Bessborough, Piltown, Co Kilkenny (Kidalton College) 

Bessborough, Piltown, Co Kilkenny (Kidalton College) 

Bessborough, County Kilkenny, now Kidalton College, courtesy National Inventory.

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London. 

“(Ponsonby, Bessborough, E/PB) A large house by Francis Bindon, consisting of a centre block of two storeys over basement joined to two storey wings by curved sweeps. Built 1744 for Brabazon Ponsonby, 1st Earl of Bessborough, replacing an earlier house; the “Bess” in whose honour the estate received its name – which was singled out by Swift in his scornful attack on the custom of naming houses and estates after peoples’ wives – having been the wife of a seventeenth century Ponsonby. Entrance front of nine bays; three bay pedimented breakfont with niche above pedimented Doric doorway; balustraded roof parapet with urns; rusticated basement; perron and double stairway with ironwork railings in front of entrance door. Ingeniously contrived Gibbsian doorways in the curved sweeps, their pediments being above the cornice; niches on either side of them. Six bay garden front with four bay breakfront; Venetian windows in upper storey above round-headed windows. Later wing at side. Hall with screen of Ionic columns of Kilkenny marble, their shafts being monolithic. Saloon with ceiling of rococo plasterwork and chimneypieces with female herms copied from William Kent. The entrance front, never a very inspired composition, was not improved by the removal of the perron and substitution of a porch at basement level early in the present century, so as to enable the hall to be used as a sitting room; the architect of this work being Sir Thomas M. Deane. The house was burnt 1923. It was afterwards rebuilt to the design of H.S. Goodhart-Rendel; but in the end the family never went back to live in it, and it stood empty until it was sold in 1944. It now belongs to a religious order, and has been added to and altered; the urns have been removed from the parapet and are now at Belline.” 

John Ponsonby (1713 – 1787) by Hugh Douglas Hamilton, courtesy of The Library Collection auction 26 April 2023 at Adams. He was Speaker of the Irish House of Commons. He was the son of Brabazon Ponsonby (1679-1758) 1st Earl of Bessborough, 2nd Viscount Duncannon, of the fort of Duncannon, Co. Wexford. He married Elizabeth, daughter of William Cavendish 3rd Duke of Devonshire.

For more on John Ponsonby (1713-1787), Speaker of the House, of Bessborough, see Melanie Hayes, The Best Address in Town: Henrietta Street, Dublin and its First Residents, 1720-80

Oil painting on canvas, William Ponsonby, 2nd Earl of Bessborough (1704-1793), attributed to Jeremiah Davison (Scotland c.1695 ? London after 1750) or George Knapton (London 1698 ? Kensington 1778), circa 1743/50. Oval, half-length portrait, turned slightly to the left, gazing at spectator, wearing oriental costume, composed of a red tunic, blue cloak edged with white fur and a red and white turban. Courtesy of National Trust Hardwick House. He married Caroline Cavendish, daughter of 3rd Duke of Devonshire.
William Ponsonby, 2nd Earl of Bessborough, (1705-1793), observing a copy of the Borghese Vase Date 1794 by Engraver Robert Dunkarton, English, 1744-1811 After John Singleton Copley, American, 1738-1815.
Frederick Ponsonby, Viscount Duncannon, (1758-1844), later 3rd Earl of Bessborough Date 1786, Engraver Joseph Grozer, British, fl.1784-1797 After Joshua Reynolds, English, 1723-1792.
The Hon. Richard Ponsonby (1772-1853), Bishop of Derry and Raphoe, British (English) School, circa 1830. A half-length portrait of a man, known as “handsome Dick Ponsonby”, turned go the right, gazing at the spectator, wearing surplice and white bands. He was a son of William Brabazon Ponsonby, 1st Baron Ponsonby of Imokilly (1744-1806) who was a son of John Ponsonby (1713 – 1787). Courtesy of National Trust images
Lady Caroline Lamb née Ponsonby (1785-1828) by Eliza H. Trotter, NPG 3312. She was a daughter of the 3rd Earl, and she married William Lamb, 2nd Viscount Melbourne.
John William Brabazon Ponsonby (1781-1847) 4th Earl of Bessborough, County Kilkenny.
Bessborough, County Kilkenny, now Kidalton College, courtesy National Inventory.

https://www.buildingsofireland.ie/buildings-search/building/12325001/bessborough-house-kildalton-college-kildalton-piltown-co-kilkenny

Bessborough, County Kilkenny, now Kidalton College, courtesy National Inventory.

Attached nine-bay two-storey over raised basement Classical-style country house with dormer attic, built 1744-55, originally detached on a symmetrical plan with three-bay full-height pedimented breakfront, four-bay three-storey side elevations having two-bay full-height breakfronts, and six-bay three-storey Garden (south) Front having four-bay three-storey breakfront. Renovated, pre-1899, with three-bay single-storey flat-roofed projecting porch added to centre ground floor. Burnt, 1923. Reconstructed, 1929, to accommodate use as convent. Converted to use as agricultural college, post-1944. Hipped slate roofs on a quadrangular plan behind parapet with clay and rolled lead ridge tiles, cut-limestone chimney stacks (some on axis with ridge), lead-lined shallow barrel roofs to dormer attic windows, and cast-iron rainwater goods. Flat roof to porch not visible behind parapet. Limestone ashlar walls with rustication to ground floor (including to porch having piers supporting frieze, cornice, and balustraded parapet with urns on pedestals), stringcourse over, stringcourse to second floor, round-headed recessed niche to centre top floor breakfront with cut-limestone surround framing statuary, carved (moulded) surround to pediment, and carved (moulded) cornice supporting balustraded parapet. Square-headed window openings with cut-limestone sills, rusticated voussoirs to ground floor, carved surrounds to upper floors, and six-over-six timber sash windows. Square-headed opening (original door opening) to centre first floor breakfront with limestone ashlar pedimented Doric surround, and glazed timber double doors. Bulls-eye window opening to pediment with carved surround, and fixed-pane timber fitting. Some round-headed window openings to breakfront to Garden (south) Front (forming Venetian openings to top floor) with cut-limestone sills, channelled voussoirs to ground floor, carved surrounds to Venetian openings, six-over-six and three-over-six (top floor) timber sash windows having one-over-two sidelights to Venetian openings. Camber-headed window openings to dormer attic with timber casement windows. Round-headed openings to porch (in round-headed recesses to outer bays) with cut-limestone voussoirs having double keystones, timber panelled double doors having overlight, and six-over-nine timber sash sidelights. Interior with timber panelled shutters to window openings. Set back from road in own grounds with tarmacadam forecourt, and landscaped grounds to Garden (south) Front incorporating terraces having flights of cut-stone steps with balustraded parapets supporting urns. (ii) Pair of attached single-bay (seven-bay deep) two-storey Classical-style blocks, pre-1944, perpendicular to east and to west with single-bay full-height pedimented breakfronts, and three-bay two-storey lower linking wings on L-shaped plans. Hipped slate roofs behind parapets with clay ridge tiles, rendered squat chimney stacks, copper-clad vents to ridge, and concealed cast-iron rainwater goods. Roofs to linking wings not visible behind parapets. Rock-faced limestone ashlar walls with cut-limestone stringcourse to first floor supporting limestone ashlar Doric frontispiece (incorporating breakfront) having engaged columns, flanking outer pilasters, frieze, moulded cornice, moulded surround to pediment, and balustraded parapet. Square-headed window openings to ground floor with round-headed window openings to first floor having cut-limestone sills, limestone ashlar block-and-start surrounds to first floor, and six-over-six timber sash windows having fanlights to first floor (fixed-pane fittings to Doric frontispiece on panel having foliate swag motif). Square-headed window openings to linking wings (some round-headed window openings) with cut-limestone sills, limestone ashlar block-and-start surrounds, and six-over-six timber sash windows having fanlights to round-headed openings. 

Appraisal 

A very fine substantial house built to designs prepared by Francis Bindon (c.1698-1765) for Brabazon Ponsonby (1679-1768), first Earl of Bessborough, and subsequently reconstructed in the early twentieth century to designs prepared by Harold (Harry) Stuart Goodhart-Rendel (1887-1959) following an extensive fire retaining a porch added in the late nineteenth century by Sir Thomas Newenham Deane (1827-99). Various cut-limestone details displaying expert stone masonry contribute significantly to the Classical elegance of the composition. Of particular importance for the relationship with Ponsonby family the house is of additional significance for the associations with ‘The Troubles’ (1922-3). Subsequently adapted to an alternative use a small number of additional ranges have been planned in a manner complementing the appearance of the original portion: however, further extensive development over the course of the mid to late twentieth century has included a number of accretions that have compromised some of the setting quality of the site. Nevertheless, the house remains an impressive feature in the landscape forming an important element of the architectural heritage of Piltown and the environs. 

Bessborough, County Kilkenny, now Kidalton College, courtesy National Inventory.
Bessborough, County Kilkenny, now Kidalton College, courtesy National Inventory.
Bessborough, County Kilkenny, now Kidalton College, courtesy National Inventory.
Bessborough, County Kilkenny, now Kidalton College, courtesy National Inventory.
Bessborough, County Kilkenny, now Kidalton College, courtesy National Inventory.
Bessborough, County Kilkenny, now Kidalton College, courtesy National Inventory.

Gateway, c.1750, comprising pair of sandstone ashlar piers on cruciform plans with raised bands having stringcourses supporting friezes, carved cut-sandstone cornice capping supporting acorn finials, wrought iron open work panels supporting decorative wrought iron double gates, wrought iron open work panels framing decorative wrought iron flanking pedestrian gates, limestone ashlar outer piers with cut-limestone capping supporting urn finials, limestone ashlar screen wall with cut-limestone coping, limestone ashlar piers with cut-limestone capping supporting urn finials, sections of wrought iron railings, and limestone ashlar terminating piers with cut-limestone capping supporting ball finials. Road fronted at entrance to grounds of Bessborough House (Kildalton College). 

Appraisal 

Constructed in locally-sourced Country Kilkenny limestone and sandstone an elegantly-composed formal gateway known as “The Grand Gates” exhibits particularly fine craftsmanship with robust Classically-derived dressings identifying the architectural design value of the composition. Decorative iron work fashioned at the R. and B. Graham Foundry further enlivens the aesthetic appeal of a commanding gateway forming an imposing landmark at the entrance to the grounds of the Bessborough House (Kildalton College) (12325001/KK-39-25-01) estate. 

Bessborough, County Kilkenny, now Kidalton College, courtesy National Inventory.

Gateway, c.1750, comprising pair of rusticated limestone ashlar piers with cut-limestone capping supporting blocking course having ball finials over, decorative iron double gates, and random rubble stone flanking boundary wall to perimeter of site. Road fronted at entrance to grounds of Bessborough House (Kildalton College). 

Appraisal 

An appealing gateway forming a secondary entrance on to the grounds of the Bessborough House (Kildalton College) estate allowing a direct route to the centre of Piltown. The construction of the piers including heavy rustication in the Classical manner exhibits high quality stone masonry while decorative wrought iron gates further enhance the artistic design value of the composition. 

The Landed Gentry & Aristocracy: Kilkenny. Volume 1. Art Kavanagh, 2004. 

Ponsonby (Earls of Bessborough). 

https://archiseek.com/2013/1744-bessborough-house-fiddown-co-kilkenny

1744 – Bessborough House, Fiddown, Co. Kilkenny 

Bessborough, County Kilkenny, now Kidalton College, courtesy Archiseek.
Bessborough, County Kilkenny, now Kidalton College, courtesy Archiseek.

Large Palladian house with wings, designed by Francis Bindon around 1744 on the site of an earlier house. Later addition of a porch by Sir Thomas Manly Deane, who also moved the principal entrance to the ground floor, and converted the original hall into a sitting room. The cigarette card illustration shows the entrance front prior to this. In 1923 the house was burnt and severely damaged. A thorough and complete reconstruction followed and was completed by 1929. Now known as Kildalton College, an agricultural college run by Teagesc. 

featured in Georgian Mansions in Ireland with some account of the evolution of Georgian Architecture and Decoration by Thomas U. Sadleir and Page L. Dickinson. Dublin University Press, 1915. 

Bessborough, County Kilkenny, in Georgian Mansions in Ireland with some account of the evolution of Georgian Architecture and Decoration by Thomas U. Sadleir and Page L. Dickinson.

“This large mansion, the seat of the Earl of Bessborough, is situated in the south of County Kilkenny, not far from the village of Pilltown, and lies in a well-planted desmesne of over 500 acres. It is built of hewn blue limestone, and rectangular in shape, as may be seen in Plate IX, being 100 feet in length, and in depth 80 feet. 

But this picture, we hasten to point out, does not represent the front exactly as it is now, for some years since the flight of stone steps which appears therein was removed, the principal entrance being changed to the ground-floor, and the original hall turned into a sitting-room. These alterations were carried out by Sir Thomas M. Deane, who also added a porch of the same stone that the house is built with. Thus the convenience of the house has been increased to the detriment of its Georgian appearance. 

Bessborough, County Kilkenny, in Georgian Mansions in Ireland with some account of the evolution of Georgian Architecture and Decoration by Thomas U. Sadleir and Page L. Dickinson.

This sitting-room, a large apartment hung with pictures, was originally decorated with plaster panels, but these, from being painted over, have lost their character as ornament. Two Ionic columns, monoliths, 10 feet 6 inches high, of black Kilkenny marble, polished, support an entablature. The drawing-room, opening off the original hall, but with a south aspect, is a handsome apartment, remarkable for its elaborate white marble mantel, which we illustrate at plate X. Its peculiarity, which was referred to in Vol. V of the Georgian Society at p. 60, is that the figures at either side are portraits. They represent two members of the Ponsonby family: Lady Catherine, wife of the fifth Duke of St. Albans, and Lady Charlotte, wife of the fourth Earl Fitzwilliam, both daughters of the second Earl. The rococo ceiling is worthy of note, and there is a deep frieze with medallions. This room contains a number of interesting pictures… It only remains to mention the well-proportioned dining-room, also on the first floor, and a small sitting-room, with a corner fireplace and handsome mantel. …[p. 22] Unlike most Georgian mansions, the stairs are not an important feature, and serve no purpose save of utility. One of teh bedrooms contains a fine oak Jacobean bedstead. 

p. 22. The history of this estate can be traced from an early period. It was called Kilmodalla, that is the Church of Saint Modailbh, and in the thirteenth century became the property of the Anglo-Norman family of D’Aton, of Dauton, from whom it received the name of Kildaton, sometimes incorrectly written Kildalton. 

Edmund Daton, of Kildaton, was attainted for participation in the rebellion of 1641, and in the time of the Commonwealth his estate was granted to Col. John Ponsonby, whose title to this and other lands, in all 19,979 statute acres, situated in the Counties of Carlow, Kerry, Donegal, Limerick, Waterford and Kilkenny, was confirmed by the Act of Settlement. Ponsonby was a Cumberland gentleman, who had raised a regiment of horse for service in Ireland, and had acted as Governor of Dundalk. [Kavanagh, the Aristocracy of Kilkenny, p. 169, tells us John Ponsonby was from Hale Hall in Cumberland.] On the fall of Richard Cromwell he declared in favour of a monarchy, and was in consequence high in favour at the Restoration, being included in the Act of Indemnity, and on 19th February 1660-1661, dubbed a knight by the Lords Justices. It is singular that Sir John, who was a man of property in England, and in fact the head of his house, should have elected to settle in Ireland. He was at the time a widower with a family, one of whom inherited Hale Hall, his estate in Cumberland, and is said to have come over at the solicitation of his brother Henry, who had obtained a grant of Crotto and other lands in Kerry. 

[Kavanagh writes that when the war of Cromwell was concluded, he was appointed a Commissioner for the taking of depositions concerning atrocities committed against Protestants during the 1641-9 rebellion, and was made Sheriff of Wicklow and Kildare. Her was knighted by Cromwell and granted teh forfeited estate of Edmond Dalton of Kidalton and lands that formerly belonged to the Walshes particularly in the Fiddown area. …The Datons or Daltons as they were later called came to Ireland with the first Normans in 1171. They settled in Westmeath but later purchased a large estate in South Kilkenny, where they were living when the Cromwellians arrived. After their lands were confiscated some of the daltons may have moved to Connaught, but a number remained behind as tenants to the new landowners. Tjere was a number of Daltons in the Inistioge area in the 18th century farming large holdings.] 

It was he who gave the name Bessborough, or Bessie’s Borough, in honour of his second wife, Elizabeth, widow, first, of Sir Richard Wingfield of Powerscourt, Co Wicklow, secondly, of Edward Trevor, and daughter of Henry, first Lord Folliott, probably on building a house to replace the castle of the Datons. In after years this circumstance came to the knowledge of Dean Swift, who makes use of it in his essay “On Barbarous Denominations in Ireland,” in which he vents his raillery on the landed proprietors. “The utmost extent,” he says, “of their genious lies in naming their country habitation by a hill, a mount, a brook, a burrow, a castle, a bawn, a ford, and the like ingenious conceits. Yet those are exceeded by others, whereof some have contrived anagrammatical appellations, from half their own and their wives’ names joined together: other, only from the lady; as, for instance, a person whose wife’s name was Elizabeth, calls his seat by the name Bess-borough.” Sir John was in residence in 1664, when he paid tax for five hearths. He acted in a most considerate and praiseworthy manner by the dispossessed owner, Edmund Daton, for he not only gave him shelter in his house, but maintained him there as his guest till his death. 

By purchasing land, and investing largely in soldiers’ debentures, Ponsonby acquired a considerable fortune. He died in 1668, and was succeeded at Bessborough by his son Henry [the eldest son of his second marriage], who, on Nov 5th 1679, received the honour of knighthood. He doubtless fled to England to escape persecution during the vice-royalty of Tyrconnell, for he was resident there in 1689 when attainted by the Irish Parliament of King James II. On Sir Henry’s death, without issue, a few years later, the estates devolved on his next brother, Col. William Ponsonby, who accordingly made this his residence. He had been a Cornet of Horse in the Royal Army, from which he was removed for being a Protestant in 1686; and subsequently distinguished himself in command of Independent Companies in the memorable defence of Derry. He was prominent in affairs, represented County Kilkenny in five successive parliaments (1692-1721), and in 1715 as sworn of the Privy Council. In 1721 he was raised to the peerage as Baron Bessborough, of Bessborough, and in the following year advanced to the dignity of Viscount Duncannon, of Duncannot Fort, in the County of Wexford. He married Mary, daughter of the Hon. Randal Moore, fourth son of Charles, second Viscount Drogheda (by Lady Jane Brabazon, daughter of Edward, second Earl of Meath), and had issue three sons and six daughters. 

[Kavanagh, p. 171. A son, Henry, married Frances, daughter of Chambre Brabazon 5th Earl of Meath, “by whom he had a son, Chambre Brabazon. Chambre was married three times and by his second wife he had Sarah Ponsonby, one of the Ladies of Llangollen. Fn. Sarah ran away with her friend Eleanor Butler the daughter of the Ormonde heir. Sarah was the object of unwanted affection from her godmother’s husband, Sir William Fownes. Eleanor, a Protestant, was being persecuted by her Catholic stepmother. Sir William Barker of Kilcooley gave Sarah £580 which helped to keep them for a number of years. When Eleanor’s father succeeded as teh Earl of Ormonde he was persuaded by William Barker to make provision for Eleanor which he did. The two girls never married and stayed together at Llangollen in Wales until their deaths. They became a very celebrated couple and received visites from very distinguished peopel including Lord Byron, the Duke of Wellington, Sir Walter Scott, De Quincy, Wordsworth, Southey and many others.”] 

Lord Duncannon died at Bessborough on 17 Nov 1724, and was buried three days later, “with Escocheons,” [Funeral entry in Office of Arms, Dublin Castle], in the family burying-place in Fiddown Church. 

Brabazon, second Viscount Duncannon, who succeeded to the title and estate on his father’s death, had been an officer in the 27th, or Inniskilling Regiment, in which he was Captain of the Granadier Company. By his marriage with Sarah, daughter of John Margetson of Bishopscourt, County Kildare, and widow of Hugh Colville, of Newtown, County Down, he acquired a considerable fortune, including landed property in County Kildare and in Leicestershire, as well as the pocket borough of Newtown Ards, for which he sat in the Irish Parliament from 1704-1714.  

[Kavanagh book, p. 171: “The following story is told of the marriage of Sir William’s eldest son, Brabazon Ponsonby, future MP and Earl of Bessborough, which took place around 1703. Brabazon soon found himself in pecuniary difficulties from which he attempted to extricate himself by proposing to marry a rich widow then living in Dubln, a Mrs Colville, granddaughter of Archbishop Margetson. Mrs Colvill woudl have none of him and refused to listen to his importunities. Brabazon, however, resolved on a plan for making her his wife. She was awakened one morning by a bank playing epithalamic airs outside her lodgings (the custom being to serenade newly married couples), and flying to the window, opened it, and beheld a great crowd cheering; at the same moment, the next window was thrown open [p.172], and Captain Brabazon Ponsonby appeared in a night dress, smiling and thanking the people for their congratulations. He had hired a neighbouring apartment and the band, and by this ruse proclaimed that he was married to Mrs Colvill. In vain she denied the assertion; public opinion, resting on such convincing proofs, was too strong for her, and she finally gave way and bestowed her hand and her fortune on th gallant officer, who left the Army.” His second wife Elizabeth Sankey was twice widowed and also an heiress] 

From 1715 until he succeeded to the peerage he was one of the members for the County of Kildare. In 1726 he was called to the Privy Council, being subsequently appointed a Commissioner of Revenue. In Nov 1733, six months after his first wife’s death, he married Elizabeth, eldest daughter of John Sankey, and widow, first of Sir John King, and secondly of John, Lord Tullamore. During the Lord Lieutenancy of the third Duke of Devonshire, and a few months after his eldest son had married the Duke’s eldest daughter, he was, by patent dated 6th October 1739, created Earl of Bessborough in the peerage of Ireland. Ten years later he received an English peerage as Baron Ponsonby, of Sysonby, in County of Leicester, taking his title from the estate in England which his first wife had inherited from her father. 

p. 25. Til 1743 he sees to have lived principally at Bishopscourt, where in the autumn of that year he had the honour of entertaining the Lord Lieutenant, who had lately become connected with the family by another tie, his daughter, Lady Elizabeth Cavendish, having married John Ponsonby, the Earl’s second son [afterwards the Right Hon. John Ponsonby, Speaker of the Irish House of Commons, and long leader of the patriotic party, who died in 1787. He was father of the first Lord Ponsonby, and of the Rt. Hon. George Ponsonby, Lord Chancellor of Ireland]. In 1744 he pulled down the “large old house” at Bessborough, and erected the present mansion from designs by Francis Bindon. As soon as it was completed, he took up his residence, making over Bishopscourt to his younger son John, who eventually inherited that estate. [This property remained in the possession of the family till sold to the 3rd Earl of Clonmel in 1838.] We have unfortunately no detailed account of the house during the lifetime of the 1st Earl. The Primate, who stayed there in January 1753, contents himself with telling Lord George Sackville that “everything was perfectly right and extremely agreeable.” 

[Kavanagh, p. 173: Brabazon’s second son, John Ponsonby, was perhaps the most talented and outstanding man of hte family. Born in 1713 he entered Parliament in 1739. Five years later he replaced his father as Commissioner for the Revenue. In the year just prior to that prestigious appointment he married Lady Elizabeth Cavendish, daughter of 3rd Duke of Devonshire [who was Lord Lieutenant]. In order to reinforce his position as a most reliable government supporter, John raised four companies of horse for service against the the Scots rebels in 1745. In 1746 he was appointed a Privy Counsellor which carried with it the title of Rt. Honourable. Ten years later he reached the pinnacle of his power when he was appointed as Speaker of the House of Commons (in Ireland). IN addition to this he became an “undertaker” for the government. This meant that he undertook to manage the business of the government in the Irish Parliament in the absence of the Lord Lieutenant. In return he was given power to appoint people to high offices, acted as Lord Justice, was consulted about policies and given the necessary means to enable him to bring in a majority for hte government when bills needed to be passed. He retained this positino until 1770. After this time the practice was discontinued as Lords Lieutenants were obliged to remain in Ireland as residents.” 

p. 174. “John and his wife Lady Elizabeth had five sons and four daughters…His sons were William, John, George, Richard and Frederick. William and George were MPs and were very prominent in their support of the Catholic emancipatino movement, supporting the Catholic Relief Acts according as they were presented in Parliament. George was the more prominent of the two and led the Whig party in the English Parliament after th Union. William tried for the position of Speaker in 1790 but was defeated by John Foster. George was Chancellor of Ireland in 1806. …George had an illegitimate son, George Conolly Ponsonby, who distinguished himself in the Army. He fought in India and Afghanistan. He attained the rank of Major General. He settled his family in Germany and died there in 1866.] 

Lord Bessborough, who held the offices of Mariscal of the Admiralty in Ireland, and Vice-Admiral of Munster, was twice one of the Lords Justices. He died here at 3pm on Tuesday, the 4th July, 1758, after a brief illness, caused by swallowing cherry-stones, aged 79. 

William, second Earl of Bessborough, who now succeeded his father, lived almost entirely in England. [In October 1773, he associated himself with the Duke of Devonshire, the Marquess of Rockingham, the Earl of Upper Ossory, and Lord Milton, in protesting against the Irish Absentee Tax. Their objection was based on the possession of estates in both countries, and that they should not be penalized for spending the greater part of their time residing in the capital of the UK for the purpose of attending to their duties as peers.] A highly cultivated man, an enthusiastic collector, and a patron of the fine arts, he was long prominent both in society and in politics. He had travelled extensively, and had not only made the usual European tour then essential to the man of fashion, but had even penetrated to Greece, which he visited in 1738, taking with him J.E.Liotard, the eminent French painter. [p. 26] In the following year, soon after his return home, he married, during the vice-royalty of her father, Lady Caroline Cavendish, daughter of William, third Duke of Devonshire. On 8th June 1741, he writes from Chatsworth to inform the Lords Justices of his appointment as Principal Secretary to the Lord Lieutenant; in the following November he was sworn as Privy Councillor in Ireland. Prior to his father’s death, Lord Duncannon, as he was then, sat in the Irish House, representing Newtown Ards from 1725-1727, and County Kilkenny 1727-1758. He also sat in the English Parliament, representing Derby, a pocket borough of the Cavendish family, 1741-54; Saltash, 1754-56, and Harwich, 1756-58. In politics a Whig, he more than once held office, first for ten years, as a Lord of the Admiralty; then a Lord of the Treasury, 1756-59; and twice Joint Postmaster-General. 

[Kavanagh p. 176: “The 3rd Earl probably lived most of his life abroad or in Dublinbut he maintained the house at Bessborough. He bought a fine mansion, called Belline that he been built by Peter Walsh in Pilltown in the late 18C, for his agent. Prior to the agent taking up residence it was made available by the Earl of William Lamb, the son of Lord Melbourne, the husband of the Earl’s only daughter, Caroline. He brought her there at the urgings of her frantic family. 

Caroline, who was born in 1788 and married to a besotted William Lamb in 1806. Caroline and William had only one son who survived childhood and he was not mentally capable. The marriage became unstable and  9p. 177) Caroline embarked on a very public affair with Lord Byron, much to the embarressment of her family and the annoyance of her husband. Affairs were very much in vogue but had to be discreet. Byron was just 24 at the time, three years her junior and on the verge of becoming the darling of society having just published Childe Harolde’s Pilgrimage. He was feted everywhere. They began a much recognised and indiscreet affair that lasted a tempestuous four months. Byron ended the affair much to Caroline’s displeasure. 

She then spent the next four years pursuing him. Byron avoided her, seeking refuge ifor some time with his new mistress, Lady Oxford, and eventually marrying a cousin of Caroline’s husband, Annabella Milbanke. As the enforced exile in Belline had no positive effect on Caroline her family frankly told Lamb to divorce her, but this he refused to do. The marriage continued until 1825. During the intervening period Caroline turned to novel writing and the characters of her first novel called Glenarvon were easily recognisable as leading society figures of the period, including Byron. She wrote two further novels, Graham Hamilton, publ, 1822, and Ada Reiss, pub. 1823. She died in 1828.] 

Lady Bessborough, who was a god-daughter of George II, died in 1760 of the same disorder , as Horace Walpole tells us, which had some years previously carried off four of her children. The Earl was a great favourite at Court, particularly with Princess Amedlia, the most attractive of the daughters of George II, and many of his letters relating to her will are preserved in the British Museum. He was so pleased at her condescension in coming to dine with him one night that he greeted her warmly with both hands, on which she exclaimed, “My Lord, you are very good, but I wish you would not paw me so!” When he was finally left alone, on the marriage of his younger daughter, the Princess was anxious that he should not remain a widower, and suggested that Lady Anne Howard would make a suitable bridge. But the Earl, so far from countenancing the idea, took upon himself to propose to the Princess, at which she “laughed to such a degree than she could hardly stand.” [from the Journal of Mary Coke. This does not appear to have caused a quarrel between them, for she appointed him one of her executors, and left him a legacy of £1000 stock]. 

He also admired Lady Mary Coke, the diariest, who describes him as “very entertaining.” … 

p. 27. As one of the first collectors in this country of gems, marbles, and works of art, he ws well qualified to become an original member of the Dilettanti, he was also member of the Accademia di Disegno at Florence, and in 1768 was elected a Trustee of the British Museum. … 

Although an absentee, Lord Bessborough did not neglect his Irish seat, and his artistic taste doubtless suggested the beautiful carved mantel in the drawing-room, with its representations of his two daughters…A visitor said “it felt as warm and comfortable as if the family had left it the day before, and it has not been inhabited these forty years.” 

