Open in 2025: Aug 1-31, Sept 1-9, Dec 1-20, 9am-1pm
Fee: adult/student/OAP €8, child €4
2025 Diary of Irish Historic Houses (section 482 properties)
To purchase an A5 size 2025 Diary of Historic Houses (opening times and days are not listed so the calendar is for use for recording appointments and not as a reference for opening times) send your postal address to jennifer.baggot@gmail.com along with €20 via this payment button. The calendar of 84 pages includes space for writing your appointments as well as photographs of the historic houses. The price includes postage within Ireland. Postage to U.S. is a further €10 for the A5 size calendar, so I would appreciate a donation toward the postage – you can click on the donation link.
€20.00
donation
Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!
I was excited to visit Turbotstown in County Westmeath because it was owned by the Dease family, and a branch of the Baggot family married into the Dease family, though I have not established that my ancestors were related to this branch of Baggots.
It is currently owned by Peter Bland and his family, and Peter kindly welcomed us and showed us around. Peter’s grandmother was from the Dease family. When Peter purchased the property, which had been sold out of the family, it had been unoccupied, except for grain and sheep!
I only learned upon visiting that the house was designed by Francis Johnston, and has many elements characteristic of his work. The house was built around 1810 and Johnston was carrying out extensive work at nearby Tullynally for the Pakenham Earls of Longford (another Section 482 property, see my entry https://irishhistorichouses.com/2020/11/19/tullynally-castle-and-gardens-castlepollard-county-westmeath/ ). Francis Johnston also worked on Killeen Castle in County Meath and the Dease family intermarried with the Plunkett family, and Johnston built the Protestant church in Castlepollard, Peter told us.
Francis Johnston (1761-1829), 1823 by engraver Henry Hoppner Meyer after Thomas Clement Thompson, courtesy of National Gallery of Ireland.
The house is in the Greek Revival style and is composed of a large two storey three bay block, four bays on the side, the front facade’s centre bay breaking forward slightly, with a single storey Ionic portico, and a Wyatt window in the upper storey. There is a two storey service wing to one side, which the owner Peter thinks might be older than the Greek Revival block.
Along with Peter, a donkey came to meet us, walking slowly on his arthritic legs. Later the friendly donkey tried to join us by entering the French doors to the kitchen in the wing of the house!
The Dease family lived in the area since the 1270s. In Hugh Montgomery-Massingberd’s Burke’s Irish Family Records, we are told that an Edmond Dease reportedly purchased Turbotstown in 1272. [1] A James Dease of Turbotstown occured in the roll of gentry of Liberty of Trim in 1436, and a Richard Dease succeeded to Turbotstown around 1568. He was appointed Commissioner for Musters, County Westmeath.
A prominent Catholic family after the Reformation, the Dease family intermarried with the Plunketts and the Nugents who also remained Catholic. For their Catholicism and perhaps loyalty to the Stuart monarchy, the Deases lost their Turbotstown property five times but they always managed to get it back.
Richard Dease married Elizabeth Nugent. He had sons James, Thomas and Lawrence. James and Lawrence had families and the Deases of Turbotstown descended from the elder, James. Another son, Thomas (1568-1652), held the office of Catholic Bishop of Meath between 1621 and 1652. He also, Peter told us, wrote bawdy verse in Irish! He studied in Paris and was also a Rector in the Irish College in Paris.
James lived at Turbotstown and married Margaret Leicester. Their son Richard (1603-1650) was the ancestor of the Deases of Turbotstown. They had several other children. Hugh Montgomery-Massingberd tells us that Richard Dease forfeited his estates after the 1641 Rebellion, but bought them back from the Pakenhams with the proceeds of a Cavan property which had been held in trust by the Pollards of Castle Pollard.
During the time of the Penal Laws, the property was held by “Occlusive Trust” i.e. by a Protestant relative, in this case, a Nugent cousin who had converted to the Established religion.
Richard Dease married Mary Browne, and had several children, the ancestor of the Deases of Turbotstown was James (d. 1707) who lived at Turbotstown. His son Richard predeceased him in France and his son William (d. 1751) inherited. William was a Colonel in King Charles’s army, I believe – that must be Charles II’s army. William married Eleanor Nangle and they had several children. The ancestor of the Turbotstown Deases is William and Eleanor’s son Garret Dease (d. 1790).
Garret Dease married Susan Plunkett, daughter of Oliver of Rathmore Castle, Athboy, County Meath.
On his website Meath History Hub, Noel French tells us a lovely story about how Rathmore Castle came into the hands of the Plunkett family:
“Rathmore Castle and Church was built by the de Verdons, the Norman family who conquered this area. They built a church on the site of the present ruin.
“The last de Vernon Lord of Rathmore had only one child, a daughter, Matilda. Sir Christopher Cruise, then an old man held considerable property in the area and had a castle at Cruisetown. Sir Christopher succeeded in winning the hand of Matilda and married her in 1406 and thus acquired Rathmore. Cruise’s nephews regarded themselves as his heir and were very disappointed to see him marry and thus raising the possibility of a son and closer heir. The nephews decided to murder Sir Christopher and his wife. Their hired killers and attacked the couple as they walked along the avenue of Cruisetown Castle. Sir Christopher held off the attackers while his wife made a run for refuge at the castle. Sir Christopher died from his wounds before help arrived but Lady Cruise just made it to the castle before the pursuing murderers. Little did the attackers know but she was carrying her husband’s child at the time.
“Knowing she was in a dangerous situation she packed all the plate and other treasures into strong chests and sunk them in the lake in the grounds of the castle. A report was spread that Lady Cruise was ill and would not survive the night. Men were sent from Rathmore to bear her remains to the home of her father. Her coffin was taken to Rathmore and brought to the castle, but her coffin had airholes in it.
“Gathering all the Rathmore plate and placing it in the coffin Lady Cruise buried it in the graveyard. It was commonly thought for many centuries that there was treasure buried in Rathmore church. In the nineteenth century one man dug up a portion of the floor near the altar one dark night. A ghost priest with robes appeared behind him and the treasure-seeker left in quite a hurry.
“Lady Cruise fled to England with the title deeds of Rathmore and Cruisetown to escape from her husband’s “inheritors”. In London she gave birth to a daughter who was christened Mary Ann Cruise. Lady Cruise’s money and jewels were gradually eroded in her fight to prove her claim and establish her child’s rights. She lost all the cases she brought for the restoration of her property and was eventually forced to find work. The only job she could get was as a washerwoman. Mother and daughter took in washing and washed and bleached the clothes on the banks of the Thames near London Bridge.
“One day Mary Ann had to go wash on her own as her mother was ill. She started to sing a lament in Irish that her mother had composed on the loss of her estates. A passing gentleman stopped and listened to the song. Sir Thomas Plunkett, the third son of the first Baron of Killeen, understood the Irish song and indeed knew the places mentioned in the song. He approached the girl and she told him the full story. He explained that he was a lawyer and Mary Ann took him to her mother where he was shown the title deeds and other papers. Taking the case he won back Rathmore and Cruisestown castles and their estates and also won the heart and hand of Mary Ann Cruise and so the Plunketts became Lords of Rathmore. That is the legend of Rathmore.” [2]
John Baggot of Castle Bagot married Eleanor Dease (d.1843), daughter of Garret Dease of Turbotstown, and his wife Lady Susan Plunkett. John Baggot bought Castle Bagot in Rathcoole, County Dublin, which still stands. I think he was married before, to Mary (Anne) Walsh, and had daughter Anne who married Ambrose More O’Ferrall (1752-1835).
John Baggot and Eleanor Dease’s sons William Gerald Baggot (d. 1821) and James John Baggot (1784-1860) were involved with Daniel O’Connell and the fight for Catholic Emancipation. William Gerald died young, unfortunately, and James John married but had no children, so the Baggot inheritance passed through their half-sister Anne (d. 1810) who married Ambrose More O’Ferrall, of another strongly Catholic family. Ambrose More O’Ferrall went overseas and fought as a Major in the Royal Sardinian Army (1752-1835). His family was from Balyna in County Kildare. The house is now part of the Moyvalley Hotel. [3]
Eleanor Dease’s brother Gerald (1790-1854) inherited Turbotstown. He married Elizabeth O’Callaghan (d. 1846), daughter of Edmond O’Callaghan of Kilgory, County Clare. Interestingly, aforementioned James John Bagot married her sister, Ellen Maria O’Callaghan. Their sister Catherine married Thomas Browne 3rd Earl of Kenmare.
It was Gerald Dease who had the new Greek Revival house built, perhaps added on to an older house.
The interior of Turbotstown surprised us with an inner hall with a circular opening to an upper floor gallery which is toplit by an octagonal shaped lantern skylight not visible from the front of the house, the octagonal walls of the lantern composed of eight by eight panelled windows. This is a Francis Johnston feature. You can see photographs on Robert O’Byrne’s website. [4]
The staircase hall is also rather grand, the cantilevered staircase winding around in a square shape with a lovely stucco ceiling at the top, and a large arched window provides illumination.
A window detail in the main rooms indicates Francis Johnston’s attention to detail, as they slant upwards, letting in more sunlight, and there are lovely sunbursts carved into the corner timber frames. I didn’t take a photograph but they are similar to those in Rokeby in County Louth (another section 482 house, see my entry ( https://irishhistorichouses.com/2020/08/17/rokeby-hall-grangebellew-county-louth/ ). Another house by Francis Johnston is Townley Hall in County Louth.
Francis Johnston attic window detail, from Sean O’Reilly’s Irish Houses and Gardens, from the Archives of “Country Life.” Aurum Press Ltd, 2008.
Some of the rooms have decorative cornices, and they have lovely high ceilings. Another detail is that the door edge is slightly slanted to prevent drafts!
In the older part of the house is a chapel, still consecrated, which was built by the Dease family. Robert O’Byrnes writes that this was presumably where they worshipped prior to providing the land for the construction of a Roman Catholic church nearby.
One of Gerald Dease’s sons, Gerald Richard, went on to live in Celbridge Abbey in County Kildare, a house which when we last saw it was badly in need of repair.
Celbridge Abbey, Lawrence Photographic Collection National Library of Ireland, French, Robert, 1841-1917 photographer.
Another son, Edmund Gerald Dease (1829-1904), married Mary Grattan, daughter of Henry Grattan. A son of theirs, Major Edmund James Dease (1861-1945) lived at Rath House, Ballybrittas, County Laois and married Mabel More O’Ferrall, a descendant of aforementioned Ambrose More O’Ferrall of Balyna, County Kildare, Mabel was great-granddaughter of Anne Baggot of Castle Bagot, Rathcoole.
Another son, James Arthur Dease, married Charlotte Jerningham and they went on to have many children, and lived in Turbotstown. Of the two sons, one, Gerald, didn’t have children, the other, Edmond Fitzlaurence, sold Turbotstown after his son Maurice died in 1914 in the First World War.
Peter Bland, the current owner of Turbotstown, is a descendant of Major Edmund James Dease (1861-1945) and Mabel More O’Ferrall! Their daughter Marion (1900-1969) married William Bland (1901-1963) of Blandsfort, Abbeyleix, County Laois, Peter’s grandfather. My Dad also was from Abbeyleix, but his father only moved there after his marriage in 1920. Blandsfort house was built by Blands in around 1715.
Another well-known member of the Dease family is from another branch, from Lisney or Lisanny, County Cavan. William Dease (1752-1798) was one of the founders of the Royal College of Surgeons in Ireland. At the time, surgeons were still members of the “Barber-Surgeons Guild.” The red and white stripes one sees on poles outside barber shops hearkens to this time, and represents blood and bandages! The Dictionary of Irish Biography tells us that Dease pointed out that people who trained as doctors were not taught surgery, and that they had to go abroad, as he did to France, to learn surgery. He founded the Dublin Society of Surgeons in 1780, and chaired the committee that successfully campaigned for a royal charter, which was granted in 1784, and the Royal College of Surgeons Ireland was established.
There is a prominent crack on the leg of the statue of William Dease in the College of Surgeons. Dease was sympathetic to the rebels cause in 1798 and legend has it that he heard that he was suspected of being a United Irishman. To avoid capture, he is said to have severed his femoral artery, and bled to death. This artery runs along exactly where the crack is in the sculpture! This story is told by Richard Robert Madden who wrote The United Irishmen, their lives and times. [7]
The Dease family died out, Peter told us. The last Dease, Dorothy, granddaughter of Major Edmond James Dease and Mabel née More O’Ferrall, grew up in Rath House, Ballybrittas, County Laois, and married Major George Geoffrey Robert Edward de Stacpoole, 6th Duc de Stackpoole, a Papal Duke. They lived in Errisbeg House in County Galway, now a bed and breakfast run by the 7th Duke and his family. [6]
A branch of the Bland family used to own Derryquin Castle in County Kerry, now the hotel Parknasilla. The hotel website tells us “The Blands of Derryquin Castle Demense were a Yorkshire family, the first of whom Rev. James Bland came to Ireland in 1692 and from 1693 was vicar of Killarney. His son Nathaniel, a judge and vicar general of Ardfert and Aghadoe obtained a grant of land in 1732 which would later become the Derryquin Estate. Derryquin Castle was the third house of the Blands on this land but it is not known when it was first constructed, its earliest written mention being in 1837, however it was indicated some decades earlier by Nimmo in his 1812 map.” [5]
Nathaniel Bland (1695-1760), Vicar General of Diocese of Ardfert and Aghadoe, Picture from The Story of Dorothy Jordan by Clare Jerrold, 1914, courtesy of Teresa Stokes, flickr
It’s wonderful that a descendant of the Dease family is now living in Turbotstown and has renovated it back into a family home.
[1] p. 132, Montgomery-Massingberd, Hugh (ed.) Burke’s Irish Family Records. London, U.K.: Burkes Peerage Ltd, 1976.
In August 2012, we visited the Catholic church of St. Finian’s in Kilamactalway, near Newcastle-Lyons, to see the baptismal font donated by Ellen Maria Bagot née O’Callaghan in memory of her husband James John Baggot, who died in 1860 and who had lived in Castle Bagot in Rathcoole/ Kilmactalway.
Tel: 087-9003283 Open dates in 2025: Mar 14-17, 21-23, April 4-6, 11-13, 18-21, May 2-5, 9-11, 16-18, 23-25, June 6-8, 13-15, 20-22, 27-29, July 4-6, 11-13, 18-20, 25-27, Aug 1-4, 8-10, 15-24, Sept 6-7, 13-14, 20-21, 27-28, 1pm-5pm
Fee: adult €10, child/OAP/student €8, groups of 6 or more €8 per person
We went on holidays to County Wexford in May 2023 to visit some Section 482 properties. We visited Kilmokea, Woodville and Sigginstown Castle, as well as the Heritage Trust run Johnstown Castle and OPW owned Tintern Abbey. Unforunately Wells House was only open at the weekend so we have to save that, along with the other Section 482 Wexford properties, for another visit!
The owners of Sigginstown Castle are very brave to have taken on a derelict tower house. They have created something wonderful with its restoration. They restored not only the sixteenth century tower house but also the adjoining house, which was built in the seventeenth century.
When the current owners, Gordon and Liz Jones, purchased the house it had no roof. Liz showed us some photographs of how the house and castle used to look before renovation.
The house as it used to look.The castle as it used to look, along with the house.You can see that the house was completely unroofed and empty.
The Siggins family who owed the castle originally lived in the area from around 1342, and were of Anglo-Norman descent. The castle is built near the coast and would have been built to take advantage of sea trade. Many castles were built along the Wexford coast. The Siggins family also owned a mill nearby. They had rights to the mill as well as to fishing and to salvage of any shipwrecks in the area.
After Cromwell’s invasion and the Down Survey, the Siggins family were dispossessed and they moved to Mayo. The castle passed to William Jacob, a lieutenant in Oliver Cromwell’s army. He purchased more land in the area and his family built the house attached to the castle. Liz pointed out some ceramics which they set into the wall of the house near the door that were dated to that time period.
