Damer House and Roscrea Castle, County Tipperary, Office of Public Works properties

General information: 0505 21850, roscreaheritage@opw.ie

Damer House Roscrea County Tipperary, photographer creator Kerry Kissane All around Ireland 2021 courtesy Tipperary tourism, Ireland’s Content Pool [1]

Finding ourselves with some spare time this Heritage Week (2024) after visiting Emo in County Laois, we drove over to Roscrea, to visit Damer House and Roscrea Castle.

From the OPW website https://heritageireland.ie/visit/places-to-visit/roscrea-heritage-centre-roscrea-castle-and-damer-house/:

In the heart of Roscrea in County Tipperary, one of the oldest towns in Ireland, you will find a magnificent stone motte castle dating from the 1280s. It was used as a barracks from 1798, housing 350 soldiers, and later served as a school, a library and even a sanatorium. 

Sharing the castle grounds is Damer House, named for local merchant John Damer [d. 1768], who came into possession of the castle in the eighteenth century. The house is a handsome example of pre-Palladian architecture. It has nine beautiful bay windows. One of the rooms has been furnished in period style.

The grounds also include an impressive garden with a fountain, which makes Roscrea Castle a very pleasant destination for a day out. There is also a restored mill displaying St Crónán’s high cross and pillar stone.

Damer House, Roscrea, 21st August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The castle and Damer house both sit inside bawn walls. Parts of the walls and outbuildings are in good condition, considering their age!

Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Damer House and Roscrea Castle sit within bawn walls, 21st August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A reconstruction of what the castle would have looked like, in an exhibition in the Annex to Damer House.
Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Parts of the walls and outbuildings at Roscrea Castle are in good condition, considering their age! 21st August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The bawn of Roscrea Castle with “Ormond tower,” August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

This was originally the site of a motte and bailey fortification known as King John’s Castle. The original wooden castle was destroyed in the late 13th century and was replaced with a stone structure built in 1274-1295 by John de Lydyard. The castle was originally surrounded by a river to the east and a moat on the other sides. [2] It was granted to the Butlers of Ormond in 1315 who held it until the early 18th Century. The castle as we see it today was built from 1332.

Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Damer House and Roscrea Castle sit within bawn walls, 21st August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Roscrea Castle was sold to the Royal Hospital, Kilmainham, by James Butler, 2nd Duke of Ormond in 1703. It was bought by the Damers, who built an elegant  three-storey nine bay pre-Palladian house in the courtyard in c. 1730.

The Dictionary of Irish Biography tells us:

The Damer of folklore tradition is a conflation of the first Joseph [c.1630–1720] with his nephew John [1674-1768]. Thus, while Damer built himself a house in County Tipperary in the seventeenth century, the traditional stories about Damer’s Court (or Damerville) relate to a house built by John after his uncle’s death. John’s brother Joseph [1676–1737] built the Damer House in Roscrea, which was saved from demolition in the 1970s and subsequently restored. The Guildhall Library, London, has Damer correspondence among its Erasmus Smith papers.” [3]

In their book The Tipperary Gentry, Hayes and Kavanagh tell us that Joseph Damer (c.1630–1720) was born in Dorset in England in 1630. [4] He came to Ireland after the restoration of Charles II when land was being sold cheaply by Cromwellian soldiers who were given land instead of pay but did not want to remain in Ireland. Joseph Damer bought land in Tipperary, settling at Shronell, and established himself as a moneylender, lending to other landowners on mortgages. He also became involved in banking in Dublin. His nephew John (1674-1768) acted as his agent in Tipperary.

Joseph had no children and left his vast fortune when he died in 1720 to his nephews John (1674-1768) and Joseph (1676–1737), sons of his brother George Damer. He was so wealthy that he entered folklore with tales of how he gained his wealth, and he was compared to King Midas, as if everything he touched turned to gold.

Jonathan Swift wrote a ditty mocking Joseph Damer’s parsimony:

He walked the streets and wore a threadbare cloak

He dined and supped at charge of other folk

And – by his look – had he held out his palms

He might be thought an object fit for alms.

The Dictionary of Irish Biography tells us:

Despite his reputation for miserliness, Damer was a benefactor of presbyterianism and, by some accounts, unitarianism. He and his nephew John (1673?–1768) were among the trustees and managers of the General Fund established in 1710 to support the protestant dissenting interest; another fund was established in 1718 to support the congregation in New Row in Dublin.” [see 3]

The nephew John had no children and his brother Joseph (1676–1737) inherited. Joseph sat in the British parliament for Dorchester (1722–27) and became MP for Tipperary in 1735. He died two years later. He married Mary Churchill, daughter of John Churchill of Henbury, Dorset.

Robert O’Byrne tells us that his son Joseph (1717-1798) inherited the house and castle was later created the Earl of Dorchester. [5] He was an absentee landlord and his brother managed his Irish properties. He built a mansion named Damerville which was very grand, but was demolished in 1775. Their sister Mary married William Henry Dawson, 1st Viscount Carlow, who lived at Emo in Laois. It was her offspring who later inherited the Damer properties.

Joseph’s son John (1744-1776) married Ann Seymour, a sculptress. He spent all of his inheritance and killed himself. Subsequently it was his younger brother George who inherited the title to become 2nd Earl of Dorchester. None of Joseph’s offspring had children, however, so the properties passed to the 2nd Earl of Portarlington, a second cousin, who assumed the name Dawson-Damer.

Mary Seymour, who according to Mealy’s sales catalogue married John Dawson 1st Earl of Portarlington of Emo Court, by Thomas Heaphey, courtesy of Fonsie Mealy auction; I think she married George Lionel Dawson-Damer, son of 1st Earl.

Mary who had married the 1st Viscount Carlow had a son John Dawson (1744-1798) who became 1st Earl of Portarlington, Queen’s County. He married Caroline Stuart, daughter of the 3rd Earl of Bute and his writer wife, Mary Wortley Montagu. He commissioned James Gandon to built Emo Court in Queen’s County (Laois). It was his son John Dawson (1781-1845), 2nd Earl of Portarlington, who inherited the Damer fortune and lands, and added Damer to his surname.

John Dawson 2nd Earl of Portarlington by Count D’Orsay courtesy of National Portrait Gallery in London NPG D5547
Lady Mary Wortley Montagu (1718-1794), Wife of John Patrick Crichton Stuart 3rd Earl of Bute, print after Christian Friedrich Zincke, 1830s, courtesy of National Portrait Gallery of London, NPG D34619.

Damer House has a scroll pediment doorway and inside, a magnificent carved staircase. The Irish Georgian Society was involved in saving it from demolition in the 1960s. [for more photographs, see https://theirishaesthete.com/tag/damer-house/ ] The stairs and floor in the front hall are original to the house. The stairs are similar to ones in Cashel Palace, which was the Archbishop’s Palace, and is now an upmarket hotel. See the website of the Irish Aesthete for photographs of this staircase: https://theirishaesthete.com/tag/cashel-palace/

Unfortunately we were not allowed to take photos inside Damer House! I took this one before the tour guide told us we can’t take them – I think it’s a shame and cannot see the sense in it so am publishing this. Damer House, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Damers didn’t live in the house and it was rented out to various tenants.

Robert O’Byrne tells us about the history of the house:

In 1798 the house was leased as a barracks and then the whole site sold to the British military in 1858. At the start of the last century the Damer House became ‘Mr. French’s Academy’, a school for boys, reverting to a barracks for the National Army during the Civil War, then being used as a sanatorium, before once again in 1932 serving as a school until 1956, then a library. By 1970 it was empty and unused, and the local authority, Tipperary County Council, announced plans to demolish the house and replace it with an amenity centre comprising a swimming pool, car park, playground and civic centre (it had been nurturing this scheme since as far back as 1957). The council’s chairman wanted the demolition to go ahead, declaring that ‘as long as it stands it reminds the Irish people of their enslavement to British rule,’ and dismissing objectors to the scheme as ‘a crowd of local cranks.’ In fact, most of the so-called ‘crowd’ were members of the Old Roscrea Society and in December 1970 this organisation was offered help by the Irish Georgian Society in the campaign to save the Damer House.

Robert O’Byrne suggests that the large annex to one side of Damer House was probably added during its time as use as a military barracks. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The side of Damer House, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photographs from an exhibition of the restoration of Damer House in the Annex.
Photographs from an exhibition of the restoration of Damer House in the Annex.
Photographs from an exhibition in the Annex.

Upstairs in Damer House there’s also Exhibition space, but we did not have much time to browse.

Exhibition in Damer House.
“Angel” by Paula Rego.
“Kelp Cailleagh” after “Angel” by Paula Rego, by Rachel Parry. Archival print of Rachel Parry in a dress made of dried seaweed, photographed in Allihies by Thomasz Madajczak.
Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

After our tour of Damer House we crossed the yard for a tour of the castle.

Roscrea Castle fell into disrepair in the 19th century, and when the roof collapsed extensive repairs were needed in the 1850s. It was named a national monument in 1892, and is now under the care of the OPW. 

A reconstruction of what the castle would have looked like, in an exhibition in the Annex to Damer House.
A reconstruction of what Roscrea Castle would have looked like, in an exhibition in the Annex to Damer House.
Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The original entrance to the castle is to one side of where we enter today – you can see the drawbridge in the photograph above.

Information board inside the Roscrea Castle.
The original entrance to Roscrea Castle had a drawbridge over a moat. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The entrance to Roscrea Castle would have had a portcullis. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The entrance to Roscrea Castle would have had a portcullis. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This is the door from inside Roscrea Castle, which leads to the drawbridge. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Castle was located on one of the five main roads in ancient Ireland, and it was essential for the Normans to control this route. In 1315 King Edward II handed the castle over to James Butler, 1st Earl of Ormond.

Probably James Butler (c. 1305-1337), the 1st Earl of Ormond. St. Mary’s church, Gowran, June 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The castle had many defensive features. The curtain wall is approximately three metres thick, which allowed for a wall-walk from which soldiers had a view of the surrounding area. The River Barrow formed a moat around the east face of the castle, and the Normans constructed a dry moat on the west side. The river was diverted in the 19th century.

Inside the castle reception area there’s a grille on the floor, which is the “oubliette” (from the French, meaning “to forget.”). However, in this case, people were imprisoned here between court dates, the guide told us.

Above the drawbridge is a machicolation from which boiling substances could be dropped, and there are also arrow loop windows for defence. The stairs, called “trip steps” were deliberately built of different heights and widths to impede the intruder. The spiral clockwise to make it more difficult for the enemy to fight his way up the steps.

Silver from nearby silvermines would have been stored in the castle.

Inside Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Eoin Roe O’Neill (d. 1649), at the head of 1,200 men, stormed Roscrea in 1646 and reportedly killed every man, woman and child. The only survivor was the governor’s wife, Lady Mary Hamilton (1605-1680), who was a sister to the Earl of Ormond [married to George Hamilton, 1st Baronet of Donalong County Tyrone and of Nenagh, County Tipperary]. She was again forced to play host in the castle to O’Neill three years later which again ended by the guests looting everything in sight. [7]

Owen Roe O’Neill By Unknown, Van Brugens – Ulster Journal of Archaeology Volume 4, Public Domain, https://commons.wikimedia.org/w/index.php?curid=17552770.jpg
Inside Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inside Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inside Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Larger windows were a later addition. Originally there would be only small loopholes. Before glass, the larger windows would be covered with skins to keep out the draught. The inside would have been limewashed, the white walls would then brighten the interior. The fireplace would also provide light.

Inside Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The floor above the banquet room has three fireplaces. The large room was probably partitioned.

Inside Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inside Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There’s a minstrils’ gallery. Minstrils were of the lower class and were kept away from aristocratic guests to prevent spreading any infection.

Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Exhibition panel at Damer House.
Exhibition panel at Damer House about excavation.

After our tour of the castle we had a little time to explore the gardens.

Roscrea Castle, photograph from Ireland’s Content pool, by Chris Hill 2014 for Failte Ireland.
Gardens at Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Gardens at Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Exhibition panel at Damer House.
The back of buildings at Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The back of buildings at Roscrea Castle, August 2024. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://www.irelandscontentpool.com/en

[2] See the blog of Patrick Comerford, http://www.patrickcomerford.com/search/label/castles?updated-max=2019-03-03T14:30:00Z&max-results=20&start=27&by-date=false

[3] https://www.dib.ie/biography/damer-joseph-a2390

[4] Hayes, William and Art Kavanagh, The Tipperary Gentry volume 1 published by Irish Family Names, c/o Eneclann, Unit 1, The Trinity Enterprise Centre, Pearse Street, Dublin 2, 2003.

[5] https://theirishaesthete.com/2013/09/23/bon-anniversaire/ and see my write-up about Emo Court, in OPW properties in Leinster: Laois.

[6] https://theirishaesthete.com/tag/damer-house/

[7] http://www.cahirhistoricalsociety.com/articles/cahirhistory.html

Kilkenny Castle, County Kilkenny, an Office of Public Works property

The garden front of Kilkenny Castle, photograph by macmillan media 2016 for Tourism Ireland, Ireland’s Content Pool. It sits on the banks of the River Nore. [1]

From the OPW website:

Built in the twelfth century, Kilkenny Castle was the principal seat of the Butlers, earls, marquesses and dukes of Ormond for almost 600 years. Under the powerful Butler family, Kilkenny grew into a thriving and vibrant city. Its lively atmosphere can still be felt today.

The castle, set in extensive parkland, was remodelled in Victorian times. It was formally taken over by the Irish State in 1969 and since then has undergone ambitious restoration works. It now welcomes thousands of visitors a year.

Kilkenny Castle, photograph by unknown 2014 for Failte Ireland, Ireland’s Content Pool. [see 1]

Kilkenny Castle has been standing for over eight hundred years, dominating Kilkenny City and the South East of Ireland. Originally built in the 13th century by William Marshall, 4th Earl of Pembroke as a symbol of Norman control, Kilkenny Castle reflected the fortunes of the powerful Butlers of Ormonde for over six hundred years. [2]

The Butlers fought for the king in Ireland, France and Scotland, and held positions of power including Lord Lieutenant of Ireland, the monarch’s representative in Ireland. Mark Bence-Jones tells us that several monarchs have stayed in Kilkenny Castle during the course of its history, including Richard II, James II, Willam III, Edvard VII and George V. [3]

In 1935 the Ormondes ceased to live in the castle, which for the next thirty years stood empty and deteriorating. In 1967 James Arthur Norman Butler (1893-1971), 6th Marquess and 24th Earl of Ormonde sold the Castle to the Kilkenny Castle Restoration Committee for £50. Two years later it went into state ownership.

William Marshall (about 1146-1219) married Isabel the daughter of “Strongbow” Richard de Clare, 2nd Earl of Pembroke. With the marriage, he gained land and eventually the title Earl of Pembroke. Isabel inherited the title of 4th Countess of Pembroke “suo jure” i.e. herself (her brother, who died a minor, was the 3rd Earl). Hence William Marshall became the 4th Earl through his wife, but then then was created the 1st Earl of Pembroke himself ten years after their marriage. They settled in Ireland, beginning with setting up the town of New Ross and then restoring Kilkenny town and castle – a castle had pre-dated them, according to the Kilkenny Castle website.

The Marriage of Aoife and Strongbow, Richard de Clare 2nd Earl of Pembroke at Waterford in 1170, by Daniel Maclise, in National Gallery of Ireland. Conceived for the decoratino of the Palace of Westminster, the painting is an ambiguous representation of the victorious Normans and the vanquished Irish. Strongbow places his foot upon a fallen Celtic cross, King Dermot looks on in alarm, and an elderly musician slumps of his harp. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The present-day castle is based on the stone fortress that Marshall designed, comprising an irregular rectangular fortress with a drum-shaped tower at each corner. Three of these towers survive to this day.

Kilkenny Castle, County Kilkenny, overhead shot courtesy Air Experience AFTA website.
Kilkenny Castle, photograph by Mark Wesley 2016 for Failte Ireland, Ireland’s Content Pool. [see 1]

There is an introductory film for visitors in the one of the old round towers. Inside, you can see the thickness of the walls.

One of the three ancient corner towers of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

By 1200, Kilkenny was the capital of Norman Leinster and New Ross was its principal port. The Marshalls also founded the Cistercian abbeys at Tintern in County Wexford and Duiske in Graiguenamanagh, County Kilkenny, as well as the castles at Ferns and Enniscorthy. Marshall died and was buried in England. [4]

Tintern Abbey, County Wexford, 15th March 2025. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In 1317, the de Clare family sold the Kilkenny castle to Hugh Despenser. The Despensers were absentee landlords. In 1391 the Despensers sold the castle to James Butler, 3rd Earl of Ormond, 9th Chief Butler of Ireland (1360–1405).

The first Butler to come to Ireland was Theobald Walter Le Botiller or Butler (1165–1206), 1st Baron Butler, 1st Chief Butler of Ireland.

In 1185, Prince John landed at Waterford and around this time he granted the hereditary office of Chief Butler of Ireland to Theobald. Before this, there was a Chief Bulter of England, a position Theobald held, but the office of Chief Butler of Ireland was freshly created. The hereditary office was a position of “serjeanty.” Under feudalism in France and England during the Middle Ages, tenure by serjeanty was a form of tenure in return for a specified duty other than standard knight-service. The duty of this serjeanty was to to attend the Kings of England at their coronation and to pour their first cup of wine. [5]

It is said that he was called “Le Botiller” because he received the monopoly of the taxes on wines being imported into Ireland. Timothy William Ferres tells us that it was Theobald, 4th Butler (1242-85) who received the prisage, from King Edward I. As the Chief Butler had to provide the wine, he was given this “prisage” to help perform his role. This privilege only ceased in 1811 when the right was purchased back by the Crown from the Marquess of Ormonde for £216,000. [6]

Theobald the 1st Chief Butler was the first of the family to use the surname Butler. He was involved in the Irish campaigns of King Henry II and King John of England. He built Arklow Castle in County Wicklow. His descendant, the 4th Chief Butler, constructed a stone fortress on the site in the 1280s which became the family’s regional stronghold.

Conjectural reconstruction drawing of Arklow Castle, County Wicklow by Sara Nylund courtesy County Wicklow Heritage.

Over the following centuries, as the Butlers grew into Earls and eventually Dukes of Ormonde centered in Kilkenny, they retained Arklow Castle and the surrounding lands by appointing constables. The 1st Duke of Ormond sold Arklow Castle in 1714 to John Allen of Stillorgan. Today only fragments remain. [see https://surnamearts.com/history/butler/butler-castles-in-ireland/ ]

Theobald died in 1206 and was buried at Wotheney Abbey in Limerick.

He is also said to have built Nenagh Castle.

The OPW website tells us that Nenagh Castle is a fine example of a Norman structure, dating between 1200 – 1220. There are 101 steps in total to reach the top of the tower, and it is five storeys high. The second floor is believed to have once been the main public hall, while the third floor was the lord’s private residence. What stands today is the last remaining tower of three, which were surrounded by a curtain wall. There would have also been a two-towered gatehouse, and it was likely defended by a moat. The castle changed hands multiple times throughout its history, initially acting as the main residence for Theobald Walter, and was the seat of his ancestors, the Butler family, until the mid-14th century. The Mac Ibrien family owned the building in the 15th century, and was returned to the Butler’s in 1533. Photograph by Gramscis Cousin, CC BY-SA 3.0

His son, Theobald le Botiller (1200–1230) 2nd Baron Butler was summoned in 1229 cum equis et armis (Latin: “with horses and arms”) to attend the King in Brittany. He died on 19 July 1230 in Poitou, France, and was buried in the Abbey of Arklow, County Wicklow.

Timothy William Ferres gives us an excellent summary of the Butler genealogy and there are great notes on the Kilkenny Castle website. [6]

The 2nd Baron Butler’s widow was his second wife, Roesia/Rohese de Verdun (c. 1204–1247). She became one of the most powerful women in 13th century Ireland. In 1236 she built Castleroche in County Louth to defend her lands against Irish raiders. The castle was practically impregnable thanks to its position and design.

Castleroche, County Louth, built by Rohese de Verdun, wife of Theobald le Botiller (1200–1230) 2nd Baron Butler. Photograph courtesy of Tourism Ireland.

Theobald Butler 3rd Baron acquired considerable property by marrying Margery, eldest daughter of Richard de Burgh (ancestor of the Earls of Clanricarde). He served as Chief Justiciar of Ireland. His son Theobald (1242-85) succeeded as 4th Baron Butler sat in the Parliament of Ireland. He assisted King Edward I in his wars in Scotland. By his marriage, the 4th Baron acquired considerable land in England.

The 5th and 6th Barons were both sons of the 4th Baron. Theobald’s son Edmond (c.1270-1321) succeeded his brother as 6th Baron and 6th Chief Butler of Ireland in 1299. He was appointed Lord Deputy of Ireland in 1312. He married Joan, the daughter of the 1st Earl of Kildare. In 1315 Edward II granted him the manors of Carrick-on-Suir and Roscrea in Tipperary, with the title of Earl of Carrick. His descendants from his second son, John, later became Earls of Carrick and also Viscounts Ikerrin.

Roscrea Castle, County Tipperary, August 2024. It was granted to the Butlers of Ormond in 1315 who held it until the early 18th Century. The castle as we see it today was built from 1332. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Earl of Carrick’s son James Butler (c. 1305-38) who succeeded as 7th Baron married Eleanor, whose mother was a daughter of King Edward I. In consequence of this alliance, in 1328 King Edward III named James Earl of Ormond.

Probably James Butler (c. 1305-1337), the 1st Earl of Ormond. St. Mary’s church, Gowran, June 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com.
St. Mary’s church, Gowran, June 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com.

His son James Butler (1331–1382) 2nd Earl of Ormond was called the Noble Earl due to his links with King Edward I. He served as Lord Justice of Ireland.

James Butler (1360–1405) who succeeded as 3rd Earl of Ormond on his father’s death made Gowran Castle his usual residence so was called Earl of Gowran. The original Gowran Castle was built in the late 14th century by the Earls of Ormonde. Badly damaged in the Cromwellian wars, it was all but a ruin when Charles Agar acquired a lease of it about 1660 and repaired it. After a fire in 1713, his son James Agar rebuilt it. The house was rebuilt for the 2nd Viscount Clifden in 1817-19 to the designs of William Robertson. 

In 1391 James Butler 3rd Earl of Ormond purchased Kilkenny Castle. In 1399 King Richard II stayed in Kilkenny Castle, where he was entertained for fourteen days.

One of the three old towers of Kilkenny Castle, photograph by Finn Richards, 2015 for Failte Ireland, Ireland’s Content Pool. [see 1]
Two of the old corner towers of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Carvings on the marble fireplace in the picture gallery of Kilkenny Castle, designed by J. H. Pollen, depict scenes from the history of the Butler family. Starting on the left, the first panel shows the buying the castle by the first Earl of Ormond in 1391 from the Despenser family – money changing hands is shown. The second panel depicts Theobald Fitzwalter acting as Chief Butler to the newly crowned King of England highlighting their ancient royal privilege and upon which their surname of Butler is based. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Marble Fireplace is made of Carrara marble and was designeded by J. H. Pollen in a quasi-medieval style. It was supplied by the firm of Ballyntyne of Dorset Street, Dublin. On the third panel, you see King Richard the Second acting as godfather for James, 4th Earl (1392-1452). The centrepiece is the family crest which can also be seen over the arch and gateway, with the family motto “comme je trouve”- “as I find”, as well as the heraldic shield guarded, the falcon, the griffin (a legendary creature with the body of a lion and the head and wings of an eagle) and the ducal coronet. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

James 3rd Earl was succeeded by his eldest son, James, 4th Earl (1392-1452), who was called The White Earl, and was esteemed for his learning. James was one of the most important figures in Irish politics in the early 15th century. He was Lord Justice of Ireland in 1407, and again in 1440. He died in 1452.

He was succeeded by his eldest son James (1420-61) 5th Earl. He married Avice Stafford in 1438, by whom he inherited substantial lands in the west country of England. After the death of his first wife, he married Eleanor Beaufort, sister of the Duke of Somerset. In 1451, was was made Lord Deputy of Ireland and the next year, Lord Lieutenant of Ireland. He served as Lord High Treasurer in 1455 and was installed a Knight of the Garter.

The Butler Family become embroiled in the War of the Roses in the 15th Century. When the Wars of the Roses gripped England from the 1450s through to 1487, the opposing houses of Lancaster (the red rose) and York (the white rose) were supported by the earls of Ormond and Kildare, respectively. The 5th Earl of Ormond was loyal to the Lancastrians and Henry VI, who made him Earl of Wiltshire in England. The title of Earl of Wiltshire expired when the throne passed into the hands of the Yorkists in 1461, and the 5th Earl was captured and executed at Newcastle in 1461. In England, Richard Plantagenet 3rd Duke of York’s son came to the throne as King Edward IV.

An old corner tower of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

After the execution of his brother the 5th Earl in 1461, John (1422–1477), who succeeded as the 6th Earl, fled to Scotland with the Lancastrians. He attempted a new Lancastrian uprising in Ireland but the revolt ended with the defeat of his kinsmen by the 8th Earl of Desmond at the Battle of Piltown in the summer of 1462. John was not present at the battle. He went into exile in Portugal and France from 1464. He returned to England 1470-71 on the restoration of Henry VI.

Edward IV, of the House of York, was returned to the throne, however, in 1471. Richard III became king in 1473, until he died in 1475, when Henry VII became king. Henry VII of the Lancaster dynasty married Edward IV’s daughter Elizabeth of York, thus uniting the families.

The 6th Earl of Ormond’s brother Thomas (1426-1515), who succeeded as 7th Earl, was attainted as a Lancastrian, but restored by King Henry VII. He was known as ‘Earl of the Wool.’ Under Henry VII he managed to recover the family position in England and his lands were restored. He was appointed Chamberlain to the Queen in 1486 and Ambassador to Brittany in 1491 and Burgundy in 1497.

From the 1490s he faced troubles in Ireland, as he lacked a male heir. His two daughters became co-heiresses who inherited the Butler estates in England. His daughter Margaret Butler (1465–1537) married Sir William Boleyn and they were the grandparents of Anne Boleyn, Queen of England, second wife of Henry VIII.

When the 7th Earl of Ormond died in 1515, the next male in the family line was Piers Butler (1467-1539). Both the 7th Earl and Piers descended from the 3rd Earl of Ormond. Piers Butler was the son James Butler and Sabh Kavanagh. He was the great grandnephew of James, the 3rd Earl. Before the 7th Earl’s death, Piers’s father laid claims to the Ormond land and title, as the 7th Earl lived mostly abroad.

Someone else could claim to be heir of the 7th Earl of Ormond. James Butler 6th Earl had illegitimate children, though he never married. His son James was called James Ormond, or James Dubh Butler. He was the 7th Earl’s agent in Ireland while the 7th Earl lived in England. Piers Butler murdered him, but was pardoneed for the murder.

Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Butler genealogy.

In 1485 Piers Butler married Margaret Fitzgerald, daughter of the 8th Earl of Kildare – a political marriage to merge the two dynasties.

In 1498, he and Margaret had seized Kilkenny Castle and made it their chief residence. Through her considerable efforts, the standard of living inside the castle was greatly improved.

Margaret was sometimes styled the “Great Countess of Ormond.” She signed herself “Margaret Fitzgerald of the Geraldines,” and occupied herself in legal matters regarding her family and the Ormond estates. She worked with Piers to develop the estate, expanding and rebuilding manor houses. She also established Kilkenny Grammar School. She urged Piers to bring over skilled weavers and artificers from Flanders and helped establish industries for the production of carpets, tapestries and diapers (a type of cloth). Margaret and her husband commissioned significant additions to the castles of Granagh, and rebuilt Gowran Castle, which had been originally constructed in 1385 by James Butler, 3rd Earl of Ormond. She is also said to have built Ballyragget Castle in County Kilkenny.

Ballyragget castle, County Kilkenny, by Gabriel Berenger, courtesy Royal Irish Academy MS 3 C 30/54.

As Anne Boleyn grew in King Henry VIII’s favour, so did her father Thomas. In 1529, the King persuaded Piers Butler to relinquish the title Earl of Ormond, and the king gave this title to Thomas Boleyn, Viscount Rochford. Piers was created, instead, Earl of Ossory. The king hoped Piers would improve the Crown’s grip over southern Ireland. Piers gained much from Crown.

Thomas Boleyn, Earl of Ormond, died without issue in 1539 and the King restored Piers Butler Earl of Ossory to his original title of Ormond. Piers succeeded as the 8th Earl of Ormond.

Piers is buried in St Canice’s Cathedral, Kilkenny with his wife.

St. Canice’s Cathedral, Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
St. Canice’s Cathedral, Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Piers Butler (1467-1539) Earl of Ossory, 8th Earl of Ormond, and his wife Margaret Fitzgerald (d. 1542), St. Canice’s Cathedral, Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Piers Butler (1467-1539) Earl of Ossory, 8th Earl of Ormond, St. Canice’s Cathedral, Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Piers Butler (1467-1539) Earl of Ossory, 8th Earl of Ormond, St. Canice’s Cathedral, Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A dog, symbol of loyalty, at the feet of Piers Butler (1467-1539) Earl of Ossory, 8th Earl of Ormond, St. Canice’s Cathedral, Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Margaret Fitzgerald (d. 1542) wife of Piers Butler, Earl of Ossory, 8th Earl of Ormond. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Piers and Margaret’s daughters married well, continuing to build ties with other powerful families. They had daughters Ellen (d. 1597) who married Donough O’Brien (d. 1553) 1st Earl of Thomond; Margaret married Barnaby FitzPatrick, 1st Baron of Upper Ossory; Joan married James Butler, 10th Baron Dunboyne; Eleanor married Thomas Butler 1st Baron Caher; Katherine married Richard Power, 1st Baron le Power and Coroghmore first and secondly, James FitzJohn FitzGerald, 13th Earl of Desmond; Ellice married Gerald FitzJohn FitzGerald (d. 1553, father of 1st Viscount Decies).

