Ashtown Castle, Phoenix Park, Dublin – an OPW property

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Ashtown Castle, Phoenix Park, Dublin:

Ashtown Castle, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Ashtown Castle is in the Phoenix Park. The Office of Public Works are currently running one tour per day. [1] The tower house had been incorporated into a house in the late 1700s, and the Office of Public Works demolished the house, which had become very dilapidated, to restore the tower house.

Hugh Tyrrell (d. 1199), later 1st Baron of Castleknock, came to Ireland with Strongbow, Richard de Clare, 2nd Earl of Pembroke. Tyrrell, a second cousin of Strongbow, became right hand man to Hugh de Lacy, Lord of Meath. De Lacy conferred the feudal barony of Castleknock to Tyrrell.

The land at Ashtown, now part of the Phoenix Park, was granted by Hugh Tyrrell to the Hospital of St. John the Baptist in the 12th century. The Hospital belonged to the “Crutched Friars” (brothers of the cross) and was one of the earliest city charities.

When the monasteries were dissolved in 1540, Walter Foster was leasing the land, which he in turn sublet to two tenants.

Ashtown Castle, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ashtown Castle, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

It is not known when the tower house was built but a fragment of a wooden roof truss, found in the wall during the restoration project, has been dated by dendrochronology to the early seventeenth century. The OPW website tells us that it could date further back, as early as the fifteenth century.

Ashtown Castle, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In 1429 a statute was passed by King Henry IV to grant £10 to every man within the Pale who would build a castle of certain minimal dimentions in the following ten years. Ashtown may have been built in this period.

Ashtown Castle, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

On the tour, our tour guide told us the castle was built for a General Lambert in the early 1600s. I am not sure if this is conjecture or fact! General John Lambert (7 September 1619 – 1 March 1684) was an English army officer and politician and he fought in Cromwell’s army for the Parliamentarians. He was also Deputy Lord Lieutenant of Ireland.

Major-General John Lambert, (1619-1683), Parliamentarian, Deputy Lord Lieutenant of Ireland, courtesy of National Gallery of Ireland.

From the OPW website:

For years it was completely hidden within the walls of a Georgian mansion once occupied by the under-secretary for Ireland. When that house was demolished in the late 1980s, the castle was rediscovered. It has since been fully restored and now welcomes visitors.”

Ashtown Castle, Dublin, courtesy of Phoenix Park website. The arrangement of the growing hedges outline where the house was, before it was demolished.

Outside, the hedges to one side of the castle form the shape of the house that used to stand there, attached to the old castle.

An aerial picture of the castle that the guide showed us, with the shape of the hedges illustrated. Ashtown Castle, Phoenix Park, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ashtown Castle, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ashtown Castle, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The National Inventory tells us:

The castle was dated to the early seventeenth century on the basis of surviving fragments of a roof truss found in the wall during the restoration project in the early 1990s. There is in the stonework some suggestion of a further wing to the north, but no archaeological evidence was found, leaving this section unresolved. The builder is unknown, but in 1641 the estate was in the ownership of John Connell, a distant ancestor of Daniel O’Connell. Curiously the Civil Survey, 1654, lists him as a Protestant. Stone from a quarry at Pelletstown owned by Connell was used in the building of the original wall of the Park.”

Ashtown Castle, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ashtown Castle, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

At that time, the estate consisted of 200 acres.

When James Butler 12th Earl of Ormond (who later became 1st Duke of Ormond) was created Lord Lieutenant of Ireland in 1662, he purchased the tower house and lands around it to create a deer park for King Charles II.

In 1668 Marcus Trevor, Viscount Dungannon, was appointed Ranger of the Park. Along with two Keepers, he was responsible for overseeing the Fallow deer imported from England.

The tower house became the official residence of second Keeper of the Park, William Flower, but he assigned it to a subordinate.

In the late eighteenth century the tower house was extended to become the Under Secretary’s residence, and was called Ashtown Lodge.

After Irish Independence, the house served as the residence of the Papal Nuncio. In 1978 the Papal Nuncio moved to a different residence.

The guide showed us what the house used to look like, that had been attached to the castle. For some more photographs, you can visit the Irish Tower House website. [2]

The guide showed us a photograph of a painting of the house as it used to look.
Ashtown Castle, Phoenix Park, with a picture of the castle superimposed onto the house to show its position, although it was not visible. Photograph of photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This is what the house looked like before demolition. The upper storey of the castle had been made into a chapel for the Papal Nuncio when he lived in the house.
Ashtown Castle, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The extension was demolished in the 1980s, due to poor condition.

Ashtown Castle, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Restoration started in Autumn 1989. Corbels that carried the floor levels were uncovered, and also portions of fireplaces on the first and second floors and a piece of window jamb on the first floor.

Restoration work including new stonework, insertion of oak floors and roof was carried out by craftsmen attached to the National Monuments depot in the Phoenix Park.

Ashtown Castle, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ashtown Castle, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Entrance to Ashtown Castle, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ashtown Castle, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The ground floor would have had only small windows and no fireplace. Recesses and niches may have served for cupboard space or lamp shelves.

Ground floor, Ashtown Castle, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ashtown Castle, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ashtown Castle, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ashtown Castle first floor, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ashtown Castle, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We then went up to the next level, which had been the chapel for the Papal Nuncio after Ireland gained independence from the United Kingdom.

Ashtown Castle, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ashtown Castle, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ashtown Castle, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ashtown Castle, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Ashtown Castle, Phoenix Park, 6th July 2024, Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://heritageireland.ie/places-to-visit/phoenix-park-visitor-centre-ashtown-castle/

[2] https://irishtowerhouses.ie/county-dublin/ashtown-castle-co-dublin/

Royal Hospital Kilmainham, Dublin – Office of Public Works

Royal Hospital Kilmainham, Military Road, Dublin 8.

Since the 2025 Revenue Section 482 list has not yet been published, today’s entry is about the Royal Hospital Kilmainham: not a Historic House, but of relevance since designed by several important architects: William Robinson, Thomas Burgh and Francis Johnson.

The most decorative rooms have been closed to the public for years for renovation, but I am writing now as I had an opportunity to enter the magnificently baroque chapel in order to see a film. Excuse the poor quality of my photographs in the chapel – I didn’t want to disturb the other film viewers.

The website www.rhk.ie tells us:

Since 2018, The North Range has been closed due to remedial works and essential upgrades, including fire safety improvements, mechanical and electrical system replacements, and the meticulous restoration of the Baroque Chapel ceiling, historic timber panelling, and stained glass. This extensive project, operated by the Office of Public Works (OPW), was completed in July 2024,  and it was announced the reopening after 6.5 years. We are more than proud to share the news that we are preparing to host events in The North Range.

Aww, events? But what about access to the wonderful dining room with its portraits? We shall have to see if it is open…

Royal Hospital Kilmainham, January 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Royal Hospital, Kilmainham, North Walk, by James Malton (1761-1803), courtesy of National Gallery of Ireland.

“Kilmainham” is named after St. Maighneann who established a church and monastery in the area around AD 606. In 1174 the Knights Hospitaller, a Catholic order that focussed on aiding the sick and the poor, founded a Priory in Kilmainham, with the aid of Richard de Clare, 2nd Earl of Pembroke, better known as Strongbow. The Priory was destroyed in 1530s with the dissolution of the monasteries by King Henry VIII.

With this history, it seemed appropriate to locate the Royal Hospital here when Arthur Forbes, later Earl of Granard, proposed the idea of building an institution to accommodate veteran soldiers, similar to Les Invalides in Paris. The building was founded by King Charles II in 1679 to accommodate 300 soldiers and construction was overseen by the King’s representative in Ireland, known as the viceroy or Lord Lieutenant, James Butler 1st Duke of Ormond. He was Lord Lieutenant of Ireland from 1661-1669 then again 1677-1684.

Over the next 247 years, thousands of army pensioners lived out their final days within its walls.

Royal Hospital Kilmainham, 15th October 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Aerial view before restoration, Royal Hospital Kilmainham.

The building is arranged around four sides of a cloistered courtyard. Three of these wings now house the Irish Museum of Modern Art (IMMA). [1]

James Butler (1610-1688) 1st Duke of Ormonde by Willem Wissing (circa 1680-1685), courtesy of National Portrait Gallery in London NPG 5559.
Royal Hospital Kilmainham, 15th October 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Royal Hospital Kilmainham, 15th October 2023.

The information board from the Royal Hospital tells us that it was hoped that care for injured and elderly soldiers would promote recruitment. After the Civil War between Cromwellian Parliamentarians and Royalists, Charles II was naturally concerned to have a strong military force.

The building was designed by the Chief Engineer and Surveyor General for Fortifications, Buildings, Works, Mines and Plantations for Ireland, William Robinson (1645-1712).

Royal Hospital Kilmainham, 15th October 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Royal Hospital Kilmainham, 15th October 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Royal Hospital Kilmainham, 15th October 2023.

The information board tells us: “Born in England, Robinson went on to hold a great number of public positions. When he resigned as Surveyor General in 1700 due to ill health, he was knighted and given the position of Deputy Receiver-General at the Privy Council of Ireland. However, he was implicated in a financial scandal and following a period of imprisonment at Dublin Castle, he fled to England. He died in 1712 and is buried in Westminster Abbey.

He must have been forgiven if buried in the Abbey! The notice board also tells us that he personally acquired the portion of the original site near Islandbridge, and built himself a house with a view of the Royal Hospital, but it no longer stands.

Royal Hospital Kilmainham, 15th October 2023.
Royal Hospital Kilmainham, 15th October 2023.

The next Surveyor General, Thomas Burgh (1670-1730), added more to the building. In 1704 he added the tower and steeple over the north range, and designed the infirmary.

The tower and steeple by Thomas Burgh, Royal Hospital Kilmainham, 15th October 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Royal Hospital Kilmainham, 15th October 2023.
The arms of the 1st Duke of Ormond adorn the building. The carvings above the south, east and west Hospital entrances, which are made of wood but painted to look like stone. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Royal Hospital Kilmainham. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Royal Hospital Kilmainham, 15th October 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Royal Hospital Kilmainham, 15th October 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Royal Hospital Kilmainham, 15th October 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In the fourth wing, not generally open to the public, is the splendid Robinson’s Chapel with a baroque plaster ceiling, carved oak and beautiful stained glass window, and the Geat Hall. You can see an online tour at https://my.matterport.com/show/?m=ce2pG4J1huc&mls=1

The chapel is dedicated to the memory of King Charles I and its ceiling is beautifully Baroque, a profusion of cherubs’ heads, geometrical shapes, borders, garlands and flowers. Amazingly, the ceiling is a papier-maché replica of the original. The original was too heavy, and the replica was installed in 1901. The artist of the original is unknown. The room is panelled in Baltic pine with ornate oak carving and Corinthian pilasters.

Royal Hospital Kilmainham, 15th October 2023.
Baroque ceiling of the chapel, Royal Hospital Kilmainham, September 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Royal Hospital Kilmainham, 15th October 2023.
Royal Hospital Kilmainham, 15th October 2023.
Baroque ceiling of the chapel, recreated in papier-maché, Royal Hospital Kilmainham, September 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Baroque ceiling of the chapel, Royal Hospital Kilmainham, September 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The oak carving of the altar is by Huguenot refugee from Paris, James Tabary. The carvings above the south, east and west Hospital entrances, which are made of wood but painted to look like stone, may also be by Tabary.

Royal Hospital Kilmainham, 15th October 2023.
Royal Hospital Kilmainham, September 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The stained glass in the Chapel’s large east window mostly dates to the 19th century, although some of it is said to come from the medieval Priory of St. John the Hospitaller.

Royal Hospital Kilmainham, 15th October 2023.
The stained glass in the Chapel’s large east window mostly dates to the 19th century, although some of it is said to come from the medieval Priory of St. John the Hospitaller. Royal Hospital Kilmainham, September 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In 1849 young Queen Victoria visited the hospital and bestowed a gift of stained glass which shows the coats of arms of the various Masters of the Hospital, which was made c. 1852 in London by Irish artist Michael O’Connor.

In 1849 young Queen Victoria visited the hospital and bestowed a gift of stained glass which shows the coats of arms of the various Masters of the Hospital, which was made c. 1852 in London by Irish artist Michael O’Connor. Royal Hospital Kilmainham, September 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Royal Hospital Kilmainham, September 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Royal Hospital Kilmainham, 15th October 2023.
Royal Hospital Kilmainham, 15th October 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Great Hall contains portraits that have hung here since 1713, and splendidly carved trophies over the doors remind me of those at Beaulieu in County Louth. The portaits include Queen Anne, Queen Mary, William III, Narcissus Marsh, Charles II, James 1st Duke of Ormond and the Richard Butler Earl of Arran and Earl of Ossory (sons of the Duke of Ormond), amongst others. A library which belonged to the original hospital is also cared by the OPW. The northern wing also contains the Master’s Lodgings, made for the Master of the Royal Hospital.

Royal Hospital Kilmainham, 15th October 2023.
The Great Hall, Royal Hospital Kilmainham, photograph taken 1987, from Dublin City Library and Archives. [see 2]
Royal Hospital Kilmainham dining hall by Robert French, Lawrence Photographic Collection NLI, flickr constant commons.
Royal Hospital Kilmainham, 15th October 2023.
Royal Hospital Kilmainham, 15th October 2023.
Richard Butler (1639-1686) 1st Earl of Arran, son of the Duke of Ormonde, Royal Hospital Kilmainham, 15th October 2023.
Thomas Butler (1634-1680) 6th Earl of Ossory, studio of Sir Peter Lely, circa 1678, courtesy of National Portrait Gallery NPG 371. Second son of the Duke and Duchess of Ormond and father of 2nd Duke of Ormonde.

In 1805, Francis Johnston carried out restoration work, and in the 1820s remodelled the Master’s Quarters in the northwest corner. He also designed the Adjutant General’s office and the Richmond Tower which stands at the west entrance to the hospital grounds.

Royal Hospital Kilmainham, 15th October 2023.
The Richmond Tower by Francis Johnston, named after the Lord Lieutenant, Charles Lennox, 4th Duke of Richmond, Royal Hospital Kilmainham, 15th October 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Royal Hospital Kilmainham, 15th October 2023.
Royal Hospital Kilmainham, 15th October 2023.
Royal Hospital Kilmainham, 15th October 2023.

The garden, known as the Master’s Garden, has been restored to its formal glory under the suprvision of architect Elizabeth Morgan. In 1693 Chambré Brabazon 5th Earl of Meath was Master of the Hospital and a Minute of the Royal Hospital Committee notes that he was asked to prepare an account for an estimate of works necessary to put some order on the garden. The work was not carried out at the time.

Gardens at the Royal Hospital Kilmainham, January 2022. The Formal Garden also known as the Master’s Garden, which has been recently restored under the supervision of architect Elizabeth Morgan. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Royal Hospital Kilmainham, 15th October 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Royal Hospital Kilmainham, 15th October 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Garden house is included in a painting by Joseph Tudor in 1750. It was probably designed as a small dining pavilion or banqueting house, with a high coved ceiling on the first floor, and it is attributed to Edward Lovett Pearce circa 1734.

The house was extended in the late 19th century into ahouse for the head gardener.

Royal Hospital Kilmainham, 15th October 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Royal Hospital Kilmainham, 15th October 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Royal Hospital Kilmainham, 15th October 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Gardener’s Cottage, or Garden House, Royal Hospital Kilmainham, 15th October 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
1st March 2015, at the Royal Hospital gardens. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Royal Hospital Kilmainham, 15th October 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Royal Hospital Kilmainham, 15th October 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Royal Hospital Kilmainham gardens. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Doctor’s House, Royal Hospital Kilmainham, 15th October 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Royal Hospital Kilmainham, 15th October 2023.
Officer’s Burial Ground, Royal Hospital Kilmainham, 15th October 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] See also https://rhk.ie/about-us/

William Robinson also built Marsh’s Library in Dublin.

Marsh’s Library, photograph from 1975, Dublin City Library and Archive. [see 2]

[2] https://repository.dri.ie/

Kilkenny Castle, County Kilkenny, an Office of Public Works property

The garden front of Kilkenny Castle, photograph by macmillan media 2016 for Tourism Ireland, Ireland’s Content Pool. It sits on the banks of the River Nore. [1]

From the OPW website:

Built in the twelfth century, Kilkenny Castle was the principal seat of the Butlers, earls, marquesses and dukes of Ormond for almost 600 years. Under the powerful Butler family, Kilkenny grew into a thriving and vibrant city. Its lively atmosphere can still be felt today.

The castle, set in extensive parkland, was remodelled in Victorian times. It was formally taken over by the Irish State in 1969 and since then has undergone ambitious restoration works. It now welcomes thousands of visitors a year.

Kilkenny Castle, photograph by unknown 2014 for Failte Ireland, Ireland’s Content Pool. [see 1]

Kilkenny Castle has been standing for over eight hundred years, dominating Kilkenny City and the South East of Ireland. Originally built in the 13th century by William Marshall, 4th Earl of Pembroke as a symbol of Norman control, Kilkenny Castle reflected the fortunes of the powerful Butlers of Ormonde for over six hundred years. [2]

The Butlers fought for the king in Ireland, France and Scotland, and held positions of power including Lord Lieutenant of Ireland, the monarch’s representative in Ireland. Mark Bence-Jones tells us that several monarchs have stayed in Kilkenny Castle during the course of its history, including Richard II, James II, Willam III, Edvard VII and George V. [3]

In 1935 the Ormondes ceased to live in the castle, which for the next thirty years stood empty and deteriorating. In 1967 James Arthur Norman Butler (1893-1971), 6th Marquess and 24th Earl of Ormonde sold the Castle to the Kilkenny Castle Restoration Committee for £50. Two years later it went into state ownership.

William Marshall (about 1146-1219) married Isabel the daughter of “Strongbow” Richard de Clare, 2nd Earl of Pembroke. With the marriage, he gained land and eventually the title Earl of Pembroke. Isabel inherited the title of 4th Countess of Pembroke “suo jure” i.e. herself (her brother, who died a minor, was the 3rd Earl). Hence William Marshall became the 4th Earl through his wife, but then then was created the 1st Earl of Pembroke himself ten years after their marriage. They settled in Ireland, beginning with setting up the town of New Ross and then restoring Kilkenny town and castle – a castle had pre-dated them, according to the Kilkenny Castle website.

The Marriage of Aoife and Strongbow, Richard de Clare 2nd Earl of Pembroke at Waterford in 1170, by Daniel Maclise, in National Gallery of Ireland. Conceived for the decoratino of the Palace of Westminster, the painting is an ambiguous representation of the victorious Normans and the vanquished Irish. Strongbow places his foot upon a fallen Celtic cross, King Dermot looks on in alarm, and an elderly musician slumps of his harp. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The present-day castle is based on the stone fortress that Marshall designed, comprising an irregular rectangular fortress with a drum-shaped tower at each corner. Three of these towers survive to this day.

Kilkenny Castle, County Kilkenny, overhead shot courtesy Air Experience AFTA website.
Kilkenny Castle, photograph by Mark Wesley 2016 for Failte Ireland, Ireland’s Content Pool. [see 1]

There is an introductory film for visitors in the one of the old round towers. Inside, you can see the thickness of the walls.

One of the three ancient corner towers of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

By 1200, Kilkenny was the capital of Norman Leinster and New Ross was its principal port. The Marshalls also founded the Cistercian abbeys at Tintern in County Wexford and Duiske in Graiguenamanagh, County Kilkenny, as well as the castles at Ferns and Enniscorthy. Marshall died and was buried in England. [4]

Tintern Abbey, County Wexford, 15th March 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In 1317, the de Clare family sold the Kilkenny castle to Hugh Despenser. The Despensers were absentee landlords. In 1391 the Despensers sold the castle to James Butler, 3rd Earl of Ormond, 9th Chief Butler of Ireland (1360–1405).

The first Butler to come to Ireland was Theobald Walter Le Botiller or Butler (1165–1206), 1st Baron Butler, 1st Chief Butler of Ireland.

In 1185, Prince John landed at Waterford and around this time he granted the hereditary office of Chief Butler of Ireland to Theobald. Before this, there was a Chief Bulter of England, a position Theobald held, but the office of Chief Butler of Ireland was freshly created. The hereditary office was a position of “serjeanty.” Under feudalism in France and England during the Middle Ages, tenure by serjeanty was a form of tenure in return for a specified duty other than standard knight-service. The duty of this serjeanty was to to attend the Kings of England at their coronation and to pour their first cup of wine. [5]

It is said that he was called “Le Botiller” because he received the monopoly of the taxes on wines being imported into Ireland. Timothy William Ferres tells us that it was Theobald, 4th Butler (1242-85) who received the prisage, from King Edward I. As the Chief Butler had to provide the wine, he was given this “prisage” to help perform his role. This privilege only ceased in 1811 when the right was purchased back by the Crown from the Marquess of Ormonde for £216,000. [6]

Theobald the 1st Chief Butler was the first of the family to use the surname Butler. He was involved in the Irish campaigns of King Henry II and King John of England. He built Arklow Castle in County Wicklow. His descendant, the 4th Chief Butler, constructed a stone fortress on the site in the 1280s which became the family’s regional stronghold.

Conjectural reconstruction drawing of Arklow Castle, County Wicklow by Sara Nylund courtesy County Wicklow Heritage.

Over the following centuries, as the Butlers grew into Earls and eventually Dukes of Ormonde centered in Kilkenny, they retained Arklow Castle and the surrounding lands by appointing constables. The 1st Duke of Ormond sold Arklow Castle in 1714 to John Allen of Stillorgan. Today only fragments remain. [see https://surnamearts.com/history/butler/butler-castles-in-ireland/ ]

Theobald died in 1206 and was buried at Wotheney Abbey in Limerick.

He is also said to have built Nenagh Castle.

The OPW website tells us that Nenagh Castle is a fine example of a Norman structure, dating between 1200 – 1220. There are 101 steps in total to reach the top of the tower, and it is five storeys high. The second floor is believed to have once been the main public hall, while the third floor was the lord’s private residence. What stands today is the last remaining tower of three, which were surrounded by a curtain wall. There would have also been a two-towered gatehouse, and it was likely defended by a moat. The castle changed hands multiple times throughout its history, initially acting as the main residence for Theobald Walter, and was the seat of his ancestors, the Butler family, until the mid-14th century. The Mac Ibrien family owned the building in the 15th century, and was returned to the Butler’s in 1533. Photograph by Gramscis Cousin, CC BY-SA 3.0

His son, Theobald le Botiller (1200–1230) 2nd Baron Butler was summoned in 1229 cum equis et armis (Latin: “with horses and arms”) to attend the King in Brittany. He died on 19 July 1230 in Poitou, France, and was buried in the Abbey of Arklow, County Wicklow.

Timothy William Ferres gives us an excellent summary of the Butler genealogy and there are great notes on the Kilkenny Castle website. [6]

The 2nd Baron Butler’s widow was his second wife, Roesia/Rohese de Verdun (c. 1204–1247). She became one of the most powerful women in 13th century Ireland. In 1236 she built Castleroche in County Louth to defend her lands against Irish raiders. The castle was practically impregnable thanks to its position and design.

Castleroche, County Louth, built by Rohese de Verdun, wife of Theobald le Botiller (1200–1230) 2nd Baron Butler. Photograph courtesy of Tourism Ireland.

Theobald Butler 3rd Baron acquired considerable property by marrying Margery, eldest daughter of Richard de Burgh (ancestor of the Earls of Clanricarde). He served as Chief Justiciar of Ireland. His son Theobald (1242-85) succeeded as 4th Baron Butler sat in the Parliament of Ireland. He assisted King Edward I in his wars in Scotland. By his marriage, the 4th Baron acquired considerable land in England.

The 5th and 6th Barons were both sons of the 4th Baron. Theobald’s son Edmond (c.1270-1321) succeeded his brother as 6th Baron and 6th Chief Butler of Ireland in 1299. He was appointed Lord Deputy of Ireland in 1312. He married Joan, the daughter of the 1st Earl of Kildare. In 1315 Edward II granted him the manors of Carrick-on-Suir and Roscrea in Tipperary, with the title of Earl of Carrick. His descendants from his second son, John, later became Earls of Carrick and also Viscounts Ikerrin.

Roscrea Castle, County Tipperary, August 2024. It was granted to the Butlers of Ormond in 1315 who held it until the early 18th Century. The castle as we see it today was built from 1332. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Earl of Carrick’s son James Butler (c. 1305-38) who succeeded as 7th Baron married Eleanor, whose mother was a daughter of King Edward I. In consequence of this alliance, in 1328 King Edward III named James Earl of Ormond.

Probably James Butler (c. 1305-1337), the 1st Earl of Ormond. St. Mary’s church, Gowran, June 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com.
St. Mary’s church, Gowran, June 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com.

His son James Butler (1331–1382) 2nd Earl of Ormond was called the Noble Earl due to his links with King Edward I. He served as Lord Justice of Ireland.

James Butler (1360–1405) who succeeded as 3rd Earl of Ormond on his father’s death made Gowran Castle his usual residence so was called Earl of Gowran. The original Gowran Castle was built in the late 14th century by the Earls of Ormonde. Badly damaged in the Cromwellian wars, it was all but a ruin when Charles Agar acquired a lease of it about 1660 and repaired it. After a fire in 1713, his son James Agar rebuilt it. The house was rebuilt for the 2nd Viscount Clifden in 1817-19 to the designs of William Robertson. 

In 1391 James Butler 3rd Earl of Ormond purchased Kilkenny Castle. In 1399 King Richard II stayed in Kilkenny Castle, where he was entertained for fourteen days.

One of the three old towers of Kilkenny Castle, photograph by Finn Richards, 2015 for Failte Ireland, Ireland’s Content Pool. [see 1]
Two of the old corner towers of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Carvings on the marble fireplace in the picture gallery of Kilkenny Castle, designed by J. H. Pollen, depict scenes from the history of the Butler family. Starting on the left, the first panel shows the buying the castle by the first Earl of Ormond in 1391 from the Despenser family – money changing hands is shown. The second panel depicts Theobald Fitzwalter acting as Chief Butler to the newly crowned King of England highlighting their ancient royal privilege and upon which their surname of Butler is based. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Marble Fireplace is made of Carrara marble and was designeded by J. H. Pollen in a quasi-medieval style. It was supplied by the firm of Ballyntyne of Dorset Street, Dublin. On the third panel, you see King Richard the Second acting as godfather for James, 4th Earl (1392-1452). The centrepiece is the family crest which can also be seen over the arch and gateway, with the family motto “comme je trouve”- “as I find”, as well as the heraldic shield guarded, the falcon, the griffin (a legendary creature with the body of a lion and the head and wings of an eagle) and the ducal coronet. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

James 3rd Earl was succeeded by his eldest son, James, 4th Earl (1392-1452), who was called The White Earl, and was esteemed for his learning. James was one of the most important figures in Irish politics in the early 15th century. He was Lord Justice of Ireland in 1407, and again in 1440. He died in 1452.

He was succeeded by his eldest son James (1420-61) 5th Earl. He married Avice Stafford in 1438, by whom he inherited substantial lands in the west country of England. After the death of his first wife, he married Eleanor Beaufort, sister of the Duke of Somerset. In 1451, was was made Lord Deputy of Ireland and the next year, Lord Lieutenant of Ireland. He served as Lord High Treasurer in 1455 and was installed a Knight of the Garter.

The Butler Family become embroiled in the War of the Roses in the 15th Century. When the Wars of the Roses gripped England from the 1450s through to 1487, the opposing houses of Lancaster (the red rose) and York (the white rose) were supported by the earls of Ormond and Kildare, respectively. The 5th Earl of Ormond was loyal to the Lancastrians and Henry VI, who made him Earl of Wiltshire in England. The title of Earl of Wiltshire expired when the throne passed into the hands of the Yorkists in 1461, and the 5th Earl was captured and executed at Newcastle in 1461. In England, Richard Plantagenet 3rd Duke of York’s son came to the throne as King Edward IV.

An old corner tower of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

After the execution of his brother the 5th Earl in 1461, John (1422–1477), who succeeded as the 6th Earl, fled to Scotland with the Lancastrians. He attempted a new Lancastrian uprising in Ireland but the revolt ended with the defeat of his kinsmen by the 8th Earl of Desmond at the Battle of Piltown in the summer of 1462. John was not present at the battle. He went into exile in Portugal and France from 1464. He returned to England 1470-71 on the restoration of Henry VI.

Edward IV, of the House of York, was returned to the throne, however, in 1471. Richard III became king in 1473, until he died in 1475, when Henry VII became king. Henry VII of the Lancaster dynasty married Edward IV’s daughter Elizabeth of York, thus uniting the families.

The 6th Earl of Ormond’s brother Thomas (1426-1515), who succeeded as 7th Earl, was attainted as a Lancastrian, but restored by King Henry VII. He was known as ‘Earl of the Wool.’ Under Henry VII he managed to recover the family position in England and his lands were restored. He was appointed Chamberlain to the Queen in 1486 and Ambassador to Brittany in 1491 and Burgundy in 1497.

From the 1490s he faced troubles in Ireland, as he lacked a male heir. His two daughters became co-heiresses who inherited the Butler estates in England. His daughter Margaret Butler (1465–1537) married Sir William Boleyn and they were the grandparents of Anne Boleyn, Queen of England, second wife of Henry VIII.

When the 7th Earl of Ormond died in 1515, the next male in the family line was Piers Butler (1467-1539). Both the 7th Earl and Piers descended from the 3rd Earl of Ormond. Piers Butler was the son James Butler and Sabh Kavanagh. He was the great grandnephew of James, the 3rd Earl. Before the 7th Earl’s death, Piers’s father laid claims to the Ormond land and title, as the 7th Earl lived mostly abroad.

Someone else could claim to be heir of the 7th Earl of Ormond. James Butler 6th Earl had illegitimate children, though he never married. His son James was called James Ormond, or James Dubh Butler. He was the 7th Earl’s agent in Ireland while the 7th Earl lived in England. Piers Butler murdered him, but was pardoneed for the murder.

Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Butler genealogy.

In 1485 Piers Butler married Margaret Fitzgerald, daughter of the 8th Earl of Kildare – a political marriage to merge the two dynasties.

