Portraits N-O-P

I have an editorial decision to make regarding women. Do I put them under their married name or under their maiden name? I think for now I’ll put them under both, as it’s nice to see them in relation to their fathers as well as in relation to their husband!

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James Lenox Naper (1712-1776), who later changed his surname to Dutton.
William Newcome (1729–1800), Archbishop of Armagh.
I think this is a portrait of Henrietta Townsend née Newenham (1764-1848). She married Richard Boyle Townsend and was daughter of John Newenham (1738-1785) of Maryborough, County Cork and Harriet Vereker of Roxborough, County Limerick. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
William Nicolson (1655-1727) Bishop of Derry.
Isaac Nicholson, b. 1840. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
General William Nugent (d. 1690) Date. c.1685 by Gaspar Smitz, courtesy of National Gallery of Ireland.
Christopher Nugent (1642-1680) Lord Delvin portrait (c1660-5) by Gaspar Smitz at National Gallery of Ireland. Dublin, Ireland. Smitz was a Dutch artist who is said to have come to England shortly after the Restoration and who became a member of the Guild of St. Luke in Dublin. This Guild was also known as the Guild of Dublin Cutlers, Painter-Steyners and Stationers, and was founded in 1670.
Mary Ann Cavendish Bradshaw also known as the Countess of Westmeath. Portrait painted by Sir Thomas Lawrence in 1806. She was born Marianne Jeffreys, and married George Frederick Nugent, the 7th Earl of Westmeath and she became the Countess of Westmeath. In 1796 in a sensational court case she divorced Nugent and soon after married Augustus Cavendish Bradshaw.

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Murrough O’Brien (d. 1551) King of Thomond, Submits to King Henry VIII, Created 1543, History of the O’Briens from Brian Boroimhe, AD. 1000 to AD. 1945, page 264, https://archive.org/details/historyofobriens00obri/page/n309/mode/2up

Murrough O’Brien (d. 1551) King of Thomond, submitted to King Henry VIII in 1543 and was created 1st Earl of Thomond [Ireland] on 1 July 1543, for life with a special remainder to his nephew, Donogh. He was also created 1st Baron of Inchiquin [Ireland].

Donough O’Brien (died 1582) of Leameneagh and Dromoland, younger son of Murrough O’Brien last King of Thomond, 1st Earl of Thomond, painted 1577 on panel, courtesy History of the O’Briens from Brian Boroimhe, AD. 1000 to AD. 1945, by Donough O’Brien, page 200.
Slaney O’Brien nee McNamara, daughter of John of Cratelagh, wife of Donough O’Brien of Leameneagh (d. 1582), 1577 on panel in her 28th year. History of the O’Briens from Brian Boroimhe, AD. 1000 to AD. 1945, by Donough O’Brien, p 200.

His son Donogh McMurrough O’Brien (d. 1582) lived at Leamanagh and at Dromoland, County Clare. He in turn had a son Connor McDonogh O’Brien (d. 1603/4), who had a son, Donogh O’Brien (1595-1634/35) who married Honora Wingfield.

Slaney O’Brien, wife of Conor, Daughter of Turlough O’Brien of the Dough and Ennistymon courtesy Max Gheeraerts, Historical memoir of the O’Briens, The Origin and History of the O’Brien Clan by John O’Donoghue, Publ.1860, Martin Breen 2002.
Donough O’Brien of Lemeneagh (1595-1637) Scan from Historical Memoir of the O’Briens, The Origin and History of the O’Brien Clan John O’Donoghue published by Martin Breen (Collection of Lord Inchiquin).

Donogh and Honoria Wingfield had a son Colonel Connor McDonogh O’Brien (1617-1651) who married Mary ‘Rua’ MacMahon.

Máire Rua O’Brien née McMahon (1615/1616 – 1686) daughter of Turlough Roe McMahon Baronet, wearing Felemish bobbin lace with O’Brien coat of arms. She married first Colonel Neylan, then in 1639, Colonel Conor O’Brien (1617-1651) of Lemeneagh, ancestor of Barons Inchiquin, but he was slain in battle in 1651. She then married, to keep the family property, Captain John Cooper of Ireton’s army, whom she is said to have murdered! It’s a rare example of a portrait almost certainly painted in Ireland in the first half of the seventeenth century – see Irish Portraits 1660-1860 by Anne Crookshank and the Knight of Glin, published by the Paul Mellon Foundation for British Art 1969.
Donough O’Brien (1642-1717), 1st Baronet of Lemeneagh and Dromoland, Co. Clare by Mary Beale, 1690. He lived in Dromoland Castle. He was the son of Máire Rua O’Brien née McMahon (1615/1616 – 1686) and Conor McDonogh O’Brien (1617-1651).
Lucia Hamilton, 1674, daughter of George Hamilton. Wife of Donough O’Brien, 1st Baronet, married in 1674. She died two years later, not long after the birth of his son and heir, Lucius.
Lucius O’Brien (1675-1717) son of Donough O’Brien 1st Baronet of Leameneh, History of the O’Briens from Brian Boroimhe, AD. 1000 to AD. 1945, by Donough O’Brien, p 212.jpg
Catherine Keightley, daughter of Thomas Keightley and Frances Hyde, aunt of Queens Anne and Mary, wife of Lucius O’Brien, History of the O’Briens from Brian Boroimhe, AD. 1000 to AD. 1945, by Donough O’Brien, p 232.
Edward O’Brien (1705-1765) 2nd Baronet of Dromoland, County Clare from Historical memoir of the O’Briens : The Origin and History of the O’Brien Clan, by John O’Donoghue A.M, Barrister-at-Law, First Published in 1860 (Martin Breen 2002) Illustrations section (Collection of O’Brien of Dromoland), Public Domain, https://commons.wikimedia.org/w/index.php?curid=109837449 He was the son of Lucius O’Brien.
Mary Hickman, wife of Edward O’Brien, 2nd Baronet, from Historical memoir of the O’Briens : The Origin and History of the O’Brien Clan, by John O’Donoghue A.M, Barrister-at-Law, First Published in 1860 (Martin Breen 2002) Illustrations section, Public Domain, https://commons.wikimedia.org/w/index.php?curid=109837783
Lucius O’Brien (1731-1795) 3rd Baronet, courtesy of Harnet – The Other Clare Vol. 9 page 14,15.
Ann Ffrench wife of Sir Lucius O’Brien, 3rd Baronet courtesy Unknown author – These My Friends and Forebears: The O’Briens of Dromoland. She was daughter of Robert Ffrench of Monivea Castle, County Galway, MP for County Galway, and of Nichola Acheson, daughter of Arthur, 5th Baronet of Market Hill, County Armagh.
Capt. Edward O’Brien, holding a musket in the uniform of 52nd Regiment of Foot, standing against landscape, line of infantry firing a volley against an advisory, by Robert Hunter (1715 – 1780), courtesy of Adam’s auction 16 Oct 2018. Edward O’Brien (c.1735 1787) was the third son of Sir Edward O’Brien 2nd Baronet of Dromoland and Mary Hickman. A portrait of him and titled Master Edward O’Brien by Philip Hussey was exhibited with the Irish Portraits 1660 1860 Dublin, London and Belfast 1970, Cat no. 31. His ambition was to be a solider but there was no money to buy a Cornecy of Dragoons until 1759. A riding accident prevented his joining Corps being raised to go to America. He became a Captain in the 122nd Regiment and then exchanged (costing £379 3 4) into the 52nd Regiment. He married his cousin Charlotte Hickman of Brickhall, Co. Clare. With his easy-going spendthrift nature and love of horses, it is easy to see why he was his fathers favourite son. Although his father had left him Jockey Hall on the Curragh, he was not able to provide for his family and appealed to his more serious brother, Lucius, for help who assigned him a life interest in lands at Leamanagh and organised his return to military service. However, he forbade him from leaving the kingdom, thereby again preventing him going to America where he thought he could distinguish himself. He died in 1787 with the rank of colonel.

Another son of Murrough O’Brien (d. 1551) 1st Earl of Thomond was Dermod O’Brien (d. 1552) 2nd Baron of Inchiquin. He married Margaret (d. 1568), daughter of Donough O’Brien (d. 1553) 1st Earl of Thomond. She gave birth to their heir, Murrough Macdermot O’Brien (1550-1573) 3rd Baron of Inchiquin. After her husband died, Margaret married Richard Bourke (d. 1582) 2nd Earl of Clanricarde. Murrough O’Brien (1614-1674) 6th Baron of Inchiquin was created 1st Earl of Inchiquin.

Murrough O’Brien (1614-1674) 1st Earl of Inchiquin by John Michael Wright courtesy of Manchester Art Gallery. He married Elizabeth St. Leger (d. 1685).

Murrough O’Brien (1614-1674) 1st Earl of Inchiquin married Elizabeth St. Leger (d. 1685). His daughter Honoria married Lt.-Col. Theobald Bourke, 3rd Lord Bourke, Baron of Brittas. His daughter Elizabeth (d. 1688) married Richard Southwell, MP for Askeaton, County Limerick. His daughter Mary married Henry Boyle (1648-1693) son of the 1st Earl of Orrery. His son was William O’Brien (d. 1691) 2nd Earl of Inchiquin.

Lady Mary Boyle nursing her son Charles, by Godfrey Kneller (1646-1723) Adams auction 18 Oct 2022. She was daughter of Murrough O’Brien (1614-1674) 1st Earl of Inchiquin. She married married Henry Boyle (1648-1693) son of the 1st Earl of Orrery.
William O’Brien (1638-1952) 2nd Earl of Inchiquin, 7th Baron Inchiquin https//:commons.wikimedia.org

William O’Brien (1638-1952) 2nd Earl of Inchiquin, 7th Baron Inchiquin married Margaret Boyle, daughter of Roger Boyle 1st Earl of Orrery. Their son was William O’Brien (d. 1719) 3rd Earl of Inchiquin.

William O’Brien (d. 1719) 3rd Earl of Inchiquin courtesy of https//:commons.wikimedia.org

William O’Brien (d. 1719) 3rd Earl of Inchiquin married Mary Villiers and their daughter Mary married Robert FitzGerald, 19th Earl of Kildare.

James O’Brien (d. 1771) was a son of William O’Brien (d. 1719) 3rd Earl of Inchiquin and Mary Villiers. He married Mary Jephson. They had a son Murrough O’Brien (1726-1808) 1st Marquess of Thomond.

