Office of Public Works properties in Leinster, Counties Westmeath, Wexford and Wicklow

Westmeath:

1. Fore Abbey in County Westmeath

Wexford:

1. Ballyhack Castle, County Wexford – closed at present

2. Ferns Castle, County Wexford – closed at present

3. John F. Kennedy Arboretum, County Wexford

4. Tintern Abbey, County Wexford

Wicklow:

1. Dwyer McAllister Cottage, County Wicklow – closed at present

2. Glendalough, County Wicklow

3. National Botanic Gardens Kilmacurragh, County Wicklow

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Westmeath:

1. Fore Abbey in County Westmeath:

Fore Abbey, County Westmeath, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

“Fore” comes from the Irish “fobhar” meaning well or spring.

From the OPW website https://heritageireland.ie/visit/places-to-visit/fore-abbey/:

In a tranquil valley in the village of Fore, about a 30-minute drive from Mullingar in County Westmeath, you can visit the spot where St Feichin founded a Christian monastery in the seventh century AD.

It is believed that, before Feichin’s death, 300 monks lived in the community. Among the remains on the site is a church built around AD 900. There are also the 18 Fore crosses, which are spread out over 10 kilometres on roadways and in fields.

Seven particular features of the site – the so-called ‘Seven Wonders of Fore’ – have acquired legendary status. They include: the monastery built on a bog; the mill without a race (the saint is said to have thrust his crozier into the ground and caused water to flow); and the lintel stone raised by St Feichin’s prayers.

St Feichin’s Way, a looped walk around the site, provides an excellent base from which to explore these fabled places.

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Benedictine Priory was founded around 1180 by Hugh de Lacy, the first Viceroy of Ireland. Before this there was a monastery in Fore, founded by Feichin in the seventh century. The Benedictines had a link with France and its first monks came from France. The Priory sufffered plundering attacks so needed defensive towers and fortification. It was built around a Cloister or courtyard.

Fore Abbey, County Westmeath, August 2021.
Fore Abbey, County Westmeath, August 2021.
The cloister is remarkably well-preserved. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Fore Abbey, County Westmeath, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Fore Abbey, County Westmeath, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Fore Abbey, County Westmeath, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The “columbarium” mentioned in the diagram is a house for keeping pigeons – we saw one previously at Moone Abbey tower, and there is one at Fore.

The Columbarium or Pigeon house at Fore. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The monastery founded at Fore in the seventh century by St Feichin, a Sligo-born holy man who travelled widely in Ireland, was large and prosperous but was superceded by Fore Abbey, the nearby Benedictive abbey founded by the Norman deLacys. The remaining building of St Feichins is the church, which was built in the tenth century. A new chancel was added around 1200, and the arch leading to this was re-erected in 1934. The east window was inserted in the 15th century.

St Feichin’s Church, with Fore Abbey in background on far left. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
St. Feichin’s Church, built in the 10th century with later additions. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
St. Feichin’s church, County Westmeath, August 2021.

The Anchorite’s Cell is a small tower with attached chapel. The tower had two storeys and on the top floor lived a number of Anchorites, or hermits. The chapel has a vault below, the crypt of the Nugent family of nearby Castle Delvin and Clonyn Castle, Earls of Westmeath. Delvin, or Castletown-Delvin, was granted by Hugh de Lacy to his son-in-law Gilbert de Nugent. The 1st Earl of Westmeath was Richard Nugent (1583-1642). His father was Christopher Nugent, 5th Baron Delvin.

The Anchorite’s Cell. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Front of the Anchorite Cell Chapel with the Nugent coat of arms. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

County Wexford:

1. Ballyhack Castle, Arthurstown, County Wexford

Ballyhack Castle, photograph by Brian Morrison, 2015 for Tourism Ireland, Ireland’s Content Pool. [1]

General enquiries: 051 398 468, breda.lynch@opw.ie

from the OPW website https://heritageireland.ie/visit/places-to-visit/ballyhack-castle/:

Ballyhack Castle commands an imperious position on a steep-sided valley overlooking Waterford Estuary. It is thought that the Knights Hospitallers of St John, one of the two mighty military orders founded at the time of the Crusades, built this sturdy tower house around 1450.

The tower is five stories tall and the walls survive complete to the wall walk. Built into the north-east wall of the second floor is a small chapel complete with a piscina, aumbry and altar. The entrance to the castle is protected externally by a machicolation and internally by a murder hole – that is, an opening through which defenders could throw rocks or pour boiling water, hot sand or boiling oil, on anyone foolish enough to attack.

Currently on display at Ballyhack Castle are assorted items of replica armour relating to the Crusades and the Normans –  guaranteed to ignite the imagination!

Ballyhack Castle, photograph by Brian Morrison, 2015 for Tourism Ireland, Ireland’s Content Pool. [see 1]

2. Ferns Castle, County Wexford:

Ferns Castle, photograph by Brian Morrison, 2015 for Tourism Ireland, Ireland’s Content Pool. [see 1]

General information: 053 9366411, fernscastle@opw.ie

From the OPW website https://heritageireland.ie/visit/places-to-visit/ferns-castle/:

Before the coming of the Normans, Ferns was the political base of Diarmait Mac Murchada, king of Leinster. William, Earl Marshall built the castle around 1200. Since then it has had many owners, of diverse political and military colours.

Originally, the castle formed a square, with large corner towers. Only half of the castle now stands, although what remains is most impressive. The most complete tower contains a beautiful circular chapel, several original fireplaces and a vaulted basement. There is a magnificent view from the top.

There is an extraordinary artefact to be seen in the visitor centre. The Ferns Tapestry showcases the pre-Norman history of the town via the thousand-year-old art of crewel wool embroidery. Stitched by members of the local community, the 15-metre-long tapestry comprises 25 panels of remarkable accomplishment and beauty.

Ferns Castle, photograph by Chris Hill, 2014 for Tourism Ireland, Ireland’s Content Pool. [see 1]

3. John F. Kennedy Arboretum, County Wexford:

General Information: 046 9423490, jfkarboretum@opw.ie

When John F. Kennedy died, a number of Irish-American societies expressed the wish to establish a tribute to him in Ireland. The Irish government suggested a national arboretum, and secured 192 acres surrounding Ballysop House, just six kilometres from the Kennedy ancestral home at Dunganstown, County Wexford. The arborterum is planted in two interwoven botanical circuits: one of broadleaves and the other of conifers. The Arboretum was formally opened on 29th May 1968.