Piers’s eldest son James (1496–1546) succeeded him in 1539 as 9th Earl of Ormond, 15th Chief Butler, and 2nd Earl of Ossory. Piers’s second son, Richard (d.1571), was created 1st Viscount Mountgarret in 1550. Another son, John Butler (d. 1570) who lived in Kilcash, County Tipperary, was father of Walter (1569-1632) 11th Earl of Ormond.

James Butler (1504-1564), Soldier, 9th Earl of Ormond and Ossory by Francesco Bartolozzi, published by John Chamberlaine, after Hans Holbein the Younger publ. 1797, courtesy of National Portrait Gallery NPG D39383.

In 1520 there was a plan to marry the eldest son James to a daughter of Thomas Boleyn in an effort to end the controversy over the earldom – but nothing came of it. James married Joan Fitzgerald, daughter of James Fitzgerald, 11th Earl of Desmond.

James was nicknamed ‘The Lame’ because of a limp he acquired in the 1513 invasion of France as part of Henry VII’s army. He had been reared at the Court of Henry VIII and he was created Viscount of Thurles during the lifetime of his father. Henry VIII appointed him Lord Treasurer of Ireland (1532) and he was given seven religious houses on the dissolution of the Monasteries. He was held in high regard by Henry, with the decline of the Geraldines. He died 1546, aged 42, of food poisoning, eleven days after attending a supper at Ely House, Holborn. He and the seventeen of his household who died with him may have been deliberately poisoned. His host, John Dudley, 1st Duke of Northumberland had no motive as he had no quarrel with Ormond. Historian James Murray suggests that Anthony St Leger, Lord Deputy of Ireland, may have been invovled. [8]

James Butler (d. 1546) 9th Earl of Ormond, 2nd Earl of Ossory. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A dog, symbol of loyalty, at the feet of James Butler (d. 1546) 9th Earl of Ormond, 2nd Earl of Ossory, St. Canice’s Cathedral, Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

As well as his heir, Thomas, the 9th Earl also had a son Edmond (d. 1602) who lived in Cloughgrenan, County Carlow, who gave rise to the Baronets of Cloughgrenan.

As a young boy, Thomas Butler (c.1531-1614), later 10th Earl of Ormond, was fostered with Rory O’More, son of the lord of Laois before being sent to London to be educated with the future Edward VI. He was the first member of the Butler family to be brought up in the protestant faith. In 1546, he inherited the Ormond earldom following the sudden death of his father.

Thomas Butler 10th Earl of Ormond by Steven Van der Meulen. He is holding a wheelcock pistol with his coat of arms in the upper left corner.

Thomas Butler was highly regarded by Queen Elizabeth, to whom he was related through her mother Anne Boleyn. Anne Boleyn was the granddaughter of the 7th Earl of Ormond making Elizabeth and Thomas cousins. Due to his dark hair, he was called “Black Tom,” and the Queen called him “her dark husband” and it is even rumoured that she had a son with him.

Queen Elizabeth promoted him to Lord Treasurer of Ireland in 1559.

Thomas Butler (c.1531-1614), 10th Earl of Ormond, artist unknown. Thomas married three times but left no heir and was succeeded by his nephew Walter Butler 11th Earl of Ormond. He died in 1614 and was buried in St Canice’s cathedral, Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The OPW website tells us that after the death of his mother, Joan Fitzgerald, the old feud between the Butlers and the Fitzgeralds broke out again and Black Tom defeated the Earl of Desmond at Affane (1565), the last pitched battle in Britain or Ireland.

He was made Knight of the Garter in 1588 and Earl Marshal of England in 1591.

See my entry about the Ormond Castle at Carrick-on-Suir for more on “Black Tom.” https://irishhistorichouses.com/2024/09/05/ormond-castle-carrick-on-suir-county-tipperary-an-opw-property/

Carrick-On-Suir, Co Tipperary Courtesy Tipperary Tourism photo by Kerry Kissane All Around Ireland 2021

The Desmond Rebellions in Munster in 1569–1573 and 1579–1583 were motivated primarily by the desire to maintain the independence of feudal lords from the English monarch but also had an element of religious antagonism between Catholic Geraldines (Fitzgeralds, Earls of Desmond) and the Protestant English state. Some of Thomas the 10th Earl’s brothers supported the Fitzgeralds in their rebellion: Edmund Butler (1534-1602) of Cloghgrennan, County Carlow, Edward and Piers (1541-1601). Edmund, Edward and Piers were attainted in April 1570. That meant that Edmund ceased to be Ormond’s heir presumptive and the next brother, John Butler of Kilcash, took his place. However, John predeceased Thomas, in 1570, and John’s eldest son Walter Butler (1559–1633) became heir presumptive. 

Kilcash Castle, County Tipperary, photograph by Mike Searle.

Thomas married three times but left no direct male heir. He died in 1614 and was buried in St Canice’s cathedral, Kilkenny. He had a daughter, Elizabeth. She married her cousin, Theobald Butler (1565-1614), 1st Viscount Tulleophelim, who was the son of Black Tom’s brother Edmund (1534-1602) of Cloghgrennan, County Carlow. He died, however, the same year as Black Tom.

King James then orchestrated the marriage of Elizabeth Butler to his Scottish favourite Richard Preston (1589-1628) 1st Baron Dingwall. James I made sure that Black Tom’s daughter Elizabeth (1590-1628) inherited most of the Ormond estate.

Although he did not inherit the majority of the land, Walter Butler (1559–1633) inherited the title and became the 11th Earl of Ormond. Unlike his uncle, who had been raised at Court and reared a Protestant, Walter was Catholic. Because of his devotion to his faith, he was called Walter of the Beads.

Walter Butler’s claim to the family estates was blocked by King James I. Walter he spent much time and money in litigation opposing the King’s decision and was imprisoned for eight years in the Fleet, London, as a result. He was released 1625. The King gave Richard Preston the title Earl of Desmond, as the Fitzgeralds had lost the title of Earl of Desmond due to their rebellion.

The Butler genealogy.

Walter’s son Thomas, Viscount Thurles, predeceased him, so when he died his nine-year-old grandson James (1610-1688) became the heir to the titles. The estates, including Kilkenny Castle, had passed to Elizabeth and her husband Richard Preston Baron Dingwall. Before he died, Walter arranged a marriage between his heir James and Elizabeth and Richard Preston’s daughter in order to unite the estates with the Earl of Ormond title. In 1629 James married his cousin Elizabeth Preston and reunited the Ormond estates.

Elizabeth Poyntz (1588-1673), mother of the 1st Duke of Ormond, painted by John Michael Wright, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

James Butler (1610-88) 12th Earl of Ormond (later 1st Duke of Ormond) was the eldest son of Thomas Butler, Viscount Thurles, and his wife Elizabeth Poyntz. Following his father’s death in 1619, 9-year-old James was made a royal ward, and was educated at Lambeth Palace under the tutelage of George Abbot, Archbishop of Canterbury.

James Butler (1610-1688) 1st Duke of Ormonde by Willem Wissing circa 1680-1685, courtesy of National Portrait Gallery NPG 5559.
Elizabeth Preston, (1616-1684) Baroness Dingwall, Countess of Ormond, later Duchess of Ormond, with her son Thomas, Lord Ossory (1634-1680), attributed to David des Granges (1611-1671/72), courtesy Office of Public Works. She was the daughter of Richard Preston, Baron Dingwall, Earl of Desmond and his wife Elizabeth Butler, only daughter and heiress of Thomas Butler, 10th Earl of Ormond. On the death of her parents in 1628, Elizabeth was made a royal ward and the rights of her marriage were granted to the Earl of Holland, who sold it for £15,000. She married her cousin James Butler, Viscount Thurles, later 1st Duke of Ormond in 1629, thus reuniting the Ormond titles and properties.
In the long gallery of Kilkenny Castle: James Butler 1st Duke of Ormond painted by John Michael Wright (1617-1694); in centre, Elizabeth Poyntz (1588-1673), mother of the 1st Duke of Ormond, painted by John Michael Wright; and Elizabeth Preston (1615-1684), wife of the 1st Duke of Ormond, with her son Thomas, who became the 6th Earl of Ossory. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The marriage took place on Christmas 1629. In 1630, James and his wife Elizabeth lived in the castle in Carrick-on-Suir.

James succeeded to the Ormond titles in 1633 on the death of his grandfather, Walter Butler, 11th Earl of Ormond. James and Elizabeth Butler’s estates in Ireland consisted of close to 300,000 acres, spread over seven counties, mostly in Counties Kilkenny and Tipperary. However, both he and his wife inherited debts. Debt was to plague James all his life.

James Butler 1st Duke of Ormond painted by John Michael Wright (1617-1694), Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Marble Fireplace of the picture gallery of Kilkenny Castle. In the fifth panel, the 1st Duke of Ormond can be seen entering the Irish House of Lords still bearing his sword. Indeed, he refused to hand his weapon over as were the protocols in case it was used inside during an argument; this became known as The Act of Defiance. The sixth panel next to this symbolizes the charity of the Butler family showing Lady Ormonde giving alms to the poor. Finally, the sixth and last panel portrays the First Duke of Ormond’s triumphant return to Dublin from exile on the Restoration of Charles the Second in 1662, when he also established the Royal Hospital in Kilmainham and founded the Phoenix Park. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

James 12th Earl of Ormond and Elizabeth had eight sons and two daughters but only three of those sons survived infancy: Thomas, later Earl of Ossory, born in 1634, John, later Earl of Gowran, also born in 1634, and Richard, later 1st Earl of Arran in 1639. Their daughters were Mary, born in 1640, later Duchess of Devonshire and Elizabeth, born in 1646, later Countess of Chesterfield.

James 12th Earl of Ormond remained loyal to the monarchy and to King Charles I at the time of the 1641 Rebellion and the Civil War. He was appointed commander-in-chief of the army in Ireland in 1641. The family was living at Carrick when the 1641 rebellion broke out. The earl went to Dublin to command the army and Elizabeth and her children moved to Kilkenny Castle.

King Charles I (1600-49), attributed to James Gandy after Sir Anthony van Dyck (1619-89), this portrait hangs in the long gallery of Kilkenny Castle. Charles had been a notable patron of the arts, and was responsible for commissioning works from artists such as Sir Peter Paul Rubens, and for bringing Sir Anthony van Dyck to England. A full length portrait wearing robes of state, this is a very close copy of the portrait painted by Van Dyke (c.1636) now in the Royal Collection. The portrait is attributed to James Gandy on the grounds that it is a seventeenth century work and that he is said to have made many copies of portraits after van Dyck during the time he was employed by the Duke of Ormond. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Queen Henrietta Maria (1609-69), attributed to James Gandy after Sir Anthony van Dyck (1619-89). Daughter of Henri IV of France and Marie De Medici. Wife of Charles I of England and mother to Charles II and James II of England. This portrait hangs in the long gallery of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The five eldest children of King Charles I, after Sir Anthony van Dyck. The children include the future Kings Charles II and James II. The painting hangs in Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Sir Peter Paul Rubens (1577-1640), after a self-portrait by Rubens of c. 1625 which was painted for Charles, Prince of Wales. A crude copy, the artist is unknown, probably a nineteenth century copy. This portrait hangs in the long gallery of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Sir Anthony van Dyck (1599-1641), after Sir Anthony van Dyck. The head in this portrait would seem to be derived from van Dyck’s Self Portrait with Endymion Porter (Prado, Madrid) although the costume is different; in fact, it is closer to that used in van Dyck’s self portrait with Sunflower. Probably a nineteenth century copy, it also hangs in the long gallery of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Diorama and information in St. Canice’s Cathedral, Kilkenny, how the city of Kilkenny looked in 1642. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Diorama and information in St. Canice’s Cathedral, Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Catholic Confederacy, an alliance of Catholics and Anglo-Irish, made Kilkenny their base. James the 12th Earl negotiated on behalf of the king with the Catholic Confederacy. However, Cromwell came to Ireland in 1649 and captured Kilkenny. He ransacked the Cathedral, and attacked Kilkenny Castle.

The castle now forms a “u” shape, because in the time of Oliver Cromwell’s invasion, the fourth wall fell. [7]

Kilkenny Castle, photograph by unknown 2014 for Failte Ireland, Ireland’s Content Pool. [see 1] The castle now forms a “u” shape, because in the time of Oliver Cromwell’s invasion, the fourth wall fell.
Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

James Butler served as Lord Lieutenant of Ireland from 1648-1650, the first of three periods as Lord Lieutenant. Following the defeat of the monarchy, he went into exile, moving around Europe with the exiled court of Charles II.

King Charles II (1630-85) attributed to John Michael Wright (1617-1694). This portrait hangs in the Tapestry Room in Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Queen Henrietta Maria (1609-69), after Sir Anthony van Dyck. Henrietta Maria was the daughter of Henri IV of France and Marie de Medici. She was the wife of Charles I of England and mother of Charles II and James II. This painting was formerly called “Duchess of Orleans”. This is a copy, with slight variations, after an original portrait by van Dyck, painted in 1632. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Lady Ormond was highly regarded at Court and was godmother to Princess Mary, daughter of King James II, later Queen Mary. The Kilkenny Castle website tells us that Elizabeth is author of the largest body of extant correspondence of any woman from 17th century Ireland.

Lady Ormond spent a short period in exile with her husband and family in France during the early 1650s. By August 1652, poverty forced her to travel to England to plead with Cromwell for permission to live with her children on a portion of her Irish estates. She argued that it was she who inherited the estates and not her husband. Permission was granted in February 1653 on condition that she ceased all communication with her husband. They reunited later. She returned to her house at Dunmore, Co. Kilkenny.

After the restoration of the monarchy, James Butler was given an Irish Dukedom as Duke of Ormond, in 1661. He was raised to a dukedom in the English peerage in 1682.

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James Butler 1st Duke of Ormond. Artist: Sir Peter Lely (1618-1680). He is wearing robes of the Order of the Garter and holds the wand of office of Lord Steward of the Household in his right hand. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The Kilkenny castle website continues: “After the restoration of the monarchy in England, Ormond was rewarded with a dukedom and several high offices by a grateful king. Though he enjoyed the king’s favour, Ormond had enemies at court and as a result of the machinations of the Cabal, which included powerful figures such as the Earl of Shaftesbury, he was dismissed from his post as Lord Lieutenant in 1669.

Note that the “Cabal” was the term used to refer to the clique around the king. The term comes from an acronym of their names, Sir Thomas Clifford 1st Baron Clifford, Henry Benet 1st Earl of Arlington, George Villiers 2nd Duke of Buckingham, Anthony Ashley Cooper, Lord Ashley 1st Earl of Shaftesbury and John Maitland, 1st Duke and 2nd Earl of Lauderdale.

Ormond served his last term as Lord Lieutenant from 1677-1685. During this time he founded the Royal Hospital in Kilmainham in Dublin for old soldiers. William Robinson served as Surveyor General and architect of the Royal Hospital. He also worked on Kilkenny Castle. As Lord Lieutenant, the Duke lived in Dublin Castle’s State Apartments, and he had work carried out there also.

William Robinson, Royal Hospital Kilmainham.

Mark Bence-Jones describes the Duke’s renovations of Kilkenny Castle:

The Great Duke transformed the castle from a medieval fortress into a pleasant country house, rather like the chateau or schloss of contemporary European princeling; with high-pitched roofs and cupolas surmounted by vanes and gilded ducal coronets on the old round towers. Outworks gave place to gardens with terraces, a “waterhouse” a fountain probably carved by William de Keyser, and statues copied from those in Charles II’s Privy Gardens. The Duchess seems to have been the prime mover in the work, in which William (afterwards Sir William) Robinson, Surveyor-General and architect of the Royal Hospital, Kilmainham, was probably involved, supervising the construction of the Presence Chamber 1679.” [see 3]

A rather amusing article in the Dublin Penny Journal in September 1832 criticises the Duke of Ormond’s renovation “in the bad style of architecture then prevailing on the Continent, a taste for which had probably been imbibed by the Duke in his repeated visits to France. It retained, however, three of the ancient towers, but changed in character and disfigured by fantastic decorations to make them harmonize in style with the newer portions of the building.” The article tells us that the building has been put to right again by the present owner, the Marquess of Ormond, by architect Robertson of Kilkenny.

Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kilkenny Castle in Kilkenny, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The entrance to inside Kilkenny Castle, the rounded arched door. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The hoppers on the top of the drain pipes depict an eagle, and each has a different date written on it, each a significant year to the Ormondes and Kilkenny Castle. This one says 1682. This was during the time of James Butler (1665-1745) who became the 2nd Duke of Ormonde, and is a date between when his father died in 1680 and when his grandfather the 1st Duke of Ormond died in 1688. Perhaps it was the time when renovations took place on the castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

You can take an online tour of the castle on the website https://kilkennycastle.ie/about/explore-the-castle-new/

There has been an entrance hall here at least since the 17th century rebuilding of the castle. The black and white stone floor is laid with Kilkenny Black Marble and local sandstone, laid in the 19th century. The north doorway through the massive curtain wall was remodelled on two occasions in the 19th century. This room has been redecorated using organic naturally pigmented copper green paint. This colour is based on two Edwardian Irish Country house schemes; the Entrance Hall at Beaulieu, Co. Louth and the Saloon at Headford, Co. Meath.

The Entrance Hall, Kilkenny Castle. Photograph courtesy of Kilkenny Castle website. There has been an entrance hall here at least since the 17th century rebuilding of the castle. The black and white stone floor is laid with Kilkenny Black Marble and local sandstone, laid in the 19th century.
Notice board in the entrance hall. It tells us that the portraits, from the family collection, were purchased by the Irish government from the family estate in 1995. The hall table also belonged to the Ormondes, and was too heavy to move so was not sold in the auction of 1935.
The Entrance Hall, Kilkenny Castle. James Butler (1610-88), 1st Duke of Ormond, 12th Earl of Ormond, in the style of John Michael Wright (1617-1694). There was no fewer than 28 swords and daggers displayed in the Entrance Hall prior to the 1935 auction. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
James Butler (1610-88), 1st Duke of Ormond, 12th Earl of Ormond, in the style of John Michael Wright (1617-1694). Ormond is clad in armour, holding the baton of command, and wearing the blue ribbon of the Order of the Garter. A plumed helmet is to the sitter’s right. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Description of swords.
The Entrance Hall, Kilkenny Castle. Portraits of Thomas Butler (c.1531-1614), 10th Earl of Ormond, artist unknown, and James Butler (1665-1745), 2nd Duke of Ormonde, 13th Earl of Ormonde, artist unknown. A fine set of Irish elk antlers, dug from a Leitrim bog in the 19th century, are displayed over the fireplace. The Irish elk (Megaloceros giganteus) also called the giant deer or Irish deer, is an extinct species of prehistoric deer which lived during the Ice Age about 2,580,000 to 11,700 years ago. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Entrance Hall, Kilkenny Castle. Italian marble table. This large grey marble table is original to Kilkenny Castle and dates to the late 17th century. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

When Ormond retired to England in 1682, the duchess accompanied him and they settled at Kingston House (Kingston Lacy) in Dorset. She died two years later at their town house, Ormonde House, in St. James’s Square, London. Sir Peter Lely painted the duchess but no portrait of her by the artist has been traced. A portrait of her by Henri Gascars is recorded in seventeenth-century Ormonde inventories.

Kingston Lacy, which belonged to James Butler Duke of Ormond, photograph by Vauxhall,  licensed under the Creative Commons Attribution-Share Alike 4.0 International license.

The last decade of the Duke’s life was marked by tragedy: all three of his sons as well as his wife died. His daughter Elizabeth, who had married Philip Stanhope, 2nd Earl of Chesterfield, had already died at the young age of 25 in 1665. She was Stanhope’s second wife. Stanhope was one of the lovers of the notorious Barbara Villiers, mistress of King Charles II. Her portrait is in the stair hall of Kilkenny Castle.

Barbara Villiers (c.1641-1709), Duchess of Cleveland & Countess of Castlemaine, attributed to Sir Peter Lely (1618-1680) and his studio. Daughter of Lord Grandison. After an affair with Philip Stanhope, 2nd Earl of Chesterfield, in 1659, she married Roger Palmer, Earl of Castlemaine. Established as Charles II’s mistress during the Restoration in 1660, she bore him at least six children and was created Duchess of Cleveland in her own right in 1670. When she was granted lands in Dublin by the king, the grant was opposed by Ormond. The duchess was no friend of the Butler family because of her notorious affair with Lord Chesterfield, husband of Ormond’s daughter Elizabeth. A heavily restored picture shows the sitter in shepherdess’s costume with a crook and lamb, it is said to have been commissioned from Lely in order to insult the queen, Catherine of Braganza, who had been painted in a similar pose by Jacob Huysmans. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

John, 1st and last Earl of Gowran, died in 1677. Thomas 6th Earl of Ossory died in 1680. His wife Elizabeth died in 1684, and Richard, 1st and last Earl of Arran, in 1686. He himself died in 1688 at Kingston Lacy and was buried in Westminster Abbey.

Thomas Butler (1634-1680) 6th Earl of Ossory, studio of Sir Peter Lely, circa 1678, courtesy of National Portrait Gallery NPG 371. He was the second son of the Duke and Duchess of Ormond and father of 2nd Duke of Ormonde.
Richard Butler (1639-1685) 1st Earl of Arran, son of the Duke of Ormonde, by Godfrey Kneller, courtesy of National Trust Hardwick Hall.
Daughter of the 1st Earl of Ormond, Elizabeth Stanhope née Butler Countess of Chesterfield By Peter Lely – http://www.thepeerage.com/p951.htm#i9503, Public Domain, https://commons.wikimedia.org

His daughter Mary (1646-1710) married William Cavendish, 1st Duke of Devonshire.

Daughter of the 1st Earl of Ormond, Mary Butler (1646-1710) Duchess of Devonshire in the style of Willem Wissing courtesy of National Trust Hardwick Hall. She married William Cavendish, 1st Duke of Devonshire.

Thomas Butler (1634-1682) 6th Earl of Ossory was the father of the 2nd Duke of Ormond. Thomas was a soldier and Naval Commander, known as ‘Gallant Ossory.’ Born at Kilkenny Castle in 1634, his childhood was spent at Kilkenny until he went with his father and brother Richard to England in 1647. They then went to France, where he was educated at Caen and Paris at Monsieur de Camps’ Academy. In Holland he married Amelia of Nassau, daughter of Lodewyk van Nassau, Heer van Beverweerd, a natural son of Prince Maurice of Nassau. 

Thomas Butler (1634-1680, Earl of Ossory, Lord Butler of Moore Park, Lord Deputy of Ireland, studio of Sir Peter Lely (1618-80). Ossory was a witness when James, Duke of York secretly married Anne Hyde in 1660. He died suddenly in 1680, possibly from food poisoning, at Arlington House in London. He was buried in Westminster Abbey. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Thomas enjoyed the favour and support of both King Charles II and his queen. Because of his wife’s Dutch connections he was frequently sent on royal missions to Holland. In 1661 Thomas Butler became a member of both the English and Irish houses of Commons, representing Bristol in the former and Dublin University in the latter House. In 1665 he was appointed lieutenant-general of the army in Ireland and in 1666 was created an English peer as Lord Butler.

Having proven himself as an expert military strategist, and whilst visiting France in 1672, he rejected the liberal offers made by Louis XIV to induce him to enter the service of France, and returning to England he added to his high reputation by his conduct during the Battle of Texel in August 1673. From 1677 until 1679, he served alongside his father as a Lord of the Admiralty.

In 1670 he conducted William of Orange to England. In 1677 he joined the allied army in the Netherlands, commanding the British section and winning great fame at the siege of Mons in 1678. He acted as deputy for his father, who was lord-lieutenant of Ireland, and in parliament he defended Ormonde’s Irish administration with great vigour. In 1680 he was appointed governor of English Tangier, but his death prevented him from taking up his new duties.

Elizabeth Butler (d.1717) Countess of Derby by William Wissing (1656-87). Daughter of Thomas Butler, Earl of Ossory and his wife Amelia, she married William George, 9th Earl of Derby in 1673. It was an unhappy marriage, her husband’s behaviour being a cause for much concern and comment on the part of her grandparents, the 1st Duke and Duchess of Ormonde. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
King William III (1650-1702), studio of Sir Godfrey Kneller (1646-1723). This portrait in the picture gallery at Kilkenny Castle is a copy of the ‘official approved likeness’ first painted by Sir Godfrey Kneller in 1690, with a companion piece of Queen Mary II. The king is depicted waring the robes of state. Both originals are in the Royal Collection.William was born in The Hague, he was the posthumous and only child of Stadholder William II and Princess Mary, Princess Royal of England, eldest daughter of Charles I and Queen Henriette Maria [see painting: The Children of Charles I]. After the crisis precipitated by the birth of an heir [Prince James Francis Stuart] to his cousin, the Catholic James II, in 1688, William came to England at the invitation of several leading men to defend the Protestant cause. James left England, first to France to seek aid from Louis XIV, another cousin, and thence to Ireland, where he launched a military campaign to win over the country. Meanwhile William, his son-in law, landed at Carrickfergus in June 1690. He then marched south, and defeated James and his forces at the Battle of the Boyne. Both kings stayed at Kilkenny Castle during their visit to Ireland. James Butler, 2nd Duke of Ormonde, was a firm supporter of King William at the Boyne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Queen Mary II (1662-1694), studio of Sir Godfrey Kneller (1646-1723), in the picture gallery of Kilkenny Castle. Eldest daughter of James Duke of York (later James II) and Anne Hyde, she married, at the age of 15, her cousin, William, Prince of Orange, in Holland. The Duchess of Ormond was Godmother to Princess Mary, at her birth in London. Mary took an active role in the dispute with her father James II. William and Mary ruled as king and queen regnant. Under the terms of the succession, William would administer the government in both their names. The Crown would descend in the first instance to the heirs of her body, then to any heirs he might have after her death, and then to any heirs her sister Anne, Princess of Denmark (later Queen Anne).Mary was a popular monarch, and this helped compensate for her husband’s rather taciturn nature. She died prematurely at the age of 32, leaving William to reign alone for another eight years. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

John Evelyn, the diarist, was a close friend and referred to him as ‘a good natured, generous and perfectly obliging friend’. He died suddenly in 1680, possibly from food poisoning, at Arlington House in London. He was buried in Westminster Abbey

Ossory had eleven children, including James Butler (1665-1745), the eldest surviving son of Thomas the 6th Earl of Ossory, who became the 2nd Duke of Ormonde. 

Following his father’s death in 1680, James became the heir to his grandfather, James Butler, 1st Duke of Ormond, whom he succeeded in 1688. James Butler 2nd Duke of Ormonde (the ‘e’ was added to the name around this time) inherited all of the Ormonde properties and titles, from both his grandfather and grandmother including her Dingwall title.

James Butler (1665-1745) 2nd Duke of Ormonde courtesy of National Maritime Museum, Greenwich, London.
Oil painting on canvas, James Butler, 2nd Duke of Ormonde (1665-1745) by Sir Godfrey Kneller (Lubeck 1646/9 – London 1723). A three-quarter length portrait, turned slightly to the right, facing, gazing at spectator, wearing armour, blue sash and white jabot, a baton in his right hand, his left on his hip, his helmet placed at the left; cavalry in the distance, right.

James the 2nd Duke married twice: first to Anne Hyde, daughter of Laurence, 1st Earl of Rochester, and a niece Anne Hyde the wife of the duke of York, the future James II. After she died, he married Mary Somerset, a daughter of Henry Somerset, 1st Duke of Beaufort. She married James, then Lord Ossory in 1685 as his second wife. They had one son and five daughters. Only two daughters survived infancy: Lady Elizabeth, unmarried (d.1750) and Lady Mary (d.1713) who married John, Lord Ashburnham in 1710.

Anne Hyde (1669-1685) Countess of Ossory by William Wissing and his studio (1656-87), first wife of James Butler, 2nd Duke of Ormonde, hanging in the picture gallery of Kilkenny Castle. She was the daughter of Lawrence Hyde, 1st Earl of Rochester. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Anne Hyde (1637-1671), Duchess of York, a well painted version of an original painted by Sir Peter Lely in c. 1662. Daughter of Edward Hyde, 1st Earl of Clarendon (a close friend & confidant to the 1st Duke of Ormond), and first wife of James, Duke of York ( later James II). She was mother to princesses Mary and Anne, future Queens of England, and aunt of Anne Hyde, Lady Ossory, first wife of the 2nd Duke of Ormonde. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mary Somerset (1665-1733), 2nd Duchess of Ormonde, by follower of Michael Dahl (1659-1743). This hangs in the picture gallery of Kilkenny Castle. Daughter of Henry, 1st Duke of Beaufort and wife of James Butler, 2nd Duke of Ormonde. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The duchess Mary was delighted with the reception she received on her first visit to Ireland. During this visit, she wrote to John Ellis telling him, ‘I have been received with as much respect as the greatest woman in the world could have been both by civil, military and clerical…’

Queen Anne appointed her Lady of the Bedchamber (1702-14). John Dryden dedicated his work Palamon and Arcite to her. The duchess did not join her husband in exile in France but that did not spare her from the humiliation of having her pew in St. James’s Church taken from her at Christmas in 1715. On this occasion she wrote to Ellis complaining that ‘this treatment appears to me very extraordinary, that before anybody has made out their title to the House in the parish I should be turned out of the church after living 30 years myself in the Parish…’ From 1720 until her death in 1733, she lived at Paradise Row in Chelsea, London. She was buried in Westminster Abbey, London.

