the Hon Christopher Barnewall, by Elizabeth, daughter of Sir Edward FitzGerald, Knight.

This nobleman serving against the usurper CROMWELL was excepted from pardon for life, and had his estates sequestered; but surviving the season of rebellion and rapacity, he regained a considerable portion of his lands.

His lordship espoused, in 1641, Jane, daughter of Nicholas, 1st Viscount Netterville, and was succeeded by his only surviving son,

ROBERT, 9th Baron, who married Margaret, daughter of Sir John Dungan Bt, and niece of William, Earl of Limerick, by whom he had two sons and five daughters,

MATTHIAS, 10th Baron;
JOHN, 11th Baron;
Jane; Bridget; Dymna; Catharine; Mary.

His lordship sat in JAMES II’s parliament in 1689, and dying in June that year, was succeeded by his eldest son,

MATTHIAS, 10th Baron, who had a commission in the 1st Troop of King James’s guards under the Duke of Berwick, and fell in action against the Germans in 1692, when the barony devolved upon his brother,

JOHN, 11th Baron (1672-1746). The 10th Baron having been attainted by WILLIAM III, that monarch granted the family estates to Henry Sydney, 1st Earl of Romney; but those estates were subsequently recovered at law, and were enjoyed by the house of Trimlestown.

His lordship wedded Mary, only daughter of Sir John Barnewall, Knight, second son of Sir Patrick Barnewall Bt, of Crickstown, by whom he six sons and four daughters,

ROBERT, his heir;
John;
Richard;
Thomas;
James;
Anthony;
Thomasine; Margaret; Bridget; Catharine.

His lordship was succeeded by his eldest son,

ROBERT, 12th Baron (c1704-79); who lived for many years in France, and pursued the study of medicine with great success.

After his return to Ireland he resided at Trimlestown, and gratuitously and freely communicated his advice to all who applied for it.

His lordship was succeeded at his decease by his eldest surviving son,

THOMAS, 13th Baron, a Knight of Malta, who conformed to the established church, and had a confirmation of the dignity (which, although adopted, was unacknowledged from the time of CROMWELL), in 1795.

His lordship dying unmarried, the title reverted to his cousin,

NICHOLAS, 14th Baron (1726-1813), who espoused firstly, in 1768, Martha Henrietta, only daughter of Monsieur Joseph D’Aquin, president of the parliament of Toulouse, by whom he had issue,

JOHN THOMAS, his heir;
Rosalia.

He married secondly, in 1797, Alicia, second daughter of Major-General Charles Eustace.

His lordship was succeeded by his son,

JOHN THOMAS, 15th Baron (1773-1839), who wedded, in 1794, Maria Theresa, daughter of Richard Kirwan, of Gregg, County Galway, and had issue,

THOMAS;
Martha Henrietta.

His lordship was succeeded by his son,

THOMAS, 16th Baron (1796-1879), who espoused, in 1836, Margaret Randalina, eldest daughter of Philip Roche, of Donore, County Kildare, and had issue,

THOMAS, died in infancy;
Anna Maria Louisa.

His lordship died without surviving male issue, when the barony became dormant.

In 1891, however, the peerage was was claimed by

CHRISTOPHER PATRICK MARY, de jure 17th Baron (1846-91), a descendant of the Hon Patrick Barnewall, second son of the 7th Baron.

The 17th Baron died before he had fully established his claim; but in 1893, his younger brother,

CHARLES ALOYSIUS, 18th Baron (1861-1937), was confirmed in the title by the Committee for Privileges of the House of Lords.

His lordship married, in 1889, Margaret Theresa, daughter of Richard John Stephens, of Brisbane, Australia, and had issue,

Reginald Nicholas Francis (1897-1918), killed in action;
CHARLES ALOYSIUS, of whom presently;
Ivy Esmay; Marcella Hilda Charlotte; Letitia Anne Margaret; Geraldine Christia Marjory.

He wedded secondly, in 1907, Mabel Florence, daughter of William Robert Shuff, of Torquay, Devon; and thirdly, in 1930, Josephine Francesca, fourth but second surviving daughter of the Rt Hon Sir Christopher John Nixon Bt, of Roebuck Grove, Milltown, County Dublin.


His lordship was succeeded by his second son,

CHARLES ALOYSIUS, 19th Baron (1899-1990), who espoused, in 1926, Muriel, only child of Edward Oskar Schneider, of Mansfield Lodge, Manchester, and had issue,

ANTHONY EDWARD, 20th Baron;
RAYMOND CHARLES, 21st Baron;
Diane.

He married secondly, in 1952, Freda Kathleen, daughter of Alfred Allen Atkins, of Ross-on-Wye, Herefordshire.

His lordship was succeeded by his eldest son,

ANTHONY EDWARD, 20th Baron (1928-97), who wedded firstly, in 1963, Lorna Margaret Marion, daughter of Charles Douglas Ramsay; and secondly, in 1977, Mary Wonderly, eldest daughter of Judge Thomas Francis McAllister, of Grand Rapids, Michigan, USA.

His lordship died without issue, when the honours devolved upon his brother,

RAYMOND CHARLES, 21st Baron, born in 1930, of Chiddingfold, Surrey.

There is no obvious heir presumptive to the Barony of Trimlestown.

An heir presumptive may be found amongst the descendants, if any, of Thomas Barnewall, of Bloomsbury, London, a cousin of the 17th and 18th Barons Trimlestown.

TURVEY HOUSE, Donabate, County Dublin, was a late 17th century mansion comprising two storeys below a gabled attic storey.

The upper storey has three distinctive lunette windows added between 1725-50.

The house has nine bays and lofty, narrow windows grouped in threes.

This was once the seat of the extinct Viscounts Barnewall (of Kingsland); though subsequently it passed to a kinsman, the 13th Baron Trimlestown.

TRIMLESTOWN CASTLE, Kildalkey, County Meath, is a medieval tower-house with an 18th century house attached.

In the 19th century, the castle was adorned with ornamental towers, an embattled parapet, and other marks of the style which prevailed in the latter part of the 16th century.

Shortly afterwards, however, the family abandoned the castle and it became ruinous.

First published in December, 2015.  Trimlestown arms courtesy of European Heraldry.

https://meathhistoryhub.ie/houses-r-z/

The ruins of Trimblestown Castle stand to the west of Trim on the banks of the Trimblestown River. The Castle was erected by the Barnwall’s, Barons Trimleston. The place is also known by variations of the name: Tremblestown also Tremleston, Trimlestown and Trimleston. 

Hugh de Lacy may have erected a motte at Trimblestown and there is a large mound to one side of the castle but this has also been identified as a tumulus from earlier times. A village may have grown up around the castle, an extensive field system exists surrounding the castle. 

In 1461 Robert Barnewall was created Baron Trimleston by Edward IV. The family were very active in affairs of state and also in defending the Pale against attack from the Irish. The second Baron, Christopher, was implicated in the Lambert Simnel affair but received a pardon in 1488. His son, John, the third Baron, served as Lord Chancellor of Ireland from 1534 until his death in 1538. In 1597 Hugh O’Neill defeated the government forces, led by Barnewall, Lord Trimleston,  at the battle of Tyrrell’s pass in Westmeath. Barnewall’s son was taken prisoner. 

Mathias, Lord Trimleston, was one of the Old English lords of the Pale who met on the Hill of Tara in 1642 and was then outlawed by the English authorities. Mathias was sentenced to be transplanted to Connacht by Cromwell in October 1653 but managed to delay it until 1655 and was granted 1462 acres belonging to the Frenchs of Monivea, Co. Galway. The Barnewalls share the same family motto with the French family: Malo mori quam foederi, I would rather die than be dishonoured. In 1647 General Jones took the castle for the English forces. Trimleston regained Trimblestown and lands in Meath and Dublin after the Restoration and also managed to hold onto lands in Connacht. Matthias died at Monivea in 1667 and was buried in Kilconnel Abbey. 

Matthias, the next baron, supported James II and his estate and title were forfeited. The next barons took the title but were not recognised as they were Roman Catholics. 

Robert Barnewall, the 12th Baron was educated in France and was noted for his medicinal skills which he used to treat local residents. 

There is a Barnwall County in South Carolina. This may be named after a member of the Trimblestown Barnewalls. Colonel John Barnwall acquired the nickname ‘Tuscarora Jack’  following a successful expedition against the Tuscarora Indians to North Carolina in 1711-1712. Barnwell County was called Winton County until 1785 when it was re-named in honour of John Barnwell, a Revolutionary War hero. Robert W. Barnwall, a descendant, was to the forefront of the foundation of the Confederate states of America. 

The lands amounting to 681 acres were in the possession of the Hon. Anna Barnewall in 1925 when it was taken over by the Land Commission. As the only daughter of the 16th Baron she married Robert Elliot of Scotland. Her burial site is in the Scottish highlands and there a stained glass window in the church commemorates her: “A kinder hearted and most utterly unselfish woman never lived.” 

The 20th Baron Trimleston died at the age of 69 in 1997 and his successor is his brother, Raymond Barnewell, a dairy farmer who lives in England, but he has no children to succeed to the title. 

Trimblestown Castle was a three-storey tower-house erected in the fifteenth century possibly by the first Baron Trimleston. There is a loft above the ground floor with a barrel vault above that. High up on the tower wall is a plaque commemorating the marriage of the sixth baron to Katherine Nugent, daughter of Lord Delvin. In the mid-18th century the 12th Lord Trimleston attached a new three-storey house at the north of the tower-house. This has a fine bow projection in the east wall. Early in the 19th century the house was decorated with crenellations and ornamental turrets in the style of the late 16th century. In the early 1800s the castle was abandoned by the family. The castle was in ruins by the 1840s and the demesne was being farmed by a Mr. Allen. The noted horse trainer, Frank Barbour, erected stables and a house at Trimblestown about 1915. 

To the north of the castle is an old graveyard in which is located a small stone-built chapel containing the 1680 tomb of Margaret, wife of the ninth Baron Trimleston. This chapel was recently restored by a local committee. 

This poetic gravestone is from Trimblestown. 

Beneath this stone Silvester lies, 

Whose ashes mingles with the Blighs, 

He passed through life unstained with pride, 

We wept and lamented when he did 

His sons whose youth he ne’er neglected 

In gratitude his stone erected. 

The Landed Gentry and Aristocracy: County Meath. Volume 1. Art Kavanagh, 2005. 

Barnewall of Trimlestown, p. 19. 

https://theirishaesthete.com/2018/12/10/trimlestown/

Fallen Out of Use

by theirishaesthete

Trimlestown Castle, County Meath, photograph by Robert O’Byrne.


Baron Trimlestown is one of the oldest titles in Ireland, created in 1461 for Sir Robert Barnewall. The family were of Norman origin, their name originally de Berneval (from the small seaside town of Berneval-le-Grand, where Oscar Wilde stayed following his release from Reading Gaol in June 1897). Having first moved to England, following the Battle of Hastings in 1066, they followed Richard de Clare to Ireland, the first to do so, Sir Michael de Berneval, landing in Cork in 1172. Rising to power in the Pale, they were responsible for building Drimnagh Castle, now in a suburb of Dublin, and then gradually acquired substantial land holdings in County Meath. Here in Trimblestown, a few miles west of the town of Trim, they erected a mighty castle, probably in the 15th century and perhaps around the time that the title of baron was granted to Sir Robert Barnewall.

Trimlestown Castle, County Meath, photograph by Robert O’Byrne.
Trimlestown Castle, County Meath, photograph by Robert O’Byrne.
Trimlestown Castle, County Meath, photograph by Robert O’Byrne.
Trimlestown Castle, County Meath, photograph by Robert O’Byrne.
Trimlestown Castle, County Meath, photograph by Robert O’Byrne.






The core of Trimblestown Castle is late mediaeval, rising three storeys and with a massive square tower in the south-west corner. The main block is some 114 feet long and 40 feet wide, internally dominated by a two-storey vaulted great hall that faces towards the river Trimlestown: the exterior of this side is marked by massive corner buttresses. On the south-east side of the tower there is (or perhaps was) a shield bearing the arms of the Barnewall and Nugent families – the two had intermarried – but whether it remains in place is impossible to tell due to vegetation covering much of the walls. Considerable alterations to the building were undertaken in the 18th and 19th centuries, when a large addition was made on the northern section of the site. It is likely that at this time towers similar to those on the river front were demolished and a modern house built, the most notable feature of this being a large bow-front with views to the east. Similarities with the work undertaken during the same period at Louth Castle (see Saintly Connections, August 28th 2017) have led to suggestions that Richard Johnston might have been the architect responsible in both instances. This may have happened around 1797 when the 14th Lord Trimlestown, then aged 70, married a woman less than a third of his age: the suggestion is that she got a new house in return for an old husband. Soon afterwards, her husband also inherited Turvey, County Dublin from a distant cousin and in due course the family moved there, leaving Trimblestown Castle to slip into decay.

Trimlestown Castle, County Meath, photograph by Robert O’Byrne.
Trimlestown Castle, County Meath, photograph by Robert O’Byrne.
Trimlestown Castle, County Meath, photograph by Robert O’Byrne.
Trimlestown Castle, County Meath, photograph by Robert O’Byrne.
Trimlestown Castle, County Meath, photograph by Robert O’Byrne.






For much of the 18th century, although the Barnewalls held onto the greater part of their lands, they were unable to use the title Baron Trimlestown. Their problems had begun in the 1640s when Matthias, eighth Lord Trimlestown, had supported the royalist cause, deprived of his estates by Cromwell and banished to County Galway. Following the restoration of the monarchy in 1660, he regained the greater part of his original property, but remained true to the Roman Catholic faith, as did his son Robert who sat in James II’s parliament in 1689. The next couple of heirs, because of their support for the Jacobite cause and their loyalty to Catholicism, were not allowed to use the old title. They lived in France and it was only in 1746 that Robert Barnewall (who claimed the title of twelfth Lord Trimlestown) returned to Ireland and took up residence in the old castle. It is likely to have been during his lifetime (he died in 1779) that the building was first modernised. As an ardent supporter of the Catholic cause, it must have been a blow to him when his heir Thomas conformed to the Established Church (thereby reversing the government attainder and allowing him to be acknowledged after his father’s death as the 13th Lord Trimlestown). Thereafter one generation succeeded another, although more than once the title had to go to a cousin as there was no direct heir. However while there is still a Lord Trimlestown – the 21st – he has no known heirs. It seems likely that after more than 550 years one of Ireland’s oldest peerages will go the same way as the castle from which its name was derived, and fall out of use.

Trimlestown Castle, County Meath, photograph by Robert O’Byrne.

https://landedfamilies.blogspot.com/search/label/Ireland?updated-max=2020-04-02T14:59:00%2B01:00&max-results=20&start=5&by-date=false

Barnewall of Trimlestown Castle and Turvey House, Barons Trimlestown and Viscounts Barnewall of Kingsland 

he Barnewall family has its roots deep in the soup of myth and legend that is the genealogy of medieval Britain and Ireland. It is said that ‘Le Sieur de Barneville’ hailed from Brittany and was one of the companions of William the Conqueror when he invaded England in 1066, but neither this name nor its many variants (de Barneville; de Barneval, Barnewill, Barnwell etc) seem to occur in Domesday Book. A century later, some members of the family were granted lands in Ireland and settled there, only to be slain by the native Irish. The sole survivor was Hugh (or Ulphran) de Barneville, who was away studying law in England. He is said to have made a fresh start with a grant of lands from King John at Drymnagh and Tyrenure in the Vale of Dublin which his descendants retained until the early 17th century. By the 14th century, they also owned Crickstown in Co. Meath, and Sir Christopher de Barneval (fl. 1386), with whom the genealogy below begins, was seated there. Many of the early generations of the family were both knights involved in military service and lawyers, and from the time the earliest records begin in the 15th century they were receiving their legal training at the inns of court in London. This metropolitan experience and the sophistication it bred meant that they were in demand as administrators and judges back in Ireland. Sir Christopher Barnewall (d. 1446), who was probably trained in London, was appointed a Serjeant-at-Law in Ireland in 1408, King’s Serjeant in 1420, and went on to be Chief Justice of Kings Bench from 1435 and Lord Treasurer of Ireland from 1437. He had two recorded sons, the elder of whom, Sir Nicholas Barnewall (d. c.1465), was Chief Justice of King’s Bench, 1457-63 and inherited Crickstown, and the younger of whom, Sir Robert Barnewall (d. c.1471), pursued a military career in the service of the Duke of York and was raised to the peerage as Baron Trimleston (later usually spelled Trimlestown) in 1461. Sir Nicholas’ descendants continued to hold Crickstown into the 17th century, and a cadet branch of the family became Viscounts Barnewall of Kingsland in 1646. 
 
For the moment, however, I want to stay with Sir Robert Barnewall (d. c.1471), 1st Baron Trimlestown, and his descendants. Sir Robert himself married  the heiress of the Le Brun family, who brought him a significant property in Co. Meath, including Trimlestown itself, where he seems to have erected the castle of which parts stand today, albeit in a ruinous condition. His property descended to his eldest son, Sir Christopher Barnewall (d. by 1513), 2nd Baron Trimlestown, who was involved in the Yorkist conspiracy to pass off Lambert Simnel as one of the murdered Princes in the Tower. He can only have been peripherally involved, however, for he was pardoned for his part in the affair and went on to see important military service under King Henry VII’s Lord Deputy in Ireland, the Earl of Kildare. His two sons, John Barnewall (1470-1538), 3rd Baron Trimlestown, and Robert Barnewall (d. by 1547), were both trained as lawyers in London, but it was the elder brother, John, who had the most distinguished career, ending up as Lord High Treasurer and finally as Lord Chancellor of Ireland, roles in which his duties seem to have been as much military as judicial. 
 
The 3rd Baron’s eldest son, Patrick Barnewell (d. c.1462), 4th Baron Trimlestown, sat in the Parliament of 1541 which acknowledged Henry VIII as King of Ireland and at the beginning of Elizabeth’s reign was ‘a ready and willing nobleman in the Queen’s service’. The divisive question of the age was, of course, the breakaway of the English Crown from the Roman Catholic Church, and the attendant dissolution of the monasteries. In England, these measures commanded majority though not universal support, but in Ireland the picture was very different. We do not really know what the personal views of the 4th and 5th Barons were on religion: they probably espoused the government’s position in public and kept to the traditional ways in private. That was at first a tenable position, but Sir Peter Barnewall (c.1540-98), 6th Baron Trimlestown, found it much more difficult to sustain and by the time of the Spanish Armada in 1588 he was recognised as a Catholic and suspected of communication with the enemy. His son, Robert Barnewall (c.1574-1639), 7th Baron Trimlestown, was loyal to the Crown, but could not refrain from protesting about the increasingly severe restrictions on Catholics, and by 1615 he was regarded as ‘a busy and violent recusant’. His grandson, Mathias Barnewall (c.1614-67), 8th Baron Trimlestown, was one of the leaders of the 1641 Catholic uprising, and was outlawed and deprived of his estates in 1642, and in 1653 exiled to County Galway. Although he recovered part of his property at the Restoration (and his son recovered more in 1667), it was all lost again by the 10th Baron, who was Colonel of a Jacobite regiment after the Battle of the Boyne. For being in arms against William III he was attainted in April 1691 and forfeited his peerage and estates. After the Treaty of Limerick, he followed James II into exile in France, where he joined the Irish Brigade and was killed at the Battle of Roumont in September 1692. His son, John Barnewall (1672-1746), was just too young to have been involved in any fighting, and although there can be little doubt that he was enthusiastic about the Jacobite cause, he managed to recover his father’s estates by July 1695. His attempts to reverse the attainder and recover the peerage were unsuccessful, however, and indeed it was asserted that the outlawry of the 8th Baron in 1642, which had never been reversed, had also had the effect of suspending the peerage. Despite the outlawry and the attainder, however, the title continued to be widely used by and about John and his successors in the 18th century in all but the most official documents. 
 