…He died on May 1793, at the age of 88, being then “Father of the Dilettanti.” [A portrait of the Earl, in Turkish dress, by Knapton, is in the possession of the Society of the Dilettanti.] p. 28. A monument to him and his wife, with busts by Nollenkens, is in All Saints’ Church, Derby, where they were buried in the mausoleum of the Cavendish family. 

p. 28. Frederick, third Earl of Bessborough, his father’s only surviving son, also usually resided in England. He was educated in Christ Church College, Oxford, and entered Parliament in 1780 as M.P. for Knaresborough, which he represented until he succeeded to the peerage, beign twice appointed a Lord of the Admiralty. He tok a decided part in opposing the Union. He was a man of the most amiable and mild manners, who, without affecting the character of an orator, was an able and much-appreciated speaker. As a landlord, he showed the utmost consideration to his tenants and, inheriting the cultured tastes of his father, he was an amateur artist. Lord Bessborough married on 27 Nov 1780, Henrietta Frances, second daughter of John, first Earl Spencer, by whom he had issue, with a daughter and three sons [the daughter was the well-known Lady Caroline Lamb, wife of William, second Viscount Melbourne, and a remarkable woman. She was a devoted admirer of Byron, who is said to be the hero in her novel, Genarvon.] During his declining year he lived chiefly with his youngest son at Canford House, Dorset [the Hon. William Francis Spencer Ponsonby, who was raised to the peerage in 1838 as Baron de Mauley]. He died there on 3rd Feb 1844 aged 86. 

His eldest son and successor, John William, fourth Earl of Bessborough, was the distinguished Whig statesman who died at Dublin Castle, while Lord Lieutenant of Ireland, on 22 May 1847.  

[Kavanagh, p. 178. 4th Earl was reputed to have been an excellent (and resident) landlord. Liek his illustrious forebears he was closely allied to the Whig party and was liberal minded. It was he who first introduced Daniel O’Connell to the House of Commons in 1829 after he had been elected, as the first Catholic, thus gaining Emancipation.  

His was a poisoned chalice. He occupied the post of Lord Lieutenant during the Famine. This dreadful disaster was compounded by political unrest which manifested itself in the Young Ireland movement. Ever since 1829, O’Connell had been seeking Repeal of the Union, using all the peaceful means at his disposal, especially mass meetings. But younger more radical men became more violent in their language and some of their number advocated a peasant led social revolution. These wre the Young Irelanders.  [fn. Some of the persons involved were Smith O’Brien, a member of the gentry from County Limerick and an MP for Ennis, Charles Gavan Duffy, a Monaghan born Catholic journalist and publisher of The Nation, Thomas Davis, the Cork born son of an English Army surgeon, and John Blake Dillon a Mayo born Catholic barrister. 

The Lord Leiut. Threw himself wholeheartedly and vigorously into the efforts devised by the government to combat the effects of the famine. ] 

His fifth son, the Rev. Walter William Ponsonby, who succeeded when the peerage had been held successively by his two elder brothers, was father of Edward, 8th Earl of Bessborough, the present proprietor of the estates.” 

The above engraving of Bessborough, County Kilkenny is taken from John Preston Neale’s Views of the Seats of Noblemen and Gentlemen in England, Wales, Scotland, and Irelandpublished in six volumes between 1818-1824. It shows the house as originally designed by Francis Bindon around 1744 and without any of its later alterations and additions. As was mentioned last week, the Ponsonby family spent relatively little time on their Irish estate. When William Tighe published his Statistical survey of the County of Kilkenny in 1802 he observed ‘The principal absentee proprietor is the Earl of Bessborough, who possesses 17,000 acres in the county, about 2,000 of which are let forever…Though not inhabited for forty years, the house is kept in excellent order.’ 
It would appear that the second Earl of Bessborough, who while on his Grand Tour had travelled as far as Greece and Turkey in the company of the Swiss artist Jean-Etienne Liotard (who painted him in Turkish costume) preferred to live in England where he enjoyed a successful political career. At Roehampton outside London he commissioned a new house from Sir William Chambers which was then filled with an exceptional collection of classical statuary. Only after his father’s death in 1893 did the third earl visit Bessborough for the first time but he too was an infrequent visitor. When staying in the house with the latter’s heir in 1828 Thomas Creevey wrote that following the first earl’s death two years after building’s completion in 1755, ‘His son left Ireland when 18 years old and having never seen it more, died in 1792. Upon that event his Son, the present Lord Bessborough, made his first visit to the place, and he is not certain whether it was two or three days he staid here, but it was one or the other. In 1808, he and Lady Bessborough came on a tour to the Lakes of Killarney and having taken their own house in their way either going or coming, they were so pleased with it as to stay here a week, and once more in 1812, having come over to see the young Duke of Devonshire at Lismore, when his Father died, they were here a month. So that from 1757 to 1825, 68 years, the family was (here) 5 weeks and two days.’ 

In 1826 the fourth earl, when still going by the courtesy title of Lord Duncannon, came over to Ireland with his wife and eleven children and, astonishingly, remained here until his death twenty-one years later: during the year before this occurred he served as Lord Lieutenant, the first resident Irish landlord to hold that office for a generation. Creevey’s letters to his step-daughter Elizabeth Ord tell us a great deal about life in Bessborough at the time. Of Lady Duncannon he wrote, ‘Her life here is devoted to looking after everybody, and in making them clean and comfortable in their persons, cloaths, cottages and everything…I wish you could have seen us walking up Piltown [the local village] last Saturday. Good old Irish usage…is to place the dirt and filth of the house at the entrance instead of behind it, and this was reformed at every house but one as we walked thro’ and Duncannon having called the old woman out told her he would not have the filth remain in that place…to which she was pleased to reply, “Well, my dear, if you do but walk by next Tuesday not a bit of the dirt shall you see remaining”.’ 
One suspects that the Duncannons were what might be described as benign despots, ruling over their tenants with an iron fist in a velvet glove. Creevey reported ‘My Lady’s mode of travelling is on a little pony, she sitting sideways in a chair saddle; one of the little girls was on another pony. My Lord and I sauntered on foot by her side. She got off and went into different cottages as we went. She gives prizes for the cleanest cottages…She put her Cottagers in mind of it, but there is a simplicity and interest and kindness in every communication of hers with the people here, on their part a natural unreserved confidential kind of return…’ 
No doubt worn out by her efforts to improve the lives of those around her, Lady Duncannon died in 1834 at the age of 46. Three of her seven sons became successively Earls of Bessborough, the sixth earl chairing the 1880 commission which investigated the problems of landlord and tenant in Ireland. His younger brother, the seventh earl, had previously been a Church of England clergyman. 

Although Bessborough was occupied more than had previously been the case, it was never a permanent home for the Ponsonbys who continued to spend much of their time in England. In Twilight of the Ascendancy (1993) Mark Bence-Jones reports that the family was in residence for eight weeks each summer and another four at Christmas, but while there they entertained extensively and on one occasion had Queen Victoria’s son the Duke of Connaught and his wife to stay. Bence-Jones notes that the royal party was treated to a concert during which another of the houseguests sang Percy French’s ballad ‘The Mountains of Mourne’; she was supposed to do so in her bare feet but instead wore bedroom slippers. During this period Bessborough was also notable for its amateur dramatic performances, a popular pastime in the Edwardian era; the future ninth Earl of Bessborough was a keen actor and even brought over a professional director from London. 
Nevertheless, like his forbears he was inclined to spend the greater part of his time on the other side of the Irish Sea. Prior to his father’s death in 1920 he had qualified as a barrister and served as an MP as well as becoming a successful businessman (and in the early 1930s he would be appointed Governor General of Canada). When the War of Independence broke out in this country he organised to have much of the contents of Bessborough removed from the house and brought to England. It was a wise decision since in February 1923 during the Civil War Bessborough was gutted by fire, along with another house in the same county, Desart Court. The damage to Bessborough was estimated at £30,000. 

The year after Bessborough was burnt, the ninth earl bought Stansted Park in West Sussex and commissioned Harry Stuart Goodhart-Rendel, an old friend from their days together at Cambridge, to carry out alterations to the house. Goodhart-Rendel was a gentleman architect who had inherited Hatchlands in Surrey, which he gave to the National Trust in 1945. Writing of him in October 1942, James Lees-Milne noted, ‘He told me the order of his chief interests in life is 1. the Roman Catholic Church, 2. the Brigade of Guards and 2. Architecture.’ It was thanks to Lees-Milne that Hatchlands came to be given to the NT and today the house is occupied by that wondrous Irish polymath Alec Cobbe in whose own family property Newbridge, County Dublin (now under the authority of the local council) hangs a portrait of his own ancestor Archbishop Charles Cobbe; this was painted by another gentleman-architect Francis Bindon, in turn responsible for the original design of Bessborough. 
Completing this circle, after he had carried out the job at Stansted Park, Goodhart-Rendel was invited by the ninth earl to oversee the rebuilding of Bessborough, which he duly did from 1925 onwards. In an article on Stansted Park written for Country Life in February 1982, Clive Aslet quotes Goodhart-Rendel’s comment that Lord Bessborough, when it came to reconstructing his family house, ‘relied on my memory for the character of what new internal detail we were able to put in.’ In fact, it does not appear that the house benefitted from much internal detail since the rooms are noticeably plain, the only striking space being the double-height entrance hall with a large staircase that runs up to a screened corridor and has a first-floor gallery on the opposite wall (see the three photographs immediately above). One also has the impression that the central block alone was rebuilt and not the quadrants or wings. 
The reason for this want of detail is most likely that the Ponsonbys never again lived at Bessborough and by the end of the 1930s they had entirely disposed of their County Kilkenny estate. Soon afterwards it was bought by a religious order, the Oblate Fathers who established a seminary there, adding large and aggressively workaday wings to either side of the house; understandably the architect of these extensions is unknown. In 1971 the estate was bought by the Irish Department of Agriculture and today Bessborough, now called Kildalton, serves as an agricultural college at the centre of a large working farm. Other than some fine planting in the immediate parkland, there is little to recall the house’s former existence, so let us end today as we did last week with a page from a visiting book. This one was kept by Lady Olwen Ponsonby who in 1901 married the third Lord Oranmore and Browne. The page below features signatures of guests at a house party at Bessborough in September 1909 and includes that of Harry Stuart Goodhart-Rendel immediately below a charming drawing he made of the front of the old house. Consider it serving as a memento mori not just for the old Bessborough but for many other such places in Ireland. 

Believed to date from September 1908 this photograph, which has appeared on several sites of late, shows the indoor servants at Bessborough, County Kilkenny. The house lay at the centre of an estate owned by the Ponsonby family. The first of their number to settle in Ireland was yet another of those English soldier adventurers who came to this country in such abundance during the late 16th and 17th centuries. Originally from Cumberland, Colonel Sir John Ponsonby was a member of Oliver Cromwell’s army who found himself rewarded for military service here with a parcel of land. He subsequently acquired several more, the largest being an estate by the river Suir in the south of the county hitherto owned by the Anglo-Norman D’Altons after whom it was called Kildalton. Here he settled and having built himself a residence, he re-named the place Bessie-Borough, later Bessborough after his second wife Elizabeth Folliott. 
Subsequent generations increased their landholdings in both Kilkenny and the neighbouring counties of Carlow and Kildare and by the mid-18th century were in possession of almost 30,000 acres. Furthermore, following the example of Sir John who had served as a local MP in the Irish Parliament and especially in the aftermath of the Williamite Wars (in which the Ponsonbys had been decisively opposed to the Roman Catholic James II) they became more engaged in politics. William Ponsonby, third son of Sir John, was created Baron Bessborough in 1721 and Viscount Duncannon two years later; in turn his son Brabazon Ponsonby became first Earl of Bessborough in 1739. 

The main block of Bessborough as we see it today dates from c.1744 and was commissioned by the first Earl to mark his new status. Although it is known that Sir Edward Lovett Pearce wrote a memorial about the building’s setting some time before his death in 1733, the design is attributed to Francis Bindon, a gentleman architect from County Clare, also notable as a portraitist (he painted no less than four likenesses of his friend Dean Swift). Bindon was related by marriage to Pearce and collaborated with Richard Castle on several projects, so his credentials are admirable. Nevertheless, one must be honest and admit that Bessborough was never one of his best works, the handling of the central structure being somewhat heavy. Writing in The Beauties of Ireland (1825) John Norris Brewer pertinently observed ‘The mansion of Bessborough is a spacious structure of square proportions, composed of hewn stone, but the efforts of the architect were directed to amplitude, and convenience of internal arrangement, rather than to beauty of exterior aspect. The house extends in front 100 feet, and in depth about 80. Viewed as an architectural object, its prevailing characteristic is that of massy respectability.’ 
Likewise in an essay on Bindon published in the Irish Georgian Society Bulletin for spring 1967, the Knight of Glin, evidently struggling to find something good to say about Bessborough (he described the garden front as being ‘an uninspiring six-bay breakfront composition with a pair of Venetian windows clumsily adrift on the first floor’) commented ‘The redeeming architectural feature of the house is to be found in the fine handling of the shallow quadrants leading to the flanking pavilions…The facing sides of the pavilions have niches and surmounting lunettes.’ The photographs above show the front of the house before and after it was altered at the end of the 19th century when the double-staircase leading to the raised entrance was removed and the ground was lowered to permit access via a porte-cochere; this work was undertaken by architect Sir Thomas Manly Deane. 

Others found Bessborough more appealing, certainly members of the Ponsonby family even though during the second half of the 18th century they were hardly ever there. The first time the third Earl of Bessborough, who had been raised in England, saw his inheritance was in the aftermath of his father’s death in March 1793. Four months later he wrote to his wife ‘I came here yesterday and am indeed very much pleased with the place…The mountains are beautiful over fine wood, and the verdure is the finest that can be seen…The house is large and very comfortable, but as you may suppose very old-fashioned. There are about 10 or 11 good bedchambers. You would make it very cheerful with cutting down the windows & I believe I should agree.’ 
His proposals were never carried out, not least because another fifteen years were to pass before Henrietta, Lady Bessborough – the beautiful sister of Georgiana, Duchess of Devonshire – came to see her husband’s Irish home, although she was equally delighted with it then, writing ‘I like this place extremely; with a very little expense it might be made magnificent, and it is beautiful…’ Likewise when staying in the house in September 1828 with the next generation of Ponsonbys, that indefatigable diarist and letter-writer Thomas Creevey advised his step-daughter Elizabeth Ord, ‘This is a charming place. I ought to say, as to its position and surrounding scenery – magnificent.’ Above are two photographs of the garden front of the rear. Note the two-storey extension to the left of the main block, which may date from the same time as the alterations to the front. However, as the second picture shows, at the very start of the last century, this development was improved by the addition of a balustrade stone terrace with double steps leading down to the garden. 

We have relatively little information about the interiors of Bessborough, although they were, as both the largely absentee third countess and Thomas Creevey duly noted, certainly magnificent. The entrance hall – which became a sitting room after Deane’s alterations – featured a screen of four Ionic columns of solid Kilkenny marble each ten and a half feet tall. Sadleir and Dickinson’s 1915 Georgian Mansions in Ireland includes a couple of photographs of the saloon or drawing room, both shown above. One features a detail of the splendid rococo plasterwork with which the ceiling was decorated. The other shows the chimney piece, a design supposedly taken from William Kent although Sadleir and Dickinson propose the female herms in profile are portraits of the second earl’s two daughters, the Ladies Catherine and Charlotte Ponsonby who married the fifth Duke of St Albans and the fourth Earl Fitzwilliam respectively. 
Even though the house was not much occupied during this period, it was well-maintained. When staying at Curraghmore, County Waterford in 1785 Lady Portarlington wrote, ‘Another day we went to Bessborough, which is a charming place, with very fine old timber and a very good house with some charming pictures, and it felt as warm and comfortable as if the family had left it the day before, and it has not been inhabited these forty years.’ 
There remains a great deal more to tell about Bessborough, its destruction, reconstruction and subsequent history, so rather in the manner of Country Life, today’s piece finishes with the words: To be concluded next week. 
Meanwhile, below is a photograph of Bessborough with surrounding signatures of members of a house party there, taken from a visiting book kept by one of the Mulholland family (of Ballywalter, County Down) at the start of the last century. 

http://www.turtlebunbury.com/history/history_family/hist_family_bessborough.html 

PONSONBYS of BESSBOROUGH 

SIR JOHN PONSONBY OF BESSBOROUGH 

The Ponsonbys of Bishopscourt, Co Kildare, and Bessborough, Co Kilkenny, were a family of staunch protestant Whigs descended from Sir John Ponsonby, a cavalry officer from Cumberland who was appointed by Cromwell to make a record of all atrocities committed on Protestants during the 1641-49 Rebellion. He was awarded an estate in Kilkenny at Kildalton which he renamed Bessborough after his wife Elizabeth ‘Bess’ Folliott

WILLIAM PONSONBY, VISCOUNT DUNCANNON 

Sir John Ponsonby’s second son William served with the Williamite army at the Siege of Derry. Elected MP for Kilkenny City in 1692, Sir William retained the seat for nearly thirty years when, in 1721, he was elevated to the House of Lords as Baron Bessborough. Two years later, he became Viscount Duncanon.[i] 

THE 1st EARL OF BESSBOROUGH (1679-1758) 

Upon his death in 1724, Sir William was succeeded as 2nd Viscount by his eldest son, Brabazon Ponsonby (1679-1758) who had secured a wealthy heiress as his bride in 1703. The 2nd Viscount played an ingenious hand when he threw his lot in with the 3rd Duke of Devonshire, the rising star of British Whig politics. When the Duke began his seven year tenure as Lord Lieutenant of Ireland in 1737, the 2nd Viscount convinced him to take his son William Ponsonby on as Private Secretary. In 1739, William married the Duke’s 20-year-old daughter, Lady Caroline Cavendish. That same year, the 2nd Viscount superseded Lord Shannon to become Commissioner of the Revenue and was further elevated to the Earldom of Bessborough. In 1743, the Earl’s ambitious younger son John ‘Speaker’ Ponsonby married another of the Devonshire daughters, Lady Elizabeth Cavendish

THE DEVONSHIRE – BURLINGTON MARRIAGE OF 1748 

By 1745, the Earl of Bessborough was a happy man. He had a secure seat in the Irish House of Lords and his family would retain control of the Revenue Board until Lord Townsend’s dismissal of Speaker Ponsonby as First Commissioner of the Revenue in 1770.[ii] His second son John (later the Speaker) further earned the trust of the government when he raised four companies of horse for service against the Jacobite rebels in Scotland in 1745. John was appointed to the Privy Council of Ireland the following year and quickly began to consolidate the foundations laid by his father to make the Ponsonbys one of the principal parliamentary families in 18th century Ireland. 
 
But, if Speaker Boyle was already wary of the Ponsonbys, his heckles were considerably raised when, in 1748, the Duke of Devonshire ‘s heir (the Marquess of Hartington) married the ailing Earl of Burlington’s heiress. On one hand, this bode well as the Duchess-in-waiting was the Speaker’s niece. On the other hand, the Duke-in-waiting was a brother-in-law of not one but two of the dastardly Ponsonby boys. Moreover, it meant that Lord Burlington’s sister (aka Speaker Boyle’s wife) would no longer succeed to any of the fortune. Sure enough, when Lord Burlington died in 1753, Lady Hartington (the future Duchess) secured the whole shebang, including Lismore Castle in Waterford and Chatsworth House in Derbyshire.[iii] 

THE PONSONBYS IN ATTACK 

The Ponsonbys were dog-like in their bid to bring down the Boyles, pushing for control of Cork City itself and angling for control of all the old Burlington boroughs. [iv] But they had no real power at constituency level, owning just one seat in their native Kilkenny plus control of the borough of Newtonards, Co Down, which they acquired amid much notoriety in 1744. Their political influence rested almost entirely on connections and borrowed strength – and it was always to do so. The pendulum swung Boyle’s way in 1751 when the Ponsonbys unsuccessfully challenged Speaker Boyle at a bye-election in Cork City.[v] But by April 1755 it was back with the Ponsonbys when their brother-in-law, Lord Hartington, became Lord Lieutenant of Ireland. Hartington succeeded his father as Duke of Devonshire in December 1755 and, the following year, replaced the Duke of Newcastle to become Prime Minister of Great Britain and Ireland. 

THE TRUCE & THE EARLDON OF SHANNON 

The Duke of Devonshire had no time for the Ponsonby-Boyle vendetta. The achievement of peace in 1756 involved protracted negotiations after which Boyle stepped down as Speaker on condition that he be elevated through three ranks of the Peerage to the Earldom of Shannon. He was further granted an annual pension of £2,000 for 31 years, payable by the Crown. His son was appointed Master-General of the Ordnance, for which one disgruntled contemporary felt he was ‘as fit …as the Primate or one of his own daughters’. 

JOHN ‘SPEAKER’ PONSONBY (1713-1787) 

Lord Bessborough’s second son, John Ponsonby, was duly appointed Speaker with a hefty annual salary of £4,000. He simultaneously became an ‘undertaker’ for the government by which he controversially undertook to manage the business of government in the Irish Parliament in the absence of the Lord Lieutenant. This gave him power to appoint people to high offices, as well as act as Lord Justice, and do anything he deemed necessary to bring about a government majority when bills needed to be passed. 

THE EARLS OF BESSBOROUGH 

Upon the death of the 1st Earl of Bessborough in 1758, the Speaker’s elder brother William Ponsonby (1704-93) succeeded as 2nd Earl. He had been MP for Kilkenny since 1727 and served variously as Lord of the Treasury, Lord of the Admiralty and as Joint Postmaster General. But his principle interests were collecting art and seducing women (including George II’s daughter, Princess Amelia). He and his son were largely absentee landlords but they would continue to exert considerable political influence throughout the 19th and 20th centuries. The 3rd Earl’s daughter Caroline married future Prime Minister Lord Melbourne and enjoyed a very public affair with Lord Byron.[vi] The 4th Earl served as First Commissioner of Woods and Forests, as Home Secretary, as Lord Privy Seal and as First Lord of the Admiralty. He was Lord Lieutenant of Ireland when the Famine broke but died, a day after his friend Daniel O’Connell in May 1847. The 9th Earl of Bessborough was Governor General of Canada from 1931-35. The 10th Earl was a Minister of State in Ted Heath’s cabinet. The 12th and present Earl lives in Hampshire. The family seat of Bessborough in Co Kilkenny was burned in 1922. 

THE PONSONBY-SHANNON MARRIAGE OF 1763 

The Ponsonby, Boyle and Devonshire dynasties were further united by a political marriage of 1763 when Richard Boyle (Lord Shannon’s son and heir) married Speaker Ponsonby’s daughter Catherine. The following year, Richard succeeded as 2nd Earl of Shannon. An uneasy alliance between the two families duly ensued although Lord Shannon and his father-in-law continued to disagree and bicker in private. The castle noted that, though their families were married, the two men ‘do not consult or act together politically’.  

THE DOWNFALL OF THE PONSONBYS 

In a letter to Anthony Foster from 15 August 1765, Speaker Ponsonby expressed himself with characteristic indiscretion: ‘What matters it to us who are Ministers in England? Let us stick to our own circle and manage our own little game as well as we can’. But the Speaker underestimated the charismatic Lord Townshend who became Lord Lieutenant of Ireland in 1767. In 1770, both the Ponsonby and Boyle dynasties took a serious blow when Lord Townshend dismissed Speaker Ponsonby from his lucrative position as Commissioner of the Revenue, and dismissed Lord Shannon from his post as Master-General of the Ordnance. In a state of panic, Ponsonby resigned as Speaker and so lost any remaining influence he might have had. He spent the remainder of his life trying, in vain, to be reelected. His honest but indolent son Billy (aka Lord Shannon’s brother-in-law William Brabazon Ponsonby) tried to follow in his father’s footsteps but lost his way entirely, being defeated in 1790 when he attempted to wrestle the Speakership from John Foster.[vii] The Speaker’s second son George became a prominent advocate of Catholic Relief and led the British Whig party in opposition from 1808-1817. 

FOOTNOTES 

[i] William Ponsonby was created Viscount Duncannon (of the fort of Duncannon in the County of Wexford), and Baron Bessborough (of Bessborough in the County of Kilkenny) in the Peerage of Ireland in 1723 and 1721 respectively. 

[ii] In 1749 Lord Bessborough was given the additional title of Baron Ponsonby of Sysonby, in the County of Leicester, which entitled him to a seat in the British House of Lords. 

[iii] The 4th Duke duly recruited Capability Brown to landscape the gardens. Their son and heir, the 5th Duke, was played by Ralph Fiennes in the recent movie ‘The Duchess’. 

[iv] The Ponsonby’s first broadside had been fired in 1737 when they purchased the seignory of Inchiquin, right in the heart of Lord Shannon’s East Cork empire. 

[v] Their candidate was Sir Henry Cavendish, a kinsman of the Duke of Devonshire who had been collector of the Revenue in Cork from 1743-47 

[vi] The 3rd Earl’s son Major General Sir Frederick Cavendish Ponsonby, a great Waterloo hero, was father to Sir Henry Ponsonby, private Secretary to Queen Victoria. 

[vii] His son William was the General Sir William Ponsonby who so memorably killed leading the cavalry charge at Waterloo. During the 1790s, the General’s older brother John, 2nd Baron Ponsonby, enjoyed an affair with society beauty Lady Elizabeth Conyngham, wife of the Marquess of Conyngham and later mistress to George IV.  

https://lordbelmontinnorthernireland.blogspot.com/2013/08/bessborough-house.html

THE EARLS OF BESSBOROUGH WERE THE SECOND LARGEST LANDOWNERS IN COUNTY KILKENNY, WITH 23,967 ACRES

This ancient and noble family derives its origin from Picardy, in France. Their ancestor accompanied William, Duke of Normandy, in his expedition to England, and his descendants established their residence at Haile, near Whitehaven, in Cumberland.

They assumed their surname from the lordship of Ponsonby, in Cumberland. The office of Barber to the King was  reputedly conferred upon them  in 1177 by HENRY II, about the same time as the Earl of Arran’s ancestor was appointed Butler. Their coat-of-arms includes three combs.

JOHN PONSONBY, of Haugh Heale, Cumberland, and had a son,

SIMON PONSONBY, of Haile, who married Anna Englesfield, of Alenburgh Hall, Cumberland, and had a son,

HENRY PONSONBY, of Haile, who wedded, in 1605, Dorothy, daughter of Henry Sands, of Rottington, Cumberland, and had two sons, of whom the elder,

SIR JOHN PONSONBY (1608-78), Knight, of Haile, and of Bessborough (formerly Kidalton), County Kilkenny, Colonel of a regiment of horse in the service of CROMWELL, who wedded Dorothy, daughter of John Briscoe, of Crofton, Cumberland, and had by her a son, JOHN, ancestor of MILES PONSONBY, of Haile.

Sir John married secondly, Elizabeth, daughter of Henry, 1st Baron Folliott, and widow of Richard, son and heir of Sir Edward Wingfield, and by her had issue, from which derives the family of which we are about to treat.

Colonel Ponsonby, removing himself into Ireland, was appointed one of the commissioners for taking the depositions of the Protestants, concerning murders said to have been committed during the war, and was Sheriff of counties Wicklow and Kilkenny in 1654.

He represented the latter county in the first parliament called after the Restoration; had two grants of lands under the acts of settlement, and, by accumulating debentures, left a very considerable fortune.

Sir John was succeeded by his eldest son,

SIR HENRY PONSONBY, Knight, of Bessborough, at whose decease, in the reign of WILLIAM III, without issue, the estates devolved upon his brother,

THE RT HON WILLIAM PONSONBY (1659-1724), of Bessborough, MP for County Kilkenny in the reigns of ANNE and GEORGE I,who was sworn of the Privy Council in 1715, and elevated to the peerage, in 1721, in the dignity of Baron Bessborough. of Bessborough, County Kilkenny.

His lordship was advanced to a viscountcy, in 1723, as Viscount Duncannon, of Duncannon, County Wexford.

He married Mary, sister of Brabazon Moore, of Ardee, County Louth, and had, with six daughters, three sons,

BRABAZON, his heir;
Henry, major-general;
Folliott.

His lordship was succeeded by his eldest son,

BRABAZON, 2nd Viscount (1679-1758), who was advanced to an earldom, in 1739, as EARL OF BESSBOROUGH; and created a peer of Great Britain, 1749, as Baron Ponsonby of Sysonsby, Leicestershire.

His lordship wedded firstly, Sarah, widow of Hugh Colville, and daughter of James Margetson (son and heir of the Most Rev James Margetson, Lord Archbishop of Armagh), and had issue,

WILLIAM, his successor;
John, Speaker of the Irish House of Commons;
Richard;
Sarah, to Edward, 5th Earl of Drogheda;
Anne, to Benjamin Burton;
Elizabeth, to Rt Hon Sir W Fownes Bt;
Letitia, to Hervey, Viscount Mountmorres.

The 1st Earl espoused secondly, in 1733, Elizabeth, eldest daughter and co-heir of John Sankey, of Tenelick, County Longford (and widow of Sir John King, and of John Moore, Lord Tullamore), but by that lady had no issue.

He was succeeded by his elder son,

WILLIAM, 2nd Earl (1704-93), who married, in 1739, Lady Caroline Cavendish, eldest daughter of William, Duke of Devonshire, and had surviving issue,

FREDERICK, his successor;
Catherine, to Aubrey, 5th Duke of St Albans;
Charlotte, to William, 4th Earl Fitzwilliam.

His lordship was succeeded by his only son,

FREDERICK, 3rd Earl (1758-1844), who wedded, in 1780, Henrietta Frances, second daughter of John, 1st Earl Spencer, and had issue,

JOHN WILLIAM, his successor;
Frederick Cavendish (Sir);
William Francis, 1st Baron de Mauley;
Caroline.

His lordship was succeeded by his eldest son,

JOHN WILLIAM, 4th Earl (1781-1847), LORD LIEUTENANT OF IRELAND, 1846-7, who espoused, in 1805, the Lady Maria Fane, daughter of John, 10th Earl of Westmorland, and had issue,

JOHN GEORGE BRABAZON, his successor;
William Wentworth Brabazon;
FREDERICK GEORGE BRABAZON, 6th Earl;
George Arthur Brabazon;
WALTER WILLIAM BRABAZON, 7th Earl;
Spender Cecil (Rt Hon Sir);
Gerald Henry Brabazon;
Maria Jane Elizabeth; Kathleen Louisa Georgina; Georgiana Sarah; Augusta Lavinia Priscilla.

His lordship was succeeded by his eldest son,

JOHN GEORGE BRABAZON (1809-80), 5th Earl, who wedded twice, though the marriages were without issue, and the family honours devolved upon his brother,

FREDERICK GEORGE BRABAZON (1815-95), 6th Earl, DL, who died unmarried, when the titles devolved upon his brother,

THE REV WALTER WILLIAM BRABAZON (1821-1906), 7th Earl, who married, in 1850, the Lady Louisa Susan Cornwallis Eliot, daughter of Edward, 3rd Earl of St Germans, and had issue,

EDWARD, his successor;
Cyril Walter;
Granville;
Arthur Cornwallis;
Walter Gerald;
Ethel Jemima; Sara Kathleen; Maria.

