Birr Castle, County Offaly – section 482

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www.birrcastle.com

Birr Castle, photograph by Chris Hill 2018, for Tourism Ireland, Ireland’s Content Pool. [1]

We visited Birr Castle in June 2019. I am dying to visit again!

The castle has been in the one family since 1620. A castle existed on the site before then, but little remains of the original, as the old O’Carroll keep and the early C17 office ranges were swept away around 1778. However, parts of the auxiliary buildings of the original are incorporated into today’s castle, which was made from the gate tower which led into the castle bawn. The front hall of the original gatehouse is now at basement level. The rest of the castle has been built around this, at various times.

The castle formed part of a chain of fortresses built by the powerful O’Carroll family of Ely, on the borders of Leinster and Munster. In the 1580s the castle was sold to the Ormond Butlers. By 1620 the castle was a ruin, and King James I granted it to Laurence Parsons (d. 1628). [2] It was Laurence who made the current castle originating from the gate tower.

Although still a private residence, it is well set up for tours of the castle, and the demesne is wonderful for walks. The current owner is William Parsons, 7th Earl of Rosse.

The Parsons still live in the castle today and maintain the archives. According to the website: 

The Rosse papers are one of the most important collections of manuscripts in private ownership in Ireland. Extending from the early seventeenth century, when members of the family first established roots in the country, to the present, the core of the family archive is provided by the papers of successive members of the Parsons family. This calendar is essential reading for anyone interested in the history of: seventeenth and eighteenth-century Ireland; science in the nineteenth century; the British navy in the eighteenth century; the evolving story of the surviving families of the Irish landed elite in the nineteenth and twentieth centuries, and in the influence of a particular family that contrived over a number of centuries not only to transform Birr into one of the country’s most elegant small towns, but also to construct and sustain one of the finest country houses and its gardens.Access to the archives is by appointment.” [3]

In Crowned Harp, Memories of the Last Years of the Crown in Ireland, Nora Robertson writes about her ancestor Laurence Parsons:

With the further connivance of his even less admirable brother [less admirable, that is, than Laurence Parson’s kinsman Richard Boyle], Lord Justice William Parsons, Laurence acquired the forfeited estates of the Ely O’Carrolls in Offaly, whither he moved and erected Birr Castle...” [4]

The family history section of the Birr Castle website explains that there were four Parson brothers living in Ireland in the 1620s. They came to Ireland around 1590, and were nephews of Sir Geoffrey Fenton, Secretary of State in Ireland to Queen Elizabeth I. [5] Laurence’s brother William (1570-1649/1650) became Surveyor General of Ireland, 1st Baronet, and founded the elder branch of the Parson family in Bellamont, Dublin. This branch died out at the end of the eighteenth century.

Sir William Parsons (d. 1650), Surveyor-General and Lord Justice of Ireland Date: 1777, Engraver Samuel De Wilde, after unknown artist.

William was known as a “land-hunter”, expropriating land from owners whose titles were deemed defective. William was the progenitor of the first generation of the title of Earl of Rosse. When the last male to hold that title died without heirs, after a time the title passed to the descendants of the first baronet Bellamont’s younger brother, Laurence Parsons of Birr Castle.

Before obtaining land in Offaly, through his connection with Richard Boyle later 1st Earl of Cork (Richard married Catherine Fenton, daughter of Geoffrey Fenton, Secretary of State in Ireland to Queen Elizabeth I), Laurence Parsons acquired Myrtle Grove in Youghal, Co. Cork, previously owned by Walter Raleigh, and succeeded Raleigh as Mayor of Youghal. 

Raleigh, who introduced tobacco to Europe after discovering it on his travels, had a bucket of water thrown over him by a housemaid when he was smoking, as she thought he was on fire! Raleigh is also said to have planted the first potato in Ireland.

Myrtle Grove, Youghal, County Cork, photograph courtesy of Lawrennce Photographic Collecition National Library of Ireland, photographer: Robert French, 1841-1917.
Myrtle Grove, Youghal, County Cork, August 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Laurence Parsons served as Attorney General of Munster and later, Baron of the Exchequer, and was knighted in 1620. That same year, he ‘swapped’ his interest in a property near Cadamstown in County Wexford with Sir Robert Meredith, who served as Chancellor of the Exchequer in Ireland, for the latter’s 1,000 acres at Birr, Kings County. Parsons was granted letters patent to ‘the Castle, fort and Lands of Birr.’ [see 5]

The castle website states that:

“rather than occupy the tower house of the O’Carrolls, the Parsons decided to turn the Norman gate tower into their ‘English House,’ building on either side and incorporating two flanking towers. Sir Laurence Parsons did a large amount of building and remodelling including the building of the two flanking towers, before his death in 1628. This is all accounted for in our archives.” [6]

Suitably, a room which is now the castle’s Muniments room, which holds the archives, is located inside one of the flanking towers and retains a frieze of early 17thcentury plasterwork.

The group being led by our tour guide, Birr Castle, County Offaly. The entrance is approached by a tall flight of wide steps overshadowed by a massive arch, which gives the impression of passing beneath a medieval portcullis. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Our guide walked a group of us over to the castle, across the moat, which he told us had been created in 1847 when the owners of Birr Castle provided employment to help to stave off the hunger of the famine, along with the enormous walls surrounding the castle demesne as well as the stone stable buildings, which are now the reception courtyard, museum and cafe. 

Birr Castle, County Offaly, photograph by Stuart Smith 2016 on flickr commons.
A photograph of the moat which our guide told us had been created as a famine project in order to pay the workers. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The walls around the demesne were created in 1847 when the owners of Birr Castle provided employment to help to stave off the hunger of the famine. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle walls. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle walls. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The walls around the demesne were created in 1847 when the owners of Birr Castle provided employment to help to stave off the hunger of the famine. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle entrance, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I was intrigued to hear that the gates had been made by one of the residents of the castle, Lady Mary Field, wife of William Parsons, the third Earl of Rosse. She was an accomplished ironworker! She was also a photographer. She brought a fortune with her to the castle when she married the Earl of Rosse, which enabled him to build his telescope, for which the estate is famous. But more on that later. 

Gates on courtyard entrance made by Lady Rosse, Mary Field (1813-1885), wife of the third Earl of Rosse, with the family motto, “For God and the Land to the Stars.” The motto was originally “For God and King” but, unhappy with the monarch’s response to the famine, the family changed their motto. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Detail of a gate by Mary Field. This is the Parsons crest, the three leopard heads. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mary Rosse, Countess of Rosse (née Mary Field) (1813-1885), painter unknown, photograph from Birr Archives, courtesy wikimedia commons.

Family crests from families who intermarried with the Parsons of Birr are also worked into the gate. There are similar crests on the ceiling of the front hallway of the castle. 

Birr Castle, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle, County Offaly. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We were not allowed to take photos inside the castle, unfortunately. On the other hand it’s always a relief when I am told I cannot take photos, for it means I can relax and really look, and listen to the tour guide.

With the help of portraits, our guide described the Parson family’s ancestors. The entrance hall, the room over the arch in the original gatehouse, has some portraits and a collection of arms.

Birr Castle, photograph courtesy of Birr Castle website.

The principal staircase is from the 17th century house, and is built of native yew. It was described in 1681 by Thomas Dinely as “the fairest in all Ireland.” It rises through three storeys, and is heavy, with thick turned balusters and a curving carved handrail. The ceiling above the stairs has plaster Gothic vaulting and dates from the reconstruction after a fire in 1832.

The massive seventeenth century yew staircase, photograph from an article in the Irish Times, photographer Laura Slattery.

Sir Laurence’s son Richard succeeded his father in 1628. Richard died in 1634 without an heir so Birr Castle passed to Richard’s brother William (d. 1653). During his time in Birr Castle, William protected the castle from a siege in 1641 during the Catholic uprising. He fought off the forces for fourteen or fifteen months but eventually surrendered in January 1642/43. [Burke’s Peerage and Baronetage p. 1721] The family moved to London, returning at the end of the Cromwellian period.

In his will, William specified that when the Birr estate is worth £1000 per year, his heir should build an alsmhouse in Birr for four aged Protestants, each with a garden and orchard and enough grass for the grazing of two cows. The beneficiaries would be given 12 pence every Sunday, freedom to cut turf for fire, and a red gown with a badge once every two years, which was to be presented by the heir.

William’s heir was his son, Laurence Parsons (d. 1698), who married Lady Frances, youngest daughter and co-heir of William Savage Esquire of Rheban, County Kildare.

This Laurence Parsons has a substantial entry in The Dictionary of Irish Biography. He was created Baronet of Birr Castle in 1677. Under the lord deputyship of Tyrconnell, Irish protestant grew nervous about another Catholic uprising, and Parsons moved his family to England in 1687. He left a tenant and servant of long standing, Heward Oxburgh, in charge of his estate, with instructions to use his rentals to pay certain debts, and to remit payments to him in England.

Oxburgh was a Catholic who had lost land and been transplanted to Connaught, but was a tenant and servant of the Parsons for thirty years by 1692.