Eventually the house, castle and lands passed through a daughter who married a farmer named Wilson. The castle remained in that family until sold to the Pierce family, who then sold to the current owners in 2016. The Jones’ began renovation in 2019. They have done much of the work themselves, and found master craftspeople to do what they could not. It is wonderful to see the skills utilised and promoted.
The Facebook page mentions, for example, obtaining flagstones from the Traditional Lime Company. The Jones’ even produced their own handwrought nails, and they limewashed the house and castle using traditional ingredients. They also researched the history of the castle.
You enter the castle through the house. The Jones’ created a wonderful space inside the house with a triple height room, with walkways across and a second entrance to the castle at an upper level.
The ground floor of the house has great entertaining space, with a long dining table and a kitchen and a built in ceramic stove.
Liz and Gordon are members of an international community, the Society for Creative Anachronism (SCA). It sounds like a great group, and they do medieval re-enactments and events. Liz and Gordon are also musicians and most recently participated in an event “W.B. Yeats, in Story and Song.” See their facebook page for details. The page also describes the journey of creating this beautiful space. During its creation they participated in some television programmes including “Castle Hunting in Ireland” and a renovation show with presenter and architect Hugh Wallace.
The ground floor room in the castle opens up to a vaulted ceiling with remains of the wickerwork on which the vaulted ceiling was originally built. The Jones’ only put in a half floor at the first level, resting on original corbels, to create a more spacious room than may have been in the original layout. The stone stairs in the tower were quite intact, with just the bottom steps removed to stop cattle from climbing upstairs!
The castle has some of the usual protective features, but not all, as it is a small castle. It has machicolation at the top, and an “oubliette,” a place where someone can be imprisoned and forgotten about! In this castle it’s a deep chimney type space or shaft.
The next level of the castle opens onto a beautifully decorated room. The painting uses sixteenth century sources. A friend of the Jones’ painted the murals. Some paintings copy a De Burgo manuscript, and the phrases are in “Yola,” “ye old language,” a mixture of Finnish, Norman and English.
The paintings are also personal to the Jones’. For example, the women painted represent family members and their interests in painting, poetry and music. They also represent virtues, such as courage, justice and mirth, as well as temperance.
The floor is made of ceramic tiles. Liz discovered clay on the land, and she found a man who could make tiles from scratch. He built a medieval style kiln and they fired the tiles they made. All of the decorative tiles on the floor were made on site, and the plain tiles were sources from Spain.
A door at this level opens into the upper floor of the house.
We then went up to the next floor. This has a maritime theme. A map on the wall is a 1610 map of Wexford. Ships used to come from Bristol, but the coast is treacherous.
I was tremendously impressed with the new roof of the castle, all hand-hewn and lifted into place. The trees that provided the green oak timber came from County Carlow, and the carpenter/joiner was James Grace. He put his own signature on the beams, with “Grace and Plenty.”
Liz and Gordon seem to embody the values on their castle walls of grace and strength, as well as hospitality, warmth and generosity. May the castle stand another 500 years and more as a testament to their spirit!
This calendar is A5 (14.8 x 21 cm) size 84 page date book with space to write your appointments, and 80 photographs of historic houses from this website. They do not have the Revenue Section 482 list for 2024 as that is not published until late February.
2024 Diary of Irish Historic Houses (section 482 properties)
To purchase an A5 size 2024 Diary of Historic Houses (opening times and days are not listed so the calendar is for use for recording appointments and not as a reference for opening times) send your postal address to jennifer.baggot@gmail.com along with €20 via this payment button. The calendar of 84 pages includes space for writing your appointments as well as photographs of the historic houses. The price includes postage within Ireland. Postage to U.S. is a further €10 for the A5 size calendar, so I would appreciate a donation toward the postage – you can click on the donation link.
€20.00
donation
Help me to fund the maintenance and update of this website. It is created purely out of love for the subject and I receive no payment so any donation is appreciated!
orange: “whole house rental” i.e. those properties that are only for large group accommodations or weddings, e.g. 10 or more people.
green: gardens to visit
grey: ruins
As well as places to visit, I have listed separately places to stay, because some of them are worth visiting – you may be able to visit for afternoon tea or a meal.
For places to stay, I have made a rough estimate of prices at time of publication:
€ = up to approximately €150 per night for two people sharing (in yellow on map);
€€ – up to approx €250 per night for two;
€€€ – over €250 per night for two.
2025 Diary of Irish Historic Houses (section 482 properties)
To purchase an A5 size 2025 Diary of Historic Houses (opening times and days are not listed so the calendar is for use for recording appointments and not as a reference for opening times) send your postal address to jennifer.baggot@gmail.com along with €20 via this payment button. The calendar of 84 pages includes space for writing your appointments as well as photographs of the historic houses. The price includes postage within Ireland. Postage to U.S. is a further €10 for the A5 size calendar, so I would appreciate a donation toward the postage – you can click on the donation link.
€20.00
donation
Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!
€15.00
Wexford:
1. Ballyhack Castle, Co. Wexford – open to publicOPW
“Ballymore is an old family property located away from main routes in a particularly scenic part of North Wexford. It retains many features which have survived from past periods of occupation in an attractive setting of mature trees, ordered landscape and views of the surrounding countryside.“
It is a country house erected by Richard Donovan (1697-1763). The National Inventory tells us it is:
“an estate having long-standing connections with the Donovan family including Richard Donovan (1752-1816); Richard Donovan (1781-1849) ‘of Ballymore’ (cf. 15612001); Richard Donovan (1819-84) ‘late of Ballymore Camolin County Wexford’ (Calendars of Wills and Administrations 1885, 217); Richard Donovan JP DL (1858-1916), ‘Gentleman late of Ballymore County Wexford’ (Calendars of Wills and Administrations 1916, 172); Richard Charlie Donovan (1898-1952); and Richard Alexander Donovan (1927-2005).“
Ballymore, photograph courtesy of National Inventory of Architectural Heritage.The house itself is not open to the public.The house was built in 1721.
“A large scale map indicates the route visitors are requested to follow. This route allows a leisurely ramble around several interesting features including the tea room, the museum, art gallery and display of old farming equipment in part of the farmyard. The residence itself is private and not open to the public.
“In the surrounding grounds you will find the church and ancient graveyard, holy well, former site of a 1798 rebel camp and the 14th century Norman castle ruins, which now is a simple labyrinth.
“The present church was built in 1869 on the site of a medieval building, of which nothing now survives except a carved wooden door lintel which can be seen at the museum.
“The holy well is covered completely by a large boulder. This was done some centuries ago to discourage its continued use for prayer and devotion.“
Ballymore, photograph courtesy of National Inventory of Architectural Heritage.
“The castle mound is all that remains of the 14th century motte built by Norman settlers. The ruins of the stone-built tower were pulled down in the 19th century.
“The large reconstructed greenhouse is the setting for the tea room. Its design copies the original greenhouse built around 1820, along with the walled garden behind it.
“The museum and display area open out from the small courtyard. The museum itself is in a large converted hayloft in a period farmyard building. The contents of the museum are from the family home and farmyard. They illustrate many different aspects of earlier occupation and activity. Another feature is the old water wheel now on display in the same farm building.
“The old dairy room will take you back in time. It adjoins the 1798 Room, containing a display of items from this period and from the house and family records. The further display area includes pieces of older farm equipment and hand tools used when the horse was the only source of motive power.“
Ballymore, photograph courtesy of National Inventory of Architectural Heritage – the house is not open to the public.
“The art gallery is located below the museum in what was the farm stables. It displays a selection of paintings and drawings of local scenes and activities by the much admired artist Phoebe Donovan.
“Take one of our exclusive tours, which encompasses many features including the museum of local and family history spanning over 300 years, dairy and farming display, 1798 memorabilia room and the Phoebe Donovan art gallery.
“Venture out into the surrounding grounds and you will find the ruins of a Norman castle dating back to the 14th century, Ballymore Church and graveyard (1869), and a former 1798 rebel camp site. You may even spot a buzzard or some of the other varied wildlife in the area.
“Finally, relax and enjoy a beverage in our greenhouse tea room.Ballymore Historic Features is also part of the Wexford Heritage Trail.”
Berkeley Forest House, photograph courtesy of the house’s website.
This website tells us:
“Berkeley Forest is unusual as a period house as it has a bright and uncluttered look with a strong Scandinavian flavour -painted floors, hand stencilled wallpaper and bedcoverings designed by artist Ann Griffin-Bernstorff who lives and works here during part of the year.
“The house offers a beguiling experience. With a beautiful faded brick walled garden with a terrace, summer house and an outdoor fireplace, it is a delight throughout the day.
“In easy reach of the Wexford beaches to the South and East and the picturesque villages of Inistioge, Thomastown and Graiguenamanagh, the cities of Kilkenny (Medieval) and Waterford (Viking) are also nearby. Just off the N30, less than 2 hours from Dublin Airport, 45 mins from Kilkenny, 20 mins from Wexford or Waterford, the house is perfectly situated to visit a host of interesting historical, cultural or sporting amenities, or to hide away in complete peace and quiet.
“The house was once the home of the family of 18th century philosopher George Berkeley. It also houses a 19th Costume museum which was created by Ann Griffin-Bernstorff and is available to costume and fashion students on request (her original 18th century Costume Collection is now to be seen at Rathfarnham Castle in Dublin) She is also the designer of the internationally acclaimed Ros Tapestry.“
Berkeley Forest House, photograph courtesy of the house’s website.Berkeley Forest House, photograph courtesy of the house’s website.
“The property consists of the main house, lawns and gardens; beyond that are pasture and woodland, some mature, some more recently planted; as well as original farm buildings. All of which ideal for exploring and wandering. There is a beautifully proportioned upper drawing room (28ftx18ft) which is suitable for music rehearsal, fine dining and specialist conferences.”
Berkeley Forest House, photograph courtesy of the house’s website.George Berkeley (1685-1753), Philosopher; Bishop of Cloyne, by John Smibert 1730 courtesy of National Portrait Gallery NPG 653.
Enniscorthy castle, Co Wexford_Courtesy Patrick Brown 2014, for Tourism Ireland, Ireland’s Content Pool. [1]
The website tells us:
“Enniscorthy Castle, in the heart of Enniscorthy town, was originally built in the 13th century, and has been ‘home’ to Norman knights, English armies, Irish rebels and prisoners, and local merchant families. Why not visit our dungeon to see the rare medieval wall art –The Swordsman, or our battlements at the top of the castle to marvel at the amazing views of Vinegar Hill Battlefield, Enniscorthy town, and the sights, flora and fauna of the surrounding countryside. Enniscorthy Castle explores the development of the Castle and town from its earliest Anglo-Norman origins, with a special focus on the Castle as a family home. Visitors can also view the ‘Enniscorthy Industries ‘exhibition on the ground floor from the early 1600’s onwards when Enniscorthy began to grow and prosper as a market town. Visitors can explore the work of the renowned Irish furniture designer and architect Eileen Gray (born in 1878 just outside the town). The roof of the castle is also accessible, with spectacular views of the surrounding buildings, Vinegar Hill, and countryside. Note that access to the roof is only possible when accompanied by a staff member. Tours of the Castle are self guided. Last admission is 30 minutes before closing. Our facilities include: craft and gift shop, toilets and baby changing area, wheelchair access to all floors (including roof) , and visitor information point (tourist office for town). We look forward to welcoming you to our town’s most public ‘home’.“
Enniscorthy castle, Co Wexford_Courtesy Patrick Brown 2014, for Tourism Ireland, Ireland’s Content Pool. [1]
Mark Bence-Jones writes in his A Guide to Irish Country Houses (1988):
p. 121. “(Wallop, Portsmouth, E/IFR) A C13 four-towered keep, like the ruined castles at Carlow and Ferns, restored at various dates and rising above the surrounding rooftops of the town of Enniscorthy like a French chateau-fort, with its near row of tourelles. Once the home of Edmund Spenser, the poet. Now a museum.” [2]
The National Inventory of Architectural Heritage tells us that it is a two-bay three-stage over basement castle, built 1588, on a rectangular plan with single-bay full-height engaged drum towers to corners on circular plans. [3]
Enniscorthy, Co Wexford_Courtesy Celtic Routes 2019, for Tourism Ireland, Ireland’s Content Pool. (see [1])Enniscorthy, Co Wexford_Courtesy Celtic Routes 2020, for Tourism Ireland, Ireland’s Content Pool. (see [1])
The website tells us more about the history of the castle:
“Maud de Quency (granddaughter of the famous Strongbow) marries Philip de Prendergast (son of Anglo-Norman Knight Maurice de Prendergast) and they reside at Enniscorthy Castle from 1190 to his death in 1229. From then until the 1370’s, their descendants, and other Anglo-Norman families rule the Duffry and reside in Enniscorthy Castle.
“In 1375: The fief (a defined area of land or territory) of the Duffry and Enniscorthy Castle are forcefully retaken by Art MacMurrough Kavanagh who regains his ancestral lands. This marks a time of Gaelic Irish revival. The MacMurrough Kavanagh dynasty rule until they eventually surrender the Castle and lands to Lord Leonard Grey in 1536. At this time Enniscorthy Castle is reported be in a ruined condition.
Enniscorthy, Co Wexford_Courtesy Celtic Routes 2020, for Tourism Ireland, Ireland’s Content Pool. (see [1])
“In 1569, The Butlers of Kilkenny and the Earl of Kildare lead a raid on Enniscorthy town on a fair day, killing numerous civilians and burning the castle.In 1581, The poet Edmund Spenser leases the Castle but never lives in it. Historians speculate that this was because Spenser feared the MacMurrough Kavanaghs.
“In 1585, Henry Wallop receives ownership of the Duffry by Royal Appointment. He exploits the dense forests (the Duffry, An Dubh Tír in Irish, meaning “The Black Country”) surrounding Enniscorthy which brings considerable wealth to the town, and funds the rebuilding of Enniscorthy Castle which we see standing today. Enniscorthy begins to rapidly develop as a plantation town.
“1649: Oliver Cromwell arrives in Co. Wexford. Enniscorthy Castle is beseiged by his forces; its defenders surrender, leaving it intact. In December of the same year the Castle once again fell to the Irish (under Captain Daniel Farrell), but two months later Colonel Cooke, the Governor of Wexford, reoccupied the castle.
“1898: The Castle is leased by Patrick J. Roche from the Earl of Portsmouth. P.J. Roche restores and extends the Castle making it into a residence for his son Henry J. Roche.
“1951: Roche family leaves.
“1962: Castle opens as Wexford County Museum.“
Enniscorthy, Co Wexford_Courtesy Celtic Routes 2020, for Tourism Ireland, Ireland’s Content Pool. (see [1])
Open dates in 2025: Jan 1-4, 29-31, Feb 3-5, Mar 5-7, 10-11, Apr 3-4, 11-13, May 10-12, 19-23, July 5-7, Aug 2-31, Dec 19-23, 27-30, 12 noon-4pm
Fee: adult €10, student/OAP €5, child free
9. Kilmokea Country Manor & Gardens, Great Island, Campile, New Ross, Co. WexfordY34 TH58– section 482, gardens open to public
The main lawn at the rear of the house at Kilmokea – surrounded by perenniel borders – and some fine topiary, photograph 2014 by George Munday/Tourism Ireland. (see [1])
www.kilmokea.com Tourist Accommodation Facility Gardens Open in 2025: April 1-Nov 2, 10am-6pm
Fee: adult €9, OAP €6, student /child €5, family €25
Newtownbarry House, County Wexford, photograph from National Inventory of Architectural Heritage.Newtownbarry House, County Wexford, photograph from National Inventory of Architectural Heritage.