From the OPW website https://heritageireland.ie/visit/places-to-visit/the-john-f-kennedy-arboretum/:

Dedicated to the memory of John F. Kennedy, whose great-grandfather, Patrick, was born in the nearby village of Dunganstown, this arboretum near New Ross, County Wexford, contains a plant collection of presidential proportions.

It covers a massive 252 hectares on the summit and southern slopes of Slieve Coillte and contains 4,500 types of trees and shrubs from all temperate regions of the world. There are 200 forest plots grouped by continent. Of special note is an ericaceous garden with 500 different rhododendrons and many varieties of azalea and heather, dwarf conifers and climbing plants.

The lake is perhaps the most picturesque part of the arboretum and is a haven for waterfowl. There are amazing panoramic views from the summit of the hill, 271 metres above sea level. A visitor centre houses engaging exhibitions on JFK and on the Arboretum itself.

Along the northern perimeter of the site are some 200 forest plots. Each covers an area of one acre and comprises a single species of forestry tree. These provide information on the performance of different types of plantation species in the Irish climate.

Through the garden are a number of trails, and a miniature train runs during the summer, and there is a cafe.

4. Tintern Abbey, County Wexford:

Tintern Abbey, County Wexford, 15th March 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

See my entry https://irishhistorichouses.com/2025/04/07/tintern-abbey-county-wexford-an-opw-property/

General information: 051 562650, tinternabbey@opw.ie

From the OPW website https://heritageireland.ie/visit/places-to-visit/tintern-abbey/:

This Cistercian monastery was founded c. 1200 by William, Earl Marshal on lands held through his marriage to the Irish heiress, Isabella de Clare [daughter of Strongbow]. This abbey, founded as a daughter-house of Tintern Major in Wales is often referred to as Tintern de Voto.

The nave, chancel, tower, chapel and cloister still stand. In the 16th century the old abbey was granted to the Colclough family [Anthony Colclough (d. 1584) was a soldier and the land was granted to him after the dissolution of the monasteries] and soon after the church was partly converted into living quarters and further adapted over the centuries. The Colcloughs occupied the abbey from the sixteenth century until the mid-twentieth.”

Tintern Abbey, County Wexford, May 2023.
Tintern Abbey, County Wexford, May 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Tintern Abbey, photograph by Celtic Routes, 2019 for Tourism Ireland, Ireland’s Content Pool. [see 1]

Wicklow:

1. Dwyer McAllister Cottage, County Wicklow:

From the OPW website https://heritageireland.ie/visit/places-to-visit/dwyer-mcallister-cottage/:

This thatched and whitewashed cottage nestles in the shade of Keadeen Mountain off the Donard to Rathdangan road in County Wicklow.

Today, it seems like an unlikely site of conflict. However, in the winter of 1799 it was a different story. It was from this cottage that the famed rebel Michael Dwyer fought the encircling British. One of Dwyer’s compatriots, Samuel McAllister, drew fire upon himself and was killed. This allowed Dwyer to make good his escape over the snow-covered mountains.

The cottage was later destroyed by fire and lay in ruins for almost 150 years. It was restored to its original form in the twentieth century. Now, it contains various items of the period – both those that characterised everyday life, such a roasting spit and a churn, and those that only appeared in the throes of combat, such as deadly pikes.

2. Glendalough, County Wicklow:

Glendalough, County Wicklow, July 2017. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

General information: 0404 45352, george.mcclafferty@opw.ie

From the OPW website https://heritageireland.ie/visit/places-to-visit/glendalough-visitor-centre/:

In a stunning glaciated valley in County Wicklow, in the sixth century, one of Ireland’s most revered saints founded a monastery. The foundation of St Kevin at Glendalough became one of the most famous religious centres in Europe.

The remains of this ‘Monastic City’, which are dotted across the glen, include a superb round tower, numerous medieval stone churches and some decorated crosses. Of particular note is St Kevin’s Bed, a small man-made cave in the cliff face above the Upper Lake. It is said that St Kevin lived and prayed there, but it may actually be a prehistoric burial place that far predates him.

Gilt wooden statue dating from the 15th or 16th century, found at Lugduff, County Wicklow, in a ruined building near the upper lake at Glendalough. It is a carved statue of yew wood and depicts an unknown figure, probably a saint; now in the National Museum of Ireland, Kildare Street, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information board from National Museum of Ireland, Kildare Street.
Silver penny of Sitric Rex Dublin, found at Sevenchurches or Camaderry, Glendalough County Wicklow. It represents the earliest Irish coinage, showing Sitric, King of Dublin, and was minted in AD995. It is now in the National Museum of Ireland, Kildare Street, Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Glendalough, Co. Wicklow, photograph by Chris Hill 2018 for Tourism Ireland, Ireland’s Content Pool. [see 1]

3. National Botanic Gardens Kilmacurragh, County Wicklow:

General Information: 0404 48844, botanicgardens@opw.ie

Kilmacurragh House was home to seven generations of the Acton family. It was built in 1697 by Thomas Acton, whose father came to Ireland as part of Oliver Cromwell’s army, for which he was granted the lands surrounding the ruined abbey of St. Mochorog. The five bay Queen Anne house is thought to be the work of Sir William Robinson, who is better known today for his work at Marsh’s Library in Dublin, the Royal Hospital Kilmainham, Dublin Castle and Charles Fort, Kinsale, County Kerry. [2]

Kilmacurragh House, photograph from the National Inventory of Architectural History.

From the OPW website https://heritageireland.ie/visit/places-to-visit/national-botanic-gardens-kilmacurragh/:

There was a monastery at Kilmacurragh, in this tranquil corner of County Wicklow, in the seventh century, and a religious foundation remained right up until the dissolution of the monasteries. After Cromwell invaded the land passed to the Acton family.