When the rental money did not materialise, Parsons returned to Ireland. He found his agent “highly advanced to the dignity of sheriff of the county, who lorded it over his neighbours at a great rate, and was grown and swollen to such a height of pride he scarce owned his master.” (Birr Castle MSS, A/24, ff 1–2). Furthermore, Oxburgh had used the estate’s rental income to raise a regiment of foot soldiers for King James II.

Parsons reoccupied his castle, which was then besieged by Oxburgh’s forces. Under duress he signed articles, only to find himself tried for treason against William III, and sentenced to death. Imprisoned in his castle, he was reprieved from execution several times, and eventually in April 1690 he was moved to Dublin, and was released shortly after the battle of the Boyne.

Oxburgh sat for King’s County in the Irish parliament summoned by James II in 1689, while his son Heward was returned for Philipstown. He died in the Battle of Aughrim in 1691.

Parsons was again appointed high sheriff of King’s County, and returned to Birr to secure the area against Jacobites and tories. He was involved in one notable skirmish on 11 August, before returning to Dublin to meet his wife and children who had travelled from England. Birr was subsequently occupied by Williamite forces.

Laurence Parsons died in 1698 and was succeeded in the baronetcy by his son, William Parsons (d. 1740) 2nd Baronet. William served in the Williamite forces, and was MP for King’s Co. (1692–1741). He married firstly Elizabeth, daughter of a Scottish Baronet, and they had one son. This son William Parsons married Martha Pigott and they had a son, Laurence (1707-1756). William Parsons 2nd Baronet died in 1740 and his grandson Laurence Parsons (1707-1756) succeeded as 3rd Baronet of Birr Castle.

his conduct as supervisor of various plantations outraged the numerous native landowners who were dispossessed by his highly questionable legal machinations: local juries were intimidated into invalidating titles to property, while those dispossessed who sought legal recourse were ruined by expensive and time-consuming counter-suits. From 1611 to 1628 he was heavily involved in the increasingly crude efforts by the government to wrest land in Cosha and Ranelagh, Co. Wicklow, from Phelim McFeagh O’Byrne, which culminated in a failed attempt to frame O’Byrne for murder by torturing witnesses. He also encountered criticism for the manner in which he exercised his office as surveyor of plantation land by deliberately underestimating the extent of plantation land in order to defraud the crown and the church of their revenues. At least twice he had to procure royal pardons for corrupt activities.

By these means, he furthered the crown’s policy of supplanting catholic landowners with more politically reliable protestant ones while personally acquiring prime plantation land in Co. Wexford, Co. Tyrone, and Co. Longford, and in King’s Co. (Offaly) and Queen’s Co. (Laois). Although his grasping nature was widely advertised in Ireland, he escaped royal censure due to his political clout, being a key member of a powerful and tightly knit group of Dublin-based government officials who enriched themselves by obstructing and redirecting royal grants of Irish lands intended for courtiers in London. Reflecting his political influence and widening property interests, he sat as MP for Newcastle Lyons (1613–15), Armagh Co. (1634–5) and Wicklow Co. (1640–41).

Parsons’s fortunes changed when Thomas Wentworth came as Lord Deputy to Ireland. Wentworth believed that the protestant establishment was hopelessly corrupt and had failed in its civilising mission in Ireland. He instigated legal proceedings – designed to recover property for the crown – against a number of prominent protestant landowners.

Thomas Wentworth 1st Earl of Strafford (1593-1641), Lord Deputy of Ireland 1632-1640 for King Charles I.

Parsons managed to keep in favour to an extent with Wentworth, although they did not trust each other, and when Wentworth was subsequently accused in 1640 of corruption and treason, Parsons was appointed Lord Justice of Ireland. Parsons knew he stood on shakey ground, however, due to his complicity with Wentworth.

Parsons’s position deteriorated when the king agreed to make a number of wide-ranging concessions, including a promise to halt the plantation of Connacht. Parsons succeeded in delaying the passage of the king’s concessions into law by pleading with the king not to give so much away without extracting money from parliament. Many then and since believed that, but for Parsons’s delaying tactics, the king’s concessions would have been passed by the Irish parliament, the catholics would have felt more secure, and the subsequent disaster of 1641 would have been averted. 

In February 1642 a royal proclamation arrived in Dublin calling on the rebels to surrender and promising them lenient treatment, after which a number of catholic landowners surrendered voluntarily to the government. Parsons disliked this, and to discourage further submissions, he imprisoned and tortured those who had surrendered and even executed a catholic priest who had saved thirty protestants from being murdered in Athy, Co. Kildare. Similarly, in May he condemned the terms by which the city of Galway had submitted to the government as being too lenient. His actions quickly stemmed the flow of submissions that could have brought a peaceful end to the rising. In the meantime the English Parliament was gaining in power over King Charles I.

The Dictionary of Irish Biography continues:

Parsons declared an official policy of neutrality while privately favouring parliament in every matter. From October 1642 he allowed two parliamentarian representatives to sit at the meetings of the Irish privy council. However, the royalist Ormond had his supporters in the Irish council. The growing factionalism that pervaded the Dublin administration reflected the mistrust between the royalists and parliamentarians in Ireland.

Meanwhile in Ireland the catholics organised their own system of government, the ‘catholic confederation’, and were bolstered militarily by the arrival of experienced officers from the Irish regiments serving in the Spanish Netherlands. The protestant forces, starved of pay and munitions, were pushed back once more. The royalists led by Ormond began courting the disgruntled protestant troops in Ireland. In December army officers presented Parsons and his council with a petition outlining their unhappiness at their lack of pay. Although Parsons maintained his grip on the civil administration, the army increasingly looked to Ormond.” This led to his dismissal from the Irish privy council in July and his arrest in August 1643.

Parsons remained a prisoner in Dublin until autumn 1646. By then parliament had won the English civil war and Parsons was released. He died in 1650.

Richard Parsons, 1st Viscount Rosse married three times. He married, firstly, Anne Walsingham, daughter of Thomas Walsingham, on 27 February 1676/77. He was created 1st Viscount Rosse, Co. Wexford [Ireland] on 2 July 1681. He married, secondly, Catherine Brydges, daughter of George Brydges, 6th Baron Chandos of Sudeley on 14 October 1681.

He married his third wife, Elizabeth Hamilton, daughter of Sir George Hamilton, Comte Hamilton in December 1695, after he’d been imprisoned in the Tower of London in February for high treason, according to Burke’s Peerage, Baronetage & Knightage. I can’t find much information about this.

Viscount Rosse’s father-in-law George Hamilton, Comte Hamilton, was the grandson of the 1st Earl of Abercorn, son of 1st Baronet Hamilton, of Donalong, Co. Tyrone and of Nenagh, Co. Tipperary. George Hamilton travelled to France to fight in the Catholic French army, where he was given the title of Comte, fighting against the British. He married Frances Jenyns, who gave birth to his daughter Elizabeth who married Richard Parsons 1st Viscount Rosse. Frances Jenyns, or Jennings, married a second time, to Richard Talbot, the Duke of Tyrconnell. So we can see the circles in which Richard Parsons mixed, and why it was that he could have been imprisoned for treason.

Frances Jennings, Vicereine of Ireland 1687-89, Duchess of Tyrconnell. She was married to Richard Talbot, 1st Duke of Tyrconnell (1630-1691).

The Viscount must have changed his loyalties, to support William III. The Viscount Rosse’s son by Elizabeth Hamilton, Richard (d. 1741), succeeded as 2nd Viscount Rosse upon his father’s death in 1703. He was raised to the peerage as 1st Earl of Rosse in 1718. He became the Grand Master of the Freemasons and was a founder member of the Hellfire Club which met at Montpelier Hill in a former shooting lodge of William Conolly. The Earl of Rosse’s townhouse on Molesworth Street later became the site of the Masonic Grand Hall. One sees no trace of his supposed Satanic leanings in his portrait in Birr Castle, in which he looks the picture of innocence!

The innocent looking Richard Parsons (d. 1741) 1st Earl of Rosse, one of the founders of the Hellfire Club. Photograph of the portrait courtesy of Birr Castle’s website. Painting by William Gandy.
Henry Clements (1698-1745), Col Henry Ponsonby (1685-1745), Richard St George (d. 1775), Simon Luttrell, Henry Barry 3rd Baron Santry (1680-1735), members of the Hellfire Club, painted by another member, and co-founder, James Worsdale, photograph of portrait in the National Gallery of Ireland.

Richard’s son, also named Richard, succeeded as the 2nd Earl but died childless and the title became extinct. It was then created for a second time for the descendants of Lawrence Parsons of Birr Castle.

Let us go back now to the Parson Baronets of Birr Castle. As I mentioned, Laurence Parsons 3rd Baronet of Birr Castle had a son by his first marriage, William (1731–1791). When Laurence died in 1749, William succeeded as 4th Baronet of Birr Castle.

Laurence’s son by his second marriage, Laurence (1749-1807), who inherited his uncle Cutts Harman’s estate County Longford with the proviso that he take the name Harman, became Laurence Harman Parsons. In 1792 he was raised to the Peerage of Ireland as Baron of Oxmantown, in the County of Dublin and in 1795, Viscount Oxmantown. In 1806 when he was created Earl of Rosse in the Irish peerage, of the second creation.

