Portraits N-O-P

I have an editorial decision to make regarding women. Do I put them under their married name or under their maiden name? I think for now I’ll put them under both, as it’s nice to see them in relation to their fathers as well as in relation to their husband!

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James Lenox Naper (1712-1776), who later changed his surname to Dutton.
William Newcome (1729–1800), Archbishop of Armagh.
I think this is a portrait of Henrietta Townsend née Newenham (1764-1848). She married Richard Boyle Townsend and was daughter of John Newenham (1738-1785) of Maryborough, County Cork and Harriet Vereker of Roxborough, County Limerick. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
William Nicolson (1655-1727) Bishop of Derry.
Isaac Nicholson, b. 1840. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
General William Nugent (d. 1690) Date. c.1685 by Gaspar Smitz, courtesy of National Gallery of Ireland.
Christopher Nugent (1642-1680) Lord Delvin portrait (c1660-5) by Gaspar Smitz at National Gallery of Ireland. Dublin, Ireland. Smitz was a Dutch artist who is said to have come to England shortly after the Restoration and who became a member of the Guild of St. Luke in Dublin. This Guild was also known as the Guild of Dublin Cutlers, Painter-Steyners and Stationers, and was founded in 1670.
Mary Ann Cavendish Bradshaw also known as the Countess of Westmeath. Portrait painted by Sir Thomas Lawrence in 1806. She was born Marianne Jeffreys, and married George Frederick Nugent, the 7th Earl of Westmeath and she became the Countess of Westmeath. In 1796 in a sensational court case she divorced Nugent and soon after married Augustus Cavendish Bradshaw.

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Murrough O’Brien (d. 1551) King of Thomond, Submits to King Henry VIII, Created 1543, History of the O’Briens from Brian Boroimhe, AD. 1000 to AD. 1945, page 264, https://archive.org/details/historyofobriens00obri/page/n309/mode/2up

Murrough O’Brien (d. 1551) King of Thomond, submitted to King Henry VIII in 1543 and was created 1st Earl of Thomond [Ireland] on 1 July 1543, for life with a special remainder to his nephew, Donogh. He was also created 1st Baron of Inchiquin [Ireland].

Donough O’Brien (died 1582) of Leameneagh and Dromoland, younger son of Murrough O’Brien last King of Thomond, 1st Earl of Thomond, painted 1577 on panel, courtesy History of the O’Briens from Brian Boroimhe, AD. 1000 to AD. 1945, by Donough O’Brien, page 200.
Slaney O’Brien nee McNamara, daughter of John of Cratelagh, wife of Donough O’Brien of Leameneagh (d. 1582), 1577 on panel in her 28th year. History of the O’Briens from Brian Boroimhe, AD. 1000 to AD. 1945, by Donough O’Brien, p 200.

His son Donogh McMurrough O’Brien (d. 1582) lived at Leamanagh and at Dromoland, County Clare. He in turn had a son Connor McDonogh O’Brien (d. 1603/4), who had a son, Donogh O’Brien (1595-1634/35) who married Honora Wingfield.

Slaney O’Brien, wife of Conor, Daughter of Turlough O’Brien of the Dough and Ennistymon courtesy Max Gheeraerts, Historical memoir of the O’Briens, The Origin and History of the O’Brien Clan by John O’Donoghue, Publ.1860, Martin Breen 2002.
Donough O’Brien of Lemeneagh (1595-1637) Scan from Historical Memoir of the O’Briens, The Origin and History of the O’Brien Clan John O’Donoghue published by Martin Breen (Collection of Lord Inchiquin).

Donogh and Honoria Wingfield had a son Colonel Connor McDonogh O’Brien (1617-1651) who married Mary ‘Rua’ MacMahon.

Máire Rua O’Brien née McMahon (1615/1616 – 1686) daughter of Turlough Roe McMahon Baronet, wearing Felemish bobbin lace with O’Brien coat of arms. She married first Colonel Neylan, then in 1639, Colonel Conor O’Brien (1617-1651) of Lemeneagh, ancestor of Barons Inchiquin, but he was slain in battle in 1651. She then married, to keep the family property, Captain John Cooper of Ireton’s army, whom she is said to have murdered! It’s a rare example of a portrait almost certainly painted in Ireland in the first half of the seventeenth century – see Irish Portraits 1660-1860 by Anne Crookshank and the Knight of Glin, published by the Paul Mellon Foundation for British Art 1969.
Donough O’Brien (1642-1717), 1st Baronet of Lemeneagh and Dromoland, Co. Clare by Mary Beale, 1690. He lived in Dromoland Castle. He was the son of Máire Rua O’Brien née McMahon (1615/1616 – 1686) and Conor McDonogh O’Brien (1617-1651).
Lucia Hamilton, 1674, daughter of George Hamilton. Wife of Donough O’Brien, 1st Baronet, married in 1674. She died two years later, not long after the birth of his son and heir, Lucius.
Lucius O’Brien (1675-1717) son of Donough O’Brien 1st Baronet of Leameneh, History of the O’Briens from Brian Boroimhe, AD. 1000 to AD. 1945, by Donough O’Brien, p 212.jpg
Catherine Keightley, daughter of Thomas Keightley and Frances Hyde, aunt of Queens Anne and Mary, wife of Lucius O’Brien, History of the O’Briens from Brian Boroimhe, AD. 1000 to AD. 1945, by Donough O’Brien, p 232.
Edward O’Brien (1705-1765) 2nd Baronet of Dromoland, County Clare from Historical memoir of the O’Briens : The Origin and History of the O’Brien Clan, by John O’Donoghue A.M, Barrister-at-Law, First Published in 1860 (Martin Breen 2002) Illustrations section (Collection of O’Brien of Dromoland), Public Domain, https://commons.wikimedia.org/w/index.php?curid=109837449 He was the son of Lucius O’Brien.
Mary Hickman, wife of Edward O’Brien, 2nd Baronet, from Historical memoir of the O’Briens : The Origin and History of the O’Brien Clan, by John O’Donoghue A.M, Barrister-at-Law, First Published in 1860 (Martin Breen 2002) Illustrations section, Public Domain, https://commons.wikimedia.org/w/index.php?curid=109837783
Lucius O’Brien (1731-1795) 3rd Baronet, courtesy of Harnet – The Other Clare Vol. 9 page 14,15.
Ann Ffrench wife of Sir Lucius O’Brien, 3rd Baronet courtesy Unknown author – These My Friends and Forebears: The O’Briens of Dromoland. She was daughter of Robert Ffrench of Monivea Castle, County Galway, MP for County Galway, and of Nichola Acheson, daughter of Arthur, 5th Baronet of Market Hill, County Armagh.
Capt. Edward O’Brien, holding a musket in the uniform of 52nd Regiment of Foot, standing against landscape, line of infantry firing a volley against an advisory, by Robert Hunter (1715 – 1780), courtesy of Adam’s auction 16 Oct 2018. Edward O’Brien (c.1735 1787) was the third son of Sir Edward O’Brien 2nd Baronet of Dromoland and Mary Hickman. A portrait of him and titled Master Edward O’Brien by Philip Hussey was exhibited with the Irish Portraits 1660 1860 Dublin, London and Belfast 1970, Cat no. 31. His ambition was to be a solider but there was no money to buy a Cornecy of Dragoons until 1759. A riding accident prevented his joining Corps being raised to go to America. He became a Captain in the 122nd Regiment and then exchanged (costing £379 3 4) into the 52nd Regiment. He married his cousin Charlotte Hickman of Brickhall, Co. Clare. With his easy-going spendthrift nature and love of horses, it is easy to see why he was his fathers favourite son. Although his father had left him Jockey Hall on the Curragh, he was not able to provide for his family and appealed to his more serious brother, Lucius, for help who assigned him a life interest in lands at Leamanagh and organised his return to military service. However, he forbade him from leaving the kingdom, thereby again preventing him going to America where he thought he could distinguish himself. He died in 1787 with the rank of colonel.