Thomas Acton (1655-1750), the first Thomas Acton who lived at Kilmacurragh, he obtained leases “for lives, renewable forever” from Richard Viscount Rosse of the lands in County Wicklow. [3] His father had come over to Ireland in Cromwell’s army. Thomas built the house at Kilmacurragh in 1697, after tearing down the abbey buildings. The house was designed by William Robinson (1643-1712), whose best-known work is the Royal Hospital Kilmainham.
Elinor née Kempston (d. 1747), wife of Thomas Acton.

By the time the estate came to Thomas Acton in 1854, an unprecedented period of botanical and geographical exploration was afoot. In collaboration with the curators of the National Botanic Gardens, Acton built a new and pioneering garden.

In 1996, a 21-hectare portion of the old demesne officially became part of the National Botanic Gardens of Ireland. The following ten years were spent giving the estate’s rare and beautiful plants a new lease of life.

Kilmacurragh is now part of the National Botanic Gardens, providing a complementary collection of plants to its parent garden at Glasnevin. Arrive in spring to witness the transformation of the walks, as fallen rhododendron blossoms form a stunning magenta carpet.

and

The Gardens lies within an estate developed extensively during the nineteeth century by Thomas Acton in conjunction with David Moore and his son Sir Frederick Moore, Curators of the National Botanic Gardens at that time. It was a period of great botanical and geographical explorations with numerous plant species from around the world being introduced to Ireland for the first time. The different soil and climatic conditions at Kilmacurragh resulted in many of these specimens succeeding there while struggling or failing at Glasnevin. Kilmacurragh is particularly famous for its conifer and rhododendron collections.” [4]

Thomas Acton’s son William (1711-1779) married Jane Parsons of Birr Castle. Their son Thomas Acton (1738-1817) inherited, then his son Lt Col William (1789-1854) and then his son Thomas (1826-1908). Along with his sister Janet, he had a passion for collecting plants. They travelled to the Americas and Asia in search of plants, and established one of the finest arboreta in Ireland, and formed a friendship with David Moore, curator of the National Botanic Gardens in Dublin. Thomas died unmarried in 1908 and Kilmacurragh was inhierted by his nephew, Captain Charles Annesley Acton, who had been born in Peshawar. However, he was killed fighting in World War I as was his brother Reginald. Thus in eight years, three consecutive owners of Kilmacurragh had died, inflicting death duties amounting to 120% of the value of the property. The Actons were forced to sell the estate. The house fell into ruin and the arboretum became overgrown. The state acquired Kilmacurragh in 1996 and have restored the arboretum, making it part of the National Botanic Gardens.

[1] https://www.irelandscontentpool.com/en/media-assets/media/81101

[2] p. 160. Living Legacies: Ireland’s National Historic Properties in the Care of the OPW. Government Publications, Dublin 2, 2018.

[3] Burke, Bernard, A genealogical and heraldic history of the landed gentry of Great Britain & Ireland, 1886 vol 1.

[4] https://botanicgardens.ie/kilmacurragh/

Office of Public Works properties: Leinster: Carlow, Kildare

Just to finish up my entries about Office of Public Works properties: Carlow, Dublin, Kildare, Kilkenny, Laois, Longford, Louth, Meath, Offaly, Westmeath, Wexford and Wicklow are the counties that make up the Leinster region.

Carlow:

1. Altamont Gardens

Kildare:

2. Castletown House, County Kildare

3. Maynooth Castle, County Kildare

Carlow:

1. Altamont House and Gardens, Bunclody Road, Altamont, Ballon, County Carlow:

Altamont House and Gardens, photograph by Sonder Visuals, 2015, for Tourism Ireland, from Ireland’s Content Pool. [1]

General information: (059) 915 9444

altamontgardens@opw.ie

https://heritageireland.ie/visit/places-to-visit/altamont-gardens/

From the OPW website:

A large and beautiful estate covering 16 hectares in total, Altamont Gardens is laid out in the style of William Robinson, which strives for ‘honest simplicity’. The design situates an excellent plant collection perfectly within the natural landscape.

For example, there are lawns and sculpted yews that slope down to a lake ringed by rare trees and rhododendrons. A fascinating walk through the Arboretum, Bog Garden and Ice Age Glen, sheltered by ancient oaks and flanked by huge stone outcrops, leads to the banks of the River Slaney. Visit in summer to experience the glorious perfume of roses and herbaceous plants in the air.

With their sensitive balance of formal and informal, nature and artistry, Altamont Gardens have a unique – and wholly enchanting – character.” [2]

From “In Harmony with Nature, The Irish Country House Garden 1600-1900” in the Irish Georgian Society, July 2022, curated by Robert O’Byrne.
Altamont, photograph by Sonder Visuals 2017 for Tourism Ireland, Ireland’s Content Pool. [see 1]

From Living Legacies: Ireland’s National Historic Properties in the care of the OPW, Government Publications, Dublin, 2018:

Altamont House was constructed in the 1720s, incorporating parts of an earlier structure said to have been a medieval nunnery. In the 1850s, a lake was excavated in the grounds of the house, but it was when the Lecky-Watsons, a local Quaker family, acquired Altamont in 1924 that the gardens truly came into their own.

Feilding Lecky-Watson had worked as a tea planter in Ceylon (Sri Lanka) where he nurtured his love of exotic plants, and of rhododendrons in particular. Back in Ireland, he became an expert in the species, cultivating plants for the botanical gardnes at Glasnevin, Kew and Edinburgh. So passionate was he about these plants that when his wife, Isobel, gave birth to a daughter in 1922, she was named Corona, after his favourite variety of rhododendron.” [3]

Altamont House and Gardens lake, photograph by Sonder Visuals, 2015, for Tourism Ireland, from Ireland’s Content Pool. [see 1]

Around the lake are mature conifers that were planted in the 1800s, including a giant Wellingtonia which commemorates the Battle of Waterloo. [3] Corona continued in her father’s footsteps, planing rhododendrons, magnolia and Japanese maples. Another feature is the “100 steps” hand-cut in granite, leading down to the River Slaney. There are red squirrels, otters in the lake and river, and peacocks. Before her death, Corona handed Altamont over to the Irish state to ensure its preservation.