William Parsons (1731-1791) the 4th Baronet served as M.P. and High Sheriff for County Offaly. William in turn was succeeded in the baronetcy by his son Laurence Parsons (1758-1841). When Laurence the 5th Baronet of Birr Castle’s uncle the 1st Earl of Rosse of the second creation died without a male heir, Laurence became the 2nd Earl of Rosse. He married Alice, daughter of John Lloyd Esquire of Gloster, King’s County.

Gloster, County Offaly, February 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com.

During Heritage Week in 2024, Stephen and I visited Tullynisk house in County Offaly, where Alicia Clement, daughter of the Earl of Rosse, who grew up in Birr Castle, gave a tour of her home. She told us that the Parsons were not as illustrious as the Lloyds, and that Alice Lloyd was considered to be a good catch!

Tullynisk, County Offaly, built for two brothers of the Earl of Rosse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com.

Laurence Parsons (1758-1841) 2nd Earl of Rosse served as M.P. and opposed the Union and the abolishment of the Irish Parliament. He was a friend of Henry Grattan. He was described by Wolfe Tone in his days as an MP as “one of the very few honest men in the Irish House of Commons.” [7]

The 2nd Earl of Rosse made further alterations to the castle, shortly after 1800. He worked with a little known architect, John Johnson, and they gave the castle its Georgian Gothic style.

The website explains the additions to the castle:

“The castle survived two sieges in the 17th century, leaving the family impoverished at the beginning of the 18th century and little was done to the 17th century house. However, at some time towards the end of that century or at the beginning of the 19th century, the house which had always faced the town, was given a new gothic facade, which now faces the park. The ancient towers and walls on this, now the park side of the castle, were swept away, including the Black Tower (the tower house) of the O’Carrolls, which had stood on the motte. Around 1820 the octagonal Gothic Saloon overlooking the river was cleverly added into the space between the central block and the west flanking tower.”

Birr Castle, photograph by Liam Murphy, 2015, for Tourism Ireland, Ireland’s Content Pool. (see [1])

The entrance we see was previously the back of the house, and most of this facade was added in the additions by the 2nd Earl from 1801 onward. First the two storey porch in the centre of the front, with the giant pointed arch over the entrance door was added and the entire facade faced with ashlar. The third storey which we see was added later, after 1832. The battlements were added as the castle was given a Gothic appearance.

Mark Bence-Jones describes the Castle in his Guide to Irish Country Houses:

“…during the course of C17, the gatehouse was transformed into a dwelling-house, being joined to the two flanking towers, which were originally free-standing, by canted wings; so that it assumed its present shape of a long, narrow building with embracing arms on its principal front, which faces the demesne; its back being turned to the town of Birr and its end rising above the River Camcor. Not much seems to have been done to it during C18, apart from the decoration of some of the rooms and the laying out of the great lawn in front of it, after the old O’Carroll keep and the early C17 office ranges, which formerly stood here, had been swept away ca. 1778. From ca 1801 onwards, Sir Laurence Parsons [1758-1841] (afterwards the 2nd Earl of Rosse), enlarged and remodelled the castle in Gothic, as well as building an impressive Gothic entrance to the demesne. His work on the castle was conservative; being largely limited to facing it in ashlar and giving a unity to its facade which before was doubtless lacking; it kept its original high-pitched roof containing an attic and two C17 towers at either end of the front were not dwarfed by any new towers or turrets; the only new dominant feature being a two storey porch in the centre of the front, with a giant pointed arch over the entrance door. At the end of the castle above the river, 2nd Earl built a single-storey addition on an undercroft, containing a large saloon. He appears to have been largely his own architect in these additions and alterations, helped by a professional named John Johnston (no relation of Francis Johnston). In 1832, after a fire had destroyed the original roof, 2nd Earl added a third storey, with battlements.” [8]

…the only new dominant feature being a two storey porch in the centre of the front, with a giant pointed arch over the entrance door.Birr Castle, photograph by Chris Hill 2018, for Tourism Ireland, Ireland’s Content Pool. (see [1])
St. Brendan’s Church of Ireland, Oxmantown Mall, Birr. Built by the architect John Johnson in 1815, who worked with the 2nd Earl on Birr Castle. The church was extended in 1876 by the architect Thomas Drew, who added a new chancel. Further enhancements included the insertion of the east window, which was commissioned from Charles Kempe by the fourth Earl of Rosse in 1891. Photograph © Jennifer Winder-Baggot, http://www.irishhistorichouses.com

Besides enlarging and remodelling the castle in the Gothic style, the 2nd Earl also built the impressive Gothic entrance to the demesne. [8]

Gothic Entrance gates to Birr Castle. From ca 1801 onwards, Sir Laurence Parsons [1758-1841] (afterwards the 2nd Earl of Rosse), enlarged and remodelled the castle in Gothic, as well as building an impressive Gothic entrance to the demesne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Gothic Entrance gates to Birr Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In the book Irish Houses and Gardens, from the archives of Country Life by Sean O’Reilly, the plaster-vaulted saloon which the 2nd Earl added is described: “With the slim lines of its wall shafts and ribs, the free flow of the window tracery and the curious irregular octagon of its plan, the room possesses all the light, airy mood of the best of later Georgian Gothic, and remains one of Birr’s finest interiors.” [9]

The Saloon, or Music Room, Birr Castle, photograph courtesy of Birr Castle website.

Vaulting fills the castle, even in small hallways.

Laurence Parsons (1758-1841) 2nd Earl of Rosse was succeeded by his son William Parsons (1800-1867), the 6th Baronet and 3rd Earl of Rosse. In 1836 he married Lady Mary, eldest daughter and co-heir of John Wilmer Field Esquire of Heaton Hall, County York. It was this Mary who created the gates which we admired on the way to the Castle.

Portrait of William Parsons, 3rd Earl of Rosse, (1800-1867), photograph courtesy of National Gallery of Ireland.

It was the third Earl, William Parsons (1800-1867), who built the world’s largest telescope for over 70 years, in 1845. He was one of the leading scientists and engineers of his day, and he designed the telescope as well as having it built.

The world’s largest telescope for over 70 years, built in 1845. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

All this work took place in rural Parsonstown at the Birr demesne. Furnaces had to be built and local men trained in manufacture and metal casting, overseen by the 3rd Earl. As we saw earlier, his wife Mary also learned metalwork.

Mary was also an accomplished photographer – the photography dark room of his wife Mary née Field has only been rediscovered in the castle recently, but unfortunately we did not get to see it. Their younger son, Charles Parsons, was a groundbreaking engineering pioneer and the inventor of the steam turbine.

The Birr Castle website continues:“After a fire in the central block in 1836 the centre of the castle was rebuilt, ceilings heightened, a third story added and also the great dining room. In the middle of the 1840s to employ a larger work force during the famine, the old moat and the original Norman motte were also flattened and a new star-shaped moat was designed, with a keep gate. This was financed by Mary, Countess of Rosse. This period of remodelling also overlapped with the building of the Great Telescope, The Leviathan.”

Only one person perished in the 1836 fire, a nanny to the children, who is said to haunt the top floor of the house. There’s a crack in the fireplace of the library from this fire, which was started by a cigarette tossed into a bucket of turf.

Birr Castle dining room, photograph by Chris Hill 2018, for Tourism Ireland, Ireland’s Content Pool. (see [1])
The Dining Room, which contains many family portraits. The sideboard is supported by the Parson family crest. The leopards are the heraldic symbol of the Parsons family. The massive Gothic sideboard of the dining room probably dates from shortly after the marriage in 1836 of the 3rd Earl of Rosse to Mary Wilmer Field. Birr Castle, photograph courtesy of Birr Castle website.

The website tells us that the final work on the castle was done in the 1860s when a square tower at the back of the castle on the East side was added. This now contains nurseries on the top floor which have a view over the town.

I was overwhelmed by the plush interior of the castle. It was the fanciest I had seen to date. The pelmets are huge, curtains heavy, and paintings old and abundant – although several are copies and not originals, placed due to their relevance to the inhabitants of the castle.

In the front hall there are huge tapestries, brought by the wife of the 6th Earl, Anne Messel, which fit the hall perfectly. The ceiling is sculpted in plaster, as are all of the reception rooms which we visited. There is an enormous wardrobe in the hall which can be taken apart so is called a “travel” wardrobe despite its heft, and a lovely walnut clock stood alongside the walnut exterior wardrobe. It is a Dutch clock, and as well as the time, it tells the date, and the phase of the moon, and has a little clockwork scene that is meant to move on the hour, but is no longer functioning. The clock is “haunted,” the guide told us, and is his favourite piece in the castle. It is said to be haunted because of a few odd incidents that occurred before it was brought to the castle. When someone in the family died, the clock stopped. Another time, at the moment someone in the house died, the pendulum of the clock dropped from its mechanics. Finally, when another person died in the house, the entire clock fell forwards onto its front.