Murrough O’Brien, 1st Marquess of Thomond, (1726-1808) Engraver Samuel William Reynolds, English, 1773-1835 After John Hoppner, English, 1758-1810, courtesy of National Gallery of Ireland.
Murrough O’Brien, 1st Marquess of Thomond KP, PC (1726–1808), 5th Earl of Inchiquin (1777–1800) by Henry Bone courtesy of Bonhams.
Mary Palmer, Countess of Inchiquin, Marchioness of Thomond (1750-1820), wife of Murrough O’Brien, 1st Marquess (after Sir Joshua Reynolds) by Thomas Phillips courtesy of National Trust Petworth.

James O’Brien (d. 1771) and Mary Jephson had a daughter Anne (1720-1745) who married Most Rev. Michael Cox (1691-1779). James O’Brien (d. 1771) and Mary Jephson had another daughter, Henrietta (d. 1797), who married William Vigors Burdett, 2nd Bt of Dunmore, County Carlow. Murrough O’Brien 1st Marquess had no sons so the title passed to the sons of his brother, Edward O’Brien (d. 1801).

Miss Henrietta O’Brien by Stephen Slaughter 1746. She married first Terence O’Loughlen and second William Vigors Burdett 2nd Baronet, and was sister of Anne who married Archbishop Cox of Cashel.
William Smith O’Brien (1803-1864) by George Francis Mulvaney, courtesy of National Gallery of Ireland P1934.
Louisa O’’Callaghan (1780-1863) as Hebe, daughter of Cornelius O’’Callaghan (1741/41-1797) 1st Baron Lismore by Hugh Douglas Hamilton courtesy of Country House Collections at Townley Hall 16th October 2018 Adams. She married William George Spencer Cavendish, son of 1st Earl of Burlington.
Daniel O’Connell. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Daniel O’Connell (1775-1847) by Stephen Catterson Smith courtesy Christies auction house.
Phelim O’Connor, d. 1315, King of Connaught, courtesy of National Gallery of Ireland.
Denis O’Conor of Ballinagare (Donnchadh Liath) (b. 1674), picture from Charles O’Conor of Ballinagare, ed. Luke Gibbons and Kieran O’Conor.
Charles O’Conor of Ballinagare (1710–1791), courtesy of Royal Irish Academy. He was a son of Denis O’Conor of Ballinagare (Donnchadh Liath) (b. 1674)
Charles O’Conor of Ballinagare (1710–1791), in middle age, from Charles O’Conor of Ballinagare, ed. Luke Gibbons and Kieran O’Conor. He was a son of Denis O’Conor of Ballinagare (Donnchadh Liath) (b. 1674)
Charles O’Conor of Mount Allen (1736–1808) as a young man from Charles O’Conor of Ballinagare, ed. Luke Gibbons and Kieran O’Conor. He was a son of Charles O’Conor of Ballinagare (1710–1791).
Denis O’Conor of Ballinagare (1732–1804), in middle age, from Charles O’Conor of Ballinagare, ed. Luke Gibbons and Kieran O’Conor. He was the eldest son of Charles O’Conor of Ballinagare (1710–1791)
Owen O’Conor (1763-1831) of Ballinagare, son of Denis O’Conor of Ballinagare (1732–1804). He purchased Clonalis estate in 1805 and inherited the O’Conor Don title in 1820. Owen moved his family and household to Clonalis in that year and left Ballinagare Castle. Photograph courtesy of Charles O’Conor of Ballinagare, ed. Luke Gibbons and Kieran O’Conor.
Portraits of Charles William Cooper (1817-1898), who took the name O’Hara when he inherited his uncle’s estate, and his wife Anne Streatfield (1836-1882). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Grace O’Malley (1530-1603) 18th century Irish school, courtesy of Fonsie Mealy auction.
Hugh O’Neill (c. 1540-1616) 2nd Earl of Tyrone, courtesy of National Museums Northern Ireland, Ulster Museum.
Owen Roe O’Neill By Unknown, Van Brugens – Ulster Journal of Archaeology Volume 4, Public Domain, https///commons.wikimedia.org/w/index.php?curid=17552770.jpg
Phelim O’Neill (1604-1653), Leader of 1641 Rebellion, courtesy of National Gallery of Ireland.
John O’Neill, 1st Viscount O’Neill, M.P., (1740-1798) Engraver: Samuel William Reynolds, English, 1773-1835 Copyist: James Dowling Herbert, Irish, c.1762-1837 After Matthew William Peters, English, 1742-1814, courtesy of National Gallery of Ireland.
Mrs John O’Neill (née Henrietta Boyle) (1756-1793), Poet and Patron of Mrs Siddons, Engraver John Raphael Smith, English, 1752-1812 After Matthew William Peters, English, 1742-1814, courtesy of National Gallery of Ireland. She was the wife of John O’Neill (1740-1798), 1st Viscount, of Shane’s Castle, County Antrim, and the daughter of Charles Boyle, Viscount Dungarvan, who was the son of John Boyle 5th Earl of Orrery and 5th Earl of Cork.
Neil O’Neil (1658-1690) 2nd Baronet of Killyleagh, County Antrim by John Michael Wright, courtesy of Tate Britain. It is the only surviving contemporary presentation of the traditional costume of an Irish chieftain. At his feet is the armour of a Japanese samurai as a symbol of victory over the oppression of Catholics; next to him is an Irish wolfhound as a symbol of Ireland.
Lady Neill O’Neill, Frances née Molyneux (1655-1732) daughter of 3rd Viscount who married Neil O’Neill of Killelagh in 1677, by Garrett Morphy. The painting was probably painted soon after her husband died from wounds obtained in the Battle of the Boyne in 1690, due to the funerary urn carved with a memento moi of skull and crossbones.
Rose O’Neill, later Mrs Nicholas Wogan (c.1695) by Garrett Morphy. She was daughter of Neil O’Neil (1658-1690) 2nd Baronet of Killyleagh, County Antrim, and married Col Nicholas Wogan of Rathcoffey, Co Meath. Her daughter married John Talbot of Malahide.
Anne O’Neill, later Mrs Segrave by Garret Morphy c. 1695, courtesy National Gallery of Ireland ngi.4148. She was daughter of Neil O’Neill of Killelagh, Co Antrim.
Maria Susanna Ormbsy by Hugh Douglas Hamilton, she was daughter of William Ormsby (1718-1781) and Hannah Wynne of Hazelwood, County Sligo courtesy of Adams auction 27 March 2018. This excellent portrait, painted after Hamiltons return to Dublin from Rome is not listed by Fintan Cullen. [Oil Paintings of Hugh Douglas Hamilton, Walpole Society Vol. 50 1984] and is a welcome addition to the inventory of Hamiltons extant portraits (1796).
It re-emerged from the recent disposal of the Harlech Collection in Wales. The Ormsby-Gores, in spite of a Welsh title and seat, represent two families from the West of Ireland who flourished in the 18th century.
The subject of the present lot, Maria Susannah Ormsby was the daughter of William Ormsby M.P for Sligo and Hannah Wynne of Haselwood, County Sligo, the lovely Palladian villa designed by Richard Castle. Her brother, Owen Ormsby married (1777) Margaret Owen who came into a great Welsh estate that had been swollen by the Godolphin inheritance. Their only child and heiress Mary Jane Ormsby married (1815)William Gore, M.P. for Leitrim from a family long influential in Counties Mayo, Sligo and Leitrim. Thereafter the family became Ormsby-Gore and were subsumed into English high society with a title from the Barony of Harlech.
Our subject, Maria Susannah Ormsby, died unmarried so this portrait of a charming and artistic woman remained with the Ormsby-Gores. As an observation of mature character it confirms Hugh Douglas Hamiltons place in the top rank of European portraiture.