Although the de jure 11th Baron recovered possession of his estates, there seems little doubt that he divided his time between Ireland and France, and his sons made their careers on the continent. His eldest son and heir, Robert Barnewall (c.1704-79), de jure 12th Baron Trimlestown, studied medicine and botany in France and returned to Ireland on his father’s death with a considerable reputation as a physician: skills which he made available to his Irish neighbours, whether gentle or poor. In later life he became an active advocate for the civil rights of his fellow-Catholics, and in the 1770s he was responsible for drafting a form of oath of allegiance which was acceptable to both the Government and to Irish Catholics. This opened up careers in the army to the Catholic population, and laid the foundation for further measures for Catholic relief which took place after his death. It must therefore have been something of an embarrassment to one so prominent in the Catholic cause that his two sons chose to conform to the Protestant religion. Robert was succeeded by the youngest son of his first marriage, Thomas Barnewall (c.1739-96), who lived in France until the French Revolution took place. In 1790 he left his French property in the hands of an attorney (from whom it was seized by the French state in 1793) and returned to Ireland. It was now more than a century since the attainder on the title of Baron Trimlestown, and with the incumbent a Protestant, the Government seems to have made no difficulty about reversing the attainder on the title, which was done in 1795, after which he was summoned to the Irish House of Lords as 13th Baron Trimlestown. He died the following year, and the revived title passed to his nephew, Nicholas Barnewall (1726-1813), 14th Baron Trimlestown. He had been brought up near Toulouse in France, where he was a leading Freemason, and acquired through his marriage the Chateau Lamirolles, where he lived until the French Revolution. His wife having died in 1782, he then moved to England, where he seems to have lived in Bath until he inherited the Irish estates and peerage from his uncle. In 1797 he married for a second time, taking as his wife a young Irishwoman a third of his age, and this would seem to have been the occasion for a major building campaign at Trimlestown Castle to turn it into a modern house. In 1800, however, Nicholas inherited the extensive estates of his distant kinsman, the 5th Viscount Barnewall of Kingsland, which included Turvey House, and soon afterwards Trimlestown seems to have been abandoned, perhaps with his alterations incomplete. 
 
The combination of the estates of the two most prominent branches of the Barnewall family made the 14th Baron quite rich, and he did his best to ensure that the estates and the title would remain together by entering into a new settlement in 1812 which entailed the property on his own male heirs, but with remainder to his cousin Richard Barnewall (c.1744-1826) and his heirs, who would inherit the title if his own heirs died out first. This was the basis on which the estates followed the title on the death of the 16th Baron in 1879. At the same time as drawing up the settlement, he made a new will, which made such generous provision for his widow that his son, a child of his first marriage, John Thomas Barnewall (1773-1839), 15th Baron Trimlestown – who was exactly the same age as his stepmother – went to law in an attempt to get the will set aside on grounds of undue influence. The feud expanded into a separate dispute about the payment of her jointure. Although he ultimately lost both cases, he strung matters out so that judgement was not given until 1833 and the dowager Lady Trimlestown is said to have received no benefit until 1847, by which time she had been widowed for a second time. The 15th Baron was probably responsible for remodelling Turvey House at some point after 1813, but he also seems to have had houses in London (a town house on the Grosvenor estate), Paris and Naples (Palazzo Calabritti), with a mistress in each place. They were the principal recipients of his personal wealth, for he had fallen out with his only son and daughter-in-law, who received only the entailed property. This may explain why the very comfortable finances of the 14th and 15th Barons did not continue. Thomas Barnewall (1796-1879), 16th Baron Trimlestown, leased out Turvey House and gave up the lease on his father’s London house (which the Marquess of Westminster demolished in order to build the colonnaded forecourt of Grosvenor House). He took instead a smaller house on the Grosvenor estate in Park Lane, which he remodelled in 1853. Since the 16th Baron had no surviving sons, on his death in 1879 the entailed family estates passed to a distant kinsman, Christopher Patrick Mary Barnewall (1846-91), who was the great-great-great-great-great-great grandson of the 7th Baron, who had died in 1639. With such a very distant connection, it was obviously difficult to conclusively prove his right to the peerage, and a claim was not submitted to the Committee of Privileges of the House of Lords until 1891. A decision had still not been made when Christopher died in 1893, but his brother Charles Aloysius Barnewall (1861-1937) was soon afterwards confirmed as 18th Baron Trimlestown (Christopher being counted as the 17th Baron). Once again, no personal wealth accompanied the title and entailed estates, and since the new Lord Trimlestown’s family had been gentlemen farmers in County Meath for many generations, he was very much the archetypal improverished Irish peer. He sold Turvey House, which had been tenanted for many years, in about 1902. In 1907 he inherited, perhaps unexpectedly, Bloomsbury House in County Meath, but after living there briefly in the years around the First World War, that too was sold in 1920. As an aside, it may be noted that in 1930, the young John Betjeman became rather obsessed by the combination of ancient lineage and complete obscurity which was represented most notably by Lord Trimlestown, and sought him out at Bloomsbury, only to find that he had sold the place a decade before. 
 
Despite the sales, Lord Trimlestown still owned more than 6,000 acres at his death in 1937. His heir was his son, Charles Aloysius Barnewall (1899-1990), 19th Baron Trimlestown, who farmed in Devon, and it is not clear when any remaining Irish property was sold. The 19th Baron left two sons, who succeeded in turn to the title. The present peer, Raymond Charles Barnewall (b. 1930), 21st Baron Trimlestown, also farmed in Devon until his retirement and now lives in Surrey. He is unmarried and there is no known heir to the peerage, which will become dormant on his death. It seems entirely possible that there is a legitimate heir amongst the many descendants who must exist of the earlier barons, but the chances of any of them being able to prove that they have the senior claim seem much more remote. 
 
To return to the early period of the Barnewall family, the second son of Sir Christopher Barnewall (fl. 1386) was John Barnewall (fl. 1426) of Frankestown (Co. Meath). His son, Sir Richard Barnewall settled at Fieldston in the parish of Clonmethan (Co. Dublin), which was inherited in due course by his grandson, Sir Patrick Barnewall (d. 1552). Sir Patrick, like his contemporaries in the Trimlestown branch of the family, was trained as a lawyer in London, at Grays Inn, and became a serjeant-at-law in Ireland, King’s Serjeant and Solicitor General, 1534-50, and finally Master of the Rolls in Ireland, 1550-52. He was responsible for securing the establishment of an inn of court in Dublin (King’s Inns) in 1538, and was also an MP in the Irish parliament. Although he initially opposed the dissolution of the monasteries, he was granted the sites and lands of Gracedieu Priory in Co. Dublin and Knocktopher Abbey in Co. Kilkenny, as well as leases of some of the lands of St Patrick’s Cathedral, Dublin in the parishes of Swords and Clonmethan where his other lands lay. This generous greasing of the wheels of the Reformation overcame his scruples and laid the foundations of his descendants’ prosperity. His son and heir, Sir Christopher Barnewall (1522-75), was, however, a man of stronger principles, and although not so quixotic as to disclaim his inheritance of monastic lands, he emerged as a steadfast opponent of the Protestant administration, who was willing to shelter the priest and future martyr, Edmund Campion, for a few days in 1569. In 1556 he was granted the Turvey estate at Donabate, on which he built Turvey House, reputedly using stone from Gracedieu Priory. Turvey House became the principal seat of his descendants for several hundred years. His eldest surviving son and heir, Sir Patrick Barnewall (c.1558-1622) was also a committed Catholic and an even more outspoken critic of the Government’s religious policy – as a result of which he spent short periods in prison or under house arrest on several occasions – but he balanced this with a personal loyalty to successive monarchs and marriage ties with the Protestant hierarchy that offered him some protection.  
 
Sir Patrick was succeeded at Turvey House by his son, Sir Nicholas Barnewall (1592-1663), who at the outbreak of the Rebellion of 1641 had a commission to raise such troops as he could muster for the defence of County Dublin. This must have severely tested his loyalties, since many of his friends and relatives joined the rebels (his kinsman Lord Trimlestown and his son-in-law, Lord Gormanston were among the leaders), and perhaps to avoid testing his loyalty too far he was allowed to travel to London, and later to settle in Wales, where his mother’s family had lands. Despite his disagreements with the Government, he remained strongly Royalist, and in 1642, when the Civil War broke out in England, his son Patrick became a commander in the Royalist army.  In 1644 he returned to Ireland, where he continued to keep out of politics as much as possible, and in 1646 he was rewarded for his masterly inactivity by being raised to the peerage as Viscount Barnewall of Kingsland (which was often, though incorrectly, abbreviated to Viscount Kingsland). Although in the 1650s he was charged with complicity in a plot against the Lord Protector, briefly imprisoned, and his estates in the Pale sequestered, he recovered Turvey House in 1658 and the rest at the Restoration. 
 
When the 1st Viscount died in 1663 he was succeeded by his eldest surviving son, Henry Barnewall (c.1627-88), 2nd Viscount Barnewall of Kingsland, who seems to have been less politically engaged than his father. However his son, Nicholas Barnewall (1668-1725), the 3rd Viscount, was inevitably caught up in the events of 1688-91. As a strong Royalist and a Catholic, it is hardly surprising that he took his seat in James II’s Parliament of 1689, or that he was later an officer in the Jacobite army. He was outlawed for his offences, but under the terms of the Treaty of Limerick in 1691 the outlawry was reversed and he was allowed to return to his estates. He may have spent some time in France at the exiled Court of James II, but the evidence for this is sparse. All that is known for certain is that his wife spent sometime at St. Germain with her mother, then Duchess of Tyrconnel, and that his elder son, Henry Benedict Barnewall (1709-74) had the Cardinal Duke of York as a godfather, which may imply that the baptism took place in France. Henry Benedict, who succeeded as 4th Viscount while still a minor in 1725, became a leading Irish freemason. He was married, but had no issue, so at his death in 1774 his title and property descended to his nephew, George Barnewall (1758-1800), 5th Viscount. He had been brought up in London as a Protestant, and he was therefore eligible to take up his seat in the Irish House of Lords, which he did in 1787. However, at some point in the 1790s, when several of his kinsmen were scrambling to get out of France, he moved there for reasons which are now obscure. One version of events says that he was confined in a lunatic asylum there, but his will, written shortly before his death, was proved without demur, so this is unlikely. 
 
What happened to the peerage after 1800 is the stuff of romantic legend. The 5th Viscount having no sons or other obvious heirs, the viscountcy became dormant on his death. A young and uncouth Dublin waiter called Matthew Barnewall (d. 1834) believed himself to be descended from the Hon. Francis Barnewall (c.1629-97), a younger son of the 1st Viscount, and in the 1790s, hearing a false report that the 5th Viscount had died in France, he ‘mustered a strong force of the employees of the taverns and the market… and with that formidable army, proceeded forthwith to Turvey… of which he took instant possession. There he cut down timber, lighted bonfires, and for some short time indulged in the exercise of rude hospitality to the companions who had escorted him’, before Lord Trimlestown, who was acting either as guardian or attorney of the 5th Viscount, applied to the court of Chancery and secured his ejection and committal to Newgate Prison on charges of contempt. There he came to the attention of a solicitor called Hitchcock, who became convinced that he boy might really be heir to the peerage, and set about proving it at his own expense, which he was eventually able to do to the satisfaction of the Committee of Privileges of the House of Lords, and the dormancy was ended in Matthew’s favour in 1814. The estates had, however, been bequeathed by the 5th Viscount to Lord Trimlestown, so the peerage was rather an empty honour, although a state pension of £500 a year was granted to the 6th Viscount for life. The 6th Viscount was thrice married, but had no surviving sons, so on his death in 1834 the peerage again became dormant. It was quickly claimed by one Capt Thomas Barnewall, whose petition to the House of Lords was never adjudicated on, but modern scholarship suggests that it was ill-founded, in that his claim that his great-grandfather. Col James Barnewall, was the sixth son of the 1st Viscount Barnewall was incorrect; he was in fact the second husband of the 1st Viscount’s daughter, Mabel, Countess of Fingall. So in 1834 the title became extinct. There continued, however, to be a Lady Kingsland as late as 1890, for the 6th Viscount’s widow survived him for many years. Having been left very little by her husband, she was defrauded of the little she did have by her own brother, and subsequently lived a life of absolute penury in a single room in a tumble-down lodging house in Lambeth, where she and her daughter subsisted on what they earned sewing shirts as piecework, and occasional parish relief. She came to public attention in 1878, when belatedly she made an application to the Universal Benefit Society for financial assistance, and with this help, she was able to live out her last years in slightly more genteel poverty. 
 
The last branch of the family to be explored is that settled at Bloomsbury (Co. Meath). Joseph Barnewall (1781-1852), who rented Bloomsbury from 1829 and bought the freehold in 1835, was the youngest son of Richard Barnewall (c.1744-1826), on whom the 14th Baron Trimlestown had settled his estates in default of his own heirs. Since there is no evidence that he pursued a career he presumably inherited a sufficient sum from his father or through his marriage to make the purchase. Bloomsbury was not a large house at the time, but his elder son, Richard Barnewall (1821-66) doubled its size in 1858. He had no children, so on his early death it passed to his brother, Thomas Barnewall (1825-98), who died unmarried and left it to his sister, Katherine Barnewall (c.1824-1907). Having no close relatives, she chose to leave the property to her distant kinsman, the 18th Baron Trimlestown, who as we have seen was impoverished and obliged to sell off parts of the estate. He occupied Bloomsbury for a time but sold it in about 1920. 
 
The major branch of the family which I have not considered in this post was the senior line, who were established at Crickston (Co. Meath) in the 15th-17th centuries. I have traced their descent below only in so far as is necessary to show the relationship between Barons Trimlestown and the Viscounts Barnewall of Kingsland, who were a cadet branch of the Crickston family. In the 1620s, the latter acquired a baronetcy, and they may have built a new fortified house at Crickston, although if so it was destroyed a few years later during the Civil War. Although their baronetcy is still in existence, the current baronet lives in Australia, and the descent of the honour was early separated from significant landed possessions in Ireland.  I cannot see that any of the holders of the title have possessed a country house that would qualify them for detailed study here, but if anyone knows differently I should be very pleased to hear from them. 
 

Trimlestown Castle, Co Meath (aka Trimblestown Castle) 

 
The massive and imposing ruins of the late medieval castle built by the Barnewalls in the 15th century stand on the east bank of the Trimlestown River, some three miles west of Trim. The walls still rise for a full three storeys, with a big south-west corner tower and battlemented wall-heads that give it a romantic silhouette. The castle forms a block 114 feet long and 40 feet wide at the southern end, where the tower stands, but narrows to a fraction of that at the north end. Ivy now covers a shield on the tower said to have borne the arms of the Barnewall and Nugent families, which may suggest that the tower was an addition of the time of the 6th Lord Trimlestown (d. 1598), who married Katherine Nugent. Internally the building is dominated by a two-storey vaulted great hall of 52 ft by 17 ft, that faces towards the river and is marked by massive tapering buttresses, though this is now partially filled with the rubble of collapsed walls. The floors above the vault seem to have had timber floors, and little is therefore left of them. The corner tower is also barrel-vaulted at first-floor level. 

The medieval and 16th century castle was evidently damaged in the Civil War, and although the family recovered possession of it fairly quickly, little was done by way of improvements until the 18th century. In 1686, the 9th Baron told his son that he had made ‘considerable improvements’, but this seems to have meant that he had put the castle into repair, for he went on that there was now ‘only a good house wanting’, and suggesting that ‘some little building or improvements’ could be made ‘without incommoding yourself or the fortune I leave you’. But whatever the 10th Baron’s intentions in this matter, they were frustrated by his attainder in 1691 and death the following year. It seems probable that improvements had been made by 1753, when Richard Pococke visited. He described the great avenue leading to the house and church from the Trim road, and says the house is ‘built [on]to an ancient Castle, that was mostly destroyed in Olivers time’, before waxing lyrical about the botanical curiosities which Robert Barnewall (the 12th Baron Trimlestown) had imported. 

A vintage photo of a castle

Description automatically generated, Picture 
Trimlestown Castle: an early 19th century engraving showing the east front as altered c.1800. It had probably already been abandoned by this date. 

Further changes were made to the northern end of the site in about 1790-1800, either by the 13th Baron, who returned to England in 1790 and died in 1796, or after the second marriage in 1797 of his nephew, the 14th Baron. It appears that until then another square tower stood at the north-east corner, creating a Z-plan layout like that of some 16th century Scottish castles. This north-east tower was demolished in about 1800 to allow the creation of a new east front, the main feature of which is a three-storey bow, with three windows on each floor and miniature battlements at the top. Similarities with work undertaken at Louth Castle around the same time have led to the suggestion that Richard Johnston might have been the architect responsible in both instances, but there is no documentary evidence for this. In 1800, Lord Trimlestown inherited Turvey House in Co. Dublin, and in due course the family moved there, leaving Trimlestown Castle to slip into decay.  

It was evidently still habitable in about 1840, when it was fully roofed and there were a kitchen garden and orchards around the house, but in 1849 Sir William Wilde called it ‘forsaken and neglected, a perfect ruin’. Shortly afterwards, a Dublin merchant called Fagan (perhaps the same man as rented Turvey House) rented the place and attempted to arrest the decay by putting on a new roof, enabling his successor – a farming tenant – to occupy the building. The new roof can only have been partial, however, for by the 1860s the northern end was roofless and all trace of polite grounds had disappeared. By 1915, the demesne was part of a successful stud, owned by Frank Barbour, who built a new house and stables nearby. 
 
Descent: Christopher Browne/Le Brun; to daughter Elizabeth, wife of Sir Robert Barnewall (d. c.1471), 1st Baron Trimlestown; to son, Christopher Barnewall (d. by 1513), 2nd Baron Trimlestown; to son, Sir John Barnewall (d. 1538), 3rd Baron Trimlestown; to son, Patrick Barnewall (d. c.1562), 4th Baron Trimlestown; to son, Sir Robert Barnewall (d. 1573), 5th Baron Trimlestown; to brother, Sir Peter Barnewall (d. 1598), 6th Baron Trimlestown; to son, Robert Barnewall (d. 1639), 7th Baron Trimlestown; to grandson, Matthias Barnewall (c.1614-67), 8th Baron Trimlestown; to son, Robert Barnewall (c.1640-87), 9th Baron Trimlestown; to son, Matthias Barnewall (c.1670-92), 10th Baron Trimlestown, who was attainted; seized by Crown and granted to Henry Sydney (1641-1704), 1st Earl of Romney, but returned in 1695 to John Barnewall (1672-1746), de jure 11th Baron Trimlestown; to son, Robert Barnewall (c.1705-79), de jure 12th Baron Trimlestown; to son, Thomas Barnewall (c.1739-96), 13th Baron Trimlestown; to cousin, Nicholas Barnewall (1726-1813), 14th Baron Trimlestown; to son, John Thomas Barnewall (1773-1839), 15th Baron Trimlestown; to son, Thomas Barnewall (1796-1879), 16th Baron Trimlestown; to kinsman, Christopher Patrick Mary Barnewall (1846-91), 17th Baron Trimlestown; to brother, Charles Aloysius Barnewall (1861-1937), 18th Baron Trimlestown, who sold it before 1915 to Frank Barbour. 

Barnewall family of Trimlestown, Barons Trimlestown 

 
Barnewall, Sir Christopher (d. 1446), kt. Son of Sir Christopher de Barneval (fl. 1386) [for whom see below, under Barnewall of Turvey House, Viscounts Barnewall of Kingsland] and his wife Eleanor, daughter of Sir Nicholas Rochford of Rathcoffie (Co. Kildare) and Kilbride (Co. Meath). Serjeant-at-law in Ireland, 1408 and King’s Serjeant, 1420-34; a justice of Kings Bench, 1434-46 (Chief Justice, 1435-37, 1437-46). Deputy Lord Treasurer of Ireland, 1430-35 and Lord Treasurer, 1437-46. He married Matilda Drake, daughter and heiress of the last feudal lord of Drakestown and Drakerath, and had issue: 
(1) Sir Nicholas Barnewall (d. c.1465); Treasurer of the Liberty of Trim, 1436-43; Chief Justice of Kings Bench, 1457-63; knighted 1460; married Ismay (who m2, Sir Robert Bold and died about 1478), daughter and heiress of Sir Robert Serjeant of Castleknock (Co. Dublin) and had issue three sons [from whom descended the Barnewalls of Crickstown and of Dunbrow]; living in 1465 but probably died soon afterwards; 
(2) Sir Robert Barnewall (d. c.1471), kt. and 1st Baron Trimlestown (q.v.). 
He inherited Crickstown Castle (Co. Meath) from his father. 
He died about the beginning of October 1446. His wife’s date of death is unknown. 