His lordship was succeeded by his eldest son,

EDWARD, 8th Earl (1851-1920), KP CB CVO JP DL, who wedded, in 1875, Blanche Vere, daughter of Sir Josiah John Guest, 1st Baronet, and had issue,

VERE BRABAZON, his successor;
Cyril Myles Brabazon;
Bertie Brabazon;
Olwen Verena; Helena Blanche Irene; Gweneth Frida.

His lordship was succeeded by his eldest son,

VERE BRABAZON (1880-1956), 9th Earl, GCMG PC DL,

The heir apparent is the present holder’s son, Frederick Arthur William Ponsonby, styled Viscount Duncannon.

BESSBOROUGH HOUSE is located in Kildalton near Piltown in County Kilkenny.

It was first built in 1745 by Francis Bindon for the 1st Earl of Bessborough.

Bessborough House, as stated by Mark Bence-Jones, consists of a centre block of two storeys over a basement joined to two-storey wings by curved sweeps.

The entrance front has nine bays; a three-bay pedimented breakfront with a niche above the pedimented Doric doorway.

The roof parapet has urns, while the basement is rusticated; perron and double stairway with ironwork railings in front of the entrance door.

The Hall has a screen of Ionic columns made of Kilkenny marble.

The Saloon has a ceiling of Rococo plasterwork; and a notable chimney-piece.

Bessborough House had to be rebuilt in 1929 following a catastrophic fire in 1923, and the Bessboroughs never returned to it as a consequence.

In 1940, the Oblate Fathers established a seminary at Bessborough House.

The Oblates worked their own bakery, and farmed dairy cows, poultry, cattle, pigs, sheep. They grew potatoes, grain and other crops.

They also had a very good orchard.

Alas, the great mansion has been altered and added-to since the Ponsonbys left: The urns have been removed from the parapet and are now at Belline. 

From 1941 to 1971, 360 priests were ordained in Bessborough House, Kildalton.

By 1970, numbers joining the order had fallen and the Oblates decided to sell the property.

It was bought for £250,000 by the Irish Department of Agriculture in 1971.

It was then opened as an agricultural and horticultural college and renamed Kildalton College.

Other seats ~ Parkstead House, Surrey; Sysonby, Leicestershire; Stansted Park, West Sussex.

First published in September, 2011.

Belline, Piltown, Co Kilkenny 

Belline, Piltown, Co Kilkenny 

Belline, County Kilkenny, courtesy National Inventory.

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London. 

p. 38. “(Ponsonby, Bessborough, E/PB; Murray Smith, sub Burnham, B/PB) A tall late C18 house of three storeys over a basement with a three sided bow in the centre of its entrance front; flanked by two most unusual detached three storey circular pavilions with conical roofs. The house has a fine Classical doorcase in the entrance front bow, with many steps leading up to it; and good stone facings. Octagon hall; drawing room and dining room eachwith a small room, like an alcove, opening off it. Rustic lodge with portico of tree-trunks. The house was built by Peter Walsh; but was bought ca 1800 by 3rd Earl of Bessborough, whose seat, Bessborough, was nearby. From then until 1934, the house was occupied by successive agents of the Bessborough estate; one of whom, and half of C19, was F.W. Walshe, whose family was different from that of the builder of the house. The house is believed to have been lent to William Lamb (afterwards Viscount Melbourne, the Prime Minister) and his wife, the notorious Lady Caroline (daughter of the 3rd Earl of Bessborough) 1812, when he brought her to Ireland in the hope that it would make her forget Byron. After being sold by the Bessboroughs, Belline was for some years the home of Major and Mrs G.W. Murray Smith, who built a two storey addition along the back of the house containing a back hall and a new kitchen. The parapet of this addition, as well as the terrace wall around the sweep, is now adorned with splendid C18 stone urns, which were formerly on the roof parapet of Bessborough. Belline was recently the home of Mr Donal O’Neill-Flanagan, the architect, and Mrs O’Neill-Flanagan.” 

Frederick Ponsonby, Viscount Duncannon, (1758-1844), later 3rd Earl of Bessborough Date 1786, Engraver Joseph Grozer, British, fl.1784-1797 After Joshua Reynolds, English, 1723-1792.
Henrietta Frances née Spencer (1761-1821), wife of Frederick Ponsonby Viscount Duncannon, 3rd Earl of Bessborough. Date 1787. Engraver Francesco Bartolozzi, Henrietta Spencer was sister-in-law of Artist, Countess Lavinia Spencer.
Lady Caroline Lamb née Ponsonby (1785-1828) by Eliza H. Trotter, NPG 3312.

https://www.buildingsofireland.ie/buildings-search/building/12403906/belline-house-belline-and-rogerstown-piltown-co-kilkenny

Belline, County Kilkenny, courtesy National Inventory.
Belline, County Kilkenny, courtesy National Inventory.
Belline, County Kilkenny, courtesy National Inventory.
Belline, County Kilkenny, courtesy National Inventory.
Belline, County Kilkenny, courtesy National Inventory.

Detached five-bay three-storey over part-raised basement Classical-style country house, c.1775, on a T-shaped plan with three-bay full-height projecting bay to centre on an engaged half-octagonal plan having single-bay full-height entrance breakfront, and three-bay (overlapping) three-storey parallel range to north-east having two-bay three-storey side elevations. Renovated, c.1925, with single-bay single-storey flat-roofed projecting bay added to centre ground floor rear (north-east) elevation having single-bay single-storey flat-roofed lower flanking entrance bays. Hipped slate roof on a T-shaped plan (continuing into half-octagonal section to centre) with rolled lead ridges, cut-limestone chimney stacks, rooflights, and cast-iron rainwater goods on slightly overhanging carved cut-limestone eaves. Flat roofs to additional ranges not visible behind parapets. Painted red brick Running bond walls with limestone ashlar dressings including carved course to basement, quoins to corners, and carved cornices to parapets to additional ranges. Square-headed window openings with carved cut-limestone sills, painted red brick voussoirs, six-over-six and three-over-three (top floor) timber sash windows. Square-headed door opening approached by flight of nine cut-limestone steps having iron railings with cut-limestone engaged Doric columnar doorcase supporting triglyph frieze, carved cornice, and glazed timber double doors. Square-headed door opening to additional range with cut-limestone block-and-start surround having double keystones, glazed timber panelled double door, lunette window opening over having carved cut-limestone sill, and fanlight. Interior with timber panelled shutters to window openings. Set back from road in own grounds. (ii) Freestanding single-bay three-stage pavilion tower, c.1775, to east on a circular plan. One of a pair. Conical slate roof with cut-limestone chimney stack to apex having carved cornice, and no rainwater goods surviving on cut-limestone concave eaves. Painted rendered walls over random rubble stone construction with carved cut-limestone stringcourse to second stage. Square-headed window openings with cut-limestone sills (forming sill course to second stage), painted red brick surrounds including voussoirs, and louvered panel fittings. Square-headed door openings with painted red brick surrounds including voussoirs, and timber boarded doors. (iii) Freestanding single-bay three-stage pavilion tower, c.1775, to north-east on a circular plan. Renovated. One of a pair. Conical slate roof with cut-limestone chimney stack to apex having carved cornice, and no rainwater goods surviving on cut-limestone concave eaves. Random rubble stone walls originally rendered with render removed having carved cut-limestone stringcourse to second stage. Square-headed window openings with cut-limestone sills (forming sill course to second stage), red brick surrounds including voussoirs, and replacement fixed-pane timber windows. Square-headed door openings with red brick surrounds including voussoirs, and no fittings. 

A very well composed substantial country house built for Peter Walsh (c.1747-1819) but transferred to occupation by the agents of the nearby Bessborough House (12325001/KK-39-25-01) estate shortly following completion. Centred on a commanding entrance bay the formal architectural design value of the composition is enriched by attributes including the Classically-proportioned openings diminishing in scale on each level producing a tiered visual effect, the restrained decorative treatment confined to refined limestone dressings displaying expert craftsmanship, and so on. However, while the original composition attributes survive in place together with most of the historic fabric both to the exterior and to the interior the polychromatic quality inherent in the construction has been lost following the concealment of the brick. Producing a unique ensemble in a county-wide context a pair of pavilion towers, each of individual architectural design merit, further enhances the elegant quality of a fully-integrated composition in the landscape. 

On August 29th last, the Irish Times reported that the portico of a small 18th century lodge in County Kilkenny had collapsed. Not, one might reasonably think, a matter of great import, certainly not as momentous as the disintegration of other buildings reported by the Irish Aesthete over the past year. But this is to ignore the architectural significance of the structure in question, and what its neglect over the past decade says about our failure to care for the built heritage. 
The temple or columnar lodge stands within the grounds of Belline, an estate not far from Piltown. In the second half of the 18th century Belline was occupied by Peter Walsh (d. 1819), whose family appear to have been agents for the Ponsonbys, Earls of Bessborough whose Irish seat Bessborough House was in the same part of the country. Walsh may well have been a tenant of the Ponsonbys; it is known that Lady Caroline Lamb, daughter of the third Lord Bessborough, stayed at Belline with her husband William (the future Lord Melbourne and future Prime Minister at the time of Queen Victoria’s accession) in September 1812 in the aftermath of her highly-publicised affair with Lord Byron. 
Whatever Peter Walsh’s precise status, he was regarded in Ireland as an improving landholder, much given to agricultural improvements and to bettering the circumstances of less-fortunate residents in the region. Of particular relevance to the subject under consideration here is the fact that he was also an ardent antiquarian, commissioning and collecting architectural drawings of Ireland’s ancient monuments, and keen to preserve the relics of our history, some of which have since passed into national collections. Both during his lifetime and after his death Walsh was held in high regard; James Norris Brewer in his Beauties of Ireland (1825) declared ‘we are well convinced that every reader, to whom he was known, will join in the warmth of our admiration and the sincerity of our regret; so general was the esteem created by his unassuming virtues!’ 

Dating from around 1770, Belline House was built by Peter Walsh who then went on to construct a number of other splendid edifices in the surrounding grounds, the majority of which survive to the present day. These included a detached gallery, known as the ‘Drawing School’ since according to Brewer, it ‘was constituted as a sort of academy for students by the active liberality of the late Mr Walsh…several children of the peasantry in this neighbourhood have lately evinced a considerable degree of genius for drawing. Such as were of greatest promise, Mr. Walsh took under his immediate protection, and supported in the pursuit of the art to which they aspired.’ Then there was ‘a most admirable pattern for a farm house; it is an octagon of two stories, inclosing a yard in the centre; below is a dairy, a residence for the dairy-man, cow-house, stable, and other offices, above is a loft for corn, extended over the whole building.’ And in addition there is a pair of circular pavilions behind Belline House, each three storeys high, the top floors serving as pigeon houses, and a pair of octagonal stone gate lodges (one still standing) at the southern entrance to the demesne. 
Finally we come to the smallest but perhaps most remarkable of Peter Walsh’s buildings: the temple lodge. Comprising portico, front room and two rear chambers, its precise date of construction and purpose are unclear; standing in the midst of the estate and not beside an entrance it was unlikely to have been a gate lodge but might have been intended as a summer pavilion or model dairy. But what is most important is that Belline’s temple lodge has been judged the earliest known example in Britain and Ireland of the 18th century ‘rustic hut’ inspired by theories on the origins of man-made structures expounded first in 1753 by the French Jesuit and philosopher Marc-Antoine Laugier in his Essai sur l’architecture (translated into English in 1755) and then by Sir William Chambers in A Treatise on the Decorative Part of Civil Architecture (1759). In fact it has sometimes been proposed that the Belline lodge was designed by Chambers since it shares similarities with a drawing he made in 1759 for just such a building. The identity of the architect responsible may never be known but we can be confident that the Belline lodge is an important expression of the 18th century’s interest in exploring the past, and that its composition reflects the ideas proposed by Laugier and Chambers. Hence the building is intentionally ‘primitive’ incorporating tree trunks bound with ropework on every side and a pedimented portico to the front below the gabled roof that extends beyond the walls to end in stone blocks. 

By the mid-19th century Belline had reverted to the Bessboroughs and remained in their ownership until 1934 after which the estate changed hands a number of times until being bought ten years ago for €3 million by businessman James Coleman. Managing director of a company called Suirway Forklifts based in Carrick-on-Suir, County Tipperary Mr Coleman has in the past declared himself a passionate enthusiast of motor rallying and indeed his business has sponsored a number of events for this sport. On the other hand, he seems less keen to support and sustain the national heritage, since over the past decade Belline’s temple lodge has fallen into such dilapidation that, as was reported by the Irish Times less than a fortnight ago, the building’s portico has now collapsed. 
It is inconceivable that the lodge’s deteriorating condition was unknown to its owner: there have been two reports on the building and its importance, one compiled by architect John Redmill in 2005, the other by chartered surveyor Frank Keohane earlier this year. Furthermore the National Inventory of Architectural Heritage designated the lodge as being of architectural interest under the Categories of Special Interest. On the other hand as Frank Keohane noted in his report, to which I am much indebted, until now the lodge has not been designated a protected structure in its own right but rather ‘deemed to be protected owing to its being located within the cartilage of Belline House which is a protected structure.’ Clearly this has proven inadequate. 
Keohane wisely makes the point that the lodge at Belline must be regarded as of international importance both in its own right and as part of a planned 18th century demesne in which diverse complementary elements contributed to the resultant whole. As he writes, ‘The temple lodge is not an artefact to be appreciated in isolation. It is in fact an important element in a group of related structures within the demesne.’ Destroy one of those related structures and you disrupt the entire picture: it is not unlike cutting a section out of a painting. 
According to the Irish Times, John McCormack who is a Director of Services at Kilkenny County Council with responsibility for heritage said the authority had served a planning enforcement notice on Mr Coleman in May 2012 ‘for failing to undertake works to prevent this protected structure from becoming or continuing to be endangered.’ Legal proceedings commenced the following October and since then ‘there have been four separate court appearances in relation to this prosecution while the council sought to negotiate with the owner. A full hearing of the case is listed for October 7th next at Carrick-on-Suir District Court.’ 
One waits to see what will happen in four weeks’ time since not only is the survival of Belline’s temple lodge at stake but the forthcoming hearing represents something of a test case. If owners of protected structures can ignore their responsibilities with impunity, then still worse misfortunes lie ahead for our architectural heritage. The national patrimony is at risk in a way that would, one imagines, have appalled Peter Walsh. 
The first two photographs show Belline’s temple lodge as it looked in the 19th century, note how at one time the building was thatched. The next three show the lodge in 2005, already with its slates removed from the roof, followed by another three photographs taken earlier this year. Finally below is a picture of the lodge as shown in the Irish Times with its portico in ruins. 

Knockanally, Donadea, Co Kildare 

Knockanally, Donadea, Co Kildare 

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.  

p. 178. “A mid-C19 Italianate house of two storeys with central one bay balustraded attic rising above the roofs on either side. Three bay entrance front; central Venetian window; 1st floor windows in outer bays with entablatures and balconies on console brakcets; Venetian windows below. Single-storey balustraded portico. In recent years the home of Captain Sheppard.”

https://www.buildingsofireland.ie/buildings-search/building/11900407/knockanally-house-knockanally-knockanally-demesne-co-kildare

Detached three-bay two- and three-storey over basement Italianate-style house, c.1790, on a symmetrical plan retaining early aspect comprising single-bay three-storey central bay with prostyle tetrastyle portico to ground floor, single-bay two-storey advanced flanking end bays and four-bay two-storey side elevations. Now in use as clubhouse. Hipped roofs (behind parapet wall to central bay) with slate. Clay ridge tiles. Cut-stone chimney stacks. Cast-iron rainwater goods (on consoled eaves course to flanking end bays). Uncoursed squared rubble stone walls to basement. Limestone ashlar walls over. Cut-stone dressings including stringcourses to flanking end bays having consoled moulded cornices over. Cut-stone balustraded parapet wall to central bay with piers having cut-stone coping and finials. Square-headed window openings (Venetian windows to ground floor flanking end bays and to first floor central bay; window openings in recessed panels to first floor flanking end bays having corbelled cut-stone balconies with pierced fret work detailing). Cut-stone sills. Cut-stone pilaster surrounds to Venetian openings having moulded necking and archivolts with keystones. 6/6 timber sash windows to Venetian windows with fanlights and 2/2 sidelights. Moulded cut-stone surrounds to openings to first floor flanking end bays with entablatures over. Timber casement windows. Square window opening to top floor central bay. Moulded cut-stone surround. Fixed-pane timber window. Shallow segmental-headed window openings to ground floor side and rear elevations. Cut-stone sills. Cut-stone surrounds with rusticated voussoirs. 6/6 timber sash windows. Pair of round-headed door openings behind cut-stone prostyle tetrastyle portico with moulded necking to piers, plain frieze, moulded cornice and balustraded parapet wall over. Cut-stone surrounds to door openings. Glazed timber panelled double doors. Overlights. Interior with timber panelled shutters to window openings. Set back from road in own grounds. Tarmacadam forecourt/carpark to front. Landscaped lawns to rear. Detached six-bay single-storey outbuilding with attic, c.1810, to west on an L-shaped plan about a courtyard comprising three-bay single-storey range with three-bay single-storey projecting wing to left having segmental-headed integral carriageway. Gable-ended roof on an L-shaped plan with slate (gabled to attic windows). Clay ridge tiles (crested red clay ridge tiles to attic windows). Cut-stone bellcote to gable. Cut-stone coping to gables. Square rooflights. Cast-iron rainwater goods on eaves course. Roughcast walls. Painted. Rendered wall to side elevation. Unpainted. Shallow segmental-headed openings. Stone sills. Red and yellow brick surrounds. Timber fittings. Segmental-headed integral carriageway. Red and yellow brick surround with keystone. Fittings not visible. Gateway, c.1810, to courtyard comprising round-headed opening with red brick piers having yellow brick dressings, terracotta keystone, wrought iron double gates and round-headed pedestrian gateway perpendicular to left. Remains of detached outbuilding, c.1810, to parkland possibly originally folly comprising random rubble plinth wall with yellow brick over having square-headed door opening with cut-stone block-and-start surround having wrought iron gate and cut-stone hood moulding over. Detached three-bay single-storey gate lodge with dormer attic, c.1810, to south on a symmetrical plan with single-bay single-storey projecting bay to centre on a canted plan, single-bay single-storey canted bay window to side elevation and single-bay single-storey return to rear. Gable-ended roof with slate (polygonal to projecting bay; hipped to return). Crested red clay ridge tiles (rolled lead ridge tiles to projecting bay). Cut-stone chimney stack with moulded stringcourse and coping. Timber eaves and bargeboards (forming open-bed pediment to gable ends). Cast-iron rainwater goods. Limestone ashlar walls. Moulded cut-stone stringcourse. Square-headed window openings (including to canted bay window). Stone sills. Timber casement windows. Round-headed window openings to projecting bay (paired to gables). Cut-stone sills and surrounds (some with keystones). Timber casement windows. Round-headed door opening. Cut-stone surround. Timber panelled door. Gateway, c.1810, to south comprising pair of cut-stone piers with vermiculated panels having moulded cornices, plain friezes and cut-stone capping with wrought iron double gates, square-headed flanking pedestrian gateway to left (unpierced corresponding flanking wall to right), cut-stone outer pier with vermiculated panels, moulded cornice and capping, and limestone ashlar flanking boundary wall with moulded detailing and cut-stone coping.

Knockanally House is a fine and attractive substantial house that, although converted to a public use, has retained most of its original form and character. The scale and fine detailing of the house suggest its social and historic importance as the residence of a patron of high status in the locality. The construction in limestone ashlar attests to the high quality of stone masonry traditionally practised in the locality and this is especially evident in the cut-stone detailing that gives the composition its Italianate tone, including the decorative balconies, surrounds to openings, and so on, all of which have retained a crisp intricacy. The house has been very well maintained and retains important original salient features and materials including multi-pane timber sash fenestration, timber fittings to the door openings, and slate roofs having cast-iron rainwater goods. It is believed that the interior spaces are similarly intact, and timber panelled internal shutters are visible to the window openings. The house is complemented by an extensive range of ancillary structures that are individually of architectural heritage importance. The range of outbuildings to west provide insight in to the working life of a planned estate, and the use of red and yellow brick dressings – notably to the gateway leading in to the courtyard – provides an attractive example of polychromy in the grounds. The folly also provides insight in to the planning of an estate, in this instance for recreational and aesthetic purposes. The gate lodge to south has also been well maintained to present an early aspect and, despite the modest-scale, is a highly ornamental piece that forms an attractive feature on the side of the road. Also of particular interest is the gateway leading in to the grounds, the construction of which again attests to the high quality stone masonry of the region, and the gates of which are a good example of early surviving wrought iron work. The grounds of the estate are also of interest – parts having been converted to use as a golf course, the grounds immediately surrounding the house and various outbuildings have been preserved as originally intended and are important for the purpose of the context of the buildings.

https://theirishaesthete.com/2024/08/26/knockanally/

What a Waste

by theirishaesthete

Knockanally, County Kildare, photograph courtesy of Irish Aesthete.


The history of Knockanally, County Kildare is rather opaque, although it is known that the Coates family, the first of whom appears to have arrived in Ireland in the early 1700s, acquired the land on which it stands from the Aylmers who lived not far away at the now-derelict Donadea Castle (see Another Blot on the Landscape « The Irish Aesthete). Some kind of residence was built at Knockanally and in the mid-18th century this was occupied by one William Coates, known to have died in 1766 when the property was inherited by his eldest son, Matthew. When his grandson William Lancake Coates died in the following century, Knockanally was inherited by William Coristine Coates, the son of his cousin. His descendants appear to have continued living on the estate until it was taken over by the Irish Land Commission in 1942 and subsequently divided among various farmers. The immediate demesne and main house were then sold to a Captain Sheppard, who in turn sold it to the Maharani of Baroda. In 1959, ownership passed to the Rehabilitation Institute, which used the house as a convalescent home for the victims of polio.Further changes of ownership seem to have followed before Knockanally was bought in 1983 by Noel Lyons, who turned the land into an 18-hole golf course. 

Knockanally, County Kildare, photograph courtesy of Irish Aesthete.
Knockanally, County Kildare, photograph courtesy of Irish Aesthete.
Knockanally, County Kildare, photograph courtesy of Irish Aesthete.
Knockanally, County Kildare, photograph courtesy of Irish Aesthete.





As it appears today, Knockanally dates from c.1843 when commissioned by William Lancake Coates on a site east of the original house. The architect responsible was Dublin-born William Deane Butler, much of whose work involved designing institutional buildings such as court and market houses, although he did receive commissions for a number of country houses also. As noted by the late Jeremy Williams, Knockanally is almost a cube, ‘if its height is assessed on the three-storied central bay.’ Of two storeys over basement and faced with wonderfully crisp limestone ashlar, the building is entered via an Ionic portico flanked by Venetian windows with a third directly above it. On this level, windows within shallow recesses open onto balconies: these can also be found on each of the four-bay side elevations. Seemingly the interior featured a central, double-height and top-lit hall. Williams has noted that this is a reduced version of the hall in Dublin’s Broadstone station, designed by John Skipton Mulvany who, he suggests, may therefore have had a hand in Knockanally. As for the very substantial and elaborate gatelodge at the entrance to the former estate, J.A.K. Dean dates this to c.1870, too late to have been designed by either Butler (who died in 1857) but may have come from Mulvany as he lived until that date. 

Knockanally, County Kildare, photograph courtesy of Irish Aesthete.
Knockanally, County Kildare, photograph courtesy of Irish Aesthete.
Knockanally, County Kildare, photograph courtesy of Irish Aesthete.
Knockanally, County Kildare, photograph courtesy of Irish Aesthete.

In September 2010 it was reported that one of the country’s banks had appointed a receiver over Knockanally Golf Club, set in 125 acres; this move came a few days after creditors of Ferndale Leisure, the holding company behind the club, had met to appoint a liquidator; at the time, with an economic recession at this height, quite a number of Ireland’s golf clubs were going into receivership. Three years later, the club, the main house, gate lodge and a number of golf ‘lodges’ in the grounds, was sold to a Warwickshire-based company, St Francis Group for  €1.1 million: some years earlier, this portfolio had been valued at €3.5 to €4 million. Quite what has happened since then seems to be unclear. Refurbishment work was carried out on the house and other buildings on the site, but in September 2018 the local Leinster Leader reported that the golf club had again closed down and was to be offered for sale. Since then, both the house and gate lodge have remained closed and boarded up, with inevitable deterioration in the fabric of both buildings. A dreadful waste.

Knockanally, County Kildare, photograph courtesy of Irish Aesthete.

Killadoon, Celbridge, Co Kildare 

Killadoon, Celbridge, Co Kildare 

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.  

p. 168. “(Lucas-Clements/IFR; Clements/IFR) A three storey block of ca 1770, joined to a single two storey wing by a curved sweep; if the original intention was to build a balancing wing and sweep, the idea must have been abandoned fairly soon; because there is now a three sided bow on the other side of the house which would have clashed with the sweep and which appears in a C18 view. Built for Rt Hon Nathaniel Clements, MP, the banker, politician and amateur architect, one would naturally assume that it was so his own design, yet apart from having the “patternbook” tripartite doorway with a fanlight, a baseless pediment and engaged columns which he seems to have favoured, it lacks the characteristics of the houses known to be by him or convincingly attributed to him. Apart from the doorway, the five bay entrance front is quite plain, as is the six bay garden front, whch now has some relief in external shutters of the ground floor windows. The wing has a six bay front and there are small oculi in the sweep. All this plainness, however, seems like deliberate understatement; for it is, in fact, a house of great quality. The interior is very well finished; the rooms, though few in number, are of noble proportions. The hall has a Doric frieze and a neo-classical chimneypiece of stone, with fluted Doric columns. The staircase, in a separate hall to one side, is of good joinery. The dining rom has a modillion cornice and doorcases with entablatures carved with acanthus; painted in shades of chocolate, red and oyster. The library, extending into the bow at the side of the house, has a cornice of mutules. The drawing room, which has a gilded modillion cornice, remains almost exactly as it was when redecorated ca 1820s by Nathaniel Clement’s grandson, 2nd Earl of Leitrim, with a beautiful French wallpaper in faded green and gold, gilt pelmet boards and the original red curtains and flounces.” 

Not in national inventory 

Killadoon stands in its own well-wooded parkland, Killadoon, Copyright James Fennell/The Interior Archive Ltd, JF_IC6_01 

From Country Life. 

A grand swagged curtain in the Regency style overhangs the entrance to Killadoon, Killadoon, Copyright James Fennell/The Interior Archive Ltd, JF_IC6_03. 
A pair of antique elk, or giant deer, antlers hangs above the classical mantelpiece, Killadoon, Copyright James Fennell/The Interior Archive Ltd, JF_IC6_04 
The Georgian drawing room was redecorated in the 1820s with green floral wallpaper, Killadoon, Copyright James Fennell/The Interior Archive Ltd, JF_IC6_31 
A hall chair c. 1800, painted with the Clements crest and the 2nd Earl of Leitrim’s coronet, Killadoon, Copyright James Fennell/The Interior Archive Ltd, JF_IC6_08.
A selection of 1820s wallpapers found in the attic is laid out on the desk in the library, Copyright James Fennell/The Interior Archive Ltd, JF_IC6_82 
The formal dining room is laid for a dinner party with the family silver, glass, and china, Killadoon, Co Kildare, Copyright James Fennell/The Interior Archive Ltd, JF_IC6_35 
When they were purchased in the 1770s, the enormous pier glasses in the drawing room would have been the height of luxury, Killaddon, County Kildare, Copyright James Fennell/The Interior Archive Ltd, JF_IC6_33 

https://theirishaesthete.com/2015/08/03/killadoon/

Nathaniel Clements’ engagement in speculative building, together with his reputation as an arbiter of taste, led to several buildings being attributed to him by the Knight of Glin. These included Brookelawn and Colganstown, County Dublin; Williamstown and Newberry Hall, County Kildare; and Beauparc and Belview, County Meath. All can be dated to c.1750-65, and all share certain stylistic similarities, not least reliance on Palladianism which by that date was fast falling from fashion. While respecting the Knight’s notion of Clements as an architect, and one responsible for the houses listed above, Maurice Craig in Classic Irish Houses of the Middle Size (1976) proposes that he was ‘eclectic’ not least because ‘he picked and chose his elements from pattern-books and combined them so that they compose well enough together: but they do not interact on one another.’ However, given his many other professional and financial interests, it must now be accepted that Clements was not an architect as we would understand the term. Rather he was an influence, or as Malcomson proposes, ‘a role model’, someone to turn to for advice. Furthermore, the design of his Ranger’s Lodge provided the prototype for a new generation of villa-farms that were not grand country houses but residences at the centre of working estates. All this is applicable to a house which has long been ascribed to Nathaniel Clements because it was built for his eldest son and heir Robert who in 1795 was created first Earl of Leitrim. Killadoon, County Kildare, shown in the pictures here today, surely ought to have been designed by Nathaniel Clements but even Mark Bence-Jones in his 1978 Guide to Irish Country Houses argued that ‘apart from having the “pattern-book” tripartite doorway with a fanlight, a baseless pediment and engaged columns which he seems to have favoured, it lacks the characteristics of the houses known to be by him or convincingly attributed to him.’ In fact, as Malcomson shows, Nathaniel and Robert Clements had a troubled relationship and he proposes that the older man’s input into the house’s design ‘must have been limited.’ The need for a thorough re-examination of 18thcentury architectural attribution remains. 