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Thought to be Elizabeth Louisa née Beresford (1783-1856) who married Sir Denis Pack (1774-1823), then Thomas Reynell, 6th Baronet, courtesy of Whyte’s Nov 2011. She was the daughter of George de la Poer Beresford, 1st Marquess of Waterford.
Captain Denis William Pack-Beresford (1818-1881) of Fennagh House in the parish of Lorum, County Carlow by Stephen Pearse (1819-1904) courtesy of Whyte’s Nov 2011. He was the son of Denis Pack and Elizabeth Louisa née Beresford. He married Annette Caroline Browne of Browne’s Hill, County Carlow.
Henry Paget, 1st Marquess of Anglesey (1768-1854). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Frances Jane Paget (1817-1903) Marchioness of Ormonde with her son James Earl of Ossory, by Richard Bruckner. She married John Butler 2nd Marquess of Ormonde. Funnily enough, all of her sons were named James! The Earl of Ossory was her eldest son James Edward William Theobald Butler (1844-1919), who became 15th Earl of Ossory in 1854 when he was ten years old. The painting thus anachronistically refers to him as the Earl of Ossory, as he was not yet ten years old when it was painted. A younger son, James Arthur Wellington Foley Butler (1849-1943) also became Earl of Ossory, in 1919, the same year he became 4th Marquess of Ormonde, when his older brother James the 3rd Marquess died. Frances Jane’s father was General Hon. Sir Edward Paget, and she was the daughter of his second wife, Harriet Legge. His first wife was Frances, daughter of William Bagot 1st Baron Bagot of Bagot’s Bromley, Staffordshire, England.
William Lygon Pakenham, 4th Earl of Longford.
Thomas Pakenham (1713-1766), 1st Baron Longford, Date c.1756 Credit Line: Presented, Mrs R. Montagu, 1956.
Thomas Pakenham, 1st Baron of Longford (1713-1766), who married Elizabeth Cuffe. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Elizabeth Cuffe (1719-1794) who married Thomas Pakenham, 1st Baron Longford. She became Countess of Longford in her own right, through her father Michael Cuffe (1694-1744), who was heir to Ambrose Aungier, 2nd and last Earl of Longford (1st creation).  Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Edward Michael Pakenham, 2nd Baron Longford (1743-1792). His daughter married the Duke of Wellington, Arthur Wellesley. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Thomas Pakenham the 2nd Earl of Longford (1774-1835). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Georgiana Pakenham née Lygon (1774-1880). She married Thomas Pakenham 2nd Earl of Longford. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Louisa Anne Pakenham née Staples (1770-1833) and her sister Henrietta Margaret Trench née Staples (1770-1847) Countess of Clancarty (c.1770-1847) by Hugh Douglas Hamilton. Louisa was married to Thomas Pakenham (1757-1836) and Henrietta was married to Richard Power Keating Le Poer Trench (1767-1837) 2nd Earl of Clancarty. Their father was John Staples (1736-1820) of County Tyrone, and their mother was Harriet Conolly (1739-1771) of Castletown House, County Kildare. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Major General Edward Pakenham (1778-1815), another uncle of Henry Sandford Pakenham Mahon, also hangs in the front hall of Strokestown House. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A portrait of Lt. Gen. Hercules Pakenham (1781-1850), an uncle of Henry Sandford Pakenham Mahon, hangs in the front hall of Strokestown House.
Elizabeth Sandford, mother of Henry Sandford Pakenham, wife of Reverend Henry Pakenham, Dean of St. Patrick’s Cathedral in Dublin. Henry Sandford Pakenham married the heiress Grace Catherine Mahon and changed his surname to Pakenham Mahon. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Olive Hales Pakenham Mahon dressed for a visit to Buckingham Palace in the 1930s. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Olive Hales Pakenham Mahon (1894-1981). She was from Strokestown House, and married first Edward Charles Stafford King-Harman, and then Wilfred Stuart Atherstone Hales who added the surname Pakenham Mahon to his name.
Mary, Countess of Inchiquin (née Palmer), (1750-1820), 2nd wife of Murrough O’Brien (1726-1808) 4th Earl of Inchiquin, later 1st Marquess of Thomond; After Thomas Lawrence, English, 1769-1830, photograph courtesy of National Gallery of Ireland.
Charles Stewart Parnell (1846-1891).
John Parnell, brother of Charles Stewart Parnell.
John Parnell (1744-1801) 2nd Baronet of Rathleague by Batoni, 1770, courtesy of National Gallery of Ireland. He was the great-grandfather of Charles Stewart Parnell. His son William (1870-1821) added the name Hayes to his surname after inheriting Avondale, County Wicklow, from Samuel Hayes.
Sir William Parsons (?1570-1650), 1st Baronet Parsons, Surveyor-General and Lord Justice of Ireland Date: 1777 Engraver Samuel De Wilde, English, 1748-1832 After Unknown Artist, England, 17th century, British. He emigrated to Ireland around 1590. He was the brother of Laurence Parsons (d. 1628), grandfather of Laurence Parsons (d. 1698), 1st Baronet Parsons, of Birr Castle. William Parsons married Elizabeth Lany, daughter of John, an alderman of Dublin. National Portrait Gallery of London D3829.
Frances née Parsons Harman (1775-1841) who married Robert Edward King (1773-1854), 1st Viscount Lorton. She was the daughter of Lawrence Harman Parsons (1749-1807) 1st Earl of Rosse who assumed the surname Parsons-Harman.
William Parsons, 3rd Earl of Rosse (1800-1867) by Stephen Catterson Smith 1860.
William Parsons (1800-1867) 3rd Earl of Rosse, photograph courtesy of National Gallery of Ireland.
Henrietta Paulet née Crofts, Duchess of Bolton (1682-1730) daughter of James Crofts (Scott), 1st and last Duke of Monmouth, illegitimate son of King Charles II. She married Charles Paulet, 2nd Duke of Bolton. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Thomas Ryder Pepper (1760-1828) with The Old Castle, Loughton in the background from Loughton house auction, 2016, Shepphards. He married Anne Bloomfield, the sister of Benjamin Bloomfield 1st Baron Bloomfield, of Loughton, County Offaly.
John Perceval, 1st Baronet (1629–1665) engraving by J Faber (1743).
Catherine (1637 – 1679) the only daughter of Sir Robert Southwell of Kinsale, wife of Sir John Perceval, 1st Baronet. Engraved by J. Faber (1743).
Sir Philip Perceval, 2nd Bt (1656-1680) by Thomas Pooley c. 1670-74, courtesy of National Gallery of Ireland NGI 4626.
John Perceval, 3rd Bt (1660-1686) by Thomas Pooley, c. 1670-74, courtesy of National Gallery of Ireland NGI 4627.
John Perceval 3rd Bt, by John Faber Jr, National Portrait Gallery of London D29835.
John Perceval (1683-1748) 1st Earl of Egmont, County Cork, by and published by John Smith, after Sir Godfrey Kneller 1704, National Portrait Gallery of England D11553.
John Perceval, 1st Earl of Egmont (1683-1748) by Hans Hysing.
John Perceval, 2nd Earl of Egmont, (1711-1700) Date 1764 by Engraver James McArdell, Irish, c.1729-1765 After Thomas Hudson, English, 1701-1779.
John Perceval (1711-1770) 2nd Earl of Egmont by Thomas Hudson.
John Percival, later 2nd Earl of Egmont (1711-1770) by Francis Hayman c. 1740, courtesy of National Gallery of Ireland NGI 4489
John Perceval, 2nd Earl of Egmont with Catherine Perceval (née Cecil), Countess of Egmont by Richard Josey, after Sir Joshua Reynolds mezzotint, 1876 (1756) National Portrait Gallery of London D1855.
Catherine Perceval (née Compton), Countess of Egmont; Charles George Perceval, 2nd Baron Arden by James Macardell, after Thomas Hudson mezzotint, published 1765, National Portrait Gallery of London D1829.
Spencer Perceval (d. 1812) by George Francis Joseph (died 1846), given to the National Portrait Gallery, London in 1857. He was the son of the 2nd Earl of Egmont, and served for a short time as Prime Minister of England.
Sir John Perrot 1527-1592, said to be a son of King Henry VIII; soldier and Lord Deputy of Ireland, date 1776, engraver Valentine Green, English 1739-1813 copyist George Powle. His daughter Lettice (d. 1620) married Arthur Chichester 1st and last Baron Chichester of Belfast (b. 1563).
Edmond Sexton Pery, later 1st Viscount Pery (1719-1806) Date: c.1790 by Gilbert Stuart, American, 1755-1828.
William Petty (1623-1687) by Isaac Fuller circa 1651, National Portrait Gallery of London 2924.
William Petty (1623-1687) by Godfrey Kneller courtesy of Romsey Town Hall.
William Petty, (1623-1687), Physician in the Army in Ireland, Surveyor General and Political Economist Date: 1696, Engraver John Smith, English, 1652-1743 After John Baptist Closterman, German, c.1690-1713.
A sketch of Henry Petty (1675-1751) Earl of Shelburne by George Townshend, 4th Viscount and 1st Marquess Townshend National Portrait Gallery of London ref. 4855(15). He was the son of William Petty (1623-1687) and he married Arabella, daughter of Charles Boyle 2nd Baron Clifford of Lanesborough.

Thomas Fitzmaurice (1668-1741) 1st Earl of Kerry (21st Baron of Kerry), Viscount Clanmorris was the father of John Fitzmaurice Petty (1706-1761) 1st Earl of Shelburne, who added Petty to his name after his mother, Anne Petty (d. 1737). Another son of the 1st Earl of Kerry was his heir William FitzMaurice (1694-1747) who succeeded as 2nd Earl of Kerry.

William Petty (1737-1805) 1st Marquess of Lansdowne Lord Shelburne, Prime Minister, after Sir Joshua Reynolds based on a work of 1766, National Portrait Gallery of London 43. He was the son of John Fitzmaurice Petty (1706-1761) 1st Earl of Shelburne, who was the son of Thomas Fitzmaurice 1st Earl of Kerry (21st Baron of Kerry), Viscount Clanmorris
Louisa Lansdowne née Fitzpatrick, wife of William Petty 1st Marquess of Lansdowne by Joshua Reynolds from Catalogue of the pictures and drawings in the National loan exhibition, in aid of National gallery funds, Grafton Galleries, London. She was a daughter of John FitzPatrick 1st Earl of Upper Ossory.
John Henry Petty (1765-1809) 2nd Marquess of Lansdowne National Portrait Gallery of London ref. D37171.
Henry Petty-Fitzmaurice (1780-1863) 3rd Marquess of Lansdowne, Trustee of the National Portrait Gallery, by Henry Walton circa 1805 courtesy of National Portrait Gallery, NPG 178.
Henry Thomas Petty-Fitzmaurice (1816-1866) 4th Marquess of Lansdowne, Politician and railway company chairman, photograph by by John & Charles Watkins circa early 1860s, courtesy of National Portrait Gallery NPG Ax16422.
Henry Charles Keith Petty-Fitzmaurice 5th Marquess of Lansdowne by Philip Alexius de László.
Beatrix Frances Duchess of St Albans, Maud Evelyn Petty-Fitzmaurice, Marchioness of Lansdowne (wife of 5th Marquess), Theresa Susey Helen Vane-Tempest-Stewart, Marchioness of Londonderry and Evelyn Emily Mary Cavendish, Duchess of Devonshire, by Frederick & Richard Speaight.
Mrs Letitia Pilkington (née Van Lewen), (1712-1750), “Adventuress” and Author Date: c.1760 Engraver: Richard Purcell, Irish, c.1736-c.1766 After Nathaniel Hone the Elder, Irish, 1718-1784.
Oliver Plunket, by Edward Luttrell courtesy of National Portrait Gallery London.
Called Frances Hales, Countess of Fingall, possibly Margaret MacCarty later Countess of Fingall, wife of Luke Plunkett (1639-1685) 3rd Earl of Fingall, by Simon Pietersz Verelst courtesy of National Trust Hatchlands. Margaret was daughter of Donough MacCarty (or MacCarthy) 1st Earl of Clancarty; 2nd Viscount Muskerry. Frances Hales married Peter Plunkett (1678-1717) 4th Earl of Fingall.
Arthur James Plunkett (1759-1836) 8th Earl of Fingall by Charles Turner after Joseph Del Vechio NPG D36923.
Horace Plunkett by photographer Bassano Ltd, 1923, courtesy of National Portrait Gallery of London, reference NPGx12783.
William Conyngham Plunket, 1st Baron Plunket, (1764-1854), Orator and former Lord Chancellor of Ireland Engraver David Lucas, British, 1802-1881 After Richard Rothwell, Irish, 1800-1868.
Marble bust of William Plunket, 1st Baron Plunket (1764-1854), Lord Chancellor of Ireland, by CHRISTOPHER MOORE RHA (1790 – 1863), courtesy of Adams auction 19 Oct 2021.
William Pole of Ballyfin (d. 1781), English school of 18th century, pastel, courtesy of Christies auction, wikimedia commons. He married Sarah Moore, daughter of the 5th Earl of Drogheda.

Brabazon Ponsonby (1679-1758) 1st Earl of Bessborough, 2nd Viscount Duncannon, of the fort of Duncannon, Co. Wexford married Sarah Margetson. Their daughter Sarah (d. 1736/37) married Edward Moore, 5th Earl of Drogheda. Their daughter Anne married Benjamin Burton of Burton Hall, County Carlow. Their daughter Letitia (d. 1754) married Hervey Morres, 1st Viscount Mountmorres. Their son William Ponsonby (1704-1793) succeeded as 2nd Earl of Bessborough and a younger son, John (1713-1787) married Elizabeth, daughter of William Cavendish 3rd Duke of Devonshire.