In 1498, he and Margaret had seized Kilkenny Castle and made it their chief residence. Through her considerable efforts, the standard of living inside the castle was greatly improved.

Margaret was sometimes styled the “Great Countess of Ormond.” She signed herself “Margaret Fitzgerald of the Geraldines,” and occupied herself in legal matters regarding her family and the Ormond estates. She worked with Piers to develop the estate, expanding and rebuilding manor houses. She also established Kilkenny Grammar School. She urged Piers to bring over skilled weavers and artificers from Flanders and helped establish industries for the production of carpets, tapestries and diapers (a type of cloth). Margaret and her husband commissioned significant additions to the castles of Granagh, and rebuilt Gowran Castle, which had been originally constructed in 1385 by James Butler, 3rd Earl of Ormond. She is also said to have built Ballyragget Castle in County Kilkenny.

Ballyragget castle, County Kilkenny, by Gabriel Berenger, courtesy Royal Irish Academy MS 3 C 30/54.

As Anne Boleyn grew in King Henry VIII’s favour, so did her father Thomas. In 1529, the King persuaded Piers Butler to relinquish the title Earl of Ormond, and the king gave this title to Thomas Boleyn, Viscount Rochford. Piers was created, instead, Earl of Ossory. The king hoped Piers would improve the Crown’s grip over southern Ireland. Piers gained much from Crown.

Thomas Boleyn, Earl of Ormond, died without issue in 1539 and the King restored Piers Butler Earl of Ossory to his original title of Ormond. Piers succeeded as the 8th Earl of Ormond.

Piers is buried in St Canice’s Cathedral, Kilkenny with his wife.

St. Canice’s Cathedral, Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
St. Canice’s Cathedral, Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Piers Butler (1467-1539) Earl of Ossory, 8th Earl of Ormond, and his wife Margaret Fitzgerald (d. 1542), St. Canice’s Cathedral, Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Piers Butler (1467-1539) Earl of Ossory, 8th Earl of Ormond, St. Canice’s Cathedral, Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Piers Butler (1467-1539) Earl of Ossory, 8th Earl of Ormond, St. Canice’s Cathedral, Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A dog, symbol of loyalty, at the feet of Piers Butler (1467-1539) Earl of Ossory, 8th Earl of Ormond, St. Canice’s Cathedral, Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Margaret Fitzgerald (d. 1542) wife of Piers Butler, Earl of Ossory, 8th Earl of Ormond. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Piers and Margaret’s daughters married well, continuing to build ties with other powerful families. They had daughters Ellen (d. 1597) who married Donough O’Brien (d. 1553) 1st Earl of Thomond; Margaret married Barnaby FitzPatrick, 1st Baron of Upper Ossory; Joan married James Butler, 10th Baron Dunboyne; Eleanor married Thomas Butler 1st Baron Caher; Katherine married Richard Power, 1st Baron le Power and Coroghmore first and secondly, James FitzJohn FitzGerald, 13th Earl of Desmond; Ellice married Gerald FitzJohn FitzGerald (d. 1553, father of 1st Viscount Decies).

Piers’s eldest son James (1496–1546) succeeded him in 1539 as 9th Earl of Ormond, 15th Chief Butler, and 2nd Earl of Ossory. Piers’s second son, Richard (d.1571), was created 1st Viscount Mountgarret in 1550. Another son, John Butler (d. 1570) who lived in Kilcash, County Tipperary, was father of Walter (1569-1632) 11th Earl of Ormond.

James Butler (1504-1564), Soldier, 9th Earl of Ormond and Ossory by Francesco Bartolozzi, published by John Chamberlaine, after Hans Holbein the Younger publ. 1797, courtesy of National Portrait Gallery NPG D39383.

In 1520 there was a plan to marry the eldest son James to a daughter of Thomas Boleyn in an effort to end the controversy over the earldom – but nothing came of it. James married Joan Fitzgerald, daughter of James Fitzgerald, 11th Earl of Desmond.

James was nicknamed ‘The Lame’ because of a limp he acquired in the 1513 invasion of France as part of Henry VII’s army. He had been reared at the Court of Henry VIII and he was created Viscount of Thurles during the lifetime of his father. Henry VIII appointed him Lord Treasurer of Ireland (1532) and he was given seven religious houses on the dissolution of the Monasteries. He was held in high regard by Henry, with the decline of the Geraldines. He died 1546, aged 42, of food poisoning, eleven days after attending a supper at Ely House, Holborn. He and the seventeen of his household who died with him may have been deliberately poisoned. His host, John Dudley, 1st Duke of Northumberland had no motive as he had no quarrel with Ormond. Historian James Murray suggests that Anthony St Leger, Lord Deputy of Ireland, may have been invovled. [8]

James Butler (d. 1546) 9th Earl of Ormond, 2nd Earl of Ossory. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A dog, symbol of loyalty, at the feet of James Butler (d. 1546) 9th Earl of Ormond, 2nd Earl of Ossory, St. Canice’s Cathedral, Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

As well as his heir, Thomas, the 9th Earl also had a son Edmond (d. 1602) who lived in Cloughgrenan, County Carlow, who gave rise to the Baronets of Cloughgrenan.

As a young boy, Thomas Butler (c.1531-1614), later 10th Earl of Ormond, was fostered with Rory O’More, son of the lord of Laois before being sent to London to be educated with the future Edward VI. He was the first member of the Butler family to be brought up in the protestant faith. In 1546, he inherited the Ormond earldom following the sudden death of his father.

Thomas Butler 10th Earl of Ormond by Steven Van der Meulen. He is holding a wheelcock pistol with his coat of arms in the upper left corner.

Thomas Butler was highly regarded by Queen Elizabeth, to whom he was related through her mother Anne Boleyn. Anne Boleyn was the granddaughter of the 7th Earl of Ormond making Elizabeth and Thomas cousins. Due to his dark hair, he was called “Black Tom,” and the Queen called him “her dark husband” and it is even rumoured that she had a son with him.

Queen Elizabeth promoted him to Lord Treasurer of Ireland in 1559.

Thomas Butler (c.1531-1614), 10th Earl of Ormond, artist unknown. Thomas married three times but left no heir and was succeeded by his nephew Walter Butler 11th Earl of Ormond. He died in 1614 and was buried in St Canice’s cathedral, Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The OPW website tells us that after the death of his mother, Joan Fitzgerald, the old feud between the Butlers and the Fitzgeralds broke out again and Black Tom defeated the Earl of Desmond at Affane (1565), the last pitched battle in Britain or Ireland.

He was made Knight of the Garter in 1588 and Earl Marshal of England in 1591.

See my entry about the Ormond Castle at Carrick-on-Suir for more on “Black Tom.” https://irishhistorichouses.com/2024/09/05/ormond-castle-carrick-on-suir-county-tipperary-an-opw-property/

Carrick-On-Suir, Co Tipperary Courtesy Tipperary Tourism photo by Kerry Kissane All Around Ireland 2021

The Desmond Rebellions in Munster in 1569–1573 and 1579–1583 were motivated primarily by the desire to maintain the independence of feudal lords from the English monarch but also had an element of religious antagonism between Catholic Geraldines (Fitzgeralds, Earls of Desmond) and the Protestant English state. Some of Thomas the 10th Earl’s brothers supported the Fitzgeralds in their rebellion: Edmund Butler (1534-1602) of Cloghgrennan, County Carlow, Edward and Piers (1541-1601). Edmund, Edward and Piers were attainted in April 1570. That meant that Edmund ceased to be Ormond’s heir presumptive and the next brother, John Butler of Kilcash, took his place. However, John predeceased Thomas, in 1570, and John’s eldest son Walter Butler (1559–1633) became heir presumptive. 

Kilcash Castle, County Tipperary, photograph by Mike Searle.

Thomas married three times but left no direct male heir. He died in 1614 and was buried in St Canice’s cathedral, Kilkenny. He had a daughter, Elizabeth. She married her cousin, Theobald Butler (1565-1614), 1st Viscount Tulleophelim, who was the son of Black Tom’s brother Edmund (1534-1602) of Cloghgrennan, County Carlow. He died, however, the same year as Black Tom.

King James then orchestrated the marriage of Elizabeth Butler to his Scottish favourite Richard Preston (1589-1628) 1st Baron Dingwall. James I made sure that Black Tom’s daughter Elizabeth (1590-1628) inherited most of the Ormond estate.

Although he did not inherit the majority of the land, Walter Butler (1559–1633) inherited the title and became the 11th Earl of Ormond. Unlike his uncle, who had been raised at Court and reared a Protestant, Walter was Catholic. Because of his devotion to his faith, he was called Walter of the Beads.

Walter Butler’s claim to the family estates was blocked by King James I. Walter he spent much time and money in litigation opposing the King’s decision and was imprisoned for eight years in the Fleet, London, as a result. He was released 1625. The King gave Richard Preston the title Earl of Desmond, as the Fitzgeralds had lost the title of Earl of Desmond due to their rebellion.

The Butler genealogy.

Walter’s son Thomas, Viscount Thurles, predeceased him, so when he died his nine-year-old grandson James (1610-1688) became the heir to the titles. The estates, including Kilkenny Castle, had passed to Elizabeth and her husband Richard Preston Baron Dingwall. Before he died, Walter arranged a marriage between his heir James and Elizabeth and Richard Preston’s daughter in order to unite the estates with the Earl of Ormond title. In 1629 James married his cousin Elizabeth Preston and reunited the Ormond estates.

Elizabeth Poyntz (1588-1673), mother of the 1st Duke of Ormond, painted by John Michael Wright, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

James Butler (1610-88) 12th Earl of Ormond (later 1st Duke of Ormond) was the eldest son of Thomas Butler, Viscount Thurles, and his wife Elizabeth Poyntz. Following his father’s death in 1619, 9-year-old James was made a royal ward, and was educated at Lambeth Palace under the tutelage of George Abbot, Archbishop of Canterbury.

James Butler (1610-1688) 1st Duke of Ormonde by Willem Wissing circa 1680-1685, courtesy of National Portrait Gallery NPG 5559.
Elizabeth Preston, (1616-1684) Baroness Dingwall, Countess of Ormond, later Duchess of Ormond, with her son Thomas, Lord Ossory (1634-1680), attributed to David des Granges (1611-1671/72), courtesy Office of Public Works. She was the daughter of Richard Preston, Baron Dingwall, Earl of Desmond and his wife Elizabeth Butler, only daughter and heiress of Thomas Butler, 10th Earl of Ormond. On the death of her parents in 1628, Elizabeth was made a royal ward and the rights of her marriage were granted to the Earl of Holland, who sold it for £15,000. She married her cousin James Butler, Viscount Thurles, later 1st Duke of Ormond in 1629, thus reuniting the Ormond titles and properties.
In the long gallery of Kilkenny Castle: James Butler 1st Duke of Ormond painted by John Michael Wright (1617-1694); in centre, Elizabeth Poyntz (1588-1673), mother of the 1st Duke of Ormond, painted by John Michael Wright; and Elizabeth Preston (1615-1684), wife of the 1st Duke of Ormond, with her son Thomas, who became the 6th Earl of Ossory. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The marriage took place on Christmas 1629. In 1630, James and his wife Elizabeth lived in the castle in Carrick-on-Suir.

James succeeded to the Ormond titles in 1633 on the death of his grandfather, Walter Butler, 11th Earl of Ormond. James and Elizabeth Butler’s estates in Ireland consisted of close to 300,000 acres, spread over seven counties, mostly in Counties Kilkenny and Tipperary. However, both he and his wife inherited debts. Debt was to plague James all his life.

James Butler 1st Duke of Ormond painted by John Michael Wright (1617-1694), Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Marble Fireplace of the picture gallery of Kilkenny Castle. In the fifth panel, the 1st Duke of Ormond can be seen entering the Irish House of Lords still bearing his sword. Indeed, he refused to hand his weapon over as were the protocols in case it was used inside during an argument; this became known as The Act of Defiance. The sixth panel next to this symbolizes the charity of the Butler family showing Lady Ormonde giving alms to the poor. Finally, the sixth and last panel portrays the First Duke of Ormond’s triumphant return to Dublin from exile on the Restoration of Charles the Second in 1662, when he also established the Royal Hospital in Kilmainham and founded the Phoenix Park. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

James 12th Earl of Ormond and Elizabeth had eight sons and two daughters but only three of those sons survived infancy: Thomas, later Earl of Ossory, born in 1634, John, later Earl of Gowran, also born in 1634, and Richard, later 1st Earl of Arran in 1639. Their daughters were Mary, born in 1640, later Duchess of Devonshire and Elizabeth, born in 1646, later Countess of Chesterfield.

James 12th Earl of Ormond remained loyal to the monarchy and to King Charles I at the time of the 1641 Rebellion and the Civil War. He was appointed commander-in-chief of the army in Ireland in 1641. The family was living at Carrick when the 1641 rebellion broke out. The earl went to Dublin to command the army and Elizabeth and her children moved to Kilkenny Castle.

King Charles I (1600-49), attributed to James Gandy after Sir Anthony van Dyck (1619-89), this portrait hangs in the long gallery of Kilkenny Castle. Charles had been a notable patron of the arts, and was responsible for commissioning works from artists such as Sir Peter Paul Rubens, and for bringing Sir Anthony van Dyck to England. A full length portrait wearing robes of state, this is a very close copy of the portrait painted by Van Dyke (c.1636) now in the Royal Collection. The portrait is attributed to James Gandy on the grounds that it is a seventeenth century work and that he is said to have made many copies of portraits after van Dyck during the time he was employed by the Duke of Ormond. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Queen Henrietta Maria (1609-69), attributed to James Gandy after Sir Anthony van Dyck (1619-89). Daughter of Henri IV of France and Marie De Medici. Wife of Charles I of England and mother to Charles II and James II of England. This portrait hangs in the long gallery of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The five eldest children of King Charles I, after Sir Anthony van Dyck. The children include the future Kings Charles II and James II. The painting hangs in Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Sir Peter Paul Rubens (1577-1640), after a self-portrait by Rubens of c. 1625 which was painted for Charles, Prince of Wales. A crude copy, the artist is unknown, probably a nineteenth century copy. This portrait hangs in the long gallery of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Sir Anthony van Dyck (1599-1641), after Sir Anthony van Dyck. The head in this portrait would seem to be derived from van Dyck’s Self Portrait with Endymion Porter (Prado, Madrid) although the costume is different; in fact, it is closer to that used in van Dyck’s self portrait with Sunflower. Probably a nineteenth century copy, it also hangs in the long gallery of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Diorama and information in St. Canice’s Cathedral, Kilkenny, how the city of Kilkenny looked in 1642. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Diorama and information in St. Canice’s Cathedral, Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Catholic Confederacy, an alliance of Catholics and Anglo-Irish, made Kilkenny their base. James the 12th Earl negotiated on behalf of the king with the Catholic Confederacy. However, Cromwell came to Ireland in 1649 and captured Kilkenny. He ransacked the Cathedral, and attacked Kilkenny Castle.

The castle now forms a “u” shape, because in the time of Oliver Cromwell’s invasion, the fourth wall fell. [7]

Kilkenny Castle, photograph by unknown 2014 for Failte Ireland, Ireland’s Content Pool. [see 1] The castle now forms a “u” shape, because in the time of Oliver Cromwell’s invasion, the fourth wall fell.
Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

James Butler served as Lord Lieutenant of Ireland from 1648-1650, the first of three periods as Lord Lieutenant. Following the defeat of the monarchy, he went into exile, moving around Europe with the exiled court of Charles II.

King Charles II (1630-85) attributed to John Michael Wright (1617-1694). This portrait hangs in the Tapestry Room in Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Queen Henrietta Maria (1609-69), after Sir Anthony van Dyck. Henrietta Maria was the daughter of Henri IV of France and Marie de Medici. She was the wife of Charles I of England and mother of Charles II and James II. This painting was formerly called “Duchess of Orleans”. This is a copy, with slight variations, after an original portrait by van Dyck, painted in 1632. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Lady Ormond was highly regarded at Court and was godmother to Princess Mary, daughter of King James II, later Queen Mary. The Kilkenny Castle website tells us that Elizabeth is author of the largest body of extant correspondence of any woman from 17th century Ireland.

Lady Ormond spent a short period in exile with her husband and family in France during the early 1650s. By August 1652, poverty forced her to travel to England to plead with Cromwell for permission to live with her children on a portion of her Irish estates. She argued that it was she who inherited the estates and not her husband. Permission was granted in February 1653 on condition that she ceased all communication with her husband. They reunited later. She returned to her house at Dunmore, Co. Kilkenny.

After the restoration of the monarchy, James Butler was given an Irish Dukedom as Duke of Ormond, in 1661. He was raised to a dukedom in the English peerage in 1682.

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James Butler 1st Duke of Ormond. Artist: Sir Peter Lely (1618-1680). He is wearing robes of the Order of the Garter and holds the wand of office of Lord Steward of the Household in his right hand. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Kilkenny castle website continues: “After the restoration of the monarchy in England, Ormond was rewarded with a dukedom and several high offices by a grateful king. Though he enjoyed the king’s favour, Ormond had enemies at court and as a result of the machinations of the Cabal, which included powerful figures such as the Earl of Shaftesbury, he was dismissed from his post as Lord Lieutenant in 1669.

Note that the “Cabal” was the term used to refer to the clique around the king. The term comes from an acronym of their names, Sir Thomas Clifford 1st Baron Clifford, Henry Benet 1st Earl of Arlington, George Villiers 2nd Duke of Buckingham, Anthony Ashley Cooper, Lord Ashley 1st Earl of Shaftesbury and John Maitland, 1st Duke and 2nd Earl of Lauderdale.

Ormond served his last term as Lord Lieutenant from 1677-1685. During this time he founded the Royal Hospital in Kilmainham in Dublin for old soldiers. William Robinson served as Surveyor General and architect of the Royal Hospital. He also worked on Kilkenny Castle. As Lord Lieutenant, the Duke lived in Dublin Castle’s State Apartments, and he had work carried out there also.

William Robinson, Royal Hospital Kilmainham.

Mark Bence-Jones describes the Duke’s renovations of Kilkenny Castle:

The Great Duke transformed the castle from a medieval fortress into a pleasant country house, rather like the chateau or schloss of contemporary European princeling; with high-pitched roofs and cupolas surmounted by vanes and gilded ducal coronets on the old round towers. Outworks gave place to gardens with terraces, a “waterhouse” a fountain probably carved by William de Keyser, and statues copied from those in Charles II’s Privy Gardens. The Duchess seems to have been the prime mover in the work, in which William (afterwards Sir William) Robinson, Surveyor-General and architect of the Royal Hospital, Kilmainham, was probably involved, supervising the construction of the Presence Chamber 1679.” [see 3]

A rather amusing article in the Dublin Penny Journal in September 1832 criticises the Duke of Ormond’s renovation “in the bad style of architecture then prevailing on the Continent, a taste for which had probably been imbibed by the Duke in his repeated visits to France. It retained, however, three of the ancient towers, but changed in character and disfigured by fantastic decorations to make them harmonize in style with the newer portions of the building.” The article tells us that the building has been put to right again by the present owner, the Marquess of Ormond, by architect Robertson of Kilkenny.

Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kilkenny Castle in Kilkenny, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The entrance to inside Kilkenny Castle, the rounded arched door. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The hoppers on the top of the drain pipes depict an eagle, and each has a different date written on it, each a significant year to the Ormondes and Kilkenny Castle. This one says 1682. This was during the time of James Butler (1665-1745) who became the 2nd Duke of Ormonde, and is a date between when his father died in 1680 and when his grandfather the 1st Duke of Ormond died in 1688. Perhaps it was the time when renovations took place on the castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

You can take an online tour of the castle on the website https://kilkennycastle.ie/about/explore-the-castle-new/

There has been an entrance hall here at least since the 17th century rebuilding of the castle. The black and white stone floor is laid with Kilkenny Black Marble and local sandstone, laid in the 19th century. The north doorway through the massive curtain wall was remodelled on two occasions in the 19th century. This room has been redecorated using organic naturally pigmented copper green paint. This colour is based on two Edwardian Irish Country house schemes; the Entrance Hall at Beaulieu, Co. Louth and the Saloon at Headford, Co. Meath.

The Entrance Hall, Kilkenny Castle. Photograph courtesy of Kilkenny Castle website. There has been an entrance hall here at least since the 17th century rebuilding of the castle. The black and white stone floor is laid with Kilkenny Black Marble and local sandstone, laid in the 19th century.
Notice board in the entrance hall. It tells us that the portraits, from the family collection, were purchased by the Irish government from the family estate in 1995. The hall table also belonged to the Ormondes, and was too heavy to move so was not sold in the auction of 1935.
The Entrance Hall, Kilkenny Castle. James Butler (1610-88), 1st Duke of Ormond, 12th Earl of Ormond, in the style of John Michael Wright (1617-1694). There was no fewer than 28 swords and daggers displayed in the Entrance Hall prior to the 1935 auction. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
James Butler (1610-88), 1st Duke of Ormond, 12th Earl of Ormond, in the style of John Michael Wright (1617-1694). Ormond is clad in armour, holding the baton of command, and wearing the blue ribbon of the Order of the Garter. A plumed helmet is to the sitter’s right. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Description of swords.
The Entrance Hall, Kilkenny Castle. Portraits of Thomas Butler (c.1531-1614), 10th Earl of Ormond, artist unknown, and James Butler (1665-1745), 2nd Duke of Ormonde, 13th Earl of Ormonde, artist unknown. A fine set of Irish elk antlers, dug from a Leitrim bog in the 19th century, are displayed over the fireplace. The Irish elk (Megaloceros giganteus) also called the giant deer or Irish deer, is an extinct species of prehistoric deer which lived during the Ice Age about 2,580,000 to 11,700 years ago. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Entrance Hall, Kilkenny Castle. Italian marble table. This large grey marble table is original to Kilkenny Castle and dates to the late 17th century. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

When Ormond retired to England in 1682, the duchess accompanied him and they settled at Kingston House (Kingston Lacy) in Dorset. She died two years later at their town house, Ormonde House, in St. James’s Square, London. Sir Peter Lely painted the duchess but no portrait of her by the artist has been traced. A portrait of her by Henri Gascars is recorded in seventeenth-century Ormonde inventories.

Kingston Lacy, which belonged to James Butler Duke of Ormond, photograph by Vauxhall,  licensed under the Creative Commons Attribution-Share Alike 4.0 International license.

The last decade of the Duke’s life was marked by tragedy: all three of his sons as well as his wife died. His daughter Elizabeth, who had married Philip Stanhope, 2nd Earl of Chesterfield, had already died at the young age of 25 in 1665. She was Stanhope’s second wife. Stanhope was one of the lovers of the notorious Barbara Villiers, mistress of King Charles II. Her portrait is in the stair hall of Kilkenny Castle.

Barbara Villiers (c.1641-1709), Duchess of Cleveland & Countess of Castlemaine, attributed to Sir Peter Lely (1618-1680) and his studio. Daughter of Lord Grandison. After an affair with Philip Stanhope, 2nd Earl of Chesterfield, in 1659, she married Roger Palmer, Earl of Castlemaine. Established as Charles II’s mistress during the Restoration in 1660, she bore him at least six children and was created Duchess of Cleveland in her own right in 1670. When she was granted lands in Dublin by the king, the grant was opposed by Ormond. The duchess was no friend of the Butler family because of her notorious affair with Lord Chesterfield, husband of Ormond’s daughter Elizabeth. A heavily restored picture shows the sitter in shepherdess’s costume with a crook and lamb, it is said to have been commissioned from Lely in order to insult the queen, Catherine of Braganza, who had been painted in a similar pose by Jacob Huysmans. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

John, 1st and last Earl of Gowran, died in 1677. Thomas 6th Earl of Ossory died in 1680. His wife Elizabeth died in 1684, and Richard, 1st and last Earl of Arran, in 1686. He himself died in 1688 at Kingston Lacy and was buried in Westminster Abbey.

Thomas Butler (1634-1680) 6th Earl of Ossory, studio of Sir Peter Lely, circa 1678, courtesy of National Portrait Gallery NPG 371. He was the second son of the Duke and Duchess of Ormond and father of 2nd Duke of Ormonde.
Richard Butler (1639-1685) 1st Earl of Arran, son of the Duke of Ormonde, by Godfrey Kneller, courtesy of National Trust Hardwick Hall.
Daughter of the 1st Earl of Ormond, Elizabeth Stanhope née Butler Countess of Chesterfield By Peter Lely – http://www.thepeerage.com/p951.htm#i9503, Public Domain, https://commons.wikimedia.org

His daughter Mary (1646-1710) married William Cavendish, 1st Duke of Devonshire.

Daughter of the 1st Earl of Ormond, Mary Butler (1646-1710) Duchess of Devonshire in the style of Willem Wissing courtesy of National Trust Hardwick Hall. She married William Cavendish, 1st Duke of Devonshire.

Thomas Butler (1634-1682) 6th Earl of Ossory was the father of the 2nd Duke of Ormond. Thomas was a soldier and Naval Commander, known as ‘Gallant Ossory.’ Born at Kilkenny Castle in 1634, his childhood was spent at Kilkenny until he went with his father and brother Richard to England in 1647. They then went to France, where he was educated at Caen and Paris at Monsieur de Camps’ Academy. In Holland he married Amelia of Nassau, daughter of Lodewyk van Nassau, Heer van Beverweerd, a natural son of Prince Maurice of Nassau. 

Thomas Butler (1634-1680, Earl of Ossory, Lord Butler of Moore Park, Lord Deputy of Ireland, studio of Sir Peter Lely (1618-80). Ossory was a witness when James, Duke of York secretly married Anne Hyde in 1660. He died suddenly in 1680, possibly from food poisoning, at Arlington House in London. He was buried in Westminster Abbey. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Thomas enjoyed the favour and support of both King Charles II and his queen. Because of his wife’s Dutch connections he was frequently sent on royal missions to Holland. In 1661 Thomas Butler became a member of both the English and Irish houses of Commons, representing Bristol in the former and Dublin University in the latter House. In 1665 he was appointed lieutenant-general of the army in Ireland and in 1666 was created an English peer as Lord Butler.

Having proven himself as an expert military strategist, and whilst visiting France in 1672, he rejected the liberal offers made by Louis XIV to induce him to enter the service of France, and returning to England he added to his high reputation by his conduct during the Battle of Texel in August 1673. From 1677 until 1679, he served alongside his father as a Lord of the Admiralty.

In 1670 he conducted William of Orange to England. In 1677 he joined the allied army in the Netherlands, commanding the British section and winning great fame at the siege of Mons in 1678. He acted as deputy for his father, who was lord-lieutenant of Ireland, and in parliament he defended Ormonde’s Irish administration with great vigour. In 1680 he was appointed governor of English Tangier, but his death prevented him from taking up his new duties.

Elizabeth Butler (d.1717) Countess of Derby by William Wissing (1656-87). Daughter of Thomas Butler, Earl of Ossory and his wife Amelia, she married William George, 9th Earl of Derby in 1673. It was an unhappy marriage, her husband’s behaviour being a cause for much concern and comment on the part of her grandparents, the 1st Duke and Duchess of Ormonde. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
King William III (1650-1702), studio of Sir Godfrey Kneller (1646-1723). This portrait in the picture gallery at Kilkenny Castle is a copy of the ‘official approved likeness’ first painted by Sir Godfrey Kneller in 1690, with a companion piece of Queen Mary II. The king is depicted waring the robes of state. Both originals are in the Royal Collection.William was born in The Hague, he was the posthumous and only child of Stadholder William II and Princess Mary, Princess Royal of England, eldest daughter of Charles I and Queen Henriette Maria [see painting: The Children of Charles I]. After the crisis precipitated by the birth of an heir [Prince James Francis Stuart] to his cousin, the Catholic James II, in 1688, William came to England at the invitation of several leading men to defend the Protestant cause. James left England, first to France to seek aid from Louis XIV, another cousin, and thence to Ireland, where he launched a military campaign to win over the country. Meanwhile William, his son-in law, landed at Carrickfergus in June 1690. He then marched south, and defeated James and his forces at the Battle of the Boyne. Both kings stayed at Kilkenny Castle during their visit to Ireland. James Butler, 2nd Duke of Ormonde, was a firm supporter of King William at the Boyne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Queen Mary II (1662-1694), studio of Sir Godfrey Kneller (1646-1723), in the picture gallery of Kilkenny Castle. Eldest daughter of James Duke of York (later James II) and Anne Hyde, she married, at the age of 15, her cousin, William, Prince of Orange, in Holland. The Duchess of Ormond was Godmother to Princess Mary, at her birth in London. Mary took an active role in the dispute with her father James II. William and Mary ruled as king and queen regnant. Under the terms of the succession, William would administer the government in both their names. The Crown would descend in the first instance to the heirs of her body, then to any heirs he might have after her death, and then to any heirs her sister Anne, Princess of Denmark (later Queen Anne).Mary was a popular monarch, and this helped compensate for her husband’s rather taciturn nature. She died prematurely at the age of 32, leaving William to reign alone for another eight years. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

John Evelyn, the diarist, was a close friend and referred to him as ‘a good natured, generous and perfectly obliging friend’. He died suddenly in 1680, possibly from food poisoning, at Arlington House in London. He was buried in Westminster Abbey

Ossory had eleven children, including James Butler (1665-1745), the eldest surviving son of Thomas the 6th Earl of Ossory, who became the 2nd Duke of Ormonde. 

Following his father’s death in 1680, James became the heir to his grandfather, James Butler, 1st Duke of Ormond, whom he succeeded in 1688. James Butler 2nd Duke of Ormonde (the ‘e’ was added to the name around this time) inherited all of the Ormonde properties and titles, from both his grandfather and grandmother including her Dingwall title.

James Butler (1665-1745) 2nd Duke of Ormonde courtesy of National Maritime Museum, Greenwich, London.
Oil painting on canvas, James Butler, 2nd Duke of Ormonde (1665-1745) by Sir Godfrey Kneller (Lubeck 1646/9 – London 1723). A three-quarter length portrait, turned slightly to the right, facing, gazing at spectator, wearing armour, blue sash and white jabot, a baton in his right hand, his left on his hip, his helmet placed at the left; cavalry in the distance, right.