The text below originally appeared here in 2015. Tomorrow at Sotheby’s in London many of the items in the accompanying photographs will be offered for sale; thankfully not all, since some key pieces such as the 1770s sofas, the Axminster carpet from c.1820-30 and 19th century beds with their original hangings have been offered on loan to the state for public display. Nevertheless, the contents of another historic Irish house are being broken up because there is little or no official support for owners of such properties struggling to survive and eventually they are left with no option but to sell. 
It is worth pointing out – again – that legislation has existed on the Irish statute books for many decades which is supposed to ensure that valuable paintings, furniture and so forth remain in this country. The Documents and Pictures (Regulation of Export) Act dates from 1945 and was, in theory at least, supplemented by the National Cultural Institutions Act of 1997. The idea behind these pieces of legislation is that before any item over a certain fairly low value can leave the country, the parties responsible are required to seek permission from government-appointed authorities (until July 2015 usually one of the main national cultural institutions.*) However, there is no known instance where such an export licence has been refused; auction houses have long understood that this is a mere paper-filling formality. Tomorrow’s sale, for example, also includes a mahogany dining table attributed to Mack, Williams and Gibton and dated c.1815. It was listed in an inventory made of the contents of Carton, County Kildare in 1818 and has remained in the house until now when, after 200 years, it will be offered for sale tomorrow. 
Vendors vend, buyers buy, auctioneers auction. Across millennia collections have been assembled and dispersed. There are no villains here, no one deserves to be castigated for acting in an untoward fashion. But there is, as has been the case for too long, evidence of clear neglect on the part of the Irish state towards what becomes of our patrimony, and an obvious want of concern over how this has been steadily whittled down, year by year, house by house. One must ask what is the function of legislation observed in name only? Surely the purpose of enacting the laws mentioned above was to ensure that a reasonable effort would be made to retain valuable works of art and collections in Ireland? That is currently not the case. A general election takes place here in a few weeks’ time: readers might like to ask any candidates they encounter for an opinion on the national heritage and what might be done to retain whatever is still here. Otherwise expect more sales. 

Despite the many advances made in Irish architectural history over recent decades, some areas remain in need of further investigation. Among the most obvious of these is the question of attribution. There are significant houses across the country yet to be assigned to any architect, and others which need to have their accreditations reassessed. In the latter category are those properties given accreditations by the late Knight of Glin in the early 1960s when he was engaged on his uncompleted thesis on the subject of Irish Palladianism. At the time there was far less information available on or interest in architectural history than is now the case, and therefore the Knight was to a large extent dependent on instinct when allocating various houses to different architects, about whom little or nothing was known. Often he had to rely on his eye rather than on documentation, and as he admitted towards the end of his life, mistakes were made. To date insufficient effort has been made to correct these and as a result attributions made half a century ago still stand. An obvious opportunity for correction occurred with the appearance of the relevant volume in the Royal Irish Academy’s Art and Architecture of Ireland series published earlier this year, but the editors failed to avail of this opportunity. A reassessment of the Knight’s attributions still awaits requiring someone able to combine scholarship with connoisseurship. Until such time, in particular the output of gentlemen architects like Francis Bindon (whose name has appeared here on more than one occasion) will remain unclear. On the other hand, thanks to another book published in 2015 we are now in a much better position to assess the oeuvre of another talented 18thcentury amateur, Nathaniel Clements. 

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In 1754 John Carteret Pilkington published the third and final volume of his late mother Letitia’s celebrated memoirs in which he described Nathaniel Clements as being ‘a certain great man in Ireland, whose place of abode is not remote from Phoenix Park…whose acquirements have justly raised him from obscurity to opulence [and] whose extensive plans in building have excited an universal admiration of his taste in architecture.’ As Clements’ new biographer Anthony Malcomson noted, it was perhaps something of an exaggeration to claim he had raised himself from ‘obscurity’ but as a fifth son he would have been expected to make his own way in the world, especially since his father died when he was only seventeen. That father, Robert Clements had inherited an estate in County Cavan but in 1707 had secured the important, and lucrative, post of Teller to the Irish Exchequer. This job passed to his eldest son Theophilus who badly bungled his own financial affairs as was discovered when he died in 1728. Nevertheless, both the family and Nathaniel Clements were by this time sufficiently well connected for the Tellership of the Exchequer to pass to him, a job he held for the next twenty-seven years during which time, as Pilkington commented, he made himself exceedingly rich. His substantial income was boosted by money received from non-residents in receipt of an Irish pension for whom he acted as agent for decades (Malcolmson estimates that by the mid-1740s his annual income from this job alone was £1,500). He also held numerous other offices, all of which brought in additional funds. Much of this was used to acquire land, the most reliable form of investment in a period when banks failed regularly (as did that established by Clements and a couple of partners in 1759). By the end of his life he had bought up some 85,000 acres spread across three counties and producing an income of around £6,000 each year. 

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Another area of investment in which Clements engaged was housing, beginning with his participation in the development of Dublin’s Henrietta Street. The man behind this project, and others on the northern banks of the Liffey, was Luke Gardiner to whom Clements was related by marriage. Named after Henrietta, Duchess of Bolton, an old friend of Gardiner, whose husband acted as Ireland’s Lord Lieutenant in 1717-20, the street was from the start intended to be the capital’s premier address, its two sides lined with houses of princely splendor. As so often the case throughout 18th century Dublin, the exterior of the buildings, mostly standard red-brick and occupying sites of varying proportions, gave – and continue to give – insufficient notice of what lay behind the facades. Clements was responsible for constructing a number of houses on the street, beginning with Number 8 which was finished around 1733 and let to Colonel (later General) Richard St George. Three or four others then followed before he moved to Sackville (now O’Connell) Street, the initial development of which was likewise overseen by Gardiner. Here Clements built several more properties including a family residence that came to be known as Leitrim House. But having become ranger of the Phoenix Park in 1750 (having previously acted as deputy-ranger) he embarked on building himself a smart and substantial new villa. The Ranger’s Lodge was a five-bay, two-storey over full-height basement house on either side of which quadrants connected to L-shaped single-storey wings. Clements and his socially-ambitious wife hosted opulent parties on the premises intended to impress their contemporaries and to cement the couple’s place in Ireland’s hierarchy. In June 1760 for example, it was reported that the Clementses ‘gave an elegant entertainment to several of the nobility and gentry at his lodge in the Phoenix Park, which was illuminated in the most brilliant manner.’ Five years after Nathaniel Clements’ death in 1777, his son Robert sold the lodge to the government which then converted – and subsequently – enlarged the building for use as a Viceregal residence. Today the same property is known as Áras an Uachtaráin and occupied by the President of Ireland. 

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Nathaniel Clements’ engagement in speculative building, together with his reputation as an arbiter of taste, led to several buildings being attributed to him by the Knight of Glin. These included Brookelawn and Colganstown, County Dublin; Williamstown and Newberry Hall, County Kildare; and Beauparc and Belview, County Meath. All can be dated to c.1750-65, and all share certain stylistic similarities, not least reliance on Palladianism which by that date was fast falling from fashion. While respecting the Knight’s notion of Clements as an architect, and one responsible for the houses listed above, Maurice Craig in Classic Irish Houses of the Middle Size (1976) proposes that he was ‘eclectic’ not least because ‘he picked and chose his elements from pattern-books and combined them so that they compose well enough together: but they do not interact on one another.’ However, given his many other professional and financial interests, it must now be accepted that Clements was not an architect as we would understand the term. Rather he was an influence, or as Malcomson proposes, ‘a role model’, someone to turn to for advice. Furthermore, the design of his Ranger’s Lodge provided the prototype for a new generation of villa-farms that were not grand country houses but residences at the centre of working estates. All this is applicable to a house which has long been ascribed to Nathaniel Clements because it was built for his eldest son and heir Robert who in 1795 was created first Earl of Leitrim. Killadoon, County Kildare, shown in the pictures here today, surely ought to have been designed by Nathaniel Clements but even Mark Bence-Jones in his 1978 Guide to Irish Country Houses argued that ‘apart from having the “pattern-book” tripartite doorway with a fanlight, a baseless pediment and engaged columns which he seems to have favoured, it lacks the characteristics of the houses known to be by him or convincingly attributed to him.’ In fact, as Malcomson shows, Nathaniel and Robert Clements had a troubled relationship and he proposes that the older man’s input into the house’s design ‘must have been limited.’ The need for a thorough re-examination of 18thcentury architectural attribution remains. 

*In July 2015 An Taisce took a successful case in the High Court against the state delegating responsibility for the granting of export licenses to cultural institutions such as the National Gallery of Ireland. However, this does not appear to have made any difference to such licenses being granted. 

 
Nathaniel Clements, 1705-77: Politics, Fashion and Architecture in mid-Eighteenth-Century Ireland by Anthony Malcomson is published by Four Courts Press 

http://www.turtlebunbury.com/history/history_family/hist_family_clements.html 

Clements of Killadoon, Co. Kildare 

In the mid 17th century, a Leicestershire family emigrated to Massachusetts and so escaped the ravages of the English Civil War. Only one son, Daniel Clements, remained behind, serving a commission in the army of Oliver Cromwell. For his military services in Ireland he was rewarded with an estate in Cavan. His descendents rapidly scaled the heights of the Anglo-Irish ascendancy gaining the Earldom of Leitrim in 1795. Meanwhile, in America, Daniel’s sister Mary was arrested for witchcraft during the Salem Witch Trials.  

Daniel’s grandson Nat Clements was one of the great amateur architects of Georgian Ireland. Perhaps his best-known legacy is the Irish President’s residence, Arás an Uachtaráin, in Phoenix Park. In 1767 Nat’s eldest son Robert took the first lease on a property at Killadoon, Co. Kildare. A series of prudent marriages and the will of the assassinated 3rd Earl of Leitrim boosted the fortune of the Killadoon branch, but the subsequent land acts considerably reduced the size of the estate in the 20th century. Killadoon is presently home to Charlie Clements, representing the tenth generation of the Clements family since Daniel’s arrival in Ireland. 

FROM LEICESTERSHIRE TO AMERICA 

The Clements of Killadoon descend from Robert Clements (1595–1658), a prosperous English wine merchant living at Croft, six miles south of Leicester City, in the reign of James I. By his first wife Lydia, Robert was father of eight children – Job, John, Robert, Sarah, Lydia, Daniel, Abraham and Mary. 

During the 1620s, the Clements had a fleet of three ships that plied the Atlantic Ocean between England and North America. By the late 1630s, it seemed inevitable that the escalating division between Royalists and Republicans in England would result in Civil War. The Clements appear to have been opponents of Charles I at this time. 

Lydia Clements died in March 1641 causing much distress in the family. Her son Job appears to have journeyed to America at this time with some freinds and, having scouted around New England, deduced that it was a suitable place to live. He subsequently convinced his distraught father to sell their estate in England and voyage to America with him. Robert Clements was subsequently hailed as a co-founder of the frontier settlement of Haverhill, Massachusetts.  

MARY OSGOOD & THE SALEM WITCH TRIALS 

In due course, several of Job’s brothers and sisters also crossed the ocean, except for two brothers Abraham and Daniel (see below) and his youngest sister Mary Clements who, born in 1637, may have been considered too young to travel in 1642. Mary was left in Coventry with a Mrs. Biddle. She finally sailed for New England in 1652.  

On November 15th 1653, Mary was married by arrangement to another early Haverhill settler, Captain John Osgood. Mary’s father, Robert Clements, now a New England magistrate, personally conducted the marriage ceremony. Over the next twenty years, Captain Osgood became a man of prominence in the state, having his own cavalry troop and acquiring considerable lands around Andover. 

In the summer of 1692 the towns of Massachusetts were immersed in a hysteric frenzy that became known as the Salem Witch Trials. The origin of this horrific affair probably stems from an African slave called Tituba who entertained the young white children with his stories of voodoo. This initially amounted to little more than floating an egg white in a glass of water and predicting future husbands. However, for unknown reasons, certain girls started having fits, making strange noises and contorting their bodies in an alarming manner. Doctors were summoned and the town elders, Puritans to a man, began to speak in increasingly high voices of witchcraft. The girls were apprehended and asked to provide the names of any witches living locally. Over the next three months, 141 people were arrested. 19 of these were hanged, including Tituba, while seven died in prison and one was crushed to death. In September 1692 Mary Osgood, hitherto regarded as “a remarkably pious and good woman”, was suddenly accused of witchcraft. Her accuser appears to have been Dudley Bradstreet, a friend of her husband. As one of the leading women in Andover at the time, her arrest caused much astonishment to the local community but the frenzy of what became known as the Salem Witch Trials was at full steam with nearly twenty people already executed. Her own son Peter Osgood, then Constable of Salem, oversaw her transportation to trail in Salem where she was asked to confess that she had indeed been had been “dipt” by Satan. The confession came on her husband’s advice, it being considered the only feasible way she might escape execution by burning. However, in the end, the awfulness of a confession that one had given body and soul to Satan, outweighed in Mrs. Osgood’s mind the desire for life and she recanted, and with others signed the following petition:– 

“Our nearest and dearest relations seeing us in that dreadful condition, and knowing our great danger, apprehended there was no other way to save our lives…. Indeed, that confession that it is said we made was no other than what was suggested to us by some gentlemen, they telling us that we were witches, and they knew it and we knew it, which made us think that it was so, and our understanding, our reason, our faculties almost gone we were not capable of judging our condition. As also the hard measures they used with us rendered us incapable of making our defence, but said any thing and everything which they desired and with most of us, what we said was but in effect a consenting to what they said. Sometime after, when we were better composed, they telling us what we had confessed, we did profess that we were innocent and ignorant of such things. Mary Osgood, Deliverance Dane, Sarah Wilson, Mary Tyler, Abigail Barker, Hannah Tyler.” [1] 

Mary was discharged in January 1693. Captain Osgood died the following August, apparently through sheer stress of the trials. His widow lived on until October 1710. The story of the “Salem Witch Trials” formed the basis of Arthur Miller’s play, “The Crucible”.  

DANIEL & ABRAHAM CLEMENTS 

While the majority of Robert and Lydia Clements children emigrated to North America, two sons stayed behind, Abraham and Daniel. It is thought they had both been conscripted into King Charles I’s army but later joined Oliver Cromwell’s Commonwealth (or Republican) army. It is not clear when or why they made this decision. Perhaps it was in response to the destruction of nearby Leicester City, a Republican stronghold, by Prince Rupert’s Royalist forces in May 1645. In 1646, the brothers both went to Ireland with Cromwell’s army, arriving into the port of Waterford in the south of Ireland. 

Daniel Clements was a Cornet, or junior officer, in Colonel Chidley Coote’s cavalry regiment.[2] He later transferred to the regiment of Chidley’s brother, Colonel Thomas Coote, with whom he was stationed in Belfast. Unconfirmed sources suggest he was present at the siege of Drogheda in September 1649. In 1657, by way of a reward for his military service, Daniel received a grant of about a thousand acres at Rathkenny, County Cavan. 

Abraham Clements also settled in Cavan and married Jane _____. His only child was a daughter, Lydia, who married Joseph Pratt. He left no sons so the name did not carry on through his blood-line.  

ROBERT CLEMENTS, TELLER OF THE IRISH EXCHEQUER 

Daniel died in June 1680 and was succeeded by his son Robert who, like so many Cromwellian settler families, was attainted by the Irish Parliament of James II in 1689. However, with the accession of William III and Mary, he was restored to his estates and appointed Deputy Treasurer of Ireland. Robert, who lived at Abbotstown near Castleknock, served as High Sheriff for County Cavan (1694), MP for Carrickfergus (1692) and as Teller of the Irish Exchequer in the reign of Queen Anne. He married Elizabeth Sandford, daughter of Colonel Theophilus Stanford and had four sons and a daughter.[3] 

The eldest son Theophilus Clements, a bachelor, succeeded to Rathkenny and 1722 and served as MP for Cavan from 1713 through to his death, aged 41, in 1728. In 1724 he presented the Borough of Cavan with its Silver Mace.  

The second son Robert became MP for Newry in 1715 and was forebear to the Lucas Clements family of Rathkenny, Co. Cavan.  

The third and youngest brother Nathaniel (“Nat”) Clements (1705 – 1777), a Dublin banker, architect and politician, was a close friend of the property developer Luke Gardiner. When Gardiner retired from public office in 1755, Nathaniel succeeded him as both Deputy Vice-Treasurer and Deputy Paymaster-General of Ireland. The two men worked together on the development of Dublin’s north side and Nat designed an imposing house for himself in Henrietta Street. He also worked in conjunction with Sir Edward Lovett Pearce, the most distinguished architect in Ireland, and his successor, Richard Castle. In April 1751, Nat was appointed Chief Ranger of the Phoenix Park, to which purpose he built a house in the Park known today as Arás an Uachtaráin, home to the Irish President. Nathaniel Clements is credited with the design of many other buildings of note such as Newbery Hall and Williamstown in Carbury, Lodge Park in Straffan and Colganstown outside Newcastle, Co. Dublin. 

In 1729 Nat married Hannah Gore, daughter of the Rev. William Gore, Dean of Down. Her uncle Sir Ralph Gore of Belle Isle, Co. Fermanagh, was a close friend of Speaker William Conolly and succeeded him as Speaker of the House of Commons in 1729. He was subsequently appointed Chancellor of the Irish Exchequer. Hannah was also a cousin to the “Nine Gore” brothers who sat in the Commons during the 1740s. Nat and Hannah had two sons – Robert and Henry.  

ROBERT CLEMENTS, CONTROLLER OF CUSTOMS 

Nat and Hannah’s elder son Robert seems to have inherited the Gores bent for politics and devoted considerable time and expense to ensuring his position in the government of the day. He also expended considerable effort petitioning for an Earldom, which title he was eventually granted through a combination of skilled political manoeuvring, social positioning and sheer persistence. Over the years, he held a succession of offices: Controller of the Great and Small Customs of the Port of Dublin for 46 years from 1760 until his death; Ranger of Phoenix Park 1777-87 and Searcher, Packer & Gauger at the Port of Dublin in 1787. In each role, he created connections and established relationships with the prime movers in both government and society. In 1765 he married Elizabeth Sandford of Maynooth which brought him further estates in County Kildare.  

Robert Clements (1732-1804) 1st Earl of Leitrim by Gilbert Stuart courtesy of Christie’s Irish Sale 2001.

In 1767, Robert leased 140 acres at Killadoon outside Celbridge from Tom Conolly of Castletown. Tom’s great uncle, Speaker Conolly had purchased the property from the Plunkett family in 1724. In 1769 Robert leased a further 112 acres at Killadoon and commenced building a new house. His architect father does not seem to have had a say in the design, attributable perhaps to an unexplained rift that had evolved between the two men. The agricultural observer Arthur Young visited Robert in June 1776, shortly after Killadoon’s completion. He described it as “an excellent house, and planted much about it with the satisfaction of finding that all his trees thrive well. I remarked the beech and larch seemed to get beyond the rest.” Young felt Robert was “a good farmer, growing cabbages to feed the sheep and potatoes to feed the pigs”. In 1795, as a reward for his assistance in securing a parliamentary seat for the Lord Lieutenant’s private secretary, Robert was finally given the Earldom he had sought since his youth. The 1st Earl of Leitrim died in 1804, having been one of the most prominent supporters of the Union of Great Britain and Ireland. 

Robert Clements, later First Earl of Leitrim, by Pompeo Batoni, about 1753–1754, Hood Museum of Art.

His butler John McMahon/MacMahon was born in about 1735. It may have been Robert Clements influence that secured McMahon’s appointment as Comptroller of the Port of Limerick. McMahon later made an expedient second marriage into the wealthy Stackpoole family. The Gentleman’s Magazine of 10 April 1860 (p. 533) has an obituary to General Thomas MacMahon, who died at Great Cumberland Street, Hyde Park, and refers to ‘the gallant General’ as ‘a son of the late John McMahon, esq, sometime Comptroller of the port of Limerick; his mother was one of the Stackpooles of the county of Cork. He was born in December 1779 and entered the army towards the close of the last century.’ The Cumberland link is his is confusing because I assume he was also connected to this lady: ‘In North Cumberland street, Dublin. Catherine, wife of John MacMahon, Esq. aged 66 years’ Limerick and Clare Examiner, 4 February 1852 … it may help to follow the Clare-Limerick connection via the landedestates.ie database plus links like this and this. I took an interest in this when researching the Victorian canal engineer John MacMahon.  

HAL CLEMENTS & THE SEVEN YEARS WAR 

On May 15th 1756, Great Britain, in alliance with the German states of Prussia and Hanover, declared war on France. Within weeks, the French had managed to secure the support of Austria, Russia, Sweden and Saxony. The war quickly spilled across the Atlantic Ocean to North America where French and British troops were attempting to wrestle control of one another’s’ territory. Amongst those troops sent to assist the British in America was 23 year-old Henry Theophilus Clements, the younger son of Nat Clements the architect. Henry – known as Hal – was a junior officer in Lord Blakeney’s Inniskilling Regiment, the 27th Foot. 

In August 1757, a sizeable French army under the Marquis de Montcalm laid siege to the British stronghold of Fort William Henry on the southern banks of New York States’ Lake George. A short distance away, lay a significant British force commanded by Hal Clements future father-in-law, General Daniel Webb. General Webb is a somewhat controversial figure in 18th century military history, contributing to one of the more memorable scenes in “The Last of the Mohicans”. Faced with a French assault, Fort William Henry’s commander, Colonel Monro, sent urgent messages to Webb for assistance. Webb declined the request, despite strong words from his second-in-command, Sir William Johnson. “General Webb, just what in the hell are you doing sitting here when Fort William Henry is under attack? We’ve got men fighting and dying up at the lake. They have got to have help. Now!” Webb remained unmoved and Monro was obliged to surrender. The following day Monro’s retreating garrison was attacked by Panaouska, war chief of the Abnakis. Nearly a hundred British soldiers were killed and scalped within minutes. 

The assault on Fort William Henry had been orchestrated from Fort Carillion, a French fortress on the Ticonderoga peninsula. In July 1758, Hal Clements was one of 16,000 British Redcoats who attempted to oust the 3200-strong French garrison from Fort Carillion. Under the command of General Abercromby, the assault was an unmitigated disaster. The British lost over 1900 men, a third of whom were members of the Highland “Black Watch” Regiment. Despite being outnumbered 4 to 1, the French prevailed. 

The Seven Years War came to an end with the treaty of Paris in February 1763. Having obtained the rank of Lieutenant Colonel, Hal duly returned to Ireland. Seven years later, he greatly enhanced his personal fortune when he married Mary Webb, daughter and heiress of the afore-mentioned General Daniel Webb. He was appointed High Sheriff of Co. Cavan in 1766 and Leitrim in 1773. He sat in Parliament from 1769 until his death in 1795, variously representing the borough of Cavan and county of Leitrim. In 1777, he succeeded his father as Deputy Vice-Treasurer of Ireland, an office that greatly increased his personal wealth but which was abolished in 1793. He principally resided at Woodville near the Lucan spas outside Dublin where he often entertained the Lord Lieutenant. Woodville previously belonged to John Hawkins, the Ulster King of Arms. 

Mary Clements provided Hal with three daughters before dying young in the winter of 1777. Hal married his second wife Catherine Beresford in August 1778. His timing couldn’t have been better. Catherine’s father John Beresford, a brother of the 1st Marquess of Waterford, had lately been appointed to the lucrative post of Taster of the Wines in the Port of Dublin. Over the course of the 1780s and 1790s Beresford became the central figure in a powerful trio of Irish ministers (the others being John Foster and John Fitzgibbon) who governed Ireland on behalf of successive lord lieutenants in the lead up to the Act of Union. Beresford’s position as Chief Commissioner of the Irish Revenue from 1780 gave him control of extensive patronage, of which his son-in-law was content to take advantage. 

Colonel Hal Clements died on 26th October 1795 and was succeeded by his 14-year-old son Henry John Clements.  

HENRY JOHN CLEMENTS (1781-1843) 

Henry John Clements was 17 years old when rebels struck at Killadoon during the 1798 Rebellion but the house survived the looting. A committed Tory, Henry represented Counties Leitrim (1804 – 1818) and Cavan (1840 –1843) in the House of Commons. He was also a Colonel in the Leitrim Militia. In December 1811 he married Louisa Stewart (d. 27 April 1850) and settled at Ashfield Lodge, Cootehill, Co. Cavan.  

James Stewart (1741-1821) of Killymoon, County Tyrone, by Pompeo Batoni, Ulster Museum, National Museum of Northern Ireland.

Louisa’s father was James Stewart, MP, of Killymoon, Co. Tyrone. Stewart was a leading advocate for the abolition of penal laws against the northern Presbyterians. In 1772 he married Lady Elizabeth Molesworth, one of the heiresses of the substantial Molesworth estates. In 1763, Lady Elizabeth was badly injured in a fire at the family’s London townhouse that killed her widowed mother, two sisters and six servants, and sent her only surviving brother insane. By 1840, however, the Stewart family were in such terrible financial difficulty that Louisa’s siblings were obliged to seek refuge from their creditors in Boulogne. Following the death without issue of her only brother, Colonel William Stewart, in 1850, the Molesworth rents passed to her.  

Louisa’s husband, Colonel HJ Clements had died seven years earlier at the age of 62 and thus, on her death in the winter of 1850, the Molesworth estate passed directly to her eldest son, Henry Theophilus Clements. 

HENRY THEOPHILUS CLEMENTS (1820-1904) 

Henry Theophilus Clements was a man on whom destiny kept bestowing great fortunes. He was born at Ashfield Lodge, Co. Cavan, in 1820. After an education in England and on the Continent, he followed family tradition and became a gentleman and magistrate in his home county. Following the death of his father in 1843, he inherited Ashfield and was appointed Deputy Lieutenant, JP and High Sheriff for Cavan (1849). He later became a Colonel in the Leitrim Rifles and High Sheriff for Leitrim (1870). When he was 30-years old, his mother died and left him the Molesworth estates.  

Colonel Henry John Clements (1781-1843) of Ashfield, Co. Cavan by Martin Cregan, courtesy of Christie’s Irish Sale 2001. He was the son of Henry Theophilus Clements (1750-1795), a brother of the 1st Earl of Leitrim, and Catherine Beresford (1761-1836). He married Louisa Stewart (1778-1850) of Killymoon, Country Tyrone, daughter of James Stewart (1741-1821).

On 3rd December 1868, the 48-year-old Colonel was married at St Gabriel’s, Pimlico to Gertrude Markham, youngest daughter of David Markham, Canon of Windsor and Rector of Great Horkesley in Essex. Her brother was Sir Clements Robert Markham, the celebrated explorer and President of the Royal Geographical Society. 

On April 2nd 1878, Henry’s second cousin, the 3rd Earl of Leitrim, was assassinated near Milford in co. Donegal. The murder was in part a reaction to Lord Leitrim’s callous policy of evicting tenants and in part because the disreputable landlord had allegedly “debauched” a servant girl whose father was among the assassins.[4] As it happened, the Earl had fallen out with his own immediate family and so he bequeathed his vast property, consisting of nearly 96,000 acres in Leitrim, Donegal, Galway and Kildare, to a rather surprised Colonel HT Clements. On hearing this news, the Colonel promptly volunteered the Donegal estates to Robert Clements, the new Earl.[5] The Colonel subsequently employed Sir Thomas Drew, RHA, to add a substantial new wing to Lord Leitrim’s magnificent lakeside house at Lough Rhynn, completed in 1889. His inheritance also included the Clements estate at Killadoon, granted in fee to the 2nd Earl of Leitrim in 1853. 

Colonel HT Clements died on 7th January 1904 leaving two sons and two daughters, Gertrude (1873–1949) and Selina (1885–1961).  

HENRY JOHN BERESFORD CLEMENTS (1869–1940) 

Born in 1869, the Colonel’s eldest son Henry John Beresford Clements was educated at Eton and earned the unusual epitaph of being the world’s most acknowledged expert in the field of “armorial book-binding”. This was a 14th century practice, greatly developed in subsequent centuries, whereby the family arms of private individuals were placed on book covers. Henry’s collection, bequeathed to the Victoria & Albert Museum after his death, is the largest of its kind in the world. As a young man, he served in the Great War, in India and on the Western Front. He was sent home twice – once with frostbite, once with a wounded leg – and finished the war, like so many of his forbears, with the rank of Colonel. He was also involved in the judicial and administrative running of counties Leitrim and Cavan, serving variously as High Sheriff, DL and JP, as well as JP for Co. Kildare. 

“According to one of his employees, Thomas Boyle, Henry was a `very good employer’. Although he spent most of his time at his Killadoon estate, near Celbridge, Co. Kildare, Clements with his family and their servants spent about a month at Rynn each year. Boyle recalls that there were 46 workers on the payroll at the time, including Mr Steward the estate manager, Revd JG Digges the chaplain, Mr Hardy the steward and a housekeeper. In addition to a weekly wage of ten shillings (about €0.65), all the married workers received a partly furnished house, grass for a cow or donkey, ground for sowing potatoes a good sized garden and turbary rights – and seven tons of good farm manure. Thomas recalls the workers’ concern over Lloyd George’s Agricultural Wages Act of 1917: they were sure that Clements would dismiss a lot of the men rather than pay the newly mandated rate of 27/6 a week. Apparently not one man was dismissed – and while there were new contributions to be made for house rent, grazing, etc, the deductions amounted to less than 5 shillings a week”. [6] 

Henry married Eleonore Wickham (d. 1955) of Binstead Wyck, Yorkshire. Her father William Wickham, MP, was a keen biologist and Fellow of the Linnean Society while her great-grandfather, also William Wickham, was a master spy for the British during the French Revolution and, like the Scarlet Pimpernel, helped numerous aristocrats escape the guillotine.  

They had three sons (Henry, Charles and Robert) and three daughters (Eleonore, Cecily and Violet). The youngest son Bob Clements, or Riobard Mac Laghmainn, is of particular interest as became a prominent supporter of the Irish Republican Army during the 1930s. Born in 1900, he became a Nationalist while studying at Trinity College Dublin during the Anglo-Irish War of 1919. He was interred at the Curragh during the Second World War, during which time he learned how to speak fluent Irish. In later years, he lived at Killadoon. He was still speaking soft, fireside recollections when Charlie and Sally Clements moved into the house in 1991.[7] 

Henry’s younger brother Lieutenant Colonel Marcus Clements, DL, JP, was born on 29th September 1879 and educated at Harrow and Trinity College Oxford. He served with the King’s Royal Rifle Corps in the Great War, was wounded and retired from the army in 1924 to live at Ashfield Lodge in Cavan. On 14th April 1932 he married Wilhelmina, only daughter of Lt Col William Lennox-Conyngham, OBE, of Springhill, Moneymore, Co. Derry, by whom he had a son Marcus and daughter Kate. 