John Ponsonby (1713 – 1787) by Hugh Douglas Hamilton, courtesy of The Library Collection auction 26 April 2023 at Adams. He was Speaker of the Irish House of Commons. He was the son of Brabazon Ponsonby (1679-1758) 1st Earl of Bessborough, 2nd Viscount Duncannon, of the fort of Duncannon, Co. Wexford. He married Elizabeth, daughter of William Cavendish 3rd Duke of Devonshire.
The Hon. Richard Ponsonby (1772-1853), Bishop of Derry and Raphoe, British (English) School, circa 1830. A half-length portrait of a man, known as “handsome Dick Ponsonby”, turned go the right, gazing at the spectator, wearing surplice and white bands. He was a son of William Brabazon Ponsonby, 1st Baron Ponsonby of Imokilly (1744-1806) who was a son of John Ponsonby (1713 – 1787). Courtesy of National Trust images
William Ponsonby, 2nd Earl of Bessborough, (1705-1793), observing a copy of the Borghese Vase Date 1794 by Engraver Robert Dunkarton, English, 1744-1811 After John Singleton Copley, American, 1738-1815.
Oil painting on canvas, William Ponsonby, 2nd Earl of Bessborough (1704-1793), attributed to Jeremiah Davison (Scotland c.1695 ? London after 1750) or George Knapton (London 1698 ? Kensington 1778), circa 1743/50. Oval, half-length portrait, turned slightly to the left, gazing at spectator, wearing oriental costume, composed of a red tunic, blue cloak edged with white fur and a red and white turban. Courtesy of National Trust Hardwick House. He married Caroline Cavendish, daughter of 3rd Duke of Devonshire.
Frederick Ponsonby, Viscount Duncannon, (1758-1844), later 3rd Earl of Bessborough Date 1786, Engraver Joseph Grozer, British, fl.1784-1797 After Joshua Reynolds, English, 1723-1792.
Lady Caroline Lamb née Ponsonby (1785-1828) by Eliza H. Trotter, NPG 3312. She was the daughter of the 3rd Earl of Bessborough.
John William Brabazon Ponsonby (1781-1847) 4th Earl of Bessborough, County Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Marguerite née Power, Countess of Blessington. Marguerite (1789-1849) was daughter of Edmund Power, and she married first Maurice St. Leger Farmer, and secondly, Charles John Gardiner, 1st and last Earl of Blessington, son of Luke Gardiner, 1st Viscount Mountjoy. She wrote the book Confessions of an Elderly Gentleman, published 1836, and The Idler in Italy, published between 1839 and 1840, in three volumes. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mervyn Pratt (1807-1890), husband of Madeline Jackson, of Enniscoe, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mary Preston youngest daughter of the Hon. Henry Hamilton, by Hugh Douglas Hamilton Adam’s auction 20 Sept 2015. Mary Hamilton married in 1764 (as his second wife) the second Nathaniel Preston (1724-1796), Reverend, of Swainstown, Co. Meath. Her father was a younger son of Gustavus Hamilton 1st Viscount Boyne of Stackallan, Co. Meath and her parents were intimate with Mrs Delaney who of them said – “I never saw a couple better suited than Mr Hamilton and his wife, their house like themselves looks cheerful and neat…., they have four children, whose behaviour shows the sense of their parents”. Mary’s brother, Sackville Hamilton became a competent and respected Civil Servant.
Lucretia (1804-1891) Viscountess Gormanston, daughter of William Jerningham, wife of Edward Anthony John Preston 13th Viscount Gormanston courtesy of Adam’s auction 12 Oct 2014.
Thomas Prior (1682-1751), Founding Member and Secretary to the Dublin Society, Engraver Charles Spooner, Irish, c.1720-1767 After John van Nost the Younger, Flemish, c.1710 – 1780.
Henry Prittie, 1st Baron Dunalley (1743-1801), Irish school, courtesy of Christie’s.
Henry Prittie, 3rd Baron Dunalley (1807-1885) by Stephen Catterson Smith courtesy of Christie’s 2013.
Augustus Welby Northmore Pugin (1812-1852) by James Henry Lynch, after John Rogers Herbert NPG D20474.

Places to visit and stay in County Waterford, Munster

On the map above:

blue: places to visit that are not section 482

purple: section 482 properties

red: accommodation

yellow: less expensive accommodation for two

orange: “whole house rental” i.e. those properties that are only for large group accommodations or weddings, e.g. 10 or more people.

green: gardens to visit

grey: ruins

Munster’s counties are Clare, Cork, Kerry, Limerick, Tipperary and Waterford.

For places to stay, I have made a rough estimate of prices at time of publication:

€ = up to approximately €150 per night for two people sharing (in yellow on map);

€€ – up to approx €250 per night for two;

€€€ – over €250 per night for two.

For a full listing of accommodation in big houses in Ireland, see my accommodation page: https://irishhistorichouses.com/accommodation/

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

Waterford:

1. Ballysaggartmore Towers, County Waterford

2. Bishop’s Palace Museum, Waterford

3. Cappagh House (Old and New), Cappagh, Dungarvan, Co Waterford – section 482

4. Cappoquin House & Gardens, Cappoquin, Co. Waterford – section 482

5. Curraghmore House, Portlaw, Co. Waterford – section 482

6. Dromana House, Cappoquin, Co. Waterford – section 482

7. Dungarvan Castle, Waterford – OPW

8. Fairbrook House, Garden and Museum, County Waterford

9. Lismore Castle Gardens

10. Mount Congreve Gardens, County Waterford

11. The Presentation Convent, Waterford Healthpark, Slievekeel Road, Waterford section 482

12. Reginald’s Tower, County Waterford – OPW

13. Tourin House & Gardens, Tourin, Cappoquin, Co. Waterford – section 482

Places to stay, County Waterford

1. Annestown House, County Waterford – B&B 

2. Ballyrafter House, Lismore, Co Waterford

3. Cappoquin House holiday cottages, County Waterford

4. Dromana, Co Waterford – 482, holiday cottages

5. Faithlegg House, Waterford, Co Waterford – hotel €€

6. Fort William, County Waterford, holiday cottages

7. Gaultier Lodge, Woodstown, Co Waterford €€

8. Richmond House, Cappoquin, Co Waterford – guest house 

9. Salterbridge Gate Lodge, County Waterford €

10. Waterford Castle, The Island, Co Waterford €€

Whole House Rental County Waterford

1. Glenbeg House, Jacobean manor home, Glencairn, County Waterford P51 H5W0 €€€ for two, € for 7-16 – whole house rental

2. Lismore Castle, whole house rental

Waterford:

1. Ballysaggartmore Towers, County Waterford

Ballysaggartmore Towers, Lismore, photograph by Chris Hill, 2015, for Tourism Ireland, Ireland’s Content Pool. [1]
The Towers, Ballysaggartmore, Lismore, Co Waterford Courtesy of Luke Myers 2015, for Tourism Ireland, Ireland’s Content Pool. [1]

Mark Bence-Jones tells us (1988): p. 27. “(Keily, sub Ussher/IFR, Anson, sub Lichfield, E/PB) A late-Georgian house built round a courtyard, on the side of a steep hill overlooking the River Blackwater, to which a new front was subsequently added… A seat of the Keily family. Arthur Keily [1777-1862], who assumed the name of Ussher 1843, built two remarkable Gothic follies in the demesne, to the design of his gardener, J. Smith; one of them a turreted gateway, the other a castellated bridge over a stream. The house was bought at the beginning of the present century by Hon Claud Anson, who sold it 1930s. It was subsequently demolished. The follies remain, one of them being now occupied as a house.” [2]

The National Inventory describes this bridge and its towers:

Three-arch rock-faced sandstone ashlar Gothic-style road bridge over ravine, c.1845, on a curved plan. Rock-faced sandstone ashlar walls with buttresses to piers, trefoil-headed recessed niches to flanking abutments, cut-stone stringcourse on corbels, and battlemented parapets having cut-stone coping. Three pointed arches with rock-faced sandstone ashlar voussoirs, and squared sandstone soffits. Sited in grounds shared with Ballysaggartmore House spanning ravine with grass banks to ravine…Detached five-bay single- and two-storey lodge, c.1845, to south-west comprising single-bay single-storey central block with pointed segmental-headed carriageway, single-bay single-stage turret over on a circular plan, single-bay single-storey recessed lower flanking bays, single-bay single-storey advanced end bay to right, single-bay single-storey advanced higher end bay to left, and pair of single-bay two-storey engaged towers to rear (north-east) on square plans….Rock-faced sandstone ashlar walls with cut-sandstone dressings including stepped buttresses, battlemented parapets on corbelled stringcourses having cut-stone coping, and corner pinnacles to central block on circular plans having battlemented coping. Pointed-arch window openings with paired pointed-arch lights over, no sills, and chamfered reveals. Some square-headed window openings with no sills, chamfered reveals, and hood mouldings over. Square-headed door openings with hood mouldings over….Detached five-bay single- and two-storey lodge, c.1845, to north-east comprising single-bay two-storey central block with pointed segmental-headed carriageway, single-bay single-storey flanking recessed bays, single-bay two-storey advanced end bay tower to right on a square plan, single-bay two-stage advanced higher end tower to left on a circular plan, and pair of single-bay two-stage engaged towers to rear (south-west) elevation on circular plans…Although initial indications suggest that the lodges are identical, individualistic features distinguish each piece, and contribute significantly to the architectural design quality of the composition. Well maintained, the composition retains its original form and massing, although many of the fittings have been lost as a result of dismantling works in the mid twentieth century. The construction in rock-faced sandstone produces an attractive textured visual effect, and attests to high quality stone masonry.”

Ballysaggartmore Towers, Lismore, photograph by Chris Hill, 2015, for Tourism Ireland, Ireland’s Content Pool. [1]
Ballysaggartmore Towers, Lismore, photograph Courtesy Celtic Routes, 2020, for Tourism Ireland, Ireland’s Content Pool. [1]
Ballysaggartmore Towers, Lismore, photograph Courtesy Celtic Routes, 2020, for Tourism Ireland, Ireland’s Content Pool. [1]
Ballysaggartmore Towers, Lismore, photograph Courtesy Celtic Routes, 2020, for Tourism Ireland, Ireland’s Content Pool. [1]
Ballysaggartmore Towers, Lismore, photograph by Chris Hill, 2015, for Tourism Ireland, Ireland’s Content Pool. [1]

The National Inventory describes the gateway: “Gateway, c.1845, comprising ogee-headed opening, limestone ashlar polygonal flanking piers, and pair of attached two-bay single- and two-storey flanking gate lodges diagonally-disposed to east and to west comprising single-bay single-storey linking bays with single-bay two-storey outer bays having single-bay three-stage engaged corner turrets on circular plans…Limestone ashlar polygonal piers to gateway with moulded stringcourses having battlemented coping over, and sproketed finial to apex to opening with finial. Sandstone ashlar walls to gate lodges with cut-limestone dressings including stepped buttresses, stringcourses to first floor, moulded course to first stage to turrets, and battlemented parapets on consoled stringcourses (on profiled tables to turrets) having cut-limestone coping. Ogee-headed opening to gateway with decorative cast-iron double gates. Paired square-headed window openings to gate lodges with no sills, chamfered reveals, and hood mouldings over. Square-headed door openings with chamfered reveals, and hood mouldings over. Pointed-arch door openings to turrets with inscribed surrounds. Trefoil-headed flanking window openings with raised surrounds, and quatrefoil openings over. Cross apertures to top stages to turrets with raised surrounds. All fittings now gone. Interiors now dismantled with internal walls and floors removed.