James the 2nd Duke married twice: first to Anne Hyde, daughter of Laurence, 1st Earl of Rochester, and a niece Anne Hyde the wife of the duke of York, the future James II. After she died, he married Mary Somerset, a daughter of Henry Somerset, 1st Duke of Beaufort. She married James, then Lord Ossory in 1685 as his second wife. They had one son and five daughters. Only two daughters survived infancy: Lady Elizabeth, unmarried (d.1750) and Lady Mary (d.1713) who married John, Lord Ashburnham in 1710.

Anne Hyde (1669-1685) Countess of Ossory by William Wissing and his studio (1656-87), first wife of James Butler, 2nd Duke of Ormonde, hanging in the picture gallery of Kilkenny Castle. She was the daughter of Lawrence Hyde, 1st Earl of Rochester. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Anne Hyde (1637-1671), Duchess of York, a well painted version of an original painted by Sir Peter Lely in c. 1662. Daughter of Edward Hyde, 1st Earl of Clarendon (a close friend & confidant to the 1st Duke of Ormond), and first wife of James, Duke of York ( later James II). She was mother to princesses Mary and Anne, future Queens of England, and aunt of Anne Hyde, Lady Ossory, first wife of the 2nd Duke of Ormonde. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mary Somerset (1665-1733), 2nd Duchess of Ormonde, by follower of Michael Dahl (1659-1743). This hangs in the picture gallery of Kilkenny Castle. Daughter of Henry, 1st Duke of Beaufort and wife of James Butler, 2nd Duke of Ormonde. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The duchess Mary was delighted with the reception she received on her first visit to Ireland. During this visit, she wrote to John Ellis telling him, ‘I have been received with as much respect as the greatest woman in the world could have been both by civil, military and clerical…’

Queen Anne appointed her Lady of the Bedchamber (1702-14). John Dryden dedicated his work Palamon and Arcite to her. The duchess did not join her husband in exile in France but that did not spare her from the humiliation of having her pew in St. James’s Church taken from her at Christmas in 1715. On this occasion she wrote to Ellis complaining that ‘this treatment appears to me very extraordinary, that before anybody has made out their title to the House in the parish I should be turned out of the church after living 30 years myself in the Parish…’ From 1720 until her death in 1733, she lived at Paradise Row in Chelsea, London. She was buried in Westminster Abbey, London.

Mary Butler née Somerset (1665-1733) Duchess of Ormonde and her son Thomas Earl of Ossory by John Smith, after Sir Godfrey Kneller, Bt., courtesy of National Portrait Gallery, NPG D31316.
Lady Mary Somerset, Duchess of Ormonde (1665-1733) by Michael Dahl, 1690s. Three-quarter-length portrait, of a young woman, seated, full front, her head three-quarters left. She is wearing a deep brown-gold dress, blue lined and is holding a rose in her right hand. A bottle green curtain is to the right and an arcade in the left background. Courtesy of National Trust Petworth.
Top left: James Butler 2nd Duke of Ormonde (1665-1745), Lord Lieutenant of Ireland, son of Thomas Butler, Earl of Ossory. First married Anne Hyde and then Mary Somerset; below him, Mary Somerset (1665-1733), daughter of the Duke of Beaufort. In middle, Thomas Butler (1634-1680), 6th Earl of Ossory, second son of the Duke and Duchess of Ormond and father of 2nd Duke of Ormonde. Mary Somerset’s father top right, Henry Somerset (1629-1700), 1st Duke of Beaufort; below Anne Hyde (1669-1685), the 2nd Duke’s first wife, daughter of Lawrence Hyde, 1st Earl of Rochester, artist: William Wissing (1656-87). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Henry Somerset (1629-1700), 1st Duke of Beaufort 3rd Marquess of Worcester, studio of Sir Godfrey Kneller (1646-1723), hanging in the picture gallery of Kilkenny Castle. Father of Mary Somerset, 2nd Duchess of Ormonde. A staunch Tory, he refused to take the Oath of Allegiance to King William III. Created Duke of Beaufort in 1682. In 1657, he married Mary, daughter of Arthur Capel, 1st Lord Capel and sister of Arthur, Earl of Essex, Lord Lieutenant of Ireland. Henry Somerset died in 1700 and by virtue of his claim to Royal blood through his descent from John of Gaunt, Duke of Lancaster, son of Edward III, he was buried in the Beaufort Chapel at St. George’s in Windsor. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Henry Somerset (1629-1700) 1st Duke of Beaufort by Robert White, after Sir Godfrey Kneller, Bt, NPG D28194.

James 2nd Earl was appointed a Lord of the Bedchamber in 1685; and serving in the army, participated in the victory over the Duke of Monmouth, at Sedgemore. [see 6]

James Butler (1665-1745) 2nd Duke of Ormond, studio of Michael Dahl, oil on canvas, circa 1713 courtesy of National Portrait Gallery NPG 78.

The 2nd Duke carried out more work on Kilkenny Castle. Bence-Jones continues: “[William] Robinson is also believed to have designed the magnificent entrance gateway of Portland and Caen stone with a pediment, Corinthian pilasters and swags which the second Duke erected on the street front of the castle ca 1709. Not much else was done to the castle in C18, for the Ormondes suffered a period of eclipse following the attainder and exile of the 2nd Duke, who became a Jacobite after the accession of George I.” [3]

Kilkenny Castle, photograph by unknown 2014 for Failte Ireland, Ireland’s Content Pool. [see 1]
Kilkenny Castle in Kilkenny, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
A drawing for the entrance of Kilkenny Castle, very different from what we see today.
The classical frontispiece was designed for James Butler, Second Duke of Ormonde possibly to designs prepared by Sir William Robinson. Kilkenny Castle. It has full height Corinthian pilasters and a large arched entry, with niches either side. The moulded surrounds of the entrance and niches have keystones. A decorative frieze of swags sits above the entrance arch. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
At the top of the entrance door is the Butler coat of arms and their motto, Comme le Trouve, “As I find.” Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inside of the entrance gate, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inside of the entrance gate, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inside of the entrance gate, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
James Butler (1665-1745), 2nd Duke of Ormonde, 13th Earl of Ormonde, artist unknown, formerly attributed to William Dobson (British, 1611-1646). James was the eldest surviving son of Thomas Butler, Earl Ossory, and his wife Amelia Nassau.
Following his father’s death in 1680, James became the heir to his grandfather, James Butler, 1st Duke of Ormond, whom he succeeded in 1688. James is wearing Garter robes. This is a crudely painted piece. The head is similar to that used in portraits by Dahl.

Although he was later a Jacobite, favouring the return of James III to the throne rather than George I, James 2nd Duke favoured William III over James II. He took up arms under William Prince of Orange. He was present at the Boyne, and during William’s stay in Ireland entertained the king in extravagant style at Kilkenny castle. 

Lots of stone carved heads decorate the exterior of the castle. I’m not sure when they were added, but if they were there at the time of King William’s visit the military headgear of some was bound to impress.

Lots of stone carved heads decorate the exterior of the castle. Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
One of the stone heads next to an entrance of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
One of the stone heads next to an entrance of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
One of the stone heads next to an entrance of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
One of the stone heads next to an entrance of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There are also stone heads inside the front corridor. I think the corridor’s inner wall was originally an external wall of the castle. The heads inside are regal, not militant.

The front corridor of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A carved stone head inside the front corridor Kilkenny Castle, at the end of hood moulding over a door. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A carved stone head inside the front corridor Kilkenny Castle, at the end of hood moulding over a door. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stephen speaks to a guide in the front corridor of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stephen in the front corridor of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A drawing inside Kilkenny Castle shows a slightly different South front, with a portico around the entrance door. Now the whole ground floor has been extended out from the rest of the building into a corridor.
The entrance to inside Kilkenny Castle, the rounded arched door. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Once William and Mary were established on the throne of England, he began to reap the rewards of his allegiance. He attended the coronation of the new king and queen as lord high constable of England, and was named as a gentleman of the king’s bedchamber. Later he became a privy councillor in both Ireland and England. The dictionary of national biography tells us that if Ormond had prospered in William’s reign, he was to reach new heights of favour under Queen Anne. In February 1703 Ormond was appointed lord lieutenant of Ireland.

However, his fortunes went downhill, and instead of supporting the accession of George I, he became a Jacobite. He was a supporter of James II’s son James Francis Stuart (1688-1766) and his son Charles Edward Stuart, “Bonnie Prince Charlie.”

Prince James Francis Stuart (1688-1766), after Antonio David (1698–1750), this hangs in the long gallery of Kilkenny Castle. Son of King James II and his second wife Maria d’Este, ‘Mary of Modena,’ his birth in 1688 precipitated what became known as ‘The Glorious Revolution’ in England. Throughout his life he remained a focus of the Jacobite cause, culminating in the Battle of Culloden in 1745, when his son, Prince Charles Edward Stuart, ‘Bonnie Prince Charlie,’ led the Highland Scots and other Jacobites to their final defeat. The 2nd Duke of Ormonde was a close confidant and supporter to both princes.
Possibly James Butler (1665-1745) 2nd Duke or Ormonde,13th Earl of Ormonde, attributed to Adriaen van der Werff (1659-1722). This hangs in the picture gallery of Kilkenny Castle. Ormonde, like his grandfather sat to most of the fashionable portrait painters of his day. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Following his involvement in a Jacobite rising, a Bill of Attainder was passed against him. He was impeached for high treason. His English and Scottish honours, including the order of the Garter, and his English estates were seized. Timothy William Ferres tells us that Parliament passed an act which annulled the regalities and liberties of the County Palatine of Tipperary, vested his lands in the Crown, and proclaimed a reward of £10,000 for his apprehension, should he attempt to land in Ireland. [see 6] He fled to France in 1715. 

The crown administered his estates until 1721, when parliament passed an act to enable the Duke’s brother, Charles to repurchase the estates.

The 2nd Earl lived out his life in exile, and died at Avignon in France. Despite this, he was buried in 1746 in Westminster Abbey.

James Butler (1665-1745), 2nd Duke of Ormonde, 13th Earl of Ormonde, after Michael Dahl (1659-1743). Following his support of the Jacobite rising, he was impeached and fled to France. He lived out his life in exile, died in Avignon in France in 1745 and was buried in 1746 at Westminster Abbey. Wearing armour with the blue ribbon of the Garter with the lesser George (a term used to describe the medal associated with the Order of the Garter), and a sash about his waist, Ormonde holds in his right hand a baton of command. A cavalry skirmish and buildings are to his left. The portrait appears to have been executed in the 1690s; the pose is similar to that used by both Sir Godfrey Kneller and Michael Dahl. An original portrait by Dahl which is very similar is in the Devonshire collection at Hardwick Hall. A portrait by Kneller is in the National Gallery of Ireland. This portrait hangs in the Tapestry Room of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The attainder on the 2nd Duke’s estate did not cause the forfeiture of the Irish titles or estates. At the time of forfeiture, it was supposed that the Duke’s honours were all forfeited under the act of attainder passed by Parliament, but it was subsequently decided that no proceeding of the English legislature could affect Irish dignities. James the 2nd Duke had no son, so his brother Charles Butler (1671-1758) succeeded him as 14th Earl of Ormonde and de jure 3rd Duke of Ormonde in the peerage of Ireland. However, Timothy William Ferres tells us that in 1683, Charles had been created Baron Butler, and in 1693, Baron Cloughgrenan, Viscount Tullogh, and Earl of Arran, but he never assumed or was aware of possessing the English and Irish Dukedom or Marquessate.

Charles Butler, 1st Earl of Arran (1671-1758), 14th Earl of Ormond, by James Thornhill. He was the brother of the 2nd Duke of Ormond http://www.odl.ox.ac.uk/oxfordportraits

The Kilkenny Castle website tells us that Charles attended the University of Oxford and took the Grand tour of Europe. Charles reaped rewards and titles in his support for William III, becoming Baron Butler of Weston in the English Peerage (1694) and Earl of Arran in the Irish Peerage (1694). He rose through the ranks in the British Army. He succeeded his brother as High Steward of Westminster and Chancellor of Oxford University, two posts he held until his death. He was fifty years old when he was able to repurchase the Ormonde estates. He lived in St. James’s Place and Grosvenor St. in London, and a country house in Bagshot Park, Surrey. Upon his death in 1758, the Dukedom and Marquisate became extinct.

He had no children, however, so the title passed to a cousin.

The Entrance Hall, Kilkenny Castle. Portrait is of James Wandesforde Butler (1774-1838), 1st Marquess of Ormonde (3rd creation), 19th Earl of Ormonde, by Richard Rothwell (1800-1868). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Since there is the portrait of James Wandesforde Butler (1774-1838), 1st Marquess of Ormonde (3rd creation), 19th Earl of Ormonde in the front hall, let’s continue with the genealogy of the Ormondes before we continue further into the castle.

After the childless 14th Earl of Ormonde, the successor was a cousin, John Butler (d. 1766) of Kilcash and Garryricken. His father was Thomas Butler of Kilcash (d. 1738), a grandson of Richard Butler (d. 1701) of Kilcash, a brother of the 1st Duke of Ormond.

Family tree of the Butlers, showing the genealogy of the 15th Earl of Ormonde.
Colonel Thomas Butler (d. 1738) of Kilcash and Garryricken by James Latham. Thomas was the father of the 15th Earl of Ormonde, John Butler (d. 1766) of Kilcash and Garryricken.

Colonel Thomas Butler (d. 1738) of Kilcash and Garryricken, father of the 15th Earl of Ormonde, had a brother who became a Catholic Archbishop of Cashel and Emly. Their portraits, by James Latham, hang in the picture gallery of Kilkenny Castle.

Thomas (d. 1738) inherited Kilcash from his grandfather Richard Butler (d. 1701) of Kilcash. A Colonel of a Regiment of Foot in the army of King James II, Thomas married Margaret Bourke, widow of 5th Viscount Iveagh and daughter of William, 7th Earl of Clanricarde. They had three sons: Richard (d.1711), Walter who died in Paris and John Butler of Kilcash, who succeeded to the Ormonde titles as de jure 15th Earl in 1758 on the death of his cousin Amelia, sister of James Butler, 2nd Duke of Ormonde. The couple also had five daughters: one, Honora married Valentine Brown, Lord Kenmare.

Christopher Butler (d. 1758?) Catholic Archbishop of Cashel and Emly, by James Latham. Christopher Butler was Catholic archbishop of Cashel and Emly, son of Walter Butler of Garryricken and brother of Colonel Thomas Butler of Kilcash.
In the picture gallery of Kilkenny Castle: Christopher Butler (d. 1758?), Catholic archbishop of Cashel and Emly, son of Walter Butler of Garryricken and brother of Colonel Thomas Butler of Kilcash, portrait by James Latham (1696-1747); Charles Butler (1671-1758) 2nd Earl of Arran, youngest son of Thomas Butler Earl of Ossory and brother of the 2nd Duke of Ormonde; Colonel Thomas Butler of Kilcash (d. 1738) by James Latham. He was the son of Walter Butler and Garryricken and Mary Plunket. He inherited Kilcash from his grandfather Richard, youngest brother of the Duke of Ormond. His wife was Margaret Burke. Portrait attributed to Hans Hysing (1678-1753). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The 15th Earl had no children so the title then passed to a cousin, Walter Butler (1703-1783), another of the Garryricken branch, who also became the 9th Earl of Ossory. He was the only son and heir of John Butler of Garricken and Frances, daughter of George Butler of Ballyragget. Walter inherited the Ormonde titles in 1766 which he did not assume, so is called the “de jure” 16th Earl. “De jure” describes practices that are officially recognised by laws or other formal norms, regardless of whether the practice exists in reality.

Walter Butler (1703-1783) De jure 16th Earl of Ormonde, by Robert Hunter. This portrait hangs in the drawing room of Kilkenny Castle. Walter Butler is shown seated with his dog in a formal garden landscape, with a small temple and another building in the background. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In 1732 he married Eleanor Morres (1711-1793), the daughter of Nicholas Morres of Seapark Court, Co. Dublin, and of Lateragh, Co. Tipperary.

Eleanor Morres (1711-1793) by Robert Hunter (1715-1720, died after 1803). This portrait hangs in the drawing room of Kilkenny Castle. Eleanor was the daughter of Nicholas Morres of Seapark Court, Co. Dublin, and of Lateragh, Co. Tipperary, and of Susanna, daughter of Richard Talbot of Malahide Castle. She married Walter Butler, de jure 16th Earl of Ormonde, in 1732. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Duelling pistols. In 1760 Kilkenny Castle was raided for its silver plate by highwaymen. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information about duels.
Blunderbuss.

Walter succeeded to the family estates on 1766 on the death of the 15th Earl and thus moved from Garryricken House to Kilkenny Castle. Walter de jure 16th Earl was a Catholic so was unable to exercise a political role. He undertook the restoration of the Castle, decorating some of the rooms with simple late eighteenth century plasterwork, and also built the stable block across the road from the Castle, today the Design Centre and National Craft Centre. He also built the Dower House, now a hotel called Butler House.

Butler House, the dower house to Kilkenny Castle, built for Walter Butler (1703-1783) de jure 16th Earl of Ormonde. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

After Walter’s death in 1783, Eleanor moved into the Dower House. His youngest daughter, Eleanor, is known as one of the ‘Ladies of Llangollen,’ who moved with her female partner to a home in Wales.

In 1768 the thirteen-year-old Sarah Ponsonby arrived in Kilkenny to attend a local school. Following her visit to the Butler family at Kilkenny castle, and despite the difference in age, the two formed an immediate friendship and corresponded secretly. In their first attempt to flee in March 1778, they left for Waterford disguised as men and wielding pistols, but their families managed to catch up with them.

The Ladies of Llangollen, Sarah Ponsonby and Charlotte Eleanor Butler, by Richard James Lane, printed by Jérémie Graf, after Lady Mary Leighton (née Parker) courtesy of National Portrait Gallery NPG D32504.

Eleanor was then sent to the home of her brother-in-law Thomas ‘Monarch’ Kavanagh of Borris, Co. Carlow, but made a second, successful attempt and ran away to find Sarah in Woodstock, County Kilkenny. Her persistence won out when both families finally capitulated and accepted their plans to live together.

Walter and Eleanor’s son John (1740-1795) became known as “Jack of the Castle” and was the 17th Earl. Jack’s sister Susannah married Thomas Kavanagh of Borris House in County Carlow (see my entry about Borris House https://irishhistorichouses.com/2020/10/04/borris-house-county-carlow/).

Jack married Anne Wandesford, becoming a Protestant in order to marry her. This allowed him to stand as a member of Parliament. Their sons Her sons Walter and James became 18th and 19th Earls of Ormonde while a younger son Charles inherited the Wandesforde estates and took the name Wandesforde. The Kilkenny Castle website tells us that Anne placed a strong emphasis on health. In Castlecomer she had organised a fever hospital, dispensary and infirmary during the difficult period of the nineteenth century.

Susan Frances Elizabeth (Anne) Wandesford (1754-1830) Countess of Ormonde by Hugh Douglas Hamilton (1739-1808), hanging in the picture gallery of Kilkenny Castle. Daughter of John, Earl Wandesford and his wife Agnes Elizabeth Southwell of Enniscouch, Co. Limerick. In 1769, Anne married John Butler, 17th Earl of Ormonde, who claimed the Irish titles in 1783 and had them confirmed in 1791. They had four sons: Walter, later 18th Earl of Ormonde, John, who died unmarried and James. The youngest, Charles Howard Butler was heir to his mother’s estates and also inherited her brother Walter Clarke’s estates. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
John Wandesford (1725-1784), 1st Earl of Wandesford and Viscount Castlecomer, after Sir Joshua Reynolds (1723-92), hanging in the picture gallery of Kilkenny Castle. Father of Susan Frances Elizabeth (Anne) Wandesford, Marchioness of Ormonde, he was created Earl of Wandesford in 1758. When he died in 1884, the title became extinct. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
John Wandesford (1725-1784), Earl of Wandesford, father of Anne; below, Susan Frances Elizabeth (Anne) Wandesford (1754-1830), Countess of Ormonde, wife of 17th Earl of Ormonde and mother of 18th Earl, Artist: Hugh Douglas Hamilton (1739-1808); Landscape with Waterfall from the Italian school of 18th century and below, Before the Hunt. To right, Gilbert Clarke (d. 1725), by Sir Godffrey Kneller (1646-1723) and below, possibly Susanna nee Boun, wife of Gilbert Clarke. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Jack and Anne’s son Walter (1770-1820) was given the title Viscount Thurles in 1791. When his father died in 1795 he became the 18th Earl and 1st Marquess of Ormonde. He was made Knight of the Order of St. Patrick in1798 and in 1801 he was created Baron Butler of Lanthony, Co. Monmouth.

Walter Butler (1770-1820) 1st Marquess of Ormonde (2nd creation), 18th Earl of Ormonde by Sir William Beechey, hanging in the picture gallery of Kilkenny Castle. Son of John Butler and Anne Wandesford. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

After voting for the Act of Union in 1800, Walter took his seat in the House of Lords. He was said to haven a profligate spender, moving in the circle of the Regent, Prince George (later George IV).

In 1805, he married a wealthy heiress, Anna Maria Catherine Price-Clarke (1789-1817).

Anna Maria Catherine Price-Clarke (1789-1817) Marchioness of Ormonde by Sir William Beechey (1753-1839), hanging in the picture gallery of Kilkenny Castle. Heiress to her brother Godfrey TR Price-Clarke, she was the only daughter and heir of Job Hart Price-Clarke (formerly Price) of Sutton Hall, Derby, and his wife Sarah, sister and heiress of Godfrey Bagnal Clarke of Sutton Hall. She was married to Walter Butler, 1st Marquess of Ormonde (2nd creation). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

His Irish estates were worth £22,000 per annum in 1799. In 1811, probably needing money, he negotiated the sale of the presage of wines granted to his ancestor in 1327, and Parliament granted him £216,000 as compensation. He was created Marquess of Ormonde in 1816.

 Walter Butler (1770-1820) 1st Marquess of Ormonde (2nd creation), 18th Earl of Ormonde, in the manner of William Beechy.

The walls of the Chinese Withdrawing Room have remnants of hand painted Chinese wallpaper original to the room, with the monochrome grey and white infill carried out by the studio of David Skinner. This delicate paper was probably ordered as part of the redecorations done to the castle by Walter Butler (1770-1820) 1st Marquess of Ormonde (2nd creation), 18th Earl of Ormonde. Walter had three rooms decorated with Chinese Paper in 1801 of which only fragments of one survive. Walter belonged to the circle of the Prince Regent and the paper in Kilkenny is similar to that chosen by the future king for the saloon at the Royal Pavilion, Brighton, and to another set which the regent presented to the owners of Temple Newsam, Leeds.

During the 19th century ladies withdrew here from the dining room leaving the men to enjoy their port and cigars after dinner, as was the social convention.

The Chinese Withdrawing Room, Kilkenny Castle. Walter Butler belonged to the circle of the Prince Regent and the paper in Kilkenny is similar to that chosen by the future king for the saloon at the Royal Pavilion, Brighton, and to another set which the regent presented to the owners of Temple Newsam, Leeds. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Chinese Withdrawing Room, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Chinese Withdrawing Room, Kilkenny Castle. Recreated to its original 18th century proportions. The room has a late 19th century Ushak rug. Ushak Carpets are handwoven in the city of Uşak in Turkey. Uşak was a major centre of rug production from the early days of the Ottoman Empire. There was a renewed appreciation for Persian rugs in the 19th century and the Ushak rugs became highly fashionable. Ushak rugs are generally woven in a method known as the Ghiordes knot or the Turkish knot: where coloured weft yarn passes over the two warp yarns and is then pulled through between them and then cut to form the pile. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Chinese Withdrawing Room, Kilkenny Castle. Recreated to its original 18th century proportions. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information board about the Chinese Withdrawing Room in Kilkenny Castle.
The Chinese Withdrawing Room. On the walls are remnants of hand painted Chinese wallpaper original to the room with monochrome infill carried out by the studio of David Skinner. This delicate paper was probably ordered as part of the redecorations done to the castle by the 18th Earl, Walter Butler. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Chinese Withdrawing Room, Kilkenny Castle. Walter Butler had three rooms decorated with Chinese Paper in 1801 of which only fragments of one survive. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Chinese Withdrawing Room, Kilkenny Castle. The Crowded design includes water fowl, fruit and flower laden trees, ornate balustrades and fences supporting urns of various sizes and forms. More vases hang from the trees, where pheasants perch and smaller birds fly in pursuit of butterflies and insects. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Chinese Withdrawing Room. A tulipiére is an ornate vessel in which to grow tulips. They are typically constructed to accommodate one bulb per spout with a larger common water reservoir base. It is usually made of hand crafted pottery, classically delftware. This tulipiére was hand-made in Delft in 2009 as a one off. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

When Walter the 18th Earl died, the Marquessate of Ormonde and the Barony of Butler of Lanthony became extinct. He was described by Barrington in his Personal Sketches ‘as engaging a person, as many manly qualities, and to the full as much intellectual promise, as any young man of his country,’ but these were ‘either blunted by dissipation or absorbed in the licentious influence of fashionable connection’.

The Kilkenny Castle website identified this portrait that hangs in the long gallery of Kilkenny Castle as James Butler (1774-1838) 1st Marquess of Ormonde (3rd creation) and 19th Earl of Ormonde, by John Saunders (1750-1825). However it looks to me like Walter Butler (1770-1820) 1st Marquess of Ormonde (2nd creation), 18th Earl of Ormonde. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The 18th Earl had no sons so his brother James Wandesford Butler (1774-1838) succeeded him. Upon his death, it was found that Walter’s estate was massively bankrupt. It was left to his successor James, the next Earl of Ormond and his younger brother Charles to bring order to the families’ financial affairs.

James Butler (1774-1838), 1st Marquess of Ormonde, 19th Earl of Ormonde, unknown artist. This portrait hangs in the library of Kilkenny Castle. James Butler was born at Kilkenny Castle the 15th July 1774, third son of John Butler, 17th Earl of Ormonde and Lady Frances Susannah Anne Wandesforde. He was educated at Eton and succeeded his brother Walter as Earl of Ormonde in 1820 becoming one of the largest landowners of Ireland. He and his younger brother Charles Harward were friends of the Prince of Wales. He married Grace Louisa Staples in 1807.

James Butler (1774-1838) was born at Kilkenny Castle the 15th July 1774, third son of John Butler, 17th Earl of Ormonde and Lady Frances Susannah Anne Wandesforde. He was educated at Eton.

After the Act of Union in 1800, James Wandesford Butler (1774-1838) took his seat in London as MP for Kilkenny (1801-20). In 1807 he married Grace Louisa Staples. They had ten children.

Grace Louisa Staples (1779-1860) Marchioness of Ormonde by John Saunders (1750-1825) hanging in the picture gallery of Kilkenny Castle. Daughter of the Rt Hon John Stapes of Lissan, near Dungannon and Henrietta, fourth daughter of Richard, 3rd Viscount Molesworth, she married James Butler, 19th Earl and 1st Marquess of Ormonde (3rd creation) in 1807.

James succeeded his brother in 1820 and because the English honours had become extinct at Walter’s death, it was not until 1821 that he was created Baron Ormonde of Lanthony, Knight of St. Patrick, in the same year. Four years later he was created 1st Marquess of Ormonde (of the 3rd creation). 

He officiated as Chief Butler of Ireland at the Coronation of George IV.

He was Vice Admiral of Leinster, Lord Lieutenant of Co. Kilkenny (1831-38) and Militia ADC to King William IV and to Queen Victoria from 1837 until his death. 

James Wandesforde Butler (1774-1838), 1st Marquess of Ormonde (3rd creation), 19th Earl of Ormonde, by Richard Rothwell (1800-1868), the portrait hangs in the Hall of Kilkenny Castle. He succeeded his brother Walter as Earl of Ormonde in 1820, becoming one of the largest landowners in Ireland with an estate worth more than £20,000 a year. He was created Marquess of Ormonde in 1825 and officiated as Chief Butler of Ireland at the Coronation of George IV. He married Grace Louisa Staples in 1807, they had ten children. He died in Dublin in 1838 and was succeeded by his eldest son John. In this portrait, the marquess is depicted wearing a dark coat with the blue ribbon of the Order of St Patrick. Rothwell, an Irish artist who had worked as Sir Thomas Lawrence’s chief assistant, was a highly regarded portrait painter.
Marquess James Butler, Ormonde (1774 – 1838), 1830, After John Comerford (around 1762 Kilkenny – 1832 Dublin).

It was during James Wandesford Butler the 19th Earl and 1st Marquess’ time that major reconstruction work was carried out at Kilkenny Castle, around 1816 by William Robertson.

After some refurbishment had been carried out at Butler House, the family moved to live there for some years during the reconstruction work of the late 1830s and the 1840s. Robertson, an architect from Kilkenny, practically rebuilt the castle, except the three old towers and the outer walls. The front entrance by the 2nd Duke remains. Robertson swept away the 1st Duke’s embellishments.

The picture gallery of Kilkenny Castle has a wonderful drawing by William Robertson around 1816 of the castle.

Robertson replaced one of two missing sides of the courtyard with a new wing containing an immense picture gallery. The original gallery, on the top floor of the principal range, had been divided into bedrooms.

William Robertson (1770-1850) also designed a Section 482 property which I have yet to visit, Lismacue in County Tipperary (see my entry https://irishhistorichouses.com/2025/02/10/lismacue-house-bansha-co-tipperary-section-482-accommodation/ ).