Contact: Clody and Alice Norton
Tel: +353 (0) 53 937 6383
Email: clodynorton@gmail.com
Mark Bence-Jones writes (1988): p. 225. “(Barry/IFR; Maxwell, Farnham, B/PB; Hall-Dare;IFR) The estate of Newtownbarry originally belonged to a branch of the Barrys; passed to the Farnhams with the marriage of Judith Barry to John Maxwell, afterwards 1st Lord Farnham, 1719. Subsequently acquired by the Hall-Dare family, who built the present house 1860s, to the design of Sir Charles Lanyon. It is in a rather restrained Classical style, of rough ashlar; the windows have surrounds of smooth ashlar, with blocking. Two storey; asymmetrical entrance front, with two bays projecting at one end; against this projection is set a balustraded open porch. Lower two storey service wing. Eaved roof on plain cornice. Impressive staircase.”
Newtownbarry House, County Wexford, photograph from National Inventory of Architectural Heritage.
The National Inventory tells us that it is a five-bay (five-bay deep) two-storey country house, built 1863-9, on an L-shaped plan off-centred on single-bay single-storey flat-roofed projecting porch to ground floor abutting two-bay two-storey projecting end bay; eight-bay two-storey rear (south) elevation. It continues:
Newtownbarry House, County Wexford, photograph from National Inventory of Architectural Heritage.Newtownbarry House, County Wexford, photograph from National Inventory of Architectural Heritage.
“A country house erected for Robert Westley Hall-Dare JP DL (1840-76) to a design by Lanyon, Lynn and Lanyon (formed 1860) of Belfast and Dublin (Dublin Builder 1864, 66) representing an important component of the mid nineteenth-century domestic built heritage of County Wexford with the architectural value of the composition, one succeeding the eighteenth-century ‘Woodfield…[a] mansion of long standing and of cottage-like character in the Grecian style of architecture’ (Lacy 1863, 485), confirmed by such attributes as the deliberate alignment maximising on panoramic vistas overlooking the meandering River Slaney with its mountainous backdrop in the near distance; the asymmetrical footprint off-centred on an Italianate porch; the construction in a rough cut granite offset by silver-grey dressings not only demonstrating good quality workmanship, but also providing an interplay of light and shade in an otherwise monochrome palette; and the slight diminishing in scale of the openings on each floor producing a feint graduated visual impression. Having been well maintained, the elementary form and massing survive intact together with substantial quantities of the original fabric, both to the exterior and to the interior arranged around a top-lit staircase hall recalling the Lanyon, Lynn and Lanyon-designed Stradbally Hall (1866-7), County Laois, where contemporary joinery; Classical-style chimneypieces; and plasterwork enrichments, all highlight the considerable artistic potential of the composition. Furthermore, adjacent outbuildings; walled gardens; all continue to contribute positively to the group and setting values of an estate having historic connections with the Hall-Dare family including Captain Robert Westley Hall-Dare JP DL (1866-1939), one-time High Sheriff of County Wexford (fl. 1891); and Robert Westley Hall-Dare (1899-1972).”
www.sigginstowncastle.com Open dates in 2025: Mar 14-17, 21-23, April 4-6, 11-13, 18-21, May 2-5, 9-11, 16-18, 23-25, June 6-8, 13-15, 20-22, 27-29, July 4-6, 11-13, 18-20, 25-27, Aug 1-4, 8-10, 15-24, Sept 6-7, 13-14, 20-21, 27-28, 1pm-5pm
Fee: adult €10, child/OAP/student €8, groups of 6 or more €8 per person
“Wells House has a stunning Victorian Terrace garden, parterre garden and arboretum designed by the renowned architect and landscape designer, Daniel Robertson.
“The terraced gardens which have been restored to their former glory sit beautifully into the large setting of his vast parkland design which spans for acres in the stunning Co. Wexford landscape.
“With two woodland walks, a craft courtyard, adventure playground, restaurant and a busy calendar of events this is a perfect day out for all the family. “
and “Discover the 400-year-old history of Wells House & Gardens by taking a guided exploration of the house. Our living house tour and expert guide in Victorian dress will bring you back to a time. To a time when the magnificent ground floor and bedrooms witnessed the stories of Cromwell, Rebellions and the Famine. Uncover the everyday lives of the wealthy, powerful families who lived in the estate and their famed architect Daniel Robertson. All giving you a unique insight into the life of previous generations all the way up until the current owners of Wells House.“
14. Woodville House, New Ross, Co. WexfordY34 WP93– section 482
www.woodvillegardens.ie Open dates in 2025: May 1-31, June 1-30, July 1-31, Aug 1-24, 10am-5pm
Fee: adult/OAP /student €7, child under 12 years free
The National Inventory of Architectural Heritage tells us that it was allegedly erected for Edward William Tottenham (d. 1860) on the occasion of his marriage (1807) to Henrietta Alcock (d. 1861).
Woodville House, photograph courtesy of Woodville house website.Woodville House, photograph courtesy of Woodville house website.
Places to Stay, County Wexford
1. Artramon House, Castlebridge, Co Wexford – B&B
Artramon House, County Wexford, photograph from National Inventory of Architectural Heritage.Artramon House, County Wexford, photograph from Artramon website.
Mark Bence-Jones writes: p. 12. “(Le Hunte/LGI 1912; Neave, Bt/Pb) A late C18 house, remodelled after being burnt 1923. 2 storey; entrance front with pediment of which the peak is level with the coping of the parapet, and the base is well below the level of the main cornice. In the breakfront central feature below the pediment are two windows and a tripartite Venetian doorway; two bays on either side of the central feature.”
Artramon – by Ulrike von Walderdorff in Wexford / Ireland
The National Inventory tells us it is a five-bay two-storey country house, rebuilt 1928-32, on an L-shaped plan centred on single-bay two-storey pedimented breakfront; seven-bay two-storey side (west) elevation… “A country house erected for Richard “Dick” Richards (Wexford County Council 17th June 1927) to a design by Patrick Joseph Brady (d. 1936) of Ballyhaise, County Cavan (Irish Builder 1928, 602), representing an important component of the domestic built heritage of County Wexford with the architectural value of the composition, one retaining at least the footings of an eighteenth-century house destroyed (1923) during “The Troubles” (1919-23), confirmed by such attributes as the deliberate alignment maximising on scenic vistas overlooking gently rolling grounds with ‘fine views of the estuary, harbour and town of Wexford’ as a backdrop (Fraser 1844, 118); the symmetrical frontage centred on a curiously compressed breakfront; the diminishing in scale of the openings on each floor producing a graduated visual impression; and the monolithic parapeted roofline. Having been well maintained, the elementary form and massing survive intact together with substantial quantities of the original fabric, both to the exterior and to the interior where contemporary joinery; reclaimed Classical-style chimneypieces; and sleek plasterwork refinements, all highlight the artistic potential of the composition. Furthermore, adjacent outbuildings (extant 1840); and a substantial walled garden (extant 1840), all continue to contribute positively to the group and setting values of an estate having historic connections with the Le Hunte family including Captain George Le Hunte (d. 1799); William Augustus Le Hunte (1774-1820), one-time High Sheriff of County Wexford (fl. 1817); George Le Hunte (1814-91), ‘late of Artramont [sic] County Waterford [sic]’ (Calendars of Wills and Administrations (1892, 481); and the largely absentee Sir George Ruthven Le Hunte KCMG (1852-1925), one-time Governor and Commander-in-Chief of Trinidad and Tobago (fl. 1908-15); and Major Sir Arundell Thomas Clifton Neave (1916-92), sixth Baronet.“
2. Ballytrent House, Broadway, Co Wexford– one wing rental.
p. 28. “Redmond/Hughes. A two storey Georgian house, 5 bays, projecting ends, each with a Wyatt window in both storeys. Adamesque plasterwork. Home of John Redmond MP, leader of Irish Parliamentary Party.”
The website tells us:
“Welcome to the Ballytrent website. Visitors to Wexford seeking a quiet, secluded location,could not choose a better location than Ballytrent. Ballytrent is a magnificent 18th century heritage house set in extensive grounds overlooking the sea towards Tuskar Rock Lighthouse.
“In the grounds of the house is located a Ráth or earthen mound dating back to prechristian times and, measuring 650 yards in circumference, is reputed to be the largest in Europe. The grounds also contain a large flag pole that was once the tallest mast in the British Isles. The Rath garden is a haven for songbirds & a visit, either early morning or late evening, is pure magic!
“Ballytrent is tranquil and secluded. The garden & lawns cover three acres and include some rare plants. Our farm is a mix of cattle, cereals and root crops. We extend a warm welcome to those interested in visiting the farm. We are fortunate in having the best weather in Ireland – the annual rainfall is approximately 35 inches and each year the Weather Station at Rosslare records the highest mean sunshine hours. We are indeed the Sunny South East!
“Situated in St Helen’s E.D., Ballytrent, with its double ringed ráth, is an 18th century home set in extensive ground. The history of Ballytrent is a collection of works and illustrations put together after several years of research by Mary Stratton Ryan, wife of the present owner, James Power Ryan.
“A brief look at this work could keep the most avid historian content for quite a while. It is from this book that the following list of names and facts are taken, all having connections to Ballytrent.
Aymer De Valance; Earl of Pembroke, buried in Westminster Abbey, London.
Robert Fitzstephens; Ballytrent bestowed on him by Strongbow.
John le Boteller (Butler); Constable of the Kings Castle at Ballytrent.
John Sinnot; Listed as a Juror of the Inquisition at Wexford (c1420).
Patrick Synnot; In a 1656 Curl Survey of Ireland shown as owner of 96 acres 24 perches at Ballytrent.
Abraham Deane; Given Ballytrent by Cromwell.
Sarah Hughes; Daughter of Abraham Deane.
Walter Redmond; Purchased Ballytrent from Henry Hughes.
William Archer Redmond MP; Father of John and William – both also MP’s.
John Redmond (1856-1918) by Harry Jones Thaddeus, 1901, National Gallery of Ireland NGI889.
John Edward Redmond MP; Represented North Wexford, succeeded Parnell as leader of the Nationalist Party.
William Hoey Kearney Redmond MP; MP for Wexford and Fermanagh.
John H. Talbot (the younger); Inherited Ballytrent from his sister Matilda Seagrave.
William Ryan; Grandson of Sir James Power. Purchased Ballytrent from Emily Talbot (nee Considine).
James Edward Power Ryan; Present owner and grandson of William Ryan.
“This clearly illustrates the influence and power that is part of the documented history of Ballytrent, without even considering the possibilities of the time when the ráth was in its prime.”
The website tells us: “Clonganny House is a fine country Georgian residence originally erected for Hawtry White (1758-1837) and sympathetically restored in the late twentieth century. Retaining many original features, Clonganny is a fine example of late Georgian architecture. Set in eight acres embracing gently rolling lawns, serene woodland, and a stunning walled garden, Clonganny House is only a short drive to a beautiful, award winning coastline and miles of golden sandy beaches.“
6. Dunbrody Park, Arthurstown, County Wexford – accommodation €€
Mark Bence-Jones writes (1988): p. 114. “(Chichester, Templemore, B/PB; and Donegall, M/PB) A pleasant, comfortable unassuming house of ca 1860 which from its appearance might be a C20 house of vaguely Queen Anne flavour. Two storey, five bay centre, with middle bay breaking forward and three-sided single-storey central bow; two bay projecting ends. Moderately high roof on bracket cornice; windows with cambered heads and astragals. Wyatt windows in side elevation.”
Dunbrody House, courtesy of their website.Dunbrody House, courtesy of their website.
The National Inventory tells us:
“nine-bay two-storey country house with dormer attic, extant 1819, on an E-shaped plan with two-bay two-storey advanced end bays centred on single-bay two-storey breakfront originally single-bay three-storey on a rectangular plan. “Improved”, 1909-10, producing present composition…A country house erected by Lord Spencer Stanley Chichester (1775-1819) representing an integral component of the domestic built heritage of south County Wexford with the architectural value of the composition, one sometimes known as “Dunbrody Park” (Lacy 1863, 516) or “Harriet’s Lodge” after Lady Anne Harriet Chichester (née Stewart) (c.1770-1850), suggested by such attributes as the deliberate alignment maximising on scenic vistas overlooking gently rolling grounds with Waterford Harbour as a backdrop; the near-symmetrical frontage centred on a truncated breakfront; the diminishing in scale of the openings on each floor producing a graduated visual impression; and the decorative timber work embellishing the roofline: meanwhile, a photograph (30th August 1910) by A.H. Poole of Waterford captures recent “improvements” to the country house with those works ‘[presenting the] appearance [of] a twentieth-century house of vaguely “Queen Anne” flavour’ (Bence-Jones 1978, 114). Having been well maintained, the elementary form and massing survive intact together with substantial quantities of the original or sympathetically replicated fabric, both to the exterior and to the interior where contemporary joinery; Classical-style chimneypieces; and sleek plasterwork refinements, all highlight the artistic potential of the composition. Furthermore, adjacent outbuildings (extant 1840); a private burial ground; and distant gate lodges, all continue to contribute positively to the group and setting values of an estate having historic connections with the Barons Templemore including Henry “Harry” Spencer Chichester (1821-1906), second Baron Templemore ‘late of Great Cumberland-place Middlesex’ (Calendars of Wills and Administrations 1907, 508); Arthur Henry Chichester (1854-1924), third Baron Templemore; Arthur Claud Spencer Chichester (1880-1953), fourth Baron Templemore; and Dermot Richard Claud Chichester (1916-2007), fifth Baron Templemore.“
7. Fruit Hill Cottages, Fruit Hill House, Campile, New Ross, County Wexford €
“Set in the landscaped grounds of 18th Century Fruit Hill House, these traditional self-catering farm cottages make an ideal base for touring South-East Ireland.“
“The Crosbies take special care of people and justifiably garnered much praise in various publications and tour guides for the splendour and comfort of its rooms, and the hospitality of its proprietors, Tom and Ann. Glendine House was presented with Georgina Campbell’s Irish Farmhouse/Guesthouse of The Year award for 2006. This much-coveted accolade confirms Glendine’s status as the establishment par excellence. Glendine Country House has also been featured in the Irish Times, Sunday Independent, Food and Wine Magazine and several other publications.
Glendine Country House is a family run period house set on its own grounds and overlooking the Barrow Estuary on the Hook Peninsula. The 18th Century former Dower House of the Marquis of Donegal was built in 1830. It was first occupied by the Chichester family and later by land agents. Home to the Crosbie family for over 70 years, Glendine retains many of its original 1830 features and is full of old world charm. The House is set high up over the village of Arthurstown and all of the rooms are stylishly beautiful and have magnificent sea views.“
The website tells us: “The castle history is a remarkable tale of survival. Killiane Castle, a landmark in this cornerstone of Ireland’s Ancient East, has been in the Mernagh family for over one hundred years. However, its origins date back to medieval times to the Norman conquests and possibly even further to the early Irish settlers 500 years ago.
“The name ‘Killiane’ derives from ‘Cill Liadhaine’ in Gaelic, meaning the church of St Leonard which lies within the grounds of the Castle. “
Killiane Castle, courtesy of their website.
Medieval Times
“Pre-dating the castle history, it is likely that there was some form of native Irish settlement here before the Normans. However, the first recorded owner of the lands wasRichard de Hayin the 13th century. Richard de Hay came over with Fitzstephen in the first Norman invasion.
“The Norman tower house is approximately 50ft high and measures 39ft x 27ft externally. The walls are between 4ft and 9ft in thick. The Normans built the tower around 1470. It is most likely one of the “£10 castles”. King Henry VIII awarded a grant of £10 for the building of fortresses in his kingdom that became known as the “£10 castles”. In recent years, an Australian visitor brought us a photo of the original deeds for Killiane Castle signed by King Henry VIII no less!
“Thomas Hay, a descendant of Richard, probably built the tower in the late 15th century c.1470. The present castle and surrounding walls bear testimony to the building genius of the Normans, over 500 years old and quite sound! Built in a prominent position, the tower most likely overlooked a harbour. However, in the intervening years, reclaimed land replaced the harbour. The surrounding lands feature a canal, slob lands and slightly further down the coast, Rosslare strand.