Barnewall, Sir Robert (d. c.1471), kt., 1st Baron Trimlestown. Younger son of Sir Christopher Barnewall (d. 1446) of Crickstown and his wife Matilda Drake. He was knighted in about 1449 while on campaign with the Duke of York, and was made an Irish Privy Councillor for life and raised to the peerage as Baron Trimlestown, 4 March 1461. It is the earliest Irish peerage to have been created by patent (earlier peerages had been created only by writ of summons). He married* Anne alias Elizabeth, daughter and heiress of Christopher Browne (or Le Brun) of Roebuck (Co. Dublin) and had issue including: 
(1) Christopher Barnewall (d. by 1513), 2nd Baron Trimlestown (q.v.); 
(2) Hon. Thomas Barnewall, of Irishtown; married Elizabeth Cardiff and had issue one daughter (who married Sir Bartholomew Dill of Riverston). 
Through his marriage he inherited a half-share in the lordship of Athboy (Co. Meath), including the manor of Trimlestown, where he settled. 
He died about 1471/2. His wife’s date of death is unknown.  
* Lodge’s Peerage of Ireland says he married 2nd, Anne, daughter of Sir Thomas Plunkett, but this seems unlikely as she would have been his great-great-niece.

 
Barnewall, Sir Christopher (d. by 1513), 2nd Baron Trimlestown. Son of Sir Robert Barnewall (d. c.1471), 1st Baron Trimlestown, and his first wife, Anne or Elizabeth, daughter and heiress of Christopher Browne of Roebuck (Co. Dublin). He was studying law in London in 1460 and succeeded his father as 2nd Baron, c.1471. He may have been knighted before that, but no record of his knighthood has been found. He was lucky to be one of the eight Irish peers pardoned for his involvement in the Yorkist conspiracy of 1488, in which Lambert Simnel impersonated one of the Princes in the Tower, and was obliged to take the oath of allegiance before the King’s envoy in July 1488. He sat in the Irish Parliament in 1491 and 1493 and fought under the Lord Deputy, the Earl of Kildare, at the Battle of Knockdoe in 1504. He married Elizabeth, daughter of Sir Thomas Plunkett of Rathmore, and had issue including: 
(1) John Barnewall (1470-1538), 3rd Baron Trimlestown (q.v.); 
(2) Hon. Robert Barnewall (d. by 1547); educated at Grays Inn (admitted before 1520); lessee of the Kings Inn, Dublin, 1541; ancestor of the Barnewalls of Roestown (Co. Meath), which estate he acquired through his first marriage to Johanna Rowe, by whom he had three sons and two daughters; he married 2nd, Elizabeth (who m2, James Bathe), daughter of John Talbot of Dardiston, and had further issue four sons and six daughters; died before 1547; 
(3) Hon. Ismay Barnewall; married William Bathe of Rathseigh; 
(4) A daughter; married John Netterville of Dowth, a justice of the King’s Bench; 
(5) Hon. Alison Barnewall; married Sir Roger Barnewall (b. c.1472), kt. [for whom see below, under Barnewall of Turvey House, Viscounts Barnewall of Kingsland] and had issue. 
He inherited Trimlestown from his father in about 1471. 
He died between 1504 and 1513. On a roadside cross about 4 miles south of Drogheda Archbishop Octavian of Armagh promised an indulgence of thirty days to those performing an Our Father and a Hail Mary for the souls of him and his wife. His wife was also dead by June 1513.

…[see website]

A person standing in front of a mirror posing for the camera

Description automatically generated, Picture 
Nicholas Barnewall (1726-1813),  
14th Baron Trimlestown 

Barnewall, Nicholas (1726-1813), 14th Baron Trimlestown. Elder son of Richard Barnewall (fl. 1726-68) and his wife Frances, daughter of Nicholas Barnewall, 3rd Viscount Barnewall of Kingsland, born 29 June 1726. He was a leading figure in freemasonry in Toulouse until he fled to England from the French Revolution in about 1790. He succeeded his cousin as 14th Baron, 24/29 December 1796. In 1799 he was President of the Bath Harmonic Society and presumably then living in that city. He married 1st, 1 November 1768, Maria Henrietta (c.1730-82), only daughter of Joseph d’Auguin, President of the Parliament of Toulouse (France), and 2nd, 8 August 1797, Alicia (1773-1860), second daughter of Lt-Gen. Charles Eustace of Robertstown (Co. Kildare), and had issue: 
(1.1) Richard Barnewall (b. 1770), born August 1770; died in infancy; 
(1.2) Hon. Rosalie Barnewall (c.1771-1864), born about 1771; married, 3 December 1795, Peter, Count D’Alton (d. 1851) of Grenanstown (Co. Tipperary), and had issue two sons and one daughter; died in Florence (Italy), 2 February 1864; 
(1.3) John Thomas Barnewall (1773-1839), 15th Baron Trimlestown (q.v.). 
After his marriage, he lived at the Chateau Lamirolles, Verdun-sur-Garonne until the French Revolution, when he fled to England, and he subsequently divided his time between England and Ireland. He inherited Turvey House and the Barnewall estates at Roebuck (Co. Dublin) and in Galway and Offaly on the death of the 5th Viscount Barnewall of Kingsland in 1800, and entailed these estates on his male heirs in 1812. He fitted up one room in Roebuck Castle as a theatre before 1795, but sold the castle soon after 1800. In London he had a town house in Portland Place by 1810. 
He died 17 April 1813. His will, which made extensive provision for his widow, was proved in Dublin in 1813 but contested by his son, and although a compromise was agreed in 1833 she did not actually receive anything until 1847! His first wife died in May 1782. His widow married 2nd, 24 July 1814 at Donabate (Co. Dublin), Lt-Gen. Sir Evan Lloyd (1768-1846) of Ferney Hall (Shrops.) and had issue one son and two daughters; she died at Stanton Lacy House (Shrops.), 25 November 1860. 
 
Barnewall, John Thomas (1773-1839), 15th Baron Trimlestown. Only surviving son of Nicholas Barnewall (1726-1813), 14th Baron Trimlestown, and his first wife, Maria Henrietta, only daughter of Joseph d’Auguin of Toulouse (France), born in France, 29 January 1773. Member of the Royal Irish Academy. In 1812 The Globe noted that he had ‘distinguished himself by some eloquent and impressive addresses’ at popular assemblies in support of Catholic emancipation. He succeeded his father as 15th Baron, 17 April 1813, but was aggrieved by the terms of his will, which he felt made an unreasonably generous provision for his stepmother. He accordingly tried to have the will overturned on the grounds of her undue influence, and the matter was not finally settled until shortly before his death; he was also at law with his stepmother in a dispute over the arrangements for the payment of her jointure, which was not settled until 1843. He seems also, from the terms of his will, to have fallen out with his son and daughter-in-law, who received no share of his personal effects. He married, 16 January 1793, Maria Theresa (d. 1824), daughter of the Irish scientist and eccentric, Richard Kirwan of Cregg Castle (Co. Galway), and had issue: 
(1) Thomas Barnewall (1796-1879), 16th Baron Trimlestown (q.v.); 
(2) Hon. Martha Henrietta Barnewall (1800-36), baptised at Bath RC Church, 28 July 1800; died unmarried in Bath, 10 April 1836. 
After the death of his wife he apparently solaced himself with mistresses: his ‘dear friend’ Eugenia Ponti who lived with him in Naples (to whom he left 50,000 francs*), ‘Heloisa Goury Widow Parry’ in London, who was one of his principal legatees, and Caroline, Marquise de Bailliet in Paris (to whom he left 40,000 francs*). 
He inherited Turvey House from his father in 1813. He had a house in London, adjoining Grosvenor House, which was purchased after his death by the Marquess of Westminster and demolished to allow the enlargement of Grosvenor House. He seems also to have had a house in Paris, the contents of which were dispersed to friends and relatives by his will, and at the time of his death he was living at the Palazzo Calabritti in Naples. 
He died in Naples (Italy), 7 October 1839; his will was proved 18 February 1840. His wife died 10 September or 12 October 1824. 
* 50,000 fr. was about £2,000 and 40,000 fr. about £1,600 at the then prevailing rate of exchange. 
 
Barnewall, Thomas (1796-1879), 16th Baron Trimlestown. Only son of John Thomas Barnewall (1773-1839), 15th Baron Trimlestown, and his wife Maria Theresa, daughter of Richard Kirwan of Cregg (Co. Galway), born 14 April 1796. High Sheriff of Co. Dublin, 1830. He succeeded his father as 16th Baron, 7 October 1839, and continued his father’s legal dispute with his grandfather’s widow until judgement was finally given against him in 1843. He was a founder member of the Society for Irishmen in London, 1844, and in 1848 was one of the few Catholic gentry to join the nationalist Irish Confederacy. He married, 3 November 1836 at Twickenham (Middx), Margaret Randalina (d. 1872), daughter of Philip Roche, and had issue: 
(1) A son (b. & d. 1837), born 22 August 1837; died in infancy, 27 August 1837; 
(2) Hon. Anna Maria Louisa Barnewall (1839-1914), born 8 May 1839; married, 4 June 1868, Robert Henry Elliot DL (1837-1914) of Clifton Park (Roxburghs.) and Ballybrittas (Co. Offaly), and had issue one son; died at sea on S.S. Arabia, 16 April 1914 and was buried at Linton (Roxburghs.); her will was confirmed 27 January 1915 (estate £1,475). 
He inherited Turvey House from his father in 1839, but leased it out. His gave up the lease on his father’s London town house in exchange for what is now 129 Park Lane, which he remodelled in 1853 to the designs of Thomas Cundy II (for the Grosvenor estate) and George Legg (for Lord Trimlestown). 
He died 4 August 1879 and was buried at Linton; his will was proved 6 September 1879 (effects in England under £80,000; in Ireland, £6,518). His wife died at Ryde (Isle of Wight), 4 September 1872; administration of her goods was granted 17 December 1872 (effects under £9,000). 
 
Barnewall, Hon. Patrick (b. c.1600). Second son of Robert Barnewall (c.1574-1639), 7th Baron Trimlestown, and his wife Genet, daughter of Thomas Talbot of Dardistown (Co. Meath), born in or shortly before 1600. He married 1st, Katherine, daughter of Robert Barnewall of Bremore (Co. Dublin) and 2nd, Katherine, daughter of Mathew King of Co. Kildare, and had issue: 
(1.1) Christopher Barnewall (fl. 1670) (q.v.). 
His date of death is unknown. His first wife’s date of death is unknown. His second wife’s date of death is unknown. 
 
Barnewall, Christopher (fl. 1670). Only recorded son of the Hon. Patrick Barnewall (fl. 1600) and his first wife, Katherine, daughter of Robert Barnewall of Bremore (Co. Dublin). He married 1st, [forename unknown], daughter of Gerald Nangle of Kildalkey (Co. Meath), and 2nd, 1670, Jane, daughter of Edward Tuite of Trimlestown, and had issue including: 
(1.1) Richard Barnewall (d. 1718) (q.v.); 
(1.2) Patrick Barnewall; died without issue; 
(1.3) Garrett Barnewall; 
(1.4) Peter Barnewall. 
He lived at Woodtown (Co. Meath). 
His date of death is unknown. His wife’s date of death is unknown. 
 
Barnewall, Richard (d. 1718). Eldest son of Christopher Barnewall and his wife, [forename unknown], daughter of Gerald Nangle of Kildalkey (Co. Meath). He married 1st, Aminett, sister of James Barnewall of Bremore (Co. Dublin) and widow of James Caddell, and 2nd, 3 March 1712, Bridget (d. 1755), daughter of Henry Piers of Ballydrimney (Co. Meath), and had issue: 
(1.1) Elizabeth Barnewall; married Henry Plunkett; 
(2.1) Christopher Barnewall (b. 1715) (q.v.); 
(2.2) Anne Barnewall (d. 1740); died unmarried. 
He lived at Clonylogan. 
He died in February 1717/8. His first wife died before 1712. His widow married 2nd, 1723, Robert Barnewall (b. 1702) of Moyrath (Co. Meath), son of Bartholomew Barnewall of Ballyhost (Co. Westmeath) and had further issue one son; she died in 1755. 
 
Barnewall, Christopher (b. 1715). Only son of Richard Barnewall (d. 1718) and his second wife, Bridget, daughter of Henry Piers of Ballydrimney (Co. Meath), born 1715. He married Cecilia, daughter of Matthew Dowdall of Clone (Co. Meath) and had issue: 
(1) Richard Barnewall (c.1744-1827) (q.v.); 
(2) Anne Barnewall; married, 13 October 1777, Columbus Drake (1750-1806) of Roristown (Co. Meath), elder son of Patrick Drake of Drakerath (Co. Meath), and had issue two sons and three daughters. 
He lived at Fyanstown. 
His date of death is unknown. His wife’s date of death is unknown. 
 
Barnewall, Richard (c.1744-1826). Only son of Christopher Barnewall (b. 1715) and his wife Cecilia, daughter of Matthew Dowdall of Clone (Co. Meath), born about 1744. In 1812, the 14th Baron settled the Turvey House estate on him and his descendants so that it continued to accompany the Trimlestown peerage. He married, 1764. Katherine (d. 1823?), daughter of George Byrne of Seatown, Dundalk (Co. Louth) and had issue: 
(1) Christopher Barnewall (1765-1849) (q.v.); 
(2) Patrick Barnewall (c.1773-1854); lived at Causestown; married Barbara (d. 1862), daughter of Thomas Everard of Randalstown (Co. Meath) but had no issue; died at Dalkey (Co. Dublin), 4 August 1854; 
(3) Joseph Barnewall (1781-1852) [for whom see below, Barnewall of Bloomsbury]; 
(4) Cecilia Barnewall; married 1st, John Connolly of New Haggard (Co. Meath) and 2nd, Charles Nangle (c.1786-1847) of New Haggard and Kildalkey, son of Walter Nangle, who died bankrupt. 
He lived at Fyanstown. 
He died aged 82 at Greenanstown (Co. Meath) in June 1826. His wife is said to have died in 1823. 
 
Barnewall, Christopher (1765-1849). Eldest son of Richard Barnewall (c.1744-1826) and his wife Katherine, daughter of George Byrne of Seatown, Dundalk (Co. Louth), born 3 September 1765. He married, November 1793, Anne (1772-1819?), daughter of Charles Aylmer of Painstown, and had issue including: 
(1) Esmay Mary Catherine Barnewall (1794-1879), born October 1794; married, 29 September 1836 at Ardbraccan (Co. Meath), Sir Aylmer John Barnewall (1789-1838), 9th bt., of Greenanstown (Co. Meath), and had issue one son; died in London, 5 March 1879, and was buried at Kensal Green Cemetery; 
(2) Charles Barnewall (c.1800-73) (q.v.); 
(3) Cecilia Barnewall (c.1801-82); died unmarried aged 80 in Dublin, 3 January 1882; 
(4) Anne Barnewall (b. c.1803), born about 1803; died unmarried and possibly young; 
(5) Jane Barnewall (c.1804-81); died unmarried, 20 January 1881; 
(6) Richard Barnewall (c.1806-89), born about 1806; died 11 March 1889; 
(7) Mary Barnewall (b. c.1808), born about 1808; died unmarried and possibly young. 
He lived at Meadstown (Co. Meath), where he was a tenant in 1805 but may have purchased the freehold when it was sold in that year. 
He died in Dublin aged 84 on 14 August 1849. His wife is said to have died 14 August 1819. 
 
Barnewall, Charles (c.1800-73). Elder son of Christopher Barnewall (c.1775-1849) and his wife Anne, daughter of Charles Aylmer of Painstown, born about 1800. JP for Co. Meath. In 1836 he was a member of the provisional committee promoting the Dublin & Drogheda Railway. Throughout his life, he was a locally prominent leader of the Catholic causes and campaigns, including those for the repeal of the Union, opposition to tithes and securing the rights of Catholic tenants. He married 1st, Katherine, daughter of John Connolly of New Haggard (Co. Meath) and 2nd, 9 October 1844 at St Michan’s RC Church, Dublin, Letitia (c.1825-86), daughter of Gerald Aylmer of Lyons, and had issue: 
(2.1) Hon. Katherine Barnewall (1845-1928); a nun at Wicklow as Sister Mary Dominic; granted the rank of a baron’s daughter, 2 August 1893; died 15 July 1928; 
(2.2) Christopher Patrick Mary Barnewall (1846-91), de jure 17th Baron Trimlestown (q.v.); 
(2.3) Hon. Anna Maria Barnewall (1848-1930), baptised 8 October 1848 at Templenoe (Co. Kerry); granted the rank of a baron’s daughter, 2 August 1893; died unmarried, 10 November 1930; will proved 13 January 1931 (estate £548); 
(2.4) Hon. Esmay (aka Esmina) Barbara Mary Barnewall (1850-1910), baptised at St Michael’s RC church, Kingstown, Dublin, 30 May 1850; granted the rank of a baron’s daughter, 2 August 1893; married, 21 November 1883 at St Andrew RC Church, Dublin, Nicholas Francis Haly Coppinger (1831-1905) of Monkstown (Co. Dublin) and had issue one son and one daughter; committed suicide, 6 April 1910; administration of goods (with will annexed) granted 27 April 1910 (estate £2,474); 
(2.5) Hon. Mary Jane Barnewall (1851-1919), baptised at St Michael’s RC church, Kingstown, Dublin, 11 September 1851; a sister of Presentation of the Blessed Virgin Mary at Lismore, New South Wales (Australia) as Sister Berchmans; granted the rank of a baron’s daughter, 2 August 1893; died 18 August 1919; 
(2.6) Hon. Helen Cecilia Mary Barnewall (1853-1936), baptised at St Michael’s RC church, Kingstown, Dublin, 22 November 1853; granted the rank of a baron’s daughter, 2 August 1893; died unmarried, 14 October 1936; will proved 19 December 1936 (estate £6,201); 
(2.7) Hon. Letitia Fanny Barnewall (1855-1933), born 12 February and baptised at St Michael’s RC church, Kingstown, Dublin, 18 February 1855; a sister of Presentation of the Blessed Virgin Mary at Lismore, New South Wales as Sister Ignatius; granted the rank of a baron’s daughter, 2 August 1893; died 31 January 1933; 
(2.8) Gerald Aylmer Barnewall (1856-71), born 8 May and baptised at St Michael’s RC church, Kingstown, Dublin, 13 May 1856; died young, 2 July 1871; 
(2.9) Hon. Angelina Barnewall (b. 1857), baptised at St Michael’s RC church, Kingstown, Dublin, 7 October 1857; a Sister of Mercy at Arklow (Co. Wicklow); granted the rank of a baron’s daughter, 2 August 1893; death not traced; 
(2.10) Hon. Cecilia Mary Barnewall (1859-1908), baptised at St Michael’s RC church, Kingstown, Dublin, 6 May 1859; granted the rank of a baron’s daughter, 2 August 1893; married, 5 October 1907, Maj. Henry Chamney CMG, son of Rev. Joseph Chamney DD of Ard Ronan (Co. Louth); died without issue at Rustenberg, Transvaal (South Africa), 11 July 1908; will proved 17 April 1909 (estate £635); 
(2.11) Hon. Marcella Mary Barnewall (1862-1930), born 10 October and baptised at Dalkey (Co. Dublin), 16 October 1862; granted the rank of a baron’s daughter, 2 August 1893; died unmarried, 29 October 1930; will proved 12 December 1930 (estate £1,234); 
(2.12) Charles Aloysius Barnewall (1861-1937), 18th Baron Trimlestown (q.v.); 
(2.13) Hon. Margaret Barnewall (1864-1916), born at Athboy (Co. Meath), 31 January 1864; granted the rank of a baron’s daughter, 2 August 1893; married, 19 January 1899 at St Andrew RC Church, Dublin, Bertrand Thomas Lambert (who m2, 12 June 1923 Julia More-O’Ferrell), son of Ambrose Lambert, but had no issue; died 17 July 1916; will proved 5 September 1916 (estate £287). 
He lived at Meadstown and had a house at 72 Eccles St., Dublin. 
He died in Dublin, 2 May 1873; administration of his goods was granted 9 February 1881 (effects under £200). His widow died 3 March 1886. 
 