Consequently nobody wanted the clock except the daughter of the family, who brought the clock with her when she moved into Birr Castle. For safety, however, she had the freestanding clock firmly affixed to the wall behind.

The website history of the family tells us:

The 19th century saw the castle become a great centre of scientific research when William Parsons, 3rd Earl built the great telescope. (See astronomy).His wife, Mary, whose fortune helped him to build the telescope and make many improvements to the castle, was a pioneer photographer and took many photographs in the 1850s.  Her dark room – a total time capsule which was preserved in the Castle – has now been exactly relocated in the Science Centre.

The website family history continues:

Their son the 4th Earl also continued astronomy at the castle and the great telescope was used up to the beginning of the 2nd world war. His son the 5th Earl was interested in agriculture and visited Denmark in search of more modern and successful methods. Sadly he died of wounds in the 1st world war.

The website continues: “His son, Michael the 6th Earl and his wife Anne created the garden for which Birr is now famous. (see the gardens and trees and plants) Anne, who was the sister of Oliver Messel the stage designer, brought many treasures to Birr from the Messel collection and with her skill in interior decoration and artist’s eye, transformed the castle, giving it the magical beauty that is now apparent to all.  Michael was also much involved in the creation of the National Trust in England after the war.

The Irish Historic Houses website tells us:

The interior is another skilful combination of dates and styles, forming a remarkably harmonious whole for which Anne Rosse, chatelaine of Birr from the 1930s to the 70s, is chiefly responsible [Anne Messel wife of 6th Earl]. She was the sister of Oliver Messel, the artist and stage-designer, and the mother of Lord Snowdon. A talented designer, decorator and gardener in her own right, her arrangement of the family collections is masterly.” [see 2]

The Yellow Drawing Room, created by Anne née Messel, Countess of Rosse. She created the yellow drawing room from two rooms, a renovation that nearly brought the entire ceiling crashing down! Birr Castle, photograph courtesy of Birr Castle website.
Birr Castle, photograph courtesy of Birr Castle website. The portrait is labelled Countess of Rosse b. 1698, but I can’t find which Countess this could be.
Birr Castle, photograph courtesy of Birr Castle website.

Anthony Armstrong-Jones, who married Princess Margaret, is a son from Anne Messel’s first marriage, her second marriage being to the sixth Earl of Rosse, Laurence Michael Parsons. The museum, off the Ticket Office, has a family tree:

The museum, off the Ticket Office, has a family tree of the Parson family.

A sister of Anthony Armstrong-Jones married into the Vesey family of Abbeyleix, who owned the De Vesci estate. My father grew up in Abbeyleix. We used to be able to walk in the grounds of the De Vesci estate but it has since been closed to the public.

The website continues to tell us of the next generation: “Their son Brendan, the present Earl [b. 1936, he succeeded his father as the 7th Earl of Rosse in 1979], spent his career in the United Nations Development Programme, living with his wife Alison and their family in many third world countries.  He returned to Ireland on his father’s death in 1979. Brendan and Alison have also spent much time on the garden, especially collecting and planting rare trees. Their three children are all passionate about Birr and continue to add layers to the story for the future.

Patrick, Lord Oxmantown currently lives in London and is working on plans to bring large scale investment into Birr which will enable him and his family to move back to Ireland.

Alicia Clements managers the Birr Castle Estate and lives in the sibling house of Tullanisk.

Michael Parsons, works in London managing a portfolio of properties for the National Trust and is a board member to The Birr Scientific and Heritage Foundation.”

After our castle tour, we ate our lunch under a tree on a lovely circular bench made of a huge tree trunk, then went to see the telescope.

The “Leviathon” telescope. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The “Leviathon” telescope. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The “Leviathon” telescope. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
6 foot telescope of William Parsons, 3rd Earl of Rosse featuring Lawrence Parsons, 4th Earl of Rosse, by Robert French, Lawrence Collection c. 1880 L_ROY_03237.

The telescope contains a speculum mirror at the bottom of the tube, which is 1.8 metres in diameter. The mirrors were made in a workshop set up by William Parsons, and the speculum had to be taken away and polished up every once in a while, so a second speculum mirror was made. The tube which houses the speculum is 17 metres long and was made near me in the Liberties, in a Foundry on Cork Street. The Earl would look into the telescope via a brass eyepiece in the enormous wooden tube, by climbing up the stairs on the side of the stone walls, to the viewing platform. With the telescope, the Earl could see further into space than anyone had ever seen. He sketched what he saw. According to the information at the site, his sketches were amazingly accurate when compared to modern photographs taken by the Hubble Telescope. The Earl studied “nebulae,” which are clouds of dust and gas in space, and discovered the “Whirlpool Nebulae.” There is now a planting of trees in the grounds of the castle to honour the founding of this M51 nebula. The “whirlpool spiral” of trees is a plantation of lime trees, planted in 1995, marking 150 years since the Earl discovered the nebula.

The “Leviathon” telescope. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The sixth Earl of Rosse, Lawrence Michael Harvey Parsons,  pursued an interest in trees and botany rather than the stars and moon, and created the gardens. We enjoyed the beautifully sunny day, walking around the generous landscape.

Birr Castle Demesne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle Demesne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The spring wildflower meadow has not been ploughed since at least 1620. Grass is let grow long to allow wildflowers, bees and wildlife to flourish.

From “In Harmony with Nature, The Irish Country House Garden 1600-1900” in the Irish Georgian Society, July 2022, curated by Robert O’Byrne.
Birr Castle Demesne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We entered The Fernery, which according to the sign beside it, tells that Ferneries were fashionable in Victorian times. 

Birr Castle Demesne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle Demesne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle Demesne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle Demesne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

This little fountain works by gravity, as the water falls from the lake to the stream. It’s an aspect I love about exploring heritage properties: the clever and sustainable engineering of the times. We have much to learn from our ancestors. I love that they have kitchen gardens and walled gardens and were self-sustaining. 

Birr Castle Demesne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle Demesne. Birr Castle, County Offaly, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Brick Bridge, formerly called the Ivy Bridge, is in County Tipperary, according to our leaflet about the grounds of Birr Castle.

Birr Castle, County Offaly, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle Demesne. Birr Castle, County Offaly, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle, County Offaly, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Above, the Teatro Verde, “Green Theatre,” from which you can see the vista of the castle and demesne. It was inspired by the design of 18th century architect and family member Samuel Chearnley. Dedication to Edward and Caroline on a plaque on the bench, “In Truth we Love, in Love we Grow.”

We didn’t have the energy to explore the entire garden, but followed the map to see a few places such as the Fernery, the Teatro Verde, and the Formal Gardens. Along the way, we passed the box hedges, the tallest in the world! The box hedges are around ten metres tall, and are over 300 years old.

The box hedges are around ten metres tall, and are over 300 years old. Birr Castle, County Offaly, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle, County Offaly, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Formal Gardens were designed by Anne Messel, the 6th Countess of Rosse, to celebrate her marriage to the 6th Earl, Michael, in 1935. There are white seats either end which bear their initials, which she designed. The hornbeam arches are in the form of a cloister complete with “windows”!

Birr Castle, County Offaly, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle, County Offaly, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle gardens, photograph for Tourism Ireland, 2015, Ireland’s Content Pool. (see [1])
The Formal Gardens, Birr Castle, by Alison Rosse.

We headed back to the visitor centre and museum, passing the children’s area, the wonderful Tree House! The current owners, Brendan Parsons, who was director of the Irish House and Gardens Association for eleven years, and his wife Alison, have been leading advocates for finding a new role for country houses in a heritage and educational context.

Birr Castle, County Offaly, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle, County Offaly, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle, County Offaly, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Birr Castle, County Offaly, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In the museum, we studied the pictures and explanations, but had to ask where it was that the viewer would sit or stand to look through the telescope. There’s a great timeline in the museum – I always find these very useful and informative!

It was interesting also to see some documents from the family archives, including a booklet written by the Earl about management of property, and purchase of the elements that make up the speculum mirror, which is made of metal and not glass – only later did they make mirrors of glass for telescopes.

Birr Castle, County Offaly, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://www.irelandscontentpool.com/en

[2] http://www.ihh.ie/index.cfm/houses/house/name/Birr%20Castle

[3] During the period 1979-2007, Lord and Lady Rosse facilitated research by Dr. Anthony Malcomson, former director of the Public Record Office of Northern Ireland (PRONI), and latterly sponsored by the Irish Manuscripts Commission, to enable the production of a comprehensive calendar of the Rosse Papers in 2008. The archive is held in the Muniment Room of Birr Castle.

[4] p. 12, Robertson, Nora. Crowned Harp, Memories of the Last Years of the Crown in Ireland, published 1960 by Allen Figgis & Co. Ltd., Dublin.

[5] https://www.tcd.ie/media/tcd/mecheng/pdfs/The_Family_Parsons_of_Parsonstown.pdf

[6] https://birrcastle.com/sharing-our-heritage/

[7] Hugh Montgomery Massingberd and Christopher Simon Sykes. Great Houses of Ireland. Laurence King Publishing, London, 1999.