An impressive structure in a fantastical Gothic style, successfully combining a gateway and flanking gate lodges in a wholly-integrated composition. Now disused, with most of the external and internal fittings removed, the gateway nevertheless retains most of its original form and massing. The construction of the gateway attests to high quality stone masonry and craftsmanship, particularly to the fine detailing, which enhances the architectural and design quality of the site. The gateway forms an integral component of the Ballysaggartmore House estate and, set in slightly overgrown grounds, forms an appealing feature of Romantic quality in the landscape.

The Gate Lodge, Ballysaggartmore, Lismore, Co Waterford Courtesy of Luke Myers 2015, for Tourism Ireland, Ireland’s Content Pool. [1]
Ballysaggartmore Towers, Lismore, photograph by Chris Hill, 2015, for Tourism Ireland, Ireland’s Content Pool. [1]

2. Bishop’s Palace Museum, Waterford

Bishop’s Palace, Waterford, photograph from the National Library of Ireland, flickr constant commons.

Mark Bence-Jones writes (1988):

p. 282. “The Palace of the (C of I) Bishops of Waterford; one of the largest and – externally – finest episcopal residences in Ireland. Begun 1741 by Bishop Charles Este to the design of Richard Castle. The garden front, which faces over the mall and new forms a magnificent architectural group with the tower and spire of later C18 Cathedral, by John Roberts, is of three storeys; the ground floor being treated as a basement and rusticated. The centre of the ground floor breaks forward with three arches, forming the base of the pedimented Doric centrepiece of the storey above, which incorporates three windows. In the centre of the top storey is a circular niche, flanked by two windows. On either side of the centre are three bays. Bishop Este died 1745 before the Palace was finished, which probably explains why the interior is rather disappointing. The Palace ceased to be the episcopal residence early in the present century, and from then until ca 1965 it was occupied by Bishop Foy school. It has since been sold.” 

Bishop’s Palace, Waterford by Keith Fitzgerald, 2014, for Tourism Ireland, Ireland’s Content Pool. [1]

Archiseek adds: “It has now been extensively restored to showcase artefacts and art from Waterford’s Georgian and Victorian past. The two main facades are quite different: one having seven bays – the central bay having an more elaborate window treatment and a Gibbsian doorway; the other facade has eight bay with a more elaborate entrance and shallow pediment with blank niches.” [3]

The National Inventory explains about the designs of Richard Castle and John Roberts:

An imposing Classical-style building commissioned by Bishop Miles (d. 1740) and subsequently by Bishop Charles Este (n. d.), and believed to have been initiated to plans prepared by Richard Castle (c.1690 – 1751), and completed to the designs prepared by John Roberts (1712 – 1796). The building is of great importance for its original intended use as a bishop’s palace, and for its subsequent use as a school. The construction of the building in limestone ashlar reveals high quality stone masonry, and this is particularly evident in the carved detailing, which has retained its intricacy. Well-maintained, the building presents an early aspect while replacement fittings have been installed in keeping with the original integrity of the design. The interior also incorporates important early or original schemes, including decorative plasterwork of artistic merit. Set on an elevated site, the building forms an attractive and commanding feature fronting on to The Mall (to south-east) and on to Cathedral Square (to north-west).”

Bishop’s Palace, Waterford City Courtesy Leo Byrne Photography 2015, for Tourism Ireland, Ireland’s Content Pool. [1]
Bishop’s Palace, Waterford by Keith Fitzgerald, 2014, for Tourism Ireland, Ireland’s Content Pool. [1]

3. Cappagh House (Old and New), Cappagh, Dungarvan, Co Waterford X35 RH51 – section 482

www.cappaghhouse.ie
Open dates in 2025: April 1-4, 7-11, 14-18, 21-25, 28-30, May 1-31, June 1-7, Aug 16-24, 9.30am-1.30pm

Fee: adult €10, OAP/student €5, child free

Cappagh House, County Waterford August 14, 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We visited during Heritage week 2023 – see my writeup https://irishhistorichouses.com/2023/12/09/cappagh-house-old-and-new-dungarvan-co-waterford/

and [4]

4. Cappoquin House & Gardens, Cappoquin, Co. Waterford P51 D324 – section 482

see my entry:

https://irishhistorichouses.com/2021/01/24/cappoquin-house-gardens-cappoquin-co-waterford/

www.cappoquinhouseandgardens.com
Open dates in 2025: Apr 7-12, 15-19, 22-26, 28-30, May 1-3, 5-10, 2-17, 19-24, 26-31, June 2-7, Aug 16-24, 9am-1pm

Gardens open all year

Fee: adult house €10, house and garden €15, garden only €6, child free

Cappoquin House, County Waterford, built for and still owned by the Keane family. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

5. Curraghmore House, Portlaw, Co. Waterford – section 482

See my entry: https://irishhistorichouses.com/2020/08/01/curraghmore-portlaw-county-waterford/

www.curraghmorehouse.ie
Open dates in 2025: May 2-5, 9-11, 16-18, 23-25, 30-31, June 1-2, 6-8, 13-15, 20-22, 27-29, July 4-6, 11-13, 18-20, 25-27, Aug 1-4, 8-10, 15-24, 29-31, Sept 5-7, 12-14, 19-21, 26-28,

10am-4pm

Fee: adult/OAP/student, full tour €22, garden tour €8, child under 12 years free

Curraghmore, the garden facing side of the house, designed by James Wyatt (1746-1813), 14th August 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

6. Dromana House, Cappoquin, Co. Waterford – section 482

See my entry: https://irishhistorichouses.com/2021/02/06/dromana-house-cappoquin-co-waterford/

www.dromanahouse.com
Open dates in 2025: June 1-July 31, Tues-Sun, Aug 16-24, 2pm-6pm

Fee: adult/OAP/student, house €10, garden €6, both €15, child under 12 years free,

R.H.S.I members 50% reduction

7. Dungarvan Castle, Waterford – OPW

See my OPW write-up: https://irishhistorichouses.com/2022/11/07/office-of-public-works-properties-in-munster-counties-kerry-and-waterford/

King John’s Norman Castle, Dungarvan.

8. Fairbrook House, Garden and Museum, County Waterford

https://www.fairbrook-housegarden.com/

The website tells us: “Fairbrook House garden and museum, Kilmeaden, Co.Waterford, Ireland X91FN83 A romantic walled garden at the river Dawn laid out between ruins of the former Fairbrook Mill (since 1700). OPEN MAY – SEPTEMBER”

9. Lismore Castle Gardens

Lismore Castle from the Pleasure Grounds in the Lower garden, by George Munday/Tourism Ireland 2014 (see [1])
Lismore Castle Gardens, Co Waterford, photograph Courtesy of Celtic Routes 2019 for Tourism Ireland (see [1])
Lismore Castle gardens, County Waterford, 20th August 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

See my entry https://irishhistorichouses.com/2024/04/12/lismore-castle-county-waterford-whole-castle-rental-or-a-visit-to-the-gardens/

Lismore Castle gardens, County Waterford, 20th August 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

https://www.discoverireland.ie/waterford/lismore-castle-gardens

Lismore Castle gardens, County Waterford, 20th August 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Lismore Castle gardens, County Waterford, 20th August 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

10. Mount Congreve Gardens, County Waterford

https://mountcongreve.com/

Mount Congreve House and Gardens, Co Waterford Courtesy Celtic Routes 2019 for Tourism Ireland (see [1])

The website tells us: “Mount Congreve House and Gardens situated in Kilmeaden, Co. Waterford, in Ireland’s Ancient East is home to one of “the great gardens of the World”. Mount Congreve House, home to six generations of Congreves, was built in 1760 by the celebrated local architect John Roberts.

The Gardens comprise around seventy acres of intensively planted woodland, a four acre walled garden and 16 kilometres of walkways. Planted on a slight incline overlooking the River Suir, Mount Congreve’s entire collection consists of over three thousand different trees and shrubs, more than two thousand Rhododendrons, six hundred Camellias, three hundred Acer cultivars, six hundred conifers, two hundred and fifty climbers and fifteen hundred herbaceous plants plus many more tender species contained in the Georgian glasshouse.

The house was built for John Congreve (1730-1801), who held the office of High Sheriff of County Waterford in 1755. His grandfather John was Rector of Kilmacow, County Kilkenny, and his father Ambrose (1698-1741) played a leading role in the affairs of Waterford city. When Ambrose died his widow married Dr. John Whetcombe, Bishop of Clonfert and later Archbishop of Cashel.

John Congreve (1730-1801) married Mary Ussher, daughter of Beverly Ussher, MP, who lived at Kilmeadon, County Waterford.

Mount Congreve. We visited briefly in May 2023 on our way home from Annestown. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Mark Bence-Jones tells us of Mount Congreve (1988):

p. 213. “(Congreve/IFR) An C18 house [the National Inventory says c. 1750] consisting of three storey seven bay centre block with two storey three bay overlapping wings; joined to pavilions by screen walls with arches on the entrance front and low ranges on the garden front, where the centre block has a three bay breakfront and an ionic doorcase. The house was remodelled and embellished ca 1965-69, when a deep bow was added in the centre of the entrance front, incorporating a rather Baroque Ionic doorcase, and the pavilions were adorned with cupolas and doorcases with broken pediments. Other new features include handsome gateways flanking the garden front at either end and a fountain with a statue in one of the courtyards between the house and pavilions. The present owner has also laid out magnificent gardens along the bank of the River Suir which now extends to upwards of 100 acres; with large scale plantings of rare trees and shrubs, notably rhododendrons and magnolias. The original walled gardens contains an eighteenth century greenhouse.” 