Mary Butler née Somerset (1665-1733) Duchess of Ormonde and her son Thomas Earl of Ossory by John Smith, after Sir Godfrey Kneller, Bt., courtesy of National Portrait Gallery, NPG D31316.
Lady Mary Somerset, Duchess of Ormonde (1665-1733) by Michael Dahl, 1690s. Three-quarter-length portrait, of a young woman, seated, full front, her head three-quarters left. She is wearing a deep brown-gold dress, blue lined and is holding a rose in her right hand. A bottle green curtain is to the right and an arcade in the left background. Courtesy of National Trust Petworth.
Top left: James Butler 2nd Duke of Ormonde (1665-1745), Lord Lieutenant of Ireland, son of Thomas Butler, Earl of Ossory. First married Anne Hyde and then Mary Somerset; below him, Mary Somerset (1665-1733), daughter of the Duke of Beaufort. In middle, Thomas Butler (1634-1680), 6th Earl of Ossory, second son of the Duke and Duchess of Ormond and father of 2nd Duke of Ormonde. Mary Somerset’s father top right, Henry Somerset (1629-1700), 1st Duke of Beaufort; below Anne Hyde (1669-1685), the 2nd Duke’s first wife, daughter of Lawrence Hyde, 1st Earl of Rochester, artist: William Wissing (1656-87). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Henry Somerset (1629-1700), 1st Duke of Beaufort 3rd Marquess of Worcester, studio of Sir Godfrey Kneller (1646-1723), hanging in the picture gallery of Kilkenny Castle. Father of Mary Somerset, 2nd Duchess of Ormonde. A staunch Tory, he refused to take the Oath of Allegiance to King William III. Created Duke of Beaufort in 1682. In 1657, he married Mary, daughter of Arthur Capel, 1st Lord Capel and sister of Arthur, Earl of Essex, Lord Lieutenant of Ireland. Henry Somerset died in 1700 and by virtue of his claim to Royal blood through his descent from John of Gaunt, Duke of Lancaster, son of Edward III, he was buried in the Beaufort Chapel at St. George’s in Windsor. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Henry Somerset (1629-1700) 1st Duke of Beaufort by Robert White, after Sir Godfrey Kneller, Bt, NPG D28194.

James 2nd Earl was appointed a Lord of the Bedchamber in 1685; and serving in the army, participated in the victory over the Duke of Monmouth, at Sedgemore. [see 6]

James Butler (1665-1745) 2nd Duke of Ormond, studio of Michael Dahl, oil on canvas, circa 1713 courtesy of National Portrait Gallery NPG 78.

The 2nd Duke carried out more work on Kilkenny Castle. Bence-Jones continues: “[William] Robinson is also believed to have designed the magnificent entrance gateway of Portland and Caen stone with a pediment, Corinthian pilasters and swags which the second Duke erected on the street front of the castle ca 1709. Not much else was done to the castle in C18, for the Ormondes suffered a period of eclipse following the attainder and exile of the 2nd Duke, who became a Jacobite after the accession of George I.” [3]

Kilkenny Castle, photograph by unknown 2014 for Failte Ireland, Ireland’s Content Pool. [see 1]
Kilkenny Castle in Kilkenny, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
A drawing for the entrance of Kilkenny Castle, very different from what we see today.
The classical frontispiece was designed for James Butler, Second Duke of Ormonde possibly to designs prepared by Sir William Robinson. Kilkenny Castle. It has full height Corinthian pilasters and a large arched entry, with niches either side. The moulded surrounds of the entrance and niches have keystones. A decorative frieze of swags sits above the entrance arch. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
At the top of the entrance door is the Butler coat of arms and their motto, Comme le Trouve, “As I find.” Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inside of the entrance gate, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inside of the entrance gate, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inside of the entrance gate, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
James Butler (1665-1745), 2nd Duke of Ormonde, 13th Earl of Ormonde, artist unknown, formerly attributed to William Dobson (British, 1611-1646). James was the eldest surviving son of Thomas Butler, Earl Ossory, and his wife Amelia Nassau.
Following his father’s death in 1680, James became the heir to his grandfather, James Butler, 1st Duke of Ormond, whom he succeeded in 1688. James is wearing Garter robes. This is a crudely painted piece. The head is similar to that used in portraits by Dahl.

Although he was later a Jacobite, favouring the return of James III to the throne rather than George I, James 2nd Duke favoured William III over James II. He took up arms under William Prince of Orange. He was present at the Boyne, and during William’s stay in Ireland entertained the king in extravagant style at Kilkenny castle. 

Lots of stone carved heads decorate the exterior of the castle. I’m not sure when they were added, but if they were there at the time of King William’s visit the military headgear of some was bound to impress.

Lots of stone carved heads decorate the exterior of the castle. Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
One of the stone heads next to an entrance of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
One of the stone heads next to an entrance of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
One of the stone heads next to an entrance of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
One of the stone heads next to an entrance of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There are also stone heads inside the front corridor. I think the corridor’s inner wall was originally an external wall of the castle. The heads inside are regal, not militant.

The front corridor of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A carved stone head inside the front corridor Kilkenny Castle, at the end of hood moulding over a door. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A carved stone head inside the front corridor Kilkenny Castle, at the end of hood moulding over a door. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stephen speaks to a guide in the front corridor of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Stephen in the front corridor of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A drawing inside Kilkenny Castle shows a slightly different South front, with a portico around the entrance door. Now the whole ground floor has been extended out from the rest of the building into a corridor.
The entrance to inside Kilkenny Castle, the rounded arched door. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Once William and Mary were established on the throne of England, he began to reap the rewards of his allegiance. He attended the coronation of the new king and queen as lord high constable of England, and was named as a gentleman of the king’s bedchamber. Later he became a privy councillor in both Ireland and England. The dictionary of national biography tells us that if Ormond had prospered in William’s reign, he was to reach new heights of favour under Queen Anne. In February 1703 Ormond was appointed lord lieutenant of Ireland.

However, his fortunes went downhill, and instead of supporting the accession of George I, he became a Jacobite. He was a supporter of James II’s son James Francis Stuart (1688-1766) and his son Charles Edward Stuart, “Bonnie Prince Charlie.”

Prince James Francis Stuart (1688-1766), after Antonio David (1698–1750), this hangs in the long gallery of Kilkenny Castle. Son of King James II and his second wife Maria d’Este, ‘Mary of Modena,’ his birth in 1688 precipitated what became known as ‘The Glorious Revolution’ in England. Throughout his life he remained a focus of the Jacobite cause, culminating in the Battle of Culloden in 1745, when his son, Prince Charles Edward Stuart, ‘Bonnie Prince Charlie,’ led the Highland Scots and other Jacobites to their final defeat. The 2nd Duke of Ormonde was a close confidant and supporter to both princes.
Possibly James Butler (1665-1745) 2nd Duke or Ormonde,13th Earl of Ormonde, attributed to Adriaen van der Werff (1659-1722). This hangs in the picture gallery of Kilkenny Castle. Ormonde, like his grandfather sat to most of the fashionable portrait painters of his day. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Following his involvement in a Jacobite rising, a Bill of Attainder was passed against him. He was impeached for high treason. His English and Scottish honours, including the order of the Garter, and his English estates were seized. Timothy William Ferres tells us that Parliament passed an act which annulled the regalities and liberties of the County Palatine of Tipperary, vested his lands in the Crown, and proclaimed a reward of £10,000 for his apprehension, should he attempt to land in Ireland. [see 6] He fled to France in 1715. 

The crown administered his estates until 1721, when parliament passed an act to enable the Duke’s brother, Charles to repurchase the estates.

The 2nd Earl lived out his life in exile, and died at Avignon in France. Despite this, he was buried in 1746 in Westminster Abbey.

James Butler (1665-1745), 2nd Duke of Ormonde, 13th Earl of Ormonde, after Michael Dahl (1659-1743). Following his support of the Jacobite rising, he was impeached and fled to France. He lived out his life in exile, died in Avignon in France in 1745 and was buried in 1746 at Westminster Abbey. Wearing armour with the blue ribbon of the Garter with the lesser George (a term used to describe the medal associated with the Order of the Garter), and a sash about his waist, Ormonde holds in his right hand a baton of command. A cavalry skirmish and buildings are to his left. The portrait appears to have been executed in the 1690s; the pose is similar to that used by both Sir Godfrey Kneller and Michael Dahl. An original portrait by Dahl which is very similar is in the Devonshire collection at Hardwick Hall. A portrait by Kneller is in the National Gallery of Ireland. This portrait hangs in the Tapestry Room of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The attainder on the 2nd Duke’s estate did not cause the forfeiture of the Irish titles or estates. At the time of forfeiture, it was supposed that the Duke’s honours were all forfeited under the act of attainder passed by Parliament, but it was subsequently decided that no proceeding of the English legislature could affect Irish dignities. James the 2nd Duke had no son, so his brother Charles Butler (1671-1758) succeeded him as 14th Earl of Ormonde and de jure 3rd Duke of Ormonde in the peerage of Ireland. However, Timothy William Ferres tells us that in 1683, Charles had been created Baron Butler, and in 1693, Baron Cloughgrenan, Viscount Tullogh, and Earl of Arran, but he never assumed or was aware of possessing the English and Irish Dukedom or Marquessate.

Charles Butler, 1st Earl of Arran (1671-1758), 14th Earl of Ormond, by James Thornhill. He was the brother of the 2nd Duke of Ormond http://www.odl.ox.ac.uk/oxfordportraits

The Kilkenny Castle website tells us that Charles attended the University of Oxford and took the Grand tour of Europe. Charles reaped rewards and titles in his support for William III, becoming Baron Butler of Weston in the English Peerage (1694) and Earl of Arran in the Irish Peerage (1694). He rose through the ranks in the British Army. He succeeded his brother as High Steward of Westminster and Chancellor of Oxford University, two posts he held until his death. He was fifty years old when he was able to repurchase the Ormonde estates. He lived in St. James’s Place and Grosvenor St. in London, and a country house in Bagshot Park, Surrey. Upon his death in 1758, the Dukedom and Marquisate became extinct.

He had no children, however, so the title passed to a cousin.

The Entrance Hall, Kilkenny Castle. Portrait is of James Wandesforde Butler (1774-1838), 1st Marquess of Ormonde (3rd creation), 19th Earl of Ormonde, by Richard Rothwell (1800-1868). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Since there is the portrait of James Wandesforde Butler (1774-1838), 1st Marquess of Ormonde (3rd creation), 19th Earl of Ormonde in the front hall, let’s continue with the genealogy of the Ormondes before we continue further into the castle.

After the childless 14th Earl of Ormonde, the successor was a cousin, John Butler (d. 1766) of Kilcash and Garryricken. His father was Thomas Butler of Kilcash (d. 1738), a grandson of Richard Butler (d. 1701) of Kilcash, a brother of the 1st Duke of Ormond.

Family tree of the Butlers, showing the genealogy of the 15th Earl of Ormonde.
Colonel Thomas Butler (d. 1738) of Kilcash and Garryricken by James Latham. Thomas was the father of the 15th Earl of Ormonde, John Butler (d. 1766) of Kilcash and Garryricken.

Colonel Thomas Butler (d. 1738) of Kilcash and Garryricken, father of the 15th Earl of Ormonde, had a brother who became a Catholic Archbishop of Cashel and Emly. Their portraits, by James Latham, hang in the picture gallery of Kilkenny Castle.

Thomas (d. 1738) inherited Kilcash from his grandfather Richard Butler (d. 1701) of Kilcash. A Colonel of a Regiment of Foot in the army of King James II, Thomas married Margaret Bourke, widow of 5th Viscount Iveagh and daughter of William, 7th Earl of Clanricarde. They had three sons: Richard (d.1711), Walter who died in Paris and John Butler of Kilcash, who succeeded to the Ormonde titles as de jure 15th Earl in 1758 on the death of his cousin Amelia, sister of James Butler, 2nd Duke of Ormonde. The couple also had five daughters: one, Honora married Valentine Brown, Lord Kenmare.

Christopher Butler (d. 1758?) Catholic Archbishop of Cashel and Emly, by James Latham. Christopher Butler was Catholic archbishop of Cashel and Emly, son of Walter Butler of Garryricken and brother of Colonel Thomas Butler of Kilcash.
In the picture gallery of Kilkenny Castle: Christopher Butler (d. 1758?), Catholic archbishop of Cashel and Emly, son of Walter Butler of Garryricken and brother of Colonel Thomas Butler of Kilcash, portrait by James Latham (1696-1747); Charles Butler (1671-1758) 2nd Earl of Arran, youngest son of Thomas Butler Earl of Ossory and brother of the 2nd Duke of Ormonde; Colonel Thomas Butler of Kilcash (d. 1738) by James Latham. He was the son of Walter Butler and Garryricken and Mary Plunket. He inherited Kilcash from his grandfather Richard, youngest brother of the Duke of Ormond. His wife was Margaret Burke. Portrait attributed to Hans Hysing (1678-1753). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The 15th Earl had no children so the title then passed to a cousin, Walter Butler (1703-1783), another of the Garryricken branch, who also became the 9th Earl of Ossory. He was the only son and heir of John Butler of Garricken and Frances, daughter of George Butler of Ballyragget. Walter inherited the Ormonde titles in 1766 which he did not assume, so is called the “de jure” 16th Earl. “De jure” describes practices that are officially recognised by laws or other formal norms, regardless of whether the practice exists in reality.

Walter Butler (1703-1783) De jure 16th Earl of Ormonde, by Robert Hunter. This portrait hangs in the drawing room of Kilkenny Castle. Walter Butler is shown seated with his dog in a formal garden landscape, with a small temple and another building in the background. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In 1732 he married Eleanor Morres (1711-1793), the daughter of Nicholas Morres of Seapark Court, Co. Dublin, and of Lateragh, Co. Tipperary.

Eleanor Morres (1711-1793) by Robert Hunter (1715-1720, died after 1803). This portrait hangs in the drawing room of Kilkenny Castle. Eleanor was the daughter of Nicholas Morres of Seapark Court, Co. Dublin, and of Lateragh, Co. Tipperary, and of Susanna, daughter of Richard Talbot of Malahide Castle. She married Walter Butler, de jure 16th Earl of Ormonde, in 1732. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Duelling pistols. In 1760 Kilkenny Castle was raided for its silver plate by highwaymen. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information about duels.
Blunderbuss.

Walter succeeded to the family estates on 1766 on the death of the 15th Earl and thus moved from Garryricken House to Kilkenny Castle. Walter de jure 16th Earl was a Catholic so was unable to exercise a political role. He undertook the restoration of the Castle, decorating some of the rooms with simple late eighteenth century plasterwork, and also built the stable block across the road from the Castle, today the Design Centre and National Craft Centre. He also built the Dower House, now a hotel called Butler House.

Butler House, the dower house to Kilkenny Castle, built for Walter Butler (1703-1783) de jure 16th Earl of Ormonde. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

After Walter’s death in 1783, Eleanor moved into the Dower House. His youngest daughter, Eleanor, is known as one of the ‘Ladies of Llangollen,’ who moved with her female partner to a home in Wales.

In 1768 the thirteen-year-old Sarah Ponsonby arrived in Kilkenny to attend a local school. Following her visit to the Butler family at Kilkenny castle, and despite the difference in age, the two formed an immediate friendship and corresponded secretly. In their first attempt to flee in March 1778, they left for Waterford disguised as men and wielding pistols, but their families managed to catch up with them.

The Ladies of Llangollen, Sarah Ponsonby and Charlotte Eleanor Butler, by Richard James Lane, printed by Jérémie Graf, after Lady Mary Leighton (née Parker) courtesy of National Portrait Gallery NPG D32504.

Eleanor was then sent to the home of her brother-in-law Thomas ‘Monarch’ Kavanagh of Borris, Co. Carlow, but made a second, successful attempt and ran away to find Sarah in Woodstock, County Kilkenny. Her persistence won out when both families finally capitulated and accepted their plans to live together.

Walter and Eleanor’s son John (1740-1795) became known as “Jack of the Castle” and was the 17th Earl. Jack’s sister Susannah married Thomas Kavanagh of Borris House in County Carlow (see my entry about Borris House https://irishhistorichouses.com/2020/10/04/borris-house-county-carlow/).

Jack married Anne Wandesford, becoming a Protestant in order to marry her. This allowed him to stand as a member of Parliament. Their sons Her sons Walter and James became 18th and 19th Earls of Ormonde while a younger son Charles inherited the Wandesforde estates and took the name Wandesforde. The Kilkenny Castle website tells us that Anne placed a strong emphasis on health. In Castlecomer she had organised a fever hospital, dispensary and infirmary during the difficult period of the nineteenth century.

Susan Frances Elizabeth (Anne) Wandesford (1754-1830) Countess of Ormonde by Hugh Douglas Hamilton (1739-1808), hanging in the picture gallery of Kilkenny Castle. Daughter of John, Earl Wandesford and his wife Agnes Elizabeth Southwell of Enniscouch, Co. Limerick. In 1769, Anne married John Butler, 17th Earl of Ormonde, who claimed the Irish titles in 1783 and had them confirmed in 1791. They had four sons: Walter, later 18th Earl of Ormonde, John, who died unmarried and James. The youngest, Charles Howard Butler was heir to his mother’s estates and also inherited her brother Walter Clarke’s estates. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
John Wandesford (1725-1784), 1st Earl of Wandesford and Viscount Castlecomer, after Sir Joshua Reynolds (1723-92), hanging in the picture gallery of Kilkenny Castle. Father of Susan Frances Elizabeth (Anne) Wandesford, Marchioness of Ormonde, he was created Earl of Wandesford in 1758. When he died in 1884, the title became extinct. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
John Wandesford (1725-1784), Earl of Wandesford, father of Anne; below, Susan Frances Elizabeth (Anne) Wandesford (1754-1830), Countess of Ormonde, wife of 17th Earl of Ormonde and mother of 18th Earl, Artist: Hugh Douglas Hamilton (1739-1808); Landscape with Waterfall from the Italian school of 18th century and below, Before the Hunt. To right, Gilbert Clarke (d. 1725), by Sir Godffrey Kneller (1646-1723) and below, possibly Susanna nee Boun, wife of Gilbert Clarke. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Jack and Anne’s son Walter (1770-1820) was given the title Viscount Thurles in 1791. When his father died in 1795 he became the 18th Earl and 1st Marquess of Ormonde. He was made Knight of the Order of St. Patrick in1798 and in 1801 he was created Baron Butler of Lanthony, Co. Monmouth.

Walter Butler (1770-1820) 1st Marquess of Ormonde (2nd creation), 18th Earl of Ormonde by Sir William Beechey, hanging in the picture gallery of Kilkenny Castle. Son of John Butler and Anne Wandesford. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

After voting for the Act of Union in 1800, Walter took his seat in the House of Lords. He was said to haven a profligate spender, moving in the circle of the Regent, Prince George (later George IV).

In 1805, he married a wealthy heiress, Anna Maria Catherine Price-Clarke (1789-1817).

Anna Maria Catherine Price-Clarke (1789-1817) Marchioness of Ormonde by Sir William Beechey (1753-1839), hanging in the picture gallery of Kilkenny Castle. Heiress to her brother Godfrey TR Price-Clarke, she was the only daughter and heir of Job Hart Price-Clarke (formerly Price) of Sutton Hall, Derby, and his wife Sarah, sister and heiress of Godfrey Bagnal Clarke of Sutton Hall. She was married to Walter Butler, 1st Marquess of Ormonde (2nd creation). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

His Irish estates were worth £22,000 per annum in 1799. In 1811, probably needing money, he negotiated the sale of the presage of wines granted to his ancestor in 1327, and Parliament granted him £216,000 as compensation. He was created Marquess of Ormonde in 1816.

 Walter Butler (1770-1820) 1st Marquess of Ormonde (2nd creation), 18th Earl of Ormonde, in the manner of William Beechy.

The walls of the Chinese Withdrawing Room have remnants of hand painted Chinese wallpaper original to the room, with the monochrome grey and white infill carried out by the studio of David Skinner. This delicate paper was probably ordered as part of the redecorations done to the castle by Walter Butler (1770-1820) 1st Marquess of Ormonde (2nd creation), 18th Earl of Ormonde. Walter had three rooms decorated with Chinese Paper in 1801 of which only fragments of one survive. Walter belonged to the circle of the Prince Regent and the paper in Kilkenny is similar to that chosen by the future king for the saloon at the Royal Pavilion, Brighton, and to another set which the regent presented to the owners of Temple Newsam, Leeds.

During the 19th century ladies withdrew here from the dining room leaving the men to enjoy their port and cigars after dinner, as was the social convention.

The Chinese Withdrawing Room, Kilkenny Castle. Walter Butler belonged to the circle of the Prince Regent and the paper in Kilkenny is similar to that chosen by the future king for the saloon at the Royal Pavilion, Brighton, and to another set which the regent presented to the owners of Temple Newsam, Leeds. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Chinese Withdrawing Room, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Chinese Withdrawing Room, Kilkenny Castle. Recreated to its original 18th century proportions. The room has a late 19th century Ushak rug. Ushak Carpets are handwoven in the city of Uşak in Turkey. Uşak was a major centre of rug production from the early days of the Ottoman Empire. There was a renewed appreciation for Persian rugs in the 19th century and the Ushak rugs became highly fashionable. Ushak rugs are generally woven in a method known as the Ghiordes knot or the Turkish knot: where coloured weft yarn passes over the two warp yarns and is then pulled through between them and then cut to form the pile. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Chinese Withdrawing Room, Kilkenny Castle. Recreated to its original 18th century proportions. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information board about the Chinese Withdrawing Room in Kilkenny Castle.
The Chinese Withdrawing Room. On the walls are remnants of hand painted Chinese wallpaper original to the room with monochrome infill carried out by the studio of David Skinner. This delicate paper was probably ordered as part of the redecorations done to the castle by the 18th Earl, Walter Butler. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Chinese Withdrawing Room, Kilkenny Castle. Walter Butler had three rooms decorated with Chinese Paper in 1801 of which only fragments of one survive. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Chinese Withdrawing Room, Kilkenny Castle. The Crowded design includes water fowl, fruit and flower laden trees, ornate balustrades and fences supporting urns of various sizes and forms. More vases hang from the trees, where pheasants perch and smaller birds fly in pursuit of butterflies and insects. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Chinese Withdrawing Room. A tulipiére is an ornate vessel in which to grow tulips. They are typically constructed to accommodate one bulb per spout with a larger common water reservoir base. It is usually made of hand crafted pottery, classically delftware. This tulipiére was hand-made in Delft in 2009 as a one off. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

When Walter the 18th Earl died, the Marquessate of Ormonde and the Barony of Butler of Lanthony became extinct. He was described by Barrington in his Personal Sketches ‘as engaging a person, as many manly qualities, and to the full as much intellectual promise, as any young man of his country,’ but these were ‘either blunted by dissipation or absorbed in the licentious influence of fashionable connection’.

The Kilkenny Castle website identified this portrait that hangs in the long gallery of Kilkenny Castle as James Butler (1774-1838) 1st Marquess of Ormonde (3rd creation) and 19th Earl of Ormonde, by John Saunders (1750-1825). However it looks to me like Walter Butler (1770-1820) 1st Marquess of Ormonde (2nd creation), 18th Earl of Ormonde. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The 18th Earl had no sons so his brother James Wandesford Butler (1774-1838) succeeded him. Upon his death, it was found that Walter’s estate was massively bankrupt. It was left to his successor James, the next Earl of Ormond and his younger brother Charles to bring order to the families’ financial affairs.

James Butler (1774-1838), 1st Marquess of Ormonde, 19th Earl of Ormonde, unknown artist. This portrait hangs in the library of Kilkenny Castle. James Butler was born at Kilkenny Castle the 15th July 1774, third son of John Butler, 17th Earl of Ormonde and Lady Frances Susannah Anne Wandesforde. He was educated at Eton and succeeded his brother Walter as Earl of Ormonde in 1820 becoming one of the largest landowners of Ireland. He and his younger brother Charles Harward were friends of the Prince of Wales. He married Grace Louisa Staples in 1807.

James Butler (1774-1838) was born at Kilkenny Castle the 15th July 1774, third son of John Butler, 17th Earl of Ormonde and Lady Frances Susannah Anne Wandesforde. He was educated at Eton.

After the Act of Union in 1800, James Wandesford Butler (1774-1838) took his seat in London as MP for Kilkenny (1801-20). In 1807 he married Grace Louisa Staples. They had ten children.

Grace Louisa Staples (1779-1860) Marchioness of Ormonde by John Saunders (1750-1825) hanging in the picture gallery of Kilkenny Castle. Daughter of the Rt Hon John Stapes of Lissan, near Dungannon and Henrietta, fourth daughter of Richard, 3rd Viscount Molesworth, she married James Butler, 19th Earl and 1st Marquess of Ormonde (3rd creation) in 1807.

James succeeded his brother in 1820 and because the English honours had become extinct at Walter’s death, it was not until 1821 that he was created Baron Ormonde of Lanthony, Knight of St. Patrick, in the same year. Four years later he was created 1st Marquess of Ormonde (of the 3rd creation). 

He officiated as Chief Butler of Ireland at the Coronation of George IV.

He was Vice Admiral of Leinster, Lord Lieutenant of Co. Kilkenny (1831-38) and Militia ADC to King William IV and to Queen Victoria from 1837 until his death. 

James Wandesforde Butler (1774-1838), 1st Marquess of Ormonde (3rd creation), 19th Earl of Ormonde, by Richard Rothwell (1800-1868), the portrait hangs in the Hall of Kilkenny Castle. He succeeded his brother Walter as Earl of Ormonde in 1820, becoming one of the largest landowners in Ireland with an estate worth more than £20,000 a year. He was created Marquess of Ormonde in 1825 and officiated as Chief Butler of Ireland at the Coronation of George IV. He married Grace Louisa Staples in 1807, they had ten children. He died in Dublin in 1838 and was succeeded by his eldest son John. In this portrait, the marquess is depicted wearing a dark coat with the blue ribbon of the Order of St Patrick. Rothwell, an Irish artist who had worked as Sir Thomas Lawrence’s chief assistant, was a highly regarded portrait painter.
Marquess James Butler, Ormonde (1774 – 1838), 1830, After John Comerford (around 1762 Kilkenny – 1832 Dublin).

It was during James Wandesford Butler the 19th Earl and 1st Marquess’ time that major reconstruction work was carried out at Kilkenny Castle, around 1816 by William Robertson.

After some refurbishment had been carried out at Butler House, the family moved to live there for some years during the reconstruction work of the late 1830s and the 1840s. Robertson, an architect from Kilkenny, practically rebuilt the castle, except the three old towers and the outer walls. The front entrance by the 2nd Duke remains. Robertson swept away the 1st Duke’s embellishments.

The picture gallery of Kilkenny Castle has a wonderful drawing by William Robertson around 1816 of the castle.

Robertson replaced one of two missing sides of the courtyard with a new wing containing an immense picture gallery. The original gallery, on the top floor of the principal range, had been divided into bedrooms.

William Robertson (1770-1850) also designed a Section 482 property which I have yet to visit, Lismacue in County Tipperary (see my entry https://irishhistorichouses.com/2025/02/10/lismacue-house-bansha-co-tipperary-section-482-accommodation/ ).

Lismacue House, County Tipperary, photograph courtesy of website.
Kilkenny Castle, photograph by Chris Hill 2014 for Failte Ireland, Ireland’s Content Pool. [see 1] The National inventory describes the newer picture gallery wing. It was renovated a second time in 1858-62, with eight-bay two-storey range to north-east reconstructed having canted oriel windows to first floor, and pair of single-bay single-stage corner turrets on octagonal plans. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Mark Bence-Jones describes the renovations:

Ca. 1826, the Kilkenny architect, William Robertson, when walking in the castle courtyard with the Lady Ormonde of the day, noticed that a main wall was out of true and consequently unsafe. One suspects it may have been wishful thinking on his part, for it landed him the commission to rebuild the castle, which he did so thoroughly that virtually nothing remains from before his time except for the three old towers, the outer walls and – fortunately – the 2nd Duke’s gateway. Apart from the latter, the exterior of the castle became uncompromisingly C19 feudal; all the 1st Duke’s charming features being swept away. Robertson also replaced one of two missing sides of the courtyard with a new wing containing an immense picture gallery; the original gallery, on the top floor of the principal range, having been divided into bedrooms. Robertson left the interior of the castle extremely dull, with plain or monotonously ribbed ceilings and unvarying Louis Quinze style chimneypieces.” [see 3]

The long gallery wing of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inner corner of the south front of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Inner corner of the south front of Kilkenny Castle. The hoppers on the top of the drain pipes depict an eagle, and each has a different date written on it, each a significant year to the Ormondes and Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The view from the south front of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

On the ground floor of the castle, along with the Entrance Hall are the Chinese Withdrawing Room and the State Dining Room. In a corridor there is a plan of the different floors – I don’t know when it was made, but maybe around 1826 at the time of Willliam Robertsons’s renovation.

Kilkenny Castle: this shows the ground floor with the hall, dining room and withdrawing room, and the Tapestry room in a round tower.
Kilkenny Castle.

The ground floor also contains the State Dining Room. The website tells us that this was the formal dining room in the 1860’s. Historic evidence shows that this room was hung in the late 19th century with a red flock paper when it was a billiard room. The strong blue on the walls echoes the colour in the original 19th century-stained glass windows and provides a backdrop for the Langrishe family portraits, which originated in Knocktopher Abbey, Kilkenny, and are now in the care of the State.

Knocktopher Abbey in County Kilkenny, a house incorporating the remains of the first Carmelite friary in Ireland, rebuilt for Lieutenant-Colonel Sir James Langrishe JP DL (1832-1910) after a fire. It was rebuilt around 1866 in High Victorian Gothic to the design of John McCurdy. The paintings on display are part of a generous bequest to Kilkenny Castle from Lady Grania Langrishe in July of 2012. See my footnotes for a description of the portraits of the Langrishe family which are on display. [9]

John Langrishe  (1660-1735), son of Hercules Langrishe (the first member of the family who settled in Ireland), became proprietor of the borough of Knocktopher, County Kilkenny. 

Knocktopher Abbey, Knocktopher, Co. Kilkenny, photograph courtesy DNG Country Homes & Estates, November 2024.

Most large estate houses would have had both a formal and informal Dining Room. The collection of silverware contains some pieces from the original 18th century collection, purchased by Walter Butler, the 18th Earl, after his marriage to the wealthy heiress Anna Maria Price Clarke.