The Temple, Altamont House and Gardens, photograph by Sonder Visuals, 2015, for Tourism Ireland, from Ireland’s Content Pool. [see 1]

Kildare:

2. Castletown House and Parklands, Celbridge, County Kildare.

Castletown House, County Kildare, Photo by Mark Wesley 2016, Tourism Ireland, from Ireland’s Content Pool. [see 1]

General Information: castletown@opw.ie

https://castletown.ie

see my entry: https://irishhistorichouses.com/2024/03/15/castletown-house-and-parklands-celbridge-county-kildare-an-office-of-public-works-property/

Great Hall, photograph by Swire Chin, Toronto, May 2013 flickr constant commons.
Great Hall, Castletown House, Celbridge, Co Kildare, photograph by Sonder Visuals 2022 for Failte Ireland.
The Red Drawing Room in Castletown House, June 2015. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Red Drawing Room in October 2022. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Print Room, Castletown House, June 2015. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Boudoir, Castletown House, July 2017. The website tells us about the writing bureau, Irish-made around 1760: A George III mahogany cabinet with dentilled-scrolled broken pediment carved with rosettes. Throughout her life, Lady Louisa maintained a regular correspondence with her sisters and brothers in Ireland and England, and it is easy to picture her writing her epistles at this bureau and filing the letters she received in the initialled pigeonholes and drawers. A handwritten transcription of her letters to her siblings can be accessed in the OPW-Maynooth University Archive and Research Centre in Castletown.  Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The writing bureau has no “J” or “U” as they are not in the Latin alphabet. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The wall panels, or grotesques, after Raphael date from the early nineteenth century and formerly hung in the Long Gallery. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
In 2022, Louisa’s bedroom now features a tremendous bed. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Upstairs, The Long Gallery, Castletown House, June 2015. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Long Gallery in the 1880s, photograph from the album of Henry Shaw. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Long Gallery: its heavy ceiling compartments and frieze dates from the 1720s and is by Edward Lovett Pearce. It was painted and gilded in the 1770s. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Obelisk, or Conolly Folly, was reputedly built to give employment during an episode of famine. It was restored by the Irish Georgian Society in 1960.

Obelisk, Castletown, attributed to Richard Castle, March 2022. Desmond Guinness’s wife Mariga, who played a great role in the Irish Georgian Society, is buried below. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Wonderful Barn, Castletown by Robert French, Lawrence Photographic Collection NLI, flickr constant commons.
The Wonderful Barn, March 2022, created in 1743. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
When we went to find the Wonderful Barn, we discovered there is not just one but in fact three Wonderful Barns! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The grounds around Castletown are beautiful and one can walk along the Liffey. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

3. Maynooth Castle, County Kildare:

Maynooth Castle, photograph by Gail Connaughton 2020, for Faitle Ireland, Ireland’s Content Pool. [see 1]

General information: 01 628 6744, maynoothcastle@opw.ie

From the OPW website https://heritageireland.ie/visit/places-to-visit/maynooth-castle/:

This majestic stone castle was founded in the early thirteenth century. It became the seat of power for the FitzGeralds, the earls of Kildare, as they emerged as one of the most powerful families in Ireland. Garret Mór, known as the Great Earl of Kildare, governed Ireland in the name of the king from 1487 to 1513.

Maynooth Castle was one of the largest and richest Geraldine dwellings. The original keep, begun around 1200, was one of the largest of its kind in Ireland. Inside, the great hall was a nerve centre of political power and culture.

Only 30 kilometres from Dublin, Maynooth Castle occupies a deceptively secluded spot in the centre of the town, with well-kept grounds and plenty of greenery. There is a captivating exhibition in the keep on the history of the castle and the family.

Gerald Fitzgerald (1487-1534) 9th Earl of Kildare, courtesy Bodleian Library.

[1] https://www.irelandscontentpool.com

[2] https://heritageireland.ie/visit/places-to-visit/altamont-gardens/

[3] p. 8, Living Legacies: Ireland’s National Historic Properties in the Care of the OPW. Government Publications, Dublin 2, 2018.

[4] p. xiii, Jennings, Marie-Louise and Gabrielle M. Ashford (eds.), The Letters of Katherine Conolly, 1707-1747. Irish Manuscripts Commission 2018. The editors reference TCD, MS 3974/121-125; Capel Street and environs, draft architectural conservation area (Dublin City Council) and Olwyn James, Capel Street, a study of the past, a vision of the future (Dublin, 2001), pp. 9, 13, 15-17.

[5] http://kildarelocalhistory.ie/celbridge See also my entry on Castletown House in my entry for OPW properties in Kildare, https://irishhistorichouses.com/2022/02/21/office-of-public-works-properties-leinster-carlow-kildare-kilkenny/

[6] https://archiseek.com/2011/1770s-castletown-house-celbridge-co-kildare/

[7] p. 75. Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[8] p. 129. Great Irish Houses. Forewards by Desmond FitzGerald, Desmond Guinness. IMAGE Publications, 2008. 

[9] https://castletown.ie/collection-highlights/

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Borris House, County Carlow – section 482

www.borrishouse.com
Open dates in 2026: Open: Apr 1, 2, 7-12, 14-26, 28-30, May 5-10, 19-24, June 12-14, 16-18, 23-25, 30, Aug 5, 12-23, 25, 26, Sept 1, 2, 8, 9, 22, 23, 29 12pm-4pm
Fee: adult €12, OAP/student €10, child under 12 free

Borris House, Carlow, photograph by Suzanne Clarke, 2016 for Tourism Ireland, Ireland’s Content Pool.

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I had been particularly looking forward to visiting Borris House. It feels like I have a personal link to it, because my great great grandmother’s name is Harriet Cavanagh, from Carlow, and Borris House is the home of the family of Kavanaghs of Carlow, and the most famous resident of the house, Arthur MacMurrough Kavanagh, was the son of a Harriet Kavanagh! Unfortunately I don’t think there’s a connection.

We were able to park right outside on the main street of Borris, across from the entrance. My fond familial feelings immediately faded when faced with the grandeur of the entrance to Borris House. I shrank into a awestruck tourist and meekly followed instructions at the Gate Lodge to make my way across the sweep of grass to the front entrance of the huge castle of a house.