Mount Congreve, May 2023: The house was remodelled and embellished ca 1965-69, when a deep bow was added in the centre of the entrance front, incorporating a rather Baroque Ionic doorcase. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Ambrose Ussher Congreve (1767-1809) inherited the estate and married Anne Jenkins.

Ambrose and Anne’s son John (1801-1863) was their heir.

Ambrose and Anne’s daughter Jane married John Cooke of Kiltinane Castle in County Tipperary. Daughter Mary married Reverend John Thomas Medlycott who lived in Rockett’s Castle in Portlaw, County Waterford. Their son Ambrose died unmarried.

John was Deputy Lieutenant and also High Sheriff of County Waterford. He married Louisa Harriet Dillon from Clonbrock in County Galway, daughter of Luke Dillon (1780-1826) 2nd Baron Clonbrock.

Their son Ambrose (1832-1901) inherited the estate, and he also held the positions of Deputy Lieutenant and High Sheriff for County Waterford. He married a cousin, Alice Elizabeth, daughter of Robert 3rd Baron Clonbrock.

Ambrose Congreve reading a newspaper at Clonbrock House, Ahascragh, Co. Galway, National Library of Ireland Ref. CLON422.

John (1872-1957) the son of Ambrose and Alice Elizabeth joined the military and fought in World War I. He married Helena Blanche Irene, daughter of Edward Ponsonby 8th Earl of Bessborough in County Kilkenny. Their son Ambrose Christian (1907-2011) worked for Unilever and then with the firm founded by his father-in-law, Humphreys and Glasgow. He inherited Mount Congreve and developed and improved the garden. In April 2011 Mr. Congreve was in London en route to the Chelsea Flower Show, aged 104, when he died. He married but had no children. The estate was left in Trust for the Irish people.

2012 Auction Catalogue for Mount Congreve.

Mount Congreve Gardens was closed for new development works but has reopened. An article by Ann Power in the Mount Congreve blog, 22nd Sept 2021, tells us:

The 70-acre Mount Congreve Gardens overlooking the River Suir and located around 7km from the centre of Waterford City will close on October 10th 2021. The closure is to facilitate the upcoming works on Mount Congreve House and Gardens as it will be redeveloped into a world-class tourism destination with an enhanced visitor experience which is set to open for summer 2022.

Funding of €3,726,000 has been approved under the Rural Regeneration Development Fund with additional funding from Failte Ireland and Waterford City & County Council for the visitor attraction, which is home to one of the largest private collections of plants in the world. The redevelopment and restoration of the Estate is set to provide enhanced visitor amenities including the repair of the historic greenhouse, improved access to grounds and pathways, and provision of family-friendly facilities. Car parking & visitor centre with cafe & retail.

The project is planned for completion in 2022 and will create a new visitor centre featuring retail, food and beverage facilities, kitchens, toilets, and a ticket desk while also opening up new areas of the estate to the public including parts of the main house which has never been accessible to the public before.

Entrance hall, Mount Congreve, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Entrance hall, Mount Congreve, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Entrance hall, Mount Congreve, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Entrance hall, Mount Congreve, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Fireplace in the front hall, Mount Congreve. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
2012 Auction Catalogue for Mount Congreve.

Unfortunately when we arrived, most of the house was closed! I have to make do with pictures of the rooms from the auction catalogue.

2012 Auction Catalogue for Mount Congreve, which was on the table in the front hall of Mount Congreve when we visited in May 2023.

The staircase is off the front hall.

Beautiful cantilevered staircase, Mount Congreve, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mount Congreve, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We were able to peer into the sitting room, off the front hall.

The sitting room, Mount Congreve. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The sitting room, Mount Congreve. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Picture of the sitting room from the 2012 auction catalogue.
2012 Auction Catalogue for Mount Congreve. This looks gorgeous – I can’t wait to visit next time and see more rooms. The fireplace looks impressive – I wonder if it remains?
2012 Auction Catalogue for Mount Congreve. Very impressive ceiling in the dining room.
2012 Auction Catalogue for Mount Congreve.
2012 Auction Catalogue for Mount Congreve
2012 Auction Catalogue for Mount Congreve
2012 Auction Catalogue for Mount Congreve. The bedrooms have lovely fireplaces.
2012 Auction Catalogue for Mount Congreve.

The website tells us: “The Woodland gardens at Mount Congreve were founded on the inspiration, generosity and encouragement of Mr. Lionel N. de Rothschild. He became arguably, the greatest landscaper of the 20th Century and one of the cleverest hybridists. He died in 1942. The original gardens at Mount Congreve had comprised of a simple terraced garden with woodland of ilexes and sweet chestnuts on the slopes falling down to the river. The Gardens are held in Trust for the State.

Mount Congreve Estate Gardens, Co Waterford Courtesy Sonder Visuals 2017 for Tourism Ireland (see [3]). In April 2011 Mr. Congreve was in London en route to the Chelsea Flower Show, aged 104, when he died. His ashes were returned to Mount Congreve and placed in the temple overlooking his gardens and the River Suir below.

The original gardens at Mount Congreve had comprised of a simple terraced garden with woodland of ilexes and sweet chestnuts on the slopes falling down to the river. Ambrose Congreve began planting parts of these in his late teens but it was not until 1955 that he began to make large clearings in the woodlands to create the necessary conditions where his new plants would thrive. With the arrival of Mr. Herman Dool in the early sixties, the two men began the process that would lead to Mount Congreve’s recognition as one of the ‘Great Gardens of the World’. Up to the very last years of his life, Mr Congreve could be found in the gardens dispensing orders and advice relating to his beloved plants.

Mount Congreve Estate Gardens, Co Waterford Courtesy Sonder Visuals 2017 for Tourism Ireland (see [1])
From “In Harmony with Nature, The Irish Country House Garden 1600-1900” in the Irish Georgian Society, July 2022, curated by Robert O’Byrne.

11. The Presentation Convent, Waterford Healthpark, Slievekeel Road, Waterford – section 482

The Presentation Convent, photograph from National Inventory of Architectural Heritage.

Open dates in 2025: Jan 2- Dec 23, 29-30, Mon-Fri, National Heritage Week Aug 16-24, closed Bank Holidays, 8.30am-5.30pm

Fee: Free

The National Inventory tells us it is a:

Detached ten-bay two-storey over basement Gothic Revival convent, built 1848 – 1856, on a quadrangular plan about a courtyard comprising eight-bay two-storey central block with two-bay two-storey gabled advanced end bays to north and to south, ten-bay two-storey over part-raised basement wing to south having single-bay four-stage tower on a circular plan, eight-bay two-storey recessed wing to east with single-bay two-storey gabled advanced engaged flanking bays, six-bay double-height wing to north incorporating chapel with two-bay single-storey sacristy to north-east having single-bay single-storey gabled projecting porch, and three-bay single-storey wing with dormer attic to north…

An attractive, substantial convent built on a complex plan arranged about a courtyard. Designed by Augustus Welby Northmore Pugin (1812 – 1852) in the Gothic Revival style, the convent has been well maintained, retaining its original form and character, together with many important salient features and materials. However, the gradual replacement of the original fittings to the openings with inappropriate modern articles threatens the historic character of the composition. The construction of the building reveals high quality local stone masonry, particularly to the cut-stone detailing, which has retained its original form. A fine chapel interior has been well maintained, and includes features of artistic design distinction, including delicate stained glass panels, profiled timber joinery, including an increasingly-rare rood screen indicative of high quality craftsmanship, and an open timber roof construction of some technical interest. The convent remains an important anchor site in the suburbs of Waterford City and contributes to the historic character of an area that has been substantially developed in the late twentieth century.” [7]

12. Reginald’s Tower, County Waterford – OPW

See my OPW write-up:

https://irishhistorichouses.com/2022/01/19/office-of-public-works-properties-munster/

13. Tourin House & Gardens, Tourin, Cappoquin, Co. Waterford P51 YYIK – section 482

Tourin House, County Waterford, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

See my entry: https://irishhistorichouses.com/2020/04/30/tourin-house-gardens-cappoquin-county-waterford/

www.tourin-house.ie
Open dates in 2025:

House, April 1-30, May 1-31, June 3-28, Tue-Sat, 1pm-5pm, National Heritage Week, Aug 16-24, 10am-5pm

Garden April-Sept, Tue-Sat, 1pm-5pm,

Fee: adult €6, child free.

Places to stay, County Waterford

1. Annestown House, County Waterford – B&B 

Annestown House, County Waterford, photograph from National Inventory of Architectural Heritage.
Annestown House, courtesy of Savills Residential & Country Agency and myhome.ie

http://homepage.eircom.net/~annestown/welcome.htm 

We were lucky to stay at the cottages at Annestown House in May 2023! I swam in the sea every day there, in the wonderful bay. The house was advertised for sale the following month.

Annestown House, courtesy of Savills Residential & Country Agency and myhome.ie. We stayed in the blue converted stables in back.

It was a heavenly place to stay, as the setting was so lovely, and we were able to sit out and look at the view over the sea. Rabbits emerged on the lawn regularly, and I enjoyed sitting on a bench and watching them venture out across the lawn, which used to be a tennis court and croquet lawn.

Annestown House, courtesy of Savills Residential & Country Agency and myhome.ie. I sat here in the evening with a glass of wine. Apparently, according to the sales advertisement, Jaqueline Kennedy Onassis visited the house!
Annestown House, courtesy of Savills Residential & Country Agency and myhome.ie. Look at that beach! We were able to walk down for my swim.
Annestown Beach, Waterford, the view from Annestown House, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The first part of the house seems to have been built around 1770 for Henry St. George Cole. The Landed Estates database tells us that he was a Justice of the Peace and a member of the Board of Waterford Port. His death is reported in contemporary newspapers in 1819. Mark Bence-Jones tells us it was bought around 1830 by the Palliser family.

The National Inventory gives us more detail on its construction: “Detached six-bay two-storey house with dormer attic, c.1820, retaining early fenestration with single-bay two-storey gabled entrance bay, single-bay two-storey gabled end bay having single-bay two-storey canted bay window, three-bay two-storey wing to north originally separate house, c.1770, and three-bay two-storey return to west. Extended, c.1920, comprising single-bay single-storey lean-to recessed end bay to south.

Mark Bence-Jones tells us of Annestown:

p. 5. “(Palliser, sub Galloway/IFR) Rambling three storey house at right angles to the village street of Annestown, which is in fact two houses joined together. The main front of the house faces the sea; but it has a gable end actually on the street. Low-ceilinged but spacious rooms; long drawing room divided by an arch with simple Victorian plasterwork; large library approached by a passage. Owned at beginning of 19C by Henry St. George Cole, bought ca. 1830 by the Palliser family, from whom it was inherited by the Galloways.”