Henry’s eldest son Lieutenant Colonel Henry Theophilus Clements was born in November 1898 and educated at Eton. After a short spell at the Royal Military Academy in Woolwich, he saw action in France during the Great War. He served again in World War Two, commanding the 144th Field Regiment of the Royal Artillery in the Allied assault on Italian occupied Sudan in 1941. He was later Chairman of the Irish branch of SSAFA (the Soldiers’, Sailors’, Airmen and Families Association). He lived at Lough Rynn while his younger brother Robert, a solicitor, and sister Cecily, lived at Killadoon. He died unmarried on 6th August 1974, having made over Lough Rynn to his cousin Marcus (see below) in 1963. In his will, he bequeathed Killadoon to his sister Cecily, known as Kitty, for life with remainder to Charlie, eldest son of his cousin Marcus.  

Lieutenant Colonel Marcus Clements died on 17th February 1952 and was succeeded by his 17-year-old son, also Marcus, then a student at Eton. Ashfield Lodge was sold shortly afterwards and sadly demolished. His widow remarried Colonel Bob McClintock, DSO, youngest son of the Arctic explorer Admiral Sir Francis McClintock. Nearly all of the original Lough Rynn Estate had by now been sold off by the Land Commission – mostly to descendants of the tenants of the previous century. The Clements’ continued to live at Lough Rynn up to the 1970s, but on a much reduced estate. In 1990, the remainder of the estate was bought by Mike Flaherty, an Irish-American businessman.[8] 

Marcus went on to study agriculture at Cirencester and, in May 1959, married Joanne Fenwick. Her father, Commander Charles Edward Fenwick, RN, was head of India’s naval fleet after Indian independence was granted in 1948 and later served as an attaché with NATO in Brussels and Greece. They have three sons – Charles (1960) who is married to Sally and now runs Killadoon; Nat (1964), a decorative art specialist and Hal (1965), a wallpaper specialist – and two daughters – Fiona (1961) and Selina (1967). In 1961 Marcus’s sister Kate married Frank Mashahiro Okuno of Yokohama, Tokyo, with whom she had Richard (1962), Marcus (1963) and the late Mary Okuno. 

With thanks to Fiona Clements. 

  

NB: Those interested in the Clements story might like to seek a CD of a book written by an American relative (and Republican politician) Percival Wood-Clement (1846-1927) of Rutland Vermont, http://en.wikipedia.org/wiki/Percival_W._Clement According to Fiona Clements, ‘Percival was passionately empirical about his research, and photo-copied as many original documents as he could find, including the deed of sale between the founders of Haverhill and the Passaaquo and Saggahew Indians.’ 

  

FOOTNOTES 

[1] Charles W. Upham, Salem Witchcraft, With an Account of Salem Village and a History of Opinions on Witchcraft and Kindred Spirits (1867). 

[2] Chidley was the second son of Sir Charles Coote, a bloody-minded “New English” planter, killed leading a cavalry charge against Confederate forces at Trim in 1642. Chidley’s descendents were the Eyre-Cootes of Kilmallock, Co. Limerick. In 1808 Sir Eyre Coote was appointed Governor of Jamaica. In “In His Own Words: Colin Powell”, published in 1995, General Powell, US Secretary of State under the Bush administration, claimed kinship with the House of Coote by way of a secretive liaison between the Governor and a slave girl called Sally. 

[3] I am indebted to Anthony Malcolmson’s expert insight into the “Killadoon Papers” and “Ancestors & Descendants of Robert Clements of Leicestershire & Warwickshire, Eng., first settler of Haverhill, Mass”, P. W. Clement. 2 vols,. 1927.  

[4] The murder was to prove the inspiration for Shane Leslie’s story, “Lord Mulroy’s Ghost”. 

[5] This arrangement was later confirmed when Parliament passed the Leitrim Estate Act 1879. the 4th Earl rapidly set about regaining the trust of the Leitrim people. His son Charles Clements (1879 – 1952) was the 5th and last Earl of Leitrim. He was second only to Colonel Fred Crawford in organizing gun-running for the Ulster Volunteer Force between 1912 and 1914. In 1915 his wife, the Countess of Leitrim, caused quite a stir when she argued for compulsory recruitment of the Irish for the Great War. She stated that in “so many ways they [the Irish] are like children & they don’t understand an invitation where they would quietly obey an order”. Anglo-Saxons & Celts: Study of Anti-Irish Prejudice in Victorian England, L.P. Curtis (New York, 1969). 

[6] Fiona Slevin, Lough Rynn: Lives & Times. 

[7] The IRA in the Twilight Years, 1923 – 1948, Uinseann MacEoin (Argenta, 1997). 

[8] Flaherty developed the gardens and opened them to the public. The current owners are developing a hotel and golf resort on the site. 

In Living in Ireland by Barbara and Rene Stoeltie 

Moydrum Castle, Co Westmeath – ruin

Moydrum Castle, Co Westmeath

Moydrum Castle, County Westmeath entrance front c. 1860, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London. 

p. 219. “(Handcock, Castlemaine/B/PB) An early C19 castle by Richard Morrison, built 1812 for 1stLord Castlemaine; incorporating an earlier house described at the time as “nothing more than an ordinary farmhouse, contracted in its dimensions, mean in its external form, and inconvenient in its interior arrangements” in contrast to “most finished and complete residence” which it became. As completed the castle had battlemented and machicolated entrance tower with two slender polygonal turrets and a perpendicular window above the front door; at one side was a single bay with another polygonal turret, at the other a lower and longer battlemented range. Burnt 1921.

Moydrum Castle, County Westmeath, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.

Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988. 

p. 144. …the interiors were a mixture of Gothic and classical as at Thomastown, County Tipperary and Borris County Carlow. …Now a ruin.

Moydrum Castle, County Westmeath, photograph by Robert French, (between ca. 1865-1914), Lawrence Photograph Collection, National Library of Ireland.

http://lordbelmontinnorthernireland.blogspot.com/2016/06/moydrum-castle.html

THE VISCOUNTS CASTLEMAINE WERE MAJOR LANDOWNERS IN COUNTY WESTMEATH, WITH 11,444 ACRES
WILLIAM HANDCOCK (c1631-1707), of Twyford, County Westmeath, descended from a family of considerable antiquity in Lancashire, MP for that county in the first parliament after the restoration of CHARLES II, was nominated one of the Council of Connaught, and obtained a patent, 1680, to erect his estates into a manor, under the designation of the Manor of Twyford, with ample privileges.

Mr Handcock married, in 1652, Abigail, sister of Sir Thomas Stanley, by whom he had, with other issue,

THOMAS, his heir;
William (Sir), Recorder of Dublin;
Stephen (Very Rev), Dean of Clonmacnoise;
Matthew (Ven), Archdeacon of Kilmore;
Stanley, drowned;
Hannah; Sarah; Elizabeth.

The eldest son,

THOMAS HANDCOCK (1654-1726), of Twyford, MP for Lanesborough, 1692-5, espoused, in 1677, Dorothy Green, and had issue,

WILLIAM, his heir;
Eliah;
Thomas;
Samuel;
Sarah; Abigail; Mary; Dorothy.

Mr Handcock was succeeded by his eldest son,

WILLIAM HANDCOCK (1676-1723), MP for Athlone, 1703-14, County Westmeath, 1721-23, who wedded Sarah, daughter of Richard Warburton, and had issue,

WILLIAM, his heir;
George;
Thomas;
RICHARD, of whom hereafter;
Robert;
John Gustavus;
Abigail; Susan; Dorothy; Susanna.

Mr Handcock was succeeded by his eldest son,

WILLIAM HANDCOCK (1704-41), MP for Fore, 1727-41, who espoused Elizabeth, second daughter of the Rt Rev Sir Thomas Vesey Bt, Lord Bishop of Ossory, though the marriage was without issue, and he was succeeded by his brother, 

THE VERY REV RICHARD HANDCOCK (c1716-91), of Twyford, Dean of Achonry, who married Sarah, only daughter and heiress of Richard Toler, of Ballintore, County Kildare, and had issue,

WILLIAM, his heir;
Richard;
Sarah; Susanna; Dorothy; Mary; Elizabeth; Anne.

The Dean was succeeded by his eldest son,

THE RT HON WILLIAM HANDCOCK MP (1761-1839), MP for Athlone, 1783-1800, who was elevated to the peerage, in 1812, in the dignity of Baron Castlemaine.

His lordship was advanced to a viscountcy, in 1822, as VISCOUNT CASTLEMAINE.

On his lordship’s death the viscountcy expired, though the barony passed to his brother.

The heir apparent is the present holder’s only son, the Hon Ronan Michael Handcock. 

The 5th Baron was the last Lord-Lieutenant of County Westmeath, from 1899 until 1922.

Roland Thomas John [Handcock], 8th and present Lord Castlemaine, MBE, lives at Salisbury, Wiltshire.

The heir is the present holder’s son, the Hon Ronan Michael Handcock (b 1989).

MOYDRUM CASTLE, near Athlone, County Westmeath, was a seven-bay, two-storey over basement castellated country house, rebuilt ca 1812 (incorporating the fabric of an earlier house built c1750), having an advanced three-storey breakfront/gate tower (offset) to the west side of centre.

There were turrets on an octagonal plan to the corners of an advanced tower and to the west end of the front façade (north); a turret on square plan to the east end.

The house is now out of use, derelict and partially collapsed to the west side.

There were rough-cast, cement-rendered walls, now failing and exposing limestone rubble construction below, with cut stone plinth to base.

Clasping buttresses between bays to the east side of tower; extensive decoration to walls with incised cross loop motifs, cut stone quatrefoils and cut stone hood mouldings over window openings.

The walls are now largely overgrown with ivy.

Square-headed openings to main body of structure, originally having cut stone surrounds and cut-stone tracery.

Tudor Gothic-arched doorcase to front face of tower, inset within a Tudor-Gothic arched recess and originally with cut stone surrounds (now gone).

Pointed-arched window over doorcase to first storey, originally with Geometric tracery.

Set back from road in extensive mature grounds with remains of a walled garden and ancillary structures to the rear.

These remain impressive and picturesque ruins of a large-scale, Gothic-Revival, castellated country house.

The scale and the attention to detail are still apparent, despite its ruinous condition; and fragments of the early cut stone detailing are still evident to a number of openings from behind the extensive ivy growth.

This important Gothic-Revival essay was built to designs by Sir Richard Morrison (1767-1849), who was commissioned by William Handcock to rebuild an existing house befitting of his new status as Lord Castlemaine, ca 1812.

The house was burnt by the IRA in 1921 and has remained a ruin ever since.

Moydrum Castle, given its status as the seat of HM Lord-Lieutenant of County Westmeath and a member of the House of Lords, was chosen as a suitably symbolic target for Irish republican reprisals: On the night of July 3rd, 1921, an assembly of IRA members marched on the castle.

The 5th Baron was out of Ireland at the time, but Lady Castlemaine and their daughter, together with several servants, were in residence and were woken from their sleep by knocking at the door.

They were given time to gather together a few valuable belongings before the building was set alight. The blaze completely destroyed the castle.

Following the establishment of the Irish Free State, much of the land belonging to Lord Castlemaine was acquired by the Irish Land Commission.

The Castlemaines were never to return to Moydrum.

These impressive and romantic ruins have been much photographed since and a picture of the remains featured on the cover of the U2 album ‘The Unforgettable Fire‘.

These ruins have now become almost a place of pilgrimage for U2 fans and the interior walls are now covered with graffiti relating to the band, giving this site a new cultural significance.

Former residence ~ Rathmore House, Fiddown, County Kilkenny.

Castlemaine arms courtesy of European Heraldry.  First published in May, 2012.

https://archiseek.com/2013/moydrum-castle-co-westmeath

1814 – Moydrum Castle, Co. Westmeath 

Architect: Richard Morrison 

Described in 1837 by Lewis, “About a mile and a half from Athlone on the Leinster side of the Shannon is Moydrum Castle the handsome residence of Viscount Castlemaine a solid castellated mansion with square turrets at each angle beautifully situated on the edge of a small lake and surrounded by an extensive and richly wooded demesne.” In July of 1921 the British Army, searching for arms, burnt down 3 neighboring farms, the local Republican army retaliated by burning down Moydrum. 

https://theirishaesthete.com/2018/08/15/moydrum-1/

An Unforgettable Fire

by theirishaesthete


The ruins of Moydrum Castle, County Westmeath. The former seat of the Handcock family, an earlier house here was described in Neale’s Views of Seats (1823) as being ‘nothing more than an ordinary farmhouse, contracted in its dimensions, mean in its external form and inconvenient in its interior arrangements.’ By that date work was already underway to transform and enlarge the building into a neo-Jacobean castle designed by Richard Morrison suitable as a residence for William Handcock, raised to the peerage first as Baron and then Viscount Castlemaine. The completed work was described by Samuel Lewis in 1837 as ‘a solid castellated mansion with square turrets at each angle beautifully situated on the edge of a small lake and surrounded by an extensive and richly wooded demesne.’ This is what remains of the east-facing façade, the entrance resembling an immense gate-tower. Moydrum was burnt by members of the IRA in July 1921 and has remained derelict ever since: in 1984 a photograph of Moydrum by Anton Corbijn was used on the cover of U2’s album The Unforgettable Fire showing members of the band standing in front of the ruins.

http://greatirishhouses.blogspot.com/2013/08/moydrum-castle-athlone-co-westmeath.html 

http://davidhicksbook.blogspot.com/search?updated-max=2014-04-21T13:13:00-07:00&max-results=7&start=45&by-date=false 

SATURDAY, 29 JUNE 2013 

Moydrum Castle 

Co. West Meath 

The Unforgettable Fire  

A picture containing grass, photo, building, sign

Description automatically generated 
The 1984, U2 album cover of the “Unforgettable Fire” which featured the iconic image of the castle. Accreditation-  Copyright Universal Island Records Limited  Moydrum Castle stands near the small village of Ballylin outside Athlone in County Westmeath. This dramatic ruin has become a site of pilgrimage for fans of the band U2, since this building was featured on their ‘Unforgettable Fire’ album cover in 1984. The title of this album aptly describes how this now ivy covered hulk met its end in a conflagration of epic proportions in 1921. Today a lot of Moydrum Castle’s architectural detail is obscured by ivy which is also threatening the structural integrity of this building.   Modern houses have grown up around the demesne and a public road passes very close to what remains of the castle. The walled gardens and other outbuildings to the rear of the main structure are being reused and adapted to suit alternative modern uses. The derelict remains of Moydrum Castle are a sad reminder of the passive nature that is adopted in regard to the preservation of historical and culturally significant buildings such as this. The area immediately around the castle is out of bounds to the general public and over zealous U2 fans. Their scrawled tributes on the gate entering the castle’s curtilage are a sad reminder of what an untapped resource this building is for the local community. 

The story of this building begins with William Handcock who was an M.P. for Athlone, who was created Baron Castlemaine in 1812 for his support for the Act of Union. In that same year in recognition of his new position in society he employed the leading architect, Richard Morrison, to design a castle in the Gothic Revival style. The building was essentially a two-storey, over basement castellated country house which was completed in 1814. It incorporated an earlier house that existed on the site from 1750 which had been described as an ordinary farmhouse with inconvenient interior arrangements. The completed castle had a battlemented entrance tower with two slender polygonal turrets on either side of the large entrance door. The entrance front was asymmetrical with a polygonal tower at one end and a square tower at the opposite corner. The windows of the front elevation had Gothic tracery while those on the side of the castle that over looked the garden had regular square headed sash windows. Over the front door there was balcony which could be accessed by a French door in an elaborate church-like window.  While the exterior of the castle was Gothic in style, the interior was classical and was described as being similar to Borris House in County Carlow. There were a substantial quantity of farm buildings and gardens to the rear of the castle which were necessary to service a building of this size. The castle had an extensive complex of twenty seven outbuildings and many local people from the surrounding townlands were employed in various parts of the estate. Morrison was also engaged to design a hunting lodge on Hare Island which was a retreat for Baron Castlemaine and allowed him the opportunity to engage in fishing, shooting and boating on Lough Ree. A set of imposing gates and an adjoining lodge provided access to the demesne and the road that winds through the estate is still used today. After travelling through the entrance gates, the road divided in two, one road led to the front of the house while the other diverged and led to the servant’s entrance at the rear. Those lucky enough to be guests of the Castlemaine’s travelled through the landscaped parkland and over a little bridge that spanned a lake to the right of the castles entrance front. 

The first Baron Castlemaine met an untimely end in 1839 when he fell out of his first floor bedroom window of the castle during a storm. As he had no children, the title and estate passed to his brother Richard. The second Baron Castlemaine did not enjoy the fruits of his new title for long, as one year later in 1840 he died in Dublin. He was then succeeded by his son, also named Richard, who was now styled the third Baron Castlemaine. Further problems were experienced by the family in 1840 when Moydrum Castle caught fire. An unattended candle in Lady Castlemaine’s bedroom caused the blaze after it fell into a turf bucket. This was one of three fires that were to occur during the lifetime of the castle which seemed destined to burn down. In order to reduce the pain and suffering of the tenants on the estate during the famine in the 1840s, a number of building projects were undertaken as a form of famine relief.  These projects included the construction of a private family church, new entrance gates, farm buildings and an eight foot wall that enclosed the demesne. In 1859, the third Baron Castlemaine received six proposals from the architect William George Murray for a Tudor Gothic entrance gate and lodge but these were never executed. In 1869 the third Baron Castlemaine died and his son became the fourth Baron Castlemaine. Both of theseBarons did not treat their tenants well and were considered tyrants and a lot of public resentment existed locally against them. Possibly to appease local sentiment, the fourth Baron instigated a number of works centred on Moydrum church. A plaque on the gable of this building records that the entrance porch was erected by the fourth Baron in 1876. From 1886 onwards the fourth Baron began to sell off the lands of the estate under the Land Purchase Acts. In just over twenty years, the Handcocks had reduced their land holding from 12,041 acres to just 550 acres.  

Both the fourth Baron Castlemaine and his wife died in 1892 and the Moydrum estate passed to their son Albert Edward Handcock now the fifth Baron Castlemaine. As Albert had received a substantial inheritance from his father together with Moydrum, he led a life of leisure as a country gentleman. He married Annie Evelyn Barrington from Kent in 1895 and after their marriage they returned to set up home in Moydrum. Two years later they were blessed with their one and only child, a daughter who they named Evelyn Constance. In the 1901 census the castle is described as having thirty-four rooms and nineteen windows across its entrance front. In residence at this time are the 38 year old, Baron Castlemaine, his wife aged 27, his daughter aged 3 and their ten servants. By 1911 the Castlemaine’s are still living in Moydrum and their retinue of servants now includes a German butler. 

 Lord and Lady Castlemaine were very active in social circles and were often mentioned attending numerous balls and events. Many of these events included mixing in royal circles which would explain the visit of the Duke of Connaught to Moydrum in August 1905. His Royal Highness arrived in Athlone on the 7.15 train from Dublin and was met at the station by Lord Castlemaine. The entourage then proceeded to Moydrum Castle in a procession of motor cars. After a brief sojourn they drove all round Lough Ree showing Queen Victoria’s son the local sights. In the evening the Duke of Connaught returned to Moydrum Castle where he dined with Lord and Lady Castlemaine. He eventually left by motor car for Shannonbridge to witness the successful crossing of the river by the advanced party of the Red Army. In April 1909, Lord and Lady Castlemaine who had been spending the winter at Marlay Grange in Dublin returned to Westmeath. An enthusiastic welcome was given to the Castlemaine’s arrival at their family’s ancestral seat after a protracted absence. His lordship, accompanied by Lady Castlemaine and their daughter, the Hon. Evelyn Handcock arrived from Dublin by the afternoon train and drove immediately to their home. As they reached the Moydrum gates, lusty cheers were raised by their tenants while a local band played stirring music and bonfires were lit. It appeared that the animosity of earlier years had dissipated and that the Castlemaine’s were now much loved by their tenants. 
 

A ruinous fire eventually sealed the fate of Moydrum but the castle had avoided disaster by the same incident previously in 1840 & 1912. An account of the 1912 fire was featured in the national press which explained that paintings and antiques to the value of £1,000 were destroyed in the blaze that nearly claimed the life of Lady Castlemaine. Lord and Lady Castlemaine were in residence in the castle, when a fire began to fill the interior with smoke which awoke the household. Lady Castlemaine and the servants made their escape from the burning building by placing wet towels over their heads. The fire was quickly brought under control by the servants who saved the entire building from being gutted. The Castlemaine’s leased a house in Foxrock in Dublin while repairs and renovations were being carried out the castle in the aftermath of the blaze. Another strange incident to take place in Moydrum that was also featured in the national press highlighted the hatred that was beginning to boil over against the local landlord. On November 15, 1913 at 7.30pm a gun was discharged through the window of the drawing room of the castle. The window shattered and shot grains were found embedded in furniture at the far end of the room which smashed some of the china on the sideboard. Lady Castlemaine was in the castle at the time and both she and the servants were shocked by the incident. For the next number of yearsthe Castlemaine’s appeared to spend the winter months in Foxrock in Dublin and the remainder of the year was divided between Moydrum, London and Europe. By 1919, a worrying trend was developing in Ireland; the grand homes of the local gentry were being burnt down in order that the lands of the estate would be broken up. The Castlemaine’s were not initially concerned but as more and more houses were burnt; they thought it prudent to return to Westmeath. The fifth Baron was under the mistaken belief, that if he and his family were in residence it would ward off any attackers looking to take advantage of an empty house. In March 1921, Lord and Lady Castlemaine left Cannes in France where they had spent the winter. Lord Castlemaine returned firstly to Moydrum Castle and was joined shortly after by his wife who had spent some time in London.  Around this time, the house burnings in Ireland had become more sporadic and it was thought that the threat to Moydrum had lessened considerable. Now that Lord Castlemaine suspected that Moydrum was no longer a target for attackers he left for London and Scotland in mid June 1921. A further indication that he was not concerned with any threat to Moydrum was illustrated by the fact that he left his wife and daughter behind, convinced of their safety. However Lord Castlemaine’s home had become a target, as he was seen as a member of the British establishment, he was a member of the House of Lords, British officers had often stayed in Moydrum Castle and Lord Castlemaine had previously dismissed men from his employment that would not join the British army.

On July 3, 1921, armed men gathered in the castle grounds at 3.30 am on the Sunday morning and surrounded the building. Present in the castle was Lady Castlemaine, her daughter and eight servants. After a loud knocking at the door, her ladyship looked out her bedroom window where she seen about sixty men outside with revolvers. As their knocks went unanswered, they smashed through the ground floor windows and made their way up the stairs. Before they reached her bed chamber they encountered a frightened Lady Castlemaine on the landing. She was given five minutes to leave the castle as the intruders intended to burn it to the ground.  They said that they were burning her home as a reprisal for the recent burnings at Coosan and Mount Temple by the Black and Tans. They had procuredparaffin from the Castlemaine’s chauffeur and proceeded to move through the building, moving furniture in to piles in the center of the rooms and dousing it with the paraffin. Every method was used to accelerate the forthcoming flames, all the windows were opened and holes were punched in the ceiling and roof to create a draught. As the raiders were doing their destructive work, Lady Castlemaine and the servants set about removing personal belongings and the family silver, trying to save what they could. The servants were rounded up by the raiders and two armchairs were placed on the lawn in front of the castle for Lady Castlemaine and her daughter to view the destruction of their home. In anticipation of the fire, the leader of the raiders addressed Lady Castlemaine as to why her home was being burnt. Once the fire had taken hold and the castle could not be saved, the raiders dispersed. By the time authorities arrived, the castle was a blaze and nothing remained but the walls by the following morning. The damage was estimated at £120,000 and the majority of paintings, antiques, silver and jewelry had been lost. Lord Castlemaine quickly returned from London to view the blackened ruins of his castle. Upon his return he organized a cleanup operation, while he pondered what to do with the ruins of the castle and the remaining lands of the estate. One week later, he sent Lady Castlemaine and their daughter to London to recover from their terrible ordeal. In the month after the fire, a story appeared in The Irish Times that inferred that some of the servants had used the fire to steal items from the castle. Michael Grady and Patrick Delany pleaded guilty to a charge of having stolen an eclectic number of items from Moydrum on the night of the fire. These items included a fur coat, two dress shirts, a smoking jacket, a suit case, a bicycle and other articles that were the property of Lord Castlemaine. Grady was a Butler and Delany was a footman and both had worked in the castle. When the fire broke out, Delany reported the matter to the military and both he and Grady saved a considerable amount of valuable property and gave assistance to fight the fire. After the military had left, the men took away some of the aforementioned articles. After the fire they were unemployed and traveled to Dublin in search of work. While in the city they were badly in need of money, pawned the coat and this is how they came to be arrested. Grady was sentenced to six months imprisonment with hard labour and Delany who was under 21 years of age received four months imprisonment with hard labour.  

In October 1921, £101,359 was awarded by Judge Fleming in Athlone to Lord Castlemaine for the destruction of his castle, furniture and personal belongings. In March 1922, a dispersal sale of the Moydrum farmyard equipment was advertised and in 1924, the remaining land of the estate was sold to the Land Commission. After the fire, Baron Castlemaine and his wife went to live at Langham House in Surrey, paying only occasional visits to Athlone where Lord Castlemaine’s brother still acted as his agent. On his death in the 1930s, the title and estates passed to his brother Robert Handcock. The castle languished in obscurity for decades until it played host to U2 in 1984.  A number of photographs that were taken at the time and the iconic image of the front of the castle appeared on the album sleeve of the ‘Unforgettable Fire’. Over the years, many fans from all over the world have scoured the Westmeath county side to find this enigmatic building that now sits silent and bears little testament to the tumultuous events that occurred here. 

Thomastown Castle, Golden, Co Tipperary – ruin

Thomastown Castle, Golden, Co Tipperary

Thomastown Castle, County Tipperary, entrance front 1917, photograph: Miss Moira Lysaght, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.
Thomastown, County Tipperary, entrance front c. 1969, photograph: Christopher Tynne, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

p. 272. “(Mathew/IFR; Daly/IFR) Originally a long two storey house of pink brick built from 1670 onwards by George Mathew, half-brother of the great Great Duke of Ormonde; with a centre one room deep consisting of a great chamber or gallery above a rusticated arcade, and projecting wings; a massive oak staircase led up from the arcade to the first floor. It was probably by the same builders who worked for the Duchess of Ormonde at Dunmore House, near Kilkenny; while Dr Loeber suggests that the arcade may have been a design by Sir William Robinson. The Mathews grew richer through heiress marriages, and the grandson of the builder of the house, another George, who inherited 1711, carried out various additions and improvements…This George Mathew was known as “Grand George” and renowned for his hospitality; people could come uninvited to Thomastown and use it as though it were an inn; many legends have grown up about him, though he has become somewhat confused, in local legend, with “Big George,” Earl of Kingston (see Mitchellstown Castle).  In 1812, Francis Mathew, 2nd Earl of Llandaff, called in Richard Morrison to enlarge the house and transform it into a castle. Morrison’s transformation was literally skin-deep; he refaced the house in cement, which was originally painted the rather surprising shade of pale blue’ a mask of Gothic openings was applied to the front of C17 arcade which was glazecd and turned into a “Gothic Hall” with a Gothic chimneypiece of plaster and other Gothic plasterwork. Slender turrets, square and polygonal, were added to the entrance and garden fronts, which remained symmetrical; the two on either side of the entrance have pinnacles like rockets or darts growing out of them; from a distance they look like rabbit ears. Thr office wing to the right of the entrance front was enlarged into a vast Gothic kitchen court and stables; a detached entrance tower was also built. The great upstairs room became a Gothic library; the drawing room remained Classical and was adorned with scagliola columns. Fr Theobald Mathew, the “Apostle of Temperance,” grew up here, his father having been a cousin of 1st Earl of Landaff who more or less adopted him and made him his agent. Lady Elizabeth Mathew, sister of 2nd Earl, left Thomastown to her cousin on her mother’s side, the Visomte de Rohan Chabot, son of the Comte de Jarnac. It eventually passed to the Daly family, but from ca 1872 onwards it was allowed to fall into disrepair; it is now one of the most spectacular ruined Gothic castles in Ireland, much of it submerged beneath the ivy which grows here with an unbelievable luxuriance. In 1938 the ruin was bought by Archbishop David Mathew, the historian, in order to keep it in the family and to save it from destruction.”

Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988. 

p. 136. A large Tudor Revival house designed by Richard Morrison in 1812 for Thomas Mathew 2nd Earl of Llandaff incorporating a late 17C house which may have been designed by Sir William Robinson. Very fine interiors some of which were classical. Now a ruin.

https://www.buildingsofireland.ie/buildings-search/building/22206025/thomastown-castle-thomastown-demesne-tipperary-south

Detached multiple-bay two-storey country house, incorporating seventeenth-century house, enlarged 1812, now in ruins. Comprising central block with office wing to west having square and polygonal towers to front elevation and incorporating an earlier seventeenth-century house. Courtyard with outbuildings to north. Crenellations with machicolations to roofline. Lined-and-ruled render over brick walls with rendered string course to office wing. Ashlar limestone masonry plinths to towers. Projecting entrance bay, in ruins. Square-headed window openings with carved limestone label mouldings having ornate label stops to front. Pointed arch window openings to office wing. Two-storey gate lodge to east having crenellations with machicolations. Rendered brick walls with blank cross-loops to first floor and buttresses to ground floor. Square-headed opening with render hood moulding over pointed arch entrance. Three-stage polygonal tower to east elevation with crenellations and arrow slit windows with hood-mouldings. Coursed rubble limestone walled gardens to north. 