Lismacue House, County Tipperary, photograph courtesy of website.
Kilkenny Castle, photograph by Chris Hill 2014 for Failte Ireland, Ireland’s Content Pool. [see 1] The National inventory describes the newer picture gallery wing. It was renovated a second time in 1858-62, with eight-bay two-storey range to north-east reconstructed having canted oriel windows to first floor, and pair of single-bay single-stage corner turrets on octagonal plans. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Mark Bence-Jones describes the renovations:

Ca. 1826, the Kilkenny architect, William Robertson, when walking in the castle courtyard with the Lady Ormonde of the day, noticed that a main wall was out of true and consequently unsafe. One suspects it may have been wishful thinking on his part, for it landed him the commission to rebuild the castle, which he did so thoroughly that virtually nothing remains from before his time except for the three old towers, the outer walls and – fortunately – the 2nd Duke’s gateway. Apart from the latter, the exterior of the castle became uncompromisingly C19 feudal; all the 1st Duke’s charming features being swept away. Robertson also replaced one of two missing sides of the courtyard with a new wing containing an immense picture gallery; the original gallery, on the top floor of the principal range, having been divided into bedrooms. Robertson left the interior of the castle extremely dull, with plain or monotonously ribbed ceilings and unvarying Louis Quinze style chimneypieces.” [see 3]

The long gallery wing of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inner corner of the south front of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inner corner of the south front of Kilkenny Castle. The hoppers on the top of the drain pipes depict an eagle, and each has a different date written on it, each a significant year to the Ormondes and Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The view from the south front of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

On the ground floor of the castle, along with the Entrance Hall are the Chinese Withdrawing Room and the State Dining Room. In a corridor there is a plan of the different floors – I don’t know when it was made, but maybe around 1826 at the time of Willliam Robertsons’s renovation.

Kilkenny Castle: this shows the ground floor with the hall, dining room and withdrawing room, and the Tapestry room in a round tower.
Kilkenny Castle.

The ground floor also contains the State Dining Room. The website tells us that this was the formal dining room in the 1860’s. Historic evidence shows that this room was hung in the late 19th century with a red flock paper when it was a billiard room. The strong blue on the walls echoes the colour in the original 19th century-stained glass windows and provides a backdrop for the Langrishe family portraits, which originated in Knocktopher Abbey, Kilkenny, and are now in the care of the State.

Knocktopher Abbey in County Kilkenny, a house incorporating the remains of the first Carmelite friary in Ireland, rebuilt for Lieutenant-Colonel Sir James Langrishe JP DL (1832-1910) after a fire. It was rebuilt around 1866 in High Victorian Gothic to the design of John McCurdy. The paintings on display are part of a generous bequest to Kilkenny Castle from Lady Grania Langrishe in July of 2012. See my footnotes for a description of the portraits of the Langrishe family which are on display. [9]

John Langrishe  (1660-1735), son of Hercules Langrishe (the first member of the family who settled in Ireland), became proprietor of the borough of Knocktopher, County Kilkenny. 

Knocktopher Abbey, Knocktopher, Co. Kilkenny, photograph courtesy DNG Country Homes & Estates, November 2024.

Most large estate houses would have had both a formal and informal Dining Room. The collection of silverware contains some pieces from the original 18th century collection, purchased by Walter Butler, the 18th Earl, after his marriage to the wealthy heiress Anna Maria Price Clarke.

The State Dining Room, Kilkenny Castle. This was the formal dining room in the 1860’s. Historic evidence shows that this room was hung in the late 19th century with a red flock paper when it was a billiard room. The strong blue on the walls echoes the colour in the original 19th century-stained glass windows and provides a backdrop for the Langrishe family portraits, which originated in Knocktopher Abbey, Kilkenny, and are now in the care of the State. Portrait of Rev. Sir Hercules Richard Langrishe (1782-1862), 3rd Baronet of Knocktopher County Kilkenny, artist unknown, in the corner. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The State Dining Room, Kilkenny Castle. Portrait of Sir Robert Langrishe (1756–1835), 2nd Baronet Knockopher, artist unknown, over the door. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The State Dining Room, Kilkenny Castle. Reflection of oil portrait of an unknown gentleman possibly Sir Robert Langrishe 2nd Baronet. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The State Dining Room, Kilkenny Castle. Portraits, from left to right: Robert Langrishe 2nd Baronet; an unknown gentleman perhaps John Langrishe (1660-1735); Robert Langrishe (1696-1769), artist unknown; Hercules Langrishe (1859–1943), 5th Baronet Knocktopher, Artist unknown and Hercules Langrishe (1731-1811), 1st Baronet Knocktopher, artist unknown. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kilkenny Castle dining room, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
View from the dining room onto the garden of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Garden front of Kilkenny Castle, photograph by Roselinde Bon 2016 for Failte Ireland, Ireland’s Content Pool. [see 1]
Planning sketch for the garden of Kilkenny Castle.
Kilkenny Castle in Kilkenny, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.

The 19th century mahogany staircase was designed and made by the local firm of Furniss & Son, Kilkenny and leads to the Tapestry Room and first floor. The use of mahogany in domestic furniture, which is so synonymous with the Grand House, is virtually unknown before the 18th century. Most of the wood imported came from the Jamaican Plantations which were cleared in order to plant sugar cane and cotton. During the 19th century this staircase was hung with several beautiful tapestries from the Decius Mus suite, some of which are now housed in the Tapestry Room.

Photograph courtesy of Kilkenny Castle website, The Grand Staircase.
At the top of the stairs is a portrait of Mrs Nott (Knott) (d.1711), possibly Susan, granddaughter of Sir Thomas Nott, Gentleman Usher of the Privy Chamber to Charles II, studio of William Wissing (1656-87). Brewer describes the sitter as a possible mistress of one of the dukes of Ormonde. The portrait also resembles that of Amelia of Nassau, wife of Thomas, Earl of Ossory, in similar costume, and may have been acquired for that reason. A signed portrait by Wissing of Mrs. Knott is in the Royal Collection, as is a portrait of Amelia. Millar dates the original portrait to ‘perhaps c. 1680-85.’ Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The other portrait at the top of the stairs is John Bligh (1683-1728), Earl of Darnley, Viscount Darnely and Baron Clifton, attributed to Charles Stoppelaer (fl. 1703-45). Bligh was MP for Trim (1709-13) and for Athboy (1713-21). His father, Thomas, had obtained large grants of land in Ireland under the Acts of Settlement 1668. He was created Baron Clifton of Rathmore, Co Meath in 1721 in consequence of his marriage in 1713 to Theodosia Hyde, suo jure Baroness Clifton, sister and heir of Edward, Lord Clifton, Viscount Cornbury. She was a wealthy heiress with royal connections. Bligh is depicted wearing a buff-coloured coat with drapery. it was painted c.1723, as the coronet is that of a viscount. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Grand Staircase, Kilkenny Castle. This 19th century mahogany staircase was designed and made by the local firm of Furniss & Son, Kilkenny and leads to the Tapestry Room and first floor. Most of the wood imported came from the Jamaican Plantations which were cleared in order to plant sugar cane and cotton. During the 19th century this staircase was hung with several beautiful tapestries from the Decius Mus suite, some of which are now housed in the Tapestry Room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Grand Staircase, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Grand Staircase, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Unknown Gentleman by Philip Hussey (1713-1783). Said to be a member of a Fitzgerald/Fitzmaurice family from the Cork area. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Unknown lady by Philip Hussey (1713-1783). The basic details of the costume are identical to that worn by Mrs Sophia Tipping in the double portrait, Mrs Sophia Tipping with her daughter, Wilhelmina Salisbury, also painted by Hussey. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mrs Sophia Tipping and her Daughter Wilhelmina Salisbury by Philip Hussey.
An allegory of Avarice by Jan de Herdt (fl.1646-72). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The stair hall, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

On the first floor we can visit the Tapestry Room, and then a suite of rooms, the Anteroom, Library and Drawing Room.

The first floor of Kilkenny Castle, with the Tapestry Room then the suite of rooms containing the anteroom, library and drawing room.

The Tapestry Room in the North Tower shows how the medieval castle was transformed in the 17th century to become a magnificent baroque ducal palace. This room was called the Great Chamber in the 17th century and the walls were decorated with embossed and gilded leather hangings on the walls; a fragment of a late 17th/ early 18th century leather has been hung beside the door to give an impression of how rich the room must have been. In the 18th century, they were replaced by a set of tapestries. There are two tapestries from the “Decius” suite in the Tapestry room. The tapestries are attributed to the workshop of Jan Raes, after designs by Sir Peter Paul Rubens.

The ‘Decius’ suite had been in the ownership of the Ormonde family for over 300 years and was displayed in several of their residences before being acquired by OPW for display in Kilkenny Castle. Tapestries were an important feature of the interior decoration of large houses in Europe during the 16th and 17th centuries and helped provide interior interest, warmth, and colour. There area more of this series of tapestries in the picture gallery of the castle.

The Gothic block wallpaper that goes halfway up the walls is a reproduction of an eighteenth century Irish wallpaper, reproduced by David Skinner.

The ceiling outlines the keyhole shape of this room, created by the addition of a square tower to the circular medieval tower during the 15th century.

The Tapestry Room in Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Desius Mus and Manlius Torquatus leave to fight the Latins. There are two tapestries from the “Decius” suite in the Tapestry room. The tapestries are attributed to the workshop of Jan Raes, after designs by Sir Peter Paul Rubens. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The obsequies of Decius Mus. The Story of ‘Decius Mus’ is a heroic tale of a Roman Consul who foretold his own death at the Battle of Veseris (Vesuvius) in the Latin War (340BC). You can read more about these tapestries on the Kilkenny Castle website. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information about the tapestries.
Information about the tapestries.
Japanese chest. A fine early black lacquer and chinoiserie decorated lift-top chest, with large engraved brass lock place, on a stand with short square legs. This travelling chest belonged to the Duke of Ormond and is an important remnant of the late 17th century furnishing of Kilkenny Castle. The Gothic style hand blocked wallpaper was reproduced by David Skinner from Malahide Castle, one of the very few examples of Irish produced wallpaper from the 18th century. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Tapestry Room, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Tapestry Room in Kilkenny Castle. The ceiling outlines the keyhole shape of this room, created by the addition of a square tower to the circular medieval tower during the 15th century. One one side is the portrait of James Butler (1610-1688), 1st Duke of Ormond, 12th Earl of Ormond, Lord Lieutenant of Ireland, by Peter Lely. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
James Butler (1610-1688), 1st Duke of Ormond, 12th Earl of Ormond, Lord Lieutenant of Ireland, by Peter Lely (1618-1680). Wearing robes of the Order of the Garter, Ormond holds the wand of office of Lord Steward of the Household in his right hand. The portrait is probably that referred to in a series of letters written by Ormond’s agents, John Buck in England and Sir George Lane in Ireland, during the years 1662 to 1663. In a letter dated May 1663, John Buck wrote: ‘…the latter end of this month I shall send from hence a most excellent picture of My Lord Duke’s, I think you saw the face done before you went; by that time I am promised the Queen’s for my Lady Duchess to send along with it: Mr. Lilly tells me there is one very good at cappeinge [copying?] in Dublin, if not pray let me receive your farther commands; Mr. Lilly will presently part with the Duchess’ pictures for you, if you can procure any to bring directions from Her Highness to him for it.’ [HMC Ormonde Mss, iii, 55]. This is the finest extant portrait of the duke. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Tapestry Room in Kilkenny Castle is in the North Tower with its 12 ft thick walls. Portrait of Honora Bourke (1675-1698), Countess of Lucan and Duchess of Berwick, French School 17th century. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Honora Bourke (1675-1698), Countess of Lucan and Duchess of Berwick. French School 17th century. She was the daughter of William Bourke, 7th Earl of Clanricarde and Lady Helen MacCarty. Honora’s sister was Margaret, Lady Iveagh, wife of Thomas Butler of Kilcash. She married, firstly, General Patrick Sarsfield, 1st Earl of Lucan, son of Patrick Sarsfield, circa 9 January 1689/90 and secondly, James FitzJames, 1st Duke of Berwick-Upon-Tweed, son of James II Stuart, King of Great Britain and Arabella Churchill, on 26 March 1695 at Saint-Germain-en-Laye, Île-de-France, France. Honora died aged 22 at Pesenas in France. Both her sons inherited their father’s titles. Oval, 1/2 length portrait. Sitter wears a yellow dress with a blue ermine-trimmed, blue wrap. It was possibly taken from a portrait painted on the occasion of her marriage to the Duke of Berwick at St-Germain-en-Laye. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Tapestry Room in Kilkenny Castle is in the North Tower with its 12 ft thick walls. This room was called the Great Chamber in the 17th century and the walls were decorated with embossed and gilded leather hangings on the walls. Portraits of James Butler (1665-1745), 2nd Duke of Ormonde, 13th Earl of Ormonde, after Michael Dahl (1659-1743), and Thomas Wentworth (1593-1641), 1st Earl of Stafford. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Thomas Wentworth (1593-1641), 1st Earl of Stafford, Lord Deputy General, Lord lieutenant of Ireland, after Anthony van Dyck (1599-1641). In the late 1620s, Wentworth was MP in opposition to the Crown, but was to become one of Charles I’s principal supporters from 1629 until his death. During his time in Ireland as Lord Lieutenant, Strafford sought to further royal interest, and in so doing he also managed to enrich himself. As a result of his manoeuvres and his own self-aggrandisement, he made many powerful enemies. His final effort on the King’s behalf-the formation of a standing army in Ireland to defend royal’s interest- was to lead to his ultimate downfall in 1640. Rumours spread that the army was to be used to invade England. He was committed to the Tower of London, and in January 1641 was impeached for high treason. The King signed his death warrant, and he was executed on Tower Hill in May 1641. Head and shoulders in armour, after a portrait by Sir Anthony van Dick painted in 1636. Van Dyck painted two portraits of the sitter in armour, one a full-length, the other a three-quarter-length. Numerous smaller copies were also made by studio assistants. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information board about the Tapestry Room.
The Tapestry Room in Kilkenny Castle, with the portrait of King Charles II in the background. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Tapestry Room in Kilkenny Castle. The colour orange is an early 19th century burnt Sienna distemper known as Malahide Orange, which was also found at Malahide Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
State chair, Original of Kilkenny Castle, a Charles II walnut state chair covered with both early 18th and possibly 17th century leather with very colourful decorations on back. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

From the website: “Today the first floor space is occupied by three rooms: Anteroom, Library and Drawing Room, as it was in the 19th century. The processional lay out of the rooms, each opening into the next is characteristic of the Baroque style of the 17th century and was know as an ‘enfilade’ suite of rooms. Baroque protocol dictated that visitors of lower rank than their host would be escorted by servants down the enfilade to the nearest room that their status allowed.

In the 16th and 17th century the State Rooms were situated on this floor. 17th century history records that it was in these state apartments that James Butler 1st Duke of Ormonde received the Papal Nuncio Giovanni Battista Rinuccini during the Irish Confederate Wars of that century.

James Butler, 1st Duke of Ormonde (1610–1688) after John Michael Wright courtesy of National Trust images.

The Kilkenny castle website continues: “An Anteroom was a small room used as a waiting room, that leads into a larger and more important room. The Anteroom and the room below, today the Serving Room, were constructed in the area where an earlier stone staircase was situated.” The anteroom features a reproduction poplin wallpaper and bronze figurines in niches.

The Ante Room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Anteroom, Kilkenny Castle. Pair of large cast bronze art nouveau female figures, holding torches, suitable for conversion to electricity, as lamp holders. Semi-clad and standing on a circular base, the female figures hold a torch as a lamp holder in their hands, signed E. Rossi. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The anteroom leads to the library. “The interior decoration is a faithful recreation of the furnishing style of the mid to late 19th century. Thanks to a salvaged fabric remnant found behind a skirting board, it was possible to commission the French silk poplin on the walls in its original pattern and colour from the firm of Prelle in Lyons in France. The claret silk damask curtains are also based on the originals were made in Ireland.

For identification of the portraits in this room, see my footnotes. [10] Not all of the sitters seem to be immediately connected to the Ormonde family.

The Library. Briefly, the portraits on the wall over the door are, from the left, an unknown lady; possibly Rachel Russell the wife of William, 2nd Duke of Devonshire. Rachel was related by marriage to the Ormonde family, her husband was the son of Mary Butler, 1st Duchess of Devonshire; James Butler (1774-1838), 1st Marquess of Ormonde, 19th Earl of Ormonde; Elizabeth Jones (1665-1758), after William Wissing. Wife of John Fitzgerald, 18th Earl of Kildare; and an unknown lady. Photograph courtesy of Kilkenny Castle website.

One of the nine massive curtain pelmets is original and an Irish firm of Master Gilders faithfully reproduced matching gilt reproductions. The bookcases were also reproduced based on one original bookcase acquired by the OPW in the 1980s, this original with its 19th century glass stands in the right end corner of the library. The matching pair of pier mirrors over the mantelpieces was conserved and re gilded.”

The Library, Kilkenny Castle. The claret silk damask curtains are also based on the originals were made in Ireland. One of the nine massive curtain pelmets is original and an Irish firm of Master Gilders faithfully reproduced matching gilt reproductions. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Library, Kilkenny Castle. The claret silk damask curtains are also based on the originals were made in Ireland. One of the nine massive curtain pelmets is original and an Irish firm of Master Gilders faithfully reproduced matching gilt reproductions. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Library, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Berber style rugs were designed and woven for this room by the firm of Woodward Grosvenor in the 1990s. The restoration team were fortunate in finding the original receipt for the carpet in the family papers, and were able to trace the original company who had retained the design records. The design is based on patterns adapted from Izmir motifs. The Woodward Grosvenor company was based in Kidderminster, England. The town has been a centre of weaving for many centuries, and in the mid – late 18th century began to specialize in new forms of carpet weaving, earning the title of Carpet Capital of Britain. The company was founded in 1790 by Henry Woodward. in 1855 with his partner Benjamin Grosvenor, he build the Stour valley Mill, the first steam-powered carpet mill in Britain.

Information board about the library in Kilkenny Castle.
The Library, Kilkenny Castle. The matching pair of pier mirrors over the mantelpieces was conserved and re gilded. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Grace Louisa Staples (1779-1860) by John Comerford (1773-1835). Daughter of the Rt Hon John Staples of Lissan, near Dungannon, and Henrietta, fourth daughter of Richard, 3rd Viscount Molesworth, she married James Butler, 19th earl and 1st Marquess of Ormonde, in 1807. This small, half-length portrait is a variation on the full-length portrait of the sitter by John Saunders displayed in the Picture Gallery. Then Louisa Anne Molesworth (1749-1824), Lady Ponsonby, and later Countess Fitzwilliam, by Hugh Douglas Hamilton (ca.1739-1808). The fourth daughter of the 3rd Viscount Molesworth and his second wife Mary Usher, she married William Brabazon (later Baron) Ponsonby of Imokillly, Co. Cork, in 1769. Secondly, in 1823, she married Earl Fitzwilliam when he was 75 and she 73. Then Inscribed on the back: “Anastasie de Crussol, daughter to the dear friend of Mary Countess of Harcourt who lived during the time of the Emigration of the French principally at St Leonards, she died soon after the birth of her daughter. Her mother was daughter to the Duc de Montilmar.” Bottom, Charles Robert Moore (1848-1869), unknown artist, Inscribed on the back: “My beloved uncle [as a] child Charles Robt Moore he died at Alexandria aged 21 in 1869. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
James Butler (1774-1838), 1st Marquess of Ormonde, 19th Earl of Ormonde, by John Comerford (1773-1835). This small, half-length portrait is a variation on the full-length portrait of the sitter by John Saunders displayed in the Picture Gallery. Then Hon Henrietta Molesworth (d. 1813) by Hugh Douglas Hamilton (1740-1808). Eldest daughter of the 3rd Viscount Molesworth and his second wife Mary Usher, she married the Rt Hon John Staples of Lissan, Co Tyrone, in 1774. Their daughter, Grace Louisa Staples married James Butler, 19th Earl and 1st Marquis of Ormonde. Then Mrs Ross, attributed to Adam Buck (1759-1833). Isabella Barbara Evelyn was the daughter of Sir Gunning Bart and Ann Sutton. She married General Alexander Ross (1742-1827) in 1795. Bottom, Lady Flora Hastings (1806-1839), attributed to Adam Buck. Eldest child of Francis Rawdon Hastings, 1st Marquess of Hastings and Flora Mure Campbell, Countess of Loudown. In 1834 the unmarried Flora was appointed lady-in-waiting to future Queen Victoria’s mother, the Duchess of Kent. She was the innocent centre of a scandal that rocked court and government and caused Victoria’s popularity to plummet.
The Library, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Library, Kilkenny Castle. A Pillar Zogroscope or Optical device was popular during the latter half of the 18th century as parlour amusements. The zogroscope was designed to magnify prints so they could be seen more easily with enhanced depth. It has a convex lens mounted in a square wooden frame that, in turn, is supported on a pedestal. A second frame, hinged at the top, holds a mirror that can be held out at any desired angle. The form came into use in the eighteenth century and remained popular throughout the nineteenth century. It was also known as an optical diagonal machine or cosmorama. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Georgian folding table. An intricately inlayed walnut table in the Georgian breakfast style. The Georgian period saw an increase in formality in dining and furniture design becomes ever more elaborate and status defining. This table is thought to date from c.1800 at the time of the Act of union with the emblems of Ireland (shamrock), Scotland (thistle) and England (rose) displayed within the decoration. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Library, Kilkenny Castle.

The Drawing Room is typically the room in a house where guests and visitors are entertained. Drawing rooms were previously known as ‘withdrawing rooms’ or ‘withdrawing chambers’ which originated in sixteenth century.

The fabrics in this room are vintage glazed and block printed English and French chintzes and have been chosen to recreate the style of the rooms as they appeared in the 19th century family photographs. The Drawing Room picture hang reflects the Edward Ledwich description in his 1789 “Antiquities of Ireland!” when this room was the Presence Chamber or Alcove.

The Drawing Room, courtesy of Kilkenny Castle website. On the back wall is the painting of the five eldest children of King Charles I, after Sir Anthony van Dyck, and by the same artist, a portrait of Queen Henrietta Maria (1609-69).
The Drawing Room, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Drawing Room, Kilkenny Castle. One either side of the fireplace are portraits of Eleanor Morres (1711-1793) by Robert Hunter, she married Walter Butler, de jure 16th Earl of Ormonde, in 1732, and of her husband Walter Butler (1703-1783) De jure 16th Earl of Ormonde, also by Robert Hunter. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Drawing Room, Kilkenny Castle. One either side of the fireplace are portraits of Eleanor Morres (1711-1793) by Robert Hunter, she married Walter Butler, de jure 16th Earl of Ormonde, in 1732, and of her husband Walter Butler (1703-1783) De jure 16th Earl of Ormonde, also by Robert Hunter. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information board about the Drawing Room of Kilkenny Castle.
Kilkenny Castle drawing room, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
Kilkenny Castle drawing room, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
Kilkenny Castle drawing room, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.

We went up another winding stone cantilevered staircase to the floor with the the blue corridor, with the bedrooms and nursery.

Private staircase, Kilkenny Castle. This elegant late Georgian style staircase from the early 1800s leads to the bedroom corridor of the same period. The holes where the brass stair rods to hold the carpet can still be seen in places. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Private staircase, Kilkenny Castle. This elegant late Georgian style staircase from the early 1800s leads to the bedroom corridor of the same period. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blue corridor, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Blue Bedroom, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Blue Bedroom, Kilkenny Castle. Fragments have this restful all-over floral pattern was found in this bedroom during the restoraion work. It probably dates from the late 19th century. It is likely to have been designed and block-printed in Ireland, although the name of the maker is not known. The two-dimensional form and lack of modelling reflect the ideas of the Design Reform movement, while the organic vitality of the lines suggests the influence of the English designer William Morris. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The watercolours on display were painted by Anne Wynne née Butler, daughter of John Wandesford Butler, 1st Marquess, and his wife Grace Louisa Staples. Grace herself painted and exhibited her paintings, and she made sure that all of her children learned to paint. Anne married J.A. Wynne of Hazelwood House in County Sligo in 1838.

The Blue Bedroom, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Blue Bedroom, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Blue Bedroom, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Blue Bedroom, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The view from the Blue Room bedroom.

The photograph shows how much work the OPW had to do to make the bedroom fit for visitors.

The Blue Bedroom, Kilkenny Castle.

James 1st Marquess of 3rd creation died in Dublin in 1838 and was succeeded by his eldest son John Butler (1808-1854), who became 2nd Marquess, 20th Earl of Ormonde, Earl of Ossory and Viscount Thurles, Baron Ormonde of Lanthony, and Chief Butler of Ireland. John Butler travelled extensively. His Journals, now in the National Library of Ireland, record his many journeys across Europe to Italy and Sicily. He published an account of his travels, Autumn in Sicily, and he also wrote an account of the life of St. Canice, based on a Latin manuscript in the Burgundian library in Brussels.

John Butler (1808-1854) 2nd Marquess (3rd creation), 20th Earl of Ormonde, by Henry Weigall, Jr. (1829-1925). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

He married Frances Jane Paget in 1843. He continued the work of rebuilding Kilkenny castle that was started by his father. The castle website tells us that his journals show him to have a deep interest in art, and there are careful descriptions of several of the great galleries in Italy to be found in his writing.

Frances Jane Paget (1817-1903) Marchioness of Ormonde with her son James, Earl of Ossory by Richard Buckner (fl.1820-79). Daughter of General Edward Paget, GCB and his second wife Harriet daughter of George Legge, 3rd Earl of Dartmouth. Wife of John Butler, 2nd Marquess of Ormonde. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Although he continued to write in his journals during the years 1847 to 1850, no mention of the Irish famine is made.

He died while bathing in the sea near Loftus hall on Hook Head, Co. Wexford. A marble tomb was erected in his memory in St. Canice’s Cathedral, Kilkenny.

The Blue Bedroom, Kilkenny Castle. Top: Wedding of John Butler 2nd Marquess of Ormonde & Frances Jane Paget, 1843
Artist Edmund Fitzpatrick (fl. 1848-1883) The wedding procession in front of Kilkenny Castle, with groups of local people in the streets as the couple are recieved at the Gates. Below: Funeral of John Butler 2nd Marquess of Ormonde, 1854, Artist Edmund Fitzpatrick. The funeral procession in front of Kilkenny Castle, groups of local people in the streets.

The children were still young when their father died in 1854. Frances Jane looked after the Ormonde estates and continued the rebuilding of Kilkenny castle. During the early years of her marriage (1844-1849), she was the Lady of the bedchamber to the Queen Dowager, Adelaide.

Frances Jane Paget (1817-1903) Marchioness of Ormonde, Artist Unknown. Frances married in 1843, and so her children were still young when their father died in 1854. She looked after the Ormonde estates, and continued the rebuilding of Kilkenny castle. During the early years of her marriage(1844-1849), she was the Lady of the bedchamber to the Queen Dowager, Adelaide. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The picture gallery of Kilkenny Castle: John Butler (1808-1854), 2nd Marquess of the 3rd creation, 20th Earl of Ormonde, Earl of Ossory and Viscount Thurles, Baron Ormonde of Lanthony, Chief Butler of Ireland; Frances Jane Paget in middle (1817-1903), with her son James, Earl of Ossory. On top of the three,  over her father and uncle, is Frances Jane Paget again, with her dog. Below is her father General the Honourable Edward Paget (1775-1849), soldier and Governor of Ceylon. He was second in command under the Duke of Wellington in the Napoleonic Wards. He lost his right arm in Spain. Below him is Field Marshall Henry William Paget (1768-1854), 1st Marquis of Anglesey, Lord Lieutenant of Ireland, brother of Edward, above. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
General the Honourable Edward Paget (1775-1849), soldier and Governor of Ceylon, attributed to Sir Martin Archer Shee (1769-1850). He was the father of Frances Jane Paget, wife of the 2nd Marquess. He was second in command under the Duke of Wellington in the Napoleonic Wards. He lost his right arm in Spain. He is seated wearing the red ribbon of the knight of the Grand Cross of the order of the Bath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Another bedroom is the Chinese Bedroom, connected to the blue bedroom by double doors. This bedroom is decorated with a modern reproduction of a hand painted Chinese wallpaper, part of the Chinoiserie theme of the room. The wallpaper was based on a design from Lissan House in County Tyrone, owned by the Staples family, Grace Louisa Staples became Marchioness of Ormonde when she married James Butler, 19th Earl, 1st Marquess of Ormonde in 1807.

The Chinese Bedroom, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Chinese Bedroom, Kilkenny Castle. A large early black lacquered and chinoiserie decorated Chinese Cabinet and two doors with engraved gilt metal mounts enclosing an arrangement of ten drawers, on a stand with cabriole legs and scroll feet. A rare antique Chinese eight fold lacquered screen, profusely carved and decorated with figures by pavilions, various mythical and domestic animals, birds, flowers and emblems on one side, and the other side inscribed all over. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I particularly love the eagle holding up the drapery of the bed!

The Chinese Bedroom, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The nursery is also off the blue corridor.

The Nursery. Boys were usually sent away to boarding school in England at a young age. The Butlers traditionally sent their sons to Harrow. Girls however generally received less formal education at home including sewing, drawing, etiquette and instruction on running a household. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The nursery, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The nursery, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The nursery, Kilkenny Castle. Noah’s Arks have been made at least since the 1700s and were one of the most popular wooden toys of the nineteenth century. Nearly every well to do Victorian family had one. Due to their biblical theme, Noah’s Arks were often the only toy children were permitted to play with on Sundays. During the 19th century most arks were made in Germany where entire families would carve and paint the animals. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The nursery, Kilkenny Castle. Pictured is a Zoetrope. The Kilkenny castle website tells us that from first scientific toys that used animated images to modern movies, retinal persistence has been fundamental to fooling the mind into believing that a series of static images are in motion. In 1834, the English mathematician George Horner proposed a practical apparatus based on the phenakistoscope of Plateau and Stampfer (1830). It eliminated the need for a mirror and it enabled several people at the same time to view the moving pictures – an advance over the single spectator of the earlier toy. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Praxinoscope: This scientific toy with animated images also relies on retinal persistence to make us believe we are seeing images in motion. The praxinoscope was patented by the Frenchman Emile Reynaud in 1877, who was looking to overcome the deficiencies of the zoetrope, the most popular at the time. His apparatus was the first to eliminate the distorted view of the images in movement caused by insufficient light passing through the small slots of the zoetrope. This improvement in the quality of the image resulted in its immediate popularity. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Nursery, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The son of the 2nd Marquess, James Edward William Theobald Butler became the 3rd Marquess in 1854.