Barnewall, Christopher Patrick Mary (1846-91), de jure 17th Baron Trimlestown. Eldest son of Charles Barnewall (d. 1873) of Meadstown and his second wife Letitia, daughter of Gerald Aylmer of Lyons, born 6 October 1846. He succeeded his distant cousin as 17th Baron, 4 August 1879, but did not seek to prove his title to the peerage until 1889 and died before the process was completed. He was unmarried and without issue. 
He inherited Turvey House from the 16th Baron in 1879, but the property was let throughout his tenure. 
He died 10 September 1891; his will was proved 29 October 1891 (estate £2,202). 
 
Barnewall, Charles Aloysius (1861-1937), 18th Baron Trimlestown. Third son of Charles Barnewall (d. 1873) of Meadstown and his second wife Letitia, daughter of Gerald Aylmer of Lyons, born 14 May and baptised at St Michael’s RC church, Kingstown, Dublin, 17 May 1861. As a young man he travelled extensively, but after his brother’s death he returned from Australia to Ireland. His elder brother having died in 1891 without establishing his right to the peerage, he proved his claim in 1893 and succeeded as 18th Baron. DL for Co. Dublin. He was a director of the Old Bushmills Distillery Company (resigned 1898). He married 1st, 26 October 1889, Margaret Theresa (c.1869-1901), daughter of Richard John Stephens of Brisbane, Queensland (Australia), 2nd, 10 December 1907, Mabel Florence (d. 1914), daughter of William Robert Shuff of Torquay (Devon), and 3rd, 12 August 1930 at Christ Church, Eltham (Kent), Josephine Francesca (d. 1945), daughter of Rt. Hon. Sir Christopher John Nixon, 1st bt., Vice-Chancellor of the National University of Ireland, and had issue: 
(1.1) Hon. Ivy Esmay Myee Barnewall (1890-1971), born 14 September 1890; married 1st, 30 April 1917, John Radcliff (d. 1953) of Nigerian civil service, eldest son of George Edward Radcliff JP of Wilmount, Kells (Co. Meath) and had issue one son (killed in action in Second World War); married 2nd, 30 April 1956, John Kidd (d. 1958), son of Thomas Kidd of Linares (Spain); said to have died in 1971, possibly in Cape Town (South Africa); 
(1.2) Hon. Marcella Hilda Charlotte Barnewall (1893-1965), born 29 June 1893; married, 4 July 1917, Maj. Charles Bathurst MC (d. 1942), son of Lancelot Bathurst, but had no issue; died 11 September 1965; 
(1.3) Hon. Letitia Anne Margaret Barnewall (1895-1938), born 23 September 1895; married, 11 June 1919 at Corpus Christi RC church, Maiden Lane, London, Lt-Col. Cuthbert Hanson Townsend (1872-1956) of Ewell (Surrey), son of Vice-Adm. Samuel Philip Townsend, and had issue one son; died 2 May 1938; will proved 12 July 1938 (estate £2,645); 
(1.4) Hon. Reginald Nicholas Francis Mary Barnewall (1897-1918), born 24 September 1897; an officer in the Leinster Regiment (Capt.) in First World War; died unmarried in the lifetime of his father when he died of wounds received in action, 24 March 1918; buried at Bronfay Farm Military Cemetery, Bray-sur-Somme (France); administration of goods granted 19 July 1918 (estate £1,908); 
(1.5) Charles Aloysius Barnewall (1899-1990), 19th Baron Trimestown (q.v.); 
(1.6) Hon. Geraldine Christina Marjory Barnewall (1900-02), born 14 June 1900; died young, 23 June 1902. 
He inherited Turvey House, which was tenanted, from his father in 1891, but sold it in c.1902. In 1907 he inherited Bloomsbury House from his distant cousin, Katherine Barnewall (c.1824-1907), but he sold it in about 1920. He lived at Loughlinstown (Co. Dublin) and in London, and is said to have still owned 6,000 acres in Ireland at the time of his death. 
He died 26 January 1937 and was buried at Mortlake (Surrey), 3 February 1937. His first wife died 9 January 1901. His second wife died 16 March 1914; her will was proved 25 April 1914 (estate £1,234 in England and £1,427 in Ireland). His widow died 15 June 1945; her will was proved 11 January 1946 (estate £9,452). 
 
Barnewall, Charles Aloysius (1899-1990), 19th Baron Trimlestown. Second but eldest surviving son of Charles Aloysius Barnewall (1861-1937), 18th Baron Trimlestown, and his first wife Margaret Theresa, daughter of Richard John Stephens of Brisbane, Queensland (Australia), born 2 June 1899. Educated at Ampleforth. He served as an officer in the Irish Guards (2nd Lt.) in the First World War. He succeeded his father as 19th Baron, 26 January 1937. He married 1st, 16 June 1926, Muriel (1894-1937), only child of Edward Oskar Schneider of Mansfield Lodge, Whalley Range, Manchester, and 2nd, 7 May 1952, Freda Kathleen (1911-87), daughter of Alfred Allan Watkins of Ross-on-Wye (Herefs), and had issue: 
(1.1) Anthony Edward Barnewall (1928-97), 20th Baron Trimlestown, born 2 February 1928; educated at Ampleforth; served in the Irish Guards, 1946-48, and was a naval architect, 1949-53; sales executive with P&O Shipping Company, 1965-74; succeeded his father as 20th Baron, 9 October 1990; lived at Boxford (Suffk) and later at Grand Rapids, Michigan (USA); married 1st, 30 September 1963 (div. 1973), Lorna Margaret Marion (1934-88), daughter of Charles Douglas Ramsey and 2nd, 14 May 1977, Mary Wonderly (1925-2006), elder daughter of Judge Thomas Francis McAllister of Grand Rapids, Michigan and formerly wife of Frederick Reese Brown (1915-2007), but had no issue; died 21 August 1997; 
(1.2) Hon. Diana Barnewall (b. 1929), born 13 October 1929; lived at Farnham (Surrey) and later at Rogate (Sussex); married, 30 October 1954 at the Brompton Oratory, London, Anthony Gerard Astley Birtwhistle (b. 1928), youngest son of James Astley Birtwhistle of Hoghton (Lancs) and Wroxham (Oxon), and had issue four daughters; 
(1.3) Raymond Charles Barnewall (b. 1930), 21st Baron Trimlestown (q.v.), born 29 December 1930; educated at Ampleforth; undertook National Service in Northern Ireland, 1949-51; dairy farmer at Dartington (Devon) until retirement; succeeded his elder brother as 21st Baron, 21 August 1997; is unmarried and without issue and has no heir to the peerage. 
He lived at Epsom (Surrey) and subsequently at Dartington (Devon) and Chiddingfold (Surrey). 
He died 9 October 1990; will proved 14 November 1990 (estate under £115,000). His first wife died 22 June 1937; her will was proved 13 August 1937 (estate £229). His second wife died 5 May 1987; her will was proved 18 September 1987 (estate under £70,000). 

Moore Hall, Ballyglass, or Cong, Mayo – ruin

Moore Hall, Ballyglass, or Cong, Mayo – lost 

Moore Hall, County Mayo, entrance front c. 1965 courtesy Lord Rossmore. Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

p. 210. “(Moore/LGI1912) A large late C18 house of three storeys over basement on a peninsula in Lough Carra; built 1795 by George Moore, who had made a fortune in Malaga and whose radical son, John, was appointed President of the Provisional Government of Connaught by Gen Humbert, commander of the invading French force 1798. Entrance front with two bays on either side of a central breakfront rather similar to that at Tyrone House, County Galway, with triple window framed by short fluted pilasters on console brackets above a Venetian window above the entrance doorway; which here is beneath a shallow single-storey Doric portico, whereby at Tyrone there is a porch of two storey Ionic columns. The top of the portico was treated as a balcony, with an ironwork railing. Solid roof parapet; massive die in centre. The house and its surroundings feature in the writings of George Moore, whose house it was. It is now a gaunt ruin, having been burnt 1923; various plans to rebuilt it on a smaller scale for George Moore’s brother, Senator Col. Maurice Moore, came to nothing. When George Moore died 1933, his ashes were buried on an island in the lough here; ferried across in a boat rowed by Oliver St. John Gogarty, who soon regretted having volunteered as an oarsman. “First off came my silk hat, the frock coat and…” Gogarty recalls. “I presume you will retain your braces,” said Moore’s sister, who sat in the stern of the boat,  holding the urn.” 

Moore Hall, County Mayo, courtesy Mark Bence-Jones.
Moore Hall, County Mayo, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.

https://www.buildingsofireland.ie/buildings-search/building/31310009/moore-hall-muckloon-or-moorehall-co-mayo

Moore Hall, County Mayo, courtesy National Inventory.

Detached five-bay (three-bay deep) three-storey over part raised basement country house, built 1792-5; dated 1795, on a symmetrical plan centred on single-bay full-height breakfront with (single-storey) prostyle tetrastyle Doric portico to ground floor; six-bay full-height rear (north) elevation. Occupied, 1911. Vacant, 1921. Burnt, 1923. In ruins, 1925. Hipped roof now missing with paired lichen-covered limestone ashlar central chimney stacks on axis with ridge having cut-limestone stringcourses below capping supporting terracotta or yellow terracotta octagonal pots. Part creeper- or ivy-covered fine roughcast walls on lichen-covered tooled cut-limestone chamfered cushion course on fine roughcast base with drag edged rusticated cut-limestone quoins to corners including drag edged rusticated cut-limestone quoins to corners (breakfront) supporting dragged cut-limestone “Cyma Recta” or “Cyma Reversa” cornice on blind frieze below parapet centred on inscribed dragged limestone ashlar “die” date stone (“1795”). Round-headed central door opening in tripartite arrangement behind (single-storey) prostyle tetrastyle Doric portico approached by flight of eleven benchmark-inscribed cut-limestone steps with dragged limestone ashlar columns having responsive pilasters supporting “Cavetto”-detailed cornice on roundel-detailed frieze below wrought iron parapet. “Venetian Window” (first floor) with drag edged dragged cut-limestone sills, and cut-limestone surround with pilasters supporting “Cyma Recta” or “Cyma Reversa” cornice centred on archivolt. Square-headed window opening in tripartite arrangement (top floor) with drag edged dragged cut-limestone sills, and cut-limestone surround with stop fluted pilasters on fluted consoles supporting “Cavetto” cornice. Square-headed window openings with drag edged dragged cut-limestone sills, and concealed cut-limestone voussoirs with no fittings surviving. Interior in ruins including (basement): groin vaulted cellars; (ground floor): bow-ended central entrance hall with central door openings in segmental-headed recesses retaining decorative plasterwork “fan vaulted” overpanels, and rosette-detailed dentilated plasterwork cornice to ceiling. Set in wooded grounds. 

Appraisal 

The shell of a country house erected to a design attributed to John Roberts (1712-96) of Waterford (DIA) representing an important component of the late eighteenth-century domestic built heritage of County Mayo with the architectural value of the composition, one recalling the Roberts-designed Tyrone House (1779) in County Galway, confirmed by such attributes as the deliberate alignment maximising on panoramic vistas overlooking Lough Carra; the compact near-square plan form centred on a Classically-detailed tripartite breakfront carrying the Moore family motto (“FORTIS CADERE NON POTEST [A Brave Man May Fall But Cannot Yield]”); the definition of the principal floor as a slightly elevated “piano nobile”; the diminishing in scale of the openings on each floor producing a graduated visual impression; and the parapeted roofline. Although reduced to ruins during “The Troubles” (1919-23), an act of vandalism recounted in detail in “The Moores of Moore Hall” (1939), the elementary form and massing survive intact together with remnants of the original fabric, both to the exterior and to the interior including, remarkably, some decorative plasterwork enrichments highlighting the now-modest artistic potential of the composition. Furthermore, adjacent outbuildings (extant 1838); a polygonal walled garden (see 31310010); and the nearby “Grand Gate” (see 31310011), all continue to contribute positively to the group and setting values of an estate having historic connections with the Moore family including George Moore (1729-99); John Moore (1767-99), President of the Provisional Government of Connaught (fl. 1798); George Moore (1770-1840), author of “The History of the British Revolution of 1688-9” (1817); George Henry Moore MP (1810-70) of the short-lived Independent Irish Party (formed 1852; dissolved 1858); George Augustus Moore (1852-1933), author of “A Mummer’s Wife” (1885), “A Drama in Muslin” (1886) and “Esther Waters” (1894) and assistant founder of the Irish Literary Theatre (1899); and Senator Colonel Maurice George Moore (1854-1939), ‘Late First Battalion Connaught Rangers’ (cf. 31310012). 

Moore Hall, County Mayo, courtesy National Inventory.
Moore Hall, County Mayo, courtesy National Inventory.
Moore Hall, County Mayo, courtesy National Inventory.
Moore Hall, County Mayo, courtesy National Inventory.
Moore Hall, County Mayo, courtesy National Inventory.
Moore Hall, County Mayo, courtesy National Inventory.
Moore Hall, County Mayo, courtesy National Inventory.

https://archiseek.com/2012/1785-moore-hall-co-mayo

1785 – Moore Hall, Co. Mayo 

Architect: John Roberts 

Also known as Moorehall, the house was constructed between 1792 and 1795. The Moores were originally an English Protestant family but some became Catholic when John Moore married the Catholic Jane Lynch Athy of Galway, and when their son, George, married Katherine de Kilikelly, an Irish-Spanish Catholic, in 1765. Several members of the Moore family went on to play major parts in the social, cultural and political history of Ireland from the end of the eighteenth century to the early twentieth century. The house was burned down in 1923 by anti-Treaty irregular forces during the Irish Civil War because then current owner Maurice Moore was viewed as pro-Treaty. 

Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

p. 110. “A large three storey house built 1795 for George Moore. The house is similar to Tyrone House, County Galway. Burnt in 1923. Now a ruin which has been stabilised.”

Irish Castles and Historic Houses. ed. by Brendan O’Neill, intro. by James Stevens Curl. Caxton Editions, London. 2002:

The ruin of Moore Hall, the Georgian home of a celebrated Mayo family, is situated on a promontory overlooking Lough Carra. The best known members of the family are John (1763-99), who was appointed president of the Provisional Republic of Connacht during the French invasion of 1798, George Henry (1811-70), MP for Mayo and one of the leaders of the Tenants Right Movement, and George (1852-1933), a novelist.

Featured in Irish Country Houses, Portraits and Painters. David Hicks. The Collins Press, Cork, 2014.

p. 167. Maurice was the second son of George Henry Moore and both he and his elder brother [the writer George Moore] had a difficult relationship: times of great affection were followed by periods when they would blatantly ignore each other for months and sometimes years on end. Maurice, the younger brother, was seen as a safe pair of hands and if he had inherited Moore Hall it might still stand today. However, George was the elder son and under the laws of succession he became the rightful heir to the Moore Hall estate. George did have some affectino for his Mayo home but it was Maurice who had a deep-rooted respect for his father’s legacy and strove to keep the Moore estate intact. Arguments often stemmed from teh fact that Maurice was the landlord by proxy but it was George’s money taht paid the bills. George, as the elder brother, was entitled to have the final say over the management of Moore Hall; however, he also thought that this right extended to his brother and his family.  When the tentacles of his requests began to intrude into Maurice’s personal life, disagreements naturally occurred. ..At the time that Moore Hall burnt down in 1923, itwas Maurice who was recalled with great affection. 

p. 168. George was active in the Irish Literary Renaissance of the early 1900s after becoming a successful author, despite an early ambition to become an artist. While in Paris pursuing his artistic ambitions, he wrote about the impressionist painters and befriended many of them, such as Edouard Manet and Edgar Desgas. Moore, deciding he had no talent as a painter, moved to London in the 1880s where he began his literary career adn produced some of his best-known works, including Esther Waters. He became an accomlished author, credited with creating the genre of fictional autobiography and also published a number of works of poetry. During his tiem in Dublin in he early 1900s he befriended many in the Irish artistic and literary world, such as George Russell (A.E.), Nathaniel Hone, Walter Osborne, W.B. Yeats, Douglas Hyde and Lady Gregory. As a result of these associations he was involved in the setting up of the Abbey Theatre in Dublin before returning to live in London for the rest of his life.

The story of the Moore family and their great house in Mayo begins in the 18th century with an ancestor, George Moore, who decamped from Mayo to Alicante in Spain to make his fortune in the wine trade, a task in which he had succeeded by the mid 1700s. When he had amassed a substantial fortune, he returned to Ireland and began to buy up land in his native county. The Moore family originated from Ashbrook House near Straide in County Mayo and when George’s brother died he inherited the house and lands. He was considering renovating and improving Ashbrook but, on a tour of the country to look for suitable land in which to invest, he came across Muckloon Hil, overlooking Lough Carra. He purchased the property and lands, which amounted to 800 acres, from the MacDonald family. George began to clear some of the woods on th hill and in 1792 a large, square Georgian mansion began to rise on the hill. The inclusion of a first-floor balcony may have been inspired by the time that George had spent in Spain but he had no accounted for the wind and rain in Mayo, which allowed him to spend little time on it. Teh house and estate eventually passed to George’s grandson, George Henry Moore. He married Mary Blake, the daughter fo Maurice Blake of Ballinafad House (and named their second son after his maternal grandfather). George and Mary’s union produced five children: George in 1852, Maurice 1854, Augustus 1856, Nina in 1858 and Julian in 1857. At this time George Henry and his family lived at 39 Alfred House in London which he had leased while a Member of Parliament. George Henry made a hasty return to Moore Hall in April 1870 where disputes were raging with tenants over rent reductions. There in his ancestral home he died and was buried in the nearby family burial ground of Kiltoom. This event brought the estate into [p. 170] his eldest son, novelist George Moore; however, the circumstances surrounding their father’s death would lead to a dispute between himself and his younger brother Maurice in later years.

p. 170. The house was supposedly designed by Waterford architect John Roberts, a Protestant, who also designed Tyrone House in Clarinbridge in County Galway. Roberts is notable for designing Waterford’s Catholic and Church of Ireland cathedrals as well as a number of other significant buildings in Waterford. 

p. 173. In 1901 George Moore, after spending 21 years in England, returned to Ireland, setting up home in Dublin. He had been inspired by his cousin Edward Martyn who told him that artistically great things were happening in Ireland. Moore Hall was entrusted to his brother’s capable wife as Maurice was still stationed abroad with the army. This generosity by George came with a number of strings attached: he felt entitled to meddle in his brother’s family’s life. This need to try and control his brother and nephews was probably due to the lack of a family of his own. George reworked his will to include or exclude his nephews depending on how well they were progressing in their study of the Irish language. George wanted his nephews to be Irishmen of the highest calibre and in 1901, suggested to his brother that he pay for a “a nurse straight from Arran,” believing that an Aran islander was necessary to teach teh next generation of the Moore family to speak Irish properly. The ladies transported from Aran did not fit easily into Maurice’s household. Teh quality of their teaching and their standards fo cleanliness left Maurice’s wife in despair. 

In 1903 George publicly renounced teh Catholic faith and yet again decided to reorganise his brother’s family accordingly, desiring that one of his nephews be brought up in the Protestant faith. In July 1905 he tried to persuade Maurice to let him sell the lands of their estate under the terms of the 1903 Wyndham Act. Maruice was successful in convincing his brother not to sell but the issue fo selling the estate woudl ot go away….Money had begun to cause trouble between the brothers since Maurice’s retirement from the army. Maurice was now living on a full-time basis at Moore Hall and he began to try to put the house and estate back in order.

[lots of sad arguments between brothers – George wanted his nephews to be raised Protestant, and Maurice disagreed, and George bankrolled repairs and improvements. Finally George asked Maurice to move out and he did. Maurice would still use the house occasionally, via the steward, James Reilly, unbeknownst to George. George published that their father killed himself, appalling Maurice. Maurice became a senator, and allowed those fighting the English to be billeted in the house during the War of Independence.]

p. 177. “By the winter of 1922 the house was not being lived in… In 1923 a group of local men arrived at teh door of the gate lodge and ordered James Reilly to hand over the keys to Moore Hall. They made their way up the hill to the house, awkwardly lugging bales of hay and drums of petroleum and paraffin. …It is a matter of some debate whether or not items were looted from teh house but six hours later the roof of the house crashed in, causing the burning interior to collapse down, leaving a mound of debris 14 feet deep on the ground floor.

p. 178. “George made no hesitation in laying the blame for the burning of the hosue to his brother… [he wrote in a letter to the Irish Times] “I tried to disassociate my home from politics and for that reason Colonel Moore has not visited Moore Hall for the last twenty years [he did not know Maurice had visited]. His acquiescence in his election to the Seanad and the speeches he has delivered in the Seanad are no doubt the cause of the burning.”