The State Dining Room, Kilkenny Castle. This was the formal dining room in the 1860’s. Historic evidence shows that this room was hung in the late 19th century with a red flock paper when it was a billiard room. The strong blue on the walls echoes the colour in the original 19th century-stained glass windows and provides a backdrop for the Langrishe family portraits, which originated in Knocktopher Abbey, Kilkenny, and are now in the care of the State. Portrait of Rev. Sir Hercules Richard Langrishe (1782-1862), 3rd Baronet of Knocktopher County Kilkenny, artist unknown, in the corner. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The State Dining Room, Kilkenny Castle. Portrait of Sir Robert Langrishe (1756–1835), 2nd Baronet Knockopher, artist unknown, over the door. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The State Dining Room, Kilkenny Castle. Reflection of oil portrait of an unknown gentleman possibly Sir Robert Langrishe 2nd Baronet. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The State Dining Room, Kilkenny Castle. Portraits, from left to right: Robert Langrishe 2nd Baronet; an unknown gentleman perhaps John Langrishe (1660-1735); Robert Langrishe (1696-1769), artist unknown; Hercules Langrishe (1859–1943), 5th Baronet Knocktopher, Artist unknown and Hercules Langrishe (1731-1811), 1st Baronet Knocktopher, artist unknown. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kilkenny Castle dining room, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
View from the dining room onto the garden of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Garden front of Kilkenny Castle, photograph by Roselinde Bon 2016 for Failte Ireland, Ireland’s Content Pool. [see 1]
Planning sketch for the garden of Kilkenny Castle.
Kilkenny Castle in Kilkenny, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.

The 19th century mahogany staircase was designed and made by the local firm of Furniss & Son, Kilkenny and leads to the Tapestry Room and first floor. The use of mahogany in domestic furniture, which is so synonymous with the Grand House, is virtually unknown before the 18th century. Most of the wood imported came from the Jamaican Plantations which were cleared in order to plant sugar cane and cotton. During the 19th century this staircase was hung with several beautiful tapestries from the Decius Mus suite, some of which are now housed in the Tapestry Room.

Photograph courtesy of Kilkenny Castle website, The Grand Staircase.
At the top of the stairs is a portrait of Mrs Nott (Knott) (d.1711), possibly Susan, granddaughter of Sir Thomas Nott, Gentleman Usher of the Privy Chamber to Charles II, studio of William Wissing (1656-87). Brewer describes the sitter as a possible mistress of one of the dukes of Ormonde. The portrait also resembles that of Amelia of Nassau, wife of Thomas, Earl of Ossory, in similar costume, and may have been acquired for that reason. A signed portrait by Wissing of Mrs. Knott is in the Royal Collection, as is a portrait of Amelia. Millar dates the original portrait to ‘perhaps c. 1680-85.’ Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The other portrait at the top of the stairs is John Bligh (1683-1728), Earl of Darnley, Viscount Darnely and Baron Clifton, attributed to Charles Stoppelaer (fl. 1703-45). Bligh was MP for Trim (1709-13) and for Athboy (1713-21). His father, Thomas, had obtained large grants of land in Ireland under the Acts of Settlement 1668. He was created Baron Clifton of Rathmore, Co Meath in 1721 in consequence of his marriage in 1713 to Theodosia Hyde, suo jure Baroness Clifton, sister and heir of Edward, Lord Clifton, Viscount Cornbury. She was a wealthy heiress with royal connections. Bligh is depicted wearing a buff-coloured coat with drapery. it was painted c.1723, as the coronet is that of a viscount. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Grand Staircase, Kilkenny Castle. This 19th century mahogany staircase was designed and made by the local firm of Furniss & Son, Kilkenny and leads to the Tapestry Room and first floor. Most of the wood imported came from the Jamaican Plantations which were cleared in order to plant sugar cane and cotton. During the 19th century this staircase was hung with several beautiful tapestries from the Decius Mus suite, some of which are now housed in the Tapestry Room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Grand Staircase, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Grand Staircase, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Unknown Gentleman by Philip Hussey (1713-1783). Said to be a member of a Fitzgerald/Fitzmaurice family from the Cork area. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Unknown lady by Philip Hussey (1713-1783). The basic details of the costume are identical to that worn by Mrs Sophia Tipping in the double portrait, Mrs Sophia Tipping with her daughter, Wilhelmina Salisbury, also painted by Hussey. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Mrs Sophia Tipping and her Daughter Wilhelmina Salisbury by Philip Hussey.
An allegory of Avarice by Jan de Herdt (fl.1646-72). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The stair hall, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

On the first floor we can visit the Tapestry Room, and then a suite of rooms, the Anteroom, Library and Drawing Room.

The first floor of Kilkenny Castle, with the Tapestry Room then the suite of rooms containing the anteroom, library and drawing room.

The Tapestry Room in the North Tower shows how the medieval castle was transformed in the 17th century to become a magnificent baroque ducal palace. This room was called the Great Chamber in the 17th century and the walls were decorated with embossed and gilded leather hangings on the walls; a fragment of a late 17th/ early 18th century leather has been hung beside the door to give an impression of how rich the room must have been. In the 18th century, they were replaced by a set of tapestries. There are two tapestries from the “Decius” suite in the Tapestry room. The tapestries are attributed to the workshop of Jan Raes, after designs by Sir Peter Paul Rubens.

The ‘Decius’ suite had been in the ownership of the Ormonde family for over 300 years and was displayed in several of their residences before being acquired by OPW for display in Kilkenny Castle. Tapestries were an important feature of the interior decoration of large houses in Europe during the 16th and 17th centuries and helped provide interior interest, warmth, and colour. There area more of this series of tapestries in the picture gallery of the castle.

The Gothic block wallpaper that goes halfway up the walls is a reproduction of an eighteenth century Irish wallpaper, reproduced by David Skinner.

The ceiling outlines the keyhole shape of this room, created by the addition of a square tower to the circular medieval tower during the 15th century.

The Tapestry Room in Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Desius Mus and Manlius Torquatus leave to fight the Latins. There are two tapestries from the “Decius” suite in the Tapestry room. The tapestries are attributed to the workshop of Jan Raes, after designs by Sir Peter Paul Rubens. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The obsequies of Decius Mus. The Story of ‘Decius Mus’ is a heroic tale of a Roman Consul who foretold his own death at the Battle of Veseris (Vesuvius) in the Latin War (340BC). You can read more about these tapestries on the Kilkenny Castle website. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information about the tapestries.
Information about the tapestries.
Japanese chest. A fine early black lacquer and chinoiserie decorated lift-top chest, with large engraved brass lock place, on a stand with short square legs. This travelling chest belonged to the Duke of Ormond and is an important remnant of the late 17th century furnishing of Kilkenny Castle. The Gothic style hand blocked wallpaper was reproduced by David Skinner from Malahide Castle, one of the very few examples of Irish produced wallpaper from the 18th century. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Tapestry Room, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Tapestry Room in Kilkenny Castle. The ceiling outlines the keyhole shape of this room, created by the addition of a square tower to the circular medieval tower during the 15th century. One one side is the portrait of James Butler (1610-1688), 1st Duke of Ormond, 12th Earl of Ormond, Lord Lieutenant of Ireland, by Peter Lely. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
James Butler (1610-1688), 1st Duke of Ormond, 12th Earl of Ormond, Lord Lieutenant of Ireland, by Peter Lely (1618-1680). Wearing robes of the Order of the Garter, Ormond holds the wand of office of Lord Steward of the Household in his right hand. The portrait is probably that referred to in a series of letters written by Ormond’s agents, John Buck in England and Sir George Lane in Ireland, during the years 1662 to 1663. In a letter dated May 1663, John Buck wrote: ‘…the latter end of this month I shall send from hence a most excellent picture of My Lord Duke’s, I think you saw the face done before you went; by that time I am promised the Queen’s for my Lady Duchess to send along with it: Mr. Lilly tells me there is one very good at cappeinge [copying?] in Dublin, if not pray let me receive your farther commands; Mr. Lilly will presently part with the Duchess’ pictures for you, if you can procure any to bring directions from Her Highness to him for it.’ [HMC Ormonde Mss, iii, 55]. This is the finest extant portrait of the duke. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Tapestry Room in Kilkenny Castle is in the North Tower with its 12 ft thick walls. Portrait of Honora Bourke (1675-1698), Countess of Lucan and Duchess of Berwick, French School 17th century. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Honora Bourke (1675-1698), Countess of Lucan and Duchess of Berwick. French School 17th century. She was the daughter of William Bourke, 7th Earl of Clanricarde and Lady Helen MacCarty. Honora’s sister was Margaret, Lady Iveagh, wife of Thomas Butler of Kilcash. She married, firstly, General Patrick Sarsfield, 1st Earl of Lucan, son of Patrick Sarsfield, circa 9 January 1689/90 and secondly, James FitzJames, 1st Duke of Berwick-Upon-Tweed, son of James II Stuart, King of Great Britain and Arabella Churchill, on 26 March 1695 at Saint-Germain-en-Laye, Île-de-France, France. Honora died aged 22 at Pesenas in France. Both her sons inherited their father’s titles. Oval, 1/2 length portrait. Sitter wears a yellow dress with a blue ermine-trimmed, blue wrap. It was possibly taken from a portrait painted on the occasion of her marriage to the Duke of Berwick at St-Germain-en-Laye. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Tapestry Room in Kilkenny Castle is in the North Tower with its 12 ft thick walls. This room was called the Great Chamber in the 17th century and the walls were decorated with embossed and gilded leather hangings on the walls. Portraits of James Butler (1665-1745), 2nd Duke of Ormonde, 13th Earl of Ormonde, after Michael Dahl (1659-1743), and Thomas Wentworth (1593-1641), 1st Earl of Stafford. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Thomas Wentworth (1593-1641), 1st Earl of Stafford, Lord Deputy General, Lord lieutenant of Ireland, after Anthony van Dyck (1599-1641). In the late 1620s, Wentworth was MP in opposition to the Crown, but was to become one of Charles I’s principal supporters from 1629 until his death. During his time in Ireland as Lord Lieutenant, Strafford sought to further royal interest, and in so doing he also managed to enrich himself. As a result of his manoeuvres and his own self-aggrandisement, he made many powerful enemies. His final effort on the King’s behalf-the formation of a standing army in Ireland to defend royal’s interest- was to lead to his ultimate downfall in 1640. Rumours spread that the army was to be used to invade England. He was committed to the Tower of London, and in January 1641 was impeached for high treason. The King signed his death warrant, and he was executed on Tower Hill in May 1641. Head and shoulders in armour, after a portrait by Sir Anthony van Dick painted in 1636. Van Dyck painted two portraits of the sitter in armour, one a full-length, the other a three-quarter-length. Numerous smaller copies were also made by studio assistants. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information board about the Tapestry Room.
The Tapestry Room in Kilkenny Castle, with the portrait of King Charles II in the background. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Tapestry Room in Kilkenny Castle. The colour orange is an early 19th century burnt Sienna distemper known as Malahide Orange, which was also found at Malahide Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
State chair, Original of Kilkenny Castle, a Charles II walnut state chair covered with both early 18th and possibly 17th century leather with very colourful decorations on back. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

From the website: “Today the first floor space is occupied by three rooms: Anteroom, Library and Drawing Room, as it was in the 19th century. The processional lay out of the rooms, each opening into the next is characteristic of the Baroque style of the 17th century and was know as an ‘enfilade’ suite of rooms. Baroque protocol dictated that visitors of lower rank than their host would be escorted by servants down the enfilade to the nearest room that their status allowed.

In the 16th and 17th century the State Rooms were situated on this floor. 17th century history records that it was in these state apartments that James Butler 1st Duke of Ormonde received the Papal Nuncio Giovanni Battista Rinuccini during the Irish Confederate Wars of that century.

James Butler, 1st Duke of Ormonde (1610–1688) after John Michael Wright courtesy of National Trust images.

The Kilkenny castle website continues: “An Anteroom was a small room used as a waiting room, that leads into a larger and more important room. The Anteroom and the room below, today the Serving Room, were constructed in the area where an earlier stone staircase was situated.” The anteroom features a reproduction poplin wallpaper and bronze figurines in niches.

The Ante Room. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Anteroom, Kilkenny Castle. Pair of large cast bronze art nouveau female figures, holding torches, suitable for conversion to electricity, as lamp holders. Semi-clad and standing on a circular base, the female figures hold a torch as a lamp holder in their hands, signed E. Rossi. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The anteroom leads to the library. “The interior decoration is a faithful recreation of the furnishing style of the mid to late 19th century. Thanks to a salvaged fabric remnant found behind a skirting board, it was possible to commission the French silk poplin on the walls in its original pattern and colour from the firm of Prelle in Lyons in France. The claret silk damask curtains are also based on the originals were made in Ireland.

For identification of the portraits in this room, see my footnotes. [10] Not all of the sitters seem to be immediately connected to the Ormonde family.

The Library. Briefly, the portraits on the wall over the door are, from the left, an unknown lady; possibly Rachel Russell the wife of William, 2nd Duke of Devonshire. Rachel was related by marriage to the Ormonde family, her husband was the son of Mary Butler, 1st Duchess of Devonshire; James Butler (1774-1838), 1st Marquess of Ormonde, 19th Earl of Ormonde; Elizabeth Jones (1665-1758), after William Wissing. Wife of John Fitzgerald, 18th Earl of Kildare; and an unknown lady. Photograph courtesy of Kilkenny Castle website.

One of the nine massive curtain pelmets is original and an Irish firm of Master Gilders faithfully reproduced matching gilt reproductions. The bookcases were also reproduced based on one original bookcase acquired by the OPW in the 1980s, this original with its 19th century glass stands in the right end corner of the library. The matching pair of pier mirrors over the mantelpieces was conserved and re gilded.”

The Library, Kilkenny Castle. The claret silk damask curtains are also based on the originals were made in Ireland. One of the nine massive curtain pelmets is original and an Irish firm of Master Gilders faithfully reproduced matching gilt reproductions. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Library, Kilkenny Castle. The claret silk damask curtains are also based on the originals were made in Ireland. One of the nine massive curtain pelmets is original and an Irish firm of Master Gilders faithfully reproduced matching gilt reproductions. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Library, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Berber style rugs were designed and woven for this room by the firm of Woodward Grosvenor in the 1990s. The restoration team were fortunate in finding the original receipt for the carpet in the family papers, and were able to trace the original company who had retained the design records. The design is based on patterns adapted from Izmir motifs. The Woodward Grosvenor company was based in Kidderminster, England. The town has been a centre of weaving for many centuries, and in the mid – late 18th century began to specialize in new forms of carpet weaving, earning the title of Carpet Capital of Britain. The company was founded in 1790 by Henry Woodward. in 1855 with his partner Benjamin Grosvenor, he build the Stour valley Mill, the first steam-powered carpet mill in Britain.

Information board about the library in Kilkenny Castle.
The Library, Kilkenny Castle. The matching pair of pier mirrors over the mantelpieces was conserved and re gilded. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Grace Louisa Staples (1779-1860) by John Comerford (1773-1835). Daughter of the Rt Hon John Staples of Lissan, near Dungannon, and Henrietta, fourth daughter of Richard, 3rd Viscount Molesworth, she married James Butler, 19th earl and 1st Marquess of Ormonde, in 1807. This small, half-length portrait is a variation on the full-length portrait of the sitter by John Saunders displayed in the Picture Gallery. Then Louisa Anne Molesworth (1749-1824), Lady Ponsonby, and later Countess Fitzwilliam, by Hugh Douglas Hamilton (ca.1739-1808). The fourth daughter of the 3rd Viscount Molesworth and his second wife Mary Usher, she married William Brabazon (later Baron) Ponsonby of Imokillly, Co. Cork, in 1769. Secondly, in 1823, she married Earl Fitzwilliam when he was 75 and she 73. Then Inscribed on the back: “Anastasie de Crussol, daughter to the dear friend of Mary Countess of Harcourt who lived during the time of the Emigration of the French principally at St Leonards, she died soon after the birth of her daughter. Her mother was daughter to the Duc de Montilmar.” Bottom, Charles Robert Moore (1848-1869), unknown artist, Inscribed on the back: “My beloved uncle [as a] child Charles Robt Moore he died at Alexandria aged 21 in 1869. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
James Butler (1774-1838), 1st Marquess of Ormonde, 19th Earl of Ormonde, by John Comerford (1773-1835). This small, half-length portrait is a variation on the full-length portrait of the sitter by John Saunders displayed in the Picture Gallery. Then Hon Henrietta Molesworth (d. 1813) by Hugh Douglas Hamilton (1740-1808). Eldest daughter of the 3rd Viscount Molesworth and his second wife Mary Usher, she married the Rt Hon John Staples of Lissan, Co Tyrone, in 1774. Their daughter, Grace Louisa Staples married James Butler, 19th Earl and 1st Marquis of Ormonde. Then Mrs Ross, attributed to Adam Buck (1759-1833). Isabella Barbara Evelyn was the daughter of Sir Gunning Bart and Ann Sutton. She married General Alexander Ross (1742-1827) in 1795. Bottom, Lady Flora Hastings (1806-1839), attributed to Adam Buck. Eldest child of Francis Rawdon Hastings, 1st Marquess of Hastings and Flora Mure Campbell, Countess of Loudown. In 1834 the unmarried Flora was appointed lady-in-waiting to future Queen Victoria’s mother, the Duchess of Kent. She was the innocent centre of a scandal that rocked court and government and caused Victoria’s popularity to plummet.
The Library, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Library, Kilkenny Castle. A Pillar Zogroscope or Optical device was popular during the latter half of the 18th century as parlour amusements. The zogroscope was designed to magnify prints so they could be seen more easily with enhanced depth. It has a convex lens mounted in a square wooden frame that, in turn, is supported on a pedestal. A second frame, hinged at the top, holds a mirror that can be held out at any desired angle. The form came into use in the eighteenth century and remained popular throughout the nineteenth century. It was also known as an optical diagonal machine or cosmorama. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Georgian folding table. An intricately inlayed walnut table in the Georgian breakfast style. The Georgian period saw an increase in formality in dining and furniture design becomes ever more elaborate and status defining. This table is thought to date from c.1800 at the time of the Act of union with the emblems of Ireland (shamrock), Scotland (thistle) and England (rose) displayed within the decoration. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Library, Kilkenny Castle.

The Drawing Room is typically the room in a house where guests and visitors are entertained. Drawing rooms were previously known as ‘withdrawing rooms’ or ‘withdrawing chambers’ which originated in sixteenth century.

The fabrics in this room are vintage glazed and block printed English and French chintzes and have been chosen to recreate the style of the rooms as they appeared in the 19th century family photographs. The Drawing Room picture hang reflects the Edward Ledwich description in his 1789 “Antiquities of Ireland!” when this room was the Presence Chamber or Alcove.

The Drawing Room, courtesy of Kilkenny Castle website. On the back wall is the painting of the five eldest children of King Charles I, after Sir Anthony van Dyck, and by the same artist, a portrait of Queen Henrietta Maria (1609-69).
The Drawing Room, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Drawing Room, Kilkenny Castle. One either side of the fireplace are portraits of Eleanor Morres (1711-1793) by Robert Hunter, she married Walter Butler, de jure 16th Earl of Ormonde, in 1732, and of her husband Walter Butler (1703-1783) De jure 16th Earl of Ormonde, also by Robert Hunter. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Drawing Room, Kilkenny Castle. One either side of the fireplace are portraits of Eleanor Morres (1711-1793) by Robert Hunter, she married Walter Butler, de jure 16th Earl of Ormonde, in 1732, and of her husband Walter Butler (1703-1783) De jure 16th Earl of Ormonde, also by Robert Hunter. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information board about the Drawing Room of Kilkenny Castle.
Kilkenny Castle drawing room, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
Kilkenny Castle drawing room, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
Kilkenny Castle drawing room, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.

We went up another winding stone cantilevered staircase to the floor with the the blue corridor, with the bedrooms and nursery.

Private staircase, Kilkenny Castle. This elegant late Georgian style staircase from the early 1800s leads to the bedroom corridor of the same period. The holes where the brass stair rods to hold the carpet can still be seen in places. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Private staircase, Kilkenny Castle. This elegant late Georgian style staircase from the early 1800s leads to the bedroom corridor of the same period. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Blue corridor, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Blue Bedroom, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Blue Bedroom, Kilkenny Castle. Fragments have this restful all-over floral pattern was found in this bedroom during the restoraion work. It probably dates from the late 19th century. It is likely to have been designed and block-printed in Ireland, although the name of the maker is not known. The two-dimensional form and lack of modelling reflect the ideas of the Design Reform movement, while the organic vitality of the lines suggests the influence of the English designer William Morris. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The watercolours on display were painted by Anne Wynne née Butler, daughter of John Wandesford Butler, 1st Marquess, and his wife Grace Louisa Staples. Grace herself painted and exhibited her paintings, and she made sure that all of her children learned to paint. Anne married J.A. Wynne of Hazelwood House in County Sligo in 1838.

The Blue Bedroom, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Blue Bedroom, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Blue Bedroom, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Blue Bedroom, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The view from the Blue Room bedroom.

The photograph shows how much work the OPW had to do to make the bedroom fit for visitors.

The Blue Bedroom, Kilkenny Castle.

James 1st Marquess of 3rd creation died in Dublin in 1838 and was succeeded by his eldest son John Butler (1808-1854), who became 2nd Marquess, 20th Earl of Ormonde, Earl of Ossory and Viscount Thurles, Baron Ormonde of Lanthony, and Chief Butler of Ireland. John Butler travelled extensively. His Journals, now in the National Library of Ireland, record his many journeys across Europe to Italy and Sicily. He published an account of his travels, Autumn in Sicily, and he also wrote an account of the life of St. Canice, based on a Latin manuscript in the Burgundian library in Brussels.

John Butler (1808-1854) 2nd Marquess (3rd creation), 20th Earl of Ormonde, by Henry Weigall, Jr. (1829-1925). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

He married Frances Jane Paget in 1843. He continued the work of rebuilding Kilkenny castle that was started by his father. The castle website tells us that his journals show him to have a deep interest in art, and there are careful descriptions of several of the great galleries in Italy to be found in his writing.

Frances Jane Paget (1817-1903) Marchioness of Ormonde with her son James, Earl of Ossory by Richard Buckner (fl.1820-79). Daughter of General Edward Paget, GCB and his second wife Harriet daughter of George Legge, 3rd Earl of Dartmouth. Wife of John Butler, 2nd Marquess of Ormonde. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Although he continued to write in his journals during the years 1847 to 1850, no mention of the Irish famine is made.

He died while bathing in the sea near Loftus hall on Hook Head, Co. Wexford. A marble tomb was erected in his memory in St. Canice’s Cathedral, Kilkenny.

The Blue Bedroom, Kilkenny Castle. Top: Wedding of John Butler 2nd Marquess of Ormonde & Frances Jane Paget, 1843
Artist Edmund Fitzpatrick (fl. 1848-1883) The wedding procession in front of Kilkenny Castle, with groups of local people in the streets as the couple are recieved at the Gates. Below: Funeral of John Butler 2nd Marquess of Ormonde, 1854, Artist Edmund Fitzpatrick. The funeral procession in front of Kilkenny Castle, groups of local people in the streets.

The children were still young when their father died in 1854. Frances Jane looked after the Ormonde estates and continued the rebuilding of Kilkenny castle. During the early years of her marriage (1844-1849), she was the Lady of the bedchamber to the Queen Dowager, Adelaide.

Frances Jane Paget (1817-1903) Marchioness of Ormonde, Artist Unknown. Frances married in 1843, and so her children were still young when their father died in 1854. She looked after the Ormonde estates, and continued the rebuilding of Kilkenny castle. During the early years of her marriage(1844-1849), she was the Lady of the bedchamber to the Queen Dowager, Adelaide. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The picture gallery of Kilkenny Castle: John Butler (1808-1854), 2nd Marquess of the 3rd creation, 20th Earl of Ormonde, Earl of Ossory and Viscount Thurles, Baron Ormonde of Lanthony, Chief Butler of Ireland; Frances Jane Paget in middle (1817-1903), with her son James, Earl of Ossory. On top of the three,  over her father and uncle, is Frances Jane Paget again, with her dog. Below is her father General the Honourable Edward Paget (1775-1849), soldier and Governor of Ceylon. He was second in command under the Duke of Wellington in the Napoleonic Wards. He lost his right arm in Spain. Below him is Field Marshall Henry William Paget (1768-1854), 1st Marquis of Anglesey, Lord Lieutenant of Ireland, brother of Edward, above. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
General the Honourable Edward Paget (1775-1849), soldier and Governor of Ceylon, attributed to Sir Martin Archer Shee (1769-1850). He was the father of Frances Jane Paget, wife of the 2nd Marquess. He was second in command under the Duke of Wellington in the Napoleonic Wards. He lost his right arm in Spain. He is seated wearing the red ribbon of the knight of the Grand Cross of the order of the Bath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Another bedroom is the Chinese Bedroom, connected to the blue bedroom by double doors. This bedroom is decorated with a modern reproduction of a hand painted Chinese wallpaper, part of the Chinoiserie theme of the room. The wallpaper was based on a design from Lissan House in County Tyrone, owned by the Staples family, Grace Louisa Staples became Marchioness of Ormonde when she married James Butler, 19th Earl, 1st Marquess of Ormonde in 1807.

The Chinese Bedroom, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Chinese Bedroom, Kilkenny Castle. A large early black lacquered and chinoiserie decorated Chinese Cabinet and two doors with engraved gilt metal mounts enclosing an arrangement of ten drawers, on a stand with cabriole legs and scroll feet. A rare antique Chinese eight fold lacquered screen, profusely carved and decorated with figures by pavilions, various mythical and domestic animals, birds, flowers and emblems on one side, and the other side inscribed all over. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I particularly love the eagle holding up the drapery of the bed!

The Chinese Bedroom, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The nursery is also off the blue corridor.

The Nursery. Boys were usually sent away to boarding school in England at a young age. The Butlers traditionally sent their sons to Harrow. Girls however generally received less formal education at home including sewing, drawing, etiquette and instruction on running a household. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The nursery, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The nursery, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The nursery, Kilkenny Castle. Noah’s Arks have been made at least since the 1700s and were one of the most popular wooden toys of the nineteenth century. Nearly every well to do Victorian family had one. Due to their biblical theme, Noah’s Arks were often the only toy children were permitted to play with on Sundays. During the 19th century most arks were made in Germany where entire families would carve and paint the animals. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The nursery, Kilkenny Castle. Pictured is a Zoetrope. The Kilkenny castle website tells us that from first scientific toys that used animated images to modern movies, retinal persistence has been fundamental to fooling the mind into believing that a series of static images are in motion. In 1834, the English mathematician George Horner proposed a practical apparatus based on the phenakistoscope of Plateau and Stampfer (1830). It eliminated the need for a mirror and it enabled several people at the same time to view the moving pictures – an advance over the single spectator of the earlier toy. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Praxinoscope: This scientific toy with animated images also relies on retinal persistence to make us believe we are seeing images in motion. The praxinoscope was patented by the Frenchman Emile Reynaud in 1877, who was looking to overcome the deficiencies of the zoetrope, the most popular at the time. His apparatus was the first to eliminate the distorted view of the images in movement caused by insufficient light passing through the small slots of the zoetrope. This improvement in the quality of the image resulted in its immediate popularity. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Nursery, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The son of the 2nd Marquess, James Edward William Theobald Butler became the 3rd Marquess in 1854.

James Edward Theobald Wandesford Butler (1844-1919) 3rd Marquess of Ormonde (3rd creation), 21st Earl of Ormonde by Hon Henry Richard Graves (fl.1846-81). This hangs in the picture gallery of Kilkenny Castle. Son of John and Frances Jane, he is the little boy seated in his mother’s lap in the portrait by Buckner. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Elizabeth Harriet Grosvernor (1856-1928) Marchioness of Ormonde, by Hon Henry Richard Graves (fl.1846-81). This hangs in the picture gallery of Kilkenny Castle. Eldest Daughter of the 1st Duke of Westminster, she married James 3rd Marquess of Ormonde in 1876. They had two daughters famed for their beauty. Lady Beatrice Pole-Carew and lady Constance Butler. A noted beauty of her day, the marchioness wearing a long cream dress, stands in a landscape. A good example of a fashionable society portrait of of the period. The portrait was painted as a pendant to that of her husband. The portrait is based on Gainsborough’s portrait, the Hon. Mrs. Thomas Graham ( Nat. Gal. Scotland); it is another example of ‘borrowing’ poses for portraiture. Sir John Millias also painted the marchioness, a portrait engraved F Jenkins, Paris. A watercolour portrait of her with Kilkenny castle in the background by Edward Clifford is also known. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Educated at Harrow, the 3rd Marquess served as Captain for ten years with the First Life Gaurds and was appointed Lord Lieutenant of Co. Kilkenny in 1878, a post he held until his death. During the marquess’s time, a number of royal visitors came to Kilkenny Castle; these included the Duke and Duchess of York in 1899, followed in 1904 by King Edward VII and Queen Alexandria.

From the Poole photographic collection, National Library of Ireland. Royal visitors to the Picture Gallery of Kilkenny Castle: the Duke and Duchess of York (later King George V and Queen Mary with James Butler the 3rd Marquess of Ormond and his wife Elizabeth Grosvenor, also Two other Ormondes (likely the Marquess’ daughter & brother), Marshal & Lady Roberts (Frederick Roberts & Nora Bews), 4th Viscount & Viscountess De Vesci (John Vesey & Evelyn Charteris), Lady Eva Dugdale (later Lady of the Bedchamber), Earl of Ava (Hamilton-Temple-Blackwood d.1900), Sir Charles Leopold Cust (baronet), Sir Francis De Winton, Mr J. T Seigne JP (officer of Ormonde’s estate – we came across him when we visited Kilfane, as he lived in the house there), and “Mr Moncrieffe” 
James Edward William Theobald Butler (1844-1919) 3rd Marquess of Ormonde by Walter Stoneman 1917, courtesy of National Portrait Gallery NPG x43817.
James Edward William Theobald Butler (1844-1919) 3rd Marquess of Ormonde, probably with his wife.