James Edward Theobald Wandesford Butler (1844-1919) 3rd Marquess of Ormonde (3rd creation), 21st Earl of Ormonde by Hon Henry Richard Graves (fl.1846-81). This hangs in the picture gallery of Kilkenny Castle. Son of John and Frances Jane, he is the little boy seated in his mother’s lap in the portrait by Buckner. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Elizabeth Harriet Grosvernor (1856-1928) Marchioness of Ormonde, by Hon Henry Richard Graves (fl.1846-81). This hangs in the picture gallery of Kilkenny Castle. Eldest Daughter of the 1st Duke of Westminster, she married James 3rd Marquess of Ormonde in 1876. They had two daughters famed for their beauty. Lady Beatrice Pole-Carew and lady Constance Butler. A noted beauty of her day, the marchioness wearing a long cream dress, stands in a landscape. A good example of a fashionable society portrait of of the period. The portrait was painted as a pendant to that of her husband. The portrait is based on Gainsborough’s portrait, the Hon. Mrs. Thomas Graham ( Nat. Gal. Scotland); it is another example of ‘borrowing’ poses for portraiture. Sir John Millias also painted the marchioness, a portrait engraved F Jenkins, Paris. A watercolour portrait of her with Kilkenny castle in the background by Edward Clifford is also known. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Educated at Harrow, the 3rd Marquess served as Captain for ten years with the First Life Gaurds and was appointed Lord Lieutenant of Co. Kilkenny in 1878, a post he held until his death. During the marquess’s time, a number of royal visitors came to Kilkenny Castle; these included the Duke and Duchess of York in 1899, followed in 1904 by King Edward VII and Queen Alexandria.

From the Poole photographic collection, National Library of Ireland. Royal visitors to the Picture Gallery of Kilkenny Castle: the Duke and Duchess of York (later King George V and Queen Mary with James Butler the 3rd Marquess of Ormond and his wife Elizabeth Grosvenor, also Two other Ormondes (likely the Marquess’ daughter & brother), Marshal & Lady Roberts (Frederick Roberts & Nora Bews), 4th Viscount & Viscountess De Vesci (John Vesey & Evelyn Charteris), Lady Eva Dugdale (later Lady of the Bedchamber), Earl of Ava (Hamilton-Temple-Blackwood d.1900), Sir Charles Leopold Cust (baronet), Sir Francis De Winton, Mr J. T Seigne JP (officer of Ormonde’s estate – we came across him when we visited Kilfane, as he lived in the house there), and “Mr Moncrieffe” 
James Edward William Theobald Butler (1844-1919) 3rd Marquess of Ormonde by Walter Stoneman 1917, courtesy of National Portrait Gallery NPG x43817.
James Edward William Theobald Butler (1844-1919) 3rd Marquess of Ormonde, probably with his wife.

James 3rd Marquess was an Officer of the Life Guards and a Knight of the Order of St. Patrick.

Swords and scabbards once owned by James Edward William Theobald Butler (1844-1919) 3rd Marquess of Ormonde. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information about the swords.

It was during the 3rd Marquess’s time that changes were made to the rather plain picture gallery block created by William Robertson. It was built on earlier foundations, primarily to house the Butler Family’s collection of paintings. Initially the gallery was built with a flat roof that had begun to cause problems shortly after its completion.

Kilkenny Castle picture gallery wing. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The architectural firm of Deane and Woodward was called in during the 1860s to make changes to the overall design of the picture gallery block and corrections to Robertson’s work. These changes included the insertions of four oriels in the west wall and the blocking up of the eight windows, while another oriel added to the east wall.

Kilkenny Castle picture gallery wing. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Plan for an oriel window at Kilkenny Castle. I’m not sure if this was made, as it is different from the oriel windows in the gallery wing of the castle.
End of the picture gallery wing Kilkenny Castle . Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Sketches of the south end of the picture gallery, Kilkenny Castle.
Sketches of the picture gallery wing, Kilkenny Castle.
The drawing for the river front of Kilkenny Castle.
Blocked up windows by Woodward and Deane in the picture gallery on the river side of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Woodward and Deane also built the fantastical Moorish staircase to give better access to the picture gallery. Charles Harrison (1835-1903), the stone carver, is credited with the carved naturalistic foliage and small animals which adorn the stairs.

The Moorish Staircase, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Moorish Staircase, Kilkenny Castle. Created by the architects Woodward & Deane to allow better access to the Picture Gallery and provide another staircase in this awkwardly shaped building. It is a rising half-turn stairs around a sky-lit well.
Charles Harrison (1835-1903), the stone carver, is credited with the carved naturalistic foliage and small animals which adorn the stairs
. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Moorish Staircase: Created by the architects Woodward & Deane to allow better access to the Picture Gallery and provide another staircase in this awkwardly shaped building. It is a rising half-turn stairs around a sky-lit well. Charles Harrison (1835-1903), the stone carver, is credited with the carved naturalistic foliage and small animals which adorn the stairs. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kilkenny Castle Moorish staircase, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
Information about the Moorish Staircase.
The Moorish Staircase, Kilkenny Castle. Created by the architects Woodward & Deane to allow better access to the Picture Gallery and provide another staircase in this awkwardly shaped building. It is a rising half-turn stairs around a sky-lit well. Charles Harrison (1835-1903), the stone carver, is credited with the carved naturalistic foliage and small animals which adorn the stairs. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Moorish Staircase, Kilkenny Castle.
The Moorish Staircase, Kilkenny Castle.
The Moorish Staircase, Kilkenny Castle. Charles Harrison (1835-1903), the stone carver, is credited with the carved naturalistic foliage and small animals which adorn the stairs. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Moorish Staircase, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Moorish Staircase, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The magnificent Picture Gallery is situated in the east wing of Kilkenny Castle. Deane and Woodward changed the flat roof to a toplit one with impressive wooden beams.

The hammer beam roof structure by Deane and Woodward is supported on carved stone corbels, carved by the O’Shea brothers from Kilkenny. The ceiling was hand painted by John Hungerford Pollen (1820-1902), Professor of Fine Arts at Newman College in Dublin. The decoration is from the quasi-medieval and pre-Raphaelite, and reminds me of Seán Leslie’s painting on beams in Castle Leslie. The cross beams of the gallery feature gilded animal and bird heads. It has taken me several visits to Kilkenny Castle to take it all in!

The Picture Gallery in Kilkenny Castle was built during the early nineteenth century building programme carried out by the architect William Robertson. It was constructed on earlier foundations. Robertston’s Picture Gallery, in keeping with his work on the rest of the castle, was in a Castellated Baronial style. Initially the gallery was built with a flat roof that had begun to cause problems shortly after its completion. The distinguished architectural firm of Deane and Woodward was called in during the 1860s to make changes to the overall design of the Picture Gallery block, and other corrections to Robertson’s work. These changes included the insertions of four oriels in the west wall and the blocking up of the eight windows, while another oriel added to the east wall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The picture gallery, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information about the picture gallery of Kilkenny Castle.
Kilkenny Castle picture gallery, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
Picture Gallery, Kilkenny Castle.
Kilkenny Castle picture gallery, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
The Picture Gallery in Kilkenny Castle. A pitched roof was put in place of the leaking flat one, with top lighting; that originally had green glass. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Picture Gallery in Kilkenny Castle. A pitched roof was put in place of the leaking flat one, with top lighting; that originally had green glass. The hammer beam roof structure by Deane and Woodward is supported on carved stone corbels, carved by the O’Shea brothers from Kilkenny. The entire ceiling was hand painted by John Hungerford Pollen (1820-1902), then Professor of Fine Arts at Newman College, Dublin, using a combination of motifs ranging from the quasi-medieval to the pre-Raphaelite, with interlace, gilded animal and bird heads on the cross beam. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Picture Gallery in Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Picture Gallery in Kilkenny Castle. The entire ceiling was hand painted by John Hungerford Pollen (1820-1902), then Professor of Fine Arts at Newman College, Dublin, using a combination of motifs ranging from the quasi-medieval to the pre-Raphaelite, with interlace, gilded animal and bird heads on the cross beam. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The hammer beam roof structure by Deane and Woodward is supported on carved stone corbels, carved by the O’Shea brothers from Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Picture Gallery in Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information about the painted roof of the picture gallery in Kilkenny Castle.
The Picture Gallery in Kilkenny Castle. It’s worth looking at all of the different pre-Raphaelite style paintings. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Picture Gallery in Kilkenny Castle. It’s worth looking at all of the different pre-Raphaelite style paintings. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Picture Gallery in Kilkenny Castle. It’s worth looking at all of the different pre-Raphaelite style paintings. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Picture Gallery in Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Picture Gallery in Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information about the paintings in the picture gallery of Kilkenny Castle. Some date from the 17th century, and others from 18th and 19th. In the 19th cnetury, there were 200 paintings in the gallery.
Henrietta Maria Stanley (1687-1718) & her sister Elizabeth (d.1714), English school 18th century. This hangs in the picture gallery of Kilkenny Castle. Daughters of William, 9th Earl of Derby and his wife Elizabeth Butler, daughter of Thomas Butler, Earl of Ossory, they would been nieces of the 2nd Duke of Ormonde. Henrietta was married to the Earl of Anglesea in 1706 ad then to John, 1st Earl of Ashburnham in 1714. She has been identified from other portraits of her painted during the first two decades of the eighteenth century. Ashburnham had previously been married to Mary, her first cousin, daughter of the 2nd Duke of Ormonde. Henrietta died in 1718 aged 31 years. Elizabeth Stanley died unmarried in 1714. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There are more of the Decius tapestries in the picture gallery.

There are three tapestries from the “Decius” suite in the Picture Gallery: Desius Mus preparing for death; The dismissal of the lictors; The death of Decius Mus. The tapestries are attributed to the workshop of Jan Raes, after designs by Sir Peter Paul Rubens. This one is the Dismissal of the lictors. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information about the tapestry in the picture gallery of Kilkenny Castle.
Stephen studies The Death of Decius. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information about the tapestries in the picture gallery of Kilkenny Castle.

The large marble fireplace is also designed by John Hungerford Pollen. It was supplied by the firm of Ballyntyne of Dorset Street, Dublin. Foliage carving attributed to Charles Harrison covers the chimneypiece and a frieze beneath is decorated with seven panels, showing the family coat of arms and significant episodes from the family’s long history.

The Marble Fireplace is made of Carrara marble and was designed by J. H. Pollen also in a quasi-medieval style.
It was supplied by the firm of Ballyntyne of Dorset Street, Dublin. Foliage carving attributed to Charles Harrison covers the chimneypiece and a frieze beneath is decorated with seven panels, showing the family coat of arms and significant episodes from the family’s long history.
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Starting on the left, the first panel shows the buying the castle by the first Earl of Ormond in 1391 from the Despenser family – money changing hands is shown. The second panel depicts Theobald Fitzwalter acting as Chief Butler to the newly crowned King of England highlighting their ancient royal privilege and upon which their surname of Butler is based. On the third panel, you see King Richard the Second acting as godfather for one of the infants of the Butler family in 1391. The centrepiece is the family crest which can also be seen over the arch and gateway, with the family motto “comme je trouve”- “as I find”, as well as the heraldic shield guarded, the falcon, the griffin (a legendary creature with the body of a lion and the head and wings of an eagle) and the ducal coronet. In the fifth panel, the 1st Duke of Ormond can be seen entering the Irish House of Lords still bearing his sword. Indeed, he refused to hand his weapon over as were the protocols in case it was used inside during an argument; this became known as The Act of Defiance. The sixth panel next to this symbolizes the charity of the Butler family showing Lady Ormonde giving alms to the poor. Finally, the sixth and last panel portrays the First Duke of Ormond’s triumphant return to Dublin from exile on the Restoration of Charles the Second in 1662, when he also established the Royal Hospital in Kilmainham and founded the Phoenix Park.”
The castle website tells us that this is a Mahogany side table c.1740 with green marble tops (most likely Connemara) in the style of William. Kent. The apron has lion mask against stylised acanthus under a frieze of egg and dart. The tables show the influence of William Kent (1684-1748) in the realistic and bold detail and are either English or Irish, the slight punching on the apron possibly indicating the latter. There is eye-catching detail in the lion’s mane and the legs are especially hairy and vivid. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A hopper commemorates the date 1877, so perhaps some of the building work on Kilkenny Castle was completed in that year.

James was the last marquess to live at Kilkenny Castle. He died there and is buried in the private family cemetery. The 3rd Marquess’s brother James Arthur Wellington Foley Butler (1849-1943) became 4th Marquess (and 22nd Earl) of Ormonde in 1919. James’ principal home was at Gennings, Kent where he died in 1943. It seems such a pity his father had improved the picture gallery and he didn’t live there!

James Arthur Wellington Foley Butler (1849-1943) 4th Marquess, 22nd Earl of Ormonde, by Philip de Laszlo (1869 – 1937). This portrain hangs in the Hall of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

He was educated at Harrow and joined the army becoming a lieutenant in the 1st Life Guards. He was state steward to the Earl of Carnarvon when Lord Lieutenant of Ireland. In 1887 he married Ellen Stager, daughter of American General Anson Stager.

Lord and Lady Arthur Butler purchased Gennings Park in Kent in 1901. The purchase of country estate after fourteen years of marriage was reportedly made following the death of Lord Arthur’s cousin George O’Callaghan, 2nd Viscount Lismore in 1899; Lord Lismore had reportedly informed his family that, following the deaths of his two sons, Lord Arthur Butler would be the heir to his estates (a 47,000-acre estate in Ireland centred on Shanbally Castle worth £18,435 annually). [11] Following Lord Lismore’s death in 1898, his Will revealed that he had instead named Lord Arthur’s nieces Lady Beatrice and Lady Constance Butler as the beneficiaries of his estate. [12]

Shanbally Castle, County Tipperary, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.

Gennings Park remained the home of Ellen, Lady Arthur Butler (later Marchioness of Ormonde) until her death in 1951. Her son was James George Anson Butler, 23rd Earl, 5th Marquess, 24th Chief Butler (1890–1959). George was educated at Harrow and Sandhurst. In 1915 he married Sybil Fellowes, daughter of 2nd Lord de Ramsey and Winston Churchill’s first cousin. They had two children, Moira and Anthony. George and Sybil were in residence at Kilkenny Castle in 1922 when the building was occupied by Republicans and besieged by troops of the Free State.

He oversaw the 1935 auction of contents at Kilkenny Castle. His younger brother succeeded him, James Arthur Norman Butler, 24th Earl, 6th Marquess, 30th Chief Butler (1893–1971). Arthur was educated at Harrow and Sandhurst. He pursued a military career and served in both world wars. From 1945 onwards, Arthur lived at Gennings Park in Kent with his widowed mother Ellen. In 1955, after her death, he moved with his wife to Cantley Farm, Wokingham, Berkshire. In 1967 he sold the Castle to the Kilkenny Castle Restoration Committee for £50. Two years later it went into state ownership.

As I mentioned earlier, it was James Arthur Norman Butler (1893-1971), 6th Marquess and 24th Earl of Ormonde, youngest son of James Arthur, 4th Marquess of Ormonde, who in 1967 sold the Castle.

The next Earl was a cousin, James Hubert Theobald Charles Butler, 25th Earl, 7th Marquess, 31st Chief Butler (1899–1997). He was a grandson of James Butler, 21st Earl of Ormonde and a cousin of the 23rd and 24th Earls of Ormonde. Upon his death, the Marquessate of Ormonde became extinct and the Earldoms of Ormonde and Ossory and the Viscountcy of Thurles became dormant.

It is now a wonderful place to visit, and has fifty acres of rolling parkland, a terraced rose garden, playground, tearoom and man-made lake, for visitors to enjoy. We enjoyed a delicious moist slice of fruitcake in the vaulted café, which must have been the kitchen, before heading out for a walk around the park.

The café is in the old kitchen of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kitchen, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kitchen, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Service bells in the Kitchen, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://www.irelandscontentpool.com

[2] https://kilkennycastle.ie/about/explore-the-castle-new/

[3] p. 167. Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[4] https://kilkennycastle.ie/about/characters-of-kilkenny-castle/

[5] p. 67, Otway-Ruthven, A. J. A History of Medieval Ireland New York: Barnes & Noble 1993.

[6] https://lordbelmontinnorthernireland.blogspot.com/2014/09/kilkenny-castle.html

[7] http://www.stevenroyedwards.com/kilkennycastle-timeline.html

[8] p. 192. Murray, James (2009). Enforcing the English Reformation in Ireland. Cambridge: Cambridge University Press, “Whether Ormond’s death was directly attributable to the viceroy’s actions, or simply a remarkable coincidence, is now impossible to determine.”

[9] Knocktopher Abbey in County Kilkenny, a house incorporating the remains of the first Carmelite friary in Ireland, rebuilt for Lieutenant-Colonel Sir James Langrishe JP DL (1832-1910) after a fire. It was rebuilt around 1866 in High Victorian Gothic to the design of John McCurdy. The paintings on display are part of a generous bequest to Kilkenny Castle from Lady Grania Langrishe in July of 2012.

John Langrishe  (1660-1735), son of Hercules Langrishe (the first member of the family who settled in Ireland), became proprietor of the borough of Knocktopher, County Kilkenny. 

Knocktopher Abbey, Knocktopher, Co. Kilkenny, for sale courtesy DNG Country Homes & Estates, November 2024.
Portrait of an unknown gentleman perhaps John Langrishe (1660-1735), the first of the family to arrive in Knocktopher, father of Robert. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Mr Langrishe, High Sheriff of County Kilkenny, 1696, married firstly, Alicia, second daughter of Harry, 2nd Baron Blayney, and widow of Thomas Sandford, of Sandford Court; and secondly, Miss Sandford, daughter of Colonel Sandford; but had issue by neither of those ladies. 

He wedded thirdly, Mary, daughter of Robert Grace, feudal baron of Courtstown, and had an only son, his successor, Robert Langrishe  (c.1696-1769).

Robert Langrishe (1696-1769), artist unknown. He held the office of High Sheriff in 1740 and completed the outright purchase of the fee simple of the Knocktopher lands of over 800 acres in 1757 according to William Nolan and Kevin Phelan in Kilkenny, History and Society 1990. His son Hercules was to become first Baronet of Knocktopher. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Robert served as High Sheriff of County Kilkenny in 1740 amd Gentleman Usher of the Black Rod in Ireland 1745-9. His son and heir Hercules Langrishe (1731-1811) served as MP for Knocktopher 1761-1800. Hercules was created a baronet in 1777, denominated  of Knocktopher Abbey, County Kilkenny. 

Right Hon. Sir Hercules Langrishe (1731-1811), 1st Baronet Knocktopher, artist unknown. The Langrishe Baronetcy of Knocktopher Abbey in the County of Kilkenny is a title in the Baronetage of Ireland. It was created on 19 February 1777 for Sir Hercules Langrishe, who represented Knocktopher in the Irish House of Commons. The Langrishe family were part the social world of the Butlers. They were present at many social occasions in Kilkenny Castle including the Royal Visits to the Castle. The family seat from 1679 to 1981 was Knocktopher Abbey, County Kilkenny. The 1st Baronet was MP for Knocktopher for 40 years until the Act of union in 1801. It is said he bought up lands in Knocktopher and leased it to Catholic residents. He was created 1st Baronet in 1777. Best remembered for his pro Catholic Relief stance and his exchange of views with his friend Edmund Burke. He introduced the Catholic Relief Bill in 1792 and The Catholic Enfranchisement Act which passed in 1793. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Sir Hercules, who was a member of the Privy Council, represented the borough of Knocktopher in the Irish parliament for forty years, during which period he ranked amongst the most distinguished of its members, and was the first who advocated and obtained a partial relaxation of the most atrocious code of laws which oppressed the Roman Catholics of Ireland, a code that consigned 80% of the population to unmitigated and grinding slavery, and reduced the whole of the state to semi-barbarism. He was Commissioner of Excise and Revenue.

In 1755 he married Hannah, daughter and co-heir of Robert Myhill, of Killarney, County Kilkenny, and sister of Jane, wife of Charles, 1st Marquess of Ely. His successor was his son Robert Langrishe, 2nd Baronet (1756-1835).

Sir Robert Langrishe (1756–1835), 2nd Baronet Knockopher, artist unknown. MP for Knocktopher 1783-1796, he graduated as a barrister from Kings Inn and both father and son sat in Parliament at the same time. He was heavily involved in the theatre and was Revenue Commissioner in 1796. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Oil portrait of an unknown gentleman possibly Sir Robert Langrishe 2nd Baronet. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In 1782 Robert married Anne, daugher of Bellingham Boyle.

Bellingham Boyle (1709-1771), unknown artist. His daughter married Sir Robt Langrishe 2nd Bt. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

His son was his successor, Hercules Richard 3rd Baronet (1782-1862), who joined the clergy.

Rev. Sir Hercules Richard Langrishe (1782-1862), 3rd Baronet of Knocktopher County Kilkenny, artist unknown. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Sir Hercules was succeeded by his eldest son, James Langrishe (1832-1905), 4th Baronet Knocktopher.

James Langrishe (1832-1905), 4th Baronet Knocktopher, artist unknown. Married twice, he was a Lt. Col in the army and High Sheriff of Kilkenny 1866. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

He was succeeded by his son Hercules Langrishe (1859–1943), 5th Baronet Knocktopher.

Hercules Langrishe (1859–1943), 5th Baronet Knocktopher, Artist unknown. He gained the rank of Captain in the service of the Army Motor Reserve, of Captain and Honorary Major in the service of the 3rd Battalion, Oxfordshire Light Infantry and of Temporary Commander in the service of the Royal Naval Volunteer Reserve. He fought in the First World War, in the Mediterranean and Russia. He succeeded to the title of 5th Baronet on 20 August 1910. He held the office of Justice of the Peace for County Kilkenny, of High Sheriff of County Kilkenny and the office of Deputy Lieutenant of County Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There is a portrait of the 5th Baronet’s son, Hercules Ralph Langrishe (1888-1917), also.

Hercules Ralph Langrishe (1888-1917), artist unknown. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[10] The Library and Drawing Room portraits:

Half-length portrait, said to be of Mr Martin Shee (d.1783), father of the artist Sir Martin Archer Shee P.R.A. The costume details would indicate a date of c. 1815. Shee’s father was known to be blind, and it is noticeable that the eyes in this portrait are unfocused. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Portrait of unknown lady, possibly member of Shee Family Artist Irish school, eighteenth century. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Catherine Morres (d.1851) 1st Viscountess Frankfort de Montmorency. Artist John Comerford (1773-1835) Catherine Morres was the second wife of the Viscount Frankfort de Montmorency, and daughter of George White of Castlebellingham.
The family of Morres changed their name to de Montmorency in 1815, claiming descent from the Norman Geoffry de Marisco.
The claim has been dismissed in the following terms: ‘This cock and bull pedigree or genealogical nightmare, which for sheer topsy-turveydom, has, I venture to assert, never been surpassed.’ The sitter is wearing a large muslin bonnet of a type which was fashionable and worn by married ladies during the early years of the nineteenth century.
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Catherine Vigors (1794-1820) by Robert Lawrence (1794-1820). Catherine was the daughter of Soloman Richards of Solborough, Co Wexford.She married Nicholas Aylward Vigors of Old Leighlin and Belmont, Co Carlow, in 1781. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bellingham Boyle (1709-1771), unknown artist. His daughter married Sir Robt Langrishe 2nd Bt. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[11] O’Donnell, Michael (2010). Fethard County Tipperary 1200–2000. Dublin: Geography Publications. p. 142, 158. 

[12] The Lady’s Realm. Vol. 6. Hutchinson. 1899. p. 520. 

Office of Public Works properties: County Kilkenny, Leinster

Kilkenny:

1. Dunmore Cave, County Kilkenny

2. Jerpoint Abbey, County Kilkenny

3. Kells Priory, County Kilkenny

4. Kilkenny Castle, County Kilkenny

5. St. Mary’s Church, Gowran, County Kilkenny

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

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1. Dunmore Cave, Mothel, Ballyfoyle, Castlecomer Road, County Kilkenny:

General information: 056 776 7726, dunmorecaves@opw.ie

https://heritageireland.ie/visit/places-to-visit/dunmore-cave/

From the OPW website:

Dunmore Cave, not far from Kilkenny town, is a series of limestone chambers formed over millions of years. It contains some of the most impressive calcite formations found in any Irish underground structure.

The cave has been known for many centuries and is first mentioned in the ninth-century Triads of Ireland, where it is referred to as one of the ‘darkest places in Ireland’. The most gruesome reference, however, comes from the Annals of the Four Masters, which tells how the Viking leader Guthfrith of Ivar massacred a thousand people there in AD 928. Archaeological investigation has not reliably confirmed that such a massacre took place, but finds within the cave – including human remains – do indicate Viking activity.

Dunmore is now a show cave, with guided tours that will take you deep into the earth – and even deeper into the past.

2. Jerpoint Abbey, Thomastown, County Kilkenny.

Jerpoint Abbey, May 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

General information: 056 772 4623, jerpointabbey@opw.ie

https://heritageireland.ie/visit/places-to-visit/jerpoint-abbey/

From the OPW website:

Founded in the 12th century, Jerpoint Abbey is one of the best examples of a medieval Cistercian Abbey in Ireland. The architectural styles within the church, constructed in the late twelfth century, reflect the transition from Romanesque to Gothic architecture. The tower and cloister date to the fifteenth century.

Jerpoint is renowned for its detailed stone sculptures found throughout the monastery. Dating from the thirteenth to the sixteenth centuries these include mensa [table] tombs from the O’Tunney school, an exquisite incised depiction of two 13th century knights, the decorated cloister arcades along with other effigies and memorials. 

Children can explore the abbey with a treasure hunt available in the nearby visitor centre. Search the abbey to discover saints, patrons, knights, exotic animals and mythological creatures.

A small but informative visitor centre houses an excellent exhibition.

Jerpoint Abbey, May 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Jerpoint Abbey, May 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Jerpoint Abbey, May 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Jerpoint Abbey, May 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Jerpoint Abbey, May 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Jerpoint Abbey, May 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Jerpoint Abbey, May 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Jerpoint Abbey. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

3. Kells Priory, Kells, County Kilkenny:

General information: 056 772 4623, jerpointabbey@opw.ie

From the OPW website:

Kells Priory owes its foundation to the Anglo-Norman consolidation of Leinster. Founded by Geoffrey FitzRobert, a household knight and trusted companion of William Marshal the priory was one element of Geoffrey’s establishment of the medieval town of Kells. 

Although founded in c. 1193 extensive remains exist today which include a nave, chancel, lady chapel, cloister and associated builds plus the remains of the priory’s infirmary, workshop, kitchen, bread oven and mill. The existence of the medieval defences, surrounding the entire precinct, underline the military aspect of the site and inspired the priory’s local name, the ‘Seven Castles of Kells’.

4. Kilkenny Castle, County Kilkenny:

Kilkenny Castle, photograph by macmillan media 2016 for Tourism Ireland, Ireland’s Content Pool. It sits on the banks of the River Nore. [1]

General information: 056 770 4100, kilkennycastleinfo@opw.ie

From the OPW website:

Built in the twelfth century, Kilkenny Castle was the principal seat of the Butlers, earls, marquesses and dukes of Ormond for almost 600 years. Under the powerful Butler family, Kilkenny grew into a thriving and vibrant city. Its lively atmosphere can still be felt today.

The castle, set in extensive parkland, was remodelled in Victorian times. It was formally taken over by the Irish State in 1969 and since then has undergone ambitious restoration works. It now welcomes thousands of visitors a year.

Kilkenny Castle, photograph by unknown 2014 for Failte Ireland, Ireland’s Content Pool. [see 1]

See my entry https://irishhistorichouses.com/2024/04/08/kilkenny-castle-county-kilkenny-an-office-of-public-works-property/

Kilkenny Castle has been standing for over eight hundred years, dominating Kilkenny City and the South East of Ireland. Originally built in the 13th century by William Marshall, 4th Earl of Pembroke, as a symbol of Norman control, Kilkenny Castle came to symbolise the fortunes of the powerful Butlers of Ormonde for over six hundred years. [2]

In 1967 James Arthur Norman Butler (1893-1971), 6th Marquess and 24th Earl of Ormonde sold the Castle to the Kilkenny Castle Restoration Committee for £50. Two years later it went into state ownership.

Kilkenny Castle, photograph by unknown 2014 for Failte Ireland, Ireland’s Content Pool. [see 1] The National Inventory describes: Random rubble stone walls with sections of limestone ashlar construction (including to breakfront having full-height Corinthian pilasters flanking round-headed recessed niches with sills, moulded surrounds having keystones, decorative frieze having swags, moulded course, modillion cornice, and blocking course with moulded surround to pediment having modillions), and limestone ashlar dressings including battlemented parapets (some having inscribed details) on corbel tables. The classical frontispiece was designed for James Butler, Second Duke of Ormonde possibly to designs prepared by Sir William Robinson. 

You can take an online tour of the castle on the website https://kilkennycastle.ie/about/explore-the-castle-new/

The magnificent Picture Gallery is situated in the east wing of Kilkenny Castle.This stunning space dates from the 19th century and was built primarily to house the Butler Family’s fine collection of paintings.

Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

5. St. Mary’s Church, Gowran, County Kilkenny:

General information: 056 772 6894, breda.lynch@opw.ie

St. Mary’s church, Gowran, June 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

From the OPW website:

This church was built in the late thirteenth century as a collegiate church and was served by a college – clerics who lived in a community but did not submit to the rule of a monastery. 

The church was patronised by the Butler family and many early family members are commemorated here with elaborate medieval tombs. The impressive ruins were decorated by the Gowran Master whose stone carvings are immortalised in the poetry of Nobel Laureate Séamus Heaney. 

The once medieval church was later partly reconstructed in the early 19th century and functioned as a Church of Ireland church until the 1970s when it was gifted to the State as a National Monument. Today the restored part of the church preserves a collection of monuments dating from the 5th to the 20th centuries.

St. Mary’s church, Gowran, June 2023.

We visited it on the way home from Shankill Castle in County Kilkenny in June 2023. Our tour guide was an enthusiastic font of information and we shared what we knew also and we would have happily spent longer but had to head off as we were visiting a friend in Thomastown.