Local Legend…
“Legend has it that below the ground floor underneath the stair way is a dungeon leading to a passageway to a doorway that no longer exists.
“In the early 16th century c.1520, Killiane passed to the Cheevers family by marriage. They continued to fortify the site. By 1543 one Howard Cheevers held Killiane, 2000 acres of land and the office of Mayor of Wexford. The ‘Laughing Cheevers’, as they were then known, held prominence in Wexford for another 100 years until the great rebellion. They built the house sometime in the early 17th century.
“The 17th century was a tumultuous part of the castle history. George Cheevers took part in the Irish Rebellion of 1641. He played a role in both the Siege of Duncannon, and the Confederation of Kilkenny. Following the Sacking of Wexford, Cromwell dispossessed him for his part in these rebellions. Georges son, Didicus, was a blind Franciscan monk. Infamously, several clergy were murdered in Wexford town’s Bullring at this time. Didicus was one of them. Sent to Connaught by Cromwell, the Cheevers family left Killiane. Just a few remained as tenants. The last of the them, an old man, who died in 1849.
“Nearby stands the ruins of the small medieval church of Saint Helen which was in ruins by 1835. Enclosed by a wall is the adjoining cemetery. It is reputed to be the burial place of the Cheevers family.”
Killiane Castle, courtesy of their website.Killiane Castle, courtesy of their website.
Cromwell’s Rule
“In 1656 the property, along with 1500 acres, was granted to one of Cromwell’s soldiers, a Colonel Bunbury. He sold it on to his friends, the Harveys of Lyme Regis. The first of these, Francis Harvey, became MP for Clonmines and Mayor of Wexford, positions his son John also held. A famous beauty known as the Rose of Killiane, a daughter of the Harveys, married the Dean of Dublin in 1809.
Victorian Times
“As time went by, the Harveys increasingly became absentee landlords. They leased the land to their tenants. Both the condition of the castle and the size of the estate materially diminished during this dark time in the castle hsitory.
“Throughout the 19th century there are references to tenants ‘Aylward’, ‘Elard’ and ‘Ellard’, possibly all the one family. By this time, the Harveys overwintered in their townhouse in Wexford at 38 Selskar Street. The family considered Killiane Castle too damp to stay at in winter.
“In 1908 Crown Solicitor, Kennan Cooper, bought the property for £1515. Cooper, a renowned character, kept racehorses and the 1911 census shows Killiane occupied by his tenant, George Grant and family. The census records Grant’s occupation as a ‘Horse trainer/jockey’.
“In 1920John Mernagh, father of Jack the present owner, bought Killiane with 230 acres for £2000. At that time there was no roof on the tower-house. Ivy covered it. John re-roofed it and used it to store grain and potatoes. Today the castle is home to Jack & Kathleen Mernagh who run the property along with their son Paul & his wife Patrycja and their family.
The Structure of the Building
Original Norman Features
“The castle still contains one original window that dates from the 15th century. The original window is an ogee style window featuring two lights. Over the years, incumbents replaced the other windows. The main entrance to the castle was originally on the east side. It provided an adjoining door to the house at one time. The original door is bricked-up. On the south side of the tower a new door has been opened.
Murder Holes!
“Looking at the front of the castle. There are murder holes over each of the doors on the ground floor. Perfectly located to pour hot tar over any unwelcome visitors! This practice, we assure you, is not in place today!
“The third floor contains a fine granite fireplace. Small smooth stones from the beach line the chimney rising on the outer wall. Also in evidence on this floor, is a cupboard recess.
“Corrugated iron replaced the original slate roof. The parapet consists of large sloping slabs. The battlements are of the steeply stepped type. There is a square turret on each corner. On the outside of the southern turret is a carved head.
“The large bawn has a round tower on the south east corner and a square tower on the south west corner, castle occupying the north west corner. The north east tower has been removed. In order to accommodate the facade of the house, the northern apron wall was taken down.
Original 17th Century House
“The original 17th century house consisted of two storeys with a garret on top. The incumbents raised the roof at a date unknown to us. This action incorporated the original dormer windows of the garrets,converting it into a third storey. Furthermore, they also reduced the great slant on the original 17th-century roof. The staircase of the house is of a simple very wide design, typical of the 17th century. “
9. Kilmokea Country Manor & Gardens, Kilmokea, Great Island, Campile, New Ross, Co. Wexford – accommodation, see above
Marlfield House, photograph courtesy of the website.
The website tells us:
“Marlfield House is renowned for its hospitality and service, welcoming guests for over 40 years, and is recognised as one of the most luxurious boutique hotels in Wexford, Ireland with the focus on environmentally sustainable practices. All rooms and suites at Marlfield House luxury hotel in County Wexford, Ireland are styled to provide you with elegant, comfortable interiors, furnished with antiques and paintings. Set in 36 acres of woodland, ornamental lake, rose, vegetable and herb gardens, it is a haven of tranquillity, with peacocks, hens, dogs and ponies waiting to greet you on your garden walk.“
Marlfield House, photograph courtesy of the website.Marlfield House, photograph courtesy of the website.Marlfield House, photograph courtesy of the website.
“The house is set in 40 acres of manicured gardens, encompassing a large kitchen garden, woodland walks, lake and fowl reserve, lawns and herbaceous borders. The interior bears all the signs of a much loved house filled with fresh flowers, gleaming antiques and mirrors, blazing fires and period paintings.“
Marlfield House, photograph courtesy of the website.
Mark Bence-Jones writes of Marlfield (1988):
Supplement
P. 299. (Stopford, Courtown, E/PB) “A three storey Regency house of random stone with brick facings; four bay front with two bay breakfront centre, eaved roof on bracket cornice, massive chimneystacks. Originally the dower house of the [Stopford] Earls of Courtown, it eventually replaced Courtown House as their Irish seat. Sold in 1979 to Mary Bowe, who has opened it as an hotel. As an extension to the dining room, a veranda and an elegant curvilinear conservatory were added to the front of the house 1983; the architects of this addition being Messrs Cochrane, Flynn-Rogers and Williams.”
Marlfield House, photograph courtesy of the website.Marlfield House, photograph courtesy of the website.
The National Inventory tells us it is a four-bay (two-bay deep) three-storey land agent’s house, built 1852, on a T-shaped plan; four-bay three-storey rear (south) elevation centred on two-bay full-height breakfront. Occupied, 1901; 1911. In occasional use, 1916-75. Vacated, 1975. Sold, 1977. Modified, 1989, producing present composition to accommodate continued alternative use… “A land agent’s house erected by James Thomas Stopford (1794-1858), fourth Earl of Courtown (Walsh 1996, 68), representing an important component of the mid nineteenth-century domestic built heritage of the outskirts of Gorey with the architectural value of the composition, one succeeding an adjacent house occupied by Reverend James Bentley Gordon (1750-1819), author of “History of the Rebellion in Ireland in the Year 1798” (1803), confirmed by such attributes as the compact plan form centred on a much-modified doorcase; the construction in an ochre-coloured fieldstone offset by vibrant red brick dressings producing a mild polychromatic palette; the diminishing in scale of the openings on each floor producing a graduated visual impression; and the monolithic timber work embellishing the roofline. Having been well maintained, the elementary form and massing survive intact together with substantial quantities of the original fabric, both to the exterior and to the interior, including some crown or cylinder glazing panels in hornless sash frames: meanwhile, contemporary joinery; Classical-style chimneypieces; and the decorative plasterwork enrichments, all highlight the artistic potential of the composition. Furthermore, adjacent outbuildings (extant 1904); a walled garden (extant 1904); and a nearby gate lodge (see 15700718), all continue to contribute positively to the group and setting values of a self-contained estate having historic connections with Colonel Robert Owen (1784-1867) and Charlotte Owen (1796-1853) ‘late of Marlfield County Wexford’ (Calendars of Wills and Administrations 1870, 447); and the Stopford family following the sale (1947) and demolition (1948-9) of Courtown House (see 15701216) including James Walter Milles Stopford (1853-1933), sixth Earl of Courtown; Major James Richard Neville Stopford DL OBE (1877-1957), seventh Earl of Courtown; and Brevet Colonel James Montagu Burgoyne Stopford OBE (1908-75), eighth Earl of Courtown.“
Marlfield House, photograph courtesy of the website.Marlfield House, photograph courtesy of the website.Marlfield House, photograph courtesy of the website.Marlfield House, photograph courtesy of the website.Marlfield House, photograph courtesy of the website.
Monart Spa Wexford Annica Jansson 2016, for Tourism Ireland, Ireland’s Content Pool.
Nestled in over 100 acres of lush countryside in County Wexford, Monart offers two types of accommodation, 68 deluxe bedrooms with lake or woodland views and two luxurious suites located in the 18th century Monart House.
Mark Bence-Jones writes (1988): p. 208. “Cookman/IFR) A three storey mid-C18 house of sandstone and limestone dressings Five bay front with breakfront centre; Venetian windows in centre of middle storey, with Diocletian windows over it; modified Gibbsian doorcase. Later additions.”
The National Inventory tells us:
“A country house erected by Edward Cookman JP (d. 1774), one-time High Sheriff of County Wexford (fl. 1763), representing an important component of the eighteenth-century domestic built heritage of County Wexford with the architectural value of the composition, ‘a handsome mansion pleasantly situated on a gentle eminence above the Urrin [River] in a highly improved and richly wooded demesne’ (Lewis 1837 II, 385), confirmed by such attributes as the neo-Palladian plan form centred on a Classically-detailed breakfront; the construction in an ochre-coloured fieldstone offset by silver-grey granite dressings not only demonstrating good quality workmanship, but also producing a mild polychromatic palette; the diminishing in scale of the openings on each floor producing a graduated visual impression; and the parapeted roofline. Having been sympathetically restored following a prolonged period of unoccupancy in the later twentieth century, the elementary form and massing survive intact together with substantial quantities of the original fabric, both to the exterior and to the interior, including crown or cylinder glazing panels in hornless sash frames: meanwhile, contemporary joinery; Classical-style chimneypieces; and “bas-relief” plasterwork enrichments, all highlight the artistic potential of a country house having historic connections with the Cookman family including Nathaniel Cookman (—-); Edward Rogers Cookman JP (1788-1865) ‘late of Monart House in the County of Wexford’ (Calendars of Wills and Administrations 1865, 70); Nathaniel Narcissus Cookman JP DL (1827-1908), ‘Country Gentleman late of Monart House Enniscorthy County Wexford’ (Calendars of Wills and Administrations 1908, 96; cf. 15701922); and Captain Nathaniel Edward Rogers Cookman JP DL (1894-1983); and a succession of tenants including Lowry Cliffe Tottenham (1858-1937), ‘Gentleman [and] District Inspector of Royal Irish Constabulary’ (NA 1911).”
“Located in the heart of the lush Waterford countryside, on the grounds of the historic 18th-century Mount Congreve estate, this tastefully restored gate lodge is the perfect choice if you’re looking for a luxury self-catering stay in Ireland.
“Originally built in 1775, the newly renovated Gate Lodge at Mount Congreve is home to a fully fitted galley kitchen with marble countertops, a living room with a 19th-century French walnut fold-out day bed, two mustard wingback armchairs, Smart TV, an antique bio-ethanol stove, and a bathroom complete with a walk-in shower.”Originally built in 1775, the newly renovated Gate Lodge at Mount Congreve is home to a fully fitted galley kitchen with marble countertops, a living room with a 19th-century French walnut fold-out day bed, two mustard wingback armchairs, Smart TV, an antique bio-ethanol stove, and a bathroom complete with a walk-in shower.
“With two cosy double bedrooms (sleeping up to four adults*), the Gate Lodge is the perfect choice if you’re looking for a luxury self-catering stay in Ireland.“
13. Rathaspeck Manor “doll’s house” gate lodge, County Wexfordand the Manor B&B
“Rathaspeck Manor Georgian House Wexford was built between 1680-1720 by the Codd Family who came to Ireland circa 1169. William Codd’s son Sir Osborne Codd settled at Rathaspeck and erected a castle there in 1351.
“A descendant Loftus Codd was succeeded by daughters, one of whom, Jane Codd, married Thomas Richards. The Richards Family came to Ireland in 1570 approx. It was this marriage which placed Rathaspeck in the Richards Family.
“Jane and Thomas had 6 sons and 2 daughters. The eldest son Thomas, born 1722 had a Family of two daughters, the oldest Martha married Count Willimsdorf from the Kingdom of Hannover in 1802. This couple had one son, Thomas William Fredrick Von Preberton Willimsdorf who died in 1834 unmarried. There were also three daughters, one of whom Elizabeth, born in 1778, died in 1863 in Holland.
“Elizabeth married Count Von Leinburg Slirrin on April 15th 1802 and they proceeded to have a Family of ten children born between 1803 and 1820 . It is believed that sometime after this the family moved to Holland. Rathaspeck was in the hands of an English Family called Moody after this until the early 1900’s. The Moody built the present gate lodge – or “Doll’s House” in 1900.
“The Meyler Family came to Rathaspeck in 1911 when it was offered for sale and it was from the Meyler Family that the Manor passed to the Cuddihy Family.
“The site of the original Castle is unknown, but it is considered that the present Rathaspeck Manor Georgian Country Home, Ireland is built on the site.
“Rath” means Fort , so the name of Rathaspeck stems from the Gaelic Ratheasbuig , meaning “Fort of the Bishop”. “
14. Riverbank House Hotel, The Bridge, Wexford, Ireland Y35 AH33
“Rosegarland Estate offers visitors a unique opportunity to stay on an extremely old and unspoilt country estate. It allows you to step back in time when you walk along the avenues, woodland paths and old bridle paths which pass through the ancient woodlands and beside the River Corach.
“Relax and unwind in one of our luxury self-catering cottages in Rosegarland Estate. Our four cottages are registered with Failte Ireland (the Irish Tourist Board) and have been awarded a 4 star rating. Old world charm has been combined with modern day luxury in the cottages which are set in a picturesque courtyard. A welcome basket of home baked goodies will greet you when you arrive.
“All the cottages have complimentary WiFi and satellite television channels which can be enjoyed in front of a Waterford Stanley wood burning stove.“
Rosegarland Estate, courtesy of website.Rosegarland Estate, courtesy of website.
Mark Bence-Jones writes (1988):
p. 245. “(Synnott/IFR; Leigh/IFR) An early C18 house of two storeys over a high basement was built by Leigh family, close to an old tower house of the Synnotts, the original owners of the estate. Later in C18, a larger two storey gable-ended range was added at right angles to the earlier building, giving the house a new seven bay front, with a very elegant columned and fanlighted doorway, in which the delicately leaded fanlight extends over the door and the sidelights. There is resemblance between this doorway and that of William Morris’s town house in Waterford (now the Chamber of Commerce) which is attributed to the Waterford architect, John Roberts; the fact is that it is also possible to see a resemblance between the gracefully curving and cantilevered top-lit staircase at Rosegarland – which is separated from the entrance hall by a doorway with an internal fanlight – and the staircase of the Morris house, would suggest that the newer range at Rosegarland and the Morris house are by the same architect. At the back of the house, the two ranges form a corner of a large and impressive office courtyard, one side of which has a pediment and a Venetian window. In another corner of the courtyard stands the old Synnott tower house, which, in C19, was decorated with little battlemented turrets and a tall and slender turret like a folly tower, with battlements and rectangular and pointed openings; this fantasy rises above the front of the house. The early C18 range contains a contemporary stair of good joinery, with panelling curved to reflect the curve of the handrail. The drawing room, in the later range, has a cornice of early C19 plasterowrk and an elaborately carved chimneypiece of white marble. The dining room, also in this range, was redecorated ca 1874, and given a timber ceiling and a carved oak chimneypiece.”
Rosegarland House, courtesy of National Inventory of Architectural Heritage.