[8] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[9] O’Reilly, Sean. Irish Houses and Gardens, from the archives of Country Life, Aurum Press, London: 1998, paperback edition 2008.

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Portraits N-O-P

I have an editorial decision to make regarding women. Do I put them under their married name or under their maiden name? I think for now I’ll put them under both, as it’s nice to see them in relation to their fathers as well as in relation to their husband!

N

James Lenox Naper (1712-1776), who later changed his surname to Dutton.
William Newcome (1729–1800), Archbishop of Armagh.
I think this is a portrait of Henrietta Townsend née Newenham (1764-1848). She married Richard Boyle Townsend and was daughter of John Newenham (1738-1785) of Maryborough, County Cork and Harriet Vereker of Roxborough, County Limerick. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
William Nicolson (1655-1727) Bishop of Derry.
Isaac Nicholson, b. 1840. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
General William Nugent (d. 1690) Date. c.1685 by Gaspar Smitz, courtesy of National Gallery of Ireland.
Christopher Nugent (1642-1680) Lord Delvin portrait (c1660-5) by Gaspar Smitz at National Gallery of Ireland. Dublin, Ireland. Smitz was a Dutch artist who is said to have come to England shortly after the Restoration and who became a member of the Guild of St. Luke in Dublin. This Guild was also known as the Guild of Dublin Cutlers, Painter-Steyners and Stationers, and was founded in 1670.
Mary Ann Cavendish Bradshaw also known as the Countess of Westmeath. Portrait painted by Sir Thomas Lawrence in 1806. She was born Marianne Jeffreys, and married George Frederick Nugent, the 7th Earl of Westmeath and she became the Countess of Westmeath. In 1796 in a sensational court case she divorced Nugent and soon after married Augustus Cavendish Bradshaw.

O

Murrough O’Brien (d. 1551) King of Thomond, Submits to King Henry VIII, Created 1543, History of the O’Briens from Brian Boroimhe, AD. 1000 to AD. 1945, page 264, https://archive.org/details/historyofobriens00obri/page/n309/mode/2up

Murrough O’Brien (d. 1551) King of Thomond, submitted to King Henry VIII in 1543 and was created 1st Earl of Thomond [Ireland] on 1 July 1543, for life with a special remainder to his nephew, Donogh. He was also created 1st Baron of Inchiquin [Ireland].

Donough O’Brien (died 1582) of Leameneagh and Dromoland, younger son of Murrough O’Brien last King of Thomond, 1st Earl of Thomond, painted 1577 on panel, courtesy History of the O’Briens from Brian Boroimhe, AD. 1000 to AD. 1945, by Donough O’Brien, page 200.
Slaney O’Brien nee McNamara, daughter of John of Cratelagh, wife of Donough O’Brien of Leameneagh (d. 1582), 1577 on panel in her 28th year. History of the O’Briens from Brian Boroimhe, AD. 1000 to AD. 1945, by Donough O’Brien, p 200.

His son Donogh McMurrough O’Brien (d. 1582) lived at Leamanagh and at Dromoland, County Clare. He in turn had a son Connor McDonogh O’Brien (d. 1603/4), who had a son, Donogh O’Brien (1595-1634/35) who married Honora Wingfield.

Slaney O’Brien, wife of Conor, Daughter of Turlough O’Brien of the Dough and Ennistymon courtesy Max Gheeraerts, Historical memoir of the O’Briens, The Origin and History of the O’Brien Clan by John O’Donoghue, Publ.1860, Martin Breen 2002.
Donough O’Brien of Lemeneagh (1595-1637) Scan from Historical Memoir of the O’Briens, The Origin and History of the O’Brien Clan John O’Donoghue published by Martin Breen (Collection of Lord Inchiquin).

Donogh and Honoria Wingfield had a son Colonel Connor McDonogh O’Brien (1617-1651) who married Mary ‘Rua’ MacMahon.

Máire Rua O’Brien née McMahon (1615/1616 – 1686) daughter of Turlough Roe McMahon Baronet, wearing Felemish bobbin lace with O’Brien coat of arms. She married first Colonel Neylan, then in 1639, Colonel Conor O’Brien (1617-1651) of Lemeneagh, ancestor of Barons Inchiquin, but he was slain in battle in 1651. She then married, to keep the family property, Captain John Cooper of Ireton’s army, whom she is said to have murdered! It’s a rare example of a portrait almost certainly painted in Ireland in the first half of the seventeenth century – see Irish Portraits 1660-1860 by Anne Crookshank and the Knight of Glin, published by the Paul Mellon Foundation for British Art 1969.
Donough O’Brien (1642-1717), 1st Baronet of Lemeneagh and Dromoland, Co. Clare by Mary Beale, 1690. He lived in Dromoland Castle. He was the son of Máire Rua O’Brien née McMahon (1615/1616 – 1686) and Conor McDonogh O’Brien (1617-1651).
Lucia Hamilton, 1674, daughter of George Hamilton. Wife of Donough O’Brien, 1st Baronet, married in 1674. She died two years later, not long after the birth of his son and heir, Lucius.
Lucius O’Brien (1675-1717) son of Donough O’Brien 1st Baronet of Leameneh, History of the O’Briens from Brian Boroimhe, AD. 1000 to AD. 1945, by Donough O’Brien, p 212.jpg
Catherine Keightley, daughter of Thomas Keightley and Frances Hyde, aunt of Queens Anne and Mary, wife of Lucius O’Brien, History of the O’Briens from Brian Boroimhe, AD. 1000 to AD. 1945, by Donough O’Brien, p 232.
Edward O’Brien (1705-1765) 2nd Baronet of Dromoland, County Clare from Historical memoir of the O’Briens : The Origin and History of the O’Brien Clan, by John O’Donoghue A.M, Barrister-at-Law, First Published in 1860 (Martin Breen 2002) Illustrations section (Collection of O’Brien of Dromoland), Public Domain, https://commons.wikimedia.org/w/index.php?curid=109837449 He was the son of Lucius O’Brien.
Mary Hickman, wife of Edward O’Brien, 2nd Baronet, from Historical memoir of the O’Briens : The Origin and History of the O’Brien Clan, by John O’Donoghue A.M, Barrister-at-Law, First Published in 1860 (Martin Breen 2002) Illustrations section, Public Domain, https://commons.wikimedia.org/w/index.php?curid=109837783
Lucius O’Brien (1731-1795) 3rd Baronet, courtesy of Harnet – The Other Clare Vol. 9 page 14,15.
Ann Ffrench wife of Sir Lucius O’Brien, 3rd Baronet courtesy Unknown author – These My Friends and Forebears: The O’Briens of Dromoland. She was daughter of Robert Ffrench of Monivea Castle, County Galway, MP for County Galway, and of Nichola Acheson, daughter of Arthur, 5th Baronet of Market Hill, County Armagh.
Capt. Edward O’Brien, holding a musket in the uniform of 52nd Regiment of Foot, standing against landscape, line of infantry firing a volley against an advisory, by Robert Hunter (1715 – 1780), courtesy of Adam’s auction 16 Oct 2018. Edward O’Brien (c.1735 1787) was the third son of Sir Edward O’Brien 2nd Baronet of Dromoland and Mary Hickman. A portrait of him and titled Master Edward O’Brien by Philip Hussey was exhibited with the Irish Portraits 1660 1860 Dublin, London and Belfast 1970, Cat no. 31. His ambition was to be a solider but there was no money to buy a Cornecy of Dragoons until 1759. A riding accident prevented his joining Corps being raised to go to America. He became a Captain in the 122nd Regiment and then exchanged (costing £379 3 4) into the 52nd Regiment. He married his cousin Charlotte Hickman of Brickhall, Co. Clare. With his easy-going spendthrift nature and love of horses, it is easy to see why he was his fathers favourite son. Although his father had left him Jockey Hall on the Curragh, he was not able to provide for his family and appealed to his more serious brother, Lucius, for help who assigned him a life interest in lands at Leamanagh and organised his return to military service. However, he forbade him from leaving the kingdom, thereby again preventing him going to America where he thought he could distinguish himself. He died in 1787 with the rank of colonel.

Another son of Murrough O’Brien (d. 1551) 1st Earl of Thomond was Dermod O’Brien (d. 1552) 2nd Baron of Inchiquin. He married Margaret (d. 1568), daughter of Donough O’Brien (d. 1553) 1st Earl of Thomond. She gave birth to their heir, Murrough Macdermot O’Brien (1550-1573) 3rd Baron of Inchiquin. After her husband died, Margaret married Richard Bourke (d. 1582) 2nd Earl of Clanricarde. Murrough O’Brien (1614-1674) 6th Baron of Inchiquin was created 1st Earl of Inchiquin.

Murrough O’Brien (1614-1674) 1st Earl of Inchiquin by John Michael Wright courtesy of Manchester Art Gallery. He married Elizabeth St. Leger (d. 1685).