Another son of Murrough O’Brien (d. 1551) 1st Earl of Thomond was Dermod O’Brien (d. 1552) 2nd Baron of Inchiquin. He married Margaret (d. 1568), daughter of Donough O’Brien (d. 1553) 1st Earl of Thomond. She gave birth to their heir, Murrough Macdermot O’Brien (1550-1573) 3rd Baron of Inchiquin. After her husband died, Margaret married Richard Bourke (d. 1582) 2nd Earl of Clanricarde. Murrough O’Brien (1614-1674) 6th Baron of Inchiquin was created 1st Earl of Inchiquin.

Murrough O’Brien (1614-1674) 1st Earl of Inchiquin by John Michael Wright courtesy of Manchester Art Gallery. He married Elizabeth St. Leger (d. 1685).

Murrough O’Brien (1614-1674) 1st Earl of Inchiquin married Elizabeth St. Leger (d. 1685). His daughter Honoria married Lt.-Col. Theobald Bourke, 3rd Lord Bourke, Baron of Brittas. His daughter Elizabeth (d. 1688) married Richard Southwell, MP for Askeaton, County Limerick. His daughter Mary married Henry Boyle (1648-1693) son of the 1st Earl of Orrery. His son was William O’Brien (d. 1691) 2nd Earl of Inchiquin.

Lady Mary Boyle nursing her son Charles, by Godfrey Kneller (1646-1723) Adams auction 18 Oct 2022. She was daughter of Murrough O’Brien (1614-1674) 1st Earl of Inchiquin. She married married Henry Boyle (1648-1693) son of the 1st Earl of Orrery.
William O’Brien (1638-1952) 2nd Earl of Inchiquin, 7th Baron Inchiquin https//:commons.wikimedia.org

William O’Brien (1638-1952) 2nd Earl of Inchiquin, 7th Baron Inchiquin married Margaret Boyle, daughter of Roger Boyle 1st Earl of Orrery. Their son was William O’Brien (d. 1719) 3rd Earl of Inchiquin.

William O’Brien (d. 1719) 3rd Earl of Inchiquin courtesy of https//:commons.wikimedia.org

William O’Brien (d. 1719) 3rd Earl of Inchiquin married Mary Villiers and their daughter Mary married Robert FitzGerald, 19th Earl of Kildare.

James O’Brien (d. 1771) was a son of William O’Brien (d. 1719) 3rd Earl of Inchiquin and Mary Villiers. He married Mary Jephson. They had a son Murrough O’Brien (1726-1808) 1st Marquess of Thomond.

Murrough O’Brien, 1st Marquess of Thomond, (1726-1808) Engraver Samuel William Reynolds, English, 1773-1835 After John Hoppner, English, 1758-1810, courtesy of National Gallery of Ireland.
Murrough O’Brien, 1st Marquess of Thomond KP, PC (1726–1808), 5th Earl of Inchiquin (1777–1800) by Henry Bone courtesy of Bonhams.
Mary Palmer, Countess of Inchiquin, Marchioness of Thomond (1750-1820), wife of Murrough O’Brien, 1st Marquess (after Sir Joshua Reynolds) by Thomas Phillips courtesy of National Trust Petworth.

James O’Brien (d. 1771) and Mary Jephson had a daughter Anne (1720-1745) who married Most Rev. Michael Cox (1691-1779). James O’Brien (d. 1771) and Mary Jephson had another daughter, Henrietta (d. 1797), who married William Vigors Burdett, 2nd Bt of Dunmore, County Carlow. Murrough O’Brien 1st Marquess had no sons so the title passed to the sons of his brother, Edward O’Brien (d. 1801).