We brought our friend Damo along with us – here he is with Stephen at the entrance arch. The National Inventory of Architectural Heritage tells us that this entrance was designed by Richard Morrison, around 1813. It has an arch opening with crenellations, flanking turrets and buttressed walls. There’s a portcullis and fabulous studded door. The towers have blind arrow slits including a cruciform arrow slit, and there’s a small Gothic window with hood moulding. [1] Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A view of the arched entrance from inside the demesne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Unlike other section 482 houses – with the few exceptions such as Birr Castle and Tullynally – Borris House has a very professional set-up to welcome visitors as one goes through the gate lodge. The website does not convey this, as it emphasises the house’s potential as a wedding venue, but the property is in fact fully set up for daily guided tours, and has a small gift shop in the gate lodge, through which one enters to the demesne. Borris House is still a family home and is inhabited by descendants of the original owners.

Approach to the front of the house from the gate lodge. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Standing at the front of the house looking to our left at the beautiful landscape. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Originally a castle would have been located here on the River Barrow to guard the area. From the house one can see Mount Leinster and the Blackstairs Mountains.

The current owner Morgan Kavanagh can trace his ancestry back to the notorious Dermot MacMurrough (Diarmait mac Murchadha in Irish), who “invited the British in to Ireland” or rather, asked for help in protecting his Kingship. The MacMurroughs, or Murchadhas, were Celtic kings of Leinster. “MacMurrough” was the title of an elected Lord. Dermot pledged an oath of allegiance to King Henry II of Britain. The Norman “Strongbow,” or Richard de Clare, 2nd Earl of Pembroke, came to Ireland to fight alongside Dermot MacMurrough against Dermot’s enemies. As a reward, Dermot MacMurrough offered Strongbow the hand of his daughter Aoife. This was less a love match than a chance to become the next King of Leinster. Succeeding generations of MacMurrough family controlled the area, maintaining their Gaelic traditions.

The Marriage of Aoife and Strongbow, Richard de Clare 2nd Earl of Pembroke at Waterford in 1170, by Daniel Maclise, in National Gallery of Ireland. Conceived for the decoration of the Palace of Westminster, a note tells us, the painting is an ambiguous representation of the victorious Normans and the vanquished Irish. Strongbow places his foot upon a fallen Celtic cross, King Dermot looks on in alarm, and an elderly musician slumps of his harp.

Timothy William Ferres tells us that in 1171, the name Kavanagh was given to Donell, son of Dermot MacMorrough. [1*]

In the late 14th century, Art mac Murchadha (d. around 1417) was one of the Irish kings who was offered a knighthood by King Richard II of England. In the 1500s, King Henry VIII sought to reduce the power of the Irish kings and to have them swear loyalty to him. In 1550 Charles MacMurrough Kavanagh (the Anglicised version of the name ‘Cahir MacArt’ MacMurrough Kavanagh) “submitted himself, and publicly renounced the title and dignity of MacMorrough, as borne by his ancestors.” [2] (note the various spellings of MacMorrough/MacMurrough). The head of the family was still however referred to as “the MacMorrough.”

We gathered with a few others to wait outside the front of the house for our tour guide on a gloriously sunny day in July 2019. Some of the others seemed to be staying at the house. For weddings there is accommodation in the house and also five Victorian cottages. We did not get to see these in the tour but you can see them on the website. Unfortunately our tour guide was not a member of the family but she was knowledgeable about the house and its history.

The current house was built originally as a three storey square house in 1731, incorporating part of a fifteenth century castle. We can gather that this was the date of completion of the house from a carved date stone.

According to the Borris House website, the 1731 house was built for Morgan Kavanagh, a descendant of Charles MacMurrough Kavanagh. However, I have the date of 1720 as the death for Morgan Kavanagh. Irish Aesthete Robert O’Byrne writes that the 1731 house was built by Brian Kavanagh. [3] Morgan Kavanagh has a son named Brian (d. 1741), so it could be the case that the house was commissioned by Morgan and completed by his son.

The house was damaged in the 1798 Rebellion and rebuilt and altered by Richard and William Vitruvius Morrison around 1813 into what one sees today. According to Edmund Joyce in his book Borris House, Co. Carlow, and elite regency patronage, it was Walter Kavanagh, grandson of the aforementioned Brian (d. 1741) who commissioned the work, which was taken over by brother Thomas (1767-1837) when Walter died in 1818. [4]. The Morrisons gave it a Tudor exterior although as Mark Bence-Jones points out in his Guide to Irish Country Houses, the interiors by the Morrisons are mostly Classical.

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Morrisons kept the original square three storey building symmetrical. Edmund Joyce references McCullough, Irish Building Traditions, writing that “The Anglo-Irish landlords at the beginning of the 19th century who wanted to establish a strong family history with positive Irish associations were beginning to use the castle form – which had long been a status of power both in Ireland and further afield – to embed the notion of a long and powerful lineage into the mindset of the audience.”

In keeping with this castle ideal, the Morrisons added battlemented parapets with finials, the crenellated arcaded porch on the entrance, as well as four square corner turrets to the house, topped with cupolas (which are no longer there). The porch has slightly pointed arches, and is unusual with its bricklike rustication, and elongated mini towers on top with tawny detailing in between, reflected in the roof parapet.

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

They also created rather fantastical Tudor Gothic curvilinear hood mouldings over the windows, some “ogee” shaped (convex and concave curves; found in Gothic and Gothic-Revival architecture) [5].

An ogee shaped hood moulding. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

These mouldings drop down from the top of the windows to finish with sculptured of heads of kings and queens. These are not representations of anyone in particular, the guide told us, but are idealised sculptures representing royalty to remind one of the Celtic kingship of the Kavanaghs.

As well as illustrating their heritage in architecture, Walter Kavanagh (d. 1718) commissioned an illustrated book of the family pedigree, titled “The pedigree of the ancient illustrious noble and princely house of Kavanagh in ancient times monarchs of Ireland and at the period of the invasion by Henry the second, kings of Leinster,” which traces the family tree back to 1670 BC! The connections to the prominent families of Butlers, Fitzjohns, De Mariscos and FitzGeralds are highlighted, which are also illustrated in the stained glass window in the main stairwell at Borris.