Annestown House, courtesy of Savills Residential & Country Agency and myhome.ie.

The advertisement by Savills Residential & Country Agency with myhome.ie describes the interior:

Entering through a porch, this opens into an impressive hall, which offers access to the main reception rooms which include the dining room and drawing room which are most impressive. Located on the right wing of the house is the games room while on the left wing is the kitchen and breakfast room. A staircase in the rear hall leads up to the first floor where there is the master bedroom suite. There are 6 further bedrooms (two ensuite) and a bathroom on this level. On the second floor, there are two additional attic rooms and a shower room.While the accommodation has been extended since its original construction, the house has been beautifully maintained with many notable period features which include hardwood floors, architraves, decorative fireplaces, sash and cash windows, cornices and ceiling roses.

Annestown House, courtesy of Savills Residential & Country Agency and myhome.ie.
Annestown House, courtesy of Savills Residential & Country Agency and myhome.ie.

Timothy William Ferres tells us that Reverend John Bury Palliser (1791-1864) lived here. He was Rector of Clonmel. His father was John Palliser of Derryluskan, County Tipperary and his mother Grace Barton from Grove House in County Tipperary.

The Reverend Palliser married Julia Phillida Howe. Their son and heir was Wray Bury Palliser (1831-1906). A younger brother died aged just 25 in the China War, in China.

Annestown House, courtesy of Savills Residential & Country Agency and myhome.ie.
Annestown House, courtesy of Savills Residential & Country Agency and myhome.ie.
Annestown House, courtesy of Savills Residential & Country Agency and myhome.ie.
Annestown House, courtesy of Savills Residential & Country Agency and myhome.ie.
Annestown House, courtesy of Savills Residential & Country Agency and myhome.ie.

Wray was High Sheriff of County Waterford in 1883, Deputy Lieutenant and Justice of the Peace. He married Maria Victoria Josephine Gubbins, daughter of Joseph Gubbins of Kilfrush House in County Limerick. They had a daughter, Alice Grace Palliser who died aged only 15. The property therefore passed via a brother of Reverend John Bury Palliser, Wray Bury Palliser of Derryluskan, to his son William (1830-1882). William was in the military and married Anne Perham.

His daughter Mary Jane Sybil (1874-1940) married Major Harold Bessemer Galloway in 1908, who was from Scotland. Their son Ian Charles joined the military and lived in Tynte Park in County Wicklow and in Scotland. Their son Wray Bury Galloway (1914-1994) lived in Annestown. He married Mary Clayton Alcock from Wilton Castle in County Wexford – we have also stayed in Wilton Castle, a Section 482 property!

It remained with the Galloway family until 2008, Timothy William Ferres tells us. John and Pippa Galloway ran a restaurant in th house, and John had been restaurant manager in Waterford Castle hotel.

The converted stables and barn where we stayed at Annestown House, photograph courtesy of Savills Residential & Country Agency and myhome.ie.
The stable yard at Annestown House, County Waterford, converted into holiday accommodation, photograph from National Inventory of Architectural Heritage.
I sat here on the lawn at Annestown to watch the rabbits, photograph courtesy of Savills Residential & Country Agency and myhome.ie.

2. Ballyrafter House, Lismore, Co Waterford –

https://ballyrafter.inn.fan/

Ballyrafter House, County Waterford, photograph from myhome.ie

I’m not sure if this is still a hotel as it was advertised for sale in 2020. The Myhome website tells us: “Ballyrafter House was built circa 1830, on the commission of the Duke of Devonshire, one of the wealthiest men in England, whose Irish Seat is the nearby Lismore Castle. Initially intended for the Duke’s Steward, it soon became a hunting and fishing lodge for his guests.

Inside Ballyrafter House, photograph from myhome.ie

3. Cappoquin House holiday cottages

www.cappoquinhouseandgardens.com and on airbnb, https://www.airbnb.ie/rooms/16332970?adults=2&children=0&infants=0&pets=0&wishlist_item_id=11002218087407&check_in=2023-05-23&check_out=2023-05-24&source_impression_id=p3_1681134404_prgB5ShntjT0gCzp

4. Dromana, Co Waterford – 482, holiday cottages

www.dromanahouse.com

5. Faithlegg House, Waterford, Co Waterford – hotel €€

https://www.faithlegg.com

Faithlegg House Hotel, Co Waterford, Courtesy Colin Shanahan_ Faithlegg House Hotel 2021, for Tourism Ireland. (see [1])

Mark Bence-Jones describes Faithlegg House (1988):

p. 123. (Power/IFR; Gallwey/IFR) A three storey seven bay block with a three bay pedimented breakfront, built 1783 by Cornelius Bolton, MP, whose arms, elaborately displayed, appear in the pediment. Bought 1819 by the Powers who ca 1870 added two storey two bay wings with a single-storey bow-fronted wings beyond them. At the same time the house was entirely refaced, with segmental hoods over the ground floor windows; a portico or porch with slightly rusticated square piers was added, as well as an orangery prolonging one of the single-storey wings. Good C19 neo-Classical ceilings in the principal rooms of the main block, and some C18 friezes upstairs. Sold 1936 by Mrs H.W.D. Gallwey (nee Power); now a college for boys run by the De La Salle Brothers.” 

The Faithlegg website tells us that the house was probably built by John Roberts (1714-1796): “a gifted Waterford architect who designed the Waterford’s two Cathedrals, City Hall, Chamber of Commerce and Infirmary.  He leased land from Cornelius Bolton at Faithlegg here he built his own house which he called Roberts Mount. He built mansions for local gentry and was probably the builder of Faithlegg House in 1783.”

The website tells us of more about the history of the house:

Faithlegg stands at the head of Waterford Harbour, where the three sister rivers of the Barrow, Nore and Suir meet.  As a consequence, it has been to the fore in the history of not just Waterford but also Ireland. For it was via the harbour and these rivers that the early settlers entered and from the hill that we stand under, the Minaun, that the harbour was monitored. Here legend tells us sleeps the giant Cainche Corcardhearg son of Fionn of the Fianna who was stationed here to keep a watch over Leinster.

A Norman named Strongbow landed in the harbour in 1170 and this was followed by the arrival of Henry II in October 1171.  Legend has it that Henry’s fleet numbered 600 ships and one of the merchants who donated to the flotilla was a Bristol merchant named Aylward.  He was handsomely rewarded with the granting of 7000 acres of land centred in Faithlegg. The family lived originally in a Motte and Baily enclosure the remains of which is still to be seen.  This was followed by Faithlegg Castle and the 13th century church in the grounds of the present Faithlegg church dates from their era too. The family ruled the area for 500 years until they were dispossessed in 1649 by the armies of Oliver Cromwell. The property was subsequently granted to a Cromwellian solider, Captain William Bolton. 

Over a century later in 1783 the present house was commenced by Cornelius Bolton who had inherited the Faithlegg Estate from his father in 1779. Cornelius was an MP, a progressive landlord and businessman. Luck was not on his side however and financial difficulties followed. In 1819 the Bolton family sold the house and lands to Nicholas and Margaret Mahon Power, who had married the year before. It was said that Margaret’s dowry enabled the purchase. The Powers adorned the estate with the stag’s head and cross, which was the Power family crest. It remains the emblem of Faithlegg to this day.”

Margaret, the website tells us, was the only daughter and heiress of Nicholas Mahon of Dublin. She married Nicholas Power in 1818 and the couple came to live in Faithlegg.  It was not a happy marriage and, following a legal separation in 1860, she returned to live in Dublin where she died in 1866.  

The House passed to Hubert Power, the only son of Pat & Lady Olivia Power, and in 1920 upon Hubert’s death, it passed to his daughter Eily Power, in 1935 Eily and her husband sold the House to the De la Salle order of teaching brothers after which it acted as a junior novitiate until 1986. 

The last remaining gap in history is from 1980’s until 1998 when it was taken over by FBD Property and Leisure Group.

6. Fort William, County Waterford, holiday cottages

Fort William, County Waterford, photograph from National Inventory of Architectural Heritage.

www.fortwilliamfishing.ie

Mark Bence-Jones tells us of Fort William (1988):

p. 126.  “Gumbleton, sub Maxwell-Gumbleton/LG1952; Grosvenor, Westminster, B/PB) A two storey house of sandstone ashlar with a few slight Tudor-Revival touches, built 1836 for J. B. [John Bowen] Gumbleton to the design of James & George Richard Pain. Three bay front with three small gables and a slender turret-pinnacle at either side; doorway recessed in segmental-pointed arch Georgian glazed rectangular sash windows with hood mouldings. Tudor chimneys. Other front of seven bays; plain three bay side elevation. Large hall, drawing room with very fine Louis XI boiseries, introduced by 2nd Duke of Westminster, Fort William was his Irish home from ca 1946 to his death in 1953. Afterwards the house of Mr and Mrs Henry Drummond-Wolff, then Mr and Mrs Murray Mitchell.” 

Fort William, County Waterford, photograph from National Inventory of Architectural Heritage.

The Historic Houses of Ireland gives us more detail about the house, including explaining its name:

In the early eighteenth century the Gumbleton family, originally from Kent, purchased an estate beside the River Blackwater in County Waterford, a few miles upstream from Lismore. The younger son, William Conner Gumbleton, inherited a portion of the estate and built a house named Fort William, following the example of his cousin, Robert Conner, who had called his house in West Cork Fort Robert. The estate passed to his nephew, John Bowen Gumbleton, who commissioned a new house by James and George Richard Pain, former apprentices of John Nash with a thriving architectural practice in Cork. 

Built in 1836, in a restrained Tudor Revival style, the new house is a regular building of two stories in local sandstone with an abundance of gables, pinnacles and tall Elizabethan chimneys. The interior is largely late-Georgian and Fortwilliam is essentially a classical Georgian house with a profusion of mildly Gothic details. 

Gumbleton’s son died at sea and his daughter Frances eventually leased the house to Colonel Richard Keane, brother of Sir John from nearby Cappoquin House. The Colonel was much annoyed when his car, reputedly fitted with a well-stocked cocktail cabinet, was commandeered by the IRA so he permitted Free State troops to occupy the servants’ wing at Fortwilliam during the Civil War, which may have influenced the Republican’s decision to burn his brother’s house in 1923. 

When Colonel Keane died in a shooting accident, the estate reverted to Frances Gumbleton’s nephew, John Currey, and was sold to a Mr Dunne, who continued the tradition of letting the house. His most notable tenant was Adele Astaire, sister of the famous dancer and film star Fred Astaire, who became the wife of Lord Charles Cavendish from nearby Lismore Castle. 