George would have received more money [in compensation] had he considered rebuilding Moore Hall, but, as he wrote to a friend, “Since the burning of my house, I don’t think I shall every be able to set foot in Ireland again.” He sold the remaining land to the Congested Districts Board in 1927 but Maurice could not let the family home an dlands go and entered into an arrangement which allowed him to purchase 300 acres of land and the ruin of the mansion for £1,300….

Maurice hoped that he might be able to restore the house by selling timber from the woods and the rent he would receive from the remaining lands…p. 179. However, the trees were unsuitable for felling so Moore Hall remained a ruin. Early in 1932, George Moore died. His substantion £75,000 fortuen would have been large enough for a restoration of Moore Hall had the bulk gone to a single heir; however, while his will contained many bequests, he left nothing to his brother Maurice or his nephew Rory. …

Maurice approached the Forestry Board with a proposal that it should take over the demesne but it declined. The estate was sold to John O’Haire, a timber merchant who cleared all the woods around the house. When O’Haire died, the Department of Forestry purchased Moore Hall and planted the front lawn and the rest of the site with conifers. Moore Hall became engulfed in a sea of evergreen and no longer enjoys views of the lake.”

http://lordbelmontinnorthernireland.blogspot.com/2021/11/moore-hall.html

THE MOORES OF MOORE HALL OWNED 12,371 ACRES OF LAND IN COUNTY MAYOThe family of MOORE claimed descent from THE RT HON SIR THOMAS MORE, statesman and Lord Chancellor to HENRY VIII.

THOMAS MORE, born at Chilston, near Madley, in Herefordshire, married Mary, daughter of John ApAdam, of Flint, and had a son,

GEORGE MOORE, who settled at Ballina, County Mayo, Vice-Admiral of Connaught during the reign of WILLIAM III.

He wedded Catherine, daughter of Robert Maxwell, of Castle Tealing, Scotland, by Edith his wife, daughter of Sir John Dunbar, and was father of

GEORGE MOORE, of Ashbrook, County Mayo, living in 1717, who married Sarah, daughter of the Rev John Price, of Foxford, County Mayo, by his wife, Edith Machen, of the city of Gloucester, and by her had two sons,

George, of Cloongee;

JOHN, of whom we treat.

The younger son,

JOHN MOORE, of Ashbrook, County Mayo, born ca 1700, espoused Jane, daughter of Edmund Athy, and had issue,

Robert, dsp 1783;

GEORGE, of whom presently;

Edmund, of Moorbrook;

Sarah; Jane.

His second son,

GEORGE MOORE (1729-99), of Moore Hall, Ashbrook, and Alicante, Spain, married, ca 1765, Catherine, daughter of Dominick de Killikelly, of Lydacan Castle, County Galway, and had issue,

John, 1763-99;

GEORGE, of whom hereafter;

Thomas;

Peter.

The second son,

GEORGE MOORE (1770-1840), of Moore Hall, wedded, in 1807, Louisa, daughter of the Hon John Browne, sixth son of John, 1st Earl of Altamont, and had issue,

GEORGE HENRY, his heir;

John;

Arthur Augustus.

The eldest son,

GEORGE HENRY MOORE JP DL (1810-70), MP for County Mayo, 1847-57, 1868-70, High Sheriff of County Mayo, 1867, espoused, in 1851, Mary, eldest daughter of Maurice Blake, of Ballinafad, County Mayo, and had issue,

GEORGE AUGUSTUS, his heir;

Maurice George, CB, Colonel, Connaught Rangers;

Augustus George Martin;

Henry Julian;

Nina Mary Louisa.

He was succeeded by his eldest son,

GEORGE AUGUSTUS MOORE (1852-1933), of Moore Hall and Ebury Street, London, High Sheriff of County Mayo, 1905, who died unmarried.

George Henry Moore (Image: Wikipedia)

THE MOORES had originally been an English Protestant settler family.

The father of George Moore (1729-99), John Moore, converted to catholicism when he married Jane Lynch Athy from one of the principal Catholic families in County Galway.

Using her connections among the “Wild Geese,” Irish Jacobite exiles in Spain, Jane supported her son in getting established in the wine import business in Alicante, Spain.

He subsequently changed his religion, and married, in I765, Katherine de Kilikelly, an Irish Catholic raised in Spain.

George made his fortune and returned to erect Moore Hall in 1792, above the shore of Lough Carra.

“He thus solidified the shift of the family from being New English settlers of Protestant faith to their nineteenth-century identity as Irish Catholic landlords who had never been humbled by the “Penal Laws” — that set of regulations aimed at limiting the property and power of Irish Catholics, and put in force after William of Orange routed James II at the Battle of the Boyne in 1688.”

“The change in the confessional identity of the Moore family, like the circumstances of G H Moore’s death, is important to the story of George Moore. These matters would one day be the occasion of a quarrel about family history that broke up the surviving Moore brothers, saw Moore Hall become vacant, and scattered the last generation of Moores abroad.”

“Of the four sons of George Moore of Alicante, the eldest was John Moore (1763-99), a scapegrace trained in Paris and London for the law, and for a few days in 1798 the first President of the Republic of Connaught.”

“Aided by French invaders at Killala, John Moore participated in the surprise victory of General Humbert over a British garrison at Castlebar on 27 August 1798, assumed nominal leadership of the rebels, then got captured after the rout of the small Irish forces.”

“President Moore died while under house arrest in a Waterford tavern. The second son of Moore of Alicante was a mild-tempered man, also named George Moore. A gentleman scholar rarely out of his library, he wrote histories of the English and French revolution, something in the manner of Gibbon.”

“Moore the historian had three sons by Louisa Browne, the first being George Henry Moore, the only one of the three not to die by a fall from a horse.”

Moore Hall (Image: Robert French)

MOORE HALL, near Ballyglass, County Mayo, is a Georgian mansion built between 1792-6 by George Moore.

It comprises three storeys over a basement, with an entrance front of two bays on either side of a centre breakfront; including a triple window, and fluted pilasters on console brackets.

There is a Venetian window above the entrance doorway, beneath a single-storey Doric portico.

The house was burnt by the IRA in 1923, and is now a ruinous shell.

Colonel Maurice Moore, CB, had intended to rebuild the house, albeit on a smaller scale.

Moore Hall (Image: Comhar – Own work, Public Domain,
https://commons.wikimedia.org/w/index.php?curid=11252115

Colonel Moore’s elder brother, George Augustus Moore, died in 1933, leaving  an estate valued at £70,000 (about £5.1 million in 2021).

His ashes were buried on Castle Island in Lough Carra.

http://www.buildingsofireland.ie/PlacesToSee/Louth/ 

Moore Hall  Moore Hall was built between 1792 and 1796 as the home of George Moore. The Moores were originally a Protestant family, although some members were subsequently converted to Catholicism. Some members of the family played a prominent part in the history of Ireland, particularly in Famine Relief in the 19th century. The house was burned down in 1923 during the Irish Civil War. The estate is now owned by the national forestry company Coilte and is a popular visitor site. 

George Moore (1727–1799), who built Moore Hall, originally came from Straide near Castlebar. During the time of the Penal Laws, George went to Spain where he was admitted to the Royal Court. From the 1760s until about 1790, George made his fortune in the wine and brandy trade, running his business from Alicante. When the Penal Laws were relaxed at the end of the 18th century, he returned to County Mayo with a fortune of £200,000 and in 1783, bought over 12,000 acres (49 km2) of land at Muckloon, Ballycally and Killeen from Farragh Mc Donnell, and commissioned the building of the grand residence of Moore Hall. 

George’s son, John Moore (1767–1799), was educated in France and became a lawyer. With the rebellion of 1798, he returned to Mayo. General Humbert appointed him President of the Connacht Republic in Castlebar. Thus, John Moore was the first President of an Irish republic, albeit for a very brief interval. He was captured by the English Lord Cornwallis, and although initially sentenced to death, his sentence was later commuted to deportation. He died in the Royal Oak tavern in Waterford on 6 December 1799. His body was exhumed from Ballygunnermore Cemetery in Waterford in 1962 and brought to Castlebar, where he was buried in the Mall with full military honours. 

George Henry Moore(1810–1870), was educated in the Catholic faith in England and later at Cambridge University. His main interest was in horses and horse-racing. His brother,Arthur Augustus, was killed after a fall from the horse Mickey Free during the 1845 Aintree Grand National. At the height of the Great Irish Famine in 1846, he entered a horse called Coranna for the Chester Gold Cup and netted £17,000 from bets laid on the horse. During the Famine he imported thousands of tons of grain to feed his tenants, and gave each of his Mayo tenants a cow from his winnings. It is still remembered on the Moore estate that nobody was evicted from their home for non-payment of rent during hard times, and that nobody died there during the Famine. George Henry is buried in the family vault at Kiltoom on the Moore Hall estate. 

George Augustus Moore (1852–1933), was a distinguished writer of the Irish Literary Revival period. Many famous writers of the time, including Lady Gregory, Maria Edgeworth, George Osborne, and W. B. Yeats were regular visitors to Moore Hall. George was an agnostic, and anti-Catholic.[4] His ashes are buried on Castle Island on Lough Carra in view of the big house on the hill.[3] 

Maurice George Moore (1854–1939), Senator Colonel Maurice Moore was the statesman of the family. He served with the Connaught Rangers in the Boer War and became concerned with human rights in South Africa. He also worked to relieve Irish prisoners held in English jails, and for the retention of UCG. He was also involved with the co-operative movement in Ireland, founded by Horace Plunkett. 

On February 1st next it will be 95 years since Moore Hall, County Mayo was needlessly burnt by a group of anti-treaty forces during the Civil War. Since then the building has stood empty and falling ever further into ruin. Moore Hall’s history was discussed here some time ago, (see When Moore is Less, June 30th 2014), and at the time it looked as though the house, dating from the 1790s, had little viable future. For many years the surrounding land has been under the control of Coillte, the state-sponsored forestry company, which displayed no interest in the historic property for which it was responsible. However, yesterday Mayo County Council announced it had purchased Moore Hall and 80 acres. The council proposes ‘to develop the estate as a nationally important nature reserve and tourism attraction’, its chief executive declaring this will ‘ensure that the natural, built and cultural heritage of Moorehall is protected yet developed and managed in a sustainable manner for current and future generations.’ Further details have yet to be provided, but one initiative Moore Hall’s new owners could immediately undertake is to clear away the trees that now grow almost up to the front door, thereby reopening the view to Lough Carra and explaining why the house was built on this site. 

Extracted from a letter written by George Henry Moore of Moore Hall, County Mayo to his mother Louisa (née Browne) on 6th May 1846: 
‘My dearest Mother, 
Corunna won the Chester Cup this day. We win the whole £17,000. This is in fact a little fortune. It will give me the means of being very useful to the poor this season. No tenant of mine shall want for plenty of everything this year, and though I shall expect work in return for hire, I shall take care that whatever work is done shall be for the exclusive benefit of the people themselves. I also wish to give a couple of hundred in mere charity to the poorest people about me or being on my estate, so as to make them more comfortable than they are; for instance, a cow to those who want one most, or something else to those who may have a cow, but want some other article of necessary comfort; indeed I will give £500 in this way. I am sure it will be well expended, and the horses will gallop all the faster with the blessing of the poor…’ 

Moore Hall dates from 1792 and is believed to have been designed by the Waterford architect John Roberts whose other house in this part of the island, Tyrone, County Galway is also now a gaunt ruin. The Moores were an English settler family originally members of the established church who converted to Roman Catholicism following the marriage of John Moore to Mary Lynch Athy of Galway. Their son George Moore, who likewise married an Irish Catholic, moved to Spain where through his mother’s connections with various Wild Geese families, he became successful and rich in the wine export business. In addition he manufactured iodine, a valuable commodity at the time, and shipped seaweed from Galway for its production, owning a fleet of vessels for this purpose. 
Having made his fortune, George Moore then returned to Ireland and bought land to create an estate of some 12,500 acres. He commissioned a residence to be built on Muckloon Hill with wonderful views across Lough Carra below and the prospect of Ballinrobe’s spires in the far distance. Fronted in cut limestone, Moore Hall stands three storeys over sunken basement, the facade centred on a single-bay breakfront with tetrastyle Doric portico below the first floor Venetian window. A date stone indicates it was completed in 1795, three years before Ireland erupted in rebellion. Among those who took part was George Moore’s eldest son John who after being schooled at Douai had studied law in Paris and London had returned to Ireland where he joined the uprising. On August 31st 1798 the French general Jean Joseph Humbert issued a decree proclaiming John Moore President of the Government of the Province of Connacht. However within weeks the British authorities had crushed the rebellion and captured Moore who died the following year while en route to the east coast where he was due to be deported. George Moore, who had spent some £2,500 attempting to secure his heir’s release, had died just a month earlier. 

Moore Hall now passed into the hands of its builder’s second son, also called George Moore. A more studious character than his brother, he is known as an historian who wrote accounts of the English Revolution of 1688 (published in 1817) and, on his death, left behind the manuscript of the history of the French Revolution. He married Louisa Browne, a niece of the first Marquess of Sligo, and the couple had three sons, one of whom died at the age of 17 after a fall from his horse. The same fate would befall the youngest child, Augustus Moore when at 28 he was taking part in a race at Liverpool. He and the eldest son, another George, had set up a racing stable at Moore Hall and become notorious for their fearless recklessness. But this George Moore had an intelligent and sensitive character – while still a teenager he was publishing poetry – and following the death of his brother and the advent of famine in Ireland in the mid-1840s he turned his attention to Moore Hall and the welfare of its tenants. The letter quoted above shows that after his horse Corunna won the Chester Cup in May 1846 he used the proceeds to make sure no one on his land suffered hardship or deprivation. In 1847, having already participated in calling for an all-party convention to work for the betterment of Ireland, he was first elected to Parliament where he proved to be a deft orator (his background as a youthful poet came in handy) and an ardent advocate of the country’s rights: he spoke in favour of the Fenians and was an early supporter of the Tenant League, established to secure fair rents and fixity of tenure in the aftermath of the famine. But his philanthropy was George Moore’s undoing. In the spring of 1870 his Ballintubber tenants withheld their rents, judging he would not dare retaliate. Since Parliament was sitting at the time, he returned from London to settle the matter and four days later died as a result of a stroke. 

And so Moore Hall passed to the next, and final, generation, being inherited by another George Moore, one of the greatest prose stylists Ireland has produced, a decisive influence on James Joyce and many another Irish author since. Today his contribution to this country, as well as that of his forebears, is insufficiently appreciated, but during his long lifetime George Moore was recognised as a great writer, as well as a serial controversialist. If he is no longer as celebrated as was once the case, then Moore must accept at least some responsibility for this state of affairs since he was given to creating and maintaining feuds with those who by rights should have been his allies. In his wildly entertaining, if not always credible, three-volume memoir Hail and Farewell he explained, ‘It is difficult for me to believe any good of myself. Within the oftentimes bombastic and truculent appearance that I present to the world, trembles a heart shy as a wren in the hedgerow or a mouse along the wainscotting.’ If no match for his father as a horseman, he inherited the latter’s bravado and audaciousness, and as a result created far too many enemies all of whom relished an opportunity to denigrate him. W.B. Yeats called Moore ‘a man carved out of a turnip’, while Yeats’ father considered Moore ‘an elderly blackguard.’ Middleton Murry described him as ‘a yelping terrier’ and Susan Mitchell ‘an ugly old soul.’ Yet they all had to acknowledge his genius. ‘When it comes to writing,’ declared Ford Madox Ford, yet another opponent, ‘George Moore was a wolf – lean, silent, infinitely sweet and solitary.’ The monument erected to him on Castle Island on Lough Carra rightly proclaims: 
‘George Moore 
Born Moore Hall 1852 died 1933 London 
He deserted his family and friends 
For his Art 
But because he was faithful to his Art 
His family and Friends 
Reclaimed his ashes for Ireland.’ 

In keeping with his character, George Moore always had an ambivalent relationship with Moore Hall. He wrote about it often, both in fiction and fact, but spent relatively little of his adult life in the place. For much of the time the estate was run by his younger brother Maurice with whom, like everyone else, he inevitably quarrelled. Unlike most Irish landowners of the era, however, he understood their time was drawing to a close, that the age of the big house was coming to an close and that the class into which he had been born would soon be no more. As he wrote to his brother in 1909, ‘The property won’t last out even my lifetime, that is to say if I live a long while and there will be nothing I’m afraid for your children…You always put on the philosophic air when I speak of the probable future and say “the future is hidden from us.” But the future of landlords isn’t in the least hidden from us.’ 
Nor was it, although the end was gratuitously harsh. On February 1st 1923 a local regiment of IRA men arrived at Moore Hall in the middle of the night, ordered the steward to hand over keys, moved bales of straw into the house, poured fuel over these and then set the place alight. It was a callous and philistine act which ignored the patriotic history of the Moores and lost the west of Ireland one of its finest Georgian residences. Many years later Benedict Kiely wrote in the Irish Times that he knew someone who had been present when Moore Hall was burnt and who could list various houses in the area containing looted furniture and other items. Envy and spite seem to have been the arsonists’ primary, if not sole, motivation. 
Ever since the building has stood empty, the surrounding land today owned by Coillte, a state-sponsored forestry company. With all the sensitivity one might expect from such an organisation, it has planted trees all around the house so that the view down to Lough Carra – the reason Moore Hall was built on this spot – cannot even be glimpsed. There was much talk some few years ago of restoring the building but no more and the final traces of its interior decoration, not least the delicate neo-classical plasterwork, are about to be lost. So this is how Ireland honours her own: more in the breach than in the observance. 

Stephenstown, Dundalk, Co Louth

Stephenstown, Dundalk, Co Louth – lost 

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

“(Fortescue, sub Hamilton/IFR) A square Georgian house of two storeys over a basement, five bays long and five bays deep, enlarged ca 1820 by the addition of two wings of one storey over a basement, running the full depth of the house and prolinging the front and rear elevations by two bays on either side. One of the wings was demolished ca mid-C19; that which survives has large tripartite fanlighted windows in both its elevations. The entrance front has a fanlighted and rusticated doorway, now obscured by a porch with engaged Doric columns. Some time in the earlier part of C19, the windows were given Tudor-Revival hood mouldings; but late C19 the house was refaced with cement, and the hood-mouldings were replaced by Classical pediments and entablatures. Parapeted roof. Long central axial hall with a pair of columns at far end. Drawing room with broad plasterwork frieze of foliage and C19 decorative plasterwork panels on walls. After the death of Mrs Pyke-Fortescue, 1966, Stephenstown was inherited by her nephew, Major Digby Hamilton, who sold it ca 1974.” 

Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988. 

p. 109. “A large late 18C house to which wings were added in the early 19C. Built for the Fortescue family. One wing was later demolished. Good interior. The house is now derelict.”

http://lordbelmontinnorthernireland.blogspot.com/2014/04/stephenstown-house.html

THE FORTESCUES WERE MAJOR LANDOWNERS IN COUNTY LOUTH, WITH 5,262 ACRES

This is a cadet branch of FORTESCUE of Dromiskin (from whom descended the EARLS OF CLERMONT, and the BARONS CLERMONT and CARLINGFORD).

WILLIAM FORTESCUE, of Newrath, County Louth, younger son of SIR THOMAS FORTESCUE, of Dromiskin, married Margaret, daughter and heiress of Nicholas Gernon, of Milltown, County Louth, and died in 1734, leaving, with other issue, a third son,

CAPTAIN MATTHEW FORTESCUE, Royal Navy, who wedded, in 1757, Catherine Doogh, and had (with a daughter, Catherine) a son,

MATHEW FORTESCUE, of Stephenstown, who espoused Mary Anne, eldest daughter of John McClintock MP, of Drumcar, and had issue,

MATHEW, his heir;
Anna Maria; Harriet; Emily.

The only son,

MATHEW FORTESCUE DL (1791-1845), of Stephenstown, married, in 1811, Catherine Eglantine, eldest daughter of Colonel Blair MP, of Blair, and had issue,

Mathew Charles, died in infancy;
JOHN CHARLES WILLIAM, his heir;
Frederick Richard Norman, father of MATTHEW CHARLES EDWARD;
William Hamilton;
Clermont Mathew Augustus.