The National Inventory tells us:
“A country house erected by Robert Leigh MP (1729-1803) representing an important component of the eighteenth-century domestic built heritage of south County Wexford with the architectural value of the composition, one attributable with near certainty to John Roberts (1712-96) of Waterford, confirmed by such attributes as the deliberate alignment maximising on scenic vistas overlooking gently rolling grounds and the meandering Corock River; the symmetrical footprint centred on a Classically-detailed doorcase not only demonstrating good quality workmanship, but also showing a pretty fanlight; and the diminishing in scale of the openings on each floor producing a graduated visual impression. A prolonged period of unoccupancy notwithstanding, the elementary form and massing survive intact together with substantial quantities of the original fabric, both to the exterior and to the interior including not only crown or cylinder glazing panels in hornless sash frames, but also a partial slate hung surface finish widely regarded as an increasingly endangered hallmark of the architectural heritage of County Wexford: meanwhile, contemporary joinery; ‘elaborately carved chimneypieces of white marble’ (Bence-Jones 1978, 246); plasterwork enrichments; and a top-lit staircase recalling the Roberts-designed Morris House [Chamber of Commerce] in neighbouring Waterford (Craig and Garner 1975, 68), all highlight the considerable artistic potential of the composition. Furthermore, an adjacent stable complex (see 15704041); a walled garden (see 15704042); a nearby farmyard complex (extant 1902; coordinates 685132,615236); and a distant gate lodge (extant 1840; coordinates 685381,616928), all continue to contribute positively to the group and setting values of an estate having long-standing connections with the Leigh family including Francis Robert Leigh MP (1758-1839); Francis Augustine Leigh (1822-1900), ‘late of Rosegarland County Wexford’ (Calendars of Wills and Administrations 1900, 277); Francis Robert Leigh DL (1853-1916), ‘late of Rosegarland Wellington Bridge County Wexford’ (Calendars of Wills and Administrations 1916, 371); Francis Edward Leigh (1907-2003); and Robert Edward Francis Leigh (1937-2005).“
16. Wells House, County Wexford – self-catering cottage accommodation, see above
Woodbrook, County Wexford, courtesy Hidden Ireland.
The Historic Houses of Ireland website tells us:
“Nestling beneath the Backstairs Mountains near Enniscorthy in County Wexford, Woodbrook, which was first built in the 1770s, was occupied by a group of local rebels during the 1798 rebellion. Allegedly the leader was John Kelly, the ‘giant with the gold curling hair’ in the well known song ‘The Boy from Killanne’. It is said that Kelly made a will leaving Woodbrook to his sons but he was hanged on Wexford bridge, along with many others after the rebels defeat at Vinegar Hill. He was later given an imposing monument in nearby Killanne cemetery.
“Arthur Jacob, who originally came from Enniscorthy and became Archdeacon of Armagh, built Woodbrook for his daughter Susan, who had married Captain William Blacker, a younger son of the family at Carrigblacker near Portadown. The house was badly knocked about by the rebels and substantially rebuilt in about 1820 as a regular three storey Regency pile with overhanging eaves, a correct Ionic porch surmounted by a balcony and three bays of unusually large Wyatt windows on each floor of the facade.“
Woodbrook House, photograph courtesy of Woodbrook website.Woodbrook House, photograph courtesy of Woodbrook website.
“Woodbrook lay empty for some years after E. C. Blacker’s death in 1932. The house was occupied by the Irish army during the Second World War and was then extensively modernised when his nephew Robert moved back to County Wexford with his wife and family after the sale of Carrickblacker in the 1950s. Eventually sold in the mid 1990s, Woodbrook and the remains of a once substantial estate was bought by Giles and Alexandra FitzHerbert in 1998. They continue to live in the house with their family today.” https://www.ihh.ie/index.cfm/houses/house/name/Woodbrook
19. Woodlands Country House, Killinierin, County WexfordB&B
“Relax in comfortable old world charm in the heart of the Wexford Countryside at Woodlands Country House, a magnificently well preserved Georgian House with beautiful antiques. It is a charming and intimate place to relax, where fine food and furnishings are matched by warm and impeccable service that says you are special.
“Woodlands Country House Bed & Breakfast is ideally situated near the market town of Gorey and the picturesque seaside resort of Courtown Harbour on the Wexford/Wicklow border in South East Ireland. The Country House B&B is only 1 hour from Dublin off the M11 making it an ideal location for touring the South East of Ireland.“
20. Woodville House, New Ross, Co Wexford – 482, see above
Whole House rental County Wexford:
1. Ballinkeele, whole house rental(sleeps up to 19 people)
Ballinkeele House, photograph courtesy of website.Ballinkeele House, photograph courtesy of website.
The website says:
“Make yourselves comfortable in your grand home from home. This Irish country house was built to entertain and is perfect for gathering family & friends together for a holiday, a special birthday or anniversary. With 7 bedrooms and dining table for 19 guests – there’s space for everyone. You’ll be the hero for booking Ballinkeele!
“Built in the 1840s by your host’s family, it’s a the perfect blend of modern and antique with a bespoke modern kitchen, WiFi and (Joy of Joys!) a modern heating system!”
Ballinkeele House, photograph courtesy of website.
The Historic Houses of Ireland website tells us:
“In the first quarter of the 19th century the Maher family, who were famous for their hunting and racing exploits in County Tipperary, moved to County Wexford. They purchased Ballinkeele, near Enniscorthy, from the Hay family, one of whose members had been hanged for rebellion on Wexford bridge in 1798. John Maher, MP for County Wexford, began work on a new house in 1840 and Ballinkeele is one of Daniel Robertson’s few houses in the classical taste. The other was Lord Carew’s magnificent Castleboro, on the opposite side of the River Slaney, sadly burnt by the IRA in 1922 and now a spectacular ruin.
“The house is comprised of a ground floor and a single upper storey, with a long, slightly lower, service wing to one side in lieu of a basement. The facades are rendered with cut-granite decoration, including a grandiose central porch, supported by six Tuscan columns and surmounted by an elaborate balustrade, which projects to form a porte cochère.”
Ballinkeele House, photograph courtesy of website.
“The garden front has a central breakfront with a shallow bow, flanked by wide piers of rusticated granite. These are repeated at each corner as coigns.
“The interior is classical, with baroque overtones, and is largely unaltered with most of its original contents. The hall runs from left to right and is consequently lit from one side, with a screen of scagliola Corinthian columns at one end and an elaborate cast-iron stove at the other.
“The library and drawing room both have splendid chimneypieces of inlaid marble in the manner of Pietro Bossi, while the fine suite of interconnecting rooms on the garden front open onto a raised terrace.”
Ballinkeele House, photograph courtesy of website.
“The staircase hall has a spectacularly cantilevered stone staircase, with decorative metal balusters. As it approaches the ground floor the swooping mahogany handrail wraps itself around a Tuscan column supporting a bronze statue of Mercury, in a style that anticipates Art Nouveau by more than forty years.
“Outside, two avenues approach the house, one which provides a glimpse of a ruined keep reflected in an artificial lake, while both entrances were built to Robertson’s designs.
The present owners are Valentine and Laura Maher who live at Ballinkeele with their children.”
“Horetown House is a private country house wedding venue in County Wexford in the South-East corner of Ireland. Situated among rolling hills in the heart of rural Wexford, Horetown House is the perfect venue for a stylish, laid back wedding. Our charming country house is yours exclusively for the duration of your stay with us.
“Family owned and run, we can take care of everything from delicious food, bedrooms and Shepherds huts, to a fully licensed pub in the cellar. Horetown House is perfect for couples looking for something a little bit different, your very own country house to create your dream wedding.“
Mark Bence-Jones writes (1988): p. 155. “(Davis-Goff, Bt/PB) A three storey Georgian house. Front with two bays on either side of a recessed centre. Triple windows in centre and pillared portico joining the two projections.”
The National Inventory tells us it is:
“A country house erected to designs signed (1843) by Martin Day (d. 1861) of Gallagh (DIA; NLI) representing an important component of the mid nineteenth-century domestic built heritage of County Wexford with the architectural value of the composition, one succeeding a seventeenth-century house (1693) annotated as “Hoarstown [of] Goff Esquire” by Taylor and Skinner (1778 pl. 149), confirmed by such attributes as the deliberate alignment maximising on panoramic vistas overlooking gently rolling grounds; the symmetrical frontage centred on a pillared portico demonstrating good quality workmanship in a silver-grey granite; the diminishing in scale of the openings on each floor producing a graduated visual impression; and the parapeted roofline. Having been well maintained, the elementary form and massing survive intact together with substantial quantities of the original fabric, both to the exterior and to the interior where contemporary joinery; restrained chimneypieces; and decorative plasterwork enrichments, all highlight the artistic potential of the composition. Furthermore, a nearby quadrangle erected (1846) by ‘S.D. Goff Esq Architect [and] Johnson Builder’ continues to contribute positively to the group and setting values of an estate having historic connections with the Goff family including Strangman Davis Goff (né Davis) (1810-83) ‘late of Horetown House County Wexford’ (Calendars of Wills and Administration 1883, 318); and Sir William Goff Davis Goff (1838-1918) of Glenville, County Waterford; a succession of tenants including Joseph Russell Morris (NA 1901) and Edward Naim Townsend (NA 1911); and Major Michael Lawrence Lakin DSO (1881-1960) and Kathleen Lakin (née FitzGerald) (1892-30) of Johnstown Castle.”
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[2] Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.
2025 Diary of Irish Historic Houses (section 482 properties)
To purchase an A5 size 2025 Diary of Historic Houses (opening times and days are not listed so the calendar is for use for recording appointments and not as a reference for opening times) send your postal address to jennifer.baggot@gmail.com along with €20 via this payment button. The calendar of 84 pages includes space for writing your appointments as well as photographs of the historic houses. The price includes postage within Ireland. Postage to U.S. is a further €10 for the A5 size calendar, so I would appreciate a donation toward the postage – you can click on the donation link.
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donation
Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!
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General enquiries (01) 833 1618, casinomarino@opw.ie
From the website:
“The Casino is a remarkable building, both in terms of structure and history. Sir William Chambers designed it as a pleasure-house for James Caulfeild, first earl of Charlemont, beside his residence in what was then the countryside. It is a gem of eighteenth-century neo-classical architecture. In fact, it is one of the finest buildings of that style in Europe.
The term ‘casino’ in this case means ‘little house’, and from the outside it gives an impression of compactness. However, it contains 16 rooms, each of which is finely decorated and endlessly rich in subtle and rare design. The Zodiac Room, for example, has a domed ceiling which represents the sky with astrological symbols modelled around its base.“
The Casino website tells us that the plan of the Casino is in the shape of a Greek cross, and it is only fifty feet square. There are three floors containing sixteen rooms. Although small, they are entirely habitable, with service rooms in the basement, reception rooms on the main floor, and sleeping quarters on the upper floor. There is, however, no evidence of any long term occupation of the building. The exterior of the building is that of a one-room Greek temple, so the complexity of the interior was achieved by remarkable architectural design. This includes faux windows, gib doors, hollow columns, and disguised chimneys. Only half of the great front door actually swings open to admit entrance.
Very little is known about how the inside of the building originally looked. There are brief descriptions surviving in Charlemont’s own correspondence or in that of visitors, or rare mentions in sales catalogues. The exterior of the building is heavily decorated. Four statues adorn the attic storey; Bacchus, Ceres, Venus, and Apollo declare the abundance and love of good living that inspired the creation of the Casino. Around the chimney-urns curve mermaids and mermen. The ‘ceilings’ of the outside porches are densely carved to create a stucco effect. Four large Egyptian-style lions guard the corners. [1] Service tunnels underground surround the building, lit from above by grilles.
Mark Bence-Jones writes in his Guide to Irish Country Houses:
“… in the form of a Roman Doric temple, … built over the years 1758-76. It is one of the most exquisite miniature C18 buildings in Europe; within an exterior that appears to be sculptured rather than built are a number of little rooms, each of them perfectly proportioned and finished; with plasterwork ceilings, doorcases and inlaid floors. Sir Sacheverell Sitwell compares them to the little rooms in the Petit Trianon, and indeed the Casino shows considerable French influence, both inside and out. Among those who worked on the Casino was Simon Vierpyl, the sculptor and builder from Rome, and Joseph Wilton, the sculptor. The house [Marino] has long been demolished, but the Casino is maintained as a National Monument and has been restored by Mr Austin Dunphy of O’Neill Flanagan and Partners, in conjunction with the Office of Public Works.” [1]
The website of the Casino educates us about the family who owned the Casino. James Caulfeild succeeded to the titles 8th Lord Caulfeild, Baron of Charlemont and 4th Viscount Charlemont on the death of his father in 1734. It was not until 1763 that he was created 1st Earl of Charlemont, as recognition for keeping the peace in the Armagh/ Tyrone area. He was well-known for his love of the arts, and spent a record nine years on Grand Tour through Europe, Turkey, and Egypt. With the help of his stepfather, Thomas Adderley, he established himself at Marino on his return to Ireland in 1755. Here he began the improvements to his Marino estate, one of which was the celebrated Casino.
He was a leader in many different areas of eighteenth-century Irish society. Instrumental in setting up the Royal Irish Academy, he was also its first President. He was a member of the Royal Dublin Society, and a supporter of Grattan’s parliament. He was also a founding member of the Irish Volunteers (formed to protect Ireland from invasion while British troops served in the American Revolutionary War). His contribution to Irish culture was significant and lasting. [3]
The website tells us that while James was on his Grand Tour in Rome, he had become acquainted with those he would eventually hire to create his estate at Marino. This included William Chambers, Simon Vierpyl, Johann Heinrich Müntz, and Giovanni Battista Cipriani. Charlemont’s heavy involvement in the composition of the buildings at Marino, as well as his house in Rutland Square, is clear from the correspondence that has survived. In many ways, what he created at Marino was a living testament to the different cultures and styles he had experienced while travelling, and his buildings there were fitting exhibition spaces to the huge number of souvenirs and collectable items he brought home.
William Chambers in the style of Joshua Reynolds, courtesy of Adam’s auction 13 Oct 2015.The Casino, August 5th 2023: this diorama shows what the estate looked like when in its glory, with a large pentagon shaped garden.The Crescent at Clontarf and Lord Charlemount’s house from the North Wall in Dublin 1812.The light from the mobile phone is shining on the location of Lord Charlemont’s residence.
The website tells us of Lord Charlemont’s ancestor who came to Ireland:
“Toby Caulfeild was born in Oxfordshire, England, the son of Alexander Caulfeild (c. 1520 – c. 1581; also known as Alexander Calfhill). A military man, he was sent to Fort Charlemont on the border of Tyrone and Armagh in 1601 by Queen Elizabeth. For his services to the Crown, James I granted him over 25,000 acres of land in Northern Ireland over the next twenty years. This included land from the old O’Neill estates in Tyrone, the confiscation of which he supervised from 1607-10. It was on these lands that he build Castle Caulfeild, now in ruins. He died in Dublin and is buried at Christchurch Cathedral there.“
The website also tells us about his mother Elizabeth Bernard:
Elizabeth Caulfeild (née Bernard), Viscountess Charlemont (21 February 1703 – 20 May 1743):
“Elizabeth Bernard, from Castle Mahon, Co. Cork, married James Caulfeild, 3rd Viscount Charlemont (1682 – 1734), in 1723 when she was twenty years old. They lived in Jervis St, Dublin, where he attended parliament as MP for Charlemont in Armagh. Elizabeth and James had at least six children together before he died eleven years later; three survived beyond infancy. These were Francis, Alice, and James. On the death of his father, James became 4th Viscount Charlemont.