Miss Henrietta O’Brien by Stephen Slaughter 1746. She married first Terence O’Loughlen and second William Vigors Burdett 2nd Baronet, and was sister of Anne who married Archbishop Cox of Cashel.
William Smith O’Brien (1803-1864) by George Francis Mulvaney, courtesy of National Gallery of Ireland P1934.
Louisa O’’Callaghan (1780-1863) as Hebe, daughter of Cornelius O’’Callaghan (1741/41-1797) 1st Baron Lismore by Hugh Douglas Hamilton courtesy of Country House Collections at Townley Hall 16th October 2018 Adams. She married William George Spencer Cavendish, son of 1st Earl of Burlington.
Daniel O’Connell. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Daniel O’Connell (1775-1847) by Stephen Catterson Smith courtesy Christies auction house.
Phelim O’Connor, d. 1315, King of Connaught, courtesy of National Gallery of Ireland.
Denis O’Conor of Ballinagare (Donnchadh Liath) (b. 1674), picture from Charles O’Conor of Ballinagare, ed. Luke Gibbons and Kieran O’Conor.
Charles O’Conor of Ballinagare (1710–1791), courtesy of Royal Irish Academy. He was a son of Denis O’Conor of Ballinagare (Donnchadh Liath) (b. 1674)
Charles O’Conor of Ballinagare (1710–1791), in middle age, from Charles O’Conor of Ballinagare, ed. Luke Gibbons and Kieran O’Conor. He was a son of Denis O’Conor of Ballinagare (Donnchadh Liath) (b. 1674)
Charles O’Conor of Mount Allen (1736–1808) as a young man from Charles O’Conor of Ballinagare, ed. Luke Gibbons and Kieran O’Conor. He was a son of Charles O’Conor of Ballinagare (1710–1791).
Denis O’Conor of Ballinagare (1732–1804), in middle age, from Charles O’Conor of Ballinagare, ed. Luke Gibbons and Kieran O’Conor. He was the eldest son of Charles O’Conor of Ballinagare (1710–1791)
Owen O’Conor (1763-1831) of Ballinagare, son of Denis O’Conor of Ballinagare (1732–1804). He purchased Clonalis estate in 1805 and inherited the O’Conor Don title in 1820. Owen moved his family and household to Clonalis in that year and left Ballinagare Castle. Photograph courtesy of Charles O’Conor of Ballinagare, ed. Luke Gibbons and Kieran O’Conor.
Portraits of Charles William Cooper (1817-1898), who took the name O’Hara when he inherited his uncle’s estate, and his wife Anne Streatfield (1836-1882). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Grace O’Malley (1530-1603) 18th century Irish school, courtesy of Fonsie Mealy auction.
Hugh O’Neill (c. 1540-1616) 2nd Earl of Tyrone, courtesy of National Museums Northern Ireland, Ulster Museum.
Owen Roe O’Neill By Unknown, Van Brugens – Ulster Journal of Archaeology Volume 4, Public Domain, https///commons.wikimedia.org/w/index.php?curid=17552770.jpg
Phelim O’Neill (1604-1653), Leader of 1641 Rebellion, courtesy of National Gallery of Ireland.
John O’Neill, 1st Viscount O’Neill, M.P., (1740-1798) Engraver: Samuel William Reynolds, English, 1773-1835 Copyist: James Dowling Herbert, Irish, c.1762-1837 After Matthew William Peters, English, 1742-1814, courtesy of National Gallery of Ireland.
Mrs John O’Neill (née Henrietta Boyle) (1756-1793), Poet and Patron of Mrs Siddons, Engraver John Raphael Smith, English, 1752-1812 After Matthew William Peters, English, 1742-1814, courtesy of National Gallery of Ireland. She was the wife of John O’Neill (1740-1798), 1st Viscount, of Shane’s Castle, County Antrim, and the daughter of Charles Boyle, Viscount Dungarvan, who was the son of John Boyle 5th Earl of Orrery and 5th Earl of Cork.
Neil O’Neil (1658-1690) 2nd Baronet of Killyleagh, County Antrim by John Michael Wright, courtesy of Tate Britain. It is the only surviving contemporary presentation of the traditional costume of an Irish chieftain. At his feet is the armour of a Japanese samurai as a symbol of victory over the oppression of Catholics; next to him is an Irish wolfhound as a symbol of Ireland.
Lady Neill O’Neill, Frances née Molyneux (1655-1732) daughter of 3rd Viscount who married Neil O’Neill of Killelagh in 1677, by Garrett Morphy. The painting was probably painted soon after her husband died from wounds obtained in the Battle of the Boyne in 1690, due to the funerary urn carved with a memento moi of skull and crossbones.
Rose O’Neill, later Mrs Nicholas Wogan (c.1695) by Garrett Morphy. She was daughter of Neil O’Neil (1658-1690) 2nd Baronet of Killyleagh, County Antrim, and married Col Nicholas Wogan of Rathcoffey, Co Meath. Her daughter married John Talbot of Malahide.
Anne O’Neill, later Mrs Segrave by Garret Morphy c. 1695, courtesy National Gallery of Ireland ngi.4148. She was daughter of Neil O’Neill of Killelagh, Co Antrim.
Maria Susanna Ormbsy by Hugh Douglas Hamilton, she was daughter of William Ormsby (1718-1781) and Hannah Wynne of Hazelwood, County Sligo courtesy of Adams auction 27 March 2018. This excellent portrait, painted after Hamiltons return to Dublin from Rome is not listed by Fintan Cullen. [Oil Paintings of Hugh Douglas Hamilton, Walpole Society Vol. 50 1984] and is a welcome addition to the inventory of Hamiltons extant portraits (1796).
It re-emerged from the recent disposal of the Harlech Collection in Wales. The Ormsby-Gores, in spite of a Welsh title and seat, represent two families from the West of Ireland who flourished in the 18th century.
The subject of the present lot, Maria Susannah Ormsby was the daughter of William Ormsby M.P for Sligo and Hannah Wynne of Haselwood, County Sligo, the lovely Palladian villa designed by Richard Castle. Her brother, Owen Ormsby married (1777) Margaret Owen who came into a great Welsh estate that had been swollen by the Godolphin inheritance. Their only child and heiress Mary Jane Ormsby married (1815)William Gore, M.P. for Leitrim from a family long influential in Counties Mayo, Sligo and Leitrim. Thereafter the family became Ormsby-Gore and were subsumed into English high society with a title from the Barony of Harlech.
Our subject, Maria Susannah Ormsby, died unmarried so this portrait of a charming and artistic woman remained with the Ormsby-Gores. As an observation of mature character it confirms Hugh Douglas Hamiltons place in the top rank of European portraiture.