Borris House, 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The stairwell in Borris House, with the stained glass window which records some of the genealogy of the Kavanaghs. Photograph courtesy of Borris House instagram, by @1darmar

The guide pointed to the many configurations of windows on the front facade of the house. They were made different deliberately, she told us, to create the illusion that the different types of windows are from different periods, even though they are not! This was to reflect the fact that various parts of the building were built at different times.

The crest of the family on the front of the house on the portico features a crescent moon for peace, sheaf of wheat for plenty and a lion passant for royalty. The motto is written in Irish, to show the Celtic heredity of the Kavanaghs, and means “peace and plenty.”

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Morrisons also added a castellated office wing, joining the house to a chapel. This wing has been partially demolished.

View of the chapel from the front of the house, and beyond, the path leads to the gate lodge. In between the chapel and the house you can see the wall which once housed the kitchen, with the octagonal chimney stack built into the wall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Charles MacMurrough Kavanagh married Cecilia, daughter of Gerald Fitzgerald, 9th Earl of Kildare. Charles’s son Brian (c. 1526-1576) converted to Protestantism and sent his children to be educated in England. One of them, Sir Morgan Kavanagh, acquired the estate of Borris when he was granted the forfeited estates of the O’Ryans of Idrone in County Carlow.

When Protestants were attacked in 1641 by a Catholic rebellion, when Morgan’s son Brian (1595-1662) was “The MacMorrough,” the MacMurrough Kavanaghs were spared due to their ancient Irish lineage. Later, when Cromwell rampaged through Ireland, they were spared since they were Protestant, so they had the best of both worlds during those turbulent times.

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Brian Kavanagh (1595-1662) married twice. His first wife was Elinor, daughter of Thomas Colclough of Tintern Abbey in County Wexford. His second wife was Elinor Blancheville of Blanchevillestown in County Kilkenny.

The tour guide took us first towards the chapel. She explained the structure of the house as we trooped across the lawn. She pointed out the partially demolished stretch between the square part of the house and the chapel. All that remains of this demolished section is a wall. The octagonal towerlike structures built into the wall were chimneys and the demolished part was the kitchen.

Side of Borris House with the chapel in the foreground. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
In this photograph, from Shane Prunty Weddings and the Borris House instagram page, you can see the remaining wall of the extension between the house and the chapel.
Side of Borris House, with the later wing that was added, that stretches toward the chapel. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The square tower that joins the house to the demolished kitchen contained the nursery. The wing was demolished to reduce the amount of rates to be paid. The house was reoriented during rebuilding, the guide told us, and a walled garden was built with a gap between the walls which could be filled with coal and heated! I love learning of novel mechanisms in homes and gardens, techniques which are no longer used but which may be useful to resurrect as we try to develop more sustainable ways of living (not that we’d want to go back to using coal).

The square tower contained the nursery, the guide told us. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

It is worth outlining some of the genealogy of this ancient family, as they intermarried with many prominent families of their day. Morgan Kavanagh (1668-1720) who probably commissioned the building of the 1730s house married Frances Esmonde, daughter of Laurence Esmonde (1634-1688) 2nd Baronet of Ballynastragh, County Wexford, who lived at Huntington Castle (another section 482 property I visited). After her death, he married Margaret Morres of Castle Morres in County Kilkenny.

Morgan and Frances née Esmonde’s son Brian (1699-1741) married Mary Butler, daughter of Thomas Butler (d. 1738) of Kilcash. Their son Thomas (1727-1790) married another Butler, Susanna, daughter of the 16th Earl of Ormonde.

It was the following generation, another Thomas (1767-1837), who is relevant to our visit to the chapel.

This Thomas (1767-1837) was originally a Catholic. He married yet another Butler, Elizabeth, daughter of the 17th Earl of Ormonde, in 1799. At some time he converted to Protestantism. It must have been before 1798 because in that year he represented Kilkenny City in Parliament and at that time only members of the Established Church could serve in Parliament.

As I mentioned, the house was badly damaged in 1798, when the United Irishmen rose up in an attempt to create an independent Ireland. Although the Kavanaghs are of Irish descent and are not a Norman or English family, this did not save them from the 1798 raids. The house was not badly damaged in a siege but outbuildings were. The invaders were looking for weapons inside the house, the guide told us. Robert O’Byrne the Irish Aesthete writes tells us: “Walter MacMurrough Kavanagh wrote to his brother-in-law that although a turf and coal house were set on fire and efforts made to bring ‘fire up to the front door under cover of a car on which were raised feather beds and mattresses’ [their efforts] were unsuccessful.” [6]

Edmund Joyce describes the raid in his book on Borris House (pg. 21-22):

“The rebels who had marched overnight from Vinegar Hill in Wexford…arrived at Borris House on the morning of 12 June. They were met by a strong opposing group of Donegal militia, who had taken up their quarters in the house. It seems that the MacMurrough Kavanaghs had expected such unrest and in anticipation had the lower windows…lately built up with strong masonry work. Despite the energetic battle, those defending the house appear to have been indefatigable, and the rebels, ‘whose cannons were too small to have any effect on the castle…’ the mob retreated back to their camps in Wexford.”

The estate was 30,000 acres at one point, but the Land Acts reduced it in the 1930s to 750 acres, which the present owner farms organically. The outbuildings which were built originally to house the workings of the house – abbatoir, blacksmith, dairy etc, were burnt in one of the sieges and so all the outbuildings now to be seen, the guide told us, were built in the nineteenth century.

Walter Kavanagh (1766-1813), brother of Thomas (1767-1837) (M.P.) and Morgan Kavanagh (who married Alicia Grace of Gracefield, Queens County). Courtesy Fonsie Mealy March 2019.

Thomas’s second wife, Harriet Le Poer Trench, daughter of the 2nd Earl of Clancarty, was of staunch Scottish Protestant persuasion [7]. When he converted, the chapel had to be reconsecrated as a Protestant chapel. According to legend, Lady Harriet had a statue of the Virgin Mary removed from the chapel and asked the workmen to get rid of it. The workmen, staunch Catholics, buried the statue in the garden. People believed that for this act, Lady Harriet was cursed, and it was said that one day her family would be “led by a cripple.”