“Six years after the death of her husband, Elizabeth married Thomas Adderley (1713 – 1791) from Innishannon in Cork. They lived in Dublin, and had one child together; Elizabeth Adderley. Thomas Adderley was an active and involved stepfather to James Caulfeild, providing advice and help to him throughout his transition to adulthood and after. He was buried in St Mary’s Church on Mary St in Dublin; today his gravestone can been seen among those leaning against the back wall of what is now Wolfe Tone Park.“
The website also tells us more about the architect of the Casino, William Chambers:
“Born in Sweden to a Scottish father in 1723, he spent the first few years of his working life travelling to and from China as an agent of the Swedish East India Company. At the age of twenty-six, he began training as an architect in Paris, later living in Rome, where he was a member of Charlemont’s circle. He moved to London to establish his practice in the same year that Charlemont returned to Dublin (1755). He achieved great success in England, with much employment from King George III and his mother, the Dowager Princess Augusta. His Treatise on Civil Architecture, published in 1759, was a huge influence on Palladian neoclassicism in Britain. The Casino appeared in this Treatise as a plate illustration (image below). Chambers would go on to count James Gandon as one of his students.
“As well as the Casino at Marino, Chambers completed designs for Charlemont House and Trinity College, and for modifications to Rathfarnham Castle, Castletown House, and Leinster House, among others. He never, however, visited Ireland in person. His projects with Charlemont were discussed at great length, over two decades, in numerous letters; many of these can be read today in the Royal Irish Academy. One of his original drawings for the Casino is on display in the building.”
Photograph of the Casino taken 1951, Dublin City Library archives. [see 3]
It was London-born Simon Vierpyl who oversaw the building work. The website tells us:
“He was an accomplished sculptor and builder, who was living in Rome at the same time as Charlemont and Chambers. Impressed with his work on a commission of terracotta copies of statues and busts (now in the Royal Irish Academy), Charlemont invited him to come to Ireland. Vierpyl arrived in 1756, and supervised work on the Casino, something he was complimented for in Chambers’ Treatise. He stayed in Ireland for the rest of his life, working as a builder or developer on many central Dublin sites. He married twice, and died in Athy, Co. Kildare in 1810 at the age of around eighty-five.”
It was hard to take this photograph due to light, but you can just about make out the interior plan of the Casino.
The website also tells us about Giovanni Battista Cipriani, an Italian painter:
“He was another member of Charlemont’s circle in the early 1750s in Rome; in 1755, he also left the city, and travelled in England in the company of Joseph Wilton. Wilton was a sculptor whose work is represented at the Casino in the four lions which guard it. Cipriani’s contribution was the design of the four attic statues, and the dragon gates that formed the entrance to the estate. Copies of his original sketches for the four statues, as well as a revised sketch of Venus, can be seen on display in the State Bedroom today. The gods represented (Ceres, Bacchus, Venus, and Apollo) were chosen by Charlemont and Chambers, designed by Cipriani, and then sculpted by either Wilton or Vierpyl on site.“
James Caulfeild married Mary Hickman (d. 1807). The website tells us about her:
“Mary Hickman was from Brickhill in Co. Clare, and married James Caulfeild in 1768, when James was forty years of age. It was rumoured that James had left bachelorhood reluctantly, and only because he wanted to block his brother from inheriting his estate at Marino (Francis had differing architectural taste). However, James and Mary seem to have had a happy marriage; a letter describes how she read works of scholarship aloud to him after his eyesight had become weak with age.
“They had four children: Elizabeth, Francis, James, and Henry. On the death of his father in 1799, Francis became the 2nd Earl of Charlemont. After her husband’s death, Mary continued to live at Marino, until her own death in 1807. She is buried with her husband in Armagh Cathedral.“
The website gives us an “online tour.” The first room is the Vestibule. The website tells us:
“The entrance hall is known as the vestibule. The surprise in this room is the small rosewood mahogany front door. Outside, the front door is made of Irish oak and much larger in scale. Chambers stipulated the oak door should never be treated so it will eventually blend in with the Portland stone of the building. The reason for the deceptively large door outside is to give the impression the building is a one-roomed, one-storey Greek temple. As with all the rooms on the ground floor, below the faux bois (fake wood) floor covering, the parquet floors include many different types of wood (American black walnut, ebony, boxwood, Indian laurel, mahogany and maple) some now in danger (camwood and fustic). Each room features a different geometrical shape in the parquetry.“
Above the three doors on the curved wall to the south of the vestibule is a semi-circular apse. This recalls the full domed ceiling of the Pantheon in Rome with the same coffers (panels). The coffers give us the illusion of height in a room that is actually quite small, though perfectly proportioned.
“The higher, rectangular section of the ceiling holds a trophy which includes the lyre of Apollo at its centre surrounded by laurel leaves which appear throughout the building. We believe a statue of Apollo may have stood in one of the two niches. Just below the ceiling, in the frieze, you will notice many classical motifs representing Charlemont’s ideals. From north to south you have motifs musical instruments, the east shows agricultural tools and the west has carpentry tools, a a celebration of culture and agriculture. Other decorative details in this room, echoed throughout the building, are the waterleaf, the dentil mouldings (looking like large square teeth) and the egg and dart. The egg is the symbol of fertility and life and the dart is the symbol of death. In this room you also have the Vitruvian scroll in the chair rail and above which you have the Greek key, a symbol of eternity as the pattern is supposed to have no beginning, no middle and no end.“
“The oldest item in the building can be found in this room. It is under the window and is a Greek Stele, a headstone Lord Charlemont sent back from his Grand Tour which he found in Greece. It is from 350 BC. During his Grand Tour many antiquities were sent back and would have been on show around the estate or perhaps even in the tunnels, off the light-well, surrounding the basement.“
“The Blue Saloon, which was the main reception room, was sparsely furnished. Originally, there was a magnificent fireplace designed by Francis Harwood, made of white marble, featuring a life-size ram’s head and lapis lazuli inserts. The fireplace was balanced on the opposite side of the room by an equally elaborate table in marble with lapis lazuli inserts (by Joseph Wilton). Both had since been removed. The current fireplace with its smaller ram’s heads came from Marino House. The ram’s head was a signature trademark of Sir William Chambers and in the each corner of the room there are more 4 rams’ heads. The curved white ceiling set with octagonal coffers surrounds a single compartment representing a blue sky with Apollo’s head emerging from a sunburst. Apollo is the God of the sun. Below the curved ceiling in the carved mouldings are a series of pine cones. The ancient Romans associated pine cones with Venus, the goddess of love. Pine cones symbolise human enlightenment, resurrection, eternal life, regeneration and fertility.
“The colour scheme of the room was related to the ornaments it once displayed – primarily the white marble and blue lapis lazuli of the fireplace and table. In 1769, Charlemont wrote to Chambers and recommended that “…the Entablature, doorcase etc of the room should be dead white touched with blue and that the cove parts of the ceiling… be of a more brilliant white.” The blue silk wall hangings were possibly broken up with paintings. In the original design for this room, there were five wooden doors. The main entrance door, two doors giving access to rooms on each side and two more false doors to create symmetry. However, Lord Charlemont made alterations to simplify this space by removing the two fake doors and making the two other doors jib doors (hidden doors).
“The Zodiac Room is accessed from the Blue Saloon via hidden or jib doors. One of the first things to notice in this room is that the window appears to only have twelve panes of glass. However, on the outside, the same window has thirty panes of glass. This is due to the Zodiac Room sharing its space with the lower and upper stairwell next door, therefore the window is also shared between the three spaces. The trick used to distract the visitor from this deception is the form of the glass itself. Outside, the glass panes are convex in shape, reflecting more of what you see behind you than what is going on inside. In this room, a sense of space and height is created by the domed ceiling that provides an optical illusion, making it almost impossible to tell if the height is one inch, one meter or three metres. Resting perfectly below this dome are the twelve signs of the zodiac which is the reason this room gets its name. Apart from the zodiac mouldings, this room is highly decorated with egg and dart mouldings which you see on the door frame, the panels/coffers in the door and in the sides/jambs of both the door and the windows. The egg is the symbol of fertility and life and the dart symbolises death.“
I found it impossible to capture the entire domed ceiling, which is bordered by signs of the zodiac, in a photograph.
“A letter from George Montagu to Horace Walpole in 1761 said that “I have been to see Lord Charlemont’s collection. He has some charming things that would merit a show even at Strawberry. His medals are very fine, a charming Titian of Borgia, two Carlo Marats, a Claude, two fine vases, a Queen Elizabeth, a lion’s skin of yellow that serves for a veil, a brave collection of books, etc.”
“The China Closet, originally called the Boudoir, is situated on the western arm of the ground floor. The ground and upper floors are laid out in the shape of a Greek cross while the basement is square in shape which acts as a plinth for the Casino to sit on, making the Casino one of the first sculptural buildings in Ireland. After a fire in the early 19th century, the walls of this room where redecorated by the 2nd Lady Charlemont, Anne Berminghan, who married Francis, the 2nd Earl, son of James Caufeild, in 1802. She was a wealthy heiress, which allowed Francis to maintain the Marino estate after the great debts he had inherited on the death of his father. Anne hung decorative china plates on the walls giving the room the new name of the China Closet.“
“The floor and ceiling details, original to the 18th century, highlight the use of symmetry and harmony in the building with their large lattice rectangles enclosing smaller rectangles and a central oval. In addition, on the floor, in the central oval, we have a geometrical sunburst while the ceiling’s oval is made up of fasces surrounded by laurel leaves which are symbols of excellence stemming back to the early Olympic Games in Greece. The appearance of the fasces bring us back to ancient Rome when soldiers used sticks or rods, tied together with bands, to control the crowd and these were called fasces. However, in times of insurgence, there was a sword or knife hidden within the fasces to kill people. Fasces in the Casino demonstrate authority and power. Everything in the Casino is symbolic, like the agricultural tools above the doorway and over the window including a scythe, fork, rake and shovel, representing Lord Charlemont’s ideals of culture and agriculture.
“The recess at the northern end of the China Closet has a hand-painted Chinese wallpaper which came from Rathbeale Hall, in Swords, Co Dublin, installed during the OPW restoration between 1974 and 1984.“
The landing: “All of the upstairs rooms suffered during the Casino’s period of dereliction, as the flat roof had fallen in. Therefore these rooms may have once been more highly decorated than they appear today. However, at the very top of the staircase, is an exuberant Rococo shell design in eighteenth-century plasterwork, which may give an idea of how the rest of the cornices and covings looked during the building’s original period. There are 5 doors on the landing, to the waiting room, the State Room, the pink room, the servant’s room and to a small stairs behind a cleverly-hinged door which once led to the viewing platform on the roof of the Casino. The roof was a very popular place to visit during the eighteenth and nineteenth centuries, due to the extravagant views it afforded down across the peaceful meadows to the seashore. Lord Charlemont likened this view to the Bay of Naples, and the peak of the Sugarloaf in the distance to Mount Vesuvius.“
The State Room:
“The first floor is also known as the Attic storey of the Casino or Temple as it is referred to on the maps here on this floor. Up here, our view our the window has been sacrificed so that no outside viewer could see this floor at all. What is visible from the windows, is how the floor slopes into a cavity which leads into a hollow column and the drainage system. There are four of these (nearest to each lion) neatly disguising a drainage system. Chambers designed this using engineering he had learned when he was in China. And it still works today. There are four rooms up on this level. Three of them are plain without stucco or plasterwork and very little decorative features. The grandest and largest upper room is called the State Room. The Casino is a neoclassical house, usually demonstrating restraint and austerity but here we have bling and ostentatiousness. The colour scheme here is consistent with later 18th century and the style more akin to Rococo or even Regency style.“
“We have gold painted Ionic fluted (grooved) columns separating the room. These are resplendent with pineapples proudly placed in the centre of the Scrolled Capitals (volutes). In the 19th century, lead from the roof was stolen and there was a lot of water damage particularly to this level of the house. While the hollow timber columns are not structural, they helped save the ceiling timbers from falling (so they were structural in the end). The inlaid floors and ceiling mouldings were mostly restored in the 1974-84 refurbishment by the OPW. It has been suggested that Chambers did not have a hand in its design but that Simon Vierpyl took charge here. There are no documented connections between Chambers and the top floor at all, and it is possible that when he ceased his work on the project (due to late payment of bills), it was intended to have just one floor above the basement level. On display in this room is Chambers’ original drawing for the Casino.“
“On the wall of the small (waiting) room adjacent to the State Room are the remains of a plinth on which a small daybed would have rested (like a chaise lounge). Imagine Lord Charlemont reclining on a bed practicing a Levee Ceremony. Levee, from the French lever – to rise, to get up, had, at the time, become a fashionable trend in aristocratic circles. Noblemen got dressed from their beds while receiving guests to discuss the day’s business. Here, it would have been practiced in a tongue-in-cheek way, much like a performance. Remember, this was a ‘pleasure house’ and a house for fun and entertainment. In any case, the State Room is a ‘show-off’ room and we believe that James Caulfeild, 4th Viscount and 1st Earl of Charlemont, was a bit of a show off.”
“Francis William Caulfeild, 2nd Earl of Charlemont (3 January 1775 – 26 December 1863) was the son of James and Mary above, and succeeded to the title of Earl on the death of his father in 1799. Until 1799, he had represented Armagh in the House of Commons. From 1806, he sat in the House of Lords. He had a keen interest in horticulture, and sat on the botany committee of the Royal Dublin Society. His name and that of his head gardener also frequently appeared in newspaper reports, as the winners of prizes for best flowers and fruit in agricultural shows in Dublin.
“He maintained and further improved the estate at Marino, as well as the other family residences in Charlemont House on Rutland Square, and Roxborough Castle in Co. Tyrone. It was at the house in Marino that he died in 1863, before being buried in the family crypt in Armagh.“
“Francis married Anne Caulfeild (née Bermingham), Countess of Charlemont (c. 1780 – 23 November 1876) on the 9th of February, 1802. She was a celebrated beauty in her youth. A bust of her by Joseph Nollekens was exhibited in Windsor Castle; Lord Byron wrote of his intense admiration for the beauty of this work and its muse. He wrote of Lady Charlemont’s beauty in other venues too, leading to speculation about their friendship.“
Anne’s sister Mary married Nathaniel Clements, 2nd Earl of Leitrim.
“Anne and Francis had four children – James, William, Maria, and Emily – all of whom died before the age of twenty-one. In later life, they seemed to live quite separate lives. On the accession of Queen Victoria, Anne was appointed Lady of the Bedchamber, and lived in London. Her address when she died, at the age of ninety-five, was Grosvenor St. Some watercolours and sketches she made while a young wife in Marino can be viewed in the National Library of Ireland. As Francis died with no living heirs, the title of Earl of Charlemont passed to his nephew, James Molyneux Caulfeild.“
In 1876, The 2nd Lady Charlemont (Anne Bermingham) died, after which the 3rd Earl, James Molyneux Caulfeild, son of the second Earl’s brother Henry Caulfeild (1779-1862), MP for County Armagh, and therefore grandson to the 1st Earl, inherited. He inherited the title from his uncle, Francis. He sold the estate lands. James the 3rd Earl married Elizabeth Jane Somerville, daughter of William Meredyth Somerville 1st Baron Athlumney, of Somerville and Dollarstown, Co. Meath
The website tells us: “He was born in Hockley, Armagh, and lived there until he moved to Cambridge for his education as an adult. He was later High Sheriff and MP for Armagh, as well as Lord Lieutenant for Co. Tyrone.
“Basing himself wholly in the north of Ireland, James lived at Roxborough Castle which, on the death of the 2nd Earl, he began remodelling and extending with the architect William Barre. Some items from the Dublin residences were transported north and reused in this house. On the death of Anne Caulfeild, he sold the estate (Casino included) at Marino to Cardinal Cullen, who donated most of it to the Christian Brothers. After James Molyneux Caulfeild, the title of Earl of Charlemont did not continue, although the title of Viscount continues down to the present day, the current holder being the 16th Viscount Charlemont.“
Cardinal Cullen who kept thirty acres for an orphanage (the O’Brien Institute), and gave the remaining land (over 300 acres) to the Christian Brothers.
[2] p. 201, Bence-Jones, Mark.A Guide to Irish Country Houses(originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988, Constable and Company Ltd, London.