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Thought to be Elizabeth Louisa née Beresford (1783-1856) who married Sir Denis Pack (1774-1823), then Thomas Reynell, 6th Baronet, courtesy of Whyte’s Nov 2011. She was the daughter of George de la Poer Beresford, 1st Marquess of Waterford.
Captain Denis William Pack-Beresford (1818-1881) of Fennagh House in the parish of Lorum, County Carlow by Stephen Pearse (1819-1904) courtesy of Whyte’s Nov 2011. He was the son of Denis Pack and Elizabeth Louisa née Beresford. He married Annette Caroline Browne of Browne’s Hill, County Carlow.
Henry Paget, 1st Marquess of Anglesey (1768-1854). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Frances Jane Paget (1817-1903) Marchioness of Ormonde with her son James Earl of Ossory, by Richard Bruckner. She married John Butler 2nd Marquess of Ormonde. Funnily enough, all of her sons were named James! The Earl of Ossory was her eldest son James Edward William Theobald Butler (1844-1919), who became 15th Earl of Ossory in 1854 when he was ten years old. The painting thus anachronistically refers to him as the Earl of Ossory, as he was not yet ten years old when it was painted. A younger son, James Arthur Wellington Foley Butler (1849-1943) also became Earl of Ossory, in 1919, the same year he became 4th Marquess of Ormonde, when his older brother James the 3rd Marquess died. Frances Jane’s father was General Hon. Sir Edward Paget, and she was the daughter of his second wife, Harriet Legge. His first wife was Frances, daughter of William Bagot 1st Baron Bagot of Bagot’s Bromley, Staffordshire, England.
William Lygon Pakenham, 4th Earl of Longford.
Thomas Pakenham (1713-1766), 1st Baron Longford, Date c.1756 Credit Line: Presented, Mrs R. Montagu, 1956.
Thomas Pakenham, 1st Baron of Longford (1713-1766), who married Elizabeth Cuffe. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Elizabeth Cuffe (1719-1794) who married Thomas Pakenham, 1st Baron Longford. She became Countess of Longford in her own right, through her father Michael Cuffe (1694-1744), who was heir to Ambrose Aungier, 2nd and last Earl of Longford (1st creation).  Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Edward Michael Pakenham, 2nd Baron Longford (1743-1792). His daughter married the Duke of Wellington, Arthur Wellesley. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Thomas Pakenham the 2nd Earl of Longford (1774-1835). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Georgiana Pakenham née Lygon (1774-1880). She married Thomas Pakenham 2nd Earl of Longford. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Louisa Anne Pakenham née Staples (1770-1833) and her sister Henrietta Margaret Trench née Staples (1770-1847) Countess of Clancarty (c.1770-1847) by Hugh Douglas Hamilton. Louisa was married to Thomas Pakenham (1757-1836) and Henrietta was married to Richard Power Keating Le Poer Trench (1767-1837) 2nd Earl of Clancarty. Their father was John Staples (1736-1820) of County Tyrone, and their mother was Harriet Conolly (1739-1771) of Castletown House, County Kildare. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Major General Edward Pakenham (1778-1815), another uncle of Henry Sandford Pakenham Mahon, also hangs in the front hall of Strokestown House. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A portrait of Lt. Gen. Hercules Pakenham (1781-1850), an uncle of Henry Sandford Pakenham Mahon, hangs in the front hall of Strokestown House.
Elizabeth Sandford, mother of Henry Sandford Pakenham, wife of Reverend Henry Pakenham, Dean of St. Patrick’s Cathedral in Dublin. Henry Sandford Pakenham married the heiress Grace Catherine Mahon and changed his surname to Pakenham Mahon. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Olive Hales Pakenham Mahon dressed for a visit to Buckingham Palace in the 1930s. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Olive Hales Pakenham Mahon (1894-1981). She was from Strokestown House, and married first Edward Charles Stafford King-Harman, and then Wilfred Stuart Atherstone Hales who added the surname Pakenham Mahon to his name.
Mary, Countess of Inchiquin (née Palmer), (1750-1820), 2nd wife of Murrough O’Brien (1726-1808) 4th Earl of Inchiquin, later 1st Marquess of Thomond; After Thomas Lawrence, English, 1769-1830, photograph courtesy of National Gallery of Ireland.
Charles Stewart Parnell (1846-1891).
John Parnell, brother of Charles Stewart Parnell.
John Parnell (1744-1801) 2nd Baronet of Rathleague by Batoni, 1770, courtesy of National Gallery of Ireland. He was the great-grandfather of Charles Stewart Parnell. His son William (1870-1821) added the name Hayes to his surname after inheriting Avondale, County Wicklow, from Samuel Hayes.
Sir William Parsons (?1570-1650), 1st Baronet Parsons, Surveyor-General and Lord Justice of Ireland Date: 1777 Engraver Samuel De Wilde, English, 1748-1832 After Unknown Artist, England, 17th century, British. He emigrated to Ireland around 1590. He was the brother of Laurence Parsons (d. 1628), grandfather of Laurence Parsons (d. 1698), 1st Baronet Parsons, of Birr Castle. William Parsons married Elizabeth Lany, daughter of John, an alderman of Dublin. National Portrait Gallery of London D3829.
Frances née Parsons Harman (1775-1841) who married Robert Edward King (1773-1854), 1st Viscount Lorton. She was the daughter of Lawrence Harman Parsons (1749-1807) 1st Earl of Rosse who assumed the surname Parsons-Harman.
William Parsons, 3rd Earl of Rosse (1800-1867) by Stephen Catterson Smith 1860.
William Parsons (1800-1867) 3rd Earl of Rosse, photograph courtesy of National Gallery of Ireland.
Henrietta Paulet née Crofts, Duchess of Bolton (1682-1730) daughter of James Crofts (Scott), 1st and last Duke of Monmouth, illegitimate son of King Charles II. She married Charles Paulet, 2nd Duke of Bolton. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Thomas Ryder Pepper (1760-1828) with The Old Castle, Loughton in the background from Loughton house auction, 2016, Shepphards. He married Anne Bloomfield, the sister of Benjamin Bloomfield 1st Baron Bloomfield, of Loughton, County Offaly.
John Perceval, 1st Baronet (1629–1665) engraving by J Faber (1743).
Catherine (1637 – 1679) the only daughter of Sir Robert Southwell of Kinsale, wife of Sir John Perceval, 1st Baronet. Engraved by J. Faber (1743).
Sir Philip Perceval, 2nd Bt (1656-1680) by Thomas Pooley c. 1670-74, courtesy of National Gallery of Ireland NGI 4626.
John Perceval, 3rd Bt (1660-1686) by Thomas Pooley, c. 1670-74, courtesy of National Gallery of Ireland NGI 4627.
John Perceval 3rd Bt, by John Faber Jr, National Portrait Gallery of London D29835.
John Perceval (1683-1748) 1st Earl of Egmont, County Cork, by and published by John Smith, after Sir Godfrey Kneller 1704, National Portrait Gallery of England D11553.
John Perceval, 1st Earl of Egmont (1683-1748) by Hans Hysing.
John Perceval, 2nd Earl of Egmont, (1711-1700) Date 1764 by Engraver James McArdell, Irish, c.1729-1765 After Thomas Hudson, English, 1701-1779.
John Perceval (1711-1770) 2nd Earl of Egmont by Thomas Hudson.
John Percival, later 2nd Earl of Egmont (1711-1770) by Francis Hayman c. 1740, courtesy of National Gallery of Ireland NGI 4489
John Perceval, 2nd Earl of Egmont with Catherine Perceval (née Cecil), Countess of Egmont by Richard Josey, after Sir Joshua Reynolds mezzotint, 1876 (1756) National Portrait Gallery of London D1855.
Catherine Perceval (née Compton), Countess of Egmont; Charles George Perceval, 2nd Baron Arden by James Macardell, after Thomas Hudson mezzotint, published 1765, National Portrait Gallery of London D1829.
Spencer Perceval (d. 1812) by George Francis Joseph (died 1846), given to the National Portrait Gallery, London in 1857. He was the son of the 2nd Earl of Egmont, and served for a short time as Prime Minister of England.
Sir John Perrot 1527-1592, said to be a son of King Henry VIII; soldier and Lord Deputy of Ireland, date 1776, engraver Valentine Green, English 1739-1813 copyist George Powle. His daughter Lettice (d. 1620) married Arthur Chichester 1st and last Baron Chichester of Belfast (b. 1563).
Edmond Sexton Pery, later 1st Viscount Pery (1719-1806) Date: c.1790 by Gilbert Stuart, American, 1755-1828.
William Petty (1623-1687) by Isaac Fuller circa 1651, National Portrait Gallery of London 2924.
William Petty (1623-1687) by Godfrey Kneller courtesy of Romsey Town Hall.
William Petty, (1623-1687), Physician in the Army in Ireland, Surveyor General and Political Economist Date: 1696, Engraver John Smith, English, 1652-1743 After John Baptist Closterman, German, c.1690-1713.
A sketch of Henry Petty (1675-1751) Earl of Shelburne by George Townshend, 4th Viscount and 1st Marquess Townshend National Portrait Gallery of London ref. 4855(15). He was the son of William Petty (1623-1687) and he married Arabella, daughter of Charles Boyle 2nd Baron Clifford of Lanesborough.