In 1944 the Gumbleton family repurchased Fortwilliam but resold for £10,000 after just two years. The new owner was Hugh Grosvenor, second Duke of Westminster and one of the world’s wealthiest men. His nickname ‘Bend or’ was a corruption of the heraldic term Azure, a bend or, arms the Court of Chivalry had forced his ancestor to surrender to Lord Scroope in 1389 and still a source of irritation after six hundred years. Already thrice divorced, the duke’s name had been linked to a number of fashionable ladies, including the celebrated Parisian couturier Coco Chanel. 

Fortwilliam is in good hunting country with some fine beats on a major salmon river, which allowed the elderly duke to claim he had purchased an Irish sporting base. Its real purpose, however, was to facilitate his pursuit of Miss Nancy Sullivan, daughter of a retired general from Glanmire, near Cork, who soon became his fourth duchess. 

They made extensive alterations at Fortwilliam, installing the fine gilded Louis XV boiseries in the drawing room, removed from the ducal seat at Eaton Hall, in Cheshire, and fitting out the dining room with panelling from one of his sumptuous yachts. He died in 1953 but his widow survived for a further fifty years, outliving three of her husband’s successors at Eaton Lodge in Cheshire. Anne, Duchess of Westminster was renowned as one of the foremost National Hunt owners of the day. Her bay gelding, Arkle, won the Cheltenham Gold Cup on three successive occasions and is among the most famous steeplechasers of all time. 

Fortwilliam was briefly owned by the Drummond-Wolfe family before passing to an American, Mr. Murray Mitchell. On his widow’s death it was purchased by Ian Agnew and his wife Sara, who undertook a sensitive restoration before he too died in 2009. In 2013 the estate was purchased by David Evans-Bevan who lives at Fortwilliam today with his family, farming and running the salmon fishery.

7. Gaultier Lodge, Woodstown, Co Waterford €€

http://www.gaultierlodge.com 

The website tells us that

Gaultier Lodge is an 18th Century Georgian Country House designed by John Roberts, which overlooks the beach at Woodstown on the south east coast of Co. Waterford in Ireland. Enjoy high quality bed and breakfast guest accommodation next to the beach and Waterford Bay. Relax and unwind in the tastefully decorated rooms and warm inviting bedrooms. Enjoy an Irish breakfast each morning.”

8. Richmond House, Cappoquin, Co Waterford – guest house 

https://www.richmondcountryhouse.ie

Richmond House, Cappoquin, County Waterford, photograph courtesy of National Inventory of Architectural Heritage.

The Earl of Cork built Richmond House in 1704. Refurbished and restored each of the 9 bedrooms feature period furniture and warm, spacious comfort. All rooms are ensuite and feature views of the extensive grounds and complimentary Wi-Fi Internet access is available throughout the house. An award winning 18th century Georgian country house, Richmond House is situated in stunning mature parkland surrounded by magnificent mountains and rivers.

Richmond House facilities include a fully licensed restaurant with local and French cuisine. French is also spoken at Richmond House. Each bedroom offers central heating, direct dial telephone, television, trouser press, complimentary Wi-Fi Internet access, tea-and coffee-making facilities and a Richmond House breakfast.”

In his book Guide to Irish Country Houses (1988) Mark Bence-Jones describes it: “a three storey late Georgian block. Five bay front with Doric porch; three bay side. Eaved roof on bracket cornice. In 1814, the residence of Michael Keane; in 1914, of Gerald Villiers-Stuart.

9. Salterbridge Gate Lodge, County Waterford €

https://www.irishlandmark.com/property/salterbridge-gatelodge/

See my write-up about Salterbridge, previously on the Section 482 list but no longer:

https://irishhistorichouses.com/2020/04/16/salterbridge-house-and-garden-cappoquin-county-waterford/

and www.salterbridgehouseandgarden.com

Salterbridge gate house, photograph courtesy of myhome.ie

10. Waterford Castle, The Island, Co Waterford €€

https://www.waterfordcastleresort.com

Waterford Castle Hotel, photo by Shane O’Neill 2010 for Tourism Ireland. (see [1])

The Archiseek website tells us that Waterford Castle is: “A small Norman keep that was extended and “restored” in the late 19th century. An initial restoration took place in 1849, but it was English architect W.H. Romaine-Walker who extended it and was responsible for its current appearance today. The original keep is central to the composition with two wings added, and the keep redesigned to complete the composition.

The National Inventory adds: “Detached nine-bay two- and three-storey over basement Gothic-style house, built 1895, on a quasi H-shaped plan incorporating fabric of earlier house, pre-1845, comprising three-bay two-storey entrance tower incorporating fabric of medieval castle, pre-1645…A substantial house of solid, muscular massing, built for Gerald Purcell-Fitzgerald (n. d.) to designs prepared by Romayne Walker (n. d.) (supervised by Albert Murrary (1849 – 1924)), incorporating at least two earlier phases of building, including a medieval castle. The construction in unrefined rubble stone produces an attractive, textured visual effect, which is mirrored in the skyline by the Irish battlements to the roof. Fine cut-stone quoins and window frames are indicative of high quality stone masonry. Successfully converted to an alternative use without adversely affecting the original character of the composition, the house retains its original form and massing together with important salient features and materials, both to the exterior and to the interior, including fine timber joinery and plasterwork to the primary reception rooms.”

Waterford Castle Hotel and Golf Resort 2021 County Waterford, from Ireland’s Content Pool. (see [1])
Photograph Courtesy of Waterford Castle Hotel and Golf Resort, 2021, Ireland’s Content Pool. (see [1])
Waterford Castle Hotel, photo by Shane O’Neill 2016 for Tourism Ireland. (see [1])

We visited Woodhouse on a day trip with the Cork Chapter of the Irish Georgian Society on a gloriously sunny day on May 24th, 2023. The home owners Jim and Sally Thompson welcomed us into their home, and historian Marianna Lorenc delivered a wonderful talk about the history of the house and the family who lived there. See my entry https://irishhistorichouses.com/2025/03/29/woodhouse-county-waterford-private-house-tourist-accommodation-in-gate-lodge-and-cottages/

You can stay in the gate lodge or cottages.

https://woodhouseestate.com/

The Hayloft, Woodhouse, available for self-catering accommodation.
At Woodhouse, County Waterford. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inside this area is a museum about Woodhouse, a function room, and the Hayloft cottage. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ancilliary buildings. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The museum, upstairs in the ancilliary buildings. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This was the walk between the museum and the main house. The gardens everywhere are beautiful and we couldn’t have had a finer day for our visit. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

After our talk, we visited the house and then the walled garden. The website tell us:

When Woodhouse changed hands in 2012 a project was undertaken to bring the walled garden back to its former glory. Today the Walled Garden and Orchard have a wide variety of fruits, vegetables, herbs and many types of flowers and, thanks to Paddy Kiely and his excellent team of skilled workmen, has developed in a place of beauty in tune with nature as it was planned when originally built. An oasis of calm and tranquility situated right in the centre of the Estate, the beautifully restored Walled Garden is a perfect venue for small intimate weddings and gatherings. Completely enclosed and surrounded by high stone walls the walled garden has flowers beds, beautiful green lawns, a raised pergola overlooking the entire garden and a soothing water feature. As well as providing a beautiful backdrop for weddings the Walled Garden is also an ideal venue for a variety of special events. Whether you are looking to toast a birthday or anniversary or hold a charity event the Walled Garden adds a special atmosphere to any occasion.
For more information please get in touch
1woodhouseestate@gmail.com

The beautiful walled garden of Woodtown. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Events can be held in the buildings in the walled garden. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The beautiful walled garden of Woodhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The beautiful walled garden of Woodhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The beautiful walled garden of Woodhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Beyond the walled garden in a further section is an orchard and greenhouse, and a house for chickens.

Whole House Rental County Waterford

1. Glenbeg House, Jacobean manor home, Glencairn, County Waterford P51 H5W0 €€€ for two, € for 7-16 – whole house rental

http://www.glenbeghouse.com

Glenbeg House, County Waterford, photograph courtesy of National Inventory of Architectural Heritage.

The website tells us: “Tranquil historic estate accommodating guests in luxury. Glenbeg, a historic castle which has been sensitively restored, preserving its historic past, whilst catering to the needs and comforts of modern living.

Glenbeg Estate is the maternal home of Sir Arthur Conan Doyle, who visited during his life time and wrote some of his early work while visiting with his family here. You and your party will have exclusive use of the property during your stay.

2. Lismore Castle, whole house rental

Photograph courtesy of The Hall and Lismore Castle website.

https://www.thehallandlismorecastle.com/lismore-castle/stay/

Lismore Castle’s 800-year history is everywhere you look, from the stained-glass windows and thick stone walls, to the centuries-old gardens and the exceptional artworks by Old Masters and leading contemporary artists. Available for rent, this exclusive use castle in Ireland’s county Waterford is the perfect retreat for you and your guests.

www.lismorecastlegardens.com

If anyone wants to give me a present, could you book me in for a week at Lismore Castle? See my entry https://irishhistorichouses.com/2024/04/12/lismore-castle-county-waterford-whole-castle-rental-or-a-visit-to-the-gardens/

Photograph courtesy of The Hall and Lismore Castle website.
Photograph courtesy of The Hall and Lismore Castle website.
Photograph courtesy of The Hall and Lismore Castle website.
Photograph courtesy of The Hall and Lismore Castle website.
Photograph courtesy of The Hall and Lismore Castle website.
Photograph courtesy of The Hall and Lismore Castle website.
Photograph courtesy of The Hall and Lismore Castle website.
Photograph courtesy of The Hall and Lismore Castle website.
Photograph courtesy of The Hall and Lismore Castle website.
Photograph courtesy of The Hall and Lismore Castle website.
Photograph courtesy of The Hall and Lismore Castle website.
Photograph courtesy of The Hall and Lismore Castle website.
Photograph courtesy of The Hall and Lismore Castle website.
Photograph courtesy of The Hall and Lismore Castle website.
Photograph courtesy of The Hall and Lismore Castle website.
Photograph courtesy of The Hall and Lismore Castle website.

[1] https://www.irelandscontentpool.com/en

[2] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[3] https://archiseek.com/2009/1746-bishops-palace-waterford/

[4] https://www.buildingsofireland.ie/buildings-search/building/22903010/cappagh-house-cappagh-d-wt-by-co-waterford

[6] https://www.buildingsofireland.ie/buildings-search/building/22903010/cappagh-house-cappagh-d-wt-by-waterford

[7] https://www.buildingsofireland.ie/buildings-search/building/22829002/presentation-convent-slievekeale-road-waterford-city-waterford-co-waterford

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com