James 3rd Marquess was an Officer of the Life Guards and a Knight of the Order of St. Patrick.

Swords and scabbards once owned by James Edward William Theobald Butler (1844-1919) 3rd Marquess of Ormonde. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information about the swords.

It was during the 3rd Marquess’s time that changes were made to the rather plain picture gallery block created by William Robertson. It was built on earlier foundations, primarily to house the Butler Family’s collection of paintings. Initially the gallery was built with a flat roof that had begun to cause problems shortly after its completion.

Kilkenny Castle picture gallery wing. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The architectural firm of Deane and Woodward was called in during the 1860s to make changes to the overall design of the picture gallery block and corrections to Robertson’s work. These changes included the insertions of four oriels in the west wall and the blocking up of the eight windows, while another oriel added to the east wall.

Kilkenny Castle picture gallery wing. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Plan for an oriel window at Kilkenny Castle. I’m not sure if this was made, as it is different from the oriel windows in the gallery wing of the castle.
End of the picture gallery wing Kilkenny Castle . Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Sketches of the south end of the picture gallery, Kilkenny Castle.
Sketches of the picture gallery wing, Kilkenny Castle.
The drawing for the river front of Kilkenny Castle.
Blocked up windows by Woodward and Deane in the picture gallery on the river side of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Woodward and Deane also built the fantastical Moorish staircase to give better access to the picture gallery. Charles Harrison (1835-1903), the stone carver, is credited with the carved naturalistic foliage and small animals which adorn the stairs.

The Moorish Staircase, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Moorish Staircase, Kilkenny Castle. Created by the architects Woodward & Deane to allow better access to the Picture Gallery and provide another staircase in this awkwardly shaped building. It is a rising half-turn stairs around a sky-lit well.
Charles Harrison (1835-1903), the stone carver, is credited with the carved naturalistic foliage and small animals which adorn the stairs
. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Moorish Staircase: Created by the architects Woodward & Deane to allow better access to the Picture Gallery and provide another staircase in this awkwardly shaped building. It is a rising half-turn stairs around a sky-lit well. Charles Harrison (1835-1903), the stone carver, is credited with the carved naturalistic foliage and small animals which adorn the stairs. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kilkenny Castle Moorish staircase, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
Information about the Moorish Staircase.
The Moorish Staircase, Kilkenny Castle. Created by the architects Woodward & Deane to allow better access to the Picture Gallery and provide another staircase in this awkwardly shaped building. It is a rising half-turn stairs around a sky-lit well. Charles Harrison (1835-1903), the stone carver, is credited with the carved naturalistic foliage and small animals which adorn the stairs. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Moorish Staircase, Kilkenny Castle.
The Moorish Staircase, Kilkenny Castle.
The Moorish Staircase, Kilkenny Castle. Charles Harrison (1835-1903), the stone carver, is credited with the carved naturalistic foliage and small animals which adorn the stairs. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Moorish Staircase, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Moorish Staircase, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The magnificent Picture Gallery is situated in the east wing of Kilkenny Castle. Deane and Woodward changed the flat roof to a toplit one with impressive wooden beams.

The hammer beam roof structure by Deane and Woodward is supported on carved stone corbels, carved by the O’Shea brothers from Kilkenny. The ceiling was hand painted by John Hungerford Pollen (1820-1902), Professor of Fine Arts at Newman College in Dublin. The decoration is from the quasi-medieval and pre-Raphaelite, and reminds me of Seán Leslie’s painting on beams in Castle Leslie. The cross beams of the gallery feature gilded animal and bird heads. It has taken me several visits to Kilkenny Castle to take it all in!

The Picture Gallery in Kilkenny Castle was built during the early nineteenth century building programme carried out by the architect William Robertson. It was constructed on earlier foundations. Robertston’s Picture Gallery, in keeping with his work on the rest of the castle, was in a Castellated Baronial style. Initially the gallery was built with a flat roof that had begun to cause problems shortly after its completion. The distinguished architectural firm of Deane and Woodward was called in during the 1860s to make changes to the overall design of the Picture Gallery block, and other corrections to Robertson’s work. These changes included the insertions of four oriels in the west wall and the blocking up of the eight windows, while another oriel added to the east wall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The picture gallery, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information about the picture gallery of Kilkenny Castle.
Kilkenny Castle picture gallery, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
Picture Gallery, Kilkenny Castle.
Kilkenny Castle picture gallery, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.
The Picture Gallery in Kilkenny Castle. A pitched roof was put in place of the leaking flat one, with top lighting; that originally had green glass. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Picture Gallery in Kilkenny Castle. A pitched roof was put in place of the leaking flat one, with top lighting; that originally had green glass. The hammer beam roof structure by Deane and Woodward is supported on carved stone corbels, carved by the O’Shea brothers from Kilkenny. The entire ceiling was hand painted by John Hungerford Pollen (1820-1902), then Professor of Fine Arts at Newman College, Dublin, using a combination of motifs ranging from the quasi-medieval to the pre-Raphaelite, with interlace, gilded animal and bird heads on the cross beam. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Picture Gallery in Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Picture Gallery in Kilkenny Castle. The entire ceiling was hand painted by John Hungerford Pollen (1820-1902), then Professor of Fine Arts at Newman College, Dublin, using a combination of motifs ranging from the quasi-medieval to the pre-Raphaelite, with interlace, gilded animal and bird heads on the cross beam. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The hammer beam roof structure by Deane and Woodward is supported on carved stone corbels, carved by the O’Shea brothers from Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Picture Gallery in Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information about the painted roof of the picture gallery in Kilkenny Castle.
The Picture Gallery in Kilkenny Castle. It’s worth looking at all of the different pre-Raphaelite style paintings. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Picture Gallery in Kilkenny Castle. It’s worth looking at all of the different pre-Raphaelite style paintings. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Picture Gallery in Kilkenny Castle. It’s worth looking at all of the different pre-Raphaelite style paintings. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Picture Gallery in Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The Picture Gallery in Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information about the paintings in the picture gallery of Kilkenny Castle. Some date from the 17th century, and others from 18th and 19th. In the 19th cnetury, there were 200 paintings in the gallery.
Henrietta Maria Stanley (1687-1718) & her sister Elizabeth (d.1714), English school 18th century. This hangs in the picture gallery of Kilkenny Castle. Daughters of William, 9th Earl of Derby and his wife Elizabeth Butler, daughter of Thomas Butler, Earl of Ossory, they would been nieces of the 2nd Duke of Ormonde. Henrietta was married to the Earl of Anglesea in 1706 ad then to John, 1st Earl of Ashburnham in 1714. She has been identified from other portraits of her painted during the first two decades of the eighteenth century. Ashburnham had previously been married to Mary, her first cousin, daughter of the 2nd Duke of Ormonde. Henrietta died in 1718 aged 31 years. Elizabeth Stanley died unmarried in 1714. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There are more of the Decius tapestries in the picture gallery.

There are three tapestries from the “Decius” suite in the Picture Gallery: Desius Mus preparing for death; The dismissal of the lictors; The death of Decius Mus. The tapestries are attributed to the workshop of Jan Raes, after designs by Sir Peter Paul Rubens. This one is the Dismissal of the lictors. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information about the tapestry in the picture gallery of Kilkenny Castle.
Stephen studies The Death of Decius. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Information about the tapestries in the picture gallery of Kilkenny Castle.

The large marble fireplace is also designed by John Hungerford Pollen. It was supplied by the firm of Ballyntyne of Dorset Street, Dublin. Foliage carving attributed to Charles Harrison covers the chimneypiece and a frieze beneath is decorated with seven panels, showing the family coat of arms and significant episodes from the family’s long history.

The Marble Fireplace is made of Carrara marble and was designed by J. H. Pollen also in a quasi-medieval style.
It was supplied by the firm of Ballyntyne of Dorset Street, Dublin. Foliage carving attributed to Charles Harrison covers the chimneypiece and a frieze beneath is decorated with seven panels, showing the family coat of arms and significant episodes from the family’s long history.
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Starting on the left, the first panel shows the buying the castle by the first Earl of Ormond in 1391 from the Despenser family – money changing hands is shown. The second panel depicts Theobald Fitzwalter acting as Chief Butler to the newly crowned King of England highlighting their ancient royal privilege and upon which their surname of Butler is based. On the third panel, you see King Richard the Second acting as godfather for one of the infants of the Butler family in 1391. The centrepiece is the family crest which can also be seen over the arch and gateway, with the family motto “comme je trouve”- “as I find”, as well as the heraldic shield guarded, the falcon, the griffin (a legendary creature with the body of a lion and the head and wings of an eagle) and the ducal coronet. In the fifth panel, the 1st Duke of Ormond can be seen entering the Irish House of Lords still bearing his sword. Indeed, he refused to hand his weapon over as were the protocols in case it was used inside during an argument; this became known as The Act of Defiance. The sixth panel next to this symbolizes the charity of the Butler family showing Lady Ormonde giving alms to the poor. Finally, the sixth and last panel portrays the First Duke of Ormond’s triumphant return to Dublin from exile on the Restoration of Charles the Second in 1662, when he also established the Royal Hospital in Kilmainham and founded the Phoenix Park.”
The castle website tells us that this is a Mahogany side table c.1740 with green marble tops (most likely Connemara) in the style of William. Kent. The apron has lion mask against stylised acanthus under a frieze of egg and dart. The tables show the influence of William Kent (1684-1748) in the realistic and bold detail and are either English or Irish, the slight punching on the apron possibly indicating the latter. There is eye-catching detail in the lion’s mane and the legs are especially hairy and vivid. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
A hopper commemorates the date 1877, so perhaps some of the building work on Kilkenny Castle was completed in that year.

James was the last marquess to live at Kilkenny Castle. He died there and is buried in the private family cemetery. The 3rd Marquess’s brother James Arthur Wellington Foley Butler (1849-1943) became 4th Marquess (and 22nd Earl) of Ormonde in 1919. James’ principal home was at Gennings, Kent where he died in 1943. It seems such a pity his father had improved the picture gallery and he didn’t live there!

James Arthur Wellington Foley Butler (1849-1943) 4th Marquess, 22nd Earl of Ormonde, by Philip de Laszlo (1869 – 1937). This portrain hangs in the Hall of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

He was educated at Harrow and joined the army becoming a lieutenant in the 1st Life Guards. He was state steward to the Earl of Carnarvon when Lord Lieutenant of Ireland. In 1887 he married Ellen Stager, daughter of American General Anson Stager.

Lord and Lady Arthur Butler purchased Gennings Park in Kent in 1901. The purchase of country estate after fourteen years of marriage was reportedly made following the death of Lord Arthur’s cousin George O’Callaghan, 2nd Viscount Lismore in 1899; Lord Lismore had reportedly informed his family that, following the deaths of his two sons, Lord Arthur Butler would be the heir to his estates (a 47,000-acre estate in Ireland centred on Shanbally Castle worth £18,435 annually). [11] Following Lord Lismore’s death in 1898, his Will revealed that he had instead named Lord Arthur’s nieces Lady Beatrice and Lady Constance Butler as the beneficiaries of his estate. [12]

Shanbally Castle, County Tipperary, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.

Gennings Park remained the home of Ellen, Lady Arthur Butler (later Marchioness of Ormonde) until her death in 1951. Her son was James George Anson Butler, 23rd Earl, 5th Marquess, 24th Chief Butler (1890–1959). George was educated at Harrow and Sandhurst. In 1915 he married Sybil Fellowes, daughter of 2nd Lord de Ramsey and Winston Churchill’s first cousin. They had two children, Moira and Anthony. George and Sybil were in residence at Kilkenny Castle in 1922 when the building was occupied by Republicans and besieged by troops of the Free State.

He oversaw the 1935 auction of contents at Kilkenny Castle. His younger brother succeeded him, James Arthur Norman Butler, 24th Earl, 6th Marquess, 30th Chief Butler (1893–1971). Arthur was educated at Harrow and Sandhurst. He pursued a military career and served in both world wars. From 1945 onwards, Arthur lived at Gennings Park in Kent with his widowed mother Ellen. In 1955, after her death, he moved with his wife to Cantley Farm, Wokingham, Berkshire. In 1967 he sold the Castle to the Kilkenny Castle Restoration Committee for £50. Two years later it went into state ownership.

As I mentioned earlier, it was James Arthur Norman Butler (1893-1971), 6th Marquess and 24th Earl of Ormonde, youngest son of James Arthur, 4th Marquess of Ormonde, who in 1967 sold the Castle.

The next Earl was a cousin, James Hubert Theobald Charles Butler, 25th Earl, 7th Marquess, 31st Chief Butler (1899–1997). He was a grandson of James Butler, 21st Earl of Ormonde and a cousin of the 23rd and 24th Earls of Ormonde. Upon his death, the Marquessate of Ormonde became extinct and the Earldoms of Ormonde and Ossory and the Viscountcy of Thurles became dormant.

It is now a wonderful place to visit, and has fifty acres of rolling parkland, a terraced rose garden, playground, tearoom and man-made lake, for visitors to enjoy. We enjoyed a delicious moist slice of fruitcake in the vaulted café, which must have been the kitchen, before heading out for a walk around the park.

The café is in the old kitchen of Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kitchen, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Kitchen, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Service bells in the Kitchen, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://www.irelandscontentpool.com

[2] https://kilkennycastle.ie/about/explore-the-castle-new/

[3] p. 167. Bence-Jones, Mark. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[4] https://kilkennycastle.ie/about/characters-of-kilkenny-castle/

[5] p. 67, Otway-Ruthven, A. J. A History of Medieval Ireland New York: Barnes & Noble 1993.

[6] https://lordbelmontinnorthernireland.blogspot.com/2014/09/kilkenny-castle.html

[7] http://www.stevenroyedwards.com/kilkennycastle-timeline.html

[8] p. 192. Murray, James (2009). Enforcing the English Reformation in Ireland. Cambridge: Cambridge University Press, “Whether Ormond’s death was directly attributable to the viceroy’s actions, or simply a remarkable coincidence, is now impossible to determine.”

[9] Knocktopher Abbey in County Kilkenny, a house incorporating the remains of the first Carmelite friary in Ireland, rebuilt for Lieutenant-Colonel Sir James Langrishe JP DL (1832-1910) after a fire. It was rebuilt around 1866 in High Victorian Gothic to the design of John McCurdy. The paintings on display are part of a generous bequest to Kilkenny Castle from Lady Grania Langrishe in July of 2012.

John Langrishe  (1660-1735), son of Hercules Langrishe (the first member of the family who settled in Ireland), became proprietor of the borough of Knocktopher, County Kilkenny. 

Knocktopher Abbey, Knocktopher, Co. Kilkenny, for sale courtesy DNG Country Homes & Estates, November 2024.
Portrait of an unknown gentleman perhaps John Langrishe (1660-1735), the first of the family to arrive in Knocktopher, father of Robert. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Mr Langrishe, High Sheriff of County Kilkenny, 1696, married firstly, Alicia, second daughter of Harry, 2nd Baron Blayney, and widow of Thomas Sandford, of Sandford Court; and secondly, Miss Sandford, daughter of Colonel Sandford; but had issue by neither of those ladies. 

He wedded thirdly, Mary, daughter of Robert Grace, feudal baron of Courtstown, and had an only son, his successor, Robert Langrishe  (c.1696-1769).

Robert Langrishe (1696-1769), artist unknown. He held the office of High Sheriff in 1740 and completed the outright purchase of the fee simple of the Knocktopher lands of over 800 acres in 1757 according to William Nolan and Kevin Phelan in Kilkenny, History and Society 1990. His son Hercules was to become first Baronet of Knocktopher. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Robert served as High Sheriff of County Kilkenny in 1740 amd Gentleman Usher of the Black Rod in Ireland 1745-9. His son and heir Hercules Langrishe (1731-1811) served as MP for Knocktopher 1761-1800. Hercules was created a baronet in 1777, denominated  of Knocktopher Abbey, County Kilkenny. 

Right Hon. Sir Hercules Langrishe (1731-1811), 1st Baronet Knocktopher, artist unknown. The Langrishe Baronetcy of Knocktopher Abbey in the County of Kilkenny is a title in the Baronetage of Ireland. It was created on 19 February 1777 for Sir Hercules Langrishe, who represented Knocktopher in the Irish House of Commons. The Langrishe family were part the social world of the Butlers. They were present at many social occasions in Kilkenny Castle including the Royal Visits to the Castle. The family seat from 1679 to 1981 was Knocktopher Abbey, County Kilkenny. The 1st Baronet was MP for Knocktopher for 40 years until the Act of union in 1801. It is said he bought up lands in Knocktopher and leased it to Catholic residents. He was created 1st Baronet in 1777. Best remembered for his pro Catholic Relief stance and his exchange of views with his friend Edmund Burke. He introduced the Catholic Relief Bill in 1792 and The Catholic Enfranchisement Act which passed in 1793. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Sir Hercules, who was a member of the Privy Council, represented the borough of Knocktopher in the Irish parliament for forty years, during which period he ranked amongst the most distinguished of its members, and was the first who advocated and obtained a partial relaxation of the most atrocious code of laws which oppressed the Roman Catholics of Ireland, a code that consigned 80% of the population to unmitigated and grinding slavery, and reduced the whole of the state to semi-barbarism. He was Commissioner of Excise and Revenue.

In 1755 he married Hannah, daughter and co-heir of Robert Myhill, of Killarney, County Kilkenny, and sister of Jane, wife of Charles, 1st Marquess of Ely. His successor was his son Robert Langrishe, 2nd Baronet (1756-1835).

Sir Robert Langrishe (1756–1835), 2nd Baronet Knockopher, artist unknown. MP for Knocktopher 1783-1796, he graduated as a barrister from Kings Inn and both father and son sat in Parliament at the same time. He was heavily involved in the theatre and was Revenue Commissioner in 1796. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Oil portrait of an unknown gentleman possibly Sir Robert Langrishe 2nd Baronet. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

In 1782 Robert married Anne, daugher of Bellingham Boyle.

Bellingham Boyle (1709-1771), unknown artist. His daughter married Sir Robt Langrishe 2nd Bt. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

His son was his successor, Hercules Richard 3rd Baronet (1782-1862), who joined the clergy.

Rev. Sir Hercules Richard Langrishe (1782-1862), 3rd Baronet of Knocktopher County Kilkenny, artist unknown. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Sir Hercules was succeeded by his eldest son, James Langrishe (1832-1905), 4th Baronet Knocktopher.

James Langrishe (1832-1905), 4th Baronet Knocktopher, artist unknown. Married twice, he was a Lt. Col in the army and High Sheriff of Kilkenny 1866. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

He was succeeded by his son Hercules Langrishe (1859–1943), 5th Baronet Knocktopher.

Hercules Langrishe (1859–1943), 5th Baronet Knocktopher, Artist unknown. He gained the rank of Captain in the service of the Army Motor Reserve, of Captain and Honorary Major in the service of the 3rd Battalion, Oxfordshire Light Infantry and of Temporary Commander in the service of the Royal Naval Volunteer Reserve. He fought in the First World War, in the Mediterranean and Russia. He succeeded to the title of 5th Baronet on 20 August 1910. He held the office of Justice of the Peace for County Kilkenny, of High Sheriff of County Kilkenny and the office of Deputy Lieutenant of County Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

There is a portrait of the 5th Baronet’s son, Hercules Ralph Langrishe (1888-1917), also.

Hercules Ralph Langrishe (1888-1917), artist unknown. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[10] The Library and Drawing Room portraits:

Half-length portrait, said to be of Mr Martin Shee (d.1783), father of the artist Sir Martin Archer Shee P.R.A. The costume details would indicate a date of c. 1815. Shee’s father was known to be blind, and it is noticeable that the eyes in this portrait are unfocused. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Portrait of unknown lady, possibly member of Shee Family Artist Irish school, eighteenth century. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Catherine Morres (d.1851) 1st Viscountess Frankfort de Montmorency. Artist John Comerford (1773-1835) Catherine Morres was the second wife of the Viscount Frankfort de Montmorency, and daughter of George White of Castlebellingham.
The family of Morres changed their name to de Montmorency in 1815, claiming descent from the Norman Geoffry de Marisco.
The claim has been dismissed in the following terms: ‘This cock and bull pedigree or genealogical nightmare, which for sheer topsy-turveydom, has, I venture to assert, never been surpassed.’ The sitter is wearing a large muslin bonnet of a type which was fashionable and worn by married ladies during the early years of the nineteenth century.
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Catherine Vigors (1794-1820) by Robert Lawrence (1794-1820). Catherine was the daughter of Soloman Richards of Solborough, Co Wexford.She married Nicholas Aylward Vigors of Old Leighlin and Belmont, Co Carlow, in 1781. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bellingham Boyle (1709-1771), unknown artist. His daughter married Sir Robt Langrishe 2nd Bt. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[11] O’Donnell, Michael (2010). Fethard County Tipperary 1200–2000. Dublin: Geography Publications. p. 142, 158. 

[12] The Lady’s Realm. Vol. 6. Hutchinson. 1899. p. 520. 

Portraits B

I am going to start collating a portrait gallery, as I love to put a name to the faces. I will add to these pages as I go.

I’ll be collecting them from my house entries and put them in alphabetical order by surname. I’ve also been going through the National Gallery collection and will also look at the National Portrait Gallery in London’s collection! It will be an ongoing project and a resource. I do think Ireland should have a National Portrait gallery! It would be a place where home owners could loan portraits for safekeeping also.

I have an editorial decision to make regarding women. Do I put them under their married name or under their maiden name? I think for now I’ll put them under both, as it’s nice to see them in relation to their fathers as well as in relation to their husband!

B

Captain William Baillie (1723-1810), engraver William Baillie, after Nathaniel Hone the Elder, courtesy of National Gallery of Ireland. He was from Kildrought, County Kildare.
Captain William Baillie (1723-1810) by Nathaniel Hone courtesy Christies Old Master and British Pictures.
Charlotte Marion Baird (1851/2-1937) Countess of Enniskillen, by Henry Richard Graves, courtesy os National Trust, Florence Court, County Fermanagh. She married Lowry Egerton Cole, 4th Earl of Enniskillen.
William Barker, 3rd Bt. (1704–1770), of Bocking Hall, Essex, and Kilcooley Abbey, Tipperary attributed to John Lewis, courtesy of Sothebys L11304.
Sir Jonah Barrington, (1760-1834), Judge and Author. Date: 1811, Engraver James Heath, English, 1757-1834 After Hugh Douglas Hamilton, Irish, 1740-1808 Copyist: John Comerford, Irish, 1770-1832 Publisher: G. Robinson, photograph courtesy of National Gallery. of Ireland.
David Barry (1605-1642) 6th Viscount Buttevant and 1st Earl of Barrymore. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Barons Barry (c. 1261)

  • David de Barry, 1st Baron Barry (died 1278). In 1267, King Henry III of England appointed Lord David de Barry as Chief Justice of Ireland.
  • John Barry, 2nd Baron Barry (died 1285)
  • David FitzDavid Barry, 3rd Baron Barry (died 1290)
  • John Barry, 4th Baron Barry (died 1330)
  • David Barry, 5th Baron Barry (died 1347)
  • David Barry, 6th Baron Barry (died 1392)
  • John Barry, 7th Baron Barry (died 1420)
  • William Barry, 8th Baron Barry (died 1480)
  • John Barry, 9th Baron Barry (died 1486)
  • Thomas de Barry, 10th Baron Barry (died 1488)
  • William Barry, 11th Baron Barry (died 1500)
  • John Barry, 12th Baron Barry (died 1530)
  • John Barry, 13th Baron Barry (died 1534)
  • John FitzJohn Barry, 14th Baron Barry (1517–1553) (created Viscount Buttevant in 1541)

Viscounts Buttevant (1541)

  • John FitzJohn Barry, 1st Viscount Buttevant (1517–1553)
  • Edmund FitzJohn Barry, 2nd Viscount Buttevant (died 1556)
  • James FitzJohn Barry, 3rd Viscount Buttevant (died 1557)
  • James de Barry, 4th Viscount Buttevant (c. 1520–1581) 1st wife: Elizabeth Boyle, daughter of Charles Boyle, 3rd Viscount Dungarvan; 2nd wife: Elizabeth née Savage (d. 1714), daughter and heir of Richard Savage 4th Earl Rivers; 3rd wife: Anne Chichester, daughter of Major-General Arthur Chichester, 3rd Earl of Donegall (1666-1706), she was the mother of James Smith-Barry of Fota, County Cork.
  • David de Barry, 5th Viscount Buttevant (died 1617)
  • David Barry, 6th Viscount Buttevant (1604–1642) (created Earl of Barrymore in 1627/28)

Earls of Barrymore (1627/28)

  • David Barry, 1st Earl of Barrymore (1604–1642)
  • Richard Barry, 2nd Earl of Barrymore (1630–1694)
  • Laurence Barry, 3rd Earl of Barrymore (1664–1699)
  • James Barry, 4th Earl of Barrymore (1667–1747)
  • James Barry, 5th Earl of Barrymore (1717–1751)
  • Richard Barry, 6th Earl of Barrymore (1745–1773)
  • Richard Barry, 7th Earl of Barrymore (1769–1793)
  • Henry Barry, 8th Earl of Barrymore (1770–1823) [1]
James Barry, 4th Earl of Barrymore (1667-1748) (Lieutenant-General), Studio of Sir Godfrey Kneller courtesy of Sothebys 2013 collection l13304 lot 95.
James Barry, 4th Earl of Barrymore, (1667-1747), Soldier and Politician Date c. 1753 by Engraver Michael Ford, Irish, d. 1765 After Thomas Ottway, courtesy of National Gallery of Ireland.
James Barry, 4th Earl of Barrymore, (1667-1747). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
James Barry (1667-1747) Lieutenant Colonel and 4th Earl of Barrymore, National Trust, Public domain, via Wikimedia Commons.
Lt. Gen. James Barry, 4th Earl of Barrymore, (1667-1747) attributed to John Riley, courtesy of Christie’s The Sunday Sale, property of Smith-Barry estates removed from Old Priory Gloucestershire.
Elizabeth Barry née Savage (d. 1714) wife of James Barry 4th Earl of Barrymore, daughter and heir of Richard Savage 4th Earl Rivers and Penelope Downes, seated with her daughter Penelope. This painting is attributed by Sotheby’s to Thomas Worldige.
Elizabeth Barry née Savage (d. 1714), 2nd wife of James 4th Earl of Barrymore. She and the 4th Earl had three daughters, and a son who died in his first year. She was the daughter of Richard Savage, 4th Earl Rivers. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Anne Barry née Chichester (1697-1753) Countess of Barrymore, 3rd wife of James Barry 4th Earl of Barrymore. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Lady Anne Chichester, Countess of Barrymore (d. 1753) Attributed to Philip Hussey, she was daughter of Major-General Arthur Chichester, 3rd Earl of Donegall (1666-1706) and his wife Lady Catherine Forbes (d. 1743), and she married James Barry 4th Earl of Barrymore, and was the mother of James Smith-Barry.
Dorothy née Barry (1670-1748), married John Jacob 2nd Bt. She was the daughter of Richard Barry 2nd Earl of Barrymore. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Captain the Hon. Richard Barry R.N. (1721-1787), with his spaniel by John Lewis, second son of James Barry 4th Earl of Barrymore. This portrait is also courtesy of Sotheby’s L11304. This portrait belonged to the Smith-Barry family and was sold in an auction at Sotheby’s in 2013. We can see it in the old photograph of the library of Fota House.
Arthur Barry (1723-1770) by Francis Cotes courtesy of Sotheby’s L11304. This portrait belonged to the Smith-Barry family and was sold in an auction at Sotheby’s in 2013. Arthur was another son of James Barry, 4th Earl of Barrymore, he died unmarried and his property went to the Smith-Barry family.
Daniel Augustus Beaufort (1739-1821), Geographer, by unknown artist circa 1800-1805, courtesy of National Portrait Gallery NPG 5255.
Alfred Beit (1903-1994), 2nd Baronet and his wife Clementine née Freeman-Mitford (b. 1915), of Russborough House, County Wicklow.
Major William Bertram Bell (1881-1971). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
John Bellew 1st Baron (d. 1691) by Garrett Morphy, courtesy of http://www.galleryofthemasters.com . He commanded a regiment of infantry in Ireland and was a Roman Catholic peer who sat in James II’s Parliament of 1689. He died of wounds received in the Battle of Aughrim.
Edward Joseph Bellew (1830-1895) 2nd Baron Bellew by unknown photographer 1860s courtesy of National Portrait Gallery NPG Ax196758.
Henry Grattan Bellew, 3rd Baronet, b.1860, married Sophia Forbes, daughter of the Earl of Granard, by Dermod O’Brien, courtesy of Adam’s auction 10 Oct 2017.
Dorothy Bentinck née Cavendish, Duchess of Portland (1750-1794) by George Romney, c. 1772, daughter of William Cavendish, 4th Duke of Devonshire. She married William Henry Bentinck 3rd Duke of Portland, who added Cavendish to his name to become Cavendish-Bentinck. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Timothy William Ferres tells us of the Beresfords of Curraghmore: http://lordbelmontinnorthernireland.blogspot.com/search/label/County%20Waterford%20Landowners

SIR TRISTRAM BERESFORD (1595-1673), who was created a baronet in 1665, designated of Coleraine, County Londonderry. He married firstly, Anne, eldest daughter of John Rowley, of Castleroe, County Londonderry, by whom he had one son, RANDAL, his heir, and two daughters; and secondly, Sarah Sackville, and had three sons and three daughters: Tristram; Michael; Sackville; Susanna; Sarah; Anne.

Tristram Beresford (d. 1673), 1st Bt of Coleraine

Sir Tristram was succeeded by his eldest son, SIR RANDAL BERESFORD, 2nd Baronet (c. 1636-81), MP for Coleraine, 1661-68, who married Catherine Annesley, younger daughter of Francis, 1st Viscount Valentia, and dying in 1681, left issue, TRISTRAM, his heir; Jane; Catherine.