The story probably came about because Harriet’s third son, Arthur, was born without arms or legs. As she had given birth to two older sons, and he had another half-brother, Walter, son of Thomas’s first wife, it seemed unlikely that Arthur would be the heir. However, the three older brothers all died before Arthur and Arthur did indeed become the heir to Borris House.

Arthur MacMorrough Kavanagh, M.P., (1831-1839), Politician and Sportsman Date after 1889 Engraver Morris & Co. Photograph courtesy of the National Gallery of Ireland.

The plasterwork in the chapel, which is called the Chapel of St. Molin, is by Michael Stapleton.

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In Jimmy O’Toole’s book The Carlow Gentry: What will the neighbours say! (published by Jimmy O’Toole, Carlow, Ireland, 1993. Printed by Leinster Leader Ltd, Naas, Kildare), he tells us of a rather miraculous finding of a Bible giving evidence of Thomas’s early Catholicism:

p. 130. “In the early 1950s, Borris House needed an electrical rewire. It was the kind of job in this rambling mansion that would take tradesmen into all sorts of unused nooks and crannies, attics untouched since the last electricians were there, and of course, there was the necessary task, dreaded by owners, the lifting of floor boards…What the electricians turned up from underneath the floor boards in the library of borris House was an 18C missal, which had been carefully wrapped and placed there by the Catholic Thomas Kavanagh either when he conformed to the Established Church, or when he married for the second time in 1825. The missal was a gift from his mother, the former Lady Suzanna Butler, bearing the hopeful inscription that he would remain faithful to the Catholic religion practised for centuries by his forebears, who could trace their ancestry back to early Christian times.” 

Jimmy O’Toole also tells us that Borris House stands on 9th century dungeons!

While we sat in the chapel, our guide told us about the amazing Arthur MacMurrough Kavanagh. When her husband Walter died, Harriet and her children went travelling. They travelled broadly, and she painted, and collected objects which she brought back to Ireland, including a collection of artefacts from Egypt now in the National Museum of Ireland. When Arthur was 17 years old his mother sent him travelling again, to get him away from his high jinks with the local girls. Arthur kept diaries, which are available for perusal in the National Library. I must have a look! I have a special interest in diaries, since I have been keeping my own since I was twelve years old. Some of Arthur’s adventures include being captured and being cruelly put on display by a tribe. He also fell ill and found himself being nursed back to health in a harem – little did the Sultan or head of the harem realise that Arthur was perfectly capable of impregnating the ladies!

Arthur’s brother and tutor died on their travels and Arthur found himself alone in India. He joined the East India Company as a dispatch rider – he was an excellent horseman, as he could be strapped in to a special saddle, which we saw inside the house, now mounted on a children’s riding horse! I was also thrilled to see his wheelchair, in the Dining Room, which is now converted into a dining chair.

Arthur MacMurrough’s saddle in mounted on the rocking horse. Photograph by Paul Barker, 2011, for Country Life.

When Arthur came home as heir, he found his mother had set up a school of lacemaking, now called Borris Lace, to help the local women to earn money during the difficult Famine years. The lace became famous and was sold to Russian and English royalty. The rest of the estate, however, was in poor shape. Arthur set about making it profitable, bringing the railway to Borris, building a nearby viaduct, which cost €20,000 to build. He also built cottages in the town, winning a design medal from the Royal Dublin Society, and he set up a sawmill, from which tenants were given free timber to roof their houses. He set up limekilns for building material, and also experimented (unsuccessfully) with “water gas” to power the crane used to built the viaduct. His mother built a fever house, dower house and a Protestant school, and Arthur’s sisters built a Catholic school. There is a little schoolhouse (with bell) behind the chapel.

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Arthur seems to have had a great sense of humour. On one of his visits to Abbeyleix, he remarked to Lady De Vesci, “It’s an extraordinary thing – I haven’t been here for five years but the stationmaster recognised me.”

Arthur married Mary Frances Forde-Leathley and fathered six children. He became an MP for Carlow and Kilkenny, and sat in the House of Commons in England, which he reached by sailing as far as London, where he was then carried in to the houses of Parliament.

He lost when he ran again for Parliament in 1880, beaten by the Home Rule candidates. He returned from London after his defeat and saw bonfires, which were often lit by his tenants to celebrate his return. However, this time, horrifically, he saw his effigy being burned on the bonfires by tenants celebrating the triumph of the Home Rule candidates. He must have been devastated, as he had worked so hard for his tenants and treated them generously. For more about him, see the Irish Aesthete’s entry about him. [8]

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Jimmy O’Toole’s book gives a detailed description of politics at the time of Arthur’s defeat and explains why the tenants behaved in such a brutal way. Elections grew heated and dangerous in the days of the Land League and of Charles Stewart Parnell, when tenants hoped to own their own land. In the 1841 election, tenants of the Kavanaghs were forced to vote for the Tory candidate against Daniel O’Connell Jr., despite a visit from Daniel O’Connell Sr, “The Liberator” who fought for Catholic emancipation.

The land agent for the Kavanaghs, Charles Doyne, threatened the tenants with eviction if they did not vote for his favoured candidate. In response to threats of eviction, members of the Land League forced tenants to support their cause by publicly shaming anyone who dared to oppose them. People were locked into buildings to prevent them from voting, or on the other hand, were locked in to protect them from attacks which took place if they planned to support the Tory candidate. Not all Irish Catholics supported the Land League. Labourers realised that landlords provided employment which would be lost if the land was divided for small farmers.

Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

It was Arthur’s grandfather, Thomas (b. 1727), who undertook much of the renovation work at Borris in the 1800s, with money brought into the family by his wife, Susanna Butler. [9] Under her influence, Italian workmen were employed and ceilings were decorated and Scagliola pillars installed. After hearing the stories about amazing Arthur, we returned across the lawn to enter the main house.

The front hall is square but is decorated with a circular ceiling of rich plasterwork, “treated as a rotunda with segmental pointed arches and scagliola columns; eagles in high relief in the spandrels of the arches and festoons above,” as Mark Bence-Jones describes in his inimitable style [see 5, p. 45]. We were not allowed to take photographs but the Irish Aesthete’s site has terrific photographs [see 3]. The eagles represent strength and power. There are also the sheafs of wheat, crescent moons and lion heads, symbols from the family crest. Another common motif in the house is a Grecian key pattern.