Appraisal 

This former country house was built by the Matthew family, the earliest house on this site, built by George Matthew dating to c. 1670. The house in its present form was enlarged in the Gothic style by Francis Matthew, II Earl of Llandaff in 1812. Richard Morrison designed the house incorporating a veneer of Gothic openings including the ornate polygonal and square towers to front elevation. The office wing to the right was also enlarged in the Gothic style. From 1870 the house fell into disrepair to become the impressive and spectacular ruin it is today. Much of the original seventeenth-century house survives in the interior of the building. The arched gate lodge to the east mirrors the architecture of the main house and retains many fine details such as the cross loops and hood mouldings. The walled gardens provide an example of the many demesne related activities thereby contributing context to the site. 

https://archiseek.com/2012/1812-thomastown-castle-co-tipperary

1812 – Thomastown Castle, Co. Tipperary 

Architect: Richard Morrison 

Built in 1812 for the 2nd Earl of Landaff, the large Tudor Revival castle incorporated a previous 17th century house, thought to have been designed by Sir William Robinson. Now a ruin, the castle was the victim of the decline of the family’s fortunes and was largely closed up in the early part of the 20th century. Now a spectacular ruin. 

 
http://landedestates.nuigalway.ie/LandedEstates/jsp/property-list.jsp?letter=T 

The original building was a two storey house of pink brick built in the 1670s by George Mathew with early 18th additions. Wilson decribed it in 1786 as “an ancient but handsome edifice”. In the second decade of the 19th century it was enlarged and transformed into a Gothic castle, designed by Richard Morrison for the 2nd Earl of Llandaff. Viscount Chabot is recorded as the occupier in the mid 19th century. He held the property in fee and the buildings were valued at £100. Bence Jones writes that it later was in the possession of the Daly family but from the mid 1870s it began to decay. William Daly was the occupier in 1906 when the buildings were valued at £61. 

https://lordbelmontinnorthernireland.blogspot.com/2018/09/1st-earl-landaff.html

The family of MATHEW originated from Wales, where at Radyr, Glamorganshire, they long resided; and possessed the town of Llandaff in that county. 
 
SIR DAVID MATHEW (1400-84), Knight, was Standard-Bearer of EDWARD IV, whose monument is still to be seen in Llandaff Cathedral, Glamorganshire. 
 
EDWARD MATHEW, of Radyr, was possessed, in 1600, of the town of Llandaff, and other estates, which his ancestors enjoyed for time immemorial. 
 
At his decease he left an only son, 
 
GEORGE MATHEW, the first of the family in Ireland, who became seated at Thurles, County Tipperary, and married Elizabeth, daughter of Sir John Poyntz MP, of Iron Acton, Gloucestershire, and widow of Thomas Butler, Viscount Thurles (who died before his father Walter, 11th Earl of Ormond). 
 
Mr Mathew died in 1636, leaving two sons and a daughter, and was succeeded by the elder son, 
 
THEOBOLD MATHEW, of Thurles, who married Margaret, eldest daughter of Sir Valentine Browne Bt, and was succeeded by his elder son, 
 
GEORGE MATHEW, of Thurles, who wedded Eleanor, second daughter of Edmond, 3rd/13th Baron Dunboyne, and was succeeded by his son, 
 
GEORGE MATHEW, who erected a splendid mansion upon his estate at Thurles, containing forty bedrooms, and ample corresponding accommodation for as many guests. 

This gentleman distinguished himself by hospitality upon an unprecedented and almost boundless scale.  

He fitted up his sumptuous residence as a guest house of the first magnitude, and his guests were informed upon their arrival, that as such they were to regard it, and to consider themselves, in every sense of the word, quite at home.  

They might either live in their own suite of rooms, or at the table d’hôte, as they pleased.  

There was a coffee-room, tavern, billiards-room, etc, and Mr Mathew himself appeared only as one of the guests. 

This highly accomplished and celebrated person had the degree of LL.D conferred upon him, 1677, by his half-brother James, 1st Duke of Ormond, Chancellor of the University of Oxford. 
 
Mr Mathew wedded firstly, Catherine, third daughter of Sir John Shelley, 3rd Baronet, by Mary, eldest daughter and co-heiress of Sir John Gage Bt, of Firle, East Sussex, and had issue, an only child, 

GEORGE, his heir

He espoused secondly, in 1716, Ann, widow of James, 3rd Earl of Tyrone, by whom he no issue, and at his decease, the estates devolved upon his brother-in-law, 
 
GEORGE MATHEW, married his cousin, Mary Anne Mathew, and had issue, 

George (1733-8); 
Elizabeth. 

On the failure of male issue in this branch, the estates devolved to 
 
GEORGE MATHEW, of Thomastown, who wedded firstly, Margaret, fourth daughter of Thomas Butler (grandson of the Lord Richard Butler, younger son of James, 1st Duke of Ormond, by the Lady Margaret Burke, eldest daughter of William, 7th Earl of Clanricarde, and widow of Bryan Magennis, Viscount Iveagh, and had issue, a daughter. 
 
Mr Mathew espoused secondly, Isabella, fourth daughter of William Brownlow, of Lurgan, County Armagh (by the Lady Elizabeth Hamilton, eldest daughter of James, 6th Earl of Abercorn), and had issue, a son, who died in infancy, when the estate devolved upon a junior branch of the family, 
 
THOMAS MATHEW, of Thurles, and subsequently of Thomastown, who married, in 1736, Miss Mary Mathews, of Dublin, and had issue, 

FRANCIS, his heir; 
Catherine Ann Maria. 

The only son and heir, 
 
FRANCIS MATHEW (1738-1806), wedded firstly, in 1764, Ellis, second daughter of James Smyth (son of the Rt Rev Edward Smyth, Lord Bishop of Down and Connor), and had issue, 

FRANCIS JAMES, his heir
Montague James, Lieutenant-General in the Army; 
George Toby Skeffington; 
Elizabeth. 

He espoused secondly, in 1784, the Lady Catherine Skeffington; and thirdly, in 1799, ______ Coghlan, second daughter of Jeremiah Coghlan. 
 
Mr Mathew, MP for Tipperary, 1768-83, High Sheriff of County Tipperary, 1769, was elevated to the peerage, in 1783, as Baron Landaff, of Thomastown, County Tipperary; and was advanced to a viscountcy, in 1793, as Viscount Landaff, of Thomastown, County Tipperary. 
 
His lordship was further advanced to the dignity of an earldom, in 1797, as EARL LANDAFF. 
 
He was succeeded by his eldest son, 
 
FRANCIS JAMES, 2nd Earl (1768-1833), MP for County Tipperary, 1801-6, Knight of St Patrick, 1831, who married, in 1797, Gertrude Cecilia, daughter of John La Touche, of Harristown, County Kildare, though the marriage was without issue. 
 
His lordship died of syncope in Dublin, on 12 March 1833, aged 65, when the titles expired. 
 
Dying intestate, his estates went to his sister, the Lady Elizabeth Mathew, who died in 1842, leaving the estates to a cousin, the Vicomte de Chabot, the son of her mother’s sister, Elizabeth Smyth. 

THOMASTOWN CASTLE, Golden, County Tipperary, was built by George Matthew and dated from ca 1670. 

It comprised a long, two-storey house of pink brick. 

The house in its present form was enlarged in the Gothic style by Francis, 2nd Earl Landaff, in 1812. 

(Sir) Richard Morrison designed the house incorporating a veneer of Gothic openings, including the ornate polygonal and square towers to the front elevation. 

The office wing to the right was also enlarged in the Gothic style. 

From ca 1872 the great mansion fell into disrepair to become the impressive and spectacular ruin it is today. 

Father Theobald Mathew, the famous temperance reformer whose father was a cousin of the 1st Earl, grew up at the Castle. 

The 2nd Earl’s sister, Lady Elizabeth Mathew, bequeathed Thomastown to her maternal cousin, the Vicomte de Rohan-Chabot, son of the Comte de Jarnac. 

The estate later passed to the Daly family. 

The ruinous building was purchased in 1938 by the Rt Rev David Mathew, the historian, who wished it to be kept in the family and saved from destruction. 

This expectation proved to have been in vain. 

The arched gate lodge to the east reflects the architecture of the main house and retains many fine details, such as the cross loops and hood mouldings. 

The walled gardens provide an example of the many demesne-related activities thereby contributing context to the site. 

The Tipperary Gentry. Volume 1. By William Hayes and Art Kavanagh. Published by Irish Family Names, c/o Eneclann, Unit 1, The Trinity Enterprise Centre, Pearse St, Dublin 2, 11 Emerald Cottages, Grand Canal St, Dublin 4 and Market Square, Bunclody, Co Wexford, Ireland. 2003. 

Matthew of Thomastown, Annfield and Thurles 

p. 135. Viscount Thurles was Thomas Butler the eldest son of Walter the 11th Earl of Ormonde. Thomas’s wife was Elizabeth the daughter of Sir John Poynz of Acton, Gloucester, and she was a Catholic. Thomas died tragically in a drowing accident when he was travelling to Ireland from England in 1619. His widow, Elizabeth, had three sons and four daughters. Elizabeth’s eldest son became the 12th Earl of 1st Duke of Ormonde. She did not remain a widow for long. She married George Mathew of Llandaff, Glamorgan, in 1620. [This enterprising lady managed to save Thurles during the Cromwellian wards by telling Cromwell taht she had refused to allow a Royalist company under Colonel Brian O’Neill to occupy the town and sought Cromwell’s help. This action saved the town of Thurles from being despoiled and saved the Mathew family from being dispossessed.] 

George and his widow, Elizabeth, had two sons, Theobald, who founded the Thurles adn Annfield dynasties of Mathew, and George Reihill, later of Thomastown, who managed the estates of the Ormondes in Tipperary [The Peerage has him as the son of Theobald]. In the process George succeeded in acquiring substantial properties himself. The fact that George Reihill married Eleanor Butler, the [p. 136] daughter of Lord Dunboyne and widow of Lord Cahir (another Butler) helped considerably. George raised her young son the 4th Lord Cahir and when he was of age married him off to his niece, Elizabeth. George Reihill was the ancestor of the Thomastown Mathews. [George surrendered Cahir Castle to Cromwell in 1649. Apparently he was warned by his mother, Elizabeth, to follow that course of action as she had done in Thurles]. [ note: the Mathew family of Llandaff adopted “Mathews” with an ‘s’ in the mid 17th century] 

When the Duke and Duchess of Ormonde were away in England or in Dublin the maintenance of Kilkenny Castle was the provenance of Captain George Reihill Mathew, their relation. The Duchess bombarded him with orders, “my Lord and I doe so much apprehend the danger to the roof of the old hall of the castle of Kilkenny and he desires it may be secured, repaired and mended with as much speed as may be.”  “I desire you will furnish the castle of Kilkenny to be in readiness to receive me, my son and his family in the middle of next month.”  

p. 137. When the Lady Cahir died George married another widow, who brought with her a dowry of £10,000. She was the widow of the last Earl of Tyrone [ on my family tree I have her as Anne Rickard (1665-1729) but she is married to his son, George Mathew *. She was married to James de la Poer, 3rd Earl of Tyrone (1666-1704), and they had a child, Catherine de la Poer, Baroness de la Poer (1701-1769)]. 

She had no children [Anne Rickard, according to this book] and when George died in 1689 she became somewhat isolated in Thomastown. [Thomastown was built around 1670 by George Reihill. Prior to that he had lived in Cahir Castle]. She fled to London in 1690 whre she petitioned the government for help, stating that she, a Protestant, had been driven out of Ireladn by her in-laws who were Catholic. [see Marnane, Land and Violence in West Tipperary]. 

George Reihill was succeeded by his second son, Theobald, who was also twice married. [the eldest son, George, was educated in England and died on the way home from England in 1666]. He died in 1711. Theobald’s son, George, known as “Grand” George, inherited the estate of Thomastown. In his will, Thomas left several bequests including monies to be put in trust and managed for his three daughters until they got married or reached the age of 21. [The ladies in question were Elizabeth, who married Christopher O’Brien of County Clare, Frances, who married John Butler of Co Tipperary, and Elinor who married Kean O’Hara of County Sligo]. He expected a return of 8% on his money. He left money to the youngest son, Bartholomew, and to his “dear cousin” Major George Mathew of Thurles… 

The problem of succession in the Catholic Mathew families contrasts with the almost smooth successions achieved by the families of the Butlers of Cahir and the Ryans of Inch. 

p. 138. The Thurles Mathews were fortunate that there were three single male heirs following the death of Theobald Mathew in 1699. This meant that no stratagem had to be used to avoid carving up the estate. However, a failsafe plan was put in place in the event that the male heirs were not forthcoming. In 1713 a settlement was put in place, which ensured that in default of male heirs the estate would go to the Annfield and Thomastown branches successively. Similar plans must have been put in place in the other Mathew properties because in 1738 the Thurles and Thomastown estates were joined because of the failure of direct heirs in Thomastown. It should be noted that “Grand” George Mathew who died in 1738 had converted in the early years of the 18th century. This inheritance did put a strain on the Thurles owner, George Mathew, who felt it incumbent to change his religion in 1740. 

p. 138. Theobald of Thurles (who died in 1699) did in fact have several sons and daughters himself. He was married three times. By his first wife, Margaret the daughter of Sir valentine Browne he had three sons, George, known as Major George who inherited in 1699, Edmund who died young and James who married Elizabeth Bourke, daughter of the 3rd Baron Brittas. [he is acknowledged to be the father of James Mathew of Thomastown and later of Rathclogheen, who was adopted by his cousin and guardian the 1st Earl of Llandaff. James of Rathclogheen is the ancestor of the modern day Mathews] James had no family. He also had two daughters – Elizabeth who married the 4th Lord Cahir, and Anne who married Viscount Galmoy [ 3rd] 

By his second marriage to the heiress, Anne Salle of Killough Castle, County tipperary, he had one son….[see tree] 

The Annfield branch of the family found life a little more complicated in that Theobald of Annfield, who inherited in 1714 had two brothers. However there is no record on any legal pressure being applied to compel the family to comply with the penal laws of inheritance. 

p. 139. When Theobald died in 1745 the estate went to his son Thomas Mathew. [Thomas had three sons and two daughters, one of whom, Mary, married John Ryan of Inch. The sons were Theobald, who inherited in 1714, Edmund who died in 1772 and James of Borris who married the heiress Anne Morres. They had one daughter who married her cousin Charles Mathew.]  

Again there does not seem to have been any pressure put on Thomas to divide the estate. Howver, in 1755 just prior to Parliament considering framing anti-Catholic laws Thomas decided to convert. The fact that his relation, George Mathew of Thurles, who had inherited Thomastown, was now elderly and had no male heir may have been a contributory factor also. George died in 1760 and Thomas Mathew of Annfield now became the sole owner of all the Mathew properties. 

p. 141. Thomastown had been repaired and reconstruction began in 1711. [ W. Nolan in Tipperary History and Society] It was reported that “Grand” George Mathew and his family lived ‘frugally’ on the continent for seven years on £600 a year in order to devote his £8,000 rental to the laying out of his 1500 acre demesne and the fitting out of the house with forty bedrooms. [T. Power in Land, Politics and Society in 18th Century Tipperary]… 

“Grand” George of Thomastown turned Protestant in the early decades of the 18th century and was elected an MP for County Tipperary. George sat as a Tory and a supporter of the 2nd Duke of Ormonde. He was also elected MP for the period 1727-1736. He died two years later. This was the same George Mathew who was visited by Dean Swift in 1719. In 1704 he was one of nine Catholics in the country who were given licenses to carry arms. However this situation changed after 1715 when the government ordered the seizure  of Catholics horses and arms. At some stage in th following years George adn his son were apprehended and searched for arms. 

The other two branches of the family remained Catholic. When Lady Thurles died she left her second son Theobald the town and manor of Thurles and an estate of four thousand acres. He was married three times and his second wife was Anne Sall, an heiress. Theobald gave her esate to his second son Thomas and so began the Annfield family. The changes in land ownership, which was effected by the necessity of the Ormonde Duke to reduce his overwhelming debts, benefited many landowners in Tipperary, including the Mathew famiy. They used the opportunity to consolidate and expand their holdings. [other families to benefit were Sadleir, Coote, Langley, Baker, Cleere, Dawson, Dancer and Harrison – T. Power in Land, Politics and Society in 18th C Tipperary

p. 142. The Mathew family owned Thurles town and because of their patronage the Catholic Butler bishop was allowed to live there. [Whelan in Tipperary society and history]. In addition the Mathew family of Annfield built Inch and Thurles chapels. A plaque on the wall of the chapel, which was built in 1730 in Thurles, stated that it was built by “Big” George Mathew. He was the George Mathew of thurles who married his stepsister Martha Eaton. He was also the son of the Major mentioned above.  

The Thomastown dynasty came to an abrupt end with the death of “Grand” George and his grandson who both died in 1738. “Grand” George’s son, Theobald, had died two years earlier in 1736. He was married to a cousin from Thurles, Mary Ann Mathew. Her brother, George of Thurles  inherited Thomastown at this time. As George of Thurles had no sons the Thomastown and Thurles estates passed into the ownershop of Thomas of Annfield in 1760. The will, transferring the ownership, was contested unsuccessfully by Margaret the daughter of George of Thurles. 

Thomas had converted to the Church of Ireland in 1755 and he was returned an MP for Tipperary in 1761. In the turbulent political climate of the times, his election was seen as a triumph for the pro Catholic interest in the county. Thomas was perceived as being of dubious conformity himself. He conformed again in 1762. He was elected MP again [p. 143] in 1768 but by a very small margin of 25 votes. On petition the result was overturned. Unlike the Pritties who were very widely connected with teh Protestant landowning classes, Thomas Mathew had to rely on his own voters and whatver support he could must from among the more liberal gentry. 

…Thomas Mathew’s son Francis was perceived as being a closet Catholic. However, he was fortunate in that he had John Scott (later Lord Clonmell) as his brother-in-law. Scott became solicitor-general and was very influential in government circles. Through his influence, Francis, formerly an opposition MP, became a government supporter and this led to his elevation to the peerage as Lord Llandaff in 1784. Though he had, to some extent, changed his allegiance, he still championed the Catholic cause right up to the end of the century and beyond. 

The Act of 1778, which gave an enormous measure of relief to the Catholics, was widely welcomed by the Catholics in Tipperary. The men most associated with the carriage of the Act were Francis Mathew of Thomastown, Lord Clonmel (John Scott, brother in law of Francis, Sir William Osborne and John Hely-Hutchinson. [This close association between Lord Clonell and Francis Mathew wasn’t always harmonious. According to Barrington, in his Reminiscences, Lord Clonmell fought duels with Lord Llandaff, Lord Tryawley and others.] p. 144. The main features of the Act were (1) the removal of the requirement that Catholic property had to be divided among the surviving sons (2) leases could now be given for more than 31 yers (3) the removal of the decree that a son who converted would get immediate possession making his parent a tenant for life only. The Act would only apply to people who took the Oath of Allegiance. … 

That is not to say that Francis favoured any change in the status quo with regard to property rights. During the heyday of Whiteboyism he stood four square with the landlords. After the murder of Ambrose Power, a landlord, in 1775, over sixty of the leading figures in Tipperary including Francis Mathew nd Thomas Maude, pledged their lives and fortunes to suppress Whiteboyism. 

With the re-emergence of considerable agrarian unrest, the American war of Independence and threatened French invasions, Volunteer Corps were founded all over Ireland. ..Each corps ws comprised of about forty rank and file members drawn from the head tenantry or from friends or associates of the Colonel. Francis Mathew had three corps, one in each of his main holdings at thomastown, Annfield and Thurles. 

…p. 145. Francis was made Baron Llandaff of Thomastown in 1783 and he was later made Earl of Llandaff in 1797. The Earl lived the life of a Lord and entertained and was entertained royally. .. 

In 1812 Francis the 2nd Earl employed the architect Richard Morrison to “throw a Gothic cloak over the earlier house” (at Thomastown)… 

Fortuitous marriages brought additional wealth to the Mathew family starting with George the first Mathew to arrive in Tipperary, who married the widow of Viscount Thurles. His soon George Reihill married the widow of Lord Cahir who was also the daughter of Lord Dunboyne. “Grand” George Mathew, a grandson of George Reihill, married as his second wife Lady Ann Hume who brought him an estate worth £10,000 in the 1680s. He converted the title to his own use and that of his heirs and used the money to make further land purchases. Francis Mathew the 1st Earl received £10,000 with Ellis Smyth of Wicklow when they married in 1764. 

…Francis was in serious debt when he inherited in 1777 due largely to marriage payments and unpaid debts from previous generations. Trustees were appointed by Parliament to unravel his affairs and lands had to be disposed of.  

When he died in 1806 the estate was still very much in debt for a variety of reaons one of which was his sponsoring a bill to bring a water supply to Thomastown Castle. 

p. 147. Francis teh 2nd Earl died in 1833. He had been predeceased by his brother Montague in 1819. His second brother George was insane and had died in 1832, so teh estates passed to Elizabeth his sister. She too died unmarried in 1841. 

While the main branch of the family disappeared the Mathew name was kept aloive…For example, Francis Mathew of Rockview House who was mentioned in the will of Elizabeth was married twice and had four sons and two daughters. .. 

https://theirishaesthete.com/2021/08/30/thomastown/

Recalling a Lavish Host

by theirishaesthete

Thomastown Castle, County Tipperary, photograph by Robert O’Byrne.


Many people in Ireland will be familiar with the name of Theobald Mathew, a 19th century Roman Catholic priest who became known as the Apostle of Temperance. A member of the Capuchin order, in 1838 Fr Mathew, witnessing the problems arising from excessive consumption of alcohol, founded the Total Abstinence Society in Cork city, where he was then living. Within nine months some 150,000 persons had enrolled in this organisation and at its height during the late 1840s it is estimated that half the population of Ireland were members. What may be less well known is that Theobald Mathew was related to a wealthy, and Protestand, landed family and grew up at Thomastown Castle, County Tipperary where his father acted as agent to a cousin, the first Earl of Landaff. Now a striking ruin, Thomastown was for several centuries the seat of the Mathew family. Of Welsh origin (hence the choice of name for their title), they were connected through marriage to the Butlers, and thus acquired land in this part of the country. As was so often the case, a series of judicious marital alliances made them exceedingly rich, allowing the construction of a large residence in the late 17th/early 18th centuries. In Town and Country in Ireland under the Georges (1940) Constantia Maxwell provides an excellent account of life there in the years after the house had been built by Thomas Mathew. The building was ‘surrounded by gardens adorned with terraces, statuary, and fish ponds, and by a park of some two thousand acres stocked with deer. Mr Mathew, besides being very rich, was held to be one of the finest gentlemen of the age, and, having travelled much on the Continent and lived in London and Dublin, had a large circle of friends. Nothing gave him so much pleasure as to invite these to Thomastown, where he had no less than forty guest-rooms, besides handsome accommodation for servants. The guests in his house were invited to order anything they might wish for, as at an inn; they might seat themselves at the dining-room table without paying irksome respect to rank, or, if they preferred it, dine with chosen companions in their own rooms. A large room was fitted up as a city coffee-house with newspapers and chessboards, where servants had been ordered to bring refreshments at any time of the day. For those who liked sport fishing tackle was provided, as well as guns and ammunition, while hounds and hunters were available in the stables. But, although everything at Thomastown was on such a lavish scale, there was no disorder or waste, for Mr Mathew rose early every morning to look over the accounts, and his servants were well paid, and forbidden to take tips.’ A description of life at Thomastown was provided by Thomas Sheridan in his biography of Jonathan Swift described how the later was so delighted with Thomas Mathew’s hospitality that instead of staying for a fortnight, as originally intended, he remained there for four months. 

Thomastown Castle, County Tipperary, photograph by Robert O’Byrne.
Thomastown Castle, County Tipperary, photograph by Robert O’Byrne.
Thomastown Castle, County Tipperary, photograph by Robert O’Byrne.
Thomastown Castle, County Tipperary, photograph by Robert O’Byrne.





As mentioned, the house at Thomastown was once surrounded by splendid gardens. Writing in 1778, Thomas Campbell noted that not only was the setting perfect, with the Galtee Mountains ‘set at such a due distance that they are the finest termination for a prospect a painter could desire’ but ‘behind the house is a square parterre, with flowers, with terraces thickly studded with busts and statues; before it, a long and blind avenue, planted with treble rows of well-grown trees, extends its awkward length. In the centre of this, and on the acclivity of the hill, are little fish ponds, pond above pond. The whole park is thrown into squares and parallelograms, with numerous avenues fenced and planted.’ By the time Campbell visited, this style of garden had fallen out of fashion, so he tut-tutted that ‘if a hillock dared to interpose its little head, it was cut off as an excrescence, or at least cut through; that the roads might be everywhere as level as they are straight. Thus was this delightful spot treated by some Procrustes of the last age.’ A few years later, Joseph Cooper Walker was just as critical of Thomastown’s gardens. ‘They lie principally on the gentle declivity of an hill,’ he explained, ‘resting on terraces, and filled with “statues thick as trees”. A long fish pond, sleeping under “a green mantle” between two rectilineous banks, appears in the midst. And in one corner stands a verdant theatre (once the scene of several dramatic exhibitions) displaying all the absurdity of the architecture of gardening. Thus did our ancestors, governed by the false taste which they imbibed from the English, disfigure, with unsuitable ornaments, the simple garb of nature.’  Not much later, perhaps when the second Earl of Landaff, who inherited title and estate on his father’s death in 1806, transformed the house, these by-now old-fashioned gardens were largely swept away in favour of open parkland. 

Thomastown Castle, County Tipperary, photograph by Robert O’Byrne.
Thomastown Castle, County Tipperary, photograph by Robert O’Byrne.

Thomastown, as previously mentioned, was originally a late 17th/early 18th century house of two storeys, the centre just one room deep with projecting wings forming a short entrance courtyard. However, it appears that the generous Thomas Mathew enlarged the house by filling in the space between the wings to create a dining room, some 50 feet long and 20 feet deep, no doubt to feed all the guests he entertained. Several generations later, the second Earl of Landaff decided to alter the building’s appearance by giving it a Gothick makeover. In 1812 the architect Richard Morrison was commissioned to come up with a design for the place. The original entrance arcade was now glazed to create a Great Hall, while the first-floor gallery became a gothic-style library. However, the drawing room retained its classical decoration, with screens of scagliola columns at either end, a typical Morrison flourish which can still be seen in the library at Ballyfin, County Laois. Meanwhile, the exterior was ornamented with a crenellated parapet and a series of octagonal turrets topped with dart-like finials. As Mark Bence-Jones noted, from a distance these look like rabbits’ ears. A kitchen and service wing at right-angles to the house was also thoroughly dressed in Tudor-Gothic decoration, although a stone tower at the corner of the range is in Norman style. The entire building was covered in stucco, which was then rather oddly painted pale blue. An engraving of the completed work made by John PrestonNeale in 1819 although this included an unexecuted family wing and a more simple service range than that actually constructed. The second earl had no children and following his death, Thomastown passed to a sister Lady Elizabeth Mathew who in turn left the estate to a cousin of her mother, the Vicomte de Chabot. Before the end of the 19th century, it had come into the possession of the Dalys of Dunsandle, County Galway but seemingly by then the house was already falling into ruin. And so it has remained, with much of the central block, where those hospitable dinners were once given, long since collapsed. Today the only diners seen here are cattle.

Thomastown Castle, County Tipperary, photograph by Robert O’Byrne.

https://theirishaesthete.com/2021/09/01/thomastown-2/

Copycats

by theirishaesthete

Thomastown Castle gate tower, County Tipperary, photograph by Robert O’Byrne.
Thomastown Castle gate tower, County Tipperary, photograph by Robert O’Byrne.



After Monday’s post explaining the history of Thomastown Castle, County Tipperary, these pictures might be of interest since they show the gate tower that formerly gave access to the main house. It dates from around 1812 and was likewise designed by Richard Morrison: note the Mathew family coat of arms prominently displayed over the gateway. Aside from this detail, the building is almost identical to a similar gate tower at the entrance to the demesne of Borris House, County Carlow. This was also designed by Morrison and at the same date: one wonders if the estates’ respective owners ever noticed or remarked on the duplication?

Thomastown Castle gate tower, County Tipperary, photograph by Robert O’Byrne.
Thomastown Castle gate tower, County Tipperary, photograph by Robert O’Byrne.

http://www.patrickcomerford.com/search/label/castles?updated-max=2019-10-29T19:30:00Z&max-results=20&start=8&by-date=false

In recent days, I have been writing about tangled family trees and difficult marriages that led to questions about the inheritance of titles and estates in the Townshend familyand the Leeson family
 
In the Townshend family, scandals and a bigamous marriage threatened the succession to both the title of Marquess Townshend and the ownership of Tamworth Castle. In the Leeson family, a tangled family tree led to the loss of Russborough House in Co Wicklow and the disappearance of the title of Earl of Milltown. 
 
Similar stories are told about the Mathew family of Thomastown, Co Tipperary, and the claims to the title of Earl Landaff. 
 
The Mathew family claimed descent from a branch of the Matthew family of Radyr in Glamorgan, in south Wales. There are three 15th and 16th century Mathew family effigies In Llandaff Cathedral. 

George Mathew sold his estate at Radyr in the mid-17th and moved to Co Tipperary. He became the owner of Thomastown Castle, near Thurles, when he married Elizabeth Poyntz (1587-1673), Lady Thurles, widow of Thomas Butler, Viscount Thurles. 
 
It was a marriage that brought George Mathew into a powerful and influential family circle, and he was the stepfather of James Butler (1610-1688), 1st Duke of Ormond. 
 
George Mathew died in 1638, but the Mathew family maintained close connections with the Ormond Butlers in the generations that followed. In 1666, George Mathew was granted a large estate in Co Tipperary, including part of Thomastown. The original Thomastown Castle was a two-storey house of pink brick built in the 1670s by George Mathew with early 18th additions. 
 
Thomastown Castle was the birthplace and early home of Father Mathew, the ‘Apostle of Temperance,’ and his father was a cousin of Thomas Mathew and worked for him as his agent. 
 
Thomas Mathew of Annefield succeeded to the Mathew estates of Thomastown and Thurles in 1760. Wilson described Thomastown Castle in 1786 as ‘an ancient but handsome edifice.’ Thomas was succeeded by his son Francis Mathew in 1777 who was given the title of Earl Landaff in 1797. 
 
Francis Mathew (1738-1806), 1st Earl Landaff, had been MP for Tipperary in the Irish House of Commons in 1768-1783, and was High Sheriff of Tipperary. He was made a member of the Irish House of Lords in 1783 with the title of Baron Landaff, of Thomastown, in Co Tipperary. In 1793, he received the higher title of Viscount Landaff, and in 1797 he was made Earl Landaff. 
 
The Earls Landaff used the invented courtesy title Viscount Mathew for the heir apparent. Despite their territorial designations, the misspelling of Llandaff as Landaff, and the fact that the titles were in the Irish Peerage, the titles all referred to the place in Glamorgan now spelt Llandaff. After the Act of Union, Lord Landaff was elected as one of the 28 Irish peers to the British House of Lords. 
 