Sir Randal was succeeded by his eldest surviving son, SIR TRISTRAM BERESFORD, 3rd Baronet (1669-1701), MP for Londonderry County, 1692-99, who commanded a foot regiment against JAMES II, and was attainted by the parliament of that monarch. Sir Tristram wedded, in 1687, Nichola Sophia, youngest daughter and co-heiress of  Hugh Hamilton, 1st Viscount Glenawly.

He was succeeded by his son, SIR MARCUS BERESFORD, 4th Baronet (1694-1763), MP for Coleraine, 1715-20, who espoused, in 1717, Catherine, BARONESS LE POER, daughter and heiress of James, 3rd Earl of Tyrone, and in consequence of that alliance, was elevated to the peerage, in 1720, in the dignity of Baron Beresford and Viscount Tyrone. His lordship was further advanced to an earldom, in 1746, as EARL OF TYRONE.

Rt. Hon. Marcus Beresford (1694-1763) 4th Baronet and 1st Earl of Tyrone, photograph courtesy of the Beresford family and creative commons and wikipedia.

Marcus Beresford (1694-1763) 1st Earl of Tyrone had surviving issue: GEORGE DE LA POER (1735-1800) his successor who became 2nd Earl of Tyrone;
John (1737/38-1805);
William (1743-1819) (Most Rev), created BARON DECIES;
Anne; Jane; Catherine; Aramintha; Frances Maria; Elizabeth.

George de la Poer Beresford (1735-1800) 2nd Earl of Tyrone, later 1st Marquess of Waterford, by Johann Zoffany, courtesy of National Trust Hatchlands.
John Beresford, M.P. (1738-1805), son of of Marcus Beresford 1st Earl of Tyrone, miniature by Richard Crosse, British, 1742-1810.
John Beresford (1738-1805), first commissioner of the Revenue in Ireland, engraver Charles Howard Hodges, after Gilbert Smith, courtesy of National Gallery of Ireland.
John Beresford (1738-1805), MP by Gilbert Stuart c. 1790, courtesy of National Gallery of Ireland NGI 1133.
Right Honourable John Beresford by Thomas Hickey (fl.1756-1816) courtesy Chrisites 2005. I’m not sure if this is John Beresford (1738-1805).
Barbara Montgomery (?1757-1788), second wife of John Beresford (1738-1805) by Hugh Douglas Hamilton, courtesy of National Gallery of Ireland P5547. His first wife was Anne Constantia Ligondes.
Marcus Gervais Beresford (1801-1885), Archbishop of Armagh, painting as Prelate of Order of St. Patrick, by engraver John Richardson Jackson, after painting by Stephen Catterson Smith, courtesy of National Gallery of Ireland. He was grandson of John Beresford (1738-1805). His father was Rt. Rev. George de la Poer Beresford (1765-1841).
George John Beresford (1807-1864) of Woodhouse, County Waterford. He was also a grandson of John Beresford (1738-1805). His father was Reverend Charles Cobbe Beresford (b. 1770).
John Claudius Beresford, Lord Mayor of Dublin courtesy Adam’s 8 March 2006 in style of William Cuming PRHA. He was the son of John Beresford (1738-1805).
Elizabeth de la Poer Beresford (1736-1806), daughter of Marcus Beresford 1st Earl of Tyrone, wife of Thomas Cobbe of Newbridge House, in a costume evocative of Mary Queen of Scots, miniature, Cobbe Collection.

George de la Poer Beresford, 2nd Earl of Tyrone (1735-1800) inherited the ancient Barony of de la Poer at the decease of his mother in 1769. His lordship was enrolled amongst the peers of Great Britain, in 1786, as Baron Tyrone; and created, in 1789, MARQUESS OF WATERFORD.

George de la Poer Beresford (1735-1800) First Marquess of Waterford by Gilbert Stuart, courtesy of Bonhams and commons.

He married, in 1769, Elizabeth, only daughter and heiress of Henry Monck, of Charleville. They had issue:

Marcus, died at 8 years old; Henry de la Poer Beresford (1772-1826) his successor who became 2nd Marquess of Waterford; John George (1773-1862) (Most Rev), Lord Archbishop of Armagh;
George Thomas (1781-1839) (Rt Hon), Lt-Gen, GCH; Isabella Anne; Catherine; Anne; Elizabeth Louisa (1783-1856).

Henry de la Poer Beresford (1772-1826) 2nd Marquess of Waterford by William Beechy courtesy of Eton College.
John George Beresford (1773-1862), Archbishop of Armagh, after Thomas Lawrence, by Charles Turner, courtesy of Armagh County Museum. He was son of George de la Poer Beresford, 2nd Earl of Tyrone.
Thought to be Elizabeth Louisa Reynell (1783-1856) née De La Poer and formerly wife of Sir Denis Pack, courtesy of Whyte’s Nov 2011. She was the daughter of the 1st Marquess of Waterford, and she married Denis Pack of County Kilkenny and later, Thomas Reynell, 6th Baronet.

He had an illegitimate son Admiral Sir John de la Poer Beresford (1766-1844) 1st Bt Beresford, of Bagnall, Co. Waterford, and also Lt.-Gen. William Carr Beresford (1768-1854) 1st and last Viscount Beresford of Beresford.

William Carr Beresford (1768-1854) Viscount Beresford, by William Beechey, Photograph courtesy of National Portrait Gallery, London.
Harriet Elizabeth Peirse (1790-1825) Lady Beresford, wife of Admiral Sir John de la Poer Beresford (1766-1844) 1st Bt Beresford, of Bagnall, Co. Waterford, by Thomas Lawrence, courtesy of National Trust Hatchlands.

Henry de la Poer Beresford 2nd Marquess (1772-1826) wedded, in 1805, Susanna Carpenter, only daughter and heiress of George Carpenter 2nd Earl of Tyrconnell, and had issue,

HENRY de la Poer Beresford (1811-1859) his successor who became 3rd Marquess of Waterford;
William;
John (1814-1866) who became 4th Marquess of Waterford;
James;
Sarah Elizabeth (1807-1854) who married Henry John Chetwynd-Talbot, 18th Earl of Shrewsbury.

James Beresford (1816-1841) by Joseph Clover, courtesy of Ingestre Hall Residential Arts Centre.

Henry de la Poer Beresford 3rd Marquess married Louisa Anne Stuart (1818-1891), daughter of Charles Stuart, 1st and last Baron Stuart de Rothesay. They did not have children.

Elizabeth Stuart née Yorke (1789-1867). Lady Stuart de Rothesay, with her daughters Charlotte (1817-1861) and Louisa (1818-1891) by George Hayter, photograph courtesy of UK Government Art Collection. Elizabeth was the daughter of Philip Yorke 3rd Earl of Hardwicke; Louisa married Henry de la Poer Beresford 3rd Marquis of Waterford; Charlotte married Charles John Canning 1st Viceroy of India, 2nd Viscount Canning, 1st Earl Canning.
Louisa Anne Beresford née Stuart (1818-1891), wife of Henry de la Poer Beresford, 3rd Marquess of Waterford, daughter of Charles Stuart, 1st and last Baron Stuart de Rothesay, by Sir Francis Grant 1859-1860, NPG 3176. The National Portrait Gallery tells us: “Louisa Stuart was brought up mostly in Paris, where her father was British Ambassador to the French court. She was taught to draw from an early age and art, along with religion and philanthropy, was one of her main interests throughout her life. A gifted amateur watercolourist, she did not exhibit at professional galleries until the 1870s. With a strong interest in the welfare of the tenants on her Northumberland estate, she rebuilt the village of Ford. She provided a school and started a temperance society in the village. Her greatest artistic achievement was the decoration of the new school with life sized scenes from the Old and New testaments that used children and adults from the village as models.”

When the 3rd Marquess died, his brother John became the 4th Marquess. The 4th Marquess married Christiana, daughter of Charles Powell Leslie of Castle Leslie in County Monaghan.

George Berkeley (1685-1753) Protestant Bishop of Cloyne and Philosopher by John Smibert, American, 1688-1751, courtesy of National Gallery of Ireland.
George Berkeley (1685-1753), Philosopher; Bishop of Cloyne, by John Smibert 1730 courtesy of National Portrait Gallery NPG 653.
George Berkeley (1685-1753) Bishop of Cloyne, portrait in Trinity College Dublin exam hall. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The painting is a portrait by William Hogarth of the 1st Earl of Charlemont, James Caulfeild (1728-1799) aged 13, with his mother, Elizabeth Caulfeild née Bernard (1703-1743)(portrait painted in 1741). She was the daughter of Judge Francis Bernard of Castle Mahon County Cork and Alice Ludlow of Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Thomas Bernard (1816-1882), son of Catherine née Hely Hutchinson and Thomas Bernard (d. 1834).
Richard Wellesly Bernard (1822-1877) of Castle Bernard, County Offaly, in early 1860s, National Portrait Gallery of London Ax196557
George Bingham, 4th Baronet of Castlebar, County Mayo.
John Bingham, 5th Bt., of Castlebar Attributed to Robert Hunter courtesy Christie’s Irish Sale 2001. He was the father of Charles Bingham, 1st Baron of Lucan (1735-1799), later 1st Earl of Lucan. He married Anne Vesey
Believed to be John Bingham, 5th Baron Clanmorris, 19th Century Irish School, courtesy Adam’s 5 Oct 2010.
Charles Bingham, 1st Baron of Lucan (1735-1799), later 1st Earl of Lucan, Engraver John Jones, After Joshua Reynolds, courtesy of National Gallery of Ireland.
Miss Bingham by T. Richardson (mid 18th Century) courtesy Adam’s 5th Oct 2010.
Mary Tighe née Blachford (1772-1810) as sculpted by Lorenzo Bartolini ca. 1820, photograph courtesy of National Library of Ireland.
Mary Tighe née Blachford (1747-1791), courtesy of National Gallery of Ireland.
Theodosia Blachford née Tighe (c.1780) A self portrait, seated three-quarter length, with her children, Mary (1772-1810, she married Henry Tighe 1771-1836 of Woodstock) and John (1771-1817) courtesy of Adam’s 2 April 2008. Theodosia was married to William Acton Blachford (1729-1773) of Altidore, County Wicklow, and she was the daughter of William Tighe (1710-1766) of Rosanna, County Wicklow.
Francis Blackburne (1782-1867), Lord Chancellor of Ireland, 1852 by engraver George Sanders, after Stephen Catterson Smith, courtesy of National Gallery of Ireland.
Helena Selina Blackwood née Sheridan (1807-1867), Writer, Wife of 4th Baron Dufferin and Clandeboye, later Countess of Gifford Date 1849 Engraver John Henry Robinson, English, 1796 – 1871 After Frank Stone, English, 1800-1859.
Nathaniel Bland (1695-1760), Vicar General of Diocese of Ardfert and Aghadoe, Picture from The Story of Dorothy Jordan by Clare Jerrold, 1914, courtesy of Teresa Stokes, flickr
Blayney R.J. Townley- Balfour and Madeline née Kells-Ingram, his Wife, of Townley Hall, Drogheda by Sarah Cecilia Harrison, courtesy of Adam’s auction 31 May 2017.
Lady Blennerhassett, Ballyseedy Castle, Tralee, Co. Kerry, Irish school 18 century Adams auction 19 Oct 2021
Theodosia Bligh (1722-1777), Countess of Glandore, attributed to James Latham, courtesy of Adam’s 5 Oct 2010.
John Bligh (1683-1728), Earl of Darnley, Viscount Darnely and Baron Clifton, attributed to Charles Stoppelaer (fl. 1703-45)., this portrait hangs in Kilkenny Castle. Bligh was MP for Trim (1709-13) and for Athboy (1713-21). His father, Thomas, had obtained large grants of land in Ireland under the Acts of Settlement 1668. He was created Baron Clifton of Rathmore, Co Meath in 1721 in consequence of his marriage in 1713 to Theodosia Hyde, suo jure Baroness Clifton, sister and heir of Edward, Lord Clifton, Viscount Cornbury. She was a wealthy heiress with royal connections. Bligh is depicted wearing a buff-coloured coat with drapery. it was painted c.1723, as the coronet is that of a viscount.
Colonel Thomas Blood (1618-1680), Adventurer Engraver Emmery Walker After Gerard Soest, Dutch, c.1600-1681, courtesy of National Gallery of Ireland.
Benjamin Bloomfield (1768-1846) 1st Baron Bloomfield as Keeper of His Majestys Privy Purse at the Coronation of George IV, by Henry Meyer, after Philip Francis Stephanoff 1826, NPG D31893. He lived in Loughton House, County Offaly.
Benjamin Bloomfield (1768-1846) 1st Baron Bloomfield, by John Lilley, from Loughton house auction catalogue, 2016, Shepphards.
Benjamin Bloomfield (1768-1846) 1st Baron Bloomfield), Irish school, 19th c, from Loughton house sale, 2016, Shepphards.
John Arthur Douglas Bloomfield (1802-1879), 2nd Baron Bloomfield of Oakhampton and Redwood, 1st Baron Bloomfield of Ciamhaltha, County Tipperary, wearing a burgundy red jacket and fur collar, Painting After Sir Thomas Lawrence, from Loughton house auction catalogue, 2016, Shepphards
Georgiana Bloomfield née Liddell, Lady Bloomfield from Loughton house auction catalogue, 2016, Shepphards. She was the wife of John Arthur Douglas Bloomfield 1st Baron Bloomfield of Ciamhaltha, County Tipperary.
Portrait of Lady Bloomfield, from Loughton house sale, 2016, Shepphards. I’m not sure which Lady Bloomfield she is. I suspect she is Georgiana née Liddell (1822-1905)
Charles Blount (1563-1606), 8th Baron Mountjoy, Lord Deputy of Ireland, 1775, engraver Valentine Green after Paulus Van Somer; photograph courtesy of National Gallery of Ireland.
Richard Bolton (circa 1570-1648) Lord Chancellor of Ireland, courtesy of Whyte’s Oct 2018. Bolton Street in Dublin was named after him.
Hugh Boulter, Protestant Archbishop of Armagh and then Primate of Ireland 1724-1742. He was also Chaplain to King George I. The Dictionary of National Biography tells us that by a statute enacted through Boulter’s influence, Catholics were excluded from the legal profession and disqualified from holding offices connected with the administration of law. Under another act passed through Boulter’s exertions, they were deprived of the right of voting at elections for members of parliament or magistrates—the sole constitutional right which they had been allowed to exercise. He helped to set up the Charter School system and sought to convert Catholics to Protestantism, but did good work trying to alleviate hunger during the Famine – though perhaps he only advocated feeding those who converted to Protestantism! I’m not sure of that though. Provost’s House, Trinity College Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Portrait of Frances Walsingham, along with her husband Robert Devereux, 2nd Earl of Essex, and in the small picture, Sir Philip Sydney, her first husband. Her third husband was Richard Bourke 4th Earl of Clanricarde. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Honora Bourke (1675-1698), Countess of Lucan and Duchess of Berwick. French School 17th century. This portrait hangs in Kilkenny Castle. She was the daughter of William Bourke, 7th Earl of Clanricarde and Lady Helen MacCarty. Honora’s sister was Margaret, Lady Iveagh, wife of Thomas Butler of Kilcash. She married, firstly, General Patrick Sarsfield, 1st Earl of Lucan, son of Patrick Sarsfield, circa 9 January 1689/90 and secondly, James FitzJames, 1st Duke of Berwick-Upon-Tweed, son of James II Stuart, King of Great Britain and Arabella Churchill, on 26 March 1695 at Saint-Germain-en-Laye, Île-de-France, France. Honora died aged 22 at Pesenas in France. Both her sons inherited their father’s titles. Oval, 1/2 length portrait. Sitter wears a yellow dress with a blue ermine-trimmed, blue wrap. It was possibly taken from a portrait painted on the occasion of her marriage to the Duke of Berwick at St-Germain-en-Laye
John Bourke, 1st Baron Naas, (1705-1790), later 1st Earl of Mayo, Engraver William Dickinson, English, 1746-1823 After Robert Hunter, Irish, 1715/1720-c.1803, photograph courtesy of National Gallery of Ireland.
Bellingham Boyle (1709-1772), of Rathfarnham Castle, County Dublin. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Bellingham Boyle (1709-1771), unknown artist, this portrait hangs in Kilkenny Castle. His daughter married Sir Robt Langrishe 2nd Bt.
Richard Boyle, 1st Earl of Cork (1566-1643) Date c.1630, courtesy of National Gallery of Ireland.

Timothy William Ferres tells us of the family of the Boyles, Earls of Cork:

Richard Boyle (1566-1643) 1st Earl of Cork married firstly, in 1595, Joan, daughter and co-heiress of William Apsley, of Limerick, without surviving issue; and secondly, Catherine, daughter of Sir Geoffrey Fenton, Knight, principal secretary of state for Ireland, and had issue (with eight daughters):

Roger (1606-15);

RICHARD (1612-98) his successor; Geoffrey d. 1 year old; Lewis (1619-1642) created Viscount Boyle of Kinalmeaky;

ROGER (1621-1679) created 1st Earl of Orrery; ancestor of John, 5th Earl of Cork;

Francis (1623-1699) created Viscount Shannon;

Robert (1626/1627-1691), the philosopher.

Robert Boyle (1626/1627-1691) the philosopher. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Robert Boyle F. R. S. (1627-1691) by Johann Kerseboom, 1689, courtesy of Science History Institute. He was the brother of the 2nd Earl of Cork.

The 1st Earl of Cork’s daughter Alice (1607-1666) married David Barry 1st Earl of Barrymore. His other daughters were Sarah (1609-1633) who married first Thomas Moore son of Garret Moore 1st Viscount of Drogheda, and then second, Rober Digby 1st Baron Digby; Lettice who married Lord Goring; Joan who married George Fitzgerald 16th Earl of Kildare; Catherine (1615-1691) who married Arthur Jones 2nd Viscount Ranelagh; Dorothy (1617-1668) who married Arthur Loftus and second, Gilbert Talbot son of William Talbot 1st Baronet; Mary (1625-1678) who married Charles Rich 4th Earl of Warwick;

The 1st Earl of Cork was succeeded by his eldest son, RICHARD, 2nd Earl (1612-98); who, having wedded, in 1635, the Lady Elizabeth Clifford, daughter and heiress of Henry, 5th Earl of Cumberland, was created a Peer of England, 1644, in the dignity of Baron Clifford of Londesborough, Yorkshire; and, in 1664, EARL OF BURLINGTON.

Richard Boyle (1612-1698) 1st Earl of Burlington and 2nd Earl of Cork, possibly after Sir Anthony van Dyck c.1640, NPG 893.
Oil painting on canvas, Lady Elizabeth Clifford, Countess of Burlington (1621 – 1698) by Sir Anthony Van Dyck (Antwerp 1599 – London 1641). Three-quarter length portrait, profile to left, head facing, wearing wbite satin dress and blue scarf, pointing with her left hand in a landscape. She married Richard Boyle, 2nd Earl of Cork and 1st Earl of Burlington.

The 2nd Earl of Cork had issue:

Charles, 3rd Viscount Dungarvan (1639-94); father of the 3rd Earl of Cork; Richard, who died in 1665 at the battle of Lowestoft; and daughters Frances who married Colonel Francis Courtenay, 3rd Bt. then second, Wentworth Dillon, 4th Earl of Roscommon; Anne who married Edward Montagu, 2nd Earl of Sandwich; Elizabeth who married Nicholas Tufton, 3rd Earl of Thanet; Mary; Henrietta who married Laurence Hyde, 1st Earl of Rochester.

His lordship’s eldest son Charles, 3rd Viscount Dungarvan (1639-94) having predeceased him, was succeeded by his grandson, CHARLES (c. 1662-1704), 3rd Earl of Cork and 2nd Earl of Burlington.

Charles Boyle (c. 1662-1704) 3rd Earl of Cork and 2nd Earl of Burlington, by Godfrey Kneller, courtesy of National Trust Hardwick Hall.

Charles, 3rd Viscount Dungarvan (1639-94) had a daughter Elizabeth (1662-1703) who married Lt.-Gen. James Barry, 4th Earl of Barrymore.

The 3rd Earl of Cork, 2nd Earl of Burlington espoused Juliana, daughter and heiress of the Hon Henry Noel, of Luffenham, Rutland, by whom he had surviving issue, RICHARD (1694-1753) his successor, 3rd Earl of Burlington.

Richard Boyle, 3rd Earl of Burlington (1694-1753) by Jonathan Richardson, courtesy of London’s National Portrait Gallery NPG 4818.

The 3rd Earl of Cork, 2nd Earl of Burlington had daughters Elizabeth; Juliana; Jane; Henrietta (1700-1746) who married Henry Boyle, 1st Earl of Shannon.

The 3rd Earl of Cork, 2nd Earl of Burlington was succeeded by his only son, RICHARD (1694-1753), 4th Earl of Cork and 3rd Earl of Burlington, KG, who married, in 1720, the Lady Dorothy Savile, elder daughter and co-heiress of William, 2nd Marquess of Halifax, by which lady he had three daughters, Dorothy; Juliana; Charlotte Elizabeth, m William Cavendish, Marquess of Hartington.

His lordship claimed, in 1727, the barony of Clifford, as great-grandson of the Lady Elizabeth Clifford, daughter and heiress of Henry, Lord Clifford, and the house of peers acknowledged and confirmed his lordship’s right thereto.

This nobleman was eminent as a munificent encourager of literature and the fine arts, and as a friend of Alexander Pope he will always be remembered.

His lordship died in 1753, and leaving an only surviving daughter, Lady Charlotte, who had wedded William, 4th Duke of Devonshire, and inherited the barony of Clifford; all his lordship’s other English honours ceased, while those of Ireland devolved upon his kinsman, JOHN BOYLE (1707-62), 5th Earl of Orrery, in Ireland; Baron Boyle of Marston, in Great Britain; succeeded as 5th EARL OF CORK (refer to Roger, third son of the first Earl of Cork).

Charlotte Boyle (1731-1754) daughter of Richard Boyle (1694-1753) 3rd Earl of Burlington 4th Earl of Cork. She married William Cavendish (1720-1764) 4th Duke of Devonshire and brought Lismore Castle, County Waterford, into the Cavendish family. Painting after style of George Knapton, courtesy of Chiswick House collection.
Richard Boyle 4th Earl of Cork and 3rd Earl of Burlington and Dorothy Savile attributed to Aikman, William Aikman (1682-1731).
Oil painting on canvas, Possibly Lady Dorothy Savile, Countess of Burlington and Countess of Cork (1699-1758) by Michael Dahl, circa 1720. Inscribed top right in gold: Lady Dorothy Saville / Daughter to the Marquis of Halifax / married to the Earl of Burlington. A half-length portrait of a young woman, facing, wearing white decollete dress with blue ribbon. Courtesy of National Trust Hardwick Hall
Lady Dorothy Savile, Countess of Burlington (1699-1758) with her Daughter Lady Dorothy Boyle, later Countess of Euston (1724-1742) by Michael Dahl courtesy of National Trust Hardwick Hall. She married Richard Boyle 4th Earl of Cork and 3rd Earl of Burlington.

The 1st Earl of Cork’s son ROGER (1621-1679) was created 1st Earl of Orrery.

Lady Mary Boyle nursing her son Charles, by Godfrey Kneller (1646-1723) Adams auction 18 Oct 2022. I think this could be Mary née Sackville (1637-1679) who married Roger Boyle 2nd Earl of Orrery. Her son Charles Boyle (1674-1731) became the 4th Earl of Orrery.
Charles Boyle 4th Earl of Orrery, possibly a copy, based on painting by Charles Jervas.

JOHN BOYLE (1707-62), 5th Earl of Orrery, in Ireland; Baron Boyle of Marston, in Great Britain; succeeded as 5th EARL OF CORK (refer to Roger, third son of the first Earl of Cork).

His lordship wedded firstly, in 1728, the Lady Henrietta Hamilton, youngest daughter of George, 1st Earl of Orkney KT, and had issue: Charles, Viscount Dungarvan (1729-1759); HAMILTON, his successor; Elizabeth.

Mrs John O’Neill (née Henrietta Boyle) (1756-1793), Poet and Patron of Mrs Siddons, Engraver John Raphael Smith, English, 1752-1812 After Matthew William Peters, English, 1742-1814, courtesy of National Gallery of Ireland. She was the wife of John O’Neill (1740-1798), 1st Viscount, of Shane’s Castle, County Antrim, and the daughter of Charles Boyle, Viscount Dungarvan, who was the son of John Boyle 5th Earl of Orrery and 5th Earl of Cork.

He espoused secondly, Margaret, daughter and sole heiress of John Hamilton, by whom he had further issue: EDMUND, 7th Earl of Cork; Catherine Agnes; Lucy. He was a writer.

He was succeeded by his eldest surviving son, HAMILTON (1729-64), 6th Earl of Cork and Orrery, who died unmarried, in little more than a year after his father, when the honours devolved upon his brother, EDMUND (1742-98), 7th Earl of Cork and Orrery, who married firstly, in 1764, Anne, daughter of Kelland Courtenay, and had issue: John Richard, Viscount Dungarvan (1765-8); EDMUND, of whom hereafter; Courtenay (the Hon Sir), Vice-Admiral in the Royal Navy; Lucy Isabella.

Anne Boyle née Courteney, Countess of Cork and Orrery (1742-1785) Engraver James Watson, Irish, c.1740-1790 After Hugh Douglas Hamilton, Irish, 1740-1808, courtesy of National Gallery of Ireland. She married Edmund Boyle 7th Earl of Cork and Orrery.

His lordship espoused secondly, in 1786, Mary, youngest daughter of John, 1st Viscount Galway, without further issue.

He was succeeded by his eldest surviving son, EDMUND (1767-1856), 8th Earl of Cork and Orrery, KP, a General in the Army, who married, in 1795, Isabella Henrietta, third daughter of William Poyntz, of Midgam house, Berkshire, and had issue: Edmund William, Viscount Dungarvan (1798-1826); George Richard (1799-1810); CHARLES, of whom presently; John, ancestor of the 12th and 13th Earls; Robert Edward; Richard Cavendish; Isabella Elizabeth; Lucy Georgina; Louisa.

His lordship’s eldest surviving son CHARLES (1800-34), styled Viscount Dungarvan, wedded, in 1828, the Lady Catherine St Lawrence, daughter of William, 2nd Earl of Howth, and had issue:

RICHARD EDMUND ST LAWRENCE, his successor;

William George;

Edmund John;

Louisa Caroline Elizabeth; Mary Emily.

His lordship predeceased his father, and the family honours devolved upon his eldest son,

RICHARD EDMUND ST LAWRENCE (1829-1904), as 9th Earl of Cork and Orrery, KP, who married, in 1853, the Lady Elizabeth Charlotte de Burgh, daughter of Ulick John, 1st Marquess of Clanricarde, and had issue: CHARLES SPENCER CANNING, his successor; ROBERT JOHN LASCELLES, 11th Earl; Emily Harriet Catherine; Grace Elizabeth; Isabel Lettice Theodosia; Honora Janet; Dorothy Blanche.

Anne Boyle née Courteney, Countess of Cork and Orrery (1742-1785) Engraver James Watson, Irish, c.1740-1790 After Hugh Douglas Hamilton, Irish, 1740-1808, courtesy of National Gallery of Ireland. She married Edmund Boyle 7th Earl of Cork, 7th Earl of Orrery.

The 1st Earl of Cork’s son Francis (1623-1699) was created 1st Viscount Shannon.

Henry Boyle, M.P. (1682-1764), Speaker of the Irish House of Commons, later 1st Earl of Shannon Date: 1742, Engraver John Brooks, Irish, fl.1730-1756 After Unknown Artist, England, 18th century, English, courtesy of National Gallery of Ireland.
Henry Boyle 1st Earl of Shannon by Stephen Slaughter, in Ballyfin Demesne, courtesy of Parliamentary Art Collection.
Henry Boyle, 1st Earl of Shannon (1682-1762), Speaker of the Irish House of Commons, 1733 by William Hoare. Courtesy of Whytes.
Richard Boyle, 2nd Earl of Shannon by Arthur Devis, courtesy of National Museums of Northern Ireland.
Richard Boyle, 2nd Earl of Shannon (1727–1807) (Joshua Reynolds, 1759 or later).
Anne Boyle (1700-1742) 2nd Lady Mountjoy, wife of William Stewart 2nd Viscount Mountjoy by Garrett Morphy courtesy of Adams auction 19 Oct 2021. She was the daughter of Murrough Boyle, 1st Viscount of Blessington.
Edward Brabazon 7th Earl of Meath (1691-1772).
Anthony Brabazon 8th Earl of Meath (1721-1790).
John Chambé Brabazon 10th Earl of Meath (1772-1851).
Melosina Adelaide Brabazon née Meade (1780-1866), wife of 10th Earl of Meath.
Theodosia née Brabazon (1811-1876), daughter of John Chambre Brabazon 10th Earl of Meath, she married Archibald French Acheson, 3rd Earl of Gosford.
William Brabazon, 11th Earl of Meath (1803-1887).
Normand Brabazon 13th Earl of Meath (1869-1949).
Lambert Brabazon, 18th Century School, courtesy Adam’s 17th May 2005. This could be Lambert Brabazon b. 1742 d. 1811, of Rath House, Termonfeckin, County Louth. He had a brother Henry (1739-1811) who had a son Henry (1771-1815).
Henry Brabazon in a blue coat, 19th Century School, courtesy Adam’s 17 May 2005. I’m not sure which Henry Brabazon this is.
Henry Brabazon in a green coat courtesy, 18th Century School, Adam’s 17 May 2005 – again, I’m not sure which Henry Brabazon this is.
Hilary Brabazon in a mauve dress, Irish School, 18th Century, courtesy Adam’s 17 May 2005.
Sidney Brabazon in a blue dress, Irish School, 18th Century, courtesy Adam’s 17 May 2005.
Anna King née Brinkley, wife of James King (1800-1869) 5th Earl of Kingston, who lived in Mitchelstown. She was daughter of Matthew Brinkly of Parsonstown House, County Meath. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Esther née Brinkley (d. 1901), wife of John Alexander, High Sheriff of Carlow 1824, MP for Carlow 1853-1859, by Stephen Catterton Smith, courtesy of Fonsie Mealy auction. Daughter of Matthew Brinkly of Parsonstown House, County Meath. She married John Alexander on 18 Oct 1848 and he first brought electricity to Milford. He was high sheriff of County Carlow 1824 and MP for Carlow 1853-1859.
Rose Dorothy Brooke, cousin of the artist, 1913 by Eva Henrietta Hamilton, photograph courtesy of National Gallery of Ireland.
With inscription verso ‘Sir Henry Brooke Bart Son of Francis Brooke, Major of 18th… of Hannah, Sister of 1st Lord Dunally. He married Harriott Butler, granddaughter of Earl Lainsborough. He rebuilt the House of Colebrooke in 1822. Died at Colebrooke, 24th March 1834, aged 63 years.‘ Courtesy of Adam’s auction 10 Oct 2017. Henry Brooke (1770-1834) Bt.of Colebrooke, Co Fermanagh.
Charles Robert Hamilton (1846-1913), photograph courtesy of Hamwood house website. He is probably seated with his wife Louisa Caroline Elizabeth née Brooke (1850-1922).
“Capability” Launcelot Brown (1716-1783), Landscape gardener, painting by Nathaniel Dance (later Sir Nathaniel Holland, Bt), c. 1773, courtesy of National Portrait Gallery NPG 6049
John Browne (1709-1776), Baron Mount Eagle, 1st Earl of Altamont, of Westport, County Mayo, after Joshua Reynold, Adams auction 18 Oct 2022

Timothy William Ferres tells us of the Earls of Kenmare, County Kerry: http://lordbelmontinnorthernireland.blogspot.com/2013/08/kenmare-house.html

THE RT HON SIR VALENTINE BROWNE (d 1589) in 1583, received instruction, jointly with Sir Henry Wallop, for the survey of several escheated lands in Ireland. He was subsequently sworn of the Privy Council, and represented County Sligo in parliament in 1585. In the same year, Sir Valentine purchased from Donald, Earl of Clancare, all the lands, manors, etc in counties Kerry and Cork, which had been in the possession of Teige Dermot MacCormac and Rorie Donoghoemore.