Mr Mathew Fortescue was succeeded by his eldest surviving son,

JOHN CHARLES WILLIAM FORTESCUE JP DL (1822-91), of Stephenstown, and Corderry, Lieutenant-Colonel, RA; High Sheriff of County Louth, 1861, Vice Lord-Lieutenant of County Louth, 1868-79, who wedded, in 1857, Geraldine Olivia Mary Anne, daughter of the Rev Frederick Pare, by the Hon Geraldine de Ros his wife.

He dsp in 1891, and was succeeded by his nephew,

MATTHEW CHARLES EDWARD FORTESCUE JP DL (1861-1914), of Stephenstown, High Sheriff of County Louth, 1903, Major, 6th Battalion, Royal Irish Rifles, who wedded, in 1894, Edith Magdalen, eldest daughter of Sir Charles Arthur Fairlie-Cunninghame Bt, though the marriage was without issue.

*****

After the death of Mrs Pike-Fortescue in 1966, Stephenstown was inherited  by her nephew, Major Digby Hamilton, who sold it about 1974. 

STEPHENSTOWN HOUSE, near Dundalk, County Louth, was a square Georgian house of two storeys over a basement, five bays long and five bays deep.

The house was extended in 1820 by the addition of two wings of one storey over the basement.
One of these wings was demolished later in the 19th century.

At some time in the earlier part of the 19th Century the windows were given Tudor-Revival hood mouldings, but later the house was refaced with cement and the hood mouldings replaced by classical pediments and entablatures.

Alas, the once-great mansion is now ruinous.

Although neglected in recent years, Stephenstown House continues to play a vital role in its surroundings.

It is located on the highest point in the locality dominating the skyline and providing a point of drama in the landscape.

The outlying buildings are in fair condition and their survival contributes further to Stephenstown’s significance.

The house became ruinous by the 1980s.

Abandoned Ireland has an interesting article about it here.

Other former seat ~ Wymondham Cottage, Oakham, Rutland.

First published in March, 2012.

https://www.buildingsofireland.ie/buildings-search/building/13901114/stephenstown-house-stephenstown-co-louth

Stephenstown, County Louth, courtesy National Inventory.

Detached five-bay two-storey over basement house, built c. 1790, now in ruinous condition, single-storey addition to south c. 1820, porch to entrance front, c. 1840. Hipped slate roof, partly missing, rendered chimneystacks to main house, red brick north wing. Cast-iron rainwater goods, partly missing. Unpainted cement-rendered walling, limestone trim, continuous eaves cornice, sill course, quoins. Square-headed window openings, rendered surrounds to first floor with flat entablatures, pedimented to ground floor, segmental-headed window openings at wing to north in moulded Gibbsian-style surround, all windows missing. Segmental-headed door opening in Gibbsian-style surround behind porch c. 1840, entablature supported on Tuscan columns. Located on top of elevated position overlooking surrounding countryside, now surrounded by fields. Range of farm buildings to south-east including concrete water tower, single-storey rubble stone farm buildings corrugated fibre-concrete sheeted roofs, red brick surrounds to loop windows. Tower keep in curtilage of south-west, now surrounded by fields. 

Appraisal 

Although neglected in recent years Stephenstown House continues to play a vital role in its surroundings. Built by the Fortescue family, it is located on the highest point in the locality dominating the skyline and providing a point of drama in the landscape. The outlying buildings are in fair condition and their survival contributes further to Stephenstown’s significance. 

https://archiseek.com/2015/1785-stephenstown-house-co-louth

1785 – Stephenstown House, Co. Louth 

Stephenstown, County Louth, courtesy Archiseek.
Stephenstown, County Louth, courtesy Archiseek.

Built in 1785 by Matthew Fortescue for his new bride Marian McClintock. A square Georgian house of 2 storeys over a basement 5 bays long and 5 bays deep. Extended in 1820 by the addition of 2 wings of one storey over basement. One of these wings was further demolished later in the 19th century.  

Stephenstown, County Louth, courtesy Archiseek.

After the death of Mrs Pyke-Fortescue, Stephenstown was inherited by her nephew who sold it in 1974. Increasingly derelict, the house is now a ruin with portions of the roof collapsing through the structure. 

https://www.geni.com/projects/Historic-Buildings-of-County-Louth/29645

Stephenstown House near Dundalk.  
A large building with a grassy field

Description automatically generated, PictureOn March 19 1735, Mr. Richard Taaffe of Manfieldstown granted a lease of the lands of Stephenstown, Ballyclare and Ballinlough (a later deed confirms that the townland of Knocktavey was also included, together with the dwelling house and demesne of Stephenstown) to Mr. John Taaffe. On 14th February 1740, John Taaffe surrendered the lease of all the above lands to Mr. Page, a money lender from Dublin, who immediately re-leased on the same terms and conditions to Chichester Fortescue, the second son of William Fortescue and Margaret Gernon. Chichester, who lived at Dellin in the parish of Darver, never married and when he died in 1747 he left all his property to his younger brother, Mathew, who continued with the lease on the above named land. Stephenstown House was built in 1785 by Matthew Fortescue (son of the above Mathew), for his bride Marian McClintocka.k.a. Mary Anne. A square Georgian house of 2 storeys house. Extended in 1820. In 1817, William Galt was contracted by Matthew Fortescue to build two ponds, the water being needed for new gardens which had recently been constructed at Stephenstown house and also to drive to the grinding mills in the house farmyard. William Galt who was married to Agnes Burness, the sister of the famous Scottish poet Robert Burns. Galt was retained as manager to Mr. Fortescue after the completion of the ponds with the generous salary of 40 guineas per annum – the post also came with the use of a cottage as well as land for keeping a cow and growing vegetables. William and Agnes had no children but lived comfortably for the rest of their lives. Agnes lived to be 72 years old and died on October 17th 1834, her husband survived her by 13 years and died on March 3, 1847. The couple are buried in St Nicholas Cemetery in Dundalk. 

Marianne Fortescue (1767-1849) married to Matthew Fortescue who wrote a diary at the family home on Merrion Street in Dublin where they were staying when the 1798 uprising broke out. Her diary is of significant historical value. In July 1798 she was able to return to Stephenstown House, Country Louth. Stephenstown house remained in the Fortescue family until recent times. When Mrs Pyke-Fortescue died in 1966, Stephenstown was inherited by her nephew Major Digby Hamilton who sold it in 1974. It was let fall into ruin in the 1980’s. 

Stephenstown pond is now a nature park and tourist attraction 

During the reign of James I the splendidly named Sir Faithful Fortescue whose family originated in Devon came to this country where prior to his death in 1666 he bought an estate in County Louth. From him descended several branches of the Fortescues, one of which eventually acquired the titles of Viscount and Earl of Clermont. Meanwhile the parcel of land first acquired by Sir Faithful was further supplemented by various successors and came to include an estate called Stephenstown close to the village of Knockbridge. Here sometime around 1785-90, Matthew Fortescue built a new house to mark his marriage to Mary-Anne McClintock whose own Louth-based family had, through her mother (a Foster), already inter-married with the Fortescues. 

Stephenstown is a large, square house of two storeys over raised basement and with five bays to each side. Around 1820, the next generation of Fortescues added single-storey over basement wings to either side but that to the south was subsequently demolished. At some other date seemingly the building’s windows were given Tudor-revival hood mouldings, probably not unlike the make-over given during the same period to nearby Glyde Court (see The Scattering, April 20th 2015). However later again these openings reverted to a classical model, with classical pediments on the ground floor and entablatures on the first, the whole covered in cement render. A single storey porch on the entrance front was the only other alteration. From what remains, it would appear the interior had delicate neo-classical plasterwork, perhaps on the ceilings (none of which survive) and certainly on friezes below the cornice in diverse rooms. 

It is not easy to piece together the history of Stephenstown in the last century. The last direct descendant of the original builder was another Matthew Fortescue who in 1894 married a cousin, Edith Fairlie-Cuninghame. He died twenty years later without a direct heir, after which his widow married an Australian clergyman, the Rev. Henry Pyke who took on the Fortescue surname to become Pyke-Fortescue. Curiously the couple are listed as dying on the same day, 24th September 1936, upon which Stephenstown seemingly passed to another relative, Digby Hamilton. He sold up in the 1970s after which the house stood empty (and the trees in the surrounding parkland were all cut down). When Alistair Rowan and Christine Casey published their volume on the buildings of North Leinster in 1993, they noted that Stephenstown was ‘an elegant house, too large for modern rural life, empty in 1985, and likely to become derelict.’ That likelihood has since become a reality. 

See https://www.louthcoco.ie/en/services/archives/online-digital-archives/private-papers/stephenstown-photograph-album.pdf

Mount Shannon, Co Limerick

Mount Shannon, Co Limerick – ‘lost’ 

Mount Shannon, County Limerick entrance front c. 1900, photograph: William Garner, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

p. 216. “(Fitzgibbon/IFR) A two storey C18 house, enlarged and magnificently furnished by John Fitzgibbon, 1st Earl of Clare, Lord Chancellor of Ireland at the time of the Union and one of the most powerful men in the Ireland of his day; remodelled in neo-Classical style post 1813 by Byron’s friend, 2nd Earl, to the design of Lewis Wyatt. James Pain also worked here for second Earl, either supervising the remodelling according to Wyatt’s design, or carrying out subsequent alterations. Seven bay entrance front with pedimented porte-cochere of four giant Ionic columns. Adjoining front of five bays, the end bays breaking forward and having Wyatt windows under relieving arches in their lower storey. Lower service wing. Large rooms, but hardly any internal ornament; fine hall and library; French gilt furniture in the drawing room and morning room. 3rd and last Earl of Clare, who did not have the Government pension which 1st and 2nd Earls had enjoyed, and who was generous in giving financial help to emigrants after the Famine, left the estate impoverished; so that his daughter, who inherited it, was obliged to sell most of the valuable contents of the house 1888. The house itself was sold ca 1893 to the Nevin family; it is now a ruin.” 

John Fitzgibbon, 1st Earl of Clare (1749-1802) Date c.1799-1800 by Hugh Douglas Hamilton, Irish, 1740-1808, courtesy of National Gallery of Ireland.
John Fitzgibbon (1792–1851), 2nd Earl of Clare by John Jackson, courtesy of National Trust.

Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988. 

https://lordbelmontinnorthernireland.blogspot.com/2014/04/mountshannon-house.html

THE EARLS OF CLARE WERE MAJOR LANDOWNERS IN COUNTY LIMERICK, WITH 10,316 ACRES

The Earls of Clare are said to have represented a collateral branch of the Duke of Leinster’s family; the FitzGibbons, the chief of whom was styled “The White Knight“, being descended from the FitzGeralds, Barons Offaly, progenitors of the great houses of KILDARE and DESMOND; as were the Knights of Glin, of the Valley, and of Kerry, titles conferred on junior branches of the house of FitzGerald, by the Earl of Desmond, as Count Palatine.

JOHN FITZGIBBON (c1708-80), of Mount Shannon, County Limerick, fourth son of Thomas FitzGibbon, of Ballyseeda, County Limerick,and his wife, Honor, was an eminent barrister, who published a work entitled “Notes of Cases determined at Westminster”, which was highly spoken of by Lord Chancellor Hardwicke.


He wedded Ellinor, daughter of John Grove, of Ballyhimmock, County Cork, and had issue,

JOHN, his successor;
Arabella; Elizabeth; Eleanor.

Mr FitzGibbon was succeeded by his son,
THE RT HON JOHN FITZGIBBON (1748-1802), who having been bred to the Bar, was appointed Attorney-General of Ireland, 1784; and, five years later, filled the high office of LORD CHANCELLOR OF IRELAND.

This gentleman was elevated to the peerage, in 1789, in the digniy of Baron FitzGibbon, of Lower Connello, County Limerick.

His lordship was advanced to a viscountcy, in 1793, as Viscount FitzGibbon, of Limerick; and further advanced to the dignity of an earldom, in 1795, as EARL OF CLARE.

He wedded, in 1786, Anne, eldest daughter of Richard Chapel Whaley, of Whaley Abbey, and had issue,
JOHN, his successor;
RICHARD HOBART, 3rd Earl;
Isabella Mary Anne; Louisa; Isabella.
His lordship was succeeded by his eldest son,
JOHN, 2nd Earl (1792-1851), KP, PC, who espoused, in 1826, Elizabeth Julia Georgiana, daughter of Peter, 1st Baron Gwydyr.
The 2nd Earl, Governor of Bombay, 1830-34, Privy Counsellor, 1830, Knight of St Patrick, 1845, Lord-Lieutenant of County Limerick, 1848-51, was succeeded by his brother,
RICHARD HOBART, 3rd Earl (1793-1864), who married, in 1825, Diana, daughter of Charles Brydges Woodcock, and had issue,
JOHN CHARLES HENRYstyled Viscount FitzGibbon (1829-54); killed in action at the Battle of Balaclava;
Eleanor Sophia Diana; Florence; Louisa Isabella Georgina.
His lordship, MP for County Limerick, 1818-41, Usher and Registrar of Affidavits in the Irish Court of Chancery 1810-36, Lord Lieutenant of County Limerick, 1831-48 and 1851-64, was pre-deceased by his son, and the titles expired. 

On display in the coach-house of Newbridge House is the sumptuous state coach made in London, in 1790, for John FitzGibbon, 1st Earl of Clare, Lord Chancellor of Ireland and a relation of the Cobbe family. 

The coach had been painted black until restored by the Irish National Museum to its former golden magnificence – even the fresco panels had been painted out, probably for the funeral of Queen Victoria.

MOUNTSHANNON HOUSE, near Castleconnell, County Limerick, was an 18th century mansion, bought from the White family by John FitzGibbon before 1780.

Seven-bay entrance front with pedimented porte-cochere of four massive Ionic columns; adjoining front of five bays.

The rooms were large and spacious, though boasted little internal ornament; a fine hall and library; French gilt furniture in the drawing-room and morning-room.

The 1st Earl was one of the most powerful men in Ireland at the time.

The house was re-modelled in neo-classical style after 1813 to the designs of Lewis Wyatt.

Mount Shannon appears to have been called Ballingown on the Taylor and Skinner map of the late 1770s.

Mark Bence Jones writes that it was enlarged by the 1st Earl of Clare and remodelled by the 2nd Earl.

The contents of the house were sold in 1888 and the house was purchased by the Nevin family ca 1893 (Bence Jones).

The 3rd and last Earl, who didn’t have the government pension that his predecessors enjoyed, and who was most generous in providing financial succour to emigrants after the Irish famine, left the estate impoverished.

As a consequence, his daughter, who inherited the estate, was obliged to sell most of the precious contents of the house in 1888.

Abandoned Ireland has written an excellent article about the family and estate:

Lady Louisa Georgina FitzGibbon, daughter of the 3rd Earl, came into possession of Mountshannon on the death of her father. She was a very extravagant and over-charitable woman who gave lavish banquets and balls at the mansion to which all the aristocracy and landed gentry from Limerick and neighbouring counties were invited…

But the world of reality eventually took control as Lady Louisa frittered away the Fitzgibbon fortune and ran up huge debts in an effort to keep up the grand lifestyle to which she had become accustomed.

She became engaged to a Sicilian nobleman, The Marquis Della Rochella, thinking his wealth would rescue her from financial ruin, only to discover that her betroth was himself almost penniless and was marrying her for the same reason.

During a sumptuous party in the mansion to announce their engagement, the sheriff arrived to seize some of the mansion’s valuable effects.

Two large paintings hanging in the main hall were among the items earmarked for confiscation, but were found to have holes burned through the canvas when the sheriff’s men were removing them. The restored and still very valuable pictures were in later years hung in the hall of Dublin Castle.

It was on this occasion that the Marquis discovered that Lady Louisa, like himself, was bankrupt but, noble gentleman that he was, he went ahead with the marriage – even if it was a misguided union.

The Marquis, unaccustomed to the Irish climate, fell into bad health and died a few years later, still pining for his native sunny Sicily. Still struggling to keep face, Lady Louisa was forced to sell much of the contents of the mansion including the priceless collection of books from the family library.

Soon the lavish entertainment, the sumptuous feasting and the glittering balls were all gone and the magic that once was Mountshannon disappeared. Gone too were Lady Louisa’s wealthy friends, leaving her at the mercy of her creditors who quickly foreclosed on her and she was forced to sell the mansion and the estate.

Lady Louisa left Mountshannon in 1887 and went to live in the Isle of Wight at St. Dominic’s Convent where she spent the rest of her life …. The powerful FitzGibbon line that had stretched across one hundred and twenty years at Mountshannon had finally ended.

The next owner of Mountshannon was an Irishman, Thomas Nevins, who had made a large fortune in America and returned to Ireland with his wife and three daughters and purchased the mansion and estate. 

For the Nevins, who were a decent and honest Catholic family, their years at Mountshannon were fraught with trouble and ill-luck, so much so that people said the curse that many believed was on the place must surely have touched on these unfortunate people…

…Tom Nevins, like Lord Clare before him, was thrown from his horse while riding through the estate and died a few months after from his injuries. His body was also placed in the Cooling House, as was his wife’s who died some years later the little building had by then become the family burial chamber …

… So at last the tragic Nevins family rest undisturbed and entombed in what was once the cold storage house for Mountshannon Mansion.

Dermot O’Hannigan was the last owner of Mountshannon and in 1921, during the Troubles, in a spectacular and devastating fire, the flames of which could be seen, it is said, from many parts of Limerick city and county, the beautiful mansion was burned to the ground. 

The estate was eventually taken over by the Irish Land Commission and divided up into several farm holdings.

Little remains of Mountshannon Mansion today but the ivy-clad shell of the great house, its four columns at the entrance still stand defiantly against the elements and even time itself, like some battle-scarred warriors still guarding the faded remnants of a grandeur that is no more.

First published in March, 2012.  

https://archiseek.com/2012/mountshannon-house

1813 – Mountshannon House, Castleconnell, Co. Limerick 

Architect: Lewis Wyatt 

The house was re-modeled in a neo-classical style after 1813 to the designs of Lewis Wyatt. The front 7-bay entrance was adorned by four ionic columns, the rear had a large conservatory. Destroyed by fire in 1920. The rooms were large and spacious, though boasted little internal ornament; a fine hall and library; French gilt furniture in the drawing-room and morning-room. 

https://www.buildingsofireland.ie/buildings-search/building/21900618/mount-shannon-mountshannon-co-limerick

Mount Shannon, County Limerick, courtesy National Inventory.

Detached seven-bay two-storey over basement country house, built c. 1790, having pedimented Ionic portico to front (north) elevation and multiple-bay two-storey extension to east. Remodelled c. 1813. Now in a ruin. Limestone eaves course and rendered chimneystacks. Lined-and-ruled rendered walls. Ashlar limestone portico comprising Ionic columns and Doric pilasters supporting entablature and pediment with dentil motifs. Square-headed openings with limestone sills, some having remains of six-over-six pane timber sliding sash windows. Round-headed door openings to ground floor with render surrounds. Limestone thresholds to entrances. Remains of rubble stone walled garden to east. 

Appraisal 

Built by the FitzGibbon family in the late eighteenth century, Mount Shannon was subsequently enlarged c. 1813 to the design of Lewis Wyatt for John FitzGibbon, first Earl of Clare and Lord Chancellor of Ireland. The remains of the imposing two-storey Ionic portico, which dates from this period of construction, constitutes a notable example of the neo-classical style. It has also been suggested that James Pain may have carried out this work. High quality design and execution are apparent in the execution of the portico, which forms the focal point of the structure. The house, however, was burnt down in 1921. The site retains demesne related structures such as the walled garden, gate lodges and the icehouse which later became a mausoleum, all of which provide historical and social context to the composition. 

Mount Shannon, County Limerick, courtesy National Inventory.
Mount Shannon, County Limerick, courtesy National Inventory.
Mount Shannon, County Limerick, courtesy National Inventory.
Mount Shannon, County Limerick, courtesy National Inventory.
Mount Shannon, County Limerick, courtesy National Inventory.
Mount Shannon, County Limerick, courtesy National Inventory.
Mount Shannon, County Limerick, courtesy National Inventory.
Mount Shannon, County Limerick, courtesy National Inventory.
Mount Shannon, County Limerick, courtesy National Inventory.