Thomas Fitzmaurice (1668-1741) 1st Earl of Kerry (21st Baron of Kerry), Viscount Clanmorris was the father of John Fitzmaurice Petty (1706-1761) 1st Earl of Shelburne, who added Petty to his name after his mother, Anne Petty (d. 1737). Another son of the 1st Earl of Kerry was his heir William FitzMaurice (1694-1747) who succeeded as 2nd Earl of Kerry.

William Petty (1737-1805) 1st Marquess of Lansdowne Lord Shelburne, Prime Minister, after Sir Joshua Reynolds based on a work of 1766, National Portrait Gallery of London 43. He was the son of John Fitzmaurice Petty (1706-1761) 1st Earl of Shelburne, who was the son of Thomas Fitzmaurice 1st Earl of Kerry (21st Baron of Kerry), Viscount Clanmorris
Louisa Lansdowne née Fitzpatrick, wife of William Petty 1st Marquess of Lansdowne by Joshua Reynolds from Catalogue of the pictures and drawings in the National loan exhibition, in aid of National gallery funds, Grafton Galleries, London. She was a daughter of John FitzPatrick 1st Earl of Upper Ossory.
John Henry Petty (1765-1809) 2nd Marquess of Lansdowne National Portrait Gallery of London ref. D37171.
Henry Petty-Fitzmaurice (1780-1863) 3rd Marquess of Lansdowne, Trustee of the National Portrait Gallery, by Henry Walton circa 1805 courtesy of National Portrait Gallery, NPG 178.
Henry Thomas Petty-Fitzmaurice (1816-1866) 4th Marquess of Lansdowne, Politician and railway company chairman, photograph by by John & Charles Watkins circa early 1860s, courtesy of National Portrait Gallery NPG Ax16422.
Henry Charles Keith Petty-Fitzmaurice 5th Marquess of Lansdowne by Philip Alexius de László.
Beatrix Frances Duchess of St Albans, Maud Evelyn Petty-Fitzmaurice, Marchioness of Lansdowne (wife of 5th Marquess), Theresa Susey Helen Vane-Tempest-Stewart, Marchioness of Londonderry and Evelyn Emily Mary Cavendish, Duchess of Devonshire, by Frederick & Richard Speaight.
Mrs Letitia Pilkington (née Van Lewen), (1712-1750), “Adventuress” and Author Date: c.1760 Engraver: Richard Purcell, Irish, c.1736-c.1766 After Nathaniel Hone the Elder, Irish, 1718-1784.
Oliver Plunket, by Edward Luttrell courtesy of National Portrait Gallery London.
Called Frances Hales, Countess of Fingall, possibly Margaret MacCarty later Countess of Fingall, wife of Luke Plunkett (1639-1685) 3rd Earl of Fingall, by Simon Pietersz Verelst courtesy of National Trust Hatchlands. Margaret was daughter of Donough MacCarty (or MacCarthy) 1st Earl of Clancarty; 2nd Viscount Muskerry. Frances Hales married Peter Plunkett (1678-1717) 4th Earl of Fingall.
Arthur James Plunkett (1759-1836) 8th Earl of Fingall by Charles Turner after Joseph Del Vechio NPG D36923.
Horace Plunkett by photographer Bassano Ltd, 1923, courtesy of National Portrait Gallery of London, reference NPGx12783.
William Conyngham Plunket, 1st Baron Plunket, (1764-1854), Orator and former Lord Chancellor of Ireland Engraver David Lucas, British, 1802-1881 After Richard Rothwell, Irish, 1800-1868.
Marble bust of William Plunket, 1st Baron Plunket (1764-1854), Lord Chancellor of Ireland, by CHRISTOPHER MOORE RHA (1790 – 1863), courtesy of Adams auction 19 Oct 2021.
William Pole of Ballyfin (d. 1781), English school of 18th century, pastel, courtesy of Christies auction, wikimedia commons. He married Sarah Moore, daughter of the 5th Earl of Drogheda.

Brabazon Ponsonby (1679-1758) 1st Earl of Bessborough, 2nd Viscount Duncannon, of the fort of Duncannon, Co. Wexford married Sarah Margetson. Their daughter Sarah (d. 1736/37) married Edward Moore, 5th Earl of Drogheda. Their daughter Anne married Benjamin Burton of Burton Hall, County Carlow. Their daughter Letitia (d. 1754) married Hervey Morres, 1st Viscount Mountmorres. Their son William Ponsonby (1704-1793) succeeded as 2nd Earl of Bessborough and a younger son, John (1713-1787) married Elizabeth, daughter of William Cavendish 3rd Duke of Devonshire.