Entrance to the church. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This large monument greets one as one enters the church, a monument to James Agar (d. 1733), son of Charles from York and Ellis Blancheville. By his first wife Susannah daughter of James Alexander he had three children who died young. By his second wife Mary daughter of Henry Wemyss of Danesfort, Kilkenny, he had several children. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
St. Mary’s church, Gowran, June 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I was excited to see the tombs of the early Butlers of Ormond. The website tells us that the pair of effigial tombs belong (1467-1539) (d. 1487) to Butler knights. The more elaborate of them is believed to belong to Sir James Butler of Polestown, father of the eighth earl of Ormond, Piers Rua.

One of the effigial tombs. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
One of the effigial tombs. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The end of the effigial tomb. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The sides of this tomb are skilfully decorated with carvings of the Apostles, St Brigid, the crucifixion of Jesus Christ and possibly St Thomas à Becket. This tomb is believed to be the work of the renowned O’Tunneys of Callan. James became the Lord Deputy of Ireland in 1464. He married Sabh Kavanagh, daughter of Donal Reagh MacMurrough-Kavanagh, the King of Leinster.

This is probably the 1st Earl of Ormond, James Butler (c. 1305-1337). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Probably the wife of the 1st Earl of Ormond, Eleanor de Bohun (c. 1304-1363). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I’m not sure who this one is. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I think this one is the effigy of Ralph (Radoulfus) in his priestly vestments, the portrieve (priest) of Gowran in 1218. It is believed to be the oldest burial monument in Ireland with a date on it. The inscription is carved in Latin around the edge of the monument in Lombardic lettering. The monument is dated 19 March 1253. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Another sculpted monument. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
An ogham stone with a cross. This is from the third or fourth century, was found on the site during the rebuilding of the chancel in 1826. Fr. Edmund Barry’s reading of the ogham writing here is “DALO MAQA MUCOI MAQUI-ERACIAS MAQI LI”, that is, “Dalach, grandson, of Mac-Eirche, who was son of Lia.” The cross was probably carved around the sixth century. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://www.irelandscontentpool.com

[2] https://kilkennycastle.ie/about/explore-the-castle-new/

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Office of Public Works properties: Leinster: Carlow, Kildare

Just to finish up my entries about Office of Public Works properties: Carlow, Dublin, Kildare, Kilkenny, Laois, Longford, Louth, Meath, Offaly, Westmeath, Wexford and Wicklow are the counties that make up the Leinster region.

Carlow:

1. Altamont Gardens

Kildare:

2. Castletown House, County Kildare

3. Maynooth Castle, County Kildare

Carlow:

1. Altamont House and Gardens, Bunclody Road, Altamont, Ballon, County Carlow:

Altamont House and Gardens, photograph by Sonder Visuals, 2015, for Tourism Ireland, from Ireland’s Content Pool. [1]

General information: (059) 915 9444

altamontgardens@opw.ie

https://heritageireland.ie/visit/places-to-visit/altamont-gardens/

From the OPW website:

A large and beautiful estate covering 16 hectares in total, Altamont Gardens is laid out in the style of William Robinson, which strives for ‘honest simplicity’. The design situates an excellent plant collection perfectly within the natural landscape.

For example, there are lawns and sculpted yews that slope down to a lake ringed by rare trees and rhododendrons. A fascinating walk through the Arboretum, Bog Garden and Ice Age Glen, sheltered by ancient oaks and flanked by huge stone outcrops, leads to the banks of the River Slaney. Visit in summer to experience the glorious perfume of roses and herbaceous plants in the air.

With their sensitive balance of formal and informal, nature and artistry, Altamont Gardens have a unique – and wholly enchanting – character.” [2]

From “In Harmony with Nature, The Irish Country House Garden 1600-1900” in the Irish Georgian Society, July 2022, curated by Robert O’Byrne.
Altamont, photograph by Sonder Visuals 2017 for Tourism Ireland, Ireland’s Content Pool. [see 1]

From Living Legacies: Ireland’s National Historic Properties in the care of the OPW, Government Publications, Dublin, 2018:

Altamont House was constructed in the 1720s, incorporating parts of an earlier structure said to have been a medieval nunnery. In the 1850s, a lake was excavated in the grounds of the house, but it was when the Lecky-Watsons, a local Quaker family, acquired Altamont in 1924 that the gardens truly came into their own.

Feilding Lecky-Watson had worked as a tea planter in Ceylon (Sri Lanka) where he nurtured his love of exotic plants, and of rhododendrons in particular. Back in Ireland, he became an expert in the species, cultivating plants for the botanical gardnes at Glasnevin, Kew and Edinburgh. So passionate was he about these plants that when his wife, Isobel, gave birth to a daughter in 1922, she was named Corona, after his favourite variety of rhododendron.” [3]

Altamont House and Gardens lake, photograph by Sonder Visuals, 2015, for Tourism Ireland, from Ireland’s Content Pool. [see 1]

Around the lake are mature conifers that were planted in the 1800s, including a giant Wellingtonia which commemorates the Battle of Waterloo. [3] Corona continued in her father’s footsteps, planing rhododendrons, magnolia and Japanese maples. Another feature is the “100 steps” hand-cut in granite, leading down to the River Slaney. There are red squirrels, otters in the lake and river, and peacocks. Before her death, Corona handed Altamont over to the Irish state to ensure its preservation.

The Temple, Altamont House and Gardens, photograph by Sonder Visuals, 2015, for Tourism Ireland, from Ireland’s Content Pool. [see 1]

Kildare:

2. Castletown House and Parklands, Celbridge, County Kildare.

Castletown House, County Kildare, Photo by Mark Wesley 2016, Tourism Ireland, from Ireland’s Content Pool. [see 1]

General Information: castletown@opw.ie

https://castletown.ie

see my entry: https://irishhistorichouses.com/2024/03/15/castletown-house-and-parklands-celbridge-county-kildare-an-office-of-public-works-property/

Great Hall, photograph by Swire Chin, Toronto, May 2013 flickr constant commons.
Great Hall, Castletown House, Celbridge, Co Kildare, photograph by Sonder Visuals 2022 for Failte Ireland.
The Red Drawing Room in Castletown House, June 2015. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Red Drawing Room in October 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Print Room, Castletown House, June 2015. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Boudoir, Castletown House, July 2017. The website tells us about the writing bureau, Irish-made around 1760: A George III mahogany cabinet with dentilled-scrolled broken pediment carved with rosettes. Throughout her life, Lady Louisa maintained a regular correspondence with her sisters and brothers in Ireland and England, and it is easy to picture her writing her epistles at this bureau and filing the letters she received in the initialled pigeonholes and drawers. A handwritten transcription of her letters to her siblings can be accessed in the OPW-Maynooth University Archive and Research Centre in Castletown.  Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The writing bureau has no “J” or “U” as they are not in the Latin alphabet. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The wall panels, or grotesques, after Raphael date from the early nineteenth century and formerly hung in the Long Gallery. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
In 2022, Louisa’s bedroom now features a tremendous bed. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Upstairs, The Long Gallery, Castletown House, June 2015. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Long Gallery in the 1880s, photograph from the album of Henry Shaw. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Long Gallery: its heavy ceiling compartments and frieze dates from the 1720s and is by Edward Lovett Pearce. It was painted and gilded in the 1770s. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Obelisk, or Conolly Folly, was reputedly built to give employment during an episode of famine. It was restored by the Irish Georgian Society in 1960.

Obelisk, Castletown, attributed to Richard Castle, March 2022. Desmond Guinness’s wife Mariga, who played a great role in the Irish Georgian Society, is buried below. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Wonderful Barn, Castletown by Robert French, Lawrence Photographic Collection NLI, flickr constant commons.
The Wonderful Barn, March 2022, created in 1743. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
When we went to find the Wonderful Barn, we discovered there is not just one but in fact three Wonderful Barns! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The grounds around Castletown are beautiful and one can walk along the Liffey. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

3. Maynooth Castle, County Kildare:

Maynooth Castle, photograph by Gail Connaughton 2020, for Faitle Ireland, Ireland’s Content Pool. [see 1]

General information: 01 628 6744, maynoothcastle@opw.ie

From the OPW website https://heritageireland.ie/visit/places-to-visit/maynooth-castle/:

This majestic stone castle was founded in the early thirteenth century. It became the seat of power for the FitzGeralds, the earls of Kildare, as they emerged as one of the most powerful families in Ireland. Garret Mór, known as the Great Earl of Kildare, governed Ireland in the name of the king from 1487 to 1513.

Maynooth Castle was one of the largest and richest Geraldine dwellings. The original keep, begun around 1200, was one of the largest of its kind in Ireland. Inside, the great hall was a nerve centre of political power and culture.

Only 30 kilometres from Dublin, Maynooth Castle occupies a deceptively secluded spot in the centre of the town, with well-kept grounds and plenty of greenery. There is a captivating exhibition in the keep on the history of the castle and the family.

Gerald Fitzgerald (1487-1534) 9th Earl of Kildare, courtesy Bodleian Library.

[1] https://www.irelandscontentpool.com

[2] https://heritageireland.ie/visit/places-to-visit/altamont-gardens/

[3] p. 8, Living Legacies: Ireland’s National Historic Properties in the Care of the OPW. Government Publications, Dublin 2, 2018.

[4] p. xiii, Jennings, Marie-Louise and Gabrielle M. Ashford (eds.), The Letters of Katherine Conolly, 1707-1747. Irish Manuscripts Commission 2018. The editors reference TCD, MS 3974/121-125; Capel Street and environs, draft architectural conservation area (Dublin City Council) and Olwyn James, Capel Street, a study of the past, a vision of the future (Dublin, 2001), pp. 9, 13, 15-17.

[5] http://kildarelocalhistory.ie/celbridge See also my entry on Castletown House in my entry for OPW properties in Kildare, https://irishhistorichouses.com/2022/02/21/office-of-public-works-properties-leinster-carlow-kildare-kilkenny/

[6] https://archiseek.com/2011/1770s-castletown-house-celbridge-co-kildare/

[7] p. 75. Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[8] p. 129. Great Irish Houses. Forewards by Desmond FitzGerald, Desmond Guinness. IMAGE Publications, 2008. 

[9] https://castletown.ie/collection-highlights/

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Borris House, County Carlow – section 482

www.borrishouse.com
Open dates in 2026: Open: Apr 1, 2, 7-12, 14-26, 28-30, May 5-10, 19-24, June 12-14, 16-18, 23-25, 30, Aug 5, 12-23, 25, 26, Sept 1, 2, 8, 9, 22, 23, 29 12pm-4pm
Fee: adult €12, OAP/student €10, child under 12 free

Borris House, Carlow, photograph by Suzanne Clarke, 2016 for Tourism Ireland, Ireland’s Content Pool.

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I had been particularly looking forward to visiting Borris House. It feels like I have a personal link to it, because my great great grandmother’s name is Harriet Cavanagh, from Carlow, and Borris House is the home of the family of Kavanaghs of Carlow, and the most famous resident of the house, Arthur MacMurrough Kavanagh, was the son of a Harriet Kavanagh! Unfortunately I don’t think there’s a connection.

We were able to park right outside on the main street of Borris, across from the entrance. My fond familial feelings immediately faded when faced with the grandeur of the entrance to Borris House. I shrank into a awestruck tourist and meekly followed instructions at the Gate Lodge to make my way across the sweep of grass to the front entrance of the huge castle of a house.

We brought our friend Damo along with us – here he is with Stephen at the entrance arch. The National Inventory of Architectural Heritage tells us that this entrance was designed by Richard Morrison, around 1813. It has an arch opening with crenellations, flanking turrets and buttressed walls. There’s a portcullis and fabulous studded door. The towers have blind arrow slits including a cruciform arrow slit, and there’s a small Gothic window with hood moulding. [1] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A view of the arched entrance from inside the demesne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Unlike other section 482 houses – with the few exceptions such as Birr Castle and Tullynally – Borris House has a very professional set-up to welcome visitors as one goes through the gate lodge. The website does not convey this, as it emphasises the house’s potential as a wedding venue, but the property is in fact fully set up for daily guided tours, and has a small gift shop in the gate lodge, through which one enters to the demesne. Borris House is still a family home and is inhabited by descendants of the original owners.

Approach to the front of the house from the gate lodge. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Standing at the front of the house looking to our left at the beautiful landscape. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Originally a castle would have been located here on the River Barrow to guard the area. From the house one can see Mount Leinster and the Blackstairs Mountains.

The current owner Morgan Kavanagh can trace his ancestry back to the notorious Dermot MacMurrough (Diarmait mac Murchadha in Irish), who “invited the British in to Ireland” or rather, asked for help in protecting his Kingship. The MacMurroughs, or Murchadhas, were Celtic kings of Leinster. “MacMurrough” was the title of an elected Lord. Dermot pledged an oath of allegiance to King Henry II of Britain. The Norman “Strongbow,” or Richard de Clare, 2nd Earl of Pembroke, came to Ireland to fight alongside Dermot MacMurrough against Dermot’s enemies. As a reward, Dermot MacMurrough offered Strongbow the hand of his daughter Aoife. This was less a love match than a chance to become the next King of Leinster. Succeeding generations of MacMurrough family controlled the area, maintaining their Gaelic traditions.

The Marriage of Aoife and Strongbow, Richard de Clare 2nd Earl of Pembroke at Waterford in 1170, by Daniel Maclise, in National Gallery of Ireland. Conceived for the decoration of the Palace of Westminster, a note tells us, the painting is an ambiguous representation of the victorious Normans and the vanquished Irish. Strongbow places his foot upon a fallen Celtic cross, King Dermot looks on in alarm, and an elderly musician slumps of his harp.

Timothy William Ferres tells us that in 1171, the name Kavanagh was given to Donell, son of Dermot MacMorrough. [1*]

In the late 14th century, Art mac Murchadha (d. around 1417) was one of the Irish kings who was offered a knighthood by King Richard II of England. In the 1500s, King Henry VIII sought to reduce the power of the Irish kings and to have them swear loyalty to him. In 1550 Charles MacMurrough Kavanagh (the Anglicised version of the name ‘Cahir MacArt’ MacMurrough Kavanagh) “submitted himself, and publicly renounced the title and dignity of MacMorrough, as borne by his ancestors.” [2] (note the various spellings of MacMorrough/MacMurrough). The head of the family was still however referred to as “the MacMorrough.”

We gathered with a few others to wait outside the front of the house for our tour guide on a gloriously sunny day in July 2019. Some of the others seemed to be staying at the house. For weddings there is accommodation in the house and also five Victorian cottages. We did not get to see these in the tour but you can see them on the website. Unfortunately our tour guide was not a member of the family but she was knowledgeable about the house and its history.

The current house was built originally as a three storey square house in 1731, incorporating part of a fifteenth century castle. We can gather that this was the date of completion of the house from a carved date stone.

According to the Borris House website, the 1731 house was built for Morgan Kavanagh, a descendant of Charles MacMurrough Kavanagh. However, I have the date of 1720 as the death for Morgan Kavanagh. Irish Aesthete Robert O’Byrne writes that the 1731 house was built by Brian Kavanagh. [3] Morgan Kavanagh has a son named Brian (d. 1741), so it could be the case that the house was commissioned by Morgan and completed by his son.

The house was damaged in the 1798 Rebellion and rebuilt and altered by Richard and William Vitruvius Morrison around 1813 into what one sees today. According to Edmund Joyce in his book Borris House, Co. Carlow, and elite regency patronage, it was Walter Kavanagh, grandson of the aforementioned Brian (d. 1741) who commissioned the work, which was taken over by brother Thomas (1767-1837) when Walter died in 1818. [4]. The Morrisons gave it a Tudor exterior although as Mark Bence-Jones points out in his Guide to Irish Country Houses, the interiors by the Morrisons are mostly Classical.

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Morrisons kept the original square three storey building symmetrical. Edmund Joyce references McCullough, Irish Building Traditions, writing that “The Anglo-Irish landlords at the beginning of the 19th century who wanted to establish a strong family history with positive Irish associations were beginning to use the castle form – which had long been a status of power both in Ireland and further afield – to embed the notion of a long and powerful lineage into the mindset of the audience.”

In keeping with this castle ideal, the Morrisons added battlemented parapets with finials, the crenellated arcaded porch on the entrance, as well as four square corner turrets to the house, topped with cupolas (which are no longer there). The porch has slightly pointed arches, and is unusual with its bricklike rustication, and elongated mini towers on top with tawny detailing in between, reflected in the roof parapet.

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

They also created rather fantastical Tudor Gothic curvilinear hood mouldings over the windows, some “ogee” shaped (convex and concave curves; found in Gothic and Gothic-Revival architecture) [5].

An ogee shaped hood moulding. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

These mouldings drop down from the top of the windows to finish with sculptured of heads of kings and queens. These are not representations of anyone in particular, the guide told us, but are idealised sculptures representing royalty to remind one of the Celtic kingship of the Kavanaghs.

As well as illustrating their heritage in architecture, Walter Kavanagh (d. 1718) commissioned an illustrated book of the family pedigree, titled “The pedigree of the ancient illustrious noble and princely house of Kavanagh in ancient times monarchs of Ireland and at the period of the invasion by Henry the second, kings of Leinster,” which traces the family tree back to 1670 BC! The connections to the prominent families of Butlers, Fitzjohns, De Mariscos and FitzGeralds are highlighted, which are also illustrated in the stained glass window in the main stairwell at Borris.

Borris House, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The stairwell in Borris House, with the stained glass window which records some of the genealogy of the Kavanaghs. Photograph courtesy of Borris House instagram, by @1darmar

The guide pointed to the many configurations of windows on the front facade of the house. They were made different deliberately, she told us, to create the illusion that the different types of windows are from different periods, even though they are not! This was to reflect the fact that various parts of the building were built at different times.

The crest of the family on the front of the house on the portico features a crescent moon for peace, sheaf of wheat for plenty and a lion passant for royalty. The motto is written in Irish, to show the Celtic heredity of the Kavanaghs, and means “peace and plenty.”

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Morrisons also added a castellated office wing, joining the house to a chapel. This wing has been partially demolished.

View of the chapel from the front of the house, and beyond, the path leads to the gate lodge. In between the chapel and the house you can see the wall which once housed the kitchen, with the octagonal chimney stack built into the wall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Charles MacMurrough Kavanagh married Cecilia, daughter of Gerald Fitzgerald, 9th Earl of Kildare. Charles’s son Brian (c. 1526-1576) converted to Protestantism and sent his children to be educated in England. One of them, Sir Morgan Kavanagh, acquired the estate of Borris when he was granted the forfeited estates of the O’Ryans of Idrone in County Carlow.

When Protestants were attacked in 1641 by a Catholic rebellion, when Morgan’s son Brian (1595-1662) was “The MacMorrough,” the MacMurrough Kavanaghs were spared due to their ancient Irish lineage. Later, when Cromwell rampaged through Ireland, they were spared since they were Protestant, so they had the best of both worlds during those turbulent times.

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Brian Kavanagh (1595-1662) married twice. His first wife was Elinor, daughter of Thomas Colclough of Tintern Abbey in County Wexford. His second wife was Elinor Blancheville of Blanchevillestown in County Kilkenny.

The tour guide took us first towards the chapel. She explained the structure of the house as we trooped across the lawn. She pointed out the partially demolished stretch between the square part of the house and the chapel. All that remains of this demolished section is a wall. The octagonal towerlike structures built into the wall were chimneys and the demolished part was the kitchen.

Side of Borris House with the chapel in the foreground. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
In this photograph, from Shane Prunty Weddings and the Borris House instagram page, you can see the remaining wall of the extension between the house and the chapel.
Side of Borris House, with the later wing that was added, that stretches toward the chapel. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The square tower that joins the house to the demolished kitchen contained the nursery. The wing was demolished to reduce the amount of rates to be paid. The house was reoriented during rebuilding, the guide told us, and a walled garden was built with a gap between the walls which could be filled with coal and heated! I love learning of novel mechanisms in homes and gardens, techniques which are no longer used but which may be useful to resurrect as we try to develop more sustainable ways of living (not that we’d want to go back to using coal).

The square tower contained the nursery, the guide told us. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

It is worth outlining some of the genealogy of this ancient family, as they intermarried with many prominent families of their day. Morgan Kavanagh (1668-1720) who probably commissioned the building of the 1730s house married Frances Esmonde, daughter of Laurence Esmonde (1634-1688) 2nd Baronet of Ballynastragh, County Wexford, who lived at Huntington Castle (another section 482 property I visited). After her death, he married Margaret Morres of Castle Morres in County Kilkenny.

Morgan and Frances née Esmonde’s son Brian (1699-1741) married Mary Butler, daughter of Thomas Butler (d. 1738) of Kilcash. Their son Thomas (1727-1790) married another Butler, Susanna, daughter of the 16th Earl of Ormonde.

It was the following generation, another Thomas (1767-1837), who is relevant to our visit to the chapel.

This Thomas (1767-1837) was originally a Catholic. He married yet another Butler, Elizabeth, daughter of the 17th Earl of Ormonde, in 1799. At some time he converted to Protestantism. It must have been before 1798 because in that year he represented Kilkenny City in Parliament and at that time only members of the Established Church could serve in Parliament.

As I mentioned, the house was badly damaged in 1798, when the United Irishmen rose up in an attempt to create an independent Ireland. Although the Kavanaghs are of Irish descent and are not a Norman or English family, this did not save them from the 1798 raids. The house was not badly damaged in a siege but outbuildings were. The invaders were looking for weapons inside the house, the guide told us. Robert O’Byrne the Irish Aesthete writes tells us: “Walter MacMurrough Kavanagh wrote to his brother-in-law that although a turf and coal house were set on fire and efforts made to bring ‘fire up to the front door under cover of a car on which were raised feather beds and mattresses’ [their efforts] were unsuccessful.” [6]

Edmund Joyce describes the raid in his book on Borris House (pg. 21-22):

“The rebels who had marched overnight from Vinegar Hill in Wexford…arrived at Borris House on the morning of 12 June. They were met by a strong opposing group of Donegal militia, who had taken up their quarters in the house. It seems that the MacMurrough Kavanaghs had expected such unrest and in anticipation had the lower windows…lately built up with strong masonry work. Despite the energetic battle, those defending the house appear to have been indefatigable, and the rebels, ‘whose cannons were too small to have any effect on the castle…’ the mob retreated back to their camps in Wexford.”

The estate was 30,000 acres at one point, but the Land Acts reduced it in the 1930s to 750 acres, which the present owner farms organically. The outbuildings which were built originally to house the workings of the house – abbatoir, blacksmith, dairy etc, were burnt in one of the sieges and so all the outbuildings now to be seen, the guide told us, were built in the nineteenth century.

Walter Kavanagh (1766-1813), brother of Thomas (1767-1837) (M.P.) and Morgan Kavanagh (who married Alicia Grace of Gracefield, Queens County). Courtesy Fonsie Mealy March 2019.

Thomas’s second wife, Harriet Le Poer Trench, daughter of the 2nd Earl of Clancarty, was of staunch Scottish Protestant persuasion [7]. When he converted, the chapel had to be reconsecrated as a Protestant chapel. According to legend, Lady Harriet had a statue of the Virgin Mary removed from the chapel and asked the workmen to get rid of it. The workmen, staunch Catholics, buried the statue in the garden. People believed that for this act, Lady Harriet was cursed, and it was said that one day her family would be “led by a cripple.”

The story probably came about because Harriet’s third son, Arthur, was born without arms or legs. As she had given birth to two older sons, and he had another half-brother, Walter, son of Thomas’s first wife, it seemed unlikely that Arthur would be the heir. However, the three older brothers all died before Arthur and Arthur did indeed become the heir to Borris House.

Arthur MacMorrough Kavanagh, M.P., (1831-1839), Politician and Sportsman Date after 1889 Engraver Morris & Co. Photograph courtesy of the National Gallery of Ireland.

The plasterwork in the chapel, which is called the Chapel of St. Molin, is by Michael Stapleton.

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In Jimmy O’Toole’s book The Carlow Gentry: What will the neighbours say! (published by Jimmy O’Toole, Carlow, Ireland, 1993. Printed by Leinster Leader Ltd, Naas, Kildare), he tells us of a rather miraculous finding of a Bible giving evidence of Thomas’s early Catholicism:

p. 130. “In the early 1950s, Borris House needed an electrical rewire. It was the kind of job in this rambling mansion that would take tradesmen into all sorts of unused nooks and crannies, attics untouched since the last electricians were there, and of course, there was the necessary task, dreaded by owners, the lifting of floor boards…What the electricians turned up from underneath the floor boards in the library of borris House was an 18C missal, which had been carefully wrapped and placed there by the Catholic Thomas Kavanagh either when he conformed to the Established Church, or when he married for the second time in 1825. The missal was a gift from his mother, the former Lady Suzanna Butler, bearing the hopeful inscription that he would remain faithful to the Catholic religion practised for centuries by his forebears, who could trace their ancestry back to early Christian times.” 

Jimmy O’Toole also tells us that Borris House stands on 9th century dungeons!

While we sat in the chapel, our guide told us about the amazing Arthur MacMurrough Kavanagh. When her husband Walter died, Harriet and her children went travelling. They travelled broadly, and she painted, and collected objects which she brought back to Ireland, including a collection of artefacts from Egypt now in the National Museum of Ireland. When Arthur was 17 years old his mother sent him travelling again, to get him away from his high jinks with the local girls. Arthur kept diaries, which are available for perusal in the National Library. I must have a look! I have a special interest in diaries, since I have been keeping my own since I was twelve years old. Some of Arthur’s adventures include being captured and being cruelly put on display by a tribe. He also fell ill and found himself being nursed back to health in a harem – little did the Sultan or head of the harem realise that Arthur was perfectly capable of impregnating the ladies!

Arthur’s brother and tutor died on their travels and Arthur found himself alone in India. He joined the East India Company as a dispatch rider – he was an excellent horseman, as he could be strapped in to a special saddle, which we saw inside the house, now mounted on a children’s riding horse! I was also thrilled to see his wheelchair, in the Dining Room, which is now converted into a dining chair.

Arthur MacMurrough’s saddle in mounted on the rocking horse. Photograph by Paul Barker, 2011, for Country Life.

When Arthur came home as heir, he found his mother had set up a school of lacemaking, now called Borris Lace, to help the local women to earn money during the difficult Famine years. The lace became famous and was sold to Russian and English royalty. The rest of the estate, however, was in poor shape. Arthur set about making it profitable, bringing the railway to Borris, building a nearby viaduct, which cost €20,000 to build. He also built cottages in the town, winning a design medal from the Royal Dublin Society, and he set up a sawmill, from which tenants were given free timber to roof their houses. He set up limekilns for building material, and also experimented (unsuccessfully) with “water gas” to power the crane used to built the viaduct. His mother built a fever house, dower house and a Protestant school, and Arthur’s sisters built a Catholic school. There is a little schoolhouse (with bell) behind the chapel.

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Arthur seems to have had a great sense of humour. On one of his visits to Abbeyleix, he remarked to Lady De Vesci, “It’s an extraordinary thing – I haven’t been here for five years but the stationmaster recognised me.”

Arthur married Mary Frances Forde-Leathley and fathered six children. He became an MP for Carlow and Kilkenny, and sat in the House of Commons in England, which he reached by sailing as far as London, where he was then carried in to the houses of Parliament.

He lost when he ran again for Parliament in 1880, beaten by the Home Rule candidates. He returned from London after his defeat and saw bonfires, which were often lit by his tenants to celebrate his return. However, this time, horrifically, he saw his effigy being burned on the bonfires by tenants celebrating the triumph of the Home Rule candidates. He must have been devastated, as he had worked so hard for his tenants and treated them generously. For more about him, see the Irish Aesthete’s entry about him. [8]

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Jimmy O’Toole’s book gives a detailed description of politics at the time of Arthur’s defeat and explains why the tenants behaved in such a brutal way. Elections grew heated and dangerous in the days of the Land League and of Charles Stewart Parnell, when tenants hoped to own their own land. In the 1841 election, tenants of the Kavanaghs were forced to vote for the Tory candidate against Daniel O’Connell Jr., despite a visit from Daniel O’Connell Sr, “The Liberator” who fought for Catholic emancipation.

The land agent for the Kavanaghs, Charles Doyne, threatened the tenants with eviction if they did not vote for his favoured candidate. In response to threats of eviction, members of the Land League forced tenants to support their cause by publicly shaming anyone who dared to oppose them. People were locked into buildings to prevent them from voting, or on the other hand, were locked in to protect them from attacks which took place if they planned to support the Tory candidate. Not all Irish Catholics supported the Land League. Labourers realised that landlords provided employment which would be lost if the land was divided for small farmers.

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

It was Arthur’s grandfather, Thomas (b. 1727), who undertook much of the renovation work at Borris in the 1800s, with money brought into the family by his wife, Susanna Butler. [9] Under her influence, Italian workmen were employed and ceilings were decorated and Scagliola pillars installed. After hearing the stories about amazing Arthur, we returned across the lawn to enter the main house.

The front hall is square but is decorated with a circular ceiling of rich plasterwork, “treated as a rotunda with segmental pointed arches and scagliola columns; eagles in high relief in the spandrels of the arches and festoons above,” as Mark Bence-Jones describes in his inimitable style [see 5, p. 45]. We were not allowed to take photographs but the Irish Aesthete’s site has terrific photographs [see 3]. The eagles represent strength and power. There are also the sheafs of wheat, crescent moons and lion heads, symbols from the family crest. Another common motif in the house is a Grecian key pattern.

Photograph by Paul Barker, 2011, from Country Life picture library.
Borris House front hall, photograph from Borris House instagram, @karinalee.studio
Borris House front hall, photograph from Borris House instagram, @karinalee.studio
Photograph by Paul Barker, 2011, from Country Life picture library.

The craftwork and furnishings of the house are all built by Irish craftsmen, including mahogany doors. There is a clever vent in the wall that brings hot air from the kitchens to heat the room.

We next went into the music room which has a beautiful domed oval ceiling with intricate plasterwork. It includes the oak leaf for strength and longevity.

The drawing room has another pretty Stapleton ceiling, more feminine, as this was a Ladies’ room. It has lovely pale blue walls, and was originally the front entrance to the house. When it was made into a circular room the leftover bits of the original rectangular room form small triangular spaces, which were used as a room for preparing the tea, a small library with a bookcase, and a bathroom. The curved mahogany doors were also made by Irish craftsmen in Dublin, Mack, Williams and Gibton.