Given the notoriety of its late 18th century resident, the fate of Mount Shannon, County Limerick seems inevitable. One of the country’s more striking ruins, the house formerly stood at the centre of a 900-acre demesne famous for its trees and gardens: in his 1822 Encyclopedia of Gardening the Scottish botanist and landscape designer John Claudius Loudon specifically cited Mount Shannon as an example of improvements in Ireland, and proposed these had been carried out under the direction of the first Earl of Clare, of whom more anon. Five years later Fitzgerald and McGregor in their study of the history and topography of Limerick city and county likewise refer to Mount Shannon: ‘the plantations are laid out with fine taste, and the gardens are extensive and well arranged.’ Aside from a handful of surviving specimen trees, no evidence of the demesne’s former glories now remains, and much of the land is given over to suburban housing, making it difficult to discern what the grounds must have looked like even a century ago. On the other hand it is still possible to gain a sense of the main house’s former appearance. In 1827 Fitzgerald and McGregor described it as being ‘one of the most superb mansions in the South of Ireland’ and although a hollow shell for over ninety years it clings onto a residue of grandeur. 

The original Mount Shannon was built c.1750 by the euphoniously-named Silver Oliver whose family’s main estate was elsewhere in the county at Clonodfoy, later Castle Oliver. Oliver appears to have sold the property to a member of the White family but around 1765 it came into the possession of John Fitzgibbon, supposedly a descendant of the mediaeval White Knights, who had been raised a Roman Catholic but converted to Anglicanism so that he could become a lawyer (Penal Laws then barring this profession to everyone not a member of the established church). Highly successful, he amassed a considerable fortune 
which when he died in 1780 was passed on to his son, also called John and later first Earl of Clare. 
It would appear from various references that Lord Clare did much to improve and aggrandise Mount Shannon, not just its demesne but also the house. However the latter’s most striking feature was added by his eldest son the second earl in 1813. The immense Ionic portico with Doric pilasters behind was designed by Lewis Wyatt (a member of the prolific English family of architects and a nephew of James Wyatt), and occupies the three centre bays of the seven-bay north entrance front. Behind three round-headed doors gave access to the hall with the drawing room and other main reception rooms behind. The interiors, as a handful of 19th century photographs show, were chillingly neo-classical with scarcely any ornament. The same was true of the exterior which, as can be seen is constructed of brick with cut limestone dressings. The severity of the south, garden facade was relieved by a very large curved conservatory. To the immediate east of the two-storey over sunken basement house is a long, lower extension which would have been used for services and was originally concealed by a curved screen wall that joined the still-extant wall of the old walled garden. 

Many stories are told of John ‘Black Jack’ Fitzgibbon, first Earl of Clare, some of them apocryphal, few of them kind. After studying at Trinity College, Dublin and Christchurch, Oxford he became a lawyer like his father before him. He was first elected to the Irish House of Commons in 1778 and five years later was appointed Attorney General. Appointed Lord Chancellor for Ireland in 1789, he was also received his first peerage, as Baron FitzGibbon, of Lower Connello; he was subsequently advanced to a Viscountcy in 1793 and finally received his earldom in 1795. Four years later he was granted an English peerage (entitling him to a seat in the House of Lords at Westminster), becoming Baron FitzGibbon, of Sidbury in the County of Devon. 
Unquestionably brilliant, Fitzgibbon was also without doubt bigoted. It has often been noted that he was a hardline Protestant and a member of the Protestant Ascendancy who avidly promoted whatever measures he believed would best preserve that group’s political domination in Ireland. He supported harsh measures against members of the 1798 Rebellion and was openly hostile to Roman Catholicism despite or perhaps because of his father had originally been a member of this faith. When it came to the Act of Union in 1800, of which he was firmly in favour, there was widespread understanding that this would be accompanied by concessions made to Roman Catholics with the Penal Laws being ameliorated. FitzGibbon persuaded George III that any such liberalisation of the status quo would be a violation of the king’s Coronation Oath and thus ensured pro-Emancipation measures were not included in the Union legislation. In so doing he delayed Catholic Emancipation by three decades and encouraged the spread of sectarianism. 
It is said that FitzGibbon once declared he would make the Irish as ‘tame as a dead cat.’ As a result, there are stories of dead cats being thrown into his coach, and of more of the same being flung into his grave when he died in January 1802 following a fall from his horse at Mount Shannon the previous month. 

At the time of the Act of Union, Lord Clare arranged for a handsome pension by way of compensation for the loss of his office as Lord Chancellor which was then abolished; this was to be paid both to him and his immediate heir. Thus the second earl, who died in 1851, enjoyed a handsome income not just from his estates which ran to more than 13,000 acres in Counties Limerick and Tipperary but from the munificence of the British Treasury. A close friend of Lord Byron, with whom he was at school, the second earl later became Governor first of Bombay and later of Bengal; he enhanced Mount Shannon by both the addition of the portico and other improvements, but by adding treasures from India and paintings acquired on his travels around Europe. 
Since he had no children, his property passed to a younger brother, who duly became third earl. He was to suffer a number of disadvantages, among them the absence of the pension enjoyed by his predecessors, a much depleted income in the aftermath of the Great Famine, and the death of his only son during the Charge of the Light Brigage at the Battle of Balaclava in October 1854: Limerick’s Wellesley Bridge used to feature a handsome statue to the youthful Viscount FitzGibbon until it was blown up by the IRA in 1930. 
On the death of the third earl in 1864 the title became extinct. His estate was left to the two younger of his three daughters (the eldest, who had caused a scandal by abandoning her own spouse and children to run off with the elderly husband of a half-sister, appears to have been disinherited). While the middle sister took possession of the FitzGibbon silver and, it seems, the greater part of the liquidity attached to the estate, the youngest Lady Louisa FitzGibbon assumed responsibility for Mount Shannon. 

Lady Louisa was as dogged by bad luck as her father. Her eldest son died at the age of twenty, followed by her first husband and then the Italian Marchese she married in expectation of his money turned out to be as penniless as herself. With the advent of the Land Wars rents ceased to be paid, portions of the estate had to be sold, what remained was mortgaged, and money borrowed at high interest rates. All to no avail: Lady Louisa’s creditors demanded satisfaction, following litigation a receiver was appointed, and in the course of a sale lasting several days during June 1888 Mount Shannon was stripped of its contents including a very valuable library. Here is a small quote from the fascinating catalogue compiled by Limerick auctioneer John Bernal: ‘The Family Paintings are Chef Douvres [sic], by the first artist of the period, when they were taken, some of the Paintings, see page 42, were placed in the house about 1790, and will afford the connoisseur and speculator a good chance of getting a valuable Old Master on good terms. There are also some replicas from the Dresden gallery.’ The first such melancholy event of its kind in Ireland, a prelude to many more to follow over the coming decades, the Mount Shannon excited huge interest, with special trains and catering arrangements being laid on. Lady Louisa FitzGibbon spent the remainder of her days in a Dominican convent on the Isle of Wight, an establishment founded by the Roman Catholic convert wife of her uncle, the second Lord Clare; this was something of an irony given the first earl’s virulent hatred of all Catholics. 
Five years after the sale, Thomas Nevins, who had been born in Mayo but made a fortune in the United States as a tram and railway contractor, bought Mount Shannon where he died in 1902, just like the first earl following a bad fall from a horse. His widow only survived until 1907 after which the place passed through various hands before what remained of the estate was bought in 1915 by David O’Hannigan of County Cork for £1,000. He did not have long to enjoy Mount Shannon since it was burned down in June 1920 during the War of Independence, the light of the flames apparently seen in Limerick city. 
The house remains a shell. To walk through it today is to have a sense what it must have been like visiting a site such as the Baths of Caracalla in the aftermath of Imperial Rome’s collapse, especially as this immense structure is now surrounded by others domestic  buildings of infinitely smaller dimensions and aspirations. Even in its present broken-down state Mount Shannon continues dominate the area and to exude an air of greater distinction than any of its neighbours. 

Not all anniversaries are necessarily cause for celebration. Today marks the centenary of the burning of Mount Shannon, County Limerick, one among the first wave of Irish country houses to be burnt during the War of Independence, followed by many more over the course of the Civil War. Dating from the mid-18th century, Mount Shannon was originally built for the Oliver family but by 1765 it had been acquired by John FitzGibbon, who had converted from Roman Catholicism to the Established Church in order to practice law. This move ultimately also converted him into a wealthy man, so understandably the same profession was also followed by his son, another John FitzGibbon, who became known as ‘Black Jack’ for his hostility to the faith of his forebears and his advocacy of the 1800 Act of Union. Prior to that event, he served as last Lord Chancellor of Ireland and was rewarded with a peerage, becoming Earl of Clare in 1795. While he improved Mount Shannon and the surrounding demesne, it was his son the second earl who did most work on the place, not least by enhancing the façade with the addition of its great Ionic portico, designed by architect Lewis William Wyatt. Thanks to a pension secured by his father, he was also able to fill the interior with furniture and works of art collected during his travels in Europe, and from time spent in India as Governor of Mumbai (then called Bombay). Having no children, when he died in 1851 both title and estate passed to a younger brother. 

The third Earl of Clare did not benefit from a government pension such as that enjoyed by his late brother, nor did he lead as charmed a life; in 1854 his son and heir, 25-year old Viscount FitzGibbon, was reported missing, presumed dead, after leading his troop of Royal Irish Huzzars at the Charge of the Light Brigade during the Crimean War. His body was never recovered. So, when the third earl in turn died a decade later, Mount Shannon passed to the youngest of his three daughters, Lady Louisa FitzGibbon who likewise suffered various misfortunes: her first husband died, as did her son, and then her second husband – a Sicilian marchese – proved to be as just as impoverished as was she. Already in debt, the onset of the Land Wars finished off her prospects and in 1888 Lady Louisa’s creditors forced a sale of Mount Shannon and its contents. The house had two more owners before its eventual destruction, the first being Thomas Nevins, who had been born in Mayo but made a fortune in the United States as a tram and railway contractor. He lived at Mount Shannon for less than a decade because in 1902, exactly a century after the first Earl of Shannon had died following a fall from a horse, Mr Nevins suffered the same fate. His wife followed him a few years later, and Mount Shannon was back on the market. Most of the land was divided up between local farmers and in 1915 the house and immediate surroundings were bought for £1,000 by one David O’Hannigan, who already owned a fine property some thirty miles to the south, Kilbolane House, County Cork (since demolished). However, he was unable to enjoy his new home for very long because on the night of June 14th 1920 Mount Shannon was set on fire by a local band of the IRA, leaving the building completely gutted; it is believed flames from the blazing site could be seen in Limerick city more than five miles away. What remains of the house has stood a ruin ever since. Over the next three years, there will be many more such centenaries to recall. 

You can see and hear more about Mount Shannon on the Irish Aesthete’s new YouTube channel:  
https://www.youtube.com/watch?v=fcrlzLgMnNA 
and 
https://www.youtube.com/watch?v=yRPj6b6KCss 
 
And a longer history of the house was published here in January 2014: https://theirishaesthete.com/2014/01/20/a-spectacular-fall-from-grace 

Lisheen House (or Seafield House), Co Sligo – ruin

Lisheen House (or Seafield House), Co Sligo – ruin 

Seafield House, County Sligo, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

p. 185. “(Phibbs/LGI1912) In 1798, William Phibbs built Seafield, overlooking Ballysadare Bay, as a dower house for his son, Owen. It was Gothic, but the stables and cowsheds were joined to it in the Palladian manner. Owen Phibbs, who lived mainly in Dublin, used Seafield only as a summer retreat; but his son, William, came to live permanently at Seafield in 1842, and in that year began building a much larger house about 200 yards away from the old one, which was allowed to fall into ruin. The architect of the new house was the Sligo born John Benson, who was afterwards knighted for designing the building for the Dublin Exhibition of 1853. It was Classical, square, of two storeys, with a roof carried on a cornice. Entrance front of seven bays; framing bands at the corners of the front, on either side fo the centre bay and above the first floor windows; continuous entablatures below the windows in each storey. Entrance door recessed behind a Grecian temple or tomb doorway with two Ionic columns. Entablatures on console brackets over ground floor windows. Adjoining front of five bays, the centre three bays behing recessed. Framing bands and entablatures under the windows as in the entrance front; triangular pediments on console brackets over the two outer ground floor windows. Cast-iron verandah filling the recess between the end bays. Large hall, ballroom and library. Long gallery on first floor, lit by skylights, which subsequently became known as the Museum, having been filled with objects ranging from Egyptian mummies to Syrian swords and daggers collected by Owen Phibbs, son of the builder of the house, an archaeologist of note. The house was infested by a particularly malicious poltergeist, which gave it such a bad reputation that Owen Phibbs, on succeeding to it in 1904, changed its name from Seafield to Lisheen. Later in the present century, in an attempt to get rid of the poltergeist, the family handed over the house to a party of Jesuits for some weeks, who celebrated mass in it each day during their stay. D.W. Philbbs sold the house 1940, and it was immediately afterwards demolished.”

Seafield House, County Sligo, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.

Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988. 

https://archiseek.com/2012/seafield-co-sligo/

1842 – Seafield, Co. Sligo 

Architect: George Papworth Also known as Lisheen, and now almost completely ruined. Reputed to be haunted, the house was abandoned in the 1920s after repeated attempts to rid the house of its presence failed. 
 
 
In Blake, Tarquin. Abandoned Mansions of Ireland. Collins Press, Cork, 2010. 

https://lordbelmontinnorthernireland.blogspot.com/2014/10/lisheen-house.html

THE PHIBBSES WERE MAJOR LANDOWNERS IN COUNTY SLIGO, WITH 10,507 ACRES 

 
 
The earliest record of this family is found in a list of names of subscribers to a loan raised in 1589, during the reign of ELIZABETH I, to defray expenses incurred during the arming of the country at the time of the threatened Spanish Armada. 
 
The name there appears as PHILLIPS, as it also does in the official list of High Sheriffs for County Sligo, as late as 1716, where Matthew Phibbs, of Templevaney, is styled Matthew Phillips
 
Of this family two brothers came over to Ireland as soldiers about 1590. 
 
From records now existing in Trinity College, Dublin, they are found on half-pay, in 1616 and 1619, under the name of PHIPPS, a name that some of the younger branches of the family resumed about 1765. 
 
Of these two, William settled in County Cork, in the south-west of which county the name existed as ffibbs
 
The elder of the two, 
 
RICHARD PHIPPS, who served under Sir Tobias Caulfeild, and was pensioned as a maimed soldier in 1619, settled at Kilmainham, Dublin, where he died in 1629, and was buried at St James’s Church. 
 
He had issue, 
 

RICHARD, of whom presently
John, living in County Sligo, 1663; 
Edward; 
Hester; Jane; Sarah; Rebecca. 

The eldest son, 
 
RICHARD PHIBBS or FFIBS, of Coote’s Horse, who was granted land in County Sligo, 1659, and served in Captain Francis King’s troop of horse in Lord Collooney’s regiment. 
 
He died in 1670, and was interred in St John’s Church, Dublin, having had issue, 
 

MATTHEW, of Templevaney
William, of Grange

The elder son, 
 
MATTHEW PHIBBS, of Templevaney, and afterwards of Rockbrook, County Sligo, High Sheriff in 1716, had issue, four sons and two daughters, 
 

WILLIAM, of Rathbrook and Rathmullen
Richard; 
Robert; 
Matthew; 
Anne; Margaret. 

Mr Phibbs died in 1738, and was succeeded by his eldest son, 
 
WILLIAM PHIPPS or PHIBBS (1696-1775), of Rockbrook and Rathmullen, married, in 1717, Mary, only daughter of John Harloe, of Rathmullen, by whom he had twenty-one children, including 
 

Harloe; 
Matthew; 
WILLIAM, of whom presently
Mary; Anne; Joanna; Rebecca; Eleanor. 

The second surviving son, 
 
WILLIAM PHIBBS (1738-1801), of Hollybrook, High Sheriff of County Sligo, 1781, wedded, in 1768, Jane, daughter of Owen Lloyd, of Rockville, County Roscommon, by whom he had ten children, of whom 
 

William, 1771-2; 
William, 1773-97; 
OWEN, of whom presently
Susan; Mary. 

Mr Phibbs was succeeded by his only surviving son, 
 
OWEN PHIBBS (1776-1829), of Merrion Square, Dublin, High Sheriff, 1804, who espoused, in 1798, Anne, daughter of Thomas Ormsby, of Ballimamore, County Mayo, and had issue, 
 

WILLIAM, of Seafield; 
Ormsby; 
Owen; 
Elizabeth; Jane; Maria. 

Mr Phibbs was succeeded by his eldest son, 
 
WILLIAM PHIBBS (1803-81), of Seafield, County Sligo, High Sheriff of County Sligo, 1833, 11th Light Dragoons, who married, in 1840, Catherine, daughter of George Meares Maunsell, of Ballywilliam, County Limerick, and had issue, 
 

OWEN, his heir
George; 
William; 
Catherine; Anne; Edythe Frances. 

Mr Phibbs was succeeded by his eldest son, 
 
OWEN PHIBBS JP DL (1842-1914), of Lisheen (name changed in 1904), High Sheriff of County Sligo, 1884, Lieutenant, 6th Dragoon Guards, who wedded, in 1866, Susan, daughter of William Talbot-Crosbie, of Ardfert Abbey, County Kerry, and had issue, 
 

BASIL, his heir
William Talbot; 
Owen; 
Darnley. 

Mr Phibbs was succeeded by his eldest son, 
 
BASIL PHIBBS, (1867-1938), of Corradoo, Boyle, and Lisheen, High Sheriff of County Sligo, 1905, who married, in 1899, Rebekah Wilbraham, youngest daughter of Herbert Wilbraham Taylor, of Hadley Bourne, Hertfordshire, and had issue, 
 

GEOFFREY BASIL; 
Denis William; 
Richard Owen Neil; 
Catherine Meave. 

Mr Phibbs was succeeded by his eldest son, 
 
GEOFFREY BASIL PHIBBS (1900-56), of Lisheen, 
 

Born in Norfolk; Irish Guards; worked variously as demonstrator in College of Science; librarian; factory-worker in London and school-teacher in Cairo;worked with Nancy Nicholson at the Poulk (Hogarth) Press. 

Mr Phibbs married Norah McGuinness in London. 
 
He subsequently changed his name to TAYLOR, following his father’s refusal to “allow his wife over the threshold”. 
 
He lived in a Georgian house in Tallaght, County Dublin. 
 
Denis William Phibbs inherited the house and some of the lands, which he sold to Isaac Beckett of Ballina for £1,400 ~ less than one third of the original construction price. 
 
Beckett later sold the house to a builder, John Sisk. 
 
In 1944, the Becketts sold the lands they owned to George Lindsay. 
 
Other lands on the Phibbs estate were bought by the Lindsay and McDermott families. 
 

LISHEEN HOUSE (formerly Seafield), near Ballysadare, County Sligo, although now in a ruinous state, casts an impressive presence on the landscape. 
 
Many clues as to its original state survive, including some fine stonework to the facades, chimneys, and openings. 
 
This was clearly a house rich in history and skilfully designed. 
 
The Sligo architect John Benson, who designed the house, was knighted for designing the building at the Dublin Exhibition of 1853. 
 
Lisheen is a two-storey rendered house, built ca 1842, now ruinous. 
 
Symmetrical main elevations, extensive vegetation growth internally and externally; roof collapsed; remains of chimney-stacks survive; section of moulded eaves cornice survives. 

Painted smooth-rendered walling, horizontal banding between floors, plain pilasters to corners, moulded dado, ashlar limestone plinth. 
 
Square-headed full-height window openings, moulded architraves, entablatures supported on console brackets, all evidence of timber windows missing. 
 
No evidence of entrance doors survive; all internal finishes and features removed; remote location in fields. 
 
First published in November, 2012. 