Murrough O’Brien (1614-1674) 1st Earl of Inchiquin married Elizabeth St. Leger (d. 1685). His daughter Honoria married Lt.-Col. Theobald Bourke, 3rd Lord Bourke, Baron of Brittas. His daughter Elizabeth (d. 1688) married Richard Southwell, MP for Askeaton, County Limerick. His daughter Mary married Henry Boyle (1648-1693) son of the 1st Earl of Orrery. His son was William O’Brien (d. 1691) 2nd Earl of Inchiquin.

Lady Mary Boyle nursing her son Charles, by Godfrey Kneller (1646-1723) Adams auction 18 Oct 2022. She was daughter of Murrough O’Brien (1614-1674) 1st Earl of Inchiquin. She married married Henry Boyle (1648-1693) son of the 1st Earl of Orrery.
William O’Brien (1638-1952) 2nd Earl of Inchiquin, 7th Baron Inchiquin https//:commons.wikimedia.org

William O’Brien (1638-1952) 2nd Earl of Inchiquin, 7th Baron Inchiquin married Margaret Boyle, daughter of Roger Boyle 1st Earl of Orrery. Their son was William O’Brien (d. 1719) 3rd Earl of Inchiquin.

William O’Brien (d. 1719) 3rd Earl of Inchiquin courtesy of https//:commons.wikimedia.org

William O’Brien (d. 1719) 3rd Earl of Inchiquin married Mary Villiers and their daughter Mary married Robert FitzGerald, 19th Earl of Kildare.

James O’Brien (d. 1771) was a son of William O’Brien (d. 1719) 3rd Earl of Inchiquin and Mary Villiers. He married Mary Jephson. They had a son Murrough O’Brien (1726-1808) 1st Marquess of Thomond.

Murrough O’Brien, 1st Marquess of Thomond, (1726-1808) Engraver Samuel William Reynolds, English, 1773-1835 After John Hoppner, English, 1758-1810, courtesy of National Gallery of Ireland.
Murrough O’Brien, 1st Marquess of Thomond KP, PC (1726–1808), 5th Earl of Inchiquin (1777–1800) by Henry Bone courtesy of Bonhams.
Mary Palmer, Countess of Inchiquin, Marchioness of Thomond (1750-1820), wife of Murrough O’Brien, 1st Marquess (after Sir Joshua Reynolds) by Thomas Phillips courtesy of National Trust Petworth.

James O’Brien (d. 1771) and Mary Jephson had a daughter Anne (1720-1745) who married Most Rev. Michael Cox (1691-1779). James O’Brien (d. 1771) and Mary Jephson had another daughter, Henrietta (d. 1797), who married William Vigors Burdett, 2nd Bt of Dunmore, County Carlow. Murrough O’Brien 1st Marquess had no sons so the title passed to the sons of his brother, Edward O’Brien (d. 1801).

Miss Henrietta O’Brien by Stephen Slaughter 1746. She married first Terence O’Loughlen and second William Vigors Burdett 2nd Baronet, and was sister of Anne who married Archbishop Cox of Cashel.
William Smith O’Brien (1803-1864) by George Francis Mulvaney, courtesy of National Gallery of Ireland P1934.
Louisa O’’Callaghan (1780-1863) as Hebe, daughter of Cornelius O’’Callaghan (1741/41-1797) 1st Baron Lismore by Hugh Douglas Hamilton courtesy of Country House Collections at Townley Hall 16th October 2018 Adams. She married William George Spencer Cavendish, son of 1st Earl of Burlington.
Daniel O’Connell. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Daniel O’Connell (1775-1847) by Stephen Catterson Smith courtesy Christies auction house.
Phelim O’Connor, d. 1315, King of Connaught, courtesy of National Gallery of Ireland.
Denis O’Conor of Ballinagare (Donnchadh Liath) (b. 1674), picture from Charles O’Conor of Ballinagare, ed. Luke Gibbons and Kieran O’Conor.
Charles O’Conor of Ballinagare (1710–1791), courtesy of Royal Irish Academy. He was a son of Denis O’Conor of Ballinagare (Donnchadh Liath) (b. 1674)
Charles O’Conor of Ballinagare (1710–1791), in middle age, from Charles O’Conor of Ballinagare, ed. Luke Gibbons and Kieran O’Conor. He was a son of Denis O’Conor of Ballinagare (Donnchadh Liath) (b. 1674)
Charles O’Conor of Mount Allen (1736–1808) as a young man from Charles O’Conor of Ballinagare, ed. Luke Gibbons and Kieran O’Conor. He was a son of Charles O’Conor of Ballinagare (1710–1791).
Denis O’Conor of Ballinagare (1732–1804), in middle age, from Charles O’Conor of Ballinagare, ed. Luke Gibbons and Kieran O’Conor. He was the eldest son of Charles O’Conor of Ballinagare (1710–1791)
Owen O’Conor (1763-1831) of Ballinagare, son of Denis O’Conor of Ballinagare (1732–1804). He purchased Clonalis estate in 1805 and inherited the O’Conor Don title in 1820. Owen moved his family and household to Clonalis in that year and left Ballinagare Castle. Photograph courtesy of Charles O’Conor of Ballinagare, ed. Luke Gibbons and Kieran O’Conor.
Portraits of Charles William Cooper (1817-1898), who took the name O’Hara when he inherited his uncle’s estate, and his wife Anne Streatfield (1836-1882). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Grace O’Malley (1530-1603) 18th century Irish school, courtesy of Fonsie Mealy auction.
Hugh O’Neill (c. 1540-1616) 2nd Earl of Tyrone, courtesy of National Museums Northern Ireland, Ulster Museum.
Owen Roe O’Neill By Unknown, Van Brugens – Ulster Journal of Archaeology Volume 4, Public Domain, https///commons.wikimedia.org/w/index.php?curid=17552770.jpg
Phelim O’Neill (1604-1653), Leader of 1641 Rebellion, courtesy of National Gallery of Ireland.
John O’Neill, 1st Viscount O’Neill, M.P., (1740-1798) Engraver: Samuel William Reynolds, English, 1773-1835 Copyist: James Dowling Herbert, Irish, c.1762-1837 After Matthew William Peters, English, 1742-1814, courtesy of National Gallery of Ireland.
Mrs John O’Neill (née Henrietta Boyle) (1756-1793), Poet and Patron of Mrs Siddons, Engraver John Raphael Smith, English, 1752-1812 After Matthew William Peters, English, 1742-1814, courtesy of National Gallery of Ireland. She was the wife of John O’Neill (1740-1798), 1st Viscount, of Shane’s Castle, County Antrim, and the daughter of Charles Boyle, Viscount Dungarvan, who was the son of John Boyle 5th Earl of Orrery and 5th Earl of Cork.
Neil O’Neil (1658-1690) 2nd Baronet of Killyleagh, County Antrim by John Michael Wright, courtesy of Tate Britain. It is the only surviving contemporary presentation of the traditional costume of an Irish chieftain. At his feet is the armour of a Japanese samurai as a symbol of victory over the oppression of Catholics; next to him is an Irish wolfhound as a symbol of Ireland.
Lady Neill O’Neill, Frances née Molyneux (1655-1732) daughter of 3rd Viscount who married Neil O’Neill of Killelagh in 1677, by Garrett Morphy. The painting was probably painted soon after her husband died from wounds obtained in the Battle of the Boyne in 1690, due to the funerary urn carved with a memento moi of skull and crossbones.
Rose O’Neill, later Mrs Nicholas Wogan (c.1695) by Garrett Morphy. She was daughter of Neil O’Neil (1658-1690) 2nd Baronet of Killyleagh, County Antrim, and married Col Nicholas Wogan of Rathcoffey, Co Meath. Her daughter married John Talbot of Malahide.
Anne O’Neill, later Mrs Segrave by Garret Morphy c. 1695, courtesy National Gallery of Ireland ngi.4148. She was daughter of Neil O’Neill of Killelagh, Co Antrim.
Maria Susanna Ormbsy by Hugh Douglas Hamilton, she was daughter of William Ormsby (1718-1781) and Hannah Wynne of Hazelwood, County Sligo courtesy of Adams auction 27 March 2018. This excellent portrait, painted after Hamiltons return to Dublin from Rome is not listed by Fintan Cullen. [Oil Paintings of Hugh Douglas Hamilton, Walpole Society Vol. 50 1984] and is a welcome addition to the inventory of Hamiltons extant portraits (1796).
It re-emerged from the recent disposal of the Harlech Collection in Wales. The Ormsby-Gores, in spite of a Welsh title and seat, represent two families from the West of Ireland who flourished in the 18th century.
The subject of the present lot, Maria Susannah Ormsby was the daughter of William Ormsby M.P for Sligo and Hannah Wynne of Haselwood, County Sligo, the lovely Palladian villa designed by Richard Castle. Her brother, Owen Ormsby married (1777) Margaret Owen who came into a great Welsh estate that had been swollen by the Godolphin inheritance. Their only child and heiress Mary Jane Ormsby married (1815)William Gore, M.P. for Leitrim from a family long influential in Counties Mayo, Sligo and Leitrim. Thereafter the family became Ormsby-Gore and were subsumed into English high society with a title from the Barony of Harlech.
Our subject, Maria Susannah Ormsby, died unmarried so this portrait of a charming and artistic woman remained with the Ormsby-Gores. As an observation of mature character it confirms Hugh Douglas Hamiltons place in the top rank of European portraiture.