This Lord Landaff was married three times. On 6 September 1764, he married Elisha Smyth (1743-1781) in Bellinter, Co Meath. She was a sister of Sir Skeffington Smyth of Tinney Park, Co Wicklow. They had four children, three sons and two daughters: Francis James Mathew, later 2nd Earl of Landaff; General Montague Mathew (1773-1819); the Hon George Toby Skeffington Mathew (died 1832); and Lady Elizabeth Mathew (died 1842). 
 
In 1784, he married his second wife, Lady Catherine Skeffington (1752-1796), a daughter of Clotworthy Skeffington, 1st Earl of Massereene. They had no children, and in 1799 he married his third wife, a woman named Coghlan from Ardo, Co Waterford. 
 
When he died in 1806, he was succeeded in his titles by his eldest son from his first marriage, Francis James Mathew (1768-1833), 2nd Earl Landaff, who had been known by the courtesy title of Viscount Mathew. He was MP for Tipperary in the Irish House of Commons (1790-1792), Callan (1796) and again for Tipperary (1796-1801). As Earl Landaff, he also took his father’s place as an Irish representative peer in the House of Lords. 
 
He opposed the Act of Union, supported Catholic Emancipation, and was seen as ‘a personal enemy of George IV’ when he gave evidence in favour of Queen Charlotte regarding her conduct at the Court of Naples during her famous trial. 
 
Thomastown Castle was enlarged in the early 19th century, and transformed into a Gothic castle, designed by Richard Morrison for Francis James Mathew, the 2nd Earl Landaff. 
 
Lord Landaff married Gertrude Cecilia La Touche, a daughter of John La Touche, of Harristown, Co Kildare. They had no children, and he died in Dublin on 12 March 1833, aged 65. 

Lord Landaff’s next brother, Lieut-Gen Montague James Mathew (1773-1819), had died 14 years earlier, on 19 March 1819, and so the family titles became extinct. General Mathew was MP for for Ballynakill in the Irish Parliament until 1800, and MP for Co Tipperary in Westminster in 1806-1819. He was a Whig and a supporter of Catholic Emancipation. 
 
Their youngest brother, the Hon George Toby Skeffington Mathew, also died in 1832. So, when the second earl died, the family titles became extinct, and the estates passed to his sister, Lady Elizabeth Mathew. The Ordnance Survey Name Books record Lady Elizabeth Mathew owned townlands in the parish of Kilfeacle, barony of Clanwilliam, in 1840. 
 
When she died in 1842, she left the family estates and fortune to a cousin, the Vicomte de Chabot, the son of her mother’s sister Elizabeth Smyth. Viscount Chabot was living at Thomastown Castle in the mid-19th century. Later it was owned by the Daly family, but from the mid-1870s it began to decay from the mid-1870s. William Daly was living there in 1906. 
 
As Thomastown Castle crumbled and decayed, a number of pretenders came forward, claiming they were the rightful holders of the title Earl Landaff and heirs to the castle. The most outrageous of these pretenders was Arnold Harris Mathew (1852-1919), self-styled de jure 4th Earl Landaff, also self-styled Count Povoleri di Vicenza. 
 
Mathew was also the founder and first bishop of the self-styled Old Roman Catholic Western Orthodox Church in Great Britain, an Old Catholic Church. His episcopal consecration was declared null and void by the Union of Utrecht’s International Old Catholic Bishops’ Conference. In addition, he was excommunicated by Pope Pius X for illicitly consecrating two priests as bishops which led a London jury to find that ‘the words were true in substance and in fact’ that he was a ‘pseudo-bishop.’ 
 
He claimed his father, Major Arnold Henry Ochterlony Mathew, who died in 1894, was the third Earl Landaff, and the son of Major Arnold Nesbit Mathew, of the Indian Army. According to these claims, this Major Arnold Mathew was, in turn, the eldest son of the 1st Earl Landaff, born in Paris five months after his parents married. 
 
This claim was later shown to be based on invented and fictitious information. Arnold Nesbit Mathew originally used the name Matthews, as did his son. He was, in fact, the son of William Richard Matthews and his wife Anne, of Down Ampney in Gloucestershire. Incidentally, Down Ampney was also the home village of the composer Ralph Vaughan Williams (1872-1958(, who composed the tune ‘Down Ampney’ for the hymn ‘Come down, O love divine’ 
 
Arnold Harris Mathew put forward his claim to the Garter Principal King of Arms for the title of 4th Earl Landaff of Thomastown, Co Tipperary, in 1890, and placed his creative pedigree on the official record at the College of Arms. 
 
John H Matthews, Cardiff archivist, said in 1898 that the number of claimants to the dormant or extinct earldom was ‘legion.’ In his opinion, Arnold Henry Mathew’s pedigree was ‘too extra-ordinary to commend itself to an impartial mind.’ 
 
Nevertheless, Arnold Henry Mathew presented his petition to the House of Lords in 1899, claiming a right to vote with the Irish peers for representative peers in the House of Lords. In his petition, he did not repeat other exuberant claims, including one that his grandmother was Eliza Francesca Povoleri, was an Italian countess and the daughter of a Papal marchese. 
 
His petition was read and referred to the Lord Chancellor, Lord Halsbury, who reported in 1902 that Mathew’s claim ‘is of such a nature that it ought to be referred to the Committee for Privileges; read, and ordered to lie on the Table.’ 
 
Mark Bence Jones in a feature in Country Life says Archbishop Mathew also bought the ruins of Thomastown Castle and 20 acres surrounding it to save it from destruction. 
 
Mathew’s aristocratic pretensions, like his life as a ‘wandering bishop,’ were fantasies that continue to resurface in the claims of fantasists and pretenders in many walks of life. 
 
When he died on 19 December 1919, the claims to the Mathew title did not come to an end. 
 
As recently as 1987, a mural memorial was erected in Llandaff Cathedral, claiming it was: ‘In memory of Thomas James Mathew son and heir of Francis James Mathew second Earl of Landaff born in London 1798 died in Cape Town 1862.’ The memorial includes a full display of the coat of arms of the Mathew family of Co Tipperary as Earls Landaff, and the misspelling of Llandaff as Landaff. 
 

Mote Park, Ballymurray, Co Roscommon – demolished

Mote Park, Ballymurray, Co Roscommon

Mote Park, County Roscommon entrance front c. 1860 before fire, photograph: Augusta Crofton, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

p. 211. “(Crofton, B/PB) A three storey house by Sir Richard Morrison incorporating an earlier C18 house. Nine bay entrance front… Sold by 5th Lord Crofton 1950s, demolished 1958.”

Mote Park, County Roscommon, photographs courtesy of Mark Bence-Jones.

Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988. 

https://theirishaesthete.com/2018/12/12/the-lion-in-winter/

The Lion in Winter

by theirishaesthete

Mote Park, County Roscommon, photograph by Irish Aesthete.


The Lion Gate at Mote Park, County Roscommon. This was once one of the entrances to an estate owned by the Crofton family who settled here in the second half of the 16th century; in 1798 they became Barons Crofton of Mot . In the 1620s their forebear George Crofton built Mote Castle, but it was replaced by a new house at some date between 1777-87. This property was in turn rebuilt after being gutted by fire in 1865 but only survived another century: the last of the Croftons left Mote in the 1940s after which the contents were auctioned: the house itself was demolished in the 1960s. In February 2015 its former portico, rescued at the time of the demolition, was sold at auction for €12,000.

Mote Park, County Roscommon, photograph by Irish Aesthete.
Mote Park, County Roscommon, photograph by Irish Aesthete.



According to a history of Mote Park compiled in 1897 by Captain the Hon Francis Crofton, the Lion Gate was erected in 1787 and its design has sometimes been attributed to James Gandon, although this is disputed. Whatever the case, it takes the form of a Doric triumphal arch with screen walls linking it to what were once a pair of identical lodges (but are now used for housing livestock). A plinth on top of the arch features a Coade Stone lion, one foot resting on a ball. Over time this had become much weathered (not helped by bees nesting inside the animal) and when taken down a few years ago three of its feet fell off. Following restoration work at the Coade workshop in Wiltshire, the lion was reinstated in September 2016 and now once more surveys what is left of the Mote parkland: this restoration was funded by a number of sources, predominantly American supporters of the Irish Georgian Society.

Mote Park, County Roscommon, photograph by Irish Aesthete.

http://lordbelmontinnorthernireland.blogspot.com/2014/07/mote-park.html

THE BARONS CROFTON WERE MAJOR LANDOWNERS IN COUNTY ROSCOMMON, WITH 11,053 ACRES 

 
 
The family of CROFTON is descended maternally from the Croftons of Crofton Hall, Cumberland, but paternally descend from a common ancestor of the Lowthers, Earls of Lonsdale. 
 
 The founder of the family in Ireland was 
 
JOHN CROFTON (1540-1610), of Mote, County Roscommon, Auditor-General in the reign of ELIZABETH I, who accompanied the Earl of Essex into Ireland and obtained large grants of land in the counties of Roscommon and Leitrim. 
 
Mr Crofton wedded Jane, sister of Sir Henry Duke, of Castle Jordan, County Meath, and had issue, 
 

EDWARD, his heir
John; 
William; 
HENRY, ancestor of Sir M G Crofton Bt, of Mohill House; 
Sarah; Joan; Anne. 

The eldest son, 
 
EDWARD CROFTON, of Mote, County Roscommon, wedded Elizabeth, daughter of Captain Robert Mostyn, and had issue, 
 

GEORGE, his heir
Thomas, ancestor of Crofton of Longford House, County Sligo; 
John; 
William. 

The eldest son, 
 
GEORGE CROFTON, MP for Askeaton, 1639, married Elizabeth, second daughter of Sir Francis Berkeley, MP for County Limerick, and had issue, 
 

John; 
Thomas; 
EDWARD, of whom we treat
Mary; Sarah. 

Mr Crofton, who erected the castle of Mote, 1639, was succeeded by his youngest son, 
 
EDWARD CROFTON (1624-75), of Mote, who espoused firstly, in 1647, Mary, daughter of Sir James Ware; and secondly, Susanna Clifford, by whom he had issue, an only child, EDWARD. 
 
Mr Crofton was created a baronet in 1661, denominated of The Mote, County Roscommon. 
 
He was succeeded by his only son and heir, 
 
THE RT HON SIR EDWARD CROFTON, 2nd Baronet (c1662-1729), MP for Boyle, 1695-9, County Roscommon, 1703-27, who married, in 1684, Katherine, daughter of Sir Oliver St George Bt, and had issue, 
 

Oliver, father of the 5th Baronet
EDWARD, of whom hereafter 

Sir Edward’s younger son, 
 
SIR EDWARD CROFTON, 3rd Baronet (1687-1739), MP for Roscommon Borough, 1713-39, wedded, in 1711, Mary, daughter of Anthony Nixon, and had issue, 
 

EDWARD, his successor
CATHERINE, m Marcus Lowther. 

Sir Edward was succeeded by his son and successor, 
 
SIR EDWARD CROFTON, 4th Baronet (1713-45), MP for County Roscommon, 1713-45, who espoused, in 1741, Martha, daughter of Joseph Damer; he was, however, killed in actionat Tournai, France, when the title reverted to his cousin, 
 
SIR OLIVER CROFTON, 5th Baronet (1710-80), who married, in 1737, Abigail Jackson Buckley, though the marriage was without issue. 
 
The baronetcy therefore expired, when his sister and heiress, 
 
CATHERINE CROFTON, became representative of the family. 
 
Miss Crofton married, in 1743, Marcus Lowther (second son of George Lowther MP, descended from a common ancestor with the Earls of Lonsdale), who assumed the name of CROFTON, and being created a baronet in 1758, denominated of The Mote, County Roscommon, became  
 
SIR MARCUS LOWTHER-CROFTON, 1st Baronet, MP for Roscommon Borough, 1761-8, Ratoath, 1769-76, who had issue, 
 

EDWARD, his successor
John Frederick Lowther; 
William Henry; 
Catherine; Sophia Jane. 

Sir Marcus died in 1784, and was succeeded by his eldest son,  
 
SIR EDWARD CROFTON, 2nd Baronet (1748-97), MP for Roscommon, 1775-97, Colonel, Roscommon Militia, who married, in 1767, Anne, only daughter and heiress of Thomas Croker, and had issue, 
 

EDWARD, his successor
Henry Thomas Marcus (Rev); 
George Alfred, Captain RN; 
William Gorges, Captain, Coldstream Guards; k/a 1814; 
Caroline; Louisa; Frances; Harriet; Augusta. 

Sir Edward died in 1797 and his widow,  
 
ANNE, LADY CROFTON (1751-1817), was elevated to the peerage (an honour for Sir Edward, had he lived), in 1797, in the dignity of BARONESS CROFTON, of Mote, County Roscommon. 
 
Her ladyship was succeeded by her grandson, 
 
EDWARD, 2nd Baron (1806-69), who espoused, in 1833, the Lady Georgina Paget, daughter of Henry, 1st Marquess of Anglesey, and had issue, 
 

EDWARD HENRY CHURCHILL, his successor
Charles St George, father of 4th Baron
Alfred Henry; 
Francis George; 
Augusta Caroline. 

His lordship was succeeded by his eldest son, 
 
EDWARD HENRY CHURCHILL, 3rd Baron (1834-1912), Gentleman of the Bedchamber to the Lord Lieutenant of Ireland 1867-68, State Steward to the Lord Lieutenant, 1880; Gentleman in Waiting to the Lord Lieutenant, 1886-92, who died unmarried, when the honours reverted to his nephew, 
 
ARTHUR EDWARD LOWTHER, 4th Baron (1866-1942), who married, in 1893, Jessie Castle, daughter of James Hewitson, and had issue, 
 

Edward Charles (1896-1936), father of 5th Baron
Marcus Lowther; 
Eileen Mabel Lowther. 

His lordship was succeeded by his grandson, 
 
EDWARD BLAISE, 5th Baron (1926-74). 
 
GUY PATRICK GILBERT, 7th Baron (1951-2007), Lieutenant-Colonel, was Defence Attaché to the British Embassy in Angola. 
 

MOTE PARK HOUSE, Ballymurray, County Roscommon, was built by the Crofton family in the later half of the 18th century, preceding the Castle of Mote erected by the family in 1620. 
 
It was clearly an imposing house and reflected the influence of neo-classicism prevalent at the time. 
 
This style emphasized for the first time a sense of permanence and security among the gentry and nobility in Ireland. 
 
The house was the most impressive of its type built in County Roscommon, the others of this period being located at Runnamoat near Ballymoe, and Sandford House in Castlerea. 
 
The house was originally an irregular two-storey-over-basement house, which the architect Richard Morrison more than doubled in size by adding six bays and an extra storey. 
 
It had a deep hall with a screen of columns, beyond which a door flanked by niches led into an oval library in the bow on the garden front. These gardens contained many fine architectural features, some of which are still intact. 
 
Perhaps the most splendid surviving feature is the original entrance gate consisting of a Doric triumphal arch surmounted by a lion with screen walls linking it to a pair of identical lodges. It has been suggested that this was designed by James Gandon, although others have pointed out that while this certainly is feasible, certain elements, most notably the head and keystone of the arch, appear to be of a later date and have a provincial character. 
 
It is worth mentioning at this stage the work of Augusta Crofton: She was a renowned amateur photographer and appointed OBE in 1920. 
 
From the mid-19th century, as with so many other estates, things started to go downhill for the fortunes of the Croftons and their home. 
 
It should be noted at the outset that the Croftons, while not among the best examples of improving landlords, did keep their rents low and endeavoured to help their tenants as much as possible. 
 
The fact that the estate was well managed is evident from many volumes of rentals of the estate dating from 1834-1893, along with family records held at Roscommon Library. 
 
Rents received, expenditure on wages, bills, details of land improvements and summaries of yearly rental statistics for each denomination are clearly recorded. 
 
The problem of absenteeism was largely irrelevant to the Crofton estate during this period as it was administered by competent land agents. 
 
Despite the Land Acts, tenants made no effort to purchase their land. 
 
Arrears of rent increased with arrears accounting for over 30% of total rent received by the 1890s. 
 
Clearly the house itself was also falling into disrepair. 
 
The 3rd Baron died in 1912 and was interred in the family vault at Killmaine. 
 
In many respects he had become disillusioned with life on the estate long before his death, showing little interest in his Irish properties. 
 
Instead he preferred, among other roles, that of representative peer at Westminister. 
 
As he was a bachelor, his titles passed to his nephew Arthur Edward, 4th Baron. 
 
Although the 4th Baron took a practical interest in his inheritance, the last of the Land Acts meant most of the estate was sold piecemeal in the early 20th century. 
 
Ownership of what was left passed to his children and then to his grandson Edward Blaise, 5th Baron, to whom the title eventually passed. 
 
The 5th Baron was the last of the Croftons to reside at Mote, but moved to England in the 1940s. 
 
A sign that the final demise of the big house was forthcoming is evidenced by the public auction of October, 1947. 
 
It occasioned quite a large public interest as evidenced by a photograph taken of the house on the morning of the auction. 
 
The 1950s and early 1960s saw the final nail driven in the big house’s coffin with the Irish Land Commission demolishing the house completely. 
 
Much of the beautiful woods surrounding the house were also felled, and replaced with newer mixed conifer species. 
 
The remaining land was divided into several properties for families transferred from the nearby congested districts. 
 
Now, instead of the big house, many smaller farm houses lay scattered over what was once the Crofton estate. 
 
Mote Park still attracts many visitors however, marketed now as a heritage walkway, almost ten miles in length and taking in whatever original features still remaining intact. 
 
The house was demolished in the 1960s. 
 
Roscommon Golf Club occupies part of the original Mote Park demesne. 
 
First published in July, 2012.   Crofton arms courtesy of European Heraldry. 
 
The Irish state and the Big House in independent Ireland, 1922–73  
Emer Crooke, B.A., M.A.  
Thesis submitted for the degree of Ph.D Jan 2014, Maynooth. 
p. 116- 119. In another case, on 16 March 1954 the Land Commission wrote to the O.P.W. to say that they had for sale, on a Land Commission owned estate in Roscommon, Mote Park House with ‘a suitable area of accommodation land if required’.31 They described the mansion as ‘an imposing structure, in an excellent state of repair and would appear to be suitable for use as a hospital, sanatorium, school, etc.’32 The commission enquired if the O.P.W. would be interested in the purchase of the property and declared that if they did not receive a reply in twenty-one days they would assume they did not require the property and ‘other arrangements for its disposal will be made’.33 Ten days later the O.P.W. replied briefly to say that the premises were not required by them, suggesting both in the actual reply and its brevity that no interest was shown by the O.P.W. in the property, despite the willingness of the Land Commission to let them know of it for their further information and the commission’s positive comments about its repair and possible use.34 Three years later the Land Commission contacted the O.P.W. again to inform them that efforts which had been made by the commission ‘to sell the building with certain accommodation lands as a residential holding’, their first preference, had failed and they then proposed to sell the building for demolition. This was only considered when they could not sell the house as a residence and the O.P.W. was not interested in maintaining it. Furthermore, it was not in the Land Commission’s remit or budget to have been able to decide to keep and preserve this house; the O.P.W. was the only department which could do so and, if it refused, the commission was in no position but to sell or, if that proved impossible, demolish. However, even after the O.P.W’.s previous brief response the Land Commission did not demolish without thought and its officer wrote again to the O.P.W. stating:  
before any decision is taken in the matter the Land Commission will be glad to know whether the building is of any historical or architectural importance and if so whether you are interested in preserving the building, either as a complete structure or as a roofless shell and whether you would be prepared to take over the building and its site at a nominal sum.35  
On 5 November a member of the O.P.W. requested a report from the Inspector of National Monuments on the matter.36 Having received no reply at all from a seemingly unconcerned O.P.W., on 30 November the Land Commission wrote again to them requesting an early reply and reminding them of their previous letters; they did so again in December.37 As a result the O.P.W. sent a reminder to the inspector on 5 December, 2 January and 28 January 1958 asking for his report.38 Nonetheless, the Land Commission was obliged to send a further letter to the O.P.W. on 27 January asking that they deal with the matter urgently.39 The O.P.W. finally replied on 10 February that their Inspector of National Monuments had not yet found it possible to inspect the property to assess if it would be eligible for preservation as a national monument under the 1930 act, but they hoped this would be arranged shortly and would write when it had been.40 Their inspector, Leask, was again behind the refusal to recognise Mote Park House as a national monument as when he finally carried out his report he described the house as a ‘large, but not very attractive stone mansion of mid nineteenth-century appearance’.41 It did not merit the effort of an interior inspection for him and he concluded: ‘there does not appear to be anything worthy of consideration for state care’.42 Subsequently the O.P.W. informed the Land Commission: ‘we do not consider that the house … is of sufficient interest to merit preservation by the state as a national monument’.43 Following this the Land Commission went ahead with arranging for the disposal of the property and on 6 September 1958 the Irish Independent ran an advertisement by the Land Commission announcing the sale by tender of Mote Park.44 Two options were listed: the first was ‘Mote Park house, steward’s house, out-offices and 112 acres of accommodation lands; the second was ‘alternatively, Mote Park House and some of the buildings for demolition (in lots)’.45 Mote Park House was sold under this second option and demolished in 1958, although it is clear from the evidence here that this was not the preference of the Land Commission who first enquired if the house could be saved. 
27 H. G. L. and J. R. joint honorary secretaries of the N.M.A.C. to the secretary of the Department of Lands (forestry division), 15 June 1945 (N.A.I., O.P.W. files, F94/574/1).  
28 J. Darby, Department of Lands, to the secretary of the N.M.A.C., 10 May 1945 (N.A.I., O.P.W. files, F94/574/1).  
29 H. G. Leask handwritten note to division C, O.P.W., 17 May 1945 on letter from J. Darby, Department of Lands to the N.M.A.C., 10 May 1945 (N.A.I., O.P.W. files, F94/574/1).  
30 Ibid.  
31 The Land Commission to the O.P.W., 16 Mar. 1954 (N.A.I., O.P.W. files, F94/1084/1/57).  
32 Ibid.   
33 Ibid.  
34 O.P.W. to the Land Commission, 26 Mar. 1954 (N.A.I., O.P.W. files, F94/1084/1/57).  
35 The Land Commission to the O.P.W., 26 Oct. 1957 (N.A.I., O.P.W. files, F94/1084/1/57).  
36 Handwritten note addressed to the Inspector of National Monuments, 5 Nov. 1957 (N.A.I., O.P.W. files, F94/1084/1/57).   
37 The Land Commission to the O.P.W., 30 Nov. 1957; 31 Dec. 1957 (N.A.I., O.P.W. files, F94/1084/1/57).  
38 Handwritten note addressed to the Inspector of National Monuments, 5 Dec. 1957; 2 Jan. 1958; 28 Jan. 1958 (N.A.I., O.P.W. files, F94/1084/1/57).  
39 The Land Commission to the O.P.W., 27 Jan. 1958 (N.A.I., O.P.W. files, F94/1084/1/57).  
40 O.P.W. to the Land Commission, 10 Feb. 1958 (N.A.I., O.P.W. files, F94/1084/1/57).  
41 Handwritten note in O.P.W. files signed H. G., entitled: ‘Mote Park, county Roscommon’, 27 Feb. 1958 (N.A.I., O.P.W. files, F94/1084/1/57).  
42 Ibid.  
43 O.P.W. to the Land Commission, 8 Mar. 1958 (N.A.I., O.P.W. files, F94/1084/1/57).  
44 Irish Independent, 6 Sept. 1958.  
45 Ibid.   

Platten Hall, Co Meath – demolished

Platten Hall, Co Meath

Platten Hall, County Meath, courtesy Thomas U. Sadlier and Page L. Dickinson’s Georgian Mansions in Ireland, published in 1915 by Ponsonby and Gibbs, Dublin.
Platten Hall, County Meath, courtesy Thomas U. Sadlier and Page L. Dickinson’s Georgian Mansions in Ireland, published in 1915 by Ponsonby and Gibbs, Dublin.

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London. 

“(D’Arcy;IFR; Reeves;LGI1912; Gradwell, LGI1958) A very handsome red brick house with stone facings probably built ca 1700 by Alderman John Graham on an estate which, before the Williamite War, had belonged to a branch of the D’Arcy family. Considered by Dr Craig to be a possible work of William Robinson. Originally of three storeys; nine bay front, thee bay breakfront; splendid Baroque doorcase with segmental pediment, engaged Ionic columns and camber-headed fanlight. Camber-headed ground floor windows with scroll keystones. Long side elevations which in later years were largely blind; in the centre of one side, however, was a pedimented doorcase. Large two storey panelled hall with stairs and gallery of fine joinery; engaged fluted Corinthian columns superimposed on fluted Ionic columns. Carved frieze below gallery; fluted Corinthian newels and fluted balusters; ceiling with modillion cornice; floor of marble pavement. Oak panelling in dining room enriched with fluted Corinthian pilasters and elaborately carved segmental pediment over door. Pedimented stables at back of house. The house was originally set in a formal layout of elm avenues. Mrs Delany (then Mrs Pendarves) came to a ball here in 1731. A later John Graham left the estate 1777 to a friend, Graves Chamey; it was sold post 1800 to Robert Reeves, whose son, S.S. Reeves, removed the top storey, giving the house a rather truncated appearance. In later years, too, part of the house was derelict; which would explain why the side windows were bricked up. Platten Hall was sold post 1863 to J. J. Gradwelll; it was demolished ca 1950.” 

Platten Hall, County Meath, courtesy Mark Bence-Jones.
Platten Hall, County Meath, courtesy Mark Bence-Jones.
Platten, County Meath, dining room c. 1915, photograph: Milford Lewis, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

p. 115. “Very important three storey early 18C house attributed to William Robinson. The top floor was removed in the early 19C. Very fine interior which included a superb staircase and a panelled dining room. Built for Alderman John Graham. The dining room as re-erected in a house in Dublin. The house was demolished c. 1950.”

See also, for more on William Graham who lived at Platten Hall, Melanie Hayes, The Best Address in Town: Henrietta Street, Dublin and its First Residents 1720-80, published by Four Courts Press, Dublin 8, 2020.

Thomas U. Sadlier and Page L. Dickinson’s Georgian Mansions in Ireland, published in 1915 by Ponsonby and Gibbs, Dublin

A large bedroom, the door of which appears in LXVI is known as the Duke’s Room, the tradition being that Duke Schonberg’s body was laid in state here after the Boyne. 

“p. 81 For several centuries this property belonged to the Anglo-Norman family of D’Arcy. Sir John D’Arcy, a distinguished soldier under Edward III, sometime Constable of the Tower, came to Ireland in 1329, and for some years acted as Justiciary; he subsequently fought in both Scotland and in France, serving with distinction at the Battle of Crecy. The castle at Platten built by him passed at his death, 1347, to his younger son, William D’Arcy, father of John D’Arcy of Platten, who was sheriff of Meath in 1404 and 1415. Another Sir William D’Arcy, of Platten, the latter’s great-grandson, apparently a man of considerable bodily strength, carried Lambert Simmel on his back through Dublin, after he had been crowned in Christchurch, for which offence he was obliged to do homage and fealty to Sir Richard Edgecombe, Lord Deputy, in 1488. The family lived on here till the 17C, when they experience various vicissitudes. In 1641 they resisted the attack of Sir Henry Tichborne, ultimately surrendering Platten on terms by which the garrison departed without arms, but were allowed to take some of their good with them. It was perhaps at this period that the old chapel of the D’Arcys, some remains of which may yet be seen, became ruinous. Finally in 1690, on the attainder of Nicholas D’Arcy, who had taken sides with the Jacobites, the property was forfeited.

It next passed into the possession of Alderman John Graham, of Drogheda, a man of great wealth of whom we know little save that he bought landed property, doubtless at an undervalue, from the Commissioners of Forfeited Estates, and that for some years he sat in Parliament for his native city. On his death he was succeeded in the representation of that borough, and also at Platten, where he built the present residence, by his son William.

This William Graham married the Hon. Mary Granville, second daughter of George, Lord Lansdown; she doubtless met him at the court in Dublin when staying with her uncle, Lord Carteret, for he was Lord Leiutenant at the time of their marriage (1729). Thus the owner of Platten found [p. 82] himself allied with some of the first families in England – a circumstance which speedily led to his being sworn a member of the Irish Privy Council, and of coming to the notice of Mrs Delaney, or as she was then, Mrs Pendarves, his wife’s first cousin.”

“p 85 William Graham was sadly extravagant…spendthrift.” On his death, “Platten, in 1748, devolved on his elder son, John Graham, who in that year married Dorothy Sophia, daughter of Richard Gorges, of Kilbrew, in Meath.

‘We have unfortunately no further details as to life at Platten. Its owner, John Graham, seems to have become estranged from his family, and preferred to reside in Dublin, where he had a house in North Great George’s Street. Finally, on his death in 1777, all his property in Meath and Drogheda passed under his will to Graves Chamney, an intimate and valued friend, who for some years previously had resided in Platten Hall. The reason Mr Graham gives for thus passing over his wife and daughter in favour of Mr Chamney is “for his friendship in taking me out of gaol when my own and my wife’s relations would not relieve me.” Graves Chamney died unmarried in 1794, but the property remained in his family till soon after 1800, when it was sold to a Mr Robert Reeves, of Merrion Square, Dublin, who left it to his second son, Samuel Spaight Reeves. From this gentleman, who was resident here in 1863, and by whom the house was lowered a storey, it passed by purchase to John Joseph Gradwell, father of George Fitzgerald Gradwell, JP, the present landlord.”

Platten Hall, County Meath, courtesy Thomas U. Sadlier and Page L. Dickinson’s Georgian Mansions in Ireland, published in 1915 by Ponsonby and Gibbs, Dublin.
Platten Hall, County Meath, courtesy Thomas U. Sadlier and Page L. Dickinson’s Georgian Mansions in Ireland, published in 1915 by Ponsonby and Gibbs, Dublin.
Platten Hall, County Meath, courtesy Thomas U. Sadlier and Page L. Dickinson’s Georgian Mansions in Ireland, published in 1915 by Ponsonby and Gibbs, Dublin.

No longer exists 

https://archiseek.com/2014/1700-platten-hall-co-meath

1700 – Platten Hall, Co. Meath 

Architect: Sir William Robinson 

Construction started circa 1700 for Alderman John Graham. According to Maurice Craig, possibly designed by Sir William Robinson. Demolished in the 1950s. Replaced by a smaller house on the same site. The farmyard building to the rear still exists. 