Ravensdale Park, Dundalk, Co Louth – demolished

Ravensdale Park, Dundalk, Co Louth  

Ravensdale Park rere view, County Louth, Gillman Collection, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

p. 240. “(Fortescue, sub Fortescue-Brickdale/LG1972; and Carlingford, B/PB 1898; Dixon, Glentoran, B/OB; Borbe, Arran, E/PB) A large and somewhat severe early Victorian mansion of granite, of plain but irregular aspect, dominated by a tall Italianate campanile with an open belvedere at the top. Built for Thomas Fortescue, 1st Lord Clermont of later creation, the architect being Thomas Duff, of Newry. Partly two storey and partly three, but mostly of the same height; eaved roof. Entrance front with a deep central recess enclosed by a screen of arches and Ionic pilasters and columns; the tower being at one side of the recess. Very long and austere two storey ten bay garden front adjoining. Another front of five bays with domed octagon at one corner. Imposing if slightly hotel-like partly top-lit hall, with screens of fluted columns and pilasters on two sides; staircase with wrought-iron handrail rising from one end. Dining room with scroll pediments over doors, supporting medallions; elaborate plasterwork frieze and cornice of foliage, and oval-shaped plasterwork surround in flat of ceiling; similar ceiling in ballroom. Library with rather Soanian flat arched recesses, containing bookcases. Domed first floor landing with Ionic columns. Became the home of Lord Clermont’s younger brother and successor, the politician Chichester Fortescue, 1st (and last) Lord Carlingford; who married the celebrated Frances, Countess Waldegrave, subject of Osbert Wyndham Hewett’s biography, Strawberry Fair. Sold to Sir Daniel Dixon, Mayor and subsequently Lord Mayor of Belfast, father of the 1st Lord Glentoran, later sold to the Earl fo Arran. Finally sold 1920, and burnt soon afterwards.”

Ravensdale Park, County Louth, library, Gillman Collection, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
Frances Fortescue née Murray (1724-1820) Countess of Clermont, sister of Harriet and Anne. Portrait after Sir Joshua Reynolds, 1864, National Portrait Gallery of London, D147. She was the daughter of Colonel John Murray MP and she married William Henry Fortescue 1st Earl of Clermont, Sheriff of County Louth.

Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988. 

p. 109. “A two storey Italianate early Victorian house designed by Thomas Duff for Thomas Fortescue 1st Lord Clermont. Good interior. Burnt 1920. Demolished.”

http://lordbelmontinnorthernireland.blogspot.com/2013/05/ravensdale-park.html

THE BARONS CLERMONT WERE THE GREATEST LANDOWNERS IN COUNTY LOUTH, WITH 20,369 ACRES


This family deduces its pedigree from common ancestors with the EARLS FORTESCUE, viz. remotely, Sir Richard le Forte, a Norman knight, in the train of WILLIAM THE CONQUEROR; and, more remotely, Lord Chief Justice Fortescue.

The first of its members that settled in Ireland,

SIR FAITHFUL FORTESCUE (c1581-1666), Knight, removed to that kingdom early in the reign of JAMES I, and commanded an infantry regiment there.

Sir Faithful obtained large possessions in Ireland, amongst which was Dromiskin Castle, County Louth.

He wedded Anne, daughter of Garret, 1st Viscount Moore, of Drogheda, and was succeeded by his eldest surviving son,

SIR THOMAS FORTESCUE (c1620-1710), Knight, Governor of Carrickfergus Castle, who espoused firstly, Sydney, daughter of Colonel William Kinsmill; and secondly, Elizabeth, daughter of Colonel Ferdinand Carey, and had issue,

WILLIAM;
Chichester.

Sir Thomas was succeeded by his grandson,

THOMAS FORTESCUE (1683-1769), MP for Dundalk, 1727-60, who married Elizabeth, daughter of James Hamilton, and sister of James, 1st Earl of Clanbrassil, and had issue,

James, father of WILLIAM, 2nd VISCOUNT CLERMONT;
WILLIAM HENRY, of whom hereafter;
Margaret; Charlotte.

Mr Fortescue’s younger son,

THE RT HON WILLIAM HENRY FORTESCUE (1722-1806), MP for County Louth, 1745-60, Monaghan, 1761-70, was sworn of the Privy Council, 1764, and appointed Postmaster-General.

Mr Fortescue was elevated to the peerage, in 1770, in the dignity of Baron Clermont, of Clermont, County louth.

His lordship was created, in 1776, BARON and VISCOUNT CLERMONT, with remainder to his brother, the Rt Hon James Fortescue, of Ravensdale Park, County Louth, MP for that county.

His lordship was further advanced to the dignity of an earldom, in 1777, as EARL OF CLERMONT, but without the reversionary grant.

He was installed as a Knight Founder of the Order of St Patrick (KP) in 1795.

His lordship espoused Frances, eldest daughter of Colonel John Murray, County Monaghan; but dying without issue, in 1806, the earldom expired, while the other honours devolved, according to the limitation, upon his nephew,

WILLIAM CHARLES FORTESCUE, 2nd Viscount (1764-1829), only surviving son of his deceased brother, mentioned above, by Mary Henrietta, eldest daughter of Thomas Orby Hunter, of Crowland Abbey, Lincolnshire.

His lordship died at Ravensdale Park, County Louth, unmarried, when the viscountcy expired.

The title was revived, however, in 1852, when his kinsman, 

THOMAS FORTESCUE, was created BARON CLERMONT (2nd & 3rd creation).

RAVENSDALE PARK, near Dundalk, County Louth, was a large, rather austere, early Victorian house built of granite with a plain, irregular aspect.

A lofty Italianate campanile with an open belvedere atop dominated the mansion.

Ravensdale was built for Thomas Fortescue, 1st Baron Clermont, the architect being Thomas Duff of Newry.

It was partly two and partly three storeys, though mainly the same height, with an eaved roof.

The garden front was remarkably long, being ten bays.

There was another front of five bays with a domed octagon at one corner.

Ravensdale became the home of Lord Clermont’s younger brother and successor, the politician Chichester Fortescue, 1st and last Lord Carlingford (who married the famous Frances, Countess Waldegrave).

It was sold to Sir Daniel Dixon Bt, father of 1st Lord Glentoran; then sold again to Lord Arran.

Ravendale was sold, yet again, in 1920, and was burnt shortly afterwards. 

Much of the former estate is now a forest park; while the Ravensdale Equestrian and Trekking Centre operates from the demesne.

Ravensdale Forest is part of the former demesne.

First Published in May, 2011.   Clermont arms courtesy of European Heraldry.

https://archiseek.com/2015/1840-ravensdale-park-dundalk-co-louth

1840 – Ravensdale Park, Dundalk, Co. Louth 

Architect: Thomas Duff 

Ravensdale Park, County Louth, courtesy Archiseek.
Ravensdale Park, County Louth, courtesy Archiseek.

Constructed in an austere Italianate style, by Thomas Duff of Nerwy, For 1st Baron Clermont. Later changes by Lanyon & Lynn in 1859 with further additions.  

It was partly two and partly three storeys, though mainly the same height, with an eaved roof. The garden front was remarkably long, being ten bays. There was another front of five bays with a domed octagon at one corner. The house was burned in 1921. 

Ravensdale Park, County Louth, courtesy Louth County Archives.
Ravensdale Park, County Louth, courtesy Louth County Archives.
Ravensdale Park, County Louth, courtesy Louth County Archives.
Ravensdale Park, County Louth, courtesy Louth County Archives.

Kinlough, County Leitrim – ruin

Kinlough, County Leitrim

Kinlough House, County Leitrim entrance front 1974, photograph: William Garner, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

p. 177. (Johnston/LGI1912) A two storey five bay early C19 house. Pedimented central bay wiht Wyatt window; ground floor windows set in shallow arched recess; Doric portico with wreathes on frieze. Now a ruin. 

Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988. 

…built by Robert Johnston…

https://www.buildingsofireland.ie/buildings-search/building/30802002/kinlough-house-kinlough-kinlough-leitrim

Detached T-plan five-bay two-storey over basement country house, built c.1800 by Robert Johnston. Now in ruins. Roof has been removed. Two ashlar chimneystacks with string courses. Sandstone walls with ruled-and-lined render and tooled limestone quoins and string course. Window openings with tooled limestone surrounds and sills. Those to ground floor are set within round-headed recesses. Scar of removed Doric portico to facade with tripartite window and pediment above. Segmental-arched openings to basement with cast-iron railings. Kinlough House was formerly the home of the Johnston family. 

Appraisal 

Although this impressive former country house now lies in ruins, the grandeur and elegance of the building still survives. Detailing such as the flower motif to the tripartite window contributes to the artistic quality of the house. Set back from the town, the house’s outstanding architectural quality enhances the surrounding countryside. 

https://lordbelmontinnorthernireland.blogspot.com/2014/03/kinlough-house.html

THE JOHNSTONS WERE MAJOR LANDOWNERS IN COUNTY LEITRIM, WITH 14,395 ACRES 

 
ROBERT JOHNSTON (1768-1843), of Kinlough House, County Leitrim, and 23 Mountjoy Square, Dublin, married Florence, daughter of Henry Rathborne, of Dunsinea, County Dublin, and had, with other issue, 

WILLIAM, of whom presently
Henry (Ven.), Archdeacon of Elphin; 
St George Robert. 

The eldest son, 
 
WILLIAM JOHNSTON JP (1814-88), of Kinlough House, and Mountjoy Square, Dublin, High Sheriff of County Leitrim, 1850, wedded, in 1856, Sarah Jane, daughter of the Rev William Percy, Rector of Carrick-on-Shannon, and had issue, 

JAMES, his heir
Florence Elizabeth; Sophia Mary; 
Emma Caroline; Lucy Katherine. 

Mr Johnston was succeeded by his son, 
 
JAMES JOHNSTON JP DL (1858-), of Kinlough House, High Sheriff of County Leitrim, 1884, who married, in 1890, Rebecca Ceely, daughter of Maurice Ceely Maude, of Lenaghan Park, County Fermanagh, and had issue, 

William James, 1891-3; 
ROBERT CHRISTOPHER, b 1896. 

I have been unable to find much information relating to the Johnstons of Kinlough. 

 
KINLOUGH HOUSE, originally known as Oakfield House, was the seat of the Johnston family in the early 18th century. 
 
It was remodelled in the 1820s by Robert Johnston, who renamed it Kinlough House. 
 
In 1943 the Irish Tourist Association Survey recorded that the house had been destroyed by fire twenty years earlier, but that the gardens were still open to the public. 
 
Housing development is occurring on the site, adjacent to the walled garden. 
 
It was a five-bay, two-storey over basement house, built  ca1800 by Robert Johnston; now ruinous. 

 
Its roof has been removed. 
 
There were two ashlar chimney-stacks with string courses; sandstone walls with ruled-and-lined render; and tooled limestone quoins and string course. 
 
It had a Doric portico to the façade, with tripartite window and pediment above. 
 
Segmental-arched openings to basement with cast-iron railings. 
 
Although this impressive former country house now lies in ruins, the grandeur and elegance of the building still survives. 
 
Detailing such as the flower motif to the tripartite window contributes to the artistic quality of the house. 
 
First published in March, 2012.   Sir James (Jim) Kilfedder MP (1928-1995) was born at Kinlough, County Leitrim. 

THE BIG HOUSE AT KINLOUGH, COUNTY LEITRIM 

From Chapter 8 of A Man May Fish by T C Kingsmill Moore, first edition published 1960, copyright Estate of T C Kingsmill Moore 1979.  

 
 
“… My son tells me that you are an ardent fisherman. We have a house on the shore of Lough Melvin which fishes well in April, and there will be some salmon in the Bundrowse. If you could spare a week or a fortnight of your Easter vacation to stay with us my wife and I would be very pleased”. 

This letter, the first of many phrased with the same careful courtesy, introduced me to the big lakes of the west and to a feature of Irish country life then rapidly passing away. 

At Bundoran a wizened coachman met me with an outside car which soon covered the hilly miles to where the Big House stood, surrounded on three sides by woodland and open on the fourth, where lawns and fields sloped to the water’s edge. 

In spring, the daffodils spread themselves in golden drifts down to the lake, in autumn the scarlet lobelia blazed a flare of colour between house and shrubberies. 

The house itself, built when the Georgian style was yielding to the Victorian, was large but architecturally undistinguished. 

Originally the walls of all the main rooms had been covered with French cartoons in grisaille, illustrating scenes from classical mythology. 

The many life-sized nudes were a little too explicit for Victorian taste, and pictures and furniture had been arranged to hide the more compromising details. 

When a later generation, bracing itself to acknowledge the facts of anatomy, removed the obstructions, it was too late. 

The discolouration was permanent. 

 
Already the house was an anachronism, a manor house without an estate. 

For nearly a century, when Irish country life had been built on a structure of landlord and tenant, it had been the centre of interest for a barony, its stables full of carriages and horses, its garden a model, its owners men of learning and public spirit. 

Politics and literature have dealt harshly with the Irish landlord. 

Sad and mad they may have been; too often they were absentees. 

But many of them were men of culture, bravery, and a high sense of public duty. 

Their libraries were good and sometimes remarkable. 

They planted world-famous gardens. 

They organised and endowed innumerable Irish charities, relieved distress, and helped and advised such tenants as were willing to accept their advice. 

Much of their time was spent in hunting and field sports, but these provided employment of the type that the Irish countryman likes, and made the big house a centre of interest and society. 

Above all, they supplied a personal relationship which made up for many abuses.  
 
A good landlord was united to his tenantry by bonds part patriarchal, part feudal, and entirely human, which formed a not unsatisfactory pattern of life. 

Now all of this has been changed, shattered irretrievably by a great reform which had enabled the tenants to become freeholders. 

The landlords lived on, financially not much worse off, still doing their duty on bench and synod, and spending much of their leisure in sport; but the ties which bound them and their families to the countryside were snapped. 

Old retainers still remained. 

The coachman who had met me was serving his fourth generation, the parlour maid had been nurse to my host, the gardener had been trained by his grandfather. 

But the dust was settling; the Big House was dying at its roots.  
 
My host, who had for some years been living a life of use and wont in which sport had ceased to play a part, his guns licensed but unfired, his rods idle in their cases, now roused himself to put his son and myself on the road to true orthodoxy. 

He was orthodox to a fault, his fishing methods not so much dated as out-dated, but I owe him a grounding in caution, in boat-craft, and in etiquette which was to help me in difficult times and places… 
 
For four years my fishing centred around the Big House, ten days in spring and the same in August. 

The old retainers were dropping away. “I’ve seen what I’ve seen and I’ll not see much more,” said the coachman, now nearly ninety on the last occasion that he drove me to the station. 

On my next visit he was gone. 

Kate, the parlour maid, found her rheumatism too crippling, and the gardener retired on a pension to a cottage. 

The squire had ceased to come to the lake with us, and he was intellectually less alert. 

Over the port he had been eager to cross-question me on all the vexed problems of the day, with his unvaried courtesy treating my undergraduate opinions as if they were worth listening to. 

Now he avoided discussion. 

When things puzzled him he no longer sought an answer. 

He lived more and more in the past. 

A weary, slightly despairing look often came over his kindly face. 

I was too young to recognise the significance of these changes, signs that the organism could no longer adapt itself to its environment, the first, faint, far-borne notes of the trumpet of Azrael. 

Then at one stride came disaster. 

Father and mother were dead; the son, always delicate, became incurably ill. 

The Big House had fallen. 

Another old Irish family had come to an end. 

Of the Big House itself only a few ruins now remain.’  

T.C. Kingsmill Moore was born in Dublin in March 1893 and he died there in February, 1979, at the age of 85. He went to school in Marlborough, England, and returned to Dublin to take a degree at Trinity College.  

During the First World War, from 1917-18, he was in the Royal Flying Corps in France and Flanders. He became a barrister on his return to Dublin and during the Civil War from 1922-23 was also the War Correspondent for the Irish Times.  

In 1947 he was appointed a judge of the High Court and in 1961 a judge of the Supreme Court, retiring in 1965. His visits to the Big House at Kinlough took place between 1914 and 1917 when he was an undergraduate in Trinity.  

THE BIG HOUSE AT KINLOUGH, COUNTY LEITRIM 

From Chapter 8 of A Man May Fish by T C Kingsmill Moore, first edition published 1960, copyright Estate of T C Kingsmill Moore 1979.  

 
 
“… My son tells me that you are an ardent fisherman. We have a house on the shore of Lough Melvin which fishes well in April, and there will be some salmon in the Bundrowse. If you could spare a week or a fortnight of your Easter vacation to stay with us my wife and I would be very pleased”. 

This letter, the first of many phrased with the same careful courtesy, introduced me to the big lakes of the west and to a feature of Irish country life then rapidly passing away. 

At Bundoran a wizened coachman met me with an outside car which soon covered the hilly miles to where the Big House stood, surrounded on three sides by woodland and open on the fourth, where lawns and fields sloped to the water’s edge. 

In spring, the daffodils spread themselves in golden drifts down to the lake, in autumn the scarlet lobelia blazed a flare of colour between house and shrubberies. 

The house itself, built when the Georgian style was yielding to the Victorian, was large but architecturally undistinguished. 

Originally the walls of all the main rooms had been covered with French cartoons in grisaille, illustrating scenes from classical mythology. 

The many life-sized nudes were a little too explicit for Victorian taste, and pictures and furniture had been arranged to hide the more compromising details. 

When a later generation, bracing itself to acknowledge the facts of anatomy, removed the obstructions, it was too late. 

The discolouration was permanent. 

 
Already the house was an anachronism, a manor house without an estate. 

For nearly a century, when Irish country life had been built on a structure of landlord and tenant, it had been the centre of interest for a barony, its stables full of carriages and horses, its garden a model, its owners men of learning and public spirit. 

Politics and literature have dealt harshly with the Irish landlord. 

Sad and mad they may have been; too often they were absentees. 

But many of them were men of culture, bravery, and a high sense of public duty. 

Their libraries were good and sometimes remarkable. 

They planted world-famous gardens. 

They organised and endowed innumerable Irish charities, relieved distress, and helped and advised such tenants as were willing to accept their advice. 

Much of their time was spent in hunting and field sports, but these provided employment of the type that the Irish countryman likes, and made the big house a centre of interest and society. 

Above all, they supplied a personal relationship which made up for many abuses.  
 
A good landlord was united to his tenantry by bonds part patriarchal, part feudal, and entirely human, which formed a not unsatisfactory pattern of life. 

Now all of this has been changed, shattered irretrievably by a great reform which had enabled the tenants to become freeholders. 

The landlords lived on, financially not much worse off, still doing their duty on bench and synod, and spending much of their leisure in sport; but the ties which bound them and their families to the countryside were snapped. 

Old retainers still remained. 

The coachman who had met me was serving his fourth generation, the parlour maid had been nurse to my host, the gardener had been trained by his grandfather. 

But the dust was settling; the Big House was dying at its roots.  
 
My host, who had for some years been living a life of use and wont in which sport had ceased to play a part, his guns licensed but unfired, his rods idle in their cases, now roused himself to put his son and myself on the road to true orthodoxy. 

He was orthodox to a fault, his fishing methods not so much dated as out-dated, but I owe him a grounding in caution, in boat-craft, and in etiquette which was to help me in difficult times and places… 
 
For four years my fishing centred around the Big House, ten days in spring and the same in August. 

The old retainers were dropping away. “I’ve seen what I’ve seen and I’ll not see much more,” said the coachman, now nearly ninety on the last occasion that he drove me to the station. 

On my next visit he was gone. 

Kate, the parlour maid, found her rheumatism too crippling, and the gardener retired on a pension to a cottage. 

The squire had ceased to come to the lake with us, and he was intellectually less alert. 

Over the port he had been eager to cross-question me on all the vexed problems of the day, with his unvaried courtesy treating my undergraduate opinions as if they were worth listening to. 

Now he avoided discussion. 

When things puzzled him he no longer sought an answer. 

He lived more and more in the past. 

A weary, slightly despairing look often came over his kindly face. 

I was too young to recognise the significance of these changes, signs that the organism could no longer adapt itself to its environment, the first, faint, far-borne notes of the trumpet of Azrael. 

Then at one stride came disaster. 

Father and mother were dead; the son, always delicate, became incurably ill. 

The Big House had fallen. 

Another old Irish family had come to an end. 

Of the Big House itself only a few ruins now remain.’  

T.C. Kingsmill Moore was born in Dublin in March 1893 and he died there in February, 1979, at the age of 85. He went to school in Marlborough, England, and returned to Dublin to take a degree at Trinity College.  

During the First World War, from 1917-18, he was in the Royal Flying Corps in France and Flanders. He became a barrister on his return to Dublin and during the Civil War from 1922-23 was also the War Correspondent for the Irish Times.  

In 1947 he was appointed a judge of the High Court and in 1961 a judge of the Supreme Court, retiring in 1965. His visits to the Big House at Kinlough took place between 1914 and 1917 when he was an undergraduate in Trinity.