Castlemartyr, County Cork – hotel  €€€

and Castle Martyr Lodges

https://www.castlemartyrresort.ie

Mark Bence-Jones writes in 1988 of Castle Martyr in A Guide to Irish Country Houses:

p. 72. “(Boyle, Cork and Orrery, E/PB; Boyle, Shannon, E/PB; Arnott, Bt/PB) Originally an old castle of the FitzGeralds, Seneschals of Imokilly, to which an early C17 domestic range was added by Richard Boyle, the “Great” Earl of Cork, who bought it from Sir Walter Raleigh, to whom it had been granted, along with other confiscated Geraldine estates. Having been damaged during the Civil Wards, it was repaired and made “English like” by Lord Cork’s third son, 1^st Earl of Orrery, to whom it had passed; only to suffer worse damage in the Williamiate War, after which it was left a ruin, and a new house built alongside it early in C18 by Henry Boyle, who became Speaker of the Irish House of Commons and eventually 1^st Earl of Shannon.“

Roger Boyle (1621-1679) 1st Earl of Orrery’s son Roger (1646-1682) succeeded as 2nd Earl of Orrery. Another son, Henry (1646-1693), gave rise to the Earls of Shannon. His son Henry (1682-1764) was created 1st Earl of Shannon.

The house was greatly enlarged by 2^nd Earl between 1764/71, and further remodelled in late-Georgian period. While giving it an abnormally long facade, the subsequent additions did not take away from the house’s early C18 character, beign on the same scale and in the same style as the original building. Entrance front of two storeys and 17 bays, consisting of a five bay recessed centre with a giant pedimented portico between projecint wings, the forward-facing one bay ends of which are prolonged by a further five bays on either side. The ends of the projecting wings on either side of the centre are framed by rusticated pilasters, and formerly had Venetian windows in their lower storey, which have now been made into ordinary triple windows; there is also a rusticated pilaster at either end of the facade. The front is unusual in having three entrance doorways, of similar size, one under the portico and one in the centre of the five outer bays on either side; originally these doorways had plain architraves, but they were replaced by rusticated doorcases early this century. High-pitched, slightly sprocketed roofs. Irregular garden front; range of three bays on either side of a curved central bow, then a four bay range set slightly back with a balustraded colonnade of coupled Doric columns along its lower storey, then a range set further back again, of the same height as the rest of the facade but of one storey only, with three tall windows. Long, narrow and low-ceilinged hall with bifurcating wooden staircase at one end; late-Georgian frieze. A wide pilastered corridor runs from the staircase end of the hall, opening into a series of reception rooms along the garden front’ they are of modest size, low-ceilinged and simply decorated. In contrast to them is the magnificent double cube saloon or ballroom at the opposite end of the hall., which rises the full height of the house and is lit by the three tall windows in the single-storey part of the garden front. It has a coved ceiling with splendid rococo plasterwork in the manner of Robert West – birds, swags, flowers, foliage and cornucopiae in high relief – and a doorcase with fluted Ionic columns and a broken pediment. This room was one of 2^nd Earl’s additions; it was finished by 1771, when it was seen by Arthur Young, who considered it to be the best room he had seen in Ireland. It certainly rates among the dozen or so finest Irish country house interiors; or anyhow whould have done when it had its chimneypiece and its original pictures and furnishings. The entrance front of the house overlooks a sheet of water which is part of the remarkable artificial river made ante 1750 by 1^st Earl; it winds its way between wooded banks through the demesne and round the neighbouring town of Castlemartyr; broad and deep enough to be navigable by what was described in C18 as “an handsome boat.” The entrance gates from the town are flanked by tall battlemented walls shaped to look like Gothic towers; from the side they reveal themselves to be no more than stage scenery. Castle Martyr was sold early in the present century to the Arnott family; it was subsequently re-sold and is now a Carmelite College.” 

Note that Henry Boyle (1682-1764), 1st Earl of Shannon, who owned Castlemartyr, also owned a townouse at 11 Henrietta Street in Dublin. See Melanie Hayes’s wonderful book The Best Address in Town: Henrietta Street, Dublin and its First Residents, 1720-80 published by Four Courts Press, Dublin 8, in 2020.

The Buildings of Ireland. Cork City and County. Frank Keohane. Yale University Press: New Haven and London. 2020. 

The fortified houses of the late C16 and early C17 constitute a bridge between the medieval tower house and the modern mansion. They were built by old Norman families, at Castle Lyons and Ightermurragh (Ladysbridge); by city merchants, such as the Archdeacons at Monkstown; by English settlers, at Baltimore, Coppinger’s Court (Rosscarbery) and Mallow; and by Gaelic chiefs, at Coolnalong (Durrus), Mount Long (Oysterhaven), Kanturk, Dromaneen (Mallow) and Reendiseart (Ballylickey). Twenty-two such houses survive in Cork. 