The dining room has more scagliola columns at one end, framing the serving sideboard, commissioned specially by Morrison for Borris House. It was sold in the 1950s but bought back by later owners. [10] The room has more rich plasterwork by Michael Stapleton: a Celtic design on the ceiling, and ox skulls represent the feasting of Chieftains. With the aid of portraits in the dining room, the guide told us more stories about the family. It was sad to hear how Arthur had to put an end to the tradition of the locals standing outside the dining room windows, and gentry inside, to observe the diners. He did not like to be seen eating, as he had to be fed.

The grand dining room, photograph courtesy of Borris House instagram.

We saw the portrait of Lady Susanna’s husband, whom her sister Charlotte Eleanor dubbed “Fat Thomas.” Eleanor formed a relationship with Sarah Ponsonby, and they ran away from their families to be together. As a result, Eleanor was taken to stay with her sister’s family in Borris House, and she must have felt imprisoned by her sister’s husband, hence the insulting moniker. Eleanor managed to escape and to make her way to Woodstock, the house in County Kilkenny where Sarah was staying. Finally their families capitulated and accepted their plans to live together. They set up house in Wales, in Llangollen, and were known as The Ladies of Llangollen They were visited by many famous people, including Anna Seward, William Wordsworth, Sir Walter Scott, Charles and Erasmus Darwin, Sir Arthur Wellesley and Josiah Wedgewood.

The Ladies of Llangollen, Sarah Ponsonby and Charlotte Eleanor Butler, by Richard James Lane, printed by Jérémie Graf, after Lady Mary Leighton (née Parker) courtesy of National Portrait Gallery NPG D32504.

Mark Bence-Jones describes an upstairs library with ceiling of alternate barrel and rib vaults, above a frieze of wreaths that is a hallmark of the Morrisons, which unfortunately we did not get to see. We didn’t get to go upstairs but we saw the grand Bath stone cantilevered staircase. The room was originally an open courtyard.

We then went out to the Ballroom, which was originally built by Arthur as a billiard room, with a gun room at one end and a planned upper level of five bedrooms. The building was not finished as planned as Arthur died. It is now used for weddings and entertainment.

Side of the house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In 1958 the house faced ruin when Joane Kavanagh’s husband Lieutenant Colonel Archibald Macalpine-Downie died, and she decided to move to a smaller house. However, her son, Andrew Macalpine-Downie, returned to Borris after a career as a jockey in England. with his wife Tina Murray. He assumed the name Kavanagh, and set himself the task of preventing the house from becoming a ruin. [11]

We were welcomed to wander the garden afterwards.

I was delighted with the sheep who must keep the grass down. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
View from the grounds of Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://www.buildingsofireland.ie/buildings-search/building/10400804/borris-house-borris-borris-co-carlow

[1*] http://lordbelmontinnorthernireland.blogspot.com/2013/07/borris-house.html

[2] p. 33, MacDonnell, Randal. The Lost Houses of Ireland. A chronicle of great houses and the families who lived in them. Weidenfeld and Nicolson. London, 2002.

[3] https://theirishaesthete.com/2013/11/04/an-arthurian-legend/

The Borris website claims that the 1731 house was built for Morgan Kavanagh, but the Irish Aesthete Robert O’Byrne writes that the 1731 house was built by Brian Kavanagh, incorporating part of the fifteenth century castle. I have the date of 1720 as the death for Morgan Kavanagh and he has a son, Brian, so it could be the case that the house was commissioned by Morgan and completed by his son Brian.

[4] Joyce, Edmond. Borris House, Co. Carlow, and elite regency patronage. Four Courts Press, Dublin, 2013.

[5] https://irishhistorichouses.com/2020/04/18/architectural-definitions/

and Mark Bence-Jones. A Guide to Irish Country Houses [originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978]; Revised edition 1988 Constable and Company Ltd, London.

[6] https://theirishaesthete.com/2013/11/04/an-arthurian-legend/

This entry also has lovely pictures of the inside of Borris House and more details about the history of the house and family.

[7] p. 130. O’Toole, Jimmy. The Carlow Gentry: What will the neighbours say! Published by Jimmy O’Toole, Carlow, Ireland, 1993. Printed by Leinster Leader Ltd, Naas, Kildare.

[8] https://theirishaesthete.com/2013/11/04/an-arthurian-legend/

[9] for more on the Butlers see John Kirwan’s book, The Chief Butlers of Ireland and the House of Ormond, An Illustrated Genealogical Guide, published by Irish Academic Press, Newbridge, County Kildare, 2018. Stephen and I went to see John Kirwan give a fascinating talk on his book at the Irish Georgian Society’s Assembly House in Dublin.

[10] p. 115. Fitzgerald, Desmond et al. Great Irish Houses. Published by IMAGE Publications Ltd, Dublin, 2008.

[11] p. 134. O’Toole, Jimmy. The Carlow Gentry: What will the neighbours say! Published by Jimmy O’Toole, Carlow, Ireland, 1993. Printed by Leinster Leader Ltd, Naas, Kildare.

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Covid-19 lockdown, 20km limits, and Places to visit in Dublin

I have a bigger project than this section 482 houses blog. It helps, when writing about big houses, to know what is out there. So I have studied Mark Bence-Jones’s 1988 publication in great detail, A Guide to Irish Country Houses, and have conducted research with the help of the internet.

For my own interest, and I am sure many of my readers will appreciate, I am compiling a list of all of the “big house” accommodation across Ireland – finding out places to stay for when Stephen and I go on holidays, especially when we go to see the section 482 houses!

I am also discovering what other houses are open to the public. There are plenty to see which are not privately owned or part of the section 482 scheme. In fact many of the larger houses are either owned by the state, or have been converted into hotels.

This Monday, 8th June 2020, Ireland moves to the next phase of the government’s Covid-19 prevention plan, and we are allowed to travel 20km from our home, or to places within our county. Big houses won’t be open for visits, but some will be opening their gardens – already my friend Gary has been to the gardens of Ardgillan Castle for a walk. Stephen and I went there before lockdown, meeting Stephen’s cousin Nessa for a walk. The castle was closed, but we were blown away by the amazing view from the garden, and walked down to the sea.

Ardgillan Castle, Balbriggan, County Dublin, and its view, June 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Nessa at the sea on our visit to Ardgillan Castle, June 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com


Here is my list of houses/castles to visit in Dublin. Some are on section 482 so are private houses with very limited visting times; others are state-owned and are open most days – though not during Covid-19 restriction lockdown – they might be open from June 29th but check websites. Some have gardens which are open to the public now for a wander.

1. Airfield, Dundrum, Dublin

2. Aras an Uachtarain, Phoenix Park, Dublin – OPW

3. Ardgillan Castle, Dublin

4. Ashtown Castle, Phoenix Park, DublinOPW

5. Bewley’s, 78-79 Grafton Street/234 Johnson’s Court, Dublin 2 – section 482

6. Cabinteely House [formerly Clare Hill, or Marlfield], Cabinteely, Dublin 

7. The Casino at Marino, DublinOPW

8. Charlemount House, Parnell Square, Dublin – Hugh Lane gallery

9. Clonskeagh Castle, 80 Whitebean Road, Clonskeagh, Dublin 14  section 482

10. Colganstown House, Hazelhatch Road, Newcastle, Co. Dublinsection 482

11. Corke Lodge Garden, Shankill, Co. Dublin section 482

12. Dalkey Castle, Dublin – heritage centre 

13. Doheny & Nesbitt, 4/5 Lower Baggot Street, Dublin 2 – section 482 

14. Drimnagh Castle, Dublin

15. Dublin Castle, Dublin – OPW

16. Fahanmura, 2 Knocksina, Foxrock, Dublin 18 – section 482

17. Farm Complex, Toberburr Road, Killeek, St Margaret’s, Co. Dublin – section 482

18. Farmleigh, Phoenix Park, Dublin – OPW

19. Fern Hill, Stepaside, Dublin – gardens open to public

20. Georgian House Museum, 29 Lower Fitzwilliam Street, Merrion Square, Dublin 2 – virtual visit only

21. 14 Henrietta Street, Dublin

22. Hibernian/National Irish Bank, 23-27 College Green, Dublin 2 – section 482

23. Howth Castle gardens, Howth, County Dublin

24. Hurdy Gurdy Radio Museum Howth Martello Tower

25. Lambay Castle, Lambay Island, Malahide, Co. Dublin – section 482

26. Lissen Hall, County Dublin – ihh member, check dates, May and June.

27. Malahide Castle, County Dublin

28. Marlay Park, Rathfarnham, County Dublin

29. Martello Tower, Portrane, Co. Dublin – section 482

30. Meander, Westminister Road, Foxrock, Dublin 18 – section 482

31. Irish Architectural Archive, 45 Merrion Square, Dublin 

32. MOLI, Museum of Literature Ireland, Newman House, St Stephen’s Green, Dublin

33. Newbridge House, Donabate, County Dublin

34. 11 North Great George’s Street, Dublin 1 – section 482

35. 39 North Great George’s Street, Dublin 1

36. The Odeon (formerly the Old Harcourt Street Railway Station), 57 Harcourt Street, Dublin 2section 482

37. The Old Glebe, Upper Main Street, Newcastle, Co. Dublin – section 482

38. Powerscourt Townhouse Centre,59 South William Street, Dublin 2 – section 482

39. Primrose Hill, Very Top of Primrose Lane, Lucan, Co. Dublinsection 482

40. Rathfarnham Castle, DublinOPW

41. Royal Hospital Kilmainham, Irish Museum of Modern Art (IMMA) – OPW

42. 10 South Frederick Street, Dublin 2Section 482

43. St. Enda’s Park and Pearse Museum, DublinOPW

44. St. George’s, St. George’s Avenue, Killiney, Co. Dublin – section 482

45. Swords Castle, Swords, County Dublin.

46. The Church, Junction of Mary’s Street/Jervis Street, Dublin 1 – section 482

47. Tibradden House, Mutton Lane, Rathfarnham, Dublin 16 – section 482

48. Tickknock Gardens, Ticknock Lodge, Ticknock Road, Sandyford, Dublin, Dublin 18

49. Tyrrelstown House Garden, Powerstown Road, Tyrrelstown, Dublin, D15 T6DD – gardens open

1. Airfield, Dundrum, Dublin 

https://www.airfield.ie

Situated:
Overend Way, Dundrum, D14 EE77

Open: see website

Instagram@airfieldgardens

20190410_123353
Airfield House, Dublin, April 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website says “Original home to the Overend family, today Airfield House is an interactive tour and exhibition which brings visitors closer to this admired Dublin family. Here you’ll view family photographs, letters, original clothing and display cases with information on their prize-winning Jersey herd, vintage cars and their much loved Victorian toys and books.

We focus not just on the way of life the family lived at Airfield, but also on their fantastic charitable work for organisations such as St John Ambulance and The Children’s Sunshine Home (now The Laura Lynn Foundation) to name but a few.

The name was changed from Bess Mount to Airfield circa 1836. It is a working farm, in the middle of suburban Dundrum! The house was built around 1830. [1] It was built for Thomas Mackey Scully, eldest son of James Scully of Maudlins, Co Kildare. Thomas Mackey Scully was a barrister at Law Grays Inn 1833 and called to the bar in 1847.  He was a supporter of O’Connell and a member of the Loyal National Repeal Association. In 1852 the house went into the Encumbered Estates, and was purchased by Thomas Cranfield.

Overend cars at Airfield estate. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Overend cars at Airfield. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Stillorgan History and Genealogy website tells us that Thomas Cranfield married Anne Keys in 1839. Thomas was a stationer and printer of 23 Westmorland Street. In 1847 he became the first mezzotint printer in Ireland producing copies of a works by Irish artists such as William Brocas. He received an award from the RDS for his print from a portrait of the Earl of Clarendon. He moved to 115 Grafton Street and received a Royal Warrant in 1850. The family moved to Airfield in 1854. Thomas was also an agent for the London Stereoscopic company and moved into photography. He disposed of his business in 1878 to his son and his assistant George Nutter. I recently heard Brian May member of the former rock band Queen discussing his interest in stereoscopic photography, which was fascinating. I wonder has he been to Airfield? It’s a pity there is nothing about it in the house. Thomas moved to England in 1882 after the death of his son Charles. 

Thomas’s father was interesting also: the website tells us: “In 1753, Dr Richard Russell published The Use of Sea Water which recommended the use of seawater for healing various diseases. Circa 1790 Richard Cranfield opened sea baths between Sandymount and Irishtown and by 1806 was also offering tepid baths. Originally called the Cranfield baths it was trading as the Tritonville baths by 1806. Richard Cranfield born circa 1731 died in 1809 at Tritonville Lodge outliving his wife by four years to whom he had been married for over 60 years. He was a sculptor and a carver of wood and had a share in the exhibition Hall in William Street which was put up for sale after his death. He was also the treasurer for the Society of Artists in Ireland.  He worked at Carton House and Trinity College. His son Richard took over the baths.

The Stillorgan History and Genealogy website continues. When the Cranfields left Airfield, it was taken over by the Jury family of the Shelbourne hotel in Dublin. William Jury born circa 1805 was a hotel proprietor. He and his second wife went to live at Tolka Park, Cabra and William became proprietor of the Imperial Hotel in Cork and in Belfast and also had an interest  ‘Jurys’ in Derry. In 1865 William, together with Charles Cotton, (brother of his wife Margaret) and Christian Goodman, (manager of the Railway Hotel in Killarney) purchased The Shelbourne from the estate of Martin Burke. They closed The Shelbourne in February 1866, purchased additional ground from the Kildare Society, and proceeded with a rebuild and reopened on 21.02.1867. John McCurdy was the architect and Samuel Henry Bolton the builder. The four bronze figures of Assyrian muses/mutes installed at the entrance of the Shelbourne Hotel were designed by the Bronze-founders of Gustave Barbezat & CIE of France.

William’s wife Margaret took over the running of the hotel after the death of her husband. She travelled from Airfield each morning bringing fresh vegetables for use in the hotel. She left Airfield circa 1891.

Airfield estate. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Airfield estate. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Airfield estate. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Four of their sons followed into the hotel business. Their fourth son, Charles, took over the running of The Shelbourne and died in 1946 in Cheshire aged 91 years.

The Overends seem to have taken over Airfield from 1884. Trevor Thomas Letham Overend (1847-1919) was born in Portadown, 3rd son of John Overend of 57 Rutland Square. He married Elizabeth Anne (Lily) Butler 2nd daughter of William Paul Butler and Letitia Gray of Broomville, County Carlow. Their daughters Letitia and Naomi were left well provided for with no necessity to work and instead devoted themselves to volunteer work and never married.

The website continues: “We focus not just on the way of life the family lived at Airfield, but also on their fantastic charitable work for organisations such as St John Ambulance and The Children’s Sunshine Home (now The Laura Lynn Foundation) to name but a few.

Airfield Ornamental Gardens
Airfield gardens came to prominence under the leadership of Jimi Blake in the early 2000’s. Like all progressive gardens the garden in Airfield is an ever-evolving landscape. The gardens were redesigned in 2014 by internationally renowned garden designer Lady Arabella Lenox Boyd and landscape architect Dermot Foley. The colour and life you see in our gardens today are the result of the hard work and imagination of our Head Gardener Colm O’Driscoll and his team who have since put their stamp on the gardens as they continue to evolve. The gardens are managed organically and regeneratively with a focus on arts and craft style of gardening.

Espaliered trees at Airfield, April 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Airfield Food Gardens
Certified organic by the Irish Organic Association this productive 2-acre garden supplies the onsite café and farmers market with fresh seasonal produce. Food production is only one element of this dynamic food garden. Education is at the core of this space. Annual crop trails, experimental crops and forward-thinking growing methods are implemented throughout the garden. Soil is at the heart of the approach to growing and and on top of being certified organic the garden is managed under “no dig” principals. These regenerative approaches result in a thriving food garden that is a hive of activity throughout the growing season.”

Gardens at Airfield, April 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Gardens at Airfield, April 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

2. Aras an Uachtarain, Phoenix Park, Dublin – OPW

See my entry https://irishhistorichouses.com/2023/10/17/office-of-public-works-dublin-aras-an-uachtarain-phoenix-park/

3. Ardgillan Castle, Balbriggan, Dublin

https://ardgillancastle.ie

Ardgillan Castle, Balbriggan, February 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

You approach Ardgillan Castle from the back, coming from the car park, facing down to the amazing vista of Dublin bay. See my entry about Ardgillan Castle https://irishhistorichouses.com/2022/10/15/places-to-visit-in-dublin-ardgillan-castle-balbriggan-county-dublin/

The Walled Garden was originally a Victorian-styled kitchen garden that used to supply the fruit, vegetables and cut flower requirements to the house. It is 1 hectare (2.27 acres) in size, and is subdivided by free standing walls into five separate compartments. The walled garden was replanted in 1992 and through the 1990’s, with each section given a different theme.

The walled garden at Ardgillan, February 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The walled garden at Ardgillan, February 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Victorian Conservatory was originally built in 1880 at Seamount, Malahide, the home of the Jameson family, who became famous for their whiskey all over the world. It was built by a Scottish glasshouse builder McKenzie & Moncur Engineering, and is reputed to be a replica of a glasshouse built at Balmoral in Scotland, the Scottish home of the British Royal Family. The conservatory was donated to Fingal County Council by the present owner of Seamount, the Treacy family and was re-located to the Ardgillan Rose Garden in the mid-1990s by park staff.

The Department of Arts, Heritage and the Gaeltacht (DAHG) approached Fingal County Council in early 2014 to participate in a pilot project to develop and enhance skill sets in built heritage conservation, under the Traditional Building Skills Training Scheme 2014. The glass house/ conservatory at Ardgillan was selected as part of this project. The glass house has been completely dismantled because it had decayed to such an extent that it was structurally unstable. All parts removed as part of this process are in safe storage. This work is the first stage of a major restoration project being undertaken by the Councils own Direct Labour Crew in the Operations Department supervised by David Curley along with Fingal County Council Architects so that the glasshouse can be re-erected in the garden and can again act as a wonderful backdrop to the rose garden. This is a complex and difficult piece of work which is currently on going and we are hopeful to have the glasshouse back to its former glory as a centrepiece of the visitor offering in Ardgillan Demesne in the near future.

4. Ashtown Castle, Phoenix Park, Dublin – OPW

See my entry https://irishhistorichouses.com/2025/05/17/ashtown-castle-phoenix-park-dublin-an-opw-property/ and

http://phoenixpark.ie/what-to-see/

Ashtown Castle, photograph from Phoenix park website.

5. Bewley’s, 78-79 Grafton Street/234 Johnson’s Court, Dublin 2 – section 482

www.bewleys.com

Open dates in 2026: all year, except Christmas Day, Jan 8am-5pm, Feb – Nov, 8am-6pm, Dec 8am-7pm
Fee: Free

See my entry https://irishhistorichouses.com/2025/01/31/bewleys-78-79-grafton-street-234-johnsons-court-dublin-2-section-482-property-in-2024/

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Bewleys business began in 1840 as a leading tea and coffee company, started by Samuel Bewley and his son Charles, when they imported tea directly from China. Charles’s brother Joshua established the China Tea Company, the precursor to Bewleys.

The Buildings of Ireland publication on Dublin South City tells us: “Rebuilt in 1926 to designs by Miller and Symes, the playful mosaics framing the ground and mezzanine floors are indebted to the Egyptian style then in vogue following the discovery of Tutankhamun’s tomb. The interior, originally modelled on the grand cafés of Europe and Oriental tearooms, was restructured in 1995 but retains a suite of six stained glass windows designed (1927) by the celebrated Harry Clarke (1889-1931). Four windows lighting the back wall of the tearoom are particularly fine and represent the four orders of architecture.

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Recently Paddy Bewley died, the last of the family directly involved with the running of the cafe and coffee business of Bewleys. Paddy was responsible for starting the coffee supplying end of the Bewley business.

Paddy, like those in his family before him, was a Quaker, and he lived by their ethos. The Bewley family migrated from Cumberland in England to County Offaly in 1700. Their association with coffee and tea dates back to the mid nineteenth centry, when they began to import tea from China.

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

6. Cabinteely House (formerly Clare Hill, or Marlfield), Cabinteely, Dublin – sometimes open to the public 

https://www.dlrcoco.ie/en/heritage/heritage

There’s a terrific online tour, at https://www.dlrcoco.ie/en/heritage/3d-online-tours-–-heritage-home

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Cabinteely House, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Mark Bence-Jones writes in his A Guide to Irish Country Houses (1988):

p. 52. [Nugent, Byrne 1863, Ormsby-Hamilton sub Ormsby] A C18 house built round three sides of a square; with well-proportioned rooms and good decoration.  Built by that genial Irishman on the C18 English political scene, Robert [1702-1788] 1st and last Earl Nugent, on an estate which belonged to his brother-in-law, George Byrne [or O’Byrne (1717-1763), husband of Clare Née Nugent], and afterwards to his nephew and political protege, Michael Byrne MP. The house was originally known as Clare Hill, Lord Nugent’s 2nd title being Viscount Clare; but it became known as Cabinteely House after being bequeathed by Lord Nugent to the Byrnes, who made it their seat in preference to the original Cabinteely House, which, having been let for a period to John Dwyer – who, confusingly, was secretary to Lord Chancellor Fitzgibbon, 1st Earl of Clare [John Fitzgibbon (1748-1802)] – was demolished at end of C18 and a new house, known as Marlfield and afterwards a seat of the Jessop family (1912), built on the site. The new Cabinteely House (formerly Clare Hill), afterwards passed to the Ormsby-Hamilton family. In recent years, it was the home of Mr. Joseph McGrath, founder of the Irish Sweep and a well-known figure on the Turf.” 

Cabinteely House, photograph from Dun Laoghaire Rathdown County Council website.

The National Inventory attributes it to architect Thomas Cooley. It is described as: Detached nine-bay (three-bay deep) two-storey country house, built 1769, on a quadrangular plan originally nine-bay two-storey on a U-shaped plan; six-bay two-storey parallel block (west). Sold, 1883. “Improved” producing present composition” when sold to George Pim (1801-87) of neighbouring Brenanstown House. The Inventory also lists other owners: estate having historic connections with Robert Byrne (d. 1798, a brother to above-mentioned Michael Byrne MP) and his spinster daughters Mary Clare (d. 1810), Clarinda Mary (d. 1850) and Georgina Mary (d. 1864); William Richard O’Byrne (1823-96), one-time High Sheriff of County Wicklow (fl. 1872) [he inherited the house after his cousin Georgiana Mary died]; a succession of tenants of the Pims including Alfred Hamilton Ormsby Hamilton (1852-1935), ‘Barrister – Not Practicing’ (NA 1901); John Hollowey (1858-1928); and Joseph McGrath (1887-1966), one-time Deputy Minister for Labour (fl. 1919-2) and co-founder of the Irish Hospitals’ Sweepstake (1930). [4]

Cabinteely House, photograph from National Inventory of Architectural Heritage.
Cabinteely House, photograph from National Inventory of Architectural Heritage.
Cabinteely House, photograph from National Inventory of Architectural Heritage.
Cabinteely House, photograph from National Inventory of Architectural Heritage.
The gardens in front of Cabinteely House, August 2015. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cabinteely House, photograph from Dun Laoghaire Rathdown County Council website.
Cabinteely House, photograph from Dun Laoghaire Rathdown County Council website.
Cabinteely House, photograph from Dun Laoghaire Rathdown County Council website.
Cabinteely House, photograph from Dun Laoghaire Rathdown County Council website.
The gardens in front of Cabinteely House, August 2015. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

7. The Casino at Marino, Dublin – OPW

See my entry https://irishhistorichouses.com/2023/11/09/office-of-public-works-dublin-the-casino-at-marino/

 http://casinomarino.ie

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Casino at Marino, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

8. Charlemount House, Parnell Square, Dublin – Hugh Lane gallery

 https://www.hughlane.ie

Charlemount House. Photograph from flickr constant commons, National Library of Ireland.

The architect of Charlemount House was William Chambers, and it was built in 1763. The Archiseek website tells us:

Lord Charlemont [James Caulfeild, 1st Earl, 4th Viscount of Charlemont] had met and befriended Sir William Chambers in Italy while Chambers was studying roman antiquities and Charlemont was on a collecting trip. Years later Charlemont had hired Chambers to design his Casino on his family estate at Marino outside Dublin. When the need arose for a residence in the city Charlemont turned again to Chambers who produced the designs for Charlemont House finished in 1763. The house now the Municipal Gallery of Modern Art consists of a single block of five bays with curved screen walls to either side. The house breaks up the regularity of this side of Parnell Square as it is set back from the other houses…Charlemont house was sold to the government in 1870 becoming the General Register and Census Offices for Ireland and later the Municipal Gallery for Modern Art – a development that Charlemont would undoubtedly would have approved.” [5]

Robert O’Byrne tells us that inside is work by Simon Vierpyl also.

James Caulfeild, 1st Earl of Charlemont (1728-1799) by Richard Livesay, British, 1753-1826.

9. Clonskeagh Castle, 80 Whitebean Road, Clonskeagh, Dublin 14 – section 482

www.clonskeaghcastle.com

Open dates in 2026: Jan 10-12, 19-20, May 1-3, June 24-30, July 19-26, Aug 15-23, Sept 1-13, Nov 4-8, Dec 1-10, 10am-2pm

Fee: adult €12, student/OAP/groups €8

See my entry https://irishhistorichouses.com/2024/04/25/clonskeagh-castle-dublin/

Clonskeagh Castle, photograph courtesy of myhome.ie

10. Colganstown House, Hazelhatch Road, Newcastle, Co. Dublin D22 PK16 – section 482

see my write-up:

https://irishhistorichouses.com/2020/05/21/colganstown-house-hazelhatch-road-newcastle-county-dublin/

Open dates in 2026:  Apr 17-20, May 1-4, 15-18, 29-31, June 1, 5-8, 15, 19-22, July 17-20, 24-25, Aug 14-24, 28-29, Oct 23-26, Nov 6-9, 20-23, 27-30 Sat -Thurs 9am-1pm, Fridays 3pm -7pm

Fee: adult €10

see Section 482 listing https://www.revenue.ie/en/personal-tax-credits-reliefs-and-exemptions/documents/section-482-heritage-properties.pdf

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Colganstown, Newcastle, County Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

11. Corke Lodge Garden, Shankill, Co. Dublin – section 482

Postal address Woodbrook, Bray, Co. Wicklow

www.corkelodge.com

Open dates in 2026: June 2-30, Tues-Fri, July 1-31, Tue-Sat, Aug 4-23, 10am-2pm

Fee: adult €10, entrance fee is a voluntary donation in honesty box at door

The house was built in the 1820’s to designs by William Farrell as an Italianate seaside villa. A Mediterranean grove was planted with a Cork tree as its centrepiece. In the remains of this romantic wilderness, the present owner, architect Alfred Cochrane, designed a garden punctuated by a collection of architectural follies salvaged from the demolition of Glendalough House, an 1830’s Tudor revival mansion, built for the Barton family by Daniel Robertson who designed Powerscourt Gardens.”

“There is more fun at Corke Lodge” writes Jane Powers, The Irish Times, where ” the ‘ancient garden’ of box parterres is punctuated by melancholy gothic follies, and emerges eerily from the dense boskage of evergreen oaks, myrtles, and a writhing cork oak tree with deeply corrugated bark. Avenues of cordyline palms and tree ferns, dense planting of sword-leaved New Zealand flax, and clumps of whispering bamboos lend a magical atmosphere to this rampantly imaginative creation.”

12. Dalkey Castle, Dublin – heritage centre 

https://www.dalkeycastle.com

Believe it or not, I did my Leaving Certificate examinations in this building! I was extremely lucky and I loved it and the great atmosphere helped me to get the points/grades I wanted!

Dalkey Castle in Dalkey in the suburbs of south Dublin, photograph by Brian Morrison, 2014, from Tourism Ireland. (see [2])

The website tells us: “Dalkey Castle is one of the seven fortified town houses/castles of Dalkey. The castles were built to store the goods which were off-loaded in Dalkey during the Middle Ages, when Dalkey acted as the port for Dublin. The castles all had defensive features to protect the goods from being plundered. These are all still visible on the site: Machicolation, Murder Hole, Battlements and arrow-loop windows. In Dalkey Castle, you will see a fine example of barrel-vaulted ceiling and traces of the wicker work that supported it. Niches have been exposed on the walls where precious goods may have been stored. The Castle is an integral entrance to both the Heritage Centre and Dalkey Town Hall.

Dalkey Castle was called the Castle of Dalkey in the Middle Ages. Later, in the mid to late 1600s it was called Goat Castle when the Cheevers family of Monkstown Castle were the owners.

In 1860s the former living quarters, upstairs, became a meeting room for the Dalkey Town Commissioners. It continued as a meeting room until 1998 when it was incorporated into Dalkey Castle & Heritage Centre. Today, part of the Living History tour takes place there. There is a re-creation of the stocks that were across the street where the entrance to the church is today.

13. Doheny & Nesbitt, 4/5 Lower Baggot Street, Dublin 2 – section 482

www.dohenyandnesbitts.ie

Opening times: see the website.

See my entry https://irishhistorichouses.com/2025/06/19/doheny-nesbitt-pub-4-5-lower-baggot-street-dublin-2-section-482/

This is a popular pub, and one of the oldest family owned pubs in Dublin.

14. Drimnagh Castle, Dublin

 https://www.drimnaghcastle.org

See the website for opening times. It is also available for hire, and we attended a party there in 2015!

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Party in Drimnagh Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website describes the Castle: “Drimnagh Castle is the only castle in Ireland to retain a fully flooded moat. Its rectangular shape enclosing the castle, its gardens and courtyard, created a safe haven for people and animals in times of war and disturbance. The moat is fed by a small stream, called the Bluebell. The present bridge, by which you enter the castle, was erected in 1780 and replaced a drawbridge structure.