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Thought to be Elizabeth Louisa née Beresford (1783-1856) who married Sir Denis Pack (1774-1823), then Thomas Reynell, 6th Baronet, courtesy of Whyte’s Nov 2011. She was the daughter of George de la Poer Beresford, 1st Marquess of Waterford.
Captain Denis William Pack-Beresford (1818-1881) of Fennagh House in the parish of Lorum, County Carlow by Stephen Pearse (1819-1904) courtesy of Whyte’s Nov 2011. He was the son of Denis Pack and Elizabeth Louisa née Beresford. He married Annette Caroline Browne of Browne’s Hill, County Carlow.
Henry Paget, 1st Marquess of Anglesey (1768-1854). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Frances Jane Paget (1817-1903) Marchioness of Ormonde with her son James Earl of Ossory, by Richard Bruckner. She married John Butler 2nd Marquess of Ormonde. Funnily enough, all of her sons were named James! The Earl of Ossory was her eldest son James Edward William Theobald Butler (1844-1919), who became 15th Earl of Ossory in 1854 when he was ten years old. The painting thus anachronistically refers to him as the Earl of Ossory, as he was not yet ten years old when it was painted. A younger son, James Arthur Wellington Foley Butler (1849-1943) also became Earl of Ossory, in 1919, the same year he became 4th Marquess of Ormonde, when his older brother James the 3rd Marquess died. Frances Jane’s father was General Hon. Sir Edward Paget, and she was the daughter of his second wife, Harriet Legge. His first wife was Frances, daughter of William Bagot 1st Baron Bagot of Bagot’s Bromley, Staffordshire, England.
William Lygon Pakenham, 4th Earl of Longford.
Thomas Pakenham (1713-1766), 1st Baron Longford, Date c.1756 Credit Line: Presented, Mrs R. Montagu, 1956.
Thomas Pakenham, 1st Baron of Longford (1713-1766), who married Elizabeth Cuffe. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Elizabeth Cuffe (1719-1794) who married Thomas Pakenham, 1st Baron Longford. She became Countess of Longford in her own right, through her father Michael Cuffe (1694-1744), who was heir to Ambrose Aungier, 2nd and last Earl of Longford (1st creation).  Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Edward Michael Pakenham, 2nd Baron Longford (1743-1792). His daughter married the Duke of Wellington, Arthur Wellesley. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Thomas Pakenham the 2nd Earl of Longford (1774-1835). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Georgiana Pakenham née Lygon (1774-1880). She married Thomas Pakenham 2nd Earl of Longford. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Louisa Anne Pakenham née Staples (1770-1833) and her sister Henrietta Margaret Trench née Staples (1770-1847) Countess of Clancarty (c.1770-1847) by Hugh Douglas Hamilton. Louisa was married to Thomas Pakenham (1757-1836) and Henrietta was married to Richard Power Keating Le Poer Trench (1767-1837) 2nd Earl of Clancarty. Their father was John Staples (1736-1820) of County Tyrone, and their mother was Harriet Conolly (1739-1771) of Castletown House, County Kildare. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Major General Edward Pakenham (1778-1815), another uncle of Henry Sandford Pakenham Mahon, also hangs in the front hall of Strokestown House. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A portrait of Lt. Gen. Hercules Pakenham (1781-1850), an uncle of Henry Sandford Pakenham Mahon, hangs in the front hall of Strokestown House.
Elizabeth Sandford, mother of Henry Sandford Pakenham, wife of Reverend Henry Pakenham, Dean of St. Patrick’s Cathedral in Dublin. Henry Sandford Pakenham married the heiress Grace Catherine Mahon and changed his surname to Pakenham Mahon. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Olive Hales Pakenham Mahon dressed for a visit to Buckingham Palace in the 1930s. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Olive Hales Pakenham Mahon (1894-1981). She was from Strokestown House, and married first Edward Charles Stafford King-Harman, and then Wilfred Stuart Atherstone Hales who added the surname Pakenham Mahon to his name.
Mary, Countess of Inchiquin (née Palmer), (1750-1820), 2nd wife of Murrough O’Brien (1726-1808) 4th Earl of Inchiquin, later 1st Marquess of Thomond; After Thomas Lawrence, English, 1769-1830, photograph courtesy of National Gallery of Ireland.
Charles Stewart Parnell (1846-1891).
John Parnell, brother of Charles Stewart Parnell.
John Parnell (1744-1801) 2nd Baronet of Rathleague by Batoni, 1770, courtesy of National Gallery of Ireland. He was the great-grandfather of Charles Stewart Parnell. His son William (1870-1821) added the name Hayes to his surname after inheriting Avondale, County Wicklow, from Samuel Hayes.
Sir William Parsons (?1570-1650), 1st Baronet Parsons, Surveyor-General and Lord Justice of Ireland Date: 1777 Engraver Samuel De Wilde, English, 1748-1832 After Unknown Artist, England, 17th century, British. He emigrated to Ireland around 1590. He was the brother of Laurence Parsons (d. 1628), grandfather of Laurence Parsons (d. 1698), 1st Baronet Parsons, of Birr Castle. William Parsons married Elizabeth Lany, daughter of John, an alderman of Dublin. National Portrait Gallery of London D3829.
Frances née Parsons Harman (1775-1841) who married Robert Edward King (1773-1854), 1st Viscount Lorton. She was the daughter of Lawrence Harman Parsons (1749-1807) 1st Earl of Rosse who assumed the surname Parsons-Harman.
William Parsons, 3rd Earl of Rosse (1800-1867) by Stephen Catterson Smith 1860.
William Parsons (1800-1867) 3rd Earl of Rosse, photograph courtesy of National Gallery of Ireland.
Henrietta Paulet née Crofts, Duchess of Bolton (1682-1730) daughter of James Crofts (Scott), 1st and last Duke of Monmouth, illegitimate son of King Charles II. She married Charles Paulet, 2nd Duke of Bolton. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Thomas Ryder Pepper (1760-1828) with The Old Castle, Loughton in the background from Loughton house auction, 2016, Shepphards. He married Anne Bloomfield, the sister of Benjamin Bloomfield 1st Baron Bloomfield, of Loughton, County Offaly.
John Perceval, 1st Baronet (1629–1665) engraving by J Faber (1743).
Catherine (1637 – 1679) the only daughter of Sir Robert Southwell of Kinsale, wife of Sir John Perceval, 1st Baronet. Engraved by J. Faber (1743).
Sir Philip Perceval, 2nd Bt (1656-1680) by Thomas Pooley c. 1670-74, courtesy of National Gallery of Ireland NGI 4626.
John Perceval, 3rd Bt (1660-1686) by Thomas Pooley, c. 1670-74, courtesy of National Gallery of Ireland NGI 4627.
John Perceval 3rd Bt, by John Faber Jr, National Portrait Gallery of London D29835.
John Perceval (1683-1748) 1st Earl of Egmont, County Cork, by and published by John Smith, after Sir Godfrey Kneller 1704, National Portrait Gallery of England D11553.
John Perceval, 1st Earl of Egmont (1683-1748) by Hans Hysing.
John Perceval, 2nd Earl of Egmont, (1711-1700) Date 1764 by Engraver James McArdell, Irish, c.1729-1765 After Thomas Hudson, English, 1701-1779.
John Perceval (1711-1770) 2nd Earl of Egmont by Thomas Hudson.
John Percival, later 2nd Earl of Egmont (1711-1770) by Francis Hayman c. 1740, courtesy of National Gallery of Ireland NGI 4489
John Perceval, 2nd Earl of Egmont with Catherine Perceval (née Cecil), Countess of Egmont by Richard Josey, after Sir Joshua Reynolds mezzotint, 1876 (1756) National Portrait Gallery of London D1855.
Catherine Perceval (née Compton), Countess of Egmont; Charles George Perceval, 2nd Baron Arden by James Macardell, after Thomas Hudson mezzotint, published 1765, National Portrait Gallery of London D1829.
Spencer Perceval (d. 1812) by George Francis Joseph (died 1846), given to the National Portrait Gallery, London in 1857. He was the son of the 2nd Earl of Egmont, and served for a short time as Prime Minister of England.
Sir John Perrot 1527-1592, said to be a son of King Henry VIII; soldier and Lord Deputy of Ireland, date 1776, engraver Valentine Green, English 1739-1813 copyist George Powle. His daughter Lettice (d. 1620) married Arthur Chichester 1st and last Baron Chichester of Belfast (b. 1563).
Edmond Sexton Pery, later 1st Viscount Pery (1719-1806) Date: c.1790 by Gilbert Stuart, American, 1755-1828.
William Petty (1623-1687) by Isaac Fuller circa 1651, National Portrait Gallery of London 2924.
William Petty (1623-1687) by Godfrey Kneller courtesy of Romsey Town Hall.
William Petty, (1623-1687), Physician in the Army in Ireland, Surveyor General and Political Economist Date: 1696, Engraver John Smith, English, 1652-1743 After John Baptist Closterman, German, c.1690-1713.
A sketch of Henry Petty (1675-1751) Earl of Shelburne by George Townshend, 4th Viscount and 1st Marquess Townshend National Portrait Gallery of London ref. 4855(15). He was the son of William Petty (1623-1687) and he married Arabella, daughter of Charles Boyle 2nd Baron Clifford of Lanesborough.