In comparison to tower houses, these houses are better lit, have thinner walls, lack vaults, and feature timber floors and staircases as well as integral fireplaces. They are also notably symmetrical in plan and elevation, and some, such as Kanturk, incorporate proto-classical features. They generally retain some defensive features, such as door yetts, gunloops, bartizans and crenellated parapets, [p. 18] although their wall-walks were not all continuous, and in cases such as Mount Long and Monkstown were barely accessible. The other notable feature is the use of towers or turrets, influenced no doubt by the Elizabethan fashion for a quasi-military appearance derived from an earlier chivalric age. The arrangement of the towers gives rise to distinctive plan-forms: U plan (Coolnalong), Y-plan (Mallow and Coppinger’s court), L-plan (Dromaneen (Mallow) and Mossgrove (Templemartin), cross-plan (Kilmaclenine, Ightermurragh), X-plan (Kanturk, Monkstown, Mount Long, Aghadown), Z-plan (Ballyannan (Midleton), and T-Plan (Reendiseart). Baltimore, Carrigrohane, Castle Lyons, Myrtle Grove (Youghal) and Castlemartyr aer simple rectangular blocks. A number of Jacobean bawns with circular corner towers also survive, at Ballinterry (Rathcormac), Dromiscane (Millstreet), Dromagh, Clonmeen (Banteer) and Mossgrove.” 

The Buildings of Ireland. Cork City and County. Frank Keohane. Yale University Press: New Haven and London. 2020. 

p. 27. Of mid-C18 Palladian interiors, good representative examples with panelled dados, lugged architraves, fielded panelling and chunky cornices are found at Coole Abbey House, Assolas, Cloghroe, Kilshannig, and Blackrock House. Curiously, the heavy Palladian lugged architrave remained in use in the county long after it fell out of fashion elsewhere. At Lisnabrin, Dunkathel, Burton, Rockforest and Muckridge, the form is encountered in late C18 Neoclassical interiors, suggesting an innate conservatism among local joiners. The finest joinery in most houses is reserved for the staircase, and in many cases these have survived. The best early C18 staircases, at the Red House and Annes Grove, have alternating barley-twist and columnar balusters, big Corinthian newel posts, ramped handrails and carved tread-end brackets. Mount Alvernia (Mallow), Carrigrohane and Cloghroe all have good mid-C18 staircases of a similar type; that at Lota is exceptional in its use of mahogany and for its imperial plan. Good Neoclassical staircases, geometrical in form with delicate ironwork balustrades, survive at Maryborough, Newmarket Court and Castle Hyde; the destruction of those at Vernon Mount is a particularly sad loss. 

The best early plasterwork is that of the Swiss-Italian brothers Paolo and Filippo Lafranchini at Riverstown, where highly sculptural late Baroque figurative ornament is applied to the walls and ceilings of the Saloon… Filippo alone decorated two rooms at Kilshannig, blending late Baroque figures with lighter acanthus arabesques and putti. Rococo plasterwork featuring scrolling acanthus and birds comparable to the Dublin school of the 1760s is encountered in the Saloon at Castlemartyr, and at Maryborough. At Laurentium (Doneraile) and the Old College (Youghal), it is rather more hesitant. For the most part, stucco workers remain anonymous, so it is a happy circumstance that Patrick Osborne’s accomplished work at the former Mansion House at Cork is recorded. He also probably worked at Lota, as well as at Castle Hyde. Good Neoclassical plasterwork in low relief and employing small-scale classical motifs of the type made fashionable by Robert Adam and James Wyatt is found at Maryborough, at Old Court House (Rochestown), and at the Old College and Loreto College at Youghal.  

https://theirishaesthete.com/2015/07/18/7055/

The castle from which Castlemartyr takes its name was likely built in the middle of the 15th century when the lands in this part of the country passed into the control of the FitzGeralds of Imokilly. For more than 100 years from 1580 it was subject to successive sieges and assaults; in 1581, for example, Thomas Butler, Earl of Ormond captured the building and hanged the ancient mother of John Fitzedmund FitzGerald from its walls. Castlemartyr became part of Sir Walter Raleigh’s estate which he then sold to Richard Boyle, first Earl of Cork in 1602. It is likely that the Boyles built the two-storey manor with tall gable-ended chimney stacks that runs behind the older castle. But the property had to withstand attack again during the Confederate Wars of the 1640s and once more in 1690, after which it was finally abandoned to become a picturesque ruin while a new residence went up on a site to the immediate west. 