I had a busy Open House Dublin this year as I made sure to be up and in front of my computer at 9am when booking started, to try to get a place to visit the Provost’s House. I didn’t manage to on the day, but I joined the Irish Architecture Foundation especially to try to see places not normally open to the public, and I was in luck! They later offered some tickets to see the Provost’s House on the Friday morning of Open House this year and I jumped at the chance.
I’m a bit late writing about it, as Stephen and I took a short jaunt to visit Venice for the first time! First of many, I hope, as I loved it. This time we only had time to see the Basilica di San Marco and the Doge’s Palace, and we went on a water bus trip up the Grand Canal.
The Provost’s House is a five bay two storey over basement house with later built wings, single-storey of seven bays each, which hold offices. It is built to impress, with a carved balustrade along the first floor stringcourse, and a row of Doric pilasters on the first storey facade topped with a frieze of metops and bucrania. The upper storey is limestone but the lower level has rusticated vermiculated stone which absorbs the pollution of the air and has become blackened.
Although Henry Keene is identified as the architect, it is said to copy Richard Boyle 3rd Earl of Burlington’s design for General Wade’s Mayfair house, but George Montague, in a letter to Horace Walpole in 1761, commented ‘The Provost’s House of the university is just finished after the plan of General Wade’s but half of the proportions and symmetry were lost at sea in coming over’.
The National Inventory tells us that it was commissioned for Provost Francis Andrews, and “Dr Frederick O’Dwyer has suggested that John Magill, the builder, conspired with Andrews to divert funds from the west front of Parliament Square for its building. Andrews was heavily criticised by contemporaries for removing his lodgings from the main college residences. It was extended in 1775 to designs by Christopher Myers and continued to be augmented and updated into the nineteenth century when John Mallet was paid £326 5s 3½d for plumbing works. According to Casey (2005), the interior is reminiscent of Richard Castle’s country house design for Bellinter in Co Meath, and of Castle’s design for number 85 Stephen’s Green. The octagonal stair supports an iron balustrade by Timothy Turner. The saloon chimneypiece decorative designs are derived from Boucher’s ‘Livres des Arts’. The interior plasterwork is by Patrick and John Wall and the carving by James Robinson and Richard Cranfield.“
Uptairs is a large salon which takes up nearly the entire floor and is perfect for the Provost’s entertaining. Traditionally, Provosts didn’t marry, so the house is not built for a family, it does not have large living quarters.
On Saturday Stephen and I went on a tour of Dun Laoghaire’s County Hall, and then to Loughlinstown House. Sunday I went to see a house in the Tenters in Dublin, then for an architect’s tour of the outside of the Royal Hospital Kilmainham. I can’t wait until the inside is open again, now being renovated by the Office of Public Works.
Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!
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2024 Diary of Irish Historic Houses (section 482 properties)
To purchase an A5 size 2024 Diary of Historic Houses (opening times and days are not listed so the calendar is for use for recording appointments and not as a reference for opening times) send your postal address to jennifer.baggot@gmail.com along with €20 via this payment button. The calendar of 84 pages includes space for writing your appointments as well as photographs of the historic houses. The price includes postage within Ireland. Postage to U.S. is a further €10 for the A5 size calendar, so I would appreciate a donation toward the postage – you can click on the donation link.
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Corolanty House, courtesy of National Inventory of Architectural Heritage.
Stephen and I visited Corolanty in February 2023. We were delighted to discover that we are related to the Chatelaine of the house, Siobhán Webb, née Bulfin. It was lovely to meet a cousin-by-marriage and to catch up on the family as well as seeing Siobhán’s home. The house belonged to her husband’s family and passed to him from his parents.
Corolanty is a five-bay three-storey over basement country house, the National Inventory tells us it was built c.1730. It has a two-storey addition to north. [1]
Researching Corolanty, I found a great online source of information, The midland septs and the Pale : an account of the early septs and later settlers of the King’s county and of life in the English Pale, by Francis Ryan Montgomery Hitchcock. [2]
This source claims that Corolanty house was built about 1698 by John Baldwin Jnr. whose father had had received a grant of land following the Cromwellian Plantation. This puts its construction earlier than the date of 1730 mentioned in the National Inventory. Before the house, a there was a castle at Corolanty, the ruins of which remain in the stable yard north of the house, consisting of the west walls of the structure and two flanking corner towers.
The house has a Gibbsian door surround and a spider web fanlight. A Gibbsean door surround is an eighteenth century treatment of door or window surround seen particularly in the work of the British architect, James Gibbs (1862-1754), characterised by alternating large and small blocks of stone or intermittent large blocks and a head composed of five voussoirs (the wedge-shaped blocks forming an arch; sometimes given prominence by being proud of the surrounding masonry, or by being of a different colour stone or brick) and a pediment or entablature.
The door is reached by four limestone steps. To the north of the house is a stable yard and the remains of Corolanty Castle. The Inventory tells us that there is a walled garden to the northwest of the house.
Francis Ryan Montgomery Hitchcock tells us that John Baldwin Junior’s father was High Sheriff of King’s County (i.e. Offaly) in 1672. John Baldwin Jr. in turn was High Sheriff of King’s County in 1697, and the following year, his father died, and the son survived for only one more year, dying in 1699.
The current occupant Siobhán is an artist (see her website https://bronzehorses.ie/contact/ ) and I am excited to learn that a sister of John Baldwin Jr, Elizabeth, married John Jervas who was also from Shinrone, County Offaly, and their son Charles Jervas (c. 1675-1739) was the famous artist who painted many portraits. Charles Jervas studied under Godfrey Kneller in London, who also painted many portraits, a Court painter to the British monarchy. Jervas succeeded Kneller as portrait painter for King George I and II. He painted a famous portrait of Jonathan Swift. William “Speaker” Conolly was a patron, and Jervas also painted the Cosbys of Stradbally Hall in County Laois (another Section 482 – see my entry).
Charles Jervas (1675-1739) by Thomas Priscott, after Gerard Vandergucht, courtesy of National Portrait Gallery NPG D8359.Jonathan Swift by Charles Jervas circa 1718, National Portrait Gallery 278.
John Baldwin Jr. had several children. Among them was Thomas (1679-1730), his heir. A daughter Mary married Edward Crow of Spruce Hall, Co. Galway in 1700. Another daughter, Catherine (b. 1677) married Thomas Meredyth (1680-1731), of Newtown, Co. Meath, M.P. in 1704. [see 2]
Thomas married Mary Eyre of Eyrecourt, County Galway, which was a grand house but which no longer exists, though its magnificent staircase is now in a museum in the United States, the Detroit Institute of Arts. It was purchased by William Randolph Hearst for his mansion in California, San Simeon, but it was never installed and was donated to the Detroit Institute of Arts after his death.
The staircase of Eyrecourt, photograph courtesy of Detroit Institute of Arts.
The interior has original decorative plasterwork and the original staircase. The interior has high ceilings – Siobhán pointed out that this was thought better for health at the time.
Thomas and Mary had two sons and two daughters. The younger son, Thomas, became Attorney General of Jamaica. Daughter Margery (d. 1776) married Charles Sadleir (1684-1729) of Castletown, County Tipperary (a wonderful looking fortified house from around 1600 which still stands), in 1718. The other daughter Lucy never married. [see 2]
Castletown, County Tipperary, courtesy of National Inventory of Architectural Heritage.Margery Baldwin married Charles Sadleir (1684-1729) of Castletown.
The heir, John, Francis Ryan Montgomery Hitchcock tells us, married Mary Wall (1707-1779), daughter of William Wall of Coolnamuck Castle, County Waterford, and was extravagant and dissipated the estate. He died in 1754, and his wife Mary remarried, this time to Hervey Morres (1706-1766), 1st Viscount Mountmorres. He was a widower, his former wife, Letitia Ponsonby, daughter of the 1st Earl of Bessborough, County Kilkenny, having died in 1754. [see 2]
Part of the Corolanty property came into the possession of Dr. Richard Baldwin (no relation of the original Baldwins of Corolanty), Provost of Trinity College. He died in 1750 leaving the whole of his estate to Trinity College. Hitchcock writes: “Though his parentage has been the subject of some dispute, he was not in any way related either to the Corolanty family, the Queen’s County Baldwins, or to the Baldwins of Dublin, who subsequently settled at Boveen, near Shinrone.” [see 2]
In a presentation given in Trinity College Dublin on 12th May 2008, a “Monday Discourse,” Peter Doyle tells us about Richard Baldwin:
“Richard Baldwin ruled as Provost from 1717 to 1758, a span of no less than 41 years. He held office for longer than any other Provost either before or after him, and when I tell you that he was also the oldest ever Provost, you may begin to get a measure of this remarkable man. He was buried in the old College Chapel, and when this was pulled down to make way for the present Chapel in 1798, his remains were transferred to that little graveyard that you can still see tucked away in a corner between the Chapel and the Dining Hall. A simple slab marks the spot.Baldwin was a bachelor, in Holy Orders, as prescribed by the statutes, and his whole life was dedicated to the service of the College. And at the end he put his money where his mouth was, so to speak, for he bequeathed most of his substantial fortune to the College.” [see https://www.tcd.ie/Secretary/FellowsScholars/discourses/discourses/2008_P%20Boyle%20on%20R%20Baldwin.pdf ]
Samuel Lewis’s Topographical Dictionary of Ireland lists the occupant of Corolanty as R. Hammersley in 1837. Richard Sadleir Hammersley, a captain in the army, lived in Corolanty house Shrinrone with his wife Wilhelmina Sadleir in the early 1800s. He had issue and lived there until the 1860s or so. [3] His daughter Grace married George Nuttall Smith in 1830. His son Richard married his cousin, Mary Sadleir. [4]
At the time Hitchock wrote his book, in 1908, he writes that Corolanty was owned by Edward Francis Saunders, who represented the male line of that family, formerly of Saunders Court, Co. Wexford (demolished in 1891 but an impressive gateway remains), and Newtown Saunders, Co. Wicklow. [see 2]
Corolanty is now owned by the Webb family. Current owner George’s grandfather used to farm it with a horse and plough. There were dog kennels for his hunting dogs.
The Webbs maintain stables and Siobhán showed us a photograph of a hunt gathered by the old castle ruin.
Upstairs has a lovely wide landing with two archways, one of which currently has a curtain hanging from it, presumably to prevent draughts. The broad landing is the width of a room, and leads off to bedrooms. The ceiling of the landing has more fine plasterwork, although one ceiling rose has been damaged.
[4] The Chronicles Of a Puritan Family in Ireland [Smith (formerly) of Glasshouse] by G. N. Nuttal-Smith, M.A., T.C.D. Formerly Rector of Wynberg, Cape of Good Hope, From Notes collected by R. Wm. Smith, Junr., B.A. (Pemb. Coll. Cantab.) Printed by Frederick Hall at The Oxford University Press 1923.
Woodville House is a five bay, two storey over basement house dating from about 1800. The house, situated on a working farm, belongs to the Roche Family who have lived here since 1876. We were shown around by current owner Gerald Roche.
You can book to stay in Woodville on the Airbnb website. [1]
The avenue to the house winds through parkland planted with trees including Sequoia, cedar, pines, cypress and a Wollemi pine, the website tells us. Sheep graze the pasture land.
It is thought that the house was built by the Tottenhams: the first mention of it is as the home of Edward Tottenham. Edward William Tottenham (1779-1860) was son of Charles (1743-1823), an MP from New Ross in County Wexford. Edward William’s grandfather, another Charles (1716-1795) married Anne Loftus, daughter of Nicholas Loftus (d. 1763) 1st Viscount of Ely. Charles’s father, another Charles (“Tottenham in his boots”), married Mary Grogan from Johnstown Castle in County Wexford, so Edward William Tottenham was from well-connected stock.
The website tells us that the house was subsequently lived in by a Reverend Minchen. Patrick James Roche, great grandfather of the present owner, purchased the house in 1876, just sixteen years after the death of Edward William Tottenham. The National Inventory mentions Patrick James Roche (1818-1905): ‘Magistrate [and] Maltster [and] Corn Merchant late of Woodville New Ross County Wexford.’ P.J. Roche shipped his grain to Scotland to be made into whiskey and created a fine malting establishment in New Ross, County Wexford. Current owner of Woodville, Gerald, told us that at one stage 70% of Scottish whisky was made with Irish malt. The Roches also supplied Guinness brewery with malt.
Woodville passed to P.J’s son, another Patrick James (d. 1954). He married Gwendoline née Gallwey from Tramore. The property then passed to Gerald’s father Peter and Peter’s wife Irene née Mathews who went by the unusual nickname of Mocken. Her family were from Mount Hanover in County Meath.
The Enniscorthy Castle website tells us that Patrick J. Roche negotiated with the Earl of Portsmouth for his son Henry J. Roche to live in the castle in Enniscorthy with his wife Josephine Shriver, from 1903.
The Earl of Portsmouth at that time was Newton Wallop (1856-1917), 6th Earl of Portsmouth. He was Deputy Lieutenant of County Wexford.
Josephine’s family was American and married into the famous Kennedy family. Josephine and Henry’s daughter, also named Josephine (“Dodo”), was the last to live in the Castle and it was sold in 1953. Gerald told us that his great grandfather restored the castle and it was given to the nation because of the high death duties on the property.
Enniscorthy Castle, County Wexford, photograph courtesy of Failte Ireland.Woodville House, photograph courtesy of Woodville house website.
The front door is described in the National Inventory: “Round-headed central door opening approached by flight of six cut-granite steps, doorcase with engaged columns on cut-granite padstones supporting “Cyma Recta”- or “Cyma Reversa”-detailed cornice [this refers to the shape of the moulding] on fluted frieze on entablature, and moulded rendered surround framing timber panelled double doors having fanlight.”
The side and back of the house have slate hung surface finish widely regarded as an increasingly endangered hallmark of the architectural heritage of County Wexford, according to the National Inventory. The slate reminded me of Drishane House in County Cork. Gerald told us that the slate is from Bangor in Wales and was used as ballast in ships, and that the slate finish on houses is common in Kinsale in County Cork also, from where grain was also shipped. The slate is better waterproofing than lime plaster.
A 2006 addition to the house cleverly complements the older building: in the photograph above, the wing on the right is the 2006 enlargement. It is beautifully finished to merge with the rest of the house. The left wing was added in 1880 and contains the billiard room.
Woodville house has two gate lodges, one a gothic lodge opposite the river Barrow and the other a 19th century Italianate gate lodge with gates at the southern end of the property. This entrance way and avenue were built after the construction of the now disused railway.
Visitors to the house can view the reception rooms, the former billiard room with faithfully copied and printed original wallpaper and Victorian conservatory by the Messenger Company, Thomas Messenger and Sons (fl. 1797-1920) of Birmingham and London. The walled garden was never let go and is beautifully maintained by its current owners. It covers three quarters of an acre.
One of the rooms has beautiful paint work on the wall by Michael Dillon, which pictures several favourite occupations of the family, including music, fishing and gardening. See http://www.dillonmurals.com/ about his mural work.
The website tells us that a laurel shrubbery to the front of the house is planted with colourful flowering cherry, Paulownia, Crinodendron, and Catalpa, and leads down to the double tennis courts which in turn leads to the water garden.
The water garden was created by Gerald’s parents Peter and Irene. They started it in 1963 and planted under the embankment of the old New Ross to Macmine Junction Railway. The water garden, the website tells us, is a tranquil haven of shade and water-loving plants: ferns, hostas, Arisarum proboscideum (the fetching mouse plant), Clematis, Astilbe and trilliums, as well as Cornus controversa and others. A series of dropping pools are shaded by majestic oaks and a Metasequoia glyptostroboides (the dawn redwood).
The Victorian walled garden at the rear of the house is 0.5 hectares in size with conservatories, vegetable garden, fruit trees, herbaceous borders and lawn. The original box hedging encloses different plantings – although Gerald pointed out how he has been troubled by box blight. The website tells us that the first plant to feature in spring is a Magnolia soulangeana followed by a spring border of snowdrops, crocus & narcissi.