Photograph by Paul Barker, 2011, from Country Life picture library.
Borris House front hall, photograph from Borris House instagram, @karinalee.studio
Borris House front hall, photograph from Borris House instagram, @karinalee.studio
Photograph by Paul Barker, 2011, from Country Life picture library.

The craftwork and furnishings of the house are all built by Irish craftsmen, including mahogany doors. There is a clever vent in the wall that brings hot air from the kitchens to heat the room.

We next went into the music room which has a beautiful domed oval ceiling with intricate plasterwork. It includes the oak leaf for strength and longevity.

The drawing room has another pretty Stapleton ceiling, more feminine, as this was a Ladies’ room. It has lovely pale blue walls, and was originally the front entrance to the house. When it was made into a circular room the leftover bits of the original rectangular room form small triangular spaces, which were used as a room for preparing the tea, a small library with a bookcase, and a bathroom. The curved mahogany doors were also made by Irish craftsmen in Dublin, Mack, Williams and Gibton.

The dining room has more scagliola columns at one end, framing the serving sideboard, commissioned specially by Morrison for Borris House. It was sold in the 1950s but bought back by later owners. [10] The room has more rich plasterwork by Michael Stapleton: a Celtic design on the ceiling, and ox skulls represent the feasting of Chieftains. With the aid of portraits in the dining room, the guide told us more stories about the family. It was sad to hear how Arthur had to put an end to the tradition of the locals standing outside the dining room windows, and gentry inside, to observe the diners. He did not like to be seen eating, as he had to be fed.

The grand dining room, photograph courtesy of Borris House instagram.

We saw the portrait of Lady Susanna’s husband, whom her sister Charlotte Eleanor dubbed “Fat Thomas.” Eleanor formed a relationship with Sarah Ponsonby, and they ran away from their families to be together. As a result, Eleanor was taken to stay with her sister’s family in Borris House, and she must have felt imprisoned by her sister’s husband, hence the insulting moniker. Eleanor managed to escape and to make her way to Woodstock, the house in County Kilkenny where Sarah was staying. Finally their families capitulated and accepted their plans to live together. They set up house in Wales, in Llangollen, and were known as The Ladies of Llangollen They were visited by many famous people, including Anna Seward, William Wordsworth, Sir Walter Scott, Charles and Erasmus Darwin, Sir Arthur Wellesley and Josiah Wedgewood.

The Ladies of Llangollen, Sarah Ponsonby and Charlotte Eleanor Butler, by Richard James Lane, printed by Jérémie Graf, after Lady Mary Leighton (née Parker) courtesy of National Portrait Gallery NPG D32504.

Mark Bence-Jones describes an upstairs library with ceiling of alternate barrel and rib vaults, above a frieze of wreaths that is a hallmark of the Morrisons, which unfortunately we did not get to see. We didn’t get to go upstairs but we saw the grand Bath stone cantilevered staircase. The room was originally an open courtyard.

We then went out to the Ballroom, which was originally built by Arthur as a billiard room, with a gun room at one end and a planned upper level of five bedrooms. The building was not finished as planned as Arthur died. It is now used for weddings and entertainment.

Side of the house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In 1958 the house faced ruin when Joane Kavanagh’s husband Lieutenant Colonel Archibald Macalpine-Downie died, and she decided to move to a smaller house. However, her son, Andrew Macalpine-Downie, returned to Borris after a career as a jockey in England. with his wife Tina Murray. He assumed the name Kavanagh, and set himself the task of preventing the house from becoming a ruin. [11]

We were welcomed to wander the garden afterwards.

I was delighted with the sheep who must keep the grass down. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
View from the grounds of Borris House, July 2019. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://www.buildingsofireland.ie/buildings-search/building/10400804/borris-house-borris-borris-co-carlow

[1*] http://lordbelmontinnorthernireland.blogspot.com/2013/07/borris-house.html

[2] p. 33, MacDonnell, Randal. The Lost Houses of Ireland. A chronicle of great houses and the families who lived in them. Weidenfeld and Nicolson. London, 2002.

[3] https://theirishaesthete.com/2013/11/04/an-arthurian-legend/

The Borris website claims that the 1731 house was built for Morgan Kavanagh, but the Irish Aesthete Robert O’Byrne writes that the 1731 house was built by Brian Kavanagh, incorporating part of the fifteenth century castle. I have the date of 1720 as the death for Morgan Kavanagh and he has a son, Brian, so it could be the case that the house was commissioned by Morgan and completed by his son Brian.

[4] Joyce, Edmond. Borris House, Co. Carlow, and elite regency patronage. Four Courts Press, Dublin, 2013.

[5] https://irishhistorichouses.com/2020/04/18/architectural-definitions/

and Mark Bence-Jones. A Guide to Irish Country Houses [originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978]; Revised edition 1988 Constable and Company Ltd, London.

[6] https://theirishaesthete.com/2013/11/04/an-arthurian-legend/

This entry also has lovely pictures of the inside of Borris House and more details about the history of the house and family.

[7] p. 130. O’Toole, Jimmy. The Carlow Gentry: What will the neighbours say! Published by Jimmy O’Toole, Carlow, Ireland, 1993. Printed by Leinster Leader Ltd, Naas, Kildare.

[8] https://theirishaesthete.com/2013/11/04/an-arthurian-legend/

[9] for more on the Butlers see John Kirwan’s book, The Chief Butlers of Ireland and the House of Ormond, An Illustrated Genealogical Guide, published by Irish Academic Press, Newbridge, County Kildare, 2018. Stephen and I went to see John Kirwan give a fascinating talk on his book at the Irish Georgian Society’s Assembly House in Dublin.

[10] p. 115. Fitzgerald, Desmond et al. Great Irish Houses. Published by IMAGE Publications Ltd, Dublin, 2008.

[11] p. 134. O’Toole, Jimmy. The Carlow Gentry: What will the neighbours say! Published by Jimmy O’Toole, Carlow, Ireland, 1993. Printed by Leinster Leader Ltd, Naas, Kildare.

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com