[note from Jane Ohlmeyer, appendix iv, Richard Boyle in 1660 was Earl of Cork,  peer of townland Youghal.] 

http://landedestates.nuigalway.ie/LandedEstates/jsp/property-list.jsp?letter=C

Seat of the Earls of Shannon in the 18th and 19th centuries, built in the early 18th century by the 1st Earl of Shannon and enlarged by his son the 2nd Earl in the 1760s. At the time of Griffith’s Valuation it was valued at £150. Sold to the Arnott family in the early 20th century, it later became a Carmelite college and now functions as a hotel.  

https://www.buildingsofireland.ie/buildings-search/building/20825002/capella-castlemartyr-house-castlemartyr-castlemartyr-co-cork

Capella Castlemartyr House, CASTLEMARTYR, Castlemartyr, County Cork 

Detached twenty-five-bay two-storey former country house, built c. 1730, enlarged and remodelled, 1764-71, various subsequent alterations, later used as convent and school, now in use as hotel. Comprising five-bay recessed central block with integral pedimented portico to front (north) elevation having ashlar Doric columns and rendered pediment, flanked by six-bay block to west and seven-bay block to east, with projecting three-bay and four-bay terminating blocks. Full-height bow and balustrated colonnade comprising paired ashlar Doric columns with rendered entablature to rear. Sprocketed hipped slate roofs with dressed limestone chimneystacks, cast-iron rainwater goods and render frieze and cornice. Lined-and-ruled rendered walls with rusticated limestone pilasters. Square-headed openings with cut limestone sills and six-over-six pane timber sliding sash windows, those to ground floor of bays flanking central portico having tripartite six-over-six pane flanked by two-over-two pane windows. Square-headed openings to front elevation with carved limestone Gibbsian surrounds, cornices and timber panelled doors. Carved limestone balustrade to front of main entrance. Retains interior features. 

Appraisal 

House is unusual in plan and elevation owing to alterations running over three centuries. Exceptionally wide front façade having rarity of three entrances. Variation in roof line adds interest to the façade, as too do well-executed pilasters and pediments. Built by Henry Boyle, Speaker of the Irish House of Commons, Ist Earl of Shannon, it was enlarged and remodelled in 1764-71 by the second Earl. The Ballroom completed in 1771, was described as one of finest rooms in Ireland by Arthur Young. Intricate and well crafted Rococo plasterwork adds much decorative interest to interior and is attributed to the Franchini brothers. Continues to have strong influence on local village. 

http://lordbelmontinnorthernireland.blogspot.com/2017/06/castle-martyr.html

THE EARLS OF SHANNON OWNED 11,232 ACRES OF LAND IN COUNTY CORK 

This is a branch of the noble house of BOYLE, Earls of Cork and Orrery, springing from  

THE HON HENRY BOYLE (1682-1764), second son of Roger, 1st Earl of Orrery, whose son, by the Lady Mary O’Brien, daughter of Murrough, 1st Earl of Inchiquin, 

HENRY BOYLE, of Castle Martyr, being sworn of the Privy Council in Ireland, filled some of the highest political offices in that kingdom (Speaker of the house of commons, Chancellor of the Exchequer, Lord Justice etc). 

He was elevated to the peerage, in 1756, as Baron Castle Martyr, Viscount Boyle, and EARL OF SHANNON. 

His lordship married firstly, in 1715, Catherine, daughter of Chidley Coote, of Killester, by whom he had no issue; and secondly, in 1726, the Lady Henrietta Boyle, youngest daughter of Charles, 3rd Earl of Cork, and had issue, 

RICHARD, his successor; 
Henry; 
William; 
Charles; 
Robert; 
Juliana. 

His lordship was succeeded by his eldest son, 

 
RICHARD, 2nd Earl (1728-1807), KP, PC, who, having filled some high political offices, and being sworn of the Privy Council, was enrolled amongst the peers of Great Britain, in 1786, as Baron Carleton, of Carleton, Yorkshire. 

His lordship was a Knight Founder of the Most Illustrious Order of St Patrick, 1783. 

He wedded, in 1763, Catherine, eldest daughter of Mr Speaker Ponsonby, of the Irish house of commons, and had issue, 

HENRY, his successor; 
Catherine Henrietta. 

His lordship was succeeded by his only son, 

 
HENRY, 3rd Earl (1771-1842), KP, PC, who espoused, in 1798, Sarah, fourth daughter of John Hyde, of Castle Hyde, and had issue, 

RICHARD, his successor; 
Henry Charles; 
Robert Francis; 
Catherine; Sarah; Louisa Grace; Jane; Elizabeth; Charlotte Anne. 