John Ponsonby (1713 – 1787) by Hugh Douglas Hamilton, courtesy of The Library Collection auction 26 April 2023 at Adams. He was Speaker of the Irish House of Commons. He was the son of Brabazon Ponsonby (1679-1758) 1st Earl of Bessborough, 2nd Viscount Duncannon, of the fort of Duncannon, Co. Wexford. He married Elizabeth, daughter of William Cavendish 3rd Duke of Devonshire.
The Hon. Richard Ponsonby (1772-1853), Bishop of Derry and Raphoe, British (English) School, circa 1830. A half-length portrait of a man, known as “handsome Dick Ponsonby”, turned go the right, gazing at the spectator, wearing surplice and white bands. He was a son of William Brabazon Ponsonby, 1st Baron Ponsonby of Imokilly (1744-1806) who was a son of John Ponsonby (1713 – 1787). Courtesy of National Trust images
William Ponsonby, 2nd Earl of Bessborough, (1705-1793), observing a copy of the Borghese Vase Date 1794 by Engraver Robert Dunkarton, English, 1744-1811 After John Singleton Copley, American, 1738-1815.
Oil painting on canvas, William Ponsonby, 2nd Earl of Bessborough (1704-1793), attributed to Jeremiah Davison (Scotland c.1695 ? London after 1750) or George Knapton (London 1698 ? Kensington 1778), circa 1743/50. Oval, half-length portrait, turned slightly to the left, gazing at spectator, wearing oriental costume, composed of a red tunic, blue cloak edged with white fur and a red and white turban. Courtesy of National Trust Hardwick House. He married Caroline Cavendish, daughter of 3rd Duke of Devonshire.
Frederick Ponsonby, Viscount Duncannon, (1758-1844), later 3rd Earl of Bessborough Date 1786, Engraver Joseph Grozer, British, fl.1784-1797 After Joshua Reynolds, English, 1723-1792.
Lady Caroline Lamb née Ponsonby (1785-1828) by Eliza H. Trotter, NPG 3312. She was the daughter of the 3rd Earl of Bessborough.
John William Brabazon Ponsonby (1781-1847) 4th Earl of Bessborough, County Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Marguerite née Power, Countess of Blessington. Marguerite (1789-1849) was daughter of Edmund Power, and she married first Maurice St. Leger Farmer, and secondly, Charles John Gardiner, 1st and last Earl of Blessington, son of Luke Gardiner, 1st Viscount Mountjoy. She wrote the book Confessions of an Elderly Gentleman, published 1836, and The Idler in Italy, published between 1839 and 1840, in three volumes. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mervyn Pratt (1807-1890), husband of Madeline Jackson, of Enniscoe, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mary Preston youngest daughter of the Hon. Henry Hamilton, by Hugh Douglas Hamilton Adam’s auction 20 Sept 2015. Mary Hamilton married in 1764 (as his second wife) the second Nathaniel Preston (1724-1796), Reverend, of Swainstown, Co. Meath. Her father was a younger son of Gustavus Hamilton 1st Viscount Boyne of Stackallan, Co. Meath and her parents were intimate with Mrs Delaney who of them said – “I never saw a couple better suited than Mr Hamilton and his wife, their house like themselves looks cheerful and neat…., they have four children, whose behaviour shows the sense of their parents”. Mary’s brother, Sackville Hamilton became a competent and respected Civil Servant.
Lucretia (1804-1891) Viscountess Gormanston, daughter of William Jerningham, wife of Edward Anthony John Preston 13th Viscount Gormanston courtesy of Adam’s auction 12 Oct 2014.
Thomas Prior (1682-1751), Founding Member and Secretary to the Dublin Society, Engraver Charles Spooner, Irish, c.1720-1767 After John van Nost the Younger, Flemish, c.1710 – 1780.
Henry Prittie, 1st Baron Dunalley (1743-1801), Irish school, courtesy of Christie’s.
Henry Prittie, 3rd Baron Dunalley (1807-1885) by Stephen Catterson Smith courtesy of Christie’s 2013.
Augustus Welby Northmore Pugin (1812-1852) by James Henry Lynch, after John Rogers Herbert NPG D20474.

Enniscoe House & Gardens, Castlehill, Ballina, Co. Mayo F26 EA24 – section 482 accommodation

www.enniscoe.com

Tourist Accommodation Facility

Open for accommodation: April 1-Oct 31 2025

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Enniscoe House, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

We visited Enniscoe House in August, during Heritage Week. I was delighted that the owner, Susan Kellett, had heard of and likes my website! She gave us a lovely tour of her home, which she also runs as an upmarket guest house. One can stay in the beautiful bedrooms in the house where breakfast is provided and dinner is also an option, or in self-catering accommodation in converted stables.

Enniscoe house is a two storey house with a five bay entrance front, with a central window in the upper storey above the pedimented tripartite doorway. The doorway has Doric columns and pilasters, and sidelights. The side elevation has five bays. [1]

Side of the house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Enniscoe, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Susan’s father inherited the property from his cousin, Mervyn Pratt (1873-1950). Mervyn’s grandfather, another Mervyn Pratt (1807-1890) married Madeline Eglantine Jackson, heiress, from Enniscoe. We came across Mervyn Pratt before, when we visited Cabra Castle. [2]

Mervyn and Madeline Eglantine’s daughter Louisa Catherine Hannah Pratt, the sister of Joseph, the second Mervyn’s father, married Thomas Rothwell from Rockfield, County Meath (which is currently for sale for €1.75 million [3]), and Susan’s father was their descendant. [4]

The view from Enniscoe House. The house is on the shore of Lough Conn. The horses are Connemara ponies – the land is leased to the National Parks and Wildlife, and they are keeping rare breeds such as Connemara ponies on the property. President Erskine Childers gave a herd of Connemara ponies to the state, and these ponies are related to them. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

An informative booklet about Enniscoe which Susan gave me tells us that in ancient times, there was a castle at “Inniscoe,” one of the chief residences of the Kings of Hy-Fiachrach (who claimed descent from Fiachrae, brother of Niall of the Nine Hostages). The booklet tells us that traces of early earthworks can still be found. “Innis Cua” means the island of the hound. The O’Dowda, a Hy-Fiachrach family, ruled in the area and were famous for their greyhounds, which probably led to the Anglicised name Enniscoe. From the time of the Normans coming to Ireland, the land was fought over by the Bourkes, Barretts, Lynotts and Cusacks, and eventually owned by the Bourkes. At one stage Theobald Bourke, “Tibbot ne Long” (Theobald of the Ships), 1st Viscount of Mayo (1567-1629) owned the land around Enniscoe.

The information booklet tells us that the Patent Rolls of James I state that Enniscoe was possessed by the sons of John McOliverus Bourke in 1603 (this Patent Roll sounds like a great source of information! Copies are available in the National Library, and the information is gathered from 1603-1619). In the Strafford Inquisition of 1625, which gathered information about the landowners of County Mayo for Thomas Wentworth, the Earl of Strafford (who had plans for a Plantation), Richard Roe Bourke was recorded as having one third of the castle, town and lands of Enniscoe, and Thomas Roe Bourke had the other two thirds.

By 1641, the Bourkes no longer lived at Enniscoe. Susan’s booklet tells us that a Roger William Palmer owned the lands at one point – perhaps related to Roger Palmer, 1st Earl of Castlemaine (1634-1705), who was married to Barbara Villiers, who later became a favourite of King Charles II.

In the 1660s, a soldier in Cromwell’s army, Francis Jackson, was granted the lands at Enniscoe. This was confirmed by Charles II in 1669. He settled down to live in Ireland and to farm the land.

In the mid-eighteenth century George Jackson (1717-1789), great grandson of Francis, built a large farmhouse, using stones of the old castle of “Inniscoe” and oak trees recovered from nearby bogland. This house was a tall single gabled building of five bays, and it has been incorporated into the current house – Susan pointed out to us where the newer house joins to the old. George married Jane Cuffe, daughter of James Cuffe of Ballinrobe, County Mayo, and sister of James, the 1st and last Baron Tyrawley of County Mayo [of the second creation – the first creation of Baron Tyrawley was for Charles O’Hara in 1706].

A portrait of Jane Cuffe, daughter of James Cuffe of Ballinrobe, County Mayo, wife of George Jackson (1717-1789). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

George Jackson’s son, George “Two” (as he is called by the family) (1761-1805), became a Member of Parliament for County Mayo in the Irish House of Commons, with the aid of Baron Tyrawley.