Sir Valentine married firstly, Alice or Elizabeth, daughter of Robert Alexander, of London, and had issue, a son. He wedded secondly, Thomasine, sister of the Lord Keeper of the Great Seal, Sir Nicholas Bacon, and had further issue (with a daughter), two sons.

Sir Valentine’s eldest surviving son, SIR NICHOLAS BROWNE, Knight, of Ross, County Kerry, who wedded Sicheley Sheela, daughter of O’Sullivan Beare, and had issue: VALENTINE, his heir;
Anne.

Sir Nicholas died in 1616, and was succeeded by his son, VALENTINE BROWNE, High Sheriff of County Kerry, 1623, who was created a baronet in 1622, designated of Molahiffe, County Kerry.

Sir Valentine, after his father’s decease, presented a petition to JAMES I, praying an abatement of the yearly rent reserved on the estate which he held from the Crown, as an undertaker, at the annual sum of £113 6s 8d, in regard of the small profit he made of it, being set out in the most barren and remote part of County Kerry; which request was complied with, and he received a confirmation, by patent, of all his lands at a reduced rent.

He married Elizabeth, fifth daughter of Gerald, Earl of Kildare [I’m not sure if this – JWB], and was succeeded by his grandson, THE RT HON SIR VALENTINE BROWNE, 3rd Baronet (1638-94); who was sworn of the Privy Council of JAMES II, and created by that monarch, subsequently to his abdication, in 1689, Baron Castlerosse and Viscount Kenmare.

His lordship, who was Colonel of Infantry in the army of JAMES II, forfeited his estates by his inviolable fidelity to that unfortunate monarch. He wedded Jane, only daughter and heir of Sir Nicholas Plunket [of Balrath], and niece of Lucas, Earl of Fingall, and had five sons and four daughters.

The 1st Viscount was succeeded by his eldest son, SIR NICHOLAS BROWNE, 4th Baronet (called 2nd Viscount); an officer of rank in the service of JAMES II, and attainted in consequence, who espoused, in 1664, Helen, eldest daughter and co-heir of Thomas Brown, by whom he obtained a very considerable fortune, but which, with his own estates, became forfeited for his life. The crown, however, allowed his lady a rent-charge of £400 per year for the maintenance of herself and her children. Sir Nicholas died in 1720, leaving four daughters and his son and successor,

SIR VALENTINE BROWNE, 5th Baronet (called 3rd Viscount) (1695-1736), who continued outlawed by the attainder of his father and grandfather. [The 4th Baronet’s daughter Frances married Edward Herbert (1693-1770 of Muckross, County Kerry]

Portrait of a Gentleman by Follower of Kneller, traditionally identified as Valentine Browne (1695-1736), 3rd Viscount Kenmare courtesy of https://www.bonhams.com/auctions/19056/lot/278/.jpg

He married, in 1720, Honora, second daughter of Colonel Thomas Butler [of Kilcash (1671-1738)], and great-grandniece of James, Duke of Ormonde, by whom he had issue, Thomas, his successor, and two daughters.

Sir Valentine espoused secondly, in 1735, Mary, Dowager Countess of Fingall, by whom he left a posthumous daughter, Mary Frances. [Mary née Fitzgerald (1716-1741/2) was the daughter of Maurice Fitzgerald, 5th Baronet of Castle Ishen, County Cork; Mary was first married to Justin Plunkett, 5th Earl of Fingall. She married thirdly John Bellew, 4th Baron Bellew of Duleek]

He was succeeded by his only son, SIR THOMAS BROWNE, 6th Baronet (called 4th Viscount) (1726-95), who wedded, in 1750, Anne, only daughter of Thomas Cooke, of Painstown, County Carlow, by whom he had a son and a daughter, Catherine, married to Count de Durfort-Civrac.

“He was succeeded by his son, SIR VALENTINE BROWNE, 7th Baronet (called 5th Viscount) (1754-1812), who was created (the viscountcy of JAMES II never having been acknowledged in law), in 1798, Baron Castlerosse and Viscount Kenmare.

“His lordship was further advanced to the dignity of an earldom, in 1800, as EARL OF KENMARE.”

Valentine Browne (1754-1812), 1st Earl of Kenmare by Hugh Douglas Hamilton courtesy of Country House Collections at Slane Castle by Adam’s 2012.

He married firstly, in 1777, Charlotte, daughter of Henry, 11th Viscount Dillon [of Costello-Gallin], and had an only daughter, Charlotte. [She married George Goold, 2nd Bt of Old Court, Co. Cork.]

His lordship wedded secondly, in 1785, Mary, eldest daughter of Michael Aylmer, of Lyons, County Kildare, and had issue,

VALENTINE (1788-1853) his successor as 2nd Earl;
Thomas (1789-1871) who became 3rd Earl;
William;
Michael;
Marianne; Frances.

His lordship was succeeded by his eldest son, VALENTINE, 2nd Earl (1788-1853), PC, who espoused, in 1816, Augusta, daughter of Sir Robert Wilmot, 2nd Baronet, though the marriage was without issue, when the family honours devolved upon his brother,

THOMAS, 3rd Earl (1789-1871), who married, in 1822, Catherine, daughter of Edmond O’Callaghan [d. 1791. Another daughter of Edmond O’Callaghan, Ellen, married James John Bagot of Castle Bagot, Rathcoole. His daughter Elizabeth married Gerald Dease of Turbotstown, a Section 482 property].

John Denis Browne (1756-1809), 1st Marquess of Sligo, 1806 by engraver William Whiston Barney after John Opie, courtesy of National Gallery of Ireland.
Robert Brown, 1720 by Godfrey Kneller from Coolattin house sale, 2016, Shepphards.
The Reverend Jemmet Browne (of Riverstown, County Cork) at a meet of foxhounds, by Peter Tillemans, courtesy of Yale Centre for British Art.
A portrait of Alice Waterhouse (1700-1782), wife of Bishop Jemmett Browne. (1703-1782), Bishop of Cork and Archbishop of Tuam. They lived at Riverstown, County Cork. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
John Brownlow (1690-1754) 1st Viscount Tyrconnell.
William Brownlow (1726-1794) (after Gilbert Stuart) by Charles Howard Hodges courtesy of Armagh County Museum.
Lucy Loftus née Brydges (1654-1681? or 1646-1689?) of Sudeley Manor, Gloucestershire, England, by Peter Lely, wife of Adam Loftus (1632-1691), 1st and last Viscount Lisburne. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Portrait of Ulick de Burgo or Bourke, 5th Earl of Clanricarde (d. 1657). He was created Marquess of Clanricarde. He was Lord Deputy and Commander in Chief of Royalist forces against Cromwell in 1649. His Irish estates were lost but then recovered by his widow after the restoration of Charles II to the throne.
Henry de Burgh, (1743-1797) 1st Marquess of Clanricarde 2nd creation, as Knight of St. Patrick, by engraver William Sedgewick, after Robert Hunter, courtesy of National Gallery of Ireland.
Henry de Burgh (1742/3-97) 2nd Marquess and 12th Earl of Clanricarde in robes of Knight of the Order of St. Patrick.
John Thomas De Burgh (1744-1808) 13th Earl of Clanricarde was created 1st Earl of Clanricarde, Co. Galway.
Ulick John De Burgh (1802-1874), 14th Earl and 1st Marquess of Clanricarde (3rd creation).
The 2nd Marquess, Hubert George De Burgh-Canning (1832-1916), “the notorious miser and eccentric who spent his life in squalid rooms in London and dressed like a tramp.”
Maria De Burgh, Lady Downes (1788-1842) of Bert House, County Kildare, attributed to Adam Buck, only child and heiress of Walter Bagenal of Duckleckney and Mount Leinster Lodge, Co Carlow, courtesy of Fonsie Mealy auction.
Maria de Burgh, Lady Downes (1788-1842), only child and heiress of Walter Bagenal of Dunleckney Manor, and Mount Leinster Lodge, Killedmond, County Carlow, courtesy of Fonsie Mealy auction.
Thomas Burgh, Royal Hospital Kilmainham, 15th October 2023.
Charles William Bury (1801-1851), 2nd Earl of Charleville by Alfred, Count D’Orsay 1844, courtesy of National Portrait Gallery NPG 4026(12).
Charles William Bury, 2nd Earl of Charleville, seated in red cloak before a curtain, portrait by Henry Pierce Bone, 1835.
Humphrey Butler, 4th Viscount and later 1st Earl of Lanesborough, (c.1700-1768) Engraver John Brooks, Irish, fl.1730-1756 After C. Brown, courtesy of National Gallery of Ireland.
Female member of Butler family, Cahir Castle, courtesy of Fonsie Mealy auction
Probably James Butler (c. 1305-1337), the 1st Earl of Ormond. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Probably Eleanor de Bohun (c. 1304-1363), the wife of James Butler the 1st Earl of Ormond, in St. Mary’s Church, Gowran, County Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Robert Butler(d.1788) of Ballyragget Castle and Ballyragget Lodge, County Kilkenny by Joseph Highmore. Brother of James Butler Archbishop of Cashel, courtesy Fonsie Mealy Oct 2024.

The Butlers of Ormonde

Piers Butler (d. 1539) 8th Earl of Ormonde married Margaret Fitzgerald, daughter of Gerald Fitzgerald 8th Earl of Kildare.

They had daughters Ellen (d. 1597) who married Donough O’Brien (d. 1553) 1st Earl of Thomond; Margaret married Barnaby FitzPatrick, 1st Baron of Upper Ossory; Joan married James Butler, 10th Baron Dunboyne; Eleanor married Thomas Butler 1st Baron Caher; Katherine married Richard Power, 1st Baron le Power and Coroghmore first and secondly, James FitzJohn FitzGerald, 13th Earl of Desmond; Ellice married Gerald FitzJohn FitzGerald (d. 1553, father of 1st Viscount Decies).

They had sons John Butler (d. 1570) who lived in Kilcash, County Tipperary and was father of Walter (1569-1632) 11th Earl of Ormond; Richard Butler (d. 1571) 1st Viscount Mountgarret; Thomas who died in 1532; and James Butler (d. 1546) 9th Earl of Ormonde.

James Butler (1504-1546), Soldier, 9th Earl of Ormond and Ossory by Francesco Bartolozzi, published by John Chamberlaine, after Hans Holbein the Younger publ. 1797, courtesy of National Portrait Gallery NPG D39383.

James Butler (d. 1546) 9th Earl of Ormonde married Joan Fitzgerald, daughter of James FitzMaurice FitzGerald, 10th Earl of Desmond. She gave birth to Thomas Butler (1531-1614) who became 10th Earl of Ormond.

Portrait of Thomas Butler, 10th Earl of Ormond (1531-1614) in three-quarter armour holding a wheelock pistol, with his coat of arms at upper left, by Steven van der Meulen.
Thomas Butler (c.1531-1614), 10th Earl of Ormond, artist unknown. As a young boy, Thomas was fostered with Rory O’More, son of the lord of Laois before being sent to London to be educated with the future Edward VI. He was the first member of the Butler family to be brought up in the protestant faith. In 1546, he inherited the Ormond earldom following the sudden death of his father. He was highly regarded by Queen Elizabeth to whom he was related through her mother Anne Boleyn.
Anne Boleyn was the granddaughter of the 7th Earl of Ormond making Elizabeth and Thomas cousins. Thomas married three times but left no heir and was succeeded by his nephew Walter Butler 11th Earl of Ormond. He died in 1614 and was buried in St Canice’s cathedral, Kilkenny.
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The 9th Earl also had a son Edmond (d. 1602) who lived in Cloughgrenan, County Carlow, who gave rise to the Baronets of Cloughgrenan.

The 10th Earl of Ormond, “Black Tom,” had no direct heir so the Earldom passed to his nephew, Walter, a son of Sir John Butler (d. 1570) of Kilcash. Unlike his uncle, who had been raised at Court and thus reared a Protestant, Walter the 11th Earl of Ormond was a Catholic. See my entry about the Ormond Castle at Carrick-on-Suir for more on “Black Tom.” https://irishhistorichouses.com/2022/06/26/opw-sites-in-munster-clare-limerick-and-tipperary/

Walter Butler’s claim to the family estates was blocked by James I. The latter orchestrated the marriage of Black Tom’s daughter and heiress Elizabeth to a Scottish favourite Richard Preston, Baron Dingwall. The King gave Preston the title Earl of Desmond (after the Fitzgeralds lost the title, due to their Desmond Rebellion), and awarded his wife most of the Ormond estate, thus depriving Walter of his inheritance. Walter refused to submit and was imprisoned for eight years in the Fleet, London. He was released 1625. Walter’s nine-year-old grandson, James, became the heir to the titles but not the estates.

James (1610-1688) 12th Earl of Ormond (later 1st Duke of Ormond) was the son of Thomas Butler (d. 1619) Viscount Thurles, and Elizabeth Poyntz. Following his father’s death in 1619, 9-year-old James became direct heir to the Ormond titles. He was made a royal ward and was educated at Lambeth Palace under the tutelage of George Abbot, Archbishop of Canterbury.

Elizabeth Poyntz (1588-1673), mother of the 1st Duke of Ormond, painted by John Michael Wright, Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
James Butler (1610-1688), 1st Duke of Ormond, Viceroy from 1643, on and off until he died in 1688, Dublin Castle, painting by Sir Peter Lely, circa 1665. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
James Butler (1610-1688), 1st Duke of Ormond, 12th Earl of Ormond, Lord Lieutenant of Ireland, by Peter Lely (1618-1680), portrait in Tapestry Room of Kilkenny Castle. Wearing robes of the Order of the Garter, Ormond holds the wand of office of Lord Steward of the Household in his right hand. The portrait is probably that referred to in a series of letters written by Ormond’s agents, John Buck in England and Sir George Lane in Ireland, during the years 1662 to 1663. In a letter dated May 1663, John Buck wrote: ‘…the latter end of this month I shall send from hence a most excellent picture of My Lord Duke’s, I think you saw the face done before you went; by that time I am promised the Queen’s for my Lady Duchess to send along with it: Mr. Lilly tells me there is one very good at cappeinge [copying?] in Dublin, if not pray let me receive your farther commands; Mr. Lilly will presently part with the Duchess’ pictures for you, if you can procure any to bring directions from Her Highness to him for it.’ [HMC Ormonde Mss, iii, 55]. This is the finest extant portrait of the duke. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
James Butler, 1st Duke of Ormonde (1610–1688) after John Michael Wright courtesy of National Trust images.
James Butler 1st Duke of Ormond painted by John Michael Wright (1617-1694), Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
James Butler (1610-88), 1st Duke of Ormond, 12th Earl of Ormond, in the style of John Michael Wright (1617-1694). James was the eldest son of Thomas Butler, Viscount Thurles, and his wife Elizabeth Poyntz. Following his father death in 1619, 9-year-old James became direct heir to the Ormond titles. In 1629 he married his cousin Elizabeth Preston reuniting the Ormond estates. He succeeded to the Ormond titles in 1633 on the death of his grand-father, Walter Butler, 11th Earl of Ormond. Ormond is clad in armour, holding the baton of command, and wearing the blue ribbon of the Order of the Garter. A plumed helmet is to the sitter’s right. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

Another son of Thomas Butler (d. 1619) Viscount Thurles, and Elizabeth Poyntz was Richard Butler (d. 1701) of Kilcash, County Tipperary.

In order to reunite the Ormond title with the estates, plans were made for a marriage between James and the daughter of the Prestons, Elizabeth, to resolve the inheritance issue. In 1629 James married his cousin Elizabeth Preston and reunited the Ormond estates.

Elizabeth Butler née Preston (1615-1684) Baroness Dingwall, Countess of Ormond later Duchess, with her son Thomas, Lord Ossory (1634-1680) attributed to David des Granges. She was the daughter of Black Tom’s daughter and heiress Elizabeth and Richard Preston, Baron Dingwall.
Elizabeth Preston (1615-1684), wife of the 1st Duke of Ormond, with her son Thomas, who became the 6th Earl of Ossory. Attributed to David des Granges (c.1610-71/2). she was the daughter of Richard Preston, Baron Dingwall, Earl of Desmond and his wife Elizabeth Butler, only daughter and heiress of Thomas Butler, 10th Earl of Ormond. On the death of her parents in 1628, Elizabeth was made a royal ward and the rights of her marriage were granted to the Earl of Holland, who sold it for £15,000. She married her cousin James Butler, Viscount Thurles, later 1st Duke of Ormond in 1629, thus reuniting the Ormond titles and properties. They had eight sons and two daughters but only three of those sons survived infancy: Thomas, later Earl of Ossory, Richard, later 1st Earl of Arran and John, later Earl of Gowran. Their daughters were Mary, later Duchess of Devonshire and Elizabeth, later Countess of Chesterfield. Lady Ormond spent a short period in exile with her husband and family in France during the early 1650s. She returned a few years later, following successful negotiations with the Cromwellian parliament, to her house at Dunmore, Co. Kilkenny. She was highly regarded at Court and was godmother to the Princess Mary, later Queen Mary. When Ormond retired to England in 1682, the duchess accompanied him and they settled at Kingston House (Kingston Lacy), Dorset. She died two years later at their town house, Ormonde House, in St. James’s Square, London. Sir Peter Lely painted the duchess but no portrait of her by the artist has been traced. A portrait of her by Henri Gascars is also recorded in seventeenth-century Ormonde inventories. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
James Butler of Kilkenny Castle, courtesy of Fonsie Mealy auction. It was in a Florentine style gilt frame and is by the 18th century English school.
James Butler (1610-1688) 1st Duke of Ormonde by Willem Wissing circa 1680-1685, courtesy of National Portrait Gallery NPG 5559.
James Butler (1611–1688), 1st Duke of Ormonde, in Garter Robes, Peter Lely (1618-1680) (style of), 1171123 National Trust.

The 1st Duke of Ormond had three sons: Thomas (1634-1680), 6th Earl of Ossory; Richard (1639-1686), 1st and last Earl of Arran; and John (1634-1677), 1st and last Earl of Gowran. He had two daughters, Elizabeth (1640-1665) and Mary (1646-1710). Mary married William Cavendish, 1st Duke of Devonshire and Elizabeth, the 2nd Earl of Chesterfield.

Thomas Butler (1634-1680) 6th Earl of Ossory, Eldest son of James, Duke of Ormond, in armour standing near his charge, attributed to Van Dyck, courtesy of Adam’s auction 11 Oct 2016. Provenance: Formerly in the collection of the Earl of Fitzwilliam, 1948.

Thomas Butler, 6th Earl of Ossory, (1634-1680) was born at Kilkenny Castle, the eldest son of James Butler, 1st Duke of Ormonde and Lady Elizabeth Preston.
His early years were spent in Ireland and France. He was an accomplished athlete and a good scholar. In 1661 Butler became a member of both the English and Irish houses of Commons, representing Bristol in the former and Dublin University in the latter House. In 1665 he was appointed lieutenant-general of the army in Ireland and in 1666 was created an English peer as Lord Butler.

Having proven himself as an expert military strategist, and whilst visiting France in 1672, he rejected the liberal offers made by Louis XIV to induce him to enter the service of France, and returning to England he added to his high reputation by his conduct during the Battle of Texel in August 1673. From 1677 until 1679, he served alongside his father as a Lord of the Admiralty.

The earl was chosen to William, Prince of Orange, and in 1677 he joined the allied army in the Netherlands, commanding the British section and winning great fame at the siege of Mons in 1678. He acted as deputy for his father, who was lord-lieutenant of Ireland, and in parliament he defended Ormonde’s Irish administration with great vigour. In 1680 he was appointed governor of English Tangier, but his death prevented him from taking up his new duties.

Ossory had eleven children, including James Butler who became the 2nd Duke of Ormonde in 1688. A Portrait of Thomas Butler by Lely, painted in 1678 is in the National Portrait Gallery, London and a portrait by the same hand as his father, the 1st Duke is in the ownership of the National Trust at Kedleston Hall.
Thomas Butler (1634-1680) 6th Earl of Ossory, studio of Sir Peter Lely, circa 1678, courtesy of National Portrait Gallery NPG 371. Second son of the Duke and Duchess of Ormond and father of 2nd Duke of Ormonde.
Richard Butler (1639-1685) 1st Earl of Arran, son of the Duke of Ormonde, by Godfrey Kneller, courtesy of National Trust Hardwick Hall.
Mary Cavendish née Butler (1646-1710) Duchess of Devonshire in the style of Willem Wissing courtesy of National Trust Hardwick Hall. She was the daughter of James, 1st Duke of Ormond.
Elizabeth Stanhope née Butler (1640-1665), daughter of the 1st Duke of Ormonde and 2nd wife of Philip Stanhope 2nd Earl of Chesterfield Date: 1681/1688 Engraver: Isaac Beckett, English, c.1653-c.1715/19 After Peter Lely, Dutch, 1618-1680, courtesy of National Gallery of Ireland.
Elizabeth Stanhope née Butler Countess of Chesterfield By Peter Lely – http//:www.thepeerage.com/p951.htm#i9503, Public Domain, https//:commons.wikimedia.org

Thomas Butler (1634-1680) 6th Earl of Ossory and his wife Amelia of Nassau were the parents of James Butler (1665-1745) 2nd Duke of Ormonde. Another son was Lt.-Gen. Charles Butler, 1st Earl of Arran (1671-1758).

James Butler (1665-1745) 2nd Duke of Ormond, studio of Michael Dahl, oil on canvas, circa 1713 courtesy of National Portrait Gallery NPG 78.
James Butler (1665-1745) 2nd Duke of Ormonde courtesy of National Maritime Museum, Greenwich, London.
Oil painting on canvas, James Butler, 2nd Duke of Ormonde (1665-1745) by Sir Godfrey Kneller (Lubeck 1646/9 – London 1723). A three-quarter length portrait, turned slightly to the right, facing, gazing at spectator, wearing armour, blue sash and white jabot, a baton in his right hand, his left on his hip, his helmet placed at the left; cavalry in the distance, right. Photograph courtesy of National Trust Images.
James Butler (1665-1745), 2nd Duke of Ormonde, 13th Earl of Ormonde, artist unknown, formerly attributed to William Dobson (British, 1611-1646). James was the eldest surviving son of Thomas Butler , Earl Ossory, and his wife Amelia Nassau.
Following his father’s death in 1680, James became the heir to his grandfather, James Butler, 1st Duke of Ormond, whom he succeeded in 1688. Following his involvement in a Jacobite rising, he was impeached and a year later a Bill of Attainder was passed against him. His English and Scottish honours and his English estates were seized. Ormonde fled to France. He lived out his life in exile, died at Avignon in France and was buried in 1746 in Westminster Abbey. James is wearing Garter robes. This is a crudely painted piece. The head is similar to that used in portraits by Dahl.
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
James Butler (1665-1745), 2nd Duke of Ormonde, 13th Earl of Ormonde, after Michael Dahl (1659-1743). Born on the 29th April 1665 in Dublin Castle, he was the son and heir of Thomas Butler, Earl Ossory and Amelia van Beverweerd. He was educated in France and at Oxford. He inherited all of the Ormonde properties and titles, from both his grandfather and grandmother including her Dingwall title. Following his support of the Jacobite rising, he was impeached and fled to France. He lived out his life in exile, died in Avignon in France in 1745 and was buried in 1746 at Westminster Abbey. Wearing armour with the blue ribbon of the Garter with the lesser George (a term used to describe the medal associated with the Order of the Garter), and a sash about his waist, Ormonde holds in his right hand a baton of command. A cavalry skirmish and buildings are to his left. The portrait appears to have been executed in the 1690s; the pose is similar to that used by both Sir Godfrey Kneller and Michael Dahl. An original portrait by Dahl which is very similar is in the Devonshire collection at Hardwick Hall. A portrait by Kneller is in the NGI. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

James Butler (1665-1745) 2nd Duke of Ormond married, first, Anne Hyde, and second, Mary Somerset.

Anne Hyde (1669-1685), Countess of Ossory, first wife of James Butler 2nd Duke of Ormonde. Painting by William Wissing
Mary Somerset (1665-1733), Duchess of Ormond, wife of James Butler 2nd Duke of Ormond (1665-1745), painted by Michael Dahl. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

James the 2nd Duke had no son, so the title passed to his brother Charles Butler (1671-1758) 1st Earl of Arran. He was enabled by an Act of Parliament in 1721 to recover his brother’s forfeited estates, but the dukedom ended with him. He was, however, also the 14th Earl of Ormonde and this title continued. He had no children, however, so the title passed to a cousin.

Charles Butler (1671-1758) 1st Earl of Arran by James Thornhill, courtesy of Examination Schools, University of Oxford.

John Butler (d. 1766) of Kilcash and Garryricken became 15th Earl of Ormonde. He was a descendant of Walter Butler the 11th Earl.

Colonel Thomas Butler of Kilcash (c. 1738) by James Latham, father of John Butler (d. 1766) of Kilcash and Garryricken who became 15th Earl of Ormonde.

Richard Butler (d. 1701) of Kilcash, County Tipperary was a younger brother of James the 1st Duke of Ormond. There is a castle ruin still in Kilcash, under the protection of the Office of Public Works but not open to the public. His son was Walter Butler of Garryricken (1633-1700). Walter had sons Christopher (the Catholic Archbishop) and Thomas (d. 1738).

Christopher Butler (d. 1758?) Catholic Archbishop of Cashel and Emly, by James Latham. Christopher Butler was Catholic archbishop of Cashel and Emly, son of Walter Butler of Garryricken and brother of Colonel Thomas Butler of Kilcash.

The 15th Earl had no children so the title then passed to a cousin, Walter Butler (1703-1783), 16th Earl, another of the Garryricken branch, who also became the 9th Earl of Ossory. He took up residence at Kilkenny Castle. Walter, a Catholic, was unable to exercise a political role.

Walter Butler (1703-1783) De jure 16th Earl of Ormonde, by Robert Hunter. Walter was a cousin of John Butler, de jure 15th Earl of Ormonde. He was the only son and heir of john Butler of Garricken and Frances, daughter of George Butler of Ballyragget. In 1732 he married Eleanor Morres. He inherited the Ormonde titles in 1766 which he did not assume but took up residence at Kilkenny Castle. Walter, whom remained a Roman Catholic, exercised no political role but undertook the restoration of the Castle and also built the Stable block across the road from the Castle, today the Design Centre and National Craft Centre, and the Dower House, today Butler House. Walter Butler is shown seated with his dog in a formal garden landscape, with a small temple and another building in the background. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Eleanor Morres (1711-1793) by Robert Hunter (1715-1720, died after 1803). Eleanor was the daughter of Nicholas Morres of Seapark Court, Co. Dublin, and of Lateragh, Co. Tipperary, and of Susanna, daughter of Richard Talbot of Malahide Castle.
She married Walter Butler, de jure 16th Earl of Ormonde, in 1732. After Walter’s death in 1783, she moved into the Dower House, today Butler House, across the road from the Castle.
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

John Butler 17th Earl of Ormonde, nicknamed “Jack of the Castle,” was son of the 16th Earl. He in turn was father of Walter Butler (1770-1820) 18th Earl of Ormonde, 1st And Last Marquess of Ormonde (of the 2nd creation).