His lordship was succeeded by his eldest son, 

• Richard Boyle, 4th Earl (1809–68); 

• Henry Bentinck Boyle, 5th Earl (1833–90) 

• Richard Henry Boyle, 6th Earl (1860–1906); 

• Richard Bernard Boyle, 7th Earl (1897–1917); 

• Robert Henry Boyle, 8th Earl (1900–63); 

• Richard Bentinck Boyle, 9th Earl (1924–2013); 

• Richard Henry John Boyle, 10th Earl (b 1960). 

The heir presumptive is the present holder’s second cousin, Robert Francis Boyle. 

CASTLE MARTYR, County Cork, was built in the early 18th century by Henry Boyle, Speaker of the Irish house of commons, afterwards 1st Earl of Shannon. 

The house was substantially enlarged by the 2nd Earl between 1764-71; and further re-modelled in the late Georgian period. 

The entrance front is of two storeys and seventeen bays, comprising a five-bay recessed centre and giant pedimented portico between projecting wings. 

The entrance front of the house overlooks a sheet of water which is part of the remarkable artificial river made before 1750 by the 1st Earl. 

Castle Martyr was sold early in the 20th century to the Arnott family; then became a Carmelite college. 

It now forms the nucleus of a luxury hotel resort.  

https://theirishaesthete.com/2015/03/11/flying-high-2/

More superlative rococo plasterwork by Robert West, this time in the double cube former ballroom of Castlemartyr, County Cork. The room was added to the existing house in the second half of the 1760s by Richard Boyle, second Earl of Shannon. The house remained in the family until the beginning of the last century and more recently has become a hotel. Anyone in the area should remember that at present this room contains many of the original Boyle portraits which formerly hung here and have now temporarily returned to their former home. 

https://www.castles.nl/castlemartyr-castle

Castlemartyr Castle lies in the town of Castlemartyr, in County Cork in Ireland. 

After James, Earl of Ormond, governor of Imokilly, appointed a local seneschal for the area in 1420, Castlemartyr was built to serve as the seneschals’ seat. 

It was captured by Sir Henry Sidney in 1569, after the garrison abandoned it during the night following an exchange of cannonfire. It was later granted to Sir Walter Raleigh only to be recovered by the seneschal of the time, John FitzEdmund FitzGerald, only to be attacked again in 1579 by the Earl of Ormond, who hanged John’s mother outside the walls. John finally submitted in 1583 and died in Dublin Castle in 1589. 

During the wars of the 1640s Castlemartyr Castle was captured by Lord Inchiquin but then fell to a raiding party led by Sir Percy Smith, who burnt the castle to prevent it being used as a base for the Irish Confederate forces. It was repaired in the 1650s and inhabited by Lord Broghill, later Earl of Orrery, until his death in 1679. During the civil war it was captured by the Irish, only to be retaken by the Williamites in 1690. This left the castle badly damaged and it was subsequently abandoned and fell into disrepair. 

During the 18th century the castle became a farm- and coachyard for a newly build manor to the west. In 2007 this manor opened as the Castlemartyr Resort, a luxury spa and 5-star hotel. 

Castlemartyr Castle was a roughly rectangular castle with a 5-storey square keep at its eastern corner. The large chimney stacks were part of a 17th century range built against the inner wall. There is a smaller tower at the northern corner of the enclosure. 

A nice castle ruin. It can be visited as a guest of the resort, although the interior of the keep itself can not be visited. 

Paddy Rossmore. Photographs. Edited by Robert O’Byrne. The Lilliput Press, Dublin 7, 2019. 

“As its name indicates, Castlemartyr was originally a castle, built around 1420 on the site of an earlier fortification on the instructions of James FitzGerald, sixth Earl of Desmond. During the rebellions instigated against the English crown by this family from 1569 onwards, Castlemartyr was occupied by John FitzEdmund FitzGerald but following his capture and subsequent death in 1589, all the land in this part of the country passed into the possession first of Sir Walter Raleigh and then of Richard Boyle, the Great Earl of Cork. He added a domestic range to the old castle, and following damage during the Confederate Wars of the 1640s, this was repaired and made “English like” by Lord Cork’s third son, Roger Boyle, first Earl of Orrery. Further damage was inflicted on teh building at the time of the Williamite Wars, after which the castle was left a ruin and a new residence built for the Boyles on a site to the immediate west. This was gradually extended during the eighteenth century, not least by Henry Boyle who, after serving for twenty years as Speaker of the Irish House of Commons, was elevated to the peerage as teh first Earl of Shannon. 