Colonel George Jackson (1761-1805) Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

George Two expanded the house into what it is today. The old house was three storey but the new front was two storey. He built on two large reception rooms and a grand staircase. The architect Jeremy Williams attributes the design of the enlargement of the house to John Roberts (1712-1796) of Waterford, who also designed Christ Church Cathedral in Waterford, and may have built Moore Hall in County Mayo. [5] The stucco work in the Stairway Hall is similar to some in Deel Castle done in the 1790s, which is situated across the lake from Enniscoe, for James Cuffe, Baron Tyrawley.

James Cuffe bought the life interest of Deel Castle, which had also originally been a Bourke castle, from his uncle (the brother of his mother, Elizabeth Gore) Arthur Gore, 1st Earl of Arran. James Cuffe built a new house a short distance from the castle. Deel Castle reverted to the Earls of Arran after James Cuffe’s death, but is now a ruin, and the house was burnt in 1921 and not rebuilt. David Hicks has written about Deel Castle and the neighbouring house, Castle Gore, on his website. [6]

The large entrance hall of Enniscoe has a frieze of foliage, and Adamesque decoration in the centre of the ceiling.

The inside of the front door with its old locks. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Front Hall of Enniscoe, with beautiful stuccowork, and fishing rods on the walls. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The portrait in the Front Hall of the man in wonderful frilled pantaloons is an ancestor, Sir Audley Mervyn (about 1603-1675), Speaker in the Irish House of Commons. His parents Henry Mervyn and Christian Touchet purchased lands in County County Tyrone from Mervyn Touchet, the 2nd Earl of Castlehaven, which Audley Mervyn (who was named after the Touchet estate in Staffordshire, Audley) inherited. [7] The heads of Indian deer were shot by the brothers Audley and Mervyn Pratt while fighting with the British army in the early 1900s. The carved hall chairs picture the Bourke family crest of a chained cat; Susan’s mother was a Bourke from Heathfield House, Ballycastle, County Mayo. [8] The pike was caught in Lough Conn in 1896 and weighs 37 lbs!

Delicate stucco work in the ceiling rose in the front hall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Fireplace in front hallway. The crest in the fireplace is the Nicholson crest, painted by a family member. Above the crest is a white horse, the crest of the Jackson family. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Enniscoe, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The front hall leads into the staircase hall, which is built on the exterior wall of the old house. The staircase hall has a frieze of urns and foliage and a glazed dome surrounded by foliage and oval medallions of classical figures.

The stairs, part of the newer build for George Jackson Two, nips across the doorway of the drawing room. Susan pointed out how one door – see in the photograph below, has a blocked off section in its height, as a result – compare it to the other door in the photograph below it. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The doorway height is lowered due to the way the staircase nips across it in the hallway. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The door on the other side of the drawing room, without the lowered height of the other door. The decorative overdoors were added later than the original carved timber surround, probably in the 1870s. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
It’s hard to capture the wonderful curving sweep of the top-lit staircase in a photograph, with its lantern roof lined with beautiful neoclassical stucco work. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Enniscoe, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Enniscoe, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The plasterwork and staircase are captured beautifully by Geraldine O’Riordan in her painting that was exhibited in the Irish Georgian Society in November 2022.
Enfilade at Enniscoe House by Geraldine O’Riordan.
Cross Pollination by Geraldine O’Riordan.

One can see the division between older original house and the newer part clearly. Behind the staircase hall is a lobby with a delicate interior fanlight opening onto the staircase of the earlier house.

The fanlight of the original doorcase to the older house, at the foot of the older staircase. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Rising of 1798, which had been inspired by the French Revolution, came to Enniscoe, in the form of French soldiers under General Jean Joseph Amable Humbert, who landed at Killala in County Mayo on August 23, 1798. George Jackson was a Colonel in the North Mayo Militia and so would have opposed the 1798 Rebellion and the incoming French troops – although he was stationed further south as militia regiments were never stationed in their own county. The French soldiers stopped at the house at Enniscoe and Susan told us that the troops drank his wine, later declaring that it was “the only good wine in Ireland”! The scaffolding from the enlargement of the house was still lying in front of the house when the troops arrived and they used it for firewood for their campfire. George’s regiment were summoned back from the south, and Colonel Jackson was made Military Governor of the Crossmolina area. He was responsible for killing or imprisoning many of the defeated rebels in the surrounding countryside, and it is said that he lined the road from Crossmolina to Gortnor Abbey with severed heads on pikes. General Humbert and his troops were defeated by the British Army in the Battle of Ballinamuck. [9]

Susan’s mother, an artist, Patita Bourke, painted a scene famous from the 1798 Rebellion, when the French troops billeted themselves in the home of the Church of Ireland Bishop Joseph Stock of Killala (who wrote a memoir of the incident). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

One result of the 1798 Rebellion was that the Irish Parliament was abolished by the Act of Union in 1800, which was supported by George Jackson. George was promoted to Colonel of the Carabineers, a dragoon in the British Army, and the position was inherited by his son, William.

William married Jane Louise Blair, daughter of Colonel William Blair of Scotland, and moved to England, and died young. He died in 1822 and his wife predeceased him in 1817 so their only daughter, Madeline Eglantine Jackson, was left an orphan at the age of six. She was raised by her aunt at Stephenstown in County Louth. Her mother’s sister was Catherine Eglantine Blair, who married Matthew Fortescue, whose father had built Stephenstown. They arranged a good marriage for Madeline when she turned 18, to a cousin of the family, Mervyn Pratt of Cabra Castle. They married in 1834.

Enniscoe, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Madeline and Mervyn settled in Enniscoe and Mervyn had the estate surveyed in order to set to work on an enormous scheme of draining land and building roads. The booklet Susan gave me tells us that during the famine, the Pratts did their best for those in the area and they gained a reputation for good management and fairness.

Patita painted a portrait of Madeline Jackson, based on the picture below. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Madeline Jackson. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mervyn Pratt, husband of Madeline Jackson. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Drawing Room has the original silk Adam design wallpaper, which has faded over the years from pale blue to mushroom pink. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There are two large reception rooms on the ground floor, as well as the dining room.

The intricately carved mirror over the fireplace in the drawing room is made of wood and was never gilded. Rosette-detailed cut-white marble Classical-style chimneypiece. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Enniscoe, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A beautiful dollhouse which Susan used to admire as a child; her mother made the furniture and even installed the electric light. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
We liked this “conversation sofa.” Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Madeline and Mervyn had five children. Their only son Joseph joined the army and served in India, and when he came home, took over the running of Enniscoe. He married his cousin Ina Hamilton of Cornacassa, County Monaghan (this house has been partly demolished. It was built around 1800 for Dacre Hamilton). [10]

Joseph Pratt was one of the first landlords to start selling his land to his tenants under the Wyndham Land Acts of 1903. Joseph and Ina did much to improve their estate, farming and creating the garden within the old walled garden. The Heritage Centre gives us an idea of what life on the farm was like for both the home owners and the many people employed on the estate. 