Susan Frances Elizabeth Wandesford (1754-1830) Duchess of Ormonde. She was the daughter of John Wandesford 1st and last Earl Wandesford and 5th Viscount Castlecomer, and wife of John Butler 17th Earl of Ormonde. Painting by Hugh Douglas Hamilton.
Walter Butler (1770-1820) became the 18th Earl and 1st Marquess of Ormonde.
Walter Butler (1770-1820) 1st Marquess of Ormonde (2nd creation), 18th Earl of Ormonde by Sir William Beechey, hanging in the picture gallery of Kilkenny Castle. Son of John Butler and Anne Wandesford, Knight of the Order of St. Patrick (1798), in 1803 he was created Baron Butler of Lanthony, Co. Monmouth. After voting for the Act of Union in 1800, Walter took his seat in the House of Lords. He was said to haven a profligate spender, moving in the circle of the Regent, Prince George (later George IV). His Irish estates were worth £22,000 per annum in 1799 and in 1811, Parliament granted him £216,000 as compensation for the resumption by the Crown of the hereditary presage of wines, granted to his ancestor in 1327. He was created Marquess of Ormonde in 1816. In 1805, he married a wealthy heiress, Anna Maria Catherine Price-Clarke (1789-1817).
When he died, the Marquessate of Ormonde and the Barony of Butler of Lanthony became extinct. He was described by Barrington in his Personal Sketches ‘as engaging a person, as many manly qualities, and to the full as much intellectual promise, as any young man of his country’, but these were ‘either blunted by dissipation or absorbed in the licentious influence of fashionable connection.’
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Anna Maria Catherine Price-Clarke (1789-1817) Marchioness of Ormonde by Sir William Beechey (1753-1839), hanging in the picture gallery of Kilkenny Castle. Heiress to her brother Godfrey TR Price-Clarke, she was the only daughter and heir of Job Hart Price-Clarke (formerly Price) of Sutton Hall, Derby, and his wife Sarah, sister and heiress of Godfrey Bagnal Clarke of Sutton Hall. She was married to Walter Butler, 1st Marquess of Ormonde (2nd creation). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

His younger brother James Wandesford Butler (1777-1838) was later created 1st Marquess of Ormonde of the third creation, 19th Earl of Ormonde. He was the father of John Butler (1808-1854) 2nd Marquess (3rd creation) and 20th Earl of Ormonde, who was the father of James Edward William Theobald Butler (1844-1919) 3rd Marquess of Ormonde and also James Arthur Wellington Foley Butler (d. 1943) 4th Marquess of Ormonde, who was father of 5th and 6th Marquesses.

The Kilkenny Castle website identified this portrait that hangs in the long gallery of Kilkenny Castle as James Butler (1774-1838) 1st Marquess of Ormonde (3rd creation) and 19th Earl of Ormonde, by John Saunders (1750-1825). However it looks to me like Walter Butler (1770-1820) 1st Marquess of Ormonde (2nd creation), 18th Earl of Ormonde. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
James Wandesford Butler (1777-1838) 1st Marquess of Ormonde
James Butler (1774-1838), 1st Marquess of Ormonde, 19th Earl of Ormonde, unknown artist. James Butler was born at Kilkenny Castle the 15th July 1774, third son of john Butler, 17th Earl of Ormonde and Lady Frances Susannah Anne Wandesforde.
He was educated at Eton and succeeded his brother Walter as Earl of Ormonde in 1820 becoming one of the largest landowners of Ireland. He and his younger brother Charles Harward were friends of the Prince of Wales. He married Grace Louisa Staples in 1807.
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
James Wandesforde Butler (1774-1838), 1st Marquess of Ormonde (3rd creation), 19th Earl of Ormonde, by Richard Rothwell (1800-1868). He succeeded his brother Walter as Earl of Ormonde in 1820, becoming one of the largest landowners in Ireland with an estate worth more than £20,000 a year. He was created Marquess of Ormonde in 1825 and officiated as Chief Butler of Ireland at the Coronation of George IV. He married Grace Louisa Staples in 1807, they had ten children. He died in Dublin in 1838 and was succeeded by his eldest son John. In this portrait, the marquess is depicted wearing a dark coat with the blue ribbon of the Order of St Patrick. Rothwell, an Irish artist who had worked as Sir Thomas Lawrence’s chief assistant, was a highly regarded portrait painter. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Grace Louisa Staples (1779-1860) Marchioness of Ormonde by John Saunders (1750-1825) hanging in the picture gallery of Kilkenny Castle. Daughter of the Rt Hon John Stapes of Lissan, near Dungannon and Henrietta, fourth daughter of Richard, 3rd Viscount Molesworth, she married James Butler, 19th Earl and 1st Marquess of Ormonde (3rd creation) in 1807. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
John Butler (1808-1854) 2nd Marquess (3rd creation) and 20th Earl of Ormonde, by Henry Weigall Jr.
Frances Jane Paget (1817-1903) Marchioness of Ormonde with her son James Earl of Ossory, by Richard Bruckner. She was the wife of the 2nd Marquess of Ormonde.
Frances Jane Paget (1817-1903) Marchioness of Ormonde, Artist Unknown. Daughter of General the Hon Sir Edward Paget, GCB(q.v.),and his second wife Harriet Daughter of George Legge, 3rd Earl of Dartmouth. Wife of John Butler, 2nd Marquess of Ormonde(q.v.). Frances married in 1843, and so her children were still young when their father died in 1854. She looked after the Ormonde estates, and continued the rebuilding of Kilkenny castle. During the early years of her marriage(1844-1849), she was the Lady of the bedchamber to the Queen Dowager, Adelaide. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
James Edward William Theobald Butler (1844-1919) 3rd Marquess of Ormonde by Walter Stoneman 1917, courtesy of National Portrait Gallery NPG x43817.
James Arthur Wellington Foley Butler (1849-1943) 4th Marquess, 22nd Earl of Ormonde, by Philip de Laszlo ( 1869 – 1937). He was educated at Harrow and joined the army becoming a lieutenant in the 1st Life Guards. He was state steward to the Earl of Carnarvon when Lord Lieutenant of Ireland. In 1887 he married Ellen Stager, daughter of American General Anson Stager. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Edmund Butler 11th Viscount Mountgarret (1745-1793) in the style of Hugh Douglas Hamilton, Adams auction 19 Oct 2021.
Henrietta Butler (1750-1785) Viscountess Mountgarret in the style of Hugh Douglas Hamilton, Adams auction 19 Oct 2021. She was the daughter of Somerset Hamilton Butler, 1st Earl of Carrick, 6th Viscount of Ikerrin and wife of Edmund Butler 11th Viscount Mountgarret (1745-1793).
Mildred Butler née Fowler (c. 1770-1830) Countess of Kilkenny, wife of Edmond 12th Viscount Mountgarret and 1st Earl of Kilkenny and daughter of Robert, Archbishop of Dublin (1724-1801) by Thomas Hickey, courtesy of Sheppards auction Nov 26 2013.
Elizabeth Butler (1674-1708), wife of Peter Aylward, daughter of Richard Butler, 2nd Baronet of Paulstown (or Poulstown), County Kilkenny. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Juliana Butler (1727/8-1804) Countess of Carrick (wife of Somerset Hamilton Butler 1st Earl of Carrick) with her younger daughters Lady Henrietta Butler (1750-1785), later Viscountess Mountgarret, wife of 11th Viscount, and Lady Margaret Butler/Lowry-Corry (1748-1775), by Richard Cosway, courtesy of National Trust, Castle Coole, County Fermanagh.
Margaret Lowry-Corry née Butler (1748-1775) by Robert Hunter, courtesy of National Trust, Castle Coole, County Fermanagh. She married Armar Lowry-Corry 1st Earl of Belmore. She was the daughter of Somerset Hamilton Butler, 8th Viscount Ikerrin, 1st Earl of Carrick, County Tipperary.
Harriet Anne née Butler (1799-1860) Countess of Belfast, wife of George Hamilton Chichester 3rd Marquess of Donegal and daughter of Richard Butler, 1st Earl of Glengall.
Richard Butler (1794-1858) 2nd Earl of Glengall, by Richard James Lane, lithograph, 1854, National Portrait Gallery of London D22384.
Margaret Lauretta Butler (née Mellish), Countess of Glengall by Richard James Lane courtesy of National Portrait Gallery London NPG D22383.
Elizabeth, Countess of Lanesborough (née La Touche), (1764-1788), wife of Robert Henry Butler 3rd Earl of Lanesborough. Date 1791 Engraver Francesco Bartolozzi, Italian, 1725-1815 After Horace Hone, English, 1756-1825, photograph courtesy of National Gallery of Ireland.

[1] https://en.wikipedia.org/wiki/Earl_of_Barrymore

Office of Public Works properties: County Kilkenny, Leinster

Kilkenny:

1. Dunmore Cave, County Kilkenny

2. Jerpoint Abbey, County Kilkenny

3. Kells Priory, County Kilkenny

4. Kilkenny Castle, County Kilkenny

5. St. Mary’s Church, Gowran, County Kilkenny

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

1. Dunmore Cave, Mothel, Ballyfoyle, Castlecomer Road, County Kilkenny:

General information: 056 776 7726, dunmorecaves@opw.ie

https://heritageireland.ie/visit/places-to-visit/dunmore-cave/

From the OPW website:

Dunmore Cave, not far from Kilkenny town, is a series of limestone chambers formed over millions of years. It contains some of the most impressive calcite formations found in any Irish underground structure.

The cave has been known for many centuries and is first mentioned in the ninth-century Triads of Ireland, where it is referred to as one of the ‘darkest places in Ireland’. The most gruesome reference, however, comes from the Annals of the Four Masters, which tells how the Viking leader Guthfrith of Ivar massacred a thousand people there in AD 928. Archaeological investigation has not reliably confirmed that such a massacre took place, but finds within the cave – including human remains – do indicate Viking activity.

Dunmore is now a show cave, with guided tours that will take you deep into the earth – and even deeper into the past.

2. Jerpoint Abbey, Thomastown, County Kilkenny.

Jerpoint Abbey, May 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

General information: 056 772 4623, jerpointabbey@opw.ie

https://heritageireland.ie/visit/places-to-visit/jerpoint-abbey/

From the OPW website:

Founded in the 12th century, Jerpoint Abbey is one of the best examples of a medieval Cistercian Abbey in Ireland. The architectural styles within the church, constructed in the late twelfth century, reflect the transition from Romanesque to Gothic architecture. The tower and cloister date to the fifteenth century.

Jerpoint is renowned for its detailed stone sculptures found throughout the monastery. Dating from the thirteenth to the sixteenth centuries these include mensa [table] tombs from the O’Tunney school, an exquisite incised depiction of two 13th century knights, the decorated cloister arcades along with other effigies and memorials. 

Children can explore the abbey with a treasure hunt available in the nearby visitor centre. Search the abbey to discover saints, patrons, knights, exotic animals and mythological creatures.

A small but informative visitor centre houses an excellent exhibition.

Jerpoint Abbey, May 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Jerpoint Abbey, May 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Jerpoint Abbey, May 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Jerpoint Abbey, May 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Jerpoint Abbey, May 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Jerpoint Abbey, May 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Jerpoint Abbey, May 2016. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Jerpoint Abbey. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

3. Kells Priory, Kells, County Kilkenny:

General information: 056 772 4623, jerpointabbey@opw.ie

From the OPW website:

Kells Priory owes its foundation to the Anglo-Norman consolidation of Leinster. Founded by Geoffrey FitzRobert, a household knight and trusted companion of William Marshal the priory was one element of Geoffrey’s establishment of the medieval town of Kells. 

Although founded in c. 1193 extensive remains exist today which include a nave, chancel, lady chapel, cloister and associated builds plus the remains of the priory’s infirmary, workshop, kitchen, bread oven and mill. The existence of the medieval defences, surrounding the entire precinct, underline the military aspect of the site and inspired the priory’s local name, the ‘Seven Castles of Kells’.

4. Kilkenny Castle, County Kilkenny:

Kilkenny Castle, photograph by macmillan media 2016 for Tourism Ireland, Ireland’s Content Pool. It sits on the banks of the River Nore. [1]

General information: 056 770 4100, kilkennycastleinfo@opw.ie

From the OPW website:

Built in the twelfth century, Kilkenny Castle was the principal seat of the Butlers, earls, marquesses and dukes of Ormond for almost 600 years. Under the powerful Butler family, Kilkenny grew into a thriving and vibrant city. Its lively atmosphere can still be felt today.

The castle, set in extensive parkland, was remodelled in Victorian times. It was formally taken over by the Irish State in 1969 and since then has undergone ambitious restoration works. It now welcomes thousands of visitors a year.

Kilkenny Castle, photograph by unknown 2014 for Failte Ireland, Ireland’s Content Pool. [see 1]

See my entry https://irishhistorichouses.com/2024/04/08/kilkenny-castle-county-kilkenny-an-office-of-public-works-property/

Kilkenny Castle has been standing for over eight hundred years, dominating Kilkenny City and the South East of Ireland. Originally built in the 13th century by William Marshall, 4th Earl of Pembroke, as a symbol of Norman control, Kilkenny Castle came to symbolise the fortunes of the powerful Butlers of Ormonde for over six hundred years. [2]

In 1967 James Arthur Norman Butler (1893-1971), 6th Marquess and 24th Earl of Ormonde sold the Castle to the Kilkenny Castle Restoration Committee for £50. Two years later it went into state ownership.

Kilkenny Castle, photograph by unknown 2014 for Failte Ireland, Ireland’s Content Pool. [see 1] The National Inventory describes: Random rubble stone walls with sections of limestone ashlar construction (including to breakfront having full-height Corinthian pilasters flanking round-headed recessed niches with sills, moulded surrounds having keystones, decorative frieze having swags, moulded course, modillion cornice, and blocking course with moulded surround to pediment having modillions), and limestone ashlar dressings including battlemented parapets (some having inscribed details) on corbel tables. The classical frontispiece was designed for James Butler, Second Duke of Ormonde possibly to designs prepared by Sir William Robinson. 

You can take an online tour of the castle on the website https://kilkennycastle.ie/about/explore-the-castle-new/

The magnificent Picture Gallery is situated in the east wing of Kilkenny Castle.This stunning space dates from the 19th century and was built primarily to house the Butler Family’s fine collection of paintings.

Kilkenny Castle. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

5. St. Mary’s Church, Gowran, County Kilkenny:

General information: 056 772 6894, breda.lynch@opw.ie

St. Mary’s church, Gowran, June 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

From the OPW website:

This church was built in the late thirteenth century as a collegiate church and was served by a college – clerics who lived in a community but did not submit to the rule of a monastery. 

The church was patronised by the Butler family and many early family members are commemorated here with elaborate medieval tombs. The impressive ruins were decorated by the Gowran Master whose stone carvings are immortalised in the poetry of Nobel Laureate Séamus Heaney. 

The once medieval church was later partly reconstructed in the early 19th century and functioned as a Church of Ireland church until the 1970s when it was gifted to the State as a National Monument. Today the restored part of the church preserves a collection of monuments dating from the 5th to the 20th centuries.

St. Mary’s church, Gowran, June 2023.

We visited it on the way home from Shankill Castle in County Kilkenny in June 2023. Our tour guide was an enthusiastic font of information and we shared what we knew also and we would have happily spent longer but had to head off as we were visiting a friend in Thomastown.

Entrance to the church. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
This large monument greets one as one enters the church, a monument to James Agar (d. 1733), son of Charles from York and Ellis Blancheville. By his first wife Susannah daughter of James Alexander he had three children who died young. By his second wife Mary daughter of Henry Wemyss of Danesfort, Kilkenny, he had several children. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
St. Mary’s church, Gowran, June 2023. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

I was excited to see the tombs of the early Butlers of Ormond. The website tells us that the pair of effigial tombs belong (1467-1539) (d. 1487) to Butler knights. The more elaborate of them is believed to belong to Sir James Butler of Polestown, father of the eighth earl of Ormond, Piers Rua.

One of the effigial tombs. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
One of the effigial tombs. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
The end of the effigial tomb. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The sides of this tomb are skilfully decorated with carvings of the Apostles, St Brigid, the crucifixion of Jesus Christ and possibly St Thomas à Becket. This tomb is believed to be the work of the renowned O’Tunneys of Callan. James became the Lord Deputy of Ireland in 1464. He married Sabh Kavanagh, daughter of Donal Reagh MacMurrough-Kavanagh, the King of Leinster.

This is probably the 1st Earl of Ormond, James Butler (c. 1305-1337). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Probably the wife of the 1st Earl of Ormond, Eleanor de Bohun (c. 1304-1363). Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I’m not sure who this one is. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
I think this one is the effigy of Ralph (Radoulfus) in his priestly vestments, the portrieve (priest) of Gowran in 1218. It is believed to be the oldest burial monument in Ireland with a date on it. The inscription is carved in Latin around the edge of the monument in Lombardic lettering. The monument is dated 19 March 1253. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
Another sculpted monument. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com
An ogham stone with a cross. This is from the third or fourth century, was found on the site during the rebuilding of the chancel in 1826. Fr. Edmund Barry’s reading of the ogham writing here is “DALO MAQA MUCOI MAQUI-ERACIAS MAQI LI”, that is, “Dalach, grandson, of Mac-Eirche, who was son of Lia.” The cross was probably carved around the sixth century. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

[1] https://www.irelandscontentpool.com

[2] https://kilkennycastle.ie/about/explore-the-castle-new/

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com

Office of Public Works properties County Cork, Munster

Munster’s counties are Clare, Cork, Kerry, Limerick, Tipperary and Waterford.

I have noticed that an inordinate amount of OPW sites are closed ever since Covid restrictions, if not even before that (as in Emo, which seems to be perpetually closed).

Cork:

1. Annes Grove, County Cork

2. Barryscourt Castle, County Cork – currently closed (June 2022)

3. Charles Fort, County Cork

4. Desmond Castle, Kinsale, County Cork

5. Doneraile Court, County Cork

6. Fota House Arboretum and Gardens, County Cork (Fota House itself is maintained by the Heritage Trust)

7. Ilnacullin, Garanish Island, County Cork

donation

Help me to pay the entrance fee to one of the houses on this website. This site is created purely out of love for the subject and I receive no payment so any donation is appreciated!

€15.00

Cork:

1. Annes Grove, Castletownroche, County Cork:

Annes Grove, County Cork, 1981 from Dublin City Library and Archives. [1]

Tel: 022 26145, annesgrove@eircom.net

https://heritageireland.ie/visit/places-to-visit/annes-grove-gardens/

This is due to be open soon by the OPW. It does not have a website yet. In December 2015 Annes Grove House and Garden were donated to the state by the Annesley family.

Nestled into an eighteenth century ornamental glen, adjacent to the River Awbeg, the demesne of Annes Grove in north County Cork is the setting for the most exquisite Robinsonian-style gardens in Ireland….

The Gardens at Annes Grove were largely the creation of Richard Grove Annesley in the first half of the twentieth century.” [2]

Annes Grove, County Cork, 1981 from Dublin City Library and Archives. [see 1]

The estate was previously known as Ballyhimmock, and it was acquired by William Grove around 1626.

In 1792 it was inherited by Arthur Grove Annesley (1774-1849) from an aunt by marriage, heiress to the Grove family, after which it was renamed by merging the two family names. [3] Arthur Grove Annesley’s uncle Francis Charles Annesley, 1st Earl Annesley of Castlewellan, County Down, married Mary Grove who inherited the estate from her father.

At the centre of the garden is a restored Gothic style summerhouse. The main house is of Queen Anne design, from the 18th century. Pergolas, a lily pond, Victorian stone fernery, a woodland walk and river garden, a rockery and wild water garden create an atmospheric setting.

From “In Harmony with Nature, The Irish Country House Garden 1600-1900” in the Irish Georgian Society, July 2022, curated by Robert O’Byrne.

2. Barryscourt Castle, County Cork:

Barryscourt Castle by Julia Delio, flickr constant commons, August 2009.

From the OPW website https://heritageireland.ie/visit/places-to-visit/barryscourt-castle/:

Barryscourt Castle was the seat of the great Anglo-Norman Barry family and is one of the finest examples of a restored Irish Tower House. Dating from between 1392 and 1420, the Castle has an outer bawn wall and largely intact corner towers. The ground floor of the Tower House contains a dungeon into which prisoners were dropped via the ‘drop-hole’ located on the second floor.

The Barrys supported the Fitzgeralds of Desmond during the Irish rebellions of the late sixteenth century. To prevent it being captured by Sir Walter Raleigh and his army, the Barrys [David Barry, 5th Viscount Barry (1550-1617)] partially destroyed the Castle.

Walter Raleigh (1552-1618) by Unknown English artist 1588, National Portrait Gallery of London ref. 7.

During the Irish Confederate War of the seventeenth century Barryscourt Castle was once again successfully attacked.  Cannon balls lodged in the wall above the Castle entrance bear witness to this conflict. The last head of the Barry family was Lord David Barry.

Barryscourt Castle has been extensively restored. The Main Hall and Great Hall have been completed and fittings and furnishings reinstated. Within the Castle grounds, the herb and knot garden and the charming orchard have been restored to their original sixteenth century design.

After David Barry’s death in 1617 the family made Castlelyons their principal seat (now a ruin). The castle was restored by the OPW and the Barryscourt Trust between 1987-1993, with reproduction furniture made by Victor Chinnery. [4]

An article in the Irish Examiner by Padraig Hoare published 22nd May 2021 tells us that the site is closed and will be for some time:

A reopening date must be established for one of East Cork’s most historic landmarks after languishing in the midst of safety works for five years.

That is according to Cork East TD Séan Sherlock, who said Barryscourt Castle in Carrigtwohill has to be a priority for the Government body in charge of the facility, the Office of Public Works (OPW).

History enthusiasts and families alike were disappointed in the summer of 2020, when it emerged that Barryscourt Castle would remain closed for another 18 months.

The latest update from the OPW given in response to a parliamentary question from Mr Sherlock suggests it may be even longer than the date anticipated a year ago.

The Department of Public Expenditure said restrictions associated with the Covid-19 pandemic “has disrupted the good progress” of works being done to make the facility safe.

“It is not possible at this time to give a precise date for reopening to the public,” the department said.

3. Charles Fort, Summer Cove, Kinsale, County Cork:

The Soldiers Quarters, the Hospital ward, the Lighthouse (by Robert Reading) and Magazine of the 17th Century Charles Fort, Kinsale, Co. Cork, Munster, Ireland. Photograph from Ireland’s Content Pool, photograph by Cahir Davitt, 2016, for Failte Ireland. [5]

General Enquiries: 021 477 2263, charlesfort@opw.ie

https://heritageireland.ie/visit/places-to-visit/charles-fort-national-monument/

From the OPW website:

As one of the country’s largest military installations, Charles Fort has been part of some of the most momentous events of Irish history. During the Williamite Wars, for example, it withstood a 13-day siege before it fell. Later, in the Civil War of the early 1920s, anti-Treaty forces on the retreat burned it out.

Charles Fort is a massive star-shaped structure of the late seventeenth century, well preserved despite its history. William Robinson, architect of the Royal Hospital in Kilmainham, Dublin, is credited with designing it. Its dimensions are awe-inspiring – some of the outer defences are 16 metres high.

The view from the ramparts looking out over Kinsale Harbour is spectacular.

The Soldiers Quarters, and Magazine of the 17th Century Charles Fort, Kinsale, Co. Cork, Munster, Ireland. Photograph from Ireland’s Content Pool, photograph by Cahir Davitt, 2016, for Failte Ireland. [see 5]
The seaward Devils Bastion and lighthouse of the 17th Century Charles Fort, with Kinsale boatyard in the background, Kinsale, Co. Cork, Munster, Ireland; Photograph from Ireland’s Content Pool, photograph by Cahir Davitt, 2016, for Failte Ireland. [see 5]

4. Desmond Castle (also known as the French Prison), Kinsale, County Cork:

Desmond Castle Kinsale 1941, photograph from Dublin City Library archives. [see 1]

General Enquiries: 021 477 4855, desmondcastle@opw.ie

From the OPW website https://heritageireland.ie/visit/places-to-visit/desmond-castle-kinsale/:

Desmond Castle in Kinsale dates from around 1500. It is a classic urban tower house, consisting of a three-storey keep with storehouses to the rear.

Maurice Bacach Fitzgerald, the earl of Desmond, originally built the castle as the customs house for the town. [I think this must be the 9th Earl of Desmond – JWB] It served as a prison in the seventeenth and eighteenth centuries. Because it usually held French inmates, as well as Spaniards, Portuguese, Dutch and Americans, it became known locally as the French Prison and carries that name to this day. The building was co-opted as an ordnance store during the momentous Battle of Kinsale (1601) and served as a workhouse during the Great Famine.

Desmond Castle certainly had a colourful history and this continued into the twentieth century. In the early 1900s it was used as a venue to host local Gaelic League meetings. Finally, in the 1930s, a thriving undertaking business operated from within the National Monument.

The National Inventory of Architectural Heritage tells us:

Freestanding three-bay three-storey tower house, commenced c.1500, abutting earthen terrace to rear. Attached cell blocks and exercise yards to rear (north-west) and platform to side (north-east). Historically used as magazine (1600-1601), as prison for foreign prisoners (1601-1790) and as borough jail (1791-1846). Restored in 1938 currently in use as museum.

5. Doneraile Court, County Cork:

Doneraile Court, County Cork, August 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

See my entry https://irishhistorichouses.com/2024/04/19/doneraile-court-county-cork-an-office-of-public-works-property/

https://doneraileestate.ie/

Doneraile Court, County Cork, August 2020. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

6. Fota Arboretum and Gardens, Carrigtwohill, County Cork

Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

General enquiries: (021) 481 5543 https://fotahouse.com/

fota.arboretum@opw.ie

See my entry https://irishhistorichouses.com/2022/05/17/places-to-visit-and-stay-munster-county-cork/

From the OPW website: https://heritageireland.ie/visit/places-to-visit/fota-arboretum-and-gardens/

Fota House was designed by 19th century architects Richard and William Morrison. From the beautifully proportioned rooms with exquisite plasterwork, to the preserved service wing and kitchens, Fota House offers visitors an intimate look at how life was lived in the past, for the cooks, butlers, footmen and maids who supported the lavish lifestyle of the gentry. Our painting collection is considered to be one of the finest collections of landscape painting outside the National Gallery of Ireland and includes works by William Ashford PRHA, Robert Carver, Jonathan Fisher and Thomas Roberts.” [9]

Front porch of Fota House. Fluted baseless Green Doric columns support a weighty entablature in which wreaths alternate with the Barry crest in the metopes. Photograph © Jennifer Winder-Baggot, www.irishhistorichouses.com

The OPW website tells us:

The arboretum and gardens on Fota Island, just 16 kilometres from Cork city centre, are an essential destination for any one of a horticultural bent.

The arboretum extends over 11 hectares and contains one of the finest collections of rare, tender trees and shrubs grown outdoors in Europe. The unique conditions at Fota – its warm soil and sheltered location – enable many excellent examples of exotics from the southern hemisphere to flourish.

The gardens include such stunning features as the ornamental pond, formal pleasure gardens, orangery and sun temple. James Hugh Smith-Barry laid them out in the first half of the nineteenth century. Fota House, the Smith-Barrys’ ancestral home, still stands. The house, arboretum and gardens share the island with a hotel and golf resort and a wildlife park. [10]

7. Ilnacullin, Garanish Island, Glengarriff, Bantry, County Cork:

https://garinishisland.ie/plan-a-visit/

Italian garden, Garnish Island, Glengarriff, Beara, Co. Cork, Photograph by Chris Hill 2014, Ireland’s Content Pool. [see 5]

general enquiries: (027) 63040

garanishisland@opw.ie

Ilnacullin is an island in the coastal harbour at Glengariff in Bantry Bay. It has an almost sub-tropical climate with mild winters and high levels of rainfall and humidity. These conditions favour the growth of exotic plants. The gardens were set out in the Arts and Crafts style and contain Italianate pavilions and follies, framed against a backdrop of beautiful views.

From the OPW website https://heritageireland.ie/visit/places-to-visit/ilnacullin-garinish-island/:

Ilnacullin is an island garden of diminutive size and rare beauty. Nestled in the sheltered coastal harbour at Glengarriff in Bantry Bay, the gardens display a wealth of unique horticultural and architectural gems. Bryce House is a fitting memorial to the visionary creators of this unique place. 

The gardens of Ilnacullin owe their existence to the early twentieth-century creative partnership of John Annan and Violet Bryce, the island’s owners, and Harold Peto, an architect and garden designer. The area enjoys a mild and humid micro-climate that makes for spectacular and flourishing plant life all year round.

Small ferry boats and 60-seater waterbuses take visitors to Ilnacullin regularly. The short crossing usually includes an extra treat – a visit to the nearby seal colony and an opportunity to glimpse majestic sea eagles.

The Island was bequeathed to the Irish people by the Bryce’s son, Roland, in 1953 and is cared for by the OPW. Bryce House contains material from the Bryces’s lives, including John Annan Bryce’s collection of Burmese statues, Chinese ceramics, Japanese woodblock prints, metal works and rare exotic objects. There are also Old Master drawings by Salvator Rosa, Mauro Antonio Tesi and Giambattista Tiepolo. Over the years the Bryces hosted prominent cultural figures such as George (AE) Russell, George Bernard Shaw and Agatha Christie. [11] You can see a tour of the house and gardens on the website.

From “In Harmony with Nature, The Irish Country House Garden 1600-1900” in the Irish Georgian Society, July 2022, curated by Robert O’Byrne.
From “In Harmony with Nature, The Irish Country House Garden 1600-1900” in the Irish Georgian Society, July 2022, curated by Robert O’Byrne.

[1] https://repository.dri.ie/

[2] p. 12, Living Legacies: Ireland’s National Historic Properties in the care of the OPW, Government Publications, Dublin, 2018.

[3] p. 310, Keohane, Frank. The Buildings of Ireland. Cork City and County. Yale University Press: New Haven and London. 2020.

[4] p. 261, Keohane, Frank. Buildings of Ireland: Cork City and County, Yale University Press, New Haven and London, 2020.

[5] https://www.irelandscontentpool.com/en

[6] See also https://doneraileestate.ie

[7] p. 377. Keohane, Frank. Buildings of Ireland: Cork City and County, Yale University Press, New Haven and London, 2020.

Another work Keohane identifies as being by Benjamin Crawley is Castle Bernard, now a ruin in County Cork:

Castle Bernard, County Cork, photograph from National Inventory of Architectural Heritage.

[8] p. 105. Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

[9] fotahouse.com

[10] https://heritageireland.ie/visit/places-to-visit/fota-arboretum-and-gardens/

[11] https://garinishisland.ie/the-house-and-gardens/

Text © Jennifer Winder-Baggot, www.irishhistorichouses.com