A description of 1906: “It is an ugly building now, in spite of its rich red colouring; but in former days, when it was a story higher, and had a gabled roof, its appearance was doubtless more attractive.  

Like all early Georgian houses, the main entrance is on a level with the ground ; it opens into the imposing hall, which contains a handsome grand staircase in three flights,/ supported by six Ionic columns, the floor being paved in black and white marble. The walls are panelled, and there are other symptoms of early construction; there is some tasteful decoration, the frieze being very richly carved, and displaying tiny figures, quite Jacobean in treatment. Note, too, the gallery, which we also illustrate, with its handsome balustrading, with ramps at the newels. Below the gallery the panels are in plaster.  

Platten once afforded considerable accommodation, but one wing has been allowed to fall into disrepair, as its bricked-up windows show, and the excellent rooms in the basement are no longer utilized.  

….the dining-room, a large apartment panelled in oak, which is to the right as we enter the hall ; it has handsome high doors with brass locks, and the wainscot is ornamented with boldly carved fluted pilasters. There is a curious, probably early Georgian, mantel in white and grey marble.” 

Anyone familiar with the Irish Georgian Society will know that the original organisation of that name was established in 1908 with the specific intention of creating a record of the country’s 18th century domestic architecture. Five volumes were produced over successive years, the first four devoted to Dublin while the last, which appeared in 1913, made an attempt to provide an overview of country houses. Two years later, another work, Georgian Mansions in Ireland, appeared. This book, written by barrister and genealogist Thomas U. Sadleir and architect Page L. Dickinson, both members of the now-dissolved Irish Georgian Society, was intended to correct what they believed to have been a problem with the earlier work: namely that its compilers ‘laboured under a disadvantage, for they had but slight knowledge of the existing material.’ The two authors proposed that whereas the compilers of the Irish Georgian Society volumes were well informed about historic buildings in Dublin, ‘as regards the country districts, their number, their history and their situation were alike unknown.’ For Sadleir and Dickinson, writing almost a century ago, the contrast between historic properties in Dublin and the rest of the country could not have been more stark. The former’s large houses, ‘so far from being, as they once were, the residences of the rich, are too often the dwellings of the poor; at best, hotels, offices or institutions. But the country houses present a delightful contrast. Some, no doubt, have gone through a “Castle Rackrent” stage; but – as anyone who cares to consult the long list in the fifth Georgian volume must admit – the vast majority are still family seats, often enriched with the treasures of former generations of wealthy art-lovers and travelled collectors.’ 
It is unlikely the authors would have been able to write such words even a decade later, and certainly not today. ‘Irish houses seldom contain valuable china,’ they advised, ‘but good pictures, plate, and eighteenth-century furniture are not uncommon. How delightful it would be to preserve the individual history of these treasures! The silver bowl on which a spinster aunt lent money to some spendthrift owner, and then returned when a more prudent heir inherited; the family pictures, by Reynolds, Romney, Battoni, or that fashionable Irish artist Hugh Hamilton, preserved by that grandmother who removed to London, and lived to be ninety; the Chippendale chairs which had lain forgotten in an attic. Even the estates themselves have often only been preserved by the saving effects of a long minority, the law of entail, or marriage with an English heiress.’ 
Below are three houses featured in Georgian Mansions in Ireland, with a selection of the pictures included in the book. The line drawings are by the architect Richard Orpen, who had been in partnership with Dickinson before the outbreak of the First World War. 

Platten Hall, County Meath dated from c. 1700 and was built for Alderman John Graham of Drogheda: Maurice Craig proposed the architect responsible was Sir William Robinson. Built of red brick and with a tripartite nine-bay facade, it was originally three-storied but the uppermost floor was removed in the 19th century. Alderman Graham’s son William Graham married the Hon. Mary Granville, second daughter of George, Lord Lansdown and cousin of the inestimable Mrs Delaney who visited Platten on several occasions during her first marriage (when she was known as Mrs Pendarves). Sadleir and Dickinson quote one of her letters from January 1733, in which she described a ball given in the house: ‘we began at seven;  danced thirty-six dances, with only resting once, supped at twelve, everyone by their partner, at a long table which was handsomely filled with all manner of cold meats, sweetmeats, creams, and jellies. Two or three of the young ladies sang. I was asked for my song, and gave them “Hopp’d She”; that occasioned some mirth. At two we went to dancing again, most of the ladies determined not to leave Plattin till daybreak, they having three miles to go home, so we danced on till we were not able to dance any longer. Sir Thomas Prendergast is an excellent dancer – dances with great spirit, and in very good time. We did not go to bed till past eight; the company staid all that time, but part of the morning was spent in little plays. We met the next morning at twelve (very rakish indeed), went early to bed that night, and were perfectly refreshed on Saturday morning. …’ As for Platten when they knew it, Sadleir and Dickinson comment: ‘Like all early Georgian houses, the main entrance is on a level with the ground; it opens into the imposing hall, which contains a handsome grand staircase in three flights, supported by six Ionic columns, the floor being paved in black and white marble. The walls are panelled, and there are other symptoms of early construction; there is some tasteful decoration, the frieze being very richly carved, and displaying tiny figures, quite Jacobean in treatment. Note, too, the gallery, which we also illustrate, with its handsome balustrading, with ramps at the newels. Below the gallery the panels are in plaster. 
Platten once afforded considerable accommodation, but one wing has been allowed to fall into disrepair, as its bricked-up windows show, and the excellent rooms in the basement are no longer utilized…the dining-room, a large apartment panelled in oak, which is to the right as we enter the hall; it has handsome high doors with brass locks, and the wainscot is ornamented with boldly carved fluted pilasters. There is a curious, probably early Georgian, mantel in white and grey marble.’ 
Platten Hall was demolished in the early 1950s. 

http://meathhistoryhub.ie/houses-k-p/ 

Platten Hall was located at Donore, just west of Drogheda. Today the cement works occupy part of the estate. Bence-Jones described Platten Hall as a ‘very handsome red brick house with stone facings’ probably from about 1700. Craig considered it possibly the work of Sir William Robinson for John Graham. A large red-brick mansion the design occupied three sides of a square. Situated in an extensive demesne, originally wide avenues of elms radiated from it on all sides, like the spokes of a cart-wheel — a plan fashionable in England; but unfortunately these did not remain perfect. It had a large hall with an open staircase of three flights. Samuel Reeves took a storey off the house in the mid nineteenth century. One wing was closed off and the windows bricked up. The house was demolished in the second half of the twentieth century. The house may have replaced a medieval castle, belonging to the D’Arcy family. The house was originally set out in a formal layout of elm avenues. The church in the grounds was sued as a mausoleum by the successive residents of the Hall. Octagonal pigeon house attached to Platten Hall  

According to ‘The parish of Duleek and over the Ditches’ Plattin was purchased from the Forfeited Estates Court by Alderman John Graham of Drogheda. John Graham was the eldest son of Robert Graham of Ballyheridan, Co. Armagh. The Darcy family had held the property before the Battle of the Boyne. Platten being between Oldbridge and Duleek featured in the battle of the Boyne. Graham erected the three-storey red-brick mansion where he resided until his death in 1717. His second son, William, succeeded as he disinherited his first son, Richard. 

Mrs. Delaney (Pendarves) wrote of the Christmas at Platen in 1732 –  ‘We are to have a ball, and a ball we had; nine couples of as clover dancers as ever tripped. We began at seven, danced thirty-six dances, with only resting once, supped at twelve, everyone by their partner at a long table which was handsomely filled with all manners of cold meats, sweetmeats, creams and jellies. Two or three young ladies sang. At two we started dancing again; most of the ladies determined not to leave Platten till daybreak so we dance don until we were not able to dance any longer. We did not get to bed till past eight.’  A regular visitor to the Grahams Mrs Delaney makes a number of mentions of balls in their home. 

The extravagance of William Graham was a matter of public notoriety. Swift had to write to him as he did not meet the rent of a premises he held from St. Patrick’s Cathedral. In 1734 Dean Swift wrote to Mrs. Delaney (Pendarves) that Mr. Graham was ruining himself as fast as possible. One of the bedrooms in the house was called the Duke’s Room after the Duke of Dorset, Lord Lieutenant of Ireland who visited the house in 1732 when the Boyne Obelisk was unveiled. 

William Graham died in 1748 and was succeeded by his son, John, who was M.P. for Drogheda 1749-1768. John married Dorothy Gorges of Kilbrew. John was High Sheriff of Meath in 1753. When John died in 1777 all his property went to his steward, Graves Chamney. Graves Chamney became heir as Graham said he had succeeded in ‘taking me  out of prison when my wife and relations would not  relieve me.’ He was   obviously in gaol for debt. Graham  resided for the most part in his house North Great Georges Street, Dublin rather than at Plattin. A branch of the Graham family settled at Cromore House, Doneraile, Co. Cork. 

In 1800 the property was sold to Robert Reeves of Dublin who bequeathed it to his second son, Samuel Speight Reeves. From Samuel the property passed to John Joseph Gradwell, High Sheriff of Drogheda in 1855. The Gradwells from Preston had already purchased Dowth Hall.  Mr. Gradwell died in 1873 and was succeeded by his son, George Fitzgerald Gradwell. The Gradwells were involved in the milling trade in Drogheda. In 1876 Ellen Gradwell of Platten Hall held 615 acres in county Meath. He had three sons and was succeeded by the third son, Francis William Edward Gradwell in 1933 and he was living in the house in 1941. The house passed through the hands of T.J. O’Neill and D’Arcy Slone. The house became derelict and was demolished. 

Towerhill, Ballyglass, Co Mayo – ruin

Towerhill, Ballyglass, Co Mayo – lost 

Towerhill, County Mayo entrance front c. 1975, photograph William Garner, Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

“(Blake, Bt. of Menlough/PB) p. 275. “(Blake, Bt. of Menlough/PB) A two storey house of ca 1790. Entrance front of six bays with pedimented breakfront centre and round-headed rusticated doorway. Adamesque interior plasterwork. Sold post WWII to Lt-Col A.J. Blake, now a ruin” 

In Blake, Tarquin. Abandoned Mansions of Ireland. Collins Press, Cork, 2010.

Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

http://davidhicksbook.blogspot.com/search?updated-max=2018-01-10T11:43:00-08:00&max-results=7&start=5&by-date=false 

WEDNESDAY, 13 SEPTEMBER 2017 

Towerhill House 

Carnacon, Co. Mayo 

A castle surrounded by trees

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The Entrance Front of Towerhill as it once was  
and as it is today, the ruin disguised by trees and ivy Picture ( bottom) Copyright ICHC, Picture ( Top) from Walking Holidays Ireland Website 

One country house in Mayo has a direct connection with the famous Green and Red of Mayo, the colours that the GAA county footballers wear when they go to battle in CrokePark. The demesne that surrounds Towerhill House near Carnacon in County Mayo is said to have been the setting for a Gaelic football match organised by the Blake Family, for whom Towerhill was their ancestral home. It was here on the 23rd January 1887 that the local team from nearby Carnacon first wore a green and red jersey which was the origin of the colours that the Mayo team wear today. This event is commentated with a plaque at the gates that once formed the main approach to the house. The Blakes were Catholic landlords who provided employment, built a local school and also are credited with supporting the early incarnation of the Gaelic Athletic Association. Unfortunately Towerhill has not survived but has disappeared from view, surrounded by a forest of trees that obscure its very existence. The two storey over basement classical style house, unique in having a pediment on each of its four facades, is now indistinguishable from the ivy covered hulk we see today. Towerhill was once the home of the prominent Blake family who descended from John Blake, the 4th son of Sir Valentine Blake of Menlo in Galway. The Blakes of Towerhill were relatives of prominent families in the locatity such as the Blakes of Ballinafad House and the Moore Family of Moore Hall. The writer, George Moore once said ”Moore Hall had always seemed to me to be a mansion house inferior to Clogher and Tower Hill‘.  

An old stone building

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The Entrance Gates to Towerhill near 
Carnacon, Co. Mayo Picture ( above)  Copyright ICHC  

The mansion near Carnacon in Mayo was said to have been built for Isidore Blake, who died in December 1818, so the only thing known is that the house was built prior to this date. However Isidore married in 1767 which could give us a better indication of when the house was built. Isidore’s son, Maurice Blake, born in 1771, married Maria O’Connor, the daughter of Valentine O’Connor in August 1803. The marriage produced a son and heir to Towerhill, Valentine O’Connor Blake who was born in 1808. Valentine O’Connor Blake married the Honourable Margaret Mary ffrench the daughter of Charles Austin ffrench, 3rd Baron ffrench of Castle ffrench in Galway. Lord ffrench died in September 1860, aged 74 years, and strangely he is buried in the Blake family vault outside the church in Carnacon rather than in the ffrench family vault. Valentine O’Connor Blake was the High Sheriff in Mayo in 1839 and was said to have been one of the first Catholics since the Reformation to hold that position. Valentine O’Connor Blake died in 1879, aged 71 at St. Kevin’s, Bray in Co. Wicklow where it is said he had been staying for a number of months. His remains were conveyed by rail to Claremorris Station where they were met by horse drawn hearse and brought to Towerhill. Here they lay until his burial in nearby Carnacon in the Blake family vault where his hearse was followed by a procession of  250 of the tenants of the estate.  

A castle surrounded by a body of water

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Bunowen Castle near Ballyconnely,Galway, 
 The summer residence of the Blake Family  
from Towerhill Picture ( above)  Copyright ICHC  

Another property owned by the Blakes of Towerhill was Bunowen Castle in Co. Galway which they used as a summer residence due to its maritime location. In 1853, Valentine O’Connor Blake bought Bunowen Castle and the estate in the parish of Ballindoon, Co Galway, from John Augustus O’Neill. Valentine improved the castle and made it habitable. In the 1870’s, Valentine O’Connor Blake of Towerhill and BunowenCastle owned 4,198 acres in county Mayo and 7,690 acres in county Galway. The demesne around the house of Towerhill alone extended to over 300 acres. After the death of Valentine O’Connor Blake, Towerhill passed to his eldest son, Maurice and Bunowen passed to his second son, Charles, who made further improvements to the castle and left it ‘ as imposing as any of the other Galway mansions’. However Charles choose not to live there as he had purchased in 1880, Heath House at Maryborough and therefore a younger brother Thomas went to live at Bunowen. The Galwayproperty was sold to the Congested Districts Board in 1909 and half the Mayo property in February 1914. Bunowen Castle is a ruin today, however it seems to have faired slightly better than Towerhill. 

A picture containing text, map

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A site map showing the extent of the Towerhill Demense Picture ( above)  Copyright OSI 

In 1894, Towerhill is recorded as being the fine home of Colonel Maurice Blake, he had married Jeanette in 1863, the only daughter of a surgeon named Pierce O’Reilly from Dublin. Colonel Blake was the High Sheriff of Mayo, a Colonel in the Mayo Militia and was the Foreman of the Grand Jury. At the time of the 1901 census, Maurice Blake and his wife, Jeannette are living in Towerhill with their son Valentine aged 34 and his three sisters Olivia aged 35, Georgina aged 22 and Margaret aged 25. Maurice’s brother, Thomas, who is a barrister aged 51 and  listed as being born at Towerhill is also present in the house. Staff in the house on the night of the census extended to five female servants and a groom.  In the same year, a serious fire occurred in the stables of Towerhill which threatened all the buildings in the yard near the rear of the house. Colonel Blake dispatched his three daughters on bicycles, to cycle through the village and gather as many people as possible to help put out the fire. Horses, carriages and carts were rescued from the stables before the roof collapsed. A section of the roof near the adjoining buildings was pulled down in case the fire might spread. By 1904, plans were afoot by the local tenants for the estate to be broken up and the land sold to them, if the sale price was agreeable to all parties involved. At the time of the 1911 census, Maurice Blake is still in residence in Towerhill, he is now aged 73, is a retired Colonel, a Roman Catholic and his birthplace is listed as being Dublin. He shares the mansion with his wife, Jeannette aged 69, their daughters Olivia, aged 45, Georgina, aged 42 and Margaret aged 36 all of whom were born in Dublin and are unmarried. Maurice’s son Valentine also lives in Towerhill, he is a retired Captain aged 44 and is also unmarried. Staff in Towerhill included five female servants and Michael Hayden aged 28 from Tipperary who is the Butler. The house is recorded as having 31 rooms and 30 outbuildings. 

A view of a forest

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A surviving fragment of the window that once 
over looked the landing of the staircase Picture ( above)  Copyright ICHC 

Some of Maurice Blake’s children predeceased him, his daughter Cecelia Mary died in 1888 and Frances Mary died in 1897. In 1913, Maurice’s second son Charles died at Towerhill of pneumonia which developed after a day out shooting on the estate.  In April 1915, Colonel Maurice Charles Joseph Blake died aged 77 years and left an estate valued at £5,938.00. His wife Jeannette died just over a year later in Dublin when visiting friends in December 1916, followed by the death of her daughter Margaret Mary in October 1938. Towerhill passed to the eldest son Valentine  while his sisters Georgina and Olivia Blake continued to live in the mansion with him. This is evident from the number of advertisements they placed in the 1940’s looking for suitable parlour maids. However it was the death of Valentine that heralded the end for Towerhill as the home of the Blake family. Valentine Joseph Blake died, unmarried, aged 81, in July 1947 at Towerhill and left an estate in his will valued at £8,705. His two sisters remained living in the house for roughly another year after which they auctioned the contents in 1948. The auction took place over a number of days after which, the sisters moved to Loftus Hall, a convent, in Co. Wexford. Allen and Townsend Auctioneers were tasked with the sale that included furniture, live stock, farm implements and household effects to take place on the 18th and 19th May 1948. Items sold included a full sized billiard table, full sized concert grand piano and the contents of nine bedrooms. It was recorded prior to the sale that the house contained  ‘many fine apartments, antique furniture and portraits in oils of various members of the family adorn the walls’ howeverthere is no mention made of any of the family portraits being sold. 

A large stone building

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The memorial over the Blake Family vault in Carnacon Church which is 
located near Towerhill Picture ( above)  Copyright ICHC  

With the departure of the sisters to Wexford, in June 1949, a demolition sale was announced for Towerhill, where ‘first class’ materials were available for purchase. The walls of Towerhill were to be stripped bare as the advertisement speaks of a ‘Highly Important Demolition Auction’ where items for sale include  ‘ Timber, Joists, Rafters, Mahogany Doors, Slates, Slate Slabs, Mouldings, Panels, Mantelpieces, Fire grates etc. etc.‘ The house has remained as a ruin but this sadly cannot not be appreciated today. As can be seen from the photographs, the house is barley visible, surround by tress and covered with ivy. Here and there, little glimpses of former grandeur can be seen. Fragments remain of the curved headed window that once stood on the half landing of the stairs that overlooked a very wide hall. Today even if you stood within 10 feet of the house, its ruin is invisible as the forest has become so thick that surrounds it. The Blake sisters spent the rest of their lives in St. Mary’s Convent, Loftus Hall, Wexford where Georgina Blake died in January 1959 at and Olivia died in 1966,  both were returned for burial in the family vault in Carnacon. 
 

A vintage photo of an old building

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The ruin of Towerhill prior to it being surrounded by trees  
and its walls covered in ivy. Picture ( above)  Copyright The Architectural Archive 
A bridge over a body of water

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The elegant bridge which once provided access to  the entrance front of Towerhill Picture ( above)  Copyright ICHC  

While the main gates of Towerhill are in relatively good condition, a decorative bridge found near the house has become badly damaged over the years. This is also obscured by trees and other vegetation with sections of the decorative balustrade having fallen into the stream below. This structure with its elegant arch spans a river that was realigned for Valentine O’Connor Blake in the 1850’s as a famine relief drainage project. Today the only visible trace of the Blakes of Towerhill in the locality of Carnacon is a monument found over the Blake family vault in the grounds of the nearby church yard. While I understand that Towerhill is a ruin and the home to some rare bats surely something can be done to protect and consolidate these ruins and the nearby bridge. Yet again, I am astounded as I travel the country looking at buildings of this nature, that the word ‘protected structure’ is bandied about. Therefore I ask, looking at the photographs here, how is the ruin of Towerhill or its surround structures protected by Mayo County Council. While this house will never be anything more than a ruin, it could be maintained in a fashion so that it could be appreciated as a piece of the architectural and cultural heritage of Mayo. 

An old barn in a forest

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The entrance hall of Towerhill is barely distinguishable  from the foliage that is slowly encroaching on the ruin. Picture ( above)  Copyright ICHC  
A close up of a lush green forest

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The entrance front of Towerhill is shrouded in ivy, only the  faint outline of the window opes and pediment give any indication of what lies beneath. Picture ( above)  Copyright ICHC  

State-Sponsored Neglect 

Sep13 by theirishaesthete  

Picture 
Above are the front and rear elevations of Towerhill, County Mayo, a house believed to date from the close of the 18th century when built for Isidore Blake, whose descendants continued to own the property until 1948 when the building’s contents were auctioned and the place itself subsequently stripped of everything that might be removed, slates from the roof, floorboards and doorcases, chimneypieces and so forth. Of six bays and two storeys over basement, Towerhill is unusual in that all four sides of the house are pedimented, and finished to the same high standard; the architect responsible for this work is unknown. The property is now owned by the state’s forestry body, Coillte, which accounts for its neglected condition. 

Summerhill (or Summer Hill) House, Killala, Co Mayo – ruin

Summerhill (or Summer Hill) House, Killala, Co Mayo – lost 

Mark Bence-Jones. A Guide to Irish Country Houses (originally published as Burke’s Guide to Country Houses volume 1 Ireland by Burke’s Peerage Ltd. 1978); Revised edition 1988 Constable and Company Ltd, London.

“(Palmer/LG1875) A distinguished gable-ended mid-C18 house of two storeys over basement; with a resemblance to the nearly homonymous Summer Grove, Co Laois. Five bay front with one bay pedimented breakfront centre. Pediment with oculus and broken base-moulding; central Venetian window above shouldered doorcase with entablature flanked by small windows. Rectangular light above door with curving diamond glazing. Interior plasterwork in a simple and somewhat primitive rococo, complete with the odd rather amateurly moulded bird. Originally the seat of a branch of the Bourke family, subsequently of the Palmer family; now falling into ruin.

Listed in Vanishing Country Houses of Ireland by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, published by The Irish Architectural Archive and The Irish Georgian Society, 1988.

p. 111. “A very interesting and attractive mid18C pedimented and gable-ended house. A two storey wing was added at a later date. The roof is of interest in that it is covered with sandstone slabs rather than slates. In 1814 the seat of Thomas Palmer. Derelict.”

https://www.buildingsofireland.ie/buildings-search/building/31301502/summerhill-house-rathfran-mullaghnacross-co-mayo

Summerhill, County Mayo, courtesy National Inventory.

Detached five-bay two-storey over part raised basement country house with dormer attic, extant 1777, on a shallow cruciform plan centred on single-bay full-height pedimented breakfront; three-bay two-storey rear (north) elevation centred on single-bay full-height gabled breakfront. Occupied, 1911. Sold, 1929. Derelict, 1976. Now in ruins. Pitched roof on a cruciform plan now missing with fine roughcast chimney stacks having shallow stringcourses below cut-limestone capping, and no rainwater goods surviving on tooled cut-limestone “Cyma Recta” or “Cyma Reversa” cornice centred on “Cyma Recta” or “Cyma Reversa” open bed pediment (breakfront). Fine roughcast walls on chamfered cushion course on fine roughcast base with concealed tooled hammered limestone flush quoins to corners. Square-headed central door opening approached by flight of overgrown steps with dragged cut-limestone lugged surround supporting “Cyma Recta” or “Cyma Reversa” cornice on pulvinated frieze. Square-headed flanking window openings with drag edged dragged cut-limestone sills, and dragged cut-limestone surrounds with four-over-four timber sash windows now missing. “Venetian Window” (first floor) with drag edged dragged cut-limestone sill, and dragged cut-limestone surround centred on keystone with six-over-six timber sash window now missing. Square-headed window openings with drag edged dragged cut-limestone sills, and drag edged dragged cut-limestone lintels with six-over-six timber sash windows now missing. Square-headed window openings (gables) with drag edged dragged cut-limestone sills, and concealed dressings framing some four-over-two timber sash windows. Interior in ruins including (ground floor): central hall retaining remains of carved timber surrounds to window openings framing timber panelled reveals or shutters with remains of carved timber surrounds to door openings framing timber panelled reveals, and run moulded plasterwork cornice to ceiling; and remains of timber surrounds to door openings to remainder framing timber panelled reveals with remains of timber surrounds to window openings framing timber panelled reveals or shutters. Set in unkempt grounds on a slightly elevated site with drag edged rusticated limestone ashlar piers to perimeter having beaded stringcourses below drag edged dragged cut-limestone capping. Additional photography by James Fraher 

Appraisal 

The shell of a country house representing an important component of the mid eighteenth-century domestic built heritage of north County Mayo with the architectural value of the composition, one annotated as “Summer hill [of] Palmer Esquire” by Taylor and Skinner (1778 pl. 219), confirmed by such attributes as the deliberate alignment maximising on panoramic vistas overlooking the medieval Rathfran Abbey [SMR MA015-031005-] with the meandering Palmerstown River estuary as a backdrop; the symmetrical footprint centred on a Classically-detailed breakfront; the uniform or near-uniform proportions of the openings on each floor; and the high pitched roof once showing a so-called “Lackan Stone” or “Mayo Slate” finish (cf. 31301406). Although reduced to ruins in the later twentieth century, a prolonged period of neglect eradicating all traces of ‘plasterwork in a simple and somewhat primitive Rococo’ (Bence-Jones 1978, 268), the elementary form and massing survive intact together with fragments of the original fabric, both to the exterior and to the interior, thus upholding much of the character or integrity of the composition. Furthermore, adjacent outbuildings (extant 1838); and a walled garden (see 31301503), all continue to contribute positively to the group and setting values of a self-contained estate having historic connections with the Palmer family including Thomas Palmer Senior (—-), one-time High Sheriff of County Mayo (fl. 1809; Lewis 1837 II, 610); and Thomas Palmer Junior JP (—-; Burke 1871 II, 1045); and the McCormick family including William Ormsby McCormick JP (1819-94) and Frederick C. McCormick (—-), ‘Farmer’ (NA 1911). 

Summerhill, County Mayo, courtesy National Inventory.
Summerhill, County Mayo, courtesy National Inventory.
Summerhill, County Mayo, courtesy National Inventory.
Summerhill, County Mayo, courtesy National Inventory.
Summerhill, County Mayo, courtesy National Inventory.
Summerhill, County Mayo, courtesy National Inventory.
Summerhill, County Mayo, courtesy National Inventory.
Summerhill, County Mayo, courtesy National Inventory.

In Blake, Tarquin. Abandoned Mansions of Ireland II: More Portraits of Forgotten Stately Homes. Collins Press, Cork, 2012. 

The shell of Summerhill, County Mayo, a house that retained its roof within living memory. Summerhill is believed to have been built in the 1770s for the Palmer family its five-bay façade centred on a pedimented breakfront with first-floor Venetian window. The site on raised ground was chosen to provide a view down towards the Palmerstown river beside which stand the ruins of the Dominican Rathfran Friary. Today the two complexes rival each other in decay. 

Summerhill, County Meath has featured here before (see My Name is Ozymandias « The Irish Aesthete)  and is well-known as one of Ireland’s great lost country houses. But its namesake in County Mayo is probably less familiar to readers, although its striking remains are hard to miss when travelling through that part of the island. This second Summerhill was built and occupied by a branch of the Palmer family, which has also featured here (see Lackin’ a Roof « The Irish Aesthete). According to Burke’s Landed Gentry of 1846, ‘This family, long settled in Co Mayo, derives from a common ancestor with the Palmers of Palmerstown and Rush House, and is presumed to have been originally from Kent.’ By the second half of the 18th century, the Palmers owned a number of estates in north Mayo, Summerhill being one of them.  

Summerhill may have been built by Thomas Palmer, who died in 1757, or perhaps by his son, also called Thomas (as were successive generations of this branch of the family), meaning it was likely constructed around the mid-18th century. In 1798 the property was let to one John Bourke who, in August, following the landing nearby of a French force under General Humbert, organised to have the house secured. This proved a wise precaution as a number of other such properties in the area, including Castlereagh, seat of Arthur Knox, and Castle Lacken, owned by Sir John Palmer, were attacked and pillaged by a mob. Bourke’s home found itself under siege by the same band until a French officer based in Killala, Col Armand Charost, despatched a number of his troops, as was later reported, ‘to Summerhill to appease the mob, and another party of men to Castlereagh to save what remained of the provisions and liquors. The appearance of the emissaries ended the siege at Mr. Bourke’s house; but the Castlereagh party, which consisted entirely of natives, could think of no better expedient for preserving the spirits from the thirsty bandits that coveted them than by concealing as much as they could in their own stomachs. The consequence was that they returned to Killala uproariously drunk. As for Castle Lacken, it was completely gutted, and the occupant and his large family were driven out to seek shelter as best they could find it.’ Within a few years of these events, the Palmers were back in residence at Summerhill, and recorded as living there by Samuel Lewis in 1837 and also by Burke in his 1846 guide to landed gentry. However, in the second half of the 19th century, the property was sold to the McCormack family, who remained there until c.1929 when what remained of the estate, running to some 296 acres, was broken up by the Land Commission and the house subsequently abandoned. 

In his 1978 Guide to Irish Country Houses, Mark Bence-Jones noted certain stylistic similarities between Summerhill and Summergrove, County Laois (see A Gem « The Irish Aesthete). Both houses are of five bays and two storeys over raised basement, with the central pedimented breakfront single bay featuring a doorcase reached by a flight of steps and flanked by sidelights below a first-floor Venetian window. Summerhill’s facade has an oculus within the pediment, whereas Summergrove has a Diocletian window, but certainly the two buildings share many features. However, whereas the latter still stands and is in good condition, the latter is now a roofless shell: photographs from just a few decades ago show the majority of slates still in place, but the house is now open to the elements. When Bence-Jones visited, the interiors were still reasonably intact: he included a photograph of ceiling stuccowork, describing it as ‘in a simple and somewhat primitive rococo, complete with the odd rather amateurishly-moulded  bird.’ All now gone, as can be seen, and inside the house nothing left but bits of timber and plaster.