The website describes the plants in the walled garden:
“In May the iris border comes into full bloom, a nearby bed is devoted to blue flowering plants including Chatham Island forget-me-not (Myositidium hortensia). Later the roses present a striking and colourful display contrasting with the box hedging while the reds, yellows and oranges of later summer put in an appearance. Rosa banksiae ‘Lutea’ flowers in the contemplative garden, a sunny corner and vantage point.“
The garden also provides fresh fruit and vegetables for the household. The website continues:
“The greenhouses designed by Messenger and built by P J Roche in the 1880’s house grapevines, peaches and nectarines as well as exotic and tender flowers plumbago, red and white nerines, vines and an old asparagus fern. A large bed of Crambe maritima (seakale) beloved of the Victorians is maintained as are beds of globe artichoke and asparagus.
“The garden was extensively planted with several varieties of apple, pear and cherry, which carefully pruned and espaliered on frames and against the walls of this sunny garden, provide visual structure and a rich harvest.
“The dairy walk, so called because in the past it was the route taken from farmyard to the dairy in the basement of the house, features a blaze of Embothrium coccineum flowering vigorously in May following on witch hazel (Hamamalis mollis), rhododendrons, camellias and azaelias producing spectactular and colourful effects in early summer.“
Elizabeth Stuart née Yorke (1789-1867). Lady Stuart de Rothesay, with her daughters Charlotte (1817-1861) and Louisa (1818-1891) by George Hayter, photograph courtesy of UK Government Art Collection. She was the daughter of Philip Yorke, 3rd Duke of Hardwicke, and wife of Charles Stuart 1st and last Baron Stuart de Rothesay.Charlotte married Charles John Canning 1st Viceroy of India, 2nd Viscount, 1st Earl Canning; Louisa married Henry de la Poer Beresford 3rd Marquis of Waterford.Philip Yorke (1757-1834), 3rd Duke of Hardwicke, former Lord Lieutenant of Ireland, 1836 by engraver William Giller after Thomas Lawrence, courtesy of National Gallery of Ireland.
Having recently revisited the wonderful Casino (“little house”) in Marino, my entry for the Dublin Office of Public Works properties is becoming too long so I have to split it up into several entries, starting today with my entry for the Aras an Uachtaráin, the House of the President, in Phoenix Park. I will be publishing my updated Casino entry soon.
I haven’t been visiting Section 482 properties in the past two months, as I was experiencing “burnout.” As lovely as it is to visit historic properties, it is difficult arranging visits with owners. I feel like I am treading on toes, especially because I will be publishing about my visit, which I can understand alarms owners. It is so much easier visiting public properties. I am also still catching up writing about properties which I visited during the year, and sending entries to owners before publication, seeking approval.
Every weekend which passes, however, without a visit to a Section 482 property is an opportunity missed, and I do hope that the properties which I will not have time to visit this year will continue to be on the Section 482 list next year! Already since I started this project in 2019, some properties have dropped off the list and I have missed the chance to visit.
I’m already excited about the 2024 list, and I will be creating my calendars next year for the 2024 Section 482 properties, which will be available to purchase via this website. Unfortunately the Revenue does not publish the list until late February, so I won’t be able to have the calendars ready at the beginning of the new year. However, I have calendars for sale currently which do not list opening dates for the properties but have all of the pictures of the properties, and which can be used in any year. They would make a good Christmas present!
Section 482 any year calendar A5 size
2024 Diary of Irish Historic Houses (section 482 properties)
To purchase an A5 size 2024 Diary of Historic Houses (opening times and days are not listed so the calendar is for use for recording appointments and not as a reference for opening times) send your postal address to jennifer.baggot@gmail.com along with €20 via this payment button. The calendar of 84 pages includes space for writing your appointments as well as photographs of the historic houses. The price includes postage within Ireland. Postage to U.S. is a further €10 for the A5 size calendar, so I would appreciate a donation toward the postage – you can click on the donation link.
€20.00
Office of Public Works Properties in Dublin:
1. Áras an Uachtaráin, Phoenix Park, Dublin
2. Arbour Hill Cemetery, Dublin
3. Ashtown Castle, Phoenix Park, Dublin – closed at present
4. The Casino at Marino, Dublin
5. Customs House, Dublin
6. Dublin Castle
7. Farmleigh House, Dublin
8. Garden of Remembrance, Dublin
9. Government Buildings Dublin
10. Grangegorman Military Cemetery, Dublin
11. Irish National War Memorial Gardens, Dublin
12. Iveagh Gardens, Dublin
13. Kilmainham Gaol, Dublin
14. National Botanic Gardens, Dublin
15. Phoenix Park, Dublin
16. Rathfarnham Castle, Dublin
17. Royal Hospital Kilmainham in Dublin – historic rooms closed
18. St. Audoen’s, Dublin
19. St. Enda’s Park and Pearse Museum, Dublin
20. St. Stephen’s Green, Dublin
donation
Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!
“Áras an Uachtaráin started life as a modest brick house, built in 1751 for the Phoenix Park chief ranger. It was later an occasional residence for the lords lieutenant. During that period it evolved into a sizeable and elegant mansion.
“It has been claimed that Irish architect James Hoban used the garden front portico as the model for the façade of the White House.
“After independence, the governors general occupied the building. The first president of the Republic of Ireland, Douglas Hyde, took up residence here in 1938. It has been home to every president since then.” [1]
Phoenix Park was originally formed as a royal hunting Park in the 1660s, created by James Butler the Duke of Ormond. A large herd of fallow deer still remain to this day. Since it was a deer park it needed a park ranger. One of the park chief rangers was Nathaniel Clements (1705-1777), who was also an architect, and it was he who built the original house in 1751 which became the Aras. He was appointed as Ranger and Master of the Game by King George II in 1751. Clements was also an MP in the Irish Parliament.
Photograph from the National Library, from when the building was the Vice Regal Lodge.This is the front which faces Chesterfield Avenue.Photograph is by Robert French, and the photograph is part of the Lawrence Photographic Collection, Date: between circa. 1865-1914, NLI Ref: L_ROY_00335The Vice-Regal Lodge (Lord Lieutenant’s Residence), Phoenix Park, Dublin After John James Barralet, Irish, 1747-1815, photograph courtesy of National Gallery of Ireland.
Clements accumulated much property including Abbotstown in Dublin, and estates in Leitrim and Cavan. In Dublin, he developed property including part of Henrietta Street, where he lived in number 7 from 1734 to 1757. For more about him, see Melanie Hayes’s wonderful book The Best Address in Town: Henrietta Street, Dublin and its First Residents, 1720-80 published by Four Courts Press in 2020. Another house he designed, which is sometimes on the Section 482 list, is Beauparc in County Meath, and another Section 482 property, Lodge Park in County Kildare. Desmond Fitzgerald also attributed Colganstown to him, a house we visited in 2019, though this is not certain. [2]
7 Henrietta Street, recently for sale, photograph courtesy of myhome.ie, built for Nathaniel Clements, who also built the house that has become Aras an Uachtarain.Number 7 Henrietta Street, from myhome.ie. The interior retains an original double-height open-well staircase and early dog-leg closed-string service stair with original plasterwork and joinery throughout. Laid out by Luke Gardiner in the 1720s, Henrietta Street is a short cul-de-sac containing the finest early Georgian houses in the city, and was named after Henrietta Crofts, the third wife of Charles Paulet, 2nd Duke of Bolton and Lord Lieutenant in 1717-1721.
We attended a few of President Higgins’s summer parties at the Aras. These are open to the public, by booking tickets.
The Entrance Hall of the Áras dates from 1751 from the time of Nathaniel Clements, and features a magnificent barrel-vaulted ceiling with plaster busts in the ceiling coffers.
The Council of State Room is part of the original 1751 house. The ceiling, installed by Nathaniel Clements in 1757, is by Bartholomew Cramillion and depicts three of Aesop’s Fables – the Fox and the Stork, the Fox and the Crow and the Fox and the Grapes.
The administration of the British Lord Lieutenant bought the house from Nathaniel Clements’ son Robert 1st Earl of Leitrim in 1781, to be the personal residence for the Lord Lieutenant. In 1781 the Viceroy, or Lord Deputy, was Frederick Howard, 5th Earl of Carlisle. The building was rebuilt and named the Viceregal Lodge. At first it served as a summer residence, while the Viceroy stayed in Dublin Castle for the winter. The first “Lord Lieutenant” was his successor, William Henry Cavendish Bentinck, 3rd Duke of Portland.
The house was extended when acquired for the Viceroys to reflect its increased ceremonial importance. Mark Bence-Jones tells us that after being bought by the government, the house was altered and enlarged at various times. David Hicks tells us in his Irish Country Houses, A Chronicle of Change that all those who were awarded the position of Lord Lieutenant were from titled backgrounds and accustomed to grand country houses in England, so they found the Viceregal Lodge to be unimpressive. The 3rd Earl of Hardwicke, Philip Yorke, was the first Lord Lieutenant after the Act of Union in 1800, in 1801-1806. Yorke supported Catholic emancipation. In 1802 Yorke employed Robert Woodgate, a Board of Works architect, to make some alterations to the house, adding new wings to the house.
Photograph from the National Library of Ireland.This is the garden side of the house.The double height pedimented portico of four gian Ionic columns was added in 1815 by architect Francis Johnston.Photograph is by Robert French, and the photograph is part of the Lawrence Photographic Collection, Date: between circa. 1865-1914, NLI Ref: L_CAB_02652.Philip Yorke, 3rd Earl of Hardwicke, (1757-1834), Former Lord Lieutenant of Ireland Date 1836 Engraver William Giller, British, c.1805-after 1868 After Thomas Lawrence, English, 1769-1830, photograh courtesy of National Gallery of Ireland.
Additional work was carried out by Michael Stapleton – who was an architect as well as noted stuccadore – and Francis Johnston. In 1808, when Charles Lennox, 4th Duke of Richmond was Lord Lieutenant, Johnston added a Doric portico to the entrance front, and the single-storey wings were increased in height.
In 1815, Johnston extended the garden front by five bays projecting forwards, and in the centre of this front he added the pedimented portico of four giant Ionic columns which is the house’s most familiar feature.
It was not until the major renovations in the 1820s that the Lodge came to be used regularly by Lord Lieutenants. In the 1820s the Lord Deputy was Richard Wellesley, 1st Marquess Wellesley, 2nd Earl of Mornington, brother of the Duke of Wellington of Waterloo fame. See my footnotes for some portraits of Vicereines and Viceroys who may have lived in the Aras.
Richard Colley Wellesley (1760-1842), 2nd Earl of Mornington and 1st Marquess Wellesley by John Philip Davis courtesy of National Portrait Gallery in London NPG 846.
Maria Phipps née Liddell, Marchioness of Normanby (1798-1882),Vicereine 1835-39, laid out the gardens along with Decimus Burton in 1839-40. Decimus Burton also designed many gardens in London including St. James’s Park, Hyde Park Corner and Regent’s Park. He was also an architect.
In 1849 the east wing was added, which houses the new State Dining Room. The financing of any royal visit was a matter of concern for Lord Lieutenants as they had to finance any improvements to the Viceregal Lodge. It was during the tenure of George Villiers, 4th Earl of Clarendon (1800-1870), that Queen Victoria visited, with the idea that this would boost morale after the famine.
Queen Victoria planted a Wellingtonia Gigantea tree which is still standing (others have planted trees also, including Queen Alexandria and Barak Obama, Charles de Gaulle, John F. Kennedy, Pope John Paul II and King Juan Carlos of Spain).
In 1854 the west wing was added, also designed by Jacob Owen. Queen Victoria visited again in 1853, and at this time the Viceregal Lodge was connected to the public gas supply, in order to illuminate the reception rooms and also to provide public lighting throughout Phoenix Park.
A new part of the West Wing was added for the visit of George V in 1911, during the Lord Lieutenancy of John Campbell Hamilton-Gordon, 1st Marquess of Aberdeen and Temair.
The office of Lord Lieutenant was abolished in 1922 when the Irish Free State came into being. From 1922 until 1932 it was the residence of the Governor General of the Irish Free State. In 1922 Tim Healy was sworn in as Governor General. Over the following weeks, the former Viceregal Lodge was attacked and came under heavy fire on regular occasions.
The State Dining Room contains furniture by James Hicks of Dublin. The early 19th century fireplaces were originally a gift to Archbishop Murray of Dublin in 1812 “by his flock” for his residence at 44 Mountjoy Square, and were brought to the house in 1923, upon the sale of the house in Mountjoy Square, by the first Governor General of the Irish Free State, Tim Healy.
In 1937 when the office of President of Ireland was established, the house became the house of the president. The first President was Douglas Hyde (President of Ireland 1938-1945).
During the incumbency of President Sean T. O’Kelly, in 1948, a mid-C18 plasterwork ceiling attributed to Cramillion representing Jupiter and the Four Elements, with figures half covered in clouds, was brought from Mespil House, Dublin, which was then being demolished, and installed in the President’s Study, one of the two smaller rooms in the garden front of the original house, which we did not see.
The Mespil House ceiling was brought here at the instigation of Dr. C.P. Curran, who was also instrumental in having casts made of the plasterwork by the Francini, or Lafranchini, brothers, at Riverstown House, Co. Cork, which then seemed in danger; and which have been installed in the ballroom and in the adjoining corridor.
The State Reception Room (formerly the ballroom) features a plaster cast of a Lafranchini panel in the ceiling. The Lafranchini brothers were 18th century Swiss stuccodores who also worked on Carton and Castletown Houses. See my entry about Riverstown House https://irishhistorichouses.com/2022/10/05/__trashed/.
The State Corridor, also called the Lafranchini Corridor, leads from the Entrance Hall past the State Reception Room. This corridor was originally part of the orchestra pit for the adjoining ballroom. It was created as a corridor in the 1950s. One side of the corridor is lined with bronze busts of Irish Presidents mounted on marble columns and the other side features stucco panels showing classical figures. These too are casts taken from Riverstown House.
Later additions to the gardens were carried out by Ninian Niven, who designed Iveagh Gardens in Dublin. The gardens contain many Victorian features including ceremonial trees, an arboretum, wilderness, pleasure grounds, avenues, walks, ornamental lakes and a walled garden, which contains a Turner peach house and which grows the food and flowers organically.
Some of the Viceroys and Vicereines who lived there may include (portraits below are from the 2021 exhibition of Vicereines that took place in Dublin Castle): William Henry Cavendish-Bentinck the 3rd Duke of Portland and his wife Dorothy (Viceroy 1782), George Nugent-Temple-Grenville, 11st Marquess of Buckingham (Viceroy 1782), Charles Manners the 4th Duke of Rutland (1754-1787), Viceroy 1784-87, and his wife Mary Isabella, Charles Lennox the 4th Duke of Richmond and his wife Charlotte (Viceroy 1807-1813), Hugh Percy 3rd Duke of Northumberland and his wife Charlotte Florentia (Viceroy 1829-30), Constantine Henry Phipps 1st Marquess of Normanby and his wife Maria Phipps (Viceroy 1835-39), James Hamilton 1st Duke of Abercorn and his wife Louisa (Viceroy 1866-68 and 1874-76), Thomas de Grey, 2nd Earl de Grey, 3rd Baron Grantham, 6th Baron Lucas and his wife Henrietta Cole from Florence Court, County Fermanagh (Viceroy 1841-1844), Charles Vane-Tempest-Stewart, 6th Marquess of Londonderry and his wife Theresa (Viceroy 1886-89), John Spencer, 5th Earl Spencer (Viceroy 1868-74 and 1882-5), John Hamilton-Gordon, 1st Marquess of Aberdeen and Temair (Viceroy 1886 and 1905-1915)and Ivor Guest, 1st Viscount Wimborne (Viceroy 1915-1918).
Irish Historic Houses 