Thomas Fitzmaurice (1668-1741) 1st Earl of Kerry (21st Baron of Kerry), Viscount Clanmorris was the father of John Fitzmaurice Petty (1706-1761) 1st Earl of Shelburne, who added Petty to his name after his mother, Anne Petty (d. 1737). Another son of the 1st Earl of Kerry was his heir William FitzMaurice (1694-1747) who succeeded as 2nd Earl of Kerry.

William Petty (1737-1805) 1st Marquess of Lansdowne Lord Shelburne, Prime Minister, after Sir Joshua Reynolds based on a work of 1766, National Portrait Gallery of London 43. He was the son of John Fitzmaurice Petty (1706-1761) 1st Earl of Shelburne, who was the son of Thomas Fitzmaurice 1st Earl of Kerry (21st Baron of Kerry), Viscount Clanmorris
Louisa Lansdowne née Fitzpatrick, wife of William Petty 1st Marquess of Lansdowne by Joshua Reynolds from Catalogue of the pictures and drawings in the National loan exhibition, in aid of National gallery funds, Grafton Galleries, London. She was a daughter of John FitzPatrick 1st Earl of Upper Ossory.
John Henry Petty (1765-1809) 2nd Marquess of Lansdowne National Portrait Gallery of London ref. D37171.
Henry Petty-Fitzmaurice (1780-1863) 3rd Marquess of Lansdowne, Trustee of the National Portrait Gallery, by Henry Walton circa 1805 courtesy of National Portrait Gallery, NPG 178.
Henry Thomas Petty-Fitzmaurice (1816-1866) 4th Marquess of Lansdowne, Politician and railway company chairman, photograph by by John & Charles Watkins circa early 1860s, courtesy of National Portrait Gallery NPG Ax16422.
Henry Charles Keith Petty-Fitzmaurice 5th Marquess of Lansdowne by Philip Alexius de László.
Beatrix Frances Duchess of St Albans, Maud Evelyn Petty-Fitzmaurice, Marchioness of Lansdowne (wife of 5th Marquess), Theresa Susey Helen Vane-Tempest-Stewart, Marchioness of Londonderry and Evelyn Emily Mary Cavendish, Duchess of Devonshire, by Frederick & Richard Speaight.
Mrs Letitia Pilkington (née Van Lewen), (1712-1750), “Adventuress” and Author Date: c.1760 Engraver: Richard Purcell, Irish, c.1736-c.1766 After Nathaniel Hone the Elder, Irish, 1718-1784.
Oliver Plunket, by Edward Luttrell courtesy of National Portrait Gallery London.
Called Frances Hales, Countess of Fingall, possibly Margaret MacCarty later Countess of Fingall, wife of Luke Plunkett (1639-1685) 3rd Earl of Fingall, by Simon Pietersz Verelst courtesy of National Trust Hatchlands. Margaret was daughter of Donough MacCarty (or MacCarthy) 1st Earl of Clancarty; 2nd Viscount Muskerry. Frances Hales married Peter Plunkett (1678-1717) 4th Earl of Fingall.
Arthur James Plunkett (1759-1836) 8th Earl of Fingall by Charles Turner after Joseph Del Vechio NPG D36923.
Horace Plunkett by photographer Bassano Ltd, 1923, courtesy of National Portrait Gallery of London, reference NPGx12783.
William Conyngham Plunket, 1st Baron Plunket, (1764-1854), Orator and former Lord Chancellor of Ireland Engraver David Lucas, British, 1802-1881 After Richard Rothwell, Irish, 1800-1868.
Marble bust of William Plunket, 1st Baron Plunket (1764-1854), Lord Chancellor of Ireland, by CHRISTOPHER MOORE RHA (1790 – 1863), courtesy of Adams auction 19 Oct 2021.
William Pole of Ballyfin (d. 1781), English school of 18th century, pastel, courtesy of Christies auction, wikimedia commons. He married Sarah Moore, daughter of the 5th Earl of Drogheda.

Brabazon Ponsonby (1679-1758) 1st Earl of Bessborough, 2nd Viscount Duncannon, of the fort of Duncannon, Co. Wexford married Sarah Margetson. Their daughter Sarah (d. 1736/37) married Edward Moore, 5th Earl of Drogheda. Their daughter Anne married Benjamin Burton of Burton Hall, County Carlow. Their daughter Letitia (d. 1754) married Hervey Morres, 1st Viscount Mountmorres. Their son William Ponsonby (1704-1793) succeeded as 2nd Earl of Bessborough and a younger son, John (1713-1787) married Elizabeth, daughter of William Cavendish 3rd Duke of Devonshire.

John Ponsonby (1713 – 1787) by Hugh Douglas Hamilton, courtesy of The Library Collection auction 26 April 2023 at Adams. He was Speaker of the Irish House of Commons. He was the son of Brabazon Ponsonby (1679-1758) 1st Earl of Bessborough, 2nd Viscount Duncannon, of the fort of Duncannon, Co. Wexford. He married Elizabeth, daughter of William Cavendish 3rd Duke of Devonshire.
The Hon. Richard Ponsonby (1772-1853), Bishop of Derry and Raphoe, British (English) School, circa 1830. A half-length portrait of a man, known as “handsome Dick Ponsonby”, turned go the right, gazing at the spectator, wearing surplice and white bands. He was a son of William Brabazon Ponsonby, 1st Baron Ponsonby of Imokilly (1744-1806) who was a son of John Ponsonby (1713 – 1787). Courtesy of National Trust images
William Ponsonby, 2nd Earl of Bessborough, (1705-1793), observing a copy of the Borghese Vase Date 1794 by Engraver Robert Dunkarton, English, 1744-1811 After John Singleton Copley, American, 1738-1815.
Oil painting on canvas, William Ponsonby, 2nd Earl of Bessborough (1704-1793), attributed to Jeremiah Davison (Scotland c.1695 ? London after 1750) or George Knapton (London 1698 ? Kensington 1778), circa 1743/50. Oval, half-length portrait, turned slightly to the left, gazing at spectator, wearing oriental costume, composed of a red tunic, blue cloak edged with white fur and a red and white turban. Courtesy of National Trust Hardwick House. He married Caroline Cavendish, daughter of 3rd Duke of Devonshire.
Frederick Ponsonby, Viscount Duncannon, (1758-1844), later 3rd Earl of Bessborough Date 1786, Engraver Joseph Grozer, British, fl.1784-1797 After Joshua Reynolds, English, 1723-1792.
Lady Caroline Lamb née Ponsonby (1785-1828) by Eliza H. Trotter, NPG 3312. She was the daughter of the 3rd Earl of Bessborough.
John William Brabazon Ponsonby (1781-1847) 4th Earl of Bessborough, County Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Marguerite née Power, Countess of Blessington. Marguerite (1789-1849) was daughter of Edmund Power, and she married first Maurice St. Leger Farmer, and secondly, Charles John Gardiner, 1st and last Earl of Blessington, son of Luke Gardiner, 1st Viscount Mountjoy. She wrote the book Confessions of an Elderly Gentleman, published 1836, and The Idler in Italy, published between 1839 and 1840, in three volumes. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mervyn Pratt (1807-1890), husband of Madeline Jackson, of Enniscoe, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mary Preston youngest daughter of the Hon. Henry Hamilton, by Hugh Douglas Hamilton Adam’s auction 20 Sept 2015. Mary Hamilton married in 1764 (as his second wife) the second Nathaniel Preston (1724-1796), Reverend, of Swainstown, Co. Meath. Her father was a younger son of Gustavus Hamilton 1st Viscount Boyne of Stackallan, Co. Meath and her parents were intimate with Mrs Delaney who of them said – “I never saw a couple better suited than Mr Hamilton and his wife, their house like themselves looks cheerful and neat…., they have four children, whose behaviour shows the sense of their parents”. Mary’s brother, Sackville Hamilton became a competent and respected Civil Servant.
Lucretia (1804-1891) Viscountess Gormanston, daughter of William Jerningham, wife of Edward Anthony John Preston 13th Viscount Gormanston courtesy of Adam’s auction 12 Oct 2014.
Thomas Prior (1682-1751), Founding Member and Secretary to the Dublin Society, Engraver Charles Spooner, Irish, c.1720-1767 After John van Nost the Younger, Flemish, c.1710 – 1780.
Henry Prittie, 1st Baron Dunalley (1743-1801), Irish school, courtesy of Christie’s.
Henry Prittie, 3rd Baron Dunalley (1807-1885) by Stephen Catterson Smith courtesy of Christie’s 2013.
Augustus Welby Northmore Pugin (1812-1852) by James Henry Lynch, after John Rogers Herbert NPG D20474.