The facade of Castlemartyr is exceptionally long, of seventeen bays and two storeys, and centred on a five bay recessed entrace with a great pedimented portico. Inside, the house is rather plain except for a superb double-cube saloon added by the second earl soon after his succession to the title. It has a wonderful rococo ceiling in the manner of stuccodore Robert West. 

Castlemartyr was sold by the Boyles at the start of the last century, and for many decades was, like so many other country houses, used as an educational establishment by the CAtholic church. More recently it has become an hotel, the saloon converted into a bar. 

https://theirishaesthete.com/2022/07/18/a-la-recherche/

The Earls of Shannon are a branch of the Boyle family, descendants of Richard Boyle, the Great Earl of Cork. The title dates back to 1756 when Lord Cork’s great-grandson Henry Boyle, after a remarkably successful political career which saw him sit on the Irish privy council, serve as chancellor of the exchequer and Speaker of the Irish House of Commons for almost 23 years, was created the first Earl of Shannon. During that period and in the years prior to his death in 1764, he also found time to carry out many other duties, not least looking after the Irish estates of his cousin Richard Boyle, the architect Earl of Burlington, as well as his own property in Castlemartyr, County Cork.

 
 
 
 
For much of the Middle Ages, Castlemartyr was under the authority of the powerful FitzGerald family, who in 1420 were made governors, or seneschals, of Imokilly (a historic barony that covers a substantial area including Youghal, Cloyne and Midleton). Some twenty years later, Maurice FitzGerald chose to settle in Castlemartyr and erected a substantial tower here. Inevitably, such a prominent building was attacked on more than one occasion, being captured by Sir Henry Sidney in 1569 and again in 1581 by the 10th Earl of Ormond who is said to have hanged the mother of the castle’s owner,John FitzEdmund FitzGerald, from its walls. Although the building was restored and considered extended in the 17th century, further assaults occurred: it was burnt by Lord Inchiquin in 1645, plundered in 1688 and then stormed and burnt by Williamite forces two years later. Not surprisingly, the castle, or what remained of it, was thereafter abandoned and left to fall into a picturesque ruin. At some point in the early 18th century, the future first earl – whose family had been given the property in 1665 – embarked on construction of a new house to the immediate west of the old one, but little information exists about when this work started and what form it took. Further additions and alterations followed over the next two centuries, so that today Castlemartyr is long and low, the centre of the facade marked by a two-storey pedimented limestone portico with Tuscan columns, much the most satisfactory feature of the building. The entrance front likewise shows evidence of regular modifications being made, with a four-bay centre block, a nine-bay wing to the east centred on a bow, and a recessed four-bay block to the west; the loggia here replaced a conservatory in the early 1900s. The demesne was also extensively developed by the first earl and then his heir, the latter described by Arthur Young in 1776 as ‘one of the most distinguished improvers in Ireland.’ The grounds had been extensively planted with trees, some of which survive still, as does the ‘river’ which was created by diverting the Womanagh river to run through a channel cut west of its natural bed. 

In 1907 Castlemartyr was sold to the Arnott family, but was then acquired by another owner just a decade later, and in 1929 was bought by members of a Roman Catholic religious order, which used the house as a boarding school. This closed in 2004 and since then, further substantial additions have been made to the site which now operates as an hotel. 

Taken during the last decades of the 19th century, today’s photographs show the property as it looked when still owned by the Boyles. In the first group, the conservatory still occupies a site on the east side of the garden front, since it was only replaced by a balustraded loggia during the Arnotts’ short tenure. The pictures therefore provide an insight into the house’s appearance and character prior to the place changing hands and purpose several times over the past 115 years.  

https://theirishaesthete.com/2022/07/20/castlemartyr-interiors/

A Different Sensibility 

Jul20 by theirishaesthete 

 
 
After Monday’s post about Castlemartyr, readers might be interested in seeing some old photographs of the house’s interior when it was still owned and occupied by the Boyles, Earls of Shannon. The pictures date from the late 19th/early 20th century, and were taken by Nellie Thompson, wife of the sixth earl. The two above show the saloon as it was then decorated, filled with a vast quantity of furniture including a grand piano and a billiard table. The two below reflect the family’s travels overseas and what they had collected: prior to inheriting his title and estate in 1890, for example, the sixth earl had been living in Canada where he served as a Mountie. What most immediately strikes any viewer of these images is how dark and cluttered were the rooms, how filled with furnishings and fabrics, all competing and contrasting with each other. An insight into a different aesthetic sensibility from that of our own age.