Joseph’s elder son Mervyn was injured in the wars and the younger Audley was killed in the First World War. The Heritage Centre located in the walled garden at Enniscoe displays a hippo skull which Audley brought home from Africa when he fought in the Boer War (1899-1902).

Enniscoe, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Enniscoe, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Major Mervyn lived all his life in Enniscoe, and was particularly interested in gardening and fishing. His rock garden and greenhouses were well-known. He never married, and left Enniscoe to his cousin Jack Nicholson, Susan’s father (Jack was a great-grandson of Madeline Jackson). Mervyn did not spend much time in Cabra Castle in County Cavan which he also inherited, and he left it to another cousin, Mervyn Sheppard.

Jack Nicholson married Patita Bourke, daughter of Captain Bertrim Bourke of Heathfield, County Mayo. In his blog, David Hicks tells us that Heathfield was purchased by the Land Commission and the family were allocated a farm at Beauparc, County Meath. He adds that former President of Ireland Mary Robinson was from the Bourke family of Heathfield.

The second drawing room of Enniscoe, with George “Two” over the fireplace. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Enniscoe, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Jack was a Professor of Veterinary Medicine, so I felt a bond with Susan, as my father, Desmond Baggot, was also a Professor of Veterinary Medicine! Jack was head of the Veterinary College of Ireland, so perhaps their paths crossed as my father was studying there at the time of my birth, before we moved to the United States where my father did his PhD in Ohio State University. Jack died in 1972 and Enniscoe house and lands passed to his children. In 1984 Susan Kellett took over the property from her brother.

The house is full of Patita’s creative and sometimes cheeky paintings.

This is an example of Patita’s creativity – she thought the original painting of the seascape was rather dull, so she painted the foreground of the girls on the balcony onto the original painting! The wallpaper in this bedroom is by David Skinner, who reproduces wallpaper from historic houses using scraps from the original. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The dining room was originally the library. The side nook was created by Susan’s parents. It has a simple early nineteenth century cornice of reeding and acanthus leaves.

Stephen and Susan in the dining room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Cut-veined white marble Classical-style chimneypiece, and to the left, the dining nook added by Susan’s parents. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A painting by Patita of Heathfield House, her childhood home, of herself with her mother and sister Binki. Her father Bertrim Bourke was killed in the First World War and she paints him as a ghost in his military uniform. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A painting by Patita of Enniscoe and her family, painted in the 1950s. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Next we went up to the bedrooms. Susan’s son DJ and his wife Colette help to run the guest house. The main bedrooms open off the oval top-lit landing. They are classically proportioned large rooms with canopy or four poster beds, all with en suite bathrooms.

One of the bedrooms available for Bed & Breakfast. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This unusual piece of Victorian style furniture is original to the house. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The bedrooms are on slightly different levels, since the newer part is of two storeys built on to the original three storey.

Enniscoe, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The doorcase in one of the bedrooms of the older section of the house. The shouldered doorcase is distinct from the doorcases of the newer rooms. Not pictured here is an unusual latch on the door. The latch could be opened from the bed. Susan had never seen such a contraption before until she came across one in Hampton Court in London! Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This staircase in the older section of the house leads to the attic. The maids would have slept upstairs and the butlers downstairs, to keep them apart. In the past, the Pratts would have employed many people in the house, in the gardens, in the stables, where there was a forge, and on the farm. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A view on to the stable yard. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The stable yard. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

After our wonderful tour, we headed over to the walled garden and the North Mayo Heritage Centre, which also provides a genealogy service. [11] It is a member of the Irish Family History Foundation, which provides a country wide service through the website RootsIreland. North Mayo Heritage Centre covers the northern half of County Mayo, and the Centre in Ballinrobe covers the southern half.

Enniscoe, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There is mature woodland around Enniscoe that supports a diversity of plant, insect and animal species.

Enniscoe, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Enniscoe, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The door to the walled garden has this lovely horse carving, the crest of the Jackson family. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The walled garden was restored in 1996-9 under the Great Gardens of Ireland Restoration Programme. The head gardener at Enniscoe from 1872 to 1912 was William Gray, who moved to Enniscoe from St. Anne’s in Clontarf, where he had worked on Benjamin Lee Guinness’s estate. Much of the present ornamental garden is much as it was in William’s day.

Enniscoe, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Enniscoe, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Enniscoe, County Mayo, by Maria Levinge, oil on board. Part of the exhibition of paintings of walled gardens in 2021 in the Irish Georgian Society [12].
Enniscoe, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Enniscoe, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Enniscoe, County Mayo. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Storyboards from the Heritage Centre, including a picture of the booklet which Susan gave me which gave me much of my information.
Enniscoe, County Mayo.
Enniscoe, County Mayo.
Enniscoe, County Mayo.
Enniscoe, County Mayo.
Enniscoe, County Mayo.
Enniscoe, County Mayo.
Enniscoe, County Mayo.
Enniscoe, August 2021. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://www.buildingsofireland.ie/buildings-search/building/31303803/enniscoe-house-originally-inishcoe-house-prospect-co-mayo

[2] https://irishhistorichouses.com/2021/03/28/cabra-castle-kingscourt-county-cavan/

[3] https://www.irishtimes.com/life-and-style/homes-and-property/new-to-market/restored-1-75m-georgian-estate-in-co-meath-brought-into-the-21st-century-1.4630736

[4] http://thepeerage.com/

[5] https://www.dia.ie/architects/view/4559/ROBERTS%2C+JOHN+%5B1%5D#tab_works

Moore Hall, County Mayo, also attributed to John Roberts of Waterford. Photograph from National Inventory of Architectural Heritage.

[6] http://davidhicksbook.blogspot.com/

[7] Dictionary of Irish Biography, which contains an informative piece on Audley Mervyn. https://www.dib.ie/biography/mervyn-sir-audley-a5803

[8] p. 151. Great Irish Houses. Forward by Desmond FitzGerald and Desmond Guinness. IMAGE Publications, 2008.

[9] Guy Beiner’s book entitled Remembering the Year of the French (University of Wisconsin Press, 2007) discusses folk history and how this French incursion and the 1798 Rebellion in Mayo is remembered.

[10] https://www.buildingsofireland.ie/buildings-search/building/41400944/cornecassa-house-cornecassa-demesne-co-monaghan

[11] email: northmayo@gmail.com

www.northmayogenealogy.com

[12] https://irishhistorichouses.com/2021/09/24/an-exhibition-in-the-irish-georgian-society/

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com