See my entry https://irishhistorichouses.com/2024/09/19/drimnagh-castle-dublin-open-to-public/

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The gardens also have an alley of hornbeams:

15. Dublin Castle, Dublin – OPW

 https://www.dublincastle.ie

See my entry https://irishhistorichouses.com/2024/07/25/dublin-castle-an-office-of-public-works-property/

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Dublin Castle: Records Tower and part of Royal Chapel. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

16. Fahanmura, 2 Knocksina, Foxrock, Dublin 18, D18 W3F2 – section 482

www.fahanmura.ie
Open dates: see website for details.

Fahanmura, Photograph from National Inventory of Architectural Heritage.

See my entry: https://irishhistorichouses.com/2023/08/10/fahanmura-2-knocksinna-foxrock-dublin-18-d18-w3f2/

17. Farm Complex, Toberburr Road, Killeek, St Margaret’s, Co. Dublin – section 482

Open dates in 2026Jan 9-12, 16-19, 23-26, 30-31, Mon-Fri, 9.30pm-1.30pm, Sat-Sun, 1pm-5pm,
May 11, 15-18, 29-31, June 5-8, 12-15, 19-22, Aug 14-23, Sept 11-12, 18-21, 25-28,
Oct 16-19, 23-24, Mon- Fri 9.30am-1.30pm, Sat-Sun 2pm-6pm

Fee: adult €6, student/OAP/child €5

18. Farmleigh, Phoenix Park, Dublin – OPW

see my entry https://irishhistorichouses.com/2025/08/03/farmleigh-house-and-iveagh-house-phoenix-park-dublin/

 http://farmleigh.ie

Farmleigh
Farmleigh, Phoenix Park.

19. Fern Hill, Stepaside, Dublingardens open to public

https://www.dlrcoco.ie/en/parks/fernhill-park-and-gardens-0

The website tells us: “Fernhill is a former substantial family residence on 34 hectares of land at Stepaside. Fernhill Park and Gardens is Dublin’s newest Public Park, and forms an important component of the historic landscape on the fringe of Dublin City and an impressive example of a small estate dating back to around 1823. The former estate is a unique collection of heritage buildings, gardens, parkland, woodland and agricultural land. The elevated nature of the site, overlooking Dublin Bay on the threshold between the city and the Dublin mountains, lends a particular magic to the place.  Fernhill is also home to a unique plant collection, made up of acid-loving plants such as Rhododendrons, Camelias and Magnolias, among others.

The Stillorgan Genealogy and History website tells us:

The original house was a single-storey (possibly a hunting lodge) built circa 1723. By 1812 it was substantial family residence with additional out buildings surrounded by gardens, woodlands, parkland and farming land on an elevated location overlooking Dublin Bay. The house itself is a series of rambling interconnecting blocks of one and two stories transcended by a three storey tower which has developed and evolved over the years.

The gardens were planted with exotics such as magnolia and Chilean firetrees but it is also home to an
extensive daffodil collection. Originally on 110 acres it now now on about 82 acres. The land was owned
by Sir William Verner and part was leased to Joseph Stock. Alderman Frederick Darley purchased the 
lease from Verner in 1812 and his son William purchased the property outright in 1841.
” Another son was the architect Frederick Darley (1798-1872).

20. Georgian House Museum, 29 Lower Fitzwilliam Street, Merrion Square, Dublin 2 – virtual visit only

http://www.numbertwentynine.ie

21. 14 Henrietta Street, Dublin – museum 

https://14henriettastreet.ie

Henrietta Street, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Henrietta Street, October 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

14 Henrietta Street is a social history museum of Dublin life, from one building’s Georgian beginnings to its tenement times. See my entry https://irishhistorichouses.com/2024/09/12/14-henrietta-street-dublin-museum/

22. Hibernian/National Irish Bank, 23-27 College Green, Dublin 2 – section 482

Open dates in 2026: all year, except Jan 1, and Dec 25, 10am-7pm

Fee: Free

Former Hibernian Bank, now H&M store, 2013. Photograph courtesy of Swire Chin, Toronto.

See my entry https://irishhistorichouses.com/2023/01/28/hibernian-national-irish-bank-23-27-college-green-dublin-2/

23. Howth Castle gardens, and Transport Museum Dublin

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

see my entry https://irishhistorichouses.com/2026/01/13/howth-castle-dublin/

Mark Bence-Jones. A Guide to Irish Country Houses.[originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978; Revised edition 1988 Constable and Company Ltd, London.] 

p. 155. “Gaisford-St. Lawrence/IF) A rambling and romantic castle on the Hill of Howth, which forms the northern side of Dublin bay; the home of the St. Lawrences for 800 years. Basically a massive medieval keep, with corner towers crenellated in the Irish crow-step fashion, to which additions have been made through the centuries. The keep is joined by a hall range to a tower with similar turrets which probably dates from early C16; in front of this tower stands a C15 gatehouse tower, joined to it by a battlemented wall which forms one side of the entrance court, the other side being an early C19 castellated range added by 3rd Earl of Howth. The hall range, in the centre, now has Georgian sash windows and in front of it runs a handsome balustraded terrace with a broad flight of steps leading up to the entrance door, which has a pedimented and rusticated Doric doorcase. These Classical features date from 1738, when the castle was enlarged and modernized by William St. Lawrence, 14th Lord Howth, who frequently entertained his friend Dean Swift here; the Dean described Lady Howth as a “blue eyed nymph.” On the other side of the hall range, a long two storey wing containing the drawing room extends at right angles to it, ending in another tower similar to the keep, with Irish battlemented corner turrets. This last tower was added 1910 for Cmdr Julian Gaisford-St. Lawrence, who inherited Howth from his maternal uncle, 4th and last Earl of Howth, and assumed the additional surname of St Lawrence; it was designed by Sir Edward Lutyens, who also added a corridor with corbelled oriels at the back of the drawing room wing and a loggia at the junction of the wing with the hall range; as well as carrying out some alterations to the interior. The hall has C18 doorcases with shouldered architraves, an early C19 Gothic frieze and a medieval stone fireplace with a surround by Lutyens. The dining room, which Lutyens restored to its original size after it had been partitioned off into several smaller rooms, has a modillion cornice and panelling of C18 style with fluted Corinthian pilasters. The drawing room has a heavily moulded mid-C18 ceiling, probably copied from William Kent’s Works of Inigo Jones; the walls are divided into panels with arched mouldings, a treatment which is repeated in one of the bedrooms. The library, by Lutyens, in his tower, has bookcases and panelling of oak and a ceiling of elm boarding. Lutyens also made a simple and dignified Catholic chapel in early C19 range on one side of the entrance court; it has a barrel-vaulted ceiling and an apse behind the altar. Howth Castle is celebrated for the custom, continuing down to the present day, of laying an extra place at meals for the descendent of the chieftan who, several centuries ago, kidnapped the infant heir of the Lord Howth at the time in retaliation for being refused admittance to the castle because the family was at dinner, only returning him after the family had promised that the gates of the castle should always be kept open at mealtimes and an extra place always set at the table in case the kidnapper’s descendants should wish to avail themselves of it. Famous gardens; formal garden laid out ca 1720, with gigantic beech hedges; early C18 canal; magnificent plantings of rhododendrons.” 

Howth Castle 1966, Dublin City Library and Archives (see [6]).
Howth Castle on the day we visited for the sale of its library. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Howth Castle on the day we visited for the sale of its library. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

24. Hurdy Gurdy Radio Museum Howth Martello Tower

https://sites.google.com/site/hurdygurdymuseum/home 

It is with great sadness that we report the death of Pat Herbert, the founder and curator of The Hurdy Gurdy Museum of Vintage Radio, sadly he passed away on the 18th of June, 2020.

The museum has been a very special place since it first opened its doors in 2003. Pat had begun collecting radios and all things connected with communications, when he was working in the construction industry in London in the 1950’s. His collection grew over the years and found its rightful home in the Martello Tower which has a long history with the story of radio in Ireland. Pat had an encyclopedic knowledge on the history of radio and was also a great storyteller. He generously allowed the setting up of the amateur station EI0MAR in the Martello Tower and was always fascinated with the contacts made throughout the world over the airwaves.”

Open dates in 2026: June 2 – 27, July 1 – 31, Aug 1-14, Tues – Sat, National Heritage Week, Aug 15-23, 9.30am-1.30pm

Fee: adult €15, students/OAP/child €10

26. Lambay Castle, Lambay Island, Malahide, Co. Dublin R36 XH75 – section 482 accommodation

www.lambayisland.ie

Open for accommodation: April 1- September 30 2026

They do give tours if booked in advance – see the website.

See my entry https://irishhistorichouses.com/2025/01/03/lambay-castle-lambay-island-malahide-co-dublin-section-482-tourist-accommodation/

Lambay Island, photograph courtesy of www.visitdublin.com
Lambay Island, photograph courtesy of www.visitdublin.com
Lambay Castle, Lambay Island. Photograph from Country Life. The east court of Lambay Castle. (see [8])

26. Lissen Hall, Lissenhall Demesne, Swords, Dublin – open by appointment 

http://www.ihh.ie/index.cfm/houses/house/name/Lissen%20Hall

The Historic Houses of Ireland tells us about Lissen Hall:

Looking over the Meadow Water near the expanding village of Swords, Lissen Hall presents a tranquil mid-Georgian façade that is typical of rural Leinster. In fact country houses have become a rarity in the suburb of Fingal, formerly North County Dublin, which reuses an ancient place name for one of Ireland’s newest administrative regions. A pair of end bows disguise the fact that Lissen Hall is part of a far earlier building, possibly dating from the very end of the 17th century. The newer five-bay front is a typical mid-Georgian concept, with a tripartite door-case surmounted by a Serlian window. 

The arrangement is repeated on the upper storey, where the central window is flanked by a pair of blind sidelights, and the façade continues upwards to form a high parapet, now adorned with a pair of stone eagles. The building’s other main decorative features, a pair of attached two-storey bows with half conical roofs, have many similarities with Mantua, a now-demolished house that faced Lissen Hall across the Meadow Water in former times. At Mantua, which was probably slightly earlier, the silhouettes of the bow roofs prolonged the hip of the main roof in an uninterrupted upward line. It is difficult to imagine how this arrangement could have been achieved at Lissen Hall without compromising the outer windows on the top floor. 

The principal rooms are not over large but the interior of the mid-Georgian range is largely intact and original, with good joinery and chimneypieces. Architectural drawings from 1765 can be seen in the house, which at that time was owned by John Hatch, MP for Swords in the Irish Parliament in Dublin. 

Lissen Hall has only been sold once in 250 years. It passed from John Hatch to the politically influential Hely-Hutchinson family, one of whose seats was Seafield House in nearby Donabate. In 1950 Terence Chadwick purchased the house and park from the Hely-Hutchinsons and the house was subsequently inherited by his daughter Sheelagh, the wife of Sir Robert Goff.”

27. Malahide Castle, Malahide, County Dublin

 https://www.malahidecastleandgardens.ie

Maintained by Shannon Heritage. See my entry https://irishhistorichouses.com/2024/06/27/malahide-castle-dublin-maintained-by-shannon-heritage/

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Malahide Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Castle from the Pleasure Garden, photograph by George Munday, 2014, Tourism Ireland. (see [2])

The Great Hall has an important collection of Jacobite portraits, on loan from the National Gallery of Ireland. It has corbel heads of King Edward IV (28 April 1442 – 9 April 1483), which are original.

Malahide Castle 1976, Dublin City Library and Archives. (see [6])
Malahide Castle 1976, Dublin City Library and Archives. (see [6])

The library wing dates to the seventeenth century and is hung with eighteenth century leather wall hangings.

Malahide Castle January 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The pair of drawing rooms were rebuilt c.1770 after a fire in 1760. They contain rococo plasterwork and decorative doorcases. The castle also has turret rooms.

Malahide Castle drawing room 1976, Dublin City Library and Archives. (see [6])
Malahide Castle, County Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Malahide Castle January 2018. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

28. Marlay Park, Rathfarnham, County Dublin

https://www.dlrcoco.ie/en/heritage/heritage

and online tour https://www.dlrcoco.ie/en/heritage/3d-online-tours-–-heritage-home

See my entry https://irishhistorichouses.com/2026/01/23/marlay-park-house-rathfarnham-county-dublin/

Marlay Park house, Dublin

29. Martello Tower, Portrane, Co. Dublin – section 482

Open dates in 2026: March 1- Sept 27, Sat & Sun, National Heritage Week, Aug 15-23, 9am-1pm

Fee: adult €6, student/OAP €2, child free

See my entry https://irishhistorichouses.com/2022/07/29/martello-tower-portrane-co-dublin/

Martello Tower, Portrane.

30. Meander, Westminister Road, Foxrock, Dublin 18, D18 E2T9 – section 482

Open dates in 2026: Jan 12-16, 19-23, 26-30, Feb 3-6, 9, May 1-2, 5-9, 25-30, June 2-6, 8-13, 15-20, 22, Aug 15-23, 9am-1pm

Fee: adult €5, OAP/child/student €2

Meander, photograph from National Inventory of Architectural Heritage.

The National Inventory of Architectural Heritage describes it:

Detached four-bay two-storey mono-pitched house, built 1939, on an asymmetrical plan with single-bay single-storey flat-roofed projecting porch to ground floor abutting single-bay two-storey mono-pitched higher projection; five-bay two-storey rear (south) elevation with single-bay two-storey projection on a shallow segmental bowed plan….A house erected to a design by Alan Hodgson Hope (1909-65) representing an important component of the twentieth-century domestic built heritage of south County Dublin with the architectural value of the composition, one ‘exploring Scandinavian modernism rather than Mediterranean modernism‘ (Becker 1997, 117), confirmed by such attributes as the asymmetrical plan form; the cedar boarded surface finish; the slight diminishing in scale of the openings on each floor producing a graduated visual impression with some of those openings showing horizontal glazing bars; and the oversailing roofline: meanwhile, a cantilevered projection illustrates the later “improvement” of the house expressly to give the architect’s children a room to wallpaper (pers. comm. 12th April 2016). Having been well maintained, the elementary form and massing survive intact together with substantial quantities of the original fabric, both to the exterior and to the plywood-sheeted interior, thus upholding the character or integrity of a house ‘which has grown and matured together with its garden to make an ensemble appealing more to the senses than to the mind’.”

31. Irish Architectural Archive, 45 Merrion Square, Dublin

 www.iarc.ie

Irish Architectural Archive, 45 Merrion Square, November 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

No. 45 Merrion Square, the home of the Irish Architectural Archive, is one of the great Georgian houses of Dublin. Built for the speculative developer Gustavus Hume in the mid-1790s and situated directly across Merrion Square from Leinster House, this is the largest terraced house on the Square and is the centrepiece of its East Side.

Irish Architectural Archive, 45 Merrion Square, November 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Light-filled, spectacularly-proportioned, interconnected rooms on the piano nobile of this Georgian palazzo offer a range of venues and facilities: meeting rooms for up to 20 people; multimedia lecture facilities for up to 55, dining space for up to 80, and receptions for up to 250. Whether the event is a meeting, a conference with breakout sessions, or a private or corporate reception, the Irish Architectural Archive’s beautifully graceful spaces provide Georgian elegance in the heart of Dublin.”

Irish Architectural Archive, 45 Merrion Square, November 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Irish Architectural Archive, 45 Merrion Square, November 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Babel by Aidan Lynam. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Standing four stories over basement, and five bays wide, No. 45 is the largest of the terraced houses on Merrion Square. The house was built circa 1794 for the property developer Gustavus Hume. The architect may have been Samuel Sproule who, in the early 1780s, was responsible for the laying out of much of Holles Street, of both Mount Streets and of the east side of Merrion Square. The first person to live in the house seems to have been Robert la Touche who leased the building in 1795. In 1829 the house was sold to Sir Thomas Staples. It had been built in an ambitious and optimistic age, but in the Dublin of the late 1820s its huge size was somewhat anachronistic and certainly uneconomical, so Sir Thomas had the building carefully divided into two separate houses. Sir Thomas died aged 90 in 1865, the last survivor of the Irish House of Commons.

On his death, both parts of the house passed to Sir John Banks, Regius Professor of Medicine in Trinity College, who, like his predecessor, leased the smaller portion of the divided building, by now numbered Nos. 10 and 11 Merrion Square East. Banks himself lived in No. 11, the larger part, which he maintained in high decorative order. Banks died in 1910, and both parts of the building fell vacant and remained so until 1915 when the whole property was used to accommodate the clerical offices of the National Health Insurance Company. With single occupancy restored, the division of the building, renumbered 44 – 45 Merrion Square, began to be reversed, a process carried on in fits and starts as successive Government departments and agencies moved in and out over the decades. The last to go was the Irish Patents Office, relocated to Kilkenny in 1996.

The house was assigned to Irish Architectural Archive by Ruairí Quinn TD, Minister for Finance, in his budget of 1996. The Office of Public Works carried out an extensive programme of works to the house from 2002 to 2004, including the refurbishment of the historic fabric and the construction of new state-of-the-art archival stores to the rear.

32. MOLI, Museum of Literature Ireland, Newman House, 85-86 St Stephen’s Green, Dublin

https://moli.ie

86 St Stephen’s Green, Newman House, which belongs to University College Dublin and now houses the Museum of Literature of Ireland. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

See my entry https://irishhistorichouses.com/2025/04/17/moli-museum-of-literature-ireland-newman-house-85-86-st-stephens-green-dublin/

The website tells us:

No. 85 St. Stephen’s Green was built in 1738 by Richard Cassels, architect of Powerscourt House and Russborough House, and is notable for its exquisite baroque plasterwork by the Lafranchini brothers. The adjoining townhouse at No. 86 was constructed in 1765 and features superb examples of rococo stuccowork by the distinguished Dublin School of Plaster Workers.

The building takes its name from the theologian and educationalist Dr. John Henry Newman, who was rector when the Catholic University was founded in 1854.”

86 St Stephen’s Green. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

33. Newbridge House, Donabate, County Dublin

maintained by Shannon Heritage

https://www.newbridgehouseandfarm.com

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Newbridge House, Donabate, County Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

See my entry https://irishhistorichouses.com/2024/06/20/newbridge-house-donabate-county-dublin-maintained-by-shannon-heritage/

The Robert Mack designed courtyard of Newbridge House. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
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Newbridge House, Donabate, County Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
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Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

One entire room is dedicated as a “cabinet of curiosities.” Desmond Guinness and Desmond FitzGerald tells us in their entry about Newbridge House in Great Irish Houses that the collection may have started life as a shell collection in the 1790s by Elizabeth Beresford (1736-1860), who married the archbishop’s son Colonel Thomas Cobbe (1733-1814). She came from Curraghmore in County Waterford (see my entry on Curraghmore) and would have been familiar with her mother’s Shell Cottage. Much of what we see in the collection today comes from the Indian subcontinent, including a Taj Mahal in alabaster, ostrich eggs, corals, statues of house gods, snake charmer’s box and tusks with carving noting the abolition of slavery [see 12]. The oriental theme is even carried through to the elephant design curtains. The panels on the wall are reproduction of the originals.

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Newbridge House, Donabate, County Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
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Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
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Newbridge House, Donabate, County Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The house tour includes the basement and servants’ quarters.

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Newbridge House, Donabate, County Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
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Newbridge House, Donabate, County Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

34. 11 North Great George’s Street, Dublin 1 – section 482

see my write-up:

https://irishhistorichouses.com/2019/12/31/11-north-great-georges-street-dublin-1/

www.number11dublin.ie
Open: see website for listing.

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interior of 11 North Great Georges Street, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

35. 39 North Great George’s Street, Dublin 1

www.39northgreatgeorgesstreet.com

See website for opening times. See my entry https://irishhistorichouses.com/2023/07/06/39-north-great-georges-street-dublin/

39 North Great Georges Street, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com.

36. The Odeon (formerly the Old Harcourt Street Railway Station), 57 Harcourt Street, Dublin 2section 482

www.odeon.ie
Open: see the website.

see my entry https://irishhistorichouses.com/2025/06/09/the-odeon-formerly-harcourt-street-railway-station-dublin-2-d02ve22-section-482/

The Odeon, 1931, from the National Library archives, see flickr constant commons.
The Odeon, December 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The archiseek website tells us that the building that now houses the Odeon bar was built in 1859 and the architect was George Wilkinson. [16]

38. The Old Glebe, Upper Main Street, Newcastle, Co. Dublin – section 482

See my write-up:

https://irishhistorichouses.com/2019/12/31/the-old-glebe-newcastle-lyons-county-dublin/

Open dates in 2026: May 1-31, June 1-30, Mon-Sat, Aug 15-23, 10am-2pm

Fee: Free

Old Glebe, Newcastle-Lyons, County Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

39. Powerscourt Townhouse Centre, 59 South William Street, Dublin 2 – section 482

see my write-up: https://irishhistorichouses.com/2020/04/02/powerscourt-townhouse-59-south-william-street-dublin-2/

https://www.powerscourtcentre.ie/
Open: see the website.

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Powerscourt Townhouse. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

40. Primrose Hill, Very Top of Primrose Lane, Lucan, Co. Dublin – section 482

Open dates in 2026: Feb 1-28, June 1-30, July 1-7, Aug 15-23, 2pm-6pm

Fee: adult/OAP/student €6, child free

Primrose Hill, possibly designed by James Gandon. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The website states that Primrose Hill House is a regency villa attributed to the architect James Gandon. See my entry https://irishhistorichouses.com/2019/12/31/primrose-hill-primrose-lane-lucan-county-dublin/

https://www.gardensofireland.org/directory/18/

41. Rathfarnham Castle, Dublin – OPW

see my OPW entry. https://irishhistorichouses.com/2022/01/21/office-of-public-works-properties-dublin/

and http://rathfarnhamcastle.ie

Rathfarnham Castle, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

42. Royal Hospital Kilmainham (Irish Museum of Modern Art, IMMA)

see my entry https://irishhistorichouses.com/2025/01/22/royal-hospital-kilmainham-dublin-office-of-public-works/

43. 10 South Frederick Street, Dublin 2, DO2 YT54 – Section 482

Open dates in 2026: Jan 1-9, 12-16, 19-21, Apr 27-30, May 1-22, 25-29, June 1-4, Aug 15-23, 2pm-6pm

Fee: Free

44. St. Enda’s Park and Pearse Museum, Dublin – OPW

Formerly the Hermitage, and also formerly called Fields of Odin

see my OPW entry https://irishhistorichouses.com/2022/01/21/office-of-public-works-properties-dublin/

and  http://pearsemuseum.ie

45. St. George’s, St. George’s Avenue, Killiney, Co. Dublin – section 482

Eircode A96 DF85

Open dates in 2026: Feb 1-28, June 1-30, July 1-7, Aug 15-23, 2pm-6pm

Fee: adult/OAP/student €6, child free

We visited in 2022 – see my entry https://irishhistorichouses.com/2022/11/24/st-georges-st-georges-avenue-killiney-co-dublin/

St. George’s, Killiney, August 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

An Arts and Crafts Gothic Revival mansion built in the late 1870s by its architect owner George Coppinger Ashlin for himself and his wife, Mary in tribute to her father, the hugely influential Gothic Revival architect, Augustus Pugin, who most famously designed the British Houses of Parliament and a number of Irish churches and Cathedrals.  [17]

46. Swords Castle, Swords, County Dublin.

https://swordscastle.events

The website tells us: “Located in the centre of the ancient town Swords Castle contains over 800 years of history and, as a recent surprising discovery of burials beneath the gatehouse shows, it has yet to give up all of its secrets. The castle was built by the Archbishop of Dublin, John Comyn, around 1200, as a residence and administrative centre. The extensive complex of buildings is in the form of a rough pentagon of 0.5 hectares and is enclosed by a perimeter wall of 260 meters. It is a National Monument, and it is the best surviving example of an Archbishop’s Palace in Ireland. The curtain walls enclose over an acre of land that slopes down to the Ward River. This complex of buildings is made up of many phases of reuse and redesign reflecting its long history and changing fortunes.”

Swords Castle, 1971, Dublin City Library and Archives photograph. (see [6])
Swords Castle, 1971, Dublin City Library and Archives photograph. (see [6])

47. The Church, Junction of Mary’s Street/Jervis Street, Dublin 1 – section 482

www.thechurch.ie
Open: See the website. Fee: Free

The Church, Mary Street. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

See my entry https://irishhistorichouses.com/2022/11/09/the-church-junction-of-marys-street-jervis-street-dublin/

The National Inventory tells us it is: “Freestanding former Church of Ireland church, built 1700-4 Now in use as bar and restaurant, with recent glazed stair tower built to northeast, linked with recent elevated glazed walkway to restaurant at upper level within church… Saint Mary’s (former) Church of Ireland was begun c.1700 to the design of Sir William Robinson and was completed by his successor, Thomas Burgh.” [18]

The Church, Mary Street. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Church, Mary Street. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

48. Tibradden House, Mutton Lane, Rathfarnham, Dublin 16 – section 482

www.selinaguinness.com

Open dates: see website
card

Mark Bence-Jones writes in his A Guide to Irish Country Houses (1988):

“[Guinness/IFR] A Victorian house of two storeys over a basement with plate glass windows, built ca 1860 for Thomas Hosea Guinness and his wife Mary, nee Davis, who was heiress of the estate. Rich plasterwork and Corinthian columns with scagliola shafts in hall.” 

The National Inventory adds the following assessment:

A country house erected for Thomas Hosea Guinness JP (1831-88) to a design by Joseph Maguire (1820-1904) of Great Brunswick Street [Pearse Street], Dublin (Dublin Builder 1st December 1861, 692), representing an integral component of the mid nineteenth-century domestic built heritage of south County Dublin with the architectural value of the composition, one superseding an adjacent farmhouse annotated as “Tibradden House” on the first edition of the Ordnance Survey (surveyed 1837; published 1843), confirmed by such attributes as the deliberate alignment maximising on scenic vistas overlooking rolling grounds and the minor Glin River; the compact near-square plan form centred on a Classically-detailed doorcase demonstrating good quality workmanship; the diminishing in scale of the openings on each floor producing a graduated visual impression; and the open bed pediment embellishing a slightly oversailing roofline. Having been well maintained, the elementary form and massing survive intact together with substantial quantities of the original fabric, both to the exterior and to the interior where contemporary joinery; Classical-style chimneypieces; and decorative plasterwork enrichments, all highlight the artistic potential of the composition. Furthermore, adjacent outbuildings (extant 1909); a walled garden (extant 1837); and a nearby gate lodge (see 60250002), all continue to contribute positively to the group and setting values of a self-contained ensemble having historic connections with the Guinness family including Colonel Charles Davis Guinness (1860-1939), one-time High Sheriff of County Louth (fl. 1918); Major Owen Charles Guinness OBE (1894-1970); and Second Lieutenant Charles Spencer Guinness (1932-2004).

Current owner Selina Guinness’s memoir The Crocodile by the Door tells us about the house and how she acquired it from her uncle, and the work she has undertaken to run it as a family home, with her adventure of taking up sheep farming to maintain the property and its land.

49. Tickknock Gardens, Ticknock Lodge, Ticknock Road, Sandyford, Dublin, Dublin 18

www.ticknockgardens.ie 

50. Tyrrelstown House Garden, Powerstown Road, Tyrrelstown, Dublin, D15 T6DD – gardens open

www.tyrrelstownhouse.ie 

Tyrrelstown House & Garden is set in 10 hectare of parkland in Fingal, North County Dublin, just minutes from the M50, off the N3 (Navan Road). There are 2 walled gardens, and an arboretum with woodland walks including 2 hectares of wild flower & pictorial meadows. Lots of spring bulbs and cyclamen adorn this lovely sylvan setting.

The walled gardens are over 600 years old and include a wide range of alkaline and acid loving plants and shrubs and include an organic vegetable garden.

The Wilkinson family arrived here in 1895 & have been farming the land ever since.

[1] https://www.youwho.ie/airfield.html

[2] https://www.irelandscontentpool.com/en/media-assets/media/100792

[3] Mark Bence-Jones  A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[4] https://www.buildingsofireland.ie/buildings-search/building/60260236/cabinteely-house-old-bray-road-cabinteely-cabinteely-dublin

[5] www.archiseek.com

[6] Dublin City Library and Archives. https://repository.dri.ie

[7] https://www.irishtimes.com/life-and-style/homes-and-property/new-to-market/labour-of-love-restoration-of-17th-century-co-dublin-farmhouse-1.3060801

[8] https://www.countrylifeimages.co.uk/Image.aspx?id=e18a45dd-8693-4d92-826a-84092b97d935&rd=1|3df3b2a9-1248-4719-bd66-091149000a8a||9|20|492|150 

[9] https://www.dib.ie/biography/browne-thomas-wogan-a1055 and Hugh A. Law “Sir Charles Wogan,”

The Journal of the Royal Society of Antiquaries of Ireland, Seventh Series, Vol. 7, No. 2 (Dec. 31, 1937), pp. 253-264 (12 pages), on JStor https://www.jstor.org/stable/25513883?read-now=1&seq=5#page_scan_tab_contents

[9] p. 241, Great Irish Houses. Foreward by Desmond FitzGerald and Desmond Guinness. IMAGE Publications, 2008.

[10] p. 131, Montgomery-Massingberd, Hugh and Christopher Simon Sykes. Great Houses of Ireland, Laurence King Publishing, London, 1999. 

[11] p. 123, Montgomery-Massingberd, Hugh and Christopher Simon Sykes. Great Houses of Ireland, Laurence King Publishing, London, 1999. 

[12] p. 242, Great Irish Houses. Foreward by Desmond FitgGerald and Desmond Guinness. IMAGE Publications, 2008.

[13] https://theirishaesthete.com/2018/05/28/newbridge/

[14] http://lordbelmontinnorthernireland.blogspot.com/2015/03/newbridge-house.html

[15] https://archiseek.com/2010/1859-former-harcourt-street-station-dublin/

[16] https://www.irishtimes.com/life-and-style/homes-and-property/new-to-market/step-back-in-time-to-fairytale-house-on-killiney-hill-for-9-25m-1.3472893 

[17] https://www.christiesrealestate.com/sales/detail/170-l-78051-2006230532331747/st-georges-georges-avenue-killiney-co-dublin-dublin-du 

[18] https://www.buildingsofireland.ie/buildings-search/building/50010453/saint-marys-church-the-church-bar-mary-street-jervis-street-dublin-1-dublin